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[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: I now "get" the RC-50.
I don't mind the RC50. But there are issues! (Off the top of my head without thinking about it too much...) 1.) not enough loops. I don't like overdubbing because the levels are hard to control. I might have to work on that, though. 2.) it does something funny to the sound (I THINK it's the RC50 that's doing it. I need to do a study of it. But I think it gates quiet passages.) 3.) I think it's noisy (pretty sure it's the RC 50) 4.) If Teddy is right, sync issues, which I haven't tested yet but, when I get around to it, could be fatal 5.) The built in modeling can't be turned off unless you're going in mic or aux. The modeling thing might be what causes the gating effect I'm hearing. What bothers me most about the modeling is that if and when I change loopers, the whole picture will change. However, I LOVE the sound I'm getting. The nice thing about not enough loops is it forces economy and sometimes economy forces creativity. And also thinking about structure, if structure is a part of your game. And the guide track has forced me to realize that I write a lot in 5 and 7/4. I would have run into that with the sequencer too, but I've been on an anti sequencer jag for a while now. I would never say it's a big waste of money because it's opened up whole new continents of possibility for me, GIANT continents!) but probably any quality sound looper could have done that. At some point I'm sure I'll graduate to a Looperlative, but I need to really study that. I haven't really done any real tests to see if the sound issues are the RC50 or the gizmos I have in the chain. Whenever I sit down to test it I start playing which always carries me away from the world of rational thinking, testing etc. And that by itself is worth much more than 500 ducks. richard sales glassWing farm and studio vancouver island, b.c. 800.545.6846 250.752.4816 www.glassWing.com www.richardsales.com www.hayleysales.com www.blueberryfieldsfarm.com On 13-Jun-07, at 7:59 AM, midifriedchicken@comcast.net wrote: I understand where you're coming from. But in the situation I outlined, it works great. Nobodys time is perfect that the loop is flawless. A drummer playing in time will always drift a little. Even if you are that perfect, you will never hit every loop all night at a gig.
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