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Re: Defining "pro"
i don't remember specifically, but i do remember paying to have it
fixed by gibson and it to this day it is unreliable. it still does
something weird where, if you leave it on for 5 or 6 hours, the output
gets real low and distorted. it's a great tool, when it's working, but
mine has been so unreliable that when my fellow musicians see it in my
rack, i get quizzical looks all around.
On Oct 18, 2005, at 3:46 PM, Travis Hartnett wrote:
> What did the problem turn out to be with the EDP when you travelled?
>
> TravisH
>
> On 10/18/05, monk <monk@fuse.net> wrote:
>> the two most important factors ( as someone who has been lucky enough
>> to make a decent living as a recording artist/ performer) is that
>> 1) it is roadworthy. that is to say that i can put it in a road case
>> and take it across the ocean and when i power it on, it works.
>> 2) that it has real live customer support. (this is where apple is
>> dropping the ball with logic.. i could go on and on, but i won't...)
>>
>>
>> sadly, two of my favorite pieces of gear failed in both areas. the EDP
>> and the Repeater. i love them both dearly, but both have failed the
>> test of reliability and customer support. once, the EDP refused to
>> work
>> at a festival in holland in front of 10,000 people. big drag...
>>
>> i still use the edp, but only with a backup. and only when i can live
>> without it.
>>
>>
>> has anyone looked into "bulletproofing" one of these things? making it
>> really solid?
>>
>