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[looper's] Re: WIERD SOUND DESIGN & cassette looping
In my guitar setup, I always have a very small, battery-powered amp on a
stool
to my left. When I press my headstock up against it, it generates a great
low-range, humming feedback at the lowest fundamental, very different from
typical high-gain feedback (it's fun in combination with that through my
main
amp, too). I'm sure everyone who plays guitar has discovered the amazing
resonance possible by leaning the guitar into a wall, a piano, a doorjamb,
etc...this gives a similiar kind of vibe. I find it a great way to get
infinite
sustain from a clean guitar sound, or to keep things going with my left
hand
while my right tweaks my delays & four-tracks.
Thanks for the cassette looping tips, sorry not to respond over my weekend
out
of town. I guess the definite answer I got is that I'd have to add
another head
to be able to monitor playback whilst recording, which I may try to do.
The
reason I'm sticking with cassette, as opposed to reel-to-reels, is that
they're
eminently portable, cheap, and lowfi, plus the built-in mixers and eq's
make
them instrument-like in their own right. I didn't realize that
Mini-Disk's had
looping capabilities, but if I wanted digital looping, I'd probably stick
with
my Zoom 2100. I'm an analog fiend! And a cheapskate!
In response to a question from Tim, yes, I use answering machine
cassettes, for
the longer (30 sec, 60 sec) loops. I've been constructing my own for short
ones, wrapping it around various poles inside the cassette case; I can get
about
an 8-sec loop this way (at reg speed). I also like wrinkling and abusing
the
tape itself, it yields fantastically gnarly sounds. I've also made some
where I
route the tape without passing near the erase head, so I get the
sound-on-sound
effect without having to mod the machine.
thanks much all!
Daryl Shawn
highhorse@mhorse.com