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Re: Defining "pro"
When I saw Robert solo soundscaping last year, I had a good talk with
John Sinks afterwards.
Robert had left a loop going on his TC2290's and a few of us were sitting
around listening to it
for 30 or so minutes afterwards. I noticed a "wonkiness" as Travis so
aptly puts it, around the
25 minute mark. It got worse and worse as the loop went on. John told me
that this is a design
bug that TC never bothered to address. This was one of the reasons that
Robert was going to
purchase 2 or 4 EDP's. He also mentioned one or two H8000's, man I wish I
had that kind of cash
sitting around...
It seems that Robert did purchase a few EDP's, though I don't know if
they are in his current
rack. Certainly the H8000's are.
And on the "Pro" vs. "Semi-Pro" vs. "amateur" topic, Robert has been
able to continually do
his music based on some wise real-estate investments many years ago. This
by definition takes him
out of the "Pro" category. It's all just talk...
Stephen
<<<Speaking of pro gear, as I recall the 2290's with the full sampling
memory had some bug where after a half hour or so, the loop would
begin to decay in some wonky manner, but with *marvelous* fidelity....>>>
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