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Subject: Happy New Year
Date: Fri, 31 Dec 2010 16:03:27 -0800
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  This is a great community that I feel privileged to be a part of.
I wish everyone the best in the New Year.
Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 00:14:49 2011
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--0-2067175455-1293840887=:69740
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yeah,

right on right on!

Antony



________________________________
From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, January 1, 2011 1:03:27 AM
Subject: Happy New Year

This is a great community that I feel privileged to be a part of.
I wish everyone the best in the New Year.
Bill


      
--0-2067175455-1293840887=:69740
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>yeah,</div><div><br></div><div>right on right on!</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> William Walker &lt;billwalker@baymoon.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sat, January 1, 2011 1:03:27 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Happy New Year<br></font><br>
 This is a great community that I feel privileged to be a part of.<br>I wish everyone the best in the New Year.<br>Bill<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-2067175455-1293840887=:69740--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 00:22:35 2011
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Subject: Re: The EDP and the Looperlative and me
References: <BAY145-w38C09DE45ACB4673A95CB685040@phx.gbl> <4D1E3F6D.3050905@cruzio.com>
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God I love you guys. I benefit SO much from these convos, and I'm an Ableton=
 guy these days, with heavy EDP experience and just never had the extra cash=
 for an LP-1.=20

Just lovely constructive banter from great individuals and musicians. Thanks=
 all, and happy new year!

Bests. Todd.=20

Sent from my iPhone

On Dec 31, 2010, at 3:39 PM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Gareth Whittock wrote:
>> This looks like a strat vs sg debate to me  - it's what we call horses fo=
r courses over here. Choose your weapon gentlemen and PLAY!
>>=20
>>=20
> I beg to differ, with respect, Gareth.
>=20
> I truly don't care what looper Mark uses.
>=20
> It's NOT a competition or a debate.
> It's trying to be accurate in writing about a powerful instrument.
>=20
> Looperlative doesn't have the public profile that Gibson had with the EDP o=
riginally (though
> Gibson horribly let the EDP down imho)  so when people research it on the w=
eb, they
> come upon discussions like the one that Mark initiated.
>=20
> I disagreed with his conclusions, so I have only been trying to set the
> record straight about what the LP-1 can do.......
>=20
> .......not trying to diss the EDP or win some competition.
>=20
> Come on,  I've hosted hundreds of loopers from all over the world and I, o=
f all people,
> truly believe that Music is the most important thing.............not your e=
quipment.
>=20
> The public at large is never going to judge someone's musical output by
> whether they use software/hardware,  strat/sg (lol, why doesn't Danelectro=
 make the
> cut in that classis debate), edp, looperlative, roland, digitech, boomeran=
g, etc., etc.
>=20
> rick walker
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 01:45:06 2011
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Subject: OT gear for sale 
Date: Fri, 31 Dec 2010 17:44:59 -0800
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Hi gang I'm facing a  slow January and February and have to pay for a  
new instrument that is being built as well,  so I'm parting with a few  
things.
  Please contact me Off- list  regarding prices, specs etc..  i'll be  
posting soon on E-bay as well.

Rane SM-82  8 stereo channel mixer
TC Electronic Fireworx with expansion card, manual and 2 custom made  
insert cables
ART ProMPA two channel rackmount tube preamp,  first generation
Carl Martin Compressor
Lehle D-loop stereo loop selector
Roland GR-30 Guitar synthesizer,w/ manual, power supply, gk cable and  
one gk2a pickup and mounting bracket
RMC nylon string multi-saddle roland GK ready pickup system, with  
break out box and cable


Happy New Year

Bill


  

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 11:33:05 2011
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--90e6ba6e838424078c0498c7481a
Content-Type: text/plain; charset=ISO-8859-1

This looks like exactly what I'm after... Can't check it right now, I have a
house full for new year.. Thnks for the link James!

Sent from my (advertisement removed)

On 31 Dec 2010, at 02:40, james fowler <twostroke@gmail.com> wrote:

dunno to where this thread has strayed, but here's a cheap little arp
program: http://www.pentacom.jp/pentacom/arpg8r/

as a staunch bidule supporter, i'm required to chime in.

i think bidule is great.  i know that always looking for something new and
having to learn a whole new thing kinda sucks and i also agree with just
picking something and learning it.  bidule is way fun to work with,
super-easy or super-complex (depending on how deep you wanna go) and pretty
darn cheap.  i spent a little time with audiomulch and thought bidule a
better environment in which to work.  i also hated live and i think that
max/msp is absurd.  i can work pretty quick in bidule.  it's graphical
nature greatly appeals to me.  customer support is really great, too.

- jim

--90e6ba6e838424078c0498c7481a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>This looks like exactly what I&#39;m a=
fter... Can&#39;t check it right now, I have a house full for new year.. Th=
nks for the link James!<br><br>Sent from my (advertisement removed)</div><d=
iv>
<br>On 31 Dec 2010, at 02:40, james fowler &lt;<a href=3D"mailto:twostroke@=
gmail.com">twostroke@gmail.com</a>&gt; wrote:<br><br></div><div></div><bloc=
kquote type=3D"cite"><div>dunno to where this thread has strayed, but here&=
#39;s a cheap little arp program: <a href=3D"http://www.pentacom.jp/pentaco=
m/arpg8r/"><a href=3D"http://www.pentacom.jp/pentacom/arpg8r/">http://www.p=
entacom.jp/pentacom/arpg8r/</a></a><br>
<br>as a staunch bidule supporter, i&#39;m required to chime in.<br>
<br>i think bidule is great.=A0 i know that always looking for something ne=
w and having to learn a whole new thing kinda sucks and i also agree with j=
ust picking something and learning it.=A0 bidule is way fun to work with, s=
uper-easy or super-complex (depending on how deep you wanna go) and pretty =
darn cheap.=A0 i spent a little time with audiomulch and thought bidule a b=
etter environment in which to work.=A0 i also hated live and i think that m=
ax/msp is absurd.=A0 i can work pretty quick in bidule.=A0 it&#39;s graphic=
al nature greatly appeals to me.=A0 customer support is really great, too.<=
br>

<br>- jim=A0 <br><br><br>
</div></blockquote></body></html>

--90e6ba6e838424078c0498c7481a--

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From: mark francombe <markfrancombe@gmail.com>
Date: Sat, 1 Jan 2011 13:02:44 +0100
Message-ID: <AANLkTinDi=defeHN7EA7cS1z8vgzpkZBy3tQqgBbDT4a@mail.gmail.com>
Subject: Re: low cpu midi appegiator
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--90e6ba6e83848bfe360498c7b36f
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OK little report on the ARPG8, after 5 mimutes trying.. its ok, works nicly
out of the box, STILL has not hold or latch function, so the arp stops after
you remove you hand from the keyboard, which rules it out for me, you can
REMOVE notes form the beat, so thats weird functionality, but works for
creating less static normal ARPs, has one interesting programmable mode
where you can set which note are played.. and Random is one of the options,
so you can set up a sequence that goes 1, 2, 4, R, 2, 1.. whcih is fun...!
No saving of setting, but your DAW can do this...

thats it.. still have to make one I think!

Mark





On Sat, Jan 1, 2011 at 12:33 PM, mark francombe <markfrancombe@gmail.com>wrote:

> This looks like exactly what I'm after... Can't check it right now, I have
> a house full for new year.. Thnks for the link James!
>
>
> Sent from my (advertisement removed)
>
> On 31 Dec 2010, at 02:40, james fowler <twostroke@gmail.com> wrote:
>
> dunno to where this thread has strayed, but here's a cheap little arp
> program: <http://www.pentacom.jp/pentacom/arpg8r/>
> http://www.pentacom.jp/pentacom/arpg8r/
>
> as a staunch bidule supporter, i'm required to chime in.
>
> i think bidule is great.  i know that always looking for something new and
> having to learn a whole new thing kinda sucks and i also agree with just
> picking something and learning it.  bidule is way fun to work with,
> super-easy or super-complex (depending on how deep you wanna go) and pretty
> darn cheap.  i spent a little time with audiomulch and thought bidule a
> better environment in which to work.  i also hated live and i think that
> max/msp is absurd.  i can work pretty quick in bidule.  it's graphical
> nature greatly appeals to me.  customer support is really great, too.
>
> - jim
>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83848bfe360498c7b36f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

OK little report on the ARPG8, after 5 mimutes trying.. its ok, works nicly=
 out of the box, STILL has not hold or latch function, so the arp stops aft=
er you remove you hand from the keyboard, which rules it out for me, you ca=
n REMOVE notes form the beat, so thats weird functionality, but works for c=
reating less static normal ARPs, has one interesting programmable mode wher=
e you can set which note are played.. and Random is one of the options, so =
you can set up a sequence that goes 1, 2, 4, R, 2, 1.. whcih is fun...!<br>

No saving of setting, but your DAW can do this... <br><br>thats it.. still =
have to make one I think!<br><br>Mark<br><br><br><br><br><br><div class=3D"=
gmail_quote">On Sat, Jan 1, 2011 at 12:33 PM, mark francombe <span dir=3D"l=
tr">&lt;<a href=3D"mailto:markfrancombe@gmail.com">markfrancombe@gmail.com<=
/a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div bgcolor=3D"#=
FFFFFF"><div>This looks like exactly what I&#39;m after... Can&#39;t check =
it right now, I have a house full for new year.. Thnks for the link James!<=
div class=3D"im">

<br><br>Sent from my (advertisement removed)</div></div><div><div></div><di=
v class=3D"h5"><div>
<br>On 31 Dec 2010, at 02:40, james fowler &lt;<a href=3D"mailto:twostroke@=
gmail.com" target=3D"_blank">twostroke@gmail.com</a>&gt; wrote:<br><br></di=
v><div></div><blockquote type=3D"cite"><div>dunno to where this thread has =
strayed, but here&#39;s a cheap little arp program: <a href=3D"http://www.p=
entacom.jp/pentacom/arpg8r/" target=3D"_blank"></a><a href=3D"http://www.pe=
ntacom.jp/pentacom/arpg8r/" target=3D"_blank">http://www.pentacom.jp/pentac=
om/arpg8r/</a><br>


<br>as a staunch bidule supporter, i&#39;m required to chime in.<br>
<br>i think bidule is great.=A0 i know that always looking for something ne=
w and having to learn a whole new thing kinda sucks and i also agree with j=
ust picking something and learning it.=A0 bidule is way fun to work with, s=
uper-easy or super-complex (depending on how deep you wanna go) and pretty =
darn cheap.=A0 i spent a little time with audiomulch and thought bidule a b=
etter environment in which to work.=A0 i also hated live and i think that m=
ax/msp is absurd.=A0 i can work pretty quick in bidule.=A0 it&#39;s graphic=
al nature greatly appeals to me.=A0 customer support is really great, too.<=
br>



<br>- jim=A0 <br><br><br>
</div></blockquote></div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83848bfe360498c7b36f--

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Date: Sat, 1 Jan 2011 13:20:04 +0100
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Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jan 1, 2011 at 1:02 PM, mark francombe <markfrancombe@gmail.com> wrote:
> STILL has not hold or latch function, so the arp stops after you remove you
> hand from the keyboard, which rules it out for me,

How about setting up a filter that strips off the Note Off events?
Bidule has a good MIDI filter module for that. If using another host
than Bidule it would be required to throw in a Bidule AU plugin (with
that MIDI filtering) somewhere in the MIDI signal path pre virtual
instrument.

OR...
You could open a Bidule AU anywhere (not necessarily on the MIDI track
of your sounding virtual instrument). INside that Bidule you (1) open
a "MIDI Input Device" and cable it through the MIDI Filter (stripping
off Note Offs) and then you finally create and cable to a "MIDI Output
Device" (or whatever it's called...). Make sure to create a "virtual
MIDI cable" either on the Mac system (IAC Bus channel) or as a format
of your DAW/host. Then set this (now MIDI Off stripped) internal MIDI
pipe as the MIDI Input for your sounding virtual instrument.

This would work as a "infinite hold", so you need to set up a "Send
MIDI Note Off" pedal/button to silence the bitch. Bidule would be fine
for that, but simply doing a temporary ByPass off the MIDI filtering
Bidule AU plugin and playing any note (that will then also send a Note
Off as you release the key) will work as your bitch smacker.

Just some loose ideas that may keep you from making music for another
couple of days... ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: RE: The EDP and the Looperlative and me
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Rick=2C
       Mark is simply stating that he likes the EDP. He gives his reasons a=
nd I for one can understand them. He is aware of the looperlative but isn't=
 interested in spending a lot of time programming it and a midi pedal to us=
e it. That seems straighforward. He prefers the EDP=2C you prefer Looperlat=
ive - like I said horses for courses.
=20
Peace
=20
Gareth=20

=20
=20
> Date: Fri=2C 31 Dec 2010 12:39:09 -0800
> From: looppool@cruzio.com
> To: buddhamachine@live.co.uk
> CC: loopers-delight@loopers-delight.com
> Subject: Re: RE: The EDP and the Looperlative and me
>=20
> On 7/22/64 11:59 AM=2C Gareth Whittock wrote:
> > This looks like a strat vs sg debate to me - it's what we call horses=20
> > for courses over here. Choose your weapon gentlemen and PLAY!
> >
> >
> I beg to differ=2C with respect=2C Gareth.
>=20
> I truly don't care what looper Mark uses.
>=20
> It's NOT a competition or a debate.
> It's trying to be accurate in writing about a powerful instrument.
>=20
> Looperlative doesn't have the public profile that Gibson had with the=20
> EDP originally (though
> Gibson horribly let the EDP down imho) so when people research it on=20
> the web=2C they
> come upon discussions like the one that Mark initiated.
>=20
> I disagreed with his conclusions=2C so I have only been trying to set the
> record straight about what the LP-1 can do.......
>=20
> .......not trying to diss the EDP or win some competition.
>=20
> Come on=2C I've hosted hundreds of loopers from all over the world and I=
=2C=20
> of all people=2C
> truly believe that Music is the most important thing.............not=20
> your equipment.
>=20
> The public at large is never going to judge someone's musical output by
> whether they use software/hardware=2C strat/sg (lol=2C why doesn't=20
> Danelectro make the
> cut in that classis debate)=2C edp=2C looperlative=2C roland=2C digitech=
=2C=20
> boomerang=2C etc.=2C etc.
>=20
> rick walker
>=20
 		 	   		  =

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<body class=3D'hmmessage'>
Rick=2C<BR>
&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B Mark is simply stating tha=
t he&nbsp=3Blikes the EDP. He gives his reasons and I for one can understan=
d them. He is aware of the looperlative but isn't interested in spending a =
lot of time programming it and a midi pedal to use it. That seems straighfo=
rward. He&nbsp=3Bprefers the EDP=2C you prefer Looperlative - like I said h=
orses for courses.<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
Gareth <BR>
<BR>&nbsp=3B<BR>
&nbsp=3B<BR>
&gt=3B Date: Fri=2C 31 Dec 2010 12:39:09 -0800<BR>&gt=3B From: looppool@cru=
zio.com<BR>&gt=3B To: buddhamachine@live.co.uk<BR>&gt=3B CC: loopers-deligh=
t@loopers-delight.com<BR>&gt=3B Subject: Re: RE: The EDP and the Looperlati=
ve and me<BR>&gt=3B <BR>&gt=3B On 7/22/64 11:59 AM=2C Gareth Whittock wrote=
:<BR>&gt=3B &gt=3B This looks like a strat vs sg debate to me - it's what w=
e call horses <BR>&gt=3B &gt=3B for courses over here. Choose your weapon g=
entlemen and PLAY!<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B<BR>&gt=3B I beg to dif=
fer=2C with respect=2C Gareth.<BR>&gt=3B <BR>&gt=3B I truly don't care what=
 looper Mark uses.<BR>&gt=3B <BR>&gt=3B It's NOT a competition or a debate.=
<BR>&gt=3B It's trying to be accurate in writing about a powerful instrumen=
t.<BR>&gt=3B <BR>&gt=3B Looperlative doesn't have the public profile that G=
ibson had with the <BR>&gt=3B EDP originally (though<BR>&gt=3B Gibson horri=
bly let the EDP down imho) so when people research it on <BR>&gt=3B the web=
=2C they<BR>&gt=3B come upon discussions like the one that Mark initiated.<=
BR>&gt=3B <BR>&gt=3B I disagreed with his conclusions=2C so I have only bee=
n trying to set the<BR>&gt=3B record straight about what the LP-1 can do...=
....<BR>&gt=3B <BR>&gt=3B .......not trying to diss the EDP or win some com=
petition.<BR>&gt=3B <BR>&gt=3B Come on=2C I've hosted hundreds of loopers f=
rom all over the world and I=2C <BR>&gt=3B of all people=2C<BR>&gt=3B truly=
 believe that Music is the most important thing.............not <BR>&gt=3B =
your equipment.<BR>&gt=3B <BR>&gt=3B The public at large is never going to =
judge someone's musical output by<BR>&gt=3B whether they use software/hardw=
are=2C strat/sg (lol=2C why doesn't <BR>&gt=3B Danelectro make the<BR>&gt=
=3B cut in that classis debate)=2C edp=2C looperlative=2C roland=2C digitec=
h=2C <BR>&gt=3B boomerang=2C etc.=2C etc.<BR>&gt=3B <BR>&gt=3B rick walker<=
BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_5e6710d5-39aa-4450-a9c3-c85e475137d4_--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 15:12:51 2011
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	<4D1E3F6D.3050905@cruzio.com>
	<BAY145-w536475BB295EBFE966E39F85050@phx.gbl>
Date: Sat, 1 Jan 2011 10:12:48 -0500
Message-ID: <AANLkTi=bYf7jGANj2H3EBL8dvDxpQJxOVqMf8DJBMfcb@mail.gmail.com>
Subject: Re: The EDP and the Looperlative and me
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a71910da390498ca5a9f
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This is sincere and beautiful in the reality of what this community is abou=
t
and with me being naive to particularly the EDP, the discussion is like a
study with Mr Wizzard that I can wide-eyed benefit from but as I was readin=
g
through Mark's opening and Rick and Bill back/forth I just started laughing
thinking of the early Jane Curtain / Bill Murray news spoofs on SNL, the
'Jane you ignorant slut!' routine that this innocently reminded me.

Beautiful guys.  Wishing everyone a wonderful and creatively Happy New Year=
.

Jim

On Sat, Jan 1, 2011 at 8:52 AM, Gareth Whittock <buddhamachine@live.co.uk>w=
rote:

>  Rick,
>        Mark is simply stating that he likes the EDP. He gives his reasons
> and I for one can understand them. He is aware of the looperlative but is=
n't
> interested in spending a lot of time programming it and a midi pedal to u=
se
> it. That seems straighforward. He prefers the EDP, you prefer Looperlativ=
e -
> like I said horses for courses.
>
> Peace
>
> Gareth
>
>
>
> > Date: Fri, 31 Dec 2010 12:39:09 -0800
> > From: looppool@cruzio.com
> > To: buddhamachine@live.co.uk
> > CC: loopers-delight@loopers-delight.com
> > Subject: Re: RE: The EDP and the Looperlative and me
>
> >
> > On 7/22/64 11:59 AM, Gareth Whittock wrote:
> > > This looks like a strat vs sg debate to me - it's what we call horses
> > > for courses over here. Choose your weapon gentlemen and PLAY!
> > >
> > >
> > I beg to differ, with respect, Gareth.
> >
> > I truly don't care what looper Mark uses.
> >
> > It's NOT a competition or a debate.
> > It's trying to be accurate in writing about a powerful instrument.
> >
> > Looperlative doesn't have the public profile that Gibson had with the
> > EDP originally (though
> > Gibson horribly let the EDP down imho) so when people research it on
> > the web, they
> > come upon discussions like the one that Mark initiated.
> >
> > I disagreed with his conclusions, so I have only been trying to set the
> > record straight about what the LP-1 can do.......
> >
> > .......not trying to diss the EDP or win some competition.
> >
> > Come on, I've hosted hundreds of loopers from all over the world and I,
> > of all people,
> > truly believe that Music is the most important thing.............not
> > your equipment.
> >
> > The public at large is never going to judge someone's musical output by
> > whether they use software/hardware, strat/sg (lol, why doesn't
> > Danelectro make the
> > cut in that classis debate), edp, looperlative, roland, digitech,
> > boomerang, etc., etc.
> >
> > rick walker
> >
>



--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--20cf3054a71910da390498ca5a9f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This is sincere and beautiful in the reality of what this community is abou=
t and with me being naive to particularly the EDP, the discussion is like a=
 study with Mr Wizzard that I can wide-eyed benefit from but as I was readi=
ng through Mark&#39;s opening and Rick and Bill back/forth I just started l=
aughing thinking of the early Jane Curtain / Bill Murray news spoofs on SNL=
, the &#39;Jane you ignorant slut!&#39; routine that this innocently remind=
ed me.<div>
<br></div><div>Beautiful guys. =A0Wishing everyone a wonderful and creative=
ly Happy New Year.</div><div><br></div><div>Jim<br><br><div class=3D"gmail_=
quote">On Sat, Jan 1, 2011 at 8:52 AM, Gareth Whittock <span dir=3D"ltr">&l=
t;<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&=
gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">



<div>
Rick,<br>
=A0=A0=A0=A0=A0=A0 Mark is simply stating that he=A0likes the EDP. He gives=
 his reasons and I for one can understand them. He is aware of the looperla=
tive but isn&#39;t interested in spending a lot of time programming it and =
a midi pedal to use it. That seems straighforward. He=A0prefers the EDP, yo=
u prefer Looperlative - like I said horses for courses.<br>

=A0<br>
Peace<br>
=A0<br>
Gareth <br>
<br>=A0<br>
=A0<br>
&gt; Date: Fri, 31 Dec 2010 12:39:09 -0800<br>&gt; From: <a href=3D"mailto:=
looppool@cruzio.com" target=3D"_blank">looppool@cruzio.com</a><br>&gt; To: =
<a href=3D"mailto:buddhamachine@live.co.uk" target=3D"_blank">buddhamachine=
@live.co.uk</a><br>
&gt; CC: <a href=3D"mailto:loopers-delight@loopers-delight.com" target=3D"_=
blank">loopers-delight@loopers-delight.com</a><br>&gt; Subject: Re: RE: The=
 EDP and the Looperlative and me<div><div></div><div class=3D"h5"><br>&gt; =
<br>
&gt; On 7/22/64 11:59 AM, Gareth Whittock wrote:<br>&gt; &gt; This looks li=
ke a strat vs sg debate to me - it&#39;s what we call horses <br>&gt; &gt; =
for courses over here. Choose your weapon gentlemen and PLAY!<br>&gt; &gt;<=
br>
&gt; &gt;<br>&gt; I beg to differ, with respect, Gareth.<br>&gt; <br>&gt; I=
 truly don&#39;t care what looper Mark uses.<br>&gt; <br>&gt; It&#39;s NOT =
a competition or a debate.<br>&gt; It&#39;s trying to be accurate in writin=
g about a powerful instrument.<br>
&gt; <br>&gt; Looperlative doesn&#39;t have the public profile that Gibson =
had with the <br>&gt; EDP originally (though<br>&gt; Gibson horribly let th=
e EDP down imho) so when people research it on <br>&gt; the web, they<br>
&gt; come upon discussions like the one that Mark initiated.<br>&gt; <br>&g=
t; I disagreed with his conclusions, so I have only been trying to set the<=
br>&gt; record straight about what the LP-1 can do.......<br>&gt; <br>&gt; =
.......not trying to diss the EDP or win some competition.<br>
&gt; <br>&gt; Come on, I&#39;ve hosted hundreds of loopers from all over th=
e world and I, <br>&gt; of all people,<br>&gt; truly believe that Music is =
the most important thing.............not <br>&gt; your equipment.<br>&gt; <=
br>
&gt; The public at large is never going to judge someone&#39;s musical outp=
ut by<br>&gt; whether they use software/hardware, strat/sg (lol, why doesn&=
#39;t <br>&gt; Danelectro make the<br>&gt; cut in that classis debate), edp=
, looperlative, roland, digitech, <br>
&gt; boomerang, etc., etc.<br>&gt; <br>&gt; rick walker<br>&gt; <br> 		 	  =
 		  </div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To Glindr=
an, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 P=
roceeds<br>from the sale of this CD will benefit JDRF International.=A0 <a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandca=
mp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>

</div>

--20cf3054a71910da390498ca5a9f--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 15:49:39 2011
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Subject: Re: The EDP and the Looperlative and me
References: <BAY145-w38C09DE45ACB4673A95CB685040@phx.gbl> <4D1E3F6D.3050905@cruzio.com> <BAY145-w536475BB295EBFE966E39F85050@phx.gbl> <AANLkTi=bYf7jGANj2H3EBL8dvDxpQJxOVqMf8DJBMfcb@mail.gmail.com>
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From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 15:50:46 2011
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Subject: Re: The EDP and the Looperlative and me
References: <BAY145-w38C09DE45ACB4673A95CB685040@phx.gbl> <4D1E3F6D.3050905@cruzio.com> <14806E05-BDE0-4C73-9B43-80DBC1FF4398@gmail.com>
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Heck yes, what can we get them off on next????

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Dec 31, 2010, at 7:22 PM, "Todd Reynolds" <toddreyn@gmail.com> wrote:

> God I love you guys. I benefit SO much from these convos, and I'm an Ablet=
on guy these days, with heavy EDP experience and just never had the extra ca=
sh for an LP-1.
>=20
> Just lovely constructive banter from great individuals and musicians. Than=
ks all, and happy new year!
>=20
> Bests. Todd.
>=20
> Sent from my iPhone
>=20
> On Dec 31, 2010, at 3:39 PM, Rick Walker <looppool@cruzio.com> wrote:
>=20
> > On 7/22/64 11:59 AM, Gareth Whittock wrote:
> >> This looks like a strat vs sg debate to me  - it's what we call horses f=
or courses over here. Choose your weapon gentlemen and PLAY!
> >>
> >>
> > I beg to differ, with respect, Gareth.
> >
> > I truly don't care what looper Mark uses.
> >
> > It's NOT a competition or a debate.
> > It's trying to be accurate in writing about a powerful instrument.
> >
> > Looperlative doesn't have the public profile that Gibson had with the ED=
P originally (though
> > Gibson horribly let the EDP down imho)  so when people research it on th=
e web, they
> > come upon discussions like the one that Mark initiated.
> >
> > I disagreed with his conclusions, so I have only been trying to set the
> > record straight about what the LP-1 can do.......
> >
> > .......not trying to diss the EDP or win some competition.
> >
> > Come on,  I've hosted hundreds of loopers from all over the world and I,=
 of all people,
> > truly believe that Music is the most important thing.............not you=
r equipment.
> >
> > The public at large is never going to judge someone's musical output by
> > whether they use software/hardware,  strat/sg (lol, why doesn't Danelect=
ro make the
> > cut in that classis debate), edp, looperlative, roland, digitech, boomer=
ang, etc., etc.
> >
> > rick walker
> >
>=20

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<html><body bgcolor="#FFFFFF"><div>Heck yes, what can we get them off on next????<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Dec 31, 2010, at 7:22 PM, "Todd Reynolds" &lt;<a href="mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><p><font size="2">God I love you guys. I benefit SO much from these convos, and I'm an Ableton guy these days, with heavy EDP experience and just never had the extra cash for an LP-1.<br>
<br>
Just lovely constructive banter from great individuals and musicians. Thanks all, and happy new year!<br>
<br>
Bests. Todd.<br>
<br>
Sent from my iPhone<br>
<br>
On Dec 31, 2010, at 3:39 PM, Rick Walker &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br>
<br>
&gt; On 7/22/64 11:59 AM, Gareth Whittock wrote:<br>
&gt;&gt; This looks like a strat vs sg debate to me&nbsp; - it's what we call horses for courses over here. Choose your weapon gentlemen and PLAY!<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt; I beg to differ, with respect, Gareth.<br>
&gt;<br>
&gt; I truly don't care what looper Mark uses.<br>
&gt;<br>
&gt; It's NOT a competition or a debate.<br>
&gt; It's trying to be accurate in writing about a powerful instrument.<br>
&gt;<br>
&gt; Looperlative doesn't have the public profile that Gibson had with the EDP originally (though<br>
&gt; Gibson horribly let the EDP down imho)&nbsp; so when people research it on the web, they<br>
&gt; come upon discussions like the one that Mark initiated.<br>
&gt;<br>
&gt; I disagreed with his conclusions, so I have only been trying to set the<br>
&gt; record straight about what the LP-1 can do.......<br>
&gt;<br>
&gt; .......not trying to diss the EDP or win some competition.<br>
&gt;<br>
&gt; Come on,&nbsp; I've hosted hundreds of loopers from all over the world and I, of all people,<br>
&gt; truly believe that Music is the most important thing.............not your equipment.<br>
&gt;<br>
&gt; The public at large is never going to judge someone's musical output by<br>
&gt; whether they use software/hardware,&nbsp; strat/sg (lol, why doesn't Danelectro make the<br>
&gt; cut in that classis debate), edp, looperlative, roland, digitech, boomerang, etc., etc.<br>
&gt;<br>
&gt; rick walker<br>
&gt;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
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Date: Sat, 01 Jan 2011 17:03:57 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: Happy New Year to Come!
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Thanks, Stephen!

That beautiful ingle/mellotron mood is a great way to start the new year.

And a happy one to you, too (and everyone else...)

          Rainer

Stephen Goodman schrieb:
> While I suspect tonightâ€™s Audio Tarot show is pre-empted by some mode 
> of merriment â€“ Weâ€™re going down to the old 14th Century church near 
> midnight â€“ I just finished the Seventh Day of Christmas show on 
> ustream.tv.
>  
> The happiest to all in the meantime!
>  
> http://www.ustream.tv/recorded/11743955
>  


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Well that approach is exactly what i was going to attempt within Bidule, but
using one of the built in arps, but somehow cancelling the note off filter
with a note on... dunno, its difficult to know how to do it in bidule
without learning the whole program...

Like.. (@bidule users.. ) how do you er.. "expose" to the front panel, only
the controls you need to show on the outside of the group?
The control side of Bidule is the side I really don't like, the programming
style using modules, is the same in mulch Synthedit, and Bidule. No problem
there (just have to experiment and read up on the functionality)

Only in Bidule does there NOT seem to be any elegant way of hiding the mess
of wires and showing just the controls you needs as marked knobs, sliders
and readouts. In Mulch there are very nice looking but generic controls, and
in SynthEdit you can use the default, imports new, or completely design your
own controls.
.
Mark








On Sat, Jan 1, 2011 at 1:20 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Jan 1, 2011 at 1:02 PM, mark francombe <markfrancombe@gmail.com>
> wrote:
> > STILL has not hold or latch function, so the arp stops after you remove
> you
> > hand from the keyboard, which rules it out for me,
>
> How about setting up a filter that strips off the Note Off events?
> Bidule has a good MIDI filter module for that. If using another host
> than Bidule it would be required to throw in a Bidule AU plugin (with
> that MIDI filtering) somewhere in the MIDI signal path pre virtual
> instrument.
>
> OR...
> You could open a Bidule AU anywhere (not necessarily on the MIDI track
> of your sounding virtual instrument). INside that Bidule you (1) open
> a "MIDI Input Device" and cable it through the MIDI Filter (stripping
> off Note Offs) and then you finally create and cable to a "MIDI Output
> Device" (or whatever it's called...). Make sure to create a "virtual
> MIDI cable" either on the Mac system (IAC Bus channel) or as a format
> of your DAW/host. Then set this (now MIDI Off stripped) internal MIDI
> pipe as the MIDI Input for your sounding virtual instrument.
>
> This would work as a "infinite hold", so you need to set up a "Send
> MIDI Note Off" pedal/button to silence the bitch. Bidule would be fine
> for that, but simply doing a temporary ByPass off the MIDI filtering
> Bidule AU plugin and playing any note (that will then also send a Note
> Off as you release the key) will work as your bitch smacker.
>
> Just some loose ideas that may keep you from making music for another
> couple of days... ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3054a07363131d0498cb6f6b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Well that approach is exactly what i was going to attempt within Bidule, bu=
t using one of the built in arps, but somehow cancelling the note off filte=
r with a note on... dunno, its difficult to know how to do it in bidule wit=
hout learning the whole program... <br>

<br>Like.. (@bidule users.. ) how do you er.. &quot;expose&quot; to the fro=
nt panel, only the controls you need to show on the outside of the group?<b=
r>The control side of Bidule is the side I really don&#39;t like, the progr=
amming style using modules, is the same in mulch Synthedit, and Bidule. No =
problem there (just have to experiment and read up on the functionality) <b=
r>

<br>Only in Bidule does there NOT seem to be any elegant way of hiding the =
mess of wires and showing just the controls you needs as marked knobs, slid=
ers and readouts. In Mulch there are very nice looking but generic controls=
, and in SynthEdit you can use the default, imports new, or completely desi=
gn your own controls.<br>

.<br>Mark<br><br><br><br><br><br><br><br><br><div class=3D"gmail_quote">On =
Sat, Jan 1, 2011 at 1:20 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blo=
ckquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-le=
ft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<div class=3D"im">On Sat, Jan 1, 2011 at 1:02 PM, mark francombe &lt;<a hre=
f=3D"mailto:markfrancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:=
<br>
&gt; STILL has not hold or latch function, so the arp stops after you remov=
e you<br>
&gt; hand from the keyboard, which rules it out for me,<br>
<br>
</div>How about setting up a filter that strips off the Note Off events?<br=
>
Bidule has a good MIDI filter module for that. If using another host<br>
than Bidule it would be required to throw in a Bidule AU plugin (with<br>
that MIDI filtering) somewhere in the MIDI signal path pre virtual<br>
instrument.<br>
<br>
OR...<br>
You could open a Bidule AU anywhere (not necessarily on the MIDI track<br>
of your sounding virtual instrument). INside that Bidule you (1) open<br>
a &quot;MIDI Input Device&quot; and cable it through the MIDI Filter (strip=
ping<br>
off Note Offs) and then you finally create and cable to a &quot;MIDI Output=
<br>
Device&quot; (or whatever it&#39;s called...). Make sure to create a &quot;=
virtual<br>
MIDI cable&quot; either on the Mac system (IAC Bus channel) or as a format<=
br>
of your DAW/host. Then set this (now MIDI Off stripped) internal MIDI<br>
pipe as the MIDI Input for your sounding virtual instrument.<br>
<br>
This would work as a &quot;infinite hold&quot;, so you need to set up a &qu=
ot;Send<br>
MIDI Note Off&quot; pedal/button to silence the bitch. Bidule would be fine=
<br>
for that, but simply doing a temporary ByPass off the MIDI filtering<br>
Bidule AU plugin and playing any note (that will then also send a Note<br>
Off as you release the key) will work as your bitch smacker.<br>
<br>
Just some loose ideas that may keep you from making music for another<br>
couple of days... ;-)<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054a07363131d0498cb6f6b--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 16:38:42 2011
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Subject: Re: The EDP and the Looperlative and me
From: Per Boysen <perboysen@gmail.com>
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Happy New Year to everyone!

I think it can be a bit confusing to just talk only about "which
looper" you like to use. Better then to start out speaking about what
you want to do with looping in your music. So here's what I want to
do:


- I want to just start playing music and record a loop whenever I feel
for it. My looper should then provide a tempo sync signal for other
gear to follow.

- My looper should allow me to start with any length for my first
loop. Whatever musical part I start playing, and loop, the looper
should calculate a corresponding global tempo within a musically
comfortable tempo range. If I should start my concert with a 763
millisecond micro loop my looper should multiply the tempo base until
reaching a reference cycle corresponding to a tempo within my
preferred tempo range. If I should start my concert with a four minute
long loop my looper should divide my loop until reaching a reference
cycle corresponding to a comfy tempo.

- My looper should record stereo loops from any audio input I assign
to it, even mono inputs.

- Loop length can be changed either instantly by multiplying or
dividing - with any number (even 3, 5, 7, 9 etc) - or in real-time
while on-the-fly overdubbing a longer layer over a bunch of copies of
my first loop, for as long as I go (traditional "EDP Multiply")

- My looper should allow me to stack many alternative loops, in a
linear way, and instantly decide which one of them should play back,
switching playback loop according to my preferred quantize qrid (or
un-quantized, if I happen to be in that mode...)

- My looper has to allow several parallel playback channels, as above,
so I can run multiple loops simultaneously and have fun with different
loop lengths, parallel loops inter locking in a synced way or
"free-wheeling".

- My looper has to be able to change playback speed (good old
"vari-speed" effect) both tonally quantized to semi tone steps and
continuously (seamless pitch/speed shifting).

- For all functionality I prefer a modular approach, so I can set up a
bunch of actions to be triggered at once, or in sequence.

- When working with several parallel loops I want to instantly decide
which ones of the loops that will be targeted for the command I give;
not being limited to manipulate only one loop at a time.


Summing up these wishes there is a bit of the EDP and a bit of the
LP-1 functionality. But the closest solution for me is to run Mobius
on a laptop. That gives me everything except for one wish: continuous
seamless pitch/speed shifting.

Per

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 16:46:16 2011
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Ive only tried the Looperlative once, and I must say in terms of "what it
could do" I couldnt get the owner to explain me anything that really seems
crazily impossibly different and new than the EDP. Excepting of course the
obvious 3 main differences. mono verses stereo, multiple tracks and audio
quality...

The learning curve with EDP, is a good thing, the way it introduces new
functions to you as you grow with it, and deciding after a while to try a
more esoteric mode, thats just great!

I do think, that Rick hit the nail on the head regarding linear or multi
track looping (one cant really call multi track looping Non-linear Im
afraid). The first thing I did when I swung over to Mobius was to remove at
least half the tracks... I like to morph my compositions from one place to
the next with no chance of about turns and repeats. Building up on different
tracks has usually resulted in an unholy mess of "where did I put THAT..?"

Loop Windowing... I'm not sure if you can do that on Looperlative, and is
the biggest bummer for me how undo works on Mobius. When I get round to it,
Im gonna script myself that bugger, if possible... think so..I have a
cunning plan...

--20cf30549a6734a72f0498cba8f7
Content-Type: text/html; charset=ISO-8859-1
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Ive only tried the Looperlative once, and I must say in terms of &quot;what=
 it could do&quot; I couldnt get the owner to explain me anything that real=
ly seems crazily impossibly different and new than the EDP. Excepting of co=
urse the obvious 3 main differences. mono verses stereo, multiple tracks an=
d audio quality...<br>

<br>The learning curve with EDP, is a good thing, the way it introduces new=
 functions to you as you grow with it, and deciding after a while to try a =
more esoteric mode, thats just great!<br><br>I do think, that Rick hit the =
nail on the head regarding linear or multi track looping (one cant really c=
all multi track looping Non-linear Im afraid). The first thing I did when I=
 swung over to Mobius was to remove at least half the tracks... I like to m=
orph my compositions from one place to the next with no chance of about tur=
ns and repeats. Building up on different tracks has usually resulted in an =
unholy mess of &quot;where did I put THAT..?&quot; <br>

<br>Loop Windowing... I&#39;m not sure if you can do that on Looperlative, =
and is the biggest bummer for me how undo works on Mobius. When I get round=
 to it, Im gonna script myself that bugger, if possible... think so..I have=
 a cunning plan...<br>


--20cf30549a6734a72f0498cba8f7--

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Date: Sat, 1 Jan 2011 17:50:02 +0100
Message-ID: <AANLkTikF3ggV6KbXbEOoKbmsXMXgQC6A0__hdHbGaezW@mail.gmail.com>
Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jan 1, 2011 at 5:30 PM, mark francombe <mark@markfrancombe.com> wrote:
> Like.. (@bidule users.. ) how do you er.. "expose" to the front panel, only
> the controls you need to show on the outside of the group?
> The control side of Bidule is the side I really don't like, the programming
> style using modules, is the same in mulch Synthedit, and Bidule. No problem
> there (just have to experiment and read up on the functionality)
>
> Only in Bidule does there NOT seem to be any elegant way of hiding the mess
> of wires and showing just the controls you needs as marked knobs, sliders
> and readouts.


That's true. I found out about that too and my "workaround" (when I
used Bidule, "pre Mainstage" era) was to not depend on visual screen
feedback. Doing so was possible by limiting my processing options and
using nifty physical MIDI control gear (FCB, Firefox hand button
pads/mixer). Memorizing the full control setup is crucial.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 17:26:26 2011
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Subject: Re: low cpu midi appegiator
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you can always download the demo again,
I did that for several months 'till
one time they hadn't put the latest up quick enough.

andy

mark francombe wrote:
> that all swings it really dont it... have to dive into Bidule again.. 
> wheres the hot visa card..?
> 
> M

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 17:32:19 2011
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Subject: Re: low cpu midi appegiator
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--90e6ba6e83e6d0c0f20498cc4c2b
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no need Andy.. I bought it... this is as a result of playing for a bit...

On Sat, Jan 1, 2011 at 6:26 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> you can always download the demo again,
> I did that for several months 'till
> one time they hadn't put the latest up quick enough.
>
> andy
>
>
> mark francombe wrote:
>
>> that all swings it really dont it... have to dive into Bidule again..
>> wheres the hot visa card..?
>>
>> M
>>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83e6d0c0f20498cc4c2b
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no need Andy.. I bought it... this is as a result of playing for a bit...<b=
r><br><div class=3D"gmail_quote">On Sat, Jan 1, 2011 at 6:26 PM, andy butle=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@=
tiscali.co.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">you can always do=
wnload the demo again,<br>
I did that for several months &#39;till<br>
one time they hadn&#39;t put the latest up quick enough.<br><font color=3D"=
#888888">
<br>
andy</font><div><div></div><div class=3D"h5"><br>
<br>
mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
that all swings it really dont it... have to dive into Bidule again.. where=
s the hot visa card..?<br>
<br>
M<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83e6d0c0f20498cc4c2b--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 17:42:35 2011
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Scott Hansen wrote:
> hi-does anyone know if the LD archive search function is working?

they're not,
the archives are still there tho'

use Google Advanced Search , and restrict search to www.loopersdelight.com


andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 17:51:19 2011
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Date: Sat, 1 Jan 2011 12:51:14 -0500 (EST)
From: =?UTF8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
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Subject: Re: The EDP and the Looperlative and me
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Hey there Mark,

It's totally okay if you like the EDP.

A carpenter will like one hammer over another for some obscure, 
essoteric, personal reason (often very far outside the knowledge of 
other users) or for reasons that it simpley works, lasts a long time, is 
cheap, or is the kind they've always used (and why mess with a good 
thing); or again, simply because their father used one just like it . . 
. or even more weirdly, it may not even work as well but they are "in 
love" with the way it looks (bigger, chrome-plated, more "manly," etc., 
LOL).

I have seen people get in fist fights over such silly, silly, silly 
choices - one party simply cannot accept that the other party has chozen 
differently, perhaps saying to themselves (or their other colleagues 
when the other party is not around): "If only they would spend time 
getting to know the one **I AM USING** they couldn't help but see what a 
dimwit they're being and that **I AM RIGHT** and their full of crap - 
they should kiss my feet for being given the benefit of my vast 
expetise."

These sorts of conflicts happen in every walk of life and over every 
sort of possible subject matter - whenever a personal human choice and 
opinion are involved there will be conflict . . . because we are all 
different.

It's the main reason that we will never acheive the sort of "utopia" we 
all secretly (or otherwise) long for - every man, woman, child and dog 
of us can sometimes be d**kheads about our opinions.

It's the main reason lots of us don't "get along" with oneanother.

I am not saying that anyone in this present discussion has shown any 
"d**kheadedness" really (so far).

But I sort of understand the unspoken underlying message of your 
original post - that you have, at some point, experienced that 
d**kheadedness somewhere along the way concerning your choice of the EDP 
- and are asking why?

Here's my answer: Human nature.

Here's hoping you and yours have a happy 2011.

Ted

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<DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LET=
TERSPACING=3D"0" KERNING=3D"0">Hey there Mark,</FONT></DIV><FONT FACE=3D"Ve=
rdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br><=
/FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#00000=
0" LETTERSPACING=3D"0" KERNING=3D"0">It's totally okay if you like the EDP.=
</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPAC=
ING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdan=
a" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">A carpent=
er will like one hammer over another for some obscure, essoteric, personal =
reason (often very far outside the knowledge of other users) or for reasons=
 that it simpley works, lasts a long time, is cheap, or is the kind they've=
 always used (and why mess with a good thing); or again, simply because the=
ir father used one just like it . . . or even more weirdly, it may not even=
 work as well but they are &quot;in love&quot; with the way it looks (bigge=
r, chrome-plated, more &quot;manly,&quot; etc., LOL).</FONT></DIV><DIV ALIG=
N=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACIN=
G=3D"0" KERNING=3D"0">&nbsp;</FONT></DIV><DIV ALIGN=3D"LEFT"><FONT FACE=3D"=
Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">I h=
ave seen people get in fist fights over such silly, silly, silly choices - =
one party simply cannot accept that the other party has chozen differently,=
 perhaps saying to themselves (or their other colleagues when the other par=
ty is not around): &quot;If only they would spend time getting to know the =
one **I AM USING** they couldn't help but see what a dimwit they're being a=
nd that **I AM RIGHT** and their full of crap - they should kiss my feet fo=
r being given the benefit of my vast expetise.&quot;</FONT></DIV><FONT FACE=
=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"=
><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"=
#000000" LETTERSPACING=3D"0" KERNING=3D"0">These sorts of conflicts happen =
in every walk of life and over every sort of possible subject matter - when=
ever a personal human choice and opinion are involved there will be conflic=
t . . . because we are all different.</FONT></DIV><FONT FACE=3D"Verdana" SI=
ZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DI=
V ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTER=
SPACING=3D"0" KERNING=3D"0">It's the main reason that we will never acheive=
 the sort of &quot;utopia&quot; we all secretly (or otherwise) long for - e=
very man, woman, child and dog of us can sometimes be d**kheads about our o=
pinions.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LE=
TTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=
=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"=
>It's the main reason lots of us don't &quot;get along&quot; with oneanothe=
r.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSP=
ACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verd=
ana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">I am no=
t saying that anyone in this present discussion has shown any &quot;d**khea=
dedness&quot; really (so far).</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2=
" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=
=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=
=3D"0" KERNING=3D"0">But I sort of understand the unspoken underlying messa=
ge of your original post - that you have, at some point, experienced that d=
**kheadedness somewhere along the way concerning your choice of the EDP - a=
nd are asking why?</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#=
000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><F=
ONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNI=
NG=3D"0">Here's my answer: Human nature.</FONT></DIV><FONT FACE=3D"Verdana"=
 SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT>=
<DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LET=
TERSPACING=3D"0" KERNING=3D"0">Here's hoping you and yours have a happy 201=
1.</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"2" COLOR=3D"#000000" LETTERSP=
ACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verd=
ana" SIZE=3D"2" COLOR=3D"#000000" LETTERSPACING=3D"0" KERNING=3D"0">Ted</FO=
NT></DIV>
------=_Part_2468096_1571305617.1293904274859--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 17:57:07 2011
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Date: Sat, 1 Jan 2011 19:57:03 +0200
Message-ID: <AANLkTin1Pasjz-wghkMH=L42gANR6-JXkEeCWR20-jwe@mail.gmail.com>
Subject: Re: The EDP and the Looperlative and me
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a34d7b53b50498cca59b
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Sad but true.

2011/1/1 tEd =AE kiLLiAn <tedkillian@charter.net>

> Hey there Mark,
>
> It's totally okay if you like the EDP.
>
> A carpenter will like one hammer over another for some obscure, essoteric=
,
> personal reason (often very far outside the knowledge of other users) or =
for
> reasons that it simpley works, lasts a long time, is cheap, or is the kin=
d
> they've always used (and why mess with a good thing); or again, simply
> because their father used one just like it . . . or even more weirdly, it
> may not even work as well but they are "in love" with the way it looks
> (bigger, chrome-plated, more "manly," etc., LOL).
>
> I have seen people get in fist fights over such silly, silly, silly choic=
es
> - one party simply cannot accept that the other party has chozen
> differently, perhaps saying to themselves (or their other colleagues when
> the other party is not around): "If only they would spend time getting to
> know the one **I AM USING** they couldn't help but see what a dimwit they=
're
> being and that **I AM RIGHT** and their full of crap - they should kiss m=
y
> feet for being given the benefit of my vast expetise."
>
> These sorts of conflicts happen in every walk of life and over every sort
> of possible subject matter - whenever a personal human choice and opinion
> are involved there will be conflict . . . because we are all different.
>
> It's the main reason that we will never acheive the sort of "utopia" we a=
ll
> secretly (or otherwise) long for - every man, woman, child and dog of us =
can
> sometimes be d**kheads about our opinions.
>
> It's the main reason lots of us don't "get along" with oneanother.
>
> I am not saying that anyone in this present discussion has shown any
> "d**kheadedness" really (so far).
>
> But I sort of understand the unspoken underlying message of your original
> post - that you have, at some point, experienced that d**kheadedness
> somewhere along the way concerning your choice of the EDP - and are askin=
g
> why?
>
> Here's my answer: Human nature.
>
> Here's hoping you and yours have a happy 2011.
>
> Ted
>



--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a34d7b53b50498cca59b
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Sad but true.<br><br><div class=3D"gmail_quote">2011/1/1 tEd =AE kiLLiAn <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkillian@ch=
arter.net</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"marg=
in: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-l=
eft: 1ex;">
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">Hey=
 there Mark,</font></div><font color=3D"#000000" face=3D"Verdana" size=3D"2=
"><br></font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" s=
ize=3D"2">It&#39;s totally okay if you like the EDP.</font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">A carpenter w=
ill like one hammer over another for some obscure, essoteric, personal reas=
on (often very far outside the knowledge of other users) or for reasons tha=
t it simpley works, lasts a long time, is cheap, or is the kind they&#39;ve=
 always used (and why mess with a good thing); or again, simply because the=
ir father used one just like it . . . or even more weirdly, it may not even=
 work as well but they are &quot;in love&quot; with the way it looks (bigge=
r, chrome-plated, more &quot;manly,&quot; etc., LOL).</font></div>
<div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">=A0=
</font></div><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" s=
ize=3D"2">I have seen people get in fist fights over such silly, silly, sil=
ly choices - one party simply cannot accept that the other party has chozen=
 differently, perhaps saying to themselves (or their other colleagues when =
the other party is not around): &quot;If only they would spend time getting=
 to know the one **I AM USING** they couldn&#39;t help but see what a dimwi=
t they&#39;re being and that **I AM RIGHT** and their full of crap - they s=
hould kiss my feet for being given the benefit of my vast expetise.&quot;</=
font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">These sorts o=
f conflicts happen in every walk of life and over every sort of possible su=
bject matter - whenever a personal human choice and opinion are involved th=
ere will be conflict . . . because we are all different.</font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">It&#39;s the =
main reason that we will never acheive the sort of &quot;utopia&quot; we al=
l secretly (or otherwise) long for - every man, woman, child and dog of us =
can sometimes be d**kheads about our opinions.</font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">It&#39;s the =
main reason lots of us don&#39;t &quot;get along&quot; with oneanother.</fo=
nt></div><font color=3D"#000000" face=3D"Verdana" size=3D"2"><br>
</font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D=
"2">I am not saying that anyone in this present discussion has shown any &q=
uot;d**kheadedness&quot; really (so far).</font></div><font color=3D"#00000=
0" face=3D"Verdana" size=3D"2"><br>
</font><div align=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D=
"2">But I sort of understand the unspoken underlying message of your origin=
al post - that you have, at some point, experienced that d**kheadedness som=
ewhere along the way concerning your choice of the EDP - and are asking why=
?</font></div>
<font color=3D"#000000" face=3D"Verdana" size=3D"2"><br></font><div align=
=3D"LEFT"><font color=3D"#000000" face=3D"Verdana" size=3D"2">Here&#39;s my=
 answer: Human nature.</font></div><font color=3D"#000000" face=3D"Verdana"=
 size=3D"2"><br></font><div align=3D"LEFT">
<font color=3D"#000000" face=3D"Verdana" size=3D"2">Here&#39;s hoping you a=
nd yours have a happy 2011.</font></div><font color=3D"#000000" face=3D"Ver=
dana" size=3D"2"><br></font><font color=3D"#888888"><div align=3D"LEFT"><fo=
nt color=3D"#000000" face=3D"Verdana" size=3D"2">Ted</font></div>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.pet=
rilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a34d7b53b50498cca59b--

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	<1211FFF5-E9C6-4C04-98CF-2911AE2434A8@1800dialword.com>
Date: Sat, 1 Jan 2011 13:10:07 -0500
Message-ID: <AANLkTin3_DRtwjd7eHdY5kKe_g6L5PiUt6+XS52FurwB@mail.gmail.com>
Subject: Re: The EDP and the Looperlative and me
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Argh Andy, sorry good call, and that's a riot!

On Sat, Jan 1, 2011 at 10:48 AM, Andy Owens <andy@1800dialword.com> wrote:

> It was Akroyd, you ignorant slut!!!
>
> :)>
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 1, 2011, at 10:12 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
>
> This is sincere and beautiful in the reality of what this community is
> about and with me being naive to particularly the EDP, the discussion is
> like a study with Mr Wizzard that I can wide-eyed benefit from but as I w=
as
> reading through Mark's opening and Rick and Bill back/forth I just starte=
d
> laughing thinking of the early Jane Curtain / Bill Murray news spoofs on
> SNL, the 'Jane you ignorant slut!' routine that this innocently reminded =
me.
>
> Beautiful guys.  Wishing everyone a wonderful and creatively Happy New
> Year.
>
> Jim
>
> On Sat, Jan 1, 2011 at 8:52 AM, Gareth Whittock <<buddhamachine@live.co.u=
k>
> buddhamachine@live.co.uk> wrote:
>
>>  Rick,
>>        Mark is simply stating that he likes the EDP. He gives his reason=
s
>> and I for one can understand them. He is aware of the looperlative but i=
sn't
>> interested in spending a lot of time programming it and a midi pedal to =
use
>> it. That seems straighforward. He prefers the EDP, you prefer Looperlati=
ve -
>> like I said horses for courses.
>>
>> Peace
>>
>> Gareth
>>
>>
>>
>> > Date: Fri, 31 Dec 2010 12:39:09 -0800
>> > From: <looppool@cruzio.com>looppool@cruzio.com
>> > To: <buddhamachine@live.co.uk>buddhamachine@live.co.uk
>> > CC: <loopers-delight@loopers-delight.com>
>> loopers-delight@loopers-delight.com
>> > Subject: Re: RE: The EDP and the Looperlative and me
>>
>> >
>> > On 7/22/64 11:59 AM, Gareth Whittock wrote:
>> > > This looks like a strat vs sg debate to me - it's what we call horse=
s
>> > > for courses over here. Choose your weapon gentlemen and PLAY!
>> > >
>> > >
>> > I beg to differ, with respect, Gareth.
>> >
>> > I truly don't care what looper Mark uses.
>> >
>> > It's NOT a competition or a debate.
>> > It's trying to be accurate in writing about a powerful instrument.
>> >
>> > Looperlative doesn't have the public profile that Gibson had with the
>> > EDP originally (though
>> > Gibson horribly let the EDP down imho) so when people research it on
>> > the web, they
>> > come upon discussions like the one that Mark initiated.
>> >
>> > I disagreed with his conclusions, so I have only been trying to set th=
e
>> > record straight about what the LP-1 can do.......
>> >
>> > .......not trying to diss the EDP or win some competition.
>> >
>> > Come on, I've hosted hundreds of loopers from all over the world and I=
,
>> > of all people,
>> > truly believe that Music is the most important thing.............not
>> > your equipment.
>> >
>> > The public at large is never going to judge someone's musical output b=
y
>> > whether they use software/hardware, strat/sg (lol, why doesn't
>> > Danelectro make the
>> > cut in that classis debate), edp, looperlative, roland, digitech,
>> > boomerang, etc., etc.
>> >
>> > rick walker
>> >
>>
>
>
>
> --
> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin =
&
> Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> <http://jimgoodinpeterthorn.bandcamp.com>jimgoodinpeterthorn.bandcamp.com=
.
>
> <http://www.jimgoodinmusic.com>www.jimgoodinmusic.com
> <http://www.chinapaintingmusic.com>www.chinapaintingmusic.com
> <http://woodandwiremusic.wordpress.com>woodandwiremusic.wordpress.com
>
>


--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--20cf3054a7192ed2440498ccd45f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Argh Andy, sorry good call, and that&#39;s a riot!<br><br><div class=3D"gma=
il_quote">On Sat, Jan 1, 2011 at 10:48 AM, Andy Owens <span dir=3D"ltr">&lt=
;<a href=3D"mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div bgcolor=3D"#FFFFFF"><div>It was Akroyd=
, you ignorant slut!!!</div><div><br></div><div>:)&gt;<br><font color=3D"#8=
88888"><br>
Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typ=
ing might not be my best!</div><div><br></div></div></font></div><div><div>=
</div><div class=3D"h5"><div><br>On Jan 1, 2011, at 10:12 AM, Jim Goodin &l=
t;<a href=3D"mailto:jimgoodinmusic@gmail.com" target=3D"_blank">jimgoodinmu=
sic@gmail.com</a>&gt; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div>This is sincere and bea=
utiful in the reality of what this community is about and with me being nai=
ve to particularly the EDP, the discussion is like a study with Mr Wizzard =
that I can wide-eyed benefit from but as I was reading through Mark&#39;s o=
pening and Rick and Bill back/forth I just started laughing thinking of the=
 early Jane Curtain / Bill Murray news spoofs on SNL, the &#39;Jane you ign=
orant slut!&#39; routine that this innocently reminded me.<div>

<br></div><div>Beautiful guys. =A0Wishing everyone a wonderful and creative=
ly Happy New Year.</div><div><br></div><div>Jim<br><br><div class=3D"gmail_=
quote">On Sat, Jan 1, 2011 at 8:52 AM, Gareth Whittock <span dir=3D"ltr">&l=
t;<a href=3D"mailto:buddhamachine@live.co.uk" target=3D"_blank"></a><a href=
=3D"mailto:buddhamachine@live.co.uk" target=3D"_blank">buddhamachine@live.c=
o.uk</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">



<div>
Rick,<br>
=A0=A0=A0=A0=A0=A0 Mark is simply stating that he=A0likes the EDP. He gives=
 his reasons and I for one can understand them. He is aware of the looperla=
tive but isn&#39;t interested in spending a lot of time programming it and =
a midi pedal to use it. That seems straighforward. He=A0prefers the EDP, yo=
u prefer Looperlative - like I said horses for courses.<br>


=A0<br>
Peace<br>
=A0<br>
Gareth <br>
<br>=A0<br>
=A0<br>
&gt; Date: Fri, 31 Dec 2010 12:39:09 -0800<br>&gt; From: <a href=3D"mailto:=
looppool@cruzio.com" target=3D"_blank"></a><a href=3D"mailto:looppool@cruzi=
o.com" target=3D"_blank">looppool@cruzio.com</a><br>&gt; To: <a href=3D"mai=
lto:buddhamachine@live.co.uk" target=3D"_blank"></a><a href=3D"mailto:buddh=
amachine@live.co.uk" target=3D"_blank">buddhamachine@live.co.uk</a><br>

&gt; CC: <a href=3D"mailto:loopers-delight@loopers-delight.com" target=3D"_=
blank"></a><a href=3D"mailto:loopers-delight@loopers-delight.com" target=3D=
"_blank">loopers-delight@loopers-delight.com</a><br>&gt; Subject: Re: RE: T=
he EDP and the Looperlative and me<div>
<div></div><div><br>&gt; <br>
&gt; On 7/22/64 11:59 AM, Gareth Whittock wrote:<br>&gt; &gt; This looks li=
ke a strat vs sg debate to me - it&#39;s what we call horses <br>&gt; &gt; =
for courses over here. Choose your weapon gentlemen and PLAY!<br>&gt; &gt;<=
br>

&gt; &gt;<br>&gt; I beg to differ, with respect, Gareth.<br>&gt; <br>&gt; I=
 truly don&#39;t care what looper Mark uses.<br>&gt; <br>&gt; It&#39;s NOT =
a competition or a debate.<br>&gt; It&#39;s trying to be accurate in writin=
g about a powerful instrument.<br>

&gt; <br>&gt; Looperlative doesn&#39;t have the public profile that Gibson =
had with the <br>&gt; EDP originally (though<br>&gt; Gibson horribly let th=
e EDP down imho) so when people research it on <br>&gt; the web, they<br>

&gt; come upon discussions like the one that Mark initiated.<br>&gt; <br>&g=
t; I disagreed with his conclusions, so I have only been trying to set the<=
br>&gt; record straight about what the LP-1 can do.......<br>&gt; <br>
&gt; .......not trying to diss the EDP or win some competition.<br>
&gt; <br>&gt; Come on, I&#39;ve hosted hundreds of loopers from all over th=
e world and I, <br>&gt; of all people,<br>&gt; truly believe that Music is =
the most important thing.............not <br>&gt; your equipment.<br>&gt; <=
br>

&gt; The public at large is never going to judge someone&#39;s musical outp=
ut by<br>&gt; whether they use software/hardware, strat/sg (lol, why doesn&=
#39;t <br>&gt; Danelectro make the<br>&gt; cut in that classis debate), edp=
, looperlative, roland, digitech, <br>

&gt; boomerang, etc., etc.<br>&gt; <br>&gt; rick walker<br>&gt; <br> 		 	  =
 		  </div></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To Glindr=
an, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 P=
roceeds<br>from the sale of this CD will benefit JDRF International.=A0 <a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank"></a><a h=
ref=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodin=
peterthorn.bandcamp.com</a>.<br>

<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank"></a><a href=
=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmusic.com=
</a><br><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank"></a=
><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinap=
aintingmusic.com</a><br>
<a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank"></a><a =
href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woodandwir=
emusic.wordpress.com</a><br>

</div>
</div></blockquote></div></div></div></blockquote></div><br><br clear=3D"al=
l"><br>-- <br>From Brooklyn To Glindran, a new World/Free Jazz recording by=
 Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD wi=
ll benefit JDRF International.=A0 <a href=3D"http://jimgoodinpeterthorn.ban=
dcamp.com">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>


--20cf3054a7192ed2440498ccd45f--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 18:10:14 2011
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Subject: Re: The EDP and the Looperlative and me
From: Kenn Lowy <kennlowy@me.com>
In-reply-to: <20110101175708.32421183499@hemlock.violacea.com>
Date: Sat, 01 Jan 2011 13:10:08 -0500
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In my case the looperlative just blows the EDP away. It's not just stereo, but having 8 tracks that I can fade together or independently, reverse, half speed, start and stop etc. Record in sync or out of sync (per track) and much more. I can also perform songs live that I could never do with the EDP. Record the verse, then the chorus, then the bridge and go back and forth and be able to overdub on any track. It's really powerful and I'm not using all of the features. I still have my two EDP's, but they don't get much use anymore.

As for a computer based looper, I'm not sure you'd want to do that live.

klowy (wrinklemuzik)

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 18:12:58 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 1 Jan 2011 13:12:36 -0500
Message-ID: <AANLkTimudiqxRDGmLvebieDw6VENT3O0nf-P0Y8jNYBj@mail.gmail.com>
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--20cf3054a5293fe1640498ccde79
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whatever it be, it'll be good.

On Sat, Jan 1, 2011 at 10:49 AM, Andy Owens <andy@1800dialword.com> wrote:

> Heck yes, what can we get them off on next????
>
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Dec 31, 2010, at 7:22 PM, "Todd Reynolds" <toddreyn@gmail.com> wrote:
>
> God I love you guys. I benefit SO much from these convos, and I'm an
> Ableton guy these days, with heavy EDP experience and just never had the
> extra cash for an LP-1.
>
> Just lovely constructive banter from great individuals and musicians.
> Thanks all, and happy new year!
>
> Bests. Todd.
>
> Sent from my iPhone
>
> On Dec 31, 2010, at 3:39 PM, Rick Walker <looppool@cruzio.com> wrote:
>
> > On 7/22/64 11:59 AM, Gareth Whittock wrote:
> >> This looks like a strat vs sg debate to me  - it's what we call horses
> for courses over here. Choose your weapon gentlemen and PLAY!
> >>
> >>
> > I beg to differ, with respect, Gareth.
> >
> > I truly don't care what looper Mark uses.
> >
> > It's NOT a competition or a debate.
> > It's trying to be accurate in writing about a powerful instrument.
> >
> > Looperlative doesn't have the public profile that Gibson had with the E=
DP
> originally (though
> > Gibson horribly let the EDP down imho)  so when people research it on t=
he
> web, they
> > come upon discussions like the one that Mark initiated.
> >
> > I disagreed with his conclusions, so I have only been trying to set the
> > record straight about what the LP-1 can do.......
> >
> > .......not trying to diss the EDP or win some competition.
> >
> > Come on,  I've hosted hundreds of loopers from all over the world and I=
,
> of all people,
> > truly believe that Music is the most important thing.............not yo=
ur
> equipment.
> >
> > The public at large is never going to judge someone's musical output by
> > whether they use software/hardware,  strat/sg (lol, why doesn't
> Danelectro make the
> > cut in that classis debate), edp, looperlative, roland, digitech,
> boomerang, etc., etc.
> >
> > rick walker
> >
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--20cf3054a5293fe1640498ccde79
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whatever it be, it&#39;ll be good. =A0<br><br><div class=3D"gmail_quote">On=
 Sat, Jan 1, 2011 at 10:49 AM, Andy Owens <span dir=3D"ltr">&lt;<a href=3D"=
mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:=
1px #ccc solid;padding-left:1ex;">

<div bgcolor=3D"#FFFFFF"><div>Heck yes, what can we get them off on next???=
?<div class=3D"im"><br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent fr=
om my iPhone<div>So the typing might not be my best!</div><div><br></div></=
div>

</div></div><div><div></div><div class=3D"h5"><div><br>On Dec 31, 2010, at =
7:22 PM, &quot;Todd Reynolds&quot; &lt;<a href=3D"mailto:toddreyn@gmail.com=
" target=3D"_blank">toddreyn@gmail.com</a>&gt; wrote:<br><br></div><div></d=
iv>

<blockquote type=3D"cite"><div><p><font size=3D"2">God I love you guys. I b=
enefit SO much from these convos, and I&#39;m an Ableton guy these days, wi=
th heavy EDP experience and just never had the extra cash for an LP-1.<br>

<br>
Just lovely constructive banter from great individuals and musicians. Thank=
s all, and happy new year!<br>
<br>
Bests. Todd.<br>
<br>
Sent from my iPhone<br>
<br>
On Dec 31, 2010, at 3:39 PM, Rick Walker &lt;<a href=3D"mailto:looppool@cru=
zio.com" target=3D"_blank">looppool@cruzio.com</a>&gt; wrote:<br>
<br>
&gt; On 7/22/64 11:59 AM, Gareth Whittock wrote:<br>
&gt;&gt; This looks like a strat vs sg debate to me=A0 - it&#39;s what we c=
all horses for courses over here. Choose your weapon gentlemen and PLAY!<br=
>
&gt;&gt;<br>
&gt;&gt;<br>
&gt; I beg to differ, with respect, Gareth.<br>
&gt;<br>
&gt; I truly don&#39;t care what looper Mark uses.<br>
&gt;<br>
&gt; It&#39;s NOT a competition or a debate.<br>
&gt; It&#39;s trying to be accurate in writing about a powerful instrument.=
<br>
&gt;<br>
&gt; Looperlative doesn&#39;t have the public profile that Gibson had with =
the EDP originally (though<br>
&gt; Gibson horribly let the EDP down imho)=A0 so when people research it o=
n the web, they<br>
&gt; come upon discussions like the one that Mark initiated.<br>
&gt;<br>
&gt; I disagreed with his conclusions, so I have only been trying to set th=
e<br>
&gt; record straight about what the LP-1 can do.......<br>
&gt;<br>
&gt; .......not trying to diss the EDP or win some competition.<br>
&gt;<br>
&gt; Come on,=A0 I&#39;ve hosted hundreds of loopers from all over the worl=
d and I, of all people,<br>
&gt; truly believe that Music is the most important thing.............not y=
our equipment.<br>
&gt;<br>
&gt; The public at large is never going to judge someone&#39;s musical outp=
ut by<br>
&gt; whether they use software/hardware,=A0 strat/sg (lol, why doesn&#39;t =
Danelectro make the<br>
&gt; cut in that classis debate), edp, looperlative, roland, digitech, boom=
erang, etc., etc.<br>
&gt;<br>
&gt; rick walker<br>
&gt;<br>
<br>
</font>
</p>


</div></blockquote></div></div></div></blockquote></div><br><br clear=3D"al=
l"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now re=
leased on iTunes and Amazon! ::=A0 Read about it here... <a href=3D"http://=
bit.ly/3Pm4g3">http://bit.ly/3Pm4g3</a><br>

<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><b=
r><a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler=
</a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com=
/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com">http://blog.toddreynolds.com</a><b=
r><a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreyn=
olds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbn=
ation.com/toddreynolds</a><br>

<br>

--20cf3054a5293fe1640498ccde79--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 18:18:10 2011
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <AANLkTikWn_zXq2Rwq1ktEBGmC+4J7xZGKQVrEQYyULng@mail.gmail.com> <BAY145-w4771C219202A439FB7684185040@phx.gbl> <FE6256E0C6C145E0B6DEE0B5035C37FD@ELUK1> <4D1F506D.1080702@googlemail.com>
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Subject: Re: Happy New Year to Come!
Date: Sat, 1 Jan 2011 18:18:06 -0000
Organization: EarthLight Productions
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ï»¿Thank you Rainer, and a Merry New Year to all!

Eighth Day of Christmas done for this year, er, last year, oh bag it.
http://www.ustream.tv/recorded/11766899


-----Original Message----- 
From: Rainer Straschill
Sent: Saturday, January 01, 2011 4:03 PM
To: Looper's Delight Mailing List
Subject: Re: Happy New Year to Come!

Thanks, Stephen!

That beautiful ingle/mellotron mood is a great way to start the new year.

And a happy one to you, too (and everyone else...)

          Rainer

Stephen Goodman schrieb:
> While I suspect tonightâ€™s Audio Tarot show is pre-empted by some mode of 
> merriment â€“ Weâ€™re going down to the old 14th Century church near 
> midnight â€“ I just finished the Seventh Day of Christmas show on 
> ustream.tv.
>  The happiest to all in the meantime!
>  http://www.ustream.tv/recorded/11743955
>


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs 

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From: todd reynolds <toddreyn@gmail.com>
Date: Sat, 1 Jan 2011 13:29:16 -0500
Message-ID: <AANLkTi=egC3_6jeUbU=zM3XQHhRYE-rYZSvNBJ=z+A=0@mail.gmail.com>
Subject: Re: The EDP and the Looperlative and me
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Ted, Rick, Mark, Andy, Bill, all....

If I might dip my toe into this puddle...

The other side of this human nature coin you cite, Ted, and which I'm alway=
s
happy to see on this list, is simple passion.

Evangelism so often gets a bad rap, and having come from an evangelistic,
passionate family (religious in nature), I've had to learn to be aware of
when to stop, even though my own evangelistic tendencies have turned away
from religious ideas, the place where Evangelism so easily thrives.  I
recognize myself in this EDP/LP-1 conversation or equivalent ones, so eager
to share what I think is a rewarding idea or point of view. Frankly, when I
see the passion with which people on our list share their methods, their
gear, it makes me nothing but happy. When I see the conversation heated but
respectful, then I'm filled with... um... respect.

We've got lots of passionate folks on this list and when they do throw down
the conversation most likely escalates, but I must say in a good way these
days.  I remember a few years ago when convos would degenerate so quickly
and become personal.  Knock on wood, this happens much less frequently thes=
e
days.  What happens instead are these impassioned sharings where I see the
"but... but... if you'd only give this a chance" thing happening.

Of course, at some point one or the other has to say, "okay, I get it,
conversation over, this is my choice and I've said enough, explored this
enough", but until that time the passion excites the list and promotes
inclusion in the conversation.

Of course, now it's making me wanna buy a looperlative instead of an iPad,
but this is my own internal spiritual struggle, lol.

My dos pesos.

Todd

On Sat, Jan 1, 2011 at 12:51 PM, tEd =AE kiLLiAn <tedkillian@charter.net>wr=
ote:

> Hey there Mark,
>
> It's totally okay if you like the EDP.
>
> A carpenter will like one hammer over another for some obscure, essoteric=
,
> personal reason (often very far outside the knowledge of other users) or =
for
> reasons that it simpley works, lasts a long time, is cheap, or is the kin=
d
> they've always used (and why mess with a good thing); or again, simply
> because their father used one just like it . . . or even more weirdly, it
> may not even work as well but they are "in love" with the way it looks
> (bigger, chrome-plated, more "manly," etc., LOL).
>
> I have seen people get in fist fights over such silly, silly, silly choic=
es
> - one party simply cannot accept that the other party has chozen
> differently, perhaps saying to themselves (or their other colleagues when
> the other party is not around): "If only they would spend time getting to
> know the one **I AM USING** they couldn't help but see what a dimwit they=
're
> being and that **I AM RIGHT** and their full of crap - they should kiss m=
y
> feet for being given the benefit of my vast expetise."
>
> These sorts of conflicts happen in every walk of life and over every sort
> of possible subject matter - whenever a personal human choice and opinion
> are involved there will be conflict . . . because we are all different.
>
> It's the main reason that we will never acheive the sort of "utopia" we a=
ll
> secretly (or otherwise) long for - every man, woman, child and dog of us =
can
> sometimes be d**kheads about our opinions.
>
> It's the main reason lots of us don't "get along" with oneanother.
>
> I am not saying that anyone in this present discussion has shown any
> "d**kheadedness" really (so far).
>
> But I sort of understand the unspoken underlying message of your original
> post - that you have, at some point, experienced that d**kheadedness
> somewhere along the way concerning your choice of the EDP - and are askin=
g
> why?
>
> Here's my answer: Human nature.
>
> Here's hoping you and yours have a happy 2011.
>
> Ted
>

--001636c5a5d0e4e0630498cd19ce
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Ted, Rick, Mark, Andy, Bill, all....=A0<div><br></div><div>If I might dip m=
y toe into this puddle...=A0<div><br></div><div>The other side of this huma=
n nature coin you cite, Ted, and which I&#39;m always happy to see on this =
list, is simple passion.</div>

<div><br></div><div>Evangelism so often gets a bad rap, and having come fro=
m an evangelistic, passionate family (religious in nature), I&#39;ve had to=
 learn to be aware of when to stop, even though my own evangelistic tendenc=
ies have turned away from religious ideas, the place where Evangelism so ea=
sily thrives. =A0I recognize myself in this EDP/LP-1 conversation or equiva=
lent ones, so eager to share what I think is a rewarding idea or point of v=
iew. Frankly, when I see the passion with which people on our list share th=
eir methods, their gear, it makes me nothing but happy. When I see the conv=
ersation heated but respectful, then I&#39;m filled with... um... respect.<=
/div>

<div><br></div><div>We&#39;ve got lots of passionate folks on this list and=
 when they do throw down the conversation most likely escalates, but I must=
 say in a good way these days. =A0I remember a few years ago when convos wo=
uld degenerate so quickly and become personal. =A0Knock on wood, this happe=
ns much less frequently these days. =A0What happens instead are these impas=
sioned sharings where I see the &quot;but... but... if you&#39;d only give =
this a chance&quot; thing happening. =A0</div>

<div><br></div><div>Of course, at some point one or the other has to say, &=
quot;okay, I get it, conversation over, this is my choice and I&#39;ve said=
 enough, explored this enough&quot;, but until that time the passion excite=
s the list and promotes inclusion in the conversation.=A0</div>

<div><br></div><div>Of course, now it&#39;s making me wanna buy a looperlat=
ive instead of an iPad, but this is my own internal spiritual struggle, lol=
.</div><div><br></div><div>My dos pesos.</div><div><br></div><div>Todd</div=
>

<div><br><div class=3D"gmail_quote">On Sat, Jan 1, 2011 at 12:51 PM, tEd =
=AE kiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net"=
>tedkillian@charter.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:=
1ex;">

<div align=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#000000">Hey=
 there Mark,</font></div><font face=3D"Verdana" size=3D"2" color=3D"#000000=
"><br></font><div align=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D=
"#000000">It&#39;s totally okay if you like the EDP.</font></div>

<font face=3D"Verdana" size=3D"2" color=3D"#000000"><br></font><div align=
=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#000000">A carpenter w=
ill like one hammer over another for some obscure, essoteric, personal reas=
on (often very far outside the knowledge of other users) or for reasons tha=
t it simpley works, lasts a long time, is cheap, or is the kind they&#39;ve=
 always used (and why mess with a good thing); or again, simply because the=
ir father used one just like it . . . or even more weirdly, it may not even=
 work as well but they are &quot;in love&quot; with the way it looks (bigge=
r, chrome-plated, more &quot;manly,&quot; etc., LOL).</font></div>

<div align=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#000000">=A0=
</font></div><div align=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D=
"#000000">I have seen people get in fist fights over such silly, silly, sil=
ly choices - one party simply cannot accept that the other party has chozen=
 differently, perhaps saying to themselves (or their other colleagues when =
the other party is not around): &quot;If only they would spend time getting=
 to know the one **I AM USING** they couldn&#39;t help but see what a dimwi=
t they&#39;re being and that **I AM RIGHT** and their full of crap - they s=
hould kiss my feet for being given the benefit of my vast expetise.&quot;</=
font></div>

<font face=3D"Verdana" size=3D"2" color=3D"#000000"><br></font><div align=
=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#000000">These sorts o=
f conflicts happen in every walk of life and over every sort of possible su=
bject matter - whenever a personal human choice and opinion are involved th=
ere will be conflict . . . because we are all different.</font></div>

<font face=3D"Verdana" size=3D"2" color=3D"#000000"><br></font><div align=
=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#000000">It&#39;s the =
main reason that we will never acheive the sort of &quot;utopia&quot; we al=
l secretly (or otherwise) long for - every man, woman, child and dog of us =
can sometimes be d**kheads about our opinions.</font></div>

<font face=3D"Verdana" size=3D"2" color=3D"#000000"><br></font><div align=
=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#000000">It&#39;s the =
main reason lots of us don&#39;t &quot;get along&quot; with oneanother.</fo=
nt></div><font face=3D"Verdana" size=3D"2" color=3D"#000000"><br>

</font><div align=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#0000=
00">I am not saying that anyone in this present discussion has shown any &q=
uot;d**kheadedness&quot; really (so far).</font></div><font face=3D"Verdana=
" size=3D"2" color=3D"#000000"><br>

</font><div align=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#0000=
00">But I sort of understand the unspoken underlying message of your origin=
al post - that you have, at some point, experienced that d**kheadedness som=
ewhere along the way concerning your choice of the EDP - and are asking why=
?</font></div>

<font face=3D"Verdana" size=3D"2" color=3D"#000000"><br></font><div align=
=3D"LEFT"><font face=3D"Verdana" size=3D"2" color=3D"#000000">Here&#39;s my=
 answer: Human nature.</font></div><font face=3D"Verdana" size=3D"2" color=
=3D"#000000"><br></font><div align=3D"LEFT">

<font face=3D"Verdana" size=3D"2" color=3D"#000000">Here&#39;s hoping you a=
nd yours have a happy 2011.</font></div><font face=3D"Verdana" size=3D"2" c=
olor=3D"#000000"><br></font><font color=3D"#888888"><div align=3D"LEFT"><fo=
nt face=3D"Verdana" size=3D"2" color=3D"#000000">Ted</font></div>

</font></blockquote></div><br><br clear=3D"all"><br><br><br>
</div></div>

--001636c5a5d0e4e0630498cd19ce--

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From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 18:49:56 2011
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Subject: Leinhos one last funny thing
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From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 18:54:24 2011
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From: William Walker <billwalker@baymoon.com>
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Subject: Re: The EDP and the Looperlative and me
Date: Sat, 1 Jan 2011 10:54:00 -0800
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  Mark, Ted, Gareth , Jim, et all, I really appreciate what you all  
have to say but I believe you were missing my point . I see no  
conflict here, I see no apples or oranges scenario.  No d#ckhead  
dissing of another mans ride.   Its really ok for me if Mark prefers  
to use the EDP. I also can relate to not wanting to devote a lot of  
time to a new learning curve, which if the truth be told is one of two  
primary reasons I have not made the leap to lap top (the other of  
course being money), particularly if you are unsure if its the right  
tool.  But from what I've gathered from your basic needs, you can  
accomplish it all on an LP-1 and get the stereo you enjoy. You will  
need a dedicated midi foot controller but you might find you will  
appreciate having that to control your EDPs if you choose to let  go  
of your  LP-1. I'm advocating the same thing I always advocate, dig as  
deeply as you can in to your tools and see what they have to offer.   
I'm doing that very thing right now with my DAW, which for the longest  
time, and because of piece meal education and basic ludite lazziness,   
has kept me moving past my basic understanding of the tools. I'm the  
first guy to admit I'd rather play than program.
  Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 19:21:43 2011
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Subject: Re: The EDP and the Looperlative and me
Date: Sat, 1 Jan 2011 11:21:35 -0800
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Happy New Year to everyone!

And you as well Per
I think it can be a bit confusing to just talk only about "which
looper" you like to use. Better then to start out speaking about what
you want to do with looping in your music. So here's what I want to
do:


- I want to just start playing music and record a loop whenever I feel
for it. My looper should then provide a tempo sync signal for other
gear to follow.
My looper can do that!!!!!!!WooHoo!!!!

- My looper should allow me to start with any length for my first
loop. Whatever musical part I start playing, and loop, the looper
should calculate a corresponding global tempo within a musically
comfortable tempo range. If I should start my concert with a 763
millisecond micro loop my looper should multiply the tempo base until
reaching a reference cycle corresponding to a tempo within my
preferred tempo range. If I should start my concert with a four minute
long loop my looper should divide my loop until reaching a reference
cycle corresponding to a comfy tempo.

this can be done on the LP-1 with multiply for your first example, and  
there is a work around to achieve the same result for your second  
example


- My looper should record stereo loops from any audio input I assign
to it, even mono inputs.

you got me there, LP-1 does not process mono to stereo, true stereo in  
and out, I use a hardware work around solution, the stereo outputs  
from my line 6 M-9


- Loop length can be changed either instantly by multiplying or
dividing - with any number (even 3, 5, 7, 9 etc) - or in real-time
while on-the-fly overdubbing a longer layer over a bunch of copies of
my first loop, for as long as I go (traditional "EDP Multiply")

  bounce can achieve this on the LP-1

- My looper should allow me to stack many alternative loops, in a
linear way, and instantly decide which one of them should play back,
switching playback loop according to my preferred quantize qrid (or
un-quantized, if I happen to be in that mode...)

not quite sure what you mean other than yes the LP-1 can do ABC song  
form

- My looper has to allow several parallel playback channels, as above,
so I can run multiple loops simultaneously and have fun with different
loop lengths, parallel loops inter locking in a synced way or
"free-wheeling".

yes

- My looper has to be able to change playback speed (good old
"vari-speed" effect) both tonally quantized to semi tone steps and
continuously (seamless pitch/speed shifting).

hmmm a qualified yes for the first , definite yes for the second
- For all functionality I prefer a modular approach, so I can set up a
bunch of actions to be triggered at once, or in sequence.

  yes up to 8 actions, at once  though sequencing cannot be done  
unless you have a midi controller capable of delayed command scripts  
like the LG.

- When working with several parallel loops I want to instantly decide
which ones of the loops that will be targeted for the command I give;
not being limited to manipulate only one loop at a time.

The only thing you can't do is group recording of multiple tracks at  
once. however you can do performance changes of groups of tracks or  
individual tracks while remaining in overdub or replace on a separate  
track, for example change one tracks pitch while still in over dub on  
another.

Summing up these wishes there is a bit of the EDP and a bit of the
LP-1 functionality. But the closest solution for me is to run Mobius
on a laptop. That gives me everything except for one wish: continuous
seamless pitch/speed shifting.

have you tried assigning track speed to a continuous controller on you  
LG? I can for example assign an expression predal that will move from  
normal speed to 1/4 speed and back  creating the time stratch+ pitch  
bend effect  similar to the one we all know and love from the Repeater  
with the exception that you can't time stretch without changing the  
pitch.

Per

Bill
--Apple-Mail-5--77600471
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Happy New Year to =
everyone!<br><br><div><font class=3D"Apple-style-span" =
color=3D"#5F00FC">And you as well Per</font><br>I think it can be a bit =
confusing to just talk only about "which<br>looper" you like to use. =
Better then to start out speaking about what<br>you want to do with =
looping in your music. So here's what I want to<br>do:<br><br><br>- I =
want to just start playing music and record a loop whenever I =
feel<br>for it. My looper should then provide a tempo sync signal for =
other<br>gear to follow.<br><font class=3D"Apple-style-span" =
color=3D"#6C2EFC">My looper can do =
that!!!!!!!WooHoo!!!!</font></div><div><br>- My looper should allow me =
to start with any length for my first<br>loop. Whatever musical part I =
start playing, and loop, the looper<br>should calculate a corresponding =
global tempo within a musically<br>comfortable tempo range. If I should =
start my concert with a 763<br>millisecond micro loop my looper should =
multiply the tempo base until<br>reaching a reference cycle =
corresponding to a tempo within my<br>preferred tempo range. If I should =
start my concert with a four minute<br>long loop my looper should divide =
my loop until reaching a reference<br>cycle corresponding to a comfy =
tempo.</div><div><br><font class=3D"Apple-style-span" =
color=3D"#6F21FC">this can be done on the LP-1 with multiply for your =
first example, and there is a work around to achieve the same result for =
your second example</font></div><div><br></div><div><br>- My looper =
should record stereo loops from any audio input I assign<br>to it, even =
mono inputs.<br><br></div><div><font class=3D"Apple-style-span" =
color=3D"#712CFC">you got me there, LP-1 does not process mono to =
stereo, true stereo in and out, I use a hardware work around solution, =
the stereo outputs from my line 6 =
M-9</font></div><div><br></div><div><br>- Loop length can be changed =
either instantly by multiplying or<br>dividing - with any number (even =
3, 5, 7, 9 etc) - or in real-time<br>while on-the-fly overdubbing a =
longer layer over a bunch of copies of<br>my first loop, for as long as =
I go (traditional "EDP Multiply")</div><div><br><font =
class=3D"Apple-style-span" color=3D"#7741FC">&nbsp;bounce can achieve =
this on the LP-1</font></div><div><br>- My looper should allow me to =
stack many alternative loops, in a<br>linear way, and instantly decide =
which one of them should play back,<br>switching playback loop according =
to my preferred quantize qrid (or<br>un-quantized, if I happen to be in =
that mode...)</div><div><br></div><div><font class=3D"Apple-style-span" =
color=3D"#774BFC">not quite sure what you mean other than yes the LP-1 =
can do ABC song form</font><br><br>- My looper has to allow several =
parallel playback channels, as above,<br>so I can run multiple loops =
simultaneously and have fun with different<br>loop lengths, parallel =
loops inter locking in a synced way or<br>"free-wheeling".<br><font =
class=3D"Apple-style-span" color=3D"#7D53FC"><br></font></div><div><font =
class=3D"Apple-style-span" color=3D"#6800FC">yes</font></div><div><br>- =
My looper has to be able to change playback speed (good =
old<br>"vari-speed" effect) both tonally quantized to semi tone steps =
and<br>continuously (seamless pitch/speed shifting).</div><div><br><font =
class=3D"Apple-style-span" color=3D"#6F21FC">hmmm a qualified yes for =
the first , definite yes for the second</font></div><div>- For all =
functionality I prefer a modular approach, so I can set up a<br>bunch of =
actions to be triggered at once, or in =
sequence.</div><div><br></div><div><font class=3D"Apple-style-span" =
color=3D"#7A30FC">&nbsp;yes up to 8 actions, at once &nbsp;though =
sequencing cannot be done unless you have a midi controller capable of =
delayed command scripts like the LG.<br></font><br>- When working with =
several parallel loops I want to instantly decide<br>which ones of the =
loops that will be targeted for the command I give;<br>not being limited =
to manipulate only one loop at a time.</div><div><font =
class=3D"Apple-style-span" color=3D"#772FFC"><br>The only thing you =
can't do is group recording of multiple tracks at once. however you can =
do performance changes of groups of tracks or individual tracks while =
remaining in overdub or replace on a separate track, for example change =
one tracks pitch while still in over dub on =
another.</font><br><br>Summing up these wishes there is a bit of the EDP =
and a bit of the<br>LP-1 functionality. But the closest solution for me =
is to run Mobius<br>on a laptop. That gives me everything except for one =
wish: continuous<br>seamless pitch/speed =
shifting.</div><div><br></div><div><font class=3D"Apple-style-span" =
color=3D"#772FFC">have you tried assigning track speed to a continuous =
controller on you LG? I can for example assign an expression predal that =
will move from normal speed to 1/4 speed and back &nbsp;creating the =
time stratch+ pitch bend effect &nbsp;similar to the one we all know and =
love from the Repeater with the exception that you can't time stretch =
without changing the =
pitch.</font><br><br>Per</div><div><br></div><div>Bill</div></body></html>=

--Apple-Mail-5--77600471--

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Date: Sat, 1 Jan 2011 21:23:42 +0100
Message-ID: <AANLkTin1idRaW2DqCLNviirUO7MVY787k2SKPRV2Tsfa@mail.gmail.com>
Subject: Re: The EDP and the Looperlative and me
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jan 1, 2011 at 8:21 PM, William Walker <billwalker@baymoon.com> wro=
te:

> have you tried assigning track speed to a continuous controller on you LG=
?

"Track Speed"? That must be "Looperlative-ish". I assign a lot of
looper parameters to CC by the LG. But the issue with Mobius is that
Speed Shift is snapping to semi note values - if talking pitch, loop
length changes too of course with the "vari-speed" tweak. I can live
with that tough, fast sweeps sound like seamless transpositions if you
don't listen like a purist (after all, music is about showing attitude
by implying gestures - not about perfection)

> I can for example assign an expression predal that will move from normal =
speed
> to 1/4 speed and back =C2=A0creating the time stratch+ pitch bend effect

Ultra cool!

> similar to the one we all know and love from the Repeater

Loved that effect back when I was using a Repeater. :-)

> with the exception that
> you can't time stretch without changing the pitch.

That's something I dig! Love it when the rhythm falls apart as
multiple simultaneous loops pitch shift into forming new chords. I
find it interesting to explore what new rhythmic relations are born
with certain tonal intervals and use that knowledge when improvising
music.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 21:22:45 2011
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> On 7/22/64 11:59 AM, Mark Hamburg wrote:
>> I'm not sure why it's so important to you and Rick that I come to love 
>> the LP-1.

Rick Walker wrote:
> It does concern me, however, when you compare it critically in print and 
> the fact of the matter
> is that you haven't sat down and done your homework in your criticism.
> I've just been trying to make the record straight in the interest of 
> fair critique and
> analysis.
> 

To be fair, I think Mark made a very valid point.

The EDP comes with a seven button interface "out of the box"
which can do just as many tricks as a carefully programmed  LP1.

Yes, with the LP1 it's easy to set
up a banks worth of buttons with a basic midi controller.
What isn't easy is to pick a bank of buttons that will 
more or less do everything a particular user would want to do.



Apart from that, they're just such *very* different beasts.
Being familiar with one is bound to make the other seem awkward,
and to transfer from either one to the other would mean giving up a lot.


respectfully

andy butler 













From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 21:36:09 2011
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Subject: (re)-discovering your gear that sits on your board (boss slicer) //
 new eno
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--0016e6deddd3ea9e310498cfb47f
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it's funny.i've had the boss slicer for a yr now, use it occassionally, just
never found a great use for it w/ my guitar stuff.
i could never get it to sound as cool as the boss guy demoing that i've seen
on youtube (johnny demarco or whatever his name is).
so in the last few weeks i've played w/ it here and there, actually turned
some knobs-i'm so lazy!!! still not much excitement.
occassionally i'll use it w/ my drum machine to spice that up, which it
works great for, and probably best for me.
so anyway, this am, i play a bit of guitar, turn it on, i think i had most
of the direct sound off (or maybe just a hair amt of it), but mostly
effect...
i have it on (to what bank or option-i have no idea), and i just
percussively hit the guitar, slap it, scrape (sort of thinking what andre LF
does so well
w/ his edp stuff-to my ears anyway).
and i don't think it's anything special i'm doing, but at random pt i hit
the record button on my behringer tweakalizer to record a random 2 sec.
i hit the play button, and the glitchy sounds that repeat and repeat are
most inspiring, i mean it sounded way better than my playing.
and for some reason it sounds vaguely like andre's glitchy stuff to me
(probably not as good...) so then i turn on my fuzz and start playing over
it
and i'm like wow. this took me a yr to figure out? it sounded sooooo good. i
then did a few more experiments w/ different settings & tried my drum
machine too,
and i was amazed.
i know i've heard Rick W. sing the praises of this thing, and how he said he
uses the randomness of it, and i just discovered it after a yr.
kind of funny.

as i sit and type i'm listening to the new eno stuff on youtube w/
headphones. wow, some good stuff!
s---
www.myspace.com/scotthansen

--0016e6deddd3ea9e310498cfb47f
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<div>it&#39;s funny.i&#39;ve had the boss slicer for a yr now, use it occas=
sionally, just never found a great use for it w/ my guitar stuff.</div>
<div>i could never get it to sound as cool as the boss guy demoing that i&#=
39;ve seen on youtube (johnny demarco or whatever his name is).</div>
<div>so in the last few weeks i&#39;ve played w/ it here and there, actuall=
y turned some knobs-i&#39;m so lazy!!! still not much excitement.</div>
<div>occassionally i&#39;ll use it w/ my drum machine to spice that up, whi=
ch it works great for, and probably best for me.</div>
<div>so anyway, this am, i play a bit of guitar, turn it on, i think i had =
most of the direct sound off (or maybe just a hair amt of it), but mostly e=
ffect...</div>
<div>i have it on (to what bank or option-i have no idea), and i just percu=
ssively hit the guitar, slap it, scrape (sort of thinking what andre LF doe=
s so well</div>
<div>w/ his edp stuff-to my ears anyway).</div>
<div>and i don&#39;t think it&#39;s anything special i&#39;m doing, but at =
random pt i hit the record button on my behringer tweakalizer to record a r=
andom 2 sec.</div>
<div>i hit the play button, and the glitchy sounds that repeat and repeat a=
re most inspiring, i mean it sounded way better than my playing.</div>
<div>and for some reason it sounds vaguely like andre&#39;s glitchy stuff t=
o me (probably not as good...) so then i turn on my fuzz and start playing =
over it</div>
<div>and i&#39;m like wow. this took me a yr to figure out? it sounded sooo=
oo good. i then did a few more experiments w/ different settings &amp; trie=
d my drum machine too,</div>
<div>and i was amazed.</div>
<div>i know i&#39;ve heard Rick W. sing the praises of this thing, and how =
he said he uses the randomness of it, and i just discovered it after a yr.<=
/div>
<div>kind of funny. </div>
<div>=A0</div>
<div>as i sit and type i&#39;m listening to the new eno stuff on youtube w/=
 headphones. wow, some good stuff!</div>
<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a></div>

--0016e6deddd3ea9e310498cfb47f--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 22:03:07 2011
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Subject: Re: The EDP and the Looperlative and me
From: Kenn Lowy <kennlowy@me.com>
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You'll want both! The iPad is fast becoming a great musical tool. Of course there is that money issue of what you CAN buy vs. what you want to buy.


On Jan 1, 2011, at 1:49 PM, Loopers-Delight-d-request@loopers-delight.com wrote:

> Of course, now it's making me wanna buy a looperlative instead of an iPad, but this is my own internal spiritual struggle, lol.
> 

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 22:41:49 2011
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From: "Jim W." <synchro1@gmail.com>
Date: Sat, 1 Jan 2011 14:41:08 -0800
Message-ID: <AANLkTi=jJ-mOuEf50-XN49wHXLSGjr=bf2pJCtf0h1Av@mail.gmail.com>
Subject: Re: The EDP and the Looperlative and me
To: Loopers-Delight@loopers-delight.com
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--00504502c868c7d2c40498d09f3a
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I have an EDP, Repeater, looperlative, & iPad.  I looped with 3
variable-speed Revox 1/2 track decks in the 70s. Played live in a dub/punk
band using tons of tape delays & tape loop devices on stage and at the sound
board into the 80s.  Since then, music creation has been at home & for my
amusement.

For looping, I would purchase the lp-1.  But for overall usefulness, the
iPad hands-down. My eyesight is degrading & the iPad is now my primary daily
tool.

However, I'm not now & never have been a guitarist.  I play sitting down
these days. I don't use foot pedals to control a looper with ease. I use a
little midi knob box to control the lp-1 and the display of the looperlative
is at my eye level and to the right.  I need to see the red & green lights
clearly for what I'm playing. The midi box sits nicely on the top end of an
Alesis Fusion 8. I have found some guitarist friends tend to prefer the EDP
because the whole foot pedal experience is a critical component in their
playing style & impacts their sound & approach.  My instruments are not very
attached to the physicality of playing.

Tools are fun to talk about on a cold New Year Day. Only my opinions & no
disrespect intended; Best wishes to all of you.

Jim W.

Why are we calling it an EDP?  I thought it was EPD for EchoPlexDeluxe?  To
me, EDP is a synth company that made the Wasp & Gnat.

On Sat, Jan 1, 2011 at 2:03 PM, Kenn Lowy <kennlowy@me.com> wrote:

> You'll want both! The iPad is fast becoming a great musical tool. Of course
> there is that money issue of what you CAN buy vs. what you want to buy.
>
>
> On Jan 1, 2011, at 1:49 PM, Loopers-Delight-d-request@loopers-delight.comwrote:
>
> > Of course, now it's making me wanna buy a looperlative instead of an
> iPad, but this is my own internal spiritual struggle, lol.
> >
>
>

--00504502c868c7d2c40498d09f3a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I have an EDP, Repeater, looperlative, &amp; iPad. =A0I looped with 3 varia=
ble-speed Revox 1/2 track decks in the 70s. Played live in a dub/punk band =
using tons of tape delays &amp; tape loop devices on stage and at the sound=
 board into the 80s. =A0Since then, music creation has been at home &amp; f=
or my amusement.<div>

<br></div><div>For looping, I would purchase the lp-1. =A0But for overall=
=A0usefulness, the iPad hands-down. My eyesight is degrading &amp; the iPad=
 is now my primary daily tool.</div><div><br></div><div>However, I&#39;m no=
t now &amp; never have been a guitarist. =A0I play sitting down these days.=
 I don&#39;t use foot pedals to control a looper with ease. I use a little =
midi knob box to control the lp-1 and the display of the looperlative is at=
 my eye level and to the right. =A0I need to see the red &amp; green lights=
 clearly for what I&#39;m playing. The midi box=A0sits=A0nicely on the=A0to=
p=A0end of an Alesis Fusion 8. I have found some guitarist friends tend to =
prefer the EDP because the whole foot pedal experience is a critical compon=
ent in their playing style &amp; impacts their sound &amp; approach. =A0My =
instruments are not very attached to the physicality of playing.</div>

<div><br></div><div>Tools are fun to talk about on a cold New Year Day. Onl=
y my opinions &amp; no disrespect intended; Best wishes to all of you.</div=
><div><br></div><div>Jim W.</div><div><br></div><div>Why are we calling it =
an EDP? =A0I thought it was EPD for EchoPlexDeluxe? =A0To me, EDP is a synt=
h company that made the Wasp &amp; Gnat.</div>

<div><br><div class=3D"gmail_quote">On Sat, Jan 1, 2011 at 2:03 PM, Kenn Lo=
wy <span dir=3D"ltr">&lt;<a href=3D"mailto:kennlowy@me.com">kennlowy@me.com=
</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin=
:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

You&#39;ll want both! The iPad is fast becoming a great musical tool. Of co=
urse there is that money issue of what you CAN buy vs. what you want to buy=
.<br>
<br>
<br>
On Jan 1, 2011, at 1:49 PM, <a href=3D"mailto:Loopers-Delight-d-request@loo=
pers-delight.com">Loopers-Delight-d-request@loopers-delight.com</a> wrote:<=
br>
<br>
&gt; Of course, now it&#39;s making me wanna buy a looperlative instead of =
an iPad, but this is my own internal spiritual struggle, lol.<br>
&gt;<br>
<br>
</blockquote></div><br></div>

--00504502c868c7d2c40498d09f3a--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 22:44:14 2011
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Date: Sun, 2 Jan 2011 00:44:10 +0200
Message-ID: <AANLkTi=SR4ROvQthQO5XC2zc=npaG+WtvaPOHiQTyZrz@mail.gmail.com>
Subject: Re: The EDP and the Looperlative and me
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054ad1d4bf0620498d0a81b
Content-Type: text/plain; charset=ISO-8859-1

http://www.vintagesynth.com/timeline/

You can find EDP here too  :-)   BTW remarkably well done site!



2011/1/2 Jim W. <synchro1@gmail.com>

> I have an EDP, Repeater, looperlative, & iPad.  I looped with 3
> variable-speed Revox 1/2 track decks in the 70s. Played live in a dub/punk
> band using tons of tape delays & tape loop devices on stage and at the sound
> board into the 80s.  Since then, music creation has been at home & for my
> amusement.
>
> For looping, I would purchase the lp-1.  But for overall usefulness, the
> iPad hands-down. My eyesight is degrading & the iPad is now my primary daily
> tool.
>
> However, I'm not now & never have been a guitarist.  I play sitting down
> these days. I don't use foot pedals to control a looper with ease. I use a
> little midi knob box to control the lp-1 and the display of the looperlative
> is at my eye level and to the right.  I need to see the red & green lights
> clearly for what I'm playing. The midi box sits nicely on the top end of an
> Alesis Fusion 8. I have found some guitarist friends tend to prefer the EDP
> because the whole foot pedal experience is a critical component in their
> playing style & impacts their sound & approach.  My instruments are not very
> attached to the physicality of playing.
>
> Tools are fun to talk about on a cold New Year Day. Only my opinions & no
> disrespect intended; Best wishes to all of you.
>
> Jim W.
>
> Why are we calling it an EDP?  I thought it was EPD for EchoPlexDeluxe?  To
> me, EDP is a synth company that made the Wasp & Gnat.
>
> On Sat, Jan 1, 2011 at 2:03 PM, Kenn Lowy <kennlowy@me.com> wrote:
>
>> You'll want both! The iPad is fast becoming a great musical tool. Of
>> course there is that money issue of what you CAN buy vs. what you want to
>> buy.
>>
>>
>> On Jan 1, 2011, at 1:49 PM, Loopers-Delight-d-request@loopers-delight.comwrote:
>>
>> > Of course, now it's making me wanna buy a looperlative instead of an
>> iPad, but this is my own internal spiritual struggle, lol.
>> >
>>
>>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054ad1d4bf0620498d0a81b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<a href=3D"http://www.vintagesynth.com/timeline/">http://www.vintagesynth.c=
om/timeline/</a><br><br>You can find EDP here too=A0 :-) =A0 BTW remarkably=
 well done site!<br><br><br><br><div class=3D"gmail_quote">2011/1/2 Jim W. =
<span dir=3D"ltr">&lt;<a href=3D"mailto:synchro1@gmail.com">synchro1@gmail.=
com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I have an EDP, Re=
peater, looperlative, &amp; iPad. =A0I looped with 3 variable-speed Revox 1=
/2 track decks in the 70s. Played live in a dub/punk band using tons of tap=
e delays &amp; tape loop devices on stage and at the sound board into the 8=
0s. =A0Since then, music creation has been at home &amp; for my amusement.<=
div>


<br></div><div>For looping, I would purchase the lp-1. =A0But for overall=
=A0usefulness, the iPad hands-down. My eyesight is degrading &amp; the iPad=
 is now my primary daily tool.</div><div><br></div><div>However, I&#39;m no=
t now &amp; never have been a guitarist. =A0I play sitting down these days.=
 I don&#39;t use foot pedals to control a looper with ease. I use a little =
midi knob box to control the lp-1 and the display of the looperlative is at=
 my eye level and to the right. =A0I need to see the red &amp; green lights=
 clearly for what I&#39;m playing. The midi box=A0sits=A0nicely on the=A0to=
p=A0end of an Alesis Fusion 8. I have found some guitarist friends tend to =
prefer the EDP because the whole foot pedal experience is a critical compon=
ent in their playing style &amp; impacts their sound &amp; approach. =A0My =
instruments are not very attached to the physicality of playing.</div>


<div><br></div><div>Tools are fun to talk about on a cold New Year Day. Onl=
y my opinions &amp; no disrespect intended; Best wishes to all of you.</div=
><div><br></div><div>Jim W.</div><div><br></div><div>Why are we calling it =
an EDP? =A0I thought it was EPD for EchoPlexDeluxe? =A0To me, EDP is a synt=
h company that made the Wasp &amp; Gnat.</div>


<div><br><div class=3D"gmail_quote">On Sat, Jan 1, 2011 at 2:03 PM, Kenn Lo=
wy <span dir=3D"ltr">&lt;<a href=3D"mailto:kennlowy@me.com" target=3D"_blan=
k">kennlowy@me.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204,=
 204); padding-left: 1ex;">


You&#39;ll want both! The iPad is fast becoming a great musical tool. Of co=
urse there is that money issue of what you CAN buy vs. what you want to buy=
.<br>
<br>
<br>
On Jan 1, 2011, at 1:49 PM, <a href=3D"mailto:Loopers-Delight-d-request@loo=
pers-delight.com" target=3D"_blank">Loopers-Delight-d-request@loopers-delig=
ht.com</a> wrote:<br>
<br>
&gt; Of course, now it&#39;s making me wanna buy a looperlative instead of =
an iPad, but this is my own internal spiritual struggle, lol.<br>
&gt;<br>
<br>
</blockquote></div><br></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahti=
nen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bl=
ank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054ad1d4bf0620498d0a81b--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  1 23:14:39 2011
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From: Paul Mimlitsch <pmimlitsch@mac.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
Subject: free pitch shift delay
Date: Sat, 01 Jan 2011 16:14:19 -0700
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"Bode-style frequency shifter + analog echo emulation"

free:

http://www.valhalladsp.com/freqecho.html


picked up the reverb plug in earlier in the week - 2 thumbs up IMHO

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 00:49:53 2011
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Subject: Re: low cpu midi appegiator
References: <AANLkTinKtcWig3+Q2CLnzLK01p6=C474-+JWSt8zGf=f@mail.gmail.com> <240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com> <-6764800028453888708@unknownmsgid> <AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com> <AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com> <AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com> <AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com> <AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com> <AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com> <AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com> <4D1F63CD.1030602@tiscali.co.uk> <AANLkTinfOgZBb3qhWCU6vX8=FcpYY7ARvNmswxo5Uuvt@mail.gmail.com>
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This might sound silly, but what about a simple latching hold pedal?

Sent from my iPod

On 1 Jan 2011, at 17:31, mark francombe <mark@markfrancombe.com> wrote:

> no need Andy.. I bought it... this is as a result of playing for a bit...
>=20
> On Sat, Jan 1, 2011 at 6:26 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> you can always download the demo again,
> I did that for several months 'till
> one time they hadn't put the latest up quick enough.
>=20
> andy
>=20
>=20
> mark francombe wrote:
> that all swings it really dont it... have to dive into Bidule again.. wher=
es the hot visa card..?
>=20
> M
>=20
>=20
>=20
>=20
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

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<html><body bgcolor="#FFFFFF"><div>This might sound silly, but what about a simple latching hold pedal?<br><br>Sent from my iPod</div><div><br>On 1 Jan 2011, at 17:31, mark francombe &lt;<a href="mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>no need Andy.. I bought it... this is as a result of playing for a bit...<br><br><div class="gmail_quote">On Sat, Jan 1, 2011 at 6:26 PM, andy butler <span dir="ltr">&lt;<a href="mailto:akbutler@tiscali.co.uk"><a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a></a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">you can always download the demo again,<br>
I did that for several months 'till<br>
one time they hadn't put the latest up quick enough.<br><font color="#888888">
<br>
andy</font><div><div></div><div class="h5"><br>
<br>
mark francombe wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
that all swings it really dont it... have to dive into Bidule again.. wheres the hot visa card..?<br>
<br>
M<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear="all"><br>-- <br>mark francombe<br><a href="http://www.markfrancombe.com"><a href="http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href="http://www.ordoabkhao.com"><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>twitter @markfrancombe<br>

<a href="http://vimeo.com/user825094"><a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br><a href="http://www.looop.no"><a href="http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></body></html>
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Date: Sun, 2 Jan 2011 01:55:19 +0100
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Subject: Re: The EDP and the Looperlative and me
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jan 1, 2011 at 11:41 PM, Jim W. <synchro1@gmail.com> wrote:
> Why are we calling it an EDP?

Echoplex Digital Pro.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 01:02:44 2011
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Subject: Re: Lovely
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--0016364edb0ca2fc430498d29783
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Cool.  Must be analogue synthesis with controls built into the guitar
body(?)

On Fri, Dec 31, 2010 at 11:55 AM, Petri Lahtinen <aikuinen@gmail.com> wrote:

> http://www.yle.fi/elavaarkisto/?s=s&g=8&ag=95&t=541&a=4737
>
> :-)
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://soundcloud.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>

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Cool. =A0Must be=A0analogue synthesis with controls built into the guitar b=
ody(?)=A0<br><br><div class=3D"gmail_quote">On Fri, Dec 31, 2010 at 11:55 A=
M, Petri Lahtinen <span dir=3D"ltr">&lt;<a href=3D"mailto:aikuinen@gmail.co=
m">aikuinen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><a href=3D"http://www.yle.fi/elavaarkisto/?=
s=3Ds&amp;g=3D8&amp;ag=3D95&amp;t=3D541&amp;a=3D4737" target=3D"_blank">htt=
p://www.yle.fi/elavaarkisto/?s=3Ds&amp;g=3D8&amp;ag=3D95&amp;t=3D541&amp;a=
=3D4737</a><br>
<br>:-)=A0=A0 <br clear=3D"all"><br>-- <br>Petri Lahtinen<br>
<a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petri=
lahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br><a href=3D"http://sou=
ndcloud.com/petrilahtinen" target=3D"_blank">http://soundcloud.com/petrilah=
tinen</a><br>

<a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/" =
target=3D"_blank">http://petrilahtinen.bandcamp.com/</a><br>---------------=
------------------------------------<br>

&quot;Only become professional musician if there is no choice.&quot; -Rober=
t Fripp-<br>---------------------------------------------------<br>&quot;So=
me people never go crazy. What truly horrible lives they must lead.&quot; -=
Charles Bukowski-<br>

<br>
</blockquote></div><br>

--0016364edb0ca2fc430498d29783--

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Subject: Re: The EDP and the Looperlative and me
From: Dustbunnies <mech@m3ch.net>
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On 1/2/11 3:29 AM, "todd reynolds" <toddreyn@gmail.com> wrote:

> Of course, now it's making me wanna buy a looperlative instead of an iPad=
, but
> this is my own internal spiritual struggle, lol.

I have a Looperlative, and the wife has an iPad.  They=B9re both fantastic, s=
o
whichever you decide I=B9m sure you=B9ll love it.  :)

        --m.


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<HTML>
<HEAD>
<TITLE>Re: The EDP and the Looperlative and me</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 1/2/11 3:2=
9 AM, &quot;todd reynolds&quot; &lt;toddreyn@gmail.com&gt; wrote:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>Of course, now it's making me wanna buy a looperlative i=
nstead of an iPad, but this is my own internal spiritual struggle, lol.<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
I have a Looperlative, and the wife has an iPad. &nbsp;They&#8217;re both f=
antastic, so whichever you decide I&#8217;m sure you&#8217;ll love it. &nbsp=
;:)<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


--B_3376810616_12798659--


From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 02:57:45 2011
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Subject: Re: The EDP and the Looperlative and me
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On 1/2/11 1:45 AM, "mark francombe" <mark@markfrancombe.com> wrote:

> Ive only tried the Looperlative once, and I must say in terms of "what it
> could do" I couldnt get the owner to explain me anything that really seem=
s
> crazily impossibly different and new than the EDP. Excepting of course th=
e
> obvious 3 main differences. mono verses stereo, multiple tracks and audio
> quality...

You left out a big one: the ability to stack commands in the LP-1.  Using a
decent MIDI controller(!), you can put together whole sets of commands that
can be fired off with a single button press =8B almost like a =8Cmacro=B9 or
simple Mobius script.

For instance, I put together a command that emulates what I call the =8CRed
House=B9 effect (listen to =8CTwo Soldiers=B9 or =8CThe Red House=B9 from David
Byrne=B9s =B3The Catherine Wheel=B2 to hear what I=B9m talking about).  With this
one, the loop buffer starts to fill as long as I have the MIDI pedal
depressed.  The moment I let up on the pedal, it immediately begins to loop
whatever was in the buffer.  Depress it again, and the previous buffer is
immediately erased and begins filling a second time.  This allows me to tap
the pedal quickly to capture very short looped snippets =8B or stutters =8B of
sound.  A slightly longer tap means a slightly longer snippet.  If I tap
several times while playing a line, it almost sounds like realtime granular=
,
as the loop buffer grabs one =8Csnapshot=B9 after another of what I=B9m playing.

Another one I put together allows me to do time-stretch, in conjunction wit=
h
an outboard pitch-shift unit on the Auxiliary outs (oh yeah, multiple
outputs: there=B9s another feature not mentioned above).  I=B9ll begin recordin=
g
a loop as normal.  Then I=B9ve a command that closes/plays the loop, assigns
it to Aux Out 1 (where it=B9s sent to a pitch shifter set to +1 octave, then
routed back into the LP-1), drops to Half-Speed, and starts a Bounce on the
next track.  This results in the recording of a time-stretched track that i=
s
twice the length, but at the same pitch as the original.  I can also begin
to get Repeater-esque degrade effects, dependent upon the crappiness of the
pitch-shifter I=B9m using.  Throw in some other effects (bit-shift or
sample-rate degradation, synchronized slicing from the EF-303, etc.) and
things can get pretty wild.

In both these cases, though, I=B9m doing exactly what Per suggested: I=B9m
starting from a concept of the end-goal =8B the final effect =8B then working
backward to find the best way to implement it on my architecture.

That=B9s the best way to use the LP-1.  It=B9s a very, very, open, flexible
architecture.  If you try to use it plug-&-play, you=B9ll get only really the
same advantages you listed above: stereo, multiple tracks, and excellent
fidelity.  It=B9s no wonder quite a few people were very =8Cso what=B9, and gave
up on it after a couple of weeks.  There=B9s not a lot of shiny eye-candy to
be had right out of the box, so you=B9re not as likely to be inspired to go i=
n
different directions merely by purchasing a new tool.

However, if you figure out your end effect then work backward, the LP-1
quietly and deftly allows you to do accomplish many of the new directions
you might conceive of in your looping.

        --m.


--B_3376814261_12988448
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<HTML>
<HEAD>
<TITLE>Re: The EDP and the Looperlative and me</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 1/2/11 1:4=
5 AM, &quot;mark francombe&quot; &lt;mark@markfrancombe.com&gt; wrote:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>Ive only tried the Looperlative once, and I must say in =
terms of &quot;what it could do&quot; I couldnt get the owner to explain me =
anything that really seems crazily impossibly different and new than the EDP=
. Excepting of course the obvious 3 main differences. mono verses stereo, mu=
ltiple tracks and audio quality...<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
You left out a big one: the ability to stack commands in the LP-1. &nbsp;Us=
ing a decent MIDI controller(!), you can put together whole sets of commands=
 that can be fired off with a single button press &#8212; almost like a &#82=
16;macro&#8217; or simple Mobius script. &nbsp;<BR>
<BR>
For instance, I put together a command that emulates what I call the &#8216=
;Red House&#8217; effect (listen to &#8216;Two Soldiers&#8217; or &#8216;The=
 Red House&#8217; from David Byrne&#8217;s &#8220;The Catherine Wheel&#8221;=
 to hear what I&#8217;m talking about). &nbsp;With this one, the loop buffer=
 starts to fill as long as I have the MIDI pedal depressed. &nbsp;The moment=
 I let up on the pedal, it immediately begins to loop whatever was in the bu=
ffer. &nbsp;Depress it again, and the previous buffer is immediately erased =
and begins filling a second time. &nbsp;This allows me to tap the pedal quic=
kly to capture very short looped snippets &#8212; or stutters &#8212; of sou=
nd. &nbsp;A slightly longer tap means a slightly longer snippet. &nbsp;If I =
tap several times while playing a line, it almost sounds like realtime granu=
lar, as the loop buffer grabs one &#8216;snapshot&#8217; after another of wh=
at I&#8217;m playing.<BR>
<BR>
Another one I put together allows me to do time-stretch, in conjunction wit=
h an outboard pitch-shift unit on the Auxiliary outs (oh yeah, multiple outp=
uts: there&#8217;s another feature not mentioned above). &nbsp;I&#8217;ll be=
gin recording a loop as normal. &nbsp;Then I&#8217;ve a command that closes/=
plays the loop, assigns it to Aux Out 1 (where it&#8217;s sent to a pitch sh=
ifter set to +1 octave, then routed back into the LP-1), drops to Half-Speed=
, and starts a Bounce on the next track. &nbsp;This results in the recording=
 of a time-stretched track that is twice the length, but at the same pitch a=
s the original. &nbsp;I can also begin to get Repeater-esque degrade effects=
, dependent upon the crappiness of the pitch-shifter I&#8217;m using. &nbsp;=
Throw in some other effects (bit-shift or sample-rate degradation, synchroni=
zed slicing from the EF-303, etc.) and things can get pretty wild.<BR>
<BR>
In both these cases, though, I&#8217;m doing exactly what Per suggested: I&=
#8217;m starting from a concept of the end-goal &#8212; the final effect &#8=
212; then working backward to find the best way to implement it on my archit=
ecture.<BR>
<BR>
That&#8217;s the best way to use the LP-1. &nbsp;It&#8217;s a very, very, o=
pen, flexible architecture. &nbsp;If you try to use it plug-&amp;-play, you&=
#8217;ll get only really the same advantages you listed above: stereo, multi=
ple tracks, and excellent fidelity. &nbsp;It&#8217;s no wonder quite a few p=
eople were very &#8216;so what&#8217;, and gave up on it after a couple of w=
eeks. &nbsp;There&#8217;s not a lot of shiny eye-candy to be had right out o=
f the box, so you&#8217;re not as likely to be inspired to go in different d=
irections merely by purchasing a new tool. &nbsp;<BR>
<BR>
However, if you figure out your end effect then work backward, the LP-1 qui=
etly and deftly allows you to do accomplish many of the new directions you m=
ight conceive of in your looping.<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


--B_3376814261_12988448--


From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 03:14:15 2011
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Date: Sat, 01 Jan 2011 19:14:05 -0800
From: Rick Walker <looppool@cruzio.com>
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Subject: Re: Re: The EDP and the Looperlative and me
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Per was talking about some of the design functionality that is desired in
a looper and Bill responded with some of the LP-1's capabilities.

I also wanted to add that another fascinating thing that the 
Looperlative does which is unique in the hardware world is the fact that 
you can connect to the Internet through an Ethernet port connecting a
computer to the LP-1 to upgrade the instruments software.

The LP-1  navigates to the latest software revision out,  downloads it 
and installs it
within 30 seconds.

If there is a strong consensus amongst users for either a new piece of 
software or a revision
or fix of older software problems,  then Bob Amstadt (or Andy Butler) 
can work on it.
Software revisions are free.

I don't think that exists anywhere else in the hardware world and even a 
lot of software developers
don't allow for free upgrades (some, like the amazing FL Studio aka 
Fruity Loops do for life).

I've been working on some new loop manipulations that don't exist 
anywhere so far
in software or hardware and there's a strong possibility that they will 
be a reality
at some time in the not too distant future.

To me,  someone with a lot of live looping experience, but absolutely no 
knowledge of
programming, that is a very, very exciting prospect.

A device whose inventor really cares about the user base seem extremely 
rare in the music biz.

This to me is one of the strong selling points of the instrument.

And then, to add icing to the cake,  the most popular features of the 
LP-1's development have
made their way into the LP-2 Mini Looper which has plans to launch at 
NAMM 2011.

It's a mono looper, not a stereo looper but with serious features added 
and it's an amazing
1/4 of the price of the LP-1.......only $50 more than my beloved Line 6 
DL-4s with
four times the functionality plus midi sync and loop storage on board.

It's an exciting time coming up for those reasons.

sooooooo,       LOOP ON EVERYONE and HAPPY NEW YEAR.

I look forward to hearing everyone's music this year regardless of what 
gear they use.

Musical Creativity and Mutual Love and Support in this Community is the 
very most important thing to me, personally!

I hope everyone knows this!!!!!

yours,   Rick Walker


From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 03:36:15 2011
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To: "LOOPERS DELIGHT (posting)" <Loopers-Delight@loopers-delight.com>,
        "RICK WALKER- 412 Darwin Street (back house)" <looppool@cruzio.com>,
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Subject: Y2K11 International Live Looping Festival
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Hi Everyone,

So many people have asked me about the fate of the Y2K Looping Festivals 
series
since I have announced I was retiring from producing it actively.

I've given this a lot of very hard thought and did not want my decision 
to negatively
impact the looping community.

What I've decided to do is to become a mostly hands off Executive 
Director for the
festival for the next couple of years at least and I've assembled a 
powerful team
of 7 or 8 people who will actively run the festival as a committee.

Just because I have so much experience with how to do this extremely 
inexpensively
with maximum press exposure, I will be in an advisory capacity to this 
soon to be hard
working team of people but I intend to be as hands off as possible.

They will be doing all the work of this festival and I will not.



Sooooo,   I'm going to advise this group of people (who I'll name in 
public as soon as
the whole team solidifies) to make the festival considerably smaller in 
this coming year.
I'm going to advise them to not book anyone until probably 3 months 
before the festival
(just to cut down on the constant e-mails that occur if they take 
bookings for the whole year).

People who wish to play the festival from outside of the country and 
who, therefore, have to
know as far in advance as possible to make their bookings will be able 
to apply before the
rest of the call for artists go out.

Also, due to failing revenue streams since the Recession hit us,  we may 
not be able to
provide transportation for foreign artists to and from the Airports as 
we have in the past.
This still remains to be seen and there will be some official 
announcement about what we've decided to do some time in the next few 
months.     If we don't then we'll make sure to try and help foreign 
artists to coordinate
arrivals so they can carpool to and from the airports in either rental 
cars or single trip 'airporters'.

There is also a strong possibility that there may only be a festival in 
Santa Cruz to cut down
on all the considerable logistics of having additional concerts in other 
cities.   Again, this will
reside with the committee who produces the festival, but the first year 
of the new regime
will probably have to be a lot smaller than in past years.

So,  that's it and I want to ask people to please respect my need for a 
vacation
and patiently wait until the Y2K11 Committee posts officially for the 
first time.

SO PLEASE DO NOT EMAIL ME QUESTIONS ABOUT ANYTHING TO DO WITH THE FESTIVAL!

Gosh,  was I shouting just then?      I was , but I do so in a loving 
way...........<giggle>

I just really  need a break after 10 year of hard work but I truly want 
this festival
to go on because it's been so amazing in the past.

okee dokee,   May 2011 be a fantastic year for this wonderful looping 
community.
We look forward to seeing as many of you as possible in Santa Cruz in 
the third week
of October.

love,
rick walker


From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 03:41:05 2011
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Subject: VOLUNTEERS:  Y2K11 LOOPFESTIVAL
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If anyone has a strong desire to help out as a volunteer with the
Y2K11 Loop Festival in the third week of October in Santa Cruz,
please email me off of this list.

Just put

I WANT TO VOLUNTEER:  Y2K11 LOOPFESTIVAL

in capital letters in the subject line of your e-mail.

It may be a while before someone responds but I will
  collate the names and give it to the Y2K11 Committee
when the time is appropriate.

We will need sound mixers,   front of house people,
website maintainers,   transportation people,
people to house artists and even people who really
want to throw a lot of energy into the festival
to join the committee.

thanks a lot in advance.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 03:47:42 2011
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Date: Sun, 02 Jan 2011 12:47:38 +0900
Subject: Re: (re)-discovering your gear that sits on your board (boss slicer)
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C946246A.D9B%mech@m3ch.net>
Thread-Topic: (re)-discovering your gear that sits on your board (boss slicer)
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3376817259_13203566
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On 1/2/11 6:36 AM, "Scott Hansen" <evanpeewee@gmail.com> wrote:

> i know i've heard Rick W. sing the praises of this thing, and how he said=
 he
> uses the randomness of it, and i just discovered it after a yr. kind of f=
unny.

Yep, like the DD-20, this one is a sleeper.  There are some very cool thing=
s
that you can get it to do, with a little advanced thought.

Also, it responds really well to MIDI Clock.  I=B9ll occasionally have my LP-=
1
send clock (calculated from the first loop) then have the Slicer sync to it
so I can record subsequent parts in synchronization with each other.
Although the Slicer=B9s internal clock is pretty rock solid too, so that work=
s
pretty well if I just want to =B3wing it=B2.

And of course there=B9s the =B3null plug=B3 trick that you mentioned, which is ho=
w
I believe Rick is getting a lot of the random effects.

As I=B9ve said before, I=B9d swear there=B9s one (and only one) =B3random genius=B2
that Roland/Boss has roaming their R&D.  They only give him about a day wit=
h
any particular product before they whisk him over to the next project.  If
this one guy ever spins off into his own company, I=B9m gonna buy stock in it=
.

        --m.


--B_3376817259_13203566
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: (re)-discovering your gear that sits on your board (boss slicer)=
</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 1/2/11 6:3=
6 AM, &quot;Scott Hansen&quot; &lt;evanpeewee@gmail.com&gt; wrote:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>i know i've heard Rick W. sing the praises of this thing=
, and how he said he uses the randomness of it, and i just discovered it aft=
er a yr. kind of funny. <BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
Yep, like the DD-20, this one is a sleeper. &nbsp;There are some very cool =
things that you can get it to do, with a little advanced thought. &nbsp;<BR>
<BR>
Also, it responds really well to MIDI Clock. &nbsp;I&#8217;ll occasionally =
have my LP-1 send clock (calculated from the first loop) then have the Slice=
r sync to it so I can record subsequent parts in synchronization with each o=
ther. &nbsp;Although the Slicer&#8217;s internal clock is pretty rock solid =
too, so that works pretty well if I just want to &#8220;wing it&#8221;.<BR>
<BR>
And of course there&#8217;s the &#8220;null plug&#8220; trick that you ment=
ioned, which is how I believe Rick is getting a lot of the random effects.<B=
R>
<BR>
As I&#8217;ve said before, I&#8217;d swear there&#8217;s one (and only one)=
 &#8220;random genius&#8221; that Roland/Boss has roaming their R&amp;D. &nb=
sp;They only give him about a day with any particular product before they wh=
isk him over to the next project. &nbsp;If this one guy ever spins off into =
his own company, I&#8217;m gonna buy stock in it.<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


--B_3376817259_13203566--


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Subject: Re: Y2K11 International Live Looping Festival
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Good news Rick...

On Sat, Jan 1, 2011 at 10:36 PM, Rick Walker <looppool@cruzio.com> wrote:

>
>

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Good news Rick...<br><br><div class=3D"gmail_quote">On Sat, Jan 1, 2011 at =
10:36 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruz=
io.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-l=
eft:1ex;">
<br></blockquote></div>

--20cf3054a56fa6ef6f0498d4ef9b--

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Subject: The EDP and the Looperlative
From: Kenn Lowy <kennlowy@me.com>
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I'd like to know how the EDP can record 8 separate tracks (some in sync, some not). Then fade them, not all at once. Stop one or two and reverse another. I have both, and for anyone to write that the EDP can do just about everything the looperlative can do is just wrong.

But maybe I just don't know how to do that on the EDP. Seriously, how would anyone do those things?

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 05:44:18 2011
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> To be fair, I think Mark made a very valid point.
> The EDP comes with a seven button interface "out of the box"
> which can do just as many tricks as a carefully programmed  LP1.
>
> Yes, with the LP1 it's easy to set
> up a banks worth of buttons with a basic midi controller.
> What isn't easy is to pick a bank of buttons that will more or less do 
> everything a particular user would want to do.
> Apart from that, they're just such *very* different beasts.
> Being familiar with one is bound to make the other seem awkward,
> and to transfer from either one to the other would mean giving up a lot.
> respectfully andy butler 

Very good point and thanks to Mark for making that distinction.

The only thing I would add to it is that for a technical reason,  I lost 
functionality in my
FCB 1010 before going to NAMM and had to borrow one from somebody and 
program
it at the damned show in order to be able to demo the LP-1.

Honest to goodness,   I programmed four very sophisticated banks on my 
FCB in
5 minutes and was up and running.

You hit a button,   select midi/button,   push enter
and it says......."push a button" (on your foot controller).
You push a button,   scroll the menu through all the options (only a 
couple of which need
explanation), hit 'enter'  and that's it............no worrying about 
midi cc message or bank number.

By contrast, it took me a long time to understand the EDP.   For some 
reason it just wasn't
intuititive to me in the way the LP-1 is and I almost gave up on it at 
one point before
doubling my efforts,  mercilessly bugging Andre LaFosse, Matthias Grob, 
Kim Flint and Andy Butler
for free advice.........I'm glad I did.  It's a fantastic instrument.

Matthias is going to hit a grand slam when he releases his new ultra 
modern/multiple track/
hi fidelity version  sometime, hopefully, this year.

I will own one in a heartbeat.

rick walker


--------------050205070005020904010000
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
  </head>
  <body bgcolor="#ffffff" text="#000000">
    <br>
    <blockquote cite="mid:%3C4D1F9B2F.9050800@tiscali.co.uk%3E"
      type="cite">To be fair, I think Mark made a very valid point.
      <br>
      The EDP comes with a seven button interface "out of the box"
      <br>
      which can do just as many tricks as a carefully programmed&nbsp; LP1.
      <br>
      <br>
      Yes, with the LP1 it's easy to set
      <br>
      up a banks worth of buttons with a basic midi controller.
      <br>
      What isn't easy is to pick a bank of buttons that will more or
      less do everything a particular user would want to do.
      <br>
      Apart from that, they're just such <b class="moz-txt-star"><span
          class="moz-txt-tag">*</span>very<span class="moz-txt-tag">*</span></b>
      different beasts.
      <br>
      Being familiar with one is bound to make the other seem awkward,
      <br>
      and to transfer from either one to the other would mean giving up
      a lot.
      <br>
      respectfully
      andy butler </blockquote>
    <br>
    Very good point and thanks to Mark for making that distinction.<br>
    <br>
    The only thing I would add to it is that for a technical reason,&nbsp; I
    lost functionality in my <br>
    FCB 1010 before going to NAMM and had to borrow one from somebody
    and program <br>
    it at the damned show in order to be able to demo the LP-1.<br>
    <br>
    Honest to goodness,&nbsp;&nbsp; I programmed four very sophisticated banks on
    my FCB in <br>
    5 minutes and was up and running.<br>
    <br>
    You hit a button,&nbsp;&nbsp; select midi/button,&nbsp;&nbsp; push enter <br>
    and it says......."push a button" (on your foot controller).<br>
    You push a button,&nbsp;&nbsp; scroll the menu through all the options (only a
    couple of which need <br>
    explanation), hit 'enter'&nbsp; and that's it............no worrying
    about midi cc message or bank number.<br>
    <br>
    By contrast, it took me a long time to understand the EDP.&nbsp;&nbsp; For
    some reason it just wasn't <br>
    intuititive to me in the way the LP-1 is and I almost gave up on it
    at one point before <br>
    doubling my efforts,&nbsp; mercilessly bugging Andre LaFosse, Matthias
    Grob, Kim Flint and Andy Butler <br>
    for free advice.........I'm glad I did.&nbsp; It's a fantastic
    instrument.<br>
    <br>
    Matthias is going to hit a grand slam when he releases his new ultra
    modern/multiple track/<br>
    hi fidelity version&nbsp; sometime, hopefully, this year.<br>
    <br>
    I will own one in a heartbeat.<br>
    <br>
    rick walker<br>
    <br>
  </body>
</html>

--------------050205070005020904010000--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 05:47:06 2011
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On 7/22/64 11:59 AM, Kenn Lowy wrote:
> You'll want both!<a looperlative and an iPad>  The iPad is fast becoming a great musical tool. Of course there is that money issue of what you CAN buy vs. what you want to buy.

and when Hans Lindauer releases his amazing OSC/midi converter, the 
Missing Link,
you'll want to use both together!!!!!!

rick walker

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 06:14:09 2011
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Subject: Re: The EDP and the Looperlative
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On Jan 1, 2011, at 9:32 PM, Kenn Lowy wrote:

> I'd like to know how the EDP can record 8 separate tracks (some in =
sync, some not). Then fade them, not all at once. Stop one or two and =
reverse another. I have both, and for anyone to write that the EDP can =
do just about everything the looperlative can do is just wrong.
>=20
> But maybe I just don't know how to do that on the EDP. Seriously, how =
would anyone do those things?

You wouldn't and if you go back and look at my post and the posts from =
people like Andy Butler, you will see that we all acknowledge that the =
Looperlative does a lot of things the EDP does not.

My point and I think Andy backed me up on this is that the EDP supports =
a mode of working -- and supports it out of the box as opposed to after =
careful programming and choices about what features to use how -- that =
happens to fit well with how some people want to work when looping. For =
example, the EDP will allow one to insert a cycle into the middle of a =
loop. I don't use this feature, but some people do and I see nothing =
equivalent mentioned in the EDP manual. This is part of the whole linear =
loop manipulation v multi-track thing.

I gather Dustbunnies manages to get SUS-style operations on the LP-1, =
but it seems to depend on having a "decent" (his words) MIDI controller =
since it would seem to depend on having a controller that will send note =
on or program change messages on pedal release. That's cool, but the EDP =
is loaded with SUS-style and other long-press based behaviors and works =
with a range of controllers. (It could be that I've just been mislead by =
the LP-1 manual's references to pressing as opposed to releasing buttons =
when programming MIDI controllers.)

So, no one is dissing the Looperlative on this thread. It's a marvelous =
stereo, multi-track looper with a lot of programming depth available =
given the right controller to complement it. But the EDP offers more =
features and more readily accessible features if you are interested in =
manipulating a single loop in what seems to have been dubbed a "linear" =
mode.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 06:24:09 2011
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Subject: Re: The EDP and the Looperlative and me
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Both, actually!!!  :)

The wife is the one who found the Synthstation for me, all on her own.  And
she generally glazes over when I start babbling about things tech, even.
She=B9s got a fantastic record for finding great gifts!

And, no, I ain=B9t sharing her.  Get yer own.  ;)

        --m.


On 1/2/11 12:46 PM, "Andy Owens" <andy@1800dialword.com> wrote:

> The wife is fantastic, or the ipad?
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 1, 2011, at 8:57 PM, "Dustbunnies" <mech@m3ch.net> wrote:
>=20
>> On 1/2/11 3:29 AM, "todd reynolds" <toddreyn@gmail.com> wrote:
>>=20
>>> Of course, now it's making me wanna buy a looperlative instead of an iP=
ad,
>>> but this is my own internal spiritual struggle, lol.
>>=20
>> I have a Looperlative, and the wife has an iPad.  They=B9re both fantastic=
, so
>> whichever you decide I=B9m sure you=B9ll love it.  :)
>>=20
>>         --m.
>>=20


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<HTML>
<HEAD>
<TITLE>Re: The EDP and the Looperlative and me</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>Both, actuall=
y!!! &nbsp;:)<BR>
<BR>
The wife is the one who found the Synthstation for me, all on her own. &nbs=
p;And she generally glazes over when I start babbling about things tech, eve=
n. &nbsp;She&#8217;s got a fantastic record for finding great gifts!<BR>
<BR>
And, no, I ain&#8217;t sharing her. &nbsp;Get yer own. &nbsp;;)<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
<BR>
<BR>
On 1/2/11 12:46 PM, &quot;Andy Owens&quot; &lt;andy@1800dialword.com&gt; wr=
ote:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>The wife is fantastic, or the ipad?<BR>
<BR>
Andy Owens<BR>
1-800-AndyOwens<BR>
Sent from my iPhone<BR>
So the typing might not be my best!<BR>
<BR>
<BR>
On Jan 1, 2011, at 8:57 PM, &quot;Dustbunnies&quot; &lt;mech@m3ch.net&gt; w=
rote:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>On 1/2/11 3:29 AM, &quot;todd reynolds&quot; &lt;toddrey=
n@gmail.com&gt; wrote:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>Of course, now it's making me wanna buy a looperlative i=
nstead of an iPad, but this is my own internal spiritual struggle, lol.<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
I have a Looperlative, and the wife has an iPad. &nbsp;They&#8217;re both f=
antastic, so whichever you decide I&#8217;m sure you&#8217;ll love it. &nbsp=
;:)<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
<BR>
</SPAN></FONT></FONT></BLOCKQUOTE></BLOCKQUOTE>
</BODY>
</HTML>


--B_3376826644_13700294--


From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 06:44:52 2011
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Subject: Re: The EDP and the Looperlative and me
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On Jan 1, 2011, at 9:44 PM, Rick Walker wrote:

> The only thing I would add to it is that for a technical reason,  I =
lost functionality in my=20
> FCB 1010 before going to NAMM and had to borrow one from somebody and =
program=20
> it at the damned show in order to be able to demo the LP-1.
>=20
> Honest to goodness,   I programmed four very sophisticated banks on my =
FCB in=20
> 5 minutes and was up and running.
>=20
> You hit a button,   select midi/button,   push enter=20
> and it says......."push a button" (on your foot controller).
> You push a button,   scroll the menu through all the options (only a =
couple of which need=20
> explanation), hit 'enter'  and that's it............no worrying about =
midi cc message or bank number.

I agree that it's easy to enter programs on the LP-1. But how long did =
it take you to figure out what functionality should be in those banks of =
programs?

Again, not dissing the LP-1. Just pointing out that there's ease of =
programming and then there's ease of figuring out what to program.

The EDP is programmable, but I don't think it was really intended that =
most users would need to program it. Most users can probably just use =
the default Loop mode and be fine. If that's not enough, they can play =
with picking alternative modes or reconfiguring a few buttons along =
design axes that again have been relatively carefully chosen. If you are =
worrying about how to write MIDI programs to exploit the extra =
functionality on the EDP, you are well outside the apparent sweet spot =
in its design.

The Looperlative on the other hand does a lot of cool stuff, but comes =
largely with the message that you need to go figure out what cool stuff =
you want exposed in what combinations and that not only can you set up a =
controller to do so but that you have to. If you want that level of =
customization, the Looperlative is much better than the EDP, but it =
expects you to program it. The Looperlative is like a highly-flexible =
synth that ships with almost no presets.

Mark

P.S. Semi on point:

http://releasecandidateone.com/236:crotchety_old_power_users


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Jan 1, 2011, at 9:44 PM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">The only =
thing I would add to it is that for a technical reason,&nbsp; I lost =
functionality in my<span =
class=3D"Apple-converted-space">&nbsp;</span><br>FCB 1010 before going =
to NAMM and had to borrow one from somebody and program<span =
class=3D"Apple-converted-space">&nbsp;</span><br>it at the damned show =
in order to be able to demo the LP-1.<br><br>Honest to =
goodness,&nbsp;&nbsp; I programmed four very sophisticated banks on my =
FCB in<span class=3D"Apple-converted-space">&nbsp;</span><br>5 minutes =
and was up and running.<br><br>You hit a button,&nbsp;&nbsp; select =
midi/button,&nbsp;&nbsp; push enter<span =
class=3D"Apple-converted-space">&nbsp;</span><br>and it says......."push =
a button" (on your foot controller).<br>You push a button,&nbsp;&nbsp; =
scroll the menu through all the options (only a couple of which =
need<span class=3D"Apple-converted-space">&nbsp;</span><br>explanation), =
hit 'enter'&nbsp; and that's it............no worrying about midi cc =
message or bank number.<br></span></blockquote></div><br><div>I agree =
that it's easy to enter programs on the LP-1. But how long did it take =
you to figure out what functionality should be in those banks of =
programs?</div><div><br></div><div>Again, not dissing the LP-1. Just =
pointing out that there's ease of programming and then there's ease of =
figuring out what to program.</div><div><br></div><div>The EDP is =
programmable, but I don't think it was really intended that most users =
would need to program it. Most users can probably just use the default =
Loop mode and be fine. If that's not enough, they can play with picking =
alternative modes or reconfiguring a few buttons along design axes that =
again have been relatively carefully chosen. If you are worrying about =
how to write MIDI programs to exploit the extra functionality on the =
EDP, you are well outside the apparent sweet spot in its =
design.</div><div><br></div><div>The Looperlative on the other hand does =
a lot of cool stuff, but comes largely with the message that you need to =
go figure out what cool stuff you want exposed in what combinations and =
that not only can you set up a controller to do so but that you have to. =
If you want that level of customization, the Looperlative is much better =
than the EDP, but it expects you to program it. The Looperlative is like =
a highly-flexible synth that ships with almost no =
presets.</div><div><br></div><div>Mark</div><div><br></div><div>P.S. =
Semi on point:</div><div><br></div><div><a =
href=3D"http://releasecandidateone.com/236:crotchety_old_power_users">http=
://releasecandidateone.com/236:crotchety_old_power_users</a></div><div><br=
></div></body></html>=

--Apple-Mail-4500--36607389--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 07:24:21 2011
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Date: Sun, 02 Jan 2011 16:24:11 +0900
Subject: Re: The EDP and the Looperlative
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C946572B.DAD%mech@m3ch.net>
Thread-Topic: The EDP and the Looperlative
Thread-Index: AcuqTgzazroEYgX3T3Cu/I0jvfzrqw==
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On 1/2/11 3:14 PM, "Mark Hamburg" <mark@grubmah.com> wrote:
> On Jan 1, 2011, at 9:32 PM, Kenn Lowy wrote:
> 
>> But maybe I just don't know how to do that on the EDP. Seriously, how would
>> anyone do those things?
> 
> You wouldn't and if you go back and look at my post and the posts from people
> like Andy Butler, you will see that we all acknowledge that the Looperlative
> does a lot of things the EDP does not.

Actually, I did realize that you were not making that sort of assertion.  I
was instead responding to Mark's comment that he could only see three main
differences between the EDP and LP-1.  Ken may be responding to the same.  I
think you yourself have been rather clear on the fact that you merely prefer
the working modes on the EDP.

> I gather Dustbunnies manages to get SUS-style operations on the LP-1, but it
> seems to depend on having a "decent" (his words) MIDI controller since it
> would seem to depend on having a controller that will send note on or program
> change messages on pedal release.

100% on target.  Although it would be possible to program that same
functionality on any MIDI controller by using two pedals (one for
"clear/record" and a second for "close and loop").  It would just take a bit
more tap-dancing than would probably be comfortable to achieve the effect
I'm after).

FWIW, there are quite a few controllers out there that can support this,
IIRC.  I'm using the Roland FC-300 myself, which works quite well.  Of
course, the Gordius is the top-line pedal at the moment (at least until the
Softstep gets all its kinks worked out).  In the past I've used the Digitech
PMC-10, and even firing off PC macros with my Peavey PC1600x.  I don't
remember: will the FCB-1010 allow for sending a command on pedal release?

I think that if there's any confusion out there, it's with the marketing
materials.  The LP-1 is advertised that you can get up and running with the
most basic of controllers, which is the truth.  That'll get you to all the
basic functions.  However, a quick scan of the forums will reveal that a
better MIDI controller pedal will allow you to get more out of the LP-1.

And, of course, we're still lobbying Bob for integrating some of these
capabilities into the base functionality of the unit.  For instance, I
believe the Gordius might allow for the timing of commands (synced to MIDI
Clock), so that you could have, for instance, a loop play to its end, then
reverse itself, then drop to half-speed when it gets back to the beginning,
then yaddayaddayadda.  I've been annoying Bob with that as a feature request
("Command Cue" & Logic functions, see:
http://www.looperlative.com/phpBB3/viewtopic.php?f=1&t=593#p4094 on the
Looperlative board) for quite a while now.

> That's cool, but the EDP is loaded with
> SUS-style and other long-press based behaviors and works with a range of
> controllers. 

Eh?  Waitasec, now I'm a bit confused.  You can do the EDP "long press"
functions with a standard MIDI pedal?  How the devil are they implementing
that?!?

        --m.



From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 07:39:18 2011
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Subject: Re: The EDP and the Looperlative
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On Jan 1, 2011, at 11:24 PM, Dustbunnies wrote:

>> That's cool, but the EDP is loaded with
>> SUS-style and other long-press based behaviors and works with a range =
of
>> controllers.=20
>=20
> Eh?  Waitasec, now I'm a bit confused.  You can do the EDP "long =
press"
> functions with a standard MIDI pedal?  How the devil are they =
implementing
> that?!?

It needs a pedal that will send note on and note off or that will send =
controller to max and controller to min. So, it won't work with =
controllers that only send program changes, but if the controller will =
send note information or send pedals as non-latching continuous =
controllers, the EDP is built to recognize the pedal release.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 08:03:46 2011
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Subject: The Sly Stone of Acoustic looped guitar (was OT: Musical discoveries
 of 2010)
From: Art Simon <simart@gmail.com>
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The music that blew my mind in 2010 was Jarle Bernhoft from Norway. I just
learned of him a few days ago on the Zonemobius mailing list. He channels
the grooves of Sly Stone, right down to the mohawk:
http://www.youtube.com/watch?v=GAnC7RTAMok

The track "On Time" is best looping I've heard since Fro Diddly:
http://www.youtube.com/watch?v=EJfnvna4kwI

The thing about iTunes is that I can go back and see what music I've
actually been listening to this past year. I went through my favorites, and
surprisingly to me, only three others were released in 2010, and two of them
are hip hop recordings. As a rule I don't listen to rap. I listened to
Kurtis Blow back in the day, but I'd given up on rap years ago. So anyway,
hear are my other top albums of 2010, all three of them:


   - Kendrick Lamar EP, distributed as a free
download<http://boulanger-yanice.blogspot.com/2010/01/kendrick-lamar-kendrick-lamar-2009.html>
   - "My Beautiful Dark Twisted Fantasy" by Kanye West
   - Azar Lawrence "Mystic Journey"


I did discover a lot of music this past year that I've loved, it's just much
of it was recorded earlier, some of it decades ago:


   - The long lost second ECM album "Spanish Bitch" by Mal Waldron (but
   never officially acknowledged by ECM) This one is highly
recommended!http://orgyinrhythm.blogspot.com/2010/09/mal-waldron-spanish-bitch.html
   - Richard Pinhaus and Merzbow "Keio Line" (Somebody on this list pointed
   out this gem. Metal/Crystal came out in 2010 but I haven't heard it yet)
   - Ryuichi Sakamoto "Chasm"
   - Two Banks of Four "Junkyard Dogs"
   - The Polish Jazz recycling electronica group *Skalpel*
   - The gamelan like electronica of *Bonobo*
   - Amon Tobin "Chomp Samba"
   - Billy Wooten "Lost Tapes"
   - Sadao Watanabe at the Montreux Jazz Festival
   - Robert Quine/Jody Harris "Escape"
   - Frank Strazzeri's awesome fender rhodes playing on "Cloudburst" on his
   "After the Rain" album
   - Ras Michael & the Sons of Negus "Dadawah -- Peace and Love"
   - Steve Winwood "About Time"
   - Sonny Sharrock "Dance with me Montana"
   - And probably the musical discovery that has had the most impact on me,
   the guitarist *Tisziji Munoz*

Best wishes for the new year!
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--000325574d82663ba60498d879a4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The music that blew my mind in 2010 was Jarle Bernhoft from Norway. I just =
learned of him a few days ago on the Zonemobius mailing list. He channels t=
he grooves of Sly Stone, right down to the mohawk:<br><a href=3D"http://www=
.youtube.com/watch?v=3DGAnC7RTAMok">http://www.youtube.com/watch?v=3DGAnC7R=
TAMok</a><br>
<br>The track &quot;On Time&quot; is best looping I&#39;ve heard since Fro =
Diddly:<br><a href=3D"http://www.youtube.com/watch?v=3DEJfnvna4kwI">http://=
www.youtube.com/watch?v=3DEJfnvna4kwI</a><br><br>The thing about iTunes is =
that I can go back and see what music I&#39;ve actually been listening to t=
his past year. I went through my favorites, and surprisingly to me, only th=
ree others were released in 2010, and two of them are hip hop recordings. A=
s a rule I don&#39;t listen to rap. I listened to Kurtis Blow back in the d=
ay, but I&#39;d given up on rap years ago. So anyway, hear are my other top=
 albums of 2010, all three of them:<br>


<br><ul><li>Kendrick Lamar EP, distributed as a <a href=3D"http://boulanger=
-yanice.blogspot.com/2010/01/kendrick-lamar-kendrick-lamar-2009.html" targe=
t=3D"_blank">free download</a></li><li>
&quot;My Beautiful Dark Twisted Fantasy&quot; by Kanye West</li><li>Azar La=
wrence &quot;Mystic Journey&quot;</li></ul><br>I did discover a lot of musi=
c this past year that I&#39;ve loved, it&#39;s just much of it was recorded=
 earlier, some of it decades ago:<br>


<br><ul><li>The long lost second ECM album &quot;Spanish Bitch&quot; by Mal=
 Waldron (but never officially acknowledged by ECM) This one is highly reco=
mmended!<a href=3D"http://orgyinrhythm.blogspot.com/2010/09/mal-waldron-spa=
nish-bitch.html" target=3D"_blank"> http://orgyinrhythm.blogspot.com/2010/0=
9/mal-waldron-spanish-bitch.html</a></li>


<li>Richard Pinhaus and Merzbow &quot;Keio Line&quot; (Somebody on this lis=
t pointed out this gem. Metal/Crystal came out in 2010 but I haven&#39;t he=
ard it yet)</li><li>Ryuichi Sakamoto &quot;Chasm&quot;</li><li>Two Banks of=
 Four &quot;Junkyard Dogs&quot;<br>


</li><li>The Polish Jazz recycling electronica group <i>Skalpel</i></li><li=
>The gamelan like electronica of <i>Bonobo</i><br></li><li>Amon Tobin &quot=
;Chomp Samba&quot;</li><li>Billy Wooten &quot;Lost Tapes&quot;</li><li>


Sadao Watanabe at the Montreux Jazz Festival</li><li>Robert Quine/Jody Harr=
is &quot;Escape&quot;<br></li><li>Frank Strazzeri&#39;s awesome fender rhod=
es playing on &quot;Cloudburst&quot; on his &quot;After the Rain&quot; albu=
m</li>


<li>Ras Michael &amp; the Sons of Negus &quot;Dadawah -- Peace and Love&quo=
t;</li><li>Steve Winwood &quot;About Time&quot;</li><li>Sonny Sharrock &quo=
t;Dance with me Montana&quot;<br></li><li>And probably the musical discover=
y that has had the most impact on me, the guitarist <i>Tisziji Munoz</i></l=
i>


</ul>




<a>Best wishes for the new year!<br></a>-- <br>Art Simon<br><a href=3D"mail=
to:simart@gmail.com" target=3D"_blank">simart@gmail.com</a><br>myspace [dot=
] com/artsimon<br>

--000325574d82663ba60498d879a4--

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 <240EA823-F746-4BDA-9102-821765B79CBC@googlemail.com> <-6764800028453888708@unknownmsgid>
 <AANLkTimT67VPBR-2axTBMZEw9jWq_9S_mEOPyK2A_qbG@mail.gmail.com>
 <AANLkTi=p=GuBs_=KuAzMMpwcH9PTOegNCFxbSPv3if68@mail.gmail.com>
 <AANLkTi=DKrjCi79CWbhhw763Ny6rc_d6UkcavjoHjT7S@mail.gmail.com>
 <AANLkTi=yNYB-h-279KwMjRhng4=wHLEXO9Y9fenzrihO@mail.gmail.com>
 <AANLkTikWmpuVbutGgXEf9hyESz_spDyGuO9EJ=Bkhi7d@mail.gmail.com>
 <AANLkTikQVRxFBSV-fx23uJVcFh_ozCZUMgGO9DPdzeZm@mail.gmail.com>
 <AANLkTinTa_Y=TrrLTzVM1OJzUwzTpKuY_MUpdD+SAubc@mail.gmail.com>
 <4D1F63CD.1030602@tiscali.co.uk> <AANLkTinfOgZBb3qhWCU6vX8=FcpYY7ARvNmswxo5Uuvt@mail.gmail.com>
 <EA21C907-A360-4944-89E4-ED9187387D86@googlemail.com>
From: mark francombe <markfrancombe@gmail.com>
In-Reply-To: <EA21C907-A360-4944-89E4-ED9187387D86@googlemail.com>
Mime-Version: 1.0 (iPhone Mail 8C148a)
Date: Sun, 2 Jan 2011 09:06:18 +0100
Message-ID: <-3760102056665956522@unknownmsgid>
Subject: Re: low cpu midi appegiator
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--90e6ba6e83e659b30e0498d88133
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Simply that my keyboard doesn't do it! But it's just not the functionality
I'm after. On a good arp you can build on your arp by holding some notes and
adding others.

M

Sent from my (advertisement removed)

On 2 Jan 2011, at 01:49, Simeon Harris <simeonharris40@googlemail.com>
wrote:

This might sound silly, but what about a simple latching hold pedal?

Sent from my iPod

On 1 Jan 2011, at 17:31, mark francombe <mark@markfrancombe.com> wrote:

no need Andy.. I bought it... this is as a result of playing for a bit...

On Sat, Jan 1, 2011 at 6:26 PM, andy butler < <akbutler@tiscali.co.uk>
akbutler@tiscali.co.uk> wrote:

> you can always download the demo again,
> I did that for several months 'till
> one time they hadn't put the latest up quick enough.
>
> andy
>
>
> mark francombe wrote:
>
>> that all swings it really dont it... have to dive into Bidule again..
>> wheres the hot visa card..?
>>
>> M
>>
>
>


-- 
mark francombe
<http://www.markfrancombe.com>www.markfrancombe.com
<http://www.ordoabkhao.com>www.ordoabkhao.com
twitter @markfrancombe
 <http://vimeo.com/user825094>http://vimeo.com/user825094
<http://www.looop.no>http://www.looop.no

--90e6ba6e83e659b30e0498d88133
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Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Simply that my keyboard doesn&#39;t do=
 it! But it&#39;s just not the functionality I&#39;m after. On a good arp y=
ou can build on your arp by holding some notes and adding others.=A0</div><=
div>
<br></div><div>M<br><br>Sent from my (advertisement removed)</div><div><br>=
On 2 Jan 2011, at 01:49, Simeon Harris &lt;<a href=3D"mailto:simeonharris40=
@googlemail.com">simeonharris40@googlemail.com</a>&gt; wrote:<br><br></div>
<div></div><blockquote type=3D"cite"><div><div>This might sound silly, but =
what about a simple latching hold pedal?<br><br>Sent from my iPod</div><div=
><br>On 1 Jan 2011, at 17:31, mark francombe &lt;<a href=3D"mailto:mark@mar=
kfrancombe.com"><a href=3D"mailto:mark@markfrancombe.com">mark@markfrancomb=
e.com</a></a>&gt; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div>no need Andy.. I bought=
 it... this is as a result of playing for a bit...<br><br><div class=3D"gma=
il_quote">On Sat, Jan 1, 2011 at 6:26 PM, andy butler <span dir=3D"ltr">&lt=
;<a href=3D"mailto:akbutler@tiscali.co.uk"></a><a href=3D"mailto:akbutler@t=
iscali.co.uk"><a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co=
.uk</a></a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">you can always do=
wnload the demo again,<br>
I did that for several months &#39;till<br>
one time they hadn&#39;t put the latest up quick enough.<br><font color=3D"=
#888888">
<br>
andy</font><div><div></div><div class=3D"h5"><br>
<br>
mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
that all swings it really dont it... have to dive into Bidule again.. where=
s the hot visa card..?<br>
<br>
M<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com"></a><a href=3D"http://www.m=
arkfrancombe.com"><a href=3D"http://www.markfrancombe.com">www.markfrancomb=
e.com</a></a><br>
<a href=3D"http://www.ordoabkhao.com"></a><a href=3D"http://www.ordoabkhao.=
com"><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a></a><br>tw=
itter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094"></a><a href=3D"http://vimeo.com/use=
r825094"><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user82509=
4</a></a><br><a href=3D"http://www.looop.no"></a><a href=3D"http://www.looo=
p.no"><a href=3D"http://www.looop.no">http://www.looop.no</a></a><br>

</div></blockquote></div></blockquote></body></html>

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From: mark francombe <markfrancombe@gmail.com>
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Date: Sun, 2 Jan 2011 09:34:55 +0100
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Subject: Re: The EDP and the Looperlative and me
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Sent from my (advertisement removed)

On 2 Jan 2011, at 03:57, Dustbunnies <mech@m3ch.net> wrote:

On 1/2/11 1:45 AM, "mark francombe" <mark@markfrancombe.com> wrote:

Ive only tried the Looperlative once, and I must say in terms of "what it
could do" I couldnt get the owner to explain me anything that really seems
crazily impossibly different and new than the EDP. Excepting of course the
obvious 3 main differences. mono verses stereo, multiple tracks and audio
quality...


You left out a big one: the ability to stack commands in the LP-1.  Using a
decent MIDI controller(!), you can put together whole sets of commands that
can be fired off with a single button press =97 almost like a =91macro=92 o=
r
simple Mobius script.

Many times I have talked about how I do this on the EDP. I stack commands
together using an external drum machine.



For instance, I put together a command that emulates what I call the =91Red
House=92 effect (listen to =91Two Soldiers=92 or =91The Red House=92 from D=
avid
Byrne=92s =93The Catherine Wheel=94 to hear what I=92m talking about).  Wit=
h this
one, the loop buffer starts to fill as long as I have the MIDI pedal
depressed.  The moment I let up on the pedal, it immediately begins to loop
whatever was in the buffer.  Depress it again, and the previous buffer is
immediately erased and begins filling a second time.  This allows me to tap
the pedal quickly to capture very short looped snippets =97 or stutters =97=
 of
sound.  A slightly longer tap means a slightly longer snippet.  If I tap
several times while playing a line, it almost sounds like realtime granular=
,
as the loop buffer grabs one =91snapshot=92 after another of what I=92m pla=
ying.



This is called an unfounded multiple with sustain action in an EDP... I
would say that it's one of the edps defining features...


Another one I put together allows me to do time-stretch, in conjunction wit=
h
an outboard pitch-shift unit on the Auxiliary outs (oh yeah, multiple
outputs: there=92s another feature not mentioned above).  I=92ll begin reco=
rding
a loop as normal.  Then I=92ve a command that closes/plays the loop, assign=
s
it to Aux Out 1 (where it=92s sent to a pitch shifter set to +1 octave, the=
n
routed back into the LP-1), drops to Half-Speed, and starts a Bounce on the
next track.  This results in the recording of a time-stretched track that i=
s
twice the length, but at the same pitch as the original.  I can also begin
to get Repeater-esque degrade effects, dependent upon the crappiness of the
pitch-shifter I=92m using.  Throw in some other effects (bit-shift or
sample-rate degradation, synchronized slicing from the EF-303, etc.) and
things can get pretty wild.

This sounds very cool. But I must say I've done this on the EDP too, by
having a second EDP however.. And of course THEN you are getting into the
price if the LP1...

In both these cases, though, I=92m doing exactly what Per suggested: I=92m
starting from a concept of the end-goal =97 the final effect =97 then worki=
ng
backward to find the best way to implement it on my architecture.


Yes.. well.... beg my pardon but I think we all do that, and we are all
restricted by our technology.... Do a loop window on an LP1 please...

That=92s the best way to use the LP-1.  It=92s a very, very, open, flexible
architecture.  If you try to use it plug-&-play, you=92ll get only really t=
he
same advantages you listed above: stereo, multiple tracks, and excellent
fidelity.  It=92s no wonder quite a few people were very =91so what=92, and=
 gave
up on it after a couple of weeks.  There=92s not a lot of shiny eye-candy t=
o
be had right out of the box, so you=92re not as likely to be inspired to go=
 in
different directions merely by purchasing a new tool.




I'm sure that's the case with the only time I was demonstrated and had a go
on an LP1, I dont really think the guy knew what it could do, that suggests
to me that it's NOT all easy peasy out of the box... Like the EDP it takes
some work, and I think all loopers are like this. Some will attract a type
of looping musician.
EDP will attract the Single musician creating a linear, but glitchy morph
music, or new age soundscapy musicians creating frippy stuff.

Lp1 has much if that functionality, not all, but has LOADS extra, that make=
s
it great for more multi instrumentalists, and songs, some thing that EDP is
not good at.


However, if you figure out your end effect then work backward, the LP-1
quietly and deftly allows you to do accomplish many of the new directions
you might conceive of in your looping.

        --m.



EDP did this to me, actually changed my life completely, ok.. Maybe nit too
quietly! But it made me think about my music in a different way, I have
never played the same since.

One of the reading for this arm-wrestling us that the edp is not just a
looper... Its a religeon...

M

--20cf30549a67cc5fc00498d8e796
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div><br><br>Sent from my (advertisement re=
moved)</div><div><br>On 2 Jan 2011, at 03:57, Dustbunnies &lt;<a href=3D"ma=
ilto:mech@m3ch.net">mech@m3ch.net</a>&gt; wrote:<br><br></div><div></div><b=
lockquote type=3D"cite">
<div>
<font size=3D"5"><font face=3D"Arial"><span style=3D"font-size:9pt">On 1/2/=
11 1:45 AM, &quot;mark francombe&quot; &lt;<a href=3D"mailto:mark@markfranc=
ombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
<br>
</span></font></font><blockquote><font size=3D"5"><font face=3D"Arial"><spa=
n style=3D"font-size:9pt">Ive only tried the Looperlative once, and I must =
say in terms of &quot;what it could do&quot; I couldnt get the owner to exp=
lain me anything that really seems crazily impossibly different and new tha=
n the EDP. Excepting of course the obvious 3 main differences. mono verses =
stereo, multiple tracks and audio quality...<br>

</span></font></font></blockquote><font size=3D"5"><font face=3D"Arial"><sp=
an style=3D"font-size:9pt"><br>
You left out a big one: the ability to stack commands in the LP-1. =A0Using=
 a decent MIDI controller(!), you can put together whole sets of commands t=
hat can be fired off with a single button press =97 almost like a =91macro=
=92 or simple Mobius script. =A0<br>

<br></span></font></font></div></blockquote><div>Many times I have talked a=
bout how I do this on the EDP. I stack commands together using an external =
drum machine.</div><div><br></div><div><br></div><br><blockquote type=3D"ci=
te">
<div><font size=3D"5"><font face=3D"Arial"><span style=3D"font-size:9pt">
For instance, I put together a command that emulates what I call the =91Red=
 House=92 effect (listen to =91Two Soldiers=92 or =91The Red House=92 from =
David Byrne=92s =93The Catherine Wheel=94 to hear what I=92m talking about)=
. =A0With this one, the loop buffer starts to fill as long as I have the MI=
DI pedal depressed. =A0The moment I let up on the pedal, it immediately beg=
ins to loop whatever was in the buffer. =A0Depress it again, and the previo=
us buffer is immediately erased and begins filling a second time. =A0This a=
llows me to tap the pedal quickly to capture very short looped snippets =97=
 or stutters =97 of sound. =A0A slightly longer tap means a slightly longer=
 snippet. =A0If I tap several times while playing a line, it almost sounds =
like realtime granular, as the loop buffer grabs one =91snapshot=92 after a=
nother of what I=92m playing.<br>
</span></font></font></div></blockquote><div><br></div><div><br></div>This =
is called an unfounded multiple with sustain action in an EDP... I would sa=
y that it&#39;s one of the edps defining features...=A0<br><blockquote type=
=3D"cite">
<div><font size=3D"5"><font face=3D"Arial"><span style=3D"font-size:9pt">
<br>
Another one I put together allows me to do time-stretch, in conjunction wit=
h an outboard pitch-shift unit on the Auxiliary outs (oh yeah, multiple out=
puts: there=92s another feature not mentioned above). =A0I=92ll begin recor=
ding a loop as normal. =A0Then I=92ve a command that closes/plays the loop,=
 assigns it to Aux Out 1 (where it=92s sent to a pitch shifter set to +1 oc=
tave, then routed back into the LP-1), drops to Half-Speed, and starts a Bo=
unce on the next track. =A0This results in the recording of a time-stretche=
d track that is twice the length, but at the same pitch as the original. =
=A0I can also begin to get Repeater-esque degrade effects, dependent upon t=
he crappiness of the pitch-shifter I=92m using. =A0Throw in some other effe=
cts (bit-shift or sample-rate degradation, synchronized slicing from the EF=
-303, etc.) and things can get pretty wild.<br>

<br></span></font></font></div></blockquote>This sounds very cool. But I mu=
st say I&#39;ve done this on the EDP too, by having a second EDP however.. =
And of course THEN you are getting into the price if the LP1...=A0<div><br>
<blockquote type=3D"cite"><div><font size=3D"5"><font face=3D"Arial"><span =
style=3D"font-size:9pt">
In both these cases, though, I=92m doing exactly what Per suggested: I=92m =
starting from a concept of the end-goal =97 the final effect =97 then worki=
ng backward to find the best way to implement it on my architecture.<br>
<br></span></font></font></div></blockquote><div><br></div>Yes.. well.... b=
eg my pardon but I think we all do that, and we are all restricted by our t=
echnology.... Do a loop window on an LP1 please...</div><div><br><blockquot=
e type=3D"cite">
<div><font size=3D"5"><font face=3D"Arial"><span style=3D"font-size:9pt">
That=92s the best way to use the LP-1. =A0It=92s a very, very, open, flexib=
le architecture. =A0If you try to use it plug-&amp;-play, you=92ll get only=
 really the same advantages you listed above: stereo, multiple tracks, and =
excellent fidelity. =A0It=92s no wonder quite a few people were very =91so =
what=92, and gave up on it after a couple of weeks. =A0There=92s not a lot =
of shiny eye-candy to be had right out of the box, so you=92re not as likel=
y to be inspired to go in different directions merely by purchasing a new t=
ool. =A0<br>
</span></font></font></div></blockquote><div><br></div><div><br></div><div>=
<br></div>I&#39;m sure that&#39;s the case with the only time I was demonst=
rated and had a go on an LP1, I dont really think the guy knew what it coul=
d do, that suggests to me that it&#39;s NOT all easy peasy out of the box..=
. Like the EDP it takes some work, and I think all loopers are like this. S=
ome will attract a type of looping musician.=A0</div>
<div>EDP will attract the Single musician creating a linear, but glitchy mo=
rph music, or new age soundscapy musicians creating frippy stuff.</div><div=
><br></div><div>Lp1 has much if that functionality, not all, but has LOADS =
extra, that makes it great for more multi instrumentalists, and songs, some=
 thing that EDP is not good at.</div>
<div><br></div><div><br><blockquote type=3D"cite"><div><font size=3D"5"><fo=
nt face=3D"Arial"><span style=3D"font-size:9pt">
However, if you figure out your end effect then work backward, the LP-1 qui=
etly and deftly allows you to do accomplish many of the new directions you =
might conceive of in your looping.<br>
<br>
=A0=A0=A0=A0=A0=A0=A0=A0--m.<br>
</span></font></font>



</div></blockquote><br></div><div><br></div><div>EDP did this to me, actual=
ly changed my life completely, ok.. Maybe nit too quietly! But it made me t=
hink about my music in a different way, I have never played the same since.=
=A0</div>
<div><br></div><div>One of the reading for this arm-wrestling us that the e=
dp is not just a looper... Its a religeon...</div><div><br></div><div>M</di=
v></body></html>

--20cf30549a67cc5fc00498d8e796--

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Date: Sun, 2 Jan 2011 09:48:18 +0100
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Subject: Re: The EDP and the Looperlative
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The key thing is "seperate". . It can do all this, but it wnt be
seperate tracks. It will Sound the same , (a bit hissyer perhaps)

Sent from my (advertisement removed)

On 2 Jan 2011, at 06:32, Kenn Lowy <kennlowy@me.com> wrote:

> I'd like to know how the EDP can record 8 separate tracks (some in sync, =
some not). Then fade them, not all at once. Stop one or two and reverse ano=
ther. I have both, and for anyone to write that the EDP can do just about e=
verything the looperlative can do is just wrong.
>
> But maybe I just don't know how to do that on the EDP. Seriously, how wou=
ld anyone do those things?
>

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Hey Duke,
Would you have the time to record a couple of examples of these creative 
techniques you've come up
with and post them so we can read them and here them simultaneously?

If you are really busy, no worries, but these are really cool creative 
ways to use the LP-1 that I've not
stumbled on or thought of and I'd love to learn them.

Thanks for an inspired post!

Happy New Years,

rick walker

On 7/22/64 11:59 AM, Dustbunnies wrote:
>
> You left out a big one: the ability to stack commands in the LP-1. 
>  Using a decent MIDI controller(!), you can put together whole sets of 
> commands that can be fired off with a single button press --- almost 
> like a 'macro' or simple Mobius script.
>
> For instance, I put together a command that emulates what I call the 
> 'Red House' effect (listen to 'Two Soldiers' or 'The Red House' from 
> David Byrne's "The Catherine Wheel" to hear what I'm talking about). 
>  With this one, the loop buffer starts to fill as long as I have the 
> MIDI pedal depressed.  The moment I let up on the pedal, it 
> immediately begins to loop whatever was in the buffer.  Depress it 
> again, and the previous buffer is immediately erased and begins 
> filling a second time.  This allows me to tap the pedal quickly to 
> capture very short looped snippets --- or stutters --- of sound.  A 
> slightly longer tap means a slightly longer snippet.  If I tap several 
> times while playing a line, it almost sounds like realtime granular, 
> as the loop buffer grabs one 'snapshot' after another of what I'm playing.
>
> Another one I put together allows me to do time-stretch, in 
> conjunction with an outboard pitch-shift unit on the Auxiliary outs 
> (oh yeah, multiple outputs: there's another feature not mentioned 
> above).  I'll begin recording a loop as normal.  Then I've a command 
> that closes/plays the loop, assigns it to Aux Out 1 (where it's sent 
> to a pitch shifter set to +1 octave, then routed back into the LP-1), 
> drops to Half-Speed, and starts a Bounce on the next track.  This 
> results in the recording of a time-stretched track that is twice the 
> length, but at the same pitch as the original.  I can also begin to 
> get Repeater-esque degrade effects, dependent upon the crappiness of 
> the pitch-shifter I'm using.  Throw in some other effects (bit-shift 
> or sample-rate degradation, synchronized slicing from the EF-303, 
> etc.) and things can get pretty wild.
>
> In both these cases, though, I'm doing exactly what Per suggested: I'm 
> starting from a concept of the end-goal --- the final effect --- then 
> working backward to find the best way to implement it on my architecture.
>
> That's the best way to use the LP-1.  It's a very, very, open, 
> flexible architecture.  If you try to use it plug-&-play, you'll get 
> only really the same advantages you listed above: stereo, multiple 
> tracks, and excellent fidelity.  It's no wonder quite a few people 
> were very 'so what', and gave up on it after a couple of weeks. 
>  There's not a lot of shiny eye-candy to be had right out of the box, 
> so you're not as likely to be inspired to go in different directions 
> merely by purchasing a new tool.
>
> However, if you figure out your end effect then work backward, the 
> LP-1 quietly and deftly allows you to do accomplish many of the new 
> directions you might conceive of in your looping.
>
>         --m.


--------------070909050707090005050805
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
    <title></title>
  </head>
  <body bgcolor="#ffffff" text="#000000">
    Hey Duke, <br>
    Would you have the time to record a couple of examples of these
    creative techniques you've come up <br>
    with and post them so we can read them and here them simultaneously?<br>
    <br>
    If you are really busy, no worries, but these are really cool
    creative ways to use the LP-1 that I've not <br>
    stumbled on or thought of and I'd love to learn them.<br>
    <br>
    Thanks for an inspired post!<br>
    <br>
    Happy New Years,&nbsp;&nbsp;&nbsp;&nbsp; <br>
    <br>
    rick walker<br>
    <br>
    On 7/22/64 11:59 AM, Dustbunnies wrote:
    <blockquote cite="mid:%3CC94618B4.D94%25mech@m3ch.net%3E"
      type="cite">
      <meta http-equiv="Context-Type" content="text/html;
        charset=ISO-8859-1">
      <title>Re: The EDP and the Looperlative and me</title>
      <span></span><span><br>
        You left out a big one: the ability to stack commands in the
        LP-1. &nbsp;Using a decent MIDI controller(!), you can put together
        whole sets of commands that can be fired off with a single
        button press &#8212; almost like a &#8216;macro&#8217; or simple Mobius script. &nbsp;<br>
        <br>
        For instance, I put together a command that emulates what I call
        the &#8216;Red House&#8217; effect (listen to &#8216;Two Soldiers&#8217; or &#8216;The Red
        House&#8217; from David Byrne&#8217;s &#8220;The Catherine Wheel&#8221; to hear what I&#8217;m
        talking about). &nbsp;With this one, the loop buffer starts to fill
        as long as I have the MIDI pedal depressed. &nbsp;The moment I let up
        on the pedal, it immediately begins to loop whatever was in the
        buffer. &nbsp;Depress it again, and the previous buffer is
        immediately erased and begins filling a second time. &nbsp;This
        allows me to tap the pedal quickly to capture very short looped
        snippets &#8212; or stutters &#8212; of sound. &nbsp;A slightly longer tap means
        a slightly longer snippet. &nbsp;If I tap several times while playing
        a line, it almost sounds like realtime granular, as the loop
        buffer grabs one &#8216;snapshot&#8217; after another of what I&#8217;m playing.<br>
        <br>
        Another one I put together allows me to do time-stretch, in
        conjunction with an outboard pitch-shift unit on the Auxiliary
        outs (oh yeah, multiple outputs: there&#8217;s another feature not
        mentioned above). &nbsp;I&#8217;ll begin recording a loop as normal. &nbsp;Then
        I&#8217;ve a command that closes/plays the loop, assigns it to Aux Out
        1 (where it&#8217;s sent to a pitch shifter set to +1 octave, then
        routed back into the LP-1), drops to Half-Speed, and starts a
        Bounce on the next track. &nbsp;This results in the recording of a
        time-stretched track that is twice the length, but at the same
        pitch as the original. &nbsp;I can also begin to get Repeater-esque
        degrade effects, dependent upon the crappiness of the
        pitch-shifter I&#8217;m using. &nbsp;Throw in some other effects (bit-shift
        or sample-rate degradation, synchronized slicing from the
        EF-303, etc.) and things can get pretty wild.<br>
        <br>
        In both these cases, though, I&#8217;m doing exactly what Per
        suggested: I&#8217;m starting from a concept of the end-goal &#8212; the
        final effect &#8212; then working backward to find the best way to
        implement it on my architecture.<br>
        <br>
        That&#8217;s the best way to use the LP-1. &nbsp;It&#8217;s a very, very, open,
        flexible architecture. &nbsp;If you try to use it plug-&amp;-play,
        you&#8217;ll get only really the same advantages you listed above:
        stereo, multiple tracks, and excellent fidelity. &nbsp;It&#8217;s no wonder
        quite a few people were very &#8216;so what&#8217;, and gave up on it after
        a couple of weeks. &nbsp;There&#8217;s not a lot of shiny eye-candy to be
        had right out of the box, so you&#8217;re not as likely to be inspired
        to go in different directions merely by purchasing a new tool. &nbsp;<br>
        <br>
        However, if you figure out your end effect then work backward,
        the LP-1 quietly and deftly allows you to do accomplish many of
        the new directions you might conceive of in your looping.<br>
        <br>
        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<br>
      </span> </blockquote>
    <br>
  </body>
</html>

--------------070909050707090005050805--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 09:06:14 2011
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On 7/22/64 11:59 AM, Dustbunnies wrote:
> Yep, like the DD-20, this one is a sleeper.  There are some very cool 
> things that you can get it to do, with a little advanced thought. 
Would you be into resinging those praises,  Duke.
I've never used a dedicated digital delay stomp box pedal but
I'm suddenly really hankering to learn how to do that.
I've heard people talk about the coolness of the DD-20 but never really
known what hip alternative things it can do.

and sorry for asking so much from you.   Your posts have just really lit 
a fire under
me today on this first day of 2011.

Great way to start.  Thanks for your creativity.

rick walker

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 09:37:06 2011
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Subject: RE: (re)-discovering your gear that sits on your board (boss slicer) 
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> so then i turn on my fuzz and start playing over it  and i'm like wow 
 
I like it a lot ... a very useful box in some situations ...
http://veloopity.bandcamp.com/track/hoarse-horses
 
-Michael
 

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<DIV dir=3Dltr align=3Dleft><FONT size=3D2 face=3DArial><SPAN=20
class=3D984123509-02012011>&gt; </SPAN></FONT>so then i turn on my fuzz =
and start=20
playing over it<SPAN class=3D984123509-02012011><FONT size=3D2 =
face=3DArial>&nbsp;=20
</FONT></SPAN>and i'm like wow<SPAN class=3D984123509-02012011><FONT =
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face=3DArial>&nbsp;</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D984123509-02012011></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D984123509-02012011><FONT =
size=3D2 face=3DArial>I=20
like it a lot ... a very useful box&nbsp;in some situations=20
...</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D984123509-02012011><FONT =
size=3D2=20
face=3DArial><A=20
href=3D"http://veloopity.bandcamp.com/track/hoarse-horses">http://veloopi=
ty.bandcamp.com/track/hoarse-horses</A></FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN =
class=3D984123509-02012011></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D984123509-02012011><FONT =
size=3D2=20
face=3DArial>-Michael</FONT></SPAN></DIV>
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class=3D984123509-02012011>&nbsp;</SPAN></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 09:41:23 2011
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> We look forward to seeing as many of you as possible in Santa Cruz in the
third week of October

would that be the weekend October 15-16 or 22-23 ?

-Michael


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Date: Sun, 2 Jan 2011 11:54:14 +0100
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Subject: Re: low cpu midi appegiator
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 2, 2011 at 9:06 AM, mark francombe <markfrancombe@gmail.com> wrote:
>  On a good arp you can build on your arp by holding some notes and
> adding others.


So true! Sometimes I feel sad when realizing how exceptionally
powerful musical traditions ("features", "crafts", "skills") are left
out when modern "jukebox context" products are designed with the
bedroom studio market in target. My gosh, sequencers were better
before MIDI was invented! A hell of a lot slower, but musically
deeper. ARPs was the hands-on tool-box for performers.

Someone should program an ARP software plugin with some "EDP
attitude"! Would kick the juke-box maffia's ass.

BTW, Tim Exile doesn't seem to have an arpeggiator in his performance rig:
http://www.youtube.com/watch?v=9r38r3BIgew

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Lovely
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It was fun seeing a video from -79. I don't understand Finnish but I
like the way this language sounds and also the "stone face" speaking
style ;-)  Cool instrument indeed, but the big fun for me was the -79
vibe penetrating the clothes, the hair cuts, the licks played and just
about everything in that video. Things were about the same here in
Sweden at that time. How come we didn't enjoy the world's super funny
qualities back in the seventies? LOL, today it looks just hilarious.
Like another "Mr Bean thing"  ;-)  Thanks for posting the video link!

Per


On Sun, Jan 2, 2011 at 2:02 AM, ^|>^m <will.it.go.round@gmail.com> wrote:
> Cool. =C2=A0Must be=C2=A0analogue synthesis with controls built into the =
guitar
> body(?)
>
> On Fri, Dec 31, 2010 at 11:55 AM, Petri Lahtinen <aikuinen@gmail.com> wro=
te:
>>
>> http://www.yle.fi/elavaarkisto/?s=3Ds&g=3D8&ag=3D95&t=3D541&a=3D4737
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 11:48:36 2011
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Subject: Re: Lovely
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--00248c05002f6cdd300498db9d1f
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Well, that was my point all the way... glad you liked it!

Chiming into the "back in the days"-conversation that has been flowing ;-)

-Petri-

2011/1/2 Per Boysen <perboysen@gmail.com>

> It was fun seeing a video from -79. I don't understand Finnish but I
> like the way this language sounds and also the "stone face" speaking
> style ;-)  Cool instrument indeed, but the big fun for me was the -79
> vibe penetrating the clothes, the hair cuts, the licks played and just
> about everything in that video. Things were about the same here in
> Sweden at that time. How come we didn't enjoy the world's super funny
> qualities back in the seventies? LOL, today it looks just hilarious.
> Like another "Mr Bean thing"  ;-)  Thanks for posting the video link!
>
> Per
>
>
> On Sun, Jan 2, 2011 at 2:02 AM, ^|>^m <will.it.go.round@gmail.com> wrote:
> > Cool.  Must be analogue synthesis with controls built into the guitar
> > body(?)
> >
> > On Fri, Dec 31, 2010 at 11:55 AM, Petri Lahtinen <aikuinen@gmail.com>
> wrote:
> >>
> >> http://www.yle.fi/elavaarkisto/?s=s&g=8&ag=95&t=541&a=4737
> >
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--00248c05002f6cdd300498db9d1f
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Well, that was my point all the way... glad you liked it!<br><br>Chiming in=
to the &quot;back in the days&quot;-conversation that has been flowing ;-)<=
br><br>-Petri-<br><br><div class=3D"gmail_quote">2011/1/2 Per Boysen <span =
dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com<=
/a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">It was fun seeing=
 a video from -79. I don&#39;t understand Finnish but I<br>
like the way this language sounds and also the &quot;stone face&quot; speak=
ing<br>
style ;-) =A0Cool instrument indeed, but the big fun for me was the -79<br>
vibe penetrating the clothes, the hair cuts, the licks played and just<br>
about everything in that video. Things were about the same here in<br>
Sweden at that time. How come we didn&#39;t enjoy the world&#39;s super fun=
ny<br>
qualities back in the seventies? LOL, today it looks just hilarious.<br>
Like another &quot;Mr Bean thing&quot; =A0;-) =A0Thanks for posting the vid=
eo link!<br>
<br>
Per<br>
<br>
<br>
On Sun, Jan 2, 2011 at 2:02 AM, ^|&gt;^m &lt;<a href=3D"mailto:will.it.go.r=
ound@gmail.com">will.it.go.round@gmail.com</a>&gt; wrote:<br>
&gt; Cool. =A0Must be=A0analogue synthesis with controls built into the gui=
tar<br>
&gt; body(?)<br>
&gt;<br>
&gt; On Fri, Dec 31, 2010 at 11:55 AM, Petri Lahtinen &lt;<a href=3D"mailto=
:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; <a href=3D"http://www.yle.fi/elavaarkisto/?s=3Ds&amp;g=3D8&amp;ag=
=3D95&amp;t=3D541&amp;a=3D4737" target=3D"_blank">http://www.yle.fi/elavaar=
kisto/?s=3Ds&amp;g=3D8&amp;ag=3D95&amp;t=3D541&amp;a=3D4737</a><br>
&gt;<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahti=
nen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bl=
ank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--00248c05002f6cdd300498db9d1f--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 12:12:26 2011
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Cc: "RICKWALKER- 412 Darwin Street (back house)" <looppool@cruzio.com>
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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: Y2K11 International Live Looping Festival
Date: Sun, 2 Jan 2011 13:11:56 +0100
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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That's the way, Rick.
I'm sooooo glad that your Y2K loopfest will still live on earth and you made=
 the right choice on how to keep it going on.
That's a good new as a start for the new year.
If I can help in some way, let me know (website work for example), I'll be g=
lad to give my help to the festival 'cos I got so much from it (and from you=
).

All the best

-Fabio


Il giorno 02/gen/2011, alle ore 04:36, Rick Walker <looppool@cruzio.com> ha s=
critto:

> Hi Everyone,
>=20
> So many people have asked me about the fate of the Y2K Looping Festivals s=
eries
> since I have announced I was retiring from producing it actively.
>=20
> I've given this a lot of very hard thought and did not want my decision to=
 negatively
> impact the looping community.
>=20
> What I've decided to do is to become a mostly hands off Executive Director=
 for the
> festival for the next couple of years at least and I've assembled a powerf=
ul team
> of 7 or 8 people who will actively run the festival as a committee.
>=20
> Just because I have so much experience with how to do this extremely inexp=
ensively
> with maximum press exposure, I will be in an advisory capacity to this soo=
n to be hard
> working team of people but I intend to be as hands off as possible.
>=20
> They will be doing all the work of this festival and I will not.
>=20
>=20
>=20
> Sooooo,   I'm going to advise this group of people (who I'll name in publi=
c as soon as
> the whole team solidifies) to make the festival considerably smaller in th=
is coming year.
> I'm going to advise them to not book anyone until probably 3 months before=
 the festival
> (just to cut down on the constant e-mails that occur if they take bookings=
 for the whole year).
>=20
> People who wish to play the festival from outside of the country and who, t=
herefore, have to
> know as far in advance as possible to make their bookings will be able to a=
pply before the
> rest of the call for artists go out.
>=20
> Also, due to failing revenue streams since the Recession hit us,  we may n=
ot be able to
> provide transportation for foreign artists to and from the Airports as we h=
ave in the past.
> This still remains to be seen and there will be some official announcement=
 about what we've decided to do some time in the next few months.     If we d=
on't then we'll make sure to try and help foreign artists to coordinate
> arrivals so they can carpool to and from the airports in either rental car=
s or single trip 'airporters'.
>=20
> There is also a strong possibility that there may only be a festival in Sa=
nta Cruz to cut down
> on all the considerable logistics of having additional concerts in other c=
ities.   Again, this will
> reside with the committee who produces the festival, but the first year of=
 the new regime
> will probably have to be a lot smaller than in past years.
>=20
> So,  that's it and I want to ask people to please respect my need for a va=
cation
> and patiently wait until the Y2K11 Committee posts officially for the firs=
t time.
>=20
> SO PLEASE DO NOT EMAIL ME QUESTIONS ABOUT ANYTHING TO DO WITH THE FESTIVAL=
!
>=20
> Gosh,  was I shouting just then?      I was , but I do so in a loving way.=
..........<giggle>
>=20
> I just really  need a break after 10 year of hard work but I truly want th=
is festival
> to go on because it's been so amazing in the past.
>=20
> okee dokee,   May 2011 be a fantastic year for this wonderful looping comm=
unity.
> We look forward to seeing as many of you as possible in Santa Cruz in the t=
hird week
> of October.
>=20
> love,
> rick walker
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 13:11:48 2011
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Subject: Re: (re)-discovering your gear that sits on your board (boss slicer)
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
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On 1/2/11 6:06 PM, "Rick Walker" <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, Dustbunnies wrote:
>>
>> Yep, like the DD-20, this one is a sleeper.  There are some very cool
>> things that you can get it to do, with a little advanced thought.
>
> Would you be into resinging those praises,  Duke.
> I've never used a dedicated digital delay stomp box pedal but
> I'm suddenly really hankering to learn how to do that.
> I've heard people talk about the coolness of the DD-20 but never really
> known what hip alternative things it can do.

Sure, although it's been a while since I've had easy access to mine (sitting
in a storage locker back in the US with most of my gear -- don't ask. :P ).
I'm sure that some of the others who play with theirs on a regular basis can
pop in to help too.

First, the basic modes.  The 'Sound On Sound' preset is crap.  I've rarely
been able to get a useable loop out of it, FWIW.  But all the other modes
are at least moderately interesting.  There's 'Tape', 'Analog', 'Standard',
'Pan (Ping Pong)', 'Dual', 'Smooth', 'Modulate', 'Reverse', 'Warp', and
'Twist'.  Some, like Twist (which emulates runaway feedback), are merely
special effects.  Most can be used in a variety of situations and sound
good.  Stir and season to taste.

Best thing about it is that you can save five basic presets -- you can save
your choice of basic settings (like delay time) and modes into any of these
-- as well as a 'manual' mode that merely reads the knobs.  These presets
cycle from first to last, so no random access, but the last preset selected
will continue playing after you select the next preset (sort of like 'tails'
mode in Line6-speak).  So, for instance, you could set up a quarter-note
based loop with 100% feedback at one tempo on preset one, then have a
triplet-based mode at a different tempo on preset two.  Whatever you've
played into preset one will continue as you work and manipulate preset two.
When you switch to preset three, the data in preset one's buffer will
disappear, but whatever is still playing from preset two will continue, and
so on and so forth.

Now, the settings for each preset don't have to be related, so it's really
darn easy to set up loops which have different (or no) temporal
relationships to each other.  Makes it really good for setting up ambient
loops that beat against each other.

Next, you can use 'Pan', or Ping-Pong, mode and the 'null plug' trick to
double the DD-20's available time from 23 seconds to 46 seconds, if you're
willing to work in mono.  Just remember to push an unterminated plug into
output A.  The audio will first sound through that output (which goes
noplace) then through output B after an additional 23 seconds, thus doubling
the total available delay time.  (BTW, credit for that one goes to Coyote,
who first posted about it here.)

Additionally, the DD-20's have remarkably tiny build tolerances, meaning
that any two units are extremely similar to each other.  So similar that,
even though there's no means to actually sync two DD-20's, you can loop the
same note on two units using identical settings and they won't go out of
sync, at least not for hours.  Their clocks are amazingly stable, so it's
possible to use two units in tandem without worrying about true
synchronization -- thus allowing the possibility of four (or even more)
synchronized/unsynchronized loops.

And you can get some bizarre distortions out of the DD-20 by changing the
tempo/delay time of a running loop, then changing it back.  Experiment and
have some fun with that one.

Also, there's a jack in the back for another control pedal.  This pedal can
be set to accomplish a few different functions.  IIRC, I was able to have a
bit of fun by setting it to "Effect On/Off", then using an FS-5U
(unlatching) pedal.  Since turning it on & off really only determines
whether sound is being fed into the data buffer, you can use the FS-5U to
feed audio in only when depressed.  Thus, you can play a legato line, but
have a stuttered pattern of echoes looped from it.

That's a few I remember.  Perhaps Rainer or Ted or Sjaak (amongst others)
have more to add on the subject.

> and sorry for asking so much from you.   Your posts have just really lit
> a fire under
> me today on this first day of 2011.
> 
> Great way to start.  Thanks for your creativity.

No problem.  Thanks for the complement.  Glad I could make a little impact
at the very least.  :)

        --m.



From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 13:12:59 2011
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Subject: Re: The EDP and the Looperlative and me
From: Dustbunnies <mech@m3ch.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3376851176_15120550
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Hey Rick!

Heh!  I=B9ve thought about doing some of the same sort of videos that your
brother does so well, but every time I consider having a video camera place=
d
on me, the blood drops outta me head and I slough off into a dead faint.  ;=
)

FWIW, my =8CRed House=B9 effect appears to be something you can do on the EDP
(never got a chance to play with an EDP very much, so I don=B9t know).  It
seems you=B9ve probably already heard it, if not on one of the many
Byrne/Eno/Belew recordings using it..  Also, I used it during my performanc=
e
for Y2k7.  You can see it on one of the videos from that performance (
http://www.youtube.com/watch?v=3DUcffXnqv_Lw ) starting at about 6:00.

One of my projects for this New Year=B9s break is to remount the GK3 on my la=
p
steel (it was more ergonomic to mount it reversed, which the VG-99 is fine
with. But now my GR-20 doesn=B9t have a clue what the hell is going on, so I
gotta switch it.)  While I=B9m in the studio I should record a bit more
anyway, so mebbe I=B9ll see what I can put together in the next coupla days.
:)

        --m.


On 1/2/11 6:02 PM, "Rick Walker" <looppool@cruzio.com> wrote:

>    Hey Duke,=20
>  Would you have the time to record a couple of examples of these creative
> techniques you've come up
>  with and post them so we can read them and here them simultaneously?
> =20
>  If you are really busy, no worries, but these are really cool creative w=
ays
> to use the LP-1 that I've not
>  stumbled on or thought of and I'd love to learn them.
> =20
>  Thanks for an inspired post!
> =20
>  Happy New Years,
> =20
>  rick walker
> =20
>  On 7/22/64 11:59 AM, Dustbunnies wrote:
>>   Re: The EDP and the Looperlative and me
>>  You left out a big one: the ability to stack commands in the LP-1.  Usi=
ng a
>> decent MIDI controller(!), you can put together whole sets of commands t=
hat
>> can be fired off with a single button press =8B almost like a =8Cmacro=B9 or s=
imple
>> Mobius script. =20
>> =20
>>  For instance, I put together a command that emulates what I call the =8CR=
ed
>> House=B9 effect (listen to =8CTwo Soldiers=B9 or =8CThe Red House=B9 from David By=
rne=B9s
>> =B3The Catherine Wheel=B2 to hear what I=B9m talking about).  With this one, t=
he
>> loop buffer starts to fill as long as I have the MIDI pedal depressed.  =
The
>> moment I let up on the pedal, it immediately begins to loop whatever was=
 in
>> the buffer.  Depress it again, and the previous buffer is immediately er=
ased
>> and begins filling a second time.  This allows me to tap the pedal quick=
ly to
>> capture very short looped snippets =8B or stutters =8B of sound.  A slightly
>> longer tap means a slightly longer snippet.  If I tap several times whil=
e
>> playing a line, it almost sounds like realtime granular, as the loop buf=
fer
>> grabs one =8Csnapshot=B9 after another of what I=B9m playing.
>> =20
>>  Another one I put together allows me to do time-stretch, in conjunction=
 with
>> an outboard pitch-shift unit on the Auxiliary outs (oh yeah, multiple
>> outputs: there=B9s another feature not mentioned above).  I=B9ll begin recor=
ding
>> a loop as normal.  Then I=B9ve a command that closes/plays the loop, assig=
ns it
>> to Aux Out 1 (where it=B9s sent to a pitch shifter set to +1 octave, then
>> routed back into the LP-1), drops to Half-Speed, and starts a Bounce on =
the
>> next track.  This results in the recording of a time-stretched track tha=
t is
>> twice the length, but at the same pitch as the original.  I can also beg=
in to
>> get Repeater-esque degrade effects, dependent upon the crappiness of the
>> pitch-shifter I=B9m using.  Throw in some other effects (bit-shift or
>> sample-rate degradation, synchronized slicing from the EF-303, etc.) and
>> things can get pretty wild.
>> =20
>>  In both these cases, though, I=B9m doing exactly what Per suggested: I=B9m
>> starting from a concept of the end-goal =8B the final effect =8B then workin=
g
>> backward to find the best way to implement it on my architecture.
>> =20
>>  That=B9s the best way to use the LP-1.  It=B9s a very, very, open, flexible
>> architecture.  If you try to use it plug-&-play, you=B9ll get only really =
the
>> same advantages you listed above: stereo, multiple tracks, and excellent
>> fidelity.  It=B9s no wonder quite a few people were very =8Cso what=B9, and ga=
ve up
>> on it after a couple of weeks.  There=B9s not a lot of shiny eye-candy to =
be
>> had right out of the box, so you=B9re not as likely to be inspired to go i=
n
>> different directions merely by purchasing a new tool.
>> =20
>>  However, if you figure out your end effect then work backward, the LP-1
>> quietly and deftly allows you to do accomplish many of the new direction=
s you
>> might conceive of in your looping.
>> =20
>>          --m.
>>  =20
> =20
> =20


--B_3376851176_15120550
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: The EDP and the Looperlative and me</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>Hey Rick!<BR>
<BR>
Heh! &nbsp;I&#8217;ve thought about doing some of the same sort of videos t=
hat your brother does so well, but every time I consider having a video came=
ra placed on me, the blood drops outta me head and I slough off into a dead =
faint. &nbsp;;)<BR>
<BR>
FWIW, my &#8216;Red House&#8217; effect appears to be something you can do =
on the EDP (never got a chance to play with an EDP very much, so I don&#8217=
;t know). &nbsp;It seems you&#8217;ve probably already heard it, if not on o=
ne of the many Byrne/Eno/Belew recordings using it.. &nbsp;Also, I used it d=
uring my performance for Y2k7. &nbsp;You can see it on one of the videos fro=
m that performance ( <a href=3D"http://www.youtube.com/watch?v=3DUcffXnqv_Lw">ht=
tp://www.youtube.com/watch?v=3DUcffXnqv_Lw</a> ) starting at about 6:00.<BR>
<BR>
One of my projects for this New Year&#8217;s break is to remount the GK3 on=
 my lap steel (it was more ergonomic to mount it reversed, which the VG-99 i=
s fine with. But now my GR-20 doesn&#8217;t have a clue what the hell is goi=
ng on, so I gotta switch it.) &nbsp;While I&#8217;m in the studio I should r=
ecord a bit more anyway, so mebbe I&#8217;ll see what I can put together in =
the next coupla days. &nbsp;:)<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
<BR>
<BR>
On 1/2/11 6:02 PM, &quot;Rick Walker&quot; &lt;looppool@cruzio.com&gt; wrot=
e:<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'> &nbsp;&nbsp;Hey Duke, <BR>
&nbsp;Would you have the time to record a couple of examples of these creat=
ive techniques you've come up <BR>
&nbsp;with and post them so we can read them and here them simultaneously?<=
BR>
&nbsp;<BR>
&nbsp;If you are really busy, no worries, but these are really cool creativ=
e ways to use the LP-1 that I've not <BR>
&nbsp;stumbled on or thought of and I'd love to learn them.<BR>
&nbsp;<BR>
&nbsp;Thanks for an inspired post!<BR>
&nbsp;<BR>
&nbsp;Happy New Years, &nbsp;&nbsp;&nbsp;&nbsp;<BR>
&nbsp;<BR>
&nbsp;rick walker<BR>
&nbsp;<BR>
&nbsp;On 7/22/64 11:59 AM, Dustbunnies wrote: <BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'> &nbsp;Re: The EDP and the Looperlative and me <BR>
&nbsp;You left out a big one: the ability to stack commands in the LP-1. &n=
bsp;Using a decent MIDI controller(!), you can put together whole sets of co=
mmands that can be fired off with a single button press &#8212; almost like =
a &#8216;macro&#8217; or simple Mobius script. &nbsp;<BR>
&nbsp;<BR>
&nbsp;For instance, I put together a command that emulates what I call the =
&#8216;Red House&#8217; effect (listen to &#8216;Two Soldiers&#8217; or &#82=
16;The Red House&#8217; from David Byrne&#8217;s &#8220;The Catherine Wheel&=
#8221; to hear what I&#8217;m talking about). &nbsp;With this one, the loop =
buffer starts to fill as long as I have the MIDI pedal depressed. &nbsp;The =
moment I let up on the pedal, it immediately begins to loop whatever was in =
the buffer. &nbsp;Depress it again, and the previous buffer is immediately e=
rased and begins filling a second time. &nbsp;This allows me to tap the peda=
l quickly to capture very short looped snippets &#8212; or stutters &#8212; =
of sound. &nbsp;A slightly longer tap means a slightly longer snippet. &nbsp=
;If I tap several times while playing a line, it almost sounds like realtime=
 granular, as the loop buffer grabs one &#8216;snapshot&#8217; after another=
 of what I&#8217;m playing.<BR>
&nbsp;<BR>
&nbsp;Another one I put together allows me to do time-stretch, in conjuncti=
on with an outboard pitch-shift unit on the Auxiliary outs (oh yeah, multipl=
e outputs: there&#8217;s another feature not mentioned above). &nbsp;I&#8217=
;ll begin recording a loop as normal. &nbsp;Then I&#8217;ve a command that c=
loses/plays the loop, assigns it to Aux Out 1 (where it&#8217;s sent to a pi=
tch shifter set to +1 octave, then routed back into the LP-1), drops to Half=
-Speed, and starts a Bounce on the next track. &nbsp;This results in the rec=
ording of a time-stretched track that is twice the length, but at the same p=
itch as the original. &nbsp;I can also begin to get Repeater-esque degrade e=
ffects, dependent upon the crappiness of the pitch-shifter I&#8217;m using. =
&nbsp;Throw in some other effects (bit-shift or sample-rate degradation, syn=
chronized slicing from the EF-303, etc.) and things can get pretty wild.<BR>
&nbsp;<BR>
&nbsp;In both these cases, though, I&#8217;m doing exactly what Per suggest=
ed: I&#8217;m starting from a concept of the end-goal &#8212; the final effe=
ct &#8212; then working backward to find the best way to implement it on my =
architecture.<BR>
&nbsp;<BR>
&nbsp;That&#8217;s the best way to use the LP-1. &nbsp;It&#8217;s a very, v=
ery, open, flexible architecture. &nbsp;If you try to use it plug-&amp;-play=
, you&#8217;ll get only really the same advantages you listed above: stereo,=
 multiple tracks, and excellent fidelity. &nbsp;It&#8217;s no wonder quite a=
 few people were very &#8216;so what&#8217;, and gave up on it after a coupl=
e of weeks. &nbsp;There&#8217;s not a lot of shiny eye-candy to be had right=
 out of the box, so you&#8217;re not as likely to be inspired to go in diffe=
rent directions merely by purchasing a new tool. &nbsp;<BR>
&nbsp;<BR>
&nbsp;However, if you figure out your end effect then work backward, the LP=
-1 quietly and deftly allows you to do accomplish many of the new directions=
 you might conceive of in your looping.<BR>
&nbsp;<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'> <BR>
&nbsp;<BR>
</SPAN></FONT></FONT></BLOCKQUOTE>
</BODY>
</HTML>


--B_3376851176_15120550--


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On 7/22/64 11:59 AM, Michael Peters wrote:
>
> would that be the weekend October 15-16 or 22-23 ?
>


14,15,16

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Rick Walker wrote:

> 
> Another of my favorite scales currently, is
> the Lydian mode with a flattened 7th
> 
> 1   2    3    #4     5     6     b7     8va
> I just love how exotic it sounds and yet,  to my ear it doesn't sound 
> 'foreign'
> 

That's because it's one of the modes of the ascending melodic minor.

1 2 b3 4 5 6 7 8va

They all produce melodies that sound familiar within
the Western European classical idiom, while having
an unusual harmonic flavour.

Another quick easy to get example would be "Phrygian with 
a natural 6"

1 b2 b3 4 5 6 b7 8va

andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 14:00:12 2011
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Subject: Re: The EDP and the Looperlative
From: Dustbunnies <mech@m3ch.net>
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On 1/2/11 4:39 PM, "Mark Hamburg" <mark@grubmah.com> wrote:
> On Jan 1, 2011, at 11:24 PM, Dustbunnies wrote:
> 
>>> That's cool, but the EDP is loaded with
>>> SUS-style and other long-press based behaviors and works with a range of
>>> controllers. 
>> 
>> Eh?  Waitasec, now I'm a bit confused.  You can do the EDP "long press"
>> functions with a standard MIDI pedal?  How the devil are they implementing
>> that?!?
> 
> It needs a pedal that will send note on and note off or that will send
> controller to max and controller to min. So, it won't work with controllers
> that only send program changes, but if the controller will send note
> information or send pedals as non-latching continuous controllers, the EDP is
> built to recognize the pedal release.

Oh, sweet.  I should've known that Andy and Matthias would come up with
something interesting.  The note compatibility makes sense and I'd imagine
that the CC max/min config was taken to maintain compatibility with the
ordinary sustain pedal.  Good idea.

But, you do realize that it kinda puts the LP1 and EDP on the same ground in
regard to MIDI controllers, right?  I mean, in both cases, you can get basic
functionality by using an ordinary PC-style MIDI pedal, but to get the most
out of it, you need one that supports a bit more.  In the case of the EDP,
you need one that transmits MIDI in notes-mode or CC.  For the LP1, things
like the ability to fire off commands on pedal release or timed commands.

In neither case is an advanced pedal controller absolutely necessary, but
you can surely get enhanced capability by using one.

Anyway, thanks for the background on the EDP control functionality.  Now if
I can just get somebody to explain to me in plain English what 'Loop
Windowing' is, mebbe I can figure out how to get the LP1 to do that.  ;D

        --m.



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Subject: 1st Roland Guitar Synth  was:  Re:  Lovely
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Completely coincidentally, I know what this instrument is because I happen
to have one for sale right at this moment and I discovered what it is when
I researched it to try and find it's price.

it is the very first official guitar synth put out by Roland (the Roland 
GR500) It has hexaphonic pickups
that are made from recording heads from tape decks. It also has a 
proprietary chord
(which is missing) and a zillion buttons. It also ways a 
ton......literally, by far the heaviest
guitar I've ever picked up. It also has several sheered off toggle 
switches which work
and would be easily replaced.

http://www.helpwantedproductions.com/guitsyn.htm

I have it due to one of the
weirder encounters I've ever had. It's a longish story but I'll tell it 
for anyone interested:



My wife and I walked down the street a couple of months back but after 
the Looping Festival
and were stopped by a random elderly, well dressed lady.
She asked, "Are you a musician?"

I said, "yes" , a bit mystified as to how she came to that conclusion 
(maybe the purple leather jacket).

and she said,
"I had tenants who left my home many years ago. They just left a bunch 
of musical instruments when
they moved out and never came back for them. I've lost touch with them 
over the years and
I've decided that I want to go on a long trip and think I've stored them 
long enough. They're obviously
not coming back. Can you advise me how to get rid of them?"

I said, "Well, I'd put an ad on e-bay and sell them."

She said, "Well, I'm leaving at the start of next week so I don't want 
to sell it, Can I just give them to you?"

I asked, "What do you have" and she said, "a pair of congas and a bass 
guitar"

Amazingly, I had just started to teach a woman congas who didn't own a 
set yet and I had a friend
who I used to play with in Noise Clinic, who wanted but did not own a 
bass", so I thought
I'd just pass this good fortune on.

I was also really busy at the time so I said,
"Can I get your phone number and I'll have this woman call you who , 
coincidentally, needs a set of congas?"

She said "Yes, thank you very much for you help."

I called my student and said,
"If you have time to go up an pick this equipment up for me, I'll give 
you the congas for
free."

She said "Yes"

and at her next lesson, my student brought the congas, a bass guitar, a 
really nice triple guitar stand
and this amazing relic.

I gave away the congas and the bass guitar and kept the guitar stand and 
the
Roland Guitar synth.

I've been told it's worth a lot to a collector of such stuff which is 
rare and probably not
very much otherwise.

It does have a hex pickup which would be very easy to rewire and it 
could have some cool
possibilities. Someone told me that a guitar dealer that i know in town 
has got the Roland Synth
unit that completes the package so I probably will head down to
see what he'll cough up for the interesting relic.

If not, I'll entertain any reasonable offer.

Odd story, eh?

Rick Walker
>
> On Sun, Jan 2, 2011 at 2:02 AM, ^|>^m<will.it.go.round@gmail.com>  wrote:
>> Cool.  Must be analogue synthesis with controls built into the guitar
>> body(?)
>>
>> On Fri, Dec 31, 2010 at 11:55 AM, Petri Lahtinen<aikuinen@gmail.com>  wrote:
>>> http://www.yle.fi/elavaarkisto/?s=g=8&agï¿½&tT1&aG37

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Date: Sun, 02 Jan 2011 15:09:07 +0100
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Rick Walker schrieb:
> I've given this a lot of very hard thought and did not want my 
> decision to negatively
> impact the looping community.
The kids have grown up and are finally out of the house, but you still 
care for them and offer a guiding hand...;)

That's a great message to start the year for this community, Rick!

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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mark francombe wrote:

> Like.. (@bidule users.. ) how do you er.. "expose" to the front panel, 
> only the controls you need to show on the outside of the group?



Right click the group, and select "group>>parameters".
Then you can select any parameters you want to
make available and even name them how you like.
Once you've done that you can double click the group
and it's window opens with the faders available.

also

If you save the Bidule layout with the bits of GUI
you want to see visible then they'll also be visible
when that layout is loaded.

andy

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 14:51:13 2011
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Subject: Re: The EDP and the Looperlative and me
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Rick Walker wrote:
> I also wanted to add that another fascinating thing that the 
> Looperlative does which is unique in the hardware world is the fact that 
> you can connect to the Internet through an Ethernet port connecting a
> computer to the LP-1 to upgrade the instruments software.
> 
> The LP-1  navigates to the latest software revision out,  downloads it 
> and installs it
> within 30 seconds.

that's a totally brilliant feature, but be aware
that while you get the *latest* version by doing that
you don't currently get the latest *stable* version.

I strongly advise against it, for now anyway.

The LP1 also can connect to your computer (easiest through a router,
but not essential) and allow you to install any available
firmware version.
Current consensus is that 1.34c is the most stable,
with 1.37 being good for most users.

> 
> If there is a strong consensus amongst users for either a new piece of 
> software or a revision
> or fix of older software problems,  then Bob Amstadt (or Andy Butler) 
> can work on it.
> Software revisions are free.

Outed! ;-)

right now Bob's looking at a major revision 
which will fix the recent problems with stability associated with the
latest versions of the firmware.
That may take a while, but will be worth the wait.
Until then, any additions/fixes are 'pending'.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 15:20:06 2011
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Dustbunnies wrote:

>   Now if
> I can just get somebody to explain to me in plain English what 'Loop
> Windowing' is, mebbe I can figure out how to get the LP1 to do that.  ;D
> 

It's all to do with how the edp handles memory,
in some ways very similar to the "Frippertronics" type thing
where the whole performance is committed to tape.

Each time you do an overdub, the EDP moves forward through
memory by a loop length.
So, to "Undo" an overdub (or several) the playback point just
moves back in memory.

When you do a Multiply, the EDP still keeps all the old memory,
but now the loop length is different.
So..say you Multiplyed to 8 cycles, then hitting Undo will still 
take you back into the loop history, but the loop length
is now 'all wrong' so you'll hear an 8 cycle loop made up
of the last 8 overdubs you did appearing in order.
(rather spectacular if instead of doing overdubs you'd been
 using 8the Replace).

http://www.andybutler.com/mp3/backwater.mp3
...loop window opens at 2:00

Alternatively you can not do Undo just yet,
 you can build up a few overdubs on the Multiplied loop,
then use Multiply again to bring the loop down to One cycle again.
*Now* if you hit Undo you work your way back along sections
of the long overdubs you just did.

It seems complicated, but really it's a bug in the software.
You're allowed to Undo into areas of memory where it makes
no conventional sense to do so.
Undo just jumps you back by the current loop length, and so
if you messed with the loop length the results are "interesting".

I'm thinking "no way is he gonna do that on the LP1", but I hope you'll
see that as a challenge.

andy butler 


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--90e6ba6e8380745f3c0498deb17d
Content-Type: text/plain; charset=ISO-8859-1

thx Andy... thats what I needed to know...

On Sun, Jan 2, 2011 at 3:34 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> mark francombe wrote:
>
>  Like.. (@bidule users.. ) how do you er.. "expose" to the front panel,
>> only the controls you need to show on the outside of the group?
>>
>
>
>
> Right click the group, and select "group>>parameters".
> Then you can select any parameters you want to
> make available and even name them how you like.
> Once you've done that you can double click the group
> and it's window opens with the faders available.
>
> also
>
> If you save the Bidule layout with the bits of GUI
> you want to see visible then they'll also be visible
> when that layout is loaded.
>
> andy
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8380745f3c0498deb17d
Content-Type: text/html; charset=ISO-8859-1

thx Andy... thats what I needed to know...<br><br><div class="gmail_quote">On Sun, Jan 2, 2011 at 3:34 PM, andy butler <span dir="ltr">&lt;<a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>

<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class="im">mark francombe wrote:<br>
<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Like.. (@bidule users.. ) how do you er.. &quot;expose&quot; to the front panel, only the controls you need to show on the outside of the group?<br>
</blockquote>
<br>
<br>
<br></div>
Right click the group, and select &quot;group&gt;&gt;parameters&quot;.<br>
Then you can select any parameters you want to<br>
make available and even name them how you like.<br>
Once you&#39;ve done that you can double click the group<br>
and it&#39;s window opens with the faders available.<br>
<br>
also<br>
<br>
If you save the Bidule layout with the bits of GUI<br>
you want to see visible then they&#39;ll also be visible<br>
when that layout is loaded.<br><font color="#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br><br clear="all"><br>-- <br>mark francombe<br><a href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancombe<br>

<a href="http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href="http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8380745f3c0498deb17d--

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Subject: Re: The EDP and the Looperlative and me
References: <AANLkTin1idRaW2DqCLNviirUO7MVY787k2SKPRV2Tsfa@mail.gmail.com> <4D1FED7D.4070607@cruzio.com> <4D2090DE.70702@tiscali.co.uk>
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thread-topic: The EDP and the Looperlative and me
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Hey Andy if you upgrade do you lose your current programming? Lack of backup=
 (maybe there is backup now?) is my only real downer on the Lp1 ;(

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 2, 2011, at 9:51 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Rick Walker wrote:
>> I also wanted to add that another fascinating thing that the Looperlative=
 does which is unique in the hardware world is the fact that you can connect=
 to the Internet through an Ethernet port connecting a
>> computer to the LP-1 to upgrade the instruments software.
>> The LP-1  navigates to the latest software revision out,  downloads it an=
d installs it
>> within 30 seconds.
>=20
> that's a totally brilliant feature, but be aware
> that while you get the *latest* version by doing that
> you don't currently get the latest *stable* version.
>=20
> I strongly advise against it, for now anyway.
>=20
> The LP1 also can connect to your computer (easiest through a router,
> but not essential) and allow you to install any available
> firmware version.
> Current consensus is that 1.34c is the most stable,
> with 1.37 being good for most users.
>=20
>> If there is a strong consensus amongst users for either a new piece of so=
ftware or a revision
>> or fix of older software problems,  then Bob Amstadt (or Andy Butler) can=
 work on it.
>> Software revisions are free.
>=20
> Outed! ;-)
>=20
> right now Bob's looking at a major revision which will fix the recent prob=
lems with stability associated with the
> latest versions of the firmware.
> That may take a while, but will be worth the wait.
> Until then, any additions/fixes are 'pending'.
>=20
> andy butler
>=20

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In-reply-to: <C946A89D.DC8%mech@m3ch.net>
Subject: DD-20 (Re: (re)-discovering your gear that sits on your board (boss
 slicer)
Date: Sun, 02 Jan 2011 09:11:38 -0700
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One thing I liked about it was the ability to truncate or lengthen the  
loop on the fly.  Say you have a 28 sec delay going, you can chop it  
down to however fast you want to tap to get a short rhythmic thing  
going, then tap in and out after so many repeats to re-lengthen so as  
to layer a longer overdub.  Also useful in tap syncing to the previous  
running memory slot.  The only downside was that you do have to do  
some manual manipulation of the feedback control - it's not pedal  
assignable - to fade/ freeze the loop.
The other thing that's nice is that it's battery powered.

On Jan 2, 2011, at 6:11 AM, Dustbunnies wrote:

> On 1/2/11 6:06 PM, "Rick Walker" <looppool@cruzio.com> wrote:
>> On 7/22/64 11:59 AM, Dustbunnies wrote:
>>>
>>> Yep, like the DD-20, this one is a sleeper.  There are some very  
>>> cool
>>> things that you can get it to do, with a little advanced thought.
>>
>> Would you be into resinging those praises,  Duke.
>> I've never used a dedicated digital delay stomp box pedal but
>> I'm suddenly really hankering to learn how to do that.
>> I've heard people talk about the coolness of the DD-20 but never  
>> really
>> known what hip alternative things it can do.
>
> Sure, although it's been a while since I've had easy access to mine  
> (sitting
> in a storage locker back in the US with most of my gear -- don't  
> ask. :P ).
> I'm sure that some of the others who play with theirs on a regular  
> basis can
> pop in to help too.
>
> First, the basic modes.  The 'Sound On Sound' preset is crap.  I've  
> rarely
> been able to get a useable loop out of it, FWIW.  But all the other  
> modes
> are at least moderately interesting.  There's 'Tape', 'Analog',  
> 'Standard',
> 'Pan (Ping Pong)', 'Dual', 'Smooth', 'Modulate', 'Reverse', 'Warp',  
> and
> 'Twist'.  Some, like Twist (which emulates runaway feedback), are  
> merely
> special effects.  Most can be used in a variety of situations and  
> sound
> good.  Stir and season to taste.
>
> Best thing about it is that you can save five basic presets -- you  
> can save
> your choice of basic settings (like delay time) and modes into any  
> of these
> -- as well as a 'manual' mode that merely reads the knobs.  These  
> presets
> cycle from first to last, so no random access, but the last preset  
> selected
> will continue playing after you select the next preset (sort of like  
> 'tails'
> mode in Line6-speak).  So, for instance, you could set up a quarter- 
> note
> based loop with 100% feedback at one tempo on preset one, then have a
> triplet-based mode at a different tempo on preset two.  Whatever  
> you've
> played into preset one will continue as you work and manipulate  
> preset two.
> When you switch to preset three, the data in preset one's buffer will
> disappear, but whatever is still playing from preset two will  
> continue, and
> so on and so forth.
>
> Now, the settings for each preset don't have to be related, so it's  
> really
> darn easy to set up loops which have different (or no) temporal
> relationships to each other.  Makes it really good for setting up  
> ambient
> loops that beat against each other.
>
> Next, you can use 'Pan', or Ping-Pong, mode and the 'null plug'  
> trick to
> double the DD-20's available time from 23 seconds to 46 seconds, if  
> you're
> willing to work in mono.  Just remember to push an unterminated plug  
> into
> output A.  The audio will first sound through that output (which goes
> noplace) then through output B after an additional 23 seconds, thus  
> doubling
> the total available delay time.  (BTW, credit for that one goes to  
> Coyote,
> who first posted about it here.)
>
> Additionally, the DD-20's have remarkably tiny build tolerances,  
> meaning
> that any two units are extremely similar to each other.  So similar  
> that,
> even though there's no means to actually sync two DD-20's, you can  
> loop the
> same note on two units using identical settings and they won't go  
> out of
> sync, at least not for hours.  Their clocks are amazingly stable, so  
> it's
> possible to use two units in tandem without worrying about true
> synchronization -- thus allowing the possibility of four (or even  
> more)
> synchronized/unsynchronized loops.
>
> And you can get some bizarre distortions out of the DD-20 by  
> changing the
> tempo/delay time of a running loop, then changing it back.   
> Experiment and
> have some fun with that one.
>
> Also, there's a jack in the back for another control pedal.  This  
> pedal can
> be set to accomplish a few different functions.  IIRC, I was able to  
> have a
> bit of fun by setting it to "Effect On/Off", then using an FS-5U
> (unlatching) pedal.  Since turning it on & off really only determines
> whether sound is being fed into the data buffer, you can use the  
> FS-5U to
> feed audio in only when depressed.  Thus, you can play a legato  
> line, but
> have a stuttered pattern of echoes looped from it.
>
> That's a few I remember.  Perhaps Rainer or Ted or Sjaak (amongst  
> others)
> have more to add on the subject.
>
>> and sorry for asking so much from you.   Your posts have just  
>> really lit
>> a fire under
>> me today on this first day of 2011.
>>
>> Great way to start.  Thanks for your creativity.
>
> No problem.  Thanks for the complement.  Glad I could make a little  
> impact
> at the very least.  :)
>
>        --m.
>
>
>

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Andy Owens wrote:
> Hey Andy if you upgrade do you lose your current programming?

No, that stays.

> Lack of backup (maybe there is backup now?) is my only real downer on the Lp1 ;(
> 

There's backup if you connect to a PC by ethernet.
(via a router is easiest).

You then then save your setup file.

andy butler

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Subject: interview with John Mclaughlin
Date: Sun, 2 Jan 2011 09:03:54 -0800
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On NPR this morning, with John calling in from Santa Cruz no less.
http://www.npr.org/2011/01/02/132487200/john-mclaughlin-on-coltrane-and-spirituality-in-music

regards

BobC


http://tinyurl.com/yt8f8j

http://www.youtube.com/user/tynego


--Apple-Mail-1-538470
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>On NPR this morning, with =
John calling in from Santa Cruz no less.</div><a =
href=3D"http://www.npr.org/2011/01/02/132487200/john-mclaughlin-on-coltran=
e-and-spirituality-in-music">http://www.npr.org/2011/01/02/132487200/john-=
mclaughlin-on-coltrane-and-spirituality-in-music</a><div><br></div><div>re=
gards</div><div><br></div><div>BobC</div><div><br></div><div><br></div><di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; ">http://tinyurl.com/yt8f8j</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; min-height: 13px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
11px/normal 'Lucida Grande'; =
">http://www.youtube.com/user/tynego</div></div><div><br></div></body></ht=
ml>=

--Apple-Mail-1-538470--

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From: todd reynolds <toddreyn@gmail.com>
Date: Sun, 2 Jan 2011 12:09:09 -0500
Message-ID: <AANLkTinVT7Hy7yVrsNT9ShhRZBpiPm+nGMr_DXZPN-uw@mail.gmail.com>
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thanks!  had to throw that up on facebook and twitter immediately!

On Sun, Jan 2, 2011 at 12:03 PM, RP Collier <skeptikalist@gmail.com> wrote:

> On NPR this morning, with John calling in from Santa Cruz no less.
>
> http://www.npr.org/2011/01/02/132487200/john-mclaughlin-on-coltrane-and-s=
pirituality-in-music
>
> regards
>
> BobC
>
>
> http://tinyurl.com/yt8f8j
>
> http://www.youtube.com/user/tynego
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

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thanks! =A0had to throw that up on facebook and twitter immediately!<br><br=
><div class=3D"gmail_quote">On Sun, Jan 2, 2011 at 12:03 PM, RP Collier <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:skeptikalist@gmail.com">skeptikalist@g=
mail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"><div>On=
 NPR this morning, with John calling in from Santa Cruz no less.</div><a hr=
ef=3D"http://www.npr.org/2011/01/02/132487200/john-mclaughlin-on-coltrane-a=
nd-spirituality-in-music" target=3D"_blank">http://www.npr.org/2011/01/02/1=
32487200/john-mclaughlin-on-coltrane-and-spirituality-in-music</a><div>

<br></div><div>regards</div><div><br></div><div>BobC</div><div><br></div><d=
iv><br></div><div><div style=3D"margin-top:0px;margin-right:0px;margin-bott=
om:0px;margin-left:0px"><a href=3D"http://tinyurl.com/yt8f8j" target=3D"_bl=
ank">http://tinyurl.com/yt8f8j</a></div>

<div style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left=
:0px;min-height:13px"><br></div><div style=3D"margin-top:0px;margin-right:0=
px;margin-bottom:0px;margin-left:0px"><a href=3D"http://www.youtube.com/use=
r/tynego" target=3D"_blank">http://www.youtube.com/user/tynego</a></div>

</div><div><br></div></div></blockquote></div><br><br clear=3D"all"><br>-- =
<br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now released on=
 iTunes and Amazon! ::=A0 Read about it here... <a href=3D"http://bit.ly/3P=
m4g3">http://bit.ly/3Pm4g3</a><br>

<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><b=
r><a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler=
</a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com=
/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com">http://blog.toddreynolds.com</a><b=
r><a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreyn=
olds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbn=
ation.com/toddreynolds</a><br>

<br>

--001636c5ae012a711e0498e01920--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 17:19:28 2011
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Subject: Re: (re)-discovering your gear that sits on your board (boss slicer)
Date: Sun, 2 Jan 2011 09:19:20 -0800
References: <C946246A.D9B%mech@m3ch.net>
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Amen.

On Jan 1, 2011, at 7:47 PM, Dustbunnies wrote:

> As I=92ve said before, I=92d swear there=92s one (and only one) =
=93random =20
> genius=94 that Roland/Boss has roaming their R&D.  They only give him =20=

> about a day with any particular product before they whisk him over =20
> to the next project.  If this one guy ever spins off into his own =20
> company, I=92m gonna buy stock in it.

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 17:29:21 2011
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Subject: Re: The EDP and the Looperlative and me
References: <AANLkTin1idRaW2DqCLNviirUO7MVY787k2SKPRV2Tsfa@mail.gmail.com> <4D1FED7D.4070607@cruzio.com> <4D2090DE.70702@tiscali.co.uk> <E71B3A3D-2E2B-4A36-9996-14D907466F80@1800dialword.com> <4D20AB66.1090109@tiscali.co.uk>
From: "Andy Owens" <andy@1800dialword.com>
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thread-topic: The EDP and the Looperlative and me
thread-index: AcuqopZDRHqSuzMdRXiDizhVnmHS/A==
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Cool thanks Andy, i have 1.3 been stable for me. Noticed lately that if I ha=
ve eight tracks going sometimes I lose midi control, keeps playing but no co=
ntrol, have to shut off lp1

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 2, 2011, at 11:44 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:

> Andy Owens wrote:
> > Hey Andy if you upgrade do you lose your current programming?
>=20
> No, that stays.
>=20
> > Lack of backup (maybe there is backup now?) is my only real downer on th=
e Lp1 ;(
> >
>=20
> There's backup if you connect to a PC by ethernet.
> (via a router is easiest).
>=20
> You then then save your setup file.
>=20
> andy butler
>=20

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<html><body bgcolor="#FFFFFF"><div>Cool thanks Andy, i have 1.3 been stable for me. Noticed lately that if I have eight tracks going sometimes I lose midi control, keeps playing but no control, have to shut off lp1<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 2, 2011, at 11:44 AM, "andy butler" &lt;<a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">Andy Owens wrote:<br>
&gt; Hey Andy if you upgrade do you lose your current programming?<br>
<br>
No, that stays.<br>
<br>
&gt; Lack of backup (maybe there is backup now?) is my only real downer on the Lp1 ;(<br>
&gt;<br>
<br>
There's backup if you connect to a PC by ethernet.<br>
(via a router is easiest).<br>
<br>
You then then save your setup file.<br>
<br>
andy butler<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-11-1996746--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 17:43:13 2011
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  I thought I would show you all a typical bank of my LP-1 presets. I  
currently have 6 full banks of twelve preset switches each and two  
expression pedals globally set to volume and feedback which can  
control either all tracks, a single track or groups of tracks  
depending on how i set it up. Eventually I may add a third expression  
pedal to control track speed or panning but for now I don't really  
need it. So below are my bank presets and some insight if needed, in  
to why or how I use them.

  Preset #1 sync record/overdub                   pretty self  
explanatory....

  Preset #2 replace + track speed             my go to preset when I  
want to seamlessly change track pitch when replacing (either up or  
down an octave) I also use this as standard replace in which I end the  
command not with a second press of this switch but with my preset #1  
sync record/ overdub switch.

preset #3 play stop now   I use this more to arm a new track to be the  
same length as the original track and then I use the replace function  
to actually add new content. Again if you have recorded a first track  
and you go to a new track and press play stop, it will arm that track  
to the same length as the first track so when I do start to actually  
record on that track, its length is pre determined by the first loop.  
Does that make sense?

preset #4 Quantize replace  this is a sus style command achieved by  
doubling up to functions on one preset in this case quantize replace.  
In order to achieve a sus style command one needs to duplicate the  
function on a preset, so if you look at my first command its quantize  
replace followed by another quantize replace. I assume this can be  
achieved by duplicating other functions as well but I haven't delved  
that deeply yet in to those options.

Preset #5  half speed          I often times arm a track at half speed  
before beginning a new loop

Preset #6  Replace/half speed/ reverse   where did those weird violins  
from hell come from??? this preset

Preset #7 All tracks  this is the command I hit before ending a song  
with a feedback reduction fade or a stop, I probably could just use  
the front panel command but I like to keep my hands free for playing.

Preset #8 Set as Master     I keep this handy because I sometimes like  
to start with a long rubato melody before moving to shorter rhythm  
based tracks. I'll record a long loop, move to a new track and hit the  
set as master button. This is also cool to use for me because i have  
different quantize values set for different tracks so if I want to use  
a quantize value of 9 (to create a 9/8 beat) I start recording on  
track three where I've placed that beat division.

Preset #9  Multiply        in my case double,  no explanation needed??

Preset #10 Erase/feedback 100%     whenever I erase a track or all  
tracks I want to make sure that everything is back to 100% feedback,  
as I'm constantly changing the feedback in real time with the pedal   
and I don't want a new track fading away accidently because the last  
time I was on the track I had changed the feedback

Preset #11  track next

preset  #12   previous track.


I have other banks set up to achieve more complex ABC song forms ,  
which I can describe when I get my LP-1 in front of me because the  
scripts are pretty long. one bank for some of the mellotron style  
pitch shifting, one bank  dedicated to bounce functions,  one bank the  
has multiple press functions like quantize replace/track speed/reverse  
In which I have to double up all three of those commands to get a sus  
style pedal action.
example that preset would look something like this: quantize replace- 
half speed-reverse-quantize replace-half speed- reverse
  Other functions I use in no particular order on other banks are:   
sync bounce, copy, except track,  q replace+ track speed, 1/4 speed,   
and midi sync record overdub, if I'm tracking to an external clock,  
and fast scramble. I haven't done much experimenting in a while to  
discover new strategies but I think there is still a lot of  
undiscovered territory left to explore.
  Bill










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Date: Sun, 2 Jan 2011 18:43:23 +0100
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Subject: Re: interview with John Mclaughlin
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 2, 2011 at 6:03 PM, RP Collier <skeptikalist@gmail.com> wrote:
> On NPR this morning, with John calling in from Santa Cruz no less.
> http://www.npr.org/2011/01/02/132487200/john-mclaughlin-on-coltrane-and-spirituality-in-music

Thanks, Bob. Inspiring listening :-)

Per

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Dustbunnies schrieb:
> That's a few I remember.  Perhaps Rainer or Ted or Sjaak (amongst others)
> have more to add on the subject.
>   
Glad to do. Here some unordered comments (some of them just expanding 
what you or others in the past already said).

1. The DD20 is basically a simple, long delay. And that's what's cool 
about it. Having a 23-second stereo delay (actually two of them) at your 
disposal is rare even today, at least in the stompbox world. With that 
comes that it lends itself to delay-style looping.

2. My personal favourite editing style must be the faux unrounded 
multiply which dustbunnies already described. It's accomplished by 
tapping a new tempo, by which you can either cut out bits from an 
existing loop, or expand the existing one. "Faux" insofar as when you 
lengthen the loop, you need to overdub onto the longer resulting loop 
after ending the "multiply" - not while multiplying.

3. Normally, the input signal goes through unattenuated. You have a 
level knob with which you control the volume of the delay. In a 
send/return setup with a mixer, this is usually undesirable. There's two 
exceptions to that: a) you can set an output mode where output A is dry 
and output B is wet, so by only using output B, you got a 100% wet 
signal. Disadvantage: you loose stereo. b) in reverse mode, when you 
turn the effect level up full, then the input signal is cut off from the 
outputs.

4. @dust_bunnies: thanks for the tip with configuring the external pedal 
for on/off and using an unlatched footswitch for some susoverdub! Need 
to try that myself.

5. Working with the "trailing delay" thing works with a little bit of 
planning ahead, because unfortunately, you can't go back to the first 
delay. So there's two ways to work with it I do use:
a) Play something into the delay ("delay 1"), set feedback to 100%, then 
switch to the next delay (e.g. to another one of your presets, you can 
do that with a footswitch). Then you got another delay ("delay 2") you 
can play with, while delay 1 will continue forever - or until you switch 
from delay 2 to yet another delay - of course, then you loose the 
ability to control delay 2 any further.
b) Same as a), but set feedback for delay 1 to < 100% and work in a way 
that it's gone at the right point. This can be tricky, especially with 
very long delays, because it's hard to precisely set the feedback level 
so it fades out at the right time in the future (which can be far into 
the future, remember the delay is up to 46s long!), and you can't adjust 
this feedback once you've switched to delay 2.

6. Actually, you can have a total of 4 delays playing at once: one 
algorithm "dual" has both a 23s and a 100ms delay - so by using two 
"dual" presets and the trailing delay trick, you can have two long and 
two shorts delay going at once.

That's all I can think of right now - need to play with it some more ;)

          Rainer

-- 
http://moinlabs.de
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From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 18:08:41 2011
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Date: Sun, 2 Jan 2011 19:08:39 +0100
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Subject: Re: 1st Roland Guitar Synth was: Re: Lovely
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 2, 2011 at 3:02 PM, Rick Walker <looppool@cruzio.com> wrote:
> Odd story, eh?


Odd and totally nice! :-)  I played in a jazz guitar duo in the early
eighties and my buddy sometimes used his GR500. I tried it a couple of
times but didn't like it as much as the Ibanez George Benson I had at
that time. Have almost not seen a GR since then. Cool that you have
one now!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 18:09:56 2011
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Date: Sun, 2 Jan 2011 11:09:53 -0700
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Subject: Re: DD-20 (Re: (re)-discovering your gear that sits on your board
 (boss slicer)
From: Dennis Moser <sinsofmachaut@gmail.com>
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I'm guessing that was a typo, since the DD-20 only goes to 23 sec,
unless you use the "dummy plug" trick for a 46 sec delay...

Two DD-20's are definitely worth the price of admission...especially
given the clock stability! Using them serially, with different loop
lengths and delay types, can provide some great results. Or using them
in parallel ...

Surprisingly deep little boxes.

Gute Rusch!

~Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Jan 2, 2011 at 9:11 AM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> One thing I liked about it was the ability to truncate or lengthen the lo=
op
> on the fly. =A0Say you have a 28 sec delay going, you can chop it down to

[SNIP]

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 18:30:19 2011
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Subject: LP-1:  1.34 or 1.37?
Date: Sun, 2 Jan 2011 10:30:11 -0800
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> Current consensus is that 1.34c is the most stable,
> with 1.37 being good for most users.


  Hey Andy,

I can't remember if I asked you what your stability issues with 1.37  
were. What were you doing to cause it to crash? So far I have some  
problems when recording a really short loop and then starting to mess  
with it with track speed and q replace, occasionally a false trigger  
will send the machine into self oscillation. Occasionally if I get too  
trigger happy using q replace the machine will take some time to  
finish all of the cycles, but thats more about me being careless with  
my technique.  I still have somewhat of a volume issue where  
subsequent tracks I create seem to be progressively  louder than  the  
last ones I made,  that doesn't  seem to be caused by typical  issues  
of playing louder to rise above an increasingly saturated soundscape.   
This issue I have been compensating for by being more conscious of how  
I'm attacking the instrument  and how I use compression. There also  
seem to be the reoccurring issues of too many overdubs on a single  
track saturating and clipping the output, if feedback is set at 100%.
Thoughts, reflections, insights??????
Bill

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 18:35:31 2011
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Subject: Re: 1st Roland Guitar Synth  was:  Re:  Lovely
From: Mark Hamburg <mark@grubmah.com>
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The GR500 was my second electric guitar. It took the place of a =
Telecaster.

Mine had been rewired so that it could be used as a guitar without going =
through the controller.

I swapped it a while back with someone from the list in exchange for a =
Steinberger Spirit bass guitar and some other stuff. Getting it packed =
up was an interesting problem given its heft and given the poor quality =
the case was in.

For those of you with a copy of my CD, the first and last track were =
recorded using the GR500 as just a guitar.

As for using it as a synth, I'll repost a message from last year:

> One of my early bits of recorded looping is all drifty on the actual =
loop part (Roland GR-500 into Digitech RDS3600) but was built on top of =
a drum pattern built out of several cycles of different lengths =
carefully programmed into a Korg DDM-110 and DDM-220. The bass line was =
also somewhat inspired by Terry Riley's In C in that that I wrote down a =
series of figures and handed them to the bass player I was working with =
and said play these in sequence at whatever rate of progression feels =
right to you. I don't think he particularly appreciated trying to work =
with the drum pattern, however.
>=20
> http://grubmah.com/music/midnight_train.mp3

I liked the way the GR500 would lose pitch tracking at the end of a long =
note.

Mark

On Jan 2, 2011, at 6:02 AM, Rick Walker wrote:

> Completely coincidentally, I know what this instrument is because I =
happen
> to have one for sale right at this moment and I discovered what it is =
when
> I researched it to try and find it's price.
>=20
> it is the very first official guitar synth put out by Roland (the =
Roland GR500) It has hexaphonic pickups
> that are made from recording heads from tape decks. It also has a =
proprietary chord
> (which is missing) and a zillion buttons. It also ways a =
ton......literally, by far the heaviest
> guitar I've ever picked up. It also has several sheered off toggle =
switches which work
> and would be easily replaced.
>=20
> http://www.helpwantedproductions.com/guitsyn.htm
>=20
> I have it due to one of the
> weirder encounters I've ever had. It's a longish story but I'll tell =
it for anyone interested:
>=20
>=20
>=20
> My wife and I walked down the street a couple of months back but after =
the Looping Festival
> and were stopped by a random elderly, well dressed lady.
> She asked, "Are you a musician?"
>=20
> I said, "yes" , a bit mystified as to how she came to that conclusion =
(maybe the purple leather jacket).
>=20
> and she said,
> "I had tenants who left my home many years ago. They just left a bunch =
of musical instruments when
> they moved out and never came back for them. I've lost touch with them =
over the years and
> I've decided that I want to go on a long trip and think I've stored =
them long enough. They're obviously
> not coming back. Can you advise me how to get rid of them?"
>=20
> I said, "Well, I'd put an ad on e-bay and sell them."
>=20
> She said, "Well, I'm leaving at the start of next week so I don't want =
to sell it, Can I just give them to you?"
>=20
> I asked, "What do you have" and she said, "a pair of congas and a bass =
guitar"
>=20
> Amazingly, I had just started to teach a woman congas who didn't own a =
set yet and I had a friend
> who I used to play with in Noise Clinic, who wanted but did not own a =
bass", so I thought
> I'd just pass this good fortune on.
>=20
> I was also really busy at the time so I said,
> "Can I get your phone number and I'll have this woman call you who , =
coincidentally, needs a set of congas?"
>=20
> She said "Yes, thank you very much for you help."
>=20
> I called my student and said,
> "If you have time to go up an pick this equipment up for me, I'll give =
you the congas for
> free."
>=20
> She said "Yes"
>=20
> and at her next lesson, my student brought the congas, a bass guitar, =
a really nice triple guitar stand
> and this amazing relic.
>=20
> I gave away the congas and the bass guitar and kept the guitar stand =
and the
> Roland Guitar synth.
>=20
> I've been told it's worth a lot to a collector of such stuff which is =
rare and probably not
> very much otherwise.
>=20
> It does have a hex pickup which would be very easy to rewire and it =
could have some cool
> possibilities. Someone told me that a guitar dealer that i know in =
town has got the Roland Synth
> unit that completes the package so I probably will head down to
> see what he'll cough up for the interesting relic.
>=20
> If not, I'll entertain any reasonable offer.
>=20
> Odd story, eh?
>=20
> Rick Walker
>>=20
>> On Sun, Jan 2, 2011 at 2:02 AM, ^|>^m<will.it.go.round@gmail.com>  =
wrote:
>>> Cool.  Must be analogue synthesis with controls built into the =
guitar
>>> body(?)
>>>=20
>>> On Fri, Dec 31, 2010 at 11:55 AM, Petri Lahtinen<aikuinen@gmail.com> =
 wrote:
>>>> http://www.yle.fi/elavaarkisto/?s=3Dg=3D8&ag=EF=BF=BD&tT1&aG37
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 18:43:50 2011
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Subject: Re: The EDP and the Looperlative
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On Jan 2, 2011, at 5:56 AM, Dustbunnies wrote:

> But, you do realize that it kinda puts the LP1 and EDP on the same =
ground in
> regard to MIDI controllers, right?  I mean, in both cases, you can get =
basic
> functionality by using an ordinary PC-style MIDI pedal, but to get the =
most
> out of it, you need one that supports a bit more.  In the case of the =
EDP,
> you need one that transmits MIDI in notes-mode or CC.  For the LP1, =
things
> like the ability to fire off commands on pedal release or timed =
commands.

There was also a dedicated footswitch available for the EDP for a fairly =
reasonable price.

Mark

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Date: Sun, 2 Jan 2011 19:55:06 +0100
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Subject: Re: The EDP and the Looperlative and me
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 2, 2011 at 6:43 PM, William Walker <billwalker@baymoon.com> wro=
te:
> So below are my bank presets and some insight if needed, in to why or how=
 I
> use them.
>

Very interesting reading, Bill! My bank presets are quite similar. I
too like to have a new track auto created with an empty loop of the
same length as whatever is spinning on the selected track I'm coming
from. But in Mobius you set that behavior as a global preference. I
have been thinking of setting up a pedal for reassigning the track
sync master status but not done it yet. In Mobius we have the global
preference "Maximum/Minimum Tempo range" that protects you from
arriving at a way too sloooow tempo if starting out with a very long
loop (and vice versa) but I will need to reassign track sync master
status to set a new global quantize cycle if I start out with a 34 bar
first loop and then go to the next track and divide it down to one or
two bars.

Anyway, below is my Gordius Little Giant 2 preset list
(copying/pasting from my back-up USB stick).

Per
__________________________________________


Per Boysen. Electroacoustic live electronics rig by december 2010.
External controllers Gordious Little Giant 2 MIDI pedalboard and
FaderFox Micromodul LV1 hand pad targeting Mobius hosted in Apple
Mainstage 2. Mobius crippled to only four tracks.
LG2:

BANK 00: Mobius - basic looping.
  1 Record
  2 Overdub
  3 Multiply
  4 Substitute
  5 Bass Dot
  6 Wait Cycle Reverse Overdub
  7 Undo
  8 Redo
  9 Previous Loop
10 Next Loop

BANK 01: Mobius - direct loop 1-5 select, Time Warp scripts.
  1 Loop 1
  2 Loop 2
  3 Loop 3
  4 Loop 4
  5 Loop 5
  6 Time Warp 1 (speed shifting sequence during overdub)
  7 Time Warp 2 (other speed shifting sequence during overdub)
  8 Grid 1 (basic 16th SUS Substitute grid)
  9 Grid 2 (grooved SUS Substitute grid)
10 Overdub

BANK 02: Mobius - Rate Straight =E2=80=9Cfoot organ=E2=80=9D affecting sele=
cted plus
focus locked tracks.
  1 Rate Shift 0
  2 Rate Shift 2
  3 Rate Shift 3
  4 Rate Shift 4
  5 Rate Shift 5
  6 Rate Shift -5
  7 Rate Shift -4
  8 Rate Shift -3
  9 Rate Shift -2
10 Global Mute (un-muting also re-aligns and re-triggers all playing loops)

BANK 03: Mobius - Instant Loop Length manipulation, Chord Insert.
  1 x2
  2 x3
  3 x4
  4 Hit Chord: Minor
  5 /2
  6 /3
  7 /4
  8 Hit Chord: Major
  9 Shuffle This (partly random slicing/reordering according to set
8ths Per Cycle value)
10 Hit Chord: Sus 4

BANK 04: Mobius - basic looping, Record Four Tracks In One Swoop.
  1 Record Four Tracks In One Swoop (and Rate Shift them differently)
  2 Overdub
  3 Multiply
  4 Substitute
  5 Rate Shift 0, volume compensated, Retrigger All
  6 Rate Straight 0, volume 95, Retrigger All
  7 Undo
  8 Redo
  9 Previous Loop
10 Next Loop

BANK 05: Mobius - Rate Shift =E2=80=9Cfoot organ=E2=80=9D affecting all fou=
r tracks,
volume compensated.
  1 Rate Shift 0
  2 Rate Shift 2
  3 Rate Shift 3
  4 Rate Shift 4
  5 Rate Shift 5
  6 Rate Shift -5
  7 Rate Shift -4
  8 Rate Shift -3
  9 Rate Shift -2
10 Global Mute

BANK 06: Mobius - Fade In Or Fade Out, Focus Lock direct track target.
  1 Fade In Or Out Track 1
  2 Fade In Or Out Track 2
  3 Fade In Or Out Track 3
  4 Fade In Or Out Track 4
  5 Focus Lock Track 1
  6 Focus Lock Track 2
  7 Focus Lock Track 3
  8 Focus Lock Track 4
  9 Previous Loop
10 Next Loop

BANK 07: Mobius - basic looping, variation.
  1 Record
  2 Overdub
  3 Multiply
  4 Substitute
  5 Retrig All, Rate Shift 0
  6 Start Point
  7 Undo
  8 Redo
  9 Previous Track
10 Next Track




BANK 08: Mainstage - FX pre looper, continuous and stomp box context.
Freezing etc. For Chapman Stick Mainstage patches this bank is divided
in two sides, controlling the two fretboard=E2=80=99s unique effect chains.

When entering a new LG2 bank it instantly sends out a MIDI#cc for
Mobius Max Feedback. Some switches reconfigure expression pedal
programming.

Expression pedal 1 mostly used for input volume, sometimes also to
freeze sound at no input position.

Expression pedal 2 always used for Mobius looper feedback.

Faderfox LV1 handmixer and LX1 are doubling up some commands plus
offering direct access to any loop on any track. I limit the looper to
five loops per track and only four tracks. A hand fader for Secondary
Feedback is important for the playing style I like.

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 19:09:03 2011
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Subject: Re: The EDP and the Looperlative and me
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On Jan 2, 2011, at 9:43 AM, William Walker wrote:

> Preset #2 replace + track speed             my go to preset when I =
want to seamlessly change track pitch when replacing (either up or down =
an octave) I also use this as standard replace in which I end the =
command not with a second press of this switch but with my preset #1 =
sync record/ overdub switch.

Interesting. That's close to one of the things I've fought with a bit on =
the LP1. I've felt like it's unpredictable as to whether it will come =
out of Replace + mode into Overdub or just Play. Actually, in my =
experiments this morning, it seems to be very predictable: It ends up in =
Play.

I have buttons for Rec/Dub and Replace+. I'm going to report results =
here based on trusting that the lights are giving me the right feedback. =
In all cases, I'm starting just in Play mode.

	[ Replace+ ] =3D> green light blinks, display says REPL+ =3D> [ =
Replace+ ] =3D> green light steady, display says REPL+
		-- This is more or less as expected

	[ Replace+ ] =3D> green light blinks, display says REPL+ =3D> [ =
Rec/Dub ] =3D> back to playing (green light steady, timer counting)

	[ Rec/Dub ] =3D> overdubbing (green light blinks, timer counts) =
=3D> [ Replace+ ] =3D> green light steady, display says REPL+

This is where my EDP modes thinking starts to come in because what I =
want is to essentially have Play, Overdub, and Replace+ as modes that I =
could switch between. If already in the mode, they would switch to a =
secondary mode (e.g., Play goes to Stop), but if not in the mode they =
would switch to the mode rather than just toggling state.

But I see how for when using Replace in conjunction with the track speed =
option it becomes rather interesting to use Rec/Dub as an alternative =
exit since it doesn't then toggle the track speed back.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 19:24:08 2011
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Subject: Re: The EDP and the Looperlative and me
Date: Sun, 2 Jan 2011 11:24:01 -0800
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Cool thanks Andy, i have 1.3 been stable for me. Noticed lately that  
if I have eight tracks going sometimes I lose midi control, keeps  
playing but no control, have to shut off lp1

  hey Andy O,  because there is no "buffer memory full"  indicator,  
there is no way to tell if you are reaching maximum memory capacity,  
so it may just be that with all of those tracks recorded, plus tracks  
of various lengths and depending how the memory handles functions like  
replace and multiply you may have run out of available memory and the  
machine can't procees any more information. This happens to me on the  
occasion that I've been running loops for several hours without doing  
a complete all tracks erase, and doing a lot of replacing of tracks  
without ever completely clearing the memory and starting over again.
Bill

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 19:26:13 2011
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Subject: Re: The EDP and the Looperlative and me
From: Mark Hamburg <mark@grubmah.com>
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Thank you so much Bill for taking the time to walk through how you make =
really productive use of the Looperlative. I don't know how it would =
mate to an arbitrary MIDI controller, but the Looperlative would get a =
big boost in out of the box experience if came with this sort of =
standard set of commands.

It does push for needing a controller with 12 buttons though maybe one =
could segregate it into more smaller banks.

Mark

On Jan 2, 2011, at 9:43 AM, William Walker wrote:

> I thought I would show you all a typical bank of my LP-1 presets. I =
currently have 6 full banks of twelve preset switches each and two =
expression pedals globally set to volume and feedback which can control =
either all tracks, a single track or groups of tracks depending on how i =
set it up. Eventually I may add a third expression pedal to control =
track speed or panning but for now I don't really need it. So below are =
my bank presets and some insight if needed, in to why or how I use them.
>=20
> Preset #1 sync record/overdub                   pretty self =
explanatory....
>=20
> Preset #2 replace + track speed             my go to preset when I =
want to seamlessly change track pitch when replacing (either up or down =
an octave) I also use this as standard replace in which I end the =
command not with a second press of this switch but with my preset #1 =
sync record/ overdub switch.
>=20
> preset #3 play stop now   I use this more to arm a new track to be the =
same length as the original track and then I use the replace function to =
actually add new content. Again if you have recorded a first track and =
you go to a new track and press play stop, it will arm that track to the =
same length as the first track so when I do start to actually record on =
that track, its length is pre determined by the first loop. Does that =
make sense?
>=20
> preset #4 Quantize replace  this is a sus style command achieved by =
doubling up to functions on one preset in this case quantize replace. In =
order to achieve a sus style command one needs to duplicate the function =
on a preset, so if you look at my first command its quantize replace =
followed by another quantize replace. I assume this can be achieved by =
duplicating other functions as well but I haven't delved that deeply yet =
in to those options.
>=20
> Preset #5  half speed          I often times arm a track at half speed =
before beginning a new loop
>=20
> Preset #6  Replace/half speed/ reverse   where did those weird violins =
from hell come from??? this preset
>=20
> Preset #7 All tracks  this is the command I hit before ending a song =
with a feedback reduction fade or a stop, I probably could just use the =
front panel command but I like to keep my hands free for playing.
>=20
> Preset #8 Set as Master     I keep this handy because I sometimes like =
to start with a long rubato melody before moving to shorter rhythm based =
tracks. I'll record a long loop, move to a new track and hit the set as =
master button. This is also cool to use for me because i have different =
quantize values set for different tracks so if I want to use a quantize =
value of 9 (to create a 9/8 beat) I start recording on track three where =
I've placed that beat division.
>=20
> Preset #9  Multiply        in my case double,  no explanation needed??
>=20
> Preset #10 Erase/feedback 100%     whenever I erase a track or all =
tracks I want to make sure that everything is back to 100% feedback, as =
I'm constantly changing the feedback in real time with the pedal  and I =
don't want a new track fading away accidently because the last time I =
was on the track I had changed the feedback
>=20
> Preset #11  track next
>=20
> preset  #12   previous track.
>=20
>=20
> I have other banks set up to achieve more complex ABC song forms , =
which I can describe when I get my LP-1 in front of me because the =
scripts are pretty long. one bank for some of the mellotron style pitch =
shifting, one bank  dedicated to bounce functions,  one bank the has =
multiple press functions like quantize replace/track speed/reverse In =
which I have to double up all three of those commands to get a sus style =
pedal action.
> example that preset would look something like this: quantize =
replace-half speed-reverse-quantize replace-half speed- reverse
> Other functions I use in no particular order on other banks are:  sync =
bounce, copy, except track,  q replace+ track speed, 1/4 speed,  and =
midi sync record overdub, if I'm tracking to an external clock, and fast =
scramble. I haven't done much experimenting in a while to discover new =
strategies but I think there is still a lot of undiscovered territory =
left to explore.
> Bill
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 19:35:30 2011
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Subject: Re: The EDP and the Looperlative and me
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On Jan 2, 2011, at 11:24 AM, William Walker wrote:

> hey Andy O,  because there is no "buffer memory full"  indicator, =
there is no way to tell if you are reaching maximum memory capacity, so =
it may just be that with all of those tracks recorded, plus tracks of =
various lengths and depending how the memory handles functions like =
replace and multiply you may have run out of available memory and the =
machine can't procees any more information. This happens to me on the =
occasion that I've been running loops for several hours without doing a =
complete all tracks erase, and doing a lot of replacing of tracks =
without ever completely clearing the memory and starting over again.

Replace+ mode also seemed to be how I would tend to get the LP-1 to lock =
up and become unresponsive to the controls to the point where I would =
have to power cycle it. That hasn't happened to me for a while, however.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 19:49:02 2011
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Subject: Re: DD-20 (Re: (re)-discovering your gear that sits on your board (boss slicer)
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For someone who is as hands on with their equipment as you are Rick, it =
seems like a pair of DD-20's plus the SL-20 could make for a rather =
interesting way of building and manipulating textures. But I haven't =
used either pedal, so I can't speak from experience. I've certainly been =
tempted to try this but I would probably want to convince myself that I =
could do enough just using my feet. And at that point, I probably would =
be better off using one of my exiting loop boxes and possibly an SL-20 =
since I could get MIDI sync going that way.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 20:12:48 2011
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Subject: Re: DD-20 (Re: (re)-discovering your gear that sits on your board (boss slicer)
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On Jan 2, 2011, at 11:48 AM, Mark Hamburg wrote:

> For someone who is as hands on with their equipment as you are Rick, =
it seems like a pair of DD-20's plus the SL-20 could make for a rather =
interesting way of building and manipulating textures. But I haven't =
used either pedal, so I can't speak from experience. I've certainly been =
tempted to try this but I would probably want to convince myself that I =
could do enough just using my feet. And at that point, I probably would =
be better off using one of my exiting loop boxes and possibly an SL-20 =
since I could get MIDI sync going that way.

That said, for an a loop + effects box the Line6 M13 or M9 is also =
pretty attractive though the loop itself is mono.

So, one question would be: How cool is the SL-20? (And a related =
question might be: How does it compare to the Adrenalinn?)

Mark

P.S. I too think Roland often does some amazing stuff that then seems to =
just miss the mark in some way.

An example from several years back: The SP-808 and HPD-15 share similar =
effects. (Presumably there's a library of effects algorithms floating =
around at Roland.) Like the SP-808, the HPD-15 also has three knobs and =
a D-Beam controller. But can you do realtime effects manipulations with =
the HPD-15 the way you can with the SP-808? No. Grrr. Realtime effects =
manipulation plus a good live MIDI looper in place of the somewhat lame =
sequence recorder would have made the Handsonic a pretty cool =
instrument.

I swear off Roland equipment periodically and then find myself getting =
sucked back in.


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Subject: Hardware Midi Looper
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Does this exist ? i mean a looper that process not audio but midi 
informations.
i have drummachines like mpc or electribe but all i can do with it is just 
record and overdub.
thanks

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 20:29:09 2011
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Subject: Re: Hardware Midi Looper
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boost schrieb:
> Does this exist ? i mean a looper that process not audio but midi 
> informations.
> i have drummachines like mpc or electribe but all i can do with it is 
> just record and overdub.
> thanks
I meant to write about this little conundrum for some time, but 
discussing this here is even better.

Here's how I see that:
It's not possible (without a very complex setup) the way we know it, 
because of overdub. You would basically need to go to a new MIDI channel 
for every overdub.
Some things would work differently (e.g. reverse).
Rate and pitch shifts in intervals different from semitone steps would 
be a little bit tricky.

But yes, what are the available implementations for that?

       Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 20:44:29 2011
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Subject: Re: Hardware Midi Looper
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Generalized MIDI looping is hard because of a mismatch in the data.

But lots of sequencers show that overdubbing can work either to add =
notes or to add/replace controller information.

So, I would expect a basic MIDI looper to offer on the fly loop length =
control, loop doubling/multiply, overdub using essentially the existing =
approaches, and either undo/redo or multiple undo. Add in the ability to =
save loops and switch between saved loops, and it seems like it could be =
pretty useful with various instruments.

One could also optimize for monophonic instruments by treating the =
currently playing note essentially the same way continuous controllers =
are treated. This could be fun with the current crop of mono analog =
synths.

Mark

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William Walker wrote:
>> Current consensus is that 1.34c is the most stable,
>> with 1.37 being good for most users.
> 
> 
>  Hey Andy,
> 
> I can't remember if I asked you what your stability issues with 1.37 
> were. What were you doing to cause it to crash? So far I have some 
> problems when recording a really short loop and then starting to mess 
> with it with track speed and q replace, occasionally a false trigger 
> will send the machine into self oscillation. 

I don't remember exactly, but what I was working on was
a creating a number short loops out of the initial one using
bounce. 
The idea was set up 4 short loops to be rapidly re=triggered.

I'm trying to talk Rick into the idea that the LP1 can
already do a proportion the stuff he's asking for,
certainly enough to be impressive.


> I still have somewhat of a volume issue where subsequent 
> tracks I create seem to be progressively  louder than  the last ones I 
> made,  that doesn't  seem to be caused by typical  issues of playing 
> louder to rise above an increasingly saturated soundscape.

Check that you're seeing LVL+0 for every Track when you hit
it's select button.

The thing about tending to play louder to rise above the increasingly
saturated soundscape does seem to be harder to overcome when there's
a lot of parallel loops available, especially compared to overdubbing on a
single loop, where most loopers automatically drop the feedback level 
to 95% or so.

I guess you know the obvious fixes, but here they are anyway...

If you're using the LP1 as an Insert effect there doesn't appear to be any way 
to set the level of the dry signal, so only thing to do is turn down the
volume of every track.

If your using it on a send and return then just use the mixer to boost the dry signal,
or drop the level of the return from the LP1 just a shade.


>  This issue I 
> have been compensating for by being more conscious of how I'm attacking 
> the instrument  and how I use compression. There also seem to be the 
> reoccurring issues of too many overdubs on a single track saturating and 
> clipping the output, if feedback is set at 100%.

It's usual in a looping device to automatically drop FB below 100% when overdubbing.

If you're anxious for a fix then isn't there a way to program feedback levels
in v1.37 ?(there's not in 1.34c which is what I have)

Might be worth investing some prime time with your friend
the Gordius Little Giant.

> Thoughts, reflections, insights??????
> Bill

The Looperlative LP1 doesn't have a lot of audio headroom at line level,
but it does have a very nice low noise floor.
So one thing to look into is dropping the level of signals
going into the LP1, and boosting those coming out to compensate.


andy butler

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On 7/22/64 11:59 AM, Dustbunnies wrote:
> Anyway, thanks for the background on the EDP control functionality.  Now if
> I can just get somebody to explain to me in plain English what 'Loop
> Windowing' is, mebbe I can figure out how to get the LP1 to do that.  ;D
Alas, Loop Windowing is one of the coolest things that the EDP does (imho)
and is not possible in the LP-1.

I'll probably mangle this, but my understanding is that 'Loop Windowing'
was a bug that people deemed fascinating so they left it in (I can't 
remember who
was it's champion but I imagine it was either Andy Butler or , perhaps,  
Andre LaFosse---
historians, please weigh in here with accuracy,  my mind is very fuzzy 
and I want
to give credit where credit is due).

As I remember, and it's been a while,
if you change the length of the original loop,   the machine
keeps the original loop in it's buffer though all of it is not being played.

Consequently,  when one hits an undo,  it will move the newly truncated
loop length forward (or is it backwards) through the original loop in 
the buffer.

This can be used in very beautiful ways and has been by Andre, Andy and
many, many others (even moi).
It has a morphing effect that is very hip.

rick walker

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On Sun, Jan 2, 2011 at 9:20 PM, boost <boost@boosterized.com> wrote:
> Does this exist ? i mean a looper that process not audio but midi
> informations.
> i have drummachines like mpc or electribe but all i can do with it is just
> record and overdub.


I only know about software applications that might be described as
"MIDI looping".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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On 7/22/64 11:59 AM, andy butler wrote:
>
> I'm thinking "no way is he gonna do that on the LP1", but I hope you'll
> see that as a challenge. 
My thoughts exactly.........he says, conspiratorially.

Happy New Year,   Senor programming genius and 'knower' of most things.

love, Rick

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Wow, thanks, Bro.
I just learned a butt load about my own LP-1 from that description.
I've gotten trouble a few times because my feedback had been changed mid
song.     The erase/feedback 100%    trick is worth it's weight in gold 
to me.
I can't believe I didn't figure it out,  but you always lead the way.

thanks,  Rick


On 7/22/64 11:59 AM, William Walker wrote:
>  I thought I would show you all a typical bank of my LP-1 presets. I 
> currently have 6 full banks of twelve preset switches each and two 
> expression pedals globally set to volume and feedback which can 
> control either all tracks, a single track or groups of tracks 
> depending on how i set it up. Eventually I may add a third expression 
> pedal to control track speed or panning but for now I don't really 
> need it. So below are my bank presets and some insight if needed, in 
> to why or how I use them.
>
>  Preset #1 sync record/overdub                   pretty self 
> explanatory....
>
>  Preset #2 replace + track speed             my go to preset when I 
> want to seamlessly change track pitch when replacing (either up or 
> down an octave) I also use this as standard replace in which I end the 
> command not with a second press of this switch but with my preset #1 
> sync record/ overdub switch.
>
> preset #3 play stop now   I use this more to arm a new track to be the 
> same length as the original track and then I use the replace function 
> to actually add new content. Again if you have recorded a first track 
> and you go to a new track and press play stop, it will arm that track 
> to the same length as the first track so when I do start to actually 
> record on that track, its length is pre determined by the first loop. 
> Does that make sense?
>
> preset #4 Quantize replace  this is a sus style command achieved by 
> doubling up to functions on one preset in this case quantize replace. 
> In order to achieve a sus style command one needs to duplicate the 
> function on a preset, so if you look at my first command its quantize 
> replace followed by another quantize replace. I assume this can be 
> achieved by duplicating other functions as well but I haven't delved 
> that deeply yet in to those options.
>
> Preset #5  half speed          I often times arm a track at half speed 
> before beginning a new loop
>
> Preset #6  Replace/half speed/ reverse   where did those weird violins 
> from hell come from??? this preset
>
> Preset #7 All tracks  this is the command I hit before ending a song 
> with a feedback reduction fade or a stop, I probably could just use 
> the front panel command but I like to keep my hands free for playing.
>
> Preset #8 Set as Master     I keep this handy because I sometimes like 
> to start with a long rubato melody before moving to shorter rhythm 
> based tracks. I'll record a long loop, move to a new track and hit the 
> set as master button. This is also cool to use for me because i have 
> different quantize values set for different tracks so if I want to use 
> a quantize value of 9 (to create a 9/8 beat) I start recording on 
> track three where I've placed that beat division.
>
> Preset #9  Multiply        in my case double,  no explanation needed??
>
> Preset #10 Erase/feedback 100%     whenever I erase a track or all 
> tracks I want to make sure that everything is back to 100% feedback, 
> as I'm constantly changing the feedback in real time with the pedal  
> and I don't want a new track fading away accidently because the last 
> time I was on the track I had changed the feedback
>
> Preset #11  track next
>
> preset  #12   previous track.
>
>
> I have other banks set up to achieve more complex ABC song forms , 
> which I can describe when I get my LP-1 in front of me because the 
> scripts are pretty long. one bank for some of the mellotron style 
> pitch shifting, one bank  dedicated to bounce functions,  one bank the 
> has multiple press functions like quantize replace/track speed/reverse 
> In which I have to double up all three of those commands to get a sus 
> style pedal action.
> example that preset would look something like this: quantize 
> replace-half speed-reverse-quantize replace-half speed- reverse
>  Other functions I use in no particular order on other banks are:  
> sync bounce, copy, except track,  q replace+ track speed, 1/4 speed,  
> and midi sync record overdub, if I'm tracking to an external clock, 
> and fast scramble. I haven't done much experimenting in a while to 
> discover new strategies but I think there is still a lot of 
> undiscovered territory left to explore.
>  Bill

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Subject: Re: Midi question for live setup
From: Todd Matthews <gtmatthews@gmail.com>
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--20cf30549e0bef73870498e5715d
Content-Type: text/plain; charset=ISO-8859-1

I finally got around to doing this project and it worked out great! I
already had a Boss FS-6 footswitch in my closet that I gutted and put the
midi cpu from highly liquid in. I drilled the holes for the 1/4" jacks a
little larger in the back to fit midi plugs and now I have really small
silent midi foot controller with 2 footswitches that I can program to send
exactly the midi commands I want and nothing else! I also learned a lot in
the proces of doing this project.

Thanks again Slyvain for pointing me in this direction!

-Todd Matthews

On Tue, Nov 16, 2010 at 4:37 PM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> I'd get myself one of those:
> http://highlyliquid.com/midi-controllers/midi-cpu/
>
> Solder a switch, some midi in out plugs and a 9v battery plug.  Put it
> in a box and program through sysex.  A nice little weekend project.
>
> Maybe it's overkill (or over priced), but you'll have a very small
> footswitch that does what you need of it.
>
> Sylvain
>
>
> On Tue, Nov 16, 2010 at 5:31 AM, Todd Matthews <gtmatthews@gmail.com>
> wrote:
> > I want to be able to send the midi note on/off message for the note E1.
> This
> > will allow me to mute and unmute my instrument mic on channel 1 of my
> mixer.
> > Anybody know of a really efficient way to accomplish this in a live
> setup? A
> > single programmable footswitch that can do midi notes with a midi out
> jack
> > would have the smallest footprint. For my M9 - Rang 3 setup I don't need
> any
> > other functions other than to send the note E1 to be able to mute/mute my
> > mic that goes directly into the mixer. I'm using my rme fireface as the
> > mixer but in standalone mode so its not hooked up to a computer. It can
> be
> > controlled by midi in mackie emulation mode.
> >
> >
> >
> >
> >
>
>

--20cf30549e0bef73870498e5715d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I finally got around to doing this project and it worked out great! I alrea=
dy had a Boss FS-6 footswitch in my closet that I gutted and put the midi c=
pu from highly liquid in. I drilled the holes for the 1/4&quot; jacks a lit=
tle larger in the back to fit midi plugs and now I have really small silent=
 midi foot controller with 2 footswitches that I can program to send exactl=
y the midi commands I want and nothing else! I also learned a lot in the pr=
oces of doing this project.<br>
<br><div>Thanks again Slyvain for pointing me in this direction!</div><div>=
<br></div><div>-Todd Matthews<br><br><div class=3D"gmail_quote">On Tue, Nov=
 16, 2010 at 4:37 PM, Sylvain Poitras <span dir=3D"ltr">&lt;<a href=3D"mail=
to:sylvain.trombone@gmail.com">sylvain.trombone@gmail.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">I&#39;d get myself one of those: <a href=3D=
"http://highlyliquid.com/midi-controllers/midi-cpu/" target=3D"_blank">http=
://highlyliquid.com/midi-controllers/midi-cpu/</a><br>

<br>
Solder a switch, some midi in out plugs and a 9v battery plug. =A0Put it<br=
>
in a box and program through sysex. =A0A nice little weekend project.<br>
<br>
Maybe it&#39;s overkill (or over priced), but you&#39;ll have a very small<=
br>
footswitch that does what you need of it.<br>
<font color=3D"#888888"><br>
Sylvain<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
On Tue, Nov 16, 2010 at 5:31 AM, Todd Matthews &lt;<a href=3D"mailto:gtmatt=
hews@gmail.com">gtmatthews@gmail.com</a>&gt; wrote:<br>
&gt; I want to be able to send the midi note on/off message for the note E1=
. This<br>
&gt; will allow me to mute and unmute my instrument mic on channel 1 of my =
mixer.<br>
&gt; Anybody know of a really efficient way to accomplish this in a live se=
tup? A<br>
&gt; single programmable footswitch that can do midi notes with a midi out =
jack<br>
&gt; would have the smallest footprint. For my M9 - Rang 3 setup I don&#39;=
t need any<br>
&gt; other functions other than to send the note E1 to be able to mute/mute=
 my<br>
&gt; mic that goes directly into the mixer. I&#39;m using my rme fireface a=
s the<br>
&gt; mixer but in standalone mode so its not hooked up to a computer. It ca=
n be<br>
&gt; controlled by midi in mackie emulation mode.<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br></div>

--20cf30549e0bef73870498e5715d--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  2 23:45:52 2011
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Subject: Re: The EDP and the Looperlative
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On Jan 1, 2011, at 10:14 PM, Mark Hamburg wrote:

> I gather Dustbunnies manages to get SUS-style operations on the LP-1, =
but it seems to depend on having a "decent" (his words) MIDI controller =
since it would seem to depend on having a controller that will send note =
on or program change messages on pedal release. That's cool, but the EDP =
is loaded with SUS-style and other long-press based behaviors and works =
with a range of controllers. (It could be that I've just been mislead by =
the LP-1 manual's references to pressing as opposed to releasing buttons =
when programming MIDI controllers.)

I had entirely missed the momentary buttons portion of the Looperlative =
(I don't think it's mentioned in my user manual).

So, first of all: Cool that the Looperlative can exploit SUS commands if =
only for a Replace and Replace+Original -- though interestingly not =
QReplace.

Second: Yes, this requires the same sort of controller support as the =
EDP (though as I noted, the EDP also just works with its standard =
footpedal).

Mark

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Subject: Per's Mobius patches
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  Hey Per this is really cool,  a lot of stuff that I do and some I =20
don't I like the Time warp idea. whats up with that????? Is this =20
similar to what I do  manually toggling track speed when in record or =20=

replace to create odd meters or octave leaps, but in automated =20
form???????? Also its weird but I never use fade, started to, but =20
stopped in favor of good old fashion feedback reduction to fade =20
traclks away. I realize it gives my stuff less predictability when it =20=

comes to song form  but I have come to love the constant state of =20
evolution this strategy  enables.
  Thanks
  Bill
PS the fader fox thingy is really cool







  Per Boysen. Electroacoustic live electronics rig by december 2010.
External controllers Gordious Little Giant 2 MIDI pedalboard and
FaderFox Micromodul LV1 hand pad targeting Mobius hosted in Apple
Mainstage 2. Mobius crippled to only four tracks.
LG2:

BANK 00: Mobius - basic looping.
  1 Record
  2 Overdub
  3 Multiply
  4 Substitute
  5 Bass Dot
  6 Wait Cycle Reverse Overdub
  7 Undo
  8 Redo
  9 Previous Loop
10 Next Loop

BANK 01: Mobius - direct loop 1-5 select, Time Warp scripts.
  1 Loop 1
  2 Loop 2
  3 Loop 3
  4 Loop 4
  5 Loop 5
  6 Time Warp 1 (speed shifting sequence during overdub)
  7 Time Warp 2 (other speed shifting sequence during overdub)
  8 Grid 1 (basic 16th SUS Substitute grid)
  9 Grid 2 (grooved SUS Substitute grid)
10 Overdub

BANK 02: Mobius - Rate Straight =93foot organ=94 affecting selected plus
focus locked tracks.
  1 Rate Shift 0
  2 Rate Shift 2
  3 Rate Shift 3
  4 Rate Shift 4
  5 Rate Shift 5
  6 Rate Shift -5
  7 Rate Shift -4
  8 Rate Shift -3
  9 Rate Shift -2
10 Global Mute (un-muting also re-aligns and re-triggers all playing =20
loops)

BANK 03: Mobius - Instant Loop Length manipulation, Chord Insert.
  1 x2
  2 x3
  3 x4
  4 Hit Chord: Minor
  5 /2
  6 /3
  7 /4
  8 Hit Chord: Major
  9 Shuffle This (partly random slicing/reordering according to set
8ths Per Cycle value)
10 Hit Chord: Sus 4

BANK 04: Mobius - basic looping, Record Four Tracks In One Swoop.
  1 Record Four Tracks In One Swoop (and Rate Shift them differently)
  2 Overdub
  3 Multiply
  4 Substitute
  5 Rate Shift 0, volume compensated, Retrigger All
  6 Rate Straight 0, volume 95, Retrigger All
  7 Undo
  8 Redo
  9 Previous Loop
10 Next Loop

BANK 05: Mobius - Rate Shift =93foot organ=94 affecting all four tracks,
volume compensated.
  1 Rate Shift 0
  2 Rate Shift 2
  3 Rate Shift 3
  4 Rate Shift 4
  5 Rate Shift 5
  6 Rate Shift -5
  7 Rate Shift -4
  8 Rate Shift -3
  9 Rate Shift -2
10 Global Mute

BANK 06: Mobius - Fade In Or Fade Out, Focus Lock direct track target.
  1 Fade In Or Out Track 1
  2 Fade In Or Out Track 2
  3 Fade In Or Out Track 3
  4 Fade In Or Out Track 4
  5 Focus Lock Track 1
  6 Focus Lock Track 2
  7 Focus Lock Track 3
  8 Focus Lock Track 4
  9 Previous Loop
10 Next Loop

BANK 07: Mobius - basic looping, variation.
  1 Record
  2 Overdub
  3 Multiply
  4 Substitute
  5 Retrig All, Rate Shift 0
  6 Start Point
  7 Undo
  8 Redo
  9 Previous Track
10 Next Track




BANK 08: Mainstage - FX pre looper, continuous and stomp box context.
Freezing etc. For Chapman Stick Mainstage patches this bank is divided
in two sides, controlling the two fretboard=92s unique effect chains.

When entering a new LG2 bank it instantly sends out a MIDI#cc for
Mobius Max Feedback. Some switches reconfigure expression pedal
programming.

Expression pedal 1 mostly used for input volume, sometimes also to
freeze sound at no input position.

Expression pedal 2 always used for Mobius looper feedback.

Faderfox LV1 handmixer and LX1 are doubling up some commands plus
offering direct access to any loop on any track. I limit the looper to
five loops per track and only four tracks. A hand fader for Secondary
Feedback is important for the playing style I like.

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Mark et al,

Its interesting, this discussion mainly beginningly started about out of the=
 box functionality. One thing its made me think about is that when I got my L=
P1, I had no clue, but having to get a midibuddy or something to use it made=
 me much more flexible in making my controls do what "I" wanted them to do. A=
rtistically it opened me up much more to what I could do with the unit. Had I=
 started with basic commands, I likely wouldnt have explored the live record=
ing options that I have.=20

Having said that, also its cool to see that the fact that the lp1 programmin=
g leads to growth and aha moments like Rick just had, by seeing someone else=
s setup, and he being one of the more advanced lp1 users out there.=20

Pretty cool.=20

No need to compare these thoughts to the edp, my edp experience is even less=
 than your lp1 experience!!

Andy O=

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Subject: Re: Y2K11 International Live Looping Festival
Date: Sun, 2 Jan 2011 18:02:21 -0800
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Hi Rick,

Congratulations, and happy 2011!!!

I think you need a break in order to be "selfish" and focus on your  
own art (and possibly finances) for a while.

You've given, and given, and given . . . both you and Brother  
Bill . . . and spouses too.

I'm glad to hear that Y2K-11 may happen yet.

But, I am gladdest to hear that you are not succumbing to pressure to  
simply do it all over again (yourself) and are handing out large hunks  
of the work to others.

Of course I could play my very tiny, tiny little part with "graphic  
stuff" again, (if needed).

But I see an opportunity here to let someone else try their hand at  
that too.

I know there are other graphical/marketing pros (or semi-pros) on this  
list - and gosh Santa Cruz is teeming with creative folk.

Perhaps it's my turn to step aside as well.

I hope 2011 turns out to be everything you hope it to be my friend.

Both you and Bill and Chris and Nancy are special people to me.

I am posting all of the above to the LD list even though it will  
probably sound too personal and syrupy and embarrass us both.

Anyhoo, here's to the best year ever.

Cheers!

Ted

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 04:25:00 2011
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Subject: Re: The EDP and the Looperlative
From: Dustbunnies <mech@m3ch.net>
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On 1/3/11 12:20 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:
> Dustbunnies wrote:
> 
>>   Now if
>> I can just get somebody to explain to me in plain English what 'Loop
>> Windowing' is, mebbe I can figure out how to get the LP1 to do that.  ;D
> 
> It's all to do with how the edp handles memory,
> in some ways very similar to the "Frippertronics" type thing
> where the whole performance is committed to tape.
> 
> Each time you do an overdub, the EDP moves forward through
> memory by a loop length.
> So, to "Undo" an overdub (or several) the playback point just
> moves back in memory.

If I understand you correctly, the basic architecture on the EDP doesn't
appear really so much different from that of the Wavetable synths of the
80's & early 90's (PPG, Korg Wavestation, Kawaii K1 etc.), with the most
notable exception being that those instruments' memories were hard-burned
into ROM rather than being freely writable (which I'm not trying to minimize
the importance of, BTW, so don't get me wrong here).

So each successive overdub actually results in a brand new recording of the
original material, re-recorded and merged with the new overdubbed material.
This new recording is then appended to the end of the memory stack.

If you were to graphically map out a memory dump of a recorded line
(original recording: OR, here) with two overdub sessions (OD1 & OD2), then
the memory map might look something like:

    [|-------OR-------||-----OR+OD1-----||---OR+OD1+OD2---|]

And now you just move the Start/End pointers so that a different section of
memory is playing, depending upon how many "layers"/sections have been
Undone.

Now, for Loop Windowing using the above example (if I'm reading correctly),
you'd multiply out to x3, then do something and Undo.  This would cause the
entire memory above to spool out from start to finish (first the OR section,
then OR+OD1, then OR+OD1+OD2).  Of course, x3 matches up nicely with what we
have above, so I'm assuming it gets more interesting if you don't have an
even multiple of the memory contents.

Before getting too far further, do I have that basic part correct?

> http://www.andybutler.com/mp3/backwater.mp3
> ...loop window opens at 2:00

(always really liked that particular track of yours, BTW.)

I'm gonna have to go back and listen a coupla more times, I think.  Or else
I'm just dim (which is a definite possibility) and don't know what to listen
for here.  I'll try again, though.
 
> I'm thinking "no way is he gonna do that on the LP1", but I hope you'll
> see that as a challenge.

Heh!  That's like the old joke: "I'll give you $100, if for the next 30
seconds you *don't* think about the color green".  And with both you & Rick
egging me on... Sheesh, I'm doomed.  ;)

I've already got an idea or two, but just want to make certain I've got the
process correct.  If the above example is true, then the basic memory
operation is simpler than I thought it was, and most of the creativity comes
out of finding different ways to "break" it.  That's always the fun part.

Thanks again for the help, Andy!!!  :)

        --m.



From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 06:29:09 2011
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Subject: Re: Re: DD-20 (Re: (re)-discovering your gear that sits on your board
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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> For someone who is as hands on with their equipment as you are Rick, it seems like a pair of DD-20's plus the SL-20 could make for a rather interesting way of building and manipulating textures.

It's funny, but I have never gotten that deeply into using delay.

As a percussionist,  I decided early on not to put tons of energy into 
three instruments:
the congas,  the djembe and the tablas for the reason that they were so 
popular that
I reasoned it would be difficult to create a truly unique voice on the 
instrument.

I think due to the ubiquity of digital delay in our own community, I've 
had the same approach.

In the same breath,  reading about the DD-20 has me curious.
As fate would have it,  money is unbelievably tight since the recession 
and the last looping
festival so I'd have to sell a lot of equipment before I can buy even 
one of them.

Also,  I'm just in love with distortion and fuzz and string instruments, 
lately so my world is
overfull.    this is the first year that I've actually felt like some 
kind of guitarist.  I've always wanted to
play and always been intimidated by it.   But I actually jumped in and 
play plucked string instruments
more than any other instrument in my life right now and I'm in love with it.

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 06:31:20 2011
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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> That said, for an a loop + effects box the Line6 M13 or M9 is also pretty attractive though the loop itself is mono.
>
> So, one question would be: How cool is the SL-20? (And a related question might be: How does it compare to the Adrenalinn?)

Honestly for me,  the M9 is THE desert island processing/looper because 
it's an entire world
with all of it's myriadly cool effects.

And for the SL-20,   we've already had long discussions about this unit 
and how cool it is so you can
find it in the archives so I don't bore people with another glowing review.
It's limited but I love it.

yours,  Rick

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 06:43:41 2011
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Subject: Re: (re)-discovering your gear that sits on your board (boss slicer)
From: Dustbunnies <mech@m3ch.net>
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On 1/3/11 2:53 AM, "Rainer Straschill" <moinsound@googlemail.com> wrote:
> Dustbunnies schrieb:
>> That's a few I remember.  Perhaps Rainer or Ted or Sjaak (amongst others)
>> have more to add on the subject.
>>   
> Glad to do. Here some unordered comments (some of them just expanding
> what you or others in the past already said).

I was hoping you'd chime in here, since you're even more batshit crazy than
I am (and I say that affectionately with all the genius-mad-scientist
respect I can possibly muster).  ;)

> 4. @dust_bunnies: thanks for the tip with configuring the external pedal
> for on/off and using an unlatched footswitch for some susoverdub! Need
> to try that myself.

One more to add here.  When I was playing with this, I had my two units set
up in a full-on cross-connected feedback matrix: Unit 1 feeding into Unit 2,
and Unit 2 feeding right back into Unit 1.  Normally this would be deadly
and would result in runaway feedback in, say, maybe 2 seconds.  However, I
had the unlatched footswitch controlling Unit 2 (which was set to 100% wet).
So the only time anything entered Unit 2's buffer -- and thus fed back to
Unit 1 -- was when I had its footswitch depressed.

So I could set up a long loop on Unit 1, then have Sus-type effects on that
loop from Unit 2, but which also then print back onto Unit 1's loop.  Of
course, you can then further Susoverdub sections which already have the Sus
stutters printed, and so on and so forth.  It only took a few presses of the
foot to fill up the space with stuttery glitchiness, IIRC.

My next experiment was going to be to add a multi-effect into the feedback
loop, between Unit 2's output and Unit 1's second input.  So you could then
apply other effects (pitchshift, bit-reduction, or maybe yet another delay!)
to the Susoverdubbed parts before printing them back onto the original loop.

Unfortunately, never had the time to implement that last part....

        --m.


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Date: Mon, 3 Jan 2011 13:53:28 +0100
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Subject: Re: Per's Mobius patches
From: Per Boysen <perboysen@gmail.com>
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Hi Bill,

On Mon, Jan 3, 2011 at 1:18 AM, William Walker <billwalker@baymoon.com> wro=
te:
> Hey Per this is really cool, =C2=A0a lot of stuff that I do

Yes, like I said: a lot of similar processing in our approaches :-)

> like the Time warp idea. whats up with that????? Is this similar to what =
I
> do =C2=A0manually toggling track speed when in record or replace to creat=
e odd
> meters or octave leaps, but in automated form????????

Sort of realated. My Time Warp scripts do a very simple processing:
1. Go into Overdub Mode.
2. Rate Shift in rhythmic steps according to a set sequence.
3. Go out of Overdub Mode.

All that happens during one Cycle (EDP-ish. Means the length of the
first loop I started out that session by recording. Or a new if I have
later on defined a new Track Sync Master Track). I only use two Time
Warp scripts because I need to know what they will put out from the
noise I chose to put in ;-)  I wrote them in a way that to not change
the playback time of the Cycle, related to parallel loops on other
tracks. You know, if transposed up the loop goes faster and if
transposed down it goes slower. So I have kind of balanced up and down
transposing through-out the script to give the full schebang the same
total playback time as the loop would have if not processed. I use
octaves, fifths and fourths up or down to avoid clashes between major
and minor chords and keep more of the compositional momentum at my
hands rather than "in-the-box". Also, each script exists in five
different versions to match specific timing measures: 4/4, 5/4, 6/8,
7/8, 9/8. I never have to bother about that though because the script
I trigger from my pedal only reads what 8ths Per Cycle Mobius is
actually working at and then fetches and applies the Time Warp script
that matches the actual timing measure.

> Also its weird but I
> never use fade, started to, but stopped in favor of good old fashion
> feedback reduction to fade traclks away.

I like feedback manipulation too, even pumping a pedal during overdub
or mulitply to create "volume sweeps" in all background layers on the
next loop round. But the Fade In/Out I use more for "remixing while
playing". The script checks what level the looper track is at and then
fades out rather slowly. Next time I kick the same button - with that
track selected - it checks and find "oh shit, track volume is down at
zero... man I better FADE IN now!" ...and in this situation the script
remembers the old track volume level and fades back in to the same
volume as it used to be. I also have the four looper track's volume on
the Faderfox hand mixer faders for quick manual adjustment.

> PS the fader fox thingy is really cool

Indeed. I would buy a new one if mine was lost. Maybe I replace them
with an iPhone or iPad in the future. I like physical buttons better
than a touch screen but since you bring your mobile phone anyway the
OSC solution would also help to save overweight costs when traveling.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 13:49:31 2011
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Subject: Re: The EDP and the Looperlative
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Mark Hamburg wrote:
> On Jan 1, 2011, at 10:14 PM, Mark Hamburg wrote:
> 
>> I gather Dustbunnies manages to get SUS-style operations on the LP-1, but it seems to depend on having a "decent" (his words) MIDI controller since it would seem to depend on having a controller that will send note on or program change messages on pedal release. 
> 
> I had entirely missed the momentary buttons portion of the Looperlative (I don't think it's mentioned in my user manual).

...understandable
...because it's not there.
The Looperlative will of course respond to commands that are sent when the switch is released,
but it doesn't itself have any SUS functionality.

 
> So, first of all: Cool that the Looperlative can exploit SUS commands if only for a Replace and Replace+Original -- though interestingly not QReplace.

For QReplace the Looperlative has a delay built in.
When you start a QReplace the Looperlative won't respond to any new commands
until it's finished.
QReplace>QReplace>EndSequence will replace exactly one chunk of audio.
..and Multiple presses of that button will produce a very nice alternation
of Replaced and unaltered chunks.

> 
> Second: Yes, this requires the same sort of controller support as the EDP (though as I noted, the EDP also just works with its standard footpedal).

I don't think the LP1 can do SUS with a controller that just sends Note-Off on release.
...has anyone tried getting the LP1 to midi-learn a Note-Off?

andy butler

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Subject: Re: The EDP and the Looperlative
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Rick Walker wrote:

> I'll probably mangle this, but my understanding is that 'Loop Windowing'
> was a bug that people deemed fascinating so they left it in (I can't 
> remember who
> was it's champion but I imagine it was either Andy Butler or , perhaps,  
> Andre LaFosse---
> historians, please weigh in here with accuracy,  my mind is very fuzzy 
> and I want
> to give credit where credit is due).

Loop windowing was discovered in Loop3, before my time.
Andre was keen on it, I remember, and Claude Voit.

andy

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Subject: Re: The EDP and the Looperlative
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--90e6ba6e83807244d50498f211cd
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What I love to do with Loop Windowing is to make a real long loop (on my
second EDP), with many multiplies and overdubs.. then all of a sudden hit
multiply rec as fast as poss, to make a tiny buzzing loop.
Then I hit play on my drum-machine that just has a lot of G7s programmed in
a row. (G7 is the midi note for UNDO on the EDP) The drum machine is not
heard, its just sending midi notes to the EDP.. at 32nds of the beat. The
drum machines speed in comparison to the EDP is set by my first EDPs 8ths
setting as the EDP sends midi clock at this value. Then the second EDP loop
windows at that speed thru the whole memory of the EDP... if the loop was
very long and the new loop very short it can last an eternity!

My life these days is spent trying to find an equivalent sound in mobius...
Im afraid I have been unsuccessful...

Mark



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83807244d50498f211cd
Content-Type: text/html; charset=ISO-8859-1
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What I love to do with Loop Windowing is to make a real long loop (on my se=
cond EDP), with many multiplies and overdubs.. then all of a sudden hit mul=
tiply rec as fast as poss, to make a tiny buzzing loop. <br>Then I hit play=
 on my drum-machine that just has a lot of G7s programmed in a row. (G7 is =
the midi note for UNDO on the EDP) The drum machine is not heard, its just =
sending midi notes to the EDP.. at 32nds of the beat. The drum machines spe=
ed in comparison to the EDP is set by my first EDPs 8ths setting as the EDP=
 sends midi clock at this value. Then the second EDP loop windows at that s=
peed thru the whole memory of the EDP... if the loop was very long and the =
new loop very short it can last an eternity! <br>

<br>My life these days is spent trying to find an equivalent sound in mobiu=
s... Im afraid I have been unsuccessful...<br><br>Mark<br><br><br clear=3D"=
all"><br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">=
www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83807244d50498f211cd--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 14:51:32 2011
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Subject: Re: Midi question for live setup
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Great Todd, I was wondering how that worked out for you.  Glad I could help=
.

I also recently made a controller with the Highly Liquid midi cpu.
It's sort of based on a guitar:
http://no-insects.blogspot.com/2010/12/guitar-controller-part-iv.html

Of course, it's just a bunch of buttons and the really challenging
part is on the software side of things, which is still in development
(bidule patch, max/msp patch and/or mobius script).  Right now I'm
using pre-recorded samples, but ultimately I want to sample live.

Sylvain


On Sun, Jan 2, 2011 at 6:32 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> I finally got around to doing this project and it worked out great! I
> already had a Boss FS-6 footswitch in my closet that I gutted and put the
> midi cpu from highly liquid in. I drilled the holes for the 1/4" jacks a
> little larger in the back to fit midi plugs and now I have really small
> silent midi foot controller with 2 footswitches that I can program to sen=
d
> exactly the midi commands I want and nothing else! I also learned a lot i=
n
> the proces of doing this project.
>
> Thanks again Slyvain for pointing me in this direction!
> -Todd Matthews
>
> On Tue, Nov 16, 2010 at 4:37 PM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>>
>> I'd get myself one of those:
>> http://highlyliquid.com/midi-controllers/midi-cpu/
>>
>> Solder a switch, some midi in out plugs and a 9v battery plug. =A0Put it
>> in a box and program through sysex. =A0A nice little weekend project.
>>
>> Maybe it's overkill (or over priced), but you'll have a very small
>> footswitch that does what you need of it.
>>
>> Sylvain
>>
>>
>> On Tue, Nov 16, 2010 at 5:31 AM, Todd Matthews <gtmatthews@gmail.com>
>> wrote:
>> > I want to be able to send the midi note on/off message for the note E1=
.
>> > This
>> > will allow me to mute and unmute my instrument mic on channel 1 of my
>> > mixer.
>> > Anybody know of a really efficient way to accomplish this in a live
>> > setup? A
>> > single programmable footswitch that can do midi notes with a midi out
>> > jack
>> > would have the smallest footprint. For my M9 - Rang 3 setup I don't ne=
ed
>> > any
>> > other functions other than to send the note E1 to be able to mute/mute
>> > my
>> > mic that goes directly into the mixer. I'm using my rme fireface as th=
e
>> > mixer but in standalone mode so its not hooked up to a computer. It ca=
n
>> > be
>> > controlled by midi in mackie emulation mode.
>> >
>> >
>> >
>> >
>> >
>>
>
>

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Subject: Re: The EDP and the Looperlative
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That was my fav trick on the EDP too! :-)) But I never got a second
EDP and I stepped the UNDO manually, so I never took it as far as you.
Missing it in Mobius but finding some comfort in the scripting option.

Per

On Mon, Jan 3, 2011 at 3:35 PM, mark francombe <mark@markfrancombe.com> wrote:
> What I love to do with Loop Windowing is to make a real long loop (on my
> second EDP), with many multiplies and overdubs.. then all of a sudden hit
> multiply rec as fast as poss, to make a tiny buzzing loop.
> Then I hit play on my drum-machine that just has a lot of G7s programmed in
> a row. (G7 is the midi note for UNDO on the EDP) The drum machine is not
> heard, its just sending midi notes to the EDP.. at 32nds of the beat. The
> drum machines speed in comparison to the EDP is set by my first EDPs 8ths
> setting as the EDP sends midi clock at this value. Then the second EDP loop
> windows at that speed thru the whole memory of the EDP... if the loop was
> very long and the new loop very short it can last an eternity!
>
> My life these days is spent trying to find an equivalent sound in mobius...
> Im afraid I have been unsuccessful...

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 <4D21DA6D.30407@tiscali.co.uk> <AANLkTinzFtzvSU-RnUSbUwDs2hBWChXSRG=L4HM=MEkz@mail.gmail.com>
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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 3 Jan 2011 16:12:33 +0100
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Subject: Re: The EDP and the Looperlative
To: Loopers-Delight@loopers-delight.com
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On Mon, Jan 3, 2011 at 4:00 PM, Per Boysen <perboysen@gmail.com> wrote:

> Missing it in Mobius but finding some comfort in the scripting option


Are you saying you like to script in Mobius, or that you HAVE FOUND some
kinda  emulation using scripting.. if you have.. gimme!

I have been looking into trim (no good cos it chucks the trimmed audio-
unlike on repeater, where you can also do loop windowing, albeit with rabid
twisting of knobs physically with hands)..
then I tried trim > undo > slip > trim... but its not working.. mostly down
to my inability to script methinks... but the idea was to trim, undo back to
Un trimmed, move along a bit and trim.. then repeat...

Why cant we have a mode in Mobius called.. er... Window.. eh Jeff? (press
once to loop around a cycle, press again to move to the next cycle.. think
that would do it?)


Mark



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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On Mon, Jan 3, 2011 at 4:00 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D=
"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><=
div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin=
: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-lef=
t: 1ex;">

Missing it in Mobius but finding some comfort in the scripting option</bloc=
kquote><div><br>Are you saying you like to script in Mobius, or that you HA=
VE FOUND some kinda=A0 emulation using scripting.. if you have.. gimme!<br>

<br>I have been looking into trim (no good cos it chucks the trimmed audio-=
 unlike on repeater, where you can also do loop windowing, albeit with rabi=
d twisting of knobs physically with hands)..<br>then I tried trim &gt; undo=
 &gt; slip &gt; trim... but its not working.. mostly down to my inability t=
o script methinks... but the idea was to trim, undo back to Un trimmed, mov=
e along a bit and trim.. then repeat... <br>

<br>Why cant we have a mode in Mobius called.. er... Window.. eh Jeff? (pre=
ss once to loop around a cycle, press again to move to the next cycle.. thi=
nk that would do it?)<br><br><br>Mark<br></div></div><br><br clear=3D"all">

<br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkha=
o.com</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user8250=
94">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e89b00449410498f29615--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 15:21:06 2011
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Subject: Re: The EDP and the Looperlative
From: Mark Hamburg <mark@grubmah.com>
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On Jan 3, 2011, at 5:49 AM, andy butler wrote:

> Mark Hamburg wrote:
>> On Jan 1, 2011, at 10:14 PM, Mark Hamburg wrote:
>>> I gather Dustbunnies manages to get SUS-style operations on the =
LP-1, but it seems to depend on having a "decent" (his words) MIDI =
controller since it would seem to depend on having a controller that =
will send note on or program change messages on pedal release.=20
>> I had entirely missed the momentary buttons portion of the =
Looperlative (I don't think it's mentioned in my user manual).
>=20
> ...understandable
> ...because it's not there.
> The Looperlative will of course respond to commands that are sent when =
the switch is released,
> but it doesn't itself have any SUS functionality.
>=20
>> So, first of all: Cool that the Looperlative can exploit SUS commands =
if only for a Replace and Replace+Original -- though interestingly not =
QReplace.
>=20
> For QReplace the Looperlative has a delay built in.
> When you start a QReplace the Looperlative won't respond to any new =
commands
> until it's finished.
> QReplace>QReplace>EndSequence will replace exactly one chunk of audio.
> ..and Multiple presses of that button will produce a very nice =
alternation
> of Replaced and unaltered chunks.
>=20
>> Second: Yes, this requires the same sort of controller support as the =
EDP (though as I noted, the EDP also just works with its standard =
footpedal).
>=20
> I don't think the LP1 can do SUS with a controller that just sends =
Note-Off on release.
> ...has anyone tried getting the LP1 to midi-learn a Note-Off?

My impression is that the Looperlative has special support for Note Off =
via the momentary buttons facility. In other words, if I program note on =
38 as a momentary button meaning either Replace or Replace+Original, =
then the note off will presumably toggle the other way.

But this just comes from doing a little bit of poking into momentary =
buttons while programming up a controller so that I can start following =
all of the advice to "delve deeper". I didn't actually try using the =
momentary buttons feature.

Mark

P.S. I'm on whatever the current OS release is though I now gather that =
that's not necessarily the "best" choice.

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 15:37:17 2011
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Date: Mon, 3 Jan 2011 07:37:14 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: The EDP and the Looperlative
To: Loopers-Delight@loopers-delight.com
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--403450488-396319415-1294069034=:40065
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you can program note off messages to do whatever you like, instead of note on. 
Would that help?

antony



________________________________
From: Mark Hamburg <mark@grubmah.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, January 3, 2011 4:21:02 PM
Subject: Re: The EDP and the Looperlative

On Jan 3, 2011, at 5:49 AM, andy butler wrote:

> Mark Hamburg wrote:
>> On Jan 1, 2011, at 10:14 PM, Mark Hamburg wrote:
>>> I gather Dustbunnies manages to get SUS-style operations on the LP-1, but it 
>>>seems to depend on having a "decent" (his words) MIDI controller since it would 
>>>seem to depend on having a controller that will send note on or program change 
>>>messages on pedal release. 
>>>
>> I had entirely missed the momentary buttons portion of the Looperlative (I 
>>don't think it's mentioned in my user manual).
> 
> ...understandable
> ...because it's not there.
> The Looperlative will of course respond to commands that are sent when the 
>switch is released,
> but it doesn't itself have any SUS functionality.
> 
>> So, first of all: Cool that the Looperlative can exploit SUS commands if only 
>>for a Replace and Replace+Original -- though interestingly not QReplace.
> 
> For QReplace the Looperlative has a delay built in.
> When you start a QReplace the Looperlative won't respond to any new commands
> until it's finished.
> QReplace>QReplace>EndSequence will replace exactly one chunk of audio.
> ..and Multiple presses of that button will produce a very nice alternation
> of Replaced and unaltered chunks.
> 
>> Second: Yes, this requires the same sort of controller support as the EDP 
>>(though as I noted, the EDP also just works with its standard footpedal).
> 
> I don't think the LP1 can do SUS with a controller that just sends Note-Off on 
>release.
> ...has anyone tried getting the LP1 to midi-learn a Note-Off?

My impression is that the Looperlative has special support for Note Off via the 
momentary buttons facility. In other words, if I program note on 38 as a 
momentary button meaning either Replace or Replace+Original, then the note off 
will presumably toggle the other way.

But this just comes from doing a little bit of poking into momentary buttons 
while programming up a controller so that I can start following all of the 
advice to "delve deeper". I didn't actually try using the momentary buttons 
feature.

Mark

P.S. I'm on whatever the current OS release is though I now gather that that's 
not necessarily the "best" choice.


      
--403450488-396319415-1294069034=:40065
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>you can program note off messages to do whatever you like, instead of note on. Would that help?</div><div><br></div><div>antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Mark Hamburg &lt;mark@grubmah.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, January 3, 2011 4:21:02 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: The EDP and the Looperlative<br></font><br>
On Jan 3, 2011, at 5:49 AM, andy butler wrote:<br><br>&gt; Mark Hamburg wrote:<br>&gt;&gt; On Jan 1, 2011, at 10:14 PM, Mark Hamburg wrote:<br>&gt;&gt;&gt; I gather Dustbunnies manages to get SUS-style operations on the LP-1, but it seems to depend on having a "decent" (his words) MIDI controller since it would seem to depend on having a controller that will send note on or program change messages on pedal release. <br>&gt;&gt; I had entirely missed the momentary buttons portion of the Looperlative (I don't think it's mentioned in my user manual).<br>&gt; <br>&gt; ...understandable<br>&gt; ...because it's not there.<br>&gt; The Looperlative will of course respond to commands that are sent when the switch is released,<br>&gt; but it doesn't itself have any SUS functionality.<br>&gt; <br>&gt;&gt; So, first of all: Cool that the Looperlative can exploit SUS commands if only for a Replace and Replace+Original -- though interestingly not QReplace.<br>&gt;
 <br>&gt; For QReplace the Looperlative has a delay built in.<br>&gt; When you start a QReplace the Looperlative won't respond to any new commands<br>&gt; until it's finished.<br>&gt; QReplace&gt;QReplace&gt;EndSequence will replace exactly one chunk of audio.<br>&gt; ..and Multiple presses of that button will produce a very nice alternation<br>&gt; of Replaced and unaltered chunks.<br>&gt; <br>&gt;&gt; Second: Yes, this requires the same sort of controller support as the EDP (though as I noted, the EDP also just works with its standard footpedal).<br>&gt; <br>&gt; I don't think the LP1 can do SUS with a controller that just sends Note-Off on release.<br>&gt; ...has anyone tried getting the LP1 to midi-learn a Note-Off?<br><br>My impression is that the Looperlative has special support for Note Off via the momentary buttons facility. In other words, if I program note on 38 as a momentary button meaning either Replace or Replace+Original, then the note off
 will presumably toggle the other way.<br><br>But this just comes from doing a little bit of poking into momentary buttons while programming up a controller so that I can start following all of the advice to "delve deeper". I didn't actually try using the momentary buttons feature.<br><br>Mark<br><br>P.S. I'm on whatever the current OS release is though I now gather that that's not necessarily the "best" choice.<br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--403450488-396319415-1294069034=:40065--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 15:41:44 2011
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From: <fh@flatheadband.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Reyn vs Blaudzun - Quiet German Girls
Date: Mon, 03 Jan 2011 08:41:39 -0700
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>love Blaudzun...great job on the looping/backup playing.<br></div=
>
<blockquote id=3D"replyBlockquote" webmail=3D"1" style=3D"border-left: 2px =
solid blue; margin-left: 8px; padding-left: 8px; font-size: 10pt; color: bl=
ack; font-family: verdana;">
<div id=3D"wmQuoteWrapper">
-------- Original Message --------<br>
Subject: Reyn vs Blaudzun - Quiet German Girls<br>
From: Reyn Ouwehand &lt;<a href=3D"mailto:loopers-delight@reyn.net">loopers=
-delight@reyn.net</a>&gt;<br>
Date: Wed, December 29, 2010 10:25 am<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
<br>
Really simple looping, but I just love this song and wanted to share! :<br>
<br>
<a href=3D"http://www.youtube.com/watch_popup?v=3DMuqZAqxcwjg">http://www.y=
outube.com/watch_popup?v=3DMuqZAqxcwjg</a><br>
<br>
Cheers,<br>
<br>
Reyn<br>
<br>
<a href=3D"http://www.reyn.net">www.reyn.net</a><br>
<a href=3D"http://www.studio.reyn.net">www.studio.reyn.net</a><br>
<br>

</div>
</blockquote></span></body></html>

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Date: Mon, 3 Jan 2011 16:42:28 +0100
Message-ID: <AANLkTimqcNNVZn15M7DSRj8ta2K6Vgi5GA=ij42eJmib@mail.gmail.com>
Subject: Re: The EDP and the Looperlative
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> On Mon, Jan 3, 2011 at 4:00 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> Missing it in Mobius but finding some comfort in the scripting option

On Mon, Jan 3, 2011 at 4:12 PM, mark francombe <mark@markfrancombe.com> wro=
te:
> Are you saying you like to script in Mobius,

No, I hate scripting. Or programming. Or anything preparation... What
I meant is that the comfort comes with other stuff (than EDP Loop
Window-ing) you can play by using scripts.

> or that you HAVE FOUND some
> kinda=C2=A0 emulation using scripting.. if you have.. gimme!

Sorry for being inaccurate. If someone should mock up an EDP style
loop window script for Mobius it would be ultra cool. But I suspect
something similar should be possible with the (rather) new random
statements.

Like in my "Shuffle This" and "Shuffle That" scripts you downloaded
and tried out. But those two were only quick mock-ups to test out the
new statement. Now I have forgotten how they work (curse of my brainz
- learns fast, forgets even faster). If you check those scripts the
random statements are there and then you can read up on what they do
in the Scripting Manual. And then you can create the legendary (to be)
"Loop Window Mark I" script to share with the Mobius community ;-)

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 15:46:52 2011
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Date: Mon, 3 Jan 2011 09:46:49 -0600
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Subject: Re: The EDP and the Looperlative
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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> On Mon, Jan 3, 2011 at 9:12 AM, mark francombe <mark@markfrancombe.com>
wrote:
> Why cant we have a mode in Mobius called.. er... Window.. eh Jeff?

Good things come to those who wait.

I've tried to simulate loop windowing with scripts but have not come up
with anything satisfactory.  Someone suggested (maybe you?) a script
that would use a combination of Undo, Move, and SUSUnroundedMultiply to
cut out a piece of the last layer, let it play once, then Undo back
and cut out the piece before the last, repeating until you reach the
start of the layer.  Then Undo twice to go back two layers, repeat until
you run out of layers.

That would actually be possible but it would be a relatively complicated
script.  The main difference between this and loop windowing is that the
window can't span two layers.  I gave up on it because it seemed easier
just to implement loop windowing than to write that script :)  But that
got shelved during the Great Documentation Frenzy that's been going on
the past year.  I will be back to coding again in 2011.

Jeff

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<div>&gt; On Mon, Jan 3, 2011 at 9:12 AM, mark francombe &lt;<a href=3D"mai=
lto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:</div><div=
>&gt; Why cant we have a mode in Mobius called.. er... Window.. eh Jeff?=A0=
</div>
<div><br></div><div>Good things come to those who wait.</div><div><br></div=
><div>I&#39;ve tried to simulate loop windowing with scripts but have not c=
ome up</div><div>with anything satisfactory. =A0Someone suggested (maybe yo=
u?) a script</div>
<div>that would use a combination of Undo, Move, and SUSUnroundedMultiply t=
o</div><div>cut out a piece of the last layer, let it play once, then Undo =
back</div><div>and cut out the piece before the last, repeating until you r=
each the</div>
<div>start of the layer. =A0Then Undo twice to go back two layers, repeat u=
ntil</div><div>you run out of layers. =A0</div><div><br></div><div>That wou=
ld actually be possible but it would be a relatively complicated</div><div>
script. =A0The main difference between this and loop windowing is that the<=
/div><div>window can&#39;t span two layers. =A0I gave up on it because it s=
eemed easier</div><div>just to implement loop windowing than to write that =
script :) =A0But that</div>
<div>got shelved during the Great Documentation Frenzy that&#39;s been goin=
g on=A0</div><div>the past year. =A0I will be back to coding again in 2011.=
</div><div><br></div><div>Jeff</div><div><br></div>

--0015175cb6f265bde00498f30f0f--

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Date: Mon, 3 Jan 2011 10:58:28 -0500
Message-ID: <AANLkTinA9DE8PSQ_KKKLSK3bbfm7zLZCr5mYfW3PfDas@mail.gmail.com>
Subject: Re: Re: (re)-discovering your gear that sits on your board (boss slicer)
From: Paul Pokorski <butchband@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015175ca98a08e8490498f339b7
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Kinda in a similar mode....I picked up a Behringer RV600 Reverb Machine and
a EM600 Echo Machine. They are fairly inexpensive (approx. $50 USD). I
believe the Reverb Machine is a copy of the Line 6 Verbzilla. Anyway, for
the money, they are really excellent pedals. Lots of great tonal
options/features. Bright (VERY bright) blue LED's that I have to cover up
with my finger to make an adjustment to the pedal. Anyway, for those on a
budget, check 'em out!

Butch

On Sun, Jan 2, 2011 at 4:06 AM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Dustbunnies wrote:
>
>> Yep, like the DD-20, this one is a sleeper.  There are some very cool
>> things that you can get it to do, with a little advanced thought.
>>
> Would you be into resinging those praises,  Duke.
> I've never used a dedicated digital delay stomp box pedal but
> I'm suddenly really hankering to learn how to do that.
> I've heard people talk about the coolness of the DD-20 but never really
> known what hip alternative things it can do.
>
> and sorry for asking so much from you.   Your posts have just really lit a
> fire under
> me today on this first day of 2011.
>
> Great way to start.  Thanks for your creativity.
>
> rick walker
>
>

--0015175ca98a08e8490498f339b7
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<div>Kinda in a similar mode....I picked up a Behringer RV600 Reverb Machin=
e and a EM600 Echo Machine. They are fairly inexpensive (approx. $50 USD). =
I believe the Reverb Machine is a copy of the Line 6 Verbzilla. Anyway, for=
 the money, they are really excellent pedals. Lots of great tonal options/f=
eatures. Bright (VERY bright) blue LED&#39;s that I have to cover up with m=
y finger to make an adjustment to the pedal. Anyway, for those on a budget,=
 check &#39;em out!</div>

<div>=A0</div>
<div>Butch<br><br></div>
<div class=3D"gmail_quote">On Sun, Jan 2, 2011 at 4:06 AM, Rick Walker <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.co=
m</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">On 7/22/64 11:59 AM, Dustbunnies wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Yep, like the DD-20, this one is=
 a sleeper. =A0There are some very cool things that you can get it to do, w=
ith a little advanced thought. <br>
</blockquote></div>Would you be into resinging those praises, =A0Duke.<br>I=
&#39;ve never used a dedicated digital delay stomp box pedal but<br>I&#39;m=
 suddenly really hankering to learn how to do that.<br>I&#39;ve heard peopl=
e talk about the coolness of the DD-20 but never really<br>
known what hip alternative things it can do.<br><br>and sorry for asking so=
 much from you. =A0 Your posts have just really lit a fire under<br>me toda=
y on this first day of 2011.<br><br>Great way to start. =A0Thanks for your =
creativity.<br>
<font color=3D"#888888"><br>rick walker<br><br></font></blockquote></div><b=
r>

--0015175ca98a08e8490498f339b7--

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Subject: Re: (re)-discovering your gear that sits on your board (boss slicer)
References: <C946246A.D9B%mech@m3ch.net> <4D203FFF.30401@cruzio.com> <AANLkTinA9DE8PSQ_KKKLSK3bbfm7zLZCr5mYfW3PfDas@mail.gmail.com>
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--Apple-Mail-12-83285905
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Anybody played with a gnx4 digitech for looping? My son has hus under the be=
d, bit of a waste ;(

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 3, 2011, at 10:58 AM, "Paul Pokorski" <butchband@gmail.com> wrote:

> Kinda in a similar mode....I picked up a Behringer RV600 Reverb Machine an=
d a EM600 Echo Machine. They are fairly inexpensive (approx. $50 USD). I bel=
ieve the Reverb Machine is a copy of the Line 6 Verbzilla. Anyway, for the m=
oney, they are really excellent pedals. Lots of great tonal options/features=
. Bright (VERY bright) blue LED's that I have to cover up with my finger to m=
ake an adjustment to the pedal. Anyway, for those on a budget, check 'em out=
!
> =20
> Butch
>=20
> On Sun, Jan 2, 2011 at 4:06 AM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, Dustbunnies wrote:
> Yep, like the DD-20, this one is a sleeper.  There are some very cool thin=
gs that you can get it to do, with a little advanced thought.=20
> Would you be into resinging those praises,  Duke.
> I've never used a dedicated digital delay stomp box pedal but
> I'm suddenly really hankering to learn how to do that.
> I've heard people talk about the coolness of the DD-20 but never really
> known what hip alternative things it can do.
>=20
> and sorry for asking so much from you.   Your posts have just really lit a=
 fire under
> me today on this first day of 2011.
>=20
> Great way to start.  Thanks for your creativity.
>=20
> rick walker
>=20
>=20

--Apple-Mail-12-83285905
Content-Transfer-Encoding: 7bit
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	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Anybody played with a gnx4 digitech for looping? My son has hus under the bed, bit of a waste ;(<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 3, 2011, at 10:58 AM, "Paul Pokorski" &lt;<a href="mailto:butchband@gmail.com">butchband@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><div>Kinda in a similar mode....I picked up a Behringer RV600 Reverb Machine and a EM600 Echo Machine. They are fairly inexpensive (approx. $50 USD). I believe the Reverb Machine is a copy of the Line 6 Verbzilla. Anyway, for the money, they are really excellent pedals. Lots of great tonal options/features. Bright (VERY bright) blue LED's that I have to cover up with my finger to make an adjustment to the pedal. Anyway, for those on a budget, check 'em out!</div>

<div>&nbsp;</div>
<div>Butch<br><br></div>
<div class="gmail_quote">On Sun, Jan 2, 2011 at 4:06 AM, Rick Walker <span dir="ltr">&lt;<a href="mailto:looppool@cruzio.com"><a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a></a>&gt;</span> wrote:<br>
<blockquote style="BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class="gmail_quote">
<div class="im">On 7/22/64 11:59 AM, Dustbunnies wrote:<br>
<blockquote style="BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class="gmail_quote">Yep, like the DD-20, this one is a sleeper. &nbsp;There are some very cool things that you can get it to do, with a little advanced thought. <br>
</blockquote></div>Would you be into resinging those praises, &nbsp;Duke.<br>I've never used a dedicated digital delay stomp box pedal but<br>I'm suddenly really hankering to learn how to do that.<br>I've heard people talk about the coolness of the DD-20 but never really<br>
known what hip alternative things it can do.<br><br>and sorry for asking so much from you. &nbsp; Your posts have just really lit a fire under<br>me today on this first day of 2011.<br><br>Great way to start. &nbsp;Thanks for your creativity.<br>
<font color="#888888"><br>rick walker<br><br></font></blockquote></div><br>
</div></blockquote></body></html>
--Apple-Mail-12-83285905--

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Date: Mon, 3 Jan 2011 17:39:02 +0100
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Subject: Re: (re)-discovering your gear that sits on your board (boss slicer)
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On Mon, Jan 3, 2011 at 5:03 PM, Andy Owens <andy@1800dialword.com> wrote:
> Anybody played with a gnx4 digitech for looping?


Not the 4, but I was once lent a GNX3000 for testing. It was crap for
looping, because the built-in recoding option is designed for learning
parts of recorded music rather than for performing. But the effects,
amp and cabinet simulation, called "Component-Based Modeling", sounds
excellent! I briefly read up on the GNX4 now and its spec's doesn't
list that technique so maybe it doesn't sound as good? Both units are
discontinued by now and I have no idea which one is the modern. Seems
the 4 has a more advanced recorder, but I would guess it is not fun to
loop with that. Better then use it as a sound creating pre amp and
loop its sound with a real looper. Why don't don't you plug in and
check it out? Must be quicker and more accurate than asking here as
you have the GNX4 as close as under your son's bed ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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On Mon, Jan 3, 2011 at 4:46 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

> I will be back to coding again in 2011.


In case you noticed Jeff, its already 3 days into 2011.. What are you
waiting for???

:-)

Seriously tho, for me, it just has to "sound like" loop windowing, it doesnt
have to be a genuine implementation of the EDP quirk.

Infact, is there a mode that can simple loop WITHIN a greater loop, like a
programmable start/end point? cos all you have to do is move that about...

I was about to post this on you forum Jeff, but I lost my password... I cant
find any documentation on trim, move or slip... I was sure that using some
combination of this I could at least make something that sounded like it...


Mark

PS: did we just hi-jack this thread BTW? sorry..


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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<br><br><div class=3D"gmail_quote">On Mon, Jan 3, 2011 at 4:46 PM, Jeff Lar=
son <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com">jeff=
.larson@sailpoint.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">

I will be back to coding again in 2011.</blockquote></div><br>In case you n=
oticed Jeff, its already 3 days into 2011.. What are you waiting for???<br>=
<br>:-)<br><br>Seriously tho, for me, it just has to &quot;sound like&quot;=
 loop windowing, it doesnt have to be a genuine implementation of the EDP q=
uirk.<br>

<br>Infact, is there a mode that can simple loop WITHIN a greater loop, lik=
e a programmable start/end point? cos all you have to do is move that about=
... <br><br>I was about to post this on you forum Jeff, but I lost my passw=
ord... I cant find any documentation on trim, move or slip... I was sure th=
at using some combination of this I could at least make something that soun=
ded like it...<br>

<br><br>Mark<br><br>PS: did we just hi-jack this thread BTW? sorry..<br><br=
 clear=3D"all"><br>-- <br>mark francombe<br><a href=3D"http://www.markfranc=
ombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com=
">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--90e6ba6e89b0b8371c0498f41612--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 17:10:22 2011
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Subject: Re: (re)-discovering your gear that sits on your board (boss slicer)
References: <C946246A.D9B%mech@m3ch.net> <4D203FFF.30401@cruzio.com> <AANLkTinA9DE8PSQ_KKKLSK3bbfm7zLZCr5mYfW3PfDas@mail.gmail.com> <2B950011-27B3-4D22-B283-9EE6E3BC3349@1800dialword.com> <AANLkTint3aidfhhBT_E3aKMEwKcrxfYoP6odtzKTL-bZ@mail.gmail.com>
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Date: Mon, 3 Jan 2011 12:08:26 -0500
thread-topic: (re)-discovering your gear that sits on your board (boss slicer)
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Thanks Per good idea, just dont wanna sell it if it can loop. Like the instr=
ument sounds on it, bit complicated for an 18 yr old that just wants to play=
 mando and write songs all day!!!

If you come to the states, your guest quarters are all ready!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 3, 2011, at 11:39 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 3, 2011 at 5:03 PM, Andy Owens <andy@1800dialword.com> wrote:
>> Anybody played with a gnx4 digitech for looping?
>=20
>=20
> Not the 4, but I was once lent a GNX3000 for testing. It was crap for
> looping, because the built-in recoding option is designed for learning
> parts of recorded music rather than for performing. But the effects,
> amp and cabinet simulation, called "Component-Based Modeling", sounds
> excellent! I briefly read up on the GNX4 now and its spec's doesn't
> list that technique so maybe it doesn't sound as good? Both units are
> discontinued by now and I have no idea which one is the modern. Seems
> the 4 has a more advanced recorder, but I would guess it is not fun to
> loop with that. Better then use it as a sound creating pre amp and
> loop its sound with a real looper. Why don't don't you plug in and
> check it out? Must be quicker and more accurate than asking here as
> you have the GNX4 as close as under your son's bed ;-)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

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Subject: Mobius loop windowing simulation
From: Jeff Larson <jeff.larson@sailpoint.com>
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> Infact, is there a mode that can simple loop WITHIN a greater loop,
> like a programmable start/end point?

That would be easier.  Set a start point, wait for 1/2 second or whatever,
then jump backward, wait another 1/2 second, jump back, etc.

> I cant find any documentation on trim, move or slip...

I just uploaded a reference manual, you can get it (and the others) here.

   http://www.circularlabs.com/documentation/documentation.html


Jeff

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<div><br></div><div>&gt; Infact, is there a mode that can simple loop WITHI=
N a greater loop,</div><div>&gt; like a programmable start/end point?</div>=
<div><br></div><div>That would be easier. =A0Set a start point, wait for 1/=
2 second or whatever,</div>
<div>then jump backward, wait another 1/2 second, jump back, etc. =A0</div>=
<div><br></div><div>&gt; I cant find any documentation on trim, move or sli=
p...=A0</div><div><br></div><div>I just uploaded a reference manual, you ca=
n get it (and the others) here.</div>
<div><br></div><div>=A0=A0=A0<a href=3D"http://www.circularlabs.com/documen=
tation/documentation.html">http://www.circularlabs.com/documentation/docume=
ntation.html</a></div><div><br></div><div><br></div><div>Jeff</div><div><br=
></div>

--0016e64dda763c77910498f45d17--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 17:27:32 2011
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Subject: Re: Re: (re)-discovering your gear that sits on your board (boss slicer)
From: Jeff Duke <jeffloops@gmail.com>
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One of my favorite discoveries last year is my Digitech TimeBender. I
have only scratched the surface and find new sounds every time I sit
down with it. I do wish it had more than 4 presets With a ex ped
youcan  actually get more than that though.

this guy does a couple of great demo vids here.

http://www.youtube.com/watch?v=3D4arlipIwfIk
http://www.youtube.com/watch?v=3DhHRk2HO-kpo

It also has the extremely bright blue led that I had to put tape over.

peace out,

Jeff

On Mon, Jan 3, 2011 at 10:58 AM, Paul Pokorski <butchband@gmail.com> wrote:
> Kinda in a similar mode....I picked up a Behringer RV600 Reverb Machine a=
nd
> a EM600 Echo Machine. They are fairly inexpensive (approx. $50 USD). I
> believe the Reverb Machine is a copy of the Line 6 Verbzilla. Anyway, for
> the money, they are really excellent pedals. Lots of great tonal
> options/features. Bright (VERY bright) blue LED's that I have to cover up
> with my finger to make an adjustment to the pedal. Anyway, for those on a
> budget, check 'em out!
>
> Butch
>
> On Sun, Jan 2, 2011 at 4:06 AM, Rick Walker <looppool@cruzio.com> wrote:
>>
>> On 7/22/64 11:59 AM, Dustbunnies wrote:
>>>
>>> Yep, like the DD-20, this one is a sleeper. =A0There are some very cool
>>> things that you can get it to do, with a little advanced thought.
>>
>> Would you be into resinging those praises, =A0Duke.
>> I've never used a dedicated digital delay stomp box pedal but
>> I'm suddenly really hankering to learn how to do that.
>> I've heard people talk about the coolness of the DD-20 but never really
>> known what hip alternative things it can do.
>>
>> and sorry for asking so much from you. =A0 Your posts have just really l=
it a
>> fire under
>> me today on this first day of 2011.
>>
>> Great way to start. =A0Thanks for your creativity.
>>
>> rick walker
>>
>
>

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Subject: Re: Mobius loop windowing simulation
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On Mon, Jan 3, 2011 at 6:20 PM, Jeff Larson <jeff.larson@sailpoint.com> wro=
te:
> I just uploaded a reference manual, you can get it (and the others) here.
> =C2=A0=C2=A0=C2=A0http://www.circularlabs.com/documentation/documentation=
.html


Nice with pictures in the manual! Less mysterious that way. Further on
"The Mysterious $" finally explained while "The Mysterious Arguments"
implies there might be even more to come...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: RE: Re: (re)-discovering your gear that sits on your board (boss slicer)
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Thread-Topic: Re: (re)-discovering your gear that sits on your board (boss slicer)
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From: "Andy Owens" <andy@1800dialword.com>
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My fav gear I refound this year is a 1926 Gibson K4 Mandocello, I had =
had it strung as octave mandolin for about 15 years, and there it =
languished, it just wasn't happy, I am a Gibson endorsee and when their =
acoustic factory flooded in Nashville, the head of mandos, Dave Harvey =
was in process of restoring it, and he got it out of there just as the =
flood waters reached the door of the building, saved, finished and back =
to true mandocello form, aswesome!!!!!

-----Original Message-----
From: Jeff Duke [mailto:jeffloops@gmail.com]=20
Sent: Monday, January 03, 2011 12:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: (re)-discovering your gear that sits on your board =
(boss slicer)

One of my favorite discoveries last year is my Digitech TimeBender. I
have only scratched the surface and find new sounds every time I sit
down with it. I do wish it had more than 4 presets With a ex ped
youcan  actually get more than that though.

this guy does a couple of great demo vids here.

http://www.youtube.com/watch?v=3D4arlipIwfIk
http://www.youtube.com/watch?v=3DhHRk2HO-kpo

It also has the extremely bright blue led that I had to put tape over.

peace out,

Jeff

On Mon, Jan 3, 2011 at 10:58 AM, Paul Pokorski <butchband@gmail.com> =
wrote:
> Kinda in a similar mode....I picked up a Behringer RV600 Reverb =
Machine and
> a EM600 Echo Machine. They are fairly inexpensive (approx. $50 USD). I
> believe the Reverb Machine is a copy of the Line 6 Verbzilla. Anyway, =
for
> the money, they are really excellent pedals. Lots of great tonal
> options/features. Bright (VERY bright) blue LED's that I have to cover =
up
> with my finger to make an adjustment to the pedal. Anyway, for those =
on a
> budget, check 'em out!
>
> Butch
>
> On Sun, Jan 2, 2011 at 4:06 AM, Rick Walker <looppool@cruzio.com> =
wrote:
>>
>> On 7/22/64 11:59 AM, Dustbunnies wrote:
>>>
>>> Yep, like the DD-20, this one is a sleeper. =A0There are some very =
cool
>>> things that you can get it to do, with a little advanced thought.
>>
>> Would you be into resinging those praises, =A0Duke.
>> I've never used a dedicated digital delay stomp box pedal but
>> I'm suddenly really hankering to learn how to do that.
>> I've heard people talk about the coolness of the DD-20 but never =
really
>> known what hip alternative things it can do.
>>
>> and sorry for asking so much from you. =A0 Your posts have just =
really lit a
>> fire under
>> me today on this first day of 2011.
>>
>> Great way to start. =A0Thanks for your creativity.
>>
>> rick walker
>>
>
>

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Subject: Re: Re: (re)-discovering your gear that sits on your board (boss slicer)
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On Mon, Jan 3, 2011 at 6:27 PM, Jeff Duke <jeffloops@gmail.com> wrote:
> One of my favorite discoveries last year is my Digitech TimeBender. I
> have only scratched the surface and find new sounds every time I sit
> down with it. I do wish it had more than 4 presets With a ex ped
> youcan =C2=A0actually get more than that though.
>
> this guy does a couple of great demo vids here.
>
> http://www.youtube.com/watch?v=3D4arlipIwfIk
> http://www.youtube.com/watch?v=3DhHRk2HO-kpo


Seems to be a cool pedal! Gives some sonic tools similar to the PSP
N2O software plugin I reported of four days ago.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: The EDP and the Looperlative
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On Mon, Jan 3, 2011 at 6:00 PM, mark francombe <mark@markfrancombe.com> wrote:
> PS: did we just hi-jack this thread BTW? sorry..

darn u lappy gangsters!!!

Per Police

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 18:38:00 2011
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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> So, first of all: Cool that the Looperlative can exploit SUS commands if only for a Replace and Replace+Original -- though interestingly not QReplace.
With all respect, you need to keep digging, Mark,

  The momentary (SUS) nature of midi commands
does work with QReplace.  It's one of the constant tricks of my 
performances.
I actually lobbied successfully for it's inclusion, originally, because 
I loved
the SUS = Substitute functionality of my EDP and wanted something 
similar in the LP-1.

But I might understand why you thought differently because you have to 
go two
places in the machine's menu to set it up correctly

So, not to assume, but in case you didn't know,

here's how you do it:

Q steps are assigned per track on the Looperlative (and NOT in the main 
menu)

If you hit a track number 7, say,   and then scroll through all of the 
options for that
individual track you will hit QSteps and can then set an integer value 
which
will represent the rhythmic value that the LP-1 will slice the track 
into (silently).

On my Looperlative I set

track 1 to 4/4 in 16th note increments (Qsteps = 16)
track 2   4/4   in 8th notes (Q = 8)
track 3   4/4   in triplet 8th notes (Q = 12)
track 4   in some large number that isn't divisible by 2  (i.e., Q = 
53)  for glitching
track 5   5/4   in 8th notes (Q = 10)
track 6   6/8   in 8th notes (Q=6)
track 7   7/8   in 8th notes (Q = 7)
track 8   9/8   in 8th notes (Q = 9)

In this way, I have most of the common time signatures and musical slice 
values
that I'll need in a piece of music.

In order to get this to work you need to program a button on your midi 
pedals
(back in the main menu) with Q replace on the first command and Q 
replace on the second command.
(I'm not even sure why this is necessary but I know practically that it is)

Now, every time you make a momentary press,  the machine will replace 
the very next
full 'slice' (or Q)  with whatever it is that you are playing currently.

This is a beautiful technique.
I use it in a very 'square' wave heavy handed way, but people like my 
brother use
it in conjunction with other settings including different feedback settings.

I hope that helps you.

yours,
Rick Walker


From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 18:53:24 2011
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On 7/22/64 11:59 AM, Dustbunnies wrote:
> My next experiment was going to be to add a multi-effect into the feedback
> loop, between Unit 2's output and Unit 1's second input.  So you could then
> apply other effects (pitchshift, bit-reduction, or maybe yet another delay!)
> to the Susoverdubbed parts before printing them back onto the original loop.
>
> Unfortunately, never had the time to implement that last part....
Oh, this is SUCH a juicy idea.

Shit,   bad GAS coming on...................because of you I'm probably 
going to have to
go out and buy two DD-20s (and they're pricey, aren't they).


This makes me think:   wouldn't it be hip to have a side chain in your 
effects
whose wet volume could be controlled in an on/off way by
a non-latched pedal so you could glitch processing in and out.

I imagine this might be simply done by merely circuit bending a
typical A/B loop pedal (so that you could plug in a controlling 
non-latch pedal)

In a way, that's what I was going for in the Walker Manual Glitch Box
(which is controlled by four momentary (edp styled) buttons that
allow one to glitch between two audio states.

1) button pushed       =  (audio in,  pink noise, white noise or silence)
2) button not pushed = (audio in , pink noise, white noise or silence)

(then, parenthetically,   each state can be controlled in real time with
Volume, Frequency Range,  Q)

Glitching with one hand (with either finger drum or guitar hammer on 
techniques)
and controlling the timbre with the other hand.

By the way,   Bill Putnam will be bringing me a new, very compact box 
with a powerful
processor in it this week so we can see if we can get this concept into a
much smaller footprint (though I love how industrially sized the 
prototype is).

Who knows......we might be able to make it commercially available at 
some point.
Don't hold your breath, but I'm suddenly optimistic.

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On Mon, Jan 3, 2011 at 6:20 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

> That would be easier.  Set a start point, wait for 1/2 second or whatever,
> then jump backward, wait another 1/2 second, jump back, etc.
>

Yes... but I wouldnt want it to be based on seconds, rather ones 8th per
cycle setting...
Thunking aloud here, but maybe it could be a 2 stage command. Window Start,
and window.. er.. close.. so that would have to be Window OPEN I guess ha
ha...

So window open, would start looping ONLY the sub-cycle you were currently
in, WITHOUT erasing what came before or after. (Probably sound the same as a
trim start/end) but then a SLIP command, would take you to the next, but
previously hidden, section of the loop, or the previous section of the loop,
depending on the slip command.

Window Close, would stop the sub cycle looping and the loop would continue
to play next time it hit the sub cycle boundary?

This way I think you have most flexibility, you can have as big or as little
a window as you like by setting the 8th setting, then you can use any type
of manipulation to bring parts of the loop into the window, and then when
you want to come out you can just let go, and "close the fucking window!"

Just brainstormin...

(alot more fun than brainstorming a script for a corporate values film for
Atmel in San Jose ... yawn..)

Mark



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83847e71240498f5cf05
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On Mon, Jan 3, 2011 at 6:20 PM, Jeff Larson <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</a>&gt;</sp=
an> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">

<div>That would be easier. =A0Set a start point, wait for 1/2 second or wha=
tever,</div>
<div>then jump backward, wait another 1/2 second, jump back, etc. =A0</div>=
<div></div></blockquote></div><br>Yes... but I wouldnt want it to be based =
on seconds, rather ones 8th per cycle setting... <br>Thunking aloud here, b=
ut maybe it could be a 2 stage command. Window Start, and window.. er.. clo=
se.. so that would have to be Window OPEN I guess ha ha...<br>

<br>So window open, would start looping ONLY the sub-cycle you were current=
ly in, WITHOUT erasing what came before or after. (Probably sound the same =
as a trim start/end) but then a SLIP command, would take you to the next, b=
ut previously hidden, section of the loop, or the previous section of the l=
oop, depending on the slip command.<br>

<br>Window Close, would stop the sub cycle looping and the loop would conti=
nue to play next time it hit the sub cycle boundary?<br><br>This way I thin=
k you have most flexibility, you can have as big or as little a window as y=
ou like by setting the 8th setting, then you can use any type of manipulati=
on to bring parts of the loop into the window, and then when you want to co=
me out you can just let go, and &quot;close the fucking window!&quot;<br>

<br>Just brainstormin... <br><br>(alot more fun than brainstorming a script=
 for a corporate values film for Atmel in San Jose ... yawn..)<br><br>Mark<=
br><br><br clear=3D"all"><br>-- <br>mark francombe<br><a href=3D"http://www=
.markfrancombe.com">www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83847e71240498f5cf05--

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nice!

On Mon, Jan 3, 2011 at 6:20 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

> I just uploaded a reference manual, you can get it (and the others) here.
>
>    http://www.circularlabs.com/documentation/documentation.html
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a4cf5f5f20498f5d10b
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nice! <br><br><div class=3D"gmail_quote">On Mon, Jan 3, 2011 at 6:20 PM, Je=
ff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com=
">jeff.larson@sailpoint.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(=
204, 204, 204); padding-left: 1ex;">

<div>I just uploaded a reference manual, you can get it (and the others) he=
re.</div>
<div><br></div><div>=A0=A0=A0<a href=3D"http://www.circularlabs.com/documen=
tation/documentation.html" target=3D"_blank">http://www.circularlabs.com/do=
cumentation/documentation.html</a></div></blockquote></div><br><br clear=3D=
"all"><br>

-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.markf=
rancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.co=
m</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">=
http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4cf5f5f20498f5d10b--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 19:11:06 2011
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Shit,  if it was either Dre or Claude
I apologize profusely.

I always want to give credit where credit is due
but my memory can get really fuzzy these days, I have to admit.

rick walker




On 7/22/64 11:59 AM, andy butler wrote:
> Rick Walker wrote:
>
>> I'll probably mangle this, but my understanding is that 'Loop Windowing'
>> was a bug that people deemed fascinating so they left it in (I can't 
>> remember who
>> was it's champion but I imagine it was either Andy Butler or , 
>> perhaps,  Andre LaFosse---
>> historians, please weigh in here with accuracy,  my mind is very 
>> fuzzy and I want
>> to give credit where credit is due).
>
> Loop windowing was discovered in Loop3, before my time.
> Andre was keen on it, I remember, and Claude Voit.
>
> andy

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 19:12:32 2011
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Subject: Re: Q Steps (SUS = Substitute) commands in the LP-1
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Rick Walker wrote:

> In order to get this to work you need to program a button on your midi 
> pedals
> (back in the main menu) with Q replace on the first command and Q 
> replace on the second command.
> (I'm not even sure why this is necessary but I know practically that it is)

The first QReplace command causes the lP1 to wait for the next
quantise point, then it goes into Replace and also blocks
the LP1 from processing any more commands until the next
quantise point is reached.
The Second Quantise command then ends the Replace.

It's actually not a SUS function in any sense except
that it mimics how the EDP deals with quantised SUS
in the cases when the button is released *before* the function starts.

andy

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 19:12:57 2011
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I just posted without reading your Andy's post about SUS commands
and my post was inaccurate after reading his, stating that true
SUS commands are not possible in the LP-1.
(wouldn't that be fairly easy to program into the software of the unit, 
out of curiosity?)

I guess it can't do SUS commands but the effect seems very similar
to the SUS = Substitute  function in the EDP when it was
used with a quantized press.   Now it's been so long since I've done this
I might be mangling the command sequence but anyone who's used this
function in the EDP knows what I'm talking about.

I always used SUS =  Substitute in a momentary way to create silent 
glitching
in a loop but I found that I can get much shorter glitches by setting
Q steps to a fairly high integer, so the effect is very, very close to 
the same
audibly (in fact,  I'll bet I could put both units side by side and 
people would be hard pressed to
hear the difference , save the better fidelity and stereo functionality 
of the LP-1).

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 19:15:58 2011
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Awesome idea, Mark.

Can you put up an audio example of this approach?

I'm so stimulated by your and Duke's technique inventions this past week.

and Happy New Years to you and your lovely family,

love,
rick walker


On 7/22/64 11:59 AM, mark francombe wrote:
> What I love to do with Loop Windowing is to make a real long loop (on 
> my second EDP), with many multiplies and overdubs.. then all of a 
> sudden hit multiply rec as fast as poss, to make a tiny buzzing loop.
> Then I hit play on my drum-machine that just has a lot of G7s 
> programmed in a row. (G7 is the midi note for UNDO on the EDP) The 
> drum machine is not heard, its just sending midi notes to the EDP.. at 
> 32nds of the beat. The drum machines speed in comparison to the EDP is 
> set by my first EDPs 8ths setting as the EDP sends midi clock at this 
> value. Then the second EDP loop windows at that speed thru the whole 
> memory of the EDP... if the loop was very long and the new loop very 
> short it can last an eternity!
>
> My life these days is spent trying to find an equivalent sound in 
> mobius... Im afraid I have been unsuccessful...
>
> Mark
>
>
>
> -- 
> mark francombe
> www.markfrancombe.com <http://www.markfrancombe.com>
> www.ordoabkhao.com <http://www.ordoabkhao.com>
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

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TBH Rick... although Andre certainly "made it his funky groov thang"... Loop
windowing really is just a built in, everyday, bit of EDP Bread and Butter,
for anyone who uses an EDP, the reason I say this is because it really just
the way the EDP does UNDO.
So if you undo, you are kinda windowing... at least if you have changed the
length of the loop AT ALL... longer OR shorter, some kind of loop windowing
will occur. Its one of the beutiful things about playing with an EDP, you
stomp about inserting, multiplying up, multiplying down undo a bit, long
multiply, insert a few subs, over dun over the lot twice, multiply out as
you play, cut it right back to a glitch, and undo... and WHAM... all sorts
of wonderful snippets of memories pop out.. its almost like a broken mirror
of sound, little fragments of the sound pictures reflecting tiny pieces of
long forgotton sounds... *long toke* ---- exhale... um... and... um....
where was I?


Mark

On Mon, Jan 3, 2011 at 8:10 PM, Rick Walker <looppool@cruzio.com> wrote:

> Shit,  if it was either Dre or Claude
> I apologize profusely.
>
> I always want to give credit where credit is due
> but my memory can get really fuzzy these days, I have to admit.
>
> rick walker
>
>
>
>
>
> On 7/22/64 11:59 AM, andy butler wrote:
>
>> Rick Walker wrote:
>>
>>  I'll probably mangle this, but my understanding is that 'Loop Windowing'
>>> was a bug that people deemed fascinating so they left it in (I can't
>>> remember who
>>> was it's champion but I imagine it was either Andy Butler or , perhaps,
>>>  Andre LaFosse---
>>> historians, please weigh in here with accuracy,  my mind is very fuzzy
>>> and I want
>>> to give credit where credit is due).
>>>
>>
>> Loop windowing was discovered in Loop3, before my time.
>> Andre was keen on it, I remember, and Claude Voit.
>>
>> andy
>>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549a673c3e030498f60ce1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

TBH Rick... although Andre certainly &quot;made it his funky groov thang&qu=
ot;... Loop windowing really is just a built in, everyday, bit of EDP Bread=
 and Butter, for anyone who uses an EDP, the reason I say this is because i=
t really just the way the EDP does UNDO. <br>

So if you undo, you are kinda windowing... at least if you have changed the=
 length of the loop AT ALL... longer OR shorter, some kind of loop windowin=
g will occur. Its one of the beutiful things about playing with an EDP, you=
 stomp about inserting, multiplying up, multiplying down undo a bit, long m=
ultiply, insert a few subs, over dun over the lot twice, multiply out as yo=
u play, cut it right back to a glitch, and undo... and WHAM... all sorts of=
 wonderful snippets of memories pop out.. its almost like a broken mirror o=
f sound, little fragments of the sound pictures reflecting tiny pieces of l=
ong forgotton sounds... *long toke* ---- exhale... um... and... um.... wher=
e was I?<br>

<br><br>Mark<br><br><div class=3D"gmail_quote">On Mon, Jan 3, 2011 at 8:10 =
PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com=
">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">

Shit, =A0if it was either Dre or Claude<br>
I apologize profusely.<br>
<br>
I always want to give credit where credit is due<br>
but my memory can get really fuzzy these days, I have to admit.<br><font co=
lor=3D"#888888">
<br>
rick walker</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
<br>
On 7/22/64 11:59 AM, andy butler wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Rick Walker wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I&#39;ll probably mangle this, but my understanding is that &#39;Loop Windo=
wing&#39;<br>
was a bug that people deemed fascinating so they left it in (I can&#39;t re=
member who<br>
was it&#39;s champion but I imagine it was either Andy Butler or , perhaps,=
 =A0Andre LaFosse---<br>
historians, please weigh in here with accuracy, =A0my mind is very fuzzy an=
d I want<br>
to give credit where credit is due).<br>
</blockquote>
<br>
Loop windowing was discovered in Loop3, before my time.<br>
Andre was keen on it, I remember, and Claude Voit.<br>
<br>
andy<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549a673c3e030498f60ce1--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 19:30:11 2011
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A website advertisement, today,  announced a
$450 price on this laptop computer

The HP ProBook 4520s XT943UT laptop with
Intel Core i3-370M 2.40GHz processor and 2GB DDR3 Memory
15.6-inch HD anti-glare LED-backlit Display
802.11b/g/n wireless connectivity
Bluetooth 2.1 +EDR
Windows 7 Home Premium 32-bit Operating System


Would you advanced laptop looping or laptop video projecting folks think 
that this is a good enough machine
to handle, say  the Virtual EDP, Mobius and Plogue or Ableton's Live
in a live situation?

Does such a computer have the capacity for more RAM?

I've had such a horrible experience with my 17" Macbook Pro
($3500 of repairs in a non stop stream for the 4 years I've owned it
and my Apple Care is just about to expire)
that I'm considering selling it (everything's, literally, been replaced
so it's practically brand new except for the case) and
jumping back into the Windows laptop world.

Finances are tight so this is a very, very attractive price but
I don't want to buy another computer that doesn't work for my needs, ever,
so I want to get it right this time.

Your advice is greatly appreciated.

rick walker


From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 19:43:11 2011
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 slicer)
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On 7/22/64 11:59 AM, Andy Owens wrote:
> ..... just dont wanna sell it if it can loop. Like the instrument sounds on it,
> bit complicated for an 18 yr old that just wants to play mando and write songs all day!!!
God, that warms my heart because that's all I've been doing lately 
(adding a few other instruments
to the mando)!!!!

I need to dust off my LP-1 and start getting some of this stuff down, 
but I'm having too much
fun learning how to play guitar (or learning how to simulate playing the 
guitar as the case may be).

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 20:04:12 2011
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Subject: Re: Computer good enough for Live Looping?
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The specs look pretty good.  2GB is the minimum I would get, processor
speed
is good enough.  It looks like you can upgrade the RAM to 4GB.  It doesn't
have a firewire port so you will need a USB audio interface.  The cheapest
price I found was $444.99 at Newegg.com.

Here's a review:

http://www.pcworld.com/reviews/product/527437/review/probook_4520s.html

The problem with recommending computers for audio is that while on the
surface the specs may look fine, trying to run an audio application
with pro audio hardware at low latencies can uncover problems that
you won't notice with business software.  Things like the video card
and the motherboard chipsets can effect how low you can tune your
latency and you won't notice this until you try or you can find
someone with similar needs that has posted a review (I couldn't
find any).

So make sure you have 30 days to return it and be prepared to test
what you're interested in within that time.

With that warning, it looks like it should be fine for Mobius and
Bidule and I would assume the Virtual EDP.  Loopers aren't particularly
demanding of CPU but they do love memory.  I don't have Windows 7,
does anyone know how much memory it consumes?  2GB is fine for Windows
XP but if Windows 7 is going to consume 1.5 GB just siting there then
you may have to get more.

For advanced video and audio processing beyond looping, you might
need more horsepower.  This is obviously a low-end machine designed
for people running Word and Excel.  I don't know what all is involved
with video processing on a laptop but I probably wouldn't go with anything
less than a dual-core with 4GB.

Jeff

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<div><div><br></div><div>The specs look pretty good. =A02GB is the minimum =
I would get, processor speed=A0</div><div>is good enough. =A0It looks like =
you can upgrade the RAM to 4GB. =A0It doesn&#39;t</div><div>have a firewire=
 port so you will need a USB audio interface. =A0The cheapest=A0</div>
<div>price I found was $444.99 at Newegg.com.</div><div><br></div><div>Here=
&#39;s a review:</div><div><br></div><div><a href=3D"http://www.pcworld.com=
/reviews/product/527437/review/probook_4520s.html">http://www.pcworld.com/r=
eviews/product/527437/review/probook_4520s.html</a></div>
<div><br></div><div>The problem with recommending computers for audio is th=
at while on the</div><div>surface the specs may look fine, trying to run an=
 audio application</div><div>with pro audio hardware at low latencies can u=
ncover problems that</div>
<div>you won&#39;t notice with business software. =A0Things like the video =
card</div><div>and the motherboard chipsets can effect how low you can tune=
 your</div><div>latency and you won&#39;t notice this until you try or you =
can find</div>
<div>someone with similar needs that has posted a review (I couldn&#39;t</d=
iv><div>find any).</div><div><br></div><div>So make sure you have 30 days t=
o return it and be prepared to test</div><div>what you&#39;re interested in=
 within that time. =A0</div>
<div><br></div><div>With that warning, it looks like it should be fine for =
Mobius and</div><div>Bidule and I would assume the Virtual EDP. =A0Loopers =
aren&#39;t particularly</div><div>demanding of CPU but they do love memory.=
 =A0I don&#39;t have Windows 7,=A0</div>
<div>does anyone know how much memory it consumes? =A02GB is fine for Windo=
ws</div><div>XP but if Windows 7 is going to consume 1.5 GB just siting the=
re then</div><div>you may have to get more.</div><div><br></div><div>For ad=
vanced video and audio processing beyond looping, you might</div>
<div>need more horsepower. =A0This is obviously a low-end machine designed<=
/div><div>for people running Word and Excel. =A0I don&#39;t know what all i=
s involved</div><div>with video processing on a laptop but I probably would=
n&#39;t go with anything</div>
<div>less than a dual-core with 4GB.</div><div><br></div><div>Jeff</div></d=
iv><div><br></div>

--0015175ca7bca9d65b0498f6a732--

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 20:07:13 2011
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Subject: Re: Computer good enough for Live Looping?
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I googled "Intel Core i3-370M" and found more specifications than
those you posted. Since I know you do a lot of video work I wouldn't
dare buying this one because of the shared graphic memory. When
combining video and audio you have to remember that audio is real-time
and then shared video may cause bad interruptions.

Eight gig RAM option will be fine in the fine future. "Two cores" and
"two threads" sound good enough. 64 bit instruction set is great IF
all your software are up to it. SSE if essential (optimization for the
pentium CPU). Well, see for yourself at
http://ark.intel.com/Product.aspx?id=3D49020

Please note that I have not read up on the latest regarding these
pentiums and Windows 7 when it comes to the possible shared graphics
stuff. You might look for some music forum thread that deals with it,
maybe at Gearslutz, Ableton's or the Bidule forum. I might be wrong in
my skepticism. At Ableton they have this standing thread where
everyone runs a test song on there computer and posts the CPU load for
discussion; a lot of useful lappy knowledge spilled there.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Jan 3, 2011 at 8:30 PM, Rick Walker <looppool@cruzio.com> wrote:
> A website advertisement, today, =C2=A0announced a
> $450 price on this laptop computer
>
> The HP ProBook 4520s XT943UT laptop with
> Intel Core i3-370M 2.40GHz processor and 2GB DDR3 Memory
> 15.6-inch HD anti-glare LED-backlit Display
> 802.11b/g/n wireless connectivity
> Bluetooth 2.1 +EDR
> Windows 7 Home Premium 32-bit Operating System
>
>
> Would you advanced laptop looping or laptop video projecting folks think
> that this is a good enough machine
> to handle, say =C2=A0the Virtual EDP, Mobius and Plogue or Ableton's Live
> in a live situation?
>
> Does such a computer have the capacity for more RAM?
>
> I've had such a horrible experience with my 17" Macbook Pro
> ($3500 of repairs in a non stop stream for the 4 years I've owned it
> and my Apple Care is just about to expire)
> that I'm considering selling it (everything's, literally, been replaced
> so it's practically brand new except for the case) and
> jumping back into the Windows laptop world.
>
> Finances are tight so this is a very, very attractive price but
> I don't want to buy another computer that doesn't work for my needs, ever=
,
> so I want to get it right this time.
>
> Your advice is greatly appreciated.
>
> rick walker
>
>
>

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Subject: Re: Computer good enough for Live Looping?
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I googled "Intel Core i3-370M" and found more specifications than
those you posted. Since I know you do a lot of video work I wouldn't
dare buying this one because of the shared graphic memory. When
combining video and audio you have to remember that audio is real-time
and then shared video may cause bad interruptions.

Eight gig RAM option will be fine in the fine future. "Two cores" and
"two threads" sounds good enough. 64 bit instruction set is great IF
all your software are up to it. SSE if essential (optimization for the
pentium CPU). Well, see for yourself at
http://ark.intel.com/Product.aspx?id=3D49020

Please note that I have not read up on the latest regarding these
pentiums and Windows 7 when it comes to the possible shared graphics
stuff. You might look for some music forum thread that deals with it,
maybe at Gearslutz, Ableton's or the Bidule forum. I might be wrong in
my skepticism. At Ableton they have this standing thread where
everyone runs a test song on there computer and posts the CPU load for
discussion; a lot of useful lappy knowledge spilled there.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Jan 3, 2011 at 8:30 PM, Rick Walker <looppool@cruzio.com> wrote:
> A website advertisement, today, =C2=A0announced a
> $450 price on this laptop computer
>
> The HP ProBook 4520s XT943UT laptop with
> Intel Core i3-370M 2.40GHz processor and 2GB DDR3 Memory
> 15.6-inch HD anti-glare LED-backlit Display
> 802.11b/g/n wireless connectivity
> Bluetooth 2.1 +EDR
> Windows 7 Home Premium 32-bit Operating System
>
>
> Would you advanced laptop looping or laptop video projecting folks think
> that this is a good enough machine
> to handle, say =C2=A0the Virtual EDP, Mobius and Plogue or Ableton's Live
> in a live situation?
>
> Does such a computer have the capacity for more RAM?
>
> I've had such a horrible experience with my 17" Macbook Pro
> ($3500 of repairs in a non stop stream for the 4 years I've owned it
> and my Apple Care is just about to expire)
> that I'm considering selling it (everything's, literally, been replaced
> so it's practically brand new except for the case) and
> jumping back into the Windows laptop world.
>
> Finances are tight so this is a very, very attractive price but
> I don't want to buy another computer that doesn't work for my needs, ever=
,
> so I want to get it right this time.
>
> Your advice is greatly appreciated.
>
> rick walker
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 20:09:46 2011
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Rick Walker schrieb:
> A website advertisement, today,  announced a
> $450 price on this laptop computer
>
> The HP ProBook 4520s XT943UT laptop with
>
>
> Would you advanced laptop looping or laptop video projecting folks 
> think that this is a good enough machine
> to handle, say  the Virtual EDP, Mobius and Plogue or Ableton's Live
> in a live situation?
>
> Does such a computer have the capacity for more RAM?
First, a word of caution: I don't know that specific model, and my 
first-hand experience with HP laptops is years old. That being said...

* According to HPs website, RAM can be expanded to a maximum of 8GB. So 
"yes". (Note, however, that you may not have that much fun w/ more than 
3GB of RAM in combination with the included Windows 7 Home Basic 32).
* The processor is a very advanced version of the low-cost branch of the 
Nehalem family. It uses an integrated graphics CPU, but is only so-so 
when it comes to power consumption (so if you're going for long times on 
battery power, this may not be the perfect choice). Performance-wise, 
it's somewhere in the middle between a three-year old upper-middleclass 
laptop and a three-year-old lower-upperclass desktop - in other words: 
you should be perfectly able to do a lot of fun stuff. For comparions: 
the CPU is more than 4 times faster than that of the computer I used 
back in 2006 to run Ableton Live, three softsynths, Mobius (on two 
stereo tracks) a a few delays - at the same time.
* There's an important thing for live audio use, it's called "DPC 
latency". Didn't find any mention of it in any reviews, so if you find 
that - that should be in the sub-us range to be good.
* Are you using it with an USB or with a ieee1394 interface? In case of 
the latter one, the DPC latency (see above) should also include the card 
bus (because you would add iee1394 via express card).

Apart from that dpc latency unknown - looks fine. Can't comment on the 
price, though...

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: Re: (re)-discovering your gear that sits on your board (boss slicer)
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On Mon, Jan 3, 2011 at 8:43 PM, Rick Walker <looppool@cruzio.com> wrote:
> fun learning how to play guitar (or learning how to simulate playing the
> guitar as the case may be).


Simulating IS the real thing!
You're spot on! :-))

Per

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On Mon, Jan 3, 2011 at 8:20 PM, mark francombe <mark@markfrancombe.com> wrote:

> WHAM...

> like a broken mirror of sound,

> little fragments of the sound pictures
> reflecting tiny pieces of long forgotton sounds..

There's poetry in the air tonight...
Makes me wanna jump out the loop window - yeah! I KNOW I CAN FLYYYyyyyy.......

P ;-)

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Subject: Re: Mobius loop windowing simulation
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On Mon, Jan 3, 2011 at 8:03 PM, mark francombe <mark@markfrancombe.com> wrote:
> So window open, would start looping ONLY the sub-cycle you were currently
> in, WITHOUT erasing what came before or after. (Probably sound the same as a
> trim start/end) but then a SLIP command, would take you to the next, but
> previously hidden, section of the loop, or the previous section of the loop,
> depending on the slip command.

Reminds me of a great feature of those old 12 bit EMax samplers. For a
sampled audio file you could set the start point and loop point much
closer to each other than the total length of the sample. Then you
could sweep this loop range through the sample IN BOTH DIRECTIONS. So
by setting an extremely short loop and sweeping it through a vocal
recording people came up with he first "robot voices" in techno.

I've always wondered why no software developers have picked up that
awesome technique in modern sound design tools. If the Emax sampler
example would work with a random function for placing the loop range
(start point and loop point fixed in relation to each other) we would
have LOOP WINDOWING even though told in broken EDPish.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 20:35:01 2011
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AFAIK, the i3 is quite a lot better at handling share ram for system and 
graphics than earlier processors.  A friend of mine is using them a lot 
for various purposes, like media centers.
However, if also used for dedicated video editing, I'd think an i3 may 
not provice the juice.
The i5/i7 series is likely a different ballgame for such applications.

Not knowiing the current selling price nor if this will be enough, if 
budget is a Bit tight, maybe a used Lenovo R500.
This is a scaled-down business model, with separate ATI 1000-series 
graphics for the external monitor likely used for graphics anyways 
(build-in display is only 1280x800 on most of those models).

I upgraded mine with a T9400 cpu, a 2x 2.53Ghz core due, 6MB cache, 35W 
part, runs pretty cool, especially as the heatsink is fairly large and 
routed to both sides of a corner.
It takes 8GB DDR3 1066Mhz ram.  Has firewire.

/m


Per Boysen wrote:
> I googled "Intel Core i3-370M" and found more specifications than
> those you posted. Since I know you do a lot of video work I wouldn't
> dare buying this one because of the shared graphic memory. When
> combining video and audio you have to remember that audio is real-time
> and then shared video may cause bad interruptions.
> 
> Eight gig RAM option will be fine in the fine future. "Two cores" and
> "two threads" sound good enough. 64 bit instruction set is great IF
> all your software are up to it. SSE if essential (optimization for the
> pentium CPU). Well, see for yourself at
> http://ark.intel.com/Product.aspx?id=49020
> 
> Please note that I have not read up on the latest regarding these
> pentiums and Windows 7 when it comes to the possible shared graphics
> stuff. You might look for some music forum thread that deals with it,
> maybe at Gearslutz, Ableton's or the Bidule forum. I might be wrong in
> my skepticism. At Ableton they have this standing thread where
> everyone runs a test song on there computer and posts the CPU load for
> discussion; a lot of useful lappy knowledge spilled there.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
> 
> 
> 
> On Mon, Jan 3, 2011 at 8:30 PM, Rick Walker <looppool@cruzio.com> wrote:
> 
>>A website advertisement, today,  announced a
>>$450 price on this laptop computer
>>
>>The HP ProBook 4520s XT943UT laptop with
>>Intel Core i3-370M 2.40GHz processor and 2GB DDR3 Memory
>>15.6-inch HD anti-glare LED-backlit Display
>>802.11b/g/n wireless connectivity
>>Bluetooth 2.1 +EDR
>>Windows 7 Home Premium 32-bit Operating System
>>
>>
>>Would you advanced laptop looping or laptop video projecting folks think
>>that this is a good enough machine
>>to handle, say  the Virtual EDP, Mobius and Plogue or Ableton's Live
>>in a live situation?
>>
>>Does such a computer have the capacity for more RAM?
>>
>>I've had such a horrible experience with my 17" Macbook Pro
>>($3500 of repairs in a non stop stream for the 4 years I've owned it
>>and my Apple Care is just about to expire)
>>that I'm considering selling it (everything's, literally, been replaced
>>so it's practically brand new except for the case) and
>>jumping back into the Windows laptop world.
>>
>>Finances are tight so this is a very, very attractive price but
>>I don't want to buy another computer that doesn't work for my needs, ever,
>>so I want to get it right this time.
>>
>>Your advice is greatly appreciated.
>>
>>rick walker
>>
>>
>>
> 
> 
> 


-- 
rgds,
van Sinn

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Subject: Re: Re: Computer good enough for Live Looping?
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Thanks, Jeff for that prompt post.
Honestly,   I love Win XP service pack 2 so much that
I imagine I would install that.
Besides I have so much investment in software that works
fantastically on it and I know it really well.

Looks good.
Now I have to sell my MacBook Pro.

Happy New Years and thanks for the advice.


On 7/22/64 11:59 AM, Jeff Larson wrote:
>
> The specs look pretty good.  2GB is the minimum I would get, processor 
> speed
> is good enough.  It looks like you can upgrade the RAM to 4GB.  It doesn't
> have a firewire port so you will need a USB audio interface.  The 
> cheapest
> price I found was $444.99 at Newegg.com.
>
> Here's a review:
>
> http://www.pcworld.com/reviews/product/527437/review/probook_4520s.html
>
> The problem with recommending computers for audio is that while on the
> surface the specs may look fine, trying to run an audio application
> with pro audio hardware at low latencies can uncover problems that
> you won't notice with business software.  Things like the video card
> and the motherboard chipsets can effect how low you can tune your
> latency and you won't notice this until you try or you can find
> someone with similar needs that has posted a review (I couldn't
> find any).
>
> So make sure you have 30 days to return it and be prepared to test
> what you're interested in within that time.
>
> With that warning, it looks like it should be fine for Mobius and
> Bidule and I would assume the Virtual EDP.  Loopers aren't particularly
> demanding of CPU but they do love memory.  I don't have Windows 7,
> does anyone know how much memory it consumes?  2GB is fine for Windows
> XP but if Windows 7 is going to consume 1.5 GB just siting there then
> you may have to get more.
>
> For advanced video and audio processing beyond looping, you might
> need more horsepower.  This is obviously a low-end machine designed
> for people running Word and Excel.  I don't know what all is involved
> with video processing on a laptop but I probably wouldn't go with anything
> less than a dual-core with 4GB.
>
> Jeff
>


--------------040500090602010706020300
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
    <title></title>
  </head>
  <body bgcolor="#ffffff" text="#000000">
    Thanks, Jeff for that prompt post.<br>
    Honestly,&nbsp;&nbsp; I love Win XP service pack 2 so much that <br>
    I imagine I would install that.<br>
    Besides I have so much investment in software that works <br>
    fantastically on it and I know it really well.<br>
    <br>
    Looks good.<br>
    Now I have to sell my MacBook Pro.<br>
    <br>
    Happy New Years and thanks for the advice.<br>
    <br>
    <br>
    On 7/22/64 11:59 AM, Jeff Larson wrote:
    <blockquote
cite="mid:%3CAANLkTikixZY=HNUQo81fWzay8c7DSXEPnZmb5AAN_b4u@mail.gmail.com%3E"
      type="cite">
      <meta http-equiv="Context-Type" content="text/html;
        charset=ISO-8859-1">
      <div>
        <div><br>
        </div>
        <div>The specs look pretty good. &nbsp;2GB is the minimum I would
          get, processor speed&nbsp;</div>
        <div>is good enough. &nbsp;It looks like you can upgrade the RAM to
          4GB. &nbsp;It doesn't</div>
        <div>have a firewire port so you will need a USB audio
          interface. &nbsp;The cheapest&nbsp;</div>
        <div>price I found was $444.99 at Newegg.com.</div>
        <div><br>
        </div>
        <div>Here's a review:</div>
        <div><br>
        </div>
        <div><a moz-do-not-send="true"
href="http://www.pcworld.com/reviews/product/527437/review/probook_4520s.html">http://www.pcworld.com/reviews/product/527437/review/probook_4520s.html</a></div>
        <div><br>
        </div>
        <div>The problem with recommending computers for audio is that
          while on the</div>
        <div>surface the specs may look fine, trying to run an audio
          application</div>
        <div>with pro audio hardware at low latencies can uncover
          problems that</div>
        <div>you won't notice with business software. &nbsp;Things like the
          video card</div>
        <div>and the motherboard chipsets can effect how low you can
          tune your</div>
        <div>latency and you won't notice this until you try or you can
          find</div>
        <div>someone with similar needs that has posted a review (I
          couldn't</div>
        <div>find any).</div>
        <div><br>
        </div>
        <div>So make sure you have 30 days to return it and be prepared
          to test</div>
        <div>what you're interested in within that time. &nbsp;</div>
        <div><br>
        </div>
        <div>With that warning, it looks like it should be fine for
          Mobius and</div>
        <div>Bidule and I would assume the Virtual EDP. &nbsp;Loopers aren't
          particularly</div>
        <div>demanding of CPU but they do love memory. &nbsp;I don't have
          Windows 7,&nbsp;</div>
        <div>does anyone know how much memory it consumes? &nbsp;2GB is fine
          for Windows</div>
        <div>XP but if Windows 7 is going to consume 1.5 GB just siting
          there then</div>
        <div>you may have to get more.</div>
        <div><br>
        </div>
        <div>For advanced video and audio processing beyond looping, you
          might</div>
        <div>need more horsepower. &nbsp;This is obviously a low-end machine
          designed</div>
        <div>for people running Word and Excel. &nbsp;I don't know what all
          is involved</div>
        <div>with video processing on a laptop but I probably wouldn't
          go with anything</div>
        <div>less than a dual-core with 4GB.</div>
        <div><br>
        </div>
        <div>Jeff</div>
      </div>
      <div><br>
      </div>
    </blockquote>
    <br>
  </body>
</html>

--------------040500090602010706020300--

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Subject: Re: Mobius loop windowing simulation
References: <AANLkTikNnuA8eqL1fL9FYvnfMMsPTjaYT6gg3yMEBv1G@mail.gmail.com> <AANLkTimNjLuUpFVgzbB7a3rN-0-LikxTFfnCWiAW+NQx@mail.gmail.com>
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Could this windowing thing be done by changing stutter so that it works on s=
ubcycles instead of cycles? I'm not that familiar with stutter, to be honest=
...

Sent from my iPod

On 3 Jan 2011, at 17:42, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 3, 2011 at 6:20 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
>> I just uploaded a reference manual, you can get it (and the others) here.=

>>    http://www.circularlabs.com/documentation/documentation.html
>=20
>=20
> Nice with pictures in the manual! Less mysterious that way. Further on
> "The Mysterious $" finally explained while "The Mysterious Arguments"
> implies there might be even more to come...
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

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Subject: Re: -discovering your gear that sits on your board (TIMEBENDER)
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http://www.youtube.com/watch?v=3D4arlipIwfIk
http://www.youtube.com/watch?v=3DhHRk2HO-kpo

jeff, and all that really care.....do you think you can get these=20
sounds from the M9 or M13?.....
don't get me wrong, if you want to get me one please do so.....fun
sounding box!

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1) button pushed       =3D  (audio in,  pink noise, white noise or=20
silence)=C2=A0
2) button not pushed =3D (audio in , pink noise, white noise or silence)=
=C2=A0=20
sez rickeee!

? sez me!

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Subject: RE: LP-1:  1.34 or 1.37?
Date: Mon, 3 Jan 2011 14:53:58 -0800
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Let me know a phone number best to reach you and we can get started.



-----Original Message-----
From: William Walker [mailto:billwalker@baymoon.com]=20
Sent: Sunday, January 02, 2011 1:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: LP-1: 1.34 or 1.37?

> Current consensus is that 1.34c is the most stable,
> with 1.37 being good for most users.


  Hey Andy,

I can't remember if I asked you what your stability issues with 1.37 =20
were. What were you doing to cause it to crash? So far I have some =20
problems when recording a really short loop and then starting to mess =20
with it with track speed and q replace, occasionally a false trigger =20
will send the machine into self oscillation. Occasionally if I get too =20
trigger happy using q replace the machine will take some time to =20
finish all of the cycles, but thats more about me being careless with =20
my technique.  I still have somewhat of a volume issue where =20
subsequent tracks I create seem to be progressively  louder than  the =20
last ones I made,  that doesn't  seem to be caused by typical  issues =20
of playing louder to rise above an increasingly saturated soundscape.  =20
This issue I have been compensating for by being more conscious of how =20
I'm attacking the instrument  and how I use compression. There also =20
seem to be the reoccurring issues of too many overdubs on a single =20
track saturating and clipping the output, if feedback is set at 100%.
Thoughts, reflections, insights??????
Bill

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Subject: RE: LP-1:  1.34 or 1.37?
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Too many Andys in the pot!!

My answer to this would be that since I have control over vol of every
loop, then I can lower them or raise them as need be on the fly, having
listed to this discussion though, I have lately been leaving them up and
if I need an adjust just use one of the eight pots I have programmed for
feedback and just lower them a bit, but noticing now that sometimes I
need that increased vol I just lost forever.

My goal is to monitor the same mix that is going out, and when I feel
best about a loop is when I have six or eight tracks just the vol I want
and I see that not one fader has to be touched to get there, that's
tough with six or eight instruments in the mix!!!



-----Original Message-----
From: William Walker [mailto:billwalker@baymoon.com]=20
Sent: Sunday, January 02, 2011 1:30 PM
To: Loopers-Delight@loopers-delight.com
Subject: LP-1: 1.34 or 1.37?

> Current consensus is that 1.34c is the most stable,
> with 1.37 being good for most users.


  Hey Andy,

I can't remember if I asked you what your stability issues with 1.37 =20
were. What were you doing to cause it to crash? So far I have some =20
problems when recording a really short loop and then starting to mess =20
with it with track speed and q replace, occasionally a false trigger =20
will send the machine into self oscillation. Occasionally if I get too =20
trigger happy using q replace the machine will take some time to =20
finish all of the cycles, but thats more about me being careless with =20
my technique.  I still have somewhat of a volume issue where =20
subsequent tracks I create seem to be progressively  louder than  the =20
last ones I made,  that doesn't  seem to be caused by typical  issues =20
of playing louder to rise above an increasingly saturated soundscape.  =20
This issue I have been compensating for by being more conscious of how =20
I'm attacking the instrument  and how I use compression. There also =20
seem to be the reoccurring issues of too many overdubs on a single =20
track saturating and clipping the output, if feedback is set at 100%.
Thoughts, reflections, insights??????
Bill

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 22:58:43 2011
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Subject: Re: -discovering your gear that sits on your board (TIMEBENDER)
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Perhaps some of them, I do know that feeding the TimeBender into the
M9 is a GAS! Then feed those through some Alesis Modfx then into a
Vortex, out of those into the DD 20>EH 2880.... Sorry, I am thinking
of Mark's "broken mirror of sound, little fragments of the sound
pictures reflecting tiny pieces of long forgotten sounds... *long
toke* ---- exhale... um... and... um.... where was I?" comment's,
whew..:)

j

On Mon, Jan 3, 2011 at 5:30 PM,  <nemoguitt@aol.com> wrote:
> http://www.youtube.com/watch?v=4arlipIwfIk
> http://www.youtube.com/watch?v=hHRk2HO-kpo
>
> jeff, and all that really care.....do you think you can get these sounds
> from the M9 or M13?.....
> don't get me wrong, if you want to get me one please do so.....fun
> sounding box!
>

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Date: Tue, 04 Jan 2011 00:01:02 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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question to all Timebender users:

1. Is the timebender similar to the DD20 mentioned before insofar as the 
delays are the interesting thing, not the looper?
2. What about the looper?
3. Does the timebender do a proper varispeed (i.e. tape speed 
change-kind) when you adjust the delay time while there's something 
already in the delay?

       Rainer

Jeff Duke schrieb:
> Perhaps some of them, I do know that feeding the TimeBender into the
> M9 is a GAS! Then feed those through some Alesis Modfx then into 

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 23:09:15 2011
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Subject: RE: -discovering your gear that sits on your board (TIMEBENDER)
Date: Mon, 3 Jan 2011 15:08:46 -0800
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Heck with fragments of sound, send me the long toke!!!

-----Original Message-----
From: Jeff Duke [mailto:jeffloops@gmail.com]=20
Sent: Monday, January 03, 2011 5:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: -discovering your gear that sits on your board (TIMEBENDER)

Perhaps some of them, I do know that feeding the TimeBender into the
M9 is a GAS! Then feed those through some Alesis Modfx then into a
Vortex, out of those into the DD 20>EH 2880.... Sorry, I am thinking
of Mark's "broken mirror of sound, little fragments of the sound
pictures reflecting tiny pieces of long forgotten sounds... *long
toke* ---- exhale... um... and... um.... where was I?" comment's,
whew..:)

j

On Mon, Jan 3, 2011 at 5:30 PM,  <nemoguitt@aol.com> wrote:
> http://www.youtube.com/watch?v=3D4arlipIwfIk
> http://www.youtube.com/watch?v=3DhHRk2HO-kpo
>
> jeff, and all that really care.....do you think you can get these
sounds
> from the M9 or M13?.....
> don't get me wrong, if you want to get me one please do so.....fun
> sounding box!
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 23:23:11 2011
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Subject: Re: -discovering your gear that sits on your board (TIMEBENDER)
From: Jeff Duke <jeffloops@gmail.com>
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The looper is just a basic thing like those found in almost every fx
box these days. Overdub but nothing else. I tried it but don't use it.
Nothing for me there. No feedback or any other controls.

All the delays can be "held" by holding the effect on/off button
though. Then input is stopped and you can play over it. Also while in
"hold" mode the ex ped and all knobs will still sweep their settings,
very bizarre sounds ensue. So it is a 5 sec delay type looper with
hold, and sweep control.

On varispeed: If you watch the second video especially you can decide
for yourself perhaps. It has two tape delay models, variable speed
tape and moving head tape. I have no experience with a "proper"
varispeed device I'm afraid. All the models handle sweeping
differently and the two types of ducking delays are really cool also.
Remember it is also a delay harmonizer and a pattern delay. Like I
said I have only scratched the surface. I don't use gear with an idea
of what I think it should do so much as see what it does and then
think how I can use that.

http://www.youtube.com/watch?v=3D4arlipIwfIk
http://www.youtube.com/watch?v=3DhHRk2HO-kpo

best,

J

On Mon, Jan 3, 2011 at 6:01 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> question to all Timebender users:
>
> 1. Is the timebender similar to the DD20 mentioned before insofar as the
> delays are the interesting thing, not the looper?
> 2. What about the looper?
> 3. Does the timebender do a proper varispeed (i.e. tape speed change-kind=
)
> when you adjust the delay time while there's something already in the del=
ay?
>
> =A0 =A0 =A0Rainer
>
> Jeff Duke schrieb:
>>
>> Perhaps some of them, I do know that feeding the TimeBender into the
>> M9 is a GAS! Then feed those through some Alesis Modfx then into
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan  3 23:48:20 2011
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Subject: Loop windowing Audio example...
To: Rick Walker <looppool@cruzio.com>, 
	loopers-delight <Loopers-Delight@loopers-delight.com>
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Rick said

>
> Can you put up an audio example of this approach?
>

OK I just hit record and this came out... no edits and frankely a bit crap
musically, but I think it demonstrates a few uses of loop windowing.

http://soundcloud.com/markfrancombe/thewindow-1-05

I have commented what is happening on the Soundcloud timeline.. a great
feature for something like this...


> I'm so stimulated by your and Duke's technique inventions this past week.
>

WHo is Duke? Jeff Duke?

>
> and Happy New Years to you and your lovely family,
>

And to you and Chris (&Bill and Nance)
... I seriously have to hit the Gym now... OMG! The Wine the Beer the Turkey
the potatoes... the tummy!

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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Rick said<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" s=
tyle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204=
); padding-left: 1ex;">
<br>
Can you put up an audio example of this approach?<br></blockquote><div><br>=
OK I just hit record and this came out... no edits and frankely a bit crap =
musically, but I think it demonstrates a few uses of loop windowing.<br>

<br><a href=3D"http://soundcloud.com/markfrancombe/thewindow-1-05">http://s=
oundcloud.com/markfrancombe/thewindow-1-05</a><br><br>I have commented what=
 is happening on the Soundcloud timeline.. a great feature for something li=
ke this... <br>

<br></div><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.=
8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>
I&#39;m so stimulated by your and Duke&#39;s technique inventions this past=
 week.<br></blockquote><div><br>WHo is Duke? Jeff Duke? <br></div><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">


<br>
and Happy New Years to you and your lovely family,<br clear=3D"all"></block=
quote><div><br>And to you and Chris (&amp;Bill and Nance)<br>... I seriousl=
y have to hit the Gym now... OMG! The Wine the Beer the Turkey the potatoes=
... the tummy! <br>

</div></div><br>-- <br>mark francombe<br><a href=3D"http://www.markfrancomb=
e.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">w=
ww.ordoabkhao.com</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.=
com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e88164234320498f9c925--

From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 00:02:56 2011
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On Jan 3, 2011, at 10:37 AM, Rick Walker wrote:

> In order to get this to work you need to program a button on your midi =
pedals
> (back in the main menu) with Q replace on the first command and Q =
replace on the second command.
> (I'm not even sure why this is necessary but I know practically that =
it is)
>=20
> Now, every time you make a momentary press,  the machine will replace =
the very next
> full 'slice' (or Q)  with whatever it is that you are playing =
currently.

Thanks. I had already seen that trick. For a true SUS command, however, =
I think it should also work until you release the button in case you =
want to hold it longer. Hence, you could program a quantized, single =
unit replace which works in the most common way for using SUS commands, =
but it isn't really a SUS command.

But now, if only the Q steps setting could be set as part of the =
programming on a MIDI button (and for that matter if Scramble obeyed Q =
steps).

Mark

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On Jan 3, 2011, at 4:02 PM, Mark Hamburg wrote:

> Thanks. I had already seen that trick. For a true SUS command, =
however, I think it should also work until you release the button in =
case you want to hold it longer. Hence, you could program a quantized, =
single unit replace which works in the most common way for using SUS =
commands, but it isn't really a SUS command.

Oops. Must read whole thread before hitting send. Sorry for the extra =
noise.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 00:59:28 2011
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Subject: Re: Loop windowing Audio example...
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C9489FFB.E7E%mech@m3ch.net>
Thread-Topic: Loop windowing Audio example...
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--B_3376979965_19361729
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	charset="ISO-8859-1"
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On 1/4/11 8:47 AM, "mark francombe" <mark@markfrancombe.com> wrote:
> Rick said
>>> >> I'm so stimulated by your and Duke's technique inventions this past =
week.
>> >
>> > WHo is Duke? Jeff Duke?

Hiiiiii!!!!

Rick=B9s referring to me.  I can never use my real name out freely on this
list =8Ccause it=B9s open to Google, and I=B9ve had problems with Google-stalking
in the past.  Rick & I know each other well enough, though, that he
regularly refers to me by my given name.

>> > OK I just hit record and this came out... no edits and frankely a bit =
crap
>> musically, but I think it demonstrates a
>> > few uses of loop windowing.
>> >
>> > http://soundcloud.com/markfrancombe/thewindow-1-05
>> >
>> > I have commented what is happening on the Soundcloud timeline.. a grea=
t
>> feature for something like this...
>=20
> Cool!  Thanks for that.  Helps me (at least) better understand what we=B9re
> talking about here.  :)
>=20
>         --m.


--B_3376979965_19361729
Content-type: text/html;
	charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: Loop windowing Audio example...</TITLE>
</HEAD>
<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 1/4/11 8:4=
7 AM, &quot;mark francombe&quot; &lt;mark@markfrancombe.com&gt; wrote:<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>Rick said<BR>
&gt;&gt; I'm so stimulated by your and Duke's technique inventions this pas=
t week.<BR>
&gt;<BR>
&gt; WHo is Duke? Jeff Duke? <BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
Hiiiiii!!!!<BR>
<BR>
Rick&#8217;s referring to me. &nbsp;I can never use my real name out freely=
 on this list &#8216;cause it&#8217;s open to Google, and I&#8217;ve had pro=
blems with Google-stalking in the past. &nbsp;Rick &amp; I know each other w=
ell enough, though, that he regularly refers to me by my given name.<BR>
<BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>&gt; OK I just hit record and this came out... no edits =
and frankely a bit crap musically, but I think it demonstrates a <BR>
&gt; few uses of loop windowing.<BR>
&gt;<BR>
&gt; <a href=3D"http://soundcloud.com/markfrancombe/thewindow-1-05">http://so=
undcloud.com/markfrancombe/thewindow-1-05</a><BR>
&gt;<BR>
&gt; I have commented what is happening on the Soundcloud timeline.. a grea=
t feature for something like this... <BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
Cool! &nbsp;Thanks for that. &nbsp;Helps me (at least) better understand wh=
at we&#8217;re talking about here. &nbsp;:)<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.<BR>
</SPAN></FONT></FONT>
</BODY>
</HTML>


--B_3376979965_19361729--


From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 01:21:22 2011
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Subject: Fripp & Eno Live...
From: Dustbunnies <mech@m3ch.net>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Message-ID: <C948A51E.E81%mech@m3ch.net>
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Thought this might be of interest to some people here.

Just got newsletter spam in from DGM Live (recording label), regarding thei=
r
newest release.

> Fripp & Eno Live=20
> The New Year gets off to a great start with the release of Fripp & Eno's
> classic concert at the Olympia, Paris on 28th May 1975. Writing show note=
s for
> the download, Frippertronics expert Al Okada notes "For any fan of No
> Pussyfooting or Evening Star, this live recording is of epic significance=
,
> and...is now also comparable in audio quality, by synchronizing the most
> complete and best (by a mile) available live bootleg recording with Eno's
> stage tapes recently discovered." Listening to the tapes, Fripp himself
> observes that "The theme of Blue, the undeveloped KC piece of 1974 & rece=
ntly
> referred to by John Wetton, informs the beginning soloing over Swastika
> Girls."=20
>=20
> This restored concert is presented in full and as a bonus, comes with the
> original test loops created for the Fripp and Eno tours. If you=B9re a fan =
of
> Fripp and Eno or Frippertronics then this show is a must-have!

Taken from Eno's actual stage tapes, it seems.  And the idea of making the
test loops available sounds particularly intriguing....

More details on the show and recording available at:

      http://www.dgmlive.com/archive.htm?artist=3D20&show=3D1340

I've gotten other Fripp downloads (Soundscapes) from these guys, and the
quality is usually pretty good, FWIW.

        --m.


From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 01:33:50 2011
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From: Revfever <revfever@ubergadget.com>
Subject: Fripp and Eno live,1975
Date: Mon, 3 Jan 2011 17:33:45 -0800
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This looks exciting!  FYI:

http://www.dgmlive.com/archive.htm?artist=20&show=1340

Cheers,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever

From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 01:36:31 2011
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Subject: Re: Fripp & Eno Live...
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Dustbunnies and I must be on the same psychic page. I sent out a =20
notice of this as well and mere seconds before receiving this post =20
from DB. :-)

Cheerios.
Rev. Fever

On Jan 3, 2011, at 5:21 PM, Dustbunnies wrote:

> Thought this might be of interest to some people here.
>
> Just got newsletter spam in from DGM Live (recording label), =20
> regarding their
> newest release.
>
>> Fripp & Eno Live
>> The New Year gets off to a great start with the release of Fripp & =20=

>> Eno's
>> classic concert at the Olympia, Paris on 28th May 1975. Writing =20
>> show notes for
>> the download, Frippertronics expert Al Okada notes "For any fan of No
>> Pussyfooting or Evening Star, this live recording is of epic =20
>> significance,
>> and...is now also comparable in audio quality, by synchronizing =20
>> the most
>> complete and best (by a mile) available live bootleg recording =20
>> with Eno's
>> stage tapes recently discovered." Listening to the tapes, Fripp =20
>> himself
>> observes that "The theme of Blue, the undeveloped KC piece of 1974 =20=

>> & recently
>> referred to by John Wetton, informs the beginning soloing over =20
>> Swastika
>> Girls."
>>
>> This restored concert is presented in full and as a bonus, comes =20
>> with the
>> original test loops created for the Fripp and Eno tours. If you=92re =20=

>> a fan of
>> Fripp and Eno or Frippertronics then this show is a must-have!
>
> Taken from Eno's actual stage tapes, it seems.  And the idea of =20
> making the
> test loops available sounds particularly intriguing....
>
> More details on the show and recording available at:
>
>       http://www.dgmlive.com/archive.htm?artist=3D20&show=3D1340
>
> I've gotten other Fripp downloads (Soundscapes) from these guys, =20
> and the
> quality is usually pretty good, FWIW.
>
>         --m.
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 01:40:40 2011
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Subject: Re: Fripp & Eno Live...
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On 1/4/11 10:36 AM, "Revfever" <revfever@ubergadget.com> wrote:
>
> Dustbunnies and I must be on the same psychic page. I sent out a
> notice of this as well and mere seconds before receiving this post
> from DB. :-)

Great minds, and all that....  ;D

Regardless, looks like some cool sh*t.  Although the liner notes seem to
indicate that there have been portions of this floating around unofficially
as a bootleg for quite a while.  Anybody actually heard this in the past?

        --m.


From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 02:33:55 2011
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Subject: Bebe Barron Interview
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http://www.janebrockman.org/BebeBarron/BebeBarron.html
 		 	   		  =

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From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 02:41:12 2011
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Date: Mon, 03 Jan 2011 21:41:08 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Top 20 Report for December, 2010.
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http://wdiy.org/programs/gt/playlists/2010/top20-12dec.html

WDIY 88.1 FM "Galactic Travels" Top 20 for December, 2010.
Shows #713 to #717; 2-December-2010 to 30-December-2010
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for December was Modulator ESP.

Modulator ESP: http://wdiy.org/programs/gt/playlists/2010/focus.html#dec


ARTIST - ALBUM TITLE - LABEL
========================================================================
Broekhuis, Keller, and Schonwalder - Repelen - Manikin
Create - We Live By the Machines - Groove
Dan Pound - Aurora - Pound Sounds
Gert Emmens - Metamorphosis - Groove
Herion - Out and About - Hypnos
Hypnosphere - Magnetism - Spheric Music
Ian Boddy - Pearl - DiN
Ken Elkinson - Music for Commuting - August Son
Modulator ESP - Alien Forest Observations - none
Modulator ESP - EMS VCS3 Experiment 1 - none
Modulator ESP - Historic Edition Vol. 5 - none
Modulator ESP - Historic Edition Vol. 6 - none
Modulator ESP - Live in the USA 2009 - none
Mystified - A Pale But Lasting Hope - Magnatune
Nattefrost - Dying Sun/Scarlet Moon - Groove
Ombient - Oceans Edge - none
Picture Palace Music - Midsummer - Groove
Ron Boots and Synth.nl - Refuge en Verre - Groove
Spyra - No Beats For 1 Hour - Ricochet Dream
The Eletric Golem - The Electric Golem - Ricochet Dream

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 19:13:52 2011
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Subject: vst
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Ran across this, thought maybe some would be interested.

http://www.soniccharge.com/bitspeek


J

From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 19:52:27 2011
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On Tue, Jan 4, 2011 at 8:13 PM, Jeff Duke <jeffloops@gmail.com> wrote:
> Ran across this, thought maybe some would be interested.
>
> http://www.soniccharge.com/bitspeek
>

A vocoder-like pitch/formant tracking plugin. It was covered yesterday by CDM:
http://createdigitalmusic.com/2011/01/new-microtonic-3-drum-machine-synth-bitspeek-effect/

BTW, this plugin is available both as AU and VST. No RTAS version though.

As a sound shaping tool I think Bitspeek is similar to Logic's vocoder
Evoc 20, but simpler with less of instrument qualities. For a brutal
distortion sound I like Expert Sleeper's Oomingmac better.

Per

From Loopers-Delight-request@loopers-delight.com  Tue Jan  4 22:42:53 2011
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Subject: sitting gear (TIMEBENDER)-from my bad memory//splattercell loops...
From: Scott Hansen <evanpeewee@gmail.com>
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--0016364d1dc90d740d04990cfd0b
Content-Type: text/plain; charset=ISO-8859-1

this is all from memory, since it's been probably 3 yrs since i had a dd20,
and over a yr since i had the timebender:
it is similar in aspect to the dd20 in that it has a # of delay options, but
the longest was only 5 sec, and honestly i thought the delay options for
100% feedback
seemed limited. it was not at all like my old dod d12 (12 sec of delay, the
budget lexicon pcm42 i thought of it as), but remember the dd20 has 23 sec
of delay.
to me the timebender seemed like a pitchshifter that had some delay options,
and pitchshifting is probably the effect that interestes me the least,
perhaps that's
b/c i also have pitch options in my digitech rp150 and my lexicon mx200
(which again i use very rarely). i thought the tape mode was decent, but it
didn't blow me
away. if you want varispeed pitch, i like the ibanez de7 (which is cheap,
and i wish i wouldn't have sold, although it doesn't go to 100% feedback),
my guyatone md3, which is my other piece of gear that i've had in storage
that may come out soon, and of course the EH 16ddl does varispeed
pitchshifting nice. as does the old digitech pds8000 (no
direct experience w/ this, but the bill frisell vids on youtube of him from
his old instruction vid is GREAT!) (i should note i also think my lexicon
mx200 does decent short varispeed delays, i should mess w/that more!) (and
stop whining!)
of course these are just the things i know from using low end gear, oh, the
boss dd7 did varispeed decent, and my current digitech dl8 does it decent on
the short delays.
i think i was hoping more from the TIMEBENDER, wanting to use it as my main
looper, but it was lacking for me (like not all modes went to 5 sec, etc)
i think it's a real crapper than digitech can't come out w/ the mother of
all delay based loopers that combined what the pcm42/dod d12/pds8000 could
do. make it have 20 sec of delay and really be able to control it, take
short loops and stretch them out or long loops and shorten them to get the
mickey mouse high pitch stuff. it just sucks since they F***ING own all the
companies that produced this great gear in the past, oh well i can dream.
instead they focus on putting out phrase samplers that can hold a million
hrs of stuff in memory, oh well...
i should note in the varispeed debate-i  have not been able to check out any
of the high end delay options, like the eventide delay box, the tc
electronics delay box, or the pigtonix 20 sec delay box, that honestly looks
like the thing i'd like to have, but it's close to 500 beans, about the
total of all my gear combined....
oh-i should also note that  i'd probably like the dd20 more now, since i've
settled w/ what the dl8 can do, neither of which were close to my old dod
d12, i just didn't want to mess w/  rack stuff any more.....
end of long blather, hope there's an answer somewhere in there for you....

btw-i'm currently listening to david torn's splattercell/loops for
acid/soundtrack thing (this is not the correct title, i'm 2 lazy to pull the
disc out), man there are some great sounds on here. and it's perfect for
short attention span person like me, just short little clips of interesting
sounds/processing/ explorations...i  know  it's supposed to be a tool for
composers to use in soundtracks and stuff, but great listening.....
s---
www.myspace.com/scotthansen

some1 wrote:
question to all Timebender users:

1. Is the timebender similar to the DD20 mentioned before insofar as the
delays are the interesting thing, not the looper?
2. What about the looper?
3. Does the timebender do a proper varispeed (i.e. tape speed
change-kind) when you adjust the delay time while there's something
already in the delay?

--0016364d1dc90d740d04990cfd0b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>this is all from memory, since it&#39;s been probably 3 yrs since i ha=
d a dd20, and over a yr since i had the timebender:</div>
<div>it is similar in aspect to the dd20 in that it has a # of delay option=
s, but the longest was only 5 sec, and honestly i thought the delay options=
 for 100% feedback</div>
<div>seemed limited. it was not at all like my old dod d12 (12 sec of delay=
, the budget lexicon pcm42 i thought of it as), but remember the dd20 has 2=
3 sec of delay.</div>
<div>to me the timebender seemed like a pitchshifter that had some delay op=
tions, and pitchshifting is probably the effect that interestes me the leas=
t, perhaps that&#39;s</div>
<div>b/c i also have pitch options in my digitech rp150 and my lexicon mx20=
0 (which again i use very rarely). i thought the tape mode was decent, but =
it didn&#39;t blow me </div>
<div>away. if you want varispeed pitch, i like the ibanez de7 (which is che=
ap, and i wish i wouldn&#39;t have sold, although it doesn&#39;t go to 100%=
 feedback), my guyatone md3, which is my other piece of gear that i&#39;ve =
had in storage that may come out soon, and of course the EH 16ddl does vari=
speed pitchshifting nice. as does the old digitech pds8000 (no</div>

<div>direct experience w/ this, but the bill frisell vids on youtube of him=
 from his old instruction vid is GREAT!) (i should note i also think my lex=
icon mx200 does decent short varispeed delays, i should mess w/that more!) =
(and stop whining!)</div>

<div>of course these are just the things i know from using low end gear, oh=
, the boss dd7 did varispeed decent, and my current digitech dl8 does it de=
cent on the short delays.</div>
<div>i think i was hoping more from the TIMEBENDER, wanting to use it as my=
 main looper, but it was lacking for me (like not all modes went to 5 sec, =
etc)</div>
<div>i think it&#39;s a real crapper than digitech can&#39;t come out w/ th=
e mother of all delay based loopers that combined what the pcm42/dod d12/pd=
s8000 could do. make it have 20 sec of delay and really be able to control =
it, take short loops and stretch them out or long loops and shorten them to=
 get the mickey mouse high pitch stuff. it just sucks since they F***ING ow=
n all the companies that produced this great gear in the past, oh well i ca=
n dream. instead they focus on putting out phrase samplers that can hold a =
million hrs of stuff in memory, oh well...</div>

<div>i should note in the varispeed debate-i=A0 have not been able to check=
 out any of the high end delay options, like the eventide delay box, the tc=
 electronics delay box, or the pigtonix 20 sec delay box, that honestly loo=
ks like the thing i&#39;d like to have, but it&#39;s close to 500 beans, ab=
out the=A0 total of all my gear combined....</div>

<div>oh-i should also note that=A0 i&#39;d probably like the dd20 more now,=
 since i&#39;ve settled w/ what the dl8 can do, neither of which were close=
 to my old dod d12, i just didn&#39;t want to mess w/=A0 rack stuff any mor=
e.....</div>

<div>end of long blather, hope there&#39;s an answer somewhere in there for=
 you....</div>
<div>=A0</div>
<div>btw-i&#39;m currently listening to david torn&#39;s splattercell/loops=
 for acid/soundtrack thing (this is not the correct title, i&#39;m 2 lazy t=
o pull the disc out), man there are some great sounds on here. and it&#39;s=
 perfect for short attention span person like me, just short little clips o=
f interesting sounds/processing/ explorations...i=A0 know=A0 it&#39;s suppo=
sed to be a tool for composers to use in soundtracks and stuff, but great l=
istening.....</div>

<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a></div>
<div>=A0</div>
<div>some1 wrote:</div>
<div>question to all Timebender users:<br><br>1. Is the timebender similar =
to the DD20 mentioned before insofar as the <br>delays are the interesting =
thing, not the looper?<br>2. What about the looper?<br>3. Does the timebend=
er do a proper varispeed (i.e. tape speed <br>
change-kind) when you adjust the delay time while there&#39;s something <br=
>already in the delay?<br><br></div>

--0016364d1dc90d740d04990cfd0b--

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From: stanitarium@earthlink.net
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To: Loopers-Delight@loopers-delight.com
Subject: Re: sitting gear (TIMEBENDER)-from my bad memory//splattercell
 loops...
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speaking of the pds 8000, my go to box-my friend James Potter, some of you know-is selling his baby:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=260717045164&ssPageName=STRK:MESELX:IT#ht_500wt_1156


-----Original Message-----

From: Scott Hansen 

Sent: Jan 4, 2011 2:42 PM

To: Loopers-Delight@loopers-delight.com

Subject: sitting gear (TIMEBENDER)-from my bad memory//splattercell loops...



this is all from memory, since it's been probably 3 yrs since i had a dd20, and over a yr since i had the timebender:
it is similar in aspect to the dd20 in that it has a # of delay options, but the longest was only 5 sec, and honestly i thought the delay options for 100% feedback
seemed limited. it was not at all like my old dod d12 (12 sec of delay, the budget lexicon pcm42 i thought of it as), but remember the dd20 has 23 sec of delay.
to me the timebender seemed like a pitchshifter that had some delay options, and pitchshifting is probably the effect that interestes me the least, perhaps that's
b/c i also have pitch options in my digitech rp150 and my lexicon mx200 (which again i use very rarely). i thought the tape mode was decent, but it didn't blow me 
away. if you want varispeed pitch, i like the ibanez de7 (which is cheap, and i wish i wouldn't have sold, although it doesn't go to 100% feedback), my guyatone md3, which is my other piece of gear that i've had in storage that may come out soon, and of course the EH 16ddl does varispeed pitchshifting nice. as does the old digitech pds8000 (no

direct experience w/ this, but the bill frisell vids on youtube of him from his old instruction vid is GREAT!) (i should note i also think my lexicon mx200 does decent short varispeed delays, i should mess w/that more!) (and stop whining!)

of course these are just the things i know from using low end gear, oh, the boss dd7 did varispeed decent, and my current digitech dl8 does it decent on the short delays.
i think i was hoping more from the TIMEBENDER, wanting to use it as my main looper, but it was lacking for me (like not all modes went to 5 sec, etc)
i think it's a real crapper than digitech can't come out w/ the mother of all delay based loopers that combined what the pcm42/dod d12/pds8000 could do. make it have 20 sec of delay and really be able to control it, take short loops and stretch them out or long loops and shorten them to get the mickey mouse high pitch stuff. it just sucks since they F***ING own all the companies that produced this great gear in the past, oh well i can dream. instead they focus on putting out phrase samplers that can hold a million hrs of stuff in memory, oh well...

i should note in the varispeed debate-i  have not been able to check out any of the high end delay options, like the eventide delay box, the tc electronics delay box, or the pigtonix 20 sec delay box, that honestly looks like the thing i'd like to have, but it's close to 500 beans, about the  total of all my gear combined....

oh-i should also note that  i'd probably like the dd20 more now, since i've settled w/ what the dl8 can do, neither of which were close to my old dod d12, i just didn't want to mess w/  rack stuff any more.....

end of long blather, hope there's an answer somewhere in there for you....
 
btw-i'm currently listening to david torn's splattercell/loops for acid/soundtrack thing (this is not the correct title, i'm 2 lazy to pull the disc out), man there are some great sounds on here. and it's perfect for short attention span person like me, just short little clips of interesting sounds/processing/ explorations...i  know  it's supposed to be a tool for composers to use in soundtracks and stuff, but great listening.....

s---
www.myspace.com/scotthansen
 
some1 wrote:
question to all Timebender users:

1. Is the timebender similar to the DD20 mentioned before insofar as the 
delays are the interesting thing, not the looper?
2. What about the looper?
3. Does the timebender do a proper varispeed (i.e. tape speed 

change-kind) when you adjust the delay time while there's something 
already in the delay?

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 03:26:26 2011
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Date: Tue, 4 Jan 2011 22:26:16 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: RIP Mick Karn
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Sad sad day....  I met him through David Torn when Polytown did a 
show in Minneapolis.  At the time David Sylvian was living there and 
both Torn and Karn were perplexed at why he didn't bother to turn up 
at their gig..

I'll miss him.

-Chuck


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: Re: RIP Mick Karn
From: Art Simon <simart@gmail.com>
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That is sad, Godspeed Mick!

On Tue, Jan 4, 2011 at 7:26 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

> Sad sad day....  I met him through David Torn when Polytown did a show in
> Minneapolis.  At the time David Sylvian was living there and both Torn and
> Karn were perplexed at why he didn't bother to turn up at their gig..
>
> I'll miss him.
>
> -Chuck
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--000325575c16780be10499113bd0
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That is sad, Godspeed Mick!<br><br><div class=3D"gmail_quote">On Tue, Jan 4=
, 2011 at 7:26 PM, Charles Zwicky <span dir=3D"ltr">&lt;<a href=3D"mailto:c=
azwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;</span> wrote:<br><blo=
ckquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-le=
ft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Sad sad day.... =A0I met him through David Torn when Polytown did a show in=
 Minneapolis. =A0At the time David Sylvian was living there and both Torn a=
nd Karn were perplexed at why he didn&#39;t bother to turn up at their gig.=
.<br>

<br>
I&#39;ll miss him.<br>
<br>
-Chuck<br><font color=3D"#888888">
<br>
<br>
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/=
artsimon<br>

--000325575c16780be10499113bd0--

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 05:25:38 2011
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Subject: Re: -discovering your gear that sits on your board
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--Apple-Mail-2-217831591
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  Jeff The Duke sez:

  I don't use gear with an idea
of what I think it should do so much as see what it does and then
think how I can use that.


Thanks for saying that Jeff , because that's also the way it is for me  
with gear. I explore a piece of gear and try to pull as much as I can  
out of what the designer came up with. If given the chance to talk to  
the designer I might proffer a suggestion in person, but in much of  
the  corporate music manufacturing world that isn't possible unless  
you have an inside connection. I go to NAMM nearly every year and most  
of those designer guys are more interested in chatting up rocker  
chicks.  I personally didn't have much input on the feature set for  
the LP-1. Frankly  That was all Bob with a lot off input from my  
brother Rick and Steve Lawson, and latter from a consensus of user  
suggested options.  I think they built a pretty great feature set, one  
that I'm still uncovering things on three years down the line.  I  
didn't have any input on the  line 6 M-9 other than join a chorus of  
users with pedal board real estate issues in wishing there was a  
slightly more compact version of the M-13.  Both pieces of gear are  
continuing to inspire me and offer up new possibilities. Last night   
MR Inside was going way out side with the M-9's ring modulator and an  
expression pedal. Now I've always loved ring modulators. I had an AH  
frequency analyzer for a number of years, but I could not see the  
point in hanging on to something I used really sparingly. This is true  
for several different vintage effects that I would love to use on  
occasion , but not necessarily feel the need to own as individual  
pieces. Those include ones I used to have like the ada flanger, mxr  
phaser and flanger, echoplex  and space echo, or lusted after when  
they were new but I didn't own  like the tri stereo chorus and  
original  boss chorus ensemble.  In addition as I've spouted numerous  
times before, just on its merit alone as a delay this thing has more  
options than most dedicated floor delays.  A typical set of delay  
options for me might be a volume swell delay or reverse delay in to a  
sweep or analog delay in to a stereo delay all set to compatible  
rhythmic values with a dedicated expression pedal to morph them all  
slightly, and slaved to  incoming midi sync from my LP-1. From the bit  
I've checked out the timbenderit  is really cool and I wish more  
delays allowed the ability to set an expression pedal  to control the  
input feeding the dealy for freeze style effects. That was one cool  
thing I liked about the original vox tone lap, that  you could assign  
an expression pedal in that way.
Bill


--Apple-Mail-2-217831591
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5217FF">&nbsp;Jeff The Duke =
sez:</font></span><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" =
color=3D"#5217FF"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#5217FF">&nbsp;</font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5217FF">I don't use gear with an =
idea</font></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#5217FF"><br></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5217FF">of what I think it should =
do so much as see what it does and then</font></span><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#5217FF"><br></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5217FF">think how I can use =
that.</font></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; ">Thanks for saying that =
Jeff , because that's also the way it is for me with gear. I explore a =
piece of gear and try to pull as much as I can out of what the designer =
came up with. If given the chance to talk to the designer I might =
proffer a suggestion in person, but in much of the &nbsp;corporate music =
manufacturing world that isn't possible unless you have an inside =
connection. I go to NAMM nearly every year and most of those designer =
guys are more interested in chatting up rocker chicks. &nbsp;I =
personally didn't have much input on the feature set for the LP-1. =
Frankly &nbsp;That was all Bob with a lot off input from my brother Rick =
and Steve Lawson, and latter from a consensus of user suggested options. =
&nbsp;I think they built a pretty great feature set, one that I'm still =
uncovering things on three years down the line. &nbsp;I didn't have any =
input on the &nbsp;line 6 M-9 other than join a chorus of users with =
pedal board real estate issues in wishing there was a slightly more =
compact version of the M-13. &nbsp;Both pieces of gear are continuing to =
inspire me and offer up new possibilities. Last night &nbsp;MR Inside =
was going way out side with the M-9's ring modulator and an expression =
pedal. Now I've always loved ring modulators. I had an AH frequency =
analyzer for a number of years, but I could not see the point in hanging =
on to something I used really sparingly. This is true for several =
different vintage effects that I would love to use on occasion , but not =
necessarily feel the need to own as individual pieces. Those include =
ones I used to have like the ada flanger, mxr phaser and flanger, =
echoplex &nbsp;and space echo, or lusted after when they were new but I =
didn't own &nbsp;like the tri stereo chorus and original &nbsp;boss =
chorus ensemble. &nbsp;In addition as I've spouted numerous times =
before, just on its merit alone as a delay this thing has more options =
than most dedicated floor delays. &nbsp;A typical set of delay options =
for me might be a volume swell delay or reverse delay in to a sweep or =
analog delay in to a stereo delay all set to compatible rhythmic values =
with a dedicated expression pedal to morph them all slightly, and slaved =
to &nbsp;incoming midi sync from my LP-1. =46rom the bit I've checked =
out the timbenderit &nbsp;is really cool and I wish more delays allowed =
the ability to set an expression pedal &nbsp;to control the input =
feeding the dealy for freeze style effects. That was one cool thing I =
liked about the original vox tone lap, that &nbsp;you could assign an =
expression pedal in that way. &nbsp;</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">Bill</span></div><div><font class=3D"Apple-style-span" =
face=3D"Tahoma" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;"><br></span></font></div></body></html>=

--Apple-Mail-2-217831591--

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Subject: OT: RIP Mick Karn
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I just heard the sad news  about Mick Karn loosing his battle with  
cancer.  What a truly unique and beautiful bassist he was. His  
fretlless bass playing was as orignal sounding as any I've ever heard,  
a very vocal sound,  melodic yet grounded and earthy and funky.   
listen to Polytown with Torn and Bozzio or Tin Drum by Japan to hear  
what I mean
  A great one has joine the great band beyond
Bill

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 07:28:04 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: RIP Mick Karn
Date: Wed, 5 Jan 2011 07:27:59 +0000
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Seconded. A very rare=2C unique musical voice.
That's gotta be some amazing band up there...
=20
peace
=20
G
=20
> From: billwalker@baymoon.com
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: RIP Mick Karn
> Date: Tue=2C 4 Jan 2011 22:24:44 -0800
>=20
> I just heard the sad news about Mick Karn loosing his battle with=20
> cancer. What a truly unique and beautiful bassist he was. His=20
> fretlless bass playing was as orignal sounding as any I've ever heard=2C=
=20
> a very vocal sound=2C melodic yet grounded and earthy and funky.=20
> listen to Polytown with Torn and Bozzio or Tin Drum by Japan to hear=20
> what I mean
> A great one has joine the great band beyond
> Bill
>=20
 		 	   		  =

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Seconded. A very rare=2C unique musical&nbsp=3Bvoice.<BR>
That's gotta be some amazing band up there...<BR>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B From: billwalker@baymoon.com<BR>&gt=3B To: Loopers-Delight@loopers-d=
elight.com<BR>&gt=3B Subject: OT: RIP Mick Karn<BR>&gt=3B Date: Tue=2C 4 Ja=
n 2011 22:24:44 -0800<BR>&gt=3B <BR>&gt=3B I just heard the sad news about =
Mick Karn loosing his battle with <BR>&gt=3B cancer. What a truly unique an=
d beautiful bassist he was. His <BR>&gt=3B fretlless bass playing was as or=
ignal sounding as any I've ever heard=2C <BR>&gt=3B a very vocal sound=2C m=
elodic yet grounded and earthy and funky. <BR>&gt=3B listen to Polytown wit=
h Torn and Bozzio or Tin Drum by Japan to hear <BR>&gt=3B what I mean<BR>&g=
t=3B A great one has joine the great band beyond<BR>&gt=3B Bill<BR>&gt=3B <=
BR> 		 	   		  </body>
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From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 07:29:15 2011
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Subject: RE: Fripp & Eno Live...
Date: Wed, 5 Jan 2011 08:29:09 +0100
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> Regardless, looks like some cool sh*t.  Although the liner notes seem to
indicate that there have been portions of this floating around unofficially
as a bootleg for quite a while.  Anybody actually heard this in the past?


yes, I know the bootleg. The official record is partly based on the bootleg,
with ok sound quality, and accompanied by some of the (solo-less) original
tape loops in better sound quality.

-Michael


From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 07:31:53 2011
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Subject: RE: -discovering your gear that sits on your board
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I wonder if that has parallels with hardware/software users ? I work the op=
posite way. I have an idea of what I'd like to do and then try to get thing=
s=2C (a computer) to do it..
Of course=2C it's great to discover things serendipitously too...
=20
peace
=20
g
=20


From: billwalker@baymoon.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: -discovering your gear that sits on your board
Date: Tue=2C 4 Jan 2011 21:25:27 -0800

 Jeff The Duke sez:


 I don't use gear with an idea
of what I think it should do so much as see what it does and then
think how I can use that.




Thanks for saying that Jeff =2C because that's also the way it is for me wi=
th gear. I explore a piece of gear and try to pull as much as I can out of =
what the designer came up with. If given the chance to talk to the designer=
 I might proffer a suggestion in person=2C but in much of the  corporate mu=
sic manufacturing world that isn't possible unless you have an inside conne=
ction. I go to NAMM nearly every year and most of those designer guys are m=
ore interested in chatting up rocker chicks.  I personally didn't have much=
 input on the feature set for the LP-1. Frankly  That was all Bob with a lo=
t off input from my brother Rick and Steve Lawson=2C and latter from a cons=
ensus of user suggested options.  I think they built a pretty great feature=
 set=2C one that I'm still uncovering things on three years down the line. =
 I didn't have any input on the  line 6 M-9 other than join a chorus of use=
rs with pedal board real estate issues in wishing there was a slightly more=
 compact version of the M-13.  Both pieces of gear are continuing to inspir=
e me and offer up new possibilities. Last night  MR Inside was going way ou=
t side with the M-9's ring modulator and an expression pedal. Now I've alwa=
ys loved ring modulators. I had an AH frequency analyzer for a number of ye=
ars=2C but I could not see the point in hanging on to something I used real=
ly sparingly. This is true for several different vintage effects that I wou=
ld love to use on occasion =2C but not necessarily feel the need to own as =
individual pieces. Those include ones I used to have like the ada flanger=
=2C mxr phaser and flanger=2C echoplex  and space echo=2C or lusted after w=
hen they were new but I didn't own  like the tri stereo chorus and original=
  boss chorus ensemble.  In addition as I've spouted numerous times before=
=2C just on its merit alone as a delay this thing has more options than mos=
t dedicated floor delays.  A typical set of delay options for me might be a=
 volume swell delay or reverse delay in to a sweep or analog delay in to a =
stereo delay all set to compatible rhythmic values with a dedicated express=
ion pedal to morph them all slightly=2C and slaved to  incoming midi sync f=
rom my LP-1. From the bit I've checked out the timbenderit  is really cool =
and I wish more delays allowed the ability to set an expression pedal  to c=
ontrol the input feeding the dealy for freeze style effects. That was one c=
ool thing I liked about the original vox tone lap=2C that  you could assign=
 an expression pedal in that way. =20
Bill

 		 	   		  =

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I wonder if that has parallels with hardware/software users ? I work the op=
posite way.&nbsp=3BI have an idea of what I'd like to do and then try to ge=
t things=2C (a computer) to do it..<BR>
Of course=2C it's great to discover things serendipitously too...<BR>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
g<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
From: billwalker@baymoon.com<BR>To: Loopers-Delight@loopers-delight.com<BR>=
Subject: Re: -discovering your gear that sits on your board<BR>Date: Tue=2C=
 4 Jan 2011 21:25:27 -0800<BR><BR><SPAN style=3D"FONT-FAMILY: Tahoma=3B FON=
T-SIZE: 13px" class=3DecxApple-style-span><FONT class=3DecxApple-style-span=
 color=3D#5217ff>&nbsp=3BJeff The Duke sez:</FONT></SPAN>
<DIV><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px" class=3DecxAppl=
e-style-span><FONT class=3DecxApple-style-span color=3D#5217ff><BR></FONT><=
/SPAN></DIV>
<DIV><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px" class=3DecxAppl=
e-style-span><FONT class=3DecxApple-style-span color=3D#5217ff>&nbsp=3B</FO=
NT></SPAN><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px" class=3Dec=
xApple-style-span><FONT class=3DecxApple-style-span color=3D#5217ff>I don't=
 use gear with an idea</FONT></SPAN><SPAN style=3D"FONT-FAMILY: Tahoma=3B F=
ONT-SIZE: 13px" class=3DecxApple-style-span><FONT class=3DecxApple-style-sp=
an color=3D#5217ff><BR></FONT></SPAN><SPAN style=3D"FONT-FAMILY: Tahoma=3B =
FONT-SIZE: 13px" class=3DecxApple-style-span><FONT class=3DecxApple-style-s=
pan color=3D#5217ff>of what I think it should do so much as see what it doe=
s and then</FONT></SPAN><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13=
px" class=3DecxApple-style-span><FONT class=3DecxApple-style-span color=3D#=
5217ff><BR></FONT></SPAN><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 1=
3px" class=3DecxApple-style-span><FONT class=3DecxApple-style-span color=3D=
#5217ff>think how I can use that.</FONT></SPAN></DIV>
<DIV><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px" class=3DecxAppl=
e-style-span><BR></SPAN></DIV>
<DIV><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px" class=3DecxAppl=
e-style-span><BR></SPAN></DIV>
<DIV><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px" class=3DecxAppl=
e-style-span>Thanks for saying that Jeff =2C because that's also the way it=
 is for me with gear. I explore a piece of gear and try to pull as much as =
I can out of what the designer came up with. If given the chance to talk to=
 the designer I might proffer a suggestion in person=2C but in much of the =
&nbsp=3Bcorporate music manufacturing world that isn't possible unless you =
have an inside connection. I go to NAMM nearly every year and most of those=
 designer guys are more interested in chatting up rocker chicks. &nbsp=3BI =
personally didn't have much input on the feature set for the LP-1. Frankly =
&nbsp=3BThat was all Bob with a lot off input from my brother Rick and Stev=
e Lawson=2C and latter from a consensus of user suggested options. &nbsp=3B=
I think they built a pretty great feature set=2C one that I'm still uncover=
ing things on three years down the line. &nbsp=3BI didn't have any input on=
 the &nbsp=3Bline 6 M-9 other than join a chorus of users with pedal board =
real estate issues in wishing there was a slightly more compact version of =
the M-13. &nbsp=3BBoth pieces of gear are continuing to inspire me and offe=
r up new possibilities. Last night &nbsp=3BMR Inside was going way out side=
 with the M-9's ring modulator and an expression pedal. Now I've always lov=
ed ring modulators. I had an AH frequency analyzer for a number of years=2C=
 but I could not see the point in hanging on to something I used really spa=
ringly. This is true for several different vintage effects that I would lov=
e to use on occasion =2C but not necessarily feel the need to own as indivi=
dual pieces. Those include ones I used to have like the ada flanger=2C mxr =
phaser and flanger=2C echoplex &nbsp=3Band space echo=2C or lusted after wh=
en they were new but I didn't own &nbsp=3Blike the tri stereo chorus and or=
iginal &nbsp=3Bboss chorus ensemble. &nbsp=3BIn addition as I've spouted nu=
merous times before=2C just on its merit alone as a delay this thing has mo=
re options than most dedicated floor delays. &nbsp=3BA typical set of delay=
 options for me might be a volume swell delay or reverse delay in to a swee=
p or analog delay in to a stereo delay all set to compatible rhythmic value=
s with a dedicated expression pedal to morph them all slightly=2C and slave=
d to &nbsp=3Bincoming midi sync from my LP-1. From the bit I've checked out=
 the timbenderit &nbsp=3Bis really cool and I wish more delays allowed the =
ability to set an expression pedal &nbsp=3Bto control the input feeding the=
 dealy for freeze style effects. That was one cool thing I liked about the =
original vox tone lap=2C that &nbsp=3Byou could assign an expression pedal =
in that way. &nbsp=3B</SPAN></DIV>
<DIV><SPAN style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px" class=3DecxAppl=
e-style-span>Bill</SPAN></DIV>
<DIV><FONT class=3DecxApple-style-span size=3D3 face=3DTahoma><SPAN style=
=3D"FONT-SIZE: 13px" class=3DecxApple-style-span><BR></SPAN></FONT></DIV> 	=
	 	   		  </body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 08:16:56 2011
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Subject: LP2 by July? (What are chances?)
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi all,

Does anyone know what the chances are that the Looperlative LP-2 might
be out by July? I'm going on tour this summer, and will be adding a
second looper to my rig. I've been holding out for an LP-2 since I got
to play with Rick's prototype. However, if it won't be out by then,
I'll have to get another DL-4.

Thoughts?

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 09:36:27 2011
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godd that is so sadd! i heard/loved many a cds w/ him-saw polytown here in sf @ GAMH and indeed he was a great and wonderful musician-so sorry to hear tonite-harshing my mellow


-----Original Message-----
>From: William Walker <billwalker@baymoon.com>
>Sent: Jan 4, 2011 10:24 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: OT: RIP Mick Karn
>
>I just heard the sad news  about Mick Karn loosing his battle with  
>cancer.  What a truly unique and beautiful bassist he was. His  
>fretlless bass playing was as orignal sounding as any I've ever heard,  
>a very vocal sound,  melodic yet grounded and earthy and funky.   
>listen to Polytown with Torn and Bozzio or Tin Drum by Japan to hear  
>what I mean
>  A great one has joine the great band beyond
>Bill
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 10:17:30 2011
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From: mark francombe <mark@markfrancombe.com>
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Subject: Re: OT: RIP Mick Karn
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--20cf3054a0732ce617049916b119
Content-Type: text/plain; charset=ISO-8859-1

This is indeed very sad news. His bass sound for me was the sound of the
early 80s, not least as I had a bass player girlfriend  who adored him, and
filed her frets off.

Ive been wondering whether to mention this as it seems like trumpeting, but
earlier this year, about 2 months before he announced his Cancer, I was
approached by a Polish friend of mine who had been in touch with him for
many years and had been, in some way, trying to get him back on the road. He
was suffering financially and was by all accounts completely broke and
living a quite hermetic life on Cyprus. My friend had suggested me to him as
a possible guitarist for a forthcoming tour, he had apparently listened to
some of my stuff and liked it. I got a mail from him out of the blue one day
saying that what was my schedule like and would I tour for free (I beieve
that Torn and Aaset et el had all been asked before me, and their monetary
requirements were out of the question) .. It took a micro second to
reply...however... I never heard anything more, and expect that it would not
have gone anywhere anyway.

Im not mentioning this in anyway commiserating about MY bad luck, indeed, it
wasnt REALLY my kinda gig, just that it happened, and Im sad that he died.
Very, very sad.

Mark


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3054a0732ce617049916b119
Content-Type: text/html; charset=ISO-8859-1
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This is indeed very sad news. His bass sound for me was the sound of the ea=
rly 80s, not least as I had a bass player girlfriend=A0 who adored him, and=
 filed her frets off.<br><br>Ive been wondering whether to mention this as =
it seems like trumpeting, but earlier this year, about 2 months before he a=
nnounced his Cancer, I was approached by a Polish friend of mine who had be=
en in touch with him for many years and had been, in some way, trying to ge=
t him back on the road. He was suffering financially and was by all account=
s completely broke and living a quite hermetic life on Cyprus. My friend ha=
d suggested me to him as a possible guitarist for a forthcoming tour, he ha=
d apparently listened to some of my stuff and liked it. I got a mail from h=
im out of the blue one day saying that what was my schedule like and would =
I tour for free (I beieve that Torn and Aaset et el had all been asked befo=
re me, and their monetary requirements were out of the question) .. It took=
 a micro second to reply...however... I never heard anything more, and expe=
ct that it would not have gone anywhere anyway.<br>

<br>Im not mentioning this in anyway commiserating about MY bad luck, indee=
d, it wasnt REALLY my kinda gig, just that it happened, and Im sad that he =
died. Very, very sad.<br><br>Mark<br><br><br>-- <br>mark francombe<br>
<a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>
<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054a0732ce617049916b119--

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 10:56:14 2011
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: Re: Fripp & Eno Live...
Date: Wed, 5 Jan 2011 10:56:09 -0000
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?I downloaded said bootleg some time ago.  I was tempted to clean it up 
myself but even the venerable Cool Edit 2.0 had difficulty when it came to 
the obvious hand-shuffling of the mic during the performance - to say 
nothing of the crowd conversation.  Ultimately in comparison with the studio 
recordings it was not very listenable, though I was tempted to mix together 
the studio recordings in order to get the same effect.  End result, I 
didn't.

-----Original Message----- 
From: Michael Peters
Sent: Wednesday, January 05, 2011 7:29 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Fripp & Eno Live...

> Regardless, looks like some cool sh*t.  Although the liner notes seem to
indicate that there have been portions of this floating around unofficially
as a bootleg for quite a while.  Anybody actually heard this in the past?


yes, I know the bootleg. The official record is partly based on the bootleg,
with ok sound quality, and accompanied by some of the (solo-less) original
tape loops in better sound quality.

-Michael 

From t059@mail.cmps.hc.edu.tw  Wed Jan  5 11:51:52 2011
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From: "t059" <t059@mail.cmps.hc.edu.tw>
To: undisclosed-recipients: ;
Reply-To: peugeotclaimsdesk@hotmail.com
Subject: Unclaimed Winnings:
Date: Wed, 5 Jan 2011 06:44:24 +0800
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------=_NextPart_000_0021_01C2A9A6.0BFE0C0A--

From ken.dwight99@gmail.com  Wed Jan  5 12:56:51 2011
Return-Path: <ken.dwight99@gmail.com>
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Date: Wed, 5 Jan 2011 13:56:22 +0100
Message-ID: <AANLkTimN5h-eM1cMsni8aY9e99B9cVOUaqeKKgvQDxtk@mail.gmail.com>
Subject: HELLO
From: KEN DWIGHT <ken.dwight99@gmail.com>
Content-Type: multipart/alternative; boundary=0016e65c86dcd863b9049918e910
To: undisclosed-recipients:;

--0016e65c86dcd863b9049918e910
Content-Type: text/plain; charset=ISO-8859-1

Kent Chambers
Kent House
Romney Place
Maidstone
Kent
ME15 6LH
DX: 4844 Maidstone 1

Attn:

The purpose of this letter is to briefly introduce myself and also inform
you of a very important and classified information that relates to monetary
issues as regards the late client ( Albert ).I am Ken Dwight, Member of
(KENT CHAMBERS UK)I have decided to write you via this private mail box for
personal reasons for my own security, further correspondence shall be
official via my firm's email address if necessary.It requires your urgent
attention and I would love to meet with you personally, for about an hour or
so, to discuss this issue. To set up a meeting for this at your convenience,
I propose to call your office by the end of today.It is my hope that we will
be able to arrange to meet at your offices.However before we proceed, please
confirm your last name. In the meantime, best of luck with your endeavors,
and I look forward to answering any questions you may have and also meeting
with you and doing business with you in the near future.Lastly get back with
your phone number.

Best Regards,

Barrister

KEN DWIGHT

--0016e65c86dcd863b9049918e910
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Kent Chambers</div><div>Kent House</div><div>Romney Place</div><div>Ma=
idstone</div><div>Kent</div><div>ME15 6LH</div><div>DX: 4844 Maidstone 1</d=
iv><div><br></div><div>Attn:</div><div><br></div><div>The purpose of this l=
etter is to briefly introduce myself and also inform you of a very importan=
t and classified information that relates to monetary issues as regards the=
 late client ( Albert ).I am Ken Dwight, Member of (KENT CHAMBERS UK)I have=
 decided to write you via this private mail box for personal reasons for my=
 own security, further correspondence shall be official via my firm&#39;s e=
mail address if necessary.It requires your urgent attention and I would lov=
e to meet with you personally, for about an hour or so, to discuss this iss=
ue. To set up a meeting for this at your convenience, I propose to call you=
r office by the end of today.It is my hope that we will be able to arrange =
to meet at your offices.However before we proceed, please confirm your last=
 name. In the meantime, best of luck with your endeavors, and I look forwar=
d to answering any questions you may have and also meeting with you and doi=
ng business with you in the near future.Lastly get back with your phone num=
ber.</div>
<div>=A0</div><div>Best Regards,</div><div>=A0</div><div>Barrister=A0</div>=
<div><br></div><div>KEN DWIGHT</div>

--0016e65c86dcd863b9049918e910--

From rebthatchewish@gmail.com  Wed Jan  5 13:39:53 2011
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Reply-To: <mpennychamber@gmail.com>
From: "Lady Rebecca Thatcher"<rebthatchewish@gmail.com>
Subject: IT IS YOUR CALLING!!!!
Date: Wed, 5 Jan 2011 05:17:00 -0800
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To: undisclosed-recipients:;

From: Lady Rebecca Thatcher.
No:38-41 Old Church Street, Manchester,
London England.

Beloved,i am Lady Rebecca Thatcher, suffering from cancerous ailment. I was
married to Sir Jeremy Thatcher an English shipping tycoon notable for his
great wealth, influential extended family, and charitable activities all
his life before his death.
My husband died after a protracted illness in April 2nd, 2006.
Our life together as husband and wife lasted for about three decades
without a child.

My late husband and I made a vow to uplift the down-trodden and the
less-privileged individuals in the society, as we both had passion for
those people who can not help themselves due to physical disability or
financial predicament. I can adduce this to the fact that we both needed a
Child from this relationship, which never came.
When my late husband was alive he deposited the sum of Twenty  Million
Pounds Sterling(20,000,000.00 GBP) which were derived from his vast
estates and investment in capital market with his bank here in UK and
named me as the beneficiary of this trust fund.(all records are kept with
my family lawyer).

Presently, this money is still with the Bank. Recently, my Doctor told me
that I have limited days to live, due to the cancerous problems that i
have been suffering from. Though what bothers me most is the stroke that I
have in addition with the cancer. Hence, With this hard reality that has
befallen my family and me, I have decided to donate this fund to you
and i want you to use this gift which comes from my Late husbands effort
to establish a charity home called "Thatcher Charity Foundation" for the
upkeep of the down-trodden and persons who prove to be genuinely
handicapped financially.

I took this decision because I do not have any child that will inherit
this money and my husband relatives are bourgeois and very wealthy persons
and I  do not want my husband's hard earned money to be misused or
invested into ill perceived ventures. Also i do not want a situation where
this funds will be used in a worldly manner, hence the reason for taking
this bold decision.

I do not need any telephone communication in this regard due to my
deteriorating health and because of the presence of my husband relatives
around me, as i am currently bedridden in the Family house here in 38-41
Old Church Street, Manchester and do not receive any visitors unless
approved by Talmund Thatcher who is the immediate younger brother to my
late husband.

I do not want them to know about this development in order to safegurad
this bequeast.
So, i want you to Contact my family lawyer Barrister Matthew penny. (ESQ)
with this specified email address: mpennychamber@gmail.com and Tell him
that I have WILLED the £20,000,000 to you by quoting my personal reference
number Law/chamber/solicitors/rt/cfd/WILL/9834520012, as I have earlier
notified him that I will be WILLING the funds to you for a specific
purpose and good work.

My happiness is that I lived a life worthy of emulation, and i want you to
be kindhearted all through your life.
Please, assure me that you will act just as I have stated herein. as i
hope to hear from you soon that you have contacted my family lawyer with
the email address that i have given to you above, as he is presently
waiting to receive your reply.
 
Remain blessed,
Lady Rebecca Thatcher.

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 14:10:04 2011
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Date: Wed, 5 Jan 2011 09:07:54 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT: RIP Mick Karn
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  Bill,

When I originally posted this news here, I did so out of respect and 
deference to his contribution to music and art.

I don't think you should have changed it to "OT"..    Too many 
loopers involved in his career and  his composition style is quite 
loopy...

-Chuck



>I just heard the sad news  about Mick Karn loosing his battle with 
>cancer.  What a truly unique and beautiful bassist he was. His 
>fretlless bass playing was as orignal sounding as any I've ever 
>heard, a very vocal sound,  melodic yet grounded and earthy and 
>funky.  
>listen to Polytown with Torn and Bozzio or Tin Drum by Japan to hear 
>what I mean
>  A great one has joine the great band beyond
>Bill
>
>
>
>
>>Sad sad day....  I met him through David Torn when Polytown did a 
>>show in Minneapolis.  At the time David Sylvian was living there 
>>and both Torn and Karn were perplexed at why he didn't bother to 
>>turn up at their gig..
>>
>>I'll miss him.
>>
>>-Chuck

-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From dabire.asim@gmail.com  Wed Jan  5 14:16:02 2011
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Date: Wed, 5 Jan 2011 06:15:40 -0800 (PST)
From: Dabire <dabire.asim@gmail.com>
Reply-To: asdabire@gmail.com
Subject: CONTACT MY SECRETARY FOR COMPENSATION.
To: undisclosed recipients: ;
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Greetings, 

How are you with your family? I hope fine. I'm happy to inform you about my success in getting those funds transferred under the cooperation of a new partner from Mexico,i am precisely in mexico, meanwhile I didn't forget your past efforts to assist me in transferring those funds despite that it failed us some how. Now contact my secretary in Burkina-Faso West Africa through her e-mail id (mariam.ph@o2.pl) ask her to send you the total cheque of ($800.000.00US DOLLARS)which I kept for your compensation for all the past efforts and attempts to assist me in this transaction. so feel free and get in touched with my secretary Mrs .Mariam Philip. she will send the draft to you.
Regards, 

Mr Asim Dabire 

--0-1436483777-1294236940=:74203
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Greetings, <br><br>How are you with your family? I hope fine. I'm happy to inform you about my success in getting those funds transferred under the cooperation of a new partner from Mexico,i am precisely in mexico, meanwhile I didn't forget your past efforts to assist me in transferring those funds despite that it failed us some how. Now contact my secretary in Burkina-Faso West Africa through her e-mail id (mariam.ph@o2.pl) ask her to send you the total cheque of ($800.000.00US DOLLARS)which I kept for your compensation for all the past efforts and attempts to assist me in this transaction. so feel free and get in touched with my secretary Mrs .Mariam Philip. she will send the draft to you.<br>Regards, <br><br>Mr Asim Dabire <br></td></tr></table>
--0-1436483777-1294236940=:74203--

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 14:24:09 2011
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Bob Amstadt tweeted yesterday that 30 purple casings were on the way to 
his house, and that he was going to be taking pre-orders very soon.

Daryl Shawn
www.swanwelder.com


> Hi all,
>
> Does anyone know what the chances are that the Looperlative LP-2 might
> be out by July? I'm going on tour this summer, and will be adding a
> second looper to my rig. I've been holding out for an LP-2 since I got
> to play with Rick's prototype. However, if it won't be out by then,
> I'll have to get another DL-4.
>
> Thoughts?

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 15:47:11 2011
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--Apple-Mail-1-255110474
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	charset=us-ascii

Wow cool, wonder if you can sync an lp1 and an lp2? Cool way to have several=
 loopers in a band.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!

> Bob Amstadt tweeted yesterday that 30 purple casings were on the way to
> his house, and that he was going to be taking pre-orders very soon.
>=20
> Daryl Shawn
> www.swanwelder.com
>=20
>=20
> > Hi all,
> >
> > Does anyone know what the chances are that the Looperlative LP-2 might
> > be out by July? I'm going on tour this summer, and will be adding a
> > second looper to my rig. I've been holding out for an LP-2 since I got
> > to play with Rick's prototype. However, if it won't be out by then,
> > I'll have to get another DL-4.
> >
> > Thoughts?
>=20

--Apple-Mail-1-255110474
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	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Wow cool, wonder if you can sync an lp1 and an lp2? Cool way to have several loopers in a band.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">Bob Amstadt tweeted yesterday that 30 purple casings were on the way to<br>
his house, and that he was going to be taking pre-orders very soon.<br>
<br>
Daryl Shawn<br>
<a href="http://www.swanwelder.com"><a href="http://www.swanwelder.com">www.swanwelder.com</a></a><br>
<br>
<br>
&gt; Hi all,<br>
&gt;<br>
&gt; Does anyone know what the chances are that the Looperlative LP-2 might<br>
&gt; be out by July? I'm going on tour this summer, and will be adding a<br>
&gt; second looper to my rig. I've been holding out for an LP-2 since I got<br>
&gt; to play with Rick's prototype. However, if it won't be out by then,<br>
&gt; I'll have to get another DL-4.<br>
&gt;<br>
&gt; Thoughts?<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-1-255110474--

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Subject: Re: LP2 by July? (What are chances?)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I looked at The INterenet and found this:
http://www.talkbass.com/forum/showthread.php?t=618154

Scroll down that page for a post listing LP2 spec's. Nothing in those
spec's about sync. Would be cool to have two LP2 for Stick playing,
one per output so you can instantly feed them different musical parts.
But I guess sync would have been listed if available. Oh well...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Jan 5, 2011 at 4:46 PM, Andy Owens <andy@1800dialword.com> wrote:
> Wow cool, wonder if you can sync an lp1 and an lp2? Cool way to have several
> loopers in a band.
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
> Bob Amstadt tweeted yesterday that 30 purple casings were on the way to
> his house, and that he was going to be taking pre-orders very soon.
>
> Daryl Shawn
> www.swanwelder.com
>
>
>> Hi all,
>>
>> Does anyone know what the chances are that the Looperlative LP-2 might
>> be out by July? I'm going on tour this summer, and will be adding a
>> second looper to my rig. I've been holding out for an LP-2 since I got
>> to play with Rick's prototype. However, if it won't be out by then,
>> I'll have to get another DL-4.
>>
>> Thoughts?
>
>

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<=21DOCTYPE html PUBLIC =22-//W3C//DTD XHTML 1=2E0 Transitional//EN=22 =22=
http://www=2Ew3=2Eorg/TR/xhtml1/DTD/xhtml1-transitional=2Edtd=22><html><h=
ead><title></title></head><body>Donation From Mrs Alice Toure<br />Addres=
s: 12b Islamabad Av=2E Marcoury,<br />Abidjan-Cote D=27 Ivoire=2E<br /><b=
r />Dearest in Christ,<br /><br />Greetings in the name of our Lord Jesus=
 Christ, I am Mrs Alice Toure=2E I am married to Mr=2EFred Toure who work=
ed with Kuwait embassy in Ivory Coast for many years before he died in th=
e year 2004=2E My matrimonial status is that I lost my husband and two ki=
ds in Motor accident on 15 December 2004=2E When my late husband was aliv=
e he deposited the sum of (=A32=2E600=2E000=2E00) Two million six hundred=
 thousand pounds in a Bank here in Ivory Coast=2E Presently this money is=
 still in the bank=2E Recently my Doctor told me that I would not last fo=
r the next Eight months due to my cancer problem=2E<br /><br />The one th=
at disturbs me most is my stroke sickness=2E Having known my condition I =
decided to donate this fund to an individual/ organization that will util=
ize this money the way I am going to instruct herein, use this fund for o=
rphanages, school and church, widows, propagating the word of God =2EI to=
ok this decision because I don=27t have any child that will inherit this =
money<br /><br />I don=27t need any telephone communication in this regar=
d because of my health =2EWith God all things are possible=2E As soon as =
I receive your reply with your full information, example=2E<br /><br />Yo=
ur full name=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=2E=
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tion to obtain an authorization letter that will legally and officially a=
pprove you as the new beneficiary of this fund from the Federal Ministry =
of Justice Cote D=27Ivoire=2E I want you and the church to always pray fo=
r me because the lord is my shepherd=2E My happiness is that I lived a li=
fe of a worthy Christian=2E Whoever that wants to serve the Lord must ser=
ve him in spirit and Truth=2E Please assure me that you will act accordin=
gly as I Stated herein=2E Hoping to receive your reply with the above inf=
ormation=2E<br /><br />Remain blessed in the Lord<br />Take care, Yours S=
ister in Christ<br />Mrs Alice Toure</body></html>

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"It'll have MIDI sync in and out..."

Though Bob should confirm.

Daryl Shawn
www.swanwelder.com


> I looked at The INterenet and found this:
> http://www.talkbass.com/forum/showthread.php?t=618154
>
> Scroll down that page for a post listing LP2 spec's. Nothing in those
> spec's about sync. Would be cool to have two LP2 for Stick playing,
> one per output so you can instantly feed them different musical parts.
> But I guess sync would have been listed if available. Oh well...

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Per=20

Couldnt you use pan and the stereo inputs and aux outputs and do same with L=
P1? At one point I  was setting LP1 up so had better output control to my so=
undman, with a bit of juggling and the ayx A and B you can get four outs.=20=


Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 5, 2011, at 10:54 AM, Per Boysen <perboysen@gmail.com> wrote:

> I looked at The INterenet and found this:
> http://www.talkbass.com/forum/showthread.php?t=3D618154
>=20
> Scroll down that page for a post listing LP2 spec's. Nothing in those
> spec's about sync. Would be cool to have two LP2 for Stick playing,
> one per output so you can instantly feed them different musical parts.
> But I guess sync would have been listed if available. Oh well...
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
>=20
>=20
> On Wed, Jan 5, 2011 at 4:46 PM, Andy Owens <andy@1800dialword.com> wrote:
>> Wow cool, wonder if you can sync an lp1 and an lp2? Cool way to have seve=
ral
>> loopers in a band.
>>=20
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>> Bob Amstadt tweeted yesterday that 30 purple casings were on the way to
>> his house, and that he was going to be taking pre-orders very soon.
>>=20
>> Daryl Shawn
>> www.swanwelder.com
>>=20
>>=20
>>> Hi all,
>>>=20
>>> Does anyone know what the chances are that the Looperlative LP-2 might
>>> be out by July? I'm going on tour this summer, and will be adding a
>>> second looper to my rig. I've been holding out for an LP-2 since I got
>>> to play with Rick's prototype. However, if it won't be out by then,
>>> I'll have to get another DL-4.
>>>=20
>>> Thoughts?
>>=20
>>=20
>=20

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Date: Wed, 5 Jan 2011 18:12:39 +0100
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Subject: Re: LP2 by July? (What are chances?)
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On Wed, Jan 5, 2011 at 5:54 PM, Andy Owens <andy@1800dialword.com> wrote:
> Couldnt you use pan and the stereo inputs and aux outputs and do same wit=
h LP1?
> At one point I =C2=A0was setting LP1 up so had better output control to m=
y soundman,
> with a bit of juggling and the ayx A and B you can get four outs.

Well, I would rather use two of the LP1's stereo inputs and feed them
each instrument as a mono signal coming in through a stereo channel.
But I see no point in getting a LP1 since Mobius on a laptop ticks
better with my musical ambitions.

However, two LP2's make sense because they are small. I would then
need something like a Line 6 POD xt Live to treat the two mono looper
outputs into two stereo textures to be summed. This rig would require
the LP2 to offer a through path with wet/dry control.

Per

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Date: Wed, 5 Jan 2011 10:05:50 -0800 (PST)
From: Sunsy Oldham <talk2sunsyoldham_03@w.cn>
Reply-To: talk2sunsyoldham_1@w.cn
Subject: Hello
To: undisclosed recipients: ;
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Hello ,
Good day, My name is Sunsy 26yrs single girl,from Sierra Leone in West Afri=
ca.Presently residing in Ouagadougou (Burkina Faso) I will love to know you=
.Upon your reply I will tell you more about myself and send you my picture.=
 Love Sunsy

=0A=0A=0A      
--0-2057105610-1294250750=:74875
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><font style=3D"font-family: tahoma,ne=
w york,times,serif;" size=3D"3">Hello ,<br>Good day, My name is Sunsy 26yrs=
 single girl,from Sierra Leone in West Africa.Presently residing in Ouagado=
ugou (Burkina Faso) I will love to know you.Upon your reply I will tell you=
 more about myself and send you my picture. Love Sunsy<br></font><br></td><=
/tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-2057105610-1294250750=:74875--

From info@tech.co.uk  Wed Jan  5 18:51:17 2011
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Reply-To: <draw568@krenar.be>
From: "Yahoo! Awards Committee"<info@tech.co.uk>
To: info@info.com
Subject: YAHOO NEW YEAR PROMOTION!
Date: Thu, 6 Jan 2011 02:45:32 +0800
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FROM: THE DESK OF THE PROMOTIONS MANAGER
INTERNATIONAL GRANTS/PRIZE AWARD DEPT
REF:YAHOO7/315116127/27
BATCH:15/623/UK.

We happily announce the draw (#568) of the Yahoo 
New Year Online Lottery Raffle Draw. 
Your e-mail address attached to ticket number:
883734657492-5319 which subsequently won you the Yahoo 
Financial Promotions cash Prize. You have therefore been 
approved to claim a total sum of £1,000,000(One Million 
Great Britain Pounds Sterling) in cash credited to 
file KTU/9023118308/03.

To file for your claims, please contact our claims director
who is incharge of the claims office in UK. Contact him for 
the claims of your One Million United Kingdom Pounds. You are 
to contact the claims officer with his office email address 
provided in the below details:

REMITTANCE DIRECTOR
Email: draw568@krenar.be
Telephone: +447031822853

VERIFICATION FORM.(Fill and send to the Claims agent).
FULL NAMES*
CONTACT ADDRESS*
COUNTRY*
SEX*
AGE*
MARITAL STATUS*
OCCUPATION*
NATIONALITY*
TELEPHONE NUMBER*
EMAIL ADDRESS*
PASSPORT OR LICENCE*

Once again on behalf of all our staff,
CONGRATULATIONS AND HAPPY NEW YEAR TO YOU 
AND YOUR FAMILY!!!

CONGRATULATIONS!!!
Yours Sincerely,
Mrs. Nichole B Mongann,
Online Promotions Manager,
Uk Administrative Unit.

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 19:52:09 2011
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Message-ID: <AANLkTinPDZ4v8QHF1mdtdJVG9jfyZtAzP1mPSCZr_A0i@mail.gmail.com>
Subject: more mobius scripting help please
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6a98a5af88f04991eb857
Content-Type: text/plain; charset=ISO-8859-1

hi guys

i'm trying to get four tracks to record at once. i've assigned four tracks
to a group, but i don't know what the script syntax is to select the group
and then get it to go into record

any help would be much appreciated!

sim

--000e0cd6a98a5af88f04991eb857
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hi guys<br><br>i&#39;m trying to get four tracks to record at once. i&#39;v=
e assigned four tracks to a group, but i don&#39;t know what the script syn=
tax is to select the group and then get it to go into record<br><br>any hel=
p would be much appreciated!<br>
<br>sim<br>

--000e0cd6a98a5af88f04991eb857--

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Date: Wed, 5 Jan 2011 12:12:45 -0800
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Subject: Re: -discovering your gear that sits on your board
From: Kevin Cheli-Colando <billowhead@gmail.com>
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I would think it does as that has been one of the biggest hurdles for
me heading to software; the feeling that I need to define what I want
to do before I begin has really stalled my progress.  Usually I'm a
plug in and go sort of player but all the options available in
software make me feel less able to do that.  That and configuring
midi.

But software is the future for me one way or another I think.

Kevin

On Tue, Jan 4, 2011 at 11:31 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> I wonder if that has parallels with hardware/software users ? I work the
> opposite way.=A0I have an idea of what I'd like to do and then try to get
> things, (a computer) to do it..
> Of course, it's great to discover things serendipitously too...
>
> peace
>
> g
>
> ________________________________
> From: billwalker@baymoon.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: -discovering your gear that sits on your board
> Date: Tue, 4 Jan 2011 21:25:27 -0800
>
> =A0Jeff The Duke sez:
> =A0I don't use gear with an idea
> of what I think it should do so much as see what it does and then
> think how I can use that.
>
> Thanks for saying that Jeff , because that's also the way it is for me wi=
th
> gear. I explore a piece of gear and try to pull as much as I can out of w=
hat
> the designer came up with. If given the chance to talk to the designer I
> might proffer a suggestion in person, but in much of the =A0corporate mus=
ic
> manufacturing world that isn't possible unless you have an inside
> connection. I go to NAMM nearly every year and most of those designer guy=
s
> are more interested in chatting up rocker chicks. =A0I personally didn't =
have
> much input on the feature set for the LP-1. Frankly =A0That was all Bob w=
ith a
> lot off input from my brother Rick and Steve Lawson, and latter from a
> consensus of user suggested options. =A0I think they built a pretty great
> feature set, one that I'm still uncovering things on three years down the
> line. =A0I didn't have any input on the =A0line 6 M-9 other than join a c=
horus
> of users with pedal board real estate issues in wishing there was a sligh=
tly
> more compact version of the M-13. =A0Both pieces of gear are continuing t=
o
> inspire me and offer up new possibilities. Last night =A0MR Inside was go=
ing
> way out side with the M-9's ring modulator and an expression pedal. Now I=
've
> always loved ring modulators. I had an AH frequency analyzer for a number=
 of
> years, but I could not see the point in hanging on to something I used
> really sparingly. This is true for several different vintage effects that=
 I
> would love to use on occasion , but not necessarily feel the need to own =
as
> individual pieces. Those include ones I used to have like the ada flanger=
,
> mxr phaser and flanger, echoplex =A0and space echo, or lusted after when =
they
> were new but I didn't own =A0like the tri stereo chorus and original =A0b=
oss
> chorus ensemble. =A0In addition as I've spouted numerous times before, ju=
st on
> its merit alone as a delay this thing has more options than most dedicate=
d
> floor delays. =A0A typical set of delay options for me might be a volume =
swell
> delay or reverse delay in to a sweep or analog delay in to a stereo delay
> all set to compatible rhythmic values with a dedicated expression pedal t=
o
> morph them all slightly, and slaved to =A0incoming midi sync from my LP-1=
.
> From the bit I've checked out the timbenderit =A0is really cool and I wis=
h
> more delays allowed the ability to set an expression pedal =A0to control =
the
> input feeding the dealy for freeze style effects. That was one cool thing=
 I
> liked about the original vox tone lap, that =A0you could assign an expres=
sion
> pedal in that way.
> Bill
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 21:13:07 2011
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From: John Metzler <jarofjam@me.com>
Subject: 10 years later and look what's happened
Date: Wed, 05 Jan 2011 12:12:44 -0800
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	Hi Loopers.

	My name is John M.  I was an active member of this site in the late '90's through early 2000's until I sold everything in my looping set up to afford a move out of a dead end town.  I have just rebuilt my rig and am playing again.  Upon first glance it appears that not much has changed, the site even looks pretty much exactly the same.  However, I realize that so much has changed.  The most important and sadist change is the loss of Kim Flint.  He was the most help to me back in those days of a decade ago.  I actually emailed him 2 days ago not realizing that he has moved on from our world.  I read his very cool story of the Porsche that his Dad owned, sold, re-bought, and then gave to him.  Then I rejoined Loopers Delight and saw a listing for a memorial t-shirt and from there I figured out the sad news.  

	Damn Kim, here's another soul that is missing you.  I'm so sorry you had to leave so early.

	I am glad to notice that most of the Loopers Delight mailing list appears to still have an interest in hardware loopers.  I was afraid that Ableton and laptops would have permanently and completely taken over.

	I'm looking for a little bit of help with some sync issues.  I would also like to learn about some opinions of the Grodius foot controllers, both the FCB expander and the big little giant.  I'm specifically wanting to find a gentleman by the name Andy Butler.  Xavier over at Grodius told me he'd be the one to talk to.  But I would also like to hear from other folks using a similar set up to mine.  Here are the most relevant details....

MPC 1000
Echoplex Digital Pro + w/efc7 (#1 for guitar to it's own amp)
Echoplex Digital Pro + w/efc7 (#2 for Bass to it's own amp)
FCB1010
Alesis QSR
AdrenaLinn II
Novation SL37 ReMOTE

Besides the Bass and Guitar with EDP's going to their own separate amps, all of the line level gear (MPC, QSR, AL2) are going into a small Mackie Mixer and a pair of powered monitors.  

	I'll leave it at that for now.  I could spend days combing through the mailing list archives, but I'm hoping for something closer to an actual human interaction with some other real people.  I don't need to clog up the mailing list either, so if those who are interested in helping me would prefer to take our conversation outside the list, that would be fine.


Thanks sknahT

---John M.

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 21:23:30 2011
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Date: Wed, 5 Jan 2011 16:23:28 -0500
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Subject: Re: -discovering your gear that sits on your board
From: Jeff Duke <jeffloops@gmail.com>
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>>  Jeff The Duke sez:
>>  I don't use gear with an idea
>> of what I think it should do so much as see what it does and then
>> think how I can use that.


What I said is true but I don't want to give the impression that there
is no thought given to what I want gear to do. I read reviews and
watch the vids, hang out at forums and such leading up to the purchase
of new gear...well except when I am afflicted with bad GAS in the
middle of the night and just go wow I gotta have one of those! So I
usually have an idea of what said gear will do. I am not always happy
with it and have returned quite a bit of gear that wouldn't do right
for me.

With the Time Bender the main reason givento me by people that didn't
like it is that it won't sound or do things like (insert pds
delay/Vortex), etc, etc. I was looking for something different so that
may be why I wasn't disappointed. It makes a nice addition in my
arsenal. Even if I don't use it all the time it remains a keeper for
me.

Jeff


On Wed, Jan 5, 2011 at 3:12 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> I would think it does as that has been one of the biggest hurdles for
> me heading to software; the feeling that I need to define what I want
> to do before I begin has really stalled my progress. =A0Usually I'm a
> plug in and go sort of player but all the options available in
> software make me feel less able to do that. =A0That and configuring
> midi.
>
> But software is the future for me one way or another I think.
>
> Kevin
>
> On Tue, Jan 4, 2011 at 11:31 PM, Gareth Whittock
> <buddhamachine@live.co.uk> wrote:
>> I wonder if that has parallels with hardware/software users ? I work the
>> opposite way.=A0I have an idea of what I'd like to do and then try to ge=
t
>> things, (a computer) to do it..
>> Of course, it's great to discover things serendipitously too...
>>
>> peace
>>
>> g
>>
>> ________________________________
>> From: billwalker@baymoon.com
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: -discovering your gear that sits on your board
>> Date: Tue, 4 Jan 2011 21:25:27 -0800
>>
>> =A0Jeff The Duke sez:
>> =A0I don't use gear with an idea
>> of what I think it should do so much as see what it does and then
>> think how I can use that.
>>
>> Thanks for saying that Jeff , because that's also the way it is for me w=
ith
>> gear. I explore a piece of gear and try to pull as much as I can out of =
what
>> the designer came up with.
>> Bill
>>
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>

From info@uefa.com  Wed Jan  5 23:34:03 2011
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From: "MasterCard UEFA Champions League Lottery Inc."<info@uefa.com>
Subject: Batch Number: EU-155DB11-003/LL.
Date: Tue, 4 Jan 2011 20:48:57 +0100
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From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 23:36:54 2011
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Date: Thu, 6 Jan 2011 01:36:51 +0200
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Subject: Re: 10 years later and look what's happened
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf3054a2030ea009049921dcbe
Content-Type: text/plain; charset=ISO-8859-1

Laptops and software didnt takeover, John.
They're here and we're all here.

Nice to have you back.

:-)

-Petri-

2011/1/5 John Metzler <jarofjam@me.com>

>        Hi Loopers.
>
>        My name is John M.  I was an active member of this site in the late
> '90's through early 2000's until I sold everything in my looping set up to
> afford a move out of a dead end town.  I have just rebuilt my rig and am
> playing again.  Upon first glance it appears that not much has changed, the
> site even looks pretty much exactly the same.  However, I realize that so
> much has changed.  The most important and sadist change is the loss of Kim
> Flint.  He was the most help to me back in those days of a decade ago.  I
> actually emailed him 2 days ago not realizing that he has moved on from our
> world.  I read his very cool story of the Porsche that his Dad owned, sold,
> re-bought, and then gave to him.  Then I rejoined Loopers Delight and saw a
> listing for a memorial t-shirt and from there I figured out the sad news.
>
>        Damn Kim, here's another soul that is missing you.  I'm so sorry you
> had to leave so early.
>
>        I am glad to notice that most of the Loopers Delight mailing list
> appears to still have an interest in hardware loopers.  I was afraid that
> Ableton and laptops would have permanently and completely taken over.
>
>        I'm looking for a little bit of help with some sync issues.  I would
> also like to learn about some opinions of the Grodius foot controllers, both
> the FCB expander and the big little giant.  I'm specifically wanting to find
> a gentleman by the name Andy Butler.  Xavier over at Grodius told me he'd be
> the one to talk to.  But I would also like to hear from other folks using a
> similar set up to mine.  Here are the most relevant details....
>
> MPC 1000
> Echoplex Digital Pro + w/efc7 (#1 for guitar to it's own amp)
> Echoplex Digital Pro + w/efc7 (#2 for Bass to it's own amp)
> FCB1010
> Alesis QSR
> AdrenaLinn II
> Novation SL37 ReMOTE
>
> Besides the Bass and Guitar with EDP's going to their own separate amps,
> all of the line level gear (MPC, QSR, AL2) are going into a small Mackie
> Mixer and a pair of powered monitors.
>
>        I'll leave it at that for now.  I could spend days combing through
> the mailing list archives, but I'm hoping for something closer to an actual
> human interaction with some other real people.  I don't need to clog up the
> mailing list either, so if those who are interested in helping me would
> prefer to take our conversation outside the list, that would be fine.
>
>
> Thanks sknahT
>
> ---John M.
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2030ea009049921dcbe
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Laptops and software didnt takeover, John.<br>They&#39;re here and we&#39;r=
e all here.<br><br>Nice to have you back.<br><br>:-)<br><br>-Petri-<br><br>=
<div class=3D"gmail_quote">2011/1/5 John Metzler <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:jarofjam@me.com">jarofjam@me.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"> =A0 =A0 =A0 =A0H=
i Loopers.<br>
<br>
 =A0 =A0 =A0 =A0My name is John M. =A0I was an active member of this site i=
n the late &#39;90&#39;s through early 2000&#39;s until I sold everything i=
n my looping set up to afford a move out of a dead end town. =A0I have just=
 rebuilt my rig and am playing again. =A0Upon first glance it appears that =
not much has changed, the site even looks pretty much exactly the same. =A0=
However, I realize that so much has changed. =A0The most important and sadi=
st change is the loss of Kim Flint. =A0He was the most help to me back in t=
hose days of a decade ago. =A0I actually emailed him 2 days ago not realizi=
ng that he has moved on from our world. =A0I read his very cool story of th=
e Porsche that his Dad owned, sold, re-bought, and then gave to him. =A0The=
n I rejoined Loopers Delight and saw a listing for a memorial t-shirt and f=
rom there I figured out the sad news.<br>

<br>
 =A0 =A0 =A0 =A0Damn Kim, here&#39;s another soul that is missing you. =A0I=
&#39;m so sorry you had to leave so early.<br>
<br>
 =A0 =A0 =A0 =A0I am glad to notice that most of the Loopers Delight mailin=
g list appears to still have an interest in hardware loopers. =A0I was afra=
id that Ableton and laptops would have permanently and completely taken ove=
r.<br>

<br>
 =A0 =A0 =A0 =A0I&#39;m looking for a little bit of help with some sync iss=
ues. =A0I would also like to learn about some opinions of the Grodius foot =
controllers, both the FCB expander and the big little giant. =A0I&#39;m spe=
cifically wanting to find a gentleman by the name Andy Butler. =A0Xavier ov=
er at Grodius told me he&#39;d be the one to talk to. =A0But I would also l=
ike to hear from other folks using a similar set up to mine. =A0Here are th=
e most relevant details....<br>

<br>
MPC 1000<br>
Echoplex Digital Pro + w/efc7 (#1 for guitar to it&#39;s own amp)<br>
Echoplex Digital Pro + w/efc7 (#2 for Bass to it&#39;s own amp)<br>
FCB1010<br>
Alesis QSR<br>
AdrenaLinn II<br>
Novation SL37 ReMOTE<br>
<br>
Besides the Bass and Guitar with EDP&#39;s going to their own separate amps=
, all of the line level gear (MPC, QSR, AL2) are going into a small Mackie =
Mixer and a pair of powered monitors.<br>
<br>
 =A0 =A0 =A0 =A0I&#39;ll leave it at that for now. =A0I could spend days co=
mbing through the mailing list archives, but I&#39;m hoping for something c=
loser to an actual human interaction with some other real people. =A0I don&=
#39;t need to clog up the mailing list either, so if those who are interest=
ed in helping me would prefer to take our conversation outside the list, th=
at would be fine.<br>

<br>
<br>
Thanks sknahT<br>
<br>
---John M.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahti=
nen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bl=
ank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a2030ea009049921dcbe--

From Loopers-Delight-request@loopers-delight.com  Wed Jan  5 23:59:53 2011
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Date: Thu, 6 Jan 2011 00:59:51 +0100
Message-ID: <AANLkTimc_a47=GbOgHhy+mZC5dF=eHpO4pUqCEZXBzgc@mail.gmail.com>
Subject: Re: more mobius scripting help please
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Jan 5, 2011 at 8:52 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i'm trying to get four tracks to record at once. i've assigned four tracks
> to a group, but i don't know what the script syntax is to select the group
> and then get it to go into record


I would guess such a script has to start with:

for Group A  <<"A" can be any other group as weell>>

But why limiting it to using a script for that? In the MIDI Control
window you can assign a MIDI event to Record with the scope Group A.
That is explained here:
http://www.circularlabs.com/doc/exploring.htm#trackGroup

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 00:06:39 2011
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Subject: Re: more mobius scripting help please
References: <AANLkTinPDZ4v8QHF1mdtdJVG9jfyZtAzP1mPSCZr_A0i@mail.gmail.com> <AANLkTimc_a47=GbOgHhy+mZC5dF=eHpO4pUqCEZXBzgc@mail.gmail.com>
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Yup, but I wanted to do something else with the button press as well. I foun=
d a workaround using scope and a script to do the other stuff as well

Sim

Sent from my iPod

On 5 Jan 2011, at 23:59, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Jan 5, 2011 at 8:52 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> i'm trying to get four tracks to record at once. i've assigned four track=
s
>> to a group, but i don't know what the script syntax is to select the grou=
p
>> and then get it to go into record
>=20
>=20
> I would guess such a script has to start with:
>=20
> for Group A  <<"A" can be any other group as weell>>
>=20
> But why limiting it to using a script for that? In the MIDI Control
> window you can assign a MIDI event to Record with the scope Group A.
> That is explained here:
> http://www.circularlabs.com/doc/exploring.htm#trackGroup
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

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Subject: Re: more mobius scripting help please
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--0016363b83c0d57b35049922f8ef
Content-Type: text/plain; charset=ISO-8859-1

> On Wed, Jan 5, 2011 at 5:59 PM, Per Boysen <perboysen@gmail.com> wrote:
> I would guess such a script has to start with:
>
> for Group A  <<"A" can be any other group as weell>>

Close, the group has to be identified by number.  It's confusing but
group 1 will be displayed in the UI as A, 2 as B, etc.  So to start
recording in all tracks in the first group 1/A do:

   for group 1
      Record
   next

Jeff

--0016363b83c0d57b35049922f8ef
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<div><br></div><div>&gt; On Wed, Jan 5, 2011 at 5:59 PM, Per Boysen &lt;<a =
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</div=
><div>&gt; I would guess such a script has to start with:</div><div>&gt;=A0=
</div>
<div>&gt; for Group A =A0&lt;&lt;&quot;A&quot; can be any other group as we=
ell&gt;&gt;</div><div><br></div><div>Close, the group has to be identified =
by number. =A0It&#39;s confusing but</div><div>group 1 will be displayed in=
 the UI as A, 2 as B, etc. =A0So to start</div>
<div>recording in all tracks in the first group 1/A do:</div><div><br></div=
><div>=A0=A0 for group 1</div><div>=A0=A0 =A0 =A0Record</div><div>=A0=A0 ne=
xt</div><div><br></div><div>Jeff</div><div><br></div>

--0016363b83c0d57b35049922f8ef--

From massagemastertim@aol.com  Thu Jan  6 01:11:04 2011
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Reply-To: <fbi_washingtond2010@msn.com>
From: "Mr. Robert S. Mueller"<massagemastertim@aol.com>
Subject: ATTN:FUND BENEFICIARY,
Date: Wed, 5 Jan 2011 06:59:52 -0800
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ANTI-TERRORIST AND MONETARY CRIMES DIVISION</B></DIV>
<DIV>
<B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; FBI Headquarters in Washington, D.C.&nbsp; </B></DIV>
<DIV>
<B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; J. Edgar Hoover Building</B></DIV>
<DIV>
<B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 935 Pennsylvania Avenue,</B></DIV>
<DIV>
<B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; NW Washington, D..C. 20535-0001</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;&nbsp;&nbsp;&nbsp; </B><B><U> Payment Release Instruction From The Federal Bureau Of Investigation</B></U><B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>ATTN:FUND BENEFICIARY,</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>This is to inform you that it has come to the notice of the federal bureau of investigation (FBI) that the sum of $10.5 million united states dollars were transferred from the central bank of Nigeria to the bank of America here in the united states, bearing your name as the beneficiary.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>We did not believe this at first until we saw the transfer, then we had no other option than to place the funds on hold until you are able to prove to us that you are not a terrorist or a money launderer, by obtaining what is called a diplomatic immunity seal of transfer certificate from the funds originated country.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>Note that we have done a proper investigation on this transaction and from our investigation, this funds truly belongs to you and it is not a scam, but we have instructed the bank of America not to release the $10.5 million to you until you prove the legitimacy of the funds you are about to receive.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>As a matter of fact, you will be charged for money laundering and terrorism, if you fail to prove to us that you are not a terrorist or a money launderer by obtaining the above mentioned certificate from the funds originated country,and if you are found guilty as charged, you will go to jail.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>You have just only 72 hours to prove to us you are not a terrorist, failure to comply with our instruction, you will be arrested and detained until this matter is settled. Meanwhile we have your full contact address which makes it easier for us to arrest you when ever we want to.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>We are going to direct you on how to obtain the required document from the funds originated country in our next email to you, and your $10.5 million will be released to you as soon as the required document is obtained.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>Therefore you have been advised to get back to us immediately you receive this email or you will be arrested by the FBI, YOU HAVE BEEN WARNED.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>For more information's and quick response, reply back to us through this email address: fbi_washingtond019@msn.com</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>YOURS FAITHFULLY, </B></DIV>
<DIV>
<B>&nbsp;&nbsp;&nbsp; </B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>MR. ROBERT S. MUELLER, III</B></DIV>
<DIV>
<B>Director Federal Bureau of Investigation</B></DIV>
</FONT>
</BODY></HTML>

From mr.georgiosliakopoulos@gmail.com  Thu Jan  6 01:44:16 2011
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Date: Thu, 6 Jan 2011 02:43:47 +0100
Message-ID: <AANLkTim08KyO9e5Od7cEvin--04mRZGJmtGUWsif8Uxt@mail.gmail.com>
Subject: (UNITED NATION NEW YORK)
From: UNITED NATION <mr.georgiosliakopoulos@gmail.com>
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To: undisclosed-recipients:;

--0022150490bf8b4165049923a238
Content-Type: text/plain; charset=ISO-8859-1

*
UNITTED NATION (WORLD BANK ASSISTED PROGRAMME).
DIRECTORATE OF INTERNATIONAL PAYMENT AND TRANSFER.
870 UNITED NATION PLAZA 20-A NEW YORK NY 10017.
WIRE TRANSFER / AUDIT UNIT.
OUR REF:/NF/UN/XXXX02010.


 *

*
URGENT RESPONSE,*

**

* 06/01/2010.

 *


*We have actually been authorized by DR.BAN KI - MOON UN secretary general,
and the governing body of the UNITED NATIONS monetary unit, to investigate
the unnecessary delay of your inheritance fund, recommended and approve in
your favor. During the course of our investigation, we discovered with
dismay that your payment has been unnecessarily Delayed by corrupt officials
of the Bank who are Trying to divert your money into their private accounts,
to forestall this, security for your funds Was organized in the form of your
personal Identification number (PIN) , this will enable only you have direct
Control over this fund, we will handle this payment ourselves to avoid the
hopeless situation created by the Officials of the bank.
 *


*
We obtained an irrevocable payment guarantee on your Payment from the
presidency. We are happy to inform you that based on our
recommendation/instructions, your entire inheritances fund has been credited
in your favor through Telegraphic Transfer or Atm Card.

 *


*You are therefore advised to send your banking details to the Director of
the paying bank (FIDELITY BANK) Dr PUAL KOFI through His Direct E-mail
Address: (  **pualkofi2010@gmail.com* <pualkofi2010@gmail.com>* ) They will
transfer your funds directly into your nominated bank account. And Also send
the payment slip to you immediately after the transfer is made on your
behalf:
 *


*NOTE: YOU ARE ADVISED TO FURNISH DR. PUAL KOFI WITH YOUR CORRECT CONTACT
DETAILS.*

**

*BANKING DETAILS.
Full NAME.
Full ADDRESS.
TELEPHONE AND FAX NO.
AGE AND OCCUPATION.
MARITAL STATUS.

 *

*And also be informed that the amount you will receive from them is
US$2.5MILLION. We expect your urgent response to this email to enable us
monitor this payment effectively thereby making contact with Dr PUAL KOFI as
directed to avoid further delay.


 *

**

*CONGRATULATIONS!!!

DR. BAN KI - MOON.
(UNITED NATION NEW YORK)
 *

--0022150490bf8b4165049923a238
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<p><em><u><strong>=A0<br>UNITTED NATION (WORLD BANK ASSISTED PROGRAMME).<br=
>DIRECTORATE OF INTERNATIONAL PAYMENT AND TRANSFER.<br>870 UNITED NATION PL=
AZA 20-A NEW YORK NY 10017.<br>WIRE TRANSFER / AUDIT UNIT.<br>OUR REF:/NF/U=
N/XXXX02010.<br>
=A0<br>=A0<br>=A0</strong></u></em></p>
<p><em><u><strong>=A0<br>URGENT RESPONSE,</strong></u></em></p>
<p><em><u><strong></strong></u></em>=A0</p>
<p><em><u><strong>=A006/01/2010.<br>=A0<br>=A0</strong></u></em></p>
<p><br><em><u><strong>We have actually been authorized by DR.BAN KI - MOON =
UN secretary general, and the governing body of the UNITED NATIONS monetary=
 unit, to investigate the unnecessary delay of your inheritance fund, recom=
mended and approve in your favor. During the course of our investigation, w=
e discovered with dismay that your payment has been unnecessarily Delayed b=
y corrupt officials of the Bank who are Trying to divert your money into th=
eir private accounts, to forestall this, security for your funds Was organi=
zed in the form of your personal Identification number (PIN) , this will en=
able only you have direct Control over this fund, we will handle this payme=
nt ourselves to avoid the hopeless situation created by the Officials of th=
e bank. <br>
=A0</strong></u></em></p>
<p><br><em><u><strong>=A0<br>We obtained an irrevocable payment guarantee o=
n your Payment from the presidency. We are happy to inform you that based o=
n our recommendation/instructions, your entire inheritances fund has been c=
redited in your favor through Telegraphic Transfer or Atm Card. <br>
=A0<br>=A0</strong></u></em></p>
<p><br><em><u><strong>You are therefore advised to send your banking detail=
s to the Director of the paying bank (FIDELITY BANK) Dr PUAL KOFI through H=
is Direct E-mail Address: (=A0 </strong></u></em><a href=3D"mailto:pualkofi=
2010@gmail.com"><em><strong>pualkofi2010@gmail.com</strong></em></a><em><u>=
<strong> ) They will transfer your funds directly into your nominated bank =
account. And Also send the payment slip to you immediately after the transf=
er is made on your behalf: <br>
=A0</strong></u></em></p>
<p><br><em><u><strong>NOTE: YOU ARE ADVISED TO FURNISH DR. PUAL KOFI WITH Y=
OUR CORRECT CONTACT DETAILS.</strong></u></em></p>
<p><em><u><strong></strong></u></em>=A0</p>
<p><em><u><strong>BANKING DETAILS.<br>Full NAME.<br>Full ADDRESS.<br>TELEPH=
ONE AND FAX NO.<br>AGE AND OCCUPATION.<br>MARITAL STATUS.<br>=A0<br>=A0</st=
rong></u></em></p>
<p><em><u><strong>And also be informed that the amount you will receive fro=
m them is US$2.5MILLION. We expect your urgent response to this email to en=
able us monitor this payment effectively thereby making contact with Dr PUA=
L KOFI as directed to avoid further delay. <br>
=A0<br>=A0<br>=A0</strong></u></em></p>
<p><em><u><strong></strong></u></em>=A0</p>
<p><em><u><strong>CONGRATULATIONS!!!<br>=A0<br>DR. BAN KI - MOON.<br>(UNITE=
D NATION NEW YORK)<br>=A0</strong></u></em></p>

--0022150490bf8b4165049923a238--

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 02:15:04 2011
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Subject: Re: more mobius scripting help please
References: <AANLkTinPDZ4v8QHF1mdtdJVG9jfyZtAzP1mPSCZr_A0i@mail.gmail.com> <AANLkTimc_a47=GbOgHhy+mZC5dF=eHpO4pUqCEZXBzgc@mail.gmail.com> <AANLkTimZL9ZhHxd0CdhyYTSk8tMt++JuS1zH0f4aRYBs@mail.gmail.com>
From: Simeon Harris <simeonharris40@googlemail.com>
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Date: Thu, 6 Jan 2011 02:16:41 +0000
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Thanks jeff, I would have never figured that out by myself!

Sim

Sent from my iPod

On 6 Jan 2011, at 00:56, Jeff Larson <jeff.larson@sailpoint.com> wrote:

> 
> > On Wed, Jan 5, 2011 at 5:59 PM, Per Boysen <perboysen@gmail.com> wrote:
> > I would guess such a script has to start with:
> > 
> > for Group A  <<"A" can be any other group as weell>>
> 
> Close, the group has to be identified by number.  It's confusing but
> group 1 will be displayed in the UI as A, 2 as B, etc.  So to start
> recording in all tracks in the first group 1/A do:
> 
>    for group 1
>       Record
>    next
> 
> Jeff
> 

--Apple-Mail-1-292909056
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<html><body bgcolor="#FFFFFF"><div>Thanks jeff, I would have never figured that out by myself!</div><div><br></div><div>Sim<br><br>Sent from my iPod</div><div><br>On 6 Jan 2011, at 00:56, Jeff Larson &lt;<a href="mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><div><br></div><div>&gt; On Wed, Jan 5, 2011 at 5:59 PM, Per Boysen &lt;<a href="mailto:perboysen@gmail.com"><a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt; wrote:</div><div>&gt; I would guess such a script has to start with:</div><div>&gt;&nbsp;</div>
<div>&gt; for Group A &nbsp;&lt;&lt;"A" can be any other group as weell&gt;&gt;</div><div><br></div><div>Close, the group has to be identified by number. &nbsp;It's confusing but</div><div>group 1 will be displayed in the UI as A, 2 as B, etc. &nbsp;So to start</div>
<div>recording in all tracks in the first group 1/A do:</div><div><br></div><div>&nbsp;&nbsp; for group 1</div><div>&nbsp;&nbsp; &nbsp; &nbsp;Record</div><div>&nbsp;&nbsp; next</div><div><br></div><div>Jeff</div><div><br></div>
</div></blockquote></body></html>
--Apple-Mail-1-292909056--

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 02:37:36 2011
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Date: Thu, 06 Jan 2011 03:37:37 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: 10 years later and look what's happened
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John Metzler schrieb:
> 	I am glad to notice that most of the Loopers Delight mailing list appears to still have an interest in hardware loopers.  I was afraid that Ableton and laptops would have permanently and completely taken over.
>   
Hi John,

no, computers haven't taken over all of our world. If any software, then 
Mobius (by Jeff Larson, member of this list) and Augustus Loop (by 
Andrew Ostler aka Os, member of this list). And the Andy Butler you 
mention is still aboard...

Cool to have you back. I'm afraid I can't help you with any of your 
questions - but the critical mass is still there on LD.

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From sgtpatrickhart@millitary.org  Thu Jan  6 02:48:48 2011
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Reply-To: <patrick.hart@blumail.org>
From: "Sgt Patrick Hart"<sgtpatrickhart@millitary.org>
Subject: Read This Now(Sgt Patrick Hart )
Date: Wed, 5 Jan 2011 16:24:34 -0800
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To: undisclosed-recipients:;

Good day,
 
My name is Patrick Hart, I am an American soldier, I am serving in the military of the 1st Armored Division in Iraq, as you know we are being
attacked by insurgents everyday and car bombs. We managed to move funds belonging to Saddam Hussein?s family. The total amount is US$25 Million
dollars in cash, mostly 100 dollar bills. We want to move this money to you, so that you may invest it for us and keep our share for banking.
 
You can go to this web link to read about events that took place there:
http://news.bbc.co.uk/2/hi/middle_east/2988455.stm
 
We will take 70%, my partner and I. You take the other 30%. No strings attached, just help us move it out of Iraq, Iraq is a war zone. We plan on
using diplomatic courier and shipping the money out in one large silver box, using diplomatic immunity.If you are interested I will send you the full details, my job is to find a good partner that we can trust and that will assist us. Can I trust you? When you receive this letter, kindly send me an e-mail signifying your interest including your most confidential telephone/fax numbers for quick communication also your contact details.
This business is risk free. The box can be shipped out in 48hrs.
 
In God we trust.
Respectfully,
Sgt.Patrick Hart
patrick.hart"blumail.org

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 05:12:27 2011
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Subject: Re: OT: RIP Mick Karn
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From: William Walker <billwalker@baymoon.com>
> >Subject: OT: RIP Mick Karn
> >I just heard the sad news  about Mick Karn loosing his battle with
> >cancer.  What a truly unique and beautiful bassist he was. His
> >fretlless bass playing was as orignal sounding as any I've ever heard,
> >a very vocal sound,  melodic yet grounded and earthy and funky.
> >listen to Polytown with Torn and Bozzio or Tin Drum by Japan to hear
> >what I mean
> >    A great one has joine the great band beyond
Oh, that is the saddest of news.   I've always loved Mick's playing 
since I first heard
Tin Drum by Japan back in the day.   That record was so far ahead of 
it's time and
Mick's incredibly unique voice was a large part of it.

It's hard to have a unique voice on an instruments played by hundreds of 
thousands
of musicians around the planet but Mick had just that.   He was the 
single reason
(and not Jaco, though I loved his playing, too) that inspired me to 
start playing
fretless bass myself (though my attempts at what he did are a pale 
imitation at best).

He also had the amazing quality of standing out completely and yet 
always been tasty
and never overplaying.   That's really hard to do as a bassist I think.

Also, I'm very sad because I know that he had approached you, Bill,  
about touring with him before his
ill health nipped that in the bud.   It makes me so sad that I won't get 
a chance
to hear how the two of you would have sounded because I can hear it in 
my head
as if it were happening and it's amazing as I imagine it.    I'm sorry 
for your loss, too.

Long live Mick Karn and his creative spirit.

rick walker

From t059@mail.cmps.hc.edu.tw  Thu Jan  6 05:38:57 2011
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From: "t059" <t059@mail.cmps.hc.edu.tw>
To: undisclosed-recipients: ;
Reply-To: peugeotclaimsdesk@hotmail.com
Subject: Unclaimed Winnings:
Date: Wed, 5 Jan 2011 07:16:47 +0800
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PEUGEOT AUTOMOBILE PROMO
P O BOX 1010
LIVERPOOL, L70 1NL
UNITED KINGDOM





Unclaimed Winnings:

In regards to the above subject, I, Barrister Barry White, Claims Supervi=
sor
for the United Kingdom Lottery Board (UKLB) wish to notify you through
this e-mail that your case file has been re-opened.

You were selected as a winner in the PEUGEOT AUTOMOBILE PROMO SWEEP STAKE=
,=20
held last year 2010, but you never claimed the winnings due to reasons be=
st=20
known to
you. With direction from the New Regional Director of this great Lottery
Organization, Your case file has been re-opened to give you an opportunit=
y to
claim your winnings amounting to =A2G500,000 (Five Hundred  Thousand
Pounds) and a BRAND NEW PEUGEOT 407 CAR which was won by your email addre=
ss.

Please Contact this office for further directives for claim.
You are to contact payment officer immediately with the following details=
:=20

Full name,
Phone number,
Sex,
Occupation,
Address,
Monthly income,
Age,
State,
Country.

********************************************
INTERNATIONAL REMITTANCE DESK
Claims Officer:Garrett Mckhesnie
Email:peugeotclaimsdesk@hotmail.com
********************************************

Hope to read from you as soon as possible.

Regards,



From dj2010123@hotmail.com  Thu Jan  6 08:53:46 2011
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Date: Thu, 6 Jan 2011 08:53:25 +0000 (GMT)
From: TONY <dj2010123@hotmail.com>
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To: undisclosed recipients: ;
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Dear valued beneficiary,
=A0
I am Mr Jean Ping,the director general of african union finance commission =
(AUFC) and the chairman of african union(AU).I was notified in my office ab=
out the sum of $850,000 USD belonging to you.According to the report,the ab=
ove mentioned fund was due to be transfered to you since july 2007 as a rec=
overed fund but following some reasons beyond human control,it failed.=20
=A0
With our investigations,it is confirmed that the payment was scheduled to w=
est african country where it would be remitted to your account but due to m=
ass development of internet fraudsters all over the globe,you encounter som=
e difficulties and disappointments in your attempt to claim your fund.Lack =
of well equiped facilities for international wires and poor system of banki=
ng in most african countries contributes also to this failure.
=A0
Today when we are having a dialogue with the=A0 international center for th=
e settlement of investment disputes(ICSID) with the world bank,i received a=
n approval from the excutive boards of the united nation(UN) concerning you=
r payment and immediate release of the over waited $850,000 USD was declare=
d.
=A0
Following this declaration,your payment is to be made via world bank office=
 in Switzerland and no more in africa.You are adviced to contact Mr Kingsle=
y Nweze who is incharge to guide & assist you in all step to claim your pay=
ment from the world bank.He is the Federal Councillor and Minister of Econo=
mic Affairs,republic of Nigeria.His contact Details is below
=A0
Office of Mr Kingsley Nweze
Federal Councillor and Minister of Economic Affairs,
Nigeria republic
Tel:+234 80587 6464 7=20
Fax:+234 1 239 8211
Email: aufc_2010@yahoo.fr
=A0
Some of your personal data has been shared with this office to help in the =
legalisation process and to fight against numerous impersonators.However,yo=
u will reconfirm your information to Mr Kingssley Nweze while contacting hi=
m to enable him confirm your identity.The below data is what you will send =
to him:
=A0
Full Name.............
Valid House Address.........
Mobile phone number..........
Current occupation & Age...........
=A0
You have been confirmed today and approved to receive $850,000 USD from the=
 world bank within 72 hours and they are waiting for your application of cl=
aim.
=A0
For more information about ICSID,click:International Center for the Settlem=
ent of Investment Disputes (ICSID)
For key notes on international bank for reconstruction and development (IBR=
D) for the world bank,please click International Bank for Reconstruction an=
d Development=20
Mr Jean Ping
Chairperson of the AU
http://www.africa-union.org/root/au/index/index.htm=20
=0A=0A=0A      
--0-736989486-1294304005=:88587
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><div id=3D"yiv718839395"><table id=3D=
"yiv718839395bodyDrftID" class=3D"yiv718839395" border=3D"0" cellpadding=3D=
"0" cellspacing=3D"0"><tbody><tr><td style=3D"font-family: arial; font-size=
: 10pt;" id=3D"yiv718839395drftMsgContent">Dear valued beneficiary,<br>&nbs=
p;<br>I am Mr Jean Ping,the director general of african union finance commi=
ssion (AUFC) and the chairman of african union(AU).I was notified in my off=
ice about the sum of $850,000 USD belonging to you.According to the report,=
the above mentioned fund was due to be transfered to you since july 2007 as=
 a recovered fund but following some reasons beyond human control,it failed=
. <br>&nbsp;<br>With our investigations,it is confirmed that the payment wa=
s scheduled to west african country where it would be remitted to your acco=
unt but due to mass development of internet fraudsters all over the globe,y=
ou encounter some
 difficulties and disappointments in your attempt to claim your fund.Lack o=
f well equiped facilities for international wires and poor system of bankin=
g in most african countries contributes also to this failure.<br>&nbsp;<br>=
Today when we are having a dialogue with the&nbsp; international center for=
 the settlement of investment disputes(ICSID) with the world bank,i receive=
d an approval from the excutive boards of the united nation(UN) concerning =
your payment and immediate release of the over waited $850,000 USD was decl=
ared.<br>&nbsp;<br>Following this declaration,your payment is to be made vi=
a world bank office in Switzerland and no more in africa.You are adviced to=
 contact Mr Kingsley Nweze who is incharge to guide &amp; assist you in all=
 step to claim your payment from the world bank.He is the Federal Councillo=
r and Minister of Economic Affairs,republic of Nigeria.His contact Details =
is below<br>&nbsp;<br>Office of Mr Kingsley Nweze<br>Federal
 Councillor and Minister of Economic Affairs,<br>Nigeria republic<br>Tel:+2=
34 80587 6464 7 <br>Fax:+234 1 239 8211<br>Email: aufc_2010@yahoo.fr<br>&nb=
sp;<br>Some of your personal data has been shared with this office to help =
in the legalisation process and to fight against numerous impersonators.How=
ever,you will reconfirm your information to Mr Kingssley Nweze while contac=
ting him to enable him confirm your identity.The below data is what you wil=
l send to him:<br>&nbsp;<br>Full Name.............<br>Valid House Address..=
.......<br>Mobile phone number..........<br>Current occupation &amp; Age...=
........<br>&nbsp;<br>You have been confirmed today and approved to receive=
 $850,000 USD from the world bank within 72 hours and they are waiting for =
your application of claim.<br>&nbsp;<br>For more information about ICSID,cl=
ick:International Center for the Settlement of Investment Disputes (ICSID)<=
br>For key notes on international bank for reconstruction and
 development (IBRD) for the world bank,please click International Bank for =
Reconstruction and Development <br>Mr Jean Ping<br>Chairperson of the AU<br=
><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.africa-union.org/=
root/au/index/index.htm">http://www.africa-union.org/root/au/index/index.ht=
m</a> <br></td></tr></tbody></table></div></td></tr></table><br>=0A=0A=0A=
=0A=0A      
--0-736989486-1294304005=:88587--

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 11:31:48 2011
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Date: Thu, 6 Jan 2011 12:31:46 +0100
Message-ID: <AANLkTiks++3Qd9Gko33v=ROMZCGuAi810OzHXDfcqeQb@mail.gmail.com>
Subject: Recording many parallel loops in one go (Re: more mobius scripting
 help please)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Jan 5, 2011 at 8:52 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i'm trying to get four tracks to record at once.


Glad you got help by Jeff to make the Group script work technically, I
wouldn't have imagined that "A" should be written "1" in the scripting
language, LOL!  Would you mind discussing your plan with this
experiment? Are you going to record the same instrument performance as
four clones? Or do you have four audio sources going to feed Mobius?
If recording one performance, do you intend to Rate/Speed shift the
four identical loops? Or do you intend to change the length of some
destructively? (Multiply - Record)

Over here I came to gravitate towards a similar concept - but not by
recording four parallel loops at once but by recording four parallel
loops on a row. I hit the record button and start playing and when I
hit the button the second time a new loop is created on track two and
I fill it up for one cycle before recording moves to target a third
loop on track three and finally a fourth parallel loop on track four.
Normally I play the same thing four times to fill up the loops and I
like the the subtle organic feel the resulting texture picks from the
fact that it is hardly possible to play exactly the same more than
once. But then my special "Record-Four-Tracks -In-One-Swoop" button
also Rate Shifts three of the loops so they will play at different
length and octave or fifth transformed. This is just how my experiment
happened to formalize and I would love to hear about others that
explore similar stuff!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From officefile18165@att.net  Thu Jan  6 11:37:24 2011
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Date: Thu, 6 Jan 2011 03:37:03 -0800 (PST)
From: ROSAMARIA LETTS <officefile18165@att.net>
Reply-To: rosamarialetts72@yahoo.fr
Subject: FROM MRS ROSAMARIA LETTS
To: undisclosed recipients: ;
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Dear in Christ,=20
=0A
=0AI am contacting you to let you know my desire to establish a charity fou=
ndation in your country with this sum $1.500.000 (One Million Five Hundred =
Thousand Dollars) which I inherited from my late husband (Engineer. Anthony=
 Letts)=20
=0AIt is my desire to see that this money is invested to any business/ orga=
nization of your choice in your country and distributed each year among the=
 charity organizations, motherless baby=E2=80=99s home, mosques, churches, =
Schools, supporting destitute aged men and women or whatever you may have i=
n mind that will be to the benefit of the less fortunate.
=0AI took this decision because I am presently hospitalized here in (Benin =
Republic ) where I am undergoing treatment for my up coming breast cancer s=
urgery operation and alternative treatment for my cerebrovascular disease (=
stroke).=20
=0AAs you may wish to know there are no risks involved in this whole transa=
ction, I therefore look forward to your early reply so that I will give you=
 all the relevant information that will authorise the release and transfer =
of the said fund across to you as my duly assigned representative.=20
=0A
=0AThanking you in advance for your consideration,=20
=0A
=0AFrom Mrs. Rosamaria Letts
--0-960738530-1294313823=:52143
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>Dear in Christ, <br>=0A<br>=0AI am co=
ntacting you to let you know my desire to establish a charity foundation in=
 your country with this sum $1.500.000 (One Million Five Hundred Thousand D=
ollars) which I inherited from my late husband (Engineer. Anthony Letts) <b=
r>=0AIt is my desire to see that this money is invested to any business/ or=
ganization of your choice in your country and distributed each year among t=
he charity organizations, motherless baby=E2=80=99s home, mosques, churches=
, Schools, supporting destitute aged men and women or whatever you may have=
 in mind that will be to the benefit of the less fortunate.<br>=0AI took th=
is decision because I am presently hospitalized here in (Benin Republic ) w=
here I am undergoing treatment for my up coming breast cancer surgery opera=
tion and alternative treatment for my cerebrovascular disease (stroke). <br=
>=0AAs you may wish to know there are no risks involved in this whole trans=
action, I therefore look forward to your early reply so that I will give yo=
u all the relevant information that will authorise the release and transfer=
 of the said fund across to you as my duly assigned representative. <br>=0A=
<br>=0AThanking you in advance for your consideration, <br>=0A<br>=0AFrom M=
rs. Rosamaria Letts</td></tr></table>
--0-960738530-1294313823=:52143--

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Subject: Piano lessons advice (O.T.)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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Hi gang,
I just got a digital piano this x-mas and i m looking for a good way to
learn to read the notes,chords etc. to start playing easy pieces.
Ive considered taking a few lessons but i rather not start there blind and
try to learn the basics on my own.
Is there a good method or program outhere you can recomend where you can
also visually see the notes being played on the keyboard that also include
nice pieces to start off with?
thanx for your tips!
cheers
Luis

--0016368e2beef4a8e204992c1281
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi gang,<br>I just got a digital piano this x-mas and i m looking for a goo=
d way to learn to read the notes,chords etc. to start playing easy pieces.<=
br>Ive considered taking a few lessons but i rather not start there blind a=
nd try to learn the basics on my own.<br>
Is there a good method or program outhere you can recomend where you can al=
so visually see the notes being played on the keyboard that also include ni=
ce pieces to start off with?<br>thanx for your tips!<br>cheers<br>Luis<br>

--0016368e2beef4a8e204992c1281--

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On Thu, Jan 6, 2011 at 12:48 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> Hi gang,
> I just got a digital piano this x-mas and i m looking for a good way to
> learn to read the notes,chords etc. to start playing easy pieces.
>

Im sure you will get lots of help with this, I too want to improve my
keyboard skills, and want to learn to read...
But... heres a trick that no-one told me.

Take both hands and without looking, play 3 notes with each hand, reach a
good distance apart and make the middle finger play a black note, and thumb
and pinky white notes...

Listen to the resulting chord, do NOT wince at its discordance, its NOT THAT
BAD... adust a finger on either end, up or down a note, find the clashing
notes, move them about a bit-.. pretend you know what you are doing, look
confident, leave long gaps... to tap the cigarette ash into the ashtray
precariously placed on the top few keys...

Play a new chord, at least 5 notes away from the original...

Welcome, you are now a pretty advanced keyboard player...




-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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On Thu, Jan 6, 2011 at 12:48 PM, Louie Angulo <span dir=3D"ltr">&lt;<a href=
=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;=
</span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quo=
te" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204=
, 204); padding-left: 1ex;">

Hi gang,<br>I just got a digital piano this x-mas and i m looking for a goo=
d way to learn to read the notes,chords etc. to start playing easy pieces.<=
br></blockquote><div><br>Im sure you will get lots of help with this, I too=
 want to improve my keyboard skills, and want to learn to read... <br>

But... heres a trick that no-one told me.<br>=A0<br>Take both hands and wit=
hout looking, play 3 notes with each hand, reach a good distance apart and =
make the middle finger play a black note, and thumb and pinky white notes..=
. <br>

<br>Listen to the resulting chord, do NOT wince at its discordance, its NOT=
 THAT BAD... adust a finger on either end, up or down a note, find the clas=
hing notes, move them about a bit-.. pretend you know what you are doing, l=
ook confident, leave long gaps... to tap the cigarette ash into the ashtray=
 precariously placed on the top few keys...<br>

<br>Play a new chord, at least 5 notes away from the original...<br><br>Wel=
come, you are now a pretty advanced keyboard player...<br><br><br><br><br><=
/div></div>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com=
">www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549a6744da1004992c72f4--

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 12:20:51 2011
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Subject: Re: Piano lessons advice (O.T.)
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My totally un-educated advice is to Stick With C for reading! At least
initially. Reading a score is simple in the key of C because then each
note is played at the pitch it is written as. Other keys use b or
cross marks to imply that a note written as a certain pitch has to be
transposed when played.

Chords are the same on piano as on any instrument. You already play
guitar so you should know that for example a C major chord contain the
three notes C, G, E. etc, etc...

A cool thing with piano is to learn using the sustain pedal. Do some
jamming with arpeggio chord stuff and learn to use your foot to press
and release as an automatic process for un-muting and muting the piano
strings. This is super cool - really like a new dimension for jamming!
I try to imitate it for my Chapman Stick by using a sustain pedal that
controls "audio freeze" in a reverb effect - but that's not quite the
same as the piano pedal that really works the string's physical mute
pads.

There's a nice mobile phone app (iOS and Android) called iReal Book
that contains a collection of hundreds of chord charts of jazz
standards, jazz classics, latin, brazilian, pop classics and more. Not
offering dedicated piano scores though, just chord charts.
http://irealbook.net/

There are some tricks on how to move hands ergonomically on the piano
and a piano teacher can tell you about that in just one lesson. I
think that's a good starting point, rather than "by mistake" teaching
your hands to move in a manner that doesn't work for you if you get to
play fast and demanding pieces in the future.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Jan 6, 2011 at 12:48 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Hi gang,
> I just got a digital piano this x-mas and i m looking for a good way to
> learn to read the notes,chords etc. to start playing easy pieces.
> Ive considered taking a few lessons but i rather not start there blind and
> try to learn the basics on my own.
> Is there a good method or program outhere you can recomend where you can
> also visually see the notes being played on the keyboard that also include
> nice pieces to start off with?
> thanx for your tips!
> cheers
> Luis
>

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 12:50:46 2011
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On Thu, Jan 6, 2011 at 1:20 PM, Per Boysen <perboysen@gmail.com> wrote:

> My totally un-educated advice is to Stick With C for reading! At least
> initially. Reading a score is simple in the key of C because then each
> note is played at the pitch it is written as. Other keys use b or
> cross marks to imply that a note written as a certain pitch has to be
> transposed when played.
>

This is a bit unclear Per. I think what you are trying to say is that, while
written music doe NOT require that you "transpose when played", it does ask
that you remember which notes are play as Sharps or Flats (b's or #'s). The
first bit of notation on any stave of music is the treble (looks like a f)
or bass (looks like a C) clef. This tells is it played above or below middle
C and WHICH NOTES are played.
the next is the time sig.. no prob there usually drawn one note above the
other.. and THEN... there is a signifyer of WHICH sharps and flats should be
played throughout... this is basically saying what key the piece is in.


Markl



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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On Thu, Jan 6, 2011 at 1:20 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D=
"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><=
div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margin=
: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-lef=
t: 1ex;">

<div id=3D":212">My totally un-educated advice is to Stick With C for readi=
ng! At least<br>
initially. Reading a score is simple in the key of C because then each<br>
note is played at the pitch it is written as. Other keys use b or<br>
cross marks to imply that a note written as a certain pitch has to be<br>
transposed when played.</div></blockquote><div><br>This is a bit unclear Pe=
r. I think what you are trying to say is that, while written music doe NOT =
require that you &quot;transpose when played&quot;, it does ask that you re=
member which notes are play as Sharps or Flats (b&#39;s or #&#39;s). The fi=
rst bit of notation on any stave of music is the treble (looks like a f) or=
 bass (looks like a C) clef. This tells is it played above or below middle =
C and WHICH NOTES are played. <br>

the next is the time sig.. no prob there usually drawn one note above the o=
ther.. and THEN... there is a signifyer of WHICH sharps and flats should be=
 played throughout... this is basically saying what key the piece is in.<br=
>

<br><br>Markl<br></div></div><br><br clear=3D"all"><br>-- <br>mark francomb=
e<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br>=
<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e89b01a72c504992cf306--

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Date: Thu, 6 Jan 2011 05:00:23 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Piano lessons advice (O.T.)
To: Loopers-Delight@loopers-delight.com
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what I found most useful is developping a tactil feel for the piano, had a great 
jazz teacher who had me playing triads and seventh chords chromatically or in 
circle of fifths, spelling put the shapes in my mind visually

C major triad white white white
c# major triad black white black

one hand at a time
both hands together

spreading seventh chords between two hands
adding extensions

what is important is having the feel of the shape in your hand and a mental 
image of the chord C# Maj BWB

Also very useful for Jazz type reading chord plus melody...

You will notice there are a lot of great blind jazz  and blues pianists. It is a 
percussive and touch instrument, don't forget it...

Antony



________________________________
From: mark francombe <mark@markfrancombe.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, January 6, 2011 1:50:22 PM
Subject: Re: Piano lessons advice (O.T.)

On Thu, Jan 6, 2011 at 1:20 PM, Per Boysen <perboysen@gmail.com> wrote:

My totally un-educated advice is to Stick With C for reading! At least
>initially. Reading a score is simple in the key of C because then each
>note is played at the pitch it is written as. Other keys use b or
>cross marks to imply that a note written as a certain pitch has to be
>transposed when played.

This is a bit unclear Per. I think what you are trying to say is that, while 
written music doe NOT require that you "transpose when played", it does ask that 
you remember which notes are play as Sharps or Flats (b's or #'s). The first bit 
of notation on any stave of music is the treble (looks like a f) or bass (looks 
like a C) clef. This tells is it played above or below middle C and WHICH NOTES 
are played. 

the next is the time sig.. no prob there usually drawn one note above the 
other.. and THEN... there is a signifyer of WHICH sharps and flats should be 
played throughout... this is basically saying what key the piece is in.


Markl



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no



      
--0-1970494919-1294318823=:81498
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><div>what I found most useful is&nbsp;developping a tactil feel for the piano, had a great jazz teacher who had me playing triads and seventh chords chromatically or in circle of fifths, spelling put the shapes in my mind visually</div><div><br></div><div>C major triad white white white</div><div>c# major triad black white black</div><div><br></div><div>one hand at a time</div><div>both hands together</div><div><br></div><div>spreading seventh chords between two hands</div><div>adding extensions</div><div><br></div><div>what is important is having the feel of the shape in your hand and a mental image of the chord C# Maj BWB</div><div><br></div><div>Also very useful for Jazz type reading chord plus melody...</div><div><br></div><div>You will notice there are a lot of great blind jazz &nbsp;and blues
 pianists. It is a percussive and touch instrument, don't forget it...</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:10pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> mark francombe &lt;mark@markfrancombe.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Thu, January 6, 2011 1:50:22 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Piano lessons advice (O.T.)<br></font><br>
On Thu, Jan 6, 2011 at 1:20 PM, Per Boysen <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:perboysen@gmail.com" target="_blank" href="mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><div class="gmail_quote"><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex;">

<div>My totally un-educated advice is to Stick With C for reading! At least<br>
initially. Reading a score is simple in the key of C because then each<br>
note is played at the pitch it is written as. Other keys use b or<br>
cross marks to imply that a note written as a certain pitch has to be<br>
transposed when played.</div></blockquote><div><br>This is a bit unclear Per. I think what you are trying to say is that, while written music doe NOT require that you "transpose when played", it does ask that you remember which notes are play as Sharps or Flats (b's or #'s). The first bit of notation on any stave of music is the treble (looks like a f) or bass (looks like a C) clef. This tells is it played above or below middle C and WHICH NOTES are played. <br>

the next is the time sig.. no prob there usually drawn one note above the other.. and THEN... there is a signifyer of WHICH sharps and flats should be played throughout... this is basically saying what key the piece is in.<br>

<br><br>Markl<br></div></div><br><br clear="all"><br>-- <br>mark francombe<br><a rel="nofollow" target="_blank" href="http://www.markfrancombe.com">www.markfrancombe.com</a><br><a rel="nofollow" target="_blank" href="http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancombe<br><span>

<a target="_blank" href="http://vimeo.com/user825094">http://vimeo.com/user825094</a></span><br><span><a target="_blank" href="http://www.looop.no">http://www.looop.no</a></span><br>
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1970494919-1294318823=:81498--

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Date: Thu, 6 Jan 2011 13:03:44 +0000
Message-ID: <AANLkTin7X5cdUZ+g6OL8s0Qyhs5EG23UZE7W8viLAp5X@mail.gmail.com>
Subject: Re: Recording many parallel loops in one go (Re: more mobius
 scripting help please)
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd404f2b5df0904992d2172
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well it was seeing your pedalboard layout and the "Record-Four-Tracks
-In-One-Swoop" button that got me thinking. so as an experiment, i've set up
a button that records 4 tracks simultaneously and pans them around the
stereo field. i gently swell one note onto all four tracks and then i have 8
buttons set up that run scripts to rate shift all four tracks to create
chords. you may be wondering why someone who plays a chordal instrument
might want to do this, but it means i can set up "infinite" pads that last
as long as i like...until i hit a button and change the chord to something
else. sounds nice with some filtered delays to add some motion and smooth
out the transition between chords. it's also interesting to use different
sounds - a distorted guitar sound is nice, because the resulting chord is
not itself distorted - rather like using a sampler.
the chords i have set up at the moment are all in the same key, but it might
be fun to tweak the rate shifts a bit and get some more unusual sounds....

sim


On Thu, Jan 6, 2011 at 11:31 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Jan 5, 2011 at 8:52 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > i'm trying to get four tracks to record at once.
>
>
> This is just how my experiment
> happened to formalize and I would love to hear about others that
> explore similar stuff!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--000e0cd404f2b5df0904992d2172
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well it was seeing your pedalboard layout and the &quot;Record-Four-Tracks =
-In-One-Swoop&quot; button that got me thinking. so as an experiment, i&#39=
;ve set up a button that records 4 tracks simultaneously and pans them arou=
nd the stereo field. i gently swell one note onto all four tracks and then =
i have 8 buttons set up that run scripts to rate shift all four tracks to c=
reate chords. you may be wondering why someone who plays a chordal instrume=
nt might want to do this, but it means i can set up &quot;infinite&quot; pa=
ds that last as long as i like...until i hit a button and change the chord =
to something else. sounds nice with some filtered delays to add some motion=
 and smooth out the transition between chords. it&#39;s also interesting to=
 use different sounds - a distorted guitar sound is nice, because the resul=
ting chord is not itself distorted - rather like using a sampler.<br>
the chords i have set up at the moment are all in the same key, but it migh=
t be fun to tweak the rate shifts a bit and get some more unusual sounds...=
.<br><br>sim<br><br><br><div class=3D"gmail_quote">On Thu, Jan 6, 2011 at 1=
1:31 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail=
.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On Wed, Jan 5, 20=
11 at 8:52 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; i&#39;m trying to get four tracks to record at once.<br>
<br>
<br>
This is just how my experiment<br>
happened to formalize and I would love to hear about others that<br>
explore similar stuff!<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>

--000e0cd404f2b5df0904992d2172--

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Date: Thu, 6 Jan 2011 08:27:27 -0500
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Subject: Re: Piano lessons advice (O.T.)
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Marc wonderful approach above to the piano.  Ironically while walking
my daughter to school this morn I was just relaying piano technique
and its uniqueness to be a wonderful foundation for music.  Its all
there in front of you with its polyphony.  I studied formerly in my
college years and just improvise these days.   Not much to share here
that in a serious way Luis echoing Marc, just sit down and explore.
Its like a. Friend said to me once re a conversation on 12-string
guitar technique.  In my response to how to approach 12-string,.don't
think about it'.

Jim

On 1/6/11, antonyhequet@yahoo.com <antonyhequet@yahoo.com> wrote:
> what I found most useful is developping a tactil feel for the piano, had =
a
> great
> jazz teacher who had me playing triads and seventh chords chromatically o=
r
> in
> circle of fifths, spelling put the shapes in my mind visually
>
> C major triad white white white
> c# major triad black white black
>
> one hand at a time
> both hands together
>
> spreading seventh chords between two hands
> adding extensions
>
> what is important is having the feel of the shape in your hand and a ment=
al
> image of the chord C# Maj BWB
>
> Also very useful for Jazz type reading chord plus melody...
>
> You will notice there are a lot of great blind jazz  and blues pianists. =
It
> is a
> percussive and touch instrument, don't forget it...
>
> Antony
>
>
>
> ________________________________
> From: mark francombe <mark@markfrancombe.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, January 6, 2011 1:50:22 PM
> Subject: Re: Piano lessons advice (O.T.)
>
> On Thu, Jan 6, 2011 at 1:20 PM, Per Boysen <perboysen@gmail.com> wrote:
>
> My totally un-educated advice is to Stick With C for reading! At least
>>initially. Reading a score is simple in the key of C because then each
>>note is played at the pitch it is written as. Other keys use b or
>>cross marks to imply that a note written as a certain pitch has to be
>>transposed when played.
>
> This is a bit unclear Per. I think what you are trying to say is that, wh=
ile
> written music doe NOT require that you "transpose when played", it does a=
sk
> that
> you remember which notes are play as Sharps or Flats (b's or #'s). The fi=
rst
> bit
> of notation on any stave of music is the treble (looks like a f) or bass
> (looks
> like a C) clef. This tells is it played above or below middle C and WHICH
> NOTES
> are played.
>
> the next is the time sig.. no prob there usually drawn one note above the
> other.. and THEN... there is a signifyer of WHICH sharps and flats should=
 be
> played throughout... this is basically saying what key the piece is in.
>
>
> Markl
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>
>
>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

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Subject: Re: Recording many parallel loops in one go (Re: more mobius
 scripting help please)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jan 6, 2011 at 2:03 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> the chords i have set up at the moment are all in the same key, but it mi=
ght
> be fun to tweak the rate shifts a bit and get some more unusual sounds...=
.


Interesting, Sim! Would love to hear what it sounds like. I use a
pedalboard bank to speed shift all four loops into octave and fifth
chords according to a nine step scale. For some chord in the scale one
loop may be shifted -5 instead of +7 for the reason of better sound
(generally pitching down sounds better in ensemble than pitching up).
At chords where a particular loop is pitched up my script also brings
down the output level of that loop to have it not jump out of the mix
and sound bad. Just like you I find it great fun to test different
source sounds. With guitar or Stick I may record chords but if I'm
finding it a hard challenge to use thirds, because when speed
transformed a fifth they may induce chord coloring I don't like. I'm
more for the minimal concept of sequencing sparse and leave room for
melody parts to imply minor or major chord coloring. This stuff can
easily get too big for you to handle.

BTW, I set up my Record Pedal script as a long press script that will
reset the selected track (deleting this track's loops) on a long
press. Then I use the statement "if" to make the script start out with
a "global reset" before going Recored etc and this happens "if
selected track is in reset mode". I'm finding this very helpful when
peforming as a way to "get out" of the for parallel loops situation
and start over a new four-loops texture. What I do then is a long
press on the Record button followed by a short press to start over.

It would be really cool some time to have a Mobius clinic! Sit down
for a couple of hours and show each other what we use different
scripts for. I remember in Z=C3=BCrich we had such a gathering the day
after the Looping Festival in 2005. It was especially interesting to
hear vocalist Michael Schiefel explain how he runs two un-synced EDP's
and a harmonizer controlled by MIDI Sysex from a mini synth keyboard.
http://www.youtube.com/watch?v=3DEI111PUVStk

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Piano lessons advice (O.T.)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jan 6, 2011 at 2:27 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrote=
:
> piano technique
> and its uniqueness to be a wonderful foundation for music. =C2=A0Its all
> there in front of you with its polyphony.


Indeed! Even singers, wind players, guitarists or whatever should
visualize music like the universal code it really is! Not necessarily
thinking about "piano keys", but you should care to know all notes and
their relation with scales and chords just as the ground you are
leaping from. In this regard the  piano comes with a "built-in
shortlist"  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 14:23:03 2011
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Subject: Re: Piano lessons advice (O.T.)
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--20cf30433e3a2f7d9c04992e3df2
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well said Per.  Conceptually the 'world' has a sound in mind of 'what music
is' that most of us on LD don't adhere to so it makes total sense to just
approach whatever instrument as if a wide open canvas, as you say as 'the
ground you are leaping on'.  The trick is to get the average bear coming to
an instrument to relate that way.  I don't teach but have dabbled with in
the past and I've often thought about how to 'break the mold' of traditiona=
l
instruction in our societies.  Luis, 'toss the rules and just do it' as the
kids say.

Jim

On Thu, Jan 6, 2011 at 8:58 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Jan 6, 2011 at 2:27 PM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > piano technique
> > and its uniqueness to be a wonderful foundation for music.  Its all
> > there in front of you with its polyphony.
>
>
> Indeed! Even singers, wind players, guitarists or whatever should
> visualize music like the universal code it really is! Not necessarily
> thinking about "piano keys", but you should care to know all notes and
> their relation with scales and chords just as the ground you are
> leaping from. In this regard the  piano comes with a "built-in
> shortlist"  ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf30433e3a2f7d9c04992e3df2
Content-Type: text/html; charset=ISO-8859-1
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well said Per. =A0Conceptually the &#39;world&#39; has a sound in mind of &=
#39;what music is&#39; that most of us on LD don&#39;t adhere to so it make=
s total sense to just approach whatever instrument as if a wide open canvas=
, as you say as &#39;the ground you are leaping on&#39;. =A0The trick is to=
 get the average bear coming to an instrument to relate that way. =A0I don&=
#39;t teach but have dabbled with in the past and I&#39;ve often thought ab=
out how to &#39;break the mold&#39; of traditional instruction in our socie=
ties. =A0Luis, &#39;toss the rules and just do it&#39; as the kids say.<div=
>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Thu, Jan 6, 2011 at=
 8:58 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmai=
l.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex;">
<div class=3D"im">On Thu, Jan 6, 2011 at 2:27 PM, Jim Goodin &lt;<a href=3D=
"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<b=
r>
&gt; piano technique<br>
&gt; and its uniqueness to be a wonderful foundation for music. =A0Its all<=
br>
&gt; there in front of you with its polyphony.<br>
<br>
<br>
</div>Indeed! Even singers, wind players, guitarists or whatever should<br>
visualize music like the universal code it really is! Not necessarily<br>
thinking about &quot;piano keys&quot;, but you should care to know all note=
s and<br>
their relation with scales and chords just as the ground you are<br>
leaping from. In this regard the =A0piano comes with a &quot;built-in<br>
shortlist&quot; =A0;-)<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf30433e3a2f7d9c04992e3df2--

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 14:31:53 2011
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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: Piano lessons advice (O.T.)
Date: Thu, 6 Jan 2011 15:31:20 +0100
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>, "louie.angulo@googlemail.com" <louie.angulo@googlemail.com>
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Il giorno 06/gen/2011, alle ore 12:48, Louie Angulo <louie.angulo@googlemail=
.com> ha scritto:

> Hi gang,
> I just got a digital piano this x-mas and i m looking for a good way to le=
arn to read the notes,chords etc. to start playing easy pieces.

As a classical trained piano I'd suggest you to look for a basic jazz piano m=
ethod as a starting point.
 That way it should be easy for you to learn how build chords, invertions an=
d relationship between notes and intervals.


> Ive considered taking a few lessons but i rather not start there blind and=
 try to learn the basics on my own.

The hard part of the work is technique.
Here I definitively suggest you to take a few lessons to get the fundamental=
 to understand how to relax your arms and fingers and how to get YOUR body p=
osition in front of the instrument.

A few suggestions:
Keep your arms formung an angle of 45*.
Put your 5 fingers respectively on C-D-E-F-G, adjust each finger on the keys=
 keeping your hand curved (as you're keeping a tennis ball) then pull down t=
he keys.
Now keeping down all five keys, start moving up (key release) an down (hit t=
he note) your thumbs till you get the control.
Do the same with each finger, keeping down the others.
Then do it again moving on C#-D#-E#(F)-F#-G# and so on, cromatically.
(here you'll discover how different it is from guitar, 'cos you'll have diff=
erent finger positions trough white and black keys, while on the guitar you c=
an slip your hand to the  next fret without changing your shape hand).

Work with separate hands at the beginning.
Then play the same with both hands keeping a two octave range distance betwe=
en them.

Later, do the same exercise without keeping down the keys, but just playing a=
 note after another.

It's a matter of gym.....


> Is there a good method or program outhere you can recomend where you can a=
lso visually see the notes being played on the keyboard that also include ni=
ce pieces to start off=20

Just connect your digital piano via MIDI to your computer, run any software t=
hat reads midi note and translate them in a score and you'll see which notes=
 you're playing.

Start playing children songs, at the beginning it could be not so easy read a=
nd play music with both hands.

> thanx for your tips!
> cheers
> Luis

Welcome on board, Luis, hope you'll enjoy the piano.

-Fabio=20
www.eterogeneo.com

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Subject: Re: Piano lessons advice (O.T.)
From: Louie Angulo <louie.angulo@googlemail.com>
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ok guys i think i was not very clear,im not exactly a starter as far
as playing goes,i know the theory behind chords and can constuct them
in the piano or the guitar.
I already play some stuff,like slow and simple pieces for ex. Chopin=B4s
Prelude in E-Minor
you can here it here:

http://www.youtube.com/watch?v=3Def-4Bv5Ng0w

the first time i heard it when i was a kid (about 7 yrs. old it moved
me so much that i spent hours listening to it in a cassette player and
learned it all by ear,
thats when my mom decided pay for private lessons,unfortunately i kept
learning the lessons by ear because i have bad eyes and could never
get along with note reading.
I had even tricked the teacher thinking i was looking at the notes for
almost a year until he realized i was doing it all by ear.So im still
really bad at that.
Later on i learned the theory basics have no problem applying it to the pia=
no.
So now ive been trying to learn other easy pieces but there are parts
where my ear comes to its limits and want to be able to read them in a
piano chart.However when i put it in front of my im completely
lost,specially the bass clef way down.This is why im looking for a
chart with all the notes on the 88 keys of the piano, and the chords
as well.I havent found aynthing satisfactory yet,i guess guitar is a
bit more simple if u never read any notes through tablature.
If u find anything on the net that can help me at least to get me
going with this id appreciate it.
Also if u have other beautiful piano pieces like this ones that are
perhaps minimal with lots of space and arent so difficult please
direct me to them.
Im interested in music that deals more with emotion than technique.

For ex. this are the ones in the classical genre that still move me
and would like to learn them

Gnossiennes No.1 http://www.youtube.com/watch?v=3DRyFhsG8Ip4E&feature=3Drel=
atedthanx
Gnossienne No.2 http://www.youtube.com/watch?v=3DDTwJojo-_F4&feature=3Drela=
ted
Gnossienne No.4 http://www.youtube.com/watch?v=3DtJQGM3MfqmI&feature=3Drela=
ted
Moonlight Sonata  http://www.youtube.com/watch?v=3DvQVeaIHWWck

thanx
Luis





On Thu, Jan 6, 2011 at 2:27 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrote=
:
>
> Marc wonderful approach above to the piano. =A0Ironically while walking
> my daughter to school this morn I was just relaying piano technique
> and its uniqueness to be a wonderful foundation for music. =A0Its all
> there in front of you with its polyphony. =A0I studied formerly in my
> college years and just improvise these days. =A0 Not much to share here
> that in a serious way Luis echoing Marc, just sit down and explore.
> Its like a. Friend said to me once re a conversation on 12-string
> guitar technique. =A0In my response to how to approach 12-string,.don't
> think about it'.
>
> Jim
>
> On 1/6/11, antonyhequet@yahoo.com <antonyhequet@yahoo.com> wrote:
> > what I found most useful is developping a tactil feel for the piano, ha=
d a
> > great
> > jazz teacher who had me playing triads and seventh chords chromatically=
 or
> > in
> > circle of fifths, spelling put the shapes in my mind visually
> >
> > C major triad white white white
> > c# major triad black white black
> >
> > one hand at a time
> > both hands together
> >
> > spreading seventh chords between two hands
> > adding extensions
> >
> > what is important is having the feel of the shape in your hand and a me=
ntal
> > image of the chord C# Maj BWB
> >
> > Also very useful for Jazz type reading chord plus melody...
> >
> > You will notice there are a lot of great blind jazz =A0and blues pianis=
ts. It
> > is a
> > percussive and touch instrument, don't forget it...
> >
> > Antony
> >
> >
> >
> > ________________________________
> > From: mark francombe <mark@markfrancombe.com>
> > To: Loopers-Delight@loopers-delight.com
> > Sent: Thu, January 6, 2011 1:50:22 PM
> > Subject: Re: Piano lessons advice (O.T.)
> >
> > On Thu, Jan 6, 2011 at 1:20 PM, Per Boysen <perboysen@gmail.com> wrote:
> >
> > My totally un-educated advice is to Stick With C for reading! At least
> >>initially. Reading a score is simple in the key of C because then each
> >>note is played at the pitch it is written as. Other keys use b or
> >>cross marks to imply that a note written as a certain pitch has to be
> >>transposed when played.
> >
> > This is a bit unclear Per. I think what you are trying to say is that, =
while
> > written music doe NOT require that you "transpose when played", it does=
 ask
> > that
> > you remember which notes are play as Sharps or Flats (b's or #'s). The =
first
> > bit
> > of notation on any stave of music is the treble (looks like a f) or bas=
s
> > (looks
> > like a C) clef. This tells is it played above or below middle C and WHI=
CH
> > NOTES
> > are played.
> >
> > the next is the time sig.. no prob there usually drawn one note above t=
he
> > other.. and THEN... there is a signifyer of WHICH sharps and flats shou=
ld be
> > played throughout... this is basically saying what key the piece is in.
> >
> >
> > Markl
> >
> >
> >
> > --
> > mark francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > twitter @markfrancombe
> > http://vimeo.com/user825094
> > http://www.looop.no
> >
> >
> >
> >
>
> --
> Sent from my mobile device
>
> *From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodi=
n &
> Peter Th=F6rn. =A0Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>

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Since you already play guitar, you can play piano with a guitar in your =
lap. (Not all the time---it's terrible posture but not that bad for an =
exorcise if you situate it right.)

Now you can bounce back and fourth between the guitar and the piano, =
finding the notes on one or the other in a sort of feedback loop.=20

Really, the guitar isn't even important... you can sing just as well (if =
you can sing just as well. And if you can't, it's well worth the =
practice.)=20

In either event you're training yourself to listen for THE SPACE BETWEEN =
THE NOTES.=20

If I might generalize, guitar is more instinctual in it's layout and a =
piano is more logical, but they are still both about the space between =
the notes.=20

This may be the one time I disagree with Per but don't get stuck in C. =
Yes, let it be home (to some necessary extent) at first, but don't get =
stuck in it.=20

Since visualization came up, I'd like to stress (though I'm sure =
everyone knows but it bares repeating) you can practice anywhere and at =
any time by imagining the keyboard. Stuck in an elevator? Visualize the =
elevator music. Start by identifying one phrase and then braking that up =
to how much distance (how many frets or how many keys---you can do this =
interchangeably) there is between two notes.=20

I find it easier to start with vertical light balls, like an elongated =
and expanded traffic light, then morph that visually in my mind to fit a =
given instrument.=20

Also, if you sacrifice a chicken on every 1st thursday and always play =
with your left foot in the air while burning cinnamon scented candles =
you'll be a virtuoso in no time! It's true! Forward this email to 10 =
friends and you'll be a rock star by your 3rd chicken sacrifice!

Oh, and finally, eschew obfuscation. That is to say, DO take a lesson or =
two, as you need them, EARLY ON, from real people, in person for the =
following reason: to break bad habits before they begin.  How you hold =
your hand. When the thumb crosses over. Etc. You don't sound like you =
need regular lessons, but a few of these, now and again as you go, will =
save you time correcting bad habits later.=20

---Christopher=

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 14:52:29 2011
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Subject: Re: Piano lessons advice (O.T.)
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ok thats a very good tip Fabio,is there a way to get this classical
pieces in midi files, so when i play then i see them the fingering on
the keyboard?
for the guitar there is stuff for guitar pro where you can see it
graphically on the fretboard.
thanx
Luis


> Just connect your digital piano via MIDI to your computer, run any software that reads midi note and translate them in a score and you'll see which notes you're playing.
> Start playing children songs, at the beginning it could be not so easy read and play music with both hands.

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>From my (limited) experience I would advise having a few lessons to
learn the basics and then continue on your own.

On Thu, Jan 6, 2011 at 11:48 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Hi gang,
> I just got a digital piano this x-mas and i m looking for a good way to
> learn to read the notes,chords etc. to start playing easy pieces.
> Ive considered taking a few lessons but i rather not start there blind and
> try to learn the basics on my own.
> Is there a good method or program outhere you can recomend where you can
> also visually see the notes being played on the keyboard that also include
> nice pieces to start off with?
> thanx for your tips!
> cheers
> Luis
>

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Subject: Re: Piano lessons advice (O.T.)
Date: Thu, 6 Jan 2011 10:05:25 -0600
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On Jan 6, 2011, at 5:48 AM, Louie Angulo wrote:

> Hi gang,
> I just got a digital piano this x-mas and i m looking for a good way  
> to learn to read the notes,chords etc. to start playing easy pieces.
> Ive considered taking a few lessons but i rather not start there  
> blind and try to learn the basics on my own.
> Is there a good method or program outhere you can recomend where you  
> can also visually see the notes being played on the keyboard that  
> also include nice pieces to start off with?

This program has everything you're looking for with the possible  
exception of "nice pieces" to start you off--since that's obviously a  
matter of taste.

http://www.pianolessonsbyvideo.com/crash

Jeff

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Subject: Re: Q Steps (SUS = Substitute) commands in the LP-1
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Rick Walker wrote:
> true
> SUS commands are not possible in the LP-1.
> (wouldn't that be fairly easy to program into the software of the unit, 
> out of curiosity?)
> 

Being easy to program isn't an issue for SUS.
As a long term fan of the LP-1 I'd see it this way:-

As the LP-1 user interface is conceived
as being operable with a *basic midi controller 
that doesn't need to be programmed* it wouldn't really
make a lot of sense to add SUS functions.

The 2 obvious downsides of implementing SUS are that the user would have to ensure
the midi controller was programmed correctly, and that the 
simplicity of the LP-1 midi-learn procedure would be compromised.


otoh power users can already achieve a SUS functionality
if they use a more sophisticated midi controller.


Actually I really like that LP-1 behaviour where multiple
taps on a switch can create an alternation of replaced
and un-replaced chunks.
That's totally a by product of the Faux-SUS behaviour
...what I'd call an "emergent feature".
That's the sort of thing (abundant on the edp) that really
brings the whole looping tech thing alive for me.

;-) Enough with the EDP copying,
neither the LP1, nor for that matter Mobius
greatly benefit from it. Just tends towards a disjointed
feature set and awkward user interface.

e.g. to achieve the QReplace function that the LP-1 now has could have
been done by simply implementing a "wait for the next QStep"
command...that would give *exactly* the same sound and also
open up the possibility for a lot of other tricks.
(and it would have been one less item on the menu...always a plus point) 


andy butler


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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br><br>
FROM: Dr.Mark Allen<br>
DIRECTOR: WORLD FUND DISCOVERY MANAGEMENT AND PAYMENT BUREAU.<br>
EMAIL:drmarkallen2210@yahoo.co.jp <br>
<br>
<br>
I am Dr.Mark Allen Director World Fund Management. I decided to contact you because of the prevailing financial report reaching my office and the intense nature of polity in London. This is to inform you about our plan to send your fund to you via cash delivery system.<br>
<br>
<br>
This system will be easier for you and for us. We are going to send your payment of US$7.3 Million to you via courier service. I have secured every needed document to cover this fund.<br>
<br>
Note: This fund is coming in 2 security proof boxes which are sealed with Synthetic nylon seal and padded with machine. I will use my position to release this fund to you. The boxes are coming with a Courier agent who will deliver them to you at your home address.<br>
<br>
All you need to do now is to send to me your details:<br>
<br>
<br>
1. Name in full:.<br>
2. Address:......<br>
3. Nationality:..<br>
4. Age/Sex :.....<br>
5. Occupation:...<br>
6. Phone/Fax:....<br>
7. Country:......<br>
<br>
<br>
Note: The Agent does not know the contents in these boxes, the content was declared to him as Sensitive Photographic Film Materials.<br>
<br>
I will secure the clearance Certificate that will be tagged on the boxes which I will dispatch along with the security inner Keys of the consignments to enable you access them as soon as they are delivered to you.<br>
<br>
Best Regards,<br>
Dr.Mark Allen<br>
<br>
+44 702 403 7725<br>
 +44 702 406 9545<br>
fax +44 844 774 9689 <br>
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From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 16:32:00 2011
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Subject: Re: Piano lessons advice (O.T.)
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don't think about it'.....sez jim

really?.....love this piano talk!.....it took me many many years to=20
learn how to mis-play the guitar
.....i would like to avoid that with learning the piano, which i am=20
also very interested in doing.....



From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 16:41:52 2011
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Date: Thu, 6 Jan 2011 11:35:33 -0500
Message-ID: <AANLkTinqoOO9i57vMhjQ6QqO5Na6Fmowp4m8++rN=gt=@mail.gmail.com>
Subject: Re: Piano lessons advice (O.T.)
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi,
I've had good results with this book:

http://goo.gl/qZuMn

Sylvain

On Thu, Jan 6, 2011 at 11:31 AM,  <nemoguitt@aol.com> wrote:
>
> don't think about it'.....sez jim
>
> really?.....love this piano talk!.....it took me many many years to learn
> how to mis-play the guitar
> .....i would like to avoid that with learning the piano, which i am also
> very interested in doing.....
>
>
>
>

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<<I find it easier to start with vertical light balls, like an=20
elongated and expanded traffic light, then morph that visually in my=20
mind to fit a given instrument.>>
sez chris


well put sir!.....although that sounds like a lot-o-thinkin'

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 16:49:29 2011
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From: John Metzler <jarofjam@me.com>
Subject: MPC 1000 & 2 EDP+ loosing sync
Date: Thu, 06 Jan 2011 08:49:23 -0800
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Hi Every One.  

	 I am re-title-ing and re phrasing an earlier email i sent in the hope that will get more attention.

I could use some help with getting to the bottom of some sync issues I'm having with my two EDP+ that are being drivin' by my MPC 1000.  I would love to hear from the Loopers on this site who use a similar set up.  And I would like to talk to Andy Butler about some stuff too.  Here is the basics of my Machine...


MPC 1000
Echoplex Digital Pro + w/efc7 (#1 for guitar to it's own amp)
Echoplex Digital Pro + w/efc7 (#2 for Bass to it's own amp)
FCB1010
Alesis QSR
AdrenaLinn II
Novation SL37 ReMOTE

Besides the Bass and Guitar with EDP's going to their own separate amps, all of the line level gear (MPC, QSR, AL2) are going into a small Mackie Mixer and a pair of powered monitors.  

---John M.

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Punch The Keys For Gods Sake!

http://originalytmndscene.ytmnd.com/

Per ;-)

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Seasons Greetings,
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font style=3D"font-size: 8pt;" size=3D"1"><br></font><font style=3D"font-si=
ze: 8pt;" size=3D"1">My name is Miss Lora&nbsp; i am 24 years old never mar=
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1"><br></font><font style=3D"font-size: 8pt;" size=3D"1">searchingfor a for=
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c=3D"http://mail.yimg.com/us.yimg.com/i/mesg/tsmileys2/40.gif"></font></fon=
t></b><br></td></tr></table>
--0-1351577857-1294333849=:95810--

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Subject: Re: Piano lessons advice (O.T.) - visualization in general as a tool
From: Christopher Darrow <thedarrow@gmail.com>
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>  that sounds like a lot-o-thinkin'

Actually, it's a lot LESS thinkin'.=20

Now, this may sound like it's REALLY off topic, but it kind of isn't =
because I broke loops down in my head this way as well when I was trying =
to figure out how I'd "build" a song quickly.=20

Anyway, I first discovered this when trying to shave in the shower with =
no mirror. If I tried to picture my face as it is, I'd fuck it up. but =
if I instead pictured razor sized blocks of black where I shaved over a =
white likeness of my face shape, then I'd get it exactly right. Easier =
to keep in my head.=20

It's EXACTLY like reducing bit depth.=20

Picturing a vertical row of lights requires less processing power to =
analyze distance, and is more easily generalizable to picturing finger =
distances between different instruments then is visualizing playing one =
instrument and trying to generalize it to playing another.=20

And you can do it with notes, instruments, or entire chunks of songs. =
(Enter the looping technique.... now you've left the elevator, with the =
one non-cheezy component stuck in your head and you figure out how you'd =
play it loop it and build on it.)

I realize that this is all separate from what the original poster was =
asking about, since I now see they are more accomplished, but as I say, =
these are good reminders of what we all know.=20




On Jan 6, 2011, at 8:41 AM, Nemoguitt@aol.com wrote:

> <<I find it easier to start with vertical light balls, like an =
elongated and expanded traffic light, then morph that visually in my =
mind to fit a given instrument.>>
> sez chris
>=20
>=20
> well put sir!.....although that sounds like a lot-o-thinkin'
>=20

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Subject: Re: Piano lessons advice (O.T.) - visualization in general as a tool
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jan 6, 2011 at 6:20 PM, Christopher Darrow <thedarrow@gmail.com> wrote:
>> <<I find it easier to start with vertical light balls, like an elongated and expanded traffic light, then morph that visually in my mind to fit a given instrument.>>
>> sez chris

Funny trick! Nice allegory with those bouncing traffic lights ;-) Not
my bag though since I tend to think about whatever note I hear as its
position in the scale (or "melody", or "chord", depending on the
context). That's dirt simple because you immediately hear if a note is
the root note, the big third, the "minus second" or whatever. When
experiencing music this way it is just a trivial translation act to
make it playable on any given physical instrument.

Per

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 18:33:02 2011
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Hi, Luis,

I'm not an accomplished pianist but I have played a bit of piano every 
since I have
formal piano lessons for a couple of years fifty years ago.

I think that  using C major (and all of it's resultant  7 Greek modes) 
as a point of departure and a way of understanding how to play in any 
key is the fastest way to get a handle on the instrument.

In a very cool way,  the keyboard makes you think, specifically, of 
intervallic relationships
in a way that the guitar doesn't.    Precisely because each scale is 
played slightly differently
one needs to concentrate on intervallic relationships when forming 
scales and spelling chords.
The relative ease of moving chord shapes on guitar seems to take away 
from this approach.
(again,  I plead not being an expert at all, but as a generalist: one 
who has tried to play dozens of different
instruments competently).

The one important thing to learn on the piano is the fingerings of 
scales, because there are several
different approaches to scalar playing from key to key (and from hand to 
hand)

as an example,  when you play in C Major  the right hand plays the 
upward run
C D E F G A B C  by playing thumb , 1st finger, 2nd, then reaching under 
the 2nd finger to
play thumb, 1st, 2nd, 3rd, 4th

whereas the left hand plays the same run  4th, 3rd, 2nd, 1st, thumb, 
then reaching over the thumb
with the 2nd, 1st, thumb

A simple book of Piano Scales will give you this way of getting around 
the instrument.
You should be able to find one of those pocket guides (that fit in 
guitar cases) with
Piano Scales and their relative fingerings.

*****************
One last thing,  Luis,    another approach to all of this (unless you 
intend to master the piano)
is to use the white keys for everything and use your transposition 
buttons on your electric keyboard
if you want to access other pitches for your Tonic note.

That's how I always think about it, frankly.    I see a chord or scale 
beginning in C
and then transpose it, either literally on an acoustic piano or 
virtually, using a transposition
button on my electric keyboard.

Real piano teachers would be aghast at this idea but I find it useful 
for composition.
>>
>>
>>

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On 7/22/64 11:59 AM, Louie Angulo wrote:
> the first time i heard it when i was a kid (about 7 yrs. old it moved
> me so much that i spent hours listening to it in a cassette player and
> learned it all by ear,
> thats when my mom decided pay for private lessons,unfortunately i kept
> learning the lessons by ear because i have bad eyes and could never
> get along with note reading.
> I had even tricked the teacher thinking i was looking at the notes for
> almost a year until he realized i was doing it all by ear
That's hilarious, Luis.

I made it to first chair in the school band on clarinet for five years 
by faking my
teacher into thinking I could read.*    I just had a really good ear
and never learned to read pitches (something I still struggle with
to this very day, although, ironically,  I'm a really good rhythmic site 
reader
and have taught hundreds of pianists and guitarists how to improve their 
rhythmic
reading).

It made me feel better that you had the same story because I've always
had a little bit of shame about this fact.

rick walker

*before the drumset caused me to run kicking and screaming away from the 
clarinet
at the age of 13.

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--0016363b83c0ecca0504993223fe
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> On Thu, Jan 6, 2011 at 12:38 PM, Rick Walker <looppool@cruzio.com> wrote:
> I made it to first chair in the school band on clarinet

Pics or it didn't happen.

--0016363b83c0ecca0504993223fe
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<div><br></div><div>&gt; On Thu, Jan 6, 2011 at 12:38 PM, Rick Walker &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:</div><div>&gt; I made it to first chair in the school band on clarinet</div>
<div><br></div><div>Pics or it didn&#39;t happen.</div><div><br></div>

--0016363b83c0ecca0504993223fe--

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Rick Walker schrieb:
> I think that  using C major (and all of it's resultant  7 Greek modes) 
> as a point of departure and a way of understanding how to play in any 
> key is the fastest way to get a handle on the instrument.
>
> In a very cool way,  the keyboard makes you think, specifically, of 
> intervallic relationships
> in a way that the guitar doesn't.    
It would really be interesting to hear the opinion of someone who did 
first learn the guitar and is now both an accomplished guitarist and 
pianist on this "understanding piano for guitarists" topic.
And that might just be a problem - any of the people I can think of from 
the top of my head (Gismonti, Towner, Keneally, van Halen) did start 
with piano and then picked up guitar later...just a coincidence? Anyone 
can name some counter examples?

Being an "amatuer Gismonti" myself (meaning: learning piano first, then 
studying composition, then doing some guitar), I can only offer a look 
at it from the other side:

(all of my statements describe my personal learning experiences here, 
which might differ from those of others, and actually be 
counter-intuitive or even inefficient):
Piano is very neatly organized in octaves, and how fingering stays 
constant from octave to octave, which the guitar is not so much, at 
least not intuitively (the major 3rd between G and B string doesn't help 
here...). However, the guitar is (with the exception of the major 
3rd...) more consistent with intervals, e.g. 2 frets = one tone, 1 
string up 1 fret back = major 4rd etc, which the piano is not (unless 
you're counting keys, which, due to the white/black logic, is not the 
intuitive way to perceive it). On the piano, the step from the goal to 
play a certain chord to fingering the right keys is chord -> intervals 
-> notes -> fingering, i.e. from "maj7 on B" you go via "major third, 
minor third, major third" to "B D# F# A#" to the actual hand position. 
And this works well in all keys (and imo it actually helps if you start 
doing so early on). And btw, you'll have a hard time even playing 
standard pop/rock/blues chords when sticking with white keys.
Let's say you want a blues - do it in A (because its similar to 
Aeolian), so you have the chords Am (works fine), Dm (works fine), Am 
(works fine), E7 - buggers. Same if you play major (in C), and then want 
to emphasise the tonic's double role as the subdominant's dominant by 
adding a 7...

That being said - I'm mostly curious about the "guitarists who later 
picked up piano and are famous for both" suggestions!

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: Piano lessons advice (O.T.)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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the one thing i love about black keys is that when you stick to them
only,they never sound wrong;-)
cheers
Luis

On Thu, Jan 6, 2011 at 8:25 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Rick Walker schrieb:
>>
>> I think that =A0using C major (and all of it's resultant =A07 Greek mode=
s) as
>> a point of departure and a way of understanding how to play in any key i=
s
>> the fastest way to get a handle on the instrument.
>>
>> In a very cool way, =A0the keyboard makes you think, specifically, of
>> intervallic relationships
>> in a way that the guitar doesn't.
>
> It would really be interesting to hear the opinion of someone who did fir=
st
> learn the guitar and is now both an accomplished guitarist and pianist on
> this "understanding piano for guitarists" topic.
> And that might just be a problem - any of the people I can think of from =
the
> top of my head (Gismonti, Towner, Keneally, van Halen) did start with pia=
no
> and then picked up guitar later...just a coincidence? Anyone can name som=
e
> counter examples?
>
> Being an "amatuer Gismonti" myself (meaning: learning piano first, then
> studying composition, then doing some guitar), I can only offer a look at=
 it
> from the other side:
>
> (all of my statements describe my personal learning experiences here, whi=
ch
> might differ from those of others, and actually be counter-intuitive or e=
ven
> inefficient):
> Piano is very neatly organized in octaves, and how fingering stays consta=
nt
> from octave to octave, which the guitar is not so much, at least not
> intuitively (the major 3rd between G and B string doesn't help here...).
> However, the guitar is (with the exception of the major 3rd...) more
> consistent with intervals, e.g. 2 frets =3D one tone, 1 string up 1 fret =
back
> =3D major 4rd etc, which the piano is not (unless you're counting keys, w=
hich,
> due to the white/black logic, is not the intuitive way to perceive it). O=
n
> the piano, the step from the goal to play a certain chord to fingering th=
e
> right keys is chord -> intervals -> notes -> fingering, i.e. from "maj7 o=
n
> B" you go via "major third, minor third, major third" to "B D# F# A#" to =
the
> actual hand position. And this works well in all keys (and imo it actuall=
y
> helps if you start doing so early on). And btw, you'll have a hard time e=
ven
> playing standard pop/rock/blues chords when sticking with white keys.
> Let's say you want a blues - do it in A (because its similar to Aeolian),=
 so
> you have the chords Am (works fine), Dm (works fine), Am (works fine), E7=
 -
> buggers. Same if you play major (in C), and then want to emphasise the
> tonic's double role as the subdominant's dominant by adding a 7...
>
> That being said - I'm mostly curious about the "guitarists who later pick=
ed
> up piano and are famous for both" suggestions!
>
> =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 19:38:13 2011
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Louie Angulo schrieb:
> the one thing i love about black keys is that when you stick to them
> only,they never sound wrong;-)
>   
It's because all those keys are part of melodic minor (if going from C# 
as the root). They've used it for centuries, did always work. Same as 
the blues, only more antique.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Jan  6 19:41:22 2011
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Louie Angulo schrieb:
> the one thing i love about black keys is that when you stick to them
> only,they never sound wrong;-
Same think works if on a guitar, you omit the B string and only use open 
string or even-numbered frets. Debussy could do this all day...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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?My own musical journey began with piano, but it was cursed by bad timing 
and other items.  My mother was more interested in us ingesting the 
Discipline of Practice than she was in us actually playing the piano... but 
ultimately this was unimportant as you will see.  My teachers on the 
keyboard went like this:

Age six, school lessons began just a month before summer vacation and my 
family's move to the East Coast;

Age eight, A woman in her 70s who ran off with her travel agent and was 
never heard from again;

Age nine, An old gentleman who sadly passed away;

Age 12, Another older lady who just failed to show up and never was heard 
from again;

Age 15, A guy with Marty Feldman eyes with a Liberace-style wardrobe who 
pulled the blinds on his place when I came for lessons (this lasted only 
three weeks);

Age 19, A marvelous guy who was one of Barry Manilow's arrangers and 
brought - instead of awful contrived pieces with titles like "Swaying Silver 
Birches" (shudder) - some of Mozart's pieces created to teach people 
keyboard skills.  Went on tour with Barry, never seen again.

Each of these teachers lasted less than three months.  Over time I 
assimilated the instrument enough to learn how to play by ear, but never 
really via sight-reading.  And at 13, my Dad (who had wanted to be a jazz 
trumpeter when he was in college and had met some of the greats like Raymond 
Scott!) was taking guitar lessons and the store went bankrupt.  They owed 
him $30, and told him to keep the acoustic nylon-string guitar.  It sat in 
the TV room corner until I secreted it upstairs with the instruction book. 
I couldn't make sense of the tabs etc and taught myself how to play using an 
open chord I figured out at the time (AEAEAC#) that as it happened was a 
basic blues tuning.

I wouldn't recommend this line of instruction to anyone!  But it worked for 
me, if after a long time. :)

-----Original Message----- 
From: Rainer Straschill
Sent: Thursday, January 06, 2011 7:25 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Piano lessons advice (O.T.)

Rick Walker schrieb:
> I think that  using C major (and all of it's resultant  7 Greek modes) as 
> a point of departure and a way of understanding how to play in any key is 
> the fastest way to get a handle on the instrument.
>
> In a very cool way,  the keyboard makes you think, specifically, of 
> intervallic relationships
> in a way that the guitar doesn't.
It would really be interesting to hear the opinion of someone who did
first learn the guitar and is now both an accomplished guitarist and
pianist on this "understanding piano for guitarists" topic.
And that might just be a problem - any of the people I can think of from
the top of my head (Gismonti, Towner, Keneally, van Halen) did start
with piano and then picked up guitar later...just a coincidence? Anyone
can name some counter examples?

Being an "amatuer Gismonti" myself (meaning: learning piano first, then
studying composition, then doing some guitar), I can only offer a look
at it from the other side:

(all of my statements describe my personal learning experiences here,
which might differ from those of others, and actually be
counter-intuitive or even inefficient):
Piano is very neatly organized in octaves, and how fingering stays
constant from octave to octave, which the guitar is not so much, at
least not intuitively (the major 3rd between G and B string doesn't help
here...). However, the guitar is (with the exception of the major
3rd...) more consistent with intervals, e.g. 2 frets = one tone, 1
string up 1 fret back = major 4rd etc, which the piano is not (unless
you're counting keys, which, due to the white/black logic, is not the
intuitive way to perceive it). On the piano, the step from the goal to
play a certain chord to fingering the right keys is chord -> intervals
-> notes -> fingering, i.e. from "maj7 on B" you go via "major third,
minor third, major third" to "B D# F# A#" to the actual hand position.
And this works well in all keys (and imo it actually helps if you start
doing so early on). And btw, you'll have a hard time even playing
standard pop/rock/blues chords when sticking with white keys.
Let's say you want a blues - do it in A (because its similar to
Aeolian), so you have the chords Am (works fine), Dm (works fine), Am
(works fine), E7 - buggers. Same if you play major (in C), and then want
to emphasise the tonic's double role as the subdominant's dominant by
adding a 7...

That being said - I'm mostly curious about the "guitarists who later
picked up piano and are famous for both" suggestions!

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs 

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Mmmmm!  Whole tone scales!  Mmmmm. Tasty! (and "mysterious" and  
damned easy to play!)

And also, what that infamous ol' "Devil's Triad", eh?  (AKA- "Tritone")

http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils- 
Triad.aspx
'According to tradition, the tritone was called the Devil's Chord or  
the Diabolis in Musica, a sound so dissonant and so puissant it was  
believed to be capable of raising the Lord of Hell himself.  For this  
reason, in it's irrationality, the Roman Catholic Church banned the  
Devil's Triad, on pain of excommunication.  Today, of course, bands  
such as Metallica and Black Sabbath  use the tritone on a regular  
basis with no adverse effects.' (Har! Funny!)

Cheers,
Rev.Fever
Portland,OR
http://www.spiritone.com/~rvfever

On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:

> Louie Angulo schrieb:
>> the one thing i love about black keys is that when you stick to them
>> only,they never sound wrong;-)
>>
> It's because all those keys are part of melodic minor (if going  
> from C# as the root). They've used it for centuries, did always  
> work. Same as the blues, only more antique.
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<div>Mmmmm! &nbsp;Whole tone scales! &nbsp;Mmmmm. Tasty! (and =
"mysterious" and damned easy to play!)</div><div><br></div><div>And =
also, what that infamous ol' "Devil's Triad", eh? &nbsp;(AKA- =
"Tritone")</div><div><br></div><div><a =
href=3D"http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devil=
s-Triad.aspx">http://www.imaginativeuniversal.com/blog/post/2008/07/09/The=
-Devils-Triad.aspx</a></div><div>'According to tradition, the tritone =
was called the Devil's Chord or the <em>Diabolis in Musica</em>, a sound =
so dissonant and so <em>puissant</em> it was believed to be capable of =
raising the Lord of Hell himself.&nbsp; For this reason, in it's =
irrationality, the Roman Catholic Church banned the Devil's Triad, on =
pain of excommunication.&nbsp; <b>Today, of course, bands such as =
</b><em><b>Metallica</b></em><b> and </b><em><b>Black =
Sabbath</b></em><b>&nbsp; use the tritone on a regular basis with no =
adverse effects.'</b> (Har! Funny!)</div><div><br></div><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Cheers,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Rev.Fever</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Portland,OR</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfev=
er</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div><div>On Jan 6, 2011, at 11:38 AM, Rainer Straschill =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Louie Angulo schrieb:</div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">the one thing i love about =
black keys is that when you stick to them</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">only,they never sound wrong;-)</div><p style=3D"margin: 0.0px 0.0px =
0.0px 0.0px; min-height: 14.0px"><span =
class=3D"Apple-converted-space">&nbsp;&nbsp;</span><br =
class=3D"khtml-block-placeholder"></p> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">It's because all those keys are part of melodic =
minor (if going from C# as the root). They've used it for centuries, did =
always work. Same as the blues, only more antique.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; =
"><br></div></blockquote></div><br></div></body></html>=

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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: Piano lessons advice (O.T.)
Date: Thu, 6 Jan 2011 21:59:50 +0100
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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> Mmmmm!  Whole tone scales!  Mmmmm. Tasty! (and "mysterious" and damned eas=
y to play!)

It isn't.=20
c-d-e-f#-g#-a# is a whole-tone scale.

-fabio
www.eterogeneo.com

>=20
> And also, what that infamous ol' "Devil's Triad", eh?  (AKA- "Tritone")
>=20
> http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.=
aspx
> 'According to tradition, the tritone was called the Devil's Chord or the D=
iabolis in Musica, a sound so dissonant and so puissant it was believed to b=
e capable of raising the Lord of Hell himself.  For this reason, in it's irr=
ationality, the Roman Catholic Church banned the Devil's Triad, on pain of e=
xcommunication.  Today, of course, bands such as Metallica and Black Sabbath=
  use the tritone on a regular basis with no adverse effects.' (Har! Funny!)=

>=20
> Cheers,
> Rev.Fever
> Portland,OR
> http://www.spiritone.com/~rvfever
>=20
> On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:
>=20
>> Louie Angulo schrieb:
>>> the one thing i love about black keys is that when you stick to them
>>> only,they never sound wrong;-)
>>>  =20
>> It's because all those keys are part of melodic minor (if going from C# a=
s the root). They've used it for centuries, did always work. Same as the blu=
es, only more antique.
>>=20
>=20

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<html><body bgcolor=3D"#FFFFFF"><div><br><span class=3D"Apple-style-span" st=
yle=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -webkit-comp=
osition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-frame=
-color: rgba(77, 128, 180, 0.230469);"><br></span></div><div></div><blockquo=
te type=3D"cite"><div>
<div>Mmmmm! &nbsp;Whole tone scales! &nbsp;Mmmmm. Tasty! (and "mysterious" a=
nd damned easy to play!)</div></div></blockquote><div><br></div><div>It isn'=
t.&nbsp;</div><div>c-d-e-f#-g#-a# is a whole-tone scale.</div><div><br></div=
><div>-fabio</div><div><a href=3D"http://www.eterogeneo.com">www.eterogeneo.=
com</a></div><br><blockquote type=3D"cite"><div><div><br></div><div>And also=
, what that infamous ol' "Devil's Triad", eh? &nbsp;(AKA- "Tritone")</div><d=
iv><br></div><div><a href=3D"http://www.imaginativeuniversal.com/blog/post/2=
008/07/09/The-Devils-Triad.aspx"><a href=3D"http://www.imaginativeuniversal.=
com/blog/post/2008/07/09/The-Devils-Triad.aspx">http://www.imaginativeuniver=
sal.com/blog/post/2008/07/09/The-Devils-Triad.aspx</a></a></div><div>'Accord=
ing to tradition, the tritone was called the Devil's Chord or the <em>Diabol=
is in Musica</em>, a sound so dissonant and so <em>puissant</em> it was beli=
eved to be capable of raising the Lord of Hell himself.&nbsp; For this reaso=
n, in it's irrationality, the Roman Catholic Church banned the Devil's Triad=
, on pain of excommunication.&nbsp; <b>Today, of course, bands such as </b><=
em><b>Metallica</b></em><b> and </b><em><b>Black Sabbath</b></em><b>&nbsp; u=
se the tritone on a regular basis with no adverse effects.'</b> (Har! Funny!=
)</div><div><br></div><div><div style=3D"margin-top: 0px; margin-right: 0px;=
 margin-bottom: 0px; margin-left: 0px; ">Cheers,</div><div style=3D"margin-t=
op: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Rev.Feve=
r</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px;=
 margin-left: 0px; ">Portland,OR</div><div style=3D"margin-top: 0px; margin-=
right: 0px; margin-bottom: 0px; margin-left: 0px; "><a href=3D"http://www.sp=
iritone.com/~rvfever"><a href=3D"http://www.spiritone.com/~rvfever">http://w=
ww.spiritone.com/~rvfever</a></a></div><div style=3D"margin-top: 0px; margin=
-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br><=
/div><div><div>On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:</div><b=
r class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div style=3D=
"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "=
>Louie Angulo schrieb:</div> <blockquote type=3D"cite"><div style=3D"margin-=
top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">the one=
 thing i love about black keys is that when you stick to them</div><div styl=
e=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0p=
x; ">only,they never sound wrong;-)</div><p style=3D"margin: 0.0px 0.0px 0.0=
px 0.0px; min-height: 14.0px"><span class=3D"Apple-converted-space">&nbsp;&n=
bsp;</span><br class=3D"khtml-block-placeholder"></p> </blockquote><div styl=
e=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0p=
x; ">It's because all those keys are part of melodic minor (if going from C#=
 as the root). They've used it for centuries, did always work. Same as the b=
lues, only more antique.</div><div style=3D"margin-top: 0px; margin-right: 0=
px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div></bl=
ockquote></div><br></div></div></blockquote></body></html>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Piano lessons advice (O.T.)
Date: Thu, 6 Jan 2011 21:06:58 +0000
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And a thats how Robert Fripp made Red (and Thrak and lots of others)

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 6 Jan 2011, at 20:59, Fabio_A wrote:

>
>
>> Mmmmm!  Whole tone scales!  Mmmmm. Tasty! (and "mysterious" and  
>> damned easy to play!)
>
> It isn't.
> c-d-e-f#-g#-a# is a whole-tone scale.
>
> -fabio
> www.eterogeneo.com
>
>>
>> And also, what that infamous ol' "Devil's Triad", eh?  (AKA-  
>> "Tritone")
>>
>> http://www.imaginativeuniversal.com/blog/post/2008/07/09/The- 
>> Devils-Triad.aspx
>> 'According to tradition, the tritone was called the Devil's Chord  
>> or the Diabolis in Musica, a sound so dissonant and so puissant it  
>> was believed to be capable of raising the Lord of Hell himself.   
>> For this reason, in it's irrationality, the Roman Catholic Church  
>> banned the Devil's Triad, on pain of excommunication.  Today, of  
>> course, bands such as Metallica and Black Sabbath  use the tritone  
>> on a regular basis with no adverse effects.' (Har! Funny!)
>>
>> Cheers,
>> Rev.Fever
>> Portland,OR
>> http://www.spiritone.com/~rvfever
>>
>> On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:
>>
>>> Louie Angulo schrieb:
>>>> the one thing i love about black keys is that when you stick to  
>>>> them
>>>> only,they never sound wrong;-)
>>>>
>>> It's because all those keys are part of melodic minor (if going  
>>> from C# as the root). They've used it for centuries, did always  
>>> work. Same as the blues, only more antique.
>>>
>>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
And a thats how Robert Fripp made Red (and Thrak and lots of =
others)<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 6 Jan 2011, =
at 20:59, Fabio_A wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><br><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.230469);"><br></span></div><div></div><blockquote type=3D"cite"><div> =
<div>Mmmmm! &nbsp;Whole tone scales! &nbsp;Mmmmm. Tasty! (and =
"mysterious" and damned easy to =
play!)</div></div></blockquote><div><br></div><div>It =
isn't.&nbsp;</div><div>c-d-e-f#-g#-a# is a whole-tone =
scale.</div><div><br></div><div>-fabio</div><div><a =
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</a></div><br><blockq=
uote type=3D"cite"><div><div><br></div><div>And also, what that infamous =
ol' "Devil's Triad", eh? &nbsp;(AKA- =
"Tritone")</div><div><br></div><div><a =
href=3D"http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devil=
s-Triad.aspx"></a><a =
href=3D"http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devil=
s-Triad.aspx">http://www.imaginativeuniversal.com/blog/post/2008/07/09/The=
-Devils-Triad.aspx</a></div><div>'According to tradition, the tritone =
was called the Devil's Chord or the <em>Diabolis in Musica</em>, a sound =
so dissonant and so <em>puissant</em> it was believed to be capable of =
raising the Lord of Hell himself.&nbsp; For this reason, in it's =
irrationality, the Roman Catholic Church banned the Devil's Triad, on =
pain of excommunication.&nbsp; <b>Today, of course, bands such as =
</b><em><b>Metallica</b></em><b> and </b><em><b>Black =
Sabbath</b></em><b>&nbsp; use the tritone on a regular basis with no =
adverse effects.'</b> (Har! Funny!)</div><div><br></div><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Cheers,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Rev.Fever</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Portland,OR</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a href=3D"http://www.spiritone.com/~rvfever"></a><a =
href=3D"http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfev=
er</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div><div>On Jan 6, 2011, at 11:38 AM, Rainer Straschill =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Louie Angulo schrieb:</div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">the one thing i love about =
black keys is that when you stick to them</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">only,they never sound wrong;-)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><span class=3D"Apple-converted-space">&nbsp;&nbsp;</span><br =
class=3D"khtml-block-placeholder"></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">It's because all those keys are part of melodic =
minor (if going from C# as the root). They've used it for centuries, did =
always work. Same as the blues, only more antique.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; =
"><br></div></blockquote></div><br></div></div></blockquote></blockquote><=
/div><br></div></body></html>=

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Subject: Re: Piano lessons advice (O.T.)
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Black keys== pentatonic scale.
tritone==two notes an augmented fourth apart

toby
  ----- Original Message ----- 
  From: Revfever 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, January 06, 2011 12:51 PM
  Subject: Re: Piano lessons advice (O.T.)


  Mmmmm!  Whole tone scales!  Mmmmm. Tasty! (and "mysterious" and damned easy to play!)


  And also, what that infamous ol' "Devil's Triad", eh?  (AKA- "Tritone")


  http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.aspx
  'According to tradition, the tritone was called the Devil's Chord or the Diabolis in Musica, a sound so dissonant and so puissant it was believed to be capable of raising the Lord of Hell himself.  For this reason, in it's irrationality, the Roman Catholic Church banned the Devil's Triad, on pain of excommunication.  Today, of course, bands such as Metallica and Black Sabbath  use the tritone on a regular basis with no adverse effects.' (Har! Funny!)


  Cheers,
  Rev.Fever
  Portland,OR
  http://www.spiritone.com/~rvfever


  On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:


    Louie Angulo schrieb:
      the one thing i love about black keys is that when you stick to them
      only,they never sound wrong;-)
        


    It's because all those keys are part of melodic minor (if going from C# as the root). They've used it for centuries, did always work. Same as the blues, only more antique.




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<DIV><FONT size=2 face=Arial>Black keys== pentatonic scale.</FONT></DIV>
<DIV><FONT size=2 face=Arial>tritone==two notes an augmented fourth 
apart</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>toby</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=revfever@ubergadget.com 
  href="mailto:revfever@ubergadget.com">Revfever</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, January 06, 2011 12:51 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Piano lessons advice 
  (O.T.)</DIV>
  <DIV><BR></DIV>
  <DIV>Mmmmm! &nbsp;Whole tone scales! &nbsp;Mmmmm. Tasty! (and "mysterious" and 
  damned easy to play!)</DIV>
  <DIV><BR></DIV>
  <DIV>And also, what that infamous ol' "Devil's Triad", eh? &nbsp;(AKA- 
  "Tritone")</DIV>
  <DIV><BR></DIV>
  <DIV><A 
  href="http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.aspx">http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.aspx</A></DIV>
  <DIV>'According to tradition, the tritone was called the Devil's Chord or the 
  <EM>Diabolis in Musica</EM>, a sound so dissonant and so <EM>puissant</EM> it 
  was believed to be capable of raising the Lord of Hell himself.&nbsp; For this 
  reason, in it's irrationality, the Roman Catholic Church banned the Devil's 
  Triad, on pain of excommunication.&nbsp; <B>Today, of course, bands such as 
  </B><EM><B>Metallica</B></EM><B> and </B><EM><B>Black 
  Sabbath</B></EM><B>&nbsp; use the tritone on a regular basis with no adverse 
  effects.'</B> (Har! Funny!)</DIV>
  <DIV><BR></DIV>
  <DIV>
  <DIV style="MARGIN: 0px">Cheers,</DIV>
  <DIV style="MARGIN: 0px">Rev.Fever</DIV>
  <DIV style="MARGIN: 0px">Portland,OR</DIV>
  <DIV style="MARGIN: 0px"><A 
  href="http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfever</A></DIV>
  <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
  <DIV>
  <DIV>On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:</DIV><BR 
  class=Apple-interchange-newline>
  <BLOCKQUOTE type="cite">
    <DIV style="MARGIN: 0px">Louie Angulo schrieb:</DIV>
    <BLOCKQUOTE type="cite">
      <DIV style="MARGIN: 0px">the one thing i love about black keys is that 
      when you stick to them</DIV>
      <DIV style="MARGIN: 0px">only,they never sound wrong;-)</DIV>
      <P style="MARGIN: 0px; MIN-HEIGHT: 14px"><SPAN 
      class=Apple-converted-space>&nbsp;&nbsp;</SPAN><BR 
      class=khtml-block-placeholder></P></BLOCKQUOTE>
    <DIV style="MARGIN: 0px">It's because all those keys are part of melodic 
    minor (if going from C# as the root). They've used it for centuries, did 
    always work. Same as the blues, only more antique.</DIV>
    <DIV 
  style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

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Subject: Re: Piano lessons advice (O.T.)
Date: Thu, 06 Jan 2011 13:11:45 -0800
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Red is mostly based upon an octatonic scale, i.e. half step-whole step scale, root movement in minor 3rds.

toby
  ----- Original Message ----- 
  From: Matt Stevens 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Thursday, January 06, 2011 1:06 PM
  Subject: Re: Piano lessons advice (O.T.)


  And a thats how Robert Fripp made Red (and Thrak and lots of others)


  Matt Stevens
  www.mattstevensguitar.com
  mattstevensguitar@btinternet.com







  On 6 Jan 2011, at 20:59, Fabio_A wrote:





      Mmmmm!  Whole tone scales!  Mmmmm. Tasty! (and "mysterious" and damned easy to play!)


    It isn't. 
    c-d-e-f#-g#-a# is a whole-tone scale.


    -fabio
    www.eterogeneo.com




      And also, what that infamous ol' "Devil's Triad", eh?  (AKA- "Tritone")


      http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.aspx
      'According to tradition, the tritone was called the Devil's Chord or the Diabolis in Musica, a sound so dissonant and so puissant it was believed to be capable of raising the Lord of Hell himself.  For this reason, in it's irrationality, the Roman Catholic Church banned the Devil's Triad, on pain of excommunication.  Today, of course, bands such as Metallica and Black Sabbath  use the tritone on a regular basis with no adverse effects.' (Har! Funny!)


      Cheers,
      Rev.Fever
      Portland,OR
      http://www.spiritone.com/~rvfever


      On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:


        Louie Angulo schrieb:
          the one thing i love about black keys is that when you stick to them
          only,they never sound wrong;-)
            

        It's because all those keys are part of melodic minor (if going from C# as the root). They've used it for centuries, did always work. Same as the blues, only more antique.






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<STYLE></STYLE>
</HEAD>
<BODY 
style="WORD-WRAP: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space" 
bgColor=#ffffff>
<DIV><FONT size=2 face=Arial>Red is mostly based upon an octatonic scale, i.e. 
half step-whole step scale, root movement in minor 3rds.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>toby</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px" 
dir=ltr>
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=mattstevensguitar@btinternet.com 
  href="mailto:mattstevensguitar@btinternet.com">Matt Stevens</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, January 06, 2011 1:06 
  PM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Piano lessons advice 
  (O.T.)</DIV>
  <DIV><BR></DIV>And a thats how Robert Fripp made Red (and Thrak and lots of 
  others)
  <DIV><BR>
  <DIV><SPAN 
  style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0" 
  class=Apple-style-span><SPAN 
  style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: 12px Helvetica; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" 
  class=Apple-style-span>
  <DIV>Matt Stevens</DIV>
  <DIV><A 
  href="http://www.mattstevensguitar.com">www.mattstevensguitar.com</A></DIV>
  <DIV><A 
  href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</A></DIV>
  <DIV><BR></DIV></SPAN><BR class=Apple-interchange-newline></SPAN><BR 
  class=Apple-interchange-newline></DIV><BR>
  <DIV>
  <DIV>On 6 Jan 2011, at 20:59, Fabio_A wrote:</DIV><BR 
  class=Apple-interchange-newline>
  <BLOCKQUOTE type="cite">
    <DIV><BR><SPAN 
    style="-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.230469)" 
    class=Apple-style-span><BR></SPAN></DIV>
    <DIV></DIV>
    <BLOCKQUOTE type="cite">
      <DIV>
      <DIV>Mmmmm! &nbsp;Whole tone scales! &nbsp;Mmmmm. Tasty! (and "mysterious" 
      and damned easy to play!)</DIV></DIV></BLOCKQUOTE>
    <DIV><BR></DIV>
    <DIV>It isn't.&nbsp;</DIV>
    <DIV>c-d-e-f#-g#-a# is a whole-tone scale.</DIV>
    <DIV><BR></DIV>
    <DIV>-fabio</DIV>
    <DIV><A href="http://www.eterogeneo.com">www.eterogeneo.com</A></DIV><BR>
    <BLOCKQUOTE type="cite">
      <DIV>
      <DIV><BR></DIV>
      <DIV>And also, what that infamous ol' "Devil's Triad", eh? &nbsp;(AKA- 
      "Tritone")</DIV>
      <DIV><BR></DIV>
      <DIV><A 
      href="http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.aspx"></A><A 
      href="http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.aspx">http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devils-Triad.aspx</A></DIV>
      <DIV>'According to tradition, the tritone was called the Devil's Chord or 
      the <EM>Diabolis in Musica</EM>, a sound so dissonant and so 
      <EM>puissant</EM> it was believed to be capable of raising the Lord of 
      Hell himself.&nbsp; For this reason, in it's irrationality, the Roman 
      Catholic Church banned the Devil's Triad, on pain of 
      excommunication.&nbsp; <B>Today, of course, bands such as 
      </B><EM><B>Metallica</B></EM><B> and </B><EM><B>Black 
      Sabbath</B></EM><B>&nbsp; use the tritone on a regular basis with no 
      adverse effects.'</B> (Har! Funny!)</DIV>
      <DIV><BR></DIV>
      <DIV>
      <DIV style="MARGIN: 0px">Cheers,</DIV>
      <DIV style="MARGIN: 0px">Rev.Fever</DIV>
      <DIV style="MARGIN: 0px">Portland,OR</DIV>
      <DIV style="MARGIN: 0px"><A 
      href="http://www.spiritone.com/~rvfever"></A><A 
      href="http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfever</A></DIV>
      <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV>
      <DIV>
      <DIV>On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:</DIV><BR 
      class=Apple-interchange-newline>
      <BLOCKQUOTE type="cite">
        <DIV style="MARGIN: 0px">Louie Angulo schrieb:</DIV>
        <BLOCKQUOTE type="cite">
          <DIV style="MARGIN: 0px">the one thing i love about black keys is that 
          when you stick to them</DIV>
          <DIV style="MARGIN: 0px">only,they never sound wrong;-)</DIV>
          <DIV style="MARGIN: 0px; MIN-HEIGHT: 14px"><SPAN 
          class=Apple-converted-space>&nbsp;&nbsp;</SPAN><BR 
          class=khtml-block-placeholder></DIV></BLOCKQUOTE>
        <DIV style="MARGIN: 0px">It's because all those keys are part of melodic 
        minor (if going from C# as the root). They've used it for centuries, did 
        always work. Same as the blues, only more antique.</DIV>
        <DIV 
      style="MARGIN: 0px; MIN-HEIGHT: 14px"><BR></DIV></BLOCKQUOTE></DIV><BR></DIV></DIV></BLOCKQUOTE></BLOCKQUOTE></DIV><BR></DIV></BLOCKQUOTE></BODY></HTML>

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Subject: Re: Piano lessons advice (O.T.)
Date: Thu, 6 Jan 2011 13:23:51 -0800
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On Jan 6, 2011, at 12:59 PM, Fabio_A wrote:

> Mmmmm!  Whole tone scales!  Mmmmm. Tasty! (and "mysterious" and  
> damned easy to play!)
>
> It isn't.
> c-d-e-f#-g#-a# is a whole-tone scale.

I know that, and the above, along with the other WT scales have  
mostly  been a breeze for me to play once I figured them out which  
took only seconds to do so..
But, maybe that's just me? (Or....?)  :-)

-f ya want some serious (but wonderful) overkill on the intricacies  
etc of music, then read the bio of Gyorgy Ligeti, entitled 'Gyorgy  
Ligeti: Music of the Imagination".
(2003. Richard Steinitz, author) The majority of the book is  
dedicated to some *very meticulous* study and analysis of all of  
Ligeti's known and published, performed, recorded works. Much of this  
went WAY over my head but it was still *very fascinating* reading,  
along with reading and learning about the equally fascinating and  
*intense* life of Ligeti himself.
The book was published and released when Ligeti was still alive. He  
sadly passed away a small few years later. But hey...what a LIFE and  
what a GENIUS!  However, I digress....

PPS- Oh, one more thing. Ligeti also wrote scores for the piano, as  
well. Taking a look at some of those scores will just about take your  
head off!  Intense!  Very few people have been able to perform these  
scores accurately.

>
> -fabio
> www.eterogeneo.com
>
>>
>> And also, what that infamous ol' "Devil's Triad", eh?  (AKA-  
>> "Tritone")
>>
>> http://www.imaginativeuniversal.com/blog/post/2008/07/09/The- 
>> Devils-Triad.aspx
>> 'According to tradition, the tritone was called the Devil's Chord  
>> or the Diabolis in Musica, a sound so dissonant and so puissant it  
>> was believed to be capable of raising the Lord of Hell himself.   
>> For this reason, in it's irrationality, the Roman Catholic Church  
>> banned the Devil's Triad, on pain of excommunication.  Today, of  
>> course, bands such as Metallica and Black Sabbath  use the tritone  
>> on a regular basis with no adverse effects.' (Har! Funny!)
>>
>> Cheers,
>> Rev.Fever
>> Portland,OR
>> http://www.spiritone.com/~rvfever
>>
>> On Jan 6, 2011, at 11:38 AM, Rainer Straschill wrote:
>>
>>> Louie Angulo schrieb:
>>>> the one thing i love about black keys is that when you stick to  
>>>> them
>>>> only,they never sound wrong;-)
>>>>
>>> It's because all those keys are part of melodic minor (if going  
>>> from C# as the root). They've used it for centuries, did always  
>>> work. Same as the blues, only more antique.
>>>
>>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Jan 6, 2011, at =
12:59 PM, Fabio_A wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span" color=3D"#00FF00">Mmmmm! &nbsp;Whole tone =
scales! &nbsp;Mmmmm. Tasty! (and "mysterious" and damned easy to =
play!)</font></div><div><br></div><div>It =
isn't.&nbsp;</div><div>c-d-e-f#-g#-a# is a whole-tone =
scale.</div></blockquote><div><br></div>I know that, and the above, =
along with the other WT scales have mostly &nbsp;been a breeze for me to =
play once I figured them out which took only seconds to do =
so..&nbsp;</div><div>But, maybe that's just me? (Or....?) =
&nbsp;:-)</div><div><br></div><div>-f ya want some serious (but =
wonderful) overkill on the intricacies etc of music, then read the bio =
of Gyorgy Ligeti, entitled 'Gyorgy Ligeti:&nbsp;Music of the =
Imagination".&nbsp;</div><div>(2003. Richard Steinitz, author)&nbsp;The =
majority of the book is dedicated to some&nbsp;*very meticulous* study =
and analysis of all of Ligeti's known and published, performed, recorded =
works. Much of this went WAY over my head but it was still *very =
fascinating* reading,&nbsp;along with reading and learning about the =
equally fascinating and *intense* life of Ligeti =
himself.&nbsp;</div><div>The book was published and released when Ligeti =
was still alive. He sadly passed away a small few years later.&nbsp;But =
hey...what a LIFE and what a GENIUS! &nbsp;However, I =
digress....</div><div><br></div><div>PPS- Oh, one more thing. Ligeti =
also wrote scores for the piano, as well. Taking a look at some of those =
scores will just about take your head off! &nbsp;Intense! &nbsp;Very few =
people have been able to perform these scores =
accurately.</div><div><br></div><div><blockquote =
type=3D"cite"><div><br></div><div>-fabio</div><div><a =
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</a></div><br><blockq=
uote type=3D"cite"><div><div><br></div><div>And also, what that infamous =
ol' "Devil's Triad", eh? &nbsp;(AKA- =
"Tritone")</div><div><br></div><div><a =
href=3D"http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devil=
s-Triad.aspx"></a><a =
href=3D"http://www.imaginativeuniversal.com/blog/post/2008/07/09/The-Devil=
s-Triad.aspx">http://www.imaginativeuniversal.com/blog/post/2008/07/09/The=
-Devils-Triad.aspx</a></div><div>'According to tradition, the tritone =
was called the Devil's Chord or the <em>Diabolis in Musica</em>, a sound =
so dissonant and so <em>puissant</em> it was believed to be capable of =
raising the Lord of Hell himself.&nbsp; For this reason, in it's =
irrationality, the Roman Catholic Church banned the Devil's Triad, on =
pain of excommunication.&nbsp; <b>Today, of course, bands such as =
</b><em><b>Metallica</b></em><b> and </b><em><b>Black =
Sabbath</b></em><b>&nbsp; use the tritone on a regular basis with no =
adverse effects.'</b> (Har! Funny!)</div><div><br></div><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Cheers,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Rev.Fever</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Portland,OR</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a href=3D"http://www.spiritone.com/~rvfever"></a><a =
href=3D"http://www.spiritone.com/~rvfever">http://www.spiritone.com/~rvfev=
er</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div><div>On Jan 6, 2011, at 11:38 AM, Rainer Straschill =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Louie Angulo schrieb:</div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">the one thing i love about =
black keys is that when you stick to them</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">only,they never sound wrong;-)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><span class=3D"Apple-converted-space">&nbsp;&nbsp;</span><br =
class=3D"khtml-block-placeholder"></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">It's because all those keys are part of melodic =
minor (if going from C# as the root). They've used it for centuries, did =
always work. Same as the blues, only more antique.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; =
"><br></div></blockquote></div><br></div></div></blockquote></blockquote><=
/div><br></body></html>=

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On 7/22/64 11:59 AM, Jeff Larson wrote:
>
> > On Thu, Jan 6, 2011 at 12:38 PM, Rick Walker <looppool@cruzio.com 
> <mailto:looppool@cruzio.com>> wrote:
> > I made it to first chair in the school band on clarinet
>
> Pics or it didn't happen.
>
Well, I have them, Jeff, but your mother is naked in them.
Shall I post them on FaceBook as well?

You make the call......................:-)

r.

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    On 7/22/64 11:59 AM, Jeff Larson wrote:
    <blockquote
cite="mid:%3CAANLkTi=WTUErSTPOK=5bv-5pe2Ec=oGhrayaM9Ei5mJQ@mail.gmail.com%3E"
      type="cite">
      <div><br>
      </div>
      <div>&gt; On Thu, Jan 6, 2011 at 12:38 PM, Rick Walker &lt;<a
          moz-do-not-send="true" href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;
        wrote:</div>
      <div>&gt; I made it to first chair in the school band on clarinet</div>
      <div><br>
      </div>
      <div>Pics or it didn't happen.</div>
      <div><br>
      </div>
    </blockquote>
    Well, I have them, Jeff, but your mother is naked in them.<br>
    Shall I post them on FaceBook as well?<br>
    <br>
    You make the call......................:-)<br>
    <br>
    r.<br>
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--------------050300090604030807090201--

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On 7/22/64 11:59 AM, Louie Angulo wrote:
> the one thing i love about black keys is that when you stick to them
> only,they never sound wrong;-)
> cheers
> Luis
ahhh, Pentatonics!!!

r.

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I yield to the maestro with great respect!

I always disclaim with my relative level of ignorance, by the way.
Musings are sometimes efficacious, however, and I started out
really, as a drummer, which is why I'll venture out
with an opinion.  You never can tell when it will be helpful.

Nice points, Rainer!     The huge one I missed is the octave organization
which is vastly clearer on the piano than the guitar.

Honestly,  I prefer looking at harmony on a piano rather than a guitar,
though I did learn a little bit about the former first.   It is because 
of this
octave orientation and the spacial orientation of chords.

Also,  I should have qualified my statement about the white keys as a point
of departure.  What I meant was that I learned how to spell chords and
play various and sundry scales (most of them ethnic originally when they
actually fit onto a chromatic western instrument) using C as a beginning
point.      Of course,  one needs to know more than 7 notes to play even a
lot of pop music, so sorry for the seeming naivity of that point.  Sorry
I wrote that so quickly without a proof read.   Thanks for catching it.

Now,  how is your guitar playing coming along?     It's a blast, isn't it?
I won't be a Gismonti in this lifetime, I'm afraid, but there is music in
that thing, isn't there?

rick walker

On 7/22/64 11:59 AM, Rainer Straschill wrote:
> (all of my statements describe my personal learning experiences here, 
> which might differ from those of others, and actually be 
> counter-intuitive or even inefficient):
> Piano is very neatly organized in octaves, and how fingering stays 
> constant from octave to octave, which the guitar is not so much, at 
> least not intuitively (the major 3rd between G and B string doesn't 
> help here...). However, the guitar is (with the exception of the major 
> 3rd...) more consistent with intervals, e.g. 2 frets = one tone, 1 
> string up 1 fret back = major 4rd etc, which the piano is not (unless 
> you're counting keys, which, due to the white/black logic, is not the 
> intuitive way to perceive it). On the piano, the step from the goal to 
> play a certain chord to fingering the right keys is chord -> intervals 
> -> notes -> fingering, i.e. from "maj7 on B" you go via "major third, 
> minor third, major third" to "B D# F# A#" to the actual hand position. 
> And this works well in all keys (and imo it actually helps if you 
> start doing so early on). And btw, you'll have a hard time even 
> playing standard pop/rock/blues chords when sticking with white keys.
> Let's say you want a blues - do it in A (because its similar to 
> Aeolian), so you have the chords Am (works fine), Dm (works fine), Am 
> (works fine), E7 - buggers. Same if you play major (in C), and then 
> want to emphasise the tonic's double role as the subdominant's 
> dominant by adding a 7...
>
> That being said - I'm mostly curious about the "guitarists who later 
> picked up piano and are famous for both" suggestions!
>

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> Rainer said "Amateur Gismonti"

Rainer,  isn't that an oxymoron? When I saw him, and its been many  
years,  I was in awe .
Bill

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Date: Fri, 7 Jan 2011 00:02:16 +0100
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Subject: Re: Piano lessons advice (O.T.) - post scriptum
From: Louie Angulo <louie.angulo@googlemail.com>
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or an open tuning then voli=E1 one finger fretting and you wont sound wrong
ask Keith Richards;-)
Luis

On Thu, Jan 6, 2011 at 8:41 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Louie Angulo schrieb:
>>
>> the one thing i love about black keys is that when you stick to them
>> only,they never sound wrong;-
>
> Same think works if on a guitar, you omit the B string and only use open
> string or even-numbered frets. Debussy could do this all day...
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

From kofig01@att.net  Thu Jan  6 23:27:50 2011
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 Dear Friend

First I must solicit your confidence in this transaction; this is by virtue of its nature as being utterly Confidential and top secret.Though I know that a transaction of this magnitude will make any one apprehensive and worried, but I am assuring you that this is real andgenuine. My name is Mr.Gideon Kofi. I am the manager of the standard chartered bank of Ghana, Takoradi branch. I am a Ghanaian married with two kids.

I am writing to solicit your assistance in the transfer of(US$3,270,000.00)three million two hundred and seventy thousand united state dollars.This fund is the excess of what my branch in which I am the manager made as profit during the last year. I have already submitted an approved end of the year report for the year 2009 to my head office here in Accra and they will never know of this excess.

I have since then, placed this amount of (US$3,270,000.00) on a suspense account without a beneficiary. As an officer of the bank, I cannot be directly connected to this money thus I am impelled to request for your assistance to receive this money into your bank account.

I intend to part 30% of this fund to you while 70% shall be for me. I do need to stress that there are practically no risk involved in this. Its going to be a bank-to-bank transfer. All I need from you is to stand as the original depositor of this fund.

If you accept this offer, I will appreciate your timely response.
With Regards,

Mr.Gideon Kofi.

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Subject: Matt's Eclectic and/or Experimental World of Wonder (podcast)
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Hi all,

I posted a new episode of my podcast, if anyone's interested in such things:
http://ribosomematt.podomatic.com/

0) Opening Chimes
1) Biosphere "Spindrift" (from "Shenzhou", 2002)
2) Juana Molina "Yo Se Que" (from "Tres Cosas", 2004)
3) Peter Whitehead "First Village Dance (from "Giselle", 2003)
4) Phonophani "Neverdal" (from "Kreken", 2010)
5) Castanets "Cathedral 2 (Your Feet On The Floor Sounding Like The
Rain)" (from "Cathedral", 2004)
6) Tapani Varis "Munniharppuna (The Oral Harpoon)" (from "Jews Harp", 1998)
7) Blue Water White Death "This is the Scrunchyface of my Dreams"
(from "Blue Water White Death", 2010)
8) Viktor Vaughn (aka MF Doom) "Fall Back/Titty Fat" (from Venemous
Villian, 2004, produced by 9th Wonder)
9) Juan Pablo Caceres "La Cuerda" (from "Orquestra", 2005)
10) Getatchew Mekurya "Shellela Besaxophone" (From "Negus of Ethiopian
Sax - Ethiopiques, Vol. 14", 2004 - originally from the late 50s.)
11) Susana and the Magical Orchestra "Enjoy the Silence" (from "Melody
Mountain", 2006)
12) Steven Baker "Radio Below" (from "Lunar Etudes", 2009)
13) Quasimoto "Real Eyes" (from "The Unseen", 2000, produced by Madlib)
14) Marcelo Fabian "Sed De Mal" (from "ZZK Sound Vol. 1 Cumbia
Digital", 2008)
15) Juliana Barwick "The Highest" (from "Flourine", 2009)

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 00:32:15 2011
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Date: Thu, 06 Jan 2011 19:32:09 -0500
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll begin a month-long
Special Focus on the Finnish band Nemesis.  The Featured CD at Midnight
will be "Sky Archeology" on Freeride Records.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#jan

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

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Date: Thu, 6 Jan 2011 20:59:24 -0500
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Subject: Re: Matt's Eclectic and/or Experimental World of Wonder (podcast)
From: Jeff Duke <jeffloops@gmail.com>
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Excellent Matt, I really enjoyed that for my evening soundtrack.

j

On Thu, Jan 6, 2011 at 6:31 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> Hi all,
>
> I posted a new episode of my podcast, if anyone's interested in such things:
> http://ribosomematt.podomatic.com/
>
> 0) Opening Chimes
> 1) Biosphere "Spindrift" (from "Shenzhou", 2002)
> 2) Juana Molina "Yo Se Que" (from "Tres Cosas", 2004)
> 3) Peter Whitehead "First Village Dance (from "Giselle", 2003)
> 4) Phonophani "Neverdal" (from "Kreken", 2010)
> 5) Castanets "Cathedral 2 (Your Feet On The Floor Sounding Like The
> Rain)" (from "Cathedral", 2004)
> 6) Tapani Varis "Munniharppuna (The Oral Harpoon)" (from "Jews Harp", 1998)
> 7) Blue Water White Death "This is the Scrunchyface of my Dreams"
> (from "Blue Water White Death", 2010)
> 8) Viktor Vaughn (aka MF Doom) "Fall Back/Titty Fat" (from Venemous
> Villian, 2004, produced by 9th Wonder)
> 9) Juan Pablo Caceres "La Cuerda" (from "Orquestra", 2005)
> 10) Getatchew Mekurya "Shellela Besaxophone" (From "Negus of Ethiopian
> Sax - Ethiopiques, Vol. 14", 2004 - originally from the late 50s.)
> 11) Susana and the Magical Orchestra "Enjoy the Silence" (from "Melody
> Mountain", 2006)
> 12) Steven Baker "Radio Below" (from "Lunar Etudes", 2009)
> 13) Quasimoto "Real Eyes" (from "The Unseen", 2000, produced by Madlib)
> 14) Marcelo Fabian "Sed De Mal" (from "ZZK Sound Vol. 1 Cumbia
> Digital", 2008)
> 15) Juliana Barwick "The Highest" (from "Flourine", 2009)
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 02:52:05 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: Piano lessons advice (O.T.)
Date: Thu, 6 Jan 2011 20:51:56 -0600
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On Jan 6, 2011, at 4:24 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Jeff Larson wrote:
>>=20
>>=20
>> > On Thu, Jan 6, 2011 at 12:38 PM, Rick Walker <looppool@cruzio.com> =
wrote:
>> > I made it to first chair in the school band on clarinet
>>=20
>> Pics or it didn't happen.
>>=20
> Well, I have them, Jeff, but your mother is naked in them.
> Shall I post them on FaceBook as well?
>=20
> You make the call......................:-)
>     =20

No need, I found one on the intertubes.

http://www.circularlabs.com/rickclarinet.gif


=09


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On Jan 6, 2011, at 4:24 PM, Rick Walker wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">
<div bgcolor="#ffffff" text="#000000">
    On 7/22/64 11:59 AM, Jeff Larson wrote:
    <blockquote cite="mid:%3CAANLkTi=WTUErSTPOK=5bv-5pe2Ec=oGhrayaM9Ei5mJQ@mail.gmail.com%3E" type="cite">
      <div><br>
      </div>
      <div>&gt; On Thu, Jan 6, 2011 at 12:38 PM, Rick Walker &lt;<a moz-do-not-send="true" href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;
        wrote:</div>
      <div>&gt; I made it to first chair in the school band on clarinet</div>
      <div><br>
      </div>
      <div>Pics or it didn't happen.</div>
      <div><br>
      </div>
    </blockquote>
    Well, I have them, Jeff, but your mother is naked in them.<br>
    Shall I post them on FaceBook as well?<br>
    <br>
    You make the call......................:-)<br>
    &nbsp;&nbsp; &nbsp;&nbsp;<br>
  </div>

</blockquote><br></div><div>No need, I found one on the intertubes.</div><div><br></div><div><a href="http://www.circularlabs.com/rickclarinet.gif">http://www.circularlabs.com/rickclarinet.gif</a></div><div><br></div><div><br></div><div><span class="Apple-tab-span" style="white-space:pre">	</span></div><br></body></html>
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=C2=A0 Si aujourd'hui mon message de correspondance vous est adress=C3=A9 c=
'est parce que j'ai voulu avoir plus de relation pour les =C3=A9changes d'i=
d=C3=A9e, de propos, pour discuter, dialoguer et surtout le rencontre
 On m'appelle zozochallote, je suis b=C3=A9ni noise =C3=A2g=C3=A9e de 20 an=
s, mais r=C3=A9sidant =C3=A0 Cotonou (kalavie) je suis c=C3=A9libataire .Je=
 suis me nageuse . Je serai heureuse de savoir que vous acceptez ma corresp=
ondance.=20
 Merci de m'=C3=A9crire

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<br><br><br><br><font color=3D"#0000ff">&nbsp; Si aujourd'hui mon message d=
e correspondance vous est adress=C3=A9 c'est parce que j'ai voulu avoir plu=
s de relation pour les =C3=A9changes d'id=C3=A9e, de propos, pour discuter,=
 dialoguer et surtout le rencontre<br> On m'appelle <font color=3D"#ff0000"=
>zozochallote,</font> je suis b=C3=A9ni noise =C3=A2g=C3=A9e de 20 ans, mai=
s r=C3=A9sidant =C3=A0 Cotonou (kalavie) je suis c=C3=A9libataire .Je suis =
me nageuse . Je serai heureuse de savoir que vous acceptez ma correspondanc=
e. <br> Merci de m'=C3=A9crire</font><br>
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From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 09:11:18 2011
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Subject: Re: Piano lessons advice (O.T.)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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man Jeff,thats just the Jimmi Hendrix of the clarinet!
(need a red hair afro though)

On Fri, Jan 7, 2011 at 3:51 AM, Jeff Larson <jeff@zonemobius.com> wrote:
>
> On Jan 6, 2011, at 4:24 PM, Rick Walker wrote:
>
> On 7/22/64 11:59 AM, Jeff Larson wrote:
>
>> On Thu, Jan 6, 2011 at 12:38 PM, Rick Walker <looppool@cruzio.com> wrote:
>> I made it to first chair in the school band on clarinet
> Pics or it didn't happen.
>
> Well, I have them, Jeff, but your mother is naked in them.
> Shall I post them on FaceBook as well?
>
> You make the call......................:-)
>
>
> No need, I found one on the intertubes.
> http://www.circularlabs.com/rickclarinet.gif
>
>
>

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Subject: loop windowing in mobius
From: Simeon Harris <simeonharris40@googlemail.com>
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just had a thought

you could achieve a similar sound to loop windowing on the edp by using
shuffle

if you write a script that has

shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1

then you'll just hear the first 16th of the loop over and over

if you then do

shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2

then you'll hear the second

etc etc

if you then do a bounce of one of those 16ths onto a new track, you can
multiply it up if you want to, but as you havn't actually changed the length
of the loop, you could just overdub new material as normal, or use divide
etc

the trick would be stepping through these different shuffle patterns, rather
than having a separate script on 16 separate buttons. i suppose it's doable
if you shuffle in 8ths, then you could have a bank on your pedalboard set up
to do it

i don't know if you could use some if / then statements to select which
shuffle to use - if the current granule is 1, then shuffle with granule 2 -
something like this...

shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
if current granule is 1
shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
endif
if current granule is 2
shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3
endif
etc

i know that's wrong, but you get the idea. if a variable could be assigned
to each shuffle pattern, then you could say "if x=2" and assign a new value
to x with each shuffle pattern

dunno...just riffing...my scripting isn't good enough...jeff? per?

sim

--000e0cd404f2e01c8704993e3ed7
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just had a thought<br><br>you could achieve a similar sound to loop windowi=
ng on the edp by using shuffle<br><br>if you write a script that has<br><br=
>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1<br><br>then you&#39;ll just hea=
r the first 16th of the loop over and over<br>
<br>if you then do<br><br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br><br=
>then you&#39;ll hear the second<br><br>etc etc<br><br>if you then do a bou=
nce of one of those 16ths onto a new track, you can multiply it up if you w=
ant to, but as you havn&#39;t actually changed the length of the loop, you =
could just overdub new material as normal, or use divide etc<br>
<br>the trick would be stepping through these different shuffle patterns, r=
ather than having a separate script on 16 separate buttons. i suppose it&#3=
9;s doable if you shuffle in 8ths, then you could have a bank on your pedal=
board set up to do it<br>
<br>i don&#39;t know if you could use some if / then statements to select w=
hich shuffle to use - if the current granule is 1, then shuffle with granul=
e 2 - something like this...<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,=
1,1<br>
if current granule is 1<br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br>en=
dif<br>if current granule is 2<br>
shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3<br>
endif<br>etc<br><br>i know that&#39;s wrong, but you get the idea. if a var=
iable could be assigned to each shuffle pattern, then you could say &quot;i=
f x=3D2&quot; and assign a new value to x with each shuffle pattern<br><br>
dunno...just riffing...my scripting isn&#39;t good enough...jeff? per?<br><=
br>sim <br><br>

--000e0cd404f2e01c8704993e3ed7--

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Subject: Re: Recording many parallel loops in one go (Re: more mobius
 scripting help please)
From: Simeon Harris <simeonharris40@googlemail.com>
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yes indeed!

although i've only really just started investigating scripting, so i think i
would probably learn the most!

i'd love to hear what other people are up to as well....it's fascinating
stuff

sim

On Thu, Jan 6, 2011 at 1:47 PM, Per Boysen <perboysen@gmail.com> wrote:

>
> It would be really cool some time to have a Mobius clinic! Sit down
> for a couple of hours and show each other what we use different
> scripts for.
>

--000e0cd404f25e39cb04993f0551
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yes indeed!<br><br>although i&#39;ve only really just started investigating=
 scripting, so i think i would probably learn the most!<br><br>i&#39;d love=
 to hear what other people are up to as well....it&#39;s fascinating stuff<=
br>
<br>sim<br><br><div class=3D"gmail_quote">On Thu, Jan 6, 2011 at 1:47 PM, P=
er Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perb=
oysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
<br>
It would be really cool some time to have a Mobius clinic! Sit down<br>
for a couple of hours and show each other what we use different<br>
scripts for.<br></blockquote></div>

--000e0cd404f25e39cb04993f0551--

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--90e6ba6e8816a4516004993f2c4c
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Cool.. gonna try this approach later.. thanks Simeon!

On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> just had a thought
>
> you could achieve a similar sound to loop windowing on the edp by using
> shuffle
>
> if you write a script that has
>
> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
>
> then you'll just hear the first 16th of the loop over and over
>
> if you then do
>
> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
>
> then you'll hear the second
>
> etc etc
>
> if you then do a bounce of one of those 16ths onto a new track, you can
> multiply it up if you want to, but as you havn't actually changed the length
> of the loop, you could just overdub new material as normal, or use divide
> etc
>
> the trick would be stepping through these different shuffle patterns,
> rather than having a separate script on 16 separate buttons. i suppose it's
> doable if you shuffle in 8ths, then you could have a bank on your pedalboard
> set up to do it
>
> i don't know if you could use some if / then statements to select which
> shuffle to use - if the current granule is 1, then shuffle with granule 2 -
> something like this...
>
> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
> if current granule is 1
> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
> endif
> if current granule is 2
> shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3
> endif
> etc
>
> i know that's wrong, but you get the idea. if a variable could be assigned
> to each shuffle pattern, then you could say "if x=2" and assign a new value
> to x with each shuffle pattern
>
> dunno...just riffing...my scripting isn't good enough...jeff? per?
>
> sim
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8816a4516004993f2c4c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Cool.. gonna try this approach later.. thanks Simeon!<br><br><div class=3D"=
gmail_quote">On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <span dir=3D"lt=
r">&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@goog=
lemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">just had a though=
t<br><br>you could achieve a similar sound to loop windowing on the edp by =
using shuffle<br>

<br>if you write a script that has<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,=
1,1,1,1,1<br><br>then you&#39;ll just hear the first 16th of the loop over =
and over<br>
<br>if you then do<br><br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br><br=
>then you&#39;ll hear the second<br><br>etc etc<br><br>if you then do a bou=
nce of one of those 16ths onto a new track, you can multiply it up if you w=
ant to, but as you havn&#39;t actually changed the length of the loop, you =
could just overdub new material as normal, or use divide etc<br>


<br>the trick would be stepping through these different shuffle patterns, r=
ather than having a separate script on 16 separate buttons. i suppose it&#3=
9;s doable if you shuffle in 8ths, then you could have a bank on your pedal=
board set up to do it<br>


<br>i don&#39;t know if you could use some if / then statements to select w=
hich shuffle to use - if the current granule is 1, then shuffle with granul=
e 2 - something like this...<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,=
1,1<br>


if current granule is 1<br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br>en=
dif<br>if current granule is 2<br>
shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3<br>
endif<br>etc<br><br>i know that&#39;s wrong, but you get the idea. if a var=
iable could be assigned to each shuffle pattern, then you could say &quot;i=
f x=3D2&quot; and assign a new value to x with each shuffle pattern<br><br>


dunno...just riffing...my scripting isn&#39;t good enough...jeff? per?<br><=
br>sim <br><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8816a4516004993f2c4c--

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Date: Fri, 7 Jan 2011 10:38:44 +0000
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Subject: Re: loop windowing in mobius
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd5d056fd001404993f3816
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i havn't tested this mark, so please let us know how you get on with it!

On Fri, Jan 7, 2011 at 10:34 AM, mark francombe <mark@markfrancombe.com>wrote:

> Cool.. gonna try this approach later.. thanks Simeon!
>
>
> On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> just had a thought
>>
>> you could achieve a similar sound to loop windowing on the edp by using
>> shuffle
>>
>> if you write a script that has
>>
>> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
>>
>> then you'll just hear the first 16th of the loop over and over
>>
>> if you then do
>>
>> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
>>
>> then you'll hear the second
>>
>> etc etc
>>
>> if you then do a bounce of one of those 16ths onto a new track, you can
>> multiply it up if you want to, but as you havn't actually changed the length
>> of the loop, you could just overdub new material as normal, or use divide
>> etc
>>
>> the trick would be stepping through these different shuffle patterns,
>> rather than having a separate script on 16 separate buttons. i suppose it's
>> doable if you shuffle in 8ths, then you could have a bank on your pedalboard
>> set up to do it
>>
>> i don't know if you could use some if / then statements to select which
>> shuffle to use - if the current granule is 1, then shuffle with granule 2 -
>> something like this...
>>
>> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
>> if current granule is 1
>> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
>> endif
>> if current granule is 2
>> shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3
>> endif
>> etc
>>
>> i know that's wrong, but you get the idea. if a variable could be assigned
>> to each shuffle pattern, then you could say "if x=2" and assign a new value
>> to x with each shuffle pattern
>>
>> dunno...just riffing...my scripting isn't good enough...jeff? per?
>>
>> sim
>>
>>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--000e0cd5d056fd001404993f3816
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i havn&#39;t tested this mark, so please let us know how you get on with it=
!<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 10:34 AM, mark f=
rancombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">ma=
rk@markfrancombe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Cool.. gonna try =
this approach later.. thanks Simeon!<div><div></div><div class=3D"h5"><br><=
br>
<div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <=
span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com" targe=
t=3D"_blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">just had a though=
t<br><br>you could achieve a similar sound to loop windowing on the edp by =
using shuffle<br>


<br>if you write a script that has<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,=
1,1,1,1,1<br><br>then you&#39;ll just hear the first 16th of the loop over =
and over<br>
<br>if you then do<br><br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br><br=
>then you&#39;ll hear the second<br><br>etc etc<br><br>if you then do a bou=
nce of one of those 16ths onto a new track, you can multiply it up if you w=
ant to, but as you havn&#39;t actually changed the length of the loop, you =
could just overdub new material as normal, or use divide etc<br>



<br>the trick would be stepping through these different shuffle patterns, r=
ather than having a separate script on 16 separate buttons. i suppose it&#3=
9;s doable if you shuffle in 8ths, then you could have a bank on your pedal=
board set up to do it<br>



<br>i don&#39;t know if you could use some if / then statements to select w=
hich shuffle to use - if the current granule is 1, then shuffle with granul=
e 2 - something like this...<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,=
1,1<br>



if current granule is 1<br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br>en=
dif<br>if current granule is 2<br>
shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3<br>
endif<br>etc<br><br>i know that&#39;s wrong, but you get the idea. if a var=
iable could be assigned to each shuffle pattern, then you could say &quot;i=
f x=3D2&quot; and assign a new value to x with each shuffle pattern<br><br>



dunno...just riffing...my scripting isn&#39;t good enough...jeff? per?<br><=
br>sim <br><br>
</blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D"#88=
8888">-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com" tar=
get=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkha=
o.com" target=3D"_blank">www.ordoabkhao.com</a><br>
twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</font></blockquote></div><br>

--000e0cd5d056fd001404993f3816--

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Subject: another mobius question
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd404f2483a8004993f5692
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i'm currently using this method to create "rechian" loops

record onto track 1
copy track 1 onto track 2 and pan track 1 left and track 2 right
run a sequencer in bidule to send a midi note once per cycle to cause track
2 to slip forward by one 8ths per cycle

if 8ths per cycle is set to 16, then you get some nice rhythmic variations.
if it's set to 127, then you get a gradual slippage (more like steve reich
stuff)

i'm thinking this is a bit flaky though and a more elegant solution (to me)
would be to actually chop a chunk off the end of loop 2 to make it shorter.
the result will sound the same (although loop 2 will be moving backwards
relative to loop 1, instead of forwards, but adding a chunk to the end of
loop 2 will create a small chunk of silence)

is there a way to to this with a script? can you delete a piece off the end
of a loop that's one 8ths per cycle long?

sim

--000e0cd404f2483a8004993f5692
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i&#39;m currently using this method to create &quot;rechian&quot; loops<br>=
<br>record onto track 1<br>copy track 1 onto track 2 and pan track 1 left a=
nd track 2 right<br>run a sequencer in bidule to send a midi note once per =
cycle to cause track 2 to slip forward by one 8ths per cycle<br>
<br>if 8ths per cycle is set to 16, then you get some nice rhythmic variati=
ons. if it&#39;s set to 127, then you get a gradual slippage (more like ste=
ve reich stuff)<br><br>i&#39;m thinking this is a bit flaky though and a mo=
re elegant solution (to me) would be to actually chop a chunk off the end o=
f loop 2 to make it shorter. the result will sound the same (although loop =
2 will be moving backwards relative to loop 1, instead of forwards, but add=
ing a chunk to the end of loop 2 will create a small chunk of silence)<br>
<br>is there a way to to this with a script? can you delete a piece off the=
 end of a loop that&#39;s one 8ths per cycle long?<br><br>sim<br>

--000e0cd404f2483a8004993f5692--

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OK, But I can already see some advancements.

1) (code I can nick from something Per once gave me I think)
Check What the current 8th setting is and skip to a bit of code that will d=
o
that (instead of just 16th)

2) Difine the 1=B4s and 2=B4s as a variables that change depending on how m=
any
times you hit the pedal.. cancelled and reset  by hitting any OTHER pedal.

3) (This I dont know) So that ONE hit will always loop the granule you are
in right now, and continue FROM that point. (Instead of always starting at
the start of the loop)

Mark

On Fri, Jan 7, 2011 at 11:38 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> i havn't tested this mark, so please let us know how you get on with it!
>
>
> On Fri, Jan 7, 2011 at 10:34 AM, mark francombe <mark@markfrancombe.com>w=
rote:
>
>> Cool.. gonna try this approach later.. thanks Simeon!
>>
>>
>> On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <
>> simeonharris40@googlemail.com> wrote:
>>
>>> just had a thought
>>>
>>> you could achieve a similar sound to loop windowing on the edp by using
>>> shuffle
>>>
>>> if you write a script that has
>>>
>>> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
>>>
>>> then you'll just hear the first 16th of the loop over and over
>>>
>>> if you then do
>>>
>>> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
>>>
>>> then you'll hear the second
>>>
>>> etc etc
>>>
>>> if you then do a bounce of one of those 16ths onto a new track, you can
>>> multiply it up if you want to, but as you havn't actually changed the l=
ength
>>> of the loop, you could just overdub new material as normal, or use divi=
de
>>> etc
>>>
>>> the trick would be stepping through these different shuffle patterns,
>>> rather than having a separate script on 16 separate buttons. i suppose =
it's
>>> doable if you shuffle in 8ths, then you could have a bank on your pedal=
board
>>> set up to do it
>>>
>>> i don't know if you could use some if / then statements to select which
>>> shuffle to use - if the current granule is 1, then shuffle with granule=
 2 -
>>> something like this...
>>>
>>> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
>>> if current granule is 1
>>> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
>>> endif
>>> if current granule is 2
>>> shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3
>>> endif
>>> etc
>>>
>>> i know that's wrong, but you get the idea. if a variable could be
>>> assigned to each shuffle pattern, then you could say "if x=3D2" and ass=
ign a
>>> new value to x with each shuffle pattern
>>>
>>> dunno...just riffing...my scripting isn't good enough...jeff? per?
>>>
>>> sim
>>>
>>>
>>
>>
>> --
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>>
>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a4cd6af7604993f6f15
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OK, But I can already see some advancements.<br><br>1) (code I can nick fro=
m something Per once gave me I think)<br>Check What the current 8th setting=
 is and skip to a bit of code that will do that (instead of just 16th)<br>

<br>2) Difine the 1=B4s and 2=B4s as a variables that change depending on h=
ow many times you hit the pedal.. cancelled and reset=A0 by hitting any OTH=
ER pedal. <br><br>3) (This I dont know) So that ONE hit will always loop th=
e granule you are in right now, and continue FROM that point. (Instead of a=
lways starting at the start of the loop)<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 11:38 AM,=
 Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googl=
email.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">

i havn&#39;t tested this mark, so please let us know how you get on with it=
!<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Fr=
i, Jan 7, 2011 at 10:34 AM, mark francombe <span dir=3D"ltr">&lt;<a href=3D=
"mailto:mark@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a=
>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Cool.. gonna try =
this approach later.. thanks Simeon!<div><div></div><div><br><br>
<div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <=
span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com" targe=
t=3D"_blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">just had a though=
t<br><br>you could achieve a similar sound to loop windowing on the edp by =
using shuffle<br>




<br>if you write a script that has<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,=
1,1,1,1,1<br><br>then you&#39;ll just hear the first 16th of the loop over =
and over<br>
<br>if you then do<br><br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br><br=
>then you&#39;ll hear the second<br><br>etc etc<br><br>if you then do a bou=
nce of one of those 16ths onto a new track, you can multiply it up if you w=
ant to, but as you havn&#39;t actually changed the length of the loop, you =
could just overdub new material as normal, or use divide etc<br>





<br>the trick would be stepping through these different shuffle patterns, r=
ather than having a separate script on 16 separate buttons. i suppose it&#3=
9;s doable if you shuffle in 8ths, then you could have a bank on your pedal=
board set up to do it<br>





<br>i don&#39;t know if you could use some if / then statements to select w=
hich shuffle to use - if the current granule is 1, then shuffle with granul=
e 2 - something like this...<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,=
1,1<br>





if current granule is 1<br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br>en=
dif<br>if current granule is 2<br>
shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3<br>
endif<br>etc<br><br>i know that&#39;s wrong, but you get the idea. if a var=
iable could be assigned to each shuffle pattern, then you could say &quot;i=
f x=3D2&quot; and assign a new value to x with each shuffle pattern<br><br>





dunno...just riffing...my scripting isn&#39;t good enough...jeff? per?<br><=
br>sim <br><br>
</blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D"#88=
8888">-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com" tar=
get=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkha=
o.com" target=3D"_blank">www.ordoabkhao.com</a><br>


twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4cd6af7604993f6f15--

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yes, genius!

larson, we need you, sensei!

On Fri, Jan 7, 2011 at 10:53 AM, mark francombe <mark@markfrancombe.com>wro=
te:

> OK, But I can already see some advancements.
>
> 1) (code I can nick from something Per once gave me I think)
> Check What the current 8th setting is and skip to a bit of code that will
> do that (instead of just 16th)
>
> 2) Difine the 1=B4s and 2=B4s as a variables that change depending on how=
 many
> times you hit the pedal.. cancelled and reset  by hitting any OTHER pedal=
.
>
> 3) (This I dont know) So that ONE hit will always loop the granule you ar=
e
> in right now, and continue FROM that point. (Instead of always starting a=
t
> the start of the loop)
>
> Mark
>
>
> On Fri, Jan 7, 2011 at 11:38 AM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> i havn't tested this mark, so please let us know how you get on with it!
>>
>>
>> On Fri, Jan 7, 2011 at 10:34 AM, mark francombe <mark@markfrancombe.com>=
wrote:
>>
>>> Cool.. gonna try this approach later.. thanks Simeon!
>>>
>>>
>>> On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <
>>> simeonharris40@googlemail.com> wrote:
>>>
>>>> just had a thought
>>>>
>>>> you could achieve a similar sound to loop windowing on the edp by usin=
g
>>>> shuffle
>>>>
>>>> if you write a script that has
>>>>
>>>> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
>>>>
>>>> then you'll just hear the first 16th of the loop over and over
>>>>
>>>> if you then do
>>>>
>>>> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
>>>>
>>>> then you'll hear the second
>>>>
>>>> etc etc
>>>>
>>>> if you then do a bounce of one of those 16ths onto a new track, you ca=
n
>>>> multiply it up if you want to, but as you havn't actually changed the =
length
>>>> of the loop, you could just overdub new material as normal, or use div=
ide
>>>> etc
>>>>
>>>> the trick would be stepping through these different shuffle patterns,
>>>> rather than having a separate script on 16 separate buttons. i suppose=
 it's
>>>> doable if you shuffle in 8ths, then you could have a bank on your peda=
lboard
>>>> set up to do it
>>>>
>>>> i don't know if you could use some if / then statements to select whic=
h
>>>> shuffle to use - if the current granule is 1, then shuffle with granul=
e 2 -
>>>> something like this...
>>>>
>>>> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
>>>> if current granule is 1
>>>> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2
>>>> endif
>>>> if current granule is 2
>>>> shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3
>>>> endif
>>>> etc
>>>>
>>>> i know that's wrong, but you get the idea. if a variable could be
>>>> assigned to each shuffle pattern, then you could say "if x=3D2" and as=
sign a
>>>> new value to x with each shuffle pattern
>>>>
>>>> dunno...just riffing...my scripting isn't good enough...jeff? per?
>>>>
>>>> sim
>>>>
>>>>
>>>
>>>
>>> --
>>> mark francombe
>>> www.markfrancombe.com
>>> www.ordoabkhao.com
>>> twitter @markfrancombe
>>> http://vimeo.com/user825094
>>> http://www.looop.no
>>>
>>
>>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

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yes, genius!<br><br>larson, we need you, sensei!<br><br><div class=3D"gmail=
_quote">On Fri, Jan 7, 2011 at 10:53 AM, mark francombe <span dir=3D"ltr">&=
lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">OK, But I can alr=
eady see some advancements.<br><br>1) (code I can nick from something Per o=
nce gave me I think)<br>
Check What the current 8th setting is and skip to a bit of code that will d=
o that (instead of just 16th)<br>

<br>2) Difine the 1=B4s and 2=B4s as a variables that change depending on h=
ow many times you hit the pedal.. cancelled and reset=A0 by hitting any OTH=
ER pedal. <br><br>3) (This I dont know) So that ONE hit will always loop th=
e granule you are in right now, and continue FROM that point. (Instead of a=
lways starting at the start of the loop)<br>
<font color=3D"#888888">

<br>Mark</font><div><div></div><div class=3D"h5"><br><br><div class=3D"gmai=
l_quote">On Fri, Jan 7, 2011 at 11:38 AM, Simeon Harris <span dir=3D"ltr">&=
lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeo=
nharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

i havn&#39;t tested this mark, so please let us know how you get on with it=
!<div><div></div><div><br><br><div class=3D"gmail_quote">On Fri, Jan 7, 201=
1 at 10:34 AM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@=
markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt;</span> =
wrote:<br>



<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Cool.. gonna try =
this approach later.. thanks Simeon!<div><div></div><div><br><br>
<div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 10:28 AM, Simeon Harris <=
span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com" targe=
t=3D"_blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">just had a though=
t<br><br>you could achieve a similar sound to loop windowing on the edp by =
using shuffle<br>





<br>if you write a script that has<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,=
1,1,1,1,1<br><br>then you&#39;ll just hear the first 16th of the loop over =
and over<br>
<br>if you then do<br><br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br><br=
>then you&#39;ll hear the second<br><br>etc etc<br><br>if you then do a bou=
nce of one of those 16ths onto a new track, you can multiply it up if you w=
ant to, but as you havn&#39;t actually changed the length of the loop, you =
could just overdub new material as normal, or use divide etc<br>






<br>the trick would be stepping through these different shuffle patterns, r=
ather than having a separate script on 16 separate buttons. i suppose it&#3=
9;s doable if you shuffle in 8ths, then you could have a bank on your pedal=
board set up to do it<br>






<br>i don&#39;t know if you could use some if / then statements to select w=
hich shuffle to use - if the current granule is 1, then shuffle with granul=
e 2 - something like this...<br><br>shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,=
1,1<br>






if current granule is 1<br>shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2<br>en=
dif<br>if current granule is 2<br>
shuffle 16 3,3,3,3,3,3,3,3,3,3,3,3,3,3,3,3<br>
endif<br>etc<br><br>i know that&#39;s wrong, but you get the idea. if a var=
iable could be assigned to each shuffle pattern, then you could say &quot;i=
f x=3D2&quot; and assign a new value to x with each shuffle pattern<br><br>






dunno...just riffing...my scripting isn&#39;t good enough...jeff? per?<br><=
br>sim <br><br>
</blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D"#88=
8888">-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com" tar=
get=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkha=
o.com" target=3D"_blank">www.ordoabkhao.com</a><br>



twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markf=
rancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" target=3D"_blank"=
>www.ordoabkhao.com</a><br>
twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</div></div></blockquote></div><br>

--000e0cd6b2ccdea79b0499401c0f--

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Subject: Re: loop windowing in mobius
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jan 7, 2011 at 11:53 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> OK, But I can already see some advancements.
>
> 1) (code I can nick from something Per once gave me I think)
> Check What the current 8th setting is and skip to a bit of code that will=
 do
> that (instead of just 16th)
>
> 2) Difine the 1=C2=B4s and 2=C2=B4s as a variables that change depending =
on how many
> times you hit the pedal.. cancelled and reset=C2=A0 by hitting any OTHER =
pedal.
>
> 3) (This I dont know) So that ONE hit will always loop the granule you ar=
e
> in right now, and continue FROM that point. (Instead of always starting a=
t
> the start of the loop)


I suspect the code you have in mind are these two Shuffle This/That
scripts, pasted in below. I just want to put them up here as well so
anyone interested can follow the discussion. The idea was to get
something better than Loop Windowing on the EDP, since I never liked
having to truncate down the longer loop to a short snippet in order to
get Loop Windowing happening and I also often found it to be a bit too
much of randomness (sometime resulting in less good cut-outs - gave a
sour taste of "Cubase Interactive Phrase Synthesizer" ;-))  But I
admit I have not been able to find a musical use for these shuffle
scripts yet. I can't help thinking that Mobius UNDO does the job
equally well and with a lot less fuzz. I mean, you can even skip over
parts of your UNDO history - sort of "throw them into the bin". And
all by only two pedals in use... well maybe you need three: Undo,
Redo, Checkpoint.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


________________________________
!name Shuffle That

Wait cycle
if 8thsPerCycle =3D 16
Shuffle 16 9,u,u,u,13,u,u,u,5,u,u,u,1,u,u,u
endif
if 8thsPerCycle =3D 64
Shuffle 32 9,u,u,u,13,u,u,u,29,u,u,u,1,u,u,u,17,u,u,u,25,u,u,u,5,u,u,u,21,u=
,u,u,5,u,u,u,1,u,u,u
endif
if 8thsPerCycle =3D 9
Shuffle 9 5,u,u,u,u,1,u,u,u
endif
if 8thsPerCycle =3D 36
Shuffle 9 5,u,u,u,u,1,u,u,u
endif
if 8thsPerCycle =3D 10
Shuffle 10 5,u,u,u,u,1,u,u,u,u
endif
if 8thsPerCycle =3D 40
Shuffle 20 10,u,u,u,u,1,u,u,u,u,15,u,u,u,u,5,u,u,u,u
endif
if 8thsPerCycle =3D 12
Shuffle 6 3,u,u,1,u,u
endif
if 8thsPerCycle =3D 48
Shuffle 12 7,u,u,10,u,u,1,u,u,4,u,u
endif
if 8thsPerCycle =3D 14
Shuffle 7 1,u,u,4,u,6,u
endif
if 8thsPerCycle =3D 56
Shuffle 14 1,u,u,u,u,u,7,u,u,u,11,u,u,u
end


________________________________



________________________________
!name Shuffle This

Wait cycle

if 8thsPerCycle =3D 16
Shuffle 16,r
endif
if 8thsPerCycle =3D 64
Shuffle 16,r
endif

if 8thsPerCycle =3D 9
Shuffle 9,r
endif
if 8thsPerCycle =3D 36
Shuffle 9,r
endif
if 8thsPerCycle =3D 10
Shuffle 10,r
endif
if 8thsPerCycle =3D 40
Shuffle 10,r
endif
if 8thsPerCycle =3D 12
Shuffle 12,r
endif
if 8thsPerCycle =3D 48
Shuffle 12,r
endif
if 8thsPerCycle =3D 14
Shuffle 14,r
endif
if 8thsPerCycle =3D 56
Shuffle 14,r
endif
if 8thsPerCycle =3D 9
Shuffle 9,r
endif
if 8thsPerCycle =3D 54
Shuffle 9,r
endif

end






________________________________

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Subject: Re: another mobius question
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On Fri, Jan 7, 2011 at 11:46 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i'm thinking this is a bit flaky though and a more elegant solution (to me)
> would be to actually chop a chunk off the end of loop 2 to make it shorter.
> the result will sound the same (although loop 2 will be moving backwards
> relative to loop 1, instead of forwards, but adding a chunk to the end of
> loop 2 will create a small chunk of silence)
>
> is there a way to to this with a script? can you delete a piece off the end
> of a loop that's one 8ths per cycle long?

No need for scripting there. Truncating a loop on-the-fly is the same
basic action combination as with the EDP:   Multiply finished by
Record. With this combo you can cut down a loop into a very short
slice if you like. Fun to tap dance on this in combination with Undo
and Redo.

Per

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=A0
Yours Sincerely,
laladosi.
--0-847700678-1294401830=:27571
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>Hi Dear,<br><br>How are you today? I =
feel like communicating with you, my name is Miss.laladosi single by marita=
l status and never married before, I'm 5.9ft tall. It is my pleasure with d=
ue respect to cultivate a healthy friendship with you with. I have great in=
terest in making new friends, my hobbies are reading, traveling,swimming an=
d dancing.<br>&nbsp;<br>Today I found your e-mail id&nbsp; then I took the =
opportunity to write to you as I will really want us to be good friends,and=
 I will so much appreciate it if we can click together as one great friend.=
 I will send my photo at least for you to see who is writing to you.I will =
like you to contact me back, so that I will give you full explanation about=
 myself and reasons and purpose I have contacted you, please feel free to w=
rite me back.<br>&nbsp;<br>Yours Sincerely,<br>laladosi.</td></tr></table>
--0-847700678-1294401830=:27571--

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Subject: Re: another mobius question
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd404f2b0982a0499406ca1
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i've never used an EDP though, so this is a bit of a mystery to me, i'm
afraid

i'd like to put it into a script though, as i have a button on my control
surface available and i'd like to hit that button to truncate the loop by
one 8ths per cycle value (whatever it happens to be at the time)

sim

On Fri, Jan 7, 2011 at 11:59 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jan 7, 2011 at 11:46 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > i'm thinking this is a bit flaky though and a more elegant solution (to
> me)
> > would be to actually chop a chunk off the end of loop 2 to make it
> shorter.
> > the result will sound the same (although loop 2 will be moving backwards
> > relative to loop 1, instead of forwards, but adding a chunk to the end of
> > loop 2 will create a small chunk of silence)
> >
> > is there a way to to this with a script? can you delete a piece off the
> end
> > of a loop that's one 8ths per cycle long?
>
> No need for scripting there. Truncating a loop on-the-fly is the same
> basic action combination as with the EDP:   Multiply finished by
> Record. With this combo you can cut down a loop into a very short
> slice if you like. Fun to tap dance on this in combination with Undo
> and Redo.
>
> Per
>
>

--000e0cd404f2b0982a0499406ca1
Content-Type: text/html; charset=ISO-8859-1
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i&#39;ve never used an EDP though, so this is a bit of a mystery to me, i&#=
39;m afraid<br><br>i&#39;d like to put it into a script though, as i have a=
 button on my control surface available and i&#39;d like to hit that button=
 to truncate the loop by one 8ths per cycle value (whatever it happens to b=
e at the time)<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 11:59 AM, =
Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">per=
boysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
<div class=3D"im">On Fri, Jan 7, 2011 at 11:46 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; i&#39;m thinking this is a bit flaky though and a more elegant solutio=
n (to me)<br>
&gt; would be to actually chop a chunk off the end of loop 2 to make it sho=
rter.<br>
&gt; the result will sound the same (although loop 2 will be moving backwar=
ds<br>
&gt; relative to loop 1, instead of forwards, but adding a chunk to the end=
 of<br>
&gt; loop 2 will create a small chunk of silence)<br>
&gt;<br>
&gt; is there a way to to this with a script? can you delete a piece off th=
e end<br>
&gt; of a loop that&#39;s one 8ths per cycle long?<br>
<br>
</div>No need for scripting there. Truncating a loop on-the-fly is the same=
<br>
basic action combination as with the EDP: =A0 Multiply finished by<br>
Record. With this combo you can cut down a loop into a very short<br>
slice if you like. Fun to tap dance on this in combination with Undo<br>
and Redo.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd404f2b0982a0499406ca1--

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Subject: Re: loop windowing in mobius
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--90e6ba6e89b078c20f04994072df
Content-Type: text/plain; charset=ISO-8859-1

On Fri, Jan 7, 2011 at 12:48 PM, Per Boysen <perboysen@gmail.com> wrote:

> The idea was to get
> something better than Loop Windowing on the EDP
>

This is blasphemy in my book!!!!


Your shuffle scripts are used by me very much, or at least the idea behind
them, I have made some less random sounding ones that just rearrange stuff a
bit, and one cool one tha kinda plays backwards...

So what we need now, is the ability to set variables and count how many
times the same command is sent consecutively, so we can change the code on
each press.

Completely Do-able I would say...

I think that Larsen guy should spend less time posting unshaven pictures of
me on Facebook, and more time coding. !!
http://www.facebook.com/stenovetoft#!/photo.php?fbid=10150111445674524&set=at.10150111445349524.325326.666149523.570925068
-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e89b078c20f04994072df
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<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 12:48 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">

<div id=3D":16g">The idea was to get<br>
something better than Loop Windowing on the EDP</div></blockquote></div><br=
>This is blasphemy in my book!!!!<br><br><br>Your shuffle scripts are used =
by me very much, or at least the idea behind them, I have made some less ra=
ndom sounding ones that just rearrange stuff a bit, and one cool one tha ki=
nda plays backwards...<br>

<br>So what we need now, is the ability to set variables and count how many=
 times the same command is sent consecutively, so we can change the code on=
 each press.<br><br>Completely Do-able I would say...<br><br>I think that L=
arsen guy should spend less time posting unshaven pictures of me on Faceboo=
k, and more time coding. !!<br clear=3D"all">

<a href=3D"http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D101501114=
45674524&amp;set=3Dat.10150111445349524.325326.666149523.570925068">http://=
www.facebook.com/stenovetoft#!/photo.php?fbid=3D10150111445674524&amp;set=
=3Dat.10150111445349524.325326.666149523.570925068</a><br>

-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.markf=
rancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.co=
m</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">=
http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e89b078c20f04994072df--

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 12:20:55 2011
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Subject: Re: another mobius question
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That should be perfectly possible to script. Sorry, but I don't have
the time to construct it now. I never learned scripting, just mocked
up whatever I needed by trial and error. One scripting concept could
be to start out Multiply, then use a bunch of "wait subcycle" lines
undil throwing in Record when the script arrives to the next last
subcycle. But that would always create a loop of a new lenght; one
subcycle shorter than a cycle. I guess you want your magic button to
work also on longer loops of several cycle's lenghts? Then a more
mathematical approach would come in handy... maybe using Instant
Divide and Instant Multiply in the script?

I do a lot of this stuff by physically stepping the Instant Divide and
Instant Multiply buttons so I guess it would work in a script too. I
typically combine the coefficients 3 and 4 to truncate a loop into a
slightly longer or shorter loop. I can't see the math now though for
how to make that end up as exactly one 8th Per Cycle shorter.

Per



On Fri, Jan 7, 2011 at 1:04 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i've never used an EDP though, so this is a bit of a mystery to me, i'm
> afraid
>
> i'd like to put it into a script though, as i have a button on my control
> surface available and i'd like to hit that button to truncate the loop by
> one 8ths per cycle value (whatever it happens to be at the time)
>
> sim
>
> On Fri, Jan 7, 2011 at 11:59 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> On Fri, Jan 7, 2011 at 11:46 AM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>> > i'm thinking this is a bit flaky though and a more elegant solution (t=
o
>> > me)
>> > would be to actually chop a chunk off the end of loop 2 to make it
>> > shorter.
>> > the result will sound the same (although loop 2 will be moving backwar=
ds
>> > relative to loop 1, instead of forwards, but adding a chunk to the end
>> > of
>> > loop 2 will create a small chunk of silence)
>> >
>> > is there a way to to this with a script? can you delete a piece off th=
e
>> > end
>> > of a loop that's one 8ths per cycle long?
>>
>> No need for scripting there. Truncating a loop on-the-fly is the same
>> basic action combination as with the EDP: =C2=A0 Multiply finished by
>> Record. With this combo you can cut down a loop into a very short
>> slice if you like. Fun to tap dance on this in combination with Undo
>> and Redo.
>>
>> Per
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 12:33:51 2011
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On 7/22/64 11:59 AM, Jeff Larson wrote:
>
> No need, I found one on the intertubes.
>
> http://www.circularlabs.com/rickclarinet.gif

Be afraid,   be very afraid!!!!!!

From 13juf@att.net  Fri Jan  7 12:37:00 2011
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Date: Fri, 7 Jan 2011 04:36:37 -0800 (PST)
From: "FROM .MR SAMUEL MUYO" <13juf@att.net>
Reply-To: samuelmuyo@gmail.com
Subject:  OPEN TO SEE THE DETAILS
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--0-738964910-1294403797=:86166--

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 14:11:37 2011
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Subject: Galactic Travels Playlist #718 for January 6, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110106.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #718                January 6, 2011.

RECAP:
On this show, I began a month-long focus on Nemesis.  The Featured CD at
Midnight was "Live Archive Volume 1" which is a self-released title.

Nemesis: http://wdiy.org/programs/gt/playlists/2011/focus.html#jan


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Broekhuis, Keller,   Tranzz08             In Repelen (Manikin)
   and Schonwalder
Rainbow Serpent and  Intense              Stranger (Manikin)
   Isgaard
Rainbow Serpent and  Elements 1           Stranger (Manikin)
   Isgaard
Rainbow Serpent and  Elements 2           Stranger (Manikin)
   Isgaard
MorPheuSz            Between the          Days of Delerium and Nocturnal
                        Barriers of Reality    Nightmares (Groove)
Create               Fanfare of Dreams    We Live By the Machines
                                             (Groove)
Amongst Myselves     Smell of the Sun     Fragments (none)
Nemesis              Nautilus             Live Archive Vol. 1 (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Nemesis              Greenland            Live Archive Vol. 1 (none)
Nemesis              Vertical Horizon     Live Archive Vol. 1 (none)
Nemesis              Xcelsis              Live Archive Vol. 1 (none)
Nemesis              Mindsweeper          Live Archive Vol. 1 (none)
Nemesis              Messier 104          Live Archive Vol. 1 (none)
Nemesis              Improkrator          Live Archive Vol. 1 (none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Nemesis.  The Featured CD at Midnight will be "Live Archive Volume 2"
which is a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at on-line.

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Simeon Harris wrote:

> but adding a chunk to 
> the end of loop 2 will create a small chunk of silence)

using Multiply to change the length wouldn't add silence,
just a repeat of the first chunk.

andy

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 14:24:25 2011
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Subject: Re: another mobius question
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--000e0cd404f2f3b9040499425fb0
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ah, thank you for the correction andy.

still undesirable though...i'd rather lop a bit off

still don't know how to do it though...!

On Fri, Jan 7, 2011 at 2:22 PM, andy butler <akbutler@tiscali.co.uk> wrote:

>
>
> Simeon Harris wrote:
>
>  but adding a chunk to the end of loop 2 will create a small chunk of
>> silence)
>>
>
> using Multiply to change the length wouldn't add silence,
> just a repeat of the first chunk.
>
> andy
>
>

--000e0cd404f2f3b9040499425fb0
Content-Type: text/html; charset=ISO-8859-1
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ah, thank you for the correction andy. <br><br>still undesirable though...i=
&#39;d rather lop a bit off<br><br>still don&#39;t know how to do it though=
...!<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 2:22 PM, andy=
 butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akb=
utler@tiscali.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
><br>
<br>
Simeon Harris wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
but adding a chunk to the end of loop 2 will create a small chunk of silenc=
e)<br>
</blockquote>
<br></div>
using Multiply to change the length wouldn&#39;t add silence,<br>
just a repeat of the first chunk.<br><font color=3D"#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br>

--000e0cd404f2f3b9040499425fb0--

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 14:27:50 2011
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Date: Fri, 7 Jan 2011 15:27:29 +0100
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Subject: Re: another mobius question
To: Loopers-Delight@loopers-delight.com
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--20cf30549a67394bc70499426c43
Content-Type: text/plain; charset=ISO-8859-1

Per told you.. in EDP lingo...
Make loop
then to shorten it, hit multiply, then record. this will chop the loop
shorter at the record. But this is the toe tapping method, for your use,
scripts are ness I think...

Mark






On Fri, Jan 7, 2011 at 3:24 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> ah, thank you for the correction andy.
>
> still undesirable though...i'd rather lop a bit off
>
> still don't know how to do it though...!
>
>
> On Fri, Jan 7, 2011 at 2:22 PM, andy butler <akbutler@tiscali.co.uk>wrote:
>
>>
>>
>> Simeon Harris wrote:
>>
>>  but adding a chunk to the end of loop 2 will create a small chunk of
>>> silence)
>>>
>>
>> using Multiply to change the length wouldn't add silence,
>> just a repeat of the first chunk.
>>
>> andy
>>
>>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549a67394bc70499426c43
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Per told you.. in EDP lingo...<br>Make loop<br>then to shorten it, hit mult=
iply, then record. this will chop the loop shorter at the record. But this =
is the toe tapping method, for your use, scripts are ness I think...<br>

<br>Mark<br><br><br><br><br><br><br><div class=3D"gmail_quote">On Fri, Jan =
7, 2011 at 3:24 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:s=
imeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> =
wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">ah, thank you for=
 the correction andy. <br><br>still undesirable though...i&#39;d rather lop=
 a bit off<br>

<br>still don&#39;t know how to do it though...!<div><div></div><div class=
=3D"h5"><br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 2:22 PM, =
andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk"=
 target=3D"_blank">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><br>
<br>
Simeon Harris wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
but adding a chunk to the end of loop 2 will create a small chunk of silenc=
e)<br>
</blockquote>
<br></div>
using Multiply to change the length wouldn&#39;t add silence,<br>
just a repeat of the first chunk.<br><font color=3D"#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf30549a67394bc70499426c43--

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Isnt it something like (I dont know anything about scripting.. can you do
this?)

!name chop_short

Multiply
Wait cycle
Wait cycle
Wait cycle
Wait cycle
Wait cycle
Wait cycle
Wait cycle
Record

End


On Fri, Jan 7, 2011 at 3:27 PM, mark francombe <mark@markfrancombe.com>wrote:

> Per told you.. in EDP lingo...
> Make loop
> then to shorten it, hit multiply, then record. this will chop the loop
> shorter at the record. But this is the toe tapping method, for your use,
> scripts are ness I think...
>
> Mark
>
>
>
>
>
>
>
> On Fri, Jan 7, 2011 at 3:24 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> ah, thank you for the correction andy.
>>
>> still undesirable though...i'd rather lop a bit off
>>
>> still don't know how to do it though...!
>>
>>
>> On Fri, Jan 7, 2011 at 2:22 PM, andy butler <akbutler@tiscali.co.uk>wrote:
>>
>>>
>>>
>>> Simeon Harris wrote:
>>>
>>>  but adding a chunk to the end of loop 2 will create a small chunk of
>>>> silence)
>>>>
>>>
>>> using Multiply to change the length wouldn't add silence,
>>> just a repeat of the first chunk.
>>>
>>> andy
>>>
>>>
>>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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Isnt it something like (I dont know anything about scripting.. can you do t=
his?)<br><br>!name chop_short<br>
<br>Multiply<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>Wait cycle<br>Record<br><br>End<br>
<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 3:27 PM, mark fra=
ncombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark=
@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quot=
e" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204,=
 204); padding-left: 1ex;">

Per told you.. in EDP lingo...<br>Make loop<br>then to shorten it, hit mult=
iply, then record. this will chop the loop shorter at the record. But this =
is the toe tapping method, for your use, scripts are ness I think...<br>


<br>Mark<div><div></div><div class=3D"h5"><br><br><br><br><br><br><br><div =
class=3D"gmail_quote">On Fri, Jan 7, 2011 at 3:24 PM, Simeon Harris <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_=
blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">ah, thank you for=
 the correction andy. <br><br>still undesirable though...i&#39;d rather lop=
 a bit off<br>


<br>still don&#39;t know how to do it though...!<div><div></div><div><br><b=
r><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 2:22 PM, andy butler <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk" target=3D"_bl=
ank">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>



<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><br>
<br>
Simeon Harris wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
but adding a chunk to the end of loop 2 will create a small chunk of silenc=
e)<br>
</blockquote>
<br></div>
using Multiply to change the length wouldn&#39;t add silence,<br>
just a repeat of the first chunk.<br><font color=3D"#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div><font =
color=3D"#888888">-- <br>mark francombe<br><a href=3D"http://www.markfranco=
mbe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://w=
ww.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: loop windowing in mobius
Date: Fri, 7 Jan 2011 15:37:00 +0100
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Interesting discussion.
I worked with shuffle function in the past, but I abandoned it 'cos I wasn't=
 able to get a pleasant musical result like the "scramble" function of the L=
p1.

I've never had an EDP, but I've read the manual a few times in the last year=
s to get confident with the same functions in Mobius,=20
I do not have a direct experience on loop windowing, so please forgive me if=
 I say something wrong.

Did you try the "TRIM" commands ?
You can trim start point and end point according to your 8th-16th or whateve=
r per cycle setting.

It's not the same as "divide", trim actions will create a new loop with a ne=
w start or end point, defining a new loop lenght.

I find it very useful and capable of nice musical results.
Anyone tried it ?

-fabio
www.eterogeneo.com


Il giorno 07/gen/2011, alle ore 13:06, mark francombe <mark@markfrancombe.co=
m> ha scritto:

>=20
>=20
> On Fri, Jan 7, 2011 at 12:48 PM, Per Boysen <perboysen@gmail.com> wrote:
> The idea was to get
> something better than Loop Windowing on the EDP
>=20
> This is blasphemy in my book!!!!
>=20
>=20
> Your shuffle scripts are used by me very much, or at least the idea behind=
 them, I have made some less random sounding ones that just rearrange stuff a=
 bit, and one cool one tha kinda plays backwards...
>=20
> So what we need now, is the ability to set variables and count how many ti=
mes the same command is sent consecutively, so we can change the code on eac=
h press.
>=20
> Completely Do-able I would say...
>=20
> I think that Larsen guy should spend less time posting unshaven pictures o=
f me on Facebook, and more time coding. !!
> http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D10150111445674524&s=
et=3Dat.10150111445349524.325326.666149523.570925068
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

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<html><body bgcolor=3D"#FFFFFF"><div>Interesting discussion.</div><div>I wor=
ked with shuffle function in the past, but I abandoned it 'cos I wasn't able=
 to get a pleasant musical result like the "scramble" function of the Lp1.</=
div><div><br></div><div>I've never had an EDP, but I've read the manual a fe=
w times in the last years to get confident with the same functions in Mobius=
,&nbsp;</div><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-high=
light-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgb=
a(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 1=
80, 0.230469); ">I do not have a direct experience on loop windowing, so ple=
ase forgive me if I say something wrong.</span><br></div><div><span class=3D=
"Apple-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.=
296875); -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -web=
kit-composition-frame-color: rgba(77, 128, 180, 0.230469); "><br></span></di=
v><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color=
: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(175, 192,=
 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.23046=
9); ">Did you try the "TRIM" commands ?</span></div><div>You can trim start p=
oint and end point according to your 8th-16th or whatever per cycle setting.=
<br></div><div><br></div><div>It's not the same as "divide", trim actions wi=
ll create a new loop with a new start or end point, defining a new loop leng=
ht.</div><div><br></div><div>I find it very useful and capable of nice music=
al results.</div><span class=3D"Apple-style-span" style=3D"-webkit-tap-highl=
ight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba=
(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 18=
0, 0.230469); ">Anyone tried it ?</span><div><span class=3D"Apple-style-span=
" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -webkit-=
composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-f=
rame-color: rgba(77, 128, 180, 0.230469);"><br></span></div><div><span class=
=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26,=
 0.292969); -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -=
webkit-composition-frame-color: rgba(77, 128, 180, 0.230469);">-fabio</span>=
</div><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-c=
olor: rgba(26, 26, 26, 0.292969); -webkit-composition-fill-color: rgba(175, 1=
92, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.23=
0469);"><a href=3D"http://www.eterogeneo.com">www.eterogeneo.com</a></span><=
/div><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-co=
lor: rgba(26, 26, 26, 0.292969); -webkit-composition-fill-color: rgba(175, 1=
92, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.23=
0469);"><br></span><div><br>Il giorno 07/gen/2011, alle ore 13:06, mark fran=
combe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</=
a>&gt; ha scritto:<br><br></div><div></div><blockquote type=3D"cite"><div><b=
r><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 12:48 PM, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com"><a href=3D"mai=
lto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt;</span> wrote:<br><b=
lockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-l=
eft: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<div id=3D":16g">The idea was to get<br>
something better than Loop Windowing on the EDP</div></blockquote></div><br>=
This is blasphemy in my book!!!!<br><br><br>Your shuffle scripts are used by=
 me very much, or at least the idea behind them, I have made some less rando=
m sounding ones that just rearrange stuff a bit, and one cool one tha kinda p=
lays backwards...<br>

<br>So what we need now, is the ability to set variables and count how many t=
imes the same command is sent consecutively, so we can change the code on ea=
ch press.<br><br>Completely Do-able I would say...<br><br>I think that Larse=
n guy should spend less time posting unshaven pictures of me on Facebook, an=
d more time coding. !!<br clear=3D"all">

<a href=3D"http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D1015011144=
5674524&amp;set=3Dat.10150111445349524.325326.666149523.570925068"><a href=3D=
"http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D10150111445674524&am=
p;set=3Dat.10150111445349524.325326.666149523.570925068">http://www.facebook=
.com/stenovetoft#!/photo.php?fbid=3D10150111445674524&amp;set=3Dat.101501114=
45349524.325326.666149523.570925068</a></a><br>

-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com"><a href=3D=
"http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href=3D"h=
ttp://www.ordoabkhao.com"><a href=3D"http://www.ordoabkhao.com">www.ordoabkh=
ao.com</a></a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user=
825094"><a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094<=
/a></a><br>

<a href=3D"http://www.looop.no"><a href=3D"http://www.looop.no">http://www.l=
ooop.no</a></a><br>
</div></blockquote></div></body></html>=

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Subject: Re: another mobius question
From: Simeon Harris <simeonharris40@googlemail.com>
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ahh yes, i see!

i think you can even use if/then statements to wait the number of cycles
depending on the current 8ths per cycle value (a bit like per's shuffle
scripts)

i'll get my thinking cap on

also wondering if this could be part of the copy script i have, so when i
copy track 1 to track 2, it chops the end off track 2 at the same time -
that would be neat

sim


On Fri, Jan 7, 2011 at 2:31 PM, mark francombe <mark@markfrancombe.com>wrote:

> Isnt it something like (I dont know anything about scripting.. can you do
> this?)
>
> !name chop_short
>
> Multiply
> Wait cycle
> Wait cycle
> Wait cycle
> Wait cycle
> Wait cycle
> Wait cycle
> Wait cycle
> Record
>
> End
>
>
>
> On Fri, Jan 7, 2011 at 3:27 PM, mark francombe <mark@markfrancombe.com>wrote:
>
>> Per told you.. in EDP lingo...
>> Make loop
>> then to shorten it, hit multiply, then record. this will chop the loop
>> shorter at the record. But this is the toe tapping method, for your use,
>> scripts are ness I think...
>>
>> Mark
>>
>>
>>
>>
>>
>>
>>
>> On Fri, Jan 7, 2011 at 3:24 PM, Simeon Harris <
>> simeonharris40@googlemail.com> wrote:
>>
>>> ah, thank you for the correction andy.
>>>
>>> still undesirable though...i'd rather lop a bit off
>>>
>>> still don't know how to do it though...!
>>>
>>>
>>> On Fri, Jan 7, 2011 at 2:22 PM, andy butler <akbutler@tiscali.co.uk>wrote:
>>>
>>>>
>>>>
>>>> Simeon Harris wrote:
>>>>
>>>>  but adding a chunk to the end of loop 2 will create a small chunk of
>>>>> silence)
>>>>>
>>>>
>>>> using Multiply to change the length wouldn't add silence,
>>>> just a repeat of the first chunk.
>>>>
>>>> andy
>>>>
>>>>
>>>
>>
>>
>> --
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>>
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

--000e0cd5d0569eb15b0499429a59
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ahh yes, i see!<br><br>i think you can even use if/then statements to wait =
the number of cycles depending on the current 8ths per cycle value (a bit l=
ike per&#39;s shuffle scripts)<br><br>i&#39;ll get my thinking cap on<br>
<br>also wondering if this could be part of the copy script i have, so when=
 i copy track 1 to track 2, it chops the end off track 2 at the same time -=
 that would be neat<br><br>sim<br><br><br><div class=3D"gmail_quote">On Fri=
, Jan 7, 2011 at 2:31 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wrote:<=
br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Isnt it something=
 like (I dont know anything about scripting.. can you do this?)<br><br>!nam=
e chop_short<br>

<br>Multiply<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>

Wait cycle<br>Wait cycle<br>Record<br><br>End<div><div></div><div class=3D"=
h5"><br>
<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 3:27 PM, mark fra=
ncombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com" targ=
et=3D"_blank">mark@markfrancombe.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">


Per told you.. in EDP lingo...<br>Make loop<br>then to shorten it, hit mult=
iply, then record. this will chop the loop shorter at the record. But this =
is the toe tapping method, for your use, scripts are ness I think...<br>



<br>Mark<div><div></div><div><br><br><br><br><br><br><br><div class=3D"gmai=
l_quote">On Fri, Jan 7, 2011 at 3:24 PM, Simeon Harris <span dir=3D"ltr">&l=
t;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeon=
harris40@googlemail.com</a>&gt;</span> wrote:<br>



<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">ah, thank you for=
 the correction andy. <br><br>still undesirable though...i&#39;d rather lop=
 a bit off<br>



<br>still don&#39;t know how to do it though...!<div><div></div><div><br><b=
r><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 2:22 PM, andy butler <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk" target=3D"_bl=
ank">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>




<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><br>
<br>
Simeon Harris wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
but adding a chunk to the end of loop 2 will create a small chunk of silenc=
e)<br>
</blockquote>
<br></div>
using Multiply to change the length wouldn&#39;t add silence,<br>
just a repeat of the first chunk.<br><font color=3D"#888888">
<br>
andy<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div><font =
color=3D"#888888">-- <br>mark francombe<br><a href=3D"http://www.markfranco=
mbe.com" target=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://w=
ww.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com</a><br>


twitter @markfrancombe<br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfranco=
mbe.com</a><br><a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.=
ordoabkhao.com</a><br>
twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br><a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
</div></div></blockquote></div><br>

--000e0cd5d0569eb15b0499429a59--

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Subject: Re: loop windowing in mobius
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--90e6ba6e83846bf8610499430453
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Yes I had a look after you recommended it to me at SF airport Fabio!
But doesnt Trim throw away the "trimmed" audio?

We need trim, where you specify start and end points, but then MOVE the
start and end points along the loop as it existed before...

Mark

On Fri, Jan 7, 2011 at 3:37 PM, Fabio_A <eterogenus@gmail.com> wrote:

> Interesting discussion.
> I worked with shuffle function in the past, but I abandoned it 'cos I
> wasn't able to get a pleasant musical result like the "scramble" function of
> the Lp1.
>
> I've never had an EDP, but I've read the manual a few times in the last
> years to get confident with the same functions in Mobius,
> I do not have a direct experience on loop windowing, so please forgive me
> if I say something wrong.
>
> Did you try the "TRIM" commands ?
> You can trim start point and end point according to your 8th-16th or
> whatever per cycle setting.
>
> It's not the same as "divide", trim actions will create a new loop with a
> new start or end point, defining a new loop lenght.
>
> I find it very useful and capable of nice musical results.
> Anyone tried it ?
>
> -fabio
> www.eterogeneo.com
>
>
> Il giorno 07/gen/2011, alle ore 13:06, mark francombe <
> mark@markfrancombe.com> ha scritto:
>
>
>
> On Fri, Jan 7, 2011 at 12:48 PM, Per Boysen < <perboysen@gmail.com>
> perboysen@gmail.com> wrote:
>
>> The idea was to get
>> something better than Loop Windowing on the EDP
>>
>
> This is blasphemy in my book!!!!
>
>
> Your shuffle scripts are used by me very much, or at least the idea behind
> them, I have made some less random sounding ones that just rearrange stuff a
> bit, and one cool one tha kinda plays backwards...
>
> So what we need now, is the ability to set variables and count how many
> times the same command is sent consecutively, so we can change the code on
> each press.
>
> Completely Do-able I would say...
>
> I think that Larsen guy should spend less time posting unshaven pictures of
> me on Facebook, and more time coding. !!
> <http://www.facebook.com/stenovetoft#%21/photo.php?fbid=10150111445674524&set=at.10150111445349524.325326.666149523.570925068>
> http://www.facebook.com/stenovetoft#!/photo.php?fbid=10150111445674524&set=at.10150111445349524.325326.666149523.570925068<http://www.facebook.com/stenovetoft#%21/photo.php?fbid=10150111445674524&set=at.10150111445349524.325326.666149523.570925068>
> --
> mark francombe
> <http://www.markfrancombe.com>www.markfrancombe.com
> <http://www.ordoabkhao.com>www.ordoabkhao.com
> twitter @markfrancombe
> <http://vimeo.com/user825094>http://vimeo.com/user825094
>  <http://www.looop.no>http://www.looop.no
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83846bf8610499430453
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Yes I had a look after you recommended it to me at SF airport Fabio! <br>Bu=
t doesnt Trim throw away the &quot;trimmed&quot; audio? <br><br>We need tri=
m, where you specify start and end points, but then MOVE the start and end =
points along the loop as it existed before...<br>

<br>Mark<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 3:37 PM, =
Fabio_A <span dir=3D"ltr">&lt;<a href=3D"mailto:eterogenus@gmail.com">etero=
genus@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">

<div bgcolor=3D"#FFFFFF"><div>Interesting discussion.</div><div>I worked wi=
th shuffle function in the past, but I abandoned it &#39;cos I wasn&#39;t a=
ble to get a pleasant musical result like the &quot;scramble&quot; function=
 of the Lp1.</div>

<div><br></div><div>I&#39;ve never had an EDP, but I&#39;ve read the manual=
 a few times in the last years to get confident with the same functions in =
Mobius,=A0</div><div><span>I do not have a direct experience on loop window=
ing, so please forgive me if I say something wrong.</span><br>

</div><div><span><br></span></div><div><span>Did you try the &quot;TRIM&quo=
t; commands ?</span></div><div>You can trim start point and end point accor=
ding to your 8th-16th or whatever per cycle setting.<br></div><div><br>

</div><div>It&#39;s not the same as &quot;divide&quot;, trim actions will c=
reate a new loop with a new start or end point, defining a new loop lenght.=
</div><div><br></div><div>I find it very useful and capable of nice musical=
 results.</div>

<span>Anyone tried it ?</span><div><span><br></span></div><div><span>-fabio=
</span></div><div><span><a href=3D"http://www.eterogeneo.com" target=3D"_bl=
ank">www.eterogeneo.com</a></span></div><div><span><br></span><div><br>Il g=
iorno 07/gen/2011, alle ore 13:06, mark francombe &lt;<a href=3D"mailto:mar=
k@markfrancombe.com" target=3D"_blank">mark@markfrancombe.com</a>&gt; ha sc=
ritto:<br>

<br></div><div><div></div><div class=3D"h5"><div></div><blockquote type=3D"=
cite"><div><br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 12:48 =
PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com"=
 target=3D"_blank"></a><a href=3D"mailto:perboysen@gmail.com" target=3D"_bl=
ank">perboysen@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<div>The idea was to get<br>
something better than Loop Windowing on the EDP</div></blockquote></div><br=
>This is blasphemy in my book!!!!<br><br><br>Your shuffle scripts are used =
by me very much, or at least the idea behind them, I have made some less ra=
ndom sounding ones that just rearrange stuff a bit, and one cool one tha ki=
nda plays backwards...<br>



<br>So what we need now, is the ability to set variables and count how many=
 times the same command is sent consecutively, so we can change the code on=
 each press.<br><br>Completely Do-able I would say...<br><br>I think that L=
arsen guy should spend less time posting unshaven pictures of me on Faceboo=
k, and more time coding. !!<br clear=3D"all">



<a href=3D"http://www.facebook.com/stenovetoft#%21/photo.php?fbid=3D1015011=
1445674524&amp;set=3Dat.10150111445349524.325326.666149523.570925068" targe=
t=3D"_blank"></a><a href=3D"http://www.facebook.com/stenovetoft#%21/photo.p=
hp?fbid=3D10150111445674524&amp;set=3Dat.10150111445349524.325326.666149523=
.570925068" target=3D"_blank">http://www.facebook.com/stenovetoft#!/photo.p=
hp?fbid=3D10150111445674524&amp;set=3Dat.10150111445349524.325326.666149523=
.570925068</a><br>



-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com" target=3D=
"_blank"></a><a href=3D"http://www.markfrancombe.com" target=3D"_blank">www=
.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" target=3D"_=
blank"></a><a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordo=
abkhao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" target=3D=
"_blank"></a><a href=3D"http://vimeo.com/user825094" target=3D"_blank">http=
://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no" target=3D"_blank"></a><a href=3D"http://www=
.looop.no" target=3D"_blank">http://www.looop.no</a><br>
</div></blockquote></div></div></div></div></blockquote></div><br><br clear=
=3D"all"><br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.c=
om">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.=
ordoabkhao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

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can someone help me to unsubscribe?=20

I tried the man's email that is taking care of =C2=A0unsubscibing but=C2=A0=
that didnt get me anywhere.=20



Thanks=20





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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'><P>can someone help me to unsubscribe?</P>
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<P>&nbsp;</P>
<P>Thanks</P>
<P>&nbsp;</P>
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Nice Matt.

On Jan 6, 2011, at 3:31 PM, Matt Davignon wrote:

> Hi all,
>
> I posted a new episode of my podcast, if anyone's interested in such  
> things:
> http://ribosomematt.podomatic.com/
>
> 0) Opening Chimes
> 1) Biosphere "Spindrift" (from "Shenzhou", 2002)
> 2) Juana Molina "Yo Se Que" (from "Tres Cosas", 2004)
> 3) Peter Whitehead "First Village Dance (from "Giselle", 2003)
> 4) Phonophani "Neverdal" (from "Kreken", 2010)
> 5) Castanets "Cathedral 2 (Your Feet On The Floor Sounding Like The
> Rain)" (from "Cathedral", 2004)
> 6) Tapani Varis "Munniharppuna (The Oral Harpoon)" (from "Jews  
> Harp", 1998)
> 7) Blue Water White Death "This is the Scrunchyface of my Dreams"
> (from "Blue Water White Death", 2010)
> 8) Viktor Vaughn (aka MF Doom) "Fall Back/Titty Fat" (from Venemous
> Villian, 2004, produced by 9th Wonder)
> 9) Juan Pablo Caceres "La Cuerda" (from "Orquestra", 2005)
> 10) Getatchew Mekurya "Shellela Besaxophone" (From "Negus of Ethiopian
> Sax - Ethiopiques, Vol. 14", 2004 - originally from the late 50s.)
> 11) Susana and the Magical Orchestra "Enjoy the Silence" (from "Melody
> Mountain", 2006)
> 12) Steven Baker "Radio Below" (from "Lunar Etudes", 2009)
> 13) Quasimoto "Real Eyes" (from "The Unseen", 2000, produced by  
> Madlib)
> 14) Marcelo Fabian "Sed De Mal" (from "ZZK Sound Vol. 1 Cumbia
> Digital", 2008)
> 15) Juliana Barwick "The Highest" (from "Flourine", 2009)
>
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>

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Subject: Re: loop windowing in mobius
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Wow, cross post fertilisation. I think trim may just solve my problem in the=
 other thread about how to chop off the end of a loop. Not having much luck m=
ultiply + record...

Sent from my iPod

On 7 Jan 2011, at 14:37, Fabio_A <eterogenus@gmail.com> wrote:

> Interesting discussion.
> I worked with shuffle function in the past, but I abandoned it 'cos I wasn=
't able to get a pleasant musical result like the "scramble" function of the=
 Lp1.
>=20
> I've never had an EDP, but I've read the manual a few times in the last ye=
ars to get confident with the same functions in Mobius,=20
> I do not have a direct experience on loop windowing, so please forgive me i=
f I say something wrong.
>=20
> Did you try the "TRIM" commands ?
> You can trim start point and end point according to your 8th-16th or whate=
ver per cycle setting.
>=20
> It's not the same as "divide", trim actions will create a new loop with a n=
ew start or end point, defining a new loop lenght.
>=20
> I find it very useful and capable of nice musical results.
> Anyone tried it ?
>=20
> -fabio
> www.eterogeneo.com
>=20
>=20
> Il giorno 07/gen/2011, alle ore 13:06, mark francombe <mark@markfrancombe.=
com> ha scritto:
>=20
>>=20
>>=20
>> On Fri, Jan 7, 2011 at 12:48 PM, Per Boysen <perboysen@gmail.com> wrote:
>> The idea was to get
>> something better than Loop Windowing on the EDP
>>=20
>> This is blasphemy in my book!!!!
>>=20
>>=20
>> Your shuffle scripts are used by me very much, or at least the idea behin=
d them, I have made some less random sounding ones that just rearrange stuff=
 a bit, and one cool one tha kinda plays backwards...
>>=20
>> So what we need now, is the ability to set variables and count how many t=
imes the same command is sent consecutively, so we can change the code on ea=
ch press.
>>=20
>> Completely Do-able I would say...
>>=20
>> I think that Larsen guy should spend less time posting unshaven pictures o=
f me on Facebook, and more time coding. !!
>> http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D10150111445674524&=
set=3Dat.10150111445349524.325326.666149523.570925068
>> --=20
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no

--Apple-Mail-1-428010019
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<html><body bgcolor=3D"#FFFFFF"><div>Wow, cross post fertilisation. I think t=
rim may just solve my problem in the other thread about how to chop off the e=
nd of a loop. Not having much luck multiply + record...<br><br>Sent from my i=
Pod</div><div><br>On 7 Jan 2011, at 14:37, Fabio_A &lt;<a href=3D"mailto:ete=
rogenus@gmail.com">eterogenus@gmail.com</a>&gt; wrote:<br><br></div><div></d=
iv><blockquote type=3D"cite"><div><div>Interesting discussion.</div><div>I w=
orked with shuffle function in the past, but I abandoned it 'cos I wasn't ab=
le to get a pleasant musical result like the "scramble" function of the Lp1.=
</div><div><br></div><div>I've never had an EDP, but I've read the manual a f=
ew times in the last years to get confident with the same functions in Mobiu=
s,&nbsp;</div><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-hig=
hlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rg=
ba(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 1=
80, 0.230469); ">I do not have a direct experience on loop windowing, so ple=
ase forgive me if I say something wrong.</span><br></div><div><span class=3D=
"Apple-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.=
296875); -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -web=
kit-composition-frame-color: rgba(77, 128, 180, 0.230469); "><br></span></di=
v><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color=
: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(175, 192,=
 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.23046=
9); ">Did you try the "TRIM" commands ?</span></div><div>You can trim start p=
oint and end point according to your 8th-16th or whatever per cycle setting.=
<br></div><div><br></div><div>It's not the same as "divide", trim actions wi=
ll create a new loop with a new start or end point, defining a new loop leng=
ht.</div><div><br></div><div>I find it very useful and capable of nice music=
al results.</div><span class=3D"Apple-style-span" style=3D"-webkit-tap-highl=
ight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba=
(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 18=
0, 0.230469); ">Anyone tried it ?</span><div><span class=3D"Apple-style-span=
" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -webkit-=
composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-f=
rame-color: rgba(77, 128, 180, 0.230469);"><br></span></div><div><span class=
=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26,=
 0.292969); -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -=
webkit-composition-frame-color: rgba(77, 128, 180, 0.230469);">-fabio</span>=
</div><div><span class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-c=
olor: rgba(26, 26, 26, 0.292969); -webkit-composition-fill-color: rgba(175, 1=
92, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.23=
0469);"><a href=3D"http://www.eterogeneo.com"><a href=3D"http://www.eterogen=
eo.com">www.eterogeneo.com</a></a></span></div><div><span class=3D"Apple-sty=
le-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -=
webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-compos=
ition-frame-color: rgba(77, 128, 180, 0.230469);"><br></span><div><br>Il gio=
rno 07/gen/2011, alle ore 13:06, mark francombe &lt;<a href=3D"mailto:mark@m=
arkfrancombe.com"><a href=3D"mailto:mark@markfrancombe.com">mark@markfrancom=
be.com</a></a>&gt; ha scritto:<br><br></div><div></div><blockquote type=3D"c=
ite"><div><br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 12:48 PM=
, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com"></=
a><a href=3D"mailto:perboysen@gmail.com"><a href=3D"mailto:perboysen@gmail.c=
om">perboysen@gmail.com</a></a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">

<div id=3D":16g">The idea was to get<br>
something better than Loop Windowing on the EDP</div></blockquote></div><br>=
This is blasphemy in my book!!!!<br><br><br>Your shuffle scripts are used by=
 me very much, or at least the idea behind them, I have made some less rando=
m sounding ones that just rearrange stuff a bit, and one cool one tha kinda p=
lays backwards...<br>

<br>So what we need now, is the ability to set variables and count how many t=
imes the same command is sent consecutively, so we can change the code on ea=
ch press.<br><br>Completely Do-able I would say...<br><br>I think that Larse=
n guy should spend less time posting unshaven pictures of me on Facebook, an=
d more time coding. !!<br clear=3D"all">

<a href=3D"http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D1015011144=
5674524&amp;set=3Dat.10150111445349524.325326.666149523.570925068"></a><a hr=
ef=3D"http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D101501114456745=
24&amp;set=3Dat.10150111445349524.325326.666149523.570925068"><a href=3D"htt=
p://www.facebook.com/stenovetoft#!/photo.php?fbid=3D10150111445674524&amp;se=
t=3Dat.10150111445349524.325326.666149523.570925068">http://www.facebook.com=
/stenovetoft#!/photo.php?fbid=3D10150111445674524&amp;set=3Dat.1015011144534=
9524.325326.666149523.570925068</a></a><br>

-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com"></a><a hre=
f=3D"http://www.markfrancombe.com"><a href=3D"http://www.markfrancombe.com">=
www.markfrancombe.com</a></a><br><a href=3D"http://www.ordoabkhao.com"></a><=
a href=3D"http://www.ordoabkhao.com"><a href=3D"http://www.ordoabkhao.com">w=
ww.ordoabkhao.com</a></a><br>twitter @markfrancombe<br><a href=3D"http://vim=
eo.com/user825094"></a><a href=3D"http://vimeo.com/user825094"><a href=3D"ht=
tp://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br>

<a href=3D"http://www.looop.no"></a><a href=3D"http://www.looop.no"><a href=3D=
"http://www.looop.no">http://www.looop.no</a></a><br>
</div></blockquote></div></div></blockquote></body></html>=

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Subject: Re: loop windowing in mobius
From: Simeon Harris <simeonharris40@googlemail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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fabio - you said -
Did you try the "TRIM" commands ?
You can trim start point and end point according to your 8th-16th or
whatever per cycle setting.

but in the manual it says trimend will trim from the current frame to the
end. how do you get it to trim from the last 8th or 16th to the end?

sim

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fabio - you said - <br><div><span>Did you try the &quot;TRIM&quot; commands=
 ?</span></div>You can trim start point and end point according to your 8th=
-16th or whatever per cycle setting.<br><br>but in the manual it says trime=
nd will trim from the current frame to the end. how do you get it to trim f=
rom the last 8th or 16th to the end?<br>
<br>sim<br><br>

--000e0cd404f268d938049943cb74--

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Date: Fri, 7 Jan 2011 17:10:48 +0100
Message-ID: <AANLkTin1xs0i8viS3EpiDG25qOVYibiKjYzyspsYoFdu@mail.gmail.com>
Subject: Re: loop windowing in mobius
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Yes Fabio this is the way i was sort of emualting loop windowing and
redo and undo
work for me!
cheers
Luis

On Fri, Jan 7, 2011 at 3:37 PM, Fabio_A <eterogenus@gmail.com> wrote:
> Interesting discussion.
> I worked with shuffle function in the past, but I abandoned it 'cos I wasn't
> able to get a pleasant musical result like the "scramble" function of the
> Lp1.
> I've never had an EDP, but I've read the manual a few times in the last
> years to get confident with the same functions in Mobius,
> I do not have a direct experience on loop windowing, so please forgive me if
> I say something wrong.
>
> Did you try the "TRIM" commands ?
> You can trim start point and end point according to your 8th-16th or
> whatever per cycle setting.
>
> It's not the same as "divide", trim actions will create a new loop with a
> new start or end point, defining a new loop lenght.
> I find it very useful and capable of nice musical results.
> Anyone tried it ?
> -fabio
> www.eterogeneo.com
>
> Il giorno 07/gen/2011, alle ore 13:06, mark francombe
> <mark@markfrancombe.com> ha scritto:
>
>
>
> On Fri, Jan 7, 2011 at 12:48 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> The idea was to get
>> something better than Loop Windowing on the EDP
>
> This is blasphemy in my book!!!!
>
>
> Your shuffle scripts are used by me very much, or at least the idea behind
> them, I have made some less random sounding ones that just rearrange stuff a
> bit, and one cool one tha kinda plays backwards...
>
> So what we need now, is the ability to set variables and count how many
> times the same command is sent consecutively, so we can change the code on
> each press.
>
> Completely Do-able I would say...
>
> I think that Larsen guy should spend less time posting unshaven pictures of
> me on Facebook, and more time coding. !!
> http://www.facebook.com/stenovetoft#!/photo.php?fbid=10150111445674524&set=at.10150111445349524.325326.666149523.570925068
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

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Subject: Re: loop windowing in mobius
From: Simeon Harris <simeonharris40@googlemail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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the system variable "subcyclecount" exists. can this be used?

On Fri, Jan 7, 2011 at 4:06 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> fabio - you said -
> Did you try the "TRIM" commands ?
> You can trim start point and end point according to your 8th-16th or
> whatever per cycle setting.
>
> but in the manual it says trimend will trim from the current frame to the
> end. how do you get it to trim from the last 8th or 16th to the end?
>
> sim
>
>

--000e0cd6a8d876abbe0499440d13
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the system variable &quot;subcyclecount&quot; exists. can this be used?<br>=
<br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 4:06 PM, Simeon Harri=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com">si=
meonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">fabio - you said =
- <br><div class=3D"im"><div><span>Did you try the &quot;TRIM&quot; command=
s ?</span></div>
You can trim start point and end point according to your 8th-16th or whatev=
er per cycle setting.<br><br></div>but in the manual it says trimend will t=
rim from the current frame to the end. how do you get it to trim from the l=
ast 8th or 16th to the end?<br>

<br>sim<br><br>
</blockquote></div><br>

--000e0cd6a8d876abbe0499440d13--

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Subject: Re: loop windowing in mobius
From: Simeon Harris <simeonharris40@googlemail.com>
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no, just discovered it's the total number of subcycles

subcyclenumber looks like it could possibly be the one

i'm trying to get this to work

if subcyclenumber = 15
trimend
endif

to chop the last subcycle off a loop with 16, but it doesn't work

any help out there?

please?

sim

On Fri, Jan 7, 2011 at 4:24 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> the system variable "subcyclecount" exists. can this be used?
>
>
> On Fri, Jan 7, 2011 at 4:06 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> fabio - you said -
>> Did you try the "TRIM" commands ?
>> You can trim start point and end point according to your 8th-16th or
>> whatever per cycle setting.
>>
>> but in the manual it says trimend will trim from the current frame to the
>> end. how do you get it to trim from the last 8th or 16th to the end?
>>
>> sim
>>
>>
>

--000e0cd404f26bc1910499444ad5
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no, just discovered it&#39;s the total number of subcycles<br><br>subcyclen=
umber looks like it could possibly be the one<br><br>i&#39;m trying to get =
this to work<br><br>if subcyclenumber =3D 15<br>trimend<br>endif<br><br>to =
chop the last subcycle off a loop with 16, but it doesn&#39;t work<br>
<br>any help out there?<br><br>please?<br><br>sim<br><br><div class=3D"gmai=
l_quote">On Fri, Jan 7, 2011 at 4:24 PM, Simeon Harris <span dir=3D"ltr">&l=
t;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemai=
l.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">the system variab=
le &quot;subcyclecount&quot; exists. can this be used?<div><div></div><div =
class=3D"h5">
<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 4:06 PM, Simeon H=
arris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com=
" target=3D"_blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">fabio - you said =
- <br><div><div><span>Did you try the &quot;TRIM&quot; commands ?</span></d=
iv>

You can trim start point and end point according to your 8th-16th or whatev=
er per cycle setting.<br><br></div>but in the manual it says trimend will t=
rim from the current frame to the end. how do you get it to trim from the l=
ast 8th or 16th to the end?<br>


<br>sim<br><br>
</blockquote></div><br>
</div></div></blockquote></div><br>

--000e0cd404f26bc1910499444ad5--

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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: loop windowing in mobius
Date: Fri, 7 Jan 2011 18:11:36 +0100
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Il giorno 07/gen/2011, alle ore 16:10, mark francombe <mark@markfrancombe.co=
m> ha scritto:

> Yes I had a look after you recommended it to me at SF airport Fabio!=20

Yep !

> But doesnt Trim throw away the "trimmed" audio?=20

Yes, Mark
>=20
> We need trim, where you specify start and end points, but then MOVE the st=
art and end points along the loop as it existed before...

I can see....
You can UNDO to get back to the original loop and then trim the loop again, b=
ut you're right, you can't MOVE the start and end points along the loop.

-f

>=20
> Mark
>=20
> On Fri, Jan 7, 2011 at 3:37 PM, Fabio_A <eterogenus@gmail.com> wrote:
> Interesting discussion.
> I worked with shuffle function in the past, but I abandoned it 'cos I wasn=
't able to get a pleasant musical result like the "scramble" function of the=
 Lp1.
>=20
> I've never had an EDP, but I've read the manual a few times in the last ye=
ars to get confident with the same functions in Mobius,=20
> I do not have a direct experience on loop windowing, so please forgive me i=
f I say something wrong.
>=20
> Did you try the "TRIM" commands ?
> You can trim start point and end point according to your 8th-16th or whate=
ver per cycle setting.
>=20
> It's not the same as "divide", trim actions will create a new loop with a n=
ew start or end point, defining a new loop lenght.
>=20
> I find it very useful and capable of nice musical results.
> Anyone tried it ?
>=20
> -fabio
> www.eterogeneo.com
>=20
>=20
> Il giorno 07/gen/2011, alle ore 13:06, mark francombe <mark@markfrancombe.=
com> ha scritto:
>=20
>>=20
>>=20
>> On Fri, Jan 7, 2011 at 12:48 PM, Per Boysen <perboysen@gmail.com> wrote:
>> The idea was to get
>> something better than Loop Windowing on the EDP
>>=20
>> This is blasphemy in my book!!!!
>>=20
>>=20
>> Your shuffle scripts are used by me very much, or at least the idea behin=
d them, I have made some less random sounding ones that just rearrange stuff=
 a bit, and one cool one tha kinda plays backwards...
>>=20
>> So what we need now, is the ability to set variables and count how many t=
imes the same command is sent consecutively, so we can change the code on ea=
ch press.
>>=20
>> Completely Do-able I would say...
>>=20
>> I think that Larsen guy should spend less time posting unshaven pictures o=
f me on Facebook, and more time coding. !!
>> http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D10150111445674524&=
set=3Dat.10150111445349524.325326.666149523.570925068
>> --=20
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>=20
>=20
>=20
> --=20
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no

--Apple-Mail-3-433011364
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=utf-8

<html><body bgcolor=3D"#FFFFFF"><div><span class=3D"Apple-style-span" style=3D=
"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-compositio=
n-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-frame-color=
: rgba(77, 128, 180, 0.230469); ">Il giorno 07/gen/2011, alle ore 16:10, mar=
k francombe &lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe=
.com</a>&gt; ha scritto:</span><br></div><div><br></div><div></div><blockquo=
te type=3D"cite"><div>Yes I had a look after you recommended it to me at SF a=
irport Fabio! <br></div></blockquote><div><br></div><div>Yep !</div><br><blo=
ckquote type=3D"cite"><div>But doesnt Trim throw away the "trimmed" audio? <=
br></div></blockquote><div><br></div>Yes, Mark<br><blockquote type=3D"cite">=
<div><br>We need trim, where you specify start and end points, but then MOVE=
 the start and end points along the loop as it existed before...<br></div></=
blockquote><div><br></div>I can see....<div>You can UNDO to get back to the o=
riginal loop and then trim the loop again, but you're right, you can't MOVE t=
he start and end points along the loop.</div><div><br></div><div>-f</div><di=
v><br><blockquote type=3D"cite"><div>

<br>Mark<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 3:37 PM, Fa=
bio_A <span dir=3D"ltr">&lt;<a href=3D"mailto:eterogenus@gmail.com"><a href=3D=
"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a></a>&gt;</span> wrote:=
<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bo=
rder-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<div bgcolor=3D"#FFFFFF"><div>Interesting discussion.</div><div>I worked wit=
h shuffle function in the past, but I abandoned it 'cos I wasn't able to get=
 a pleasant musical result like the "scramble" function of the Lp1.</div>

<div><br></div><div>I've never had an EDP, but I've read the manual a few ti=
mes in the last years to get confident with the same functions in Mobius,&nb=
sp;</div><div><span>I do not have a direct experience on loop windowing, so p=
lease forgive me if I say something wrong.</span><br>

</div><div><span><br></span></div><div><span>Did you try the "TRIM" commands=
 ?</span></div><div>You can trim start point and end point according to your=
 8th-16th or whatever per cycle setting.<br></div><div><br>

</div><div>It's not the same as "divide", trim actions will create a new loo=
p with a new start or end point, defining a new loop lenght.</div><div><br><=
/div><div>I find it very useful and capable of nice musical results.</div>

<span>Anyone tried it ?</span><div><span><br></span></div><div><span>-fabio<=
/span></div><div><span><a href=3D"http://www.eterogeneo.com" target=3D"_blan=
k"><a href=3D"http://www.eterogeneo.com">www.eterogeneo.com</a></a></span></=
div><div><span><br></span><div><br>Il giorno 07/gen/2011, alle ore 13:06, ma=
rk francombe &lt;<a href=3D"mailto:mark@markfrancombe.com" target=3D"_blank"=
><a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a></a>&gt=
; ha scritto:<br>

<br></div><div><div></div><div class=3D"h5"><div></div><blockquote type=3D"c=
ite"><div><br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 12:48 PM=
, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" ta=
rget=3D"_blank"></a><a href=3D"mailto:perboysen@gmail.com" target=3D"_blank"=
><a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt;</spa=
n> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border=
-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<div>The idea was to get<br>
something better than Loop Windowing on the EDP</div></blockquote></div><br>=
This is blasphemy in my book!!!!<br><br><br>Your shuffle scripts are used by=
 me very much, or at least the idea behind them, I have made some less rando=
m sounding ones that just rearrange stuff a bit, and one cool one tha kinda p=
lays backwards...<br>



<br>So what we need now, is the ability to set variables and count how many t=
imes the same command is sent consecutively, so we can change the code on ea=
ch press.<br><br>Completely Do-able I would say...<br><br>I think that Larse=
n guy should spend less time posting unshaven pictures of me on Facebook, an=
d more time coding. !!<br clear=3D"all">



<a href=3D"http://www.facebook.com/stenovetoft#%21/photo.php?fbid=3D10150111=
445674524&amp;set=3Dat.10150111445349524.325326.666149523.570925068" target=3D=
"_blank"></a><a href=3D"http://www.facebook.com/stenovetoft#%21/photo.php?fb=
id=3D10150111445674524&amp;set=3Dat.10150111445349524.325326.666149523.57092=
5068" target=3D"_blank"><a href=3D"http://www.facebook.com/stenovetoft#!/pho=
to.php?fbid=3D10150111445674524&amp;set=3Dat.10150111445349524.325326.666149=
523.570925068">http://www.facebook.com/stenovetoft#!/photo.php?fbid=3D101501=
11445674524&amp;set=3Dat.10150111445349524.325326.666149523.570925068</a></a=
><br>



-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com" target=3D"=
_blank"></a><a href=3D"http://www.markfrancombe.com" target=3D"_blank"><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a href=
=3D"http://www.ordoabkhao.com" target=3D"_blank"></a><a href=3D"http://www.o=
rdoabkhao.com" target=3D"_blank"><a href=3D"http://www.ordoabkhao.com">www.o=
rdoabkhao.com</a></a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" target=3D"=
_blank"></a><a href=3D"http://vimeo.com/user825094" target=3D"_blank"><a hre=
f=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br>

<a href=3D"http://www.looop.no" target=3D"_blank"></a><a href=3D"http://www.=
looop.no" target=3D"_blank"><a href=3D"http://www.looop.no">http://www.looop=
.no</a></a><br>
</div></blockquote></div></div></div></div></blockquote></div><br><br clear=3D=
"all"><br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">=
<a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a></a><br><a=
 href=3D"http://www.ordoabkhao.com"><a href=3D"http://www.ordoabkhao.com">ww=
w.ordoabkhao.com</a></a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094"><a href=3D=
"http://vimeo.com/user825094">http://vimeo.com/user825094</a></a><br><a href=
=3D"http://www.looop.no"><a href=3D"http://www.looop.no">http://www.looop.no=
</a></a><br>
</div></blockquote></div></body></html>=

--Apple-Mail-3-433011364--

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----------------------------------------
I'm sorry, I need to unsubscribe from Looper's Delight. How do I do
that? It's not that I dislike people there or anything, you
understand.

To unsubscribe, send mail with the word "unsubscribe" in both the
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On Fri, Jan 7, 2011 at 10:05 AM,  <axis4@comcast.net> wrote:
> can someone help me to unsubscribe?
>
> I tried the man's email that is taking care of =A0unsubscibing but=A0that=
 didnt
> get me anywhere.
>
>
>
> Thanks
>
>
>
>

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baby please don't go!

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 17:37:51 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: loop windowing in mobius
Date: Fri, 7 Jan 2011 11:37:44 -0600
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My goodness!  It looks like we're making people unsubscribe with=20
all this crazy Mobius talk.  Can I suggest we do this in the forum
next time so it is captured for posterity and we won't frighten people?

> On Jan 7, 2011, at 3:28 AM, Simeon Harris wrote:

> you could achieve a similar sound to loop windowing on the edp by =
using shuffle
> shuffle 16 1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1
> then you'll just hear the first 16th of the loop over and over

Yes, and BTW you can just do this, the shuffle pattern
will automatically replicate to fill out thenumber of slices.

    shuffle 16 1

> if you then do
> shuffle 16 2,2,2,2,2,2,2,2,2,2,2,2,2,2,2,2

The trick is that you have to use Undo to return the the layer
before the first shuffle, otherwise you'll be shuffling the
layer that has 16 subcycle 1s in it, and it will end up=20
sounding the same. =20

> the trick would be stepping through these different shuffle patterns

You would use a global varialbe to keep track of where you were
in the shuffle pattern.  This would actually be a relatively simple
script, simpler than the Move and Wait scripts we discussed=20
briefly before.

Let me read through this morning's email flood and I'll give
it a shot.

Jeff


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From: Fabio_A <eterogenus@gmail.com>
Subject: Re: loop windowing in mobius
Date: Fri, 7 Jan 2011 18:37:43 +0100
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Sim,=20
maybe I was wrong on how trim operates....sorry. That's  because my music ne=
eds a perfect timing, so I play with a metronome in my ears nowdays,  and wh=
en I push that button I trim the loop 'in time' (according to my 8th per cyc=
le settings).

> fabio - you said -=20
> Did you try the "TRIM" commands ?
> You can trim start point and end point according to your 8th-16th or whate=
ver per cycle setting.
>=20
> but in the manual it says trimend will trim from the current frame to the

> . how do you get it to trim from the last 8th or 16th to the end?

Sorry, can't understand what exactly you want to get...
What do you mean with "trim from the last 8th or 16th to the end?"

-f
>=20
> sim
>=20

From amina20042005@aim.com  Fri Jan  7 17:49:02 2011
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-- 
My Dearest,

How are you and your family?

My name is Ester Barnor I am 54 years old, I am a dying woman who have
decided to donate what I have to you .I was diagnosed for cancer for about
2 years ago. I have been touched by GOD to donate what I have inherited
from my late husband and help through you to the people that have less or
none to leave.I have asked GOD to forgive me and I believe he has because
he is a merciful GOD.Recently my doctor informed me that i have six months
to leave as a result of my stroke and cancer problem that is why i want to
make sure that this fund is use to good effect so that even if i die i will
die a happy woman knowing fully well that the less fortunate has been
benefited from the fund.

I decided to WILL/donate the sum of 10.7 million dollars to you for this
cause, and also to help the other less privilege people.At the moment I
cannot take any telephone calls due to the fact that my relatives (That
have squandered the funds I gave them for purposes like this before) are
around me and my health status also.I wish you all the best and may the
good GOD bless you abundantly, and please use the Funds judiciously and
always extend the good work to others.

As soon you get back to me, I shall give you info on what I need from you
then you will contact my bank and request them to transfer the fund to your
account. THE NECESSARY REQUIREMENTS FOR YOUR CONTACT WITH THE BANK WILL BE
PROVIDED AS WE PROCEED, And I will also notify my bank that I have mandated
you to use the fund for charity, effective and prudent work. I know I don't
know you but I have been directed to do this by GOD. And you are the
nearest contact I have been able to reach.

Thanks and GOD bless.
Regards,
Ester Barnor.

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Date: Fri, 7 Jan 2011 17:49:03 +0000
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Subject: Re: loop windowing in mobius
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd404f2f97ce20499453cba
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if you hit trimend, it erases from the current frame to the end of the loop

all well and good, but i'd like to trim from the last 15th to the end -
EXACTLY erasing the last 16th of the loop. so i'd like to be able to
automate it with a script. i'd like to be able to tell mobius to wait until
the boudary of subcycle 15 appears and then execute the trimend command

if mobius can keep track of which subcycle it's on (maybe with
subcyclenumber) then it should be easy...

sim

On Fri, Jan 7, 2011 at 5:37 PM, Fabio_A <eterogenus@gmail.com> wrote:

> Sim,
> maybe I was wrong on how trim operates....sorry. That's  because my music
> needs a perfect timing, so I play with a metronome in my ears nowdays,  and
> when I push that button I trim the loop 'in time' (according to my 8th per
> cycle settings).
>
> > fabio - you said -
> > Did you try the "TRIM" commands ?
> > You can trim start point and end point according to your 8th-16th or
> whatever per cycle setting.
> >
> > but in the manual it says trimend will trim from the current frame to the
>
> > . how do you get it to trim from the last 8th or 16th to the end?
>
> Sorry, can't understand what exactly you want to get...
> What do you mean with "trim from the last 8th or 16th to the end?"
>
> -f
> >
> > sim
> >
>
>

--000e0cd404f2f97ce20499453cba
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

if you hit trimend, it erases from the current frame to the end of the loop=
<br><br>all well and good, but i&#39;d like to trim from the last 15th to t=
he end - EXACTLY erasing the last 16th of the loop. so i&#39;d like to be a=
ble to automate it with a script. i&#39;d like to be able to tell mobius to=
 wait until the boudary of subcycle 15 appears and then execute the trimend=
 command<br>
<br>if mobius can keep track of which subcycle it&#39;s on (maybe with subc=
yclenumber) then it should be easy...<br><br>sim<br><br><div class=3D"gmail=
_quote">On Fri, Jan 7, 2011 at 5:37 PM, Fabio_A <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Sim,<br>
maybe I was wrong on how trim operates....sorry. That&#39;s =A0because my m=
usic needs a perfect timing, so I play with a metronome in my ears nowdays,=
 =A0and when I push that button I trim the loop &#39;in time&#39; (accordin=
g to my 8th per cycle settings).<br>

<div class=3D"im"><br>
&gt; fabio - you said -<br>
&gt; Did you try the &quot;TRIM&quot; commands ?<br>
&gt; You can trim start point and end point according to your 8th-16th or w=
hatever per cycle setting.<br>
&gt;<br>
&gt; but in the manual it says trimend will trim from the current frame to =
the<br>
<br>
</div><div class=3D"im">&gt; . how do you get it to trim from the last 8th =
or 16th to the end?<br>
<br>
</div>Sorry, can&#39;t understand what exactly you want to get...<br>
What do you mean with &quot;trim from the last 8th or 16th to the end?&quot=
;<br>
<br>
-f<br>
&gt;<br>
&gt; sim<br>
&gt;<br>
<br>
</blockquote></div><br>

--000e0cd404f2f97ce20499453cba--

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From: E Gross <slapbandjam@yahoo.com>
Subject: Re: unsubscribe
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shouldn't all unsubscribe emails cc to Leinhos, Peter?






________________________________
From: "nemoguitt@aol.com" <nemoguitt@aol.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, January 7, 2011 12:28:26 PM
Subject: Re: unsubscribe


baby please don't go!


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>shouldn't all unsubscribe emails cc to Leinhos, Peter?<br><br><br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> "nemoguitt@aol.com" &lt;nemoguitt@aol.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, January 7, 2011 12:28:26 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: unsubscribe<br></font><br>
<br>baby please don't go!<br><br></div></div>
</div><br>







      </body></html>
--0-512565849-1294422649=:16250--

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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Any live looping happening 13th-16th in Brooklyn/NYC?
Date: Fri, 7 Jan 2011 12:54:02 -0500
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Anybody doing a live show in NYC during these days or have some =
recommendations?



Todd Matthews
http://www.joshuasteelemusic.com




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From: todd reynolds <toddreyn@gmail.com>
Date: Fri, 7 Jan 2011 12:57:42 -0500
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I'm not playing, and I'm not aware of any shows (i guess we'll find out),
but how about a looper's gathering for coffee late morning on the 13th?

On Fri, Jan 7, 2011 at 12:54 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> Anybody doing a live show in NYC during these days or have some
> recommendations?
>
>
>
>

--001636c5a5d00e013d0499455c47
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I&#39;m not playing, and I&#39;m not aware of any shows (i guess we&#39;ll =
find out), but how about a looper&#39;s gathering for coffee late morning o=
n the 13th?<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 12:54 =
PM, Todd Matthews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.=
com">gtmatthews@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Anybody doing a live show in NYC during the=
se days or have some recommendations?<br>
<font color=3D"#888888"><br>
<br><font class=3D"Apple-style-span" color=3D"#000000"><font class=3D"Apple=
-style-span" color=3D"#888888"><br></font></font></font></blockquote></div>

--001636c5a5d00e013d0499455c47--

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Sony Ericsson Claim Branch
Head Office1 Basinghall
Avenue, London EC2V 5DD,
United Kingdom


You have been successfully approved to receive the winnings sum of
=C2=A3650,000GBP from the Sony Ericsson ongoing year promotion.

Fill this below form for claims:

1.) Full Name: 2.) Address: 3.)Tel: 4.)Country: 5.)Age:/Sex:6.)occupation:
7.)Amount Won: 8.)Ticket number:Sony/89bgn002876/2010

Once again congratulations and happy winnings.

Regards
Mr John Gibbs
sonyericsson177@yahoo.com.hk
+447011183453
Sony Ericsson Online Agent.
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<html><head><style> body {height: 100%; color:#000000; font-size:12pt; font=
-family:Times New Roman;}</style></head><body><br><br><font size=3D"2"><str=
ong>Sony Ericsson Claim Branch<br>Head Office1 Basinghall<br>Avenue, London=
 EC2V 5DD,<br>United Kingdom<br><br><br>You have been successfully approved=
 to receive the winnings sum of<br>=C2=A3650,000GBP from the Sony Ericsson =
ongoing year promotion.<br><br>Fill this below form for claims:<br><br>1.) =
Full Name: 2.) Address: 3.)Tel: 4.)Country: 5.)Age:/Sex:6.)occupation:<br>7=
.)Amount Won: 8.)Ticket number:Sony/89bgn002876/2010<br><br>Once again cong=
ratulations and happy winnings.<br><br>Regards<br>Mr John Gibbs<br>sonyeric=
sson177@yahoo.com.hk</strong></font><span color=3D"#000080" style=3D"font-f=
amily: Palatino Linotype;" size=3D"2;"><strong><br>+</strong></span><span&n=
bsp;&nbsp;style=3D"font-family: palatino=3D"" linotype=3D"" size=3D"2;"><st=
rong>447011183453</strong><font size=3D"2"><strong><br>Sony Ericsson Online=
 Agent.</strong></font></span&nbsp;&nbsp;style=3D"font-family:></body></htm=
l>
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From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 18:02:39 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: another mobius question
Date: Fri, 7 Jan 2011 12:02:36 -0600
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> is there a way to to this with a script? can you delete
> a piece off the end of a loop that's one 8ths per cycle long?

I haven't read the entire thread but it looks like Trim was suggested
which will be the easiest way to delete a piece off the end.  Trim
is similar to Multiply/Record or in EDP speak an 
"unrounded multiply" except that it happens instantly.  

Trim will obey the Quantize Mode parameter, so one approach would
be to set Quantize Mode to Subcycle and then hit Trim End 
a little before the last subcycle.  If you like to keep Quantize Mode
off you can enable it just for Trim in a script.
    
   !name Quantized Trim
   Variable saveQuantize quantize
   set quantize off
   TrimEnd
   set quantize saveQuantize

With a little more work we can make the script always wait until the
beginning of the last subcycle no matter where you are in the loop.

   !name Trim Last Subcycle
   Varialbe lastSubcycle subcycles - 1
   Wait until subcycle lastSubcycle
   TrimEnd

Something to note about this though, is that after the trim the
length of the subcycle changes.  For Example say you start with
a loop that is 2 seconds long and 8thsPerCycle is 4.  When you
run the script the first time the loop will shorten from
2 seconds to 1.5 seconds since 2 divided by 4 is .5. But the
new shortened layer still has 4 subcycles in it so if you run
the script again the trim amount will be shorter.  1.5 / 4 
is .375 so the new loop length would be 1.125.   The amount
of trim will become progressively smaller every time you
run the script.  This might sound cool but is probably not
what you're after.  If you always want to trim an amount
equal to the *original* subcycle length you could do this
with a global variable.  

  !name Trim Last Subcycle
  Variable global trimSubcycleLength 0
  
  if trimSubcycleLength == 0
     #first time here, remember the length
     set trimSubcycleLength subcycleFrames
  endif

  Variable trimFrame loopFrames - trimSubcycleLength
  if trimFrame <= 0
     # we've trimmed down to 1 subcycle, reset the length
     set trimSubcycleLength 0
  else
    Wait until frame trimFrame
    TrimEnd
  endif


Anyone else like to unsubscribe?

Jeff

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Date: Fri, 7 Jan 2011 19:09:22 +0100
Message-ID: <AANLkTim2LDXnnUzdKCriNyONF8ZGmZn879SphjrMWXhS@mail.gmail.com>
Subject: Re: loop windowing in mobius
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jan 7, 2011 at 6:49 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i'd like to be able to tell mobius to wait until the boudary of subcycle 15
> appears and then execute the trimend command

I just tried this. It works on a one cycle long loop but has two
flaws: it nukes the first sixteenth and it causes a noise click that
gets recorded during the multiply phase (but "shuffle" clicks too, so
I guess that's an audio engine thing to iron out in the long run)

____________
!name Shorter
Message Shortened

Multiply
Wait subcycles 15
Record
next

_____________

Per
(Awaiting notification on this list if this discussion is moved to the
forum. I don't think people unsubscribe for it - I mean, no one is
forced to read every damn post! We all pick the subjects that interest
us and delete the rest ;-)

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 18:14:16 2011
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From: Todd Matthews <gtmatthews@gmail.com>
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Subject: Re: Any live looping happening 13th-16th in Brooklyn/NYC?
Date: Fri, 7 Jan 2011 13:14:11 -0500
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Damn that would be awesome, I love loopers and coffee but the 13th is =
actually the day I'll be traveling. I teach till noon then I'm hopping =
on the train. Probably won't get in till 8-9pm. Let me know if you guys =
decide for coffee on any other morning. If so, I'm game.


Looking forward to the next record!


On Jan 7, 2011, at 12:57 PM, todd reynolds wrote:

> I'm not playing, and I'm not aware of any shows (i guess we'll find =
out), but how about a looper's gathering for coffee late morning on the =
13th?
>=20
> On Fri, Jan 7, 2011 at 12:54 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
> Anybody doing a live show in NYC during these days or have some =
recommendations?
>=20
>=20
>=20

Todd Matthews
http://www.joshuasteelemusic.com





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Damn =
that would be awesome, I love loopers and coffee but the 13th is =
actually the day I'll be traveling. I teach till noon then I'm hopping =
on the train. Probably won't get in till 8-9pm. Let me know if you guys =
decide for coffee on any other morning. If so, I'm =
game.<div><br></div><div><br></div><div>Looking forward to the next =
record!<br><div><br></div><div><br><div><div>On Jan 7, 2011, at 12:57 =
PM, todd reynolds wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I'm not =
playing, and I'm not aware of any shows (i guess we'll find out), but =
how about a looper's gathering for coffee late morning on the =
13th?<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 12:54 PM, =
Todd Matthews <span dir=3D"ltr">&lt;<a =
href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span> =
wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex;">Anybody doing a live =
show in NYC during these days or have some recommendations?<br>
<font color=3D"#888888"><br>
<br><font class=3D"Apple-style-span"><font class=3D"Apple-style-span" =
color=3D"#888888"><br></font></font></font></blockquote></div>
</blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></div></body></html>=

--Apple-Mail-3-436755842--

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------=_NextPart_000_0106_01C2A9A6.31E2CC90--

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Subject: Re: another mobius question
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On Fri, Jan 7, 2011 at 7:02 PM, Jeff Larson <jeff@zonemobius.com> wrote:
> =C2=A0If you always want to trim an amount
> equal to the *original* subcycle length you could do this
> with a global variable.
>
> =C2=A0!name Trim Last Subcycle
> =C2=A0Variable global trimSubcycleLength 0
>
> =C2=A0if trimSubcycleLength =3D=3D 0
> =C2=A0 =C2=A0 #first time here, remember the length
> =C2=A0 =C2=A0 set trimSubcycleLength subcycleFrames
> =C2=A0endif
>
> =C2=A0Variable trimFrame loopFrames - trimSubcycleLength
> =C2=A0if trimFrame <=3D 0
> =C2=A0 =C2=A0 # we've trimmed down to 1 subcycle, reset the length
> =C2=A0 =C2=A0 set trimSubcycleLength 0
> =C2=A0else
> =C2=A0 =C2=A0Wait until frame trimFrame
> =C2=A0 =C2=A0TrimEnd
> =C2=A0endif


Wow! I just played with this now and it is super cool!!!!  Made two
simultaneous riffs inside one loop each. One riff being played an
octave higher. Then I nuked the last subcycle and the goddamn magic
went almost sufian!

Nice getting back to an important point in using loopers to perform
with; to instantly compose stuff that wouldn't be playable! Look out -
it's the Glitch Terror!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 18:28:41 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: another mobius question
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There are a lot of general questions being asked on this thread
so I'm going to jump around a bit.

> On Jan 7, 2011, at 8:31 AM, mark francombe wrote:
> Isnt it something like (I dont know anything about scripting.. can you =
do this?)
>=20
> !name chop_short
>=20
> Multiply
> Wait cycle
> Wait cycle
> Wait cycle
> ...
> Record

Yes that works.  The basic technique is to start Multiply,
then use Wait to wait for the desired period of time, then
do Record.  The loop will be resized so that it starts whevever
the Multiply started and ends wherever the Record was done. =20
Note though that the initial Multiply will be subject
to Quantize Mode. =20

I think a lot of the questions on this thread would be made
clearer if the documentation for "Wait" wasn't so bad
(non existant really).  I'll work on that this weekend, but
some quick examples:

   # wait for the start of the next subcycle
   Wait subcycle

   # wait for the start of the subycle after the next subcycle
   Wait subcycle 2

   # wait for the start of a specific subcycle
   # subcycles are numbered from 0
   Wait until subcyle 3

So, going back to your example, instead of having several lines of "Wait =
cycle"
you could also do:

   Wait cycle 7

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 18:29:43 2011
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From: todd reynolds <toddreyn@gmail.com>
Date: Fri, 7 Jan 2011 13:29:19 -0500
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Subject: Re: Any live looping happening 13th-16th in Brooklyn/NYC?
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that's the only day we intersect, I'm afraid.  but I think it'd be a fun
thing to pursue in the future.

On Fri, Jan 7, 2011 at 1:14 PM, Todd Matthews <gtmatthews@gmail.com> wrote:

> Damn that would be awesome, I love loopers and coffee but the 13th is
> actually the day I'll be traveling. I teach till noon then I'm hopping on
> the train. Probably won't get in till 8-9pm. Let me know if you guys decide
> for coffee on any other morning. If so, I'm game.
>
>

--20cf3054a2f71f32e6049945cd73
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that&#39;s the only day we intersect, I&#39;m afraid. =A0but I think it&#39=
;d be a fun thing to pursue in the future.<br><br><div class=3D"gmail_quote=
">On Fri, Jan 7, 2011 at 1:14 PM, Todd Matthews <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span> wrot=
e:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">Damn th=
at would be awesome, I love loopers and coffee but the 13th is actually the=
 day I&#39;ll be traveling. I teach till noon then I&#39;m hopping on the t=
rain. Probably won&#39;t get in till 8-9pm. Let me know if you guys decide =
for coffee on any other morning. If so, I&#39;m game.<div>

<br></div></div></blockquote></div>

--20cf3054a2f71f32e6049945cd73--

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Subject: Re: another mobius question
References: <AANLkTinZpc2t0wnxaMAhT-J3sVgu5pc5UdKWzZWEYtjU@mail.gmail.com> <4F6C8C87-9AD9-4FC7-8327-0FA3F2DED82E@zonemobius.com> <AANLkTi=8Gj_5JXjdXNraeJwx9Pi2Z-o8HaZZhnQ0VXwT@mail.gmail.com>
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Yeah, now you see what I've been getting at! I've been doing this with slip a=
nd sequencers but this is way cooler

Sent from my iPod

On 7 Jan 2011, at 18:27, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jan 7, 2011 at 7:02 PM, Jeff Larson <jeff@zonemobius.com> wrote:
>>  If you always want to trim an amount
>> equal to the *original* subcycle length you could do this
>> with a global variable.
>>=20
>>  !name Trim Last Subcycle
>>  Variable global trimSubcycleLength 0
>>=20
>>  if trimSubcycleLength =3D=3D 0
>>     #first time here, remember the length
>>     set trimSubcycleLength subcycleFrames
>>  endif
>>=20
>>  Variable trimFrame loopFrames - trimSubcycleLength
>>  if trimFrame <=3D 0
>>     # we've trimmed down to 1 subcycle, reset the length
>>     set trimSubcycleLength 0
>>  else
>>    Wait until frame trimFrame
>>    TrimEnd
>>  endif
>=20
>=20
> Wow! I just played with this now and it is super cool!!!!  Made two
> simultaneous riffs inside one loop each. One riff being played an
> octave higher. Then I nuked the last subcycle and the goddamn magic
> went almost sufian!
>=20
> Nice getting back to an important point in using loopers to perform
> with; to instantly compose stuff that wouldn't be playable! Look out -
> it's the Glitch Terror!
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 18:32:29 2011
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Yes, I think I included it in one of the last scripts but to
wait for the start of the last subcycle, one way is:

   Variable targetSubcycle subcycleCount - 1
   Wait until subcycle targetSubcycle

Jeff



On Jan 7, 2011, at 10:24 AM, Simeon Harris wrote:

> the system variable "subcyclecount" exists. can this be used?
>=20
> On Fri, Jan 7, 2011 at 4:06 PM, Simeon Harris =
<simeonharris40@googlemail.com> wrote:
> fabio - you said -=20
> Did you try the "TRIM" commands ?
> You can trim start point and end point according to your 8th-16th or =
whatever per cycle setting.
>=20
> but in the manual it says trimend will trim from the current frame to =
the end. how do you get it to trim from the last 8th or 16th to the end?
>=20
> sim
>=20
>=20


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><br></div><div>Yes, I think I included it in one of the last scripts but to</div><div>wait for the start of the last subcycle, one way is:</div><div><br></div><div>&nbsp;&nbsp; Variable targetSubcycle subcycleCount - 1</div><div>&nbsp;&nbsp; Wait until subcycle targetSubcycle</div><div><br></div><div>Jeff</div><div><br></div><div><br></div><br><div><div>On Jan 7, 2011, at 10:24 AM, Simeon Harris wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">the system variable "subcyclecount" exists. can this be used?<br><br><div class="gmail_quote">On Fri, Jan 7, 2011 at 4:06 PM, Simeon Harris <span dir="ltr">&lt;<a href="mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">fabio - you said - <br><div class="im"><div><span>Did you try the "TRIM" commands ?</span></div>
You can trim start point and end point according to your 8th-16th or whatever per cycle setting.<br><br></div>but in the manual it says trimend will trim from the current frame to the end. how do you get it to trim from the last 8th or 16th to the end?<br>

<br>sim<br><br>
</blockquote></div><br>
</blockquote></div><br></body></html>
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: loop windowing in mobius
Date: Fri, 7 Jan 2011 12:37:30 -0600
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> On Jan 7, 2011, at 10:41 AM, Simeon Harris wrote:
> no, just discovered it's the total number of subcycles
> 
> subcyclenumber looks like it could possibly be the one

subcycleCount
   - the number of subcycles in a cycle

subcycleNumber
   - the number of the current subcycle within the cycle,
     subcycles are numbered from zero

Also note that any sort of Wait arithmetic involving
subcycles only works within the *current cycle*.  If your
loop has more than one cycle due to using Multiply, then
the math to get to "the last subcycle of the last cycle"
is a bit more complicated than what I showed in the last scripts.

> i'm trying to get this to work
> 
> if subcyclenumber = 15
> trimend
> endif
> 
> to chop the last subcycle off a loop with 16, but it doesn't work

It would work only if you were within subcycle 15 when you ran it,
but unless you quantized the script, it would not trim exactly
one subcycle it would trim from wherever you were at the moment.

Jeff

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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: loop windowing in mobius
Date: Fri, 7 Jan 2011 12:43:37 -0600
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On Jan 7, 2011, at 12:09 PM, Per Boysen wrote:

> I just tried this. It works on a one cycle long loop
____________
!name Shorter
Message Shortened

Multiply
Wait subcycles 15
Record
next

_____________

> but has two flaws: it nukes the first sixteenth 

This is a "relative" Wait, it will wait for the start
of the subcycle that is 15 after the one you are currently in.
So if you're in subcycle 3 it will wait until the start of 
subcycle 2 (3 + 15 = 18 % 16 = 2).  

To do an "absolute" wait, add the "until" keyboard.

   Wait until subcycle 15

That should always wait until the beginning of the last
subcycle (assuming 8thsperCycle is 16).

> and it causes a noise click that
> gets recorded during the multiply phase (but "shuffle" clicks too, so
> I guess that's an audio engine thing to iron out in the long run)

Ouch, that's news to me!  Is this after the 1.43 upgrade or has it always
done this?

Jeff


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Subject: Re: loop windowing in mobius
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Thanks jeff. I think you've answered my initial question with the scripts yo=
u posted earlier. I'll give them a go later, but it sounds like they're work=
ing well from per. Thanks for all your help!

Sent from my iPod

On 7 Jan 2011, at 18:37, Jeff Larson <jeff@zonemobius.com> wrote:

>> On Jan 7, 2011, at 10:41 AM, Simeon Harris wrote:
>> no, just discovered it's the total number of subcycles
>>=20
>> subcyclenumber looks like it could possibly be the one
>=20
> subcycleCount
>   - the number of subcycles in a cycle
>=20
> subcycleNumber
>   - the number of the current subcycle within the cycle,
>     subcycles are numbered from zero
>=20
> Also note that any sort of Wait arithmetic involving
> subcycles only works within the *current cycle*.  If your
> loop has more than one cycle due to using Multiply, then
> the math to get to "the last subcycle of the last cycle"
> is a bit more complicated than what I showed in the last scripts.
>=20
>> i'm trying to get this to work
>>=20
>> if subcyclenumber =3D 15
>> trimend
>> endif
>>=20
>> to chop the last subcycle off a loop with 16, but it doesn't work
>=20
> It would work only if you were within subcycle 15 when you ran it,
> but unless you quantized the script, it would not trim exactly
> one subcycle it would trim from wherever you were at the moment.
>=20
> Jeff
>=20

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Subject: Re: loop windowing in mobius
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It sounds like TrimEnd may work here, but I wanted to 
"close the loop" so to speak on the Shuffle discussion...

> 3) (This I dont know) So that ONE hit will always loop the
> granule you are in right now, and continue FROM that point.
> (Instead of always starting at the start of the loop)

This script will divide the loop into "slices" equal
to the current subcycle length, then create a new layer
containing repetitions of just the current subcycle.  Each
time you run it will reshuffle the original layer and create
a new layer containing the next subcycle.  When you reach the
end it wraps back to the first subcycle.

Jeff

----------------------------------------------------------------------
!autoload
!name Subcycle Sequence

# Variable containing the current 'slice' in the sequence
Variable global currentSlice -1

# The number of slices will be the number of subcycles times cycles
# so the resulting slice will be equal to one subcycle
Variable slices subCycleCount * cycleCount

if currentSlice == -1
   # first time here, make a shuffle pattern with
   # the current subcycle
   set currentSlice subCycleNumber + (subCycleCount * cycleNumber)

else
   # we've already done the shuffle, undo back to the original layer
   Undo

   # calculate the next slice
   set currentSlice currentSlice + 1
   if currentSlice >= slices
      # wrap around to the beginning
      set currentSlice 0
   endif
endif

Message Shuffling $currentSlice slice out of $slices

# slice it up and start playing the selected slice
Shuffle slices currentSlice
----------------------------------------------------------------------

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Subject: Re: loop windowing in mobius
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>> and it causes a noise click that
>> gets recorded during the multiply phase (but "shuffle" clicks too, so
>> I guess that's an audio engine thing to iron out in the long run)
>

On Fri, Jan 7, 2011 at 7:43 PM, Jeff Larson <jeff@zonemobius.com> wrote:
> Ouch, that's news to me! =C2=A0Is this after the 1.43 upgrade or has it a=
lways
> done this?

No, 1.42 and as long ago I can remember. Well at least a year back,
since we started fiddling with these slice-up-the-loop-by-shuffle
scripts. Do you have reason to believe 1.43 won't click?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 19:26:14 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: loop windowing in mobius
Date: Fri, 7 Jan 2011 13:26:10 -0600
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> On Jan 7, 2011, at 6:06 AM, mark francombe wrote:
> I think that Larsen guy should spend less time posting unshaven =
pictures of me on Facebook

Ordinarilly I would attempt a clever response here, but in this case
I just don't think it would end well.

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Subject: Re: loop windowing in mobius
From: Per Boysen <perboysen@gmail.com>
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>> On Jan 7, 2011, at 6:06 AM, mark francombe wrote:
>> I think that Larsen guy should spend less time posting unshaven pictures of me on Facebook
>
On Fri, Jan 7, 2011 at 8:26 PM, Jeff Larson <jeff@zonemobius.com> wrote:

> Ordinarilly I would attempt a clever response here, but in this case
> I just don't think it would end well.


Right, Jeff. If you wanna stay alive, don't give any feedback if
approached by an unshaven...

P ;-)

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--90e6ba6e8384b220b4049946b960
Content-Type: text/plain; charset=ISO-8859-1

Surely you mean

Wait subcycle 7

?

On Fri, Jan 7, 2011 at 7:28 PM, Jeff Larson <jeff@zonemobius.com> wrote:

> So, going back to your example, instead of having several lines of "Wait
> cycle"
> you could also do:
>
>   Wait cycle 7
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8384b220b4049946b960
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Surely you mean<br><br>Wait subcycle 7<br><br>?<br><br><div class=3D"gmail_=
quote">On Fri, Jan 7, 2011 at 7:28 PM, Jeff Larson <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt;</span> wro=
te:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div id=3D":15u">=
So, going back to your example, instead of having several lines of &quot;Wa=
it cycle&quot;<br>


you could also do:<br>
<br>
 =A0 Wait cycle 7</div></blockquote></div><br><br clear=3D"all"><br>-- <br>=
mark francombe<br><a href=3D"http://www.markfrancombe.com">www.markfrancomb=
e.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><b=
r>twitter @markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8384b220b4049946b960--

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 19:38:35 2011
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Subject: Online Gig Spam - "Shock Horror Theater" Returns!
Date: Fri, 7 Jan 2011 19:38:30 -0000
Organization: EarthLight Productions
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?It had to happen.  Tonight on ustream, "Shock Horror Theater"

Tonight at midnight London time (7pm EST, 4pm PST), the return of Shock 
Horror Theater! It's Jam Handy Night: a cartoon followed by "Mother Takes a 
Holiday" (1952) and "Leave It to Roll-Oh" (1940), two platefuls of stuff 
about the benefits of modern technology to the Little Lady At Home and 
others. Or am it?

http://www.ustream.tv/channel/shock-horror-theater

Tinted for your protection.  And archived of course for your later viewing.


Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv
*
Sent from a PC, not an iPhone 

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> On Jan 7, 2011, at 1:35 PM, mark francombe wrote:
> 
> Surely you mean
> Wait subcycle 7

Your original example was 

> Multiply
> Wait cycle
> Wait cycle
> ...
> Record

So I thought you wanted to wait for cycles, which is reasonable
if you started with a short loop and used Multiply or InstantMultiply
to make a bunch of cycle.  But if you want to wait for subcycles
then yes "Wait subcycles 7".

Jeff

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From: mark francombe <mark@markfrancombe.com>
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This here.. is gold dust... thank you Jeff, you may post pictures of my
hairy ass!

Im called, but there is enough in these two threads to keep me bust all
weekend, if we werent all going skiing Damn and blast!

Mark




On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson <jeff@zonemobius.com> wrote:

>
> It sounds like TrimEnd may work here, but I wanted to
> "close the loop" so to speak on the Shuffle discussion...
>
> > 3) (This I dont know) So that ONE hit will always loop the
> > granule you are in right now, and continue FROM that point.
> > (Instead of always starting at the start of the loop)
>
> This script will divide the loop into "slices" equal
> to the current subcycle length, then create a new layer
> containing repetitions of just the current subcycle.  Each
> time you run it will reshuffle the original layer and create
> a new layer containing the next subcycle.  When you reach the
> end it wraps back to the first subcycle.
>
> Jeff
>
> ----------------------------------------------------------------------
> !autoload
> !name Subcycle Sequence
>
> # Variable containing the current 'slice' in the sequence
> Variable global currentSlice -1
>
> # The number of slices will be the number of subcycles times cycles
> # so the resulting slice will be equal to one subcycle
> Variable slices subCycleCount * cycleCount
>
> if currentSlice == -1
>   # first time here, make a shuffle pattern with
>   # the current subcycle
>   set currentSlice subCycleNumber + (subCycleCount * cycleNumber)
>
> else
>   # we've already done the shuffle, undo back to the original layer
>   Undo
>
>   # calculate the next slice
>   set currentSlice currentSlice + 1
>   if currentSlice >= slices
>      # wrap around to the beginning
>      set currentSlice 0
>   endif
> endif
>
> Message Shuffling $currentSlice slice out of $slices
>
> # slice it up and start playing the selected slice
> Shuffle slices currentSlice
> ----------------------------------------------------------------------
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8384eb86000499471a00
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This here.. is gold dust... thank you Jeff, you may post pictures of my hai=
ry ass!<br><br>Im called, but there is enough in these two threads to keep =
me bust all weekend, if we werent all going skiing Damn and blast!<br><br>

Mark<br><br><br><br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 8=
:21 PM, Jeff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff@zonemobius=
.com">jeff@zonemobius.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">

<br>
It sounds like TrimEnd may work here, but I wanted to<br>
&quot;close the loop&quot; so to speak on the Shuffle discussion...<br>
<div class=3D"im"><br>
&gt; 3) (This I dont know) So that ONE hit will always loop the<br>
&gt; granule you are in right now, and continue FROM that point.<br>
&gt; (Instead of always starting at the start of the loop)<br>
<br>
</div>This script will divide the loop into &quot;slices&quot; equal<br>
to the current subcycle length, then create a new layer<br>
containing repetitions of just the current subcycle. =A0Each<br>
time you run it will reshuffle the original layer and create<br>
a new layer containing the next subcycle. =A0When you reach the<br>
end it wraps back to the first subcycle.<br>
<br>
Jeff<br>
<br>
----------------------------------------------------------------------<br>
!autoload<br>
!name Subcycle Sequence<br>
<br>
# Variable containing the current &#39;slice&#39; in the sequence<br>
Variable global currentSlice -1<br>
<br>
# The number of slices will be the number of subcycles times cycles<br>
# so the resulting slice will be equal to one subcycle<br>
Variable slices subCycleCount * cycleCount<br>
<br>
if currentSlice =3D=3D -1<br>
 =A0 # first time here, make a shuffle pattern with<br>
 =A0 # the current subcycle<br>
 =A0 set currentSlice subCycleNumber + (subCycleCount * cycleNumber)<br>
<br>
else<br>
 =A0 # we&#39;ve already done the shuffle, undo back to the original layer<=
br>
 =A0 Undo<br>
<br>
 =A0 # calculate the next slice<br>
 =A0 set currentSlice currentSlice + 1<br>
 =A0 if currentSlice &gt;=3D slices<br>
 =A0 =A0 =A0# wrap around to the beginning<br>
 =A0 =A0 =A0set currentSlice 0<br>
 =A0 endif<br>
endif<br>
<br>
Message Shuffling $currentSlice slice out of $slices<br>
<br>
# slice it up and start playing the selected slice<br>
Shuffle slices currentSlice<br>
----------------------------------------------------------------------<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8384eb86000499471a00--

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Date: Fri, 7 Jan 2011 20:03:02 +0000
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Subject: Re: another mobius question
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd10128099e400499471b09
Content-Type: text/plain; charset=ISO-8859-1

just tried out the script below - it looks extremely cool, but i'm afraid it
doesn't completely work

t does the first part (you hear the first granule over and over), but you
have to manually undo and rerun to get the next slice. if you just rerun,
nothing changes

you also don't get the message saying which slice is currenlty being
shuffled

it's too complicated for me to troubleshoot, 'm afraid, so i don't know
where it's going wrong, sorry

sim


This script will divide the loop into "slices" equal
to the current subcycle length, then create a new layer
containing repetitions of just the current subcycle.  Each
time you run it will reshuffle the original layer and create
a new layer containing the next subcycle.  When you reach the
end it wraps back to the first subcycle.

Jeff

------------------------------
----------------------------------------
!autoload
!name Subcycle Sequence

# Variable containing the current 'slice' in the sequence
Variable global currentSlice -1

# The number of slices will be the number of subcycles times cycles
# so the resulting slice will be equal to one subcycle
Variable slices subCycleCount * cycleCount

if currentSlice == -1
  # first time here, make a shuffle pattern with
  # the current subcycle
  set currentSlice subCycleNumber + (subCycleCount * cycleNumber)

else
  # we've already done the shuffle, undo back to the original layer
  Undo

  # calculate the next slice
  set currentSlice currentSlice + 1
  if currentSlice >= slices
     # wrap around to the beginning
     set currentSlice 0
  endif
endif

Message Shuffling $currentSlice slice out of $slices

# slice it up and start playing the selected slice

--000e0cd10128099e400499471b09
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

just tried out the script below - it looks extremely cool, but i&#39;m afra=
id it doesn&#39;t completely work<br><br>t does the first part (you hear th=
e first granule over and over), but you have to manually undo and rerun to =
get the next slice. if you just rerun, nothing changes<br>
<br>you also don&#39;t get the message saying which slice is currenlty bein=
g shuffled<br><br>it&#39;s too complicated for me to troubleshoot, &#39;m a=
fraid, so i don&#39;t know where it&#39;s going wrong, sorry<br><br>sim<br>
<br><br>This script will divide the loop into &quot;slices&quot; equal<br>
to the current subcycle length, then create a new layer<br>
containing repetitions of just the current subcycle. =A0Each<br>
time you run it will reshuffle the original layer and create<br>
a new layer containing the next subcycle. =A0When you reach the<br>
end it wraps back to the first subcycle.<br>
<br>
Jeff<br>
<br>
------------------------------<div id=3D":90">-----------------------------=
-----------<br>
!autoload<br>
!name Subcycle Sequence<br>
<br>
# Variable containing the current &#39;slice&#39; in the sequence<br>
Variable global currentSlice -1<br>
<br>
# The number of slices will be the number of subcycles times cycles<br>
# so the resulting slice will be equal to one subcycle<br>
Variable slices subCycleCount * cycleCount<br>
<br>
if currentSlice =3D=3D -1<br>
 =A0 # first time here, make a shuffle pattern with<br>
 =A0 # the current subcycle<br>
 =A0 set currentSlice subCycleNumber + (subCycleCount * cycleNumber)<br>
<br>
else<br>
 =A0 # we&#39;ve already done the shuffle, undo back to the original layer<=
br>
 =A0 Undo<br>
<br>
 =A0 # calculate the next slice<br>
 =A0 set currentSlice currentSlice + 1<br>
 =A0 if currentSlice &gt;=3D slices<br>
 =A0 =A0 =A0# wrap around to the beginning<br>
 =A0 =A0 =A0set currentSlice 0<br>
 =A0 endif<br>
endif<br>
<br>
Message Shuffling $currentSlice slice out of $slices<br>
<br>
# slice it up and start playing the selected slice</div>

--000e0cd10128099e400499471b09--

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Reply-To: wstn.un110@financier.com
Subject: Greetings!
Date: Fri, 7 Jan 2011 18:25:57 +0100
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Greetings!
 
We are notifying you base on the instruction given to us from the office of the 
Secretary to the UNITED NATION (ECOWAS), to transfer you a total sum of $550,000.00USD 
as a compensation funds regard the global economic meltdown through Western Union. We 
have sent you $10,000:00USD already as we are mandated to Transfer you the total sum of 
$550,000.00USD. Processing your first payment of $10,000.00 USD only per day to collect:

Sender&#8217; Name: Emmanuelu Anagor
MTCN: 1331740366
Text Question: favorite color  
Answer: Yellow
Amount: $10,000USD.
	
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Nation (ECOWAS) to make a first installment payment of $10,000.00USD; after your Fund 
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we received from the Secretary General to the United Nation (UN), was a wrong details 
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Your Full Name:
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To;
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Telephone: +234 &#8211; 807 333 0811
wstn.un234@financier.com
 
Thanks for your anticipation towards successful conclusion of your transaction in this 
office.
 
Sincerely Yours,
 
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Customer Care


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Have you upgraded to 1.43?  That's what I wrote it on.  I don't see why
it wouldn't work with 1.42 but I'll try it.  For the messages make sure
the "Message" display component is selected in Configuration/Display =
Components.
 =20

Jeff


On Jan 7, 2011, at 2:03 PM, Simeon Harris wrote:

> just tried out the script below - it looks extremely cool, but i'm =
afraid it doesn't completely work
>=20
> t does the first part (you hear the first granule over and over), but =
you have to manually undo and rerun to get the next slice. if you just =
rerun, nothing changes
>=20
> you also don't get the message saying which slice is currenlty being =
shuffled

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Date: Fri, 7 Jan 2011 20:22:02 +0000
Message-ID: <AANLkTi=FY7xP-MTZnENyghoraW=no45SN0kqZYgAtC1V@mail.gmail.com>
Subject: Re: another mobius question
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6a8d801ec800499475fca
Content-Type: text/plain; charset=ISO-8859-1

yes i'm on 1.43

my bad about the messages - i didn't have the message box in UI

but it definitely doesn't work. it repeats the current 16th (i have 8ths set
to 16), but when it reaches the end of the cycle, that 16th is halved

if you press the button again, you continue to hear hear the current 16th as
normal and the behavoir repeats

the messages show that the currentslice is advancing, but you don't hear it

sim

On Fri, Jan 7, 2011 at 8:12 PM, Jeff Larson <jeff@zonemobius.com> wrote:

> Have you upgraded to 1.43?  That's what I wrote it on.  I don't see why
> it wouldn't work with 1.42 but I'll try it.  For the messages make sure
> the "Message" display component is selected in Configuration/Display
> Components.
>
>
> Jeff
>
>
> On Jan 7, 2011, at 2:03 PM, Simeon Harris wrote:
>
> > just tried out the script below - it looks extremely cool, but i'm afraid
> it doesn't completely work
> >
> > t does the first part (you hear the first granule over and over), but you
> have to manually undo and rerun to get the next slice. if you just rerun,
> nothing changes
> >
> > you also don't get the message saying which slice is currenlty being
> shuffled
>
>

--000e0cd6a8d801ec800499475fca
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yes i&#39;m on 1.43<br><br>my bad about the messages - i didn&#39;t have th=
e message box in UI<br><br>but it definitely doesn&#39;t work. it repeats t=
he current 16th (i have 8ths set to 16), but when it reaches the end of the=
 cycle, that 16th is halved<br>
<br>if you press the button again, you continue to hear hear the current 16=
th as normal and the behavoir repeats<br><br>the messages show that the cur=
rentslice is advancing, but you don&#39;t hear it <br><br>sim<br><br><div c=
lass=3D"gmail_quote">
On Fri, Jan 7, 2011 at 8:12 PM, Jeff Larson <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bor=
der-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Have you upgraded to 1.43? =A0That&#39;s what I wrote it on. =A0I don&#39;t=
 see why<br>
it wouldn&#39;t work with 1.42 but I&#39;ll try it. =A0For the messages mak=
e sure<br>
the &quot;Message&quot; display component is selected in Configuration/Disp=
lay Components.<br>
<font color=3D"#888888"><br>
<br>
Jeff<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
On Jan 7, 2011, at 2:03 PM, Simeon Harris wrote:<br>
<br>
&gt; just tried out the script below - it looks extremely cool, but i&#39;m=
 afraid it doesn&#39;t completely work<br>
&gt;<br>
&gt; t does the first part (you hear the first granule over and over), but =
you have to manually undo and rerun to get the next slice. if you just reru=
n, nothing changes<br>
&gt;<br>
&gt; you also don&#39;t get the message saying which slice is currenlty bei=
ng shuffled<br>
<br>
</div></div></blockquote></div><br>

--000e0cd6a8d801ec800499475fca--

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Date: Fri, 7 Jan 2011 12:48:57 -0800 (PST)
From: usman kamal <usman.kamal1@sify.com>
Reply-To: usman.kamal01@sify.com
Subject:   Compliments of the season, 
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-868645888-1294433337=:25069"

--0-868645888-1294433337=:25069
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Compliments of the season,=20
=0A =20
=0AI am Mr Usman Kamal from Burkina faso, West Africa, here in Ouagadougou =
. I work with Bank Of Africa, (B.O.A) I am writing following an opportunity=
 in my office that will be of an immense benefit to both of us. In my depaa=
rtment we discovered an abandoned sum of $25 million USA Dollars (Twenty Fi=
ve MILLON US Dollars) in an account that belongs to one of our foreign cust=
omers Late Mr.
=0A=20
=0AMorris Thompson an American who unfortunately lost his life in the plane=
 crash of Alaska Airlines Flight 261 which crashed on January 31 2000, incl=
uding his wife and only daughter. You shall read more about the crash on vi=
siting this site.     http://www.alaskajournal.com/stories/081301/foc_nativ=
e_corps.shtml
=0A=20
=0AThe choice of contacting you is aroused from the geographical nature of =
where you live, particularly due to the sensitivity of the transaction and =
the confidentiality herein.
=0ANow our bank has been waiting for any of the relatives to come-up for th=
e claim but nobody has done that. I personally have been unsuccessful in lo=
cating the relatives for 2 years now, I seek your consent to present you as=
 the next of kin / Will Beneficiary to the deceased so that the proceeds of=
 this account valued at 25 Million Dollars can be paid to you. This will be=
 disbursed or shared in these percentages, 60% to me and 40% to you. You ca=
b reach me through my private email ID : usman.kamal01@sify.com
=0A=20
=0AAll I require now is your honest co-operation; confidentiality and trust=
 to enable us see this transaction through. I guarantee you that this will =
be executed under a legitimate arrangement that will proteact you from any =
breach of the law. Please, provide me the following: as we have seven (7) d=
ays to run it through. This is very URGENT PLEASE. KINDLY send the details =
below:=20
=0A =20
=0A1. Full Name=20
=0A2. Your Telephone Number=20
=0A3. Your Contact Address.=20
=0A4. Your photo
=0A=20
=0AYour urgent response will be highly anticipated and appreciated.=20
=0A=20
=0ABest regards,    =20
=0AMr Usman Kamal=0A=0A=0A      
--0-868645888-1294433337=:25069
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>Compliments of the season, <br>=0A  <=
br>=0AI am Mr Usman Kamal from Burkina faso, West Africa, here in Ouagadoug=
ou . I work with Bank Of Africa, (B.O.A) I am writing following an opportun=
ity in my office that will be of an immense benefit to both of us. In my de=
paartment we discovered an abandoned sum of $25 million USA Dollars (Twenty=
 Five MILLON US Dollars) in an account that belongs to one of our foreign c=
ustomers Late Mr.<br>=0A <br>=0AMorris Thompson an American who unfortunate=
ly lost his life in the plane crash of Alaska Airlines Flight 261 which cra=
shed on January 31 2000, including his wife and only daughter. You shall re=
ad more about the crash on visiting this site.     http://www.alaskajournal=
.com/stories/081301/foc_native_corps.shtml<br>=0A <br>=0AThe choice of cont=
acting you is aroused from the geographical nature of where you live, parti=
cularly due to the sensitivity of the transaction and the confidentiality h=
erein.<br>=0ANow our bank has been waiting for any of the relatives to come=
-up for the claim but nobody has done that. I personally have been unsucces=
sful in locating the relatives for 2 years now, I seek your consent to pres=
ent you as the next of kin / Will Beneficiary to the deceased so that the p=
roceeds of this account valued at 25 Million Dollars can be paid to you. Th=
is will be disbursed or shared in these percentages, 60% to me and 40% to y=
ou. You cab reach me through my private email ID : usman.kamal01@sify.com<b=
r>=0A <br>=0AAll I require now is your honest co-operation; confidentiality=
 and trust to enable us see this transaction through. I guarantee you that =
this will be executed under a legitimate arrangement that will proteact you=
 from any breach of the law. Please, provide me the following: as we have s=
even (7) days to run it through. This is very URGENT PLEASE. KINDLY send th=
e details below: <br>=0A  <br>=0A1. Full Name <br>=0A2. Your Telephone Numb=
er <br>=0A3. Your Contact Address. <br>=0A4. Your photo<br>=0A <br>=0AYour =
urgent response will be highly anticipated and appreciated. <br>=0A <br>=0A=
Best regards,     <br>=0AMr Usman Kamal</td></tr></table><br>=0A=0A=0A=0A  =
    &nbsp;
--0-868645888-1294433337=:25069--

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--90e6ba6e89b053ce8704994862cb
Content-Type: text/plain; charset=ISO-8859-1

Its definately working here, with one small error. When it gets back to
slice 0 its silent.





On Fri, Jan 7, 2011 at 9:22 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> yes i'm on 1.43
>
> my bad about the messages - i didn't have the message box in UI
>
> but it definitely doesn't work. it repeats the current 16th (i have 8ths
> set to 16), but when it reaches the end of the cycle, that 16th is halved
>
> if you press the button again, you continue to hear hear the current 16th
> as normal and the behavoir repeats
>
> the messages show that the currentslice is advancing, but you don't hear it
>
>
> sim
>
>
> On Fri, Jan 7, 2011 at 8:12 PM, Jeff Larson <jeff@zonemobius.com> wrote:
>
>> Have you upgraded to 1.43?  That's what I wrote it on.  I don't see why
>> it wouldn't work with 1.42 but I'll try it.  For the messages make sure
>> the "Message" display component is selected in Configuration/Display
>> Components.
>>
>>
>> Jeff
>>
>>
>> On Jan 7, 2011, at 2:03 PM, Simeon Harris wrote:
>>
>> > just tried out the script below - it looks extremely cool, but i'm
>> afraid it doesn't completely work
>> >
>> > t does the first part (you hear the first granule over and over), but
>> you have to manually undo and rerun to get the next slice. if you just
>> rerun, nothing changes
>> >
>> > you also don't get the message saying which slice is currenlty being
>> shuffled
>>
>>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e89b053ce8704994862cb
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Its definately working here, with one small error. When it gets back to sli=
ce 0 its silent.<br><br><br><br><br><br><div class=3D"gmail_quote">On Fri, =
Jan 7, 2011 at 9:22 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mail=
to:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</sp=
an> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">yes i&#39;m on 1.=
43<br><br>my bad about the messages - i didn&#39;t have the message box in =
UI<br>

<br>but it definitely doesn&#39;t work. it repeats the current 16th (i have=
 8ths set to 16), but when it reaches the end of the cycle, that 16th is ha=
lved<br>
<br>if you press the button again, you continue to hear hear the current 16=
th as normal and the behavoir repeats<br><br>the messages show that the cur=
rentslice is advancing, but you don&#39;t hear it <br><br>sim<div><div>

</div><div class=3D"h5"><br><br><div class=3D"gmail_quote">
On Fri, Jan 7, 2011 at 8:12 PM, Jeff Larson <span dir=3D"ltr">&lt;<a href=
=3D"mailto:jeff@zonemobius.com" target=3D"_blank">jeff@zonemobius.com</a>&g=
t;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt =
0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex=
;">


Have you upgraded to 1.43? =A0That&#39;s what I wrote it on. =A0I don&#39;t=
 see why<br>
it wouldn&#39;t work with 1.42 but I&#39;ll try it. =A0For the messages mak=
e sure<br>
the &quot;Message&quot; display component is selected in Configuration/Disp=
lay Components.<br>
<font color=3D"#888888"><br>
<br>
Jeff<br>
</font><div><div></div><div><br>
<br>
On Jan 7, 2011, at 2:03 PM, Simeon Harris wrote:<br>
<br>
&gt; just tried out the script below - it looks extremely cool, but i&#39;m=
 afraid it doesn&#39;t completely work<br>
&gt;<br>
&gt; t does the first part (you hear the first granule over and over), but =
you have to manually undo and rerun to get the next slice. if you just reru=
n, nothing changes<br>
&gt;<br>
&gt; you also don&#39;t get the message saying which slice is currenlty bei=
ng shuffled<br>
<br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e89b053ce8704994862cb--

From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 21:37:00 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: another mobius question
Date: Fri, 7 Jan 2011 15:36:56 -0600
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Try this one.  The bug was that the math assumes that that subcycles
are numbered from zero but the Shuffle function wants them numbered from =
1.
I just tested this one and it seems to work.  =46rom this basis we could =
do other things
like binding it to several MIDI notes and having the note number select =
which slice
to play.

Oh and Per, I'm not getting any clicks when I do this so this may have =
been fixed
in 1.43.  One thing to check though, open the Global Parameters window =
and check
the value for "Fade Frames", make sure it is 128.


Jeff

=
--------------------------------------------------------------------------=
------
!name Subcycle Sequence

# Variable containing the current 'slice' in the sequence
Variable global currentSlice -1

# The number of slices will be the number of subcycles times cycles
# so the resulting slice will be equal to one subcycle
Variable slices subCycleCount * cycleCount

if currentSlice =3D=3D -1
   # first time here, make a shuffle pattern with
   # the current subcycle
   set currentSlice subCycleNumber + (subCycleCount * cycleNumber)

else
   # we've already done the shuffle, undo back to the original layer
   Undo

   # calculate the next slice
   set currentSlice currentSlice + 1
   if currentSlice >=3D slices
      # wrap around to the beginning
      set currentSlice 0
   endif
endif

# internally subcycles/slices are numbered from 0
# but the Shuffle command wants them numbered from 1
Variable shuffleSlice currentSlice + 1

Message Shuffling $shuffleSlice slice out of $slices
Shuffle slices shuffleSlice


From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 21:45:00 2011
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--90e6ba6e838095766f04994887f1
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OH OK.. I just fixed it by  set currentSlice 1

dunno what it did but it worked! ha

BTW, I have 1.42... should I switch?

Mark

On Fri, Jan 7, 2011 at 10:36 PM, Jeff Larson <jeff@zonemobius.com> wrote:

> Try this one.  The bug was that the math assumes that that subcycles
> are numbered from zero but the Shuffle function wants them numbered from 1.
> I just tested this one and it seems to work.  From this basis we could do
> other things
> like binding it to several MIDI notes and having the note number select
> which slice
> to play.
>
> Oh and Per, I'm not getting any clicks when I do this so this may have been
> fixed
> in 1.43.  One thing to check though, open the Global Parameters window and
> check
> the value for "Fade Frames", make sure it is 128.
>
>
> Jeff
>
>
> --------------------------------------------------------------------------------
> !name Subcycle Sequence
>
> # Variable containing the current 'slice' in the sequence
> Variable global currentSlice -1
>
> # The number of slices will be the number of subcycles times cycles
> # so the resulting slice will be equal to one subcycle
> Variable slices subCycleCount * cycleCount
>
> if currentSlice == -1
>   # first time here, make a shuffle pattern with
>   # the current subcycle
>   set currentSlice subCycleNumber + (subCycleCount * cycleNumber)
>
> else
>   # we've already done the shuffle, undo back to the original layer
>   Undo
>
>   # calculate the next slice
>   set currentSlice currentSlice + 1
>   if currentSlice >= slices
>      # wrap around to the beginning
>      set currentSlice 0
>   endif
> endif
>
> # internally subcycles/slices are numbered from 0
> # but the Shuffle command wants them numbered from 1
> Variable shuffleSlice currentSlice + 1
>
> Message Shuffling $shuffleSlice slice out of $slices
> Shuffle slices shuffleSlice
>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e838095766f04994887f1
Content-Type: text/html; charset=ISO-8859-1
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OH OK.. I just fixed it by=A0 set currentSlice 1<br><br>dunno what it did b=
ut it worked! ha<br><br>BTW, I have 1.42... should I switch?<br><br>Mark<br=
><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 10:36 PM, Jeff Larso=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff@zonemobius.com">jeff@zonemob=
ius.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Try this one. =A0=
The bug was that the math assumes that that subcycles<br>
are numbered from zero but the Shuffle function wants them numbered from 1.=
<br>
I just tested this one and it seems to work. =A0From this basis we could do=
 other things<br>
like binding it to several MIDI notes and having the note number select whi=
ch slice<br>
to play.<br>
<br>
Oh and Per, I&#39;m not getting any clicks when I do this so this may have =
been fixed<br>
in 1.43. =A0One thing to check though, open the Global Parameters window an=
d check<br>
the value for &quot;Fade Frames&quot;, make sure it is 128.<br>
<br>
<br>
Jeff<br>
<br>
---------------------------------------------------------------------------=
-----<br>
<div class=3D"im">!name Subcycle Sequence<br>
<br>
# Variable containing the current &#39;slice&#39; in the sequence<br>
Variable global currentSlice -1<br>
<br>
# The number of slices will be the number of subcycles times cycles<br>
# so the resulting slice will be equal to one subcycle<br>
Variable slices subCycleCount * cycleCount<br>
<br>
if currentSlice =3D=3D -1<br>
 =A0 # first time here, make a shuffle pattern with<br>
 =A0 # the current subcycle<br>
 =A0 set currentSlice subCycleNumber + (subCycleCount * cycleNumber)<br>
<br>
else<br>
 =A0 # we&#39;ve already done the shuffle, undo back to the original layer<=
br>
 =A0 Undo<br>
<br>
 =A0 # calculate the next slice<br>
 =A0 set currentSlice currentSlice + 1<br>
 =A0 if currentSlice &gt;=3D slices<br>
 =A0 =A0 =A0# wrap around to the beginning<br>
 =A0 =A0 =A0set currentSlice 0<br>
 =A0 endif<br>
endif<br>
<br>
</div># internally subcycles/slices are numbered from 0<br>
# but the Shuffle command wants them numbered from 1<br>
Variable shuffleSlice currentSlice + 1<br>
<br>
Message Shuffling $shuffleSlice slice out of $slices<br>
Shuffle slices shuffleSlice<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e838095766f04994887f1--

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Date: Fri, 07 Jan 2011 22:52:20 +0100
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Subject: Re: another mobius question - a new one!
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Ok, I'll try this. Posted it on Jeff's forum, but apart from one user 
who confirmed the behaviour but was at a loss as to the "why", no 
replies - here goes:
"I have the following in mind:
A script that when activated (i.e. I click a button), starts to play 
subcycles alternatingly forward and backward.

On an example: let's say I have a loop with 8thpercycle=4 and the voice 
"One Two Three Four" in it.
The result would be "enO Two eerhT Four".

The script should also toggle - meaning one click on the button would 
turn that mode on, another click would turn it off.

Ok, I tried this:
!name autrev
Variable global PartRevActive

# toggle state
if PartRevActive == true
set PartRevActive false
else
set PartRevActive true
endif

# the actual function
while PartRevActive == true
slipforward
reverse
wait subcycle
reverse
slipforward
wait subcycle
next
end

So the turn on/off (section "toggle state") seems to work. However, the 
function itself produces only "deterministic chaos". Any ideas where I 
went wrong?

Rainer "

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: another mobius question
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On Jan 7, 2011, at 3:44 PM, mark francombe wrote:

> OH OK.. I just fixed it by  set currentSlice 1

Where?  Try the new version, the other problem was that the old
version would start shuffling the subcycle before the one you were
actually in.  The fix is the "Variable shuffleSlice currentSlice + 1"
at the end.

> BTW, I have 1.42... should I switch?

If you don't have any gigs coming up then I'd like everyone to switch just
so we can all start using the new documents with the new parameter names
and I only have to test with one version.  There have been a few script
hiccups after the upgrade though so if you can't wait for
the next version to fix whatever we find in the next week or so then I would
stay with 1.42.

Jeff


From Loopers-Delight-request@loopers-delight.com  Fri Jan  7 22:03:24 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: another mobius question - a new one!
Date: Fri, 7 Jan 2011 16:03:19 -0600
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Sorry Rainer, I saw this awhile ago but I'm just really bad about =
keeping the forum updated.
It's so much easier for me to use mailing lists...

Anyway, I'll look at this today but I have to leave for a few hours.=20
Jeff


On Jan 7, 2011, at 3:52 PM, Rainer Straschill wrote:

> Ok, I'll try this. Posted it on Jeff's forum, but apart from one user =
who confirmed the behaviour but was at a loss as to the "why", no =
replies - here goes:
> "I have the following in mind:
> A script that when activated (i.e. I click a button), starts to play =
subcycles alternatingly forward and backward.
>=20
> On an example: let's say I have a loop with 8thpercycle=3D4 and the =
voice "One Two Three Four" in it.
> The result would be "enO Two eerhT Four".
>=20
> The script should also toggle - meaning one click on the button would =
turn that mode on, another click would turn it off.
>=20
> Ok, I tried this:
> !name autrev
> Variable global PartRevActive
>=20
> # toggle state
> if PartRevActive =3D=3D true
> set PartRevActive false
> else
> set PartRevActive true
> endif
>=20
> # the actual function
> while PartRevActive =3D=3D true
> slipforward
> reverse
> wait subcycle
> reverse
> slipforward
> wait subcycle
> next
> end
>=20
> So the turn on/off (section "toggle state") seems to work. However, =
the function itself produces only "deterministic chaos". Any ideas where =
I went wrong?
>=20
> Rainer "
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

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ect WithDue Resp=20
I sourced your email from a human resource profile database in the chamber;=
 my name is MR. Issa Kabore. Account officer to late Mr. Morris Thompson fr=
om America who is a gold merchant Agent here in Ouagadougou Burkina Faso,=
=20
=C2=A0=20
a well known Philanthropist before he died. He made a Will stating that $10=
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l address was picked as the beneficiary to this Will.=20
=C2=A0=20
I am particularly interested in securing this money from the Bank because t=
hey have issued a notice instructing me been the account officer to produce=
 the beneficiary of this before end of this 2010 else the money will be cre=
dited to the Government treasury as per law here. It is my utmost desire to=
 execute the Will of my late client Mr. Morris Thompson since he is no more=
 alive, both wife Thelma Thompson, and daughter Sheryl Thompson.=20
=C2=A0=20
if you are interested, you are required to contact me immediately to start =
the documentation process with the help of a legal practitioner. I urge you=
 to contact me immediately for further details bearing in mind that the Ban=
k has given us a date limit, please act fast. I await your urgent response.=
 If you are interested kindly contact me on my email address issakabore2000=
@gmail.com
=C2=A0=20
=C2=A0=20
Meanwhile I request on your return mail, kindly re-send me your date's info=
rmation's:=20
1. Your Name in Full..................=20
2. You=E2=80=99re Address.................=20
3. Your Occupation................=20
4. Your Nationality.................=20
5. Your City.................=20
6. Your Telephone with..............=20
7. Mobile number............................=20
8. Your Age....................=20
9. Your Gender.................=20
=C2=A0=20
However, feel free to ask me any question and I promise to clarify you on a=
ny doubts. Transaction with=20
MR. Issa Kabore=20
Bank of Africa=20
Ouagadougou Burkina Faso=20
West Africa =C2=A0

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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><span style=3D"font-weight: bold;">ec=
t </span><span style=3D"font-weight: bold;">With</span><span style=3D"font-=
weight: bold;">Due Resp</span><span style=3D"font-weight: bold;"> </span><b=
r><span style=3D"font-weight: bold;">I sourced your email from a human reso=
urce profile database in the chamber; my name is MR. Issa Kabore. Account o=
fficer to late Mr. Morris Thompson from America who is a gold merchant Agen=
t here in Ouagadougou Burkina Faso, <br>&nbsp; <br>a well known Philanthrop=
ist before he died. He made a Will stating that $10.5Million dollars (Ten m=
illion five hundred thousand US) should be given to a citizen of our choice=
 overseas. I have made a random draw and your e-mail address was picked as =
the beneficiary to this Will. <br>&nbsp; <br>I am particularly interested i=
n securing this money from the Bank because they have issued a notice instr=
ucting me
 been the account officer to produce the beneficiary of this before end of =
this 2010 else the money will be credited to the Government treasury as per=
 law here. It is my utmost desire to execute the Will of my late client Mr.=
 Morris Thompson since he is no more alive, both wife Thelma Thompson, and =
daughter Sheryl Thompson. <br>&nbsp; <br>if you are interested, you are req=
uired to contact me immediately to start the documentation process with the=
 help of a legal practitioner. I urge you to contact me immediately for fur=
ther details bearing in mind that the Bank has given us a date limit, pleas=
e act fast. I await your urgent response. If you are interested kindly cont=
act me on my email address issakabore2000@gmail.com<br>&nbsp; <br>&nbsp; <b=
r>Meanwhile I request on your return mail, kindly re-send me your date's in=
formation's: <br>1. Your Name in Full.................. <br>2. You=E2=80=99=
re Address................. <br>3. Your Occupation................ <br>4.
 Your Nationality................. <br>5. Your City................. <br>6.=
 Your Telephone with.............. <br>7. Mobile number....................=
........ <br>8. Your Age.................... <br>9. Your Gender............=
..... <br>&nbsp; <br>However, feel free to ask me any question and I promis=
e to clarify you on any doubts. Transaction with <br>MR. Issa Kabore <br>Ba=
nk of Africa <br>Ouagadougou Burkina Faso <br>West Africa &nbsp;<br><br></s=
pan></td></tr></table><br>=0A=0A=0A=0A=0A=0A=0A      &nbsp;<img id=3D"mail-=
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Subject: Audio example posted: Subcycle Sequence (Re: loop windowing in mobius)
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On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson <jeff@zonemobius.com> wrote:
> This script will divide the loop into "slices" equal
> to the current subcycle length, then create a new layer
> containing repetitions of just the current subcycle. =C2=A0Each
> time you run it will reshuffle the original layer and create
> a new layer containing the next subcycle. =C2=A0When you reach the
> end it wraps back to the first subcycle.


Thanks, Jeff. Here's an audio clip I just recorded usinig your new
Subcyle Sequence script:
http://soundcloud.com/pboy/subcycle-sequence

Can't wait to try this out with other instruments and in a more
prepared context!

Per

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Subject: Re: Audio example posted: Subcycle Sequence (Re: loop windowing in mobius)
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This is a really nice cut. Enjoyed it very much.

On Fri, Jan 7, 2011 at 7:41 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson <jeff@zonemobius.com> wrote:
> > This script will divide the loop into "slices" equal
> > to the current subcycle length, then create a new layer
> > containing repetitions of just the current subcycle.  Each
> > time you run it will reshuffle the original layer and create
> > a new layer containing the next subcycle.  When you reach the
> > end it wraps back to the first subcycle.
>
>
> Thanks, Jeff. Here's an audio clip I just recorded usinig your new
> Subcyle Sequence script:
> http://soundcloud.com/pboy/subcycle-sequence
>
> Can't wait to try this out with other instruments and in a more
> prepared context!
>
> Per
>
>


-- 
Warren
http://www.warrensirota.com
Latest CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--001636c5b325473f1a04994bcfcb
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This is a really nice cut. Enjoyed it very much.<br><br><div class=3D"gmail=
_quote">On Fri, Jan 7, 2011 at 7:41 PM, Per Boysen <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wro=
te:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson=
 &lt;<a href=3D"mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt; wro=
te:<br>

&gt; This script will divide the loop into &quot;slices&quot; equal<br>
&gt; to the current subcycle length, then create a new layer<br>
&gt; containing repetitions of just the current subcycle. =A0Each<br>
&gt; time you run it will reshuffle the original layer and create<br>
&gt; a new layer containing the next subcycle. =A0When you reach the<br>
&gt; end it wraps back to the first subcycle.<br>
<br>
<br>
Thanks, Jeff. Here&#39;s an audio clip I just recorded usinig your new<br>
Subcyle Sequence script:<br>
<a href=3D"http://soundcloud.com/pboy/subcycle-sequence" target=3D"_blank">=
http://soundcloud.com/pboy/subcycle-sequence</a><br>
<br>
Can&#39;t wait to try this out with other instruments and in a more<br>
prepared context!<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warrensirota=
.com</a><br>Latest CD: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbab=
y.com/cd/warrensirota" target=3D"_blank">http://www.cdbaby.com/cd/warrensir=
ota</a><br>


--001636c5b325473f1a04994bcfcb--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  8 01:45:05 2011
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, January 8 at 6 am EST/GMT-5.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

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Hi am Nina I saw your email on internet, its kind of cool and interesting writing you. If you wish to know more about me, you can email me back. My e-mail address is (bebequeen70@yahoo.co.uk). I am waiting; keep cool...


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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Hi am Nina I saw your email on internet, its kind of cool and interesting writing you. If you wish to know more about me, you can email me back. My e-mail address is (bebequeen70@yahoo.co.uk). I am waiting; keep cool...<br><br></td></tr></table>
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Date: Sat, 8 Jan 2011 10:03:09 +0000 (GMT)
From: Hassan Martin <hassanmart02@gmail.com>
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Dear Sir/ Madam
=A0
=A0 Good day, with due respect, trust, and humanity,=A0 I'm Mr. Hassan mart=
in a native of Burkina Faso in West African region. I am a senior member of=
 a reputable bank here in Burkina Faso .
=A0
=A0=A0 I'm writing to you in order to propose a business transaction of 18 =
million dollars which I believe will be of a great interest to both of us. =
I found your contact while I was doing a private research on the Internet a=
fter my fasting & prayers to get a reliable and capable foreign partner tha=
t will assist the project of transferring this said fund into his or her co=
mpanies or private bank account.
=A0
=A0 This fund belongs to a foreign customer of the bank I work with, and no=
 one else knows about the review of this fund and transaction to you except=
 me. I will need your full co-operation to make this transaction manifest b=
ecause the management of the bank is ready to approve this payment to any f=
oreigner who has correct information's of this deceased account. I will giv=
e to you the information's concerning this fund and the late account holder=
 in order to pull this fund into your bank account for both of us.
=A0 Having said, all that is required now is your complete trust and honest=
 cooperation to enable us see this transaction through. At the end of this =
transaction, you will have 30% of the total amount while 60% will be for me=
 and 10% will be for expenses both parties might have incurred during the p=
rocess of transferring.
=A0
=A0=A0 Observe the utmost CONFIDENTIALITY AND SECRECY in this transaction, =
and be rest assured that this transaction would be most profitable for both=
 of us.=A0 I wish you a pleasant day as I hope to read from you soon.
Yours Sincerely,

Mr. HASSAN MARTIN.
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Dear Sir/ Madam<br>&nbsp;<br>&nbsp; Good day,=
 with due respect, trust, and humanity,&nbsp; I'm Mr. Hassan martin a nativ=
e of Burkina Faso in West African region. I am a senior member of a reputab=
le bank here in Burkina Faso .<br>&nbsp;<br>&nbsp;&nbsp; I'm writing to you=
 in order to propose a business transaction of 18 million dollars which I b=
elieve will be of a great interest to both of us. I found your contact whil=
e I was doing a private research on the Internet after my fasting &amp; pra=
yers to get a reliable and capable foreign partner that will assist the pro=
ject of transferring this said fund into his or her companies or private ba=
nk account.<br>&nbsp;<br>&nbsp; This fund belongs to a foreign customer of =
the bank I work with, and no one else knows about the review of this fund a=
nd transaction to you except me. I will need your full co-operation to make
 this transaction manifest because the management of the bank is ready to a=
pprove this payment to any foreigner who has correct information's of this =
deceased account. I will give to you the information's concerning this fund=
 and the late account holder in order to pull this fund into your bank acco=
unt for both of us.<br>&nbsp; Having said, all that is required now is your=
 complete trust and honest cooperation to enable us see this transaction th=
rough. At the end of this transaction, you will have 30% of the total amoun=
t while 60% will be for me and 10% will be for expenses both parties might =
have incurred during the process of transferring.<br>&nbsp;<br>&nbsp;&nbsp;=
 Observe the utmost CONFIDENTIALITY AND SECRECY in this transaction, and be=
 rest assured that this transaction would be most profitable for both of us=
.&nbsp; I wish you a pleasant day as I hope to read from you soon.<br>Yours=
 Sincerely,<br><br>Mr. HASSAN MARTIN.</td></tr></table>
--0-992411887-1294480989=:28063--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  8 11:28:29 2011
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Subject: Re: Audio example posted: Subcycle Sequence (Re: loop windowing in mobius)
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Love that glitch stuff. It sounds like an advanced Andr=E8 la Fosse style.
You're great, Per !

-f

2011/1/8 Per Boysen <perboysen@gmail.com>

> On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson <jeff@zonemobius.com> wrote:
> > This script will divide the loop into "slices" equal
> > to the current subcycle length, then create a new layer
> > containing repetitions of just the current subcycle.  Each
> > time you run it will reshuffle the original layer and create
> > a new layer containing the next subcycle.  When you reach the
> > end it wraps back to the first subcycle.
>
>
> Thanks, Jeff. Here's an audio clip I just recorded usinig your new
> Subcyle Sequence script:
> http://soundcloud.com/pboy/subcycle-sequence
>
> Can't wait to try this out with other instruments and in a more
> prepared context!
>
> Per
>
>

--0016e644cceca4599004995408c3
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<div>Love that glitch stuff. It sounds like an advanced Andr=E8 la Fosse st=
yle.</div><div>You&#39;re great, Per !</div><div><br></div><div>-f<br><br><=
div class=3D"gmail_quote">2011/1/8 Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson=
 &lt;<a href=3D"mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt; wro=
te:<br>

&gt; This script will divide the loop into &quot;slices&quot; equal<br>
&gt; to the current subcycle length, then create a new layer<br>
&gt; containing repetitions of just the current subcycle. =A0Each<br>
&gt; time you run it will reshuffle the original layer and create<br>
&gt; a new layer containing the next subcycle. =A0When you reach the<br>
&gt; end it wraps back to the first subcycle.<br>
<br>
<br>
Thanks, Jeff. Here&#39;s an audio clip I just recorded usinig your new<br>
Subcyle Sequence script:<br>
<a href=3D"http://soundcloud.com/pboy/subcycle-sequence" target=3D"_blank">=
http://soundcloud.com/pboy/subcycle-sequence</a><br>
<br>
Can&#39;t wait to try this out with other instruments and in a more<br>
prepared context!<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br></div>

--0016e644cceca4599004995408c3--

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John Metzler wrote:
> Hi Every One.  
> 
> 	 I am re-title-ing and re phrasing an earlier email i sent in the hope that will get more attention.

we're all ears here,

what's the question?

andy butler

From Loopers-Delight-request@loopers-delight.com  Sat Jan  8 12:43:10 2011
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Subject: Re: Audio example posted: Subcycle Sequence (Re: loop windowing in mobius)
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6b2ccb163fc04995513eb
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lol! that's completely bonkers...love it!

On Sat, Jan 8, 2011 at 11:28 AM, Fabio_A <eterogenus@gmail.com> wrote:

> Love that glitch stuff. It sounds like an advanced Andr=E8 la Fosse style=
.
> You're great, Per !
>
> -f
>
> 2011/1/8 Per Boysen <perboysen@gmail.com>
>
> On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson <jeff@zonemobius.com> wrote:
>> > This script will divide the loop into "slices" equal
>> > to the current subcycle length, then create a new layer
>> > containing repetitions of just the current subcycle.  Each
>> > time you run it will reshuffle the original layer and create
>> > a new layer containing the next subcycle.  When you reach the
>> > end it wraps back to the first subcycle.
>>
>>
>> Thanks, Jeff. Here's an audio clip I just recorded usinig your new
>> Subcyle Sequence script:
>> http://soundcloud.com/pboy/subcycle-sequence
>>
>> Can't wait to try this out with other instruments and in a more
>> prepared context!
>>
>> Per
>>
>>
>

--000e0cd6b2ccb163fc04995513eb
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lol! that&#39;s completely bonkers...love it!<br><br><div class=3D"gmail_qu=
ote">On Sat, Jan 8, 2011 at 11:28 AM, Fabio_A <span dir=3D"ltr">&lt;<a href=
=3D"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>Love that gl=
itch stuff. It sounds like an advanced Andr=E8 la Fosse style.</div><div>Yo=
u&#39;re great, Per !</div>
<div><br></div><div>-f<br><br><div class=3D"gmail_quote">2011/1/8 Per Boyse=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_b=
lank">perboysen@gmail.com</a>&gt;</span><div><div></div><div class=3D"h5"><=
br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On Fri, Jan 7, 20=
11 at 8:21 PM, Jeff Larson &lt;<a href=3D"mailto:jeff@zonemobius.com" targe=
t=3D"_blank">jeff@zonemobius.com</a>&gt; wrote:<br>


&gt; This script will divide the loop into &quot;slices&quot; equal<br>
&gt; to the current subcycle length, then create a new layer<br>
&gt; containing repetitions of just the current subcycle. =A0Each<br>
&gt; time you run it will reshuffle the original layer and create<br>
&gt; a new layer containing the next subcycle. =A0When you reach the<br>
&gt; end it wraps back to the first subcycle.<br>
<br>
<br>
Thanks, Jeff. Here&#39;s an audio clip I just recorded usinig your new<br>
Subcyle Sequence script:<br>
<a href=3D"http://soundcloud.com/pboy/subcycle-sequence" target=3D"_blank">=
http://soundcloud.com/pboy/subcycle-sequence</a><br>
<br>
Can&#39;t wait to try this out with other instruments and in a more<br>
prepared context!<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div></div></div><br></div>
</blockquote></div><br>

--000e0cd6b2ccb163fc04995513eb--

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Subject: Re: another mobius question
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--000e0cd1012855d9bb049955d593
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i still can't get this to work :O(

it just shuffles slice zero, no matter how many times i run it

if i change currentslice to zero instead of -1, then it just repeats slice 1
and never advances

when it reaches the cycle boundary it goes a bit bonkers as well - it sees
to halve the slice length - weird

sim

On Fri, Jan 7, 2011 at 9:36 PM, Jeff Larson <jeff@zonemobius.com> wrote:

> Try this one.  The bug was that the math assumes that that subcycles
> are numbered from zero but the Shuffle function wants them numbered from 1.
> I just tested this one and it seems to work.  From this basis we could do
> other things
> like binding it to several MIDI notes and having the note number select
> which slice
> to play.
>
> Oh and Per, I'm not getting any clicks when I do this so this may have been
> fixed
> in 1.43.  One thing to check though, open the Global Parameters window and
> check
> the value for "Fade Frames", make sure it is 128.
>
>
> Jeff
>
>
> --------------------------------------------------------------------------------
> !name Subcycle Sequence
>
> # Variable containing the current 'slice' in the sequence
> Variable global currentSlice -1
>
> # The number of slices will be the number of subcycles times cycles
> # so the resulting slice will be equal to one subcycle
> Variable slices subCycleCount * cycleCount
>
> if currentSlice == -1
>   # first time here, make a shuffle pattern with
>   # the current subcycle
>   set currentSlice subCycleNumber + (subCycleCount * cycleNumber)
>
> else
>   # we've already done the shuffle, undo back to the original layer
>   Undo
>
>   # calculate the next slice
>   set currentSlice currentSlice + 1
>   if currentSlice >= slices
>      # wrap around to the beginning
>      set currentSlice 0
>   endif
> endif
>
> # internally subcycles/slices are numbered from 0
> # but the Shuffle command wants them numbered from 1
> Variable shuffleSlice currentSlice + 1
>
> Message Shuffling $shuffleSlice slice out of $slices
> Shuffle slices shuffleSlice
>
>
>

--000e0cd1012855d9bb049955d593
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i still can&#39;t get this to work :O(<br><br>it just shuffles slice zero, =
no matter how many times i run it<br><br>if i change currentslice to zero i=
nstead of -1, then it just repeats slice 1 and never advances<br><br>when i=
t reaches the cycle boundary it goes a bit bonkers as well - it sees to hal=
ve the slice length - weird<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Jan 7, 2011 at 9:36 PM, J=
eff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff@zonemobius.com">jef=
f@zonemobius.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
Try this one. =A0The bug was that the math assumes that that subcycles<br>
are numbered from zero but the Shuffle function wants them numbered from 1.=
<br>
I just tested this one and it seems to work. =A0From this basis we could do=
 other things<br>
like binding it to several MIDI notes and having the note number select whi=
ch slice<br>
to play.<br>
<br>
Oh and Per, I&#39;m not getting any clicks when I do this so this may have =
been fixed<br>
in 1.43. =A0One thing to check though, open the Global Parameters window an=
d check<br>
the value for &quot;Fade Frames&quot;, make sure it is 128.<br>
<br>
<br>
Jeff<br>
<br>
---------------------------------------------------------------------------=
-----<br>
<div class=3D"im">!name Subcycle Sequence<br>
<br>
# Variable containing the current &#39;slice&#39; in the sequence<br>
Variable global currentSlice -1<br>
<br>
# The number of slices will be the number of subcycles times cycles<br>
# so the resulting slice will be equal to one subcycle<br>
Variable slices subCycleCount * cycleCount<br>
<br>
if currentSlice =3D=3D -1<br>
 =A0 # first time here, make a shuffle pattern with<br>
 =A0 # the current subcycle<br>
 =A0 set currentSlice subCycleNumber + (subCycleCount * cycleNumber)<br>
<br>
else<br>
 =A0 # we&#39;ve already done the shuffle, undo back to the original layer<=
br>
 =A0 Undo<br>
<br>
 =A0 # calculate the next slice<br>
 =A0 set currentSlice currentSlice + 1<br>
 =A0 if currentSlice &gt;=3D slices<br>
 =A0 =A0 =A0# wrap around to the beginning<br>
 =A0 =A0 =A0set currentSlice 0<br>
 =A0 endif<br>
endif<br>
<br>
</div># internally subcycles/slices are numbered from 0<br>
# but the Shuffle command wants them numbered from 1<br>
Variable shuffleSlice currentSlice + 1<br>
<br>
Message Shuffling $shuffleSlice slice out of $slices<br>
Shuffle slices shuffleSlice<br>
<br>
<br>
</blockquote></div><br>

--000e0cd1012855d9bb049955d593--

From mrkatsuya_nakai@yahoo.co.jp  Sat Jan  8 13:57:11 2011
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Date: Sat, 8 Jan 2011 07:01:17 +0200 (EET)
Subject: Re: Regards
From: "Mr Katsuya Nakai" <mrkatsuya_nakai@yahoo.co.jp>
Reply-To: katsuya_nakai55@terra.com
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HSBC BANK
kashi Hongoku-cho
Chuo-ku, Tokyo 103-8660
Japan

Name: Mr Katsuya Nakai
Email: katsuya_nakai55@terra.com

I am Mr.Katsuya Nakai from HSBC Bank in Japan and have a sensitive and
confidential brief from Japan.I am asking for your partnership in
re-profiling funds ($12.200.000). I am contacting you because you live
outside Japan. Finally, note that this must be concluded within two weeks.
Kindly write back and i look forward to hear from you so i can give you
more information about myself and the nature of the funds.

Regards,
Mr. Katsuya Nakai.



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Date: Sat, 8 Jan 2011 06:09:41 -0800 (PST)
From: Sayidi Omar <sayidix@icqmail.com>
Reply-To: sayidix@icqmail.com
Subject: Re:Very Urgent!!!
To: undisclosed recipients: ;
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Greetings from BURKINA FASO:
=A0
Let me start by introduce myself,I am Mr.Sayidi Omar,BILL AND EXCHANGE MANA=
GER (Bank of Africa) Burkina faso.I am writting you this letter based on th=
e latest development at our bank which I will like to bring to your persona=
l edification.($12,250million transfer claims).This is a legitimate transac=
tion and I agree to offer you 30% of this money as my foreign partner after=
 confirmation of the fund in your bank account,If you are interested get ba=
ck to me.
=A0
Yours faithful,
Mr.Sayidi Omar.

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Greetings from BURKINA FASO:<br>&nbsp;<br>Let=
 me start by introduce myself,I am Mr.Sayidi Omar,BILL AND EXCHANGE MANAGER=
 (Bank of Africa) Burkina faso.I am writting you this letter based on the l=
atest development at our bank which I will like to bring to your personal e=
dification.($12,250million transfer claims).This is a legitimate transactio=
n and I agree to offer you 30% of this money as my foreign partner after co=
nfirmation of the fund in your bank account,If you are interested get back =
to me.<br>&nbsp;<br>Yours faithful,<br>Mr.Sayidi Omar.<br><br></td></tr></t=
able><br>=0A=0A=0A=0A      &nbsp;
--0-1523852147-1294495781=:65000--

From gerenciageneral@uigv.edu.pe  Sat Jan  8 14:44:13 2011
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Date: Sat, 08 Jan 2011 08:24:42 -0500
From: Vincent <gerenciageneral@uigv.edu.pe>
To: <vincenthong@hotmail.co.uk>
Subject: Re:
Reply-To: <vhong022@yahoo.com.hk>
In-Reply-To: <08fb46e40db73efc41f0ed843d54df90@uigv.edu.pe>
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	Ltd, hong kong. I have a deceased client funds in my bank of $44.5MUSD and
	i need you to front as beneficiary,your benefit is 40% of the total funds.If
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On Sat, 08 Jan 2011 07:43:12 -0500, Vincent <gerenciageneral@uigv.edu.pe>
wrote:
I am Mr Vincent Hong  Non Executive Director of the Hang Seng Bank Ltd,
hong kong.
I have a deceased client funds in my bank of $44.5MUSD and i need you to
front as beneficiary,your benefit is 40% of the total funds.If you are
interested reply this message for more details

From parkfernandes04@att.net  Sat Jan  8 15:13:57 2011
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Date: Sat, 8 Jan 2011 20:43:19 +0530
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------=_NextPart_000_0082_01C2A9A6.177D9682--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  8 15:15:38 2011
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References: <AANLkTinZpc2t0wnxaMAhT-J3sVgu5pc5UdKWzZWEYtjU@mail.gmail.com>
	<4D2721C3.7020007@tiscali.co.uk>
	<AANLkTi=SwzSBhBgekZtq9o8qQD5xumW98QFX5oVUyLDJ@mail.gmail.com>
	<AANLkTik83Ypu7YrbEZWs7htC0a=t2v-=7_Ut2JTSuJC+@mail.gmail.com>
	<AANLkTikH6yB+Lj4ftXWYn3oThfJG19+AbzKGnYQty3-J@mail.gmail.com>
	<D20A2E43-F1FF-4169-8813-70644BAAFA91@zonemobius.com>
	<AANLkTinkG3Y=u2RmNDH78dRUVEB=xBnyzs65b6xZcnFB@mail.gmail.com>
	<513110AD-83D6-4C50-8897-66EB3BFBBA50@zonemobius.com>
	<AANLkTik=xtkyWNS+HWoWQkggLKTLhMmuRiW3WVM3_SyS@mail.gmail.com>
	<BCBBC6D2-9BC2-4593-ADC2-0A772E400608@zonemobius.com>
	<AANLkTi=FY7xP-MTZnENyghoraW=no45SN0kqZYgAtC1V@mail.gmail.com>
	<7A39515D-C2CD-427E-B54F-006D246D873C@zonemobius.com>
	<AANLkTi=zctZ2r6NZFU4suAOp6CcoxMb2bbLj215grEZF@mail.gmail.com>
Date: Sat, 8 Jan 2011 15:15:36 +0000
Message-ID: <AANLkTik8d+McoMWh8ynvD-Ze_yRcWT+GLZKwjNRvfyFM@mail.gmail.com>
Subject: Re: another mobius question
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6b2ccf3b1b00499573439
Content-Type: text/plain; charset=ISO-8859-1

ok, my bad. i had the button assigned to an old shuffle script i wasn't
using any more as well as the subcycle script. works perfectly on 1.42 and
1.43!

i'm such a numpty

On Sat, Jan 8, 2011 at 1:37 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> i still can't get this to work :O(
>
> it just shuffles slice zero, no matter how many times i run it
>
> if i change currentslice to zero instead of -1, then it just repeats slice
> 1 and never advances
>
> when it reaches the cycle boundary it goes a bit bonkers as well - it sees
> to halve the slice length - weird
>
> sim
>
>

--000e0cd6b2ccf3b1b00499573439
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

ok, my bad. i had the button assigned to an old shuffle script i wasn&#39;t=
 using any more as well as the subcycle script. works perfectly on 1.42 and=
 1.43!<br><br>i&#39;m such a numpty<br><br><div class=3D"gmail_quote">On Sa=
t, Jan 8, 2011 at 1:37 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;<=
/span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">i still can&#39;t=
 get this to work :O(<br><br>it just shuffles slice zero, no matter how man=
y times i run it<br>
<br>if i change currentslice to zero instead of -1, then it just repeats sl=
ice 1 and never advances<br><br>when it reaches the cycle boundary it goes =
a bit bonkers as well - it sees to halve the slice length - weird<br>
<br>sim<div><div></div><br></div></blockquote></div>

--000e0cd6b2ccf3b1b00499573439--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  8 17:30:24 2011
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Date: Sat, 08 Jan 2011 12:30:16 -0500
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Subject: Thought Radio Playlist for January 8, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/110108.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                 Show #189                January 8, 2011.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Juergen Haible       The Secret Life of   The Secret Life of Trees
                        Trees                (none)
VA [Bass Odyssey]    (no title given)     Sequences No. 12
VA [Mark Shreeve]    (no title given)     Sequences No. 12
VA [Bjorn Lynne]     Znork in Z Minor     Sequences No. 12
Juta Takahashi       Ararat               Silence (Lunisolar)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Unita                In My Garden         Through the Veils (Heartsong)
Deuter               La Folie 4           Mystery of Light (New Earth)
Deuter               Enchanted Summer     Mystery of Light (New Earth)
                        Night *
Deuter               The Heron Dreams     Mystery of Light (New Earth)
Tomas Michaud        Embrace In the Mist  Beauty and Fire (Starland)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
VA [Colossus         In the Eye of the    Dante's Paradiso (Musae)
   Project]             Eagle
VA [Ozone Player]    Canto 21             Dante's Paradiso (Musae)
Agamemnon            Part 1: Agamemnon's  Agamemnon (none)
                        Youth
Mars Hollow          Midnight             Mars Hollow (10t)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/GMT-5.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

From barbara@mictel.com.pl  Sat Jan  8 18:24:28 2011
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Subject: FROM: BARRISTER PAUL LANDER,
Date: Sat, 8 Jan 2011 16.26.45 +0100
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FROM: BARRISTER PAUL LANDER,
ASSETS BROKER.
 
I am a civil lawyer,i have a client that has interest in investing in your country .Can you be of assistance.
 
Sincerely,
Barrister Paul Lander
Asset Broker

From rosedidier1365@att.net  Sat Jan  8 18:56:18 2011
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Date: Sat, 8 Jan 2011 10:55:56 -0800 (PST)
From: "Rose.Didier" <rosedidier1365@att.net>
Reply-To: rosedidier70@yahoo.com.hk
Subject: My Beloved one
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-236778598-1294512957=:32507"

--0-236778598-1294512957=:32507
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My Beloved one
=A0
With profound respect and humble submission, I beg to state the following f=
ew lines for your kind consideration. I hope you will spare some of your va=
luable minutes to read the following appeal with a sympathetic mind.
=A0
I am Mrs. Rose Didier.. wife to late David Didier Dehdeh who was appointed =
Executive Accountant to Cote D'ivoire ( Ivory Coast ) Ministry of Resources=
 and Energy for severall years. My husband died after a brief illness here =
in Cote d'Ivoire and ever since then I decide not to marry again due to my =
religious belief. During the period of our marriage, we 're blessed with a =
son (Nelson Didier) who is now sixteen years old.
=A0
Life became sorrowfull and miserable to me since the death of my beloved hu=
sband, and it is even more hopless, due to my cancer illness. It is sad to =
say that I have a liver damage (Cancer) and I can't live longer than=A0 fou=
r months from now, according to what my doctor told me.=20
=A0
I need you to do me a favour. please!
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 When my late husband wa=
s alive he deposited the sum of $6,800,000.00 USD (Six Million Eight Hundre=
d Thousand USA Dollars) with a bank here in Abidjan, Cote D'ivoire.The mone=
y was registered under Fix Deposit Account and It is still with the bank.
=A0
I can't think of any body else trying to kill me, if not my late husband br=
other. He sweared and said that he will try by all means to claim the money=
 in the bank for himself because my son is only 16 years old.=20
We lost almost everything we Inherited from my late husband during the last=
 political crisis and besides, my late husband brother is giving us trouble=
 every now and then.
=A0
I need you to assist me transfer the money into your bank account and inves=
t it for my son Nelson. I believe you can take care of him and give him a g=
ood education even when am no more.=20
=A0
I will issue an authorisation ( vital documents ) in your name to enable th=
e bank release the money to you before another political crisis arises here=
 in Ivory Coast.
After the transfer of the money into your bank account, my son Nelson shall=
 relocate to your country to start a new life under your care.
=A0
I hope you will not betray this trust if I change the deposit documents to =
your name and make you the new beneficiary..
=A0
If you can be of assisatance to us, I will really appreciate it with all my=
 heart.
=A0
This message is very urgent, and must remain confidential for security purp=
ose. Okay! Tell it to nobody please.
=A0
Remain blessed,
Mrs. Rose Didier.
=A0

--0-236778598-1294512957=:32507
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">My Beloved one<BR>&nbsp;<BR>With profound res=
pect and humble submission, I beg to state the following few lines for your=
 kind consideration. I hope you will spare some of your valuable minutes to=
 read the following appeal with a sympathetic mind.<BR>&nbsp;<BR>I am Mrs. =
Rose Didier.. wife to late David Didier Dehdeh who was appointed Executive =
Accountant to Cote D'ivoire ( Ivory Coast ) Ministry of Resources and Energ=
y for severall years. My husband died after a brief illness here in Cote d'=
Ivoire and ever since then I decide not to marry again due to my religious =
belief. During the period of our marriage, we 're blessed with a son (Nelso=
n Didier) who is now sixteen years old.<BR>&nbsp;<BR>Life became sorrowfull=
 and miserable to me since the death of my beloved husband, and it is even =
more hopless, due to my cancer illness. It is sad to say that I have a live=
r
 damage (Cancer) and I can't live longer than&nbsp; four months from now, a=
ccording to what my doctor told me. <BR>&nbsp;<BR>I need you to do me a fav=
our. please!<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp=
;&nbsp;&nbsp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; When my late husband wa=
s alive he deposited the sum of $6,800,000.00 USD (Six Million Eight Hundre=
d Thousand USA Dollars) with a bank here in Abidjan, Cote D'ivoire.The mone=
y was registered under Fix Deposit Account and It is still with the bank.<B=
R>&nbsp;<BR>I can't think of any body else trying to kill me, if not my lat=
e husband brother. He sweared and said that he will try by all means to cla=
im the money in the bank for himself because my son is only 16 years old. <=
BR>We lost almost everything we Inherited from my late husband during the l=
ast political crisis and besides, my late husband brother is giving
 us trouble every now and then.<BR>&nbsp;<BR>I need you to assist me transf=
er the money into your bank account and invest it for my son Nelson. I beli=
eve you can take care of him and give him a good education even when am no =
more. <BR>&nbsp;<BR>I will issue an authorisation ( vital documents ) in yo=
ur name to enable the bank release the money to you before another politica=
l crisis arises here in Ivory Coast.<BR>After the transfer of the money int=
o your bank account, my son Nelson shall relocate to your country to start =
a new life under your care.<BR>&nbsp;<BR>I hope you will not betray this tr=
ust if I change the deposit documents to your name and make you the new ben=
eficiary..<BR>&nbsp;<BR>If you can be of assisatance to us, I will really a=
ppreciate it with all my heart.<BR>&nbsp;<BR>This message is very urgent, a=
nd must remain confidential for security purpose. Okay! Tell it to nobody p=
lease.<BR>&nbsp;<BR>Remain blessed,<BR>Mrs. Rose
 Didier.<BR>&nbsp;<BR></td></tr></table>
--0-236778598-1294512957=:32507--

From Loopers-Delight-request@loopers-delight.com  Sat Jan  8 20:42:19 2011
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Subject: yet another mobius question! (not another one....!)
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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ok, having figured out, thanks to jeff, how to trim the end off a loop, i'm
wondering if it's possible to add a bit on?

insert only seems to work with cycles and i'd like to add on a subcycle. is
the only way to do this with a quantised bounce that lasts for one cycle +
one subcycle?

ta

sim

--0015175707f44b7eec04995bc504
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ok, having figured out, thanks to jeff, how to trim the end off a loop, i&#=
39;m wondering if it&#39;s possible to add a bit on?<br><br>insert only see=
ms to work with cycles and i&#39;d like to add on a subcycle. is the only w=
ay to do this with a quantised bounce that lasts for one cycle + one subcyc=
le?<br>
<br>ta<br><br>sim<br>

--0015175707f44b7eec04995bc504--

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ase find time to read it carefully as we congratulate you despite constant =
efforts made to get in touch with you regarding your email ,which have won =
you a bonus prize of $2,500,000 United State Dollars from BBC National Lott=
ery in conjunction Microsoft Corporation, to compensate our online users fo=
r this 2010 end of year Christmas Bonus and the new year 2011.View our webs=
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From: Stephen Scott <loopingsteve@yahoo.co.uk>
Reply-To: Loopers-Delight@loopers-delight.com
Subject: Re: yet another mobius question! (not another one....!)
To: Loopers-Delight@loopers-delight.com
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Sim,

I asked this exact question a long while ago, so Jeff (I think it was) kind=
ly wrote this script for me;

!name Insert SubCycle
Variable saveQuantize quantize
set quantize off
Wait subCycle
InsertOnly
Wait subCycle
Record
set 8thsPerCycle 8thsPerCycle + 1
set quantize saveQuantize

Stephen


--- On Sat, 8/1/11, Simeon Harris <simeonharris40@googlemail.com> wrote:

From: Simeon Harris <simeonharris40@googlemail.com>
Subject: yet another mobius question! (not another one....!)
To: Loopers-Delight@loopers-delight.com
Date: Saturday, 8 January, 2011, 20:42

ok, having figured out, thanks to jeff, how to trim the end off a loop, i'm=
 wondering if it's possible to add a bit on?

insert only seems to work with cycles and i'd like to add on a subcycle. is=
 the only way to do this with a quantised bounce that lasts for one cycle +=
 one subcycle?
=0A
ta

sim
=0A=0A=0A=0A      
--0-1932113079-1294524521=:64609
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Sim,<br><br>I asked this exact question a lon=
g while ago, so Jeff (I think it was) kindly wrote this script for me;<br><=
br>!name Insert SubCycle<br>Variable saveQuantize quantize<br>set quantize =
off<br>Wait subCycle<br>InsertOnly<br>Wait subCycle<br>Record<br>set 8thsPe=
rCycle 8thsPerCycle + 1<br>set quantize saveQuantize<br><br>Stephen<br><br>=
<br>--- On <b>Sat, 8/1/11, Simeon Harris <i>&lt;simeonharris40@googlemail.c=
om&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16=
, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Simeon Harris &=
lt;simeonharris40@googlemail.com&gt;<br>Subject: yet another mobius questio=
n! (not another one....!)<br>To: Loopers-Delight@loopers-delight.com<br>Dat=
e: Saturday, 8 January, 2011, 20:42<br><br><div id=3D"yiv1736601910">ok, ha=
ving figured out, thanks to jeff, how to trim the end off a loop, i'm wonde=
ring if
 it's possible to add a bit on?<br><br>insert only seems to work with cycle=
s and i'd like to add on a subcycle. is the only way to do this with a quan=
tised bounce that lasts for one cycle + one subcycle?<br>=0A<br>ta<br><br>s=
im<br>=0A</div></blockquote></td></tr></table><br>=0A=0A=0A=0A      
--0-1932113079-1294524521=:64609--

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Subject: Re: yet another mobius question! (not another one....!)
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Superb, thanks Stephen!

Sent from my iPod

On 8 Jan 2011, at 22:08, Stephen Scott <loopingsteve@yahoo.co.uk> wrote:

> Sim,
>=20
> I asked this exact question a long while ago, so Jeff (I think it was) kin=
dly wrote this script for me;
>=20
> !name Insert SubCycle
> Variable saveQuantize quantize
> set quantize off
> Wait subCycle
> InsertOnly
> Wait subCycle
> Record
> set 8thsPerCycle 8thsPerCycle + 1
> set quantize saveQuantize
>=20
> Stephen
>=20
>=20
> --- On Sat, 8/1/11, Simeon Harris <simeonharris40@googlemail.com> wrote:
>=20
> From: Simeon Harris <simeonharris40@googlemail.com>
> Subject: yet another mobius question! (not another one....!)
> To: Loopers-Delight@loopers-delight.com
> Date: Saturday, 8 January, 2011, 20:42
>=20
> ok, having figured out, thanks to jeff, how to trim the end off a loop, i'=
m wondering if it's possible to add a bit on?
>=20
> insert only seems to work with cycles and i'd like to add on a subcycle. i=
s the only way to do this with a quantised bounce that lasts for one cycle +=
 one subcycle?
>=20
> ta
>=20
> sim
>=20

--Apple-Mail-2-537903192
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=utf-8

<html><body bgcolor=3D"#FFFFFF"><div>Superb, thanks Stephen!<br><br>Sent fro=
m my iPod</div><div><br>On 8 Jan 2011, at 22:08, Stephen Scott &lt;<a href=3D=
"mailto:loopingsteve@yahoo.co.uk">loopingsteve@yahoo.co.uk</a>&gt; wrote:<br=
><br></div><div></div><blockquote type=3D"cite"><div><table cellspacing=3D"0=
" cellpadding=3D"0" border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font=
: inherit;">Sim,<br><br>I asked this exact question a long while ago, so Jef=
f (I think it was) kindly wrote this script for me;<br><br>!name Insert SubC=
ycle<br>Variable saveQuantize quantize<br>set quantize off<br>Wait subCycle<=
br>InsertOnly<br>Wait subCycle<br>Record<br>set 8thsPerCycle 8thsPerCycle + 1=
<br>set quantize saveQuantize<br><br>Stephen<br><br><br>--- On <b>Sat, 8/1/1=
1, Simeon Harris <i>&lt;<a href=3D"mailto:simeonharris40@googlemail.com">sim=
eonharris40@googlemail.com</a>&gt;</i></b> wrote:<br><blockquote style=3D"bo=
rder-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"=
><br>From: Simeon Harris &lt;<a href=3D"mailto:simeonharris40@googlemail.com=
">simeonharris40@googlemail.com</a>&gt;<br>Subject: yet another mobius quest=
ion! (not another one....!)<br>To: <a href=3D"mailto:Loopers-Delight@loopers=
-delight.com"><a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers=
-Delight@loopers-delight.com</a></a><br>Date: Saturday, 8 January, 2011, 20:=
42<br><br><div id=3D"yiv1736601910">ok, having figured out, thanks to jeff, h=
ow to trim the end off a loop, i'm wondering if
 it's possible to add a bit on?<br><br>insert only seems to work with cycles=
 and i'd like to add on a subcycle. is the only way to do this with a quanti=
sed bounce that lasts for one cycle + one subcycle?<br>
<br>ta<br><br>sim<br>
</div></blockquote></td></tr></tbody></table><br>



      </div></blockquote></body></html>=

--Apple-Mail-2-537903192--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 00:02:16 2011
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Subject: Re: Audio example posted: Subcycle Sequence (Re: loop windowing in
 mobius)
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On 7/22/64 11:59 AM, Per Boysen wrote:
> On Fri, Jan 7, 2011 at 8:21 PM, Jeff Larson<jeff@zonemobius.com>  wrote:
>> This script will divide the loop into "slices" equal
>> to the current subcycle length, then create a new layer
>> containing repetitions of just the current subcycle.  Each
>> time you run it will reshuffle the original layer and create
>> a new layer containing the next subcycle.  When you reach the
>> end it wraps back to the first subcycle.
>
> Thanks, Jeff. Here's an audio clip I just recorded usinig your new
> Subcyle Sequence script:
> http://soundcloud.com/pboy/subcycle-sequence
>
> Can't wait to try this out with other instruments and in a more
> prepared context!
>
> Per
Wow, it's hard to wrap my mind around what that's doing because there 
are so many manipulations
of the subcycle............but it's fascinating to listen to.   Cool new 
technique, especially for
real time.

I suppose we can think of it as granular looping, eh?

rick walker

From info@atm.org  Sun Jan  9 01:48:52 2011
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Date: Sun, 09 Jan 2011 02:23:10 +0100
From: OCEANIC BANK PLC <info@atm.org>
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Subject: CODE OF CONDUCT(ATM-900)
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ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true.

From ecafil@ecafil.it  Sun Jan  9 04:46:18 2011
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From: "ecafil" <ecafil@ecafil.it>
Reply-To: ecowasoffice0933@yahoo.com.hk
Subject: =?UTF-8?Q?su_correo_electr=C3=B3?=nico se sellected!
Date: Wed, 5 Jan 2011 15:44:29 +0100
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De las Naciones Unidas Programa de DonaciÃ³n de 2011.
NOTIFICACIÃ“N DE LA DONACIÃ“N A USTED PARA EL DESARROLLO EN SU REGION.

De las Naciones Unidas para el Desarrollo, y la caridad en relaciÃ³n con la La
CEDEAO, Europen Union, estÃ¡n dando una donaciÃ³n anual de EE.UU. $ 850,000.00
(Ochocientos cincuenta mil dÃ³lares estadounidenses) como especÃ­fico
Donaciones y prÃ©stamos a 40 beneficiarios de suerte internacionales en todo
el mundo.




De las Naciones Unidas Programa de DonaciÃ³n de 2011.
NOTIFICACIÃ“N DE LA DONACIÃ“N A USTED PARA EL DESARROLLO EN SU 

REGION.

De las Naciones Unidas para el Desarrollo, y la caridad en 

relaciÃ³n con la La
CEDEAO, Europen Union, estÃ¡n dando una donaciÃ³n anual de EE.UU. $ 

850,000.00
(Ochocientos cincuenta mil dÃ³lares estadounidenses) como 

especÃ­fico
Donaciones y prÃ©stamos a 40 beneficiarios de suerte 

internacionales en todo
el mundo.


Esto es para informarle de que su direcciÃ³n de correo electrÃ³nico 

han ganado
un premio de EE.UU. $ 850,000.00 (ochocientos cincuenta mil 

dÃ³lares
estadounidenses), como uno de los beneficiarios finales de una 

subvenciÃ³n en
efectivo / DonaciÃ³n para su propio educaciÃ³n personal, y 

desarrollo de
negocios para este aÃ±o 2011. Sobre la base de el correo 

electrÃ³nico ejercicio
de selecciÃ³n aleatoria de los sitios de Internet y millones de las 

facturas
de caja de supermercados en todo el mundo,

que fueron seleccionados entre los
afortunados los beneficiarios para recibir la suma de adjudicaciÃ³n 

de los
EE.UU. $ 850,000.00 (Eighthundred y de Cincuenta mil dÃ³lares
estadounidenses), como donaciones de caridad / ayuda de la El 

PNUD, la
CEDEAO, la UE y la ONU, de conformidad con la ley de autorizaciÃ³n 

de la
Parlamento.


Sus nÃºmeros de clasificaciÃ³n es (N-222-6747, E-900-56). Para 

llenar las
reclamaciones siguiente formulario y enviar al departamento de 

pago de la
CEDEAO HEAD OFFICE Nigeria.

NOMBRES COMPLETOS :____________________
DirecciÃ³n: ______________________
ESTADO :_______________________
COUNTRY____________________
Sexo / Edad :_____________________
ESTADO CIVIL :___________
OCUPACIÃ“N :_________________
E-MAIL :_____________________
NUMERO DE TELEFONO :_____________________
=============================================
ENVIAR TODAS LAS PREGUNTAS A LA
Oficial de Relaciones PÃºblicas. (P.R.O)

E-mail: ecowasoffice0933@yahoo.com.hk
TEL: 234 807-460-8813 
Fax: 234 807-460-8813

Gracias y aceptar mis sinceras felicitaciones de nuevo!

Atentamente,
El Dr. Shaw.

From gecadgh@4u.com.gh  Sun Jan  9 07:59:10 2011
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From: "MICHAEL KHAN"<gecadgh@4u.com.gh>
Subject: Contact Access Trust Courier Immediately For Your Package
Date: Sat, 8 Jan 2011 23:54:12 -0000
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Greetings

I waited for you to get in contact  with me for your ATM VISA CARD Loaded with the sum of $750,000,hence I deposited it with ACCESS TRUST COURIER AND EXPRESS DELIVERY SERVICES.
Note that i have already paid for the delivery charges and insurance certificate.The only fee remaining is the security safe keeping fee, because they don't know when you will be contacting them,based on this you will pay the security keeping  fee of $115 before they will dispatch your package to your doorstep address,

Contact the Dispatch Director:MR.Joseph Owen with the following information's:First name:Last Name:Telephone:address.Dispatch Director:Mr.Joseph Owen
Email Address:    accesstrustcouriergha@workmail.co.za

Do contact the company immediately with this code (GH524244252528X),

MR.MICHAEL KHAN

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 08:55:20 2011
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Subject: Selling some gear in Oakland tomorrow
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi all,

In Oakland, California, 21 Grand is having a record swap tomorrow
(sunday), from 11-5.
21 Grand is located at 416 25th Street, Oakland, CA.

I will be selling the following gear:

Sequential Circuits Prophet 2000 sampling keyboard
With instruction manual, 25 sample discs and 25 more blank floppy discs
$150
http://www.vintagesynth.com/sci/p2000.php

Ensoniq EPS-1 sampling keyboard
With instruction manual and 54 sample floppy discs
$200
http://www.vintagesynth.com/ensoniq/ens_eps.php

Line 6 POD 2.0
guitar amp simulator and fx box
in box with instruction manual - barely used
$100

Korg/ToneworksPandora PX4D
portable amp simulator / fx unit
in box with instruction manual - barely used
$75

Line 6 Tonecore Tap Tremolo pedal
In box with instructions, no power supply
http://line6.com/tonecore/tapTremolo.html
$25

Electro-Harmonix Worm
analog wah/phaser/tremolo/vibrato pedal
In box with instructions & power supply
http://www.ehx.com/products/worm
$30

Many cds of varying levels of coolness/obscurity at various prices.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 11:33:44 2011
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--00248c05002f2071b5049968395a
Content-Type: text/plain; charset=ISO-8859-1

Anybody else got message from Lucy? ;-)



Hello!
May the blessings of the  season  rest upon your life,
I found you here ON this site (www.loopers-delight.com) and picked
interest in you. My name is lucy. I wish to be in good relationship with you
and may be discover ourselves as real partners for life. Please send
your email address in my inbox and not site please
With this email adderss (lucy_koroma@yahoo.com)
If you feel interested write me through the contact.
so that i will send you my pictures
(Remember the distance or colour does not matter but love matters alot in
life)
I will be happy to seeing a good responds from you
Thanks from my heart;
Yours in love,
lucy (lucy_koroma@yahoo.com)





-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--00248c05002f2071b5049968395a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Anybody else got message from Lucy? ;-)<br><br><br><br>Hello!<br>May the bl=
essings of the=A0 season=A0 rest upon your life,<br>I found you here ON thi=
s site (<a href=3D"http://www.loopers-delight.com/" target=3D"_blank">www.l=
oopers-delight.com</a>) and picked<br>
interest in you. My name is lucy. I wish to be in good relationship with yo=
u<br>and may be discover ourselves as real partners for life. Please send<b=
r>your email address in my inbox and not site please<br>With this email add=
erss (<a href=3D"mailto:lucy_koroma@yahoo.com" target=3D"_blank">lucy_korom=
a@yahoo.com</a>)<br>
If you feel interested write me through the contact.<br>so that i will send=
 you my pictures<br>(Remember the distance or colour does not matter but lo=
ve matters alot in life)<br>I will be happy to seeing a good responds from =
you<br>
Thanks from my heart;<br>Yours in love,<br>lucy (<a href=3D"mailto:lucy_kor=
oma@yahoo.com" target=3D"_blank">lucy_koroma@yahoo.com</a>)<br clear=3D"all=
"><br><br><br><br><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petril=
ahtinen.com" target=3D"_blank">http://www.petrilahtinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://pet=
rilahtinen.blogspot.com/</a><br><a href=3D"http://soundcloud.com/petrilahti=
nen" target=3D"_blank">http://soundcloud.com/petrilahtinen</a><br><a href=
=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitter.com/=
PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://pet=
rilahtinen.bandcamp.com/</a><br>-------------------------------------------=
--------<br>&quot;Only become professional musician if there is no choice.&=
quot; -Robert Fripp-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>

--00248c05002f2071b5049968395a--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 11:48:47 2011
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Subject: Re: Lucy in the sky with spam
Date: Sun, 9 Jan 2011 11:48:41 -0000
Organization: EarthLight Productions
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This is a multi-part message in MIME format.

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?Yes, alas.

From: Petri Lahtinen=20
Sent: Sunday, January 09, 2011 11:33 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Lucy in the sky with spam

Anybody else got message from Lucy? ;-)



Hello!
May the blessings of the  season  rest upon your life,
I found you here ON this site (www.loopers-delight.com) and picked
interest in you. My name is lucy. I wish to be in good relationship with =
you
and may be discover ourselves as real partners for life. Please send
your email address in my inbox and not site please
With this email adderss (lucy_koroma@yahoo.com)
If you feel interested write me through the contact.
so that i will send you my pictures
(Remember the distance or colour does not matter but love matters alot =
in life)
I will be happy to seeing a good responds from you
Thanks from my heart;
Yours in love,
lucy (lucy_koroma@yahoo.com)





--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert =
Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead." =
-Charles Bukowski-


------=_NextPart_000_0021_01CBAFF3.297BBD00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Yes, alas.</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Daikuinen@gmail.com=20
href=3D"mailto:aikuinen@gmail.com">Petri Lahtinen</A> </DIV>
<DIV><B>Sent:</B> Sunday, January 09, 2011 11:33 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Lucy in the sky with spam</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">Anybody=20
else got message from Lucy? ;-)<BR><BR><BR><BR>Hello!<BR>May the =
blessings of=20
the&nbsp; season&nbsp; rest upon your life,<BR>I found you here ON this =
site (<A=20
href=3D"http://www.loopers-delight.com/"=20
target=3D_blank>www.loopers-delight.com</A>) and picked<BR>interest in =
you. My=20
name is lucy. I wish to be in good relationship with you<BR>and may be =
discover=20
ourselves as real partners for life. Please send<BR>your email address =
in my=20
inbox and not site please<BR>With this email adderss (<A=20
href=3D"mailto:lucy_koroma@yahoo.com"=20
target=3D_blank>lucy_koroma@yahoo.com</A>)<BR>If you feel interested =
write me=20
through the contact.<BR>so that i will send you my pictures<BR>(Remember =
the=20
distance or colour does not matter but love matters alot in life)<BR>I =
will be=20
happy to seeing a good responds from you<BR>Thanks from my =
heart;<BR>Yours in=20
love,<BR>lucy (<A href=3D"mailto:lucy_koroma@yahoo.com"=20
target=3D_blank>lucy_koroma@yahoo.com</A>)<BR =
clear=3Dall><BR><BR><BR><BR><BR>--=20
<BR>Petri Lahtinen<BR><A href=3D"http://www.petrilahtinen.com"=20
target=3D_blank>http://www.petrilahtinen.com</A><BR><A=20
href=3D"http://petrilahtinen.blogspot.com/"=20
target=3D_blank>http://petrilahtinen.blogspot.com/</A><BR><A=20
href=3D"http://soundcloud.com/petrilahtinen"=20
target=3D_blank>http://soundcloud.com/petrilahtinen</A><BR><A=20
href=3D"http://twitter.com/PetriLahtinen"=20
target=3D_blank>http://twitter.com/PetriLahtinen</A><BR><A=20
href=3D"http://petrilahtinen.bandcamp.com/"=20
target=3D_blank>http://petrilahtinen.bandcamp.com/</A><BR>---------------=
------------------------------------<BR>"Only=20
become professional musician if there is no choice." -Robert=20
Fripp-<BR>---------------------------------------------------<BR>"Some =
people=20
never go crazy. What truly horrible lives they must lead." -Charles=20
Bukowski-<BR><BR></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_0021_01CBAFF3.297BBD00--

From love20y2k@yahoo.com  Sun Jan  9 14:39:07 2011
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Date: Sun, 9 Jan 2011 06:38:45 -0800 (PST)
From: mrs mercy adams <love20y2k@yahoo.com>
Subject: CONTACT MAY BANK (MALAYSIA) FOR YOUR ATM MASTER CARD
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii

CONTACT MAY BANK (MALAYSIA) FOR YOUR ATM MASTER CARD
 
Attention: Dear,
 
I have been waiting for you since to come down here and pick your Bank Draft of Four Million Dollars (US$4M) but did not heard from you since that time then I went and deposited the Bank Draft with MAY BANK KUALA LUMPUR MALAYSIA, because I travelled to Hong Kong to see my boss and will not come back till next month end.
 
I have arranged with them to make your payment to you with their new ATM MASTER CARD which you can use to withdraw your money in any ATM MACHINE around the globe/world. You have to contact the MAY BANK KUALA LUMPUR MALAYSIA with your full contact informations such as follows:
 
1) YOUR FULL NAME ..................
(2) YOUR RESIDENTIAL ADDRESS...........
(3) YOUR POSTAL ADDRESS..................
(4) YOUR PHONE AND FAX NUMBER................
(5) YOUR E-MAIL ADDRESS..................
(6) YOUR OCCUPATION........................
(7) YOUR OFFICIAL AGE......................
(8) YOUR PHOTOGRAPH ................
(9) YOUR COUNTRY...........................
 
However, Kindly contact the below person who is in position to release your ATM Master CARD.
 
E:mail (maybandeparmalay00012@hotmail.my)
NAME: REV DR GODWIN E.ANDRESON
DIRECTOR, ATM PAYMENT DEPARTMENT MAY BANK  KUALA LUMPUR MALAYSIA.
 
So try to contact them as soon as possible to quicken the process of your Atm Card before your Bank Draft gets Expired.Let me know as soon as you receive your ATM Master Card.
 
 
Thanks.
Mrs Mercy Adams 
 




      

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 16:05:11 2011
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Subject: Re: Bebe Barron Interview
Date: Sun, 9 Jan 2011 08:05:06 -0800
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Thanks for sharing that Chris.

On Jan 3, 2011, at 6:28 PM, samba - wrote:

> http://www.janebrockman.org/BebeBarron/BebeBarron.html

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 16:54:40 2011
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	<78CEE563-891F-4A80-89EA-B3AA3FF57CD9@googlemail.com>
Date: Sun, 9 Jan 2011 16:54:38 +0000
Message-ID: <AANLkTikKMOH+ToKBPNm5=tUnotc6YDYJZ__1JCF5J_Hb@mail.gmail.com>
Subject: Re: yet another mobius question! (not another one....!)
From: Simeon Harris <simeonharris40@googlemail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--000e0cd52e70f7b78b04996cb459
Content-Type: text/plain; charset=ISO-8859-1

ok, i've tried adding this script to 1.42 and 1.43 and it causes mobius to
crash.

could someone else try it and let me know how you get on?

sim

On Sat, Jan 8, 2011 at 10:19 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> Superb, thanks Stephen!
>
> Sent from my iPod
>
> On 8 Jan 2011, at 22:08, Stephen Scott <loopingsteve@yahoo.co.uk> wrote:
>
> Sim,
>
> I asked this exact question a long while ago, so Jeff (I think it was)
> kindly wrote this script for me;
>
> !name Insert SubCycle
> Variable saveQuantize quantize
> set quantize off
> Wait subCycle
> InsertOnly
> Wait subCycle
> Record
> set 8thsPerCycle 8thsPerCycle + 1
> set quantize saveQuantize
>
> Stephen
>
>
> --- On *Sat, 8/1/11, Simeon Harris <simeonharris40@googlemail.com>* wrote:
>
>
> From: Simeon Harris <simeonharris40@googlemail.com>
> Subject: yet another mobius question! (not another one....!)
> To: <Loopers-Delight@loopers-delight.com>
> Loopers-Delight@loopers-delight.com
> Date: Saturday, 8 January, 2011, 20:42
>
> ok, having figured out, thanks to jeff, how to trim the end off a loop, i'm
> wondering if it's possible to add a bit on?
>
> insert only seems to work with cycles and i'd like to add on a subcycle. is
> the only way to do this with a quantised bounce that lasts for one cycle +
> one subcycle?
>
> ta
>
> sim
>
>
>

--000e0cd52e70f7b78b04996cb459
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

ok, i&#39;ve tried adding this script to 1.42 and 1.43 and it causes mobius=
 to crash.<br><br>could someone else try it and let me know how you get on?=
<br><br>sim<br><br><div class=3D"gmail_quote">On Sat, Jan 8, 2011 at 10:19 =
PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@go=
oglemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div bgcolor=3D"#=
FFFFFF"><div>Superb, thanks Stephen!<br><br>Sent from my iPod</div><div><di=
v>
</div><div class=3D"h5"><div><br>On 8 Jan 2011, at 22:08, Stephen Scott &lt=
;<a href=3D"mailto:loopingsteve@yahoo.co.uk" target=3D"_blank">loopingsteve=
@yahoo.co.uk</a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cit=
e"><div>
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top">Sim,<br><br>I asked this exact question=
 a long while ago, so Jeff (I think it was) kindly wrote this script for me=
;<br><br>
!name Insert SubCycle<br>Variable saveQuantize quantize<br>set quantize off=
<br>Wait subCycle<br>InsertOnly<br>Wait subCycle<br>Record<br>set 8thsPerCy=
cle 8thsPerCycle + 1<br>set quantize saveQuantize<br><br>Stephen<br><br>
<br>--- On <b>Sat, 8/1/11, Simeon Harris <i>&lt;<a href=3D"mailto:simeonhar=
ris40@googlemail.com" target=3D"_blank">simeonharris40@googlemail.com</a>&g=
t;</i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16=
, 255); margin-left: 5px; padding-left: 5px;">
<br>From: Simeon Harris &lt;<a href=3D"mailto:simeonharris40@googlemail.com=
" target=3D"_blank">simeonharris40@googlemail.com</a>&gt;<br>Subject: yet a=
nother mobius question! (not another one....!)<br>To: <a href=3D"mailto:Loo=
pers-Delight@loopers-delight.com" target=3D"_blank"></a><a href=3D"mailto:L=
oopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loope=
rs-delight.com</a><br>
Date: Saturday, 8 January, 2011, 20:42<br><br><div>ok, having figured out, =
thanks to jeff, how to trim the end off a loop, i&#39;m wondering if
 it&#39;s possible to add a bit on?<br><br>insert only seems to work with c=
ycles and i&#39;d like to add on a subcycle. is the only way to do this wit=
h a quantised bounce that lasts for one cycle + one subcycle?<br>
<br>ta<br><br>sim<br>
</div></blockquote></td></tr></tbody></table><br>



      </div></blockquote></div></div></div></blockquote></div><br>

--000e0cd52e70f7b78b04996cb459--

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	<78CEE563-891F-4A80-89EA-B3AA3FF57CD9@googlemail.com>
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Date: Sun, 9 Jan 2011 17:05:09 +0000
Message-ID: <AANLkTinp07_BfB5iuDXgTZb9gv-HCv1fD9fTZ4K3qfvs@mail.gmail.com>
Subject: Re: yet another mobius question! (not another one....!)
From: Simeon Harris <simeonharris40@googlemail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--000e0cd5d0568ec41104996cdab9
Content-Type: text/plain; charset=ISO-8859-1

don't worry - sorted

On Sun, Jan 9, 2011 at 4:54 PM, Simeon Harris <simeonharris40@googlemail.com
> wrote:

> ok, i've tried adding this script to 1.42 and 1.43 and it causes mobius to
> crash.
>
> could someone else try it and let me know how you get on?
>
> sim
>
>
> On Sat, Jan 8, 2011 at 10:19 PM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> Superb, thanks Stephen!
>>
>> Sent from my iPod
>>
>> On 8 Jan 2011, at 22:08, Stephen Scott <loopingsteve@yahoo.co.uk> wrote:
>>
>> Sim,
>>
>> I asked this exact question a long while ago, so Jeff (I think it was)
>> kindly wrote this script for me;
>>
>> !name Insert SubCycle
>> Variable saveQuantize quantize
>> set quantize off
>> Wait subCycle
>> InsertOnly
>> Wait subCycle
>> Record
>> set 8thsPerCycle 8thsPerCycle + 1
>> set quantize saveQuantize
>>
>> Stephen
>>
>>
>> --- On *Sat, 8/1/11, Simeon Harris <simeonharris40@googlemail.com>*wrote:
>>
>>
>> From: Simeon Harris <simeonharris40@googlemail.com>
>> Subject: yet another mobius question! (not another one....!)
>> To: <Loopers-Delight@loopers-delight.com>
>> Loopers-Delight@loopers-delight.com
>> Date: Saturday, 8 January, 2011, 20:42
>>
>> ok, having figured out, thanks to jeff, how to trim the end off a loop,
>> i'm wondering if it's possible to add a bit on?
>>
>> insert only seems to work with cycles and i'd like to add on a subcycle.
>> is the only way to do this with a quantised bounce that lasts for one cycle
>> + one subcycle?
>>
>> ta
>>
>> sim
>>
>>
>>
>

--000e0cd5d0568ec41104996cdab9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

don&#39;t worry - sorted<br><br><div class=3D"gmail_quote">On Sun, Jan 9, 2=
011 at 4:54 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeo=
nharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">ok, i&#39;ve trie=
d adding this script to 1.42 and 1.43 and it causes mobius to crash.<br><br=
>
could someone else try it and let me know how you get on?<br><br>sim<div><d=
iv></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Sat, Jan 8=
, 2011 at 10:19 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:s=
imeonharris40@googlemail.com" target=3D"_blank">simeonharris40@googlemail.c=
om</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div bgcolor=3D"#=
FFFFFF"><div>Superb, thanks Stephen!<br><br>Sent from my iPod</div><div><di=
v>

</div><div><div><br>On 8 Jan 2011, at 22:08, Stephen Scott &lt;<a href=3D"m=
ailto:loopingsteve@yahoo.co.uk" target=3D"_blank">loopingsteve@yahoo.co.uk<=
/a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top">Sim,<br><br>I asked this exact question=
 a long while ago, so Jeff (I think it was) kindly wrote this script for me=
;<br>
<br>
!name Insert SubCycle<br>Variable saveQuantize quantize<br>set quantize off=
<br>Wait subCycle<br>InsertOnly<br>Wait subCycle<br>Record<br>set 8thsPerCy=
cle 8thsPerCycle + 1<br>set quantize saveQuantize<br><br>Stephen<br><br>

<br>--- On <b>Sat, 8/1/11, Simeon Harris <i>&lt;<a href=3D"mailto:simeonhar=
ris40@googlemail.com" target=3D"_blank">simeonharris40@googlemail.com</a>&g=
t;</i></b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16=
, 255); margin-left: 5px; padding-left: 5px;">

<br>From: Simeon Harris &lt;<a href=3D"mailto:simeonharris40@googlemail.com=
" target=3D"_blank">simeonharris40@googlemail.com</a>&gt;<br>Subject: yet a=
nother mobius question! (not another one....!)<br>To: <a href=3D"mailto:Loo=
pers-Delight@loopers-delight.com" target=3D"_blank"></a><a href=3D"mailto:L=
oopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loope=
rs-delight.com</a><br>

Date: Saturday, 8 January, 2011, 20:42<br><br><div>ok, having figured out, =
thanks to jeff, how to trim the end off a loop, i&#39;m wondering if
 it&#39;s possible to add a bit on?<br><br>insert only seems to work with c=
ycles and i&#39;d like to add on a subcycle. is the only way to do this wit=
h a quantised bounce that lasts for one cycle + one subcycle?<br>
<br>ta<br><br>sim<br>
</div></blockquote></td></tr></tbody></table><br>



      </div></blockquote></div></div></div></blockquote></div><br>
</div></div></blockquote></div><br>

--000e0cd5d0568ec41104996cdab9--

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Date: Sun, 9 Jan 2011 18:15:29 +0100
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Subject: Re: yet another mobius question! (not another one....!)
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 9, 2011 at 6:05 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
>
> don't worry - sorted


Please, what was it? I have that script on my to-check list. Is there
a bad line in it?

Per

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Subject: Re: yet another mobius question! (not another one....!)
References: <881243.64609.qm@web24615.mail.ird.yahoo.com> <78CEE563-891F-4A80-89EA-B3AA3FF57CD9@googlemail.com> <AANLkTikKMOH+ToKBPNm5=tUnotc6YDYJZ__1JCF5J_Hb@mail.gmail.com> <AANLkTinp07_BfB5iuDXgTZb9gv-HCv1fD9fTZ4K3qfvs@mail.gmail.com> <AANLkTi=VDZ2=ZUvo3DwP3XnDSO2WRuP7bGhJg3mbe4nU@mail.gmail.com>
From: Simeon Harris <simeonharris40@googlemail.com>
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No the original script is fine. It was something I'd added to it that was ba=
d.=20

Sent from my iPod

On 9 Jan 2011, at 17:15, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Jan 9, 2011 at 6:05 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>>=20
>> don't worry - sorted
>=20
>=20
> Please, what was it? I have that script on my to-check list. Is there
> a bad line in it?
>=20
> Per
>=20

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Date: Sun, 9 Jan 2011 11:33:40 -0600
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Subject: Re: yet another mobius question! (not another one....!)
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--0016363b83c08fc99704996d4057
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What was bad?  Scripts shouldn't cause Mobius to crash no matter what you
put in them.  You may get error messages sent to the console but they
shouldn't crash.

Jeff


On Sun, Jan 9, 2011 at 11:20 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> No the original script is fine. It was something I'd added to it that was
> bad.
>
> Sent from my iPod
>
> On 9 Jan 2011, at 17:15, Per Boysen <perboysen@gmail.com> wrote:
>
> > On Sun, Jan 9, 2011 at 6:05 PM, Simeon Harris
> > <simeonharris40@googlemail.com> wrote:
> >>
> >> don't worry - sorted
> >
> >
> > Please, what was it? I have that script on my to-check list. Is there
> > a bad line in it?
> >
> > Per
> >
>
>

--0016363b83c08fc99704996d4057
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What was bad? =A0Scripts shouldn&#39;t cause Mobius to crash no matter what=
 you<div>put in them. =A0You may get error messages sent to the console but=
 they</div><div>shouldn&#39;t crash.</div><div><br></div><div>Jeff</div><di=
v>
<br><br><div class=3D"gmail_quote">On Sun, Jan 9, 2011 at 11:20 AM, Simeon =
Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.co=
m">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex;">
No the original script is fine. It was something I&#39;d added to it that w=
as bad.<br>
<br>
Sent from my iPod<br>
<div><div></div><div class=3D"h5"><br>
On 9 Jan 2011, at 17:15, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.c=
om">perboysen@gmail.com</a>&gt; wrote:<br>
<br>
&gt; On Sun, Jan 9, 2011 at 6:05 PM, Simeon Harris<br>
&gt; &lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@go=
oglemail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; don&#39;t worry - sorted<br>
&gt;<br>
&gt;<br>
&gt; Please, what was it? I have that script on my to-check list. Is there<=
br>
&gt; a bad line in it?<br>
&gt;<br>
&gt; Per<br>
&gt;<br>
<br>
</div></div></blockquote></div><br></div>

--0016363b83c08fc99704996d4057--

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Date: Sun, 9 Jan 2011 09:52:31 -0800 (PST)
From: chuspa <chuspacpu@yahoo.com>
Subject: Re: RIP Mick Karn
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <p06240801c94a2a7259eb@[192.168.2.4]>
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--0-1086012427-1294595551=:13032
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very sad sad, about his missing, still so young him and his sound forever a=
lso.
thanks so much mick for your misterious, liquid and pull-up bassy playing!!

luis prado

--- On Wed, 5/1/11, Charles Zwicky <cazwicky@earthlink.net> wrote:

From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT: RIP Mick Karn
To: Loopers-Delight@loopers-delight.com
Received: Wednesday, 5 January, 2011, 3:07 PM

 Bill,

When I originally posted this news here, I did so out of respect and defere=
nce to his contribution to music and art.

I don't think you should have changed it to "OT"..=A0 =A0 Too many loopers =
involved in his career and=A0 his composition style is quite loopy...

-Chuck



> I just heard the sad news=A0 about Mick Karn loosing his battle with canc=
er.=A0 What a truly unique and beautiful bassist he was. His fretlless bass=
 playing was as orignal sounding as any I've ever heard, a very vocal sound=
,=A0 melodic yet grounded and earthy and funky.=A0 listen to Polytown with =
Torn and Bozzio or Tin Drum by Japan to hear what I mean
>=A0 A great one has joine the great band beyond
> Bill
>=20
>=20
>=20
>=20
>> Sad sad day....=A0 I met him through David Torn when Polytown did a show=
 in Minneapolis.=A0 At the time David Sylvian was living there and both Tor=
n and Karn were perplexed at why he didn't bother to turn up at their gig..
>>=20
>> I'll miss him.
>>=20
>> -Chuck

--=20
...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

=0A=0A=0A      
--0-1086012427-1294595551=:13032
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">very sad sad, about his missing, still so you=
ng him and his sound forever also.<div><br></div><div>thanks so much mick f=
or your misterious, liquid and pull-up bassy playing!!</div><div><br></div>=
<div><br></div><div>luis prado<br><br>--- On <b>Wed, 5/1/11, Charles Zwicky=
 <i>&lt;cazwicky@earthlink.net&gt;</i></b> wrote:<br><blockquote style=3D"b=
order-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px=
;"><br>From: Charles Zwicky &lt;cazwicky@earthlink.net&gt;<br>Subject: Re: =
OT: RIP Mick Karn<br>To: Loopers-Delight@loopers-delight.com<br>Received: W=
ednesday, 5 January, 2011, 3:07 PM<br><br><div class=3D"plainMail"> Bill,<b=
r><br>When I originally posted this news here, I did so out of respect and =
deference to his contribution to music and art.<br><br>I don't think you sh=
ould have changed it to "OT"..&nbsp; &nbsp; Too many loopers involved in hi=
s
 career and&nbsp; his composition style is quite loopy...<br><br>-Chuck<br>=
<br><br><br>&gt; I just heard the sad news&nbsp; about Mick Karn loosing hi=
s battle with cancer.&nbsp; What a truly unique and beautiful bassist he wa=
s. His fretlless bass playing was as orignal sounding as any I've ever hear=
d, a very vocal sound,&nbsp; melodic yet grounded and earthy and funky.&nbs=
p; listen to Polytown with Torn and Bozzio or Tin Drum by Japan to hear wha=
t I mean<br>&gt;&nbsp; A great one has joine the great band beyond<br>&gt; =
Bill<br>&gt; <br>&gt; <br>&gt; <br>&gt; <br>&gt;&gt; Sad sad day....&nbsp; =
I met him through David Torn when Polytown did a show in Minneapolis.&nbsp;=
 At the time David Sylvian was living there and both Torn and Karn were per=
plexed at why he didn't bother to turn up at their gig..<br>&gt;&gt; <br>&g=
t;&gt; I'll miss him.<br>&gt;&gt; <br>&gt;&gt; -Chuck<br><br>-- <br>...<br>=
<a href=3D"http://www.zmix.net"
 target=3D"_blank">http://www.zmix.net</a><br><br><a href=3D"http://www.ese=
ssion.com/ChuckZwicky" target=3D"_blank">http://www.esession.com/ChuckZwick=
y</a><br><br><a href=3D"http://albumcredits.com/zmix" target=3D"_blank">htt=
p://albumcredits.com/zmix</a><br><br></div></blockquote></div></td></tr></t=
able><br>=0A=0A=0A=0A      &nbsp;
--0-1086012427-1294595551=:13032--

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Subject: Re: yet another mobius question! (not another one....!)
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6a8d82e8d1004996dd725
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i added "play" as the last line. i've noticed recently (as i've been playing
around with scripts a lot) that if my mobius doesn't like something in the
script, it won't let me add it

sim

On Sun, Jan 9, 2011 at 5:33 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

> What was bad?  Scripts shouldn't cause Mobius to crash no matter what you
> put in them.  You may get error messages sent to the console but they
> shouldn't crash.
>
> Jeff
>
>
> On Sun, Jan 9, 2011 at 11:20 AM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> No the original script is fine. It was something I'd added to it that was
>> bad.
>>
>> Sent from my iPod
>>
>> On 9 Jan 2011, at 17:15, Per Boysen <perboysen@gmail.com> wrote:
>>
>> > On Sun, Jan 9, 2011 at 6:05 PM, Simeon Harris
>> > <simeonharris40@googlemail.com> wrote:
>> >>
>> >> don't worry - sorted
>> >
>> >
>> > Please, what was it? I have that script on my to-check list. Is there
>> > a bad line in it?
>> >
>> > Per
>> >
>>
>>
>

--000e0cd6a8d82e8d1004996dd725
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i added &quot;play&quot; as the last line. i&#39;ve noticed recently (as i&=
#39;ve been playing around with scripts a lot) that if my mobius doesn&#39;=
t like something in the script, it won&#39;t let me add it<br><br>sim<br>
<br><div class=3D"gmail_quote">On Sun, Jan 9, 2011 at 5:33 PM, Jeff Larson =
<span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com">jeff.lar=
son@sailpoint.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">
What was bad? =A0Scripts shouldn&#39;t cause Mobius to crash no matter what=
 you<div>put in them. =A0You may get error messages sent to the console but=
 they</div><div>shouldn&#39;t crash.</div><div><br></div><font color=3D"#88=
8888"><div>
Jeff</div></font><div><div></div><div class=3D"h5"><div>
<br><br><div class=3D"gmail_quote">On Sun, Jan 9, 2011 at 11:20 AM, Simeon =
Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.co=
m" target=3D"_blank">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br=
><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bord=
er-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

No the original script is fine. It was something I&#39;d added to it that w=
as bad.<br>
<br>
Sent from my iPod<br>
<div><div></div><div><br>
On 9 Jan 2011, at 17:15, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.c=
om" target=3D"_blank">perboysen@gmail.com</a>&gt; wrote:<br>
<br>
&gt; On Sun, Jan 9, 2011 at 6:05 PM, Simeon Harris<br>
&gt; &lt;<a href=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank"=
>simeonharris40@googlemail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; don&#39;t worry - sorted<br>
&gt;<br>
&gt;<br>
&gt; Please, what was it? I have that script on my to-check list. Is there<=
br>
&gt; a bad line in it?<br>
&gt;<br>
&gt; Per<br>
&gt;<br>
<br>
</div></div></blockquote></div><br></div>
</div></div></blockquote></div><br>

--000e0cd6a8d82e8d1004996dd725--

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Date: Sun, 9 Jan 2011 10:49:14 -0800 (PST)
From: Aida Toure <aidatoure200@gmail.com>
Reply-To: aidatoure200@gmail.com
Subject: Dear God's select,
To: undisclosed recipients: ;
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=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0ADea=
r God's select, =0AI am writing this mail to you with heavy tears In my eye=
s =0Aand great sorrow in my heart, My Name is Mrs. Aida Toure, and I am con=
tacting =0Ayou from my country Tunisia I want to tell you this because I do=
n't have any =0Aother option than to tell you as I was touched to open up t=
o you, I married to =0AMr. Toure Daisy Brown who worked with Tunisia embass=
y in Burkina Faso for nine =0Ayears before he died in the year 2005.We were=
 married for eleven years without a =0Achild. He died after a fatal acciden=
t that took his life. Since his death I =0Adecided not to remarry, When my =
late husband was alive he deposited the sum of =0AUS$ 3.5m (Three Million F=
ive hundred Thousand Dollars) in a bank in Ouagadougou =0Athe capital city =
of Burkina Faso in west Africa Presently this money is still in =0Abank. He=
 made this money available for exportation of Gold from Burkina Faso =0Amin=
ing. =0A=A0=0ARecently, My Doctor told me that I would not last for the =0A=
period of seven months due to cancer problem. The one that disturbs me most=
 is =0Amy stroke sickness. Having known my condition I decided to hand you =
over this =0Amoney to take care of the less-privileged people, you will uti=
lize this money =0Athe way I am going to instruct herein. I want you to tak=
e 30 Percent of the =0Atotal money for your personal use While 70% of the m=
oney will go to charity" =0Apeople in the street and helping the orphanage.=
 I grew up as an Orphan and I =0Adon't have anybody as my family member, ju=
st to Endeavour that the house of God =0Ais maintained. Am doing this so th=
at God will forgive my sins and accept my soul =0Abecause these sicknesses =
have suffered me so much. =0A=A0 =0AAs =0Asoon as I receive your reply I sh=
all give you the contact of the bank in Burkina =0AFaso and I will also ins=
truct the Bank Manger to issue you an authority letter =0Athat will prove y=
ou the present beneficiary of the money in the bank that is if =0Ayou assur=
e me that you will act accordingly as I Stated herein. =0A=A0 =0AAlways rep=
ly to my alternative for security =0Apurposes. =0A=A0 =0AHoping to receive =
your reply: =0A=0AAida Toure=0A=A0=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
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s=3D"yiv158176804yiv1807386725" id=3D"yiv158176804yiv1807386725bodyDrftID" =
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v1807386725yiv1157117725bodyDrftID" border=3D"0" cellpadding=3D"0" cellspac=
ing=3D"0">=0A<tbody>=0A<tr>=0A<td id=3D"yiv158176804yiv1807386725yiv1157117=
725drftMsgContent" style=3D"font-size: 10pt; font-family: arial;">=0A<div i=
d=3D"yiv158176804yiv1807386725yiv1157117725yiv2062924880">=0A<table class=
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86725yiv1157117725yiv2062924880drftMsgContent" style=3D"font-size: 10pt; fo=
nt-family: arial;">=0A<div id=3D"yiv158176804yiv1807386725yiv1157117725yiv2=
062924880yiv60399509">=0A<table class=3D"yiv158176804yiv1807386725yiv115711=
7725yiv2062924880yiv60399509" id=3D"yiv158176804yiv1807386725yiv1157117725y=
iv2062924880yiv60399509bodyDrftID" border=3D"0" cellpadding=3D"0" cellspaci=
ng=3D"0">=0A<tbody>=0A<tr>=0A<td id=3D"yiv158176804yiv1807386725yiv11571177=
25yiv2062924880yiv60399509drftMsgContent" style=3D"font-size: 10pt; font-fa=
mily: arial;">=0A<div><font face=3D"Times New Roman"><span style=3D"font-si=
ze: 13.5pt; font-family: Calibri;" lang=3D"EN-US">Dear God's select, </span=
><span style=3D"font-size: 7.5pt; font-family: Arial;" lang=3D"EN-GB"></spa=
n></font></div>=0A<div><span style=3D"font-size: 13.5pt; font-family: Calib=
ri;" lang=3D"EN-US"><font face=3D"Times New Roman">I am writing this mail t=
o you with heavy tears In my eyes =0Aand great sorrow in my heart, My Name =
is Mrs. Aida Toure, and I am contacting =0Ayou from my country Tunisia I wa=
nt to tell you this because I don't have any =0Aother option than to tell y=
ou as I was touched to open up to you, I married to =0AMr. Toure Daisy Brow=
n who worked with Tunisia embassy in Burkina Faso for nine =0Ayears before =
he died in the year 2005.We were married for eleven years without a =0Achil=
d. He died after a fatal accident that took his life. Since his death I =0A=
decided not to remarry, When my late husband was alive he deposited the sum=
 of =0AUS$ 3.5m (Three Million Five hundred Thousand Dollars) in a bank in =
Ouagadougou =0Athe capital city of Burkina Faso in west Africa Presently th=
is money is still in =0Abank. He made this money available for exportation =
of Gold from Burkina Faso =0Amining. </font></span></div>=0A<div><span styl=
e=3D"font-size: 13.5pt; font-family: Calibri;" lang=3D"EN-US"></span>&nbsp;=
</div>=0A<p class=3D"yiv158176804yiv1807386725yiv1157117725yiv2062924880yiv=
60399509MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><span style=3D"font-size:=
 13.5pt; font-family: Calibri;" lang=3D"EN-US"><font face=3D"Times New Roma=
n">Recently, My Doctor told me that I would not last for the =0Aperiod of s=
even months due to cancer problem. The one that disturbs me most is =0Amy s=
troke sickness. Having known my condition I decided to hand you over this =
=0Amoney to take care of the less-privileged people, you will utilize this =
money =0Athe way I am going to instruct herein. I want you to take 30 Perce=
nt of the =0Atotal money for your personal use While 70% of the money will =
go to charity" =0Apeople in the street and helping the orphanage. I grew up=
 as an Orphan and I =0Adon't have anybody as my family member, just to Ende=
avour that the house of God =0Ais maintained. Am doing this so that God wil=
l forgive my sins and accept my soul =0Abecause these sicknesses have suffe=
red me so much. </font></span>=0A</p><p class=3D"yiv158176804yiv1807386725y=
iv1157117725yiv2062924880yiv60399509MsoNormal" style=3D"margin: 0cm 0cm 0pt=
;"><span style=3D"font-size: 7.5pt; font-family: Arial;" lang=3D"EN-GB">&nb=
sp;</span> =0A</p><p class=3D"yiv158176804yiv1807386725yiv1157117725yiv2062=
924880yiv60399509MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><span style=3D"f=
ont-size: 13.5pt; font-family: Calibri;" lang=3D"EN-US"><font face=3D"Times=
 New Roman">As =0Asoon as I receive your reply I shall give you the contact=
 of the bank in Burkina =0AFaso and I will also instruct the Bank Manger to=
 issue you an authority letter =0Athat will prove you the present beneficia=
ry of the money in the bank that is if =0Ayou assure me that you will act a=
ccordingly as I Stated herein. </font></span>=0A</p><p class=3D"yiv15817680=
4yiv1807386725yiv1157117725yiv2062924880yiv60399509MsoNormal" style=3D"marg=
in: 0cm 0cm 0pt;"><span style=3D"font-size: 7.5pt; font-family: Arial;" lan=
g=3D"EN-GB">&nbsp;</span> =0A</p><p class=3D"yiv158176804yiv1807386725yiv11=
57117725yiv2062924880yiv60399509MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><=
span style=3D"font-size: 13.5pt; font-family: Calibri;" lang=3D"EN-US"><fon=
t face=3D"Times New Roman">Always reply to my alternative for security =0Ap=
urposes.</font></span> =0A</p><p class=3D"yiv158176804yiv1807386725yiv11571=
17725yiv2062924880yiv60399509MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><spa=
n style=3D"font-size: 7.5pt; font-family: Arial;" lang=3D"EN-GB">&nbsp;</sp=
an> =0A</p><p class=3D"yiv158176804yiv1807386725yiv1157117725yiv2062924880y=
iv60399509MsoNormal" style=3D"margin: 0cm 0cm 0pt;"><font face=3D"Times New=
 Roman"><span style=3D"font-size: 13.5pt; font-family: Calibri;" lang=3D"EN=
-US">Hoping to receive your reply: =0A</span><span style=3D"font-size: 7.5p=
t; font-family: Arial;" lang=3D"EN-GB"></span></font>=0A</p><div><span styl=
e=3D"font-size: 13.5pt; font-family: Calibri;" lang=3D"EN-US"><font face=3D=
"Times New Roman">Aida Toure</font></span></div>=0A<div>&nbsp;</div></td></=
tr></tbody></table></div></td></tr></tbody></table></div></td></tr></tbody>=
</table></div></td></tr></tbody></table></div></td></tr></tbody></table></t=
d></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-2113602416-1294598954=:20336--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 18:55:49 2011
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Subject: a fun little mobius script and a question
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd52e703a4f8c04996e66a9
Content-Type: text/plain; charset=ISO-8859-1

ok, so here's what i've come up with using the trimend thing to create
"reichian" loops

!name copypan
set switchquantize off
set emptytrackaction copy
set pan 0
rateshift 12
NextTrack
instantmultiply4
set 8thspercycle 16
set pan 127
rateshift 12
variable lastslice subcyclecount * 2
variable trimslice lastslice -1
wait until subcycle trimslice
Trimend

this is for 1.43 - if you're still on 1.42, you'll need to change line 3 to
"set trackcopy sound"

play with the 8thspercycle value to control the degree of rhythmic shift and
play with the instantmultiply value to control how often the shift occurs
very high values of 8thspercycle give a nice "two pianos" feel and low
values give a more rhythmic feel.

one question though

if i add "wait cycle" at the start, to make the whole thing happen on the
cycle boundary, i get no audio copied into track 2 - why is this???

sim

--000e0cd52e703a4f8c04996e66a9
Content-Type: text/html; charset=ISO-8859-1
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ok, so here&#39;s what i&#39;ve come up with using the trimend thing to cre=
ate &quot;reichian&quot; loops<br><br>!name copypan<br>set switchquantize o=
ff<br>set emptytrackaction copy <br>set pan 0<br>rateshift 12<br>NextTrack<=
br>
instantmultiply4<br>set 8thspercycle 16<br>set pan 127<br>rateshift 12<br>v=
ariable lastslice subcyclecount * 2<br>variable trimslice lastslice -1<br>w=
ait until subcycle trimslice<br>Trimend<br><br>this is for 1.43 - if you&#3=
9;re still on 1.42, you&#39;ll need to change line 3 to &quot;set trackcopy=
 sound&quot;<br>
<br>play with the 8thspercycle value to control the degree of rhythmic shif=
t and play with the instantmultiply value to control how often the shift oc=
curs<br>very high values of 8thspercycle give a nice &quot;two pianos&quot;=
 feel and low values give a more rhythmic feel.<br>
<br>one question though<br><br>if i add &quot;wait cycle&quot; at the start=
, to make the whole thing happen on the cycle boundary, i get no audio copi=
ed into track 2 - why is this???<br><br>sim<br><br><br>

--000e0cd52e703a4f8c04996e66a9--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 20:07:00 2011
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Subject: Re: Lucy in the sky with spam
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I didn't get a message from Lucy, but I did get a message and photo 
from a young beautiful 19 year old.... She obviously had no idea what 
a crusty old fart she had sent a message too!!!!

Paul Haslem
www.dulcify.ca
Ontario, Canada





At 06:33 AM 1/9/2011, you wrote:
>Anybody else got message from Lucy? ;-)
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 20:35:33 2011
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Date: Sun, 9 Jan 2011 21:35:31 +0100
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Subject: Re: RIP Mick Karn
From: Sjaak Overgaauw <tcplugin@gmail.com>
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--20cf300513f6e689ac04996fca51
Content-Type: text/plain; charset=ISO-8859-1

Hi all,
I have been completely offline for a whole week so I the news about Mick
Karn had not reach me until an hour ago. Very very sad to hear that he
passed away. I really loved his way of playing bass for Japan, David Sylvian
and his own solo albums.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

--20cf300513f6e689ac04996fca51
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Hi all,</div>
<div>I have been completely offline for a whole week so I the news about Mi=
ck Karn=A0had not reach me until an hour ago. Very very sad to hear that he=
 passed away. I really loved his way of playing bass for Japan, David Sylvi=
an and his own solo albums. <br>
-- <br>Sjaak Overgaauw<br><a href=3D"http://premonitionfactory.com/" target=
=3D"_blank">http://premonitionfactory.com/</a><br><a href=3D"http://liveloo=
ping.be/" target=3D"_blank">http://livelooping.be/</a><br></div>

--20cf300513f6e689ac04996fca51--

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 20:41:35 2011
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On 7/22/64 11:59 AM, Stephen Goodman wrote:
> I wish to be in good relationship with you
errrrr.   This one says it all.    This person is obviously from Dayton, 
Ohio.


From info@hangseng.com  Sun Jan  9 21:21:56 2011
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From: "Dr Raymond Kuo Fung CHIEN" <info@hangseng.com>
Reply-To: raymondkuofungchienhung@gmail.com
Subject: WRITE ME
Date: Mon, 10 Jan 2011 03:11:10 +0800
Message-Id: <20110109191110.M1901@hangseng.com>
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Dear Sir/Madam,

I am Dr Raymond Kuo Fung CHIEN Executive  Director and Chief Financial 
Officer of the operations of the Hang Seng Bank Ltd.I have a secured business 
suggestion for you. Before the U.S and Iraqi war our client Mr Fayez 
Abdulaziz Mohammed who was with the Iraqi forces and also a business man made 
a numbered fixed deposit for 18 calendar months, with a value of Thirty  
Million United State Dollars($30,000,000.00) only in my branch.

Upon maturity several notices was sent to him but there was no word. Again 
after the war another notification was sent and still no response came from 
him. We later find out that Mr Fayez Abdulaziz Mohammed and his family had 
been killed during the war in bomb blast that hit their home.

After further investigation it was also discovered that Mr Fayez Abdulaziz 
Mohammed did not declare any next of kin in his official papers including the 
paper work of his bank deposit. And he also confided in me the last time he 
was at my office that no one except me knew of his deposit in my bank. 
So,Thirty  Million United State Dollars($30,000,000.00)is still lying in my 
bank and no one will ever come forward to claim it.

What bothers me most is that according to the laws of my country at the 
expiration of 8 years the funds will revert to the ownership of the Hong Kong 
Government if nobody applies to claim the funds.

Against this backdrop, my suggestion to you is that I will like you as a 
foreigner to stand as the next of kin to Mr Fayez Abdulaziz Mohammed so that 
you will be able to receive his funds.

WHAT IS TO BE DONE:

I want you to know that I have had everything planned out so that we shall 
come out successful.

I have contacted an attorney that will prepare the necessary document that 
will back you up as the next of kin to Mr Fayez Abdulaziz Mohammed, all that 
is required from you at this stage is for you to provide me with your Full 
Names and Address so that the attorney can commence his job. 

After you have been made the next of kin to the late Mr Fayez Abdulaziz 
Mohammed, the Attorney will also file in for claims on your behalf and secure 
the necessary approval and letter of probate in your favor for the move of 
the funds to an account that will be provided by you.

There is no risk involved at all in the matter as we are going to adopt a 
legalized method and the attorney will prepare all the necessary documents. 
Please endeavor to observe utmost discretion in all matters concerning this 
issue.

Once the funds have been transferred to your nominated bank account we shall 
share in the ratio of 70% for me, 30% for you, Should you be interested 
please send me the following informations below,

1. Full name and Age.
2. Occupation
3. Private/office phone number.
4. Current residential address.

And finally after that i shall provide you with more details of this 
transaction.Your earliest response to this letter will be highly appreciated. 
(raymondkuofungchienhung@gmail.com)

Kind Regards,
Dr Raymond Kuo Fung CHIEN.

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Subject: Re: MPC 1000 & 2 EDP+ loosing sync
From: John Metzler <jarofjam@me.com>
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Hi Andy.  Thanks for chiming in.  In case you didn't see any of my other =
emails, here is a description that very carefully explains just about =
everything you might need to know regarding the issuers I'm having.  And =
anybody else is welcome to chime in too. =20

_________________________________________________
Here is the info...

I want my looping rig to be reliable, trustworthy, and solid.  I want to =
program songs and automate performances with my MPC 1000 and my 2 EDP's =
and be able to go out and perform with predictable accuracy.  I don't =
want to be worried that they're going to be reacting to phantom commands =
or that my Bass and my Guitar might go out of sync at any time.  Aren't =
they suppose to be pretty solid as far as locking in sync?  Well I'm =
having some issues and I'd like to figure out what I'm doing wrong. =20

This is what I am using...
MPC 1000
Echoplex Digital Pro + w/efc7 (#1 for guitar to it's own amp)
Echoplex Digital Pro + w/efc7 (#2 for Bass to it's own amp)
FCB1010
Alesis QSR
AdrenaLinn II
Novation SL37 ReMOTE

I have 2 BlackFace EDP+ taking commands from an MPC 1000.  I have a =
relatively short song that I have sequenced, less than 160 measures of =
4/4. Both EDP's Sync=3DIn and the MPC is set to send sync out of all =
it's MIDI ports.  (With the EDP's Sync=3DIn, the BrotherSync is ignored. =
 The brother sync jacks are connected with TRS, but it hasn't shown to =
act different if that cable is there or not.)  At the very beginning I =
have a couple of measures dedicated to sending a general restart command =
(note #62), a patch change command to each unit to choose the =
appropriate Preset for each EDP, and a couple of CC messages to make =
sure that both volume and feedback are set to 127.  Both EDP's track the =
incoming MIDI clock and settle on the tempo before the first record =
command starts.

1. Sometimes for no apparent reason the first EDP will jump into Record =
before the note # 38 is actually programed to be sent.  So I push stop =
on the MPC1000 and push PlayStart again, and then it works as it should. =
 But there is no telling when it's going to jump into record too soon at =
the beginning of this song.  I would like it to not do this.  I want it =
to only go into record when it's told to, and the way it's told to.   =20=


So when it doesn't react to a phantom record command and it acts as it =
should, then EDP #1(my guitar) receives a Record message (note #38) and =
with SwitchQuant=3DLoop, it waits for the next down beat to go into =
Record.  I then strum 4 basic chords with clean tone over 4 measures.  =
Just before the end of the 4th measure I send it another Record command =
(note #38) and it waits until the end of that measure and ends the =
recording and plays back "Guitar Loop 1".  During that  Play back of my =
4 measure "Loop 1" I step on my big muff and before the end of the the =
4th measure the MPC 1000 sends a Next Loop command (note #44) to this =
same EDP.  With SwitchQuant=3DLoop and with LoopCopy=3DSnd, it copies =
Loop 1 to Loop 2, and goes into overdub, and I am now outlining the 4 =
chords with a fuzzy staccato.  Near the end of the 4th measure the MPC =
sends a record command closing the loop at the end of the 4th measure.  =
I now have "Guitar Loop 2" playing.  I have enough time to put down my =
guitar and pick up my Bass. I play a bass line made up of the Root notes =
of the 4 guitar chords and near the end of the 4 measure loop the MPC =
sends a record command to the second EDP.  With SwitchQuant=3DLoop It =
wait's for the the next down beat and then goes into record.  I record =
version one of the bass line, also 4 measures, then near the end of that =
4th measure the MPC sends a NextLoop command.  With AutoRecord=3DOn and =
LoopCopy=3DOff, it closed Loop 1 and goes right into recording Loop 2.  =
I record the second version of the Bass line on Loop 2.  Again, at the =
end of the 4th measure, the MPC sends another Next Loop command and I go =
into recording the third version of the Bass line on Loop 3. =20

Following me so far?

So now I have 2 Guitar Loops and 3 Bass Loops.  I have different drums =
for Verses, Choruses, and Solos.  I don't have a bridge yet.  Some of =
the drums are in the MPC 1000 and others are from the AdreanaLinn II.  I =
send patch changes to the AdreanaLinn II in order to select different =
drum sequences or a sequence without drums.  I have a track in the MPC =
1000 that is sending a basic 4 chord triad progression to my Alesis QSR. =
 I then use Loop Trigger Commands (Loop1=3DNote84, Loop2=3DNote85, =
Loop3=3DNote86) to arrange the song into verses, choruses, and solos.=20

THE BIG PROBLEM is that 9 times out of 10 the 2 EDP's loose sync with =
each other.  The one time out of 10 that it does stay in sync is great, =
but that's not reliable.  I can't go out in front of people and =
embarrass myself with that sort of unpredictability. =20

At first I had MPC 1000 out A > FCB1010 > EDP1 > EDP2.  Making the =
second EDP the third device.  Connected to the other MPC out port (out =
B) was my Alesis QSR and the AdreanaLinn II.  I thought the problem with =
the EDP's losing sync might have been because I had too many devices in =
a serial MIDI stream.  So I changed it.

Second configuration had MPC1000 out A > FCB1010 > EDP1 > AdreanaLinn =
II.  And MPC1000 out B > EDP2 > Alesis QSR.  Now EDP 1 was the second =
device on MIDI out A and EDP 2 was the first device on MIDI out B.  But =
the sync problems continue.  So I changed it again.

Third configuration I decided to make both EDPs the first device =
connected to each MIDI output.  So I took the FCB1010 out of the =
configuration completely.  So now it is...   MPC1000 out A > EDP1 > =
AdreanaLinn II.  And MPC1000 out B > EDP2 > Alesis QSR.  THEY STILL LOSE =
SYNC almost every time!  And with any of the attempted configurations it =
has been unpredictable as to where it will lose sync.  It's not always =
the same place. =20

Last night I programed the MPC to send a ReAlign command to both EDPs at =
the end of each 4 bar loop just before it starts over again.  The =
ReAlign commands are programed to fire off after any loop trigger =
commands.  I only tested it once last night but it seamed to force =
everything to stay in place.  But being that they lose sync 9 times out =
of 10, I might have just had that lucky one time.  I'm about the test =
the sequence again.  In any case, I was hoping that it wouldn't require =
this.  But if it's the only way I can reliably trust it to perform with =
them, then at least I might have a usable work around.

I am not currently using them as a stereo pair.  I thought that in order =
for brothersync to work they both had to be set to Sync=3DOut, and that =
if MIDI clock is present brother sync is ignored.  Are you suggesting =
that I could have EDP1 set to Sync=3Din and slave to incoming clock, and =
EDP2 set to Sync=3DOut and then brother sync will work and they should =
stay in line with out needing to program a bunch of ReAlign commands.

HELP!!!!!!!!!!!!!!!!!!!  PLEASE!!!!!!!!!!!!!!!!!!!!!

Thanks for taking the time to read all of that and offer your advice.

---John M.

(new info:  last night I had a successful run twice in a row with no =
loss of sync.  What I did differently is I had EDP 1 set to Sync=3Din =
and EDP2 set to Sync=3DOut, and I took out all the ReAlign commands.  =
The manual makes it sound like brother sync would require both to be set =
to sync=3Dout and no MIDI clock coming in.  The manual actually makes it =
sound like you can't drive the EDP's with a sequencer and have =
BrotherSync active at the same time.  So now with your comment about the =
Thru port not having latency, I'm going to try again today but this time =
with EDP1's MIDI Thru connected to EDP2's MIDI In.)
__________________________________________________________
On Jan 8, 2011, at 3:33 AM, andy butler wrote:

> John Metzler wrote:
>> Hi Every One.  	 I am re-title-ing and re phrasing an earlier =
email i sent in the hope that will get more attention.
>=20
> we're all ears here,
>=20
> what's the question?
>=20
> andy butler
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 22:22:08 2011
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Great, I tried ti escape Bluegrass music, with it's blue haired old lady gro=
upies, with a short stopover at Opera, no groupies(ok the oboists, yes!!) an=
d now to looping where we have only Lucy The Looping Groupie and ya'll are a=
lready trying to run her off!!!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 9, 2011, at 3:41 PM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Stephen Goodman wrote:
>> I wish to be in good relationship with you
> errrrr.   This one says it all.    This person is obviously from Dayton, O=
hio.
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan  9 22:22:59 2011
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Subject: Re: MPC 1000 & 2 EDP+ loosing sync
References: <1594EE95-3492-4D0C-A895-E5640C2C3512@me.com> <4D284B78.1090306@tiscali.co.uk> <A597A71D-9B65-4DBB-95FA-3FC726A67FDB@me.com>
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John Metzler wrote:
> Hi Andy.  Thanks for chiming in.  In case you didn't see any of my other emails, here is a description that very carefully explains just about everything you might need to know regarding the issuers I'm having.  

didn't you say that by "losing sync" you meant that one edp was 
playing from a different Cycle?


That would change everything, I'll assume it's the case.
If the EDPs are actually losing midi sync then I'd be confident they're 
not getting a good clock.

As to the Phantom record, that could also be caused by a LoopTrig command.
Possibly a malfunction of the EFC7 or the lead connecting it.


The midi thru of the fcb1010 is known to be buggy, you did right to take that out of the circuit.

Doing Re-Align after a Looptrig  is daft, just set SamplerStyle=STA
and then the Looptrig will accurately restart the loop at it's beginning.
Provided that the Looptrig is positioned accurately in the sequence.

For complex sequencing the way to go is to turn off the EDP sync altogether and
send Re-trigger and/or Looptrig commands regularly to create the sync.
...it can't really go wrong then. That's the way to go if all else fails.

Using Brother-sync on the Second EDP is ok, but then you can only sync EDP 2
when EDP 1 is running.

Sync=In is really solid on the EDP so another way to go is to use that only.
(take out the BrotherSync  cable)

You *could* start all the Records with LoopTrig commands. AutoRec=On

andy butler





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Hi again.=20

Is EchoLoop even still an open project?

I hope so!!!!!!!

Winter is here again and I plan to go deep and really solve this thing =
finally. EchoLoop is part of that, but probably with live.=20

If there has not been an update, I'll keep trying to figure out how to =
make it work anyway but if there's a new one, better to roll with that, =
obviously.=20

Thanks!=

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 00:18:21 2011
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Subject: Re: EchoLoop
Date: Sun, 9 Jan 2011 16:18:17 -0800
References: <1594EE95-3492-4D0C-A895-E5640C2C3512@me.com> <4D284B78.1090306@tiscali.co.uk> <A597A71D-9B65-4DBB-95FA-3FC726A67FDB@me.com> <4D2A3541.4050507@tiscali.co.uk> <A82CAC90-B926-402E-A2D4-9DE4BE35C6E7@gmail.com>
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It seems to be.

I am utilizing the latest (October of 2010) beta version from within  
MaxMSP.

When a final publicly available version will be ready is anyone's guess.

The correct person to ask is Matthias Grob (or possibly Andy Butler).

I too am sort of building my whole new software looping future around  
EchLoop.

The latest beta expires in a few months (April I think).

So I am pretty keen on getting the next update (or the permanent  
version) ASAP as well.

Matthias and Co. are working on it (along with the hardware version)  
and have been encouraging me to be patient.

I'm planning on buying the hardware version too when the time comes.

Al I can do is encourage patience as well.

The VST works like a dream BTW, exactly like an EDP (only better) and  
in stereo too!

Cheers,

Ted

On Jan 9, 2011, at 3:44 PM, Christopher Darrow wrote:

>
> Hi again.
>
> Is EchoLoop even still an open project?
>
> I hope so!!!!!!!
>
> Winter is here again and I plan to go deep and really solve this  
> thing finally. EchoLoop is part of that, but probably with live.
>
> If there has not been an update, I'll keep trying to figure out how  
> to make it work anyway but if there's a new one, better to roll with  
> that, obviously.
>
> Thanks!

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 02:14:57 2011
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Subject: Re: RIP Mick Karn
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I just got a letter from Debi Zornes, that I thought I would share  
with you all. Debi was a close friend of  Mick Karn, his business  
partner the last several  years, and the person who contacted me in  
2005 about playing with him. Having those two tours fall through was a  
major let down for me as Rick alluded to. I always held out a glimmer  
of hope that the opportunity might arise again.
Bill



Dear Bill

Thank you for your lovely email and of course I remember you.

Yes it was heartbreaking that those shows never came to fruition and  
even more sad that we were on our way to organising some live shows  
when Mick was diagnosed at the end of May last year and we had to  
abandon that to focus on him and getting him treatment.  I hoped with  
all my heart that he would come through this and would be up on the  
stage one day again where he so wanted to be.  I feel incredibly sad  
that never happened, but more sad to have lost my best friend.

Appreciate your kind words.

Love Debi x
--Apple-Mail-1-638393141
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I just got a letter from Debi =
Zornes, that I thought I would share with you all. Debi was a close =
friend of &nbsp;Mick Karn, his business partner the last several =
&nbsp;years, and the person who contacted me in 2005 about playing with =
him. Having those two tours fall through was a major let down for me as =
Rick alluded to. I always held out a glimmer of hope that the =
opportunity might arise =
again.&nbsp;<div>Bill<br><div><br></div><div><br></div><div><font =
class=3D"Apple-style-span" color=3D"#3200A4"><br></font><div><font =
class=3D"Apple-style-span" color=3D"#3200A4">Dear Bill<br><br>Thank you =
for your lovely email and of course I remember you.<br><br>Yes it was =
heartbreaking that those shows never came to fruition and even more sad =
that we were on our way to organising some live shows when Mick was =
diagnosed at the end of May last year and we had to abandon that to =
focus on him and getting him treatment. &nbsp;I hoped with all my heart =
that he would come through this and would be up on the stage one day =
again where he so wanted to be. &nbsp;I feel incredibly sad that never =
happened, but more sad to have lost my best friend.<br><br>Appreciate =
your kind words.<br><br>Love Debi =
x</font></div></div></div></body></html>=

--Apple-Mail-1-638393141--

From bill@situs.net  Mon Jan 10 03:01:37 2011
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RE: NOTIFICATION OF EMAIL AWARD

We are pleased to inform you of the email reward program for internet users.
Your email address was the star pick from the automated ballot system and by
virtue of this pick, you are entitled to receive the grand reward of Two
Million, Five Hundred Thousand Dollars.

This is a reward program for the patronage of internet services and all emai=
l
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Reference Number: RGM-1313
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For instructions to receive this amount, you should establish contact with t=
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NOTE: It's important you initiate correspondence with Damien Lewis immediate=
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Morgan Heather

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From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 03:03:00 2011
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Date: Sun, 9 Jan 2011 22:02:58 -0500
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Subject: Re: EchoLoop
From: james fowler <twostroke@gmail.com>
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--000e0cd56b2c8bb7a904997534a6
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echoloop =3D awesome.

- jim

On Sun, Jan 9, 2011 at 7:18 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wro=
te:

> It seems to be.
>
> I am utilizing the latest (October of 2010) beta version from within
> MaxMSP.
>
> When a final publicly available version will be ready is anyone's guess.
>
> The correct person to ask is Matthias Grob (or possibly Andy Butler).
>
> I too am sort of building my whole new software looping future around
> EchLoop.
>
> The latest beta expires in a few months (April I think).
>
> So I am pretty keen on getting the next update (or the permanent version)
> ASAP as well.
>
> Matthias and Co. are working on it (along with the hardware version) and
> have been encouraging me to be patient.
>
> I'm planning on buying the hardware version too when the time comes.
>
> Al I can do is encourage patience as well.
>
> The VST works like a dream BTW, exactly like an EDP (only better) and in
> stereo too!
>
> Cheers,
>
> Ted
>
>
> On Jan 9, 2011, at 3:44 PM, Christopher Darrow wrote:
>
>
>> Hi again.
>>
>> Is EchoLoop even still an open project?
>>
>> I hope so!!!!!!!
>>
>> Winter is here again and I plan to go deep and really solve this thing
>> finally. EchoLoop is part of that, but probably with live.
>>
>> If there has not been an update, I'll keep trying to figure out how to
>> make it work anyway but if there's a new one, better to roll with that,
>> obviously.
>>
>> Thanks!
>>
>
>

--000e0cd56b2c8bb7a904997534a6
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echoloop =3D awesome.=A0 <br><br>- jim<br><br><div class=3D"gmail_quote">On=
 Sun, Jan 9, 2011 at 7:18 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=
=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</a>&gt;</span> wr=
ote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8e=
x; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
It seems to be.<br>
<br>
I am utilizing the latest (October of 2010) beta version from within MaxMSP=
.<br>
<br>
When a final publicly available version will be ready is anyone&#39;s guess=
.<br>
<br>
The correct person to ask is Matthias Grob (or possibly Andy Butler).<br>
<br>
I too am sort of building my whole new software looping future around EchLo=
op.<br>
<br>
The latest beta expires in a few months (April I think).<br>
<br>
So I am pretty keen on getting the next update (or the permanent version) A=
SAP as well.<br>
<br>
Matthias and Co. are working on it (along with the hardware version) and ha=
ve been encouraging me to be patient.<br>
<br>
I&#39;m planning on buying the hardware version too when the time comes.<br=
>
<br>
Al I can do is encourage patience as well.<br>
<br>
The VST works like a dream BTW, exactly like an EDP (only better) and in st=
ereo too!<br>
<br>
Cheers,<br><font color=3D"#888888">
<br>
Ted</font><div><div></div><div class=3D"h5"><br>
<br>
On Jan 9, 2011, at 3:44 PM, Christopher Darrow wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
Hi again.<br>
<br>
Is EchoLoop even still an open project?<br>
<br>
I hope so!!!!!!!<br>
<br>
Winter is here again and I plan to go deep and really solve this thing fina=
lly. EchoLoop is part of that, but probably with live.<br>
<br>
If there has not been an update, I&#39;ll keep trying to figure out how to =
make it work anyway but if there&#39;s a new one, better to roll with that,=
 obviously.<br>
<br>
Thanks!<br>
</blockquote>
<br>
</div></div></blockquote></div><br>

--000e0cd56b2c8bb7a904997534a6--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 03:51:50 2011
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Date: Sun, 09 Jan 2011 21:39:54 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T, John McLellan, Lou Cohen, Forbes Graham, Eric Crawley,
 Jan 16 @Outpost
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

Visual Music LIVE  -- Duets Plus with

Dr. T -- Video Projections
John McLellan - Drums
Lou Cohen - Laptop
Forbes Graham - trumpet
Eric Crawley -- Harpejji and Electronics

The musicians will play all duet combinations followed by a quartet/

My projections are produced by mixing multiple DVD sources with video 
mixers and effects processors. The sources consist of 
computer-manipulated original material derived from my still 
photography and videography. The original subject matter is usually 
recognizable, but sometimes processed to complete abstraction. 
Sometimes the projections and music respond directly to each other -- 
sometimes they simply co-exist.


Outpost 186, 186 Hampshire St (in the back), near Inman Square, Cambridge MA

Suggested donation,  $10

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org

Many of my finished video pieces (both studio and live) can be seen 
at http://www.youtube.com/Tobenfeld. with a piece from the Spring 
Series at http://www.youtube.com/watch?v=fxBtaJajCkU

Those of you who attend or perform at events at Outpost 186 may find 
my photo essay "Improvisations from an Outpost" 
http://www.flickr.com/photos/22231918@N06/sets/72157624670849749/ to 
be of interest,




-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 04:13:54 2011
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Subject: Partially OT: Mash of this weekend's ImprovFriday thread event
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--20cf3054a56f215b7e04997632fd
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Just wanted to pass along a 'mashed' listen at the marvelous work created a=
t
this weekend's ImprovFriday <http://improvfriday.ning.com>.  For those who
might not know, ImprovFriday is another online community I take part in.
 Founded by J.C. Combs, initially via Twitter 2plus years ago and later
resident at it's current home on the Ning network, ImprovFriday brings
together artists interested in experimental work.  Each weekend 30 to 40 of
us gather together through the wire and post spontaneous musical pieces to
the ImprovFriday (http://improvfriday.ning.com) from Thurs @4pm to Sat at
10pm.

Among the interests in process is the technique of 'mashing' so any piece
posted as long as the creator is open is available to be combined with othe=
r
work posted during the weekend event.  I took bits/pieces from all the
participants this weekend and created...

Sliding on the Dancefloor<http://dl.dropbox.com/u/251618/Jim_Goodin_IF_Glob=
al_Sliding_On_The_Dancefloor_IF_1-6-8-11.mp3>

<http://dl.dropbox.com/u/251618/Jim_Goodin_IF_Global_Sliding_On_The_Dancefl=
oor_IF_1-6-8-11.mp3>
*Featuring, Lee Noyes, Jeff Duke, Shane W. Cadman, Peter Th=F6rn, Steve
Moshier, Kenneth Palmer, Jeff Fairbanks, Richard Sanderson, Timo Tuhkanen,
Benjamin Smith, J.C. Combs, Ken Ficara, J=E9r=F4me Poirier, Bruce Hamilton,=
 Paul
Muller, Kavin Allenson, Steve Layton, Norbert Oldani, Jim Goodin,
Jukka-Pekka Kervinen, Chris Vaisvil and Roger =93ErocNet=94 Sundstr=F6m. Ji=
m
Goodin, mixer/masher.*
*
*
Come join us...


Jim
--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a56f215b7e04997632fd
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Just wanted to pass along a &#39;mashed&#39; listen at the marvelous work c=
reated at this weekend&#39;s <a href=3D"http://improvfriday.ning.com">Impro=
vFriday</a>. =A0For those who might not know, ImprovFriday is another onlin=
e community I take part in. =A0Founded by J.C. Combs, initially via Twitter=
 2plus years ago and later resident at it&#39;s current home on the Ning ne=
twork, ImprovFriday brings together artists interested in experimental work=
. =A0Each weekend 30 to 40 of us gather together through the wire and post =
spontaneous musical pieces to the ImprovFriday (<a href=3D"http://improvfri=
day.ning.com">http://improvfriday.ning.com</a>) from Thurs @4pm to Sat at 1=
0pm.<div>
<br></div><div>Among the interests in process is the technique of &#39;mash=
ing&#39; so any piece posted as long as the creator is open is available to=
 be combined with other work posted during the weekend event. =A0I took bit=
s/pieces from all the participants this weekend and created...</div>
<div><br></div><div><a href=3D"http://dl.dropbox.com/u/251618/Jim_Goodin_IF=
_Global_Sliding_On_The_Dancefloor_IF_1-6-8-11.mp3">Sliding on the Dancefloo=
r</a></div><div><br></div><div><a href=3D"http://dl.dropbox.com/u/251618/Ji=
m_Goodin_IF_Global_Sliding_On_The_Dancefloor_IF_1-6-8-11.mp3"></a><i>Featur=
ing,=A0<span class=3D"Apple-style-span" style=3D"font-family: &#39;lucida g=
rande&#39;, tahoma, verdana, arial, sans-serif; font-size: 13px; color: rgb=
(51, 51, 51); ">Lee Noyes, Jeff Duke, Shane W. Cadman, Peter Th=F6rn, Steve=
 Moshier, Kenneth Palmer, Jeff Fairbanks, Richard Sanderson, Timo Tuhkanen,=
 Benjamin Smith, J.C. Combs, Ken Ficara, J=E9r=F4me Poirier, Bruce Hamilton=
, Paul Muller, Kavin Allenson, Steve Layton, Norbert Oldani, Jim Goodin, Ju=
kka-Pekka Kervinen, Chris Vaisvi<span class=3D"text_exposed_show" style=3D"=
display: inline; ">l and Roger =93ErocNet=94 Sundstr=F6m. Jim Goodin, mixer=
/masher.</span></span></i></div>
<div><i><font class=3D"Apple-style-span" color=3D"#333333" face=3D"&#39;luc=
ida grande&#39;, tahoma, verdana, arial, sans-serif"><br></font></i></div><=
div><font class=3D"Apple-style-span" color=3D"#333333" face=3D"&#39;lucida =
grande&#39;, tahoma, verdana, arial, sans-serif">Come join us...</font></di=
v>
<div><font class=3D"Apple-style-span" color=3D"#333333" face=3D"&#39;lucida=
 grande&#39;, tahoma, verdana, arial, sans-serif"><br></font></div><div><fo=
nt class=3D"Apple-style-span" color=3D"#333333" face=3D"&#39;lucida grande&=
#39;, tahoma, verdana, arial, sans-serif"><br>
</font></div><div><font class=3D"Apple-style-span" color=3D"#333333" face=
=3D"&#39;lucida grande&#39;, tahoma, verdana, arial, sans-serif">Jim<br></f=
ont>-- <br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recordin=
g by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>
from the sale of this CD will benefit JDRF International.=A0 <a href=3D"htt=
p://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn=
.bandcamp.com</a>.<br><br><a href=3D"http://woodandwiremusic.wordpress.com"=
 target=3D"_blank">woodandwiremusic.wordpress.com</a><br>

</div>

--20cf3054a56f215b7e04997632fd--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 04:40:46 2011
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Date: Sun, 09 Jan 2011 20:40:33 -0800
From: Rick Walker <looppool@cruzio.com>
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Subject: Re: Re: Lucy in the sky with spam
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On 7/22/64 11:59 AM, Andy Owens wrote:
> Great, I tried ti escape Bluegrass music, with it's blue haired old lady groupies, with a short stopover at Opera, no groupies(ok the oboists, yes!!) and now to looping where we have only Lucy The Looping Groupie and ya'll are already trying to run her off!!!!!
Yeppers,   Lucy is bisexual, so she's an equal opportunity groupie which 
preserves our communal status
as non-sexist,  but she's been at it since the Court of the Crimson King 
which makes her
a bit long in the tooth for this kind of 
work..................wait.............most of us are from the Court of 
the Crimson King and are a bit long in the tooth.

Still,  vastly superior to the Bluegrass scene,   IMBAUO <In My Bigoted 
and Uninformed Opinion>

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 06:42:38 2011
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Date: Sun, 9 Jan 2011 22:42:34 -0800
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Subject: Re: Lucy in the sky with spam
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I've learned to be suspicious when anyone says they want to be in a
relationship with me...


> Hello!
> May the blessings of the=A0 season=A0 rest upon your life,
> I found you here ON this site (www.loopers-delight.com) and picked
> interest in you. My name is lucy. I wish to be in good relationship with =
you



--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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From: daniel salif <danielsalif09@gmail.com>
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FROM MR.DANIEL SALIF.

DEAR FRIEND,

COMPLIMENTS OF THE SEASON TO YOU OVER THERE, I WISH YOU LONGLIVE AND PROSPE=
RITY IN THIS NEW YEAR 2011; I AM THE MANAGER IN THE BILL AND EXCHANGE DEPAR=
TMENT OF SOCIETY GENERAL OF BANKS IN BURKINA (SGBB) HERE IN OUAGADOUGOU THE=
 CAPITAL CITY OF BURKINA FASO. IN MY DEPARTMENT WE DISCOVERED AN ABANDONED =
SUM OF US$10.5M(TEN MILLION FIVE HUNDRED THOUSAND US DOLLARS) IN ACCOUNT TH=
AT BELONG TO THE BANK DECEASED CUSTOMER WHO DIED WITH HIS ENTIRE FAMILY ALO=
NG WITH HIS SUPPOSE NEXT OF KIN IN A PLANE CRASHED SO THEREFORE,I NEED YOUR=
 ASSISTANCE TO ENABLE THE MONEY TRANSFER INTO YOUR NOMINATED BANK ACCOUNT.
IF YOU ARE INTERESTED, YOU SHOULD GET BACK TO ME.

TRULY YOURS,
=A0
MR.DANIEL SALIF. (SGBB).=0A=0A=0A      
--0-1295599121-1294642280=:40264
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">FROM MR.DANIEL SALIF.<br><br>DEAR FRIEND,<br>=
<br>COMPLIMENTS OF THE SEASON TO YOU OVER THERE, I WISH YOU LONGLIVE AND PR=
OSPERITY IN THIS NEW YEAR 2011; I AM THE MANAGER IN THE BILL AND EXCHANGE D=
EPARTMENT OF SOCIETY GENERAL OF BANKS IN BURKINA (SGBB) HERE IN OUAGADOUGOU=
 THE CAPITAL CITY OF BURKINA FASO. IN MY DEPARTMENT WE DISCOVERED AN ABANDO=
NED SUM OF US$10.5M(TEN MILLION FIVE HUNDRED THOUSAND US DOLLARS) IN ACCOUN=
T THAT BELONG TO THE BANK DECEASED CUSTOMER WHO DIED WITH HIS ENTIRE FAMILY=
 ALONG WITH HIS SUPPOSE NEXT OF KIN IN A PLANE CRASHED SO THEREFORE,I NEED =
YOUR ASSISTANCE TO ENABLE THE MONEY TRANSFER INTO YOUR NOMINATED BANK ACCOU=
NT.<br>IF YOU ARE INTERESTED, YOU SHOULD GET BACK TO ME.<br><br>TRULY YOURS=
,<br>&nbsp;<br>MR.DANIEL SALIF. (SGBB).</td></tr></table><br>=0A=0A=0A=0A=
=0A      
--0-1295599121-1294642280=:40264--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 07:10:04 2011
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Subject: Re: EchoLoop
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Whoops, didn't realize that was a looper's delight thread I responded =
too. Thought it was just Andy.=20

Anyway, Ted, are you using it in Live, because I was having some trouble =
getting it to "hear" midi data through live. What's the latest version?=20=


EchoLoop worked like a dream in Bidule (last time I tried it), which I =
really like but I got lost trying to sync tempos properly and switchers =
don't make sense to me in Bidule---and I like some of the Ableton =
functionality as well as the idea of using Ableton's looper just to snag =
the BPM, then use EchoLoop.

I'd be glad to test anything new before the final release as I'm going =
through all my stuff very systematically as I set up a new scheme.

---Christopher.=20



On Jan 9, 2011, at 4:18 PM, tEd =AE KiLLiAn wrote:

> It seems to be.
>=20
> I am utilizing the latest (October of 2010) beta version from within =
MaxMSP.
>=20
> When a final publicly available version will be ready is anyone's =
guess.
>=20
> The correct person to ask is Matthias Grob (or possibly Andy Butler).
>=20
> I too am sort of building my whole new software looping future around =
EchLoop.
>=20
> The latest beta expires in a few months (April I think).
>=20
> So I am pretty keen on getting the next update (or the permanent =
version) ASAP as well.
>=20
> Matthias and Co. are working on it (along with the hardware version) =
and have been encouraging me to be patient.
>=20
> I'm planning on buying the hardware version too when the time comes.
>=20
> Al I can do is encourage patience as well.
>=20
> The VST works like a dream BTW, exactly like an EDP (only better) and =
in stereo too!
>=20
> Cheers,
>=20
> Ted
>=20
> On Jan 9, 2011, at 3:44 PM, Christopher Darrow wrote:
>=20
>>=20
>> Hi again.
>>=20
>> Is EchoLoop even still an open project?
>>=20
>> I hope so!!!!!!!
>>=20
>> Winter is here again and I plan to go deep and really solve this =
thing finally. EchoLoop is part of that, but probably with live.
>>=20
>> If there has not been an update, I'll keep trying to figure out how =
to make it work anyway but if there's a new one, better to roll with =
that, obviously.
>>=20
>> Thanks!
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 07:54:18 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: EchoLoop vs mobius
Date: Mon, 10 Jan 2011 07:54:16 +0000
Importance: Normal
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--_d18b5b6f-be6c-4534-8ce3-c12e12e70434_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


What's the difference between echoloop and mobius guys? I can't find any in=
fo in the 6 mins I have before going back to work..
=20
Peace
=20
g
=20
> Subject: Re: EchoLoop
> From: thedarrow@gmail.com
> Date: Sun=2C 9 Jan 2011 23:14:00 -0800
> To: Loopers-Delight@loopers-delight.com
>=20
>=20
> Whoops=2C didn't realize that was a looper's delight thread I responded t=
oo. Thought it was just Andy.=20
>=20
> Anyway=2C Ted=2C are you using it in Live=2C because I was having some tr=
ouble getting it to "hear" midi data through live. What's the latest versio=
n?=20
>=20
> EchoLoop worked like a dream in Bidule (last time I tried it)=2C which I =
really like but I got lost trying to sync tempos properly and switchers don=
't make sense to me in Bidule---and I like some of the Ableton functionalit=
y as well as the idea of using Ableton's looper just to snag the BPM=2C the=
n use EchoLoop.
>=20
> I'd be glad to test anything new before the final release as I'm going th=
rough all my stuff very systematically as I set up a new scheme.
>=20
> ---Christopher.=20
>=20
>=20
>=20
> On Jan 9=2C 2011=2C at 4:18 PM=2C tEd =AE KiLLiAn wrote:
>=20
> > It seems to be.
> >=20
> > I am utilizing the latest (October of 2010) beta version from within Ma=
xMSP.
> >=20
> > When a final publicly available version will be ready is anyone's guess=
.
> >=20
> > The correct person to ask is Matthias Grob (or possibly Andy Butler).
> >=20
> > I too am sort of building my whole new software looping future around E=
chLoop.
> >=20
> > The latest beta expires in a few months (April I think).
> >=20
> > So I am pretty keen on getting the next update (or the permanent versio=
n) ASAP as well.
> >=20
> > Matthias and Co. are working on it (along with the hardware version) an=
d have been encouraging me to be patient.
> >=20
> > I'm planning on buying the hardware version too when the time comes.
> >=20
> > Al I can do is encourage patience as well.
> >=20
> > The VST works like a dream BTW=2C exactly like an EDP (only better) and=
 in stereo too!
> >=20
> > Cheers=2C
> >=20
> > Ted
> >=20
> > On Jan 9=2C 2011=2C at 3:44 PM=2C Christopher Darrow wrote:
> >=20
> >>=20
> >> Hi again.
> >>=20
> >> Is EchoLoop even still an open project?
> >>=20
> >> I hope so!!!!!!!
> >>=20
> >> Winter is here again and I plan to go deep and really solve this thing=
 finally. EchoLoop is part of that=2C but probably with live.
> >>=20
> >> If there has not been an update=2C I'll keep trying to figure out how =
to make it work anyway but if there's a new one=2C better to roll with that=
=2C obviously.
> >>=20
> >> Thanks!
> >=20
>=20
 		 	   		  =

--_d18b5b6f-be6c-4534-8ce3-c12e12e70434_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
What's the difference between echoloop and mobius guys? I can't find any&nb=
sp=3Binfo in the 6 mins I have before going back to work..<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
g<BR>&nbsp=3B<BR>
&gt=3B Subject: Re: EchoLoop<BR>&gt=3B From: thedarrow@gmail.com<BR>&gt=3B =
Date: Sun=2C 9 Jan 2011 23:14:00 -0800<BR>&gt=3B To: Loopers-Delight@looper=
s-delight.com<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B Whoops=2C didn't realize that=
 was a looper's delight thread I responded too. Thought it was just Andy. <=
BR>&gt=3B <BR>&gt=3B Anyway=2C Ted=2C are you using it in Live=2C because I=
 was having some trouble getting it to "hear" midi data through live. What'=
s the latest version? <BR>&gt=3B <BR>&gt=3B EchoLoop worked like a dream in=
 Bidule (last time I tried it)=2C which I really like but I got lost trying=
 to sync tempos properly and switchers don't make sense to me in Bidule---a=
nd I like some of the Ableton functionality as well as the idea of using Ab=
leton's looper just to snag the BPM=2C then use EchoLoop.<BR>&gt=3B <BR>&gt=
=3B I'd be glad to test anything new before the final release as I'm going =
through all my stuff very systematically as I set up a new scheme.<BR>&gt=
=3B <BR>&gt=3B ---Christopher. <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B =
On Jan 9=2C 2011=2C at 4:18 PM=2C tEd =AE KiLLiAn wrote:<BR>&gt=3B <BR>&gt=
=3B &gt=3B It seems to be.<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B I am utilizin=
g the latest (October of 2010) beta version from within MaxMSP.<BR>&gt=3B &=
gt=3B <BR>&gt=3B &gt=3B When a final publicly available version will be rea=
dy is anyone's guess.<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B The correct person=
 to ask is Matthias Grob (or possibly Andy Butler).<BR>&gt=3B &gt=3B <BR>&g=
t=3B &gt=3B I too am sort of building my whole new software looping future =
around EchLoop.<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B The latest beta expires =
in a few months (April I think).<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B So I am=
 pretty keen on getting the next update (or the permanent version) ASAP as =
well.<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B Matthias and Co. are working on it=
 (along with the hardware version) and have been encouraging me to be patie=
nt.<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B I'm planning on buying the hardware =
version too when the time comes.<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B Al I ca=
n do is encourage patience as well.<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B The =
VST works like a dream BTW=2C exactly like an EDP (only better) and in ster=
eo too!<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B Cheers=2C<BR>&gt=3B &gt=3B <BR>&=
gt=3B &gt=3B Ted<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B On Jan 9=2C 2011=2C at =
3:44 PM=2C Christopher Darrow wrote:<BR>&gt=3B &gt=3B <BR>&gt=3B &gt=3B&gt=
=3B <BR>&gt=3B &gt=3B&gt=3B Hi again.<BR>&gt=3B &gt=3B&gt=3B <BR>&gt=3B &gt=
=3B&gt=3B Is EchoLoop even still an open project?<BR>&gt=3B &gt=3B&gt=3B <B=
R>&gt=3B &gt=3B&gt=3B I hope so!!!!!!!<BR>&gt=3B &gt=3B&gt=3B <BR>&gt=3B &g=
t=3B&gt=3B Winter is here again and I plan to go deep and really solve this=
 thing finally. EchoLoop is part of that=2C but probably with live.<BR>&gt=
=3B &gt=3B&gt=3B <BR>&gt=3B &gt=3B&gt=3B If there has not been an update=2C=
 I'll keep trying to figure out how to make it work anyway but if there's a=
 new one=2C better to roll with that=2C obviously.<BR>&gt=3B &gt=3B&gt=3B <=
BR>&gt=3B &gt=3B&gt=3B Thanks!<BR>&gt=3B &gt=3B <BR>&gt=3B <BR> 		 	   		  =
</body>
</html>=

--_d18b5b6f-be6c-4534-8ce3-c12e12e70434_--

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Subject: Re: EchoLoop vs mobius
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jan 10, 2011 at 8:54 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> What's the difference between echoloop and mobius guys? I can't find
> any=C2=A0info in the 6 mins I have before going back to work..

Ok, quick answer here then - in 5 minutes, cause I already lost one by
munching some breakfast...

No scripting option in Echoloop while deeply implemented in Mobius.
One Mobius plugin runs several tracks for parallel loops while
Echoloop achieves multi channel looping by using many plugin instances
opened on parallel channels inside the plugin host. Both plugins offer
real-time loop length multiplication but Mobius also offers instant
loop length multiplication and division are possible (good thing here
is that the coefficient "3" is one option, to compare with Live's
Looper that only offers even numbers for instant
multiplication/division).

Per

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Date: Mon, 10 Jan 2011 02:27:57 -0800 (PST)
From: The Uk National Lottery <allantheresa20@gmail.com>
Reply-To: claimssdepartments@gmail.com
Subject: GOOD NEWS FOR YOU !!!
To: undisclosed recipients: ;
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ATTENTION DEAR LUCKY WINNER:
=A0
PLEASE, KINDLY DOWNLOAD THE ATTACHED
=A0
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--0-914376803-1294655277=:58923--

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Subject: Re: EchoLoop vs mobius
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e89b035291f04997bfdf7
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Gareth Whittock <buddhamachine@live.co.uk> wrote:

>  What's the difference between echoloop and mobius guys? I can't find
> any info in the 6 mins I have before going back to work..
>
> Peace
>
> g
>


At the risk of sounding like a dull old bore on the subject, Echoloop does
real loop windowing.

Echoloop is basically a stereo EDP. It even responds to exactly the same
midi-note numbers, so you can unplug you midi cable from your hardware
loopers and plug them into echoloop.. (I wish it had midi learn however,
maybe it will), no scripting but within an environment like Bidule could
certainly achieve much of the same power as scripting.

Mobius is a totally different looper, started from the point of view of a
EDP clone, but now totally different beast entirely, where scripting is
certainly the major selling point...

Both of them will be easy to work with if you come from an EDP background,
both will be hell if you dont!


Opps I see that Per beat me to it.. I post anyway...

=E2=98=AE

Mark



--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e89b035291f04997bfdf7
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Gareth Whittock <span dir=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.=
co.uk" target=3D"_blank">buddhamachine@live.co.uk</a>&gt;</span> wrote:<br>=
<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"margi=
n: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-le=
ft: 1ex;">






<div>
What&#39;s the difference between echoloop and mobius guys? I can&#39;t fin=
d any=C2=A0info in the 6 mins I have before going back to work..<br>
=C2=A0<br>
Peace<br>
=C2=A0<br>
g<br clear=3D"all"></div></blockquote><div><br><br>At the risk of sounding =
like a dull old bore on the subject, Echoloop does real loop windowing.<br>=
<br>Echoloop is basically a stereo EDP. It even responds to exactly the sam=
e midi-note numbers, so you can unplug you midi cable from your hardware lo=
opers and plug them into echoloop.. (I wish it had midi learn however, mayb=
e it will), no scripting but within an environment like Bidule could certai=
nly achieve much of the same power as scripting.<br>


<br>Mobius is a totally different looper, started from the point of view of=
 a EDP clone, but now totally different beast entirely, where scripting is =
certainly the major selling point...<br><br>Both of them will be easy to wo=
rk with if you come from an EDP background, both will be hell if you dont!<=
br>


<br><br>Opps I see that Per beat me to it.. I post anyway...<br><br><font s=
ize=3D"6">=E2=98=AE</font><br><br>Mark<br><br><br><br></div></div>-- <br>ma=
rk francombe<br><a href=3D"http://www.markfrancombe.com" target=3D"_blank">=
www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com<=
/a><br>
twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" target=3D=
"_blank">http://vimeo.com/user825094</a><br><a href=3D"http://www.looop.no"=
 target=3D"_blank">http://www.looop.no</a><br>

--90e6ba6e89b035291f04997bfdf7--

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Date: Mon, 10 Jan 2011 11:57:57 +0000
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Subject: Re: a fun little mobius script and a question
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd404f2ce41a704997cad01
Content-Type: text/plain; charset=ISO-8859-1

just noticed a little mistake

the instantmultiply value should be the same as the subcyclecount multiplier
in line 11 - here's a correct version

!name copypan
set switchquantize off
set emptytrackaction copy
set pan 0
rateshift 12
NextTrack
instantmultiply4  <<<<< this number
set 8thspercycle 16
set pan 127
rateshift 12
variable lastslice subcyclecount * 4 <<<<< should be the same as this number
variable trimslice lastslice -1
wait until subcycle trimslice
Trimend

still bemused as to why i get no audio copied over if i insert a "wait
cycle" into line 2

sim

--000e0cd404f2ce41a704997cad01
Content-Type: text/html; charset=ISO-8859-1
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just noticed a little mistake<br><br>the instantmultiply value should be th=
e same as the subcyclecount multiplier in line 11 - here&#39;s a correct ve=
rsion<br><br>!name copypan<br>set switchquantize off<br>set emptytrackactio=
n copy <br>
set pan 0<br>rateshift 12<br>NextTrack<br>
instantmultiply4=A0 &lt;&lt;&lt;&lt;&lt; this number<br>set 8thspercycle 16=
<br>set pan 127<br>rateshift 12<br>variable lastslice subcyclecount * 4 &lt=
;&lt;&lt;&lt;&lt; should be the same as this number<br>variable trimslice l=
astslice -1<br>
wait until subcycle trimslice<br>Trimend<br><br>still bemused as to why i g=
et no audio copied over if i insert a &quot;wait cycle&quot; into line 2<br=
><br>sim<br>

--000e0cd404f2ce41a704997cad01--

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Subject: Simeon's CopyPan script for Mobius (Re: a fun little mobius script
 and a question)
From: Per Boysen <perboysen@gmail.com>
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Thanks for posting the fix! I had a lot of fun with your CopyPan
yesterday and liked it a lot. For my tastes I narrowed the panning
quite bit. I think I will take take out all panning from the script,
since I already play with a dynamically changing stereo sound and
those dynamics will change in interesting ways when a loop is
rate/speed shifted. Panning tracks as well was just too much over here
;-)

I noticed some strange things happening so I will paste in your
suggested new code.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Jan 10, 2011 at 12:57 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> just noticed a little mistake
>
> the instantmultiply value should be the same as the subcyclecount multipl=
ier
> in line 11 - here's a correct version
>
> !name copypan
> set switchquantize off
> set emptytrackaction copy
> set pan 0
> rateshift 12
> NextTrack
> instantmultiply4=C2=A0 <<<<< this number
> set 8thspercycle 16
> set pan 127
> rateshift 12
> variable lastslice subcyclecount * 4 <<<<< should be the same as this num=
ber
> variable trimslice lastslice -1
> wait until subcycle trimslice
> Trimend
>
> still bemused as to why i get no audio copied over if i insert a "wait
> cycle" into line 2
>
> sim
>

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Date: Mon, 10 Jan 2011 04:15:29 -0800 (PST)
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My Dear Beloved Friend,
=0A
=0AMy name is Mr Samuel Morrison; I am senior staff with Nat West Bank Lond=
on UK.I have a business deal of (USD$14.2Million)in one of the account here=
 in my department in UK,If you can permit me I will use your information=E2=
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
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My name is Mr Samuel Morrison; I am senior staff with Nat West Bank London =
UK.I have a business deal of (USD$14.2Million)in one of the account here in=
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=99s as the beneficiary of the fund.<br>=0A<br>=0AAnd arrange all the legal=
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h of us will share the Fund,if you are interested please respond back to me=
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From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 12:21:23 2011
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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
 script and a question)
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6a98a92fd4504997d01cb
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nice one, per!

personally, i'm not sure about the rateshift either. it sounds great on some
material, because you get a really nice machine-like sound, but on the
other, it can sound a bit "mickey mouse" and get a bit annoying after a
while!

i'd love to hear a clip of what you're doing with it, if you get time to
post one

sim

ps, i'm thinking of setting up a "glitch" bank on my foorswitch, with
insert, trim, subcycle sequence, reverse, rate shift and three buttons to
change the 8thspercycle value - and i'm wonderig if i can set up one single
button to do record, overdub and play like this -

if loop is empty, then record
if loop is recording, then overdub
if loop is overdubbing then play
if loop is playing then overdub

is this possible with a script?

sim

On Mon, Jan 10, 2011 at 12:09 PM, Per Boysen <perboysen@gmail.com> wrote:

> Thanks for posting the fix! I had a lot of fun with your CopyPan
> yesterday and liked it a lot. For my tastes I narrowed the panning
> quite bit. I think I will take take out all panning from the script,
> since I already play with a dynamically changing stereo sound and
> those dynamics will change in interesting ways when a loop is
> rate/speed shifted. Panning tracks as well was just too much over here
> ;-)
>
> I noticed some strange things happening so I will paste in your
> suggested new code.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Mon, Jan 10, 2011 at 12:57 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > just noticed a little mistake
> >
> > the instantmultiply value should be the same as the subcyclecount
> multiplier
> > in line 11 - here's a correct version
> >
> > !name copypan
> > set switchquantize off
> > set emptytrackaction copy
> > set pan 0
> > rateshift 12
> > NextTrack
> > instantmultiply4  <<<<< this number
> > set 8thspercycle 16
> > set pan 127
> > rateshift 12
> > variable lastslice subcyclecount * 4 <<<<< should be the same as this
> number
> > variable trimslice lastslice -1
> > wait until subcycle trimslice
> > Trimend
> >
> > still bemused as to why i get no audio copied over if i insert a "wait
> > cycle" into line 2
> >
> > sim
> >
>
>

--000e0cd6a98a92fd4504997d01cb
Content-Type: text/html; charset=ISO-8859-1
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nice one, per!<br><br>personally, i&#39;m not sure about the rateshift eith=
er. it sounds great on some material, because you get a really nice machine=
-like sound, but on the other, it can sound a bit &quot;mickey mouse&quot; =
and get a bit annoying after a while!<br>
<br>i&#39;d love to hear a clip of what you&#39;re doing with it, if you ge=
t time to post one<br><br>sim<br><br>ps, i&#39;m thinking of setting up a &=
quot;glitch&quot; bank on my foorswitch, with insert, trim, subcycle sequen=
ce, reverse, rate shift and three buttons to change the 8thspercycle value =
- and i&#39;m wonderig if i can set up one single button to do record, over=
dub and play like this - <br>
<br>if loop is empty, then record<br>if loop is recording, then overdub<br>=
if loop is overdubbing then play<br>if loop is playing then overdub<br><br>=
is this possible with a script?<br><br>sim<br><br><div class=3D"gmail_quote=
">
On Mon, Jan 10, 2011 at 12:09 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bor=
der-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Thanks for posting the fix! I had a lot of fun with your CopyPan<br>
yesterday and liked it a lot. For my tastes I narrowed the panning<br>
quite bit. I think I will take take out all panning from the script,<br>
since I already play with a dynamically changing stereo sound and<br>
those dynamics will change in interesting ways when a loop is<br>
rate/speed shifted. Panning tracks as well was just too much over here<br>
;-)<br>
<br>
I noticed some strange things happening so I will paste in your<br>
suggested new code.<br>
<br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
<br>
<br>
On Mon, Jan 10, 2011 at 12:57 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; just noticed a little mistake<br>
&gt;<br>
&gt; the instantmultiply value should be the same as the subcyclecount mult=
iplier<br>
&gt; in line 11 - here&#39;s a correct version<br>
&gt;<br>
&gt; !name copypan<br>
&gt; set switchquantize off<br>
&gt; set emptytrackaction copy<br>
&gt; set pan 0<br>
&gt; rateshift 12<br>
&gt; NextTrack<br>
&gt; instantmultiply4=A0 &lt;&lt;&lt;&lt;&lt; this number<br>
&gt; set 8thspercycle 16<br>
&gt; set pan 127<br>
&gt; rateshift 12<br>
&gt; variable lastslice subcyclecount * 4 &lt;&lt;&lt;&lt;&lt; should be th=
e same as this number<br>
&gt; variable trimslice lastslice -1<br>
&gt; wait until subcycle trimslice<br>
&gt; Trimend<br>
&gt;<br>
&gt; still bemused as to why i get no audio copied over if i insert a &quot=
;wait<br>
&gt; cycle&quot; into line 2<br>
&gt;<br>
&gt; sim<br>
&gt;<br>
<br>
</blockquote></div><br>

--000e0cd6a98a92fd4504997d01cb--

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
 script and a question)
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jan 10, 2011 at 1:21 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> personally, i'm not sure about the rateshift either. it sounds great on some
> material, because you get a really nice machine-like sound, but on the
> other, it can sound a bit "mickey mouse" and get a bit annoying after a
> while!

Oh yes, what I liked - that I forgot to say - was a second action
bringing down that "Rateshift 12" to "Rateshift 0". What happened then
was that the added stuff had been processed to sound one octave lower
than I played it and cut up into an interesting counter rhythm.
Sounded smooth.

To comment on the Mickey Mouse issue I always throw in a new, lower,
output level into the script to compensate the harsh sounding
pitched-up audio and make it fit in with the sounding texture. Just
make a line as for example "set output 40".


> i'd love to hear a clip of what you're doing with it, if you get time to
> post one

Sure, I'll record some Stick with your script - or what will be left
of it - later. Gotta do some more work-for-money right now.

BTW, when playing string instruments it can sound cool with reverse
effects. We should think about some glitch-shit-up scripts that slice
up the loop and revers certain slices here and there.


> i'm wonderig if i can set up one single
> button to do record, overdub and play like this -
>
> if loop is empty, then record
> if loop is recording, then overdub

if mode = record
Overdub

> if loop is overdubbing then play

if mode = overdub
Play

> if loop is playing then overdub

if mode = play
Overdub

> is this possible with a script?

and at the end, remember to wrap it up with the line "endif"

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 12:42:40 2011
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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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On Mon, Jan 10, 2011 at 1:40 PM, Per Boysen <perboysen@gmail.com> wrote:
>> if loop is empty, then record

if mode = reset
Record

__________

Sorry, forgot that one.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 12:44:14 2011
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here is another looper making success with KickStarter!

I like the way he uses the piano and I do not know of any other such =
pure piano looping:

=
http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-=
piano



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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">here is another looper making success with KickStarter!<div><br></div><div>I like the way he uses the piano and I do not know of any other such pure piano looping:</div><div><br></div><div><a href="http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-piano">http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-piano</a></div><div><br></div><div><br></div></body></html>
--Apple-Mail-8-676122153--

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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>>> if loop is empty, then record
>
> if mode = reset
> Record
>
> __________
>
> Sorry, forgot that one.

Actually, that was targeting the status where no loop yet is recorded
on a track (or a track's loop slot). I'm not sure Mobius scripting can
decide whether a loop contains recorded audio or recorded silence.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 12:48:55 2011
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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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--000e0cd52e70f7037604997d638d
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i don't think that would matter would it? you'd still want to go into
overdub...i'll give it a go and see how i get on

yes, reversed chunks - nice! ties in with rainer's question about alternate
reversed chunks. hopefully jeff will answer that question and we can steal
what we need from there!

thanks for tips, now go and make some money! :O)

sim


On Mon, Jan 10, 2011 at 12:46 PM, Per Boysen <perboysen@gmail.com> wrote:

> >>> if loop is empty, then record
> >
> > if mode = reset
> > Record
> >
> > __________
> >
> > Sorry, forgot that one.
>
> Actually, that was targeting the status where no loop yet is recorded
> on a track (or a track's loop slot). I'm not sure Mobius scripting can
> decide whether a loop contains recorded audio or recorded silence.
>
> Per
>
>

--000e0cd52e70f7037604997d638d
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i don&#39;t think that would matter would it? you&#39;d still want to go in=
to overdub...i&#39;ll give it a go and see how i get on<br><br>yes, reverse=
d chunks - nice! ties in with rainer&#39;s question about=20
alternate reversed chunks. hopefully jeff will answer that question and=20
we can steal what we need from there!<br><br>thanks for tips, now go and ma=
ke some money! :O)<br><br>sim<br><br><br><div class=3D"gmail_quote">On Mon,=
 Jan 10, 2011 at 12:46 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mail=
to:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>&gt;&gt;&gt; if loop is empty, then record<br>
&gt;<br>
&gt; if mode =3D reset<br>
&gt; Record<br>
&gt;<br>
&gt; __________<br>
&gt;<br>
&gt; Sorry, forgot that one.<br>
<br>
</div>Actually, that was targeting the status where no loop yet is recorded=
<br>
on a track (or a track&#39;s loop slot). I&#39;m not sure Mobius scripting =
can<br>
decide whether a loop contains recorded audio or recorded silence.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd52e70f7037604997d638d--

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Subject: Re: Lucy in the sky with spam
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matt->   :-DDD

Looper-groupies use e-mail....    nerdy as hell

2011/1/10 Matt Davignon <mattdavignon@gmail.com>

> I've learned to be suspicious when anyone says they want to be in a
> relationship with me...
>
>
> > Hello!
> > May the blessings of the  season  rest upon your life,
> > I found you here ON this site (www.loopers-delight.com) and picked
> > interest in you. My name is lucy. I wish to be in good relationship with
> you
>
>
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a2e9cd98ba04997dad90
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matt-&gt;=A0=A0 :-DDD<br><br>Looper-groupies use e-mail....=A0=A0=A0 nerdy =
as hell<br><br><div class=3D"gmail_quote">2011/1/10 Matt Davignon <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.c=
om</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I&#39;ve learned =
to be suspicious when anyone says they want to be in a<br>
relationship with me...<br>
<br>
<br>
&gt; Hello!<br>
&gt; May the blessings of the=A0 season=A0 rest upon your life,<br>
&gt; I found you here ON this site (<a href=3D"http://www.loopers-delight.c=
om" target=3D"_blank">www.loopers-delight.com</a>) and picked<br>
&gt; interest in you. My name is lucy. I wish to be in good relationship wi=
th you<br>
<font color=3D"#888888"><br>
<br>
<br>
--<br>
Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.pet=
rilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a2e9cd98ba04997dad90--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 13:11:12 2011
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From: Todd Matthews <gtmatthews@gmail.com>
Mime-Version: 1.0 (Apple Message framework v1082)
Content-Type: multipart/alternative; boundary=Apple-Mail-8-677772490
Subject: Re: Ferdinand Maisel
Date: Mon, 10 Jan 2011 08:11:08 -0500
In-Reply-To: <3902AD98-A266-4F2E-A57E-BA45B89DAF28@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I loved it! Thanks for the link.


On Jan 10, 2011, at 7:43 AM, Matthias Grob wrote:

> here is another looper making success with KickStarter!
>=20
> I like the way he uses the piano and I do not know of any other such =
pure piano looping:
>=20
> =
http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-=
piano
>=20
>=20

Todd Matthews
http://www.joshuasteelemusic.com





--Apple-Mail-8-677772490
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
loved it! Thanks for the link.<div><br></div><div><br><div><div>On Jan =
10, 2011, at 7:43 AM, Matthias Grob wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">here is another looper making =
success with KickStarter!<div><br></div><div>I like the way he uses the =
piano and I do not know of any other such pure piano =
looping:</div><div><br></div><div><a =
href=3D"http://www.kickstarter.com/projects/1660331765/hidden-voices-of-th=
e-grand-piano">http://www.kickstarter.com/projects/1660331765/hidden-voice=
s-of-the-grand-piano</a></div><div><br></div><div><br></div></div></blockq=
uote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-8-677772490--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 13:28:19 2011
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Date: Mon, 10 Jan 2011 09:21:37 -0400
Subject: Re: Ferdinand Maisel
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Awesome!
Love it!!

Thanks Matthias,

Andre

http://barbadosguitar.com/wordpress
http://www.andredonawa.com

On Mon, January 10, 2011 8:43 am, Matthias Grob wrote:
> here is another looper making success with KickStarter!
>
> I like the way he uses the piano and I do not know of any other such pure
> piano looping:
>
> http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-piano
>
>
>





From consulgh@4u.com.gh  Mon Jan 10 13:44:00 2011
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Date: Sun, 9 Jan 2011 17:04:14 -0600 (CST)
Subject: My Dear
From: "Dr. Peter Robert" <consulgh@4u.com.gh>
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My Dear,

COMPLIMENT OF THE SEASON.

This is Dr.Peter Robert writing to you once again,

Thank you for the assistance rendered to me when i was really in need, it
is a thing of joy to inform you that finally, I have succeeded in
collecting the money at Long last.

Hope this mail find you in an excellent condition of health. I'm happy to
inform you about my success in getting those funds transferred under the
co-operation of a new partner from South Korea. Presently I'm in South
Korea for investment projects with my own share of the total sum.

Meanwhile I didn't forget your past efforts and attempts to assist me in
transferring those funds that later failed some how, I have compensated
you with the sum of $1.5M, One million five hundred thousand dollars. Now
contact Barrister Nana Kwesi my lawyer in Ghana and his email address
is(nanakwesi1@globomail.com) ask him to send the money to you the sum of
$1.5, One million five hundred thousand dollars which I kept for your
compensation for all your past efforts and attempts to assist me in this
matter. I appreciated your efforts at that time very much. So feel free
and get in touch with him and instruct him where to send the amount to
you.

Please do let me know immediately if you receive it so that we can share
the joy after all the sufferings at that time. I'm very busy here WITH ne=
w
investment projects which me and the new partner are having at hand. This
Money, I have left it for you to Barrister Nana Kwesi,I have tried many
times to talk to you on phone but you could not respond and I have no tim=
e
for myself because we are very busy now.

Dr.Peter Robert



From stejoh0100@zipmail.com.br  Mon Jan 10 14:48:50 2011
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Date: Mon, 10 Jan 2011 20:18:27 +0530 (IST)
From: martha steven <stejoh0100@zipmail.com.br>
Reply-To: stejoh0100@zipmail.com.br
Subject: Hello Dearest In the Lord,
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-721026463-1294670907=:60575"

--0-721026463-1294670907=:60575
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: quoted-printable

Hello Dearest In the Lord,
=C2=A0
I am SISTER MARTHA STEVEN from Kuwait. I am married to DR EDWARD.J.STEVEN w=
ho worked with Kuwait embassy in Cote d'Ivoire for nine years before he die=
d in the year 2008. We were married for eleven years without a child. He di=
ed after a brief illness that lasted for only four days.
=C2=A0
Before his death we were both born again Christians. Since his death I deci=
ded not to re-marry or get a child outside my matrimonial home which the Bi=
ble is against. When my late husband was alive he deposited the sum of THRE=
E MILLION EIGHT HUNDRED THOUSAND DOLLAS ($3.8m) with one of the PRIVATE SEC=
URITY COMPANY here in Cote D=E2=80=99Ivoire. Presently, this money is still=
 with the SECURITY COMPANY. Recently, my Doctor told me that I would not la=
st for the next three months due to my cancer problem. Though what disturbs=
 me most is my stroke Having known my condition I decided to donate this fu=
nd to church or better still a Christian individual that will utilize this =
money the way I am going to instruct here in.=20
=C2=A0
I want a church that will use this to fund churches, orphanages and widows =
propagating the word of God and to ensure that the house of God is maintain=
ed. The Bible made us to understand that blessed is the hand that giveth. I=
 took this decision because I don't have any child that will inherit this m=
oney and my husband relatives are not Christians and I don't want my husban=
d's hard earned money to be misused by unbelievers. I don't want a situatio=
n where this money will be used in an ungodly manner. Hence the reason for =
taking this bold decision. I am not afraid of death hence I know where I am=
 going. I know that I am going to be in the bosom of the Lord. Exodus 14 VS=
 14 says that the lord will fight my case and I shall hold my peace.=20
=C2=A0
I don't need any telephone communication in this regard because of the pres=
ence of my husband's relatives around me always. I don't want them to know =
about this development. With God all things are possible. As soon as I rece=
ive your reply I shall give you the contact of the SECURITY COMPANY in Cote=
 d=E2=80=99Ivoire. I will also issue you a letter of authority that will em=
power you as the original- beneficiary to this fund. I want you and the chu=
rch to always pray for me because the lord is my shepherd. My happiness is =
that I lived a life of a worthy Christian.
=C2=A0
Who ever that wants to serve the Lord must serve him in spirit and truth. P=
lease always be prayerful all through your life. Any delay in your reply wi=
ll give me room in searching for a church or Christian individual for this =
same purpose.
Please assure me that you will act accordingly as I stated here in.
Hoping to hearing from you
=C2=A0
Remain blessed in the name of the Lord.
Yours in Christ
SISTER MARTHA STEVEN
=C2=A0=0A=0A
--0-721026463-1294670907=:60575
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Hello Dearest In the Lord,<BR>&nbsp;<BR>=
I am SISTER MARTHA STEVEN from Kuwait. I am married to DR EDWARD.J.STEVEN w=
ho worked with Kuwait embassy in Cote d'Ivoire for nine years before he die=
d in the year 2008. We were married for eleven years without a child. He di=
ed after a brief illness that lasted for only four days.<BR>&nbsp;<BR>Befor=
e his death we were both born again Christians. Since his death I decided n=
ot to re-marry or get a child outside my matrimonial home which the Bible i=
s against. When my late husband was alive he deposited the sum of THREE MIL=
LION EIGHT HUNDRED THOUSAND DOLLAS ($3.8m) with one of the PRIVATE SECURITY=
 COMPANY here in Cote D=E2=80=99Ivoire. Presently, this money is still with=
 the SECURITY COMPANY. Recently, my Doctor told me that I would not last fo=
r the next three months due to my cancer problem. Though what disturbs me m=
ost is my
 stroke Having known my condition I decided to donate this fund to church o=
r better still a Christian individual that will utilize this money the way =
I am going to instruct here in. <BR>&nbsp;<BR>I want a church that will use=
 this to fund churches, orphanages and widows propagating the word of God a=
nd to ensure that the house of God is maintained. The Bible made us to unde=
rstand that blessed is the hand that giveth. I took this decision because I=
 don't have any child that will inherit this money and my husband relatives=
 are not Christians and I don't want my husband's hard earned money to be m=
isused by unbelievers. I don't want a situation where this money will be us=
ed in an ungodly manner. Hence the reason for taking this bold decision. I =
am not afraid of death hence I know where I am going. I know that I am goin=
g to be in the bosom of the Lord. Exodus 14 VS 14 says that the lord will f=
ight my case and I shall hold my peace. <BR>&nbsp;<BR>I don't need
 any telephone communication in this regard because of the presence of my h=
usband's relatives around me always. I don't want them to know about this d=
evelopment. With God all things are possible. As soon as I receive your rep=
ly I shall give you the contact of the SECURITY COMPANY in Cote d=E2=80=99I=
voire. I will also issue you a letter of authority that will empower you as=
 the original- beneficiary to this fund. I want you and the church to alway=
s pray for me because the lord is my shepherd. My happiness is that I lived=
 a life of a worthy Christian.<BR>&nbsp;<BR>Who ever that wants to serve th=
e Lord must serve him in spirit and truth. Please always be prayerful all t=
hrough your life. Any delay in your reply will give me room in searching fo=
r a church or Christian individual for this same purpose.</DIV>
<DIV>Please assure me that you will act accordingly as I stated here in.<BR=
>Hoping to hearing from you</DIV>
<DIV>&nbsp;</DIV>
<DIV>Remain blessed in the name of the Lord.<BR>Yours in Christ<BR>SISTER M=
ARTHA STEVEN</DIV>
<DIV>&nbsp;</DIV></td></tr></table><br>
--0-721026463-1294670907=:60575--

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Subject: Audio example clip (Re: Simeon's CopyPan script for Mobius)
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jan 10, 2011 at 1:40 PM, Per Boysen <perboysen@gmail.com> wrote:
>> i'd love to hear a clip of what you're doing with it, if you get time to
>> post one
>
> Sure, I'll record some Stick with your script - or what will be left
> of it - later.

Here, I just uploaded a two minute recording with your script:
http://www.box.net/shared/o80igvm89s

"Playing the Chapman Stick to demonstrate Simeon Harris CopyPan script
for the Mobius looper. This script simply copies a recorded loop (here
the first bar riff), pans out the original and the copy and finally
shortens the copie's length a bit so it will slowly drift apart with
the original."

I changed some things in the script, below is my custom version that
you hear in the audio clip. Found the fix for your "Wait cycle" issue;
simply put that as line five instead as line two! And then I narrowed
the left-right pan to make it sound better live on a PA system (where
few will sit at "the sweet-spot" of the stereo field)

_____________________
!name copypan

set switchquantize off
set trackcopy sound

# set emptytrackaction copy if version 1.43

set pan 30
Wait cycle
NextTrack
instantmultiply4
set 8thspercycle 16
set pan 97
variable lastslice subcyclecount * 4
variable trimslice lastslice -1
wait until subcycle trimslice
Trimend


_____________________

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 15:34:18 2011
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Subject: Re: EchoLoop
Date: Mon, 10 Jan 2011 07:34:11 -0800
References: <1594EE95-3492-4D0C-A895-E5640C2C3512@me.com> <4D284B78.1090306@tiscali.co.uk> <A597A71D-9B65-4DBB-95FA-3FC726A67FDB@me.com> <4D2A3541.4050507@tiscali.co.uk> <A82CAC90-B926-402E-A2D4-9DE4BE35C6E7@gmail.com> <4F9677C9-AFD3-4169-B73C-549A5BD7B0CE@charter.net> <E1A21F28-D3CA-4121-ABD2-F6E32FBD841B@gmail.com>
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No, I don't use Abelton Live.

Sorry.

I use MaxMSP.

On Jan 9, 2011, at 11:14 PM, Christopher Darrow wrote:

>
> Whoops, didn't realize that was a looper's delight thread I =20
> responded too. Thought it was just Andy.
>
> Anyway, Ted, are you using it in Live, because I was having some =20
> trouble getting it to "hear" midi data through live. What's the =20
> latest version?
>
> EchoLoop worked like a dream in Bidule (last time I tried it), which =20=

> I really like but I got lost trying to sync tempos properly and =20
> switchers don't make sense to me in Bidule---and I like some of the =20=

> Ableton functionality as well as the idea of using Ableton's looper =20=

> just to snag the BPM, then use EchoLoop.
>
> I'd be glad to test anything new before the final release as I'm =20
> going through all my stuff very systematically as I set up a new =20
> scheme.
>
> ---Christopher.
>
>
>
> On Jan 9, 2011, at 4:18 PM, tEd =AE KiLLiAn wrote:
>
>> It seems to be.
>>
>> I am utilizing the latest (October of 2010) beta version from =20
>> within MaxMSP.
>>
>> When a final publicly available version will be ready is anyone's =20
>> guess.
>>
>> The correct person to ask is Matthias Grob (or possibly Andy Butler).
>>
>> I too am sort of building my whole new software looping future =20
>> around EchLoop.
>>
>> The latest beta expires in a few months (April I think).
>>
>> So I am pretty keen on getting the next update (or the permanent =20
>> version) ASAP as well.
>>
>> Matthias and Co. are working on it (along with the hardware =20
>> version) and have been encouraging me to be patient.
>>
>> I'm planning on buying the hardware version too when the time comes.
>>
>> Al I can do is encourage patience as well.
>>
>> The VST works like a dream BTW, exactly like an EDP (only better) =20
>> and in stereo too!
>>
>> Cheers,
>>
>> Ted
>>
>> On Jan 9, 2011, at 3:44 PM, Christopher Darrow wrote:
>>
>>>
>>> Hi again.
>>>
>>> Is EchoLoop even still an open project?
>>>
>>> I hope so!!!!!!!
>>>
>>> Winter is here again and I plan to go deep and really solve this =20
>>> thing finally. EchoLoop is part of that, but probably with live.
>>>
>>> If there has not been an update, I'll keep trying to figure out =20
>>> how to make it work anyway but if there's a new one, better to =20
>>> roll with that, obviously.
>>>
>>> Thanks!
>>
>

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Subject: Re: EchoLoop vs mobius
Date: Mon, 10 Jan 2011 07:36:29 -0800
References: <1594EE95-3492-4D0C-A895-E5640C2C3512@me.com> <4D284B78.1090306@tiscali.co.uk> <A597A71D-9B65-4DBB-95FA-3FC726A67FDB@me.com> <4D2A3541.4050507@tiscali.co.uk> <A82CAC90-B926-402E-A2D4-9DE4BE35C6E7@gmail.com> <4F9677C9-AFD3-4169-B73C-549A5BD7B0CE@charter.net>,<E1A21F28-D3CA-4121-ABD2-F6E32FBD841B@gmail.com> <BAY145-w356DBE94567377595D7B74850E0@phx.gbl>
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I have no experience with Mobius so I cannot really say.

I am really only starting on this software adventure.

There are a lot of things I haven't tried and cannot compare.


On Jan 9, 2011, at 11:54 PM, Gareth Whittock wrote:

> What's the difference between echoloop and mobius guys? I can't find =20=

> any info in the 6 mins I have before going back to work..
>
> Peace
>
> g
>
> > Subject: Re: EchoLoop
> > From: thedarrow@gmail.com
> > Date: Sun, 9 Jan 2011 23:14:00 -0800
> > To: Loopers-Delight@loopers-delight.com
> >
> >
> > Whoops, didn't realize that was a looper's delight thread I =20
> responded too. Thought it was just Andy.
> >
> > Anyway, Ted, are you using it in Live, because I was having some =20
> trouble getting it to "hear" midi data through live. What's the =20
> latest version?
> >
> > EchoLoop worked like a dream in Bidule (last time I tried it), =20
> which I really like but I got lost trying to sync tempos properly =20
> and switchers don't make sense to me in Bidule---and I like some of =20=

> the Ableton functionality as well as the idea of using Ableton's =20
> looper just to snag the BPM, then use EchoLoop.
> >
> > I'd be glad to test anything new before the final release as I'm =20
> going through all my stuff very systematically as I set up a new =20
> scheme.
> >
> > ---Christopher.
> >
> >
> >
> > On Jan 9, 2011, at 4:18 PM, tEd =AE KiLLiAn wrote:
> >
> > > It seems to be.
> > >
> > > I am utilizing the latest (October of 2010) beta version from =20
> within MaxMSP.
> > >
> > > When a final publicly available version will be ready is =20
> anyone's guess.
> > >
> > > The correct person to ask is Matthias Grob (or possibly Andy =20
> Butler).
> > >
> > > I too am sort of building my whole new software looping future =20
> around EchLoop.
> > >
> > > The latest beta expires in a few months (April I think).
> > >
> > > So I am pretty keen on getting the next update (or the permanent =20=

> version) ASAP as well.
> > >
> > > Matthias and Co. are working on it (along with the hardware =20
> version) and have been encouraging me to be patient.
> > >
> > > I'm planning on buying the hardware version too when the time =20
> comes.
> > >
> > > Al I can do is encourage patience as well.
> > >
> > > The VST works like a dream BTW, exactly like an EDP (only =20
> better) and in stereo too!
> > >
> > > Cheers,
> > >
> > > Ted
> > >
> > > On Jan 9, 2011, at 3:44 PM, Christopher Darrow wrote:
> > >
> > >>
> > >> Hi again.
> > >>
> > >> Is EchoLoop even still an open project?
> > >>
> > >> I hope so!!!!!!!
> > >>
> > >> Winter is here again and I plan to go deep and really solve =20
> this thing finally. EchoLoop is part of that, but probably with live.
> > >>
> > >> If there has not been an update, I'll keep trying to figure out =20=

> how to make it work anyway but if there's a new one, better to roll =20=

> with that, obviously.
> > >>
> > >> Thanks!
> > >
> >

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 16:33:17 2011
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Date: Mon, 10 Jan 2011 17:33:49 +0100
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Subject: Re: Audio example clip (Re: Simeon's CopyPan script for Mobius)
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Nice tone Per... Also interested in what was achieving the wonderful
bloom effect for the later melody, like a ducking cloud loop or
something? I created something like this using firewirx, but as im
hooked on stomp boxes these days i have my eyes on an Electro harmonix
freeze...

Mark

Sent from my (advertisement removed)

On 10 Jan 2011, at 16:33, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 10, 2011 at 1:40 PM, Per Boysen <perboysen@gmail.com> wrote:
>>> i'd love to hear a clip of what you're doing with it, if you get time to
>>> post one
>>
>> Sure, I'll record some Stick with your script - or what will be left
>> of it - later.
>
> Here, I just uploaded a two minute recording with your script:
> http://www.box.net/shared/o80igvm89s
>
> "Playing the Chapman Stick to demonstrate Simeon Harris CopyPan script
> for the Mobius looper. This script simply copies a recorded loop (here
> the first bar riff), pans out the original and the copy and finally
> shortens the copie's length a bit so it will slowly drift apart with
> the original."
>
> I changed some things in the script, below is my custom version that
> you hear in the audio clip. Found the fix for your "Wait cycle" issue;
> simply put that as line five instead as line two! And then I narrowed
> the left-right pan to make it sound better live on a PA system (where
> few will sit at "the sweet-spot" of the stereo field)
>
> _____________________
> !name copypan
>
> set switchquantize off
> set trackcopy sound
>
> # set emptytrackaction copy if version 1.43
>
> set pan 30
> Wait cycle
> NextTrack
> instantmultiply4
> set 8thspercycle 16
> set pan 97
> variable lastslice subcyclecount * 4
> variable trimslice lastslice -1
> wait until subcycle trimslice
> Trimend
>
>
> _____________________
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 16:40:29 2011
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if he's not here, let's get him to join the party!



 =20

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i love you long time rickeee!!!!!.....sent from pittsburgh!


-----Original Message-----
From: Rick Walker <looppool@cruzio.com>
To: Stephen Goodman <spgoodman@earthlight.net>
Cc: Loopers-Delight@loopers-delight.com
Sent: Sun, Jan 9, 2011 3:41 pm
Subject: Re: Re: Lucy in the sky with spam


On 7/22/64 11:59 AM, Stephen Goodman wrote:=C2=A0
> I wish to be in good relationship with you=C2=A0
errrrr.   This one says it all.    This person is obviously from=20
Dayton, Ohio.=C2=A0
=C2=A0

 =20

From kjell.bengtsson.vinst@tele2.se  Mon Jan 10 16:55:25 2011
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From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 16:57:18 2011
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Subject: Re: Audio example clip (Re: Simeon's CopyPan script for Mobius)
From: Per Boysen <perboysen@gmail.com>
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"Bloom effect"? Is that referring to the generative music application
Bloom by Brian Eno and Peter Chivers? This time it is more difficult
than usual to understand what your saying ;-))

Anyway, everything except that first one bar loop (that got copied and
phase shifted by the script) was played live. Two effect processing
patches in work, on on each fretboard side's output. Must be one of
them.

1) On the bass fretboard output the Echoboy (soundtoys.com) tape deley
sim plugin set to a reverb sound is manipulated with an expression
pedal to bring up the feedback to max. Gives an effect similar to
"freeze reverb" but slowly moving rather than "hard-frozen".

2) On the guitar fretboard a simple True-Tape (part of the
Logic/Mainstage multi plugin Pedalboard) tape delay simulator plugin
is used. This delay's loop length is changing with the same expression
pedal used to catch and hold soundscapes from the bass side. The
True-Tape then makes some "inertia/flutter/varispeed noise" when the
delay length is changed.

...or maybe you are thinking about the OhmBoyz delay plugin on an
effect bus fed from the Mobius output channel that plays back the
original loop recorded? A bouncing dub feel delay coming out through a
LFO automized cut-off filter.

Per


On Mon, Jan 10, 2011 at 5:33 PM, mark francombe <markfrancombe@gmail.com> wrote:
> Nice tone Per... Also interested in what was achieving the wonderful
> bloom effect for the later melody, like a ducking cloud loop or
> something? I created something like this using firewirx, but as im
> hooked on stomp boxes these days i have my eyes on an Electro harmonix
> freeze...
>
> Mark
>
> Sent from my (advertisement removed)
>
> On 10 Jan 2011, at 16:33, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Mon, Jan 10, 2011 at 1:40 PM, Per Boysen <perboysen@gmail.com> wrote:
>>>> i'd love to hear a clip of what you're doing with it, if you get time to
>>>> post one
>>>
>>> Sure, I'll record some Stick with your script - or what will be left
>>> of it - later.
>>
>> Here, I just uploaded a two minute recording with your script:
>> http://www.box.net/shared/o80igvm89s
>>
>> "Playing the Chapman Stick to demonstrate Simeon Harris CopyPan script
>> for the Mobius looper. This script simply copies a recorded loop (here
>> the first bar riff), pans out the original and the copy and finally
>> shortens the copie's length a bit so it will slowly drift apart with
>> the original."
>>
>> I changed some things in the script, below is my custom version that
>> you hear in the audio clip. Found the fix for your "Wait cycle" issue;
>> simply put that as line five instead as line two! And then I narrowed
>> the left-right pan to make it sound better live on a PA system (where
>> few will sit at "the sweet-spot" of the stereo field)
>>
>> _____________________
>> !name copypan
>>
>> set switchquantize off
>> set trackcopy sound
>>
>> # set emptytrackaction copy if version 1.43
>>
>> set pan 30
>> Wait cycle
>> NextTrack
>> instantmultiply4
>> set 8thspercycle 16
>> set pan 97
>> variable lastslice subcyclecount * 4
>> variable trimslice lastslice -1
>> wait until subcycle trimslice
>> Trimend
>>
>>
>> _____________________
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>
>

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Subject: another fun mobius script (and another question!)
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--000e0cd10128bb5d2d049980ecd0
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it's amazing how one door opening opens another

the subcycle sequence script allowed me to write this script based on the
LiveCut plugin (of which i am particularly fond) - it stutters the last beat
of the loop



!name livecut stutter
message Chop chop!

# Variable containing 'slice'
Variable global Slicetarget

Variable saveQuantize quantize
variable eighths 8thspercycle
set 8thspercycle 32

# The number of slices will be the number of subcycles times cycles
# so the resulting slice will be equal to one subcycle
Variable slices subCycleCount * cycleCount


  # calculate the slice
  set slicetarget slices - 8

# internally subcycles/slices are numbered from 0
# but the Shuffle command wants them numbered from 1
Variable shuffleSlice slicetarget + 1

wait until subcycle slicetarget

Shuffle slices shuffleSlice

wait until subcycle 0

undo
set quantize saveQuantize
set 8thspercycle eighths




what i'd really love to do is this -



!name livecut stutter drop
message This doesn't work

# Variable containing 'slice'
Variable global Slicetarget

Variable saveQuantize quantize
variable eighths 8thspercycle
set 8thspercycle 32

# The number of slices will be the number of subcycles times cycles
# so the resulting slice will be equal to one subcycle
Variable slices subCycleCount * cycleCount


  # calculate the slice
  set slicetarget slices - 8

# internally subcycles/slices are numbered from 0
# but the Shuffle command wants them numbered from 1
Variable shuffleSlice slicetarget + 1

wait until subcycle slicetarget

Shuffle slices shuffleSlice

pitchdown
wait subcycle
pitchdown
wait subcycle
pitchdown
wait subcycle
pitchdown
wait subcycle
pitchdown
wait subcycle
pitchdown
wait subcycle
pitchdown
wait subcycle
pitchdown
wait subcycle


pitchnormal
undo
set quantize saveQuantize
set 8thspercycle eighths


but this doesn't work. it works with rate shifts, but that makes the loop
slower for a bit, so it goes out of sync
for some reason, the pitchdowns create a tiny bit of silence at the start,
so you just hear nothing as it's sweeps down. jeff - any idea why this might
be?
i tried it with pitchnext and added a pitch sequence to the preset, but that
didn't work either


sim

--000e0cd10128bb5d2d049980ecd0
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it&#39;s amazing how one door opening opens another<div><br></div><div>the =
subcycle sequence script allowed me to write this script based on the LiveC=
ut plugin (of which i am particularly fond) - it stutters the last beat of =
the loop</div>
<div><br></div><div><br></div><div><br></div><div><div>!name livecut stutte=
r</div><div>message Chop chop!</div><div><br></div><div># Variable containi=
ng &#39;slice&#39;</div><div>Variable global Slicetarget</div><div><br>
</div><div>Variable saveQuantize quantize</div><div>variable eighths 8thspe=
rcycle</div><div>set 8thspercycle 32</div><div><br></div><div># The number =
of slices will be the number of subcycles times cycles</div><div># so the r=
esulting slice will be equal to one subcycle</div>
<div>Variable slices subCycleCount * cycleCount</div><div><br></div><div><b=
r></div><div>=A0=A0# calculate the slice</div><div>=A0=A0set slicetarget sl=
ices - 8</div><div>=A0=A0</div><div># internally subcycles/slices are numbe=
red from 0</div>
<div># but the Shuffle command wants them numbered from 1</div><div>Variabl=
e shuffleSlice slicetarget + 1</div><div><br></div><div>wait until subcycle=
 slicetarget</div><div><br></div><div>Shuffle slices shuffleSlice</div>
<div><br></div><div>wait until subcycle 0</div><div><br></div><div>undo</di=
v><div>set quantize saveQuantize</div><div>set 8thspercycle eighths</div></=
div><div><br></div><div><br></div><div><br></div><div><br></div><div>what i=
&#39;d really love to do is this -=A0</div>
<div><br></div><div><br></div><div><br></div><div><div>!name livecut stutte=
r drop</div><div>message This doesn&#39;t work</div><div><br></div><div># V=
ariable containing &#39;slice&#39;</div><div>Variable global Slicetarget</d=
iv>
<div><br></div><div>Variable saveQuantize quantize</div><div>variable eight=
hs 8thspercycle</div><div>set 8thspercycle 32</div><div><br></div><div># Th=
e number of slices will be the number of subcycles times cycles</div><div>
# so the resulting slice will be equal to one subcycle</div><div>Variable s=
lices subCycleCount * cycleCount</div><div><br></div><div><br></div><div>=
=A0=A0# calculate the slice</div><div>=A0=A0set slicetarget slices - 8</div=
><div>
=A0=A0</div><div># internally subcycles/slices are numbered from 0</div><di=
v># but the Shuffle command wants them numbered from 1</div><div>Variable s=
huffleSlice slicetarget + 1</div><div><br></div><div>wait until subcycle sl=
icetarget</div>
<div><br></div><div>Shuffle slices shuffleSlice</div><div><br></div><div>pi=
tchdown</div><div>wait subcycle</div><div>pitchdown</div><div>wait subcycle=
</div><div>pitchdown</div><div>wait subcycle</div><div>pitchdown</div><div>
wait subcycle</div><div>pitchdown</div><div>wait subcycle</div><div>pitchdo=
wn</div><div>wait subcycle</div><div>pitchdown</div><div>wait subcycle</div=
><div>pitchdown</div><div>wait subcycle</div><div><br></div><div><br></div>
<div>pitchnormal</div><div>undo</div><div>set quantize saveQuantize</div><d=
iv>set 8thspercycle eighths</div></div><div><br></div><div><br></div><div>b=
ut this doesn&#39;t work. it works with rate shifts, but that makes the loo=
p slower for a bit, so it goes out of sync</div>
<div>for some reason, the pitchdowns create a tiny bit of silence at the st=
art, so you just hear nothing as it&#39;s sweeps down. jeff - any idea why =
this might be?=A0</div><div>i tried it with pitchnext and added a pitch seq=
uence to the preset, but that didn&#39;t work either</div>
<div><br></div><div><br></div><div>sim</div>

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Subject: Re: Audio example clip (Re: Simeon's CopyPan script for Mobius)
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd5d0567a48ca049980feda
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lovely per - a nice subtle effect!


>> Here, I just uploaded a two minute recording with your script:
> >> http://www.box.net/shared/o80igvm89s
>

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lovely per - a nice subtle effect!<br><br><div class="gmail_quote"><br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><div><div class="h5">
&gt;&gt; Here, I just uploaded a two minute recording with your script:<br>
&gt;&gt; <a href="http://www.box.net/shared/o80igvm89s" target="_blank">http://www.box.net/shared/o80igvm89s</a><br>
</div></div></blockquote></div><br>

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Subject: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
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Wow, gotta check this out tonight! You're becoming so creative with
this stuff now, Sim, that you should start thinking about putting more
informative subject lines on your posts! Just so we can easier find
stuff when checking back in the future.

Per



On Mon, Jan 10, 2011 at 6:01 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> it's amazing how one door opening opens another
> the subcycle sequence script allowed me to write this script based on the
> LiveCut plugin (of which i am particularly fond) - it stutters the last b=
eat
> of the loop
>
>
> !name livecut stutter
> message Chop chop!
> # Variable containing 'slice'
> Variable global Slicetarget
> Variable saveQuantize quantize
> variable eighths 8thspercycle
> set 8thspercycle 32
> # The number of slices will be the number of subcycles times cycles
> # so the resulting slice will be equal to one subcycle
> Variable slices subCycleCount * cycleCount
>
> =C2=A0=C2=A0# calculate the slice
> =C2=A0=C2=A0set slicetarget slices - 8
>
> # internally subcycles/slices are numbered from 0
> # but the Shuffle command wants them numbered from 1
> Variable shuffleSlice slicetarget + 1
> wait until subcycle slicetarget
> Shuffle slices shuffleSlice
> wait until subcycle 0
> undo
> set quantize saveQuantize
> set 8thspercycle eighths
>
>
>
> what i'd really love to do is this -
>
>
> !name livecut stutter drop
> message This doesn't work
> # Variable containing 'slice'
> Variable global Slicetarget
> Variable saveQuantize quantize
> variable eighths 8thspercycle
> set 8thspercycle 32
> # The number of slices will be the number of subcycles times cycles
> # so the resulting slice will be equal to one subcycle
> Variable slices subCycleCount * cycleCount
>
> =C2=A0=C2=A0# calculate the slice
> =C2=A0=C2=A0set slicetarget slices - 8
>
> # internally subcycles/slices are numbered from 0
> # but the Shuffle command wants them numbered from 1
> Variable shuffleSlice slicetarget + 1
> wait until subcycle slicetarget
> Shuffle slices shuffleSlice
> pitchdown
> wait subcycle
> pitchdown
> wait subcycle
> pitchdown
> wait subcycle
> pitchdown
> wait subcycle
> pitchdown
> wait subcycle
> pitchdown
> wait subcycle
> pitchdown
> wait subcycle
> pitchdown
> wait subcycle
>
> pitchnormal
> undo
> set quantize saveQuantize
> set 8thspercycle eighths
>
> but this doesn't work. it works with rate shifts, but that makes the loop
> slower for a bit, so it goes out of sync
> for some reason, the pitchdowns create a tiny bit of silence at the start=
,
> so you just hear nothing as it's sweeps down. jeff - any idea why this mi=
ght
> be?
> i tried it with pitchnext and added a pitch sequence to the preset, but t=
hat
> didn't work either
>
> sim

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Subject: Re: another fun mobius script (and another question!)
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jan 10, 2011 at 6:01 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> but this doesn't work. it works with rate shifts, but that makes the loop
> slower for a bit, so it goes out of sync

When I use similar scripts I try to fix that by mixing parts that
transpose the Rate up and parts that transpose the Rate down in a way
that the resulting loop length on playback will be the same as the
unprocessed loop.

If having the opposite issue - the live processed loop playing back
too fast - you can throw  in a bunch of subcycle's *reverse mode* to
make it sync with the global song time line.


> i tried it with pitchnext and added a pitch sequence to the preset, but that
> didn't work either

Pitch Shift uses way, way more CPU power compared to Rate Shift. In
fact too much. Better not use it at all.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Mon, 10 Jan 2011 17:26:47 +0000
Message-ID: <AANLkTimru9Xkdr1ZCWYUpe3wnWLu8972ZQEH+jUsyQDB@mail.gmail.com>
Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Simeon Harris <simeonharris40@googlemail.com>
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yeah, willdo!

i just adapted the second script (which doesn't work anyway) with 40
ratedowns/wait subcycles in a row, followed by "pause" - great way to end a
loop - like a stuttery tape winding down!

sim

On Mon, Jan 10, 2011 at 5:09 PM, Per Boysen <perboysen@gmail.com> wrote:

> Wow, gotta check this out tonight! You're becoming so creative with
> this stuff now, Sim, that you should start thinking about putting more
> informative subject lines on your posts! Just so we can easier find
> stuff when checking back in the future.
>
> Per
>
>

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yeah, willdo!<br><br>i just adapted the second script (which doesn&#39;t wo=
rk anyway) with 40 ratedowns/wait subcycles in a row, followed by &quot;pau=
se&quot; - great way to end a loop - like a stuttery tape winding down!<br>
<br>sim<br><br><div class=3D"gmail_quote">On Mon, Jan 10, 2011 at 5:09 PM, =
Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">per=
boysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
Wow, gotta check this out tonight! You&#39;re becoming so creative with<br>
this stuff now, Sim, that you should start thinking about putting more<br>
informative subject lines on your posts! Just so we can easier find<br>
stuff when checking back in the future.<br>
<br>
Per<br><br></blockquote></div>

--000e0cd52e70d0c62e049981458a--

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Subject: Re: another fun mobius script (and another question!)
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well i'm sure you could get it to work with ratedowns, if you started
earlier in the loop and then did the right maths to work out when they
should stop. that's given me an idea - maybe more on this later!

sim

On Mon, Jan 10, 2011 at 5:23 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 10, 2011 at 6:01 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > but this doesn't work. it works with rate shifts, but that makes the loop
> > slower for a bit, so it goes out of sync
>
> When I use similar scripts I try to fix that by mixing parts that
> transpose the Rate up and parts that transpose the Rate down in a way
> that the resulting loop length on playback will be the same as the
> unprocessed loop.
>
> If having the opposite issue - the live processed loop playing back
> too fast - you can throw  in a bunch of subcycle's *reverse mode* to
> make it sync with the global song time line.
>
>
> > i tried it with pitchnext and added a pitch sequence to the preset, but
> that
> > didn't work either
>
> Pitch Shift uses way, way more CPU power compared to Rate Shift. In
> fact too much. Better not use it at all.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--000e0cd6b2cc703aa00499814d9f
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well i&#39;m sure you could get it to work with ratedowns, if you started e=
arlier in the loop and then did the right maths to work out when they shoul=
d stop. that&#39;s given me an idea - maybe more on this later!<br><br>sim<=
br>
<br><div class=3D"gmail_quote">On Mon, Jan 10, 2011 at 5:23 PM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;">
<div class=3D"im">On Mon, Jan 10, 2011 at 6:01 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; but this doesn&#39;t work. it works with rate shifts, but that makes t=
he loop<br>
&gt; slower for a bit, so it goes out of sync<br>
<br>
</div>When I use similar scripts I try to fix that by mixing parts that<br>
transpose the Rate up and parts that transpose the Rate down in a way<br>
that the resulting loop length on playback will be the same as the<br>
unprocessed loop.<br>
<br>
If having the opposite issue - the live processed loop playing back<br>
too fast - you can throw =A0in a bunch of subcycle&#39;s *reverse mode* to<=
br>
make it sync with the global song time line.<br>
<div class=3D"im"><br>
<br>
&gt; i tried it with pitchnext and added a pitch sequence to the preset, bu=
t that<br>
&gt; didn&#39;t work either<br>
<br>
</div>Pitch Shift uses way, way more CPU power compared to Rate Shift. In<b=
r>
fact too much. Better not use it at all.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>

--000e0cd6b2cc703aa00499814d9f--

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Subject: Re: Audio example clip (Re: Simeon's CopyPan script for Mobius)
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Wow !
Very interesting. I have to try it, definitively !

-f
www.eterogeneo.com



2011/1/10 Simeon Harris <simeonharris40@googlemail.com>

> lovely per - a nice subtle effect!
>
>
>
>  >> Here, I just uploaded a two minute recording with your script:
>> >> http://www.box.net/shared/o80igvm89s
>>
>
>

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<div>Wow ! </div>
<div>Very interesting. I have to try it, definitively !</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2011/1/10 Simeon Harris <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">lovely per - a nice subtle effec=
t!=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote"><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>
<div>&gt;&gt; Here, I just uploaded a two minute recording with your script=
:<br>&gt;&gt; <a href=3D"http://www.box.net/shared/o80igvm89s" target=3D"_b=
lank">http://www.box.net/shared/o80igvm89s</a><br></div></div></blockquote>
</div><br></div></div></blockquote></div><br>

--0016e644cbb645bcd7049981528a--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 17:32:17 2011
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Date: Mon, 10 Jan 2011 18:32:15 +0100
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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Per Boysen <perboysen@gmail.com>
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Would be cool to have a "one-shot" stuttering script to use a a kind
of "drum fill" when improvising. Just throwing it in now and then,
behind your up-front playing, to keep the juices flowing in the
background. Something that stutters wilder and wilder as it approaches
the end of the original loop length.

I tried to set that up in Mobius long ago, but with today's script
manual it might be less difficult.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 17:35:22 2011
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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Jeff Larson <jeff.larson@sailpoint.com>
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--0016e64dda76b4b3c204998162c3
Content-Type: text/plain; charset=ISO-8859-1

> Wow, gotta check this out tonight! You're becoming so creative with
> this stuff now, Sim, that you should start thinking about putting more
> informative subject lines on your posts! Just so we can easier find
> stuff when checking back in the future.

So about that....could we please put stuff like this in the Mobius forum?
This is eactly the sort of thing that should go in the Scripting forum
so future users can see it without having to search LD, assuming
they even know this thread existed.  Not everyone registred with the Mobius
forum is on LD.

I know I'm not always very responsive to bug reports posted on the forums
and I'll try to get better at that.

Thanks,
Jeff

--0016e64dda76b4b3c204998162c3
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<div><br></div><div><br></div><div>&gt; Wow, gotta check this out tonight! =
You&#39;re becoming so creative with</div><div>&gt; this stuff now, Sim, th=
at you should start thinking about putting more</div><div>&gt; informative =
subject lines on your posts! Just so we can easier find</div>
<div>&gt; stuff when checking back in the future.</div><div><br></div><div>=
So about that....could we please put stuff like this in the Mobius forum?</=
div><div>This is eactly the sort of thing that should go in the Scripting f=
orum</div>
<div>so future users can see it without having to search LD, assuming</div>=
<div>they even know this thread existed. =A0Not everyone registred with the=
 Mobius</div><div>forum is on LD. =A0</div><div><br></div><div>I know I&#39=
;m not always very responsive to bug reports posted on the forums</div>
<div>and I&#39;ll try to get better at that.</div><div><br></div><div>Thank=
s,</div><div>Jeff</div><div><br></div>

--0016e64dda76b4b3c204998162c3--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 17:36:20 2011
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Subject: Re: another fun mobius script (and another question!)
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jan 10, 2011 at 6:28 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> well i'm sure you could get it to work with ratedowns, if you started
> earlier in the loop and then did the right maths to work out when they
> should stop. that's given me an idea - maybe more on this later!

Over here I typically use particular 8th Per Cycle settings to match
certain timing measures I like to play in. Like "16" for 4/4, "10" for
5/4 etc etc. So for all this meeting-global-song-time-line
compensation I use a two-script solution. First a script that checks
what 8th Per Cycle is in use and then this script launches the actual
effect script that is written to meet the timing measure in use. Took
some time to set up but is a no-brainer to use when in place under the
hood.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 17:36:25 2011
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Date: Mon, 10 Jan 2011 18:36:25 +0100
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Subject: Re: Ferdinand Maisel
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--0016e644cbb63a753e04998168bd
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A w e s o m e !
thanks for sharing, Matthias !

-f



2011/1/10 Matthias Grob <matilists@gmail.com>

> here is another looper making success with KickStarter!
>
> I like the way he uses the piano and I do not know of any other such pure
> piano looping:
>
>
> http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-piano
>
>
>

--0016e644cbb63a753e04998168bd
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<div>A=A0w=A0e s o m e !</div>
<div>thanks for sharing, Matthias !</div>
<div>=A0</div>
<div>-f</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2011/1/10 Matthias Grob <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:matilists@gmail.com">matilists@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">here is another looper making success =
with KickStarter!=20
<div><br></div>
<div>I like the way he uses the piano and I do not know of any other such p=
ure piano looping:</div>
<div><br></div>
<div><a href=3D"http://www.kickstarter.com/projects/1660331765/hidden-voice=
s-of-the-grand-piano" target=3D"_blank">http://www.kickstarter.com/projects=
/1660331765/hidden-voices-of-the-grand-piano</a></div>
<div><br></div>
<div><br></div></div></blockquote></div><br>

--0016e644cbb63a753e04998168bd--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 10 17:39:04 2011
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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and another question!)
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Ok jeff, I'll post everything over there in a stuttery scripts thread

Sent from my iPod

On 10 Jan 2011, at 17:34, Jeff Larson <jeff.larson@sailpoint.com> wrote:

> 
> 
> > Wow, gotta check this out tonight! You're becoming so creative with
> > this stuff now, Sim, that you should start thinking about putting more
> > informative subject lines on your posts! Just so we can easier find
> > stuff when checking back in the future.
> 
> So about that....could we please put stuff like this in the Mobius forum?
> This is eactly the sort of thing that should go in the Scripting forum
> so future users can see it without having to search LD, assuming
> they even know this thread existed.  Not everyone registred with the Mobius
> forum is on LD.  
> 
> I know I'm not always very responsive to bug reports posted on the forums
> and I'll try to get better at that.
> 
> Thanks,
> Jeff
> 

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and another question!)
References: <AANLkTikO7pUZ1Fqzip08BVaciLVFzJZ3_X-SNOaMmmAA@mail.gmail.com> <AANLkTimru9Xkdr1ZCWYUpe3wnWLu8972ZQEH+jUsyQDB@mail.gmail.com> <AANLkTimKGRdY+=-VmupkqUjFOd998mVbLWqEsPwYHo0q@mail.gmail.com>
From: Simeon Harris <simeonharris40@googlemail.com>
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Date: Mon, 10 Jan 2011 17:37:46 +0000
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Nah, I don't think that would be too hard. It would just be another adaptati=
on of the subcycle sequence script wouldn't it?

Sent from my iPod

On 10 Jan 2011, at 17:32, Per Boysen <perboysen@gmail.com> wrote:

> Would be cool to have a "one-shot" stuttering script to use a a kind
> of "drum fill" when improvising. Just throwing it in now and then,
> behind your up-front playing, to keep the juices flowing in the
> background. Something that stutters wilder and wilder as it approaches
> the end of the original loop length.
>=20
> I tried to set that up in Mobius long ago, but with today's script
> manual it might be less difficult.
>=20
> Per
>=20

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
 script and a question)
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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> On Mon, Jan 10, 2011 at 6:46 AM, Per Boysen <perboysen@gmail.com> wrote:
> ...
> Actually, that was targeting the status where no loop yet is recorded
> on a track (or a track's loop slot). I'm not sure Mobius scripting can
> decide whether a loop contains recorded audio or recorded silence.

Hmm, no.  There is no way to tell if a loop contains all zero samples.
That could be added if it were important.

[Simeon]
> yes, reversed chunks - nice! ties in with rainer's question about
> alternate reversed chunks. hopefully jeff will answer that question
> and we can steal what we need from there!

I found a bug that was causing Rainer's script to misbehave.  I think
there are ways to work around that, but I need to spend more time looking
at it.

Jeff

--0016e64dda7652fe8c049981cc49
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<div><br></div><div><br></div><div>&gt; On Mon, Jan 10, 2011 at 6:46 AM, Pe=
r Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>=
&gt; wrote:</div><div>&gt; ...</div><div>&gt; Actually, that was targeting =
the status where no loop yet is recorded</div>
<div>&gt; on a track (or a track&#39;s loop slot). I&#39;m not sure Mobius =
scripting can</div><div>&gt; decide whether a loop contains recorded audio =
or recorded silence.</div><div><br></div><div>Hmm, no. =A0There is no way t=
o tell if a loop contains all zero samples. =A0</div>
<div>That could be added if it were important.</div><div><br></div><div>[Si=
meon]</div><div>&gt; yes, reversed chunks - nice! ties in with rainer&#39;s=
 question about</div><div>&gt; alternate reversed chunks. hopefully jeff wi=
ll answer that question</div>
<div>&gt; and we can steal what we need from there!</div><div><br></div><di=
v>I found a bug that was causing Rainer&#39;s script to misbehave. =A0I thi=
nk</div><div>there are ways to work around that, but I need to spend more t=
ime looking</div>
<div>at it.</div><div><br></div><div>Jeff</div><div><br></div>

--0016e64dda7652fe8c049981cc49--

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd404f265b5c3049981d9de
Content-Type: text/plain; charset=ISO-8859-1

cool

any answer as to why my copypan script doesn't work if i put "waitcycle" in
at line 2?

sim

On Mon, Jan 10, 2011 at 6:04 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

>
>
> > On Mon, Jan 10, 2011 at 6:46 AM, Per Boysen <perboysen@gmail.com> wrote:
> > ...
> > Actually, that was targeting the status where no loop yet is recorded
> > on a track (or a track's loop slot). I'm not sure Mobius scripting can
> > decide whether a loop contains recorded audio or recorded silence.
>
> Hmm, no.  There is no way to tell if a loop contains all zero samples.
> That could be added if it were important.
>
> [Simeon]
> > yes, reversed chunks - nice! ties in with rainer's question about
> > alternate reversed chunks. hopefully jeff will answer that question
> > and we can steal what we need from there!
>
> I found a bug that was causing Rainer's script to misbehave.  I think
> there are ways to work around that, but I need to spend more time looking
> at it.
>
> Jeff
>
>

--000e0cd404f265b5c3049981d9de
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cool<br><br>any answer as to why my copypan script doesn&#39;t work if i pu=
t &quot;waitcycle&quot; in at line 2?<br><br>sim<br><br><div class=3D"gmail=
_quote">On Mon, Jan 10, 2011 at 6:04 PM, Jeff Larson <span dir=3D"ltr">&lt;=
<a href=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</a>&=
gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><br></div><d=
iv><br></div><div>&gt; On Mon, Jan 10, 2011 at 6:46 AM, Per Boysen &lt;<a h=
ref=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a=
>&gt; wrote:</div>
<div>&gt; ...</div><div class=3D"im"><div>&gt; Actually, that was targeting=
 the status where no loop yet is recorded</div>
<div>&gt; on a track (or a track&#39;s loop slot). I&#39;m not sure Mobius =
scripting can</div><div>&gt; decide whether a loop contains recorded audio =
or recorded silence.</div><div><br></div></div><div>Hmm, no. =A0There is no=
 way to tell if a loop contains all zero samples. =A0</div>

<div>That could be added if it were important.</div><div><br></div><div>[Si=
meon]</div><div class=3D"im"><div>&gt; yes, reversed chunks - nice! ties in=
 with rainer&#39;s question about</div><div>&gt; alternate reversed chunks.=
 hopefully jeff will answer that question</div>

<div>&gt; and we can steal what we need from there!</div><div><br></div></d=
iv><div>I found a bug that was causing Rainer&#39;s script to misbehave. =
=A0I think</div><div>there are ways to work around that, but I need to spen=
d more time looking</div>

<div>at it.</div><div><br></div><font color=3D"#888888"><div>Jeff</div><div=
><br></div>
</font></blockquote></div><br>

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[Simeon Harris]
> if i add "wait cycle" at the start, to make the whole thing
>  happen on the cycle boundary, i get no audio copied into track 2
> - why is this???

So if you do this, it doesn't work?

  !name copypan
  wait cycle
  set switchquantize off
  ...

I can't think of a reason why that would happen, I'll run some tests.

Jeff

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<div><br></div><div>[Simeon Harris]</div><div>&gt; if i add &quot;wait cycl=
e&quot; at the start, to make the whole thing</div><div>&gt; =A0happen on t=
he cycle boundary, i get no audio copied into track 2</div><div>&gt; - why =
is this???</div>
<div><br></div><div>So if you do this, it doesn&#39;t work?</div><div><br><=
/div><div>=A0=A0!name copypan</div><div>=A0=A0wait cycle</div><div>=A0=A0se=
t switchquantize off</div><div>=A0=A0...</div><div><br></div><div>I can&#39=
;t think of a reason why that would happen, I&#39;ll run some tests.</div>
<div><br></div><div>Jeff</div><div><br></div>

--0015175cb05eba115e049981e6ba--

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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On Mon, Jan 10, 2011 at 7:08 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> any answer as to why my copypan script doesn't work if i put "waitcycle" in
> at line 2?

Because stuff has to be taken care of in the right order! ;-)

As I answered in the thread "Audio example clip (Re: Simeon's CopyPan
script for Mobius)" your script works fine when "Wait cycle" is put as
line four instead of line two (and I spelled it as two words with a
capital W)

Per

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Subject: Re: a fun little mobius script and a question
From: Simeon Harris <simeonharris40@googlemail.com>
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yes, that's it. if you could have a look, i'd be very grateful. it means the
whole shebang would be quantised lovely

sim

On Mon, Jan 10, 2011 at 6:11 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

>
> [Simeon Harris]
> > if i add "wait cycle" at the start, to make the whole thing
> >  happen on the cycle boundary, i get no audio copied into track 2
> > - why is this???
>
> So if you do this, it doesn't work?
>
>   !name copypan
>   wait cycle
>   set switchquantize off
>   ...
>
> I can't think of a reason why that would happen, I'll run some tests.
>
> Jeff
>
>

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yes, that&#39;s it. if you could have a look, i&#39;d be very grateful. it =
means the whole shebang would be quantised lovely<br><br>sim<br><br><div cl=
ass=3D"gmail_quote">On Mon, Jan 10, 2011 at 6:11 PM, Jeff Larson <span dir=
=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@sailp=
oint.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><br></div><d=
iv>[Simeon Harris]</div><div class=3D"im"><div>&gt; if i add &quot;wait cyc=
le&quot; at the start, to make the whole thing</div>
<div>&gt; =A0happen on the cycle boundary, i get no audio copied into track=
 2</div><div>&gt; - why is this???</div>
<div><br></div></div><div>So if you do this, it doesn&#39;t work?</div><div=
><br></div><div>=A0=A0!name copypan</div><div>=A0=A0wait cycle</div><div>=
=A0=A0set switchquantize off</div><div>=A0=A0...</div><div><br></div><div>I=
 can&#39;t think of a reason why that would happen, I&#39;ll run some tests=
.</div>

<div><br></div><font color=3D"#888888"><div>Jeff</div><div><br></div>
</font></blockquote></div><br>

--000e0cd6a98a1093f20499820b83--

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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From: Simeon Harris <simeonharris40@googlemail.com>
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yes, i saw that, but it means some stuff happens and then other stuff
happens. without the wait cycle, it all happens at once, but when you hit
the button. jeff's looking at it anyway

sim

On Mon, Jan 10, 2011 at 6:16 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 10, 2011 at 7:08 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > any answer as to why my copypan script doesn't work if i put "waitcycle"
> in
> > at line 2?
>
> Because stuff has to be taken care of in the right order! ;-)
>
> As I answered in the thread "Audio example clip (Re: Simeon's CopyPan
> script for Mobius)" your script works fine when "Wait cycle" is put as
> line four instead of line two (and I spelled it as two words with a
> capital W)
>
> Per
>
>

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yes, i saw that, but it means some stuff happens and then other stuff happe=
ns. without the wait cycle, it all happens at once, but when you hit the bu=
tton. jeff&#39;s looking at it anyway<br><br>sim<br><br><div class=3D"gmail=
_quote">
On Mon, Jan 10, 2011 at 6:16 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bor=
der-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">On Mon, Jan 10, 2011 at 7:08 PM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; any answer as to why my copypan script doesn&#39;t work if i put &quot=
;waitcycle&quot; in<br>
&gt; at line 2?<br>
<br>
</div>Because stuff has to be taken care of in the right order! ;-)<br>
<br>
As I answered in the thread &quot;Audio example clip (Re: Simeon&#39;s Copy=
Pan<br>
script for Mobius)&quot; your script works fine when &quot;Wait cycle&quot;=
 is put as<br>
line four instead of line two (and I spelled it as two words with a<br>
capital W)<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd6b2cc989b9c04998210c3--

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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From: Per Boysen <perboysen@gmail.com>
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I like it the way I set it up; panning and trimming of the copy
happening on the next cycle cusp. That way I can adapt my live playing
to make the most of the summed noise attack.

Per



On Mon, Jan 10, 2011 at 7:23 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> yes, i saw that, but it means some stuff happens and then other stuff
> happens. without the wait cycle, it all happens at once, but when you hit
> the button. jeff's looking at it anyway
>
> sim
>
> On Mon, Jan 10, 2011 at 6:16 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> On Mon, Jan 10, 2011 at 7:08 PM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>> > any answer as to why my copypan script doesn't work if i put "waitcycle"
>> > in
>> > at line 2?
>>
>> Because stuff has to be taken care of in the right order! ;-)
>>
>> As I answered in the thread "Audio example clip (Re: Simeon's CopyPan
>> script for Mobius)" your script works fine when "Wait cycle" is put as
>> line four instead of line two (and I spelled it as two words with a
>> capital W)
>>
>> Per
>>
>
>

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Subject: Re: another mobius question - a new one!
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I found some bugs that were causing the "deterministic chaos".  It's
complicated but it has
to do with latency compensation and doing functions that change fundamental
playback properties like location (slipforward) and direction (reverse) at
exactly
the same time.  Here's a version that I think works, to avoid the bugs you
have
to put "Wait last" after each slipforward and reverse function to make sure
that
it is completely finished (after the latency delay) before executing the
next funtion.

Oh, I also had to change the final slipforward to "slipforward 2" so that it
skipped
ahead two subcycles.  Otherwise you would keep oscillating in the same
subcycle
forever.

Jef

-----------------------

!name autrev
Variable global PartRevActive

# toggle state
if PartRevActive == true
set PartRevActive false
else
set PartRevActive true
endif

# the actual function
while PartRevActive == true
slipforward
Wait last
reverse
Wait last
wait subcycle
reverse
Wait last
slipforward 2
Wait last
wait subcycle
next
end

--0015175ca7bc679bb404998228e8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I found some bugs that were causing the &quot;deterministic chaos&quot;. =
=A0It&#39;s complicated but it has<div>to do with latency compensation and =
doing functions that change fundamental</div><div>playback properties like =
location (slipforward) and direction (reverse) at exactly</div>
<div>the same time. =A0Here&#39;s a version that I think works, to avoid th=
e bugs you have</div><div>to put &quot;Wait last&quot; after each slipforwa=
rd and reverse function to make sure that</div><div>it is completely finish=
ed (after the latency delay) before executing the next funtion.</div>
<div><br></div><div>Oh, I also had to change the final slipforward to &quot=
;slipforward 2&quot; so that it skipped</div><div>ahead two subcycles. =A0O=
therwise you would keep oscillating in the same subcycle</div><div>forever.=
</div>
<div><br></div><div>Jef</div><div><br></div><div>-----------------------</d=
iv><div><br></div><div>!name autrev</div><div>Variable global PartRevActive=
</div><div><br></div><div># toggle state</div><div>if PartRevActive =3D=3D =
true</div>
<div>set PartRevActive false</div><div>else</div><div>set PartRevActive tru=
e</div><div>endif</div><div><br></div><div># the actual function</div><div>=
while PartRevActive =3D=3D true</div><div>slipforward</div><div>Wait last</=
div>
<div>reverse</div><div>Wait last</div><div>wait subcycle</div><div>reverse<=
/div><div>Wait last</div><div>slipforward 2</div><div>Wait last</div><div>w=
ait subcycle</div><div>next</div><div>end</div><div>=A0</div><div><br></div=
>

--0015175ca7bc679bb404998228e8--

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Date: Mon, 10 Jan 2011 13:36:22 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Ferdinand Maisel
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Phenomenal....

>A w e s o m e !
>thanks for sharing, Matthias !
>
>-f
>
>
>
>2011/1/10 Matthias Grob <<mailto:matilists@gmail.com>matilists@gmail.com>
>
>here is another looper making success with KickStarter!
>
>I like the way he uses the piano and I do not know of any other such 
>pure piano looping:
>
><http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-piano>http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-piano


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-917437911==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Ferdinand Maisel</title></head><body>
<div>Phenomenal....</div>
<div><br></div>
<blockquote type="cite" cite>A&nbsp;w&nbsp;e s o m e !</blockquote>
<blockquote type="cite" cite>thanks for sharing, Matthias
!</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>-f</blockquote>
<blockquote type="cite" cite><br>
<br>
&nbsp;</blockquote>
<blockquote type="cite" cite>2011/1/10 Matthias Grob &lt;<a
href="mailto:matilists@gmail.com">matilists@gmail.com</a>&gt;<br>
<blockquote>here is another looper making success with
KickStarter!</blockquote>
<blockquote><br></blockquote>
<blockquote>I like the way he uses the piano and I do not know of any
other such pure piano looping:</blockquote>
<blockquote><br></blockquote>
<blockquote><a
href=
"http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-grand-piano"><span
></span
>http://www.kickstarter.com/projects/1660331765/hidden-voices-of-the-<span
></span>grand-piano</a></blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-917437911==_ma============--

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On Mon, Jan 10, 2011 at 5:57 PM, Per Boysen <perboysen@gmail.com> wrote:

> "Bloom effect"? Is that referring to the generative music application
> Bloom by Brian Eno and Peter Chivers? This time it is more difficult
> than usual to understand what your saying ;-))
>


Oh come on Per! Use you imagination!
OK.. Certainly NOT refering to the Eno App (Why does everything have to
start with him???) Bloom is an English verb (verb verb not reverb) that
means a kind of soft and beautiful growth, as in flowers blooming. It is a
visual effect, generally taken to mean a hazey blur around an object .

Your sound started with a note, but very subtly became a frozen, reverby
haze ... and was almost certainly...


1) On the bass fretboard output the Echoboy (soundtoys.com) tape deley
sim plugin set to a reverb sound is manipulated with an expression
pedal to bring up the feedback to max. Gives an effect similar to
"freeze reverb" but slowly moving rather than "hard-frozen".

Wonderful music as always coming from Sweden!

Per


On Mon, Jan 10, 2011 at 5:33 PM, mark francombe <markfrancombe@gmail.com>
wrote:
> Nice tone Per... Also interested in what was achieving the wonderful
> bloom effect for the later melody, like a ducking cloud loop or
> something? I created something like this using firewirx, but as im
> hooked on stomp boxes these days i have my eyes on an Electro harmonix
> freeze...
>
> Mark
>
> Sent from my (advertisement removed)
>
> On 10 Jan 2011, at 16:33, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Mon, Jan 10, 2011 at 1:40 PM, Per Boysen <perboysen@gmail.com> wrote:
>>>> i'd love to hear a clip of what you're doing with it, if you get time
to
>>>> post one
>>>
>>> Sure, I'll record some Stick with your script - or what will be left
>>> of it - later.
>>
>> Here, I just uploaded a two minute recording with your script:
>> http://www.box.net/shared/o80igvm89s
>>
>> "Playing the Chapman Stick to demonstrate Simeon Harris CopyPan script
>> for the Mobius looper. This script simply copies a recorded loop (here
>> the first bar riff), pans out the original and the copy and finally
>> shortens the copie's length a bit so it will slowly drift apart with
>> the original."
>>
>> I changed some things in the script, below is my custom version that
>> you hear in the audio clip. Found the fix for your "Wait cycle" issue;
>> simply put that as line five instead as line two! And then I narrowed
>> the left-right pan to make it sound better live on a PA system (where
>> few will sit at "the sweet-spot" of the stereo field)
>>
>> _____________________
>> !name copypan
>>
>> set switchquantize off
>> set trackcopy sound
>>
>> # set emptytrackaction copy if version 1.43
>>
>> set pan 30
>> Wait cycle
>> NextTrack
>> instantmultiply4
>> set 8thspercycle 16
>> set pan 97
>> variable lastslice subcyclecount * 4
>> variable trimslice lastslice -1
>> wait until subcycle trimslice
>> Trimend
>>
>>
>> _____________________
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>
>




-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83e60e42920499836bd8
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On Mon, Jan 10, 2011 at 5:57 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<b=
r><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"mar=
gin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-=
left: 1ex;">

<div id=3D":zk">&quot;Bloom effect&quot;? Is that referring to the generati=
ve music application<br>
Bloom by Brian Eno and Peter Chivers? This time it is more difficult<br>
than usual to understand what your saying ;-))<br></div></blockquote><div i=
d=3D":zk"><br><br>Oh come on Per! Use you imagination! <br>OK.. Certainly N=
OT refering to the Eno App (Why does everything have to start with him???) =
Bloom is an English verb (verb verb not reverb) that means a kind of soft a=
nd beautiful growth, as in flowers blooming. It is a visual effect, general=
ly taken to mean a hazey blur around an object .<br>

<br>Your sound started with a note, but very subtly became a frozen, reverb=
y haze ... and was almost certainly...<br><br><br>
1) On the bass fretboard output the Echoboy (<a href=3D"http://soundtoys.co=
m" target=3D"_blank">soundtoys.com</a>) tape deley<br>
sim plugin set to a reverb sound is manipulated with an expression<br>
pedal to bring up the feedback to max. Gives an effect similar to<br>
&quot;freeze reverb&quot; but slowly moving rather than &quot;hard-frozen&q=
uot;.<br>
<br>Wonderful music as always coming from Sweden!<br><br><font color=3D"#88=
8888">
Per<br>
</font><div><div class=3D"h5"><br>
<br>
On Mon, Jan 10, 2011 at 5:33 PM, mark francombe &lt;<a href=3D"mailto:markf=
rancombe@gmail.com">markfrancombe@gmail.com</a>&gt; wrote:<br>
&gt; Nice tone Per... Also interested in what was achieving the wonderful<b=
r>
&gt; bloom effect for the later melody, like a ducking cloud loop or<br>
&gt; something? I created something like this using firewirx, but as im<br>
&gt; hooked on stomp boxes these days i have my eyes on an Electro harmonix=
<br>
&gt; freeze...<br>
&gt;<br>
&gt; Mark<br>
&gt;<br>
&gt; Sent from my (advertisement removed)<br>
&gt;<br>
&gt; On 10 Jan 2011, at 16:33, Per Boysen &lt;<a href=3D"mailto:perboysen@g=
mail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt;<br>
&gt;&gt; On Mon, Jan 10, 2011 at 1:40 PM, Per Boysen &lt;<a href=3D"mailto:=
perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt;&gt;&gt;&gt; i&#39;d love to hear a clip of what you&#39;re doing with =
it, if you get time to<br>
&gt;&gt;&gt;&gt; post one<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Sure, I&#39;ll record some Stick with your script - or what wi=
ll be left<br>
&gt;&gt;&gt; of it - later.<br>
&gt;&gt;<br>
&gt;&gt; Here, I just uploaded a two minute recording with your script:<br>
&gt;&gt; <a href=3D"http://www.box.net/shared/o80igvm89s" target=3D"_blank"=
>http://www.box.net/shared/o80igvm89s</a><br>
&gt;&gt;<br>
&gt;&gt; &quot;Playing the Chapman Stick to demonstrate Simeon Harris CopyP=
an script<br>
&gt;&gt; for the Mobius looper. This script simply copies a recorded loop (=
here<br>
&gt;&gt; the first bar riff), pans out the original and the copy and finall=
y<br>
&gt;&gt; shortens the copie&#39;s length a bit so it will slowly drift apar=
t with<br>
&gt;&gt; the original.&quot;<br>
&gt;&gt;<br>
&gt;&gt; I changed some things in the script, below is my custom version th=
at<br>
&gt;&gt; you hear in the audio clip. Found the fix for your &quot;Wait cycl=
e&quot; issue;<br>
&gt;&gt; simply put that as line five instead as line two! And then I narro=
wed<br>
&gt;&gt; the left-right pan to make it sound better live on a PA system (wh=
ere<br>
&gt;&gt; few will sit at &quot;the sweet-spot&quot; of the stereo field)<br=
>
&gt;&gt;<br>
&gt;&gt; _____________________<br>
&gt;&gt; !name copypan<br>
&gt;&gt;<br>
&gt;&gt; set switchquantize off<br>
&gt;&gt; set trackcopy sound<br>
&gt;&gt;<br>
&gt;&gt; # set emptytrackaction copy if version 1.43<br>
&gt;&gt;<br>
&gt;&gt; set pan 30<br>
&gt;&gt; Wait cycle<br>
&gt;&gt; NextTrack<br>
&gt;&gt; instantmultiply4<br>
&gt;&gt; set 8thspercycle 16<br>
&gt;&gt; set pan 97<br>
&gt;&gt; variable lastslice subcyclecount * 4<br>
&gt;&gt; variable trimslice lastslice -1<br>
&gt;&gt; wait until subcycle trimslice<br>
&gt;&gt; Trimend<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; _____________________<br>
&gt;&gt;<br>
&gt;&gt; Greetings from Sweden<br>
&gt;&gt;<br>
&gt;&gt; Per Boysen<br>
&gt;&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</=
a><br>
&gt;&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboys=
en.com</a><br>
&gt;&gt; <a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom=
.com</a> internet music hub<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></div></div><br><br clear=3D"all"><br>-- <br>mark francombe<br>=
<a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a hr=
ef=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfra=
ncombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83e60e42920499836bd8--

From bounce@successmarketingpro.net  Mon Jan 10 22:54:41 2011
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	for looparc@loopers-delight.com; Mon, 10 Jan 2011 16:45:04 -0600
To: looparc@loopers-delight.com
Subject: Hello...
From: Haywood DeJarnette <haywood@successmarketingpro.net> 
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I see your are actively promoting or have been in the past in the home
business of GVO!

Just a quick question...
Would you be open to another income stream of $3k to $5k a week? You would
not have to speak to any leads or prospects to generate income because of
our professional call center.

This would not interfere with any other business or job you may have. Total turn key plug in system.

If interested, reply back to to this email with Send information website inside the body.

I will then email you the webinar information, website tour and direct
access to our call center closing professionals.

If you are not interested at all and satisfied with your current income, please delete this email! You were
regarded as a person interested in generating over $100,000 a year from
home.

Thanks,

Haywood D
http://www.stacksofcashtoday.com


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From: "The U.S. Government Accountability Office (GAO)"<info@accountablity.com>
Subject: The U.S. Government Accountability Office (GAO)  
Date: Mon, 10 Jan 2011 21:51:29 +0100
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<B><I>The U.S. Government Accountability Office (GAO)</B></I></DIV>
<DIV>
<B><I>Gene L. Dodaro GAO</B></I></DIV>
<DIV>
<B><I>Fraud Dept</B></I></DIV>
<DIV>
<B><I>441 G Street NW Mail Stop 4T21</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>Washington, DC 20548</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>The U.S. Government Accountability Office (GAO)</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>Our Work is done at the request of congressional committees or subcommittees or is mandated by public laws or committee reports. We also undertake research under the authority of the Controller General. We support congressional oversight by</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>1, auditing agency operations to determine whether federal funds are being spent efficiently and effectively;</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>2, investigating allegations of illegal and improper activities;</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>3, reporting on how well government programs and policies are meeting their</B></I></DIV>
<DIV>
<B><I>objectives;</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>4, performing policy analysis and outlining options for congressionalconsideration;and</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>5, issuing legal decisions and opinions, such as bid protest rulings and reports on agency rules.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>We advise Congress and the heads of executive agencies about ways to make government more efficient, effective, ethical, equitable and responsive.Our work leads to laws and acts that improve government operations, saving the government and taxpayers billions of dollars.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>This is to officially inform you that it has come to our notice and we have thoroughly investigated with the help of our Intelligence Monitoring Network System that you are having an illegal Transaction with Impostors claiming to be FEDERAL BUREAU OF INVESTIGATION.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>During our Investigation, we noticed that the reason why you have not received your payment is because you are dealing with the wrong person in respect of your Contract/Inheritance Payment.Just this month we recover some amount from fraudulent people in Nigeria with the help of the new government in Nigeria and the total money recover was $11,000.000.00 in which the Nigeria government decide to give away the money to an American Citizen with correct social security details as a compensation either unemployed/employed here in the U.S as in accordance with&nbsp; the new president of America permission , in which your name and address came out and we the U.S. Government Accountability Office (GAO) decide to contact in regards to your claims.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>Therefore, we have contacted the Federal Ministry Of Finance on your behalf and they have brought a solution to your problem by co-ordinating your payment in total USD$11,000.000.00 in an ATM CARD which you can use to withdraw money from any ATM MACHINE CENTER anywhere in the world with a maximum of $4000 to $5000 United States Dollars daily. You now have the lawful right to claim your fund in an ATM CARD.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>Since the U.S. Government Accountability Office (GAO) is involved in this transaction, you have to be rest assured for this is 100% risk free it is our duty to protect the American Citizens. All I want you to do is to contact the FBI AGENT,THAT WAS SENT TO THE ATM CARD INTERNATIONAL REMITTANCE CENTER via email or by phone for their requirements to proceed and procure your Approval Slip on your behalf while the shipment of the ATM CARD is been taken care of once your approval slip is signed and sealed ...</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>SPECIAL FBI AGENT&nbsp; NAME: Agent Chris Newson</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>EMAIL:chris_newson39@yahoo.cn</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>TELEPHONE:+23470-26776530</B></I></DIV>
<DIV>
<B><I>(+1-206-203-4190)</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>Do contact Agent Chris Newson who was sent on your behalf and many other beneficial s on a mission. with your details and re-confirmed your information.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>FULL NAME:</B></I></DIV>
<DIV>
<B><I>HOME ADDRESS:</B></I></DIV>
<DIV>
<B><I>TELL:</B></I></DIV>
<DIV>
<B><I>CELL:</B></I></DIV>
<DIV>
<B><I>BANK NAME:</B></I></DIV>
<DIV>
<B><I>AGE:</B></I></DIV>
<DIV>
<B><I>CURRENT OCCUPATION:</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>We order you get back to this office after you have contacted the ATM SWIFT CARD CENTER and we do await your response so we can move on with our Investigation and make sure your ATM SWIFT CARD gets to you.Thanks and hope to read from you soon.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>As soon as we receive your full information, he shall proceed with your fund transfer immediately via ATM card.We anticipate your prompt response. If you need to contact me at any stage please do not hesitate to call (+1-206-203-4190)</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>The U.S. Government Accountability Office (GAO)</B></I></DIV>
<DIV>
<B><I>Gene L. Dodaro</B></I></DIV>
<DIV>
<B><I>GAO Fraud NET</B></I></DIV>
<DIV>
<B><I>441 G Street NW Mail Stop 4T21</B></I></DIV>
<DIV>
<B><I>Washington, DC 20548</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>Note: Do disregard any email you get from any impostors or offices claiming to be in possession of your ATM CARD, you are hereby advice only to be in contact with Agent Chris Newson of the ATM CARD CENTER who is the rightful person to deal with in regards to your ATM CARD/CONTRACT FILE PAYMENT PAYMENT and forward any emails you get from impostors to this office so we could act upon and commence investigation.</B></I></DIV>
<DIV>
<B><I>&nbsp;</B></I></DIV>
<DIV>
<B><I>NOTE: DO NOT SEND MONEY TO ANYONE UNTIL YOU READ THIS AND RECEIVE YOUR ATM CARD:</B></I></DIV>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 00:19:35 2011
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Anybody have any ideas how to get the lastest LP1 software updgrade?

=20

Andy O


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Anybody have any ideas how to get the lastest LP1 =
software
updgrade?<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Andy O<o:p></o:p></span></p>

</div>

</body>

</html>

------_=_NextPart_001_01CBB125.2922ABF7--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 00:21:24 2011
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Date: Mon, 10 Jan 2011 16:21:15 -0800
From: Rick Walker <looppool@cruzio.com>
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CC: Loopers-Delight@loopers-delight.com
Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius script
 and a question)
References: <AANLkTi=ys_Ov0U8Z7O9tg6DGH5yj2W6iEmeTh6=F_0yf@mail.gmail.com>
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A request, guys, for all these cool new scripting ideas that you are 
coming up with
for Mobious for all of us non-users:

would you please post some audio examples so that we can tell what, 
musically, has
been created with all your new scripting work.

It's fascinating but I just don't know the program and am interested in 
how it can move
the music along (perhaps leading towards me using the program,  hint, hint).

thanks,  it all sounds a fantastic, though,

rick walker

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 00:36:49 2011
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Date: Mon, 10 Jan 2011 17:10:38 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP1 upgrade
References: <AANLkTinra9vN7T5sh-eYqL_ZEA2MpZHWcxDp_iSi1+7r@mail.gmail.com>
	<-166114583132180478@unknownmsgid>
	<AANLkTik2ZRKD+zv0hr2cCVc_ZvBiSUiQbMYmWQCLgtFK@mail.gmail.com>
	<AANLkTikGAErP8O8Sv2kTwHZfcwEBmWCcoEAuRdsaRLyW@mail.gmail.com>
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http://www.looperlative.com/upgrades/version1_38g

Quoting Andy Owens <andy@1800dialword.com>:

> Anybody have any ideas how to get the lastest LP1 software updgrade?
>
>
>
> Andy O
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 00:46:49 2011
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Subject: RE: LP1 upgrade
Date: Mon, 10 Jan 2011 16:46:09 -0800
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From: "Andy Owens" <andy@1800dialword.com>
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Thanks, will try that one, the links on the looperlative site don't
work. Is there a list somewhere of the other ones, the latest one a bit
buggy I heard.



-----Original Message-----
From: cpr@musetrap.com [mailto:cpr@musetrap.com]=20
Sent: Monday, January 10, 2011 6:11 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP1 upgrade

http://www.looperlative.com/upgrades/version1_38g

Quoting Andy Owens <andy@1800dialword.com>:

> Anybody have any ideas how to get the lastest LP1 software updgrade?
>
>
>
> Andy O
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 01:15:27 2011
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Date: Mon, 10 Jan 2011 20:15:24 -0500
Message-ID: <AANLkTi=NYp3=i_uSwCFiFQZ67JN8LyER4bvZWm3zcCQG@mail.gmail.com>
Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> So about that....could we please put stuff like this in the Mobius forum?

Jeff is probably correct that the mobius forum is the right place for
this, but please let us know here when you post something interesting
over there...

Sylvain

On Mon, Jan 10, 2011 at 12:34 PM, Jeff Larson <jeff.larson@sailpoint.com> w=
rote:
>
>
>> Wow, gotta check this out tonight! You're becoming so creative with
>> this stuff now, Sim, that you should start thinking about putting more
>> informative subject lines on your posts! Just so we can easier find
>> stuff when checking back in the future.
> So about that....could we please put stuff like this in the Mobius forum?
> This is eactly the sort of thing that should go in the Scripting forum
> so future users can see it without having to search LD, assuming
> they even know this thread existed. =A0Not everyone registred with the Mo=
bius
> forum is on LD.
> I know I'm not always very responsive to bug reports posted on the forums
> and I'll try to get better at that.
> Thanks,
> Jeff
>

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 02:10:42 2011
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References: <1594EE95-3492-4D0C-A895-E5640C2C3512@me.com> <4D284B78.1090306@tiscali.co.uk> <A597A71D-9B65-4DBB-95FA-3FC726A67FDB@me.com> <4D2A3541.4050507@tiscali.co.uk> <A82CAC90-B926-402E-A2D4-9DE4BE35C6E7@gmail.com> <4F9677C9-AFD3-4169-B73C-549A5BD7B0CE@charter.net> <E1A21F28-D3CA-4121-ABD2-F6E32FBD841B@gmail.com> <BF92A148-A5DF-4688-8035-E15529AF8FE1@charter.net>
In-Reply-To: <BF92A148-A5DF-4688-8035-E15529AF8FE1@charter.net>
Subject: RE: EchoLoop
Date: Mon, 10 Jan 2011 19:43:30 -0600
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Where is EchoLoop to be found?  I can't find it.

Thanks!

~Peace~
Plish

www.michaelplishka.com
www.zenstorming.com


From chamilothoris@metridis.gr  Tue Jan 11 03:06:05 2011
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Date: Mon, 10 Jan 2011 23:04:21 +0200
From: Andrew Finnie <chamilothoris@metridis.gr>
Reply-to: claimofficerdamien@yahoo.cn
To: undisclosed-recipients: ;
Subject: Your Ref Number:RGM/1313-101
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*Ref Number:RGM/1313-101
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From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 03:15:03 2011
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Subject: Re: LP1 upgrade 
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--Apple-Mail-1-728397806
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  Hey CPR and anyone  else who hasn't perhaps been on LD in a while  
and hasn't followed this thread . 1.38 is still not stable, Don't  
download it until the fixes are done and an announcement is made OK?
  1.37 is working ok for me,  use that or 1.34 which Andy reports as  
the most stable, but not 1.38!!!!
  Thanks
  Bill

http://www.looperlative.com/upgrades/version1_38g

Quoting Andy Owens <andy@1800dialword.com>:

> Anybody have any ideas how to get the lastest LP1 software updgrade?
>
>
>
> Andy O


--Apple-Mail-1-728397806
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#0000007F"><b>&nbsp;Hey CPR and =
anyone &nbsp;else who hasn't perhaps been on LD in a while and hasn't =
followed this thread . 1.38 is still not stable, Don't download it until =
the fixes are done and an announcement is made OK?</b></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0000007F"><b>&nbsp;1.37 is working ok for me, &nbsp;use that =
or 1.34 which Andy reports as the most stable, but not =
1.38!!!!</b></font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" =
color=3D"#0000007F"><b>&nbsp;Thanks</b></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" =
color=3D"#0000007F"><b>&nbsp;Bill</b></font></div><br><a =
href=3D"http://www.looperlative.com/upgrades/version1_38g" style=3D"color:=
 blue; text-decoration: underline; =
">http://www.looperlative.com/upgrades/version1_38g</a><br><br>Quoting =
Andy Owens &lt;<a href=3D"mailto:andy@1800dialword.com" style=3D"color: =
blue; text-decoration: underline; =
">andy@1800dialword.com</a>&gt;:<br><br><blockquote type=3D"cite" =
style=3D"padding-top: 0px; padding-bottom: 0px; ">Anybody have any ideas =
how to get the lastest LP1 software =
updgrade?<br></blockquote><blockquote type=3D"cite" style=3D"padding-top: =
0px; padding-bottom: 0px; "><br></blockquote><blockquote type=3D"cite" =
style=3D"padding-top: 0px; padding-bottom: 0px; =
"><br></blockquote><blockquote type=3D"cite" style=3D"padding-top: 0px; =
padding-bottom: 0px; "><br></blockquote><blockquote type=3D"cite" =
style=3D"padding-top: 0px; padding-bottom: 0px; ">Andy =
O<br></blockquote><div><br></div></body></html>=

--Apple-Mail-1-728397806--

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From: Rick Walker <looppool@cruzio.com>
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   Warning, as of right this moment (and probably until a couple of 
weeks at least after
NAMM,   version 1.38g  is NOT STABLE.

You can go to the Looperlative website to find out how to download and 
install
an earlier version.

If you have problems,  I might have the instructions somewhere on my 
computer.

sorry for your problems,  Andy but we'll be on it very soon.

rick walker




On 7/22/64 11:59 AM, cpr@musetrap.com wrote:
> http://www.looperlative.com/upgrades/version1_38g
>
> Quoting Andy Owens <andy@1800dialword.com>:
>
>> Anybody have any ideas how to get the lastest LP1 software updgrade?
>>
>>
>>
>> Andy O
>>
>>

From info@macolive.gr  Tue Jan 11 05:05:31 2011
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Reply-To: <drbrigs@gmail.com>
From: "Jerry Pardi"<info@macolive.gr>
Subject: LOTTO WINNING
Date: Mon, 10 Jan 2011 23:24:52 -0200
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Attn: Beneficiary,
 
This is to congratulate you for scaling through the hurdles of screening by the board of directors of this payment task force. Your payment file was approved and the instruction was given us to release your payment and activate your ATM card for use.
The first batch of your card which contains $1,000.000.00 U.S. DOLLARS has been activated and is the total fund loaded inside the card. Your fund which is in total $1,000.000.00U.S. DOLLARS will come to you

Your payment would be sent to you via UPS or FedEx, Because we have signed a contract with them which should expired by  12TH Feb 2011. Below are few list of tracking numbers you can track from UPS website(www.ups.com) to confirm people like you who have received their payment successfully.
 
JOHNNY ALMANTE ==============1Z2X59394198080570
GARY METZGER ==============1Z2X59394195952759
GLEN PAPANIKAS ==============1Z2X59394198690947
 
Good news, We wish to let you know that everything concerning your ATM CARD payment dispatch is ready in this office and we have a meeting with the house (Federal government of Nigeria) we informed them That your fund should not cost you any thing because is your money (Your Card). Moreover, we have an agreement with them that you should pay only delivering of your card which is only $150 U.S. DOLLARS by FedEx or UPS Delivering Company.
 
However, you have only three working days to send this $150 U.S. DOLLARS for the delivering of your card, if we don't hear from you with the payment information; the Federal Government will cancel the card.
 
Please try and send the Delivering fee in the name of My Secretary  JERRY IJEOMA, Nigeria,send it via Western Union Money Transfer or Money gram and let me have the detail as soon as you send it.
 
Please confirm your full information so that your ATM Card will be delivered to you and I need you to send me a scanned copy of your id.
 
This is the paying information that you will use and send the fee through western union money transfer or money gram below.
 
Recovers; Name:Jerry Ijeoma
Recovers: Address: Nigeria
Test Question: Urgent
Test Answer: Message
 
I wait the payment information to enable us proceed for the delivering of your card. And when sending the payment information also reconfirm to us your full home address were to deliver the Card to avoid any mistake on the delivery.
 
Thank you and have a wonderful day.
 
Dr.J.Briggs
Director ATM Swift Card/Foreign Operation Dept,
SKYE BANK NIG PLC
Email:drbrigs@gmail.com 

From adamskuffor@rediffmail.com  Tue Jan 11 06:11:45 2011
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From: "Adams Kuffor"<adamskuffor@rediffmail.com>
Subject: Investment Proposal - Your Assistance Is Needed
Date: Mon, 10 Jan 2011 03:32:38 +0100
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Good Day,

Greetings to you and your family,

I am interested in investing my inheritance in your country.

First And foremost, I must solicit your strictest confidence in this
transaction and i pray that to contact you will be given genuine
approval considering the facts we have not known each other.

I WISH to use this opportunity to introduce my self to you, I am Adams
Kuffor from Liberia, I write to inform you my desire to invest, And to
buy a living house in your country.

I am the first son of Dr. Mike Kuffor he was a Diamond/Gold merchant
in my country, my father had a bullet shot by the rebels on his way
traveling out of my country with two of my younger sister's due to
present crisis that is occurring in my country (Liberia) My sister
died on the spot while U.N PEACE KEEPING FORCE rescued my father, He
was taken to hospital for medical treatment which he later died.

Before he died he revealed to me and my mother about the containing
the $8 Million US Dollars. Which he deposited with a security company
in Ghana for safe keeping. My father did not disclose the content of
the box to the security company. To avoid the officials from raising
eye brows to the funds.

Presently myself and my mother are here in Ghana, Therefore i want you
to lecture me on how best we can invest this money, Because my father
told me that it is dangerousness to invest this money in Africa to
avoid suspicions, and due to market instability coupled with economic
and political instability facing Africa countries, that is why we want
to invest in abroad.

For your mutual assistance, Myself and my mother have agreed to offer
you 30% of the total amount of the money.

We have all the vital document covering the deposit and the ownership
which i can send to you through email on request.

Note:i have never disclosed this to any person apart from you, so you
have to keep this transaction as a top secret to yourself alone. Which
i will want you to forward across to me your Full name, Country and
Your Direct Tel/fax Number for more information about this
transaction.

Please is you are interested in transacting business with us we will be glad.

You can Email me at this email:adamskuffor@rediffmail.com

Best Regards
Adams Kuffor
Tel:+233-547575421
skype:adams.kuffor
(For The Entire Family)

From alberty@y7mail.com  Tue Jan 11 07:34:36 2011
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From: "ALBERT YOUNG" <alberty@y7mail.com>
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Subject: ATTENTION: URGENT ASSISTANCE
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Greetings Philanthropist ,

I am sorry for contacting you through this medium without a previous
notice. My name is Attorney Albert Young Advocate and legal consultant, I
had a client, a contractor based here in London now deceased. My client
lost his life alongside his wife and only child in (Beirut-bound charter
jet) plane crash on the Monday, 9 January 2006,12:12GMT
http://news.bbc.co.uk/2/hi/middle_east/4594104.stm Prior to the Death of
my Late Client.

He secured a contract of 16,300,000.00 million from the Kingdom of
Bahrain, following which was successfully executed the contract, but the
balance of 11,300,000.00 Million contract payment was in the Process of
being transferred into his Account which he submitted to the Bahrain
Government before he lost his life in the plane crash. This will be
executed under a legitimate arrangement that will protect you from any
breach of the law. I wait to hear from you.  Do reply me with this mail
address :
yalbert@y7mail.com

Kinds Regards
Att.Albert Young
Head of chambers

From m_napoli@rediffmail.com  Tue Jan 11 10:18:01 2011
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From: "Mary Napoli" <m_napoli@rediffmail.com>
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--=_bc1dec27742c4c85d2ea026f0ddaddb1
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My Dear Beloved,Calvary
greetings in the name of Almighty God, I am Mrs.Mary Napoli, a widow to
Late (Phyllis Napoli). I are from United States live in London, United Kingdom.
We own Treasure Art Inc and Treasure Crude Oil Marketers, we are
wealthy,have a lot of properties including Shares and houses. I am 69
years old a new Christian convert. I am suffering from cancer of the
breast my condition is serious, according to my doctor it is quite
obvious that I may not survive the sickness.My late husband and my only son died in the crash of Swissair Flight 111
on the 2, of September 1998. After the death of my husband I made up my
mind to do the work of God as a missionary. I sold all my husband's
properties and shares to enable me raise some money to continue my
mission. I raised the sum of (US$21 MILLION DOLLARS) which I deposited
with a Security Company. Now that my sickness has gone to this stage, I
am scared and I want the fund to be used for the work of God all over
the world.I
have prayed to God to direct me to an honest PERSON who will receive
this fund and utilize it for things that will glorify the name of God,
after my prayers, I searched your site in the Internet, I found your
email address and I decided to contact you to receive the fund. If you
are interested in using this fund for the work of God, please send to
me your full names, address, telephone/fax number, occupation and age
to enable me give it to the security company for immediate arrangement
to release the fund to you.I await your urgent reply.REPLY THROUGH MY PERSONAL EMAIL ADDRESS :&nbsp; mrsmarynapoli@yahoo.comMost sincerely,Mrs. Mary Napoli. 
--=_bc1dec27742c4c85d2ea026f0ddaddb1
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="UTF-8"

<span style=3D"font-weight: bold;">My Dear Beloved,</span><br style=3D"font=
-weight: bold;"><br style=3D"font-weight: bold;"><span style=3D"font-weight=
: bold;">Calvary
greetings in the name of Almighty God, I am Mrs.Mary Napoli, a widow to
Late (Phyllis Napoli). I are from United States live in <span style=3D"bord=
er-bottom: 2px dotted #366388; cursor: pointer;" class=3D"yshortcuts" id=3D=
"lw_1294739325_0">London, United Kingdom</span>.
We own Treasure Art Inc and Treasure Crude Oil Marketers, we are
wealthy,have a lot of properties including Shares and houses. I am 69
years old a new Christian convert. I am suffering from cancer of the
breast my condition is serious, according to my doctor it is quite
obvious that I may not survive the sickness.</span><br style=3D"font-weight=
: bold;"><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;=
">My late husband and my only son died in the crash of <span style=3D"borde=
r-bottom: 2px dotted #366388; cursor: pointer;" class=3D"yshortcuts" id=3D"=
lw_1294739325_1">Swissair Flight 111</span>
on the 2, of September 1998. After the death of my husband I made up my
mind to do the work of God as a missionary. I sold all my husband's
properties and shares to enable me raise some money to continue my
mission. I raised the sum of (US$21 MILLION DOLLARS) which I deposited
with a Security Company. Now that my sickness has gone to this stage, I
am scared and I want the fund to be used for the work of God all over
the world.</span><br style=3D"font-weight: bold;"><br style=3D"font-weight:=
 bold;"><span style=3D"font-weight: bold;">I
have prayed to God to direct me to an honest PERSON who will receive
this fund and utilize it for things that will glorify the <span style=3D"ba=
ckground: transparent none repeat scroll 0% 0%; cursor: pointer; -moz-backg=
round-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-backgr=
ound-inline-policy: -moz-initial;" class=3D"yshortcuts" id=3D"lw_1294739325=
_2">name of God</span>,
after my prayers, I searched your site in the Internet, I found your
email address and I decided to contact you to receive the fund. If you
are interested in using this fund for the work of God, please send to
me your full names, address, telephone/fax number, occupation and age
to enable me give it to the security company for immediate arrangement
to release the fund to you.</span><br style=3D"font-weight: bold;"><br styl=
e=3D"font-weight: bold;"><span style=3D"font-weight: bold;">I await your ur=
gent reply.</span><br style=3D"font-weight: bold;"><br style=3D"font-weight=
: bold;"><span style=3D"font-weight: bold;">REPLY THROUGH MY PERSONAL EMAIL=
 ADDRESS :&nbsp; <span style=3D"border-bottom: 2px dotted #366388; cursor: =
pointer;" class=3D"yshortcuts" id=3D"lw_1294739325_3">mrsmarynapoli@yahoo.c=
om</span></span><br style=3D"font-weight: bold;"><br style=3D"font-weight: =
bold;"><span style=3D"font-weight: bold;">Most sincerely,</span><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Mrs. Mary Napoli=
.</span><span> </span><br><A HREF=3D"http://sigads.rediff.com/RealMedia/ads=
/click_nx.ads/www.rediffmail.com/signatureline.htm@Middle?" target=3D"_blan=
k"><IMG SRC=3D"http://sigads.rediff.com/RealMedia/ads/adstream_nx.ads/www.r=
ediffmail.com/signatureline.htm@Middle"></A>
--=_bc1dec27742c4c85d2ea026f0ddaddb1--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 10:23:59 2011
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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Per Boysen <perboysen@gmail.com>
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On Tue, Jan 11, 2011 at 2:15 AM, Sylvain Poitras
<sylvain.trombone@gmail.com> wrote:
> Jeff is probably correct that the mobius forum is the right place for
> this, but please let us know here when you post something interesting
> over there...

Highly seconded!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 10:26:59 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: LP1 upgrade
References: <AANLkTinra9vN7T5sh-eYqL_ZEA2MpZHWcxDp_iSi1+7r@mail.gmail.com> <-166114583132180478@unknownmsgid> <AANLkTik2ZRKD+zv0hr2cCVc_ZvBiSUiQbMYmWQCLgtFK@mail.gmail.com> <AANLkTikGAErP8O8Sv2kTwHZfcwEBmWCcoEAuRdsaRLyW@mail.gmail.com> <864434907DE0E9429B16AD587941F73F0799D1B1@EXVBE010-2.exch010.intermedia.net>
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http://www.looperlative.com/phpBB3/viewforum.php?f=6&sid=91d7ee2a4bfe0e7f89bb29c44583329f

find the links and RightClick>SaveAs

Seems to working fine.

I'm using v1.34d.

1.37 allows direct pitch change to semitone values and
has a very useful "Except" function which inverts the track selection.
...but if you do a *lot* of short loops and bounces it crashes.



andy butler

Andy Owens wrote:
> Anybody have any ideas how to get the lastest LP1 software updgrade?
> 
>  
> 
> Andy O
> 

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Date: Tue, 11 Jan 2011 11:28:46 +0100
Message-ID: <AANLkTimxQz3D2ju+nxZhanfM1OttTfG=gctZPcMYaoeK@mail.gmail.com>
Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
 script and a question)
From: Per Boysen <perboysen@gmail.com>
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On Tue, Jan 11, 2011 at 1:21 AM, Rick Walker <looppool@cruzio.com> wrote:
> would you please post some audio examples so that we can tell what,
> musically, has
> been created with all your new scripting work.

Already done. Those I posted on this board I marked in the subject
line with a note like "audio example" or "audio clip" etc. Shouldn't
be difficult to find for a list subscriber.

I think Simeon is planning to post some audio examples over at the
Mobius forum.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 10:50:56 2011
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Subject: OT, anyone got some fcb1010 scrap parts?
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A few folks here have either worked they're way to a second fcb1010 or
done the mod where the footpedals are chopped off.

I'm looking for the small circuit board that sits next to either 
expression pedal,
does anyone have a spare?

andy butler

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
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May I make a question and suggestion?, and this really needs comments from
those on the list who DO NOT use Mobius, or any other piece of
software/hardware we may use..

How much do these really in depth tech questions and threads bother you in
terms of the amount of traffic we have on LD?
If the information is about in depth scripting, is that annoying for the
rest of you?

Genuine question, because to my way of thinking, LD is a good/great place to
discuss and work on these issues, as its amost live, and continues to be the
main hub for all looping issues.

What I DO think its that the individual forums for specific pieces of kit,
are the right place for posting the finished concluded bit of code, in its
own sensible thread.

The one thing I find annoying about forum threads is that you use a bit of
code, and it doesnt work, then 3 pages later someone posts the fix, but not
ALL the code just the fix, you you have to follow the WHOLE thread to figure
it out.
What I would like is to figure it out HERE.. live on LD.. but then post the
finished thing on Circular Labs.

Sometimes, even though one might not understand another looper, one might
think... hmm.. wonder if I can do that with my MixABC/loopysoftware
solution (insert your thang here) So like to here, for example. what is
possible on LP1 or Live or Sooperlooper, even tho I dont use them...

Just a thought

McF

mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3054a073f299b304999005a1
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May I make a question and suggestion?, and this really needs comments from =
those on the list who DO NOT use Mobius, or any other piece of software/har=
dware we may use..<br><br>How much do these really in depth tech questions =
and threads bother you in terms of the amount of traffic we have on LD? <br=
>

If the information is about in depth scripting, is that annoying for the re=
st of you?<br><br>Genuine question, because to my way of thinking, LD is a =
good/great place to discuss and work on these issues, as its amost live, an=
d continues to be the main hub for all looping issues.<br>

<br>What I DO think its that the individual forums for specific pieces of k=
it, are the right place for posting the finished concluded bit of code, in =
its own sensible thread.<br><br>The one thing I find annoying about forum t=
hreads is that you use a bit of code, and it doesnt work, then 3 pages late=
r someone posts the fix, but not ALL the code just the fix, you you have to=
 follow the WHOLE thread to figure it out.<br>

What I would like is to figure it out HERE.. live on LD.. but then post the=
 finished thing on Circular Labs. <br><br>Sometimes, even though one might =
not understand another looper, one might think... hmm.. wonder if I can do =
that with my MixABC/loopysoftware=A0 solution (insert your thang here) So l=
ike to here, for example. what is possible on LP1 or Live or Sooperlooper, =
even tho I dont use them...<br>

<br>Just a thought<br><br>McF<br><br>mark francombe<br><a href=3D"http://ww=
w.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ord=
oabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancombe<br><a href=3D=
"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054a073f299b304999005a1--

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
References: <AANLkTikO7pUZ1Fqzip08BVaciLVFzJZ3_X-SNOaMmmAA@mail.gmail.com> <AANLkTin2g3kgXfQOwE28TkY6V4sj4A=kBbGUKtWCxkmR@mail.gmail.com> <AANLkTi=NYp3=i_uSwCFiFQZ67JN8LyER4bvZWm3zcCQG@mail.gmail.com> <AANLkTi=46YM=Kue3wV0z+UTx+SGZC_EF7vafHgtuAREB@mail.gmail.com> <AANLkTiko6652AbT5E36g5n9k1sL9O6zaPv12Av-pgmLp@mail.gmail.com>
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thanks Mark,
LD is essentially the "home and birthplace" of that type of loop manipulation.

It would certainly be a shame if such discussions disappeared altogether.

andy butler

mark francombe wrote:
> May I make a question and suggestion?, and this really needs comments 
> from those on the list who DO NOT use Mobius, or any other piece of 
> software/hardware we may use..
> 
> How much do these really in depth tech questions and threads bother you 
> in terms of the amount of traffic we have on LD?
> If the information is about in depth scripting, is that annoying for the 
> rest of you?

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Date: Tue, 11 Jan 2011 12:19:29 +0100
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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Agree !

-f
www.eterogeneo

BTW: I have to say that I don't like forum at all..

2011/1/11 andy butler <akbutler@tiscali.co.uk>

> thanks Mark,
> LD is essentially the "home and birthplace" of that type of loop
> manipulation.
>
> It would certainly be a shame if such discussions disappeared altogether.
>
> andy butler
>
>
> mark francombe wrote:
>
>> May I make a question and suggestion?, and this really needs comments from
>> those on the list who DO NOT use Mobius, or any other piece of
>> software/hardware we may use..
>>
>> How much do these really in depth tech questions and threads bother you in
>> terms of the amount of traffic we have on LD?
>> If the information is about in depth scripting, is that annoying for the
>> rest of you?
>>
>
>

--0016e644ddf6179fa50499904224
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<div>Agree !</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo/">www.eterogeneo</a></div>
<div>=A0</div>
<div>BTW: I have to say that I don&#39;t like forum at all..<br><br></div>
<div class=3D"gmail_quote">2011/1/11 andy butler <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span>=
<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">thanks Mark,<br>LD is essentiall=
y the &quot;home and birthplace&quot; of that type of loop manipulation.<br=
>
<br>It would certainly be a shame if such discussions disappeared altogethe=
r.<br><font color=3D"#888888"><br>andy butler</font>=20
<div>
<div></div>
<div class=3D"h5"><br><br>mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">May I make a question and sugges=
tion?, and this really needs comments from those on the list who DO NOT use=
 Mobius, or any other piece of software/hardware we may use..<br>
<br>How much do these really in depth tech questions and threads bother you=
 in terms of the amount of traffic we have on LD?<br>If the information is =
about in depth scripting, is that annoying for the rest of you?<br></blockq=
uote>
<br></div></div></blockquote></div><br>

--0016e644ddf6179fa50499904224--

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Date: Tue, 11 Jan 2011 12:40:33 +0100
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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> On Tue, Jan 11, 2011 at 2:15 AM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>> Jeff is probably correct that the mobius forum is the right place for
>> this, but please let us know here when you post something interesting
>> over there...

On Tue, Jan 11, 2011 at 11:23 AM, Per Boysen <perboysen@gmail.com> wrote:
> Highly seconded!

What I meant is that I second assembling the Mobius community's
scripting library at the Circular Labs Mobius Forum. It is good to
have the shared library at one place. Forum administrators can then
see to that the correct versions of each script is up for sharing.

I do think it is totally appropriate to post scripts and discuss them
here on LD. The beauty with this list is that people chat about any
kind of weird techniques to goof around with live audio in
performance. Since this is a mailing list there isn't a problem with
too much information because mailing list subscribers can pick for
reading only the threads that match their own interests. Myself I
simply don't have time to read fora.

(for a bunch of fora that I find interesting I use an RSS reader to
follow forum threads as emails through Gmail)

Per

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
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These threads do not bother me at all. On the contrary, it is very 
interesting and inspiring to read what is posible with looping, even if I 
don't have the equipment to implement it.
So please keep going!

Cheers,
Johannes


>         
> -------- Original-Nachricht --------
> Datum: Tue, 11 Jan 2011 12:02:20 +0100
> Von: mark francombe <mark@markfrancombe.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: Stuttering time, gentlemen! (Re: another fun mobius script 
> (and another question!)
> 
>         
> May I make a question and suggestion?, and this really needs comments 
> from those on the list who DO NOT use Mobius, or any other piece of 
> software/hardware we may use..
> 
> How much do these really in depth tech questions and threads bother you 
> in terms of the amount of traffic we have on LD? 
> If the information is about in depth scripting, is that annoying for the 
> rest of you?
> 
> Genuine question, because to my way of thinking, LD is a good/great place 
> to discuss and work on these issues, as its amost live, and continues to 
> be the main hub for all looping issues.
> 
> What I DO think its that the individual forums for specific pieces of 
> kit, are the right place for posting the finished concluded bit of code, 
> in its own sensible thread.
> 
> The one thing I find annoying about forum threads is that you use a bit 
> of code, and it doesnt work, then 3 pages later someone posts the fix, 
> but not ALL the code just the fix, you you have to follow the WHOLE 
> thread to figure it out.
> What I would like is to figure it out HERE.. live on LD.. but then post 
> the finished thing on Circular Labs. 
> 
> Sometimes, even though one might not understand another looper, one might 
> think... hmm.. wonder if I can do that with my MixABC/loopysoftwareÂ  
> solution (insert your thang here) So like to here, for example. what is 
> possible on LP1 or Live or Sooperlooper, even tho I dont use them...
> 
> Just a thought
> 
> McF
> 
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>         
    
-- 
Johannes Korn   -  j.korn@gmx.de
http://www.myspace.com/nashorn

NEU: FreePhone - kostenlos mobil telefonieren und surfen!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

--========GMXBoundary201421294747919636915
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<html>
    <head>
        <title></title>
    </head>
    <body style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0=
px; MARGIN: 0px; PADDING-TOP: 0px">
        These threads do not bother me at all. On the contrary, it is very =
interesting and inspiring to read what is posible with looping, even if I d=
on't have the equipment to implement it.<br />So please keep going!<br /><b=
r />Cheers,<br />Johannes<br /><br /><blockquote type=3D"cite">
        <p>-------- Original-Nachricht --------<br />Datum: Tue, 11 Jan 201=
1 12:02:20 +0100<br />Von: mark francombe &lt;mark@markfrancombe.com&gt;<br=
 />An: Loopers-Delight@loopers-delight.com<br />Betreff: Re: Stuttering tim=
e, gentlemen! (Re: another fun mobius script (and another question!)<br /><=
br /></p>
        <p>May I make a question and suggestion?, and this really needs com=
ments from those on the list who DO NOT use Mobius, or any other piece of s=
oftware/hardware we may use..<br /><br />How much do these really in depth =
tech questions and threads bother you in terms of the amount of traffic we =
have on LD? <br />If the information is about in depth scripting, is that a=
nnoying for the rest of you?<br /><br />Genuine question, because to my way=
 of thinking, LD is a good/great place to discuss and work on these issues,=
 as its amost live, and continues to be the main hub for all looping issues=
.<br /><br />What I DO think its that the individual forums for specific pi=
eces of kit, are the right place for posting the finished concluded bit of =
code, in its own sensible thread.<br /><br />The one thing I find annoying =
about forum threads is that you use a bit of code, and it doesnt work, then=
 3 pages later someone posts the fix, but not ALL the code just the fix, yo=
u you have to follow the WHOLE thread to figure it out.<br />What I would l=
ike is to figure it out HERE.. live on LD.. but then post the finished thin=
g on Circular Labs. <br /><br />Sometimes, even though one might not unders=
tand another looper, one might think... hmm.. wonder if I can do that with =
my MixABC/loopysoftware&nbsp; solution (insert your thang here) So like to =
here, for example. what is possible on LP1 or Live or Sooperlooper, even th=
o I dont use them...<br /><br />Just a thought<br /><br />McF<br /><br />ma=
rk francombe<br /><a href=3D"http://www.markfrancombe.com">www.markfrancomb=
e.com</a><br /><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a>=
<br />twitter <a href=3D"http://service.gmx.net/de/FCKeditor/editor/">@mark=
francombe</a><br /><a href=3D"http://service.gmx.net/de/FCKeditor/editor/_f=
cksavedurl=3D">@markfrancombe</a><br /><a href=3D"http://vimeo.com/user8250=
94">http://vimeo.com/user825094</a><br /><a href=3D"http://www.looop.no">ht=
tp://www.looop.no</a><br /></p>
        </blockquote>
    <div class=3D"signature"><br /><br /><br />-- <br />Johannes Korn   -  =
j.korn@gmx.de=0D<br />
http://www.myspace.com/nashorn<br />
<br />
NEU: FreePhone - kostenlos mobil telefonieren und surfen!			<br />Jetzt inf=
ormieren: http://www.gmx.net/de/go/freephone</div></body>
</html>

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Subject: Re: another mobius question - a new one!
From: Simeon Harris <simeonharris40@googlemail.com>
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actually i got this to work much better if i changed "slipforward 2" to
"slipforward"

it behaves in just the way rainer wanted it to and the loop length isn't
altered

i stuck in a "wait cycle" before "the actual function", so i don't know if
that helped

sim

On Mon, Jan 10, 2011 at 6:30 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

> I found some bugs that were causing the "deterministic chaos".  It's
> complicated but it has
> to do with latency compensation and doing functions that change fundamental
> playback properties like location (slipforward) and direction (reverse) at
> exactly
> the same time.  Here's a version that I think works, to avoid the bugs you
> have
> to put "Wait last" after each slipforward and reverse function to make sure
> that
> it is completely finished (after the latency delay) before executing the
> next funtion.
>
> Oh, I also had to change the final slipforward to "slipforward 2" so that
> it skipped
> ahead two subcycles.  Otherwise you would keep oscillating in the same
> subcycle
> forever.
>
> Jef
>
> -----------------------
>
> !name autrev
> Variable global PartRevActive
>
> # toggle state
> if PartRevActive == true
> set PartRevActive false
> else
> set PartRevActive true
> endif
>
> # the actual function
> while PartRevActive == true
> slipforward
> Wait last
> reverse
> Wait last
> wait subcycle
> reverse
> Wait last
> slipforward 2
> Wait last
> wait subcycle
> next
> end
>
>
>

--0015175707f4afaf080499910d98
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

actually i got this to work much better if i changed &quot;slipforward 2&qu=
ot; to &quot;slipforward&quot;<br><br>it behaves in just the way rainer wan=
ted it to and the loop length isn&#39;t altered<br><br>i stuck in a &quot;w=
ait cycle&quot; before &quot;the actual function&quot;, so i don&#39;t know=
 if that helped<br>
<br>sim<br><br><div class=3D"gmail_quote">On Mon, Jan 10, 2011 at 6:30 PM, =
Jeff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.c=
om">jeff.larson@sailpoint.com</a>&gt;</span> wrote:<br><blockquote class=3D=
"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rg=
b(204, 204, 204); padding-left: 1ex;">
I found some bugs that were causing the &quot;deterministic chaos&quot;. =
=A0It&#39;s complicated but it has<div>to do with latency compensation and =
doing functions that change fundamental</div><div>playback properties like =
location (slipforward) and direction (reverse) at exactly</div>

<div>the same time. =A0Here&#39;s a version that I think works, to avoid th=
e bugs you have</div><div>to put &quot;Wait last&quot; after each slipforwa=
rd and reverse function to make sure that</div><div>it is completely finish=
ed (after the latency delay) before executing the next funtion.</div>

<div><br></div><div>Oh, I also had to change the final slipforward to &quot=
;slipforward 2&quot; so that it skipped</div><div>ahead two subcycles. =A0O=
therwise you would keep oscillating in the same subcycle</div><div>forever.=
</div>

<div><br></div><div>Jef</div><div><br></div><div>-----------------------</d=
iv><div class=3D"im"><div><br></div><div>!name autrev</div><div>Variable gl=
obal PartRevActive</div><div><br></div><div># toggle state</div><div>if Par=
tRevActive =3D=3D true</div>

<div>set PartRevActive false</div><div>else</div><div>set PartRevActive tru=
e</div><div>endif</div><div><br></div><div># the actual function</div><div>=
while PartRevActive =3D=3D true</div><div>slipforward</div></div><div>Wait =
last</div>

<div>reverse</div><div>Wait last</div><div>wait subcycle</div><div>reverse<=
/div><div>Wait last</div><div>slipforward 2</div><div>Wait last</div><div>w=
ait subcycle</div><div>next</div><div>end</div><div>=A0</div><div><br></div=
>

</blockquote></div><br>

--0015175707f4afaf080499910d98--

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
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Great! Because I think Jeff worries that too much in depth Mobius discussion
will get annoying on LD, I dont think he should worry... But we should make
sure to post results on the relative forums too, because that will be easier
for newbies and searching for solutions...

M

--90e6ba6e8a4cb849420499911911
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Great! Because I think Jeff worries that too much in depth Mobius discussio=
n will get annoying on LD, I dont think he should worry... But we should ma=
ke sure to post results on the relative forums too, because that will be ea=
sier for newbies and searching for solutions... <br>

<br>M<br>

--90e6ba6e8a4cb849420499911911--

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
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--000e0cd5d056ccd7bf0499915764
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yup. i'm about to post all the stuff we've been doing over the last few days
on the forum now

sim

On Tue, Jan 11, 2011 at 12:19 PM, mark francombe <mark@markfrancombe.com>wrote:

> Great! Because I think Jeff worries that too much in depth Mobius
> discussion will get annoying on LD, I dont think he should worry... But we
> should make sure to post results on the relative forums too, because that
> will be easier for newbies and searching for solutions...
>
> M
>

--000e0cd5d056ccd7bf0499915764
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yup. i&#39;m about to post all the stuff we&#39;ve been doing over the last=
 few days on the forum now<br><br>sim<br><br><div class=3D"gmail_quote">On =
Tue, Jan 11, 2011 at 12:19 PM, mark francombe <span dir=3D"ltr">&lt;<a href=
=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Great! Because I =
think Jeff worries that too much in depth Mobius discussion will get annoyi=
ng on LD, I dont think he should worry... But we should make sure to post r=
esults on the relative forums too, because that will be easier for newbies =
and searching for solutions... <br>
<font color=3D"#888888">

<br>M<br>
</font></blockquote></div><br>

--000e0cd5d056ccd7bf0499915764--

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
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From: Sylvain Poitras <sylvain.trombone@gmail.com>
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I don't want give the impression that I mind these scripting posts, in
fact I find them fascinating...  I just don't want to lose out if
these discussions move over to the forum (which is not as convenient
for me to follow).
Sylvain

On Tue, Jan 11, 2011 at 6:02 AM, mark francombe <mark@markfrancombe.com> wrote:
> May I make a question and suggestion?, and this really needs comments from
> those on the list who DO NOT use Mobius, or any other piece of
> software/hardware we may use..
>
> How much do these really in depth tech questions and threads bother you in
> terms of the amount of traffic we have on LD?
> If the information is about in depth scripting, is that annoying for the
> rest of you?
>
> Genuine question, because to my way of thinking, LD is a good/great place to
> discuss and work on these issues, as its amost live, and continues to be the
> main hub for all looping issues.
>
> What I DO think its that the individual forums for specific pieces of kit,
> are the right place for posting the finished concluded bit of code, in its
> own sensible thread.
>
> The one thing I find annoying about forum threads is that you use a bit of
> code, and it doesnt work, then 3 pages later someone posts the fix, but not
> ALL the code just the fix, you you have to follow the WHOLE thread to figure
> it out.
> What I would like is to figure it out HERE.. live on LD.. but then post the
> finished thing on Circular Labs.
>
> Sometimes, even though one might not understand another looper, one might
> think... hmm.. wonder if I can do that with my MixABC/loopysoftware
> solution (insert your thang here) So like to here, for example. what is
> possible on LP1 or Live or Sooperlooper, even tho I dont use them...
>
> Just a thought
>
> McF
>
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
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well i think we will continue to post anything interesting over here

sim

On Tue, Jan 11, 2011 at 1:28 PM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> I don't want give the impression that I mind these scripting posts, in
> fact I find them fascinating...  I just don't want to lose out if
> these discussions move over to the forum (which is not as convenient
> for me to follow).
> Sylvain
>
>

--000e0cd6a8d87ad9a90499923ddc
Content-Type: text/html; charset=ISO-8859-1
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well i think we will continue to post anything interesting over here<br><br=
>sim<br><br><div class=3D"gmail_quote">On Tue, Jan 11, 2011 at 1:28 PM, Syl=
vain Poitras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail=
.com">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I don&#39;t want =
give the impression that I mind these scripting posts, in<br>
fact I find them fascinating... =A0I just don&#39;t want to lose out if<br>
these discussions move over to the forum (which is not as convenient<br>
for me to follow).<br>
<font color=3D"#888888">Sylvain<br>
</font><div><div></div><br></div></blockquote></div>

--000e0cd6a8d87ad9a90499923ddc--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 13:56:36 2011
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I strongly agree with Andy, who said,


"LD is essentially the "home and birthplace" of that type of loop 
manipulation.
It would certainly be a shame if such discussions disappeared altogether. "

       We've been over and over this point in the past.    People have 
the ability to ignore a thread,
and yet, by posting these discussions here,  we have a universal 
clearing house for detailed information
about all loopers, hopefully.    Searching our archives for technical 
information is one of the
truly great resources that we have here at Loopers Delight.

My only request of each hardware/software loopers is that it would be 
nice when a thread has
run it's course if someone would post a new thread with the final 
results and audio examples.

To me, this is the only way we all have of evaluating whatever 'next' 
technology that we are going to
invest time and/or money in.

The Mobius threads are very technical if you don't use Mobius,  but the 
results are incredibly fascinating
and will lead to new developements in music techniques and software.

So,  I would just ask that people think specifically but finish globally 
so that we can all benefit from the entire discussion.

my two cents,

rick walker
>
> mark francombe wrote:
>> How much do these really in depth tech questions and threads bother 
>> you in terms of the amount of traffic we have on LD?
>> If the information is about in depth scripting, is that annoying for 
>> the rest of you?

From sayidix@icqmail.com  Tue Jan 11 14:23:01 2011
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Date: Tue, 11 Jan 2011 06:22:45 -0800 (PST)
From: Sayidi Omar <sayidix@icqmail.com>
Reply-To: sayidix@icqmail.com
Subject: Re:Very Urgent!!!
To: undisclosed recipients: ;
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Greetings from BURKINA FASO:
=A0
Let me start by introduce myself,I am Mr.Sayidi Omar,BILL AND EXCHANGE MANA=
GER (Bank of Africa) Burkina faso.I am writting you this letter based on th=
e latest development at our bank which I will like to bring to your persona=
l edification.($12,250million transfer claims).This is a legitimate transac=
tion and I agree to offer you 30% of this money as my foreign partner after=
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ck to me.
=A0
Yours faithful,
Mr.Sayidi Omar.=20
=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Greetings from BURKINA FASO:<br>&nbsp;<br>Let=
 me start by introduce myself,I am Mr.Sayidi Omar,BILL AND EXCHANGE MANAGER=
 (Bank of Africa) Burkina faso.I am writting you this letter based on the l=
atest development at our bank which I will like to bring to your personal e=
dification.($12,250million transfer claims).This is a legitimate transactio=
n and I agree to offer you 30% of this money as my foreign partner after co=
nfirmation of the fund in your bank account,If you are interested get back =
to me.<br>&nbsp;<br>Yours faithful,<br>Mr.Sayidi Omar. <br></td></tr></tabl=
e><br>=0A=0A=0A=0A      &nbsp;
--0-104538770-1294755765=:94971--

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	<4D2C618B.7030206@cruzio.com>
Date: Tue, 11 Jan 2011 15:01:23 +0000
Message-ID: <AANLkTi=ubva6K1Lzy1-jfvfcxKF86PfjBzWpGm2cJmS9@mail.gmail.com>
Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd6a8d8a47e760499935b9c
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about to do that now

On Tue, Jan 11, 2011 at 1:56 PM, Rick Walker <looppool@cruzio.com> wrote:

> I strongly agree with Andy, who said,
>
>
>
> "LD is essentially the "home and birthplace" of that type of loop
> manipulation.
> It would certainly be a shame if such discussions disappeared altogether. "
>
>      We've been over and over this point in the past.    People have the
> ability to ignore a thread,
> and yet, by posting these discussions here,  we have a universal clearing
> house for detailed information
> about all loopers, hopefully.    Searching our archives for technical
> information is one of the
> truly great resources that we have here at Loopers Delight.
>
> My only request of each hardware/software loopers is that it would be nice
> when a thread has
> run it's course if someone would post a new thread with the final results
> and audio examples.
>
> To me, this is the only way we all have of evaluating whatever 'next'
> technology that we are going to
> invest time and/or money in.
>
> The Mobius threads are very technical if you don't use Mobius,  but the
> results are incredibly fascinating
> and will lead to new developements in music techniques and software.
>
> So,  I would just ask that people think specifically but finish globally so
> that we can all benefit from the entire discussion.
>
> my two cents,
>
> rick walker
>
>
>> mark francombe wrote:
>>
>>> How much do these really in depth tech questions and threads bother you
>>> in terms of the amount of traffic we have on LD?
>>> If the information is about in depth scripting, is that annoying for the
>>> rest of you?
>>>
>>
>

--000e0cd6a8d8a47e760499935b9c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

about to do that now<br><br><div class=3D"gmail_quote">On Tue, Jan 11, 2011=
 at 1:56 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@c=
ruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">
I strongly agree with Andy, who said,<div class=3D"im"><br>
<br>
<br>
&quot;LD is essentially the &quot;home and birthplace&quot; of that type of=
 loop manipulation.<br>
It would certainly be a shame if such discussions disappeared altogether. &=
quot;<br>
<br></div>
 =A0 =A0 =A0We&#39;ve been over and over this point in the past. =A0 =A0Peo=
ple have the ability to ignore a thread,<br>
and yet, by posting these discussions here, =A0we have a universal clearing=
 house for detailed information<br>
about all loopers, hopefully. =A0 =A0Searching our archives for technical i=
nformation is one of the<br>
truly great resources that we have here at Loopers Delight.<br>
<br>
My only request of each hardware/software loopers is that it would be nice =
when a thread has<br>
run it&#39;s course if someone would post a new thread with the final resul=
ts and audio examples.<br>
<br>
To me, this is the only way we all have of evaluating whatever &#39;next&#3=
9; technology that we are going to<br>
invest time and/or money in.<br>
<br>
The Mobius threads are very technical if you don&#39;t use Mobius, =A0but t=
he results are incredibly fascinating<br>
and will lead to new developements in music techniques and software.<br>
<br>
So, =A0I would just ask that people think specifically but finish globally =
so that we can all benefit from the entire discussion.<br>
<br>
my two cents,<br><font color=3D"#888888">
<br>
rick walker</font><div><div></div><div class=3D"h5"><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
mark francombe wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
How much do these really in depth tech questions and threads bother you in =
terms of the amount of traffic we have on LD?<br>
If the information is about in depth scripting, is that annoying for the re=
st of you?<br>
</blockquote></blockquote>
<br>
</div></div></blockquote></div><br>

--000e0cd6a8d8a47e760499935b9c--

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Subject: Mobius scripts audio examples
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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follow the link, ladies and gentlemen...

http://simeonharris.co.uk/audio/mobius/

the folder contains...

autoreverse4.mp3
chords.mp3
dropstop.mp3
reich.mp3
stutter.mp3
stutterdrop.mp3
windowing.mp3

autoreverse4 - this is the script rainer asked jeff to fix up. does exactly
what rainer asked for. revers, forward, reverse, forward. i have the loop
divided into 4 chinks here.

chords - this is an example of playing chords with mobius. i record a single
note into four tracks simultaneously and then use scripts bound to
footswitched to independently rate shift all four tracks to create chords. i
play over the top in this example. i'm not totally happy with the chords
i've created, but i will tweak the scripts in the future. i've put this
here, because per was interested in hearing it, although he already uses
something very similar.

dropstop - created from jeff's windowing script - this one grabs a slice and
then repeats it with rate shifts. ends with pause. a fun way to end your
performance

reich - this is my copypan script. track one is copied onto track 2, panned,
multiplied, rate shifted and trimmed. the loop is subdivided into 64ths
here. but you can tweak the script to subdivide any amount you like. try
127ths for really slow shifts! i think i will tweak this to slow down the
rate of shifting, so that each new rhythmic pattern lasts longer.

stutter - another script created from jeff's windowing script. this grabs
the slice on beat 4 and repeats it to the end of the cycle

stutterdrop - same idea as above, but with rate shifts. this will need to be
tweaked, because it makes the loop longer and so puts it out of sync

windowing - jeff's shining script to emulate loop windowing. i just trigger
the script every 4 repetitions for a bit and then kind of hit it randomly.
use undo to get out of it


i've posted the scripts over on the circularlabs forum

sim

--000e0cd6a8d85aed6c04999384f5
Content-Type: text/html; charset=ISO-8859-1
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<br>follow the link, ladies and gentlemen...<br><br><a href=3D"http://simeo=
nharris.co.uk/audio/mobius/">http://simeonharris.co.uk/audio/mobius/</a><br=
><br>the folder contains...<br><br>autoreverse4.mp3<br>chords.mp3<br>dropst=
op.mp3<br>
reich.mp3<br>stutter.mp3<br>stutterdrop.mp3<br>windowing.mp3<br><br>autorev=
erse4 - this is the script rainer asked jeff to fix up. does exactly what r=
ainer asked for. revers, forward, reverse, forward. i have the loop divided=
 into 4 chinks here.<br>
<br>chords - this is an example of playing chords with mobius. i record a s=
ingle note into four tracks simultaneously and then use scripts bound to fo=
otswitched to independently rate shift all four tracks to create chords. i =
play over the top in this example. i&#39;m not totally happy with the chord=
s i&#39;ve created, but i will tweak the scripts in the future. i&#39;ve pu=
t this here, because per was interested in hearing it, although he already =
uses something very similar.<br>
<br>dropstop - created from jeff&#39;s windowing script - this one grabs a =
slice and then repeats it with rate shifts. ends with pause. a fun way to e=
nd your performance<br><br>reich - this is my copypan script. track one is =
copied onto track 2, panned, multiplied, rate shifted and trimmed. the loop=
 is subdivided into 64ths here. but you can tweak the script to subdivide a=
ny amount you like. try 127ths for really slow shifts! i think i will tweak=
 this to slow down the rate of shifting, so that each new rhythmic pattern =
lasts longer.<br>
<br>stutter - another script created from jeff&#39;s windowing script. this=
 grabs the slice on beat 4 and repeats it to the end of the cycle<br><br>st=
utterdrop - same idea as above, but with rate shifts. this will need to be =
tweaked, because it makes the loop longer and so puts it out of sync<br>
<br>windowing - jeff&#39;s shining script to emulate loop windowing. i just=
 trigger the script every 4 repetitions for a bit and then kind of hit it r=
andomly. use undo to get out of it<br><br><br>i&#39;ve posted the scripts o=
ver on the circularlabs forum<br>
<br>sim<br>

--000e0cd6a8d85aed6c04999384f5--

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References: <20110110171038.4vt1c459usgkkg08@webmail.musetrap.com> <4D2BCB34.2080801@cruzio.com>
From: "Andy Owens" <andy@1800dialword.com>
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Date: Tue, 11 Jan 2011 10:39:48 -0500
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No worries, it was working fine but something changed, I didnt upgrade but s=
tarting playing wuth the reverse function some, and maybe its just a coincid=
ence but I started losing midi control for some reason.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 10, 2011, at 10:15 PM, Rick Walker <looppool@cruzio.com> wrote:

>=20
>  Warning, as of right this moment (and probably until a couple of weeks at=
 least after
> NAMM,   version 1.38g  is NOT STABLE.
>=20
> You can go to the Looperlative website to find out how to download and ins=
tall
> an earlier version.
>=20
> If you have problems,  I might have the instructions somewhere on my compu=
ter.
>=20
> sorry for your problems,  Andy but we'll be on it very soon.
>=20
> rick walker
>=20
>=20
>=20
>=20
> On 7/22/64 11:59 AM, cpr@musetrap.com wrote:
>> http://www.looperlative.com/upgrades/version1_38g
>>=20
>> Quoting Andy Owens <andy@1800dialword.com>:
>>=20
>>> Anybody have any ideas how to get the lastest LP1 software updgrade?
>>>=20
>>>=20
>>>=20
>>> Andy O
>>>=20
>>>=20
>=20

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and another
 question!)
Date: Tue, 11 Jan 2011 11:44:37 -0500
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<<How much do these really in depth tech questions and threads bother=20
you in terms of the amount of traffic we have on LD?
If the information is about in depth scripting, is that annoying for=20
the rest of you?>>.....sez mark


that's why god made the delete button!

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Subject: Re: EchoLoop vs mobius
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Gareth Whittock wrote:
> What's the difference between echoloop and mobius guys? 

Echoloop is totally based
on the EDP, but with  stereo loops. For multitrack use
it's possible to simply use more than one plugin.
(and to use midi to select which plugin you wish to control).
There's a number of other improvements too.

as yet, Echoloop is still in the Beta stage of development.


Mobius was originally conceived as an edp clone, but long
ago went it's own way.
The way Mobius handles memory is different to the EDP/Echoloop
at a very fundamental level, so it could never have been an
accurate emulation...but then with years of subsequent development
based on user suggestions it really doesn't need to be.
afaik Multiply in Mobius isn't quite a copy of the one in
the EDP, and no doubt there's other differences in the way
that "EDP named" functions work if you look hard enough.

andy

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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and
 another question!)
From: Jeff Larson <jeff.larson@sailpoint.com>
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As a "manufacturer" I have mixed feelings about this.  Almost all
products have a dedicated support forum of some kind.  It is expected
by the users and it gives the manufacturer control over the content
so they can organize, edit, and possibly republish things in a different
form like, oh say a script library.

But product forums do tend to become "walled gardens" without much
information exchange about other products which can be helpful.  And
they tend to be focused on nuts and bolts rather how you might use
it to create something interesting.

I'm happy that people seem to be interested in Mobius discussion.
Such discussions have been happening for the past six years over
on the zonemobius list, it wasn't until I tried to move everyone
to a forum that things started leaking over here.  I'm not sure
what that means :)

I obviously can't control where people post, but here are some
suggestions.

If you have an "I'm a new user and I can't figure out where to plug
in the MIDI cable" kind of question, ask it on the forums since people
here are not likely to care.

At the other end of the spectrum, power user questions like "how does
latency compensation effect the timing of adjacent function statements
in scripts" or "why do I have a syntax error on this line", or really
any kind of "why doesn't this work" question belongs in the forum since
no one else cares.

But...things like "I wonder if Mobius can do X", or "check out this cool
technique" or "I published an interesting script", or really any kind
"hey look what I made!" post can certainly belong on LD as well as the
forums.

Thanks,
Jeff

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<div><br></div><div>As a &quot;manufacturer&quot; I have mixed feelings abo=
ut this. =A0Almost all</div><div>products have a dedicated support forum of=
 some kind. =A0It is expected</div><div>by the users and it gives the manuf=
acturer control over the content</div>
<div>so they can organize, edit, and possibly republish things in a differe=
nt</div><div>form like, oh say a script library.</div><div><br></div><div>B=
ut product forums do tend to become &quot;walled gardens&quot; without much=
</div>
<div>information exchange about other products which can be helpful. =A0And=
</div><div>they tend to be focused on nuts and bolts rather how you might u=
se</div><div>it to create something interesting.</div><div><br></div><div>
I&#39;m happy that people seem to be interested in Mobius discussion.</div>=
<div>Such discussions have been happening for the past six years over</div>=
<div>on the zonemobius list, it wasn&#39;t until I tried to move everyone</=
div>
<div>to a forum that things started leaking over here. =A0I&#39;m not sure<=
/div><div>what that means :)</div><div><br></div><div>I obviously can&#39;t=
 control where people post, but here are some</div><div>suggestions.</div>
<div><br></div><div>If you have an &quot;I&#39;m a new user and I can&#39;t=
 figure out where to plug</div><div>in the MIDI cable&quot; kind of questio=
n, ask it on the forums since people</div><div>here are not likely to care.=
</div>
<div><br></div><div>At the other end of the spectrum, power user questions =
like &quot;how does</div><div>latency compensation effect the timing of adj=
acent function statements</div><div>in scripts&quot; or &quot;why do I have=
 a syntax error on this line&quot;, or really</div>
<div>any kind of &quot;why doesn&#39;t this work&quot; question belongs in =
the forum since</div><div>no one else cares.</div><div><br></div><div>But..=
.things like &quot;I wonder if Mobius can do X&quot;, or &quot;check out th=
is cool</div>
<div>technique&quot; or &quot;I published an interesting script&quot;, or r=
eally any kind</div><div>&quot;hey look what I made!&quot; post can certain=
ly belong on LD as well as the forums.</div><div><br></div><div>Thanks,</di=
v>
<div>Jeff</div><div><br></div>

--0016363b83c0b046b00499959255--

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Date: Tue, 11 Jan 2011 18:58:22 +0100
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Subject: Re: Mobius scripts audio examples
From: Fabio_A <eterogenus@gmail.com>
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Those scripts will keep me busy for the entire week testing (expecially the
"Reichesque" one).
Thanks, really thanks for sharing.

-fabio
www.eterogeneo.com




2011/1/11 Simeon Harris <simeonharris40@googlemail.com>

>
> follow the link, ladies and gentlemen...
>
> http://simeonharris.co.uk/audio/mobius/
>
> the folder contains...
>
> autoreverse4.mp3
> chords.mp3
> dropstop.mp3
> reich.mp3
> stutter.mp3
> stutterdrop.mp3
> windowing.mp3
>
> autoreverse4 - this is the script rainer asked jeff to fix up. does exactly
> what rainer asked for. revers, forward, reverse, forward. i have the loop
> divided into 4 chinks here.
>
> chords - this is an example of playing chords with mobius. i record a
> single note into four tracks simultaneously and then use scripts bound to
> footswitched to independently rate shift all four tracks to create chords. i
> play over the top in this example. i'm not totally happy with the chords
> i've created, but i will tweak the scripts in the future. i've put this
> here, because per was interested in hearing it, although he already uses
> something very similar.
>
> dropstop - created from jeff's windowing script - this one grabs a slice
> and then repeats it with rate shifts. ends with pause. a fun way to end your
> performance
>
> reich - this is my copypan script. track one is copied onto track 2,
> panned, multiplied, rate shifted and trimmed. the loop is subdivided into
> 64ths here. but you can tweak the script to subdivide any amount you like.
> try 127ths for really slow shifts! i think i will tweak this to slow down
> the rate of shifting, so that each new rhythmic pattern lasts longer.
>
> stutter - another script created from jeff's windowing script. this grabs
> the slice on beat 4 and repeats it to the end of the cycle
>
> stutterdrop - same idea as above, but with rate shifts. this will need to
> be tweaked, because it makes the loop longer and so puts it out of sync
>
> windowing - jeff's shining script to emulate loop windowing. i just trigger
> the script every 4 repetitions for a bit and then kind of hit it randomly.
> use undo to get out of it
>
>
> i've posted the scripts over on the circularlabs forum
>
> sim
>

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<div>Those scripts will keep me busy for the entire week testing (expeciall=
y the &quot;Reichesque&quot; one).</div>
<div>Thanks, really thanks for sharing.</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div>
<div><br>=A0</div>
<div class=3D"gmail_quote">2011/1/11 Simeon Harris <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br>follow the link, ladies and =
gentlemen...<br><br><a href=3D"http://simeonharris.co.uk/audio/mobius/" tar=
get=3D"_blank">http://simeonharris.co.uk/audio/mobius/</a><br>
<br>the folder contains...<br><br>autoreverse4.mp3<br>chords.mp3<br>dropsto=
p.mp3<br>reich.mp3<br>stutter.mp3<br>stutterdrop.mp3<br>windowing.mp3<br><b=
r>autoreverse4 - this is the script rainer asked jeff to fix up. does exact=
ly what rainer asked for. revers, forward, reverse, forward. i have the loo=
p divided into 4 chinks here.<br>
<br>chords - this is an example of playing chords with mobius. i record a s=
ingle note into four tracks simultaneously and then use scripts bound to fo=
otswitched to independently rate shift all four tracks to create chords. i =
play over the top in this example. i&#39;m not totally happy with the chord=
s i&#39;ve created, but i will tweak the scripts in the future. i&#39;ve pu=
t this here, because per was interested in hearing it, although he already =
uses something very similar.<br>
<br>dropstop - created from jeff&#39;s windowing script - this one grabs a =
slice and then repeats it with rate shifts. ends with pause. a fun way to e=
nd your performance<br><br>reich - this is my copypan script. track one is =
copied onto track 2, panned, multiplied, rate shifted and trimmed. the loop=
 is subdivided into 64ths here. but you can tweak the script to subdivide a=
ny amount you like. try 127ths for really slow shifts! i think i will tweak=
 this to slow down the rate of shifting, so that each new rhythmic pattern =
lasts longer.<br>
<br>stutter - another script created from jeff&#39;s windowing script. this=
 grabs the slice on beat 4 and repeats it to the end of the cycle<br><br>st=
utterdrop - same idea as above, but with rate shifts. this will need to be =
tweaked, because it makes the loop longer and so puts it out of sync<br>
<br>windowing - jeff&#39;s shining script to emulate loop windowing. i just=
 trigger the script every 4 repetitions for a bit and then kind of hit it r=
andomly. use undo to get out of it<br><br><br>i&#39;ve posted the scripts o=
ver on the circularlabs forum<br>
<br>sim<br></blockquote></div><br>

--0016e64135ea9321c3049995d487--

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Message-ID: <AANLkTimS6m+3kna7D85m410QQRi55-vj0wknttzTqH+q@mail.gmail.com>
Subject: Re: EchoLoop vs mobius
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e644ccec6a45b5049995df99
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 Andy Butler said:

> The way Mobius handles memory is different to the EDP/Echoloop
> at a very fundamental level, so it could never have been an
> accurate emulation...
>
Andy, (apart Multiply issue) can you explain more about your statement ?
I'd like to learn more about it.

-f
www.eterogeneo.com

--0016e644ccec6a45b5049995df99
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<div class=3D"gmail_quote">
<div>Andy Butler said:</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">The way Mobius handles memory is=
 different to the EDP/Echoloop<br>at a very fundamental level, so it could =
never have been an<br>
accurate emulation...<br></blockquote>
<div>Andy, (apart Multiply issue) can you explain more about your statement=
 ? </div>
<div>I&#39;d like to=A0learn more=A0about it.</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div><font color=3D"#888888"></font>=A0</div></div><br>

--0016e644ccec6a45b5049995df99--

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Subject: Re: Mobius scripts audio examples
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you're very welcome fabio!

On Tue, Jan 11, 2011 at 5:58 PM, Fabio_A <eterogenus@gmail.com> wrote:

> Those scripts will keep me busy for the entire week testing (expecially the
> "Reichesque" one).
> Thanks, really thanks for sharing.
>
> -fabio
> www.eterogeneo.com
>
>
>
>
> 2011/1/11 Simeon Harris <simeonharris40@googlemail.com>
>
>
>> follow the link, ladies and gentlemen...
>>
>> http://simeonharris.co.uk/audio/mobius/
>>
>> the folder contains...
>>
>> autoreverse4.mp3
>> chords.mp3
>> dropstop.mp3
>> reich.mp3
>> stutter.mp3
>> stutterdrop.mp3
>> windowing.mp3
>>
>> autoreverse4 - this is the script rainer asked jeff to fix up. does
>> exactly what rainer asked for. revers, forward, reverse, forward. i have the
>> loop divided into 4 chinks here.
>>
>> chords - this is an example of playing chords with mobius. i record a
>> single note into four tracks simultaneously and then use scripts bound to
>> footswitched to independently rate shift all four tracks to create chords. i
>> play over the top in this example. i'm not totally happy with the chords
>> i've created, but i will tweak the scripts in the future. i've put this
>> here, because per was interested in hearing it, although he already uses
>> something very similar.
>>
>> dropstop - created from jeff's windowing script - this one grabs a slice
>> and then repeats it with rate shifts. ends with pause. a fun way to end your
>> performance
>>
>> reich - this is my copypan script. track one is copied onto track 2,
>> panned, multiplied, rate shifted and trimmed. the loop is subdivided into
>> 64ths here. but you can tweak the script to subdivide any amount you like.
>> try 127ths for really slow shifts! i think i will tweak this to slow down
>> the rate of shifting, so that each new rhythmic pattern lasts longer.
>>
>> stutter - another script created from jeff's windowing script. this grabs
>> the slice on beat 4 and repeats it to the end of the cycle
>>
>> stutterdrop - same idea as above, but with rate shifts. this will need to
>> be tweaked, because it makes the loop longer and so puts it out of sync
>>
>> windowing - jeff's shining script to emulate loop windowing. i just
>> trigger the script every 4 repetitions for a bit and then kind of hit it
>> randomly. use undo to get out of it
>>
>>
>> i've posted the scripts over on the circularlabs forum
>>
>> sim
>>
>
>

--0015175707f495a05c049995eb38
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

you&#39;re very welcome fabio!<br><br><div class=3D"gmail_quote">On Tue, Ja=
n 11, 2011 at 5:58 PM, Fabio_A <span dir=3D"ltr">&lt;<a href=3D"mailto:eter=
ogenus@gmail.com">eterogenus@gmail.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px=
 solid rgb(204, 204, 204); padding-left: 1ex;">
<div>Those scripts will keep me busy for the entire week testing (expeciall=
y the &quot;Reichesque&quot; one).</div>
<div>Thanks, really thanks for sharing.</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/" target=3D"_blank">www.eterogene=
o.com</a></div>
<div>=A0</div>
<div>=A0</div>
<div><br>=A0</div>
<div class=3D"gmail_quote">2011/1/11 Simeon Harris <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeonharr=
is40@googlemail.com</a>&gt;</span><div><div></div><div class=3D"h5"><br>
<blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0px 0=
px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);"><br>follow the li=
nk, ladies and gentlemen...<br><br><a href=3D"http://simeonharris.co.uk/aud=
io/mobius/" target=3D"_blank">http://simeonharris.co.uk/audio/mobius/</a><b=
r>

<br>the folder contains...<br><br>autoreverse4.mp3<br>chords.mp3<br>dropsto=
p.mp3<br>reich.mp3<br>stutter.mp3<br>stutterdrop.mp3<br>windowing.mp3<br><b=
r>autoreverse4 - this is the script rainer asked jeff to fix up. does exact=
ly what rainer asked for. revers, forward, reverse, forward. i have the loo=
p divided into 4 chinks here.<br>

<br>chords - this is an example of playing chords with mobius. i record a s=
ingle note into four tracks simultaneously and then use scripts bound to fo=
otswitched to independently rate shift all four tracks to create chords. i =
play over the top in this example. i&#39;m not totally happy with the chord=
s i&#39;ve created, but i will tweak the scripts in the future. i&#39;ve pu=
t this here, because per was interested in hearing it, although he already =
uses something very similar.<br>

<br>dropstop - created from jeff&#39;s windowing script - this one grabs a =
slice and then repeats it with rate shifts. ends with pause. a fun way to e=
nd your performance<br><br>reich - this is my copypan script. track one is =
copied onto track 2, panned, multiplied, rate shifted and trimmed. the loop=
 is subdivided into 64ths here. but you can tweak the script to subdivide a=
ny amount you like. try 127ths for really slow shifts! i think i will tweak=
 this to slow down the rate of shifting, so that each new rhythmic pattern =
lasts longer.<br>

<br>stutter - another script created from jeff&#39;s windowing script. this=
 grabs the slice on beat 4 and repeats it to the end of the cycle<br><br>st=
utterdrop - same idea as above, but with rate shifts. this will need to be =
tweaked, because it makes the loop longer and so puts it out of sync<br>

<br>windowing - jeff&#39;s shining script to emulate loop windowing. i just=
 trigger the script every 4 repetitions for a bit and then kind of hit it r=
andomly. use undo to get out of it<br><br><br>i&#39;ve posted the scripts o=
ver on the circularlabs forum<br>

<br>sim<br></blockquote></div></div></div><br>
</blockquote></div><br>

--0015175707f495a05c049995eb38--

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Date: Tue, 11 Jan 2011 13:26:12 -0500
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Subject: Re: Mobius scripts audio examples
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf30433e3a1d351c0499963828
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I've been following this thread interested but have not responded other tha=
n
one note to Jeff direct but the scripting is getting my interest.  I used
Mobius for a while last year but switched back to hardware.  Near the end o=
f
using it last time I began to visit the scripting.  I'm going through a lot
of self-edu right now in Apple SDK so Mobius and it's script language have
my interest so thanks for all this recent dialog.  Per I enjoyed your stick
piece btw and will chk Simeon's others here.  Good thread fellas...

Jim

On Tue, Jan 11, 2011 at 10:12 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

>
> follow the link, ladies and gentlemen...
>
> http://simeonharris.co.uk/audio/mobius/
>
> the folder contains...
>
> autoreverse4.mp3
> chords.mp3
> dropstop.mp3
> reich.mp3
> stutter.mp3
> stutterdrop.mp3
> windowing.mp3
>
> autoreverse4 - this is the script rainer asked jeff to fix up. does exact=
ly
> what rainer asked for. revers, forward, reverse, forward. i have the loop
> divided into 4 chinks here.
>
> chords - this is an example of playing chords with mobius. i record a
> single note into four tracks simultaneously and then use scripts bound to
> footswitched to independently rate shift all four tracks to create chords=
. i
> play over the top in this example. i'm not totally happy with the chords
> i've created, but i will tweak the scripts in the future. i've put this
> here, because per was interested in hearing it, although he already uses
> something very similar.
>
> dropstop - created from jeff's windowing script - this one grabs a slice
> and then repeats it with rate shifts. ends with pause. a fun way to end y=
our
> performance
>
> reich - this is my copypan script. track one is copied onto track 2,
> panned, multiplied, rate shifted and trimmed. the loop is subdivided into
> 64ths here. but you can tweak the script to subdivide any amount you like=
.
> try 127ths for really slow shifts! i think i will tweak this to slow down
> the rate of shifting, so that each new rhythmic pattern lasts longer.
>
> stutter - another script created from jeff's windowing script. this grabs
> the slice on beat 4 and repeats it to the end of the cycle
>
> stutterdrop - same idea as above, but with rate shifts. this will need to
> be tweaked, because it makes the loop longer and so puts it out of sync
>
> windowing - jeff's shining script to emulate loop windowing. i just trigg=
er
> the script every 4 repetitions for a bit and then kind of hit it randomly=
.
> use undo to get out of it
>
>
> i've posted the scripts over on the circularlabs forum
>
> sim
>



--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf30433e3a1d351c0499963828
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;ve been following this thread interested but have not responded other=
 than one note to Jeff direct but the scripting is getting my interest.=A0 =
I used Mobius for a while last year but switched back to hardware.=A0 Near =
the end of using it last time I began to visit the scripting.=A0 I&#39;m go=
ing through a lot of self-edu right now in Apple SDK so Mobius and it&#39;s=
 script language have my interest so thanks for all this recent dialog.=A0 =
Per I enjoyed your stick piece btw and will chk Simeon&#39;s others here.=
=A0 Good thread fellas...<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Tue, Jan 11, 2011 at 10:12 AM,=
 Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googl=
email.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>follow the link, ladies and gentlemen...<br><br><a href=3D"http://simeo=
nharris.co.uk/audio/mobius/" target=3D"_blank">http://simeonharris.co.uk/au=
dio/mobius/</a><br><br>the folder contains...<br><br>autoreverse4.mp3<br>ch=
ords.mp3<br>
dropstop.mp3<br>
reich.mp3<br>stutter.mp3<br>stutterdrop.mp3<br>windowing.mp3<br><br>autorev=
erse4 - this is the script rainer asked jeff to fix up. does exactly what r=
ainer asked for. revers, forward, reverse, forward. i have the loop divided=
 into 4 chinks here.<br>

<br>chords - this is an example of playing chords with mobius. i record a s=
ingle note into four tracks simultaneously and then use scripts bound to fo=
otswitched to independently rate shift all four tracks to create chords. i =
play over the top in this example. i&#39;m not totally happy with the chord=
s i&#39;ve created, but i will tweak the scripts in the future. i&#39;ve pu=
t this here, because per was interested in hearing it, although he already =
uses something very similar.<br>

<br>dropstop - created from jeff&#39;s windowing script - this one grabs a =
slice and then repeats it with rate shifts. ends with pause. a fun way to e=
nd your performance<br><br>reich - this is my copypan script. track one is =
copied onto track 2, panned, multiplied, rate shifted and trimmed. the loop=
 is subdivided into 64ths here. but you can tweak the script to subdivide a=
ny amount you like. try 127ths for really slow shifts! i think i will tweak=
 this to slow down the rate of shifting, so that each new rhythmic pattern =
lasts longer.<br>

<br>stutter - another script created from jeff&#39;s windowing script. this=
 grabs the slice on beat 4 and repeats it to the end of the cycle<br><br>st=
utterdrop - same idea as above, but with rate shifts. this will need to be =
tweaked, because it makes the loop longer and so puts it out of sync<br>

<br>windowing - jeff&#39;s shining script to emulate loop windowing. i just=
 trigger the script every 4 repetitions for a bit and then kind of hit it r=
andomly. use undo to get out of it<br><br><br>i&#39;ve posted the scripts o=
ver on the circularlabs forum<br>

<br>sim<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf30433e3a1d351c0499963828--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 18:29:20 2011
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Subject: Re: Stuttering time, gentlemen! (Re: another fun mobius script (and another question!)
References: <AANLkTikO7pUZ1Fqzip08BVaciLVFzJZ3_X-SNOaMmmAA@mail.gmail.com> <AANLkTin2g3kgXfQOwE28TkY6V4sj4A=kBbGUKtWCxkmR@mail.gmail.com> <AANLkTi=NYp3=i_uSwCFiFQZ67JN8LyER4bvZWm3zcCQG@mail.gmail.com> <AANLkTi=46YM=Kue3wV0z+UTx+SGZC_EF7vafHgtuAREB@mail.gmail.com> <AANLkTiko6652AbT5E36g5n9k1sL9O6zaPv12Av-pgmLp@mail.gmail.com> <AANLkTin0nAvpfHi0rtChVfcvkTznXkjC6nZ2JCf+RdrD@mail.gmail.com>
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thread-topic: Stuttering time, gentlemen! (Re: another fun mobius script (and another question!)
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Hey its all good, no worries, no bother, it got me looking deeper into what I=
 could do with lp1 so all good, except when I started using more of those fe=
atures it started crashing on me lol.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 11, 2011, at 12:40 PM, Jeff Larson <jeff.larson@sailpoint.com> wrote:=


>=20
> As a "manufacturer" I have mixed feelings about this.  Almost all
> products have a dedicated support forum of some kind.  It is expected
> by the users and it gives the manufacturer control over the content
> so they can organize, edit, and possibly republish things in a different
> form like, oh say a script library.
>=20
> But product forums do tend to become "walled gardens" without much
> information exchange about other products which can be helpful.  And
> they tend to be focused on nuts and bolts rather how you might use
> it to create something interesting.
>=20
> I'm happy that people seem to be interested in Mobius discussion.
> Such discussions have been happening for the past six years over
> on the zonemobius list, it wasn't until I tried to move everyone
> to a forum that things started leaking over here.  I'm not sure
> what that means :)
>=20
> I obviously can't control where people post, but here are some
> suggestions.
>=20
> If you have an "I'm a new user and I can't figure out where to plug
> in the MIDI cable" kind of question, ask it on the forums since people
> here are not likely to care.
>=20
> At the other end of the spectrum, power user questions like "how does
> latency compensation effect the timing of adjacent function statements
> in scripts" or "why do I have a syntax error on this line", or really
> any kind of "why doesn't this work" question belongs in the forum since
> no one else cares.
>=20
> But...things like "I wonder if Mobius can do X", or "check out this cool
> technique" or "I published an interesting script", or really any kind
> "hey look what I made!" post can certainly belong on LD as well as the for=
ums.
>=20
> Thanks,
> Jeff
>=20

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Date: Tue, 11 Jan 2011 13:33:50 -0500
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Subject: Re: Mobius scripts audio examples
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Simeon I particularly like chords and windowing.  I know these are just
illustration sketches but think chords is touching some neat water.  Thx
again for the inspiring thread.

On Tue, Jan 11, 2011 at 1:26 PM, Jim Goodin <jimgoodinmusic@gmail.com>wrote=
:

> I've been following this thread interested but have not responded other
> than one note to Jeff direct but the scripting is getting my interest.  I
> used Mobius for a while last year but switched back to hardware.  Near th=
e
> end of using it last time I began to visit the scripting.  I'm going thro=
ugh
> a lot of self-edu right now in Apple SDK so Mobius and it's script langua=
ge
> have my interest so thanks for all this recent dialog.  Per I enjoyed you=
r
> stick piece btw and will chk Simeon's others here.  Good thread fellas...
>
> Jim
>
>
> On Tue, Jan 11, 2011 at 10:12 AM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>>
>> follow the link, ladies and gentlemen...
>>
>> http://simeonharris.co.uk/audio/mobius/
>>
>> the folder contains...
>>
>> autoreverse4.mp3
>> chords.mp3
>> dropstop.mp3
>> reich.mp3
>> stutter.mp3
>> stutterdrop.mp3
>> windowing.mp3
>>
>> autoreverse4 - this is the script rainer asked jeff to fix up. does
>> exactly what rainer asked for. revers, forward, reverse, forward. i have=
 the
>> loop divided into 4 chinks here.
>>
>> chords - this is an example of playing chords with mobius. i record a
>> single note into four tracks simultaneously and then use scripts bound t=
o
>> footswitched to independently rate shift all four tracks to create chord=
s. i
>> play over the top in this example. i'm not totally happy with the chords
>> i've created, but i will tweak the scripts in the future. i've put this
>> here, because per was interested in hearing it, although he already uses
>> something very similar.
>>
>> dropstop - created from jeff's windowing script - this one grabs a slice
>> and then repeats it with rate shifts. ends with pause. a fun way to end =
your
>> performance
>>
>> reich - this is my copypan script. track one is copied onto track 2,
>> panned, multiplied, rate shifted and trimmed. the loop is subdivided int=
o
>> 64ths here. but you can tweak the script to subdivide any amount you lik=
e.
>> try 127ths for really slow shifts! i think i will tweak this to slow dow=
n
>> the rate of shifting, so that each new rhythmic pattern lasts longer.
>>
>> stutter - another script created from jeff's windowing script. this grab=
s
>> the slice on beat 4 and repeats it to the end of the cycle
>>
>> stutterdrop - same idea as above, but with rate shifts. this will need t=
o
>> be tweaked, because it makes the loop longer and so puts it out of sync
>>
>> windowing - jeff's shining script to emulate loop windowing. i just
>> trigger the script every 4 repetitions for a bit and then kind of hit it
>> randomly. use undo to get out of it
>>
>>
>> i've posted the scripts over on the circularlabs forum
>>
>> sim
>>
>
>
>
> --
> *From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodi=
n
> & Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>



--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a7196e10a604999653c8
Content-Type: text/html; charset=ISO-8859-1
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Simeon I particularly like chords and windowing.=A0 I know these are just i=
llustration sketches but think chords is touching some neat water.=A0 Thx a=
gain for the inspiring thread.<br><br><div class=3D"gmail_quote">On Tue, Ja=
n 11, 2011 at 1:26 PM, Jim Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:j=
imgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I&#39;ve been fol=
lowing this thread interested but have not responded other than one note to=
 Jeff direct but the scripting is getting my interest.=A0 I used Mobius for=
 a while last year but switched back to hardware.=A0 Near the end of using =
it last time I began to visit the scripting.=A0 I&#39;m going through a lot=
 of self-edu right now in Apple SDK so Mobius and it&#39;s script language =
have my interest so thanks for all this recent dialog.=A0 Per I enjoyed you=
r stick piece btw and will chk Simeon&#39;s others here.=A0 Good thread fel=
las...<br>

<br>Jim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Tue, Jan 11, 2011 at 10:12 AM, Simeon Harris <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeonharris=
40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>follow the link, ladies and gentlemen...<br><br><a href=3D"http://simeo=
nharris.co.uk/audio/mobius/" target=3D"_blank">http://simeonharris.co.uk/au=
dio/mobius/</a><br><br>the folder contains...<br><br>autoreverse4.mp3<br>ch=
ords.mp3<br>

dropstop.mp3<br>
reich.mp3<br>stutter.mp3<br>stutterdrop.mp3<br>windowing.mp3<br><br>autorev=
erse4 - this is the script rainer asked jeff to fix up. does exactly what r=
ainer asked for. revers, forward, reverse, forward. i have the loop divided=
 into 4 chinks here.<br>


<br>chords - this is an example of playing chords with mobius. i record a s=
ingle note into four tracks simultaneously and then use scripts bound to fo=
otswitched to independently rate shift all four tracks to create chords. i =
play over the top in this example. i&#39;m not totally happy with the chord=
s i&#39;ve created, but i will tweak the scripts in the future. i&#39;ve pu=
t this here, because per was interested in hearing it, although he already =
uses something very similar.<br>


<br>dropstop - created from jeff&#39;s windowing script - this one grabs a =
slice and then repeats it with rate shifts. ends with pause. a fun way to e=
nd your performance<br><br>reich - this is my copypan script. track one is =
copied onto track 2, panned, multiplied, rate shifted and trimmed. the loop=
 is subdivided into 64ths here. but you can tweak the script to subdivide a=
ny amount you like. try 127ths for really slow shifts! i think i will tweak=
 this to slow down the rate of shifting, so that each new rhythmic pattern =
lasts longer.<br>


<br>stutter - another script created from jeff&#39;s windowing script. this=
 grabs the slice on beat 4 and repeats it to the end of the cycle<br><br>st=
utterdrop - same idea as above, but with rate shifts. this will need to be =
tweaked, because it makes the loop longer and so puts it out of sync<br>


<br>windowing - jeff&#39;s shining script to emulate loop windowing. i just=
 trigger the script every 4 repetitions for a bit and then kind of hit it r=
andomly. use undo to get out of it<br><br><br>i&#39;ve posted the scripts o=
ver on the circularlabs forum<br>


<br>sim<br>
</blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D"#88=
8888">-- <br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz record=
ing by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this=
 CD will benefit JDRF International.=A0 <a href=3D"http://jimgoodinpetertho=
rn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br=
>

<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn=
 To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter=
 Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Interna=
tional.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_b=
lank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054a7196e10a604999653c8--

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Date: Tue, 11 Jan 2011 12:55:25 -0600
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Subject: Re: EchoLoop vs mobius
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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[andy]
> The way Mobius handles memory is different to the EDP/Echoloop
> at a very fundamental level, so it could never have been an
> accurate emulation...

Well, I wouldn't say "could never have been" but certainly "would have
been difficult" or even "could have been but why" :)

[Fabio]
> Andy, (apart Multiply issue) can you explain more about your statement ?
> I'd like to learn more about it.

The EDP manages memory like a long tape that you are continually
recording onto.  Undo in the EDP is then just rewinding the tape.
Loop windowing is really just a form of undo where the tape is rewound
by an amount defined by the last Multiply/Record.

Mobius manages memory more like a DAW, it records lots of individual
"segments" then splices and overlays them in real time.

There are advantages and disadvantages to both approaches.  Loop
windowing is more difficult in Mobius for example because there isn't
just one block of memory I can "rewind" in.  I have to determine where
the fragments of recordings are than need to go into the window and
splice them together to generate a new segment.  It isn't horribly
difficult but it does take some work to get the cross fades right.

The main advantage I see of a segment-based architecture is it gives
you the various "instant" functions in Mobius: Instant Multiply,
Divide, Shuffle, and others.  It has the ability to stop, completely
reorganize the current layer, then start playing it immediately.  With
a "tape" architecture, you are always creating the next layer
gradually *while you are playing* the current layer.

Anyway, this design difference is the reason for a lot of subtle
differences between Mobius and the EDP.  I honestly didn't understand
the EDP architecture very well at first, I just did things the way
they made sense to me at the time.  In retrospect most of the changes
I made I prefer, such as being able to Undo an unrounded multiply
rather than forcing you into loop windowing.  Some I'm not entirely
happy with, like not having loop windowing at all.

At this point I have no desire to ever make Mobius a true EDP
emulator.  The core will remain EDP-ish, but for several years I've
been more interested in moving it in the direction of Ableton Live,
with better support for "DJ" looping like pre-recorded clip triggering
and MIDI sequences.

Jeff

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<div><br></div><div>[andy]</div><div>&gt; The way Mobius handles memory is =
different to the EDP/Echoloop</div><div>&gt; at a very fundamental level, s=
o it could never have been an</div><div>&gt; accurate emulation...</div>
<div><br></div><div>Well, I wouldn&#39;t say &quot;could never have been&qu=
ot; but certainly &quot;would have</div><div>been difficult&quot; or even &=
quot;could have been but why&quot; :)</div><div><br></div><div>[Fabio]</div=
>
<div>&gt; Andy, (apart Multiply issue) can you explain more about your stat=
ement ?</div><div>&gt; I&#39;d like to learn more about it.</div><div><br><=
/div><div>The EDP manages memory like a long tape that you are continually<=
/div>
<div>recording onto. =A0Undo in the EDP is then just rewinding the tape.</d=
iv><div>Loop windowing is really just a form of undo where the tape is rewo=
und</div><div>by an amount defined by the last Multiply/Record.</div><div>
<br></div><div>Mobius manages memory more like a DAW, it records lots of in=
dividual</div><div>&quot;segments&quot; then splices and overlays them in r=
eal time.</div><div><br></div><div>There are advantages and disadvantages t=
o both approaches. =A0Loop</div>
<div>windowing is more difficult in Mobius for example because there isn&#3=
9;t</div><div>just one block of memory I can &quot;rewind&quot; in. =A0I ha=
ve to determine where</div><div>the fragments of recordings are than need t=
o go into the window and</div>
<div>splice them together to generate a new segment. =A0It isn&#39;t horrib=
ly</div><div>difficult but it does take some work to get the cross fades ri=
ght.</div><div><br></div><div>The main advantage I see of a segment-based a=
rchitecture is it gives</div>
<div>you the various &quot;instant&quot; functions in Mobius: Instant Multi=
ply,</div><div>Divide, Shuffle, and others. =A0It has the ability to stop, =
completely</div><div>reorganize the current layer, then start playing it im=
mediately. =A0With</div>
<div>a &quot;tape&quot; architecture, you are always creating the next laye=
r</div><div>gradually *while you are playing* the current layer.</div><div>=
<br></div><div>Anyway, this design difference is the reason for a lot of su=
btle</div>
<div>differences between Mobius and the EDP. =A0I honestly didn&#39;t under=
stand</div><div>the EDP architecture very well at first, I just did things =
the way</div><div>they made sense to me at the time. =A0In retrospect most =
of the changes</div>
<div>I made I prefer, such as being able to Undo an unrounded multiply</div=
><div>rather than forcing you into loop windowing. =A0Some I&#39;m not enti=
rely</div><div>happy with, like not having loop windowing at all.</div><div=
>
<br></div><div>At this point I have no desire to ever make Mobius a true ED=
P</div><div>emulator. =A0The core will remain EDP-ish, but for several year=
s I&#39;ve</div><div>been more interested in moving it in the direction of =
Ableton Live,</div>
<div>with better support for &quot;DJ&quot; looping like pre-recorded clip =
triggering</div><div>and MIDI=A0sequences. =A0</div><div><br></div><div>Jef=
f</div><div><br></div>

--0015175cb05e9b618f049996a0a4--

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Subject: Re: EchoLoop vs mobius
From: Louie Angulo <louie.angulo@googlemail.com>
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yes man,thars a ticking bomb right there!!
but somehow importing prerecorded clips and looping with them doesnt
seem to work really well,though i should say i havet tried that in
recent upgrades,anybody
doing anything with that?
cheers
Luis



> At this point I have no desire to ever make Mobius a true EDP
> emulator. =A0The core will remain EDP-ish, but for several years I've
> been more interested in moving it in the direction of Ableton Live,
> with better support for "DJ" looping like pre-recorded clip triggering
> and MIDI=A0sequences.
> Jeff
>

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Subject: Re: Mobius scripts audio examples
From: Simeon Harris <simeonharris40@googlemail.com>
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thanks jim! writing the script is only half the process really. it's what
you find you can do with it later that's the fun part. per is very good at
this second part and always seems to manage to come up with something very
musical, very quickly. it takes me a bit longer, but it's a nice process,
nonetheless.

sim

On Tue, Jan 11, 2011 at 6:33 PM, Jim Goodin <jimgoodinmusic@gmail.com>wrote:

> Simeon I particularly like chords and windowing.  I know these are just
> illustration sketches but think chords is touching some neat water.  Thx
> again for the inspiring thread.
>
>

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thanks jim! writing the script is only half the process really. it&#39;s wh=
at you find you can do with it later that&#39;s the fun part. per is very g=
ood at this second part and always seems to manage to come up with somethin=
g very musical, very quickly. it takes me a bit longer, but it&#39;s a nice=
 process, nonetheless.<br>
<br>sim<br><br><div class=3D"gmail_quote">On Tue, Jan 11, 2011 at 6:33 PM, =
Jim Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com=
">jimgoodinmusic@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(2=
04, 204, 204); padding-left: 1ex;">
Simeon I particularly like chords and windowing.=A0 I know these are just i=
llustration sketches but think chords is touching some neat water.=A0 Thx a=
gain for the inspiring thread.<div><div></div><br></div></blockquote></div>

--000e0cd6a98ae19de3049996e607--

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Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius
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Rick bro you are going to love Mobius,as i said after messing with the
EDP and the LP1 and not being completly there, i found the answer with
mobius!
i just wish it was hardware;-(
To do basic looping is really easy, specially you being familiar with
both devices as well,once you get your laptop if u are in a budget get
the cheap presonus firebox,works excellent with mobius and rock solid
with midi syncronization,then download the free program grab your
mic,spray your hair and start messing with it baby!
cheers
Luis

On Tue, Jan 11, 2011 at 1:21 AM, Rick Walker <looppool@cruzio.com> wrote:
> A request, guys, for all these cool new scripting ideas that you are comi=
ng
> up with
> for Mobious for all of us non-users:
>
> would you please post some audio examples so that we can tell what,
> musically, has
> been created with all your new scripting work.
>
> It's fascinating but I just don't know the program and am interested in h=
ow
> it can move
> the music along (perhaps leading towards me using the program, =A0hint, h=
int).
>
> thanks, =A0it all sounds a fantastic, though,
>
> rick walker
>
>

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Subject: Re: EchoLoop vs mobius
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On Tue, Jan 11, 2011 at 7:55 PM, Jeff Larson <jeff.larson@sailpoint.com> wr=
ote:
> At this point I have no desire to ever make Mobius a true EDP
> emulator. =C2=A0The core will remain EDP-ish, but for several years I've
> been more interested in moving it in the direction of Ableton Live,
> with better support for "DJ" looping like pre-recorded clip triggering
> and MIDI=C2=A0sequences.

Wow! Sounds cool. It would be great if Mobius could host AU and VST
plugins: on each track pre loop as well as post loop and of course
also on the master output. I would gladly shell out the cash for
buying new third-party plugins needed to replace Mainstage's sound
design tools in order run such future standalone "Mobius Plugin Host"
application.

Personally I would rather see Mobius to grow closer to Numerology than
to Ableton Live. I just mentioned on the Mobius list that it would be
cool to have built-in global "dynamic control objects" like all kinds
of LFO, step sequencers etc. These should not send MIDI but simply
control data that can be "cabled" to affect any parameter in the app
(or to generate MIDI notes, if you are so inclined). A quick example:
Let's say you want a tremolo on track 1; right-click on the track
volume fader and chose "LFO, synced". A modular system for real-time
sampling and loop mangling that handles both audio signal path
addressing and dynamic control data for real-time processing (simply
chose a controller, target a parameter, set the value change range).

Do a search on You-Tube for Time Exile, his Reaktor builds are very inspiri=
ng.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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	<4D284B78.1090306@tiscali.co.uk>
	<A597A71D-9B65-4DBB-95FA-3FC726A67FDB@me.com>
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Date: Tue, 11 Jan 2011 14:04:10 -0600
Message-ID: <AANLkTimLkKkZ3i23Eo1qV9ZdLL+i8rU5ke4q3OBu=9tD@mail.gmail.com>
Subject: Re: EchoLoop vs mobius
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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--0015175cb82074a2e30499979605
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Oh, I forgot this...here is a document I wrote a few weeks ago aimed at EDP
users that want to know how Mobius is different than the EDP.  It is
organized
like the EDP manual so you can hopefully pick an EDP topic of interest, then
locate the corresponding Mobius discussion.  I'm sure I missed things, but
it's a start.  If anyone has something to add please let me know.

http://www.circularlabs.com/doc/edp.htm

Jeff

--0015175cb82074a2e30499979605
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Oh, I forgot this...here is a document I wrote a few weeks ago aimed at EDP=
<div>users that want to know how Mobius is different than the EDP. =A0It is=
 organized</div><div>like the EDP manual so you can hopefully pick an EDP t=
opic of interest, then</div>
<div>locate the corresponding Mobius discussion. =A0I&#39;m sure I missed t=
hings, but</div><div>it&#39;s a start. =A0If anyone has something to add pl=
ease let me know.</div><div><br></div><div><a href=3D"http://www.circularla=
bs.com/doc/edp.htm">http://www.circularlabs.com/doc/edp.htm</a></div>
<div><br></div><div>Jeff</div><div><br></div>

--0015175cb82074a2e30499979605--

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Simeon's CopyPan script for Mobius (Re: a fun little mobius script
 and a question)
References: <AANLkTi=ys_Ov0U8Z7O9tg6DGH5yj2W6iEmeTh6=F_0yf@mail.gmail.com>	<4D2BA27B.1070207@cruzio.com> <AANLkTikDbSgebtn7191VR5v7OcmbPSwXWgbrax9z4r02@mail.gmail.com>
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Louie Angulo schrieb:
> To do basic looping is really easy, specially you being familiar with
> both devices as well,once you get your laptop if u are in a budget get
> the cheap presonus firebox,works excellent with mobius and rock solid
>   
+1 on the Presonus Firebox - I had been using that myself a lot for my 
live setup (actually Rick, all the time we spent together in a live 
context - your festival 2006 and the various occasions 2008) I was using 
this thing, and although it's not by any means one of those audiophile 
or feature-ladden beasts, it would be my recommendation for a reliable 
budget audio interface - still use it for feeding the MoinSound Studio 
Sessions into the stream...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Funnily, the scripting approach goes both ways - both dumb up and down. 
I remember very early in the MÃ¶bius discussions (about just after 
scripting was introduced, I believe), there was someone who had written 
a set of scripts to exactly mimic a DL4 behaviour using MÃ¶bius.
> From a business, product veiwpoint it would seem to be the reverse of 
> dumbing down a product, to dumb it up so high that it might scare off 
> a large percentage of the people that might use it. But I guess thats 
> what the boomerang and 2880 etc are there for. 

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: another mobius question - a new one!
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Dear Jeff and Simeon,

thanks for your help in this! I found I had to upgrade from 1.42 to 1.43 
first, but then, using the original "slipforward" (not slipforward 2), I 
got exactly what I intended...gee, what fun! The best thing is if you 
change 8thspercycle - or make a copy of the loop, and have the script 
running on both copies, each with different 8thspercycle settings - 
instant gratification!
> actually i got this to work much better if i changed "slipforward 2" 
> to "slipforward"
>
>     I found some bugs that were causing the "deterministic chaos".
>      It's complicated but it has
>     to do with latency compensation and doing functions that change
>     fundamental
>

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: EchoLoop vs mobius
Date: Tue, 11 Jan 2011 14:40:38 -0700
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Yes, hosting AU/VST per channel would be great, though not interested  
in the "pre-recorded clip DJ thing" - don't use that in Ableton  
anyway ....

On Jan 11, 2011, at 12:43 PM, Per Boysen wrote:

> On Tue, Jan 11, 2011 at 7:55 PM, Jeff Larson <jeff.larson@sailpoint.com 
> > wrote:
>> At this point I have no desire to ever make Mobius a true EDP
>> emulator.  The core will remain EDP-ish, but for several years I've
>> been more interested in moving it in the direction of Ableton Live,
>> with better support for "DJ" looping like pre-recorded clip  
>> triggering
>> and MIDI sequences.
>
> Wow! Sounds cool. It would be great if Mobius could host AU and VST
> plugins: on each track pre loop as well as post loop and of course
> also on the master output. I would gladly shell out the cash for
> buying new third-party plugins needed to replace Mainstage's sound
> design tools in order run such future standalone "Mobius Plugin Host"
> application.

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	<AANLkTikH6yB+Lj4ftXWYn3oThfJG19+AbzKGnYQty3-J@mail.gmail.com>
	<D20A2E43-F1FF-4169-8813-70644BAAFA91@zonemobius.com>
	<AANLkTinkG3Y=u2RmNDH78dRUVEB=xBnyzs65b6xZcnFB@mail.gmail.com>
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	<AANLkTik=xtkyWNS+HWoWQkggLKTLhMmuRiW3WVM3_SyS@mail.gmail.com>
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Date: Tue, 11 Jan 2011 21:51:16 +0000
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Subject: Re: another mobius question - a new one!
From: Simeon Harris <simeonharris40@googlemail.com>
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--000e0cd52e707df3e1049999150e
Content-Type: text/plain; charset=ISO-8859-1

yeah, it's a nice one, isn't it. seems to work on lots of different material
and 8thspercycle settings

thanks for the idea!

sim

On Tue, Jan 11, 2011 at 9:40 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Dear Jeff and Simeon,
>
> thanks for your help in this! I found I had to upgrade from 1.42 to 1.43
> first, but then, using the original "slipforward" (not slipforward 2), I got
> exactly what I intended...gee, what fun! The best thing is if you change
> 8thspercycle - or make a copy of the loop, and have the script running on
> both copies, each with different 8thspercycle settings - instant
> gratification!
>
>> actually i got this to work much better if i changed "slipforward 2" to
>> "slipforward"
>>
>>    I found some bugs that were causing the "deterministic chaos".
>>     It's complicated but it has
>>    to do with latency compensation and doing functions that change
>>    fundamental
>>
>>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

--000e0cd52e707df3e1049999150e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yeah, it&#39;s a nice one, isn&#39;t it. seems to work on lots of different=
 material and 8thspercycle settings<div><br></div><div>thanks for the idea!=
</div><div><br></div><div>sim<br><br><div class=3D"gmail_quote">On Tue, Jan=
 11, 2011 at 9:40 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"ma=
ilto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Dear Jeff and Simeon,<br>
<br>
thanks for your help in this! I found I had to upgrade from 1.42 to 1.43 fi=
rst, but then, using the original &quot;slipforward&quot; (not slipforward =
2), I got exactly what I intended...gee, what fun! The best thing is if you=
 change 8thspercycle - or make a copy of the loop, and have the script runn=
ing on both copies, each with different 8thspercycle settings - instant gra=
tification!<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
actually i got this to work much better if i changed &quot;slipforward 2&qu=
ot; to &quot;slipforward&quot;<br>
<br>
 =A0 =A0I found some bugs that were causing the &quot;deterministic chaos&q=
uot;.<br>
 =A0 =A0 It&#39;s complicated but it has<br>
 =A0 =A0to do with latency compensation and doing functions that change<br>
 =A0 =A0fundamental<br>
<br>
</blockquote>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</blockquote></div><br></div>

--000e0cd52e707df3e1049999150e--

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Subject: Re: Looper, instrument or a recorder?
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On Tue, Jan 11, 2011 at 10:33 PM, Andy Owens <andy@1800dialword.com> wrote:
> With all this script talk and etc, it makes me see that in some ways a
> looper starts becoming an instrument vs a record/instantplayback device.

Indeed an interesting observation! Those are the two main approaches
to live looping, "instrument vs recorder". But maybe it's actually the
musician that chooses to use a looper as an instrument, rather than
the looper "starts becoming an instrument"?. Myself I started to loop
"instrument style" on a regularly basis a decade back with the
hardware loopers of that time that allowed live processing of
instantly captured sound (EDP, Repeater). In 2005 I migrated most of
my performance patches into software, as Mobius then became available.

> At
> some point arent you just really building sounds like you would on a moog or
> something, versus capturing musical sounds that you've played?

I'd say live looping is a completely different bag. Does the
expression "Instant Composing" ring a bell?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Re: Stuttering time, gentlemen! (Re: another fun mobius script
 (and another question!)
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This all sounds fair and reasoned out................what he said!

rick walker


On 7/22/64 11:59 AM, Jeff Larson wrote:
>
> As a "manufacturer" I have mixed feelings about this.  Almost all
> products have a dedicated support forum of some kind.  It is expected
> by the users and it gives the manufacturer control over the content
> so they can organize, edit, and possibly republish things in a different
> form like, oh say a script library.
>
> But product forums do tend to become "walled gardens" without much
> information exchange about other products which can be helpful.  And
> they tend to be focused on nuts and bolts rather how you might use
> it to create something interesting.
>
> I'm happy that people seem to be interested in Mobius discussion.
> Such discussions have been happening for the past six years over
> on the zonemobius list, it wasn't until I tried to move everyone
> to a forum that things started leaking over here.  I'm not sure
> what that means :)
>
> I obviously can't control where people post, but here are some
> suggestions.
>
> If you have an "I'm a new user and I can't figure out where to plug
> in the MIDI cable" kind of question, ask it on the forums since people
> here are not likely to care.
>
> At the other end of the spectrum, power user questions like "how does
> latency compensation effect the timing of adjacent function statements
> in scripts" or "why do I have a syntax error on this line", or really
> any kind of "why doesn't this work" question belongs in the forum since
> no one else cares.
>
> But...things like "I wonder if Mobius can do X", or "check out this cool
> technique" or "I published an interesting script", or really any kind
> "hey look what I made!" post can certainly belong on LD as well as the 
> forums.
>
> Thanks,
> Jeff
>

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	<D20A2E43-F1FF-4169-8813-70644BAAFA91@zonemobius.com>
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Date: Tue, 11 Jan 2011 23:07:23 +0100
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Subject: Re: another mobius question - a new one!
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On Tue, Jan 11, 2011 at 10:40 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> The best thing is if you change 8thspercycle - or make a copy of the loop,
> and have the script running on both copies, each with different 8thspercycle
> settings - instant gratification!

wow-wo-wo-woohh.... please stop it there! Rainer, are you saying you
are able to run the script on two tracks affecting two simultaneously
sounding loops but by different 8th Per Cycle settings on those two
tracks? Shit, I tried that but didn't succeed in 1.42. Could this be
something that only works in 1.43?

Per

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Thanks for taking the time to post these examples and explain them, Simeon.
There is some very cool stuff here.  I especially like the reich-ian 
effect (COPYPAN script)
and would love to hear what it sounds like with a much larger integer 
loop division.

You've got to make it out to the loopfestival one of these years to let 
us listen to your
beautiful music.

rick walker
>
> On Tue, Jan 11, 2011 at 10:12 AM, Simeon Harris 
> <simeonharris40@googlemail.com 
> <mailto:simeonharris40@googlemail.com>>wrote:
>
>
>     follow the link, ladies and gentlemen...
>
>     http://simeonharris.co.uk/audio/mobius/
>
>     the folder contains...
>
>     autoreverse4.mp3
>     chords.mp3
>     dropstop.mp3
>     reich.mp3
>     stutter.mp3
>     stutterdrop.mp3
>     windowing.mp3
>
>     autoreverse4 - this is the script rainer asked jeff to fix up.
>     does exactly what rainer asked for. revers, forward, reverse,
>     forward. i have the loop divided into 4 chinks here.
>
>     chords - this is an example of playing chords with mobius. i
>     record a single note into four tracks simultaneously and then use
>     scripts bound to footswitched to independently rate shift all four
>     tracks to create chords. i play over the top in this example. i'm
>     not totally happy with the chords i've created, but i will tweak
>     the scripts in the future. i've put this here, because per was
>     interested in hearing it, although he already uses something very
>     similar.
>
>     dropstop - created from jeff's windowing script - this one grabs a
>     slice and then repeats it with rate shifts. ends with pause. a fun
>     way to end your performance
>
>     reich - this is my copypan script. track one is copied onto track
>     2, panned, multiplied, rate shifted and trimmed. the loop is
>     subdivided into 64ths here. but you can tweak the script to
>     subdivide any amount you like. try 127ths for really slow shifts!
>     i think i will tweak this to slow down the rate of shifting, so
>     that each new rhythmic pattern lasts longer.
>
>     stutter - another script created from jeff's windowing script.
>     this grabs the slice on beat 4 and repeats it to the end of the cycle
>
>     stutterdrop - same idea as above, but with rate shifts. this will
>     need to be tweaked, because it makes the loop longer and so puts
>     it out of sync
>
>     windowing - jeff's shining script to emulate loop windowing. i
>     just trigger the script every 4 repetitions for a bit and then
>     kind of hit it randomly. use undo to get out of it
>
>
>


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    Thanks for taking the time to post these examples and explain them,
    Simeon.<br>
    There is some very cool stuff here.&nbsp; I especially like the reich-ian
    effect (COPYPAN script) <br>
    and would love to hear what it sounds like with a much larger
    integer loop division.<br>
    <br>
    You've got to make it out to the loopfestival one of these years to
    let us listen to your <br>
    beautiful music.<br>
    <br>
    rick walker<br>
    <blockquote
cite="mid:%3CAANLkTi=CeSG-CBznX-b3aNhoEvtTv-ZAnqS3Ruw9Ms8z@mail.gmail.com%3E"
      type="cite"><br>
      <div class="gmail_quote">On Tue, Jan 11, 2011 at 10:12 AM, Simeon
        Harris <span dir="ltr">&lt;<a moz-do-not-send="true"
            href="mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt;</span><span
          dir="ltr"></span> wrote:<br>
        <blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt
          0.8ex; border-left: 1px solid rgb(204, 204, 204);
          padding-left: 1ex;">
          <br>
          follow the link, ladies and gentlemen...<br>
          <br>
          <a moz-do-not-send="true"
            href="http://simeonharris.co.uk/audio/mobius/"
            target="_blank">http://simeonharris.co.uk/audio/mobius/</a><br>
          <br>
          the folder contains...<br>
          <br>
          autoreverse4.mp3<br>
          chords.mp3<br>
          dropstop.mp3<br>
          reich.mp3<br>
          stutter.mp3<br>
          stutterdrop.mp3<br>
          windowing.mp3<br>
          <br>
          autoreverse4 - this is the script rainer asked jeff to fix up.
          does exactly what rainer asked for. revers, forward, reverse,
          forward. i have the loop divided into 4 chinks here.<br>
          <br>
          chords - this is an example of playing chords with mobius. i
          record a single note into four tracks simultaneously and then
          use scripts bound to footswitched to independently rate shift
          all four tracks to create chords. i play over the top in this
          example. i'm not totally happy with the chords i've created,
          but i will tweak the scripts in the future. i've put this
          here, because per was interested in hearing it, although he
          already uses something very similar.<br>
          <br>
          dropstop - created from jeff's windowing script - this one
          grabs a slice and then repeats it with rate shifts. ends with
          pause. a fun way to end your performance<br>
          <br>
          reich - this is my copypan script. track one is copied onto
          track 2, panned, multiplied, rate shifted and trimmed. the
          loop is subdivided into 64ths here. but you can tweak the
          script to subdivide any amount you like. try 127ths for really
          slow shifts! i think i will tweak this to slow down the rate
          of shifting, so that each new rhythmic pattern lasts longer.<br>
          <br>
          stutter - another script created from jeff's windowing script.
          this grabs the slice on beat 4 and repeats it to the end of
          the cycle<br>
          <br>
          stutterdrop - same idea as above, but with rate shifts. this
          will need to be tweaked, because it makes the loop longer and
          so puts it out of sync<br>
          <br>
          windowing - jeff's shining script to emulate loop windowing. i
          just trigger the script every 4 repetitions for a bit and then
          kind of hit it randomly. use undo to get out of it<br>
          <br>
          <br>
        </blockquote>
      </div>
      <br>
    </blockquote>
    <br>
  </body>
</html>

--------------090703020403030608040900--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 11 22:18:33 2011
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Subject: Re: Looper, instrument or a recorder?
From: Todd Matthews <gtmatthews@gmail.com>
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Date: Tue, 11 Jan 2011 17:18:29 -0500
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Dumbed down scripting is my favorite way to use Mobius. Luiloop scripts! =
One pedal for record, overdub, multiply, and reset.
On Jan 11, 2011, at 4:37 PM, Rainer Straschill wrote:

> Funnily, the scripting approach goes both ways - both dumb up and =
down. I remember very early in the M=F6bius discussions (about just =
after scripting was introduced, I believe), there was someone who had =
written a set of scripts to exactly mimic a DL4 behaviour using M=F6bius.
>> =46rom a business, product veiwpoint it would seem to be the reverse =
of dumbing down a product, to dumb it up so high that it might scare off =
a large percentage of the people that might use it. But I guess thats =
what the boomerang and 2880 etc are there for.=20
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

Todd Matthews
http://www.joshuasteelemusic.com




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	<386395B2-92B4-4EDA-944D-043D0882CD11@1800dialword.com>
Date: Tue, 11 Jan 2011 14:19:18 -0800
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Subject: Re: Looper, instrument or a recorder?
From: Matt Davignon <mattdavignon@gmail.com>
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It really depends on the user. I'd say most of the users I know
(myself included) still use it as a record/playback device to enhance
their instrument. One rule of thumb might be: how often do you put the
guitar down and just play the looper?

...but I'm pretty strict with my definition of instruments. For
example, I don't consider midi controllers to be instruments either.
(They're interface devices for computers, which are the instruments.)

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

Andy Owens <andy@1800dialword.com> was all:
> With all this script talk and etc, it makes me see that in some ways a
> looper starts becoming an instrument vs a record/instantplayback device. At
> some point arent you just really building sounds like you would on a moog or
> something, versus capturing musical sounds that you've played?
> From a business, product veiwpoint it would seem to be the reverse of
> dumbing down a product, to dumb it up so high that it might scare off a
> large percentage of the people that might use it. But I guess thats what the
> boomerang and 2880 etc are there for.
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>

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Hey Rick, sounds like you have good momentum out there for your loopfest, bu=
t just wondering if you ever thought about piggybacking somehow on Moogfest i=
n Ashville NC? Pretty big deal up here.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 11, 2011, at 5:13 PM, Rick Walker <looppool@cruzio.com> wrote:

> Thanks for taking the time to post these examples and explain them,     Si=
meon.
> There is some very cool stuff here.  I especially like the reich-ian effec=
t (COPYPAN script)=20
> and would love to hear what it sounds like with a much larger integer loop=
 division.
>=20
> You've got to make it out to the loopfestival one of these years to let us=
 listen to your=20
> beautiful music.
>=20
> rick walker
>>=20
>> On Tue, Jan 11, 2011 at 10:12 AM, Simeon Harris <simeonharris40@googlemai=
l.com> wrote:
>>=20
>> follow the link, ladies and gentlemen...
>>=20
>> http://simeonharris.co.uk/audio/mobius/
>>=20
>> the folder contains...
>>=20
>> autoreverse4.mp3
>> chords.mp3
>> dropstop.mp3
>> reich.mp3
>> stutter.mp3
>> stutterdrop.mp3
>> windowing.mp3
>>=20
>> autoreverse4 - this is the script rainer asked jeff to fix up. does exact=
ly what rainer asked for. revers, forward, reverse, forward. i have the loop=
 divided into 4 chinks here.
>>=20
>> chords - this is an example of playing chords with mobius. i record a sin=
gle note into four tracks simultaneously and then           use scripts boun=
d to footswitched to independently rate shift all four tracks to create chor=
ds. i play over the top in this example. i'm not totally happy with the chor=
ds i've created, but i will tweak the scripts in the future. i've put this h=
ere, because per was interested in hearing it, although he already uses some=
thing very similar.
>>=20
>> dropstop - created from jeff's windowing script - this one grabs a slice a=
nd then repeats it with rate shifts. ends with pause. a fun way to end your p=
erformance
>>=20
>> reich - this is my copypan script. track one is copied onto           tra=
ck 2, panned, multiplied, rate shifted and trimmed. the loop is subdivided i=
nto 64ths here. but you can tweak the script to subdivide any amount you lik=
e. try 127ths for really slow shifts! i think i will tweak this to slow down=
 the rate of shifting, so that each new rhythmic pattern lasts longer.
>>=20
>> stutter - another script created from jeff's windowing script. this grabs=
 the slice on beat 4 and repeats it to the end of the cycle
>>=20
>> stutterdrop - same idea as above, but with rate shifts. this           wi=
ll need to be tweaked, because it makes the loop longer and so puts it out o=
f sync
>>=20
>> windowing - jeff's shining script to emulate loop windowing. i just trigg=
er the script every 4 repetitions for a bit and then kind of hit it randomly=
. use undo to get out of it
>>=20
>>=20
>>=20
>=20

--Apple-Mail-5-797071112
Content-Transfer-Encoding: 7bit
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	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Hey Rick, sounds like you have good momentum out there for your loopfest, but just wondering if you ever thought about piggybacking somehow on Moogfest in Ashville NC? Pretty big deal up here.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 11, 2011, at 5:13 PM, Rick Walker &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

    Thanks for taking the time to post these examples and explain them,
    Simeon.<br>
    There is some very cool stuff here.&nbsp; I especially like the reich-ian
    effect (COPYPAN script) <br>
    and would love to hear what it sounds like with a much larger
    integer loop division.<br>
    <br>
    You've got to make it out to the loopfestival one of these years to
    let us listen to your <br>
    beautiful music.<br>
    <br>
    rick walker<br>
    <blockquote cite="mid:%3CAANLkTi=CeSG-CBznX-b3aNhoEvtTv-ZAnqS3Ruw9Ms8z@mail.gmail.com%3E" type="cite"><br>
      <div class="gmail_quote">On Tue, Jan 11, 2011 at 10:12 AM, Simeon
        Harris <span dir="ltr">&lt;<a moz-do-not-send="true" href="mailto:simeonharris40@googlemail.com"><a href="mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a></a>&gt;</span><span dir="ltr"></span> wrote:<br>
        <blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt
          0.8ex; border-left: 1px solid rgb(204, 204, 204);
          padding-left: 1ex;">
          <br>
          follow the link, ladies and gentlemen...<br>
          <br>
          <a moz-do-not-send="true" href="http://simeonharris.co.uk/audio/mobius/" target="_blank"><a href="http://simeonharris.co.uk/audio/mobius/">http://simeonharris.co.uk/audio/mobius/</a></a><br>
          <br>
          the folder contains...<br>
          <br>
          autoreverse4.mp3<br>
          chords.mp3<br>
          dropstop.mp3<br>
          reich.mp3<br>
          stutter.mp3<br>
          stutterdrop.mp3<br>
          windowing.mp3<br>
          <br>
          autoreverse4 - this is the script rainer asked jeff to fix up.
          does exactly what rainer asked for. revers, forward, reverse,
          forward. i have the loop divided into 4 chinks here.<br>
          <br>
          chords - this is an example of playing chords with mobius. i
          record a single note into four tracks simultaneously and then
          use scripts bound to footswitched to independently rate shift
          all four tracks to create chords. i play over the top in this
          example. i'm not totally happy with the chords i've created,
          but i will tweak the scripts in the future. i've put this
          here, because per was interested in hearing it, although he
          already uses something very similar.<br>
          <br>
          dropstop - created from jeff's windowing script - this one
          grabs a slice and then repeats it with rate shifts. ends with
          pause. a fun way to end your performance<br>
          <br>
          reich - this is my copypan script. track one is copied onto
          track 2, panned, multiplied, rate shifted and trimmed. the
          loop is subdivided into 64ths here. but you can tweak the
          script to subdivide any amount you like. try 127ths for really
          slow shifts! i think i will tweak this to slow down the rate
          of shifting, so that each new rhythmic pattern lasts longer.<br>
          <br>
          stutter - another script created from jeff's windowing script.
          this grabs the slice on beat 4 and repeats it to the end of
          the cycle<br>
          <br>
          stutterdrop - same idea as above, but with rate shifts. this
          will need to be tweaked, because it makes the loop longer and
          so puts it out of sync<br>
          <br>
          windowing - jeff's shining script to emulate loop windowing. i
          just trigger the script every 4 repetitions for a bit and then
          kind of hit it randomly. use undo to get out of it<br>
          <br>
          <br>
        </blockquote>
      </div>
      <br>
    </blockquote>
    <br>
  

</div></blockquote></body></html>
--Apple-Mail-5-797071112--

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how often do you put the guitar down and just play the looper?.....sez=20
matt

often.....sez me

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Date: Tue, 11 Jan 2011 17:29:35 -0500
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Subject: Re: Looper, instrument or a recorder?
From: Tony K <bigtonyk@gmail.com>
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--0015174c104e853c810499999e36
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Me too. Loopers and fx are instruments to me.

On Tue, Jan 11, 2011 at 5:22 PM, <nemoguitt@aol.com> wrote:

>
> how often do you put the guitar down and just play the looper?.....sez matt
>
> often.....sez me
>
>


-- 
-==-=-=-
Tony

--0015174c104e853c810499999e36
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Me too. Loopers and fx are instruments to me.<br><br><div class=3D"gmail_qu=
ote">On Tue, Jan 11, 2011 at 5:22 PM,  <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:nemoguitt@aol.com">nemoguitt@aol.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc so=
lid;padding-left:1ex;">
<br>
how often do you put the guitar down and just play the looper?.....sez matt=
<br>
<br>
often.....sez me<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <br>To=
ny<br>

--0015174c104e853c810499999e36--

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Date: Tue, 11 Jan 2011 15:05:28 -0800
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On 7/22/64 11:59 AM, Rainer Straschill wrote:
> +1 on the Presonus Firebox - I had been using that myself a lot for my 
> live setup (actually Rick, all the time we spent together in a live 
> context - your festival 2006 and the various occasions 2008) I was 
> using this thing, and although it's not by any means one of those 
> audiophile or feature-ladden beasts, it would be my recommendation for 
> a reliable budget audio interface - still use it for feeding the 
> MoinSound Studio Sessions into the stream... 
Thanks Rainer and Luis for the recommendation.   I've finally got 
completely fed up
with my own M-Audio Firewire 410 ........(anyone wanna buy a cheap one? 
<mirthless chuckle>
and need to invest in something new.

Also, and I can't reveal details yet, but we are working on some very 
cool new functionality for the
LP-1 along the lines of manipulating the loops in different kinds of 
rhythmic ways.

We've actually been working on this for a bit of time (and before this 
current thread about
Mobius scripting fun) but it all will dovetail beautifully with what's 
being created there.

And yes, it really was the EDP that took the concept of a live looping 
box and made it
into an instrument.     I think great kudos need to go out to Matthias 
Grob,  all the people who
worked so hard on the software for that ground breaking instrument and, 
especially,
Andre LaFosse, who really got in and innovated some very cool ways of 
using that software.
Claude Voit was also doing very cool,  looper as instrument work back in 
the day.

I have to say, that I just love this community, for not only it's 
wonderful non-competitive and
communal spirit but also for it's constant desire to innovate.

I really feel like we are all part of something really tangible!

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On Tue, Jan 11, 2011 at 10:33 PM, Andy Owens <andy@1800dialword.com> wrote:
> With all this script talk and etc, it makes me see that in some ways a
> looper starts becoming an instrument vs a record/instantplayback device.

I use loopers as creative tools and as instant composers. I don't have
full control about what's coming out of  my main outputs when I'm
playing, live or in the studio; sometimes it's good, sometimes not
;-)  The interesting thing for me about looping is that, usually, the
resulting composition is far more interesting than a multi-track
studio recording you've been working on for a long time. Improvised
live looping music is pure, often more organic, sometimes even
magical, often difficult to reproduce, unique.

@simeon: You've been using Mobius a lot recently ;-) Looking forward
to the Loopfest!

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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No, sorry, I can't. I meant to say that as "that would be cool, need to 
try that!" We'd need a local variable (local to one track) for that I 
guess - is that possible.

Apropos 1.43 - it seems to me that suddenly all my favourite "switch all 
functions to sus mode" possibilities are gone - what has changed here?
> wow-wo-wo-woohh.... please stop it there! Rainer, are you saying you
> are able to run the script on two tracks affecting two simultaneously
> sounding loops but by different 8th Per Cycle settings on those two
> tracks? Shit, I tried that but didn't succeed in 1.42. Could this be
> something that only works in 1.43?

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Wed, 12 Jan 2011 00:08:47 -0800
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ATTN:BENEFICIARY GOOD NEWS,
 
WE WANT TO BRING TO YOUR NOTICE THAT WE HAVE BEEN INSTRUCTED BY THE ECOWAS GOVERNING BODY THAT ALL ONHOLD FUND THAT HAS NOT BEEN TRANSFERED TO THE BENEFICIARIES DUE TO CERTAIN REASON THAT ALL BENEFICIARY SHOULD PROVIDE THE BELOW INFORMATION FOR DIRECT DIPLOMATIC DELIVERY OF THEIR FUND TO THEIR DOORSTEP.
 
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Subject: Re: another mobius question - a new one!
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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> On Tue, Jan 11, 2011 at 5:31 PM, Rainer Straschill <
moinsound@googlemail.com> wrote:
> No, sorry, I can't. I meant to say that as "that would be cool, need to
try that!"
> We'd need a local variable (local to one track) for that I guess - is that
possible.

If I understand correctly, yes.  Just change this:

    Variable global PartRevActive

to

    Variable track PartRevActive


> Apropos 1.43 - it seems to me that suddenly all my favourite
> "switch all functions to sus mode" possibilities are gone - what has
changed here?

I'm not sure what you mean, most modal functions have SUS equivalents:
Record, SUSRecord, Overdub, SUSOverdub, etc.

I did remove a few preset parameters that I thought were relatively
obscure like RecordMode=Sustain and InsertMode=Sustain, so if you were
turning SUS behavior on and off with presets those are gone.  I can consider
putting those back, but I'd like to do it in a different way.

Jeff

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<div><br></div><div>&gt; On Tue, Jan 11, 2011 at 5:31 PM, Rainer Straschill=
 &lt;<a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</=
a>&gt; wrote:</div><div>&gt; No, sorry, I can&#39;t. I meant to say that as=
 &quot;that would be cool, need to try that!&quot;=A0</div>
<div>&gt; We&#39;d need a local variable (local to one track) for that I gu=
ess - is that possible.</div><div><br></div><div>If I understand correctly,=
 yes. =A0Just change this:</div><div><br></div><div>=A0=A0 =A0Variable glob=
al PartRevActive</div>
<div><br></div><div>to</div><div><br></div><div>=A0=A0 =A0Variable track Pa=
rtRevActive</div><div><br></div><div><br></div><div>&gt; Apropos 1.43 - it =
seems to me that suddenly all my favourite</div><div>&gt; &quot;switch all =
functions to sus mode&quot; possibilities are gone - what has changed here?=
</div>
<div><br></div><div>I&#39;m not sure what you mean, most modal functions ha=
ve SUS equivalents:</div><div>Record, SUSRecord, Overdub, SUSOverdub, etc. =
=A0</div><div><br></div><div>I did remove a few preset parameters that I th=
ought were relatively</div>
<div>obscure like RecordMode=3DSustain and InsertMode=3DSustain, so if you =
were</div><div>turning SUS behavior on and off with presets those are gone.=
 =A0I can consider</div><div>putting those back, but I&#39;d like to do it =
in a different way.</div>
<div><br></div><div>Jeff</div><div><br></div>

--0015175cb6f2e6f3cd04999ab354--

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Subject: Re: Looper, instrument or a recorder?
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>=20
> ...but I'm pretty strict with my definition of instruments. For
> example, I don't consider midi controllers to be instruments either.
> (They're interface devices for computers, which are the instruments.)
>=20
Haha not sure, I think the computer is an interface for your brain, which is=
 your instrument!!

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Date: Tue, 11 Jan 2011 20:03:23 -0700
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Subject: Re: another mobius question - a new one!
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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"I did remove a few preset parameters that I thought were relatively
obscure like RecordMode=Sustain and InsertMode=Sustain, so if you were
turning SUS behavior on and off with presets those are gone.  I can consider
putting those back, but I'd like to do it in a different way."

Jeff here's a vote for reconsidering this. Having preset selections
(including InsertMode=Sustain)  bound to keyboard letters is a nice way of
keeping the midi foot control as simple as possible. I've had 5 presets
assigned this way for the past month or so and it has really opened up
Mobius for me. I'd hate to lose it now.
k


On Tue, Jan 11, 2011 at 4:47 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

>
> > On Tue, Jan 11, 2011 at 5:31 PM, Rainer Straschill <
> moinsound@googlemail.com> wrote:
> > No, sorry, I can't. I meant to say that as "that would be cool, need to
> try that!"
> > We'd need a local variable (local to one track) for that I guess - is
> that possible.
>
> If I understand correctly, yes.  Just change this:
>
>     Variable global PartRevActive
>
> to
>
>     Variable track PartRevActive
>
>
> > Apropos 1.43 - it seems to me that suddenly all my favourite
> > "switch all functions to sus mode" possibilities are gone - what has
> changed here?
>
> I'm not sure what you mean, most modal functions have SUS equivalents:
> Record, SUSRecord, Overdub, SUSOverdub, etc.
>
> I did remove a few preset parameters that I thought were relatively
> obscure like RecordMode=Sustain and InsertMode=Sustain, so if you were
> turning SUS behavior on and off with presets those are gone.  I can
> consider
> putting those back, but I'd like to do it in a different way.
>
> Jeff
>
>

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<div>&quot;I did remove a few preset parameters that I thought were relativ=
ely</div>
<div>obscure like RecordMode=3DSustain and InsertMode=3DSustain, so if you=
=20
were</div><div>turning SUS behavior on and off with presets those are=20
gone. =A0I can consider</div><div>putting those back, but I&#39;d like to d=
o=20
it in a different way.&quot;<br><br>Jeff here&#39;s a vote for reconsiderin=
g this. Having preset selections (including  InsertMode=3DSustain)=A0 bound=
 to keyboard letters is a nice way of keeping the midi foot control as simp=
le as possible. I&#39;ve had 5 presets assigned this way for the past month=
 or so and it has really opened up Mobius for me. I&#39;d hate to lose it n=
ow.<br>
k<br></div><br><br><div class=3D"gmail_quote">On Tue, Jan 11, 2011 at 4:47 =
PM, Jeff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoi=
nt.com">jeff.larson@sailpoint.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im"><div><br></div><div>&gt; On Tue, Jan 11, 2011 at 5:31 PM,=
 Rainer Straschill &lt;<a href=3D"mailto:moinsound@googlemail.com" target=
=3D"_blank">moinsound@googlemail.com</a>&gt; wrote:</div><div>&gt; No, sorr=
y, I can&#39;t. I meant to say that as &quot;that would be cool, need to tr=
y that!&quot;=A0</div>

<div>&gt; We&#39;d need a local variable (local to one track) for that I gu=
ess - is that possible.</div><div><br></div></div><div>If I understand corr=
ectly, yes. =A0Just change this:</div><div><br></div><div>=A0=A0 =A0Variabl=
e global PartRevActive</div>

<div><br></div><div>to</div><div><br></div><div>=A0=A0 =A0Variable track Pa=
rtRevActive</div><div class=3D"im"><div><br></div><div><br></div><div>&gt; =
Apropos 1.43 - it seems to me that suddenly all my favourite</div><div>&gt;=
 &quot;switch all functions to sus mode&quot; possibilities are gone - what=
 has changed here?</div>

<div><br></div></div><div>I&#39;m not sure what you mean, most modal functi=
ons have SUS equivalents:</div><div>Record, SUSRecord, Overdub, SUSOverdub,=
 etc. =A0</div><div><br></div><div>I did remove a few preset parameters tha=
t I thought were relatively</div>

<div>obscure like RecordMode=3DSustain and InsertMode=3DSustain, so if you =
were</div><div>turning SUS behavior on and off with presets those are gone.=
 =A0I can consider</div><div>putting those back, but I&#39;d like to do it =
in a different way.</div>

<div><br></div><font color=3D"#888888"><div>Jeff</div><div><br></div>
</font></blockquote></div><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: another mobius question - a new one!
Date: Tue, 11 Jan 2011 22:00:35 -0600
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> On Jan 11, 2011, at 9:03 PM, Keith Smith wrote:
> Jeff here's a vote for reconsidering this. Having preset selections
> (including InsertMode=Sustain)  bound to keyboard letters is a nice
> way of keeping the midi foot control as simple as possible. I've had
> 5 presets assigned this way for the past month or so and it has really
> opened up Mobius for me. I'd hate to lose it now.

Fair enough.  You haven't lost it completely though.  One of the under
utilitized features of Mobius I think has been the MIDI Configuration
(now called a Binding Configuration).

You don't have to have just one set of bindings between MIDI commands
and Mobius functions, you can have several of them, give them a name,
and activate them with keys, program changes, or any other kind of
Mobius trigger.  They're a bit like presets except they only apply to
MIDI assignments.  There is one "base" configuration that is
always active.  Here you put the thigns that rarely change.  Then
there is one optional "overlay" configuration that you can change
dynamically.  You could design one overlay with your MIDI switches 
assigned to non-sustain fuctions, and another one with some or 
all assigned to sustain functions.  It might be a bit more work
than InsertMode=Sustain but it is much more flexible.   For example
you're not limited to InsertMode=Sustain, RecordMode=Sustain, 
and OverdubMode=Sustain, you can also swap in Sustain versions
of Multiply, Mute, Replace, Reverse, and any other function that
has a SUS variant.

I'd be interested in seeing your mobius.xml file and exploring
whether this would work for you in practice.

Jeff

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References: <AANLkTinZpc2t0wnxaMAhT-J3sVgu5pc5UdKWzZWEYtjU@mail.gmail.com> <AANLkTi=SwzSBhBgekZtq9o8qQD5xumW98QFX5oVUyLDJ@mail.gmail.com> <AANLkTik83Ypu7YrbEZWs7htC0a=t2v-=7_Ut2JTSuJC+@mail.gmail.com> <AANLkTikH6yB+Lj4ftXWYn3oThfJG19+AbzKGnYQty3-J@mail.gmail.com> <D20A2E43-F1FF-4169-8813-70644BAAFA91@zonemobius.com> <AANLkTinkG3Y=u2RmNDH78dRUVEB=xBnyzs65b6xZcnFB@mail.gmail.com> <513110AD-83D6-4C50-8897-66EB3BFBBA50@zonemobius.com> <AANLkTik=xtkyWNS+HWoWQkggLKTLhMmuRiW3WVM3_SyS@mail.gmail.com> <BCBBC6D2-9BC2-4593-ADC2-0A772E400608@zonemobius.com> <AANLkTi=FY7xP-MTZnENyghoraW=no45SN0kqZYgAtC1V@mail.gmail.com> <7A39515D-C2CD-427E-B54F-006D246D873C@zonemobius.com> <AANLkTinxZDXttUudyWetiVXAOrrUc_pL-2qjgzf4uieS@mail.gmail.com> <4D278B14.5060007@googlemail.com> <AANLkTi=7Ge5zwfYseLGgFBqDM=isQVCTCafzgqJs0eUs@mail.gmail.com> <AANLkTi=yMOk8+yd=YZwUKTg2cQOVLP61aXugGUTE8RP=@mail.gmail.com> <4D2CCE40.5000700@googlemail.com> <AANLkTikDBNRo0iFYtuhsEgR2UkX5bVSnm1dBGgchGS77@mail.gmail.com> < 4D2CE84E.5000400@googlemail.com> <AANLkTinmJPjMhM0a-QXGvJ8cyTHjOznt2u-Ep_5n7XKj@mail.gmail.com> <AANLkTikEFeTqGnbtdbDNv247MzHQoBv6EHQFfak=CYzD@mail.gmail.com> <92ACDD0B-E696-4818-BCAB-0B96EF4D3EA1@zonemobius.com>
Date: Tue, 11 Jan 2011 20:02:55 -0800 (PST)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Finally, Orwell 1984 Remix Album on Vinyl Record.
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <92ACDD0B-E696-4818-BCAB-0B96EF4D3EA1@zonemobius.com>
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I have been waiting my whole life to press some wax! My records arrived today 
and I wanted to share my joy with the Looper's list!!! :-)


http://margaretnoble.bandcamp.com/


      
--0-2087369699-1294804975=:28436
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">I have been waiting my whole life to press some wax! My records arrived today and I wanted to share my joy with the Looper's list!!! :-)<br><div><br><span><a target="_blank" href="http://margaretnoble.bandcamp.com/">http://margaretnoble.bandcamp.com/</a></span><br></div><font size="2"><span style="font-family: arial,helvetica,sans-serif; font-weight: bold;"></span><span style="font-family: arial,helvetica,sans-serif;"></span></font><br><br></div><br>

      </body></html>
--0-2087369699-1294804975=:28436--

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	<AANLkTi=FY7xP-MTZnENyghoraW=no45SN0kqZYgAtC1V@mail.gmail.com>
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	<AANLkTinxZDXttUudyWetiVXAOrrUc_pL-2qjgzf4uieS@mail.gmail.com>
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Date: Tue, 11 Jan 2011 21:30:19 -0700
Message-ID: <AANLkTinHW9G3EJr1-YYFGgCaTgE13vEuNNRes3EREd44@mail.gmail.com>
Subject: Re: another mobius question - a new one!
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a5b7a0a20a04999ea8ac
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Ah. That would do it, Jeff. I see where you're going, now. It would be more
flexible. Heh, back to the old problem of figuring out what I want...

FWIW, I'll add this:
I suspect I'm like a lot of folks, some of whom have posted here, who have
found themselves spending more time programing controllers than they have
playing -eventually pack it in, and come back 6 months later having to star=
t
all over and never feeling they're getting anywhere with it.
I think I broke the cycle when I just set up my FC300 with the same
functions as the EDP and started working through the EDP manual. Yes, it's
not exactly the same, but never having used an EDP, it is a start, at least
and it is hard to write a sensible controller for something you don't reall=
y
understand. That led to setting up and experimenting with presets like
InsertMode=3DSustain, InsertMode=3DReverse, InterfaceMode=3D=3DFlip, etc., =
on the
keyboard. I finally feel like I'm cracking it. It was good to see the
EDP.html you posted -very helpful!

Thanks as always for the tools and the support!
k

On Tue, Jan 11, 2011 at 9:00 PM, Jeff Larson <jeff@zonemobius.com> wrote:

>
> > On Jan 11, 2011, at 9:03 PM, Keith Smith wrote:
> > Jeff here's a vote for reconsidering this. Having preset selections
> > (including InsertMode=3DSustain)  bound to keyboard letters is a nice
> > way of keeping the midi foot control as simple as possible. I've had
> > 5 presets assigned this way for the past month or so and it has really
> > opened up Mobius for me. I'd hate to lose it now.
>
> Fair enough.  You haven't lost it completely though.  One of the under
> utilitized features of Mobius I think has been the MIDI Configuration
> (now called a Binding Configuration).
>
> You don't have to have just one set of bindings between MIDI commands
> and Mobius functions, you can have several of them, give them a name,
> and activate them with keys, program changes, or any other kind of
> Mobius trigger.  They're a bit like presets except they only apply to
> MIDI assignments.  There is one "base" configuration that is
> always active.  Here you put the thigns that rarely change.  Then
> there is one optional "overlay" configuration that you can change
> dynamically.  You could design one overlay with your MIDI switches
> assigned to non-sustain fuctions, and another one with some or
> all assigned to sustain functions.  It might be a bit more work
> than InsertMode=3DSustain but it is much more flexible.   For example
> you're not limited to InsertMode=3DSustain, RecordMode=3DSustain,
> and OverdubMode=3DSustain, you can also swap in Sustain versions
> of Multiply, Mute, Replace, Reverse, and any other function that
> has a SUS variant.
>
> I'd be interested in seeing your mobius.xml file and exploring
> whether this would work for you in practice.
>
> Jeff
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio - www.keithsmith.ca
Northern Lights =96 Altai Khangai www.nl4tet.ca/
Photography - www.mymountains.ca

--20cf3054a5b7a0a20a04999ea8ac
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<br>Ah. That would do it, Jeff. I see where you&#39;re going, now. It would=
 be more flexible. Heh, back to the old problem of figuring out what I want=
...<br><br>FWIW, I&#39;ll add this:<br>I suspect I&#39;m like a lot of folk=
s, some of whom have posted here, who have found themselves spending more t=
ime programing controllers than they have playing -eventually pack it in, a=
nd come back 6 months later having to start all over and never feeling they=
&#39;re getting anywhere with it.<br>
I think I broke the cycle when I just set up my FC300 with the same functio=
ns as the EDP and started working through the EDP manual. Yes, it&#39;s not=
 exactly the same, but never having used an EDP, it is a start, at least an=
d it is hard to write a sensible controller for something you don&#39;t rea=
lly understand. That led to setting up and experimenting with presets like =
InsertMode=3DSustain, InsertMode=3DReverse, InterfaceMode=3D=3DFlip, etc., =
on the keyboard. I finally feel like I&#39;m cracking it. It was good to se=
e the EDP.html you posted -very helpful!<br>
<br>Thanks as always for the tools and the support!<br>k<br><br><div class=
=3D"gmail_quote">On Tue, Jan 11, 2011 at 9:00 PM, Jeff Larson <span dir=3D"=
ltr">&lt;<a href=3D"mailto:jeff@zonemobius.com">jeff@zonemobius.com</a>&gt;=
</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
><br>
&gt; On Jan 11, 2011, at 9:03 PM, Keith Smith wrote:<br>
&gt; Jeff here&#39;s a vote for reconsidering this. Having preset selection=
s<br>
&gt; (including InsertMode=3DSustain) =A0bound to keyboard letters is a nic=
e<br>
&gt; way of keeping the midi foot control as simple as possible. I&#39;ve h=
ad<br>
&gt; 5 presets assigned this way for the past month or so and it has really=
<br>
&gt; opened up Mobius for me. I&#39;d hate to lose it now.<br>
<br>
</div>Fair enough. =A0You haven&#39;t lost it completely though. =A0One of =
the under<br>
utilitized features of Mobius I think has been the MIDI Configuration<br>
(now called a Binding Configuration).<br>
<br>
You don&#39;t have to have just one set of bindings between MIDI commands<b=
r>
and Mobius functions, you can have several of them, give them a name,<br>
and activate them with keys, program changes, or any other kind of<br>
Mobius trigger. =A0They&#39;re a bit like presets except they only apply to=
<br>
MIDI assignments. =A0There is one &quot;base&quot; configuration that is<br=
>
always active. =A0Here you put the thigns that rarely change. =A0Then<br>
there is one optional &quot;overlay&quot; configuration that you can change=
<br>
dynamically. =A0You could design one overlay with your MIDI switches<br>
assigned to non-sustain fuctions, and another one with some or<br>
all assigned to sustain functions. =A0It might be a bit more work<br>
than InsertMode=3DSustain but it is much more flexible. =A0 For example<br>
you&#39;re not limited to InsertMode=3DSustain, RecordMode=3DSustain,<br>
and OverdubMode=3DSustain, you can also swap in Sustain versions<br>
of Multiply, Mute, Replace, Reverse, and any other function that<br>
has a SUS variant.<br>
<br>
I&#39;d be interested in seeing your mobius.xml file and exploring<br>
whether this would work for you in practice.<br>
<font color=3D"#888888"><br>
Jeff<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith -Gui=
tar<br><br>Keith Smith Trio - <a href=3D"http://www.keithsmith.ca">www.keit=
hsmith.ca</a><br>Northern Lights =96 Altai Khangai <a href=3D"http://www.nl=
4tet.ca/">www.nl4tet.ca/</a><br>
Photography - <a href=3D"http://www.mymountains.ca">www.mymountains.ca</a><=
br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--20cf3054a5b7a0a20a04999ea8ac--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 06:51:56 2011
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Date: Wed, 12 Jan 2011 00:44:19 -0500
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Visual Music Live, Duets Plus Jan 16 @Outpost
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

Change on lineup

Visual Music LIVE  January 16m 8 PM -- Duets Plus with

Dr. T -- Video Projections
Tim Mungenast -Guitar
Lou Cohen - Laptop
Forbes Graham - trumpet
Eric Crawley -- Harpejji and Electronics

The musicians will play all duet combinations followed by a quartet.

My projections are produced by mixing multiple DVD sources with video 
mixers and effects processors. The sources consist of 
computer-manipulated original material derived from my still 
photography and videography. The original subject matter is usually 
recognizable, but sometimes processed to complete abstraction. 
Sometimes the projections and music respond directly to each other -- 
sometimes they simply co-exist.


Outpost 186, 186 Hampshire St (in the back), near Inman Square, Cambridge MA

Suggested donation,  $10

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org

Many of my finished video pieces (both studio and live) can be seen 
at http://www.youtube.com/Tobenfeld. with a piece from the Spring 
Series at http://www.youtube.com/watch?v=fxBtaJajCkU

Those of you who attend or perform at events at Outpost 186 may find 
my photo essay "Improvisations from an Outpost" 
http://www.flickr.com/photos/22231918@N06/sets/72157624670849749/ to 
be of interest,




-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 09:10:36 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EchoLoop vs mobius
References: <1594EE95-3492-4D0C-A895-E5640C2C3512@me.com>	<4D284B78.1090306@tiscali.co.uk>	<A597A71D-9B65-4DBB-95FA-3FC726A67FDB@me.com>	<4D2A3541.4050507@tiscali.co.uk>	<A82CAC90-B926-402E-A2D4-9DE4BE35C6E7@gmail.com>	<4F9677C9-AFD3-4169-B73C-549A5BD7B0CE@charter.net>	<E1A21F28-D3CA-4121-ABD2-F6E32FBD841B@gmail.com>	<BAY145-w356DBE94567377595D7B74850E0@phx.gbl>	<4D2C8A4E.7030808@tiscali.co.uk>	<AANLkTimS6m+3kna7D85m410QQRi55-vj0wknttzTqH+q@mail.gmail.com> <AANLkTini3xkLGfe5VFd+80K_vYc4nvo3XMQYBuwoqxT2@mail.gmail.com>
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Jeff Larson wrote:
> 
> [andy]
>  > The way Mobius handles memory is different to the EDP/Echoloop
>  > at a very fundamental level, so it could never have been an
>  > accurate emulation...
> 
> Well, I wouldn't say "could never have been" but certainly "would have
> been difficult" or even "could have been but why" :)
> 

should have said
"would never have been"
how's that?

(because out of the possibilities available for growing the
  software the EDP emulator was a very poor option in 
  terms of effort required versus client satisfaction)


andy

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 09:20:41 2011
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Subject: Re: another mobius question - a new one! - presets/parameters
From: Rainer Straschill <moinsound@googlemail.com>
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Dear Jeff,

obviously, Keith already replied naming just the requirement I had for
using the *Mode=Sustain settings.

If I understand this correctly, this would work by doing the following:
Say currently I use one button on my MIDI remote which triggers a
script called "toggelsus", which if the various mode parameters are
set to normal sets them to sustain and vice versa.
In the future (and the future is NOW, i.e. 1.43), I'd rather have two
different sets of MIDI bindings: in one, the buttons on my floor board
are mapped to the normal (latching) versions of the commands. In the
other one, the buttons are mapped to their sus counterpart.
Then, I'd make a script which, triggered by the button on my MIDI
remote, changes between those two sets of MIDI bindings?

For me, it seems, it means I have to wait some time until I'm ready to
use 1.43: this "switching to sus" is such a central part of my user
interface, and it seems to me that it requires at least some work to
get that going with the new version...so if we'd have that same
behaviour as an option for backwards compatibility, this would be
really great!

Btw, thanks for the hint regarding the local variables - need to try
that as soon as I get home. Strangely, the script you/Simeon posted
earlier didn't seem to work with version 1.42, but I might also have
missed something here - or is this expected?

What a great world for looping people...

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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In-Reply-To: <826371.28436.qm@web81003.mail.mud.yahoo.com>
Subject: Re: Finally, Orwell 1984 Remix Album on Vinyl Record.
Date: Wed, 12 Jan 2011 10:29:38 -0000
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?Great samples Margaret.  Congratulations!

From: margaret noble=20
Sent: Wednesday, January 12, 2011 4:02 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: Finally, Orwell 1984 Remix Album on Vinyl Record.

I have been waiting my whole life to press some wax! My records arrived =
today and I wanted to share my joy with the Looper's list!!! :-)


http://margaretnoble.bandcamp.com/





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<HTML><HEAD>
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</HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Great samples Margaret.&nbsp; Congratulations!</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dmargaretnoble2000@yahoo.com=20
href=3D"mailto:margaretnoble2000@yahoo.com">margaret noble</A> </DIV>
<DIV><B>Sent:</B> Wednesday, January 12, 2011 4:02 AM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Finally, Orwell 1984 Remix Album on Vinyl=20
Record.</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT-FAMILY: arial,helvetica,sans-serif; FONT-SIZE: =
10pt">I have=20
been waiting my whole life to press some wax! My records arrived today =
and I=20
wanted to share my joy with the Looper's list!!! :-)<BR>
<DIV><BR><SPAN><A href=3D"http://margaretnoble.bandcamp.com/"=20
target=3D_blank>http://margaretnoble.bandcamp.com/</A></SPAN><BR></DIV><F=
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bold"></SPAN><SPAN=20
style=3D"FONT-FAMILY: =
arial,helvetica,sans-serif"></SPAN></FONT><BR><BR></DIV>
<DIV>&nbsp;</DIV></DIV></DIV></DIV></BODY></HTML>

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Subject: Re: Finally, Orwell 1984 Remix Album on Vinyl Record.
From: Petri Lahtinen <aikuinen@gmail.com>
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--001636c5b8b50eaa040499a3fc07
Content-Type: text/plain; charset=ISO-8859-1

Great!!!

2011/1/12 margaret noble <margaretnoble2000@yahoo.com>

> I have been waiting my whole life to press some wax! My records arrived
> today and I wanted to share my joy with the Looper's list!!! :-)
>
> http://margaretnoble.bandcamp.com/
>
>
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

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Great!!!<br><br><div class=3D"gmail_quote">2011/1/12 margaret noble <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:margaretnoble2000@yahoo.com">margaretnoble=
2000@yahoo.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D=
"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padd=
ing-left: 1ex;">
<div><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt=
;">I have been waiting my whole life to press some wax! My records arrived =
today and I wanted to share my joy with the Looper&#39;s list!!! :-)<br><di=
v>
<br><span><a href=3D"http://margaretnoble.bandcamp.com/" target=3D"_blank">=
http://margaretnoble.bandcamp.com/</a></span><br></div><font size=3D"2"><sp=
an style=3D"font-family: arial,helvetica,sans-serif; font-weight: bold;"></=
span><span style=3D"font-family: arial,helvetica,sans-serif;"></span></font=
><br>
<br></div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://ww=
w.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" t=
arget=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--001636c5b8b50eaa040499a3fc07--

From pzenithbank55@yahoo.com  Wed Jan 12 11:41:12 2011
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	id AF35422A1E; Tue, 11 Jan 2011 16:35:08 +0500 (YEKT)
To: undisclosed-recipients:;
Subject: Your atm card us$12.5m is ready for collection
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Date: Tue, 11 Jan 2011 16:35:08 +0500
From: ATM OFFICE ZENITH BANK <pzenithbank55@yahoo.com>
Organization: ATM OFFICE ZENITH BANK
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Sir/Madam.

This is to officially inform you that we have verified your
contract/inheritance fund file and found out that you have not received
your fund us$12.5m.

You will receive it through ATM CARD, forward your name,address and direct
telephone number.

Regards.
Mr.James Umu.
Atm Manager Zenith Bank.
Tel:+2347031115583

From patrick--------pai@att.net  Wed Jan 12 11:42:22 2011
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Date: Wed, 12 Jan 2011 03:42:00 -0800 (PST)
From: Patrick Paign <patrick--------pai@att.net>
Reply-To: patrick.paign@gmail.com
Subject: Inquiry
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1375746028-1294832520=:86836"

--0-1375746028-1294832520=:86836
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

=A0
Good day ,
=A0
I GOT YOUR CONTACT VIA YOUR COUNTRY CHAMBER OF COMMERCE AND I WANT TO TRUST=
 YOU=A0 WITH HOPE THAT YOU WILL NOT LET ME DOWN.
=A0
I am Patrick Paign, a BANKER and an account officer to a Hadi Sunarno - dec=
eased customer of our bank,who died as a result of a heart-related conditio=
n on March 12th 2006. His heart condition was due to the death of all the m=
embers of his family in the tsunami disaster on the 26th December 2004 in S=
umatra Indonesia, while on holidays. PLEASE VISIT THE WEBSITE BELOW FOR INF=
ORMATION ON THE 2004 Indian Ocean earthquake, where my client lost his whol=
e family.
=A0
http://en.wikipedia.org/wiki/2004_Indian_Ocean_earthquake
http://www.guardian.co.uk/gall/0,8542,1379875,00.html
http://www.guardian.co.uk/gall/0,,1380645,00.html
=A0
My late customer has a deposit of Four Million Five hundred thousand Dollar=
s ( US$4.5 Million) left behind in his account with our bank, with no next =
of kin to claim the said funds.
=A0
The bank will soon declare his deposit by the end of January 2011 unservice=
able and lodge the money into a suspense account and nobody knows what will=
 happen to the fund again .
=A0
As his accounting officer and financial adviser in charge of this accounts,=
 I can comfortable present you to the Bank as the next of kin to the owner =
of the funds and our bank have no right to deny the application.This is why=
 I have contacted you to help me in get the funds transferred to your count=
ry, and also help me buy a houses in your country. With my position here ,I=
 will introduce you as a distant relative to the late depositor of the fund=
s, then process all paper work and have the funds transferred to your count=
ry for investment between you and me.
=A0
=A0
I WILL SEND RELEVANT DOCUMENTS TO YOU, BEFORE I START ANY PAPER WORK IN YOU=
R NAMES.I WILL TELL YOU MORE AS SOON AS I GET=20
YOUR RESPONSE,
=A0
PLEASE NOTE THAT YOU MUST KEEP THIS AS A SECRET BETWEEN YOU AND ME , BUT I =
NEED YOU TO ASSURE ME ALSO THAT YOU WILL NOT RUN AWAY WITH THE FUNDS WHEN I=
T IS TRANSFERRED TO YOUR ACCOUNT IN YOUR HOME COUNTRY.

=A0
Patrick Paign
=A0
--0-1375746028-1294832520=:86836
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV><STRONG></STRONG>&nbsp;</DIV>
<DIV><STRONG>Good day ,<BR>&nbsp;<BR>I GOT YOUR CONTACT VIA YOUR COUNTRY CH=
AMBER OF COMMERCE AND I WANT TO TRUST YOU&nbsp; WITH HOPE THAT YOU WILL NOT=
 LET ME DOWN.</STRONG></DIV>
<DIV><STRONG>&nbsp;</STRONG></DIV>
<DIV><STRONG>I am Patrick Paign, a BANKER and an account officer to a Hadi =
Sunarno - deceased customer of our bank,who died as a result of a heart-rel=
ated condition on March 12th 2006. His heart condition was due to the death=
 of all the members of his family in the tsunami disaster on the 26th Decem=
ber 2004 in Sumatra Indonesia, while on holidays. PLEASE VISIT THE WEBSITE =
BELOW FOR INFORMATION ON THE <SPAN id=3Dyiv576360771yiv690833680yiv54670149=
yiv281992020yiv827148198lw_1294508884_0 class=3Dyiv576360771yiv690833680yiv=
54670149yiv281992020yiv827148198yshortcuts><SPAN style=3D"BORDER-BOTTOM: me=
dium none; BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR: hand" =
id=3Dyiv576360771yiv690833680yiv54670149yiv281992020lw_1294637394_0 class=
=3Dyiv576360771yiv690833680yiv54670149yiv281992020yshortcuts><SPAN id=3Dyiv=
576360771yiv690833680yiv54670149lw_1294643879_0 class=3Dyiv576360771yiv6908=
33680yiv54670149yshortcuts><SPAN id=3Dyiv576360771yiv690833680lw_1294646657=
_0
 class=3Dyiv576360771yiv690833680yshortcuts><SPAN id=3Dyiv576360771lw_12946=
75282_0 class=3Dyiv576360771yshortcuts><SPAN id=3Dlw_1294693484_0 class=3Dy=
shortcuts>2004 Indian Ocean earthquake</SPAN></SPAN></SPAN></SPAN></SPAN></=
SPAN>, where my client lost his whole family.<BR>&nbsp;<BR></STRONG><A href=
=3D"http://en.wikipedia.org/wiki/2004_Indian_Ocean_earthquake" rel=3Dnofoll=
ow target=3D_blank><SPAN id=3Dyiv576360771yiv690833680yiv54670149yiv2819920=
20yiv827148198lw_1294508884_1 class=3Dyiv576360771yiv690833680yiv54670149yi=
v281992020yiv827148198yshortcuts><STRONG>http://en.wikipedia.org/wiki/2004_=
Indian_Ocean_earthquake</STRONG></SPAN></A><BR><A href=3D"http://www.guardi=
an.co.uk/gall/0,8542,1379875,00.html" rel=3Dnofollow target=3D_blank><SPAN =
id=3Dyiv576360771yiv690833680yiv54670149yiv281992020yiv827148198lw_12945088=
84_2 class=3Dyiv576360771yiv690833680yiv54670149yiv281992020yiv827148198ysh=
ortcuts><STRONG>http://www.guardian.co.uk/gall/0,8542,1379875,00.html</STRO=
NG></SPAN></A><BR><A
 href=3D"http://www.guardian.co.uk/gall/0,,1380645,00.html" rel=3Dnofollow =
target=3D_blank><SPAN id=3Dyiv576360771yiv690833680yiv54670149yiv281992020y=
iv827148198lw_1294508884_3 class=3Dyiv576360771yiv690833680yiv54670149yiv28=
1992020yiv827148198yshortcuts><STRONG>http://www.guardian.co.uk/gall/0,,138=
0645,00.html</STRONG></SPAN></A></DIV>
<DIV><STRONG>&nbsp;</STRONG></DIV>
<DIV><STRONG>My late customer has a deposit of Four Million Five hundred th=
ousand Dollars ( US$4.5 Million) left behind in his account with our bank, =
with no next of kin to claim the said funds.</STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp;</DIV>
<DIV><STRONG>The bank will soon declare his deposit by the end of January 2=
011 unserviceable and lodge the money into a <SPAN id=3Dyiv576360771yiv6908=
33680yiv54670149yiv281992020lw_1294637394_1 class=3Dyiv576360771yiv69083368=
0yiv54670149yiv281992020yshortcuts><SPAN id=3Dyiv576360771yiv690833680yiv54=
670149lw_1294643879_1 class=3Dyiv576360771yiv690833680yiv54670149yshortcuts=
><SPAN id=3Dyiv576360771yiv690833680lw_1294646657_1 class=3Dyiv576360771yiv=
690833680yshortcuts><SPAN id=3Dyiv576360771lw_1294675282_1 class=3Dyiv57636=
0771yshortcuts><SPAN id=3Dlw_1294693484_1 class=3Dyshortcuts>suspense accou=
nt</SPAN></SPAN></SPAN></SPAN></SPAN> and nobody knows what will happen to =
the fund again .</STRONG></DIV>
<DIV><STRONG>&nbsp;</STRONG></DIV>
<DIV><STRONG>As his accounting officer and financial adviser in charge of t=
his accounts, I can comfortable present you to the Bank as the next of kin =
to the owner of the funds and our bank have no right to deny the applicatio=
n.This is why I have contacted you to help me in get the funds transferred =
to your country, and also help me buy a houses in your country. With my pos=
ition here ,I will introduce you as a distant relative to the late deposito=
r of the funds, then process all paper work and have the funds transferred =
to your country for investment between you and me.</STRONG></DIV>
<DIV><STRONG>&nbsp;</STRONG></DIV>
<DIV><STRONG>&nbsp;</STRONG></DIV>
<DIV><STRONG>I WILL SEND RELEVANT DOCUMENTS TO YOU, BEFORE I START ANY PAPE=
R WORK IN YOUR NAMES.I WILL TELL YOU MORE AS SOON AS I GET </STRONG></DIV>
<DIV><STRONG>YOUR RESPONSE,<BR>&nbsp;<BR>PLEASE NOTE THAT YOU MUST KEEP THI=
S AS A SECRET BETWEEN YOU AND ME , BUT I NEED YOU TO ASSURE ME ALSO THAT YO=
U WILL NOT RUN </STRONG><STRONG>AWAY WITH THE FUNDS WHEN IT IS TRANSFERRED =
TO YOUR ACCOUNT IN YOUR HOME COUNTRY.</STRONG></DIV>
<DIV><BR><STRONG>&nbsp;<BR>Patrick Paign</STRONG></DIV>
<DIV><STRONG></STRONG>&nbsp;</DIV></td></tr></table>
--0-1375746028-1294832520=:86836--

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Date: Wed, 12 Jan 2011 05:23:32 -0800 (PST)
From: "Mr.Jerry Howard." <office---dsk0543@att.net>
Reply-To: mr.jerryhoward20011@yahoo.co.uk
Subject: Ref : ABY/NRI-ACCT/7878256589/04
To: undisclosed recipients: ;
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--0-1059030424-1294838612=:62852
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Ref : ABY/NRI-ACCT/7878256589/04

My Name is Mr.Jerry Howard.

I am the auditor and head of computing department of Royal Bank of
Scotland Liverpool Branch here in United Kingdom .

There is an account opened in this bank in 2003 and since my inception
into office on 4th of january 2011 ,I then found this account and when I
investigated deeply by contacting the assigned next of kin I also found that the next of kin to this account was an American who lived in London for over 63Yrs and nobody has operated on this account again after 2004.I took the courage to look for a reliable and honest person who will be capable for this important transaction. In order to transfer out$100,000,000 (One Hundred Million U.S Dollars)

After going through some old files, I discovered that if I do not Remit this money out urgently,it will be forfeited for nothing and the Royal-bank of Scotland management might divert the funds to their own accounts.Please respond immediately I will use my position and influence to effect the legal approval and onward transfer of this fund into your account with appropriate clearance from foreign payment department.You will stand to get 40% while 60% will be for me.Kindly quote the reference(acct) numbers above when responding to this mail. I will fill you in with further details upon your reply on this email address (mr.jerryhoward20011@yahoo.co.uk) .You can call me directly on this private telephone number so that we can discuss more on how to transfer this funds to your designated account in your country .
Tel : + 44 752 407 1432 

Mr.Jerry Howard
--0-1059030424-1294838612=:62852
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><BR><BR>Ref : ABY/NRI-ACCT/7878256589/04<BR><BR>My Name is Mr.Jerry Howard.<BR><BR>I am the auditor and head of computing department of Royal Bank of<BR>Scotland Liverpool Branch here in United Kingdom .<BR><BR>There is an account opened in this bank in 2003 and since my inception<BR>into office on 4th of january 2011 ,I then found this account and when I<BR>investigated deeply by contacting the assigned next of kin I also found that the next of kin to this account was an American who lived in London for over 63Yrs and nobody has operated on this account again after 2004.I took the courage to look for a reliable and honest person who will be capable for this important transaction. In order to transfer out$100,000,000 (One Hundred Million U.S Dollars)<BR><BR>After going through some old files, I discovered that if I do not Remit this money out urgently,it will
 be forfeited for nothing and the Royal-bank of Scotland management might divert the funds to their own accounts.Please respond immediately I will use my position and influence to effect the legal approval and onward transfer of this fund into your account with appropriate clearance from foreign payment department.You will stand to get 40% while 60% will be for me.Kindly quote the reference(acct) numbers above when responding to this mail. I will fill you in with further details upon your reply on this email address (mr.jerryhoward20011@yahoo.co.uk) .You can call me directly on this private telephone number so that we can discuss more on how to transfer this funds to your designated account in your country .<BR>Tel : + 44 752 407 1432 <BR><BR>Mr.Jerry Howard</td></tr></table>
--0-1059030424-1294838612=:62852--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 13:26:43 2011
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Date: Wed, 12 Jan 2011 07:26:37 -0600
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Subject: Re: another mobius question - a new one! - presets/parameters
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> In the future (and the future is NOW, i.e. 1.43), I'd rather have two
> different sets of MIDI bindings: in one, the buttons on my floor board
> are mapped to the normal (latching) versions of the commands. In the
> other one, the buttons are mapped to their sus counterpart.
> Then, I'd make a script which, triggered by the button on my MIDI
> remote, changes between those two sets of MIDI bindings?

Yes.

> Btw, thanks for the hint regarding the local variables - need to try
> that as soon as I get home. Strangely, the script you/Simeon posted
> earlier didn't seem to work with version 1.42, but I might also have
> missed something here - or is this expected?

Maybe.  So much changed between 1.42 and 1.43, there could have been
something subtle related to script timing.  What does it do under 1.42?

Jeff

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<div>&gt; In the future (and the future is NOW, i.e. 1.43), I&#39;d rather =
have two</div><div>&gt; different sets of MIDI bindings: in one, the button=
s on my floor board</div><div>&gt; are mapped to the normal (latching) vers=
ions of the commands. In the</div>
<div>&gt; other one, the buttons are mapped to their sus counterpart.</div>=
<div>&gt; Then, I&#39;d make a script which, triggered by the button on my =
MIDI</div><div>&gt; remote, changes between those two sets of MIDI bindings=
?</div>
<div><br></div><div>Yes.</div><div><br></div><div>&gt; Btw, thanks for the =
hint regarding the local variables - need to try</div><div>&gt; that as soo=
n as I get home. Strangely, the script you/Simeon posted</div><div>&gt; ear=
lier didn&#39;t seem to work with version 1.42, but I might also have</div>
<div>&gt; missed something here - or is this expected?</div><div><br></div>=
<div>Maybe. =A0So much changed between 1.42 and 1.43, there could have been=
=A0</div><div>something subtle related to script timing. =A0What does it do=
 under 1.42?</div>
<div><br></div><div>Jeff</div><div><br></div>

--0015175cb6f29469420499a62654--

From fratglamourinvgroupltd@uk.org  Wed Jan 12 13:31:40 2011
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Reply-To: <hnre43879@gmail.com>
From: "Frank Anthony"<fratglamourinvgroupltd@uk.org>
Subject: Read!!!
Date: Wed, 12 Jan 2011 13:48:57 +0100
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Attention
 
I write you in good faith, hoping that you will treat this letter as a desperate search for assistance in a matter that shall benefit both of us. A random search for a reliable, and honest person to transact this business and based on your locality from the consultancy directory produced your email address. 

I am Frank Anthony, Investment Consultants. My client, is interested in investing USD$58M.(Fifty Eight Million Dollars) in your Name/company. please response and give us your full contact details/company profile, and in response we will send you an elaborate proposal and details of this offer.

Your expedient response will be appreciated.

Thank you.

Frank Anthony
Managing Director.
Glamour Investment Group.

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 13:42:04 2011
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Subject: MPC 500 for sale or trade
Date: Wed, 12 Jan 2011 05:41:06 -0800
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Hey fellers and felletes, I got an MPC500 a while back, but it really
doesn't fit with what I am doing, would sell or trade it if someone's
interested.

=20

Andy


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<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Hey fellers and felletes, I got an MPC500 a while back, =
but it
really doesn&#8217;t fit with what I am doing, would sell or trade it if =
someone&#8217;s
interested.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Andy<o:p></o:p></span></p>

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From albert.grayson11@gmail.com  Wed Jan 12 14:24:11 2011
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From: "Albert Grayson"<albert.grayson11@gmail.com>
Subject: NEW ORDER!
Date: Wed, 12 Jan 2011 05:29:14 -0500
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To: undisclosed-recipients:;

 Hello,
 I am interested in purchasing some of your products, I will like to know if you can ship directly to SPAIN , I also want you to know my mode of  payment for this order is via Credit Card. Get back to me if you can ship to that destination and also if you accept the payment type I indicated.

Kindly return this email with your price list of your products..


Store Name: AGlimited :
Shipping Address:
Augusta, 15, 703 ,
 29670, Marbella ,
Spain
Telfs::  (+34) 93 547 55 87

From wahib.dicko@gmail.com  Wed Jan 12 15:04:34 2011
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Date: Thu, 13 Jan 2011 00:04:15 +0900 (KST)
From: "Mr.Wahib Dicko" <wahib.dicko@gmail.com>
Reply-To: dicko.wahi@gmail.com
Subject: GOD BLESS YOU,PLEASE READ & REPLY BACK
To: undisclosed recipients: ;
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First and formost,I have to introduce myself to you.I am (Wahib Dicko )The =
Director incharge of Auditing section of Bank of Africa (BOA) in Ouagadougo=
u,Burkina Faso .I need your urgent business assistance in transferring an a=
bandoned sum of ($9 Million) dollars left by a deceased customer of my bank=
 immediately to your account.

If you are interested and ready to partake in this great business opportuni=
ty,kindly send your profiles to me including your Name;............your pri=
vate telephone number;........... for easy communication.I will send you fu=
ll details on how the business will be executed and also note that you will=
 receive 40% of the above mentioned amount if you agree to help me execute =
this business.

Please for further information and enquiries feel free to contact me back i=
mmediately for more explanation and better understanding . I am waiting for=
 your urgent response with much anticipation.!!!

Thanks and remain bless.
Telephone; +226 79 161 281 .
Mr Wahib Dicko.=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>First and formost,I have to introduce=
 myself to you.I am (Wahib Dicko )The Director incharge of Auditing section=
 of Bank of Africa (BOA) in Ouagadougou,Burkina Faso .I need your urgent bu=
siness assistance in transferring an abandoned sum of ($9 Million) dollars =
left by a deceased customer of my bank immediately to your account.<br><br>=
If you are interested and ready to partake in this great business opportuni=
ty,kindly send your profiles to me including your Name;............your pri=
vate telephone number;........... for easy communication.I will send you fu=
ll details on how the business will be executed and also note that you will=
 receive 40% of the above mentioned amount if you agree to help me execute =
this business.<br><br>Please for further information and enquiries feel fre=
e to contact me back immediately for more explanation and better understand=
ing
 . I am waiting for your urgent response with much anticipation.!!!<br><br>=
Thanks and remain bless.<br>Telephone; +226 79 161 281 .<br>Mr Wahib Dicko.=
</td></tr></table><br>=0A=0A=0A=0A=0A=0A=0A      &nbsp;<img id=3D"mail-read=
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Date: Thu, 13 Jan 2011 00:04:15 +0900 (KST)
From: "Mr.Wahib Dicko" <wahib.dicko@gmail.com>
Reply-To: dicko.wahi@gmail.com
Subject: GOD BLESS YOU,PLEASE READ & REPLY BACK
To: undisclosed recipients: ;
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First and formost,I have to introduce myself to you.I am (Wahib Dicko )The =
Director incharge of Auditing section of Bank of Africa (BOA) in Ouagadougo=
u,Burkina Faso .I need your urgent business assistance in transferring an a=
bandoned sum of ($9 Million) dollars left by a deceased customer of my bank=
 immediately to your account.

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--0-2138158636-1294844657=:41010
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>First and formost,I have to introduce=
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Date: Wed, 12 Jan 2011 08:41:58 -0700
Message-ID: <AANLkTimYWZZP4pv578YgzagCOpySHE6cM6L0b8uhH-RH@mail.gmail.com>
Subject: Re: another mobius question - a new one! - presets/parameters
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf30433f16a0cfe80499a80a29
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Hi Jeff & Rainer,
I installed 1.43 last night. Nice job, Jeff! It's the smoothest update I've
seen.
It does occur to me, as Rainer mentioned backwards compatibility that if one
could optionally attach a binding configuration to a preset (in the preset
dialog), it might be helpful at least until the user starts to get a grip on
scripting.
Cheers,
k


>

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Hi Jeff &amp; Rainer,<br>I installed 1.43 last night. Nice job, Jeff! It&#3=
9;s the smoothest update I&#39;ve seen.<br>It does occur to me, as Rainer m=
entioned backwards compatibility that if one could optionally attach a bind=
ing configuration to a preset (in the preset dialog), it might be helpful a=
t least until the user starts to get a grip on scripting.<br>
Cheers,<br>k <br>
<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;"><font color=3D"#888888"><div><br></div>
</font></blockquote></div>
<div style=3D"display: inline;"></div>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--20cf30433f16a0cfe80499a80a29--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 15:46:20 2011
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Date: Wed, 12 Jan 2011 16:46:20 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Mobius Version 1.43 changes (was Re: another mobius question - a
 new one! - presets/parameters)
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Dear Jeff,

in context of the discussion of changes from Möbius version 1.42 to 
1.43, I have very mixed feelings about how these changes were implemented.

First of all, a lot of users want (or need) forward compatibility. On 
the other hand, innovating a product (like software) sometimes requires 
to leave that behind.

Often, manufacturers try to at least reflect that with the version 
numbers. So, my question is this: when you do changes (as in 1.43) which 
will result in a lot of stuff not working anymore (the "sus modes" we've 
discussed are but one example, another one is that for some reason, my 
track copy script no longer works, possibly because the behaviour of 
copy has changed?) - why not make a new major release, reflected in a 
version number like 2.0?

That way, it is easily recognizable that while an update from e.g. 1.41 
to 1.42 can be done by anyone without fear of consequences, an update 
from 1.42 to 2.00 may not.

About the other discussions:
1) just tested the "auto reverse" script with the scope of the variable 
being track instead of global - great!
2) strangely, on 1.42, your adapted script (with the wait last 
statements) behaved exactly the same as my original version without 
those adaptions - well, I think exactly, because it was "deterministic 
chaos" ;). As I need to go back to 1.42 for the short term, I could try 
that again...

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 16:05:39 2011
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Subject: Re: Mobius Version 1.43 changes (was Re: another mobius question - a
 new one! - presets/parameters)
From: Jeff Larson <jeff.larson@sailpoint.com>
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--0016363b83c00f711b0499a85fc7
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> First of all, a lot of users want (or need) forward compatibility.

I understand.  I did try to provide forward compatibility for most
things.  The track copy problem you are having is likely to be the
same upgrade bug that Simeon had.  The parameter name and values have
changed, the parameter name was being upgraded but the values weren't
I'm fixing that.

InsertMode I didn't bother upgrading because I honestly thought no one
used it.  What I forgot about was InsertMode=Sustain, which is
marginally useful.  I'll consider putting something like that back,
but it will probably be something like "Sustain Functions" with a
multi-valued list of the sustainable function names.  I have no
intention of putting back things like InsertMode=Replace though.  If
you want to change the meaning of a button, that's what Binding
Configurations are for.

> 2) strangely, on 1.42, your adapted script (with the wait last statements)
> behaved exactly the same as my original version without those adaptions

Thanks, I'll resurrect a version of 1.42 and try it.

Jeff

--0016363b83c00f711b0499a85fc7
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<div><br></div><div>&gt; First of all, a lot of users want (or need) forwar=
d compatibility.</div><div><br></div><div>I understand. =A0I did try to pro=
vide forward compatibility for most</div><div>things. =A0The track copy pro=
blem you are having is likely to be the</div>
<div>same upgrade bug that Simeon had. =A0The parameter name and values hav=
e</div><div>changed, the parameter name was being upgraded but the values w=
eren&#39;t</div><div>I&#39;m fixing that.</div><div><br></div><div>InsertMo=
de I didn&#39;t bother upgrading because I honestly thought no one</div>
<div>used it. =A0What I forgot about was InsertMode=3DSustain, which is</di=
v><div>marginally useful. =A0I&#39;ll consider putting something like that =
back,</div><div>but it will probably be something like &quot;Sustain Functi=
ons&quot; with a</div>
<div>multi-valued list of the sustainable function names. =A0I have no</div=
><div>intention of putting back things like InsertMode=3DReplace though. =
=A0If</div><div>you want to change the meaning of a button, that&#39;s what=
 Binding</div>
<div>Configurations are for.</div><div><br></div><div>&gt; 2) strangely, on=
 1.42, your adapted script (with the wait last statements)</div><div>&gt; b=
ehaved exactly the same as my original version without those adaptions</div=
>
<div><br></div><div>Thanks, I&#39;ll resurrect a version of 1.42 and try it=
.</div><div><br></div><div>Jeff</div><div><br></div>

--0016363b83c00f711b0499a85fc7--

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Date: Wed, 12 Jan 2011 08:08:13 -0800 (PST)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Re: Finally, Orwell 1984 Remix Album on Vinyl Record.
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--0-740805820-1294848493=:85700
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thank you!

 

Margaret Noble
Sound Artist
http://margaretnoble.net
 







________________________________
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, January 12, 2011 2:51:34 AM
Subject: Re: Finally, Orwell 1984 Remix Album on Vinyl Record.

Great!!!


2011/1/12 margaret noble <margaretnoble2000@yahoo.com>

I have been waiting my whole life to press some wax! My records arrived today 
and I wanted to share my joy with the Looper's list!!! :-)
>
>
>http://margaretnoble.bandcamp.com/
>
>
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead." -Charles 
Bukowski-


      
--0-740805820-1294848493=:85700
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt">thank you!<br><div>&nbsp;</div><font size="2"><span style="font-family: arial,helvetica,sans-serif; font-weight: bold;"></span><span style="font-family: arial,helvetica,sans-serif;"></span></font><br><br><span style="font-family: arial,helvetica,sans-serif; font-weight: bold; color: rgb(67, 67, 67);"></span><span style="font-family: arial,helvetica,sans-serif; color: rgb(0, 0, 0);"><font style="color: rgb(67, 67, 67);" size="2"><span style="color: rgb(0, 0, 0);"><span style="font-weight: bold;">Margaret Noble<br>Sound Artist<br style="text-decoration: underline;"></span><span><a target="_blank" href="http://margaretnoble.net">http://margaretnoble.net</a></span></span></font></span><br>&nbsp;<br><br style="color: rgb(67, 67, 67);"><span style="font-family: arial,helvetica,sans-serif; color: rgb(67, 67,
 67);"></span><br><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Petri Lahtinen &lt;aikuinen@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, January 12, 2011 2:51:34 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Finally, Orwell 1984 Remix Album on Vinyl Record.<br></font><br>
Great!!!<br><br><div class="gmail_quote">2011/1/12 margaret noble <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:margaretnoble2000@yahoo.com" target="_blank" href="mailto:margaretnoble2000@yahoo.com">margaretnoble2000@yahoo.com</a>&gt;</span><br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;">I have been waiting my whole life to press some wax! My records arrived today and I wanted to share my joy with the Looper's list!!! :-)<br><div>
<br><span><span><a target="_blank" href="http://margaretnoble.bandcamp.com/">http://margaretnoble.bandcamp.com/</a></span></span><br></div><font size="2"><span style="font-family: arial,helvetica,sans-serif; font-weight: bold;"></span><span style="font-family: arial,helvetica,sans-serif;"></span></font><br>
<br></div><br>

      </div></blockquote></div><br><br clear="all"><br>-- <br>Petri Lahtinen<br><span><a target="_blank" href="http://www.petrilahtinen.com">http://www.petrilahtinen.com</a></span><br><span><a target="_blank" href="http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.com/</a></span><br><span>
<a target="_blank" href="http://soundcloud.com/petrilahtinen">http://soundcloud.com/petrilahtinen</a></span><br><span><a target="_blank" href="http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen</a></span><br><span><a target="_blank" href="http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.com/</a></span><br>
---------------------------------------------------<br>"Only become professional musician if there is no choice." -Robert Fripp-<br>---------------------------------------------------<br>"Some people never go crazy. What truly horrible lives they must lead." -Charles Bukowski-<br>
<br>
</div></div>
</div><br>

      </body></html>
--0-740805820-1294848493=:85700--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 16:09:50 2011
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Message-ID: <AANLkTinLsB-pfsby=rvU3K_esDafarAkoO1BhX4iKxWZ@mail.gmail.com>
Subject: Re: Mobius Version 1.43 changes (was Re: another mobius question - a
 new one! - presets/parameters)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jan 12, 2011 at 4:46 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> for some reason, my track copy script no longer works

I just happen to recently having bounced into that. When a script line
in 1.42 goes
"set trackcopy sound"

you have to update that script for 1.43 by changing that line into
"set emptytrackaction copy"

For me 1.42 works still excellent, but I will upgrade at some point.
As a reminder to my future self I have thrown in a comment line note
going:
"# set emptytrackaction copy if version 1.43"
...just so I will remember to change the script when that day comes.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From nationalwinninglotto2011@arcor.de  Wed Jan 12 16:21:35 2011
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Date: Wed, 12 Jan 2011 17:21:12 +0100 (CET)
From: Sascha Wolf <nationalwinninglotto2011@arcor.de>
To: rferro@pittstate.edu
Message-ID: <472622665.19370.1294849272686.JavaMail.ngmail@webmail19.arcor-online.net>
Subject: Dear friend
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X-WebmailclientIP: 10.11.20.220, 217.20.240.19

Dear friend

Greetings in the name of God,Pls let this not sound strange to you. i prayed and
got your email id from your countrys guestbook which i have been with my late
huband and liked to visit once more if God will in his infinite mercies.

I am Mrs. Joy Mary from Amsterdam-Netherlands,I am 58 years old woman,i am
suffering from a long time cancer of the breast which also affected my
brain,from all indication my conditions is really deteriorating and it is quite
obvious that, according to my doctors they have advised me that i may not live
for the next two months,this is because the cancer stage has gotten to a very
bad stage.

I was brought up from a motherless babies home was married to my late husband
for twenty years without a child ,my husband died in a fatal motor accident
Before his death we were true  beleivers.Since after his death I decided not to
re-marry,I sold all my inherited belongings and deposited all the sum of
10 million dollars with a Biao Bank Abidjan, Ivory Coast.

Presently, this money is still with them and the management just wrote me as the
true owner to come forward to receive the money for keeping it so long or rather
issue a letter of authorization to somebody to receive it on my behalf since I
can not come over because of my illness or they get it confisticated.

Presently, my doctors have told me that I have only a few months to live.It is
my last wish to see that this money is invested to any organisation of your
choice and distributed each year among the charity organization,the poor and the
motherless babies home.

I want you as God fearing person, to also use this money to fund churches,
orphanages and widows,I took this decision, before i rest in peace because my
time will so on be up. As soon as I receive your reply I shall give you the
contact of the Biao Bank Abidjan, Ivory coast.I will also issue you a letter of
authority that will prove you as the new beneficiary of my fund. Please assure
me that you will act accordingly as I stated herein.

Please reply me through this my private email address: joymary_000@yahoo.cn

Hoping to hear from you soon.

Waiting for your reply

Yours in Christ,
Mrs. Joy Mary

Email.joymary_000@yahoo.cn

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 16:25:26 2011
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Subject: Re: Finally, Orwell 1984 Remix Album on Vinyl Record.
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a2b7ea6e670499a8a5b7
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Margaret congrats on this release and vinyl no less, amazing commitment in
these times.  I particularly liked the spoken  word times, dark, but great
textures.  Best in 11,

jim

On Tue, Jan 11, 2011 at 11:02 PM, margaret noble <
margaretnoble2000@yahoo.com> wrote:

> I have been waiting my whole life to press some wax! My records arrived
> today and I wanted to share my joy with the Looper's list!!! :-)
>
> http://margaretnoble.bandcamp.com/
>
>
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a2b7ea6e670499a8a5b7
Content-Type: text/html; charset=ISO-8859-1
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Margaret congrats on this release and vinyl no less, amazing commitment in =
these times.=A0 I particularly liked the spoken=A0 word times, dark, but gr=
eat textures.=A0 Best in 11,<br><br>jim<br><br><div class=3D"gmail_quote">O=
n Tue, Jan 11, 2011 at 11:02 PM, margaret noble <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:margaretnoble2000@yahoo.com">margaretnoble2000@yahoo.com</a>&g=
t;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style=
=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt;">I have been =
waiting my whole life to press some wax! My records arrived today and I wan=
ted to share my joy with the Looper&#39;s list!!! :-)<br>
<div><br><span><a href=3D"http://margaretnoble.bandcamp.com/" target=3D"_bl=
ank">http://margaretnoble.bandcamp.com/</a></span><br></div><font size=3D"2=
"><span style=3D"font-family: arial,helvetica,sans-serif; font-weight: bold=
;"></span><span style=3D"font-family: arial,helvetica,sans-serif;"></span><=
/font><br>
<br></div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054a2b7ea6e670499a8a5b7--

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Date: Wed, 12 Jan 2011 10:28:00 -0600
Message-ID: <AANLkTinf3qgxTdav=AA+ErvquX2sPXdyLFJXetF1j0oz@mail.gmail.com>
Subject: Re: another mobius question - a new one! - presets/parameters
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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--0015175cb82039fbdb0499a8af38
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FWIW, You don't have to use scripts to change binding configurations, you
can select them
with any MIDI command just like presets.

Backwards compatibility is important to me to a degree.  But I drew the line
on a lot
of EDPisms that are hard to explain and simply aren't necessary, like
most of the Interface Modes.  Other than using InterfaceMode=Expert to
enable secondary feedback which is now enabled explicitly with the
Enable Secondary Feedback preset parameter, I'll bet I can count on one
hand the number of people that have actually used Interface Mode, and I
will write them scripts if they still need InterfaceMode=Flip.

Looking through my notes, I think the only old parameters that are not being
automatically upgraded in some way are Interface Mode, Insert Mode,
Record Mode, and Overdub Mode.

We have found some bugs upgrading other parameters and those are being
fixed.
This is why I warned everyone in the release notes not to upgrade unless you
had some time to spend verifying that your scripts still  worked.  I suppose
I could rename the next one 2.0 to make this clearer.

Jeff


On Wed, Jan 12, 2011 at 9:41 AM, Keith Smith <kahsmith@gmail.com> wrote:

> Hi Jeff & Rainer,
> I installed 1.43 last night. Nice job, Jeff! It's the smoothest update I've
> seen.
> It does occur to me, as Rainer mentioned backwards compatibility that if
> one could optionally attach a binding configuration to a preset (in the
> preset dialog), it might be helpful at least until the user starts to get a
> grip on scripting.
> Cheers,
> k
>
>
>>

--0015175cb82039fbdb0499a8af38
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>FWIW, You don&#39;t have to use scripts to change binding configuratio=
ns, you can select them</div><div>with any MIDI command just like presets.<=
/div><div><br></div><div>Backwards compatibility is important to me to a de=
gree. =A0But I drew the line on a lot</div>
<div>of EDPisms that are hard to explain and simply aren&#39;t necessary, l=
ike</div><div>most of the Interface Modes. =A0Other than using InterfaceMod=
e=3DExpert to</div><div>enable secondary feedback which is now enabled expl=
icitly with the</div>
<div>Enable Secondary Feedback preset parameter, I&#39;ll bet I can count o=
n one</div><div>hand the number of people that have actually used Interface=
 Mode, and I</div><div>will write them scripts if they still need Interface=
Mode=3DFlip.</div>
<div><br></div><div>Looking through my notes, I think the only old paramete=
rs that are not being</div><div>automatically upgraded in some way are Inte=
rface Mode, Insert Mode,=A0</div><div>Record Mode, and Overdub Mode. =A0</d=
iv>
<div><br></div><div>We have found some bugs upgrading other parameters and =
those are being fixed.</div><div>This is why I warned everyone in the relea=
se notes not to upgrade unless you</div><div>had some time to spend verifyi=
ng that your scripts still =A0worked. =A0I suppose</div>
<div>I could rename the next one 2.0 to make this clearer.</div><div><br></=
div><div>Jeff</div><div><br></div><br><div class=3D"gmail_quote">On Wed, Ja=
n 12, 2011 at 9:41 AM, Keith Smith <span dir=3D"ltr">&lt;<a href=3D"mailto:=
kahsmith@gmail.com">kahsmith@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi Jeff &amp; Rainer,<br>I installed 1.43 l=
ast night. Nice job, Jeff! It&#39;s the smoothest update I&#39;ve seen.<br>
It does occur to me, as Rainer mentioned backwards compatibility that if on=
e could optionally attach a binding configuration to a preset (in the prese=
t dialog), it might be helpful at least until the user starts to get a grip=
 on scripting.<br>

Cheers,<br>k <br>
<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-le=
ft:1ex"><font color=3D"#888888"><div><br></div>
</font></blockquote></div>
<div style=3D"display:inline"></div>
<div style=3D"display:inline"></div>
</blockquote></div><br>

--0015175cb82039fbdb0499a8af38--

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Message-ID: <AANLkTi=b4MNg8aCpo-_ckMQ=AOvVLQ=ph7jo2w+nYGu=@mail.gmail.com>
Subject: Re: another mobius question - a new one! - presets/parameters
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054acafeb9ec00499a8f48e
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Thanks Jeff.
Any chance you could add "Binding Config" to the Visible Parameters part of
the the Display Components?
k

On Wed, Jan 12, 2011 at 9:28 AM, Jeff Larson <jeff.larson@sailpoint.com>wro=
te:

> FWIW, You don't have to use scripts to change binding configurations, you
> can select them
> with any MIDI command just like presets.
>
> Backwards compatibility is important to me to a degree.  But I drew the
> line on a lot
> of EDPisms that are hard to explain and simply aren't necessary, like
> most of the Interface Modes.  Other than using InterfaceMode=3DExpert to
> enable secondary feedback which is now enabled explicitly with the
> Enable Secondary Feedback preset parameter, I'll bet I can count on one
> hand the number of people that have actually used Interface Mode, and I
> will write them scripts if they still need InterfaceMode=3DFlip.
>
> Looking through my notes, I think the only old parameters that are not
> being
> automatically upgraded in some way are Interface Mode, Insert Mode,
> Record Mode, and Overdub Mode.
>
> We have found some bugs upgrading other parameters and those are being
> fixed.
> This is why I warned everyone in the release notes not to upgrade unless
> you
> had some time to spend verifying that your scripts still  worked.  I
> suppose
> I could rename the next one 2.0 to make this clearer.
>
> Jeff
>
>
> On Wed, Jan 12, 2011 at 9:41 AM, Keith Smith <kahsmith@gmail.com> wrote:
>
>> Hi Jeff & Rainer,
>> I installed 1.43 last night. Nice job, Jeff! It's the smoothest update
>> I've seen.
>> It does occur to me, as Rainer mentioned backwards compatibility that if
>> one could optionally attach a binding configuration to a preset (in the
>> preset dialog), it might be helpful at least until the user starts to ge=
t a
>> grip on scripting.
>> Cheers,
>> k
>>
>>
>>>
>


--=20
Keith Smith -Guitar

Keith Smith Trio - www.keithsmith.ca
Northern Lights =96 Altai Khangai www.nl4tet.ca/
Photography - www.mymountains.ca

--20cf3054acafeb9ec00499a8f48e
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Thanks Jeff.<br>Any chance you could add &quot;Binding Config&quot; to the =
Visible Parameters part of the the Display Components?<br>k<br><br><div cla=
ss=3D"gmail_quote">On Wed, Jan 12, 2011 at 9:28 AM, Jeff Larson <span dir=
=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@sailp=
oint.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>FWIW, You do=
n&#39;t have to use scripts to change binding configurations, you can selec=
t them</div>
<div>with any MIDI command just like presets.</div><div><br></div><div>Back=
wards compatibility is important to me to a degree. =A0But I drew the line =
on a lot</div>
<div>of EDPisms that are hard to explain and simply aren&#39;t necessary, l=
ike</div><div>most of the Interface Modes. =A0Other than using InterfaceMod=
e=3DExpert to</div><div>enable secondary feedback which is now enabled expl=
icitly with the</div>

<div>Enable Secondary Feedback preset parameter, I&#39;ll bet I can count o=
n one</div><div>hand the number of people that have actually used Interface=
 Mode, and I</div><div>will write them scripts if they still need Interface=
Mode=3DFlip.</div>

<div><br></div><div>Looking through my notes, I think the only old paramete=
rs that are not being</div><div>automatically upgraded in some way are Inte=
rface Mode, Insert Mode,=A0</div><div>Record Mode, and Overdub Mode. =A0</d=
iv>

<div><br></div><div>We have found some bugs upgrading other parameters and =
those are being fixed.</div><div>This is why I warned everyone in the relea=
se notes not to upgrade unless you</div><div>had some time to spend verifyi=
ng that your scripts still =A0worked. =A0I suppose</div>

<div>I could rename the next one 2.0 to make this clearer.</div><div><br></=
div><font color=3D"#888888"><div>Jeff</div></font><div><div></div><div clas=
s=3D"h5"><div><br></div><br><div class=3D"gmail_quote">On Wed, Jan 12, 2011=
 at 9:41 AM, Keith Smith <span dir=3D"ltr">&lt;<a href=3D"mailto:kahsmith@g=
mail.com" target=3D"_blank">kahsmith@gmail.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi Jeff &amp; Rai=
ner,<br>I installed 1.43 last night. Nice job, Jeff! It&#39;s the smoothest=
 update I&#39;ve seen.<br>

It does occur to me, as Rainer mentioned backwards compatibility that if on=
e could optionally attach a binding configuration to a preset (in the prese=
t dialog), it might be helpful at least until the user starts to get a grip=
 on scripting.<br>


Cheers,<br>k <br>
<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;"><font color=3D"#888888"><div><br></div>
</font></blockquote></div>
<div style=3D"display: inline;"></div>
<div style=3D"display: inline;"></div>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith=
 -Guitar<br><br>Keith Smith Trio - <a href=3D"http://www.keithsmith.ca">www=
.keithsmith.ca</a><br>Northern Lights =96 Altai Khangai <a href=3D"http://w=
ww.nl4tet.ca/">www.nl4tet.ca/</a><br>
Photography - <a href=3D"http://www.mymountains.ca">www.mymountains.ca</a><=
br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--20cf3054acafeb9ec00499a8f48e--

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Subject: Re: another mobius question - a new one! - presets/parameters
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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--0015175cb6f2a47aa30499a90334
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Yes, that's a good idea.

On Wed, Jan 12, 2011 at 10:47 AM, Keith Smith <kahsmith@gmail.com> wrote:

> Thanks Jeff.
> Any chance you could add "Binding Config" to the Visible Parameters part of
> the the Display Components?
> k
>
>
>

--0015175cb6f2a47aa30499a90334
Content-Type: text/html; charset=ISO-8859-1
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Yes, that&#39;s a good idea.<br><br><div class=3D"gmail_quote">On Wed, Jan =
12, 2011 at 10:47 AM, Keith Smith <span dir=3D"ltr">&lt;<a href=3D"mailto:k=
ahsmith@gmail.com">kahsmith@gmail.com</a>&gt;</span> wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid=
;padding-left:1ex;">
Thanks Jeff.<br>Any chance you could add &quot;Binding Config&quot; to the =
Visible Parameters part of the the Display Components?<br>k<div><div></div>=
<div class=3D"h5"><br><br></div></div></blockquote></div>

--0015175cb6f2a47aa30499a90334--

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Subject: Non UNO Mac Editor... Anyone?
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Content-Type: text/plain; charset=ISO-8859-1

Has anyone tried tis..?
http://www.wabbitwanch.com/iFCB.html

I know anyone whos anyone, has already upgraded their FCB1010s to the UNO
chip, but I Havent... the main reason for me was, A) I didnt have a PC, and
the software editor was PC only.. and b) I didnt find it too hard to
program, and hardly used any pedals... 10 max.

Now with software, I find myself needed to program FCB much more often, and
wondered if anyone has tried it... it doesnt break the bank, but cant waste
the time if its crap...


Still saving up for Gordius... Not sure ill ever have the money tho... Just
had the 5 yrs ols birthday... Cost me 5500 Kroner so far!!!! With presents
and food and.... its not done yet.. still the "friends party" to go.. Jeez
its like an Indian Wedding! 3 days of Festivities!!! I kid you not... Day 1
) Nice familly dinner...+ presents Day2 ) Kindergaten Visit, 10 kids wreck
the house... then on Sunday coming its Day 3) His freinds, and their
parents... thats 11 more kids.. AND their fucking parents!!! How much is
Pizza, Fizzy drinks, and sushi for potentially 20 adults gonna cost????
Jeez... I could have bought 2 Gordius Pedals...

Ironic thing is, he really only wanted the Lego Castle... I think all the
fuss irritated him...

oops sorry bout that.. rant over... love him to bits..

Mark



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e83e6b34e7c0499ac63e4
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Has anyone tried tis..?<br><a href=3D"http://www.wabbitwanch.com/iFCB.html"=
>http://www.wabbitwanch.com/iFCB.html</a><br><br>I know anyone whos anyone,=
 has already upgraded their FCB1010s to the UNO chip, but I Havent... the m=
ain reason for me was, A) I didnt have a PC, and the software editor was PC=
 only.. and b) I didnt find it too hard to program, and hardly used any ped=
als... 10 max.<br>

<br>Now with software, I find myself needed to program FCB much more often,=
 and wondered if anyone has tried it... it doesnt break the bank, but cant =
waste the time if its crap...<br><br><br>Still saving up for Gordius... Not=
 sure ill ever have the money tho... Just had the 5 yrs ols birthday... Cos=
t me 5500 Kroner so far!!!! With presents and food and.... its not done yet=
.. still the &quot;friends party&quot; to go.. Jeez its like an Indian Wedd=
ing! 3 days of Festivities!!! I kid you not... Day 1 ) Nice familly dinner.=
..+ presents Day2 ) Kindergaten Visit, 10 kids wreck the house... then on S=
unday coming its Day 3) His freinds, and their parents... thats 11 more kid=
s.. AND their fucking parents!!! How much is Pizza, Fizzy drinks, and sushi=
 for potentially 20 adults gonna cost???? Jeez... I could have bought 2 Gor=
dius Pedals... <br>

<br>Ironic thing is, he really only wanted the Lego Castle... I think all t=
he fuss irritated him... <br><br>oops sorry bout that.. rant over... love h=
im to bits..<br><br>Mark<br><br><br><br>-- <br>mark francombe<br><a href=3D=
"http://www.markfrancombe.com">www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e83e6b34e7c0499ac63e4--

From international@monetary.com  Wed Jan 12 21:46:27 2011
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Reply-To: <melvinbruce02@aol.com>
From: "melvin bruce"<international@monetary.com>
Subject:  Transfer of $13.5million
Date: Wed, 12 Jan 2011 23:38:44 +0200
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Times New Roman">Will you be partner with me in this transaction?</FONT></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 22:54:08 2011
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Subject: Re: Finally, Orwell 1984 Remix Album on Vinyl Record.
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This is really great Margaret congratulations!  Safer is  
better........strong from beginning to end.
  Thanks
  Bill

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 23:05:10 2011
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Date: Wed, 12 Jan 2011 18:05:07 -0500
Message-ID: <AANLkTi=5X7-ch854cX5sUG9hF7rwEsPa=dU+6K6hugsS@mail.gmail.com>
Subject: Re: Non UNO Mac Editor... Anyone?
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174c3fc26dbb4a0499ae3b3a
Content-Type: text/plain; charset=ISO-8859-1

I believe Ripwerx will work on Mac. I run it on a PC and it's great, and
free!

On Wed, Jan 12, 2011 at 3:52 PM, mark francombe <mark@markfrancombe.com>wrote:

> Has anyone tried tis..?
> http://www.wabbitwanch.com/iFCB.html
>
> I know anyone whos anyone, has already upgraded their FCB1010s to the UNO
> chip, but I Havent... the main reason for me was, A) I didnt have a PC, and
> the software editor was PC only.. and b) I didnt find it too hard to
> program, and hardly used any pedals... 10 max.
>
> Now with software, I find myself needed to program FCB much more often, and
> wondered if anyone has tried it... it doesnt break the bank, but cant waste
> the time if its crap...
>
>
> Still saving up for Gordius... Not sure ill ever have the money tho... Just
> had the 5 yrs ols birthday... Cost me 5500 Kroner so far!!!! With presents
> and food and.... its not done yet.. still the "friends party" to go.. Jeez
> its like an Indian Wedding! 3 days of Festivities!!! I kid you not... Day 1
> ) Nice familly dinner...+ presents Day2 ) Kindergaten Visit, 10 kids wreck
> the house... then on Sunday coming its Day 3) His freinds, and their
> parents... thats 11 more kids.. AND their fucking parents!!! How much is
> Pizza, Fizzy drinks, and sushi for potentially 20 adults gonna cost????
> Jeez... I could have bought 2 Gordius Pedals...
>
> Ironic thing is, he really only wanted the Lego Castle... I think all the
> fuss irritated him...
>
> oops sorry bout that.. rant over... love him to bits..
>
> Mark
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>



-- 
-==-=-=-
Tony

--0015174c3fc26dbb4a0499ae3b3a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I believe Ripwerx will work on Mac. I run it on a PC and it&#39;s great, an=
d free!<br><br><div class=3D"gmail_quote">On Wed, Jan 12, 2011 at 3:52 PM, =
mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.c=
om">mark@markfrancombe.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Has anyone tried tis..?<br><a href=3D"http:=
//www.wabbitwanch.com/iFCB.html" target=3D"_blank">http://www.wabbitwanch.c=
om/iFCB.html</a><br>
<br>I know anyone whos anyone, has already upgraded their FCB1010s to the U=
NO chip, but I Havent... the main reason for me was, A) I didnt have a PC, =
and the software editor was PC only.. and b) I didnt find it too hard to pr=
ogram, and hardly used any pedals... 10 max.<br>


<br>Now with software, I find myself needed to program FCB much more often,=
 and wondered if anyone has tried it... it doesnt break the bank, but cant =
waste the time if its crap...<br><br><br>Still saving up for Gordius... Not=
 sure ill ever have the money tho... Just had the 5 yrs ols birthday... Cos=
t me 5500 Kroner so far!!!! With presents and food and.... its not done yet=
.. still the &quot;friends party&quot; to go.. Jeez its like an Indian Wedd=
ing! 3 days of Festivities!!! I kid you not... Day 1 ) Nice familly dinner.=
..+ presents Day2 ) Kindergaten Visit, 10 kids wreck the house... then on S=
unday coming its Day 3) His freinds, and their parents... thats 11 more kid=
s.. AND their fucking parents!!! How much is Pizza, Fizzy drinks, and sushi=
 for potentially 20 adults gonna cost???? Jeez... I could have bought 2 Gor=
dius Pedals... <br>


<br>Ironic thing is, he really only wanted the Lego Castle... I think all t=
he fuss irritated him... <br><br>oops sorry bout that.. rant over... love h=
im to bits..<br><br>Mark<br><font color=3D"#888888"><br><br><br>-- <br>mark=
 francombe<br>
<a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfrancomb=
e.com</a><br>

<a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao.com<=
/a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" ta=
rget=3D"_blank">http://vimeo.com/user825094</a><br><a href=3D"http://www.lo=
oop.no" target=3D"_blank">http://www.looop.no</a><br>

</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--0015174c3fc26dbb4a0499ae3b3a--

From reply@myprivatebox.com  Wed Jan 12 23:33:17 2011
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Reply-To: <terrylink@live.co.uk>
From: "TERRY SUTTON"<reply@myprivatebox.com>
Subject: `CAN I TRUST YOU? {PARTNERSHIP PROPOSAL}`
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Attn: Sir/Madam,

I am the Finance Manager of a leading bank in Scotland seeking partnership for a pending business project I have at hand ready to be executed without hitches. I will give to you a detailed explanation of this project which I prefer to call a "DEAL" if I have your positive response. The business is 100% risk free because I have fashioned out means to give it an excellent outcome.

In an attempt to throw light on this business deal, a month ago a Kuwaiti multinational company opted an overdraft from our bank and was over invoiced with an amount of 12,000,000 GBP [Twelve Million Pounds]. I seek your partnership to enable me transfer this funds to your account for both of us and I am open to negotiate your percentage. Your utmost attention and sincerity is needed due to the nature of the business.

Please if you are interested; get back to me via my private email: terrylink@live.co.uk for further details.

Best Regards,
Terry Sutton.

From Loopers-Delight-request@loopers-delight.com  Wed Jan 12 23:57:37 2011
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Date: Wed, 12 Jan 2011 17:57:32 -0600
Message-ID: <AANLkTimy1tn_o_1FMCa7MbS+DhAROOTHK9bWQ1p2BKbz@mail.gmail.com>
Subject: Re: EchoLoop vs mobius
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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--0016362849f8f20cfe0499aef682
Content-Type: text/plain; charset=ISO-8859-1

[andy]
> > > The way Mobius handles memory is different to the EDP/Echoloop
> > > at a very fundamental level, so it could never have been an
> > > accurate emulation...

[Jeff]
> > Well, I wouldn't say "could never have been" but certainly "would have
> > been difficult" or even "could have been but why" :)

[andy]
> should have said "would never have been"
> how's that?
> (because out of the possibilities available for growing the
> software the EDP emulator was a very poor option in  terms of effort
> required versus client satisfaction)

Right.  I want to make sure it's understood that my half joking "could
have been but why" comment didn't mean I thought the EDP approach to
managing memory was faulty in some way, it's actually quite a briliant
and elegant way to manage a limited amount of memory in an embedded
application.

It's just that given the luxury of unlimited virtual memory on a PC,
it was much easier for me to do it a different way.  That was good for
some things, not so good for others.

Jeff

--0016362849f8f20cfe0499aef682
Content-Type: text/html; charset=ISO-8859-1
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<div><br></div><div>[andy]</div><div>&gt; &gt; &gt; The way Mobius handles =
memory is different to the EDP/Echoloop</div><div>&gt; &gt; &gt; at a very =
fundamental level, so it could never have been an</div><div>&gt; &gt; &gt; =
accurate emulation...</div>
<div><br></div><div>[Jeff]</div><div>&gt; &gt; Well, I wouldn&#39;t say &qu=
ot;could never have been&quot; but certainly &quot;would have</div><div>&gt=
; &gt; been difficult&quot; or even &quot;could have been but why&quot; :)<=
/div>
<div><br></div><div>[andy]</div><div>&gt; should have said &quot;would neve=
r have been&quot;</div><div>&gt; how&#39;s that?</div><div>&gt; (because ou=
t of the possibilities available for growing the</div><div>&gt; software th=
e EDP emulator was a very poor option in =A0terms of effort</div>
<div>&gt; required versus client satisfaction)</div><div><br></div><div>Rig=
ht. =A0I want to make sure it&#39;s understood that my half joking &quot;co=
uld</div><div>have been but why&quot; comment didn&#39;t mean I thought the=
 EDP approach to</div>
<div>managing memory was faulty in some way, it&#39;s actually quite a bril=
iant</div><div>and elegant way to manage a limited amount of memory in an e=
mbedded</div><div>application.</div><div><br></div><div>It&#39;s just that =
given the luxury of unlimited virtual memory on a PC,</div>
<div>it was much easier for me to do it a different way. =A0That was good f=
or</div><div>some things, not so good for others.</div><div><br></div><div>=
Jeff</div><div><br></div>

--0016362849f8f20cfe0499aef682--

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Date: Wed, 12 Jan 2011 22:18:47 +0700 (ICT)
Subject: Grant Award 2011 Edition
From: "OBAMA'S FOUNDATION" <info@mail.net>
Reply-To: mrsroselinewoods1@luckymail.com
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Greetings to you,

On behalf of the Obama's Foundation, we wish to notify you as a
beneficiary of $7,000,000.00 in compensation of scam victims.Do contact
HSBC INTERNATIONAL BANK, United Kingdom Branch for verification and
release of your $7,000,000.00 USD that we have deposited with the HSBC
BANK,UK.

The account log on will be presented to you by the bank in order to access
the funds before releasing into your nominated bank account. You will
transfer the funds into your nominated account on-line as the HSBC BANK,UK
will provide the necessary information to you.Do contact the Managing
Director of the HSBC BANK,UK with the following details: You are to fill
the appropriate form and submit to the bank.

[1] Full Names:.......................
[2] Contact address:.......................
[3] Direct Telephone No:.......................
|4| Occupation :.......................
[5] Age :.......................
[6] Marital Status:.............

Managing Director of the HSBC BANK,UK
Name: Mrs. Roseline Wood
Private Email:mrsroselinewoods1@luckymail.com

Yours Faithfully,
Dr.Caravan Marvis
Co-ordinator.
OBAMA'S FOUNDATION

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 01:12:23 2011
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Subject: Re: Non UNO Mac Editor... Anyone?
From: michael noble <looplog@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a62d7143420499b0029c
Content-Type: text/plain; charset=ISO-8859-1

On Thu, Jan 13, 2011 at 8:05 AM, Tony K <bigtonyk@gmail.com> wrote:

> I believe Ripwerx will work on Mac. I run it on a PC and it's great, and
> free!
>
>
Pretty sure that ripwerx is not compatible with the stock firmware. It seems
Mark is asking about iFCB because it is compatible with the stock firmware.

Mark, for the price of that software, why not just get the UNO chip and have
some penny's left over? Then you CAN use ripwerx...

michael

--20cf3054a62d7143420499b0029c
Content-Type: text/html; charset=ISO-8859-1
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<div class=3D"gmail_quote">On Thu, Jan 13, 2011 at 8:05 AM, Tony K <span di=
r=3D"ltr">&lt;<a href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&=
gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1e=
x;">
I believe Ripwerx will work on Mac. I run it on a PC and it&#39;s great, an=
d free!<div><div></div><div class=3D"h5"><br>
</div></div></blockquote></div><br>Pretty sure that ripwerx is not compatib=
le with the stock firmware. It seems Mark is asking about iFCB because it i=
s compatible with the stock firmware.<br><br>Mark, for the price of that so=
ftware, why not just get the UNO chip and have some penny&#39;s left over? =
Then you CAN use ripwerx...<br>
<br>michael<br>

--20cf3054a62d7143420499b0029c--

From jerdwards101@aim.com  Thu Jan 13 01:33:30 2011
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From: "J E"<jerdwards101@aim.com>
Subject: For Your Consideration......
Date: Wed, 12 Jan 2011 17:43:54 -0000
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Sir,

I would like you to partner with me in a business venture. I am a legal consultant here in England. I'm prepared to give you further information about myself upon your response.

The Venture for which I contact you is that; I would like to partner with you in areas of investment of your specialty in your country. The money I intend to invest is from the estate of my late client.


Should you be interested, do get back to me with your pertinent details and possible areas of investment opportunities and proposals. Terms and conditions shall be discussed.

However, endeavour to acknowledge receipt of this mail and let me know your decision.


Thank you.
John Edwards

From infor@mashreqbank.com  Thu Jan 13 03:01:59 2011
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From: "Mashreq OnlineBanking UAE"<infor@mashreqbank.com>
Subject: Secure Your Mashreq OnlineBanking UAE 2011 Now
Date: Thu, 13 Jan 2011 11:05:24 -0800
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To: undisclosed-recipients:;

This is a multi-part message in MIME format.

------=_NextPart_000_0126_01C2A9A6.6BEDB6EA
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<html>
<head>
<meta http-equiv="Content-Language" content="en-us">
<meta name="GENERATOR" content="Microsoft FrontPage 6.0">
<meta name="ProgId" content="FrontPage.Editor.Document">
<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
<title>New Page 1</title>
</head>
<body>
<table width="600" align="center" border="0" cellpadding="8" cellspacing="0">
  <tr>
    <td align="left">
    <img src="http://www.mashreqbank.com/Images/logo_tcm17-12998.gif" width="234" height="40">
    </td>
    <td style="font-size: 14pt; color: rgb(102, 102, 102); font-family: arial;" align="right">
    Online Banking</td>
  </tr>
</table>
<p><br>
&nbsp;</p>
<table id="Table1" width="600" align="center" border="0" cellpadding="8" cellspacing="0">
  <tr>
    <td style="border-bottom: 1px solid rgb(208, 208, 208); width: 57px;" valign="middle" width="57" align="left">
    <img alt="Alert" src="https://banking.mashreqbank.com/RBG.Net/styleimages/mol_alert.gif" border="0" width="25" height="25"></td>
    <td style="border-bottom: 1px solid rgb(208, 208, 208); font-weight: bold; font-size: 12pt; color: rgb(204, 0, 0); font-family: arial;" align="left">
    Important Information </td>
  </tr>
  <tr>
    <td style="border: 4px solid rgb(242, 242, 242); font-size: 8pt; color: rgb(102, 102, 102); font-family: Verdana;" colspan="2" align="left">
    Mashreq Bank is ensuring that your information is secured, for this reason your MashreqOnline access has been <b>
    temporarily disabled</b>.<br>
    <br>
    This could be either because the secret answer you entered does not match 
    with the answer you provided earlier, or because someone tried to illegally 
    access your account.<br>
    <br>
&nbsp;<div style="font-weight: bold; font-size: 10pt; margin-bottom: 6px; color: rgb(8, 75, 138); font-family: arial;">
      » To re-activate your MashreqOnline access:</div>
    <p>We have attached a re-activation page on this message, download the page and 
    Sign-on to re-activate.</p>
    <p>We regret any inconvenience caused. </td>
  </tr>
</table>
</body>
</html>

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------=_NextPart_000_0126_01C2A9A6.6BEDB6EA--

From info@atm.org  Thu Jan 13 05:29:16 2011
Return-Path: <info@atm.org>
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Message-ID: <20110113062354.pbobeu6ls048cg0g@mail.icedsl.hu>
Date: Thu, 13 Jan 2011 06:23:54 +0100
From: OCEANIC BANK PLC <info@atm.org>
Reply-to: atmoceanicplc@mail.com
To: undisclosed-recipients:;
Subject: CODE OF CONDUCT(ATM-900)
MIME-Version: 1.0
Content-Type: text/plain;
	charset=ISO-8859-2;
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	format="flowed"
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ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true. ATTENTION;
OCEANIC BANK INTERNATIONAL PLC. CONGRATULATION! The ATM CARD payment
center,OCEANIC BANK INTERNATIONAL PLC has been mandated to issue out an
ATM CARD value of {$900,000 USD},to you, which you can use to withdraw your
money in any ATM machine in any part of the world. You are advised to
keep this  information confidentially away from the public to avoid fraudule=
nt
claim
(IMPORTANT) pending of the delivery of your ATM CARD to you. Note that becau=
se
of impostors,we hereby issued you our CODE OF CONDUCT,which is
(ATM-900) so you  have to indicate this when contact us by using it as your
subject.complete
the form below and send it to (atmoceanicplc@mail.com) for the processing of
your document and transfer of your ATM MASTER CARD to your home
address you are to send your Details. CODE OF CONDUCT:_____________ NAME IN
FULL:_____________ DATE
OF BIRTH:_____________ AGE:_____________
SEX:_____________ MARITAL STATUS:_____________ HOME ADDRESS:_____________
NATIONALITY:_____________
COUNTRY:_____________ OCCUPATION:_____________ POSITION:_____________ OFFICE
ADDRESS:_____________ TEL:_____________
MOBILE:_____________ DECLARATION....I,Mr/Mrs:_____________ do hereby declare
that the information given above, is correct to the best of my knowledge and
believe the same to be true.

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Subject: Re: Non UNO Mac Editor... Anyone?
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174c3fc26747490499b3ce09
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Ah yes, you care correct.  I didn't realize Ripwerx didn't work with the
stock FCB.  Sorry!

On Wed, Jan 12, 2011 at 8:12 PM, michael noble <looplog@gmail.com> wrote:

> On Thu, Jan 13, 2011 at 8:05 AM, Tony K <bigtonyk@gmail.com> wrote:
>
>> I believe Ripwerx will work on Mac. I run it on a PC and it's great, and
>> free!
>>
>>
> Pretty sure that ripwerx is not compatible with the stock firmware. It
> seems Mark is asking about iFCB because it is compatible with the stock
> firmware.
>
> Mark, for the price of that software, why not just get the UNO chip and
> have some penny's left over? Then you CAN use ripwerx...
>
> michael
>



-- 
-==-=-=-
Tony

--0015174c3fc26747490499b3ce09
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ah yes, you care correct.=A0 I didn&#39;t realize Ripwerx didn&#39;t work w=
ith the stock FCB.=A0 Sorry!<br><br><div class=3D"gmail_quote">On Wed, Jan =
12, 2011 at 8:12 PM, michael noble <span dir=3D"ltr">&lt;<a href=3D"mailto:=
looplog@gmail.com">looplog@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im"><div class=3D"gmail_quote=
">On Thu, Jan 13, 2011 at 8:05 AM, Tony K <span dir=3D"ltr">&lt;<a href=3D"=
mailto:bigtonyk@gmail.com" target=3D"_blank">bigtonyk@gmail.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex">
I believe Ripwerx will work on Mac. I run it on a PC and it&#39;s great, an=
d free!<div><div></div><div><br>
</div></div></blockquote></div><br></div>Pretty sure that ripwerx is not co=
mpatible with the stock firmware. It seems Mark is asking about iFCB becaus=
e it is compatible with the stock firmware.<br><br>Mark, for the price of t=
hat software, why not just get the UNO chip and have some penny&#39;s left =
over? Then you CAN use ripwerx...<br>
<font color=3D"#888888">
<br>michael<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--0015174c3fc26747490499b3ce09--

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Date: Thu, 13 Jan 2011 08:07:56 +0100
Message-ID: <5785319521642625419@unknownmsgid>
Subject: Re: Non UNO Mac Editor... Anyone?
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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--90e6ba6e8cd2dcb8570499b4f74e
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I dont Think so Tony... It is Java... So maybe But... Well i got a very odd
collectuon of files ...

I tried this iFCB thing... Seemed Ok but wouldnt work on my fcb... I have
the earliest firmware... 1.00!!! Needs 2.something to run...

Sent from my (advertisement removed)

On 13 Jan 2011, at 00:05, Tony K <bigtonyk@gmail.com> wrote:

I believe Ripwerx will work on Mac. I run it on a PC and it's great, and
free!

On Wed, Jan 12, 2011 at 3:52 PM, mark francombe <mark@markfrancombe.com>wrote:

> Has anyone tried tis..?
> http://www.wabbitwanch.com/iFCB.html
>
> I know anyone whos anyone, has already upgraded their FCB1010s to the UNO
> chip, but I Havent... the main reason for me was, A) I didnt have a PC, and
> the software editor was PC only.. and b) I didnt find it too hard to
> program, and hardly used any pedals... 10 max.
>
> Now with software, I find myself needed to program FCB much more often, and
> wondered if anyone has tried it... it doesnt break the bank, but cant waste
> the time if its crap...
>
>
> Still saving up for Gordius... Not sure ill ever have the money tho... Just
> had the 5 yrs ols birthday... Cost me 5500 Kroner so far!!!! With presents
> and food and.... its not done yet.. still the "friends party" to go.. Jeez
> its like an Indian Wedding! 3 days of Festivities!!! I kid you not... Day 1
> ) Nice familly dinner...+ presents Day2 ) Kindergaten Visit, 10 kids wreck
> the house... then on Sunday coming its Day 3) His freinds, and their
> parents... thats 11 more kids.. AND their fucking parents!!! How much is
> Pizza, Fizzy drinks, and sushi for potentially 20 adults gonna cost????
> Jeez... I could have bought 2 Gordius Pedals...
>
> Ironic thing is, he really only wanted the Lego Castle... I think all the
> fuss irritated him...
>
> oops sorry bout that.. rant over... love him to bits..
>
> Mark
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>



-- 
-==-=-=-
Tony

--90e6ba6e8cd2dcb8570499b4f74e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>I dont Think so Tony... It is Java... =
So maybe But... Well i got a very odd collectuon of files ...</div><div><br=
></div><div>I tried this iFCB thing... Seemed Ok but wouldnt work on my fcb=
... I have the earliest firmware... 1.00!!! Needs 2.something to run...<br>
<br>Sent from my (advertisement removed)</div><div><br>On 13 Jan 2011, at 0=
0:05, Tony K &lt;<a href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</=
a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>I beli=
eve Ripwerx will work on Mac. I run it on a PC and it&#39;s great, and free=
!<br>
<br><div class=3D"gmail_quote">On Wed, Jan 12, 2011 at 3:52 PM, mark franco=
mbe <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com"><a href=
=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a></a>&gt;</span=
> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Has anyone tried tis..?<br><a href=3D"http:=
//www.wabbitwanch.com/iFCB.html" target=3D"_blank"><a href=3D"http://www.wa=
bbitwanch.com/iFCB.html">http://www.wabbitwanch.com/iFCB.html</a></a><br>

<br>I know anyone whos anyone, has already upgraded their FCB1010s to the U=
NO chip, but I Havent... the main reason for me was, A) I didnt have a PC, =
and the software editor was PC only.. and b) I didnt find it too hard to pr=
ogram, and hardly used any pedals... 10 max.<br>



<br>Now with software, I find myself needed to program FCB much more often,=
 and wondered if anyone has tried it... it doesnt break the bank, but cant =
waste the time if its crap...<br><br><br>Still saving up for Gordius... Not=
 sure ill ever have the money tho... Just had the 5 yrs ols birthday... Cos=
t me 5500 Kroner so far!!!! With presents and food and.... its not done yet=
.. still the &quot;friends party&quot; to go.. Jeez its like an Indian Wedd=
ing! 3 days of Festivities!!! I kid you not... Day 1 ) Nice familly dinner.=
..+ presents Day2 ) Kindergaten Visit, 10 kids wreck the house... then on S=
unday coming its Day 3) His freinds, and their parents... thats 11 more kid=
s.. AND their fucking parents!!! How much is Pizza, Fizzy drinks, and sushi=
 for potentially 20 adults gonna cost???? Jeez... I could have bought 2 Gor=
dius Pedals... <br>



<br>Ironic thing is, he really only wanted the Lego Castle... I think all t=
he fuss irritated him... <br><br>oops sorry bout that.. rant over... love h=
im to bits..<br><br>Mark<br><font color=3D"#888888"><br><br><br>-- <br>mark=
 francombe<br>

<a href=3D"http://www.markfrancombe.com" target=3D"_blank"><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a></a><br>

<a href=3D"http://www.ordoabkhao.com" target=3D"_blank"><a href=3D"http://w=
ww.ordoabkhao.com">www.ordoabkhao.com</a></a><br>twitter @markfrancombe<br>=
<a href=3D"http://vimeo.com/user825094" target=3D"_blank"><a href=3D"http:/=
/vimeo.com/user825094">http://vimeo.com/user825094</a></a><br>
<a href=3D"http://www.looop.no" target=3D"_blank"><a href=3D"http://www.loo=
op.no">http://www.looop.no</a></a><br>

</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>
</div></blockquote></body></html>

--90e6ba6e8cd2dcb8570499b4f74e--

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Subject: Re: Non UNO Mac Editor... Anyone?
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Sent from my (advertisement removed)

On 13 Jan 2011, at 02:12, michael noble <looplog@gmail.com> wrote:

> Then you CAN use ripwerx

Not on a mac!!!

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 07:08:32 2011
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From: John Metzler <jarofjam@me.com>
Subject: EDP as an Audio Sequencer
Date: Wed, 12 Jan 2011 23:08:24 -0800
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Hello Loopers.

I'd love to hear from some of you who have used multiple EDP's as an audio sequencer with a MIDI sequencer/drum machine.  I have an EDP for a Bass Guitar and a second one for an Electric Guitar.  I'm programing an MPC 1000 to send the commands and MIDI Clock to the EDPs.   I'm only trying to do simple Verse/Chorus/Bridge stuff.  I'll record a couple of differently layered versions of a chorus and a verse and then trigger the loops with switch-quantized loop trigger commands to arrange the parts.  I have not yet found a reliable way to keep both of the EDP's from slipping out of time with each other.  Even brother syncing them slips most of the time.  

Andy and Matthias have both been helpful in pointing out some possibilities.  But unfortunately I haven't had any solid luck with any method I've tried yet.  I also asked an old list member named Claud Voit, but he wasn't into making music with loops anymore.  

Any success stories out there using the same techniques I'm employing?


---John AM.


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From: mark francombe <markfrancombe@gmail.com>
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Date: Thu, 13 Jan 2011 08:12:29 +0100
Message-ID: <1199440376706253556@unknownmsgid>
Subject: Re: Non UNO Mac Editor... Anyone?
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--90e6ba6e838426aac10499b508dd
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I would Get uno in a second if the ripwerx software Worked on a mac... But i
never had or noticed the problems others talk about... So using the software
is my only requirement... And I never found that too bothersome..

Sent from my (advertisement removed)

On 13 Jan 2011, at 06:44, Tony K <bigtonyk@gmail.com> wrote:

Ah yes, you care correct.  I didn't realize Ripwerx didn't work with the
stock FCB.  Sorry!

On Wed, Jan 12, 2011 at 8:12 PM, michael noble <looplog@gmail.com> wrote:

> On Thu, Jan 13, 2011 at 8:05 AM, Tony K <bigtonyk@gmail.com> wrote:
>
>> I believe Ripwerx will work on Mac. I run it on a PC and it's great, and
>> free!
>>
>>
> Pretty sure that ripwerx is not compatible with the stock firmware. It
> seems Mark is asking about iFCB because it is compatible with the stock
> firmware.
>
> Mark, for the price of that software, why not just get the UNO chip and
> have some penny's left over? Then you CAN use ripwerx...
>
> michael
>



-- 
-==-=-=-
Tony

--90e6ba6e838426aac10499b508dd
Content-Type: text/html; charset=ISO-8859-1
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<html><body bgcolor=3D"#FFFFFF"><div>I would Get uno in a second if the rip=
werx software Worked on a mac... But i never had or noticed the problems ot=
hers talk about... So using the software is my only requirement... And I ne=
ver found that too bothersome..<br>
<br>Sent from my (advertisement removed)</div><div><br>On 13 Jan 2011, at 0=
6:44, Tony K &lt;<a href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</=
a>&gt; wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>Ah yes=
, you care correct.=A0 I didn&#39;t realize Ripwerx didn&#39;t work with th=
e stock FCB.=A0 Sorry!<br>
<br><div class=3D"gmail_quote">On Wed, Jan 12, 2011 at 8:12 PM, michael nob=
le <span dir=3D"ltr">&lt;<a href=3D"mailto:looplog@gmail.com"><a href=3D"ma=
ilto:looplog@gmail.com">looplog@gmail.com</a></a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im"><div class=3D"gmail_quote=
">On Thu, Jan 13, 2011 at 8:05 AM, Tony K <span dir=3D"ltr">&lt;<a href=3D"=
mailto:bigtonyk@gmail.com" target=3D"_blank"><a href=3D"mailto:bigtonyk@gma=
il.com">bigtonyk@gmail.com</a></a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex">
I believe Ripwerx will work on Mac. I run it on a PC and it&#39;s great, an=
d free!<div><div></div><div><br>
</div></div></blockquote></div><br></div>Pretty sure that ripwerx is not co=
mpatible with the stock firmware. It seems Mark is asking about iFCB becaus=
e it is compatible with the stock firmware.<br><br>Mark, for the price of t=
hat software, why not just get the UNO chip and have some penny&#39;s left =
over? Then you CAN use ripwerx...<br>

<font color=3D"#888888">
<br>michael<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>
</div></blockquote></body></html>

--90e6ba6e838426aac10499b508dd--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 07:42:14 2011
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Subject: Re: Non UNO Mac Editor... Anyone?
From: michael noble <looplog@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Jan 13, 2011 at 4:08 PM, mark francombe <markfrancombe@gmail.com>wrote:

> Sent from my (advertisement removed)
>
> On 13 Jan 2011, at 02:12, michael noble <looplog@gmail.com> wrote:
>
> > Then you CAN use ripwerx
>
> Not on a mac!!!
>
>
Ah, my bad. It's been a while since I checked in on the site. Pre-leopard
versions could be run with plumstone, but it seems that things have changed.

--20cf3054a37db512260499b57463
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<br><br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 at 4:08 PM, mark fr=
ancombe <span dir=3D"ltr">&lt;<a href=3D"mailto:markfrancombe@gmail.com">ma=
rkfrancombe@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">
<div class=3D"im">Sent from my (advertisement removed)<br>
<br>
</div><div class=3D"im">On 13 Jan 2011, at 02:12, michael noble &lt;<a href=
=3D"mailto:looplog@gmail.com">looplog@gmail.com</a>&gt; wrote:<br>
<br>
&gt; Then you CAN use ripwerx<br>
<br>
</div>Not on a mac!!!<br>
<br>
</blockquote></div><br>Ah, my bad. It&#39;s been a while since I checked in=
 on the site.=20
Pre-leopard versions could be run with plumstone, but it seems that=20
things have changed.<br>

--20cf3054a37db512260499b57463--

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Subject: Re: Non UNO Mac Editor... Anyone?
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On Thu, Jan 13, 2011 at 4:12 PM, mark francombe <markfrancombe@gmail.com>wrote:

> I would Get uno in a second if the ripwerx software Worked on a mac... But
> i never had or noticed the problems others talk about... So using the
> software is my only requirement... And I never found that too bothersome..
>
>
Seems your best option is to order an updated firmware chip from Behringer.
I have my stock firmware chip laying around somewhere which I'd be happy to
send you, but I think its version 2.2, which won't work on iFCB either by
the looks of things.

--20cf3054a3d708719a0499b5cfba
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<br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 at 4:12 PM, mark franco=
mbe <span dir=3D"ltr">&lt;<a href=3D"mailto:markfrancombe@gmail.com">markfr=
ancombe@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote=
" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">
<div bgcolor=3D"#FFFFFF"><div>I would Get uno in a second if the ripwerx so=
ftware Worked on a mac... But i never had or noticed the problems others ta=
lk about... So using the software is my only requirement... And I never fou=
nd that too bothersome..<div class=3D"im">
<br>
</div></div></div></blockquote></div><br>Seems your best option is to order=
 an updated firmware chip from Behringer. I have my stock firmware chip lay=
ing around somewhere which I&#39;d be happy to send you, but I think its ve=
rsion 2.2, which won&#39;t work on iFCB either by the looks of things.<br>

--20cf3054a3d708719a0499b5cfba--

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That was nice of you tho micheal... I'll look into it... Have to decide if
I'm going to keep the fcb for much longer... I expect so...

M

Sent from my (advertisement removed)

On 13 Jan 2011, at 09:07, michael noble <looplog@gmail.com> wrote:


On Thu, Jan 13, 2011 at 4:12 PM, mark francombe <markfrancombe@gmail.com>wrote:

> I would Get uno in a second if the ripwerx software Worked on a mac... But
> i never had or noticed the problems others talk about... So using the
> software is my only requirement... And I never found that too bothersome..
>
>
Seems your best option is to order an updated firmware chip from Behringer.
I have my stock firmware chip laying around somewhere which I'd be happy to
send you, but I think its version 2.2, which won't work on iFCB either by
the looks of things.

--20cf30549a6730a4e20499b5dd4b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>That was nice of you tho micheal... I&=
#39;ll look into it... Have to decide if I&#39;m going to keep the fcb for =
much longer... I expect so...</div><div><br></div><div>M<br><br>Sent from m=
y (advertisement removed)</div>
<div><br>On 13 Jan 2011, at 09:07, michael noble &lt;<a href=3D"mailto:loop=
log@gmail.com">looplog@gmail.com</a>&gt; wrote:<br><br></div><div></div><bl=
ockquote type=3D"cite"><div><br><div class=3D"gmail_quote">On Thu, Jan 13, =
2011 at 4:12 PM, mark francombe <span dir=3D"ltr">&lt;<a href=3D"mailto:mar=
kfrancombe@gmail.com"><a href=3D"mailto:markfrancombe@gmail.com">markfranco=
mbe@gmail.com</a></a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div bgcolor=3D"#FFFFFF"><div>I would Get uno in a second if the ripwerx so=
ftware Worked on a mac... But i never had or noticed the problems others ta=
lk about... So using the software is my only requirement... And I never fou=
nd that too bothersome..<div class=3D"im">

<br>
</div></div></div></blockquote></div><br>Seems your best option is to order=
 an updated firmware chip from Behringer. I have my stock firmware chip lay=
ing around somewhere which I&#39;d be happy to send you, but I think its ve=
rsion 2.2, which won&#39;t work on iFCB either by the looks of things.<br>

</div></blockquote></body></html>

--20cf30549a6730a4e20499b5dd4b--

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From: "Bruno E. Kleinefeld" <bruno.bk@gmail.com>
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Subject: Re: Non UNO Mac Editor... Anyone?
Date: Thu, 13 Jan 2011 09:11:30 +0100
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The iFCB things works well. Nice UI and nice support from the guy.


From hanan.abdulhalim@yahoo.com  Thu Jan 13 08:24:31 2011
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	 Wed, 12 Jan 2011 21:00:08 -0700
From: "hanan" <hanan.abdulhalim@yahoo.com>
Subject: madam hanan
To: looparc@loopers-delight.com
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Assalamalaikum,
My names are Madam Henan Abdul-Haleem Ali from Basrah address: shu'aib=
a \basrah refinery\refinery houses: no. (20)Basrah city.
My husband engineering contractor Basrah oil Refinery Company Ltd. Who=
m was killed by bomb last attack on his way to work. His convoy came u=
nder attack by roadside bomb blast killing his driver &amp; body guards.
Before my husband death he received the sum of $11million from the Ira=
qi UN OIL FOR FOOD PROGRAME, IRAQI OIL MINISTRY for contracts (SOC) SO=
UTH OIL COMPANY BASRAH for supplies of equipments &amp; materials re/c=
onstruction of north &amp; south Ruwaila laying pipe lines oil refiner=
y, destroyed by war.
Iraq very bad turning into civil war, shia against Sunni, our position=
 not good we are not safe/ my purpose to contact you, I need to use yo=
ur company &amp; invest $11million as partner with you as my investmen=
t manager.
I and my children want to go out of Iraq &amp; live in peace, I need f=
oreign businessman or woman to help me in investment business &amp; bu=
y home villa in to live with my four children in your country.
Please reply back.
henan_abdulhaleemali@yahoo.com.au
Assalamalaikum

--oREiQ3h0=_BXdcTJElwxDFgVHyIZWlkFdq0
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<HTML><HEAD></HEAD>
<BODY>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri><SPAN style=3D"mso-spacerun: yes">&nbsp;</SPAN>A=
ssalamalaikum,</FONT></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri>My names are Madam Henan Abdul-Haleem Ali from B=
asrah address: shu'aiba \basrah refinery\refinery houses: no. (20)Basr=
ah city.</FONT></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri>My husband engineering contractor Basrah oil Ref=
inery Company Ltd. Whom was killed by bomb last attack on his way to w=
ork. His convoy came under attack by roadside bomb blast killing his d=
river &amp; body guards. </FONT></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri>Before my husband death he received the sum of $=
11million from the Iraqi UN OIL FOR FOOD PROGRAME, IRAQI OIL MINISTRY =
for contracts (SOC) SOUTH OIL COMPANY BASRAH for supplies of equipment=
s &amp; materials re/construction of north &amp; south Ruwaila laying =
pipe lines oil refinery, destroyed by war.</FONT></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri>Iraq very bad turning into civil war, shia again=
st Sunni, our position not good we are not safe/ my purpose to contact=
 you, I need to use your company &amp; invest $11million as partner wi=
th you as my investment manager.</FONT></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri>I and my children want to go out of Iraq &amp; l=
ive in peace, I need foreign businessman or woman to help me in invest=
ment business &amp; buy home villa in to live with my four children in=
 your country.</FONT></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri>Please reply back.</FONT></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><A href=3D"mailto:henan_abdulhaleemali@yahoo.com.au">henan_abdulhalee=
mali@yahoo.com.au</A></SPAN></P>
<P style=3D"MARGIN: 0in 0in 10pt" class=3DMsoNormal><SPAN lang=3DEN-GB=
><FONT face=3DCalibri>Assalamalaikum</FONT></SPAN></P></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 08:39:53 2011
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Subject: Re: Non UNO Mac Editor... Anyone?
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Great to hear Bruno... I might consider upgrading my firmware (If it doesnt
cost more than a new FCB... ha ha) I checked the software, and it looked
great... but didnt work on my FCB.. and it toook a while before I rad the
manual... "...doesnt work on old firmware or INO chip")


cheers for the feedback


Mark



On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld <bruno.bk@gmail.com>wrote:

> The iFCB things works well. Nice UI and nice support from the guy.
>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8e4ce33dde0499b6425c
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Great to hear Bruno... I might consider upgrading my firmware (If it doesnt=
 cost more than a new FCB... ha ha) I checked the software, and it looked g=
reat... but didnt work on my FCB.. and it toook a while before I rad the ma=
nual... &quot;...doesnt work on old firmware or INO chip&quot;)<br>

<br><br>cheers for the feedback<br><br><br>Mark<br><br><br><br><div class=
=3D"gmail_quote">On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:bruno.bk@gmail.com">bruno.bk@gmail.com</=
a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">The iFCB things w=
orks well. Nice UI and nice support from the guy.<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8e4ce33dde0499b6425c--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 08:49:56 2011
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Date: Thu, 13 Jan 2011 09:49:51 +0100
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Subject: Re: Non UNO Mac Editor... Anyone?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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guys keep misleading Mark!
the iFCB will work on a Mac but it will not work with the UnO chip
mounted on the FCB
the answer is quite clear under the FAQ

question: I use an Intel-Mac and this application is too slow to be used. 	
answer:Very sorry about this. There is no immediate solution. Here are
some dissapointing suggestions:

    * Run Windows on your Mac
    * Go back to using original Behringer fimware. You can then use iFCB

dont even try it,ive tried dowloading mandolane etc. but wont work properly
quite disapointing...
Luis
P.S. hey Mark i thoguth you have gotten the Softstep whats the crack now?





On Thu, Jan 13, 2011 at 9:39 AM, mark francombe <mark@markfrancombe.com> wrote:
> Great to hear Bruno... I might consider upgrading my firmware (If it doesnt
> cost more than a new FCB... ha ha) I checked the software, and it looked
> great... but didnt work on my FCB.. and it toook a while before I rad the
> manual... "...doesnt work on old firmware or INO chip")
>
>
> cheers for the feedback
>
>
> Mark
>
>
>
> On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld <bruno.bk@gmail.com>
> wrote:
>>
>> The iFCB things works well. Nice UI and nice support from the guy.
>>
>>
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

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Subject: Re: EDP as an Audio Sequencer
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never got both to sync properly
use one or both independently is way more fun and less time consuming;-)
cheers
Luis

On Thu, Jan 13, 2011 at 8:08 AM, John Metzler <jarofjam@me.com> wrote:
> Hello Loopers.
>
> I'd love to hear from some of you who have used multiple EDP's as an audi=
o sequencer with a MIDI sequencer/drum machine. =A0I have an EDP for a Bass=
 Guitar and a second one for an Electric Guitar. =A0I'm programing an MPC 1=
000 to send the commands and MIDI Clock to the EDPs. =A0 I'm only trying to=
 do simple Verse/Chorus/Bridge stuff. =A0I'll record a couple of differentl=
y layered versions of a chorus and a verse and then trigger the loops with =
switch-quantized loop trigger commands to arrange the parts. =A0I have not =
yet found a reliable way to keep both of the EDP's from slipping out of tim=
e with each other. =A0Even brother syncing them slips most of the time.
>
> Andy and Matthias have both been helpful in pointing out some possibiliti=
es. =A0But unfortunately I haven't had any solid luck with any method I've =
tried yet. =A0I also asked an old list member named Claud Voit, but he wasn=
't into making music with loops anymore.
>
> Any success stories out there using the same techniques I'm employing?
>
>
> ---John AM.
>
>
>

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Subject: should musicians have a second job?
From: Louie Angulo <louie.angulo@googlemail.com>
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An interesting article

http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_source=DIYNews&utm_medium=Email&utm_campaign=011211

any comments?
Luis

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Subject: Re: Non UNO Mac Editor... Anyone?
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--90e6ba6e8a4c5144fd0499b69f18
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Sorry I thought I made it clear.. I have a VERY OLD FCB... with firmware 1.0
definately no UNO chip. I know that iFCB dont work with 1.0 but it will with
2.0 . In dont think I need UNO chip unless I can edit on a mac.. Bruno say
it works well...

As for Softstep Luis... I really want it to succeed, so I have not trumpeted
my decision on that. I sent it back. Not based on the flaky software, I
think that will be ok in the long run. I didnt like the feel of the buttons.
I discovered that I NEED a physical CLICK. I suggest they put a tiny
Solenoid on the pedal. to "fake" some feeling of a click...

So Im back to the FCB, a few switches are dodgy.. I may open it up and fix
it.. but Im also waiting for to afford Gordius.. and for them to release mac
software too.. in the pipe I think...

M


On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> guys keep misleading Mark!
> the iFCB will work on a Mac but it will not work with the UnO chip
> mounted on the FCB
> the answer is quite clear under the FAQ
>
> question: I use an Intel-Mac and this application is too slow to be used.
> answer:Very sorry about this. There is no immediate solution. Here are
> some dissapointing suggestions:
>
>    * Run Windows on your Mac
>    * Go back to using original Behringer fimware. You can then use iFCB
>
> dont even try it,ive tried dowloading mandolane etc. but wont work properly
> quite disapointing...
> Luis
> P.S. hey Mark i thoguth you have gotten the Softstep whats the crack now?
>
>
>
>
>
> On Thu, Jan 13, 2011 at 9:39 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > Great to hear Bruno... I might consider upgrading my firmware (If it
> doesnt
> > cost more than a new FCB... ha ha) I checked the software, and it looked
> > great... but didnt work on my FCB.. and it toook a while before I rad the
> > manual... "...doesnt work on old firmware or INO chip")
> >
> >
> > cheers for the feedback
> >
> >
> > Mark
> >
> >
> >
> > On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld <bruno.bk@gmail.com
> >
> > wrote:
> >>
> >> The iFCB things works well. Nice UI and nice support from the guy.
> >>
> >>
> >
> >
> >
> > --
> > mark francombe
> > www.markfrancombe.com
> > www.ordoabkhao.com
> > twitter @markfrancombe
> > http://vimeo.com/user825094
> > http://www.looop.no
> >
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a4c5144fd0499b69f18
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Sorry I thought I made it clear.. I have a VERY OLD FCB... with firmware 1.=
0 definately no UNO chip. I know that iFCB dont work with 1.0 but it will w=
ith 2.0 . In dont think I need UNO chip unless I can edit on a mac.. Bruno =
say it works well...<br>

<br>As for Softstep Luis... I really want it to succeed, so I have not trum=
peted my decision on that. I sent it back. Not based on the flaky software,=
 I think that will be ok in the long run. I didnt like the feel of the butt=
ons. I discovered that I NEED a physical CLICK. I suggest they put a tiny S=
olenoid on the pedal. to &quot;fake&quot; some feeling of a click...<br>

<br>So Im back to the FCB, a few switches are dodgy.. I may open it up and =
fix it.. but Im also waiting for to afford Gordius.. and for them to releas=
e mac software too.. in the pipe I think...<br><br>M<br><br><br><div class=
=3D"gmail_quote">

On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo <span dir=3D"ltr">&lt;<a href=
=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;=
</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0p=
t 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"=
>

guys keep misleading Mark!<br>
the iFCB will work on a Mac but it will not work with the UnO chip<br>
mounted on the FCB<br>
the answer is quite clear under the FAQ<br>
<br>
question: I use an Intel-Mac and this application is too slow to be used.<b=
r>
answer:Very sorry about this. There is no immediate solution. Here are<br>
some dissapointing suggestions:<br>
<br>
 =A0 =A0* Run Windows on your Mac<br>
 =A0 =A0* Go back to using original Behringer fimware. You can then use iFC=
B<br>
<br>
dont even try it,ive tried dowloading mandolane etc. but wont work properly=
<br>
quite disapointing...<br>
Luis<br>
P.S. hey Mark i thoguth you have gotten the Softstep whats the crack now?<b=
r>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
<br>
On Thu, Jan 13, 2011 at 9:39 AM, mark francombe &lt;<a href=3D"mailto:mark@=
markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; Great to hear Bruno... I might consider upgrading my firmware (If it d=
oesnt<br>
&gt; cost more than a new FCB... ha ha) I checked the software, and it look=
ed<br>
&gt; great... but didnt work on my FCB.. and it toook a while before I rad =
the<br>
&gt; manual... &quot;...doesnt work on old firmware or INO chip&quot;)<br>
&gt;<br>
&gt;<br>
&gt; cheers for the feedback<br>
&gt;<br>
&gt;<br>
&gt; Mark<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld &lt;<a href=3D"ma=
ilto:bruno.bk@gmail.com">bruno.bk@gmail.com</a>&gt;<br>
&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; The iFCB things works well. Nice UI and nice support from the guy.=
<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; mark francombe<br>
&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.markfra=
ncombe.com</a><br>
&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoabkhao=
.com</a><br>
&gt; twitter @markfrancombe<br>
&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo=
.com/user825094</a><br>
&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no<=
/a><br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4c5144fd0499b69f18--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 09:27:44 2011
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Date: Thu, 13 Jan 2011 10:27:42 +0100
Message-ID: <AANLkTik407+RVsfKy=L2zeBfQt+CMCwx=ahBJKky-Uud@mail.gmail.com>
Subject: Re: should musicians have a second job?
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jan 13, 2011 at 9:55 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> An interesting article
>
> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_source=DIYNews&utm_medium=Email&utm_campaign=011211
>
> any comments?


Yes. It was a very interesting article. I'm a happy subscriber to the
CD Baby DIY podcast where I think the author is quite active as well.

However, in one regard I think the article is rubbish. The main
question whether a musician should have a second job doesn't really
concern anyone else except for that particular musician himself. I
have personally tried both ways and experienced good and bad sides.
Setting up your life to depend all on musician generated income may
help to quickly make you a better performer, since you get a lot of
training in that field, but in the long run it may limit your options
for experimentation needed to develop whatever you do into something
new and different. So the choice for direction actually comes down to
your artistic ambitions too. A good compromise that I have gravitated
towards by time is to set up your life with a "second job" that is
related to, helps and benefits from your work as a musician. Drawback
on this strategy is of course that you are not free to pick the best
paid "second job" so you may have to work harder to get around. One
point here however might be that it will be fun to work harder if you
do fun work.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 11:44:21 2011
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From: buzap@gmx.net
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Subject: OT: Sheer talent: Kurt Hugo Schneider, Sam Tsui, Sara Bareilles...
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Hi guys

just wanted to share with you music by these awesome, talented guys:

- "King of Anything": http://www.youtube.com/watch?v=HdMZAeIfM94
Incredible acapella (overdub) performance by Sam Tsui, produced by Kurt Hugo Schneider.
Sara Bareilles' original version is also great: 
http://www.youtube.com/watch?v=jyUhxYmLF-0

Kurt Hugo Schneider is an incredibly talented young musician/producer. It's scary when his covers are better than the originals, i.e.
- "Just a Dream": http://www.youtube.com/watch?v=a2RA0vsZXf8
(again Sam Tsui singing)
His shoot-out with "Jake" is hilarious:
- "Baby" on Recorder: http://www.youtube.com/watch?v=pL2sffgYXwY
This goes on and on with Glockenspiel, "Crockenspiel", GameBoy, Ocarina... ;-)
Just check out his channel:
http://www.youtube.com/user/KurtHugoSchneider

best regards
Buzap 

-- 
NEU: FreePhone - kostenlos mobil telefonieren und surfen!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

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Subject: Re: should musicians have a second job?
To: Loopers-Delight@loopers-delight.com
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--00163628482a8ae6f80499b93422
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I think this guy should run ... not walk into the real world...
Its just not possible to survive without a fucking job... sure some of us
might be able to include music a bit in our day-jobs, but Im sure most
don't.

The years I was a pro musician were great, but the day they stopped I had t=
o
get a job, Im not a technically skilled musician, so Im never gonna go and
audition for another band, or do session work. I was not educated as a
musician, and strangely enough in the real world, employers wanted to see m=
y
exam results, not my CD=B4s....

My advice, stay at school, get a job .. and THROW your freetime into your
passion... one day they may swap places... or else you might end up being a=
n
old sour old wantedtobe.

That article? not much more than a thinly disguised CDBaby advert... as
in... you poor musicians, we understand, we can help!

Mark



On Thu, Jan 13, 2011 at 10:27 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Jan 13, 2011 at 9:55 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > An interesting article
> >
> >
> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_=
source=3DDIYNews&utm_medium=3DEmail&utm_campaign=3D011211
> >
> > any comments?
>
>
> Yes. It was a very interesting article. I'm a happy subscriber to the
> CD Baby DIY podcast where I think the author is quite active as well.
>
> However, in one regard I think the article is rubbish. The main
> question whether a musician should have a second job doesn't really
> concern anyone else except for that particular musician himself. I
> have personally tried both ways and experienced good and bad sides.
> Setting up your life to depend all on musician generated income may
> help to quickly make you a better performer, since you get a lot of
> training in that field, but in the long run it may limit your options
> for experimentation needed to develop whatever you do into something
> new and different. So the choice for direction actually comes down to
> your artistic ambitions too. A good compromise that I have gravitated
> towards by time is to set up your life with a "second job" that is
> related to, helps and benefits from your work as a musician. Drawback
> on this strategy is of course that you are not free to pick the best
> paid "second job" so you may have to work harder to get around. One
> point here however might be that it will be fun to work harder if you
> do fun work.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--00163628482a8ae6f80499b93422
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I think this guy should run ... not walk into the real world... <br>Its jus=
t not possible to survive without a fucking job... sure some of us might be=
 able to include music a bit in our day-jobs, but Im sure most don&#39;t.<b=
r>

<br>The years I was a pro musician were great, but the day they stopped I h=
ad to get a job, Im not a technically skilled musician, so Im never gonna g=
o and audition for another band, or do session work. I was not educated as =
a musician, and strangely enough in the real world, employers wanted to see=
 my exam results, not my CD=B4s....<br>

<br>My advice, stay at school, get a job .. and THROW your freetime into yo=
ur passion... one day they may swap places... or else you might end up bein=
g an old sour old wantedtobe.<br><br>That article? not much more than a thi=
nly disguised CDBaby advert... as in... you poor musicians, we understand, =
we can help!<br>

<br>Mark<br><br><br><br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 at =
10:27 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmai=
l.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(2=
04, 204, 204); padding-left: 1ex;">

<div><div></div><div class=3D"h5">On Thu, Jan 13, 2011 at 9:55 AM, Louie An=
gulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.=
com</a>&gt; wrote:<br>
&gt; An interesting article<br>
&gt;<br>
&gt; <a href=3D"http://diymusician.cdbaby.com/2011/01/dont-quit-your-second=
-day-job/?utm_source=3DDIYNews&amp;utm_medium=3DEmail&amp;utm_campaign=3D01=
1211" target=3D"_blank">http://diymusician.cdbaby.com/2011/01/dont-quit-you=
r-second-day-job/?utm_source=3DDIYNews&amp;utm_medium=3DEmail&amp;utm_campa=
ign=3D011211</a><br>


&gt;<br>
&gt; any comments?<br>
<br>
<br>
</div></div>Yes. It was a very interesting article. I&#39;m a happy subscri=
ber to the<br>
CD Baby DIY podcast where I think the author is quite active as well.<br>
<br>
However, in one regard I think the article is rubbish. The main<br>
question whether a musician should have a second job doesn&#39;t really<br>
concern anyone else except for that particular musician himself. I<br>
have personally tried both ways and experienced good and bad sides.<br>
Setting up your life to depend all on musician generated income may<br>
help to quickly make you a better performer, since you get a lot of<br>
training in that field, but in the long run it may limit your options<br>
for experimentation needed to develop whatever you do into something<br>
new and different. So the choice for direction actually comes down to<br>
your artistic ambitions too. A good compromise that I have gravitated<br>
towards by time is to set up your life with a &quot;second job&quot; that i=
s<br>
related to, helps and benefits from your work as a musician. Drawback<br>
on this strategy is of course that you are not free to pick the best<br>
paid &quot;second job&quot; so you may have to work harder to get around. O=
ne<br>
point here however might be that it will be fun to work harder if you<br>
do fun work.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--00163628482a8ae6f80499b93422--

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AAAAAAAAAAAAAAAAAAAAAAAA

--0-1557321670-1294922045=:23078--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 12:55:59 2011
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Subject: maxmsp looping developers
Date: Thu, 13 Jan 2011 13:55:55 +0100
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Hello MAXMSP-Loopers,

i built an experimental looping and live sound design device in  
MAXMSP, controlled by Wiimote and self-made USB foot pedal (it's  
called Laserdave).
Now i am looking for people (Berliners especially welcome.), who work  
in the same field, for exchange of ideas and code. Note: Beware, my  
patches are complex ;)

Please contact me offlist or via kliklak.net/contact/ if you are  
interested.

jayrope
- - -
http://www.kliklak.net/downloads/


From jenniferwilliam@rediffmail.com  Thu Jan 13 13:33:53 2011
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Date: Thu, 13 Jan 2011 13:33:31 +0000 (GMT)
From: Miss Jennifer William <jenniferwilliam@rediffmail.com>
Reply-To: jenniferwilliam156@gmail.com
Subject: From jennifer 
To: undisclosed recipients: ;
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>From jennifer=A0=A0 Permit me to inform you my heart desire for a business =
relationship with you. I got your contact when I was searching for a foreig=
n partner here in Abidjan republic of Cote D'Ivoire on my search for honest=
 and reliable person. I prayed over it and decided to confide in you becaus=
e your integrity and educational background. I am jennifer William,( 22 yea=
rs old ),the only daugter of late Dr and mrs william david. My father was a=
 very wealthy Gold/Diamond dealer in Freetown, the ecaonomic capital of Sie=
rra Leone. My father was poisoned to death by his close business=A0 associa=
tes on one of their outings on a business trip.=A0My mother died when I was=
 15 years old and since then my father took me so special.Before the death =
of my father last year on=A0 match 19th 2010, in a private hospital in Free=
town, he secretly called me by his bed side and told me
of a deposit of 6.5 million united state dollars he concealed in a=A0 Bank =
on the 2nd of JANUARY 2005 that he used my name been the only daughter as t=
he next of kin when he deposited the money.
He warned me that because of enemy that he was poisoned by his close associ=
ates.He also advised me to seek for an honest foreigner in a country of my =
choice where those associates will not hurt me as they have succeeded in po=
isoning him.For your information , it has been difficult to know who is an =
honest person to assist me in this transaction , and for me to continue sil=
ent over looking for assistance while my money is in the bank i decided to =
make a try from you,
I arrived here (ABIDJAN) in a nearby country on the 28RD of novmber 2010, s=
ince my uncle wants to kill me because of this certificate of deposit as he=
 have suceeded in collecting all my father's property left with this money;=
They continuously mal-treated me, and have made life very unbearable for
me.The wife serve me a delicious poisoned rice meal last time,but for the D=
evine mercy the daughter secretly whispered to me not to eat the meal; i wa=
sted the meal to the bin only to find two dead rat on the bin the following=
 morning and that made me to run away immediately. And
i don't want to stay long here since i know nobody or have much money to pa=
y for hotel bill.
Dear, I honourably seek your assistance in the following ways:=A0=20
1.To stand as my late father's foreign partner since my late father deposit=
ed it to be claim by his foreign partner and no name was mentioned,
2.To help me come over to your country to further my education.Please my in=
tention is not to disturb your Peace,but because l am sincerely in need,And=
 desperately need a solution before my life is wasted because there is war =
in this country.Among all, the most important thing is for you to be aiding=
 me as parent who will directing all my affair and doings in your country. =
Lastly ,you will promise me that you will not betray or deny me if this=A0 =
money gets into your bank account and country,Dear,I am ready to offer you =
30% of the total money for your help.and give 10% for your expensis But if =
may be you are not in better position to help. Please let me know. So that =
I can look for another helper. I am with the certificate of deposit upon de=
mand. I will show you.Looking forward to your kind reply soonest and may Go=
d bless you.call me for more infomations,
SincerelyYours.
jennifer =0A=0A=0A      
--0-260778779-1294925611=:85282
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br style=3D"font-weight: bold;"><br style=3D=
"font-weight: bold;"><p style=3D"font-weight: bold;"><br>From jennifer&nbsp=
;&nbsp; </p><p style=3D"font-weight: bold;">Permit me to inform you my hear=
t desire for a business relationship with you. I got your contact when I wa=
s searching for a foreign partner here in Abidjan republic of Cote D'Ivoire=
 on my search for honest and reliable person. I prayed over it and decided =
to confide in you because your integrity and educational background. I am j=
ennifer William,( 22 years old ),the only daugter of late Dr and mrs willia=
m david. My father was a very wealthy Gold/Diamond dealer in Freetown, the =
ecaonomic capital of Sierra Leone. My father was poisoned to death by his c=
lose business&nbsp; associates on one of their outings on a business trip.<=
/p><p style=3D"font-weight: bold;">&nbsp;My mother died when I was 15 years=
 old and
 since then my father took me so special.Before the death of my father last=
 year on&nbsp; match 19th 2010, in a private hospital in Freetown, he secre=
tly called me by his bed side and told me<br>of a deposit of 6.5 million un=
ited state dollars he concealed in a&nbsp; Bank on the 2nd of JANUARY 2005 =
that he used my name been the only daughter as the next of kin when he depo=
sited the money.</p><p style=3D"font-weight: bold;"><br>He warned me that b=
ecause of enemy that he was poisoned by his close associates.He also advise=
d me to seek for an honest foreigner in a country of my choice where those =
associates will not hurt me as they have succeeded in poisoning him.For you=
r information , it has been difficult to know who is an honest person to as=
sist me in this transaction , and for me to continue silent over looking fo=
r assistance while my money is in the bank i decided to make a try from you=
,<br>I arrived here (ABIDJAN) in a nearby country on the 28RD of
 novmber 2010, since my uncle wants to kill me because of this certificate =
of deposit as he have suceeded in collecting all my father's property left =
with this money;They continuously mal-treated me, and have made life very u=
nbearable for<br>me.</p><p style=3D"font-weight: bold;">The wife serve me a=
 delicious poisoned rice meal last time,but for the Devine mercy the daught=
er secretly whispered to me not to eat the meal; i wasted the meal to the b=
in only to find two dead rat on the bin the following morning and that made=
 me to run away immediately. And<br>i don't want to stay long here since i =
know nobody or have much money to pay for hotel bill.<br>Dear, I honourably=
 seek your assistance in the following ways:&nbsp; </p><p style=3D"font-wei=
ght: bold;"><br>1.To stand as my late father's foreign partner since my lat=
e father deposited it to be claim by his foreign partner and no name was me=
ntioned,<br>2.To help me come over to your country to further my
 education.</p><p style=3D"font-weight: bold;">Please my intention is not t=
o disturb your Peace,but because l am sincerely in need,And desperately nee=
d a solution before my life is wasted because there is war in this country.=
Among all, the most important thing is for you to be aiding me as parent wh=
o will directing all my affair and doings in your country. Lastly ,you will=
 promise me that you will not betray or deny me if this&nbsp; money gets in=
to your bank account and country,Dear,I am ready to offer you 30% of the to=
tal money for your help.and give 10% for your expensis But if may be you ar=
e not in better position to help. Please let me know. So that I can look fo=
r another helper. I am with the certificate of deposit upon demand. I will =
show you.Looking forward to your kind reply soonest and may God bless you.c=
all me for more infomations,</p><p style=3D"font-weight: bold;"><br>Sincere=
ly</p><p style=3D"font-weight: bold;">Yours.<br>jennifer
 </p></td></tr></table><br>=0A=0A=0A=0A      
--0-260778779-1294925611=:85282--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 14:48:25 2011
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Subject: Re: EDP as an Audio Sequencer
From: james fowler <twostroke@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6a960d58f370499bb682a
Content-Type: text/plain; charset=ISO-8859-1

it's been years since i've had my hands on a hardware edp but i never had
problems with brother syncing and i had three edps running together.  might
wanna try this (this is how i ran 'em): connect the mpc/midi-generating
device to ONE edp, which will be the master.  brother sync the "slave" to
the "master".  send basic commands...like just get it to record a ten second
loop.  see if they slip out of sync with this basic setup.  this might at
least help you locate where shit is breaking down.

- jim

On Thu, Jan 13, 2011 at 3:52 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> never got both to sync properly
> use one or both independently is way more fun and less time consuming;-)
> cheers
> Luis
>
> On Thu, Jan 13, 2011 at 8:08 AM, John Metzler <jarofjam@me.com> wrote:
> > Hello Loopers.
> >
> > I'd love to hear from some of you who have used multiple EDP's as an
> audio sequencer with a MIDI sequencer/drum machine.  I have an EDP for a
> Bass Guitar and a second one for an Electric Guitar.  I'm programing an MPC
> 1000 to send the commands and MIDI Clock to the EDPs.   I'm only trying to
> do simple Verse/Chorus/Bridge stuff.  I'll record a couple of differently
> layered versions of a chorus and a verse and then trigger the loops with
> switch-quantized loop trigger commands to arrange the parts.  I have not yet
> found a reliable way to keep both of the EDP's from slipping out of time
> with each other.  Even brother syncing them slips most of the time.
> >
> > Andy and Matthias have both been helpful in pointing out some
> possibilities.  But unfortunately I haven't had any solid luck with any
> method I've tried yet.  I also asked an old list member named Claud Voit,
> but he wasn't into making music with loops anymore.
> >
> > Any success stories out there using the same techniques I'm employing?
> >
> >
> > ---John AM.
> >
> >
> >
>
>

--000e0cd6a960d58f370499bb682a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

it&#39;s been years since i&#39;ve had my hands on a hardware edp but i nev=
er had problems with brother syncing and i had three edps running together.=
=A0 might wanna try this (this is how i ran &#39;em): connect the mpc/midi-=
generating device to ONE edp, which will be the master.=A0 brother sync the=
 &quot;slave&quot; to the &quot;master&quot;.=A0 send basic commands...like=
 just get it to record a ten second loop.=A0 see if they slip out of sync w=
ith this basic setup.=A0 this might at least help you locate where shit is =
breaking down.=A0 <br>
<br>- jim=A0 <br><br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 at 3:5=
2 AM, Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@goo=
glemail.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">
never got both to sync properly<br>
use one or both independently is way more fun and less time consuming;-)<br=
>
cheers<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Thu, Jan 13, 2011 at 8:08 AM, John Metzler &lt;<a href=3D"mailto:jarofja=
m@me.com">jarofjam@me.com</a>&gt; wrote:<br>
&gt; Hello Loopers.<br>
&gt;<br>
&gt; I&#39;d love to hear from some of you who have used multiple EDP&#39;s=
 as an audio sequencer with a MIDI sequencer/drum machine. =A0I have an EDP=
 for a Bass Guitar and a second one for an Electric Guitar. =A0I&#39;m prog=
raming an MPC 1000 to send the commands and MIDI Clock to the EDPs. =A0 I&#=
39;m only trying to do simple Verse/Chorus/Bridge stuff. =A0I&#39;ll record=
 a couple of differently layered versions of a chorus and a verse and then =
trigger the loops with switch-quantized loop trigger commands to arrange th=
e parts. =A0I have not yet found a reliable way to keep both of the EDP&#39=
;s from slipping out of time with each other. =A0Even brother syncing them =
slips most of the time.<br>

&gt;<br>
&gt; Andy and Matthias have both been helpful in pointing out some possibil=
ities. =A0But unfortunately I haven&#39;t had any solid luck with any metho=
d I&#39;ve tried yet. =A0I also asked an old list member named Claud Voit, =
but he wasn&#39;t into making music with loops anymore.<br>

&gt;<br>
&gt; Any success stories out there using the same techniques I&#39;m employ=
ing?<br>
&gt;<br>
&gt;<br>
&gt; ---John AM.<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--000e0cd6a960d58f370499bb682a--

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Date: Thu, 13 Jan 2011 08:14:11 -0700
Message-ID: <AANLkTik7K2=GdW7w7DTpFSA+_fPvvCRFknsCBc8gE3EK@mail.gmail.com>
Subject: Re: Non UNO Mac Editor... Anyone?
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Mark,

Have you also posted this to the FCB Yahoo group? Lots of UNO users
AND non-UNO users over there. iFCB works just fine on the Mac, but
yes, you will need to update your firmware as you already know. And
the upgrade is definitely cheaper than a new FCB or Gordius.

I don't use the UNO chip, so I'm not sure about any native Mac editors
for use with it...but as I said, the FCB group should have the
information.

Good luck!

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Jan 13, 2011 at 2:05 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> Sorry I thought I made it clear.. I have a VERY OLD FCB... with firmware =
1.0
> definately no UNO chip. I know that iFCB dont work with 1.0 but it will w=
ith
> 2.0 . In dont think I need UNO chip unless I can edit on a mac.. Bruno sa=
y
> it works well...
>
> As for Softstep Luis... I really want it to succeed, so I have not trumpe=
ted
> my decision on that. I sent it back. Not based on the flaky software, I
> think that will be ok in the long run. I didnt like the feel of the butto=
ns.
> I discovered that I NEED a physical CLICK. I suggest they put a tiny
> Solenoid on the pedal. to "fake" some feeling of a click...
>
> So Im back to the FCB, a few switches are dodgy.. I may open it up and fi=
x
> it.. but Im also waiting for to afford Gordius.. and for them to release =
mac
> software too.. in the pipe I think...
>
> M
>
>
> On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo <louie.angulo@googlemail.co=
m>
> wrote:
>>
>> guys keep misleading Mark!
>> the iFCB will work on a Mac but it will not work with the UnO chip
>> mounted on the FCB
>> the answer is quite clear under the FAQ
>>
>> question: I use an Intel-Mac and this application is too slow to be used=
.
>> answer:Very sorry about this. There is no immediate solution. Here are
>> some dissapointing suggestions:
>>
>> =A0 =A0* Run Windows on your Mac
>> =A0 =A0* Go back to using original Behringer fimware. You can then use i=
FCB
>>
>> dont even try it,ive tried dowloading mandolane etc. but wont work
>> properly
>> quite disapointing...
>> Luis
>> P.S. hey Mark i thoguth you have gotten the Softstep whats the crack now=
?
>>
>>
>>
>>
>>
>> On Thu, Jan 13, 2011 at 9:39 AM, mark francombe <mark@markfrancombe.com>
>> wrote:
>> > Great to hear Bruno... I might consider upgrading my firmware (If it
>> > doesnt
>> > cost more than a new FCB... ha ha) I checked the software, and it look=
ed
>> > great... but didnt work on my FCB.. and it toook a while before I rad
>> > the
>> > manual... "...doesnt work on old firmware or INO chip")
>> >
>> >
>> > cheers for the feedback
>> >
>> >
>> > Mark
>> >
>> >
>> >
>> > On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld
>> > <bruno.bk@gmail.com>
>> > wrote:
>> >>
>> >> The iFCB things works well. Nice UI and nice support from the guy.
>> >>
>> >>
>> >
>> >
>> >
>> > --
>> > mark francombe
>> > www.markfrancombe.com
>> > www.ordoabkhao.com
>> > twitter @markfrancombe
>> > http://vimeo.com/user825094
>> > http://www.looop.no
>> >
>>
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 15:29:17 2011
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Subject: Re: OT: Sheer talent: Kurt Hugo Schneider, Sam Tsui, Sara Bareilles...
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On 7/22/64 11:59 AM, buzap@gmx.net wrote:
> His shoot-out with "Jake" is hilarious:

Pretty Entertaining.   I watched all of them!

As a found sound guy for most of my adult life I am only disappointed
that they used electronic drums in all these pieces.   They could have 
gotten
a little more creative and used physical objects to hit to keep it truly 
organic.

signed

bitter old found sound looping guy

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 15:38:27 2011
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Date: Thu, 13 Jan 2011 10:38:25 -0500
Message-ID: <AANLkTi=b0smycQtuMDB3jEgZUKwByjHN2pD-X6YF3g-P@mail.gmail.com>
Subject: Re: Non UNO Mac Editor... Anyone?
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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You know, there are ways of running windows software in OS X.  I use
WineBottler (free) for a couple apps and it works great.  In fact,
I've recently winebottled a bunch of my old windows games.  They
actually run better this way then when I load them up in my windows 7
partition (another option if you have a spare windows licence
collecting dust).

have a look here to get started :

http://lifehacker.com/5521308/how-to-seamlessly-run-that-one-windows-app-yo=
u-need-on-a-mac

Sylvain

On Thu, Jan 13, 2011 at 10:14 AM, Dennis Moser <sinsofmachaut@gmail.com> wr=
ote:
> Mark,
>
> Have you also posted this to the FCB Yahoo group? Lots of UNO users
> AND non-UNO users over there. iFCB works just fine on the Mac, but
> yes, you will need to update your firmware as you already know. And
> the upgrade is definitely cheaper than a new FCB or Gordius.
>
> I don't use the UNO chip, so I'm not sure about any native Mac editors
> for use with it...but as I said, the FCB group should have the
> information.
>
> Good luck!
>
> Dennis
>
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>
> On Thu, Jan 13, 2011 at 2:05 AM, mark francombe <mark@markfrancombe.com> =
wrote:
>> Sorry I thought I made it clear.. I have a VERY OLD FCB... with firmware=
 1.0
>> definately no UNO chip. I know that iFCB dont work with 1.0 but it will =
with
>> 2.0 . In dont think I need UNO chip unless I can edit on a mac.. Bruno s=
ay
>> it works well...
>>
>> As for Softstep Luis... I really want it to succeed, so I have not trump=
eted
>> my decision on that. I sent it back. Not based on the flaky software, I
>> think that will be ok in the long run. I didnt like the feel of the butt=
ons.
>> I discovered that I NEED a physical CLICK. I suggest they put a tiny
>> Solenoid on the pedal. to "fake" some feeling of a click...
>>
>> So Im back to the FCB, a few switches are dodgy.. I may open it up and f=
ix
>> it.. but Im also waiting for to afford Gordius.. and for them to release=
 mac
>> software too.. in the pipe I think...
>>
>> M
>>
>>
>> On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo <louie.angulo@googlemail.c=
om>
>> wrote:
>>>
>>> guys keep misleading Mark!
>>> the iFCB will work on a Mac but it will not work with the UnO chip
>>> mounted on the FCB
>>> the answer is quite clear under the FAQ
>>>
>>> question: I use an Intel-Mac and this application is too slow to be use=
d.
>>> answer:Very sorry about this. There is no immediate solution. Here are
>>> some dissapointing suggestions:
>>>
>>> =A0 =A0* Run Windows on your Mac
>>> =A0 =A0* Go back to using original Behringer fimware. You can then use =
iFCB
>>>
>>> dont even try it,ive tried dowloading mandolane etc. but wont work
>>> properly
>>> quite disapointing...
>>> Luis
>>> P.S. hey Mark i thoguth you have gotten the Softstep whats the crack no=
w?
>>>
>>>
>>>
>>>
>>>
>>> On Thu, Jan 13, 2011 at 9:39 AM, mark francombe <mark@markfrancombe.com=
>
>>> wrote:
>>> > Great to hear Bruno... I might consider upgrading my firmware (If it
>>> > doesnt
>>> > cost more than a new FCB... ha ha) I checked the software, and it loo=
ked
>>> > great... but didnt work on my FCB.. and it toook a while before I rad
>>> > the
>>> > manual... "...doesnt work on old firmware or INO chip")
>>> >
>>> >
>>> > cheers for the feedback
>>> >
>>> >
>>> > Mark
>>> >
>>> >
>>> >
>>> > On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld
>>> > <bruno.bk@gmail.com>
>>> > wrote:
>>> >>
>>> >> The iFCB things works well. Nice UI and nice support from the guy.
>>> >>
>>> >>
>>> >
>>> >
>>> >
>>> > --
>>> > mark francombe
>>> > www.markfrancombe.com
>>> > www.ordoabkhao.com
>>> > twitter @markfrancombe
>>> > http://vimeo.com/user825094
>>> > http://www.looop.no
>>> >
>>>
>>
>>
>>
>> --
>> mark francombe
>> www.markfrancombe.com
>> www.ordoabkhao.com
>> twitter @markfrancombe
>> http://vimeo.com/user825094
>> http://www.looop.no
>>
>
>

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<HEAD>
<STYLE>body{font-size:10pt;font-family:arial,sans-serif;background-color:#f=
fffff;color:black;}p{margin:0px;}</STYLE>

<META content=3D"MSHTML 6.00.2900.6049" name=3DGENERATOR></HEAD>
<BODY>
<P>If they want to eat. Being a pro musician was great when chemical amusem=
ent was free and the girlfriend and I lived on her&nbsp;student loans. Amer=
ican loopers, you need health insurance or else you are royally ****ed when=
 you get ill or injured. Living outside of the established economy is grand=
 fun until serious life changes occur. I am happier now in my middling heal=
th care job while not dealing with the business side of the music business.=
 Lets' face it, alot of the people you have to deal with in the business ar=
e pretty reptilian. Every club you play, every event, every booking agent i=
s a boss. Wedding gigs were even worse. Don't get me started.&nbsp;Now, I h=
ave one boss. So I started to realize there wasn't much freedom in that lif=
e. I had a lot of bosses and four bandmates. It was all of the irritants of=
 marriage without sex.</P>
<P>&nbsp;</P>
<P>Musical freedom? Bravo? I enjoy it now because it is special and not a m=
atter of economic survival. It is a blessing. Not a necessity.</P>
<P>&nbsp;</P>
<P>Ransacker</P>
<P><BR><BR><BR>&nbsp;</P>
<BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #000=
0ff 2px solid">-----Original Message----- <BR>From: mark francombe <MARK@MA=
RKFRANCOMBE.COM><BR>Sent: Jan 13, 2011 5:10 AM <BR>To: Loopers-Delight@loop=
ers-delight.com <BR>Subject: Re: should musicians have a second job? <BR><B=
R>I think this guy should run ... not walk into the real world... <BR>Its j=
ust not possible to survive without a fucking job... sure some of us might =
be able to include music a bit in our day-jobs, but Im sure most don't.<BR>=
<BR>The years I was a pro musician were great, but the day they stopped I h=
ad to get a job, Im not a technically skilled musician, so Im never gonna g=
o and audition for another band, or do session work. I was not educated as =
a musician, and strangely enough in the real world, employers wanted to see=
 my exam results, not my CD=C2=B4s....<BR><BR>My advice, stay at school, ge=
t a job .. and THROW your freetime into your passion... one day they may sw=
ap places... or else you might end up being an old sour old wantedtobe.<BR>=
<BR>That article? not much more than a thinly disguised CDBaby advert... as=
 in... you poor musicians, we understand, we can help!<BR><BR>Mark<BR><BR><=
BR><BR>
<DIV class=3Dgmail_quote>On Thu, Jan 13, 2011 at 10:27 AM, Per Boysen <SPAN=
 dir=3Dltr>&lt;<A href=3D"mailto:perboysen@gmail.com" target=3D_blank>perbo=
ysen@gmail.com</A>&gt;</SPAN> wrote:<BR>
<BLOCKQUOTE class=3Dgmail_quote style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt=
 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<DIV>
<DIV></DIV>
<DIV class=3Dh5>On Thu, Jan 13, 2011 at 9:55 AM, Louie Angulo<BR>&lt;<A hre=
f=3D"mailto:louie.angulo@googlemail.com" target=3D_blank>louie.angulo@googl=
email.com</A>&gt; wrote:<BR>&gt; An interesting article<BR>&gt;<BR>&gt; <A =
href=3D"http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job=
/?utm_source=3DDIYNews&amp;utm_medium=3DEmail&amp;utm_campaign=3D011211" ta=
rget=3D_blank>http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-d=
ay-job/?utm_source=3DDIYNews&amp;utm_medium=3DEmail&amp;utm_campaign=3D0112=
11</A><BR>&gt;<BR>&gt; any comments?<BR><BR><BR></DIV></DIV>Yes. It was a v=
ery interesting article. I'm a happy subscriber to the<BR>CD Baby DIY podca=
st where I think the author is quite active as well.<BR><BR>However, in one=
 regard I think the article is rubbish. The main<BR>question whether a musi=
cian should have a second job doesn't really<BR>concern anyone else except =
for that particular musician himself. I<BR>have personally tried both ways =
and experienced good and bad sides.<BR>Setting up your life to depend all o=
n musician generated income may<BR>help to quickly make you a better perfor=
mer, since you get a lot of<BR>training in that field, but in the long run =
it may limit your options<BR>for experimentation needed to develop whatever=
 you do into something<BR>new and different. So the choice for direction ac=
tually comes down to<BR>your artistic ambitions too. A good compromise that=
 I have gravitated<BR>towards by time is to set up your life with a "second=
 job" that is<BR>related to, helps and benefits from your work as a musicia=
n. Drawback<BR>on this strategy is of course that you are not free to pick =
the best<BR>paid "second job" so you may have to work harder to get around.=
 One<BR>point here however might be that it will be fun to work harder if y=
ou<BR>do fun work.<BR><BR>Greetings from Sweden<BR><FONT color=3D#888888><B=
R>Per Boysen<BR><A href=3D"http://www.boysen.se" target=3D_blank>www.boysen=
.se</A><BR><A href=3D"http://www.perboysen.com" target=3D_blank>www.perboys=
en.com</A><BR><A href=3D"http://www.looproom.com" target=3D_blank>www.loopr=
oom.com</A> internet music hub<BR><BR></FONT></BLOCKQUOTE></DIV><BR><BR cle=
ar=3Dall><BR>-- <BR>mark francombe<BR><A href=3D"http://www.markfrancombe.c=
om" target=3D_blank>www.markfrancombe.com</A><BR><A href=3D"http://www.ordo=
abkhao.com" target=3D_blank>www.ordoabkhao.com</A><BR>twitter @markfrancomb=
e<BR><A href=3D"http://vimeo.com/user825094" target=3D_blank>http://vimeo.c=
om/user825094</A><BR><A href=3D"http://www.looop.no" target=3D_blank>http:/=
/www.looop.no</A><BR></BLOCKQUOTE></BODY>

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 15:54:38 2011
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Hi Rick

yeah, they're really fun :)
 
> I am only disappointed that they used electronic drums in all these pieces.   
To be fair: there's quite a bit of beatboxing (esp. in King of...). And the clicking rhythm on the recorder was pretty cool.

Buzap
-- 
Empfehlen Sie GMX DSL Ihren Freunden und Bekannten und wir
belohnen Sie mit bis zu 50,- Euro! https://freundschaftswerbung.gmx.de

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Subject: Re: Non UNO Mac Editor... Anyone?
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--90e6ba6e8a4ccd3f190499bc80f8
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I tried Parrallels once, didnt work well enough for me, If I ever REALLY
need to do a Windows thing, Ill do the Windows partition thing...
But its good to hear that iFCB is OK, Ill prob buy the firmware, thanks for
all the advice guys...

On Thu, Jan 13, 2011 at 4:38 PM, Sylvain Poitras <sylvain.trombone@gmail.com
> wrote:

> You know, there are ways of running windows software in OS X.  I use
> WineBottler (free) for a couple apps and it works great.  In fact,
> I've recently winebottled a bunch of my old windows games.  They
> actually run better this way then when I load them up in my windows 7
> partition (another option if you have a spare windows licence
> collecting dust).
>
> have a look here to get started :
>
>
> http://lifehacker.com/5521308/how-to-seamlessly-run-that-one-windows-app-you-need-on-a-mac
>
> Sylvain
>
> On Thu, Jan 13, 2011 at 10:14 AM, Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
> > Mark,
> >
> > Have you also posted this to the FCB Yahoo group? Lots of UNO users
> > AND non-UNO users over there. iFCB works just fine on the Mac, but
> > yes, you will need to update your firmware as you already know. And
> > the upgrade is definitely cheaper than a new FCB or Gordius.
> >
> > I don't use the UNO chip, so I'm not sure about any native Mac editors
> > for use with it...but as I said, the FCB group should have the
> > information.
> >
> > Good luck!
> >
> > Dennis
> >
> > http://soundcloud.com/usrsbin
> > http://audiozoloft.com
> > http://usrslashsbin.angrek.com/
> >
> >
> >
> > On Thu, Jan 13, 2011 at 2:05 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> >> Sorry I thought I made it clear.. I have a VERY OLD FCB... with firmware
> 1.0
> >> definately no UNO chip. I know that iFCB dont work with 1.0 but it will
> with
> >> 2.0 . In dont think I need UNO chip unless I can edit on a mac.. Bruno
> say
> >> it works well...
> >>
> >> As for Softstep Luis... I really want it to succeed, so I have not
> trumpeted
> >> my decision on that. I sent it back. Not based on the flaky software, I
> >> think that will be ok in the long run. I didnt like the feel of the
> buttons.
> >> I discovered that I NEED a physical CLICK. I suggest they put a tiny
> >> Solenoid on the pedal. to "fake" some feeling of a click...
> >>
> >> So Im back to the FCB, a few switches are dodgy.. I may open it up and
> fix
> >> it.. but Im also waiting for to afford Gordius.. and for them to release
> mac
> >> software too.. in the pipe I think...
> >>
> >> M
> >>
> >>
> >> On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo <
> louie.angulo@googlemail.com>
> >> wrote:
> >>>
> >>> guys keep misleading Mark!
> >>> the iFCB will work on a Mac but it will not work with the UnO chip
> >>> mounted on the FCB
> >>> the answer is quite clear under the FAQ
> >>>
> >>> question: I use an Intel-Mac and this application is too slow to be
> used.
> >>> answer:Very sorry about this. There is no immediate solution. Here are
> >>> some dissapointing suggestions:
> >>>
> >>>    * Run Windows on your Mac
> >>>    * Go back to using original Behringer fimware. You can then use iFCB
> >>>
> >>> dont even try it,ive tried dowloading mandolane etc. but wont work
> >>> properly
> >>> quite disapointing...
> >>> Luis
> >>> P.S. hey Mark i thoguth you have gotten the Softstep whats the crack
> now?
> >>>
> >>>
> >>>
> >>>
> >>>
> >>> On Thu, Jan 13, 2011 at 9:39 AM, mark francombe <
> mark@markfrancombe.com>
> >>> wrote:
> >>> > Great to hear Bruno... I might consider upgrading my firmware (If it
> >>> > doesnt
> >>> > cost more than a new FCB... ha ha) I checked the software, and it
> looked
> >>> > great... but didnt work on my FCB.. and it toook a while before I rad
> >>> > the
> >>> > manual... "...doesnt work on old firmware or INO chip")
> >>> >
> >>> >
> >>> > cheers for the feedback
> >>> >
> >>> >
> >>> > Mark
> >>> >
> >>> >
> >>> >
> >>> > On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld
> >>> > <bruno.bk@gmail.com>
> >>> > wrote:
> >>> >>
> >>> >> The iFCB things works well. Nice UI and nice support from the guy.
> >>> >>
> >>> >>
> >>> >
> >>> >
> >>> >
> >>> > --
> >>> > mark francombe
> >>> > www.markfrancombe.com
> >>> > www.ordoabkhao.com
> >>> > twitter @markfrancombe
> >>> > http://vimeo.com/user825094
> >>> > http://www.looop.no
> >>> >
> >>>
> >>
> >>
> >>
> >> --
> >> mark francombe
> >> www.markfrancombe.com
> >> www.ordoabkhao.com
> >> twitter @markfrancombe
> >> http://vimeo.com/user825094
> >> http://www.looop.no
> >>
> >
> >
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a4ccd3f190499bc80f8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I tried Parrallels once, didnt work well enough for me, If I ever REALLY ne=
ed to do a Windows thing, Ill do the Windows partition thing...<br>But its =
good to hear that iFCB is OK, Ill prob buy the firmware, thanks for all the=
 advice guys...<br>

<br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 at 4:38 PM, Sylvain Poi=
tras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gmail.com">sy=
lvain.trombone@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">

You know, there are ways of running windows software in OS X. =A0I use<br>
WineBottler (free) for a couple apps and it works great. =A0In fact,<br>
I&#39;ve recently winebottled a bunch of my old windows games. =A0They<br>
actually run better this way then when I load them up in my windows 7<br>
partition (another option if you have a spare windows licence<br>
collecting dust).<br>
<br>
have a look here to get started :<br>
<br>
<a href=3D"http://lifehacker.com/5521308/how-to-seamlessly-run-that-one-win=
dows-app-you-need-on-a-mac" target=3D"_blank">http://lifehacker.com/5521308=
/how-to-seamlessly-run-that-one-windows-app-you-need-on-a-mac</a><br>
<font color=3D"#888888"><br>
Sylvain<br>
</font><div><div></div><div class=3D"h5"><br>
On Thu, Jan 13, 2011 at 10:14 AM, Dennis Moser &lt;<a href=3D"mailto:sinsof=
machaut@gmail.com">sinsofmachaut@gmail.com</a>&gt; wrote:<br>
&gt; Mark,<br>
&gt;<br>
&gt; Have you also posted this to the FCB Yahoo group? Lots of UNO users<br=
>
&gt; AND non-UNO users over there. iFCB works just fine on the Mac, but<br>
&gt; yes, you will need to update your firmware as you already know. And<br=
>
&gt; the upgrade is definitely cheaper than a new FCB or Gordius.<br>
&gt;<br>
&gt; I don&#39;t use the UNO chip, so I&#39;m not sure about any native Mac=
 editors<br>
&gt; for use with it...but as I said, the FCB group should have the<br>
&gt; information.<br>
&gt;<br>
&gt; Good luck!<br>
&gt;<br>
&gt; Dennis<br>
&gt;<br>
&gt; <a href=3D"http://soundcloud.com/usrsbin" target=3D"_blank">http://sou=
ndcloud.com/usrsbin</a><br>
&gt; <a href=3D"http://audiozoloft.com" target=3D"_blank">http://audiozolof=
t.com</a><br>
&gt; <a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://u=
srslashsbin.angrek.com/</a><br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; On Thu, Jan 13, 2011 at 2:05 AM, mark francombe &lt;<a href=3D"mailto:=
mark@markfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt;&gt; Sorry I thought I made it clear.. I have a VERY OLD FCB... with fi=
rmware 1.0<br>
&gt;&gt; definately no UNO chip. I know that iFCB dont work with 1.0 but it=
 will with<br>
&gt;&gt; 2.0 . In dont think I need UNO chip unless I can edit on a mac.. B=
runo say<br>
&gt;&gt; it works well...<br>
&gt;&gt;<br>
&gt;&gt; As for Softstep Luis... I really want it to succeed, so I have not=
 trumpeted<br>
&gt;&gt; my decision on that. I sent it back. Not based on the flaky softwa=
re, I<br>
&gt;&gt; think that will be ok in the long run. I didnt like the feel of th=
e buttons.<br>
&gt;&gt; I discovered that I NEED a physical CLICK. I suggest they put a ti=
ny<br>
&gt;&gt; Solenoid on the pedal. to &quot;fake&quot; some feeling of a click=
...<br>
&gt;&gt;<br>
&gt;&gt; So Im back to the FCB, a few switches are dodgy.. I may open it up=
 and fix<br>
&gt;&gt; it.. but Im also waiting for to afford Gordius.. and for them to r=
elease mac<br>
&gt;&gt; software too.. in the pipe I think...<br>
&gt;&gt;<br>
&gt;&gt; M<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo &lt;<a href=3D"mailt=
o:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;<br>
&gt;&gt; wrote:<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; guys keep misleading Mark!<br>
&gt;&gt;&gt; the iFCB will work on a Mac but it will not work with the UnO =
chip<br>
&gt;&gt;&gt; mounted on the FCB<br>
&gt;&gt;&gt; the answer is quite clear under the FAQ<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; question: I use an Intel-Mac and this application is too slow =
to be used.<br>
&gt;&gt;&gt; answer:Very sorry about this. There is no immediate solution. =
Here are<br>
&gt;&gt;&gt; some dissapointing suggestions:<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; =A0 =A0* Run Windows on your Mac<br>
&gt;&gt;&gt; =A0 =A0* Go back to using original Behringer fimware. You can =
then use iFCB<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; dont even try it,ive tried dowloading mandolane etc. but wont =
work<br>
&gt;&gt;&gt; properly<br>
&gt;&gt;&gt; quite disapointing...<br>
&gt;&gt;&gt; Luis<br>
&gt;&gt;&gt; P.S. hey Mark i thoguth you have gotten the Softstep whats the=
 crack now?<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; On Thu, Jan 13, 2011 at 9:39 AM, mark francombe &lt;<a href=3D=
"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;<br>
&gt;&gt;&gt; wrote:<br>
&gt;&gt;&gt; &gt; Great to hear Bruno... I might consider upgrading my firm=
ware (If it<br>
&gt;&gt;&gt; &gt; doesnt<br>
&gt;&gt;&gt; &gt; cost more than a new FCB... ha ha) I checked the software=
, and it looked<br>
&gt;&gt;&gt; &gt; great... but didnt work on my FCB.. and it toook a while =
before I rad<br>
&gt;&gt;&gt; &gt; the<br>
&gt;&gt;&gt; &gt; manual... &quot;...doesnt work on old firmware or INO chi=
p&quot;)<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt; cheers for the feedback<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt; Mark<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt; On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld<br>
&gt;&gt;&gt; &gt; &lt;<a href=3D"mailto:bruno.bk@gmail.com">bruno.bk@gmail.=
com</a>&gt;<br>
&gt;&gt;&gt; &gt; wrote:<br>
&gt;&gt;&gt; &gt;&gt;<br>
&gt;&gt;&gt; &gt;&gt; The iFCB things works well. Nice UI and nice support =
from the guy.<br>
&gt;&gt;&gt; &gt;&gt;<br>
&gt;&gt;&gt; &gt;&gt;<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt; &gt; --<br>
&gt;&gt;&gt; &gt; mark francombe<br>
&gt;&gt;&gt; &gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank=
">www.markfrancombe.com</a><br>
&gt;&gt;&gt; &gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">w=
ww.ordoabkhao.com</a><br>
&gt;&gt;&gt; &gt; twitter @markfrancombe<br>
&gt;&gt;&gt; &gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank"=
>http://vimeo.com/user825094</a><br>
&gt;&gt;&gt; &gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://=
www.looop.no</a><br>
&gt;&gt;&gt; &gt;<br>
&gt;&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; --<br>
&gt;&gt; mark francombe<br>
&gt;&gt; <a href=3D"http://www.markfrancombe.com" target=3D"_blank">www.mar=
kfrancombe.com</a><br>
&gt;&gt; <a href=3D"http://www.ordoabkhao.com" target=3D"_blank">www.ordoab=
khao.com</a><br>
&gt;&gt; twitter @markfrancombe<br>
&gt;&gt; <a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://v=
imeo.com/user825094</a><br>
&gt;&gt; <a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop=
.no</a><br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a4ccd3f190499bc80f8--

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From: kkissinger@kevinkissinger.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: should musicians have a second job?
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As a practical matter, anyone who works for a living needs a second =20
job.  No job in "corporate America" is secure and a second job =20
provides a fallback position.  It used to be that one chose between a =20
"secure" job in business or technology or unstable employment as a =20
musician or artist.  Now, the best someone can do is to hold two or =20
three "unsecure" jobs in the hopes that they don't all go away at =20
once.  Nothing is secure anymore.

-- Kevin


Quoting Todd Howell <ransacker@earthlink.net>:

>
>
>   If they want to eat. Being a pro musician was great when chemical
> amusement was free and the girlfriend and I lived on her student
> loans. American loopers, you need health insurance or else you are
> royally ****ed when you get ill or injured. Living outside of the
> established economy is grand fun until serious life changes occur. I
> am happier now in my middling health care job while not dealing with
> the business side of the music business. Lets' face it, alot of the
> people you have to deal with in the business are pretty reptilian.
> Every club you play, every event, every booking agent is a boss.
> Wedding gigs were even worse. Don't get me started. Now, I have one
> boss. So I started to realize there wasn't much freedom in that life.
> I had a lot of bosses and four bandmates. It was all of the irritants
> of marriage without sex.
>
>   Musical freedom? Bravo? I enjoy it now because it is special and
> not a matter of economic survival. It is a blessing. Not a necessity.
>
>   Ransacker
>
>   -----Original Message-----
> From: mark francombe
> Sent: Jan 13, 2011 5:10 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: should musicians have a second job?
>
> I think this guy should run ... not walk into the real world...
> Its just not possible to survive without a fucking job... sure some
> of us might be able to include music a bit in our day-jobs, but Im
> sure most don't.
>
> The years I was a pro musician were great, but the day they stopped I
> had to get a job, Im not a technically skilled musician, so Im never
> gonna go and audition for another band, or do session work. I was not
> educated as a musician, and strangely enough in the real world,
> employers wanted to see my exam results, not my CD=C2=B4s....
>
> My advice, stay at school, get a job .. and THROW your freetime into
> your passion... one day they may swap places... or else you might end
> up being an old sour old wantedtobe.
>
> That article? not much more than a thinly disguised CDBaby advert...
> as in... you poor musicians, we understand, we can help!
>
> Mark
>
> On Thu, Jan 13, 2011 at 10:27 AM, Per Boysen <perboysen@gmail.com[1]>
> wrote:
>    On Thu, Jan 13, 2011 at 9:55 AM, Louie Angulo
> <louie.angulo@googlemail.com[2]> wrote:
>> An interesting article
>>
>>
> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_s=
ource=3DDIYNews&utm_medium=3DEmail&utm_campaign=3D011211[3]
>>
>> any comments?
>
> Yes. It was a very interesting article. I'm a happy subscriber to the
> CD Baby DIY podcast where I think the author is quite active as well.
>
> However, in one regard I think the article is rubbish. The main
> question whether a musician should have a second job doesn't really
> concern anyone else except for that particular musician himself. I
> have personally tried both ways and experienced good and bad sides.
> Setting up your life to depend all on musician generated income may
> help to quickly make you a better performer, since you get a lot of
> training in that field, but in the long run it may limit your options
> for experimentation needed to develop whatever you do into something
> new and different. So the choice for direction actually comes down to
> your artistic ambitions too. A good compromise that I have gravitated
> towards by time is to set up your life with a "second job" that is
> related to, helps and benefits from your work as a musician. Drawback
> on this strategy is of course that you are not free to pick the best
> paid "second job" so you may have to work harder to get around. One
> point here however might be that it will be fun to work harder if you
> do fun work.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se[4]
> www.perboysen.com[5]
> www.looproom.com[6] internet music hub
>
> --
> mark francombe
> www.markfrancombe.com[7]
> www.ordoabkhao.com[8]
> twitter @markfrancombe
> http://vimeo.com/user825094[9]
> http://www.looop.no[10]
>
>
> Links:
> ------
> [1] mailto:perboysen@gmail.com
> [2] mailto:louie.angulo@googlemail.com
> [3]  =20
> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_s=
ource=3DDIYNews&amp;utm_medium=3DEmail&amp;utm_campaign=3D011211
> [4] http://www.boysen.se
> [5] http://www.perboysen.com
> [6] http://www.looproom.com
> [7] http://www.markfrancombe.com
> [8] http://www.ordoabkhao.com
> [9] http://vimeo.com/user825094
> [10] http://www.looop.no
>



From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 16:49:16 2011
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Subject: Re: should musicians have a second job?
Date: Thu, 13 Jan 2011 08:49:10 -0800
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Ahhhh . . .

In some ways, I am sure, this article is merely meant as an instance  
of "tough love" from the author to a group of people he cares about  
and identifies with.

He makes a number of valid points that seem to make practical sense.

However, there is a lot that he grossly misses about the nature of  
"Art" as it has become in the last century or so (music included).

If you turn back the clock 150 years or so, and switch the focus from  
music to painting, one can easily see that his attitude and assertions  
are nearly identical to those of the established art system of the  
"Salon" in Paris during the time of the Impressionists and Post- 
Impressionists: Monet, Degas, Van Gogh, Gauguin, and many other  
outsiders, et al.

Which is to say: "Learn to be a real professional artist like so-and- 
so (like those being cranked out daily by the dues-paying system of  
schools and established galleries and patrons) or go home, give up,  
get a real job, get a life, get a clue."

Can any of us who love art imagine what it would be like if there had  
never been a Vincent Van Gogh?

Sure the world would've gone on turning - but it would be a lot poorer  
for it.

Does anybody really remember the contributions of any of the work or  
contributions of any of the very talented folk who chose the  
conservative "establishment art" route in that period?

Not many, I'd wager, remember or know of William Adolphe Beaugereau -  
perhaps the greatest academically-trained and widely successful  
painter from that era.

He was rich and famous during his own time, but now is largely  
forgotten - or remembered only as a sort of historical footnote - sort  
of like the Pat Boone of the early rock 'n' roll era, or the  
manufactured and hyper-marketed boy-bands or blonde bimbette singer- 
sluts of today will be.

So...

A lot of us are **NOT** in it for the money or the fame (or the sex  
and drugs).

I don't imagine many of us are in it "for the ages" (Art History)  
either - for that matter (LOL).

Some of us are even ill-equipped and ill-disposed to be performers,  
per se . . . I know I certainly am.

But some of us are nevertheless "bitten by the bug" (or the muse) and  
have a vision (or something) that drives us to create what we do.

For better or worse, some of us simply can't help it.

For whatever reason, the fickle universe has determined that (perhaps)  
the greater creative gifts are often given to those who did not seek  
them and would not venture to pursue them if they rightly had any  
choice in the matter.

Fame and fortune may come to those who work very hard to be  
professional at their "craft" like plumbers or butchers or chemists.

But fame, fortune and and "success" have very little sometimes to do  
with Art.

They are irrelevant.

My encouragement to any of you who want to create Art is to keep on  
doing it, no matter what, no matter who says "No." no matter who says  
"Go home, give up, get a job, cut your hair, stand up straight, fly  
right." etc., etc.

Or, no matter who (on the other hand) says "Get serious, pay your  
dues, do it the way others have, compromise, join the union, do what  
sells, learn to moon-walk, play to the masses."

Keep doing what you passion drives you to do - what has meaning for  
you and you alone.

An audience may or may not come, but you will have done your duty to  
your gift . . . to you muse . . . to the universe.

Best,

Ted


On Jan 13, 2011, at 12:55 AM, Louie Angulo wrote:

> An interesting article
>
> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_source=DIYNews&utm_medium=Email&utm_campaign=011211
>
> any comments?
> Luis

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 16:55:13 2011
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Subject: Re: should musicians have a second job?
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Ted,

Your words are deeply moving to me.  I couldn't have expressed these =20
thoughts as well as you have expressed them.

I think the biggest challenge in life is to "know yourself" and then =20
to "be yourself".  There is nothing quite as touching, to me, as to =20
witness someone who knows what they are about and goes about their =20
work with love and passion.

-- Kevin

Quoting tEd =AE KiLLiAn <tedkillian@charter.net>:

> Ahhhh . . .
>
> In some ways, I am sure, this article is merely meant as an instance of
> "tough love" from the author to a group of people he cares about and
> identifies with.
>
> He makes a number of valid points that seem to make practical sense.
>
> However, there is a lot that he grossly misses about the nature of
> "Art" as it has become in the last century or so (music included).
>
> If you turn back the clock 150 years or so, and switch the focus from
> music to painting, one can easily see that his attitude and assertions
> are nearly identical to those of the established art system of the
> "Salon" in Paris during the time of the Impressionists and
> Post-Impressionists: Monet, Degas, Van Gogh, Gauguin, and many other
> outsiders, et al.
>
> Which is to say: "Learn to be a real professional artist like so-and-so
> (like those being cranked out daily by the dues-paying system of
> schools and established galleries and patrons) or go home, give up, get
> a real job, get a life, get a clue."
>
> Can any of us who love art imagine what it would be like if there had
> never been a Vincent Van Gogh?
>
> Sure the world would've gone on turning - but it would be a lot  =20
> poorer for it.
>
> Does anybody really remember the contributions of any of the work or
> contributions of any of the very talented folk who chose the
> conservative "establishment art" route in that period?
>
> Not many, I'd wager, remember or know of William Adolphe Beaugereau -
> perhaps the greatest academically-trained and widely successful painter
> from that era.
>
> He was rich and famous during his own time, but now is largely
> forgotten - or remembered only as a sort of historical footnote - sort
> of like the Pat Boone of the early rock 'n' roll era, or the
> manufactured and hyper-marketed boy-bands or blonde bimbette
> singer-sluts of today will be.
>
> So...
>
> A lot of us are **NOT** in it for the money or the fame (or the sex and
> drugs).
>
> I don't imagine many of us are in it "for the ages" (Art History)
> either - for that matter (LOL).
>
> Some of us are even ill-equipped and ill-disposed to be performers, per
> se . . . I know I certainly am.
>
> But some of us are nevertheless "bitten by the bug" (or the muse) and
> have a vision (or something) that drives us to create what we do.
>
> For better or worse, some of us simply can't help it.
>
> For whatever reason, the fickle universe has determined that (perhaps)
> the greater creative gifts are often given to those who did not seek
> them and would not venture to pursue them if they rightly had any
> choice in the matter.
>
> Fame and fortune may come to those who work very hard to be
> professional at their "craft" like plumbers or butchers or chemists.
>
> But fame, fortune and and "success" have very little sometimes to do =20
>  with Art.
>
> They are irrelevant.
>
> My encouragement to any of you who want to create Art is to keep on
> doing it, no matter what, no matter who says "No." no matter who says
> "Go home, give up, get a job, cut your hair, stand up straight, fly
> right." etc., etc.
>
> Or, no matter who (on the other hand) says "Get serious, pay your dues,
> do it the way others have, compromise, join the union, do what sells,
> learn to moon-walk, play to the masses."
>
> Keep doing what you passion drives you to do - what has meaning for you
> and you alone.
>
> An audience may or may not come, but you will have done your duty to
> your gift . . . to you muse . . . to the universe.
>
> Best,
>
> Ted
>
>
> On Jan 13, 2011, at 12:55 AM, Louie Angulo wrote:
>
>> An interesting article
>>
>> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_=
source=3DDIYNews&utm_medium=3DEmail&utm_campaign=3D011211
>>
>> any comments?
>> Luis



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Subject: Re: should musicians have a second job?
From: Kevin Cheli-Colando <billowhead@gmail.com>
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>
> An audience may or may not come, but you will have done your duty to your
> gift . . . to you muse . . . to the universe.
>


Well said.

Kevin

--
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: Re: should musicians have a second job?
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That was beautiful, Ted. Thank you!

-Daniel Berkman



On Jan 13, 2011, at 8:49 AM, tEd =AE KiLLiAn wrote:

> Ahhhh . . .
>=20
> In some ways, I am sure, this article is merely meant as an instance =
of "tough love" from the author to a group of people he cares about and =
identifies with.
>=20
> He makes a number of valid points that seem to make practical sense.
>=20
> However, there is a lot that he grossly misses about the nature of =
"Art" as it has become in the last century or so (music included).
>=20
> If you turn back the clock 150 years or so, and switch the focus from =
music to painting, one can easily see that his attitude and assertions =
are nearly identical to those of the established art system of the =
"Salon" in Paris during the time of the Impressionists and =
Post-Impressionists: Monet, Degas, Van Gogh, Gauguin, and many other =
outsiders, et al.
>=20
> Which is to say: "Learn to be a real professional artist like =
so-and-so (like those being cranked out daily by the dues-paying system =
of schools and established galleries and patrons) or go home, give up, =
get a real job, get a life, get a clue."
>=20
> Can any of us who love art imagine what it would be like if there had =
never been a Vincent Van Gogh?
>=20
> Sure the world would've gone on turning - but it would be a lot poorer =
for it.
>=20
> Does anybody really remember the contributions of any of the work or =
contributions of any of the very talented folk who chose the =
conservative "establishment art" route in that period?
>=20
> Not many, I'd wager, remember or know of William Adolphe Beaugereau - =
perhaps the greatest academically-trained and widely successful painter =
from that era.
>=20
> He was rich and famous during his own time, but now is largely =
forgotten - or remembered only as a sort of historical footnote - sort =
of like the Pat Boone of the early rock 'n' roll era, or the =
manufactured and hyper-marketed boy-bands or blonde bimbette =
singer-sluts of today will be.
>=20
> So...
>=20
> A lot of us are **NOT** in it for the money or the fame (or the sex =
and drugs).
>=20
> I don't imagine many of us are in it "for the ages" (Art History) =
either - for that matter (LOL).
>=20
> Some of us are even ill-equipped and ill-disposed to be performers, =
per se . . . I know I certainly am.
>=20
> But some of us are nevertheless "bitten by the bug" (or the muse) and =
have a vision (or something) that drives us to create what we do.
>=20
> For better or worse, some of us simply can't help it.
>=20
> For whatever reason, the fickle universe has determined that (perhaps) =
the greater creative gifts are often given to those who did not seek =
them and would not venture to pursue them if they rightly had any choice =
in the matter.
>=20
> Fame and fortune may come to those who work very hard to be =
professional at their "craft" like plumbers or butchers or chemists.
>=20
> But fame, fortune and and "success" have very little sometimes to do =
with Art.
>=20
> They are irrelevant.
>=20
> My encouragement to any of you who want to create Art is to keep on =
doing it, no matter what, no matter who says "No." no matter who says =
"Go home, give up, get a job, cut your hair, stand up straight, fly =
right." etc., etc.
>=20
> Or, no matter who (on the other hand) says "Get serious, pay your =
dues, do it the way others have, compromise, join the union, do what =
sells, learn to moon-walk, play to the masses."
>=20
> Keep doing what you passion drives you to do - what has meaning for =
you and you alone.
>=20
> An audience may or may not come, but you will have done your duty to =
your gift . . . to you muse . . . to the universe.
>=20
> Best,
>=20
> Ted
>=20
>=20
> On Jan 13, 2011, at 12:55 AM, Louie Angulo wrote:
>=20
>> An interesting article
>>=20
>> =
http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_s=
ource=3DDIYNews&utm_medium=3DEmail&utm_campaign=3D011211
>>=20
>> any comments?
>> Luis
>=20

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Date: Thu, 13 Jan 2011 12:13:27 -0500
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Subject: good luck to Bob and all on the LP2 Launch at NAMM today!
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--001636c594dada0ece0499bd707c
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Much success to you Bob, and to Rick and Bill and all who are close and
supporting the new product!

Wish I could be there to try it out and have a go.  (as I'm sure many of us
wish)

Cheers,

Todd

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Much success to you Bob, and to Rick and Bill and all who are close and sup=
porting the new product! =A0<div><br></div><div>Wish I could be there to tr=
y it out and have a go. =A0(as I&#39;m sure many of us wish)</div><div><br>=
</div>

<div>Cheers,=A0</div><div><br></div><div>Todd<br clear=3D"all"><br><br><br>
</div>

--001636c594dada0ece0499bd707c--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 17:57:47 2011
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Subject: Re: should musicians have a second job?
From: Matt Davignon <mattdavignon@gmail.com>
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Frankly, the article itself has about the level of authority and
coherence of an internet forum post - he just happens to work at CD
Baby and posted it there.

I think he makes a few good points:
1) That skilled musicians who "deserve to be pros" are subject to the
law of supply and demand.
2) That "brilliantly creative bands should stay in the business longer
to practice their great ideas until we don't have to guess the
intent".

Let's start on the second one, because at first glance it might sound
like he's being an ass. I think it's totally healthy for musicians and
bands to develop their talents in public - through live shows,
locally-released CDs and web releases (on the band's page or a
bandcamp page). However, there are some dangers to releasing music to
wide internet distribution (Itunes, IODA, allmusic.com, etc.). The
problem with the latter is that if a few years down the road, you feel
that the album represents an amateur version of yourself, it's not
easy to remove that album from the world wide web. Also, the first
splash you make in the wide internet might be the one in which many of
the internet reviewers (such as allmusic.com) form their opinion about
what kind of musician you are. Once that opinion is formed, it's very
hard to shake.

I sometimes feel I made that mistake in releasing "Music at 1/2 Speed"
to the www as my first release. Now on many music websites, my
"similar bands" and "music styles" are based on that cd rather than my
current work.

Back on the supply and demand thing, there are very very few musicians
who can make a living doing a style of music with a niche appeal (as
opposed to a mass appeal). Tom Waits and Bjork are two of them, though
both started out doing music that was more mass appeal. Others can
pull it off by spending as much time promoting their music to new
audiences as making music.

Most of my close musical friends have musical day jobs that sustain
them - they teach music at a college, or they work in the audio
department for a software/video game company.

Lastly, even some musicians who are able to go pro find that their
niche remains in mass appeal for only a few years, then they need to
get a day job again. For example, in the early 2000s, some members of
the Anticon hip hop collective were able to go pro, but I imagine many
of them are in day jobs now. So are many of the rock singers and
musicians who had pretty big hits in the 80s.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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On 19:59, Louie Angulo wrote:
> An interesting article
>
> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_source=DIYNews&utm_medium=Email&utm_campaign=011211
>
> any comments?
> Luis

OK, just my 2cents' worth.....

"ANYONE can make art today"? Depends what you call art.....

If you're good technically, you can make a living based on music. Like 
teaching, session work & so on. But many musos that do this end up with 
the money need overtaking their love of the creative need, & doing very 
little music for its own sake. The resulting cynicism can be corrosive...

Or you can continue doing your own thing ("...the thing is to put a 
motor in yourself..." - FZ) and starve; or you get a second job so's you 
can carry on doing your own thing.

Most 'successful' (& I use the term advisedly!) musicians that I know of 
(whether especially talented or not) have stuck stubbornly at being 
'artists', & nothing else. Come what may.

Or you can (& I quote again from uncle Frank...) "..hock your imaginary 
guitar & get a good job..." :)

Me? I've made a career out of living on very little money, subsidised 
with making bookshelves, beds, tables, kitchens, anything in wood, to 
support my music (when I wasn't earning any money from it). Result? RSI, 
arthritus, back pain etc, etc, but I'm still doing the music I want to, 
not commercial s**t, even if no-one wants to listen!

There is no universal answer; it's a personal choice (with all the 
consequences) until some idealistic political enlightenment takes 
place.....waiting, still waiting,...

Dave


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Subject: Re: good luck to Bob and all on the LP2 Launch at NAMM today!
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jan 13, 2011 at 6:13 PM, todd reynolds <toddreyn@gmail.com> wrote:
> Much success to you Bob, and to Rick and Bill and all who are close and
> supporting the new product!
> Wish I could be there to try it out and have a go. =C2=A0(as I'm sure man=
y of us
> wish)
> Cheers,
> Todd

Chiming in here: Break Legs Walker Brothers & Bob 2!!!!
I'll be swooping the net for NAMM cam uploads.

Happy Tap Dancing
(on the LP2 carpet)

per

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I'll be at NAMM on Saturday (and performing at the Hilton at 8am),  
I'll try and find Bob and the LP2!

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Subject: Re: should musicians have a second job?
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On Thu, Jan 13, 2011 at 6:57 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> 2) That "brilliantly creative bands should stay in the business longer
> to practice their great ideas until we don't have to guess the
> intent".

Is this a typo?
As I remember the article "stay in the business" originally was "stay
the basement".

Per

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Subject: Re: Non UNO Mac Editor... Anyone?
From: Dennis Moser <sinsofmachaut@gmail.com>
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And do check the FCB group; the developer of iFCB is on there a lot...

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Thu, Jan 13, 2011 at 9:06 AM, mark francombe <mark@markfrancombe.com> wr=
ote:
> I tried Parrallels once, didnt work well enough for me, If I ever REALLY
> need to do a Windows thing, Ill do the Windows partition thing...
> But its good to hear that iFCB is OK, Ill prob buy the firmware, thanks f=
or
> all the advice guys...
>
> On Thu, Jan 13, 2011 at 4:38 PM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>>
>> You know, there are ways of running windows software in OS X. =A0I use
>> WineBottler (free) for a couple apps and it works great. =A0In fact,
>> I've recently winebottled a bunch of my old windows games. =A0They
>> actually run better this way then when I load them up in my windows 7
>> partition (another option if you have a spare windows licence
>> collecting dust).
>>
>> have a look here to get started :
>>
>>
>> http://lifehacker.com/5521308/how-to-seamlessly-run-that-one-windows-app=
-you-need-on-a-mac
>>
>> Sylvain
>>
>> On Thu, Jan 13, 2011 at 10:14 AM, Dennis Moser <sinsofmachaut@gmail.com>
>> wrote:
>> > Mark,
>> >
>> > Have you also posted this to the FCB Yahoo group? Lots of UNO users
>> > AND non-UNO users over there. iFCB works just fine on the Mac, but
>> > yes, you will need to update your firmware as you already know. And
>> > the upgrade is definitely cheaper than a new FCB or Gordius.
>> >
>> > I don't use the UNO chip, so I'm not sure about any native Mac editors
>> > for use with it...but as I said, the FCB group should have the
>> > information.
>> >
>> > Good luck!
>> >
>> > Dennis
>> >
>> > http://soundcloud.com/usrsbin
>> > http://audiozoloft.com
>> > http://usrslashsbin.angrek.com/
>> >
>> >
>> >
>> > On Thu, Jan 13, 2011 at 2:05 AM, mark francombe <mark@markfrancombe.co=
m>
>> > wrote:
>> >> Sorry I thought I made it clear.. I have a VERY OLD FCB... with
>> >> firmware 1.0
>> >> definately no UNO chip. I know that iFCB dont work with 1.0 but it wi=
ll
>> >> with
>> >> 2.0 . In dont think I need UNO chip unless I can edit on a mac.. Brun=
o
>> >> say
>> >> it works well...
>> >>
>> >> As for Softstep Luis... I really want it to succeed, so I have not
>> >> trumpeted
>> >> my decision on that. I sent it back. Not based on the flaky software,=
 I
>> >> think that will be ok in the long run. I didnt like the feel of the
>> >> buttons.
>> >> I discovered that I NEED a physical CLICK. I suggest they put a tiny
>> >> Solenoid on the pedal. to "fake" some feeling of a click...
>> >>
>> >> So Im back to the FCB, a few switches are dodgy.. I may open it up an=
d
>> >> fix
>> >> it.. but Im also waiting for to afford Gordius.. and for them to
>> >> release mac
>> >> software too.. in the pipe I think...
>> >>
>> >> M
>> >>
>> >>
>> >> On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo
>> >> <louie.angulo@googlemail.com>
>> >> wrote:
>> >>>
>> >>> guys keep misleading Mark!
>> >>> the iFCB will work on a Mac but it will not work with the UnO chip
>> >>> mounted on the FCB
>> >>> the answer is quite clear under the FAQ
>> >>>
>> >>> question: I use an Intel-Mac and this application is too slow to be
>> >>> used.
>> >>> answer:Very sorry about this. There is no immediate solution. Here a=
re
>> >>> some dissapointing suggestions:
>> >>>
>> >>> =A0 =A0* Run Windows on your Mac
>> >>> =A0 =A0* Go back to using original Behringer fimware. You can then u=
se
>> >>> iFCB
>> >>>
>> >>> dont even try it,ive tried dowloading mandolane etc. but wont work
>> >>> properly
>> >>> quite disapointing...
>> >>> Luis
>> >>> P.S. hey Mark i thoguth you have gotten the Softstep whats the crack
>> >>> now?
>> >>>
>> >>>
>> >>>
>> >>>
>> >>>
>> >>> On Thu, Jan 13, 2011 at 9:39 AM, mark francombe
>> >>> <mark@markfrancombe.com>
>> >>> wrote:
>> >>> > Great to hear Bruno... I might consider upgrading my firmware (If =
it
>> >>> > doesnt
>> >>> > cost more than a new FCB... ha ha) I checked the software, and it
>> >>> > looked
>> >>> > great... but didnt work on my FCB.. and it toook a while before I
>> >>> > rad
>> >>> > the
>> >>> > manual... "...doesnt work on old firmware or INO chip")
>> >>> >
>> >>> >
>> >>> > cheers for the feedback
>> >>> >
>> >>> >
>> >>> > Mark
>> >>> >
>> >>> >
>> >>> >
>> >>> > On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld
>> >>> > <bruno.bk@gmail.com>
>> >>> > wrote:
>> >>> >>
>> >>> >> The iFCB things works well. Nice UI and nice support from the guy=
.
>> >>> >>
>> >>> >>
>> >>> >
>> >>> >
>> >>> >
>> >>> > --
>> >>> > mark francombe
>> >>> > www.markfrancombe.com
>> >>> > www.ordoabkhao.com
>> >>> > twitter @markfrancombe
>> >>> > http://vimeo.com/user825094
>> >>> > http://www.looop.no
>> >>> >
>> >>>
>> >>
>> >>
>> >>
>> >> --
>> >> mark francombe
>> >> www.markfrancombe.com
>> >> www.ordoabkhao.com
>> >> twitter @markfrancombe
>> >> http://vimeo.com/user825094
>> >> http://www.looop.no
>> >>
>> >
>> >
>>
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 19:55:28 2011
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Subject: Re: should musicians have a second job?
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Yes, it was typo. Thanks for the clarification!

On Thu, Jan 13, 2011 at 10:31 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Thu, Jan 13, 2011 at 6:57 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
>> 2) That "brilliantly creative bands should stay in the business longer
>> to practice their great ideas until we don't have to guess the
>> intent".
>
> Is this a typo?
> As I remember the article "stay in the business" originally was "stay
> the basement".
>
> Per
>
>



-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 20:15:09 2011
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 a second job?)
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BTW,

Daniel, thank YOU for your wonderful music.

I attended Y2KX this past October and saw your presentation at the=20
little Namaste teahouse one evening and was absolutely compelled to by=20
the CD afterwards.

It's great listening still.

Keep it up...the universe needs more like you.

Best,

Ted

On Thu, Jan 13, 2011 at 9:12 AM, Daniel Berkman wrote:

> That was beautiful, Ted. Thank you!
>
> -Daniel Berkman
>
>
>
> On Jan 13, 2011, at 8:49 AM, tEd =C2=AE KiLLiAn wrote:
>
>> Ahhhh . . .
>>
>> In some ways, I am sure, this article is merely meant as an instance=20
>> of "tough love" from the author to a group of people he cares about=20
>> and identifies with.
>>
>> He makes a number of valid points that seem to make practical sense.
>>
>> However, there is a lot that he grossly misses about the nature of=20
>> "Art" as it has become in the last century or so (music included).
>>
>> If you turn back the clock 150 years or so, and switch the focus from=20
>> music to painting, one can easily see that his attitude and=20
>> assertions are nearly identical to those of the established art=20
>> system of the "Salon" in Paris during the time of the Impressionists=20
>> and Post-Impressionists: Monet, Degas, Van Gogh, Gauguin, and many=20
>> other outsiders, et al.
>>
>> Which is to say: "Learn to be a real professional artist like=20
>> so-and-so (like those being cranked out daily by the dues-paying=20
>> system of schools and established galleries and patrons) or go home,=20
>> give up, get a real job, get a life, get a clue."
>>
>> Can any of us who love art imagine what it would be like if there had=20
>> never been a Vincent Van Gogh?
>>
>> Sure the world would've gone on turning - but it would be a lot=20
>> poorer for it.
>>
>> Does anybody really remember the contributions of any of the work or=20
>> contributions of any of the very talented folk who chose the=20
>> conservative "establishment art" route in that period?
>>
>> Not many, I'd wager, remember or know of William Adolphe Beaugereau -=20
>> perhaps the greatest academically-trained and widely successful=20
>> painter from that era.
>>
>> He was rich and famous during his own time, but now is largely=20
>> forgotten - or remembered only as a sort of historical footnote -=20
>> sort of like the Pat Boone of the early rock 'n' roll era, or the=20
>> manufactured and hyper-marketed boy-bands or blonde bimbette=20
>> singer-sluts of today will be.
>>
>> So...
>>
>> A lot of us are **NOT** in it for the money or the fame (or the sex=20
>> and drugs).
>>
>> I don't imagine many of us are in it "for the ages" (Art History)=20
>> either - for that matter (LOL).
>>
>> Some of us are even ill-equipped and ill-disposed to be performers,=20
>> per se . . . I know I certainly am.
>>
>> But some of us are nevertheless "bitten by the bug" (or the muse) and=20
>> have a vision (or something) that drives us to create what we do.
>>
>> For better or worse, some of us simply can't help it.
>>
>> For whatever reason, the fickle universe has determined that=20
>> (perhaps) the greater creative gifts are often given to those who did=20
>> not seek them and would not venture to pursue them if they rightly=20
>> had any choice in the matter.
>>
>> Fame and fortune may come to those who work very hard to be=20
>> professional at their "craft" like plumbers or butchers or chemists.
>>
>> But fame, fortune and and "success" have very little sometimes to do=20
>> with Art.
>>
>> They are irrelevant.
>>
>> My encouragement to any of you who want to create Art is to keep on=20
>> doing it, no matter what, no matter who says "No." no matter who says=20
>> "Go home, give up, get a job, cut your hair, stand up straight, fly=20
>> right." etc., etc.
>>
>> Or, no matter who (on the other hand) says "Get serious, pay your=20
>> dues, do it the way others have, compromise, join the union, do what=20
>> sells, learn to moon-walk, play to the masses."
>>
>> Keep doing what you passion drives you to do - what has meaning for=20
>> you and you alone.
>>
>> An audience may or may not come, but you will have done your duty to=20
>> your gift . . . to you muse . . . to the universe.
>>
>> Best,
>>
>> Ted
>>
>>
>> On Jan 13, 2011, at 12:55 AM, Louie Angulo wrote:
>>
>>> An interesting article
>>>
>>>=20
>>> http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?ut=
m_source=3DDIYNews&utm_medium=3DEmail&utm_campaign=3D011211
>>>
>>> any comments?
>>> Luis
>>

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Subject: Re: Daniel Berkman, Looping Gravikordist (was Re: should musicians
 have a second job?)
From: Daniel Berkman <danielberkman@mac.com>
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You made my day. : )

-Daniel


On Jan 13, 2011, at 12:15 PM, tEd =AE kiLLiAn wrote:

> BTW,
>=20
> Daniel, thank YOU for your wonderful music.
>=20
> I attended Y2KX this past October and saw your presentation at the =
little Namaste teahouse one evening and was absolutely compelled to by =
the CD afterwards.
>=20
> It's great listening still.
>=20
> Keep it up...the universe needs more like you.
>=20
> Best,
>=20
> Ted
>=20
> On Thu, Jan 13, 2011 at 9:12 AM, Daniel Berkman wrote:
>=20
>> That was beautiful, Ted. Thank you!
>>=20
>> -Daniel Berkman
>>=20
>>=20
>>=20
>> On Jan 13, 2011, at 8:49 AM, tEd =AE KiLLiAn wrote:
>>=20
>>> Ahhhh . . .
>>>=20
>>> In some ways, I am sure, this article is merely meant as an instance =
of "tough love" from the author to a group of people he cares about and =
identifies with.
>>>=20
>>> He makes a number of valid points that seem to make practical sense.
>>>=20
>>> However, there is a lot that he grossly misses about the nature of =
"Art" as it has become in the last century or so (music included).
>>>=20
>>> If you turn back the clock 150 years or so, and switch the focus =
from music to painting, one can easily see that his attitude and =
assertions are nearly identical to those of the established art system =
of the "Salon" in Paris during the time of the Impressionists and =
Post-Impressionists: Monet, Degas, Van Gogh, Gauguin, and many other =
outsiders, et al.
>>>=20
>>> Which is to say: "Learn to be a real professional artist like =
so-and-so (like those being cranked out daily by the dues-paying system =
of schools and established galleries and patrons) or go home, give up, =
get a real job, get a life, get a clue."
>>>=20
>>> Can any of us who love art imagine what it would be like if there =
had never been a Vincent Van Gogh?
>>>=20
>>> Sure the world would've gone on turning - but it would be a lot =
poorer for it.
>>>=20
>>> Does anybody really remember the contributions of any of the work or =
contributions of any of the very talented folk who chose the =
conservative "establishment art" route in that period?
>>>=20
>>> Not many, I'd wager, remember or know of William Adolphe Beaugereau =
- perhaps the greatest academically-trained and widely successful =
painter from that era.
>>>=20
>>> He was rich and famous during his own time, but now is largely =
forgotten - or remembered only as a sort of historical footnote - sort =
of like the Pat Boone of the early rock 'n' roll era, or the =
manufactured and hyper-marketed boy-bands or blonde bimbette =
singer-sluts of today will be.
>>>=20
>>> So...
>>>=20
>>> A lot of us are **NOT** in it for the money or the fame (or the sex =
and drugs).
>>>=20
>>> I don't imagine many of us are in it "for the ages" (Art History) =
either - for that matter (LOL).
>>>=20
>>> Some of us are even ill-equipped and ill-disposed to be performers, =
per se . . . I know I certainly am.
>>>=20
>>> But some of us are nevertheless "bitten by the bug" (or the muse) =
and have a vision (or something) that drives us to create what we do.
>>>=20
>>> For better or worse, some of us simply can't help it.
>>>=20
>>> For whatever reason, the fickle universe has determined that =
(perhaps) the greater creative gifts are often given to those who did =
not seek them and would not venture to pursue them if they rightly had =
any choice in the matter.
>>>=20
>>> Fame and fortune may come to those who work very hard to be =
professional at their "craft" like plumbers or butchers or chemists.
>>>=20
>>> But fame, fortune and and "success" have very little sometimes to do =
with Art.
>>>=20
>>> They are irrelevant.
>>>=20
>>> My encouragement to any of you who want to create Art is to keep on =
doing it, no matter what, no matter who says "No." no matter who says =
"Go home, give up, get a job, cut your hair, stand up straight, fly =
right." etc., etc.
>>>=20
>>> Or, no matter who (on the other hand) says "Get serious, pay your =
dues, do it the way others have, compromise, join the union, do what =
sells, learn to moon-walk, play to the masses."
>>>=20
>>> Keep doing what you passion drives you to do - what has meaning for =
you and you alone.
>>>=20
>>> An audience may or may not come, but you will have done your duty to =
your gift . . . to you muse . . . to the universe.
>>>=20
>>> Best,
>>>=20
>>> Ted
>>>=20
>>>=20
>>> On Jan 13, 2011, at 12:55 AM, Louie Angulo wrote:
>>>=20
>>>> An interesting article
>>>>=20
>>>> =
http://diymusician.cdbaby.com/2011/01/dont-quit-your-second-day-job/?utm_s=
ource=3DDIYNews&utm_medium=3DEmail&utm_campaign=3D011211
>>>>=20
>>>> any comments?
>>>> Luis
>>>=20
>=20

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Subject: Re: should musicians have a second job?
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it's threads like this that keep me coming back to the trough of the =
loopers!  all well spoken.  a hat tip to Ted for divine liftoff.

R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com










On Jan 13, 2011, at 11:55 AM, Matt Davignon wrote:

> Yes, it was typo. Thanks for the clarification!
>=20
> On Thu, Jan 13, 2011 at 10:31 AM, Per Boysen <perboysen@gmail.com> =
wrote:
>> On Thu, Jan 13, 2011 at 6:57 PM, Matt Davignon =
<mattdavignon@gmail.com> wrote:
>>> 2) That "brilliantly creative bands should stay in the business =
longer
>>> to practice their great ideas until we don't have to guess the
>>> intent".
>>=20
>> Is this a typo?
>> As I remember the article "stay in the business" originally was "stay
>> the basement".
>>=20
>> Per
>>=20
>>=20
>=20
>=20
>=20
> --=20
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">it's =
threads like this that keep me coming back to the trough of the loopers! =
&nbsp;all well spoken. &nbsp;a hat tip to Ted for divine =
liftoff.<div><br><div>R<br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Jan 13, 2011, at 11:55 AM, Matt Davignon =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Yes, it was typo. Thanks for the =
clarification!<br><br>On Thu, Jan 13, 2011 at 10:31 AM, Per Boysen =
&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; =
wrote:<br><blockquote type=3D"cite">On Thu, Jan 13, 2011 at 6:57 PM, =
Matt Davignon &lt;<a =
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a>&gt; =
wrote:<br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">2) That "brilliantly creative bands should stay in the =
business longer<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">to practice their great ideas =
until we don't have to guess =
the<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">intent".<br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Is this a =
typo?<br></blockquote><blockquote type=3D"cite">As I remember the =
article "stay in the business" originally was =
"stay<br></blockquote><blockquote type=3D"cite">the =
basement".<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Per<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><br><br><br>-- <br>Matt Davignon<br><a =
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>www.r=
ibosomemusic.com<br>Rigs! =
www.youtube.com/user/ribosomematt<br><br></div></blockquote></div><br></di=
v></div></body></html>=

--Apple-Mail-9-965107087--

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If I might be my worst own devil's advocate here for a moment and shed a 
meagre lumen or two on the flip side of the pursuit of "Art" it as it 
were, I have these contradicory and conflicting thoughts to throw out to 
you all as well.

When we get to where we're going as a civilization, will we know how to 
simply be? If we have so completely set our highest personal and 
creative goals to be iconoclasts, rebels, individuals, mavericks, 
self-defined, self-actualized and self-created whatevers - constantly 
pushing against all known boundaries and any sense of norm or tabu - 
what will happen when we come to a time that is entirely without them? 
Will that be heaven? Or will that be hell? Of what use will be concepts 
like, empathy, kindness, human warmth, or decency in such a world? 
Indeed, what will be especially human about it at all, except probably 
the advanced technolgy?

These are the things that I think about when I think about what I think 
(LOL).

Happy trails!

Ted

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<DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#908E38" LET=
TERSPACING=3D"0" KERNING=3D"0">If I might be my worst own devil's advocate =
here for a moment and shed a meagre lumen or two on the flip side of the pu=
rsuit of &quot;Art&quot; it as it were, I have these contradicory and confl=
icting thoughts to throw out to you all as well.</FONT></DIV><FONT FACE=3D"=
Verdana" SIZE=3D"3" COLOR=3D"#908E38" LETTERSPACING=3D"0" KERNING=3D"0"><br=
></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#908=
E38" LETTERSPACING=3D"0" KERNING=3D"0">When we get to where we're going as =
a civilization, will we know how to simply be? If we have so completely set=
 our highest personal and creative goals to be iconoclasts, rebels, individ=
uals, mavericks, self-defined, self-actualized and self-created whatevers -=
 constantly pushing against all known boundaries and any sense of norm or t=
abu - what will happen when we come to a time that is entirely without them=
? Will that be heaven? Or will that be hell? Of what use will be concepts l=
ike, empathy, kindness, human warmth, or decency in such a world? Indeed, w=
hat will be especially human about it at all, except probably the advanced =
technolgy? </FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#908E38"=
 LETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FAC=
E=3D"Verdana" SIZE=3D"3" COLOR=3D"#908E38" LETTERSPACING=3D"0" KERNING=3D"0=
">These are the things that I think about when I think about what I think (=
LOL).</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#908E38" LETTE=
RSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=3D"V=
erdana" SIZE=3D"3" COLOR=3D"#908E38" LETTERSPACING=3D"0" KERNING=3D"0">Happ=
y trails!</FONT></DIV><FONT FACE=3D"Verdana" SIZE=3D"3" COLOR=3D"#908E38" L=
ETTERSPACING=3D"0" KERNING=3D"0"><br></FONT><DIV ALIGN=3D"LEFT"><FONT FACE=
=3D"Verdana" SIZE=3D"3" COLOR=3D"#908E38" LETTERSPACING=3D"0" KERNING=3D"0"=
>Ted</FONT></DIV>
------=_Part_4305674_1329761810.1294953856659--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 22:24:47 2011
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*On 7/22/64 11:59 AM, todd reynolds wrote:*
> *Much success to you Bob, and to Rick and Bill and all who are close 
> and supporting the new product! *
> *
> *
> *Wish I could be there to try it out and have a go.  (as I'm sure many 
> of us wish)*
>
>
That's so nice of you, Todd.  Thanks a lot.   I was rockin' the 
prototype last night and it is
really a powerful piece of kit for such a relatively low price.

Now to get over this damned flu.    I feel like a bus hit me.
I hope I'm feeling better in 48 hours when the antibiotics are supposed 
to kick in.

  I finally broke down, went to my western doctor and got them prescribed.
I hate taking antibiotics and avoid them like the plague unless
I'm really losing to an infection as I have this past week.   I tried 
lots of sleep, lots of fluids,
lots of chinese herbs, no sugar, no alchohol but this one just got to me.

See you all down at NAMM at the Looperlative booth hopefully.

rick walker

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On 7/22/64 11:59 AM, Zoe Keating wrote:
> I'll be at NAMM on Saturday (and performing at the Hilton at 8am), 
> I'll try and find Bob and the LP2!
Hope to run into you, Zoe.  I'll be demoing, god willing, on Saturday 
and Sunday at LP's booth.

And wow,  8 a.m. gig at the Hilton.............it reminds me of my gigs 
with the Disney children's artist
Linda Arnold.     I'd get a whopping 2 or3 hours of sleep for those 
gigs.    Brutal!

Play well, though I know you don't need that encouragement.  You'll slay 
them!

rick

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 22:28:17 2011
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        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
        spacemusic Yahoogroups List <spacemusic@yahoogroups.com>,
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on the Finnish band Nemesis.  The Featured CD
at Midnight will be "Live Archive Volume 2" which is self-released.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#jan

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

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Subject: Re: good luck to Bob and all on the LP2 Launch at NAMM today!
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SWYgYW55b25lIGlzIGhpdHRpbmcgTkFNTSBmcm9tIFZlbmljZS9TYW50YSBNb25pY2EgYXJlYSBh
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From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 22:33:04 2011
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        Daniel Berkman <danielberkman@mac.com>
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 have a second job?)
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On 7/22/64 11:59 AM, tEd ® kiLLiAn wrote:
> I attended Y2KX this past October and saw your presentation at the 
> little Namaste teahouse one evening and was absolutely compelled to by 
> the CD afterwards. 
Yes,  a powerful second to that sentiment, Ted.   Daniel's CD is one of 
the most interesting and
sophisticated live looping CDs I've ever heard.    Not only is his 
playing (and way of thinking about playing)
the Gravichord very fascinating (using technology like whammy pitch 
pedals to bring the instrument
into the pedal guitar steel paradigm) but the drum computer programming 
and the very, very sophisticated
aesthetic in the programming of the backing abstract electronica tracks 
is really compelling.
I kept having 'aha' moments listening to it for the first time.

This CD is beautiful, melodically and glitchy and edgy in the best of 
cutting edge electronic ways.

I've listened to it over and over since I got it and that's the proof in 
the pudding as they say.

rick walker

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Date: Thu, 13 Jan 2011 17:39:47 -0500
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Subject: Re: should musicians have a second job?
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--001636eef32faa77780499c1febf
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It's hard to look at this objectively but as many have pointed out at least
for those here in the States where we don't have socialized medicine, unles=
s
we are single and in a marriage that possibly our mate has a regular gig an=
d
can live with the other mate bringing in a range of income among other
issues, it's just an impossible road to hold in this day/age in my opinion.
I think there was a time when I first decided that maybe there was an optio=
n
for me to earn my keep with it but I really believe not to be dark but
really believe those days have gone.

Others have stated the things I might say better so I won't wax on.  I thin=
k
this is a tender subject on a personal level to all of us 'here' as well as
just about any artist/musician/creative soul I've known.  It's like the lin=
e
in one of the Power Ranger movies that I saw when my kids were younger.
They have gone to a strange planet trying to rescue one of their own.  They
are met by a 'good witch' who tells them that the road is paved with many
who have tried and failed at the task before them and beyond their quest.

Though I've danced with the desire ever since college, I think I only
recently finally as a Will Ackerman song title from one of his best moments
said, 'The Moment In Which You Must Finally Let Go of the Tether which has
Held Your Hopes Airbourn' which for me relates to a feeling over the last
year but truthfully probably since about 2006 as I was coming into this
community, let go of  the 'carrot'.  The blessing in that is the other 'war=
m
and fuzzy' one door closes, another opens thing and on a level from a
creative standpoint I think I can say it did in that the music that I've
been part of whether this community, another called ImprovFriday, the
Chinapainting project with friend Daryl who brought me in to this community
and just a feeling that more and more anything I create is going to be
probably 'for me' and these days I believe that's a good thing.  In recent
months I've become very charged about a new interest that I hope will pave =
a
way for me sometime out of Corp America (my day gig) albeit at 55, that wil=
l
happen all on it's own in soon coming years.

Man much too waxing, closing this I will say the opening para of the articl=
e
I thought was a positive that being that the author is on a level asking ou=
r
society to own the path of a musician on the same level that they 'respect'
and 'pay' a doctor, lawyer, carpenter, as we used to say in Arkansas,
'Church of Christ preacher' or any other 'normal' line of adult work.  It's
an honorable request.

Peace out as Mr D says...

Jim

On Thu, Jan 13, 2011 at 2:55 PM, Matt Davignon <mattdavignon@gmail.com>wrot=
e:

> Yes, it was typo. Thanks for the clarification!
>
> On Thu, Jan 13, 2011 at 10:31 AM, Per Boysen <perboysen@gmail.com> wrote:
> > On Thu, Jan 13, 2011 at 6:57 PM, Matt Davignon <mattdavignon@gmail.com>
> wrote:
> >> 2) That "brilliantly creative bands should stay in the business longer
> >> to practice their great ideas until we don't have to guess the
> >> intent".
> >
> > Is this a typo?
> > As I remember the article "stay in the business" originally was "stay
> > the basement".
> >
> > Per
> >
> >
>
>
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--001636eef32faa77780499c1febf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

It&#39;s hard to look at this objectively but as many have pointed out at l=
east for those here in the States where we don&#39;t have socialized medici=
ne, unless we are single and in a marriage that possibly our mate has a reg=
ular gig and can live with the other mate bringing in a range of income amo=
ng other issues, it&#39;s just an impossible road to hold in this day/age i=
n my opinion.=A0 I think there was a time when I first decided that maybe t=
here was an option for me to earn my keep with it but I really believe not =
to be dark but really believe those days have gone.<br>
=A0<br>Others have stated the things I might say better so I won&#39;t wax =
on.=A0 I think this is a tender subject on a personal level to all of us &#=
39;here&#39; as well as just about any artist/musician/creative soul I&#39;=
ve known.=A0 It&#39;s like the line in one of the Power Ranger movies that =
I saw when my kids were younger.=A0 They have gone to a strange planet tryi=
ng to rescue one of their own.=A0 They are met by a &#39;good witch&#39; wh=
o tells them that the road is paved with many who have tried and failed at =
the task before them and beyond their quest.<br>
<br>Though I&#39;ve danced with the desire ever since college, I think I on=
ly recently finally as a Will Ackerman song title from one of his best mome=
nts said, &#39;The Moment In Which You Must Finally Let Go of the Tether wh=
ich has Held Your Hopes Airbourn&#39; which for me relates to a feeling ove=
r the last year but truthfully probably since about 2006 as I was coming in=
to this community, let go of=A0 the &#39;carrot&#39;.=A0 The blessing in th=
at is the other &#39;warm and fuzzy&#39; one door closes, another opens thi=
ng and on a level from a creative standpoint I think I can say it did in th=
at the music that I&#39;ve been part of whether this community, another cal=
led ImprovFriday, the Chinapainting project with friend Daryl who brought m=
e in to this community and just a feeling that more and more anything I cre=
ate is going to be probably &#39;for me&#39; and these days I believe that&=
#39;s a good thing.=A0 In recent months I&#39;ve become very charged about =
a new interest that I hope will pave a way for me sometime out of Corp Amer=
ica (my day gig) albeit at 55, that will happen all on it&#39;s own in soon=
 coming years.<br>
<br>Man much too waxing, closing this I will say the opening para of the ar=
ticle I thought was a positive that being that the author is on a level ask=
ing our society to own the path of a musician on the same level that they &=
#39;respect&#39; and &#39;pay&#39; a doctor, lawyer, carpenter, as we used =
to say in Arkansas, &#39;Church of Christ preacher&#39; or any other &#39;n=
ormal&#39; line of adult work.=A0 It&#39;s an honorable request.<br>
<br>Peace out as Mr D says...<br><br>Jim<br><br><div class=3D"gmail_quote">=
On Thu, Jan 13, 2011 at 2:55 PM, Matt Davignon <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:mattdavignon@gmail.com" target=3D"_blank">mattdavignon@gmail.co=
m</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Yes, it was typo. Thanks for the clarification!<br>
<div><div></div><div><br>
On Thu, Jan 13, 2011 at 10:31 AM, Per Boysen &lt;<a href=3D"mailto:perboyse=
n@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt; wrote:<br>
&gt; On Thu, Jan 13, 2011 at 6:57 PM, Matt Davignon &lt;<a href=3D"mailto:m=
attdavignon@gmail.com" target=3D"_blank">mattdavignon@gmail.com</a>&gt; wro=
te:<br>
&gt;&gt; 2) That &quot;brilliantly creative bands should stay in the busine=
ss longer<br>
&gt;&gt; to practice their great ideas until we don&#39;t have to guess the=
<br>
&gt;&gt; intent&quot;.<br>
&gt;<br>
&gt; Is this a typo?<br>
&gt; As I remember the article &quot;stay in the business&quot; originally =
was &quot;stay<br>
&gt; the basement&quot;.<br>
&gt;<br>
&gt; Per<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div>--<br>
<div>Matt Davignon<br>
<a href=3D"mailto:mattdavignon@gmail.com" target=3D"_blank">mattdavignon@gm=
ail.com</a><br>
</div><div><div></div><div><a href=3D"http://www.ribosomemusic.com" target=
=3D"_blank">www.ribosomemusic.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" target=3D"_blank=
">www.youtube.com/user/ribosomematt</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>

<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--001636eef32faa77780499c1febf--

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Subject: Donation From Mrs Regina Boarki  
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http://www=2Ew3=2Eorg/TR/xhtml1/DTD/xhtml1-transitional=2Edtd=22><html><h=
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er=3D=220=22 cellspacing=3D=220=22 cellpadding=3D=220=22 class=3D=22yiv14=
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tyle=3D=22font-size: 10pt; font-family: arial=22><div id=3D=22yiv14965406=
46yiv2088207yiv1433003801yiv996558775yiv1759732268=22><table border=3D=22=
0=22 cellspacing=3D=220=22 cellpadding=3D=220=22 class=3D=22yiv1496540646=
yiv2088207yiv1433003801yiv996558775yiv1759732268=22 id=3D=22yiv1496540646=
yiv2088207yiv1433003801yiv996558775yiv1759732268bodyDrftID=22><tbody><tr>=
<td id=3D=22yiv1496540646yiv2088207yiv1433003801yiv996558775yiv1759732268=
drftMsgContent=22 style=3D=22font-size: 10pt; font-family: arial=22><div>=
<span style=3D=22font-size: small=22><strong>Donation From Mrs Regina Boa=
rki=A0 <br />BP =5B38 Rue Des Martyrs Cocody <br />Abidjan, Cote d=27Ivoi=
re =2E <br />=A0 </strong></span></div><div><span style=3D=22font-size: s=
mall=22><strong>DEAREST ONE OF GOD<br />I am the above named person from =
Kuwait =2E I am married to MR=2E=A0 PATRICK=A0 BOARKI, who worked with Ku=
wait embassy in Ivory Coast for nine years before he died in the year 200=
4=2E We were married for eleven years without a child=2E He died after a =
brief illness that lasted for only four days=2E<br />Before his death we =
were both born again Christian=2E Since his death I decided not to remarr=
y or get a child outside my matrimonial home which the Bible is against=2E=
 When my late husband was alive he deposited the sum of =242=2E 5 Million=
 (Two Million and Five Hundred thousand U=2ES=2E Dollars) in the bank her=
e in Abidjan in a suspense account=2E<br />Presently, the fund is still i=
n the bank=2E Recently, my Doctor told me that i have seriously sickness =
which is cancer problem=2E The one that disturbs me most is my stroke sic=
kness=2E Having known my condition I decided to donate this fund to a chu=
rch or individual that will utilize this money the way I am going to inst=
ruct herein=2E I want a church that will use this fund for orphanages, wi=
dows, propagating the word of God and to endeavour that the house of God =
is maintained=2E <br />The Bible made us to understand that blessed is th=
e hand that giveth=2E I took this decision because I don=27t have any chi=
ld that will inherit this money and my husband relatives are not Christia=
ns and I don=27t want my husband=27s efforts to be used by unbelievers=2E=
 I don=27t want a situation where this money will be used in an ungodly w=
ay=2E This is why I am taking this decision=2E I am not afraid of death h=
ence i know where I am going=2E I know that I am going to be in the bosom=
 of the Lord=2E Exodus 14 VS 14 says that the Lord will fight my case and=
 I shall hold my peace=2E <br />I don=27t need any telephone communicatio=
n in this regard because of my health hence the presence of my husband=27=
s relatives is around me always I don=27t want them to know about this de=
velopment=2E With God all things are possible=2E As soon as I receive you=
r reply I shall give you the contact of the bank here in Abidjan =2E I wa=
nt you and the church to always pray for me because the Lord is my shephe=
rd=2E My happiness is that I lived a life of a worthy Christian=2E Whoeve=
r that wants to serve the Lord must serve him in spirit and Truth=2E Plea=
se always be prayerful all through your life=2E <br />Contact me through =
my Private e-mail address:boarkiregina=40yahoo=2Eco=2Ejp ;for more inform=
ation=27s, any delay in your reply will give me room in sourcing another =
church or individual for this same purpose=2E Please assure me that you w=
ill act accordingly as I Stated herein=2E Hoping to receive your reply=2E=
 <br />Remain blessed in the Lord=2E <br />Yours in Christ, <br />MRS=2E =
REGINA BOARKI=2E </strong></span></div></td></tr></tbody></table></div></=
td></tr></tbody></table></div></td></tr></tbody></table></div></td></tr><=
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Subject: RC-50 and sucking at syncing and some sucky customer service to boot
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--Apple-Mail-1-972344176
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=us-ascii

Hello Folks,

Posting here for the first time...  I was compelled to after I spent =
several days trying to get my new Boss RC-50 to sync reliably.  I =
thought that maybe some of you could benefit from my experience as well =
as see a glimpse into the lack of customer service @ Roland.  Oh, I =
soooooo wish I was at NAMM right now so I could speak to them about this =
face to face.

I'm sure many of you know of the lack of true master/slave sync in =
regards to this device and external midi clock.  I, like many others, =
was compelled to get an RC-50 after learning there was a midi capable =
looper!  It's advertised as such and I got swept up into the marketing =
of such a device as I've been looking for a quality looper for some time =
that I could sync to midi while running audio channels externally so =
they could go in/out of my guitar amp.  I found the holy grail, or so I =
thought... up and bought it right there as I found a good deal on ebay.

I spent a couple weeks with the looper getting this to work right.  I =
did indeed read the manual quite a bit.  Studied it.  I'm familiar with =
gear and syncing.  I was trying to sync the RC-50 to Ableton Live.  Went =
through many settings on both the RC-50 and Live.  ALMOST got it to sync =
as a true master / slave but what I found is that the clock would just =
not sync accurately.  It would remain off by .1 or .2 midi beats which =
of course, is not SYNCHRONIZATION as the loops would drift after not too =
much time.  As I am certain you fellow loopers would conclude, this is =
unacceptable!  The looper needs to really sync reliably to work without =
drift.

My goal was to be able to get multiple loops at lengths to which I =
desired to loop in sync with Live.  I set Tempo Sync to OFF, Loop sync =
to OFF, Midi sync to AUTO and REMOTE.... same things...still the drift =
of .1 to .2, not always but well enough to not be reliable for live =
performance.  Computer was sending midi clock to the looper.

I tried tricking the device - setting up a empty loop on track 1 so that =
other tracks could quantize and sync to it... still no dice.  It would =
consistently read the midi clock and pretty regularly be off by .1 - .2. =
 Live definitely set up correctly.  Other midi interfaces tried.  Other =
computer tried.  Didn't matter... not syncing.  I read and read and read =
the manual.

I tried running the RC-50 as the master and Live as the slave.  Doing so =
this way caused Live's tempo to be all over the map.

I finally emailed their customer support.  I'll get to that in a second. =
 Just after emailing their customer support, I perused Looper's Delight =
again and I got some ideas to try another approach.... which =
surprisingly worked!  It's a major workaround, the device should not =
behave like this but this was the ONLY way I got the RC-50 to sync =
reliably.=20

Here is how:

On RC-50 - setup a patch that has a specific tempo of your sequence, say =
125BPM.  Store that tempo with the patch.  Tempo Sync -- OFF OFF OFF.  =
Loop Sync On/Off - experiment with this.  Midi sync set to REMOTE.  =
Pre-record a blank loop at the BPM that the RC-50 believes is correct.  =
When set to REMOTE (even though this is counter-intuitive) the RC-50 =
still gets it's tempo from INTERNAL settings.  WTF?!?! Ok. This gave me =
the idea though to set this up using the pre-recorded dummy empty loop =
at the specific tempo.  Here is the part I was missing as again it seems =
counter-intuitive and does not explain well in the manual.  In order for =
the RC-50 to sync correctly without drift, YOU HAVE TO USE THE GUIDE!!!! =
 THIS IS THE ONLY WAY THAT THE RC-50 GETS RELIABLE TEMPO!!!  Then you =
have this ugly problem of hearing their canned, crappy drums.  How do =
you eliminate that?  Set the guide to play out of the SUB OUTS (as long =
as you are not using them already) and then don't plug them in to =
speakers!!!! What happens is once you have this blank loop set, and =
REMOTE working properly (don't forget your midi settings in Live!), the =
RC-50 is tricked into playing at the correct tempo.  You can then record =
other loops on the other tracks which will be quantized to your original =
silent loop and then will remain in sync.  Get it?  Yuck.  I have never =
had such a difficult time getting midi gear to sync.


Hope I explained it okay.. but it works, solidly... finally.  When you =
start your sequence, you must have the empty loop track selected on the =
RC-50 so that when you start the sequencer, it triggers playback of the =
blank loop and then you can record to the other loops.  It stays in sync =
as long as you still have a loop running.  If you stop playback on the =
RC-50, forget it the loops will get out of sync.  If you want silence in =
there, you still have to play the empty loop and keep the clock running.

So, here is the part about their customer service.  I emailed them =
trying to ask about this.. first of all they only give you about 300 =
characters in which to describe your problem (I do feel sorry for their =
support staff as a result of this) and you also get some less than =
stellar support once you do get any response from them.  Here is what =
they said about the RC-50 and synchronization:

"There would not be any way around this issue as sync requires very =
intensive realtime calculations, and the RC's brain has to crunch =
thousands of numbers per second on-the-fly when locking to external =
clock or when the the tempo is changed. The recording mode also has an =
effect, as stereo audio is twice as difficult to sync and/or time-shift =
than mono audio."

- Are you kidding me? It's too complicated to work?  Tell that to all =
the other midi manufacturers that get devices from varying manufacturers =
to work in sync all the time.  And if this is the case, why do you =
advertise that this is a feature!?!?  You think musicians won't notice?  =
I have read on this forum and in other places that Roland is not likely =
to update their version 1.1 operating system any time soon (likely =
never).

So... it seems that even Roland doesn't have a workaround like I came up =
with.  I hope I explained this okay and that it helps some of you.  I =
had a hard time finding info on this and had to piece it together from =
various sources.

Best to all you loopers, sorry for the long post, but hoping this might =
help someone out there in loopland...
Shane
Tainted By Trolls
http://www.taintedbytrolls.com/




--Apple-Mail-1-972344176
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hello =
Folks,<div><br></div><div>Posting here for the first time... &nbsp;I was =
compelled to after I spent several days trying to get my new Boss RC-50 =
to sync reliably. &nbsp;I thought that maybe some of you could benefit =
from my experience as well as see a glimpse into the lack of customer =
service @ Roland. &nbsp;Oh, I soooooo wish I was at NAMM right now so I =
could speak to them about this face to =
face.</div><div><br></div><div>I'm sure many of you know of the lack of =
true master/slave sync in regards to this device and external midi =
clock. &nbsp;I, like many others, was compelled to get an RC-50 after =
learning there was a midi capable looper! &nbsp;It's advertised as such =
and I got swept up into the marketing of such a device as I've been =
looking for a quality looper for some time that I could sync to midi =
while running audio channels externally so they could go in/out of my =
guitar amp. &nbsp;I found the holy grail, or so I thought... up and =
bought it right there as I found a good deal on =
ebay.</div><div><br></div><div>I spent a couple weeks with the looper =
getting this to work right. &nbsp;I did indeed read the manual quite a =
bit. &nbsp;Studied it. &nbsp;I'm familiar with gear and syncing. &nbsp;I =
was trying to sync the RC-50 to Ableton Live. &nbsp;Went through many =
settings on both the RC-50 and Live. &nbsp;ALMOST got it to sync as a =
true master / slave but what I found is that the clock would just not =
sync accurately. &nbsp;It would remain off by .1 or .2 midi beats which =
of course, is not SYNCHRONIZATION as the loops would drift after not too =
much time. &nbsp;As I am certain you fellow loopers would conclude, this =
is unacceptable! &nbsp;The looper needs to really sync reliably to work =
without drift.</div><div><br></div><div>My goal was to be able to get =
multiple loops at lengths to which I desired to loop in sync with Live. =
&nbsp;I set Tempo Sync to OFF, Loop sync to OFF, Midi sync to AUTO and =
REMOTE.... same things...still the drift of .1 to .2, not always but =
well enough to not be reliable for live performance. &nbsp;Computer was =
sending midi clock to the looper.</div><div><br></div><div>I tried =
tricking the device - setting up a empty loop on track 1 so that other =
tracks could quantize and sync to it... still no dice. &nbsp;It would =
consistently read the midi clock and pretty regularly be off by .1 - .2. =
&nbsp;Live definitely set up correctly. &nbsp;Other midi interfaces =
tried. &nbsp;Other computer tried. &nbsp;Didn't matter... not syncing. =
&nbsp;I read and read and read the manual.</div><div><br></div><div>I =
tried running the RC-50 as the master and Live as the slave. &nbsp;Doing =
so this way caused Live's tempo to be all over the =
map.</div><div><br></div><div>I finally emailed their customer support. =
&nbsp;I'll get to that in a second. &nbsp;Just after emailing their =
customer support, I perused Looper's Delight again and I got some ideas =
to try another approach.... which surprisingly worked! &nbsp;It's a =
major workaround, the device should not behave like this but this was =
the ONLY way I got the RC-50 to sync =
reliably.&nbsp;</div><div><br></div><div>Here is =
how:</div><div><br></div><div>On RC-50 - setup a patch that has a =
specific tempo of your sequence, say 125BPM. &nbsp;Store that tempo with =
the patch. &nbsp;Tempo Sync -- OFF OFF OFF. &nbsp;Loop Sync On/Off - =
experiment with this. &nbsp;Midi sync set to REMOTE. &nbsp;Pre-record a =
blank loop at the BPM that the RC-50 believes is correct. &nbsp;When set =
to REMOTE (even though this is counter-intuitive) the RC-50 still gets =
it's tempo from INTERNAL settings. &nbsp;WTF?!?! Ok. This gave me the =
idea though to set this up using the pre-recorded dummy empty loop at =
the specific tempo. &nbsp;Here is the part I was missing as again it =
seems counter-intuitive and does not explain well in the manual. =
&nbsp;In order for the RC-50 to sync correctly without drift, YOU HAVE =
TO USE THE GUIDE!!!! &nbsp;THIS IS THE ONLY WAY THAT THE RC-50 GETS =
RELIABLE TEMPO!!! &nbsp;Then you have this ugly problem of hearing their =
canned, crappy drums. &nbsp;How do you eliminate that? &nbsp;Set the =
guide to play out of the SUB OUTS (as long as you are not using them =
already) and then don't plug them in to speakers!!!! What happens is =
once you have this blank loop set, and REMOTE working properly (don't =
forget your midi settings in Live!), the RC-50 is tricked into playing =
at the correct tempo. &nbsp;You can then record other loops on the other =
tracks which will be quantized to your original silent loop and then =
will remain in sync. &nbsp;Get it? &nbsp;Yuck. &nbsp;I have never had =
such a difficult time getting midi gear to =
sync.</div><div><br></div><div><br></div><div>Hope I explained it okay.. =
but it works, solidly... finally. &nbsp;When you start your sequence, =
you must have the empty loop track selected on the RC-50 so that when =
you start the sequencer, it triggers playback of the blank loop and then =
you can record to the other loops. &nbsp;It stays in sync as long as you =
still have a loop running. &nbsp;If you stop playback on the RC-50, =
forget it the loops will get out of sync. &nbsp;If you want silence in =
there, you still have to play the empty loop and keep the clock =
running.</div><div><br></div><div>So, here is the part about their =
customer service. &nbsp;I emailed them trying to ask about this.. first =
of all they only give you about 300 characters in which to describe your =
problem (I do feel sorry for their support staff as a result of this) =
and you also get some less than stellar support once you do get any =
response from them. &nbsp;Here is what they said about the RC-50 and =
synchronization:</div><div><br></div><div>"<span =
class=3D"Apple-style-span" style=3D"font-family: arial, helvetica, =
sans-serif; font-size: 13px; ">There would not be any way around this =
issue as sync requires very intensive realtime calculations, and the =
RC's brain has to crunch thousands of numbers per second on-the-fly when =
locking to external clock or when the the tempo is changed. The =
recording mode also has an effect, as stereo audio is twice as difficult =
to sync and/or time-shift than mono audio."</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, helvetica, =
sans-serif; font-size: 13px; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, helvetica, =
sans-serif; font-size: 13px; ">- Are you kidding me? It's too =
complicated to work? &nbsp;Tell that to all the other midi manufacturers =
that get devices from varying manufacturers to work in sync all the =
time. &nbsp;And if this is the case, why do you advertise that this is a =
feature!?!? &nbsp;You think musicians won't notice? &nbsp;I have read on =
this forum and in other places that Roland is not likely to update their =
version 1.1 operating system any time soon (likely =
never).</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, helvetica, sans-serif; font-size: 13px; =
"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, helvetica, sans-serif; font-size: 13px; =
">So... it seems that even Roland doesn't have a workaround like I came =
up with. &nbsp;I hope I explained this okay and that it helps some of =
you. &nbsp;I had a hard time finding info on this and had to piece it =
together from various sources.</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, helvetica, =
sans-serif; font-size: 13px; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: arial, helvetica, =
sans-serif; font-size: 13px; ">Best to all you loopers, sorry for the =
long post, but hoping this might help someone out there in =
loopland...</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, helvetica, sans-serif; font-size: 13px; =
">Shane</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: arial, helvetica, sans-serif; font-size: 13px; =
">Tainted By Trolls</span></div><div><font class=3D"Apple-style-span" =
face=3D"arial, helvetica, sans-serif" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;"><a =
href=3D"http://www.taintedbytrolls.com/">http://www.taintedbytrolls.com/</=
a></span></font></div><div><font class=3D"Apple-style-span" face=3D"arial,=
 helvetica, sans-serif" size=3D"3"><span class=3D"Apple-style-span" =
style=3D"font-size: 13px;"><br></span></font></div><meta =
charset=3D"utf-8"><div><br></div><div><br></div></body></html>=

--Apple-Mail-1-972344176--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 23:24:42 2011
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Subject: Re: Re: OT: Sheer talent: Kurt Hugo Schneider, Sam Tsui, Sara Bareilles...
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On 7/22/64 11:59 AM, buzap@gmx.net wrote:
> To be fair: there's quite a bit of beatboxing (esp. in King of...). 
> And the clicking rhythm on the recorder was pretty cool.

True, true.   Seriously,  I was just being humurously self deprecating 
about that post and it struck me as
funny and absurd that a weird found sound guy would be competitive with 
another found sound guy.

I'm just stuck in bed waiting for the anti biotics to kick 
in.............too much time on my hands
but all of it with a crummy headache and sore throat.............lol.

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 23:28:35 2011
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Subject: Re: Re: OT: Sheer talent: Kurt Hugo Schneider, Sam Tsui,
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Antibiotics don't work on viruses.

t
----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: <buzap@gmx.net>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, January 13, 2011 3:24 PM
Subject: Re: Re: OT: Sheer talent: Kurt Hugo Schneider, Sam Tsui, Sara 
Bareilles...


> On 7/22/64 11:59 AM, buzap@gmx.net wrote:
>> To be fair: there's quite a bit of beatboxing (esp. in King of...). And 
>> the clicking rhythm on the recorder was pretty cool.
>
> True, true.   Seriously,  I was just being humurously self deprecating 
> about that post and it struck me as
> funny and absurd that a weird found sound guy would be competitive with 
> another found sound guy.
>
> I'm just stuck in bed waiting for the anti biotics to kick 
> in.............too much time on my hands
> but all of it with a crummy headache and sore throat.............lol.
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 23:32:17 2011
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On 7/22/64 11:59 AM, Todd Howell wrote:
> If they want to eat. Being a pro musician was great when chemical 
> amusement was free and the girlfriend and I lived on her student 
> loans. American loopers, you need health insurance or else you are 
> royally ****ed when you get ill or injured. Living outside of the 
> established economy is grand fun until serious life changes occur. I 
> am happier now in my middling health care job while not dealing with 
> the business side of the music business. Lets' face it, alot of the 
> people you have to deal with in the business are pretty reptilian. 
> Every club you play, every event, every booking agent is a boss. 
> Wedding gigs were even worse. Don't get me started. Now, I have one 
> boss. So I started to realize there wasn't much freedom in that life. 
> I had a lot of bosses and four bandmates. It was all of the irritants 
> of marriage without sex.
I respect your experiences and conclusions, Todd,  but not everyone has 
the same experiences
and not everyone's solutions are the proper solutions.

I've been a professional musician without a day job for 34 years 
now..........without health care.
I won't tell you that it's been easy, but I feel blessed to have lived 
the life I have lived.

Does it have it's drawbacks..........certainly...........I've been 
forced to cancel a quarter of my months' income
because this week because  I have the flu and am going to NAMM 
(hopefully) this weekend..........
that's a stressor for sure.   But in my own case (and I truly don't 
think I have the answer for anyone outside of myself)  I've been able to 
be music for my whole adult life without a lot of compromise and that 
has it's rewards.......though they are frequently spiritual and not 
monetary.

So,  I support your solution.   Truly I do,  but I would ask that you 
also have compassion for my own
solution , though it differs from yours.

respectfully,
rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 23:49:39 2011
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Date: Thu, 13 Jan 2011 18:49:36 -0500
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Subject: Re: Re: should musicians have a second job?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636eef32f60978c0499c2f81b
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Rick despite my own spin I do applaud those you find a way.  As I stated I
do know it does not come without trades and I think the biggest for those i=
n
the States is the choice of whether not to have healthcare or not as you
have done.  I briefly did that for a few years in my 20's and I think it's =
a
tragedy that our country does not have a better solution.  These days with =
a
family, a type 1 diabetic daughter, healthcare is imperative.  Realizing
though everyone's journey is different cool you have as I'e known since I
met you in 07, pulled it off in your 'own way'.

J

On Thu, Jan 13, 2011 at 6:32 PM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Todd Howell wrote:
>
>> If they want to eat. Being a pro musician was great when chemical
>> amusement was free and the girlfriend and I lived on her student loans.
>> American loopers, you need health insurance or else you are royally ****=
ed
>> when you get ill or injured. Living outside of the established economy i=
s
>> grand fun until serious life changes occur. I am happier now in my middl=
ing
>> health care job while not dealing with the business side of the music
>> business. Lets' face it, alot of the people you have to deal with in the
>> business are pretty reptilian. Every club you play, every event, every
>> booking agent is a boss. Wedding gigs were even worse. Don't get me star=
ted.
>> Now, I have one boss. So I started to realize there wasn't much freedom =
in
>> that life. I had a lot of bosses and four bandmates. It was all of the
>> irritants of marriage without sex.
>>
> I respect your experiences and conclusions, Todd,  but not everyone has t=
he
> same experiences
> and not everyone's solutions are the proper solutions.
>
> I've been a professional musician without a day job for 34 years
> now..........without health care.
> I won't tell you that it's been easy, but I feel blessed to have lived th=
e
> life I have lived.
>
> Does it have it's drawbacks..........certainly...........I've been forced
> to cancel a quarter of my months' income
> because this week because  I have the flu and am going to NAMM (hopefully=
)
> this weekend..........
> that's a stressor for sure.   But in my own case (and I truly don't think=
 I
> have the answer for anyone outside of myself)  I've been able to be music
> for my whole adult life without a lot of compromise and that has it's
> rewards.......though they are frequently spiritual and not monetary.
>
> So,  I support your solution.   Truly I do,  but I would ask that you als=
o
> have compassion for my own
> solution , though it differs from yours.
>
> respectfully,
> rick walker
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--001636eef32f60978c0499c2f81b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Rick despite my own spin I do applaud those you find a way. =A0As I stated =
I do know it does not come without trades and I think the biggest for those=
 in the States is the choice of whether not to have healthcare or not as yo=
u have done. =A0I briefly did that for a few years in my 20&#39;s and I thi=
nk it&#39;s a tragedy that our country does not have a better solution. =A0=
These days with a family, a type 1 diabetic daughter, healthcare is imperat=
ive. =A0Realizing though everyone&#39;s journey is different cool you have =
as I&#39;e known since I met you in 07, pulled it off in your &#39;own way&=
#39;. =A0<div>
<br></div><div>J<br><br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 at =
6:32 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzi=
o.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex;">
<div class=3D"im">On 7/22/64 11:59 AM, Todd Howell wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
If they want to eat. Being a pro musician was great when chemical amusement=
 was free and the girlfriend and I lived on her student loans. American loo=
pers, you need health insurance or else you are royally ****ed when you get=
 ill or injured. Living outside of the established economy is grand fun unt=
il serious life changes occur. I am happier now in my middling health care =
job while not dealing with the business side of the music business. Lets&#3=
9; face it, alot of the people you have to deal with in the business are pr=
etty reptilian. Every club you play, every event, every booking agent is a =
boss. Wedding gigs were even worse. Don&#39;t get me started. Now, I have o=
ne boss. So I started to realize there wasn&#39;t much freedom in that life=
. I had a lot of bosses and four bandmates. It was all of the irritants of =
marriage without sex.<br>

</blockquote></div>
I respect your experiences and conclusions, Todd, =A0but not everyone has t=
he same experiences<br>
and not everyone&#39;s solutions are the proper solutions.<br>
<br>
I&#39;ve been a professional musician without a day job for 34 years now...=
.......without health care.<br>
I won&#39;t tell you that it&#39;s been easy, but I feel blessed to have li=
ved the life I have lived.<br>
<br>
Does it have it&#39;s drawbacks..........certainly...........I&#39;ve been =
forced to cancel a quarter of my months&#39; income<br>
because this week because =A0I have the flu and am going to NAMM (hopefully=
) this weekend..........<br>
that&#39;s a stressor for sure. =A0 But in my own case (and I truly don&#39=
;t think I have the answer for anyone outside of myself) =A0I&#39;ve been a=
ble to be music for my whole adult life without a lot of compromise and tha=
t has it&#39;s rewards.......though they are frequently spiritual and not m=
onetary.<br>

<br>
So, =A0I support your solution. =A0 Truly I do, =A0but I would ask that you=
 also have compassion for my own<br>
solution , though it differs from yours.<br>
<br>
respectfully,<br><font color=3D"#888888">
rick walker<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn=
 To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter=
 Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Interna=
tional.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_b=
lank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--001636eef32f60978c0499c2f81b--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 13 23:56:53 2011
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Date: Thu, 13 Jan 2011 16:56:52 -0700 (GMT-07:00)
From: Todd Howell <ransacker@earthlink.net>
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RW

I think it wonderful that you can pull it off. I am almost jealous. The idea that all you have to do is make music is wonderful. The fact that you can do this is even better. There is, I am sure, a purity to your life that mine wouldn't have had as a professional musician. I found myself taking hideous gigs for the paycheck. 

I liken it to porn. I was the occasional pro who had to turn it on before the cameras for the money. I was reasonably fit and doing it for the buck. But me? I'd rather be a fat ****er who did it for love. Not pretty. Not svelte. Just another chump in the basement. I feel better as I write this.

I am glad that your reality allows it. Make the most of it and create something brilliant. Blessings on your journey.

Ransacker




-----Original Message-----
>From: Rick Walker <looppool@cruzio.com>
>Sent: Jan 13, 2011 4:32 PM
>To: Todd Howell <ransacker@earthlink.net>
>Cc: Loopers-Delight@loopers-delight.com
>Subject: Re: Re: should musicians have a second job?
>
>On 7/22/64 11:59 AM, Todd Howell wrote:
>> If they want to eat. Being a pro musician was great when chemical 
>> amusement was free and the girlfriend and I lived on her student 
>> loans. American loopers, you need health insurance or else you are 
>> royally ****ed when you get ill or injured. Living outside of the 
>> established economy is grand fun until serious life changes occur. I 
>> am happier now in my middling health care job while not dealing with 
>> the business side of the music business. Lets' face it, alot of the 
>> people you have to deal with in the business are pretty reptilian. 
>> Every club you play, every event, every booking agent is a boss. 
>> Wedding gigs were even worse. Don't get me started. Now, I have one 
>> boss. So I started to realize there wasn't much freedom in that life. 
>> I had a lot of bosses and four bandmates. It was all of the irritants 
>> of marriage without sex.
>I respect your experiences and conclusions, Todd,  but not everyone has 
>the same experiences
>and not everyone's solutions are the proper solutions.
>
>I've been a professional musician without a day job for 34 years 
>now..........without health care.
>I won't tell you that it's been easy, but I feel blessed to have lived 
>the life I have lived.
>
>Does it have it's drawbacks..........certainly...........I've been 
>forced to cancel a quarter of my months' income
>because this week because  I have the flu and am going to NAMM 
>(hopefully) this weekend..........
>that's a stressor for sure.   But in my own case (and I truly don't 
>think I have the answer for anyone outside of myself)  I've been able to 
>be music for my whole adult life without a lot of compromise and that 
>has it's rewards.......though they are frequently spiritual and not 
>monetary.
>
>So,  I support your solution.   Truly I do,  but I would ask that you 
>also have compassion for my own
>solution , though it differs from yours.
>
>respectfully,
>rick walker
>

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 00:14:27 2011
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On 7/22/64 11:59 AM, tEd ® kiLLiAn wrote:
> When we get to where we're going as a civilization, will we know how 
> to simply be? If we have so completely set our highest personal and 
> creative goals to be iconoclasts, rebels, individuals, mavericks, 
> self-defined, self-actualized and self-created whatevers - constantly 
> pushing against all known boundaries and any sense of norm or tabu - 
> what will happen when we come to a time that is entirely without them? 
> Will that be heaven? Or will that be hell? Of what use will be 
> concepts like, empathy, kindness, human warmth, or decency in such a 
> world? Indeed, what will be especially human about it at all, except 
> probably the advanced technolgy? 
My own take is that a sense of constant yearning.............a desire to 
be continually creative..............these are the
things that make us human.       Human beings also constantly aspire to 
'arriving'
and when they get there, they realize that that's where they are and 
then they start aspiring to
something else.     I think this is what is beautiful about human 
beings.   We are always a
'work in progress'  and really,  a final goal is illusory.**It's just 
me, but I just don't believe
in the notion of heaven or hell.   Absolutes and absolute states are 
illusory.   The notion
that they exist is comforting to human beings but only for a little 
while:  then we aspire again.   And so it goes.
*
*rick walker*
*

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 00:29:54 2011
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On 7/22/64 11:59 AM, Toby G wrote:
> Antibiotics don't work on viruses. 

Thanks Toby,  I grew up with a very well known Physician as a father.
I know this.

They do, however, work very efficaciously on secondary infections that 
result
from viral infections.   That's what I'm treating now.

r.

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 00:32:57 2011
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Subject: Re: RC-50 and sucking at syncing and some sucky customer service
 to boot
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On 7/22/64 11:59 AM, PIM Contact wrote:
> Hello Folks,
>
> Posting here for the first time...  I was compelled to after I spent 
> several days trying to get my new Boss RC-50 to sync reliably.
Sorry you are having problems with your RC-50.  Wish I had a solution 
but I don't.
I've heard a lot about that problem however.  You might want to research 
back through
the archives about discussions about the RC-50 and midi sync problems 
and solutions.
I don't own one so I don't know.

The only good news is that the LP-2 Mini Looper is being debuted at NAMM
and will have robust MIDI I/O and at an amazing street price of $300.

rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 00:49:31 2011
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--Apple-Mail-2-978871229
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heaven, hell, buddhahood, love, hate, enlightenment and all those =
'absolutes' are verbs, not nouns.  Creativity is a verb.  For me, =
realizing that my goal was creativity rather than being a music star (or =
saint) was like sprouting 757 wings!  This happened for me (fully) just =
in this past year - although I've made good money from writing and brain =
storming in the past.  It liberated me from the bondage of music.  Now =
it's farming, writing, music, studio stuff... running the various =
businesses I have.  All of it now brings me the buzz music once had a =
monopoly on.=20

I think the notion that musicians should all have second jobs is just =
indicative of the state of the world right now.  When I was a kid in the =
late 50s-60's, there was a study done to find out what the most aspired =
to vocation was (for kids in school) and, above doctor, lawyer, movie =
star etc was 'musician'.  It was THE most desired job! Now most folks =
think anyone who's doing anything they really enjoy, that's 'fun', =
shouldn't be paid for it.  Definitely music has fallen from heaven.

The glut has defeated the bountiful harvest! =20

We are indeed in an odd time and I'm glad I'm not in my twenties again.  =
For creativity, the gates are wider than they've ever been, for making a =
living with music they're about as big as an ant hole.  But if you see =
your drive as towards 'creativity' the crunch is off. =20

And as for Ted's most excellent last missal, I think the big question =
is, "Who does your music serve?"  That's from the old Grail Legends, =
which I think have something to say to modern questers.  But if you look =
at that it will either propel you forward with your music or make you =
turn off the amp and look out the window.=20

Either way, looking out the window is a good first move.=20

As I've said before, doing music because you love it is the only sound, =
sustainable motive.  But having that love and having some sense of its =
value raises the ante quite a bit. =20

If you do it because you love it and expect the world to provide for =
you, a second job might be a good hedge.  If you do music because you =
think it can bring genuine improvement to the lives of humans, trees, =
bulldogs or antelopes, or whatever, you run the risk of possibly making =
a living. =20

But creativity is the Big Mother.  All of her children are fun to play =
with.   And it SEEMS that if you approach everything with more =
creativity, the odds of making enough to buy a few more beers and =
pretzels increases by possible orders of magnitude.  Did you ever see =
that cool video by Arcade Fire?  THAT'S what I consider being wholly =
creative.  One of the band guys did that. =20

Our lives are our creations.  It takes a lot of the heat off in a way.  =
Moves it to a bigger arena that YOU have more control over.  No sugar =
daddy, applause, P.A. required.

Just my very dumb $.02!=20

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com




On Jan 13, 2011, at 4:14 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, tEd =AE kiLLiAn wrote:
>> When we get to where we're going as a civilization, will we know how =
to simply be? If we have so completely set our highest personal and =
creative goals to be iconoclasts, rebels, individuals, mavericks, =
self-defined, self-actualized and self-created whatevers - constantly =
pushing against all known boundaries and any sense of norm or tabu - =
what will happen when we come to a time that is entirely without them? =
Will that be heaven? Or will that be hell? Of what use will be concepts =
like, empathy, kindness, human warmth, or decency in such a world? =
Indeed, what will be especially human about it at all, except probably =
the advanced technolgy?=20
> My own take is that a sense of constant yearning.............a desire =
to be continually creative..............these are the
> things that make us human.       Human beings also constantly aspire =
to 'arriving'
> and when they get there, they realize that that's where they are and =
then they start aspiring to
> something else.     I think this is what is beautiful about human =
beings.   We are always a
> 'work in progress'  and really,  a final goal is illusory.**It's just =
me, but I just don't believe
> in the notion of heaven or hell.   Absolutes and absolute states are =
illusory.   The notion
> that they exist is comforting to human beings but only for a little =
while:  then we aspire again.   And so it goes.
> *
> *rick walker*
> *
>=20


--Apple-Mail-2-978871229
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=iso-8859-1

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">heaven, hell, buddhahood, love, hate, enlightenment and all those =
'absolutes' are verbs, not nouns. &nbsp;Creativity is a verb. &nbsp;For =
me, realizing that my goal was creativity rather than being a music star =
(or saint) was like sprouting 757 wings! &nbsp;This happened for me =
(fully) just in this past year - although I've made good money from =
writing and brain storming in the past. &nbsp;It liberated me from the =
bondage of music. &nbsp;Now it's farming, writing, music, studio =
stuff... running the various businesses I have. &nbsp;All of it now =
brings me the buzz music once had a monopoly =
on.&nbsp;<div><br></div><div>I think the notion that musicians should =
all have second jobs is just indicative of the state of the world right =
now. &nbsp;When I was a kid in the late 50s-60's, there was a study done =
to find out what the most aspired to vocation was (for kids in school) =
and, above doctor, lawyer, movie star etc was 'musician'. &nbsp;It was =
THE most desired job! Now most folks think anyone who's doing anything =
they really enjoy, that's 'fun', shouldn't be paid for it. =
&nbsp;Definitely music has fallen from =
heaven.</div><div><br></div><div>The glut has defeated the bountiful =
harvest! &nbsp;</div><div><br></div><div>We are indeed in an odd time =
and I'm glad I'm not in my twenties again. &nbsp;For creativity, the =
gates are wider than they've ever been, for making a living with music =
they're about as big as an ant hole. &nbsp;But if you see your drive as =
towards 'creativity' the crunch is off. =
&nbsp;</div><div><br></div><div>And as for Ted's most excellent last =
missal, I think the big question is, "Who does your music serve?" =
&nbsp;That's from the old Grail Legends, which I think have something to =
say to modern questers. &nbsp;But if you look at that it will either =
propel you forward with your music or make you turn off the amp and look =
out the window.&nbsp;</div><div><br></div><div>Either way, looking out =
the window is a good first move.&nbsp;</div><div><br></div><div>As I've =
said before, doing music because you love it is the only sound, =
sustainable motive. &nbsp;But having that love and having some sense of =
its value raises the ante quite a bit. =
&nbsp;</div><div><br></div><div>If you do it because you love it and =
expect the world to provide for you, a second job might be a good hedge. =
&nbsp;If you do music because you think it can bring genuine improvement =
to the lives of humans, trees, bulldogs or antelopes, or whatever, you =
run the risk of possibly making a living. =
&nbsp;</div><div><br></div><div>But creativity is the Big Mother. =
&nbsp;All of her children are fun to play with. &nbsp; And it SEEMS that =
if you approach everything with more creativity, the odds of making =
enough to buy a few more beers and pretzels increases by possible orders =
of magnitude. &nbsp;Did you ever see that cool video by Arcade Fire? =
&nbsp;THAT'S what I consider being wholly creative. &nbsp;One of the =
band guys did that. &nbsp;</div><div><br></div><div>Our lives are our =
creations. &nbsp;It takes a lot of the heat off in a way. &nbsp;Moves it =
to a bigger arena that YOU have more control over. &nbsp;No sugar daddy, =
applause, P.A. required.</div><div><br></div><div>Just my very dumb =
$.02!&nbsp;</div><div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span></div></spa=
n></div></span></div></span></div></span></div></span></div></span></span>=
<font class=3D"Apple-style-span" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 12px;"><br =
class=3D"Apple-interchange-newline"></span></font>
</div>
<br><div><div>On Jan 13, 2011, at 4:14 PM, Rick Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>On =
7/22/64 11:59 AM, tEd =AE kiLLiAn wrote:<br><blockquote type=3D"cite">When=
 we get to where we're going as a civilization, will we know how to =
simply be? If we have so completely set our highest personal and =
creative goals to be iconoclasts, rebels, individuals, mavericks, =
self-defined, self-actualized and self-created whatevers - constantly =
pushing against all known boundaries and any sense of norm or tabu - =
what will happen when we come to a time that is entirely without them? =
Will that be heaven? Or will that be hell? Of what use will be concepts =
like, empathy, kindness, human warmth, or decency in such a world? =
Indeed, what will be especially human about it at all, except probably =
the advanced technolgy? <br></blockquote>My own take is that a sense of =
constant yearning.............a desire to be continually =
creative..............these are the<br>things that make us human. =
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Human beings also constantly aspire =
to 'arriving'<br>and when they get there, they realize that that's where =
they are and then they start aspiring to<br>something else. =
&nbsp;&nbsp;&nbsp;&nbsp;I think this is what is beautiful about human =
beings. &nbsp;&nbsp;We are always a<br>'work in progress' &nbsp;and =
really, &nbsp;a final goal is illusory.**It's just me, but I just don't =
believe<br>in the notion of heaven or hell. &nbsp;&nbsp;Absolutes and =
absolute states are illusory. &nbsp;&nbsp;The notion<br>that they exist =
is comforting to human beings but only for a little while: &nbsp;then we =
aspire again. &nbsp;&nbsp;And so it goes.<br>*<br>*rick =
walker*<br>*<br><br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-2-978871229--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 02:06:23 2011
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Date: Thu, 13 Jan 2011 18:06:12 -0800
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CC: Loopers-Delight@loopers-delight.com
Subject: Re: Re: Re: should musicians have a second job?
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On 7/22/64 11:59 AM, Todd Howell wrote:
> RW
>
>   There is, I am sure, a purity to your life that mine wouldn't have had as a professional musician.
I wouldn't say that I have a purity that one who doesn't make all their 
living has, at all.

I was the number one on call 'A' sub for 150 bands from Sacramento to 
Big Sur for about 10 years.
I would never leave the door for less than $150 or $200 and I prided 
myself on it.
I worked so hard (and made a lot of money) but I wasn't free at all.
It took tremendous energy away from me, despite the fact that I could 
always turn a gig down
to do my own artistry.

Suddenly at the turn of the Millenium I realized that there were all 
these really creative ideas I'd had
in my head for so many years that always got back-burnered because of 
how hard I was working.

I realized that I'd let myself get burned out being a professional 
musician and that I was looking around
me and finding that most mid level pro musicians like myself and at my 
age were not being
creative in the slightest and it depressed me greatly.

I realized that if I fell back on my teaching alone (and the occasional 
tour that I truly loved to do
or studio work that  I loved to do) that I could redevote myself to my 
artistry and creativity.

I didn't do it because it was 'noble'.........I did it because I 
realized I just wasn't happy unless
I made that decision.     Now I make 1/2 to 1/4 of what I used to make 
and sometimes I struggle
financially,  but I'm a lot happier doing more art in my life (until the 
last three years when the
Looping Festival and a lot of touring began to crowd artistry out of my 
life again).

This year I don't have any tours planned and I'm not going to be active 
with the Looping Festival
for the first time in 10 years.   I'm really excited to have a lot more 
time to devote to writing,
learning new instruments and techniques and,importantly,  recording the 
results.

But .......some of my very favorite artists on the planet have day 
jobs.   They are inspirations to me.
So I would never have an attitude about people who mix art and a day 
job.....NEVER!!!!

Purity is where one finds it.       I always tell my students that every 
one can find 5 minutes in one's
daily life to give themselves completely to creativity and 
art........whilst letting the rest of the world go
for a brief while.    Most people think,   '5 minutes?   that's 
nothing"  but I beg to disagree.

If 5 minutes is analagous to one of your fingers,  then a week of five 
fingers is a hand and four weeks
of 5 fingers is four hands and 12 months of that is 48 hands and in two 
or three years you can achieve
an amazing amount of skill on almost anything.

The trick is giving oneself completely to those 5 minutes (15 minutes? 
one hour? 8 hours?   whatever
one can give).

Anyone can do this...........day job or no.

That's my approach at least.

rick walker

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From: todd reynolds <toddreyn@gmail.com>
Date: Thu, 13 Jan 2011 21:23:12 -0500
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jeez, richard,  that was the best value I've seen in years.  two cents for
that good of wisdom?  sheeeeeet.  thanks for that.

On Thu, Jan 13, 2011 at 7:49 PM, richard sales <richard@glasswing.com>wrote=
:

> heaven, hell, buddhahood, love, hate, enlightenment and all those
> 'absolutes' are verbs, not nouns.  Creativity is a verb.  For me, realizi=
ng
> that my goal was creativity rather than being a music star (or saint) was
> like sprouting 757 wings!  This happened for me (fully) just in this past
> year - although I've made good money from writing and brain storming in t=
he
> past.  It liberated me from the bondage of music.  Now it's farming,
> writing, music, studio stuff... running the various businesses I have.  A=
ll
> of it now brings me the buzz music once had a monopoly on.
>
> I think the notion that musicians should all have second jobs is just
> indicative of the state of the world right now.  When I was a kid in the
> late 50s-60's, there was a study done to find out what the most aspired t=
o
> vocation was (for kids in school) and, above doctor, lawyer, movie star e=
tc
> was 'musician'.  It was THE most desired job! Now most folks think anyone
> who's doing anything they really enjoy, that's 'fun', shouldn't be paid f=
or
> it.  Definitely music has fallen from heaven.
>
> The glut has defeated the bountiful harvest!
>
> We are indeed in an odd time and I'm glad I'm not in my twenties again.
>  For creativity, the gates are wider than they've ever been, for making a
> living with music they're about as big as an ant hole.  But if you see yo=
ur
> drive as towards 'creativity' the crunch is off.
>
> And as for Ted's most excellent last missal, I think the big question is,
> "Who does your music serve?"  That's from the old Grail Legends, which I
> think have something to say to modern questers.  But if you look at that =
it
> will either propel you forward with your music or make you turn off the a=
mp
> and look out the window.
>
> Either way, looking out the window is a good first move.
>
> As I've said before, doing music because you love it is the only sound,
> sustainable motive.  But having that love and having some sense of its va=
lue
> raises the ante quite a bit.
>
> If you do it because you love it and expect the world to provide for you,=
 a
> second job might be a good hedge.  If you do music because you think it c=
an
> bring genuine improvement to the lives of humans, trees, bulldogs or
> antelopes, or whatever, you run the risk of possibly making a living.
>
> But creativity is the Big Mother.  All of her children are fun to play
> with.   And it SEEMS that if you approach everything with more creativity=
,
> the odds of making enough to buy a few more beers and pretzels increases =
by
> possible orders of magnitude.  Did you ever see that cool video by Arcade
> Fire?  THAT'S what I consider being wholly creative.  One of the band guy=
s
> did that.
>
> Our lives are our creations.  It takes a lot of the heat off in a way.
>  Moves it to a bigger arena that YOU have more control over.  No sugar
> daddy, applause, P.A. required.
>
> Just my very dumb $.02!
>
>     richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>
>
>
>
> On Jan 13, 2011, at 4:14 PM, Rick Walker wrote:
>
> On 7/22/64 11:59 AM, tEd =AE kiLLiAn wrote:
>
> When we get to where we're going as a civilization, will we know how to
> simply be? If we have so completely set our highest personal and creative
> goals to be iconoclasts, rebels, individuals, mavericks, self-defined,
> self-actualized and self-created whatevers - constantly pushing against a=
ll
> known boundaries and any sense of norm or tabu - what will happen when we
> come to a time that is entirely without them? Will that be heaven? Or wil=
l
> that be hell? Of what use will be concepts like, empathy, kindness, human
> warmth, or decency in such a world? Indeed, what will be especially human
> about it at all, except probably the advanced technolgy?
>
> My own take is that a sense of constant yearning.............a desire to =
be
> continually creative..............these are the
> things that make us human.       Human beings also constantly aspire to
> 'arriving'
> and when they get there, they realize that that's where they are and then
> they start aspiring to
> something else.     I think this is what is beautiful about human beings.
>   We are always a
> 'work in progress'  and really,  a final goal is illusory.**It's just me,
> but I just don't believe
> in the notion of heaven or hell.   Absolutes and absolute states are
> illusory.   The notion
> that they exist is comforting to human beings but only for a little while=
:
>  then we aspire again.   And so it goes.
> *
> *rick walker*
> *
>
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--20cf30433e4ce4980b0499c51ef0
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jeez, richard, =A0that was the best value I&#39;ve seen in years. =A0two ce=
nts for that good of wisdom? =A0sheeeeeet. =A0thanks for that.=A0<br><br><d=
iv class=3D"gmail_quote">On Thu, Jan 13, 2011 at 7:49 PM, richard sales <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:richard@glasswing.com">richard@glasswi=
ng.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">heaven,=
 hell, buddhahood, love, hate, enlightenment and all those &#39;absolutes&#=
39; are verbs, not nouns. =A0Creativity is a verb. =A0For me, realizing tha=
t my goal was creativity rather than being a music star (or saint) was like=
 sprouting 757 wings! =A0This happened for me (fully) just in this past yea=
r - although I&#39;ve made good money from writing and brain storming in th=
e past. =A0It liberated me from the bondage of music. =A0Now it&#39;s farmi=
ng, writing, music, studio stuff... running the various businesses I have. =
=A0All of it now brings me the buzz music once had a monopoly on.=A0<div>

<br></div><div>I think the notion that musicians should all have second job=
s is just indicative of the state of the world right now. =A0When I was a k=
id in the late 50s-60&#39;s, there was a study done to find out what the mo=
st aspired to vocation was (for kids in school) and, above doctor, lawyer, =
movie star etc was &#39;musician&#39;. =A0It was THE most desired job! Now =
most folks think anyone who&#39;s doing anything they really enjoy, that&#3=
9;s &#39;fun&#39;, shouldn&#39;t be paid for it. =A0Definitely music has fa=
llen from heaven.</div>

<div><br></div><div>The glut has defeated the bountiful harvest! =A0</div><=
div><br></div><div>We are indeed in an odd time and I&#39;m glad I&#39;m no=
t in my twenties again. =A0For creativity, the gates are wider than they&#3=
9;ve ever been, for making a living with music they&#39;re about as big as =
an ant hole. =A0But if you see your drive as towards &#39;creativity&#39; t=
he crunch is off. =A0</div>

<div><br></div><div>And as for Ted&#39;s most excellent last missal, I thin=
k the big question is, &quot;Who does your music serve?&quot; =A0That&#39;s=
 from the old Grail Legends, which I think have something to say to modern =
questers. =A0But if you look at that it will either propel you forward with=
 your music or make you turn off the amp and look out the window.=A0</div>

<div><br></div><div>Either way, looking out the window is a good first move=
.=A0</div><div><br></div><div>As I&#39;ve said before, doing music because =
you love it is the only sound, sustainable motive. =A0But having that love =
and having some sense of its value raises the ante quite a bit. =A0</div>

<div><br></div><div>If you do it because you love it and expect the world t=
o provide for you, a second job might be a good hedge. =A0If you do music b=
ecause you think it can bring genuine improvement to the lives of humans, t=
rees, bulldogs or antelopes, or whatever, you run the risk of possibly maki=
ng a living. =A0</div>

<div><br></div><div>But creativity is the Big Mother. =A0All of her childre=
n are fun to play with. =A0 And it SEEMS that if you approach everything wi=
th more creativity, the odds of making enough to buy a few more beers and p=
retzels increases by possible orders of magnitude. =A0Did you ever see that=
 cool video by Arcade Fire? =A0THAT&#39;S what I consider being wholly crea=
tive. =A0One of the band guys did that. =A0</div>

<div><br></div><div>Our lives are our creations. =A0It takes a lot of the h=
eat off in a way. =A0Moves it to a bigger arena that YOU have more control =
over. =A0No sugar daddy, applause, P.A. required.</div><div><br></div><div>=
Just my very dumb $.02!=A0</div>

<div><br><font color=3D"#888888"><div>
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-align:auto;text-indent:0=
px;text-transform:none;white-space:normal;word-spacing:0px"><span style=3D"=
border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size=
:medium;font-style:normal;font-variant:normal;font-weight:normal;letter-spa=
cing:normal;line-height:normal;text-indent:0px;text-transform:none;white-sp=
ace:normal;word-spacing:0px"><div style=3D"word-wrap:break-word">

<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">

<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">

<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:18px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">

<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:18px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">

<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">

<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">

<div><font face=3D"Arial">richard sales</font></div><div><font color=3D"#90=
8E38"><a href=3D"http://www.glasswing.com" target=3D"_blank">www.glasswing.=
com</a></font></div><div><font color=3D"#908E38"><a href=3D"http://www.rich=
ardsales.com" target=3D"_blank">www.richardsales.com</a></font></div>

<div><font color=3D"#908E38"><a href=3D"http://www.hayleysales.com" target=
=3D"_blank">www.hayleysales.com</a></font></div><div><font color=3D"#908E38=
"><br></font></div><div><br></div></div></span></div></span></div></span></=
div>
</span></div>
</span></div></span></div></span></span><font size=3D"3"><span style=3D"fon=
t-size:12px"><br></span></font>
</div></font><div><div></div><div class=3D"h5">
<br><div><div>On Jan 13, 2011, at 4:14 PM, Rick Walker wrote:</div><br><blo=
ckquote type=3D"cite"><div>On 7/22/64 11:59 AM, tEd =AE kiLLiAn wrote:<br><=
blockquote type=3D"cite">When we get to where we&#39;re going as a civiliza=
tion, will we know how to simply be? If we have so completely set our highe=
st personal and creative goals to be iconoclasts, rebels, individuals, mave=
ricks, self-defined, self-actualized and self-created whatevers - constantl=
y pushing against all known boundaries and any sense of norm or tabu - what=
 will happen when we come to a time that is entirely without them? Will tha=
t be heaven? Or will that be hell? Of what use will be concepts like, empat=
hy, kindness, human warmth, or decency in such a world? Indeed, what will b=
e especially human about it at all, except probably the advanced technolgy?=
 <br>

</blockquote>My own take is that a sense of constant yearning.............a=
 desire to be continually creative..............these are the<br>things tha=
t make us human. =A0=A0=A0=A0=A0=A0Human beings also constantly aspire to &=
#39;arriving&#39;<br>

and when they get there, they realize that that&#39;s where they are and th=
en they start aspiring to<br>something else. =A0=A0=A0=A0I think this is wh=
at is beautiful about human beings. =A0=A0We are always a<br>&#39;work in p=
rogress&#39; =A0and really, =A0a final goal is illusory.**It&#39;s just me,=
 but I just don&#39;t believe<br>

in the notion of heaven or hell. =A0=A0Absolutes and absolute states are il=
lusory. =A0=A0The notion<br>that they exist is comforting to human beings b=
ut only for a little while: =A0then we aspire again. =A0=A0And so it goes.<=
br>*<br>*rick walker*<br>

*<br><br></div></blockquote></div><br></div></div></div></div></blockquote>=
</div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br=
>=95 In C Remixed now released on iTunes and Amazon! ::=A0 Read about it he=
re... <a href=3D"http://bit.ly/3Pm4g3">http://bit.ly/3Pm4g3</a><br>

<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br><a href=3D"http://toddreynolds.com">http://toddreynolds.com</a><b=
r><a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler=
</a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com=
/toddreynoldsmusic</a><br>

<a href=3D"http://blog.toddreynolds.com">http://blog.toddreynolds.com</a><b=
r><a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreyn=
olds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbn=
ation.com/toddreynolds</a><br>

<br>

--20cf30433e4ce4980b0499c51ef0--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 02:29:41 2011
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Subject: New from Roland
Date: Thu, 13 Jan 2011 20:32:20 -0600
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Not sure if anyone has mentioned these yet:

http://www.rolandconnect.com/product.php?p=rc-30


From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 02:41:52 2011
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Date: Fri, 14 Jan 2011 03:41:49 +0100
Message-ID: <AANLkTim3GABZN8E8_e=v7S3KsZVESk6+dnjsQ49kCUa=@mail.gmail.com>
Subject: Re: should musicians have a second job?
From: Raul Bonell <raul.bonell@gmail.com>
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--0016367f997e450df20499c5602d
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2011/1/14 richard sales <richard@glasswing.com>

> "Who does your music serve?"
>
>
1st. sorry for my poor english.

music is the same it was and serves to the same it served from its
conception or our awareness(!?) of it. just that it goes a step ahead over
other "jobs" in our money culture which is about to succumb. as my mentor
michael klobuchar said to the apostles: "paying for music is a thing of the
past." what's going to happen to engineers then? more of the same. i think
we'll arrive to a point where we'll realize that it was really important to
hold on and work hard with your real passion because that's the only thing
it will have a "value" in the future. my .02

.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

--0016367f997e450df20499c5602d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<br><div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline=
_popup"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:abs=
olute;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0p=
x;  width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;=
  font-size: 10px;  text-align: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2011/1/14 richard sales <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:richard@glasswing.com">richard@glasswing.com</a>&gt;</span>=
<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(2=
04, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div style=3D"word-wrap: break-word;">&quot;Who does your music serve?&quot=
;=A0 <br><br></div></blockquote><div><br>1st. sorry for my poor english.<br=
><br>music is the same it was and serves to the same it served from its con=
ception or our awareness(!?) of it. just that it goes a step ahead over oth=
er &quot;jobs&quot; in our money culture which is about to succumb. as my m=
entor michael klobuchar said to the apostles: &quot;paying for music is a t=
hing of the past.&quot; what&#39;s going to happen to engineers then? more =
of the same. i think we&#39;ll arrive to a point where we&#39;ll realize th=
at it was really important to hold on and work hard with your real passion =
because that&#39;s the only thing it will have a &quot;value&quot; in the f=
uture. my .02<br>
<br></div></div>.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br>=
<a href=3D"http://raulbonell.tumblr.com" target=3D"_blank">raulbonell.tumbl=
r.com</a> - <a href=3D"http://collective.com" target=3D"_blank">collective.=
com</a><br>
<br><div style=3D"display: inline;"></div><br>

--0016367f997e450df20499c5602d--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 02:42:55 2011
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Subject: Re: RC-50 and sucking at syncing and some sucky customer service to boot
From: PIM Contact <pantsless@taintedbytrolls.com>
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Oooh, the LP2 does look interesting.  Will wait to see how other's =
experiences are.  LP1 looks really sweet as well although $$

If you read my original post, while lengthy, it does describe a tested =
workaround solution for successfully syncing the RC-50 to Midi.

Best,
Shane

On Jan 13, 2011, at 4:32 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, PIM Contact wrote:
>> Hello Folks,
>>=20
>> Posting here for the first time...  I was compelled to after I spent =
several days trying to get my new Boss RC-50 to sync reliably.
> Sorry you are having problems with your RC-50.  Wish I had a solution =
but I don't.
> I've heard a lot about that problem however.  You might want to =
research back through
> the archives about discussions about the RC-50 and midi sync problems =
and solutions.
> I don't own one so I don't know.
>=20
> The only good news is that the LP-2 Mini Looper is being debuted at =
NAMM
> and will have robust MIDI I/O and at an amazing street price of $300.
>=20
> rick walker
>=20
>=20

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Subject: Re: should musicians have a second job?
Date: Thu, 13 Jan 2011 19:10:55 -0800
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I'm lucky enough to be making a good living at music right now....but  
I assume it won't last, so I keep up my computer skills for the day I  
have to go back to tech!

From SANUSI.LAMIDOEMAILME@GMAIL.COM  Fri Jan 14 04:01:38 2011
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<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
&nbsp;</DIV>
<DIV>
CENTRAL BANK OF NIGERIA</DIV>
<DIV>
OFFICE OF THE PRESIDENCY,</DIV>
<DIV>
THE HONORABLE, GOVERNOR OF CBN.</DIV>
<DIV>
TINUBU SQUARE, LAGOS- NIGERIA.</DIV>
<DIV>
Date 13TH OF JANUARY;2010</DIV>
<DIV>
Official Web</DIV>
<DIV>
Our Ref: CBN/OHG/OXD1/2010 Your</DIV>
<DIV>
Ref:.................................</DIV>
<DIV>
TELEX: CENBANK.</DIV>
<DIV>
PAYMENT FILE: CBN/BEN/06.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
PAYMENT NOTIFICATION OF YOUR FUNDS.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Definitely, I know that this letter will be a surprising one to you. Firstly, I will like to introduce myself formally as Mr.Sanusi Lamido, The Executive Governor of The Central Bank of Nigeria (CBN). You are been officially contacted by me today because your Inheritance Funds were Re-deposited into the \"Federal Suspense Account\" of CBN last week, because you did not forward your Claim as the Right beneficiary. Well known to all. The Central Bank of Nigeria is the mother Bank of all commercial Banks here in Nigeria. Really these men were unexpected by me because their visit was impromptu. I had to ask them why they came to see me in person and they said that they were here to collect the Inheritance Bill Sum of (US$9.7Million) which rightfully belongs to you, on your behalf. At this development I asked them who authorized them to come down to Nigeria for the Collection of this Payment and they told me that you asked them to come and collect this Funds on your Behalf.</DIV>
<DIV>
They actually tendered some Vital Documents which proved that you actually sent them for the Collection of these Funds. Honestly, it really baffles me that you took such decision without my consent. Here is the Document which they tendered to this Bank today:</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
1. LETTER OF ADMINISTRATION.</DIV>
<DIV>
2. HIGH COURT INJUCTION.</DIV>
<DIV>
3. ORDER TO RELEASE.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Actually, these Documents which they tendered to this Noble Bank are a clear Proof that you sent them to Collect this Funds for you. Finally, I told them to come back tomorrow morning and they promised to come back. As the Governor of this Noble Bank, I was supposed to Release this Funds to them but I refused to do so because I wanted to hear from you first. Due to the Nature of my job, I will not want to make any mistake in Releasing this Funds to anyone except you whom is the Recognized Beneficiary to this Funds. Kindly clarify us on this issue before we make this Payment to these foreigners whom came on your behalf.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
OFFICIALLY SIGNED.</DIV>
<DIV>
MR.SANUSI LAMIDO.</DIV>
<DIV>
GOVERNOR, CENTRAL BANK OF NIGERIA</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 06:24:41 2011
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From: John Metzler <jarofjam@me.com>
Subject: Re: EDP as an Audio Sequencer
Date: Thu, 13 Jan 2011 22:24:36 -0800
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Thank you for the replies.
_________________________
Luis, I certainly and intimately understand your point about it not =
being very fun trying to get these 2 EDP's to get along with the drum =
machine.  I just hope that I will succeed and not have lost all this =
time for nothing.
_______________________________
Hello Jim.  I have tried the configuration you mentioned.  I didn't try =
a simple 10 second loop and wait to see if that stayed locked.  I will =
try that.  My guess is that it will probably stay synced so long as I =
don't try to do anything more than record the two 10 second loops and =
let it run with the sequencer.  But simple 10 second loops aren't what =
I'm trying to do.  However, I'm not trying to do anything more than what =
the manual claims they are capable of.  =20

	I would love to hear more about your experience with your 3 EDPs =
brother synced.  I'm guessing you had 1 master set to Sync=3Din and and =
2 slaves brother synced with sync=3Dout and MIDI going from the Master =
OUT to the IN of slave 1, the slave 1's OUT to slave 2's IN, and a =
tip-ring-sleve-Y cable connected to all 3 Brother Sync jacks.  Please =
tell me more about how you used this. =20

	I did discover that my MPC1000 might be a liar and a cheat.  I =
noticed that it was sending a command that didn't appear in the =
sequence.  I couldn't make sense of it.  But when I rewrote the entire =
sequence in step edit mode in a new sequence, it no longer sent the =
ghost command.  I think maybe the command was still in there in the =
original sequence even though I couldn't see it listed.  I think it =
might have been the result of some editing and deleting that I had =
previously done.  If that's the case, then that's a pretty buggy OS from =
AKAI.  There is another ghost command that seems to be stuck in a =
different sequence of mine.  So I tried to fix it by copy and pasting =
the tracks to new tracks and muting the old ones, hoping this might =
clean it up.  At the beginning of the sequence I have a Program Change =
going out to place the EDP's into the proper Preset mode.  The newly =
pasted track appears the same in the Step Edit view.  The same list of =
commands.  But when I play the new track with the old one muted, the =
Program Change doesn't seem to be sent.  Even though I see, the EDP's =
don't see it.  If I mute the new tracks and play the old ones, the EDP's =
see the Program Change and change to the appropriate preset.  Both =
tracks have the same list of commands,  exactly the same.  So I never =
even got to the ghost command that I was trying to clear up.  I'm =
thinking of trying the JJOS for my MPC1000.  People seem to like it and =
rave about it's stability.  And AKAI has not responded to my emails. =20

	I'm trying to keep this short.  I know I just failed with that =
last paragraph.  I've noticed that being too thorough with the details =
can sometimes turn potential help away.

  ---John M.

_______________________________________________
On Jan 13, 2011, at 6:48 AM, james fowler wrote:

> it's been years since i've had my hands on a hardware edp but i never =
had problems with brother syncing and i had three edps running together. =
 might wanna try this (this is how i ran 'em): connect the =
mpc/midi-generating device to ONE edp, which will be the master.  =
brother sync the "slave" to the "master".  send basic commands...like =
just get it to record a ten second loop.  see if they slip out of sync =
with this basic setup.  this might at least help you locate where shit =
is breaking down. =20
>=20
> - jim =20
>=20
> On Thu, Jan 13, 2011 at 3:52 AM, Louie Angulo =
<louie.angulo@googlemail.com> wrote:
> never got both to sync properly
> use one or both independently is way more fun and less time =
consuming;-)
> cheers
> Luis
>=20
> On Thu, Jan 13, 2011 at 8:08 AM, John Metzler <jarofjam@me.com> wrote:
> > Hello Loopers.
> >
> > I'd love to hear from some of you who have used multiple EDP's as an =
audio sequencer with a MIDI sequencer/drum machine.  I have an EDP for a =
Bass Guitar and a second one for an Electric Guitar.  I'm programing an =
MPC 1000 to send the commands and MIDI Clock to the EDPs.   I'm only =
trying to do simple Verse/Chorus/Bridge stuff.  I'll record a couple of =
differently layered versions of a chorus and a verse and then trigger =
the loops with switch-quantized loop trigger commands to arrange the =
parts.  I have not yet found a reliable way to keep both of the EDP's =
from slipping out of time with each other.  Even brother syncing them =
slips most of the time.
> >
> > Andy and Matthias have both been helpful in pointing out some =
possibilities.  But unfortunately I haven't had any solid luck with any =
method I've tried yet.  I also asked an old list member named Claud =
Voit, but he wasn't into making music with loops anymore.
> >
> > Any success stories out there using the same techniques I'm =
employing?
> >
> >
> > ---John AM.
> >
> >
> >
>=20
>=20


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Content-type: text/html; CHARSET=US-ASCII
Content-transfer-encoding: quoted-printable

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Thank =
you for the replies.<div>_________________________</div><div>Luis, I =
certainly and intimately understand your point about it not being very =
fun trying to get these 2 EDP's to get along with the drum machine. =
&nbsp;I just hope that I will succeed and not have lost all this time =
for nothing.<br><div>_______________________________</div><div>Hello =
Jim. &nbsp;I have tried the configuration you mentioned. &nbsp;I didn't =
try a simple 10 second loop and wait to see if that stayed locked. =
&nbsp;I will try that. &nbsp;My guess is that it will probably stay =
synced so long as I don't try to do anything more than record the two 10 =
second loops and let it run with the sequencer. &nbsp;But&nbsp;simple 10 =
second loops aren't what I'm trying to do. &nbsp;However, I'm not trying =
to do anything more than what the manual claims they are capable of. =
&nbsp;&nbsp;</div><div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>I would love to hear more about =
your experience with your 3 EDPs brother synced. &nbsp;I'm guessing you =
had 1 master set to Sync=3Din and and 2 slaves brother synced with =
sync=3Dout and MIDI going from the Master OUT to the IN of slave 1, the =
slave 1's OUT to slave 2's IN, and a tip-ring-sleve-Y cable connected to =
all 3 Brother Sync jacks. &nbsp;Please tell me more about how you used =
this. &nbsp;</div><div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>I did discover that my MPC1000 =
might be a liar and a cheat. &nbsp;I noticed that it was sending a =
command that didn't appear in the sequence. &nbsp;I couldn't make sense =
of it. &nbsp;But when I rewrote the entire sequence in step edit mode in =
a new sequence, it no longer sent the ghost command. &nbsp;I think maybe =
the command was still in there in the original sequence even though I =
couldn't see it listed. &nbsp;I think it might have been the result of =
some editing and deleting that I had previously done. &nbsp;If that's =
the case, then that's a pretty buggy OS from AKAI. &nbsp;There is =
another ghost command that seems to be stuck in a different sequence of =
mine. &nbsp;So I tried to fix it by copy and pasting the tracks to new =
tracks and muting the old ones, hoping this might clean it up. &nbsp;At =
the beginning of the sequence I have a Program Change going out to place =
the EDP's into the proper Preset mode. &nbsp;The newly pasted track =
appears the same in the Step Edit view. &nbsp;The same list of commands. =
&nbsp;But when I play the new track with the old one muted, the Program =
Change doesn't seem to be sent. &nbsp;Even though I see, the EDP's don't =
see it. &nbsp;If I mute the new tracks and play the old ones, the EDP's =
see the Program Change and change to the appropriate preset. &nbsp;Both =
tracks have the same list of commands, &nbsp;exactly the same. &nbsp;So =
I never even got to the ghost command that I was trying to clear up. =
&nbsp;I'm thinking of trying the JJOS for my MPC1000. &nbsp;People seem =
to like it and rave about it's stability. &nbsp;And AKAI has not =
responded to my emails. &nbsp;</div><div><br></div><div><span =
class=3D"Apple-tab-span" style=3D"white-space:pre">	</span>I'm =
trying to keep this short. &nbsp;I know I just failed with that last =
paragraph. &nbsp;I've noticed that being too thorough with the details =
can sometimes turn potential help =
away.</div><div><br></div><div>&nbsp;&nbsp;---John =
M.</div><div><br></div><div>______________________________________________=
_</div><div><div><div>On Jan 13, 2011, at 6:48 AM, james fowler =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">it's been years since i've had my hands on a hardware edp =
but i never had problems with brother syncing and i had three edps =
running together.&nbsp; might wanna try this (this is how i ran 'em): =
connect the mpc/midi-generating device to ONE edp, which will be the =
master.&nbsp; brother sync the "slave" to the "master".&nbsp; send basic =
commands...like just get it to record a ten second loop.&nbsp; see if =
they slip out of sync with this basic setup.&nbsp; this might at least =
help you locate where shit is breaking down.&nbsp; <br>
<br>- jim&nbsp; <br><br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 =
at 3:52 AM, Louie Angulo <span dir=3D"ltr">&lt;<a =
href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a=
>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: =
0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); =
padding-left: 1ex;">
never got both to sync properly<br>
use one or both independently is way more fun and less time =
consuming;-)<br>
cheers<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Thu, Jan 13, 2011 at 8:08 AM, John Metzler &lt;<a =
href=3D"mailto:jarofjam@me.com">jarofjam@me.com</a>&gt; wrote:<br>
&gt; Hello Loopers.<br>
&gt;<br>
&gt; I'd love to hear from some of you who have used multiple EDP's as =
an audio sequencer with a MIDI sequencer/drum machine. &nbsp;I have an =
EDP for a Bass Guitar and a second one for an Electric Guitar. &nbsp;I'm =
programing an MPC 1000 to send the commands and MIDI Clock to the EDPs. =
&nbsp; I'm only trying to do simple Verse/Chorus/Bridge stuff. =
&nbsp;I'll record a couple of differently layered versions of a chorus =
and a verse and then trigger the loops with switch-quantized loop =
trigger commands to arrange the parts. &nbsp;I have not yet found a =
reliable way to keep both of the EDP's from slipping out of time with =
each other. &nbsp;Even brother syncing them slips most of the time.<br>

&gt;<br>
&gt; Andy and Matthias have both been helpful in pointing out some =
possibilities. &nbsp;But unfortunately I haven't had any solid luck with =
any method I've tried yet. &nbsp;I also asked an old list member named =
Claud Voit, but he wasn't into making music with loops anymore.<br>

&gt;<br>
&gt; Any success stories out there using the same techniques I'm =
employing?<br>
&gt;<br>
&gt;<br>
&gt; ---John AM.<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>
</blockquote></div><br></div></div></body></html>=

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From: mark francombe <markfrancombe@gmail.com>
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Date: Fri, 14 Jan 2011 08:13:02 +0100
Message-ID: <-9057041919582467186@unknownmsgid>
Subject: Re: should musicians have a second job?
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Call me if /when that happens.. Job waiting..

=E2=98=BA








Mark




Sent from my (advertisement removed)

On 14 Jan 2011, at 04:11, Zoe Keating <info@zoekeating.com> wrote:

I'm lucky enough to be making a good living at music right now....but I
assume it won't last, so I keep up my computer skills for the day I have to
go back to tech!

--20cf305496bbe459c50499c92759
Content-Type: text/html; charset=UTF-8
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<html><body bgcolor=3D"#FFFFFF"><div>Call me if /when that happens.. Job wa=
iting..=C2=A0</div><div><br></div><div><span class=3D"Apple-style-span" sty=
le=3D"font-family: Helvetica, sans-serif; -webkit-tap-highlight-color: rgba=
(0, 0, 0, 0); -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469)=
; -webkit-composition-frame-color: rgba(77, 128, 180, 0.230469); font-size:=
 16px; color: rgb(34, 34, 34); line-height: 20px; -webkit-text-size-adjust:=
 none; "><div style=3D"float: left; clear: none; width: 31px; height: 29px;=
 padding-top: 9px; padding-left: 1px; margin-top: 0px; margin-right: 3px; m=
argin-bottom: 14px; margin-left: 3px; font-size: 25px; line-height: 18px; t=
ext-align: center; text-shadow: rgba(255, 255, 255, 0.796875) 0px 1px 0px; =
border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; b=
order-left-width: 1px; border-top-style: solid; border-right-style: solid; =
border-bottom-style: solid; border-left-style: solid; border-top-color: rgb=
a(0, 0, 0, 0.496094); border-right-color: rgba(0, 0, 0, 0.496094); border-b=
ottom-color: rgba(0, 0, 0, 0.496094); border-left-color: rgba(0, 0, 0, 0.49=
6094); border-top-left-radius: 4px 4px; border-top-right-radius: 4px 4px; b=
order-bottom-right-radius: 4px 4px; border-bottom-left-radius: 4px 4px; col=
or: black; background-image: -webkit-gradient(linear, 0% 0%, 0% 100%, from(=
rgba(0, 0, 0, 0.199219)), color-stop(0.1, rgba(255, 255, 255, 0.199219)), t=
o(rgba(255, 255, 255, 0.296875))); background-attachment: initial; backgrou=
nd-origin: initial; background-clip: initial; background-color: rgba(255, 2=
55, 255, 0.296875); -webkit-box-shadow: rgba(255, 255, 255, 0.398438) 0px 1=
px 1px; background-position: initial initial; background-repeat: initial in=
itial; ">
<p style=3D"padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padd=
ing-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; marg=
in-left: 0px; ">=E2=98=BA</p><div><br></div><div><br></div><div><br></div><=
div><br>
</div></div></span><div><br></div><div><br></div><div><br></div><div><br></=
div>Mark</div><div><br></div><div><br></div><div><br></div><div><br>Sent fr=
om my (advertisement removed)</div><div><br>On 14 Jan 2011, at 04:11, Zoe K=
eating &lt;<a href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&g=
t; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div><span>I&#39;m lucky eno=
ugh to be making a good living at music right now....but I assume it won&#3=
9;t last, so I keep up my computer skills for the day I have to go back to =
tech!</span><br>
<span></span><br></div></blockquote></body></html>

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Date: Fri, 14 Jan 2011 08:20:40 +0100
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Subject: Re: EDP as an Audio Sequencer
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--90e6ba6e8ba4825b7d0499c9430c
Content-Type: text/plain; charset=ISO-8859-1

Just a short question from one who has 2 perfectly synching edps... Are you
sending pgm changes to edp? Send midi notes... I find that they miss fire
less than pgm changes. I use a crap old drum machine to send midi notes to 2
edps, just record, next loop, etc and it works well.... Maybe you could try
sampler style, and re trigger loops on every bar?

Mark

Sent from my (advertisement removed)

On 14 Jan 2011, at 07:24, John Metzler <jarofjam@me.com> wrote:

Thank you for the replies.
_________________________
Luis, I certainly and intimately understand your point about it not being
very fun trying to get these 2 EDP's to get along with the drum machine.  I
just hope that I will succeed and not have lost all this time for nothing.
_______________________________
Hello Jim.  I have tried the configuration you mentioned.  I didn't try a
simple 10 second loop and wait to see if that stayed locked.  I will try
that.  My guess is that it will probably stay synced so long as I don't try
to do anything more than record the two 10 second loops and let it run with
the sequencer.  But simple 10 second loops aren't what I'm trying to do.
 However, I'm not trying to do anything more than what the manual claims
they are capable of.

I would love to hear more about your experience with your 3 EDPs brother
synced.  I'm guessing you had 1 master set to Sync=in and and 2 slaves
brother synced with sync=out and MIDI going from the Master OUT to the IN of
slave 1, the slave 1's OUT to slave 2's IN, and a tip-ring-sleve-Y cable
connected to all 3 Brother Sync jacks.  Please tell me more about how you
used this.

I did discover that my MPC1000 might be a liar and a cheat.  I noticed that
it was sending a command that didn't appear in the sequence.  I couldn't
make sense of it.  But when I rewrote the entire sequence in step edit mode
in a new sequence, it no longer sent the ghost command.  I think maybe the
command was still in there in the original sequence even though I couldn't
see it listed.  I think it might have been the result of some editing and
deleting that I had previously done.  If that's the case, then that's a
pretty buggy OS from AKAI.  There is another ghost command that seems to be
stuck in a different sequence of mine.  So I tried to fix it by copy and
pasting the tracks to new tracks and muting the old ones, hoping this might
clean it up.  At the beginning of the sequence I have a Program Change going
out to place the EDP's into the proper Preset mode.  The newly pasted track
appears the same in the Step Edit view.  The same list of commands.  But
when I play the new track with the old one muted, the Program Change doesn't
seem to be sent.  Even though I see, the EDP's don't see it.  If I mute the
new tracks and play the old ones, the EDP's see the Program Change and
change to the appropriate preset.  Both tracks have the same list of
commands,  exactly the same.  So I never even got to the ghost command that
I was trying to clear up.  I'm thinking of trying the JJOS for my MPC1000.
 People seem to like it and rave about it's stability.  And AKAI has not
responded to my emails.

I'm trying to keep this short.  I know I just failed with that last
paragraph.  I've noticed that being too thorough with the details can
sometimes turn potential help away.

  ---John M.

_______________________________________________
On Jan 13, 2011, at 6:48 AM, james fowler wrote:

it's been years since i've had my hands on a hardware edp but i never had
problems with brother syncing and i had three edps running together.  might
wanna try this (this is how i ran 'em): connect the mpc/midi-generating
device to ONE edp, which will be the master.  brother sync the "slave" to
the "master".  send basic commands...like just get it to record a ten second
loop.  see if they slip out of sync with this basic setup.  this might at
least help you locate where shit is breaking down.

- jim

On Thu, Jan 13, 2011 at 3:52 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> never got both to sync properly
> use one or both independently is way more fun and less time consuming;-)
> cheers
> Luis
>
> On Thu, Jan 13, 2011 at 8:08 AM, John Metzler <jarofjam@me.com> wrote:
> > Hello Loopers.
> >
> > I'd love to hear from some of you who have used multiple EDP's as an
> audio sequencer with a MIDI sequencer/drum machine.  I have an EDP for a
> Bass Guitar and a second one for an Electric Guitar.  I'm programing an MPC
> 1000 to send the commands and MIDI Clock to the EDPs.   I'm only trying to
> do simple Verse/Chorus/Bridge stuff.  I'll record a couple of differently
> layered versions of a chorus and a verse and then trigger the loops with
> switch-quantized loop trigger commands to arrange the parts.  I have not yet
> found a reliable way to keep both of the EDP's from slipping out of time
> with each other.  Even brother syncing them slips most of the time.
> >
> > Andy and Matthias have both been helpful in pointing out some
> possibilities.  But unfortunately I haven't had any solid luck with any
> method I've tried yet.  I also asked an old list member named Claud Voit,
> but he wasn't into making music with loops anymore.
> >
> > Any success stories out there using the same techniques I'm employing?
> >
> >
> > ---John AM.
> >
> >
> >
>
>

--90e6ba6e8ba4825b7d0499c9430c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>Just a short question from one who has=
 2 perfectly synching edps... Are you sending pgm changes to edp? Send midi=
 notes... I find that they miss fire less than pgm changes. I use a crap ol=
d drum machine to send midi notes to 2 edps, just record, next loop, etc an=
d it works well.... Maybe you could try sampler style, and re trigger loops=
 on every bar?</div>
<div><br></div><div>Mark<br><br>Sent from my (advertisement removed)</div><=
div><br>On 14 Jan 2011, at 07:24, John Metzler &lt;<a href=3D"mailto:jarofj=
am@me.com">jarofjam@me.com</a>&gt; wrote:<br><br></div><div></div><blockquo=
te type=3D"cite">
<div>Thank you for the replies.<div>_________________________</div><div>Lui=
s, I certainly and intimately understand your point about it not being very=
 fun trying to get these 2 EDP&#39;s to get along with the drum machine. =
=A0I just hope that I will succeed and not have lost all this time for noth=
ing.<br>
<div>_______________________________</div><div>Hello Jim. =A0I have tried t=
he configuration you mentioned. =A0I didn&#39;t try a simple 10 second loop=
 and wait to see if that stayed locked. =A0I will try that. =A0My guess is =
that it will probably stay synced so long as I don&#39;t try to do anything=
 more than record the two 10 second loops and let it run with the sequencer=
. =A0But=A0simple 10 second loops aren&#39;t what I&#39;m trying to do. =A0=
However, I&#39;m not trying to do anything more than what the manual claims=
 they are capable of. =A0=A0</div>
<div><br></div><div><span class=3D"Apple-tab-span" style=3D"white-space:pre=
">	</span>I would love to hear more about your experience with your 3 EDPs =
brother synced. =A0I&#39;m guessing you had 1 master set to Sync=3Din and a=
nd 2 slaves brother synced with sync=3Dout and MIDI going from the Master O=
UT to the IN of slave 1, the slave 1&#39;s OUT to slave 2&#39;s IN, and a t=
ip-ring-sleve-Y cable connected to all 3 Brother Sync jacks. =A0Please tell=
 me more about how you used this. =A0</div>
<div><br></div><div><span class=3D"Apple-tab-span" style=3D"white-space:pre=
">	</span>I did discover that my MPC1000 might be a liar and a cheat. =A0I =
noticed that it was sending a command that didn&#39;t appear in the sequenc=
e. =A0I couldn&#39;t make sense of it. =A0But when I rewrote the entire seq=
uence in step edit mode in a new sequence, it no longer sent the ghost comm=
and. =A0I think maybe the command was still in there in the original sequen=
ce even though I couldn&#39;t see it listed. =A0I think it might have been =
the result of some editing and deleting that I had previously done. =A0If t=
hat&#39;s the case, then that&#39;s a pretty buggy OS from AKAI. =A0There i=
s another ghost command that seems to be stuck in a different sequence of m=
ine. =A0So I tried to fix it by copy and pasting the tracks to new tracks a=
nd muting the old ones, hoping this might clean it up. =A0At the beginning =
of the sequence I have a Program Change going out to place the EDP&#39;s in=
to the proper Preset mode. =A0The newly pasted track appears the same in th=
e Step Edit view. =A0The same list of commands. =A0But when I play the new =
track with the old one muted, the Program Change doesn&#39;t seem to be sen=
t. =A0Even though I see, the EDP&#39;s don&#39;t see it. =A0If I mute the n=
ew tracks and play the old ones, the EDP&#39;s see the Program Change and c=
hange to the appropriate preset. =A0Both tracks have the same list of comma=
nds, =A0exactly the same. =A0So I never even got to the ghost command that =
I was trying to clear up. =A0I&#39;m thinking of trying the JJOS for my MPC=
1000. =A0People seem to like it and rave about it&#39;s stability. =A0And A=
KAI has not responded to my emails. =A0</div>
<div><br></div><div><span class=3D"Apple-tab-span" style=3D"white-space:pre=
">	</span>I&#39;m trying to keep this short. =A0I know I just failed with t=
hat last paragraph. =A0I&#39;ve noticed that being too thorough with the de=
tails can sometimes turn potential help away.</div>
<div><br></div><div>=A0=A0---John M.</div><div><br></div><div>_____________=
__________________________________</div><div><div><div>On Jan 13, 2011, at =
6:48 AM, james fowler wrote:</div><br class=3D"Apple-interchange-newline"><=
blockquote type=3D"cite">
it&#39;s been years since i&#39;ve had my hands on a hardware edp but i nev=
er had problems with brother syncing and i had three edps running together.=
=A0 might wanna try this (this is how i ran &#39;em): connect the mpc/midi-=
generating device to ONE edp, which will be the master.=A0 brother sync the=
 &quot;slave&quot; to the &quot;master&quot;.=A0 send basic commands...like=
 just get it to record a ten second loop.=A0 see if they slip out of sync w=
ith this basic setup.=A0 this might at least help you locate where shit is =
breaking down.=A0 <br>

<br>- jim=A0 <br><br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 at 3:5=
2 AM, Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@goo=
glemail.com"><a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@go=
oglemail.com</a></a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
never got both to sync properly<br>
use one or both independently is way more fun and less time consuming;-)<br=
>
cheers<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Thu, Jan 13, 2011 at 8:08 AM, John Metzler &lt;<a href=3D"mailto:jarofja=
m@me.com"><a href=3D"mailto:jarofjam@me.com">jarofjam@me.com</a></a>&gt; wr=
ote:<br>
&gt; Hello Loopers.<br>
&gt;<br>
&gt; I&#39;d love to hear from some of you who have used multiple EDP&#39;s=
 as an audio sequencer with a MIDI sequencer/drum machine. =A0I have an EDP=
 for a Bass Guitar and a second one for an Electric Guitar. =A0I&#39;m prog=
raming an MPC 1000 to send the commands and MIDI Clock to the EDPs. =A0 I&#=
39;m only trying to do simple Verse/Chorus/Bridge stuff. =A0I&#39;ll record=
 a couple of differently layered versions of a chorus and a verse and then =
trigger the loops with switch-quantized loop trigger commands to arrange th=
e parts. =A0I have not yet found a reliable way to keep both of the EDP&#39=
;s from slipping out of time with each other. =A0Even brother syncing them =
slips most of the time.<br>


&gt;<br>
&gt; Andy and Matthias have both been helpful in pointing out some possibil=
ities. =A0But unfortunately I haven&#39;t had any solid luck with any metho=
d I&#39;ve tried yet. =A0I also asked an old list member named Claud Voit, =
but he wasn&#39;t into making music with loops anymore.<br>


&gt;<br>
&gt; Any success stories out there using the same techniques I&#39;m employ=
ing?<br>
&gt;<br>
&gt;<br>
&gt; ---John AM.<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>
</blockquote></div><br></div></div></div></blockquote></body></html>

--90e6ba6e8ba4825b7d0499c9430c--

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From: John Metzler <jarofjam@me.com>
Subject: Re: EDP as an Audio Sequencer
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Hi Mark. =20

	I'm only sending a Program Change to each EDP to initiate one of =
the Presets.  You know how you can save something like 14 different =
configurations of parameters, and then recall those "Presets" of =
parameters by sending a Program Change?  That's the only time.  And =
that's just at the very beginning of a sequence, right after a general =
reset command, and before a  CC#1=3D127, and CC#7=3D127, to make sure =
that I start out with Loop Volume and Feedback set all the way up.  I am =
using MIDI Notes to trigger the commands.  I haven't tried Sampler Style =
and Re-triggering the loops at every bar.  But I did try a sequence of =
ReAlign commands sent to each EDP just before the beginning of every 4 =
bar loop.  It looked like it was going well until things got off by a =
cycle and made a mess of the song.  I combed through the lines in the =
sequence programing trying to find where the misplaced ReAlign command =
was and couldn't find it.  That's when I really started to suspect my =
MPC1000 of unruly shenanigans. =20

	If we don't learn to control the machines and keep them =
subservient to us, then they're just gonna take over.  I want them to do =
what I tell them to, not the other way around. =20

: )

---John M.
__________________________________________
On Jan 13, 2011, at 11:20 PM, mark francombe wrote:

> Just a short question from one who has 2 perfectly synching edps... =
Are you sending pgm changes to edp? Send midi notes... I find that they =
miss fire less than pgm changes. I use a crap old drum machine to send =
midi notes to 2 edps, just record, next loop, etc and it works well.... =
Maybe you could try sampler style, and re trigger loops on every bar?
>=20
> Mark
>=20
> Sent from my (advertisement removed)
>=20
> On 14 Jan 2011, at 07:24, John Metzler <jarofjam@me.com> wrote:
>=20
>> Thank you for the replies.
>> _________________________
>> Luis, I certainly and intimately understand your point about it not =
being very fun trying to get these 2 EDP's to get along with the drum =
machine.  I just hope that I will succeed and not have lost all this =
time for nothing.
>> _______________________________
>> Hello Jim.  I have tried the configuration you mentioned.  I didn't =
try a simple 10 second loop and wait to see if that stayed locked.  I =
will try that.  My guess is that it will probably stay synced so long as =
I don't try to do anything more than record the two 10 second loops and =
let it run with the sequencer.  But simple 10 second loops aren't what =
I'm trying to do.  However, I'm not trying to do anything more than what =
the manual claims they are capable of.  =20
>>=20
>> 	I would love to hear more about your experience with your 3 EDPs =
brother synced.  I'm guessing you had 1 master set to Sync=3Din and and =
2 slaves brother synced with sync=3Dout and MIDI going from the Master =
OUT to the IN of slave 1, the slave 1's OUT to slave 2's IN, and a =
tip-ring-sleve-Y cable connected to all 3 Brother Sync jacks.  Please =
tell me more about how you used this. =20
>>=20
>> 	I did discover that my MPC1000 might be a liar and a cheat.  I =
noticed that it was sending a command that didn't appear in the =
sequence.  I couldn't make sense of it.  But when I rewrote the entire =
sequence in step edit mode in a new sequence, it no longer sent the =
ghost command.  I think maybe the command was still in there in the =
original sequence even though I couldn't see it listed.  I think it =
might have been the result of some editing and deleting that I had =
previously done.  If that's the case, then that's a pretty buggy OS from =
AKAI.  There is another ghost command that seems to be stuck in a =
different sequence of mine.  So I tried to fix it by copy and pasting =
the tracks to new tracks and muting the old ones, hoping this might =
clean it up.  At the beginning of the sequence I have a Program Change =
going out to place the EDP's into the proper Preset mode.  The newly =
pasted track appears the same in the Step Edit view.  The same list of =
commands.  But when I play the new track with the old one muted, the =
Program Change doesn't seem to be sent.  Even though I see, the EDP's =
don't see it.  If I mute the new tracks and play the old ones, the EDP's =
see the Program Change and change to the appropriate preset.  Both =
tracks have the same list of commands,  exactly the same.  So I never =
even got to the ghost command that I was trying to clear up.  I'm =
thinking of trying the JJOS for my MPC1000.  People seem to like it and =
rave about it's stability.  And AKAI has not responded to my emails. =20
>>=20
>> 	I'm trying to keep this short.  I know I just failed with that =
last paragraph.  I've noticed that being too thorough with the details =
can sometimes turn potential help away.
>>=20
>>   ---John M.
>>=20
>> _______________________________________________
>> On Jan 13, 2011, at 6:48 AM, james fowler wrote:
>>=20
>>> it's been years since i've had my hands on a hardware edp but i =
never had problems with brother syncing and i had three edps running =
together.  might wanna try this (this is how i ran 'em): connect the =
mpc/midi-generating device to ONE edp, which will be the master.  =
brother sync the "slave" to the "master".  send basic commands...like =
just get it to record a ten second loop.  see if they slip out of sync =
with this basic setup.  this might at least help you locate where shit =
is breaking down. =20
>>>=20
>>> - jim =20
>>>=20
>>> On Thu, Jan 13, 2011 at 3:52 AM, Louie Angulo =
<louie.angulo@googlemail.com> wrote:
>>> never got both to sync properly
>>> use one or both independently is way more fun and less time =
consuming;-)
>>> cheers
>>> Luis
>>>=20
>>> On Thu, Jan 13, 2011 at 8:08 AM, John Metzler <jarofjam@me.com> =
wrote:
>>> > Hello Loopers.
>>> >
>>> > I'd love to hear from some of you who have used multiple EDP's as =
an audio sequencer with a MIDI sequencer/drum machine.  I have an EDP =
for a Bass Guitar and a second one for an Electric Guitar.  I'm =
programing an MPC 1000 to send the commands and MIDI Clock to the EDPs.  =
 I'm only trying to do simple Verse/Chorus/Bridge stuff.  I'll record a =
couple of differently layered versions of a chorus and a verse and then =
trigger the loops with switch-quantized loop trigger commands to arrange =
the parts.  I have not yet found a reliable way to keep both of the =
EDP's from slipping out of time with each other.  Even brother syncing =
them slips most of the time.
>>> >
>>> > Andy and Matthias have both been helpful in pointing out some =
possibilities.  But unfortunately I haven't had any solid luck with any =
method I've tried yet.  I also asked an old list member named Claud =
Voit, but he wasn't into making music with loops anymore.
>>> >
>>> > Any success stories out there using the same techniques I'm =
employing?
>>> >
>>> >
>>> > ---John AM.
>>> >
>>> >
>>> >
>>>=20
>>>=20
>>=20


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Content-type: text/html; CHARSET=US-ASCII
Content-transfer-encoding: quoted-printable

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hi =
Mark. &nbsp;<div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>I'm only sending a Program Change =
to each EDP to initiate one of the Presets. &nbsp;You know how you can =
save something like 14 different configurations of parameters, and then =
recall those "Presets" of parameters by sending a Program Change? =
&nbsp;That's the only time. &nbsp;And that's just at the very beginning =
of a sequence, right after a general reset command, and before a =
&nbsp;CC#1=3D127, and CC#7=3D127, to make sure that I start out with =
Loop Volume and Feedback set all the way up. &nbsp;I am using MIDI Notes =
to trigger the commands. &nbsp;I haven't tried Sampler Style and =
Re-triggering the loops at every bar. &nbsp;But I did try a sequence of =
ReAlign commands sent to each EDP just before the beginning of every 4 =
bar loop. &nbsp;It looked like it was going well until things got off by =
a cycle and made a mess of the song. &nbsp;I combed through the lines in =
the sequence programing trying to find where the misplaced ReAlign =
command was and couldn't find it. &nbsp;That's when I really started to =
suspect my MPC1000 of unruly shenanigans. =
&nbsp;</div><div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>If we don't learn to control the =
machines and keep them subservient to us, then they're just gonna take =
over. &nbsp;I want them to do what I tell them to, not the other way =
around. &nbsp;</div><div><br></div><div>: =
)</div><div><br></div><div>---John =
M.</div><div>__________________________________________<br><div><div>On =
Jan 13, 2011, at 11:20 PM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
bgcolor=3D"#FFFFFF"><div>Just a short question from one who has 2 =
perfectly synching edps... Are you sending pgm changes to edp? Send midi =
notes... I find that they miss fire less than pgm changes. I use a crap =
old drum machine to send midi notes to 2 edps, just record, next loop, =
etc and it works well.... Maybe you could try sampler style, and re =
trigger loops on every bar?</div>
<div><br></div><div>Mark<br><br>Sent from my (advertisement =
removed)</div><div><br>On 14 Jan 2011, at 07:24, John Metzler &lt;<a =
href=3D"mailto:jarofjam@me.com">jarofjam@me.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite">
<div>Thank you for the =
replies.<div>_________________________</div><div>Luis, I certainly and =
intimately understand your point about it not being very fun trying to =
get these 2 EDP's to get along with the drum machine. &nbsp;I just hope =
that I will succeed and not have lost all this time for nothing.<br>
<div>_______________________________</div><div>Hello Jim. &nbsp;I have =
tried the configuration you mentioned. &nbsp;I didn't try a simple 10 =
second loop and wait to see if that stayed locked. &nbsp;I will try =
that. &nbsp;My guess is that it will probably stay synced so long as I =
don't try to do anything more than record the two 10 second loops and =
let it run with the sequencer. &nbsp;But&nbsp;simple 10 second loops =
aren't what I'm trying to do. &nbsp;However, I'm not trying to do =
anything more than what the manual claims they are capable of. =
&nbsp;&nbsp;</div>
<div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>I would love to hear more about =
your experience with your 3 EDPs brother synced. &nbsp;I'm guessing you =
had 1 master set to Sync=3Din and and 2 slaves brother synced with =
sync=3Dout and MIDI going from the Master OUT to the IN of slave 1, the =
slave 1's OUT to slave 2's IN, and a tip-ring-sleve-Y cable connected to =
all 3 Brother Sync jacks. &nbsp;Please tell me more about how you used =
this. &nbsp;</div>
<div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>I did discover that my MPC1000 =
might be a liar and a cheat. &nbsp;I noticed that it was sending a =
command that didn't appear in the sequence. &nbsp;I couldn't make sense =
of it. &nbsp;But when I rewrote the entire sequence in step edit mode in =
a new sequence, it no longer sent the ghost command. &nbsp;I think maybe =
the command was still in there in the original sequence even though I =
couldn't see it listed. &nbsp;I think it might have been the result of =
some editing and deleting that I had previously done. &nbsp;If that's =
the case, then that's a pretty buggy OS from AKAI. &nbsp;There is =
another ghost command that seems to be stuck in a different sequence of =
mine. &nbsp;So I tried to fix it by copy and pasting the tracks to new =
tracks and muting the old ones, hoping this might clean it up. &nbsp;At =
the beginning of the sequence I have a Program Change going out to place =
the EDP's into the proper Preset mode. &nbsp;The newly pasted track =
appears the same in the Step Edit view. &nbsp;The same list of commands. =
&nbsp;But when I play the new track with the old one muted, the Program =
Change doesn't seem to be sent. &nbsp;Even though I see, the EDP's don't =
see it. &nbsp;If I mute the new tracks and play the old ones, the EDP's =
see the Program Change and change to the appropriate preset. &nbsp;Both =
tracks have the same list of commands, &nbsp;exactly the same. &nbsp;So =
I never even got to the ghost command that I was trying to clear up. =
&nbsp;I'm thinking of trying the JJOS for my MPC1000. &nbsp;People seem =
to like it and rave about it's stability. &nbsp;And AKAI has not =
responded to my emails. &nbsp;</div>
<div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>I'm trying to keep this short. =
&nbsp;I know I just failed with that last paragraph. &nbsp;I've noticed =
that being too thorough with the details can sometimes turn potential =
help away.</div>
<div><br></div><div>&nbsp;&nbsp;---John =
M.</div><div><br></div><div>______________________________________________=
_</div><div><div><div>On Jan 13, 2011, at 6:48 AM, james fowler =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">
it's been years since i've had my hands on a hardware edp but i never =
had problems with brother syncing and i had three edps running =
together.&nbsp; might wanna try this (this is how i ran 'em): connect =
the mpc/midi-generating device to ONE edp, which will be the =
master.&nbsp; brother sync the "slave" to the "master".&nbsp; send basic =
commands...like just get it to record a ten second loop.&nbsp; see if =
they slip out of sync with this basic setup.&nbsp; this might at least =
help you locate where shit is breaking down.&nbsp; <br>

<br>- jim&nbsp; <br><br><div class=3D"gmail_quote">On Thu, Jan 13, 2011 =
at 3:52 AM, Louie Angulo <span dir=3D"ltr">&lt;<a =
href=3D"mailto:louie.angulo@googlemail.com"></a><a =
href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a=
>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
never got both to sync properly<br>
use one or both independently is way more fun and less time =
consuming;-)<br>
cheers<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Thu, Jan 13, 2011 at 8:08 AM, John Metzler &lt;<a =
href=3D"mailto:jarofjam@me.com"></a><a =
href=3D"mailto:jarofjam@me.com">jarofjam@me.com</a>&gt; wrote:<br>
&gt; Hello Loopers.<br>
&gt;<br>
&gt; I'd love to hear from some of you who have used multiple EDP's as =
an audio sequencer with a MIDI sequencer/drum machine. &nbsp;I have an =
EDP for a Bass Guitar and a second one for an Electric Guitar. &nbsp;I'm =
programing an MPC 1000 to send the commands and MIDI Clock to the EDPs. =
&nbsp; I'm only trying to do simple Verse/Chorus/Bridge stuff. =
&nbsp;I'll record a couple of differently layered versions of a chorus =
and a verse and then trigger the loops with switch-quantized loop =
trigger commands to arrange the parts. &nbsp;I have not yet found a =
reliable way to keep both of the EDP's from slipping out of time with =
each other. &nbsp;Even brother syncing them slips most of the time.<br>


&gt;<br>
&gt; Andy and Matthias have both been helpful in pointing out some =
possibilities. &nbsp;But unfortunately I haven't had any solid luck with =
any method I've tried yet. &nbsp;I also asked an old list member named =
Claud Voit, but he wasn't into making music with loops anymore.<br>


&gt;<br>
&gt; Any success stories out there using the same techniques I'm =
employing?<br>
&gt;<br>
&gt;<br>
&gt; ---John AM.<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>
</blockquote></div><br></div></div></div></blockquote></div>
</blockquote></div><br></div></body></html>=

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Date: Thu, 13 Jan 2011 23:55:57 -0800 (PST)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: should musicians have a second job?
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--0-386208939-1294991757=:68207
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Guess I'll chime in on this one ..seems like every one works this one out d=
ifferently ..I've been surviving on what i make playing for 2 years now..be=
fore that i was working in the corporate sector....the last job was an 8 ye=
ar stint with no complaints from higher up....till one day they walked in a=
nd basically said "your job has been eliminated ..don't let the door hit yo=
u in the ass" hey around here it happens a lot. I've been gigging off and o=
n, solo and with bands for years and never jumped into it full time..when t=
his happened i was just turning 50....i figured if i played for a living...=
.it would be better than being involved with all the corporate garbage i wa=
s daily .and playing music ,the credit, the blame, and the cash went to me =
....so that's what i did....i play two gigs a week normally....rent 100$ ro=
om in the burbs...drive a 20 year old car....i get by....one gig dries up..=
.i find another.....it took me years and finally corporate BS to
 convince me this is what i was designed to do ....if i die a pauper .. so =
be it......i love my art.

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=20

 =A0http://www.youtube.com/watch?v=3Dobgm3kTi5bs
=A0http://www.youtube.com/watch?v=3Da9g93s0q3uc=20
 http://www.cdbaby.com/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=20
=A0http://www.linkedin.com/in/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=20





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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold;">Guess I'll=
 chime in on this one ..seems like every one works this one out differently=
 ..I've been surviving on what i make playing for 2 years now..before that =
i was working in the corporate sector....the last job was an 8 year stint w=
ith no complaints from higher up....till one day they walked in and basical=
ly said "your job has been eliminated ..don't let the door hit you in the a=
ss" hey around here it happens a lot. I've<span></span> been gigging off an=
d on, solo and with bands for years and never jumped into it full time..whe=
n this <span>happened</span> i was just turning 50....i figured if i played=
 for a living....it would be better than being involved with all the corpor=
ate garbage i was daily .and playing music ,the credit, the blame, and the =
cash went to me ....so that's what i did....i play two gigs a week
 normally....rent 100$ room in the burbs...drive a 20 year old car....i get=
 by....one gig dries up...i find another.....it took me years and finally c=
orporate BS to convince me this is what i was designed to do ....if i die a=
 pauper .. so be it......i love my art.</span><br><br><div><address style=
=3D"font-family: arial,helvetica,sans-serif; font-weight: bold;"><font colo=
r=3D"#bf00bf" size=3D"2">Kyle Dean Patten</font></address> <address style=
=3D"font-family: arial,helvetica,sans-serif; color: rgb(0, 128, 255); font-=
weight: bold;"><font size=3D"2">P.O. Box 22</font></address> <address style=
=3D"font-family: arial,helvetica,sans-serif; color: rgb(0, 128, 255); font-=
weight: bold;"><font size=3D"2">Johnston, IA&nbsp; 50131&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br><br style=3D"colo=
r: rgb(0, 128, 255);"></font></address> <address style=3D"font-family: aria=
l,helvetica,sans-serif; font-weight: bold;"><font style=3D"font-family:
 verdana,helvetica,sans-serif; color: rgb(0, 128, 255);" size=3D"3"><span s=
tyle=3D"font-size: 9pt;"><span style=3D"color: rgb(255, 0, 127);">&nbsp;htt=
p://www.youtube.com/watch?v=3Dobgm3kTi5bs</span><br>&nbsp;http://www.youtub=
e.com/watch?v=3Da9g93s0q3uc</span></font><font size=3D"3"> <br></font></add=
ress> <address><font style=3D"font-family: arial,helvetica,sans-serif; colo=
r: rgb(128, 192, 255); font-weight: bold;" size=3D"3"><a rel=3D"nofollow" t=
arget=3D"_blank" href=3D"http://www.cdbaby.com/cd/kdpatten">http://www.cdba=
by.com/cd/kdpatten </a><br><span style=3D"color: rgb(255, 127, 0);">http://=
www.myspace.com/kyledeanpatten </span><br>&nbsp;</font><font style=3D"color=
: rgb(255, 0, 255); font-family: arial,helvetica,sans-serif; font-weight: b=
old;" size=3D"3"><a rel=3D"nofollow" target=3D"_blank" href=3D"http://www.l=
inkedin.com/in/kyledeanpatten" title=3D"View public profile" name=3D"webPro=
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"font-family:
 arial,helvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;"=
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 york,times,serif;">&nbsp;&nbsp;</font></font><font style=3D"font-family: t=
ahoma,new york,times,serif; color: rgb(128, 192, 255); font-weight: bold;" =
size=3D"2"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new =
york,times,serif;" size=3D"2">&nbsp;&nbsp;</font>&nbsp;&nbsp;&nbsp; <br></f=
ont><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(128,=
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<span style=3D"font-family: tahoma,new york,times,serif;"></span></span></f=
ont><br style=3D"font-weight: bold;"><br><br><a rel=3D"nofollow" target=3D"=
_blank" href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testindex.html=
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div><div class=3D"plainMail"><br></div></td></tr></table>
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Subject: Re: EDP as an Audio Sequencer
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How frighteningly true!!

Sent from my (advertisement removed)

On 14 Jan 2011, at 08:43, John Metzler <jarofjam@me.com> wrote:

> If we don't learn to control the machines and keep them subservient to us, then they're just gonna take over.  I want them to do what I tell them to, not the other way around.

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	<918423.68207.qm@web112114.mail.gq1.yahoo.com>
Date: Fri, 14 Jan 2011 09:04:23 +0100
Message-ID: <AANLkTin=eDFrpK851iZCTvYtYoVH_89qnAhv8+-kQ6ma@mail.gmail.com>
Subject: Re: should musicians have a second job?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000325557956d701bc0499c9e130
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respect brother!

On Fri, Jan 14, 2011 at 8:55 AM, K D Patten <kdpatten@yahoo.com> wrote:

> Guess I'll chime in on this one ..seems like every one works this one out
> differently ..I've been surviving on what i make playing for 2 years
> now..before that i was working in the corporate sector....the last job was
> an 8 year stint with no complaints from higher up....till one day they
> walked in and basically said "your job has been eliminated ..don't let the
> door hit you in the ass" hey around here it happens a lot. I've been
> gigging off and on, solo and with bands for years and never jumped into it
> full time..when this happened i was just turning 50....i figured if i
> played for a living....it would be better than being involved with all the
> corporate garbage i was daily .and playing music ,the credit, the blame, and
> the cash went to me ....so that's what i did....i play two gigs a week
> normally....rent 100$ room in the burbs...drive a 20 year old car....i get
> by....one gig dries up...i find another.....it took me years and finally
> corporate BS to convince me this is what i was designed to do ....if i die a
> pauper .. so be it......i love my art.
>
> Kyle Dean Patten P.O. Box 22 Johnston, IA  50131
>
>  http://www.youtube.com/watch?v=obgm3kTi5bs
>  http://www.youtube.com/watch?v=a9g93s0q3uc
> http://www.cdbaby.com/cd/kdpatten
> http://www.myspace.com/kyledeanpatten
>  http://www.linkedin.com/in/kyledeanpatten
>
>
>
> <http://www.globalwarmingheartland.org/GWQuiz/Testindex.html>
>
>

--000325557956d701bc0499c9e130
Content-Type: text/html; charset=ISO-8859-1
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respect brother!<br><br><div class=3D"gmail_quote">On Fri, Jan 14, 2011 at =
8:55 AM, K D Patten <span dir=3D"ltr">&lt;<a href=3D"mailto:kdpatten@yahoo.=
com">kdpatten@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">
<table border=3D"0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td styl=
e=3D"font: inherit;" valign=3D"top"><span style=3D"font-weight: bold;">Gues=
s I&#39;ll chime in on this one ..seems like every one works this one out d=
ifferently ..I&#39;ve been surviving on what i make playing for 2 years now=
..before that i was working in the corporate sector....the last job was an =
8 year stint with no complaints from higher up....till one day they walked =
in and basically said &quot;your job has been eliminated ..don&#39;t let th=
e door hit you in the ass&quot; hey around here it happens a lot. I&#39;ve<=
span></span> been gigging off and on, solo and with bands for years and nev=
er jumped into it full time..when this <span>happened</span> i was just tur=
ning 50....i figured if i played for a living....it would be better than be=
ing involved with all the corporate garbage i was daily .and playing music =
,the credit, the blame, and the cash went to me ....so that&#39;s what i di=
d....i play two gigs a week
 normally....rent 100$ room in the burbs...drive a 20 year old car....i get=
 by....one gig dries up...i find another.....it took me years and finally c=
orporate BS to convince me this is what i was designed to do ....if i die a=
 pauper .. so be it......i love my art.</span><br>
<br><div><address style=3D"font-family: arial,helvetica,sans-serif; font-we=
ight: bold;"><font color=3D"#bf00bf" size=3D"2">Kyle Dean Patten</font></ad=
dress> <address style=3D"font-family: arial,helvetica,sans-serif; color: rg=
b(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. Box 22</font></ad=
dress> <address style=3D"font-family: arial,helvetica,sans-serif; color: rg=
b(0, 128, 255); font-weight: bold;"><font size=3D"2">Johnston, IA=A0 50131=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 <br>
<br style=3D"color: rgb(0, 128, 255);"></font></address> <address style=3D"=
font-family: arial,helvetica,sans-serif; font-weight: bold;"><font style=3D=
"font-family: verdana,helvetica,sans-serif; color: rgb(0, 128, 255);" size=
=3D"3"><span style=3D"font-size: 9pt;"><span style=3D"color: rgb(255, 0, 12=
7);">=A0<a href=3D"http://www.youtube.com/watch?v=3Dobgm3kTi5bs" target=3D"=
_blank">http://www.youtube.com/watch?v=3Dobgm3kTi5bs</a></span><br>
=A0<a href=3D"http://www.youtube.com/watch?v=3Da9g93s0q3uc" target=3D"_blan=
k">http://www.youtube.com/watch?v=3Da9g93s0q3uc</a></span></font><font size=
=3D"3"> <br></font></address> <address><font style=3D"font-family: arial,he=
lvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"=
3"><a rel=3D"nofollow" href=3D"http://www.cdbaby.com/cd/kdpatten" target=3D=
"_blank">http://www.cdbaby.com/cd/kdpatten </a><br>
<span style=3D"color: rgb(255, 127, 0);"><a href=3D"http://www.myspace.com/=
kyledeanpatten" target=3D"_blank">http://www.myspace.com/kyledeanpatten</a>=
 </span><br>=A0</font><font style=3D"color: rgb(255, 0, 255); font-family: =
arial,helvetica,sans-serif; font-weight: bold;" size=3D"3"><a rel=3D"nofoll=
ow" href=3D"http://www.linkedin.com/in/kyledeanpatten" title=3D"View public=
 profile" name=3D"12d83861f02f00e8_webProfileURL" target=3D"_blank">http://=
www.linkedin.com/in/kyledeanpatten</a></font><font style=3D"font-family: ar=
ial,helvetica,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" si=
ze=3D"3"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new yo=
rk,times,serif;">=A0=A0</font></font><font style=3D"font-family: tahoma,new=
 york,times,serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"2=
"><font style=3D"color: rgb(255, 0, 255); font-family: tahoma,new york,time=
s,serif;" size=3D"2">=A0=A0</font>=A0=A0=A0 <br>
</font><font style=3D"font-family: arial,helvetica,sans-serif; color: rgb(1=
28, 192, 255); font-weight: bold;" size=3D"3"><span style=3D"font-size: 9pt=
;"><span style=3D"font-family: tahoma,new york,times,serif;"></span></span>=
</font><br style=3D"font-weight: bold;">
<br><br><a rel=3D"nofollow" href=3D"http://www.globalwarmingheartland.org/G=
WQuiz/Testindex.html" target=3D"_blank"><span></span></a></address></div><d=
iv><br></div></td></tr></tbody></table></blockquote></div><br>

--000325557956d701bc0499c9e130--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 08:16:24 2011
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Subject: RE: should musicians have a second job?
Date: Fri, 14 Jan 2011 09:16:19 +0100
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> if i die a pauper .. so be it......i love my art

the world needs your art!  you have a beautiful voice. I enjoyed your
videos.

-Michael (24 year old car, and trying to survive as a programmer which is
also difficult at the moment) 
________________________________

	From: K D Patten [mailto:kdpatten@yahoo.com] 
	Sent: Friday, January 14, 2011 8:56 AM
	To: Loopers-Delight@loopers-delight.com
	Subject: Re: should musicians have a second job?
	
	Guess I'll chime in on this one ..seems like every one works this
one out differently ..I've been surviving on what i make playing for 2 years
now..before that i was working in the corporate sector....the last job was
an 8 year stint with no complaints from higher up....till one day they
walked in and basically said "your job has been eliminated ..don't let the
door hit you in the ass" hey around here it happens a lot. I've been gigging
off and on, solo and with bands for years and never jumped into it full
time..when this happened i was just turning 50....i figured if i played for
a living....it would be better than being involved with all the corporate
garbage i was daily .and playing music ,the credit, the blame, and the cash
went to me ....so that's what i did....i play two gigs a week
normally....rent 100$ room in the burbs...drive a 20 year old car....i get
by....one gig dries up...i find another.....it took me years and finally
corporate BS to convince me this is what i was designed to do ....if i die a
pauper .. so be it......i love my art.
	
	Kyle Dean Patten
	P.O. Box 22
	Johnston, IA  50131             
	
	 http://www.youtube.com/watch?v=obgm3kTi5bs
	 http://www.youtube.com/watch?v=a9g93s0q3uc 
	http://www.cdbaby.com/cd/kdpatten 
	http://www.myspace.com/kyledeanpatten 
	 http://www.linkedin.com/in/kyledeanpatten        

		


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Date: Fri, 14 Jan 2011 09:19:44 +0100
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Subject: Re: Non UNO Mac Editor... Anyone?
From: Louie Angulo <louie.angulo@googlemail.com>
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Hey Mark i forgot to mention,i have windows in my mac laptop and run
Ripwerx for my UnO chip FCB,works great but i have to boot under
windows and wont work with parallels i believe.
Cheers
Luis

On Thu, Jan 13, 2011 at 5:06 PM, mark francombe <mark@markfrancombe.com> wr=
ote:
> I tried Parrallels once, didnt work well enough for me, If I ever REALLY
> need to do a Windows thing, Ill do the Windows partition thing...
> But its good to hear that iFCB is OK, Ill prob buy the firmware, thanks f=
or
> all the advice guys...
>
> On Thu, Jan 13, 2011 at 4:38 PM, Sylvain Poitras
> <sylvain.trombone@gmail.com> wrote:
>>
>> You know, there are ways of running windows software in OS X. =A0I use
>> WineBottler (free) for a couple apps and it works great. =A0In fact,
>> I've recently winebottled a bunch of my old windows games. =A0They
>> actually run better this way then when I load them up in my windows 7
>> partition (another option if you have a spare windows licence
>> collecting dust).
>>
>> have a look here to get started :
>>
>>
>> http://lifehacker.com/5521308/how-to-seamlessly-run-that-one-windows-app=
-you-need-on-a-mac
>>
>> Sylvain
>>
>> On Thu, Jan 13, 2011 at 10:14 AM, Dennis Moser <sinsofmachaut@gmail.com>
>> wrote:
>> > Mark,
>> >
>> > Have you also posted this to the FCB Yahoo group? Lots of UNO users
>> > AND non-UNO users over there. iFCB works just fine on the Mac, but
>> > yes, you will need to update your firmware as you already know. And
>> > the upgrade is definitely cheaper than a new FCB or Gordius.
>> >
>> > I don't use the UNO chip, so I'm not sure about any native Mac editors
>> > for use with it...but as I said, the FCB group should have the
>> > information.
>> >
>> > Good luck!
>> >
>> > Dennis
>> >
>> > http://soundcloud.com/usrsbin
>> > http://audiozoloft.com
>> > http://usrslashsbin.angrek.com/
>> >
>> >
>> >
>> > On Thu, Jan 13, 2011 at 2:05 AM, mark francombe <mark@markfrancombe.co=
m>
>> > wrote:
>> >> Sorry I thought I made it clear.. I have a VERY OLD FCB... with
>> >> firmware 1.0
>> >> definately no UNO chip. I know that iFCB dont work with 1.0 but it wi=
ll
>> >> with
>> >> 2.0 . In dont think I need UNO chip unless I can edit on a mac.. Brun=
o
>> >> say
>> >> it works well...
>> >>
>> >> As for Softstep Luis... I really want it to succeed, so I have not
>> >> trumpeted
>> >> my decision on that. I sent it back. Not based on the flaky software,=
 I
>> >> think that will be ok in the long run. I didnt like the feel of the
>> >> buttons.
>> >> I discovered that I NEED a physical CLICK. I suggest they put a tiny
>> >> Solenoid on the pedal. to "fake" some feeling of a click...
>> >>
>> >> So Im back to the FCB, a few switches are dodgy.. I may open it up an=
d
>> >> fix
>> >> it.. but Im also waiting for to afford Gordius.. and for them to
>> >> release mac
>> >> software too.. in the pipe I think...
>> >>
>> >> M
>> >>
>> >>
>> >> On Thu, Jan 13, 2011 at 9:49 AM, Louie Angulo
>> >> <louie.angulo@googlemail.com>
>> >> wrote:
>> >>>
>> >>> guys keep misleading Mark!
>> >>> the iFCB will work on a Mac but it will not work with the UnO chip
>> >>> mounted on the FCB
>> >>> the answer is quite clear under the FAQ
>> >>>
>> >>> question: I use an Intel-Mac and this application is too slow to be
>> >>> used.
>> >>> answer:Very sorry about this. There is no immediate solution. Here a=
re
>> >>> some dissapointing suggestions:
>> >>>
>> >>> =A0 =A0* Run Windows on your Mac
>> >>> =A0 =A0* Go back to using original Behringer fimware. You can then u=
se
>> >>> iFCB
>> >>>
>> >>> dont even try it,ive tried dowloading mandolane etc. but wont work
>> >>> properly
>> >>> quite disapointing...
>> >>> Luis
>> >>> P.S. hey Mark i thoguth you have gotten the Softstep whats the crack
>> >>> now?
>> >>>
>> >>>
>> >>>
>> >>>
>> >>>
>> >>> On Thu, Jan 13, 2011 at 9:39 AM, mark francombe
>> >>> <mark@markfrancombe.com>
>> >>> wrote:
>> >>> > Great to hear Bruno... I might consider upgrading my firmware (If =
it
>> >>> > doesnt
>> >>> > cost more than a new FCB... ha ha) I checked the software, and it
>> >>> > looked
>> >>> > great... but didnt work on my FCB.. and it toook a while before I
>> >>> > rad
>> >>> > the
>> >>> > manual... "...doesnt work on old firmware or INO chip")
>> >>> >
>> >>> >
>> >>> > cheers for the feedback
>> >>> >
>> >>> >
>> >>> > Mark
>> >>> >
>> >>> >
>> >>> >
>> >>> > On Thu, Jan 13, 2011 at 9:11 AM, Bruno E. Kleinefeld
>> >>> > <bruno.bk@gmail.com>
>> >>> > wrote:
>> >>> >>
>> >>> >> The iFCB things works well. Nice UI and nice support from the guy=
.
>> >>> >>
>> >>> >>
>> >>> >
>> >>> >
>> >>> >
>> >>> > --
>> >>> > mark francombe
>> >>> > www.markfrancombe.com
>> >>> > www.ordoabkhao.com
>> >>> > twitter @markfrancombe
>> >>> > http://vimeo.com/user825094
>> >>> > http://www.looop.no
>> >>> >
>> >>>
>> >>
>> >>
>> >>
>> >> --
>> >> mark francombe
>> >> www.markfrancombe.com
>> >> www.ordoabkhao.com
>> >> twitter @markfrancombe
>> >> http://vimeo.com/user825094
>> >> http://www.looop.no
>> >>
>> >
>> >
>>
>
>
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 08:25:39 2011
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Here is my observation:
_All_ people I know who make a decent living as a professional, full-time musician fulfill the following:
- They got a solid music education early in their life, proficiently playing instruments way before turning 10 years.
- They come from a family with a musicianship background or established in some sort of art.
- They have been well connected in an artistic network already in their youth.
- They had a musical certification already in school.
- They have studied their musical field in a well-known institution, with well-known teachers.
- Most of them won an award as a teen or early twen.
- All of them collaborated with the best musicians in the world within their musical domain in their early 20s.

So my take is:
Unless you fulfill this criteria or catch up with it until you're ca. 25 years old, it will be very very hard to make a decent living as a 100% musician your whole life.

This doesn't mean you can't be incredibly creative, inspire a lot of people, be a pioneer in the musical domain. I just think it's hard to sustain a life-long, full-time living in music without the foundation described above.

best regards
Buzap

PS: these people are all in classical music or jazz, btw. I don't know how it is for punk rock or hip-hop artists - but will punk or hip-hop be around to feed you for 50+ years? ;-)



-- 
GMX DSL Doppel-Flat ab 19,99 Euro/mtl.! Jetzt mit 
gratis Handy-Flat! http://portal.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 08:32:33 2011
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Subject: Re: should musicians have a second job?
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> PS: these people are all in classical music or jazz, btw. I don't know how it is for punk rock or hip-hop artists - but will punk or hip-hop be around to feed you for 50+ years?

perhaps if you become a hip punk hair dresser

P.S. and if u want to make serious money now get into the the tatoo
removal business!
cheers
Luis

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 08:50:41 2011
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PIM Contact wrote:

> 
> So, here is the part about their customer service.  I emailed them 
> trying to ask about this.. 
> 
> " stereo audio is twice as difficult to sync and/or time-shift 
> than mono audio."
> 
> - Are you kidding me?

It's my favourite time on LD when someone posts a workaround for
some issue with a loop device that the manufacturers can't fix.

Not even our resident experts, (who have some *very* deep knowledge
of the RC50 haven't got it to sync).

The Roland/Boss answer suggests that they think you have to time stretch
a loop in order to sync it. That simply isn't the case.

I wonder if you're benefiting from clock accuracy, by setting master and slave 
to the same tempo, rather than an actual sync. 




andy butler
ps. can't you turn down the vol of the guide track and save that setting in your preset?

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Rick Walker wrote:

> If 5 minutes is analagous to one of your fingers,  then a week of five 
> fingers is a hand and four weeks
> of 5 fingers is four hands and 12 months of that is 48 hands and in two 
> or three years you can achieve
> an amazing amount of skill on almost anything.
> 

looks at hands,
turns hands round

From dr_jacksongaiusobaseki001@yahoo.co.jp  Fri Jan 14 09:04:52 2011
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$B?7$7$$%a!<%k%"%I%l%9$r$*CN$i$;$7$^$9?7$7$$%a!<%k%"%I%l%9!'(B dr_jacksongaiusobaseki001@yahoo.co.jp

I am Dr.Jackson Gaius Obaseki the Former Group Managing Director of NNPC.I have a profiling amount USD$20M and It is my intention to invest in your country under your partnership and you will get 25% for helping me. Kindly reply so that we can discuss.

- DR.OBASEKI


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<div style="border: solid 1px #cccccc; width:448px; background-color:white; margin:10px 0px;";><table border=0 cellspacing=0 cellpadding=0 width="448"><tr><td class=tablot background="http://i.yimg.jp/i/jp/pim/gr/gr_announce_1.gif" valign=center height=57><big style="padding:10px;">$B?7$7$$%a!<%k%"%I%l%9$r$*CN$i$;$7$^$9(B</big></td></tr></table><div style="padding:10px;">$B?7$7$$%a!<%k%"%I%l%9!'(B <b>dr_jacksongaiusobaseki001@yahoo.co.jp</b><br><br><span style="color:green;">I am Dr.Jackson Gaius Obaseki the Former Group Managing Director of NNPC.I have a profiling amount USD$20M and It is my intention to invest in your country under your partnership and you will get 25% for helping me. Kindly reply so that we can discuss.</span><br><br>- <span style="color:green;">DR.OBASEKI</span></div></div>
--0-1242893222-1294995386=:65014--

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buzap@gmx.net wrote:
 but will punk or hip-hop be around to feed you for 50+ years? ;-)


punk's already been around 35 years, 
(longer if you count the Troggs)

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From: "Dr. Alex Conor" <dralexconor121@hotmail.com>
Reply-To: dralexconor9999@gmail.com
Subject: Please i need you to assist me i need your trust view the attached
To: undisclosed recipients: ;
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Please i need you to assist me i need your trust view the attached
--0-1115932684-1295001953=:78885
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Please i need you to assist me i need your trust view the attached</td></tr></table>
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Subject: Re: New from Roland
From: Per Boysen <perboysen@gmail.com>
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Looks interesting! As usual too little information to get a decent
understanding of the box, but the video shows a little more. Seems
like a good choice of useful effects. Maybe this box can serve as a
simple pre amp as well? I couldn't find info on whether the aux input
can be used for adding audio to loops, that would be a good buying
argument for us that play multi output instruments into loopers.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Fri, Jan 14, 2011 at 3:32 AM, Jeff Shirkey <jcshirke@frontier.com> wrote:
> Not sure if anyone has mentioned these yet:
>
> http://www.rolandconnect.com/product.php?p=rc-30

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:05:27 2011
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RC-30
"from the company that started the loop station revolution...most powerful compact looper ever"

RC-3
"the most powerful compact looper ever"

with *real drums*



Jeff Shirkey wrote:
> 
> Not sure if anyone has mentioned these yet:
> 
> http://www.rolandconnect.com/product.php?p=rc-30
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:09:56 2011
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Date: Fri, 14 Jan 2011 09:09:52 -0500
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Subject: Galactic Travels Playlist #719 for January 13, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110113.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #719                January 13, 2011.

RECAP:
On this show, I continued the month-long focus on Nemesis.  The Featured
CD at Midnight was "Live Archive Volume 2" which is a self-released
title.

Nemesis: http://wdiy.org/programs/gt/playlists/2011/focus.html#jan


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
VA [AirSculpture]    Exploration Drive    E-Live 2010 (Groove)
Chuck Van Zyl        Marble Orchard       MemorySpace (Synkronos)
                        Nocturne
Dave Sneed           Sequential Seas      A Change In Time (none)
Claus Gahrn and      Scrap Metal I        Musical Sculptures (Auraltone)
   Tim Risher
Nemesis              Entrance             Live Archive Vol. 2 (none)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Nemesis              The Cosmic Garden    Live Archive Vol. 2 (none)
Nemesis              Desert Miracle       Live Archive Vol. 2 (none)
Nemesis              People at Sunset     Live Archive Vol. 2 (none)
Nemesis              Intro                Live Archive Vol. 2 (none)
Nemesis              Sky Archeologist     Live Archive Vol. 2 (none)
Nemesis              Lunar Mansion        Live Archive Vol. 2 (none)
Nemesis              Gigaherz             Live Archive Vol. 2 (none)
Nemesis              Finale               Live Archive Vol. 2 (none)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Nemesis.  The Featured CD at Midnight will be "Gigaherz" on Origo Sound.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

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Date: Fri, 14 Jan 2011 14:17:45 +0000
From: andy butler <akbutler@tiscali.co.uk>
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To: Loopers-Delight@loopers-delight.com
Subject: New from Vox
References: <1C580095-4DDB-432F-BFA6-64C7FA44822E@taintedbytrolls.com> <4D2F99B1.1020006@cruzio.com> <A74DC920-1D9A-402B-B100-5A115F7F04B1@frontier.com> <4D30582D.2030103@tiscali.co.uk>
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http://www.voxamps.com/pedals/vdl1/

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:25:23 2011
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Subject: Re: good luck to Bob and all on the LP2 Launch at NAMM today!
References: <AANLkTinwMFi3d93izPxPCCt7J6Q7drHYsHhZSTP1pkFu@mail.gmail.com>
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Date: Fri, 14 Jan 2011 06:24:25 -0800
thread-topic: good luck to Bob and all on the LP2 Launch at NAMM today!
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Hey man I'm here gonna give it a go today and send ya'll a review!!

NAMM is awesome!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 13, 2011, at 9:13 AM, "todd reynolds" <toddreyn@gmail.com> wrote:

> Much success to you Bob, and to Rick and Bill and all who are close and su=
pporting the new product! =20
>=20
> Wish I could be there to try it out and have a go.  (as I'm sure many of u=
s wish)
>=20
> Cheers,=20
>=20
> Todd
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:28:23 2011
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Subject: Re: NAMM
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Date: Fri, 14 Jan 2011 06:27:55 -0800
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Cool zoe we will see you at your set, we are staying at hilton, we'll go cra=
sh bob and put him on yhe spot!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 13, 2011, at 10:29 AM, "Zoe Keating" <info@zoekeating.com> wrote:

> I'll be at NAMM on Saturday (and performing at the Hilton at 8am),=20
> I'll try and find Bob and the LP2!
>=20

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<html><body bgcolor="#FFFFFF"><div>Cool zoe we will see you at your set, we are staying at hilton, we'll go crash bob and put him on yhe spot!!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 13, 2011, at 10:29 AM, "Zoe Keating" &lt;<a href="mailto:info@zoekeating.com">info@zoekeating.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">I'll be at NAMM on Saturday (and performing at the Hilton at 8am),&nbsp;<br>
I'll try and find Bob and the LP2!<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-4-1027979687--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:31:23 2011
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Subject: Re: New from Roland
References: <1C580095-4DDB-432F-BFA6-64C7FA44822E@taintedbytrolls.com> <4D2F99B1.1020006@cruzio.com> <A74DC920-1D9A-402B-B100-5A115F7F04B1@frontier.com>
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--Apple-Mail-5-1028123241
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Wow we will check those and namm and review. 

Your intrepid namm looping agent,

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 13, 2011, at 6:29 PM, "Jeff Shirkey" <jcshirke@frontier.com> wrote:

> 
> Not sure if anyone has mentioned these yet:
> 
> http://www.rolandconnect.com/product.php?p=rc-30
> 
> 

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<html><body bgcolor="#FFFFFF"><div>Wow we will check those and namm and review.&nbsp;</div><div><br></div><div>Your intrepid namm looping agent,<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 13, 2011, at 6:29 PM, "Jeff Shirkey" &lt;<a href="mailto:jcshirke@frontier.com">jcshirke@frontier.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->
<br>

<p><font size="2">Not sure if anyone has mentioned these yet:<br>
<br>
<a href="http://www.rolandconnect.com/product.php?p=rc-30"><a href="http://www.rolandconnect.com/product.php?p=rc-30">http://www.rolandconnect.com/product.php?p=rc-30</a></a><br>
<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-5-1028123241--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:32:23 2011
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Date: Fri, 14 Jan 2011 06:31:49 -0800
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Saw this one but no time to rebiew yet. 

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 6:17 AM, "andy butler" <akbutler@tiscali.co.uk> wrote:

> http://www.voxamps.com/pedals/vdl1/
> 

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<html><body bgcolor="#FFFFFF"><div>Saw this one but no time to rebiew yet.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 14, 2011, at 6:17 AM, "andy butler" &lt;<a href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2"><a href="http://www.voxamps.com/pedals/vdl1/"><a href="http://www.voxamps.com/pedals/vdl1/">http://www.voxamps.com/pedals/vdl1/</a></a><br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-6-1028213660--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:37:34 2011
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Date: Fri, 14 Jan 2011 15:37:32 +0100
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Subject: Re: New from Roland
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jan 14, 2011 at 3:30 PM, Andy Owens <andy@1800dialword.com> wrote:
> Wow we will check those and namm and review.
> Your intrepid namm looping agent,

Cool, Andy! So you are with online iphone at the show right now?

Per

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:40:23 2011
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Subject: Re: New from Roland
References: <1C580095-4DDB-432F-BFA6-64C7FA44822E@taintedbytrolls.com> <4D2F99B1.1020006@cruzio.com> <A74DC920-1D9A-402B-B100-5A115F7F04B1@frontier.com> <AB02FD85-4F9E-42CE-991F-2EA5CE6C35A6@1800dialword.com> <AANLkTinOZNs-sM=Kp5qhxTQBu05shd8=vTS4YEbQ0aOu@mail.gmail.com>
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Date: Fri, 14 Jan 2011 06:39:15 -0800
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Yes I am buddy!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 6:37 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jan 14, 2011 at 3:30 PM, Andy Owens <andy@1800dialword.com> wrote:
>> Wow we will check those and namm and review.
>> Your intrepid namm looping agent,
> 
> Cool, Andy! So you are with online iphone at the show right now?
> 
> Per
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 14:50:51 2011
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Did anyone notice that the new gr-55 has an on board looper? I 
couldn't find any details on the website about what the looper does, 
maybe you can check that out as well?

Paul Haslem
Ontario, Canada
www.dulcify.ca





At 09:30 AM 1/14/2011, you wrote:
>Wow we will check those and namm and review.
>
>Your intrepid namm looping agent,
>
>Andy Owens
>1-800-AndyOwens
>Sent from my iPhone
>So the typing might not be my best!
>
>
>On Jan 13, 2011, at 6:29 PM, "Jeff Shirkey" 
><<mailto:jcshirke@frontier.com>jcshirke@frontier.com> wrote:
>
>>
>>Not sure if anyone has mentioned these yet:
>>
>><http://www.rolandconnect.com/product.php?p=rc-30>http://www.rolandconnect.com/product.php?p=rc-30
>>

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<html>
<body>
Did anyone notice that the new gr-55 has an on board looper? I couldn't
find any details on the website about what the looper does, maybe you can
check that out as well?<br><br>
Paul Haslem<br>
Ontario, Canada<br>
<a href="http://www.dulcify.ca/" eudora="autourl">www.dulcify.ca<br><br>
<br><br>
<br><br>
</a>At 09:30 AM 1/14/2011, you wrote:<br>
<blockquote type=cite class=cite cite="">Wow we will check those and namm
and review. <br><br>
Your intrepid namm looping agent,<br><br>
Andy Owens<br>
1-800-AndyOwens<br>
Sent from my iPhone<br>
So the typing might not be my best!<br><br>
<br>
On Jan 13, 2011, at 6:29 PM, &quot;Jeff Shirkey&quot;
&lt;<a href="mailto:jcshirke@frontier.com">jcshirke@frontier.com</a>&gt;
wrote:<br><br>
<blockquote type=cite class=cite cite=""><br>
<font size=2>Not sure if anyone has mentioned these yet:<br><br>
<a href="http://www.rolandconnect.com/product.php?p=rc-30">
http://www.rolandconnect.com/product.php?p=rc-30</a><br><br>
</font></blockquote></blockquote></body>
</html>

--=====================_297224953==.ALT--

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please someone help me unsubscribe !!!! 
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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'><BR>please someone help me unsubscribe !!!!</div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 15:05:27 2011
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Subject: NAMM Reports
References: <1C580095-4DDB-432F-BFA6-64C7FA44822E@taintedbytrolls.com> <4D2F99B1.1020006@cruzio.com> <A74DC920-1D9A-402B-B100-5A115F7F04B1@frontier.com> <AB02FD85-4F9E-42CE-991F-2EA5CE6C35A6@1800dialword.com> <AANLkTinOZNs-sM=Kp5qhxTQBu05shd8=vTS4YEbQ0aOu@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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Date: Fri, 14 Jan 2011 07:04:33 -0800
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Well here is your LD intrepid reporter here at NAMM. =20

Six in the morning now, nine my time so no sleep for the wicked.=20

I am here with my son Cameron, we got cold up in the mountains and decided t=
o escape to LA. Everything expensive here but I had some cash tater-holed aw=
ay for a scuba cave diving trip this month but I drove my four wheeler off a=
 cliff and massively destroyed my left shoulder (three of four rotator cuffs=
 completely torn loose, surgery last thursday) so I figured we would just do=
 NAMM instead, a bit safer than cave diving anyway!=20

Cameron is a killer musician so its a fun dad/son adventure. He plays cello,=
 mandos, guitar, bass, whatever and is great singer songwriter at 19. He is a=
 Bluegrass music major at ETSU, imagine that!!

We arrived yesterday, with no reservation, no car, no namm badges, just a wi=
ng and a prayer which is the way I like it, with a mandolin and mandocello i=
n tow.=20

At the airport we just followed people with hairdoes that looked like skunk s=
kins or massive tattoes or jingly leather and metal and got a shuttle to the=
 convention center. The Hilton and Marriott are right next to each other and=
 right on site of the event, both with two stages in the lobby for rapid fir=
e band set turnovers.=20

We bit the bullet on price and got a room at the hilton, yikes$$$  but savin=
gs on rent car and parking will make up for it, dont really need a car excep=
t to get to the weed store (hint hint for you local ld'ers here lol!!) so we=
 are hunkered down.=20

Went over to the show with no passes and no plan and after having no luck ge=
tting thru to any buddies that had a booth, just decided to join up and buy b=
adges, yikes$$ again!! Oh well our cash holding up so far!

Only had one hour in the exhibit hall, but we did find the LP booth and saw l=
ots of hot girls and other creatures.=20

Cam kept saying"dad is that guy famous?" and I would say no I think he runs t=
he keyboard deptartment at Sam Ash in Poughkipsie or somewhere, lots of pose=
rs and costumers out here.=20

Looks really great so we will keep reporting.=20

Can you post pics to the list?

Your intrepid reporter,=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 6:37 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jan 14, 2011 at 3:30 PM, Andy Owens <andy@1800dialword.com> wrote:=

>> Wow we will check those and namm and review.
>> Your intrepid namm looping agent,
>=20
> Cool, Andy! So you are with online iphone at the show right now?
>=20
> Per
>=20

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Subject: Re: New from Roland
References: <1C580095-4DDB-432F-BFA6-64C7FA44822E@taintedbytrolls.com> <4D2F99B1.1020006@cruzio.com> <A74DC920-1D9A-402B-B100-5A115F7F04B1@frontier.com> <AB02FD85-4F9E-42CE-991F-2EA5CE6C35A6@1800dialword.com> <20110114145050.3E0F914D4B@ns4.tnt21.com>
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Ah, will check that too!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 6:50 AM, "paul" <phaslem@wightman.ca> wrote:

> Did anyone notice that the new gr-55 has an on board looper? I couldn't fi=
nd any details on the website about what the looper does, maybe you can chec=
k that out as well?
>=20
> Paul Haslem
> Ontario, Canada
> www.dulcify.ca
>=20
>=20
>=20
>=20
>=20
> At 09:30 AM 1/14/2011, you wrote:
>> Wow we will check those and namm and review.=20
>>=20
>> Your intrepid namm looping agent,
>>=20
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>>=20
>> On Jan 13, 2011, at 6:29 PM, "Jeff Shirkey" <jcshirke@frontier.com> wrote=
:
>>=20
>>>=20
>>> Not sure if anyone has mentioned these yet:
>>>=20
>>> http://www.rolandconnect.com/product.php?p=3Drc-30
>>>=20
>=20

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<html><body bgcolor="#FFFFFF"><div>Ah, will check that too!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 14, 2011, at 6:50 AM, "paul" &lt;<a href="mailto:phaslem@wightman.ca">phaslem@wightman.ca</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>
Did anyone notice that the new gr-55 has an on board looper? I couldn't
find any details on the website about what the looper does, maybe you can
check that out as well?<br><br>
Paul Haslem<br>
Ontario, Canada<br>
<a href="http://www.dulcify.ca/" eudora="autourl"><a href="http://www.dulcify.ca">www.dulcify.ca</a><br><br>
<br><br>
<br><br>
</a>At 09:30 AM 1/14/2011, you wrote:<br>
<blockquote type="cite" class="cite" cite="">Wow we will check those and namm
and review. <br><br>
Your intrepid namm looping agent,<br><br>
Andy Owens<br>
1-800-AndyOwens<br>
Sent from my iPhone<br>
So the typing might not be my best!<br><br>
<br>
On Jan 13, 2011, at 6:29 PM, "Jeff Shirkey"
&lt;<a href="mailto:jcshirke@frontier.com"><a href="mailto:jcshirke@frontier.com">jcshirke@frontier.com</a></a>&gt;
wrote:<br><br>
<blockquote type="cite" class="cite" cite=""><br>
<font size="2">Not sure if anyone has mentioned these yet:<br><br>
<a href="http://www.rolandconnect.com/product.php?p=rc-30">
<a href="http://www.rolandconnect.com/product.php?p=rc-30">http://www.rolandconnect.com/product.php?p=rc-30</a></a><br><br>
</font></blockquote></blockquote>

</div></blockquote></body></html>
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No, no one will help you, sorry, its like the Russian mafia, once you are in=
 you are in!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 6:55 AM, "axis4@comcast.net" <axis4@comcast.net> wrote:

>=20
> please someone help me unsubscribe !!!!

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<html><body bgcolor="#FFFFFF"><div>No, no one will help you, sorry, its like the Russian mafia, once you are in you are in!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 14, 2011, at 6:55 AM, "<a href="mailto:axis4@comcast.net">axis4@comcast.net</a>" &lt;<a href="mailto:axis4@comcast.net">axis4@comcast.net</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div><div style="font-family: Arial; font-size: 12pt; color: #000000"><br>please someone help me unsubscribe !!!!</div></div></blockquote></body></html>
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On Fri, Jan 14, 2011 at 4:04 PM, Andy Owens <andy@1800dialword.com> wrote:
> Can you post pics to the list?

No. But you can upload to Flickr etc and post links to LD.

Per

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andy butler schrieb:
> http://www.voxamps.com/pedals/vdl1/
Now, you obviously picked the hottest new looper from the batch (sorry, 
Bob, but I think it is):

 From the description and the demos, I see the highlights as having:
    a) both a pre-loop and a post-loop effect (the latter can be resampled)
    b) undo AND redo
    c) fading loop stop mode
    d) two independent tracks

On the downside: only mono, and no storage ('though the latter must not 
necessarily be considered a bad thing by us hardcore improvisation 
theorists).

Anyone of you NAMM visitors can test drive that thing and share some 
thoughts?

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Just found a store listing it at 199 pounds for pre-order. That would 
put it below the Boss RC20 (now RC30).
> http://www.voxamps.com/pedals/vdl1/


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 15:39:41 2011
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Oh yeah we gonns test drive that baby today!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 7:22 AM, Rainer Straschill <moinsound@googlemail.com> wr=
ote:

> andy butler schrieb:
>> http://www.voxamps.com/pedals/vdl1/
> Now, you obviously picked the hottest new looper from the batch (sorry, Bo=
b, but I think it is):
>=20
> =46rom the description and the demos, I see the highlights as having:
>   a) both a pre-loop and a post-loop effect (the latter can be resampled)
>   b) undo AND redo
>   c) fading loop stop mode
>   d) two independent tracks
>=20
> On the downside: only mono, and no storage ('though the latter must not ne=
cessarily be considered a bad thing by us hardcore improvisation theorists).=

>=20
> Anyone of you NAMM visitors can test drive that thing and share some thoug=
hts?
>=20
>         Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 15:45:45 2011
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Ok first seminar topic::>

Transforming Iphones and ipads into real musical instruments

Cool, that is one thing I've noticed so far, LOTS of ipads around, on cool m=
ic stand ipad holders.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 7:05 AM, "Andy Owens" <andy@1800dialword.com> wrote:

> Well here is your LD intrepid reporter here at NAMM. =20
>=20
> Six in the morning now, nine my time so no sleep for the wicked.=20
>=20
> I am here with my son Cameron, we got cold up in the mountains and decided=
 to escape to LA. Everything expensive here but I had some cash tater-holed a=
way for a scuba cave diving trip this month but I drove my four wheeler off a=
 cliff and massively destroyed my left shoulder (three of four rotator cuffs=
 completely torn loose, surgery last thursday) so I figured we would just do=
 NAMM instead, a bit safer than cave diving anyway!=20
>=20
> Cameron is a killer musician so its a fun dad/son adventure. He plays cell=
o, mandos, guitar, bass, whatever and is great singer songwriter at 19. He i=
s a Bluegrass music major at ETSU, imagine that!!
>=20
> We arrived yesterday, with no reservation, no car, no namm badges, just a w=
ing and a prayer which is the way I like it, with a mandolin and mandocello i=
n tow.=20
>=20
> At the airport we just followed people with hairdoes that looked like skun=
k skins or massive tattoes or jingly leather and metal and got a shuttle to t=
he convention center. The Hilton and Marriott are right next to each other a=
nd right on site of the event, both with two stages in the lobby for rapid f=
ire band set turnovers.=20
>=20
> We bit the bullet on price and got a room at the hilton, yikes$$$  but sav=
ings on rent car and parking will make up for it, dont really need a car exc=
ept to get to the weed store (hint hint for you local ld'ers here lol!!) so w=
e are hunkered down.=20
>=20
> Went over to the show with no passes and no plan and after having no luck g=
etting thru to any buddies that had a booth, just decided to join up and buy=
 badges, yikes$$ again!! Oh well our cash holding up so far!
>=20
> Only had one hour in the exhibit hall, but we did find the LP booth and sa=
w lots of hot girls and other creatures.=20
>=20
> Cam kept saying"dad is that guy famous?" and I would say no I think he run=
s the keyboard deptartment at Sam Ash in Poughkipsie or somewhere, lots of p=
osers and costumers out here.=20
>=20
> Looks really great so we will keep reporting.=20
>=20
> Can you post pics to the list?
>=20
> Your intrepid reporter,=20
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 14, 2011, at 6:37 AM, Per Boysen <perboysen@gmail.com> wrote:
>=20
>> On Fri, Jan 14, 2011 at 3:30 PM, Andy Owens <andy@1800dialword.com> wrote=
:
>>> Wow we will check those and namm and review.
>>> Your intrepid namm looping agent,
>>=20
>> Cool, Andy! So you are with online iphone at the show right now?
>>=20
>> Per
>>=20
>=20

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On Jan 14, 2011, at 7:22 AM, Rainer Straschill wrote:

> andy butler schrieb:
>> http://www.voxamps.com/pedals/vdl1/
> Now, you obviously picked the hottest new looper from the batch =
(sorry, Bob, but I think it is):
>=20
> =46rom the description and the demos, I see the highlights as having:
>   a) both a pre-loop and a post-loop effect (the latter can be =
resampled)
>   b) undo AND redo
>   c) fading loop stop mode
>   d) two independent tracks
>=20
> On the downside: only mono, and no storage ('though the latter must =
not necessarily be considered a bad thing by us hardcore improvisation =
theorists).

Dual track loopers seem to be the thing this year. I think the RC-30 is =
dual track as well.

There's probably a lot to be said for dual track in terms of potential =
for keeping the UI simple though I don't know that any of these succeed =
in that. My dual EDP setup for a couple years was essentially a =
dual-track looper rather than stereo and that was without the benefits =
of really having the tracks "know" about each other beyond sync.

That said, I've been sketching out my "ideal" looper based on the Line6 =
M13 as a form-factor. The design I'm gravitating toward has four pairs =
of loops with only one loop at a time playing in each pair -- i.e., each =
pair can be thought of like the EDP with MoreLoops set to 2. Still, my =
project is purely academic since I haven't found a reasonably-priced, =
sufficiently flexible controller at that price point and my ideal would =
actually put the looping hardware in the box to make it portable. (The =
project started as an effort to figure out what I would really want to =
achieve with the LP1 since as we've observed on an earlier thread, it =
really expects the user to configure it.) So, if someone made a really =
good dual-track, stereo looper with undo available for each track, that =
could be a pretty tempting compromise.

Mark

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Rainer Straschill wrote:
> andy butler schrieb:
>> http://www.voxamps.com/pedals/vdl1/
> Now, you obviously picked the hottest new looper from the batch (sorry, 
> Bob, but I think it is):
> 
>  From the description and the demos, I see the highlights as having:
>    a) both a pre-loop and a post-loop effect (the latter can be resampled)
>    b) undo AND redo
>    c) fading loop stop mode
>    d) two independent tracks
> 

The resampling *seems* to be a way of doing Multiply.
(In which case I too have to say I suspect it beats the LP2...sorry Rick, but that resample
 with the crazy fx is waaay cool)

Also, I note that  "Volume" is one of the post process options.
...coupled with resample that's suspiciously like feedback control.

Some other nice things it has
1) Loop in Loop.....which is a kind of stutter
2) Stutter which is a hard tremolo
3) cross-fade to Reversed loop via pedal ( I *really* like that one )
4) A sub-octave ( almost an essential for a guitar looper)


As usual, we await to see if it's actually as usable as we'd hope.


Price in UK is £199 (not in stock).

if only it was the "most powerful compact looper ever"

andy


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	<A74DC920-1D9A-402B-B100-5A115F7F04B1@frontier.com>
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Subject: Re: New from Vox - NAMM visitors, please check this out!
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--000e0cd6b2cc6997fe0499d066ca
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also loopers with built-in effects as well, it seems. both the vox and the
roland have them!

On Fri, Jan 14, 2011 at 3:48 PM, Mark Hamburg <mark@grubmah.com> wrote:

> On Jan 14, 2011, at 7:22 AM, Rainer Straschill wrote:
>
> Dual track loopers seem to be the thing this year. I think the RC-30 is
> dual track as well.
>
>

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also loopers with built-in effects as well, it seems. both the vox and the =
roland have them!<br><br><div class=3D"gmail_quote">On Fri, Jan 14, 2011 at=
 3:48 PM, Mark Hamburg <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah=
.com">mark@grubmah.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Jan 14, 2011, at 7:22 AM, Rainer Straschill wrote:<br>
<br>
</div>Dual track loopers seem to be the thing this year. I think the RC-30 =
is dual track as well.<br><br></blockquote></div>

--000e0cd6b2cc6997fe0499d066ca--

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Subject: Re: New from Roland
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On Jan 14, 2011, at 6:51 AM, paul wrote:

> Did anyone notice that the new gr-55 has an on board looper? I =
couldn't find any details on the website about what the looper does, =
maybe you can check that out as well?

Memory has gotten cheap so everyone now throws in a looper with their =
other effects? Okay. Roland has been doing looping devices for a while, =
but having a looper does seem to have become de rigueur and I suspect =
it's because it's become easy to do a relatively simple looper.

Mark

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Subject: Re: Tip on a great free reverb plugin (for lappy loopers) PSP Pianoverb
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On 14 Dec 2010, at 10:30, Clifford Novey wrote:

> One of my fav albums of all times uses this- Weather Report's first
> record- self titled from 1972. Wayne played scales on his sax into
> piano strings. Joe was giving him the scales and they edited all the
> sax out but 1 note. Incredible and I didn't know how it was done until
> much later. Joe also is doing something with the pedals you can hear
> it.
> Cheers for the tip- I will have to load that app into Reaper (plug- =
loving it)
> Clifford
>=20
> On 12/14/10, Per Boysen <perboysen@gmail.com> wrote:
>> Guys,
>>=20
>> Check out the free Pianoverb from the Polish sound design programming
>> masters at PSP
>> http://www.pspaudioware.com/
>>=20
>> This plugin imitates the reverb effect you get if putting a heavy
>> brick on a grand piano's sustain pedal and then record the string's
>> sympathetic resonance with the vibrations in the air. I first heard
>> this back in the late eighties on an album with solo soprano sax
>> player Steve Lacy. But I didn't understand how that deep atmosphere
>> was created until more than a century later, and then by accident as =
I
>> was experimenting with open piano strings as "reverb generator" in my
>> own home studio. To be honest I don't know about any other plugin =
that
>> will give you this reverb sound, so if you are into that it is just a
>> lovely crazy thing that the Poles give it out for free now. =
Guitarists
>> might be familiar with the acoustic guitar reverb sound you get when
>> not muting open strings while playing on other strings. This plugin
>> gives a bit of that ambient feel to any sound in-the-box.
>>=20
>> Greetings from Sweden
>>=20
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>=20
>>=20
>=20
> --=20
> Sent from my mobile device
>=20

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Date: Fri, 14 Jan 2011 15:57:21 +0000
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Subject: Re: New from Vox - NAMM visitors, please check this out!
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--0016362847b85702f50499d07de8
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That definitely looks interesting. I am curious what you can us the
expression pedal for (feedback, loop volume, just the wah and fx?).

I have preordered the LP2 a few days ago (to replace my Headrush) and I am
not sure if I should have waited to see what NAMM would bring. The
two independent loops in the new Boss and the Vox are appealing, but I never
liked the Boss RC pedals and the Vox doesn't look that intuitive to use (and
I am not that much into the effects - I prefer to have separate outboard
fx). I guess I should just wait for some reviews to come in.

Pawel

On 14 January 2011 15:22, Rainer Straschill <moinsound@googlemail.com>wrote:

> andy butler schrieb:
>
>> http://www.voxamps.com/pedals/vdl1/
>>
> Now, you obviously picked the hottest new looper from the batch (sorry,
> Bob, but I think it is):
>
> From the description and the demos, I see the highlights as having:
>   a) both a pre-loop and a post-loop effect (the latter can be resampled)
>   b) undo AND redo
>   c) fading loop stop mode
>   d) two independent tracks
>
> On the downside: only mono, and no storage ('though the latter must not
> necessarily be considered a bad thing by us hardcore improvisation
> theorists).
>
> Anyone of you NAMM visitors can test drive that thing and share some
> thoughts?
>
>         Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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<div>That definitely looks interesting. I am curious what you can us the ex=
pression pedal for=A0(feedback, loop volume, just the wah and fx?).=A0</div=
>
<div>=A0</div>
<div>I=A0have preordered the LP2 a few days ago (to=A0replace my Headrush) =
and I am not sure if I should have waited to see what NAMM would bring. The=
 two=A0independent loops in the new Boss and the Vox are appealing, but I n=
ever liked the Boss RC pedals and the Vox doesn&#39;t look that intuitive t=
o use (and I am not that much into the effects - I prefer to have separate =
outboard fx). I guess I should just wait for some reviews to come in.</div>

<div>=A0</div>
<div>Pawel=A0</div>
<div>=A0=A0</div>
<div class=3D"gmail_quote">On 14 January 2011 15:22, Rainer Straschill <spa=
n dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsound@goo=
glemail.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">andy butler schrieb:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote"><a href=3D"http://www.voxamps.co=
m/pedals/vdl1/" target=3D"_blank">http://www.voxamps.com/pedals/vdl1/</a><b=
r></blockquote>
Now, you obviously picked the hottest new looper from the batch (sorry, Bob=
, but I think it is):<br><br>From the description and the demos, I see the =
highlights as having:<br>=A0 a) both a pre-loop and a post-loop effect (the=
 latter can be resampled)<br>
=A0 b) undo AND redo<br>=A0 c) fading loop stop mode<br>=A0 d) two independ=
ent tracks<br><br>On the downside: only mono, and no storage (&#39;though t=
he latter must not necessarily be considered a bad thing by us hardcore imp=
rovisation theorists).<br>
<br>Anyone of you NAMM visitors can test drive that thing and share some th=
oughts?<br><br>=A0 =A0 =A0 =A0 Rainer<br><font color=3D"#888888"><br>-- <br=
><a href=3D"http://moinlabs.de/" target=3D"_blank">http://moinlabs.de</a><b=
r>Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_=
blank">http://twitter.com/moinlabs</a><br>
<br></font></blockquote></div><br>

--0016362847b85702f50499d07de8--

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Subject: another audio example of mobius scripts in use
From: Simeon Harris <simeonharris40@googlemail.com>
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ok, so after all the talk about scripts and having spent the last few weeks
writing and testing several out, i've finally gotten round to trying to make
some music with them

this is a little 2 minute example that uses three scripts. the first is a
variation on one that Per sent to me a while back, called "speed grid",
which changes the rate of the loop (while overdubbing) to create a melodic
sequence from a single note played into the loop. the second a "bass grid"
that changes the rate of the loop at selected times to make a bass groove
from a single note. the third is a variation of my copy pan script that
copies a loop onto the next track, pans them, and trims the last 8th off the
second loop after multiplying it by 2

so there are four loops running - the first is a rate sequence, the second
is a copy of the rate sequence, shortened by an 8th, the third is some bass
notes and the fourth (which comes in a bit later) is me just fooling around
swelling in some notes and chords.

the first loop is treated with PSP's Nitro (a kind of ohmboyz filtered delay
thing), and the second loop is treated with a sequenced filter (audiodamage
bigseq) which is running in 4/4, even though the underlying loop isn't in
4/4 (it's 15 beats long). the effect is quite strong, so i think it
disguises the fact that the underlying loop is in a different time sig, but
i think it works ok

so the whole groove was set up from TWO NOTES. mobius and the fx do the
rest. this harks back to what per said about scripts allowing you to create
stuff that you wouldn't necessarily be able to play.

http://www.simeonharris.co.uk/audio/mobius/mobius_example.mp3

(copy this link into your browser if it doesn't work by clicking on it)

sim

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ok, so after all the talk about scripts and having spent the last few weeks=
 writing and testing several out, i&#39;ve finally gotten round to trying t=
o make some music with them <br><br>this is a little 2 minute example that =
uses three scripts. the first is a variation on one that Per sent to me a w=
hile back, called &quot;speed grid&quot;, which changes the rate of the loo=
p (while overdubbing) to create a melodic sequence from a single note playe=
d into the loop. the second a &quot;bass grid&quot; that changes the rate o=
f the loop at selected times to make a bass groove from a single note. the =
third is a variation of my copy pan script that copies a loop onto the next=
 track, pans them, and trims the last 8th off the second loop after multipl=
ying it by 2<br>
<br>so there are four loops running - the first is a rate sequence, the sec=
ond is a copy of the rate sequence, shortened by an 8th, the third is some =
bass notes and the fourth (which comes in a bit later) is me just fooling a=
round swelling in some notes and chords.<br>
<br>the first loop is treated with PSP&#39;s Nitro (a kind of ohmboyz filte=
red delay thing), and the second loop is treated with a sequenced filter (a=
udiodamage bigseq) which is running in 4/4, even though the underlying loop=
 isn&#39;t in 4/4 (it&#39;s 15 beats long). the effect is quite strong, so =
i think it disguises the fact that the underlying loop is in a different ti=
me sig, but i think it works ok<br>
<br>so the whole groove was set up from TWO NOTES. mobius and the fx do the=
 rest. this harks back to what per said about scripts allowing you to creat=
e stuff that you wouldn&#39;t necessarily be able to play.=A0 <br><br><a hr=
ef=3D"http://www.simeonharris.co.uk/audio/mobius/mobius_example.mp3">http:/=
/www.simeonharris.co.uk/audio/mobius/mobius_example.mp3</a><br>
<br>(copy this link into your browser if it doesn&#39;t work by clicking on=
 it)<br><br>sim<br><br><br>

--000e0cd5d056c647350499d0ca24--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 16:20:39 2011
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Subject: To all those going to NAMM
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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Have a great show.  I don't go anymore, did for several years.  It's a neat
high and I'm sure will be amazing with the new things there.  Very cool you
are playing at the Hilton Zoe, kudos and likewise to Rick and Bill and
anyone else doing performances there.

Jim

--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf30433eb2e6c0400499d0cecd
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Have a great show.=A0 I don&#39;t go anymore, did for several years.=A0 It&=
#39;s a neat high and I&#39;m sure will be amazing with the new things ther=
e.=A0 Very cool you are playing at the Hilton Zoe, kudos and likewise to Ri=
ck and Bill and anyone else doing performances there.<br>
<br>Jim<br clear=3D"all"><br>-- <br><i>From Brooklyn To Glindran</i>, a new=
 World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<b=
r>from the sale of this CD will benefit JDRF International.=A0 <a href=3D"h=
ttp://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodinpetertho=
rn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf30433eb2e6c0400499d0cecd--

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Date: Fri, 14 Jan 2011 11:40:55 -0500
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Subject: Re: someone please help me unsubscribe
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Funny Andy...

Okay to unsubscribe follow...

*I'm sorry, I need to unsubscribe from Looper's Delight. How do I do that?
It's not that I dislike people there or anything, you understand.*

To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:

Loopers-Delight-request@loopers-delight.com


If you are on the digest version of Looper's Delight, send your unsubscribe
request to:

Loopers-Delight-d-request@loopers-delight.com


Don't send your unsubscribe message to the list, or people will make fun of
you and you will feel like a dork.



On Fri, Jan 14, 2011 at 10:06 AM, Andy Owens <andy@1800dialword.com> wrote:

> No, no one will help you, sorry, its like the Russian mafia, once you are
> in you are in!!
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 14, 2011, at 6:55 AM, "axis4@comcast.net" <axis4@comcast.net>
> wrote:
>
>
> please someone help me unsubscribe !!!!
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a6b91f5e830499d11927
Content-Type: text/html; charset=ISO-8859-1
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Funny Andy...<br><br>Okay to unsubscribe follow...<br><br><b>I&#39;m sorry,=
 I need to unsubscribe from Looper&#39;s Delight. How do I=20
do that? It&#39;s not that I dislike people there or anything, you=20
understand.</b>
						<p><font size=3D"2">To unsubscribe, send mail with the word &quot;uns=
ubscribe&quot; in both the subject and body, and no sig files or anything e=
lse, to:</font></p>
						<p><a href=3D"mailto:Loopers-Delight-request@loopers-delight.com"><fo=
nt size=3D"2">Loopers-Delight-request@loopers-delight.com</font></a></p>
						<p><font size=3D"2"><br>
							=09
								If you are on the digest version of Looper&#39;s Delight, send your=
 unsubscribe request to:</font></p>
						<p><a href=3D"mailto:Loopers-Delight-d-request@loopers-delight.com"><=
font size=3D"2">Loopers-Delight-d-request@loopers-delight.com</font></a></p=
>
						<p><font size=3D"2"><br>
							=09
								Don&#39;t send your unsubscribe message to the list, or people will=
 make fun of you and you will feel like a dork.</font></p>
					=09
							<br><br><br><div class=3D"gmail_quote">On Fri, Jan 14, 2011 at 10:06=
 AM, Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.c=
om">andy@1800dialword.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">
<div bgcolor=3D"#FFFFFF"><div>No, no one will help you, sorry, its like the=
 Russian mafia, once you are in you are in!!<br><font color=3D"#888888"><br=
>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the ty=
ping might not be my best!</div>
<div><br></div></div></font></div><div class=3D"im"><div><br>On Jan 14, 201=
1, at 6:55 AM, &quot;<a href=3D"mailto:axis4@comcast.net" target=3D"_blank"=
>axis4@comcast.net</a>&quot; &lt;<a href=3D"mailto:axis4@comcast.net" targe=
t=3D"_blank">axis4@comcast.net</a>&gt; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div><div style=3D"font-fami=
ly: Arial; font-size: 12pt; color: rgb(0, 0, 0);"><br>please someone help m=
e unsubscribe !!!!</div></div></blockquote></div></div></blockquote></div><=
br>
<br clear=3D"all"><br>-- <br><i>From Brooklyn To Glindran</i>, a new World/=
Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from =
the sale of this CD will benefit JDRF International.=A0 <a href=3D"http://j=
imgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn.band=
camp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054a6b91f5e830499d11927--

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Date: Fri, 14 Jan 2011 11:53:42 -0500
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Subject: Re: someone please help me unsubscribe
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http://www.loopers-delight.com/list/LoopList.html

On Fri, Jan 14, 2011 at 9:55 AM, <axis4@comcast.net> wrote:

>
> please someone help me unsubscribe !!!!
>

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<a href=3D"http://www.loopers-delight.com/list/LoopList.html">http://www.lo=
opers-delight.com/list/LoopList.html</a><br><br><div class=3D"gmail_quote">=
On Fri, Jan 14, 2011 at 9:55 AM,  <span dir=3D"ltr">&lt;<a href=3D"mailto:a=
xis4@comcast.net">axis4@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style=
=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);"><br>please s=
omeone help me unsubscribe !!!!</div>
</div></blockquote></div><br>

--90e6ba6e8fd0cf3e800499d146e3--

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Date: Fri, 14 Jan 2011 17:19:55 +0000 (GMT)
From: rune fagereng <rune_fagereng@yahoo.no>
Subject: Any new delay pedals? (NAMM)
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Hi!
Its interesting to see the new loop-units (Boss, Vox, LP2). Will LD make (f=
ield) test on them?=A0
Is there any new delay-pedals as well?=A0
best regards Rune F. =A0=A0=0A=0A
--0-1021325151-1295025595=:85432
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi!<div><br></div><div>Its interesting to see=
 the new loop-units (Boss, Vox, LP2). Will LD make (field) test on them?&nb=
sp;</div><div><span class=3D"Apple-style-span" style=3D"font-size: 13.3333p=
x; "><br></span></div><div><span class=3D"Apple-style-span" style=3D"font-s=
ize: 13.3333px; ">Is there any new <span>delay</span>-pedals as well?&nbsp;=
</span></div><div><br></div><div>best regards Rune F. &nbsp;&nbsp;</div></t=
d></tr></table><br>
--0-1021325151-1295025595=:85432--

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Subject: Re: RC-50 and sucking at syncing and some sucky customer service to boot
From: PIM Contact <pantsless@taintedbytrolls.com>
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When you turn the volume of the guide track down, it turns the guide off =
which then turns quantization off, which then causes your actual =
recorded loops to be out of sync.  You do not need to time stretch in =
order sync, no...  it's all about the guide, unfortunately as far as =
timing goes on the rc-50.  That's true, it is not actual sync, it's =
almost as though I'm tricking the rc-50 into syncing.  I played around =
with it last night and was successful using my workaround but... sure do =
wish this actually worked like it should.

-Shane

On Jan 14, 2011, at 12:50 AM, andy butler wrote:

> PIM Contact wrote:
>=20
>> So, here is the part about their customer service.  I emailed them =
trying to ask about this.. " stereo audio is twice as difficult to sync =
and/or time-shift than mono audio."
>> - Are you kidding me?
>=20
> It's my favourite time on LD when someone posts a workaround for
> some issue with a loop device that the manufacturers can't fix.
>=20
> Not even our resident experts, (who have some *very* deep knowledge
> of the RC50 haven't got it to sync).
>=20
> The Roland/Boss answer suggests that they think you have to time =
stretch
> a loop in order to sync it. That simply isn't the case.
>=20
> I wonder if you're benefiting from clock accuracy, by setting master =
and slave to the same tempo, rather than an actual sync.=20
>=20
>=20
>=20
> andy butler
> ps. can't you turn down the vol of the guide track and save that =
setting in your preset?
>=20
>=20

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Subject: Re: Any new delay pedals? (NAMM)
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--Apple-Mail-175-1038869345
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>
> Is there any new delay-pedals as well?

TC Electronics has released an old-school style delay pedal, the  
"Flashback Delay and Looper".

Eventide will also be releasing the Space (Factor) pedal, a reverb  
pedal with tremolo, delays, shimmer, and other wacky reverb effects.

Jeff
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><blockquote type="cite"><table cellspacing="0" cellpadding="0" border="0" style="position: static; z-index: auto; "><tbody><tr><td valign="top" style="font: inherit;"><div><span class="Apple-style-span" style="font-size: 13.3333px; "><span class="Apple-style-span" style="font-size: medium;"><br></span></span></div><div><span class="Apple-style-span" style="font-size: 13.3333px; ">Is there any new <span>delay</span>-pedals as well?&nbsp;</span></div></td></tr></tbody></table></blockquote></div><br><div>TC Electronics has released an old-school style delay pedal, the "Flashback Delay and Looper".</div><div><br></div><div>Eventide will also be releasing the Space (Factor) pedal, a reverb pedal with tremolo, delays, shimmer, and other wacky reverb effects.</div><div><br></div><div>Jeff</div></body></html>
--Apple-Mail-175-1038869345--

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From: Miss Jennifer William <jenniferwilliam@rediffmail.com>
Reply-To: jenniferwilliam156@gmail.com
Subject: From jennifer
To: undisclosed recipients: ;
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>From jennifer=A0=A0 Permit me to inform you my heart desire for a business =
relationship with you. I got your contact when I was searching for a foreig=
n partner here in Abidjan republic of Cote D'Ivoire on my search for honest=
 and reliable person. I prayed over it and decided to confide in you becaus=
e your integrity and educational background. I am jennifer William,( 22 yea=
rs old ),the only daugter of late Dr and mrs william david. My father was a=
 very wealthy Gold/Diamond dealer in Freetown, the ecaonomic capital of Sie=
rra Leone. My father was poisoned to death by his close business=A0 associa=
tes on one of their outings on a business trip.=A0My mother died when I was=
 15 years old and since then my father took me so special.Before the death =
of my father last year on=A0 match 19th 2010, in a private hospital in Free=
town, he secretly called me by his bed side and told me
of a deposit of 6.5 million united state dollars he concealed in a=A0 Bank =
on the 2nd of JANUARY 2005 that he used my name been the only daughter as t=
he next of kin when he deposited the money.
He warned me that because of enemy that he was poisoned by his close associ=
ates.He also advised me to seek for an honest foreigner in a country of my =
choice where those associates will not hurt me as they have succeeded in po=
isoning him.For your information , it has been difficult to know who is an =
honest person to assist me in this transaction , and for me to continue sil=
ent over looking for assistance while my money is in the bank i decided to =
make a try from you,
I arrived here (ABIDJAN) in a nearby country on the 28RD of novmber 2010, s=
ince my uncle wants to kill me because of this certificate of deposit as he=
 have suceeded in collecting all my father's property left with this money;=
They continuously mal-treated me, and have made life very unbearable for
me.The wife serve me a delicious poisoned rice meal last time,but for the D=
evine mercy the daughter secretly whispered to me not to eat the meal; i wa=
sted the meal to the bin only to find two dead rat on the bin the following=
 morning and that made me to run away immediately. And
i don't want to stay long here since i know nobody or have much money to pa=
y for hotel bill.
Dear, I honourably seek your assistance in the following ways:=A0=20
1.To stand as my late father's foreign partner since my late father deposit=
ed it to be claim by his foreign partner and no name was mentioned,
2.To help me come over to your country to further my education.Please my in=
tention is not to disturb your Peace,but because l am sincerely in need,And=
 desperately need a solution before my life is wasted because there is war =
in this country.Among all, the most important thing is for you to be aiding=
 me as parent who will directing all my affair and doings in your country. =
Lastly ,you will promise me that you will not betray or deny me if this=A0 =
money gets into your bank account and country,Dear,I am ready to offer you =
30% of the total money for your help.and give 10% for your expensis But if =
may be you are not in better position to help. Please let me know. So that =
I can look for another helper. I am with the certificate of deposit upon de=
mand. I will show you.Looking forward to your kind reply soonest and may Go=
d bless you.call me for more infomations,
SincerelyYours.
jennifer =0A=0A=0A      
--0-1084986737-1295026117=:82909
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br style=3D"font-weight: bold;"><br style=3D=
"font-weight: bold;"><p style=3D"font-weight: bold;"><br>From jennifer&nbsp=
;&nbsp; </p><p style=3D"font-weight: bold;">Permit me to inform you my hear=
t desire for a business relationship with you. I got your contact when I wa=
s searching for a foreign partner here in Abidjan republic of Cote D'Ivoire=
 on my search for honest and reliable person. I prayed over it and decided =
to confide in you because your integrity and educational background. I am j=
ennifer William,( 22 years old ),the only daugter of late Dr and mrs willia=
m david. My father was a very wealthy Gold/Diamond dealer in Freetown, the =
ecaonomic capital of Sierra Leone. My father was poisoned to death by his c=
lose business&nbsp; associates on one of their outings on a business trip.<=
/p><p style=3D"font-weight: bold;">&nbsp;My mother died when I was 15 years=
 old and
 since then my father took me so special.Before the death of my father last=
 year on&nbsp; match 19th 2010, in a private hospital in Freetown, he secre=
tly called me by his bed side and told me<br>of a deposit of 6.5 million un=
ited state dollars he concealed in a&nbsp; Bank on the 2nd of JANUARY 2005 =
that he used my name been the only daughter as the next of kin when he depo=
sited the money.</p><p style=3D"font-weight: bold;"><br>He warned me that b=
ecause of enemy that he was poisoned by his close associates.He also advise=
d me to seek for an honest foreigner in a country of my choice where those =
associates will not hurt me as they have succeeded in poisoning him.For you=
r information , it has been difficult to know who is an honest person to as=
sist me in this transaction , and for me to continue silent over looking fo=
r assistance while my money is in the bank i decided to make a try from you=
,<br>I arrived here (ABIDJAN) in a nearby country on the 28RD of
 novmber 2010, since my uncle wants to kill me because of this certificate =
of deposit as he have suceeded in collecting all my father's property left =
with this money;They continuously mal-treated me, and have made life very u=
nbearable for<br>me.</p><p style=3D"font-weight: bold;">The wife serve me a=
 delicious poisoned rice meal last time,but for the Devine mercy the daught=
er secretly whispered to me not to eat the meal; i wasted the meal to the b=
in only to find two dead rat on the bin the following morning and that made=
 me to run away immediately. And<br>i don't want to stay long here since i =
know nobody or have much money to pay for hotel bill.<br>Dear, I honourably=
 seek your assistance in the following ways:&nbsp; </p><p style=3D"font-wei=
ght: bold;"><br>1.To stand as my late father's foreign partner since my lat=
e father deposited it to be claim by his foreign partner and no name was me=
ntioned,<br>2.To help me come over to your country to further my
 education.</p><p style=3D"font-weight: bold;">Please my intention is not t=
o disturb your Peace,but because l am sincerely in need,And desperately nee=
d a solution before my life is wasted because there is war in this country.=
Among all, the most important thing is for you to be aiding me as parent wh=
o will directing all my affair and doings in your country. Lastly ,you will=
 promise me that you will not betray or deny me if this&nbsp; money gets in=
to your bank account and country,Dear,I am ready to offer you 30% of the to=
tal money for your help.and give 10% for your expensis But if may be you ar=
e not in better position to help. Please let me know. So that I can look fo=
r another helper. I am with the certificate of deposit upon demand. I will =
show you.Looking forward to your kind reply soonest and may God bless you.c=
all me for more infomations,</p><p style=3D"font-weight: bold;"><br>Sincere=
ly</p><p style=3D"font-weight: bold;">Yours.<br>jennifer
 </p></td></tr></table><br>=0A=0A=0A=0A      
--0-1084986737-1295026117=:82909--

From info@UBA.BANK.com  Fri Jan 14 17:43:52 2011
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Reply-To: <mr.michaelbake@gmail.com>
From: "Mr. Michael Bake"<info@UBA.BANK.com>
Subject: FUND FOR INVESTMENT
Date: Thu, 13 Jan 2011 21:36:25 -0800
MIME-Version: 1.0
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	charset="Windows-1251"
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<B>FUND FOR INVESTMENT</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>It is my pleasure to contact you for a business venture which I intend to establish in your country. Though I have not met with you before but I believe, one has to risk confide in another to succeed sometimes in life. I am Mr.Michael Baker, staff of a UBA Bank International, In the course of my work I discovered a dormant account worth about (US$17.5Million us dollars) and This very account has been dorman for over 8yrs now after my investigations; I discovered that the account owner has died since January 2007. Since his death, nobody has come forward to lay claims to this money and recently a probate order has been issued and as such if nobody comes for the claim by the end of this fiscal year, the account will be declared unserviceable and the funds called to the government treasury.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Your name was found in our system data base file I am asking for your assistance since I have all the details for you to claim the Funds, if you can handle this with me, I will need your full name, address, date of birth and telephone/fax numbers. With this information, I will carefully work on the account file so that you apply for the release of the money as the next of kin. I expect your speedy response. As soon as I receive your response I will provide details to you on how we can achieve it successfully.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Regards,</B></DIV>
<DIV>
<B>Mr. Michael Baker</B></DIV>
<DIV>
<B>Email: mr.michaelbake@gmail.com</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 17:50:22 2011
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it was said "that when listening to the music of KLOBUCHAR, you would=20
pray for more ears!"
this is true of LD.....so many good topics floating around, NAMM,=20
reviews, tons of GOOD STUFF.....
i would like to have several subscriptions.....:).....a thought: let's=20
say you have 100
loopers living all over the planet.....that means there are 100=20
bathrooms, 100 kitchens, 100 rents,
100 food bills, etc etc.....now that's a lot of duplication and waste=20
of resources not to mention, lack
of support.....in the way back, i spent 5 years living and studying in=20
a CARMELITE MONASTERY.....
yes, there will be a movie about this.....but, that ingrained within me=20
a sense of community and
leaving there and blasting into the world (1965) of HIPPIE COMMUNES, i=20
have always liked and benefited
by living with others.....remember, you can only be in one room at a=20
time.....LD is like that, a supportive
community, and being as agoraphobic and zenophobic as i now am, i=20
thankfully look forward, daily, to the posts.....
so.....who is going to hit the lottery and lead all of the=20
LOOPERKINDERN to the LOOPASTERY on
LOOPER ISLAND.....we got to act fast because even FORD will be coming=20
out with a looper.....
then everyone will be a looper!.....what is the NEXT BIG THING?




 =20

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I feel like I cant get out ! hahah 



I tried to contact the person in charge of getting me off this list but never heard back. 



Please for real someone help !! 




----- Original Message ----- 
From: "Andy Owens" <andy@1800dialword.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, January 14, 2011 10:06:25 AM 
Subject: Re: someone please help me unsubscribe 


No, no one will help you, sorry, its like the Russian mafia, once you are in you are in!! 

Andy Owens 
1-800-AndyOwens 
Sent from my iPhone 
So the typing might not be my best! 



On Jan 14, 2011, at 6:55 AM, " axis4@comcast.net " < axis4@comcast.net > wrote: 







please someone help me unsubscribe !!!! 
------=_Part_1428577_1534730044.1295027861719
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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'><P>I feel like I cant get out ! hahah</P>
<P>&nbsp;</P>
<P>I tried to contact the person in charge of getting me off this list but never heard back.</P>
<P>&nbsp;</P>
<P>Please for real someone help !!</P>
<P>&nbsp;</P>
<P><BR>----- Original Message -----<BR>From: "Andy Owens" &lt;andy@1800dialword.com&gt;<BR>To: Loopers-Delight@loopers-delight.com<BR>Sent: Friday, January 14, 2011 10:06:25 AM<BR>Subject: Re: someone please help me unsubscribe<BR><BR></P>
<DIV>No, no one will help you, sorry, its like the Russian mafia, once you are in you are in!!<BR><BR>Andy Owens
<DIV>1-800-AndyOwens</DIV>
<DIV>Sent from my iPhone
<DIV>So the typing might not be my best!</DIV>
<DIV><BR></DIV></DIV></DIV>
<DIV><BR>On Jan 14, 2011, at 6:55 AM, "<A href="mailto:axis4@comcast.net" target=_blank>axis4@comcast.net</A>" &lt;<A href="mailto:axis4@comcast.net" target=_blank>axis4@comcast.net</A>&gt; wrote:<BR><BR></DIV>
<DIV></DIV>
<BLOCKQUOTE>
<DIV>
<DIV style="FONT-FAMILY: Arial; COLOR: #000000; FONT-SIZE: 12pt"><BR>please someone help me unsubscribe !!!!</DIV></DIV></BLOCKQUOTE></div></body></html>
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On Fri, Jan 14, 2011 at 6:57 PM,  <axis4@comcast.net> wrote:
> Please for real someone help !!

Someone just did help. Please check this thread's backlog.

Per
(Looper's Island Subscriber)

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Subject: Re: another audio example of mobius scripts in use
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That was really great, exactly the kind of looping I'm looking to
explore when I finally get the software configured (I sold all this
gear of mine to force a move to software and wound up buying more
hardware with the cash instead, Doh!  How does that happen?).  But
this is inspiring me back to software.

Thanks,

Kevin

On Fri, Jan 14, 2011 at 8:19 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> ok, so after all the talk about scripts and having spent the last few wee=
ks
> writing and testing several out, i've finally gotten round to trying to m=
ake
> some music with them
>
> this is a little 2 minute example that uses three scripts. the first is a
> variation on one that Per sent to me a while back, called "speed grid",
> which changes the rate of the loop (while overdubbing) to create a melodi=
c
> sequence from a single note played into the loop. the second a "bass grid=
"
> that changes the rate of the loop at selected times to make a bass groove
> from a single note. the third is a variation of my copy pan script that
> copies a loop onto the next track, pans them, and trims the last 8th off =
the
> second loop after multiplying it by 2
>
> so there are four loops running - the first is a rate sequence, the secon=
d
> is a copy of the rate sequence, shortened by an 8th, the third is some ba=
ss
> notes and the fourth (which comes in a bit later) is me just fooling arou=
nd
> swelling in some notes and chords.
>
> the first loop is treated with PSP's Nitro (a kind of ohmboyz filtered de=
lay
> thing), and the second loop is treated with a sequenced filter (audiodama=
ge
> bigseq) which is running in 4/4, even though the underlying loop isn't in
> 4/4 (it's 15 beats long). the effect is quite strong, so i think it
> disguises the fact that the underlying loop is in a different time sig, b=
ut
> i think it works ok
>
> so the whole groove was set up from TWO NOTES. mobius and the fx do the
> rest. this harks back to what per said about scripts allowing you to crea=
te
> stuff that you wouldn't necessarily be able to play.
>
> http://www.simeonharris.co.uk/audio/mobius/mobius_example.mp3
>
> (copy this link into your browser if it doesn't work by clicking on it)
>
> sim
>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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 From http://www.bossus.com/

"In addition to recording your instrument performances and turning them 
into playable loops, you can record other external stereo audio sources 
via the AUX IN. Sound from a digital-audio player or other device 
connected to the AUX input can easily be recorded and added to your loop."

Generally RC-30 looks interesting...
I wonder how the two tracks can be synced/played and whether the 
tap-tempo can affect recorded loops (time-stretch).

Regards,
MichaÅ‚


On 14.01.2011 13:41, Per Boysen wrote:
> Looks interesting! As usual too little information to get a decent
> understanding of the box, but the video shows a little more. Seems
> like a good choice of useful effects. Maybe this box can serve as a
> simple pre amp as well? I couldn't find info on whether the aux input
> can be used for adding audio to loops, that would be a good buying
> argument for us that play multi output instruments into loopers.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Fri, Jan 14, 2011 at 3:32 AM, Jeff Shirkey<jcshirke@frontier.com>  wrote:
>> Not sure if anyone has mentioned these yet:
>>
>> http://www.rolandconnect.com/product.php?p=rc-30
>

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I will try to review all the loopers but beyond that I'm not taking requests=
!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 9:20 AM, rune fagereng <rune_fagereng@yahoo.no> wrote:

> Hi!
>=20
> Its interesting to see the new loop-units (Boss, Vox, LP2). Will LD make (=
field) test on them?=20
>=20
> Is there any new delay-pedals as well?=20
>=20
> best regards Rune F.  =20
>=20

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Fantastic...

On Fri, Jan 14, 2011 at 7:30 PM, Kevin Cheli-Colando
<billowhead@gmail.com>wrote:

> That was really great, exactly the kind of looping I'm looking to
> explore when I finally get the software configured (I sold all this
> gear of mine to force a move to software and wound up buying more
> hardware with the cash instead, Doh!  How does that happen?).  But
> this is inspiring me back to software.
>
> Thanks,
>
> Kevin
>
> On Fri, Jan 14, 2011 at 8:19 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > ok, so after all the talk about scripts and having spent the last few
> weeks
> > writing and testing several out, i've finally gotten round to trying to
> make
> > some music with them
> >
> > this is a little 2 minute example that uses three scripts. the first is a
> > variation on one that Per sent to me a while back, called "speed grid",
> > which changes the rate of the loop (while overdubbing) to create a
> melodic
> > sequence from a single note played into the loop. the second a "bass
> grid"
> > that changes the rate of the loop at selected times to make a bass groove
> > from a single note. the third is a variation of my copy pan script that
> > copies a loop onto the next track, pans them, and trims the last 8th off
> the
> > second loop after multiplying it by 2
> >
> > so there are four loops running - the first is a rate sequence, the
> second
> > is a copy of the rate sequence, shortened by an 8th, the third is some
> bass
> > notes and the fourth (which comes in a bit later) is me just fooling
> around
> > swelling in some notes and chords.
> >
> > the first loop is treated with PSP's Nitro (a kind of ohmboyz filtered
> delay
> > thing), and the second loop is treated with a sequenced filter
> (audiodamage
> > bigseq) which is running in 4/4, even though the underlying loop isn't in
> > 4/4 (it's 15 beats long). the effect is quite strong, so i think it
> > disguises the fact that the underlying loop is in a different time sig,
> but
> > i think it works ok
> >
> > so the whole groove was set up from TWO NOTES. mobius and the fx do the
> > rest. this harks back to what per said about scripts allowing you to
> create
> > stuff that you wouldn't necessarily be able to play.
> >
> > http://www.simeonharris.co.uk/audio/mobius/mobius_example.mp3
> >
> > (copy this link into your browser if it doesn't work by clicking on it)
> >
> > sim
> >
> >
> >
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e860a917dac0499d350b3
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Fantastic...<br><br><div class=3D"gmail_quote">On Fri, Jan 14, 2011 at 7:30=
 PM, Kevin Cheli-Colando <span dir=3D"ltr">&lt;<a href=3D"mailto:billowhead=
@gmail.com">billowhead@gmail.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">

That was really great, exactly the kind of looping I&#39;m looking to<br>
explore when I finally get the software configured (I sold all this<br>
gear of mine to force a move to software and wound up buying more<br>
hardware with the cash instead, Doh! =A0How does that happen?). =A0But<br>
this is inspiring me back to software.<br>
<br>
Thanks,<br>
<br>
Kevin<br>
<div><div></div><div class=3D"h5"><br>
On Fri, Jan 14, 2011 at 8:19 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; ok, so after all the talk about scripts and having spent the last few =
weeks<br>
&gt; writing and testing several out, i&#39;ve finally gotten round to tryi=
ng to make<br>
&gt; some music with them<br>
&gt;<br>
&gt; this is a little 2 minute example that uses three scripts. the first i=
s a<br>
&gt; variation on one that Per sent to me a while back, called &quot;speed =
grid&quot;,<br>
&gt; which changes the rate of the loop (while overdubbing) to create a mel=
odic<br>
&gt; sequence from a single note played into the loop. the second a &quot;b=
ass grid&quot;<br>
&gt; that changes the rate of the loop at selected times to make a bass gro=
ove<br>
&gt; from a single note. the third is a variation of my copy pan script tha=
t<br>
&gt; copies a loop onto the next track, pans them, and trims the last 8th o=
ff the<br>
&gt; second loop after multiplying it by 2<br>
&gt;<br>
&gt; so there are four loops running - the first is a rate sequence, the se=
cond<br>
&gt; is a copy of the rate sequence, shortened by an 8th, the third is some=
 bass<br>
&gt; notes and the fourth (which comes in a bit later) is me just fooling a=
round<br>
&gt; swelling in some notes and chords.<br>
&gt;<br>
&gt; the first loop is treated with PSP&#39;s Nitro (a kind of ohmboyz filt=
ered delay<br>
&gt; thing), and the second loop is treated with a sequenced filter (audiod=
amage<br>
&gt; bigseq) which is running in 4/4, even though the underlying loop isn&#=
39;t in<br>
&gt; 4/4 (it&#39;s 15 beats long). the effect is quite strong, so i think i=
t<br>
&gt; disguises the fact that the underlying loop is in a different time sig=
, but<br>
&gt; i think it works ok<br>
&gt;<br>
&gt; so the whole groove was set up from TWO NOTES. mobius and the fx do th=
e<br>
&gt; rest. this harks back to what per said about scripts allowing you to c=
reate<br>
&gt; stuff that you wouldn&#39;t necessarily be able to play.<br>
&gt;<br>
&gt; <a href=3D"http://www.simeonharris.co.uk/audio/mobius/mobius_example.m=
p3" target=3D"_blank">http://www.simeonharris.co.uk/audio/mobius/mobius_exa=
mple.mp3</a><br>
&gt;<br>
&gt; (copy this link into your browser if it doesn&#39;t work by clicking o=
n it)<br>
&gt;<br>
&gt; sim<br>
&gt;<br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Till now you seriously considered yourself to be the body and to have a<br>
form. That is the primal ignorance which is the root cause of all trouble.<=
br>
<br>
- Ramana Maharshi (1879-1950)<br>
<br>
Sound and Vision:=A0 <a href=3D"http://www.minds-eye.org" target=3D"_blank"=
>http://www.minds-eye.org</a><br>
Video <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_blank">=
http://www.vimeo.com/user877640/videos</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e860a917dac0499d350b3--

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Date: Fri, 14 Jan 2011 20:22:56 +0100
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Subject: Re: another audio example of mobius scripts in use
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> On Fri, Jan 14, 2011 at 8:19 AM, Simeon Harris
>>
>> http://www.simeonharris.co.uk/audio/mobius/mobius_example.mp3

Awesome! Can't wait to hear you stretch out into lyrical live playing
along that interactive stutter-box! ;-)  Gonna get great!

Per

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Subject: Re: another audio example of mobius scripts in use
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thanks guys. really still in the experimental phase and i just grabbed that
chunk of audio while i was messing about this afternoon. the real challenge
for me now is to incorporate this stuff into performance as seamlessly as i
can. lots of practice ahead!

sim

On Fri, Jan 14, 2011 at 7:22 PM, Per Boysen <perboysen@gmail.com> wrote:

> > On Fri, Jan 14, 2011 at 8:19 AM, Simeon Harris
> >>
> >> http://www.simeonharris.co.uk/audio/mobius/mobius_example.mp3
>
> Awesome! Can't wait to hear you stretch out into lyrical live playing
> along that interactive stutter-box! ;-)  Gonna get great!
>
> Per
>
>

--000e0cd404f2e639e80499d36e66
Content-Type: text/html; charset=ISO-8859-1
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thanks guys. really still in the experimental phase and i just grabbed that=
 chunk of audio while i was messing about this afternoon. the real challeng=
e for me now is to incorporate this stuff into performance as seamlessly as=
 i can. lots of practice ahead!<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Jan 14, 2011 at 7:22 PM, =
Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">per=
boysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
<div class=3D"im">&gt; On Fri, Jan 14, 2011 at 8:19 AM, Simeon Harris<br>
&gt;&gt;<br>
</div><div class=3D"im">&gt;&gt; <a href=3D"http://www.simeonharris.co.uk/a=
udio/mobius/mobius_example.mp3" target=3D"_blank">http://www.simeonharris.c=
o.uk/audio/mobius/mobius_example.mp3</a><br>
<br>
</div>Awesome! Can&#39;t wait to hear you stretch out into lyrical live pla=
ying<br>
along that interactive stutter-box! ;-) =A0Gonna get great!<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--000e0cd404f2e639e80499d36e66--

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	<AANLkTinZqLnyxWoFbP6VgrrtWjOYGmo9-w-U4MjfD_5A@mail.gmail.com>
	<AANLkTiki_DzhuOPSpTqn9yVNkrYTP1rgx591KCJTfQxS@mail.gmail.com>
	<AANLkTinFrNbHO=PaGAC_k0daTR6zR0MZW+9Uf8y82e7s@mail.gmail.com>
Date: Fri, 14 Jan 2011 20:29:31 +0100
Message-ID: <AANLkTinA=1qQH+TYOD+86eG4OBxGs5MRAQP3=hf2ia_o@mail.gmail.com>
Subject: Re: another audio example of mobius scripts in use
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jan 14, 2011 at 8:28 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> lots of practice ahead!

lotsa fun! :-)

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 19:47:43 2011
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Subject: klobucharian idyll
Date: Fri, 14 Jan 2011 19:47:40 +0000
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--_a5d92d34-ea31-4b3a-a2c3-f27108518686_
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I'm NOT sharing my kitchen or toilet with 100 people - have you ever lived =
in student accomodation?! =3B-)
I can't help wondering what 100 loopers playing together would sound like t=
hough - "dense" might be the word!
It's great to see all these new looping pedals coming out imo - soon the av=
ante guarde will be joined by the throng..

peace

g



> To: Loopers-Delight@loopers-delight.com
> Subject: someone please help me subscribe
> Date: Fri=2C 14 Jan 2011 12:50:08 -0500
> From: nemoguitt@aol.com
>=20
> it was said "that when listening to the music of KLOBUCHAR=2C you would=20
> pray for more ears!"
> this is true of LD.....so many good topics floating around=2C NAMM=2C=20
> reviews=2C tons of GOOD STUFF.....
> i would like to have several subscriptions.....:).....a thought: let's=20
> say you have 100
> loopers living all over the planet.....that means there are 100=20
> bathrooms=2C 100 kitchens=2C 100 rents=2C
> 100 food bills=2C etc etc.....now that's a lot of duplication and waste=20
> of resources not to mention=2C lack
> of support.....in the way back=2C i spent 5 years living and studying in=
=20
> a CARMELITE MONASTERY.....
> yes=2C there will be a movie about this.....but=2C that ingrained within =
me=20
> a sense of community and
> leaving there and blasting into the world (1965) of HIPPIE COMMUNES=2C i=
=20
> have always liked and benefited
> by living with others.....remember=2C you can only be in one room at a=20
> time.....LD is like that=2C a supportive
> community=2C and being as agoraphobic and zenophobic as i now am=2C i=20
> thankfully look forward=2C daily=2C to the posts.....
> so.....who is going to hit the lottery and lead all of the=20
> LOOPERKINDERN to the LOOPASTERY on
> LOOPER ISLAND.....we got to act fast because even FORD will be coming=20
> out with a looper.....
> then everyone will be a looper!.....what is the NEXT BIG THING?
>=20
>=20
>=20
>=20
>  =20
>=20
 		 	   		  =

--_a5d92d34-ea31-4b3a-a2c3-f27108518686_
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<body class=3D'hmmessage'>
I'm NOT sharing my kitchen or toilet with 100 people - have you ever lived =
in student accomodation?! =3B-)<br>I can't help wondering what 100 loopers =
playing together would sound like though - "dense" might be the word!<br>It=
's great to see all these new looping pedals coming out imo - soon the avan=
te guarde will be joined by the throng..<br><br>peace<br><br>g<br><br><br><=
br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: someon=
e please help me subscribe<br>&gt=3B Date: Fri=2C 14 Jan 2011 12:50:08 -050=
0<br>&gt=3B From: nemoguitt@aol.com<br>&gt=3B <br>&gt=3B it was said "that =
when listening to the music of KLOBUCHAR=2C you would <br>&gt=3B pray for m=
ore ears!"<br>&gt=3B this is true of LD.....so many good topics floating ar=
ound=2C NAMM=2C <br>&gt=3B reviews=2C tons of GOOD STUFF.....<br>&gt=3B i w=
ould like to have several subscriptions.....:).....a thought: let's <br>&gt=
=3B say you have 100<br>&gt=3B loopers living all over the planet.....that =
means there are 100 <br>&gt=3B bathrooms=2C 100 kitchens=2C 100 rents=2C<br=
>&gt=3B 100 food bills=2C etc etc.....now that's a lot of duplication and w=
aste <br>&gt=3B of resources not to mention=2C lack<br>&gt=3B of support...=
..in the way back=2C i spent 5 years living and studying in <br>&gt=3B a CA=
RMELITE MONASTERY.....<br>&gt=3B yes=2C there will be a movie about this...=
..but=2C that ingrained within me <br>&gt=3B a sense of community and<br>&g=
t=3B leaving there and blasting into the world (1965) of HIPPIE COMMUNES=2C=
 i <br>&gt=3B have always liked and benefited<br>&gt=3B by living with othe=
rs.....remember=2C you can only be in one room at a <br>&gt=3B time.....LD =
is like that=2C a supportive<br>&gt=3B community=2C and being as agoraphobi=
c and zenophobic as i now am=2C i <br>&gt=3B thankfully look forward=2C dai=
ly=2C to the posts.....<br>&gt=3B so.....who is going to hit the lottery an=
d lead all of the <br>&gt=3B LOOPERKINDERN to the LOOPASTERY on<br>&gt=3B L=
OOPER ISLAND.....we got to act fast because even FORD will be coming <br>&g=
t=3B out with a looper.....<br>&gt=3B then everyone will be a looper!.....w=
hat is the NEXT BIG THING?<br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&=
gt=3B   <br>&gt=3B <br> 		 	   		  </body>
</html>=

--_a5d92d34-ea31-4b3a-a2c3-f27108518686_--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 19:51:46 2011
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Subject: Re: another audio example of mobius scripts in use
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------=_Part_52888743_356287671.1295034696348
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I dunno, but the same thing has happened to me too.
My intent was to go mostly software.
But I am going to have more pedals and gear at my feet than ever before just to control it.


---- Kevin Cheli-Colando <billowhead@gmail.com> wrote:

=============
That was really great, exactly the kind of looping I'm looking to
explore when I finally get the software configured (I sold all this
gear of mine to force a move to software and wound up buying more
hardware with the cash instead, Doh! How does that happen?). But
this is inspiring me back to software.

Thanks,

Kevin
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        before just to control it.
      </p>
      <p>
        <br>
        <br>
        ---- Kevin Cheli-Colando &lt;billowhead@gmail.com&gt; wrote:<br><br>=============<br>That 
        was really great, exactly the kind of looping I'm looking to<br>explore 
        when I finally get the software configured (I sold all this<br>gear of 
        mine to force a move to software and wound up buying more<br>hardware 
        with the cash instead, Doh! How does that happen?). But<br>this is 
        inspiring me back to software.<br><br>Thanks,<br><br>Kevin
      </p>
    </div>
  </body>
</html>

------=_Part_52888743_356287671.1295034696348--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 19:54:56 2011
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On Fri, Jan 14, 2011 at 8:47 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> I'm NOT sharing my kitchen or toilet with 100 people - have you ever lived
> in student accomodation?! ;-)
> I can't help wondering what 100 loopers playing together would sound like
> though - "dense" might be the word!

Maybe like this 176 times overdubbed guitar solo I recorded?
http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3

> It's great to see all these new looping pedals coming out imo - soon the
> avante guarde will be joined by the throng..

A big Salute to both!

Per

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	<20110114145143.L6ALY.14070549.root@mp18>
Date: Fri, 14 Jan 2011 19:55:51 +0000
Message-ID: <AANLkTikDQOzeXVQ_QbETYeb_ueLen=+1mg=JfmmKBvc6@mail.gmail.com>
Subject: Re: another audio example of mobius scripts in use
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd6a98a44f3af0499d3d20c
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i managed to make the switch without adding anything on the floor (in fact
it reduced slightly). i was already using a novation control surface to
control the LP-1 and some of the rack gear, so this has now switched
function to controlling mobius and the plugins. conceptually, i wanted to
keep everything pretty much the same, so the switch wasn't too mind-bending=
.

sim


On Fri, Jan 14, 2011 at 7:51 PM, tEd =AE kiLLiAn <tedkillian@charter.net>wr=
ote:

>   I dunno, but the same thing has happened to me too.
>
> My intent was to go mostly software.
>
> But I am going to have more pedals and gear at my feet than ever before
> just to control it.
>
>
>
> ---- Kevin Cheli-Colando <billowhead@gmail.com> wrote:
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>
> That was really great, exactly the kind of looping I'm looking to
> explore when I finally get the software configured (I sold all this
> gear of mine to force a move to software and wound up buying more
> hardware with the cash instead, Doh! How does that happen?). But
> this is inspiring me back to software.
>
> Thanks,
>
> Kevin
>

--000e0cd6a98a44f3af0499d3d20c
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i managed to make the switch without adding anything on the floor (in fact =
it reduced slightly). i was already using a novation control surface to con=
trol the LP-1 and some of the rack gear, so this has now switched function =
to controlling mobius and the plugins. conceptually, i wanted to keep every=
thing pretty much the same, so the switch wasn&#39;t too mind-bending.<br>
<br>sim<br><br><br><div class=3D"gmail_quote">On Fri, Jan 14, 2011 at 7:51 =
PM, tEd =AE kiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@char=
ter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">

 =20
   =20
       =20
 =20
  <div>
    <div>
      <p>
        I dunno, but the same thing has happened to me too.
      </p>
      <p>
        My intent was to go mostly software.
      </p>
      <p>
        But I am going to have more pedals and gear at my feet than ever=20
        before just to control it.
      </p>
      <p>
        <br>
        <br>
        ---- Kevin Cheli-Colando &lt;<a href=3D"mailto:billowhead@gmail.com=
" target=3D"_blank">billowhead@gmail.com</a>&gt; wrote:<br><br>=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D</p><div class=3D"im"><br>That=20
        was really great, exactly the kind of looping I&#39;m looking to<br=
>explore=20
        when I finally get the software configured (I sold all this<br>gear=
 of=20
        mine to force a move to software and wound up buying more<br>hardwa=
re=20
        with the cash instead, Doh! How does that happen?). But<br>this is=
=20
        inspiring me back to software.<br><br>Thanks,<br><br>Kevin
      </div>
    </div>
  </div>

</blockquote></div><br>

--000e0cd6a98a44f3af0499d3d20c--

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	<20110114145143.L6ALY.14070549.root@mp18>
	<AANLkTikDQOzeXVQ_QbETYeb_ueLen=+1mg=JfmmKBvc6@mail.gmail.com>
Date: Fri, 14 Jan 2011 21:21:04 +0100
Message-ID: <AANLkTi=4ovnkf02PURtPS_yu9=Am7si7VYWb9Ta9ZpgY@mail.gmail.com>
Subject: Re: another audio example of mobius scripts in use
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jan 14, 2011 at 8:55 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i managed to make the switch without adding anything on the floor

Lovely to free up floor space like that! With the West African electro
dance band I play EWI with I don't have any control surfaces at all -
no fiddling by hands nor feet needed. But the sound patches I play are
full of "action commands" on note numbers outside the tonally sounding
note range. That's neat :-)  Possible because the instrument sends
MIDI when played.

I did experiment with audio input level being read by an Envelope
Follower function (Bidule) to instantly adjust certain processing to
follow my guitar attack. It worked pretty well. Typically cool for
feedback control in loopers, delays and reverbs. And for filter cutoff
("auto-chuck-a-wha")

Per

From Loopers-Delight-request@loopers-delight.com  Fri Jan 14 20:49:10 2011
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Date: Fri, 14 Jan 2011 13:49:08 -0700
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Subject: Re: someone please help me unsubscribe
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axis4, if you followed the instructions in Jim Goodin's post and it didn't
work, I suspect you didn't do it from the same email account you used to
register in the first place.

By the way, if you do manage to get out and you run into Peter Leinhos,
could you say Hi from all of us?

Best,
Keith

On Fri, Jan 14, 2011 at 11:09 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Fri, Jan 14, 2011 at 6:57 PM,  <axis4@comcast.net> wrote:
> > Please for real someone help !!
>
> Someone just did help. Please check this thread's backlog.
>
> Per
> (Looper's Island Subscriber)
>
>

--20cf30433eeccdf8ec0499d49080
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axis4, if you followed the instructions in Jim Goodin&#39;s post and it did=
n&#39;t work, I suspect you didn&#39;t do it from the same email account yo=
u used to register in the first place.<br><br>By the way, if you do manage =
to get out and you run into Peter Leinhos, could you say Hi from all of us?=
<br>
<br>Best,<br>Keith<br>
<br><div class=3D"gmail_quote">On Fri, Jan 14, 2011 at 11:09 AM, Per Boysen=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_bl=
ank">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmai=
l_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204=
, 204, 204); padding-left: 1ex;">

<div>On Fri, Jan 14, 2011 at 6:57 PM, =A0&lt;<a href=3D"mailto:axis4@comcas=
t.net" target=3D"_blank">axis4@comcast.net</a>&gt; wrote:<br>
&gt; Please for real someone help !!<br>
<br>
</div>Someone just did help. Please check this thread&#39;s backlog.<br>
<br>
Per<br>
(Looper&#39;s Island Subscriber)<br>
<br>
</blockquote></div>
<div style=3D"display: inline;"></div>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
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--20cf30433eeccdf8ec0499d49080--

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any word from NAMM on when this guy comes out?






The Wandering Madman=20


 		 	   		  =

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<html>
<head>
<style><!--
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{
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font-family:Tahoma
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<body class=3D'hmmessage'>
any word from NAMM on when this guy comes out?<br><br><br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br> 		 	   		  </body>
</html>=

--_1991ab33-cb20-475d-bd9b-e88a4d14066f_--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 00:14:38 2011
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I'll be there if there are plenty of hot hippy chicks

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 9:50 AM, <nemoguitt@aol.com> wrote:

> it was said "that when listening to the music of KLOBUCHAR, you would
> pray for more ears!"
> this is true of LD.....so many good topics floating around, NAMM,
> reviews, tons of GOOD STUFF.....
> i would like to have several subscriptions.....:).....a thought: let's
> say you have 100
> loopers living all over the planet.....that means there are 100
> bathrooms, 100 kitchens, 100 rents,
> 100 food bills, etc etc.....now that's a lot of duplication and waste
> of resources not to mention, lack
> of support.....in the way back, i spent 5 years living and studying in
> a CARMELITE MONASTERY.....
> yes, there will be a movie about this.....but, that ingrained within me
> a sense of community and
> leaving there and blasting into the world (1965) of HIPPIE COMMUNES, i
> have always liked and benefited
> by living with others.....remember, you can only be in one room at a
> time.....LD is like that, a supportive
> community, and being as agoraphobic and zenophobic as i now am, i
> thankfully look forward, daily, to the posts.....
> so.....who is going to hit the lottery and lead all of the
> LOOPERKINDERN to the LOOPASTERY on
> LOOPER ISLAND.....we got to act fast because even FORD will be coming
> out with a looper.....
> then everyone will be a looper!.....what is the NEXT BIG THING?
> 
> 
> 
> 
>  
> 

--Apple-Mail-13-1063122619
Content-Transfer-Encoding: 7bit
Content-Type: text/html;
	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>I'll be there if there are plenty of hot hippy chicks<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 14, 2011, at 9:50 AM, &lt;<a href="mailto:nemoguitt@aol.com">nemoguitt@aol.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">it was said "that when listening to the music of KLOBUCHAR, you would<br>
pray for more ears!"<br>
this is true of LD.....so many good topics floating around, NAMM,<br>
reviews, tons of GOOD STUFF.....<br>
i would like to have several subscriptions.....:).....a thought: let's<br>
say you have 100<br>
loopers living all over the planet.....that means there are 100<br>
bathrooms, 100 kitchens, 100 rents,<br>
100 food bills, etc etc.....now that's a lot of duplication and waste<br>
of resources not to mention, lack<br>
of support.....in the way back, i spent 5 years living and studying in<br>
a CARMELITE MONASTERY.....<br>
yes, there will be a movie about this.....but, that ingrained within me<br>
a sense of community and<br>
leaving there and blasting into the world (1965) of HIPPIE COMMUNES, i<br>
have always liked and benefited<br>
by living with others.....remember, you can only be in one room at a<br>
time.....LD is like that, a supportive<br>
community, and being as agoraphobic and zenophobic as i now am, i<br>
thankfully look forward, daily, to the posts.....<br>
so.....who is going to hit the lottery and lead all of the<br>
LOOPERKINDERN to the LOOPASTERY on<br>
LOOPER ISLAND.....we got to act fast because even FORD will be coming<br>
out with a looper.....<br>
then everyone will be a looper!.....what is the NEXT BIG THING?<br>
<br>
<br>
<br>
<br>
&nbsp;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-13-1063122619--

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References: <AANLkTim3GABZN8E8_e=v7S3KsZVESk6+dnjsQ49kCUa=@mail.gmail.com> <33575204.1414248.1295016922155.JavaMail.root@sz0154a.westchester.pa.mail.comcast.net> <AANLkTimMwiqz9bU6sf_qgKu0_yt5_dfi2FyXFC7cwch1@mail.gmail.com> <8CD822A9E28C8F5-1570-12227@webmail-m013.sysops.aol.com>
From: "Andy Owens" <andy@1800dialword.com>
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Date: Fri, 14 Jan 2011 16:14:39 -0800
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There is a looper world Championship tonight spinsired by boss. More later. 

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 9:50 AM, <nemoguitt@aol.com> wrote:

> it was said "that when listening to the music of KLOBUCHAR, you would
> pray for more ears!"
> this is true of LD.....so many good topics floating around, NAMM,
> reviews, tons of GOOD STUFF.....
> i would like to have several subscriptions.....:).....a thought: let's
> say you have 100
> loopers living all over the planet.....that means there are 100
> bathrooms, 100 kitchens, 100 rents,
> 100 food bills, etc etc.....now that's a lot of duplication and waste
> of resources not to mention, lack
> of support.....in the way back, i spent 5 years living and studying in
> a CARMELITE MONASTERY.....
> yes, there will be a movie about this.....but, that ingrained within me
> a sense of community and
> leaving there and blasting into the world (1965) of HIPPIE COMMUNES, i
> have always liked and benefited
> by living with others.....remember, you can only be in one room at a
> time.....LD is like that, a supportive
> community, and being as agoraphobic and zenophobic as i now am, i
> thankfully look forward, daily, to the posts.....
> so.....who is going to hit the lottery and lead all of the
> LOOPERKINDERN to the LOOPASTERY on
> LOOPER ISLAND.....we got to act fast because even FORD will be coming
> out with a looper.....
> then everyone will be a looper!.....what is the NEXT BIG THING?
> 
> 
> 
> 
>  
> 

--Apple-Mail-14-1063186314
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<html><body bgcolor="#FFFFFF"><div>There is a looper world Championship tonight spinsired by boss. More later.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 14, 2011, at 9:50 AM, &lt;<a href="mailto:nemoguitt@aol.com">nemoguitt@aol.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">it was said "that when listening to the music of KLOBUCHAR, you would<br>
pray for more ears!"<br>
this is true of LD.....so many good topics floating around, NAMM,<br>
reviews, tons of GOOD STUFF.....<br>
i would like to have several subscriptions.....:).....a thought: let's<br>
say you have 100<br>
loopers living all over the planet.....that means there are 100<br>
bathrooms, 100 kitchens, 100 rents,<br>
100 food bills, etc etc.....now that's a lot of duplication and waste<br>
of resources not to mention, lack<br>
of support.....in the way back, i spent 5 years living and studying in<br>
a CARMELITE MONASTERY.....<br>
yes, there will be a movie about this.....but, that ingrained within me<br>
a sense of community and<br>
leaving there and blasting into the world (1965) of HIPPIE COMMUNES, i<br>
have always liked and benefited<br>
by living with others.....remember, you can only be in one room at a<br>
time.....LD is like that, a supportive<br>
community, and being as agoraphobic and zenophobic as i now am, i<br>
thankfully look forward, daily, to the posts.....<br>
so.....who is going to hit the lottery and lead all of the<br>
LOOPERKINDERN to the LOOPASTERY on<br>
LOOPER ISLAND.....we got to act fast because even FORD will be coming<br>
out with a looper.....<br>
then everyone will be a looper!.....what is the NEXT BIG THING?<br>
<br>
<br>
<br>
<br>
&nbsp;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-14-1063186314--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 00:22:20 2011
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Date: Sat, 15 Jan 2011 01:22:17 +0100
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Subject: Re: NAMM
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On Sat, Jan 15, 2011 at 1:14 AM, Andy Owens <andy@1800dialword.com> wrote:
> There is a looper world Championship tonight spinsired by boss.

The Boss.... that's Bruce Springsteen!
("Loopings From Ashbury Park")

Per ;-)

From grahamdouglas13@att.net  Sat Jan 15 02:15:08 2011
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Date: Fri, 14 Jan 2011 18:14:52 -0800 (PST)
From: graham douglas <grahamdouglas13@att.net>
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Subject: ($7.500,000,00) Inheritance Fund transaction.
To: undisclosed recipients: ;
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Dear sir,

I am Barrister Graham Douglas, the legal Representative to "Late Eng Michael Khan",an expartrate who worked with an oil servicing Company in Nigeria.

On 7th sept 2009 my client, his wife and their only daughter were involved in a plane crash and all the family lost there lives. Since then I have made several inquiries to locate any of his relatives but this proved unsuccessful.


The reason i contacted you is to assist me in receiving the fund valued at $7.5,000,000.00, UNITED STATES DOLLARS left behind by my client before it gets Confiscated or declared unserviceable by the bank where this money was deposited as his next of kin or relation.

The bank issued me a notice to provide the relations or families of the deceased or have the account confiscated by the end of this fiscal year.

For the fact that I have been unsuccessful in locating the relatives for over 2 years now, I seek your consent to present you as the family member to the deceased so that this money can be paid into your account as his next of kin and
after we share it . This is a secret between you and i.

Therefore, if you are interested contact me with my email or call me
on my line for explanation. I have all necessary information needed to back you up for claim without any hitch.
Thanks.

SINCERELY,

Mr Graham Douglas{Esq}
+2347042402785
--0-1577026152-1295057692=:15370
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><BR><BR>Dear sir,<BR><BR>I am Barrister Graham Douglas, the legal Representative to "Late Eng Michael Khan",an expartrate who worked with an oil servicing Company in Nigeria.<BR><BR>On 7th sept 2009 my client, his wife and their only daughter were involved in a plane crash and all the family lost there lives. Since then I have made several inquiries to locate any of his relatives but this proved unsuccessful.<BR><BR><BR>The reason i contacted you is to assist me in receiving the fund valued at $7.5,000,000.00, UNITED STATES DOLLARS left behind by my client before it gets Confiscated or declared unserviceable by the bank where this money was deposited as his next of kin or relation.<BR><BR>The bank issued me a notice to provide the relations or families of the deceased or have the account confiscated by the end of this fiscal year.<BR><BR>For the fact that I
 have been unsuccessful in locating the relatives for over 2 years now, I seek your consent to present you as the family member to the deceased so that this money can be paid into your account as his next of kin and<BR>after we share it . This is a secret between you and i.<BR><BR>Therefore, if you are interested contact me with my email or call me<BR>on my line for explanation. I have all necessary information needed to back you up for claim without any hitch.<BR>Thanks.<BR><BR>SINCERELY,<BR><BR>Mr Graham Douglas{Esq}<BR>+2347042402785</td></tr></table>
--0-1577026152-1295057692=:15370--

From kennycelk100@yahoo.com  Sat Jan 15 02:36:52 2011
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Date: Fri, 14 Jan 2011 13:42:11 -0500
From: "Dr. Kenny Celk" <kennycelk100@yahoo.com>
Reply-to: kennycelk@gmail.com
To: undisclosed-recipients:;
Subject:  CONFIDENTIAL COURIER PAYMENT
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FROM: DR. KENNY CELK
London Clearing House
Aldgate House
33 Aldgate High St, London, EC3N 1EA,
United Kingdom
TEL: +44 7045774416


CONFIDENTIAL COURIER PAYMENT

I am Kenny Celk of LONDON CLEARING HOUSE LTD I decided to contact you =20
because of the prevailing security report reaching my office and the =20
intense nature of polity in London. This is to inform you about our =20
plan to send your fund to you via cash delivery system, This system =20
will be easier for you and for us. We are going to send your payment =20
of US$7.3 Million to you via courier service. I have secured every =20
needed document to cover this fund.

Note: This fund is coming in 2 security proof boxes which are sealed =20
with Synthetic nylon seal and padded with machine. I will use my =20
position to facilitate the RELEASE ORDER of this fund to you. The =20
boxes are coming with a Courier agent who will deliver them to you at =20
your home address.

All you need to do now is to send to me:
1. Your full name
2. Your full house address
3. Your contact phone numbers
4. Your Occupation
5. Sex

Note: The Agent does not know the contents in these boxes, the content =20
was declared to him as Sensitive Photographic Film Materials.

I will secure the clearance Certificate that will be tagged on the =20
boxes which I will dispatch along with the security inner Keys of the =20
consignments to enable you access them as soon as they are delivered =20
to you. It can also be transfer through Telegraphic Online Transfer.

Best Regards,
Dr. Kenny Celk.




From jjjj--------me8988@att.net  Sat Jan 15 05:05:40 2011
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Received: from [41.138.171.102] by web180612.mail.sp1.yahoo.com via HTTP; Fri, 14 Jan 2011 21:05:12 PST
X-Mailer: YahooMailClassic/11.4.20 YahooMailWebService/0.8.107.285259
Date: Fri, 14 Jan 2011 21:05:12 -0800 (PST)
From: "Barr. Micheal Jones { ESQ}" <jjjj--------me8988@att.net>
Reply-To: barrmichealjones1@yahoo.co.jp
Subject: I Wait For Your Kind Response
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1025814330-1295067912=:13842
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Michael and Michael Chambers=A0=A0=A0=A0=A0=A0=A0=A0=20
Plot 63 Ajeye wale Crescent
Surulere, Lagos.=20
Email: {barrmichealjones1@yahoo.co.jp}=20
=A0
I am Barrister Micheal Jones Attorney to the late Engr.Ronald Johnson,I Hop=
ed that you will not expose or betray this trust and confident that i am ab=
out to establish with you for the mutual benefit of me and you.
=A0
However, I am Barrister Micheal Jones Attorney to the late Engr.Ronald John=
son, a national of Northern American, who used to work with Shell Petroleum=
 Development Company(SPDC) in Nigeria . Monday, 31 July, 2000, My client,hi=
s wife And their three children were involved in air crash since July 31st =
2000 The victims of the AF4590 crash include all 109 people on board and fi=
ve who died on the ground when the Auto crashed towards Oshodi/expressway
=A0
Unfortunately they all lost their lives in the event of the accident, Since=
 then I have made several inquiries to several Embassies to locate any of m=
y clients extended relatives, this has also proved unsuccessful.=20
=A0
After these several unsuccessful attempts, I decided to trace his relatives=
 over the Internet to locate any member of his family but of no avail, henc=
e I contacted you to assist in repatriating the money and property left beh=
ind by my client,I can easily convince the bank with my legal practice that=
 you are the only surviving relation of my client. Otherwise the Estate he =
left behind will be confiscated or declared unserviceable by the bank where=
 this huge deposits were lodged.Particularly, the Bank where the deceased h=
ad an account valued at about $15 million U.S dollars(Fifteen million U.S.A=
merica dollars).=20
=A0
Consequently,The bank issued me a notice to provide the next of kin or have=
 the account confiscated within the next ten official working days. Since I=
 have been unsuccessful in locating the relatives for over several years no=
w.I seek your consent to present you as the next of kin to the deceased,so =
that the proceeds of this account valued at $15million U.S dollars can be p=
aid to your account and then you and me can share the money. 55% to me and =
40% to you,while 5% should be for expenses or tax as your government may re=
quire.=20
=A0
All I require is your honest cooperation to enable us see this deal through=
 and also forward the following to me:=20
=A0
Your Full Name:=20
Your Age and Gender :=20
Your Nationality:=20
Your House Address:=20
Your Occupation:=20
Your Tele-phone And Fax No:=20
=A0
I guarantee that this will be executed under a legitimate arrangement that =
will protect you from any breach of the law.Please get in touch with me VIA=
 this my confidential email {barrmichealjones1@yahoo.co.jp)
=A0
Yours Faithfully,=20
Barr. Micheal Jones { SAN }
--0-1025814330-1295067912=:13842
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><strong><em>Michael and Michael Chamb=
ers&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Plot 63 Ajeye wale =
Crescent<br>Surulere, Lagos. <br>Email: </em></strong><a rel=3D"nofollow" t=
arget=3D"_blank" href=3D"mailto:%7Bbarrmichealjones1@yahoo.co.jp"><strong><=
em>{barrmichealjones1@yahoo.co.jp</em></strong></a><strong><em>} <br>&nbsp;=
<br>I am Barrister Micheal Jones Attorney to the late Engr.Ronald Johnson,I=
 Hoped that you will not expose or betray this trust and confident that i a=
m about to establish with you for the mutual benefit of me and you.<br>&nbs=
p;<br>However, I am Barrister Micheal Jones Attorney to the late Engr.Ronal=
d Johnson, a national of Northern American, who used to work with Shell Pet=
roleum Development Company(SPDC) in Nigeria . Monday, 31 July, 2000, My cli=
ent,his wife And their three children were involved in air crash since July=
 31st
 2000 The victims of the AF4590 crash include all 109 people on board and f=
ive who died on the ground when the Auto crashed towards Oshodi/expressway<=
br>&nbsp;<br>Unfortunately they all lost their lives in the event of the ac=
cident, Since then I have made several inquiries to several Embassies to lo=
cate any of my clients extended relatives, this has also proved unsuccessfu=
l. <br>&nbsp;<br>After these several unsuccessful attempts, I decided to tr=
ace his relatives over the Internet to locate any member of his family but =
of no avail, hence I contacted you to assist in repatriating the money and =
property left behind by my client,I can easily convince the bank with my le=
gal practice that you are the only surviving relation of my client. Otherwi=
se the Estate he left behind will be confiscated or declared unserviceable =
by the bank where this huge deposits were lodged.Particularly, the Bank whe=
re the deceased had an account valued at about $15 million U.S
 dollars(Fifteen million U.S.America dollars). <br>&nbsp;<br>Consequently,T=
he bank issued me a notice to provide the next of kin or have the account c=
onfiscated within the next ten official working days. Since I have been uns=
uccessful in locating the relatives for over several years now.I seek your =
consent to present you as the next of kin to the deceased,so that the proce=
eds of this account valued at $15million U.S dollars can be paid to your ac=
count and then you and me can share the money. 55% to me and 40% to you,whi=
le 5% should be for expenses or tax as your government may require. <br>&nb=
sp;<br>All I require is your honest cooperation to enable us see this deal =
through and also forward the following to me: <br>&nbsp;<br>Your Full Name:=
 <br>Your Age and Gender : <br>Your Nationality: <br>Your House Address: <b=
r>Your Occupation: <br>Your Tele-phone And Fax No: <br>&nbsp;<br>I guarante=
e that this will be executed under a legitimate arrangement that
 will protect you from any breach of the law.Please get in touch with me VI=
A this my confidential email </em></strong><a rel=3D"nofollow" target=3D"_b=
lank" href=3D"mailto:%7Bbarrmichealjones1@yahoo.co.jp"><strong><em>{barrmic=
healjones1@yahoo.co.jp</em></strong></a><strong><em>)<br>&nbsp;<br>Yours Fa=
ithfully, <br>Barr. Micheal Jones { SAN }</em></strong></td></tr></table>
--0-1025814330-1295067912=:13842--

From infor@mashreqbank.com  Sat Jan 15 05:33:52 2011
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From: "MashreqOnline - Retail Banking UAE"<infor@mashreqbank.com>
Subject: Upgrade and Secure Your Mashreq OnlineBanking UAE Now
Date: Sat, 15 Jan 2011 13:37:09 -0800
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    Mashreq Bank is ensuring that your information is secured, for this reason your MashreqOnline access has been <b>
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    This could be either because the secret answer you entered does not match 
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------=_NextPart_000_0108_01C2A9A6.1041A548--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 07:23:59 2011
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
Delivered-To: looper+looparc@arsenic.violacea.com
Received: by arsenic.violacea.com (Postfix, from userid 1004)
	id E8F1818345D; Sat, 15 Jan 2011 07:23:58 +0000 (UTC)
Old-Return-Path: <buddhamachine@live.co.uk>
X-Original-To: loopers-delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Message-ID: <BAY145-w170B40BFAD9587B73DF64885F20@phx.gbl>
Content-Type: multipart/alternative;
	boundary="_84fd2eaa-2e26-40ce-b0ab-beaf60bb8862_"
X-Originating-IP: [86.138.36.154]
From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: klobucharian idyll
Date: Sat, 15 Jan 2011 07:23:56 +0000
Importance: Normal
In-Reply-To: <AANLkTikqQ1ohhPZj8Du9KT8uN96s3WgdVOUrh9obJUnX@mail.gmail.com>
References:
 <AANLkTim3GABZN8E8_e=v7S3KsZVESk6+dnjsQ49kCUa=@mail.gmail.com>,<33575204.1414248.1295016922155.JavaMail.root@sz0154a.westchester.pa.mail.comcast.net>,<AANLkTimMwiqz9bU6sf_qgKu0_yt5_dfi2FyXFC7cwch1@mail.gmail.com>,<8CD822A9E28C8F5-1570-12227@webmail-m013.sysops.aol.com>,<BAY145-w46B9AADFF9A9B655F2613F85F30@phx.gbl>,<AANLkTikqQ1ohhPZj8Du9KT8uN96s3WgdVOUrh9obJUnX@mail.gmail.com>
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--_84fd2eaa-2e26-40ce-b0ab-beaf60bb8862_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


Cool little soundbyte per!
ps the new gr55 guitar synth looks like it has a 20 sec looper on it - look=
s interesting but God I hate those guitar synth demos...
=20
peace
=20
G

=20
> Date: Fri=2C 14 Jan 2011 20:54:54 +0100
> Subject: Re: klobucharian idyll
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> On Fri=2C Jan 14=2C 2011 at 8:47 PM=2C Gareth Whittock
> <buddhamachine@live.co.uk> wrote:
> > I'm NOT sharing my kitchen or toilet with 100 people - have you ever li=
ved
> > in student accomodation?! =3B-)
> > I can't help wondering what 100 loopers playing together would sound li=
ke
> > though - "dense" might be the word!
>=20
> Maybe like this 176 times overdubbed guitar solo I recorded?
> http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3
>=20
> > It's great to see all these new looping pedals coming out imo - soon th=
e
> > avante guarde will be joined by the throng..
>=20
> A big Salute to both!
>=20
> Per
>=20
 		 	   		  =

--_84fd2eaa-2e26-40ce-b0ab-beaf60bb8862_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Cool little&nbsp=3Bsoundbyte per!<BR>
ps the new gr55 guitar synth looks like it has a 20 sec looper on it - look=
s interesting but God I hate those&nbsp=3Bguitar synth demos...<BR>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
G<BR>
<BR>&nbsp=3B<BR>
&gt=3B Date: Fri=2C 14 Jan 2011 20:54:54 +0100<BR>&gt=3B Subject: Re: klobu=
charian idyll<BR>&gt=3B From: perboysen@gmail.com<BR>&gt=3B To: Loopers-Del=
ight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B On Fri=2C Jan 14=2C 2011 at 8=
:47 PM=2C Gareth Whittock<BR>&gt=3B &lt=3Bbuddhamachine@live.co.uk&gt=3B wr=
ote:<BR>&gt=3B &gt=3B I'm NOT sharing my kitchen or toilet with 100 people =
- have you ever lived<BR>&gt=3B &gt=3B in student accomodation?! =3B-)<BR>&=
gt=3B &gt=3B I can't help wondering what 100 loopers playing together would=
 sound like<BR>&gt=3B &gt=3B though - "dense" might be the word!<BR>&gt=3B =
<BR>&gt=3B Maybe like this 176 times overdubbed guitar solo I recorded?<BR>=
&gt=3B http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3<=
BR>&gt=3B <BR>&gt=3B &gt=3B It's great to see all these new looping pedals =
coming out imo - soon the<BR>&gt=3B &gt=3B avante guarde will be joined by =
the throng..<BR>&gt=3B <BR>&gt=3B A big Salute to both!<BR>&gt=3B <BR>&gt=
=3B Per<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_84fd2eaa-2e26-40ce-b0ab-beaf60bb8862_--

From tmccart@fnni.com  Sat Jan 15 14:42:58 2011
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Subject: DONATE; { bstpgates@aim.com  }
Date: Sat, 15 Jan 2011 07:58:13 -0600
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From: "McCart, Teresa" <tmccart@fnni.com>
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DONATE; { bstpgates@aim.com  }
I am Janet Brown diagnosed for cancer,has a time limit to live,I =
WILL/donate the sum of USD$10 Million to you.Contact my Attorney stephen =
gates { bstpgates@aim.com },tel; +447045735858,for claims with this =
email  { bstpgates@aim.com  }
15th Jan

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 16:03:24 2011
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X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Subject: Zoe at namm
References: <AANLkTim3GABZN8E8_e=v7S3KsZVESk6+dnjsQ49kCUa=@mail.gmail.com> <33575204.1414248.1295016922155.JavaMail.root@sz0154a.westchester.pa.mail.comcast.net> <AANLkTimMwiqz9bU6sf_qgKu0_yt5_dfi2FyXFC7cwch1@mail.gmail.com> <8CD822A9E28C8F5-1570-12227@webmail-m013.sysops.aol.com> <BAY145-w46B9AADFF9A9B655F2613F85F30@phx.gbl> <AANLkTikqQ1ohhPZj8Du9KT8uN96s3WgdVOUrh9obJUnX@mail.gmail.com> <BAY145-w170B40BFAD9587B73DF64885F20@phx.gbl>
From: "Andy Owens" <andy@1800dialword.com>
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thread-topic: Zoe at namm
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Message-ID: <B72378B9-2547-4835-8B24-BE1C409263BC@1800dialword.com>
Date: Sat, 15 Jan 2011 08:02:10 -0800
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Hey we are sittin here eatin bacon waitin for zoe

Pics and blog on my website www.andyowens.com

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 14, 2011, at 11:24 PM, Gareth Whittock <buddhamachine@live.co.uk> wro=
te:

> Cool little soundbyte per!
> ps the new gr55 guitar synth looks like it has a 20 sec looper on it - loo=
ks interesting but God I hate those guitar synth demos...
> =20
> peace
> =20
> G
>=20
> =20
> > Date: Fri, 14 Jan 2011 20:54:54 +0100
> > Subject: Re: klobucharian idyll
> > From: perboysen@gmail.com
> > To: Loopers-Delight@loopers-delight.com
> >=20
> > On Fri, Jan 14, 2011 at 8:47 PM, Gareth Whittock
> > <buddhamachine@live.co.uk> wrote:
> > > I'm NOT sharing my kitchen or toilet with 100 people - have you ever l=
ived
> > > in student accomodation?! ;-)
> > > I can't help wondering what 100 loopers playing together would sound l=
ike
> > > though - "dense" might be the word!
> >=20
> > Maybe like this 176 times overdubbed guitar solo I recorded?
> > http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3
> >=20
> > > It's great to see all these new looping pedals coming out imo - soon t=
he
> > > avante guarde will be joined by the throng..
> >=20
> > A big Salute to both!
> >=20
> > Per
> >=20

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 16:07:25 2011
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Subject: Proud and loud!!
References: <AANLkTim3GABZN8E8_e=v7S3KsZVESk6+dnjsQ49kCUa=@mail.gmail.com> <33575204.1414248.1295016922155.JavaMail.root@sz0154a.westchester.pa.mail.comcast.net> <AANLkTimMwiqz9bU6sf_qgKu0_yt5_dfi2FyXFC7cwch1@mail.gmail.com> <8CD822A9E28C8F5-1570-12227@webmail-m013.sysops.aol.com> <BAY145-w46B9AADFF9A9B655F2613F85F30@phx.gbl> <AANLkTikqQ1ohhPZj8Du9KT8uN96s3WgdVOUrh9obJUnX@mail.gmail.com> <BAY145-w170B40BFAD9587B73DF64885F20@phx.gbl> <B72378B9-2547-4835-8B24-BE1C409263BC@1800dialword.com>
From: "Andy Owens" <andy@1800dialword.com>
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	charset="us-ascii"
In-Reply-To: <B72378B9-2547-4835-8B24-BE1C409263BC@1800dialword.com>
thread-topic: Proud and loud!!
thread-index: Acu0zkfSMtm6MrVXQxeIEgWXYeXv0w==
Message-ID: <F37A6906-ACB4-4C7D-9F3E-2BFE4EFD3AC2@1800dialword.com>
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Hey loopers be proud and loud, our Zoe playing the opening session today!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 15, 2011, at 8:03 AM, "Andy Owens" <andy@1800dialword.com> wrote:

> Hey we are sittin here eatin bacon waitin for zoe
>=20
> Pics and blog on my website www.andyowens.com
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 14, 2011, at 11:24 PM, Gareth Whittock <buddhamachine@live.co.uk> w=
rote:
>=20
>> Cool little soundbyte per!
>> ps the new gr55 guitar synth looks like it has a 20 sec looper on it - lo=
oks interesting but God I hate those guitar synth demos...
>>=20
>> peace
>>=20
>> G
>>=20
>>=20
>>> Date: Fri, 14 Jan 2011 20:54:54 +0100
>>> Subject: Re: klobucharian idyll
>>> From: perboysen@gmail.com
>>> To: Loopers-Delight@loopers-delight.com
>>>=20
>>> On Fri, Jan 14, 2011 at 8:47 PM, Gareth Whittock
>>> <buddhamachine@live.co.uk> wrote:
>>>> I'm NOT sharing my kitchen or toilet with 100 people - have you ever li=
ved
>>>> in student accomodation?! ;-)
>>>> I can't help wondering what 100 loopers playing together would sound li=
ke
>>>> though - "dense" might be the word!
>>>=20
>>> Maybe like this 176 times overdubbed guitar solo I recorded?
>>> http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3
>>>=20
>>>> It's great to see all these new looping pedals coming out imo - soon th=
e
>>>> avante guarde will be joined by the throng..
>>>=20
>>> A big Salute to both!
>>>=20
>>> Per
>>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 16:26:26 2011
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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	id 601DE18345D; Sat, 15 Jan 2011 16:26:25 +0000 (UTC)
Old-Return-Path: <andy@1800dialword.com>
X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Subject: Re: Proud and loud!!
References: <AANLkTim3GABZN8E8_e=v7S3KsZVESk6+dnjsQ49kCUa=@mail.gmail.com> <33575204.1414248.1295016922155.JavaMail.root@sz0154a.westchester.pa.mail.comcast.net> <AANLkTimMwiqz9bU6sf_qgKu0_yt5_dfi2FyXFC7cwch1@mail.gmail.com> <8CD822A9E28C8F5-1570-12227@webmail-m013.sysops.aol.com> <BAY145-w46B9AADFF9A9B655F2613F85F30@phx.gbl> <AANLkTikqQ1ohhPZj8Du9KT8uN96s3WgdVOUrh9obJUnX@mail.gmail.com> <BAY145-w170B40BFAD9587B73DF64885F20@phx.gbl> <B72378B9-2547-4835-8B24-BE1C409263BC@1800dialword.com> <F37A6906-ACB4-4C7D-9F3E-2BFE4EFD3AC2@1800dialword.com>
From: "Andy Owens" <andy@1800dialword.com>
Content-Type: text/plain;
	charset="us-ascii"
In-Reply-To: <F37A6906-ACB4-4C7D-9F3E-2BFE4EFD3AC2@1800dialword.com>
thread-topic: Proud and loud!!
thread-index: Acu00NrhpuI2n4foRImiW7GbX2P2wQ==
Message-ID: <40DA5E98-DB02-4FAC-8619-3DA0041E6CC3@1800dialword.com>
Date: Sat, 15 Jan 2011 08:25:28 -0800
To: <Loopers-Delight@loopers-delight.com>
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Zoe is kicking ass!!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 15, 2011, at 8:07 AM, "Andy Owens" <andy@1800dialword.com> wrote:

> Hey loopers be proud and loud, our Zoe playing the opening session today!!=

>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 15, 2011, at 8:03 AM, "Andy Owens" <andy@1800dialword.com> wrote:
>=20
>> Hey we are sittin here eatin bacon waitin for zoe
>>=20
>> Pics and blog on my website www.andyowens.com
>>=20
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>>=20
>> On Jan 14, 2011, at 11:24 PM, Gareth Whittock <buddhamachine@live.co.uk> w=
rote:
>>=20
>>> Cool little soundbyte per!
>>> ps the new gr55 guitar synth looks like it has a 20 sec looper on it - l=
ooks interesting but God I hate those guitar synth demos...
>>>=20
>>> peace
>>>=20
>>> G
>>>=20
>>>=20
>>>> Date: Fri, 14 Jan 2011 20:54:54 +0100
>>>> Subject: Re: klobucharian idyll
>>>> From: perboysen@gmail.com
>>>> To: Loopers-Delight@loopers-delight.com
>>>>=20
>>>> On Fri, Jan 14, 2011 at 8:47 PM, Gareth Whittock
>>>> <buddhamachine@live.co.uk> wrote:
>>>>> I'm NOT sharing my kitchen or toilet with 100 people - have you ever l=
ived
>>>>> in student accomodation?! ;-)
>>>>> I can't help wondering what 100 loopers playing together would sound l=
ike
>>>>> though - "dense" might be the word!
>>>>=20
>>>> Maybe like this 176 times overdubbed guitar solo I recorded?
>>>> http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3
>>>>=20
>>>>> It's great to see all these new looping pedals coming out imo - soon t=
he
>>>>> avante guarde will be joined by the throng..
>>>>=20
>>>> A big Salute to both!
>>>>=20
>>>> Per
>>>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 17:26:01 2011
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Date: Sat, 15 Jan 2011 11:25:55 -0600
Message-ID: <AANLkTimjHOKby9cUCSOkh61r1tSODwAeeeszYad5+Fxx@mail.gmail.com>
Subject: new gear i've seen vids of: boss rc3/rc30/vox thing/tc electronics
 flashback delay.....looper as instrument vs storage
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364c7e8be5134a0499e5d780
Content-Type: text/plain; charset=ISO-8859-1

i have watched the vids of some of the new gear that has come out (i guess
this is b/c of namm).
the boss ones: rc3/30--ok, it seems boss has gone the "we need more storage
time", so they put it up to 3 hr internal memory.
it looks to me like they've lost the REVERSE function. which is what i loved
most in my old rc20 (original 5 min version).
i understand who this is marketed to, singer/songwriters who do the howie
day thing i guess. and that's fine, or i guess we all
need to become the one man band thing, that's ok too.
the vids looked like cheezy crap to me. i would much rather see an actual
looper F***ING play the thing, put it in front of david torn/andre
lafosse/nels cline/etc
and video tape them, see what they say.....(i know this thing isn't marketed
to me, they're looking for youngsters who would be wow'ed by this i know)
i guess it just comes down to this for me on the boss ones: it's storage,
you can't really manipulate the loop at all-change length, pitch up down
make it sound
weird. i mean don't they realize that DJs a lot of times take samples and
make them sound all WEIRD. ug. oh well. i 'm old and cranky (and sick still,
ha).
i do like the pitch down function, but hate that it's an "effect". WHY NOT
PUT A F***ING KNOB ON THE THING SO THE USER CAN CONTROLL IT.
i hope that this drives the price of the original rc20 down to pennies, i
may get another one of them.

the vox looper looks promising from the vid. looks like it has lots of
options...
the vids of the tc electronics flashback delay look good, has 40 sec looper
also. i know i've heard complaints that it doesn't have wet/dry mix. which
is a function i like (as does e. aarset!). although it looks like their
version of the boss dd7 or digitech dl8, which is ok.

i guess in the end watching these, it reminds me of the post from a few days
ago, is your looper an "instrument" or "a storage device".
i like it to be an instrument. when i looped on my old dod d12, i would
usually set up a 6 sec delay, play some of my bad crap, but then i';d
usually spin the giant time wheel either up or down and stretch the 6 sec to
12 sec, then down all the way to 1 sec to make it sound all crazy and f'd
up. i loved that (and hence my wait for the ULTIMATE DELAY BASED LOOPER!!!),
i really felt like i played it more than my guitar. and i have almost the
same feeling w/ my EH 16 ddl-ri, love the up and down pitching and reverse
option.
i mean, come on people, this thing came out in the early 80s and no one can
still make a device that can do what it does (see Nels Cline and what he
does w/ it of course). it's inspiring stuff. oh well, end of my rant.... i'm
old , i'm sick....i think i need to go listen to some more happy hip-hop
stuff now....
s---
www.myspace.com/scotthansen

--0016364c7e8be5134a0499e5d780
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>i have watched the vids of some of the new gear that has come out (i g=
uess this is b/c of namm).</div>
<div>the boss ones: rc3/30--ok, it seems boss has gone the &quot;we need mo=
re storage time&quot;, so they put it up to 3 hr internal memory.</div>
<div>it looks to me like they&#39;ve lost the REVERSE function. which is wh=
at i loved most in my old rc20 (original 5 min version).</div>
<div>i understand who this is marketed to, singer/songwriters who do the ho=
wie day thing i guess. and that&#39;s fine, or i guess we all</div>
<div>need to become the one man band thing, that&#39;s ok too.</div>
<div>the vids looked like cheezy crap to me. i would much rather see an act=
ual looper F***ING play the thing, put it in front of david torn/andre lafo=
sse/nels cline/etc</div>
<div>and video tape them, see what they say.....(i know this thing isn&#39;=
t marketed to me, they&#39;re looking for youngsters who would be wow&#39;e=
d by this i know)</div>
<div>i guess it just comes down to this for me on the boss ones: it&#39;s s=
torage, you can&#39;t really manipulate the loop at all-change length, pitc=
h up down make it sound</div>
<div>weird. i mean don&#39;t they realize that DJs a lot of times take samp=
les and make them sound all WEIRD. ug. oh well. i &#39;m old and cranky (an=
d sick still, ha).</div>
<div>i do like the pitch down function, but hate that it&#39;s an &quot;eff=
ect&quot;. WHY NOT PUT A F***ING KNOB ON THE THING SO THE USER CAN CONTROLL=
 IT.</div>
<div>i hope that this drives the price of the original rc20 down to pennies=
, i may get another one of them.</div>
<div>=A0</div>
<div>the vox looper looks promising from the vid. looks like it has lots of=
 options...</div>
<div>the vids of the tc electronics flashback delay look good, has 40 sec l=
ooper also. i know i&#39;ve heard complaints that it doesn&#39;t have wet/d=
ry mix. which is a function i like (as does e. aarset!). although it looks =
like their version of the boss dd7 or digitech dl8, which is ok.</div>

<div>=A0</div>
<div>i guess in the end watching these, it reminds me of the post from a fe=
w days ago, is your looper an &quot;instrument&quot; or &quot;a storage dev=
ice&quot;.</div>
<div>i like it to be=A0an instrument. when i looped on my old dod d12, i wo=
uld usually set up a 6 sec delay, play some of my bad crap, but then i&#39;=
;d usually spin the giant time wheel either up or down and stretch the 6 se=
c to 12 sec, then down all the way to 1 sec to make it sound all crazy and =
f&#39;d up. i loved that (and hence my wait for the ULTIMATE DELAY BASED LO=
OPER!!!), i really felt like i played it more than my guitar. and i have al=
most the same feeling w/ my EH 16 ddl-ri, love the up and down pitching and=
 reverse option.</div>

<div>i mean, come on people, this thing came out in the early 80s and no on=
e can still make a device that can do what it does (see Nels Cline and what=
 he does w/ it of course). it&#39;s inspiring stuff. oh well, end of my ran=
t.... i&#39;m old , i&#39;m sick....i think i need to go listen to some mor=
e happy hip-hop stuff now....</div>

<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a></div>

--0016364c7e8be5134a0499e5d780--

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is anyone surprised?=20

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com











On Jan 15, 2011, at 8:25 AM, Andy Owens wrote:

> Zoe is kicking ass!!!!
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 15, 2011, at 8:07 AM, "Andy Owens" <andy@1800dialword.com> =
wrote:
>=20
>> Hey loopers be proud and loud, our Zoe playing the opening session =
today!!
>>=20
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>>=20
>> On Jan 15, 2011, at 8:03 AM, "Andy Owens" <andy@1800dialword.com> =
wrote:
>>=20
>>> Hey we are sittin here eatin bacon waitin for zoe
>>>=20
>>> Pics and blog on my website www.andyowens.com
>>>=20
>>> Andy Owens
>>> 1-800-AndyOwens
>>> Sent from my iPhone
>>> So the typing might not be my best!
>>>=20
>>>=20
>>> On Jan 14, 2011, at 11:24 PM, Gareth Whittock =
<buddhamachine@live.co.uk> wrote:
>>>=20
>>>> Cool little soundbyte per!
>>>> ps the new gr55 guitar synth looks like it has a 20 sec looper on =
it - looks interesting but God I hate those guitar synth demos...
>>>>=20
>>>> peace
>>>>=20
>>>> G
>>>>=20
>>>>=20
>>>>> Date: Fri, 14 Jan 2011 20:54:54 +0100
>>>>> Subject: Re: klobucharian idyll
>>>>> From: perboysen@gmail.com
>>>>> To: Loopers-Delight@loopers-delight.com
>>>>>=20
>>>>> On Fri, Jan 14, 2011 at 8:47 PM, Gareth Whittock
>>>>> <buddhamachine@live.co.uk> wrote:
>>>>>> I'm NOT sharing my kitchen or toilet with 100 people - have you =
ever lived
>>>>>> in student accomodation?! ;-)
>>>>>> I can't help wondering what 100 loopers playing together would =
sound like
>>>>>> though - "dense" might be the word!
>>>>>=20
>>>>> Maybe like this 176 times overdubbed guitar solo I recorded?
>>>>> =
http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3
>>>>>=20
>>>>>> It's great to see all these new looping pedals coming out imo - =
soon the
>>>>>> avante guarde will be joined by the throng..
>>>>>=20
>>>>> A big Salute to both!
>>>>>=20
>>>>> Per
>>>>>=20
>>>=20
>>=20
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
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anyone surprised?&nbsp;<div><br><div>
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Jan 15, 2011, at 8:25 AM, Andy Owens wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>Zoe =
is kicking ass!!!!<br><br>Andy Owens<br>1-800-AndyOwens<br>Sent from my =
iPhone<br>So the typing might not be my best!<br><br><br>On Jan 15, =
2011, at 8:07 AM, "Andy Owens" &lt;<a =
href=3D"mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt; =
wrote:<br><br><blockquote type=3D"cite">Hey loopers be proud and loud, =
our Zoe playing the opening session today!!<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Andy =
Owens<br></blockquote><blockquote =
type=3D"cite">1-800-AndyOwens<br></blockquote><blockquote =
type=3D"cite">Sent from my iPhone<br></blockquote><blockquote =
type=3D"cite">So the typing might not be my =
best!<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">On Jan 15, =
2011, at 8:03 AM, "Andy Owens" &lt;<a =
href=3D"mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt; =
wrote:<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">Hey we are sittin here eatin bacon waitin for =
zoe<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Pics and blog on my website <a =
href=3D"http://www.andyowens.com">www.andyowens.com</a><br></blockquote></=
blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Andy =
Owens<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">1-800-AndyOwens<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Sent from my =
iPhone<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">So the typing might not be my =
best!<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">On Jan 14, 2011, at 11:24 PM, =
Gareth Whittock &lt;<a =
href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; =
wrote:<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">Cool =
little soundbyte =
per!<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">ps the =
new gr55 guitar synth looks like it has a 20 sec looper on it - looks =
interesting but God I hate those guitar synth =
demos...<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite">peace<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite">G<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">Date: Fri, 14 Jan 2011 20:54:54 =
+0100<br></blockquote></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">Subject: Re: klobucharian =
idyll<br></blockquote></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">From: <a =
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a><br></blockquot=
e></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></blockquote></blockquote></blockquote></blockquote><=
blockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote></blockquote><blo=
ckquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">On Fri, Jan 14, 2011 at 8:47 PM, =
Gareth =
Whittock<br></blockquote></blockquote></blockquote></blockquote><blockquot=
e type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">&lt;<a =
href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; =
wrote:<br></blockquote></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">I'm =
NOT sharing my kitchen or toilet with 100 people - have you ever =
lived<br></blockquote></blockquote></blockquote></blockquote></blockquote>=
<blockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">in =
student accomodation?! =
;-)<br></blockquote></blockquote></blockquote></blockquote></blockquote><b=
lockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">I =
can't help wondering what 100 loopers playing together would sound =
like<br></blockquote></blockquote></blockquote></blockquote></blockquote><=
blockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">though =
- "dense" might be the =
word!<br></blockquote></blockquote></blockquote></blockquote></blockquote>=
<blockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote></blockquote><blo=
ckquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">Maybe like this 176 times =
overdubbed guitar solo I =
recorded?<br></blockquote></blockquote></blockquote></blockquote><blockquo=
te type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><a =
href=3D"http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp=
3">http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3</a>=
<br></blockquote></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote></blockquote><blo=
ckquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">It's =
great to see all these new looping pedals coming out imo - soon =
the<br></blockquote></blockquote></blockquote></blockquote></blockquote><b=
lockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">avante =
guarde will be joined by the =
throng..<br></blockquote></blockquote></blockquote></blockquote></blockquo=
te><blockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote></blockquote><blo=
ckquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">A big Salute to =
both!<br></blockquote></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote></blockquote><blo=
ckquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">Per<br></blockquote></blockquote></blockquote></blockquote><=
blockquote type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote></blockquote><blo=
ckquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><br></div></blockquote></div><br></div></bo=
dy></html>=

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Subject: Re: klobucharian idyll
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5b0220af74f0499e74d67
Content-Type: text/plain; charset=ISO-8859-1

geez, memory is so cheap. just 20 secs? why, why, why?

On Sat, Jan 15, 2011 at 2:23 AM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  Cool little soundbyte per!
> ps the new gr55 guitar synth looks like it has a 20 sec looper on it -
> looks interesting but God I hate those guitar synth demos...
>
> peace
>
> G
>
>
> > Date: Fri, 14 Jan 2011 20:54:54 +0100
> > Subject: Re: klobucharian idyll
> > From: perboysen@gmail.com
>
> > To: Loopers-Delight@loopers-delight.com
> >
> > On Fri, Jan 14, 2011 at 8:47 PM, Gareth Whittock
> > <buddhamachine@live.co.uk> wrote:
> > > I'm NOT sharing my kitchen or toilet with 100 people - have you ever
> lived
> > > in student accomodation?! ;-)
> > > I can't help wondering what 100 loopers playing together would sound
> like
> > > though - "dense" might be the word!
> >
> > Maybe like this 176 times overdubbed guitar solo I recorded?
> > http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3
> >
> > > It's great to see all these new looping pedals coming out imo - soon
> the
> > > avante guarde will be joined by the throng..
> >
> > A big Salute to both!
> >
> > Per
> >
>



-- 
Warren
http://www.warrensirota.com
Latest CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--001636c5b0220af74f0499e74d67
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

geez, memory is so cheap. just 20 secs? why, why, why?<br><br><div class=3D=
"gmail_quote">On Sat, Jan 15, 2011 at 2:23 AM, Gareth Whittock <span dir=3D=
"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co=
.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">



<div>
Cool little=A0soundbyte per!<br>
ps the new gr55 guitar synth looks like it has a 20 sec looper on it - look=
s interesting but God I hate those=A0guitar synth demos...<br>
=A0<br>
peace<br>
=A0<br>
G<br>
<br>=A0<br>
&gt; Date: Fri, 14 Jan 2011 20:54:54 +0100<br>&gt; Subject: Re: klobucharia=
n idyll<br>&gt; From: <a href=3D"mailto:perboysen@gmail.com" target=3D"_bla=
nk">perboysen@gmail.com</a><div class=3D"im"><br>&gt; To: <a href=3D"mailto=
:Loopers-Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loo=
pers-delight.com</a><br>
&gt; <br></div><div><div></div><div class=3D"h5">&gt; On Fri, Jan 14, 2011 =
at 8:47 PM, Gareth Whittock<br>&gt; &lt;<a href=3D"mailto:buddhamachine@liv=
e.co.uk" target=3D"_blank">buddhamachine@live.co.uk</a>&gt; wrote:<br>&gt; =
&gt; I&#39;m NOT sharing my kitchen or toilet with 100 people - have you ev=
er lived<br>
&gt; &gt; in student accomodation?! ;-)<br>&gt; &gt; I can&#39;t help wonde=
ring what 100 loopers playing together would sound like<br>&gt; &gt; though=
 - &quot;dense&quot; might be the word!<br>&gt; <br>&gt; Maybe like this 17=
6 times overdubbed guitar solo I recorded?<br>
&gt; <a href=3D"http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_T=
imes.mp3" target=3D"_blank">http://www.perboysen.com/audio/Guitar_Soli_Over=
dubbed_176_Times.mp3</a><br>&gt; <br>&gt; &gt; It&#39;s great to see all th=
ese new looping pedals coming out imo - soon the<br>
&gt; &gt; avante guarde will be joined by the throng..<br>&gt; <br>&gt; A b=
ig Salute to both!<br>&gt; <br>&gt; Per<br>&gt; <br> 		 	   		  </div></div=
></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com" target=3D"_blank">http://www.warrensirota.com</a=
><br>Latest CD: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/c=
d/warrensirota" target=3D"_blank">http://www.cdbaby.com/cd/warrensirota</a>=
<br>


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Date: Sat, 15 Jan 2011 21:02:52 +0100
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Subject: Re: klobucharian idyll
From: Per Boysen <perboysen@gmail.com>
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In this video upload Rob Marcello says "you can overdub as much as you
like into those 20 sec"!
http://www.youtube.com/watch?v=3DBQfeDnat_oE&feature=3Drelated

Greetings from Sweden

Per Boysen

On Sat, Jan 15, 2011 at 8:10 PM, Warren Sirota <wsirota@wsdesigns.com> wrot=
e:
> geez, memory is so cheap. just 20 secs? why, why, why?
>
> On Sat, Jan 15, 2011 at 2:23 AM, Gareth Whittock <buddhamachine@live.co.u=
k>
> wrote:
>>
>> Cool little=C2=A0soundbyte per!
>> ps the new gr55 guitar synth looks like it has a 20 sec looper on it

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 20:25:53 2011
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Subject: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Per Boysen <perboysen@gmail.com>
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Just found this video which kind explains why only 20 sec is regarded
enough by Roland. Notice there's a lot more playing and recording than
actual looping happening here; they totally lack a vision of a looper
being used as a creative instrument! But one can still plug in a GK-3
dressed guitar and cable the GR-55's output into a real looper.

http://www.youtube.com/watch?v=3Dkz9oA-YX9Cg&feature=3Drelated

Per

On Sat, Jan 15, 2011 at 9:02 PM, Per Boysen <perboysen@gmail.com> wrote:
> In this video upload Rob Marcello says "you can overdub as much as you
> like into those 20 sec"!
> http://www.youtube.com/watch?v=3DBQfeDnat_oE&feature=3Drelated
>
> Greetings from Sweden
>
> Per Boysen
>
> On Sat, Jan 15, 2011 at 8:10 PM, Warren Sirota <wsirota@wsdesigns.com> wr=
ote:
>> geez, memory is so cheap. just 20 secs? why, why, why?
>>
>> On Sat, Jan 15, 2011 at 2:23 AM, Gareth Whittock <buddhamachine@live.co.=
uk>
>> wrote:
>>>
>>> Cool little=C2=A0soundbyte per!
>>> ps the new gr55 guitar synth looks like it has a 20 sec looper on it

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 20:44:23 2011
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From: "Michael Peters" <mp@mpeters.de>
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Subject: midi visualizer vst?
Date: Sat, 15 Jan 2011 21:44:16 +0100
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today I thought it would be very cool if I could dynamically visualize my
own live music, but not with one of the many available audio based
visualizers (like in Winamp) but midi controlled - e.g. by playing my
midified guitar. I thought with midi I could have a much more precise and
definable control over all parameters. I guess this can all be easily done
with Max and Jitter but maybe there is a simple readymade tool for this?
that I could plug into my Bidule? in Windows? I couldn't find anything
strangely enough. Am I the first to imagine such a tool?

-Michael

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 21:03:51 2011
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Michael;
Been looking to do the same thing for a while now but not midi  
controlled - just audio driven.  I just discovered this neat little  
DAW a couple days ago and it has a on board vizualizer host (Mac  
quartz compatible) that appears to be midi controllable as well as  
audio controllable.  Check out Audiofile Engineering - Rax .  Cheers.  
- Paul

On Jan 15, 2011, at 1:44 PM, Michael Peters wrote:

> today I thought it would be very cool if I could dynamically  
> visualize my
> own live music, but not with one of the many available audio based
> visualizers (like in Winamp) but midi controlled - e.g. by playing my
> midified guitar. I thought with midi I could have a much more  
> precise and
> definable control over all parameters. I guess this can all be  
> easily done
> with Max and Jitter but maybe there is a simple readymade tool for  
> this?
> that I could plug into my Bidule? in Windows? I couldn't find anything
> strangely enough. Am I the first to imagine such a tool?
>
> -Michael
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Michael;<div>Been looking to do =
the same thing for a while now but not midi controlled - just audio =
driven. &nbsp;I just discovered this neat little DAW a couple days ago =
and it has a on board vizualizer host (Mac quartz compatible) that =
appears to be midi controllable as well as audio controllable. =
&nbsp;Check out&nbsp;<a =
href=3D"http://www.audiofile-engineering.com/rax/">Audiofile Engineering =
- Rax</a>&nbsp;. &nbsp;Cheers. - Paul</div><div><br><div><div>On Jan 15, =
2011, at 1:44 PM, Michael Peters wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>today =
I thought it would be very cool if I could dynamically visualize =
my<br>own live music, but not with one of the many available audio =
based<br>visualizers (like in Winamp) but midi controlled - e.g. by =
playing my<br>midified guitar. I thought with midi I could have a much =
more precise and<br>definable control over all parameters. I guess this =
can all be easily done<br>with Max and Jitter but maybe there is a =
simple readymade tool for this?<br>that I could plug into my Bidule? in =
Windows? I couldn't find anything<br>strangely enough. Am I the first to =
imagine such a =
tool?<br><br>-Michael<br><br></div></blockquote></div><br></div></body></h=
tml>=

--Boundary_(ID_lGW/BJDX8ARWkTjFhca0tw)--

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Subject: re recent Mobius thread
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--20cf3054a6b9b5d6e50499e95895
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All the recent Mobius dialogue inspired me to revisit the program and
computer based looping.  I did this piece last night which does yet make us=
e
of the scripting that caught my curiosity but just the fundamental multiple
tracks for this outing.  This piece of voices, plucked and bowed violin i
did for this weekend's thread on ImprovFriday which I'd like to remind
everyone to check out the breadth of work being done on this sister
community.  ImprovFriday is located at http://improvfriday.ning.com.

My Mobius piece is Bird by Bird (Fly) China
1968<http://dl.dropbox.com/u/251618/Jim_Goodin_Bird_By_Bird_%28Fly%29_China=
_1968_IF_11511.mp3>

Thanks for the recent discussion on Mobius and thanks to Jeff for the gift
of it and his creativity.

Jim
--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a6b9b5d6e50499e95895
Content-Type: text/html; charset=ISO-8859-1
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All the recent Mobius dialogue inspired me to revisit the program and compu=
ter based looping. =A0I did this piece last night which does yet make use o=
f the scripting that caught my curiosity but just the fundamental multiple =
tracks for this outing. =A0This piece of voices, plucked and bowed violin i=
 did for this weekend&#39;s thread on ImprovFriday which I&#39;d like to re=
mind everyone to check out the breadth of work being done on this sister co=
mmunity. =A0ImprovFriday is located at=A0<a href=3D"http://improvfriday.nin=
g.com">http://improvfriday.ning.com</a>.<div>
<br></div><div>My Mobius piece is=A0<a href=3D"http://dl.dropbox.com/u/2516=
18/Jim_Goodin_Bird_By_Bird_%28Fly%29_China_1968_IF_11511.mp3">Bird by Bird =
(Fly) China 1968</a><br clear=3D"all"><br></div><div>Thanks for the recent =
discussion on Mobius and thanks to Jeff for the gift of it and his creativi=
ty.</div>
<div><br></div><div>Jim<br>-- <br><i>From Brooklyn To Glindran</i>, a new W=
orld/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>=
from the sale of this CD will benefit JDRF International.=A0 <a href=3D"htt=
p://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn=
.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf3054a6b9b5d6e50499e95895--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 22:13:21 2011
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"Resolume" vj software allows midi control of many functions. I'm sure ther=
e are other vj progs that do it too.

G

> From: mp@mpeters.de
> To: Loopers-Delight@loopers-delight.com
> Subject: midi visualizer vst?
> Date: Sat=2C 15 Jan 2011 21:44:16 +0100
>=20
> today I thought it would be very cool if I could dynamically visualize my
> own live music=2C but not with one of the many available audio based
> visualizers (like in Winamp) but midi controlled - e.g. by playing my
> midified guitar. I thought with midi I could have a much more precise and
> definable control over all parameters. I guess this can all be easily don=
e
> with Max and Jitter but maybe there is a simple readymade tool for this?
> that I could plug into my Bidule? in Windows? I couldn't find anything
> strangely enough. Am I the first to imagine such a tool?
>=20
> -Michael
>=20
 		 	   		  =

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<body class=3D'hmmessage'>
"Resolume" vj software allows midi control of many functions. I'm sure ther=
e are other vj progs that do it too.<br><br>G<br><br>&gt=3B From: mp@mpeter=
s.de<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: m=
idi visualizer vst?<br>&gt=3B Date: Sat=2C 15 Jan 2011 21:44:16 +0100<br>&g=
t=3B <br>&gt=3B today I thought it would be very cool if I could dynamicall=
y visualize my<br>&gt=3B own live music=2C but not with one of the many ava=
ilable audio based<br>&gt=3B visualizers (like in Winamp) but midi controll=
ed - e.g. by playing my<br>&gt=3B midified guitar. I thought with midi I co=
uld have a much more precise and<br>&gt=3B definable control over all param=
eters. I guess this can all be easily done<br>&gt=3B with Max and Jitter bu=
t maybe there is a simple readymade tool for this?<br>&gt=3B that I could p=
lug into my Bidule? in Windows? I couldn't find anything<br>&gt=3B strangel=
y enough. Am I the first to imagine such a tool?<br>&gt=3B <br>&gt=3B -Mich=
ael<br>&gt=3B <br> 		 	   		  </body>
</html>=

--_5130e074-30f7-4957-ac46-be6ef47da7f8_--

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Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
Date: Sat, 15 Jan 2011 14:26:05 -0800
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While I can appreciate how the rumored onboard looper on this thing  
might be of general interest to the LD list.

Has anyone considered how cool it is to have the equivalent of 2 synth  
engines, a VG hex COSM engine, and complete processing for regular  
magnetic pickups all in one box?

As someone who actually uses a VG99, plus a GR synth, plus processes  
the bejeezus out of his guitars magnetic pickups too...and then sends  
them all to MaxMSP in a laptop this is very intriguing.

If they don't short to user on other features or editability it could  
be an answered prayer for guys like me (who want to have it all).

Hmmmmm...


On Jan 15, 2011, at 12:25 PM, Per Boysen wrote:

> Just found this video which kind explains why only 20 sec is regarded
> enough by Roland. Notice there's a lot more playing and recording than
> actual looping happening here; they totally lack a vision of a looper
> being used as a creative instrument! But one can still plug in a GK-3
> dressed guitar and cable the GR-55's output into a real looper.
>
> http://www.youtube.com/watch?v=kz9oA-YX9Cg&feature=related
>
> Per
>
> On Sat, Jan 15, 2011 at 9:02 PM, Per Boysen <perboysen@gmail.com>  
> wrote:
>> In this video upload Rob Marcello says "you can overdub as much as  
>> you
>> like into those 20 sec"!
>> http://www.youtube.com/watch?v=BQfeDnat_oE&feature=related
>>
>> Greetings from Sweden
>>
>> Per Boysen
>>
>> On Sat, Jan 15, 2011 at 8:10 PM, Warren Sirota  
>> <wsirota@wsdesigns.com> wrote:
>>> geez, memory is so cheap. just 20 secs? why, why, why?
>>>
>>> On Sat, Jan 15, 2011 at 2:23 AM, Gareth Whittock <buddhamachine@live.co.uk 
>>> >
>>> wrote:
>>>>
>>>> Cool little soundbyte per!
>>>> ps the new gr55 guitar synth looks like it has a 20 sec looper on  
>>>> it
>

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Subject: Re: midi visualizer vst?
Date: Sat, 15 Jan 2011 23:39:17 +0100
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Any mac apps?=20
Antony

Sent from my iPhone

On 2011-01-15, at 23:13, Gareth Whittock <buddhamachine@live.co.uk> wrote:

> "Resolume" vj software allows midi control of many functions. I'm sure the=
re are other vj progs that do it too.
>=20
> G
>=20
> > From: mp@mpeters.de
> > To: Loopers-Delight@loopers-delight.com
> > Subject: midi visualizer vst?
> > Date: Sat, 15 Jan 2011 21:44:16 +0100
> >=20
> > today I thought it would be very cool if I could dynamically visualize m=
y
> > own live music, but not with one of the many available audio based
> > visualizers (like in Winamp) but midi controlled - e.g. by playing my
> > midified guitar. I thought with midi I could have a much more precise an=
d
> > definable control over all parameters. I guess this can all be easily do=
ne
> > with Max and Jitter but maybe there is a simple readymade tool for this?=

> > that I could plug into my Bidule? in Windows? I couldn't find anything
> > strangely enough. Am I the first to imagine such a tool?
> >=20
> > -Michael
> >=20

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 22:39:46 2011
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Date: Sat, 15 Jan 2011 23:39:44 +0100
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Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jan 15, 2011 at 11:26 PM, tEd =C2=AE KiLLiAn <tedkillian@charter.ne=
t> wrote:
> While I can appreciate how the rumored onboard looper on this thing might=
 be
> of general interest to the LD list.
>
> Has anyone considered how cool it is to have the equivalent of 2 synth
> engines, a VG hex COSM engine, and complete processing for regular magnet=
ic
> pickups all in one box?

Certainly! I'd take two for the Stick :-)
It feels like this is the ultimate argument for finally getting a GK-3!
Can't wait to read/see some more critical and in-depth test
reviews/videos of the GR-55. I think Steve Stevens demo on YouTube
shows off the synth sounds more than the ones I recently posted.

Per

From Loopers-Delight-request@loopers-delight.com  Sat Jan 15 23:18:55 2011
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Check this one out (from Strymon). Looks bad ass to me:

http://www.youtube.com/watch?v=oExoFDgp8vo


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Check this one out (from Strymon). Looks bad ass to me:<div><br></div><div><span class="Apple-style-span" style="font-family: 'times new roman', 'new york', times, serif; font-size: 16px; line-height: 19px; "><span style="line-height: 1.22em; "><a target="_blank" href="http://www.youtube.com/watch?v=oExoFDgp8vo" style="color: rgb(30, 102, 174); line-height: 1.22em; ">http://www.youtube.com/watch?v=oExoFDgp8vo</a></span><br style="line-height: 1.22em; "></span><div><div><br></div></div></div></body></html>
--Apple-Mail-254--1001097156--

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There are many many VJ programs you could try... I had some luck with
ImX... But I've never come across a midi plug n ply visualiser ... No!

M

Sent from my (advertisement removed)

On 15 Jan 2011, at 21:44, "Michael Peters" <mp@mpeters.de> wrote:

> today I thought it would be very cool if I could dynamically visualize my
> own live music, but not with one of the many available audio based
> visualizers (like in Winamp) but midi controlled - e.g. by playing my
> midified guitar. I thought with midi I could have a much more precise and
> definable control over all parameters. I guess this can all be easily done
> with Max and Jitter but maybe there is a simple readymade tool for this?
> that I could plug into my Bidule? in Windows? I couldn't find anything
> strangely enough. Am I the first to imagine such a tool?
>
> -Michael
>

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Date: Sun, 16 Jan 2011 01:43:47 +0100
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Subject: Re: midi visualizer vst?
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 16, 2011 at 1:30 AM, mark francombe <markfrancombe@gmail.com> wrote:
> There are many many VJ programs you could try... I had some luck with
> ImX... But I've never come across a midi plug n ply visualiser ... No!


Seconded! "ImX" was the general answer I got when I asking around
among MIDI live video performers at a festival what software they were
using. I downloaded it but found no way to run it on the same Mac as
my audio stuff.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 04:04:32 2011
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Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
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From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 04:15:39 2011
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Subject: Re: midi visualizer vst?
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At Namm, by far the cookest ipad application was the omnisphere program by s=
pectrasonics. It is the coolest synth I have ever heard. The setup is with t=
wo ipads and the control mechanism is unlike any other instrument ever. Unre=
al!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 15, 2011, at 2:39 PM, "Antony Hequet" <antonyhequet@yahoo.com> wrote:=


> Any mac apps?
> Antony
>=20
> Sent from my iPhone
>=20
> On 2011-01-15, at 23:13, Gareth Whittock <buddhamachine@live.co.uk> wrote:=

>=20
> > "Resolume" vj software allows midi control of many functions. I'm sure t=
here are other vj progs that do it too.
> >
> > G
> >
> > > From: mp@mpeters.de
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: midi visualizer vst?
> > > Date: Sat, 15 Jan 2011 21:44:16 +0100
> > >
> > > today I thought it would be very cool if I could dynamically visualize=
 my
> > > own live music, but not with one of the many available audio based
> > > visualizers (like in Winamp) but midi controlled - e.g. by playing my
> > > midified guitar. I thought with midi I could have a much more precise a=
nd
> > > definable control over all parameters. I guess this can all be easily d=
one
> > > with Max and Jitter but maybe there is a simple readymade tool for thi=
s?
> > > that I could plug into my Bidule? in Windows? I couldn't find anything=

> > > strangely enough. Am I the first to imagine such a tool?
> > >
> > > -Michael
> > >
>=20

--Apple-Mail-2--983455480
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<html><body bgcolor="#FFFFFF"><div>At Namm, by far the cookest ipad application was the omnisphere program by spectrasonics. It is the coolest synth I have ever heard. The setup is with two ipads and the control mechanism is unlike any other instrument ever. Unreal!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 15, 2011, at 2:39 PM, "Antony Hequet" &lt;<a href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">Any mac apps?<br>
Antony<br>
<br>
Sent from my iPhone<br>
<br>
On 2011-01-15, at 23:13, Gareth Whittock &lt;<a href="mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; wrote:<br>
<br>
&gt; "Resolume" vj software allows midi control of many functions. I'm sure there are other vj progs that do it too.<br>
&gt;<br>
&gt; G<br>
&gt;<br>
&gt; &gt; From: <a href="mailto:mp@mpeters.de"><a href="mailto:mp@mpeters.de">mp@mpeters.de</a></a><br>
&gt; &gt; To: <a href="mailto:Loopers-Delight@loopers-delight.com"><a href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a></a><br>
&gt; &gt; Subject: midi visualizer vst?<br>
&gt; &gt; Date: Sat, 15 Jan 2011 21:44:16 +0100<br>
&gt; &gt;<br>
&gt; &gt; today I thought it would be very cool if I could dynamically visualize my<br>
&gt; &gt; own live music, but not with one of the many available audio based<br>
&gt; &gt; visualizers (like in Winamp) but midi controlled - e.g. by playing my<br>
&gt; &gt; midified guitar. I thought with midi I could have a much more precise and<br>
&gt; &gt; definable control over all parameters. I guess this can all be easily done<br>
&gt; &gt; with Max and Jitter but maybe there is a simple readymade tool for this?<br>
&gt; &gt; that I could plug into my Bidule? in Windows? I couldn't find anything<br>
&gt; &gt; strangely enough. Am I the first to imagine such a tool?<br>
&gt; &gt;<br>
&gt; &gt; -Michael<br>
&gt; &gt;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-2--983455480--

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Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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point well made, Ted.

On Sat, Jan 15, 2011 at 5:26 PM, tEd =AE KiLLiAn <tedkillian@charter.net>wr=
ote:

> While I can appreciate how the rumored onboard looper on this thing might
> be of general interest to the LD list.
>
> Has anyone considered how cool it is to have the equivalent of 2 synth
> engines, a VG hex COSM engine, and complete processing for regular magnet=
ic
> pickups all in one box?
>
> As someone who actually uses a VG99, plus a GR synth, plus processes the
> bejeezus out of his guitars magnetic pickups too...and then sends them al=
l
> to MaxMSP in a laptop this is very intriguing.
>
> If they don't short to user on other features or editability it could be =
an
> answered prayer for guys like me (who want to have it all).
>
> Hmmmmm...
>
>
>
> On Jan 15, 2011, at 12:25 PM, Per Boysen wrote:
>
>  Just found this video which kind explains why only 20 sec is regarded
>> enough by Roland. Notice there's a lot more playing and recording than
>> actual looping happening here; they totally lack a vision of a looper
>> being used as a creative instrument! But one can still plug in a GK-3
>> dressed guitar and cable the GR-55's output into a real looper.
>>
>> http://www.youtube.com/watch?v=3Dkz9oA-YX9Cg&feature=3Drelated
>>
>> Per
>>
>> On Sat, Jan 15, 2011 at 9:02 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>> In this video upload Rob Marcello says "you can overdub as much as you
>>> like into those 20 sec"!
>>> http://www.youtube.com/watch?v=3DBQfeDnat_oE&feature=3Drelated
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>>
>>> On Sat, Jan 15, 2011 at 8:10 PM, Warren Sirota <wsirota@wsdesigns.com>
>>> wrote:
>>>
>>>> geez, memory is so cheap. just 20 secs? why, why, why?
>>>>
>>>> On Sat, Jan 15, 2011 at 2:23 AM, Gareth Whittock <
>>>> buddhamachine@live.co.uk>
>>>> wrote:
>>>>
>>>>>
>>>>> Cool little soundbyte per!
>>>>> ps the new gr55 guitar synth looks like it has a 20 sec looper on it
>>>>>
>>>>
>>
>


--=20
Warren
http://www.warrensirota.com
Latest CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--0016e6d77d9bae98280499eefaeb
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point well made, Ted.=A0<br><br><div class=3D"gmail_quote">On Sat, Jan 15, =
2011 at 5:26 PM, tEd =AE KiLLiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:te=
dkillian@charter.net">tedkillian@charter.net</a>&gt;</span> wrote:<br><bloc=
kquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #cc=
c solid;padding-left:1ex;">
While I can appreciate how the rumored onboard looper on this thing might b=
e of general interest to the LD list.<br>
<br>
Has anyone considered how cool it is to have the equivalent of 2 synth engi=
nes, a VG hex COSM engine, and complete processing for regular magnetic pic=
kups all in one box?<br>
<br>
As someone who actually uses a VG99, plus a GR synth, plus processes the be=
jeezus out of his guitars magnetic pickups too...and then sends them all to=
 MaxMSP in a laptop this is very intriguing.<br>
<br>
If they don&#39;t short to user on other features or editability it could b=
e an answered prayer for guys like me (who want to have it all).<br>
<br>
Hmmmmm...<div><div></div><div class=3D"h5"><br>
<br>
<br>
On Jan 15, 2011, at 12:25 PM, Per Boysen wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Just found this video which kind explains why only 20 sec is regarded<br>
enough by Roland. Notice there&#39;s a lot more playing and recording than<=
br>
actual looping happening here; they totally lack a vision of a looper<br>
being used as a creative instrument! But one can still plug in a GK-3<br>
dressed guitar and cable the GR-55&#39;s output into a real looper.<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3Dkz9oA-YX9Cg&amp;feature=3Drelat=
ed" target=3D"_blank">http://www.youtube.com/watch?v=3Dkz9oA-YX9Cg&amp;feat=
ure=3Drelated</a><br>
<br>
Per<br>
<br>
On Sat, Jan 15, 2011 at 9:02 PM, Per Boysen &lt;<a href=3D"mailto:perboysen=
@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
In this video upload Rob Marcello says &quot;you can overdub as much as you=
<br>
like into those 20 sec&quot;!<br>
<a href=3D"http://www.youtube.com/watch?v=3DBQfeDnat_oE&amp;feature=3Drelat=
ed" target=3D"_blank">http://www.youtube.com/watch?v=3DBQfeDnat_oE&amp;feat=
ure=3Drelated</a><br>
<br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<br>
On Sat, Jan 15, 2011 at 8:10 PM, Warren Sirota &lt;<a href=3D"mailto:wsirot=
a@wsdesigns.com" target=3D"_blank">wsirota@wsdesigns.com</a>&gt; wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
geez, memory is so cheap. just 20 secs? why, why, why?<br>
<br>
On Sat, Jan 15, 2011 at 2:23 AM, Gareth Whittock &lt;<a href=3D"mailto:budd=
hamachine@live.co.uk" target=3D"_blank">buddhamachine@live.co.uk</a>&gt;<br=
>
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
<br>
Cool little soundbyte per!<br>
ps the new gr55 guitar synth looks like it has a 20 sec looper on it<br>
</blockquote></blockquote></blockquote>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><=
a href=3D"http://www.warrensirota.com" target=3D"_blank">http://www.warrens=
irota.com</a><br>Latest CD: Loops, Live &amp; Otw<br><a href=3D"http://www.=
cdbaby.com/cd/warrensirota" target=3D"_blank">http://www.cdbaby.com/cd/warr=
ensirota</a><br>


--0016e6d77d9bae98280499eefaeb--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 04:35:34 2011
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Subject: LP2 at namm
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I got to spend a little time at Bobs booth at namm and played a bit with the=
 LP2.=20

Nice and cool looking unit. You can sync them together or to an LP1. There a=
re sixteen effects that you can use to manipulate the loop. Effects manipula=
te the loop as it is including overdubs.=20

It worked fine, nice quiet buttons. Also got to hear Rick Walker use it with=
 much use of the effects, really cool!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 13, 2011, at 9:13 AM, "todd reynolds" <toddreyn@gmail.com> wrote:

> Much success to you Bob, and to Rick and Bill and all who are close and su=
pporting the new product! =20
>=20
> Wish I could be there to try it out and have a go.  (as I'm sure many of u=
s wish)
>=20
> Cheers,=20
>=20
> Todd
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 04:43:17 2011
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Date: Sun, 16 Jan 2011 13:43:11 +0900
Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
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Thread-Topic: Roland GR-55 guitar synth (Re: klobucharian idyll)
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On 1/16/11 7:26 AM, "tEd =AE KiLLiAn" <tedkillian@charter.net> wrote:
>=20
> Has anyone considered how cool it is to have the equivalent of 2 synth
> engines, a VG hex COSM engine, and complete processing for regular
> magnetic pickups all in one box?

As you can well imagine: yes... yes I have.  ;)

> If they don't short to user on other features or editability it could
> be an answered prayer for guys like me (who want to have it all).

I'm particularly curious to see how they handle some of the GR "pedal"
modes, when applied to the COSM engine.  For instance, I've used the sustai=
n
pedal on my GR-20 to realistically fake a Moog Guitar.  It's just easier to
punt and use the synth engine for that one.  But what if you could do the
same on the COSM models?  Hrm, could be interesting.

And what about the COSM Poly-Effects?  Over on the VG list, we'd submitted
some ideas for some new ones -- like Poly-Ringmod and Poly-Defretter -- tha=
t
would be useful, because they were making noises about a software update fo=
r
the VG-99.  Roland took some of these suggestions and instead integrated
them into the VB-99 (ack, jerks!).  I wonder if any of those made it over
into this model.

Also, MAP for the GR-55 is set to only $699 ($799 w/ GK)!!!  Wow!  I'm
completely broke until I get a new job.  But this one's probably going on
the Christmas list for next year.

        --m.


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Price point?




On Jan 15, 2011, at 8:35 PM, Andy Owens wrote:

> I got to spend a little time at Bobs booth at namm and played a bit =
with the LP2.=20
>=20
> Nice and cool looking unit. You can sync them together or to an LP1. =
There are sixteen effects that you can use to manipulate the loop. =
Effects manipulate the loop as it is including overdubs.=20
>=20
> It worked fine, nice quiet buttons. Also got to hear Rick Walker use =
it with much use of the effects, really cool!!!
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 06:57:50 2011
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Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Mark Hamburg <mark@grubmah.com>
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It could certainly tempt me to see about getting the RMC pickups on my =
Klein adapted for hex output instead of piezo output since I mostly use =
my Taylor when I want a pseudo-acoustic sound. But that would require =
finding someone to do the work since Lorenzo German has been out of the =
business for a while.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 07:28:38 2011
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Subject: Backing tracks: A confession
Date: Sat, 15 Jan 2011 23:28:34 -0800
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Okay. I don't use pre-recorded loops. But I think I am coming to =
appreciate why most of the loop pedals out there (the LP2 soon to be an =
exception) are so feature limited.

Once upon a time, I made have use of my EDP and played with feedback and =
next loop and all the rest. Hey, it was there, it was easy to grab, it =
was my first real looper in a long time. Fripp's Let the Power Fall had =
given me a taste for the 5-10 second loop with the feedback control at =
less than 100%. Etc.

Then the EDPs drifted out of my rack. First to try to make room for an =
LP1 and then because I was trying to go rackless and ended up using the =
looper on the M13.

Now I find myself fairly routinely recording a loop, closing it in =
overdub mode purely to avoid cutting off the sound, maybe overdubbing a =
bit more, and then showing a tendency to just let it play while I =
improvise/noodle/whack-off (choose your description). And you know what? =
I like working this way. The loop fills the sonic landscape in, but it =
lets me concentrate on the guitar rather than on the loop.

So, I've got the LP1 and it does all sorts of wonderful things and under =
pressure from Bill I've even jury rigged myself a MIDI foot controller =
(I now have a very confused EDP). What do I do? I record static loops =
and let them play. Maybe I throw them into reverse of half-speed. Maybe =
I turn on scramble. And I generally set up multiple loops often of =
different lengths. But after getting a few loops going and mixed, it all =
just becomes backing tracks.

When does my Looper's Delight membership card get pulled? When do I stop =
getting invited to Santa Cruz to perform? ;-)

Or in the quest for a rackless system, maybe what I need is a simple =
looper or two to do the backing tracks thing and a long delay line with =
feedback and a way to mute the input to do the Frippertronics-style =
thing. The only issue is that I'd like the latter to be syncable to the =
former so that it doesn't all just become a mish-mash of unsynced loops =
-- though that can be fun in its own right. The LP2 might actually be a =
great choice here given support for things like quantized replace, but =
last I knew it wasn't stereo friendly the way even the DL4 is (although =
it's a mono looper) which means I'm back to worrying about needing =
mixing/routine support and the benefits of shedding the rack may start =
to fade.

So, it's probably stick with the rack, look for a real MIDI foot =
controller solution, and try to better exploit the LP1.

I've got visions of an LP1 and my Korg AM8000R shoved inside something =
like the M13 with a really tuned performance model and control set, but =
that isn't going to happen and given the confession above, I have to ask =
whether I would really exploit it. But I'd certainly plunk down the =
money for it within reason...

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 10:43:14 2011
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Date: Sun, 16 Jan 2011 11:43:12 +0100
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Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 16, 2011 at 5:04 AM, Andy Owens <andy@1800dialword.com> wrote:
> I played with the gr55 at namm, guitar part was cool, had never played one before. The looper was very simple, about like the old boss pedal, the looper control is on the pedalboard.

I wonder if you can lead in the guitar pickup outputs (two coming out
a Stick) into the pedal to mix them with the Roland sounds, all going
through the effects as well? Combined with the simple looper that
would make a very compact and versatile performance setup (no laptop
nor extra looper or effect pedals needed).

Didn't see any note on Tap Tempo control, but I would guess that is
possible? Quite essential for playing with a band.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: LP2 at namm
From: Per Boysen <perboysen@gmail.com>
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Interresting! But are those "effects" really effects like in reverb,
ring modulation, delay, phaser etc? Aren't they rather "looping
actions sequences" presets?

Per


On Sun, Jan 16, 2011 at 5:35 AM, Andy Owens <andy@1800dialword.com> wrote:
> I got to spend a little time at Bobs booth at namm and played a bit with =
the LP2.
>
> Nice and cool looking unit. You can sync them together or to an LP1. Ther=
e are sixteen effects that you can use to manipulate the loop. Effects mani=
pulate the loop as it is including overdubs.
>
> It worked fine, nice quiet buttons. Also got to hear Rick Walker use it w=
ith much use of the effects, really cool!!!
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 13, 2011, at 9:13 AM, "todd reynolds" <toddreyn@gmail.com> wrote:
>
>> Much success to you Bob, and to Rick and Bill and all who are close and =
supporting the new product!
>>
>> Wish I could be there to try it out and have a go. =C2=A0(as I'm sure ma=
ny of us wish)
>>
>> Cheers,
>>
>> Todd
>>
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 10:49:38 2011
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Date: Sun, 16 Jan 2011 11:33:13 +0100
Message-ID: <AANLkTi=UP2jbmwpOCkg74LCtS+urjbvVKU+iF+3koHfz@mail.gmail.com>
Subject: Re: Backing tracks: A confession
From: Per Boysen <perboysen@gmail.com>
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And I can confess that the first public concert I did with
"experimental electronics" in 1983 used tape recorders playing back
prepared stuff behind mine and my buddy's live playing. And right now
I'm preparing a backing track with "radiation noise" for the upcoming
duo gig with Erdem in Paris. I think what matters is the experience
you offer the audience! THAT is the artistry - not the technology or
techniques you are using to achieve the communication.  ("..in the eye
of the beholder..." etc etc)

Per



On Sun, Jan 16, 2011 at 8:28 AM, Mark Hamburg <mark@grubmah.com> wrote:
> Okay. I don't use pre-recorded loops. But I think I am coming to apprecia=
te why most of the loop pedals out there (the LP2 soon to be an exception) =
are so feature limited.
>
> Once upon a time, I made have use of my EDP and played with feedback and =
next loop and all the rest. Hey, it was there, it was easy to grab, it was =
my first real looper in a long time. Fripp's Let the Power Fall had given m=
e a taste for the 5-10 second loop with the feedback control at less than 1=
00%. Etc.
>
> Then the EDPs drifted out of my rack. First to try to make room for an LP=
1 and then because I was trying to go rackless and ended up using the loope=
r on the M13.
>
> Now I find myself fairly routinely recording a loop, closing it in overdu=
b mode purely to avoid cutting off the sound, maybe overdubbing a bit more,=
 and then showing a tendency to just let it play while I improvise/noodle/w=
hack-off (choose your description). And you know what? I like working this =
way. The loop fills the sonic landscape in, but it lets me concentrate on t=
he guitar rather than on the loop.
>
> So, I've got the LP1 and it does all sorts of wonderful things and under =
pressure from Bill I've even jury rigged myself a MIDI foot controller (I n=
ow have a very confused EDP). What do I do? I record static loops and let t=
hem play. Maybe I throw them into reverse of half-speed. Maybe I turn on sc=
ramble. And I generally set up multiple loops often of different lengths. B=
ut after getting a few loops going and mixed, it all just becomes backing t=
racks.
>
> When does my Looper's Delight membership card get pulled? When do I stop =
getting invited to Santa Cruz to perform? ;-)
>
> Or in the quest for a rackless system, maybe what I need is a simple loop=
er or two to do the backing tracks thing and a long delay line with feedbac=
k and a way to mute the input to do the Frippertronics-style thing. The onl=
y issue is that I'd like the latter to be syncable to the former so that it=
 doesn't all just become a mish-mash of unsynced loops -- though that can b=
e fun in its own right. The LP2 might actually be a great choice here given=
 support for things like quantized replace, but last I knew it wasn't stere=
o friendly the way even the DL4 is (although it's a mono looper) which mean=
s I'm back to worrying about needing mixing/routine support and the benefit=
s of shedding the rack may start to fade.
>
> So, it's probably stick with the rack, look for a real MIDI foot controll=
er solution, and try to better exploit the LP1.
>
> I've got visions of an LP1 and my Korg AM8000R shoved inside something li=
ke the M13 with a really tuned performance model and control set, but that =
isn't going to happen and given the confession above, I have to ask whether=
 I would really exploit it. But I'd certainly plunk down the money for it w=
ithin reason...
>
> Mark
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 11:10:10 2011
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Subject: Re: Backing tracks: A confession
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Mark Hamburg wrote:
 
> When does my Looper's Delight membership card get pulled? 

Looper's Delight is for *anyone* who uses looped audio.

Follow your own vision, and if that's guitar oriented rather
than looper oriented I'm sure you still get any LP1 questions answered
here.

...and yes, LP1 is first choice if you want to run a long delay synced
to a static loop.

andy butler

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 11:57:17 2011
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Date: Sun, 16 Jan 2011 12:57:15 +0100
Message-ID: <AANLkTimfu_wkHTp3CJHa37eb6g0cPKAwz39RfpNUf0J4@mail.gmail.com>
Subject: Re: Backing tracks: A confession
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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i did the last Y2K10 show with 2 M9s,no midi controllers,laptops or
EDPs,it felt quite good;-)
cheers
Luis

On Sun, Jan 16, 2011 at 8:28 AM, Mark Hamburg <mark@grubmah.com> wrote:
> Okay. I don't use pre-recorded loops. But I think I am coming to apprecia=
te why most of the loop pedals out there (the LP2 soon to be an exception) =
are so feature limited.
>
> Once upon a time, I made have use of my EDP and played with feedback and =
next loop and all the rest. Hey, it was there, it was easy to grab, it was =
my first real looper in a long time. Fripp's Let the Power Fall had given m=
e a taste for the 5-10 second loop with the feedback control at less than 1=
00%. Etc.
>
> Then the EDPs drifted out of my rack. First to try to make room for an LP=
1 and then because I was trying to go rackless and ended up using the loope=
r on the M13.
>
> Now I find myself fairly routinely recording a loop, closing it in overdu=
b mode purely to avoid cutting off the sound, maybe overdubbing a bit more,=
 and then showing a tendency to just let it play while I improvise/noodle/w=
hack-off (choose your description). And you know what? I like working this =
way. The loop fills the sonic landscape in, but it lets me concentrate on t=
he guitar rather than on the loop.
>
> So, I've got the LP1 and it does all sorts of wonderful things and under =
pressure from Bill I've even jury rigged myself a MIDI foot controller (I n=
ow have a very confused EDP). What do I do? I record static loops and let t=
hem play. Maybe I throw them into reverse of half-speed. Maybe I turn on sc=
ramble. And I generally set up multiple loops often of different lengths. B=
ut after getting a few loops going and mixed, it all just becomes backing t=
racks.
>
> When does my Looper's Delight membership card get pulled? When do I stop =
getting invited to Santa Cruz to perform? ;-)
>
> Or in the quest for a rackless system, maybe what I need is a simple loop=
er or two to do the backing tracks thing and a long delay line with feedbac=
k and a way to mute the input to do the Frippertronics-style thing. The onl=
y issue is that I'd like the latter to be syncable to the former so that it=
 doesn't all just become a mish-mash of unsynced loops -- though that can b=
e fun in its own right. The LP2 might actually be a great choice here given=
 support for things like quantized replace, but last I knew it wasn't stere=
o friendly the way even the DL4 is (although it's a mono looper) which mean=
s I'm back to worrying about needing mixing/routine support and the benefit=
s of shedding the rack may start to fade.
>
> So, it's probably stick with the rack, look for a real MIDI foot controll=
er solution, and try to better exploit the LP1.
>
> I've got visions of an LP1 and my Korg AM8000R shoved inside something li=
ke the M13 with a really tuned performance model and control set, but that =
isn't going to happen and given the confession above, I have to ask whether=
 I would really exploit it. But I'd certainly plunk down the money for it w=
ithin reason...
>
> Mark
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 12:13:25 2011
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	<0C7586AE-CDAD-48EB-8128-6A6E2DD0BE14@grubmah.com>
Date: Sun, 16 Jan 2011 13:13:23 +0100
Message-ID: <AANLkTintRaWpqBaJAtBk2Xg1NCQzrBBNRR0cCgF2pCFz@mail.gmail.com>
Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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you could also get one of these and put a GK pickup,then you have the
best of all planets
(well almost a sustainer system would be nice)

http://www.youtube.com/watch?v=3DvVmoBbNcpQI

Luis

On Sun, Jan 16, 2011 at 7:57 AM, Mark Hamburg <mark@grubmah.com> wrote:
> It could certainly tempt me to see about getting the RMC pickups on my Kl=
ein adapted for hex output instead of piezo output since I mostly use my Ta=
ylor when I want a pseudo-acoustic sound. But that would require finding so=
meone to do the work since Lorenzo German has been out of the business for =
a while.
>
> Mark
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 12:19:16 2011
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Date: Sun, 16 Jan 2011 13:19:13 +0100
Message-ID: <AANLkTikAyeAD6DzWBc5RQLChLKcpuEh7_rRk1LNak3s6@mail.gmail.com>
Subject: Re: new gear i've seen vids of: boss rc3/rc30/vox thing/tc
 electronics flashback delay.....looper as instrument vs storage
From: Louie Angulo <louie.angulo@googlemail.com>
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hey Scott i hear you,is just marketing to keep buying all this
shit,they probably already got loopers planed for years to come with
all of that sutff we want but will give them to us eventually in dosis
they dont want us to o.d.like hendrix did
cheers
Luis

On Sat, Jan 15, 2011 at 6:25 PM, Scott Hansen <evanpeewee@gmail.com> wrote:
> i have watched the vids of some of the new gear that has come out (i gues=
s
> this is b/c of namm).
> the boss ones: rc3/30--ok, it seems boss has gone the "we need more stora=
ge
> time", so they put it up to 3 hr internal memory.
> it looks to me like they've lost the REVERSE function. which is what i lo=
ved
> most in my old rc20 (original 5 min version).
> i understand who this is marketed to, singer/songwriters who do the howie
> day thing i guess. and that's fine, or i guess we all
> need to become the one man band thing, that's ok too.
> the vids looked like cheezy crap to me. i would much rather see an actual
> looper F***ING play the thing, put it in front of david torn/andre
> lafosse/nels cline/etc
> and video tape them, see what they say.....(i know this thing isn't marke=
ted
> to me, they're looking for youngsters who would be wow'ed by this i know)
> i guess it just comes down to this for me on the boss ones: it's storage,
> you can't really manipulate the loop at all-change length, pitch up down
> make it sound
> weird. i mean don't they realize that DJs a lot of times take samples and
> make them sound all WEIRD. ug. oh well. i 'm old and cranky (and sick sti=
ll,
> ha).
> i do like the pitch down function, but hate that it's an "effect". WHY NO=
T
> PUT A F***ING KNOB ON THE THING SO THE USER CAN CONTROLL IT.
> i hope that this drives the price of the original rc20 down to pennies, i
> may get another one of them.
>
> the vox looper looks promising from the vid. looks like it has lots of
> options...
> the vids of the tc electronics flashback delay look good, has 40 sec loop=
er
> also. i know i've heard complaints that it doesn't have wet/dry mix. whic=
h
> is a function i like (as does e. aarset!). although it looks like their
> version of the boss dd7 or digitech dl8, which is ok.
>
> i guess in the end watching these, it reminds me of the post from a few d=
ays
> ago, is your looper an "instrument" or "a storage device".
> i like it to be=A0an instrument. when i looped on my old dod d12, i would
> usually set up a 6 sec delay, play some of my bad crap, but then i';d
> usually spin the giant time wheel either up or down and stretch the 6 sec=
 to
> 12 sec, then down all the way to 1 sec to make it sound all crazy and f'd
> up. i loved that (and hence my wait for the ULTIMATE DELAY BASED LOOPER!!=
!),
> i really felt like i played it more than my guitar. and i have almost the
> same feeling w/ my EH 16 ddl-ri, love the up and down pitching and revers=
e
> option.
> i mean, come on people, this thing came out in the early 80s and no one c=
an
> still make a device that can do what it does (see Nels Cline and what he
> does w/ it of course). it's inspiring stuff. oh well, end of my rant.... =
i'm
> old , i'm sick....i think i need to go listen to some more happy hip-hop
> stuff now....
> s---
> www.myspace.com/scotthansen

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 12:30:04 2011
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Subject: Re: Roland GR-55 guitar synth (Re: klobucharian idyll)
From: Dustbunnies <mech@m3ch.net>
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On 1/16/11 7:43 PM, "Per Boysen" <perboysen@gmail.com> wrote:
> On Sun, Jan 16, 2011 at 5:04 AM, Andy Owens <andy@1800dialword.com> wrote:
>> I played with the gr55 at namm, guitar part was cool, had never played one
>> before. The looper was very simple, about like the old boss pedal, the looper
>> control is on the pedalboard.
> 
> I wonder if you can lead in the guitar pickup outputs (two coming out
> a Stick) into the pedal to mix them with the Roland sounds, all going
> through the effects as well? Combined with the simple looper that
> would make a very compact and versatile performance setup (no laptop
> nor extra looper or effect pedals needed).

You should be able to, I believe, no problem.  Now, this is making the
assumption that Roland is merely lifting one of the basic COSM instrument
blocks from the VG-99 architecture (which may be a bit of a big assumption).
However, each of those blocks has a parameter where you can dial in the
'Normal' guitar pickup to mix in with the COSM instrument sound.  You can
even dial it in 100% pickup, and 0% COSM, if you wish.  This mix is then
sent to the effect chain as a single audio feed.

Now, where you might run into problems is if you want to have an effect on
your Stick pickup, yet run a COSM sound with different effects on it.  Since
they're both on the same "block" it wouldn't be possible to separate them
into different effect chains.

Of course this wouldn't present much problem if they allow you to mix the
normal pickup in on the two Synth instrument blocks as well (which should
make sense, but Roland doesn't always make sense).  You could then give up
one of the three instrument blocks to dedicate to you pickup, if you
absolutely had to have an effect chain on your Stick output and only on your
Stick output.

In any case, you should be able to run them into the Looper.  FWIW, I'm
betting they're implementing the same crappy phrase sampler algorithm that's
on the DD-20 and Slicer, though, so don't expect much.  It'll probably even
be part of the delay effect block too, so you'll have to choose between a
decent delay effect or the Looper.

Just my prediction based upon what I've seen with the equipment I own, so as
always, YMMV.

        --m.


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http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/index.html
(via @ilovetypography on twitter).

Any of you had experiences similar to those described in this article 
about DHS/TSA proceedings when entering the US (both for US citizens and 
others)?

Sad to say, but the way this looks, this may require us all either to 
never enter the US again - or to go back to hardware loopers...

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 14:41:27 2011
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Subject: Re: Is the new Stalin African-American?
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On Sun, Jan 16, 2011 at 3:22 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/index.html
> (via @ilovetypography on twitter).
>
> Any of you had experiences similar to those described in this article about
> DHS/TSA proceedings when entering the US (both for US citizens and others)?
>
> Sad to say, but the way this looks, this may require us all either to never
> enter the US again - or to go back to hardware loopers...


Oh, that's bad. Quite horrifying reading, that article.

Maybe in the future musicians like us can rent a laptop locally for a
gig since the trend seem to be that applications will be stored "in
the cloud" rather on the computer drive. I mean, with iLook licenses
and in-the-cloud apps it may take less than an hour to set up a
persons customized sophisticated live looping electronics system on
any empty computer. I don't believer hardware can ever replace
software for certain musical application.

Per

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From: doc rossi <docittern@gmail.com>
Subject: Re: Is the new Stalin African-American?
Date: Sun, 16 Jan 2011 15:48:45 +0100
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Damn... I'm leaving for the US on Friday. How bad is it, really?=20

On Jan 16, 2011, at 3:22 PM, Rainer Straschill wrote:

> =
http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/index=
.html
> (via @ilovetypography on twitter).
>=20
> Any of you had experiences similar to those described in this article =
about DHS/TSA proceedings when entering the US (both for US citizens and =
others)?
>=20
> Sad to say, but the way this looks, this may require us all either to =
never enter the US again - or to go back to hardware loopers...
>=20
>         Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 15:05:43 2011
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	<33575204.1414248.1295016922155.JavaMail.root@sz0154a.westchester.pa.mail.comcast.net>
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Date: Sun, 16 Jan 2011 10:05:41 -0500
Message-ID: <AANLkTi=X=W4=oqhH_nBnN3_t6B5VaDzW64ZxUU+k45Ap@mail.gmail.com>
Subject: Re: Proud and loud!!
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Andy did you captue any video of Zoe's performance, if so pleas post
as well as anything else from NAMM.

Thx. Jim

On 1/15/11, richard sales <richard@glasswing.com> wrote:
> is anyone surprised?
>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>
>
>
>
>
>
>
>
>
>
>
> On Jan 15, 2011, at 8:25 AM, Andy Owens wrote:
>
>> Zoe is kicking ass!!!!
>>
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>
>>
>> On Jan 15, 2011, at 8:07 AM, "Andy Owens" <andy@1800dialword.com> wrote:
>>
>>> Hey loopers be proud and loud, our Zoe playing the opening session
>>> today!!
>>>
>>> Andy Owens
>>> 1-800-AndyOwens
>>> Sent from my iPhone
>>> So the typing might not be my best!
>>>
>>>
>>> On Jan 15, 2011, at 8:03 AM, "Andy Owens" <andy@1800dialword.com> wrote=
:
>>>
>>>> Hey we are sittin here eatin bacon waitin for zoe
>>>>
>>>> Pics and blog on my website www.andyowens.com
>>>>
>>>> Andy Owens
>>>> 1-800-AndyOwens
>>>> Sent from my iPhone
>>>> So the typing might not be my best!
>>>>
>>>>
>>>> On Jan 14, 2011, at 11:24 PM, Gareth Whittock <buddhamachine@live.co.u=
k>
>>>> wrote:
>>>>
>>>>> Cool little soundbyte per!
>>>>> ps the new gr55 guitar synth looks like it has a 20 sec looper on it =
-
>>>>> looks interesting but God I hate those guitar synth demos...
>>>>>
>>>>> peace
>>>>>
>>>>> G
>>>>>
>>>>>
>>>>>> Date: Fri, 14 Jan 2011 20:54:54 +0100
>>>>>> Subject: Re: klobucharian idyll
>>>>>> From: perboysen@gmail.com
>>>>>> To: Loopers-Delight@loopers-delight.com
>>>>>>
>>>>>> On Fri, Jan 14, 2011 at 8:47 PM, Gareth Whittock
>>>>>> <buddhamachine@live.co.uk> wrote:
>>>>>>> I'm NOT sharing my kitchen or toilet with 100 people - have you eve=
r
>>>>>>> lived
>>>>>>> in student accomodation?! ;-)
>>>>>>> I can't help wondering what 100 loopers playing together would soun=
d
>>>>>>> like
>>>>>>> though - "dense" might be the word!
>>>>>>
>>>>>> Maybe like this 176 times overdubbed guitar solo I recorded?
>>>>>> http://www.perboysen.com/audio/Guitar_Soli_Overdubbed_176_Times.mp3
>>>>>>
>>>>>>> It's great to see all these new looping pedals coming out imo - soo=
n
>>>>>>> the
>>>>>>> avante guarde will be joined by the throng..
>>>>>>
>>>>>> A big Salute to both!
>>>>>>
>>>>>> Per
>>>>>>
>>>>
>>>
>>
>
>

--=20
Sent from my mobile device

*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

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Date: Sun, 16 Jan 2011 16:09:08 +0100
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Mark Hamburg schrieb:
> Okay. I don't use pre-recorded loops. But I think I am coming to appreciate why most of the loop pedals out there (the LP2 soon to be an exception) are so feature limited.
> [...]
> So, I've got the LP1 and it does all sorts of wonderful things and under pressure from Bill I've even jury rigged myself a MIDI foot controller (I now have a very confused EDP). What do I do? I record static loops and let them play. Maybe I throw them into reverse of half-speed. Maybe I turn on scramble. And I generally set up multiple loops often of different lengths. But after getting a few loops going and mixed, it all just becomes backing tracks.
>
> When does my Looper's Delight membership card get pulled? When do I stop getting invited to Santa Cruz to perform? ;-
Dear Mark,

first of all, I believe there's no risk of your LD membership card 
getting pulled, or you no longer being invited to perform in Santa Cruz 
- simply because I remember having a very long conversation to the 
former CEO of/now senior consultant to the Santa Cruz festival as to how 
he ever uses variable feedback ;).
(this is taken largely out of context here, so this should not be taken 
as a general statement about Rick's approach).

I liked your description, simply because my personal loop evolution was 
just the other way around: when I did the first loop things (in 1997 - 
that's when I first subscribed to LD...), I was working with to rather 
short delays. Now those had, like any delay, variable feedback, but I 
never used it back then - everything was 100% (except perhaps for a 
quick fadeout at the end).
The next steps were, not specifically in that order, Headrush, DL4, RDS 
2001 and then Repeater. Now the Repeater has variable (secondary) 
feedback, only same here - I almost never used that, and the same is 
true for the early phases of my use of Möbius (starting in 2006 - I 
remember that I was first completely puzzled by the "secondary feedback" 
thing because I couldn't understand why anybody would want a loop fading 
while it's not in overdub!).
Luckily, I had gotten a DD20 for my 2006 appearance at Rick's festival, 
and as you may know, the looper mode in this thing sucks, but the long 
delays are cool. So I was more or less forced to play with feedback 
(which, with a delay, is of the EDP "primary" kind). And those 
experiences ("hey, that's cool !") then led to me also using that with 
Möbius.

[Self-plug here - you can find something in the guitar solo in the 
second part of "Detlev on Drugs" from my "Weird Specialist" album 
(2007): http://moinlabs.bandcamp.com/track/detlev-on-drugs - there's 
both static audio and MIDI "backing track" loops (e.g. e piano, synbass, 
drums and two or three guitars), before a guitar solo starts at 5:22 to 
play with its own looper version, which gets reversed and halfspeeded 
and multiplied in the process].

Ok, getting to the point:
The reason why those things that keep coming out are so feature-limited: 
not only that for their most important use case (that being recording 
layered performances), most musicians don't need the fancy stuff, they 
wouldn't even know how to use it when you gave it to them.
So the plan for a company which already has those features or plans to 
implement them would be to tell their customer base they need that, even 
though they don't know what it is. It seems (and this is only from what 
you can see from the description/video available) that Vox has found a 
clever way of doing this, by putting all the odd stuff (e.g. 
kinda-multiply, variable feedback) into the "resample" function and as 
long as you don't use it, you have your 
membership-getting-pulled-backing-track-looper.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 15:19:29 2011
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Subject: Re: Is the new Stalin African-American?
Date: Sun, 16 Jan 2011 15:19:30 -0000
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?Neither I nor my English wife had any trouble at all traveling in and out 
of the US last year.  On the last leg home through Jacksonville and Atlanta 
our carry-on goods got looked at by TSA folks, with little delay.  We had 
the laptop, and stuff I'd gotten in the US like the GR3/GR20, and my 
transparent-blue Steinberger Synapse (delightfully carry-on).  The male 
inspectors really loved looking over the guitar, but I didn't feel delayed 
or threatened in any way.  When we were checking our luggage I got the 
question about the Synapse: "Is that a firearm?"  I had thought up a lot of 
lines to cast forth during being intrusively searched but the searching 
never happened, and I didn't see anyone else being pulled aside.

I can assume therefore that it's possibly the attitude one displays during 
the go-through that might make all the difference, and most likely has an 
effect on further trips through the security go-throughs.  Make enough of an 
indignant stink about it and there's little doubt there will be a note made 
about it.  Additionally, visiting a prisoner in Guantanamo would seem to by 
default require some sort of more-than-regular inspection.  This should not 
be a surprise, and I'd be interested to hear any non-third-party stories LD 
members have about such difficulties.

-----Original Message----- 
From: Rainer Straschill
Sent: Sunday, January 16, 2011 2:22 PM
To: Looper's Delight Mailing List
Subject: Is the new Stalin African-American?

http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/index.html
(via @ilovetypography on twitter).

Any of you had experiences similar to those described in this article
about DHS/TSA proceedings when entering the US (both for US citizens and
others)?

Sad to say, but the way this looks, this may require us all either to
never enter the US again - or to go back to hardware loopers...

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs 

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 16:25:56 2011
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Subject: Re: Is the new Stalin African-American?
From: Dennis Moser <sinsofmachaut@gmail.com>
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There seems to have been an increase in searches, shakedowns, and
seizures this past Fall in particular, as was noted in the article. I
experienced harassment flying in to Newark from Berlin in September.
Newark was bad. The East Coast seems to have been especially bad. I'm
only grateful I wasn't carrying a guitar, just the mixer, mics,
stands, and a laptop. Ironically, none of the travel between London,
Paris, or Berlin was problematic in the least.

I say that, because 2 weeks later flying between Denver and Phoenix, I
saw little evidence of any increased vigilance.

Last week I was traveling between San Diego and Denver and had no
problems whatsoever (except, in leaving out of Denver, I had to do the
nudie scan and they, politely, reminded me to remove my passport from
my shirt pocket).

It's hard to tell, as the rhetoric can get pretty heavy from both
sides. A lot of civil libertarians are quick to cite stories from
several years ago, but there have been some changes on the other side.
Most of the TSA workers do NOT want to be groping people all day long,
so they have to deal with crappy morale.

The press is lousy when it comes to getting accurate information, but
Glenn Greenwald is a pretty careful writer when it comes to verifying
his sources and stating things in a calm and reasoned manner. SO I
listen to him pretty carefully.

If you're going to be flying (especially! Though I wasn't entirely
surprised at the guy that had his stuff seized, arriving by train from
Canada. Some US politician was talking about ALL public transportation
being subject to the same kind of security theater as the airports),
I'd highly recommend shipping your gear ahead , if you can. Once you
get to the US, try to fly as little as possible. The downside is that
it isn't just laptops; it's any device that they consider to be
"suspicious"...it was my little Behringer mixer that had the jerks in
Newark all freaking out. They are VERY loose in their usage of
"electronic devices"...

It's definitely getting worse but the worst of it is the passive
attitude that most of the US citizenry about changing it.

Dennis

P.S. Atlanta, coming back from Florence by way of Paris a year ago,
was a breeze. They seemed to have their act together.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Jan 16, 2011 at 8:19 AM, Stephen Goodman
<spgoodman@earthlight.net> wrote:
> ?Neither I nor my English wife had any trouble at all traveling in and ou=
t
> of the US last year. =A0On the last leg home through Jacksonville and Atl=
anta
> our carry-on goods got looked at by TSA folks, with little delay. =A0We h=
ad
> the laptop, and stuff I'd gotten in the US like the GR3/GR20, and my
> transparent-blue Steinberger Synapse (delightfully carry-on). =A0The male
> inspectors really loved looking over the guitar, but I didn't feel delaye=
d
> or threatened in any way. =A0When we were checking our luggage I got the
> question about the Synapse: "Is that a firearm?" =A0I had thought up a lo=
t of
> lines to cast forth during being intrusively searched but the searching
> never happened, and I didn't see anyone else being pulled aside.
>
> I can assume therefore that it's possibly the attitude one displays durin=
g
> the go-through that might make all the difference, and most likely has an
> effect on further trips through the security go-throughs. =A0Make enough =
of an
> indignant stink about it and there's little doubt there will be a note ma=
de
> about it. =A0Additionally, visiting a prisoner in Guantanamo would seem t=
o by
> default require some sort of more-than-regular inspection. =A0This should=
 not
> be a surprise, and I'd be interested to hear any non-third-party stories =
LD
> members have about such difficulties.
>
> -----Original Message----- From: Rainer Straschill
> Sent: Sunday, January 16, 2011 2:22 PM
> To: Looper's Delight Mailing List
> Subject: Is the new Stalin African-American?
>
> http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/inde=
x.html
> (via @ilovetypography on twitter).
>
> Any of you had experiences similar to those described in this article
> about DHS/TSA proceedings when entering the US (both for US citizens and
> others)?
>
> Sad to say, but the way this looks, this may require us all either to
> never enter the US again - or to go back to hardware loopers...
>
> =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 16:48:57 2011
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what did you mean by "African-American"?


From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 17:06:57 2011
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Subject: Re: Is the new Stalin African-American?
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I think Rainer was making a reference to Obama's ethnic/racial
background...if you read the cited article, you'll see that Obama has
done nothing to overturn the abusive policies that Bush set out; if
anything, he has only increased them.

They're asking to extend the freaking Patriot Act...that should tell
you something.

~~Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Jan 16, 2011 at 9:48 AM,  <nemoguitt@aol.com> wrote:
> what did you mean by "African-American"?
>
>
>

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My son just came home from the holidays from Beirut where he is studying at=
 LAU. He brought his laptop home and no such problem. I would think if a pe=
rson were going to have an issue w/TSA it would happen coming in from the M=
iddle East.
JD

> Date: Sun=2C 16 Jan 2011 15:22:50 +0100
> From: moinsound@googlemail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Is the new Stalin African-American?
>=20
> http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/inde=
x.html
> (via @ilovetypography on twitter).
>=20
> Any of you had experiences similar to those described in this article=20
> about DHS/TSA proceedings when entering the US (both for US citizens and=
=20
> others)?
>=20
> Sad to say=2C but the way this looks=2C this may require us all either to=
=20
> never enter the US again - or to go back to hardware loopers...
>=20
>           Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20
 		 	   		  =

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My son just came home from the holidays from Beirut where he is studying at=
 LAU. He brought his laptop home and no such problem. I would think if a pe=
rson were going to have an issue w/TSA it would happen coming in from the M=
iddle East.<br>JD<br><br>&gt=3B Date: Sun=2C 16 Jan 2011 15:22:50 +0100<br>=
&gt=3B From: moinsound@googlemail.com<br>&gt=3B To: Loopers-Delight@loopers=
-delight.com<br>&gt=3B Subject: Is the new Stalin African-American?<br>&gt=
=3B <br>&gt=3B http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15=
/laptops/index.html<br>&gt=3B (via @ilovetypography on twitter).<br>&gt=3B =
<br>&gt=3B Any of you had experiences similar to those described in this ar=
ticle <br>&gt=3B about DHS/TSA proceedings when entering the US (both for U=
S citizens and <br>&gt=3B others)?<br>&gt=3B <br>&gt=3B Sad to say=2C but t=
he way this looks=2C this may require us all either to <br>&gt=3B never ent=
er the US again - or to go back to hardware loopers...<br>&gt=3B <br>&gt=3B=
           Rainer<br>&gt=3B <br>&gt=3B -- <br>&gt=3B http://moinlabs.de<br>=
&gt=3B Follow me on twitter: http://twitter.com/moinlabs<br>&gt=3B <br> 		 =
	   		  </body>
</html>=

--_f2406af6-5991-4e48-aef9-b0a24e880615_--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 17:18:16 2011
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Date: Sun, 16 Jan 2011 09:18:07 -0800
From: Rick Walker <looppool@cruzio.com>
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Subject: Re: Re: LP2 at namm
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On 7/22/64 11:59 AM, Per Boysen wrote:
> Interresting! But are those "effects" really effects like in reverb,
> ring modulation, delay, phaser etc? Aren't they rather "looping
> actions sequences" presets?
>
> Per
I used an octaver (Danelectro Chili dog- phenomenal tracking)
and a Digitech Distortion Factory (but not much because of our
amplification system's proximity to my mic)
Everything else was manipulation of the LP-2

rick walker

ps price point  $300

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 17:22:27 2011
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	<SNT111-W56267D771891B6A4D1A6E7CFF50@phx.gbl>
Date: Sun, 16 Jan 2011 10:22:24 -0700
Message-ID: <AANLkTikY1ycCaG3DF6XZSg+GAz=YBcDzPESRD_LELy5N@mail.gmail.com>
Subject: Re: Is the new Stalin African-American?
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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You'd think that, but it doesn't really seem to be following that
clear a pattern...and THAT is what makes one wonder.

(Or it should!)

~~D.

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Sun, Jan 16, 2011 at 10:13 AM, Jeremy devros <deafrose58@hotmail.com> wrote:
> My son just came home from the holidays from Beirut where he is studying at
> LAU. He brought his laptop home and no such problem. I would think if a
> person were going to have an issue w/TSA it would happen coming in from the
> Middle East.
> JD
>
>> Date: Sun, 16 Jan 2011 15:22:50 +0100
>> From: moinsound@googlemail.com
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Is the new Stalin African-American?
>>
>>
>> http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/index.html
>> (via @ilovetypography on twitter).
>>
>> Any of you had experiences similar to those described in this article
>> about DHS/TSA proceedings when entering the US (both for US citizens and
>> others)?
>>
>> Sad to say, but the way this looks, this may require us all either to
>> never enter the US again - or to go back to hardware loopers...
>>
>> Rainer
>>
>> --
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 18:18:13 2011
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Subject: Re: Is the new Stalin African-American?
Date: Sun, 16 Jan 2011 18:18:14 -0000
Organization: EarthLight Productions
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?And we expected a lot worse, as they nearly grow terrorists over in the =
UK these days.  Damned shoe bomber.

From: Jeremy devros=20
Sent: Sunday, January 16, 2011 5:13 PM
To: loopers-delight@loopers-delight.com=20
Subject: RE: Is the new Stalin African-American?

My son just came home from the holidays from Beirut where he is studying =
at LAU. He brought his laptop home and no such problem. I would think if =
a person were going to have an issue w/TSA it would happen coming in =
from the Middle East.
JD

> Date: Sun, 16 Jan 2011 15:22:50 +0100
> From: moinsound@googlemail.com
> To: Loopers-Delight@loopers-delight.com
> Subject: Is the new Stalin African-American?
>=20
> =
http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/inde=
x.html
> (via @ilovetypography on twitter).
>=20
> Any of you had experiences similar to those described in this article=20
> about DHS/TSA proceedings when entering the US (both for US citizens =
and=20
> others)?
>=20
> Sad to say, but the way this looks, this may require us all either to=20
> never enter the US again - or to go back to hardware loopers...
>=20
> Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

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<HTML><HEAD>
<STYLE><!--
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{
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{
font-size: 10pt;
font-family:Tahoma
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</HEAD>
<BODY dir=3Dltr class=3Dhmmessage>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>And we expected a lot worse, as they nearly grow terrorists over in =
the UK=20
these days.&nbsp; Damned shoe bomber.</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Ddeafrose58@hotmail.com=20
href=3D"mailto:deafrose58@hotmail.com">Jeremy devros</A> </DIV>
<DIV><B>Sent:</B> Sunday, January 16, 2011 5:13 PM</DIV>
<DIV><B>To:</B> <A title=3Dloopers-delight@loopers-delight.com=20
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> RE: Is the new Stalin =
African-American?</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">My=20
son just came home from the holidays from Beirut where he is studying at =
LAU. He=20
brought his laptop home and no such problem. I would think if a person =
were=20
going to have an issue w/TSA it would happen coming in from the Middle=20
East.<BR>JD<BR><BR>&gt; Date: Sun, 16 Jan 2011 15:22:50 +0100<BR>&gt; =
From:=20
moinsound@googlemail.com<BR>&gt; To: =
Loopers-Delight@loopers-delight.com<BR>&gt;=20
Subject: Is the new Stalin African-American?<BR>&gt; <BR>&gt;=20
http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/inde=
x.html<BR>&gt;=20
(via @ilovetypography on twitter).<BR>&gt; <BR>&gt; Any of you had =
experiences=20
similar to those described in this article <BR>&gt; about DHS/TSA =
proceedings=20
when entering the US (both for US citizens and <BR>&gt; others)?<BR>&gt; =

<BR>&gt; Sad to say, but the way this looks, this may require us all =
either to=20
<BR>&gt; never enter the US again - or to go back to hardware =
loopers...<BR>&gt;=20
<BR>&gt; Rainer<BR>&gt; <BR>&gt; -- <BR>&gt; http://moinlabs.de<BR>&gt; =
Follow=20
me on twitter: http://twitter.com/moinlabs<BR>&gt;=20
<BR></DIV></DIV></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 18:50:54 2011
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Date: Sun, 16 Jan 2011 13:50:51 -0500
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Subject: Re: Backing tracks: A confession
From: Butch Band <butchband@gmail.com>
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Yes! That's exactly what I do. Play guitar. I just use the looper as
an underpaid rhythm section.

Butch

On Sunday, January 16, 2011, Rainer Straschill <moinsound@googlemail.com> w=
rote:
> Mark Hamburg schrieb:
>
> Okay. I don't use pre-recorded loops. But I think I am coming to apprecia=
te why most of the loop pedals out there (the LP2 soon to be an exception) =
are so feature limited.
> [...]
> So, I've got the LP1 and it does all sorts of wonderful things and under =
pressure from Bill I've even jury rigged myself a MIDI foot controller (I n=
ow have a very confused EDP). What do I do? I record static loops and let t=
hem play. Maybe I throw them into reverse of half-speed. Maybe I turn on sc=
ramble. And I generally set up multiple loops often of different lengths. B=
ut after getting a few loops going and mixed, it all just becomes backing t=
racks.
>
> When does my Looper's Delight membership card get pulled? When do I stop =
getting invited to Santa Cruz to perform? ;-
>
> Dear Mark,
>
> first of all, I believe there's no risk of your LD membership card gettin=
g pulled, or you no longer being invited to perform in Santa Cruz - simply =
because I remember having a very long conversation to the former CEO of/now=
 senior consultant to the Santa Cruz festival as to how he ever uses variab=
le feedback ;).
> (this is taken largely out of context here, so this should not be taken a=
s a general statement about Rick's approach).
>
> I liked your description, simply because my personal loop evolution was j=
ust the other way around: when I did the first loop things (in 1997 - that'=
s when I first subscribed to LD...), I was working with to rather short del=
ays. Now those had, like any delay, variable feedback, but I never used it =
back then - everything was 100% (except perhaps for a quick fadeout at the =
end).
> The next steps were, not specifically in that order, Headrush, DL4, RDS 2=
001 and then Repeater. Now the Repeater has variable (secondary) feedback, =
only same here - I almost never used that, and the same is true for the ear=
ly phases of my use of M=F6bius (starting in 2006 - I remember that I was f=
irst completely puzzled by the "secondary feedback" thing because I couldn'=
t understand why anybody would want a loop fading while it's not in overdub=
!).
> Luckily, I had gotten a DD20 for my 2006 appearance at Rick's festival, a=
nd as you may know, the looper mode in this thing sucks, but the long delay=
s are cool. So I was more or less forced to play with feedback (which, with=
 a delay, is of the EDP "primary" kind). And those experiences ("hey, that'=
s cool !") then led to me also using that with M=F6bius.
>
> [Self-plug here - you can find something in the guitar solo in the second=
 part of "Detlev on Drugs" from my "Weird Specialist" album (2007): http://=
moinlabs.bandcamp.com/track/detlev-on-drugs - there's both static audio and=
 MIDI "backing track" loops (e.g. e piano, synbass, drums and two or three =
guitars), before a guitar solo starts at 5:22 to play with its own looper v=
ersion, which gets reversed and halfspeeded and multiplied in the process].
>
> Ok, getting to the point:
> The reason why those things that keep coming out are so feature-limited: =
not only that for their most important use case (that being recording layer=
ed performances), most musicians don't need the fancy stuff, they wouldn't =
even know how to use it when you gave it to them.
> So the plan for a company which already has those features or plans to im=
plement them would be to tell their customer base they need that, even thou=
gh they don't know what it is. It seems (and this is only from what you can=
 see from the description/video available) that Vox has found a clever way =
of doing this, by putting all the odd stuff (e.g. kinda-multiply, variable =
feedback) into the "resample" function and as long as you don't use it, you=
 have your membership-getting-pulled-backing-track-looper.
>
>  =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 19:12:18 2011
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From: Revfever <revfever@ubergadget.com>
Subject: Re: Backing tracks: A confession
Date: Sun, 16 Jan 2011 11:12:02 -0800
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On Jan 16, 2011, at 2:33 AM, Per Boysen wrote:

> I think what matters is the experience
> you offer the audience! THAT is the artistry - not the technology or
> techniques you are using to achieve the communication.  ("..in the eye
> of the beholder..." etc etc)
>
> Per

I concur and have been "guilty" of the same many times in the past
and with no "complaints" from anyone.

"Nothing is true. Everything is permitted."
Wm. S. Burroughs
:-)

Cheers,
Rev. Fever
Portland, OR

>
>
>
> On Sun, Jan 16, 2011 at 8:28 AM, Mark Hamburg <mark@grubmah.com>  
> wrote:
>> Okay. I don't use pre-recorded loops. But I think I am coming to  
>> appreciate why most of the loop pedals out there (the LP2 soon to  
>> be an exception) are so feature limited.
>>
>> Once upon a time, I made have use of my EDP and played with  
>> feedback and next loop and all the rest. Hey, it was there, it was  
>> easy to grab, it was my first real looper in a long time. Fripp's  
>> Let the Power Fall had given me a taste for the 5-10 second loop  
>> with the feedback control at less than 100%. Etc.
>>
>> Then the EDPs drifted out of my rack. First to try to make room  
>> for an LP1 and then because I was trying to go rackless and ended  
>> up using the looper on the M13.
>>
>> Now I find myself fairly routinely recording a loop, closing it in  
>> overdub mode purely to avoid cutting off the sound, maybe  
>> overdubbing a bit more, and then showing a tendency to just let it  
>> play while I improvise/noodle/whack-off (choose your description).  
>> And you know what? I like working this way. The loop fills the  
>> sonic landscape in, but it lets me concentrate on the guitar  
>> rather than on the loop.
>>
>> So, I've got the LP1 and it does all sorts of wonderful things and  
>> under pressure from Bill I've even jury rigged myself a MIDI foot  
>> controller (I now have a very confused EDP). What do I do? I  
>> record static loops and let them play. Maybe I throw them into  
>> reverse of half-speed. Maybe I turn on scramble. And I generally  
>> set up multiple loops often of different lengths. But after  
>> getting a few loops going and mixed, it all just becomes backing  
>> tracks.
>>
>> When does my Looper's Delight membership card get pulled? When do  
>> I stop getting invited to Santa Cruz to perform? ;-)
>>
>> Or in the quest for a rackless system, maybe what I need is a  
>> simple looper or two to do the backing tracks thing and a long  
>> delay line with feedback and a way to mute the input to do the  
>> Frippertronics-style thing. The only issue is that I'd like the  
>> latter to be syncable to the former so that it doesn't all just  
>> become a mish-mash of unsynced loops -- though that can be fun in  
>> its own right. The LP2 might actually be a great choice here given  
>> support for things like quantized replace, but last I knew it  
>> wasn't stereo friendly the way even the DL4 is (although it's a  
>> mono looper) which means I'm back to worrying about needing mixing/ 
>> routine support and the benefits of shedding the rack may start to  
>> fade.
>>
>> So, it's probably stick with the rack, look for a real MIDI foot  
>> controller solution, and try to better exploit the LP1.
>>
>> I've got visions of an LP1 and my Korg AM8000R shoved inside  
>> something like the M13 with a really tuned performance model and  
>> control set, but that isn't going to happen and given the  
>> confession above, I have to ask whether I would really exploit it.  
>> But I'd certainly plunk down the money for it within reason...
>>
>> Mark
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 22:47:38 2011
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Date: Sun, 16 Jan 2011 14:47:36 -0800
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Subject: Re: LP2 at namm
From: Matt Davignon <mattdavignon@gmail.com>
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The effects look like looping-related commands.

On a picture of the pedal, they are listed as:
Retrigger Once
Continue
Retrigger Random
Retrigger Continuous
1/2 Speed
1/4 Speed
Replace
Reverse
Replace 1/8
Replace 1/16
Replace 1/12
Replace 1/24
Replace 1/7
Replace 1/9
Replace 1/10
Replace 1/64

I don't know what the "retrigger" or "replace" ones do. It looks like
you can assign the above effects to 2 footswitches.

Something I didn't know before - it uses standard SDHC cards!

Price point is $300, with a $30 discount if you pre-order. I did. :)

...and it's on looperlative's website now:
http://www.looperlative.com/proddetail.php?prod=3DLP2


--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

On Sun, Jan 16, 2011 at 2:46 AM, Per Boysen <perboysen@gmail.com> wrote:
> Interresting! But are those "effects" really effects like in reverb,
> ring modulation, delay, phaser etc? Aren't they rather "looping
> actions sequences" presets?
>
> Per
>
>
> On Sun, Jan 16, 2011 at 5:35 AM, Andy Owens <andy@1800dialword.com> wrote=
:
>> I got to spend a little time at Bobs booth at namm and played a bit with=
 the LP2.
>>
>> Nice and cool looking unit. You can sync them together or to an LP1. The=
re are sixteen effects that you can use to manipulate the loop. Effects man=
ipulate the loop as it is including overdubs.
>>
>> It worked fine, nice quiet buttons. Also got to hear Rick Walker use it =
with much use of the effects, really cool!!!
>>
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>
>>
>> On Jan 13, 2011, at 9:13 AM, "todd reynolds" <toddreyn@gmail.com> wrote:
>>
>>> Much success to you Bob, and to Rick and Bill and all who are close and=
 supporting the new product!
>>>
>>> Wish I could be there to try it out and have a go. =A0(as I'm sure many=
 of us wish)
>>>
>>> Cheers,
>>>
>>> Todd
>>>
>>>
>>>
>>
>>
>
>

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Subject: Re: LP2 at namm
From: John Metzler <jarofjam@me.com>
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Date: Sun, 16 Jan 2011 14:47:34 -0800
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The LP-2 has a price point of $300 or the Danelectro Chill Dog has a price point of $300?

---John M.
______________________________________
On Jan 16, 2011, at 9:18 AM, Rick Walker wrote:

> On 7/22/64 11:59 AM, Per Boysen wrote:
>> Interresting! But are those "effects" really effects like in reverb,
>> ring modulation, delay, phaser etc? Aren't they rather "looping
>> actions sequences" presets?
>> 
>> Per
> I used an octaver (Danelectro Chili dog- phenomenal tracking)
> and a Digitech Distortion Factory (but not much because of our
> amplification system's proximity to my mic)
> Everything else was manipulation of the LP-2
> 
> rick walker
> 
> ps price point  $300
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 22:52:31 2011
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Subject: Re: LP2 at namm
From: John Metzler <jarofjam@me.com>
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Oh, I see.  Okay.  So the LP-2 has a price point of $300.  I guess I didn't realize that the LP-2 had such a different focus as far as features as compared to it's bigger older brother.  Sounds fun though.  

---John M.

On Jan 16, 2011, at 2:47 PM, John Metzler wrote:

> The LP-2 has a price point of $300 or the Danelectro Chill Dog has a price point of $300?
> 
> ---John M.
> ______________________________________
> On Jan 16, 2011, at 9:18 AM, Rick Walker wrote:
> 
>> On 7/22/64 11:59 AM, Per Boysen wrote:
>>> Interresting! But are those "effects" really effects like in reverb,
>>> ring modulation, delay, phaser etc? Aren't they rather "looping
>>> actions sequences" presets?
>>> 
>>> Per
>> I used an octaver (Danelectro Chili dog- phenomenal tracking)
>> and a Digitech Distortion Factory (but not much because of our
>> amplification system's proximity to my mic)
>> Everything else was manipulation of the LP-2
>> 
>> rick walker
>> 
>> ps price point  $300
>> 
> 

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Subject: Re: LP2 at namm
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On Sun, Jan 16, 2011 at 11:47 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
> ...and it's on looperlative's website now:
> http://www.looperlative.com/proddetail.php?prod=LP2

Such a cute stomp box!

The web site's presentation doesn't give any clue on how the looper is
to be used. I guess you have to scroll up or down the action list and
use Effect 1 switch to activate the action printed to the left of the
presently light up row and the Effect 2 switch to activate the
corresponding left action. But how do you scroll that dual list? All
four switches seem to be for other purposes.

It would also be nice to know how the Replace action works in this
looper. Does it create a drop-down in the loop right when you play the
Replace action or does the replaced part play back on that spot in the
following loop return? (like the classic Substitute on the EDP)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: LP2 at namm
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I got to briefly use a prototype at y2k 2009. Since it was a list
minute fill-in for my DL-4, I didn't use many of the features that
weren't on that pedal. If I remember correctly, effect 1 corresponded
with an LED color and effect 2 corresponded to a different LED color.
There was a way to dial each LED up and down the list of effects on
the right hand side.

On Sun, Jan 16, 2011 at 3:15 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Sun, Jan 16, 2011 at 11:47 PM, Matt Davignon <mattdavignon@gmail.com> wrote:
>> ...and it's on looperlative's website now:
>> http://www.looperlative.com/proddetail.php?prod=LP2
>
> Such a cute stomp box!
>
> The web site's presentation doesn't give any clue on how the looper is
> to be used. I guess you have to scroll up or down the action list and
> use Effect 1 switch to activate the action printed to the left of the
> presently light up row and the Effect 2 switch to activate the
> corresponding left action. But how do you scroll that dual list? All
> four switches seem to be for other purposes.
>
> It would also be nice to know how the Replace action works in this
> looper. Does it create a drop-down in the loop right when you play the
> Replace action or does the replaced part play back on that spot in the
> following loop return? (like the classic Substitute on the EDP)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>



-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 23:50:13 2011
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Subject: Re: LP2 at namm
References: <AANLkTinwMFi3d93izPxPCCt7J6Q7drHYsHhZSTP1pkFu@mail.gmail.com> <AA0B6E28-5CAF-43EA-8465-11D7BBAA694D@1800dialword.com> <AANLkTinTDo0fMf+rVRJCHTNhw58aAWFe-hFuHniqYO+6@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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thread-topic: LP2 at namm
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Message-ID: <17DDF53A-8FF9-4301-8BE5-BAF7979DDB65@1800dialword.com>
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Yes exactly, sorry, but unlike the vox, more later, al 16 here are right dow=
n yalls looping alley.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 16, 2011, at 4:46 AM, Per Boysen <perboysen@gmail.com> wrote:

> Interresting! But are those "effects" really effects like in reverb,
> ring modulation, delay, phaser etc? Aren't they rather "looping
> actions sequences" presets?
>=20
> Per
>=20
>=20
> On Sun, Jan 16, 2011 at 5:35 AM, Andy Owens <andy@1800dialword.com> wrote:=

>> I got to spend a little time at Bobs booth at namm and played a bit with t=
he LP2.
>>=20
>> Nice and cool looking unit. You can sync them together or to an LP1. Ther=
e are sixteen effects that you can use to manipulate the loop. Effects manip=
ulate the loop as it is including overdubs.
>>=20
>> It worked fine, nice quiet buttons. Also got to hear Rick Walker use it w=
ith much use of the effects, really cool!!!
>>=20
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>>=20
>> On Jan 13, 2011, at 9:13 AM, "todd reynolds" <toddreyn@gmail.com> wrote:
>>=20
>>> Much success to you Bob, and to Rick and Bill and all who are close and s=
upporting the new product!
>>>=20
>>> Wish I could be there to try it out and have a go.  (as I'm sure many of=
 us wish)
>>>=20
>>> Cheers,
>>>=20
>>> Todd
>>>=20
>>>=20
>>>=20
>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Jan 16 23:54:17 2011
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Subject: Re: LP2 at namm
References: <AANLkTinwMFi3d93izPxPCCt7J6Q7drHYsHhZSTP1pkFu@mail.gmail.com> <AA0B6E28-5CAF-43EA-8465-11D7BBAA694D@1800dialword.com> <AANLkTinTDo0fMf+rVRJCHTNhw58aAWFe-hFuHniqYO+6@mail.gmail.com> <AANLkTimjR5yc0UzBR6nd_jL8-oREHO+W4=YVCKKR2rRi@mail.gmail.com> <AANLkTi=F3VHQ9-Rt00KWBvs8VOD5LfLEOKOE4=LCyeO6@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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Message-ID: <31DDE8BC-580C-4693-BD03-8D15548A5D0E@1800dialword.com>
Date: Sun, 16 Jan 2011 17:54:00 -0600
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The two buttons on the right are labeled effects one and two. When a loop is=
 playing, they are ready to trigger the manipulation. If a loop is not playi=
ng you hold down record and the effects light up and if you press one the on=
e scrolls, two two scrolls. Purty cool.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 16, 2011, at 5:15 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Jan 16, 2011 at 11:47 PM, Matt Davignon <mattdavignon@gmail.com> w=
rote:
>> ...and it's on looperlative's website now:
>> http://www.looperlative.com/proddetail.php?prod=3DLP2
>=20
> Such a cute stomp box!
>=20
> The web site's presentation doesn't give any clue on how the looper is
> to be used. I guess you have to scroll up or down the action list and
> use Effect 1 switch to activate the action printed to the left of the
> presently light up row and the Effect 2 switch to activate the
> corresponding left action. But how do you scroll that dual list? All
> four switches seem to be for other purposes.
>=20
> It would also be nice to know how the Replace action works in this
> looper. Does it create a drop-down in the loop right when you play the
> Replace action or does the replaced part play back on that spot in the
> following loop return? (like the classic Substitute on the EDP)
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 00:36:40 2011
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Subject: Re: Backing tracks: A confession
Date: Sun, 16 Jan 2011 16:36:16 -0800
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Hi there Mark,

Well if you were just playing to mere canned backing tracks (sort of  
in in effect a instrumental "guitar karaoke" thing) and doing covers  
of of other peoples' boring pop songs you might get a ribbing or two  
from some folks here.

But the conceptual use of looping as "backing tracks for something  
else doesn't bother me at all.

I've been on the list since early October of '96 (it began only a  
couple of months before that in June or July).

And while I have heard some people express minor disappointment from  
time to time here that so-and-so used "canned" loops as opposed to  
"real" live looping, it hasn't, as far as I know, really been a major  
axe to grind for hardly anybody.

I've been doing live tape-loop, analog and digitalL looping a long,  
long time.

But I have also been involved in so-called avant-garde music longer  
than I have ever been doing "normal" music.

In modern "art music" the concept of "music concrete" has enjoyed a  
long and wholly accepted tradition.

And, a little closer to mainstream, a good deal of Pink Floyd's  
recordings and performances would not be what they were if not for  
generous use of all sorts of pre-recorded material (most of which  
along the lines of "music concrete" or ambient/environmental sounds,  
or the signature cash register sounds of "Money").

At some point in the mid '80s I thought it would be cool to acquire a  
Roland sampling keyboard (even though I'm the worst keyboardist in the  
world) simply so I could perform with some longish canned loop samples  
from from various sources - along with my "live" looping.

I've been doing it all along.

After the arrival on the marketplace of various kinds of desktop  
"phrase" or "groove" sample players  (first from Akai then from  
Roland) I switched from the awkward keyboard hardware to that format  
to augment my live looping.

I never hid it, and I even sometimes brought that sort of setup to  
some of the early Y2K fests with no complaints from Rick.

Though I have largely NOT used canned loops for the past few years, I  
am about to begin doing it again in my MaxMSP laptop setup.

I have an eight track sample player in my new rig that can link to a  
folder with literally hundreds and hundreds of sound files in it and  
automatically pick and play a new random sound file every few  
seconds . . . or every tiny fraction of a second if I so chose.

I have all sorts of other controls over that content too, but that's  
beside the point.

Is it "music" . . . ?

Is it "live looping" . . . ?

Am I playing it like an instrument . . ?

I don't know but I sure the heck like mucking around with it and will  
continue to do so.

And let's face it, I (like yourself) am a guitar player.

Most of what I do with loops (canned or live) is to create a "context"  
for my primary mode of self-expression on my primary instrument.

I use and have always used those tools as "backing tracks" for my  
guitar playing when other "contexts" (a band of other musicians say)  
has not been available, or capable of providing a compatible one for me.

Though I like to perform with others (it does get lonely sometimes  
when you live in a cultural backwater) and will ditch the loops and do  
so at almost any opportunity that presents itself, I've always rather  
enjoyed being self-sufficient too.

I have never been ashamed of that.

I don't lay in my bed at night dreaming of different new ways to push  
buttons, and what those button pushes might do.

What I dream, if my dreams are musical at all, is about stuff I might  
play on the guitar.

If folks have a problem with that, it's their problem, not mine.

The Keller Williams mode of doing live looping is fine.

The "looper as another instrument itself" mode of thinking and working  
is just fine too.

But I'm with you on this (I think), I'm not really "there" in either  
of those ways of thinking about looping.

And I am certainly not "there" in being a purist as to what's live or  
not or what is a better way than another way or not.

Musically, it's all just stuff.

We do what we do.

Hopefully we'll keep doing it a little longer before the universe  
tells us to pack it in.

The point is, do you enjoy it?

Does it make your soul soar?

Anything that doesn't is a distraction or a waste of time.

Do what works for you, don't be ashamed of it or feel like you must  
make excuses for it.

Life's too short.

Tell the critics to get stuffed.

:-)

Ted

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Subject: strymon el capistan delay pedal-(sound on sound loop mode like a tape loop)
From: Scott Hansen <evanpeewee@gmail.com>
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--e0cb4e43d1afc053df049a00c48c
Content-Type: text/plain; charset=ISO-8859-1

from folks posting stuff about namm, i saw this on the strymon site:

http://www.youtube.com/watch?v=_n29OncKKC8&feature=player_embedded

i know there had been lots of talk about this pedal on The Gear Page, but i
never read it.
the video looks very interesting.

here's what their webpage says about this:
*Sound on Sound
*Just like one of our favorite moving head tape echo machines, El Capistan
gives you a Sound on Sound mode, but with some cool new features. When you
enter the mode (Single Tape Head, Mode C), the machine is already recording,
just like a traditional tape echo machine. We go several steps further by
giving you *instant tape splice* and *bulk erase* functions. It's like
having a built-in tape-style looper!

To set the length of your tape, press Tap once to set your splice 'in'
point, and press Tap again to set your splice 'out' point. All of the tone
shaping knobs are active and affect your loop as it plays back and
re-records. Press Tap a third time to completely erase the tape. You get 20
seconds of tape in slow speed, 10 seconds in fast speed. Check out our video
demo below.

if this is a repeat, please forgive...looks interesting for short loop
options.
s---

--e0cb4e43d1afc053df049a00c48c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>from folks posting stuff about namm, i saw this on the strymon site:</=
div>
<div>=A0</div>
<div><a href=3D"http://www.youtube.com/watch?v=3D_n29OncKKC8&amp;feature=3D=
player_embedded">http://www.youtube.com/watch?v=3D_n29OncKKC8&amp;feature=
=3Dplayer_embedded</a></div>
<div>=A0</div>
<div>i know there had been lots of talk about this pedal on The Gear Page, =
but i never read it.</div>
<div>the video looks very interesting.</div>
<div>=A0</div>
<div>here&#39;s what their webpage says about this:</div>
<div><strong>Sound on Sound<br></strong>Just like one of our favorite movin=
g head tape echo machines, El Capistan gives you a Sound on Sound mode, but=
 with some cool new features. When you enter the mode (Single Tape Head, Mo=
de C), the machine is already recording, just like a traditional tape echo =
machine. We go several steps further by giving you <strong>instant tape spl=
ice</strong> and <strong>bulk erase</strong> functions. It&#39;s like havin=
g a built-in tape-style looper!<br>
<br>To set the length of your tape, press Tap once to set your splice &#39;=
in&#39; point, and press Tap again to set your splice &#39;out&#39; point. =
All of the tone shaping knobs are active and affect your loop as it plays b=
ack and re-records. Press Tap a third time to completely erase the tape. Yo=
u get 20 seconds of tape in slow speed, 10 seconds in fast speed. Check out=
 our video demo below.<br>
</div>
<div>=A0</div>
<div>if this is a repeat, please forgive...looks interesting for short loop=
 options.</div>
<div>s---</div>

--e0cb4e43d1afc053df049a00c48c--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 03:34:43 2011
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Subject: Re: Proud and loud!!
References: <AANLkTim3GABZN8E8_e=v7S3KsZVESk6+dnjsQ49kCUa=@mail.gmail.com> <33575204.1414248.1295016922155.JavaMail.root@sz0154a.westchester.pa.mail.comcast.net> <AANLkTimMwiqz9bU6sf_qgKu0_yt5_dfi2FyXFC7cwch1@mail.gmail.com> <8CD822A9E28C8F5-1570-12227@webmail-m013.sysops.aol.com> <BAY145-w46B9AADFF9A9B655F2613F85F30@phx.gbl> <AANLkTikqQ1ohhPZj8Du9KT8uN96s3WgdVOUrh9obJUnX@mail.gmail.com> <BAY145-w170B40BFAD9587B73DF64885F20@phx.gbl> <B72378B9-2547-4835-8B24-BE1C409263BC@1800dialword.com> <F37A6906-ACB4-4C7D-9F3E-2BFE4EFD3AC2@1800dialword.com> <40DA5E98-DB02-4FAC-8619-3DA0041E6CC3@1800dialword.com> <0815662B-3C4B-45DD-9618-0907470FF882@glasswing.com> <AANLkTi=X=W4=oqhH_nBnN3_t6B5VaDzW64ZxUU+k45Ap@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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thread-topic: Proud and loud!!
thread-index: Acu193j/cI6jMMqxQnO3EiG+DNucOQ==
Message-ID: <29EAD09E-299C-4D29-AF7A-4E2CE2D44A1F@1800dialword.com>
Date: Sun, 16 Jan 2011 20:21:46 -0600
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Date: Mon, 17 Jan 2011 10:22:34 +0100
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Subject: Re: Backing tracks: A confession
From: Louie Angulo <louie.angulo@googlemail.com>
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Ted you hit it!
it reminds me of the live looping piece called "Buscando Paz" which is
in youtube i did at the looping festival in Antwerp Belgium,it was the
first time i ever did any beatboxing at all and one of my dear friends
made sort of a dissaproving coment cause he thought i was using
precanned loops;-))
ive used  drum grooves from my adrenalinn slaved to my EDP playing in
pubs doing my own cover version of some acoustic tunes,i try to tweak
the drums and distort them so they dont sound to sterile and is quite
fun,i also used to use an MPC1000 which i actually used at a looping
concert i did here in germany.
 But ive always been shy of doing this type of sync looping at a
festival,somehow the tone has never been too positive here;-)
On the other hand i see plenty of beat boxing looping lately!
for me it all boils down to the quality of sound,I remeber seeing
Margaret Noble performing at the SC loopfestival with an analog groove
box (i believe a Jomox),and i thought her performance was killer.I
also really enjoyed the groove samples Michael Peters used at the
Antwerp festival.
A few times ive mailed this list about syncing to drum machines,wanted
to get more into the midi sync side of it but i have a feeling not
many are into it.
Dont get me wrong,using accompaniment drum loops from an RC-50 is not
really my cup of tea either but i love rhythms used with looping,if
they are canned or not and if they sound good and are unusual and cool
and you are using them to enhance your loops who cares.
So if anybody is doing cool stuff with precanned send some links!
cheers
Luis








On Sun, Jan 16, 2011 at 4:09 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Mark Hamburg schrieb:
>>
>> Okay. I don't use pre-recorded loops. But I think I am coming to
>> appreciate why most of the loop pedals out there (the LP2 soon to be an
>> exception) are so feature limited.
>> [...]
>> So, I've got the LP1 and it does all sorts of wonderful things and under
>> pressure from Bill I've even jury rigged myself a MIDI foot controller (=
I
>> now have a very confused EDP). What do I do? I record static loops and l=
et
>> them play. Maybe I throw them into reverse of half-speed. Maybe I turn o=
n
>> scramble. And I generally set up multiple loops often of different lengt=
hs.
>> But after getting a few loops going and mixed, it all just becomes backi=
ng
>> tracks.
>>
>> When does my Looper's Delight membership card get pulled? When do I stop
>> getting invited to Santa Cruz to perform? ;-
>
> Dear Mark,
>
> first of all, I believe there's no risk of your LD membership card gettin=
g
> pulled, or you no longer being invited to perform in Santa Cruz - simply
> because I remember having a very long conversation to the former CEO of/n=
ow
> senior consultant to the Santa Cruz festival as to how he ever uses varia=
ble
> feedback ;).
> (this is taken largely out of context here, so this should not be taken a=
s a
> general statement about Rick's approach).
>
> I liked your description, simply because my personal loop evolution was j=
ust
> the other way around: when I did the first loop things (in 1997 - that's
> when I first subscribed to LD...), I was working with to rather short
> delays. Now those had, like any delay, variable feedback, but I never use=
d
> it back then - everything was 100% (except perhaps for a quick fadeout at
> the end).
> The next steps were, not specifically in that order, Headrush, DL4, RDS 2=
001
> and then Repeater. Now the Repeater has variable (secondary) feedback, on=
ly
> same here - I almost never used that, and the same is true for the early
> phases of my use of M=F6bius (starting in 2006 - I remember that I was fi=
rst
> completely puzzled by the "secondary feedback" thing because I couldn't
> understand why anybody would want a loop fading while it's not in overdub=
!).
> Luckily, I had gotten a DD20 for my 2006 appearance at Rick's festival, a=
nd
> as you may know, the looper mode in this thing sucks, but the long delays
> are cool. So I was more or less forced to play with feedback (which, with=
 a
> delay, is of the EDP "primary" kind). And those experiences ("hey, that's
> cool !") then led to me also using that with M=F6bius.
>
> [Self-plug here - you can find something in the guitar solo in the second
> part of "Detlev on Drugs" from my "Weird Specialist" album (2007):
> http://moinlabs.bandcamp.com/track/detlev-on-drugs - there's both static
> audio and MIDI "backing track" loops (e.g. e piano, synbass, drums and tw=
o
> or three guitars), before a guitar solo starts at 5:22 to play with its o=
wn
> looper version, which gets reversed and halfspeeded and multiplied in the
> process].
>
> Ok, getting to the point:
> The reason why those things that keep coming out are so feature-limited: =
not
> only that for their most important use case (that being recording layered
> performances), most musicians don't need the fancy stuff, they wouldn't e=
ven
> know how to use it when you gave it to them.
> So the plan for a company which already has those features or plans to
> implement them would be to tell their customer base they need that, even
> though they don't know what it is. It seems (and this is only from what y=
ou
> can see from the description/video available) that Vox has found a clever
> way of doing this, by putting all the odd stuff (e.g. kinda-multiply,
> variable feedback) into the "resample" function and as long as you don't =
use
> it, you have your membership-getting-pulled-backing-track-looper.
>
> =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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Subject: mainstage CPU,how good is it for live looping?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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i was messing with mainstage yesterday to try to do some looping with
it,but man this thing is CPU hungry! is showing about 25 and my Imac
becomes slow upon using it and when using its looper is not very
accurate responding.
is anybody using it live succesfully?can the latency be better
adjusted?what buffer sizes are u guys using?
Luis

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 09:59:13 2011
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Subject: Re: mainstage CPU,how good is it for live looping?
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jan 17, 2011 at 10:30 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> is anybody using it live succesfully?

Yes. I'm doing that. And even though Mainstage blocks the keyboard key
commands of Mobius' I'm staying with that host because it sounds
better and is lighter on the CPU. Of course you have to avoid using
plugins that are extra CPU consuming, that's the trick. And since some
of the Logic plugins are extremely CPU efficient you can reach an
extraordinary low CPU consumption if sticking with those plugins in
your Minstage stetups. Channel EQ and Compressor are the two most used
plugins over here. And limiter (but beware of the Ad-Limiter 'cause
that is a mastering tool that would ruin your live setup if you try
using it). On the master output I use a Multiplressor followed by a
limiter. When Mainstag was released a couple of years ago I copied my
older Bidule setup and have in fact used the same wiring ever since
(although I constantly try alternatives).

> can the latency be better
> adjusted?

Certainly! Do not use plugins that add latency and seet the audio
buffer to 128 samples.

> what buffer sizes are u guys using?

I use 128. That is on a 2.2 MHz MacBook, the four year old white model
with the cracking up plastic case ;-)) and Santa Rosa chip. It is till
good enough and I have seen the CPU load minimize over these four
years as Apple keep optimizing code between system upgrades and
application upgrades.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 10:15:48 2011
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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References: <AANLkTi=AtM3Dbm3iYxceJVt1tqSMTdXm7Htc_MKE1Qm9@mail.gmail.com> <AANLkTimcF4gXS4VjOAX==oAs0oN9Mz=SOZJpDKvobgek@mail.gmail.com>
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Subject: "Ghost 2011a" Live for Listening
Date: Mon, 17 Jan 2011 10:15:53 -0000
Organization: EarthLight Productions
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ï»¿I've produced an accompaniment for Matt Stevens' lovely "Ghost" heretofore 
entitled "Ghost 2011a" for your listening pleasure, and hopefully acceptance 
to the Glastonbury Festival's "unsigned artists" list.  Enjoy!

http://www.earthlight.net/Smedia/Ghost%202011a.mp3


Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv
*
Sent from a PC, not an iPhone 

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 10:38:46 2011
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Date: Mon, 17 Jan 2011 11:38:43 +0100
From: buzap@gmx.net
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Subject: Worth getting iPod touch for Live Looping only?
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Hi folks

I was wondering:
I don't need the iPhone etc. But is it worth getting the iPod touch just to have a portable live looper always with you (Everyday Looper, VoiceJam)?

This would give me more portability than the RC-2.
Would like to hear your experience!

Buzap
-- 
NEU: FreePhone - kostenlos mobil telefonieren und surfen!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 10:41:48 2011
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Date: Mon, 17 Jan 2011 11:24:29 +0100
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Subject: Re: strymon el capistan delay pedal-(sound on sound loop mode like a
 tape loop)
From: Per Boysen <perboysen@gmail.com>
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Wow Scott, that's an insanely cool looper! Like having the Augustus
Loop plugin inside a box. I would buy this looper if laptops would not
be available. These kind of "warble/wobble/flutter" processings are my
fav and I always keep "tape speed tilt" on a foot pedal.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Jan 17, 2011 at 2:33 AM, Scott Hansen <evanpeewee@gmail.com> wrote:
> from folks posting stuff about namm, i saw this on the strymon site:
>
> http://www.youtube.com/watch?v=_n29OncKKC8&feature=player_embedded
>
> i know there had been lots of talk about this pedal on The Gear Page, but i
> never read it.
> the video looks very interesting.
>
> here's what their webpage says about this:
> Sound on Sound
> Just like one of our favorite moving head tape echo machines, El Capistan
> gives you a Sound on Sound mode, but with some cool new features. When you
> enter the mode (Single Tape Head, Mode C), the machine is already recording,
> just like a traditional tape echo machine. We go several steps further by
> giving you instant tape splice and bulk erase functions. It's like having a
> built-in tape-style looper!
>
> To set the length of your tape, press Tap once to set your splice 'in'
> point, and press Tap again to set your splice 'out' point. All of the tone
> shaping knobs are active and affect your loop as it plays back and
> re-records. Press Tap a third time to completely erase the tape. You get 20
> seconds of tape in slow speed, 10 seconds in fast speed. Check out our video
> demo below.
>
> if this is a repeat, please forgive...looks interesting for short loop
> options.
> s---

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Subject: Re: Worth getting iPod touch for Live Looping only?
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On Mon, Jan 17, 2011 at 11:38 AM,  <buzap@gmx.net> wrote:
> I was wondering:
> I don't need the iPhone etc. But is it worth getting the iPod touch just to have a portable live looper always with you (Everyday Looper, VoiceJam)?

I would guess "no", but advice you to hold back for a couple of days
to see reviews coming out of the Alesis StudioDock Pro for iPad that
was just announced at NAMM. Those reports will tell how serious the
iPad actually can get with audio - after all, it is not built for CPU
demanding and timing critical applications like music.
http://www.slipperybrick.com/2011/01/alesis-studiodock-pro-for-ipad/

My bet is that the iPad will stay as the useful multi touch screen
control surface it already has proven to be. Then you need some hidden
away computer that does the actual processing. The wireless OSC based
connection is very useful with the iPad but right now there are no
looping software that supports OSC right of the bat. Logic does that
though, and I have just spent a couple of days writing a tutorial
article on OSC with Logic (Swedish only) and it is really cool I must
say. Work right away and you can use the iPhone for everything from
transport control to doing deeply into an EQ plugiin to adjust one
particular frequency band cutoff. I only have the iphone and you would
need an iPad to get serious with wireless OSC mixing because mixing is
like playing music, you need to instantly adjust several parts of the
music (tracks) at once and that many tracks doesn't fit on the iphone
screen. Gosh... this post grew by itself, got to stop here (I actually
wrote the part below before this but never mind, my brain has become
all fucked up by too much speed typing these days... it kind of
processes everything at the same time while typing is a linear
process.... funny but definitely a differetnt storuyd - now out of
here!!!!)

BTW, my old Ericsson mobile phone recently crapped out and I replaced
it with an iPhone4. What amazes me is that with an iPhone you can call
and text message for free by using certain apps like Viber and What's
Up. And - here comes my point - the Viber dev team says on their web
site that they will soon be releasing Viber for iPad as well. This
means you could use an iPad instead of an iphone for communication.
That would require Skype with a Skyp-Out account as well since Apple
have crippled the iPad to stop us from using them instead of iphone
(as usual they want us to buy all their gadgets ;-)  So that was kind
of cool to find out... if I had known I might have not picked up the
iphone but gone with the pad right away. Also, rumors has that a
generation two iPad is being wrapped up right now in the secret Apple
laboratories. More rumors telling it will have better looking screen
and good sounding built-in speakers. No rumors yet regarding USB 3
ports or digital audio ports, I guess that depends on whether its
processing power can handle live audio application.

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 11:21:04 2011
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Date: Mon, 17 Jan 2011 06:21:01 -0500
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Subject: Re: Worth getting iPod touch for Live Looping only?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Per thanks for that.  I have been dancing with getting one, not necessarily
for music only but have been holding back hoping for news on the next
generation possibly having USB capabilities although as you point out it ma=
y
still be another gen or two before the iPad can handle audio processing.
 Still it's interesting times to be about the planet.  Bet NAMM was neat.
 Jim

On Mon, Jan 17, 2011 at 5:59 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 17, 2011 at 11:38 AM,  <buzap@gmx.net> wrote:
> > I was wondering:
> > I don't need the iPhone etc. But is it worth getting the iPod touch jus=
t
> to have a portable live looper always with you (Everyday Looper, VoiceJam=
)?
>
> I would guess "no", but advice you to hold back for a couple of days
> to see reviews coming out of the Alesis StudioDock Pro for iPad that
> was just announced at NAMM. Those reports will tell how serious the
> iPad actually can get with audio - after all, it is not built for CPU
> demanding and timing critical applications like music.
> http://www.slipperybrick.com/2011/01/alesis-studiodock-pro-for-ipad/
>
> My bet is that the iPad will stay as the useful multi touch screen
> control surface it already has proven to be. Then you need some hidden
> away computer that does the actual processing. The wireless OSC based
> connection is very useful with the iPad but right now there are no
> looping software that supports OSC right of the bat. Logic does that
> though, and I have just spent a couple of days writing a tutorial
> article on OSC with Logic (Swedish only) and it is really cool I must
> say. Work right away and you can use the iPhone for everything from
> transport control to doing deeply into an EQ plugiin to adjust one
> particular frequency band cutoff. I only have the iphone and you would
> need an iPad to get serious with wireless OSC mixing because mixing is
> like playing music, you need to instantly adjust several parts of the
> music (tracks) at once and that many tracks doesn't fit on the iphone
> screen. Gosh... this post grew by itself, got to stop here (I actually
> wrote the part below before this but never mind, my brain has become
> all fucked up by too much speed typing these days... it kind of
> processes everything at the same time while typing is a linear
> process.... funny but definitely a differetnt storuyd - now out of
> here!!!!)
>
> BTW, my old Ericsson mobile phone recently crapped out and I replaced
> it with an iPhone4. What amazes me is that with an iPhone you can call
> and text message for free by using certain apps like Viber and What's
> Up. And - here comes my point - the Viber dev team says on their web
> site that they will soon be releasing Viber for iPad as well. This
> means you could use an iPad instead of an iphone for communication.
> That would require Skype with a Skyp-Out account as well since Apple
> have crippled the iPad to stop us from using them instead of iphone
> (as usual they want us to buy all their gadgets ;-)  So that was kind
> of cool to find out... if I had known I might have not picked up the
> iphone but gone with the pad right away. Also, rumors has that a
> generation two iPad is being wrapped up right now in the secret Apple
> laboratories. More rumors telling it will have better looking screen
> and good sounding built-in speakers. No rumors yet regarding USB 3
> ports or digital audio ports, I guess that depends on whether its
> processing power can handle live audio application.
>
> Per
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054ad1d9879c2049a08fa56
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Per thanks for that. =A0I have been dancing with getting one, not necessari=
ly for music only but have been holding back hoping for news on the next ge=
neration possibly having USB capabilities although as you point out it may =
still be another gen or two before the iPad can handle audio processing. =
=A0Still it&#39;s interesting times to be about the planet. =A0Bet NAMM was=
 neat. =A0Jim<br>
<br><div class=3D"gmail_quote">On Mon, Jan 17, 2011 at 5:59 AM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"m=
argin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div class=3D"im">On Mon, Jan 17, 2011 at 11:38 AM, =A0&lt;<a href=3D"mailt=
o:buzap@gmx.net">buzap@gmx.net</a>&gt; wrote:<br>
&gt; I was wondering:<br>
&gt; I don&#39;t need the iPhone etc. But is it worth getting the iPod touc=
h just to have a portable live looper always with you (Everyday Looper, Voi=
ceJam)?<br>
<br>
</div>I would guess &quot;no&quot;, but advice you to hold back for a coupl=
e of days<br>
to see reviews coming out of the Alesis StudioDock Pro for iPad that<br>
was just announced at NAMM. Those reports will tell how serious the<br>
iPad actually can get with audio - after all, it is not built for CPU<br>
demanding and timing critical applications like music.<br>
<a href=3D"http://www.slipperybrick.com/2011/01/alesis-studiodock-pro-for-i=
pad/" target=3D"_blank">http://www.slipperybrick.com/2011/01/alesis-studiod=
ock-pro-for-ipad/</a><br>
<br>
My bet is that the iPad will stay as the useful multi touch screen<br>
control surface it already has proven to be. Then you need some hidden<br>
away computer that does the actual processing. The wireless OSC based<br>
connection is very useful with the iPad but right now there are no<br>
looping software that supports OSC right of the bat. Logic does that<br>
though, and I have just spent a couple of days writing a tutorial<br>
article on OSC with Logic (Swedish only) and it is really cool I must<br>
say. Work right away and you can use the iPhone for everything from<br>
transport control to doing deeply into an EQ plugiin to adjust one<br>
particular frequency band cutoff. I only have the iphone and you would<br>
need an iPad to get serious with wireless OSC mixing because mixing is<br>
like playing music, you need to instantly adjust several parts of the<br>
music (tracks) at once and that many tracks doesn&#39;t fit on the iphone<b=
r>
screen. Gosh... this post grew by itself, got to stop here (I actually<br>
wrote the part below before this but never mind, my brain has become<br>
all fucked up by too much speed typing these days... it kind of<br>
processes everything at the same time while typing is a linear<br>
process.... funny but definitely a differetnt storuyd - now out of<br>
here!!!!)<br>
<br>
BTW, my old Ericsson mobile phone recently crapped out and I replaced<br>
it with an iPhone4. What amazes me is that with an iPhone you can call<br>
and text message for free by using certain apps like Viber and What&#39;s<b=
r>
Up. And - here comes my point - the Viber dev team says on their web<br>
site that they will soon be releasing Viber for iPad as well. This<br>
means you could use an iPad instead of an iphone for communication.<br>
That would require Skype with a Skyp-Out account as well since Apple<br>
have crippled the iPad to stop us from using them instead of iphone<br>
(as usual they want us to buy all their gadgets ;-) =A0So that was kind<br>
of cool to find out... if I had known I might have not picked up the<br>
iphone but gone with the pad right away. Also, rumors has that a<br>
generation two iPad is being wrapped up right now in the secret Apple<br>
laboratories. More rumors telling it will have better looking screen<br>
and good sounding built-in speakers. No rumors yet regarding USB 3<br>
ports or digital audio ports, I guess that depends on whether its<br>
processing power can handle live audio application.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn=
 To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter=
 Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Interna=
tional.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_b=
lank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054ad1d9879c2049a08fa56--

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Subject: Re: "Ghost 2011a" Live for Listening
From: Fabio_A <eterogenus@gmail.com>
To: Stephen Goodman <spgoodman@earthlight.net>
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Nice !

-f
www.eterogeneo.com



2011/1/17 Stephen Goodman <spgoodman@earthlight.net>

> I've produced an accompaniment for Matt Stevens' lovely "Ghost" heretofore
> entitled "Ghost 2011a" for your listening pleasure, and hopefully acceptance
> to the Glastonbury Festival's "unsigned artists" list.  Enjoy!
>
> http://www.earthlight.net/Smedia/Ghost%202011a.mp3
>
>
> Stephen Goodman
> EarthLight Productions
> *
> http://www.earthlight.net
> http://www.earthlight.tv
> *
> Sent from a PC, not an iPhone
>

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<div>Nice !</div>
<div>=A0</div>
<div>-f</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2011/1/17 Stephen Goodman <span dir=3D"ltr">&lt;=
<a href=3D"mailto:spgoodman@earthlight.net">spgoodman@earthlight.net</a>&gt=
;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I&#39;ve produced an accompanime=
nt for Matt Stevens&#39; lovely &quot;Ghost&quot; heretofore entitled &quot=
;Ghost 2011a&quot; for your listening pleasure, and hopefully acceptance to=
 the Glastonbury Festival&#39;s &quot;unsigned artists&quot; list. =A0Enjoy=
!<br>
<br><a href=3D"http://www.earthlight.net/Smedia/Ghost%202011a.mp3" target=
=3D"_blank">http://www.earthlight.net/Smedia/Ghost%202011a.mp3</a><br><font=
 color=3D"#888888"><br><br>Stephen Goodman<br>EarthLight Productions<br>*<b=
r><a href=3D"http://www.earthlight.net/" target=3D"_blank">http://www.earth=
light.net</a><br>
<a href=3D"http://www.earthlight.tv/" target=3D"_blank">http://www.earthlig=
ht.tv</a><br>*<br>Sent from a PC, not an iPhone <br></font></blockquote></d=
iv><br>

--0016e644cbb65a6ab0049a092ff7--

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Subject: Re: Worth getting iPod touch for Live Looping only?
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On Mon, Jan 17, 2011 at 12:21 PM, Jim Goodin <jimgoodinmusic@gmail.com> wro=
te:
> although as you point out it may still be another gen or two before the i=
Pad
> can handle audio processing.

If audio processing is not being supported with the gen 2 iPad I doubt
it will never be. If contemplating Apple's typical marketing
strategies I see a fair chance (risk) that the iPad story will evolve
like those Mackbook Air laptopts; i.e. product design targeting
ordinary people that do web surfing, typing and music listening with
the machine. And the selling point Apple stresses is the cool design,
these peep's want to show off a nice looking gadget on the coffee shop
table. Musican friendly (read "powerful enough") laptops can not be
designed in such a slick manner. Funny but also a bit sad facts of
life.

> =C2=A0Bet NAMM was neat. =C2=A0Jim

I only was there virtually. But it was virtually awesome! I'm
non-virtually interested in the GR-55 that I find almost revolutionary
;-))  (would fit in great with a "day job band" I'm playing with)

Per

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Subject: Re: Worth getting iPod touch for Live Looping only?
Date: Mon, 17 Jan 2011 12:14:48 -0000
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ï»¿It's worth noting that on a recent episode of CSI:New York, a French music 
student (killed of course) was using tablets as controllers to a laptop on a 
web streaming site (though the forensic description of how the site worked 
was fairly specious).

Distributed processing would certainly make sense, though in the episode the 
poor girl was using stolen goods...

Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv
*
Sent from a PC, not an iPhone 

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Has anyone considered the alternatives to the Apple product?

The Android OS is (i think) Linux based, and there's people 
working on low latency audio for it.

Aren't there also various options for hacking too?
Apple and M$ will never produce low latency.

Just wondering why everyone's so i-obsessed 

andy

buzap@gmx.net wrote:
> Hi folks
> 
> I was wondering:
> I don't need the iPhone etc. But is it worth getting the iPod touch just to have a portable live looper always with you (Everyday Looper, VoiceJam)?
> 
> This would give me more portability than the RC-2.
> Would like to hear your experience!
> 
> Buzap

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Matt Davignon wrote:
> The effects look like looping-related commands.
 
> I don't know what the "retrigger" or "replace" ones do. It looks like
> you can assign the above effects to 2 footswitches.
> 


I've discussed those briefly with Rick, and plus a bit of speculation.

Replace 1/x is a direct emulation of a certain specific edp behaviour,
(also present on LP1).
It replaces a single quantised chunk of the loop with input audio.
In EDPish it's a "Shortpress of Quantised 8th Replace".

I'm quite excited by that, while that effect has been around since
2003 it's was always somewhat hidden away in the more expensive products.
If it catches on it could open up a lot of interest in the whole
"looper as instrument" idea.

I guess the vanilla Replace would be unquantised momentary
(replace for as long as button is held)
In that case, it's possible that quantised replaces will also
cut out larger chunks if held for longer (but 

Retrigger is more or less what's offered by the DL4
Retrigger Once. Play the loop once from beginning then stop.
Continue. 
Retrigger Continuous. Retrigger loop from beginning and keep going. 

Retrigger Random. Jump to a random point in the loop.
The Random Retrigger is intended to be used rhythmically,
I guess the loop would be filled with a variety of
sounds (with slow attacks) so that rapid operation of the randtrig
produced a well defined beat.
Again, that's a very "looper as instrument" type feature.


I don't think it's been pointed out yet that the LP2
has a Mix control (back panel) which, unusually for a 
small looper, makes it suitable for use on an Aux send.

andy butler





From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 14:29:43 2011
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Subject: Re: Worth getting iPod touch for Live Looping only?
From: Dennis Moser <sinsofmachaut@gmail.com>
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To answer your question, which was about an iPOD Touch, NOT an iPad:

YES!

If you can find a refurb'd or used 32GB 3rd Generation iPod Touch
(which is the MINIMUM configuration) for utilizing all the the latest
and greatest that the Apple iOS will offer, then by all means do
so...sorry, Per, but he DID ask about the iPod, not the iPad.

You'll want to hack it/root it/jailbreak it to gain access to more of
the possibilities, but that is no longer as daunting as it once was.

The downsides:
It's the iPOD, not the iPAD; this means you have a pretty small
physical controller interface.
As for the signal interface, you have to work around the 30-pin power
interface and the audio input/output. While the Line 6 MIDI interface
is great for just that, it does NOT supply power to the unit, so you'd
need to careful to monitor the battery level when performing with it.
It's an Apple product, one of the more tightly-controlled ones.

But like any artistic tool, the "art" lies in the recognition of the
limitations and going beyond them.

For what it's worth I've been using one (iPod Touch 32 GB, 3rd Gen,
Jailbroken) since July and wouldn't give it up except to get several
iPads to replace it (I'd like to have a larger control surface partly
due to have hams for hands). Be aware that there is SOME software that
is iPAD-specific and will not run on the iPOD (tho' not a lot of that,
yet...I expect we will be seeing more of a divergence there over the
next few months).

And as Andy Butler has rightly pointed out, there is a lot of momentum
developing on the Android platform and it bears watching, but RIGHT
NOW, there is nothing that rivals what is available on the iOS.

The beauty of using the iPOD Touch is that it IS NOT a PHONE, so there
is no cost penalty attached to it.

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Jan 17, 2011 at 3:38 AM,  <buzap@gmx.net> wrote:
> Hi folks
>
> I was wondering:
> I don't need the iPhone etc. But is it worth getting the iPod touch just to have a portable live looper always with you (Everyday Looper, VoiceJam)?
>
> This would give me more portability than the RC-2.
> Would like to hear your experience!
>
> Buzap
> --
> NEU: FreePhone - kostenlos mobil telefonieren und surfen!
> Jetzt informieren: http://www.gmx.net/de/go/freephone
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 14:40:00 2011
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Date: Mon, 17 Jan 2011 07:39:58 -0700
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Subject: Re: Worth getting iPod touch for Live Looping only?
From: Dennis Moser <sinsofmachaut@gmail.com>
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Andy and anyone else,

One reason people are so obsessed w/ iOS is that the products, both
software and hardware, are shipping now. While the Android community
is certainly working hard at it, the hardware options are much slimmer
when you consider that there isn't much to choose from OTHER than
Android PHONES. And the peripheral hardware developers have been all
over the iOS hardware much more than they have been looking at Android
hardware.

The iPod Touch isn't a phone (tho' with Skype it makes a damned good
substitute; used mine more in Europe than I did my T-Mob Android G1
phone!) and as a result there is no cost penalty in having one just
for music purposes.

Yes, there are hacking opportunities for the Android environment from
the software side, but you basically have to start with a phone from
the hardware side. The Samsung Galaxy Tablet offers the most potential
for this kind of thing, as it's form-factor is VERY compatible for a
physical interface/controller...but it's not cheap and you pretty much
have to buy it as a phone here in the States.

iOS=NOT ANOTHER PHONE (iPOD)
ANdroid=Pretty much ONLY a phone (Maybe a Galaxy Tablet, but twice the
price of  NEW iPod Touch!)

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Jan 17, 2011 at 5:32 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Has anyone considered the alternatives to the Apple product?
>
> The Android OS is (i think) Linux based, and there's people working on low
> latency audio for it.
>
> Aren't there also various options for hacking too?
> Apple and M$ will never produce low latency.
>
> Just wondering why everyone's so i-obsessed
> andy
>
> buzap@gmx.net wrote:
>>
>> Hi folks
>>
>> I was wondering:
>> I don't need the iPhone etc. But is it worth getting the iPod touch just
>> to have a portable live looper always with you (Everyday Looper, VoiceJam)?
>>
>> This would give me more portability than the RC-2.
>> Would like to hear your experience!
>>
>> Buzap
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 15:18:58 2011
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Subject: Re: strymon el capistan delay pedal-(sound on sound loop mode like a
 tape loop)
From: Louie Angulo <louie.angulo@googlemail.com>
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the eventide timeafactor does this as well really cool!
Luis

On Mon, Jan 17, 2011 at 11:24 AM, Per Boysen <perboysen@gmail.com> wrote:
> Wow Scott, that's an insanely cool looper! Like having the Augustus
> Loop plugin inside a box. I would buy this looper if laptops would not
> be available. These kind of "warble/wobble/flutter" processings are my
> fav and I always keep "tape speed tilt" on a foot pedal.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Mon, Jan 17, 2011 at 2:33 AM, Scott Hansen <evanpeewee@gmail.com> wrote:
>> from folks posting stuff about namm, i saw this on the strymon site:
>>
>> http://www.youtube.com/watch?v=_n29OncKKC8&feature=player_embedded
>>
>> i know there had been lots of talk about this pedal on The Gear Page, but i
>> never read it.
>> the video looks very interesting.
>>
>> here's what their webpage says about this:
>> Sound on Sound
>> Just like one of our favorite moving head tape echo machines, El Capistan
>> gives you a Sound on Sound mode, but with some cool new features. When you
>> enter the mode (Single Tape Head, Mode C), the machine is already recording,
>> just like a traditional tape echo machine. We go several steps further by
>> giving you instant tape splice and bulk erase functions. It's like having a
>> built-in tape-style looper!
>>
>> To set the length of your tape, press Tap once to set your splice 'in'
>> point, and press Tap again to set your splice 'out' point. All of the tone
>> shaping knobs are active and affect your loop as it plays back and
>> re-records. Press Tap a third time to completely erase the tape. You get 20
>> seconds of tape in slow speed, 10 seconds in fast speed. Check out our video
>> demo below.
>>
>> if this is a repeat, please forgive...looks interesting for short loop
>> options.
>> s---
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 15:28:51 2011
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Subject: Re: strymon el capistan delay pedal-(sound on sound loop mode like a
 tape loop)
From: Per Boysen <perboysen@gmail.com>
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That's what you would expect from Eventide! The GR-55 has global
effects that can as well be used on the guitar's analog output signal,
but I don't know if it has any tape delay style effect?

Here's a good write-up on the GR-55 BTW
http://createdigitalmusic.com/2011/01/for-the-digital-guitarist-a-roland-synth-and-processor-in-one-box/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+createdigitalmusic+%28createdigitalmusic.com%29&utm_content=Bloglines

best
Per


On Mon, Jan 17, 2011 at 4:18 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> the eventide timeafactor does this as well really cool!
> Luis
>
> On Mon, Jan 17, 2011 at 11:24 AM, Per Boysen <perboysen@gmail.com> wrote:
>> Wow Scott, that's an insanely cool looper! Like having the Augustus
>> Loop plugin inside a box. I would buy this looper if laptops would not
>> be available. These kind of "warble/wobble/flutter" processings are my
>> fav and I always keep "tape speed tilt" on a foot pedal.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>>
>>
>> On Mon, Jan 17, 2011 at 2:33 AM, Scott Hansen <evanpeewee@gmail.com> wrote:
>>> from folks posting stuff about namm, i saw this on the strymon site:
>>>
>>> http://www.youtube.com/watch?v=_n29OncKKC8&feature=player_embedded
>>>
>>> i know there had been lots of talk about this pedal on The Gear Page, but i
>>> never read it.
>>> the video looks very interesting.
>>>
>>> here's what their webpage says about this:
>>> Sound on Sound
>>> Just like one of our favorite moving head tape echo machines, El Capistan
>>> gives you a Sound on Sound mode, but with some cool new features. When you
>>> enter the mode (Single Tape Head, Mode C), the machine is already recording,
>>> just like a traditional tape echo machine. We go several steps further by
>>> giving you instant tape splice and bulk erase functions. It's like having a
>>> built-in tape-style looper!
>>>
>>> To set the length of your tape, press Tap once to set your splice 'in'
>>> point, and press Tap again to set your splice 'out' point. All of the tone
>>> shaping knobs are active and affect your loop as it plays back and
>>> re-records. Press Tap a third time to completely erase the tape. You get 20
>>> seconds of tape in slow speed, 10 seconds in fast speed. Check out our video
>>> demo below.
>>>
>>> if this is a repeat, please forgive...looks interesting for short loop
>>> options.
>>> s---
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 15:46:15 2011
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Subject: Re: Backing tracks: A confession
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On Jan 15, 2011, at 11:28 PM, Mark Hamburg wrote:

> When does my Looper's Delight membership card get pulled? When do I =
stop getting invited to Santa Cruz to perform? ;-)

I may need to further emphasize the emoticons. Thank you to everyone who =
assured me I wouldn't be kicked out of the community.

The spark for the message was the combined events of watching another =
round of concern over lack of "core looping features" like feedback from =
the new crop of looping pedals or looping features in other pedals and =
observing how, despite several sophisticated loopers, I seemed to be =
using the technology these days.

So, yes, the specs for Roland's equipment and the devices being produced =
by others are probably largely driven by people looking to do =
one-man-band things where the looper just provides the backing. But as =
it ends up, despite a long history pushing loopers more heavily -- and I =
went back yesterday and started listening to some of my archive of =
recordings -- I very frequently just build up a moderately interesting =
loop and let it play which really isn't all that different from the =
one-man-bad types (except that my loops are probably more swirly, =
ambienty, etc).

The potentially interesting insight for me that comes out of this is =
that I should figure out how to get equipment to support what I seem to =
want to do rather than what I feel I ought to be doing. On the other =
hand, I should also figure out whether there's a technological reason =
I've moved away from more complex loop structures and if so whether it's =
worth trying to find a technological solution to move back towards them.

Mark

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Found this on my travels looking for a different part:-

http://pms-electronics.com/shop1/oxid.php/sid/92d81f471665318b80db0412b4025793/cl/details/anid/44076964b6f860.98562451/SW%3ATACTILE%3BPOL%3A1%3BHEIGHT%3A4mm3%3BA03B02//listtype/search/searchparam/887-43811-03768

(from Germany)

those are exact replacements for the footswitches which fail on
the fcb1010.

Don't know how easy the replacement is, I'd guess if you were
techie enough to own a solder sucker it'd be do-able.

andy butler

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Subject: self-promotion - new album
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--000e0cd56aa4266bba049a0d7d7c
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http://theforms.tripledownrecords.com/

there's a bit of (non-obvious) looping...plus piles of sampling and drum
loops and all kinds of nerdy musician stuff that we all love.  along with
plenty of good old fashioned performance.

- jim

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<a href=3D"http://theforms.tripledownrecords.com/">http://theforms.tripledo=
wnrecords.com/</a><br><br>there&#39;s a bit of (non-obvious) looping...plus=
 piles of sampling and drum loops and all kinds of nerdy musician stuff tha=
t we all love.=A0 along with plenty of good old fashioned performance.<br>
<br>- jim<br>

--000e0cd56aa4266bba049a0d7d7c--

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Date: Mon, 17 Jan 2011 08:50:32 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Worth getting iPod touch for Live Looping only?
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--0-892207782-1295283032=:92094
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Ha! Just last night I had my son show me his iPod touch so I can see how it=
 =0Aworks and whether it would be worth it. I think I will be getting one, =
for the =0Aprice and the available music apps I think it is worthwhile. Mos=
tly thinking of =0Ausing it to add some synth sounds to my hardware-based=
=A0loops....=0A=0AEric=0A=0A=0A=0A________________________________=0AFrom: =
"buzap@gmx.net" <buzap@gmx.net>=0ATo: LD LoopersDelight <Loopers-Delight@lo=
opers-delight.com>=0ASent: Mon, January 17, 2011 5:38:43 AM=0ASubject: Wort=
h getting iPod touch for Live Looping only?=0A=0AHi folks=0A=0AI was wonder=
ing:=0AI don't need the iPhone etc. But is it worth getting the iPod touch =
just to have =0Aa portable live looper always with you (Everyday Looper, Vo=
iceJam)?=0A=0AThis would give me more portability than the RC-2.=0AWould li=
ke to hear your experience!=0A=0ABuzap=0A-- =0ANEU: FreePhone - kostenlos m=
obil telefonieren und surfen!=A0=A0=A0 =A0=A0=A0 =A0=A0=A0 =0AJetzt informi=
eren: http://www.gmx.net/de/go/freephone=0A=0A=0A      
--0-892207782-1295283032=:92094
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV>Ha! Just last night I had my son show me his iPod touc=
h so I can see how it works and whether it would be worth it. I think I wil=
l be getting one, for the price and the available music apps I think it is =
worthwhile. Mostly thinking of using it to add some synth sounds to my hard=
ware-based&nbsp;loops....</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Eric</DIV>=0A<DI=
V style=3D"FONT-FAMILY: times new roman, new york, times, serif; FONT-SIZE:=
 12pt"><BR>=0A<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-serif; FONT=
-SIZE: 10pt"><FONT size=3D2 face=3DTahoma>=0A<HR SIZE=3D1>=0A<B><SPAN style=
=3D"FONT-WEIGHT: bold">From:</SPAN></B> "buzap@gmx.net" &lt;buzap@gmx.net&g=
t;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:</SPAN></B> LD LoopersDelight=
 &lt;Loopers-Delight@loopers-delight.com&gt;<BR><B><SPAN style=3D"FONT-WEIG=
HT: bold">Sent:</SPAN></B> Mon, January 17, 2011 5:38:43 AM<BR><B><SPAN sty=
le=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> Worth getting iPod touch for L=
ive Looping only?<BR></FONT><BR>Hi folks<BR><BR>I was wondering:<BR>I don't=
 need the iPhone etc. But is it worth getting the iPod touch just to have a=
 portable live looper always with you (Everyday Looper, VoiceJam)?<BR><BR>T=
his would give me more portability than the RC-2.<BR>Would like to hear you=
r experience!<BR><BR>Buzap<BR>-- <BR>NEU: FreePhone - kostenlos mobil telef=
onieren und surfen!&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;=
 <BR>Jetzt informieren: http://www.gmx.net/de/go/freephone<BR><BR></DIV></D=
IV></div><br>=0A=0A=0A=0A=0A=0A=0A=0A      </body></html>
--0-892207782-1295283032=:92094--

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From: "Bruno E. Kleinefeld" <bruno.bk@gmail.com>
Content-Type: multipart/alternative; boundary=Apple-Mail-3--851123650
Subject: Re: strymon el capistan delay pedal-(sound on sound loop mode like a tape loop)
Date: Mon, 17 Jan 2011 18:00:56 +0100
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--Apple-Mail-3--851123650
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I have (from not so many days) a Strymon El Capistan and I am totally =
conquered from the musical quality of this object.
Looks like Strymon is really pushing the quality of digital processing a =
step beyond.
The "looping" opportunities offered by the El Capistan are - of course - =
limited to what you can see on that video, not much more.

On the other hand I am really curious of what the new Strymon Timeline - =
that has a looping dedicated function =E0 la DL4 (I guess) - can do.
On HC someone wrote

""Do you guys know what granular synthesis is? Where audio is chopped up =
into "chunks" and processed separately? It can do that... and you can =
adjust the "size" of the chunks, the pitch shifting on them - loads of =
stuff. If you like unusual sounds, you're going to love the Timeline. It =
does normal delays too - tape, analog, etc. - but a lot more besides..."
=46rom Phil on harmony-central"

This, combined with the possibility of using the delay functions and the =
looper altogether makes me very curious about that tool. Even if infos =
are still very generic.

Here a first short demo, fyi
http://www.youtube.com/watch?v=3DXibpY_bxbKs&feature=3Dplayer_embedded

b:k



> That's what you would expect from Eventide! The GR-55 has global
> effects that can as well be used on the guitar's analog output signal,
> but I don't know if it has any tape delay style effect?
>=20
> Here's a good write-up on the GR-55 BTW
> =
http://createdigitalmusic.com/2011/01/for-the-digital-guitarist-a-roland-s=
ynth-and-processor-in-one-box/?utm_source=3Dfeedburner&utm_medium=3Dfeed&u=
tm_campaign=3DFeed%3A+createdigitalmusic+%28createdigitalmusic.com%29&utm_=
content=3DBloglines
>=20
> best
> Per
>=20
>=20
> On Mon, Jan 17, 2011 at 4:18 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> the eventide timeafactor does this as well really cool!
>> Luis
>>=20
>> On Mon, Jan 17, 2011 at 11:24 AM, Per Boysen <perboysen@gmail.com> =
wrote:
>>> Wow Scott, that's an insanely cool looper! Like having the Augustus
>>> Loop plugin inside a box. I would buy this looper if laptops would =
not
>>> be available. These kind of "warble/wobble/flutter" processings are =
my
>>> fav and I always keep "tape speed tilt" on a foot pedal.
>>>=20
>>> Greetings from Sweden
>>>=20
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>> www.looproom.com internet music hub
>>>=20
>>>=20
>>>=20
>>> On Mon, Jan 17, 2011 at 2:33 AM, Scott Hansen <evanpeewee@gmail.com> =
wrote:
>>>> from folks posting stuff about namm, i saw this on the strymon =
site:
>>>>=20
>>>> http://www.youtube.com/watch?v=3D_n29OncKKC8&feature=3Dplayer_embedde=
d
>>>>=20
>>>> i know there had been lots of talk about this pedal on The Gear =
Page, but i
>>>> never read it.
>>>> the video looks very interesting.
>>>>=20
>>>> here's what their webpage says about this:
>>>> Sound on Sound
>>>> Just like one of our favorite moving head tape echo machines, El =
Capistan
>>>> gives you a Sound on Sound mode, but with some cool new features. =
When you
>>>> enter the mode (Single Tape Head, Mode C), the machine is already =
recording,
>>>> just like a traditional tape echo machine. We go several steps =
further by
>>>> giving you instant tape splice and bulk erase functions. It's like =
having a
>>>> built-in tape-style looper!
>>>>=20
>>>> To set the length of your tape, press Tap once to set your splice =
'in'
>>>> point, and press Tap again to set your splice 'out' point. All of =
the tone
>>>> shaping knobs are active and affect your loop as it plays back and
>>>> re-records. Press Tap a third time to completely erase the tape. =
You get 20
>>>> seconds of tape in slow speed, 10 seconds in fast speed. Check out =
our video
>>>> demo below.
>>>>=20
>>>> if this is a repeat, please forgive...looks interesting for short =
loop
>>>> options.
>>>> s---
>>>=20
>>>=20
>>=20
>=20

--Apple-Mail-3--851123650
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div>I have (from not so many days) a Strymon El Capistan and I am =
totally conquered from the musical quality of this =
object.</div><div>Looks like Strymon is really pushing the quality of =
digital processing a step beyond.</div><div>The "looping" opportunities =
offered by the El Capistan are - of course - limited to what you can see =
on that video, not much more.</div><div><br></div><div>On the other hand =
I am really curious of what the new Strymon Timeline - that has a =
looping dedicated function =E0 la DL4 (I guess) - can do.</div><div>On =
HC someone wrote</div><div><br></div><blockquote =
class=3D"webkit-indent-blockquote" style=3D"margin: 0 0 0 40px; border: =
none; padding: 0px;"><div>"<span class=3D"Apple-style-span" =
style=3D"font-family: verdana, geneva, lucida, 'lucida grande', arial, =
helvetica, sans-serif; font-size: 13px; =
-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: =
1px; ">"Do you guys know what granular synthesis is? Where audio is =
chopped up into "chunks" and processed separately? It can do that... and =
you can adjust the "size" of the chunks, the pitch shifting on them - =
loads of stuff. If you like unusual sounds, you're going to love the =
Timeline. It does normal delays too - tape, analog, etc. - but a lot =
more besides..."</span></div><span class=3D"Apple-style-span" =
style=3D"font-family: verdana, geneva, lucida, 'lucida grande', arial, =
helvetica, sans-serif; font-size: 13px; =
-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: =
1px; ">=46rom Phil on =
harmony-central"</span></blockquote><div><br></div><div>This, combined =
with the possibility of using the delay functions and the looper =
altogether makes me very curious about that tool. Even if infos are =
still very generic.</div><div><br></div><div>Here a first short demo, =
fyi</div><div><a =
href=3D"http://www.youtube.com/watch?v=3DXibpY_bxbKs&amp;feature=3Dplayer_=
embedded">http://www.youtube.com/watch?v=3DXibpY_bxbKs&amp;feature=3Dplaye=
r_embedded</a></div><div><br></div><div>b:k</div><div><br></div><div><br><=
/div><div><br></div><blockquote type=3D"cite">That's what you would =
expect from Eventide! The GR-55 has global<br>effects that can as well =
be used on the guitar's analog output signal,<br>but I don't know if it =
has any tape delay style effect?<br><br>Here's a good write-up on the =
GR-55 BTW<br><a =
href=3D"http://createdigitalmusic.com/2011/01/for-the-digital-guitarist-a-=
roland-synth-and-processor-in-one-box/?utm_source=3Dfeedburner&amp;utm_med=
ium=3Dfeed&amp;utm_campaign=3DFeed%3A+createdigitalmusic+%28createdigitalm=
usic.com%29&amp;utm_content=3DBloglines">http://createdigitalmusic.com/201=
1/01/for-the-digital-guitarist-a-roland-synth-and-processor-in-one-box/?ut=
m_source=3Dfeedburner&amp;utm_medium=3Dfeed&amp;utm_campaign=3DFeed%3A+cre=
atedigitalmusic+%28createdigitalmusic.com%29&amp;utm_content=3DBloglines</=
a><br><br>best<br>Per<br><br><br>On Mon, Jan 17, 2011 at 4:18 PM, Louie =
Angulo<br>&lt;<a =
href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a=
>&gt; wrote:<br><blockquote type=3D"cite">the eventide timeafactor does =
this as well really cool!<br></blockquote><blockquote =
type=3D"cite">Luis<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">On Mon, Jan 17, =
2011 at 11:24 AM, Per Boysen &lt;<a =
href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; =
wrote:<br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">Wow Scott, that's an insanely cool looper! Like having the =
Augustus<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Loop plugin inside a box. I =
would buy this looper if laptops would =
not<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite">be available. These kind of "warble/wobble/flutter" =
processings are my<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">fav and I always keep "tape =
speed tilt" on a foot pedal.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Greetings from =
Sweden<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">Per =
Boysen<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><a =
href=3D"http://www.boysen.se/">www.boysen.se</a><br></blockquote></blockqu=
ote><blockquote type=3D"cite"><blockquote type=3D"cite"><a =
href=3D"http://www.perboysen.com/">www.perboysen.com</a><br></blockquote><=
/blockquote><blockquote type=3D"cite"><blockquote type=3D"cite"><a =
href=3D"http://www.looproom.com/">www.looproom.com</a>&nbsp;internet =
music hub<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">On Mon, Jan 17, 2011 at 2:33 AM, =
Scott Hansen &lt;<a =
href=3D"mailto:evanpeewee@gmail.com">evanpeewee@gmail.com</a>&gt; =
wrote:<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite">from folks posting stuff about =
namm, i saw this on the strymon =
site:<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite"><a =
href=3D"http://www.youtube.com/watch?v=3D_n29OncKKC8&amp;feature=3Dplayer_=
embedded">http://www.youtube.com/watch?v=3D_n29OncKKC8&amp;feature=3Dplaye=
r_embedded</a><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">i know =
there had been lots of talk about this pedal on The Gear Page, but =
i<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">never =
read it.<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">the =
video looks very =
interesting.<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">here's =
what their webpage says about =
this:<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">Sound =
on Sound<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">Just =
like one of our favorite moving head tape echo machines, El =
Capistan<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">gives =
you a Sound on Sound mode, but with some cool new features. When =
you<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">enter =
the mode (Single Tape Head, Mode C), the machine is already =
recording,<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">just =
like a traditional tape echo machine. We go several steps further =
by<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">giving =
you instant tape splice and bulk erase functions. It's like having =
a<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">built-in=
 tape-style =
looper!<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">To set =
the length of your tape, press Tap once to set your splice =
'in'<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">point, =
and press Tap again to set your splice 'out' point. All of the =
tone<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">shaping =
knobs are active and affect your loop as it plays back =
and<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite">re-records. Press Tap a third time to completely erase the =
tape. You get 20<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">seconds =
of tape in slow speed, 10 seconds in fast speed. Check out our =
video<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">demo =
below.<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">if =
this is a repeat, please forgive...looks interesting for short =
loop<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite">options.<br></blockquote></blockquote></blockquote><blockquo=
te type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite">s---<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote></body></html>=

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Date: Mon, 17 Jan 2011 10:06:58 -0700
Message-ID: <AANLkTikU0cNyVBctWeRd49T+vmkhF9kuabs3f4sh-r-9@mail.gmail.com>
Subject: Re: Worth getting iPod touch for Live Looping only?
From: Dennis Moser <sinsofmachaut@gmail.com>
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Glad to hear it, Eric! I highly recommend ThumbJam and MorphWiz for the Tou=
ch!

The point is to stop thinking about them for use in their "original"
conception. I don't NEED another MP3 player...so the last thing I'm
using my PodTouch for is actually listening to recorded music. The
same goes for computers...netbooks make great little dedicated
machines for music.

Photographers figured this out years ago, with Kodak films...The Great
Yellow Father would print ridiculous warnings about how to use their
film, when the REAL fun started by using it experimentally in direct
disregard of said warnings.

I like to think that most of us on here are doing the same thing with
all of gear, both software and hardware.

Best,

Denis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Jan 17, 2011 at 9:50 AM, E Gross <slapbandjam@yahoo.com> wrote:
> Ha! Just last night I had my son show me his iPod touch so I can see how =
it
> works and whether it would be worth it. I think I will be getting one, fo=
r
> the price and the available music apps I think it is worthwhile. Mostly
> thinking of using it to add some synth sounds to my hardware-based=A0loop=
s....
>
> Eric
> ________________________________
> From: "buzap@gmx.net" <buzap@gmx.net>
> To: LD LoopersDelight <Loopers-Delight@loopers-delight.com>
> Sent: Mon, January 17, 2011 5:38:43 AM
> Subject: Worth getting iPod touch for Live Looping only?
>
> Hi folks
>
> I was wondering:
> I don't need the iPhone etc. But is it worth getting the iPod touch just =
to
> have a portable live looper always with you (Everyday Looper, VoiceJam)?
>
> This would give me more portability than the RC-2.
> Would like to hear your experience!
>
> Buzap
> --
> NEU: FreePhone - kostenlos mobil telefonieren und surfen!
> Jetzt informieren: http://www.gmx.net/de/go/freephone
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 17:08:17 2011
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Subject: Re: LP2 at namm
References: <AANLkTinwMFi3d93izPxPCCt7J6Q7drHYsHhZSTP1pkFu@mail.gmail.com> <AA0B6E28-5CAF-43EA-8465-11D7BBAA694D@1800dialword.com> <AANLkTinTDo0fMf+rVRJCHTNhw58aAWFe-hFuHniqYO+6@mail.gmail.com> <AANLkTimjR5yc0UzBR6nd_jL8-oREHO+W4=YVCKKR2rRi@mail.gmail.com> <4D345243.9010903@tiscali.co.uk>
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I liked playing around with it, my only two points were that it would be nic=
e to know what effect is armed, and the effects work on the whole set of pri=
mary loop and overdubs, which is a bit foriegn to me, but I'm used to the LP=
1.=20

By the way, chatter from bob at the show was he will be putting some time on=
 the LP1 this year, woo hoo!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 9:29 AM, andy butler <akbutler@tiscali.co.uk> wrote:

>=20
>=20
> Matt Davignon wrote:
>> The effects look like looping-related commands.
>> I don't know what the "retrigger" or "replace" ones do. It looks like
>> you can assign the above effects to 2 footswitches.
>=20
>=20
> I've discussed those briefly with Rick, and plus a bit of speculation.
>=20
> Replace 1/x is a direct emulation of a certain specific edp behaviour,
> (also present on LP1).
> It replaces a single quantised chunk of the loop with input audio.
> In EDPish it's a "Shortpress of Quantised 8th Replace".
>=20
> I'm quite excited by that, while that effect has been around since
> 2003 it's was always somewhat hidden away in the more expensive products.
> If it catches on it could open up a lot of interest in the whole
> "looper as instrument" idea.
>=20
> I guess the vanilla Replace would be unquantised momentary
> (replace for as long as button is held)
> In that case, it's possible that quantised replaces will also
> cut out larger chunks if held for longer (but=20
> Retrigger is more or less what's offered by the DL4
> Retrigger Once. Play the loop once from beginning then stop.
> Continue. Retrigger Continuous. Retrigger loop from beginning and keep goi=
ng.=20
> Retrigger Random. Jump to a random point in the loop.
> The Random Retrigger is intended to be used rhythmically,
> I guess the loop would be filled with a variety of
> sounds (with slow attacks) so that rapid operation of the randtrig
> produced a well defined beat.
> Again, that's a very "looper as instrument" type feature.
>=20
>=20
> I don't think it's been pointed out yet that the LP2
> has a Mix control (back panel) which, unusually for a small looper, makes i=
t suitable for use on an Aux send.
>=20
> andy butler
>=20
>=20
>=20
>=20
>=20

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Date: Mon, 17 Jan 2011 09:20:46 -0800 (PST)
From: bill bigrig <billbigrig@yahoo.com>
Subject: Re: Backing tracks: A confession
To: Loopers-Delight@loopers-delight.com
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Howdy,

 I live in a cultural backwater too, (first, Lewis county, WA, now, Benton =
county, WA). Where's yours?

--- On Sun, 1/16/11, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:

> From: tEd =AE KiLLiAn <tedkillian@charter.net>
> Subject: Re: Backing tracks: A confession
> To: Loopers-Delight@loopers-delight.com
> Date: Sunday, January 16, 2011, 4:36 PM
> Hi there Mark,
>=20
> Well if you were just playing to mere canned backing tracks
> (sort of in in effect a instrumental "guitar karaoke" thing)
> and doing covers of of other peoples' boring pop songs you
> might get a ribbing or two from some folks here.
>=20
> But the conceptual use of looping as "backing tracks for
> something else doesn't bother me at all.
>=20
> I've been on the list since early October of '96 (it began
> only a couple of months before that in June or July).
>=20
> And while I have heard some people express minor
> disappointment from time to time here that so-and-so used
> "canned" loops as opposed to "real" live looping, it hasn't,
> as far as I know, really been a major axe to grind for
> hardly anybody.
>=20
> I've been doing live tape-loop, analog and digitalL looping
> a long, long time.
>=20
> But I have also been involved in so-called avant-garde
> music longer than I have ever been doing "normal" music.
>=20
> In modern "art music" the concept of "music concrete" has
> enjoyed a long and wholly accepted tradition.
>=20
> And, a little closer to mainstream, a good deal of Pink
> Floyd's recordings and performances would not be what they
> were if not for generous use of all sorts of pre-recorded
> material (most of which along the lines of "music concrete"
> or ambient/environmental sounds, or the signature cash
> register sounds of "Money").
>=20
> At some point in the mid '80s I thought it would be cool to
> acquire a Roland sampling keyboard (even though I'm the
> worst keyboardist in the world) simply so I could perform
> with some longish canned loop samples from from various
> sources - along with my "live" looping.
>=20
> I've been doing it all along.
>=20
> After the arrival on the marketplace of various kinds of
> desktop "phrase" or "groove" sample players=A0 (first
> from Akai then from Roland) I switched from the awkward
> keyboard hardware to that format to augment my live
> looping.
>=20
> I never hid it, and I even sometimes brought that sort of
> setup to some of the early Y2K fests with no complaints from
> Rick.
>=20
> Though I have largely NOT used canned loops for the past
> few years, I am about to begin doing it again in my MaxMSP
> laptop setup.
>=20
> I have an eight track sample player in my new rig that can
> link to a folder with literally hundreds and hundreds of
> sound files in it and automatically pick and play a new
> random sound file every few seconds . . . or every tiny
> fraction of a second if I so chose.
>=20
> I have all sorts of other controls over that content too,
> but that's beside the point.
>=20
> Is it "music" . . . ?
>=20
> Is it "live looping" . . . ?
>=20
> Am I playing it like an instrument . . ?
>=20
> I don't know but I sure the heck like mucking around with
> it and will continue to do so.
>=20
> And let's face it, I (like yourself) am a guitar player.
>=20
> Most of what I do with loops (canned or live) is to create
> a "context" for my primary mode of self-expression on my
> primary instrument.
>=20
> I use and have always used those tools as "backing tracks"
> for my guitar playing when other "contexts" (a band of other
> musicians say) has not been available, or capable of
> providing a compatible one for me.
>=20
> Though I like to perform with others (it does get lonely
> sometimes when you live in a cultural backwater) and will
> ditch the loops and do so at almost any opportunity that
> presents itself, I've always rather enjoyed being
> self-sufficient too.
>=20
> I have never been ashamed of that.
>=20
> I don't lay in my bed at night dreaming of different new
> ways to push buttons, and what those button pushes might
> do.
>=20
> What I dream, if my dreams are musical at all, is about
> stuff I might play on the guitar.
>=20
> If folks have a problem with that, it's their problem, not
> mine.
>=20
> The Keller Williams mode of doing live looping is fine.
>=20
> The "looper as another instrument itself" mode of thinking
> and working is just fine too.
>=20
> But I'm with you on this (I think), I'm not really "there"
> in either of those ways of thinking about looping.
>=20
> And I am certainly not "there" in being a purist as to
> what's live or not or what is a better way than another way
> or not.
>=20
> Musically, it's all just stuff.
>=20
> We do what we do.
>=20
> Hopefully we'll keep doing it a little longer before the
> universe tells us to pack it in.
>=20
> The point is, do you enjoy it?
>=20
> Does it make your soul soar?
>=20
> Anything that doesn't is a distraction or a waste of time.
>=20
> Do what works for you, don't be ashamed of it or feel like
> you must make excuses for it.
>=20
> Life's too short.
>=20
> Tell the critics to get stuffed.
>=20
> :-)
>=20
> Ted
>=20
> =0A=0A=0A      

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Date: Mon, 17 Jan 2011 09:24:28 -0800 (PST)
From: Stephen Scott <stevoj@yahoo.com>
Subject: Re: Source for replacement switches for fcb1010
To: Loopers-Delight@loopers-delight.com
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--0-301451990-1295285068=:18891
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks Andy,

That's a useful resource, could come in handy one day, I'll bookmark it.=A0=
=20

Shame they don't seem to stock the light sensitive component that has faile=
d in your FCB1010.=A0 AS I said before though, that wouldn't stop me buying=
 it off you for =A330.

By the way, I own 2 solder suckers!

Regards,

Stephen


--- On Mon, 1/17/11, andy butler <akbutler@tiscali.co.uk> wrote:

From: andy butler <akbutler@tiscali.co.uk>
Subject: Source for replacement switches for fcb1010
To: Loopers-Delight@loopers-delight.com
Date: Monday, January 17, 2011, 4:24 PM


Found this on my travels looking for a different part:-

http://pms-electronics.com/shop1/oxid.php/sid/92d81f471665318b80db0412b4025=
793/cl/details/anid/44076964b6f860.98562451/SW%3ATACTILE%3BPOL%3A1%3BHEIGHT=
%3A4mm3%3BA03B02//listtype/search/searchparam/887-43811-03768

(from Germany)

those are exact replacements for the footswitches which fail on
the fcb1010.

Don't know how easy the replacement is, I'd guess if you were
techie enough to own a solder sucker it'd be do-able.

andy butler

=0A=0A=0A      
--0-301451990-1295285068=:18891
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Thanks Andy,<br><br>That's a useful resource,=
 could come in handy one day, I'll bookmark it.&nbsp; <br><br>Shame they do=
n't seem to stock the light sensitive component that has failed in your FCB=
1010.&nbsp; AS I said before though, that wouldn't stop me buying it off yo=
u for =A330.<br><br>By the way, I own 2 solder suckers!<br><br>Regards,<br>=
<br>Stephen<br><br><br>--- On <b>Mon, 1/17/11, andy butler <i>&lt;akbutler@=
tiscali.co.uk&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px s=
olid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: andy=
 butler &lt;akbutler@tiscali.co.uk&gt;<br>Subject: Source for replacement s=
witches for fcb1010<br>To: Loopers-Delight@loopers-delight.com<br>Date: Mon=
day, January 17, 2011, 4:24 PM<br><br><div class=3D"plainMail"><br>Found th=
is on my travels looking for a different part:-<br><br><a
 href=3D"http://pms-electronics.com/shop1/oxid.php/sid/92d81f471665318b80db=
0412b4025793/cl/details/anid/44076964b6f860.98562451/SW%3ATACTILE%3BPOL%3A1=
%3BHEIGHT%3A4mm3%3BA03B02//listtype/search/searchparam/887-43811-03768" tar=
get=3D"_blank">http://pms-electronics.com/shop1/oxid.php/sid/92d81f47166531=
8b80db0412b4025793/cl/details/anid/44076964b6f860.98562451/SW%3ATACTILE%3BP=
OL%3A1%3BHEIGHT%3A4mm3%3BA03B02//listtype/search/searchparam/887-43811-0376=
8</a><br><br>(from Germany)<br><br>those are exact replacements for the foo=
tswitches which fail on<br>the fcb1010.<br><br>Don't know how easy the repl=
acement is, I'd guess if you were<br>techie enough to own a solder sucker i=
t'd be do-able.<br><br>andy butler<br><br></div></blockquote></td></tr></ta=
ble><br>=0A=0A=0A=0A=0A=0A=0A=0A      
--0-301451990-1295285068=:18891--

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Date: Mon, 17 Jan 2011 18:35:16 +0100
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Subject: Re: Backing tracks: A confession
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On Mon, Jan 17, 2011 at 6:20 PM, bill bigrig <billbigrig@yahoo.com> wrote:
> I live in a cultural backwater too, (first, Lewis county, WA, now, Benton=
 county, WA). Where's yours?
>
> --- On Sun, 1/16/11, tEd =C2=AE KiLLiAn <tedkillian@charter.net> wrote:
>
>> From: tEd =C2=AE KiLLiAn <tedkillian@charter.net>
>> Subject: Re: Backing tracks: A confession
>> To: Loopers-Delight@loopers-delight.com
>> Date: Sunday, January 16, 2011, 4:36 PM
>

You guys could start the band "Backwater Boys" !!!  At least
virtually... :-)  The looping community has too few virtual bands.
"The Bernhard's" being my favorite so far, a mighty virtual power
trio! (spawned at Z=C3=BCrich Loopfest afterparty 2005, yet to reach its
bloom)

Per

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 18:10:05 2011
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Medford, OR.

Sometimes called Deadford (or Dreadford), Oregon (neither one in=20
reference to an defunct rock band or a reagge hairstyle)

Occasionally also reffered to as Mediocreville, Mudburg, or Mid-fraud*,=20
Oregon

[*For all the local good-ole-boy politicians and conmen (or am I being=20
redundant?).]

Nothing good ever happens in Meford.

Ted


On Mon, Jan 17, 2011 at 9:20 AM, bill bigrig wrote:

> Howdy,
>
>  I live in a cultural backwater too, (first, Lewis county, WA, now,=20
> Benton county, WA). Where's yours?
>
> --- On Sun, 1/16/11, tEd =C2=AE KiLLiAn <tedkillian@charter.net> wrote:
>
>> From: tEd =C2=AE KiLLiAn <tedkillian@charter.net>
>> Subject: Re: Backing tracks: A confession
>> To: Loopers-Delight@loopers-delight.com
>> Date: Sunday, January 16, 2011, 4:36 PM
>> Hi there Mark,
>>
>> Well if you were just playing to mere canned backing tracks
>> (sort of in in effect a instrumental "guitar karaoke" thing)
>> and doing covers of of other peoples' boring pop songs you
>> might get a ribbing or two from some folks here.
>>
>> But the conceptual use of looping as "backing tracks for
>> something else doesn't bother me at all.
>>
>> I've been on the list since early October of '96 (it began
>> only a couple of months before that in June or July).
>>
>> And while I have heard some people express minor
>> disappointment from time to time here that so-and-so used
>> "canned" loops as opposed to "real" live looping, it hasn't,
>> as far as I know, really been a major axe to grind for
>> hardly anybody.
>>
>> I've been doing live tape-loop, analog and digitalL looping
>> a long, long time.
>>
>> But I have also been involved in so-called avant-garde
>> music longer than I have ever been doing "normal" music.
>>
>> In modern "art music" the concept of "music concrete" has
>> enjoyed a long and wholly accepted tradition.
>>
>> And, a little closer to mainstream, a good deal of Pink
>> Floyd's recordings and performances would not be what they
>> were if not for generous use of all sorts of pre-recorded
>> material (most of which along the lines of "music concrete"
>> or ambient/environmental sounds, or the signature cash
>> register sounds of "Money").
>>
>> At some point in the mid '80s I thought it would be cool to
>> acquire a Roland sampling keyboard (even though I'm the
>> worst keyboardist in the world) simply so I could perform
>> with some longish canned loop samples from from various
>> sources - along with my "live" looping.
>>
>> I've been doing it all along.
>>
>> After the arrival on the marketplace of various kinds of
>> desktop "phrase" or "groove" sample players=C2=A0 (first
>> from Akai then from Roland) I switched from the awkward
>> keyboard hardware to that format to augment my live
>> looping.
>>
>> I never hid it, and I even sometimes brought that sort of
>> setup to some of the early Y2K fests with no complaints from
>> Rick.
>>
>> Though I have largely NOT used canned loops for the past
>> few years, I am about to begin doing it again in my MaxMSP
>> laptop setup.
>>
>> I have an eight track sample player in my new rig that can
>> link to a folder with literally hundreds and hundreds of
>> sound files in it and automatically pick and play a new
>> random sound file every few seconds . . . or every tiny
>> fraction of a second if I so chose.
>>
>> I have all sorts of other controls over that content too,
>> but that's beside the point.
>>
>> Is it "music" . . . ?
>>
>> Is it "live looping" . . . ?
>>
>> Am I playing it like an instrument . . ?
>>
>> I don't know but I sure the heck like mucking around with
>> it and will continue to do so.
>>
>> And let's face it, I (like yourself) am a guitar player.
>>
>> Most of what I do with loops (canned or live) is to create
>> a "context" for my primary mode of self-expression on my
>> primary instrument.
>>
>> I use and have always used those tools as "backing tracks"
>> for my guitar playing when other "contexts" (a band of other
>> musicians say) has not been available, or capable of
>> providing a compatible one for me.
>>
>> Though I like to perform with others (it does get lonely
>> sometimes when you live in a cultural backwater) and will
>> ditch the loops and do so at almost any opportunity that
>> presents itself, I've always rather enjoyed being
>> self-sufficient too.
>>
>> I have never been ashamed of that.
>>
>> I don't lay in my bed at night dreaming of different new
>> ways to push buttons, and what those button pushes might
>> do.
>>
>> What I dream, if my dreams are musical at all, is about
>> stuff I might play on the guitar.
>>
>> If folks have a problem with that, it's their problem, not
>> mine.
>>
>> The Keller Williams mode of doing live looping is fine.
>>
>> The "looper as another instrument itself" mode of thinking
>> and working is just fine too.
>>
>> But I'm with you on this (I think), I'm not really "there"
>> in either of those ways of thinking about looping.
>>
>> And I am certainly not "there" in being a purist as to
>> what's live or not or what is a better way than another way
>> or not.
>>
>> Musically, it's all just stuff.
>>
>> We do what we do.
>>
>> Hopefully we'll keep doing it a little longer before the
>> universe tells us to pack it in.
>>
>> The point is, do you enjoy it?
>>
>> Does it make your soul soar?
>>
>> Anything that doesn't is a distraction or a waste of time.
>>
>> Do what works for you, don't be ashamed of it or feel like
>> you must make excuses for it.
>>
>> Life's too short.
>>
>> Tell the critics to get stuffed.
>>
>> :-)
>>
>> Ted
>>
>>

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Per,

Oh really?

I thought the looping community actually had too many "virtual" bands=20
and not enough real ones (not meant as a criticism, just an=20
observation).

:-)

Ted


On Mon, Jan 17, 2011 at 9:35 AM, Per Boysen wrote:

> You guys could start the band "Backwater Boys" !!!  At least
> virtually... :-)  The looping community has too few virtual bands.
> "The Bernhard's" being my favorite so far, a mighty virtual power
> trio! (spawned at Z=C3=BCrich Loopfest afterparty 2005, yet to reach its
> bloom)
>
> Per

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Subject: NAMM Blog
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There's some zoe pics and a short vid on my blog www.andyowens.com

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 6:54 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 17, 2011 at 12:21 PM, Jim Goodin <jimgoodinmusic@gmail.com> wr=
ote:
>> although as you point out it may still be another gen or two before the i=
Pad
>> can handle audio processing.
>=20
> If audio processing is not being supported with the gen 2 iPad I doubt
> it will never be. If contemplating Apple's typical marketing
> strategies I see a fair chance (risk) that the iPad story will evolve
> like those Mackbook Air laptopts; i.e. product design targeting
> ordinary people that do web surfing, typing and music listening with
> the machine. And the selling point Apple stresses is the cool design,
> these peep's want to show off a nice looking gadget on the coffee shop
> table. Musican friendly (read "powerful enough") laptops can not be
> designed in such a slick manner. Funny but also a bit sad facts of
> life.
>=20
>>  Bet NAMM was neat.  Jim
>=20
> I only was there virtually. But it was virtually awesome! I'm
> non-virtually interested in the GR-55 that I find almost revolutionary
> ;-))  (would fit in great with a "day job band" I'm playing with)
>=20
> Per
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 18:36:07 2011
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Well, after NAMM I will have to say I am very interested in getting ipad or t=
wo too play with, if for nothing else as a midi control surface and for the o=
mnisphere synth. Really cool piece of gear.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 7:32 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Has anyone considered the alternatives to the Apple product?
>=20
> The Android OS is (i think) Linux based, and there's people working on low=
 latency audio for it.
>=20
> Aren't there also various options for hacking too?
> Apple and M$ will never produce low latency.
>=20
> Just wondering why everyone's so i-obsessed=20
> andy
>=20
> buzap@gmx.net wrote:
>> Hi folks
>> I was wondering:
>> I don't need the iPhone etc. But is it worth getting the iPod touch just t=
o have a portable live looper always with you (Everyday Looper, VoiceJam)?
>> This would give me more portability than the RC-2.
>> Would like to hear your experience!
>> Buzap
>=20

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From: antonyhequet@yahoo.com
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--0-1434076353-1295289606=:63671
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how about a real virtual band:-)=0A=0A=0A=0A_______________________________=
_=0AFrom: tEd =AE kiLLiAn <tedkillian@charter.net>=0ATo: Loopers-Delight@lo=
opers-delight.com=0ASent: Mon, January 17, 2011 7:12:31 PM=0ASubject: Re: B=
acking tracks: A confession=0A=0APer,=0A=0AOh really?=0A=0AI thought the lo=
oping community actually had too many "virtual" bands and not =0Aenough rea=
l ones (not meant as a criticism, just an observation).=0A=0A:-)=0A=0ATed=
=0A=0A=0AOn Mon, Jan 17, 2011 at 9:35 AM, Per Boysen wrote:=0A=0A> You guys=
 could start the band "Backwater Boys" !!!  At least=0A> virtually... :-)  =
The looping community has too few virtual bands.=0A> "The Bernhard's" being=
 my favorite so far, a mighty virtual power=0A> trio! (spawned at Z=FCrich =
Loopfest afterparty 2005, yet to reach its=0A> bloom)=0A> =0A> Per=0A=0A=0A=
      
--0-1434076353-1295289606=:63671
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
4pt"><div>how about a real virtual band:-)</div><div style=3D"font-family:a=
rial, helvetica, sans-serif;font-size:14pt"><br><div style=3D"font-family:a=
rial, helvetica, sans-serif;font-size:13px"><font size=3D"2" face=3D"Tahoma=
"><hr size=3D"1"><b><span style=3D"font-weight: bold;">From:</span></b> tEd=
 =AE kiLLiAn &lt;tedkillian@charter.net&gt;<br><b><span style=3D"font-weigh=
t: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span st=
yle=3D"font-weight: bold;">Sent:</span></b> Mon, January 17, 2011 7:12:31 P=
M<br><b><span style=3D"font-weight: bold;">Subject:</span></b> Re: Backing =
tracks: A confession<br></font><br>=0APer,<br><br>Oh really?<br><br>I thoug=
ht the looping community actually had too many "virtual" bands and not enou=
gh real ones (not meant as a criticism, just an observation).<br><br>:-)<br=
><br>Ted<br><br><br>On Mon, Jan 17, 2011 at 9:35 AM, Per Boysen wrote:<br><=
br>&gt; You guys could start the band "Backwater Boys" !!!&nbsp; At least<b=
r>&gt; virtually... :-)&nbsp; The looping community has too few virtual ban=
ds.<br>&gt; "The Bernhard's" being my favorite so far, a mighty virtual pow=
er<br>&gt; trio! (spawned at Z=FCrich Loopfest afterparty 2005, yet to reac=
h its<br>&gt; bloom)<br>&gt; <br>&gt; Per<br><br></div></div><div style=3D"=
position:fixed"></div>=0A=0A=0A</div><br>=0A=0A      </body></html>
--0-1434076353-1295289606=:63671--

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The new combination of morphwiz as the controller for omnisphere on two ipad=
s is AMAZING!! Saw it demoed several times. I have a recording of a panel on=
 using ipad or I whatever as a musical instrument and will load to my blog a=
fter I have a chance to check it in the studio.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 12:07 PM, Dennis Moser <sinsofmachaut@gmail.com> wrote:

> Glad to hear it, Eric! I highly recommend ThumbJam and MorphWiz for the To=
uch!
>=20
> The point is to stop thinking about them for use in their "original"
> conception. I don't NEED another MP3 player...so the last thing I'm
> using my PodTouch for is actually listening to recorded music. The
> same goes for computers...netbooks make great little dedicated
> machines for music.
>=20
> Photographers figured this out years ago, with Kodak films...The Great
> Yellow Father would print ridiculous warnings about how to use their
> film, when the REAL fun started by using it experimentally in direct
> disregard of said warnings.
>=20
> I like to think that most of us on here are doing the same thing with
> all of gear, both software and hardware.
>=20
> Best,
>=20
> Denis
>=20
> http://soundcloud.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>=20
>=20
>=20
> On Mon, Jan 17, 2011 at 9:50 AM, E Gross <slapbandjam@yahoo.com> wrote:
>> Ha! Just last night I had my son show me his iPod touch so I can see how i=
t
>> works and whether it would be worth it. I think I will be getting one, fo=
r
>> the price and the available music apps I think it is worthwhile. Mostly
>> thinking of using it to add some synth sounds to my hardware-based loops.=
...
>>=20
>> Eric
>> ________________________________
>> From: "buzap@gmx.net" <buzap@gmx.net>
>> To: LD LoopersDelight <Loopers-Delight@loopers-delight.com>
>> Sent: Mon, January 17, 2011 5:38:43 AM
>> Subject: Worth getting iPod touch for Live Looping only?
>>=20
>> Hi folks
>>=20
>> I was wondering:
>> I don't need the iPhone etc. But is it worth getting the iPod touch just t=
o
>> have a portable live looper always with you (Everyday Looper, VoiceJam)?
>>=20
>> This would give me more portability than the RC-2.
>> Would like to hear your experience!
>>=20
>> Buzap
>> --
>> NEU: FreePhone - kostenlos mobil telefonieren und surfen!
>> Jetzt informieren: http://www.gmx.net/de/go/freephone
>>=20
>>=20
>>=20
>=20

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Oooo, the alesis dock looked super cool!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 5:59 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Mon, Jan 17, 2011 at 11:38 AM,  <buzap@gmx.net> wrote:
>> I was wondering:
>> I don't need the iPhone etc. But is it worth getting the iPod touch just t=
o have a portable live looper always with you (Everyday Looper, VoiceJam)?
>=20
> I would guess "no", but advice you to hold back for a couple of days
> to see reviews coming out of the Alesis StudioDock Pro for iPad that
> was just announced at NAMM. Those reports will tell how serious the
> iPad actually can get with audio - after all, it is not built for CPU
> demanding and timing critical applications like music.
> http://www.slipperybrick.com/2011/01/alesis-studiodock-pro-for-ipad/
>=20
> My bet is that the iPad will stay as the useful multi touch screen
> control surface it already has proven to be. Then you need some hidden
> away computer that does the actual processing. The wireless OSC based
> connection is very useful with the iPad but right now there are no
> looping software that supports OSC right of the bat. Logic does that
> though, and I have just spent a couple of days writing a tutorial
> article on OSC with Logic (Swedish only) and it is really cool I must
> say. Work right away and you can use the iPhone for everything from
> transport control to doing deeply into an EQ plugiin to adjust one
> particular frequency band cutoff. I only have the iphone and you would
> need an iPad to get serious with wireless OSC mixing because mixing is
> like playing music, you need to instantly adjust several parts of the
> music (tracks) at once and that many tracks doesn't fit on the iphone
> screen. Gosh... this post grew by itself, got to stop here (I actually
> wrote the part below before this but never mind, my brain has become
> all fucked up by too much speed typing these days... it kind of
> processes everything at the same time while typing is a linear
> process.... funny but definitely a differetnt storuyd - now out of
> here!!!!)
>=20
> BTW, my old Ericsson mobile phone recently crapped out and I replaced
> it with an iPhone4. What amazes me is that with an iPhone you can call
> and text message for free by using certain apps like Viber and What's
> Up. And - here comes my point - the Viber dev team says on their web
> site that they will soon be releasing Viber for iPad as well. This
> means you could use an iPad instead of an iphone for communication.
> That would require Skype with a Skyp-Out account as well since Apple
> have crippled the iPad to stop us from using them instead of iphone
> (as usual they want us to buy all their gadgets ;-)  So that was kind
> of cool to find out... if I had known I might have not picked up the
> iphone but gone with the pad right away. Also, rumors has that a
> generation two iPad is being wrapped up right now in the secret Apple
> laboratories. More rumors telling it will have better looking screen
> and good sounding built-in speakers. No rumors yet regarding USB 3
> ports or digital audio ports, I guess that depends on whether its
> processing power can handle live audio application.
>=20
> Per
>=20

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Date: Mon, 17 Jan 2011 14:20:33 -0500
Message-ID: <AANLkTimPPhf1LkJCizeKY+oWJbrLAGfQtdSShSqyAcrv@mail.gmail.com>
Subject: Re: Backing tracks: A confession
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thought I would check in from the SE, Ocala, Florida AKA Slowcala. We have
horse's, John Travolta and the "hotspot" is the Starbuck's on the Square! O=
h
yeah, mosquito's and alligators...

Jeff

On Mon, Jan 17, 2011 at 1:10 PM, tEd =AE kiLLiAn <tedkillian@charter.net>wr=
ote:

> Medford, OR.
>
> Sometimes called Deadford (or Dreadford), Oregon (neither one in referenc=
e
> to an defunct rock band or a reagge hairstyle)
>
> Occasionally also reffered to as Mediocreville, Mudburg, or Mid-fraud*,
> Oregon
>
> [*For all the local good-ole-boy politicians and conmen (or am I being
> redundant?).]
>
> Nothing good ever happens in Meford.
>
> Ted
>
>
> On Mon, Jan 17, 2011 at 9:20 AM, bill bigrig wrote:
>
>  Howdy,
>>
>>  I live in a cultural backwater too, (first, Lewis county, WA, now, Bent=
on
>> county, WA). Where's yours?
>>
>> --- On Sun, 1/16/11, tEd =AE KiLLiAn <tedkillian@charter.net> wrote:
>>
>>  From: tEd =AE KiLLiAn <tedkillian@charter.net>
>>> Subject: Re: Backing tracks: A confession
>>> To: Loopers-Delight@loopers-delight.com
>>> Date: Sunday, January 16, 2011, 4:36 PM
>>> Hi there Mark,
>>>
>>> Well if you were just playing to mere canned backing tracks
>>> (sort of in in effect a instrumental "guitar karaoke" thing)
>>> and doing covers of of other peoples' boring pop songs you
>>> might get a ribbing or two from some folks here.
>>>
>>> But the conceptual use of looping as "backing tracks for
>>> something else doesn't bother me at all.
>>>
>>> I've been on the list since early October of '96 (it began
>>> only a couple of months before that in June or July).
>>>
>>> And while I have heard some people express minor
>>> disappointment from time to time here that so-and-so used
>>> "canned" loops as opposed to "real" live looping, it hasn't,
>>> as far as I know, really been a major axe to grind for
>>> hardly anybody.
>>>
>>> I've been doing live tape-loop, analog and digitalL looping
>>> a long, long time.
>>>
>>> But I have also been involved in so-called avant-garde
>>> music longer than I have ever been doing "normal" music.
>>>
>>> In modern "art music" the concept of "music concrete" has
>>> enjoyed a long and wholly accepted tradition.
>>>
>>> And, a little closer to mainstream, a good deal of Pink
>>> Floyd's recordings and performances would not be what they
>>> were if not for generous use of all sorts of pre-recorded
>>> material (most of which along the lines of "music concrete"
>>> or ambient/environmental sounds, or the signature cash
>>> register sounds of "Money").
>>>
>>> At some point in the mid '80s I thought it would be cool to
>>> acquire a Roland sampling keyboard (even though I'm the
>>> worst keyboardist in the world) simply so I could perform
>>> with some longish canned loop samples from from various
>>> sources - along with my "live" looping.
>>>
>>> I've been doing it all along.
>>>
>>> After the arrival on the marketplace of various kinds of
>>> desktop "phrase" or "groove" sample players  (first
>>> from Akai then from Roland) I switched from the awkward
>>> keyboard hardware to that format to augment my live
>>> looping.
>>>
>>> I never hid it, and I even sometimes brought that sort of
>>> setup to some of the early Y2K fests with no complaints from
>>> Rick.
>>>
>>> Though I have largely NOT used canned loops for the past
>>> few years, I am about to begin doing it again in my MaxMSP
>>> laptop setup.
>>>
>>> I have an eight track sample player in my new rig that can
>>> link to a folder with literally hundreds and hundreds of
>>> sound files in it and automatically pick and play a new
>>> random sound file every few seconds . . . or every tiny
>>> fraction of a second if I so chose.
>>>
>>> I have all sorts of other controls over that content too,
>>> but that's beside the point.
>>>
>>> Is it "music" . . . ?
>>>
>>> Is it "live looping" . . . ?
>>>
>>> Am I playing it like an instrument . . ?
>>>
>>> I don't know but I sure the heck like mucking around with
>>> it and will continue to do so.
>>>
>>> And let's face it, I (like yourself) am a guitar player.
>>>
>>> Most of what I do with loops (canned or live) is to create
>>> a "context" for my primary mode of self-expression on my
>>> primary instrument.
>>>
>>> I use and have always used those tools as "backing tracks"
>>> for my guitar playing when other "contexts" (a band of other
>>> musicians say) has not been available, or capable of
>>> providing a compatible one for me.
>>>
>>> Though I like to perform with others (it does get lonely
>>> sometimes when you live in a cultural backwater) and will
>>> ditch the loops and do so at almost any opportunity that
>>> presents itself, I've always rather enjoyed being
>>> self-sufficient too.
>>>
>>> I have never been ashamed of that.
>>>
>>> I don't lay in my bed at night dreaming of different new
>>> ways to push buttons, and what those button pushes might
>>> do.
>>>
>>> What I dream, if my dreams are musical at all, is about
>>> stuff I might play on the guitar.
>>>
>>> If folks have a problem with that, it's their problem, not
>>> mine.
>>>
>>> The Keller Williams mode of doing live looping is fine.
>>>
>>> The "looper as another instrument itself" mode of thinking
>>> and working is just fine too.
>>>
>>> But I'm with you on this (I think), I'm not really "there"
>>> in either of those ways of thinking about looping.
>>>
>>> And I am certainly not "there" in being a purist as to
>>> what's live or not or what is a better way than another way
>>> or not.
>>>
>>> Musically, it's all just stuff.
>>>
>>> We do what we do.
>>>
>>> Hopefully we'll keep doing it a little longer before the
>>> universe tells us to pack it in.
>>>
>>> The point is, do you enjoy it?
>>>
>>> Does it make your soul soar?
>>>
>>> Anything that doesn't is a distraction or a waste of time.
>>>
>>> Do what works for you, don't be ashamed of it or feel like
>>> you must make excuses for it.
>>>
>>> Life's too short.
>>>
>>> Tell the critics to get stuffed.
>>>
>>> :-)
>>>
>>> Ted
>>>
>>>
>>>

--90e6ba6e8fd0873942049a0fad86
Content-Type: text/html; charset=ISO-8859-1
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Thought I would check in from the SE, Ocala, Florida AKA Slowcala. We have =
horse&#39;s, John Travolta and the &quot;hotspot&quot; is the Starbuck&#39;=
s on the Square! Oh yeah, mosquito&#39;s and alligators...<br><br>Jeff<br>
<br><div class=3D"gmail_quote">On Mon, Jan 17, 2011 at 1:10 PM, tEd =AE kiL=
LiAn <span dir=3D"ltr">&lt;<a href=3D"mailto:tedkillian@charter.net">tedkil=
lian@charter.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">
Medford, OR.<br>
<br>
Sometimes called Deadford (or Dreadford), Oregon (neither one in reference =
to an defunct rock band or a reagge hairstyle)<br>
<br>
Occasionally also reffered to as Mediocreville, Mudburg, or Mid-fraud*, Ore=
gon<br>
<br>
[*For all the local good-ole-boy politicians and conmen (or am I being redu=
ndant?).]<br>
<br>
Nothing good ever happens in Meford.<br>
<br>
Ted<br>
<br>
<br>
On Mon, Jan 17, 2011 at 9:20 AM, bill bigrig wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Howdy,<br>
<br>
=A0I live in a cultural backwater too, (first, Lewis county, WA, now, Bento=
n county, WA). Where&#39;s yours?<br>
<br>
--- On Sun, 1/16/11, tEd =AE KiLLiAn &lt;<a href=3D"mailto:tedkillian@chart=
er.net" target=3D"_blank">tedkillian@charter.net</a>&gt; wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
From: tEd =AE KiLLiAn &lt;<a href=3D"mailto:tedkillian@charter.net" target=
=3D"_blank">tedkillian@charter.net</a>&gt;<br>
Subject: Re: Backing tracks: A confession<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>
Date: Sunday, January 16, 2011, 4:36 PM<br>
Hi there Mark,<br>
<br>
Well if you were just playing to mere canned backing tracks<br>
(sort of in in effect a instrumental &quot;guitar karaoke&quot; thing)<br>
and doing covers of of other peoples&#39; boring pop songs you<br>
might get a ribbing or two from some folks here.<br>
<br>
But the conceptual use of looping as &quot;backing tracks for<br>
something else doesn&#39;t bother me at all.<br>
<br>
I&#39;ve been on the list since early October of &#39;96 (it began<br>
only a couple of months before that in June or July).<br>
<br>
And while I have heard some people express minor<br>
disappointment from time to time here that so-and-so used<br>
&quot;canned&quot; loops as opposed to &quot;real&quot; live looping, it ha=
sn&#39;t,<br>
as far as I know, really been a major axe to grind for<br>
hardly anybody.<br>
<br>
I&#39;ve been doing live tape-loop, analog and digitalL looping<br>
a long, long time.<br>
<br>
But I have also been involved in so-called avant-garde<br>
music longer than I have ever been doing &quot;normal&quot; music.<br>
<br>
In modern &quot;art music&quot; the concept of &quot;music concrete&quot; h=
as<br>
enjoyed a long and wholly accepted tradition.<br>
<br>
And, a little closer to mainstream, a good deal of Pink<br>
Floyd&#39;s recordings and performances would not be what they<br>
were if not for generous use of all sorts of pre-recorded<br>
material (most of which along the lines of &quot;music concrete&quot;<br>
or ambient/environmental sounds, or the signature cash<br>
register sounds of &quot;Money&quot;).<br>
<br>
At some point in the mid &#39;80s I thought it would be cool to<br>
acquire a Roland sampling keyboard (even though I&#39;m the<br>
worst keyboardist in the world) simply so I could perform<br>
with some longish canned loop samples from from various<br>
sources - along with my &quot;live&quot; looping.<br>
<br>
I&#39;ve been doing it all along.<br>
<br>
After the arrival on the marketplace of various kinds of<br>
desktop &quot;phrase&quot; or &quot;groove&quot; sample players=A0 (first<b=
r>
from Akai then from Roland) I switched from the awkward<br>
keyboard hardware to that format to augment my live<br>
looping.<br>
<br>
I never hid it, and I even sometimes brought that sort of<br>
setup to some of the early Y2K fests with no complaints from<br>
Rick.<br>
<br>
Though I have largely NOT used canned loops for the past<br>
few years, I am about to begin doing it again in my MaxMSP<br>
laptop setup.<br>
<br>
I have an eight track sample player in my new rig that can<br>
link to a folder with literally hundreds and hundreds of<br>
sound files in it and automatically pick and play a new<br>
random sound file every few seconds . . . or every tiny<br>
fraction of a second if I so chose.<br>
<br>
I have all sorts of other controls over that content too,<br>
but that&#39;s beside the point.<br>
<br>
Is it &quot;music&quot; . . . ?<br>
<br>
Is it &quot;live looping&quot; . . . ?<br>
<br>
Am I playing it like an instrument . . ?<br>
<br>
I don&#39;t know but I sure the heck like mucking around with<br>
it and will continue to do so.<br>
<br>
And let&#39;s face it, I (like yourself) am a guitar player.<br>
<br>
Most of what I do with loops (canned or live) is to create<br>
a &quot;context&quot; for my primary mode of self-expression on my<br>
primary instrument.<br>
<br>
I use and have always used those tools as &quot;backing tracks&quot;<br>
for my guitar playing when other &quot;contexts&quot; (a band of other<br>
musicians say) has not been available, or capable of<br>
providing a compatible one for me.<br>
<br>
Though I like to perform with others (it does get lonely<br>
sometimes when you live in a cultural backwater) and will<br>
ditch the loops and do so at almost any opportunity that<br>
presents itself, I&#39;ve always rather enjoyed being<br>
self-sufficient too.<br>
<br>
I have never been ashamed of that.<br>
<br>
I don&#39;t lay in my bed at night dreaming of different new<br>
ways to push buttons, and what those button pushes might<br>
do.<br>
<br>
What I dream, if my dreams are musical at all, is about<br>
stuff I might play on the guitar.<br>
<br>
If folks have a problem with that, it&#39;s their problem, not<br>
mine.<br>
<br>
The Keller Williams mode of doing live looping is fine.<br>
<br>
The &quot;looper as another instrument itself&quot; mode of thinking<br>
and working is just fine too.<br>
<br>
But I&#39;m with you on this (I think), I&#39;m not really &quot;there&quot=
;<br>
in either of those ways of thinking about looping.<br>
<br>
And I am certainly not &quot;there&quot; in being a purist as to<br>
what&#39;s live or not or what is a better way than another way<br>
or not.<br>
<br>
Musically, it&#39;s all just stuff.<br>
<br>
We do what we do.<br>
<br>
Hopefully we&#39;ll keep doing it a little longer before the<br>
universe tells us to pack it in.<br>
<br>
The point is, do you enjoy it?<br>
<br>
Does it make your soul soar?<br>
<br>
Anything that doesn&#39;t is a distraction or a waste of time.<br>
<br>
Do what works for you, don&#39;t be ashamed of it or feel like<br>
you must make excuses for it.<br>
<br>
Life&#39;s too short.<br>
<br>
Tell the critics to get stuffed.<br>
<br>
:-)<br>
<br>
Ted<br>
<br>
<br>
</blockquote></blockquote>
</blockquote></div><br>

--90e6ba6e8fd0873942049a0fad86--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 19:45:41 2011
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Or if you were a wikilink employee as the ones in the article were. I had th=
e same thing happen going hunting into canada a few years ago. They didnt ke=
ep my laptop but spent about thirty munutes looking for "child porno or mone=
y laundering evidence".=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 16, 2011, at 12:13 PM, "Jeremy devros" <deafrose58@hotmail.com> wrote=
:

> My son just came home from the holidays from Beirut where he is studying a=
t LAU. He brought his laptop home and no such problem. I would think if a pe=
rson were going to have an issue w/TSA it would happen coming in from the Mi=
ddle East.
> JD
>=20
> > Date: Sun, 16 Jan 2011 15:22:50 +0100
> > From: moinsound@googlemail.com
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Is the new Stalin African-American?
> >=20
> > http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/ind=
ex.html
> > (via @ilovetypography on twitter).
> >=20
> > Any of you had experiences similar to those described in this article=20=

> > about DHS/TSA proceedings when entering the US (both for US citizens and=
=20
> > others)?
> >=20
> > Sad to say, but the way this looks, this may require us all either to=20=

> > never enter the US again - or to go back to hardware loopers...
> >=20
> > Rainer
> >=20
> > --=20
> > http://moinlabs.de
> > Follow me on twitter: http://twitter.com/moinlabs
> >=20

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 19:51:56 2011
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Date: Mon, 17 Jan 2011 14:51:24 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Please stop the Racist innuendo!!! Re: Is the new Stalin
 African-American?
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Seriously? "Is the new Stalin African-American?"
Knock this shit off now, please..

-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Date: Mon, 17 Jan 2011 12:06:17 -0800 (PST)
From: antonyhequet@yahoo.com
Subject: Re: Please stop the Racist innuendo!!! Re: Is the new Stalin African-American?
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I am sure the same point can be made in a more subtle way

Antony



________________________________
From: Charles Zwicky <cazwicky@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, January 17, 2011 8:51:24 PM
Subject: Please stop the Racist innuendo!!! Re: Is the new Stalin 
African-American?

Seriously? "Is the new Stalin African-American?"
Knock this shit off now, please..

-- 
...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>I am sure the same point can be made in a more subtle way</div><div><br></div><div>Antony</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:arial, helvetica, sans-serif;font-size:13px"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Charles Zwicky &lt;cazwicky@earthlink.net&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Mon, January 17, 2011 8:51:24 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Please stop the Racist innuendo!!! Re: Is the new Stalin African-American?<br></font><br>
Seriously? "Is the new Stalin African-American?"<br>Knock this shit off now, please..<br><br>-- <br>...<br><span><a target="_blank" href="http://www.zmix.net">http://www.zmix.net</a></span><br><br><span><a target="_blank" href="http://www.esession.com/ChuckZwicky">http://www.esession.com/ChuckZwicky</a></span><br><br><span><a target="_blank" href="http://albumcredits.com/zmix">http://albumcredits.com/zmix</a></span><br><br></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-208424642-1295294777=:79181--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 21:01:21 2011
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On 7/22/64 11:59 AM, Andy Owens wrote:
> The two buttons on the right are labeled effects one and two. When a loop is playing, they are ready to trigger the manipulation. If a loop is not playing you hold down record and the effects light up and if you press one the one scrolls, two two scrolls. Purty cool.
Almost correct, Andy (and thanks for responding to this post,  I just 
slept in for the first time
in a week and didn't read any of these queries until right now to respond:

There are two ways to change what effects are attached to the two 
effects buttons (1 and 2).

1)   there is a switch on the back that you can use with your hand 
before you start to record.
This lights up all the LEDs and then you scroll through to whichever 
effect you want Effect One
to control and then scroll through to whichever effect you want Effect 
Two to be
and then you hit the Record button to set your choices.

It's a move you have to get the hang up but it's very rapid once I did.

2)  When a loop is already playing (and NOT in stop mode as Andy wrote) 
you can hold down
the RECORD button and it will access all of the EFFECTS and you chose as 
in the previous example,
hit RECORD one more time and the effect is set.

rick walker

PS   by the way,  it was really a treat to see you, Andy and your very 
talented son (who was just ripping up
on his mandolin in a little brief impromptu jam we had at the booth).

I love NAMM because you get to finally see people who you feel 
affectionate towards but have only
had an online relationship with previously.     I got to see three 
people this year for the first time
and it was really wonderful.

This list is also wonderful for those kinds of experiences.   We're 
lucky to have each other here!

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 21:20:36 2011
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Per wrote:
> My bet is that the iPad will stay as the useful multi touch screen
> control surface it already has proven to be. Then you need some hidden
> away computer that does the actual processing. The wireless OSC based
> connection is very useful with the iPad but right now there are no
> looping software that supports OSC right of the bat. 

I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
which is a wireless OSC to Midi converter designed, specifically
to allow an iTouch/Phone/Pad to control any midi instrument,
remotely and will solve, in one fell swoop, the problem Per mentions 
about support in
looping software (or hardware)

I was hoping to control my LP-1 at NAMM with my iTouch but I got
so sick before the show I just didn't have time to get it all working
but it DOES work (I saw Hans at the show).

So this is very exciting to me:   Particularly because the way I loop
is to play multiple tracks (and frequently multiple instruments)
and then in the 2nd half of my performance I play producer and
dub-maestro,  manipulating the tracks with effects and the use
of loop manipulation that the LP-1 is so good at.

To be able to do this in a more 'performance' mode,  in other words,
not so tethered to the hardware device or looking down at
pedals (the 'shoegazer' effect) which using the app 'touchOSC'
would allow one to do with an iTouch (the only one I own)
is great.

Additionally and saliently cool is the fact that you can program all
of the accelerometer action of the iTouch to control midi instruments.

How cool is that?

rick walker

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 21:28:41 2011
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On 7/22/64 11:59 AM, Dennis Moser wrote:
> The beauty of using the iPOD Touch is that it IS NOT a PHONE, so there
> is no cost penalty attached to it.
So true.
I have an iTouch and have been researching apps for Bill Putnam and
I'm astonished by how much music you can get out of it.

I remember distinctly feeling like I  watching a new paradigm of 
performance
when Kevin Spears (aka KalimbaMan) played at the Y2K8 and Y2K9 looping
festivals.

He was playing small hand held African thumb pianos and then switching over
to playing a Korg Kaossilator.........everything was small, hand held and
it allowed him to make a very cool and visceral performance (just moving 
his
body, singing and being the overall awesome and riveting performer that 
Kevin
is).

To add an iTouch rocking emulations of Hang drums and Kotos and Moog 
Synthesizers
and Theremins and live looping apps and, and , and

......just really ups the whole performance bar.

I highly recommend buying yourself a used iTouch if you can afford to.
(There's even a $60 Blue microphone for sale that you can use to record 
and sample
things for future manipulations---and then send them to your computer to 
process
further).

rick walker

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Subject: Re: Worth getting iPod touch for Live Looping only?
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> On Mon, Jan 17, 2011 at 4:59 AM, Per Boysen <perboysen@gmail.com> wrote:
> My bet is that the iPad will stay as the useful multi touch screen
> control surface it already has proven to be. Then you need some hidden
> away computer that does the actual processing. The wireless OSC based
> connection is very useful with the iPad but right now there are no
> looping software that supports OSC right of the bat.

FWIW, the 1.43 release of Mobius supports OSC and I have a few templates
for use with TouchOSC.  You have to program it in XML though, there
is no nice user interface.

Jeff

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<br><div><div>&gt; On Mon, Jan 17, 2011 at 4:59 AM, Per Boysen &lt;<a href=
=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:</div><di=
v>&gt; My bet is that the iPad will stay as the useful multi touch screen</=
div>
<div>&gt; control surface it already has proven to be. Then you need some h=
idden</div><div>&gt; away computer that does the actual processing. The wir=
eless OSC based</div><div>&gt; connection is very useful with the iPad but =
right now there are no</div>
<div>&gt; looping software that supports OSC right of the bat.=A0</div><div=
><br></div><div>FWIW, the 1.43 release of Mobius supports OSC and I have a =
few templates</div><div>for use with TouchOSC. =A0You have to program it in=
 XML though, there</div>
<div>is no nice user interface.</div><div><br></div><div>Jeff</div></div><d=
iv><br></div>

--0015175cb820d09305049a117b59--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 21:33:26 2011
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On 7/22/64 11:59 AM, Andy Owens wrote:
> I liked playing around with it, my only two points were that it would be nice to know what effect is armed, and the effects work on the whole set of primary loop and overdubs, which is a bit foriegn to me, but I'm used to the LP1.
When you toggle the effects button, it lights up which effect is being 
used, Andy.
> By the way, chatter from bob at the show was he will be putting some time on the LP1 this year, woo hoo!!!

Oh yes,  Andy Butler and I have been working on some very cool new LP-1
functionality  (not found in any loopers so far) for the new year!

I'm excited about the possibilities.

We'll let you know when we're there,  I promise.

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Date: Mon, 17 Jan 2011 22:36:05 +0100
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Subject: Re: Re: Worth getting iPod touch for Live Looping only?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm sorry I misread the original post and started rapping about iPad
when the thread actually was about iPod Touch! My bad. ;-)

Anyway, I'm not at all excited with the multi touch technology for
controlling music instruments. I would much rather take any equally
effective control surface that doesn't force you to visually look at
it in order to use it. I like being able to play without looking, and
that is simply not possible with these touch screen pads and pods.

But one side with them excites the shit out of me - the become
incredibly inexpensive in the long run! That is because unlike
hardware you can simply push a button to load a different app and
suddenly have a completely different piece of music gear at your
finger tips.

Recardoing OSC to MIDI converters we already have Osculator that sort
of have become the standard. But I was more thinking about loopers
that directly support OSC without the need of an extra transformation
utility. One point in using OSC is that it has a better resolution
than MIDI.

@Jeff,
Awesome news on the Mobius 1.43 OSC support! Can't wait to dig into
that after the recent period of concerts.

The KaossPad 4 looks nice and so does the Korg NanoPad ;-))  And yes
of course the GR-55! Such a NAMM we saw this year!

Per


On Mon, Jan 17, 2011 at 10:20 PM, Rick Walker <looppool@cruzio.com> wrote:
> Per wrote:
>>
>> My bet is that the iPad will stay as the useful multi touch screen
>> control surface it already has proven to be. Then you need some hidden
>> away computer that does the actual processing. The wireless OSC based
>> connection is very useful with the iPad but right now there are no
>> looping software that supports OSC right of the bat.
>
> I'm beta testing looper Hans Lindauer's invention, =C2=A0'the Missing Lin=
k'
> which is a wireless OSC to Midi converter designed, specifically
> to allow an iTouch/Phone/Pad to control any midi instrument,
> remotely and will solve, in one fell swoop, the problem Per mentions abou=
t
> support in
> looping software (or hardware)
>
> I was hoping to control my LP-1 at NAMM with my iTouch but I got
> so sick before the show I just didn't have time to get it all working
> but it DOES work (I saw Hans at the show).
>
> So this is very exciting to me: =C2=A0 Particularly because the way I loo=
p
> is to play multiple tracks (and frequently multiple instruments)
> and then in the 2nd half of my performance I play producer and
> dub-maestro, =C2=A0manipulating the tracks with effects and the use
> of loop manipulation that the LP-1 is so good at.
>
> To be able to do this in a more 'performance' mode, =C2=A0in other words,
> not so tethered to the hardware device or looking down at
> pedals (the 'shoegazer' effect) which using the app 'touchOSC'
> would allow one to do with an iTouch (the only one I own)
> is great.
>
> Additionally and saliently cool is the fact that you can program all
> of the accelerometer action of the iTouch to control midi instruments.
>
> How cool is that?
>
> rick walker
>
>

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Date: Mon, 17 Jan 2011 16:54:27 -0500
Message-ID: <AANLkTik3vacBcphWQEGZK_jPMVpdX-sAXHRKBJUo_awZ@mail.gmail.com>
Subject: Re: Worth getting iPod touch for Live Looping only?
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Jeff you mentioned that and I sort of glossed over earlier but now thinking
of it more focused, partly after spent a lot of energy with Mobius this pas=
t
weekend (guess I am back again, know I've been a revolving door with it but
the recent script discussion was quite interesting as I alluded earlier).
 Maybe I should write you off-list about this as it sounds like it might be
an interesting option for me to explore re control.

Thx for rementioning.

Jim

On Mon, Jan 17, 2011 at 4:29 PM, Jeff Larson <jeff.larson@sailpoint.com>wro=
te:

>
> > On Mon, Jan 17, 2011 at 4:59 AM, Per Boysen <perboysen@gmail.com> wrote=
:
> > My bet is that the iPad will stay as the useful multi touch screen
> > control surface it already has proven to be. Then you need some hidden
> > away computer that does the actual processing. The wireless OSC based
> > connection is very useful with the iPad but right now there are no
> > looping software that supports OSC right of the bat.
>
> FWIW, the 1.43 release of Mobius supports OSC and I have a few templates
> for use with TouchOSC.  You have to program it in XML though, there
> is no nice user interface.
>
> Jeff
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a2e9f07801049a11d323
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Jeff you mentioned that and I sort of glossed over earlier but now thinking=
 of it more focused, partly after spent a lot of energy with Mobius this pa=
st weekend (guess I am back again, know I&#39;ve been a revolving door with=
 it but the recent script discussion was quite interesting as I alluded ear=
lier). =A0Maybe I should write you off-list about this as it sounds like it=
 might be an interesting option for me to explore re control.<div>
<br></div><div>Thx for rementioning.</div><div><br></div><div>Jim<br><br><d=
iv class=3D"gmail_quote">On Mon, Jan 17, 2011 at 4:29 PM, Jeff Larson <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@s=
ailpoint.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><br><div><div class=3D"im"><div>&gt; On Mon=
, Jan 17, 2011 at 4:59 AM, Per Boysen &lt;<a href=3D"mailto:perboysen@gmail=
.com" target=3D"_blank">perboysen@gmail.com</a>&gt; wrote:</div>
<div>&gt; My bet is that the iPad will stay as the useful multi touch scree=
n</div>
<div>&gt; control surface it already has proven to be. Then you need some h=
idden</div><div>&gt; away computer that does the actual processing. The wir=
eless OSC based</div><div>&gt; connection is very useful with the iPad but =
right now there are no</div>

<div>&gt; looping software that supports OSC right of the bat.=A0</div><div=
><br></div></div><div>FWIW, the 1.43 release of Mobius supports OSC and I h=
ave a few templates</div><div>for use with TouchOSC. =A0You have to program=
 it in XML though, there</div>

<div>is no nice user interface.</div><div><br></div><div>Jeff</div></div><d=
iv><br></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf3054a2e9f07801049a11d323--

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Subject: Re: Re: Worth getting iPod touch for Live Looping only?
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Missing Link got a bit of a write up:
http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/



At 2011.01.17 01:20 PM, Rick Walker wrote:
I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
>which is a wireless OSC to Midi converter designed, specifically
>to allow an iTouch/Phone/Pad to control any midi instrument,
>remotely and will solve, in one fell swoop, the problem Per mentions 
>about support in
>looping software (or hardware)

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Date: Mon, 17 Jan 2011 17:11:50 -0500
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Subject: Re: Re: Worth getting iPod touch for Live Looping only?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Sean thanks, that's pretty neat.  As I have an iTOuch at present I'm rather
interested in exploring that option.  Forgive me here but are you the Sean =
I
met at Y2K this past fall? If not sorry to confuse and thanks for the lead
here, hey it is you just recognized your fts email!

On Mon, Jan 17, 2011 at 4:25 PM, Sean Echevarria <
fuckthespam@creepingfog.com> wrote:

> Missing Link got a bit of a write up:
>
> http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-mid=
iosc-developers-answer-questions/
>
>
>
>
> At 2011.01.17 01:20 PM, Rick Walker wrote:
> I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
>
>> which is a wireless OSC to Midi converter designed, specifically
>> to allow an iTouch/Phone/Pad to control any midi instrument,
>> remotely and will solve, in one fell swoop, the problem Per mentions abo=
ut
>> support in
>> looping software (or hardware)
>>
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a34d11d664049a121250
Content-Type: text/html; charset=ISO-8859-1
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Sean thanks, that&#39;s pretty neat. =A0As I have an iTOuch at present I&#3=
9;m rather interested in exploring that option. =A0Forgive me here but are =
you the Sean I met at Y2K this past fall? If not sorry to confuse and thank=
s for the lead here, hey it is you just recognized your fts email! =A0<br>
<br><div class=3D"gmail_quote">On Mon, Jan 17, 2011 at 4:25 PM, Sean Echeva=
rria <span dir=3D"ltr">&lt;<a href=3D"mailto:fuckthespam@creepingfog.com">f=
uckthespam@creepingfog.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex;">
Missing Link got a bit of a write up:<br>
<a href=3D"http://createdigitalmusic.com/2011/01/new-solutions-for-wireless=
-midi-midiosc-developers-answer-questions/" target=3D"_blank">http://create=
digitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers=
-answer-questions/</a><div>
<div></div><div class=3D"h5"><br>
<br>
<br>
<br>
At 2011.01.17 01:20 PM, Rick Walker wrote:<br>
I&#39;m beta testing looper Hans Lindauer&#39;s invention, =A0&#39;the Miss=
ing Link&#39;<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
which is a wireless OSC to Midi converter designed, specifically<br>
to allow an iTouch/Phone/Pad to control any midi instrument,<br>
remotely and will solve, in one fell swoop, the problem Per mentions about =
support in<br>
looping software (or hardware)<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054a34d11d664049a121250--

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Date: Mon, 17 Jan 2011 16:25:51 -0600
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Subject: Re: Re: Worth getting iPod touch for Live Looping only?
From: Jeff Larson <jeff.larson@sailpoint.com>
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What I can't figure out from the material available on the Intertubes is
exactly what "receives OSC" means.
Since there are effectively no standards for what OSC messages look like,
one of the challenges in
doing anything with OSC is translating the messages that one device sends
into the messages
another device recognizes.   Can you use this with both TouchOSC and the
monome for example
which have different OSC "vocabularies"?

Jeff



On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarria <
fuckthespam@creepingfog.com> wrote:

> Missing Link got a bit of a write up:
>
> http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/
>
>
>
>
> At 2011.01.17 01:20 PM, Rick Walker wrote:
> I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
>
>> which is a wireless OSC to Midi converter designed, specifically
>> to allow an iTouch/Phone/Pad to control any midi instrument,
>> remotely and will solve, in one fell swoop, the problem Per mentions about
>> support in
>> looping software (or hardware)
>>
>
>

--0016364270c837358f049a124436
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What I can&#39;t figure out from the material available on the Intertubes i=
s exactly what &quot;receives OSC&quot; means.<div>Since there are effectiv=
ely no standards for what OSC messages look like, one of the challenges in<=
/div>
<div>doing anything with OSC is translating the messages that one device se=
nds into the messages</div><div>another device recognizes. =A0 Can you use =
this with both TouchOSC and the monome for example</div><div>which have dif=
ferent OSC &quot;vocabularies&quot;?</div>
<div><br></div><div>Jeff</div><div><br></div><div><br><br><div class=3D"gma=
il_quote">On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarria <span dir=3D"ltr=
">&lt;<a href=3D"mailto:fuckthespam@creepingfog.com">fuckthespam@creepingfo=
g.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Missing Link got a bit of a write up:<br>
<a href=3D"http://createdigitalmusic.com/2011/01/new-solutions-for-wireless=
-midi-midiosc-developers-answer-questions/" target=3D"_blank">http://create=
digitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers=
-answer-questions/</a><div>
<div></div><div class=3D"h5"><br>
<br>
<br>
<br>
At 2011.01.17 01:20 PM, Rick Walker wrote:<br>
I&#39;m beta testing looper Hans Lindauer&#39;s invention, =A0&#39;the Miss=
ing Link&#39;<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
which is a wireless OSC to Midi converter designed, specifically<br>
to allow an iTouch/Phone/Pad to control any midi instrument,<br>
remotely and will solve, in one fell swoop, the problem Per mentions about =
support in<br>
looping software (or hardware)<br>
</blockquote>
<br>
</div></div></blockquote></div><br></div>

--0016364270c837358f049a124436--

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Date: Mon, 17 Jan 2011 16:36:38 -0600
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Subject: Re: Re: Worth getting iPod touch for Live Looping only?
From: Jeff Larson <jeff.larson@sailpoint.com>
To: Loopers-Delight@loopers-delight.com
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--0016364270c8d1ab35049a126aa1
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Found it....http://wifimidi.com/setup/

        > Note also that TouchOSC for Android does not yet allow for custom
OSC messages.
        >  Your OSC app *must* allow custom OSC messages, and must also
output its values in
        >  the 0-1.0 range (floating point), with slash ("/") delimiters.
That should be pretty standard.


It doesn't do message translation, you have to program the sender to send
the messages
it recognizes.  That's an understandable limitation, and since TouchOSC is
what most people
will be using it probably isn't that big of a deal.    Just be aware that
you can't  use
every OSC device with this (not that there are that many), it has to support
custom messages.

Jeff

On Mon, Jan 17, 2011 at 4:25 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

> What I can't figure out from the material available on the Intertubes is
> exactly what "receives OSC" means.
> Since there are effectively no standards for what OSC messages look like,
> one of the challenges in
> doing anything with OSC is translating the messages that one device sends
> into the messages
> another device recognizes.   Can you use this with both TouchOSC and the
> monome for example
> which have different OSC "vocabularies"?
>
> Jeff
>
>
>
> On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarria <
> fuckthespam@creepingfog.com> wrote:
>
>> Missing Link got a bit of a write up:
>>
>> http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/
>>
>>
>>
>>
>> At 2011.01.17 01:20 PM, Rick Walker wrote:
>> I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
>>
>>> which is a wireless OSC to Midi converter designed, specifically
>>> to allow an iTouch/Phone/Pad to control any midi instrument,
>>> remotely and will solve, in one fell swoop, the problem Per mentions
>>> about support in
>>> looping software (or hardware)
>>>
>>
>>
>

--0016364270c8d1ab35049a126aa1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Found it....<a href=3D"http://wifimidi.com/setup/">http://wifimidi.com/setu=
p/</a><div><br></div><div><span class=3D"Apple-style-span" style=3D"font-fa=
mily: Verdana, sans-serif; font-size: 12px; ">=A0=A0 =A0 =A0 =A0&gt; Note a=
lso that TouchOSC for Android does not yet allow for custom OSC messages.</=
span></div>
<div><span class=3D"Apple-style-span" style=3D"font-family: Verdana, sans-s=
erif; font-size: 12px; ">=A0=A0 =A0 =A0 =A0&gt; =A0Your OSC app=A0<em style=
=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0p=
x; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left:=
 0px; ">must</em>=A0allow custom OSC messages, and must also output its val=
ues in</span></div>
<div><span class=3D"Apple-style-span" style=3D"font-family: Verdana, sans-s=
erif; font-size: 12px; ">=A0=A0 =A0 =A0 =A0&gt; =A0the 0-1.0 range (floatin=
g point), with slash (&quot;/&quot;) delimiters. That should be pretty stan=
dard.</span></div>
<div><font class=3D"Apple-style-span" face=3D"Verdana, sans-serif"><span cl=
ass=3D"Apple-style-span" style=3D"font-size: 12px;"><br></span></font></div=
><div><font class=3D"Apple-style-span" face=3D"Verdana, sans-serif"><span c=
lass=3D"Apple-style-span" style=3D"font-size: 12px;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"Verdana, =
sans-serif"><span class=3D"Apple-style-span" style=3D"font-size: 12px;">It =
doesn&#39;t do message translation, you have to program the sender to send =
the messages</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"Verdana, sans-serif"><span cl=
ass=3D"Apple-style-span" style=3D"font-size: 12px;">it recognizes. =A0That&=
#39;s an understandable limitation, and since TouchOSC is what most people<=
/span></font></div>
<div><font class=3D"Apple-style-span" face=3D"Verdana, sans-serif"><span cl=
ass=3D"Apple-style-span" style=3D"font-size: 12px;">will be using it probab=
ly isn&#39;t that big of a deal. =A0 =A0Just be aware that you can&#39;t =
=A0use</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"Verdana, sans-serif"><span cl=
ass=3D"Apple-style-span" style=3D"font-size: 12px;">every OSC device with t=
his (not that there are that many), it has to support custom messages.</spa=
n></font></div>
<div><font class=3D"Apple-style-span" face=3D"Verdana, sans-serif"><span cl=
ass=3D"Apple-style-span" style=3D"font-size: 12px;"><br></span></font></div=
><div><font class=3D"Apple-style-span" face=3D"Verdana, sans-serif"><span c=
lass=3D"Apple-style-span" style=3D"font-size: 12px;">Jeff<br>
</span></font><br><div class=3D"gmail_quote">On Mon, Jan 17, 2011 at 4:25 P=
M, Jeff Larson <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoin=
t.com">jeff.larson@sailpoint.com</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padd=
ing-left:1ex;">
What I can&#39;t figure out from the material available on the Intertubes i=
s exactly what &quot;receives OSC&quot; means.<div>Since there are effectiv=
ely no standards for what OSC messages look like, one of the challenges in<=
/div>

<div>doing anything with OSC is translating the messages that one device se=
nds into the messages</div><div>another device recognizes. =A0 Can you use =
this with both TouchOSC and the monome for example</div><div>which have dif=
ferent OSC &quot;vocabularies&quot;?</div>

<div><br></div><div>Jeff</div><div><br></div><div><br><br><div class=3D"gma=
il_quote"><div class=3D"im">On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarri=
a <span dir=3D"ltr">&lt;<a href=3D"mailto:fuckthespam@creepingfog.com" targ=
et=3D"_blank">fuckthespam@creepingfog.com</a>&gt;</span> wrote:<br>

</div><div><div></div><div class=3D"h5"><blockquote class=3D"gmail_quote" s=
tyle=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">Miss=
ing Link got a bit of a write up:<br>
<a href=3D"http://createdigitalmusic.com/2011/01/new-solutions-for-wireless=
-midi-midiosc-developers-answer-questions/" target=3D"_blank">http://create=
digitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers=
-answer-questions/</a><div>

<div></div><div><br>
<br>
<br>
<br>
At 2011.01.17 01:20 PM, Rick Walker wrote:<br>
I&#39;m beta testing looper Hans Lindauer&#39;s invention, =A0&#39;the Miss=
ing Link&#39;<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
which is a wireless OSC to Midi converter designed, specifically<br>
to allow an iTouch/Phone/Pad to control any midi instrument,<br>
remotely and will solve, in one fell swoop, the problem Per mentions about =
support in<br>
looping software (or hardware)<br>
</blockquote>
<br>
</div></div></blockquote></div></div></div><br></div>
</blockquote></div><br></div>

--0016364270c8d1ab35049a126aa1--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 22:41:16 2011
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From: buzap@gmx.net
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Subject: Re: Worth getting iPod touch for Live Looping only?
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Hi guys

thanks for all the responses. Actually, what I want is just simple plain vanilla looping with built-in mic when I'm around, outdoors - or just too lazy to turn on my Mac.

As soon as Mainstage has native iPad support - no-brainer - I'll get one. Ableton "lite" running natively on iPad would Be sweet.

What I'm waiting for: Lilypond for iOS...

Is there a useable live looper on Android?  The Archos internet tablet (7" or 10") is pretty sweet and only 250-300$.

best regards
Buzap

PS: just typing this from my 6 year old Pocket PC via Bluetooth tethering for the hell of it ;-)

-- 
NEU: FreePhone - kostenlos mobil telefonieren und surfen!			
Jetzt informieren: http://www.gmx.net/de/go/freephone

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 23:10:08 2011
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Subject: Re: Please stop the Racist innuendo!!! Re: Is the new Stalin African-American?
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--90e6ba6e860a745fe7049a12e203
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I cant quite see why that was racist Charlie? Or an innuendo for that
matter... I thought it was just.. well... funny..! (With a very serious
undercurrent of course).. need to relax a bit mate, we=B4re all friends
here...

On Mon, Jan 17, 2011 at 8:51 PM, Charles Zwicky <cazwicky@earthlink.net>wro=
te:

> Seriously? "Is the new Stalin African-American?"
> Knock this shit off now, please..
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e860a745fe7049a12e203
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I cant quite see why that was racist Charlie? Or an innuendo for that matte=
r... I thought it was just.. well... funny..! (With a very serious undercur=
rent of course).. need to relax a bit mate, we=B4re all friends here...<br>

<br><div class=3D"gmail_quote">On Mon, Jan 17, 2011 at 8:51 PM, Charles Zwi=
cky <span dir=3D"ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwick=
y@earthlink.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">

Seriously? &quot;Is the new Stalin African-American?&quot;<br>
Knock this shit off now, please..<br><font color=3D"#888888">
<br>
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e860a745fe7049a12e203--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 23:19:51 2011
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Subject: Re: Worth getting iPod touch for Live Looping only?
References: <AANLkTin-NDiUB5QN4tuEqhd9M1modP_FC8apVxLGBkrm@mail.gmail.com> <4D34B47F.4020409@cruzio.com>
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Hey Rick, if you look hard I bet you can "find" and itouch laying around the=
re then you can run digital percussion on it and it will be "found" percussi=
on like you like!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 4:28 PM, "Rick Walker" <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Dennis Moser wrote:
> > The beauty of using the iPOD Touch is that it IS NOT a PHONE, so there
> > is no cost penalty attached to it.
> So true.
> I have an iTouch and have been researching apps for Bill Putnam and
> I'm astonished by how much music you can get out of it.
>=20
> I remember distinctly feeling like I  watching a new paradigm of
> performance
> when Kevin Spears (aka KalimbaMan) played at the Y2K8 and Y2K9 looping
> festivals.
>=20
> He was playing small hand held African thumb pianos and then switching ove=
r
> to playing a Korg Kaossilator.........everything was small, hand held and
> it allowed him to make a very cool and visceral performance (just moving
> his
> body, singing and being the overall awesome and riveting performer that
> Kevin
> is).
>=20
> To add an iTouch rocking emulations of Hang drums and Kotos and Moog
> Synthesizers
> and Theremins and live looping apps and, and , and
>=20
> ......just really ups the whole performance bar.
>=20
> I highly recommend buying yourself a used iTouch if you can afford to.
> (There's even a $60 Blue microphone for sale that you can use to record
> and sample
> things for future manipulations---and then send them to your computer to
> process
> further).
>=20
> rick walker
>=20

--Apple-Mail-7--828407097
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<html><body bgcolor="#FFFFFF"><div>Hey Rick, if you look hard I bet you can "find" and itouch laying around there then you can run digital percussion on it and it will be "found" percussion like you like!!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 17, 2011, at 4:28 PM, "Rick Walker" &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">On 7/22/64 11:59 AM, Dennis Moser wrote:<br>
&gt; The beauty of using the iPOD Touch is that it IS NOT a PHONE, so there<br>
&gt; is no cost penalty attached to it.<br>
So true.<br>
I have an iTouch and have been researching apps for Bill Putnam and<br>
I'm astonished by how much music you can get out of it.<br>
<br>
I remember distinctly feeling like I&nbsp; watching a new paradigm of<br>
performance<br>
when Kevin Spears (aka KalimbaMan) played at the Y2K8 and Y2K9 looping<br>
festivals.<br>
<br>
He was playing small hand held African thumb pianos and then switching over<br>
to playing a Korg Kaossilator.........everything was small, hand held and<br>
it allowed him to make a very cool and visceral performance (just moving<br>
his<br>
body, singing and being the overall awesome and riveting performer that<br>
Kevin<br>
is).<br>
<br>
To add an iTouch rocking emulations of Hang drums and Kotos and Moog<br>
Synthesizers<br>
and Theremins and live looping apps and, and , and<br>
<br>
......just really ups the whole performance bar.<br>
<br>
I highly recommend buying yourself a used iTouch if you can afford to.<br>
(There's even a $60 Blue microphone for sale that you can use to record<br>
and sample<br>
things for future manipulations---and then send them to your computer to<br>
process<br>
further).<br>
<br>
rick walker<br>
<br>
</font>
</p>


</div></blockquote></body></html>
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Subject: Re: Worth getting iPod touch for Live Looping only?
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Well, I'm not up on all the guts you guys are talking about, but after being=
 at namm and seeing so, so many ipads being used for oh so many things, I am=
 sure, as someone just said, that an ipad ir two and a powerful computer act=
ually doing the work is going to be a very, very possible, probable platform=
 that is even now spawning a plethora of possibilities.=20

I went to LA a diehard hardware and but am now more than a bit confused!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 5:25 PM, "Jeff Larson" <jeff.larson@sailpoint.com> wrote=
:

> What I can't figure out from the material available on the Intertubes is e=
xactly what "receives OSC" means.
> Since there are effectively no standards for what OSC messages look like, o=
ne of the challenges in
> doing anything with OSC is translating the messages that one device sends i=
nto the messages
> another device recognizes.   Can you use this with both TouchOSC and the m=
onome for example
> which have different OSC "vocabularies"?
>=20
> Jeff
>=20
>=20
>=20
> On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarria <fuckthespam@creepingfog.=
com> wrote:
> Missing Link got a bit of a write up:
> http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midi=
osc-developers-answer-questions/
>=20
>=20
>=20
>=20
> At 2011.01.17 01:20 PM, Rick Walker wrote:
> I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
> which is a wireless OSC to Midi converter designed, specifically
> to allow an iTouch/Phone/Pad to control any midi instrument,
> remotely and will solve, in one fell swoop, the problem Per mentions about=
 support in
> looping software (or hardware)
>=20
>=20

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Subject: Re: Re: Worth getting iPod touch for Live Looping only?
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--90e6ba6e8a2e8a5267049a132a32
Content-Type: text/plain; charset=ISO-8859-1

YOou need a program between the OSC source and midi... unless the program
does it... Bdule I think.

I use OSCulator. This picks up the signal from my iPhone and translates it
into midi, that appears as a midi input in AudioMulch... In Touch OSC
software youmake the controll surfae you need.. I have 4 volume sliders and
pan controls for 4 channels of Mobius, and then on another page an XY
controller for the patch morph function on the NI Kore Player. Works like a
charm, almost everytime!

But wait, havent we had this conversation before... obviously Im missing
something... just ignore me, have to go to bed...


M


On Mon, Jan 17, 2011 at 11:25 PM, Jeff Larson <jeff.larson@sailpoint.com>wrote:

> What I can't figure out from the material available on the Intertubes is
> exactly what "receives OSC" means.
> Since there are effectively no standards for what OSC messages look like,
> one of the challenges in
> doing anything with OSC is translating the messages that one device sends
> into the messages
> another device recognizes.   Can you use this with both TouchOSC and the
> monome for example
> which have different OSC "vocabularies"?
>
> Jeff
>
>
>
> On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarria <
> fuckthespam@creepingfog.com> wrote:
>
>> Missing Link got a bit of a write up:
>>
>> http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/
>>
>>
>>
>>
>> At 2011.01.17 01:20 PM, Rick Walker wrote:
>> I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
>>
>>> which is a wireless OSC to Midi converter designed, specifically
>>> to allow an iTouch/Phone/Pad to control any midi instrument,
>>> remotely and will solve, in one fell swoop, the problem Per mentions
>>> about support in
>>> looping software (or hardware)
>>>
>>
>>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e8a2e8a5267049a132a32
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

YOou need a program between the OSC source and midi... unless the program d=
oes it... Bdule I think.<br><br>I use OSCulator. This picks up the signal f=
rom my iPhone and translates it into midi, that appears as a midi input in =
AudioMulch... In Touch OSC software youmake the controll surfae you need.. =
I have 4 volume sliders and pan controls for 4 channels of Mobius, and then=
 on another page an XY controller for the patch morph function on the NI Ko=
re Player. Works like a charm, almost everytime!<br>

<br>But wait, havent we had this conversation before... obviously Im missin=
g something... just ignore me, have to go to bed...<br><br><br>M<br><br><br=
><div class=3D"gmail_quote">On Mon, Jan 17, 2011 at 11:25 PM, Jeff Larson <=
span dir=3D"ltr">&lt;<a href=3D"mailto:jeff.larson@sailpoint.com">jeff.lars=
on@sailpoint.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">What I can&#39;t =
figure out from the material available on the Intertubes is exactly what &q=
uot;receives OSC&quot; means.<div>

Since there are effectively no standards for what OSC messages look like, o=
ne of the challenges in</div>
<div>doing anything with OSC is translating the messages that one device se=
nds into the messages</div><div>another device recognizes. =A0 Can you use =
this with both TouchOSC and the monome for example</div><div>which have dif=
ferent OSC &quot;vocabularies&quot;?</div>


<div><br></div><div>Jeff</div><div><br></div><div><br><br><div class=3D"gma=
il_quote"><div class=3D"im">On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarri=
a <span dir=3D"ltr">&lt;<a href=3D"mailto:fuckthespam@creepingfog.com" targ=
et=3D"_blank">fuckthespam@creepingfog.com</a>&gt;</span> wrote:<br>


</div><div><div></div><div class=3D"h5"><blockquote class=3D"gmail_quote" s=
tyle=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204=
); padding-left: 1ex;">Missing Link got a bit of a write up:<br>
<a href=3D"http://createdigitalmusic.com/2011/01/new-solutions-for-wireless=
-midi-midiosc-developers-answer-questions/" target=3D"_blank">http://create=
digitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers=
-answer-questions/</a><div>


<div></div><div><br>
<br>
<br>
<br>
At 2011.01.17 01:20 PM, Rick Walker wrote:<br>
I&#39;m beta testing looper Hans Lindauer&#39;s invention, =A0&#39;the Miss=
ing Link&#39;<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
which is a wireless OSC to Midi converter designed, specifically<br>
to allow an iTouch/Phone/Pad to control any midi instrument,<br>
remotely and will solve, in one fell swoop, the problem Per mentions about =
support in<br>
looping software (or hardware)<br>
</blockquote>
<br>
</div></div></blockquote></div></div></div><br></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e8a2e8a5267049a132a32--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 17 23:52:12 2011
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Date: Tue, 18 Jan 2011 00:52:10 +0100
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Subject: Re: strymon el capistan delay pedal-(sound on sound loop mode like a
 tape loop)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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looks great thoguh is too bad they didnt include a normal guitar jack
input in case i want to use a normal guitar and its amp sims without
the GK pickup...

On Mon, Jan 17, 2011 at 4:28 PM, Per Boysen <perboysen@gmail.com> wrote:
> That's what you would expect from Eventide! The GR-55 has global
> effects that can as well be used on the guitar's analog output signal,
> but I don't know if it has any tape delay style effect?
>
> Here's a good write-up on the GR-55 BTW
> http://createdigitalmusic.com/2011/01/for-the-digital-guitarist-a-roland-synth-and-processor-in-one-box/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+createdigitalmusic+%28createdigitalmusic.com%29&utm_content=Bloglines
>
> best
> Per
>
>
> On Mon, Jan 17, 2011 at 4:18 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> the eventide timeafactor does this as well really cool!
>> Luis
>>
>> On Mon, Jan 17, 2011 at 11:24 AM, Per Boysen <perboysen@gmail.com> wrote:
>>> Wow Scott, that's an insanely cool looper! Like having the Augustus
>>> Loop plugin inside a box. I would buy this looper if laptops would not
>>> be available. These kind of "warble/wobble/flutter" processings are my
>>> fav and I always keep "tape speed tilt" on a foot pedal.
>>>
>>> Greetings from Sweden
>>>
>>> Per Boysen
>>> www.boysen.se
>>> www.perboysen.com
>>> www.looproom.com internet music hub
>>>
>>>
>>>
>>> On Mon, Jan 17, 2011 at 2:33 AM, Scott Hansen <evanpeewee@gmail.com> wrote:
>>>> from folks posting stuff about namm, i saw this on the strymon site:
>>>>
>>>> http://www.youtube.com/watch?v=_n29OncKKC8&feature=player_embedded
>>>>
>>>> i know there had been lots of talk about this pedal on The Gear Page, but i
>>>> never read it.
>>>> the video looks very interesting.
>>>>
>>>> here's what their webpage says about this:
>>>> Sound on Sound
>>>> Just like one of our favorite moving head tape echo machines, El Capistan
>>>> gives you a Sound on Sound mode, but with some cool new features. When you
>>>> enter the mode (Single Tape Head, Mode C), the machine is already recording,
>>>> just like a traditional tape echo machine. We go several steps further by
>>>> giving you instant tape splice and bulk erase functions. It's like having a
>>>> built-in tape-style looper!
>>>>
>>>> To set the length of your tape, press Tap once to set your splice 'in'
>>>> point, and press Tap again to set your splice 'out' point. All of the tone
>>>> shaping knobs are active and affect your loop as it plays back and
>>>> re-records. Press Tap a third time to completely erase the tape. You get 20
>>>> seconds of tape in slow speed, 10 seconds in fast speed. Check out our video
>>>> demo below.
>>>>
>>>> if this is a repeat, please forgive...looks interesting for short loop
>>>> options.
>>>> s---
>>>
>>>
>>
>>
>
>

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Hey Jim - yeah it's me.  I use a 'temporary' email address on LD due 
to the amount of spam I get through LD.  When the current one becomes 
too popular with spammers, I'll dump it, create a new one and the 
spam will be gone for a good period of time (yes, kind of old school 
- not ready to hand everything over to gmail...).


At 2011.01.17 02:11 PM, Jim Goodin wrote:
>Sean thanks, that's pretty neat.  As I have an iTOuch at present I'm 
>rather interested in exploring that option.  Forgive me here but are 
>you the Sean I met at Y2K this past fall? If not sorry to confuse 
>and thanks for the lead here, hey it is you just recognized your fts email!
>
>On Mon, Jan 17, 2011 at 4:25 PM, Sean Echevarria 
><<mailto:fuckthespam@creepingfog.com>fuckthespam@creepingfog.com> wrote:
>Missing Link got a bit of a write up:
><http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/>http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/

--=====================_1046040617==.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<body>
Hey Jim - yeah it's me.&nbsp; I use a 'temporary' email address on LD due
to the amount of spam I get through LD.&nbsp; When the current one
becomes too popular with spammers, I'll dump it, create a new one and the
spam will be gone for a good period of time (yes, kind of old school -
not ready to hand everything over to gmail...).<br><br>
<br>
At 2011.01.17 02:11 PM, Jim Goodin wrote:<br>
<blockquote type=cite class=cite cite="">Sean thanks, that's pretty
neat.&nbsp; As I have an iTOuch at present I'm rather interested in
exploring that option.&nbsp; Forgive me here but are you the Sean I met
at Y2K this past fall? If not sorry to confuse and thanks for the lead
here, hey it is you just recognized your fts email!&nbsp; <br><br>
On Mon, Jan 17, 2011 at 4:25 PM, Sean Echevarria
&lt;<a href="mailto:fuckthespam@creepingfog.com">
fuckthespam@creepingfog.com</a>&gt; wrote:<br>

<dl>
<dd>Missing Link got a bit of a write up:<br>

<dd>
<a href="http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/">
http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/</a>
<br>

</dl></blockquote></body>
</html>

--=====================_1046040617==.ALT--

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this is ridiculous,how far are U.S. citizens going to let such things
happen?evesdropping,scanning bodies and now this because of homeland
security? security from what?jeez after reading this i dont think im
interested in getting a U.S. passport anymore!



On Mon, Jan 17, 2011 at 8:45 PM, Andy Owens <andy@1800dialword.com> wrote:
> Or if you were a wikilink employee as the ones in the article were. I had the same thing happen going hunting into canada a few years ago. They didnt keep my laptop but spent about thirty munutes looking for "child porno or money laundering evidence".
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 16, 2011, at 12:13 PM, "Jeremy devros" <deafrose58@hotmail.com> wrote:
>
>> My son just came home from the holidays from Beirut where he is studying at LAU. He brought his laptop home and no such problem. I would think if a person were going to have an issue w/TSA it would happen coming in from the Middle East.
>> JD
>>
>> > Date: Sun, 16 Jan 2011 15:22:50 +0100
>> > From: moinsound@googlemail.com
>> > To: Loopers-Delight@loopers-delight.com
>> > Subject: Is the new Stalin African-American?
>> >
>> > http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/index.html
>> > (via @ilovetypography on twitter).
>> >
>> > Any of you had experiences similar to those described in this article
>> > about DHS/TSA proceedings when entering the US (both for US citizens and
>> > others)?
>> >
>> > Sad to say, but the way this looks, this may require us all either to
>> > never enter the US again - or to go back to hardware loopers...
>> >
>> > Rainer
>> >
>> > --
>> > http://moinlabs.de
>> > Follow me on twitter: http://twitter.com/moinlabs
>> >
>
>

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That will help a lot.=20

Ha, if you think we have any control over what those a'holes do then you are=
 highly misinformed!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 9:14 PM, Louie Angulo <louie.angulo@googlemail.com> wrot=
e:

> this is ridiculous,how far are U.S. citizens going to let such things
> happen?evesdropping,scanning bodies and now this because of homeland
> security? security from what?jeez after reading this i dont think im
> interested in getting a U.S. passport anymore!
>=20
>=20
>=20
> On Mon, Jan 17, 2011 at 8:45 PM, Andy Owens <andy@1800dialword.com> wrote:=

>> Or if you were a wikilink employee as the ones in the article were. I had=
 the same thing happen going hunting into canada a few years ago. They didnt=
 keep my laptop but spent about thirty munutes looking for "child porno or m=
oney laundering evidence".
>>=20
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>>=20
>> On Jan 16, 2011, at 12:13 PM, "Jeremy devros" <deafrose58@hotmail.com> wr=
ote:
>>=20
>>> My son just came home from the holidays from Beirut where he is studying=
 at LAU. He brought his laptop home and no such problem. I would think if a p=
erson were going to have an issue w/TSA it would happen coming in from the M=
iddle East.
>>> JD
>>>=20
>>>> Date: Sun, 16 Jan 2011 15:22:50 +0100
>>>> From: moinsound@googlemail.com
>>>> To: Loopers-Delight@loopers-delight.com
>>>> Subject: Is the new Stalin African-American?
>>>>=20
>>>> http://www.salon.com/news/opinion/glenn_greenwald/2011/01/15/laptops/in=
dex.html
>>>> (via @ilovetypography on twitter).
>>>>=20
>>>> Any of you had experiences similar to those described in this article
>>>> about DHS/TSA proceedings when entering the US (both for US citizens an=
d
>>>> others)?
>>>>=20
>>>> Sad to say, but the way this looks, this may require us all either to
>>>> never enter the US again - or to go back to hardware loopers...
>>>>=20
>>>> Rainer
>>>>=20
>>>> --
>>>> http://moinlabs.de
>>>> Follow me on twitter: http://twitter.com/moinlabs
>>>>=20
>>=20
>>=20
>=20

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Subject: Re: Re: Worth getting iPod touch for Live Looping only?
From: Dennis Moser <sinsofmachaut@gmail.com>
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Rick,

You should also be aware that a number of the iOS apps utilize the
motion sensors in the iPod Touch: so you can use gestures as well in
your performance to control various parameters (I'm thinking, again,
of ThumbJam and MorphWiz that allow you to designate just which
parameters that will be...vibrato, flange, whatever!).

Exciting times...

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Mon, Jan 17, 2011 at 2:28 PM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, Dennis Moser wrote:
>>
>> The beauty of using the iPOD Touch is that it IS NOT a PHONE, so there
>> is no cost penalty attached to it.
>
> So true.
> I have an iTouch and have been researching apps for Bill Putnam and
> I'm astonished by how much music you can get out of it.
>
> I remember distinctly feeling like I =A0watching a new paradigm of perfor=
mance
> when Kevin Spears (aka KalimbaMan) played at the Y2K8 and Y2K9 looping
> festivals.
>
> He was playing small hand held African thumb pianos and then switching ov=
er
> to playing a Korg Kaossilator.........everything was small, hand held and
> it allowed him to make a very cool and visceral performance (just moving =
his
> body, singing and being the overall awesome and riveting performer that
> Kevin
> is).
>
> To add an iTouch rocking emulations of Hang drums and Kotos and Moog
> Synthesizers
> and Theremins and live looping apps and, and , and
>
> ......just really ups the whole performance bar.
>
> I highly recommend buying yourself a used iTouch if you can afford to.
> (There's even a $60 Blue microphone for sale that you can use to record a=
nd
> sample
> things for future manipulations---and then send them to your computer to
> process
> further).
>
> rick walker
>

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Andy,

I appreciate you acting as "roving reporter" for those of us who 
couldn't go to NAMM this year.

I liked knowing about a lot of the things you pionted out on the list.

Many thanks.

Ted


On Mon, Jan 17, 2011 at 10:33 AM, Andy Owens wrote:

> There's some zoe pics and a short vid on my blog www.andyowens.com
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 17, 2011, at 6:54 AM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Mon, Jan 17, 2011 at 12:21 PM, Jim Goodin 
>> <jimgoodinmusic@gmail.com> wrote:
>>> although as you point out it may still be another gen or two before 
>>> the iPad
>>> can handle audio processing.
>>
>> If audio processing is not being supported with the gen 2 iPad I 
>> doubt
>> it will never be. If contemplating Apple's typical marketing
>> strategies I see a fair chance (risk) that the iPad story will evolve
>> like those Mackbook Air laptopts; i.e. product design targeting
>> ordinary people that do web surfing, typing and music listening with
>> the machine. And the selling point Apple stresses is the cool design,
>> these peep's want to show off a nice looking gadget on the coffee 
>> shop
>> table. Musican friendly (read "powerful enough") laptops can not be
>> designed in such a slick manner. Funny but also a bit sad facts of
>> life.
>>
>>>  Bet NAMM was neat.  Jim
>>
>> I only was there virtually. But it was virtually awesome! I'm
>> non-virtually interested in the GR-55 that I find almost 
>> revolutionary
>> ;-))  (would fit in great with a "day job band" I'm playing with)
>>
>> Per
>>

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Subject: Re: LP2 at namm
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Im interested in the LP2s midi capabilities,i think thats what would
also make it a seller and beat the upcoming new stomp loopers
competition,none of them seem to be midi.
if i may suggest some essential midi functions which are also in the EDP

Start/stop
MuteReAlign -  Immediately Mute and restart the loop at next Global
MIDI StartPoint
QuantMIDIStartSong - Wait to next Local Loop StartPoint and then send
a StartSong
MuteQuantMIDIStartSong -  Immediately Mute, then wait to next
StartPoint and send StartSong
Retrigger

if it did this the LP2 combined with the Adrenalinn would b the bomb!
Luis


On Mon, Jan 17, 2011 at 3:29 PM, andy butler <akbutler@tiscali.co.uk> wrote:
>
>
> Matt Davignon wrote:
>>
>> The effects look like looping-related commands.
>
>> I don't know what the "retrigger" or "replace" ones do. It looks like
>> you can assign the above effects to 2 footswitches.
>>
>
>
> I've discussed those briefly with Rick, and plus a bit of speculation.
>
> Replace 1/x is a direct emulation of a certain specific edp behaviour,
> (also present on LP1).
> It replaces a single quantised chunk of the loop with input audio.
> In EDPish it's a "Shortpress of Quantised 8th Replace".
>
> I'm quite excited by that, while that effect has been around since
> 2003 it's was always somewhat hidden away in the more expensive products.
> If it catches on it could open up a lot of interest in the whole
> "looper as instrument" idea.
>
> I guess the vanilla Replace would be unquantised momentary
> (replace for as long as button is held)
> In that case, it's possible that quantised replaces will also
> cut out larger chunks if held for longer (but
> Retrigger is more or less what's offered by the DL4
> Retrigger Once. Play the loop once from beginning then stop.
> Continue. Retrigger Continuous. Retrigger loop from beginning and keep
> going.
> Retrigger Random. Jump to a random point in the loop.
> The Random Retrigger is intended to be used rhythmically,
> I guess the loop would be filled with a variety of
> sounds (with slow attacks) so that rapid operation of the randtrig
> produced a well defined beat.
> Again, that's a very "looper as instrument" type feature.
>
>
> I don't think it's been pointed out yet that the LP2
> has a Mix control (back panel) which, unusually for a small looper, makes it
> suitable for use on an Aux send.
>
> andy butler
>
>
>
>
>
>

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From: John Metzler <jarofjam@me.com>
Subject: Re: Worth getting iPod touch for Live Looping only?
Date: Mon, 17 Jan 2011 16:05:13 -0800
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I haven't read this whole thread but I did want to mention the reason I bought an iPhone.  Pro Remote by Far Out Labs.  It is unbelievably incredible.  It sets up a Wireless MIDI server in AMS and connects to Pro Remote and uses the HUI protocol to control Pro Tools and Logic and Ableton Live and more.  I admit, it is a little pricy for an iPhone/iPad app, but it is priceless once you start using it.  Not only can I use a transport from the vocal booth to control my DAW and record myself with far less pain than before, even punch in/out and a SMPTE display.  But when an intern doesn't show up on time and you need to be setting levels on gear in the live room and simultaneously visually checking the meters in Pro Tools, the app starts to pay for it's self.  The point about this app that is most applicable to the topic is that it also has drum pads, an XY pad, and a cross fader that you can use to send wireless MIDI commands to plug-ins in your DAW.  

And now that I have an iPhone, I find that I actually love using some of the other music apps.  Like Nano Studio and Everyday Looper, they're a blast.  And Novation even made a decent and very affordable Automap iPhone app, that can wirelessly control quite a bit.

---John M.
On Jan 17, 2011, at 3:29 PM, mark francombe wrote:

> YOou need a program between the OSC source and midi... unless the program does it... Bdule I think.
> 
> I use OSCulator. This picks up the signal from my iPhone and translates it into midi, that appears as a midi input in AudioMulch... In Touch OSC software youmake the controll surfae you need.. I have 4 volume sliders and pan controls for 4 channels of Mobius, and then on another page an XY controller for the patch morph function on the NI Kore Player. Works like a charm, almost everytime!
> 
> But wait, havent we had this conversation before... obviously Im missing something... just ignore me, have to go to bed...
> 
> 
> M
> 
> 
> On Mon, Jan 17, 2011 at 11:25 PM, Jeff Larson <jeff.larson@sailpoint.com> wrote:
> What I can't figure out from the material available on the Intertubes is exactly what "receives OSC" means.
> Since there are effectively no standards for what OSC messages look like, one of the challenges in
> doing anything with OSC is translating the messages that one device sends into the messages
> another device recognizes.   Can you use this with both TouchOSC and the monome for example
> which have different OSC "vocabularies"?
> 
> Jeff
> 
> 
> 
> On Mon, Jan 17, 2011 at 3:25 PM, Sean Echevarria <fuckthespam@creepingfog.com> wrote:
> Missing Link got a bit of a write up:
> http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-midi-midiosc-developers-answer-questions/
> 
> 
> 
> 
> At 2011.01.17 01:20 PM, Rick Walker wrote:
> I'm beta testing looper Hans Lindauer's invention,  'the Missing Link'
> which is a wireless OSC to Midi converter designed, specifically
> to allow an iTouch/Phone/Pad to control any midi instrument,
> remotely and will solve, in one fell swoop, the problem Per mentions about support in
> looping software (or hardware)
> 
> 
> 
> 
> 
> -- 
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
haven't read this whole thread but I did want to mention the reason I =
bought an iPhone.&nbsp;<a =
href=3D"http://www.folabs.com/proremote.html">&nbsp;Pro Remote by Far =
Out Labs</a>. &nbsp;It is unbelievably incredible. &nbsp;It sets up a =
Wireless MIDI server in AMS and connects to Pro Remote and uses the HUI =
protocol to control Pro Tools and Logic and Ableton Live and more. =
&nbsp;I admit, it is a little pricy for an iPhone/iPad app, but it is =
priceless once you start using it. &nbsp;Not only can I use a transport =
from the vocal booth to control my DAW and record myself with far less =
pain than before, even punch in/out and a SMPTE display. &nbsp;But when =
an intern doesn't show up on time and you need to be setting levels on =
gear in the live room and simultaneously visually checking the meters in =
Pro Tools, the app starts to pay for it's self. &nbsp;The point about =
this app that is most applicable to the topic is that it also has drum =
pads, an XY pad, and a cross fader that you can use to send wireless =
MIDI commands to plug-ins in your DAW. &nbsp;<div><br></div><div>And now =
that I have an iPhone, I find that I actually love using some of the =
other music apps. &nbsp;Like Nano Studio and Everyday Looper, they're a =
blast. &nbsp;And Novation even made a decent and very affordable Automap =
iPhone app, that can wirelessly control quite a =
bit.</div><div><br></div><div>---John M.<br><div><div>On Jan 17, 2011, =
at 3:29 PM, mark francombe wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">YOou need =
a program between the OSC source and midi... unless the program does =
it... Bdule I think.<br><br>I use OSCulator. This picks up the signal =
from my iPhone and translates it into midi, that appears as a midi input =
in AudioMulch... In Touch OSC software youmake the controll surfae you =
need.. I have 4 volume sliders and pan controls for 4 channels of =
Mobius, and then on another page an XY controller for the patch morph =
function on the NI Kore Player. Works like a charm, almost =
everytime!<br>

<br>But wait, havent we had this conversation before... obviously Im =
missing something... just ignore me, have to go to =
bed...<br><br><br>M<br><br><br><div class=3D"gmail_quote">On Mon, Jan =
17, 2011 at 11:25 PM, Jeff Larson <span dir=3D"ltr">&lt;<a =
href=3D"mailto:jeff.larson@sailpoint.com">jeff.larson@sailpoint.com</a>&gt=
;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">What I =
can't figure out from the material available on the Intertubes is =
exactly what "receives OSC" means.<div>

Since there are effectively no standards for what OSC messages look =
like, one of the challenges in</div>
<div>doing anything with OSC is translating the messages that one device =
sends into the messages</div><div>another device recognizes. &nbsp; Can =
you use this with both TouchOSC and the monome for =
example</div><div>which have different OSC "vocabularies"?</div>


<div><br></div><div>Jeff</div><div><br></div><div><br><br><div =
class=3D"gmail_quote"><div class=3D"im">On Mon, Jan 17, 2011 at 3:25 PM, =
Sean Echevarria <span dir=3D"ltr">&lt;<a =
href=3D"mailto:fuckthespam@creepingfog.com" =
target=3D"_blank">fuckthespam@creepingfog.com</a>&gt;</span> wrote:<br>


</div><div><div></div><div class=3D"h5"><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;">Missing Link got a bit of a write up:<br>
<a =
href=3D"http://createdigitalmusic.com/2011/01/new-solutions-for-wireless-m=
idi-midiosc-developers-answer-questions/" =
target=3D"_blank">http://createdigitalmusic.com/2011/01/new-solutions-for-=
wireless-midi-midiosc-developers-answer-questions/</a><div>


<div></div><div><br>
<br>
<br>
<br>
At 2011.01.17 01:20 PM, Rick Walker wrote:<br>
I'm beta testing looper Hans Lindauer's invention, &nbsp;'the Missing =
Link'<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
which is a wireless OSC to Midi converter designed, specifically<br>
to allow an iTouch/Phone/Pad to control any midi instrument,<br>
remotely and will solve, in one fell swoop, the problem Per mentions =
about support in<br>
looping software (or hardware)<br>
</blockquote>
<br>
</div></div></blockquote></div></div></div><br></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a =
href=3D"http://www.markfrancombe.com/">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com/">www.ordoabkhao.com</a><br>twitter =
@markfrancombe<br>

<a =
href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a=
 href=3D"http://www.looop.no/">http://www.looop.no</a><br>
</blockquote></div><br></div></body></html>=

--Boundary_(ID_MPZRWnKWQgzJFrDTR4Yg5g)--

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Subject: Re: LP2 at namm
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It has midi in out but not sure about control. You are right about all the o=
thers, like the vox, no midi.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 17, 2011, at 9:43 PM, Louie Angulo <louie.angulo@googlemail.com> wrot=
e:

> Im interested in the LP2s midi capabilities,i think thats what would
> also make it a seller and beat the upcoming new stomp loopers
> competition,none of them seem to be midi.
> if i may suggest some essential midi functions which are also in the EDP
>=20
> Start/stop
> MuteReAlign -  Immediately Mute and restart the loop at next Global
> MIDI StartPoint
> QuantMIDIStartSong - Wait to next Local Loop StartPoint and then send
> a StartSong
> MuteQuantMIDIStartSong -  Immediately Mute, then wait to next
> StartPoint and send StartSong
> Retrigger
>=20
> if it did this the LP2 combined with the Adrenalinn would b the bomb!
> Luis
>=20
>=20
> On Mon, Jan 17, 2011 at 3:29 PM, andy butler <akbutler@tiscali.co.uk> wrot=
e:
>>=20
>>=20
>> Matt Davignon wrote:
>>>=20
>>> The effects look like looping-related commands.
>>=20
>>> I don't know what the "retrigger" or "replace" ones do. It looks like
>>> you can assign the above effects to 2 footswitches.
>>>=20
>>=20
>>=20
>> I've discussed those briefly with Rick, and plus a bit of speculation.
>>=20
>> Replace 1/x is a direct emulation of a certain specific edp behaviour,
>> (also present on LP1).
>> It replaces a single quantised chunk of the loop with input audio.
>> In EDPish it's a "Shortpress of Quantised 8th Replace".
>>=20
>> I'm quite excited by that, while that effect has been around since
>> 2003 it's was always somewhat hidden away in the more expensive products.=

>> If it catches on it could open up a lot of interest in the whole
>> "looper as instrument" idea.
>>=20
>> I guess the vanilla Replace would be unquantised momentary
>> (replace for as long as button is held)
>> In that case, it's possible that quantised replaces will also
>> cut out larger chunks if held for longer (but
>> Retrigger is more or less what's offered by the DL4
>> Retrigger Once. Play the loop once from beginning then stop.
>> Continue. Retrigger Continuous. Retrigger loop from beginning and keep
>> going.
>> Retrigger Random. Jump to a random point in the loop.
>> The Random Retrigger is intended to be used rhythmically,
>> I guess the loop would be filled with a variety of
>> sounds (with slow attacks) so that rapid operation of the randtrig
>> produced a well defined beat.
>> Again, that's a very "looper as instrument" type feature.
>>=20
>>=20
>> I don't think it's been pointed out yet that the LP2
>> has a Mix control (back panel) which, unusually for a small looper, makes=
 it
>> suitable for use on an Aux send.
>>=20
>> andy butler
>>=20
>>=20
>>=20
>>=20
>>=20
>>=20
>=20

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Subject: Re: LP2 at namm
From: John Metzler <jarofjam@me.com>
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I'm also interested in the LP2's MIDI capabilities.  I'm interested in =
all the Loopers and delay's that have good solid MIDI implantation.  =
Especially in the sync department.  I mean, with out it there is no good =
way to keep things aligned.  It's totally necessary unless your are only =
interested in using the one looper and doing simple layering, and no =
other accompaniment such as drums machines, or programmed keyboards.  =
Especially if you want to use interesting live loops along with a live =
drummer and a band, you really need to have some sort of click or =
flashing light for everyone to follow.  I know, you can create a loop =
and have the band adhere to that loop very closely, but I find that it =
just doesn't leave you with enough safety and security to do anything =
interesting. =20

(As you know Luis) I'm currently fighting with a pair of EDPs and an MPC =
1000, trying to get them all to stick to the clock from the MPC.  They =
drift and my performance sounds drunk at best, and a train wreck at the =
worst.  I also have an AdreanaLinn (the A2, not the newer A3).  I find =
the 2 measure drum loops to stay in sync quite well.  It even stays in =
line when switching presets by sending it Program changes throughout a =
sequence.  Even if that program change is sent in a strange place within =
the 2 measures.  Unfortunately I don't really like the guitar modeling =
sounds very much, and the input of the unit clips and distorts pretty =
easly. I like the interesting electro-clash industrial electronic =
sounding drum sounds.  I love the synced effects, why more units haven't =
employ this feature is beyond me.  One thing to take note of with the =
AdreanaLinn is that if you are playing guitar through it and send =
program changed to it to change to a different preset or drumbeat, you =
will hear it drop out or click. =20

John M.


On Jan 17, 2011, at 6:43 PM, Louie Angulo wrote:

> Im interested in the LP2s midi capabilities,i think thats what would
> also make it a seller and beat the upcoming new stomp loopers
> competition,none of them seem to be midi.
> if i may suggest some essential midi functions which are also in the =
EDP
>=20
> Start/stop
> MuteReAlign -  Immediately Mute and restart the loop at next Global
> MIDI StartPoint
> QuantMIDIStartSong - Wait to next Local Loop StartPoint and then send
> a StartSong
> MuteQuantMIDIStartSong -  Immediately Mute, then wait to next
> StartPoint and send StartSong
> Retrigger
>=20
> if it did this the LP2 combined with the Adrenalinn would b the bomb!
> Luis
>=20
>=20
> On Mon, Jan 17, 2011 at 3:29 PM, andy butler <akbutler@tiscali.co.uk> =
wrote:
>>=20
>>=20
>> Matt Davignon wrote:
>>>=20
>>> The effects look like looping-related commands.
>>=20
>>> I don't know what the "retrigger" or "replace" ones do. It looks =
like
>>> you can assign the above effects to 2 footswitches.
>>>=20
>>=20
>>=20
>> I've discussed those briefly with Rick, and plus a bit of =
speculation.
>>=20
>> Replace 1/x is a direct emulation of a certain specific edp =
behaviour,
>> (also present on LP1).
>> It replaces a single quantised chunk of the loop with input audio.
>> In EDPish it's a "Shortpress of Quantised 8th Replace".
>>=20
>> I'm quite excited by that, while that effect has been around since
>> 2003 it's was always somewhat hidden away in the more expensive =
products.
>> If it catches on it could open up a lot of interest in the whole
>> "looper as instrument" idea.
>>=20
>> I guess the vanilla Replace would be unquantised momentary
>> (replace for as long as button is held)
>> In that case, it's possible that quantised replaces will also
>> cut out larger chunks if held for longer (but
>> Retrigger is more or less what's offered by the DL4
>> Retrigger Once. Play the loop once from beginning then stop.
>> Continue. Retrigger Continuous. Retrigger loop from beginning and =
keep
>> going.
>> Retrigger Random. Jump to a random point in the loop.
>> The Random Retrigger is intended to be used rhythmically,
>> I guess the loop would be filled with a variety of
>> sounds (with slow attacks) so that rapid operation of the randtrig
>> produced a well defined beat.
>> Again, that's a very "looper as instrument" type feature.
>>=20
>>=20
>> I don't think it's been pointed out yet that the LP2
>> has a Mix control (back panel) which, unusually for a small looper, =
makes it
>> suitable for use on an Aux send.
>>=20
>> andy butler
>>=20
>>=20
>>=20
>>=20
>>=20
>>=20
>=20

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Qydtb24gTG91aWUsIGlzbid0IHlvdXIgZmFtaWx5IHN0aWxsIGluIFNhbiBEaWVnbz8NClNlbnQg
b24gdGhlIFNwcmludK4gTm93IE5ldHdvcmsgZnJvbSBteSBCbGFja0JlcnJ5rg==

From Loopers-Delight-request@loopers-delight.com  Tue Jan 18 11:48:41 2011
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Luis Angulo wrote:
>> >  Im interested in the LP2s midi capabilities,i think thats what would
>> >  also make it a seller and beat the upcoming new stomp loopers
>> >  competition,none of them seem to be midi.
>> >  if i may suggest some essential midi functions which are also in the EDP
>> >  
>> >  Start/stop
>> >  MuteReAlign -  Immediately Mute and restart the loop at next Global
>> >  MIDI StartPoint
>> >  QuantMIDIStartSong - Wait to next Local Loop StartPoint and then send
>> >  a StartSong
>> >  MuteQuantMIDIStartSong -  Immediately Mute, then wait to next
>> >  StartPoint and send StartSong
>> >  Retrigger
>> >  
>> >  if it did this the LP2 combined with the Adrenalinn would b the bomb!
>> >  Luis
The LP-2 Mini Looper is a stomp box pedal,  Luis and couldn't possibly 
have all
the features you suggest and be able to be priced as inexpensively as it is.

The LP-2 sends and receives midi clock: pure and simple.  It is a mono 
unit and has input volume control and
an LED VU meter for input volume (unlike others on the market).  It 
stores 8 loops (and records them automatically while you improvise).  It 
has 30 levels of undo.  It has feedback control (with an additional 
expression pedal).

Through 4 buttons It has control of these loop effects:   1/2 speed, 1/4 
speed (nothing
else has this), reverse, re-trigger (one shot), re-trigger (continuous), 
trigger (random-nothing has this either),
  continue (restart where you last stopped),  momentary control of 
replace, Q-replace
in increments of 8th, 16th, triplet 8th, triplet 16ths and in 7/8, 9/8, 
10/8 as well as 1/64 (manual glitching) it runs on a 9va battery or 
typical 9va, 300ma, tip,neg walwart, It is the same size of two stomp 
box pedals.

It's feature set is finished, costs $300, street price and ships on 
March 1st.

Check the market.   That's an astonishing amount of features at that price.

I used it for two solid days at NAMM and there's a lot of music in 
it.........a lot!
.
It may not have every single thing you want, Luis, but it has better 
fidelity
than the EDP and you can buy two of them to sync together for the price 
of a used EDP these days.

And, if that doesn't float your boat,  I've got 2 EDPs with very few 
miles on them for sale right now.
You can have all the features you desire.

rick walker

From Loopers-Delight-request@loopers-delight.com  Tue Jan 18 12:10:39 2011
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On 7/22/64 11:59 AM, Jeff Larson wrote:
> Can you use this with both TouchOSC and the monome for example
> which have different OSC "vocabularies"?
>
You really need to ask Hans Lindauer the answer to this question,  Jeff.
I don't honestly know the answer.

rick walker

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Rick Walker wrote:

> 
> The LP-2 sends and receives midi clock: pure and simple.  It is a mono 
> unit and has input volume control and
> an LED VU meter for input volume (unlike others on the market). 


Right, 
that's not visible in the pics.

The photos seem to show a mix control, is that right?
( a way to defeat the dry signal would be needed in a
  "two LP2 in parallel" setup )


> It 
> stores 8 loops (and records them automatically while you improvise). 


So there's no way to access those 8 loops during performance?



> costs $300, street price and ships on 
> March 1st.

any idea of the price in UK/Europe?


andy

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John Metzler schrieb:
> Especially in the sync department.  I mean, with out it there is no good way to keep things aligned.  It's totally necessary unless your are only interested in using the one looper and doing simple layering, and no other accompaniment such as drums machines, or programmed keyboards.  
I'm begging to differ here. "It's totally necessary" - that sentence is 
only true if you include "and if you're only interested in music with an 
extremely strict, deterministic relationship and don't want to have the 
hassle of keeping two loopers in sync yourself".

A lot of people from this list have done test runs using two Boss DD20 
delays (which don't allow for sync) and had them synced by simply 
pressing the tap button at exactly the same time - due to the very small 
tolerances of the DD20's clock circuit, this seems to work.

Then again, you can do stuff where you deliberately work with some "odd" 
timing relationship, which can both be fun with two loopers and with 
looper and drum machine/programmed keyboards, e.g. the second part of this:
http://moinlabs.bandcamp.com/track/fook-yew-people-who-annoy-you
(that repeating guitar riff is not synced to the rest).
> Especially if you want to use interesting live loops along with a live drummer and a band, you really need to have some sort of click or flashing light for everyone to follow.  I know, you can create a loop and have the band adhere to that loop very closely, but I find that it just doesn't leave you with enough safety and security to do anything interesting.  
>   
Again, no - there's at least two other ways, one of which works without 
MIDI: manually (or footoally) retrigger the loop.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: LP2 Video demo with Rick
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--0015174bdeaab9432d049a22faac
Content-Type: text/plain; charset=ISO-8859-1

http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&bclid=27948268001

-- 
-==-=-=-
Tony

--0015174bdeaab9432d049a22faac
Content-Type: text/html; charset=ISO-8859-1

<a href="http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&amp;bclid=27948268001">http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&amp;bclid=27948268001</a><br clear="all"><br>-- <br>-==-=-=- <br>Tony<br>


--0015174bdeaab9432d049a22faac--

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Date: Tue, 18 Jan 2011 13:40:55 -0500
Message-ID: <AANLkTikBP5opyWwzhyYLym5KT2WHZp-CBbi7V5Lme2Xt@mail.gmail.com>
Subject: Re: LP2 Video demo with Rick
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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excellent demo Rick

On Tue, Jan 18, 2011 at 1:22 PM, Tony K <bigtonyk@gmail.com> wrote:

>
> http://www.guitarplayer.com/GearVideo.aspx?bctid=3D753735222001&bclid=3D2=
7948268001
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>



--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a203a7919e049a233d8f
Content-Type: text/html; charset=ISO-8859-1
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excellent demo Rick<br><br><div class=3D"gmail_quote">On Tue, Jan 18, 2011 =
at 1:22 PM, Tony K <span dir=3D"ltr">&lt;<a href=3D"mailto:bigtonyk@gmail.c=
om">bigtonyk@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, =
204, 204); padding-left: 1ex;">
<a href=3D"http://www.guitarplayer.com/GearVideo.aspx?bctid=3D753735222001&=
amp;bclid=3D27948268001" target=3D"_blank">http://www.guitarplayer.com/Gear=
Video.aspx?bctid=3D753735222001&amp;bclid=3D27948268001</a><br clear=3D"all=
"><br>-- <br>
-=3D=3D-=3D-=3D- <br><font color=3D"#888888">Tony<br>

</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn=
 To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter=
 Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Interna=
tional.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_b=
lank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054a203a7919e049a233d8f--

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Date: Tue, 18 Jan 2011 22:56:14 +0100
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Subject: Re: LP2 at namm
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that defeats the purpose bro,i got 2 EDPs as well and they do rock my
boat, but i want stomps and no more racks!
so i wont even send start/stop? being the only looper with midi on the
market it would be sad if it didnt,perhaps there are folks out there
that dont want to use all the glitchy stuff.
C mon give us those 2 at least Bob!
cheers
Luis





>
> And, if that doesn't float your boat, =A0I've got 2 EDPs with very few mi=
les
> on them for sale right now.
> You can have all the features you desire.
>
> rick walker
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jan 18 22:29:44 2011
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Luis,

One word for you:

LP1

I cant think of a thing that anyones talked about lately here regarding a ha=
rdware looper that the LP1 doesnt address, plus eight independant loops.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 4:56 PM, "Louie Angulo" <louie.angulo@googlemail.com> wr=
ote:

> that defeats the purpose bro,i got 2 EDPs as well and they do rock my
> boat, but i want stomps and no more racks!
> so i wont even send start/stop? being the only looper with midi on the
> market it would be sad if it didnt,perhaps there are folks out there
> that dont want to use all the glitchy stuff.
> C mon give us those 2 at least Bob!
> cheers
> Luis
>=20
>=20
>=20
>=20
>=20
> >
> > And, if that doesn't float your boat,  I've got 2 EDPs with very few mil=
es
> > on them for sale right now.
> > You can have all the features you desire.
> >
> > rick walker
> >
> >
>=20

--Apple-Mail-7--745016344
Content-Transfer-Encoding: 7bit
Content-Type: text/html;
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<html><body bgcolor="#FFFFFF"><div>Luis,</div><div><br></div><div>One word for you:</div><div><br></div><div>LP1</div><div><br></div><div>I cant think of a thing that anyones talked about lately here regarding a hardware looper that the LP1 doesnt address, plus eight independant loops.&nbsp;</div><div><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 18, 2011, at 4:56 PM, "Louie Angulo" &lt;<a href="mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">that defeats the purpose bro,i got 2 EDPs as well and they do rock my<br>
boat, but i want stomps and no more racks!<br>
so i wont even send start/stop? being the only looper with midi on the<br>
market it would be sad if it didnt,perhaps there are folks out there<br>
that dont want to use all the glitchy stuff.<br>
C mon give us those 2 at least Bob!<br>
cheers<br>
Luis<br>
<br>
<br>
<br>
<br>
<br>
&gt;<br>
&gt; And, if that doesn't float your boat, &nbsp;I've got 2 EDPs with very few miles<br>
&gt; on them for sale right now.<br>
&gt; You can have all the features you desire.<br>
&gt;<br>
&gt; rick walker<br>
&gt;<br>
&gt;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
--Apple-Mail-7--745016344--

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Subject: Re: LP2 Video demo with Rick
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thats rocking Rick congrats!!!
Luis






On Tue, Jan 18, 2011 at 7:40 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> excellent demo Rick
>
> On Tue, Jan 18, 2011 at 1:22 PM, Tony K <bigtonyk@gmail.com> wrote:
>>
>>
>> http://www.guitarplayer.com/GearVideo.aspx?bctid=3D753735222001&bclid=3D=
27948268001
>>
>> --
>> -=3D=3D-=3D-=3D-
>> Tony
>
>
>
> --
> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin =
&
> Peter Th=F6rn.=A0 Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>

From Loopers-Delight-request@loopers-delight.com  Tue Jan 18 23:04:34 2011
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Subject: Mothership of MIDI controllers?
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Maybe?

http://www.youtube.com/watch?v=yjXe4IByTvU

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Date: Wed, 19 Jan 2011 00:10:29 +0100
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Subject: Re: LP2 at namm
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oh yes i know thats a great one and i owned it for a while, but im
minimizing now to a pedalboard since im doing pub gigs where space is
critical as well as setup time,so i still have hopes for a stomp with
simple midi capabilities.
i had high hopes for the eventide time factor,it has 12 sec looper and
is midi and though it send a start and stop comand to my adrenalinn
the loop will not stay in sync with it.Most stomp midi devices dont
put any effort on syncing the looper,but only the delays.it would have
been cool because you can pitch shift the loop and you can degrate it
so it sounds lo-fi.plus its small size is perfect for a pedalboard.
damn they almost did it!
Luis


On Tue, Jan 18, 2011 at 11:29 PM, Andy Owens <andy@1800dialword.com> wrote:
> Luis,
> One word for you:
> LP1
> I cant think of a thing that anyones talked about lately here regarding a
> hardware looper that the LP1 doesnt address, plus eight independant loops=
.
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
> On Jan 18, 2011, at 4:56 PM, "Louie Angulo" <louie.angulo@googlemail.com>
> wrote:
>
> that defeats the purpose bro,i got 2 EDPs as well and they do rock my
> boat, but i want stomps and no more racks!
> so i wont even send start/stop? being the only looper with midi on the
> market it would be sad if it didnt,perhaps there are folks out there
> that dont want to use all the glitchy stuff.
> C mon give us those 2 at least Bob!
> cheers
> Luis
>
>
>
>
>
>>
>> And, if that doesn't float your boat, =A0I've got 2 EDPs with very few m=
iles
>> on them for sale right now.
>> You can have all the features you desire.
>>
>> rick walker
>>
>>
>
>

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Date: Wed, 19 Jan 2011 00:13:21 +0100
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Subject: Re: Mothership of MIDI controllers?
From: Louie Angulo <louie.angulo@googlemail.com>
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wow! RJM is a great company,ive been checking out their RG 16 awesome!
they realy have great products,they also have the compact mastermind
which is wonderful to control the RG16
Luis



On Wed, Jan 19, 2011 at 12:07 AM, Jeff Shirkey <jcshirke@frontier.com> wrote:
> Maybe?
>
> http://www.youtube.com/watch?v=yjXe4IByTvU
>
>

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Date: Wed, 19 Jan 2011 00:25:24 +0100
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Subject: Re: LP2 at namm
From: Louie Angulo <louie.angulo@googlemail.com>
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Hey John,
well i dont really use its amp simulations and FXs for guitar
anymore,although they are awesome,i find that the adrenalinn sucks up
too much tone unfortunately.
But i use them for the drums!! try those filers and amp simlutations
plus the distortions on them and it turns the drums into
a whole new instument, try it out!
thats why im so insistent on finding a stomp midi looper that will
slave a drum machine like this,very fun and it can spice up your
performance!
Luis





On Tue, Jan 18, 2011 at 4:49 AM, John Metzler <jarofjam@me.com> wrote:
> I'm also interested in the LP2's MIDI capabilities. =A0I'm interested in =
all the Loopers and delay's that have good solid MIDI implantation. =A0Espe=
cially in the sync department. =A0I mean, with out it there is no good way =
to keep things aligned. =A0It's totally necessary unless your are only inte=
rested in using the one looper and doing simple layering, and no other acco=
mpaniment such as drums machines, or programmed keyboards. =A0Especially if=
 you want to use interesting live loops along with a live drummer and a ban=
d, you really need to have some sort of click or flashing light for everyon=
e to follow. =A0I know, you can create a loop and have the band adhere to t=
hat loop very closely, but I find that it just doesn't leave you with enoug=
h safety and security to do anything interesting.
>
> (As you know Luis) I'm currently fighting with a pair of EDPs and an MPC =
1000, trying to get them all to stick to the clock from the MPC. =A0They dr=
ift and my performance sounds drunk at best, and a train wreck at the worst=
. =A0I also have an AdreanaLinn (the A2, not the newer A3). =A0I find the 2=
 measure drum loops to stay in sync quite well. =A0It even stays in line wh=
en switching presets by sending it Program changes throughout a sequence. =
=A0Even if that program change is sent in a strange place within the 2 meas=
ures. =A0Unfortunately I don't really like the guitar modeling sounds very =
much, and the input of the unit clips and distorts pretty easly. I like the=
 interesting electro-clash industrial electronic sounding drum sounds. =A0I=
 love the synced effects, why more units haven't employ this feature is bey=
ond me. =A0One thing to take note of with the AdreanaLinn is that if you ar=
e playing guitar through it and send program changed to it to change to a d=
ifferent preset or drumbeat, you will hear it drop out or click.
>
> John M.
>
>
> On Jan 17, 2011, at 6:43 PM, Louie Angulo wrote:
>
>> Im interested in the LP2s midi capabilities,i think thats what would
>> also make it a seller and beat the upcoming new stomp loopers
>> competition,none of them seem to be midi.
>> if i may suggest some essential midi functions which are also in the EDP
>>
>> Start/stop
>> MuteReAlign - =A0Immediately Mute and restart the loop at next Global
>> MIDI StartPoint
>> QuantMIDIStartSong - Wait to next Local Loop StartPoint and then send
>> a StartSong
>> MuteQuantMIDIStartSong - =A0Immediately Mute, then wait to next
>> StartPoint and send StartSong
>> Retrigger
>>
>> if it did this the LP2 combined with the Adrenalinn would b the bomb!
>> Luis
>>
>>
>> On Mon, Jan 17, 2011 at 3:29 PM, andy butler <akbutler@tiscali.co.uk> wr=
ote:
>>>
>>>
>>> Matt Davignon wrote:
>>>>
>>>> The effects look like looping-related commands.
>>>
>>>> I don't know what the "retrigger" or "replace" ones do. It looks like
>>>> you can assign the above effects to 2 footswitches.
>>>>
>>>
>>>
>>> I've discussed those briefly with Rick, and plus a bit of speculation.
>>>
>>> Replace 1/x is a direct emulation of a certain specific edp behaviour,
>>> (also present on LP1).
>>> It replaces a single quantised chunk of the loop with input audio.
>>> In EDPish it's a "Shortpress of Quantised 8th Replace".
>>>
>>> I'm quite excited by that, while that effect has been around since
>>> 2003 it's was always somewhat hidden away in the more expensive product=
s.
>>> If it catches on it could open up a lot of interest in the whole
>>> "looper as instrument" idea.
>>>
>>> I guess the vanilla Replace would be unquantised momentary
>>> (replace for as long as button is held)
>>> In that case, it's possible that quantised replaces will also
>>> cut out larger chunks if held for longer (but
>>> Retrigger is more or less what's offered by the DL4
>>> Retrigger Once. Play the loop once from beginning then stop.
>>> Continue. Retrigger Continuous. Retrigger loop from beginning and keep
>>> going.
>>> Retrigger Random. Jump to a random point in the loop.
>>> The Random Retrigger is intended to be used rhythmically,
>>> I guess the loop would be filled with a variety of
>>> sounds (with slow attacks) so that rapid operation of the randtrig
>>> produced a well defined beat.
>>> Again, that's a very "looper as instrument" type feature.
>>>
>>>
>>> I don't think it's been pointed out yet that the LP2
>>> has a Mix control (back panel) which, unusually for a small looper, mak=
es it
>>> suitable for use on an Aux send.
>>>
>>> andy butler
>>>
>>>
>>>
>>>
>>>
>>>
>>
>
>

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want!
i've been meaning to build almost exactly this for about 10 years.
ah time flies...

On 1/18/2011 5:07 PM, Jeff Shirkey wrote:
> Maybe?
>
> http://www.youtube.com/watch?v=yjXe4IByTvU
>
>

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Subject: Re: LP2 at namm
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <AANLkTinwvSBJ4AVPdsSa11pC03-p_zqkn7htXzoov_Hp@mail.gmail.com>
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Thread-Topic: LP2 at namm
Thread-Index: Acu3aa600a5DvloSTd6O3Ud4he//EA==
Date: Tue, 18 Jan 2011 18:44:27 -0500
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I looked hard at the vox, cool but no midi, so stupid, imho=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 6:11 PM, Louie Angulo <louie.angulo@googlemail.com> wrot=
e:

> oh yes i know thats a great one and i owned it for a while, but im
> minimizing now to a pedalboard since im doing pub gigs where space is
> critical as well as setup time,so i still have hopes for a stomp with
> simple midi capabilities.
> i had high hopes for the eventide time factor,it has 12 sec looper and
> is midi and though it send a start and stop comand to my adrenalinn
> the loop will not stay in sync with it.Most stomp midi devices dont
> put any effort on syncing the looper,but only the delays.it would have
> been cool because you can pitch shift the loop and you can degrate it
> so it sounds lo-fi.plus its small size is perfect for a pedalboard.
> damn they almost did it!
> Luis
>=20
>=20
> On Tue, Jan 18, 2011 at 11:29 PM, Andy Owens <andy@1800dialword.com> wrote=
:
>> Luis,
>> One word for you:
>> LP1
>> I cant think of a thing that anyones talked about lately here regarding a=

>> hardware looper that the LP1 doesnt address, plus eight independant loops=
.
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>> On Jan 18, 2011, at 4:56 PM, "Louie Angulo" <louie.angulo@googlemail.com>=

>> wrote:
>>=20
>> that defeats the purpose bro,i got 2 EDPs as well and they do rock my
>> boat, but i want stomps and no more racks!
>> so i wont even send start/stop? being the only looper with midi on the
>> market it would be sad if it didnt,perhaps there are folks out there
>> that dont want to use all the glitchy stuff.
>> C mon give us those 2 at least Bob!
>> cheers
>> Luis
>>=20
>>=20
>>=20
>>=20
>>=20
>>>=20
>>> And, if that doesn't float your boat,  I've got 2 EDPs with very few mil=
es
>>> on them for sale right now.
>>> You can have all the features you desire.
>>>=20
>>> rick walker
>>>=20
>>>=20
>>=20
>>=20
>=20

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Subject: Re: LP2 at namm
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <AANLkTinwvSBJ4AVPdsSa11pC03-p_zqkn7htXzoov_Hp@mail.gmail.com>
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Haha Luis, you will get hooked on ipad, thats minimilizing there.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 6:11 PM, Louie Angulo <louie.angulo@googlemail.com> wrot=
e:

> oh yes i know thats a great one and i owned it for a while, but im
> minimizing now to a pedalboard since im doing pub gigs where space is
> critical as well as setup time,so i still have hopes for a stomp with
> simple midi capabilities.
> i had high hopes for the eventide time factor,it has 12 sec looper and
> is midi and though it send a start and stop comand to my adrenalinn
> the loop will not stay in sync with it.Most stomp midi devices dont
> put any effort on syncing the looper,but only the delays.it would have
> been cool because you can pitch shift the loop and you can degrate it
> so it sounds lo-fi.plus its small size is perfect for a pedalboard.
> damn they almost did it!
> Luis
>=20
>=20
> On Tue, Jan 18, 2011 at 11:29 PM, Andy Owens <andy@1800dialword.com> wrote=
:
>> Luis,
>> One word for you:
>> LP1
>> I cant think of a thing that anyones talked about lately here regarding a=

>> hardware looper that the LP1 doesnt address, plus eight independant loops=
.
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>=20
>> On Jan 18, 2011, at 4:56 PM, "Louie Angulo" <louie.angulo@googlemail.com>=

>> wrote:
>>=20
>> that defeats the purpose bro,i got 2 EDPs as well and they do rock my
>> boat, but i want stomps and no more racks!
>> so i wont even send start/stop? being the only looper with midi on the
>> market it would be sad if it didnt,perhaps there are folks out there
>> that dont want to use all the glitchy stuff.
>> C mon give us those 2 at least Bob!
>> cheers
>> Luis
>>=20
>>=20
>>=20
>>=20
>>=20
>>>=20
>>> And, if that doesn't float your boat,  I've got 2 EDPs with very few mil=
es
>>> on them for sale right now.
>>> You can have all the features you desire.
>>>=20
>>> rick walker
>>>=20
>>>=20
>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 00:08:53 2011
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Subject: Re: LP2 at namm
From: Mark Hamburg <mark@grubmah.com>
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On Jan 18, 2011, at 2:29 PM, Andy Owens wrote:

> I cant think of a thing that anyones talked about lately here =
regarding a hardware looper that the LP1 doesnt address, plus eight =
independant loops.=20

Well. there's not requiring a rack...

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 00:36:07 2011
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Date: Tue, 18 Jan 2011 16:36:03 -0800 (PST)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: LP2 at namm
To: Loopers-Delight@loopers-delight.com
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--0-1981548023-1295397363=:32553
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Hi Louie can you please post a recorded example of your mangled drums? Maybe 
this is what I am looking for....if you change settings on the drums while they 
are playing is there a noticable click as you mentioned previously?

Thanks,
Eric




________________________________
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, January 18, 2011 6:25:24 PM
Subject: Re: LP2 at namm

Hey John,
well i dont really use its amp simulations and FXs for guitar
anymore,although they are awesome,i find that the adrenalinn sucks up
too much tone unfortunately.
But i use them for the drums!! try those filers and amp simlutations
plus the distortions on them and it turns the drums into
a whole new instument, try it out!
thats why im so insistent on finding a stomp midi looper that will
slave a drum machine like this,very fun and it can spice up your
performance!
Luis


      
--0-1981548023-1295397363=:32553
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Hi Louie can you please post a recorded example of your mangled drums? Maybe this is what I am looking for....if you change settings on the drums while they are playing is there a noticable click as you mentioned previously?<br><br>Thanks,<br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Louie Angulo &lt;louie.angulo@googlemail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, January 18, 2011 6:25:24 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: LP2
 at namm<br></font><br>
Hey John,<br>well i dont really use its amp simulations and FXs for guitar<br>anymore,although they are awesome,i find that the adrenalinn sucks up<br>too much tone unfortunately.<br>But i use them for the drums!! try those filers and amp simlutations<br>plus the distortions on them and it turns the drums into<br>a whole new instument, try it out!<br>thats why im so insistent on finding a stomp midi looper that will<br>slave a drum machine like this,very fun and it can spice up your<br>performance!<br>Luis<br><br><br><br></div></div>
</div><br>

      </body></html>
--0-1981548023-1295397363=:32553--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 02:16:52 2011
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References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com>
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Ok you got me there!! Velcro to the floor???

Actually I got to demo the vox and got some pics, it is actually pretty dang=
 cool. I gotta slow down a minute and right that out, sorry.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 7:08 PM, Mark Hamburg <mark@grubmah.com> wrote:

> On Jan 18, 2011, at 2:29 PM, Andy Owens wrote:
>=20
>> I cant think of a thing that anyones talked about lately here regarding a=
 hardware looper that the LP1 doesnt address, plus eight independant loops.=20=

>=20
> Well. there's not requiring a rack...
>=20
> Mark
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 02:36:12 2011
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Subject: Vox review
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Over at www.andyowens.com on the blog.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 7:08 PM, Mark Hamburg <mark@grubmah.com> wrote:

> On Jan 18, 2011, at 2:29 PM, Andy Owens wrote:
>=20
>> I cant think of a thing that anyones talked about lately here regarding a=
 hardware looper that the LP1 doesnt address, plus eight independant loops.=20=

>=20
> Well. there's not requiring a rack...
>=20
> Mark
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 02:37:45 2011
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Man you might like the vox, standalone guitar pedal with a two channel loope=
r.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 4:56 PM, "Louie Angulo" <louie.angulo@googlemail.com> wr=
ote:

> that defeats the purpose bro,i got 2 EDPs as well and they do rock my
> boat, but i want stomps and no more racks!
> so i wont even send start/stop? being the only looper with midi on the
> market it would be sad if it didnt,perhaps there are folks out there
> that dont want to use all the glitchy stuff.
> C mon give us those 2 at least Bob!
> cheers
> Luis
>=20
>=20
>=20
>=20
>=20
> >
> > And, if that doesn't float your boat,  I've got 2 EDPs with very few mil=
es
> > on them for sale right now.
> > You can have all the features you desire.
> >
> > rick walker
> >
> >
>=20

--Apple-Mail-8--730133692
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	charset=utf-8

<html><body bgcolor="#FFFFFF"><div>Man you might like the vox, standalone guitar pedal with a two channel looper.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 18, 2011, at 4:56 PM, "Louie Angulo" &lt;<a href="mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">that defeats the purpose bro,i got 2 EDPs as well and they do rock my<br>
boat, but i want stomps and no more racks!<br>
so i wont even send start/stop? being the only looper with midi on the<br>
market it would be sad if it didnt,perhaps there are folks out there<br>
that dont want to use all the glitchy stuff.<br>
C mon give us those 2 at least Bob!<br>
cheers<br>
Luis<br>
<br>
<br>
<br>
<br>
<br>
&gt;<br>
&gt; And, if that doesn't float your boat, &nbsp;I've got 2 EDPs with very few miles<br>
&gt; on them for sale right now.<br>
&gt; You can have all the features you desire.<br>
&gt;<br>
&gt; rick walker<br>
&gt;<br>
&gt;<br>
<br>
</font>
</p>


</div></blockquote></body></html>
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I am intrigued by that one!=20


On Jan 18, 2011, at 6:37 PM, Andy Owens wrote:

> Man you might like the vox, standalone guitar pedal with a two channel =
looper.=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div>I am intrigued by that =
one!&nbsp;<div><br></div><div><br><div><div>On Jan 18, 2011, at 6:37 PM, =
Andy Owens wrote:</div><br class=3D"Apple-interchange-newline"><blockquote=
 type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; ">Man you might =
like the vox, standalone guitar pedal with a two channel =
looper.&nbsp;<br></span></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

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Date: Tue, 18 Jan 2011 20:49:07 -0600
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thanks for that andy

Unfortunate we have to wait until May I think for the release=2C right? And=
 was there a price mentioned?






The Wandering Madman=20




> Subject: Vox review
> From: andy@1800dialword.com
> Date: Tue=2C 18 Jan 2011 21:35:20 -0500
> To: Loopers-Delight@loopers-delight.com
>=20
> Over at www.andyowens.com on the blog.=20
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 18=2C 2011=2C at 7:08 PM=2C Mark Hamburg <mark@grubmah.com> wrote:
>=20
> > On Jan 18=2C 2011=2C at 2:29 PM=2C Andy Owens wrote:
> >=20
> >> I cant think of a thing that anyones talked about lately here regardin=
g a hardware looper that the LP1 doesnt address=2C plus eight independant l=
oops.=20
> >=20
> > Well. there's not requiring a rack...
> >=20
> > Mark
> >=20
>=20
 		 	   		  =

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font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
thanks for that andy<br><br>Unfortunate we have to wait until May I think f=
or the release=2C right? And was there a price mentioned?<br><br><br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br><br><br>&gt=3B Subject: Vox review<br>&gt=3B From: andy@1800dialwor=
d.com<br>&gt=3B Date: Tue=2C 18 Jan 2011 21:35:20 -0500<br>&gt=3B To: Loope=
rs-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Over at www.andyowens.c=
om on the blog. <br>&gt=3B <br>&gt=3B Andy Owens<br>&gt=3B 1-800-AndyOwens<=
br>&gt=3B Sent from my iPhone<br>&gt=3B So the typing might not be my best!=
<br>&gt=3B <br>&gt=3B <br>&gt=3B On Jan 18=2C 2011=2C at 7:08 PM=2C Mark Ha=
mburg &lt=3Bmark@grubmah.com&gt=3B wrote:<br>&gt=3B <br>&gt=3B &gt=3B On Ja=
n 18=2C 2011=2C at 2:29 PM=2C Andy Owens wrote:<br>&gt=3B &gt=3B <br>&gt=3B=
 &gt=3B&gt=3B I cant think of a thing that anyones talked about lately here=
 regarding a hardware looper that the LP1 doesnt address=2C plus eight inde=
pendant loops. <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B Well. there's not requir=
ing a rack...<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B Mark<br>&gt=3B &gt=3B <br>=
&gt=3B <br> 		 	   		  </body>
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Thanks, Andy.  My big question about any stomp box looper is: does it =
have an adjustable feedback (decay) control?




On Jan 18, 2011, at 6:35 PM, Andy Owens wrote:

> Over at www.andyowens.com on the blog.=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 02:57:18 2011
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Thanks, Jim,  I made a mistake in programming before I demonstrated
the Q Slice features so it took me a dozen foot presses before I figured 
out
what mistake I'd made (just due to not knowing the unit intimately yet).
I'm gonna ask Barry if he'll edit that because it's NOT representative
of the time it takes to program the unit in real time.
Other than that I feel pretty good about it.

yours,   Rick




On 7/22/64 11:59 AM, Jim Goodin wrote:
> excellent demo Rick
>
>     http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&bclid=27948268001
>     <http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&bclid=27948268001>
>


--------------050207000005090409040301
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    Thanks, Jim,&nbsp; I made a mistake in programming before I demonstrated
    <br>
    the Q Slice features so it took me a dozen foot presses before I
    figured out <br>
    what mistake I'd made (just due to not knowing the unit intimately
    yet).<br>
    I'm gonna ask Barry if he'll edit that because it's NOT
    representative <br>
    of the time it takes to program the unit in real time.<br>
    Other than that I feel pretty good about it.<br>
    <br>
    yours,&nbsp;&nbsp; Rick<br>
    <br>
    <br>
    <br>
    <br>
    On 7/22/64 11:59 AM, Jim Goodin wrote:
    <blockquote
cite="mid:%3CAANLkTikBP5opyWwzhyYLym5KT2WHZp-CBbi7V5Lme2Xt@mail.gmail.com%3E"
      type="cite">excellent demo Rick<br>
      <br>
      <div>
        <blockquote>
          <a moz-do-not-send="true"
href="http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&amp;bclid=27948268001">http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&amp;bclid=27948268001</a></blockquote>
      </div>
    </blockquote>
    <br>
  </body>
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--------------050207000005090409040301--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 02:59:41 2011
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That vid doesnt play iphone for some reason fyi.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 9:57 PM, "Rick Walker" <looppool@cruzio.com> wrote:

> Thanks, Jim,  I made a mistake in programming before I demonstrated=20
> the Q Slice features so it took me a dozen foot presses before I figured o=
ut=20
> what mistake I'd made (just due to not knowing the unit intimately yet).
> I'm gonna ask Barry if he'll edit that because it's NOT representative=20
> of the time it takes to program the unit in real time.
> Other than that I feel pretty good about it.
>=20
> yours,   Rick
>=20
>=20
>=20
>=20
> On 7/22/64 11:59 AM, Jim Goodin wrote:
>>=20
>> excellent demo Rick
>>=20
>> http://www.guitarplayer.com/GearVideo.aspx?bctid=3D753735222001&bclid=3D2=
7948268001
>=20

--Apple-Mail-9--728818306
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<html><body bgcolor="#FFFFFF"><div>That vid doesnt play iphone for some reason fyi.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 18, 2011, at 9:57 PM, "Rick Walker" &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

    Thanks, Jim,&nbsp; I made a mistake in programming before I demonstrated
    <br>
    the Q Slice features so it took me a dozen foot presses before I
    figured out <br>
    what mistake I'd made (just due to not knowing the unit intimately
    yet).<br>
    I'm gonna ask Barry if he'll edit that because it's NOT
    representative <br>
    of the time it takes to program the unit in real time.<br>
    Other than that I feel pretty good about it.<br>
    <br>
    yours,&nbsp;&nbsp; Rick<br>
    <br>
    <br>
    <br>
    <br>
    On 7/22/64 11:59 AM, Jim Goodin wrote:
    <blockquote cite="mid:%3CAANLkTikBP5opyWwzhyYLym5KT2WHZp-CBbi7V5Lme2Xt@mail.gmail.com%3E" type="cite">excellent demo Rick<br>
      <br>
      <div>
        <blockquote>
          <a moz-do-not-send="true" href="http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&amp;bclid=27948268001"><a href="http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&amp;bclid=27948268001">http://www.guitarplayer.com/GearVideo.aspx?bctid=753735222001&amp;bclid=27948268001</a></a></blockquote>
      </div>
    </blockquote>
    <br>
  

</div></blockquote></body></html>
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Subject: Re: Vox review
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com> <675497B8-55B6-428F-86EE-4747C8CF7D64@1800dialword.com> <COL118-W60E0501DE015D7F8F21D4DBF60@phx.gbl>
From: "Andy Owens" <andy@1800dialword.com>
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Thread-Topic: Vox review
Thread-Index: Acu3hYmhbYR2ejrjQ/maqC8AqBtS+A==
Date: Tue, 18 Jan 2011 22:03:48 -0500
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Map is 280 he said, not bad.=20

Dude is that you doing that rain song? Holy frickenberries!!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 9:49 PM, "FRO DIDDLY" <parispro00@hotmail.com> wrote:

> thanks for that andy
>=20
> Unfortunate we have to wait until May I think for the release, right? And w=
as there a price mentioned?
>=20
>=20
>=20
> The Wandering Madman=20
>=20
>=20
>=20
> > Subject: Vox review
> > From: andy@1800dialword.com
> > Date: Tue, 18 Jan 2011 21:35:20 -0500
> > To: Loopers-Delight@loopers-delight.com
> >=20
> > Over at www.andyowens.com on the blog.=20
> >=20
> > Andy Owens
> > 1-800-AndyOwens
> > Sent from my iPhone
> > So the typing might not be my best!
> >=20
> >=20
> > On Jan 18, 2011, at 7:08 PM, Mark Hamburg <mark@grubmah.com> wrote:
> >=20
> > > On Jan 18, 2011, at 2:29 PM, Andy Owens wrote:
> > >=20
> > >> I cant think of a thing that anyones talked about lately here regardi=
ng a hardware looper that the LP1 doesnt address, plus eight independant loo=
ps.=20
> > >=20
> > > Well. there's not requiring a rack...
> > >=20
> > > Mark
> > >=20
> >=20

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From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 03:04:46 2011
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	id B8E9E18347A; Wed, 19 Jan 2011 03:04:45 +0000 (UTC)
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X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Subject: Re: Vox review
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com> <675497B8-55B6-428F-86EE-4747C8CF7D64@1800dialword.com> <COL118-W60E0501DE015D7F8F21D4DBF60@phx.gbl>
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Thread-Topic: Vox review
Thread-Index: Acu3hZ8yddvROQNEStOoWPzW13hV6Q==
Date: Tue, 18 Jan 2011 22:04:26 -0500
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Yes and too I could only watch not play.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 9:49 PM, "FRO DIDDLY" <parispro00@hotmail.com> wrote:

> thanks for that andy
>=20
> Unfortunate we have to wait until May I think for the release, right? And w=
as there a price mentioned?
>=20
>=20
>=20
> The Wandering Madman=20
>=20
>=20
>=20
> > Subject: Vox review
> > From: andy@1800dialword.com
> > Date: Tue, 18 Jan 2011 21:35:20 -0500
> > To: Loopers-Delight@loopers-delight.com
> >=20
> > Over at www.andyowens.com on the blog.=20
> >=20
> > Andy Owens
> > 1-800-AndyOwens
> > Sent from my iPhone
> > So the typing might not be my best!
> >=20
> >=20
> > On Jan 18, 2011, at 7:08 PM, Mark Hamburg <mark@grubmah.com> wrote:
> >=20
> > > On Jan 18, 2011, at 2:29 PM, Andy Owens wrote:
> > >=20
> > >> I cant think of a thing that anyones talked about lately here regardi=
ng a hardware looper that the LP1 doesnt address, plus eight independant loo=
ps.=20
> > >=20
> > > Well. there's not requiring a rack...
> > >=20
> > > Mark
> > >=20
> >=20

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From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 03:07:14 2011
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On 7/22/64 11:59 AM, David Gans wrote:
> Thanks, Andy.  My big question about any stomp box looper is: does it have an adjustable feedback (decay) control?
>
The LP-2 Mini Looper does, controllable with a separate expression pedal 
that
plugs into the back.

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 03:26:04 2011
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Delivered-To: looper+loopers-delight@arsenic.violacea.com
Subject: Re: Vox review
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com> <675497B8-55B6-428F-86EE-4747C8CF7D64@1800dialword.com> <2F10427A-EA0F-4E64-9EAD-29CEDCF9BB71@trufun.com>
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Thread-Topic: Vox review
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Man I dont remember, wasnt too good a demo environment. Hope so!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 9:54 PM, David Gans <david@trufun.com> wrote:

>=20
>=20
> Thanks, Andy.  My big question about any stomp box looper is: does it have=
 an adjustable feedback (decay) control?
>=20
>=20
>=20
>=20
> On Jan 18, 2011, at 6:35 PM, Andy Owens wrote:
>=20
>> Over at www.andyowens.com on the blog.=20
>=20
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 03:33:42 2011
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Subject: Re: Vox review
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com> <675497B8-55B6-428F-86EE-4747C8CF7D64@1800dialword.com> <2F10427A-EA0F-4E64-9EAD-29CEDCF9BB71@trufun.com>
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On the vox website looks like not.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 9:54 PM, David Gans <david@trufun.com> wrote:

>=20
>=20
> Thanks, Andy.  My big question about any stomp box looper is: does it have=
 an adjustable feedback (decay) control?
>=20
>=20
>=20
>=20
> On Jan 18, 2011, at 6:35 PM, Andy Owens wrote:
>=20
>> Over at www.andyowens.com on the blog.=20
>=20
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 03:36:08 2011
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Subject: Re: Vox review
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com> <675497B8-55B6-428F-86EE-4747C8CF7D64@1800dialword.com> <2F10427A-EA0F-4E64-9EAD-29CEDCF9BB71@trufun.com>
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There is x-fade but I'm not exactly sure what that means.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 9:54 PM, David Gans <david@trufun.com> wrote:

>=20
>=20
> Thanks, Andy.  My big question about any stomp box looper is: does it have=
 an adjustable feedback (decay) control?
>=20
>=20
>=20
>=20
> On Jan 18, 2011, at 6:35 PM, Andy Owens wrote:
>=20
>> Over at www.andyowens.com on the blog.=20
>=20
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>=20
>=20
>=20
>=20

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--_ba217741-f6ed-40f8-9097-9fc3f1ba5d4c_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


the xfade lets you use the volume pedal to manually fade between loop 1 and=
 loop 2





The Wandering Madman=20




> Subject: Re: Vox review
> From: andy@1800dialword.com
> Date: Tue=2C 18 Jan 2011 22:35:50 -0500
> To: Loopers-Delight@loopers-delight.com
>=20
> There is x-fade but I'm not exactly sure what that means.=20
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 18=2C 2011=2C at 9:54 PM=2C David Gans <david@trufun.com> wrote:
>=20
> >=20
> >=20
> > Thanks=2C Andy.  My big question about any stomp box looper is: does it=
 have an adjustable feedback (decay) control?
> >=20
> >=20
> >=20
> >=20
> > On Jan 18=2C 2011=2C at 6:35 PM=2C Andy Owens wrote:
> >=20
> >> Over at www.andyowens.com on the blog.=20
> >=20
> > David Gans - david@trufun.com or david@gdhour.com
> > Truth and Fun=2C Inc.=2C 484 Lake Park Ave. #102=2C Oakland CA 94610-27=
30
> > Blog:  http://cloudsurfing.gdhour.com
> > Web site: http://www.dgans.com
> > Photos: http://www.flickr.com/photos/dgans
> > Music: http://www.cdbaby.com/all/dgans
> >=20
> >=20
> >=20
> >=20
>=20
 		 	   		  =

--_ba217741-f6ed-40f8-9097-9fc3f1ba5d4c_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
the xfade lets you use the volume pedal to manually fade between loop 1 and=
 loop 2<br><br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br><br><br>&gt=3B Subject: Re: Vox review<br>&gt=3B From: andy@1800dia=
lword.com<br>&gt=3B Date: Tue=2C 18 Jan 2011 22:35:50 -0500<br>&gt=3B To: L=
oopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B There is x-fade but=
 I'm not exactly sure what that means. <br>&gt=3B <br>&gt=3B Andy Owens<br>=
&gt=3B 1-800-AndyOwens<br>&gt=3B Sent from my iPhone<br>&gt=3B So the typin=
g might not be my best!<br>&gt=3B <br>&gt=3B <br>&gt=3B On Jan 18=2C 2011=
=2C at 9:54 PM=2C David Gans &lt=3Bdavid@trufun.com&gt=3B wrote:<br>&gt=3B =
<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B Thanks=2C Andy.  My b=
ig question about any stomp box looper is: does it have an adjustable feedb=
ack (decay) control?<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <=
br>&gt=3B &gt=3B <br>&gt=3B &gt=3B On Jan 18=2C 2011=2C at 6:35 PM=2C Andy =
Owens wrote:<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B&gt=3B Over at www.andyowens=
.com on the blog. <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B David Gans - david@tr=
ufun.com or david@gdhour.com<br>&gt=3B &gt=3B Truth and Fun=2C Inc.=2C 484 =
Lake Park Ave. #102=2C Oakland CA 94610-2730<br>&gt=3B &gt=3B Blog:  http:/=
/cloudsurfing.gdhour.com<br>&gt=3B &gt=3B Web site: http://www.dgans.com<br=
>&gt=3B &gt=3B Photos: http://www.flickr.com/photos/dgans<br>&gt=3B &gt=3B =
Music: http://www.cdbaby.com/all/dgans<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <=
br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <br>&gt=3B <br> 		 	   		  </body>
</html>=

--_ba217741-f6ed-40f8-9097-9fc3f1ba5d4c_--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 04:50:22 2011
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Subject: Re: mainstage CPU,how good is it for live looping?
From: Louie Angulo <louie.angulo@googlemail.com>
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Im basically using the stock guitar presets Per and the CPU is showing about 25
my mac seems all around slower and there is a delay in the signal,is
yours config like that as well?
i also find it hard to loop like that even using their built in looper
what does your CPU percentage shows when you use the pedalboard looper
concert preset?

On Mon, Jan 17, 2011 at 10:59 AM, Per Boysen <perboysen@gmail.com> wrote:
> On Mon, Jan 17, 2011 at 10:30 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> is anybody using it live succesfully?
>
> Yes. I'm doing that. And even though Mainstage blocks the keyboard key
> commands of Mobius' I'm staying with that host because it sounds
> better and is lighter on the CPU. Of course you have to avoid using
> plugins that are extra CPU consuming, that's the trick. And since some
> of the Logic plugins are extremely CPU efficient you can reach an
> extraordinary low CPU consumption if sticking with those plugins in
> your Minstage stetups. Channel EQ and Compressor are the two most used
> plugins over here. And limiter (but beware of the Ad-Limiter 'cause
> that is a mastering tool that would ruin your live setup if you try
> using it). On the master output I use a Multiplressor followed by a
> limiter. When Mainstag was released a couple of years ago I copied my
> older Bidule setup and have in fact used the same wiring ever since
> (although I constantly try alternatives).
>
>> can the latency be better
>> adjusted?
>
> Certainly! Do not use plugins that add latency and seet the audio
> buffer to 128 samples.
>
>> what buffer sizes are u guys using?
>
> I use 128. That is on a 2.2 MHz MacBook, the four year old white model
> with the cracking up plastic case ;-)) and Santa Rosa chip. It is till
> good enough and I have seen the CPU load minimize over these four
> years as Apple keep optimizing code between system upgrades and
> application upgrades.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 09:03:43 2011
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That's the most impressive *looking* one.

I wouldn't risk it though,
it takes a lot of effort to make a controller
suitable for looping, and unless they set
aside time to do specifically that, and 
to get feedback from loopers their product
will only offer frustration.

andy butler

Jeff Shirkey wrote:
> Maybe?
> 
> http://www.youtube.com/watch?v=yjXe4IByTvU
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 09:14:04 2011
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Date: Wed, 19 Jan 2011 09:14:10 +0000
From: andy butler <akbutler@tiscali.co.uk>
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Subject: Re: Vox review
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com> <675497B8-55B6-428F-86EE-4747C8CF7D64@1800dialword.com> <2F10427A-EA0F-4E64-9EAD-29CEDCF9BB71@trufun.com> <8A5C125D-0510-4389-B8BB-CC5777D6126D@1800dialword.com>
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The Vox unit doesn't seem to have feedback control.
It does have a way to resample the loop, and a way to
control the volume of the loop...so there's a way to get feedback
control..but only when you're multiplying the loop.

The big advantage of the LP2 is that it's made for, and by,
folks who *actually know about looping*.
So, it naturally has the feedback control.

andy butler

Andy Owens wrote:
> Man I dont remember, wasnt too good a demo environment. Hope so!!

> On Jan 18, 2011, at 9:54 PM, David Gans <david@trufun.com> wrote:
> 
>>
>> Thanks, Andy.  My big question about any stomp box looper is: does it have an adjustable feedback (decay) control?
>>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 10:18:32 2011
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Subject: Re: mainstage CPU,how good is it for live looping?
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Hi Luis

I'm using a pretty similar setup like Per.
My initial "monster setup" in Mainstage had hiccups. But after thinking through what I _really_ need, things run smooth now. I don't have any delays/latency problems.

Concerning your rig: The guitar presets and the new guitar effects are really great. But replacing some of the "virtual guitar pedals" with basic Logic effects significantly improved CPU.

Only thing that gets on my nerves is that Mainstage occasionally interrupts live looping with "feedback detected".

Other then that - Mainstage + Mobius is really great on a Mac :-)
best regards
Buzap

-- 
GMX DSL Doppel-Flat ab 19,99 Euro/mtl.! Jetzt mit 
gratis Handy-Flat! http://portal.gmx.net/de/go/dsl

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Subject: Re: mainstage CPU,how good is it for live looping?
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jan 19, 2011 at 5:50 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Im basically using the stock guitar presets Per and the CPU is showing about 25
> my mac seems all around slower and there is a delay in the signal,is
> yours config like that as well?

No. It feels as snappy at 90 percent as it does at 25 percent. I don't
use any stock guitar presets though. All my channel strips are custom
made.

> i also find it hard to loop like that even using their built in looper
> what does your CPU percentage shows when you use the pedalboard looper
> concert preset?

I'm afraid I don't know, since it was ages since I tried that preset.
But CPU load does not affect audio "feeling slow". If I go up to 100
percent I may have an audio drop-out for a second but except for that
audio sounds crystal clear all the way.

But Mainstage needs CPU headroom in order to be stable. When I set up
my channel strip patches and looper routings I won't use a patch if it
goes higher than 60 percent. Some of mine starts at 20 or 30 percent,
others at 50. On the global level (i.e. not Patch level) I run Mobius
in a four tracks version and route those four Mobius tracks as
separate outputs into Mainstage. On two looper tracks I keep an
Autofilter going. Then I also keep one Ohmboyz instance on the global
level plus a multipressor and limiter on the stereo output.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 13:15:00 2011
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Yeah I looked at that, long way to go but interesting and people were super n=
ice.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 19, 2011, at 4:18 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> That's the most impressive *looking* one.
>=20
> I wouldn't risk it though,
> it takes a lot of effort to make a controller
> suitable for looping, and unless they set
> aside time to do specifically that, and to get feedback from loopers their=
 product
> will only offer frustration.
>=20
> andy butler
>=20
> Jeff Shirkey wrote:
>> Maybe?
>> http://www.youtube.com/watch?v=3DyjXe4IByTvU
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 14:21:09 2011
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Subject: Re: mainstage CPU,how good is it for live looping?
From: Louie Angulo <louie.angulo@googlemail.com>
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thanx guys,would yo be so kind as to send a pics of your setups? i
think ive seen yours Per but didnt pay attention previously since i
was not using mainstge.
Ok so think ill start with a blank concert and build up from there see
if that improves my CPU
too bad,the new guitar stomps and presets are great...

On Wed, Jan 19, 2011 at 11:18 AM,  <buzap@gmx.net> wrote:
> Hi Luis
>
> I'm using a pretty similar setup like Per.
> My initial "monster setup" in Mainstage had hiccups. But after thinking through what I _really_ need, things run smooth now. I don't have any delays/latency problems.
>
> Concerning your rig: The guitar presets and the new guitar effects are really great. But replacing some of the "virtual guitar pedals" with basic Logic effects significantly improved CPU.
>
> Only thing that gets on my nerves is that Mainstage occasionally interrupts live looping with "feedback detected".
>
> Other then that - Mainstage + Mobius is really great on a Mac :-)
> best regards
> Buzap
>
> --
> GMX DSL Doppel-Flat ab 19,99 Euro/mtl.! Jetzt mit
> gratis Handy-Flat! http://portal.gmx.net/de/go/dsl
>
>

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Subject: Re: Mothership of MIDI controllers?
From: Louie Angulo <louie.angulo@googlemail.com>
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maybe the first thing would be to tell them to use quiet switches;-)
but is nice from them to ask for suggestions before they release it
maybe we should get involved.
Luis

On Wed, Jan 19, 2011 at 2:14 PM, Andy Owens <andy@1800dialword.com> wrote:
> Yeah I looked at that, long way to go but interesting and people were super nice.
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 19, 2011, at 4:18 AM, andy butler <akbutler@tiscali.co.uk> wrote:
>
>> That's the most impressive *looking* one.
>>
>> I wouldn't risk it though,
>> it takes a lot of effort to make a controller
>> suitable for looping, and unless they set
>> aside time to do specifically that, and to get feedback from loopers their product
>> will only offer frustration.
>>
>> andy butler
>>
>> Jeff Shirkey wrote:
>>> Maybe?
>>> http://www.youtube.com/watch?v=yjXe4IByTvU
>>
>
>

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	<4D36A8F4.8010000@tiscali.co.uk>
	<DBA813E1-39A9-4623-B36E-B22C543C0A58@1800dialword.com>
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Date: Wed, 19 Jan 2011 15:01:29 +0000
Message-ID: <AANLkTikffjq2C+4e5Yc-_dFy3Bi_PsjfBfeP2JZVxNAC@mail.gmail.com>
Subject: Re: Mothership of MIDI controllers?
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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my main concern was with the little LCD screens. i don't think you'd be able
to read those very well, especially under bright lights. i think if they had
LED's they'd be much better. i also don't like the physical size of it. i
think it's way bigger than it needs to be. apart from that, it looks good,
with a nice feature set

sim

On Wed, Jan 19, 2011 at 2:23 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> maybe the first thing would be to tell them to use quiet switches;-)
> but is nice from them to ask for suggestions before they release it
> maybe we should get involved.
> Luis
>
> On Wed, Jan 19, 2011 at 2:14 PM, Andy Owens <andy@1800dialword.com> wrote:
> > Yeah I looked at that, long way to go but interesting and people were
> super nice.
> >
> > Andy Owens
> > 1-800-AndyOwens
> > Sent from my iPhone
> > So the typing might not be my best!
> >
> >
> > On Jan 19, 2011, at 4:18 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> >
> >> That's the most impressive *looking* one.
> >>
> >> I wouldn't risk it though,
> >> it takes a lot of effort to make a controller
> >> suitable for looping, and unless they set
> >> aside time to do specifically that, and to get feedback from loopers
> their product
> >> will only offer frustration.
> >>
> >> andy butler
> >>
> >> Jeff Shirkey wrote:
> >>> Maybe?
> >>> http://www.youtube.com/watch?v=yjXe4IByTvU
> >>
> >
> >
>
>

--000e0cd6e81eb4f703049a344a05
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my main concern was with the little LCD screens. i don&#39;t think you&#39;=
d be able to read those very well, especially under bright lights. i think =
if they had LED&#39;s they&#39;d be much better. i also don&#39;t like the =
physical size of it. i think it&#39;s way bigger than it needs to be. apart=
 from that, it looks good, with a nice feature set<br>
<br>sim<br><br><div class=3D"gmail_quote">On Wed, Jan 19, 2011 at 2:23 PM, =
Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlemai=
l.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">
maybe the first thing would be to tell them to use quiet switches;-)<br>
but is nice from them to ask for suggestions before they release it<br>
maybe we should get involved.<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Wed, Jan 19, 2011 at 2:14 PM, Andy Owens &lt;<a href=3D"mailto:andy@1800=
dialword.com">andy@1800dialword.com</a>&gt; wrote:<br>
&gt; Yeah I looked at that, long way to go but interesting and people were =
super nice.<br>
&gt;<br>
&gt; Andy Owens<br>
&gt; 1-800-AndyOwens<br>
&gt; Sent from my iPhone<br>
&gt; So the typing might not be my best!<br>
&gt;<br>
&gt;<br>
&gt; On Jan 19, 2011, at 4:18 AM, andy butler &lt;<a href=3D"mailto:akbutle=
r@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; wrote:<br>
&gt;<br>
&gt;&gt; That&#39;s the most impressive *looking* one.<br>
&gt;&gt;<br>
&gt;&gt; I wouldn&#39;t risk it though,<br>
&gt;&gt; it takes a lot of effort to make a controller<br>
&gt;&gt; suitable for looping, and unless they set<br>
&gt;&gt; aside time to do specifically that, and to get feedback from loope=
rs their product<br>
&gt;&gt; will only offer frustration.<br>
&gt;&gt;<br>
&gt;&gt; andy butler<br>
&gt;&gt;<br>
&gt;&gt; Jeff Shirkey wrote:<br>
&gt;&gt;&gt; Maybe?<br>
&gt;&gt;&gt; <a href=3D"http://www.youtube.com/watch?v=3DyjXe4IByTvU" targe=
t=3D"_blank">http://www.youtube.com/watch?v=3DyjXe4IByTvU</a><br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--000e0cd6e81eb4f703049a344a05--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 15:08:53 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: LP2 at namm Louie's start/stop
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com>	<4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com>
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Louie Angulo wrote:

> so i wont even send start/stop? being the only looper with midi on the
> market it would be sad if it didnt,
> C mon give us those 2 at least Bob!
> cheers
> Luis

Hi Luis,
You'll have to correct me if I'm wrong, but I think sending
midi start/stop is user configurable on the EDP,
with the default setting being to *not* send them.

There are certainly times you *don't* want the drum machine to
come in as soon as you close the loop, and to stop every time the loop
stops.
(and I remember a *really* nice example of the drum machine coming
   in at the end of the piece on your cd).

The LP2 is aiming at simplicity of use so I can see
that it probably isn't practical to have midi start/stop 
as a switchable feature.


I can't imagine that Bob and Rick wouldn't take your suggestion very seriously,
as it could well come under "making an advertised feature work"
rather than adding a new feature.

all the best
andy butler

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 15:21:28 2011
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Date: Wed, 19 Jan 2011 16:21:25 +0100
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Subject: Re: mainstage CPU,how good is it for live looping?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Hi bro Luis! :)
I think Mainstage is OK regarding CPU usage compared to other hosts.
But like Per said, you have to watch the plugins you are using, some
can be very CPU hungry, for examples the Logic plugin "Space Designer"
which is a convolution reverb. Regarding latency, for me 128 and even
256 is OK, I'm used to a slight delay when looping acoustic
instruments like piano or guitar.

Btw: I'm no longer using Mainstage with Mobius, both are not running
stable on my Macbook. I have been using from Jan 2009 till Feb 2010
but I have noticed serious memory leakes, random CPU spikes and audio
drop outs causing 100% silcence while performing live...not funny. The
memory leak was probably caused by Mobius. Upgrading to the latest
versions of Mainstage and Mobius, OSX 10.6 and Motu firewire drivers
did not solve the issue. I do know that the CPU spikes issue is a
known issue in Logic 9, this info can be found on multiple internet
forums. It's a pity because the Mainstage plugins and instruments are
really good.

Anyway, I recently switched to Ableton Live with multiple instances of
Augustus Loop as my live setup and, as an alternative, I have created
a similar setup in Bidule . Live has been very stable so far, it has
very good built in plugins and the integration with midi controllers
is really good. What I also like are the automation options in Live as
an alternative for scripting. I have to dig into this but my idea is
to investigate if you can create clips which function as scripts like
in Mobius, either triggered by playing these clips or trigger them by
midi. Don't know if the last is possible though.
-- 

Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: RE: Mothership of MIDI controllers?
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They had it up on a table the whole time, so it was kinda hard to tell
how they would look from above, but depending on the way they program
the LCD, you might could make the notation bigger, all you need is kind
of a guide, not a paragraph. But from looking at it, this old fart could
read them pretty well. But, that is a lot of frigging buttons!!!!!

=20

=20

=20

From: Simeon Harris [mailto:simeonharris40@googlemail.com]=20
Sent: Wednesday, January 19, 2011 10:01 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mothership of MIDI controllers?

=20

my main concern was with the little LCD screens. i don't think you'd be
able to read those very well, especially under bright lights. i think if
they had LED's they'd be much better. i also don't like the physical
size of it. i think it's way bigger than it needs to be. apart from
that, it looks good, with a nice feature set

sim

On Wed, Jan 19, 2011 at 2:23 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:

maybe the first thing would be to tell them to use quiet switches;-)
but is nice from them to ask for suggestions before they release it
maybe we should get involved.
Luis


On Wed, Jan 19, 2011 at 2:14 PM, Andy Owens <andy@1800dialword.com>
wrote:
> Yeah I looked at that, long way to go but interesting and people were
super nice.
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 19, 2011, at 4:18 AM, andy butler <akbutler@tiscali.co.uk>
wrote:
>
>> That's the most impressive *looking* one.
>>
>> I wouldn't risk it though,
>> it takes a lot of effort to make a controller
>> suitable for looping, and unless they set
>> aside time to do specifically that, and to get feedback from loopers
their product
>> will only offer frustration.
>>
>> andy butler
>>
>> Jeff Shirkey wrote:
>>> Maybe?
>>> http://www.youtube.com/watch?v=3DyjXe4IByTvU
>>
>
>

=20


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style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>They had it up on a table the whole time, so it was kinda hard to =
tell how they would look from above, but depending on the way they =
program the LCD, you might could make the notation bigger, all you need =
is kind of a guide, not a paragraph. But from looking at it, this old =
fart could read them pretty well. But, that is a lot of frigging =
buttons!!!!!<o:p></o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
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style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
Simeon Harris [mailto:simeonharris40@googlemail.com] <br><b>Sent:</b> =
Wednesday, January 19, 2011 10:01 AM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: Mothership of =
MIDI controllers?<o:p></o:p></span></p></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'>my main concern was with the little LCD =
screens. i don't think you'd be able to read those very well, especially =
under bright lights. i think if they had LED's they'd be much better. i =
also don't like the physical size of it. i think it's way bigger than it =
needs to be. apart from that, it looks good, with a nice feature =
set<br><br>sim<o:p></o:p></p><div><p class=3DMsoNormal>On Wed, Jan 19, =
2011 at 2:23 PM, Louie Angulo &lt;<a =
href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</=
a>&gt; wrote:<o:p></o:p></p><p class=3DMsoNormal>maybe the first thing =
would be to tell them to use quiet switches;-)<br>but is nice from them =
to ask for suggestions before they release it<br>maybe we should get =
involved.<br>Luis<o:p></o:p></p><div><div><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'><br>On Wed, Jan 19, 2011 at 2:14 PM, Andy =
Owens &lt;<a =
href=3D"mailto:andy@1800dialword.com">andy@1800dialword.com</a>&gt; =
wrote:<br>&gt; Yeah I looked at that, long way to go but interesting and =
people were super nice.<br>&gt;<br>&gt; Andy Owens<br>&gt; =
1-800-AndyOwens<br>&gt; Sent from my iPhone<br>&gt; So the typing might =
not be my best!<br>&gt;<br>&gt;<br>&gt; On Jan 19, 2011, at 4:18 AM, =
andy butler &lt;<a =
href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt; =
wrote:<br>&gt;<br>&gt;&gt; That's the most impressive *looking* =
one.<br>&gt;&gt;<br>&gt;&gt; I wouldn't risk it though,<br>&gt;&gt; it =
takes a lot of effort to make a controller<br>&gt;&gt; suitable for =
looping, and unless they set<br>&gt;&gt; aside time to do specifically =
that, and to get feedback from loopers their product<br>&gt;&gt; will =
only offer frustration.<br>&gt;&gt;<br>&gt;&gt; andy =
butler<br>&gt;&gt;<br>&gt;&gt; Jeff Shirkey wrote:<br>&gt;&gt;&gt; =
Maybe?<br>&gt;&gt;&gt; <a =
href=3D"http://www.youtube.com/watch?v=3DyjXe4IByTvU" =
target=3D"_blank">http://www.youtube.com/watch?v=3DyjXe4IByTvU</a><br>&gt=
;&gt;<br>&gt;<br>&gt;<o:p></o:p></p></div></div></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p></div></body></html>
------_=_NextPart_001_01CBB7F2.37B7FB69--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 16:06:50 2011
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Subject: Re: mainstage CPU,how good is it for live looping?
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Hoe gaat het met jou broer!
thats what i thought,i will not even get into it if its CPU hungry and
not stable,ive been really happy using mobius stand alone and x ternal
fx because its really stable that way,but id love to integrate
software guitar FX and perhaps a groove box to sync to the loops and
control everything with a midi pedal
seems that Ableton  would be the answer,dont know how stable it runs with mobius
i dont know augustus loop though how does it compare to mobius?
does anybody have recomendations on a cool groovebox plugin to
integrate to a host that has automatic variations with perhaps lo-fi
trip hop samples?
Luis





On Wed, Jan 19, 2011 at 4:21 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Hi bro Luis! :)
> I think Mainstage is OK regarding CPU usage compared to other hosts.
> But like Per said, you have to watch the plugins you are using, some
> can be very CPU hungry, for examples the Logic plugin "Space Designer"
> which is a convolution reverb. Regarding latency, for me 128 and even
> 256 is OK, I'm used to a slight delay when looping acoustic
> instruments like piano or guitar.
>
> Btw: I'm no longer using Mainstage with Mobius, both are not running
> stable on my Macbook. I have been using from Jan 2009 till Feb 2010
> but I have noticed serious memory leakes, random CPU spikes and audio
> drop outs causing 100% silcence while performing live...not funny. The
> memory leak was probably caused by Mobius. Upgrading to the latest
> versions of Mainstage and Mobius, OSX 10.6 and Motu firewire drivers
> did not solve the issue. I do know that the CPU spikes issue is a
> known issue in Logic 9, this info can be found on multiple internet
> forums. It's a pity because the Mainstage plugins and instruments are
> really good.
>
> Anyway, I recently switched to Ableton Live with multiple instances of
> Augustus Loop as my live setup and, as an alternative, I have created
> a similar setup in Bidule . Live has been very stable so far, it has
> very good built in plugins and the integration with midi controllers
> is really good. What I also like are the automation options in Live as
> an alternative for scripting. I have to dig into this but my idea is
> to investigate if you can create clips which function as scripts like
> in Mobius, either triggered by playing these clips or trigger them by
> midi. Don't know if the last is possible though.
> --
>
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 16:08:45 2011
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Subject: RE: LP2 at namm Louie's start/stop
Date: Wed, 19 Jan 2011 08:08:30 -0800
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Not pushing for it, but I have to agree with Louie that the ability on
the lp1 to start the drumb machine with a command also starting record,
and to stop the drumb machine with a record stop command is so, so nice.
But from playing with it in person, I could see that it would take a bit
of workaround, but maybe not, I would sure trade one of those effects to
be able to toggle on that when I recorded a loop, it sent midi start and
then midi stop by the just normal rec play buttons..........that
wouldn't be that big a deal programming wise I would think.

Andy the O one=20



-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk]=20
Sent: Wednesday, January 19, 2011 10:09 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP2 at namm Louie's start/stop

Louie Angulo wrote:

> so i wont even send start/stop? being the only looper with midi on the
> market it would be sad if it didnt,
> C mon give us those 2 at least Bob!
> cheers
> Luis

Hi Luis,
You'll have to correct me if I'm wrong, but I think sending
midi start/stop is user configurable on the EDP,
with the default setting being to *not* send them.

There are certainly times you *don't* want the drum machine to
come in as soon as you close the loop, and to stop every time the loop
stops.
(and I remember a *really* nice example of the drum machine coming
   in at the end of the piece on your cd).

The LP2 is aiming at simplicity of use so I can see
that it probably isn't practical to have midi start/stop=20
as a switchable feature.


I can't imagine that Bob and Rick wouldn't take your suggestion very
seriously,
as it could well come under "making an advertised feature work"
rather than adding a new feature.

all the best
andy butler

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Sorry about this, but me postings to the list have been going missing for 
the last couple of months, so I have just unsubscribed (did that all by 
mysef - ain't I clever?) and rejoined, I hope this one gets through okay. 


From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 16:25:50 2011
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Subject: Re: LP2 at namm Louie's start/stop
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yes i know is perhaps too much to ask,what i was thinking is that the
LP2 looper would simply send a start comand to the drum machine when i
close the loop and i could just use the mute funciton on the
adrenalinn and then just release it when desired,i could then bring it
in on the down beat or off ,and with the stop comand perhaps stop the
loop with the drum machine all together,then fade in the filter fx of
the adrenalinn to the drums that alone would be musical enough for
simple song arrangements and keep things fun.
Oh well another midi stomp i was dreaming of;-(
So what exactly can be done with the midi feature of the LP2 ?The
adrenalinn delays sync automatically to its drums so that would be
covered.
cheers
Luis











On Wed, Jan 19, 2011 at 4:08 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
> Louie Angulo wrote:
>
>> so i wont even send start/stop? being the only looper with midi on the
>> market it would be sad if it didnt,
>> C mon give us those 2 at least Bob!
>> cheers
>> Luis
>
> Hi Luis,
> You'll have to correct me if I'm wrong, but I think sending
> midi start/stop is user configurable on the EDP,
> with the default setting being to *not* send them.
>
> There are certainly times you *don't* want the drum machine to
> come in as soon as you close the loop, and to stop every time the loop
> stops.
> (and I remember a *really* nice example of the drum machine coming
> =A0in at the end of the piece on your cd).
>
> The LP2 is aiming at simplicity of use so I can see
> that it probably isn't practical to have midi start/stop as a switchable
> feature.
>
>
> I can't imagine that Bob and Rick wouldn't take your suggestion very
> seriously,
> as it could well come under "making an advertised feature work"
> rather than adding a new feature.
>
> all the best
> andy butler
>
>

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10 4, 5x5 good buddy :)

j

On Wed, Jan 19, 2011 at 10:26 AM, Steve Moyes <stephenmoyes@blueyonder.co.uk
> wrote:

> Sorry about this, but me postings to the list have been going missing for
> the last couple of months, so I have just unsubscribed (did that all by
> mysef - ain't I clever?) and rejoined, I hope this one gets through okay.
>

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10 4, 5x5 good buddy :)<br><br>j<br><br><div class=3D"gmail_quote">On Wed, =
Jan 19, 2011 at 10:26 AM, Steve Moyes <span dir=3D"ltr">&lt;<a href=3D"mail=
to:stephenmoyes@blueyonder.co.uk">stephenmoyes@blueyonder.co.uk</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Sorry about this,=
 but me postings to the list have been going missing for the last couple of=
 months, so I have just unsubscribed (did that all by mysef - ain&#39;t I c=
lever?) and rejoined, I hope this one gets through okay. <br>

</blockquote></div><br>

--90e6ba6e8f2eb06a88049a357911--

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Date: Wed, 19 Jan 2011 11:32:19 -0500
Message-ID: <AANLkTinJs4mbtRZ1J-9bQqbokDpadWFzz6HvJokDp2Q7@mail.gmail.com>
Subject: Re: Mothership of MIDI controllers?
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf305497e38f98d2049a358f70
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Have any of you "I" people seen this?
http://www.engadget.com/2011/01/15/starr-labs-airpower-missing-link-adapters-take-midi-into-the-wi/


On Tue, Jan 18, 2011 at 6:07 PM, Jeff Shirkey <jcshirke@frontier.com> wrote:

> Maybe?
>
> http://www.youtube.com/watch?v=yjXe4IByTvU
>

--20cf305497e38f98d2049a358f70
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Have any of you &quot;I&quot; people seen this? <a href=3D"http://www.engad=
get.com/2011/01/15/starr-labs-airpower-missing-link-adapters-take-midi-into=
-the-wi/">http://www.engadget.com/2011/01/15/starr-labs-airpower-missing-li=
nk-adapters-take-midi-into-the-wi/</a><br>
<br><br><div class=3D"gmail_quote">On Tue, Jan 18, 2011 at 6:07 PM, Jeff Sh=
irkey <span dir=3D"ltr">&lt;<a href=3D"mailto:jcshirke@frontier.com">jcshir=
ke@frontier.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
Maybe?<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DyjXe4IByTvU" target=3D"_blank">=
http://www.youtube.com/watch?v=3DyjXe4IByTvU</a><br>
</blockquote></div><br>

--20cf305497e38f98d2049a358f70--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 16:43:17 2011
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Subject: RE: LP2 at namm Louie's start/stop
Date: Wed, 19 Jan 2011 08:42:41 -0800
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Pretty sure the midi on the lp2 is just for sync. That's what the folks =
be sayin



-----Original Message-----
From: Louie Angulo [mailto:louie.angulo@googlemail.com]=20
Sent: Wednesday, January 19, 2011 11:26 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: LP2 at namm Louie's start/stop

yes i know is perhaps too much to ask,what i was thinking is that the
LP2 looper would simply send a start comand to the drum machine when i
close the loop and i could just use the mute funciton on the
adrenalinn and then just release it when desired,i could then bring it
in on the down beat or off ,and with the stop comand perhaps stop the
loop with the drum machine all together,then fade in the filter fx of
the adrenalinn to the drums that alone would be musical enough for
simple song arrangements and keep things fun.
Oh well another midi stomp i was dreaming of;-(
So what exactly can be done with the midi feature of the LP2 ?The
adrenalinn delays sync automatically to its drums so that would be
covered.
cheers
Luis











On Wed, Jan 19, 2011 at 4:08 PM, andy butler <akbutler@tiscali.co.uk> =
wrote:
> Louie Angulo wrote:
>
>> so i wont even send start/stop? being the only looper with midi on =
the
>> market it would be sad if it didnt,
>> C mon give us those 2 at least Bob!
>> cheers
>> Luis
>
> Hi Luis,
> You'll have to correct me if I'm wrong, but I think sending
> midi start/stop is user configurable on the EDP,
> with the default setting being to *not* send them.
>
> There are certainly times you *don't* want the drum machine to
> come in as soon as you close the loop, and to stop every time the loop
> stops.
> (and I remember a *really* nice example of the drum machine coming
> =A0in at the end of the piece on your cd).
>
> The LP2 is aiming at simplicity of use so I can see
> that it probably isn't practical to have midi start/stop as a =
switchable
> feature.
>
>
> I can't imagine that Bob and Rick wouldn't take your suggestion very
> seriously,
> as it could well come under "making an advertised feature work"
> rather than adding a new feature.
>
> all the best
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 16:53:27 2011
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Subject: RE: Mothership of MIDI controllers?
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They were using this at the panel that Jordan Rudess was on that was
about using iwhatevers as musical instruments.  The guy from TC was
using this, had one plugged into an ipad, one plugged into a rockband
midi keyboard ($79 with touch senisitive keys!!) and it worked
flawlessly. I am not exactly sure of the hookup there, as I know he was
using the TC iwhatever interface too I am sure.

=20

Andy not the B

=20

From: Jeff Duke [mailto:jeffloops@gmail.com]=20
Sent: Wednesday, January 19, 2011 11:32 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mothership of MIDI controllers?

=20

Have any of you "I" people seen this?
http://www.engadget.com/2011/01/15/starr-labs-airpower-missing-link-adap
ters-take-midi-into-the-wi/



On Tue, Jan 18, 2011 at 6:07 PM, Jeff Shirkey <jcshirke@frontier.com>
wrote:

Maybe?

http://www.youtube.com/watch?v=3DyjXe4IByTvU

=20


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style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'>They were using this at the panel that Jordan Rudess was on that was =
about using iwhatevers as musical instruments.&nbsp; The guy from TC was =
using this, had one plugged into an ipad, one plugged into a rockband =
midi keyboard ($79 with touch senisitive keys!!) and it worked =
flawlessly. I am not exactly sure of the hookup there, as I know he was =
using the TC iwhatever interface too I am sure.<o:p></o:p></span></p><p =
class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
D'><o:p>&nbsp;</o:p></span></p><p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497=
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0in 0in'><p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> =
Jeff Duke [mailto:jeffloops@gmail.com] <br><b>Sent:</b> Wednesday, =
January 19, 2011 11:32 AM<br><b>To:</b> =
Loopers-Delight@loopers-delight.com<br><b>Subject:</b> Re: Mothership of =
MIDI controllers?<o:p></o:p></span></p></div><p =
class=3DMsoNormal><o:p>&nbsp;</o:p></p><p class=3DMsoNormal =
style=3D'margin-bottom:12.0pt'>Have any of you &quot;I&quot; people seen =
this? <a =
href=3D"http://www.engadget.com/2011/01/15/starr-labs-airpower-missing-li=
nk-adapters-take-midi-into-the-wi/">http://www.engadget.com/2011/01/15/st=
arr-labs-airpower-missing-link-adapters-take-midi-into-the-wi/</a><br><br=
><o:p></o:p></p><div><p class=3DMsoNormal>On Tue, Jan 18, 2011 at 6:07 =
PM, Jeff Shirkey &lt;<a =
href=3D"mailto:jcshirke@frontier.com">jcshirke@frontier.com</a>&gt; =
wrote:<o:p></o:p></p><p class=3DMsoNormal>Maybe?<br><br><a =
href=3D"http://www.youtube.com/watch?v=3DyjXe4IByTvU" =
target=3D"_blank">http://www.youtube.com/watch?v=3DyjXe4IByTvU</a><o:p></=
o:p></p></div><p =
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References: <AANLkTi=AtM3Dbm3iYxceJVt1tqSMTdXm7Htc_MKE1Qm9@mail.gmail.com>	<AANLkTimcF4gXS4VjOAX==oAs0oN9Mz=SOZJpDKvobgek@mail.gmail.com> <AANLkTikpvpu-cC7E0v1XVsCo0wWizDjMLBNMbz-Qu1PN@mail.gmail.com> <20110119101829.266230@gmx.net>
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buzap@gmx.net schrieb:
> Only thing that gets on my nerves is that Mainstage occasionally interrupts live looping with "feedback detected"
Whow, what a clever program, that mainstage! Could someone perhaps do a 
hi-res screenshot of that message - that sounds like a great idea for an 
official LD t-shirt.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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via gearjunkies.com:
http://www.izotope.com/products/audio/stutteredit/

Another thingie for intuitively mashing up audio input with the 
electronic dance folks in mind.

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Where can I see more info on the LP2?


On Jan 19, 2011, at 1:14 AM, andy butler wrote:

> The Vox unit doesn't seem to have feedback control.
> It does have a way to resample the loop, and a way to
> control the volume of the loop...so there's a way to get feedback
> control..but only when you're multiplying the loop.
> 
> The big advantage of the LP2 is that it's made for, and by,
> folks who *actually know about looping*.
> So, it naturally has the feedback control.

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
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On Wed, Jan 19, 2011 at 7:02 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> via gearjunkies.com:
> http://www.izotope.com/products/audio/stutteredit/
>
> Another thingie for intuitively mashing up audio input with the electronic
> dance folks in mind.

Yep, one of the hot products of this NAMM. Wasn't StutterEdit up on
this list two days ago? Anyway, I'm very curious about the arpeggio
stutter algorithm! I remember reading an interview with BT, must have
been at least a decade ago, and already back then he was doing stutter
stuff as his "producer trademark". But in the nineties he did it
"manually" with ReCycle; slicing up audio files and treating each
ultra short slice with different EQ and compression. So if anyone
should be the Grand Old Man of Stuttering it has to be BT. ;-))  This
is his experience with all that manual ReCycle tweking that finally
has been put together in a real-time solution that works on streaming
audio! How awesome! As soon as I get enough free time at hand I will
download the 10 days demo to check it out. Could be fun to slap this
plugin on a looper output channel.

Per

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On Wed, Jan 19, 2011 at 7:23 PM, Per Boysen <perboysen@gmail.com> wrote:

> slap this
> plugin on a looper output channel.
>


Already done...! This is my kinda toy...!


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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<br><br><div class=3D"gmail_quote">On Wed, Jan 19, 2011 at 7:23 PM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
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<div id=3D":155">slap this<br>
plugin on a looper output channel.</div></blockquote></div><br><br>Already =
done...! This is my kinda toy...!<br><br clear=3D"all"><br>-- <br>mark fran=
combe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a>=
<br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054ab3b295f27049a373820--

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Some of the cool things whey talked about with the wireless midi was
that a soundman could go right to the artists spot on the stage and
adjust the levels of that monitor mix, or walk about the venue and
adjust levels, pretty cool thought, pretty cool new world we are in
dudes and dudettes!!

=20

Andy of the O


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D'>Some of the cool things whey talked about with the wireless midi was =
that a soundman could go right to the artists spot on the stage and =
adjust the levels of that monitor mix, or walk about the venue and =
adjust levels, pretty cool thought, pretty cool new world we are in =
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when I played at CES a couple weeks ago the soundman had an instance  
of his "mixer" on a laptop.  so he could move freely around the space  
while tweeting the levels and eq. it was so much easier! don't know  
what the software was though.

On Jan 19, 2011, at 10:51 AM, Andy Owens wrote:

> Some of the cool things whey talked about with the wireless midi was  
> that a soundman could go right to the artists spot on the stage and  
> adjust the levels of that monitor mix, or walk about the venue and  
> adjust levels, pretty cool thought, pretty cool new world we are in  
> dudes and dudettes!!
>
> Andy of the O


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">when I played at CES a couple =
weeks ago the soundman had an instance of his "mixer" on a laptop. =
&nbsp;so he could move freely around the space while tweeting the levels =
and eq. it was so much easier! don't know what the software was =
though.<div><br><div><div>On Jan 19, 2011, at 10:51 AM, Andy Owens =
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style=3D"page: WordSection1; "><div style=3D"margin-top: 0in; =
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12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Some =
of the cool things whey talked about with the wireless midi was that a =
soundman could go right to the artists spot on the stage and adjust the =
levels of that monitor mix, or walk about the venue and adjust levels, =
pretty cool thought, pretty cool new world we are in dudes and =
dudettes!!<o:p></o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); =
"><o:p>&nbsp;</o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Andy =
of the =
O<o:p></o:p></span></div></div></div></span></blockquote></div><br></div><=
/body></html>=

--Apple-Mail-14--670532481--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 19:13:46 2011
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Subject: Re: Wireless Midi
Date: Wed, 19 Jan 2011 11:13:43 -0800
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amazing...autocorrect turned my spelling mistake "tweeking" into  
"tweeting". i meant tweaking! tweeting the levels would be another  
thing entirely.

On Jan 19, 2011, at 11:10 AM, Zoe Keating wrote:

> when I played at CES a couple weeks ago the soundman had an instance  
> of his "mixer" on a laptop.  so he could move freely around the  
> space while tweeting the levels and eq. it was so much easier! don't  
> know what the software was though.
>
> On Jan 19, 2011, at 10:51 AM, Andy Owens wrote:
>
>> Some of the cool things whey talked about with the wireless midi  
>> was that a soundman could go right to the artists spot on the stage  
>> and adjust the levels of that monitor mix, or walk about the venue  
>> and adjust levels, pretty cool thought, pretty cool new world we  
>> are in dudes and dudettes!!
>>
>> Andy of the O
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">amazing...autocorrect turned my =
spelling mistake "tweeking" into "tweeting". i meant tweaking! tweeting =
the levels would be another thing entirely.<div><br><div><div>On Jan 19, =
2011, at 11:10 AM, Zoe Keating wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">when I played at CES a couple =
weeks ago the soundman had an instance of his "mixer" on a laptop. =
&nbsp;so he could move freely around the space while tweeting the levels =
and eq. it was so much easier! don't know what the software was =
though.<div><br><div><div>On Jan 19, 2011, at 10:51 AM, Andy Owens =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
lang=3D"EN-US" link=3D"blue" vlink=3D"purple"><div class=3D"WordSection1" =
style=3D"page: WordSection1; "><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Some =
of the cool things whey talked about with the wireless midi was that a =
soundman could go right to the artists spot on the stage and adjust the =
levels of that monitor mix, or walk about the venue and adjust levels, =
pretty cool thought, pretty cool new world we are in dudes and =
dudettes!!<o:p></o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); =
"><o:p>&nbsp;</o:p></span></div><div style=3D"margin-top: 0in; =
margin-right: 0in; margin-bottom: 0.0001pt; margin-left: 0in; font-size: =
12pt; font-family: 'Times New Roman', serif; "><span style=3D"font-size: =
11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Andy =
of the =
O<o:p></o:p></span></div></div></div></span></blockquote></div><br></div><=
/div></blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 19:24:39 2011
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Subject: RE: NAMM News: iZotope Stutter Edit - anyone seen this?
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"staggering stutters that will leave your listeners screaming for more"  :)
:)

-m

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 19:58:15 2011
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Subject: Re: mainstage CPU,how good is it for live looping?
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On Wed, Jan 19, 2011 at 5:06 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Hoe gaat het met jou broer!

Goed ;-)

> thats what i thought,i will not even get into it if its CPU hungry and
> not stable,ive been really happy using mobius stand alone and x ternal
> fx because its really stable that way

With instable I mean crashes, audio drop outs, CPU spikes causing
serious problems when performing live on stage...in other words
unreliable. The thing is that, on the same laptop, Mainstage crashes
several times a day, Bidule is running OK, as well as Native
Instruments Kore2. Ableton Live has been the most stable of all the
last 2 months, it has never crashed, not a single time. The strange
thing is that Mainstage has been reasonably stable for about 6 months.
I have the impression that the problems have begun with OSX 10.6 and
Mainstage 2.1 and above. Anyway, Mainstage is over and out as long as
I haven't re-installed my laptop. I already too many hours in trying
to reproduce the problems and solve them but I have stopped spending
time on it. All I can say is that any combination of OSX, Motu
drivers, Mobius and Mainstage has failed on my Macbook.

> seems that Ableton =A0would be the answer,dont know how stable it runs wi=
th mobius

I don't know how it runs in combination with Mobius, haven't tested it
yet and won't test it because I use too little features of Mobius. The
only option I will really miss is the scripting.

> i dont know augustus loop though how does it compare to mobius?

Augustus is a tape delay with very little functions you'll find in an
high end looper such as an EDP, LP1 or Mobius. You can't really
compare them, they are 2 completely different beasts. But for my
Ambient projects, Augustus Loop is an excellent choice and good enough
for me: it's really stable and reliable, good analog and tape delay
emulation, and has all the basic functions I use, such as pitch -12
..+12 , reverse, filters, midi sync, delay times up to 3600 seconds,
tap length / tap record, freeze loop, clear loop. I use 2 or 3
instances simultaneously but unsynced so that makes it a relatively
easy looper system. However, you can sync multiple instances of
Augustus and setup a sort of multi-track looper but keep in mind that
you're using a tape delay emulation effect rather than a full featured
looper such as Mobius.

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Wed, 19 Jan 2011 21:02:20 +0100
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Subject: Re: mainstage CPU,how good is it for live looping?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Jan 19, 2011 at 11:18 AM,  <buzap@gmx.net> wrote:
> Only thing that gets on my nerves is that Mainstage occasionally interrupts live looping with "feedback detected".

 Check you manual for more info but I'm 100% sure you can switch off
feedback detection for each track in Mainstage.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 20:06:31 2011
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On 7/22/64 11:59 AM, Andy Owens wrote:
> Not pushing for it, but I have to agree with Louie that the ability on
> the lp1 to start the drumb machine with a command also starting record,
> and to stop the drumb machine with a record stop command is so, so nice.
> But from playing with it in person, I could see that it would take a bit
> of workaround, but maybe not, I would sure trade one of those effects to
> be able to toggle on that when I recorded a loop, it sent midi start and
> then midi stop by the just normal rec play buttons..........that
> wouldn't be that big a deal programming wise I would think.
I'll forward this on to Bob.

But part of the problem, as always exists when one makes a commitment to 
releasing a product
for public consumption is that you have to invest a lot of money to have 
things like
cases manufactured and painted.

Can you imagine Roland, which continually releases products with 
irritating lack of features,
being responsive to a thread on this list by someone who says,  "It's 
unfortunate that
such and such a feature doesn't exist on this product.  Why don't you 
change it"

It's a done deal once they've committed to releasing something and 
everyone has to sit
around for two or three years until the next thing comes out and pray 
that they listened to their users.

In the case of the LP-2,   Bob's been working hard on this for the last 
year and a half:
the cases are finished,  the feature set is already silkscreened on the 
cases and we have a solid
release date to get them into the hands of anyone who likes the machine.

It just may not be feasible, financially, to be able to incorporate this 
request, no matter how
cool it is.   Bob is a single person company.
He has to juggle a full time job, a large family with all of the work that
it takes to design the loopers he makes.  He doesn't have deep pockets 
for this project.
Quite the contrary.   At this point it would probably take hundreds of 
dollars
if not thousands, to incorporate this idea and delay the release of the 
unit another few months
(it takes forever to get cases manufactured and painted,   trust me on 
this one). It probably
won't be economically feasible to do it as it's just a little late in 
the game to
have the suggestion come up as good as it is.

If it's a make or break deal for Luis,  then I understand and support 
him not
to buy it, but there is a huge probability that it's just too late in 
the game to make a change
like this, despite,  the ease of changing the software.

Does it do everything?   No,  but nothing does everything,   especially 
in this price range.
I still think it's pretty cool for the price.

And I'll forward this idea onto Bob. There are a couple of features that 
could be easily dispensed with
to make room for it.  I just want people to be realistic about the 
chances of
it's occurring.

with respect,    rick walker

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Subject: Re: mainstage CPU,how good is it for live looping?
From: Per Boysen <perboysen@gmail.com>
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Good Augustus write-up, Sjaak. I would just like to add that this tape
delay simulator plugin offers two ways of rate/speed shifting; both
tonally quantized to semi tone steps and seamless like
speeding/slowing a tape or turntable playback. That is a golden
feature IMHO!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Jan 19, 2011 at 8:58 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Augustus is a tape delay with very little functions you'll find in an
> high end looper such as an EDP, LP1 or Mobius. You can't really
> compare them, they are 2 completely different beasts. But for my
> Ambient projects, Augustus Loop is an excellent choice and good enough
> for me: it's really stable and reliable, good analog and tape delay
> emulation, and has all the basic functions I use, such as pitch -12
> ..+12 , reverse, filters, midi sync, delay times up to 3600 seconds,
> tap length / tap record, freeze loop, clear loop. I use 2 or 3
> instances simultaneously but unsynced so that makes it a relatively
> easy looper system. However, you can sync multiple instances of
> Augustus and setup a sort of multi-track looper but keep in mind that
> you're using a tape delay emulation effect rather than a full featured
> looper such as Mobius.
>

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Subject: Re: mainstage CPU,how good is it for live looping?
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jan 19, 2011 at 9:07 PM, Per Boysen <perboysen@gmail.com> wrote:
> Augustus

Oops, forgot to tell that it has this lovely "Inertia" function that
lets you set how slow the seamless speed/rate shifting will be. Of
course that is an emulation of a tape loop that slowly catches up to a
new tape speed. Very useful function, Inertia. :-)

Per

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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jan 19, 2011 at 8:24 PM, Michael Peters <mp@mpeters.de> wrote:
> "staggering stutters that will leave your listeners screaming for more" =
=C2=A0:)
> :)
>

LOL... and did you see the video interview? BT "tested" the Stutter
Edit on a 130 000 people crows at a giant dance floor. Would be cool
to test new looping devices that way! ;-)

Per

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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
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On 7/22/64 11:59 AM, Rainer Straschill wrote:
> via gearjunkies.com:
> http://www.izotope.com/products/audio/stutteredit/
>
> Another thingie for intuitively mashing up audio input with the 
> electronic dance folks in mind.
>
>             Rainer
>
Maha and I sat through the entire demo of this piece of software.
It's really amazing what it can do and it's very, very deep.

They offered it at NAMM for $150  and the street price is $250
but I, alas, just didn't have the moolah to pick it up.

For me,  it's dream software.   Very, very hip real time manipulation of 
both
triggering and pitch whilst always staying in sync with whatever 
incoming audio is happening.

rick walker

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Anything like that _but_ in a standalone hardware (stompbox) ?


From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 20:51:15 2011
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Subject: LP 2 Mini Looper  Feature Set
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On 7/22/64 11:59 AM, David Gans wrote:
> Where can I see more info on the LP2?
http://www.looperlative.com/proddetail.php?prod=LP2


LP-2  Mini Looper

FEATURE SET:

Double stomp box size
AC:  9v battery or Wall Wart 9v 200ma, tip negative power supply
Onboard storage of up to 8 loops on SD card
Audio: Mono in and Mono out     Fidelity:   16bit, 44.1khz
30 levels of Undo
Feedback control (via additional expression pedal jack on back)
LED input VU meter
Input and Output volume control
Four multi functional foot controlled buttons which control
1)   RECORD/OVERDUB/UNDO
2)   PLAY/STOP
3)   EFFECT ONE, either:
         a) Continue  (whereever a loop was stopped)
         b) ReTrigger (Continuous)
         c) 1/2 Speed
         d) Replace
         e) Q replace  1/8th notes
         f)  Q replace  1/12 (triplet 8ths)
         g) Q replace  1/7 (7/8)
         h) Q replace   1/10 (5/8 or 5/4)
4)  EFFECT TWO,  either:
         a) ReTrigger (One Shot - Sample)
         b) ReTrigger (Random)
         c) 1/4 Speed
         d) Reverse
         e) Q replace 1/16th notes
         f) Q replace 1/24 (triplet 16th notes)
         g) Q replace 1/9 (9/8)
         h) Q replace  1/64 (Glitch mode)

Street Price:   $300  (10% discount if pre-ordered before March 1st release)
Order from Bob Amstadt     bob@looperlative.com


From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 20:58:22 2011
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That looks like fun!

Anyone want to buy a never-used RC-50?


On Jan 19, 2011, at 12:51 PM, Rick Walker wrote:

> On 7/22/64 11:59 AM, David Gans wrote:
>> Where can I see more info on the LP2?
> http://www.looperlative.com/proddetail.php?prod=3DLP2
>=20
>=20
> LP-2  Mini Looper
>=20
> FEATURE SET:
>=20
> Double stomp box size
> AC:  9v battery or Wall Wart 9v 200ma, tip negative power supply
> Onboard storage of up to 8 loops on SD card
> Audio: Mono in and Mono out     Fidelity:   16bit, 44.1khz
> 30 levels of Undo
> Feedback control (via additional expression pedal jack on back)
> LED input VU meter
> Input and Output volume control
> Four multi functional foot controlled buttons which control
> 1)   RECORD/OVERDUB/UNDO
> 2)   PLAY/STOP
> 3)   EFFECT ONE, either:
>        a) Continue  (whereever a loop was stopped)
>        b) ReTrigger (Continuous)
>        c) 1/2 Speed
>        d) Replace
>        e) Q replace  1/8th notes
>        f)  Q replace  1/12 (triplet 8ths)
>        g) Q replace  1/7 (7/8)
>        h) Q replace   1/10 (5/8 or 5/4)
> 4)  EFFECT TWO,  either:
>        a) ReTrigger (One Shot - Sample)
>        b) ReTrigger (Random)
>        c) 1/4 Speed
>        d) Reverse
>        e) Q replace 1/16th notes
>        f) Q replace 1/24 (triplet 16th notes)
>        g) Q replace 1/9 (9/8)
>        h) Q replace  1/64 (Glitch mode)
>=20
> Street Price:   $300  (10% discount if pre-ordered before March 1st =
release)
> Order from Bob Amstadt     bob@looperlative.com
>=20
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




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Subject: Re: LP 2 Mini Looper Feature Set
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The inclusion of pedal controlled feedback alone sets this one apart from
the others in its price range.
Now to raise the cash (:^/

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<div>The inclusion of pedal controlled feedback alone=A0sets this one apart=
 from the others in its price range.</div>
<div>Now to raise the cash (:^/</div>

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That is a huge reason for me to buy one. I'm in.


On Jan 19, 2011, at 1:08 PM, Gary Lehmann wrote:

> The inclusion of pedal controlled feedback alone sets this one apart =
from the others in its price range.
>=20

David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans





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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div><br></div>That is a huge reason for me to buy one. =
I'm in.<div><br></div><div><br><div><div>On Jan 19, 2011, at 1:08 PM, =
Gary Lehmann wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Times; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div>The =
inclusion of pedal controlled feedback alone&nbsp;sets this one apart =
from the others in its price range.</div></span><br =
class=3D"Apple-interchange-newline"></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Times; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Times; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Times"><span class=3D"Apple-style-span" style=3D"font-size: =
medium; "><font class=3D"Apple-style-span" face=3D"Helvetica" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: 12px; =
"><div>David Gans - <a =
href=3D"mailto:david@trufun.com">david@trufun.com</a> or <a =
href=3D"mailto:david@gdhour.com">david@gdhour.com</a></div><div>Truth =
and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA =
94610-2730</div><div>Blog: &nbsp;<a =
href=3D"http://cloudsurfing.gdhour.com">http://cloudsurfing.gdhour.com</a>=
</div><div>Web site: <a =
href=3D"http://www.dgans.com">http://www.dgans.com</a></div><div>Photos: =
<a =
href=3D"http://www.flickr.com/photos/dgans">http://www.flickr.com/photos/d=
gans</a></div><div>Music: <a =
href=3D"http://www.cdbaby.com/all/dgans">http://www.cdbaby.com/all/dgans</=
a></div><div><br></div></span></font></span></font></div></div></span></di=
v><br class=3D"Apple-interchange-newline"></div></div></span></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

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Subject: Re: mainstage CPU,how good is it for live looping?
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didn't augustus loop allow scripting?

2011/1/19 Per Boysen <perboysen@gmail.com>

> On Wed, Jan 19, 2011 at 9:07 PM, Per Boysen <perboysen@gmail.com> wrote:
> > Augustus
>
> Oops, forgot to tell that it has this lovely "Inertia" function that
> lets you set how slow the seamless speed/rate shifting will be. Of
> course that is an emulation of a tape loop that slowly catches up to a
> new tape speed. Very useful function, Inertia. :-)
>
> Per
>
>


-- 
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

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didn&#39;t augustus loop allow scripting?<br><br><div class=3D"gmail_quote"=
>2011/1/19 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gma=
il.com">perboysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_qu=
ote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex=
;">
On Wed, Jan 19, 2011 at 9:07 PM, Per Boysen &lt;<a href=3D"mailto:perboysen=
@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt; Augustus<br>
<br>
Oops, forgot to tell that it has this lovely &quot;Inertia&quot; function t=
hat<br>
lets you set how slow the seamless speed/rate shifting will be. Of<br>
course that is an emulation of a tape loop that slowly catches up to a<br>
new tape speed. Very useful function, Inertia. :-)<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tum=
blr.com" target=3D"_blank">raulbonell.tumblr.com</a> - <a href=3D"http://co=
llective.com" target=3D"_blank">collective.com</a><br>
<br><div style=3D"display:inline"></div><br>

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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
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On Wed, Jan 19, 2011 at 10:24 PM, Raul Bonell <raul.bonell@gmail.com> wrote=
:
> didn't augustus loop allow scripting?

Yes, good point Raul ;-)

 Augustus support Lua script, and I quote "it is possible to extend
the plug-in=92s MIDI & OSC functionality via user-writeable scripts".
Never used it myself btw, can't comment on it.
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 21:38:18 2011
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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
From: Raul Bonell <raul.bonell@gmail.com>
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just wondering if somebody had used scripting with AL and had some aural
examples of some other extended functions.

Overgaauw <tcplugin@gmail.com>

> On Wed, Jan 19, 2011 at 10:24 PM, Raul Bonell <raul.bonell@gmail.com>
> wrote:
> > didn't augustus loop allow scripting?
>
> Yes, good point Raul ;-)
>
>  Augustus support Lua script, and I quote "it is possible to extend
> the plug-in=92s MIDI & OSC functionality via user-writeable scripts".
> Never used it myself btw, can't comment on it.
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>


--=20
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
raulbonell.tumblr.com - collective.com

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just wondering if somebody had used scripting with AL and had some aural ex=
amples of some other extended functions.=A0<br><br>Overgaauw <span dir=3D"l=
tr">&lt;<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;</s=
pan><div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">On Wed, Jan 19, 2011 at 10:24 PM, Raul Bone=
ll &lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.bonell@gmail.com</a>&g=
t; wrote:<br>

&gt; didn&#39;t augustus loop allow scripting?<br>
<br>
Yes, good point Raul ;-)<br>
<br>
=A0Augustus support Lua script, and I quote &quot;it is possible to extend<=
br>
the plug-in=92s MIDI &amp; OSC functionality via user-writeable scripts&quo=
t;.<br>
Never used it myself btw, can&#39;t comment on it.<br>
<font color=3D"#888888">--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>.-.-.-.-.-.-.-.-=
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<br><a href=3D"http://raulbonell.tum=
blr.com" target=3D"_blank">raulbonell.tumblr.com</a> - <a href=3D"http://co=
llective.com" target=3D"_blank">collective.com</a><br>
<br><div style=3D"display:inline"></div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 21:45:14 2011
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Subject: OT? Driving a VG unit and guitar synth
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Hi there,

Do any of you similarly obsessed guitarists know if there is an way
way to use a single 13 pin synth guitar to drive a VG unit AND another
guitar synth at the same time?  I know Roland makes a switcher but
$200 seems kind of steep.  And as for the GR 55, if I didn't already
have the units I want to use, I'd seriously consider going that route
(but now that would include selling stuff and all those hassles, so
not for now).

Thanks,

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 21:54:39 2011
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Subject: Re: OT? Driving a VG unit and guitar synth
From: Tony K <bigtonyk@gmail.com>
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You can build one yourself.

http://www.muc.de/~hm/music/us-20/

I got a GKP4 off of ebay a few years ago.  Might be worth looking for.

The only quirk I found is that both units (in my case VG8 & GR50) have to be
powered on or it's flakey.


On Wed, Jan 19, 2011 at 4:45 PM, Kevin Cheli-Colando
<billowhead@gmail.com>wrote:

> Hi there,
>
> Do any of you similarly obsessed guitarists know if there is an way
> way to use a single 13 pin synth guitar to drive a VG unit AND another
> guitar synth at the same time?  I know Roland makes a switcher but
> $200 seems kind of steep.  And as for the GR 55, if I didn't already
> have the units I want to use, I'd seriously consider going that route
> (but now that would include selling stuff and all those hassles, so
> not for now).
>
> Thanks,
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>


-- 
-==-=-=-
Tony

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You can build one yourself.<br><br><a href=3D"http://www.muc.de/~hm/music/u=
s-20/">http://www.muc.de/~hm/music/us-20/</a><br><br>I got a GKP4 off of eb=
ay a few years ago.=A0 Might be worth looking for.<br><br>The only quirk I =
found is that both units (in my case VG8 &amp; GR50) have to be powered on =
or it&#39;s flakey.<br>
<br><br><div class=3D"gmail_quote">On Wed, Jan 19, 2011 at 4:45 PM, Kevin C=
heli-Colando <span dir=3D"ltr">&lt;<a href=3D"mailto:billowhead@gmail.com">=
billowhead@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex=
;">
Hi there,<br>
<br>
Do any of you similarly obsessed guitarists know if there is an way<br>
way to use a single 13 pin synth guitar to drive a VG unit AND another<br>
guitar synth at the same time? =A0I know Roland makes a switcher but<br>
$200 seems kind of steep. =A0And as for the GR 55, if I didn&#39;t already<=
br>
have the units I want to use, I&#39;d seriously consider going that route<b=
r>
(but now that would include selling stuff and all those hassles, so<br>
not for now).<br>
<br>
Thanks,<br>
<br>
Kevin<br>
<font color=3D"#888888"><br>
--<br>
Till now you seriously considered yourself to be the body and to have a<br>
form. That is the primal ignorance which is the root cause of all trouble.<=
br>
<br>
- Ramana Maharshi (1879-1950)<br>
<br>
Sound and Vision:=A0 <a href=3D"http://www.minds-eye.org" target=3D"_blank"=
>http://www.minds-eye.org</a><br>
Video <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_blank">=
http://www.vimeo.com/user877640/videos</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Jan 19, 2011 at 10:38 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> just wondering if somebody had used scripting with AL and had some aural
> examples of some other extended functions.

I did find this:

'How to do live looping with Augustus Loop 2.1 and an FCB1010 midi
foot controller".
Source: http://ausdemfenster.de/?p=23

It covers custom Augustus GUI, custom LUA midi script etc
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 22:06:45 2011
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What sort of pedal do I need to make this work?  Does it operate the way =
feedback works on the EDP?



On Jan 19, 2011, at 12:51 PM, Rick Walker wrote:

> Feedback control (via additional expression pedal jack on back)



David Gans - david@trufun.com or david@gdhour.com
Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
Blog:  http://cloudsurfing.gdhour.com
Web site: http://www.dgans.com
Photos: http://www.flickr.com/photos/dgans
Music: http://www.cdbaby.com/all/dgans




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Date: Wed, 19 Jan 2011 15:09:29 -0700
Message-ID: <AANLkTinyXnDcgMqCNcH0G7Nu22Ke8e0GV5=NJOQ0D==F@mail.gmail.com>
Subject: Re: OT? Driving a VG unit and guitar synth
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Two choices:

1. As Tony K said, a GPK-4, IF you can find one...and the last one I
saw was about $100 on eBay...they don't show up often.

2. A Roland US-20 (which I think is what you were talking about).
Again, hit eBay because $200 is ridiculous. You might also check
Daddy's Junky Music (http://www.daddys.com/) as I picked up a new one
in box for about $120 two years ago. People seem to be driving the
price up on these; I was shocked when I saw the new ones for around
$200 recently...

The GPK-4 is NOT a switch so much as more of a router...it's always
on; it DOES allow you to decide if you will be sending patch switches
or volume control switching. The US-20 is strictly an A/B switch.

I use both with the VG-8, the GR-1 and the GI-20 (which is running an XV202=
0).

YMMV.

Best,

Dennis

http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/



On Wed, Jan 19, 2011 at 2:45 PM, Kevin Cheli-Colando
<billowhead@gmail.com> wrote:
> Hi there,
>
> Do any of you similarly obsessed guitarists know if there is an way
> way to use a single 13 pin synth guitar to drive a VG unit AND another
> guitar synth at the same time? =A0I know Roland makes a switcher but
> $200 seems kind of steep. =A0And as for the GR 55, if I didn't already
> have the units I want to use, I'd seriously consider going that route
> (but now that would include selling stuff and all those hassles, so
> not for now).
>
> Thanks,
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 22:17:50 2011
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Old-Return-Path: <andy@1800dialword.com>
X-Original-To: Loopers-Delight@loopers-delight.com
Delivered-To: looper+loopers-delight@arsenic.violacea.com
Subject: Re: LP 2 Mini Looper  Feature Set
References: <2C447AD0-D3C8-4D1E-8C65-1E378E0FE0F7@trufun.com> <4D374EBB.1040306@cruzio.com> <7D4062FE-EDC8-47EF-8D92-1541272FB63B@trufun.com>
From: "Andy Owens" <andy@1800dialword.com>
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Message-ID: <C5F71586-F517-477F-92C9-7E3EE7234084@1800dialword.com>
thread-topic: LP 2 Mini Looper  Feature Set
thread-index: Acu4Jq0n403eShDTSZuS6VkohCQnZA==
Date: Wed, 19 Jan 2011 17:17:16 -0500
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Looks like just any old expression pedal, like a vol pedal but programmable t=
o what you want.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 19, 2011, at 5:06 PM, David Gans <david@trufun.com> wrote:

>=20
> What sort of pedal do I need to make this work?  Does it operate the way f=
eedback works on the EDP?
>=20
>=20
>=20
> On Jan 19, 2011, at 12:51 PM, Rick Walker wrote:
>=20
>> Feedback control (via additional expression pedal jack on back)
>=20
>=20
>=20
> David Gans - david@trufun.com or david@gdhour.com
> Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> Blog:  http://cloudsurfing.gdhour.com
> Web site: http://www.dgans.com
> Photos: http://www.flickr.com/photos/dgans
> Music: http://www.cdbaby.com/all/dgans
>=20
>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 19 23:52:39 2011
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Subject: Re: Vox review
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <9D3D18FC-EA45-4C5B-A278-76E2B6CF0794@1800dialword.com> <0EC91D74-E0D2-42A9-A660-9F1E9FCF624F@grubmah.com> <675497B8-55B6-428F-86EE-4747C8CF7D64@1800dialword.com> <2F10427A-EA0F-4E64-9EAD-29CEDCF9BB71@trufun.com> <9A2E4620-5C3E-4A45-9B09-B79071C58C95@1800dialword.com> <COL118-W45583AA89AEE5A9BD6A59BDBF60@phx.gbl>
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Fro, man you gotta tell me, is that you did that rain song????

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 18, 2011, at 10:44 PM, "FRO DIDDLY" <parispro00@hotmail.com> wrote:

> the xfade lets you use the volume pedal to manually fade between loop 1 an=
d loop 2
>=20
>=20
> The Wandering Madman=20
>=20
>=20
>=20
> > Subject: Re: Vox review
> > From: andy@1800dialword.com
> > Date: Tue, 18 Jan 2011 22:35:50 -0500
> > To: Loopers-Delight@loopers-delight.com
> >=20
> > There is x-fade but I'm not exactly sure what that means.=20
> >=20
> > Andy Owens
> > 1-800-AndyOwens
> > Sent from my iPhone
> > So the typing might not be my best!
> >=20
> >=20
> > On Jan 18, 2011, at 9:54 PM, David Gans <david@trufun.com> wrote:
> >=20
> > >=20
> > >=20
> > > Thanks, Andy. My big question about any stomp box looper is: does it h=
ave an adjustable feedback (decay) control?
> > >=20
> > >=20
> > >=20
> > >=20
> > > On Jan 18, 2011, at 6:35 PM, Andy Owens wrote:
> > >=20
> > >> Over at www.andyowens.com on the blog.=20
> > >=20
> > > David Gans - david@trufun.com or david@gdhour.com
> > > Truth and Fun, Inc., 484 Lake Park Ave. #102, Oakland CA 94610-2730
> > > Blog: http://cloudsurfing.gdhour.com
> > > Web site: http://www.dgans.com
> > > Photos: http://www.flickr.com/photos/dgans
> > > Music: http://www.cdbaby.com/all/dgans
> > >=20
> > >=20
> > >=20
> > >=20
> >=20

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Date: Thu, 20 Jan 2011 01:13:47 +0100
Message-ID: <AANLkTinbQo2POMVnnehFSG=DMOp7n_LC5rkntyRorymv@mail.gmail.com>
Subject: Re: RE: LP2 at namm Louie's start/stop
From: Louie Angulo <louie.angulo@googlemail.com>
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>
> Can you imagine Roland, which continually releases products with irritati=
ng
> lack of features,
> being responsive to a thread on this list by someone who says, =A0"It's
> unfortunate that
> such and such a feature doesn't exist on this product. =A0Why don't you c=
hange
> it"

No,i can not imagine Roland doing anything about it but i can imagine
Bob doing it,i was under the impression that he was open to
suggestions since it has been on the beta stages as he has been with
the LP1.Before the line 6 M9 came out they were open to suggestions
and i kept i insiting on an octave effect for bass lines and i was so
glad that they implemented that on their upgrade,dont know if my
suggestion was responsable for that but they were sure listening.

> It's a done deal once they've committed to releasing something and everyo=
ne
> has to sit
>around for two or three years until the next thing comes out and pray that
> they listened to their users.

ok good to know case closed.
peace
Luis

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 00:44:09 2011
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From: =?UTF8?Q?tEd_=C2=AE_kiLLiAn?= <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
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Subject: RE: OT? Driving a VG unit and guitar synth
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Kev,

A GKP4 is what I use for my VG99, GR1 and sometimes even a WP20G.

It works fine . . . if a little pricey for such a tiny little box with=20
no obvious other uses.

:-)

Ted

On Wed, Jan 19, 2011 at 1:45 PM, Kevin Cheli-Colando wrote:

> Hi there,
>
> Do any of you similarly obsessed guitarists know if there is an way
> way to use a single 13 pin synth guitar to drive a VG unit AND another
> guitar synth at the same time?  I know Roland makes a switcher but
> $200 seems kind of steep.  And as for the GR 55, if I didn't already
> have the units I want to use, I'd seriously consider going that route
> (but now that would include selling stuff and all those hassles, so
> not for now).
>
> Thanks,
>
> Kevin
>
> --=20
> Till now you seriously considered yourself to be the body and to have=20
> a
> form. That is the primal ignorance which is the root cause of all=20
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=C2=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos

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Date: Thu, 20 Jan 2011 08:01:29 +0100
Message-ID: <AANLkTimZHpsMPX166kK2JA2kdrG3un4m1XRO+-MnYweK@mail.gmail.com>
Subject: Re: OT? Driving a VG unit and guitar synth
From: Per Boysen <perboysen@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Can't you simply put =C3=A0 MIDI cable fr.o.m. The VG into the utger device=
?

On Thursday, January 20, 2011, tEd =C2=AE kiLLiAn <tedkillian@charter.net> =
wrote:
> Kev,
>
> A GKP4 is what I use for my VG99, GR1 and sometimes even a WP20G.
>
> It works fine . . . if a little pricey for such a tiny little box with no=
 obvious other uses.
>
> :-)
>
> Ted
>
> On Wed, Jan 19, 2011 at 1:45 PM, Kevin Cheli-Colando wrote:
>
>
> Hi there,
>
> Do any of you similarly obsessed guitarists know if there is an way
> way to use a single 13 pin synth guitar to drive a VG unit AND another
> guitar synth at the same time? =C2=A0I know Roland makes a switcher but
> $200 seems kind of steep. =C2=A0And as for the GR 55, if I didn't already
> have the units I want to use, I'd seriously consider going that route
> (but now that would include selling stuff and all those hassles, so
> not for now).
>
> Thanks,
>
> Kevin
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=C2=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>
>

--=20
Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From: "Kris Hartung" <krispenhartung@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Dirtbike randomaly looped and processed
Date: Thu, 20 Jan 2011 00:11:59 -0700
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I'm not resorting to combining my hobbies...motocross and dirtbikes with =
MAX/MSP and looping. Electro-acoustic at its rawest.

Check it out. http://www.youtube.com/watch?v=3D-DYeu3sAYZY

Kris


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I'm not resorting to combining my=20
hobbies...motocross and dirtbikes with MAX/MSP and looping. =
Electro-acoustic at=20
its rawest.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Check it out. <A=20
href=3D"http://www.youtube.com/watch?v=3D-DYeu3sAYZY">http://www.youtube.=
com/watch?v=3D-DYeu3sAYZY</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_022B_01CBB836.A7C918B0--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 07:14:44 2011
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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
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I'm still lurking on this list in case anyone has any Augustus Loop
questions/feature requests.

cheers,
os.
(author of Augustus Loop)


On 19 January 2011 21:58, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Wed, Jan 19, 2011 at 10:38 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
>> just wondering if somebody had used scripting with AL and had some aural
>> examples of some other extended functions.
>
> I did find this:
>
> 'How to do live looping with Augustus Loop 2.1 and an FCB1010 midi
> foot controller".
> Source: http://ausdemfenster.de/?p=23
>
> It covers custom Augustus GUI, custom LUA midi script etc
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 07:18:59 2011
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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
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I Scripted myself =C3=A0 minimal custom graphical interface. That's neat :-=
)

On Wednesday, January 19, 2011, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Wed, Jan 19, 2011 at 10:38 PM, Raul Bonell <raul.bonell@gmail.com> wro=
te:
>> just wondering if somebody had used scripting with AL and had some aural
>> examples of some other extended functions.
>
> I did find this:
>
> 'How to do live looping with Augustus Loop 2.1 and an FCB1010 midi
> foot controller".
> Source: http://ausdemfenster.de/?p=3D23
>
> It covers custom Augustus GUI, custom LUA midi script etc
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

--=20
Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Thu, 20 Jan 2011 08:23:57 +0100
Message-ID: <AANLkTi=9-ZJCXKttsGfKcFOj8BEE87tX8ydam02gM4Pq@mail.gmail.com>
Subject: Re: mainstage CPU,how good is it for live looping?
From: Per Boysen <perboysen@gmail.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Yes. Lua. Nice

On Wednesday, January 19, 2011, Raul Bonell <raul.bonell@gmail.com> wrote:
> didn't augustus loop allow scripting?
>
> 2011/1/19 Per Boysen <perboysen@gmail.com>
>
> On Wed, Jan 19, 2011 at 9:07 PM, Per Boysen <perboysen@gmail.com> wrote:
>> Augustus
>
> Oops, forgot to tell that it has this lovely "Inertia" function that
> lets you set how slow the seamless speed/rate shifting will be. Of
> course that is an emulation of a tape loop that slowly catches up to a
> new tape speed. Very useful function, Inertia. :-)
>
> Per
>
>
>
> --
> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
> raulbonell.tumblr.com - collective.com
>
>
>

-- 
Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 07:42:11 2011
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I talked to Bob about implementing that Midi feature, Luis,
and he said that it is just too late in the game and would be too expensive
to change it at the last minute.

rick

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	<AANLkTinJs4mbtRZ1J-9bQqbokDpadWFzz6HvJokDp2Q7@mail.gmail.com>
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Date: Thu, 20 Jan 2011 09:16:03 +0100
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Subject: Re: Wireless Midi
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--0016e649c71aa63c62049a42beeb
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... probably SAC ... (www.softwareaudioconsole.com)

Marco (with no affiliation with the above)

2011/1/19 Zoe Keating <info@zoekeating.com>

> when I played at CES a couple weeks ago the soundman had an instance of his
> "mixer" on a laptop.  so he could move freely around the space while
> tweeting the levels and eq. it was so much easier! don't know what the
> software was though.
>
>

--0016e649c71aa63c62049a42beeb
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... probably SAC ... (<a href=3D"http://www.softwareaudioconsole.com">www.s=
oftwareaudioconsole.com</a>)<br><br>Marco (with no affiliation with the abo=
ve)<br><br><div class=3D"gmail_quote">2011/1/19 Zoe Keating <span dir=3D"lt=
r">&lt;<a href=3D"mailto:info@zoekeating.com">info@zoekeating.com</a>&gt;</=
span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">when I played at CES a couple weeks ago the soundman h=
ad an instance of his &quot;mixer&quot; on a laptop. =A0so he could move fr=
eely around the space while tweeting the levels and eq. it was so much easi=
er! don&#39;t know what the software was though.<div class=3D"im">
<div><br></div></div></div></blockquote></div><br>

--0016e649c71aa63c62049a42beeb--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 10:54:28 2011
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Is it not possible that a drum machine can be set to 
not start until it starts receiving midi-clock?

Andy Owens wrote:
> Not pushing for it, but I have to agree with Louie that the ability on
> the lp1 to start the drumb machine with a command also starting record,
> and to stop the drumb machine with a record stop command is so, so nice.

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 13:00:01 2011
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Subject: Re: OT? Driving a VG unit and guitar synth
From: Dustbunnies <mech@m3ch.net>
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On 1/20/11 4:01 PM, "Per Boysen" <perboysen@gmail.com> wrote:
>
> Can't you simply put =E0 MIDI cable fr.o.m. The VG into the utger device?

Won't work, in most cases.  The VG, of course, requires an actual audio
signal to process via its COSM algorithm, so it's obvious why that's a
non-starter through MIDI.  However, most (all?) other guitar synths will
also require a guitar-type controller to trigger the synth engine; they
cannot be played via normal MIDI note input.  So the architecture needs to
be a "split and run in parallel" setup, rather than a "chain one device
after another" effect run.

Now if the question were concerning the VG in tandem with a generic MIDI
synth module, your solution would work just fine.  I've done the same with
my VG-99 in conjunction with a JV-1080.  Unfortunately in this case, both
devices need to be driven from a GK-style pickup controller.

Unless I overlooked something in the original problem description.
Kevin...?

(P.S. There's another footswitch besides the GKP-4 or US-20 that will allow
you to take two GK inputs and route them to three different devices.  It's =
a
custom job from a different company out of, I think, Germany.  It's
expensive, but not so much more than having to pay $200 for a US-20.  At
least you feel like you're getting something besides ripped off for that
one.)

        --m.


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Subject: Re: LP2 at namm Louie's start/stop
From: Dustbunnies <mech@m3ch.net>
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On 1/20/11 7:54 PM, "andy butler" <akbutler@tiscali.co.uk> wrote:
> 
> Is it not possible that a drum machine can be set to
> not start until it starts receiving midi-clock?

Depends on the drum machine, I'd think.  My old Studio 440 could do that; we
used to use it that way in the studio all the time.  We'd set the 440 to
play -- which would cause it to stand by -- then fly in either Clock or
MTC/SMPTE.  Once it received some sort of sync code it'd start right up.
We'd then juggle through the patterns manually.

Of course, Dave Smith was way ahead of his time.  I don't see why there
shouldn't be other drum machines out there that could do the same thing,
though.

        --m.


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--20cf305496bba9a332049a4707fd
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I  havent read the whole thread here, but just as a small point.. I have pu=
t
2 GK pickups on my guitar, one was internal, and I used one of those "stick
on"  GKs in addition... (bought cheap from a bargain bin)   but its a bit
easier than some difficult routing problems... maybe its not a relevant
fix... (OK I put mine upside down, for extra weirdness..)


Mark







On Thu, Jan 20, 2011 at 1:59 PM, Dustbunnies <mech@m3ch.net> wrote:

> On 1/20/11 4:01 PM, "Per Boysen" <perboysen@gmail.com> wrote:
> >
> > Can't you simply put =E0 MIDI cable fr.o.m. The VG into the utger devic=
e?
>
> Won't work, in most cases.  The VG, of course, requires an actual audio
> signal to process via its COSM algorithm, so it's obvious why that's a
> non-starter through MIDI.  However, most (all?) other guitar synths will
> also require a guitar-type controller to trigger the synth engine; they
> cannot be played via normal MIDI note input.  So the architecture needs t=
o
> be a "split and run in parallel" setup, rather than a "chain one device
> after another" effect run.
>
> Now if the question were concerning the VG in tandem with a generic MIDI
> synth module, your solution would work just fine.  I've done the same wit=
h
> my VG-99 in conjunction with a JV-1080.  Unfortunately in this case, both
> devices need to be driven from a GK-style pickup controller.
>
> Unless I overlooked something in the original problem description.
> Kevin...?
>
> (P.S. There's another footswitch besides the GKP-4 or US-20 that will all=
ow
> you to take two GK inputs and route them to three different devices.  It'=
s
> a
> custom job from a different company out of, I think, Germany.  It's
> expensive, but not so much more than having to pay $200 for a US-20.  At
> least you feel like you're getting something besides ripped off for that
> one.)
>
>        --m.
>
>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf305496bba9a332049a4707fd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I=A0 havent read the whole thread here, but just as a small point.. I have =
put 2 GK pickups on my guitar, one was internal, and I used one of those &q=
uot;stick on&quot;=A0 GKs in addition... (bought cheap from a bargain bin)=
=A0=A0 but its a bit easier than some difficult routing problems... maybe i=
ts not a relevant fix... (OK I put mine upside down, for extra weirdness..)=
<br>

<br><br>Mark<br><br><br><br><br><br><br><br><div class=3D"gmail_quote">On T=
hu, Jan 20, 2011 at 1:59 PM, Dustbunnies <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:mech@m3ch.net">mech@m3ch.net</a>&gt;</span> wrote:<br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px sol=
id rgb(204, 204, 204); padding-left: 1ex;">

<div class=3D"im">On 1/20/11 4:01 PM, &quot;Per Boysen&quot; &lt;<a href=3D=
"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt;<br>
&gt; Can&#39;t you simply put =E0 MIDI cable fr.o.m. The VG into the utger =
device?<br>
<br>
</div>Won&#39;t work, in most cases. =A0The VG, of course, requires an actu=
al audio<br>
signal to process via its COSM algorithm, so it&#39;s obvious why that&#39;=
s a<br>
non-starter through MIDI. =A0However, most (all?) other guitar synths will<=
br>
also require a guitar-type controller to trigger the synth engine; they<br>
cannot be played via normal MIDI note input. =A0So the architecture needs t=
o<br>
be a &quot;split and run in parallel&quot; setup, rather than a &quot;chain=
 one device<br>
after another&quot; effect run.<br>
<br>
Now if the question were concerning the VG in tandem with a generic MIDI<br=
>
synth module, your solution would work just fine. =A0I&#39;ve done the same=
 with<br>
my VG-99 in conjunction with a JV-1080. =A0Unfortunately in this case, both=
<br>
devices need to be driven from a GK-style pickup controller.<br>
<br>
Unless I overlooked something in the original problem description.<br>
Kevin...?<br>
<br>
(P.S. There&#39;s another footswitch besides the GKP-4 or US-20 that will a=
llow<br>
you to take two GK inputs and route them to three different devices. =A0It&=
#39;s a<br>
custom job from a different company out of, I think, Germany. =A0It&#39;s<b=
r>
expensive, but not so much more than having to pay $200 for a US-20. =A0At<=
br>
least you feel like you&#39;re getting something besides ripped off for tha=
t<br>
one.)<br>
<br>
 =A0 =A0 =A0 =A0--m.<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf305496bba9a332049a4707fd--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 13:37:17 2011
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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
From: Dustbunnies <mech@m3ch.net>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <C95E6999.1641%mech@m3ch.net>
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On 1/20/11 3:02 AM, "Rainer Straschill" <moinsound@googlemail.com> wrote:
>
> via gearjunkies.com:
> http://www.izotope.com/products/audio/stutteredit/

Oh jeez.  BT finally finished this!  He's been Twittering about it for
almost two years now, but would never reveal the company he was working with
to put it out, or even how close it was to release.  Cool!

Another way to get a taste of this -- if you've an iPhone or any other
iGadget -- is to spend $2 on BT's "Sonifi" app.  That allows you to do
realtime remixes of BT's tracks, adding stutter and filter effects by
shaking, tapping, and turning your iPhone in different directions.

It's not much good for use on your own material, since you can't load your
own tracks into it.  But Gods, is it ever a lot of fun to play with!!!!

        --m.





From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 13:41:00 2011
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Date: Thu, 20 Jan 2011 08:39:50 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: LP2 at namm Louie's start/stop
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Andy B,

The "Start/Stop" is an separate MIDI command and many (if not most?) 
devices spew MIDI clock continuously.  When I connect my Electro 
Harmonix 2880 to my Korg Electribe and start the 2880 from it's front 
panel (rather than by pressing "start" on the Electribe)  the looper 
is constantly synched to the MIDI tempo and the loops will speed up 
and slow down if I change the drum machine's tempo,  even if  it is 
"stopped"

>Is it not possible that a drum machine can be set to not start until 
>it starts receiving midi-clock?
>
>Andy Owens wrote:
>>Not pushing for it, but I have to agree with Louie that the ability on
>>the lp1 to start the drumb machine with a command also starting record,
>>and to stop the drumb machine with a record stop command is so, so nice.


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 13:42:33 2011
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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
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On 1/20/11 5:23 AM, "Micha=B3 Wiernowolski" <mihalw@gmail.com> wrote:
>
> Anything like that _but_ in a standalone hardware (stompbox) ?

Closest thing in a stompbox, I think, is The Squarewave Parade's Teaspoon.

        http://www.thesquarewaveparade.com/teaspoon.html

Also, the Teaspoon CAS ( http://www.thesquarewaveparade.com/teaspoonCAS.htm=
l
) and Teaspoon Slight (
http://www.thesquarewaveparade.com/teaspoonSLIGHT.html ).

It's not nearly as full-featured as Izotope/BT's software, but it will let
you do some nice stuttery mangling of the input audio.

Getting this sort of functionality in hardware is one reason why I was
originally interested in the Line 6 Developer Kit -- which allows you to
custom develop stompbox modules.  Was planning on trying to put together
something like this.  Unfortunately, never heard anything else about that
product after its initial announcement.  Mebbe I should really look at that
again... Hrmmm.

    --m.


From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 13:49:30 2011
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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live
 looping?)
From: Dustbunnies <mech@m3ch.net>
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On 1/20/11 4:14 PM, "Os" <os@collective.co.uk> wrote:
>
> I'm still lurking on this list in case anyone has any Augustus Loop
> questions/feature requests.

Well, it's not AL-related, but howzabout implementing custom scripting on
Crossfade Loop Synth.  <*evil grin*>

I need to get back to using that one; it's actually really cool!  :)

    --m.


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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
From: Os <os@collective.co.uk>
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Crossfade Loop Synth already supports scripting - has since v3.1.


cheers,
os.


On 20 January 2011 13:49, Dustbunnies <mech@m3ch.net> wrote:
> On 1/20/11 4:14 PM, "Os" <os@collective.co.uk> wrote:
>>
>> I'm still lurking on this list in case anyone has any Augustus Loop
>> questions/feature requests.
>
> Well, it's not AL-related, but howzabout implementing custom scripting on
> Crossfade Loop Synth. =A0<*evil grin*>
>
> I need to get back to using that one; it's actually really cool! =A0:)
>
> =A0 =A0--m.
>
>
>



--=20
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Re: OT? Driving a VG unit and guitar synth
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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On 1/20/11 10:22 PM, "mark francombe" <mark@markfrancombe.com> wrote:
>=20
>> > I=A0havent read the whole thread here, but just as a small point. I have=
 put
>> 2 GK pickups on my guitar, one was internal, and I
>> > used one of those "stick on"=A0 GKs in addition... (bought cheap from a
>> bargain bin)=A0=A0 but its a bit easier than some difficult
>> > routing problems... maybe its not a relevant fix... (OK I put mine ups=
ide
>> down, for extra weirdness..)

ROTF LMAO.  That=B9s brilliant, Mark.

I should try that sometime.  Thanks for the idea!

    --m.

--B_3378408818_9762499
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<BODY>
<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 1/20/11 10=
:22 PM, &quot;mark francombe&quot; &lt;mark@markfrancombe.com&gt; wrote:<BR>
&gt; <BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN ST=
YLE=3D'font-size:9pt'>&gt; I=A0havent read the whole thread here, but just as a =
small point. I have put 2 GK pickups on my guitar, one was internal, and I <=
BR>
&gt; used one of those &quot;stick on&quot;=A0 GKs in addition... (bought che=
ap from a bargain bin)=A0=A0 but its a bit easier than some difficult <BR>
&gt; routing problems... maybe its not a relevant fix... (OK I put mine ups=
ide down, for extra weirdness..)<BR>
</SPAN></FONT></FONT></BLOCKQUOTE><FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN S=
TYLE=3D'font-size:9pt'><BR>
ROTF LMAO. &nbsp;That&#8217;s brilliant, Mark. &nbsp;<BR>
<BR>
I should try that sometime. &nbsp;Thanks for the idea!<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;--m.</SPAN></FONT></FONT>
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On 1/20/11 10:52 PM, "Os" <os@collective.co.uk> wrote:
>
> Crossfade Loop Synth already supports scripting - has since v3.1.

Well shut mah mouth!  I really need to go update, it seems!  ;)

Thanks Os!!!

    --m.


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Subject: Re: LP2 at namm Louie's start/stop
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Charles,
Many thanks for the 2880 info.
..but we're talking about using the looper as the master here.

I don't know if the LP2 continues to send clock after it's stopped,
but it certainly can't send worthwhile clock *before* the length
is defined by tapping ;-)


andy b

Charles Zwicky wrote:
> Andy B,
> 
> The "Start/Stop" is an separate MIDI command and many (if not most?) 
> devices spew MIDI clock continuously.  When I connect my Electro 
> Harmonix 2880 to my Korg Electribe and start the 2880 from it's front 
> panel (rather than by pressing "start" on the Electribe)  the looper is 
> constantly synched to the MIDI tempo and the loops will speed up and 
> slow down if I change the drum machine's tempo,  even if  it is "stopped"
> 

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Date: Thu, 20 Jan 2011 09:14:34 -0500
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: LP2 at namm Louie's start/stop
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Shouldn't matter either way if it adheres to the MIDI spec...


>Charles,
>Many thanks for the 2880 info.
>..but we're talking about using the looper as the master here.
>
>I don't know if the LP2 continues to send clock after it's stopped,
>but it certainly can't send worthwhile clock *before* the length
>is defined by tapping ;-)
>
>
>andy b
>
>Charles Zwicky wrote:
>>Andy B,
>>
>>The "Start/Stop" is an separate MIDI command and many (if not 
>>most?) devices spew MIDI clock continuously.  When I connect my 
>>Electro Harmonix 2880 to my Korg Electribe and start the 2880 from 
>>it's front panel (rather than by pressing "start" on the Electribe) 
>>the looper is constantly synched to the MIDI tempo and the loops 
>>will speed up and slow down if I change the drum machine's tempo, 
>>even if  it is "stopped"
>>
>>
>>Andy B wrote:
>>Is it not possible that a drum machine can be set to not start 
>>until it starts receiving midi-clock?
>>
>>Andy Owens wrote:
>>>Not pushing for it, but I have to agree with Louie that the ability on
>>>the lp1 to start the drumb machine with a command also starting record,
>>>and to stop the drumb machine with a record stop command is so, so nice.





-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
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Aggh!! Dont mention the teaspoon on this list. I have an Ebay search going
on this.. dont want competition...


M

2011/1/20 Dustbunnies <mech@m3ch.net>

> On 1/20/11 5:23 AM, "Micha=C5=82 Wiernowolski" <mihalw@gmail.com> wrote:
> >
> > Anything like that _but_ in a standalone hardware (stompbox) ?
>
> Closest thing in a stompbox, I think, is The Squarewave Parade's Teaspoon=
.
>
>        http://www.thesquarewaveparade.com/teaspoon.html
>
> Also, the Teaspoon CAS (
> http://www.thesquarewaveparade.com/teaspoonCAS.html
> ) and Teaspoon Slight (
> http://www.thesquarewaveparade.com/teaspoonSLIGHT.html ).
>
> It's not nearly as full-featured as Izotope/BT's software, but it will le=
t
> you do some nice stuttery mangling of the input audio.
>
> Getting this sort of functionality in hardware is one reason why I was
> originally interested in the Line 6 Developer Kit -- which allows you to
> custom develop stompbox modules.  Was planning on trying to put together
> something like this.  Unfortunately, never heard anything else about that
> product after its initial announcement.  Mebbe I should really look at th=
at
> again... Hrmmm.
>
>    --m.
>
>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e860a8cb1a1049a47c995
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Aggh!! Dont mention the teaspoon on this list. I have an Ebay search going =
on this.. dont want competition...<br><br><br>M<br><br><div class=3D"gmail_=
quote">2011/1/20 Dustbunnies <span dir=3D"ltr">&lt;<a href=3D"mailto:mech@m=
3ch.net">mech@m3ch.net</a>&gt;</span><br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On 1/20/11 5:23 A=
M, &quot;Micha=C5=82 Wiernowolski&quot; &lt;<a href=3D"mailto:mihalw@gmail.=
com">mihalw@gmail.com</a>&gt; wrote:<br>


&gt;<br>
&gt; Anything like that _but_ in a standalone hardware (stompbox) ?<br>
<br>
Closest thing in a stompbox, I think, is The Squarewave Parade&#39;s Teaspo=
on.<br>
<br>
 =C2=A0 =C2=A0 =C2=A0 =C2=A0<a href=3D"http://www.thesquarewaveparade.com/t=
easpoon.html" target=3D"_blank">http://www.thesquarewaveparade.com/teaspoon=
.html</a><br>
<br>
Also, the Teaspoon CAS ( <a href=3D"http://www.thesquarewaveparade.com/teas=
poonCAS.html" target=3D"_blank">http://www.thesquarewaveparade.com/teaspoon=
CAS.html</a><br>
) and Teaspoon Slight (<br>
<a href=3D"http://www.thesquarewaveparade.com/teaspoonSLIGHT.html" target=
=3D"_blank">http://www.thesquarewaveparade.com/teaspoonSLIGHT.html</a> ).<b=
r>
<br>
It&#39;s not nearly as full-featured as Izotope/BT&#39;s software, but it w=
ill let<br>
you do some nice stuttery mangling of the input audio.<br>
<br>
Getting this sort of functionality in hardware is one reason why I was<br>
originally interested in the Line 6 Developer Kit -- which allows you to<br=
>
custom develop stompbox modules. =C2=A0Was planning on trying to put togeth=
er<br>
something like this. =C2=A0Unfortunately, never heard anything else about t=
hat<br>
product after its initial announcement. =C2=A0Mebbe I should really look at=
 that<br>
again... Hrmmm.<br>
<br>
 =C2=A0 =C2=A0--m.<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e860a8cb1a1049a47c995--

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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
From: Simeon Harris <simeonharris40@googlemail.com>
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this stutter edit reminds me of the sugar bytes stuff - effectrix and
artillery - same sort of idea, although this looks better, imo

sim

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this stutter edit reminds me of the sugar bytes stuff - effectrix and artillery - same sort of idea, although this looks better, imo<br><br>sim<br>

--000e0cd299a68382c9049a484c6f--

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Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
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> This message is in MIME format. Since your mail reader does not understand
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On 1/20/11 11:16 PM, "mark francombe" <mark@markfrancombe.com> wrote:
>
> Aggh!! Dont mention the teaspoon on this list. I have an Ebay search goin=
g on
this.. dont want competition...

Heh!  If I ever decide to sell mine, you=B9ll be the first person I talk to.
<*duckflee*>  ;)

        --m.

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<FONT SIZE=3D"5"><FONT FACE=3D"Arial"><SPAN STYLE=3D'font-size:9pt'>On 1/20/11 11=
:16 PM, &quot;mark francombe&quot; &lt;mark@markfrancombe.com&gt; wrote:<BR>
&gt;<BR>
&gt; Aggh!! Dont mention the teaspoon on this list. I have an Ebay search g=
oing on this.. dont want competition...<BR>
<BR>
Heh! &nbsp;If I ever decide to sell mine, you&#8217;ll be the first person =
I talk to. &nbsp;&lt;*duckflee*&gt; &nbsp;;)<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;--m.</SPAN></FONT></FONT>
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Subject: Re: LP2 at namm Louie's start/stop
References: <D5098E47-19D6-4F3F-A453-8A6D60D78A96@1800dialword.com> <4D357E12.90403@cruzio.com> <AANLkTinZ-ste02WND4aF4JaKAkpb57+wKZh8P+pqgztV@mail.gmail.com> <4D36FE8A.2000001@tiscali.co.uk> <864434907DE0E9429B16AD587941F73F0799DFFC@EXVBE010-2.exch010.intermedia.ne t> <4D38146C.9070908@tiscali.co.uk> <p0624080bc95de9d66a88@[192.168.2.2]> <4D384095.7000004@tiscali.co.uk> <p0624080ec95df377ac1c@[192.168.2.2]>
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ok, you definitely lost me now,

can you elucidate your point?

Charles Zwicky wrote:
> Shouldn't matter either way if it adheres to the MIDI spec...
> 
> 
>> Charles,
>> Many thanks for the 2880 info.
>> ..but we're talking about using the looper as the master here.
>>
>> I don't know if the LP2 continues to send clock after it's stopped,
>> but it certainly can't send worthwhile clock *before* the length
>> is defined by tapping ;-)
>>
>>
>> andy b
>>
>> Charles Zwicky wrote:
>>> Andy B,
>>>
>>> The "Start/Stop" is an separate MIDI command and many (if not most?) 

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 15:14:27 2011
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Date: Thu, 20 Jan 2011 10:14:47 -0500
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: OT? Driving a VG unit and guitar synth
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I have a US-20 and presently drive an Axon AX-50=20
and a WP-20. It works great, lets you run one or=20
the other or both. I paid $250.00 for it but in=20
the long run it's been worth it because it works=20
and it lets me do what I wanted to do. The other=20
device from Germany that I think you're referring=20
to is a SW41 by Klaus Schock (=20
http://www.klausschock.com/Products/products.html=20
) It's designed to use up to 4 different guitars=20
going out to one 13 pin device. He doesn't make=20
them on a regular basis, I ordered one last year=20
about this time and only just now recieved it,=20
but haven't had time to play with it yet. Oh, and=20
the price of that is 215.00 eur.

Recently I've been experimenting with a breakout=20
box and running each string into bidule and=20
processing them individually. Got some=20
interesting results, but boy was that a drain on=20
the cpu! Of course if you have enough stomp boxes=20
you could do the same thing with hardware and=20
then bring each signal into a mixer. I tried to=20
use the US-20 with the breakout box but for some=20
reason the switching doesn't work and you always=20
have the signal from the BOB on but I could turn the synth side on and off.

Paul Haslem
Ontario, Canada
www.dulcify.ca






At 07:59 AM 1/20/2011, you wrote:
>On 1/20/11 4:01 PM, "Per Boysen" <perboysen@gmail.com> wrote:
> >
> > Can't you simply put =E0 MIDI cable fr.o.m. The VG into the utger=
 device?
>
>Won't work, in most cases.  The VG, of course, requires an actual audio
>signal to process via its COSM algorithm, so it's obvious why that's a
>non-starter through MIDI.  However, most (all?) other guitar synths will
>also require a guitar-type controller to trigger the synth engine; they
>cannot be played via normal MIDI note input.  So the architecture needs to
>be a "split and run in parallel" setup, rather than a "chain one device
>after another" effect run.
>
>Now if the question were concerning the VG in tandem with a generic MIDI
>synth module, your solution would work just fine.  I've done the same with
>my VG-99 in conjunction with a JV-1080.  Unfortunately in this case, both
>devices need to be driven from a GK-style pickup controller.
>
>Unless I overlooked something in the original problem description.
>Kevin...?
>
>(P.S. There's another footswitch besides the GKP-4 or US-20 that will allow
>you to take two GK inputs and route them to three different devices.  It's=
 a
>custom job from a different company out of, I think, Germany.  It's
>expensive, but not so much more than having to pay $200 for a US-20.  At
>least you feel like you're getting something besides ripped off for that
>one.)
>
>         --m.

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 15:22:18 2011
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Date: Thu, 20 Jan 2011 10:22:10 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: LP2 at namm Louie's start/stop
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Sure.

MIDI Clock is (typically) sent whether the master is running or not.

The MIDI spec  requires that "Start" "Continue" and "Stop" commands 
be used to control subsequent devices.

The solution that you seek would be to send a MIDI "Start" command on 
the downbeat immediately following the loop end point defined by the 
"second tap" while the looper is in the initial record phase.


>ok, you definitely lost me now,
>
>can you elucidate your point?
>
>Charles Zwicky wrote:
>>Shouldn't matter either way if it adheres to the MIDI spec...
>>
>>>Charles,
>>>Many thanks for the 2880 info.
>>>..but we're talking about using the looper as the master here.
>>>
>>>I don't know if the LP2 continues to send clock after it's stopped,
>>>but it certainly can't send worthwhile clock *before* the length
>>>is defined by tapping ;-)
>>>
>>>
>>>andy b
>>>
>>>Charles Zwicky wrote:
>>>>Andy B,
>>>>
>>>>The "Start/Stop" is an separate MIDI command and many (if not most?)


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 15:31:44 2011
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Subject: Re: LP2 at namm Louie's start/stop
From: Jeff Duke <jeffloops@gmail.com>
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--90e6ba6e8a8e90a42d049a48d4c7
Content-Type: text/plain; charset=ISO-8859-1

The 2880 also works as a master, in fact as a master you can still use the
octave ability which you can't as a slave. The 2880 has much more midi
ability according to the manual, never tried it myself. The last chapters
here explain. http://www.ehx.com/assets/instructions/2880.pdf

best,

J

On Thu, Jan 20, 2011 at 10:07 AM, andy butler <akbutler@tiscali.co.uk>wrote:

> ok, you definitely lost me now,
>
> can you elucidate your point?
>
> Charles Zwicky wrote:
>
>> Shouldn't matter either way if it adheres to the MIDI spec...
>>
>>
>>  Charles,
>>> Many thanks for the 2880 info.
>>> ..but we're talking about using the looper as the master here.
>>>
>>> I don't know if the LP2 continues to send clock after it's stopped,
>>> but it certainly can't send worthwhile clock *before* the length
>>> is defined by tapping ;-)
>>>
>>>
>>> andy b
>>>
>>> Charles Zwicky wrote:
>>>
>>>> Andy B,
>>>>
>>>> The "Start/Stop" is an separate MIDI command and many (if not most?)
>>>>
>>>

--90e6ba6e8a8e90a42d049a48d4c7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The 2880 also works as a master, in fact as a master you can still use the =
octave ability which you can&#39;t as a slave. The 2880 has much more midi =
ability according to the manual, never tried it myself. The last chapters h=
ere explain. <a href=3D"http://www.ehx.com/assets/instructions/2880.pdf">ht=
tp://www.ehx.com/assets/instructions/2880.pdf</a><br>
<br>best,<br><br>J<br><br><div class=3D"gmail_quote">On Thu, Jan 20, 2011 a=
t 10:07 AM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@ti=
scali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">
ok, you definitely lost me now,<br>
<br>
can you elucidate your point?<br>
<br>
Charles Zwicky wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Shouldn&#39;t matter either way if it adheres to the MIDI spec...<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Charles,<br>
Many thanks for the 2880 info.<br>
..but we&#39;re talking about using the looper as the master here.<br>
<br>
I don&#39;t know if the LP2 continues to send clock after it&#39;s stopped,=
<br>
but it certainly can&#39;t send worthwhile clock *before* the length<br>
is defined by tapping ;-)<br>
<br>
<br>
andy b<br>
<br>
Charles Zwicky wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Andy B,<br>
<br>
The &quot;Start/Stop&quot; is an separate MIDI command and many (if not mos=
t?) <br>
</blockquote></blockquote></blockquote>
</blockquote></div><br>

--90e6ba6e8a8e90a42d049a48d4c7--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 15:38:48 2011
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Date: Thu, 20 Jan 2011 16:38:47 +0100
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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
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Still a happy user of Augustus, Little Spacey and CFLS here. Must say
it they really rock for what I do.

Os: plans for new delay plugins btw?

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 15:47:40 2011
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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
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> Os: plans for new delay plugins btw?

no, but planning a hardware delay!


os.


On 20 January 2011 15:38, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Still a happy user of Augustus, Little Spacey and CFLS here. Must say
> it they really rock for what I do.
>
> Os: plans for new delay plugins btw?
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



-- 
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

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Subject: Re: Augustus Loop (was mainstage CPU,how good is it for live looping?)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Thu, Jan 20, 2011 at 4:47 PM, Os <os@collective.co.uk> wrote:
>> Os: plans for new delay plugins btw?
>
> no, but planning a hardware delay!

Great! An analog bucket brigade delay? ** hint ** ;-)
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 16:53:47 2011
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Danelectro Reel Echo DTE1

http://www.youtube.com/watch?v=pU8NPnp8gzU&feature=related

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 21:41:57 2011
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On 7/22/64 11:59 AM, Dustbunnies wrote:
> Closest thing in a stompbox, I think, is The Squarewave Parade's Teaspoon.
>
>          http://www.thesquarewaveparade.com/teaspoon.html
>
> Also, the Teaspoon CAS (http://www.thesquarewaveparade.com/teaspoonCAS.html
> ) and Teaspoon Slight (
> http://www.thesquarewaveparade.com/teaspoonSLIGHT.html  ).
They don't seem to be available any more but pretty cool for a stomp box.

There's also my own Walker Manual Glitch Pedal but it is a manual stutterer
and fairly primitive by contrast (although it has many other really hip 
features)
and I'm a fair aways from production on it (if it ever gets that far).

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 22:36:24 2011
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Subject: M9/M13/HD500
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--0016360e3d3067ea4e049a4ec34c
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is the looper in all these line6 units the same?

ra=FCl.

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is the looper in all these line6 units the same? <br clear=3D"all"><div sty=
le=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_popup"></di=
v><style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-in=
dex:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 2=
40px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-size:=
 10px;  text-align: left;  line-height: 13px;}</style><br>
ra=FCl.<br><div style=3D"display: inline;"></div><br>

--0016360e3d3067ea4e049a4ec34c--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 22:42:42 2011
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Subject: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
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I've developed an auto glitch pedal, it uses two separate timing cycles to 
make semi-chaotic slicing and has an extra button to manually add to the 
chaos.  I just started selling them.  It's a different animal from the 
Walker pedal and anything else out there really.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=230568227767


toby


----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "Dustbunnies" <mech@m3ch.net>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, January 20, 2011 1:41 PM
Subject: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?


> On 7/22/64 11:59 AM, Dustbunnies wrote:
>> Closest thing in a stompbox, I think, is The Squarewave Parade's 
>> Teaspoon.
>>
>>          http://www.thesquarewaveparade.com/teaspoon.html
>>
>> Also, the Teaspoon CAS 
>> (http://www.thesquarewaveparade.com/teaspoonCAS.html
>> ) and Teaspoon Slight (
>> http://www.thesquarewaveparade.com/teaspoonSLIGHT.html  ).
> They don't seem to be available any more but pretty cool for a stomp box.
>
> There's also my own Walker Manual Glitch Pedal but it is a manual 
> stutterer
> and fairly primitive by contrast (although it has many other really hip 
> features)
> and I'm a fair aways from production on it (if it ever gets that far).
>
> rick walker
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 22:48:32 2011
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Very cool Tony... only shipping to US..!!!! Oh well you lost a sale right
there!

Mark

On Thu, Jan 20, 2011 at 11:42 PM, Toby G <carpet8@mac.com> wrote:

> I've developed an auto glitch pedal, it uses two separate timing cycles to
> make semi-chaotic slicing and has an extra button to manually add to the
> chaos.  I just started selling them.  It's a different animal from the
> Walker pedal and anything else out there really.
>
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=230568227767
>
>
> toby
>
>
> ----- Original Message ----- From: "Rick Walker" <looppool@cruzio.com>
> To: "Dustbunnies" <mech@m3ch.net>
> Cc: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, January 20, 2011 1:41 PM
> Subject: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
>
>
>  On 7/22/64 11:59 AM, Dustbunnies wrote:
>>
>>> Closest thing in a stompbox, I think, is The Squarewave Parade's
>>> Teaspoon.
>>>
>>>         http://www.thesquarewaveparade.com/teaspoon.html
>>>
>>> Also, the Teaspoon CAS (
>>> http://www.thesquarewaveparade.com/teaspoonCAS.html
>>> ) and Teaspoon Slight (
>>> http://www.thesquarewaveparade.com/teaspoonSLIGHT.html  ).
>>>
>> They don't seem to be available any more but pretty cool for a stomp box.
>>
>> There's also my own Walker Manual Glitch Pedal but it is a manual
>> stutterer
>> and fairly primitive by contrast (although it has many other really hip
>> features)
>> and I'm a fair aways from production on it (if it ever gets that far).
>>
>> rick walker
>>
>>
>>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--90e6ba6e864eb99c25049a4eee1b
Content-Type: text/html; charset=ISO-8859-1
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Very cool Tony... only shipping to US..!!!! Oh well you lost a sale right t=
here!<br><br>Mark<br><br><div class=3D"gmail_quote">On Thu, Jan 20, 2011 at=
 11:42 PM, Toby G <span dir=3D"ltr">&lt;<a href=3D"mailto:carpet8@mac.com">=
carpet8@mac.com</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I&#39;ve develope=
d an auto glitch pedal, it uses two separate timing cycles to make semi-cha=
otic slicing and has an extra button to manually add to the chaos. =A0I jus=
t started selling them. =A0It&#39;s a different animal from the Walker peda=
l and anything else out there really.<br>


<br>
<a href=3D"http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=3D2305682=
27767" target=3D"_blank">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;=
item=3D230568227767</a><br>
<br>
<br>
toby<br>
<br>
<br>
----- Original Message ----- From: &quot;Rick Walker&quot; &lt;<a href=3D"m=
ailto:looppool@cruzio.com" target=3D"_blank">looppool@cruzio.com</a>&gt;<br=
>
To: &quot;Dustbunnies&quot; &lt;<a href=3D"mailto:mech@m3ch.net" target=3D"=
_blank">mech@m3ch.net</a>&gt;<br>
Cc: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Thursday, January 20, 2011 1:41 PM<br>
Subject: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
On 7/22/64 11:59 AM, Dustbunnies wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Closest thing in a stompbox, I think, is The Squarewave Parade&#39;s Teaspo=
on.<br>
<br>
 =A0 =A0 =A0 =A0 <a href=3D"http://www.thesquarewaveparade.com/teaspoon.htm=
l" target=3D"_blank">http://www.thesquarewaveparade.com/teaspoon.html</a><b=
r>
<br>
Also, the Teaspoon CAS (<a href=3D"http://www.thesquarewaveparade.com/teasp=
oonCAS.html" target=3D"_blank">http://www.thesquarewaveparade.com/teaspoonC=
AS.html</a><br>
) and Teaspoon Slight (<br>
<a href=3D"http://www.thesquarewaveparade.com/teaspoonSLIGHT.html" target=
=3D"_blank">http://www.thesquarewaveparade.com/teaspoonSLIGHT.html</a> =A0)=
.<br>
</blockquote>
They don&#39;t seem to be available any more but pretty cool for a stomp bo=
x.<br>
<br>
There&#39;s also my own Walker Manual Glitch Pedal but it is a manual stutt=
erer<br>
and fairly primitive by contrast (although it has many other really hip fea=
tures)<br>
and I&#39;m a fair aways from production on it (if it ever gets that far).<=
br>
<br>
rick walker<br>
<br>
<br>
</blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--90e6ba6e864eb99c25049a4eee1b--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 20 22:51:02 2011
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Date: Thu, 20 Jan 2011 15:30:45 -0600
From: cpr@musetrap.com
To: Loopers-Delight@loopers-delight.com
Subject: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
References: <C95E6AD3.1641%mech@m3ch.net> <4D38AC1C.5030604@cruzio.com>
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cool! excellent job! congrats.. :)

-cpr

Quoting Toby G <carpet8@mac.com>:

> I've developed an auto glitch pedal, it uses two separate timing cycles
> to make semi-chaotic slicing and has an extra button to manually add to
> the chaos.  I just started selling them.  It's a different animal from
> the Walker pedal and anything else out there really.
>
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3D230568227767
>
>
> toby
>
>
> ----- Original Message ----- From: "Rick Walker" <looppool@cruzio.com>
> To: "Dustbunnies" <mech@m3ch.net>
> Cc: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, January 20, 2011 1:41 PM
> Subject: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
>
>
>> On 7/22/64 11:59 AM, Dustbunnies wrote:
>>> Closest thing in a stompbox, I think, is The Squarewave Parade's Teaspoo=
n.
>>>
>>>         http://www.thesquarewaveparade.com/teaspoon.html
>>>
>>> Also, the Teaspoon CAS (http://www.thesquarewaveparade.com/teaspoonCAS.h=
tml
>>> ) and Teaspoon Slight (
>>> http://www.thesquarewaveparade.com/teaspoonSLIGHT.html  ).
>> They don't seem to be available any more but pretty cool for a stomp box.
>>
>> There's also my own Walker Manual Glitch Pedal but it is a manual stutter=
er
>> and fairly primitive by contrast (although it has many other really =20
>>  hip features)
>> and I'm a fair aways from production on it (if it ever gets that far).
>>
>> rick walker
>>
>>


From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 01:36:24 2011
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll continue the
month-long Special Focus on the Finnish band Nemesis.  The Featured CD
at Midnight will be "Gigaherz" by Nemesis. on Origo Sound.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#jan

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 02:14:44 2011
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On 7/22/64 11:59 AM, Toby G wrote:
> I've developed an auto glitch pedal, it uses two separate timing 
> cycles to make semi-chaotic slicing and has an extra button to 
> manually add to the chaos.  I just started selling them.  It's a 
> different animal from the Walker pedal and anything else out there 
> really.
>
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=230568227767
>
>
> toby
Very hip, Toby!   I'll start to save my pennies to get one.

There is also the Gig FX, who I have an endorsement with.
Their Chopper puts together to changeable wave form tremelos t
also create glitchy chopping effects.

The Alesis AMPLITON also does this by using a Stereo Panner (which becomes
a square wave tremelo if you don't hook it up in stereo that runs through
a multi wave tremelo.

I love Glitching!!!!!!!!!!!

rick walker

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 02:32:25 2011
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From: Toby G <carpet8@mac.com>
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 <4D38EC0D.6050403@cruzio.com>
Subject: Re: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
Date: Thu, 20 Jan 2011 18:32:21 -0800
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Cool...I'll check those out!


toby
----- Original Message ----- 
From: "Rick Walker" <looppool@cruzio.com>
To: "Toby G" <carpet8@mac.com>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, January 20, 2011 6:14 PM
Subject: Re: Re: Re: NAMM News: iZotope Stutter Edit - anyone seen this?


> On 7/22/64 11:59 AM, Toby G wrote:
>> I've developed an auto glitch pedal, it uses two separate timing cycles 
>> to make semi-chaotic slicing and has an extra button to manually add to 
>> the chaos.  I just started selling them.  It's a different animal from 
>> the Walker pedal and anything else out there really.
>>
>> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=230568227767
>>
>>
>> toby
> Very hip, Toby!   I'll start to save my pennies to get one.
>
> There is also the Gig FX, who I have an endorsement with.
> Their Chopper puts together to changeable wave form tremelos t
> also create glitchy chopping effects.
>
> The Alesis AMPLITON also does this by using a Stereo Panner (which becomes
> a square wave tremelo if you don't hook it up in stereo that runs through
> a multi wave tremelo.
>
> I love Glitching!!!!!!!!!!!
>
> rick walker
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 02:35:40 2011
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Subject: M9/M13/HD500
Date: Thu, 20 Jan 2011 18:35:33 -0800
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HD500 is 48 seconds at normal speed the other two are 28 seconds at  
normal speed, half speed doubles the length of course.
Bill

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 13:32:46 2011
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Subject: Galactic Travels Playlist #720 for January 20, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110120.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #720                January 20, 2011.

RECAP:
On this show, I continued the month-long focus on Nemesis.  The Featured
CD at Midnight was "Gigaherz" on Origo Sound.

Nemesis: http://wdiy.org/programs/gt/playlists/2011/focus.html#jan


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
[VA] Stphan Whitlan] Out of the Box       E-Live 2009 (Groove)
Tom DePlonty         Zen Baby             Corridor (Auraltone)
Gert Emmens          Collision            Metamorphosis (Groove)
Ambient Fabric       Starship             In Space (Auraltone)
Nemesis              Kopernikus           Gigaherz (Origo Sound)
Nemesis              Gigaherz             Gigaherz (Origo Sound)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Nemesis              Karyon               Gigaherz (Origo Sound)
Nemesis              Vertical Horizon     Gigaherz (Origo Sound)
Nemesis              Nautilus             Gigaherz (Origo Sound)
Nemesis              Return To the Well   Gigaherz (Origo Sound)
Nemesis              The First Sea        Gigaherz (Origo Sound)
Nemesis              Origin of Species    Gigaherz (Origo Sound)
Nemesis              Terra Firma          Gigaherz (Origo Sound)
Nemesis              Koobi Fora           Gigaherz (Origo Sound)
Nemesis              Meander              Gigaherz (Origo Sound)
Nemesis              Out of the Cradle    Gigaherz (Origo Sound)
Nemesis              Final Frontier       Gigaherz (Origo Sound)
Nemesis              Coldfront            Gigaherz (Origo Sound)
Nemesis              Last Footprints      Gigaherz (Origo Sound)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Nemesis.  The Featured CD at Midnight will be "Sky Archeology" which is
a self-released title.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 15:44:39 2011
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Date: Fri, 21 Jan 2011 16:44:36 +0100
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Subject: Re: M9/M13/HD500
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Fri, Jan 21, 2011 at 3:35 AM, William Walker <billwalker@baymoon.com> wrote:
> HD500 is 48 seconds at normal speed the other two are 28 seconds at normal
> speed, half speed doubles the length of course.

Is the HD500 mono or stereo?

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 19:54:40 2011
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Subject: danelectro tape echo/strymon timeline/ zoom g3
From: Scott Hansen <evanpeewee@gmail.com>
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--0016e6d7e06cb752a5049a609eab
Content-Type: text/plain; charset=ISO-8859-1

the dan-echo thing i had looked at a yr ago. it seemed interesting. i love
the layout of it. wish it had more time available. wish it sort of mimiced
creating a tape loop and manipulate the time more (slow/fast & fast/slow).
there was something about it that i didn't end up pulling the trigger on.
can't remember what. i watched lots of vids of it. for short 1.5 sec loops
it seemed decent. good for your rockabillty stuff of course.

i also just saw that zoom released a zoom g3. saw some intro vids of it.
looks like a smaller version of line 6 m9, has 3 pedal layout-so simpler,
199$ price, has 40 sec looper.

also just saw this, re the strymon timeline (delay/looper):


Full featured 30-second, 24-bit stereo Looper, routable pre- or post-delay,
with MIDI capability. More information on TimeLine looper functionality
coming soon

Two independent delay lines can be configured in series or parallel
(right/left split). The second delay has independent Mix, Repeat and Time
values, and can also be set to track the first delay's knob values.

dtape: Full control over Tape Age, Wow & Flutter, Tape Crinkle, Tape Bias,
Low End Contour, and Tape Speed

Mod Depth: Additional menu-driven parameters deliver extremely flexible tone
shaping options and complete tweakability

Expression pedal input with selectable control over knob or combination of
knobs, saveable per preset

Analog dry path for a zero latency dry signal that is never converted to
digital

Selectable Trails mode with high quality, transparent Analog Buffered
Bypass, saveable per preset

Trem: The Trem delay machine provides you with a synchronized tremolo with
Waveshape, Depth and Speed for cool new sounds. Choose from triangle,
square, sin, ramp, and saw to vary the delay amplitude.

Reverse: You play frontwards, it repeats backwards. Your playing triggers
the delays, producing predictable, repeatable, and extremely useful reverse
effects. Add some Smear to soften the attacks - smearing transients while
retaining full frequency response.

+/- 3dB Boost/Cut, saveable per preset

Selectable Tap Subdivision, saveable per preset

http://www.musicradar.com/news/guita...nveiled-360934<http://www.musicradar.com/news/guitars/namm-2011-strymon-timeline-delay-pedal-unveiled-360934>

SO LOTS OF OPTIONS OUT THERE FOR US CONSUMERS, IN THE NEAR FUTURE......happy
looping...s---

--0016e6d7e06cb752a5049a609eab
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

the dan-echo thing i had looked at a yr ago. it seemed interesting. i love =
the layout of it. wish it had more time available. wish it sort of mimiced =
creating a tape loop and manipulate the time more (slow/fast &amp; fast/slo=
w). there was something about it that i didn&#39;t end up pulling the trigg=
er on. can&#39;t remember what. i watched lots of vids of it. for short 1.5=
 sec loops it seemed decent. good for your rockabillty stuff of course.<br>
<br>i also just saw that zoom released a zoom g3. saw some intro vids of it=
.<br>looks like a smaller version of line 6 m9, has 3 pedal layout-so simpl=
er, 199$ price, has 40 sec looper.<br><br>also just saw this, re the strymo=
n timeline (delay/looper):<br>
<br><br>
Full featured 30-second, 24-bit stereo Looper, routable pre- or=20
post-delay, with MIDI capability. More information on TimeLine looper=20
functionality coming soon<br>
<br>
Two independent delay lines can be configured in series or parallel=20
(right/left split). The second delay has independent Mix, Repeat and=20
Time values, and can also be set to track the first delay&#39;s knob values=
.<br>
<br>
dtape: Full control over Tape Age, Wow &amp; Flutter, Tape Crinkle, Tape Bi=
as, Low End Contour, and Tape Speed<br>
<br>
Mod Depth: Additional menu-driven parameters deliver extremely flexible ton=
e shaping options and complete tweakability<br>
<br>
Expression pedal input with selectable control over knob or combination of =
knobs, saveable per preset<br>
<br>
Analog dry path for a zero latency dry signal that is never converted to di=
gital<br>
<br>
Selectable Trails mode with high quality, transparent Analog Buffered Bypas=
s, saveable per preset<br>
<br>
Trem: The Trem delay machine provides you with a synchronized tremolo=20
with Waveshape, Depth and Speed for cool new sounds. Choose from=20
triangle, square, sin, ramp, and saw to vary the delay amplitude.<br>
<br>
Reverse: You play frontwards, it repeats backwards. Your playing=20
triggers the delays, producing predictable, repeatable, and extremely=20
useful reverse effects. Add some Smear to soften the attacks - smearing=20
transients while retaining full frequency response.<br>
<br>
+/- 3dB Boost/Cut, saveable per preset<br>
<br>
Selectable Tap Subdivision, saveable per preset<br>
<br>
<a href=3D"http://www.musicradar.com/news/guitars/namm-2011-strymon-timelin=
e-delay-pedal-unveiled-360934" target=3D"_blank">http://www.musicradar.com/=
news/guita...nveiled-360934</a><br><br>SO LOTS OF OPTIONS OUT THERE FOR US =
CONSUMERS, IN THE NEAR FUTURE......happy looping...s---<br>

--0016e6d7e06cb752a5049a609eab--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 20:07:11 2011
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Subject: Electrix Repeater for sale
Date: Fri, 21 Jan 2011 12:00:29 -0800
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Hi all... long time lurker here. I think I originally subscribed to LD =
in 1997. I forget when exactly but it was shortly after LD was created. =
I feel like I know a lot of you even if I haven't posted to the list in =
a very long time.

It is time for me to sell some gear. I'm not getting out of looping =
entirely... just regrouping financially and musically after a long =
hiatus.=20

I bought an Electrix Repeater when it first came out. It had the first =
OS version with midi sync problems, which I discovered immediately. I =
was dependent on syncing to midi, so I put it back in the box and stuck =
with my EDPs while I waited for a bug fix. Fast forward to last fall. I =
got the Electric Repeater out of storage, opened it for the first time =
in almost 10 years, upgraded it to the latest OS (2.4 aka 2.1.04), and =
posted it on ebay.

The link to the auction is:=20
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3D250758944540

It is in great condition. I only had it out of the box briefly in 2001 =
and recently when I upgraded it. The only way you'd find a nicer one is =
NOS in a warehouse somewhere. The bottom sticker does have a mysterious =
mark or scratch - not sure where that came from because I'm very =
meticulous about caring for my equipment, especially when it has only =
been out of the box for such a short time. I can't find a mark anywhere =
else. It has been in an indoor, temperature-controlled storage building =
ever since. It has never been gigged and always kept in a smoke-free =
environment.=20

If you need to contact me, the best way is probably through ebay. =
Mention LD if you do. (Email to this account is filtered and digested on =
my end.)=20

Thanks,
Jason


From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 20:15:05 2011
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Date: Fri, 21 Jan 2011 12:14:55 -0800
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Subject: Re: OT? Driving a VG unit and guitar synth
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Another option I've discovered (someone here pointed me to this a
while ago I think)

http://billbax.110mb.com/

Anyone have an experience with these (horrible website btw).

Kevin


On Thu, Jan 20, 2011 at 7:14 AM, paul <phaslem@wightman.ca> wrote:
> I have a US-20 and presently drive an Axon AX-50 and a WP-20. It works
> great, lets you run one or the other or both. I paid $250.00 for it but i=
n
> the long run it's been worth it because it works and it lets me do what I
> wanted to do. The other device from Germany that I think you're referring=
 to
> is a SW41 by Klaus Schock (
> http://www.klausschock.com/Products/products.html ) It's designed to use =
up
> to 4 different guitars going out to one 13 pin device. He doesn't make th=
em
> on a regular basis, I ordered one last year about this time and only just
> now recieved it, but haven't had time to play with it yet. Oh, and the pr=
ice
> of that is 215.00 eur.
>
> Recently I've been experimenting with a breakout box and running each str=
ing
> into bidule and processing them individually. Got some interesting result=
s,
> but boy was that a drain on the cpu! Of course if you have enough stomp
> boxes you could do the same thing with hardware and then bring each signa=
l
> into a mixer. I tried to use the US-20 with the breakout box but for some
> reason the switching doesn't work and you always have the signal from the
> BOB on but I could turn the synth side on and off.
>
> Paul Haslem
> Ontario, Canada
> www.dulcify.ca
>
>
>
>
>
>
> At 07:59 AM 1/20/2011, you wrote:
>>
>> On 1/20/11 4:01 PM, "Per Boysen" <perboysen@gmail.com> wrote:
>> >
>> > Can't you simply put =E0 MIDI cable fr.o.m. The VG into the utger devi=
ce?
>>
>> Won't work, in most cases. =A0The VG, of course, requires an actual audi=
o
>> signal to process via its COSM algorithm, so it's obvious why that's a
>> non-starter through MIDI. =A0However, most (all?) other guitar synths wi=
ll
>> also require a guitar-type controller to trigger the synth engine; they
>> cannot be played via normal MIDI note input. =A0So the architecture need=
s to
>> be a "split and run in parallel" setup, rather than a "chain one device
>> after another" effect run.
>>
>> Now if the question were concerning the VG in tandem with a generic MIDI
>> synth module, your solution would work just fine. =A0I've done the same =
with
>> my VG-99 in conjunction with a JV-1080. =A0Unfortunately in this case, b=
oth
>> devices need to be driven from a GK-style pickup controller.
>>
>> Unless I overlooked something in the original problem description.
>> Kevin...?
>>
>> (P.S. There's another footswitch besides the GKP-4 or US-20 that will
>> allow
>> you to take two GK inputs and route them to three different devices. =A0=
It's
>> a
>> custom job from a different company out of, I think, Germany. =A0It's
>> expensive, but not so much more than having to pay $200 for a US-20. =A0=
At
>> least you feel like you're getting something besides ripped off for that
>> one.)
>>
>> =A0 =A0 =A0 =A0--m.
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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From: "Ruelle Benoit" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: semi OT: practice amp for looping
Date: Fri, 21 Jan 2011 21:53:53 +0100
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Hello,
I'm sure I'll get some good advice from the looping community so even if 
it's a bit OT, i'll ask.

I'm searching a small amp to practice at home. Something under 150$ and I 
think that with 15W, it will be enough.
I investigated something like the fender mustang, the line6 spider or roland 
cube but I'll use this mainly for looping and  it would be nice to have a 
solution where I can overdub differents sounds with different FX.

As I won't find any amp with an FX loop in this price range and i already 
have some amp modelling tool ( zoom G2 and Johnson J-Station), would it be 
OK to buy a keyboard amp instead. The range will be wider and I can also us 
it to loop bass/synth and voice. Any inputs regarding this solution? Any 
proposal? I already tested putting my J-sation into my home HiFi but I don't 
get the response I expect from a guitar amp. It seems to lack some 
compression and I don't get the "oomph" that I can get even with a very low 
budget amp (think the squier you get with beginner pack).

Thank you for any info;

Ben.

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 21:05:06 2011
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Subject: Re: semi OT: practice amp for looping
From: Tony K <bigtonyk@gmail.com>
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Vox Mini 3.

http://www.youtube.com/watch?v=01rVgISZdKE



On Fri, Jan 21, 2011 at 3:53 PM, Ruelle Benoit <benoitruelle@yahoo.fr>wrote:

> Hello,
> I'm sure I'll get some good advice from the looping community so even if
> it's a bit OT, i'll ask.
>
> I'm searching a small amp to practice at home. Something under 150$ and I
> think that with 15W, it will be enough.
> I investigated something like the fender mustang, the line6 spider or
> roland cube but I'll use this mainly for looping and  it would be nice to
> have a solution where I can overdub differents sounds with different FX.
>
> As I won't find any amp with an FX loop in this price range and i already
> have some amp modelling tool ( zoom G2 and Johnson J-Station), would it be
> OK to buy a keyboard amp instead. The range will be wider and I can also us
> it to loop bass/synth and voice. Any inputs regarding this solution? Any
> proposal? I already tested putting my J-sation into my home HiFi but I don't
> get the response I expect from a guitar amp. It seems to lack some
> compression and I don't get the "oomph" that I can get even with a very low
> budget amp (think the squier you get with beginner pack).
>
> Thank you for any info;
>
> Ben.
>
>


-- 
-==-=-=-
Tony

--20cf30549609abcf42049a619a69
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Vox Mini 3.<br><br><a href=3D"http://www.youtube.com/watch?v=3D01rVgISZdKE"=
>http://www.youtube.com/watch?v=3D01rVgISZdKE</a><br><br><br><br><div class=
=3D"gmail_quote">On Fri, Jan 21, 2011 at 3:53 PM, Ruelle Benoit <span dir=
=3D"ltr">&lt;<a href=3D"mailto:benoitruelle@yahoo.fr">benoitruelle@yahoo.fr=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hello,<br>
I&#39;m sure I&#39;ll get some good advice from the looping community so ev=
en if it&#39;s a bit OT, i&#39;ll ask.<br>
<br>
I&#39;m searching a small amp to practice at home. Something under 150$ and=
 I think that with 15W, it will be enough.<br>
I investigated something like the fender mustang, the line6 spider or rolan=
d cube but I&#39;ll use this mainly for looping and =A0it would be nice to =
have a solution where I can overdub differents sounds with different FX.<br=
>

<br>
As I won&#39;t find any amp with an FX loop in this price range and i alrea=
dy have some amp modelling tool ( zoom G2 and Johnson J-Station), would it =
be OK to buy a keyboard amp instead. The range will be wider and I can also=
 us it to loop bass/synth and voice. Any inputs regarding this solution? An=
y proposal? I already tested putting my J-sation into my home HiFi but I do=
n&#39;t get the response I expect from a guitar amp. It seems to lack some =
compression and I don&#39;t get the &quot;oomph&quot; that I can get even w=
ith a very low budget amp (think the squier you get with beginner pack).<br=
>

<br>
Thank you for any info;<br>
<br>
Ben.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <br>To=
ny<br>

--20cf30549609abcf42049a619a69--

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Date: Fri, 21 Jan 2011 21:59:32 +0100
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Subject: Re: M9/M13/HD500
From: Louie Angulo <louie.angulo@googlemail.com>
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if u mean the looper mono unfortunately....

On Fri, Jan 21, 2011 at 4:44 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Fri, Jan 21, 2011 at 3:35 AM, William Walker <billwalker@baymoon.com> wrote:
>> HD500 is 48 seconds at normal speed the other two are 28 seconds at normal
>> speed, half speed doubles the length of course.
>
> Is the HD500 mono or stereo?
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

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Date: Fri, 21 Jan 2011 16:08:12 -0500
From: phaslem@wightman.ca
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT? Driving a VG unit and guitar synth
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That is the breakout box that I bought last year. It works great to =20
split up the strings and process them individualy but for some reason =20
doesn't seem to be compatable with the roland us-20. I get the signal =20
through the us-20 but it continues no mater what pedal I press.

Paul Haslem
Ontario, Canada
www.dulcify.ca







Quoting Kevin Cheli-Colando <billowhead@gmail.com>:

> Another option I've discovered (someone here pointed me to this a
> while ago I think)
>
> http://billbax.110mb.com/
>
> Anyone have an experience with these (horrible website btw).
>
> Kevin
>
>
> On Thu, Jan 20, 2011 at 7:14 AM, paul <phaslem@wightman.ca> wrote:
>> I have a US-20 and presently drive an Axon AX-50 and a WP-20. It works
>> great, lets you run one or the other or both. I paid $250.00 for it but i=
n
>> the long run it's been worth it because it works and it lets me do what I
>> wanted to do. The other device from Germany that I think you're referring=
 to
>> is a SW41 by Klaus Schock (
>> http://www.klausschock.com/Products/products.html ) It's designed to use =
up
>> to 4 different guitars going out to one 13 pin device. He doesn't make th=
em
>> on a regular basis, I ordered one last year about this time and only just
>> now recieved it, but haven't had time to play with it yet. Oh, and the pr=
ice
>> of that is 215.00 eur.
>>
>> Recently I've been experimenting with a breakout box and running each str=
ing
>> into bidule and processing them individually. Got some interesting result=
s,
>> but boy was that a drain on the cpu! Of course if you have enough stomp
>> boxes you could do the same thing with hardware and then bring each signa=
l
>> into a mixer. I tried to use the US-20 with the breakout box but for some
>> reason the switching doesn't work and you always have the signal from the
>> BOB on but I could turn the synth side on and off.
>>
>> Paul Haslem
>> Ontario, Canada
>> www.dulcify.ca
>>
>>
>>
>>
>>
>>
>> At 07:59 AM 1/20/2011, you wrote:
>>>
>>> On 1/20/11 4:01 PM, "Per Boysen" <perboysen@gmail.com> wrote:
>>> >
>>> > Can't you simply put =E0 MIDI cable fr.o.m. The VG into the utger devi=
ce?
>>>
>>> Won't work, in most cases. =A0The VG, of course, requires an actual audi=
o
>>> signal to process via its COSM algorithm, so it's obvious why that's a
>>> non-starter through MIDI. =A0However, most (all?) other guitar synths wi=
ll
>>> also require a guitar-type controller to trigger the synth engine; they
>>> cannot be played via normal MIDI note input. =A0So the architecture need=
s to
>>> be a "split and run in parallel" setup, rather than a "chain one device
>>> after another" effect run.
>>>
>>> Now if the question were concerning the VG in tandem with a generic MIDI
>>> synth module, your solution would work just fine. =A0I've done the same =
with
>>> my VG-99 in conjunction with a JV-1080. =A0Unfortunately in this case, b=
oth
>>> devices need to be driven from a GK-style pickup controller.
>>>
>>> Unless I overlooked something in the original problem description.
>>> Kevin...?
>>>
>>> (P.S. There's another footswitch besides the GKP-4 or US-20 that will
>>> allow
>>> you to take two GK inputs and route them to three different devices. =A0=
It's
>>> a
>>> custom job from a different company out of, I think, Germany. =A0It's
>>> expensive, but not so much more than having to pay $200 for a US-20. =A0=
At
>>> least you feel like you're getting something besides ripped off for that
>>> one.)
>>>
>>> =A0 =A0 =A0 =A0--m.
>>
>>
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>


From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 21:40:30 2011
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Date: Fri, 21 Jan 2011 13:40:25 -0800
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Subject: Re: OT? Driving a VG unit and guitar synth
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Have you used it to split the signal from one 13 pin guitar or do you
just use it as the breakout?

Kevin

On Fri, Jan 21, 2011 at 1:08 PM,  <phaslem@wightman.ca> wrote:
> That is the breakout box that I bought last year. It works great to split=
 up
> the strings and process them individualy but for some reason doesn't seem=
 to
> be compatable with the roland us-20. I get the signal through the us-20 b=
ut
> it continues no mater what pedal I press.
>
> Paul Haslem
> Ontario, Canada
> www.dulcify.ca
>
>
>
>
>
>
>
> Quoting Kevin Cheli-Colando <billowhead@gmail.com>:
>
>> Another option I've discovered (someone here pointed me to this a
>> while ago I think)
>>
>> http://billbax.110mb.com/
>>
>> Anyone have an experience with these (horrible website btw).
>>
>> Kevin
>>
>>
>> On Thu, Jan 20, 2011 at 7:14 AM, paul <phaslem@wightman.ca> wrote:
>>>
>>> I have a US-20 and presently drive an Axon AX-50 and a WP-20. It works
>>> great, lets you run one or the other or both. I paid $250.00 for it but
>>> in
>>> the long run it's been worth it because it works and it lets me do what=
 I
>>> wanted to do. The other device from Germany that I think you're referri=
ng
>>> to
>>> is a SW41 by Klaus Schock (
>>> http://www.klausschock.com/Products/products.html ) It's designed to us=
e
>>> up
>>> to 4 different guitars going out to one 13 pin device. He doesn't make
>>> them
>>> on a regular basis, I ordered one last year about this time and only ju=
st
>>> now recieved it, but haven't had time to play with it yet. Oh, and the
>>> price
>>> of that is 215.00 eur.
>>>
>>> Recently I've been experimenting with a breakout box and running each
>>> string
>>> into bidule and processing them individually. Got some interesting
>>> results,
>>> but boy was that a drain on the cpu! Of course if you have enough stomp
>>> boxes you could do the same thing with hardware and then bring each
>>> signal
>>> into a mixer. I tried to use the US-20 with the breakout box but for so=
me
>>> reason the switching doesn't work and you always have the signal from t=
he
>>> BOB on but I could turn the synth side on and off.
>>>
>>> Paul Haslem
>>> Ontario, Canada
>>> www.dulcify.ca
>>>
>>>
>>>
>>>
>>>
>>>
>>> At 07:59 AM 1/20/2011, you wrote:
>>>>
>>>> On 1/20/11 4:01 PM, "Per Boysen" <perboysen@gmail.com> wrote:
>>>> >
>>>> > Can't you simply put =E0 MIDI cable fr.o.m. The VG into the utger
>>>> > device?
>>>>
>>>> Won't work, in most cases. =A0The VG, of course, requires an actual au=
dio
>>>> signal to process via its COSM algorithm, so it's obvious why that's a
>>>> non-starter through MIDI. =A0However, most (all?) other guitar synths =
will
>>>> also require a guitar-type controller to trigger the synth engine; the=
y
>>>> cannot be played via normal MIDI note input. =A0So the architecture ne=
eds
>>>> to
>>>> be a "split and run in parallel" setup, rather than a "chain one devic=
e
>>>> after another" effect run.
>>>>
>>>> Now if the question were concerning the VG in tandem with a generic MI=
DI
>>>> synth module, your solution would work just fine. =A0I've done the sam=
e
>>>> with
>>>> my VG-99 in conjunction with a JV-1080. =A0Unfortunately in this case,
>>>> both
>>>> devices need to be driven from a GK-style pickup controller.
>>>>
>>>> Unless I overlooked something in the original problem description.
>>>> Kevin...?
>>>>
>>>> (P.S. There's another footswitch besides the GKP-4 or US-20 that will
>>>> allow
>>>> you to take two GK inputs and route them to three different devices.
>>>> =A0It's
>>>> a
>>>> custom job from a different company out of, I think, Germany. =A0It's
>>>> expensive, but not so much more than having to pay $200 for a US-20. =
=A0At
>>>> least you feel like you're getting something besides ripped off for th=
at
>>>> one.)
>>>>
>>>> =A0 =A0 =A0 =A0--m.
>>>
>>>
>>
>>
>>
>> --
>> Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all troubl=
e.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:=A0 http://www.minds-eye.org
>> Video http://www.vimeo.com/user877640/videos
>>
>>
>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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I bought a Boss RC-2 Loop Station a year or two ago and after initial  
frustration and disinterest it has been sitting on the shelf until  
recently. In the last couple of weeks I've been investigating looping  
pretty seriously. I've been watching a lot of videos and the variety  
of music making being done with loopers is pretty amazing. And, I've  
been fooling around with the RC-2.

When I bought the device, I thought compact was a good idea, but I  
soon realized more switches are better and just bought an FS-6 switch.  
It is still not the magic bullet I was hoping for. I am just missing  
some basic technique, I think, or my mind just doesn't work in the  
same way as Boss, but I often end up not where I want to be.

I have to ask if this is possible:
  I get that you have to define the loop boundary with a second click,  
but what I want to do is immediately start recording an overdub at  
that point. I would think that would be a one click operation.
  The other thing is, it seems there should be a very easy way to stop  
one loop and start another with one click. I haven't found a way to do  
either of these things with the RC-2. Advancing to the next memory  
position gets me half way there.

I had been looking at different hardware devices out there and then I  
ran across this group and a discussion about Mobius. Mobius looks like  
a killer app. I've only just fooled around with it a little. Together  
with a Behringer FCB1010 it looks like a combo that could do just  
about anything. It would be an excuse to buy a new laptop and the  
aforementioned pedal. Still, that is quite an investment and I want to  
be sure I would be able to do those two tasks I mentioned above. Would  
it be easy to do those things?
Thank you in advance.

Ed Durbrow
Saitama, Japan
http://www9.plala.or.jp/edurbrow/
http://www.musicianspage.com/musicians/9688/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>I bought a Boss RC-2 Loop =
Station a year or two ago and after initial frustration and disinterest =
it has been sitting on the shelf until recently. In the last couple of =
weeks I've been investigating&nbsp;looping&nbsp;pretty seriously. I've =
been watching a lot of videos and the variety of music making being done =
with loopers&nbsp;is pretty amazing. And, I've been fooling around with =
the RC-2.</div><div><br></div><div>When I bought the device, I thought =
compact was a good idea, but I soon realized more switches are better =
and just bought an FS-6 switch. It is still not the magic bullet I was =
hoping for. I am just missing some basic technique, I think, or my mind =
just doesn't work in the same way as Boss, but I often end up not where =
I want to be.&nbsp;</div><div><br></div><div>I have to ask if this is =
possible:&nbsp;</div><div>&nbsp;I get that you have to define the loop =
boundary with a second click, but what I want to do is immediately start =
recording an overdub at that point. I would think that would be a one =
click operation.&nbsp;</div><div>&nbsp;The other thing is, it seems =
there should be a very easy way to stop one loop and start another with =
one click. I haven't found a way to do either of these things with the =
RC-2. Advancing to the next memory position gets me half way =
there.</div><div><br></div><div>I had been looking at different hardware =
devices out there and then I ran across this group and a discussion =
about Mobius. Mobius looks like a killer app. I've only just fooled =
around with it a little. Together with a Behringer FCB1010 it looks like =
a combo that could do just about anything. It would be an excuse to buy =
a new laptop and the aforementioned pedal. Still, that is quite an =
investment and I want to be sure I would be able to do those two tasks I =
mentioned above. Would it be easy to do those things?</div><div>Thank =
you in advance.</div><br><div apple-content-edited=3D"true"> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Geneva; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F">Ed Durbrow</font></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Chalkboard" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; "><font =
class=3D"Apple-style-span" color=3D"#6F6F6F">Saitama, =
Japan</font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F"><a =
href=3D"http://www9.plala.or.jp/edurbrow/">http://www9.plala.or.jp/edurbro=
w/</a></font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><a =
href=3D"http://www.musicianspage.com/musicians/9688/">http://www.musicians=
page.com/musicians/9688/</a></span></font></div></span></div></div></span>=
</div></span></div></span></div></span></div></span></div></span> =
</div><br></body></html>=

--Apple-Mail-1--483804209--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 23:31:44 2011
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Ed Durbrow schrieb:
> I have to ask if this is possible: 
>  I get that you have to define the loop boundary with a second click, 
> but what I want to do is immediately start recording an overdub at 
> that point. I would think that would be a one click operation. 
>  The other thing is, it seems there should be a very easy way to stop 
> one loop and start another with one click. I haven't found a way to do 
> either of these things with the RC-2. Advancing to the next memory 
> position gets me half way there.
>
> [using Möbius/FCB1010]: Would it be easy to do those things?
The short answer is: it depends how you define "easy".

The first thing (immediately going from record to overdub) - yes, that's 
very easy.
Möbius (like the EDP) offers independent "Record" and "Overdub" commands 
- so, you start recording with "record", and at the end of your loop hit 
either "record" (to end the loop and go to playback) or "overdub" (to 
end the loop and go directly to overdub).

The second one: there's a setting which is named something like 
"AutoRecord when NextLoop" which, when activated, does exactly this. 
(@Jeff: I think details have changed w/ version 1.43, so you might want 
to chime in here).

Ah, Ed, btw: the developer of Möbius, Jeff Larson, is also active on 
this list.

Other things to consider:
    a) there are alternatives to the FCB1010.
    b) you did think about proper audio/MIDI interface for the computer? 
(just asking, because from your message alone, it's hard to judge how 
experienced you are w/ computer live audio).

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Jan 21 23:44:23 2011
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The HD has a mono in (actually an extra aux in as well but not meant  
for stereo apps) , it does have a  stereo out, can't say about the  
looper though I assume its mono, I can't for the life of me see how  
this is terribly important unless it was a true stereo multi track  
looper  like the LP-1 and you wanted to pan tracks in the stereo  
field, or you have a stereo output like I assume you do Sjaak and you  
needed to preserve your imaging. stereo  is  great for  studio mix  
down  but in a live situation it can cause you phase cancellation  
issues where, unless you are standing in a sweet spot, you might stop  
being able to hear a crucial element of your mix like something  
rhythmic you need to hear.  If you gotta have panning or stereo  
imaging this is a workaround:  I use an M-9, but I rarely use anything  
other than delays of various types,  and the occasional specialty  
reverbs, ring modulator, or filters , so I park the looper in front of  
other effects so i can reprocess it with stereo delays (or any of the  
M-9's stereo modulation effects or panners )  and send it in stereo  
to  the LP-1, then resample if i want .  Problem solved

Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 01:51:10 2011
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Date: Sat, 22 Jan 2011 02:51:07 +0100
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Subject: Re: M9/M13/HD500
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Bill i never really understood either why stereo looping  was so important
But now that i have the new digitech stereo looper,man it does make a
difference specially when you loop the stereo fx the line 6 m9 has to
offer.
I know for us guitarrists is maybe not always that important, but
Sjaak does beautiful dreamy synth soundscapes where space and dimesion
is crucial
I remember listening to him and being lost in his sound, it sounded
huge and it would be a pity to sacrifice his signal  with a mono
looper;-)
Luis







On Sat, Jan 22, 2011 at 12:44 AM, William Walker <billwalker@baymoon.com> w=
rote:
> The HD has a mono in (actually an extra aux in as well but not meant for
> stereo apps) , it does have a =A0stereo out, can't say about the looper t=
hough
> I assume its mono, I can't for the life of me see how this is terribly
> important unless it was a true stereo multi track looper =A0like the LP-1=
 and
> you wanted to pan tracks in the stereo field, or you have a stereo output
> like I assume you do Sjaak and you needed to preserve your imaging. stere=
o
> =A0is =A0great for =A0studio mix down =A0but in a live situation it can c=
ause you
> phase cancellation issues where, unless you are standing in a sweet spot,
> you might stop being able to hear a crucial element of your mix like
> something rhythmic you need to hear. =A0If you gotta have panning or ster=
eo
> imaging this is a workaround: =A0I use an M-9, but I rarely use anything =
other
> than delays of various types, =A0and the occasional specialty reverbs, ri=
ng
> modulator, or filters , so I park the looper in front of other effects so=
 i
> can reprocess it with stereo delays (or any of the M-9's stereo modulatio=
n
> effects or panners ) =A0and send it in stereo to =A0the LP-1, then resamp=
le if i
> want . =A0Problem solved
>
> Bill
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 06:16:18 2011
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Subject: Re: OT? Driving a VG unit and guitar synth
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I only used it as a breakout box, the 13 pin out is only a pass 
through. What I would have liked is a switch that gave me the 
breakout box or the pin out for a synth or vg box.

Paul Haslem
Ontario, Canada
www.dulcify.ca






At 04:40 PM 1/21/2011, you wrote:
>Have you used it to split the signal from one 13 pin guitar or do you
>just use it as the breakout?
>
>Kevin

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On Jan 22, 2011, at 8:31 AM, Rainer Straschill wrote:
>> [using M=F6bius/FCB1010]: Would it be easy to do those things?
> The short answer is: it depends how you define "easy".
>
> The first thing (immediately going from record to overdub) - yes, =20
> that's very easy.
> M=F6bius (like the EDP) offers independent "Record" and "Overdub" =20
> commands - so, you start recording with "record", and at the end of =20=

> your loop hit either "record" (to end the loop and go to playback) =20
> or "overdub" (to end the loop and go directly to overdub).
> The second one: there's a setting which is named something like =20
> "AutoRecord when NextLoop" which, when activated, does exactly this. =20=

> (@Jeff: I think details have changed w/ version 1.43, so you might =20
> want to chime in here).

That doesn't sound too bad, if it is just a matter of choosing a =20
command from a menu.
What about on hardware loopers? Do most? some? few? offer these =20
features?

> Ah, Ed, btw: the developer of M=F6bius, Jeff Larson, is also active on =
=20
> this list.

That is great. I can see there are some very knowledgeable people =20
here. BTW is there any tutorial or manual anywhere online for Mobius? =20=

It is pretty daunting.

> Other things to consider:
>   b) you did think about proper audio/MIDI interface for the =20
> computer? (just asking, because from your message alone, it's hard =20
> to judge how experienced you are w/ computer live audio).

Yes, good point. It depends on what you mean by experienced. :-) As =20
you can see I'm very new to looping but I have some experience with =20
audio/midi in a home recording studio environment. I've seen =20
discussion about midi sync and so on but I have no experience with it =20=

as far as looping goes. I can only imagine it is a good thing.

I have a Firepod & 828mkII for audio (1x1 midi) and an MTPav for midi, =20=

but I'd like to get a small portable interface as I'm going for a set =20=

up that I can carry. I am using the latest versions of Logic and =20
Digital Performer. I haven't delved into Main Stage yet. I just =20
acquired the three Nanos from Korg: Kontrol, Key, Pad.
Thank you.

Ed Durbrow
Saitama, Japan
http://www9.plala.or.jp/edurbrow/
http://www.musicianspage.com/musicians/9688/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Jan 22, 2011, =
at 8:31 AM, Rainer Straschill wrote:</div><blockquote =
type=3D"cite"><div><blockquote type=3D"cite">[using M=F6bius/FCB1010]: =
Would it be easy to do those things?<br></blockquote>The short answer =
is: it depends how you define "easy".<br><br>The first thing =
(immediately going from record to overdub) - yes, that's very =
easy.<br>M=F6bius (like the EDP) offers independent "Record" and =
"Overdub" commands - so, you start recording with "record", and at the =
end of your loop hit either "record" (to end the loop and go to =
playback) or "overdub" (to end the loop and go directly to =
overdub).<br></div></blockquote><blockquote type=3D"cite"><div>The =
second one: there's a setting which is named something like "AutoRecord =
when NextLoop" which, when activated, does exactly this. (@Jeff: I think =
details have changed w/ version 1.43, so you might want to chime in =
here).<br></div></blockquote><div><br></div><div>That doesn't sound too =
bad, if it is just a matter of choosing a command from a =
menu.&nbsp;</div><div>What about on hardware loopers? Do most? some? =
few? offer these features?</div><br><blockquote =
type=3D"cite"></blockquote><blockquote type=3D"cite"><div>Ah, Ed, btw: =
the developer of M=F6bius, Jeff Larson, is also active on this =
list.<br></div></blockquote><div><br></div><div>That is great. I can see =
there are some very knowledgeable people here. BTW is there any tutorial =
or manual anywhere online for Mobius? It is pretty =
daunting.</div><br><blockquote type=3D"cite"><div>Other things to =
consider:<br> &nbsp;&nbsp;b) you did think about proper audio/MIDI =
interface for the computer? (just asking, because from your message =
alone, it's hard to judge how experienced you are w/ computer live =
audio).</div></blockquote><br></div><div>Yes, good point. It depends on =
what you mean by experienced. :-) As you can see I'm very new to looping =
but I have some experience with audio/midi in a home recording studio =
environment.&nbsp;I've seen discussion about midi sync and so on but I =
have no experience with it as far as looping goes. I can =
only&nbsp;imagine it is a good thing.</div><div><br></div><div>I have a =
Firepod &amp; 828mkII for audio (1x1 midi) and an MTPav for midi, but =
I'd like to get a small portable interface as I'm going for a set =
up&nbsp;that&nbsp;I can carry. I am using the latest versions of Logic =
and Digital Performer. I haven't delved into Main Stage yet. I just =
acquired the three Nanos from Korg: Kontrol, Key, =
Pad.&nbsp;</div><div>Thank you.</div><div><br></div><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F">Ed Durbrow</font></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Chalkboard" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; "><font =
class=3D"Apple-style-span" color=3D"#6F6F6F">Saitama, =
Japan</font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F"><a =
href=3D"http://www9.plala.or.jp/edurbrow/">http://www9.plala.or.jp/edurbro=
w/</a></font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><a =
href=3D"http://www.musicianspage.com/musicians/9688/">http://www.musicians=
page.com/musicians/9688/</a></span></font></div></span></div></div></span>=
</div></span></div></span></div></span></div></span></div></span> =
</div><br></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 07:25:20 2011
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Subject: glitchy
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To glitch or not to glitch that is the question, My  brand new stutter  
bomb arrived from loopmaster today and I must say I am really  
dissapointed. Like  the dual momentary  switch I bought from   
loopmaster a few months back , the switches on this pedal,  though  
momentary, have the feel and the audible click of a standard latching  
switch... Not unlike the TC G switch I bought a few years ago as well.  
Whats up with that? Not only does this stutter bomb have an audible  
click it also has an audible crackle as well which is noticeable when  
looping , particularly clean tones. Its a simple passive switch in a  
tiny metal chassis and perhaps it has a static charge issue, but this  
is one instance when I wish I had read reviews first, $30 I may not  
get back.  Dumb Dumb Dumb Dumb Dumb I'll go back to using my old korg  
tuner with a boss fs-u switch connected to the mute jack for stu-u- 
uttt-tt-ter--ing.
Bill

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Subject: PMC-10 MIDI Pedal
From: Gary Lehmann <gnarlyheman@gmail.com>
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Is anyone here still using the Digitech PMC-10?

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Is anyone here still using the Digitech PMC-10?

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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show,
will be Saturday, January 22 at 6 am EST/GMT-5.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 09:51:54 2011
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Subject: Re: danelectro tape echo/s
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Scott Hansen wrote:
> the dan-echo thing i had looked at a yr ago. it seemed interesting. i 
> love the layout of it. wish it had more time available. wish it sort of 
> mimiced creating a tape loop and manipulate the time more (slow/fast & 
> fast/slow). 

What it does do is provide a 1.5s delay with a feature that
is no doubt unintentional. 
Works like this:
just an example
If you make a loop at 1.5s and
then shorten the delay time to 0.1 seconds
the 1.4s of audio in the rest of the loop is stored...
..an will still be there if you return the delay
time to 1.5s.

That's because they didn't bother, or didn't have
the processor power to kuill the artefacts when changing the
delay time.
For certain LDer's that might be a glitchy GAS feature.

Also it has a freeze button (unhelpfully called Sound on Sound)




andy

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 10:43:56 2011
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Louie Angulo wrote:
> Bill i never really understood either why stereo looping  was so important

A lot of the time it isn't.

The way I use stereo echoes really loses a lot when it's reduced to mono.
I'm  very careful to let the rhythm of
the echo form an integral part of the music rather than being
just an fx.
I vary the sounds all the time,
so post processing would be a poor substitute.
Also the 2 EDPs are used to create spatial fx. 

When playing through a mono pa it's drag.

I haven't had any of the phase cancellation problems that
Bill talks about when playing stereo, perhaps because
I use mostly 100% panning and no reverb.


andy

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 10:52:35 2011
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Subject: Re: M9/M13/HD500
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BTW Love your CD Andy,especially all those stereo ping pong delays and
your vortex stereo spatial sound
it has become really your trademark mate!
cheers
Luis

On Sat, Jan 22, 2011 at 11:44 AM, andy butler <akbutler@tiscali.co.uk> wrot=
e:
> Louie Angulo wrote:
>>
>> Bill i never really understood either why stereo looping =A0was so impor=
tant
>
> A lot of the time it isn't.
>
> The way I use stereo echoes really loses a lot when it's reduced to mono.
> I'm =A0very careful to let the rhythm of
> the echo form an integral part of the music rather than being
> just an fx.
> I vary the sounds all the time,
> so post processing would be a poor substitute.
> Also the 2 EDPs are used to create spatial fx.
> When playing through a mono pa it's drag.
>
> I haven't had any of the phase cancellation problems that
> Bill talks about when playing stereo, perhaps because
> I use mostly 100% panning and no reverb.
>
>
> andy
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 10:56:23 2011
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Subject: Re: PMC-10 MIDI Pedal
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contact Berhard Wagner,he uses it and is really up to date with it.
check out his website there is info on how to program it as well.

http://bernhardwagner.net/

hope that helps
Luis

P.S. good to have u back Gary, still remeber playin that loop festival
in SD with you, Rick will b delighted to hear about you as well.



On Sat, Jan 22, 2011 at 9:44 AM, Gary Lehmann <gnarlyheman@gmail.com> wrote:
> Is anyone here still using the Digitech PMC-10?

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 11:10:47 2011
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Subject: Re: OT? Driving a VG unit and guitar synth
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On 1/21/11 12:14 AM, "paul" <phaslem@wightman.ca> wrote:
> At 07:59 AM 1/20/2011, Dustbunnies wrote:
>> 
>> (P.S. There's another footswitch besides the GKP-4 or US-20 that will allow
>> you to take two GK inputs and route them to three different devices.  It's a
>> custom job from a different company out of, I think, Germany.
>
> The other device from Germany that I think you're referring
> to is a SW41 by Klaus Schock (
> http://www.klausschock.com/Products/products.html
> ) It's designed to use up to 4 different guitars
> going out to one 13 pin device.

I've seen Klaus' box before, but actually that wasn't the one I was thinking
of.  The one to which I was referring is here:

        http://www.chd-el.cz/index.php?id=140&lngid=en

The SGUS-3 by Elektroservis, out of Praha (not Deutschland, as I'd
originally stated).  Allows for one GK instrument to be routed to any or all
of three GK devices (Roland VG, GR, etc.).

Also, I was mistaken bout the second input.  Rather, that second jack is an
audio output so that the normal guitar pickup's signal can be taken straight
from the 13-pin cable to another effect loop or amp.

Price is 165 Euros, which is comparable to the US-20 price (but with more
functionality).  Don't know what shipping is like, but the pricelist was
updated January 2011, so he's keeping current, it seems.

    --m.


From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 11:12:29 2011
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On 7/22/64 11:59 AM, Louie Angulo wrote:
> I know for us guitarrists is maybe not always that important, but
> Sjaak does beautiful dreamy synth soundscapes where space and dimesion
> is crucial
> I remember listening to him and being lost in his sound, it sounded
> huge and it would be a pity to sacrifice his signal  with a mono
> looper;-)
I really do hear what Bill had to say about this, but I do agree with Luis,
in this instance,  having heard Sjaak's beautiful ambient soundscapes
live several times.

The more spatial the 'swirl' is,  the better in this case.

I am almost entirely a mono looper myself because I do see it's
egalitarian possibilities (everyone gets a similar mix regardless of 
where they stand
in the room) but I also see that extreme phase cancellation
only occurs in one place in a room, exactly equidistant from the speakers
(I know this is a simplification of all the intricate possibilities of 
phase cancellation
but I am only talking about when one's left signal is 180 degrees out of 
phase with the
right side's signal)..........so the damage is not horrible even when 
this occurs, except
for a noticeable drop in volume when all frequencies are 180 degrees out 
of phase.

I think this possibility is much less of a problem when there is a lot 
of rhythmic
content in the music, like the way, Bill, Luis or I play.   Mono can 
work better sometimes
in these situations.

that's my not terribly informed two cents,

rick walker

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	<AANLkTi=X62E4kb5F_tc1D-SLA2M+q63OSn95rz681-eb@mail.gmail.com>
Date: Sat, 22 Jan 2011 16:28:55 +0200
Message-ID: <AANLkTinNyy4m8WJvd9C7xrkfkiGtJHunk37pvmZ24mVw@mail.gmail.com>
Subject: Re: M9/M13/HD500
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Luis

So you have the new Jamman Stereo?

I have it too, thought no-one on this list uses it...  :-)

Have you updated the firmware / whats your opinion on JamManager software?
IMHO it sucks ass, big time.
It only accepts wav's that I've processed and saved with audacity, somethin=
g
to do with the file format, havent solved it yet.
Been saving my backing tracks with audacity, and the JamManager seems to
accept them.

I had a hell of a headache with that when I did my backing tracks on Cubase=
,
then saved them to normal PCM 44100 16-bit wav's and that damn thing wouldn=
t
accept them,=A8
have you had these problems?

-Petri-


2011/1/22 Louie Angulo <louie.angulo@googlemail.com>

> Bill i never really understood either why stereo looping  was so importan=
t
> But now that i have the new digitech stereo looper,man it does make a
> difference specially when you loop the stereo fx the line 6 m9 has to
> offer.
> I know for us guitarrists is maybe not always that important, but
> Sjaak does beautiful dreamy synth soundscapes where space and dimesion
> is crucial
> I remember listening to him and being lost in his sound, it sounded
> huge and it would be a pity to sacrifice his signal  with a mono
> looper;-)
> Luis
>
>
>
>
>
>
>
> On Sat, Jan 22, 2011 at 12:44 AM, William Walker <billwalker@baymoon.com>
> wrote:
> > The HD has a mono in (actually an extra aux in as well but not meant fo=
r
> > stereo apps) , it does have a  stereo out, can't say about the looper
> though
> > I assume its mono, I can't for the life of me see how this is terribly
> > important unless it was a true stereo multi track looper  like the LP-1
> and
> > you wanted to pan tracks in the stereo field, or you have a stereo outp=
ut
> > like I assume you do Sjaak and you needed to preserve your imaging.
> stereo
> >  is  great for  studio mix down  but in a live situation it can cause y=
ou
> > phase cancellation issues where, unless you are standing in a sweet spo=
t,
> > you might stop being able to hear a crucial element of your mix like
> > something rhythmic you need to hear.  If you gotta have panning or ster=
eo
> > imaging this is a workaround:  I use an M-9, but I rarely use anything
> other
> > than delays of various types,  and the occasional specialty reverbs, ri=
ng
> > modulator, or filters , so I park the looper in front of other effects =
so
> i
> > can reprocess it with stereo delays (or any of the M-9's stereo
> modulation
> > effects or panners )  and send it in stereo to  the LP-1, then resample
> if i
> > want .  Problem solved
> >
> > Bill
> >
> >
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--00151747b39cc907e1049a702f95
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Luis<br><br>So you have the new Jamman Stereo?<br><br>I have it too, tho=
ught no-one on this list uses it...=A0 :-)<br><br>Have you updated the firm=
ware / whats your opinion on JamManager software? IMHO it sucks ass, big ti=
me.<br>
It only accepts wav&#39;s that I&#39;ve processed and saved with audacity, =
something to do with the file format, havent solved it yet.<br>Been saving =
my backing tracks with audacity, and the JamManager seems to accept them.<b=
r>
<br>I had a hell of a headache with that when I did my backing tracks on Cu=
base, then saved them to normal PCM 44100 16-bit wav&#39;s and that damn th=
ing wouldnt accept them,=A8<br>have you had these problems?<br><br>-Petri-<=
br>
<br><br><div class=3D"gmail_quote">2011/1/22 Louie Angulo <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail=
.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0=
pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: =
1ex;">
Bill i never really understood either why stereo looping =A0was so importan=
t<br>
But now that i have the new digitech stereo looper,man it does make a<br>
difference specially when you loop the stereo fx the line 6 m9 has to<br>
offer.<br>
I know for us guitarrists is maybe not always that important, but<br>
Sjaak does beautiful dreamy synth soundscapes where space and dimesion<br>
is crucial<br>
I remember listening to him and being lost in his sound, it sounded<br>
huge and it would be a pity to sacrifice his signal =A0with a mono<br>
looper;-)<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
<br>
<br>
<br>
On Sat, Jan 22, 2011 at 12:44 AM, William Walker &lt;<a href=3D"mailto:bill=
walker@baymoon.com">billwalker@baymoon.com</a>&gt; wrote:<br>
&gt; The HD has a mono in (actually an extra aux in as well but not meant f=
or<br>
&gt; stereo apps) , it does have a =A0stereo out, can&#39;t say about the l=
ooper though<br>
&gt; I assume its mono, I can&#39;t for the life of me see how this is terr=
ibly<br>
&gt; important unless it was a true stereo multi track looper =A0like the L=
P-1 and<br>
&gt; you wanted to pan tracks in the stereo field, or you have a stereo out=
put<br>
&gt; like I assume you do Sjaak and you needed to preserve your imaging. st=
ereo<br>
&gt; =A0is =A0great for =A0studio mix down =A0but in a live situation it ca=
n cause you<br>
&gt; phase cancellation issues where, unless you are standing in a sweet sp=
ot,<br>
&gt; you might stop being able to hear a crucial element of your mix like<b=
r>
&gt; something rhythmic you need to hear. =A0If you gotta have panning or s=
tereo<br>
&gt; imaging this is a workaround: =A0I use an M-9, but I rarely use anythi=
ng other<br>
&gt; than delays of various types, =A0and the occasional specialty reverbs,=
 ring<br>
&gt; modulator, or filters , so I park the looper in front of other effects=
 so i<br>
&gt; can reprocess it with stereo delays (or any of the M-9&#39;s stereo mo=
dulation<br>
&gt; effects or panners ) =A0and send it in stereo to =A0the LP-1, then res=
ample if i<br>
&gt; want . =A0Problem solved<br>
&gt;<br>
&gt; Bill<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://ww=
w.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" t=
arget=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--00151747b39cc907e1049a702f95--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 14:49:24 2011
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Date: Sat, 22 Jan 2011 15:49:17 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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Ed Durbrow schrieb:
> That doesn't sound too bad, if it is just a matter of choosing a 
> command from a menu. 
> What about on hardware loopers? Do most? some? few? offer these features?
I have to admit, I can't give you precise statistics, only those things 
I know directly or have been studying somewhat:
As for the first feature (from record directly to overdub):
Things that can do it: EDP (of course), Line6 DL4 (and I would assume 
the M9, M13 and HD500 as well), Electrix Repeater newer software 
versions (they didn't have that in the initial release) and anything 
that is a delay used as a looper (so the Boss DD20 in delay mode can do it).
Things that can't: EH SMM w/Hazari, first version of Akai headrush, Boss 
DD20 in looper ("Sound on Sound") mode.
Don't know about all the Boss RC devices - perhaps somebody else can 
offer info.

For the second feature (auto-starting record when going to a new loop).
I didn't ask specifically whether you meant that you want to record a 
new loop and keep the old one (so as to be able to return to it later), 
or start a new loop and discard the old one. So I'm gonna split this in 
two parts ("keep" and "replace"):
keep:
Things that can do it: EDP (configurable), DD20 (in delay mode - well, 
sort of).
Things that can't: everything which doesn't offer multiple loops 
obviously, Electrix Repeater.

replace:
Things that can do it: EDP, DD20 (in delay mode - well, sort of).
Things that can't: Line6 DL4 (unless you can live with first stopping 
the running loop and then immediately start recording), EH SMM w/Hazari.

So, list members: care to complete this list, please?
> That is great. I can see there are some very knowledgeable people 
> here. BTW is there any tutorial or manual anywhere online for Mobius? 
> It is pretty daunting.
Of course, there's the official documentation: 
http://www.circularlabs.com/documentation/documentation.html
But I'm sure that some list members here have done some "getting 
started" guides (in a more basic fashion) as well.
> Yes, good point. It depends on what you mean by experienced. :-) As 
> you can see I'm very new to looping but I have some experience with 
> audio/midi in a home recording studio environment. I've seen 
> discussion about midi sync and so on but I have no experience with it 
> as far as looping goes. I can only imagine it is a good thing.
Just had a look at your studio page - from that, it seems that you are 
in fact somewhat experienced.

One thing that changes with doing live processing with a computer as 
opposed to using it as a recorder/console is that the audio interface 
chain's latency becomes a factor.

There are several options regarding mobile audio/MIDI interfaces which 
work fine. Personally, I use a TC Konnekt24D (which finally has advanced 
to a point where the driver SW can be called acceptable). Everything by 
RME Audio is usually a safe bet, and from what I heard, the same is true 
for most MOTU interfaces. For something more in the low-price range, 
both I and others here have good experiences with the Presonus Firebox.

But, as I usuallly say, just write down your exact requirements, and 
then choose...

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 16:02:51 2011
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Subject: Introduction & naive questions (boss rc2)
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hi-welcome to the list.
here are my comments, they are general, not probably real specific to the
rc2.
i think the 1st thing you need to realize, is there is no ONE MAGIC LOOP
DEVICE FOR ANY ONE PERSON.
i had a boss rc20 until a little over a yr ago (this is the original one
that had 5 min of recording time, not the XL model), had it for probably a
bit over a yr. loved it at times, hated it at other times. i most liked the
ability to do reverse, which i don't think the rc2 can do.
this is sort of my take on loopers-YOU HAVE TO FEED IT THINGS, it takes your
playing and repeats it.
sure you could try other devices and all.  (& i have no experience w/
software route...others like it & get good results of course)
the one thing i sort of hated about the rc units is that the loops are
static, you can't play w/ them, w/ pitchshifting them or slow down/speed up.
but there is a way to cheat w/ this-put a delay in front of it and have
delay fun (think tommy bolin echoplex madness for fun, or you could think
more of the fripp soundscapes he created w/ early tape loops)...there is so
much you can do w/ delays before it.
just a suggestion.
as for loop length and mastering time stuff, well, that takes time and
practice,
as a friend of mine who's a professional singer/songwriter says: YOU ALWAYS
NEED TO WORK ON TIMING, it's  a never ending process....

i would also recommend reading the david torn musings/suggestions on looping
that's in the archives, it's from GP back in the 90s. i still think he talks
about a lot of good suggestions for process on looping. the devices may
change and may be limited, but the approach to how you explore is the same.
honestly, i still think my best stuff, is when i would mess w/ the 2 sec
delays on my old digitech rp100, glitch it all up and feed it to my basic
sampler on my old dod d12. i had a simple setup and just explored and
explored....need to do that more....
good luck & happy hunting...
s---
www.myspace.com/scotthansen

--001636426603982fd2049a717f80
Content-Type: text/html; charset=ISO-8859-1
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<div>hi-welcome to the list.</div>
<div>here are my comments, they are general, not probably real specific to =
the rc2.</div>
<div>i think the 1st thing you need to realize, is there is no ONE MAGIC LO=
OP DEVICE FOR ANY ONE PERSON.</div>
<div>i had a boss rc20 until a little over a yr ago (this is the original o=
ne that had 5 min of recording time, not the XL model), had it for probably=
 a bit over a yr. loved it at times, hated it at other times. i most liked =
the ability to do reverse, which i don&#39;t think the rc2 can do.</div>

<div>this is sort of my take on loopers-YOU HAVE TO FEED IT THINGS, it take=
s your playing and repeats it. </div>
<div>sure you could try other devices and all.=A0 (&amp; i have no experien=
ce w/ software route...others like it &amp; get good results of course)</di=
v>
<div>the one thing i sort of hated about the rc units is that the loops are=
 static, you can&#39;t play w/ them, w/ pitchshifting them or slow down/spe=
ed up.</div>
<div>but there is a way to cheat w/ this-put a delay in front of it and hav=
e delay fun (think tommy bolin echoplex madness for fun, or you could=A0thi=
nk more of the=A0fripp=A0soundscapes he created w/=A0early tape loops)...th=
ere is so much you can do w/ delays before it.</div>

<div>just a suggestion.</div>
<div>as for loop=A0length and mastering time stuff, well, that takes time a=
nd practice,</div>
<div>as a friend of mine who&#39;s a professional singer/songwriter says: Y=
OU ALWAYS NEED TO WORK ON TIMING, it&#39;s=A0 a never ending process....=A0=
</div>
<div>=A0</div>
<div>i would also recommend reading the david torn musings/suggestions on l=
ooping that&#39;s in the archives, it&#39;s from GP back in the 90s. i stil=
l think he talks about a lot of good suggestions for process on looping. th=
e devices may change and may be limited, but the approach to how you explor=
e is the same.</div>

<div>honestly, i still think my best stuff, is when i would mess w/ the 2 s=
ec delays on my old digitech rp100, glitch it all up and feed it to my basi=
c sampler on my old dod d12. i had a simple setup and just explored and exp=
lored....need to do that more....</div>

<div>good luck &amp; happy hunting...</div>
<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a></div>

--001636426603982fd2049a717f80--

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Subject: semi-OT: practice amp for looping
From: Scott Hansen <evanpeewee@gmail.com>
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--0016e6deddd357e811049a71d617
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hi ben-
here's my recommendation-
i do mostly guitar loops, occasionally use my drum machine, use to feed it
random stuff recorded from small digital voice recorder (searching for a new
one of these for simple recording....)
as a guitarist, i've owned one small tube amp in my life (kustom tube
12A-ok, didn't love, still have)...to my ear, guitar amps are just so
MID-RANGEY.
now i realize that most guitarists love this sound, and of course all the
classic guitarists, i love their sound (and chased it too long....endless,
although i always went gtr, since
i didn't want to spend a fortune on amps). a few yrs ago when my 50 watt SS
amp died & the repair i paid double the price of the original amp for,
didn't last more than 9 mo's. i decided to go small cheap, had little 10
watt marshall (ok), then got the kustom above (ok), but i found that for me,
the tiny speakers, just SUCK! now i don't play loud at all at home in my
studio, and i honestly don't know the size of the speaker of my old 50 watt
amps (probably 10", might have been 12"), after 2 yrs of small amps and
hating them, i decided to start a hunt. Jeff Duke uses a portable PA system
amp in a bunch of his vids & I F***ING loved his sounds, but it's a newish
amp still, and couldn't find any for under 200 beans (i'm a budget guy). so
about a yr & 1/2 ago i found a Fender Keyboard 60 amp at a local pawn shop
(my fave pawn shop that i bought a million guitars from closed back in '05,
sadly), did some research, saw a few people on harmony-central used them for
gtr, i tested the amp at the place w/ some crappy guitar there & it sounded
ok. got it home, feed it my system & setup,  AND I LOVE IT. it's very clean,
which i like (this probably comes out of the nels cline model-clean amp,
dirt from pedals), but i think the range of sounds is much greater than a
guitar amp , to my ear. i like the distortion to come from my pedals, and i
like digital distortion (this probably puts me out of the running for
"guitar purist/tone snob" category). but i like the sound of it. actually i
hate playing direct now, which i would always do when i was obsessively
recording things a few yrs ago, i used to favor my direct sound over my
"live in studio  sound"but not anymore.
so i think keyboard amps are great, or at least i like my Fender Keyboard 60
amp. it's the only fender thing i've ever owned in my 28 yrs of playing....
my setup: homemade gtr-digitech rp150-fuzz machine (fuzz factory clone)-way
huge swollen pickle-digitech dl8-EH 16ddl ri-boss slicer-behringer
tweakalizer-lexicon mx200-out to my fender keyboard 60 amp.
oh, i have no idea how old it is, i got it for $105, i don't  use the reverb
on it, and i never mess w/ the tone knobs on it-i think i have everything
tone wise on 10. i keep the volume a bit low, so i don't blow out the
house,it has some bottom end when i crank it. i can make the house rattle a
bit, have to do that when everyone is gone....ha...
happy hunting....
-IT IS F***ING HEAVY, i would hate to move the thing around for gigging,
your back would be shot moving it.....mine stays put...
the new(ish) songs posted to my myspace thing are loop experiments recorded
live w/ the fender amp to my fostex digital recorder , from a while ago.....
s---
www.myspace.com/scotthansen




On Fri, Jan 21, 2011 at 3:53 PM, Ruelle Benoit <benoitruelle@yahoo.fr>wrote:

> Hello,
> I'm sure I'll get some good advice from the looping community so even if
> it's a bit OT, i'll ask.
>
> I'm searching a small amp to practice at home. Something under 150$ and I
> think that with 15W, it will be enough.
> I investigated something like the fender mustang, the line6 spider or
> roland cube but I'll use this mainly for looping and  it would be nice to
> have a solution where I can overdub differents sounds with different FX.
>
> As I won't find any amp with an FX loop in this price range and i already
> have some amp modelling tool ( zoom G2 and Johnson J-Station), would it be
> OK to buy a keyboard amp instead. The range will be wider and I can also us
> it to loop bass/synth and voice. Any inputs regarding this solution? Any
> proposal? I already tested putting my J-sation into my home HiFi but I don't
> get the response I expect from a guitar amp. It seems to lack some
> compression and I don't get the "oomph" that I can get even with a very low
> budget amp (think the squier you get with beginner pack).
>
> Thank you for any info;
>
> Ben.
>

--0016e6deddd357e811049a71d617
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">hi ben-</div>
<div class=3D"gmail_quote">here&#39;s my recommendation-</div>
<div class=3D"gmail_quote">i do mostly guitar loops, occasionally use my dr=
um machine, use to feed it random stuff recorded from small digital voice r=
ecorder (searching for a new one of these for simple recording....)</div>

<div class=3D"gmail_quote">as a guitarist, i&#39;ve owned one small tube am=
p in my life (kustom tube 12A-ok, didn&#39;t love, still have)...to my ear,=
 guitar amps are just so MID-RANGEY.</div>
<div class=3D"gmail_quote">now i realize that most guitarists love this sou=
nd, and of course all the classic guitarists, i love their sound (and chase=
d it too long....endless, although i always went gtr, since</div>
<div class=3D"gmail_quote">i didn&#39;t want to spend a fortune on amps). a=
 few yrs ago when my 50 watt SS amp died &amp; the repair i paid double the=
 price of the original amp for, didn&#39;t last more than 9 mo&#39;s. i dec=
ided to go small cheap, had little 10 watt marshall (ok), then got the kust=
om above (ok), but i found that for me, the tiny speakers, just SUCK! now i=
 don&#39;t play loud at all at home in my studio, and i honestly don&#39;t =
know the size of the speaker of my old 50 watt amps (probably 10&quot;, mig=
ht have been 12&quot;), after 2 yrs of small amps and hating them, i decide=
d to start a hunt. Jeff Duke uses a portable PA system amp in a bunch of hi=
s=A0vids &amp; I F***ING loved his sounds, but it&#39;s a newish amp still,=
 and couldn&#39;t find any for under 200 beans (i&#39;m a budget guy). so a=
bout a yr &amp; 1/2 ago i found a Fender Keyboard 60 amp at a local pawn sh=
op (my fave pawn shop that i bought a million guitars from closed back in &=
#39;05, sadly), did some research, saw a few people on harmony-central used=
 them for gtr, i tested the amp at the place w/ some crappy guitar there &a=
mp; it sounded ok. got it home, feed it my system &amp; setup,=A0 AND I LOV=
E IT. it&#39;s very clean, which i like (this probably comes out of the nel=
s cline model-clean amp, dirt from pedals), but i think the range of sounds=
 is much greater than a guitar amp , to my ear. i like the distortion to co=
me from my pedals, and i like digital distortion (this probably puts me out=
 of the running for &quot;guitar purist/tone snob&quot; category). but i li=
ke the sound of it. actually i hate playing direct now, which i would alway=
s do when i was obsessively recording things a few yrs ago, i used to favor=
 my direct sound over my &quot;live in studio=A0 sound&quot;but not anymore=
.</div>

<div class=3D"gmail_quote">so i think keyboard amps are great, or at least =
i like my Fender Keyboard 60 amp. it&#39;s the only fender thing i&#39;ve e=
ver owned in my 28 yrs of playing....</div>
<div class=3D"gmail_quote">my setup: homemade gtr-digitech rp150-fuzz machi=
ne (fuzz factory clone)-way huge swollen pickle-digitech dl8-EH 16ddl ri-bo=
ss slicer-behringer tweakalizer-lexicon mx200-out to my fender keyboard 60 =
amp.</div>

<div class=3D"gmail_quote">oh, i have no idea how old it is, i got it for $=
105, i don&#39;t=A0 use the reverb on it, and i never mess w/ the tone knob=
s on it-i think i have everything tone wise on 10. i keep the volume a bit =
low, so i don&#39;t blow out the house,it has some bottom end when i crank =
it. i can make the house rattle a bit, have to do that when everyone is gon=
e....ha...</div>

<div class=3D"gmail_quote">happy hunting....</div>
<div class=3D"gmail_quote">-IT IS F***ING HEAVY, i would hate to move the t=
hing around for gigging, your back would be shot moving it.....mine stays p=
ut...</div>
<div class=3D"gmail_quote">the new(ish) songs posted to my myspace thing ar=
e loop experiments recorded live w/ the fender amp=A0to my fostex=A0digital=
=A0recorder , from a while ago.....</div>
<div class=3D"gmail_quote">s---</div>
<div class=3D"gmail_quote"><a href=3D"http://www.myspace.com/scotthansen">w=
ww.myspace.com/scotthansen</a></div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">On Fri, Jan 21, 2011 at 3:53 PM, Ruelle Benoit <=
span dir=3D"ltr">&lt;<a href=3D"mailto:benoitruelle@yahoo.fr">benoitruelle@=
yahoo.fr</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hello,<br>I&#39;m sure I&#39;ll =
get some good advice from the looping community so even if it&#39;s a bit O=
T, i&#39;ll ask.<br>
<br>I&#39;m searching a small amp to practice at home. Something under 150$=
 and I think that with 15W, it will be enough.<br>I investigated something =
like the fender mustang, the line6 spider or roland cube but I&#39;ll use t=
his mainly for looping and =A0it would be nice to have a solution where I c=
an overdub differents sounds with different FX.<br>
<br>As I won&#39;t find any amp with an FX loop in this price range and i a=
lready have some amp modelling tool ( zoom G2 and Johnson J-Station), would=
 it be OK to buy a keyboard amp instead. The range will be wider and I can =
also us it to loop bass/synth and voice. Any inputs regarding this solution=
? Any proposal? I already tested putting my J-sation into my home HiFi but =
I don&#39;t get the response I expect from a guitar amp. It seems to lack s=
ome compression and I don&#39;t get the &quot;oomph&quot; that I can get ev=
en with a very low budget amp (think the squier you get with beginner pack)=
.<br>
<br>Thank you for any info;<br><br>Ben.<br></blockquote></div>

--0016e6deddd357e811049a71d617--

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> As for the first feature (from record directly to overdub):
> Things that can do it: EDP (of course), Line6 DL4 (and I would assume 
> the M9, M13 and HD500 as well), Electrix Repeater newer software 
> versions (they didn't have that in the initial release) and anything 
> that is a delay used as a looper (so the Boss DD20 in delay mode can do 
> it).

Looperlative LP1
Looperlative LP2

> Things that can't: EH SMM w/Hazari, first version of Akai headrush, Boss 
> DD20 in looper ("Sound on Sound") mode.
> Don't know about all the Boss RC devices - perhaps somebody else can 
> offer info.

and Boomerang?


A common configuration is to have two switches called
Rec/Dub
and Play/Stop.
In that case ending your recording by pressing Rec/Dub would
be expected to put you straight into overdub.
(and ending with Play/Stop plays back without Overdub)


> 
> For the second feature (auto-starting record when going to a new loop).
> keep:
> Things that can do it: EDP (configurable), DD20 (in delay mode - well, 
> sort of).
Looperlative LP1
> Things that can't: everything which doesn't offer multiple loops 
> obviously, Electrix Repeater.
> 
> replace:
> Things that can do it: EDP, DD20 (in delay mode - well, sort of).
Looperlative LP1 (but needs programming of button)
> Things that can't: Line6 DL4 (unless you can live with first stopping 
> the running loop and then immediately start recording), EH SMM w/Hazari.

afaik Looperlative LP2 is modelled on DL4 in this respect.


wasn't there another question

"The other thing is, it seems there should be a very easy way to stop one loop and start another with one click."

EDP yes
Looperlative LP1 yes(once button is correctly programmed for each track you want to jump to)
Boomerang  afaik yes


andy

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Hey Petri,
you got that one right amigo, the JamManager sucks big dirty ass!
I just updated the firmware after you told me thanx,i havent messed
wit it yet but  but previously it accepted all of my acid wav. files
without a problem
i hope it sill does!
the thing is ok, i wish those switches werent so loud thou, find it a
bit ackward and limited but i use it to resample loops from my M9 and
the the stereo feature is what makes it have a place in my
pedalboard,i dont want to carry my EDPs or any other rack stuff for
pub gigs you know.
Let me know if u have any interestin tips,what kind of backup tracks are us=
ing?








On Sat, Jan 22, 2011 at 3:28 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> Hi Luis
>
> So you have the new Jamman Stereo?
>
> I have it too, thought no-one on this list uses it...=A0 :-)
>
> Have you updated the firmware / whats your opinion on JamManager software=
?
> IMHO it sucks ass, big time.
> It only accepts wav's that I've processed and saved with audacity, someth=
ing
> to do with the file format, havent solved it yet.
> Been saving my backing tracks with audacity, and the JamManager seems to
> accept them.
>
> I had a hell of a headache with that when I did my backing tracks on Cuba=
se,
> then saved them to normal PCM 44100 16-bit wav's and that damn thing woul=
dnt
> accept them,=A8
> have you had these problems?
>
> -Petri-
>
>
> 2011/1/22 Louie Angulo <louie.angulo@googlemail.com>
>>
>> Bill i never really understood either why stereo looping =A0was so impor=
tant
>> But now that i have the new digitech stereo looper,man it does make a
>> difference specially when you loop the stereo fx the line 6 m9 has to
>> offer.
>> I know for us guitarrists is maybe not always that important, but
>> Sjaak does beautiful dreamy synth soundscapes where space and dimesion
>> is crucial
>> I remember listening to him and being lost in his sound, it sounded
>> huge and it would be a pity to sacrifice his signal =A0with a mono
>> looper;-)
>> Luis
>>
>>
>>
>>
>>
>>
>>
>> On Sat, Jan 22, 2011 at 12:44 AM, William Walker <billwalker@baymoon.com=
>
>> wrote:
>> > The HD has a mono in (actually an extra aux in as well but not meant f=
or
>> > stereo apps) , it does have a =A0stereo out, can't say about the loope=
r
>> > though
>> > I assume its mono, I can't for the life of me see how this is terribly
>> > important unless it was a true stereo multi track looper =A0like the L=
P-1
>> > and
>> > you wanted to pan tracks in the stereo field, or you have a stereo
>> > output
>> > like I assume you do Sjaak and you needed to preserve your imaging.
>> > stereo
>> > =A0is =A0great for =A0studio mix down =A0but in a live situation it ca=
n cause
>> > you
>> > phase cancellation issues where, unless you are standing in a sweet
>> > spot,
>> > you might stop being able to hear a crucial element of your mix like
>> > something rhythmic you need to hear. =A0If you gotta have panning or
>> > stereo
>> > imaging this is a workaround: =A0I use an M-9, but I rarely use anythi=
ng
>> > other
>> > than delays of various types, =A0and the occasional specialty reverbs,
>> > ring
>> > modulator, or filters , so I park the looper in front of other effects
>> > so i
>> > can reprocess it with stereo delays (or any of the M-9's stereo
>> > modulation
>> > effects or panners ) =A0and send it in stereo to =A0the LP-1, then res=
ample
>> > if i
>> > want . =A0Problem solved
>> >
>> > Bill
>> >
>> >
>>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://soundcloud.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 18:16:55 2011
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From: Jeff Larson <jeff@zonemobius.com>
Subject: Re: Introductin & naive questions
Date: Sat, 22 Jan 2011 12:16:49 -0600
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> On Jan 22, 2011, at 12:17 AM, Ed Durbrow wrote:
> BTW is there any tutorial or manual anywhere online for Mobius? It is =
pretty daunting.

The Mobius docs are available here...

    http://www.circularlabs.com/documentation/documentation.html   =20

Start with "Getting Started With Mobius".

Jeff

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 18:44:26 2011
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Date: Sat, 22 Jan 2011 13:44:24 -0500
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Subject: Re: Introductin & naive questions
From: Jeff Duke <jeffloops@gmail.com>
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Record to overdub, the EH 2880 can do this also.

j

On Sat, Jan 22, 2011 at 12:51 PM, andy butler <akbutler@tiscali.co.uk>wrote:

>
>  As for the first feature (from record directly to overdub):
>> Things that can do it: EDP (of course), Line6 DL4 (and I would assume the
>> M9, M13 and HD500 as well), Electrix Repeater newer software versions (they
>> didn't have that in the initial release) and anything that is a delay used
>> as a looper (so the Boss DD20 in delay mode can do it).
>>
>
> Looperlative LP1
> Looperlative LP2
>
>  Things that can't: EH SMM w/Hazari, first version of Akai headrush, Boss
>> DD20 in looper ("Sound on Sound") mode.
>> Don't know about all the Boss RC devices - perhaps somebody else can offer
>> info.
>>
>
> and Boomerang?
>
>
> A common configuration is to have two switches called
> Rec/Dub
> and Play/Stop.
> In that case ending your recording by pressing Rec/Dub would
> be expected to put you straight into overdub.
> (and ending with Play/Stop plays back without Overdub)
>
>
>
>> For the second feature (auto-starting record when going to a new loop).
>> keep:
>> Things that can do it: EDP (configurable), DD20 (in delay mode - well,
>> sort of).
>>
> Looperlative LP1
>
>> Things that can't: everything which doesn't offer multiple loops
>> obviously, Electrix Repeater.
>>
>> replace:
>> Things that can do it: EDP, DD20 (in delay mode - well, sort of).
>>
> Looperlative LP1 (but needs programming of button)
>
>> Things that can't: Line6 DL4 (unless you can live with first stopping the
>> running loop and then immediately start recording), EH SMM w/Hazari.
>>
>
> afaik Looperlative LP2 is modelled on DL4 in this respect.
>
>
> wasn't there another question
>
> "The other thing is, it seems there should be a very easy way to stop one
> loop and start another with one click."
>
> EDP yes
> Looperlative LP1 yes(once button is correctly programmed for each track you
> want to jump to)
> Boomerang  afaik yes
>
>
> andy
>

--90e6ba6e8eee7b62f7049a73c159
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Record to overdub, the EH 2880 can do this also.<br><br>j<br><br><div class=
=3D"gmail_quote">On Sat, Jan 22, 2011 at 12:51 PM, andy butler <span dir=3D=
"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk<=
/a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
As for the first feature (from record directly to overdub):<br>
Things that can do it: EDP (of course), Line6 DL4 (and I would assume the M=
9, M13 and HD500 as well), Electrix Repeater newer software versions (they =
didn&#39;t have that in the initial release) and anything that is a delay u=
sed as a looper (so the Boss DD20 in delay mode can do it).<br>

</blockquote>
<br>
Looperlative LP1<br>
Looperlative LP2<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Things that can&#39;t: EH SMM w/Hazari, first version of Akai headrush, Bos=
s DD20 in looper (&quot;Sound on Sound&quot;) mode.<br>
Don&#39;t know about all the Boss RC devices - perhaps somebody else can of=
fer info.<br>
</blockquote>
<br>
and Boomerang?<br>
<br>
<br>
A common configuration is to have two switches called<br>
Rec/Dub<br>
and Play/Stop.<br>
In that case ending your recording by pressing Rec/Dub would<br>
be expected to put you straight into overdub.<br>
(and ending with Play/Stop plays back without Overdub)<br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
For the second feature (auto-starting record when going to a new loop).<br>
keep:<br>
Things that can do it: EDP (configurable), DD20 (in delay mode - well, sort=
 of).<br>
</blockquote>
Looperlative LP1<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Things that can&#39;t: everything which doesn&#39;t offer multiple loops ob=
viously, Electrix Repeater.<br>
<br>
replace:<br>
Things that can do it: EDP, DD20 (in delay mode - well, sort of).<br>
</blockquote>
Looperlative LP1 (but needs programming of button)<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Things that can&#39;t: Line6 DL4 (unless you can live with first stopping t=
he running loop and then immediately start recording), EH SMM w/Hazari.<br>
</blockquote>
<br>
afaik Looperlative LP2 is modelled on DL4 in this respect.<br>
<br>
<br>
wasn&#39;t there another question<br>
<br>
&quot;The other thing is, it seems there should be a very easy way to stop =
one loop and start another with one click.&quot;<br>
<br>
EDP yes<br>
Looperlative LP1 yes(once button is correctly programmed for each track you=
 want to jump to)<br>
Boomerang =A0afaik yes<br><font color=3D"#888888">
<br>
<br>
andy<br>
</font></blockquote></div><br>

--90e6ba6e8eee7b62f7049a73c159--

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Subject: Re: The EDP and the Looperlative
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--0015174bf27e04200f049a748cec
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That's all real-time, right?  Man, you know how to play that thing.
 Excellent.

On Sun, Jan 2, 2011 at 10:20 AM, andy butler <akbutler@tiscali.co.uk> wrote:

>
>
> http://www.andybutler.com/mp3/backwater.mp3
> ...loop window opens at 2:00
>
>
>
>

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That&#39;s all real-time, right? =C2=A0Man, you know how to play that thing=
. =C2=A0Excellent.<br><br><div class=3D"gmail_quote">On Sun, Jan 2, 2011 at=
 10:20 AM, andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tis=
cali.co.uk">akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im"><br></div>
<br>
<a href=3D"http://www.andybutler.com/mp3/backwater.mp3" target=3D"_blank">h=
ttp://www.andybutler.com/mp3/backwater.mp3</a><br>
...loop window opens at 2:00<br>
<br><font color=3D"#888888"><br>
<br>
</font></blockquote></div><br>

--0015174bf27e04200f049a748cec--

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Subject: Re: The EDP and the Looperlative
Date: Sat, 22 Jan 2011 12:01:53 -0800
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Always enjoyed that disc.

On Jan 22, 2011, at 11:41 AM, Todd Lainhart wrote:

> On Sun, Jan 2, 2011 at 10:20 AM, andy butler  
> <akbutler@tiscali.co.uk> wrote:
>
>
> http://www.andybutler.com/mp3/backwater.mp3
> ...loop window opens at 2:00
>

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 20:19:31 2011
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Subject: Re: M9/M13/HD500
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Hi Louie

I'm such a novice in this field still... not much of a tip-giver...!

Do you have any diagram of your setup, or picture online?
Sounds interesting, your setup I mean. I'm thinking about adding a
multi-effects-disaster-board to my setup, M9 or something similar.
I have Vocalist Live 3 -> feeding vocals and guitar through that to JamMan
Stereo...
I use these kind of backing tracks

http://www.youtube.com/watch?v=3DKEg0rlZAPfc

Just basic foundations to build loops upon.

-Petri-



2011/1/22 Louie Angulo <louie.angulo@googlemail.com>

> Hey Petri,
> you got that one right amigo, the JamManager sucks big dirty ass!
> I just updated the firmware after you told me thanx,i havent messed
> wit it yet but  but previously it accepted all of my acid wav. files
> without a problem
> i hope it sill does!
> the thing is ok, i wish those switches werent so loud thou, find it a
> bit ackward and limited but i use it to resample loops from my M9 and
> the the stereo feature is what makes it have a place in my
> pedalboard,i dont want to carry my EDPs or any other rack stuff for
> pub gigs you know.
> Let me know if u have any interestin tips,what kind of backup tracks are
> using?
>
>
>
>
>
>
>
>
> On Sat, Jan 22, 2011 at 3:28 PM, Petri Lahtinen <aikuinen@gmail.com>
> wrote:
> > Hi Luis
> >
> > So you have the new Jamman Stereo?
> >
> > I have it too, thought no-one on this list uses it...  :-)
> >
> > Have you updated the firmware / whats your opinion on JamManager
> software?
> > IMHO it sucks ass, big time.
> > It only accepts wav's that I've processed and saved with audacity,
> something
> > to do with the file format, havent solved it yet.
> > Been saving my backing tracks with audacity, and the JamManager seems t=
o
> > accept them.
> >
> > I had a hell of a headache with that when I did my backing tracks on
> Cubase,
> > then saved them to normal PCM 44100 16-bit wav's and that damn thing
> wouldnt
> > accept them,=A8
> > have you had these problems?
> >
> > -Petri-
> >
> >
> > 2011/1/22 Louie Angulo <louie.angulo@googlemail.com>
> >>
> >> Bill i never really understood either why stereo looping  was so
> important
> >> But now that i have the new digitech stereo looper,man it does make a
> >> difference specially when you loop the stereo fx the line 6 m9 has to
> >> offer.
> >> I know for us guitarrists is maybe not always that important, but
> >> Sjaak does beautiful dreamy synth soundscapes where space and dimesion
> >> is crucial
> >> I remember listening to him and being lost in his sound, it sounded
> >> huge and it would be a pity to sacrifice his signal  with a mono
> >> looper;-)
> >> Luis
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >> On Sat, Jan 22, 2011 at 12:44 AM, William Walker <
> billwalker@baymoon.com>
> >> wrote:
> >> > The HD has a mono in (actually an extra aux in as well but not meant
> for
> >> > stereo apps) , it does have a  stereo out, can't say about the loope=
r
> >> > though
> >> > I assume its mono, I can't for the life of me see how this is terrib=
ly
> >> > important unless it was a true stereo multi track looper  like the
> LP-1
> >> > and
> >> > you wanted to pan tracks in the stereo field, or you have a stereo
> >> > output
> >> > like I assume you do Sjaak and you needed to preserve your imaging.
> >> > stereo
> >> >  is  great for  studio mix down  but in a live situation it can caus=
e
> >> > you
> >> > phase cancellation issues where, unless you are standing in a sweet
> >> > spot,
> >> > you might stop being able to hear a crucial element of your mix like
> >> > something rhythmic you need to hear.  If you gotta have panning or
> >> > stereo
> >> > imaging this is a workaround:  I use an M-9, but I rarely use anythi=
ng
> >> > other
> >> > than delays of various types,  and the occasional specialty reverbs,
> >> > ring
> >> > modulator, or filters , so I park the looper in front of other effec=
ts
> >> > so i
> >> > can reprocess it with stereo delays (or any of the M-9's stereo
> >> > modulation
> >> > effects or panners )  and send it in stereo to  the LP-1, then
> resample
> >> > if i
> >> > want .  Problem solved
> >> >
> >> > Bill
> >> >
> >> >
> >>
> >
> >
> >
> > --
> > Petri Lahtinen
> > http://www.petrilahtinen.com
> > http://petrilahtinen.blogspot.com/
> > http://soundcloud.com/petrilahtinen
> > http://twitter.com/PetriLahtinen
> > http://petrilahtinen.bandcamp.com/
> > ---------------------------------------------------
> > "Only become professional musician if there is no choice." -Robert Frip=
p-
> > ---------------------------------------------------
> > "Some people never go crazy. What truly horrible lives they must lead."
> > -Charles Bukowski-
> >
> >
>
>


--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--00151747b39c743d5d049a75157e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Louie<br><br>I&#39;m such a novice in this field still... not much of a =
tip-giver...!<br><br>Do you have any diagram of your setup, or picture onli=
ne?<br>Sounds interesting, your setup I mean. I&#39;m thinking about adding=
 a multi-effects-disaster-board to my setup, M9 or something similar.<br>
I have Vocalist Live 3 -&gt; feeding vocals and guitar through that to JamM=
an Stereo... <br>I use these kind of backing tracks<br><br><a href=3D"http:=
//www.youtube.com/watch?v=3DKEg0rlZAPfc">http://www.youtube.com/watch?v=3DK=
Eg0rlZAPfc</a><br>
<br>Just basic foundations to build loops upon.<br><br>-Petri-<br><br><br><=
br><div class=3D"gmail_quote">2011/1/22 Louie Angulo <span dir=3D"ltr">&lt;=
<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com<=
/a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hey Petri,<br>
you got that one right amigo, the JamManager sucks big dirty ass!<br>
I just updated the firmware after you told me thanx,i havent messed<br>
wit it yet but =A0but previously it accepted all of my acid wav. files<br>
without a problem<br>
i hope it sill does!<br>
the thing is ok, i wish those switches werent so loud thou, find it a<br>
bit ackward and limited but i use it to resample loops from my M9 and<br>
the the stereo feature is what makes it have a place in my<br>
pedalboard,i dont want to carry my EDPs or any other rack stuff for<br>
pub gigs you know.<br>
Let me know if u have any interestin tips,what kind of backup tracks are us=
ing?<br>
<div><div></div><div class=3D"h5"><br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
On Sat, Jan 22, 2011 at 3:28 PM, Petri Lahtinen &lt;<a href=3D"mailto:aikui=
nen@gmail.com">aikuinen@gmail.com</a>&gt; wrote:<br>
&gt; Hi Luis<br>
&gt;<br>
&gt; So you have the new Jamman Stereo?<br>
&gt;<br>
&gt; I have it too, thought no-one on this list uses it...=A0 :-)<br>
&gt;<br>
&gt; Have you updated the firmware / whats your opinion on JamManager softw=
are?<br>
&gt; IMHO it sucks ass, big time.<br>
&gt; It only accepts wav&#39;s that I&#39;ve processed and saved with audac=
ity, something<br>
&gt; to do with the file format, havent solved it yet.<br>
&gt; Been saving my backing tracks with audacity, and the JamManager seems =
to<br>
&gt; accept them.<br>
&gt;<br>
&gt; I had a hell of a headache with that when I did my backing tracks on C=
ubase,<br>
&gt; then saved them to normal PCM 44100 16-bit wav&#39;s and that damn thi=
ng wouldnt<br>
&gt; accept them,=A8<br>
&gt; have you had these problems?<br>
&gt;<br>
&gt; -Petri-<br>
&gt;<br>
&gt;<br>
&gt; 2011/1/22 Louie Angulo &lt;<a href=3D"mailto:louie.angulo@googlemail.c=
om">louie.angulo@googlemail.com</a>&gt;<br>
&gt;&gt;<br>
&gt;&gt; Bill i never really understood either why stereo looping =A0was so=
 important<br>
&gt;&gt; But now that i have the new digitech stereo looper,man it does mak=
e a<br>
&gt;&gt; difference specially when you loop the stereo fx the line 6 m9 has=
 to<br>
&gt;&gt; offer.<br>
&gt;&gt; I know for us guitarrists is maybe not always that important, but<=
br>
&gt;&gt; Sjaak does beautiful dreamy synth soundscapes where space and dime=
sion<br>
&gt;&gt; is crucial<br>
&gt;&gt; I remember listening to him and being lost in his sound, it sounde=
d<br>
&gt;&gt; huge and it would be a pity to sacrifice his signal =A0with a mono=
<br>
&gt;&gt; looper;-)<br>
&gt;&gt; Luis<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; On Sat, Jan 22, 2011 at 12:44 AM, William Walker &lt;<a href=3D"ma=
ilto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;<br>
&gt;&gt; wrote:<br>
&gt;&gt; &gt; The HD has a mono in (actually an extra aux in as well but no=
t meant for<br>
&gt;&gt; &gt; stereo apps) , it does have a =A0stereo out, can&#39;t say ab=
out the looper<br>
&gt;&gt; &gt; though<br>
&gt;&gt; &gt; I assume its mono, I can&#39;t for the life of me see how thi=
s is terribly<br>
&gt;&gt; &gt; important unless it was a true stereo multi track looper =A0l=
ike the LP-1<br>
&gt;&gt; &gt; and<br>
&gt;&gt; &gt; you wanted to pan tracks in the stereo field, or you have a s=
tereo<br>
&gt;&gt; &gt; output<br>
&gt;&gt; &gt; like I assume you do Sjaak and you needed to preserve your im=
aging.<br>
&gt;&gt; &gt; stereo<br>
&gt;&gt; &gt; =A0is =A0great for =A0studio mix down =A0but in a live situat=
ion it can cause<br>
&gt;&gt; &gt; you<br>
&gt;&gt; &gt; phase cancellation issues where, unless you are standing in a=
 sweet<br>
&gt;&gt; &gt; spot,<br>
&gt;&gt; &gt; you might stop being able to hear a crucial element of your m=
ix like<br>
&gt;&gt; &gt; something rhythmic you need to hear. =A0If you gotta have pan=
ning or<br>
&gt;&gt; &gt; stereo<br>
&gt;&gt; &gt; imaging this is a workaround: =A0I use an M-9, but I rarely u=
se anything<br>
&gt;&gt; &gt; other<br>
&gt;&gt; &gt; than delays of various types, =A0and the occasional specialty=
 reverbs,<br>
&gt;&gt; &gt; ring<br>
&gt;&gt; &gt; modulator, or filters , so I park the looper in front of othe=
r effects<br>
&gt;&gt; &gt; so i<br>
&gt;&gt; &gt; can reprocess it with stereo delays (or any of the M-9&#39;s =
stereo<br>
&gt;&gt; &gt; modulation<br>
&gt;&gt; &gt; effects or panners ) =A0and send it in stereo to =A0the LP-1,=
 then resample<br>
&gt;&gt; &gt; if i<br>
&gt;&gt; &gt; want . =A0Problem solved<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt; Bill<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Petri Lahtinen<br>
&gt; <a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.=
petrilahtinen.com</a><br>
&gt; <a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http:=
//petrilahtinen.blogspot.com/</a><br>
&gt; <a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http=
://soundcloud.com/petrilahtinen</a><br>
&gt; <a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://=
twitter.com/PetriLahtinen</a><br>
&gt; <a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http:=
//petrilahtinen.bandcamp.com/</a><br>
&gt; ---------------------------------------------------<br>
&gt; &quot;Only become professional musician if there is no choice.&quot; -=
Robert Fripp-<br>
&gt; ---------------------------------------------------<br>
&gt; &quot;Some people never go crazy. What truly horrible lives they must =
lead.&quot;<br>
&gt; -Charles Bukowski-<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahti=
nen<br><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://ww=
w.petrilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" t=
arget=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--00151747b39c743d5d049a75157e--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 20:38:26 2011
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Subject: Thought Radio Playlist for January 22, 2011.
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http://soundscapes.us/thoughtradio/playlists/2011/110122.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EST/GMT-5 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                 Show #190                January 22, 2011.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Nemesis              Intro                Live Archive Vol. 2 (none)
Nemesis              Sky Archeologist *   Live Archive Vol. 2 (none)
Dan Pound            Always On the Run    Wolf Moon (Pound Sounds)
Create               Running Out of Time  We Live By the Machines
                                             (Groove)
VA [Alman Mula Band] (no title given)     Sequences No. 12
VA [Divine Soma      Icaro                Sequences No. 12
   Experience]
VA [Heretic]         (no title given)     Sequences No. 12
Stephen Parsick      Cambrium             Cambrium, Music for Protozoa
                                             (Doombient)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
David Braid with     Resolute Bay Part 1  Spirit Dance (Opening Day)
   the Canadian Brass
Kathryn Kaye         Time Moving Slowly   Dreaming Still (none)
Rick Cutler          Measuring Eternity   First Melancholy Then the
                                             Night Stretch (none)
David Lanz           London Skies         Liverpool (Moon Boy)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Genesis              Supper's Ready       Foxtrot (Atlantic)
K2                   Encounter or Absence Black Garden (Magna Carta)
Cloverseeds          The Opening          The Opening (Laser's Edge)
Ark                  Hagley               Wild Untamed Imaginings
                                             (Progrock)


  * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill Fox
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EST/GMT-5.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Jan 22 21:17:14 2011
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On 7/22/64 11:59 AM, William Walker wrote:
> To glitch or not to glitch that is the question, My  brand new stutter 
> bomb arrived from loopmaster today and I must say I am really 
> dissapointed. Like  the dual momentary  switch I bought from  
> loopmaster a few months back , the switches on this pedal,  though 
> momentary, have the feel and the audible click of a standard latching 
> switch... Not unlike the TC G switch I bought a few years ago as well. 
> Whats up with that? Not only does this stutter bomb have an audible 
> click it also has an audible crackle as well which is noticeable when 
> looping , particularly clean tones. Its a simple passive switch in a 
> tiny metal chassis and perhaps it has a static charge issue, but this 
> is one instance when I wish I had read reviews first, $30 I may not 
> get back.  Dumb Dumb Dumb Dumb Dumb I'll go back to using my old korg 
> tuner with a boss fs-u switch connected to the mute jack for 
> stu-u-uttt-tt-ter--ing.
> Bill
Thanks, Bill,   when I saw you with it yesterday I was jealous and 
already began scheming how to raise
30 bucks to buy one.    Sorry it sucks.    Your FS-U controlling a Korg 
Tuner, however, is really a cool
effect for stuttering.........just more gear!

rick

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On 7/22/64 11:59 AM, tEd ® KiLLiAn wrote:
> Always enjoyed that disc. <sic: Andy Butlers'>

Me too!!    ...... and Chris and I also use our Andy Butler, Live Looper 
coffee mug
each and every day.     You should go out and buy one or five.
Are they still available, Andy?

rick walker
>
>>
>>
>>

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Subject: m13 - m9
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I'm thinking of getting one of these for psychedelic/ambient textures=2C (i=
n combination with laptop looping and special effects).
I'm currently using Guitar rig 4 for this.
=20
What's the verdict guys? Pro's and cons?
=20
Peace
=20
G
 		 	   		  =

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<body class=3D'hmmessage'>
I'm thinking of getting one of these for psychedelic/ambient textures=2C (i=
n combination with laptop looping and special effects).<BR>
I'm currently using Guitar rig 4 for this.<BR>
&nbsp=3B<BR>
What's the verdict guys? Pro's and cons?<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>
 		 	   		  </body>
</html>=

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Maybe you can figure out how to get a morse code key to do stutter!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 22, 2011, at 4:17 PM, "Rick Walker" <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, William Walker wrote:
> > To glitch or not to glitch that is the question, My  brand new stutter
> > bomb arrived from loopmaster today and I must say I am really
> > dissapointed. Like  the dual momentary  switch I bought from 
> > loopmaster a few months back , the switches on this pedal,  though
> > momentary, have the feel and the audible click of a standard latching
> > switch... Not unlike the TC G switch I bought a few years ago as well.
> > Whats up with that? Not only does this stutter bomb have an audible
> > click it also has an audible crackle as well which is noticeable when
> > looping , particularly clean tones. Its a simple passive switch in a
> > tiny metal chassis and perhaps it has a static charge issue, but this
> > is one instance when I wish I had read reviews first, $30 I may not
> > get back.  Dumb Dumb Dumb Dumb Dumb I'll go back to using my old korg
> > tuner with a boss fs-u switch connected to the mute jack for
> > stu-u-uttt-tt-ter--ing.
> > Bill
> Thanks, Bill,   when I saw you with it yesterday I was jealous and
> already began scheming how to raise
> 30 bucks to buy one.    Sorry it sucks.    Your FS-U controlling a Korg
> Tuner, however, is really a cool
> effect for stuttering.........just more gear!
> 
> rick
> 

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<html><body bgcolor="#FFFFFF"><div>Maybe you can figure out how to get a morse code key to do stutter!!<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 22, 2011, at 4:17 PM, "Rick Walker" &lt;<a href="mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>

<!-- Converted from text/plain format -->

<p><font size="2">On 7/22/64 11:59 AM, William Walker wrote:<br>
&gt; To glitch or not to glitch that is the question, My&nbsp; brand new stutter<br>
&gt; bomb arrived from loopmaster today and I must say I am really<br>
&gt; dissapointed. Like&nbsp; the dual momentary&nbsp; switch I bought from&nbsp;<br>
&gt; loopmaster a few months back , the switches on this pedal,&nbsp; though<br>
&gt; momentary, have the feel and the audible click of a standard latching<br>
&gt; switch... Not unlike the TC G switch I bought a few years ago as well.<br>
&gt; Whats up with that? Not only does this stutter bomb have an audible<br>
&gt; click it also has an audible crackle as well which is noticeable when<br>
&gt; looping , particularly clean tones. Its a simple passive switch in a<br>
&gt; tiny metal chassis and perhaps it has a static charge issue, but this<br>
&gt; is one instance when I wish I had read reviews first, $30 I may not<br>
&gt; get back.&nbsp; Dumb Dumb Dumb Dumb Dumb I'll go back to using my old korg<br>
&gt; tuner with a boss fs-u switch connected to the mute jack for<br>
&gt; stu-u-uttt-tt-ter--ing.<br>
&gt; Bill<br>
Thanks, Bill,&nbsp;&nbsp; when I saw you with it yesterday I was jealous and<br>
already began scheming how to raise<br>
30 bucks to buy one.&nbsp;&nbsp;&nbsp; Sorry it sucks.&nbsp;&nbsp;&nbsp; Your FS-U controlling a Korg<br>
Tuner, however, is really a cool<br>
effect for stuttering.........just more gear!<br>
<br>
rick<br>
<br>
</font>
</p>


</div></blockquote></body></html>
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> Things that can't: everything which doesn't offer multiple loops obviousl=
y,
> Electrix Repeater.

well, the repeater doesn't do multiple loops in the EDP or mobius
sense of the term, but it does have four tracks per loop, which you
can treat as for loops of the same length (just mute and un-mute to
cue a 'loop').  There's also ways of copying a loop to the memory card
and creating a new loop, then cuing that old loop (haven't played with
that much, but I seem to recall it's possible?).  You just need a
fancy midi controller to make everything happen right.

Sylvain



On Sat, Jan 22, 2011 at 9:49 AM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Ed Durbrow schrieb:
>>
>> That doesn't sound too bad, if it is just a matter of choosing a command
>> from a menu. What about on hardware loopers? Do most? some? few? offer t=
hese
>> features?
>
> I have to admit, I can't give you precise statistics, only those things I
> know directly or have been studying somewhat:
> As for the first feature (from record directly to overdub):
> Things that can do it: EDP (of course), Line6 DL4 (and I would assume the
> M9, M13 and HD500 as well), Electrix Repeater newer software versions (th=
ey
> didn't have that in the initial release) and anything that is a delay use=
d
> as a looper (so the Boss DD20 in delay mode can do it).
> Things that can't: EH SMM w/Hazari, first version of Akai headrush, Boss
> DD20 in looper ("Sound on Sound") mode.
> Don't know about all the Boss RC devices - perhaps somebody else can offe=
r
> info.
>
> For the second feature (auto-starting record when going to a new loop).
> I didn't ask specifically whether you meant that you want to record a new
> loop and keep the old one (so as to be able to return to it later), or st=
art
> a new loop and discard the old one. So I'm gonna split this in two parts
> ("keep" and "replace"):
> keep:
> Things that can do it: EDP (configurable), DD20 (in delay mode - well, so=
rt
> of).
> Things that can't: everything which doesn't offer multiple loops obviousl=
y,
> Electrix Repeater.
>
> replace:
> Things that can do it: EDP, DD20 (in delay mode - well, sort of).
> Things that can't: Line6 DL4 (unless you can live with first stopping the
> running loop and then immediately start recording), EH SMM w/Hazari.
>
> So, list members: care to complete this list, please?
>>
>> That is great. I can see there are some very knowledgeable people here.
>> BTW is there any tutorial or manual anywhere online for Mobius? It is pr=
etty
>> daunting.
>
> Of course, there's the official documentation:
> http://www.circularlabs.com/documentation/documentation.html
> But I'm sure that some list members here have done some "getting started"
> guides (in a more basic fashion) as well.
>>
>> Yes, good point. It depends on what you mean by experienced. :-) As you
>> can see I'm very new to looping but I have some experience with audio/mi=
di
>> in a home recording studio environment. I've seen discussion about midi =
sync
>> and so on but I have no experience with it as far as looping goes. I can
>> only imagine it is a good thing.
>
> Just had a look at your studio page - from that, it seems that you are in
> fact somewhat experienced.
>
> One thing that changes with doing live processing with a computer as oppo=
sed
> to using it as a recorder/console is that the audio interface chain's
> latency becomes a factor.
>
> There are several options regarding mobile audio/MIDI interfaces which wo=
rk
> fine. Personally, I use a TC Konnekt24D (which finally has advanced to a
> point where the driver SW can be called acceptable). Everything by RME Au=
dio
> is usually a safe bet, and from what I heard, the same is true for most M=
OTU
> interfaces. For something more in the low-price range, both I and others
> here have good experiences with the Presonus Firebox.
>
> But, as I usuallly say, just write down your exact requirements, and then
> choose...
>
> =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 06:39:38 2011
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On Jan 22, 2011, at 2:51 PM, Gareth Whittock wrote:

> I'm thinking of getting one of these for psychedelic/ambient textures, =
(in combination with laptop looping and special effects).
> I'm currently using Guitar rig 4 for this.
> =20
> What's the verdict guys? Pro's and cons?

Very nice delays. The other effects are reasonably good but not that =
psychedelic/ambient. Some interesting material in the filter models -- =
e.g., random filters -- that might be interesting piped into a good =
delay, but you would probably want to set this up on a parallel effects =
loop which it isn't really set up to do. The Octo and Particle Verb =
reverbs are interesting but not stunning.

For ambience, I would probably check out the Eventide Pitchfactor and =
Space pedals, but I haven't actually played with them.

I'm coming to more deeply appreciate the Korg AM8000R again. Step =
modulated phaser into pitch shifter with feedback into a fairly dense =
delay makes for a great ambient background. (I can thank Mark Landman =
for having programmed this stuff in before I bought mine from him. I =
probably wouldn't have discovered it otherwise.) I actually like it so =
much, I have two. However, I'm really only using one so I'm thinking I =
should sell the second one. You have to be willing to deal with a rack =
processor, but it's a stunning source of creative ambiences.

Mark


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Jan 22, 2011, at 2:51 PM, Gareth Whittock wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
class=3D"hmmessage" style=3D"font-size: 10pt; font-family: Tahoma; ">I'm =
thinking of getting one of these for psychedelic/ambient textures, (in =
combination with laptop looping and special effects).<br>I'm currently =
using Guitar rig 4 for this.<br>&nbsp;<br>What's the verdict guys? Pro's =
and cons?<br></div></span></blockquote><br></div><div>Very nice delays. =
The other effects are reasonably good but not that psychedelic/ambient. =
Some interesting material in the filter models -- e.g., random filters =
-- that might be interesting piped into a good delay, but you would =
probably want to set this up on a parallel effects loop which it isn't =
really set up to do. The Octo and Particle Verb reverbs are interesting =
but not stunning.<br><div></div></div><div><br></div><div>For ambience, =
I would probably check out the Eventide Pitchfactor and Space pedals, =
but I haven't actually played with them.</div><div><br></div><div>I'm =
coming to more deeply appreciate the Korg AM8000R again. Step modulated =
phaser into pitch shifter with feedback into a fairly dense delay makes =
for a great ambient background. (I can thank Mark Landman for having =
programmed this stuff in before I bought mine from him. I probably =
wouldn't have discovered it otherwise.)&nbsp;I actually like it so much, =
I have two. However, I'm really only using one so I'm thinking I should =
sell the second one. You have to be willing to deal with a rack =
processor, but it's a stunning source of creative =
ambiences.</div><div><br></div><div>Mark</div><div><br></div></body></html=
>=

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Subject: a looping cover mashed
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I've been using Mobius again and have done several pieces over the last wee=
k
with it, for the ImprovFriday community.  One was real new territory for me=
,
doing a vocal 'looped' cover of Marley's 'No Woman No Cry'.  I had been
recently inspired by a version by a Swedish musician I found on YouTube
named BaronK as well as my son playing the Foogies wonderful version of it =
a
lot.

I did an a cappella version of it in Mobius using all the tracks and a
couple of multiple loops within a track.  I posted it this weekend and
independent of it another musician in the community, Shane W. Cadman,
recorded a really nice sparse acoustic piano piece.  Steve Layton also of I=
F
who often remixes and mashes some of each weekend's work into new pieces
took our two works and created this version which I was quite taken by.

http://dl.dropbox.com/u/4250358/layton_cadman_goodin_-_no_woman_no_cry.mp3

<http://dl.dropbox.com/u/4250358/layton_cadman_goodin_-_no_woman_no_cry.mp3=
>Come
check out ImprovFriday <http://improvfriday.ning.com> some weekend btw,
think you will dig it.

Jim

--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a2e99b2b64049a7e4bbc
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I&#39;ve been using Mobius again and have done several pieces over the last=
 week with it, for the ImprovFriday community. =A0One was real new territor=
y for me, doing a vocal &#39;looped&#39; cover of Marley&#39;s &#39;No Woma=
n No Cry&#39;. =A0I had been recently inspired by a version by a Swedish mu=
sician I found on YouTube named BaronK as well as my son playing the Foogie=
s wonderful version of it a lot.<div>
<br></div><div>I did an a cappella version of it in Mobius using all the tr=
acks and a couple of multiple loops within a track. =A0I posted it this wee=
kend and independent of it another musician in the community, Shane W. Cadm=
an, recorded a really nice sparse acoustic piano piece. =A0Steve Layton als=
o of IF who often remixes and mashes some of each weekend&#39;s work into n=
ew pieces took our two works and created this version which I was quite tak=
en by.</div>
<div><br></div><div><a href=3D"http://dl.dropbox.com/u/4250358/layton_cadma=
n_goodin_-_no_woman_no_cry.mp3">http://dl.dropbox.com/u/4250358/layton_cadm=
an_goodin_-_no_woman_no_cry.mp3</a></div><div><br></div><div><a href=3D"htt=
p://dl.dropbox.com/u/4250358/layton_cadman_goodin_-_no_woman_no_cry.mp3"></=
a>Come check out <a href=3D"http://improvfriday.ning.com">ImprovFriday</a> =
some weekend btw, think you will dig it.</div>
<div><br></div><div>Jim<br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf3054a2e99b2b64049a7e4bbc--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 07:29:09 2011
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Subject: also, from Y2K
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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Also this weekend I finally 'began' getting to some of the video from Y2KX
that I shot and owe many of you footage.  Video is so time consuming and
with other projects that have seemed more immediate I have just backlogged
getting the clips out but I will really try to start doing that soon.  I
know a couple of you have been in contact with me in recent months and have
been incredibly patient, thank you.

This all said, I unearthed and posted on YouTube the opening moments of
Daryl and mine's Chinapainting set that Gaetano [Fontanazza] wonderfully
captured for us.  It's at http://www.youtube.com/watch?v=3DYEj9bB3vFuc

<http://www.youtube.com/watch?v=3DYEj9bB3vFuc>Special thanks to Gaetano for
documenting us and many humble thanks to Rick for making the 10 year old
brainchild of his such a wonderful event this past October.

Jim

--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a34d386967049a7e7042
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Also this weekend I finally &#39;began&#39; getting to some of the video fr=
om Y2KX that I shot and owe many of you footage. =A0Video is so time consum=
ing and with other projects that have seemed more immediate I have just bac=
klogged getting the clips out but I will really try to start doing that soo=
n. =A0I know a couple of you have been in contact with me in recent months =
and have been incredibly patient, thank you.<div>
<br></div><div>This all said, I unearthed and posted on YouTube the opening=
 moments of Daryl and mine&#39;s Chinapainting set that Gaetano [Fontanazza=
] wonderfully captured for us. =A0It&#39;s at=A0<a href=3D"http://www.youtu=
be.com/watch?v=3DYEj9bB3vFuc">http://www.youtube.com/watch?v=3DYEj9bB3vFuc<=
/a></div>
<div><br></div><div><a href=3D"http://www.youtube.com/watch?v=3DYEj9bB3vFuc=
"></a>Special thanks to Gaetano for documenting us and many humble thanks t=
o Rick for making the 10 year old brainchild of his such a wonderful event =
this past October.</div>
<div><br></div><div>Jim<br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf3054a34d386967049a7e7042--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 08:19:49 2011
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References: <8CE9409F-6E8C-4FAA-A7D3-41437DDC56E4@sea.plala.or.jp>
 <4D3A1768.1090009@googlemail.com> <DF6AA74A-BACB-424A-92BC-822498E2C423@sea.plala.or.jp>
 <4D3AEE6D.6010707@googlemail.com> <AANLkTinVOX7k9sS6pHfSH9vE1_7v_+5dmN9LomvevdVL@mail.gmail.com>
From: mark francombe <markfrancombe@gmail.com>
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Date: Sun, 23 Jan 2011 09:19:41 +0100
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Subject: Re: Introductin & naive questions
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Sent from my (advertisement removed)



well, the repeater doesn't do multiple loops in the EDP or mobius
sense of the term, but it does have four tracks per loop, which you
can treat as for loops of the same length (just mute and un-mute to
cue a 'loop').


Not strictly true as you can cue up the next loop with the loop knob and hit
play, it will wait till the current loop is finished then switch loops. Nit
really usable for verse/chorus stuff but for beat storage and changing quite
usable.

--90e6ba6e8a2e89cecb049a7f25b5
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<html><body bgcolor=3D"#FFFFFF"><div><br><br>Sent from my (advertisement re=
moved)</div><blockquote type=3D"cite"><div><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font></blockquote><span>=
</span><br>
<span>well, the repeater doesn&#39;t do multiple loops in the EDP or mobius=
</span><br><span>sense of the term, but it does have four tracks per loop, =
which you</span><br><span>can treat as for loops of the same length (just m=
ute and un-mute to</span><br>
<span>cue a &#39;loop&#39;). =A0</span><br></div></blockquote><br><div>Not =
strictly true as you can cue up the next loop with the loop knob and hit pl=
ay, it will wait till the current loop is finished then switch loops. Nit r=
eally usable for verse/chorus stuff but for beat storage and changing quite=
 usable.</div>
</body></html>

--90e6ba6e8a2e89cecb049a7f25b5--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 08:27:14 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: m13 - m9
Date: Sun, 23 Jan 2011 08:27:12 +0000
Importance: Normal
In-Reply-To: <38C13F94-FDE3-46A7-8EA7-EB3F337BCAFE@grubmah.com>
References:
 <20110117103843.40590@gmx.net>,<AANLkTi=27rTPqiRLqYARzoov6nBa-fZ3W0JXEd6VGHXr@mail.gmail.com>,<AANLkTi=gQTDcrF5f_u9ULDYUAVO1op+2A+ticAHr-39U@mail.gmail.com>,<AANLkTinbjo+rSqwLN7xipDAN6RxUOnH7Rqrj=EejGmFq@mail.gmail.com>
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--_e036e2bf-36b8-417a-9cfd-420fc8a96d5f_
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Jeff Duke posted a stunning ambient piece several months back. I was under =
the impression it was the M13. I can remember thinking at the time how on e=
arth basically 4 fx pedals produced all that lovely noise..
=20
Peace
=20
G
=20


From: mark@grubmah.com
Subject: Re: m13 - m9
Date: Sat=2C 22 Jan 2011 22:39:32 -0800
To: Loopers-Delight@loopers-delight.com




On Jan 22=2C 2011=2C at 2:51 PM=2C Gareth Whittock wrote:

I'm thinking of getting one of these for psychedelic/ambient textures=2C (i=
n combination with laptop looping and special effects).
I'm currently using Guitar rig 4 for this.
=20
What's the verdict guys? Pro's and cons?


Very nice delays. The other effects are reasonably good but not that psyche=
delic/ambient. Some interesting material in the filter models -- e.g.=2C ra=
ndom filters -- that might be interesting piped into a good delay=2C but yo=
u would probably want to set this up on a parallel effects loop which it is=
n't really set up to do. The Octo and Particle Verb reverbs are interesting=
 but not stunning.




For ambience=2C I would probably check out the Eventide Pitchfactor and Spa=
ce pedals=2C but I haven't actually played with them.


I'm coming to more deeply appreciate the Korg AM8000R again. Step modulated=
 phaser into pitch shifter with feedback into a fairly dense delay makes fo=
r a great ambient background. (I can thank Mark Landman for having programm=
ed this stuff in before I bought mine from him. I probably wouldn't have di=
scovered it otherwise.) I actually like it so much=2C I have two. However=
=2C I'm really only using one so I'm thinking I should sell the second one.=
 You have to be willing to deal with a rack processor=2C but it's a stunnin=
g source of creative ambiences.


Mark

 		 	   		  =

--_e036e2bf-36b8-417a-9cfd-420fc8a96d5f_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Jeff Duke posted a stunning ambient piece several months back. I was under =
the impression it was the M13. I can remember thinking at the time how on e=
arth&nbsp=3Bbasically 4 fx pedals produced all that lovely noise..<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>

<HR id=3DstopSpelling>
From: mark@grubmah.com<BR>Subject: Re: m13 - m9<BR>Date: Sat=2C 22 Jan 2011=
 22:39:32 -0800<BR>To: Loopers-Delight@loopers-delight.com<BR><BR>
<META name=3DGenerator content=3D"Microsoft SafeHTML">
<DIV>
<DIV>On Jan 22=2C 2011=2C at 2:51 PM=2C Gareth Whittock wrote:</DIV><BR cla=
ss=3DecxApple-interchange-newline>
<BLOCKQUOTE><SPAN style=3D"TEXT-TRANSFORM: none=3B TEXT-INDENT: 0px=3B BORD=
ER-COLLAPSE: separate=3B FONT: medium Helvetica=3B WHITE-SPACE: normal=3B L=
ETTER-SPACING: normal=3B WORD-SPACING: 0px" class=3DecxApple-style-span>
<DIV style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 10pt" class=3Decxhmmessage>=
I'm thinking of getting one of these for psychedelic/ambient textures=2C (i=
n combination with laptop looping and special effects).<BR>I'm currently us=
ing Guitar rig 4 for this.<BR>&nbsp=3B<BR>What's the verdict guys? Pro's an=
d cons?<BR></DIV></SPAN></BLOCKQUOTE><BR></DIV>
<DIV>Very nice delays. The other effects are reasonably good but not that p=
sychedelic/ambient. Some interesting material in the filter models -- e.g.=
=2C random filters -- that might be interesting piped into a good delay=2C =
but you would probably want to set this up on a parallel effects loop which=
 it isn't really set up to do. The Octo and Particle Verb reverbs are inter=
esting but not stunning.<BR>
<DIV></DIV></DIV>
<DIV><BR></DIV>
<DIV>For ambience=2C I would probably check out the Eventide Pitchfactor an=
d Space pedals=2C but I haven't actually played with them.</DIV>
<DIV><BR></DIV>
<DIV>I'm coming to more deeply appreciate the Korg AM8000R again. Step modu=
lated phaser into pitch shifter with feedback into a fairly dense delay mak=
es for a great ambient background. (I can thank Mark Landman for having pro=
grammed this stuff in before I bought mine from him. I probably wouldn't ha=
ve discovered it otherwise.)&nbsp=3BI actually like it so much=2C I have tw=
o. However=2C I'm really only using one so I'm thinking I should sell the s=
econd one. You have to be willing to deal with a rack processor=2C but it's=
 a stunning source of creative ambiences.</DIV>
<DIV><BR></DIV>
<DIV>Mark</DIV>
<DIV><BR></DIV> 		 	   		  </body>
</html>=

--_e036e2bf-36b8-417a-9cfd-420fc8a96d5f_--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 09:15:49 2011
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Date: Sun, 23 Jan 2011 04:15:46 -0500
Message-ID: <AANLkTimQw0R21BbwHn_G902gbKtb07xXKX10E+Cf0d5q@mail.gmail.com>
Subject: Re: m13 - m9
From: Jeff Duke <jeffloops@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8f2eb2f236049a7fed2f
Content-Type: text/plain; charset=ISO-8859-1

Gareth, thanks! It is an M9. It does all of that ambient wash stuff well and
more, great reverbs and delays. I was using the looper in it also in
combination with a DD 20. For distortions/overdrives I prefer outboard gear
and used several but mostly the Swollen Pickle for Y2K.

http://vimeo.com/16034181

While I'm at it, I played virtually at ImprovFriday last eve along with
fellow looper and bandmate Steve Moyes. Here is my set. The audio starts at
4:25 into the vid. I haven't edited it yet....I am using a laptop running
Soundplant 39 at the beginning loaded with music box samples and some voice
stuff that I had my computer read for the show....
http://justin.tv/jeffduke/b/278075340

peace out.

On Sun, Jan 23, 2011 at 3:27 AM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  Jeff Duke posted a stunning ambient piece several months back. I was under
> the impression it was the M13. I can remember thinking at the time how on
> earth basically 4 fx pedals produced all that lovely noise..
>
> Peace
>
> G
>
> ------------------------------
> From: mark@grubmah.com
> Subject: Re: m13 - m9
> Date: Sat, 22 Jan 2011 22:39:32 -0800
> To: Loopers-Delight@loopers-delight.com
>
>  On Jan 22, 2011, at 2:51 PM, Gareth Whittock wrote:
>
>  I'm thinking of getting one of these for psychedelic/ambient textures,
> (in combination with laptop looping and special effects).
> I'm currently using Guitar rig 4 for this.
>
> What's the verdict guys? Pro's and cons?
>
>
> Very nice delays. The other effects are reasonably good but not that
> psychedelic/ambient. Some interesting material in the filter models -- e.g.,
> random filters -- that might be interesting piped into a good delay, but you
> would probably want to set this up on a parallel effects loop which it isn't
> really set up to do. The Octo and Particle Verb reverbs are interesting but
> not stunning.
>
> For ambience, I would probably check out the Eventide Pitchfactor and Space
> pedals, but I haven't actually played with them.
>
> I'm coming to more deeply appreciate the Korg AM8000R again. Step modulated
> phaser into pitch shifter with feedback into a fairly dense delay makes for
> a great ambient background. (I can thank Mark Landman for having programmed
> this stuff in before I bought mine from him. I probably wouldn't have
> discovered it otherwise.) I actually like it so much, I have two. However,
> I'm really only using one so I'm thinking I should sell the second one. You
> have to be willing to deal with a rack processor, but it's a stunning source
> of creative ambiences.
>
> Mark
>
>

--90e6ba6e8f2eb2f236049a7fed2f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Gareth, thanks! It is an M9. It does all of that ambient wash stuff well an=
d more, great reverbs and delays. I was using the looper in it also in comb=
ination with a DD 20. For distortions/overdrives I prefer outboard gear and=
 used several but mostly the Swollen Pickle for Y2K.<br>
<br><a href=3D"http://vimeo.com/16034181">http://vimeo.com/16034181</a><br>=
<br>While I&#39;m at it, I played virtually at ImprovFriday last eve along =
with fellow looper and bandmate Steve Moyes. Here is my set. The audio star=
ts at 4:25 into the vid. I haven&#39;t edited it yet....I am using a laptop=
 running Soundplant 39 at the beginning loaded with music box samples and s=
ome voice stuff that I had my computer read for the show.... <a href=3D"htt=
p://justin.tv/jeffduke/b/278075340">http://justin.tv/jeffduke/b/278075340</=
a><br>
<br>peace out.<br><br><div class=3D"gmail_quote">On Sun, Jan 23, 2011 at 3:=
27 AM, Gareth Whittock <span dir=3D"ltr">&lt;<a href=3D"mailto:buddhamachin=
e@live.co.uk">buddhamachine@live.co.uk</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px=
 solid rgb(204, 204, 204); padding-left: 1ex;">




<div>
Jeff Duke posted a stunning ambient piece several months back. I was under =
the impression it was the M13. I can remember thinking at the time how on e=
arth=A0basically 4 fx pedals produced all that lovely noise..<br>
=A0<br>
Peace<br>
=A0<br>
G<br>=A0<br>

<hr>
From: <a href=3D"mailto:mark@grubmah.com" target=3D"_blank">mark@grubmah.co=
m</a><br>Subject: Re: m13 - m9<br>Date: Sat, 22 Jan 2011 22:39:32 -0800<br>=
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank=
">Loopers-Delight@loopers-delight.com</a><br>
<br>

<div>
<div>On Jan 22, 2011, at 2:51 PM, Gareth Whittock wrote:</div><br>
<blockquote><span style=3D"text-transform: none; text-indent: 0px; border-c=
ollapse: separate; font: medium Helvetica; white-space: normal; letter-spac=
ing: normal; word-spacing: 0px;">
<div style=3D"font-family: Tahoma; font-size: 10pt;">I&#39;m thinking of ge=
tting one of these for psychedelic/ambient textures, (in combination with l=
aptop looping and special effects).<br>I&#39;m currently using Guitar rig 4=
 for this.<br>
=A0<br>What&#39;s the verdict guys? Pro&#39;s and cons?<br></div></span></b=
lockquote><br></div>
<div>Very nice delays. The other effects are reasonably good but not that p=
sychedelic/ambient. Some interesting material in the filter models -- e.g.,=
 random filters -- that might be interesting piped into a good delay, but y=
ou would probably want to set this up on a parallel effects loop which it i=
sn&#39;t really set up to do. The Octo and Particle Verb reverbs are intere=
sting but not stunning.<br>

<div></div></div>
<div><br></div>
<div>For ambience, I would probably check out the Eventide Pitchfactor and =
Space pedals, but I haven&#39;t actually played with them.</div>
<div><br></div>
<div>I&#39;m coming to more deeply appreciate the Korg AM8000R again. Step =
modulated phaser into pitch shifter with feedback into a fairly dense delay=
 makes for a great ambient background. (I can thank Mark Landman for having=
 programmed this stuff in before I bought mine from him. I probably wouldn&=
#39;t have discovered it otherwise.)=A0I actually like it so much, I have t=
wo. However, I&#39;m really only using one so I&#39;m thinking I should sel=
l the second one. You have to be willing to deal with a rack processor, but=
 it&#39;s a stunning source of creative ambiences.</div>

<div><br></div>
<div>Mark</div>
<div><br></div> 		 	   		  </div>
</blockquote></div><br>

--90e6ba6e8f2eb2f236049a7fed2f--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 11:05:28 2011
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Date: Sun, 23 Jan 2011 12:05:26 +0100
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Subject: Re: a looping cover mashed
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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ha,ha Jim i love it!!
best version ive heard,i actually cant stand the song because they
play it in every damn pub but this is refreshing,i dig it;-)
cheers
Luis

On Sun, Jan 23, 2011 at 8:18 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> I've been using Mobius again and have done several pieces over the last w=
eek
> with it, for the ImprovFriday community. =A0One was real new territory fo=
r me,
> doing a vocal 'looped' cover of Marley's 'No Woman No Cry'. =A0I had been
> recently inspired by a version by a Swedish musician I found on YouTube
> named BaronK as well as my son playing the Foogies wonderful version of i=
t a
> lot.
> I did an a cappella version of it in Mobius using all the tracks and a
> couple of multiple loops within a track. =A0I posted it this weekend and
> independent of it another musician in the community, Shane W. Cadman,
> recorded a really nice sparse acoustic piano piece. =A0Steve Layton also =
of IF
> who often remixes and mashes some of each weekend's work into new pieces
> took our two works and created this version which I was quite taken by.
> http://dl.dropbox.com/u/4250358/layton_cadman_goodin_-_no_woman_no_cry.mp=
3
> Come check out ImprovFriday some weekend btw, think you will dig it.
> Jim
>
> --
> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin =
&
> Peter Th=F6rn.=A0 Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 11:06:05 2011
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Date: Sun, 23 Jan 2011 12:06:03 +0100
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Subject: Re: also, from Y2K
From: Louie Angulo <louie.angulo@googlemail.com>
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still waiting patiently my dear Jim;-)
loopon
Luis

On Sun, Jan 23, 2011 at 8:29 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrot=
e:
> Also this weekend I finally 'began' getting to some of the video from Y2K=
X
> that I shot and owe many of you footage. =A0Video is so time consuming an=
d
> with other projects that have seemed more immediate I have just backlogge=
d
> getting the clips out but I will really try to start doing that soon. =A0=
I
> know a couple of you have been in contact with me in recent months and ha=
ve
> been incredibly patient, thank you.
> This all said, I unearthed and posted on YouTube the opening moments of
> Daryl and mine's Chinapainting set that Gaetano [Fontanazza] wonderfully
> captured for us. =A0It's at=A0http://www.youtube.com/watch?v=3DYEj9bB3vFu=
c
> Special thanks to Gaetano for documenting us and many humble thanks to Ri=
ck
> for making the 10 year old brainchild of his such a wonderful event this
> past October.
> Jim
>
> --
> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin =
&
> Peter Th=F6rn.=A0 Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>

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Date: Sun, 23 Jan 2011 12:12:54 +0100
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Subject: Re: Introductin & naive questions
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silly question Jeff,i notice there is a "backwards" button now,whats
the difference between that one and reverse? they seem to accomplish
the same thing and i dont see it mentioned in the manual.
thanx
Luis

On Sat, Jan 22, 2011 at 7:16 PM, Jeff Larson <jeff@zonemobius.com> wrote:
>> On Jan 22, 2011, at 12:17 AM, Ed Durbrow wrote:
>> BTW is there any tutorial or manual anywhere online for Mobius? It is pr=
etty daunting.
>
> The Mobius docs are available here...
>
> =A0 =A0http://www.circularlabs.com/documentation/documentation.html
>
> Start with "Getting Started With Mobius".
>
> Jeff
>
>

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Date: Sun, 23 Jan 2011 12:13:57 +0100
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Subject: Re: Re: The EDP and the Looperlative
From: Louie Angulo <louie.angulo@googlemail.com>
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wow where can i buy one?

On Sat, Jan 22, 2011 at 10:26 PM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, tEd =AE KiLLiAn wrote:
>>
>> Always enjoyed that disc. <sic: Andy Butlers'>
>
> Me too!! =A0 =A0...... and Chris and I also use our Andy Butler, Live Loo=
per
> coffee mug
> each and every day. =A0 =A0 You should go out and buy one or five.
> Are they still available, Andy?
>
> rick walker
>>
>>>
>>>
>>>
>
>

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As soon as I sent that email with that sentence, I realized I had seen  
and begun to read the documentation earlier. I guess I had video  
tutorials in my mind or something. Time to knuckle down and read. I am  
hoping to incorporate the three Korg Nanos I recently got: Keys, Pads  
& Kontrol. Should be fun if I get past the challenge.

On Jan 23, 2011, at 3:16 AM, Jeff Larson wrote:

>> On Jan 22, 2011, at 12:17 AM, Ed Durbrow wrote:
>> BTW is there any tutorial or manual anywhere online for Mobius? It  
>> is pretty daunting.
>
> The Mobius docs are available here...
>
>    http://www.circularlabs.com/documentation/documentation.html
>
> Start with "Getting Started With Mobius".
>
> Jeff
>

Ed Durbrow
Saitama, Japan
http://www9.plala.or.jp/edurbrow/
http://www.musicianspage.com/musicians/9688/


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">As soon as I sent that email =
with that sentence, I realized I had seen and begun to read the =
documentation earlier. I guess I had video tutorials in my mind or =
something. Time to knuckle down and read. I am hoping to incorporate the =
three Korg Nanos I recently got: Keys, Pads &amp; Kontrol. Should be fun =
if I get past the challenge.<div><br><div><div>On Jan 23, 2011, at 3:16 =
AM, Jeff Larson wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><blockquote type=3D"cite">On Jan 22, 2011, at 12:17 =
AM, Ed Durbrow wrote:<br></blockquote><blockquote type=3D"cite">BTW is =
there any tutorial or manual anywhere online for Mobius? It is pretty =
daunting.<br></blockquote><br>The Mobius docs are available =
here...<br><br> &nbsp;&nbsp;&nbsp;<a =
href=3D"http://www.circularlabs.com/documentation/documentation.html">http=
://www.circularlabs.com/documentation/documentation.html</a> =
&nbsp;&nbsp;&nbsp;<br><br>Start with "Getting Started With =
Mobius".<br><br>Jeff<br><br></div></blockquote></div><br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Geneva; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F">Ed Durbrow</font></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"Chalkboard" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; "><font =
class=3D"Apple-style-span" color=3D"#6F6F6F">Saitama, =
Japan</font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><font class=3D"Apple-style-span" =
color=3D"#6F6F6F"><a =
href=3D"http://www9.plala.or.jp/edurbrow/">http://www9.plala.or.jp/edurbro=
w/</a></font></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"Chalkboard" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px; "><a =
href=3D"http://www.musicianspage.com/musicians/9688/">http://www.musicians=
page.com/musicians/9688/</a></span></font></div></span></div></div></span>=
</div></span></div></span></div></span></div></span></div></span> =
</div><br></div></body></html>=

--Apple-Mail-3--353251139--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 12:12:05 2011
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On 7/22/64 11:59 AM, Gareth Whittock wrote:
> I'm thinking of getting one of these for psychedelic/ambient textures, 
> (in combination with laptop looping and special effects).
> I'm currently using Guitar rig 4 for this.
>
> What's the verdict guys? Pro's and cons?
>
> Peace
>
> G
The m9, for me, is a single desert island, multi-purpose stomp box/live 
looping pedal.
There are a plethora of cool effects (that can be midi synced) and a good
DL-4 looper (replete with forward/backward/1/2 speed/double speed options
and even a single level of undo, redo).

I'm amazed at how much cool stuff is in this box, from all the de riguer
modulation, delay, distortion, verb, eq and filter modelings and a bunch 
of idiosyncratic
weirdness that I particularly love (pattern tremolos to an amazing
verb called  "Particle Verb" that I use far too much of this past year).

I don't even use it for it's looping capabilities but you can use up to
three different effects (in 3 banks of 3 per scene) and place them
post or pre loop.

Additionally,  Bill Putnam just hipped me to the fact that it is
a very small footprint, simple midi controller even if you don't want
to use the effects and looper.

I like that it has only a two stomp box profile (the M13 has more in it
but it's to big for my tastes and precludes the use of a lot of other
stomp box pedals which I adore).

My next festival setup will probably be 2 LP-2 mini loopers, one placed
on either side of the M9.

that's a lot of looping power with synchronizing abilities.

Highly recommended.   Five Stars from moi,  Gareth.

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 12:28:05 2011
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Todd Lainhart wrote:
> That's all real-time, right? 

absolutely

> Man, you know how to play that thing. 
>  Excellent.

thankyou

andy 

and thanks to Rick & Ted also for your kind comments

> 
> On Sun, Jan 2, 2011 at 10:20 AM, andy butler <akbutler@tiscali.co.uk 
> <mailto:akbutler@tiscali.co.uk>> wrote:
> 
> 
> 
>     http://www.andybutler.com/mp3/backwater.mp3
>     ...loop window opens at 2:00
> 
> 
> 
> 

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--------------030301060602020109030101
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On 7/22/64 11:59 AM, Andy Owens wrote:
> Maybe you can figure out how to get a morse code key to do stutter!!
Forgive my HTML message,  I had to use it to utilize fixed width fonts for
the rhythmic examples.    rick walker:

Weirdly apropos:  A fun game I came up with to amuse myself is
to use Morse code's use of dots and dashes and make a
dot   =a  2  8th note figure with an accent on the 1st note (or just an 
8th note)

and a

dash  =   a  3  8th note  figure with an accent on the 1st note (or just 
a dotted 8th note)

and a slash  =  a 4 8th note figure with an accent on the 1st note (or a 
half note)

*(the slash is not part of the letter translation. It graphically 
delineates words.....still, it's fun
to use it to graphically represent rhythmic figures.
*

You can use random Morse code sentences into wonderful random odd time 
signature
reading exercises.

ex:. . _ . . _ _ equals  2 + 2 + 3 + 2  + 2 + 3 + 3   =   17/8

 > > > > > > >                   A drummer would play this   R L R L R L 
L R L R L R L L R L L
A simple finger picking exercise for guitarists or bassists would be
                             T 2 T 2 R 2 1 T 2 T 2 T 2 1 T 2 1
*
T = thumb     1 = 1st finger     2 = 2nd finger


TRY PLAYING THIS EXERCISE FOR FUN:
?
?.. /.-.. --- ...- . / .-.. .. ...- . / .-.. --- --- .--. ..
-. --. --..-- / -.. --- -. .----. - / -.-- --- ..- ..-
-..

*This translates as:*
/I love live looping, don't you?/

Here's a cool morse code translating site.

http://morsecode.scphillips.com/jtranslator.html

Cool factoid:  Morse Codes is now officially a dead language.
It was retired a few years back due to the ubiquity of
inexpensive GPS systems for sailing.
*


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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    <tt>On 7/22/64 11:59 AM, Andy Owens wrote:</tt>
    <blockquote
      cite="mid:%3C9FC08A36-F9D3-4E8F-A37E-BC73546DF018@1800dialword.com%3E"
      type="cite"><tt>Maybe you can figure out how to get a morse code
        key to do stutter!!</tt></blockquote>
    Forgive my HTML message,&nbsp; I had to use it to utilize fixed width
    fonts for <br>
    the rhythmic examples.&nbsp;&nbsp;&nbsp; rick walker:<br>
    <big><big><small><tt><br>
            Weirdly apropos:&nbsp; A fun game I came up with to amuse myself
            is <br>
            to use Morse code's use of dots and dashes and make a<br>
            dot&nbsp;&nbsp; =</tt></small><big><big><big><big><big><small><small><small><small><big><tt>&nbsp;
                            </tt></big><small><small><small><big><tt>a&nbsp;
                                    2&nbsp; 8th note figure with an accent on
                                    the 1st note (or just an 8th note)<br>
                                    <br>
                                    and a <br>
                                    <br>
                                    dash&nbsp; =&nbsp;&nbsp; a&nbsp; 3&nbsp; 8th note&nbsp; figure
                                    with an accent on the 1st note (or
                                    just a dotted 8th note)<br>
                                    <br>
                                    and a slash&nbsp; =&nbsp; a 4 8th note figure
                                    with an accent on the 1st note (or a
                                    half note)<br>
                                    <br>
                                    &nbsp;<small><b><small>(the slash is not
                                          part of the letter
                                          translation. It graphically
                                          delineates words.....still,
                                          it's fun <br>
                                          to use it to graphically
                                          represent rhythmic figures.<br>
                                        </small></b></small><br>
                                    <br>
                                    You can use random Morse code
                                    sentences into wonderful random odd
                                    time signature <br>
                                    reading exercises.<br>
                                    <br>
                                    ex:<big><big><big>. . _ . . _ _ </big></big></big>equals&nbsp;
                                    2 + 2 + 3 + 2&nbsp; + 2 + 3 + 3&nbsp;&nbsp; =&nbsp;&nbsp;
                                    17/8</tt></big><br>
                                <big><big><tt><br>
                                      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &gt; &nbsp;
                                      &gt; &nbsp; &gt; &nbsp; &nbsp; &gt; &nbsp; &gt; &nbsp; &gt;
                                      &nbsp; &nbsp; &gt; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A
                                      drummer would play this&nbsp;&nbsp; R L R L
                                      R L L R L R L R L L R L L <br>
                                      A simple finger picking exercise
                                      for guitarists or bassists would
                                      be <br>
                                      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; T 2 T
                                      2 R 2 1 T 2 T 2 T 2 1 T 2 1 <br>
                                      <b><small><small><br>
                                            T = thumb&nbsp;&nbsp;&nbsp;&nbsp; 1 = 1st
                                            finger&nbsp;&nbsp;&nbsp;&nbsp; 2 = 2nd finger<br>
                                            <br>
                                            <br>
                                            TRY PLAYING THIS EXERCISE
                                            FOR FUN:<br>
                                            &#65279; <br>
                                          </small></small><small><big>&#65279;..
                                            /.-.. --- ...- . / .-.. ..
                                            ...- . / .-.. --- --- .--.
                                            ..<br>
                                            -. --. --..-- / -.. --- -.
                                            .----. - / -.-- --- ..- ..-<br>
                                            -..<br>
                                            <br>
                                          </big></small></b><small><big><small>This
                                            translates as:</small></big></small><b><small><big><br>
                                            <i>I love live looping,
                                              don't you?</i><br>
                                            <br>
                                            <small>Here's a cool morse
                                              code translating site.<br>
                                              <br>
<a class="moz-txt-link-freetext" href="http://morsecode.scphillips.com/jtranslator.html">http://morsecode.scphillips.com/jtranslator.html</a><br>
                                              <br>
                                            </small><small>Cool
                                              factoid:&nbsp; Morse Codes is
                                              now officially a dead
                                              language.<br>
                                              It was retired a few years
                                              back due to the ubiquity
                                              of <br>
                                              inexpensive GPS systems
                                              for sailing.</small><br>
                                          </big></small></b><br>
                                    </tt></big></big></small></small></small></small></small></small></small><br>
                </big></big></big></big></big></big></big>
  </body>
</html>

--------------030301060602020109030101--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 12:55:05 2011
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Oh my god, how cool!!!!
I just realized that you can change the pitch and the speed of the Morse 
Code translations at this page:

http://morsecode.scphillips.com/jtranslator.html

Try this, with any random paragraph translation
in the dialogue box lower down the page that allows you to change pitch 
and speed

Volume                  0.9
Pitch                     175
Speed/wpm            70
Farnsworth Speed   70

Record it and distort it.............INSTA GLITCH!!!!!!



I friggin' love the internets!!!!!!

rick walker

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Louie Angulo schrieb:
> silly question Jeff,i notice there is a "backwards" button now,whats
> the difference between that one and reverse? they seem to accomplish
> the same thing and i dont see it mentioned in the manual
If I remember that correctly:
"Backward" (and its companion function, "Forward") switch transport to 
backward and forward, respectively.
"Reverse" switches to backward if you're currently playing forward and 
vice versa.
This is mainly useful for scripting, because you can avoid branches that 
way.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 13:01:03 2011
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Alright,  try this setting on a random long paragraph Morse code 
translation  at

http://morsecode.scphillips.com/jtranslator.html

and I promise you I'll quit posting

VOLUME             5.0
PITCH/HZ           60
TYPING/WPM      68
FARNSWORTH     68


Now,  keep hitting play over and over again randomly............EUREKA!!!!!!


From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 14:45:47 2011
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Subject: Re: m13 - m9
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On Sat, Jan 22, 2011 at 11:51 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> I'm thinking of getting one of these for psychedelic/ambient textures, (in
> combination with laptop looping and special effects).
> I'm currently using Guitar rig 4 for this.
>
> What's the verdict guys? Pro's and cons?

Hi Gareth,
I'm an ambient looper, and I use an M13 for 2 reasons

1) as pre-looper FX before the signal is further processed by my laptop
2) as a backup system together with a DD-20

You can quickly create new sounds and textures, it's easy to use.
Regarding the sound quality, don't expect cristal a clear Eventide for
this price but most delay and reverb effects are good enough. The
analog delays can sound very harsh and anything but warm, I don't like
them personally, the DD-20 analog delay emulation is far better than
the M9 or M13. Anyway, it's a reliable unit, and used it every live
and studio setup for almost a year now.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Sun, 23 Jan 2011 16:02:51 +0100
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Subject: Re: M9/M13/HD500
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On Sat, Jan 22, 2011 at 2:51 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> I know for us guitarrists is maybe not always that important, but
> Sjaak does beautiful dreamy synth soundscapes where space and dimesion
> is crucial
> I remember listening to him and being lost in his sound, it sounded
> huge and it would be a pity to sacrifice his signal =A0with a mono
> looper;-)

Hi Luis,
Good point, that's exactly why I need stereo loopers. Compared to last
year when you saw me perform at the Antwerp Loopfest, I've further
developed my setup. I'm now using a parallel system allowing me to
record and overdub with separate left and right loopers per stereo
track. The default loop length are 10 and 28 seconds but can be tapped
as well, so each L or R channel has it's own delay length, filter
settings, feedback etc. In addition to that, the post-processing is
now also separated in left and right, I'm using reverbs, analog delays
or grain delays for that, and panning to create the final mix. For
tracks with melodic content, I still use a single instance of the
Augustus looper and some pre and post FX.

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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On 1/24/11 12:02 AM, "Sjaak Overgaauw" <tcplugin@gmail.com> wrote:
> On 1/22/11 2:51 AM, Louie Angulo <louie.angulo@googlemail.com> wrote:
>> I know for us guitarrists is maybe not always that important, but
>> Sjaak does beautiful dreamy synth soundscapes where space and dimesion
>> is crucial
> 
> Good point, that's exactly why I need stereo loopers.

Continuing on this line, I think that there are two other good reasons why
someone might wish to maintain stereo throughout a performance.

The first is if the phase-cancellation and 'lost parts' that Bill mentioned
are actually a necessary element in the performance.  I've put together
pieces using lots of moving delay and reverb, and the most compelling effect
from this is listening to the harmonics that drift in and out as different
frequencies in the mix cancel each other out.  Many times this can (and
hopefully will) cause movement not only in the standard L/R stereo spread,
but also along the Up/Down vertical axis and the Back/Front "Z" axis of
depth.

This was, as I understand, one of the reasons behind some of Glenn Branca's
'deafening wall of guitars' drone symphonies.  I've read reports from people
who had seen the performances live, and have heard it said that the albums
and recordings just can't do them justice.  In a live setting, you evidently
could hear different harmonics and notes flying back and forth across the
room -- not only left and right, but also above you and in front or behind
you -- swooshing all around in waves.

For looping artists who depend on this sort of harmonic interaction (I'm
guessing Sjaak may fall into this category), stereo is an essential element.

The second reason has to do with the performer themselves.  For instance,
everybody knows that musicians in the studio (vocalists especially) usually
have a set of effects put on the feed to their headphones while they're
laying down tracks.  Generally, this 'sweetening' gives the musician a sense
of how great they can sound and helps to eke out the best possible
performance from them.

Likewise, being able to hear yourself play onstage and go, "wow, I really
sound good" can be a real boost to one's performance.  And since we're
talking about live improvisation here, every little bit helps.  Even if some
people in the audience miss the 'sweet spot', is it better to collapse down
your sound and give a technical and uninspired performance that everyone can
hear equally well?  Or is it better to 'play big' with the understanding
that stuff's going to be bouncing all over the room, and that the sound
guy's going to hate you by the end of the night?  ;)

        --m.



From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 15:43:23 2011
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Date: Sun, 23 Jan 2011 10:43:19 -0500
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Subject: Re: a looping cover mashed
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks for the nice words Luis and that is funny, go figure I'd have to pic=
k
a real 'popular' song but I kind of live under a rock.

Best Jim

On Sun, Jan 23, 2011 at 6:05 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> ha,ha Jim i love it!!
> best version ive heard,i actually cant stand the song because they
> play it in every damn pub but this is refreshing,i dig it;-)
> cheers
> Luis
>
> On Sun, Jan 23, 2011 at 8:18 AM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > I've been using Mobius again and have done several pieces over the last
> week
> > with it, for the ImprovFriday community.  One was real new territory fo=
r
> me,
> > doing a vocal 'looped' cover of Marley's 'No Woman No Cry'.  I had been
> > recently inspired by a version by a Swedish musician I found on YouTube
> > named BaronK as well as my son playing the Foogies wonderful version of
> it a
> > lot.
> > I did an a cappella version of it in Mobius using all the tracks and a
> > couple of multiple loops within a track.  I posted it this weekend and
> > independent of it another musician in the community, Shane W. Cadman,
> > recorded a really nice sparse acoustic piano piece.  Steve Layton also =
of
> IF
> > who often remixes and mashes some of each weekend's work into new piece=
s
> > took our two works and created this version which I was quite taken by.
> >
> http://dl.dropbox.com/u/4250358/layton_cadman_goodin_-_no_woman_no_cry.mp=
3
> > Come check out ImprovFriday some weekend btw, think you will dig it.
> > Jim
> >
> > --
> > From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodi=
n
> &
> > Peter Th=F6rn.  Proceeds
> > from the sale of this CD will benefit JDRF International.
> > jimgoodinpeterthorn.bandcamp.com.
> >
> > woodandwiremusic.wordpress.com
> >
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a34dafee66049a855720
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thanks for the nice words Luis and that is funny, go figure I&#39;d have to=
 pick a real &#39;popular&#39; song but I kind of live under a rock.<div><b=
r></div><div>Best Jim<br><br><div class=3D"gmail_quote">On Sun, Jan 23, 201=
1 at 6:05 AM, Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.an=
gulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">ha,ha Jim i love it!!<br>
best version ive heard,i actually cant stand the song because they<br>
play it in every damn pub but this is refreshing,i dig it;-)<br>
cheers<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Sun, Jan 23, 2011 at 8:18 AM, Jim Goodin &lt;<a href=3D"mailto:jimgoodin=
music@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<br>
&gt; I&#39;ve been using Mobius again and have done several pieces over the=
 last week<br>
&gt; with it, for the ImprovFriday community. =A0One was real new territory=
 for me,<br>
&gt; doing a vocal &#39;looped&#39; cover of Marley&#39;s &#39;No Woman No =
Cry&#39;. =A0I had been<br>
&gt; recently inspired by a version by a Swedish musician I found on YouTub=
e<br>
&gt; named BaronK as well as my son playing the Foogies wonderful version o=
f it a<br>
&gt; lot.<br>
&gt; I did an a cappella version of it in Mobius using all the tracks and a=
<br>
&gt; couple of multiple loops within a track. =A0I posted it this weekend a=
nd<br>
&gt; independent of it another musician in the community, Shane W. Cadman,<=
br>
&gt; recorded a really nice sparse acoustic piano piece. =A0Steve Layton al=
so of IF<br>
&gt; who often remixes and mashes some of each weekend&#39;s work into new =
pieces<br>
&gt; took our two works and created this version which I was quite taken by=
.<br>
&gt; <a href=3D"http://dl.dropbox.com/u/4250358/layton_cadman_goodin_-_no_w=
oman_no_cry.mp3" target=3D"_blank">http://dl.dropbox.com/u/4250358/layton_c=
adman_goodin_-_no_woman_no_cry.mp3</a><br>
&gt; Come check out ImprovFriday some weekend btw, think you will dig it.<b=
r>
&gt; Jim<br>
&gt;<br>
&gt; --<br>
&gt; From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Good=
in &amp;<br>
&gt; Peter Th=F6rn.=A0 Proceeds<br>
&gt; from the sale of this CD will benefit JDRF International.<br>
&gt; <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">=
jimgoodinpeterthorn.bandcamp.com</a>.<br>
&gt;<br>
&gt; <a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">wo=
odandwiremusic.wordpress.com</a><br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf3054a34dafee66049a855720--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 15:44:31 2011
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Subject: Re: also, from Y2K
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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soon I promise.

On Sun, Jan 23, 2011 at 6:06 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> still waiting patiently my dear Jim;-)
> loopon
> Luis
>
> On Sun, Jan 23, 2011 at 8:29 AM, Jim Goodin <jimgoodinmusic@gmail.com>
> wrote:
> > Also this weekend I finally 'began' getting to some of the video from
> Y2KX
> > that I shot and owe many of you footage.  Video is so time consuming an=
d
> > with other projects that have seemed more immediate I have just
> backlogged
> > getting the clips out but I will really try to start doing that soon.  =
I
> > know a couple of you have been in contact with me in recent months and
> have
> > been incredibly patient, thank you.
> > This all said, I unearthed and posted on YouTube the opening moments of
> > Daryl and mine's Chinapainting set that Gaetano [Fontanazza] wonderfull=
y
> > captured for us.  It's at http://www.youtube.com/watch?v=3DYEj9bB3vFuc
> > Special thanks to Gaetano for documenting us and many humble thanks to
> Rick
> > for making the 10 year old brainchild of his such a wonderful event thi=
s
> > past October.
> > Jim
> >
> > --
> > From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodi=
n
> &
> > Peter Th=F6rn.  Proceeds
> > from the sale of this CD will benefit JDRF International.
> > jimgoodinpeterthorn.bandcamp.com.
> >
> > woodandwiremusic.wordpress.com
> >
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--001636c5b558dd49e3049a855b72
Content-Type: text/html; charset=ISO-8859-1
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soon I promise.<br><br><div class=3D"gmail_quote">On Sun, Jan 23, 2011 at 6=
:06 AM, Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@g=
ooglemail.com">louie.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockq=
uote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;">
still waiting patiently my dear Jim;-)<br>
loopon<br>
Luis<br>
<div><div></div><div class=3D"h5"><br>
On Sun, Jan 23, 2011 at 8:29 AM, Jim Goodin &lt;<a href=3D"mailto:jimgoodin=
music@gmail.com">jimgoodinmusic@gmail.com</a>&gt; wrote:<br>
&gt; Also this weekend I finally &#39;began&#39; getting to some of the vid=
eo from Y2KX<br>
&gt; that I shot and owe many of you footage. =A0Video is so time consuming=
 and<br>
&gt; with other projects that have seemed more immediate I have just backlo=
gged<br>
&gt; getting the clips out but I will really try to start doing that soon. =
=A0I<br>
&gt; know a couple of you have been in contact with me in recent months and=
 have<br>
&gt; been incredibly patient, thank you.<br>
&gt; This all said, I unearthed and posted on YouTube the opening moments o=
f<br>
&gt; Daryl and mine&#39;s Chinapainting set that Gaetano [Fontanazza] wonde=
rfully<br>
&gt; captured for us. =A0It&#39;s at=A0<a href=3D"http://www.youtube.com/wa=
tch?v=3DYEj9bB3vFuc" target=3D"_blank">http://www.youtube.com/watch?v=3DYEj=
9bB3vFuc</a><br>
&gt; Special thanks to Gaetano for documenting us and many humble thanks to=
 Rick<br>
&gt; for making the 10 year old brainchild of his such a wonderful event th=
is<br>
&gt; past October.<br>
&gt; Jim<br>
&gt;<br>
&gt; --<br>
&gt; From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Good=
in &amp;<br>
&gt; Peter Th=F6rn.=A0 Proceeds<br>
&gt; from the sale of this CD will benefit JDRF International.<br>
&gt; <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">=
jimgoodinpeterthorn.bandcamp.com</a>.<br>
&gt;<br>
&gt; <a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">wo=
odandwiremusic.wordpress.com</a><br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--001636c5b558dd49e3049a855b72--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 15:59:58 2011
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Subject: midi converters KM string port vs roland GI20
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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has anybody compared this? id like to know how fast and reliable they
are,the string port has USB which the GI-20 doesnt
The sofstep was a bit of dissapointment so i want to be careful if i
was to get this one.
 im looking to get a midi converter to notate music and trigger
software synths,i know i can do it with my roland GR33 but i m selling
it and want to get something small for my desk anyway.
thanx
Luis

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 16:24:10 2011
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Subject: RE: midi converters KM string port vs roland GI20
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Are you mac or pc?

=20
> Date: Sun=2C 23 Jan 2011 16:59:55 +0100
> Subject: midi converters KM string port vs roland GI20
> From: louie.angulo@googlemail.com
> To: loopers-delight@loopers-delight.com
>=20
> has anybody compared this? id like to know how fast and reliable they
> are=2Cthe string port has USB which the GI-20 doesnt
> The sofstep was a bit of dissapointment so i want to be careful if i
> was to get this one.
> im looking to get a midi converter to notate music and trigger
> software synths=2Ci know i can do it with my roland GR33 but i m selling
> it and want to get something small for my desk anyway.
> thanx
> Luis
>=20
 		 	   		  =

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<style><!--
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<body class=3D'hmmessage'>
Are you mac or pc?<BR>
<BR>&nbsp=3B<BR>
&gt=3B Date: Sun=2C 23 Jan 2011 16:59:55 +0100<BR>&gt=3B Subject: midi conv=
erters KM string port vs roland GI20<BR>&gt=3B From: louie.angulo@googlemai=
l.com<BR>&gt=3B To: loopers-delight@loopers-delight.com<BR>&gt=3B <BR>&gt=
=3B has anybody compared this? id like to know how fast and reliable they<B=
R>&gt=3B are=2Cthe string port has USB which the GI-20 doesnt<BR>&gt=3B The=
 sofstep was a bit of dissapointment so i want to be careful if i<BR>&gt=3B=
 was to get this one.<BR>&gt=3B im looking to get a midi converter to notat=
e music and trigger<BR>&gt=3B software synths=2Ci know i can do it with my =
roland GR33 but i m selling<BR>&gt=3B it and want to get something small fo=
r my desk anyway.<BR>&gt=3B thanx<BR>&gt=3B Luis<BR>&gt=3B <BR> 		 	   		  =
</body>
</html>=

--_6e9430ee-ac87-45cd-9db2-19d1a5deeb07_--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 16:41:38 2011
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Date: Sun, 23 Jan 2011 17:41:34 +0100
Message-ID: <AANLkTimb0tphXrpv+4M3UhB1Z7rNauF1D-Lms47TE=MU@mail.gmail.com>
Subject: Re: midi converters KM string port vs roland GI20
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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mac,but i just saw the price on that stringport
forget it ;-)
Luis

On Sun, Jan 23, 2011 at 5:24 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Are you mac or pc?
>
>
>> Date: Sun, 23 Jan 2011 16:59:55 +0100
>> Subject: midi converters KM string port vs roland GI20
>> From: louie.angulo@googlemail.com
>> To: loopers-delight@loopers-delight.com
>>
>> has anybody compared this? id like to know how fast and reliable they
>> are,the string port has USB which the GI-20 doesnt
>> The sofstep was a bit of dissapointment so i want to be careful if i
>> was to get this one.
>> im looking to get a midi converter to notate music and trigger
>> software synths,i know i can do it with my roland GR33 but i m selling
>> it and want to get something small for my desk anyway.
>> thanx
>> Luis
>>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 16:55:56 2011
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Subject: stereo
Date: Sun, 23 Jan 2011 08:55:48 -0800
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It was my not my intent to diss the use of stereo, For crying out loud  
guys, I use stereo all the time, the recent recordings I've been doing  
are actually using two separate rigs in stereo recorded  
simultaneously. But when I do a gig , often times I am not offered the  
luxury of either a stereo house sound or stereo monitors. If I'm  
playing solo and bringing my stereo pa, I might be forced to aim on  
speaker out and on on the floor facing back at me.  In fact it has  
been my experience that stereo is usually the exception not the norm,  
in live sound systems. So what do I do now that I don't have my  
precious stereo security blanket?  I use different delays in series  
set to different beat values to create the illusion of strereo  
imaging. It may not fullfill all of you stereo experts ear candy needs  
but it works for me in real world situations where stereo is not  
available. Obviously if you always have the luxury of stereo when you  
play live this point is moot, but I don't .  Also I was getting at an  
underlying issue that I didn't really clarify but is something I've  
had on my mind recently, and that is I'm going through a personal  
reavaluation in my own life about what is really necessary to create  
music and what is not.  Over the summer I did  20  gigs with an RnB  
singer friend of mine where we had so little set space for gear that I  
could only bring one amp. Now for the last 10 years or so my live band  
rig has always included two tube amps, in stereo split from my  
fulltone chorus. But over the course of several gigs, though I missed  
the vox amp and its sublime tremolo, I realized it wasn't essential to  
playing well and having a good experience. I've had the same epiphany  
about loopers lately. My looping has been refined to fewer and fewer  
tracks and a new  acoustic duo project I'm putting together will have  
some looping, but it will probably be simplified to a pair of simple  
loopers (we'll be using 2 LP-2's for syncing to each other). The idea  
is that we will use loops very sparingly and concentrate I writing  
material that doesn't even need looping to be delivered. The overall  
feeling I have had , is that technology needs to take a backseat so  
that I can get back to what for me is  most essential , and that is  
writing good music.
Bill

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 17:19:00 2011
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Date: Sun, 23 Jan 2011 19:18:53 +0200
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Subject: Re: stereo
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Very fine words, and quite seldomly heard in these techonology-ridden
conversations, thank Bill!

2011/1/23 William Walker <billwalker@baymoon.com>

> It was my not my intent to diss the use of stereo, For crying out loud
> guys, I use stereo all the time, the recent recordings I've been doing are
> actually using two separate rigs in stereo recorded simultaneously. But when
> I do a gig , often times I am not offered the luxury of either a stereo
> house sound or stereo monitors. If I'm playing solo and bringing my stereo
> pa, I might be forced to aim on speaker out and on on the floor facing back
> at me.  In fact it has been my experience that stereo is usually the
> exception not the norm, in live sound systems. So what do I do now that I
> don't have my precious stereo security blanket?  I use different delays in
> series set to different beat values to create the illusion of strereo
> imaging. It may not fullfill all of you stereo experts ear candy needs but
> it works for me in real world situations where stereo is not available.
> Obviously if you always have the luxury of stereo when you play live this
> point is moot, but I don't .  Also I was getting at an underlying issue that
> I didn't really clarify but is something I've had on my mind recently, and
> that is I'm going through a personal reavaluation in my own life about what
> is really necessary to create music and what is not.  Over the summer I did
>  20  gigs with an RnB singer friend of mine where we had so little set space
> for gear that I could only bring one amp. Now for the last 10 years or so my
> live band rig has always included two tube amps, in stereo split from my
> fulltone chorus. But over the course of several gigs, though I missed the
> vox amp and its sublime tremolo, I realized it wasn't essential to playing
> well and having a good experience. I've had the same epiphany about loopers
> lately. My looping has been refined to fewer and fewer tracks and a new
>  acoustic duo project I'm putting together will have some looping, but it
> will probably be simplified to a pair of simple loopers (we'll be using 2
> LP-2's for syncing to each other). The idea is that we will use loops very
> sparingly and concentrate I writing material that doesn't even need looping
> to be delivered. The overall feeling I have had , is that technology needs
> to take a backseat so that I can get back to what for me is  most essential
> , and that is writing good music.
> Bill
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

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Very fine words, and quite seldomly heard in these techonology-ridden conve=
rsations, thank Bill!<br><br><div class=3D"gmail_quote">2011/1/23 William W=
alker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billw=
alker@baymoon.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">It was my not my =
intent to diss the use of stereo, For crying out loud guys, I use stereo al=
l the time, the recent recordings I&#39;ve been doing are actually using tw=
o separate rigs in stereo recorded simultaneously. But when I do a gig , of=
ten times I am not offered the luxury of either a stereo house sound or ste=
reo monitors. If I&#39;m playing solo and bringing my stereo pa, I might be=
 forced to aim on speaker out and on on the floor facing back at me. =A0In =
fact it has been my experience that stereo is usually the exception not the=
 norm, in live sound systems. So what do I do now that I don&#39;t have my =
precious stereo security blanket? =A0I use different delays in series set t=
o different beat values to create the illusion of strereo imaging. It may n=
ot fullfill all of you stereo experts ear candy needs but it works for me i=
n real world situations where stereo is not available. Obviously if you alw=
ays have the luxury of stereo when you play live this point is moot, but I =
don&#39;t . =A0Also I was getting at an underlying issue that I didn&#39;t =
really clarify but is something I&#39;ve had on my mind recently, and that =
is I&#39;m going through a personal reavaluation in my own life about what =
is really necessary to create music and what is not. =A0Over the summer I d=
id =A020 =A0gigs with an RnB singer friend of mine where we had so little s=
et space for gear that I could only bring one amp. Now for the last 10 year=
s or so my live band rig has always included two tube amps, in stereo split=
 from my fulltone chorus. But over the course of several gigs, though I mis=
sed the vox amp and its sublime tremolo, I realized it wasn&#39;t essential=
 to playing well and having a good experience. I&#39;ve had the same epipha=
ny about loopers lately. My looping has been refined to fewer and fewer tra=
cks and a new =A0acoustic duo project I&#39;m putting together will have so=
me looping, but it will probably be simplified to a pair of simple loopers =
(we&#39;ll be using 2 LP-2&#39;s for syncing to each other). The idea is th=
at we will use loops very sparingly and concentrate I writing material that=
 doesn&#39;t even need looping to be delivered. The overall feeling I have =
had , is that technology needs to take a backseat so that I can get back to=
 what for me is =A0most essential , and that is writing good music.<br>

Bill<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahti=
nen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bl=
ank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--00151747b39c785303049a86adb3--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 17:25:38 2011
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On Jan 22, 2011, at 10:39 PM, Mark Hamburg wrote:

> On Jan 22, 2011, at 2:51 PM, Gareth Whittock wrote:
>=20
>> I'm thinking of getting one of these for psychedelic/ambient =
textures, (in combination with laptop looping and special effects).
>> I'm currently using Guitar rig 4 for this.
>> =20
>> What's the verdict guys? Pro's and cons?
>=20
> Very nice delays. The other effects are reasonably good but not that =
psychedelic/ambient. Some interesting material in the filter models -- =
e.g., random filters -- that might be interesting piped into a good =
delay, but you would probably want to set this up on a parallel effects =
loop which it isn't really set up to do. The Octo and Particle Verb =
reverbs are interesting but not stunning.
>=20
> For ambience, I would probably check out the Eventide Pitchfactor and =
Space pedals, but I haven't actually played with them.
>=20
> I'm coming to more deeply appreciate the Korg AM8000R again. Step =
modulated phaser into pitch shifter with feedback into a fairly dense =
delay makes for a great ambient background. (I can thank Mark Landman =
for having programmed this stuff in before I bought mine from him. I =
probably wouldn't have discovered it otherwise.) I actually like it so =
much, I have two. However, I'm really only using one so I'm thinking I =
should sell the second one. You have to be willing to deal with a rack =
processor, but it's a stunning source of creative ambiences.

As Jeff Duke demonstrates, you can get really interesting ambient =
effects out of it.

And I played my entire Y2KX set using the M13 plus a few upstream =
stompboxes.

What's missing for me with the M13 relative to the AM8000R from a signal =
flow standpoint is if I want to get some straight signal in addition to =
the ambient effects. There are definitely interesting effects to get by =
cranking the mix to fully wet on the earlier effects and reprocessing =
with the later effects and this isn't really viable with the Line6 =
effects if you also want some dry signal since each effects section just =
feeds into the next. If you've got even a simple mixer available, =
however, that problem goes away and with the M13 you could use the =
effects loop to basically get two separate runs of effects. So, it's a =
little less flexible than having one really powerful box with an overall =
wet/dry mix, but unlike the Korg unit, I don't end up needing a rack and =
it's a lot easier to tweak on the fly.

Now, I just need it to offer some things like feedback on the pitch =
shifter... The Octo/Shimmer sound is nice, but sometimes I like having =
the pitch descend down rather than up.

On the space front, if buying again, I would probably buy an M9 rather =
than an M13 and try to find space for it on my pedal board. Right now, =
the M13 sits off the pedal board though the expression pedals are on the =
peal board. That said, when I'm designing my dream looper, I've been =
using the M13 as a target point for a reasonable hardware configuration =
allowing easy access to core features in a reasonably portable form =
factor. Maybe the LP-3? (For all of the feeling that I diss the =
Looperlative here, it is a very nice piece of kit. I just feel that when =
people ask "why would one choose anything else" -- and that question =
does get asked a lot -- it's a challenge to people who do find =
themselves choosing to use something else for a variety of reasons.)

Mark


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Jan 22, 2011, at 10:39 PM, Mark Hamburg wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Jan 22, 2011, at =
2:51 PM, Gareth Whittock wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
class=3D"hmmessage" style=3D"font-size: 10pt; font-family: Tahoma; ">I'm =
thinking of getting one of these for psychedelic/ambient textures, (in =
combination with laptop looping and special effects).<br>I'm currently =
using Guitar rig 4 for this.<br>&nbsp;<br>What's the verdict guys? Pro's =
and cons?<br></div></span></blockquote><br></div><div>Very nice delays. =
The other effects are reasonably good but not that psychedelic/ambient. =
Some interesting material in the filter models -- e.g., random filters =
-- that might be interesting piped into a good delay, but you would =
probably want to set this up on a parallel effects loop which it isn't =
really set up to do. The Octo and Particle Verb reverbs are interesting =
but not stunning.<br><div></div></div><div><br></div><div>For ambience, =
I would probably check out the Eventide Pitchfactor and Space pedals, =
but I haven't actually played with them.</div><div><br></div><div>I'm =
coming to more deeply appreciate the Korg AM8000R again. Step modulated =
phaser into pitch shifter with feedback into a fairly dense delay makes =
for a great ambient background. (I can thank Mark Landman for having =
programmed this stuff in before I bought mine from him. I probably =
wouldn't have discovered it otherwise.)&nbsp;I actually like it so much, =
I have two. However, I'm really only using one so I'm thinking I should =
sell the second one. You have to be willing to deal with a rack =
processor, but it's a stunning source of creative =
ambiences.</div></div></blockquote><br></div><div>As Jeff Duke =
demonstrates, you can get really interesting ambient effects out of =
it.</div><div><br></div><div>And I played my entire Y2KX set using the =
M13 plus a few upstream stompboxes.</div><div><br></div><div>What's =
missing for me with the M13 relative to the AM8000R from a signal flow =
standpoint is if I want to get some straight signal in addition to the =
ambient effects. There are definitely interesting effects to get by =
cranking the mix to fully wet on the earlier effects and reprocessing =
with the later effects and this isn't really viable with the Line6 =
effects if you also want some dry signal since each effects section just =
feeds into the next. If you've got even a simple mixer available, =
however, that problem goes away and with the M13 you could use the =
effects loop to basically get two separate runs of effects. So, it's a =
little less flexible than having one really powerful box with an overall =
wet/dry mix, but unlike the Korg unit, I don't end up needing a rack and =
it's a lot easier to tweak on the fly.</div><div><br></div><div>Now, I =
just need it to offer some things like feedback on the pitch shifter... =
The Octo/Shimmer sound is nice, but sometimes I like having the pitch =
descend down rather than up.</div><div><br></div><div>On the space =
front, if buying again, I would probably buy an M9 rather than an M13 =
and try to find space for it on my pedal board. Right now, the M13 sits =
off the pedal board though the expression pedals are on the peal board. =
That said, when I'm designing my dream looper, I've been using the M13 =
as a target point for a reasonable hardware configuration allowing easy =
access to core features in a reasonably portable form factor. Maybe the =
LP-3? (For all of the feeling that I diss the Looperlative here, it is a =
very nice piece of kit. I just feel that when people ask "why would one =
choose anything else" -- and that question does get asked a lot -- it's =
a challenge to people who do find themselves choosing to use something =
else for a variety of =
reasons.)</div><div><br></div><div>Mark</div><div><br></div></body></html>=

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Subject: Re: stereo
From: Todd Matthews <gtmatthews@gmail.com>
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Amen, Bill!=20

It's easier said than done for me. I have to constantly steer myself =
back on track.

-Todd Matthews
On Jan 23, 2011, at 11:55 AM, William Walker wrote:

> It was my not my intent to diss the use of stereo, For crying out loud =
guys, I use stereo all the time, the recent recordings I've been doing =
are actually using two separate rigs in stereo recorded simultaneously. =
But when I do a gig , often times I am not offered the luxury of either =
a stereo house sound or stereo monitors. If I'm playing solo and =
bringing my stereo pa, I might be forced to aim on speaker out and on on =
the floor facing back at me.  In fact it has been my experience that =
stereo is usually the exception not the norm, in live sound systems. So =
what do I do now that I don't have my precious stereo security blanket?  =
I use different delays in series set to different beat values to create =
the illusion of strereo imaging. It may not fullfill all of you stereo =
experts ear candy needs but it works for me in real world situations =
where stereo is not available. Obviously if you always have the luxury =
of stereo when you play live this point is moot, but I don't .  Also I =
was getting at an underlying issue that I didn't really clarify but is =
something I've had on my mind recently, and that is I'm going through a =
personal reavaluation in my own life about what is really necessary to =
create music and what is not.  Over the summer I did  20  gigs with an =
RnB singer friend of mine where we had so little set space for gear that =
I could only bring one amp. Now for the last 10 years or so my live band =
rig has always included two tube amps, in stereo split from my fulltone =
chorus. But over the course of several gigs, though I missed the vox amp =
and its sublime tremolo, I realized it wasn't essential to playing well =
and having a good experience. I've had the same epiphany about loopers =
lately. My looping has been refined to fewer and fewer tracks and a new  =
acoustic duo project I'm putting together will have some looping, but it =
will probably be simplified to a pair of simple loopers (we'll be using =
2 LP-2's for syncing to each other). The idea is that we will use loops =
very sparingly and concentrate I writing material that doesn't even need =
looping to be delivered. The overall feeling I have had , is that =
technology needs to take a backseat so that I can get back to what for =
me is  most essential , and that is writing good music.
> Bill
>=20







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On Sun, Jan 23, 2011 at 5:55 PM, William Walker <billwalker@baymoon.com> wrote:
> stereo

I tend to like playing instruments as mono because it allows you a
better intonation for playing and gives a more powerful sound. When
looping though, you create a background horizon while playing the
upfront instrument and then I think stereo is great - for the looper
return signal that is, not for my instrument.

Two days ago I had a great experience in live stereo (!) when doing a
gig at a festival held at a theater venue. The sound system was
mounted with big left and right full-range speakers under the ceiling
right over the front corners of the stage and then both left and right
side had an additional side-fill speaker at the back, behind the
audience. Finally the mighty sub woofers were hidden under the seats,
cinema-style. After my gig I enjoyed the other artists and the players
that used stereo sounded extremely cool in that venue! But I enjoyed a
Joni Mitchel type singer-guitarsploinker-songwriter just as much, but
then rather for the music than for a spaced out sound ;-))

Preparing an upcoming octaphonic gig here now. That's fun but the
challenge is that you can't expect to literally hear what it feels
like until local sound check time. So you need to work with imagined
sound fields when designing the setup.

I certainly agree with Bill that "sound" can't replace music, but
truths like this should be understood on a discussion board like LD
:-)

Per

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http://cafenoodle.ning.com/  tonight in an hour - hope to see you  
there - I'd love to see some of you guys play to this community -  
really appreciative lovely audience :)


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<a href="http://cafenoodle.ning.com">http://cafenoodle.ning.com</a>/ &nbsp;tonight in an hour - hope to see you there - I'd love to see some of you guys play to this community - really appreciative lovely audience :)<div>&nbsp;<br><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
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> mark said: "The other effects are reasonably good but not that  
> psychedelic/ambient. "

What exactly is your criteria for psychedelic ambient Mark?  I have no  
problem achieving lush ambient textures or psychedelic  sounds out of  
my M-9. have you actually spent much time programming an M-9 or M-13?

For ambience, I would probably check out the Eventide Pitch factor and  
Space pedals, but I haven't actually played with them.

well of course, but then again Eventide beats everyone in the sound  
quality department. better A to D converters among other things. Let's  
see, one pitch factor $499, one Space, TBD, not yet out, but for the  
sake of argument lets say another $499, thats $1000 of signal  
processing right there. still interested Gareth? :-) if you can afford  
that firepower go for it as you won't be disappointed. I personally  
want a time factor and a Space which I saw demoed at NAMM, and was one  
of three things that really made my Shakespeare curl ( to quote XTC)  
The other two were the pigtronix Philosopher King which I've raved  
about before, and the new Moog lap steel which I'm hoping to check out  
more if I get to the factory in March.

Sjaak said:
   The analog delays can sound very harsh and anything but warm, I  
don't like
them personally, the DD-20 analog delay emulation is far better than
the M9 or M13.

  Hey Sjaak are you referring to the way these delays respond to  
regeneration feedback? If so I see your point, when using run away  
regeneration I've noticed a certain
harshness when going in to self oscillation but other wise They sound  
fine. I've used the DD-20 and it didn't seem to my ears to be any  
better. Could you elaborate please?

Though not perfect i've enjoyed using the M-9 allot. I had an M-13 I  
sold to Scoots, I got rid of it purely for size reasons, needed  
something smaller to put on my pedal board. This is a really nice  
processor Gareth that can do ambience textures really well and is more  
loaded feature -wise than anything in its price range. The only effect  
I know of in its class with two expression pedal ports for effects  
depth morphing. This feature alone gives the M-9 so much control its  
ridiculous.
  Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"font-family: =
Tahoma; font-size: 13px; "><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#5647FD">mark said: "The other =
effects are reasonably good but not that psychedelic/ambient. =
"&nbsp;</font></blockquote><br>What exactly is your criteria for =
psychedelic ambient Mark? &nbsp;I have no problem achieving lush ambient =
textures or psychedelic &nbsp;sounds out of my M-9. have you actually =
spent much time programming an M-9 or M-13?</div><div =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5C41FE"><br></font></div><div =
style=3D"font-family: Tahoma; font-size: 13px; "><div><font =
class=3D"Apple-style-span" color=3D"#5C41FE">For ambience, I would =
probably check out the Eventide Pitch factor and Space pedals, but I =
haven't actually played with them.</font></div><div><font =
class=3D"Apple-style-span" color=3D"#5C41FE"><br></font></div><div><font =
class=3D"Apple-style-span" color=3D"#241833">well of course, but then =
again Eventide beats everyone in the sound quality department. better A =
to D converters among other things. Let's see, one pitch factor $499, =
one Space, TBD, not yet out, but for the sake of argument lets say =
another $499, thats $1000 of signal processing right there. still =
interested Gareth? :-) if you can afford that firepower go for it as you =
won't be disappointed. I personally want a time factor and a Space which =
I saw demoed at NAMM, and was one of three things that really made my =
Shakespeare curl ( to quote XTC) The other two were the pigtronix =
Philosopher King which I've raved about before, and the new Moog lap =
steel which I'm hoping to check out more if I get to the factory in =
March.</font></div><div><font class=3D"Apple-style-span" color=3D"#6843FB"=
 face=3D"Helvetica"><span class=3D"Apple-style-span" style=3D"font-size: =
medium;"><br></span></font></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: medium; "><font =
class=3D"Apple-style-span" color=3D"#6843FB">Sjaak =
said:</font></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: medium; "><font =
class=3D"Apple-style-span" =
color=3D"#6843FB">&nbsp;&nbsp;</font></span><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; color: rgb(104, 67, 251); ">The</span><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; color: rgb(104, 67, 251); ">&nbsp;analog delays can sound very =
harsh and anything but warm, I don't like</span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; "><font class=3D"Apple-style-span" color=3D"#6843FB">them =
personally, the DD-20 analog delay emulation is far better =
than</font></span><span class=3D"Apple-style-span" style=3D"font-family: =
Helvetica; font-size: medium; "><font class=3D"Apple-style-span" =
color=3D"#6843FB"><br></font></span><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: medium; "><font =
class=3D"Apple-style-span" color=3D"#6843FB">the M9 or =
M13.</font></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: medium; "><font =
class=3D"Apple-style-span" =
color=3D"#6843FB"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; "><font class=3D"Apple-style-span" =
color=3D"#6843FB">&nbsp;</font><font class=3D"Apple-style-span" =
color=3D"#090515">Hey Sjaak are you referring to the way these delays =
respond to regeneration feedback? If so I see your point, when using run =
away regeneration I've noticed a certain</font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; "><font class=3D"Apple-style-span" color=3D"#090515">harshness =
when going in to self oscillation but other wise They sound fine. I've =
used the DD-20 and it didn't seem to my ears to be any better. Could you =
elaborate please?</font></span></div><div><span class=3D"Apple-style-span"=
 style=3D"font-family: Helvetica; font-size: medium; "><font =
class=3D"Apple-style-span" =
color=3D"#090515"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size: =
medium; "><font class=3D"Apple-style-span" color=3D"#090515">Though not =
perfect i've enjoyed using the M-9 allot. I had an M-13 I sold to =
Scoots, I got rid of it purely for size reasons, needed something =
smaller to put on my pedal board. This is a really nice processor Gareth =
that can do ambience textures really well and is more loaded feature =
-wise than anything in its price range. The only effect I know of in its =
class with two expression pedal ports for effects depth morphing. This =
feature alone gives the M-9 so much control its =
ridiculous.</font></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Helvetica; font-size: medium; "><font =
class=3D"Apple-style-span" =
color=3D"#090515">&nbsp;Bill</font></span></div></div></body></html>=

--Apple-Mail-1--329204559--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 18:11:25 2011
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Subject: Re: m-13 m-9
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On Jan 23, 2011, at 9:59 AM, William Walker wrote:

>> mark said: "The other effects are reasonably good but not that =
psychedelic/ambient. "=20
>=20
> What exactly is your criteria for psychedelic ambient Mark?  I have no =
problem achieving lush ambient textures or psychedelic  sounds out of my =
M-9. have you actually spent much time programming an M-9 or M-13?

Psychedelic, I'm not sure. It's probably a fairly flexible word. I think =
I was worrying more about ambient effects and looking more at the =
reverbs and pitch shifters and comparing them to what I can do with the =
AM8000R. As I noted in my follow up, the Line6 units do some nice stuff, =
but they aren't as flexible in routing for ambience effects unless you =
can go 100% wet and they can't do the pitch shifter feedback thing. That =
said, you can just run a bunch of echo programs at various delay =
settings and get a nice lush background.

> For ambience, I would probably check out the Eventide Pitch factor and =
Space pedals, but I haven't actually played with them.
>=20
> well of course, but then again Eventide beats everyone in the sound =
quality department. better A to D converters among other things. Let's =
see, one pitch factor $499, one Space, TBD, not yet out, but for the =
sake of argument lets say another $499, thats $1000 of signal processing =
right there. still interested Gareth? :-) if you can afford that =
firepower go for it as you won't be disappointed. I personally want a =
time factor and a Space which I saw demoed at NAMM, and was one of three =
things that really made my Shakespeare curl ( to quote XTC) The other =
two were the pigtronix Philosopher King which I've raved about before, =
and the new Moog lap steel which I'm hoping to check out more if I get =
to the factory in March.

The math on the Eventide pedals has given me pause as well. The Line6 =
pedals are certainly a great value for the money. So, it depends on what =
criteria one is applying.

Mark


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Jan 23, 2011, at 9:59 AM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"font-family: =
Tahoma; font-size: 13px; "><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#5647FD">mark said: "The other =
effects are reasonably good but not that psychedelic/ambient. =
"&nbsp;</font></blockquote><br>What exactly is your criteria for =
psychedelic ambient Mark? &nbsp;I have no problem achieving lush ambient =
textures or psychedelic &nbsp;sounds out of my M-9. have you actually =
spent much time programming an M-9 or =
M-13?</div></div></blockquote><div><br></div>Psychedelic, I'm not sure. =
It's probably a fairly flexible word. I think I was worrying more about =
ambient effects and looking more at the reverbs and pitch shifters and =
comparing them to what I can do with the AM8000R. As I noted in my =
follow up, the Line6 units do some nice stuff, but they aren't as =
flexible in routing for ambience effects unless you can go 100% wet and =
they can't do the pitch shifter feedback thing. That said, you can just =
run a bunch of echo programs at various delay settings and get a nice =
lush background.</div><div><br><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"font-family: =
Tahoma; font-size: 13px; "><div><font class=3D"Apple-style-span" =
color=3D"#5C41FE">For ambience, I would probably check out the Eventide =
Pitch factor and Space pedals, but I haven't actually played with =
them.</font></div><div><font class=3D"Apple-style-span" =
color=3D"#5C41FE"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#241833">well of course, but then again Eventide beats everyone =
in the sound quality department. better A to D converters among other =
things. Let's see, one pitch factor $499, one Space, TBD, not yet out, =
but for the sake of argument lets say another $499, thats $1000 of =
signal processing right there. still interested Gareth? :-) if you can =
afford that firepower go for it as you won't be disappointed. I =
personally want a time factor and a Space which I saw demoed at NAMM, =
and was one of three things that really made my Shakespeare curl ( to =
quote XTC) The other two were the pigtronix Philosopher King which I've =
raved about before, and the new Moog lap steel which I'm hoping to check =
out more if I get to the factory in =
March.</font></div></div></div></blockquote><div><br></div>The math on =
the Eventide pedals has given me pause as well. The Line6 pedals are =
certainly a great value for the money. So, it depends on what criteria =
one is =
applying.<br><div><br></div><div>Mark</div><div><br></div></div></body></h=
tml>=

--Apple-Mail-283--328500954--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 18:22:22 2011
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: m-13 m-9
Date: Sun, 23 Jan 2011 18:22:19 +0000
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Well that's a relief 'cause I just picked one=2C(m13)  up from evilbay pret=
ty cheap..=20
I need to get my face out of the computer for a change. I fancy doing a bit=
 of noodling by the fire on these cold winter evenings and don't fancy drag=
ging my computer/soundcard/pedal board etc into the living room.
btw are the switches noisy=2C (physically I mean) ?
=20
G
=20
=20
This is a really nice processor Gareth that can do ambience textures really=
 well and is more loaded feature -wise than anything in its price range. Th=
e only effect I know of in its class with two expression pedal ports for ef=
fects depth morphing. This feature alone gives the M-9 so much control its =
ridiculous.

 Bill 		 	   		  =

--_2383557d-3a5a-41d6-ace8-1c361c95b453_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
<BR>Well that's a relief 'cause I just picked one=2C(m13) &nbsp=3Bup from e=
vilbay pretty cheap.. <BR>
I need to get my face out of the computer for a change. I fancy doing a bit=
 of noodling by the fire on these cold winter evenings and&nbsp=3Bdon't fan=
cy&nbsp=3Bdragging my computer/soundcard/pedal board&nbsp=3Betc into the li=
ving room.<BR>
btw are the switches noisy=2C (physically I mean) ?<BR>
&nbsp=3B<BR>
G<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
<SPAN style=3D"FONT-FAMILY: Helvetica=3B FONT-SIZE: medium" class=3DecxAppl=
e-style-span><FONT class=3DecxApple-style-span color=3D#090515>This is a re=
ally nice processor Gareth that can do ambience textures really well and is=
 more loaded feature -wise than anything in its price range. The only effec=
t I know of in its class with two expression pedal ports for effects depth =
morphing. This feature alone gives the M-9 so much control its ridiculous.<=
/FONT></SPAN><BR>
<DIV style=3D"FONT-FAMILY: Tahoma=3B FONT-SIZE: 13px">
<DIV><SPAN style=3D"FONT-FAMILY: Helvetica=3B FONT-SIZE: medium" class=3Dec=
xApple-style-span><FONT class=3DecxApple-style-span color=3D#090515>&nbsp=
=3BBill</FONT></SPAN></DIV></DIV> 		 	   		  </body>
</html>=

--_2383557d-3a5a-41d6-ace8-1c361c95b453_--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 18:23:15 2011
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Subject: Re: m13 - m9 
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  Mark said:
What's missing for me with the M13 relative to the AM8000R from a  
signal flow standpoint is if I want to get some straight signal in  
addition to the ambient effects. There are definitely interesting  
effects to get by cranking the mix to fully wet on the earlier effects  
and reprocessing with the later effects and this isn't really viable  
with the Line6 effects if you also want some dry signal since each  
effects section just feeds into the next.

Maybe you are using a different effect than me???? There are a few dry  
thru delays on the M-9/13  that allow just what you are taking about,  
and then there are individual mix controls for every effect, which  
will do the same thing, So you are lamenting the lack of a wet and dry  
output?  Mark,  i can't wait to see the looper/multi effect you have  
on the design board. It will have every feature known to mankind!!!!
  Regarding mix settings. Just recently I have been taking a closer  
look at the wah pedals on the M-9. Because my M-9 is placed after my  
compressor and guitar preamp, its not in an ideal place to put a wah  
pedal, as it sounds too peaky and over the top to be usefull. However  
because you can tweek any parameter of the wah including the mix, I  
have found I can create a very subtle yet effective wah sound that  
doesn't overload the midrange but still provides an expressive vocal  
quality. The ability to fine tune the wah's throw characteristics and  
its overall depth is really an outstanding feature. My favorites are  
the wah called throaty and the colorsound wah sim which makes me  
nostalgic for a color sound wah I owned briefly back in the day.
  Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6C46FF">&nbsp;Mark =
said:</font></span><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6C46FF">What's missing for me with =
the M13 relative to the AM8000R from a signal flow standpoint is if I =
want to get some straight signal in addition to the ambient effects. =
There are definitely interesting effects to get by cranking the mix to =
fully wet on the earlier effects and reprocessing with the later effects =
and this isn't really viable with the Line6 effects if you also want =
some dry signal since each effects section just feeds into the =
next.</font></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#6C46FF">&nbsp;</font></span><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#6C46FF"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#06030F">Maybe you are =
using a different effect than me???? There are a few dry thru delays on =
the M-9/13 &nbsp;that allow just what you are taking about, and then =
there are individual mix controls for every effect, which will do the =
same thing, So you are lamenting the lack of a wet and dry output? =
&nbsp;Mark, &nbsp;i can't wait to see the looper/multi effect you have =
on the design board. It will have every feature known to =
mankind!!!!</font></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#06030F">&nbsp;Regarding mix =
settings. Just recently I have been taking a closer look at the wah =
pedals on the M-9. Because my M-9 is placed after my compressor and =
guitar preamp, its not in an ideal place to put a wah pedal, as it =
sounds too peaky and over the top to be usefull. However because you can =
tweek any parameter of the wah including the mix, I have found I can =
create a very subtle yet effective wah sound that doesn't overload the =
midrange but still provides an expressive vocal quality. The ability to =
fine tune the wah's throw characteristics and its overall depth is =
really an outstanding feature. My favorites are the wah called throaty =
and the colorsound wah sim which makes me nostalgic for a color sound =
wah I owned briefly back in the day.</font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#06030F">&nbsp;Bill</font></span></div></div></body></html>=

--Apple-Mail-2--327792927--

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William Walker schrieb:
>  Mark said:
> What's missing for me with the M13 relative to the AM8000R from a 
> signal flow standpoint is if I want to get some straight signal in 
> addition to the ambient effects. There are definitely interesting 
> effects to get by cranking the mix to fully wet on the earlier effects 
> and reprocessing with the later effects and this isn't really viable 
> with the Line6 effects if you also want some dry signal since each 
> effects section just feeds into the next. 
>
> Maybe you are using a different effect than me???? There are a few dry 
> thru delays on the M-9/13  that allow just what you are taking about, 
> and then there are individual mix controls for every effect, which 
> will do the same thing, So you are lamenting the lack of a wet and dry 
> output?  Mark,  i can't wait to see the looper/multi effect you have 
> on the design board. It will have every feature known to mankind!!!!
The way I understand Mark's post - and from the M9 manual it seems it's 
not possible with the M9:

Let's say you want the following:
Your dry signal goes into a pitch shifter. The full wet pitch shifted 
signal goes into a delay (50/50 mix). Then both the output of the delay 
and the dry signal go into a reverb.

The way I understand the M9's routing concept (which is, basically, like 
three stompboxes in series), that is not possible with the M9.
Btw, Mark, perhaps you can find a Sony GR-MP5 w/ optional remote control 
for next to nothing - because that's something this old Sony thing can 
do. (but then again, it's a 9.5'' rack unit).

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 18:40:07 2011
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Subject: Re: stereo
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Bill,
in fact i very much agree to your post..
Technology is just not musicality per se, and furthermore stereo is  
similarly best, when it is either right, center or left, which is even  
fully compatible  to mono.
Reminds me of that old sound engineers' rule: if you want to find a  
good panning within the stereo field, then adjust it, while listening  
to a mono signal.
Ha.
It works, brilliantly.
J
- - -
jayrope
http://www.kliklak.net

On Jan 23, 2011, at 6:51 PM, Loopers-Delight-d-request@loopers-delight.com 
  wrote:

> It was my not my intent to diss the use of stereo, For crying out  
> loud guys, I use stereo all the time, the recent recordings I've  
> been doing are actually using two separate rigs in stereo recorded  
> simultaneously. But when I do a gig , often times I am not offered  
> the luxury of either a stereo house sound or stereo monitors. If I'm  
> playing solo and bringing my stereo pa, I might be forced to aim on  
> speaker out and on on the floor facing back at me.  In fact it has  
> been my experience that stereo is usually the exception not the  
> norm, in live sound systems. So what do I do now that I don't have  
> my precious stereo security blanket?  I use different delays in  
> series set to different beat values to create the illusion of  
> strereo imaging. It may not fullfill all of you stereo experts ear  
> candy needs but it works for me in real world situations where  
> stereo is not available. Obviously if you always have the luxury of  
> stereo when you play live this point is moot, but I don't .  Also I  
> was getting at an underlying issue that I didn't really clarify but  
> is something I've had on my mind recently, and that is I'm going  
> through a personal reavaluation in my own life about what is really  
> necessary to create music and what is not.  Over the summer I did   
> 20  gigs with an RnB singer friend of mine where we had so little  
> set space for gear that I could only bring one amp. Now for the last  
> 10 years or so my live band rig has always included two tube amps,  
> in stereo split from my fulltone chorus. But over the course of  
> several gigs, though I missed the vox amp and its sublime tremolo, I  
> realized it wasn't essential to playing well and having a good  
> experience. I've had the same epiphany about loopers lately. My  
> looping has been refined to fewer and fewer tracks and a new   
> acoustic duo project I'm putting together will have some looping,  
> but it will probably be simplified to a pair of simple loopers  
> (we'll be using 2 LP-2's for syncing to each other). The idea is  
> that we will use loops very sparingly and concentrate I writing  
> material that doesn't even need looping to be delivered. The overall  
> feeling I have had , is that technology needs to take a backseat so  
> that I can get back to what for me is  most essential , and that is  
> writing good music.
> Bill

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 18:51:52 2011
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>
> I certainly agree with Bill that "sound" can't replace music, but
> truths like this should be understood on a discussion board like LD
> :-)
>
> Per

Yes Per, one would hope that would be the case.............but not  
everyone on this list is as in touch with the muse as you are,  nor do  
they have the musical confidence you enjoy.  Also not everyone has the  
work ethic and commitment you have displayed in getting your rig  
together and digging deeply in to it.  And many folks are more  
tethered to their technology than you might be.
  Bill





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">&nbsp;<div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#6B45FF"><br>I =
certainly agree with Bill that "sound" can't replace music, =
but<br>truths like this should be understood on a discussion board like =
LD<br>:-)<br><br>Per<br></font></span></span></blockquote><br>Yes Per, =
one would hope that would be the case.............but not everyone on =
this list is as in touch with the muse as you are, &nbsp;nor do they =
have the musical confidence you enjoy. &nbsp;Also not everyone has the =
work ethic and commitment you have displayed in getting your rig =
together and digging deeply in to it. &nbsp;And many folks are more =
tethered to their technology than you might =
be.&nbsp;<br><div>&nbsp;Bill<br><div><div><br><div><div><br></div><font =
class=3D"Apple-style-span" color=3D"#6B45FF"><br =
class=3D"Apple-interchange-newline"></font></div><br></div></div></div></d=
iv></body></html>=

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Date: Sun, 23 Jan 2011 13:52:43 -0500
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Subject: Re: m13 - m9
From: Jeff Duke <jeffloops@gmail.com>
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Of course the M9 isn't perfect, I personally think that the delays could be
better quality. I wish it had better level controls for some patches,
especially filters. I am thinking Obi Wah in particular will clip like mad
on some of the peaks probably like the wahs you mentioned Bill. my m9 runs
after the preamp /comp pedals also. There are other things but...

What is does right is give me tons of cool sounding fx in a tiny footprint.
Y2K would have been difficult for me if it wasn't for this little beastie!
The ex peds give me plenty of control also. I really do like the looper for
pre fx use. I feed it to some Alesis mod fx and a Vortex, then into my 2
other loopers (2880, DD 20)

I want Eventide Space pedal also but will have to sell something to get it!

Agree Rainer about the 100% wet/dry split but I wasn't looking for that in
this instance. In the old days much of the good rack stuff had this feature
if i remember right.

The buttons are a bit noisy but it doesn't  affect me since I run direct
into my computer for everything at home. It might if you mic.

best,

J

On Sun, Jan 23, 2011 at 1:35 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> William Walker schrieb:
>
>>  Mark said:
>> What's missing for me with the M13 relative to the AM8000R from a signal
>> flow standpoint is if I want to get some straight signal in addition to the
>> ambient effects. There are definitely interesting effects to get by cranking
>> the mix to fully wet on the earlier effects and reprocessing with the later
>> effects and this isn't really viable with the Line6 effects if you also want
>> some dry signal since each effects section just feeds into the next.
>> Maybe you are using a different effect than me???? There are a few dry
>> thru delays on the M-9/13  that allow just what you are taking about, and
>> then there are individual mix controls for every effect, which will do the
>> same thing, So you are lamenting the lack of a wet and dry output?  Mark,  i
>> can't wait to see the looper/multi effect you have on the design board. It
>> will have every feature known to mankind!!!!
>>
> The way I understand Mark's post - and from the M9 manual it seems it's not
> possible with the M9:
>
> Let's say you want the following:
> Your dry signal goes into a pitch shifter. The full wet pitch shifted
> signal goes into a delay (50/50 mix). Then both the output of the delay and
> the dry signal go into a reverb.
>
> The way I understand the M9's routing concept (which is, basically, like
> three stompboxes in series), that is not possible with the M9.
> Btw, Mark, perhaps you can find a Sony GR-MP5 w/ optional remote control
> for next to nothing - because that's something this old Sony thing can do.
> (but then again, it's a 9.5'' rack unit).
>
>         Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>

--90e6ba6e8eee0bb9be049a87fd28
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Of course the M9 isn&#39;t perfect, I personally think that the delays coul=
d be better quality. I wish it had better level controls for some patches, =
especially filters. I am thinking Obi Wah in particular will clip like mad =
on some of the peaks probably like the wahs you mentioned Bill. my m9 runs =
after the preamp /comp pedals also. There are other things but...<br>
<br>What is does right is give me tons of cool sounding fx in a tiny footpr=
int. Y2K would have been difficult for me if it wasn&#39;t for this little =
beastie! The ex peds give me plenty of control also. I really do like the l=
ooper for pre fx use. I feed it to some Alesis mod fx and a Vortex, then in=
to my 2 other loopers (2880, DD 20)<br>
<br>I want Eventide Space pedal also but will have to sell something to get=
 it!<br><br>Agree Rainer about the 100% wet/dry split but I wasn&#39;t look=
ing for that in this instance. In the old days much of the good rack stuff =
had this feature if i remember right.<br>
<br>The buttons are a bit noisy but it doesn&#39;t=A0 affect me since I run=
 direct into my computer for everything at home. It might if you mic.<br><b=
r>best,<br><br>J<br><br><div class=3D"gmail_quote">On Sun, Jan 23, 2011 at =
1:35 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsoun=
d@googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">William Walker sc=
hrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
=A0Mark said:<br>
What&#39;s missing for me with the M13 relative to the AM8000R from a signa=
l flow standpoint is if I want to get some straight signal in addition to t=
he ambient effects. There are definitely interesting effects to get by cran=
king the mix to fully wet on the earlier effects and reprocessing with the =
later effects and this isn&#39;t really viable with the Line6 effects if yo=
u also want some dry signal since each effects section just feeds into the =
next. <br>

Maybe you are using a different effect than me???? There are a few dry thru=
 delays on the M-9/13 =A0that allow just what you are taking about, and the=
n there are individual mix controls for every effect, which will do the sam=
e thing, So you are lamenting the lack of a wet and dry output? =A0Mark, =
=A0i can&#39;t wait to see the looper/multi effect you have on the design b=
oard. It will have every feature known to mankind!!!!<br>

</blockquote>
The way I understand Mark&#39;s post - and from the M9 manual it seems it&#=
39;s not possible with the M9:<br>
<br>
Let&#39;s say you want the following:<br>
Your dry signal goes into a pitch shifter. The full wet pitch shifted signa=
l goes into a delay (50/50 mix). Then both the output of the delay and the =
dry signal go into a reverb.<br>
<br>
The way I understand the M9&#39;s routing concept (which is, basically, lik=
e three stompboxes in series), that is not possible with the M9.<br>
Btw, Mark, perhaps you can find a Sony GR-MP5 w/ optional remote control fo=
r next to nothing - because that&#39;s something this old Sony thing can do=
. (but then again, it&#39;s a 9.5&#39;&#39; rack unit).<br>
<br>
 =A0 =A0 =A0 =A0 Rainer<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
</font></blockquote></div><br>

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On Jan 23, 2011, at 10:23 AM, William Walker wrote:

>  Mark said:
> What's missing for me with the M13 relative to the AM8000R from a =
signal flow standpoint is if I want to get some straight signal in =
addition to the ambient effects. There are definitely interesting =
effects to get by cranking the mix to fully wet on the earlier effects =
and reprocessing with the later effects and this isn't really viable =
with the Line6 effects if you also want some dry signal since each =
effects section just feeds into the next.=20
>=20
> Maybe you are using a different effect than me???? There are a few dry =
thru delays on the M-9/13  that allow just what you are taking about, =
and then there are individual mix controls for every effect, which will =
do the same thing, So you are lamenting the lack of a wet and dry =
output?  Mark,  i can't wait to see the looper/multi effect you have on =
the design board. It will have every feature known to mankind!!!!

Here is what I'm doing with the AM8000R and I find it adds some really =
nice ambience behind the loops (note the emphasis on "behind the =
loops")...

	Stepped Phaser -> Pitch Shifter with Feedback --> Delay/Reverb

(I think pretty much all of my sets other than Y2KX have had something =
along these lines sitting in the background.)

The feed through on those effects tends to be 100% wet from one to the =
next (or at least pretty heavily biased toward wet) but I can route the =
dry signal around them for an overall dry/wet mix that can let the =
ambience sink into the background. The individual effects on the M9/M13 =
tend to have mix controls but you can't say take 100% of the Particle =
Verb and feed it into the Obi-Wah and then feed that into a delay and =
then mix that all behind the initial dry signal. To do that, you either =
need a more complicated effect that folds the pieces all together or you =
need a mixer -- though it wouldn't need to be a terribly sophisticated =
mixer.

This comes up because I've been looking at eliminating my rack and =
comparing what the AM8000R lets me do with what the M13 lets me do and =
finding that I don't have quite as much flexibility (let alone missing =
the pitch shifter feedback effect). Not having actually used them, I =
don't know whether the Eventide boxes would handle this either since =
again it would depend on having an appropriate all-in-one effect for =
which one could then set a wet/dry mix. But for a floor-pedal only set =
up, I've definitely been tempted toward using two effects in the M13 on =
the signal out of my analog chain, then running out the effects loop =
into a looper, and then using two more effects post-looper. =
(Unfortunately, Line6 won't let me just stick their looper in the middle =
of the chain.) A pedal board friendly mixer and some splitting support =
would make this even more flexible and would resolve the above wet/dry =
issues.


>  Regarding mix settings. Just recently I have been taking a closer =
look at the wah pedals on the M-9. Because my M-9 is placed after my =
compressor and guitar preamp, its not in an ideal place to put a wah =
pedal, as it sounds too peaky and over the top to be usefull. However =
because you can tweek any parameter of the wah including the mix, I have =
found I can create a very subtle yet effective wah sound that doesn't =
overload the midrange but still provides an expressive vocal quality. =
The ability to fine tune the wah's throw characteristics and its overall =
depth is really an outstanding feature. My favorites are the wah called =
throaty and the colorsound wah sim which makes me nostalgic for a color =
sound wah I owned briefly back in the day.

Cool. I may have to play more with the Line6 wah models since I'm =
finding my Weeping Demon to be a bit bulky on the pedal board.

Mark


--Apple-Mail-288--324409245
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Jan 23, 2011, at 10:23 AM, William Walker wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#6C46FF">&nbsp;Mark =
said:</font></span><div><span class=3D"Apple-style-span" =
style=3D"font-family: Tahoma; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6C46FF">What's missing for me with =
the M13 relative to the AM8000R from a signal flow standpoint is if I =
want to get some straight signal in addition to the ambient effects. =
There are definitely interesting effects to get by cranking the mix to =
fully wet on the earlier effects and reprocessing with the later effects =
and this isn't really viable with the Line6 effects if you also want =
some dry signal since each effects section just feeds into the =
next.</font></span><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#6C46FF">&nbsp;</font></span><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#6C46FF"><br></font></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#06030F">Maybe you are =
using a different effect than me???? There are a few dry thru delays on =
the M-9/13 &nbsp;that allow just what you are taking about, and then =
there are individual mix controls for every effect, which will do the =
same thing, So you are lamenting the lack of a wet and dry output? =
&nbsp;Mark, &nbsp;i can't wait to see the looper/multi effect you have =
on the design board. It will have every feature known to =
mankind!!!!</font></span></div></div></span></blockquote><div><br></div><d=
iv>Here is what I'm doing with the AM8000R and I find it adds some =
really nice ambience behind the loops (note the emphasis on "behind the =
loops")...</div><div><br></div><div><span class=3D"Apple-tab-span" =
style=3D"white-space:pre">	</span>Stepped Phaser -&gt; Pitch =
Shifter with Feedback --&gt; Delay/Reverb</div><div><br></div><div>(I =
think pretty much all of my sets other than Y2KX have had something =
along these lines sitting in the =
background.)</div><div><br></div><div>The feed through on those effects =
tends to be 100% wet from one to the next (or at least pretty heavily =
biased toward wet) but I can route the dry signal around them for an =
overall dry/wet mix that can let the ambience sink into the background. =
The individual effects on the M9/M13 tend to have mix controls but you =
can't say take 100% of the Particle Verb and feed it into the Obi-Wah =
and then feed that into a delay and then mix that all behind the initial =
dry signal. To do that, you either need a more complicated effect that =
folds the pieces all together or you need a mixer -- though it wouldn't =
need to be a terribly sophisticated mixer.</div><div><br></div><div>This =
comes up because I've been looking at eliminating my rack and comparing =
what the AM8000R lets me do with what the M13 lets me do and finding =
that I don't have quite as much flexibility (let alone missing the pitch =
shifter&nbsp;feedback effect). Not having actually used them, I don't =
know whether the Eventide boxes would handle this either since again it =
would depend on having an appropriate all-in-one effect for which one =
could then set a wet/dry mix. But for a floor-pedal only set up, I've =
definitely been tempted toward using two effects in the M13 on the =
signal out of my analog chain, then running out the effects loop into a =
looper, and then using two more effects post-looper. (Unfortunately, =
Line6 won't let me just stick their looper in the middle of the chain.) =
A pedal board friendly mixer and some splitting support would make this =
even more flexible and would resolve the above wet/dry =
issues.</div><div><br></div><br><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; =
"><div><div><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#06030F">&nbsp;Regarding mix settings. Just recently I have =
been taking a closer look at the wah pedals on the M-9. Because my M-9 =
is placed after my compressor and guitar preamp, its not in an ideal =
place to put a wah pedal, as it sounds too peaky and over the top to be =
usefull. However because you can tweek any parameter of the wah =
including the mix, I have found I can create a very subtle yet effective =
wah sound that doesn't overload the midrange but still provides an =
expressive vocal quality. The ability to fine tune the wah's throw =
characteristics and its overall depth is really an outstanding feature. =
My favorites are the wah called throaty and the colorsound wah sim which =
makes me nostalgic for a color sound wah I owned briefly back in the =
day.</font></span></div></div></span></blockquote><br></div><div>Cool. I =
may have to play more with the Line6 wah models since I'm finding my =
Weeping Demon to be a bit bulky on the pedal =
board.</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-288--324409245--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 19:45:02 2011
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Subject: Re: midi converters KM string port vs roland GI20
Date: Sun, 23 Jan 2011 12:44:35 -0700
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Louie:
This should do the trick - if I'm understanding what you want to do,  
that is

MP3 to MIDI and WAVE to MIDI Converter: WIDISOFT Features

I use this in Ableton and Rax for driving software synths via audio  
(recorder/ guitar) signal.  The Sonuus G2M worked pretty well also  
though going the software plugin route eliminated another chunk of  
hardware - a good thing......

- Paul (soundcloud.com/r369improv)



On Jan 23, 2011, at 9:41 AM, Louie Angulo wrote:
>>>
>>> im looking to get a midi converter to notate music and trigger
>>> software synths,i know i can do it with my roland GR33 but i m  
>>> selling
>>> it and want to get something small for my desk anyway.
>>> thanx
>>> Luis
>>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Louie:</div><div>This =
should do the trick - if I'm understanding what you want to do, that =
is</div><div><br></div><a =
href=3D"http://www.widisoft.com/english/widi-audio-to-midi-vst.html">MP3 =
to MIDI and WAVE to MIDI Converter: WIDISOFT =
Features</a><div><br></div><div><a =
href=3D"http://www.widisoft.com/english/widi-audio-to-midi-vst.html"></a>I=
 use this in Ableton and Rax for driving software synths via audio =
(recorder/ guitar) signal. &nbsp;The Sonuus G2M worked pretty well also =
though going the software plugin route eliminated another chunk of =
hardware - a good thing......</div><div><br></div><div>- Paul =
(soundcloud.com/r369improv)<br><div><br></div><div><br></div><div><a =
href=3D"http://www.widisoft.com/english/widi-audio-to-midi-vst.html"></a><=
br><div><div>On Jan 23, 2011, at 9:41 AM, Louie Angulo =
wrote:</div><blockquote type=3D"cite"><div><blockquote =
type=3D"cite"><blockquote type=3D"cite"><font class=3D"Apple-style-span" =
color=3D"#000000"><br></font></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">im looking to get a midi =
converter to notate music and =
trigger<br></blockquote></blockquote><blockquote type=3D"cite"><blockquote=
 type=3D"cite">software synths,i know i can do it with my roland GR33 =
but i m selling<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">it and want to get something =
small for my desk anyway.<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">thanx<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite">Luis<br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><br></div></blockquote></div><br></div></di=
v></body></html>=

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Subject: Re: semi-OT: practice amp for looping
Date: Sun, 23 Jan 2011 21:25:41 +0100
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Thank you for the feedback Scott.
I also fear that the size of the speakers on small amps might not suits =
my needs.

Tony K > Thank you for this input. This small vox sounds good on the =
video but as it is recorded from a mic I'm not sure. I should perhaps =
tried to find a store that has it and do some tests.

Ben


  ----- Original Message -----=20
  From: Scott Hansen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, January 22, 2011 5:27 PM
  Subject: semi-OT: practice amp for looping


  hi ben-
  here's my recommendation-
  i do mostly guitar loops, occasionally use my drum machine, use to =
feed it random stuff recorded from small digital voice recorder =
(searching for a new one of these for simple recording....)
  as a guitarist, i've owned one small tube amp in my life (kustom tube =
12A-ok, didn't love, still have)...to my ear, guitar amps are just so =
MID-RANGEY.
  now i realize that most guitarists love this sound, and of course all =
the classic guitarists, i love their sound (and chased it too =
long....endless, although i always went gtr, since
  i didn't want to spend a fortune on amps). a few yrs ago when my 50 =
watt SS amp died & the repair i paid double the price of the original =
amp for, didn't last more than 9 mo's. i decided to go small cheap, had =
little 10 watt marshall (ok), then got the kustom above (ok), but i =
found that for me, the tiny speakers, just SUCK! now i don't play loud =
at all at home in my studio, and i honestly don't know the size of the =
speaker of my old 50 watt amps (probably 10", might have been 12"), =
after 2 yrs of small amps and hating them, i decided to start a hunt. =
Jeff Duke uses a portable PA system amp in a bunch of his vids & I =
F***ING loved his sounds, but it's a newish amp still, and couldn't find =
any for under 200 beans (i'm a budget guy). so about a yr & 1/2 ago i =
found a Fender Keyboard 60 amp at a local pawn shop (my fave pawn shop =
that i bought a million guitars from closed back in '05, sadly), did =
some research, saw a few people on harmony-central used them for gtr, i =
tested the amp at the place w/ some crappy guitar there & it sounded ok. =
got it home, feed it my system & setup,  AND I LOVE IT. it's very clean, =
which i like (this probably comes out of the nels cline model-clean amp, =
dirt from pedals), but i think the range of sounds is much greater than =
a guitar amp , to my ear. i like the distortion to come from my pedals, =
and i like digital distortion (this probably puts me out of the running =
for "guitar purist/tone snob" category). but i like the sound of it. =
actually i hate playing direct now, which i would always do when i was =
obsessively recording things a few yrs ago, i used to favor my direct =
sound over my "live in studio  sound"but not anymore.
  so i think keyboard amps are great, or at least i like my Fender =
Keyboard 60 amp. it's the only fender thing i've ever owned in my 28 yrs =
of playing....
  my setup: homemade gtr-digitech rp150-fuzz machine (fuzz factory =
clone)-way huge swollen pickle-digitech dl8-EH 16ddl ri-boss =
slicer-behringer tweakalizer-lexicon mx200-out to my fender keyboard 60 =
amp.
  oh, i have no idea how old it is, i got it for $105, i don't  use the =
reverb on it, and i never mess w/ the tone knobs on it-i think i have =
everything tone wise on 10. i keep the volume a bit low, so i don't blow =
out the house,it has some bottom end when i crank it. i can make the =
house rattle a bit, have to do that when everyone is gone....ha...
  happy hunting....
  -IT IS F***ING HEAVY, i would hate to move the thing around for =
gigging, your back would be shot moving it.....mine stays put...
  the new(ish) songs posted to my myspace thing are loop experiments =
recorded live w/ the fender amp to my fostex digital recorder , from a =
while ago.....
  s---
  www.myspace.com/scotthansen




  On Fri, Jan 21, 2011 at 3:53 PM, Ruelle Benoit <benoitruelle@yahoo.fr> =
wrote:

    Hello,
    I'm sure I'll get some good advice from the looping community so =
even if it's a bit OT, i'll ask.

    I'm searching a small amp to practice at home. Something under 150$ =
and I think that with 15W, it will be enough.
    I investigated something like the fender mustang, the line6 spider =
or roland cube but I'll use this mainly for looping and  it would be =
nice to have a solution where I can overdub differents sounds with =
different FX.

    As I won't find any amp with an FX loop in this price range and i =
already have some amp modelling tool ( zoom G2 and Johnson J-Station), =
would it be OK to buy a keyboard amp instead. The range will be wider =
and I can also us it to loop bass/synth and voice. Any inputs regarding =
this solution? Any proposal? I already tested putting my J-sation into =
my home HiFi but I don't get the response I expect from a guitar amp. It =
seems to lack some compression and I don't get the "oomph" that I can =
get even with a very low budget amp (think the squier you get with =
beginner pack).

    Thank you for any info;

    Ben.

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<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Thank you for the feedback =
Scott.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>I also fear that the size of the =
speakers on small=20
amps might not suits my&nbsp;needs.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Tony K &gt; Thank you for this input. =
This small=20
vox sounds good on the video but as it is recorded from a mic I'm not =
sure. I=20
should perhaps tried to find a store that has it and do some =
tests.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Ben</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Devanpeewee@gmail.com =
href=3D"mailto:evanpeewee@gmail.com">Scott=20
  Hansen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, January 22, =
2011 5:27=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> semi-OT: practice amp =
for=20
  looping</DIV>
  <DIV><BR></DIV>
  <DIV class=3Dgmail_quote>hi ben-</DIV>
  <DIV class=3Dgmail_quote>here's my recommendation-</DIV>
  <DIV class=3Dgmail_quote>i do mostly guitar loops, occasionally use my =
drum=20
  machine, use to feed it random stuff recorded from small digital voice =

  recorder (searching for a new one of these for simple =
recording....)</DIV>
  <DIV class=3Dgmail_quote>as a guitarist, i've owned one small tube amp =
in my=20
  life (kustom tube 12A-ok, didn't love, still have)...to my ear, guitar =
amps=20
  are just so MID-RANGEY.</DIV>
  <DIV class=3Dgmail_quote>now i realize that most guitarists love this =
sound, and=20
  of course all the classic guitarists, i love their sound (and chased =
it too=20
  long....endless, although i always went gtr, since</DIV>
  <DIV class=3Dgmail_quote>i didn't want to spend a fortune on amps). a =
few yrs=20
  ago when my 50 watt SS amp died &amp; the repair i paid double the =
price of=20
  the original amp for, didn't last more than 9 mo's. i decided to go =
small=20
  cheap, had little 10 watt marshall (ok), then got the kustom above =
(ok), but i=20
  found that for me, the tiny speakers, just SUCK! now i don't play loud =
at all=20
  at home in my studio, and i honestly don't know the size of the =
speaker of my=20
  old 50 watt amps (probably 10", might have been 12"), after 2 yrs of =
small=20
  amps and hating them, i decided to start a hunt. Jeff Duke uses a =
portable PA=20
  system amp in a bunch of his&nbsp;vids &amp; I F***ING loved his =
sounds, but=20
  it's a newish amp still, and couldn't find any for under 200 beans =
(i'm a=20
  budget guy). so about a yr &amp; 1/2 ago i found a Fender Keyboard 60 =
amp at a=20
  local pawn shop (my fave pawn shop that i bought a million guitars =
from closed=20
  back in '05, sadly), did some research, saw a few people on =
harmony-central=20
  used them for gtr, i tested the amp at the place w/ some crappy guitar =
there=20
  &amp; it sounded ok. got it home, feed it my system &amp; setup,&nbsp; =
AND I=20
  LOVE IT. it's very clean, which i like (this probably comes out of the =
nels=20
  cline model-clean amp, dirt from pedals), but i think the range of =
sounds is=20
  much greater than a guitar amp , to my ear. i like the distortion to =
come from=20
  my pedals, and i like digital distortion (this probably puts me out of =
the=20
  running for "guitar purist/tone snob" category). but i like the sound =
of it.=20
  actually i hate playing direct now, which i would always do when i was =

  obsessively recording things a few yrs ago, i used to favor my direct =
sound=20
  over my "live in studio&nbsp; sound"but not anymore.</DIV>
  <DIV class=3Dgmail_quote>so i think keyboard amps are great, or at =
least i like=20
  my Fender Keyboard 60 amp. it's the only fender thing i've ever owned =
in my 28=20
  yrs of playing....</DIV>
  <DIV class=3Dgmail_quote>my setup: homemade gtr-digitech rp150-fuzz =
machine=20
  (fuzz factory clone)-way huge swollen pickle-digitech dl8-EH 16ddl =
ri-boss=20
  slicer-behringer tweakalizer-lexicon mx200-out to my fender keyboard =
60=20
  amp.</DIV>
  <DIV class=3Dgmail_quote>oh, i have no idea how old it is, i got it =
for $105, i=20
  don't&nbsp; use the reverb on it, and i never mess w/ the tone knobs =
on it-i=20
  think i have everything tone wise on 10. i keep the volume a bit low, =
so i=20
  don't blow out the house,it has some bottom end when i crank it. i can =
make=20
  the house rattle a bit, have to do that when everyone is =
gone....ha...</DIV>
  <DIV class=3Dgmail_quote>happy hunting....</DIV>
  <DIV class=3Dgmail_quote>-IT IS F***ING HEAVY, i would hate to move =
the thing=20
  around for gigging, your back would be shot moving it.....mine stays=20
  put...</DIV>
  <DIV class=3Dgmail_quote>the new(ish) songs posted to my myspace thing =
are loop=20
  experiments recorded live w/ the fender amp&nbsp;to my=20
  fostex&nbsp;digital&nbsp;recorder , from a while ago.....</DIV>
  <DIV class=3Dgmail_quote>s---</DIV>
  <DIV class=3Dgmail_quote><A=20
  =
href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</=
A></DIV>
  <DIV class=3Dgmail_quote>&nbsp;</DIV>
  <DIV class=3Dgmail_quote>&nbsp;</DIV>
  <DIV class=3Dgmail_quote>&nbsp;</DIV>
  <DIV class=3Dgmail_quote>&nbsp;</DIV>
  <DIV class=3Dgmail_quote>On Fri, Jan 21, 2011 at 3:53 PM, Ruelle =
Benoit <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:benoitruelle@yahoo.fr">benoitruelle@yahoo.fr</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; =
PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>Hello,<BR>I'm sure I'll get some good advice from =
the=20
    looping community so even if it's a bit OT, i'll ask.<BR><BR>I'm =
searching a=20
    small amp to practice at home. Something under 150$ and I think that =
with=20
    15W, it will be enough.<BR>I investigated something like the fender =
mustang,=20
    the line6 spider or roland cube but I'll use this mainly for looping =
and=20
    &nbsp;it would be nice to have a solution where I can overdub =
differents=20
    sounds with different FX.<BR><BR>As I won't find any amp with an FX =
loop in=20
    this price range and i already have some amp modelling tool ( zoom =
G2 and=20
    Johnson J-Station), would it be OK to buy a keyboard amp instead. =
The range=20
    will be wider and I can also us it to loop bass/synth and voice. Any =
inputs=20
    regarding this solution? Any proposal? I already tested putting my =
J-sation=20
    into my home HiFi but I don't get the response I expect from a =
guitar amp.=20
    It seems to lack some compression and I don't get the "oomph" that I =
can get=20
    even with a very low budget amp (think the squier you get with =
beginner=20
    pack).<BR><BR>Thank you for any=20
info;<BR><BR>Ben.<BR></BLOCKQUOTE></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_00B7_01CBBB44.163392C0--

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I certainly agree with Bill that "sound" can't replace music, but
truths like this should be understood on a discussion board like LD
:-)

Ah true Per, but thats why people go more than once to church, to get remind=
ed!!

Andy only the O one=

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What a stellar post.........thanks for the thoughts!
They are very thought provoking.

rick walker

On 7/22/64 11:59 AM, Dustbunnies wrote:
> Continuing on this line, I think that there are two other good reasons why
> someone might wish to maintain stereo throughout a performance.
>
> The first is if the phase-cancellation and 'lost parts' that Bill mentioned
> are actually a necessary element in the performance.  I've put together
> pieces using lots of moving delay and reverb, and the most compelling effect
> from this is listening to the harmonics that drift in and out as different
> frequencies in the mix cancel each other out.  Many times this can (and
> hopefully will) cause movement not only in the standard L/R stereo spread,
> but also along the Up/Down vertical axis and the Back/Front "Z" axis of
> depth.
>
> This was, as I understand, one of the reasons behind some of Glenn Branca's
> 'deafening wall of guitars' drone symphonies.  I've read reports from people
> who had seen the performances live, and have heard it said that the albums
> and recordings just can't do them justice.  In a live setting, you evidently
> could hear different harmonics and notes flying back and forth across the
> room -- not only left and right, but also above you and in front or behind
> you -- swooshing all around in waves.
>
> For looping artists who depend on this sort of harmonic interaction (I'm
> guessing Sjaak may fall into this category), stereo is an essential element.
>
> The second reason has to do with the performer themselves.  For instance,
> everybody knows that musicians in the studio (vocalists especially) usually
> have a set of effects put on the feed to their headphones while they're
> laying down tracks.  Generally, this 'sweetening' gives the musician a sense
> of how great they can sound and helps to eke out the best possible
> performance from them.
>
> Likewise, being able to hear yourself play onstage and go, "wow, I really
> sound good" can be a real boost to one's performance.  And since we're
> talking about live improvisation here, every little bit helps.  Even if some
> people in the audience miss the 'sweet spot', is it better to collapse down
> your sound and give a technical and uninspired performance that everyone can
> hear equally well?  Or is it better to 'play big' with the understanding
> that stuff's going to be bouncing all over the room, and that the sound
> guy's going to hate you by the end of the night?;)
>
>          --m.

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From: Todd Matthews <gtmatthews@gmail.com>
Date: Sun, 23 Jan 2011 17:10:56 -0500
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Subject: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
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--90e6ba6e87d8217145049a8ac3c8
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The softstep is working much better for me after this latest beta update.
Mainstage has also been working much better for me as well after the last
OSX update. I've been in looping heaven all weekend. Here is a video of me
doing a looping version of Led Zeppelin's Kashmir on Double Bass. I used an
Eventide Pitchfactor before I went into the computer where I controlled
mainstage and Mobius with the softstep. My discovery of Led Zeppelin 20
years ago was the spark of my obsession with music. Hope you enjoy it:

http://vimeo.com/19101413



-Todd Matthews

--90e6ba6e87d8217145049a8ac3c8
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The softstep is working much better for me after this latest beta update. M=
ainstage has also been working much better for me as well after the last OS=
X update. I&#39;ve been in looping heaven all weekend. Here is a video of m=
e doing a looping version of Led Zeppelin&#39;s Kashmir on Double Bass. I u=
sed an Eventide Pitchfactor before I went into the computer where I control=
led mainstage and Mobius with the softstep. My discovery of Led Zeppelin 20=
 years ago was the spark of my obsession with music. Hope you enjoy it:<div=
>

<br></div><div><a href=3D"http://vimeo.com/19101413">http://vimeo.com/19101=
413</a></div><div><br></div><div><br></div><div><br></div><div>-Todd Matthe=
ws</div>

--90e6ba6e87d8217145049a8ac3c8--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 23:15:39 2011
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Date: Mon, 24 Jan 2011 01:15:36 +0200
Message-ID: <AANLkTikH5+1G34TL=k07AN1SvBAY_3y1wchBGojK87QN@mail.gmail.com>
Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf304344922995a4049a8ba9a6
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Great! Thanks Todd!!!

Always loved that tune, the lead vocal melody is so haunting!

2011/1/24 Todd Matthews <gtmatthews@gmail.com>

> The softstep is working much better for me after this latest beta update.
> Mainstage has also been working much better for me as well after the last
> OSX update. I've been in looping heaven all weekend. Here is a video of me
> doing a looping version of Led Zeppelin's Kashmir on Double Bass. I used an
> Eventide Pitchfactor before I went into the computer where I controlled
> mainstage and Mobius with the softstep. My discovery of Led Zeppelin 20
> years ago was the spark of my obsession with music. Hope you enjoy it:
>
> http://vimeo.com/19101413
>
>
>
> -Todd Matthews
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf304344922995a4049a8ba9a6
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Great! Thanks Todd!!!<br><br>Always loved that tune, the lead vocal melody =
is so haunting!<br><br><div class=3D"gmail_quote">2011/1/24 Todd Matthews <=
span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gma=
il.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">The softstep is w=
orking much better for me after this latest beta update. Mainstage has also=
 been working much better for me as well after the last OSX update. I&#39;v=
e been in looping heaven all weekend. Here is a video of me doing a looping=
 version of Led Zeppelin&#39;s Kashmir on Double Bass. I used an Eventide P=
itchfactor before I went into the computer where I controlled mainstage and=
 Mobius with the softstep. My discovery of Led Zeppelin 20 years ago was th=
e spark of my obsession with music. Hope you enjoy it:<div>


<br></div><div><a href=3D"http://vimeo.com/19101413" target=3D"_blank">http=
://vimeo.com/19101413</a></div><div><br></div><font color=3D"#888888"><div>=
<br></div><div><br></div><div>-Todd Matthews</div>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.pet=
rilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf304344922995a4049a8ba9a6--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 23:34:52 2011
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Subject: MUSIC & TECHNOLOGY (Was Re: stereo)
Date: Sun, 23 Jan 2011 15:34:42 -0800
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Howdy all!

Different tools (whether our personally chosen instruments or our  
preferred levels of applied musical technology) sometime suggest or  
influence wholly different musical directions and outcomes.

When I set aside electrical technology (as I sometime do for a time) I  
tend to play guitar and sound like a folk musician (some rough  
approximation of the Leo Kottke style of finger-picked guitar playing).

This is neither bad nor good, it's just what that musical situation is  
for me personally.

If civilization were to collapse and all this technology disappear,  
that's probably what I would continue doing in order to amuse myself  
musically.

But in the hyper-techno-glutted and connected world that is, we  
already have one Leo Kottke - of which I am only a pale and inept copy.

So, when I apply some level of electricty to the mix of things  
available to me (say looping and/or FX) my imaginative horizons are  
much less hemmed in by my own technical proficiencies (or lack thereof).

I can both imagine and play many other things in many other tonal  
colors that I might never have considered otherwise.

Alas, having an instrument (or some combination of instrument and  
applied technology) that simply produces gorgeous and/or interesting  
timbres all by itself (with modest technique), and loops them up into  
overwhelming walls orchestral stereo sound, does tend to make one  
gravitate in the direction of greater dependence on the "sonic  
enhancements" of said technology than in acquiring greater motor- 
physical command over an instrument and/or deeper conceptual musical  
skills.

That is a problem with any technology.

These are just some thoughts . . . I am not even sure I will agree  
with what I said 5 minutes from now.

I'm not even sure where I was going with it.

Stereo?

Oh, I definitely approve of it . . . I have 2 ears.

:-)

Ted

On Jan 23, 2011, at 12:26 PM, Andy Owens wrote:

> I certainly agree with Bill that "sound" can't replace music, but
> truths like this should be understood on a discussion board like LD
> :-)
>
> Ah true Per, but thats why people go more than once to church, to  
> get reminded!!
>
> Andy only the O one

From Loopers-Delight-request@loopers-delight.com  Sun Jan 23 23:46:36 2011
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Subject: Re: MUSIC & TECHNOLOGY (Was Re: stereo)
From: Art Simon <simart@gmail.com>
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Nicely put Ted. I'm with you, I couldn't have said it better. I'd just
add with looping, you really want to make that note count, because you
are going to keep hearing it for a while. Maybe with looping, there is
less instrumental technique but more listening and judgment?

On Sun, Jan 23, 2011 at 3:34 PM, tEd =AE KiLLiAn <tedkillian@charter.net> w=
rote:
> Howdy all!
>
> Different tools (whether our personally chosen instruments or our preferr=
ed
> levels of applied musical technology) sometime suggest or influence wholl=
y
> different musical directions and outcomes.
>
> When I set aside electrical technology (as I sometime do for a time) I te=
nd
> to play guitar and sound like a folk musician (some rough approximation o=
f
> the Leo Kottke style of finger-picked guitar playing).
>
> This is neither bad nor good, it's just what that musical situation is fo=
r
> me personally.
>
> If civilization were to collapse and all this technology disappear, that'=
s
> probably what I would continue doing in order to amuse myself musically.
>
> But in the hyper-techno-glutted and connected world that is, we already h=
ave
> one Leo Kottke - of which I am only a pale and inept copy.
>
> So, when I apply some level of electricty to the mix of things available =
to
> me (say looping and/or FX) my imaginative horizons are much less hemmed i=
n
> by my own technical proficiencies (or lack thereof).
>
> I can both imagine and play many other things in many other tonal colors
> that I might never have considered otherwise.
>
> Alas, having an instrument (or some combination of instrument and applied
> technology) that simply produces gorgeous and/or interesting timbres all =
by
> itself (with modest technique), and loops them up into overwhelming walls
> orchestral stereo sound, does tend to make one gravitate in the direction=
 of
> greater dependence on the "sonic enhancements" of said technology than in
> acquiring greater motor-physical command over an instrument and/or deeper
> conceptual musical skills.
>
> That is a problem with any technology.
>
> These are just some thoughts . . . I am not even sure I will agree with w=
hat
> I said 5 minutes from now.
>
> I'm not even sure where I was going with it.
>
> Stereo?
>
> Oh, I definitely approve of it . . . I have 2 ears.
>
> :-)
>
> Ted
>
> On Jan 23, 2011, at 12:26 PM, Andy Owens wrote:
>
>> I certainly agree with Bill that "sound" can't replace music, but
>> truths like this should be understood on a discussion board like LD
>> :-)
>>
>> Ah true Per, but thats why people go more than once to church, to get
>> reminded!!
>>
>> Andy only the O one
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 00:06:41 2011
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From: "Ingo Ito" <ingoito@itofarm.com>
To: "Todd Matthews" <gtmatthews@gmail.com>
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References: <AANLkTimmQetFcdK75V=iJpVDhyPRnpxPtdU4Tgy-KiA9@mail.gmail.com>
Subject: Re: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
Date: Mon, 24 Jan 2011 00:49:38 +0100
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Kashmir has always been my favourite Led Zeppelin song and you did a =
wonderful version, Todd. Thanks!

Ingo Ito


  ----- Original Message -----=20
  From: Todd Matthews=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, January 23, 2011 11:10 PM
  Subject: OT: Double Bass Looping of Led Zeppelin's Kashmir =
(Mainstage+Mobius+Softstep)


  The softstep is working much better for me after this latest beta =
update. Mainstage has also been working much better for me as well after =
the last OSX update. I've been in looping heaven all weekend. Here is a =
video of me doing a looping version of Led Zeppelin's Kashmir on Double =
Bass. I used an Eventide Pitchfactor before I went into the computer =
where I controlled mainstage and Mobius with the softstep. My discovery =
of Led Zeppelin 20 years ago was the spark of my obsession with music. =
Hope you enjoy it:


  http://vimeo.com/19101413






  -Todd Matthews
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18999">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D4 face=3DArial>Kashmir has always been my favourite =
Led Zeppelin=20
song and you did a wonderful version, Todd. Thanks!</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial>Ingo Ito</FONT></DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D4 face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"=20
dir=3Dltr>
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dgtmatthews@gmail.com =
href=3D"mailto:gtmatthews@gmail.com">Todd=20
  Matthews</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, January 23, 2011 =
11:10=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: Double Bass =
Looping of Led=20
  Zeppelin's Kashmir (Mainstage+Mobius+Softstep)</DIV>
  <DIV><BR></DIV>The softstep is working much better for me after this =
latest=20
  beta update. Mainstage has also been working much better for me as =
well after=20
  the last OSX update. I've been in looping heaven all weekend. Here is =
a video=20
  of me doing a looping version of Led Zeppelin's Kashmir on Double =
Bass. I used=20
  an Eventide Pitchfactor before I went into the computer where I =
controlled=20
  mainstage and Mobius with the softstep. My discovery of Led Zeppelin =
20 years=20
  ago was the spark of my obsession with music. Hope you enjoy it:
  <DIV><BR></DIV>
  <DIV><A =
href=3D"http://vimeo.com/19101413">http://vimeo.com/19101413</A></DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV><BR></DIV>
  <DIV>-Todd Matthews</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0023_01CBBB60.93D845B0--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 00:28:05 2011
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Date: Sun, 23 Jan 2011 16:28:02 -0800
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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First off, this is NOT off topic, it's some of the best looping I've heard.

I loved it. Heartfelt, well played, just wonderful. Thanks so much!

On Sun, Jan 23, 2011 at 3:15 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> Great! Thanks Todd!!!
>
> Always loved that tune, the lead vocal melody is so haunting!
>
> 2011/1/24 Todd Matthews <gtmatthews@gmail.com>
>>
>> The softstep is working much better for me after this latest beta update.
>> Mainstage has also been working much better for me as well after the last
>> OSX update. I've been in looping heaven all weekend. Here is a video of me
>> doing a looping version of Led Zeppelin's Kashmir on Double Bass. I used an
>> Eventide Pitchfactor before I went into the computer where I controlled
>> mainstage and Mobius with the softstep. My discovery of Led Zeppelin 20
>> years ago was the spark of my obsession with music. Hope you enjoy it:
>> http://vimeo.com/19101413
>>
>>
>> -Todd Matthews
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://soundcloud.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead."
> -Charles Bukowski-
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 00:56:57 2011
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
Date: Mon, 24 Jan 2011 00:56:49 -0000
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Not OT at all =E2=80=93 very nice use of looping.

From: Todd Matthews=20
Sent: Sunday, January 23, 2011 10:10 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: OT: Double Bass Looping of Led Zeppelin's Kashmir =
(Mainstage+Mobius+Softstep)

The softstep is working much better for me after this latest beta =
update. Mainstage has also been working much better for me as well after =
the last OSX update. I've been in looping heaven all weekend. Here is a =
video of me doing a looping version of Led Zeppelin's Kashmir on Double =
Bass. I used an Eventide Pitchfactor before I went into the computer =
where I controlled mainstage and Mobius with the softstep. My discovery =
of Led Zeppelin 20 years ago was the spark of my obsession with music. =
Hope you enjoy it:=20

http://vimeo.com/19101413



-Todd Matthews
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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>Not OT at all =E2=80=93 very nice use of looping.</DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">
<DIV style=3D"FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dgtmatthews@gmail.com=20
href=3D"mailto:gtmatthews@gmail.com">Todd Matthews</A> </DIV>
<DIV><B>Sent:</B> Sunday, January 23, 2011 10:10 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> OT: Double Bass Looping of Led Zeppelin's Kashmir=20
(Mainstage+Mobius+Softstep)</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">The=20
softstep is working much better for me after this latest beta update. =
Mainstage=20
has also been working much better for me as well after the last OSX =
update. I've=20
been in looping heaven all weekend. Here is a video of me doing a =
looping=20
version of Led Zeppelin's Kashmir on Double Bass. I used an Eventide =
Pitchfactor=20
before I went into the computer where I controlled mainstage and Mobius =
with the=20
softstep. My discovery of Led Zeppelin 20 years ago was the spark of my=20
obsession with music. Hope you enjoy it:=20
<DIV>&nbsp;</DIV>
<DIV><A =
href=3D"http://vimeo.com/19101413">http://vimeo.com/19101413</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>-Todd Matthews</DIV></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_0014_01CBBB61.94BAE810--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 02:20:51 2011
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On Jan 23, 2011, at 10:11 AM, Mark Hamburg wrote:

>> For ambience, I would probably check out the Eventide Pitch factor =
and Space pedals, but I haven't actually played with them.
>>=20
>> well of course, but then again Eventide beats everyone in the sound =
quality department. better A to D converters among other things. Let's =
see, one pitch factor $499, one Space, TBD, not yet out, but for the =
sake of argument lets say another $499, thats $1000 of signal processing =
right there. still interested Gareth? :-) if you can afford that =
firepower go for it as you won't be disappointed. I personally want a =
time factor and a Space which I saw demoed at NAMM, and was one of three =
things that really made my Shakespeare curl ( to quote XTC) The other =
two were the pigtronix Philosopher King which I've raved about before, =
and the new Moog lap steel which I'm hoping to check out more if I get =
to the factory in March.
>=20
> The math on the Eventide pedals has given me pause as well. The Line6 =
pedals are certainly a great value for the money. So, it depends on what =
criteria one is applying.

Thinking about it more. One could probably get a reasonable stereo =
splitter/mixer and possibly a volume pedal with an M9 and probably still =
come out about even with one of the Eventide boxes.

Mark


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><div>On Jan 23, 2011, at 10:11 AM, Mark Hamburg wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><blockquote =
type=3D"cite"><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; "><div style=3D"font-family:=
 Tahoma; font-size: 13px; "><div><font class=3D"Apple-style-span" =
color=3D"#5C41FE">For ambience, I would probably check out the Eventide =
Pitch factor and Space pedals, but I haven't actually played with =
them.</font></div><div><font class=3D"Apple-style-span" =
color=3D"#5C41FE"><br></font></div><div><font class=3D"Apple-style-span" =
color=3D"#241833">well of course, but then again Eventide beats everyone =
in the sound quality department. better A to D converters among other =
things. Let's see, one pitch factor $499, one Space, TBD, not yet out, =
but for the sake of argument lets say another $499, thats $1000 of =
signal processing right there. still interested Gareth? :-) if you can =
afford that firepower go for it as you won't be disappointed. I =
personally want a time factor and a Space which I saw demoed at NAMM, =
and was one of three things that really made my Shakespeare curl ( to =
quote XTC) The other two were the pigtronix Philosopher King which I've =
raved about before, and the new Moog lap steel which I'm hoping to check =
out more if I get to the factory in =
March.</font></div></div></div></blockquote><div><br></div>The math on =
the Eventide pedals has given me pause as well. The Line6 pedals are =
certainly a great value for the money. So, it depends on what criteria =
one is applying.<br></span></blockquote></div><br><div>Thinking about it =
more. One could probably get a reasonable stereo splitter/mixer and =
possibly a volume pedal with an M9 and probably still come out about =
even with one of the Eventide =
boxes.</div><div><br></div><div>Mark</div><div><br></div></body></html>=

--Apple-Mail-362--299133299--

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Subject: Trimming Down: Mixer options?
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Okay. So maybe my rack doesn't go away. But it could get smaller and =
maybe the mixer (Mackie 1642 or 1202 depending on the circumstance) goes =
away.

Any suggestions on what I could use that would let me:

* Mix a small number of stereo line level inputs
* Have one aux send (preferably stereo, but I can live with mono)
* Have an insert across main or provide me with a way to control the =
volume being fed to my active monitors

Basically, I want to send some but not all of my signals through the =
AM8000R. I can do this by routing them through it completely and letting =
it pass the dry signal through or via an effects send.

I want to take my main mix and send it through the TC M-300 that =
provides my main reverb and an SPDIF conversion and then I want to have =
a volume control upstream of my monitors.

Right now, I'm using my Mackie 1642 to do all this, but it's serious =
overkill for the task and it consumes a lot of space.

One solution might be a stereo line mixer and then some sort of volume =
control post M300. Any suggestions what to use? Any other suggestions?

Thanks.
Mark

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 05:54:08 2011
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
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On 7/22/64 11:59 AM, Todd Matthews wrote:
> The softstep is working much better for me after this latest beta 
> update. Mainstage has also been working much better for me as well 
> after the last OSX update. I've been in looping heaven all weekend. 
> Here is a video of me doing a looping version of Led Zeppelin's 
> Kashmir on Double Bass. I used an Eventide Pitchfactor before I went 
> into the computer where I controlled mainstage and Mobius with the 
> softstep. My discovery of Led Zeppelin 20 years ago was the spark of 
> my obsession with music. Hope you enjoy it:
>
> http://vimeo.com/19101413
>
>
>
> -Todd Matthews
Ha ha ha.............i'm so drum centric I thought to myself,  "but , 
hey wait,  Bonham never used double bass ,  he only
had one kick drum."

Seriously,  this made my night, Todd,  nice work, mate!     The older I 
get,  the more I love Led Zepellin
(with the exception of 'Dyer Maker' which I truly and deeply hate).

Now,  I just want to bust out my seldom used 28" maple kick with my 6 
1/2" Ludwig SupraPhonic snare
drum and my 15" Zildjian hi hats and 20" Zildjian Crash cymbal and jump 
on this motherf*cker!

Rick Walker

ps  what's your looper of choice?   I'm assuming a laptop settup but 
can't see.

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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Louie Angulo <louie.angulo@googlemail.com>
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awesome Todd!!!
here is another devoted Led Zeppelin fan,this is the band that has
ever since i first hear them opened my musical journey
i sill love them.
I was asking recently if mainstage users here suffered from latency
and CPU load,you seem to be doing ok.
I wanted to try this same config,ive never used mobius as a
plugin,would it be ok to contact you off list for you to help me
configure it this way?
or onlist uf loopers dont mind here;-)
thanx
Luis

On Sun, Jan 23, 2011 at 11:10 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> The softstep is working much better for me after this latest beta update.
> Mainstage has also been working much better for me as well after the last
> OSX update. I've been in looping heaven all weekend. Here is a video of me
> doing a looping version of Led Zeppelin's Kashmir on Double Bass. I used an
> Eventide Pitchfactor before I went into the computer where I controlled
> mainstage and Mobius with the softstep. My discovery of Led Zeppelin 20
> years ago was the spark of my obsession with music. Hope you enjoy it:
> http://vimeo.com/19101413
>
>
> -Todd Matthews

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 11:32:19 2011
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Date: Mon, 24 Jan 2011 12:32:15 +0100
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Subject: Re: Trimming Down: Mixer options?
From: Louie Angulo <louie.angulo@googlemail.com>
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the Tapco Blend 6,the smallest you gonna get with 2 aux and
returns,EQ,ctr room out,tape ins and out,headphones,master vol
control,fits in a bag or even a pedalboard,looks cool,very clean
sounding i love it!

http://www.tapcoworld.com/products/blend6/specs.html

Luis






On Mon, Jan 24, 2011 at 4:56 AM, Mark Hamburg <mark@grubmah.com> wrote:
> Okay. So maybe my rack doesn't go away. But it could get smaller and maybe the mixer (Mackie 1642 or 1202 depending on the circumstance) goes away.
>
> Any suggestions on what I could use that would let me:
>
> * Mix a small number of stereo line level inputs
> * Have one aux send (preferably stereo, but I can live with mono)
> * Have an insert across main or provide me with a way to control the volume being fed to my active monitors
>
> Basically, I want to send some but not all of my signals through the AM8000R. I can do this by routing them through it completely and letting it pass the dry signal through or via an effects send.
>
> I want to take my main mix and send it through the TC M-300 that provides my main reverb and an SPDIF conversion and then I want to have a volume control upstream of my monitors.
>
> Right now, I'm using my Mackie 1642 to do all this, but it's serious overkill for the task and it consumes a lot of space.
>
> One solution might be a stereo line mixer and then some sort of volume control post M300. Any suggestions what to use? Any other suggestions?
>
> Thanks.
> Mark
>
>

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Date: Mon, 24 Jan 2011 12:36:36 +0100
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Subject: Re: m-13 m-9
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plus you could get a small midi controller like the tech 21 midi mouse
to toogle more things like going from fx mode to loop mode quickly if
u wanna get fancy
all in all that baby is awesome!
Luis

On Sun, Jan 23, 2011 at 6:59 PM, William Walker <billwalker@baymoon.com> wr=
ote:
> mark said: "The other effects are reasonably good but not that
> psychedelic/ambient. "
>
> What exactly is your criteria for psychedelic ambient Mark? =A0I have no
> problem achieving lush ambient textures or psychedelic =A0sounds out of m=
y
> M-9. have you actually spent much time programming an M-9 or M-13?
> For ambience, I would probably check out the Eventide Pitch factor and Sp=
ace
> pedals, but I haven't actually played with them.
> well of course, but then again Eventide beats everyone in the sound quali=
ty
> department. better A to D converters among other things. Let's see, one
> pitch factor $499, one Space, TBD, not yet out, but for the sake of argum=
ent
> lets say another $499, thats $1000 of signal processing right there. stil=
l
> interested Gareth? :-) if you can afford that firepower go for it as you
> won't be disappointed. I personally want a time factor and a Space which =
I
> saw demoed at NAMM, and was one of three things that really made my
> Shakespeare curl ( to quote XTC) The other two were the pigtronix
> Philosopher King which I've raved about before, and the new Moog lap stee=
l
> which I'm hoping to check out more if I get to the factory in March.
> Sjaak said:
> =A0=A0The=A0analog delays can sound very harsh and anything but warm, I d=
on't like
> them personally, the DD-20 analog delay emulation is far better than
> the M9 or M13.
> =A0Hey Sjaak are you referring to the way these delays respond to regener=
ation
> feedback? If so I see your point, when using run away regeneration I've
> noticed a certain
> harshness when going in to self oscillation but other wise They sound fin=
e.
> I've used the DD-20 and it didn't seem to my ears to be any better. Could
> you elaborate please?
> Though not perfect i've enjoyed using the M-9 allot. I had an M-13 I sold=
 to
> Scoots, I got rid of it purely for size reasons, needed something smaller=
 to
> put on my pedal board. This is a really nice processor Gareth that can do
> ambience textures really well and is more loaded feature -wise than anyth=
ing
> in its price range. The only effect I know of in its class with two
> expression pedal ports for effects depth morphing. This feature alone giv=
es
> the M-9 so much control its ridiculous.
> =A0Bill

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 11:39:57 2011
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Date: Mon, 24 Jan 2011 06:33:33 -0500
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir
 (Mainstage+Mobius+Softstep)
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--============_-916253301==_ma============
Content-Type: text/plain; charset="us-ascii" ; format="flowed"

Todd,

That's fantastic...!!

-Chuck

>The softstep is working much better for me after this latest beta 
>update. Mainstage has also been working much better for me as well 
>after the last OSX update. I've been in looping heaven all weekend. 
>Here is a video of me doing a looping version of Led Zeppelin's 
>Kashmir on Double Bass. I used an Eventide Pitchfactor before I went 
>into the computer where I controlled mainstage and Mobius with the 
>softstep. My discovery of Led Zeppelin 20 years ago was the spark of 
>my obsession with music. Hope you enjoy it:
>
><http://vimeo.com/19101413>http://vimeo.com/19101413
>
>
>
>-Todd Matthews


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-916253301==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: OT: Double Bass Looping of Led Zeppelin's
Kashmir (Mai</title></head><body>
<div>Todd,</div>
<div>&nbsp;</div>
<div>That's fantastic...!!</div>
<div><br></div>
<div>-Chuck</div>
<div><br></div>
<blockquote type="cite" cite>The softstep is working much better for
me after this latest beta update. Mainstage has also been working much
better for me as well after the last OSX update. I've been in looping
heaven all weekend. Here is a video of me doing a looping version of
Led Zeppelin's Kashmir on Double Bass. I used an Eventide Pitchfactor
before I went into the computer where I controlled mainstage and
Mobius with the softstep. My discovery of Led Zeppelin 20 years ago
was the spark of my obsession with music. Hope you enjoy
it:</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><a
href="http://vimeo.com/19101413">http://vimeo.com/19101413</a></blockquote
>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>-Todd Matthews</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-916253301==_ma============--

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Message-ID: <4D3D6B58.5040707@tiscali.co.uk>
Date: Mon, 24 Jan 2011 12:06:48 +0000
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William Walker wrote:

> will probably be simplified to a pair of simple loopers (we'll be using 
> 2 LP-2's for syncing to each other). 


So how *does* the LP2 sync work?



andy butler
just thinking about tech stuff before going back to lute practice ;-)



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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Todd Matthews <gtmatthews@gmail.com>
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Thanks Luis! Sure, I'm happy to answer any questions. We can discuss on =
list. Although anything I have done I have learned from reading all of =
Per's invaluable posts:) It helped to limit myself to only logic lugs in =
Mainstage, keep things simple. Any of my patches only consist of an EQ =
and one other logic plug. One patch for just reverb, one for delay, one =
for just a compressor for when I'm plucking versus bowing. Also the =
latest updates to OSX 10.6.5, which had mainstage improvements, and the =
latest mobius version is great.=20

-Todd Matthews
> awesome Todd!!!
> here is another devoted Led Zeppelin fan,this is the band that has
> ever since i first hear them opened my musical journey
> i sill love them.
> I was asking recently if mainstage users here suffered from latency
> and CPU load,you seem to be doing ok.
> I wanted to try this same config,ive never used mobius as a
> plugin,would it be ok to contact you off list for you to help me
> configure it this way?
> or onlist uf loopers dont mind here;-)
> thanx
> Luis
>=20
> On Sun, Jan 23, 2011 at 11:10 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>> The softstep is working much better for me after this latest beta =
update.
>> Mainstage has also been working much better for me as well after the =
last
>> OSX update. I've been in looping heaven all weekend. Here is a video =
of me
>> doing a looping version of Led Zeppelin's Kashmir on Double Bass. I =
used an
>> Eventide Pitchfactor before I went into the computer where I =
controlled
>> mainstage and Mobius with the softstep. My discovery of Led Zeppelin =
20
>> years ago was the spark of my obsession with music. Hope you enjoy =
it:
>> http://vimeo.com/19101413
>>=20
>>=20
>> -Todd Matthews
>=20






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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Todd Matthews <gtmatthews@gmail.com>
In-Reply-To: <AANLkTin3JR9C4zs3W5Wxqzx5zihcDFv8VK_Nhuqx7pM0@mail.gmail.com>
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Thanks Art! I guess it was on topic since I was looping in stereo versus =
mono:)

-Todd Matthews
On Jan 23, 2011, at 7:28 PM, Art Simon wrote:

> First off, this is NOT off topic, it's some of the best looping I've =
heard.
>=20
> I loved it. Heartfelt, well played, just wonderful. Thanks so much!
>=20
> On Sun, Jan 23, 2011 at 3:15 PM, Petri Lahtinen <aikuinen@gmail.com> =
wrote:
>> Great! Thanks Todd!!!
>>=20
>> Always loved that tune, the lead vocal melody is so haunting!
>>=20
>> 2011/1/24 Todd Matthews <gtmatthews@gmail.com>
>>>=20
>>> The softstep is working much better for me after this latest beta =
update.
>>> Mainstage has also been working much better for me as well after the =
last
>>> OSX update. I've been in looping heaven all weekend. Here is a video =
of me
>>> doing a looping version of Led Zeppelin's Kashmir on Double Bass. I =
used an
>>> Eventide Pitchfactor before I went into the computer where I =
controlled
>>> mainstage and Mobius with the softstep. My discovery of Led Zeppelin =
20
>>> years ago was the spark of my obsession with music. Hope you enjoy =
it:
>>> http://vimeo.com/19101413
>>>=20
>>>=20
>>> -Todd Matthews
>>=20
>>=20
>> --
>> Petri Lahtinen
>> http://www.petrilahtinen.com
>> http://petrilahtinen.blogspot.com/
>> http://soundcloud.com/petrilahtinen
>> http://twitter.com/PetriLahtinen
>> http://petrilahtinen.bandcamp.com/
>> ---------------------------------------------------
>> "Only become professional musician if there is no choice." -Robert =
Fripp-
>> ---------------------------------------------------
>> "Some people never go crazy. What truly horrible lives they must =
lead."
>> -Charles Bukowski-
>>=20
>>=20
>=20
>=20
>=20
> --=20
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>=20

Todd Matthews
http://www.joshuasteelemusic.com




From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 12:13:37 2011
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
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--0016e640962a6b88db049a9687d7
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Very nice Todd !
Any other info about the usability of the softstep ?
>From your video, it seems that pushing those "tiny" buttons needs practice.
Can you report your experience ?

-f

2011/1/24 Todd Matthews <gtmatthews@gmail.com>

> Thanks Luis! Sure, I'm happy to answer any questions. We can discuss on
> list. Although anything I have done I have learned from reading all of Per's
> invaluable posts:) It helped to limit myself to only logic lugs in
> Mainstage, keep things simple. Any of my patches only consist of an EQ and
> one other logic plug. One patch for just reverb, one for delay, one for just
> a compressor for when I'm plucking versus bowing. Also the latest updates to
> OSX 10.6.5, which had mainstage improvements, and the latest mobius version
> is great.
>
> -Todd Matthews
>  > awesome Todd!!!
> > here is another devoted Led Zeppelin fan,this is the band that has
> > ever since i first hear them opened my musical journey
> > i sill love them.
> > I was asking recently if mainstage users here suffered from latency
> > and CPU load,you seem to be doing ok.
> > I wanted to try this same config,ive never used mobius as a
> > plugin,would it be ok to contact you off list for you to help me
> > configure it this way?
> > or onlist uf loopers dont mind here;-)
> > thanx
> > Luis
> >
> > On Sun, Jan 23, 2011 at 11:10 PM, Todd Matthews <gtmatthews@gmail.com>
> wrote:
> >> The softstep is working much better for me after this latest beta
> update.
> >> Mainstage has also been working much better for me as well after the
> last
> >> OSX update. I've been in looping heaven all weekend. Here is a video of
> me
> >> doing a looping version of Led Zeppelin's Kashmir on Double Bass. I used
> an
> >> Eventide Pitchfactor before I went into the computer where I controlled
> >> mainstage and Mobius with the softstep. My discovery of Led Zeppelin 20
> >> years ago was the spark of my obsession with music. Hope you enjoy it:
> >> http://vimeo.com/19101413
> >>
> >>
> >> -Todd Matthews
> >
>
>
>
>
>
>
>

--0016e640962a6b88db049a9687d7
Content-Type: text/html; charset=ISO-8859-1
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<div>Very nice Todd !</div>
<div>Any other info about the usability of the softstep ?</div>
<div>From your video, it seems that pushing=A0those &quot;tiny&quot; button=
s needs practice.</div>
<div>Can you report your experience ?</div>
<div>=A0</div>
<div>-f<br><br></div>
<div class=3D"gmail_quote">2011/1/24 Todd Matthews <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span><b=
r>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Thanks Luis! Sure, I&#39;m happy=
 to answer any questions. We can discuss on list. Although anything I have =
done I have learned from reading all of Per&#39;s invaluable posts:) It hel=
ped to limit myself to only logic lugs in Mainstage, keep things simple. An=
y of my patches only consist of an EQ and one other logic plug. One patch f=
or just reverb, one for delay, one for just a compressor for when I&#39;m p=
lucking versus bowing. Also the latest updates to OSX 10.6.5, which had mai=
nstage improvements, and the latest mobius version is great.<br>
<font color=3D"#888888"><br>-Todd Matthews<br></font>
<div>
<div></div>
<div class=3D"h5">&gt; awesome Todd!!!<br>&gt; here is another devoted Led =
Zeppelin fan,this is the band that has<br>&gt; ever since i first hear them=
 opened my musical journey<br>&gt; i sill love them.<br>&gt; I was asking r=
ecently if mainstage users here suffered from latency<br>
&gt; and CPU load,you seem to be doing ok.<br>&gt; I wanted to try this sam=
e config,ive never used mobius as a<br>&gt; plugin,would it be ok to contac=
t you off list for you to help me<br>&gt; configure it this way?<br>&gt; or=
 onlist uf loopers dont mind here;-)<br>
&gt; thanx<br>&gt; Luis<br>&gt;<br>&gt; On Sun, Jan 23, 2011 at 11:10 PM, T=
odd Matthews &lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.c=
om</a>&gt; wrote:<br>&gt;&gt; The softstep is working much better for me af=
ter this latest beta update.<br>
&gt;&gt; Mainstage has also been working much better for me as well after t=
he last<br>&gt;&gt; OSX update. I&#39;ve been in looping heaven all weekend=
. Here is a video of me<br>&gt;&gt; doing a looping version of Led Zeppelin=
&#39;s Kashmir on Double Bass. I used an<br>
&gt;&gt; Eventide Pitchfactor before I went into the computer where I contr=
olled<br>&gt;&gt; mainstage and Mobius with the softstep. My discovery of L=
ed Zeppelin 20<br>&gt;&gt; years ago was the spark of my obsession with mus=
ic. Hope you enjoy it:<br>
&gt;&gt; <a href=3D"http://vimeo.com/19101413" target=3D"_blank">http://vim=
eo.com/19101413</a><br>&gt;&gt;<br>&gt;&gt;<br>&gt;&gt; -Todd Matthews<br>&=
gt;<br><br><br><br><br><br><br></div></div></blockquote></div><br>

--0016e640962a6b88db049a9687d7--

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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
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On Mon, Jan 24, 2011 at 1:10 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
>>> 2011/1/24 Todd Matthews <gtmatthews@gmail.com>
>>>> doing a looping version of Led Zeppelin's Kashmir on Double Bass.
>>>> http://vimeo.com/19101413

Great sound, Todd! Glad you've got the stuff going so smoothly now.
The Double Bass is such a lovely instrument for looping; lots of
alternative source sounds at your fingertips.

Zeppelin rocks. Now loop Black Dog!!! LOL ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: LoopGrass
References: <AANLkTimmQetFcdK75V=iJpVDhyPRnpxPtdU4Tgy-KiA9@mail.gmail.com> <AANLkTikH5+1G34TL=k07AN1SvBAY_3y1wchBGojK87QN@mail.gmail.com> <AANLkTin3JR9C4zs3W5Wxqzx5zihcDFv8VK_Nhuqx7pM0@mail.gmail.com> <ECD56722-0910-4A2A-9F2A-9B98BE9A7F6B@gmail.com> <AANLkTikp8gauOz85Ei6gGVEMZRc99xJ=G_GLSjQOazeE@mail.gmail.com>
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Howdy folks

A few years ago I met somebody on here who was looping Bluegrass and Oldtime=
 and he had a computer based loop program. He was in northern Californee, an=
ybody remember who that is?

Andy of the O's=

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 14:08:44 2011
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Subject: Re: Trimming Down: Mixer options?
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Mark

Check out the Rane CM86, discontinued but you can find them and a killer loo=
ping mixer.=20

Why? Because each ch (8) has a switch for A B or A/B and level send to eithe=
r a or b out, so you can flip a little switch and have that chanell either i=
n the cue, in the looper and the cue, or just in the looper. I run a to cue,=
 b to looper and then bring the looper back in in ch 8. This works great, tw=
o aux sends, pre and post switchable, eq switchable in or out and mic or lin=
e on each channel.=20

You can look at the manual at rane.com under discontinued gear.=20
Three rack spaces.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 23, 2011, at 10:57 PM, Mark Hamburg <mark@grubmah.com> wrote:

> Okay. So maybe my rack doesn't go away. But it could get smaller and maybe=
 the mixer (Mackie 1642 or 1202 depending on the circumstance) goes away.
>=20
> Any suggestions on what I could use that would let me:
>=20
> * Mix a small number of stereo line level inputs
> * Have one aux send (preferably stereo, but I can live with mono)
> * Have an insert across main or provide me with a way to control the volum=
e being fed to my active monitors
>=20
> Basically, I want to send some but not all of my signals through the AM800=
0R. I can do this by routing them through it completely and letting it pass t=
he dry signal through or via an effects send.
>=20
> I want to take my main mix and send it through the TC M-300 that provides m=
y main reverb and an SPDIF conversion and then I want to have a volume contr=
ol upstream of my monitors.
>=20
> Right now, I'm using my Mackie 1642 to do all this, but it's serious overk=
ill for the task and it consumes a lot of space.
>=20
> One solution might be a stereo line mixer and then some sort of volume con=
trol post M300. Any suggestions what to use? Any other suggestions?
>=20
> Thanks.
> Mark
>=20

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Mark Hamburg wrote:
> Okay. So maybe my rack doesn't go away. But it could get smaller and maybe the mixer (Mackie 1642 or 1202 depending on the circumstance) goes away.
> 
> Any suggestions on what I could use that would let me:
> 
> * Mix a small number of stereo line level inputs
> * Have one aux send (preferably stereo, but I can live with mono)
> * Have an insert across main or provide me with a way to control the volume being fed to my active monitors
> 

For your rack...
The Alesis Multimix 8 Line has 8 stereo line ins,
and a stereo fx send (and return).

Just had a look at the schematic and it would
be possible mod it to have an insert on the main bus
without adding any extra components.

Quality is ok for live work.
Seems well built.
Since having it my rig I have more of a problem
with mains hum(compared to Behringer Ultralink)...but possible to sort that.


andy butler

 

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I have one of those two, but mine is very noisy, too noisy for looping. Ymmv=


Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 24, 2011, at 6:32 AM, Louie Angulo <louie.angulo@googlemail.com> wrot=
e:

> the Tapco Blend 6,the smallest you gonna get with 2 aux and
> returns,EQ,ctr room out,tape ins and out,headphones,master vol
> control,fits in a bag or even a pedalboard,looks cool,very clean
> sounding i love it!
>=20
> http://www.tapcoworld.com/products/blend6/specs.html
>=20
> Luis
>=20
>=20
>=20
>=20
>=20
>=20
> On Mon, Jan 24, 2011 at 4:56 AM, Mark Hamburg <mark@grubmah.com> wrote:
>> Okay. So maybe my rack doesn't go away. But it could get smaller and mayb=
e the mixer (Mackie 1642 or 1202 depending on the circumstance) goes away.
>>=20
>> Any suggestions on what I could use that would let me:
>>=20
>> * Mix a small number of stereo line level inputs
>> * Have one aux send (preferably stereo, but I can live with mono)
>> * Have an insert across main or provide me with a way to control the volu=
me being fed to my active monitors
>>=20
>> Basically, I want to send some but not all of my signals through the AM80=
00R. I can do this by routing them through it completely and letting it pass=
 the dry signal through or via an effects send.
>>=20
>> I want to take my main mix and send it through the TC M-300 that provides=
 my main reverb and an SPDIF conversion and then I want to have a volume con=
trol upstream of my monitors.
>>=20
>> Right now, I'm using my Mackie 1642 to do all this, but it's serious over=
kill for the task and it consumes a lot of space.
>>=20
>> One solution might be a stereo line mixer and then some sort of volume co=
ntrol post M300. Any suggestions what to use? Any other suggestions?
>>=20
>> Thanks.
>> Mark
>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 14:18:29 2011
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Subject: Re: Trimming Down: Mixer options?
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Also the rane sm82 I used for a while and used the pan to set level between c=
ue and looper. Other cool thing about that old rane stuff is there is a flex=
 bus system so you use a midi cable and can connect multiple units.=20

And Bill Walker has an sm82 for sale.  But check out that cm86. Its like tha=
t behringer three rack space unit but that switchable bus out is killer on t=
he rane, noone else has that.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 24, 2011, at 9:09 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Alesis Multimix 8 Line

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Oh another cool thing on cm86 each ch has insert, each stereo bus has insert=
 and another ch for tape in out.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 24, 2011, at 9:09 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Mark Hamburg wrote:
>> Okay. So maybe my rack doesn't go away. But it could get smaller and mayb=
e the mixer (Mackie 1642 or 1202 depending on the circumstance) goes away.
>> Any suggestions on what I could use that would let me:
>> * Mix a small number of stereo line level inputs
>> * Have one aux send (preferably stereo, but I can live with mono)
>> * Have an insert across main or provide me with a way to control the volu=
me being fed to my active monitors
>=20
> For your rack...
> The Alesis Multimix 8 Line has 8 stereo line ins,
> and a stereo fx send (and return).
>=20
> Just had a look at the schematic and it would
> be possible mod it to have an insert on the main bus
> without adding any extra components.
>=20
> Quality is ok for live work.
> Seems well built.
> Since having it my rig I have more of a problem
> with mains hum(compared to Behringer Ultralink)...but possible to sort tha=
t.
>=20
>=20
> andy butler
>=20
>=20

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Hey Luis,
Does the Tapco have Inserts as well on the back of it?
I love that this thing has 2 AUX sends and is so compact.

Also,  how is it's fidelity compared to, say, the quite VLZ preamps of
the Mackie boards?

I'm hoping this might be my new board.

Thanks in advance for the R&D,  my friend.

rick walker


On 7/22/64 11:59 AM, Louie Angulo wrote:
> the Tapco Blend 6,the smallest you gonna get with 2 aux and
> returns,EQ,ctr room out,tape ins and out,headphones,master vol
> control,fits in a bag or even a pedalboard,looks cool,very clean
> sounding i love it!
>
> http://www.tapcoworld.com/products/blend6/specs.html
>
> Luis

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Subject: Re: Trimming Down: Mixer options?
From: Mark Hamburg <mark@grubmah.com>
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Thanks. At 3 rack spaces, it reminds me of the old Roland line mixer I =
used to have (M-160) and I'm not sure it's enough of a win over the =
Mackie 1202, but thanks and I'll at least ponder it.

Thanks also to Luis for the Tapco link. Andy Owens' concerns about noise =
get me thinking more carefully, but it does point out that I could deal =
with my insert to main ahead of the level for the monitors by taking =
main out to the M300 and then back in an input that feeds only to the =
control room. I hadn't thought about that because in the past I've ended =
up using the control room feeds to get stereo feeds for loopers.

Time to go study the SM82 and the MultiMix 8. (I do like the way Andy =
Butler looks at these things and casually says that it shouldn't be that =
hard to add an insert...)

Mark

On Jan 24, 2011, at 6:07 AM, Andy Owens wrote:

> Mark
>=20
> Check out the Rane CM86, discontinued but you can find them and a =
killer looping mixer.=20
>=20
> Why? Because each ch (8) has a switch for A B or A/B and level send to =
either a or b out, so you can flip a little switch and have that chanell =
either in the cue, in the looper and the cue, or just in the looper. I =
run a to cue, b to looper and then bring the looper back in in ch 8. =
This works great, two aux sends, pre and post switchable, eq switchable =
in or out and mic or line on each channel.=20
>=20
> You can look at the manual at rane.com under discontinued gear.=20
> Three rack spaces.=20
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 23, 2011, at 10:57 PM, Mark Hamburg <mark@grubmah.com> wrote:
>=20
>> Okay. So maybe my rack doesn't go away. But it could get smaller and =
maybe the mixer (Mackie 1642 or 1202 depending on the circumstance) goes =
away.
>>=20
>> Any suggestions on what I could use that would let me:
>>=20
>> * Mix a small number of stereo line level inputs
>> * Have one aux send (preferably stereo, but I can live with mono)
>> * Have an insert across main or provide me with a way to control the =
volume being fed to my active monitors
>>=20
>> Basically, I want to send some but not all of my signals through the =
AM8000R. I can do this by routing them through it completely and letting =
it pass the dry signal through or via an effects send.
>>=20
>> I want to take my main mix and send it through the TC M-300 that =
provides my main reverb and an SPDIF conversion and then I want to have =
a volume control upstream of my monitors.
>>=20
>> Right now, I'm using my Mackie 1642 to do all this, but it's serious =
overkill for the task and it consumes a lot of space.
>>=20
>> One solution might be a stereo line mixer and then some sort of =
volume control post M300. Any suggestions what to use? Any other =
suggestions?
>>=20
>> Thanks.
>> Mark
>>=20
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 15:28:11 2011
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Subject: Re: Trimming Down: Mixer options?
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Mark Hamburg wrote:

> Time to go study the SM82 and the MultiMix 8. (I do like the way Andy Butler
> looks at these things and casually says that it shouldn't be that hard to add an insert...)

cheers Mark ;-)

Any electronic repair shop would be able to make the mod
for you.

Beware the  'Multimix 8 *Line*' is very different from the confusingly named 'Multimix 8'

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 16:26:10 2011
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mono is for sissies!












 =20

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Subject: Re: Trimming Down: Mixer options?
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Unfortunately the Tapco is no longer in production.


On Mon, Jan 24, 2011 at 3:32 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> the Tapco Blend 6,the smallest you gonna get with 2 aux and
> returns,EQ,ctr room out,tape ins and out,headphones,master vol
> control,fits in a bag or even a pedalboard,looks cool,very clean
> sounding i love it!
>
> http://www.tapcoworld.com/products/blend6/specs.html
>
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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Subject: RE: Trimming Down: Mixer options?
Date: Mon, 24 Jan 2011 09:10:04 -0800
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Another buyer beware on the tapco is that the power supply is external =
and very specific, if you lose it or it blows you are screwed.



-----Original Message-----
From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]=20
Sent: Monday, January 24, 2011 11:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Trimming Down: Mixer options?

Unfortunately the Tapco is no longer in production.


On Mon, Jan 24, 2011 at 3:32 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> the Tapco Blend 6,the smallest you gonna get with 2 aux and
> returns,EQ,ctr room out,tape ins and out,headphones,master vol
> control,fits in a bag or even a pedalboard,looks cool,very clean
> sounding i love it!
>
> http://www.tapcoworld.com/products/blend6/specs.html
>
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all =
trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 17:43:54 2011
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Subject: Re: stereo
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?Not if you're channelling the long-dead-perhaps-never-living spirit of 
Blind Melon Cheeseburger.  But in the case of loopage, you're right.

http://www.youtube.com/watch?v=1e-OQzMVBwc

-----Original Message----- 
From: nemoguitt@aol.com
Sent: Monday, January 24, 2011 4:25 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: stereo

mono is for sissies!












 

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Louie Angulo schrieb:
> awesome Todd!!!
> here is another devoted Led Zeppelin fan,this is the band that has
> ever since i first hear them opened my musical journey
> i sill love them.
>   
So why didn't you tell us about the Led Zeppelin cover tracks you did 
yourself in this context?
It's here: http://www.myspace.com/luisangulocom

"Dazed and Confused" (in a version which sounds like it was done by Mano 
Negra), and another nice cover, "Helter Skelter" (with some RHCP 
influences?)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: OT: Building a Midi Breakout Box
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Hello soldier fiends,

Having looked into the basic Midi breakout boxes available for the VG
8, etc, I realized, I don't have $400 to buy one of these.  So looking
around I found this
http://www.unfretted.com/loader.php?LINK=3D/profs/breakout

Any of you technically inclined people have any advice on how to do
this (for a basic novice who has soldered a thing or two but never
built a functioning device)?  I'm wondering a couple of things a), how
feasible is this b) about how much a home brew would cost c) anyone
with the skills willing to build one (for a fee of course).

I'm at the level where I'm not sure I could actually do anything with
these plans but I could probably put it together if I had the parts.

Feel free to tell me I'm better off without the dream of processing
six strings separately.  I think I might be better off that way.
Unless one of you out there......

Kevin

--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 20:57:54 2011
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Subject: Visiting Australia and Indonesia... wanting to meet loopers!
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--0016e6dd89f555dfd0049a9dd913
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So I'm going for a prolonged jaunt in the South Pacific for a honeymoon and
I'm bringing my loopy show with me.

We'll be in Sydney, Melbourne, probably Cairns, Ubud, Jakarta, and then who
knows?

Let me know if you're somewhere around that trajectory, we'd love to meet
you!

-- 
     /t

http://radio.swirly.com - art music radio 24/7 366/1000

--0016e6dd89f555dfd0049a9dd913
Content-Type: text/html; charset=UTF-8
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So I&#39;m going for a prolonged jaunt in the South Pacific for a honeymoon=
 and I&#39;m bringing my loopy show with me.<div><br></div><div>We&#39;ll b=
e in Sydney, Melbourne, probably Cairns, Ubud, Jakarta, and then who knows?=
</div>

<div><br></div><div>Let me know if you&#39;re somewhere around that traject=
ory, we&#39;d love to meet you!<br clear=3D"all"><br>-- <br>=C2=A0 =C2=A0=
=C2=A0 /t<br><br><a href=3D"http://radio.swirly.com">http://radio.swirly.co=
m</a> - art music radio 24/7 366/1000<br>


</div>

--0016e6dd89f555dfd0049a9dd913--

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Subject: RE: OT: Building a Midi Breakout Box
Date: Mon, 24 Jan 2011 21:06:47 +0000
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Have a look at this Kevin:
=20
http://billbax.110mb.com/
=20
G
=20
> Date: Mon=2C 24 Jan 2011 12:21:51 -0800
> Subject: OT: Building a Midi Breakout Box
> From: billowhead@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Hello soldier fiends=2C
>=20
> Having looked into the basic Midi breakout boxes available for the VG
> 8=2C etc=2C I realized=2C I don't have $400 to buy one of these. So looki=
ng
> around I found this
> http://www.unfretted.com/loader.php?LINK=3D/profs/breakout
>=20
> Any of you technically inclined people have any advice on how to do
> this (for a basic novice who has soldered a thing or two but never
> built a functioning device)? I'm wondering a couple of things a)=2C how
> feasible is this b) about how much a home brew would cost c) anyone
> with the skills willing to build one (for a fee of course).
>=20
> I'm at the level where I'm not sure I could actually do anything with
> these plans but I could probably put it together if I had the parts.
>=20
> Feel free to tell me I'm better off without the dream of processing
> six strings separately. I think I might be better off that way.
> Unless one of you out there......
>=20
> Kevin
>=20
> --=20
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>=20
> - Ramana Maharshi (1879-1950)
>=20
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>=20
 		 	   		  =

--_e64a6c19-49a9-4340-9493-92452fb8d51c_
Content-Type: text/html; charset="iso-8859-1"
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Have&nbsp=3Ba look at this Kevin:<BR>
&nbsp=3B<BR>
<A href=3D"http://billbax.110mb.com/">http://billbax.110mb.com/</A><BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B Date: Mon=2C 24 Jan 2011 12:21:51 -0800<BR>&gt=3B Subject: OT: Build=
ing a Midi Breakout Box<BR>&gt=3B From: billowhead@gmail.com<BR>&gt=3B To: =
Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B Hello soldier fien=
ds=2C<BR>&gt=3B <BR>&gt=3B Having looked into the basic Midi breakout boxes=
 available for the VG<BR>&gt=3B 8=2C etc=2C I realized=2C I don't have $400=
 to buy one of these. So looking<BR>&gt=3B around I found this<BR>&gt=3B ht=
tp://www.unfretted.com/loader.php?LINK=3D/profs/breakout<BR>&gt=3B <BR>&gt=
=3B Any of you technically inclined people have any advice on how to do<BR>=
&gt=3B this (for a basic novice who has soldered a thing or two but never<B=
R>&gt=3B built a functioning device)? I'm wondering a couple of things a)=
=2C how<BR>&gt=3B feasible is this b) about how much a home brew would cost=
 c) anyone<BR>&gt=3B with the skills willing to build one (for a fee of cou=
rse).<BR>&gt=3B <BR>&gt=3B I'm at the level where I'm not sure I could actu=
ally do anything with<BR>&gt=3B these plans but I could probably put it tog=
ether if I had the parts.<BR>&gt=3B <BR>&gt=3B Feel free to tell me I'm bet=
ter off without the dream of processing<BR>&gt=3B six strings separately. I=
 think I might be better off that way.<BR>&gt=3B Unless one of you out ther=
e......<BR>&gt=3B <BR>&gt=3B Kevin<BR>&gt=3B <BR>&gt=3B -- <BR>&gt=3B Till =
now you seriously considered yourself to be the body and to have a<BR>&gt=
=3B form. That is the primal ignorance which is the root cause of all troub=
le.<BR>&gt=3B <BR>&gt=3B - Ramana Maharshi (1879-1950)<BR>&gt=3B <BR>&gt=3B=
 Sound and Vision:&nbsp=3B http://www.minds-eye.org<BR>&gt=3B Video http://=
www.vimeo.com/user877640/videos<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_e64a6c19-49a9-4340-9493-92452fb8d51c_--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 21:08:45 2011
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Todd Matthews <gtmatthews@gmail.com>
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Damn, Those are both great covers! Awesome vocals. Man I wish I could =
sing. That's the ultimate instrument. Oh well, a bow is better than =
nothing:)

-Todd Mathews


On Jan 24, 2011, at 3:10 PM, Rainer Straschill wrote:

> Louie Angulo schrieb:
>> awesome Todd!!!
>> here is another devoted Led Zeppelin fan,this is the band that has
>> ever since i first hear them opened my musical journey
>> i sill love them.
>> =20
> So why didn't you tell us about the Led Zeppelin cover tracks you did =
yourself in this context?
> It's here: http://www.myspace.com/luisangulocom
>=20
> "Dazed and Confused" (in a version which sounds like it was done by =
Mano Negra), and another nice cover, "Helter Skelter" (with some RHCP =
influences?)
>=20
>         Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20






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Now that I have you on the line :-D I have a question that, while OT, might
be useful for other loopers, too, if OT.


I'm travelling from 120V to 220V.  Most of the units I'm bringing take both
voltages - but I'm contemplating a wireless mic and none of the units I'm
interested in seem to be dual voltage... and unfortunately you can't order
the 220V supply in the US, nor seemingly in Australia.


There are two questions.


First, my last try with transformers and music was a complete failure due to
hum... but that was decades ago, is this still the case?

Second, both wireless units I'm looking at are actually DC powered with what
looks like a typical AC/DC adaptor.  My other units that have comparable
such adaptors are all 110/220V in practice!

What are the chances that the adaptor will actually work on 220V if I tried
it?  I don't mind the chance of blowing the adaptor out, but I really don't
want to blow the unit itself out!


Here's a spec sheet of the specific unit I'm thinking of, for both people
who've read this far, :-D it's the Shure ULX-S system.

http://www.shure.com/idc/groups/public/documents/webcontent/us_pro_ulx-specsheet.pdf
http://www.shure.com/americas/products/wireless-systems/ulx-systems/index.htm

Thanks in advance!


-- 
     /t

http://radio.swirly.com - art music radio 24/7 366/1000

--0016e6dd89f5b9c4cc049a9e08a4
Content-Type: text/html; charset=UTF-8
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<div>Now that I have you on the line :-D I have a question that, while OT,=
=C2=A0might be useful for other loopers, too, if OT.</div><div><br></div><d=
iv><br></div><div>I&#39;m travelling from 120V to 220V. =C2=A0Most of the u=
nits I&#39;m bringing take both voltages - but I&#39;m contemplating a wire=
less mic and none of the units I&#39;m interested in seem to be dual voltag=
e... and unfortunately you can&#39;t order the 220V supply in the US, nor s=
eemingly in Australia.</div>

<div><br></div><div><br></div><div>There are two questions. =C2=A0</div><di=
v><br></div><div><br></div><div>First, my last try with transformers and mu=
sic was a complete failure due to hum... but that was decades ago, is this =
still the case?</div>

<div><br></div><div>Second, both wireless units I&#39;m looking at are actu=
ally DC powered with what looks like a typical AC/DC adaptor. =C2=A0My othe=
r units that have comparable such adaptors are all 110/220V in practice!=C2=
=A0</div>

<div><br></div><div>What are the chances that the adaptor will actually wor=
k on 220V if I tried it? =C2=A0I don&#39;t mind the chance of blowing the a=
daptor out, but I really don&#39;t want to blow the unit itself out!</div><=
div>

<br></div><div><br></div><div>Here&#39;s a spec sheet of the specific unit =
I&#39;m thinking of, for both people who&#39;ve read this far, :-D it&#39;s=
 the Shure ULX-S system.</div><div><br></div><div><a href=3D"http://www.shu=
re.com/idc/groups/public/documents/webcontent/us_pro_ulx-specsheet.pdf">htt=
p://www.shure.com/idc/groups/public/documents/webcontent/us_pro_ulx-specshe=
et.pdf</a></div>

<div><a href=3D"http://www.shure.com/americas/products/wireless-systems/ulx=
-systems/index.htm">http://www.shure.com/americas/products/wireless-systems=
/ulx-systems/index.htm</a></div><div><br></div><div>Thanks in advance!</div=
>

<div><br></div><br>-- <br>=C2=A0 =C2=A0=C2=A0 /t<br><br><a href=3D"http://r=
adio.swirly.com">http://radio.swirly.com</a> - art music radio 24/7 366/100=
0<br>

--0016e6dd89f5b9c4cc049a9e08a4--

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--0016e6dd8627d5efc4049a9e1ee9
Content-Type: text/plain; charset=UTF-8

Or, other recommendations for wireless headset mics also accepted...!

On Mon, Jan 24, 2011 at 4:10 PM, Tom Swirly <tom@swirly.com> wrote:

> Now that I have you on the line :-D I have a question that, while OT, might
> be useful for other loopers, too, if OT.
>
>
> I'm travelling from 120V to 220V.  Most of the units I'm bringing take both
> voltages - but I'm contemplating a wireless mic and none of the units I'm
> interested in seem to be dual voltage... and unfortunately you can't order
> the 220V supply in the US, nor seemingly in Australia.
>
>
> There are two questions.
>
>
> First, my last try with transformers and music was a complete failure due
> to hum... but that was decades ago, is this still the case?
>
> Second, both wireless units I'm looking at are actually DC powered with
> what looks like a typical AC/DC adaptor.  My other units that have
> comparable such adaptors are all 110/220V in practice!
>
> What are the chances that the adaptor will actually work on 220V if I tried
> it?  I don't mind the chance of blowing the adaptor out, but I really don't
> want to blow the unit itself out!
>
>
> Here's a spec sheet of the specific unit I'm thinking of, for both people
> who've read this far, :-D it's the Shure ULX-S system.
>
>
> http://www.shure.com/idc/groups/public/documents/webcontent/us_pro_ulx-specsheet.pdf
>
> http://www.shure.com/americas/products/wireless-systems/ulx-systems/index.htm
>
> Thanks in advance!
>
>
> --
>      /t
>
> http://radio.swirly.com - art music radio 24/7 366/1000
>



-- 
     /t

http://radio.swirly.com - art music radio 24/7 366/1000

--0016e6dd8627d5efc4049a9e1ee9
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Or, other recommendations for wireless headset mics also accepted...!<br><b=
r><div class=3D"gmail_quote">On Mon, Jan 24, 2011 at 4:10 PM, Tom Swirly <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:tom@swirly.com">tom@swirly.com</a>&gt=
;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div>Now that I have you on the line :-D I =
have a question that, while OT,=C2=A0might be useful for other loopers, too=
, if OT.</div>

<div><br></div><div><br></div><div>I&#39;m travelling from 120V to 220V. =
=C2=A0Most of the units I&#39;m bringing take both voltages - but I&#39;m c=
ontemplating a wireless mic and none of the units I&#39;m interested in see=
m to be dual voltage... and unfortunately you can&#39;t order the 220V supp=
ly in the US, nor seemingly in Australia.</div>


<div><br></div><div><br></div><div>There are two questions. =C2=A0</div><di=
v><br></div><div><br></div><div>First, my last try with transformers and mu=
sic was a complete failure due to hum... but that was decades ago, is this =
still the case?</div>


<div><br></div><div>Second, both wireless units I&#39;m looking at are actu=
ally DC powered with what looks like a typical AC/DC adaptor. =C2=A0My othe=
r units that have comparable such adaptors are all 110/220V in practice!=C2=
=A0</div>


<div><br></div><div>What are the chances that the adaptor will actually wor=
k on 220V if I tried it? =C2=A0I don&#39;t mind the chance of blowing the a=
daptor out, but I really don&#39;t want to blow the unit itself out!</div><=
div>


<br></div><div><br></div><div>Here&#39;s a spec sheet of the specific unit =
I&#39;m thinking of, for both people who&#39;ve read this far, :-D it&#39;s=
 the Shure ULX-S system.</div><div><br></div><div><a href=3D"http://www.shu=
re.com/idc/groups/public/documents/webcontent/us_pro_ulx-specsheet.pdf" tar=
get=3D"_blank">http://www.shure.com/idc/groups/public/documents/webcontent/=
us_pro_ulx-specsheet.pdf</a></div>


<div><a href=3D"http://www.shure.com/americas/products/wireless-systems/ulx=
-systems/index.htm" target=3D"_blank">http://www.shure.com/americas/product=
s/wireless-systems/ulx-systems/index.htm</a></div><div><br></div><div>Thank=
s in advance!</div>


<div><br></div><font color=3D"#888888"><br>-- <br>=C2=A0 =C2=A0=C2=A0 /t<br=
><br><a href=3D"http://radio.swirly.com" target=3D"_blank">http://radio.swi=
rly.com</a> - art music radio 24/7 366/1000<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=C2=A0 =C2=A0=C2=
=A0 /t<br><br><a href=3D"http://radio.swirly.com">http://radio.swirly.com</=
a> - art music radio 24/7 366/1000<br>

--0016e6dd8627d5efc4049a9e1ee9--

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Subject: OT: Suitcase music studio
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--20cf3054a8cb200610049a9e2087
Content-Type: text/plain; charset=ISO-8859-1

http://www.youtube.com/watch?v=pM0uSef9oCQ&feature=player_embedded

Very nice indeed!! :-D

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a8cb200610049a9e2087
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<a href=3D"http://www.youtube.com/watch?v=3DpM0uSef9oCQ&amp;feature=3Dplaye=
r_embedded">http://www.youtube.com/watch?v=3DpM0uSef9oCQ&amp;feature=3Dplay=
er_embedded</a><br><br>Very nice indeed!! :-D<br clear=3D"all"><br>-- <br>P=
etri Lahtinen<br>
<a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petri=
lahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br><a href=3D"http://sou=
ndcloud.com/petrilahtinen" target=3D"_blank">http://soundcloud.com/petrilah=
tinen</a><br>
<a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/" =
target=3D"_blank">http://petrilahtinen.bandcamp.com/</a><br>---------------=
------------------------------------<br>
&quot;Only become professional musician if there is no choice.&quot; -Rober=
t Fripp-<br>---------------------------------------------------<br>&quot;So=
me people never go crazy. What truly horrible lives they must lead.&quot; -=
Charles Bukowski-<br>
<br>

--20cf3054a8cb200610049a9e2087--

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Date: Mon, 24 Jan 2011 22:28:04 +0100
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Subject: Re: Trimming Down: Mixer options?
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no the  blend 6 you can use any standard AC 9V power supply.
Luis





On Mon, Jan 24, 2011 at 6:10 PM, Andy Owens <andy@1800dialword.com> wrote:
> Another buyer beware on the tapco is that the power supply is external an=
d very specific, if you lose it or it blows you are screwed.
>
>
>
> -----Original Message-----
> From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]
> Sent: Monday, January 24, 2011 11:43 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Trimming Down: Mixer options?
>
> Unfortunately the Tapco is no longer in production.
>
>
> On Mon, Jan 24, 2011 at 3:32 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> the Tapco Blend 6,the smallest you gonna get with 2 aux and
>> returns,EQ,ctr room out,tape ins and out,headphones,master vol
>> control,fits in a bag or even a pedalboard,looks cool,very clean
>> sounding i love it!
>>
>> http://www.tapcoworld.com/products/blend6/specs.html
>>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:=A0 http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

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Date: Mon, 24 Jan 2011 22:31:42 +0100
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Louie Angulo <louie.angulo@googlemail.com>
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thanx for the kind words Rainer
but say, who is  RHCP?

On Mon, Jan 24, 2011 at 9:10 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Louie Angulo schrieb:
>>
>> awesome Todd!!!
>> here is another devoted Led Zeppelin fan,this is the band that has
>> ever since i first hear them opened my musical journey
>> i sill love them.
>>
>
> So why didn't you tell us about the Led Zeppelin cover tracks you did
> yourself in this context?
> It's here: http://www.myspace.com/luisangulocom
>
> "Dazed and Confused" (in a version which sounds like it was done by Mano
> Negra), and another nice cover, "Helter Skelter" (with some RHCP
> influences?)
>
> =A0 =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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Date: Mon, 24 Jan 2011 22:32:34 +0100
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
From: Louie Angulo <louie.angulo@googlemail.com>
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Thanx Todd!
I wish i could bow like you as well man;-)

On Mon, Jan 24, 2011 at 10:08 PM, Todd Matthews <gtmatthews@gmail.com> wrot=
e:
> Damn, Those are both great covers! Awesome vocals. Man I wish I could sin=
g. That's the ultimate instrument. Oh well, a bow is better than nothing:)
>
> -Todd Mathews
>
>
> On Jan 24, 2011, at 3:10 PM, Rainer Straschill wrote:
>
>> Louie Angulo schrieb:
>>> awesome Todd!!!
>>> here is another devoted Led Zeppelin fan,this is the band that has
>>> ever since i first hear them opened my musical journey
>>> i sill love them.
>>>
>> So why didn't you tell us about the Led Zeppelin cover tracks you did yo=
urself in this context?
>> It's here: http://www.myspace.com/luisangulocom
>>
>> "Dazed and Confused" (in a version which sounds like it was done by Mano=
 Negra), and another nice cover, "Helter Skelter" (with some RHCP influence=
s?)
>>
>> =A0 =A0 =A0 =A0 Rainer
>>
>> --
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>
>
>
>
>
>
>
>

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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
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On Mon, Jan 24, 2011 at 10:31 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> thanx for the kind words Rainer
> but say, who is =C2=A0RHCP?

www.redhotchilipeppers.com

Per

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On 7/22/64 11:59 AM, Mark Hamburg wrote:
> Thanks also to Luis for the Tapco link. Andy Owens' concerns about noise get me thinking more carefully, but it does point out that I could deal with my insert to main ahead of the level for the monitors by taking main out to the M300 and then back in an input that feeds only to the control room. I hadn't thought about that because in the past I've ended up using the control room feeds to get stereo feeds for loopers.
Yeah, Mark,  if you get creative, the 1202 really has a lot of routing 
options
using the control room out.   Remember that your tape outs can also be 
converted
to a separate mains out channel as well, though it's unconventional to 
use it that way.

I've just burned out the first two channels completely on my 1402 (it 
went to 15 different countries
with me and took a LOT of abuse) so I'm down to 4 mic pres and it's just 
a matter of time
before it gives up the ghost.

Have you looked into the DTar Soulstice that Bill and I both use?  It 
has two really high quality mic pres
replete with insert sends and a separate effects loop.    I'm not sure 
how many channels you use,
but it's also got a really small footprint.   The only possible trouble 
is that it only has the two ins,
though you can hook both a mic and a line input into the same channel as 
I frequently do.

I finally quit using my beloved Mackie when I tour because it's just too 
bulky and heavy.
Right now,  I'm carting my Mackie 1604 around with me if I have time to 
set up and
an automobile for transport and I use my DTar if I'm flying anywhere.
It has routing out the wazoo despite being large and bulky.   4 aux sends
is Heaven!!!!

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 21:45:27 2011
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I'm having my  SISSIES FOR MONO t-shirt made up as we speak.
I'm proud to be a sissy for mono.   Who's with me?

rick





nemoguitt@aol.com wrote:
> mono is for sissies!
>
>
>
>
>
>
>
>
>
>
>
>
>

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Date: Mon, 24 Jan 2011 22:48:21 +0100
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Subject: Re: Re: stereo
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ill buy one too;-))

On Mon, Jan 24, 2011 at 10:45 PM, Rick Walker <looppool@cruzio.com> wrote:
> I'm having my =A0SISSIES FOR MONO t-shirt made up as we speak.
> I'm proud to be a sissy for mono. =A0 Who's with me?
>
> rick
>
>
>
>
>
> nemoguitt@aol.com wrote:
>>
>> mono is for sissies!
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>
>

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Date: Mon, 24 Jan 2011 13:48:54 -0800
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Subject: Re: OT: Building a Midi Breakout Box
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Yeah I've been in contact with him but he's quoting something like 60
pounds in freight (almost $100 in shipping) so it winds up just a
little bit under the price of the RMC Fanout box.

I'm thinking I'll be shelving this thought for a while.

Kevin

On Mon, Jan 24, 2011 at 1:06 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Have=A0a look at this Kevin:
>
> http://billbax.110mb.com/
>
> G
>
>> Date: Mon, 24 Jan 2011 12:21:51 -0800
>> Subject: OT: Building a Midi Breakout Box
>> From: billowhead@gmail.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> Hello soldier fiends,
>>
>> Having looked into the basic Midi breakout boxes available for the VG
>> 8, etc, I realized, I don't have $400 to buy one of these. So looking
>> around I found this
>> http://www.unfretted.com/loader.php?LINK=3D/profs/breakout
>>
>> Any of you technically inclined people have any advice on how to do
>> this (for a basic novice who has soldered a thing or two but never
>> built a functioning device)? I'm wondering a couple of things a), how
>> feasible is this b) about how much a home brew would cost c) anyone
>> with the skills willing to build one (for a fee of course).
>>
>> I'm at the level where I'm not sure I could actually do anything with
>> these plans but I could probably put it together if I had the parts.
>>
>> Feel free to tell me I'm better off without the dream of processing
>> six strings separately. I think I might be better off that way.
>> Unless one of you out there......
>>
>> Kevin
>>
>> --
>> Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all troubl=
e.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:=A0 http://www.minds-eye.org
>> Video http://www.vimeo.com/user877640/videos
>>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 21:54:47 2011
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Subject: Re: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
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On 7/22/64 11:59 AM, Todd Matthews wrote:
> Damn, Those are both great covers! Awesome vocals. Man I wish I could sing. That's the ultimate instrument. Oh well, a bow is better than nothing:)
>
> -Todd Mathews
I think I read somewhere that John Coltrane said,  "All instruments 
aspire to the human voice"

And you know,   I always wanted to sing and was always afraid (and 
didn't like the sound of my voice).
Then as a producer,  I kept hearing singer after singer say that they 
didn't like the sound of their voice,
so I started.  It finally occurred to me that most of those critical 
voices where inside my head, not outside
of it as I had feared.  I've been singing for 10 years now and am NOT an 
accomplished singer, but I can carry
a tune and I think, occasionally, that the voice really does add 
something to the mix, even when only
singing acapella or even used for effects simulation (sound effects, 
beatboxing, et.al.)

What I tell my young music students is:   Sing ever day........sing 
unison with what you play so that you kill two
birds with one stone and remember all the people who started out with 
really limited chops and became successful
singers.    Some of my favorite singers don't have great voices,  but 
they have tons of humanity in there own.

Your inherent musicality is very evident, Todd.   I say go for it.    I 
started at the age of 47.   I'm teaching a woman
who started at 62.

If you sing every single day,  you will become a singer.  That's how it 
works.

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Subject: fianlly a video of using mobius and ableton!
From: Louie Angulo <louie.angulo@googlemail.com>
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This is great,at least to get me started

http://www.youtube.com/watch?v=CfNOnrqaYUA

though having that click live is not good! could it be avoided?
but very nice of this guy to share his wisdom on a vid,I wish there
was more of this from you experienced gurus
there is a great program for mac called screenflow which captures
everything you are doing on your computer screen
a breeze to use!
Luis

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Subject: Re: fianlly a video of using mobius and ableton!
From: Todd Matthews <gtmatthews@gmail.com>
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>=20
> though having that click live is not good! could it be avoided?


Yes in Live you can have your monitored signal w/ click go to say =
Outputs 3-4 on your audio interface and then Send Outputs 1-2 to the =
house without the click. It called "Cue Out" and it's on the Master =
Track in Live's session view.

Todd Matthews





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--Apple-Mail-5--227332915
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KloBoy Sprach:
mono is for sissies!





OOOOOOOOOOO tell me more........

Bill


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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><font class="Apple-style-span" color="#FB4FF6">KloBoy Sprach:<br></font><div><span class="Apple-style-span" style="font-family: Tahoma; font-size: 13px; "><font class="Apple-style-span" color="#FB4FF6">mono is for sissies!</font></span></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><span class="Apple-style-span" style="font-family: Tahoma; font-size: 13px; "></span>OOOOOOOOOOO tell me more........</div><div><br></div><div>Bill</div><div><b><br></b></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 22:26:09 2011
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Tom Swirly schrieb:
> Second, both wireless units I'm looking at are actually DC powered 
> with what looks like a typical AC/DC adaptor.  My other units that 
> have comparable such adaptors are all 110/220V in practice! 
>
> What are the chances that the adaptor will actually work on 220V if I 
> tried it?  I don't mind the chance of blowing the adaptor out, but I 
> really don't want to blow the unit itself out!
If it's a standard AC/DC adaptor (meaning transformer followed by 
rectifier), then it will blow the unit. Unfortunately, most of the 
adaptors are this kind.
Here's what I did for my "international rig": I replaced all of the 
adaptors with SPS type ones which take both 220 and 110 - problem 
solved. You can usually get them at your local electronics store.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: fianlly a video of using mobius and ableton!
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so it still would not mater if u just started a loop with no click
reference,the drum loops would still be synced?
this is the way im used to doing it with the EDP,if it works like that
then grand!
Luis






On Mon, Jan 24, 2011 at 11:14 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
>>
>> though having that click live is not good! could it be avoided?
>
>
> Yes in Live you can have your monitored signal w/ click go to say Outputs 3-4 on your audio interface and then Send Outputs 1-2 to the house without the click. It called "Cue Out" and it's on the Master Track in Live's session view.
>
> Todd Matthews
>
>
>
>
>
>

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Subject: Re: fianlly a video of using mobius and ableton!
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The only way Live can work like that is with the latest version 8 of =
Live. Now you can do that by using the plug-in, Looper, that can set the =
tempo of the set depending on the length of your loop. Otherwise if you =
record straight to audio clips you gotta listen to the click and sync =
yourself to the machine to have everything sync up.....or maybe start =
some live audio clips with drums first. Then you'd could play in sync =
with Live's tempo without having to use a click. Although the is only =
from what I remember since it's been a bit since I used Live for live =
performance. Please correct me if I'm wrong.

>=20
>=20
> On Mon, Jan 24, 2011 at 11:14 PM, Todd Matthews <gtmatthews@gmail.com> =
wrote:
>>>=20
>>> though having that click live is not good! could it be avoided?
>>=20
>>=20
>> Yes in Live you can have your monitored signal w/ click go to say =
Outputs 3-4 on your audio interface and then Send Outputs 1-2 to the =
house without the click. It called "Cue Out" and it's on the Master =
Track in Live's session view.
>>=20
>> Todd Matthews
>>=20
>>=20





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Date: Tue, 25 Jan 2011 00:27:46 +0100
From: Rainer Straschill <moinsound@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: fianlly a video of using mobius and ableton!
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Am 25.01.2011 00:19, schrieb Todd Matthews:
> The only way Live can work like that is with the latest version 8 of Live. Now you can do that by using the plug-in, Looper, that can set the tempo of the set depending on the length of your loop. Otherwise if you record straight to audio clips you gotta listen to
This was also possible since "day one" (I only started to use Live w/ 
version 4, but I believe it was also possible in earlier versions) using 
any looper (hardware or software) that would create a MIDI clock and 
issue a MIDI start command and syncing Live to that.
In the software domain, I have been doing that successfully since about 
2005 (or 2006?) using Möbius. What you need here, however, is to route 
Möbius' MIDI output to Live, which is best accomplished using a software 
MIDI patch cable such as MIDIYoke or LoopBe.

        Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 23:32:55 2011
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Subject: Re: Trimming Down: Mixer options?
References: <B3949B89-2048-42B1-A14B-802594969C9B@grubmah.com> <AANLkTikC9ArJju4Ydnjcj4_mJrGDhrjQbiUHq_3gc+Z2@mail.gmail.com> <AANLkTikm34L61bhYwfjCEu-tuCWAZDWp3fBy8F3LNL84@mail.gmail.com> <864434907DE0E9429B16AD587941F73F07A528C5@EXVBE010-2.exch010.intermedia.net> <AANLkTinT=m-ETWyoKGySEt-dWWuO2AjkOTioCPXhzQU_@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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Thread-Topic: Trimming Down: Mixer options?
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Date: Mon, 24 Jan 2011 18:32:06 -0500
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Oh good mine older.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 24, 2011, at 4:28 PM, Louie Angulo <louie.angulo@googlemail.com> wrot=
e:

> no the  blend 6 you can use any standard AC 9V power supply.
> Luis
>=20
>=20
>=20
>=20
>=20
> On Mon, Jan 24, 2011 at 6:10 PM, Andy Owens <andy@1800dialword.com> wrote:=

>> Another buyer beware on the tapco is that the power supply is external an=
d very specific, if you lose it or it blows you are screwed.
>>=20
>>=20
>>=20
>> -----Original Message-----
>> From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]
>> Sent: Monday, January 24, 2011 11:43 AM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Trimming Down: Mixer options?
>>=20
>> Unfortunately the Tapco is no longer in production.
>>=20
>>=20
>> On Mon, Jan 24, 2011 at 3:32 AM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>>> the Tapco Blend 6,the smallest you gonna get with 2 aux and
>>> returns,EQ,ctr room out,tape ins and out,headphones,master vol
>>> control,fits in a bag or even a pedalboard,looks cool,very clean
>>> sounding i love it!
>>>=20
>>> http://www.tapcoworld.com/products/blend6/specs.html
>>>=20
>> --
>> Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all trouble=
.
>>=20
>> - Ramana Maharshi (1879-1950)
>>=20
>> Sound and Vision:  http://www.minds-eye.org
>> Video http://www.vimeo.com/user877640/videos
>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 23:34:20 2011
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Date: Tue, 25 Jan 2011 00:34:17 +0100
Message-ID: <AANLkTinruv472mWSAgP731kAW8-afNFpaz5Unqu4KqUQ@mail.gmail.com>
Subject: Re: m-13 m-9
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Sun, Jan 23, 2011 at 6:59 PM, William Walker <billwalker@baymoon.com> wr=
ote:
>> Sjaak said:
>> =A0=A0The=A0analog delays can sound very harsh and anything but warm, I =
don't like
>> them personally, the DD-20 analog delay emulation is far better than
>> the M9 or M13.
> =A0Hey Sjaak are you referring to the way these delays respond to regener=
ation
> feedback? If so I see your point, when using run away regeneration I've
> noticed a certain
> harshness when going in to self oscillation but other wise They sound fin=
e.

That's exactly what I mean. I have to check the exact settings of my
M13 patches but I think it's the analog delay with modulation which
sounds harsh when you set feedback too high. On the other hand, you
can use it to create nice ambient texture like crickets ;-) Regarding
the DD-20, the sound of the analog delay differs a lot from the M13.
With feedback between 90% 100%, you can create beautiful sounding
textures with a decay of minutes and imo it sounds less harsh and more
usefull in the mix compared to the line 6.

> This is a really nice processor Gareth that can do
> ambience textures really well and is more loaded feature -wise than anyth=
ing
> in its price range. The only effect I know of in its class with two
> expression pedal ports for effects depth morphing. This feature alone giv=
es
> the M-9 so much control its ridiculous.

I agree with that 100%, that's why I bought it and happy with it.

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Mon Jan 24 23:54:56 2011
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Date: Tue, 25 Jan 2011 00:54:54 +0100
Message-ID: <AANLkTi=SxAG=yG0K-0tMe9_Ui4QrUaoysDTRaUkxpcjd@mail.gmail.com>
Subject: Re: fianlly a video of using mobius and ableton!
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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ok Rainer,so let me get  this straight,that means i just install
LoopBe for ex. assgn the midi out port of mobius to midi in port of
ableton live to slave it and whenever i start a loop the audio clips
in live will stretch and sync to my mobius loops? that would be it!!
Luis






On Tue, Jan 25, 2011 at 12:27 AM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Am 25.01.2011 00:19, schrieb Todd Matthews:
>>
>> The only way Live can work like that is with the latest version 8 of Liv=
e.
>> Now you can do that by using the plug-in, Looper, that can set the tempo=
 of
>> the set depending on the length of your loop. Otherwise if you record
>> straight to audio clips you gotta listen to
>
> This was also possible since "day one" (I only started to use Live w/
> version 4, but I believe it was also possible in earlier versions) using =
any
> looper (hardware or software) that would create a MIDI clock and issue a
> MIDI start command and syncing Live to that.
> In the software domain, I have been doing that successfully since about 2=
005
> (or 2006?) using M=F6bius. What you need here, however, is to route M=F6b=
ius'
> MIDI output to Live, which is best accomplished using a software MIDI pat=
ch
> cable such as MIDIYoke or LoopBe.
>
> =A0 =A0 =A0 Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 00:01:49 2011
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Date: Mon, 24 Jan 2011 19:01:34 -0500
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<<OOOOOOOOOOO tell me more........


Bill>>



well.....being both a professional singer and dancer, i can go
on record and say "the kidz, today, wants the stereo"......they wants=20
the 5.1,
they wants the 3-D, they wants the H.D.....you can't stop progress=20
young bill!.....let go of the past.....
be tamari!.....send me a box of rubies and i will send you a HD 7.3 4D=20
DVD that will show you how to do this!
.....why?.....because i'm that kind-o-guy!
 =20

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 00:07:49 2011
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Date: Mon, 24 Jan 2011 16:07:47 -0800
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It wasn't me, but I am doing that.
I'm using an RC-20 and a Digitech Jamman--I brought my EDP in to the gig
this week, but it's more setup than I want to do for the money I'm making 8(
I'm in San Diego 8)

On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens <andy@1800dialword.com> wrote:

> Howdy folks
>
> A few years ago I met somebody on here who was looping Bluegrass and
> Oldtime and he had a computer based loop program. He was in northern
> Californee, anybody remember who that is?
>
> Andy of the O's
>

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It wasn&#39;t me, but I am doing that.<br>I&#39;m using an RC-20 and a Digi=
tech Jamman--I brought my EDP in to the gig this week, but it&#39;s more se=
tup than I want to do for the money I&#39;m making 8(<br>I&#39;m in San Die=
go 8)<br>
<br><div class=3D"gmail_quote">On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens =
<span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com">andy@1800dia=
lword.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
Howdy folks<br>
<br>
A few years ago I met somebody on here who was looping Bluegrass and Oldtim=
e and he had a computer based loop program. He was in northern Californee, =
anybody remember who that is?<br>
<br>
Andy of the O&#39;s<br>
</blockquote></div><br>

--0015175ca87aa91dc5049aa081e5--

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Subject: Re: fianlly a video of using mobius and ableton!
From: Todd Matthews <gtmatthews@gmail.com>
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Date: Mon, 24 Jan 2011 19:10:42 -0500
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Thanks Rainer for the correction. That makes sense. I guess if your on =
mac you could use the built in IAC midi bus as well without even needing =
to download extra software.

On Jan 24, 2011, at 6:27 PM, Rainer Straschill wrote:

> Am 25.01.2011 00:19, schrieb Todd Matthews:
>> The only way Live can work like that is with the latest version 8 of =
Live. Now you can do that by using the plug-in, Looper, that can set the =
tempo of the set depending on the length of your loop. Otherwise if you =
record straight to audio clips you gotta listen to
> This was also possible since "day one" (I only started to use Live w/ =
version 4, but I believe it was also possible in earlier versions) using =
any looper (hardware or software) that would create a MIDI clock and =
issue a MIDI start command and syncing Live to that.
> In the software domain, I have been doing that successfully since =
about 2005 (or 2006?) using M=F6bius. What you need here, however, is to =
route M=F6bius' MIDI output to Live, which is best accomplished using a =
software MIDI patch cable such as MIDIYoke or LoopBe.
>=20
>       Rainer
>=20
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>=20

Todd Matthews





From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 00:16:54 2011
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Subject: Re: m-13 m-9
Date: Mon, 24 Jan 2011 19:16:43 -0500
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just got off the phone with mr bill walker and he cornvinced me that=20
the M 13 plus 2 xpression
pedals will get me on the GRAMMYS next year!.....I LOVE MY M=20
13!!!!!.....it's understandably deep!
i learn something new every time i turn it on.....it is definitly a=20
MNPD (more knobs per $) device.....
they should print LET'S GET AMBIENT on all their boxes!


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yeah, and dont forget to invite us to the grammys Michael,dont wanna miss that
ill bring some gummy bears and beer
that ok with ya?

On Tue, Jan 25, 2011 at 1:16 AM,  <nemoguitt@aol.com> wrote:
> just got off the phone with mr bill walker and he cornvinced me that the M
> 13 plus 2 xpression
> pedals will get me on the GRAMMYS next year!.....I LOVE MY M
> 13!!!!!.....it's understandably deep!
> i learn something new every time i turn it on.....it is definitly a MNPD
> (more knobs per $) device.....
> they should print LET'S GET AMBIENT on all their boxes!
>
>
>

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On Tue, Jan 25, 2011 at 1:01 AM,  <nemoguitt@aol.com> wrote:

> bill!.....let go of the past.....

> be tamari!.....

tamari...is that some sort of soy sauce?

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 00:50:17 2011
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wow,what a "lively" website...
had to take my glasses off for a minute

On Mon, Jan 24, 2011 at 10:06 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> Have=A0a look at this Kevin:
>
> http://billbax.110mb.com/
>

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Subject: the POK wireless footcontroller
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well here is something cool

http://www.xtempozone.com/

here is a gal using it,seems well suited for Ableton:

http://www.youtube.com/watch?v=nPCiM_vwJ54&NR=1

anybody has any experiences with it? i dont think it has been mentioned here
cheers
Luis

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Subject: Re: the POK wireless footcontroller
Date: Mon, 24 Jan 2011 18:59:09 -0800
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i investigated it a while back but rejected it because you can't make  
it send midi. my understanding is that its just a wireless keyboard  
for your feet.

On Jan 24, 2011, at 5:27 PM, Louie Angulo wrote:

> well here is something cool
>
> http://www.xtempozone.com/
>
> here is a gal using it,seems well suited for Ableton:
>
> http://www.youtube.com/watch?v=nPCiM_vwJ54&NR=1
>
> anybody has any experiences with it? i dont think it has been  
> mentioned here
> cheers
> Luis
>

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 03:25:53 2011
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On 7/22/64 11:59 AM, nemoguitt@aol.com wrote:
> send me a box of rubies and i will send you a HD 7.3 4D DVD that will 
> show you how to do this!
> .....why?.....because i'm that kind-o-guy!
I have a box of cubic zirconium,  Scoots.    Will that do?   I'm 
seriously thinking about eliminating
my mono rig and going 4D (for the kidz).......this will help me do that 
with no muss or fuss.

rick

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 04:51:47 2011
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Subject: Re: LoopGrass
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--20cf3054a2e91288e5049aa479da
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Looping bluegrass, sounds like something John McCuen or Sam Bush would be i=
n
to Andy, actually the thought sounds rather cool.  Noticed you are teaching
or have at Steve Kaufman's camp.  I got to know Steve a little bit when I
first came in to the Mel Bay family.  Don't think he would remember me now
but he gave me some good input several years ago.  Feels you will bring an
interesting mix into the community Andy, welcome...

Jim

On Mon, Jan 24, 2011 at 7:07 PM, Gary Lehmann <gnarlyheman@gmail.com> wrote=
:

> It wasn't me, but I am doing that.
> I'm using an RC-20 and a Digitech Jamman--I brought my EDP in to the gig
> this week, but it's more setup than I want to do for the money I'm making=
 8(
> I'm in San Diego 8)
>
>
> On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens <andy@1800dialword.com> wrote=
:
>
>> Howdy folks
>>
>> A few years ago I met somebody on here who was looping Bluegrass and
>> Oldtime and he had a computer based loop program. He was in northern
>> Californee, anybody remember who that is?
>>
>> Andy of the O's
>>
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a2e91288e5049aa479da
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Looping bluegrass, sounds like something John McCuen or Sam Bush would be i=
n to Andy, actually the thought sounds rather cool. =A0Noticed you are teac=
hing or have at Steve Kaufman&#39;s camp. =A0I got to know Steve a little b=
it when I first came in to the Mel Bay family. =A0Don&#39;t think he would =
remember me now but he gave me some good input several years ago. =A0Feels =
you will bring an interesting mix into the community Andy, welcome...<div>
<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Mon, Jan 24, 2011 a=
t 7:07 PM, Gary Lehmann <span dir=3D"ltr">&lt;<a href=3D"mailto:gnarlyheman=
@gmail.com">gnarlyheman@gmail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;pad=
ding-left:1ex;">
It wasn&#39;t me, but I am doing that.<br>I&#39;m using an RC-20 and a Digi=
tech Jamman--I brought my EDP in to the gig this week, but it&#39;s more se=
tup than I want to do for the money I&#39;m making 8(<br>I&#39;m in San Die=
go 8)<div>
<div></div><div class=3D"h5"><br>
<br><div class=3D"gmail_quote">On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens =
<span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com" target=3D"_b=
lank">andy@1800dialword.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204=
, 204, 204);padding-left:1ex">

Howdy folks<br>
<br>
A few years ago I met somebody on here who was looping Bluegrass and Oldtim=
e and he had a computer based loop program. He was in northern Californee, =
anybody remember who that is?<br>
<br>
Andy of the O&#39;s<br>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--20cf3054a2e91288e5049aa479da--

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Subject: Re: the POK wireless footcontroller
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wow and quite expensive just for that!

On Tue, Jan 25, 2011 at 3:59 AM, Zoe Keating <info@zoekeating.com> wrote:
> i investigated it a while back but rejected it because you can't make it
> send midi. my understanding is that its just a wireless keyboard for your
> feet.
>
> On Jan 24, 2011, at 5:27 PM, Louie Angulo wrote:
>
>> well here is something cool
>>
>> http://www.xtempozone.com/
>>
>> here is a gal using it,seems well suited for Ableton:
>>
>> http://www.youtube.com/watch?v=nPCiM_vwJ54&NR=1
>>
>> anybody has any experiences with it? i dont think it has been mentioned
>> here
>> cheers
>> Luis
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 06:00:10 2011
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Subject: Soft Step - any software issues?
Date: Tue, 25 Jan 2011 00:00:06 -0600
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--_ff1e1d76-af94-4a70-ad29-92134075a1b0_
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howdy loopies=2C

i was just about to purchase the soft step through amazon for my "busking" =
rig=2C but noticed these 2 reviews=2C both within the last 2 weeks-

----------------------

The Max5 based software still a little buggy (as of Jan-2011=2C =20
V.1.03) and could be better=2C and hopefully will be soon if the quality=20
of the pedal is any indication.
     =20

and......

A little buggy?  Absolutely unusable software.  Tons of time getting=20
presets established=2C you go to a different scene and then come back=2C an=
d
 many of your presets are screwed up.  Names have changed=2C presets for=20
one pedal are suddenly showing up in a different pedal=2C parameters are=20
changed.



Wow.  Unless they've got a fix in the next 24hrs this thing is going back.



What a shame=2C because the thing had such amazing promise.



Completely unreliable=2C though.  God forbid you get those horrid preset ch=
anges during a gig...
     =20
----------------------

i hadnt heard of any issues=2C but maybe i overlooked a massive thread- any=
one having similar problemos or is everything groovy?


ty!

fro




The Wandering Madman=20


 		 	   		  =

--_ff1e1d76-af94-4a70-ad29-92134075a1b0_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
howdy loopies=2C<br><br>i was just about to purchase the soft step through =
amazon for my "busking" rig=2C but noticed these 2 reviews=2C both within t=
he last 2 weeks-<br><br>----------------------<br><br>The Max5 based softwa=
re still a little buggy (as of Jan-2011=2C =20
V.1.03) and could be better=2C and hopefully will be soon if the quality=20
of the pedal is any indication.
      <br><br>and......<br><br>A little buggy?  Absolutely unusable softwar=
e.  Tons of time getting=20
presets established=2C you go to a different scene and then come back=2C an=
d
 many of your presets are screwed up.  Names have changed=2C presets for=20
one pedal are suddenly showing up in a different pedal=2C parameters are=20
changed.
<br>
<br>Wow.  Unless they've got a fix in the next 24hrs this thing is going ba=
ck.
<br>
<br>What a shame=2C because the thing had such amazing promise.
<br>
<br>Completely unreliable=2C though.  God forbid you get those horrid prese=
t changes during a gig...
      <br>----------------------<br><br>i hadnt heard of any issues=2C but =
maybe i overlooked a massive thread- anyone having similar problemos or is =
everything groovy?<br><br><br>ty!<br><br>fro<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br> 		 	   		  </body>
</html>=

--_ff1e1d76-af94-4a70-ad29-92134075a1b0_--

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Don't like the sound of "blowing" the unit!  Good to know, though, I'll hit
a store before I go...

On Mon, Jan 24, 2011 at 5:26 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> Tom Swirly schrieb:
>
>  Second, both wireless units I'm looking at are actually DC powered with
>> what looks like a typical AC/DC adaptor.  My other units that have
>> comparable such adaptors are all 110/220V in practice!
>> What are the chances that the adaptor will actually work on 220V if I
>> tried it?  I don't mind the chance of blowing the adaptor out, but I really
>> don't want to blow the unit itself out!
>>
> If it's a standard AC/DC adaptor (meaning transformer followed by
> rectifier), then it will blow the unit. Unfortunately, most of the adaptors
> are this kind.
> Here's what I did for my "international rig": I replaced all of the
> adaptors with SPS type ones which take both 220 and 110 - problem solved.
> You can usually get them at your local electronics store.
>
>         Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


-- 
     /t

http://radio.swirly.com - art music radio 24/7 366/1000

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Don&#39;t like the sound of &quot;blowing&quot; the unit! =C2=A0Good to kno=
w, though, I&#39;ll hit a store before I go...<br><br><div class=3D"gmail_q=
uote">On Mon, Jan 24, 2011 at 5:26 PM, Rainer Straschill <span dir=3D"ltr">=
&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a=
>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Tom Swirly schrieb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Second, both wireless units I&#39;m looking at are actually DC powered with=
 what looks like a typical AC/DC adaptor. =C2=A0My other units that have co=
mparable such adaptors are all 110/220V in practice! <br>
What are the chances that the adaptor will actually work on 220V if I tried=
 it? =C2=A0I don&#39;t mind the chance of blowing the adaptor out, but I re=
ally don&#39;t want to blow the unit itself out!<br>
</blockquote></div>
If it&#39;s a standard AC/DC adaptor (meaning transformer followed by recti=
fier), then it will blow the unit. Unfortunately, most of the adaptors are =
this kind.<br>
Here&#39;s what I did for my &quot;international rig&quot;: I replaced all =
of the adaptors with SPS type ones which take both 220 and 110 - problem so=
lved. You can usually get them at your local electronics store.<br>
<br>
 =C2=A0 =C2=A0 =C2=A0 =C2=A0 Rainer<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=C2=A0 =C2=A0=C2=
=A0 /t<br><br><a href=3D"http://radio.swirly.com">http://radio.swirly.com</=
a> - art music radio 24/7 366/1000<br>

--0016367b5e42baaf46049aa6353d--

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Date: Tue, 25 Jan 2011 01:19:44 -0600
From: Shayne Cafferata <scafferata@sasktel.net>
Subject: OT: Suitcase music studio
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http://www.youtube.com/watch?v=pM0uSef9oCQ&feature=player_embedded


what a beautiful little setup! it's like a toybox full of action figures. and they play so nicely together...
my wife says when our last son leaves homes she wants us to sell our house and belongings and buy a motorhome to live out the rest of our days in(or until we run out of gas money, or until peak oil comes to fruition, which should be any day now). i look at my shed and various rooms full of 25 years of musician detritus and think, "ahh shit, this is not gonna fit..." 
being more a knob twiddler than softwary, your suitcase is utterly inspiring!

shayne 

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content="text/html; charset=iso-8859-1" http-equiv=Content-Type>
<META name=GENERATOR content="MSHTML 8.00.6001.18999">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT size=2 face=Arial><A 
href="http://www.youtube.com/watch?v=pM0uSef9oCQ&amp;feature=player_embedded"><FONT 
size=3 
face="Times New Roman">http://www.youtube.com/watch?v=pM0uSef9oCQ&amp;feature=player_embedded</FONT></A><BR></FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>what a beautiful little setup! it's like a toybox 
full of action figures. and they play so nicely together...</FONT></DIV>
<DIV><FONT size=2 face=Arial>my wife says when our last son leaves homes she 
wants us to sell our house and belongings and buy a motorhome&nbsp;to live out 
the rest of our days in(or until we run out of gas money, or until peak oil 
comes to fruition, which should be any day now). i&nbsp;look at my shed and 
various rooms full of&nbsp;25 years of musician detritus and think, "ahh 
shit,&nbsp;this is not gonna fit..."&nbsp;</FONT></DIV>
<DIV><FONT size=2 face=Arial>being more&nbsp;a&nbsp;knob twiddler than softwary, 
your suitcase is utterly inspiring!</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>shayne</FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV></BODY></HTML>

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Date: Tue, 25 Jan 2011 08:39:07 +0100
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Subject: Re: OT: Double Bass Looping of Led Zeppelin's Kashmir (Mainstage+Mobius+Softstep)
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That's great Rick, I'm going to start singing today... You are
right... My fave singers have terrible voices traditionally....
Beefheart, john Lydon, Malcolm mooney, the residents, nico, yoko,
Astrid Gilberto... None can really belt out in perfect pitch , but all
are KNOWN for their voices!!!

Btw.. I'm gonna get this voice app for iPhone and do a kinda autotune
industrial distortion vocal....


Mark

Sent from my (advertisement removed)

On 24 Jan 2011, at 22:54, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Todd Matthews wrote:
>> Damn, Those are both great covers! Awesome vocals. Man I wish I could sing. That's the ultimate instrument. Oh well, a bow is better than nothing:)
>>
>> -Todd Mathews
> I think I read somewhere that John Coltrane said,  "All instruments aspire to the human voice"
>
> And you know,   I always wanted to sing and was always afraid (and didn't like the sound of my voice).
> Then as a producer,  I kept hearing singer after singer say that they didn't like the sound of their voice,
> so I started.  It finally occurred to me that most of those critical voices where inside my head, not outside
> of it as I had feared.  I've been singing for 10 years now and am NOT an accomplished singer, but I can carry
> a tune and I think, occasionally, that the voice really does add something to the mix, even when only
> singing acapella or even used for effects simulation (sound effects, beatboxing, et.al.)
>
> What I tell my young music students is:   Sing ever day........sing unison with what you play so that you kill two
> birds with one stone and remember all the people who started out with really limited chops and became successful
> singers.    Some of my favorite singers don't have great voices,  but they have tons of humanity in there own.
>
> Your inherent musicality is very evident, Todd.   I say go for it.    I started at the age of 47.   I'm teaching a woman
> who started at 62.
>
> If you sing every single day,  you will become a singer.  That's how it works.
>

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Subject: Re: Soft Step - any software issues?
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Fro, for what its worth, I talked to them at namm and they said all those is=
sues are ironed out, but you know what else they gonna say. Pretty sure it h=
as to have a computer to run so busking?

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 25, 2011, at 1:00 AM, "FRO DIDDLY" <parispro00@hotmail.com> wrote:

> howdy loopies,
>=20
> i was just about to purchase the soft step through amazon for my "busking"=
 rig, but noticed these 2 reviews, both within the last 2 weeks-
>=20
> ----------------------
>=20
> The Max5 based software still a little buggy (as of Jan-2011, V.1.03) and c=
ould be better, and hopefully will be soon if the quality  of the pedal is a=
ny indication.=20
>=20
> and......
>=20
> A little buggy? Absolutely unusable software. Tons of time getting presets=
 established, you go to a different scene and then come back, and many of yo=
ur presets are screwed up. Names have changed, presets for one pedal are sud=
denly showing up in a different pedal, parameters are changed.=20
>=20
> Wow. Unless they've got a fix in the next 24hrs this thing is going back.=20=

>=20
> What a shame, because the thing had such amazing promise.=20
>=20
> Completely unreliable, though. God forbid you get those horrid preset chan=
ges during a gig...=20
> ----------------------
>=20
> i hadnt heard of any issues, but maybe i overlooked a massive thread- anyo=
ne having similar problemos or is everything groovy?
>=20
>=20
> ty!
>=20
> fro
>=20
> The Wandering Madman=20
>=20

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<html><body bgcolor="#FFFFFF"><div>Fro, for what its worth, I talked to them at namm and they said all those issues are ironed out, but you know what else they gonna say. Pretty sure it has to have a computer to run so busking?<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 25, 2011, at 1:00 AM, "FRO DIDDLY" &lt;<a href="mailto:parispro00@hotmail.com">parispro00@hotmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>
howdy loopies,<br><br>i was just about to purchase the soft step through amazon for my "busking" rig, but noticed these 2 reviews, both within the last 2 weeks-<br><br>----------------------<br><br>The Max5 based software still a little buggy (as of Jan-2011,  
V.1.03) and could be better, and hopefully will be soon if the quality 
of the pedal is any indication.
      <br><br>and......<br><br>A little buggy?  Absolutely unusable software.  Tons of time getting 
presets established, you go to a different scene and then come back, and
 many of your presets are screwed up.  Names have changed, presets for 
one pedal are suddenly showing up in a different pedal, parameters are 
changed.
<br>
<br>Wow.  Unless they've got a fix in the next 24hrs this thing is going back.
<br>
<br>What a shame, because the thing had such amazing promise.
<br>
<br>Completely unreliable, though.  God forbid you get those horrid preset changes during a gig...
      <br>----------------------<br><br>i hadnt heard of any issues, but maybe i overlooked a massive thread- anyone having similar problemos or is everything groovy?<br><br><br>ty!<br><br>fro<br>
<br>

<a href="http://www.youtube.com/TheWanderingMadman" target="_blank">The Wandering Madman </a>
<br><br> 		 	   		  
</div></blockquote></body></html>
--Apple-Mail-12--193127060--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 08:19:16 2011
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Subject: Re: Trimming Down: Mixer options?
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On Jan 24, 2011, at 7:28 AM, andy butler wrote:

> Mark Hamburg wrote:
>=20
>> Time to go study the SM82 and the MultiMix 8. (I do like the way Andy =
Butler
>> looks at these things and casually says that it shouldn't be that =
hard to add an insert...)
>=20
> cheers Mark ;-)
>=20
> Any electronic repair shop would be able to make the mod
> for you.
>=20
> Beware the  'Multimix 8 *Line*' is very different from the confusingly =
named 'Multimix 8'

Since people are bashing the Alesis's sound quality, what do you think =
the viability is of modding a Rane SM82S so that the main expand path or =
jacks could be turned into an insert?

Thanks.
Mark

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Subject: Re: Trimming Down: Mixer options?
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On Jan 25, 2011, at 12:19 AM, Mark Hamburg wrote:

> On Jan 24, 2011, at 7:28 AM, andy butler wrote:
>=20
>> Mark Hamburg wrote:
>>=20
>>> Time to go study the SM82 and the MultiMix 8. (I do like the way =
Andy Butler
>>> looks at these things and casually says that it shouldn't be that =
hard to add an insert...)
>>=20
>> cheers Mark ;-)
>>=20
>> Any electronic repair shop would be able to make the mod
>> for you.
>>=20
>> Beware the  'Multimix 8 *Line*' is very different from the =
confusingly named 'Multimix 8'
>=20
> Since people are bashing the Alesis's sound quality, what do you think =
the viability is of modding a Rane SM82S so that the main expand path or =
jacks could be turned into an insert?

Given Rane's statement that it's too tight inside to change the effects =
to pre-fader, my first guess would be that this would be a no....

Mark

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I'll need 2

Louie Angulo wrote:
> ill buy one too;-))
> 
> On Mon, Jan 24, 2011 at 10:45 PM, Rick Walker <looppool@cruzio.com> wrote:
>> I'm having my  SISSIES FOR MONO t-shirt made up as we speak.
>> I'm proud to be a sissy for mono.   Who's with me?
>>
>> rick

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 10:42:07 2011
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Mark Hamburg wrote:
> On Jan 24, 2011, at 7:28 AM, andy butler wrote:
> 
>> Mark Hamburg wrote:
>>
>>> Time to go study the SM82 and the MultiMix 8. (I do like the way Andy Butler
>>> looks at these things and casually says that it shouldn't be that hard to add an insert...)
>> cheers Mark ;-)
>>
>> Any electronic repair shop would be able to make the mod
>> for you.
>>
>> Beware the  'Multimix 8 *Line*' is very different from the confusingly named 'Multimix 8'
> 
> Since people are bashing the Alesis's sound quality, 

By "ok for live" I just mean that I wouldn't use it for
routing in a recording studio.
I've played live with it without worries.
I'm expecting to completely eradicate any hum using "humfrees",
it's just the standard rack hum.




>what do you think the viability is of modding a Rane SM82S so that the main expand path or jacks could be turned into an insert?

Well, I spent a *lot* of time sussing out the Alesis circuitry.

The Rane circuitry is arranged differently around the area where I'd hack an
insert into the Alesis, it certainly doesn't offer the exact same simple fix.

(here's the tech speak)
I would use the Expand Out socket as an insert send.
Then I'd sever the connection where the main bus goes to the main volume control.
The Expand In socket would be used for the Insert Return, it goes
to a simple buffer circuit the output of which would be re-routed to the 
main vol control.
Without an fx (or patch lead )inserted the mixer wouldn't function at all.

Note, the expand In/Out sockets are on single TRS jacks for a stereo signal.



You could always get a quote to have the mod done on the Rane, as Rane have the schematic 
available online.


andy




> 
> Thanks.
> Mark
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 10:43:26 2011
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Subject: Singing and Looping   was   OT: Double Bass Looping of Led Zeppelin
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On 7/22/64 11:59 AM, mark francombe wrote:
> That's great Rick, I'm going to start singing today... You are
> right... My fave singers have terrible voices traditionally....
> Beefheart, john Lydon, Malcolm mooney, the residents, nico, yoko,
> Astrid Gilberto... None can really belt out in perfect pitch , but all
> are KNOWN for their voices!!!

Yeah,  I can add Dylan,  early Van Morrison,  Robert Smith (who has 
really become a good
singer over the years), Richard Butler (of the Psychedelic Furs), Tom 
Waits,
Marianne Faithful and the list goes on and on.
> Btw.. I'm gonna get this voice app for iPhone and do a kinda autotune
> industrial distortion vocal....
Oooh, ooh, ooh,  I want to hear that.  What's the app?

Also, I don't know if you ever heard the all acapella
experimental voice record I put out in 2004,  Faux Voix.    You might 
enjoy it.
there are examples of it at www.looppool.info       I actually worked up 
the nerve to
do about a year's worth of concerts where I only used human voice, a 
microphone, processing and
my loopers.    It scared me but I wanted to walk onstage without ideas 
in my head and create music
with only voice.    Forcing myself to do that (and boy, was it 
intimidating at first) really gave me
a lot of courage to sing more.
I've even bought a Behringer Feedback Eliminator so that I can process 
my voice through multiple
distortion/fuzz pedals and constrain the feedback that always occurs 
when you do this live.
I haven't really worked it out yet, but that's one of the projects I've 
wanted to have time to
follow through with in this year of not touring or actively doing the 
looping festival.   woohooo!

rick walker

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 10:43:45 2011
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Subject: Re: Soft Step - any software issues?
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--Apple-Mail-2--182559600
Content-Transfer-Encoding: quoted-printable
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	charset=us-ascii

The zeppelin cover I just did with the softstep was in 'standalone mode' =
so it was only connected with a midi cable to my audio interface in my =
rig...... so it does not have to be connected to a computer. You use the =
computer to downoad your preset 'scenes' and then you can unplug the =
softstep and plug it in to anything that accepts midi. It does need =
power though so as long as you can busk with a power strip your fine. =
You have to purchase the midi expander as well as the softstep though if =
you want this functionality.=20

FRO - As of the past 3 days with their latest beta updte, I have had no =
issues looping at all with the softstep. There are a few issues with the =
led lights but their tech support said they have already ironed those =
out with the next update (official update to this beta) coming this =
week. It's has a really small footprint so in that sense it will be =
great for travel. The footswitches are way different though than =
anything I had tried before so its something you can practice and learn =
to adapt to or hate it because it's not what your used to....  They have =
a 30 day return policy so I think it's worth trying it out. I love it =
now personally.

-Todd Matthews

On Jan 25, 2011, at 2:47 AM, Andy Owens wrote:

> Fro, for what its worth, I talked to them at namm and they said all =
those issues are ironed out, but you know what else they gonna say. =
Pretty sure it has to have a computer to run so busking?
>=20
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>=20
>=20
> On Jan 25, 2011, at 1:00 AM, "FRO DIDDLY" <parispro00@hotmail.com> =
wrote:
>=20
>> howdy loopies,
>>=20
>> i was just about to purchase the soft step through amazon for my =
"busking" rig, but noticed these 2 reviews, both within the last 2 =
weeks-
>>=20
>> ----------------------
>>=20
>> The Max5 based software still a little buggy (as of Jan-2011, V.1.03) =
and could be better, and hopefully will be soon if the quality of the =
pedal is any indication.=20
>>=20
>> and......
>>=20
>> A little buggy? Absolutely unusable software. Tons of time getting =
presets established, you go to a different scene and then come back, and =
many of your presets are screwed up. Names have changed, presets for one =
pedal are suddenly showing up in a different pedal, parameters are =
changed.=20
>>=20
>> Wow. Unless they've got a fix in the next 24hrs this thing is going =
back.=20
>>=20
>> What a shame, because the thing had such amazing promise.=20
>>=20
>> Completely unreliable, though. God forbid you get those horrid preset =
changes during a gig...=20
>> ----------------------
>>=20
>> i hadnt heard of any issues, but maybe i overlooked a massive thread- =
anyone having similar problemos or is everything groovy?
>>=20
>>=20
>> ty!
>>=20
>> fro
>>=20
>> The Wandering Madman=20
>>=20

Todd Matthews
http://www.joshuasteelemusic.com





--Apple-Mail-2--182559600
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">The =
zeppelin cover I just did with the softstep was in 'standalone mode' so =
it was only connected with a midi cable to my audio interface in my =
rig...... so it does not have to be connected to a computer. You use the =
computer to downoad your preset 'scenes' and then you can unplug the =
softstep and plug it in to anything that accepts midi. It does need =
power though so as long as you can busk with a power strip your fine. =
You have to purchase the midi expander as well as the softstep though if =
you want this functionality.&nbsp;<div><br></div><div>FRO - As of the =
past 3 days with their latest beta updte, I have had no issues looping =
at all with the softstep. There are a few issues with the led lights but =
their tech support said they have already ironed those out with the next =
update (official update to this beta) coming this week. It's has a =
really small footprint so in that sense it will be great for travel. The =
footswitches are way different though than anything I had tried before =
so its something you can practice and learn to adapt to or hate it =
because it's not what your used to.... &nbsp;They have a 30 day return =
policy so I think it's worth trying it out. I love it now =
personally.</div><div><br></div><div>-Todd =
Matthews</div><div><br></div><div><div><div>On Jan 25, 2011, at 2:47 AM, =
Andy Owens wrote:</div><br class=3D"Apple-interchange-newline"><blockquote=
 type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>Fro, for what its worth, I =
talked to them at namm and they said all those issues are ironed out, =
but you know what else they gonna say. Pretty sure it has to have a =
computer to run so busking?<br><br>Andy =
Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the =
typing might not be my best!</div><div><br></div></div></div><div><br>On =
Jan 25, 2011, at 1:00 AM, "FRO DIDDLY" &lt;<a =
href=3D"mailto:parispro00@hotmail.com">parispro00@hotmail.com</a>&gt; =
wrote:<br><br></div><div></div><blockquote type=3D"cite"><div>
howdy loopies,<br><br>i was just about to purchase the soft step through =
amazon for my "busking" rig, but noticed these 2 reviews, both within =
the last 2 weeks-<br><br>----------------------<br><br>The Max5 based =
software still a little buggy (as of Jan-2011, =20
V.1.03) and could be better, and hopefully will be soon if the quality=20=

of the pedal is any indication.
      <br><br>and......<br><br>A little buggy?  Absolutely unusable =
software.  Tons of time getting=20
presets established, you go to a different scene and then come back, and
 many of your presets are screwed up.  Names have changed, presets for=20=

one pedal are suddenly showing up in a different pedal, parameters are=20=

changed.
<br>
<br>Wow.  Unless they've got a fix in the next 24hrs this thing is going =
back.
<br>
<br>What a shame, because the thing had such amazing promise.
<br>
<br>Completely unreliable, though.  God forbid you get those horrid =
preset changes during a gig...
      <br>----------------------<br><br>i hadnt heard of any issues, but =
maybe i overlooked a massive thread- anyone having similar problemos or =
is everything groovy?<br><br><br>ty!<br><br>fro<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" =
target=3D"_blank">The Wandering Madman </a>
<br><br> 		 	   		 =20
</div></blockquote></div></blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd Matthews</div><div><a =
href=3D"http://www.joshuasteelemusic.com">http://www.joshuasteelemusic.com=
</a></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></div></body></html>=

--Apple-Mail-2--182559600--

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Subject: Re: Soft Step - any software issues?
To: Loopers-Delight@loopers-delight.com
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--20cf305496bb390c33049aa9ac00
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Im glad to hear that the software looks like it is being ironed out... I
knda guessed that it would be. I however was not happy with the feel of the
switches and finally sent  mine back. I was surprised to find that I
actually NEED a little click. I was getting misfires the whole time.. In
Todds video however, he seems to have some light and responsive touch that I
NEVER got on mine. Maybe I actually had a dodgy bit of hardware too?

I think its a very cool pedal, but was Waaaaaaaaaaaay too fussy for me... I
need "stompability"


Mark


On Tue, Jan 25, 2011 at 11:43 AM, Todd Matthews <gtmatthews@gmail.com>wrote:

> The zeppelin cover I just did with the softstep was in 'standalone mode' so
> it was only connected with a midi cable to my audio interface in my
> rig...... so it does not have to be connected to a computer. You use the
> computer to downoad your preset 'scenes' and then you can unplug the
> softstep and plug it in to anything that accepts midi. It does need power
> though so as long as you can busk with a power strip your fine. You have to
> purchase the midi expander as well as the softstep though if you want this
> functionality.
>
> FRO - As of the past 3 days with their latest beta updte, I have had no
> issues looping at all with the softstep. There are a few issues with the led
> lights but their tech support said they have already ironed those out with
> the next update (official update to this beta) coming this week. It's has a
> really small footprint so in that sense it will be great for travel. The
> footswitches are way different though than anything I had tried before so
> its something you can practice and learn to adapt to or hate it because it's
> not what your used to....  They have a 30 day return policy so I think it's
> worth trying it out. I love it now personally.
>
> -Todd Matthews
>
> On Jan 25, 2011, at 2:47 AM, Andy Owens wrote:
>
> Fro, for what its worth, I talked to them at namm and they said all those
> issues are ironed out, but you know what else they gonna say. Pretty sure it
> has to have a computer to run so busking?
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 25, 2011, at 1:00 AM, "FRO DIDDLY" <parispro00@hotmail.com> wrote:
>
> howdy loopies,
>
> i was just about to purchase the soft step through amazon for my "busking"
> rig, but noticed these 2 reviews, both within the last 2 weeks-
>
> ----------------------
>
> The Max5 based software still a little buggy (as of Jan-2011, V.1.03) and
> could be better, and hopefully will be soon if the quality of the pedal is
> any indication.
>
> and......
>
> A little buggy? Absolutely unusable software. Tons of time getting presets
> established, you go to a different scene and then come back, and many of
> your presets are screwed up. Names have changed, presets for one pedal are
> suddenly showing up in a different pedal, parameters are changed.
>
> Wow. Unless they've got a fix in the next 24hrs this thing is going back.
>
> What a shame, because the thing had such amazing promise.
>
> Completely unreliable, though. God forbid you get those horrid preset
> changes during a gig...
> ----------------------
>
> i hadnt heard of any issues, but maybe i overlooked a massive thread-
> anyone having similar problemos or is everything groovy?
>
>
> ty!
>
> fro
>
> The Wandering Madman <http://www.youtube.com/TheWanderingMadman>
>
>
>  Todd Matthews
> http://www.joshuasteelemusic.com
>
>
>
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf305496bb390c33049aa9ac00
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Im glad to hear that the software looks like it is being ironed out... I kn=
da guessed that it would be. I however was not happy with the feel of the s=
witches and finally sent=A0 mine back. I was surprised to find that I actua=
lly NEED a little click. I was getting misfires the whole time.. In Todds v=
ideo however, he seems to have some light and responsive touch that I NEVER=
 got on mine. Maybe I actually had a dodgy bit of hardware too?<br>

<br>I think its a very cool pedal, but was Waaaaaaaaaaaay too fussy for me.=
.. I need &quot;stompability&quot;<br><br><br>Mark<br><br><br><div class=3D=
"gmail_quote">On Tue, Jan 25, 2011 at 11:43 AM, Todd Matthews <span dir=3D"=
ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&g=
t;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">The zeppelin cover I just did with the softstep was in=
 &#39;standalone mode&#39; so it was only connected with a midi cable to my=
 audio interface in my rig...... so it does not have to be connected to a c=
omputer. You use the computer to downoad your preset &#39;scenes&#39; and t=
hen you can unplug the softstep and plug it in to anything that accepts mid=
i. It does need power though so as long as you can busk with a power strip =
your fine. You have to purchase the midi expander as well as the softstep t=
hough if you want this functionality.=A0<div>

<br></div><div>FRO - As of the past 3 days with their latest beta updte, I =
have had no issues looping at all with the softstep. There are a few issues=
 with the led lights but their tech support said they have already ironed t=
hose out with the next update (official update to this beta) coming this we=
ek. It&#39;s has a really small footprint so in that sense it will be great=
 for travel. The footswitches are way different though than anything I had =
tried before so its something you can practice and learn to adapt to or hat=
e it because it&#39;s not what your used to.... =A0They have a 30 day retur=
n policy so I think it&#39;s worth trying it out. I love it now personally.=
</div>

<div><br></div><div>-Todd Matthews</div><div><br></div><div><div><div></div=
><div class=3D"h5"><div><div>On Jan 25, 2011, at 2:47 AM, Andy Owens wrote:=
</div><br><blockquote type=3D"cite"><div bgcolor=3D"#FFFFFF"><div>Fro, for =
what its worth, I talked to them at namm and they said all those issues are=
 ironed out, but you know what else they gonna say. Pretty sure it has to h=
ave a computer to run so busking?<br>

<br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the=
 typing might not be my best!</div><div><br></div></div></div><div><br>On J=
an 25, 2011, at 1:00 AM, &quot;FRO DIDDLY&quot; &lt;<a href=3D"mailto:paris=
pro00@hotmail.com" target=3D"_blank">parispro00@hotmail.com</a>&gt; wrote:<=
br>

<br></div><div></div><blockquote type=3D"cite"><div>
howdy loopies,<br><br>i was just about to purchase the soft step through am=
azon for my &quot;busking&quot; rig, but noticed these 2 reviews, both with=
in the last 2 weeks-<br><br>----------------------<br><br>The Max5 based so=
ftware still a little buggy (as of Jan-2011, =20
V.1.03) and could be better, and hopefully will be soon if the quality=20
of the pedal is any indication.
      <br><br>and......<br><br>A little buggy?  Absolutely unusable softwar=
e.  Tons of time getting=20
presets established, you go to a different scene and then come back, and
 many of your presets are screwed up.  Names have changed, presets for=20
one pedal are suddenly showing up in a different pedal, parameters are=20
changed.
<br>
<br>Wow.  Unless they&#39;ve got a fix in the next 24hrs this thing is goin=
g back.
<br>
<br>What a shame, because the thing had such amazing promise.
<br>
<br>Completely unreliable, though.  God forbid you get those horrid preset =
changes during a gig...
      <br>----------------------<br><br>i hadnt heard of any issues, but ma=
ybe i overlooked a massive thread- anyone having similar problemos or is ev=
erything groovy?<br><br><br>ty!<br><br>fro<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br> 		 	   		 =20
</div></blockquote></div></blockquote></div><br></div></div><font color=3D"=
#888888"><div>
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; text-indent: 0px; text-transfo=
rm: none; white-space: normal; word-spacing: 0px; font-size: medium;"><span=
 style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helv=
etica; font-style: normal; font-variant: normal; font-weight: normal; lette=
r-spacing: normal; line-height: normal; text-indent: 0px; text-transform: n=
one; white-space: normal; word-spacing: 0px; font-size: medium;"><div style=
=3D"word-wrap: break-word;">

<div>Todd Matthews</div><div><a href=3D"http://www.joshuasteelemusic.com" t=
arget=3D"_blank">http://www.joshuasteelemusic.com</a></div><div><br></div><=
/div></span><br></span><br>
</div>
<br></font></div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>=
mark francombe<br><a href=3D"http://www.markfrancombe.com">www.markfrancomb=
e.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><b=
r>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--20cf305496bb390c33049aa9ac00--

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From: FRO DIDDLY <parispro00@hotmail.com>
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Subject: RE: Soft Step - any software issues?
Date: Tue, 25 Jan 2011 05:06:37 -0600
Importance: Normal
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Content-Transfer-Encoding: quoted-printable


Thanks for the reply guys-

and congrats on the zepplin cover! Kashmir was the very first song i starte=
d looping and 3 yrs later im still working on it..... puurrrdy close though=
 =3Bo)

ill be using a laptop so no worries there...and ty for the personal recent =
update- that calms me a bit-

I love it because its bus powered & has an expression pedal input. im not a=
ware of any other pedal with those simple requirements=2C if anyone knows o=
f an alternative please let me know as i found diddly squat.

Im imagining the pedals to feel a bit foreign=2C but i simply hope they giv=
e good physical feedback of a proper button press.

thank you again!




The Wandering Madman=20




From: gtmatthews@gmail.com
Subject: Re: Soft Step - any software issues?
Date: Tue=2C 25 Jan 2011 05:43:40 -0500
To: Loopers-Delight@loopers-delight.com



The zeppelin cover I just did with the softstep was in 'standalone mode' so=
 it was only connected with a midi cable to my audio interface in my rig...=
... so it does not have to be connected to a computer. You use the computer=
 to downoad your preset 'scenes' and then you can unplug the softstep and p=
lug it in to anything that accepts midi. It does need power though so as lo=
ng as you can busk with a power strip your fine. You have to purchase the m=
idi expander as well as the softstep though if you want this functionality.=
=20
FRO - As of the past 3 days with their latest beta updte=2C I have had no i=
ssues looping at all with the softstep. There are a few issues with the led=
 lights but their tech support said they have already ironed those out with=
 the next update (official update to this beta) coming this week. It's has =
a really small footprint so in that sense it will be great for travel. The =
footswitches are way different though than anything I had tried before so i=
ts something you can practice and learn to adapt to or hate it because it's=
 not what your used to....  They have a 30 day return policy so I think it'=
s worth trying it out. I love it now personally.
-Todd Matthews
On Jan 25=2C 2011=2C at 2:47 AM=2C Andy Owens wrote:Fro=2C for what its wor=
th=2C I talked to them at namm and they said all those issues are ironed ou=
t=2C but you know what else they gonna say. Pretty sure it has to have a co=
mputer to run so busking?

Andy Owens1-800-AndyOwensSent from my iPhoneSo the typing might not be my b=
est!

On Jan 25=2C 2011=2C at 1:00 AM=2C "FRO DIDDLY" <parispro00@hotmail.com> wr=
ote:


howdy loopies=2C

i was just about to purchase the soft step through amazon for my "busking" =
rig=2C but noticed these 2 reviews=2C both within the last 2 weeks-

----------------------

The Max5 based software still a little buggy (as of Jan-2011=2C =20
V.1.03) and could be better=2C and hopefully will be soon if the quality=20
of the pedal is any indication.
     =20

and......

A little buggy?  Absolutely unusable software.  Tons of time getting=20
presets established=2C you go to a different scene and then come back=2C an=
d
 many of your presets are screwed up.  Names have changed=2C presets for=20
one pedal are suddenly showing up in a different pedal=2C parameters are=20
changed.



Wow.  Unless they've got a fix in the next 24hrs this thing is going back.



What a shame=2C because the thing had such amazing promise.



Completely unreliable=2C though.  God forbid you get those horrid preset ch=
anges during a gig...
     =20
----------------------

i hadnt heard of any issues=2C but maybe i overlooked a massive thread- any=
one having similar problemos or is everything groovy?


ty!

fro




The Wandering Madman=20


 		 	   		 =20


Todd Matthewshttp://www.joshuasteelemusic.com



 		 	   		  =

--_3ff82773-99ee-4600-ab02-525941131ab0_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

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</head>
<body class=3D'hmmessage'>
Thanks for the reply guys-<br><br>and congrats on the zepplin cover! Kashmi=
r was the very first song i started looping and 3 yrs later im still workin=
g on it..... puurrrdy close though =3Bo)<br><br>ill be using a laptop so no=
 worries there...and ty for the personal recent update- that calms me a bit=
-<br><br>I love it because its bus powered &amp=3B has an expression pedal =
input. im not aware of any other pedal with those simple requirements=2C if=
 anyone knows of an alternative please let me know as i found diddly squat.=
<br><br>Im imagining the pedals to feel a bit foreign=2C but i simply hope =
they give good physical feedback of a proper button press.<br><br>thank you=
 again!<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br><br><br><hr id=3D"stopSpelling">From: gtmatthews@gmail.com<br>Subje=
ct: Re: Soft Step - any software issues?<br>Date: Tue=2C 25 Jan 2011 05:43:=
40 -0500<br>To: Loopers-Delight@loopers-delight.com<br><br>
<meta http-equiv=3D"Content-Type" content=3D"text/html=3B charset=3Dunicode=
">
<meta name=3D"Generator" content=3D"Microsoft SafeHTML">The zeppelin cover =
I just did with the softstep was in 'standalone mode' so it was only connec=
ted with a midi cable to my audio interface in my rig...... so it does not =
have to be connected to a computer. You use the computer to downoad your pr=
eset 'scenes' and then you can unplug the softstep and plug it in to anythi=
ng that accepts midi. It does need power though so as long as you can busk =
with a power strip your fine. You have to purchase the midi expander as wel=
l as the softstep though if you want this functionality.&nbsp=3B<div><br></=
div><div>FRO - As of the past 3 days with their latest beta updte=2C I have=
 had no issues looping at all with the softstep. There are a few issues wit=
h the led lights but their tech support said they have already ironed those=
 out with the next update (official update to this beta) coming this week. =
It's has a really small footprint so in that sense it will be great for tra=
vel. The footswitches are way different though than anything I had tried be=
fore so its something you can practice and learn to adapt to or hate it bec=
ause it's not what your used to.... &nbsp=3BThey have a 30 day return polic=
y so I think it's worth trying it out. I love it now personally.</div><div>=
<br></div><div>-Todd Matthews</div><div><br></div><div><div><div>On Jan 25=
=2C 2011=2C at 2:47 AM=2C Andy Owens wrote:</div><br class=3D"ecxApple-inte=
rchange-newline"><blockquote><div><div>Fro=2C for what its worth=2C I talke=
d to them at namm and they said all those issues are ironed out=2C but you =
know what else they gonna say. Pretty sure it has to have a computer to run=
 so busking?<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my i=
Phone<div>So the typing might not be my best!</div><div><br></div></div></d=
iv><div><br>On Jan 25=2C 2011=2C at 1:00 AM=2C "FRO DIDDLY" &lt=3B<a href=
=3D"mailto:parispro00@hotmail.com">parispro00@hotmail.com</a>&gt=3B wrote:<=
br><br></div><div></div><blockquote><div>
howdy loopies=2C<br><br>i was just about to purchase the soft step through =
amazon for my "busking" rig=2C but noticed these 2 reviews=2C both within t=
he last 2 weeks-<br><br>----------------------<br><br>The Max5 based softwa=
re still a little buggy (as of Jan-2011=2C =20
V.1.03) and could be better=2C and hopefully will be soon if the quality=20
of the pedal is any indication.
      <br><br>and......<br><br>A little buggy?  Absolutely unusable softwar=
e.  Tons of time getting=20
presets established=2C you go to a different scene and then come back=2C an=
d
 many of your presets are screwed up.  Names have changed=2C presets for=20
one pedal are suddenly showing up in a different pedal=2C parameters are=20
changed.
<br>
<br>Wow.  Unless they've got a fix in the next 24hrs this thing is going ba=
ck.
<br>
<br>What a shame=2C because the thing had such amazing promise.
<br>
<br>Completely unreliable=2C though.  God forbid you get those horrid prese=
t changes during a gig...
      <br>----------------------<br><br>i hadnt heard of any issues=2C but =
maybe i overlooked a massive thread- anyone having similar problemos or is =
everything groovy?<br><br><br>ty!<br><br>fro<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The=
 Wandering Madman </a>
<br><br> 		 	   		 =20
</div></blockquote></div></blockquote></div><br><div>
<span class=3D"ecxApple-style-span" style=3D"border-collapse: separate=3B c=
olor: rgb(0=2C 0=2C 0)=3B font-family: Helvetica=3B font-style: normal=3B f=
ont-variant: normal=3B font-weight: normal=3B letter-spacing: normal=3B lin=
e-height: normal=3B text-indent: 0px=3B text-transform: none=3B white-space=
: normal=3B word-spacing: 0px=3B font-size: medium=3B"><span class=3D"ecxAp=
ple-style-span" style=3D"border-collapse: separate=3B color: rgb(0=2C 0=2C =
0)=3B font-family: Helvetica=3B font-style: normal=3B font-variant: normal=
=3B font-weight: normal=3B letter-spacing: normal=3B line-height: normal=3B=
 text-indent: 0px=3B text-transform: none=3B white-space: normal=3B word-sp=
acing: 0px=3B font-size: medium=3B"><div style=3D"word-wrap: break-word=3B"=
><div>Todd Matthews</div><div><a href=3D"http://www.joshuasteelemusic.com" =
target=3D"_blank">http://www.joshuasteelemusic.com</a></div><div><br></div>=
</div></span><br class=3D"ecxApple-interchange-newline"></span><br class=3D=
"ecxApple-interchange-newline">
</div>
<br></div> 		 	   		  </body>
</html>=

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Subject: Re: Soft Step - any software issues?
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On Tue, Jan 25, 2011 at 12:06 PM, FRO DIDDLY <parispro00@hotmail.com> wrote:

> but i simply hope they give good physical feedback of a proper button
> press.


that was my point, that for me.. they dont... I was even considering
building a midi powered clicky thing to transmit a "bump" to the unit when I
pressed... it was easier to send it back...

I suppose the price of a Gordius is prohibitive for you as it is for me? Cos
thats my dream buy now...

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3054ab3bf09109049aaa41af
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<br><br><div class=3D"gmail_quote">On Tue, Jan 25, 2011 at 12:06 PM, FRO DI=
DDLY <span dir=3D"ltr">&lt;<a href=3D"mailto:parispro00@hotmail.com">parisp=
ro00@hotmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote"=
 style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 2=
04); padding-left: 1ex;">

but i simply hope they give good physical feedback of a proper button press=
.</blockquote></div><br>that was my point, that for me.. they dont... I was=
 even considering building a midi powered clicky thing to transmit a &quot;=
bump&quot; to the unit when I pressed... it was easier to send it back...<b=
r>

<br>I suppose the price of a Gordius is prohibitive for you as it is for me=
? Cos thats my dream buy now...<br clear=3D"all"><br>-- <br>mark francombe<=
br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a=
 href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--20cf3054ab3bf09109049aaa41af--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 12:29:13 2011
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Subject: Re: Soft Step - any software issues?
From: Todd Matthews <gtmatthews@gmail.com>
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Yeah the led lights up, and I programmed the 4 character display to show =
my Mobius functions, rec, ovdb, mult, etc. so if there was any doubt in =
my mind that I stomped it then I get that visual feedback to reassure =
me. It does take a bit of getting used to since I was also used to more =
of a tactile feedback. I also press the keys towards a corner (thats =
where the sensors are). At first I was stomping in the middle of the pad =
like a regular switch and I wasnt having much success. Now I don't have =
any problems firing off commands but I still need to get used to the =
layout and size of the whole unit cause its so small. I sometimes hit =
the wrong key but I did the same thing with fcb1010 when I first got it. =
I consider that user error.


-Todd Matthews


On Jan 25, 2011, at 6:03 AM, mark francombe wrote:

> Im glad to hear that the software looks like it is being ironed out... =
I knda guessed that it would be. I however was not happy with the feel =
of the switches and finally sent  mine back. I was surprised to find =
that I actually NEED a little click. I was getting misfires the whole =
time.. In Todds video however, he seems to have some light and =
responsive touch that I NEVER got on mine. Maybe I actually had a dodgy =
bit of hardware too?
>=20
> I think its a very cool pedal, but was Waaaaaaaaaaaay too fussy for =
me... I need "stompability"
>=20
>=20
> Mark
>=20






From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 12:33:29 2011
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Subject: Re: Soft Step - any software issues?
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--Apple-Mail-1--175973664
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The downsides right to using the softstep with the software alongside it =
are that it takes up a chunk of memory so if you use lots of samples it =
might not be the right fit. In standalone mode your not using the =
software so it doesnt take up any memory.

As for the buttons I can feel the pedal mash down but there isnt =
physical feedback other than that so you might be let down. I still =
think its worth a giving it a proper try since it meets your other =
requirements.

-Todd

On Jan 25, 2011, at 6:06 AM, FRO DIDDLY wrote:

> Thanks for the reply guys-
>=20
> and congrats on the zepplin cover! Kashmir was the very first song i =
started looping and 3 yrs later im still working on it..... puurrrdy =
close though ;o)
>=20
> ill be using a laptop so no worries there...and ty for the personal =
recent update- that calms me a bit-
>=20
> I love it because its bus powered & has an expression pedal input. im =
not aware of any other pedal with those simple requirements, if anyone =
knows of an alternative please let me know as i found diddly squat.
>=20
> Im imagining the pedals to feel a bit foreign, but i simply hope they =
give good physical feedback of a proper button press.
>=20
> thank you again!
>=20
> The Wandering Madman=20
>=20


--Apple-Mail-1--175973664
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<html><head><base href=3D"x-msg://8/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; ">The downsides right to using the softstep with the =
software alongside it are that it takes up a chunk of memory so if you =
use lots of samples it might not be the right fit. In standalone mode =
your not using the software so it doesnt take up any =
memory.<div><br></div><div>As for the buttons I can feel the pedal mash =
down but there isnt physical feedback other than that so you might be =
let down. I still think its worth a giving it a proper try since it =
meets your other =
requirements.</div><div><br></div><div>-Todd</div><div><br><div><div>On =
Jan 25, 2011, at 6:06 AM, FRO DIDDLY wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
class=3D"hmmessage" style=3D"font-size: 10pt; font-family: Tahoma; =
">Thanks for the reply guys-<br><br>and congrats on the zepplin cover! =
Kashmir was the very first song i started looping and 3 yrs later im =
still working on it..... puurrrdy close though ;o)<br><br>ill be using a =
laptop so no worries there...and ty for the personal recent update- that =
calms me a bit-<br><br>I love it because its bus powered &amp; has an =
expression pedal input. im not aware of any other pedal with those =
simple requirements, if anyone knows of an alternative please let me =
know as i found diddly squat.<br><br>Im imagining the pedals to feel a =
bit foreign, but i simply hope they give good physical feedback of a =
proper button press.<br><br>thank you again!<br><br><a =
href=3D"http://www.youtube.com/TheWanderingMadman" target=3D"_blank">The =
Wandering Madman<span =
class=3D"Apple-converted-space">&nbsp;</span></a><br><br></div></span></bl=
ockquote></div><br></div></body></html>=

--Apple-Mail-1--175973664--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 12:57:00 2011
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Subject: Re: the POK wireless footcontroller
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looks like a POS.

ha.

- jim

On Monday, January 24, 2011, Louie Angulo <louie.angulo@googlemail.com> wro=
te:
> wow and quite expensive just for that!
>
> On Tue, Jan 25, 2011 at 3:59 AM, Zoe Keating <info@zoekeating.com> wrote:
>> i investigated it a while back but rejected it because you can't make it
>> send midi. my understanding is that its just a wireless keyboard for you=
r
>> feet.
>>
>> On Jan 24, 2011, at 5:27 PM, Louie Angulo wrote:
>>
>>> well here is something cool
>>>
>>> http://www.xtempozone.com/
>>>
>>> here is a gal using it,seems well suited for Ableton:
>>>
>>> Ableton Live for Live Performances - Recording=A0<http://www.youtube.co=
m/watch?v=3DnPCiM_vwJ54&NR=3D1>
>>>
>>> anybody has any experiences with it? i dont think it has been mentioned
>>> here
>>> cheers
>>> Luis
>>>
>>
>>
>
>

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	<COL118-W1815223C5ADC2F65C42933DBFC0@phx.gbl>
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Date: Tue, 25 Jan 2011 15:24:48 +0100
Message-ID: <AANLkTimbmNH12DPyXofcvxk7o02FJEVM+QemopUWsKgE@mail.gmail.com>
Subject: Re: Soft Step - any software issues?
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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it such ashame really,what finally made me send it back was the static
noise when using it with the USB cable,it was so loud it was getting
recorded in the loops!
apparently it was from the led lighting ,mine was crashing all the
time as well,i had to reboot often,my Imac would recognize it but then
my laptop wouldnt,preset naming would get wiped out, etc.
i spent so much time trying patiently to work with it but there were
just too many issues.
But i can imagine as a stand alone you probably wont have those
problems but for me it defeats the purpose ,thats also one of the
reasons i had bought it.
Having to press carefully the corners of the pedals was not a solution
for me either,i was stepping on the pedal next to it too often.
The other thing that bother me is that when you program the pedal
functions is hard to know in what bank you are in.But i suppose there
could be a work around to that.
An almost 400.00dlls pedal (with expander) with such problems was not
much of a bargain.,specially If reliability gets in the way of making
music.
But ill be watching it anyway,i did like the concept and its small
size and Sarah was always very helpful.
Luis

On Tue, Jan 25, 2011 at 1:33 PM, Todd Matthews <gtmatthews@gmail.com> wrote:
> The downsides right to using the softstep with the software alongside it are
> that it takes up a chunk of memory so if you use lots of samples it might
> not be the right fit. In standalone mode your not using the software so it
> doesnt take up any memory.
> As for the buttons I can feel the pedal mash down but there isnt physical
> feedback other than that so you might be let down. I still think its worth a
> giving it a proper try since it meets your other requirements.
> -Todd
> On Jan 25, 2011, at 6:06 AM, FRO DIDDLY wrote:
>
> Thanks for the reply guys-
>
> and congrats on the zepplin cover! Kashmir was the very first song i started
> looping and 3 yrs later im still working on it..... puurrrdy close though
> ;o)
>
> ill be using a laptop so no worries there...and ty for the personal recent
> update- that calms me a bit-
>
> I love it because its bus powered & has an expression pedal input. im not
> aware of any other pedal with those simple requirements, if anyone knows of
> an alternative please let me know as i found diddly squat.
>
> Im imagining the pedals to feel a bit foreign, but i simply hope they give
> good physical feedback of a proper button press.
>
> thank you again!
>
> The Wandering Madman
>
>
>

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Date: Tue, 25 Jan 2011 15:33:10 +0100
Message-ID: <AANLkTinqfddo+_jHise0cY6ZsgKT9wytANvcK2-SFyUD@mail.gmail.com>
Subject: Re: Singing and Looping was OT: Double Bass Looping of Led Zeppelin
From: Louie Angulo <louie.angulo@googlemail.com>
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i was the guitar player who was forced by my brother who plays bass to
take the singer roll in our band because we could find one
i said no way i cant sing and the he said, "dont give that shit you
got no excuse,if Dylan and Lou Reed did it then you can too"
thats the beauty of rock n roll;-)
Luis

On Tue, Jan 25, 2011 at 11:43 AM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, mark francombe wrote:
>>
>> That's great Rick, I'm going to start singing today... You are
>> right... My fave singers have terrible voices traditionally....
>> Beefheart, john Lydon, Malcolm mooney, the residents, nico, yoko,
>> Astrid Gilberto... None can really belt out in perfect pitch , but all
>> are KNOWN for their voices!!!
>
> Yeah, =A0I can add Dylan, =A0early Van Morrison, =A0Robert Smith (who has=
 really
> become a good
> singer over the years), Richard Butler (of the Psychedelic Furs), Tom Wai=
ts,
> Marianne Faithful and the list goes on and on.
>>
>> Btw.. I'm gonna get this voice app for iPhone and do a kinda autotune
>> industrial distortion vocal....
>
> Oooh, ooh, ooh, =A0I want to hear that. =A0What's the app?
>
> Also, I don't know if you ever heard the all acapella
> experimental voice record I put out in 2004, =A0Faux Voix. =A0 =A0You mig=
ht enjoy
> it.
> there are examples of it at www.looppool.info =A0 =A0 =A0 I actually work=
ed up the
> nerve to
> do about a year's worth of concerts where I only used human voice, a
> microphone, processing and
> my loopers. =A0 =A0It scared me but I wanted to walk onstage without idea=
s in my
> head and create music
> with only voice. =A0 =A0Forcing myself to do that (and boy, was it intimi=
dating
> at first) really gave me
> a lot of courage to sing more.
> I've even bought a Behringer Feedback Eliminator so that I can process my
> voice through multiple
> distortion/fuzz pedals and constrain the feedback that always occurs when
> you do this live.
> I haven't really worked it out yet, but that's one of the projects I've
> wanted to have time to
> follow through with in this year of not touring or actively doing the
> looping festival. =A0 woohooo!
>
> rick walker
>
>

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Date: Tue, 25 Jan 2011 15:37:18 +0100
Message-ID: <AANLkTinvy_yk3C1_kO9MunDX339P77-i3+Nrama4iJzP@mail.gmail.com>
Subject: Re: stereo
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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> On Mon, Jan 24, 2011 at 10:45 PM, Rick Walker <looppool@cruzio.com> wrote:
> I'm having my  SISSIES FOR MONO t-shirt made up as we speak.
> I'm proud to be a sissy for mono.
>Who's with me?

On Tue, Jan 25, 2011 at 10:06 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> I'll need 2

> Louie Angulo wrote:
> ill buy one too;-))

so thats that make us machos for stereo...?
who started this anyway?

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Date: Tue, 25 Jan 2011 10:48:09 -0500
Message-ID: <AANLkTi=dbeH68Hn3LTaLJzjC+XHZ=d68DsOw21jY_ATp@mail.gmail.com>
Subject: Re: LP 2 Mini Looper Feature Set
From: Thomas Wegmann <theweg@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: David Gans <david@trufun.com>, 
	"RICK WALKER- 412 Darwin Street (back house)" <looppool@cruzio.com>, "Y2KXloopfest@yahoo.com" <Y2KXloopfest@yahoo.com>
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--00163630fa2bafad52049aada448
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Thanks guys for the information, I have ordered, this looks like my kind of
pedal!  I hope all of you are doing well!

Weg

On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, David Gans wrote:
>
>> Where can I see more info on the LP2?
>>
> http://www.looperlative.com/proddetail.php?prod=LP2
>
>
> LP-2  Mini Looper
>
> FEATURE SET:
>
> Double stomp box size
> AC:  9v battery or Wall Wart 9v 200ma, tip negative power supply
> Onboard storage of up to 8 loops on SD card
> Audio: Mono in and Mono out     Fidelity:   16bit, 44.1khz
> 30 levels of Undo
> Feedback control (via additional expression pedal jack on back)
> LED input VU meter
> Input and Output volume control
> Four multi functional foot controlled buttons which control
> 1)   RECORD/OVERDUB/UNDO
> 2)   PLAY/STOP
> 3)   EFFECT ONE, either:
>        a) Continue  (whereever a loop was stopped)
>        b) ReTrigger (Continuous)
>        c) 1/2 Speed
>        d) Replace
>        e) Q replace  1/8th notes
>        f)  Q replace  1/12 (triplet 8ths)
>        g) Q replace  1/7 (7/8)
>        h) Q replace   1/10 (5/8 or 5/4)
> 4)  EFFECT TWO,  either:
>        a) ReTrigger (One Shot - Sample)
>        b) ReTrigger (Random)
>        c) 1/4 Speed
>        d) Reverse
>        e) Q replace 1/16th notes
>        f) Q replace 1/24 (triplet 16th notes)
>        g) Q replace 1/9 (9/8)
>        h) Q replace  1/64 (Glitch mode)
>
> Street Price:   $300  (10% discount if pre-ordered before March 1st
> release)
> Order from Bob Amstadt     bob@looperlative.com
>
>
>


-- 
Greg Wegmann

TheWeg@Verizon.net
TheWeg@GMail.com

--00163630fa2bafad52049aada448
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<div>Thanks guys for the information, I have ordered, this looks like my ki=
nd of pedal!=A0 I hope all of you are doing well!</div>
<div>=A0</div>
<div>Weg<br><br></div>
<div class=3D"gmail_quote">On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.c=
om</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">On 7/22/64 11:59 AM, David Gans =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Where can I see more info on the=
 LP2?<br></blockquote><a href=3D"http://www.looperlative.com/proddetail.php=
?prod=3DLP2" target=3D"_blank">http://www.looperlative.com/proddetail.php?p=
rod=3DLP2</a><br>
<br><br>LP-2 =A0Mini Looper<br><br>FEATURE SET:<br><br>Double stomp box siz=
e<br>AC: =A09v battery or Wall Wart 9v 200ma, tip negative power supply<br>=
Onboard storage of up to 8 loops on SD card<br>Audio: Mono in and Mono out =
=A0 =A0 Fidelity: =A0 16bit, 44.1khz<br>
30 levels of Undo<br>Feedback control (via additional expression pedal jack=
 on back)<br>LED input VU meter<br>Input and Output volume control<br>Four =
multi functional foot controlled buttons which control<br>1) =A0 RECORD/OVE=
RDUB/UNDO<br>
2) =A0 PLAY/STOP<br>3) =A0 EFFECT ONE, either:<br>=A0 =A0 =A0 =A0a) Continu=
e =A0(whereever a loop was stopped)<br>=A0 =A0 =A0 =A0b) ReTrigger (Continu=
ous)<br>=A0 =A0 =A0 =A0c) 1/2 Speed<br>=A0 =A0 =A0 =A0d) Replace<br>=A0 =A0=
 =A0 =A0e) Q replace =A01/8th notes<br>=A0 =A0 =A0 =A0f) =A0Q replace =A01/=
12 (triplet 8ths)<br>
=A0 =A0 =A0 =A0g) Q replace =A01/7 (7/8)<br>=A0 =A0 =A0 =A0h) Q replace =A0=
 1/10 (5/8 or 5/4)<br>4) =A0EFFECT TWO, =A0either:<br>=A0 =A0 =A0 =A0a) ReT=
rigger (One Shot - Sample)<br>=A0 =A0 =A0 =A0b) ReTrigger (Random)<br>=A0 =
=A0 =A0 =A0c) 1/4 Speed<br>=A0 =A0 =A0 =A0d) Reverse<br>
=A0 =A0 =A0 =A0e) Q replace 1/16th notes<br>=A0 =A0 =A0 =A0f) Q replace 1/2=
4 (triplet 16th notes)<br>=A0 =A0 =A0 =A0g) Q replace 1/9 (9/8)<br>=A0 =A0 =
=A0 =A0h) Q replace =A01/64 (Glitch mode)<br><br>Street Price: =A0 $300 =A0=
(10% discount if pre-ordered before March 1st release)<br>
Order from Bob Amstadt =A0 =A0 <a href=3D"mailto:bob@looperlative.com" targ=
et=3D"_blank">bob@looperlative.com</a><br><br><br></blockquote></div><br><b=
r clear=3D"all"><br>-- <br>Greg Wegmann<br><br>TheWeg@Verizon.net <br>TheWe=
g@GMail.com<br>
<br>

--00163630fa2bafad52049aada448--

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Date: Tue, 25 Jan 2011 12:44:59 -0500
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Subject: Re: LP 2 Mini Looper Feature Set
From: Butch Band <butchband@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00163630eaa57d6e99049aaf46af
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Is there a way to perform a Next Loop function? I don't see any such
function listed. MIDI control, perhaps?

Butch

On Tue, Jan 25, 2011 at 10:48 AM, Thomas Wegmann <theweg@gmail.com> wrote:

> Thanks guys for the information, I have ordered, this looks like my kind of
> pedal!  I hope all of you are doing well!
>
> Weg
>
>   On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <looppool@cruzio.com>wrote:
>
>> On 7/22/64 11:59 AM, David Gans wrote:
>>
>>> Where can I see more info on the LP2?
>>>
>> http://www.looperlative.com/proddetail.php?prod=LP2
>>
>>
>> LP-2  Mini Looper
>>
>> FEATURE SET:
>>
>> Double stomp box size
>> AC:  9v battery or Wall Wart 9v 200ma, tip negative power supply
>> Onboard storage of up to 8 loops on SD card
>> Audio: Mono in and Mono out     Fidelity:   16bit, 44.1khz
>> 30 levels of Undo
>> Feedback control (via additional expression pedal jack on back)
>> LED input VU meter
>> Input and Output volume control
>> Four multi functional foot controlled buttons which control
>> 1)   RECORD/OVERDUB/UNDO
>> 2)   PLAY/STOP
>> 3)   EFFECT ONE, either:
>>        a) Continue  (whereever a loop was stopped)
>>        b) ReTrigger (Continuous)
>>        c) 1/2 Speed
>>        d) Replace
>>        e) Q replace  1/8th notes
>>        f)  Q replace  1/12 (triplet 8ths)
>>        g) Q replace  1/7 (7/8)
>>        h) Q replace   1/10 (5/8 or 5/4)
>> 4)  EFFECT TWO,  either:
>>        a) ReTrigger (One Shot - Sample)
>>        b) ReTrigger (Random)
>>        c) 1/4 Speed
>>        d) Reverse
>>        e) Q replace 1/16th notes
>>        f) Q replace 1/24 (triplet 16th notes)
>>        g) Q replace 1/9 (9/8)
>>        h) Q replace  1/64 (Glitch mode)
>>
>> Street Price:   $300  (10% discount if pre-ordered before March 1st
>> release)
>> Order from Bob Amstadt     bob@looperlative.com
>>
>>
>>
>
>
> --
> Greg Wegmann
>
> TheWeg@Verizon.net
> TheWeg@GMail.com
>
>

--00163630eaa57d6e99049aaf46af
Content-Type: text/html; charset=ISO-8859-1
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<div>Is there a way to perform a Next Loop function? I don&#39;t see any su=
ch function listed. MIDI control, perhaps?</div>
<div>=A0</div>
<div>Butch<br><br></div>
<div class=3D"gmail_quote">On Tue, Jan 25, 2011 at 10:48 AM, Thomas Wegmann=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:theweg@gmail.com">theweg@gmail.com=
</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>Thanks guys for the information, I have ordered, this looks like my ki=
nd of pedal!=A0 I hope all of you are doing well!</div>
<div>=A0</div>
<div>Weg<br><br></div>
<div>
<div></div>
<div class=3D"h5">
<div class=3D"gmail_quote">On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com" target=3D"_blank"=
>looppool@cruzio.com</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">On 7/22/64 11:59 AM, David Gans =
wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Where can I see more info on the=
 LP2?<br></blockquote><a href=3D"http://www.looperlative.com/proddetail.php=
?prod=3DLP2" target=3D"_blank">http://www.looperlative.com/proddetail.php?p=
rod=3DLP2</a><br>
<br><br>LP-2 =A0Mini Looper<br><br>FEATURE SET:<br><br>Double stomp box siz=
e<br>AC: =A09v battery or Wall Wart 9v 200ma, tip negative power supply<br>=
Onboard storage of up to 8 loops on SD card<br>Audio: Mono in and Mono out =
=A0 =A0 Fidelity: =A0 16bit, 44.1khz<br>
30 levels of Undo<br>Feedback control (via additional expression pedal jack=
 on back)<br>LED input VU meter<br>Input and Output volume control<br>Four =
multi functional foot controlled buttons which control<br>1) =A0 RECORD/OVE=
RDUB/UNDO<br>
2) =A0 PLAY/STOP<br>3) =A0 EFFECT ONE, either:<br>=A0 =A0 =A0 =A0a) Continu=
e =A0(whereever a loop was stopped)<br>=A0 =A0 =A0 =A0b) ReTrigger (Continu=
ous)<br>=A0 =A0 =A0 =A0c) 1/2 Speed<br>=A0 =A0 =A0 =A0d) Replace<br>=A0 =A0=
 =A0 =A0e) Q replace =A01/8th notes<br>=A0 =A0 =A0 =A0f) =A0Q replace =A01/=
12 (triplet 8ths)<br>
=A0 =A0 =A0 =A0g) Q replace =A01/7 (7/8)<br>=A0 =A0 =A0 =A0h) Q replace =A0=
 1/10 (5/8 or 5/4)<br>4) =A0EFFECT TWO, =A0either:<br>=A0 =A0 =A0 =A0a) ReT=
rigger (One Shot - Sample)<br>=A0 =A0 =A0 =A0b) ReTrigger (Random)<br>=A0 =
=A0 =A0 =A0c) 1/4 Speed<br>=A0 =A0 =A0 =A0d) Reverse<br>
=A0 =A0 =A0 =A0e) Q replace 1/16th notes<br>=A0 =A0 =A0 =A0f) Q replace 1/2=
4 (triplet 16th notes)<br>=A0 =A0 =A0 =A0g) Q replace 1/9 (9/8)<br>=A0 =A0 =
=A0 =A0h) Q replace =A01/64 (Glitch mode)<br><br>Street Price: =A0 $300 =A0=
(10% discount if pre-ordered before March 1st release)<br>
Order from Bob Amstadt =A0 =A0 <a href=3D"mailto:bob@looperlative.com" targ=
et=3D"_blank">bob@looperlative.com</a><br><br><br></blockquote></div><br><b=
r clear=3D"all"><br></div></div><font color=3D"#888888">-- <br>Greg Wegmann=
<br><br>
TheWeg@Verizon.net <br>TheWeg@GMail.com<br><br></font></blockquote></div><b=
r>

--00163630eaa57d6e99049aaf46af--

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 18:15:07 2011
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Date: Tue, 25 Jan 2011 19:15:06 +0100
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Subject: Re: Singing and Looping   was   OT: Double Bass Looping of Led Zeppelin
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Rick Walker schrieb:
> I've even bought a Behringer Feedback Eliminator so that I can process 
> my voice through multiple
> distortion/fuzz pedals and constrain the feedback that always occurs 
> when you do this live.
> I haven't really worked it out yet, but that's one of the projects 
> I've wanted to have time to
In addition to being a feedback eliminator, these things (at least those 
Behringer feedback things I know) can also work as parametric EQs - 
which gives you (dependant on the exact model) 12 to 24 stereo 
parametric EQs with a bandwidth down to 1/60 of an octave. And you can 
control them via MIDI.

So, in combination with e.g. a computer or a hardware sequencer (to 
control the thing via MIDI), you got yourself a really powerful filter bank.

(This has actually been on the list of things to do with my Behringer 
UltraCurve, which also offers this functionality, but which I had gotten 
and used for live sound applications exclusively and now somewhat retired).

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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nope,
if it's not on the feature list it's
..uh..
not on the feature list


stomp box simple

andy

Butch Band wrote:
> Is there a way to perform a Next Loop function? I don't see any such 
> function listed. MIDI control, perhaps?
>  
> Butch
> 
> On Tue, Jan 25, 2011 at 10:48 AM, Thomas Wegmann <theweg@gmail.com 
> <mailto:theweg@gmail.com>> wrote:
> 
>     Thanks guys for the information, I have ordered, this looks like my
>     kind of pedal!  I hope all of you are doing well!
>      
>     Weg
> 
>     On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <looppool@cruzio.com
>     <mailto:looppool@cruzio.com>> wrote:
> 
>         On 7/22/64 11:59 AM, David Gans wrote:
> 
>             Where can I see more info on the LP2?
> 
>         http://www.looperlative.com/proddetail.php?prod=LP2
> 
> 
>         LP-2  Mini Looper
> 
>         FEATURE SET:
> 
>         Double stomp box size
>         AC:  9v battery or Wall Wart 9v 200ma, tip negative power supply
>         Onboard storage of up to 8 loops on SD card
>         Audio: Mono in and Mono out     Fidelity:   16bit, 44.1khz
>         30 levels of Undo
>         Feedback control (via additional expression pedal jack on back)
>         LED input VU meter
>         Input and Output volume control
>         Four multi functional foot controlled buttons which control
>         1)   RECORD/OVERDUB/UNDO
>         2)   PLAY/STOP
>         3)   EFFECT ONE, either:
>                a) Continue  (whereever a loop was stopped)
>                b) ReTrigger (Continuous)
>                c) 1/2 Speed
>                d) Replace
>                e) Q replace  1/8th notes
>                f)  Q replace  1/12 (triplet 8ths)
>                g) Q replace  1/7 (7/8)
>                h) Q replace   1/10 (5/8 or 5/4)
>         4)  EFFECT TWO,  either:
>                a) ReTrigger (One Shot - Sample)
>                b) ReTrigger (Random)
>                c) 1/4 Speed
>                d) Reverse
>                e) Q replace 1/16th notes
>                f) Q replace 1/24 (triplet 16th notes)
>                g) Q replace 1/9 (9/8)
>                h) Q replace  1/64 (Glitch mode)
> 
>         Street Price:   $300  (10% discount if pre-ordered before March
>         1st release)
>         Order from Bob Amstadt     bob@looperlative.com
>         <mailto:bob@looperlative.com>
> 
> 
> 
> 
> 
>     -- 
>     Greg Wegmann
> 
>     TheWeg@Verizon.net
>     TheWeg@GMail.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jan 25 23:57:48 2011
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Date: Wed, 26 Jan 2011 00:57:46 +0100
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Subject: rhythm sequencers software
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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hey gang,
i remeber a topic about drum machines sequencers and rhythm software
to syncronize to looping software like mobius.
I guess what im looking for is something you can load your own drum
samples or loops,or that has great drum sounds or grooves with random
variations so the grooves that arent static and that could work stable
when slaved syncronized to mobius.
I remember software being mentioned here that has those capabilities
but i cant find the original post.
But i do remember the Stylus RMX being mentioned,is there anything
else out there interesting that you could recomend?

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 00:05:44 2011
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On Jan 25, 2011, at 3:57 PM, Louie Angulo wrote:

> anything
> else out there interesting that you could recomend?


iDrum lets you load your own samples.

http://www.izotope.com/products/audio/idrum/


regards

BobC


http://tinyurl.com/yt8f8j

http://www.youtube.com/user/tynego
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Jan 25, 2011, =
at 3:57 PM, Louie Angulo wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; =
">anything<br>else out there interesting that you could =
recomend?<br></span></blockquote></div><br><div><br></div><div>iDrum =
lets you load your own samples.</div><div><br></div><div><a =
href=3D"http://www.izotope.com/products/audio/idrum/">http://www.izotope.c=
om/products/audio/idrum/</a></div><div><br></div><div><br></div><div>regar=
ds</div><div><br></div><div>BobC</div><div><br></div><div><br></div><div><=
div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><a =
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; min-height: 13px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =
normal normal 11px/normal 'Lucida Grande'; "><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></div></div></body></html>=

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Subject: Re: rhythm sequencers software
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> But i do remember the Stylus RMX being mentioned,is there anything
> else out there interesting that you could recomend?

Not really, since RMX's random variation system - called "Chaos" - is
hard to beat.

Other slightly less good partly randomized beats can be produced in
the background by Ableton Live if setting up a bug number of drum
loops as clips on an audio track in legato mode and then customize
"random slice jumping" by the clip launch property settings.

I mentioned iDrum in the past but it doesn't have any random function
at all. But you can set up a big number of slightly different drum
patterns and create a long looped song from them to achieve a similar
feel of variation.

Then there are slice-and-shuffle plugins like LiveCut, but LiveCut
just sound like... LiveCut ;-))  If you like that it will do the job;
not as musically delicate as RMX but in a more rough and glitchy way.
When talking glitch affected drum solutions you could also check out
BT's latest slicer plugin that recently was discussed on this list
(and all over the web). Feed it a drum loop and set the level of
randomization that sounds good for the song. 10 day's free demo to
test out before buying.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 14:45:10 2011
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Subject: Re: rhythm sequencers software
From: Tony K <bigtonyk@gmail.com>
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Check out Jamstix too.

http://www.rayzoon.com/jamstix3.html

You set up different styles and it either takes your MIDI or audio in or
preset MIDI grooves and creates patterns based on the style you setup.  It's
pretty cool.

On Wed, Jan 26, 2011 at 4:13 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > But i do remember the Stylus RMX being mentioned,is there anything
> > else out there interesting that you could recomend?
>
> Not really, since RMX's random variation system - called "Chaos" - is
> hard to beat.
>
> Other slightly less good partly randomized beats can be produced in
> the background by Ableton Live if setting up a bug number of drum
> loops as clips on an audio track in legato mode and then customize
> "random slice jumping" by the clip launch property settings.
>
> I mentioned iDrum in the past but it doesn't have any random function
> at all. But you can set up a big number of slightly different drum
> patterns and create a long looped song from them to achieve a similar
> feel of variation.
>
> Then there are slice-and-shuffle plugins like LiveCut, but LiveCut
> just sound like... LiveCut ;-))  If you like that it will do the job;
> not as musically delicate as RMX but in a more rough and glitchy way.
> When talking glitch affected drum solutions you could also check out
> BT's latest slicer plugin that recently was discussed on this list
> (and all over the web). Feed it a drum loop and set the level of
> randomization that sounds good for the song. 10 day's free demo to
> test out before buying.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
-==-=-=-
Tony

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Check out Jamstix too.<br><br><a href=3D"http://www.rayzoon.com/jamstix3.ht=
ml">http://www.rayzoon.com/jamstix3.html</a><br><br>You set up different st=
yles and it either takes your MIDI or audio in or preset MIDI grooves and c=
reates patterns based on the style you setup.=A0 It&#39;s pretty cool.<br>
<br><div class=3D"gmail_quote">On Wed, Jan 26, 2011 at 4:13 AM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"m=
argin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div class=3D"im">On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.=
com</a>&gt; wrote:<br>
&gt; But i do remember the Stylus RMX being mentioned,is there anything<br>
&gt; else out there interesting that you could recomend?<br>
<br>
</div>Not really, since RMX&#39;s random variation system - called &quot;Ch=
aos&quot; - is<br>
hard to beat.<br>
<br>
Other slightly less good partly randomized beats can be produced in<br>
the background by Ableton Live if setting up a bug number of drum<br>
loops as clips on an audio track in legato mode and then customize<br>
&quot;random slice jumping&quot; by the clip launch property settings.<br>
<br>
I mentioned iDrum in the past but it doesn&#39;t have any random function<b=
r>
at all. But you can set up a big number of slightly different drum<br>
patterns and create a long looped song from them to achieve a similar<br>
feel of variation.<br>
<br>
Then there are slice-and-shuffle plugins like LiveCut, but LiveCut<br>
just sound like... LiveCut ;-)) =A0If you like that it will do the job;<br>
not as musically delicate as RMX but in a more rough and glitchy way.<br>
When talking glitch affected drum solutions you could also check out<br>
BT&#39;s latest slicer plugin that recently was discussed on this list<br>
(and all over the web). Feed it a drum loop and set the level of<br>
randomization that sounds good for the song. 10 day&#39;s free demo to<br>
test out before buying.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

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Kevin,

I've been dreaming of the separate strings thing for years and have been in=
 regular contact with Richard McLish about his fanout. Last promise was a n=
ew batch in October 2010 - didn't happen, and I don't think it ever will. M=
eanwhile, I've been following Bill Baxendale's work and, although his web s=
ite is awful, his posts on guitar forums made it clear he really knows what=
 he is doing and that people who had his stuff liked it. So, I took the plu=
nge and bought his breakout box.

I have other projects from which I can't divert too much attention to this =
right now, but I've started to fool with it for an hour at a time a few nig=
hts. It is really well made and works perfectly right out of the box. I hav=
e a by now antique setup using a GI-10 and a variety of MIDI-equipped guita=
rs; so far all I've tried with this is the PRS I bought from Kris H. and ha=
d Graphtech hex pickups installed on.

Not wanting to dedicate my RME 800 to this, I  routed 4 strings into open i=
nputs on it and sent the other two into a Boss VF-1. From there I've been e=
xperimenting in a most unscientific manner, just setting up templates in Cu=
base and Reaper and adding effects to each input.  Given that the signal is=
 weak I've put Voxengo Boogex on each channel.  The recordings have low sig=
nal level for each individual string but when you listen to them together i=
t is robust. I also did a bit of mangling each track independently, normali=
zing, reversing, chopping and the like. The sound quality remained excellen=
t.

I'm sure there is a more sophisticated way to boost the signals, but I'm ju=
st learning Reaper and hadn't gotten there yet. I suspect Ableton Live will=
 eventually prove the best program for use with this setup.

Then there is looping. I have a laptop dedicated to that (Mobius in Bidule)=
, with a soundcard that does not have 6 inputs. I haven't gotten into Mobiu=
s 1.43. Sometime this spring I imagine I will devote some time to learning =
1.43, taking advantage of some of the amazing script development that is ha=
ppening, and do all that on the desktop that I have the RME 800 on.... at w=
hich point the 6 strings into Mobius would be a truly sick puppy.  I'll rep=
ort on all this from time to time.

Bill Baxendale is a real craftsman and great engineer and provided fabulous=
 service. No, it is not cheap, but the breakout box is VERY cool.

As for the Unfretted project, I too was intimidated by the skill level requ=
ired to make it. I joined mfg.com with an eye towards "managing" production=
, perhaps soliciting interest from others on this list and elsewhere, but I=
 never pursued it. You could consider taking that on.

Hal=20

-----Original Message-----
From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]=20
Sent: Monday, January 24, 2011 4:49 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Building a Midi Breakout Box

Yeah I've been in contact with him but he's quoting something like 60 pound=
s in freight (almost $100 in shipping) so it winds up just a little bit und=
er the price of the RMC Fanout box.

I'm thinking I'll be shelving this thought for a while.

Kevin

On Mon, Jan 24, 2011 at 1:06 PM, Gareth Whittock <buddhamachine@live.co.uk>=
 wrote:
> Have=A0a look at this Kevin:
>
> http://billbax.110mb.com/
>
> G
>
>> Date: Mon, 24 Jan 2011 12:21:51 -0800
>> Subject: OT: Building a Midi Breakout Box
>> From: billowhead@gmail.com
>> To: Loopers-Delight@loopers-delight.com
>>
>> Hello soldier fiends,
>>
>> Having looked into the basic Midi breakout boxes available for the VG=20
>> 8, etc, I realized, I don't have $400 to buy one of these. So looking=20
>> around I found this=20
>> http://www.unfretted.com/loader.php?LINK=3D/profs/breakout
>>
>> Any of you technically inclined people have any advice on how to do=20
>> this (for a basic novice who has soldered a thing or two but never=20
>> built a functioning device)? I'm wondering a couple of things a), how=20
>> feasible is this b) about how much a home brew would cost c) anyone=20
>> with the skills willing to build one (for a fee of course).
>>
>> I'm at the level where I'm not sure I could actually do anything with=20
>> these plans but I could probably put it together if I had the parts.
>>
>> Feel free to tell me I'm better off without the dream of processing=20
>> six strings separately. I think I might be better off that way.
>> Unless one of you out there......
>>
>> Kevin
>>
>> --
>> Till now you seriously considered yourself to be the body and to have=20
>> a form. That is the primal ignorance which is the root cause of all trou=
ble.
>>
>> - Ramana Maharshi (1879-1950)
>>
>> Sound and Vision:=A0 http://www.minds-eye.org Video=20
>> http://www.vimeo.com/user877640/videos
>>
>



--
Till now you seriously considered yourself to be the body and to have a for=
m. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org Video http://www.vimeo.com/us=
er877640/videos

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> i remeber a topic about drum machines sequencers and rhythm software
> to syncronize to looping software like mobius.
> I guess what im looking for is something you can load your own drum
> samples or loops,or that has great drum sounds or grooves with random
> variations so the grooves that arent static and that could work stable
> when slaved syncronized to mobius.


I've spent some hours searching for such products today again. The one I
like best so far is Steinberg's Grooveagent - it sounds nice and has some
amount of random licks, and has lots of different styles. But you have to
have a Steinberg USB key and I keep having problems with the software
suddenly not recognizing the key, for some reason. Also, Grooveagent is
large and fat and takes up resources, and more often than not, Bidule
crashes. So far it doesn't feel like I can use it live although I'd love to
- it syncs easily with Bidule's sync transport.

There are other similarly sized products, such as Meldaproductions MDrummer,
or Rayzoon's Jamstix. Stylus RMX looks good, I haven't tried it yet. They
all probably can do lots of things but for my needs, they are all oversized
and overcomplicated. I was looking for something small and easy to handle.

There is some electro thing called Cerebrum that is small and nice and easy
to handle but it has a certain artificial electro sound to it - I'd prefer
acoustic instruments but of course this requires samples and blows the thing
up big time again.


-Michael

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> RMX's random variation system - called "Chaos" - is hard to beat.

how does it behave resource-wise?

-Michael

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On Wed, Jan 26, 2011 at 4:15 PM, Michael Peters <mp@mpeters.de> wrote:
>> RMX's random variation system - called "Chaos" - is hard to beat.
>
> how does it behave resource-wise?

Too CPU hungry for my taste. That is using a 2.2 GHz Core2Duo Santa
Rosa Macbook and also if you sign up external control faders to adjust
RMX settings while running. If only running a couple of alternative
drum loops with the Chaos function randomization it might work.

Per

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--Boundary_(ID_culsaNpyN+x7N0+RMtLn+A)
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Sonic Charge - =B5Tonic


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><a =
href=3D"http://www.soniccharge.com/microtonic">Sonic Charge - =
=B5Tonic</a><br><div><div><br></div></div></body></html>=

--Boundary_(ID_culsaNpyN+x7N0+RMtLn+A)--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 15:54:03 2011
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Trigger random percussion instruments with an acoustic instrument, via  
audio to midi converter, loop the percussion and create your own Han  
Bennink'esque/ interactive accompaniment.  Adjustments to pitch range,  
velocity sensitivity, etc. can fine tuned to effect how/ when the  
samples respond, though I prefer the more random interaction.  Really  
neat with with tuned percussion (gamelan, hang drum etc) = pitch bent  
percussion......
- Paul


http://www.soundcloud.com/r369improv

http://www.youtube.com/r369improv 

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 15:59:12 2011
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not sure, maybe this fits the bill:

Sonic Charge:  << http://www.soniccharge.com/microtonic >>

On Jan 26, 2011, at 8:09 AM, Michael Peters wrote:

>> i remeber a topic about drum machines sequencers and rhythm software
>> to syncronize to looping software like mobius.
>> I guess what im looking for is something you can load your own drum
>> samples or loops,or that has great drum sounds or grooves with random
>> variations so the grooves that arent static and that could work  
>> stable
>> when slaved syncronized to mobius.
>
>
> I've spent some hours searching for such products today again. The  
> one I
> like best so far is Steinberg's Grooveagent - it sounds nice and has  
> some
> amount of random licks, and has lots of different styles. But you  
> have to
> have a Steinberg USB key and I keep having problems with the software
> suddenly not recognizing the key, for some reason. Also, Grooveagent  
> is
> large and fat and takes up resources, and more often than not, Bidule
> crashes. So far it doesn't feel like I can use it live although I'd  
> love to
> - it syncs easily with Bidule's sync transport.
>
> There are other similarly sized products, such as Meldaproductions  
> MDrummer,
> or Rayzoon's Jamstix. Stylus RMX looks good, I haven't tried it yet.  
> They
> all probably can do lots of things but for my needs, they are all  
> oversized
> and overcomplicated. I was looking for something small and easy to  
> handle.
>
> There is some electro thing called Cerebrum that is small and nice  
> and easy
> to handle but it has a certain artificial electro sound to it - I'd  
> prefer
> acoustic instruments but of course this requires samples and blows  
> the thing
> up big time again.
>
>
> -Michael
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 16:04:00 2011
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what im very interested in also is how reliable is Mobius slaving
Ableton synced with something like LoopBE as Rainer mentioned.
with all this software isnt there any simple drum sampler out there
that can sync reliably with mobius??
so i guess this is probably where hardware still wins,no? EDP and
adrenalinn synced or any other drum machine are rock solid
combination!

On Wed, Jan 26, 2011 at 4:37 PM, Paul Mimlitsch <pmimlitsch@mac.com> wrote:
> Sonic Charge - =B5Tonic
>
>

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Date: Wed, 26 Jan 2011 17:33:20 +0100
Message-ID: <AANLkTi=ynPngARn+EF4pK1aoiTd0bRYReFOQDS2ZXarw@mail.gmail.com>
Subject: Re: rhythm sequencers software
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Jan 26, 2011 at 4:52 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> what im very interested in also is how reliable is Mobius slaving
> Ableton synced with something like LoopBE as Rainer mentioned.

Not very reliable - if you mean that Ableton should sync as the slave
to something (?) while running Mobius as a plug-in. Ableton is a
stable host but when playing catch-up the amounts of calculations
needed to be fulfilled on a very short deadline can easily increase
too much for the given time window.


> with all this software isnt there any simple drum sampler out there
> that can sync reliably with mobius??

Mobius can not be a plugin host so that needs the software drum
sampler to follow MIDI Clock (sent out by Mobius). I would guess a lot
of the software drum samplers can do that fine.

Myself I've been using iDrum since 2004 both as MIDI Clock slave
synced standalone application and as plugin under a host and wouldn't
hesitate to recommend it for live work. It can keep its own song
structure arrangement and switch between. iDrum is not a sampler
though, it is a Sample Player. If you are serious about a software
based drum sampler there is the new Geist from FxPansion. Native
Instrument's sampler Kontakt 4 can also double up as a drum sampler
(not sure you want both sampling and sequencing within the same drum
software, but I guessed so when writing this answer).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 16:37:59 2011
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Date: Wed, 26 Jan 2011 11:37:56 -0500
Message-ID: <AANLkTikZsT2jSrnkbS_XbUBRDv0yu1UkGZacfTF0rzeX@mail.gmail.com>
Subject: Re: LP 2 Mini Looper Feature Set
From: Butch Band <butchband@gmail.com>
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Thank you for your sarcastic response but if I purchase an automobile, I
normally don't need to check for basic features like an accelerator pedal or
windows.

On Tue, Jan 25, 2011 at 1:23 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> nope,
> if it's not on the feature list it's
> ..uh..
> not on the feature list
>
>
> stomp box simple
>
> andy
>
> Butch Band wrote:
>
>> Is there a way to perform a Next Loop function? I don't see any such
>> function listed. MIDI control, perhaps?
>>  Butch
>>
>> On Tue, Jan 25, 2011 at 10:48 AM, Thomas Wegmann <theweg@gmail.com<mailto:
>> theweg@gmail.com>> wrote:
>>
>>    Thanks guys for the information, I have ordered, this looks like my
>>    kind of pedal!  I hope all of you are doing well!
>>         Weg
>>
>>    On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <looppool@cruzio.com
>>     <mailto:looppool@cruzio.com>> wrote:
>>
>>        On 7/22/64 11:59 AM, David Gans wrote:
>>
>>            Where can I see more info on the LP2?
>>
>>        http://www.looperlative.com/proddetail.php?prod=LP2
>>
>>
>>        LP-2  Mini Looper
>>
>>        FEATURE SET:
>>
>>        Double stomp box size
>>        AC:  9v battery or Wall Wart 9v 200ma, tip negative power supply
>>        Onboard storage of up to 8 loops on SD card
>>        Audio: Mono in and Mono out     Fidelity:   16bit, 44.1khz
>>        30 levels of Undo
>>        Feedback control (via additional expression pedal jack on back)
>>        LED input VU meter
>>        Input and Output volume control
>>        Four multi functional foot controlled buttons which control
>>        1)   RECORD/OVERDUB/UNDO
>>        2)   PLAY/STOP
>>        3)   EFFECT ONE, either:
>>               a) Continue  (whereever a loop was stopped)
>>               b) ReTrigger (Continuous)
>>               c) 1/2 Speed
>>               d) Replace
>>               e) Q replace  1/8th notes
>>               f)  Q replace  1/12 (triplet 8ths)
>>               g) Q replace  1/7 (7/8)
>>               h) Q replace   1/10 (5/8 or 5/4)
>>        4)  EFFECT TWO,  either:
>>               a) ReTrigger (One Shot - Sample)
>>               b) ReTrigger (Random)
>>               c) 1/4 Speed
>>               d) Reverse
>>               e) Q replace 1/16th notes
>>               f) Q replace 1/24 (triplet 16th notes)
>>               g) Q replace 1/9 (9/8)
>>               h) Q replace  1/64 (Glitch mode)
>>
>>        Street Price:   $300  (10% discount if pre-ordered before March
>>        1st release)
>>        Order from Bob Amstadt     bob@looperlative.com
>>        <mailto:bob@looperlative.com>
>>
>>
>>
>>
>>
>>
>>    --     Greg Wegmann
>>
>>    TheWeg@Verizon.net
>>    TheWeg@GMail.com
>>
>>
>>
>

--0015175cb820953e72049ac274e8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thank you for your sarcastic response but if I purchase an automobile, I no=
rmally don&#39;t need to check for basic features like an accelerator pedal=
 or windows.<br><br>
<div class=3D"gmail_quote">On Tue, Jan 25, 2011 at 1:23 PM, andy butler <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tisca=
li.co.uk</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">nope,<br>if it&#39;s not on the =
feature list it&#39;s<br>..uh..<br>not on the feature list<br><br><br>stomp=
 box simple<br>
<br>andy<br><br>Butch Band wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div class=3D"im">Is there a way to perform a Next Loop function? I don&#39=
;t see any such function listed. MIDI control, perhaps?<br>=A0Butch<br><br>=
</div>
<div class=3D"im">On Tue, Jan 25, 2011 at 10:48 AM, Thomas Wegmann &lt;<a h=
ref=3D"mailto:theweg@gmail.com" target=3D"_blank">theweg@gmail.com</a> &lt;=
mailto:<a href=3D"mailto:theweg@gmail.com" target=3D"_blank">theweg@gmail.c=
om</a>&gt;&gt; wrote:<br>
<br>=A0 =A0Thanks guys for the information, I have ordered, this looks like=
 my<br>=A0 =A0kind of pedal! =A0I hope all of you are doing well!<br>=A0 =
=A0 =A0 =A0 Weg<br><br>=A0 =A0On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker =
&lt;<a href=3D"mailto:looppool@cruzio.com" target=3D"_blank">looppool@cruzi=
o.com</a><br>
</div>
<div>
<div></div>
<div class=3D"h5">=A0 =A0&lt;mailto:<a href=3D"mailto:looppool@cruzio.com" =
target=3D"_blank">looppool@cruzio.com</a>&gt;&gt; wrote:<br><br>=A0 =A0 =A0=
 =A0On 7/22/64 11:59 AM, David Gans wrote:<br><br>=A0 =A0 =A0 =A0 =A0 =A0Wh=
ere can I see more info on the LP2?<br>
<br>=A0 =A0 =A0 =A0<a href=3D"http://www.looperlative.com/proddetail.php?pr=
od=3DLP2" target=3D"_blank">http://www.looperlative.com/proddetail.php?prod=
=3DLP2</a><br><br><br>=A0 =A0 =A0 =A0LP-2 =A0Mini Looper<br><br>=A0 =A0 =A0=
 =A0FEATURE SET:<br><br>=A0 =A0 =A0 =A0Double stomp box size<br>
=A0 =A0 =A0 =A0AC: =A09v battery or Wall Wart 9v 200ma, tip negative power =
supply<br>=A0 =A0 =A0 =A0Onboard storage of up to 8 loops on SD card<br>=A0=
 =A0 =A0 =A0Audio: Mono in and Mono out =A0 =A0 Fidelity: =A0 16bit, 44.1kh=
z<br>=A0 =A0 =A0 =A030 levels of Undo<br>
=A0 =A0 =A0 =A0Feedback control (via additional expression pedal jack on ba=
ck)<br>=A0 =A0 =A0 =A0LED input VU meter<br>=A0 =A0 =A0 =A0Input and Output=
 volume control<br>=A0 =A0 =A0 =A0Four multi functional foot controlled but=
tons which control<br>=A0 =A0 =A0 =A01) =A0 RECORD/OVERDUB/UNDO<br>
=A0 =A0 =A0 =A02) =A0 PLAY/STOP<br>=A0 =A0 =A0 =A03) =A0 EFFECT ONE, either=
:<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 a) Continue =A0(whereever a loop was stopp=
ed)<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 b) ReTrigger (Continuous)<br>=A0 =A0 =A0=
 =A0 =A0 =A0 =A0 c) 1/2 Speed<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 d) Replace<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 e) Q replace =A01/8th notes<br>=A0 =A0 =A0 =A0 =
=A0 =A0 =A0 f) =A0Q replace =A01/12 (triplet 8ths)<br>=A0 =A0 =A0 =A0 =A0 =
=A0 =A0 g) Q replace =A01/7 (7/8)<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 h) Q repla=
ce =A0 1/10 (5/8 or 5/4)<br>=A0 =A0 =A0 =A04) =A0EFFECT TWO, =A0either:<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 a) ReTrigger (One Shot - Sample)<br>=A0 =A0 =A0=
 =A0 =A0 =A0 =A0 b) ReTrigger (Random)<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 c) 1/=
4 Speed<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 d) Reverse<br>=A0 =A0 =A0 =A0 =A0 =
=A0 =A0 e) Q replace 1/16th notes<br>=A0 =A0 =A0 =A0 =A0 =A0 =A0 f) Q repla=
ce 1/24 (triplet 16th notes)<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 g) Q replace 1/9 (9/8)<br>=A0 =A0 =A0 =A0 =A0 =
=A0 =A0 h) Q replace =A01/64 (Glitch mode)<br><br>=A0 =A0 =A0 =A0Street Pri=
ce: =A0 $300 =A0(10% discount if pre-ordered before March<br>=A0 =A0 =A0 =
=A01st release)<br>=A0 =A0 =A0 =A0Order from Bob Amstadt =A0 =A0 <a href=3D=
"mailto:bob@looperlative.com" target=3D"_blank">bob@looperlative.com</a><br=
>
</div></div>=A0 =A0 =A0 =A0&lt;mailto:<a href=3D"mailto:bob@looperlative.co=
m" target=3D"_blank">bob@looperlative.com</a>&gt;=20
<div class=3D"im"><br><br><br><br><br><br>=A0 =A0-- =A0 =A0 Greg Wegmann<br=
><br>=A0 =A0TheWeg@Verizon.net<br>=A0 =A0TheWeg@GMail.com<br><br><br></div>=
</blockquote><br></blockquote></div><br>

--0015175cb820953e72049ac274e8--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 16:46:33 2011
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Date: Wed, 26 Jan 2011 17:46:35 +0100
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Subject: Re: rhythm sequencers software
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Louie Angulo schrieb:
> what im very interested in also is how reliable is Mobius slaving
> Ableton synced with something like LoopBE as Rainer mentioned.
>   
Different to Per's experiences here (could you describe them a little, 
Per? Your description was very root-cause-based, but didn't actually 
describe in which situations a problem arises), I cannot remember any 
problems syncing Live to something or having something synced to Live.

That being said, I didn't do the specific setup of Live synced to Möbius 
very often - An Ambient Manifold, however, did use that most of the 
time, and for one week of daily performances without any problems.
Also contrary to Per's experience, I did quite often sync Live to a 
MC505 in the past, and didn't encounter problems, either - this included 
generous amounts of the IR-sensor-controlled slowdown effect.

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 17:03:51 2011
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Subject: A modest proposal.
From: daniel <daniel@ithinkwethink.org>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--90e6ba6e8d7803bf12049ac2d1a5
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Dearest Looping Brethren,

Daniel Harris of Boston, MA (USA) here. Aside from my looping love and
linguistic allegiances, I am also an active artist-for-hire on the Boston
scene. I typically do concert posters but have also done t-shirt designs,
album art, stickers and buttons.

I'm easy to work with, accommodating and incredibly serious about the work I
do.

Here are links to work some I've done...

Etsy shop: http://www.etsy.com/shop/danielharris

Concert posters:
http://theanorexicfoodcritic.blogspot.com/2010/10/does-your-band-need-show-poster.html

Album art:
http://www.myspace.com/danielhmusic/photos/albums/album/1987835#mssrc=SitesPhotos_SP_AlbumCover_ViewAlbum


If you're looking for art for your band, project or even your walls, please
drop me a line!


best,
Daniel
www.danielharris.bandcamp.com

--90e6ba6e8d7803bf12049ac2d1a5
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Dearest Looping Brethren, <br><br>Daniel Harris of Boston, MA (USA) here. A=
side from my looping love and linguistic allegiances, I am also an active a=
rtist-for-hire on the Boston scene. I typically do concert posters but have=
 also done t-shirt designs, album art, stickers and buttons.=A0 <br>
<br>I&#39;m easy to work with, accommodating and incredibly serious about t=
he work I do. <br><br>Here are links to work some I&#39;ve done...<br><br>E=
tsy shop: <a href=3D"http://www.etsy.com/shop/danielharris">http://www.etsy=
.com/shop/danielharris</a><br>
<br>Concert posters: <a href=3D"http://theanorexicfoodcritic.blogspot.com/2=
010/10/does-your-band-need-show-poster.html">http://theanorexicfoodcritic.b=
logspot.com/2010/10/does-your-band-need-show-poster.html</a><br><br>Album a=
rt: <a href=3D"http://www.myspace.com/danielhmusic/photos/albums/album/1987=
835#mssrc=3DSitesPhotos_SP_AlbumCover_ViewAlbum">http://www.myspace.com/dan=
ielhmusic/photos/albums/album/1987835#mssrc=3DSitesPhotos_SP_AlbumCover_Vie=
wAlbum</a><br>
<br><br>If you&#39;re looking for art for your band, project or even your w=
alls, please drop me a line! <br><br><br>best,<br>Daniel <br><a href=3D"htt=
p://www.danielharris.bandcamp.com">www.danielharris.bandcamp.com</a> <br>
<br>

--90e6ba6e8d7803bf12049ac2d1a5--

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Date: Wed, 26 Jan 2011 18:07:46 +0100
Message-ID: <AANLkTimz+dusEHq6+a7YzLhHQ_SoWHpSgAWvA7PpufR8@mail.gmail.com>
Subject: Re: rhythm sequencers software
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Jan 26, 2011 at 5:46 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> Louie Angulo schrieb:
>>
>> what im very interested in also is how reliable is Mobius slaving
>> Ableton synced with something like LoopBE as Rainer mentioned.
>>
>
> Different to Per's experiences here (could you describe them a little, Per?
> Your description was very root-cause-based, but didn't actually describe in
> which situations a problem arises),

Error message: "Sync Lost". This happens often when Live is following
MIDI Clock from an EDP that goes Speed, HalfTempo etc because this
action changes the tempo by double or half. It works better when using
Mobius as the tempo host because that allows you to set the allowed
tempo range in Mobius (= easier for Live to catch up with). But as I
understoodLuis he asked about slaving Live to something (which master
sync source he doesn't mention) while syncing the Moibus plugin to
Live by "plugin host sync" (need to use the VST version then because
this doesn't work in Mobius AU). I

Per

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Subject: boomerang III review in premier guitar mag
From: Scott Hansen <evanpeewee@gmail.com>
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--0016364c7e8bebf57a049ac306c3
Content-Type: text/plain; charset=ISO-8859-1

just saw this:

http://www.premierguitar.com/Magazine/Issue/2011/Feb/Boomerang_Musical_Products_Boomerang_III_Phrase_Sampler_Pedal_Review.aspx

haven't read it yet, have seen demos, looks cool.

s---
www.myspace.com/scotthansen

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just saw this:<br><br><a href=3D"http://www.premierguitar.com/Magazine/Issu=
e/2011/Feb/Boomerang_Musical_Products_Boomerang_III_Phrase_Sampler_Pedal_Re=
view.aspx">http://www.premierguitar.com/Magazine/Issue/2011/Feb/Boomerang_M=
usical_Products_Boomerang_III_Phrase_Sampler_Pedal_Review.aspx</a><br>
<br>haven&#39;t read it yet, have seen demos, looks cool.<br><br>s---<br><a=
 href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</a=
><br>

--0016364c7e8bebf57a049ac306c3--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 17:20:22 2011
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To: Loopers-Delight@loopers-delight.com
Subject: Re: LP 2 Mini Looper Feature Set
References: <2C447AD0-D3C8-4D1E-8C65-1E378E0FE0F7@trufun.com>	<4D374EBB.1040306@cruzio.com>	<AANLkTi=dbeH68Hn3LTaLJzjC+XHZ=d68DsOw21jY_ATp@mail.gmail.com>	<AANLkTimrcWp5-jo6P3NemWPESYCTOqSxv3AJWH92mi=K@mail.gmail.com>	<4D3F1512.4070005@tiscali.co.uk> <AANLkTikZsT2jSrnkbS_XbUBRDv0yu1UkGZacfTF0rzeX@mail.gmail.com>
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Butch Band schrieb:
> Thank you for your sarcastic response but if I purchase an automobile, 
> I normally don't need to check for basic features like an accelerator 
> pedal or windows.
Oh yes, you do!
http://www.arielmotor.co.uk/full_screen_v2.html
http://www.ktm-x-bow.com/

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 17:34:44 2011
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Subject: Re: LP 2 Mini Looper Feature Set
References: <2C447AD0-D3C8-4D1E-8C65-1E378E0FE0F7@trufun.com> <4D374EBB.1040306@cruzio.com> <AANLkTi=dbeH68Hn3LTaLJzjC+XHZ=d68DsOw21jY_ATp@mail.gmail.com> <AANLkTimrcWp5-jo6P3NemWPESYCTOqSxv3AJWH92mi=K@mail.gmail.com> <4D3F1512.4070005@tiscali.co.uk>
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thread-topic: LP 2 Mini Looper Feature Set
thread-index: Acu9f0ZpyscQpjIxSai1Z1oZi7Nepw==
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Thats funny because there are several features on the LP1 that arent on the f=
eature list!!! Fun to find them tho!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 25, 2011, at 1:23 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> nope,
> if it's not on the feature list it's
> ..uh..
> not on the feature list
>=20
>=20
> stomp box simple
>=20
> andy
>=20
> Butch Band wrote:
>> Is there a way to perform a Next Loop function? I don't see any such func=
tion listed. MIDI control, perhaps?
>> Butch
>> On Tue, Jan 25, 2011 at 10:48 AM, Thomas Wegmann <theweg@gmail.com <mailt=
o:theweg@gmail.com>> wrote:
>>    Thanks guys for the information, I have ordered, this looks like my
>>    kind of pedal!  I hope all of you are doing well!
>>         Weg
>>    On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <looppool@cruzio.com
>>    <mailto:looppool@cruzio.com>> wrote:
>>        On 7/22/64 11:59 AM, David Gans wrote:
>>            Where can I see more info on the LP2?
>>        http://www.looperlative.com/proddetail.php?prod=3DLP2
>>        LP-2  Mini Looper
>>        FEATURE SET:
>>        Double stomp box size
>>        AC:  9v battery or Wall Wart 9v 200ma, tip negative power supply
>>        Onboard storage of up to 8 loops on SD card
>>        Audio: Mono in and Mono out     Fidelity:   16bit, 44.1khz
>>        30 levels of Undo
>>        Feedback control (via additional expression pedal jack on back)
>>        LED input VU meter
>>        Input and Output volume control
>>        Four multi functional foot controlled buttons which control
>>        1)   RECORD/OVERDUB/UNDO
>>        2)   PLAY/STOP
>>        3)   EFFECT ONE, either:
>>               a) Continue  (whereever a loop was stopped)
>>               b) ReTrigger (Continuous)
>>               c) 1/2 Speed
>>               d) Replace
>>               e) Q replace  1/8th notes
>>               f)  Q replace  1/12 (triplet 8ths)
>>               g) Q replace  1/7 (7/8)
>>               h) Q replace   1/10 (5/8 or 5/4)
>>        4)  EFFECT TWO,  either:
>>               a) ReTrigger (One Shot - Sample)
>>               b) ReTrigger (Random)
>>               c) 1/4 Speed
>>               d) Reverse
>>               e) Q replace 1/16th notes
>>               f) Q replace 1/24 (triplet 16th notes)
>>               g) Q replace 1/9 (9/8)
>>               h) Q replace  1/64 (Glitch mode)
>>        Street Price:   $300  (10% discount if pre-ordered before March
>>        1st release)
>>        Order from Bob Amstadt     bob@looperlative.com
>>        <mailto:bob@looperlative.com>
>>    --     Greg Wegmann
>>    TheWeg@Verizon.net
>>    TheWeg@GMail.com
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 17:58:25 2011
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Subject: RE: rhythm sequencers software
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> Sonic Charge - =B5Tonic=20

looks nice and sounds nice but apparently they forgot to sync the meters =
to
the host - when I run in with Bidule's sync transport, it gets =
start/stop
and speed changes but it ignores if I change it from 4/4 to 3/4 or 7/8 - =
it
stays in 4/4 all the time. That is something that Steinberg Grooveagent =
and
other drum vstis do better

-Michael




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Subject: Re: rhythm sequencers software
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On Wed, Jan 26, 2011 at 6:58 PM, Michael Peters <mp@mpeters.de> wrote:
>> Sonic Charge - =C2=B5Tonic
>
> looks nice and sounds nice but apparently they forgot to sync the meters =
to
> the host - when I run in with Bidule's sync transport, it gets start/stop
> and speed changes but it ignores if I change it from 4/4 to 3/4 or 7/8 - =
it
> stays in 4/4 all the time. That is something that Steinberg Grooveagent a=
nd
> other drum vstis do better

Thanks, Michael. That's good to know. I like the techno style drum
sounds on the =C2=B5Tonic demo clips at the site :-)

Per

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	<4D374EBB.1040306@cruzio.com>
	<AANLkTi=dbeH68Hn3LTaLJzjC+XHZ=d68DsOw21jY_ATp@mail.gmail.com>
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	<8BD749DD-F866-44AF-BC0C-7A9698752022@1800dialword.com>
Date: Wed, 26 Jan 2011 19:09:29 +0100
Message-ID: <AANLkTinAOniahzL0t5AAJUjtas1dPxWTN_=5mb=9Edbz@mail.gmail.com>
Subject: Re: LP 2 Mini Looper Feature Set
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jan 26, 2011 at 6:34 PM, Andy Owens <andy@1800dialword.com> wrote:
> Thats funny because there are several features on the LP1 that arent on the feature list!!! Fun to find them tho!!

Easter Eggs!!!

Per ;-)

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Date: Wed, 26 Jan 2011 10:10:22 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: LP 2 Mini Looper Feature Set
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Not in the U.S. - maybe in Mumbai.

--- On Wed, 1/26/11, Rainer Straschill <moinsound@googlemail.com> wrote:


From: Rainer Straschill <moinsound@googlemail.com>
Subject: Re: LP 2 Mini Looper Feature Set
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, January 26, 2011, 12:16 PM


Butch Band schrieb:
> Thank you for your sarcastic response but if I purchase an automobile, I normally don't need to check for basic features like an accelerator pedal or windows.
Oh yes, you do!
http://www.arielmotor.co.uk/full_screen_v2.html
http://www.ktm-x-bow.com/

-- http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs




      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Not in the U.S. - maybe in Mumbai.<BR><BR>--- On <B>Wed, 1/26/11, Rainer Straschill <I>&lt;moinsound@googlemail.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><BR>From: Rainer Straschill &lt;moinsound@googlemail.com&gt;<BR>Subject: Re: LP 2 Mini Looper Feature Set<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Wednesday, January 26, 2011, 12:16 PM<BR><BR>
<DIV class=plainMail>Butch Band schrieb:<BR>&gt; Thank you for your sarcastic response but if I purchase an automobile, I normally don't need to check for basic features like an accelerator pedal or windows.<BR>Oh yes, you do!<BR><A href="http://www.arielmotor.co.uk/full_screen_v2.html" target=_blank>http://www.arielmotor.co.uk/full_screen_v2.html</A><BR><A href="http://www.ktm-x-bow.com/" target=_blank>http://www.ktm-x-bow.com/</A><BR><BR>-- <A href="http://moinlabs.de/" target=_blank>http://moinlabs.de</A><BR>Follow me on twitter: <A href="http://twitter.com/moinlabs" target=_blank>http://twitter.com/moinlabs</A><BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>

      
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Date: Wed, 26 Jan 2011 10:12:21 -0800 (PST)
From: Paul Richards <paulrichard_rocks@yahoo.com>
Subject: Re: LP 2 Mini Looper Feature Set
To: Loopers-Delight@loopers-delight.com
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So, then, basically, one creates one loop (with 8 being supported on the SD=
 card)? Is the length of the loop dictated by the size of the SD card? I do=
n't remember seeing the loop duration discussed.

--- On Wed, 1/26/11, Andy Owens <andy@1800dialword.com> wrote:


From: Andy Owens <andy@1800dialword.com>
Subject: Re: LP 2 Mini Looper Feature Set
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, January 26, 2011, 12:34 PM


Thats funny because there are several features on the LP1 that arent on the=
 feature list!!! Fun to find them tho!!

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 25, 2011, at 1:23 PM, andy butler <akbutler@tiscali.co.uk> wrote:

> nope,
> if it's not on the feature list it's
> ..uh..
> not on the feature list
>=20
>=20
> stomp box simple
>=20
> andy
>=20
> Butch Band wrote:
>> Is there a way to perform a Next Loop function? I don't see any such fun=
ction listed. MIDI control, perhaps?
>> Butch
>> On Tue, Jan 25, 2011 at 10:48 AM, Thomas Wegmann <theweg@gmail.com <mail=
to:theweg@gmail.com>> wrote:
>>=A0 =A0 Thanks guys for the information, I have ordered, this looks like =
my
>>=A0 =A0 kind of pedal!=A0 I hope all of you are doing well!
>>=A0 =A0 =A0 =A0=A0=A0Weg
>>=A0 =A0 On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker <looppool@cruzio.com
>>=A0 =A0 <mailto:looppool@cruzio.com>> wrote:
>>=A0 =A0 =A0 =A0 On 7/22/64 11:59 AM, David Gans wrote:
>>=A0 =A0 =A0 =A0 =A0 =A0 Where can I see more info on the LP2?
>>=A0 =A0 =A0 =A0 http://www.looperlative.com/proddetail.php?prod=3DLP2
>>=A0 =A0 =A0 =A0 LP-2=A0 Mini Looper
>>=A0 =A0 =A0 =A0 FEATURE SET:
>>=A0 =A0 =A0 =A0 Double stomp box size
>>=A0 =A0 =A0 =A0 AC:=A0 9v battery or Wall Wart 9v 200ma, tip negative pow=
er supply
>>=A0 =A0 =A0 =A0 Onboard storage of up to 8 loops on SD card
>>=A0 =A0 =A0 =A0 Audio: Mono in and Mono out=A0 =A0=A0=A0Fidelity:=A0=A0=
=A016bit, 44.1khz
>>=A0 =A0 =A0 =A0 30 levels of Undo
>>=A0 =A0 =A0 =A0 Feedback control (via additional expression pedal jack on=
 back)
>>=A0 =A0 =A0 =A0 LED input VU meter
>>=A0 =A0 =A0 =A0 Input and Output volume control
>>=A0 =A0 =A0 =A0 Four multi functional foot controlled buttons which contr=
ol
>>=A0 =A0 =A0 =A0 1)=A0=A0=A0RECORD/OVERDUB/UNDO
>>=A0 =A0 =A0 =A0 2)=A0=A0=A0PLAY/STOP
>>=A0 =A0 =A0 =A0 3)=A0=A0=A0EFFECT ONE, either:
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0a) Continue=A0 (whereever a loop was sto=
pped)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0b) ReTrigger (Continuous)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0c) 1/2 Speed
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0d) Replace
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0e) Q replace=A0 1/8th notes
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0f)=A0 Q replace=A0 1/12 (triplet 8ths)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0g) Q replace=A0 1/7 (7/8)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0h) Q replace=A0=A0=A01/10 (5/8 or 5/4)
>>=A0 =A0 =A0 =A0 4)=A0 EFFECT TWO,=A0 either:
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0a) ReTrigger (One Shot - Sample)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0b) ReTrigger (Random)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0c) 1/4 Speed
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0d) Reverse
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0e) Q replace 1/16th notes
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0f) Q replace 1/24 (triplet 16th notes)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0g) Q replace 1/9 (9/8)
>>=A0 =A0 =A0 =A0 =A0 =A0 =A0=A0=A0h) Q replace=A0 1/64 (Glitch mode)
>>=A0 =A0 =A0 =A0 Street Price:=A0=A0=A0$300=A0 (10% discount if pre-ordere=
d before March
>>=A0 =A0 =A0 =A0 1st release)
>>=A0 =A0 =A0 =A0 Order from Bob Amstadt=A0 =A0=A0=A0bob@looperlative.com
>>=A0 =A0 =A0 =A0 <mailto:bob@looperlative.com>
>>=A0 =A0 --=A0 =A0=A0=A0Greg Wegmann
>>=A0 =A0 TheWeg@Verizon.net
>>=A0 =A0 TheWeg@GMail.com
>=20

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">So, then, basically, one creates one loop (wi=
th 8 being supported on the SD card)? Is the length of the loop dictated by=
 the size of the SD card? I don't remember seeing the loop duration discuss=
ed.<BR><BR>--- On <B>Wed, 1/26/11, Andy Owens <I>&lt;andy@1800dialword.com&=
gt;</I></B> wrote:<BR>
<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5=
px; MARGIN-LEFT: 5px"><BR>From: Andy Owens &lt;andy@1800dialword.com&gt;<BR=
>Subject: Re: LP 2 Mini Looper Feature Set<BR>To: Loopers-Delight@loopers-d=
elight.com<BR>Date: Wednesday, January 26, 2011, 12:34 PM<BR><BR>
<DIV class=3DplainMail>Thats funny because there are several features on th=
e LP1 that arent on the feature list!!! Fun to find them tho!!<BR><BR>Andy =
Owens<BR>1-800-AndyOwens<BR>Sent from my iPhone<BR>So the typing might not =
be my best!<BR><BR><BR>On Jan 25, 2011, at 1:23 PM, andy butler &lt;<A href=
=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dakbutler@tiscali.co.uk" =
ymailto=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</A>&gt; wr=
ote:<BR><BR>&gt; nope,<BR>&gt; if it's not on the feature list it's<BR>&gt;=
 ..uh..<BR>&gt; not on the feature list<BR>&gt; <BR>&gt; <BR>&gt; stomp box=
 simple<BR>&gt; <BR>&gt; andy<BR>&gt; <BR>&gt; Butch Band wrote:<BR>&gt;&gt=
; Is there a way to perform a Next Loop function? I don't see any such func=
tion listed. MIDI control, perhaps?<BR>&gt;&gt; Butch<BR>&gt;&gt; On Tue, J=
an 25, 2011 at 10:48 AM, Thomas Wegmann &lt;<A href=3D"http://us.mc367.mail=
.yahoo.com/mc/compose?to=3Dtheweg@gmail.com"
 ymailto=3D"mailto:theweg@gmail.com">theweg@gmail.com</A> &lt;mailto:<A hre=
f=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dtheweg@gmail.com" ymail=
to=3D"mailto:theweg@gmail.com">theweg@gmail.com</A>&gt;&gt; wrote:<BR>&gt;&=
gt;&nbsp; &nbsp; Thanks guys for the information, I have ordered, this look=
s like my<BR>&gt;&gt;&nbsp; &nbsp; kind of pedal!&nbsp; I hope all of you a=
re doing well!<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;Weg<BR>&gt=
;&gt;&nbsp; &nbsp; On Wed, Jan 19, 2011 at 3:51 PM, Rick Walker &lt;<A href=
=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dlooppool@cruzio.com" yma=
ilto=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</A><BR>&gt;&gt;&nbs=
p; &nbsp; &lt;mailto:<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?t=
o=3Dlooppool@cruzio.com" ymailto=3D"mailto:looppool@cruzio.com">looppool@cr=
uzio.com</A>&gt;&gt; wrote:<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; On 7/22/=
64 11:59 AM, David Gans wrote:<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp=
; &nbsp;
 Where can I see more info on the LP2?<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbs=
p; <A href=3D"http://www.looperlative.com/proddetail.php?prod=3DLP2" target=
=3D_blank>http://www.looperlative.com/proddetail.php?prod=3DLP2</A><BR>&gt;=
&gt;&nbsp; &nbsp; &nbsp; &nbsp; LP-2&nbsp; Mini Looper<BR>&gt;&gt;&nbsp; &n=
bsp; &nbsp; &nbsp; FEATURE SET:<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; Doub=
le stomp box size<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; AC:&nbsp; 9v batte=
ry or Wall Wart 9v 200ma, tip negative power supply<BR>&gt;&gt;&nbsp; &nbsp=
; &nbsp; &nbsp; Onboard storage of up to 8 loops on SD card<BR>&gt;&gt;&nbs=
p; &nbsp; &nbsp; &nbsp; Audio: Mono in and Mono out&nbsp; &nbsp;&nbsp;&nbsp=
;Fidelity:&nbsp;&nbsp;&nbsp;16bit, 44.1khz<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; =
&nbsp; 30 levels of Undo<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; Feedback co=
ntrol (via additional expression pedal jack on back)<BR>&gt;&gt;&nbsp; &nbs=
p; &nbsp; &nbsp; LED input VU meter<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp;
 Input and Output volume control<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; Fou=
r multi functional foot controlled buttons which control<BR>&gt;&gt;&nbsp; =
&nbsp; &nbsp; &nbsp; 1)&nbsp;&nbsp;&nbsp;RECORD/OVERDUB/UNDO<BR>&gt;&gt;&nb=
sp; &nbsp; &nbsp; &nbsp; 2)&nbsp;&nbsp;&nbsp;PLAY/STOP<BR>&gt;&gt;&nbsp; &n=
bsp; &nbsp; &nbsp; 3)&nbsp;&nbsp;&nbsp;EFFECT ONE, either:<BR>&gt;&gt;&nbsp=
; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;a) Continue&nbsp; (w=
hereever a loop was stopped)<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp;&nbsp;&nbsp;b) ReTrigger (Continuous)<BR>&gt;&gt;&nbsp; &nbsp;=
 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;c) 1/2 Speed<BR>&gt;&gt;&nbs=
p; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;d) Replace<BR>&gt;&=
gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;e) Q replace=
&nbsp; 1/8th notes<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nb=
sp;&nbsp;&nbsp;f)&nbsp; Q replace&nbsp; 1/12 (triplet
 8ths)<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nb=
sp;g) Q replace&nbsp; 1/7 (7/8)<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbs=
p; &nbsp; &nbsp;&nbsp;&nbsp;h) Q replace&nbsp;&nbsp;&nbsp;1/10 (5/8 or 5/4)=
<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; 4)&nbsp; EFFECT TWO,&nbsp; either:<=
BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;a) R=
eTrigger (One Shot - Sample)<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp;&nbsp;&nbsp;b) ReTrigger (Random)<BR>&gt;&gt;&nbsp; &nbsp; &nb=
sp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;c) 1/4 Speed<BR>&gt;&gt;&nbsp; &=
nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;d) Reverse<BR>&gt;&gt;&=
nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;e) Q replace 1/1=
6th notes<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;=
&nbsp;f) Q replace 1/24 (triplet 16th notes)<BR>&gt;&gt;&nbsp; &nbsp; &nbsp=
; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;g) Q replace 1/9
 (9/8)<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nb=
sp;h) Q replace&nbsp; 1/64 (Glitch mode)<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &n=
bsp; Street Price:&nbsp;&nbsp;&nbsp;$300&nbsp; (10% discount if pre-ordered=
 before March<BR>&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; 1st release)<BR>&gt;&g=
t;&nbsp; &nbsp; &nbsp; &nbsp; Order from Bob Amstadt&nbsp; &nbsp;&nbsp;&nbs=
p;<A href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3Dbob@looperlativ=
e.com" ymailto=3D"mailto:bob@looperlative.com">bob@looperlative.com</A><BR>=
&gt;&gt;&nbsp; &nbsp; &nbsp; &nbsp; &lt;mailto:<A href=3D"http://us.mc367.m=
ail.yahoo.com/mc/compose?to=3Dbob@looperlative.com" ymailto=3D"mailto:bob@l=
ooperlative.com">bob@looperlative.com</A>&gt;<BR>&gt;&gt;&nbsp; &nbsp; --&n=
bsp; &nbsp;&nbsp;&nbsp;Greg Wegmann<BR>&gt;&gt;&nbsp; &nbsp; <A href=3D"htt=
p://us.mc367.mail.yahoo.com/mc/compose?to=3DTheWeg@Verizon.net" ymailto=3D"=
mailto:TheWeg@Verizon.net">TheWeg@Verizon.net</A><BR>&gt;&gt;&nbsp; &nbsp; =
<A
 href=3D"http://us.mc367.mail.yahoo.com/mc/compose?to=3DTheWeg@GMail.com" y=
mailto=3D"mailto:TheWeg@GMail.com">TheWeg@GMail.com</A><BR>&gt; <BR><BR></D=
IV></BLOCKQUOTE></td></tr></table><br>=0A=0A=0A=0A=0A=0A=0A=0A      
--0-1698038392-1296065541=:91564--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 18:15:05 2011
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Subject: Re: syncronizing rhythm software (mobius as master)
From: Louie Angulo <louie.angulo@googlemail.com>
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ok,so you are saying IDrum could be slave synced to mobius master,and
since mobius cannot be a host,therefore using something like LoopBE
and this would be a stable setup,doing midi start stop,mute midi
start,realign etc.even when changing speed in mobius ?
because the EDP and a drum machine are rock solid synced this way and
this is my ultimate goal,but now using software only.
Jeff you are welcome to jump in on this one!
thanx
Luis





On Wed, Jan 26, 2011 at 5:33 PM, Per Boysen <perboysen@gmail.com> wrote:
> On Wed, Jan 26, 2011 at 4:52 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> what im very interested in also is how reliable is Mobius slaving
>> Ableton synced with something like LoopBE as Rainer mentioned.
>
> Not very reliable - if you mean that Ableton should sync as the slave
> to something (?) while running Mobius as a plug-in. Ableton is a
> stable host but when playing catch-up the amounts of calculations
> needed to be fulfilled on a very short deadline can easily increase
> too much for the given time window.
>
>
>> with all this software isnt there any simple drum sampler out there
>> that can sync reliably with mobius??
>
> Mobius can not be a plugin host so that needs the software drum
> sampler to follow MIDI Clock (sent out by Mobius). I would guess a lot
> of the software drum samplers can do that fine.
>
> Myself I've been using iDrum since 2004 both as MIDI Clock slave
> synced standalone application and as plugin under a host and wouldn't
> hesitate to recommend it for live work. It can keep its own song
> structure arrangement and switch between. iDrum is not a sampler
> though, it is a Sample Player. If you are serious about a software
> based drum sampler there is the new Geist from FxPansion. Native
> Instrument's sampler Kontakt 4 can also double up as a drum sampler
> (not sure you want both sampling and sequencing within the same drum
> software, but I guessed so when writing this answer).
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 18:31:37 2011
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Date: Wed, 26 Jan 2011 19:31:32 +0100
Message-ID: <AANLkTi=nTZ5wJ5XCGYmR6z54qcMQtp9RjuZOnTi4ueqT@mail.gmail.com>
Subject: Re: syncronizing rhythm software (mobius as master)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jan 26, 2011 at 6:58 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> ok,so you are saying IDrum could be slave synced to mobius master,and
> since mobius cannot be a host,therefore using something like LoopBE
> and this would be a stable setup,doing midi start stop,mute midi
> start,realign etc.even when changing speed in mobius ?

I have not tried all those actions and can't say it would be totally
stable that way when MIDI Clock synced. On a computer platform there
are lots of variables that affect stability, the particular
application you run is just one of them. For me it seems the CPU
headroom has always been the critical aspect and my guess is that
iDrum has proven more stable for me because of its low CPU
consumption.

Myself I never assume anything in software, it's simply not possible
to state that a certain combination of applications "is stable". What
I do is to try stuff out, then you know for sure if it works on your
particular hardware and OS. Most apps are available as demo versions
so you can really try out things before buying into them.

Per

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 18:31:41 2011
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Date: Wed, 26 Jan 2011 10:31:38 -0800
Message-ID: <AANLkTi=HFmhdMsyUN2EAX_=i4vu9XONa5DawDtCZ106p@mail.gmail.com>
Subject: Re: LP 2 Mini Looper Feature Set
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00032557a3422a5e09049ac40bd3
Content-Type: text/plain; charset=ISO-8859-1

According to the website:
http://www.looperlative.com/proddetail.php?prod=LP2

"The large capacities of the SDHC cards also allow the LP2 to offer 30
levels of undo and loop lengths up to 200 seconds."

I don't see anything that says how much loop memory is installed in the
device.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


>Paul Richards <paulrichard_rocks@yahoo.com> was all:
>So, then, basically, one creates one loop (with 8 being supported on the SD
card)?
>Is the length of the loop dictated by the size of the SD card? I don't
remember
>seeing the loop duration discussed.

--00032557a3422a5e09049ac40bd3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

According to the website: <br><a href=3D"http://www.looperlative.com/prodde=
tail.php?prod=3DLP2">http://www.looperlative.com/proddetail.php?prod=3DLP2<=
/a><br><br>&quot;The large capacities of the SDHC cards also allow the LP2 =
to offer 30 levels of undo and loop lengths up to 200 seconds.&quot;<br>
<br>I don&#39;t see anything that says how much loop memory is installed in=
 the device. <br><br>-- <br>Matt Davignon<br><a href=3D"mailto:mattdavignon=
@gmail.com">mattdavignon@gmail.com</a><br><a href=3D"http://www.ribosomemus=
ic.com">www.ribosomemusic.com</a><br>
Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt">www.youtube.com/=
user/ribosomematt</a><br><br><br>&gt;Paul Richards <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:paulrichard_rocks@yahoo.com">paulrichard_rocks@yahoo.com</a=
>&gt; was all:</span><br>
&gt;So, then, basically, one creates one loop (with 8 being supported on th=
e
 SD card)?<br>&gt;Is the length of the loop dictated by the size of the SD=
=20
card? I don&#39;t remember <br>&gt;seeing the loop duration discussed.<br><=
br>

--00032557a3422a5e09049ac40bd3--

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Date: Wed, 26 Jan 2011 18:55:26 +0000
Message-ID: <AANLkTik8SDk=jr=o4nybH01uqQ5NzZtDmAUp40XOv9pK@mail.gmail.com>
Subject: Re: syncronizing rhythm software (mobius as master)
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd401ac487100049ac46052
Content-Type: text/plain; charset=ISO-8859-1

just to jump in here quickly - i use mobius hosted in bidule and send clock
from mobius back to bidule via the iac bus (internal midi router for macs).
i have all my plugins and two beatboxes (reaktor ensembles) in my bidule
layout, synced to this clock (via the clock to sync bidule) and it's really
solid.

sim


On Wed, Jan 26, 2011 at 6:58 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > ok,so you are saying IDrum could be slave synced to mobius master,and
> > since mobius cannot be a host,therefore using something like LoopBE
> > and this would be a stable setup,doing midi start stop,mute midi
> > start,realign etc.even when changing speed in mobius ?
>
>

--000e0cd401ac487100049ac46052
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

just to jump in here quickly - i use mobius hosted in bidule and send clock=
 from mobius back to bidule via the iac bus (internal midi router for macs)=
. i have all my plugins and two beatboxes (reaktor ensembles) in my bidule =
layout, synced to this clock (via the clock to sync bidule) and it&#39;s re=
ally solid.<br>
<br>sim<br><br><div class=3D"gmail_quote"><br><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">On Wed, Jan 26, 2011 at 6:58 PM, Louie Angulo<=
br>

<div class=3D"im">&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.=
angulo@googlemail.com</a>&gt; wrote:<br>
</div><div class=3D"im">&gt; ok,so you are saying IDrum could be slave sync=
ed to mobius master,and<br>
&gt; since mobius cannot be a host,therefore using something like LoopBE<br=
>
&gt; and this would be a stable setup,doing midi start stop,mute midi<br>
&gt; start,realign etc.even when changing speed in mobius ?<br><br></div></=
blockquote></div>

--000e0cd401ac487100049ac46052--

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Subject: Re: syncronizing rhythm software (mobius as master)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Jan 26, 2011 at 7:55 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> just to jump in here quickly - i use mobius hosted in bidule and send clock
> from mobius back to bidule via the iac bus (internal midi router for macs).
> i have all my plugins and two beatboxes (reaktor ensembles) in my bidule
> layout, synced to this clock (via the clock to sync bidule) and it's really
> solid.

I too have found Bidule to be a very stable host (when synced to a
looper). Especially under Windows XP. Bidule has its own internal sync
system, maybe that's why?

per

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 20:24:50 2011
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Subject: Re: Re: Singing and Looping was OT: Double Bass Looping of Led Zeppelin
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On 7/22/64 11:59 AM, Louie Angulo wrote:
> i was the guitar player who was forced by my brother who plays bass to
> take the singer roll in our band because we could find one
> i said no way i cant sing and the he said, "dont give that shit you
> got no excuse,if Dylan and Lou Reed did it then you can too"
> thats the beauty of rock n roll;-)
> Luis
So ironic, because you have the most beautiful sonorous and sensual 
voice, Luis.
I absolutely love the quality of your voice.   Much as I love them,
Dylan and Lou Reed can't hold a candle to it.

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 20:25:33 2011
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On 7/22/64 11:59 AM, Louie Angulo wrote:
> so thats that make us machos for stereo...?
> who started this anyway?
It was that Scoots fella, apparently!

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 20:29:17 2011
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On 7/22/64 11:59 AM, Rainer Straschill wrote:
> In addition to being a feedback eliminator, these things (at least 
> those Behringer feedback things I know) can also work as parametric 
> EQs - which gives you (dependant on the exact model) 12 to 24 stereo 
> parametric EQs with a bandwidth down to 1/60 of an octave. And you can 
> control them via MIDI.
>
> So, in combination with e.g. a computer or a hardware sequencer (to 
> control the thing via MIDI), you got yourself a really powerful filter 
> bank.
>
> (This has actually been on the list of things to do with my Behringer 
> UltraCurve, which also offers this functionality, but which I had 
> gotten and used for live sound applications exclusively and now 
> somewhat retired).
>
>          Rainer 
Wow, Rainer,   I never thought of that................a rhythymic filter 
bank.   I actually have a very hip
Gig FX Chopper pedal which sends Midi commands with it's square or sine 
wave tremelo or stereo panning
functionality.  I"ve got to go try this out.    Also, Hans Lindauer's  
brilliant 'Missing Link" (OSC - Midi wireless converter)
might be used to send a iPhone App sequencer to it, as well.   Cool!
Thanks a lot, buddy!

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 20:42:09 2011
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Subject: Re: LoopGrass
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thread-topic: LoopGrass
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> It wasn't me, but I am doing that.
> I'm using an RC-20 and a Digitech Jamman--I brought my EDP in to the gig t=
his week, but it's more setup than I want to do for the money I'm making 8(
> I'm in San Diego 8)
>=20

Cool Gary, what instruments? I have a crazy live setup rig, sixteen string i=
nstruments and jeys and percussion. But that makes me kinda like the 900 pou=
nd guy who cant get out of the house.=20

I eventually would love to use the rig to do solo and build multi instrument=
 tracks backing songs, getting there soon I hope.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 24, 2011, at 7:07 PM, Gary Lehmann <gnarlyheman@gmail.com> wrote:
>=20
>=20
> Andy of the O's
>=20

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Subject: Re: LoopGrass
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Andy that's neat, I've heard that about Steve.  Friend at MB used to echo
that to me loudly.  Wonderful you got to tour Japan, I'd like to do that on=
e
day though goals have shifted a bit as years have gone by.

Sounds like you are soaking of much goodness here from the loopedness and
that's grand, it's a good place.

I can join you in pretty weird fiddle sounds, it's a haunt for me that call=
s
and challenges.

There was a young lady from Germany who looped on banjo at Y2K this last
October, she actually did this bowed banjo thing, was neat.

as they say keep pickin' but you don't have to grin! (sort of like don't
inhale...)

Jim

On Wed, Jan 26, 2011 at 3:41 PM, Andy Owens <andy@1800dialword.com> wrote:

> Thanks Jim, yes I have known Steve Kaufman for a long time. We did a Japa=
n
> tour together, co-billed, it was a blast. Taught Kaufman Kamp two years a=
go
> and hope to be back in 2012.  He is a great guy and an uncredible bizness
> person, genius.
>
> Havent really gotten too far with Bluegrass looping, but now that I'm hap=
py
> with my rig and all my instrument sounds, its next.
>
> Cant compete with yall on making weird sounds but I would bet I'm a bette=
r
> banjo picker than most loopers!!! Oh wait on fiddle I can make some very
> weird sounds!!!
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 24, 2011, at 11:51 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrote=
:
>
> Looping bluegrass, sounds like something John McCuen or Sam Bush would be
> in to Andy, actually the thought sounds rather cool.  Noticed you are
> teaching or have at Steve Kaufman's camp.  I got to know Steve a little b=
it
> when I first came in to the Mel Bay family.  Don't think he would remembe=
r
> me now but he gave me some good input several years ago.  Feels you will
> bring an interesting mix into the community Andy, welcome...
>
> Jim
>
> On Mon, Jan 24, 2011 at 7:07 PM, Gary Lehmann < <gnarlyheman@gmail.com>
> gnarlyheman@gmail.com> wrote:
>
>> It wasn't me, but I am doing that.
>> I'm using an RC-20 and a Digitech Jamman--I brought my EDP in to the gig
>> this week, but it's more setup than I want to do for the money I'm makin=
g 8(
>> I'm in San Diego 8)
>>
>>
>> On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens < <andy@1800dialword.com>
>> andy@1800dialword.com> wrote:
>>
>>> Howdy folks
>>>
>>> A few years ago I met somebody on here who was looping Bluegrass and
>>> Oldtime and he had a computer based loop program. He was in northern
>>> Californee, anybody remember who that is?
>>>
>>> Andy of the O's
>>>
>>
>>
>
>
> --
> *From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodi=
n
> & Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> <http://jimgoodinpeterthorn.bandcamp.com>jimgoodinpeterthorn.bandcamp.com=
.
>
> <http://woodandwiremusic.wordpress.com>woodandwiremusic.wordpress.com
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

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Andy that&#39;s neat, I&#39;ve heard that about Steve.=A0 Friend at MB used=
 to echo that to me loudly.=A0 Wonderful you got to tour Japan, I&#39;d lik=
e to do that one day though goals have shifted a bit as years have gone by.=
<br>
<br>Sounds like you are soaking of much goodness here from the loopedness a=
nd that&#39;s grand, it&#39;s a good place.<br><br>I can join you in pretty=
 weird fiddle sounds, it&#39;s a haunt for me that calls and challenges.<br=
>
<br>There was a young lady from Germany who looped on banjo at Y2K this las=
t October, she actually did this bowed banjo thing, was neat.<br><br>as the=
y say keep pickin&#39; but you don&#39;t have to grin! (sort of like don&#3=
9;t inhale...)<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Wed, Jan 26, 2011 at 3:41 PM, =
Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com">a=
ndy@1800dialword.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_qu=
ote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204); padding-left: 1ex;">
<div bgcolor=3D"#FFFFFF"><div>Thanks Jim, yes I have known Steve Kaufman fo=
r a long time. We did a Japan tour together, co-billed, it was a blast. Tau=
ght Kaufman Kamp two years ago and hope to be back in 2012. =A0He is a grea=
t guy and an uncredible bizness person, genius.=A0</div>
<div><br></div><div>Havent really gotten too far with Bluegrass looping, bu=
t now that I&#39;m happy with my rig and all my instrument sounds, its next=
.=A0</div><div><br></div><div>Cant compete with yall on making weird sounds=
 but I would bet I&#39;m a better banjo picker than most loopers!!! Oh wait=
 on fiddle I can make some very weird sounds!!!</div>
<div><br><font color=3D"#888888">Andy Owens<div>1-800-AndyOwens</div><div>S=
ent from my iPhone<div>So the typing might not be my best!</div><div><br></=
div></div></font></div><div><div></div><div class=3D"h5"><div><br>On Jan 24=
, 2011, at 11:51 PM, Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.=
com" target=3D"_blank">jimgoodinmusic@gmail.com</a>&gt; wrote:<br>
<br></div><div></div><blockquote type=3D"cite"><div>Looping bluegrass, soun=
ds like something John McCuen or Sam Bush would be in to Andy, actually the=
 thought sounds rather cool. =A0Noticed you are teaching or have at Steve K=
aufman&#39;s camp. =A0I got to know Steve a little bit when I first came in=
 to the Mel Bay family. =A0Don&#39;t think he would remember me now but he =
gave me some good input several years ago. =A0Feels you will bring an inter=
esting mix into the community Andy, welcome...<div>

<br></div><div>Jim<br><br><div class=3D"gmail_quote">On Mon, Jan 24, 2011 a=
t 7:07 PM, Gary Lehmann <span dir=3D"ltr">&lt;<a href=3D"mailto:gnarlyheman=
@gmail.com" target=3D"_blank"></a><a href=3D"mailto:gnarlyheman@gmail.com" =
target=3D"_blank">gnarlyheman@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
It wasn&#39;t me, but I am doing that.<br>I&#39;m using an RC-20 and a Digi=
tech Jamman--I brought my EDP in to the gig this week, but it&#39;s more se=
tup than I want to do for the money I&#39;m making 8(<br>I&#39;m in San Die=
go 8)<div>

<div></div><div><br>
<br><div class=3D"gmail_quote">On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens =
<span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com" target=3D"_b=
lank"></a><a href=3D"mailto:andy@1800dialword.com" target=3D"_blank">andy@1=
800dialword.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

Howdy folks<br>
<br>
A few years ago I met somebody on here who was looping Bluegrass and Oldtim=
e and he had a computer based loop program. He was in northern Californee, =
anybody remember who that is?<br>
<br>
Andy of the O&#39;s<br>
</blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Bro=
oklyn To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; =
Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF In=
ternational.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank"></a><a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=
=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>

<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank"></a=
><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woodan=
dwiremusic.wordpress.com</a><br>
</div>
</div></blockquote></div></div></div></blockquote></div><br><br clear=3D"al=
l"><br>-- <br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recor=
ding by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of thi=
s CD will benefit JDRF International.=A0 <a href=3D"http://jimgoodinpeterth=
orn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<b=
r>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--001636c5b43c1de997049ac5f47e--

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 20:52:08 2011
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On 7/22/64 11:59 AM, Per Boysen wrote:
> Not really, since RMX's random variation system - called "Chaos" - is
> hard to beat.
Hi,  as a life long rhythmatist, drummer and percussionist,  I feel 
compelled to weigh in on
this discussion.   Please forgive me as it's just my opinion; just my 
personal aesthetic here, but here goes:

I can't stand drum machine programs that have random variations in 
them.   To me,
they do not feel realistic in the slightest because they are not how 
drummers really think.

Not always, but a lot of times, what people desire in a real flesh and 
blood drummer is someone who is
committed to grooving,  able to perform very consistently and who will 
move the groove
at appropriate times.      I tell my drum students (and I reveal myself 
as a formalist) that
in pop situations, that one usually doesn't want to fill except at a 
minimum ratio of
1 - 16.      Drummers who are forever morphing their beats get fired a 
lot or at least tend not
to get hired.   The reason for this and one of the reasons why we can 
use static loops in lots of different
musics, is that it creates a trance to play the same thing over and over 
with a modicum of
technique and then we , deliciously, break that trance, causing tension, 
in order to return to the
groove which causes rhythmic pleasure.

The reason grooves that have randomization built into them tend not to 
emulate this quality of a
really good grooving drummer.
It's funny, and I'll probably get myself into hot water here, but I find 
it is usually keyboardists, guitarists
and single line players who favor programs like these and Not 
drummers/percussionists and bass players
(the people who, traditionally are assigned the task of holding down the 
'bottom' of a good grooving band)
and to me it always sounds unrealistic to me when I hear then used live.

Randomness, or the constraint, thereof can be used effectively in 
programming.  I do it all the time in my own
drum machine programming, but I think it should be used subtley (a good 
example is putting a fair amount of
attention to your hi hat patterns, as opposed to your filling patterns).

My advice to people is to use the static quality of drum machines to 
your advantage:   take the time to study
a really good groove drummer on a couple of records you really enjoy and 
see if you can program a 'song'
along the lines that this particular drummer uses (how frequently does 
he/she fill?;  do the fills have anything
to do with the rhythmic structure of the song?;  do the fills have any 
rhythmic relationship to each other?).

Another cool thing about human beings and patterning is that if we put 
30% 'Real' into a program most people
will read it as real.   In other words,  you can take the same kick and 
snare pattern and use it identically, but
program 6-10 hi hat patterns that have very small changes in their 
programming.  For example,  use
16th notes and program the slightest changes into volume, cutoff 
frequency and timing (if your machine will allow
such subtley) and then mix and match these patterns with the 'groove' of 
the kick and snare (and toms?) that is
static.    It will 'read' better.

Another cool trick is to take the linear rhythm of your groove and then 
program a fill that plays that rhythm exactly, but changes
the instruments that you use normally to play it........say toms for 
kicks or snares........These 'groove' fills
will propel the song along and you'd be surprised at how different they 
will sound or feel while still, well,  grooving!

Of course, there are lots of musics that are not intended to 
'groove'............jazzy,  etc.
But I think even in those forms, the great drummers had a since of form 
all the time and were not just
randomly changing what they play,  any more than a great melodic soloist 
randomly changes what they play.

Music is about listening and responding.........or about creating 
something and then , after the fact, responding
with other parts (we are loopers, after all so we are responding to 
ourselves).
Why shouldn't drum parts have the same kind of interactive quality, or 
at least emulate it the best we can
when we are forced to use pre programmed patterns.

My two cents.

rick walker

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 21:02:14 2011
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On 7/22/64 11:59 AM, Butch Band wrote:
> Thank you for your sarcastic response but if I purchase an automobile, 
> I normally don't need to check for basic features like an accelerator 
> pedal or windows.
Gosh, Butch,

I didn't read Andy's response as sarcastic at all.

This pedal has an awesome set of features for the price.  Just compare 
it to ANYTHING in it's price range,
but at $300,  it doesn't do everything for everybody.  It couldn't possibly.

I think what Andy was getting at, is that it has the features it has and 
if it doesn't have the features you want,
then you may need to go looking for a different product.

It Is what it Is and , if I'm not mistaken,  that's all Andy was saying.

yours,  respectfully,

Rick

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 21:14:05 2011
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For three hundred dollars, to have something with this many features and hand made, is amazing. The fact that you can speak directly to the creator-second to none. If it did half of the the functions indicated, it would still be a bargain. 


-----Original Message-----
>From: Rick Walker <looppool@cruzio.com>
>Sent: Jan 26, 2011 2:02 PM
>To: Butch Band <butchband@gmail.com>
>Cc: Loopers-Delight@loopers-delight.com
>Subject: Re: Re: LP 2 Mini Looper Feature Set
>
>On 7/22/64 11:59 AM, Butch Band wrote:
>> Thank you for your sarcastic response but if I purchase an automobile, 
>> I normally don't need to check for basic features like an accelerator 
>> pedal or windows.
>Gosh, Butch,
>
>I didn't read Andy's response as sarcastic at all.
>
>This pedal has an awesome set of features for the price.  Just compare 
>it to ANYTHING in it's price range,
>but at $300,  it doesn't do everything for everybody.  It couldn't possibly.
>
>I think what Andy was getting at, is that it has the features it has and 
>if it doesn't have the features you want,
>then you may need to go looking for a different product.
>
>It Is what it Is and , if I'm not mistaken,  that's all Andy was saying.
>
>yours,  respectfully,
>
>Rick
>

From Loopers-Delight-request@loopers-delight.com  Wed Jan 26 21:19:47 2011
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> On 7/22/64 11:59 AM, Butch Band wrote:
>> Thank you for your sarcastic response but if I purchase an automobile, 
>> I normally don't need to check for basic features like an accelerator 
>> pedal or windows.

hey Butch, no sarcasm intended, just the facts.

I'm interested that you consider Next loop to be a basic function
you'd expect on any looper.


Would you care to elucidate?



thanks

andy

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Subject: Re: Re: rhythm sequencers software
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> On 7/22/64 11:59 AM, Per Boysen wrote:
>>
>> Not really, since RMX's random variation system - called "Chaos" - is
>> hard to beat.

On Wed, Jan 26, 2011 at 9:52 PM, Rick Walker <looppool@cruzio.com> wrote:
> Hi, =C2=A0as a life long rhythmatist, drummer and percussionist, =C2=A0I =
feel
> compelled to weigh in on
> this discussion. =C2=A0 Please forgive me as it's just my opinion; just m=
y
> personal aesthetic here, but here goes:
>
> I can't stand drum machine programs that have random variations in them.
> To me,
> they do not feel realistic in the slightest because they are not how
> drummers really think.



Excuse me, but I don't think I used the phrase "realistic" anywhere
;-)   IMHO the point in utilizing random variations for electronics is
not to make it sound as if a drummer is playing - that would just be
too lame and usually sounds lame too! The point in using algorithmic
randomization of audio is to make it sound interesting as algorithmic
randomization of audio! To be clear, what I said is that I think RMX
has excellent randomization algorithms and therefore is hard to beat -
in THAT field.

Rick, I totally agree with your quote above and I do find the rest of
your post highly interesting, as usual!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Wed, 26 Jan 2011 23:30:11 +0100
Message-ID: <AANLkTinr9hcKTNowZV8_D4P6dMgW8SrLvhcEKKXoQtHc@mail.gmail.com>
Subject: Re: Re: rhythm sequencers software
From: Louie Angulo <louie.angulo@googlemail.com>
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Im with you Rick,i love hypnotic grooves,(maybe thats what i liked so
much about Led Zeppelin)
what i m personally shooting for however is a static groove that
slowly builds up and gets intense as the loops also evolve.For example
a groove that starts  with no hi hats or cymbals and slowly starts
buliding up with other layered sounds in a very subtle way.
But also what really atracted me from the Stylus RMX more than
randomization is the tiem designer feature change of time signatures
and variations from audio loop grooves.
Even cooler is the realtime "simplify" function!

Watch this video:
http://www.youtube.com/watch?v=3DtR109PRx46w

i wonder how this would work with static 4/4 loops from the
EDP,perhaps using the Stylus as master...wow!
but too bad as Per mentioned that is probably too CPU heavy;-(
Luis


On Wed, Jan 26, 2011 at 9:52 PM, Rick Walker <looppool@cruzio.com> wrote:
> On 7/22/64 11:59 AM, Per Boysen wrote:
>>
>> Not really, since RMX's random variation system - called "Chaos" - is
>> hard to beat.
>
> Hi, =A0as a life long rhythmatist, drummer and percussionist, =A0I feel
> compelled to weigh in on
> this discussion. =A0 Please forgive me as it's just my opinion; just my
> personal aesthetic here, but here goes:
>
> I can't stand drum machine programs that have random variations in them.
> To me,
> they do not feel realistic in the slightest because they are not how
> drummers really think.
>
> Not always, but a lot of times, what people desire in a real flesh and bl=
ood
> drummer is someone who is
> committed to grooving, =A0able to perform very consistently and who will =
move
> the groove
> at appropriate times. =A0 =A0 =A0I tell my drum students (and I reveal my=
self as a
> formalist) that
> in pop situations, that one usually doesn't want to fill except at a mini=
mum
> ratio of
> 1 - 16. =A0 =A0 =A0Drummers who are forever morphing their beats get fire=
d a lot
> or at least tend not
> to get hired. =A0 The reason for this and one of the reasons why we can u=
se
> static loops in lots of different
> musics, is that it creates a trance to play the same thing over and over
> with a modicum of
> technique and then we , deliciously, break that trance, causing tension, =
in
> order to return to the
> groove which causes rhythmic pleasure.
>
> The reason grooves that have randomization built into them tend not to
> emulate this quality of a
> really good grooving drummer.
> It's funny, and I'll probably get myself into hot water here, but I find =
it
> is usually keyboardists, guitarists
> and single line players who favor programs like these and Not
> drummers/percussionists and bass players
> (the people who, traditionally are assigned the task of holding down the
> 'bottom' of a good grooving band)
> and to me it always sounds unrealistic to me when I hear then used live.
>
> Randomness, or the constraint, thereof can be used effectively in
> programming. =A0I do it all the time in my own
> drum machine programming, but I think it should be used subtley (a good
> example is putting a fair amount of
> attention to your hi hat patterns, as opposed to your filling patterns).
>
> My advice to people is to use the static quality of drum machines to your
> advantage: =A0 take the time to study
> a really good groove drummer on a couple of records you really enjoy and =
see
> if you can program a 'song'
> along the lines that this particular drummer uses (how frequently does
> he/she fill?; =A0do the fills have anything
> to do with the rhythmic structure of the song?; =A0do the fills have any
> rhythmic relationship to each other?).
>
> Another cool thing about human beings and patterning is that if we put 30=
%
> 'Real' into a program most people
> will read it as real. =A0 In other words, =A0you can take the same kick a=
nd
> snare pattern and use it identically, but
> program 6-10 hi hat patterns that have very small changes in their
> programming. =A0For example, =A0use
> 16th notes and program the slightest changes into volume, cutoff frequenc=
y
> and timing (if your machine will allow
> such subtley) and then mix and match these patterns with the 'groove' of =
the
> kick and snare (and toms?) that is
> static. =A0 =A0It will 'read' better.
>
> Another cool trick is to take the linear rhythm of your groove and then
> program a fill that plays that rhythm exactly, but changes
> the instruments that you use normally to play it........say toms for kick=
s
> or snares........These 'groove' fills
> will propel the song along and you'd be surprised at how different they w=
ill
> sound or feel while still, well, =A0grooving!
>
> Of course, there are lots of musics that are not intended to
> 'groove'............jazzy, =A0etc.
> But I think even in those forms, the great drummers had a since of form a=
ll
> the time and were not just
> randomly changing what they play, =A0any more than a great melodic solois=
t
> randomly changes what they play.
>
> Music is about listening and responding.........or about creating somethi=
ng
> and then , after the fact, responding
> with other parts (we are loopers, after all so we are responding to
> ourselves).
> Why shouldn't drum parts have the same kind of interactive quality, or at
> least emulate it the best we can
> when we are forced to use pre programmed patterns.
>
> My two cents.
>
> rick walker
>
>

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Subject: Re: rhythm sequencers software - and drum programming in general
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Am 26.01.2011 21:52, schrieb Rick Walker:
> will read it as real.   In other words,  you can take the same kick 
> and snare pattern and use it identically, but
> program 6-10 hi hat patterns that have very small changes in their 
> programming.  For example,  use
> 16th notes and program the slightest changes into volume, cutoff 
> frequency and timing (if your machine will allow
> such subtley) and then mix and match these patterns with the 'groove' 
> of the kick and snare (and toms?)
A story that is on the same line is that (The Police Drummer) Stewart 
Copeland spent a lot of the post-Police time doing highly-paid studio 
jobs where he would record hihat parts against the repetitive accuracy 
of the drums of a Linndrum.
Of course, it also works if you just slightly change the drums (more 
specifically: the snare): a much-used approach in Drum'n'Bass/IDM is to 
also use a steady, programmed groove (with all the individual samples 
sampled from a boutique jazz or funk record), but while using the very 
same hihat and bassdrum sample all the time, using a great variety of 
different snare drum samples from throughout the song/album.

my .01 ;)

                 Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: syncronizing rhythm software (mobius as master)
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Jan 26, 2011 at 7:55 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> just to jump in here quickly - i use mobius hosted in bidule and send clock
> from mobius back to bidule via the iac bus (internal midi router for macs).
> i have all my plugins and two beatboxes (reaktor ensembles) in my bidule
> layout, synced to this clock (via the clock to sync bidule) and it's really
> solid.

That's how I have used Bidule for 2 years...rock solid.

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: syncronizing rhythm software (mobius as master)
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Just out of curiosity is this on pc, mac or both?


On Jan 26, 2011, at 5:54 PM, Sjaak Overgaauw wrote:

> On Wed, Jan 26, 2011 at 7:55 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> just to jump in here quickly - i use mobius hosted in bidule and send =
clock
>> from mobius back to bidule via the iac bus (internal midi router for =
macs).
>> i have all my plugins and two beatboxes (reaktor ensembles) in my =
bidule
>> layout, synced to this clock (via the clock to sync bidule) and it's =
really
>> solid.
>=20
> That's how I have used Bidule for 2 years...rock solid.
>=20
> --=20
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>=20

Todd Matthews




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How can you have next loop if'n you only got one loop?=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 26, 2011, at 4:19 PM, "andy butler" <akbutler@tiscali.co.uk> wrote:

>> On 7/22/64 11:59 AM, Butch Band wrote:
>>> Thank you for your sarcastic response but if I purchase an automobile, I=
 normally don't need to check for basic features like an accelerator pedal o=
r windows.
>=20
> hey Butch, no sarcasm intended, just the facts.
>=20
> I'm interested that you consider Next loop to be a basic function
> you'd expect on any looper.
>=20
>=20
> Would you care to elucidate?
>=20
>=20
>=20
> thanks
>=20
> andy
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 00:19:22 2011
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Subject: Re: syncronizing rhythm software (mobius as master)
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On Thu, Jan 27, 2011 at 12:34 AM, Todd Matthews <gtmatthews@gmail.com> wrote:
>> That's how I have used Bidule for 2 years...rock solid.
> Just out of curiosity is this on pc, mac or both?

Hi Todd,
This is on Mac
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 00:33:32 2011
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Subject: Re: syncronizing rhythm software (mobius as master)
From: Louie Angulo <louie.angulo@googlemail.com>
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sounds all good though i wish there were some tutorial videos of this
or performances with both pushing all the sync midi functions of
mobius...
i really want to see how steady it is synced to grooves,i understand
ambient stuff with no rhythm is no problem
Luis

On Wed, Jan 26, 2011 at 11:54 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Wed, Jan 26, 2011 at 7:55 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> just to jump in here quickly - i use mobius hosted in bidule and send clock
>> from mobius back to bidule via the iac bus (internal midi router for macs).
>> i have all my plugins and two beatboxes (reaktor ensembles) in my bidule
>> layout, synced to this clock (via the clock to sync bidule) and it's really
>> solid.
>
> That's how I have used Bidule for 2 years...rock solid.
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 01:04:44 2011
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Date: Wed, 26 Jan 2011 17:04:40 -0800 (PST)
From: Elmer Fuddski <jakebrakesrule@yahoo.com>
Subject: Re: LP 2 Mini Looper Feature Set
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Well.....for all you "beep and boop" loopers, that one loop might be the cat's meow but sometimes I like to do some country & western stuff when I'm not on the road so I'd like to play chorus & verse stuff. 

--- On Wed, 1/26/11, Andy Owens <andy@1800dialword.com> wrote:


From: Andy Owens <andy@1800dialword.com>
Subject: Re: LP 2 Mini Looper Feature Set
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, January 26, 2011, 4:18 PM


How can you have next loop if'n you only got one loop? 

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 26, 2011, at 4:19 PM, "andy butler" <akbutler@tiscali.co.uk> wrote:

>> On 7/22/64 11:59 AM, Butch Band wrote:
>>> Thank you for your sarcastic response but if I purchase an automobile, I normally don't need to check for basic features like an accelerator pedal or windows.
> 
> hey Butch, no sarcasm intended, just the facts.
> 
> I'm interested that you consider Next loop to be a basic function
> you'd expect on any looper.
> 
> 
> Would you care to elucidate?
> 
> 
> 
> thanks
> 
> andy
> 




      
--0-515879844-1296090280=:33058
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Well.....for all you "beep and boop" loopers, that one loop might be the cat's meow but sometimes I like to do some country &amp; western stuff when I'm not on the road so I'd like to play chorus &amp; verse stuff. <BR><BR>--- On <B>Wed, 1/26/11, Andy Owens <I>&lt;andy@1800dialword.com&gt;</I></B> wrote:<BR>
<BLOCKQUOTE style="BORDER-LEFT: rgb(16,16,255) 2px solid; PADDING-LEFT: 5px; MARGIN-LEFT: 5px"><BR>From: Andy Owens &lt;andy@1800dialword.com&gt;<BR>Subject: Re: LP 2 Mini Looper Feature Set<BR>To: Loopers-Delight@loopers-delight.com<BR>Date: Wednesday, January 26, 2011, 4:18 PM<BR><BR>
<DIV class=plainMail>How can you have next loop if'n you only got one loop? <BR><BR>Andy Owens<BR>1-800-AndyOwens<BR>Sent from my iPhone<BR>So the typing might not be my best!<BR><BR><BR>On Jan 26, 2011, at 4:19 PM, "andy butler" &lt;<A href="http://us.mc384.mail.yahoo.com/mc/compose?to=akbutler@tiscali.co.uk" ymailto="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</A>&gt; wrote:<BR><BR>&gt;&gt; On 7/22/64 11:59 AM, Butch Band wrote:<BR>&gt;&gt;&gt; Thank you for your sarcastic response but if I purchase an automobile, I normally don't need to check for basic features like an accelerator pedal or windows.<BR>&gt; <BR>&gt; hey Butch, no sarcasm intended, just the facts.<BR>&gt; <BR>&gt; I'm interested that you consider Next loop to be a basic function<BR>&gt; you'd expect on any looper.<BR>&gt; <BR>&gt; <BR>&gt; Would you care to elucidate?<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; thanks<BR>&gt; <BR>&gt; andy<BR>&gt;
 <BR><BR></DIV></BLOCKQUOTE></td></tr></table><br>

      
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I will probably be im SD the first week of April, let me know if your playin=
g somewhere, I always have mando and or geetar if I am out on business.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 24, 2011, at 7:07 PM, Gary Lehmann <gnarlyheman@gmail.com> wrote:

> It wasn't me, but I am doing that.
> I'm using an RC-20 and a Digitech Jamman--I brought my EDP in to the gig t=
his week, but it's more setup than I want to do for the money I'm making 8(
> I'm in San Diego 8)
>=20
> On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens <andy@1800dialword.com> wrote:=

> Howdy folks
>=20
> A few years ago I met somebody on here who was looping Bluegrass and Oldti=
me and he had a computer based loop program. He was in northern Californee, a=
nybody remember who that is?
>=20
> Andy of the O's
>=20

--Apple-Mail-23--42950058
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<html><body bgcolor="#FFFFFF"><div>I will probably be im SD the first week of April, let me know if your playing somewhere, I always have mando and or geetar if I am out on business.&nbsp;<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 24, 2011, at 7:07 PM, Gary Lehmann &lt;<a href="mailto:gnarlyheman@gmail.com">gnarlyheman@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>It wasn't me, but I am doing that.<br>I'm using an RC-20 and a Digitech Jamman--I brought my EDP in to the gig this week, but it's more setup than I want to do for the money I'm making 8(<br>I'm in San Diego 8)<br>
<br><div class="gmail_quote">On Mon, Jan 24, 2011 at 5:14 AM, Andy Owens <span dir="ltr">&lt;<a href="mailto:andy@1800dialword.com"><a href="mailto:andy@1800dialword.com">andy@1800dialword.com</a></a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Howdy folks<br>
<br>
A few years ago I met somebody on here who was looping Bluegrass and Oldtime and he had a computer based loop program. He was in northern Californee, anybody remember who that is?<br>
<br>
Andy of the O's<br>
</blockquote></div><br>
</div></blockquote></body></html>
--Apple-Mail-23--42950058--

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Subject: Antwerp Loopfest March 5, 2011
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Hi all,
The Antwerp Loopfest for 2011 is scheduled for March 5. As last year,
it's an ambient-experimental-soundscape-drone loopfest with the
following line-up: Theo Travis, Aidan Baker, Yellow6, Simeon Harris,
Kunst4life and Premonition Factory. So, if you're living within a
reasonable distance, I can recommend this festival, not because I
organise it myself, but  because we have a great line-up, a very nice
theater with a good atmosphere, and an excellent sound. Other than
that, it's a nice opportunity to meet other loopers (also from LD) and
enjoy beautiful music. Hope  to see you on March 5!

For tickets and info, check out the website http://livelooping.be/

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Thu, 27 Jan 2011 02:56:44 +0100
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Subject: Re: Antwerp Loopfest March 5, 2011
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Ohh...I forget to tell we have a stereo PA ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 03:19:46 2011
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Did I miss this thread?  Sjaak, are you having another looping festival in 
Belgium?

----- Original Message ----- 

> Ohh...I forget to tell we have a stereo PA ;-)
>
> -- 
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 08:42:22 2011
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If I just wanted to record or amplify certain strings, like sending bass str=
ings on guitar into a Pog or other octaver for bass sounds, do these pickups=
 work that way or just for guitar synth?

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 26, 2011, at 9:54 AM, "Dean, Hal" <HDean@wcupa.edu> wrote:

> Kevin,
>=20
> I've been dreaming of the separate strings thing for years and have been i=
n regular contact with Richard McLish about his fanout. Last promise was a n=
ew batch in October 2010 - didn't happen, and I don't think it ever will. Me=
anwhile, I've been following Bill Baxendale's work and, although his web sit=
e is awful, his posts on guitar forums made it clear he really knows what he=
 is doing and that people who had his stuff liked it. So, I took the plunge a=
nd bought his breakout box.
>=20
> I have other projects from which I can't divert too much attention to this=
 right now, but I've started to fool with it for an hour at a time a few nig=
hts. It is really well made and works perfectly right out of the box. I have=
 a by now antique setup using a GI-10 and a variety of MIDI-equipped guitars=
; so far all I've tried with this is the PRS I bought from Kris H. and had G=
raphtech hex pickups installed on.
>=20
> Not wanting to dedicate my RME 800 to this, I  routed 4 strings into open i=
nputs on it and sent the other two into a Boss VF-1. =46rom there I've been e=
xperimenting in a most unscientific manner, just setting up templates in Cub=
ase and Reaper and adding effects to each input.  Given that the signal is w=
eak I've put Voxengo Boogex on each channel.  The recordings have low signal=
 level for each individual string but when you listen to them together it is=
 robust. I also did a bit of mangling each track independently, normalizing,=
 reversing, chopping and the like. The sound quality remained excellent.
>=20
> I'm sure there is a more sophisticated way to boost the signals, but I'm j=
ust learning Reaper and hadn't gotten there yet. I suspect Ableton Live will=
 eventually prove the best program for use with this setup.
>=20
> Then there is looping. I have a laptop dedicated to that (Mobius in Bidule=
), with a soundcard that does not have 6 inputs. I haven't gotten into Mobiu=
s 1.43. Sometime this spring I imagine I will devote some time to learning 1=
.43, taking advantage of some of the amazing script development that is happ=
ening, and do all that on the desktop that I have the RME 800 on.... at whic=
h point the 6 strings into Mobius would be a truly sick puppy.  I'll report o=
n all this from time to time.
>=20
> Bill Baxendale is a real craftsman and great engineer and provided fabulou=
s service. No, it is not cheap, but the breakout box is VERY cool.
>=20
> As for the Unfretted project, I too was intimidated by the skill level req=
uired to make it. I joined mfg.com with an eye towards "managing" production=
, perhaps soliciting interest from others on this list and elsewhere, but I n=
ever pursued it. You could consider taking that on.
>=20
> Hal=20
>=20
> -----Original Message-----
> From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]=20
> Sent: Monday, January 24, 2011 4:49 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: Building a Midi Breakout Box
>=20
> Yeah I've been in contact with him but he's quoting something like 60 poun=
ds in freight (almost $100 in shipping) so it winds up just a little bit und=
er the price of the RMC Fanout box.
>=20
> I'm thinking I'll be shelving this thought for a while.
>=20
> Kevin
>=20
> On Mon, Jan 24, 2011 at 1:06 PM, Gareth Whittock <buddhamachine@live.co.uk=
> wrote:
>> Have a look at this Kevin:
>>=20
>> http://billbax.110mb.com/
>>=20
>> G
>>=20
>>> Date: Mon, 24 Jan 2011 12:21:51 -0800
>>> Subject: OT: Building a Midi Breakout Box
>>> From: billowhead@gmail.com
>>> To: Loopers-Delight@loopers-delight.com
>>>=20
>>> Hello soldier fiends,
>>>=20
>>> Having looked into the basic Midi breakout boxes available for the VG=20=

>>> 8, etc, I realized, I don't have $400 to buy one of these. So looking=20=

>>> around I found this=20
>>> http://www.unfretted.com/loader.php?LINK=3D/profs/breakout
>>>=20
>>> Any of you technically inclined people have any advice on how to do=20
>>> this (for a basic novice who has soldered a thing or two but never=20
>>> built a functioning device)? I'm wondering a couple of things a), how=20=

>>> feasible is this b) about how much a home brew would cost c) anyone=20
>>> with the skills willing to build one (for a fee of course).
>>>=20
>>> I'm at the level where I'm not sure I could actually do anything with=20=

>>> these plans but I could probably put it together if I had the parts.
>>>=20
>>> Feel free to tell me I'm better off without the dream of processing=20
>>> six strings separately. I think I might be better off that way.
>>> Unless one of you out there......
>>>=20
>>> Kevin
>>>=20
>>> --
>>> Till now you seriously considered yourself to be the body and to have=20=

>>> a form. That is the primal ignorance which is the root cause of all trou=
ble.
>>>=20
>>> - Ramana Maharshi (1879-1950)
>>>=20
>>> Sound and Vision:  http://www.minds-eye.org Video=20
>>> http://www.vimeo.com/user877640/videos
>>>=20
>>=20
>=20
>=20
>=20
> --
> Till now you seriously considered yourself to be the body and to have a fo=
rm. That is the primal ignorance which is the root cause of all trouble.
>=20
> - Ramana Maharshi (1879-1950)
>=20
> Sound and Vision:  http://www.minds-eye.org Video http://www.vimeo.com/use=
r877640/videos
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 09:36:42 2011
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Subject: Re: syncronizing rhythm software (mobius as master)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jan 27, 2011 at 1:33 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> sounds all good though i wish there were some tutorial videos of this
> or performances with both pushing all the sync midi functions of
> mobius...
> i really want to see how steady it is synced to grooves,i understand
> ambient stuff with no rhythm is no problem
> Luis


(Just some spontaneous ideas:)

The most rock solid "sync" is to layer most audio into one loop. I
mean, avoiding parallel applications/plugins that constantly "play
catch-up" (the MIDI Clock blues).

Parallel loops:
Running Mobius as a slave master, i.e. not following sync, is pretty
tight since it will only have the internal track sync issue to deal
with. You can for example start a drum machine (or a drum loop, or a
live drumming buddy) and record a two bar loop of that in Mobius. Then
you turn off the source sound an hit Instant Multiply x3. You now have
six bars of drums in a repeating two bar pattern. Now use Substitute
to replace a short slice of the drumming close to the end of any bar;
just create an extra ghost hit or a minimal fill. Then you hit Instant
Multiply x3 a second time to double the length of the whole shebang
and use Substitute again to replace at a different place but now with
a slightly more aggressive fill. Voila! In seven seconds you have
created a twelve bar loop with fills that do not sound repetitive
(because they come up at different bars in the music, due to the
periods of 3 bars and 12 bars).

When using Substitute this way in Mobius you may also use Secondary
Feedback to control how much of the old layers will be substituted. I
personally like "Secondary Feedback = 64" to create a pocket in the
mix for Substitute added fills etc.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 09:43:47 2011
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Subject: a couple of new Darkroom vids
From: Simeon Harris <simeonharris40@googlemail.com>
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--001636aa2b8c26c8e6049ad0c95f
Content-Type: text/plain; charset=ISO-8859-1

i know Os isn't one to promote himself unduly, but there's no reason not to
show these on here. two new vids from Darkroom (Os and Michael Bearpark)

a piece recorded and videoed in one day - http://vimeo.com/16620132

and the making of - http://vimeo.com/16760728

sim

--001636aa2b8c26c8e6049ad0c95f
Content-Type: text/html; charset=ISO-8859-1
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i know Os isn&#39;t one to promote himself unduly, but there&#39;s no reaso=
n not to show these on here. two new vids from Darkroom (Os and Michael Bea=
rpark)<br><br>a piece recorded and videoed in one day - <a href=3D"http://v=
imeo.com/16620132">http://vimeo.com/16620132</a><br>
<br>and the making of - <a href=3D"http://vimeo.com/16760728">http://vimeo.=
com/16760728</a><br><br>sim<br>

--001636aa2b8c26c8e6049ad0c95f--

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Date: Thu, 27 Jan 2011 10:07:52 +0000
From: andy butler <akbutler@tiscali.co.uk>
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Elmer Fuddski wrote:
> Well.....for all you "beep and boop" loopers, that one loop might be the 
> cat's meow but sometimes I like to do some country & western stuff when 
> I'm not on the road so I'd like to play chorus & verse stuff.

wabbits beware!

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Subject: Re: a couple of new Darkroom vids
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Thanks for hinting, Simeon! What lovely modular live sequencing! I
like this new direction of Darkroom. Great filming too. Makes me want
to follow Os' path "listening to huge amounts of jazz" giving me "a
higher tolerance for strangeness in my own music"  ;-)

Per Boysen



On Thu, Jan 27, 2011 at 10:43 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i know Os isn't one to promote himself unduly, but there's no reason not to
> show these on here. two new vids from Darkroom (Os and Michael Bearpark)
>
> a piece recorded and videoed in one day - http://vimeo.com/16620132
>
> and the making of - http://vimeo.com/16760728
>
> sim
>

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 10:11:10 2011
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--0016363b919618c766049ad12b06
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lol!

perhaps i should listen to more pop, in the hope that it'll give me a higher
tolerance for blandness in my own music...!


On Thu, Jan 27, 2011 at 10:09 AM, Per Boysen <perboysen@gmail.com> wrote:

> Thanks for hinting, Simeon! What lovely modular live sequencing! I
> like this new direction of Darkroom. Great filming too. Makes me want
> to follow Os' path "listening to huge amounts of jazz" giving me "a
> higher tolerance for strangeness in my own music"  ;-)
>
> Per Boysen
>
>
>
> On Thu, Jan 27, 2011 at 10:43 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > i know Os isn't one to promote himself unduly, but there's no reason not
> to
> > show these on here. two new vids from Darkroom (Os and Michael Bearpark)
> >
> > a piece recorded and videoed in one day - http://vimeo.com/16620132
> >
> > and the making of - http://vimeo.com/16760728
> >
> > sim
> >
>
>

--0016363b919618c766049ad12b06
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

lol!<br><br>perhaps i should listen to more pop, in the hope that it&#39;ll=
 give me a higher tolerance for blandness in my own music...!<br><br><br><d=
iv class=3D"gmail_quote">On Thu, Jan 27, 2011 at 10:09 AM, Per Boysen <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Thanks for hintin=
g, Simeon! What lovely modular live sequencing! I<br>
like this new direction of Darkroom. Great filming too. Makes me want<br>
to follow Os&#39; path &quot;listening to huge amounts of jazz&quot; giving=
 me &quot;a<br>
higher tolerance for strangeness in my own music&quot; =A0;-)<br>
<font color=3D"#888888"><br>
Per Boysen<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
<br>
On Thu, Jan 27, 2011 at 10:43 AM, Simeon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; i know Os isn&#39;t one to promote himself unduly, but there&#39;s no =
reason not to<br>
&gt; show these on here. two new vids from Darkroom (Os and Michael Bearpar=
k)<br>
&gt;<br>
&gt; a piece recorded and videoed in one day - <a href=3D"http://vimeo.com/=
16620132" target=3D"_blank">http://vimeo.com/16620132</a><br>
&gt;<br>
&gt; and the making of - <a href=3D"http://vimeo.com/16760728" target=3D"_b=
lank">http://vimeo.com/16760728</a><br>
&gt;<br>
&gt; sim<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--0016363b919618c766049ad12b06--

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Date: Thu, 27 Jan 2011 11:21:37 +0100
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On Thu, Jan 27, 2011 at 11:07 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> wabbits beware!

Sorry for intervening but what is a wabbit?
Sounds like "rabbit" uttered through a mouth full of carrot - but I
bet that is not correct. My dictionary doesn't cover it.

Per

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--001485f773b06a3862049ad16534
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lol!

http://www.youtube.com/watch?v=Yxiv3CBMS4M



On Thu, Jan 27, 2011 at 10:21 AM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Jan 27, 2011 at 11:07 AM, andy butler <akbutler@tiscali.co.uk>
> wrote:
> > wabbits beware!
>
> Sorry for intervening but what is a wabbit?
> Sounds like "rabbit" uttered through a mouth full of carrot - but I
> bet that is not correct. My dictionary doesn't cover it.
>
> Per
>
>

--001485f773b06a3862049ad16534
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lol!<br><br><a href=3D"http://www.youtube.com/watch?v=3DYxiv3CBMS4M">http:/=
/www.youtube.com/watch?v=3DYxiv3CBMS4M</a><br><br><br><br><div class=3D"gma=
il_quote">On Thu, Jan 27, 2011 at 10:21 AM, Per Boysen <span dir=3D"ltr">&l=
t;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span>=
 wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">On Thu, Jan 27, 2=
011 at 11:07 AM, andy butler &lt;<a href=3D"mailto:akbutler@tiscali.co.uk">=
akbutler@tiscali.co.uk</a>&gt; wrote:<br>

&gt; wabbits beware!<br>
<br>
Sorry for intervening but what is a wabbit?<br>
Sounds like &quot;rabbit&quot; uttered through a mouth full of carrot - but=
 I<br>
bet that is not correct. My dictionary doesn&#39;t cover it.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--001485f773b06a3862049ad16534--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: a couple of new Darkroom vids
Date: Thu, 27 Jan 2011 10:45:23 +0000
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This is wonderful stuff - very impressed. Enjoyed the spaces.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 27 Jan 2011, at 10:09, Per Boysen wrote:

> Thanks for hinting, Simeon! What lovely modular live sequencing! I
> like this new direction of Darkroom. Great filming too. Makes me want
> to follow Os' path "listening to huge amounts of jazz" giving me "a
> higher tolerance for strangeness in my own music"  ;-)
>
> Per Boysen
>
>
>
> On Thu, Jan 27, 2011 at 10:43 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> i know Os isn't one to promote himself unduly, but there's no  
>> reason not to
>> show these on here. two new vids from Darkroom (Os and Michael  
>> Bearpark)
>>
>> a piece recorded and videoed in one day - http://vimeo.com/16620132
>>
>> and the making of - http://vimeo.com/16760728
>>
>> sim
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
This is wonderful stuff - very impressed. Enjoyed the =
spaces.<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 27 Jan 2011, =
at 10:09, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Thanks for hinting, Simeon! What lovely modular live =
sequencing! I</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">like this new direction of =
Darkroom. Great filming too. Makes me want</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">to =
follow Os' path "listening to huge amounts of jazz" giving me =
"a</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">higher tolerance for strangeness in my own =
music"<span class=3D"Apple-converted-space">&nbsp; </span>;-)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Thu, Jan =
27, 2011 at 10:43 AM, Simeon Harris</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">&lt;<a =
href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.co=
m</a>&gt; wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">i know =
Os isn't one to promote himself unduly, but there's no reason not =
to</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">show these on here. two new vids from Darkroom =
(Os and Michael Bearpark)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">a piece recorded and videoed in =
one day - <a =
href=3D"http://vimeo.com/16620132">http://vimeo.com/16620132</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">and the =
making of - <a =
href=3D"http://vimeo.com/16760728">http://vimeo.com/16760728</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">sim</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1--9655827--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 10:48:40 2011
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On 7/22/64 11:59 AM, Per Boysen wrote:
> Excuse me, but I don't think I used the phrase "realistic" anywhere
> ;-)    IMHO the point in utilizing random variations for electronics is
> not to make it sound as if a drummer is playing - that would just be
> too lame and usually sounds lame too! The point in using algorithmic
> randomization of audio is to make it sound interesting as algorithmic
> randomization of audio! To be clear, what I said is that I think RMX
> has excellent randomization algorithms and therefore is hard to beat -
> in THAT field.
Yeah,  Per,  I hear you.

When I first fell in love with drum machines in the middle 70's, one of 
the things
I did like about them is that you could play percussion that DIDN'T 
sound like
real drumming.

I think that I was trying to address a certain kind of mentality that 
thinks,
"ooooh,    static drums are bad and mechanistic feeling so if we just 
program
a bunch of stuff into a drum machine it will sound more realistic."

I've fought that mentality for all of my programming and drum studio 
playing career.

You,  of all people,  I know ,  has a very sophisticated and forward 
thinking agenda
in your sense of composition,  so I really wasn't talking about you.

So,  yeah,  baby,  I agree with everything you said.  Thanks for the 
clarification
and I hope mine helps as well.

I guess it's always good to take these dialectics to the list anyway as 
it stimluates a
lot of thought.

yours,   Rick


From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 11:55:03 2011
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Subject: Re: OT: Building a Midi Breakout Box
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi Kevin,

I have a guide at the bottom of this page:
http://rickygraham.com/pages/research

Ricky


On Thu, Jan 27, 2011 at 8:33 AM, Andy Owens <andy@1800dialword.com> wrote:

> If I just wanted to record or amplify certain strings, like sending bass
> strings on guitar into a Pog or other octaver for bass sounds, do these
> pickups work that way or just for guitar synth?
>
> Andy Owens
> 1-800-AndyOwens
> Sent from my iPhone
> So the typing might not be my best!
>
>
> On Jan 26, 2011, at 9:54 AM, "Dean, Hal" <HDean@wcupa.edu> wrote:
>
> > Kevin,
> >
> > I've been dreaming of the separate strings thing for years and have been
> in regular contact with Richard McLish about his fanout. Last promise was a
> new batch in October 2010 - didn't happen, and I don't think it ever will.
> Meanwhile, I've been following Bill Baxendale's work and, although his web
> site is awful, his posts on guitar forums made it clear he really knows what
> he is doing and that people who had his stuff liked it. So, I took the
> plunge and bought his breakout box.
> >
> > I have other projects from which I can't divert too much attention to
> this right now, but I've started to fool with it for an hour at a time a few
> nights. It is really well made and works perfectly right out of the box. I
> have a by now antique setup using a GI-10 and a variety of MIDI-equipped
> guitars; so far all I've tried with this is the PRS I bought from Kris H.
> and had Graphtech hex pickups installed on.
> >
> > Not wanting to dedicate my RME 800 to this, I  routed 4 strings into open
> inputs on it and sent the other two into a Boss VF-1. From there I've been
> experimenting in a most unscientific manner, just setting up templates in
> Cubase and Reaper and adding effects to each input.  Given that the signal
> is weak I've put Voxengo Boogex on each channel.  The recordings have low
> signal level for each individual string but when you listen to them together
> it is robust. I also did a bit of mangling each track independently,
> normalizing, reversing, chopping and the like. The sound quality remained
> excellent.
> >
> > I'm sure there is a more sophisticated way to boost the signals, but I'm
> just learning Reaper and hadn't gotten there yet. I suspect Ableton Live
> will eventually prove the best program for use with this setup.
> >
> > Then there is looping. I have a laptop dedicated to that (Mobius in
> Bidule), with a soundcard that does not have 6 inputs. I haven't gotten into
> Mobius 1.43. Sometime this spring I imagine I will devote some time to
> learning 1.43, taking advantage of some of the amazing script development
> that is happening, and do all that on the desktop that I have the RME 800
> on.... at which point the 6 strings into Mobius would be a truly sick puppy.
>  I'll report on all this from time to time.
> >
> > Bill Baxendale is a real craftsman and great engineer and provided
> fabulous service. No, it is not cheap, but the breakout box is VERY cool.
> >
> > As for the Unfretted project, I too was intimidated by the skill level
> required to make it. I joined mfg.com with an eye towards "managing"
> production, perhaps soliciting interest from others on this list and
> elsewhere, but I never pursued it. You could consider taking that on.
> >
> > Hal
> >
> > -----Original Message-----
> > From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]
> > Sent: Monday, January 24, 2011 4:49 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: OT: Building a Midi Breakout Box
> >
> > Yeah I've been in contact with him but he's quoting something like 60
> pounds in freight (almost $100 in shipping) so it winds up just a little bit
> under the price of the RMC Fanout box.
> >
> > I'm thinking I'll be shelving this thought for a while.
> >
> > Kevin
> >
> > On Mon, Jan 24, 2011 at 1:06 PM, Gareth Whittock <
> buddhamachine@live.co.uk> wrote:
> >> Have a look at this Kevin:
> >>
> >> http://billbax.110mb.com/
> >>
> >> G
> >>
> >>> Date: Mon, 24 Jan 2011 12:21:51 -0800
> >>> Subject: OT: Building a Midi Breakout Box
> >>> From: billowhead@gmail.com
> >>> To: Loopers-Delight@loopers-delight.com
> >>>
> >>> Hello soldier fiends,
> >>>
> >>> Having looked into the basic Midi breakout boxes available for the VG
> >>> 8, etc, I realized, I don't have $400 to buy one of these. So looking
> >>> around I found this
> >>> http://www.unfretted.com/loader.php?LINK=/profs/breakout
> >>>
> >>> Any of you technically inclined people have any advice on how to do
> >>> this (for a basic novice who has soldered a thing or two but never
> >>> built a functioning device)? I'm wondering a couple of things a), how
> >>> feasible is this b) about how much a home brew would cost c) anyone
> >>> with the skills willing to build one (for a fee of course).
> >>>
> >>> I'm at the level where I'm not sure I could actually do anything with
> >>> these plans but I could probably put it together if I had the parts.
> >>>
> >>> Feel free to tell me I'm better off without the dream of processing
> >>> six strings separately. I think I might be better off that way.
> >>> Unless one of you out there......
> >>>
> >>> Kevin
> >>>
> >>> --
> >>> Till now you seriously considered yourself to be the body and to have
> >>> a form. That is the primal ignorance which is the root cause of all
> trouble.
> >>>
> >>> - Ramana Maharshi (1879-1950)
> >>>
> >>> Sound and Vision:  http://www.minds-eye.org Video
> >>> http://www.vimeo.com/user877640/videos
> >>>
> >>
> >
> >
> >
> > --
> > Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision:  http://www.minds-eye.org Video
> http://www.vimeo.com/user877640/videos
> >
>
>

--00504502dd8281ad8e049ad29e33
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Kevin,<br><br>I have a guide at the bottom of this page: <a href=3D"http=
://rickygraham.com/pages/research">http://rickygraham.com/pages/research</a=
><br><br>Ricky<br><br><br><div class=3D"gmail_quote">On Thu, Jan 27, 2011 a=
t 8:33 AM, Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dial=
word.com">andy@1800dialword.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">If I just wanted =
to record or amplify certain strings, like sending bass strings on guitar i=
nto a Pog or other octaver for bass sounds, do these pickups work that way =
or just for guitar synth?<br>

<font color=3D"#888888"><br>
Andy Owens<br>
1-800-AndyOwens<br>
Sent from my iPhone<br>
So the typing might not be my best!<br>
</font><div><div></div><div class=3D"h5"><br>
<br>
On Jan 26, 2011, at 9:54 AM, &quot;Dean, Hal&quot; &lt;<a href=3D"mailto:HD=
ean@wcupa.edu">HDean@wcupa.edu</a>&gt; wrote:<br>
<br>
&gt; Kevin,<br>
&gt;<br>
&gt; I&#39;ve been dreaming of the separate strings thing for years and hav=
e been in regular contact with Richard McLish about his fanout. Last promis=
e was a new batch in October 2010 - didn&#39;t happen, and I don&#39;t thin=
k it ever will. Meanwhile, I&#39;ve been following Bill Baxendale&#39;s wor=
k and, although his web site is awful, his posts on guitar forums made it c=
lear he really knows what he is doing and that people who had his stuff lik=
ed it. So, I took the plunge and bought his breakout box.<br>

&gt;<br>
&gt; I have other projects from which I can&#39;t divert too much attention=
 to this right now, but I&#39;ve started to fool with it for an hour at a t=
ime a few nights. It is really well made and works perfectly right out of t=
he box. I have a by now antique setup using a GI-10 and a variety of MIDI-e=
quipped guitars; so far all I&#39;ve tried with this is the PRS I bought fr=
om Kris H. and had Graphtech hex pickups installed on.<br>

&gt;<br>
&gt; Not wanting to dedicate my RME 800 to this, I =A0routed 4 strings into=
 open inputs on it and sent the other two into a Boss VF-1. From there I&#3=
9;ve been experimenting in a most unscientific manner, just setting up temp=
lates in Cubase and Reaper and adding effects to each input. =A0Given that =
the signal is weak I&#39;ve put Voxengo Boogex on each channel. =A0The reco=
rdings have low signal level for each individual string but when you listen=
 to them together it is robust. I also did a bit of mangling each track ind=
ependently, normalizing, reversing, chopping and the like. The sound qualit=
y remained excellent.<br>

&gt;<br>
&gt; I&#39;m sure there is a more sophisticated way to boost the signals, b=
ut I&#39;m just learning Reaper and hadn&#39;t gotten there yet. I suspect =
Ableton Live will eventually prove the best program for use with this setup=
.<br>

&gt;<br>
&gt; Then there is looping. I have a laptop dedicated to that (Mobius in Bi=
dule), with a soundcard that does not have 6 inputs. I haven&#39;t gotten i=
nto Mobius 1.43. Sometime this spring I imagine I will devote some time to =
learning 1.43, taking advantage of some of the amazing script development t=
hat is happening, and do all that on the desktop that I have the RME 800 on=
.... at which point the 6 strings into Mobius would be a truly sick puppy. =
=A0I&#39;ll report on all this from time to time.<br>

&gt;<br>
&gt; Bill Baxendale is a real craftsman and great engineer and provided fab=
ulous service. No, it is not cheap, but the breakout box is VERY cool.<br>
&gt;<br>
&gt; As for the Unfretted project, I too was intimidated by the skill level=
 required to make it. I joined <a href=3D"http://mfg.com" target=3D"_blank"=
>mfg.com</a> with an eye towards &quot;managing&quot; production, perhaps s=
oliciting interest from others on this list and elsewhere, but I never purs=
ued it. You could consider taking that on.<br>

&gt;<br>
&gt; Hal<br>
&gt;<br>
&gt; -----Original Message-----<br>
&gt; From: Kevin Cheli-Colando [mailto:<a href=3D"mailto:billowhead@gmail.c=
om">billowhead@gmail.com</a>]<br>
&gt; Sent: Monday, January 24, 2011 4:49 PM<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Del=
ight@loopers-delight.com</a><br>
&gt; Subject: Re: OT: Building a Midi Breakout Box<br>
&gt;<br>
&gt; Yeah I&#39;ve been in contact with him but he&#39;s quoting something =
like 60 pounds in freight (almost $100 in shipping) so it winds up just a l=
ittle bit under the price of the RMC Fanout box.<br>
&gt;<br>
&gt; I&#39;m thinking I&#39;ll be shelving this thought for a while.<br>
&gt;<br>
&gt; Kevin<br>
&gt;<br>
&gt; On Mon, Jan 24, 2011 at 1:06 PM, Gareth Whittock &lt;<a href=3D"mailto=
:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt; wrote:<br>
&gt;&gt; Have a look at this Kevin:<br>
&gt;&gt;<br>
&gt;&gt; <a href=3D"http://billbax.110mb.com/" target=3D"_blank">http://bil=
lbax.110mb.com/</a><br>
&gt;&gt;<br>
&gt;&gt; G<br>
&gt;&gt;<br>
&gt;&gt;&gt; Date: Mon, 24 Jan 2011 12:21:51 -0800<br>
&gt;&gt;&gt; Subject: OT: Building a Midi Breakout Box<br>
&gt;&gt;&gt; From: <a href=3D"mailto:billowhead@gmail.com">billowhead@gmail=
.com</a><br>
&gt;&gt;&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loo=
pers-Delight@loopers-delight.com</a><br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Hello soldier fiends,<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Having looked into the basic Midi breakout boxes available for=
 the VG<br>
&gt;&gt;&gt; 8, etc, I realized, I don&#39;t have $400 to buy one of these.=
 So looking<br>
&gt;&gt;&gt; around I found this<br>
&gt;&gt;&gt; <a href=3D"http://www.unfretted.com/loader.php?LINK=3D/profs/b=
reakout" target=3D"_blank">http://www.unfretted.com/loader.php?LINK=3D/prof=
s/breakout</a><br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Any of you technically inclined people have any advice on how =
to do<br>
&gt;&gt;&gt; this (for a basic novice who has soldered a thing or two but n=
ever<br>
&gt;&gt;&gt; built a functioning device)? I&#39;m wondering a couple of thi=
ngs a), how<br>
&gt;&gt;&gt; feasible is this b) about how much a home brew would cost c) a=
nyone<br>
&gt;&gt;&gt; with the skills willing to build one (for a fee of course).<br=
>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; I&#39;m at the level where I&#39;m not sure I could actually d=
o anything with<br>
&gt;&gt;&gt; these plans but I could probably put it together if I had the =
parts.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Feel free to tell me I&#39;m better off without the dream of p=
rocessing<br>
&gt;&gt;&gt; six strings separately. I think I might be better off that way=
.<br>
&gt;&gt;&gt; Unless one of you out there......<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Kevin<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; --<br>
&gt;&gt;&gt; Till now you seriously considered yourself to be the body and =
to have<br>
&gt;&gt;&gt; a form. That is the primal ignorance which is the root cause o=
f all trouble.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; - Ramana Maharshi (1879-1950)<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" targ=
et=3D"_blank">http://www.minds-eye.org</a> Video<br>
&gt;&gt;&gt; <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_=
blank">http://www.vimeo.com/user877640/videos</a><br>
&gt;&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Till now you seriously considered yourself to be the body and to have =
a form. That is the primal ignorance which is the root cause of all trouble=
.<br>
&gt;<br>
&gt; - Ramana Maharshi (1879-1950)<br>
&gt;<br>
&gt; Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" target=3D"_b=
lank">http://www.minds-eye.org</a> Video <a href=3D"http://www.vimeo.com/us=
er877640/videos" target=3D"_blank">http://www.vimeo.com/user877640/videos</=
a><br>

&gt;<br>
<br>
</div></div></blockquote></div><br>

--00504502dd8281ad8e049ad29e33--

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Date: Thu, 27 Jan 2011 11:56:31 +0000
Message-ID: <AANLkTinLEDAafuU+taFJPjEJudf9VhgYwXRbA2ToaxUm@mail.gmail.com>
Subject: Re: OT: Building a Midi Breakout Box
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636d34c4400d605049ad2a4e7
Content-Type: text/plain; charset=ISO-8859-1

I may add that myself and a technician have put together our own "break-out"
kits which will be available shortly at an affordable price. If you're
interested, please contact me off list.

On Thu, Jan 27, 2011 at 11:54 AM, Ricky Graham
<rickygrahammusic@gmail.com>wrote:

> Hi Kevin,
>
> I have a guide at the bottom of this page:
> http://rickygraham.com/pages/research
>
> Ricky
>
>
>
> On Thu, Jan 27, 2011 at 8:33 AM, Andy Owens <andy@1800dialword.com> wrote:
>
>> If I just wanted to record or amplify certain strings, like sending bass
>> strings on guitar into a Pog or other octaver for bass sounds, do these
>> pickups work that way or just for guitar synth?
>>
>> Andy Owens
>> 1-800-AndyOwens
>> Sent from my iPhone
>> So the typing might not be my best!
>>
>>
>> On Jan 26, 2011, at 9:54 AM, "Dean, Hal" <HDean@wcupa.edu> wrote:
>>
>> > Kevin,
>> >
>> > I've been dreaming of the separate strings thing for years and have been
>> in regular contact with Richard McLish about his fanout. Last promise was a
>> new batch in October 2010 - didn't happen, and I don't think it ever will.
>> Meanwhile, I've been following Bill Baxendale's work and, although his web
>> site is awful, his posts on guitar forums made it clear he really knows what
>> he is doing and that people who had his stuff liked it. So, I took the
>> plunge and bought his breakout box.
>> >
>> > I have other projects from which I can't divert too much attention to
>> this right now, but I've started to fool with it for an hour at a time a few
>> nights. It is really well made and works perfectly right out of the box. I
>> have a by now antique setup using a GI-10 and a variety of MIDI-equipped
>> guitars; so far all I've tried with this is the PRS I bought from Kris H.
>> and had Graphtech hex pickups installed on.
>> >
>> > Not wanting to dedicate my RME 800 to this, I  routed 4 strings into
>> open inputs on it and sent the other two into a Boss VF-1. From there I've
>> been experimenting in a most unscientific manner, just setting up templates
>> in Cubase and Reaper and adding effects to each input.  Given that the
>> signal is weak I've put Voxengo Boogex on each channel.  The recordings have
>> low signal level for each individual string but when you listen to them
>> together it is robust. I also did a bit of mangling each track
>> independently, normalizing, reversing, chopping and the like. The sound
>> quality remained excellent.
>> >
>> > I'm sure there is a more sophisticated way to boost the signals, but I'm
>> just learning Reaper and hadn't gotten there yet. I suspect Ableton Live
>> will eventually prove the best program for use with this setup.
>> >
>> > Then there is looping. I have a laptop dedicated to that (Mobius in
>> Bidule), with a soundcard that does not have 6 inputs. I haven't gotten into
>> Mobius 1.43. Sometime this spring I imagine I will devote some time to
>> learning 1.43, taking advantage of some of the amazing script development
>> that is happening, and do all that on the desktop that I have the RME 800
>> on.... at which point the 6 strings into Mobius would be a truly sick puppy.
>>  I'll report on all this from time to time.
>> >
>> > Bill Baxendale is a real craftsman and great engineer and provided
>> fabulous service. No, it is not cheap, but the breakout box is VERY cool.
>> >
>> > As for the Unfretted project, I too was intimidated by the skill level
>> required to make it. I joined mfg.com with an eye towards "managing"
>> production, perhaps soliciting interest from others on this list and
>> elsewhere, but I never pursued it. You could consider taking that on.
>> >
>> > Hal
>> >
>> > -----Original Message-----
>> > From: Kevin Cheli-Colando [mailto:billowhead@gmail.com]
>> > Sent: Monday, January 24, 2011 4:49 PM
>> > To: Loopers-Delight@loopers-delight.com
>> > Subject: Re: OT: Building a Midi Breakout Box
>> >
>> > Yeah I've been in contact with him but he's quoting something like 60
>> pounds in freight (almost $100 in shipping) so it winds up just a little bit
>> under the price of the RMC Fanout box.
>> >
>> > I'm thinking I'll be shelving this thought for a while.
>> >
>> > Kevin
>> >
>> > On Mon, Jan 24, 2011 at 1:06 PM, Gareth Whittock <
>> buddhamachine@live.co.uk> wrote:
>> >> Have a look at this Kevin:
>> >>
>> >> http://billbax.110mb.com/
>> >>
>> >> G
>> >>
>> >>> Date: Mon, 24 Jan 2011 12:21:51 -0800
>> >>> Subject: OT: Building a Midi Breakout Box
>> >>> From: billowhead@gmail.com
>> >>> To: Loopers-Delight@loopers-delight.com
>> >>>
>> >>> Hello soldier fiends,
>> >>>
>> >>> Having looked into the basic Midi breakout boxes available for the VG
>> >>> 8, etc, I realized, I don't have $400 to buy one of these. So looking
>> >>> around I found this
>> >>> http://www.unfretted.com/loader.php?LINK=/profs/breakout
>> >>>
>> >>> Any of you technically inclined people have any advice on how to do
>> >>> this (for a basic novice who has soldered a thing or two but never
>> >>> built a functioning device)? I'm wondering a couple of things a), how
>> >>> feasible is this b) about how much a home brew would cost c) anyone
>> >>> with the skills willing to build one (for a fee of course).
>> >>>
>> >>> I'm at the level where I'm not sure I could actually do anything with
>> >>> these plans but I could probably put it together if I had the parts.
>> >>>
>> >>> Feel free to tell me I'm better off without the dream of processing
>> >>> six strings separately. I think I might be better off that way.
>> >>> Unless one of you out there......
>> >>>
>> >>> Kevin
>> >>>
>> >>> --
>> >>> Till now you seriously considered yourself to be the body and to have
>> >>> a form. That is the primal ignorance which is the root cause of all
>> trouble.
>> >>>
>> >>> - Ramana Maharshi (1879-1950)
>> >>>
>> >>> Sound and Vision:  http://www.minds-eye.org Video
>> >>> http://www.vimeo.com/user877640/videos
>> >>>
>> >>
>> >
>> >
>> >
>> > --
>> > Till now you seriously considered yourself to be the body and to have a
>> form. That is the primal ignorance which is the root cause of all trouble.
>> >
>> > - Ramana Maharshi (1879-1950)
>> >
>> > Sound and Vision:  http://www.minds-eye.org Video
>> http://www.vimeo.com/user877640/videos
>> >
>>
>>
>

--001636d34c4400d605049ad2a4e7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I may add that myself and a technician have put together our own &quot;brea=
k-out&quot; kits which will be available shortly at an affordable price. If=
 you&#39;re interested, please contact me off list.<br><br><div class=3D"gm=
ail_quote">
On Thu, Jan 27, 2011 at 11:54 AM, Ricky Graham <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:rickygrahammusic@gmail.com">rickygrahammusic@gmail.com</a>&gt;<=
/span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt=
 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hi Kevin,<br><br>I have a guide at the bottom of this page: <a href=3D"http=
://rickygraham.com/pages/research" target=3D"_blank">http://rickygraham.com=
/pages/research</a><br><font color=3D"#888888"><br>Ricky</font><div><div></=
div>
<div class=3D"h5"><br><br><br><div class=3D"gmail_quote">On Thu, Jan 27, 20=
11 at 8:33 AM, Andy Owens <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800=
dialword.com" target=3D"_blank">andy@1800dialword.com</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">If I just wanted =
to record or amplify certain strings, like sending bass strings on guitar i=
nto a Pog or other octaver for bass sounds, do these pickups work that way =
or just for guitar synth?<br>


<font color=3D"#888888"><br>
Andy Owens<br>
1-800-AndyOwens<br>
Sent from my iPhone<br>
So the typing might not be my best!<br>
</font><div><div></div><div><br>
<br>
On Jan 26, 2011, at 9:54 AM, &quot;Dean, Hal&quot; &lt;<a href=3D"mailto:HD=
ean@wcupa.edu" target=3D"_blank">HDean@wcupa.edu</a>&gt; wrote:<br>
<br>
&gt; Kevin,<br>
&gt;<br>
&gt; I&#39;ve been dreaming of the separate strings thing for years and hav=
e been in regular contact with Richard McLish about his fanout. Last promis=
e was a new batch in October 2010 - didn&#39;t happen, and I don&#39;t thin=
k it ever will. Meanwhile, I&#39;ve been following Bill Baxendale&#39;s wor=
k and, although his web site is awful, his posts on guitar forums made it c=
lear he really knows what he is doing and that people who had his stuff lik=
ed it. So, I took the plunge and bought his breakout box.<br>


&gt;<br>
&gt; I have other projects from which I can&#39;t divert too much attention=
 to this right now, but I&#39;ve started to fool with it for an hour at a t=
ime a few nights. It is really well made and works perfectly right out of t=
he box. I have a by now antique setup using a GI-10 and a variety of MIDI-e=
quipped guitars; so far all I&#39;ve tried with this is the PRS I bought fr=
om Kris H. and had Graphtech hex pickups installed on.<br>


&gt;<br>
&gt; Not wanting to dedicate my RME 800 to this, I =A0routed 4 strings into=
 open inputs on it and sent the other two into a Boss VF-1. From there I&#3=
9;ve been experimenting in a most unscientific manner, just setting up temp=
lates in Cubase and Reaper and adding effects to each input. =A0Given that =
the signal is weak I&#39;ve put Voxengo Boogex on each channel. =A0The reco=
rdings have low signal level for each individual string but when you listen=
 to them together it is robust. I also did a bit of mangling each track ind=
ependently, normalizing, reversing, chopping and the like. The sound qualit=
y remained excellent.<br>


&gt;<br>
&gt; I&#39;m sure there is a more sophisticated way to boost the signals, b=
ut I&#39;m just learning Reaper and hadn&#39;t gotten there yet. I suspect =
Ableton Live will eventually prove the best program for use with this setup=
.<br>


&gt;<br>
&gt; Then there is looping. I have a laptop dedicated to that (Mobius in Bi=
dule), with a soundcard that does not have 6 inputs. I haven&#39;t gotten i=
nto Mobius 1.43. Sometime this spring I imagine I will devote some time to =
learning 1.43, taking advantage of some of the amazing script development t=
hat is happening, and do all that on the desktop that I have the RME 800 on=
.... at which point the 6 strings into Mobius would be a truly sick puppy. =
=A0I&#39;ll report on all this from time to time.<br>


&gt;<br>
&gt; Bill Baxendale is a real craftsman and great engineer and provided fab=
ulous service. No, it is not cheap, but the breakout box is VERY cool.<br>
&gt;<br>
&gt; As for the Unfretted project, I too was intimidated by the skill level=
 required to make it. I joined <a href=3D"http://mfg.com" target=3D"_blank"=
>mfg.com</a> with an eye towards &quot;managing&quot; production, perhaps s=
oliciting interest from others on this list and elsewhere, but I never purs=
ued it. You could consider taking that on.<br>


&gt;<br>
&gt; Hal<br>
&gt;<br>
&gt; -----Original Message-----<br>
&gt; From: Kevin Cheli-Colando [mailto:<a href=3D"mailto:billowhead@gmail.c=
om" target=3D"_blank">billowhead@gmail.com</a>]<br>
&gt; Sent: Monday, January 24, 2011 4:49 PM<br>
&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_=
blank">Loopers-Delight@loopers-delight.com</a><br>
&gt; Subject: Re: OT: Building a Midi Breakout Box<br>
&gt;<br>
&gt; Yeah I&#39;ve been in contact with him but he&#39;s quoting something =
like 60 pounds in freight (almost $100 in shipping) so it winds up just a l=
ittle bit under the price of the RMC Fanout box.<br>
&gt;<br>
&gt; I&#39;m thinking I&#39;ll be shelving this thought for a while.<br>
&gt;<br>
&gt; Kevin<br>
&gt;<br>
&gt; On Mon, Jan 24, 2011 at 1:06 PM, Gareth Whittock &lt;<a href=3D"mailto=
:buddhamachine@live.co.uk" target=3D"_blank">buddhamachine@live.co.uk</a>&g=
t; wrote:<br>
&gt;&gt; Have a look at this Kevin:<br>
&gt;&gt;<br>
&gt;&gt; <a href=3D"http://billbax.110mb.com/" target=3D"_blank">http://bil=
lbax.110mb.com/</a><br>
&gt;&gt;<br>
&gt;&gt; G<br>
&gt;&gt;<br>
&gt;&gt;&gt; Date: Mon, 24 Jan 2011 12:21:51 -0800<br>
&gt;&gt;&gt; Subject: OT: Building a Midi Breakout Box<br>
&gt;&gt;&gt; From: <a href=3D"mailto:billowhead@gmail.com" target=3D"_blank=
">billowhead@gmail.com</a><br>
&gt;&gt;&gt; To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Hello soldier fiends,<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Having looked into the basic Midi breakout boxes available for=
 the VG<br>
&gt;&gt;&gt; 8, etc, I realized, I don&#39;t have $400 to buy one of these.=
 So looking<br>
&gt;&gt;&gt; around I found this<br>
&gt;&gt;&gt; <a href=3D"http://www.unfretted.com/loader.php?LINK=3D/profs/b=
reakout" target=3D"_blank">http://www.unfretted.com/loader.php?LINK=3D/prof=
s/breakout</a><br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Any of you technically inclined people have any advice on how =
to do<br>
&gt;&gt;&gt; this (for a basic novice who has soldered a thing or two but n=
ever<br>
&gt;&gt;&gt; built a functioning device)? I&#39;m wondering a couple of thi=
ngs a), how<br>
&gt;&gt;&gt; feasible is this b) about how much a home brew would cost c) a=
nyone<br>
&gt;&gt;&gt; with the skills willing to build one (for a fee of course).<br=
>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; I&#39;m at the level where I&#39;m not sure I could actually d=
o anything with<br>
&gt;&gt;&gt; these plans but I could probably put it together if I had the =
parts.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Feel free to tell me I&#39;m better off without the dream of p=
rocessing<br>
&gt;&gt;&gt; six strings separately. I think I might be better off that way=
.<br>
&gt;&gt;&gt; Unless one of you out there......<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Kevin<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; --<br>
&gt;&gt;&gt; Till now you seriously considered yourself to be the body and =
to have<br>
&gt;&gt;&gt; a form. That is the primal ignorance which is the root cause o=
f all trouble.<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; - Ramana Maharshi (1879-1950)<br>
&gt;&gt;&gt;<br>
&gt;&gt;&gt; Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" targ=
et=3D"_blank">http://www.minds-eye.org</a> Video<br>
&gt;&gt;&gt; <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_=
blank">http://www.vimeo.com/user877640/videos</a><br>
&gt;&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Till now you seriously considered yourself to be the body and to have =
a form. That is the primal ignorance which is the root cause of all trouble=
.<br>
&gt;<br>
&gt; - Ramana Maharshi (1879-1950)<br>
&gt;<br>
&gt; Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" target=3D"_b=
lank">http://www.minds-eye.org</a> Video <a href=3D"http://www.vimeo.com/us=
er877640/videos" target=3D"_blank">http://www.vimeo.com/user877640/videos</=
a><br>


&gt;<br>
<br>
</div></div></blockquote></div><br>
</div></div></blockquote></div><br>

--001636d34c4400d605049ad2a4e7--

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Subject: Re: Antwerp Loopfest March 5, 2011
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Thu, Jan 27, 2011 at 4:19 AM, Kris Hartung <krispenhartung@gmail.com> wr=
ote:
> Did I miss this thread? =A0Sjaak, are you having another looping festival=
 in
> Belgium?

Hi Kris,
Yep, I organize a loopfest every year. It all started in 2009, this is
the 3rd one in a row. The formula differs from Y2K btw. It's much
smaller, with the focus on ambient related music, 6 artists max. It's
not an LD party only; for example, both Theo Travis and Aidan Baker
are professional musicians who use loopers but I doubt if they know
about the  LD community at all ;-) Theo has played on studio albums of
artists such as David Sylvian, Robert Fripp, Porcupine Tree etc so I'm
very happy he's playing in Antwerp this year.
--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: OT: Building a Midi Breakout Box
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jan 27, 2011 at 12:54 PM, Ricky Graham
<rickygrahammusic@gmail.com> wrote:
> I have a guide at the bottom of this page:
> http://rickygraham.com/pages/research


Interesting reading! The audio clips at the botton are nice too :-))
In the 80ths/90ths I played some MIDI guitar and researched the
concept of having unique sounds for each string, then by using
samplers and synths. Since ten years back I've been toying with the
idea of migrating this project into using separate real string sound
outputs and unique effect processing for each string. But last year I
decided to, for now, follow a *duophonic" route rather than
*polyphonic* (like Hal's idea about routing a bunch of strings into a
shared output). In my case I picked up a Chapman Stick, that is
duophonic in that it routes each one of two six stringed fretboards
out its own dedicated output. What I like in this solution is to be
able to play with the electro magnetic pickup tone I love so much, to
have the option of balancing up to six string clusters through the
same output compression, or other effects, while still combining two
separate effect processing chains. Finally the for me new experience
of playing two handed  - tonally improvising "ensamble style" like
piano players and harpists can do and rhythmically by exploring poly
rhythmic two hand patterns normally utilized by drummers.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 12:52:33 2011
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I wonder if the "storage of 8 loops" on the SD card
causes confusion.

I understand it that this is simply a way to create some sort 
of a record of a performance. (Rick?)
..but maybe it will be *expected* that the stored loops
can be played back by the unit.

andy 

Rick Walker wrote:
> On 7/22/64 11:59 AM, Butch Band wrote:
>> Thank you for your sarcastic response but if I purchase an automobile, 
>> I normally don't need to check for basic features like an accelerator 
>> pedal or windows.
> Gosh, Butch,
> 
> I didn't read Andy's response as sarcastic at all.
> 

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On 7/22/64 11:59 AM, Louie Angulo wrote:
> Watch this video:
> http://www.youtube.com/watch?v=tR109PRx46w
>
> i wonder how this would work with static 4/4 loops from the
> EDP,perhaps using the Stylus as master...wow!
> but too bad as Per mentioned that is probably too CPU heavy;-(
> Luis
Very hip demo.     I wonder what you could do with melodic loops.
You might be able to come up with some killer changes........or does
Stylus only work with it's own proprietary loops?

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 13:20:40 2011
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Subject: Re: Re: Re: rhythm sequencers software
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>> http://www.youtube.com/watch?v=3DtR109PRx46w
>>
>> Luis

On Thu, Jan 27, 2011 at 2:06 PM, Rick Walker <looppool@cruzio.com> wrote:
> Very hip demo. =C2=A0 =C2=A0 I wonder what you could do with melodic loop=
s.
> You might be able to come up with some killer changes........or does
> Stylus only work with it's own proprietary loops?
>

You can build your own source loop library for RMX. To do that you
need to first save your own loops as REX files (ReCycle does that)
before being able to import them into your RMX User Library.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: fianlly a video of using mobius and ableton!
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Hey brother Luis :)
IAC will do the trick, got this tip from Per Boysen 2 years ago. You
can selecting the IAC port in Mobius to send out midi clock. Select
IAC as in input midi port in the Live 8 midi preferences. Btw: I don't
use sync myself, but when an audio clip in Live is running in warp
mode, it will sync to it's internal or external midi clock. Just
tested it by changing the tempo from an external arpeggiator sending
out midi clock. The audio clips are time strechted, the pitch remains
the same and are running in sync.

Btw: you can download a fully functional trial version of Live8 for 30 days.

Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 13:41:04 2011
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Subject: Re: Antwerp Loopfest March 5, 2011
Date: Thu, 27 Jan 2011 13:40:52 -0000
Organization: EarthLight Productions
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?In 2012 I'd love to take part if possible from your end, Sjaak...

-----Original Message----- 
From: Sjaak Overgaauw
Sent: Thursday, January 27, 2011 12:18 PM
To: LD
Subject: Re: Antwerp Loopfest March 5, 2011

On Thu, Jan 27, 2011 at 4:19 AM, Kris Hartung <krispenhartung@gmail.com> 
wrote:
> Did I miss this thread?  Sjaak, are you having another looping festival in
> Belgium?

Hi Kris,
Yep, I organize a loopfest every year. It all started in 2009, this is
the 3rd one in a row. The formula differs from Y2K btw. It's much
smaller, with the focus on ambient related music, 6 artists max. It's
not an LD party only; for example, both Theo Travis and Aidan Baker
are professional musicians who use loopers but I doubt if they know
about the  LD community at all ;-) Theo has played on studio albums of
artists such as David Sylvian, Robert Fripp, Porcupine Tree etc so I'm
very happy he's playing in Antwerp this year.
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/ 

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Subject: Re: OT: Building a Midi Breakout Box
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Sounds great, Per. I hope to invest in a Chapman stick down the line.

On Thu, Jan 27, 2011 at 12:38 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Jan 27, 2011 at 12:54 PM, Ricky Graham
> <rickygrahammusic@gmail.com> wrote:
> > I have a guide at the bottom of this page:
> > http://rickygraham.com/pages/research
>
>
> Interesting reading! The audio clips at the botton are nice too :-))
> In the 80ths/90ths I played some MIDI guitar and researched the
> concept of having unique sounds for each string, then by using
> samplers and synths. Since ten years back I've been toying with the
> idea of migrating this project into using separate real string sound
> outputs and unique effect processing for each string. But last year I
> decided to, for now, follow a *duophonic" route rather than
> *polyphonic* (like Hal's idea about routing a bunch of strings into a
> shared output). In my case I picked up a Chapman Stick, that is
> duophonic in that it routes each one of two six stringed fretboards
> out its own dedicated output. What I like in this solution is to be
> able to play with the electro magnetic pickup tone I love so much, to
> have the option of balancing up to six string clusters through the
> same output compression, or other effects, while still combining two
> separate effect processing chains. Finally the for me new experience
> of playing two handed  - tonally improvising "ensamble style" like
> piano players and harpists can do and rhythmically by exploring poly
> rhythmic two hand patterns normally utilized by drummers.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

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Sounds great, Per. I hope to invest in a Chapman stick down the line.<br><b=
r><div class=3D"gmail_quote">On Thu, Jan 27, 2011 at 12:38 PM, Per Boysen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail=
.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Thu, Jan 27, 2011 at 12:54 PM, Ricky Graham<br>
&lt;<a href=3D"mailto:rickygrahammusic@gmail.com">rickygrahammusic@gmail.co=
m</a>&gt; wrote:<br>
&gt; I have a guide at the bottom of this page:<br>
&gt; <a href=3D"http://rickygraham.com/pages/research" target=3D"_blank">ht=
tp://rickygraham.com/pages/research</a><br>
<br>
<br>
</div>Interesting reading! The audio clips at the botton are nice too :-))<=
br>
In the 80ths/90ths I played some MIDI guitar and researched the<br>
concept of having unique sounds for each string, then by using<br>
samplers and synths. Since ten years back I&#39;ve been toying with the<br>
idea of migrating this project into using separate real string sound<br>
outputs and unique effect processing for each string. But last year I<br>
decided to, for now, follow a *duophonic&quot; route rather than<br>
*polyphonic* (like Hal&#39;s idea about routing a bunch of strings into a<b=
r>
shared output). In my case I picked up a Chapman Stick, that is<br>
duophonic in that it routes each one of two six stringed fretboards<br>
out its own dedicated output. What I like in this solution is to be<br>
able to play with the electro magnetic pickup tone I love so much, to<br>
have the option of balancing up to six string clusters through the<br>
same output compression, or other effects, while still combining two<br>
separate effect processing chains. Finally the for me new experience<br>
of playing two handed =A0- tonally improvising &quot;ensamble style&quot; l=
ike<br>
piano players and harpists can do and rhythmically by exploring poly<br>
rhythmic two hand patterns normally utilized by drummers.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>

--001636d34c44824b25049ad46985--

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Subject: Re: rhythm sequencers software
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On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
.
> I guess what im looking for is something you can load your own drum
> samples or loops,or that has great drum sounds or grooves with random
> variations so the grooves that arent static and that could work stable
> when slaved syncronized to mobius.

On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> I guess what im looking for is something you can load your own drum
> samples or loops,or that has great drum sounds or grooves with random
> variations so the grooves that arent static and that could work stable
> when slaved syncronized to mobius

Luis,
What I forgot to tell is that you can apply grooves to audio clips.
Might be interesting to check it out. Quote:
"New groove engine - Groove patterns can add life and swing to
straight sequences. Live 8's new groove engine lets you apply groove
patterns in real time, extract grooves from audio or MIDI sources,
quantize audio and MIDI in real time. It also comes with a new groove
library"

Source: http://www.ableton.com/live-8-whats-new
-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/


-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 14:53:36 2011
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Subject: Re: a couple of new Darkroom vids
Date: Thu, 27 Jan 2011 06:53:31 -0800
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Very nice.

On Jan 27, 2011, at 1:43 AM, Simeon Harris wrote:

> i know Os isn't one to promote himself unduly, but there's no reason  
> not to show these on here. two new vids from Darkroom (Os and  
> Michael Bearpark)
>
> a piece recorded and videoed in one day - http://vimeo.com/16620132
>
> and the making of - http://vimeo.com/16760728
>
> sim

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Subject: Re: a couple of new Darkroom vids
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Really excellent work Os and Michael.  Simeon thanks for passing these
pieces along.  I commented on both on Vimeo but particularly as I noted,
enjoyed the contrast between lyricism and pulse in the music piece.  The
imagery angles and views in both the documentary and performance were very
cool.  Michael I'm glad I had the chance to NinJam with you a few years ago=
,
actually it was one of my very first NinJams.

Jim

On Thu, Jan 27, 2011 at 4:43 AM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> i know Os isn't one to promote himself unduly, but there's no reason not =
to
> show these on here. two new vids from Darkroom (Os and Michael Bearpark)
>
> a piece recorded and videoed in one day - http://vimeo.com/16620132
>
> and the making of - http://vimeo.com/16760728
>
> sim
>



--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a203b8ddad049ad64110
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Really excellent work Os and Michael.=A0 Simeon thanks for passing these pi=
eces along.=A0 I commented on both on Vimeo but particularly as I noted, en=
joyed the contrast between lyricism and pulse in the music piece.=A0 The im=
agery angles and views in both the documentary and performance were very co=
ol.=A0 Michael I&#39;m glad I had the chance to NinJam with you a few years=
 ago, actually it was one of my very first NinJams.<br>
<br>Jim<br><br><div class=3D"gmail_quote">On Thu, Jan 27, 2011 at 4:43 AM, =
Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@google=
mail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1p=
x solid rgb(204, 204, 204); padding-left: 1ex;">
i know Os isn&#39;t one to promote himself unduly, but there&#39;s no reaso=
n not to show these on here. two new vids from Darkroom (Os and Michael Bea=
rpark)<br><br>a piece recorded and videoed in one day - <a href=3D"http://v=
imeo.com/16620132" target=3D"_blank">http://vimeo.com/16620132</a><br>

<br>and the making of - <a href=3D"http://vimeo.com/16760728" target=3D"_bl=
ank">http://vimeo.com/16760728</a><br><br>sim<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054a203b8ddad049ad64110--

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Subject: Re: a couple of new Darkroom vids
From: daniel <daniel@ithinkwethink.org>
To: Loopers-Delight@loopers-delight.com
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--90e6ba6e8d7897ca82049ad6ee8a
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

(*i apologize if this is a double, my email's been acting funky*)

Dearest Looping Brethren,

Daniel Harris of Boston, MA (USA) here. Aside from my looping love and
linguistic allegiances, I am also an active artist-for-hire on the Boston
scene. I typically do concert posters but have also done t-shirt designs,
album art, stickers and buttons.

I'm easy to work with, accommodating and incredibly serious about the work =
I
do.

Here are links to work some I've done...

Etsy shop: http://www.etsy.com/shop/danielharris

Concert posters:
http://theanorexicfoodcritic.blogspot.com/2010/10/does-your-band-need-show-=
poster.html

Album art:
http://www.myspace.com/danielhmusic/photos/albums/album/1987835#mssrc=3DSit=
esPhotos_SP_AlbumCover_ViewAlbum


If you're looking for art for your band, project or even your walls, please
drop me a line!


best,
Daniel
www.danielharris.bandcamp.com


On Thu, Jan 27, 2011 at 11:15 AM, Jim Goodin <jimgoodinmusic@gmail.com>wrot=
e:

> Really excellent work Os and Michael.  Simeon thanks for passing these
> pieces along.  I commented on both on Vimeo but particularly as I noted,
> enjoyed the contrast between lyricism and pulse in the music piece.  The
> imagery angles and views in both the documentary and performance were ver=
y
> cool.  Michael I'm glad I had the chance to NinJam with you a few years a=
go,
> actually it was one of my very first NinJams.
>
> Jim
>
>
> On Thu, Jan 27, 2011 at 4:43 AM, Simeon Harris <
> simeonharris40@googlemail.com> wrote:
>
>> i know Os isn't one to promote himself unduly, but there's no reason not
>> to show these on here. two new vids from Darkroom (Os and Michael Bearpa=
rk)
>>
>> a piece recorded and videoed in one day - http://vimeo.com/16620132
>>
>> and the making of - http://vimeo.com/16760728
>>
>> sim
>>
>
>
>
> --
> *From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodi=
n
> & Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> woodandwiremusic.wordpress.com
>

--90e6ba6e8d7897ca82049ad6ee8a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

(*i apologize if this is a double, my email&#39;s been acting funky*) <br><=
br>Dearest Looping Brethren, <br><br>Daniel Harris of Boston, MA (USA)=20
here. Aside from my looping love and linguistic allegiances, I am also=20
an active artist-for-hire on the Boston scene. I typically do concert=20
posters but have also done t-shirt designs, album art, stickers and=20
buttons.=A0 <br>
<br>I&#39;m easy to work with, accommodating and incredibly serious about t=
he work I do. <br><br>Here are links to work some I&#39;ve done...<br><br>E=
tsy shop: <a href=3D"http://www.etsy.com/shop/danielharris" target=3D"_blan=
k">http://www.etsy.com/shop/danielharris</a><br>

<br>Concert posters: <a href=3D"http://theanorexicfoodcritic.blogspot.com/2=
010/10/does-your-band-need-show-poster.html" target=3D"_blank">http://thean=
orexicfoodcritic.blogspot.com/2010/10/does-your-band-need-show-poster.html<=
/a><br>
<br>Album art: <a href=3D"http://www.myspace.com/danielhmusic/photos/albums=
/album/1987835#mssrc=3DSitesPhotos_SP_AlbumCover_ViewAlbum" target=3D"_blan=
k">http://www.myspace.com/danielhmusic/photos/albums/album/1987835#mssrc=3D=
SitesPhotos_SP_AlbumCover_ViewAlbum</a><br>

<br><br>If you&#39;re looking for art for your band, project or even your w=
alls, please drop me a line! <br><br><br>best,<br><font color=3D"#888888">D=
aniel <br><a href=3D"http://www.danielharris.bandcamp.com/" target=3D"_blan=
k">www.danielharris.bandcamp.com</a> <br>

</font><br><br><div class=3D"gmail_quote">On Thu, Jan 27, 2011 at 11:15 AM,=
 Jim Goodin <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gmail.co=
m">jimgoodinmusic@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(=
204, 204, 204); padding-left: 1ex;">
Really excellent work Os and Michael.=A0 Simeon thanks for passing these pi=
eces along.=A0 I commented on both on Vimeo but particularly as I noted, en=
joyed the contrast between lyricism and pulse in the music piece.=A0 The im=
agery angles and views in both the documentary and performance were very co=
ol.=A0 Michael I&#39;m glad I had the chance to NinJam with you a few years=
 ago, actually it was one of my very first NinJams.<br>

<br>Jim<div><div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote"=
>On Thu, Jan 27, 2011 at 4:43 AM, Simeon Harris <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:simeonharris40@googlemail.com" target=3D"_blank">simeonharris4=
0@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
i know Os isn&#39;t one to promote himself unduly, but there&#39;s no reaso=
n not to show these on here. two new vids from Darkroom (Os and Michael Bea=
rpark)<br><br>a piece recorded and videoed in one day - <a href=3D"http://v=
imeo.com/16620132" target=3D"_blank">http://vimeo.com/16620132</a><br>


<br>and the making of - <a href=3D"http://vimeo.com/16760728" target=3D"_bl=
ank">http://vimeo.com/16760728</a><br><br>sim<br>
</blockquote></div><br><br clear=3D"all"><br></div></div><font color=3D"#88=
8888">-- <br><i>From Brooklyn To Glindran</i>, a new World/Free Jazz record=
ing by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this=
 CD will benefit JDRF International.=A0 <a href=3D"http://jimgoodinpetertho=
rn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br=
>

<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</font></blockquote></div><br>

--90e6ba6e8d7897ca82049ad6ee8a--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 18:30:38 2011
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Subject: Re: a couple of new Darkroom vids
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nice!



i know Os isn't one to promote himself unduly, but there's no reason=20
not to show these on here. two new vids from Darkroom (Os and Michael=20
Bearpark)

a piece recorded and videoed in one day - http://vimeo.com/16620132

and the making of - http://vimeo.com/16760728

sim

 =20

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 18:52:04 2011
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Thread-Topic: a couple of new Darkroom vids
Thread-Index: Acu+UzolcVGdk1ZOQB+pjxca9n7Swg==
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Heck yeah that is some nice beeping and booping there!!! Very good job on th=
e video too.=20

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 27, 2011, at 1:30 PM, "nemoguitt@aol.com" <nemoguitt@aol.com> wrote:

>=20
> nice!
>=20
>=20
>=20
> i know Os isn't one to promote himself unduly, but there's no reason not t=
o show these on here. two new vids from Darkroom (Os and Michael Bearpark)
>=20
> a piece recorded and videoed in one day - http://vimeo.com/16620132
>=20
> and the making of - http://vimeo.com/16760728
>=20
> sim
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 20:38:44 2011
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Date: Thu, 27 Jan 2011 12:38:33 -0800
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On 7/22/64 11:59 AM, Sjaak Overgaauw wrote:
> both Theo Travis and Aidan Baker
> are professional musicians who use loopers but I doubt if they know
> about the  LD community at all;-)  Theo has played on studio albums of
> artists such as David Sylvian, Robert Fripp, Porcupine Tree etc so I'm
> very happy he's playing in Antwerp this year.
Theo played the 1st Cambridge Live Looping Festival in 2003 and was
both a great guy and a really fantastic performer.   He's firing on
all cylinders as an artist.  It's great you snagged him for the 
festival, Sjaak.

I wish I could be there to see it.   Great lineup, buddy!!!

rick walker

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 20:41:14 2011
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This is a multi-part message in MIME format.
--------------000800080009050805030207
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Content-Transfer-Encoding: 7bit

On 7/22/64 11:59 AM, andy butler wrote:
> I wonder if the "storage of 8 loops" on the SD card
> causes confusion.
>
> I understand it that this is simply a way to create some sort of a 
> record of a performance. (Rick?)
> ..but maybe it will be *expected* that the stored loops
> can be played back by the unit.
>
> andy 
This is actually a feature that Bob Amstadt added and, frankly,  I 
haven't used it yet,
so we should get him to weigh in on this one to get the correct 'poop on 
the sitch'.

rick walker

ps I do know, however that it records and stores what you are playing 
automatically which is very nice
as you don't have to think about doing something formally to save your 
loops that you are creating.

--------------000800080009050805030207
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
  <head>
    <meta content="text/html; charset=ISO-8859-1"
      http-equiv="Content-Type">
  </head>
  <body bgcolor="#ffffff" text="#000000">
    On 7/22/64 11:59 AM, andy butler wrote:
    <blockquote cite="mid:%3C4D416A97.20701@tiscali.co.uk%3E"
      type="cite">I wonder if the "storage of 8 loops" on the SD card
      <br>
      causes confusion.
      <br>
      <br>
      I understand it that this is simply a way to create some sort of a
      record of a performance. (Rick?)
      <br>
      ..but maybe it will be <b class="moz-txt-star"><span
          class="moz-txt-tag">*</span>expected<span class="moz-txt-tag">*</span></b>
      that the stored loops
      <br>
      can be played back by the unit.
      <br>
      <br>
      andy </blockquote>
    This is actually a feature that Bob Amstadt added and, frankly,&nbsp; I
    haven't used it yet, <br>
    so we should get him to weigh in on this one to get the correct
    'poop on the sitch'.<br>
    <br>
    rick walker<br>
    <br>
    ps I do know, however that it records and stores what you are
    playing automatically which is very nice <br>
    as you don't have to think about doing something formally to save
    your loops that you are creating.<br>
  </body>
</html>

--------------000800080009050805030207--

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 23:17:19 2011
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Subject: Re: OT: Building a Midi Breakout Box
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--20cf305496bb7c5b00049adc268f
Content-Type: text/plain; charset=ISO-8859-1

Ricky, I am very interested in this: Heres my requirements.. can you
fullfill them?

I want a GK IN, and 2X GK OUT sockets, I want to be able to run both my GR30
AND WP20 at the same time, currently its a choice. THEN I want seperate outs
for each string. Although to be honest, Im like Per here.. REALLY I want a 2
way split. I want the E and A string to be one output and the D GB and high
E to be another.

I simply want a different pitch shift and diferent distortion on the bottom
2 strings. I did this once before with a band I had called God dot com,
(simply by screwing old split bass pickups and making different outputs.)
and it was BIG BIG BIG.. I dont use that guitar anymore as I am strictly on
my Baritone these days, and forever I think.

mark


On Thu, Jan 27, 2011 at 3:03 PM, Ricky Graham <rickygrahammusic@gmail.com>wrote:

> Sounds great, Per. I hope to invest in a Chapman stick down the line.
>
>
> On Thu, Jan 27, 2011 at 12:38 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Thu, Jan 27, 2011 at 12:54 PM, Ricky Graham
>> <rickygrahammusic@gmail.com> wrote:
>> > I have a guide at the bottom of this page:
>> > http://rickygraham.com/pages/research
>>
>>
>> Interesting reading! The audio clips at the botton are nice too :-))
>> In the 80ths/90ths I played some MIDI guitar and researched the
>> concept of having unique sounds for each string, then by using
>> samplers and synths. Since ten years back I've been toying with the
>> idea of migrating this project into using separate real string sound
>> outputs and unique effect processing for each string. But last year I
>> decided to, for now, follow a *duophonic" route rather than
>> *polyphonic* (like Hal's idea about routing a bunch of strings into a
>> shared output). In my case I picked up a Chapman Stick, that is
>> duophonic in that it routes each one of two six stringed fretboards
>> out its own dedicated output. What I like in this solution is to be
>> able to play with the electro magnetic pickup tone I love so much, to
>> have the option of balancing up to six string clusters through the
>> same output compression, or other effects, while still combining two
>> separate effect processing chains. Finally the for me new experience
>> of playing two handed  - tonally improvising "ensamble style" like
>> piano players and harpists can do and rhythmically by exploring poly
>> rhythmic two hand patterns normally utilized by drummers.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf305496bb7c5b00049adc268f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ricky, I am very interested in this: Heres my requirements.. can you fullfi=
ll them?<br><br>I want a GK IN, and 2X GK OUT sockets, I want to be able to=
 run both my GR30 AND WP20 at the same time, currently its a choice. THEN I=
 want seperate outs for each string. Although to be honest, Im like Per her=
e.. REALLY I want a 2 way split. I want the E and A string to be one output=
 and the D GB and high E to be another. <br>

<br>I simply want a different pitch shift and diferent distortion on the bo=
ttom 2 strings. I did this once before with a band I had called God dot com=
, (simply by screwing old split bass pickups and making different outputs.)=
 and it was BIG BIG BIG.. I dont use that guitar anymore as I am strictly o=
n my Baritone these days, and forever I think.<br>

<br>mark<br><br><br><div class=3D"gmail_quote">On Thu, Jan 27, 2011 at 3:03=
 PM, Ricky Graham <span dir=3D"ltr">&lt;<a href=3D"mailto:rickygrahammusic@=
gmail.com">rickygrahammusic@gmail.com</a>&gt;</span> wrote:<br><blockquote =
class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px =
solid rgb(204, 204, 204); padding-left: 1ex;">

Sounds great, Per. I hope to invest in a Chapman stick down the line.<div><=
div></div><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Thu, Jan =
27, 2011 at 12:38 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:pe=
rboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&gt;</span> wro=
te:<br>


<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Thu, Jan =
27, 2011 at 12:54 PM, Ricky Graham<br>
&lt;<a href=3D"mailto:rickygrahammusic@gmail.com" target=3D"_blank">rickygr=
ahammusic@gmail.com</a>&gt; wrote:<br>
&gt; I have a guide at the bottom of this page:<br>
&gt; <a href=3D"http://rickygraham.com/pages/research" target=3D"_blank">ht=
tp://rickygraham.com/pages/research</a><br>
<br>
<br>
</div>Interesting reading! The audio clips at the botton are nice too :-))<=
br>
In the 80ths/90ths I played some MIDI guitar and researched the<br>
concept of having unique sounds for each string, then by using<br>
samplers and synths. Since ten years back I&#39;ve been toying with the<br>
idea of migrating this project into using separate real string sound<br>
outputs and unique effect processing for each string. But last year I<br>
decided to, for now, follow a *duophonic&quot; route rather than<br>
*polyphonic* (like Hal&#39;s idea about routing a bunch of strings into a<b=
r>
shared output). In my case I picked up a Chapman Stick, that is<br>
duophonic in that it routes each one of two six stringed fretboards<br>
out its own dedicated output. What I like in this solution is to be<br>
able to play with the electro magnetic pickup tone I love so much, to<br>
have the option of balancing up to six string clusters through the<br>
same output compression, or other effects, while still combining two<br>
separate effect processing chains. Finally the for me new experience<br>
of playing two handed =A0- tonally improvising &quot;ensamble style&quot; l=
ike<br>
piano players and harpists can do and rhythmically by exploring poly<br>
rhythmic two hand patterns normally utilized by drummers.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>mark franco=
mbe<br><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><b=
r><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @=
markfrancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf305496bb7c5b00049adc268f--

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Subject: Re: OT: Building a Midi Breakout Box
From: Kevin Cheli-Colando <billowhead@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> I want a GK IN, and 2X GK OUT sockets, I want to be able to run both my G=
R30
> AND WP20 at the same time, currently its a choice. THEN I want seperate o=
uts
> for each string. Although to be honest, Im like Per here.. REALLY I want =
a 2
> way split. I want the E and A string to be one output and the D GB and hi=
gh
> E to be another.

I think this may be exactly what you want then as this unit sums the
strings into pairs first (you need separate cables to split them to
individual use).

http://billbax.110mb.com/

160 pounds or about $270 for the unit.  I was quoted something like
$100 for shipping though which seemed way too high.  But perhaps there
are other options for that.

Kevin
--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Jan 27 23:58:23 2011
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Date: Fri, 28 Jan 2011 00:58:17 +0100
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Subject: Re: rhythm sequencers software
From: Louie Angulo <louie.angulo@googlemail.com>
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thanx for all your input brothas
i got a loop gig coming up in feb from a sax player who likes the
stuff i do with looping,we ve done gigs in the past where he
improvises to my loops
but this time i really want to get groovy and make him sound good,this
is why i have been investigating all of this midi sync stuff since im
getting more and more offers to play this way,chill out trip hop kind
of stuff,which i did some time ago with my MPC1000 and EDP.
I havent been doing this stuff for a long time,for the past 3 years i
ve been doing acoustic guitar with some looping, so is kind of
exciting hooking up my roland synth,EDP,M9,adrenalinn and Digitech
sampler which i want to use to trigger one shot subliminal speech
samples with my foot.The digitech jamman Is not very exciting as a
looper but it has enormous memory to save samples and you can easily
scroll through them so since i dont have an MPC anymore why not use it
as a foot one shot sampler and put it into the EDP loop as i please;-)
I spend the whole day trying to decide if i should use mobius or the
EDP as masters to my adrenalinn drum box.Is just too bad that Mobius
midi sync functions dont really work as well as the EDPs,for ex. using
the midi out user start functions,this is where the EDP is still rock
solid if u wanna get groovy!
Im so glad i still have the EDP, this thing keeps amazing me,is still
so ahead,this baby is so tight and reliable in the midi sync
department and so advance in its looping capabilities that havent
really found anything that comes close to it
(as long as you remain mono;-)
Honestly im sort of giving up on the whole syncronized software thing
because even mainstage and ableton dont feel as natural for
spontaneous improv,there is latency and their built in  loopers are
just not as exciting as my EDP
and i realize the moment you start using host programs,vsts and all
that stuff you will have to sacrifice tight syncro rhythm to the
spontaneous manipulation features that the EDP has to offer.I hate the
feeling of having to watch out that things arent gonna crash or go out
of sync or be a slave the whole time!
if im gonna play with groovy machines they are gonna have to fuckin
follow me and not otherwise!
sorry for my rant but ive had it for today with this shit
i should be playing more guitar really...
Luis









On Thu, Jan 27, 2011 at 3:37 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> .
>> I guess what im looking for is something you can load your own drum
>> samples or loops,or that has great drum sounds or grooves with random
>> variations so the grooves that arent static and that could work stable
>> when slaved syncronized to mobius.
>
> On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
>> I guess what im looking for is something you can load your own drum
>> samples or loops,or that has great drum sounds or grooves with random
>> variations so the grooves that arent static and that could work stable
>> when slaved syncronized to mobius
>
> Luis,
> What I forgot to tell is that you can apply grooves to audio clips.
> Might be interesting to check it out. Quote:
> "New groove engine - Groove patterns can add life and swing to
> straight sequences. Live 8's new groove engine lets you apply groove
> patterns in real time, extract grooves from audio or MIDI sources,
> quantize audio and MIDI in real time. It also comes with a new groove
> library"
>
> Source: http://www.ableton.com/live-8-whats-new
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

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Subject: Re: rhythm sequencers software
From: Todd Matthews <gtmatthews@gmail.com>
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> sorry for my rant but ive had it for today with this shit
> i should be playing more guitar really...
> Luis

I think software is our loopin' crack rock. It will take ya straight to =
hell....... but it sounds sooooo good while your on your way there!!





-Todd Matthews=

From Loopers-Delight-request@loopers-delight.com  Fri Jan 28 01:26:00 2011
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Date: Thu, 27 Jan 2011 20:23:27 -0500
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EST/GMT-5 on Galactic Travels, I'll conclude the
month-long Special Focus on the Finnish band Nemesis.  The Featured CD
at Midnight will be "Sky Archeology" by Nemesis on Freeride Records.
For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2011/focus.html#jan

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

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Subject: re: hexe revolver (vid)
From: Scott Hansen <evanpeewee@gmail.com>
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--0016364c7e8b189f54049ade0d56
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i just saw this:

http://www.youtube.com/watch?v=QujNUpJzouQ

the hexe revovler...one sec of looping/glitch/stutter.
wow, it does some cool things, some great sounds....
looks like mr. torn (splattercell) just got one and said good things about
it....

thought i'd share....

varispeed on it-YES. and most cool & good....
not sure the price...i'm afraid to find out...
s---
www.myspace.com/scotthansen

--0016364c7e8b189f54049ade0d56
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<div>i just saw this:</div>
<div>=A0</div>
<div><a href=3D"http://www.youtube.com/watch?v=3DQujNUpJzouQ">http://www.yo=
utube.com/watch?v=3DQujNUpJzouQ</a></div>
<div>=A0</div>
<div>the hexe revovler...one sec of looping/glitch/stutter.</div>
<div>wow, it does some cool things, some great sounds....</div>
<div>looks like mr. torn (splattercell) just got one and said good things a=
bout it....</div>
<div>=A0</div>
<div>thought i&#39;d share....</div>
<div>=A0</div>
<div>varispeed on it-YES. and most cool &amp; good....</div>
<div>not sure the price...i&#39;m afraid to find out...</div>
<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a></div>

--0016364c7e8b189f54049ade0d56--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 28 01:59:33 2011
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Subject: Re: a couple of new Darkroom vids
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As usual, great work you guys.
Bill

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Wooah.... I hear you brother... My thoughts entirely!

M

Sent from my (advertisement removed)

On 28 Jan 2011, at 00:58, Louie Angulo <louie.angulo@googlemail.com> wrote:

> thanx for all your input brothas
> i got a loop gig coming up in feb from a sax player who likes the
> stuff i do with looping,we ve done gigs in the past where he
> improvises to my loops
> but this time i really want to get groovy and make him sound good,this
> is why i have been investigating all of this midi sync stuff since im
> getting more and more offers to play this way,chill out trip hop kind
> of stuff,which i did some time ago with my MPC1000 and EDP.
> I havent been doing this stuff for a long time,for the past 3 years i
> ve been doing acoustic guitar with some looping, so is kind of
> exciting hooking up my roland synth,EDP,M9,adrenalinn and Digitech
> sampler which i want to use to trigger one shot subliminal speech
> samples with my foot.The digitech jamman Is not very exciting as a
> looper but it has enormous memory to save samples and you can easily
> scroll through them so since i dont have an MPC anymore why not use it
> as a foot one shot sampler and put it into the EDP loop as i please;-)
> I spend the whole day trying to decide if i should use mobius or the
> EDP as masters to my adrenalinn drum box.Is just too bad that Mobius
> midi sync functions dont really work as well as the EDPs,for ex. using
> the midi out user start functions,this is where the EDP is still rock
> solid if u wanna get groovy!
> Im so glad i still have the EDP, this thing keeps amazing me,is still
> so ahead,this baby is so tight and reliable in the midi sync
> department and so advance in its looping capabilities that havent
> really found anything that comes close to it
> (as long as you remain mono;-)
> Honestly im sort of giving up on the whole syncronized software thing
> because even mainstage and ableton dont feel as natural for
> spontaneous improv,there is latency and their built in  loopers are
> just not as exciting as my EDP
> and i realize the moment you start using host programs,vsts and all
> that stuff you will have to sacrifice tight syncro rhythm to the
> spontaneous manipulation features that the EDP has to offer.I hate the
> feeling of having to watch out that things arent gonna crash or go out
> of sync or be a slave the whole time!
> if im gonna play with groovy machines they are gonna have to fuckin
> follow me and not otherwise!
> sorry for my rant but ive had it for today with this shit
> i should be playing more guitar really...
> Luis
>
>
>
>
>
>
>
>
>
> On Thu, Jan 27, 2011 at 3:37 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
>> On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>> .
>>> I guess what im looking for is something you can load your own drum
>>> samples or loops,or that has great drum sounds or grooves with random
>>> variations so the grooves that arent static and that could work stable
>>> when slaved syncronized to mobius.
>>
>> On Wed, Jan 26, 2011 at 12:57 AM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>>> I guess what im looking for is something you can load your own drum
>>> samples or loops,or that has great drum sounds or grooves with random
>>> variations so the grooves that arent static and that could work stable
>>> when slaved syncronized to mobius
>>
>> Luis,
>> What I forgot to tell is that you can apply grooves to audio clips.
>> Might be interesting to check it out. Quote:
>> "New groove engine - Groove patterns can add life and swing to
>> straight sequences. Live 8's new groove engine lets you apply groove
>> patterns in real time, extract grooves from audio or MIDI sources,
>> quantize audio and MIDI in real time. It also comes with a new groove
>> library"
>>
>> Source: http://www.ableton.com/live-8-whats-new
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>>
>>
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>>
>>
>

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Subject: Re: fianlly a video of using mobius and ableton!
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sonds killer bro,once im done with this gig i will give that one a try
yes i downloaded the trail version of ableton,do i have to modify the
GUI of mobius for the window to fit on abletons screen? is quite big!
ok i will see how it goes
thanx bud
Luis

On Thu, Jan 27, 2011 at 2:24 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> Hey brother Luis :)
> IAC will do the trick, got this tip from Per Boysen 2 years ago. You
> can selecting the IAC port in Mobius to send out midi clock. Select
> IAC as in input midi port in the Live 8 midi preferences. Btw: I don't
> use sync myself, but when an audio clip in Live is running in warp
> mode, it will sync to it's internal or external midi clock. Just
> tested it by changing the tempo from an external arpeggiator sending
> out midi clock. The audio clips are time strechted, the pitch remains
> the same and are running in sync.
>
> Btw: you can download a fully functional trial version of Live8 for 30 days.
>
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

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 <AANLkTikJnjaZoGV0OmWT-98fn2Cmei-eSnfP9aPETR42@mail.gmail.com>,<F3758BD5E05F2049BBC449788EC936AF01BEBD@WCU-XCH-07.PASSHE.LCL>,<BFEC44D7-DF2C-4ED2-B4F6-16612AC52DFB@1800dialword.com>,<AANLkTi=+D9P43YyA6zS-bUANmiuVXgyBBZFeZMHVFcQE@mail.gmail.com>,<AANLkTi=ukEFHdOKBtkMtP1-1zsD0oPZu8cO4X3+7ezSw@mail.gmail.com>,<AANLkTi=PVDOWcWuW1iqYZkAzWB3QgJBg7_XLn-qMD-NB@mail.gmail.com>,<AANLkTinC0X7L93eDmHFOvTnN9UJRr9UJjDEy6tbh0Xw+@mail.gmail.com>,<AANLkTikyx6Ri84DsZygY4Y2euwrBM+-oc6NFKQ6zVYUH@mail.gmail.com>
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Content-Type: text/plain; charset="iso-8859-1"
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Bill is a very approachable guy. I'm sure you could re-negotiate the shippi=
ng..

G

> Date: Thu=2C 27 Jan 2011 15:25:38 -0800
> Subject: Re: OT: Building a Midi Breakout Box
> From: billowhead@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> > I want a GK IN=2C and 2X GK OUT sockets=2C I want to be able to run bot=
h my GR30
> > AND WP20 at the same time=2C currently its a choice. THEN I want sepera=
te outs
> > for each string. Although to be honest=2C Im like Per here.. REALLY I w=
ant a 2
> > way split. I want the E and A string to be one output and the D GB and =
high
> > E to be another.
>=20
> I think this may be exactly what you want then as this unit sums the
> strings into pairs first (you need separate cables to split them to
> individual use).
>=20
> http://billbax.110mb.com/
>=20
> 160 pounds or about $270 for the unit.  I was quoted something like
> $100 for shipping though which seemed way too high.  But perhaps there
> are other options for that.
>=20
> Kevin
> --=20
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble=
.
>=20
> - Ramana Maharshi (1879-1950)
>=20
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>=20
 		 	   		  =

--_0f1b7124-11c4-48a5-8fa5-19ced8286015_
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<html>
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<body class=3D'hmmessage'>
Bill is a very approachable guy. I'm sure you could re-negotiate the shippi=
ng..<br><br>G<br><br>&gt=3B Date: Thu=2C 27 Jan 2011 15:25:38 -0800<br>&gt=
=3B Subject: Re: OT: Building a Midi Breakout Box<br>&gt=3B From: billowhea=
d@gmail.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br=
>&gt=3B &gt=3B I want a GK IN=2C and 2X GK OUT sockets=2C I want to be able=
 to run both my GR30<br>&gt=3B &gt=3B AND WP20 at the same time=2C currentl=
y its a choice. THEN I want seperate outs<br>&gt=3B &gt=3B for each string.=
 Although to be honest=2C Im like Per here.. REALLY I want a 2<br>&gt=3B &g=
t=3B way split. I want the E and A string to be one output and the D GB and=
 high<br>&gt=3B &gt=3B E to be another.<br>&gt=3B <br>&gt=3B I think this m=
ay be exactly what you want then as this unit sums the<br>&gt=3B strings in=
to pairs first (you need separate cables to split them to<br>&gt=3B individ=
ual use).<br>&gt=3B <br>&gt=3B http://billbax.110mb.com/<br>&gt=3B <br>&gt=
=3B 160 pounds or about $270 for the unit.  I was quoted something like<br>=
&gt=3B $100 for shipping though which seemed way too high.  But perhaps the=
re<br>&gt=3B are other options for that.<br>&gt=3B <br>&gt=3B Kevin<br>&gt=
=3B -- <br>&gt=3B Till now you seriously considered yourself to be the body=
 and to have a<br>&gt=3B form. That is the primal ignorance which is the ro=
ot cause of all trouble.<br>&gt=3B <br>&gt=3B - Ramana Maharshi (1879-1950)=
<br>&gt=3B <br>&gt=3B Sound and Vision:&nbsp=3B http://www.minds-eye.org<br=
>&gt=3B Video http://www.vimeo.com/user877640/videos<br>&gt=3B <br> 		 	   =
		  </body>
</html>=

--_0f1b7124-11c4-48a5-8fa5-19ced8286015_--

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References: <AANLkTikJnjaZoGV0OmWT-98fn2Cmei-eSnfP9aPETR42@mail.gmail.com>
	<F3758BD5E05F2049BBC449788EC936AF01BEBD@WCU-XCH-07.PASSHE.LCL>
	<BFEC44D7-DF2C-4ED2-B4F6-16612AC52DFB@1800dialword.com>
	<AANLkTi=+D9P43YyA6zS-bUANmiuVXgyBBZFeZMHVFcQE@mail.gmail.com>
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Date: Fri, 28 Jan 2011 14:18:20 +0000
Message-ID: <AANLkTik1YhU3kQB1vJfpRmsYBsz2tyL9qXFv28s3hLA_@mail.gmail.com>
Subject: Re: OT: Building a Midi Breakout Box
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c599bdf7e8c9049ae8bc1b
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Hi Mark,

Yes, it's possible (maybe a DIN splitter cable would be possible - easy
enough with some heat shrink), but at the moment, I just do not have the
time. But thanks for asking.

Ricky

On Fri, Jan 28, 2011 at 8:48 AM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  Bill is a very approachable guy. I'm sure you could re-negotiate the
> shipping..
>
> G
>
> > Date: Thu, 27 Jan 2011 15:25:38 -0800
>
> > Subject: Re: OT: Building a Midi Breakout Box
> > From: billowhead@gmail.com
> > To: Loopers-Delight@loopers-delight.com
> >
> > > I want a GK IN, and 2X GK OUT sockets, I want to be able to run both my
> GR30
> > > AND WP20 at the same time, currently its a choice. THEN I want seperate
> outs
> > > for each string. Although to be honest, Im like Per here.. REALLY I
> want a 2
> > > way split. I want the E and A string to be one output and the D GB and
> high
> > > E to be another.
> >
> > I think this may be exactly what you want then as this unit sums the
> > strings into pairs first (you need separate cables to split them to
> > individual use).
> >
> > http://billbax.110mb.com/
> >
> > 160 pounds or about $270 for the unit. I was quoted something like
> > $100 for shipping though which seemed way too high. But perhaps there
> > are other options for that.
> >
> > Kevin
> > --
> > Till now you seriously considered yourself to be the body and to have a
> > form. That is the primal ignorance which is the root cause of all
> trouble.
> >
> > - Ramana Maharshi (1879-1950)
> >
> > Sound and Vision:  http://www.minds-eye.org
> > Video http://www.vimeo.com/user877640/videos
> >
>

--001636c599bdf7e8c9049ae8bc1b
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Hi Mark, <br><br>Yes, it&#39;s possible (maybe a DIN splitter cable would b=
e possible - easy enough with some heat shrink), but at the moment, I just =
do not have the time. But thanks for asking. <br><br>Ricky<br><br><div clas=
s=3D"gmail_quote">
On Fri, Jan 28, 2011 at 8:48 AM, Gareth Whittock <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:buddhamachine@live.co.uk">buddhamachine@live.co.uk</a>&gt;</s=
pan> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0=
pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">




<div>
Bill is a very approachable guy. I&#39;m sure you could re-negotiate the sh=
ipping..<br><br>G<br><br>&gt; Date: Thu, 27 Jan 2011 15:25:38 -0800<div cla=
ss=3D"im"><br>&gt; Subject: Re: OT: Building a Midi Breakout Box<br></div>
<div class=3D"im">&gt; From: <a href=3D"mailto:billowhead@gmail.com" target=
=3D"_blank">billowhead@gmail.com</a><br>&gt; To: <a href=3D"mailto:Loopers-=
Delight@loopers-delight.com" target=3D"_blank">Loopers-Delight@loopers-deli=
ght.com</a><br>
&gt; <br></div><div><div></div><div class=3D"h5">&gt; &gt; I want a GK IN, =
and 2X GK OUT sockets, I want to be able to run both my GR30<br>&gt; &gt; A=
ND WP20 at the same time, currently its a choice. THEN I want seperate outs=
<br>
&gt; &gt; for each string. Although to be honest, Im like Per here.. REALLY=
 I want a 2<br>&gt; &gt; way split. I want the E and A string to be one out=
put and the D GB and high<br>&gt; &gt; E to be another.<br>&gt; <br>&gt; I =
think this may be exactly what you want then as this unit sums the<br>
&gt; strings into pairs first (you need separate cables to split them to<br=
>&gt; individual use).<br>&gt; <br>&gt; <a href=3D"http://billbax.110mb.com=
/" target=3D"_blank">http://billbax.110mb.com/</a><br>&gt; <br>&gt; 160 pou=
nds or about $270 for the unit.  I was quoted something like<br>
&gt; $100 for shipping though which seemed way too high.  But perhaps there=
<br>&gt; are other options for that.<br>&gt; <br>&gt; Kevin<br>&gt; -- <br>=
&gt; Till now you seriously considered yourself to be the body and to have =
a<br>
&gt; form. That is the primal ignorance which is the root cause of all trou=
ble.<br>&gt; <br>&gt; - Ramana Maharshi (1879-1950)<br>&gt; <br>&gt; Sound =
and Vision:=A0 <a href=3D"http://www.minds-eye.org" target=3D"_blank">http:=
//www.minds-eye.org</a><br>
&gt; Video <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_bl=
ank">http://www.vimeo.com/user877640/videos</a><br>&gt; <br> 		 	   		  </d=
iv></div></div>
</blockquote></div><br>

--001636c599bdf7e8c9049ae8bc1b--

From Loopers-Delight-request@loopers-delight.com  Fri Jan 28 17:09:16 2011
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Subject: Rick's percussion post
References: <AANLkTikJnjaZoGV0OmWT-98fn2Cmei-eSnfP9aPETR42@mail.gmail.com> <F3758BD5E05F2049BBC449788EC936AF01BEBD@WCU-XCH-07.PASSHE.LCL> <BFEC44D7-DF2C-4ED2-B4F6-16612AC52DFB@1800dialword.com> <AANLkTi=+D9P43YyA6zS-bUANmiuVXgyBBZFeZMHVFcQE@mail.gmail.com> <AANLkTi=ukEFHdOKBtkMtP1-1zsD0oPZu8cO4X3+7ezSw@mail.gmail.com> <AANLkTi=PVDOWcWuW1iqYZkAzWB3QgJBg7_XLn-qMD-NB@mail.gmail.com> <AANLkTinC0X7L93eDmHFOvTnN9UJRr9UJjDEy6tbh0Xw+@mail.gmail.com> <AANLkTikyx6Ri84DsZygY4Y2euwrBM+-oc6NFKQ6zVYUH@mail.gmail.com> <BAY145-w423DEAAEBD10E9FE44203885E10@phx.gbl> <AANLkTik1YhU3kQB1vJfpRmsYBsz2tyL9qXFv28s3hLA_@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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Thread-Topic: Rick's percussion post
Thread-Index: Acu/DgTVcN0zbg7ESTC1a9f4GquI+w==
Date: Fri, 28 Jan 2011 12:08:22 -0500
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Rick et al,

I just wanted to say again thanks for taking time, time is all we really hav=
e, taking time to write such a good post about percussion and how it might r=
elate to static percussion loops in looping.=20

In building live song track, the way I mostly loop, I can either record shor=
t two or four measure grooves or play them in my mini vdrum setup, and since=
 your post been thinking and listening closer and I noticed that if I just r=
ecord my mediocre live drumming, it is a weird combination of having a drum g=
roove thats not perfect but gets repeated perfectly, it is really cool hadnt=
 thought of that but it really makes for a much better feel on the overall s=
ong.=20

Ya'll other genuises, thanks too. Soon I'll be brave enough to show yall a l=
oop song!!!

Andy the O=

From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 05:16:51 2011
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Subject: GigMusicSpam: ImprovFriday this weekend
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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Folks at ImprovFriday we're having a great 'thread' so far this weekend.  I
pub'd a blog earlier this evening with a few links from the 40 someodd
pieces so far, some very neat mashes.  The blog is
http://whatsnewatimprovfriday.wordpress.com and ImprovFriday is of course,
http://improvfriday.ning.com.

*Rainer* and *Stephen [Goodman]* are each doing live webstreams today
(Saturday 1/29/11) during the day, hosted by ImprovFriday.

Rainer's set is at 8am PST, 11am EST, 4pm UK, 5pm western Europe.

Stephen's set is at 4pm PST, 7pm EST, 12mn UK, 1am western Europe.

For specific visit http://www.timeanddate.com/worldclock/fixedform.html.

To catch the feeds goto the ImprovFriday site above.

Hope to see everyone.

Jim

--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--001636c5b5580039bd049af54a09
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Folks at ImprovFriday we&#39;re having a great &#39;thread&#39; so far this=
 weekend. =A0I pub&#39;d a blog earlier this evening with a few links from =
the 40 someodd pieces so far, some very neat mashes. =A0The blog is=A0<a hr=
ef=3D"http://whatsnewatimprovfriday.wordpress.com">http://whatsnewatimprovf=
riday.wordpress.com</a>=A0and ImprovFriday is of course,=A0<a href=3D"http:=
//improvfriday.ning.com">http://improvfriday.ning.com</a>.<div>
<br></div><div><b>Rainer</b>=A0and <b>Stephen [Goodman]</b>=A0are each doin=
g live webstreams today (Saturday 1/29/11) during the day, hosted by Improv=
Friday.</div><div><br></div><div>Rainer&#39;s set is at 8am PST, 11am EST, =
4pm UK, 5pm western Europe.</div>
<div><br></div><div>Stephen&#39;s set is at 4pm PST, 7pm EST, 12mn UK, 1am =
western Europe.</div><div><br></div><div>For specific visit=A0<a href=3D"ht=
tp://www.timeanddate.com/worldclock/fixedform.html">http://www.timeanddate.=
com/worldclock/fixedform.html</a>.</div>
<div><br></div><div>To catch the feeds goto the ImprovFriday site above.</d=
iv><div><br></div><div>Hope to see everyone.</div><div><br></div><div>Jim<b=
r clear=3D"all"><br>-- <br><i>From Brooklyn To Glindran</i>, a new World/Fr=
ee Jazz recording by Jim Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>
from the sale of this CD will benefit JDRF International.=A0 <a href=3D"htt=
p://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn=
.bandcamp.com</a>.<br><br><a href=3D"http://woodandwiremusic.wordpress.com"=
 target=3D"_blank">woodandwiremusic.wordpress.com</a><br>

</div>

--001636c5b5580039bd049af54a09--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 15:26:03 2011
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Subject: Galactic Travels Playlist #721 for January 27, 2011.
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http://wdiy.org/programs/gt/playlists/2011/110127.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                 Show #721                January 27, 2011.

RECAP:
On this show, I concluded the month-long focus on Nemesis.  The Featured
CD at Midnight was "Sky Archeology" on Freeride Records.

Nemesis: http://wdiy.org/programs/gt/playlists/2011/focus.html#jan


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Ron Boots and        Coucher du soleil    Refuge en Verre (Groove)
   Synth.nl
Dave Luxton          Space Station Window Dark Moon (Wayfarer)
Nattefrost           Close Encounter      Dying Sun / Scarlet Moon
                                             (Groove)
Picture Palace Music Right of Ascension   Midsummer (Groove)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Nemesis              Sky Archeology       Sky Archeology (Freeride)
Nemesis              Cygnus Loop          Sky Archeology (Freeride)
Nemesis              Tango Fornax 9991    Sky Archeology (Freeride)
Nemesis              Nova Stella          Sky Archeology (Freeride)
Nemesis              Monocheros           Sky Archeology (Freeride)
Nemesis              Almagest             Sky Archeology (Freeride)
Nemesis              Anaxagoras           Sky Archeology (Freeride)

1:00 am

  * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on
Nattefrost.  The Featured CD at Midnight will be "Absorbed in Dreams and
Yearning" on Groove Unlimited.

Nattefrost: http://wdiy.org/programs/gt/playlists/2011/focus.html#feb


Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 16:12:13 2011
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I've gone to the website but the video it links to is Rainer looping =
trombone back on Jan 15th. (Which sounds really cool Rainer, btw) How do =
I get to the live one that's happening right now?

-Todd Matthews





From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 16:21:31 2011
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Subject: Re: GigMusicSpam: ImprovFriday this weekend
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--20cf3054a66b3f45ec049afe939f
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refresh refresh, he started late as well but live now doing electronics.
http://improvfriday.ning.com also
http://www.ustream.tv/channel/the-moinsound-studio-sessions.  join us.

On Sat, Jan 29, 2011 at 11:12 AM, Todd Matthews <gtmatthews@gmail.com>wrote=
:

> I've gone to the website but the video it links to is Rainer looping
> trombone back on Jan 15th. (Which sounds really cool Rainer, btw) How do =
I
> get to the live one that's happening right now?
>
> -Todd Matthews
>
>
>
>
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--20cf3054a66b3f45ec049afe939f
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refresh refresh, he started late as well but live now doing electronics. =
=A0 <a href=3D"http://improvfriday.ning.com">http://improvfriday.ning.com</=
a> also <a href=3D"http://www.ustream.tv/channel/the-moinsound-studio-sessi=
ons">http://www.ustream.tv/channel/the-moinsound-studio-sessions</a>. =A0jo=
in us.<br>
<br><div class=3D"gmail_quote">On Sat, Jan 29, 2011 at 11:12 AM, Todd Matth=
ews <span dir=3D"ltr">&lt;<a href=3D"mailto:gtmatthews@gmail.com">gtmatthew=
s@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
I&#39;ve gone to the website but the video it links to is Rainer looping tr=
ombone back on Jan 15th. (Which sounds really cool Rainer, btw) How do I ge=
t to the live one that&#39;s happening right now?<br>
<font color=3D"#888888"><br>
-Todd Matthews<br>
<br>
<br>
<br>
<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn=
 To Glindran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter=
 Th=F6rn.=A0 Proceeds<br>from the sale of this CD will benefit JDRF Interna=
tional.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_b=
lank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>

--20cf3054a66b3f45ec049afe939f--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 17:31:55 2011
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I found this on bay area Craigs List, I haven't been following this  
thread too  closely but isn't this what you all are thinking about?
  Bill
http://sfbay.craigslist.org/eby/msg/2183239539.html
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I found this on bay area Craigs List, I haven't been following this thread too &nbsp;closely but isn't this what you all are thinking about?<div>&nbsp;Bill<br><div><a href="http://sfbay.craigslist.org/eby/msg/2183239539.html">http://sfbay.craigslist.org/eby/msg/2183239539.html</a></div></div></body></html>
--Apple-Mail-4-187527126--

From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 17:53:53 2011
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Subject: Re:alternatives to rhythm sequencers software
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Dear Luis et all, I think that my old band mate and looper Gary Regina  
( and the Genie for that matter) has the coolest and easiest way to  
get great drum beats without resorting to midi clock, drum machines or  
sequencers, software etc... Simple resampling, like I think you are  
now on to Luis, You have this great new looper that stores a huge  
amount of loops so use it as your beat loop storage device,  and if  
you can't sync to anything, simply resample those beats on to your edp  
for further mangling, perfect stops and starts etc. Gary does it on an  
RC 50, before that it was a original Lexicon Jamman. That cool thing  
about this is obviously you can sample anything from your favorite hip  
grooves and dance tracks, to Martin Luther King throwing down his  
Dream,  and if you don't have a looper with storage, an I-pod or CD  
player  routed to your looper will suffice, and from a visual  
standpoint resampling a drum groove live still gives an audience the  
sense of the piece being built from scratch as apposed to pressing a  
button to turn on the canned tracks.
  Bill

From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 18:30:40 2011
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Bill et al,

Thanks to everyone for the info this is certainly a site where I learn something 
new each day. Bill, per your idea, lately I have been using SoundPlant to play 
samples I loaded from an old copy of DrumCore I bought years ago and never used. 
I have been having fun slowing down the samples to the point you don't even know 
it is a drum anymore.....

Eric




________________________________
From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sat, January 29, 2011 12:53:45 PM
Subject: Re:alternatives to rhythm sequencers software

Dear Luis et all, I think that my old band mate and looper Gary Regina ( and the 
Genie for that matter) has the coolest and easiest way to get great drum beats 
without resorting to midi clock, drum machines or sequencers, software etc... 
Simple resampling, like I think you are now on to Luis, You have this great new 
looper that stores a huge amount of loops so use it as your beat loop storage 
device,  and if you can't sync to anything, simply resample those beats on to 
your edp for further mangling, perfect stops and starts etc. Gary does it on an 
RC 50, before that it was a original Lexicon Jamman. That cool thing about this 
is obviously you can sample anything from your favorite hip grooves and dance 
tracks, to Martin Luther King throwing down his Dream,  and if you don't have a 
looper with storage, an I-pod or CD player  routed to your looper will suffice, 
and from a visual standpoint resampling a drum groove live still gives an 
audience the sense of the piece being built from scratch as apposed to pressing 
a button to turn on the canned tracks.
Bill


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Bill et al,<br><br>Thanks to everyone for the info this is certainly a site where I learn something new each day. Bill, per your idea, lately I have been using SoundPlant to play samples I loaded from an old copy of DrumCore I bought years ago and never used. I have been having fun slowing down the samples to the point you don't even know it is a drum anymore.....<br><br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> William Walker &lt;billwalker@baymoon.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span
 style="font-weight: bold;">Sent:</span></b> Sat, January 29, 2011 12:53:45 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re:alternatives to rhythm sequencers software<br></font><br>
Dear Luis et all, I think that my old band mate and looper Gary Regina ( and the Genie for that matter) has the coolest and easiest way to get great drum beats without resorting to midi clock, drum machines or sequencers, software etc... Simple resampling, like I think you are now on to Luis, You have this great new looper that stores a huge amount of loops so use it as your beat loop storage device,&nbsp; and if you can't sync to anything, simply resample those beats on to your edp for further mangling, perfect stops and starts etc. Gary does it on an RC 50, before that it was a original Lexicon Jamman. That cool thing about this is obviously you can sample anything from your favorite hip grooves and dance tracks, to Martin Luther King throwing down his Dream,&nbsp; and if you don't have a looper with storage, an I-pod or CD player&nbsp; routed to your looper will suffice, and from a visual standpoint resampling a drum groove live still gives an
 audience the sense of the piece being built from scratch as apposed to pressing a button to turn on the canned tracks.<br> Bill<br><br></div></div>
</div><br>

      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 20:45:08 2011
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Date: Sat, 29 Jan 2011 15:45:02 -0500
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Top 20 Report for January, 2011.
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http://wdiy.org/programs/gt/playlists/2011/top20-01jan.html

WDIY 88.1 FM "Galactic Travels" Top 20 for January, 2011.
Shows #718 to #721; 6-January-2011 to 27-January-2011
Reported in non-ranked, alphanumeric order.
Compiled by Bill Fox

The Special Focus for January was Nemesis.
Nemesis: http://wdiy.org/programs/gt/playlists/2011/focus.html#jan


ARTIST - ALBUM TITLE - LABEL
========================================================================
Ambient Fabric - In Space - Auraltone
Amongst Myselves - Fragments - none
Broekhuis, Keller, and Schonwalder - In Repelen - Manikin
Chuck Van Zyl - MemorySpace - Synkronos
Claus Gahrn and Tim Risher - Musical Sculptures - Auraltone
Create - We Live By the Machines - Groove
Dave Luxton - Dark Moon - Wayfarer
Gert Emmens - Metamorphosis - Groove
MorPheuSz - Days of Delerium and Nocturnal Nightmares - Groove
Nattefrost - Dying Sun / Scarlet Moon - Groove
Nemesis - Gigaherz - Origo Sound
Nemesis - Live Archive Vol. 1 - none
Nemesis - Live Archive Vol. 2 - none
Nemesis - Live Archive Vol. 2 - none
Nemesis - Sky Archeology - Freeride
Picture Palace Music - Midsummer - Groove
Rainbow Serpent and Isgaard - Stranger - Manikin
Ron Boots and Synth.nl - Refuge en Verre - Groove
Various Artists - E-Live 2009 - Groove
Various Artists - E-Live 2010 - Groove

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EST/GMT-5 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.

From Loopers-Delight-request@loopers-delight.com  Sat Jan 29 21:52:42 2011
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Date: Sat, 29 Jan 2011 13:52:28 -0800
From: Rick Walker <looppool@cruzio.com>
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On 7/22/64 11:59 AM, Andy Owens wrote:
> Rick et al,
>
> I just wanted to say again thanks for taking time, time is all we really have, taking time to write such a good post about percussion and how it might relate to static percussion loops in looping.
>
> In building live song track, the way I mostly loop, I can either record short two or four measure grooves or play them in my mini vdrum setup, and since your post been thinking and listening closer and I noticed that if I just record my mediocre live drumming, it is a weird combination of having a drum groove thats not perfect but gets repeated perfectly, it is really cool hadnt thought of that but it really makes for a much better feel on the overall song.
>
> Ya'll other genuises, thanks too. Soon I'll be brave enough to show yall a loop song!!!
>
> Andy the O
Thanks, Andy, and you really hit the nail on the head for me:

I've seen hundreds of loopers play at all the festivals I've produced 
and in touring in many countries in my life
and it may just be my aesthetic,  but I find it far more engaging to me 
for a guitarist or other melodic looper
to make their own percussion loops with whatever is at hand (their own 
instrument,  incidental percussion, small drum
sets (and remember you need only a credible kick sound, a credible snare 
and a credible hi hat sound which can result
in a very, very small drum set) or even electronic drums).

It's funny about looping but I've come to believe this.    If you are 
musical and relatively accurate and fairly minimal,  the brain 'buys' a 
single bar rhythmic loop as a coherent world against which you can layer 
lots of interesting things.

The second you add more than a couple of bars,  the idiosyncracies of 
either quantized programming or imperfect
performance become glaring and people fixate on the artificialness (and 
the lack of perfection).

I once, purposefully made a terribly lump beat box loop at PASIC (I've 
already mentioned it here, I believe but it bears mentioning again)  
enough to get a funny audible groan out of the famous session drummer, 
Bill Ward, sitting in the front
row.   I did it, though, to demonstrate that I could then layer four or 
five more acapella tracks in such a way that
I could make the audience suspend their reasonable disbelief and 'buy' 
the loop as a groove.   I did this by layering
long envelope events that 'smeared' across the lumpy boundary of the event.

The reasonable suspension of disbelief that all human beings have 
capacity for is why looping works at all, in my opinion.
Let's face it:   we are doing a very, very artificial thing when we loop 
live and we are trying to do it in such a way that nobody
pays much attention to it's artificiality (unless we are slicing and 
dicing and getting jiggy with an abstract concept,
in which the artificiality of our processing is precisely the effect we 
want to have on the audience).

Consequently,  in performance after performance at the loopfestivals  I 
have watched the audiences responses and, invariably,
the musicians who are creating their own rhythmic/percussion tracks just 
seem to have a better response to what their
doing sometimes DESPITE the fact that they are using extremely naive 
rhythmic concepts and techniques.

It's one thing if it's being put on a recording.   Another, when it is 
in front of a live audience.

As an example,  I love and support Luis Angulo to do anything he wants 
to do with his Adrenallin in performance, but
personally,  I love it the most when he's not using programmed beats but 
playing percussion himself.   He's
one funky motherfunker, in my opinion and the visceral quality of what 
he loops, percussively is always outstanding.

We're looping so it's artificial as hell, but , to me,  it feels more 
'real' to do it that way.
Here's to illusion!!!

respectfully,   rick walker

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Date: Sat, 29 Jan 2011 19:20:14 -0500
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Subject: Re: Re: LP 2 Mini Looper Feature Set
From: Zak Kramer <crazyquilt@gmail.com>
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 On 7/22/64 11:59 AM, andy butler wrote:

>
> I wonder if the "storage of 8 loops" on the SD card
> causes confusion.

I was surprised by the "eight loops" bit myself, as I hadn't recalled that
in the original feature set Bob posted, and which (after many re-posts) was
how I heard about the LP-2. I had assumed it was only one loop, but then
when I heard it was multiple loops, I was curious as to how/why that worked.

But I mostly ordered it for battery powerable rhythmic mangling. I can't
wait.

Zak Kramer

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 On 7/22/64 11:59 AM, andy butler wrote:<br>=A0<br>&gt;<br>&gt; I wonder if=
 the &quot;storage of 8 loops&quot; on the SD card<br>&gt; causes confusion=
.<br><br>I was surprised by the &quot;eight loops&quot; bit myself, as I ha=
dn&#39;t recalled that in the original feature set Bob posted, and which (a=
fter many re-posts) was how I heard about the LP-2. I had assumed it was on=
ly one loop, but then when I heard it was multiple loops, I was curious as =
to how/why that worked.<br>
<br>But I mostly ordered it for battery powerable rhythmic mangling. I can&=
#39;t wait.<br><br>Zak Kramer<br><br><br>

--0023543a2a04649dc7049b05432b--

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Subject: GigSpam: Stephen Goodman live on ImprovFriday
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c5b43c96f4e0049b05def9
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Stephen is currently performing live on ImprovFriday now, performing to his
hand coloured stop motion like films.  Lovely tones and creative editing,
all live on http://improvfriday.ning.com
<http://improvfriday.ning.com>Jim

--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--001636c5b43c96f4e0049b05def9
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Stephen is currently performing live on ImprovFriday now, performing to his=
 hand coloured stop motion like films. =A0Lovely tones and creative editing=
, all live on=A0<a href=3D"http://improvfriday.ning.com">http://improvfrida=
y.ning.com</a><div>
<a href=3D"http://improvfriday.ning.com"></a>Jim<br clear=3D"all"><br>-- <b=
r><i>From Brooklyn To Glindran</i>, a new World/Free Jazz recording by Jim =
Goodin &amp; Peter Th=F6rn.=A0 Proceeds<br>from the sale of this CD will be=
nefit JDRF International.=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp=
.com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--001636c5b43c96f4e0049b05def9--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 03:33:23 2011
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Subject: Re: m13 - m9 
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Okay. I miss some of the effects on the AM8000R, but record a loop on =
the M13, put it into reverse and half-speed, and run it through some =
effects including things like the Particle Verb and it's a very nice =
little ambience processor.

Now, if only it weren't also affecting my guitar signal when I play over =
the top... Splitters, mixers, effects loops, oh my.

Mark

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 <E51C97FD-81C3-4072-9158-A4A672FD962B@grubmah.com>,<B1E371C2-7DED-48E0-A3EF-64C02663A633@grubmah.com>
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I've only just got mine Mark but can't you just select another scene for ja=
mming over the top?
I'm loving the M13 incidentally - gorgeous!
=20
peace
=20
G
=20
> Subject: Re: m13 - m9=20
> From: mark@grubmah.com
> Date: Sat=2C 29 Jan 2011 19:33:13 -0800
> To: Loopers-Delight@loopers-delight.com
>=20
> Okay. I miss some of the effects on the AM8000R=2C but record a loop on t=
he M13=2C put it into reverse and half-speed=2C and run it through some eff=
ects including things like the Particle Verb and it's a very nice little am=
bience processor.
>=20
> Now=2C if only it weren't also affecting my guitar signal when I play ove=
r the top... Splitters=2C mixers=2C effects loops=2C oh my.
>=20
> Mark
>=20
 		 	   		  =

--_cd995c99-01c1-4fff-82d3-73fee05a921e_
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Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
I've only just got mine Mark but can't you just select another scene&nbsp=
=3Bfor jamming over the top?<BR>
I'm loving the M13 incidentally - gorgeous!<BR>
&nbsp=3B<BR>
peace<BR>
&nbsp=3B<BR>
G<BR>&nbsp=3B<BR>
&gt=3B Subject: Re: m13 - m9 <BR>&gt=3B From: mark@grubmah.com<BR>&gt=3B Da=
te: Sat=2C 29 Jan 2011 19:33:13 -0800<BR>&gt=3B To: Loopers-Delight@loopers=
-delight.com<BR>&gt=3B <BR>&gt=3B Okay. I miss some of the effects on the A=
M8000R=2C but record a loop on the M13=2C put it into reverse and half-spee=
d=2C and run it through some effects including things like the Particle Ver=
b and it's a very nice little ambience processor.<BR>&gt=3B <BR>&gt=3B Now=
=2C if only it weren't also affecting my guitar signal when I play over the=
 top... Splitters=2C mixers=2C effects loops=2C oh my.<BR>&gt=3B <BR>&gt=3B=
 Mark<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_cd995c99-01c1-4fff-82d3-73fee05a921e_--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 07:40:15 2011
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Subject: Re: m13 - m9
Date: Sat, 29 Jan 2011 23:40:11 -0800
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I'm reprocessing the loop which means I'm also processing my playing. I =
love taking a loop and enmeshing it in complex ambience. I'm less =
enamored of doing that with my main signal. As I said, splitters and =
mixers and effects loops, here I come I guess.

It does make it tempting to replace the M13 with a pair of M9's. One for =
echoes on my main signal and one as a looper + FX. That said, the FX =
loop on the M13 offers opportunities as well with the right routing.

Mark

On Jan 29, 2011, at 8:25 PM, Gareth Whittock wrote:

> I've only just got mine Mark but can't you just select another scene =
for jamming over the top?
> I'm loving the M13 incidentally - gorgeous!
> =20
> peace
> =20
> G
> =20
> > Subject: Re: m13 - m9=20
> > From: mark@grubmah.com
> > Date: Sat, 29 Jan 2011 19:33:13 -0800
> > To: Loopers-Delight@loopers-delight.com
> >=20
> > Okay. I miss some of the effects on the AM8000R, but record a loop =
on the M13, put it into reverse and half-speed, and run it through some =
effects including things like the Particle Verb and it's a very nice =
little ambience processor.
> >=20
> > Now, if only it weren't also affecting my guitar signal when I play =
over the top... Splitters, mixers, effects loops, oh my.
> >=20
> > Mark
> >=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I'm =
reprocessing the loop which means I'm also processing my playing. I love =
taking a loop and enmeshing it in complex ambience. I'm less enamored of =
doing that with my main signal. As I said, splitters and mixers and =
effects loops, here I come I guess.<div><br></div><div>It does make it =
tempting to replace the M13 with a pair of M9's. One for echoes on my =
main signal and one as a looper + FX. That said, the FX loop on the M13 =
offers opportunities as well with the right =
routing.</div><div><div><br></div><div>Mark</div><div><br><div><div>On =
Jan 29, 2011, at 8:25 PM, Gareth Whittock wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
class=3D"hmmessage" style=3D"font-size: 10pt; font-family: Tahoma; =
">I've only just got mine Mark but can't you just select another =
scene&nbsp;for jamming over the top?<br>I'm loving the M13 incidentally =
- gorgeous!<br>&nbsp;<br>peace<br>&nbsp;<br>G<br>&nbsp;<br>&gt; Subject: =
Re: m13 - m9<span class=3D"Apple-converted-space">&nbsp;</span><br>&gt; =
From:<span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:mark@grubmah.com">mark@grubmah.com</a><br>&gt; Date: Sat, =
29 Jan 2011 19:33:13 -0800<br>&gt; To:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; Okay. I miss some =
of the effects on the AM8000R, but record a loop on the M13, put it into =
reverse and half-speed, and run it through some effects including things =
like the Particle Verb and it's a very nice little ambience =
processor.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; Now, if only it =
weren't also affecting my guitar signal when I play over the top... =
Splitters, mixers, effects loops, oh my.<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br>&gt; Mark<br>&gt;<span =
class=3D"Apple-converted-space">&nbsp;</span><br></div></span></blockquote=
></div><br></div></div></body></html>=

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Interesting thread.

I must say that Im totally with Rick when it comes to making loops that dont
sound "real". Why should they? In todays world its so easy to make things
sound "real"  on a recording, that live it seems a bit silly.  There are so
many options in the computer artistes palette, it seems very restrictive to
choose "real sounding drums" when theses sounds can be made by... hitting
real drums.

I must say I veer from Ricks opinion about the musician HAVING to make the
rythyms "on the spot". I have never seen the problem in using pre-made loops
that spin in and out of the mix.

Theres no worse kinda looping to me than this " Watch and marvel as I create
a whole track out of nothing...
"Heres the drums, here comes the bass, here comes the rythym.. then 5
minutes into the track we have all the instruments going and the song can
now start"
Im a guitarist, why the fuck should I have to be a drummer too... fuck that.
People can see Im drumming on my guitar neck or beat-boxing because I dont
have a friend who can actually PLAY the drums... but If I use a drum machine
or loops, well then its just seems part of the track...
Now dont get me wrong, drumming on the neck i of course a totally usable
guitarist technique, but its a bit dull at looping shows when I have to sit
thru a few minutes of the guy setting up the loops... the days are gone
where I would marvel at looping, "OooOOohh how clever" .. Every kid in
Norway has at least a RC20 now, I see a tiny bit of looping at most shows I
go to, but very few are "loopers" of the LD variety. What differentiates us
from the crowd (not to get too elitists about it) is that we have dedicated
our whole sound to looping, as such.. arn't we also over the...
"Everything I do must be done BY looping"
thing.

Just my 2 kroners

Mark


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf30549a5fd41935049b0ca711
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Interesting thread.<br><br>I must say that Im totally with Rick when it com=
es to making loops that dont sound &quot;real&quot;. Why should they? In to=
days world its so easy to make things sound &quot;real&quot;=A0 on a record=
ing, that live it seems a bit silly.=A0 There are so many options in the co=
mputer artistes palette, it seems very restrictive to choose &quot;real sou=
nding drums&quot; when theses sounds can be made by... hitting real drums. =
<br>

<br>I must say I veer from Ricks opinion about the musician HAVING to make =
the rythyms &quot;on the spot&quot;. I have never seen the problem in using=
 pre-made loops that spin in and out of the mix. <br><br>Theres no worse ki=
nda looping to me than this &quot; Watch and marvel as I create a whole tra=
ck out of nothing... <br>

&quot;Heres the drums, here comes the bass, here comes the rythym.. then 5 =
minutes into the track we have all the instruments going and the song can n=
ow start&quot;<br>Im a guitarist, why the fuck should I have to be a drumme=
r too... fuck that. People can see Im drumming on my guitar neck or beat-bo=
xing because I dont have a friend who can actually PLAY the drums... but If=
 I use a drum machine or loops, well then its just seems part of the track.=
.. <br>

Now dont get me wrong, drumming on the neck i of course a totally usable gu=
itarist technique, but its a bit dull at looping shows when I have to sit t=
hru a few minutes of the guy setting up the loops... the days are gone wher=
e I would marvel at looping, &quot;OooOOohh how clever&quot; .. Every kid i=
n Norway has at least a RC20 now, I see a tiny bit of looping at most shows=
 I go to, but very few are &quot;loopers&quot; of the LD variety. What diff=
erentiates us from the crowd (not to get too elitists about it) is that we =
have dedicated our whole sound to looping, as such.. arn&#39;t we also over=
 the... <br>

&quot;Everything I do must be done BY looping&quot;<br>thing.<br><br>Just m=
y 2 kroners<br><br>Mark<br><br clear=3D"all">
<br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com" targe=
t=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.=
com" target=3D"_blank">www.ordoabkhao.com</a><br>twitter @markfrancombe<br>=
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>


<a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><b=
r>

--20cf30549a5fd41935049b0ca711--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 09:15:07 2011
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Date: Sun, 30 Jan 2011 01:15:04 -0800
Message-ID: <AANLkTi=XxvUKt-rj3rzy5DWeTHd4RQM5qMyWrEw51SwK@mail.gmail.com>
Subject: Re: NAMM News: iZotope Stutter Edit - anyone seen this?
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--90e6ba4fc482191932049b0cbcb0
Content-Type: text/plain; charset=ISO-8859-1

I just downloaded the trial, it's unlimited for 10 days. It took a couple
attempts to get the routing working in ableton, but the help file is good.
Very cool, and very different from glitch. Thanks for the heads up on this,
it's going to take some time to get my head around it.

On Wed, Jan 19, 2011 at 12:15 PM, Rick Walker <looppool@cruzio.com> wrote:

> On 7/22/64 11:59 AM, Rainer Straschill wrote:
>
>> via gearjunkies.com:
>> http://www.izotope.com/products/audio/stutteredit/
>>
>> Another thingie for intuitively mashing up audio input with the electronic
>> dance folks in mind.
>>
>>            Rainer
>>
>>  Maha and I sat through the entire demo of this piece of software.
> It's really amazing what it can do and it's very, very deep.
>
> They offered it at NAMM for $150  and the street price is $250
> but I, alas, just didn't have the moolah to pick it up.
>
> For me,  it's dream software.   Very, very hip real time manipulation of
> both
> triggering and pitch whilst always staying in sync with whatever incoming
> audio is happening.
>
> rick walker
>
>


-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--90e6ba4fc482191932049b0cbcb0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I just downloaded the trial, it&#39;s unlimited for 10 days. It took a coup=
le attempts to get the routing working in ableton, but the help file is goo=
d. Very cool, and very different from glitch. Thanks for the heads up on th=
is, it&#39;s going to take some time to get my head around it.<br>
<br><div class=3D"gmail_quote">On Wed, Jan 19, 2011 at 12:15 PM, Rick Walke=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cru=
zio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D=
"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padd=
ing-left: 1ex;">
<div class=3D"im">On 7/22/64 11:59 AM, Rainer Straschill wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
via <a href=3D"http://gearjunkies.com" target=3D"_blank">gearjunkies.com</a=
>:<br>
<a href=3D"http://www.izotope.com/products/audio/stutteredit/" target=3D"_b=
lank">http://www.izotope.com/products/audio/stutteredit/</a><br>
<br>
Another thingie for intuitively mashing up audio input with the electronic =
dance folks in mind.<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</blockquote></div>
Maha and I sat through the entire demo of this piece of software.<br>
It&#39;s really amazing what it can do and it&#39;s very, very deep.<br>
<br>
They offered it at NAMM for $150 =A0and the street price is $250<br>
but I, alas, just didn&#39;t have the moolah to pick it up.<br>
<br>
For me, =A0it&#39;s dream software. =A0 Very, very hip real time manipulati=
on of both<br>
triggering and pitch whilst always staying in sync with whatever incoming a=
udio is happening.<br><font color=3D"#888888">
<br>
rick walker<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/=
artsimon<br>

--90e6ba4fc482191932049b0cbcb0--

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Subject: Re: Rick's percussion post
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jan 30, 2011 at 10:09 AM, mark francombe <mark@markfrancombe.com> wrote:
> Theres no worse kinda looping to me than this " Watch and marvel as I create
> a whole track out of nothing...
> "Heres the drums, here comes the bass, here comes the rythym.. then 5
> minutes into the track we have all the instruments going and the song can
> now start"

Yes, a big challenge in live looping is to create complex multi part
music FAST! For me the scripting in Mobius has helped a lot to get
right at the musical essential with less boring "transportation time".
Another solution is to make each part interesting in itself, maybe by
strategically choosing the best order for adding parts - so that each
new part raises a question mark that will be answered by the next
added part, thus creating a "questions vs answers" flow out of the
otherwise boring part-building phase. A third technique - that once
inspired Matthias Grob to come up with the idea for the EDP - is to
not play music that simply stacks parts on top of each other but to
make the music evolve by changing it over time, replacing parts,
adding new layers, fading out old stuff, fading in new stuff etc etc.
Rick, that initiated this thread, also talks a lot about "changing the
loops as you are performing" and he sure does that a lot in his shows.
I've even seen him improvise a decent ending to stop a live looping
piece that didn't immediately take off in an interesting way. By doing
that you still turn the "failure" into a decent piece of music,
although very short ;-), and you can go on with a new piece that will
then sound even more interesting as it takes over from the preceding
"less interesting" piece. Live looping is a lot about taking on the
audience's perspective on what you are doing as you are instantly
doing it. When performing you are both the conductor, the orchestra
and the audience at the same time (composer too if doing impro). IMHO
that's what it's about, having that split vision/hearing while
creating.

>  arn't we also over the...
> "Everything I do must be done BY looping"
> thing.

I love looping but one thing that never stops annoying me with
loopping is that you can't do ritardandi or accelerandi! This
frustration has led me to come up with live sound design that makes a
non-looping instrument sound similar in timbre to a stuffed looper, so
that I will be able to go from free playing into live looping and back
again with not too much feel of creating a musical break. This makes
it easier to combine the repeating machine like feel of loops with an
organic flow of rhythmically free playing. Picking up the Stick is for
me another way to achieve more instantly playable musical parts
without the need of looping one part before playing the additional
part. If you listen to Kora music you may find that it actually is
"live looping music but without the technical looping".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 10:26:28 2011
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--20cf3054a15f34440b049b0dbb33
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I bought this immediately, and is already an integral part of my live band
setup... not really for the glitchy "play the thing while I listen" thing,
but as a chop n slice machine... I set all my patches to "latch" and this
way I get the best of both worlds...



On Sun, Jan 30, 2011 at 10:15 AM, Art Simon <simart@gmail.com> wrote:

> I just downloaded the trial, it's unlimited for 10 days. It took a couple
> attempts to get the routing working in ableton, but the help file is good.
> Very cool, and very different from glitch. Thanks for the heads up on this,
> it's going to take some time to get my head around it.
>
> On Wed, Jan 19, 2011 at 12:15 PM, Rick Walker <looppool@cruzio.com> wrote:
>
>> On 7/22/64 11:59 AM, Rainer Straschill wrote:
>>
>>> via gearjunkies.com:
>>> http://www.izotope.com/products/audio/stutteredit/
>>>
>>> Another thingie for intuitively mashing up audio input with the
>>> electronic dance folks in mind.
>>>
>>>            Rainer
>>>
>>>  Maha and I sat through the entire demo of this piece of software.
>> It's really amazing what it can do and it's very, very deep.
>>
>> They offered it at NAMM for $150  and the street price is $250
>> but I, alas, just didn't have the moolah to pick it up.
>>
>> For me,  it's dream software.   Very, very hip real time manipulation of
>> both
>> triggering and pitch whilst always staying in sync with whatever incoming
>> audio is happening.
>>
>> rick walker
>>
>>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>



-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--20cf3054a15f34440b049b0dbb33
Content-Type: text/html; charset=ISO-8859-1
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I bought this immediately, and is already an integral part of my live band =
setup... not really for the glitchy &quot;play the thing while I listen&quo=
t; thing, but as a chop n slice machine... I set all my patches to &quot;la=
tch&quot; and this way I get the best of both worlds...<br>

<br><br><br><div class=3D"gmail_quote">On Sun, Jan 30, 2011 at 10:15 AM, Ar=
t Simon <span dir=3D"ltr">&lt;<a href=3D"mailto:simart@gmail.com">simart@gm=
ail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D=
"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padd=
ing-left: 1ex;">

I just downloaded the trial, it&#39;s unlimited for 10 days. It took a coup=
le attempts to get the routing working in ableton, but the help file is goo=
d. Very cool, and very different from glitch. Thanks for the heads up on th=
is, it&#39;s going to take some time to get my head around it.<br>


<br><div class=3D"gmail_quote">On Wed, Jan 19, 2011 at 12:15 PM, Rick Walke=
r <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com" target=3D"_b=
lank">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(20=
4, 204, 204); padding-left: 1ex;">


<div>On 7/22/64 11:59 AM, Rainer Straschill wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
via <a href=3D"http://gearjunkies.com" target=3D"_blank">gearjunkies.com</a=
>:<br>
<a href=3D"http://www.izotope.com/products/audio/stutteredit/" target=3D"_b=
lank">http://www.izotope.com/products/audio/stutteredit/</a><br>
<br>
Another thingie for intuitively mashing up audio input with the electronic =
dance folks in mind.<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br>
<br>
</blockquote></div>
Maha and I sat through the entire demo of this piece of software.<br>
It&#39;s really amazing what it can do and it&#39;s very, very deep.<br>
<br>
They offered it at NAMM for $150 =A0and the street price is $250<br>
but I, alas, just didn&#39;t have the moolah to pick it up.<br>
<br>
For me, =A0it&#39;s dream software. =A0 Very, very hip real time manipulati=
on of both<br>
triggering and pitch whilst always staying in sync with whatever incoming a=
udio is happening.<br><font color=3D"#888888">
<br>
rick walker<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a =
href=3D"mailto:simart@gmail.com" target=3D"_blank">simart@gmail.com</a><br>=
myspace [dot] com/artsimon<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--20cf3054a15f34440b049b0dbb33--

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mark francombe wrote:
> Interesting thread.
> 

Reminds me of what I wanted to say about Mark's demo

http://soundcloud.com/markfrancombe/thewindow-1-05

forget the layer of loop windowing (the purpose of the demo)
 for a moment
and listen to the backing loop.
It's a very simple part that drives the piece, but at
the same time it doesn't get boring simply because
it doesn't draw attention to itself.
...and harmonically simple it doesn't restrict
the layers above.


andy

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 14:17:20 2011
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Subject: Re: Rick's percussion post
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Wow, such a great place to learn here.=20

Mark scribed: ( can you scribe on a keyboard?;) )
----
make the music evolve by changing it over time, replacing parts,
adding new layers, fading out old stuff, fading in new stuff etc etc
----
Man that is the hard part, thanks  God for feedback!!!

And then Per opined:

I love looping but one thing that never stops annoying me with
loopping is that you can't do ritardandi or accelerandi!=20
----

But you can do some great bubba kush!!  Never heard of those strains!!

And Mark said

>   " .. Every kid in Norway has at least a RC20 now,

Man thats my kind of country, do they get them when they are born or is ther=
e some application process????

And per brilliantly stated:::->

Mobius has helped a lot to get
right at the musical essential with less boring "transportation time".
----

Gosh this is where we have to have some kind of visual to go along with buil=
ding the tracks, thats a toughie, I am looking for some hot hippy chick bell=
y dancers, really, that would divert our attention I think.=20

I really am working on a some belly dance music, that would be a cool gig, b=
elly dancer backup looper!! Just gotta figure out better the rhythmic struct=
ure, I am pretty much 75% improv so gotta work on some scales and such too, t=
hat is purty far from bluegrass, and fake Grisman semi covers not gonna hack=
 it!!!

I like the idea of beating on whatevers handy, but a vdrum set mounted on a k=
eyboard stand sure gives me lots of sounds to play with!!

Andy the O (not the smart one, thats the B!!)

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Subject: looping without machines (Re: Rick's percussion post)
Date: Sun, 30 Jan 2011 07:52:54 -0700
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On Jan 30, 2011, at 3:03 AM, Per Boysen wrote:

> When performing you are both the conductor, the orchestra
> and the audience at the same time (composer too if doing impro). IMHO
> that's what it's about, having that split vision/hearing while
> creating.

Yes, where it's part of the whole and not "here's my looping and now  
I'm going to play my real instrument, and now some more looping and  
now .... - on and on.


> "live looping music but without the technical looping".


check out Adreas Stahel <<  YouTube - Andreas Stahel >> and the band  
"Memorize the Sky" (ambient soundscapy stuff done with "real"  
instruments similar to the ambient soundscapey stuff done with by  
"looper")

Cheers.

Paul
www.soundcloud.com/r369improv
www.youtube.com/r369improv


> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><div>On Jan 30, 2011, at =
3:03 AM, Per Boysen wrote:</div><br><blockquote type=3D"cite"><div>When =
performing you are both the conductor, the orchestra<br>and the audience =
at the same time (composer too if doing impro). IMHO<br>that's what it's =
about, having that split vision/hearing while<br>creating.<font =
class=3D"Apple-style-span" color=3D"#000000"><font =
class=3D"Apple-style-span" =
color=3D"#144FAE"><br></font></font></div></blockquote><div><br></div>Yes,=
 where it's part of the whole and not "here's my looping and now I'm =
going to play my real instrument, and now some more looping and now .... =
- on and on.&nbsp;<br><div><br></div><div><br></div><blockquote =
type=3D"cite"><div>"live looping music but without the technical =
looping".<br></div></blockquote><div><br></div><div><br></div><div>check =
out Adreas Stahel &lt;&lt; &nbsp;<a =
href=3D"http://www.youtube.com/watch?v=3Dg8xVh-oAEa0">YouTube - Andreas =
Stahel</a>&nbsp;&gt;&gt;&nbsp;and the band "Memorize the Sky" (ambient =
soundscapy stuff done with "real" instruments similar to the ambient =
soundscapey stuff done with by =
"looper")</div><div><br></div><div>Cheers.</div><div><br></div><div>Paul</=
div><div><a =
href=3D"http://www.soundcloud.com/r369improv">www.soundcloud.com/r369impro=
v</a></div><div><a =
href=3D"http://www.youtube.com/r369improv">www.youtube.com/r369improv</a><=
/div><div><br></div><br><blockquote type=3D"cite"><div>Greetings from =
Sweden<br><br>Per Boysen<br><a =
href=3D"http://www.boysen.se">www.boysen.se</a><br>www.perboysen.com<br>ww=
w.looproom.com internet music =
hub<br><br></div></blockquote></div><br></body></html>=

--Boundary_(ID_j6NC1dIc/UNPWhGkpdWh+g)--

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Date: Sun, 30 Jan 2011 16:00:53 +0100
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Subject: Re: Rick's percussion post
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On Sun, Jan 30, 2011 at 3:12 PM, Andy Owens <andy@1800dialword.com> wrote:
> And Mark said
>
> =C2=A0=C2=A0" .. Every kid in Norway has at least a RC20 now,
>
> Man thats my kind of country, do they get them when they are born or is
> there some application process????


LOL! Female babies get a pink RC20 and male babies get a blue. Gotta
love Norway! ;-)

per

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 15:31:17 2011
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Date: Sun, 30 Jan 2011 17:31:15 +0200
Message-ID: <AANLkTikEo=XGZ5=MaYfCiABv44+4JW0ZR+x+_WuHRAhj@mail.gmail.com>
Subject: Re: Rick's percussion post
From: Petri Lahtinen <aikuinen@gmail.com>
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Have to completely disagree, on my home country at least.

Here in Finland havent seen live looping but only in couple occasions.
When I did my first shows, people were very interested how it's done etc.

The live music is basic bands, even in the experimental circles there are
very few loopers in Finland.



2011/1/30 Per Boysen <perboysen@gmail.com>

> On Sun, Jan 30, 2011 at 3:12 PM, Andy Owens <andy@1800dialword.com> wrote:
> > And Mark said
> >
> >   " .. Every kid in Norway has at least a RC20 now,
> >
> > Man thats my kind of country, do they get them when they are born or is
> > there some application process????
>
>
> LOL! Female babies get a pink RC20 and male babies get a blue. Gotta
> love Norway! ;-)
>
> per
>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a4f1682fb7049b11fd4d
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Have to completely disagree, on my home country at least.<br><br>Here in Fi=
nland havent seen live looping but only in couple occasions.<br>When I did =
my first shows, people were very interested how it&#39;s done etc.<br><br>
The live music is basic bands, even in the experimental circles there are v=
ery few loopers in Finland.<br><br><br><br><div class=3D"gmail_quote">2011/=
1/30 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Sun, Jan 30, 2011 at 3:12 PM, Andy Owens &lt;<a href=3D"mailto:andy@180=
0dialword.com">andy@1800dialword.com</a>&gt; wrote:<br>

&gt; And Mark said<br>
&gt;<br>
&gt; =A0=A0&quot; .. Every kid in Norway has at least a RC20 now,<br>
&gt;<br>
&gt; Man thats my kind of country, do they get them when they are born or i=
s<br>
&gt; there some application process????<br>
<br>
<br>
</div>LOL! Female babies get a pink RC20 and male babies get a blue. Gotta<=
br>
love Norway! ;-)<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<b=
r><a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.pet=
rilahtinen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=
=3D"_blank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a4f1682fb7049b11fd4d--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 15:39:28 2011
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Subject: Baby Looping
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Ga ga goo goo.   Track one
Goo goo gaga.     Track two
Psstttfdfga haha.   Track three
Fffffftttt.  (fart).        Track four
Clang clang clang. Track five
(found natural percussion plastic spoon for Rick)
Waaaahhhhhh.       Track six
Wahhhhhg louder.   Track seven
Turn that shit off!!!!!   Track eight 
(dad)
All tracks
Erase

Hey give em an lp1 instead!!!! Only one color though!!!!

Andy the crazy One

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 15:46:35 2011
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Date: Sun, 30 Jan 2011 16:46:30 +0100
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Subject: Re: alternatives to rhythm sequencers software
From: Louie Angulo <louie.angulo@googlemail.com>
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Hi Bill,
yes this is the way ive done it in the past,however having the drum
box separate fro the loopers mix is cool,i can reverse the EDPS loop
while the machine goes forward,i can process the machine
separately,fade it out while the loops are running,do the cool midi
mute start etc.
the EDP is awesome and perfectly tight,i have no problems with that,my
point here is trying to do this all with software and upon comparing
it,hardware is still the tightest when doing  sponatenus loops EDP
start,stop reverse,unrounded multiply,replace etc. i just set the EDP
to "user start" and i can do all that crazy shit while i pause the
drumbox and waits for me to restart it,then i can just multiply,do
glitchy loops,replace,unround,then while the edp loop is running
change a preset on the drumbox with a different groove and boom
restart it, way fun baby!
then sometimes if i want i resample the drum grooves from the
adrenalinn or from the loaded drum grooves on my digitech into the
EDP,and i can even stretch the tempo of the samples on it,thats a
great feature on the jamman!
After messing with both i made a decision,for this stuff ill stay with
hardware,for non midi sync stuff or traveling ill use mobius.
cant always get what u want
cheers
Luis







On Sat, Jan 29, 2011 at 6:53 PM, William Walker <billwalker@baymoon.com> wr=
ote:
> Dear Luis et all, I think that my old band mate and looper Gary Regina ( =
and
> the Genie for that matter) has the coolest and easiest way to get great d=
rum
> beats without resorting to midi clock, drum machines or sequencers, softw=
are
> etc... Simple resampling, like I think you are now on to Luis, You have t=
his
> great new looper that stores a huge amount of loops so use it as your bea=
t
> loop storage device, =A0and if you can't sync to anything, simply resampl=
e
> those beats on to your edp for further mangling, perfect stops and starts
> etc. Gary does it on an RC 50, before that it was a original Lexicon Jamm=
an.
> That cool thing about this is obviously you can sample anything from your
> favorite hip grooves and dance tracks, to Martin Luther King throwing dow=
n
> his Dream, =A0and if you don't have a looper with storage, an I-pod or CD
> player =A0routed to your looper will suffice, and from a visual standpoin=
t
> resampling a drum groove live still gives an audience the sense of the pi=
ece
> being built from scratch as apposed to pressing a button to turn on the
> canned tracks.
> =A0Bill
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 16:14:34 2011
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Subject: Re: Rick's percussion post
References: <908AD14A-BB0A-4BFA-969D-BDD3DA813C2F@1800dialword.com> <4D448C1C.1000704@cruzio.com> <AANLkTik8--NQUqwh9B1FuR4saQur=emnuPwxQHWrTXBx@mail.gmail.com> <7EB7C96D-39E0-4A8C-A43F-B9262E892777@1800dialword.com> <AANLkTikYr6SvrfD=woMRDGGvXUBYf+HAo12Gk5wR_z40@mail.gmail.com> <AANLkTikEo=XGZ5=MaYfCiABv44+4JW0ZR+x+_WuHRAhj@mail.gmail.com>
From: "Andy Owens" <andy@1800dialword.com>
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Date: Sun, 30 Jan 2011 11:10:29 -0500
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Ok Finland can be Jamman's, pink and blue and Norway RC20's, pink and blue, c=
ool!! Will they sync or will we have some political upheaval and peace talks=
 to get all the babies synced up???????

Andy Owens
1-800-AndyOwens
Sent from my iPhone
So the typing might not be my best!


On Jan 30, 2011, at 10:31 AM, Petri Lahtinen <aikuinen@gmail.com> wrote:

> Have to completely disagree, on my home country at least.
>=20
> Here in Finland havent seen live looping but only in couple occasions.
> When I did my first shows, people were very interested how it's done etc.
>=20
> The live music is basic bands, even in the experimental circles there are v=
ery few loopers in Finland.
>=20
>=20
>=20
> 2011/1/30 Per Boysen <perboysen@gmail.com>
> On Sun, Jan 30, 2011 at 3:12 PM, Andy Owens <andy@1800dialword.com> wrote:=

> > And Mark said
> >
> >   " .. Every kid in Norway has at least a RC20 now,
> >
> > Man thats my kind of country, do they get them when they are born or is
> > there some application process????
>=20
>=20
> LOL! Female babies get a pink RC20 and male babies get a blue. Gotta
> love Norway! ;-)
>=20
> per
>=20
>=20
>=20
>=20
> --=20
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://soundcloud.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must lead." -C=
harles Bukowski-
>=20

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<html><body bgcolor="#FFFFFF"><div>Ok Finland can be Jamman's, pink and blue and Norway RC20's, pink and blue, cool!! Will they sync or will we have some political upheaval and peace talks to get all the babies synced up???????<br><br>Andy Owens<div>1-800-AndyOwens</div><div>Sent from my iPhone<div>So the typing might not be my best!</div><div><br></div></div></div><div><br>On Jan 30, 2011, at 10:31 AM, Petri Lahtinen &lt;<a href="mailto:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>Have to completely disagree, on my home country at least.<br><br>Here in Finland havent seen live looping but only in couple occasions.<br>When I did my first shows, people were very interested how it's done etc.<br><br>
The live music is basic bands, even in the experimental circles there are very few loopers in Finland.<br><br><br><br><div class="gmail_quote">2011/1/30 Per Boysen <span dir="ltr">&lt;<a href="mailto:perboysen@gmail.com"><a href="mailto:perboysen@gmail.com">perboysen@gmail.com</a></a>&gt;</span><br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class="im">On Sun, Jan 30, 2011 at 3:12 PM, Andy Owens &lt;<a href="mailto:andy@1800dialword.com"><a href="mailto:andy@1800dialword.com">andy@1800dialword.com</a></a>&gt; wrote:<br>

&gt; And Mark said<br>
&gt;<br>
&gt; &nbsp;&nbsp;" .. Every kid in Norway has at least a RC20 now,<br>
&gt;<br>
&gt; Man thats my kind of country, do they get them when they are born or is<br>
&gt; there some application process????<br>
<br>
<br>
</div>LOL! Female babies get a pink RC20 and male babies get a blue. Gotta<br>
love Norway! ;-)<br>
<font color="#888888"><br>
per<br>
<br>
</font></blockquote></div><br><br clear="all"><br>-- <br>Petri Lahtinen<br><a href="http://www.petrilahtinen.com" target="_blank"><a href="http://www.petrilahtinen.com">http://www.petrilahtinen.com</a></a><br><a href="http://petrilahtinen.blogspot.com/" target="_blank"><a href="http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.com/</a></a><br>
<a href="http://soundcloud.com/petrilahtinen" target="_blank"><a href="http://soundcloud.com/petrilahtinen">http://soundcloud.com/petrilahtinen</a></a><br><a href="http://twitter.com/PetriLahtinen" target="_blank"><a href="http://twitter.com/PetriLahtinen">http://twitter.com/PetriLahtinen</a></a><br><a href="http://petrilahtinen.bandcamp.com/" target="_blank"><a href="http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcamp.com/</a></a><br>
---------------------------------------------------<br>"Only become professional musician if there is no choice." -Robert Fripp-<br>---------------------------------------------------<br>"Some people never go crazy. What truly horrible lives they must lead." -Charles Bukowski-<br>
<br>
</div></blockquote></body></html>
--Apple-Mail-12-269050272--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 17:50:52 2011
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Date: Sun, 30 Jan 2011 18:50:37 +0100
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Subject: Re: Rick's percussion post
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But you got Miro!!!

Sent from my (advertisement removed)

On 30 Jan 2011, at 16:31, Petri Lahtinen <aikuinen@gmail.com> wrote:

> The live music is basic bands, even in the experimental circles there are very few loopers in Finland.

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 19:43:40 2011
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Subject: OT: Making Your Own MIDI Cables
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I need to make about 7 short MIDI cables. I think I can just order the DIN's
and chop up some mic cable I have laying around, but I might order some bulk
cable..  Can anyone tell me if this 5 Pin DIN Connector will do the trick?

*5 Pin DIN Connector*
http://www.parts-express.com/pe/showdetl.cfm?Partnumber=090-341

Any knowledge you can share on cable specs for DIY MIDI cables?

*Cable*
http://www.cameltraders.com/product_info.php?cPath=60&products_id=2170
++OR++
http://www.audiopile.net/products/BULK_CABLE/BULK_CABLE.shtml  scroll 'bout
half-way down (BCB-2067S Starline Braided Shield Mic Cable)

*Construction directions*
**http://www.colomar.com/Shavano/midi_cable.html
http://www.suite101.com/content/how-to-wire-a-midi-cable-using-din-plugs-a114451

Should I cut the red wire... or is it the blue wire?  Stories, suggestions,
knowledge?

hello,
adam

--00032555e47eedd155049b1583cf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I need to make about 7 short MIDI cables. I think I can just order the DIN&=
#39;s and chop up some mic cable I have laying around, but I might order so=
me bulk cable.. =A0Can anyone tell me if this 5 Pin DIN Connector will do t=
he trick?<div>
<br></div><div><u>5 Pin DIN Connector</u></div><div><a href=3D"http://www.p=
arts-express.com/pe/showdetl.cfm?Partnumber=3D090-341">http://www.parts-exp=
ress.com/pe/showdetl.cfm?Partnumber=3D090-341</a></div><div><br></div><div>=
Any knowledge you can share on cable specs for DIY MIDI cables?</div>
<div><br></div><div><u>Cable</u></div><div><a href=3D"http://www.cameltrade=
rs.com/product_info.php?cPath=3D60&amp;products_id=3D2170">http://www.camel=
traders.com/product_info.php?cPath=3D60&amp;products_id=3D2170</a></div><di=
v>++OR++</div>
<div><a href=3D"http://www.audiopile.net/products/BULK_CABLE/BULK_CABLE.sht=
ml">http://www.audiopile.net/products/BULK_CABLE/BULK_CABLE.shtml</a> =A0sc=
roll &#39;bout half-way down (BCB-2067S Starline Braided Shield Mic Cable)<=
/div>
<div><br></div><div><u>Construction=A0directions</u></div><div><u></u><a hr=
ef=3D"http://www.colomar.com/Shavano/midi_cable.html">http://www.colomar.co=
m/Shavano/midi_cable.html</a></div><div><a href=3D"http://www.suite101.com/=
content/how-to-wire-a-midi-cable-using-din-plugs-a114451">http://www.suite1=
01.com/content/how-to-wire-a-midi-cable-using-din-plugs-a114451</a></div>
<div><br></div><div>Should I cut the red wire... or is it the blue wire? =
=A0Stories, suggestions, knowledge?</div><div><br></div><div>hello,</div><d=
iv>adam</div><div><br></div>

--00032555e47eedd155049b1583cf--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 20:39:45 2011
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I just got some din connectors to make my first midi cables this past =
week. I haven't made them yet but it doesn't seem much different than =
making audio cables. You don't have to use rosin flux but that's helped =
me make a solid joint when making audio cables. The connectors you have =
picked out look fine. I wonder what the guy used to cover up the shield =
connected to pin 2 in the picture in your suite101 link. Look like a =
convenient way to prevent the shield from touching anything else.
On Jan 30, 2011, at 2:43 PM, ^|>^m wrote:

> I need to make about 7 short MIDI cables. I think I can just order the =
DIN's and chop up some mic cable I have laying around, but I might order =
some bulk cable..  Can anyone tell me if this 5 Pin DIN Connector will =
do the trick?
>=20
> 5 Pin DIN Connector
> http://www.parts-express.com/pe/showdetl.cfm?Partnumber=3D090-341
>=20
> Any knowledge you can share on cable specs for DIY MIDI cables?
>=20
> Cable
> http://www.cameltraders.com/product_info.php?cPath=3D60&products_id=3D21=
70
> ++OR++
> http://www.audiopile.net/products/BULK_CABLE/BULK_CABLE.shtml  scroll =
'bout half-way down (BCB-2067S Starline Braided Shield Mic Cable)
>=20
> Construction directions
> http://www.colomar.com/Shavano/midi_cable.html
> =
http://www.suite101.com/content/how-to-wire-a-midi-cable-using-din-plugs-a=
114451
>=20
> Should I cut the red wire... or is it the blue wire?  Stories, =
suggestions, knowledge?
>=20
> hello,
> adam
>=20

Todd Matthews






--Apple-Mail-1-285199789
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">I =
just got some din connectors to make my first midi cables this past =
week. I haven't made them yet but it doesn't seem much different than =
making audio cables. You don't have to use rosin flux but that's helped =
me make a solid joint when making audio cables. The connectors you have =
picked out look fine. I wonder what the guy used to cover up the shield =
connected to pin 2 in the picture in your suite101 link. Look like a =
convenient way to prevent the shield from touching anything =
else.<br><div><div>On Jan 30, 2011, at 2:43 PM, ^|&gt;^m wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">I need to =
make about 7 short MIDI cables. I think I can just order the DIN's and =
chop up some mic cable I have laying around, but I might order some bulk =
cable.. &nbsp;Can anyone tell me if this 5 Pin DIN Connector will do the =
trick?<div>
<br></div><div><u>5 Pin DIN Connector</u></div><div><a =
href=3D"http://www.parts-express.com/pe/showdetl.cfm?Partnumber=3D090-341"=
>http://www.parts-express.com/pe/showdetl.cfm?Partnumber=3D090-341</a></di=
v><div><br></div><div>Any knowledge you can share on cable specs for DIY =
MIDI cables?</div>
<div><br></div><div><u>Cable</u></div><div><a =
href=3D"http://www.cameltraders.com/product_info.php?cPath=3D60&amp;produc=
ts_id=3D2170">http://www.cameltraders.com/product_info.php?cPath=3D60&amp;=
products_id=3D2170</a></div><div>++OR++</div>
<div><a =
href=3D"http://www.audiopile.net/products/BULK_CABLE/BULK_CABLE.shtml">htt=
p://www.audiopile.net/products/BULK_CABLE/BULK_CABLE.shtml</a> =
&nbsp;scroll 'bout half-way down (BCB-2067S Starline Braided Shield Mic =
Cable)</div>
=
<div><br></div><div><u>Construction&nbsp;directions</u></div><div><u></u><=
a =
href=3D"http://www.colomar.com/Shavano/midi_cable.html">http://www.colomar=
.com/Shavano/midi_cable.html</a></div><div><a =
href=3D"http://www.suite101.com/content/how-to-wire-a-midi-cable-using-din=
-plugs-a114451">http://www.suite101.com/content/how-to-wire-a-midi-cable-u=
sing-din-plugs-a114451</a></div>
<div><br></div><div>Should I cut the red wire... or is it the blue wire? =
&nbsp;Stories, suggestions, =
knowledge?</div><div><br></div><div>hello,</div><div>adam</div><div><br></=
div>
</blockquote></div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div>Todd =
Matthews</div><div><br></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br></body></html>=

--Apple-Mail-1-285199789--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 20:50:41 2011
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Subject: Re: OT: Making Your Own MIDI Cables
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--20cf3054a5b39915da049b1673c7
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Well worth the extra $
http://www.bluearan.co.uk/index.php?id=NEUNYS322
Should be available at any local supply house or on line.
k

--20cf3054a5b39915da049b1673c7
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Well worth the extra $<br><a href=3D"http://www.bluearan.co.uk/index.php?id=
=3DNEUNYS322">http://www.bluearan.co.uk/index.php?id=3DNEUNYS322</a><br>Sho=
uld be available at any local supply house or on line.<br>k<br><br clear=3D=
"all">
<br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--20cf3054a5b39915da049b1673c7--

From Loopers-Delight-request@loopers-delight.com  Sun Jan 30 21:55:37 2011
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^|>^m wrote:

> Should I cut the red wire... or is it the blue wire?  Stories, 
> suggestions, knowledge?

find a way of clamping the plug in place *before*
you burn your fingers

(even a pair of pliers with a rubber band round the handle will do)

that's knowledge, suggestion and if you read between the lines it's
a story too

andy

From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 00:52:03 2011
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Subject: Linndrum II
From: Louie Angulo <louie.angulo@googlemail.com>
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wow this shoud blow some heads!

http://www.rogerlinndesign.com/products/linndrum2/index.html

Luis

From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 10:26:54 2011
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Date: Mon, 31 Jan 2011 05:26:31 -0500
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--20cf3054a031ad8b9e049b21dab1
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I made another looping video this weekend. This time a cover of Michael
Jackson's Billie Jean. It's perfect timing to post to the list after Rick's
post about using your own instrument for percussion and Mark's post about
how much he hates looper's building up their loops, which I do in this
video. Hopefully the bright pop tempo offsets it:)


http://vimeo.com/19364422



I'm happy to hear any comments good, bad, or ugly.



-Todd Matthews

--20cf3054a031ad8b9e049b21dab1
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I made another looping video this weekend. This time a cover of Michael Jac=
kson&#39;s Billie Jean. It&#39;s perfect timing to post to the list after R=
ick&#39;s post about using your own instrument for percussion and Mark&#39;=
s post about how much he hates looper&#39;s building up their loops, which =
I do in this video. Hopefully the bright pop tempo offsets it:)<div>

<br></div><div><br></div><div><a href=3D"http://vimeo.com/19364422">http://=
vimeo.com/19364422</a></div><div><br></div><div><br></div><div><br></div><d=
iv>I&#39;m happy to hear any comments good, bad, or ugly.=A0</div><div><br>

</div><div><br></div><div><br></div><div>-Todd Matthews</div>

--20cf3054a031ad8b9e049b21dab1--

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Date: Mon, 31 Jan 2011 12:28:42 +0200
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Subject: Re: Michael Jackson looped on Double Bass
From: Petri Lahtinen <aikuinen@gmail.com>
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--20cf3054a4f143c01f049b21e1c0
Content-Type: text/plain; charset=ISO-8859-1

God bless the builders of the Loops!

NICE ONE!

:-)

2011/1/31 Todd Matthews <gtmatthews@gmail.com>

> I made another looping video this weekend. This time a cover of Michael
> Jackson's Billie Jean. It's perfect timing to post to the list after Rick's
> post about using your own instrument for percussion and Mark's post about
> how much he hates looper's building up their loops, which I do in this
> video. Hopefully the bright pop tempo offsets it:)
>
>
> http://vimeo.com/19364422
>
>
>
> I'm happy to hear any comments good, bad, or ugly.
>
>
>
> -Todd Matthews
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://soundcloud.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--20cf3054a4f143c01f049b21e1c0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

God bless the builders of the Loops!<br><br>NICE ONE!<br><br>:-)<br><br><di=
v class=3D"gmail_quote">2011/1/31 Todd Matthews <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:gtmatthews@gmail.com">gtmatthews@gmail.com</a>&gt;</span><br><=
blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border=
-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I made another looping video this weekend. This time a cover of Michael Jac=
kson&#39;s Billie Jean. It&#39;s perfect timing to post to the list after R=
ick&#39;s post about using your own instrument for percussion and Mark&#39;=
s post about how much he hates looper&#39;s building up their loops, which =
I do in this video. Hopefully the bright pop tempo offsets it:)<div>


<br></div><div><br></div><div><a href=3D"http://vimeo.com/19364422" target=
=3D"_blank">http://vimeo.com/19364422</a></div><div><br></div><div><br></di=
v><div><br></div><div>I&#39;m happy to hear any comments good, bad, or ugly=
.=A0</div>
<div><br>

</div><div><br></div><div><br></div><div>-Todd Matthews</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petrilahti=
nen.com</a><br><a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bl=
ank">http://petrilahtinen.blogspot.com/</a><br>
<a href=3D"http://soundcloud.com/petrilahtinen" target=3D"_blank">http://so=
undcloud.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtin=
en" target=3D"_blank">http://twitter.com/PetriLahtinen</a><br><a href=3D"ht=
tp://petrilahtinen.bandcamp.com/" target=3D"_blank">http://petrilahtinen.ba=
ndcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--20cf3054a4f143c01f049b21e1c0--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 11:12:32 2011
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From: "Stephen Goodman" <spgoodman@earthlight.net>
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Subject: "Plan 9 from Outer Space" now available for viewing
Date: Mon, 31 Jan 2011 11:12:34 -0000
Organization: EarthLight Productions
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=EF=BB=BFThe broadcast was a broadband train-wreck but I=E2=80=99ve =
edited all the pieces together and mounted the infamous dialogue on top =
(but not so much to obscure my playing) after all this time.
Ed Wood Jr=E2=80=99s =E2=80=9CPlan 9 from Outer Space=E2=80=9D is now =
viewable/listenable on Vimeo.  Enjoy!
http://www.vimeo.com/19360748
Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv
*
Sent from a PC, not an iPhone
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	charset="UTF-8"
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<HTML><HEAD></HEAD>
<BODY dir=3Dltr>
<DIV dir=3Dltr>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">The=20
broadcast was a broadband train-wreck but I=E2=80=99ve edited all the =
pieces together=20
and mounted the infamous dialogue on top (but not so much to obscure my =
playing)=20
after all this time.</DIV></DIV>
<DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">&nbsp;</DIV></DIV>
<DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">Ed=20
Wood Jr=E2=80=99s =E2=80=9CPlan 9 from Outer Space=E2=80=9D is now =
viewable/listenable on Vimeo.&nbsp;=20
Enjoy!</DIV></DIV>
<DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none"><A=20
title=3Dhttp://www.vimeo.com/19360748=20
href=3D"http://www.vimeo.com/19360748">http://www.vimeo.com/19360748</A><=
/DIV></DIV>
<DIV>
<DIV=20
style=3D"FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; =
COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: =
none">&nbsp;</DIV></DIV>
<DIV>
<DIV style=3D"FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: =
12pt">Stephen=20
Goodman<BR>EarthLight=20
Productions<BR>*<BR>http://www.earthlight.net<BR>http://www.earthlight.tv=
<BR>*<BR>Sent=20
from a PC, not an iPhone</DIV></DIV></DIV></DIV></BODY></HTML>

------=_NextPart_000_0005_01CBC137.C2C93780--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 13:52:05 2011
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Rick's percussion post
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Great discussion!

Personally, I used to layer beatboxing ryhthm with various effects.
Now, I prefer doing it the "lazy way" just looping the Korg Wavedrum.
I was kind of bored with trying to mimick a drum with vocals - when I could just do the real thing (or close to it with the Wavedrum).

Another thing is that I find it's important - for the audience interaction - is to focus more on the immediate performance rather than on artistically composing multiple layers. 
The looping layer's form the mood of the performance. But it's really the immediate performance where the whole attention is.

Then, lately, I prefer to keep looping minimal (whatever is absolutely necessary) to give the music more room to breath, making it sound more natural.
Also, occasionally stopping the looper and just performing "free time" in between helps.

best regards
Buzap

-- 
Neu: GMX De-Mail - Einfach wie E-Mail, sicher wie ein Brief!  
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From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 15:24:26 2011
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Subject: Baby Loopers
Date: Mon, 31 Jan 2011 07:23:27 -0800
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References: <908AD14A-BB0A-4BFA-969D-BDD3DA813C2F@1800dialword.com> <4D448C1C.1000704@cruzio.com> <AANLkTik8--NQUqwh9B1FuR4saQur=emnuPwxQHWrTXBx@mail.gmail.com> <7EB7C96D-39E0-4A8C-A43F-B9262E892777@1800dialword.com> <AANLkTikYr6SvrfD=woMRDGGvXUBYf+HAo12Gk5wR_z40@mail.gmail.com> <AANLkTikEo=XGZ5=MaYfCiABv44+4JW0ZR+x+_WuHRAhj@mail.gmail.com> <-195900275563777310@unknownmsgid> <20110131135159.5550@gmx.net>
From: "Andy Owens" <andy@1800dialword.com>
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V2VsbCB0aGUgTm9yd2VnaWFuIGFuZCBGaW5uaXNoIGJhYnkgbG9vcGVycyBpbnZhZGVkIG15IHN0
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From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 17:26:54 2011
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Date: Mon, 31 Jan 2011 12:26:52 -0500
Message-ID: <AANLkTinL2ZH4E86jzyrKFg4Tp=sLJjuwforB-JgZVVRX@mail.gmail.com>
Subject: Re: Baby Loopers
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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funny Andy... like the voices and ending chaos...

Will friend you or whatever they call it on Soundcloud

http://soundcloud.com/jimgoodinmusic

On Mon, Jan 31, 2011 at 10:23 AM, Andy Owens <andy@1800dialword.com> wrote:

> Well the Norwegian and Finnish baby loopers invaded my studio, what a
> mess!!
>
> http://soundcloud.com/andyowens/looping-babies
>
>
> Andy the O
>
>


--=20
*From Brooklyn To Glindran*, a new World/Free Jazz recording by Jim Goodin =
&
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

woodandwiremusic.wordpress.com

--001636c5b558be3dcb049b27b815
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funny Andy... like the voices and ending chaos...<div><br></div><div>Will f=
riend you or whatever they call it on Soundcloud</div><div><br></div><div><=
a href=3D"http://soundcloud.com/jimgoodinmusic">http://soundcloud.com/jimgo=
odinmusic</a><br>
<br><div class=3D"gmail_quote">On Mon, Jan 31, 2011 at 10:23 AM, Andy Owens=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:andy@1800dialword.com">andy@1800di=
alword.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Well the Norwegian and Finnish baby loopers invaded my studio, what a mess!=
!<br>
<br>
<a href=3D"http://soundcloud.com/andyowens/looping-babies" target=3D"_blank=
">http://soundcloud.com/andyowens/looping-babies</a><br>
<br>
<br>
Andy the O<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><i>From Brooklyn To Gli=
ndran</i>, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n.=A0 Proceeds<br>from the sale of this CD will benefit JDRF International.=
=A0 <a href=3D"http://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://woodandwiremusic.wordpress.com" target=3D"_blank">woo=
dandwiremusic.wordpress.com</a><br>
</div>

--001636c5b558be3dcb049b27b815--

From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 20:40:21 2011
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Date: Mon, 31 Jan 2011 12:10:27 -0800
Subject: FS: Monome, Nice Semi Hollow- gtr, DUAL VCO module,Trigger/Midi
 interface, etc
From: legion@helpwantedproductions.com
To: "Synth DIY" <synth-diy@dropmix.xs4all.nl>,
	"Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
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Sold some stuff. Some buyers never showed. Posting again :)

Pics UP at: http://daedsound.com/Salez/FS.htm

1. GORGEOUS Ibanez AS73T blue semi Hollow with Tremolo and HS case -=20
Asking $450 ONO.  Set neck with classic yet modern tremelo. Plays like
butter and perfect for pretty much any style music. Even sounds good
unplugged. You MUST see the pics of this to appreciate.

Single owner (me!) and still the only guitar I have ever bought new. This
is a GORGEOUS blue with fancy cream binding and pearloid inlay throughout=
.
Near mint condition (see pics) with beautiful wood and polished chrome
hardware. NO nicks or marks and case is original Ibanez form fitting
hardshell with thick blue felt and gold latches.


2. Monome 40h  - $350.00

8X8 PC or Mac USB interface synth/sampler/controller.  All sorts of free
software running under MAX/MSP (free runtime available).  All LEDs
(GREEN!), interface, etc work (I was running it on a Windows XP laptop.)

3. Some Synthesizer MODULEs:

A. Blue Lantern DIY dual VCO with a 17 freakin' in/outs. - $150

Weird clear plexi-glass dual VCO with multiple waveform outs, CV ins,
TWELVE (12!) knobs, three switches, and cool ass PCB with legending.

Handmade by Blue Lantern (see his stuff on eb*y). No idea what he was
going for in the shape as it's a bit of an odd duck in size (5.25" x
5.75")
but integrates GREAT sonically and CVwise in any 1/8" modular setup.
Currently has MOTM/Blacet Style PS adapter.

B. FRAC Blacet 2510 Noise/Improbability Drive - $175 -  factory (blacet4)
assembled.  great noise source *and* S/H unit.

C. Frac 1/8" to Banana patch panel.   $50 - Perfect little 2U unit with
ground and heavy duty 1/4" output Cables wired for hooking up to a mixer
directly.

4. Roland PM-16 trigger to Midi interface  - $35

Versatile old school trigger in (from any pad, piezo element, etc) to mid=
i
note out.  16 mono channels with hardware trim pots, working pads built i=
n
as well, etc. Includes original manual but PS (tested with PS) not
included.  This has (among other things) dynamic pitch, a feature not
found on most older or newer instruments. Perfect for the experimenter or
those on a budget.

5. DAED Feedback Synth - $200 (sale price Mention this post)
Last of the initial handmade batch. Awesome little noisemeister with
banana patching, two vcos, sub, filter, and cool ass Atari 1 of 1 design.


Other stuff up on the page including vintage pedals, circuit bent gunk an=
d
more: http://daedsound.com/Salez/FS.htm

I think prices are reasonable but if you're buying more than one thing or
making this easier on me with a pickup, etc I'll listen to serious offers=
.

TERMS:  Pickup in Phila Pa or buyer pays shipping. I accept Paypal
personal payment (or add 4% for fees)  and USPS MO.

References out the wazoo. Bleep out!



--=20
     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Mon Jan 31 22:09:53 2011
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Date: Mon, 31 Jan 2011 23:09:50 +0100
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Subject: Re: Rick's percussion post
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Thanx i hear you brosky,im just experimenting with it really,the fun
thing about the adrenalinn is those crazy filters,they are meant for
guitar but if u apply them to the drums they take way the sterility of
the precanned.And syncing them to the homebrewed EDPs loops it can be
fun.The thing has been sitting in a box with all my toys for a while
so im having fun playing with it again.
I totally agree that live it might be more fo an eye catcher,i guess
im looking for quicker ways to do the whole looping thing,i get bored
sometimes,perhaps lazy trying to avoid that typical time to construct
a groove with my mouth,seems like everyone is doing it now,and im not
very good a it anyway,even less when i watch guys like kid Beyond or
that guy DubFX i mean this guys really have something beatbox to show.
But to be honest the minute i hear people rapping to them i get turned off.
cheers
Luis


>
> As an example, =A0I love and support Luis Angulo to do anything he wants =
to do
> with his Adrenallin in performance, but
> personally, =A0I love it the most when he's not using programmed beats bu=
t
> playing percussion himself. =A0 He's
> one funky motherfunker, in my opinion and the visceral quality of what he
> loops, percussively is always outstanding.
>
> We're looping so it's artificial as hell, but , to me, =A0it feels more '=
real'
> to do it that way.
> Here's to illusion!!!
>
> respectfully, =A0 rick walker
>
>

