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Re: here and now / evolving loops
> Thanks a lot to all !
> It was interesting knowing how do you manage with harmony.
>
> Fabio
> www.eterogeneo.com
>
>
> Il giorno 27/dic/08, alle ore 11:50, "Per Boysen"
> <perboysen@gmail.com> ha scritto:
>
>> Hi,
>>
>> This morning my Google Alert subscription turned up this old link for
>> me and it hit me that the video's music is a nice example of one of
>> the techniques discussed in this thread:
>> http://www.youtube.com/watch?v=pODg0W3YHH8
>>
>> Live Looping strategy:
>> In this tune the sax is played through an EDP set to "MooreLoops =
>> 3".
>> The loops are initially empty but in my mind I envision them as three
>> particular chords (don't remember the key now, but if that was D
>> minor
>> they should go as Bb, C and D minor - yep, simple stuff). In the
>> beginning of the track I play melodies lines and punch in notes now
>> and then into the loops (using SUS Substitute in EDP Replace Mode
>> with
>> "Secondary Feedback" somewhere around 70 percent). I make sure to
>> toggle a new loop before my melody improvisation reaches a note
>> that I
>> want to add to this particular loops "chord". As the piece develops
>> these three loops are being filled up with perculating chords and I
>> need to be more careful to jump around the loops in a manner that
>> makes musical sense regarding the "chords" they represent.
>>
>> Recording strategy:
>> The recording strategy was to have the sax direct sound and the EDP
>> live looping output recorded on two different mono channels. The EDP
>> recording was then run through a software filterbank plug-in, the one
>> form OhmForce whatever-its-name-is, that combines dynamic filtering
>> triggered both from an envelope follower to the sax input and from
>> beat synced LFOs.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se (Swedish)
>> www.looproom.com (international)
>> www.ubetoo.com/Artist.taf?_ArtistId=6550
>>
>>