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Re: another survey (wasRe: OT, but getting close to not-OT: guitar/sax improv sessions)
I started on piano then switched to guitar. David Gilmour and Mark
Knopfler made the prospect of putting up with my very old-school piano
teacher a non-starter.
I wasn't really aware that a thing called a "cello" existed until my
teens. Had I known when I was seven, I would have asked for lessons
on it instead of the piano. The vocal quality of it easily trumped
the polyphony of the piano to my ears...once I knew the damn thing
existed.
On the other hand, I fiind the Stick/Warr Guitar/touch-style
instruments are the most chronically under-exploited instrument ever.
A combination of the piano and the electric guitar? Brilliant! How
did this instrument not catch on like wildfire? Yet the results have
been consistently underwhelming for me, except when I saw Jim Lamphee
playing on a London street during lunchtime, which made me really
reconsider changing instrument again.
Angry Stick Players: let's just agree to disagree on this one.
TH
On 10/6/07, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> I've always wondered why someone chooses a particular instrument as their
> "voice" - multitimbral vs mono timbral - and, based on my own experience
>and
> conversations with others came to the conclusion (assumption?) that, in a
> lot of cases, it has to do with how you hear things/ organize sounds, in
> your head. When you think of a melody are you hearing single notes
>flowing
> one after the other, multiple voices running parallel, or more texturally
> (ie: notes stacked on top of each other)? When you pick up your
>instrument
> do you gravitate towards single note lines or a more chordal approach
>and is
> this based on preference or the physicality of the instrument? Another
> question I should have asked in my original post was: How many people
>have
> switched instruments to meet their needs.
>
>