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Re: Trouble Thinking of Loops Beyond the Initial Loop
(what Hendrix or someone would do)
I don't have any good sources for weed nowdays.
--
Paul
---- Richard Sales <richard@glasswing.com> wrote:
> One way I get around this is to imagine what Hendrix or someone would
> do. Usually it comes
> richard sales
> glassWing farm and studio
> vancouver island, b.c.
> 800.545.6846
> 250.752.4816
> www.glassWing.com
> www.richardsales.com
> www.hayleysales.com
> www.blueberryfieldsfarm.com
> On 15-Jun-07, at 10:32 AM, Bill Fox wrote:
>
> > Elmer Fuddski wrote:
> >> Total Block! Total Block! (from House of 1000 Corpses).
> >> I keep coming up with pretty good/interesting loops (guitar and drum
> >> backing) with my RC-50. But, I can't seem to develop a corresponding
> >> "verse" to the initial loop structure (following a somewhat standard
> >> song structure).
> >> Any ideas to help the creative juices flowing from this esteemed
> >> group of musucians?
> > If your "verse" were merely named the "A section," then you could free
> > your mind from totally formal song structures, if you so desire. Now
> > you can go to a "B section" with a little less trepidation regarding
> > its content. Less trepidation will help unblock your thoughts.
> >
> > One trick for your B section would be to change something from the A
> > section. For example, change the key. If "A" is in a major key, go
> > to the parallel minor key (same tonic) or to the relative minor key
> > (down a minor third). Or go up a full step.
> >
> > If "A" is in a minor key, one of my favorite modulations is down a
> > half step to a major key. Both keys share the exact same note for
> > their third degree. Example: "A" is in Am. It's third degree is C.
> > Modulating to Ab for the "B" section, or second loop, keeps C as the
> > third degree.
> >
> > There are lots of other modulations that are possible. Use one of
> > them for your next loop or next song.
> >
> > Cheers,
> >
> > Bill
> >