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Re: frisell's neck
he also mentions this in his great video, i'm thinkin...
or i could be wrong and i'll eat a bug
s
>
> FYI, some quotes directly from the man about this
>
>
> http://archive.guitarplayer.com/archive/artists/improv.shtml
>
> "I'll play one note, and while the delay expends that note, I can bend it
> around and get this kind of manual chorusing."
>
>
>
> http://www.geocities.com/BourbonStreet/Delta/2495/gp485_bf.htm
>
> Frisell began putting together the ingredients of his trademark airborne
> guitar sound in the mid '70s, and he often used his ingenuity to explore
> hidden ranges of timbral colors that are available with limited equipment
> resources. About 1975, he swapped his ES- 175 for a sad-looking, late-60s
> Gibson SG that served him well for several years, despite his penchant
>for
> tugging on the neck: "That neck is real flexible. There's hardly anything
> holding it to the body, so I bend it a lot. I'm still waiting for it to
>come
> off in my hands. It goes out of tune; if I play a chord, maybe a certain
> note will go out. By moving the neck a bit, I can bring different notes
>in
> and out of tune. I like that.' Combined with a delay unit, this hands-on
> technique can result in some disarming, woozy frequency sweeps. "I use a
> long echo on the delay," Bill explains, "and by bending the neck, it's
>like
> a manual chorus. When the machine is playing in the same time as the note
> you're fooling with, they rub against each other.'
>
>
>> From: "anti:clockwise" <anticlockwise@tensionheadache.org>
>> Reply-To: Loopers-Delight@loopers-delight.com
>> To: Loopers-Delight@loopers-delight.com
>> Subject: frisell's neck
>> Date: Thu, 12 Dec 2002 17:45:04 -0500
>>
>>
>>
>> well, i guess i did not describe accurately:
>> what i could swear i saw was bill f.'s hands on the machines, gently
>> tweaking them,
>> not the "neck rolf" as described by many weighers-in...
>>
>> but hell! if i'm wrong, isn't that what endorsement deals are for?
>>
>> hook me up,
>> a:c
>>
>>
>
>
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