Result for query 'paradis'
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39: (looping with the Paradis Loop Delay)
32: page. Matthias wrote a piece on the Echoplex's precursor, the Paradis
34: -Michael Peters (looping with the Paradis Loop Delay)
23: Maybe check out PARADIS, Rolf Spuler first. 0041 52 233 34 43
29: Rolf, my partner at PARADIS guitars had a son growing up in the middle of
32: (there was only a PARADIS and a Godin on the market an both stopped?).
199610/msg00372:Re: Okay, let's get philosophical: Performance Theory time
42: name. He borrowed (and kept, actually) one of the Paradis Loop Delays we
24: Matthias: I still run the old Paradis Loop Delay (forefather of the27: when upgrading the Paradis Delay with 4Meg chips?
199610/msg00284:Bug or Feature -- anyone else experience
23: That's something that clearly goes back to the pre-Echoplex Paradis Loop
24: >Matthias: I still run the old Paradis Loop Delay (forefather of the27: >when upgrading the Paradis Delay with 4Meg chips?
24: two friends of mine here in Cologne have a Paradis looper: Leander
23: > (there was only a PARADIS and a Godin on the market an both stopped?).25: Speaking of PARADIS, are they still around? I remember the PARADIS Avalon
47: Matthias Grob: Independent inventor, created the Paradis LoopDelay with
21: >Speaking of PARADIS, are they still around? I remember the PARADIS Avalon
23: (ps: to loopersouttadeknow, rolf is with paradis guitar)
27: Matthias has contributed the Playing Hints section of his original Paradis
30: My PARADIS has two frets more on the E string, so I have low D constantly
37: I'd like to see the paradis products and possibly use them or proto them
199611/msg00340:Re: Jam Man Odd Time / Plexs MIDI
93: Another option is to order them at PARADIS, but I am not shure whether Rolf
312: Paradis Loop Delay vs. Echoplex, December 30, 1996
3: Paradis Loop Delay vs. Echoplex10: Subject: Paradis Loop Delay vs. Echoplex31: Echoplex features which weren't in the old Paradis Loop Delay - the great
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199701/msg00001:Re: Paradis Loop Delay vs. Echoplex
3: Re: Paradis Loop Delay vs. Echoplex10: Subject: Re: Paradis Loop Delay vs. Echoplex42: - I prefer the PARADIS footswitches (adaptable to use with the one cord,
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31: out of order attacking Kim or Matthias for the Plex and PARADIS. We're
40: ... ah, and Pino Daniele is a client of PARADIS, but not for looping, I
433: Re: Paradis Loop Delay vs. Echoplex, January 02, 1997
19: I produced 10 units (!) of POLYDISTORTION at PARADIS, 10 years ago. Its
43: (e.g., the TCE 2290), nearly impossible to obtain (EH 16-sec, Paradis
33: >(e.g., the TCE 2290), nearly impossible to obtain (EH 16-sec, Paradis
37: Shadow / RMC / PARADIS /... for piezo
38: PARADIS offered those features during 10 years. Now its closed and Rolf is
69: Oberheim Echoplex Digital Pro and the Paradis LoopDelay. LoopIII is the
199707/msg00183:Re: The Echoplex upgrade arrives!
22: the Paradis Loop Delay (the grand father of the plex) and he told me
199707/msg00105:Re: Some questions for an intro page
41: "Playing Hints" section from the old Paradis LoopDelay manual is on the web
199707/msg00208:Re: The Echoplex upgrade arrives!
21: >the Paradis Loop Delay (the grand father of the plex) and he told me
199709/msg00139:The Echoplex upgrade arrives! (fwd)
79: Oberheim Echoplex Digital Pro and the Paradis LoopDelay. LoopIII is the
199709/msg00181:Oberheim Echoplex Digital Pro -- Market Demand & Availability Study
662: Paradis Loop Delay 1 1.1
199711/msg00184:Jon Hassell and other looping in London
199802/msg00321:Re: backporch of looping (was: forefront)
199802/msg00315:backporch of looping (was: forefront)
19: If you are interested in some looping history, and specifically, Paradis
33: it's been out for 3 1/2 years. (5 years if you count the Paradis LoopDelay,
199806/msg00342:was: PANIC! Echoplex freaks out.: is : Relax ,EDP is robust
50: > it's been out for 3 1/2 years. (5 years if you count the Paradis
21: >From Brasilian paradise ( with a Paradis), Julio Moreno.
35: >Hi Bob! im playing live with a power trio format with a Paradis without
199902/msg00310:Re: another newbie ! / Sustainerdiscussion
19: How do you like the Paradis Loop Delay?34: >Now, I'm working with Oberheim Echoplex and Paradis Loop Delay and I'm
199902/msg00307:another newbie ! / Sustainerdiscussion
30: Now, I'm working with Oberheim Echoplex and Paradis Loop Delay and I'm just
199902/msg00367:Gibson address / Feedback problem
71: Someone asked me ( I think it was Chuck ) if I liked the Paradis Loop Delay
56: The Paradis LoopDelay did all of this and more a year before Jamman was
34: If not any more, Rolf might help you. Although Paradis is not in the
199904/msg00526:Re: full range setup out of a 4X12 cab(slight loop content)
32: At PARADIS we proposed this in the eighties. We added a small cabinet with
199904/msg00253:Re: Loopable percussion (was: Tabla...)
85: find some story about the PARADIS piezo pickup and the link to its patent.
43: Matthias' original LoopDelay, from Paradis in '92, was mono. When we were
24: key. I see this is a key on the original Paradis LoopDelay. What is the
27: >key. I see this is a key on the original Paradis LoopDelay. What is the
42: >>key. I see this is a key on the original Paradis LoopDelay. What is the
28: does solo vocals with heavy use of looping. He originally used the Paradis
35: know.) And the Paradis LoopDelay was even earlier in '93 (and other devices
28: > know.) And the Paradis LoopDelay was even earlier in '93 (and other
40: I never looked at headrush but we modified footswitches at PARADIS.
38: > his Paradis LoopDelay in '92, then of course in the Echoplex '94.
28: He used to be a client at PARADIS and I made some switch boxes and stuff.31: At the time ('86) he toured solo on a big Guild steelstring and a PARADIS
25: his Paradis LoopDelay in '92, then of course in the Echoplex '94.
28: PARADIS offers a better assistance after their close down than Gibson
33: the classic Paradis LoopDelay. We are currently working on LoopIV, the next
200001/msg00275:Paradis delay "Break" function question
3: Paradis delay "Break" function question10: Subject: Paradis delay "Break" function question20: Paradis loop delay ?
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331: Re: Paradis delay "Break" function question, January 14, 20001037: Paradis delay "Break" function question, January 14, 2000
200001/msg00276:Re: Paradis delay "Break" function question
3: Re: Paradis delay "Break" function question10: Subject: Re: Paradis delay "Break" function question30: Subject: Paradis delay "Break" function question
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3: Re: Hex pickup...(Paradis?) OT10: Subject: Re: Hex pickup...(Paradis?) OT38: Paradis is sleeping totally. Rolf was here, he still thinks about
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3: Re: Hex pickup...(Paradis?)10: Subject: Re: Hex pickup...(Paradis?) 20: are there sound samples of Matthias's Paradis polystortion thing anywhere
3: Hex pickup...(Paradis?)10: Subject: Hex pickup...(Paradis?)
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904: Hex pickup...(Paradis?), April 26, 2000966: Re: Hex pickup...(Paradis?) OT, April 26, 20001309: Re: Hex pickup...(Paradis?), April 26, 2000
37: for the PARADIS LOOP delay), but they did not like the price...
865: Re: Hex pickup...(Paradis?), May 08, 2000
3: Re: Hex pickup...(Paradis?)10: Subject: Re: Hex pickup...(Paradis?)20: >are there sound samples of Matthias's Paradis polystortion thing
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40: for the PARADIS LOOP delay), but they did not like the price...
65: > The Oberheim one is better than many others, but PARADIS still had the
38: The Oberheim one is better than many others, but PARADIS still had the
30: > The Oberheim one is better than many others, but PARADIS still had the
24: >> The Oberheim one is better than many others, but PARADIS still had the30: Paradis starts from italian plastic parts that apparently Roland uses 52: I have Overdub on my right big toe, two Paradis switches for Record
29: Paradis, to Oberheim to Gibson, the Echoplex is resurrected.
29: >Paradis, to Oberheim to Gibson, the Echoplex is resurrected.
200101/msg00660:Re: crystal balls, software development, product reps & repeater
38: like the Paradis/EDP broke new ground. When they get it right and people
200103/msg00136:Re: Help! about echoplex (obhereim)
25: > ALDO (who plays a paradis guitar)
3: about paradis guitar10: Subject: about paradis guitar
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200103/msg00145:Re: Help! about echoplex (obhereim)
31: >> ALDO (who plays a paradis guitar)
200: about paradis guitar, March 15, 2001231: Re: about paradis guitar, March 15, 2001
3: Re: about paradis guitar10: Subject: Re: about paradis guitar30: perhaps matthias can help (he was involved in paradis guitars)
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23: ALDO (who plays a paradis guitar)
23: stereo loops with my paradis guitar.
71: Paradis pretends to reissue those products.
200110/msg00665:Re: Looper development and production costs?
50: the look! I also had the help of PARADIS partner and guitar designer
200111/msg00142:Re: Help! (EDP foot switch solution)
40: At Paradis we used to modify a Bespeco (Roland kind) of Foot Switch
23: PS- If anyone is interested the Paradis site has EDP software info- you
20: I'm actually deeply fond of this tool which I use together with my paradis
200203/msg00192:Re: Loopstock picts / Paradis guitars
3: Re: Loopstock picts / Paradis guitars10: Subject: Re: Loopstock picts / Paradis guitars
1182: Re: Loopstock picts / Paradis guitars, March 05, 2002
200203/msg00368:BASS LOOPERS to know about -> Fred Marshall
49: Matthias at G-WIZ. He promptly borrowed a Paradis LoopDelay, and later he
80: > the old Paradis LoopDelay where it was useful, but really
50: the old Paradis LoopDelay where it was useful, but really didn't make any
96: > > the old Paradis LoopDelay where it was useful, but really
43: It was originally written for the old Paradis Loop/Delay, and updated a
200208/msg01033:RE: loop device endorsement - was Santanas looping bassist
51: friends. PARADIS has been at Frankfurt show about 10 years in a row
37: Harmonizer, EDP, Paradis Loop Delay ( EDP's ancestor ), Behringer Reverb and a
38: as an owner of the black <paradis LOOPDELAY> created by matthiasgrob, i
200301/msg00649:Re: Hexfuzz (was Re: Fretless MIDI guitar)
32: The Paradis as a whole instrument I prefer by sound, appearance and
200302/msg00345:Real instruments vs. electronic instruments
83: > For example, a PARADIS guitar has a dynamic you could never get from
200302/msg00321:Re: Real instruments vs. electronic instruments vs. electricinstruments
43: For example, a PARADIS guitar has a dynamic you could never get from
27: made with the Paradis Loop Delay after its release in 1991???
68: no, I play PARADIS for 15years, and before it was a "paradized" Kramer
24: no, I play PARADIS for 15years, and before it was a "paradized" Kramer
200305/msg00945:Dig if u will my research paper Chapter 7
82: The Paradis Loop Delay84: the release of Matthius Grobıs Paradis Loop-Delay. Grob had this to say
200308/msg00526:Brother Sync of Loop Delay and Echoplex
23: I still own the Paradis "Loop Delay" and intend to buy the
29: delay time. Had I only known about the Paradis Loop at that time...
200308/msg00622:Re: Brother Sync of Loop Delay and Echoplex
20: >I still own the Paradis "Loop Delay" and intend to buy the "Echoplex Plus
200308/msg01327:Re: Narrowing the field (Re: Currently available looper music webpage)
75: Matthias Grob's (and Paradis') LoopDelay
200311/msg00161:Re: proposal for a new thread -- Loop Tools - Survey Results - Sept 1997
100: Paradis Loop Delay 1 1.1 1 2.3
20: Paradis Loop Delay (the original) (hey, am I the only one here?)
36: 1 PARADIS LOOP/DELAY!
200311/msg00144:Re: proposal for a new thread -- Loop Tools - Survey Results - Sept 1997
118: Paradis Loop Delay 1
3: Paradis polyphonic nylon10: Subject: Paradis polyphonic nylon
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3: Re: Paradis polyphonic nylon10: Subject: Re: Paradis polyphonic nylon
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509: Paradis polyphonic nylon, April 29, 2004816: Re: Paradis polyphonic nylon, April 30, 2004
3: Matthias Grob _ Paradis Guitar10: Subject: Matthias Grob _ Paradis Guitar22: PolySubBass to go with the Paradis guitar which I purchased on Ebay. The
200405/msg00324:Re:Pitch Shifter again, Digitech, Bill Frisell ? --> BOSS OC-3, anyone?
33: Matthias Grob's special hexaphonic guitar pick-up and that Paradis
200405/msg00032:Re: such wonderfully conceived machines exist? (was Paradis polyphonic nylon)
3: Re: such wonderfully conceived machines exist? (was Paradis polyphonic nylon)10: Subject: Re: such wonderfully conceived machines exist? (was Paradis polyphonic nylon)27: Subject: Re: such wonderfully conceived machines exist? (was Paradis
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3: Re: Paradis polyphonic nylon10: Subject: Re: Paradis polyphonic nylon20: indication of the Paradis equipment still living above ground. Even if I
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200405/msg00029:Re: such wonderfully conceived machines exist? (was Paradispolyphonic nylon)
52: to come back to Paradis: it was so much easier for Rolf to get a job 59: Paradis did not produce guitars in the last 6 years.67: >no indication of the Paradis equipment still living above ground. 68: >Even if I never use a Paradis device or even get to see one, it is
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200405/msg00341:RE: Pitch Shifter again, Digitech, Bill Frisell ? --> BOSS OC-3, anyone?
48: Matthias Grob's special hexaphonic guitar pick-up and that Paradis
200405/msg00348:Re:Pitch Shifter again, Digitech, Bill Frisell ? --> BOSS OC-3, anyone?
3: Re: Paradis polyphonic nylon10: Subject: Re: Paradis polyphonic nylon
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367: Re: such wonderfully conceived machines exist? (was Paradis polyphonic nylon), May 03, 2004527: Re: Paradis polyphonic nylon, May 01, 2004792: Re: Paradis polyphonic nylon, May 02, 2004793: Matthias Grob _ Paradis Guitar, May 13, 2004
200405/msg00355:Re: Pitch Shifter again, Digitech, Bill Frisell ? --> BOSS OC-3, anyone?
200411/msg00485:Don't see too many of these: Paradis guitar on eBay
3: Don't see too many of these: Paradis guitar on eBay10: Subject: Don't see too many of these: Paradis guitar on eBay
1209: Don't see too many of these: Paradis guitar on eBay, November 22, 2004
200509/msg00456:Re:EDP LOOP4 question: Accessing individual loops directly
38: > Good old Paradis Polysubbass is now made as a SMD
200509/msg00451:Re:EDP LOOP4 question: Accessing individual loops directly
28: Good old Paradis Polysubbass is now made as a SMD PCB (and called
200510/msg00592:Re: ethics (was Re: Building a rackmount looping computer as analternative to the Receptor for Mobius)
43: >performance technique in square parallel to the Paradis LoopDelay.
200510/msg00497:Re: ethics (was Re: Building a rackmount looping computer as an alternative to the Receptor for Mobius)
32: in square parallel to the Paradis LoopDelay.
28: 3. the very etherial ambient 'Dawn of Life' from my 1998 'Escape Veloopity'album - all sounds produced on sustainer guitar, EDP, and Paradis Loop Delay4. my granular synthesis remix of Christopher Orczy's ambient harmonium
38: album - all sounds produced on sustainer guitar, EDP, and Paradis Loop
52: album - all sounds produced on sustainer guitar, EDP, and Paradis Loop
50: album - all sounds produced on sustainer guitar, EDP, and Paradis Loop
63: album - all sounds produced on sustainer guitar, EDP, and Paradis Loop
68: > album - all sounds produced on sustainer guitar, EDP, and Paradis Loop
57: album - all sounds produced on sustainer guitar, EDP, and Paradis Loop
200603/msg00210:Re: UPDATE: Boise Experimental Music Festival / Dominated byLoopers?
73: The Rex-X-Ray Band (George McLean & Nate Paradis) (Boise)
200603/msg00198:UPDATE: Boise Experimental Music Festival / Dominated by Loopers?
212: & Nate Paradis) (Boise)
200604/msg01078:Boise Experimental Music Festival Streaming Tonight and Tomorrow!
200604/msg01095:Re: Boise Experimental Music Festival Streaming Tonight and Tomorrow!
200605/msg00122:First Batch of MP3s & Photos from Boise Experimental Music Festival
8: To: "Visual Arts League" <visualartsleague@hotmail.com>,<vincentmiresse@gmail.com>, "T ." <tao@theeartof.com>,<shaboodude@hotmail.com>,"Krispen Hartung" <info@krispenhartung.com>,"Jeff Abrams" <jabrams@radioboise.org>,"David Foster" <davef@alumni.brown.edu>,"Aaron Davis" <cabcon1@cableone.net>,"Anneliessa Balk Stimpert" <abs@goodboyrufus.com>,"Samuel F Stimpert" <samuel@visualartscollective.com>,"TED KILLIAN" <tedkillian@charter.net>, "Ted Apel" <tapel@vud.org>,"RICK WALKER" <rickwalker@looppool.info>,"nbweber" <nbweber@campculture.com>,"Nate Paradis" <n8p333@gmail.com>,"lucio menegon" <lucio@kingtone.com>,"JOE RUT - Lumper/Splitter" <joerut@lycos.com>,"Jeremy Jensen" <jeremy@cominginsecond.com>,"Jeff Rice" <jrice1000@mac.com>,"Jeff Kaiser" <loopersdelight@pfmentum.com>,"Jared Hallock" <jaredhallock@hotmail.com>,"Gretchen Jude" <gretchenjude@yahoo.com>,"George McLean" <geomc@northendarchitects.com>,"elijah jensen" <theunicornfeather@hotmail.com>,"Bonefish Sam" <bonefish@boschs.org>,"AlejAndro Anastasio" <tskai@qwest.net>,"Art Hodge" <arthodge@gmail.com>, "Thad Povey" <tp@thadpovey.com>,"nico luminous" <nicoluminous@yahoo.com>,"Michael Peters" <mp@mpeters.de>, <boisemusicians@yahoogroups.com>,<Loopers-Delight@loopers-delight.com>
200605/msg00625:RE: Max/Msp as a compositional tool....
24: was presenting the predecessor of the EDP (paradis LOOP delay) at the29: http://www.loopersdelight.com/tools/LoopDelay/paradis.html
61: Veloopity album almost 10 years ago. I had this Paradis Loopdelay and some
21: Paradis Loopdelay, and a Vortex
25: almost 10 years ago. I had this Paradis Loopdelay and some effects and a DAT
24: Paradis PolyBass is perfect since it octaves 4 strings separately.
77: >with guitar and a Roland GR-300 guitar synth into a Paradis looper (the
48: 2002 as live-looping with guitar and a Roland GR-300 guitar synth into a Paradis
48: 2002 as live-looping with guitar and a Roland GR-300 guitar synth into a Paradis
57: > trusty old Paradis looper?) to loop the notebook's output.
63: > trusty old Paradis looper?) to loop the notebook's output.
61: > trusty old Paradis looper?) to loop the notebook's output.
45: trusty old Paradis looper?) to loop the notebook's output.
65: trusty old Paradis looper?) to loop the notebook's output.
30: > didnt know you owned one of the rare original paradis
22: http://www.loopers-delight.com/tools/LoopDelay/paradis.html
36: >> didnt know you owned one of the rare original paradis
26: > http://www.loopers-delight.com/tools/LoopDelay/paradis.html
200801/msg00647:=?us-ascii?Q?about__NAMM=2C_Ted's_powered_speakers_=3F?=
85: pedals, Rolf Spulers Paradis guitars, a Breedlove koa wood Weissenborn style
200801/msg00490:Re: Hex Pickups {was: Re: OT: Check out the Robot Guitar!}
18: This discussion would not be complete without noting that Mathias Grob was involved in the development of the Paradis polyphonic pickups, polyphonic distortion, and polyphonic subbass units.
200804/msg00527:Research Paper Introduction, any thoughts?
100: in the 1990s was the Paradis Loop-Delay by Matthias Grob, which later
52: >> ...using two Paradis LOOP delays :-)
25: ...using two Paradis LOOP delays :-)
69: >>> ...using two Paradis LOOP delays :-)
41: > ...using two Paradis LOOP delays :-)
200901/msg00866:Re: OT: StringPort for polyphonic guitars
46: > Paradis pickup separate better than the Roland GK.
200901/msg00698:Re: OT: StringPort for polyphonic guitars
31: piezo on the other side. I am pretty sure that the RMC and the Paradis
3: Re: Paradis looper10: Subject: Re: Paradis looper21: somebody offers a Paradis looper (predecessor of the EDP) for 499 Euros on German eBay ...http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&item=180498882180.html I'd buy it but I already own one :)-Michael
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299: Re: Paradis looper, April 27, 2010730: Re: Paradis looper, April 27, 2010743: Paradis looper, April 26, 2010744: RE: Paradis looper, April 27, 2010
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3: Re: Paradis looper10: Subject: Re: Paradis looper22: somebody offers a Paradis looper (predecessor of the EDP) for 499 Euros on German eBay ...
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3: RE: Paradis looper10: Subject: RE: Paradis looper26: http://www.loopers-delight.com/tools/LoopDelay/paradis.html
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3: Paradis looper10: Subject: Paradis looper22: somebody offers a Paradis looper (predecessor of the
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3: Re: Paradis looper10: Subject: Re: Paradis looper43: >> somebody offers a Paradis looper (predecessor of the EDP) for 499 Euros
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28: the Paradis Loop Delay.
36: 1) to my knowledge, the Paradis Loop Delay which became the Oberheim
28: > (including Rolf "Paradis" Spuler) and advice from Bob.
25: (including Rolf "Paradis" Spuler) and advice from Bob.
201109/msg00056:Re: Happy 15th, Looper's Delight!
21: whilelater.In late 2002 or early 2003 I wrote the list asking if anyone would consider doing a mini-festival in theirtown in Europe or the UK because I had one seed gig in Italy (that was later cancelled) and was coming totour. In two weeks I had a 2 month tour booked..............this BLEW MY MIND!!!!!!!!So, yes, all hats off to Kim's vision and dedication to this community.........to Violet for continuing it.........toMatthias Grob for his continual attempts to promote and innovate for this community (it should be knownthat Matthias' invention of the Paradis Loop Delay and his involvement with Gibson and Kim that catalyzed allof this in the first place which is not to take anything away from Kim's vision to create it) and for theamazing group of people that I've met here online and through thehuge amount of looping festivals that we've all been able to play at
201109/msg00121:Re: Happy 15th, Looper's Delight! - the roots (David Torn)
18: yes, nothing starts from nothingit may seem useless to think about the past and repeat facts, but its not, because it shows directions and helps for the future. and anniversary is a good opportunity:one root of LD is my Loop group association idea as described athttp://matthias.grob.org/pMusEng/loopdev.htm http://matthias.grob.org/pMusEng/LoopGroup.pdfbut it did not come to exist and I am very thankful that Kim found a much better way and did it!at least as important was David Torn's list Door-X from where most of the initial members came and possibly even some motivation and directions for Kim to do something similar. of course looping was discussed there.I could not find the list any more today...at the time I was not even aware of Violets involvement, I do not think Kim mentioned it. so maybe she can tell us more about it and add her roots...On 1 Sep 2011, at 22:54, Rick Walker wrote:So, yes, all hats off to Kim's vision and dedication to this community.........to Violet for continuing it.........toMatthias Grob for his continual attempts to promote and innovate for this community (it should be knownthat Matthias' invention of the Paradis Loop Delay and his involvement with Gibson and Kim that catalyzed allof this in the first place which is not to take anything away from Kim's vision to create it) and for theamazing group of people that I've met here online and through thehuge amount of looping festivals that we've all been able to play at one time or another.Loop on! I say a toast of gratitude to Loopers Delight.love, Rick Walker
201109/msg00030:Re: Happy 15th, Looper's Delight!
73: that Matthias' invention of the Paradis Loop Delay and his involvement
23: I still have a Paradis looper as my main looper for 25: from Rolf Spuler in Switzerland. Rolf had sent me the schematics and 6 Paradis
3: Pino Daniele with Paradis10: Subject: Pino Daniele with Paradis18: a rare combination we only found now:Pino Daniele playing a Paradis Avalon and a Paradis LOOP delay:http://www.youtube.com/watch?v=R9qFk_DPN6M&feature=related
419: Pino Daniele with Paradis, November 12, 2012
201407/msg00035:=?windows-1252?Q?Re=3A_Opportunities=3A_Rolf_Spuler=86_left_inve?= =?windows-1252?Q?ntions/workshop/parts/company?=
18: I was fortunate to have spent a little time with Rolph, at a NAMM show a few years backs with you as well Matthias, , His instruments are of uncommon beauty and sound, and Im very sad his life was cut short. I hope his work inspires others. BillOn Jul 12, 2014, at 8:01 AM, Matthias Grob <matilists@gmail.com> wrote:HiI have been quite busy caring for my oldest partner since mid last year and go back there on sunday to take care of what he left :-( if you think this is OT, I explain the connection between our instrument concept and looping on:http://paradis-guitars.comanyway, I mainly wanted to inform you old friends and hope you can forward this to some people who may be interested:english version belowRolf Spuler, einer der ungewöhnlichsten und genialsten guitarrenbauer ist am 18. April 2014 gestorben.er hat die modernsten methoden für seine instrumente angewendet: 3D design, CNC, SMD elektronik, piezotonabnehmer für jede saite…Rolfs liebe und kreativität ist ein definitiver verlust für familie, partner und viele musikerer wünschte und wir verstehen, dass niemand seine markeninstrumente weiter bautaber die ideen, teile und werkzeuge können unter uns weiterleben, sich entwickeln…… und eine geschäftliche gelegenheit für dich sein:zum vereinfachen bieten wir 7 möglichkeiten an, aber viel mehr kombinationen sind möglich, also was immer dein interesse ist, bitte nimm kontakt auf! mailto:matthias@paradis-guitars.com1 die firma Schweizer firma Rolf Spuler GmbH übernehmen mit oder ohne inhalt2 diese werkstatt ev. mit inhalt mieten: http://youtu.be/hGwgXnhqpM4 zum gitarren bauen oder irgend etwas andereses gibt auch zimmer in der WG daneben. ein toller ort, weil man Frauenfeld locker per velo und Zürich direkt per S8 erreicht, aber auch wald hinter dem haus mit wasserfall…3 konzept oder teile wie beschrieben auf http://paradis-guitars.com in deine instrumente einbauen. Rolfs mitarbeiter haben sich anerboten dazu zu helfen und haben ein Forum gegründet: http://paradis-guitars.info (Rolf wollte nicht, dass wir seine modelle weiterbauen)4 die ganze elektronik übernehmen. Matthias wird die pickups bauen. Rolf hat noch ein modulares PCB system für in die gitarren entwickelt, das er kaum anpries.5 webshop für gitarrenteile einrichten ein plan von Rolf war, all die teile, die er hergestellt und zusammengesucht hat, anderen gitarrenbauern anzubieten. 6 auf reparaturservice für Rolfs gitarren spezialisieren Rolf hat etwa 350 instrumente gebaut, die für einen standard gitarrenshop nicht einfach zu reparieren sind. wir sind bereit mit schemen und teilen und rat zu helfen.7 maschinen, bauteile, holz, unfertiges… falls sich niemand für das gesamte material interessiert, werden wir die einzelteile ab mitte August verkaufen. wir haben schon eine liste von interessenten angefangen…bitte kopier dieses mail an alle die sich dafür interessieren könnten oder andere kennen die sich interessieren könnten, mailing lists…dankeMatthias------------------------------------Rolf Spuler, one of the most unique and genious guitar makers died on April 18. 2014He used the most advanced methods to make 350 guitars: 3D design, CNC, SMD electronics, piezo pickup for each string… Rolfs kindness and creativity is a permanent loss for family, partners and many musiciansHe expressed and we agree that no one should try to continue his branded instrumentsbut the ideas, parts and tools can live on amongst us and grow......and be a business opportunity for you or someone you know:the 7 options below are a simplification. any combinations are possible, so whatever interest you have, please contact us! mailto:matthias@paradis-guitars.com1 taking over the Swiss company Rolf Spuler GmbH with or without content.2 rent this place: http://youtu.be/hGwgXnhqpM4 with or without content for building guitars or whatever you want.there are free rooms in the main house if you want to live there. an amazing place, because Frauenfeld can be reached by bike and Zürich by S-train - and the forest with waterfalls starts behind the house…3 adapt any of the concepts or parts described at http://paradis-guitars.com for your instrument. all professionals that worked with Rolf are willing to consult and started this forum: http://paradis-guitars.info (Rolf did not want that his models would be built by others)4 take over the whole electronics. Matthias will continue making the pickups Rolf developed a modular PCB family to build into the guitars that was not promoted yet.5 creating a webshop with all the guitar specific parts one of Rolfs plans was to offer all the special parts he found and created to other guitar makers. we have pictures showing what parts we are talking about in case you are interested in organizing this.6 repairing Rolf's guitars do you have a guitar repair shop that can deal with SMD electronics?Rolf's instruments contain rather complex electronics and unsusual parts, but he left a stock of parts and all drawings and schemas his partners can consult...7 buying specific items like machines, wood, prototypes, kits… if no one takes over the entire shop, we will start to sell off its parts mid August.please forward this mail to whomever you think may be interested or know someone interested, mailing lists etcthank you Matthias
201407/msg00036:=?UTF-8?Q?Re=3A_Opportunities=3A_Rolf_Spuler=E2=80=A0_left_inventions=2Fwo?= =?UTF-8?Q?rkshop=2Fparts=2Fcompany?=
21: if you think this is OT, I explain the connection between our instrument concept and looping on:http://paradis-guitars.comanyway, I mainly wanted to inform you old friends and hope you can forward this to some people who may be interested:24: … und eine geschäftliche gelegenheit für dich sein:zum vereinfachen bieten wir 7 möglichkeiten an, aber viel mehr kombinationen sind möglich, also was immer dein interesse ist, bitte nimm kontakt auf! mailto:matthias@paradis-guitars.com27: 3 konzept oder teile wie beschrieben auf http://paradis-guitars.com in deine instrumente einbauen. Rolfs mitarbeiter haben sich anerboten dazu zu helfen und haben ein Forum gegründet: http://paradis-guitars.info (Rolf wollte nicht, dass wir seine modelle weiterbauen)34: the 7 options below are a simplification. any combinations are possible, so whatever interest you have, please contact us! mailto:matthias@paradis-guitars.com
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201407/msg00033:=?windows-1252?Q?Opportunities=3A_Rolf_Spuler=86_left_inventions?= =?windows-1252?Q?/workshop/parts/company?=
18: HiI have been quite busy caring for my oldest partner since mid last year and go back there on sunday to take care of what he left :-( if you think this is OT, I explain the connection between our instrument concept and looping on:http://paradis-guitars.comanyway, I mainly wanted to inform you old friends and hope you can forward this to some people who may be interested:english version belowRolf Spuler, einer der ungewöhnlichsten und genialsten guitarrenbauer ist am 18. April 2014 gestorben.er hat die modernsten methoden für seine instrumente angewendet: 3D design, CNC, SMD elektronik, piezotonabnehmer für jede saite…Rolfs liebe und kreativität ist ein definitiver verlust für familie, partner und viele musikerer wünschte und wir verstehen, dass niemand seine markeninstrumente weiter bautaber die ideen, teile und werkzeuge können unter uns weiterleben, sich entwickeln…… und eine geschäftliche gelegenheit für dich sein:zum vereinfachen bieten wir 7 möglichkeiten an, aber viel mehr kombinationen sind möglich, also was immer dein interesse ist, bitte nimm kontakt auf! mailto:matthias@paradis-guitars.com1 die firma Schweizer firma Rolf Spuler GmbH übernehmen mit oder ohne inhalt2 diese werkstatt ev. mit inhalt mieten: http://youtu.be/hGwgXnhqpM4 zum gitarren bauen oder irgend etwas andereses gibt auch zimmer in der WG daneben. ein toller ort, weil man Frauenfeld locker per velo und Zürich direkt per S8 erreicht, aber auch wald hinter dem haus mit wasserfall…3 konzept oder teile wie beschrieben auf http://paradis-guitars.com in deine instrumente einbauen. Rolfs mitarbeiter haben sich anerboten dazu zu helfen und haben ein Forum gegründet: http://paradis-guitars.info (Rolf wollte nicht, dass wir seine modelle weiterbauen)4 die ganze elektronik übernehmen. Matthias wird die pickups bauen. Rolf hat noch ein modulares PCB system für in die gitarren entwickelt, das er kaum anpries.5 webshop für gitarrenteile einrichten ein plan von Rolf war, all die teile, die er hergestellt und zusammengesucht hat, anderen gitarrenbauern anzubieten. 6 auf reparaturservice für Rolfs gitarren spezialisieren Rolf hat etwa 350 instrumente gebaut, die für einen standard gitarrenshop nicht einfach zu reparieren sind. wir sind bereit mit schemen und teilen und rat zu helfen.7 maschinen, bauteile, holz, unfertiges… falls sich niemand für das gesamte material interessiert, werden wir die einzelteile ab mitte August verkaufen. wir haben schon eine liste von interessenten angefangen…bitte kopier dieses mail an alle die sich dafür interessieren könnten oder andere kennen die sich interessieren könnten, mailing lists…dankeMatthias------------------------------------Rolf Spuler, one of the most unique and genious guitar makers died on April 18. 2014He used the most advanced methods to make 350 guitars: 3D design, CNC, SMD electronics, piezo pickup for each string… Rolfs kindness and creativity is a permanent loss for family, partners and many musiciansHe expressed and we agree that no one should try to continue his branded instrumentsbut the ideas, parts and tools can live on amongst us and grow......and be a business opportunity for you or someone you know:the 7 options below are a simplification. any combinations are possible, so whatever interest you have, please contact us! mailto:matthias@paradis-guitars.com1 taking over the Swiss company Rolf Spuler GmbH with or without content.2 rent this place: http://youtu.be/hGwgXnhqpM4 with or without content for building guitars or whatever you want.there are free rooms in the main house if you want to live there. an amazing place, because Frauenfeld can be reached by bike and Zürich by S-train - and the forest with waterfalls starts behind the house…3 adapt any of the concepts or parts described at http://paradis-guitars.com for your instrument. all professionals that worked with Rolf are willing to consult and started this forum: http://paradis-guitars.info (Rolf did not want that his models would be built by others)4 take over the whole electronics. Matthias will continue making the pickups Rolf developed a modular PCB family to build into the guitars that was not promoted yet.5 creating a webshop with all the guitar specific parts one of Rolfs plans was to offer all the special parts he found and created to other guitar makers. we have pictures showing what parts we are talking about in case you are interested in organizing this.6 repairing Rolf's guitars do you have a guitar repair shop that can deal with SMD electronics?Rolf's instruments contain rather complex electronics and unsusual parts, but he left a stock of parts and all drawings and schemas his partners can consult...7 buying specific items like machines, wood, prototypes, kits… if no one takes over the entire shop, we will start to sell off its parts mid August.please forward this mail to whomever you think may be interested or know someone interested, mailing lists etcthank you Matthias
201407/msg00039:=?windows-1252?Q?Re=3A_Opportunities=3A_Rolf_Spuler=86_left_inve?= =?windows-1252?Q?ntions/workshop/parts/company?=
33: > http://paradis-guitars.com54: > nimm kontakt auf! mailto:matthias@paradis-guitars.com65: > 3 konzept oder teile wie beschrieben auf http://paradis-guitars.com in 68: > Forum gegründet: http://paradis-guitars.info (Rolf wollte nicht, dass
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201410/msg00087:RE: The Historic and Aesthetic Origins of Live Looping
20: For me looping begins with repurposed domestic tape recorders when people were throwing them out because of cassette machines. mid to late 1970s. My family had one, and people in the neighbourhood had them. Shitty overused and undermaintained machines and horrible microphones for sending voice letters to mum as a spool of tape. Recording over horribly overused tapes using worn capstans with variable speed. Hum and whitenoise and fadeout built-in and accepted as part of the mix because it was unavoidable. 1975-8. Getting a microphone cable snuck up the staircase to the living room where the largely untouched Gebr. Neindorf piano stood, and putting bolts between the strings, and thumping on it when everyone was out at work or the shops, then removing everything and running backj down the spiral staircase to listen to the results. Hearing the almost tidal decay in the sounds looping between the different tapes laid out in a circle. I had an old suitcase stuffed with pillows and the springs-in-a-frame from the base of a radio chair, and a radio with an aux in and a mike locked in there as part of the setup, and it would invariably fall over when the door closed upstairs. I did that all summer holidays when I could.I remember there was one tape with James Last on it that had "theme from a summer holiday" on it, and where the splice was it wouldn't erase. So until that tape wore out there was a perioding injection and mutation of "laaaa, da dee da daaaaa " into it, gradually crinkle mutilated. I recorded that one with a cassette tape, long since lost. Paddy Leigh Fermour in "As I stepped out one morning" talks about the feeling of loss of a set of diaries returning periodically like an ache in the weather. Having unrealisable memories of those recordings aches in that way. But I wouldn't go back for a moment - now I turn up the crinkle setting on a timeline or the mod setting on my deja vu. No running involved!Anyway - it couldn't be further from the Paradis Loop except in systems terms!> Date: Sun, 26 Oct 2014 11:52:05 -0700> From: looppool@cruzio.com> To: Loopers-Delight@loopers-delight.com> Subject: The Historic and Aesthetic Origins of Live Looping> > Maybe it's cutting to fine a distinction, but because of our own > involvement with live looping,> Terry Riley's work with the Time Lag Accumulator technique is a lot more > interesting to me as an> historic origin of our movement than Stockhausen's use of tape delay in > the formation of Musique Concrete.> > Because tape delays' extension to the dedicated creation of long tape > loops with the Time Lag Accumlator> is analagous to digital delays extension to create the first dedicated > digital loopers, we can say that> Terry Riley (with the assistance of his mysterious french audio > engineer) is the Birth of our Movement.> > Anyway, I find the early tape history and all of Stockhausens' work > very interesting but it's Riley's work> that I relate to and resonate with aesthetically, as a starting point.> > The creation of Matthias Grob's Paradis Loop Delay (1993? 1994?) is also > a spiritual starting point for me, personally and aesthetically because > it was> the first piece of 'kit' that was invented specifically to create > looping music in a contolled (and for me, rhythmic way)> as opposed to jerry-rigging a couple of tape decks to achieve a recorded > loop as Riley and the French mystery engineer did.> > Does anyone else resonate with these distinctions about our aesthetic > and historical origins?> > Rick Walker> > ---> This email is free from viruses and malware because avast! Antivirus protection is active.> http://www.avast.com>
201410/msg00084:RE: The Historic and Aesthetic Origins of Live Looping
20: Apart from anything else, the Paradis logo (the word loop made as a tape thread) is to me the perfection of the aesthetic> Date: Sun, 26 Oct 2014 11:52:05 -0700> From: looppool@cruzio.com> To: Loopers-Delight@loopers-delight.com> Subject: The Historic and Aesthetic Origins of Live Looping> > Maybe it's cutting to fine a distinction, but because of our own > involvement with live looping,> Terry Riley's work with the Time Lag Accumulator technique is a lot more > interesting to me as an> historic origin of our movement than Stockhausen's use of tape delay in > the formation of Musique Concrete.> > Because tape delays' extension to the dedicated creation of long tape > loops with the Time Lag Accumlator> is analagous to digital delays extension to create the first dedicated > digital loopers, we can say that> Terry Riley (with the assistance of his mysterious french audio > engineer) is the Birth of our Movement.> > Anyway, I find the early tape history and all of Stockhausens' work > very interesting but it's Riley's work> that I relate to and resonate with aesthetically, as a starting point.> > The creation of Matthias Grob's Paradis Loop Delay (1993? 1994?) is also > a spiritual starting point for me, personally and aesthetically because > it was> the first piece of 'kit' that was invented specifically to create > looping music in a contolled (and for me, rhythmic way)> as opposed to jerry-rigging a couple of tape decks to achieve a recorded > loop as Riley and the French mystery engineer did.> > Does anyone else resonate with these distinctions about our aesthetic > and historical origins?> > Rick Walker> > ---> This email is free from viruses and malware because avast! Antivirus protection is active.> http://www.avast.com>
201410/msg00078:The Historic and Aesthetic Origins of Live Looping
39: The creation of Matthias Grob's Paradis Loop Delay (1993? 1994?) is also
201502/msg00004:Re: Citations needed for Wikipedia
68: >> would get citations for the whole Paradis to Oberhiem to Gibson story. 85: >> hardware and software of the Paradis Loop Delay originally created by
18: Hello, I edited the page in 2010 (quoted at bottom) and it has since been removed by a user stating it did not have citations. I am ot sure how I would get citations for the whole Paradis to Oberhiem to Gibson story. Any help appreciated. I prefer direct email to this list.I hope everyone is well and I still loop!Cliffordcnovey@gmail dot cmor clifford@cliffordnovey d o t c mcurrent Wiki page- https://en.wikipedia.org/wiki/Echoplexremoved section:"The Echoplex Digital Pro20: hardware and software of the Paradis Loop Delay originally created by Matthias Grob and his team at Aurisis Research.
201502/msg00003:Re: Citations needed for Wikipedia
64: citations for the whole Paradis to Oberhiem to Gibson story. Any help 80: Gibson, after buying the Echoplex brand later (ca 1993) licensed the hardware and software of the Paradis Loop
201502/msg00005:RE: Citations needed for Wikipedia
76: would get citations for the whole Paradis to Oberhiem to Gibson story. Any93: >> hardware and software of the Paradis Loop Delay originally created by
201612/msg00001:Diethelm's unique delay + pitch music
44: From this album on he also used a Paradis Hexaphonic guitar with
201612/msg00002:Re: Diethelm's unique delay + pitch music
35: >From this album on he also used a Paradis Hexaphonic guitar with Polydistortion effect he faded in to set accents.
201612/msg00013:Re: Re: Diethelm's unique delay + pitch music
102: From this album on he also used a Paradis
201612/msg00015:Re: Diethelm's unique delay + pitch music
106: From this album on he also used a Paradis Hexaphonic
201612/msg00010:Re: Diethelm's unique delay + pitch music
121: From this album on he also used a Paradis Hexaphonic
201612/msg00004:Re: Diethelm's unique delay + pitch music
89: From this album on he also used a Paradis
201612/msg00008:Re: Diethelm's unique delay + pitch music
35: >From this album on he also used a Paradis Hexaphonic guitar with Polydistortion effect he faded in to set accents.
201612/msg00012:Re: Re: Diethelm's unique delay + pitch music
112: From this album on he also used a Paradis
201612/msg00006:Re: Diethelm's unique delay + pitch music
82: From this album on he also used a Paradis
201612/msg00003:Re: Diethelm's unique delay + pitch music
35: >From this album on he also used a Paradis Hexaphonic guitar with Polydistortion effect he faded in to set accents.
201612/msg00009:Re: Diethelm's unique delay + pitch music
35: >From this album on he also used a Paradis Hexaphonic guitar with Polydistortion effect he faded in to set accents.
201612/msg00020:Re: Re: Re: Diethelm's unique delay + pitch music
164: Paradis Hexaphonic guitar with
201707/msg00001:Re: Polybass, the cleanest octaver now for Godin and RMC guitars
18: Matthias - I took a look out of curiosity. I'm not a Multitac owner so not likely a customer. However while at it I took at look to see what Paradis Guitars were about and they are gorgeous and unique particularly the design of the one on the opening page. Love the way the headless concept is on this.Anyhow props on what you've done. Hope that you the sooner success you need with the polybass modules and at some point get back to the guitars.Best to you.JimOn Tue, Jul 4, 2017 at 7:23 PM, Matthias Grob <matilists@gmail.com> wrote:Hi,23: I worried about the future of Paradis Guitars and I needed a simpler task to finish and make some money.25: so we brought the legendary Polysubbass to the public, after 30 years of exclusivity to Paradis Guitars.
201707/msg00002:Re: Polybass, the cleanest octaver now for Godin and RMC guitars
19: than guitars, I would dig deeply into my wallet to get a Paradis36: > Paradis61: >> I worried about the future of Paradis Guitars and I needed a simpler 66: >> exclusivity to Paradis Guitars.
201707/msg00000:Polybass, the cleanest octaver now for Godin and RMC guitars
27: I worried about the future of Paradis Guitars and I needed a simpler 32: exclusivity to Paradis Guitars.
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