From joyceline0461@gmail.com  Thu Jul  1 00:14:26 2010
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From: "Joyce Keith"<joyceline0461@gmail.com>
Date: Thu, 1 Jul 2010 23:47:09 -0000
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	Content preview:  From Mrs.Joyceline E. Keith, Abidjan-Cote d'Ivoire. With Due
	Respect And Humanity, I was compelled to write to you under a humanitarian
	ground.My name is Mrs.Joyceline E.Keith . I was born in Baltimore,Maryland,I
	am married to Mr. Keith George director K.G Industries Cote d'Ivoire.We were
	married for years without a child. [...] 
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Subject: ***SPAM*** Dearly Beloved one.
To: undisclosed-recipients:;

>From Mrs.Joyceline E. Keith,
Abidjan-Cote d'Ivoire.
 
With Due Respect And Humanity, I was compelled to write to 
you under a humanitarian ground.My name is Mrs.Joyceline E.Keith . I was born in Baltimore,Maryland,I am married to Mr. Keith George director K.G Industries Cote d'Ivoire.We were married for years without a child.
 
He died after a Cardiac Arteries Operation.
And Recently, My Doctor told me that I would not last for the next six months due to my cancer problem (cancer of the liver and stroke).Before my husband died last year there is this sum $4.8 Million Dollars that he deposited with a Commercial Bank here In Ivory Coast.Presently this money is still in the Bank.
 
Having known my condition I decided to donate this fund to any good God fearing brother or sister that will utilize this fund the way I am going to instruct herein.I want somebody that will use this fund according to the desire of my late.husband to help Less privilaged people, orphanages,widows and propagating the word of God.
 
I took this decision because I don't have any child that will inherit this fund, And I don't want in a way where this money will be used in an un Godly way.This is why I am taking this decision to hand you over this Fund. I am not afraid of death hence I know where I am going.I want you to always remember me in your daily prayers because of my up coming Cancer Surgery.
Write back as soon as possible any delay in your reply will give me room in sourcing another person for this same purpose,Hoping to read from you asap.
God bless you.
Mrs.Joyceline E.Keith

From control@spko.moph.go.th  Thu Jul  1 01:01:26 2010
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Reply-To: western_union9@9.cn
Subject: ATTN
Date: Wed, 30 Jun 2010 19:12:05 +0700
Message-Id: <20100630110538.M1084@spko.moph.go.th>
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URGENT MESSAGE FROM MY DESK
 
How are you today? The below payment has been awarded to you by the Nigeria Government/
World Bank to compensate you on the past experience had with the Nigeria scammers.
I write to inform you that we have already sent you $10,000.00 through Western Union as 
we have been given the mandate to transfer your full compensation payment total sum of 
$250,000.00 via Western Union by the Government.
I have on a good authority email you the MTCN and sender's details to enable you pick 
up the first $10,000.00,USD and confirm receipt to us so as to enable us wire the next 
USD10,000.00 by tomorrow and subsequent ones since we can only send USD10,000.00 a day.
 
Please pick up this information and get to any western union in your country to pick up 
the $10,000.00 and email the Western Union outlets incharge of the payment so that they 
could send you another payment tomorrow.
 
Western Union contact information:
Manager: Mr. Richard Bishop
richardbishop@qatar.io
Tel: +234-8134228663.
Call or Email them once you picked up the $10,000.00 today, if there is any problem 
with them paying you make sure to contact this Western outlet with the information 
given to you above.
 
Below is the western union information for pick up:
MTCN: 008-593-6071 
Sender's Name: Micheal Wells
Question: Colour
Answer: Pink
Amount: $10,000.00 
 
They will be expecting waiting for your call once you pick up $10,000.00.

From sonya-son_s@att.net  Thu Jul  1 03:02:49 2010
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From: "Sontolin"<sonya-son_s@att.net>
Subject: Hello dear
Date: Tue, 29 Jun 2010 22:31:53 +0400
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To: undisclosed-recipients:;

Good Day to you,
 
  An Iraqi Foreign Oil consultant/contractor Mr.Abdul-khaliq hussain made a fixed deposit with our bank in 2007, valued at 2.5.million.
 He was among the dead vitctims of ethiopian airlines jet(409) crashes into sea off beirut,into the mediterranean sea shortly after take-off from beirut airport. on jan 25, 2010.
 
I am now seeking your co-operation to present you as Next of Kin to the account and my bank headquarters will release the account to you under a legitimate arrangement. so I am suggesting we share the fund, 25% for you while 75% of the fund will remain for me after successful  transfer of the fund to your position until I join you there.
 
Let me know your mind on this and please do treat this information as very confidential.
 
upon the receipt of your acceptance mail , I will like you to provide me with the following details;
 
(1) your direct mobile/fax number.
 
(2) Your name and country resident address.
 
(3) Your private E-mail box.
 
Then I shall furnish you with due process of concluding this transaction
 
without any delay.
 
Regards
 
Mr.Sonya Santolin

From sonya-son_s@att.net  Thu Jul  1 03:02:51 2010
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To: undisclosed-recipients:;

Good Day to you,
 
  An Iraqi Foreign Oil consultant/contractor Mr.Abdul-khaliq hussain made a fixed deposit with our bank in 2007, valued at 2.5.million.
 He was among the dead vitctims of ethiopian airlines jet(409) crashes into sea off beirut,into the mediterranean sea shortly after take-off from beirut airport. on jan 25, 2010.
 
I am now seeking your co-operation to present you as Next of Kin to the account and my bank headquarters will release the account to you under a legitimate arrangement. so I am suggesting we share the fund, 25% for you while 75% of the fund will remain for me after successful  transfer of the fund to your position until I join you there.
 
Let me know your mind on this and please do treat this information as very confidential.
 
upon the receipt of your acceptance mail , I will like you to provide me with the following details;
 
(1) your direct mobile/fax number.
 
(2) Your name and country resident address.
 
(3) Your private E-mail box.
 
Then I shall furnish you with due process of concluding this transaction
 
without any delay.
 
Regards
 
Mr.Sonya Santolin

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 03:19:23 2010
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Subject: Re: RAISING MONEY for Loopers Delight
Date: Wed, 30 Jun 2010 20:19:12 -0700
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Well put Rick-o.

On Jun 30, 2010, at 1:36 PM, Rick Walker wrote:

> Rick Walker here.
>
> Please forgive me for jumping protocol and starting a new thread
> about the subject of donations to keep Loopers Delight alive
> but I feel compelled to send a strong message to the community
> based on my past experiences raising money for events, festivals and
> organizations over the years.
>
> Like lots of relatively anarchic digests (thanks, Kim for your  
> vision here), there have been a lot of suggestions made and
> everyone has come from the heart (which is very important to  
> acknolwedge)
> Unfortunately, there are many contradictory ideas and some are  
> coming from a well meaning but somewhat naive place.
>
> There are enough contradictory ideas that it's getting hard to sort  
> through or achieve consensus
> on this extremely important subject.
> So, from a position of considerable experience on this subject I  
> wanted to
> post a few comments and make a suggestion for a good way to proceed  
> (to save Loopers Delight, financially).
>
>
> ABOUT RAISING MONEY:
>
> A few things I've discovered:
>
> 1) contrary to popular belief,  benefit CDs , no matter how  
> wonderful and heartfelt,
> are NOT worth the effort and don't make money (unless you are on the  
> 'We Are The World'
> scale) Period, Point. Dot.   They also require a lot of energy on  
> the part of the people trying to
> put these things together.  Ask anyone who has led a CT Collective  
> CD project.
>
> 2)  Benefit concerts do NOT make money (unless you are on the  
> 'FarmAid' scale).
>
> Additionally, though many generous people here for whom I am  
> personally grateful,  are willing to commit to paid subscriptions
> (I being one of them),
> I STRONGLY URGE THAT WE  DO NOT ADOPT a PAID SUBSCRIPTION policy
> because it will have a deleterious effect on newcomers to our  
> community
>
> <okay, so much for the negative critiques, Rick, what's your solution>
>
>
> I've found it is far more effective to have DONATION DRIVES  
> periodically,
> when funds are needed.
> It raises a lot more money than subscriptions do and subscriptions  
> will definitely
> limit access by newbies to this community..............even 30 day  
> trial memberships
> are off putting to people who are just trying to lightly discover  
> this world.
>
> I've found that when people feel that a beloved institution is in  
> danger,  they really do open their
> hearts more and they give far greater quantities of money than they  
> would normally with
> a subscription service.   Additionally,  drives are a lot easier to  
> maintain by the people organizing them
> and require much less work than ongoing subscriptions services,  
> which , again, don't raise nearly
> as much money.
>
> The potential for having a deleterious effect on newbies to our  
> community is a vital reason
> why not to adopt a subscription policy.
>
> I've produced very large live looping festivals for over ten years  
> now and I
> never would have joined this community had Loopers Delight been a  
> subscription
> based website.........again,  even a free trial membership website.
>
> I think it is vitally important that we reach out to people who have  
> never been here
> before.   It is going to be one of the great strengths of our  
> community to reach
> out to new artists, young and old.      I just think of how quickly  
> artists like
> Sjaak Overgauw and Ricky Graham, to just mention a couple of notable  
> standouts
> became very positive and pro-active members of our community as  
> newbies in recent years.
>
>
>
> The important thing is that we all work with Violet to figure out  
> when a donation drive is
> necessary and put it on in a timely fashion to meet the needs of the  
> website.
>
> This is my strong advice to the list.
>
> respectfully, to all the people who have contributed to the  
> discussion so far,
>
> Rick Walker
> Y2K Live Looping Festivals

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 03:49:36 2010
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Subject: Re: support donations (was Re: future of Looper's Delight (long)
Date: Wed, 30 Jun 2010 20:49:26 -0700
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I really like your ideas Violet, and I  would one interested in a  
deeper level of participation per your suggestions.
Thanks
  Bill

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 04:27:36 2010
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From: Violet Xoxox <violet@missviolet.com>
Subject: Remembering Kim Flint on Facebook
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I forgot to tell you all about the Remembering Kim Flint Facebook group:
http://www.facebook.com/group.php?gid=140053582674656

Violet
xoxox

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 05:19:32 2010
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Subject: RE: support donations (was Re: future of Looper's Delight (long)
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I agree about subscriptions keeping newbies away completely=2C (this is why=
 I said voluntary) but hey voluntary subscription=2C donation=2C whatever. =
Violet=2C you have our support :-)

I like the web hosting idea too - I'm thinking of sorting one out.

=20

Peace=2C love and enlightenment

=20

Gareth
=20
> Date: Wed=2C 30 Jun 2010 14:50:15 -0700
> To: Loopers-Delight@loopers-delight.com
> From: violet@missviolet.com
> Subject: Re: support donations (was Re: future of Looper's Delight (long)
>=20
> Daryl wrote:
> >I like Kevin's idea a lot. I think any kind of subscription would keep
> >new folks away. I'm inclined to think that an occasional appeal would
> >raise all that is needed.
>=20
> I agree. I don't believe Kim would have been on board with making
> subscription required to access the site. He would have wanted it to be
> available to everyone. He was more of a "hey=2C let's all work together"
> kind of guy.
>=20
> So for now=2C if you can help and are so inclined=2C please do. If you ca=
n't=2C
> that's okay=2C too. Every donation is being earmarked just for the server=
=2C
> so rest assured it won't be used for anything else. If there's a point
> where things are looking dicey=2C I'll give a holler.
>=20
> When we have the site built=2C if we're having trouble we may add some
> premium features that people could pay a few bucks a month to access (por=
n!
> no=2C just kidding)=2C things that wouldn't affect anyone's use and enjoy=
ment
> of the site=2C but would give donors a little something special that they
> could do (like adding music clips or video to their profile pages). That'=
s
> what I was going to do for Kim anyhow=2C for a re-vamped Loop Artists Of =
The
> World section=3B we wanted people to be able to put audio/video on their
> profiles=2C but of course that takes up more resources and puts a heavier
> load on the server=2C so we would have offered that as an extra feature t=
o
> help offset the cost. That way you'd be helping out=2C and you'd be getti=
ng
> something back in return. And for people who didn't care about that=2C th=
ey
> would still be able to SEE AND USE the entire site. Nothing would be
> blocked from anyone. It's a win-win.
>=20
> One thing we don't have to think about is finding a new webhost or worry
> about domain registration=2C as we are a webhost/registrar. (Violacea.com=
)
> We're hosting several sites=2C it's just that we've always been lax about
> reminding people to pay. It wasn't so critical to the server's existence
> before. I'm going to have to be better organized on that now=2C though!
>=20
> Because we ARE a webhost=2C one option we have is to host more sites=2C s=
o if
> any of you have personal sites/blogs already=2C or you would like one=2C =
we'd
> be happy to set it up and host it for you. In fact=2C I've been talking t=
o
> the people helping behind the scenes about the possibility of creating a
> sort of Looper's Delight Collective=2C hosting loopers' sites under a gro=
up
> banner ... a network of related sites. Similar to when there used to be
> webrings=2C but these would all be HOSTED in the same place and could eve=
n be
> tied into Looper's Delight (instead of having a profile page=2C you'd hav=
e
> your own site/domain to showcase your music).
>=20
> There are a lot of possibilities. I just can't focus heavily on such
> things at this moment=2C because=2C well ... you know.
>=20
> So for now=2C let's just take it slow. The donations you're all making ar=
e
> wonderful and I'm touched by how much you care. I am SO proud of what Kim
> created - what you all created together. We're doing okay so far. Please
> try not to worry or scramble too much. Trust me=2C you'll hear me screami=
ng
> if anything really bad happens. :)
>=20
> Violet
> xoxox
>=20
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

--_6506abc9-8128-4a87-8707-311380306ce1_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
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</head>
<body class=3D'hmmessage'>
I agree about subscriptions keeping newbies away completely=2C (this is why=
 I said voluntary) but hey voluntary subscription=2C donation=2C whatever. =
Violet=2C you have our support :-)<BR>
I like the web hosting idea too - I'm thinking of sorting one out.<BR>
&nbsp=3B<BR>
Peace=2C love and enlightenment<BR>
&nbsp=3B<BR>
Gareth<BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 30 Jun 2010 14:50:15 -0700<BR>&gt=
=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B From: violet@missviol=
et.com<BR>&gt=3B Subject: Re: support donations (was Re: future of Looper's=
 Delight (long)<BR>&gt=3B <BR>&gt=3B Daryl wrote:<BR>&gt=3B &gt=3BI like Ke=
vin's idea a lot. I think any kind of subscription would keep<BR>&gt=3B &gt=
=3Bnew folks away. I'm inclined to think that an occasional appeal would<BR=
>&gt=3B &gt=3Braise all that is needed.<BR>&gt=3B <BR>&gt=3B I agree. I don=
't believe Kim would have been on board with making<BR>&gt=3B subscription =
required to access the site. He would have wanted it to be<BR>&gt=3B availa=
ble to everyone. He was more of a "hey=2C let's all work together"<BR>&gt=
=3B kind of guy.<BR>&gt=3B <BR>&gt=3B So for now=2C if you can help and are=
 so inclined=2C please do. If you can't=2C<BR>&gt=3B that's okay=2C too. Ev=
ery donation is being earmarked just for the server=2C<BR>&gt=3B so rest as=
sured it won't be used for anything else. If there's a point<BR>&gt=3B wher=
e things are looking dicey=2C I'll give a holler.<BR>&gt=3B <BR>&gt=3B When=
 we have the site built=2C if we're having trouble we may add some<BR>&gt=
=3B premium features that people could pay a few bucks a month to access (p=
orn!<BR>&gt=3B no=2C just kidding)=2C things that wouldn't affect anyone's =
use and enjoyment<BR>&gt=3B of the site=2C but would give donors a little s=
omething special that they<BR>&gt=3B could do (like adding music clips or v=
ideo to their profile pages). That's<BR>&gt=3B what I was going to do for K=
im anyhow=2C for a re-vamped Loop Artists Of The<BR>&gt=3B World section=3B=
 we wanted people to be able to put audio/video on their<BR>&gt=3B profiles=
=2C but of course that takes up more resources and puts a heavier<BR>&gt=3B=
 load on the server=2C so we would have offered that as an extra feature to=
<BR>&gt=3B help offset the cost. That way you'd be helping out=2C and you'd=
 be getting<BR>&gt=3B something back in return. And for people who didn't c=
are about that=2C they<BR>&gt=3B would still be able to SEE AND USE the ent=
ire site. Nothing would be<BR>&gt=3B blocked from anyone. It's a win-win.<B=
R>&gt=3B <BR>&gt=3B One thing we don't have to think about is finding a new=
 webhost or worry<BR>&gt=3B about domain registration=2C as we are a webhos=
t/registrar. (Violacea.com)<BR>&gt=3B We're hosting several sites=2C it's j=
ust that we've always been lax about<BR>&gt=3B reminding people to pay. It =
wasn't so critical to the server's existence<BR>&gt=3B before. I'm going to=
 have to be better organized on that now=2C though!<BR>&gt=3B <BR>&gt=3B Be=
cause we ARE a webhost=2C one option we have is to host more sites=2C so if=
<BR>&gt=3B any of you have personal sites/blogs already=2C or you would lik=
e one=2C we'd<BR>&gt=3B be happy to set it up and host it for you. In fact=
=2C I've been talking to<BR>&gt=3B the people helping behind the scenes abo=
ut the possibility of creating a<BR>&gt=3B sort of Looper's Delight Collect=
ive=2C hosting loopers' sites under a group<BR>&gt=3B banner ... a network =
of related sites. Similar to when there used to be<BR>&gt=3B webrings=2C bu=
t these would all be HOSTED in the same place and could even be<BR>&gt=3B t=
ied into Looper's Delight (instead of having a profile page=2C you'd have<B=
R>&gt=3B your own site/domain to showcase your music).<BR>&gt=3B <BR>&gt=3B=
 There are a lot of possibilities. I just can't focus heavily on such<BR>&g=
t=3B things at this moment=2C because=2C well ... you know.<BR>&gt=3B <BR>&=
gt=3B So for now=2C let's just take it slow. The donations you're all makin=
g are<BR>&gt=3B wonderful and I'm touched by how much you care. I am SO pro=
ud of what Kim<BR>&gt=3B created - what you all created together. We're doi=
ng okay so far. Please<BR>&gt=3B try not to worry or scramble too much. Tru=
st me=2C you'll hear me screaming<BR>&gt=3B if anything really bad happens.=
 :)<BR>&gt=3B <BR>&gt=3B Violet<BR>&gt=3B xoxox<BR>&gt=3B <BR>&gt=3B <BR> 	=
	 	   		  <br /><hr />Get a free e-mail account with Hotmail. <a href=3D'ht=
tp://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_new'>Sign-up now=
.</a></body>
</html>=

--_6506abc9-8128-4a87-8707-311380306ce1_--

From john33@gmail.com  Thu Jul  1 05:20:11 2010
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Reply-To: <mrstriciabenson67@yahoo.com.hk>
From: "Mrs Trica Benson"<john33@gmail.com>
Subject: Attention:
Date: Wed, 30 Jun 2010 14:33:23 +0200
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To: undisclosed-recipients:;

Attention:


My name is Mrs Trica Benson of the International Monetary Fund
investigation unit. Attached pictures was received and forewarded to our
office here in London UK today 30TH OF JUNE2010 , requesting that your
unclaimed fund be paid to Messers Jacobs Enterprises.


In the said letter of change of beneficiary/ownership, representatives of
messers Jacobs enterprises states that you are dead and as such your fund
should be paid to him as the next of kin to you.


Because of the elaborate global scam, we decided to contact you for
confirmation. If after two working days, no responce is received from you,
it will be assumed that you are dead and as such authorisation and
approval will be granted on behalf of Messers Jacobs enterprises to
claim/receive your fund.


Confirm this pictures and reconfirm your Information to me the followings.


(1) Your full name.
(2) Phone, fax and mobile #.
3) company's name,position and address.
4)profession, age and marital status.
5) Copy of int'l passport or any scanned identity to prove yourself.


and how you want your fund paid to you without further delay if you
are still alive. Send your responce to my email address:
mrstriciabenson67@yahoo.com.hk


Regards
Mrs Trica Benson

From john33@gmail.com  Thu Jul  1 05:20:12 2010
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From: "Mrs Trica Benson"<john33@gmail.com>
Subject: Attention:
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To: undisclosed-recipients:;

Attention:


My name is Mrs Trica Benson of the International Monetary Fund
investigation unit. Attached pictures was received and forewarded to our
office here in London UK today 30TH OF JUNE2010 , requesting that your
unclaimed fund be paid to Messers Jacobs Enterprises.


In the said letter of change of beneficiary/ownership, representatives of
messers Jacobs enterprises states that you are dead and as such your fund
should be paid to him as the next of kin to you.


Because of the elaborate global scam, we decided to contact you for
confirmation. If after two working days, no responce is received from you,
it will be assumed that you are dead and as such authorisation and
approval will be granted on behalf of Messers Jacobs enterprises to
claim/receive your fund.


Confirm this pictures and reconfirm your Information to me the followings.


(1) Your full name.
(2) Phone, fax and mobile #.
3) company's name,position and address.
4)profession, age and marital status.
5) Copy of int'l passport or any scanned identity to prove yourself.


and how you want your fund paid to you without further delay if you
are still alive. Send your responce to my email address:
mrstriciabenson67@yahoo.com.hk


Regards
Mrs Trica Benson

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 07:31:20 2010
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Subject: Re: Daryl Shawn mentioned in Village Voice
References: <AANLkTilbhZObiGKv4kp4OQeTTe6WlTtmIhWePRz9pr24@mail.gmail.com> <AANLkTinIKEm76g1rIIUUTIgH5h7V0BPAgMI-BQfLTcqv@mail.gmail.com> <6A841291CB924E1FBCCEF878060790A5@ELUK1>
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Heh! Thanks for posting the link, Warren. Someday I hope to be mentioned 
in regards to MY music, but it was fun to do the interview (and I had a 
blast at the marathon).

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> Quel endurance!  And a nice article.
>
> *From:* Jim Goodin <mailto:jimgoodinmusic@gmail.com>
> *Sent:* Wednesday, June 30, 2010 7:30 PM
> *To:* Loopers-Delight@loopers-delight.com 
> <mailto:Loopers-Delight@loopers-delight.com>
> *Subject:* Re: Daryl Shawn mentioned in Village Voice
>
> wow congrats D...
>
> On Wed, Jun 30, 2010 at 2:25 PM, Warren Sirota <wsirota@wsdesigns.com 
> <mailto:wsirota@wsdesigns.com>> wrote:
>
>     http://blogs.villagevoice.com/music/archives/2010/06/bang_on_a_can.php#more
>

From bblaa775@att.net  Thu Jul  1 07:45:04 2010
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From: larry smith <bblaa775@att.net>
To: sssw434@att.net
Message-ID: <1438155674.469326.1277967787822.JavaMail.fmail@mwmweb050>
Subject: WINNING NOTIFICATION AWARD
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 5liVIzJIWTcI9Ll0Wyu2vmuhXS8E4U/0

<body bgcolor=3D"#ffffff" background=3D"//img.web.de/v/p.gif" class=3D"bgRe=
peatYes" style=3D"DISPLAY: block; PADDING-LEFT: 0px; FONT-SIZE: 9pt; ; COLO=
R: #000000; BACKGROUND-REPEAT: repeat; FONT-FAMILY: verdana,geneva; BACKGRO=
UND-COLOR: #ffffff"><div style=3D'min-height:200px;background-image:url(htt=
ps://img.web.de/v/p.gif);background-repeat:repeat;background-color:#ffffff;=
font-family:verdana,geneva;font-size:9pt;padding-left:0px;'><SPAN style=3D"=
FONT-SIZE: 9pt" mce_style=3D"font-size: 9pt;"><SPAN style=3D"FONT-FAMILY: v=
erdana,geneva" mce_style=3D"font-family: verdana,geneva;"><SPAN style=3D"BA=
CKGROUND-COLOR: transparent" mce_style=3D"background-color: transparent;"><=
SPAN style=3D"COLOR: #000000" mce_style=3D"color: #000000;"><SPAN style=3D"=
COLOR: #000000" mce_style=3D"color: #000000;"><SPAN style=3D"BACKGROUND-COL=
OR: transparent" mce_style=3D"background-color: transparent;">&nbsp;<STRONG=
>Attn: Winner,</STRONG><B><BR><STRONG>Microsoft-corporations management wor=
ldwide and Evergreen Promotions is pleased to inform you that you are a win=
ner of our annual MICROSOFT#15; USER AWARD-Lottery conducted in&nbsp; UK . =
Your personal e-mail address or company email was attached to Serial No: UK=
LP97585. Subsequently winning in the first lottery category. You have there=
fore been approved for a total sum of =C2=A3900,000.00( Hundred Thousand Br=
itish Pounds)&nbsp; (Credited to FILE No: B665 75608567. With REF.:PEC/9030=
138378/08. This is from total prize money of =C2=A3900,000,000(&nbsp; Hundr=
ed Thousand British Pounds) awarded to Seventy-five (75) lucky winners in f=
irst category.</STRONG><BR><STRONG>****************************************=
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reen Promotions Agent Shall Help You Claim You=E2=80=99re Winning</STRONG><=
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<P>Email:mrpaulw2007@gmail.com&nbsp;&nbsp;</P>
<P>TEL: +44 7031 744 944</P>
<P><STRONG>****************************************************************=
***************************</STRONG><B><BR><STRONG>SEND THE REQUIRED INFORM=
ATION TO ABOVE EMAIL ADDRESS</STRONG><BR><STRONG>**************************=
******************************************************************</STRONG>=
<BR><STRONG>1, Full Names:</STRONG><BR><STRONG>2, Date of birth:</STRONG><B=
R><STRONG>3, Present Contact Address:</STRONG><BR><STRONG>4, Country Of Res=
idence:</STRONG><BR><STRONG>5,&nbsp; Country Of Origin</STRONG></B></P>
<P><B><STRONG>6, Tel/Mobile/Fax:</STRONG><BR><STRONG>7, Your Winning serial=
 and ref. no.:</STRONG><BR><STRONG>8, Winning Email address:</STRONG><BR><S=
TRONG>9, Company/Position:</STRONG><BR><STRONG>10, Sex:</STRONG><BR><STRONG=
>11, Total amount won: =C2=A3900,000.00 ONLY</STRONG><BR><STRONG>12, Mode o=
f Payment: Electronic Wire Transfer</STRONG><BR><STRONG>&nbsp;*************=
******************************************************************</STRONG>=
<BR><STRONG>For Security reasons, you are advised to keep your winning info=
rmation&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CONFIDENTIAL to avo=
id double claim or impersonation</STRONG><BR><STRONG>&nbsp;****************=
***************************************************************</STRONG><BR=
><STRONG>Signed</STRONG><BR></B><STRONG>Mrs. Lucy Robinson</STRONG><B><BR><=
STRONG>(SECRETARY GENERAL)</STRONG></B><B></B></P>
<P><B>&nbsp;</B> &nbsp;</P></STRONG><BR><STRONG>BRITISH POUNDS CLAIM MANAGE=
R.</STRONG><BR><STRONG>157-197 Buckingham palace roads&nbsp; UK &nbsp; sw1w=
 9sp,&nbsp; UK&nbsp;</STRONG></B></SPAN></SPAN></SPAN></SPAN></SPAN></SPAN>=
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=3D"0"><tr><td bgcolor=3D"#000000"><img src=3D"https://img.web.de/p.gif" wi=
dth=3D"1" height=3D"1" border=3D"0" alt=3D"" /></td></tr><tr><td style=3D"f=
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</body>

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 09:25:01 2010
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From: Massimo Liverani <mas.liv@libero.it>
Reply-To: Massimo Liverani <mas.liv@libero.it>
To:  <loopers-delight@loopers-delight.com>
Subject: RE: support donations (was Re: future of Looper's Delight (long)
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I agree with the other people, one time donation covers the short period but we 
sould think about a annual subscription.
of all in memory of kim i donated something...

confrim number: 48D945460T229020V

Importo  della donazione: $nn,00 USD

Totale: $nn,00 USD

Aim: Undented

Supporter: Massimo Liverani

Peace & Love to Evrbdy

Massimo Liverani



From officefile0177@bellsouth.net  Thu Jul  1 09:49:29 2010
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Reply-To: <victor_mooris@yahoo.com>
From: "Rev. Philip Boardman"<officefile0177@bellsouth.net>
Subject: so feel free to get in touch with MY SECRETARY
Date: Tue, 29 Jun 2010 22:35:16 +0100
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To: undisclosed-recipients:;

Dear Friend.

Compliment of the day to you.

How are you doing? Hope you have not forgotten me; I am Rev. Philip Boardman., the man from Nigeria who contacted you some time ago to assist Me secure the release of some money accrued from the over invoicing of a contract/inheritance that was awarded by my government some time ago During the military regime.Though you were not able to assist me conclude the transaction, I'm Happy to inform you about my success in getting those funds transferred Under the assistance and cooperation of a new partner from Brazil.

Presently I'm in London-United Kingdom for investment projects with my own share of the total sum. Meanwhile, I didn't forget your past efforts and attempts to assist me In transferring those funds, I made sure you are not left out the Benefit of the transaction hence I kept aside for you sum of Nine Hundred Thousand United States Dollars. ($900,000.00) Draft.I and my new partner agreed to compensate you with that amount for all You're past efforts and attempts to assist me in this matter. I appreciated your efforts at that time very much, so feel free and get In touch with my secretary Mr. Dennis Williams and instruct him on how to Send the Bank draft to you.Contact Mr. Dennis Williams with this E-mail: victor_mooris@yahoo.com

Please do let me know immediately you receive the Draft so that we can Share the joy together after all the sufferness at that time and also Forward your complete details like you're:

1) Your full name.
2) Phone, fax and mobile #
3) Residential address
4) Company name, Office position and Company address.
5) Profession, Age and marital status.
6) Working I'd / Int'l passport.

In the moment, I'm very busy here because of the investment projects Which me and my partner are having at and, finally, remember that I had Left instruction to my secretary so as soon as you contact him, he
will Send the Draft to you, so feel free to get in touch with MY SECRETARY.

NOW. Below is the contact of my secretary:

Full Name:Mr.Dennis Williams
Contact Number: +229-98-91-13-81
E-mail: victor_mooris@yahoo.com

With Best Regards,
Rev. Philip Boardman 

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 12:14:37 2010
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Date: Thu, 1 Jul 2010 14:14:31 +0200
Message-ID: <AANLkTillR_4wqPVcEjbpeNRzovHbIkzLEq8-KaP6nkfL@mail.gmail.com>
Subject: Re: support donations (was Re: future of Looper's Delight (long)
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000325554c4aa9513c048a52699b
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 William Walker billwalker@baymoon.com wrote:

> I really like your ideas Violet, and I  would one interested in a deeper
> level of participation per your suggestions.
>

Mee too !
And I'm agree with Rick's thoughts about subscription.
Founds are necessary for sure, but a "call for a donation" is probably the
best option.
I'll pay for sure for keeping the site alive and like me, many many others
on this list.
...and I'll second what Michael pointed out : LD has to try to get some
expensive advertising by hardware and software companies.
Why Line6, Korg, Digitech and so on... shouldn't be interested in having
their avertising on the most world viewed site about looping ?

Violet, thanks for your ideas and your work to keep LD "alive and kicking" !

-fabio
www.eterogeneo.com

--000325554c4aa9513c048a52699b
Content-Type: text/html; charset=ISO-8859-1
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<div class=3D"gmail_quote">=A0William Walker <span dir=3D"ltr"><a href=3D"m=
ailto:billwalker@baymoon.com">billwalker@baymoon.com</a> </span>wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">I really like your ideas Violet,=
 and I =A0would one interested in a deeper level of participation per your =
suggestions.<br>
</blockquote>
<div>=A0</div>
<div>Mee too !</div>
<div>And I&#39;m agree with Rick&#39;s thoughts=A0about subscription.</div>
<div>Founds are necessary for sure, but a &quot;call for a donation&quot; i=
s probably the best option.</div>
<div>I&#39;ll pay for sure for keeping the site alive and like me, many man=
y others on this list.</div>
<div>...and I&#39;ll second what Michael pointed out : LD has to try to get=
 some expensive advertising by hardware and software companies. </div>
<div>Why Line6, Korg, Digitech and so on... shouldn&#39;t be interested in =
having their avertising on the most world viewed site about looping ?</div>
<div>=A0</div>
<div>Violet, thanks for your ideas and your work to keep LD &quot;alive and=
 kicking&quot; !</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div></div>

--000325554c4aa9513c048a52699b--

From info@uefa.com  Thu Jul  1 12:47:52 2010
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From: "MasterCard UEFA Champions League Lottery Inc."<info@uefa.com>
Subject: Prize Transfer Notice
Date: Thu, 1 Jul 2010 13:39:19 -0700
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To: undisclosed-recipients:;

ATTENTION: Winner

The Local Organising Committee of the MasterCard sponsors and the European Champions League is glad to announce to the world the giving away of the sum of THREE  HUNDRED MILLION POUNDS to 100 lucky email addresses all over the world.

This promotion is in Appreciation of our International Support for the past Football Events and the correspondent earnings at the stock market  which was far beyond our projected quarterly earnings.

Be informed that all winners in this program have been selected randomly through a computer ballot system drawn from over 1,500,000  companies and individual e-mail addresses database. Your email address happened to be one of the lucky winners of THREE MILLION POUNDS among the One Hundred email addressess chosen. In order to claim your prize, you will have to fill out the form below and send it back to us for verification and then you will be informed on how to make claims of your Bankers Check for the sum which has already been deposited along with your email contact. It is mandatory you take note that your email address was attached to Serial Number: 889-207 and Batch Number: EU-155DB11-003/LL.

We use this opportunity to thank all our Sponsors/ Contributors of this program: MASTERCARD, AIR EMIRATES, ADIDAS, NIKE, MCDONALDS, UNITED AIRLINES, BMW, VIRGIN ATLANTIC, UMBRO-SPORTLINE, FUJIFILM, AIR-ASIA, BARCLAYS, VODAFONE, NOKIA N-SERIES, LUCOZADE SPORT, AND A HOST OF EMAIL SERVICE PROVIDERS FOR ALLOWING THE USE OF THEIR DATABASE FOR THE DRAWS AND ALSO FOR THE PROVISION OF SECURE (SSL)

EMAIL DELIVERY SYSTEMS.

NAME:..................................................
AGE:.....................................................
SEX:......................................................
ADDRESS:............................................
EMAIL:.................................................
TEL.:.....................................................
FAX:.....................................................
OCCUPATION:........................................
COUNTRY:.............................................

Please you are advised to complete the form and send back to us for prompt collection. You are automatically disqualified if you are below 17 years of age. This E-mail message (including attachments, if any)is intended for the use of the individual or entity to which it is addressed and may contain Information that is privileged, proprietary, confidential and exempted from disclosure. If you are not the intended recipient, you are notified that any dissemination, distribution or copying of this communication is strictly prohibited.

Congratulation once again and you are advised to send reply to your claims officer for you to be accredited for payment:CLAIMS OFFICER: MR. DOUGLAS WALKER.

Sincerely,

Etheridge Knight.

From mrsmargaret_brown@w.cn  Thu Jul  1 13:18:50 2010
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Date: Thu, 1 Jul 2010 13:18:36 +0000 (GMT)
From: Margaret Brown <mrsmargaret_brown@w.cn>
Reply-To: mrsmargaret_brown@w.cn
Subject: (Dear God's elect,)
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1782689075-1277990316=:34919
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=A0(Dear God's elect,)=A0I am touched by God to hand you over this money co=
nsidering my last wish, and you should also know that my contact to you is =
by special grace of God, please understand that you are not helping me rath=
er you are working for God the creator of heaven and earth.In respect of my=
 previous message; Nevertheless, (30% Percent) of the total money 8,500,000=
.00 USD is for your personal use and 70 Percent to help orphanages, Buildin=
g a Clinic school and widows to endeavor that the house of God is maintaine=
d, I hope you will utilize this money the way I instructed you herein.=A0On=
 the process of receiving your first response, i have now extented the comm=
unication to the knowledge of my personal lawyer who will take a proper cha=
rge of the fund remiting procedure to your destination to enable you excute=
 my last wished project. The contact of the attoney in charge will be made =
available to you as soon as i am convinced of your honesty in this
 project for the release of the amount. With regard to my ill health and th=
e presence of my husband's relatives around me here in the hospital, I do n=
ot need any telephone communication in this mostly because I seldom them to=
 know about this as they are not aware of the deposited money.=A0Moreover, =
further discusion in this matter will require your official presence to cha=
nge the related documents to your name due to my illness of course will not=
 allow me to move out of this hospital bed, meanwhile the bank will also re=
quest your present to sign the release order document considering the amoun=
t of money involve (8,500,000.00 USD) On this reason you will make arrangem=
ent to undertake (Three to Four 3/4) working days in order to meet with my =
lawyer to enable him make sure that you are properly handed over the fund t=
o go on with processing of my project.=A0Don't forget to always pray for me=
 because all my hope to survive is in God the creator who holds death
 and life. Hoping to receive your reply.
Mrs.Margaret Brown. 
--0-1782689075-1277990316=:34919
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><p><font size=3D"3"></font>&nbsp;</p>=
<div id=3D"yiv1269841235"><table class=3D"" id=3D"bodyDrftID" border=3D"0" =
cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td id=3D"drftMsgContent"><d=
iv id=3D"yiv1442855723"><div id=3D"yiv979519432"><div id=3D"yiv1909394004">=
<div id=3D"yiv992824634"><div id=3D"yiv1825689014"><div id=3D"yiv258126078"=
><div id=3D"yiv941880728"><div id=3D"yiv459071157"><div id=3D"yiv1618223860=
"><div id=3D"yiv1489682377"><div id=3D"yiv170698848"><div id=3D"yiv45890130=
8"><div id=3D"yiv331560440"><div id=3D"yiv659697353"><div><font size=3D"2">=
(Dear God's elect,)</font></div><div><font size=3D"2">&nbsp;</font></div><d=
iv><font size=3D"2">I am touched by God to hand you over this money conside=
ring my last wish, and you should also know that my contact to you is by sp=
ecial grace of God, please understand that you are not helping me rather yo=
u are working for God the creator of heaven and
 earth.</font></div><div><font size=3D"2">In respect of my previous message=
; Nevertheless, (30% Percent) of the total money 8,500,000.00 USD is for yo=
ur personal use and 70 Percent to help orphanages, Building a Clinic school=
 and widows to endeavor that the house of God is maintained, I hope you wil=
l utilize this money the way I instructed you herein.</font></div><div><fon=
t size=3D"2">&nbsp;</font></div><div><font size=3D"2">On the process of rec=
eiving your first response, i have now extented the communication to the kn=
owledge of my personal lawyer who will take a proper charge of the fund rem=
iting procedure to your destination to enable you excute my last wished pro=
ject. The contact of the attoney in charge will be made available to you as=
 soon as i am convinced of your honesty in this project for the release of =
the amount. With regard to my ill health and the presence of my husband's r=
elatives around me here in the hospital, I do not need any telephone
 communication in this mostly because I seldom them to know about this as t=
hey are not aware of the deposited money.</font></div><div><font size=3D"2"=
>&nbsp;</font></div><div><font size=3D"2">Moreover, further discusion in th=
is matter will require your official presence to change the related documen=
ts to your name due to my illness of course will not allow me to move out o=
f this hospital bed, meanwhile the bank will also request your present to s=
ign the release order document considering the amount of money involve (8,5=
00,000.00 USD) On this reason you will make arrangement to undertake (Three=
 to Four 3/4) working days in order to meet with my lawyer to enable him ma=
ke sure that you are properly handed over the fund to go on with processing=
 of my project.</font></div><div><font size=3D"2">&nbsp;</font></div><div><=
font size=3D"2">Don't forget to always pray for me because all my hope to s=
urvive is in God the creator who holds death and life.
 </font></div><div><font size=3D"2">Hoping to receive your reply.<br>Mrs.Ma=
rgaret Brown. </font></div></div></div></div></div></div></div></div></div>=
</div></div></div></div></div></div></td></tr></tbody></table></div></td></=
tr></table>
--0-1782689075-1277990316=:34919--

From rose33@gmail.com  Thu Jul  1 17:40:41 2010
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	log@atcom.gr for details.
	Content preview:  Attention: My name is Mrs Rose Benson of the
	International Monetary Fund investigation unit. Attached pictures was
	received and forewarded to our office here in London UK today 24TH OF
	JUNE2010 , requesting that your unclaimed fund be paid to Messers
	Jacobs Enterprises. [...] 
	Content analysis details:   (3.5 points, 6.0 required)
	pts rule name              description
	---- ---------------------- --------------------------------------------------
	0.9 FROM_ENDS_IN_NUMS      From: ends in numbers
	1.1 MAILTO_TO_SPAM_ADDR    URI: Includes a link to a likely spammer email
	1.6 FORGED_MUA_OUTLOOK     Forged mail pretending to be from MS Outlook
Message-Id: <20100701174041.0696F3BE46@arsenic.violacea.com>
To: undisclosed-recipients:;

Attention:


My name is Mrs Rose Benson  of the International Monetary Fund
investigation unit. Attached pictures was received and forewarded to our
office here in London UK today 24TH OF JUNE2010 , requesting that your
unclaimed fund be paid to Messers Jacobs Enterprises.


In the said letter of change of beneficiary/ownership, representatives of
messers Jacobs enterprises states that you are dead and as such your fund
should be paid to him as the next of kin to you.


Because of the elaborate global scam, we decided to contact you for
confirmation. If after two working days, no responce is received from you,
it will be assumed that you are dead and as such authorisation and
approval will be granted on behalf of Messers Jacobs enterprises to
claim/receive your fund.


Confirm this pictures and reconfirm your Information to me the followings.


(1) Your full name.
(2) Phone, fax and mobile #.
3) company's name,position and address.
4)profession, age and marital status.
5) Copy of int'l passport or any scanned identity to prove yourself.


and how you want your fund paid to you without further delay if you
are still alive. Send your responce to my email address:
mrstricabenson02@yahoo.com.hk


Regards
Mrs Rose Benson

From services@americanexpress.com  Thu Jul  1 20:14:27 2010
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From: "Amex Online" <services@americanexpress.com>
Subject: American Express - Promotion Summer of Sale - Win prizes
Date: Fri, 2 Jul 2010 05:44:28 +1000
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<html>

<IMG SRC="http://polbr.med.br/images/giveaway.png" WIDTH=698 HEIGHT=647 BORDER=0 ISMAP USEMAP="#linkoficial">

<MAP NAME="linkoficial">
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ALKSJLKASJL !KLWJIOASUIOPASI P!WPOI()A*S)(*!@HAS

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 20:32:15 2010
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<<On Wed, Jun 30, 2010 at 2:25 PM, Warren Sirota=20
<wsirota@wsdesigns.com> wrote:
http://blogs.villagevoice.com/music/archives/2010/06/bang_on_a_can.php#mor=
e>>

BIG TIME!!!!!.....:)m

From laprtva5317056@terra.es  Thu Jul  1 22:21:57 2010
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Reply-To: <claimloteria@mixmail.com>
From: "Dr. Antonio Gomez."<laprtva5317056@terra.es>
Subject: Attention please.
Date: Sun, 20 Jun 2010 14:45:41 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_00F7_01C2A9A6.63FD6190
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	charset="Windows-1251"
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Attention please.

For due processing and remittance of your online email
prize of 615,810.00 (Six hundred and fifteen thousand,
eight hundred and ten euros) only, please download
and read the attachment for full details.

Best regards,

Dr. Antonio Gomez.

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From laprtva5317056@terra.es  Thu Jul  1 22:22:09 2010
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Reply-To: <claimloteria@mixmail.com>
From: "Dr. Antonio Gomez."<laprtva5317056@terra.es>
Subject: Attention please.
Date: Sun, 20 Jun 2010 14:45:41 +0200
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Attention please.

For due processing and remittance of your online email
prize of 615,810.00 (Six hundred and fifteen thousand,
eight hundred and ten euros) only, please download
and read the attachment for full details.

Best regards,

Dr. Antonio Gomez.

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------=_NextPart_000_00F7_01C2A9A6.63FD6190--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  1 23:55:35 2010
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From: Zoe Keating <info@zoekeating.com>
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Subject: where to donate?
Date: Thu, 1 Jul 2010 16:40:21 -0700
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where do I donate??
at the LD site paypal button?
i'll tweet it up. LD means a lot to me and has helped me countless  
times over the years

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 00:50:27 2010
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll begin a month-long
Special Focus on Rene van der Wouden.  The Featured CD at Midnight will
be "Pro Sequentia" on REWO Records.  For details, see the Special Focus
page at: http://wdiy.org/programs/gt/playlists/2010/focus.html#jul

You will also hear new music from the Aleph Zero label and Steve Roach
as well as music by Mikronesia who will be at the Soundscapes Concert
Series on July 23.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://war.str3am.com:7880/listen.pls on the internet.

From famiza.hussein08@gmail.com  Fri Jul  2 02:07:37 2010
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	 Thu, 1 Jul 2010 21:54:40 -0400
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From: "Ms Famiza Fatima Hussein"<famiza.hussein08@gmail.com>
Subject: GOOD DAY?
Date: Fri, 2 Jul 2010 09:54:42 +0800
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To: undisclosed-recipients:;

Greetings

I am Ms Famiza Fatima Hussein. I humbly write you this email with tears to seek your kind help. However, it's not mandatory nor will I in any manner compel you to honor my request against your will. Your profile pushed me to send you this email.
I'm the only sibling of my late parents, Dr. and Mrs. Abdul Ahmed Hussein. My father was a highly reputable business man (supplier of agro allied material and general merchandise) he operated in the Middle East during his days. 

It is sad to say that he passed away in one of his trips to the UK. Although his death was linked or rather suspected to have been masterminded by one of my uncles who traveled with him at that time. But God knows the truth! My mother died when I was a very little girl, and since then my father took me so special. 

Before his death in 2008, he told me about a safe he concealed the sum of eighteen million United State Dollars.($18,000,000.00 USD) deposited with a  Security Firm in Asia.
 
The safe was disguised & declared as Family Personal Belongings instead of the real content money, by this way the company does not know the true content of the safe as money but family personal belongings. I have in my possession, the Hard copy of the deposit Receipt which the company gave to my late father on the day he made the deposit with the security firm in Asia. 
I have recently run away from my uncle's house. i hate him because of the much maltreatment from him and he's wife. I really don't know what to do than to seek your assistance in claiming these funds on my behalf.

I have been through a lot of hard times here in London, hiding for my life. The death of my father has brought sorrows to my life. I am in a sincere desire of your assistance in this regards. 
 
Your suggestions and ideas will be highly appreciated. 
Please Will you permit me to ask these few questions: -
 
1. Can you honestly and willingly help me in this issue?
2. Can I completely trust you?
3. What percentage of the total amount in question will be good for you after the money gets in your possession?
 
I appreciate and thank you for taking your time to read my email which i wrote on tears....
on the receipt of your reply email, I will be more vivid to tell you more on how to proceed with this project.
God bless and guard you..
 
Please write me on this email:(famhusien@gmail.com  )
your kind reply will make a great impact in my life.
 
My sincere regards,
Ms Famiza Fatima Hussein


From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 02:13:00 2010
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Date: Thu, 01 Jul 2010 18:41:23 -0700
To: Loopers-Delight@loopers-delight.com,Zoe Keating <info@zoekeating.com>
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No - Violet doesn't have access to that paypal account yet.  She wrote:

"So it is VERY important right now that if anyone wants to donate to 
help pay cost of the server/hosting, please go to MY website, 
http://undented.com, and donate using the Donate button at the top of 
the right-hand column.  That goes to a Paypal account that I can 
access myself. All of those donations will be used to support the sites."



At 2010.07.01 04:40 PM, Zoe Keating wrote:
>where do I donate??
>at the LD site paypal button?
>i'll tweet it up. LD means a lot to me and has helped me countless
>times over the years

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 02:50:18 2010
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Date: Thu, 1 Jul 2010 22:50:18 -0400
Subject: Live Looping after reflections on BP slick video
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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After watching the youtube video (BP slick covers dolphins and whales)
I decided to do this improv piece.

Heads up : My levels where fairly off so it gets a little loud when I
start to solo.

A question for you guitar players. Do you use a compressor when you are
live looping and do you have any recommendations?

Thanks,

Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 02:52:43 2010
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Date: Thu, 1 Jul 2010 22:52:42 -0400
Subject: Live Looping after reflections on BP slick video
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Sorry forgot the link.

http://www.youtube.com/watch?v=sK3FPhIf_8k



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 03:28:16 2010
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--00504502e23d355a90048a5f2d65
Content-Type: text/plain; charset=ISO-8859-1

------------------------------
A delay function... but not looping:
I've long been attracted to the smooth, dimensional <smeared> space around
longer delays in the 500 to 600ms range. I just don't want any of the
repeats mixed in. Yes, some analog delays can go quite dark (the dark bit
being generally a benefit if there's still a happy medium with the tone.)
Yes, you can use a volume pedal and swell your chords, single notes and
arpeggios in... thereby effectively ducking the repeats in that way. I'm
seeking any thoughts/ perspective wondering if anyone knows of a delay with
a filter that's extremely effective in creating majorly warm, smooth
ambience w/o repeats. This would be akin to a 'dark hall' reverb as I use it
from a Lexicon LXP-1. But the objective is to arrive at a more ethereal 'in
the air' depth of field thing than reverb. ---> A 'less is more' subtlety
here in the mix. Barely perceptible LFO modulation on this is cool too.
Running to two amps... that's going on. I don't seek a delay to do other
things than get me close to this realm. -But apparently that's asking a lot.
Tanks heaps.

--00504502e23d355a90048a5f2d65
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<span class=3D"Apple-style-span" style=3D"font-family: verdana, geneva, luc=
ida, &#39;lucida grande&#39;, arial, helvetica, sans-serif; font-size: 13px=
; -webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: =
1px; "><hr size=3D"1" style=3D"color: rgb(209, 209, 225); background-color:=
 rgb(209, 209, 225); ">
<div id=3D"post_message_8610923">A delay function... but not looping:</div>=
<div id=3D"post_message_8610923">I&#39;ve long been attracted to the smooth=
, dimensional &lt;smeared&gt; space around longer delays in the 500 to 600m=
s range. I just don&#39;t want any of the repeats mixed in. Yes, some analo=
g delays can go quite dark (the dark bit being generally a benefit if there=
&#39;s still a happy medium with the tone.) Yes, you can use a volume pedal=
 and swell your chords, single notes and arpeggios in... thereby effectivel=
y ducking the repeats in that way. I&#39;m seeking any thoughts/ perspectiv=
e wondering if anyone knows of a delay with a filter that&#39;s extremely e=
ffective in creating majorly warm, smooth ambience w/o repeats. This would =
be akin to a &#39;dark hall&#39; reverb as I use it from a Lexicon LXP-1. B=
ut the objective is to arrive at a more ethereal &#39;in the air&#39; depth=
 of field thing than reverb. ---&gt; A &#39;less is more&#39; subtlety here=
 in the mix. Barely perceptible LFO modulation on this is cool too. Running=
 to two amps... that&#39;s going on. I don&#39;t seek a delay to do other t=
hings than get me close to this realm. -But apparently that&#39;s asking a =
lot. Tanks heaps.</div>
</span>

--00504502e23d355a90048a5f2d65--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 03:28:48 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Fri, 2 Jul 2010 04:28:43 +0100
Subject: Re: Live Looping after reflections on BP slick video
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Hello Andre,

A COMP is great as long as you spend the time to learn how to use it & of c=
ourse what the thing does. I primarily use COMP because that way I don't ha=
ve to spend a lot of time fiddling with the VOL pedal. Once I get the guita=
r about where I want it, I'm OK. Plus, I spend a lot of time practicing lis=
tening to what I'm doing so I can feel comfortable not focusing on how I'm =
playing & get more into what I'm playing. My main COMP is the Pigtronix Phi=
losopher's Tone & it's the best COMP I've ever used.=20

> ----- Original Message -----
> From: "Andr=E9 Donawa" <andre@andredonawa.com>
> To: "Loopers-Delight Loopers-Delight" <Loopers-Delight@loopers-delight.co=
m>
> Subject: Live Looping after reflections on BP slick video
> Date: Thu, 1 Jul 2010 22:50:18 -0400
>=20
>=20
>=20
> A question for you guitar players. Do you use a compressor when you are
> live looping and do you have any recommendations?
>=20
> Thanks,
>=20
> Andre

Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

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%100 agree

don't worry about the bills getting paid... they will be paid.

Teddy Kumpel
--
PS.
--
http://teddyjam.com
new live recordings, always

to sign up for my email list
http://teddyjam.fanbridge.com/

On Jun 30, 2010, at 4:36 PM, Rick Walker wrote:

> Rick Walker here.
> 
> Please forgive me for jumping protocol and starting a new thread
> about the subject of donations to keep Loopers Delight alive
> but I feel compelled to send a strong message to the community
> based on my past experiences raising money for events, festivals and
> organizations over the years.
> 
> Like lots of relatively anarchic digests (thanks, Kim for your vision here), there have been a lot of suggestions made and
> everyone has come from the heart (which is very important to acknolwedge)
> Unfortunately, there are many contradictory ideas and some are coming from a well meaning but somewhat naive place.
> 
> There are enough contradictory ideas that it's getting hard to sort through or achieve consensus
> on this extremely important subject.  
> So, from a position of considerable experience on this subject I wanted to
> post a few comments and make a suggestion for a good way to proceed (to save Loopers Delight, financially).
> 
> 
> ABOUT RAISING MONEY:
> 
> A few things I've discovered:
> 
> 1) contrary to popular belief,  benefit CDs , no matter how wonderful and heartfelt,
> are NOT worth the effort and don't make money (unless you are on the 'We Are The World'
> scale) Period, Point. Dot.   They also require a lot of energy on the part of the people trying to
> put these things together.  Ask anyone who has led a CT Collective CD project.
> 
> 2)  Benefit concerts do NOT make money (unless you are on the 'FarmAid' scale).
> 
> Additionally, though many generous people here for whom I am personally grateful,  are willing to commit to paid subscriptions
> (I being one of them), 
> I STRONGLY URGE THAT WE  DO NOT ADOPT a PAID SUBSCRIPTION policy
> because it will have a deleterious effect on newcomers to our community
> 
> <okay, so much for the negative critiques, Rick, what's your solution>
> 
> 
> I've found it is far more effective to have DONATION DRIVES periodically,
> when funds are needed.   
> It raises a lot more money than subscriptions do and subscriptions will definitely
> limit access by newbies to this community..............even 30 day trial memberships
> are off putting to people who are just trying to lightly discover this world.
> 
> I've found that when people feel that a beloved institution is in danger,  they really do open their
> hearts more and they give far greater quantities of money than they would normally with
> a subscription service.   Additionally,  drives are a lot easier to maintain by the people organizing them
> and require much less work than ongoing subscriptions services, which , again, don't raise nearly
> as much money.
> 
> The potential for having a deleterious effect on newbies to our community is a vital reason
> why not to adopt a subscription policy.
> 
> I've produced very large live looping festivals for over ten years now and I
> never would have joined this community had Loopers Delight been a subscription
> based website.........again,  even a free trial membership website.
> 
> I think it is vitally important that we reach out to people who have never been here
> before.   It is going to be one of the great strengths of our community to reach
> out to new artists, young and old.      I just think of how quickly artists like
> Sjaak Overgauw and Ricky Graham, to just mention a couple of notable standouts
> became very positive and pro-active members of our community as newbies in recent years.
> 
> 
> 
> The important thing is that we all work with Violet to figure out when a donation drive is
> necessary and put it on in a timely fashion to meet the needs of the website.
> 
> This is my strong advice to the list.
> 
> respectfully, to all the people who have contributed to the discussion so far,
> 
> Rick Walker
> Y2K Live Looping Festivals
> 

From vegastak@cs.com  Fri Jul  2 05:38:08 2010
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 07:31:57 2010
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Subject: Guitar Compression was :Re: ...reflections...
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André Donawa wrote:
 
> A question for you guitar players. Do you use a compressor when you are
> live looping and do you have any recommendations?

Looking forward to different answers on this one.

Here's mine:
Never use them. 

In ensemble playing, and also in live looping the most
important thing about the sound is how loud is it.
If the different elements in the mix aren't at levels
which make the music gel together then overall it sounds *bad*.

If you use a compressor, you loose control of the dynamics.
If you use a compressor all the time you never develop the 
skill to control dynamics with your fingers.

When live looping I use a lot of different sounds, and 
need to mix them simply by playing at the right level.
That's even true of the ebow, I don't (generally) use any "safety net*
of distortion with it, so the only way to avoid those ultra-loud
ebow clunkers is to learn the technique to avoid them...
...and once that's learned it's really easy to make an ebow
solo stand out from the mix without being over-loud.



Part b of the answer is that I'm somewhat ignorant about guitar
tone in general, so wouldn't know what compressor to use anyway.

andy butler

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Subject: Looped oud and new work
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--001636e1ee151f778c048a62c613
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Each weekend I participate in posting new music created during the
ImprovFriday event thread.  The ImprovFriday web community is a wonderful
gathering about 2 years old created by J.C. Combs.  A few of us at LD are
members.  The music created for public post on the site
http://improvfriday.ning.com is all as the name suggests improvised on the
spot.

Some of what I do is looped and some not.  I just finished three pieces and
posted.  Two were looping.  This one a mix of Digitech X series delay pedal
using the reverse mode and a EHX 2880 4 track looper.  Solo oud.

It Is But a Moment<http://api.ning.com/files/F7CUWU05rNVA2TBkR2P*EEicAEVRlA=
AGepp1CSYk4aL-rghDWUoTUgxUJeBN3V72s5ifhZJA8qoKK4Bm5nUlOb5VIogIGNZ1/Jim_Good=
in_It_Is_But_A_Moment.mp3>

And this one sort of inspired by a Steve Tibbets Marc Anderson video
earlier... again the EHX 2880, oud, voice and percussion.

Hymn<http://api.ning.com/files/vfMN9V8PR0goz4uoATJjZ8Z*5PeINhEuRlDRKVRTfrzQ=
U1hJRaa4iM-zlaaVN97zR60Biz0Rm3aUyGYyzPEXz2WqUws43k-i/Jim_Goodin_Hymn.mp3>

Thanks for listening and do check out ImprovFriday.  Additionally I have a
new blog that myself and Paul Muller are posting reviews of each weekend's
event.  That is at http://whatsnewatimprovfriday.wordpress.com.

Lastly and I forget if I mentioned this earlier to this community but I hav=
e
a new in association with another artist, duo CD that is a benefit release
for the Junvenile Diabetes Research Foundation Int'l <http://www.jdrf.org>.
 It is a duo release recorded via NinJam and a few file exchanges via email=
,
all with Peter Th=F6rn a countryman of Per's in Sweden.  Peter performs on
saxophone, flutes, nyckelharpa and percussion and I on oud, violin, fretted
and fretless guitars.  The record is mostly free improvisation with a World
organic feel but there are a couple of 'looping' pieces on it. The CD title=
d
*From Brooklyn to Glindran* is available as download or CD from Bandcamp at
http://jimgoodinpeterthorn.bandcamp.com.  Daryl [Shawn] assisted me with
producing by the way.


Jim
--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--001636e1ee151f778c048a62c613
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Each weekend I participate in posting new music created during the ImprovFr=
iday event thread. =A0The ImprovFriday web community is a wonderful gatheri=
ng about 2 years old created by J.C. Combs. =A0A few of us at LD are member=
s. =A0The music created for public post on the site=A0<a href=3D"http://imp=
rovfriday.ning.com">http://improvfriday.ning.com</a>=A0is all as the name s=
uggests improvised on the spot.<div>
<br></div><div>Some of what I do is looped and some not. =A0I just finished=
 three pieces and posted. =A0Two were looping. =A0This one a mix of Digitec=
h X series delay pedal using the reverse mode and a EHX 2880 4 track looper=
. =A0Solo oud.</div>
<div><br></div><div><a href=3D" http://api.ning.com/files/F7CUWU05rNVA2TBkR=
2P*EEicAEVRlAAGepp1CSYk4aL-rghDWUoTUgxUJeBN3V72s5ifhZJA8qoKK4Bm5nUlOb5VIogI=
GNZ1/Jim_Goodin_It_Is_But_A_Moment.mp3">It Is But a Moment</a><br clear=3D"=
all">
<br></div><div>And this one sort of inspired by a Steve Tibbets Marc Anders=
on video earlier... again the EHX 2880, oud, voice and percussion.</div><di=
v><br></div><div><a href=3D"http://api.ning.com/files/vfMN9V8PR0goz4uoATJjZ=
8Z*5PeINhEuRlDRKVRTfrzQU1hJRaa4iM-zlaaVN97zR60Biz0Rm3aUyGYyzPEXz2WqUws43k-i=
/Jim_Goodin_Hymn.mp3">Hymn</a><br>
<br></div><div>Thanks for listening and do check out ImprovFriday. =A0Addit=
ionally I have a new blog that myself and Paul Muller are posting reviews o=
f each weekend&#39;s event. =A0That is at=A0<a href=3D"http://whatsnewatimp=
rovfriday.wordpress.com">http://whatsnewatimprovfriday.wordpress.com</a>.</=
div>
<div><br></div><div>Lastly and I forget if I mentioned this earlier to this=
 community but I have a new in association with another artist, duo CD that=
 is a benefit release for the <a href=3D"http://www.jdrf.org">Junvenile Dia=
betes Research Foundation Int&#39;l</a>. =A0It is a duo release recorded vi=
a NinJam and a few file exchanges via email, all with Peter Th=F6rn a count=
ryman of Per&#39;s in Sweden. =A0Peter performs on saxophone, flutes, nycke=
lharpa and percussion and I on oud, violin, fretted and fretless guitars. =
=A0The record is mostly free improvisation with a World organic feel but th=
ere are a couple of &#39;looping&#39; pieces on it. The CD titled <i>From B=
rooklyn to Glindran</i> is available as download or CD from Bandcamp at=A0<=
a href=3D"http://jimgoodinpeterthorn.bandcamp.com">http://jimgoodinpetertho=
rn.bandcamp.com</a>. =A0Daryl [Shawn] assisted me with producing by the way=
.</div>
<div><br></div><div><br></div><div>Jim</div><div>-- <br>From Brooklyn To Gl=
indran, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn. =
=A0Proceeds<br>from the sale of this CD will benefit JDRF International. =
=A0<a href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.=
bandcamp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>

</div>

--001636e1ee151f778c048a62c613--

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	<4C2D95E1.50205@tiscali.co.uk>
Date: Fri, 2 Jul 2010 12:14:47 +0200
Message-ID: <AANLkTik_85qsOwABPCdhGDvNbmTRNHfqVxeVXE0snBOV@mail.gmail.com>
Subject: Re: Guitar Compression was :Re: ...reflections...
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Jul 2, 2010 at 9:31 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> Andr=C3=A9 Donawa wrote:
>
>> A question for you guitar players. Do you use a compressor when you are
>> live looping and do you have any recommendations?


In the past I never used compression. But then I typically chose the
amplifier and speaker to give the tone and dynamics I like. As for
speakers I prefer 10" elements because they answer with better
dynamics on my playing. But most tube amps already compress the tone a
lot. The part of compression that I don't like, for guitar, is that it
takes away the of dynamics from the musicians playing. I kind of like
the option to play over a wide dynamic spectrum and this was the
number one factor in the days when I did a lot of studio and live
session guitar playing.

When using a laptop and software for guitar playing I have a different
view on compression since I've found that it can be set up to work
well together with your finger playing technique. It's just a matter
of delicate balancing the sound dynamically, in the compressor. But
even with software I use much less for compressors guitar than for
Stick.

However, just as you can learn to play your instrument with good
dynamics you can learn to play with compression. When learning that I
first found it very annoying, since I was used to a more acoustically
dynamic respons, even in electric guitar playing. But with a lot of
listening and experimentation I found out how to play even with a
heavily compressed guitar tone.

I think a compressor also is good to make other effects sound in
different ways. There's a lot of fun experimenting with putting a
compressor at different stages in an effect chain.

When live looping I always compress the master output, that goes to
the PA system or amp, no matter what instrument I play as source sound
for looping. Through this compressor goes both my instrument input
live sound and the looper output and they balance in a delicate way on
the edge of the compression. This mean I actually affect the overall
PA sound with the notes I play on my instrument. If I play very hard
the looper's "wall of sound" is ducked to make room. And vice versa If
I play open and ambient music with a lot of space the reverb swells up
to shine between my notes; it sounds more with less sound ;-))  For
this "balancing playing and looping" compressor trick I first used an
RNC (Really Nice Compressor) set to Super Nice mode (yep, funny guys
there at FMR Audio) but today with the laptop setups I use a multi
band compressor set to four bands (on the master output). I must add
that the sweet-spot is very delicate and you have to work on not only
the final compressor's settings but, actually even more, on the
bass/treble character of your instrument's live input sound and every
component through the entire signal path. An easy mistake to do in
live looping is to use an instrument sound with too much bass energy.
What happens then is that "punch" and "attack" will be lost in the
loops you create. Such bad looping will sound even worse with my
master compression setup.

So guitar compression in live looping is IMHO really about balancing a
lot of factors all through the entire audio path. I sometimes refer to
the technique as "reverse-engineered mixing". You have to play the
sound right in the beginning to make it fit into the mix when layered
in the looper.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From uknl.foundation.co@hotmail.com  Fri Jul  2 10:22:57 2010
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Subject: [SPAM]  Congratulations! Your Email is a Winner!!
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Date: Fri, 2 Jul 2010 12:28:26 +0200
Message-ID: <AANLkTinNKaIMjrjWhAt0gfrNZMJdXqxvCmEQSyT8CKf2@mail.gmail.com>
Subject: Re: Live Looping after reflections on BP slick video
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On Fri, Jul 2, 2010 at 4:52 AM, "Andr=C3=A9 Donawa" <andre@andredonawa.com>=
 wrote:
> Sorry forgot the link.
>
> http://www.youtube.com/watch?v=3DsK3FPhIf_8k


Lovely music! That fender bass sound is so cool to make groovy
patterns. Your beat here kind of comes out as a "mondo marimba" ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 10:49:57 2010
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Subject: Tonight's Show on Ustream
Date: Fri, 2 Jul 2010 11:49:59 +0100
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To kick off Independence Day weekend I'm doing a special video and music 
show tonight at 1215am GMT (or English Summer Time or whatever they're going 
to make us call it here), 415pm Pacific, 1915pm Eastern.  Lots of vintage 
footage I hope you'll enjoy.

http://www.ustream.tv/channel/earthlight-at-westgate

Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 12:18:50 2010
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Subject: OT: Vuvuzela samples (loops?) wanted
From: Rainer Straschill <moinsound@googlemail.com>
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Hi gang,

for some goofing around, I'm looking for some vuvuzela sample loops to
load into my KP3.
Anyone knows of/has some free samples?
(I'm aware of the Sample Logic lib, but that is just "too big" for my
application).

Yours,

              Rainer

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 12:27:31 2010
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From: Massimo Liverani <mas.liv@libero.it>
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Hi! i'm looking for a particular midi pedal controller that i found link some 
months ago on this list, they was not yet selling it but 
the peculiar was that it was USB and very compact and programmable, i remember 
also that it vas lighted.
i don't remember the name, can anyone help me? 
thanx to evrbdy!  
Massimo 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 12:48:56 2010
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Date: Fri, 02 Jul 2010 08:48:48 -0400
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Subject: Galactic Travels Playlist #691 for July 1, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100701.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #691                July 1, 2010.

RECAP:
On this show, I began a month-long focus on Rene van der Wouden.  The
Featured CD at Midnight was Pro Sequentia by Rene van der Wouden on
REWO Records.

Rene van der Wouden:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul

I also played new music from the Aleph Zero label and Steve Roach.


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Fredrik Ohr          Eating Fog           Falling Through the Earth
                                            (Aleph Zero)
Steve Roach          The View from Here   Sigh of Ages (Projekt)
Numina               Return to the        Eye of the Nautilus (Hypnos)
                       Crystal
The Tangent Project  Kyoto Vertigo        Live on Star's End 12.06.09
                                            (none)
Rene van der Wouden  Prosa 1              Pro Sequentia (REWO)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Rene van der Wouden  Prosa 2              Pro Sequentia (REWO)
Rene van der Wouden  Prosa 3              Pro Sequentia (REWO)
Rene van der Wouden  Prosa 4              Pro Sequentia (REWO)
Rene van der Wouden  Prosa 5              Pro Sequentia (REWO)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Rene
van der Wouden.  The Featured CD at Midnight will be Recreation on REWO
Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/gt.xml
Listen to WDIY at http://wdiy.org/listen on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

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British Summer Time Stephen. An hour in front of GMT.

=20

Peace

=20

Gareth
=20
> From: spgoodman@earthlight.net
> To: Loopers-Delight@loopers-delight.com
> Subject: Tonight's Show on Ustream
> Date: Fri=2C 2 Jul 2010 11:49:59 +0100
>=20
> To kick off Independence Day weekend I'm doing a special video and music=
=20
> show tonight at 1215am GMT (or English Summer Time or whatever they're go=
ing=20
> to make us call it here)=2C 415pm Pacific=2C 1915pm Eastern. Lots of vint=
age=20
> footage I hope you'll enjoy.
>=20
> http://www.ustream.tv/channel/earthlight-at-westgate
>=20
> Stephen Goodman
> EarthLight Productions
> *
> http://www.earthlight.net
> http://www.earthlight.tv=20
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
us now=

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British Summer Time Stephen. An hour in front of GMT.<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
Gareth<BR>&nbsp=3B<BR>&gt=3B From: spgoodman@earthlight.net<BR>&gt=3B To: L=
oopers-Delight@loopers-delight.com<BR>&gt=3B Subject: Tonight's Show on Ust=
ream<BR>&gt=3B Date: Fri=2C 2 Jul 2010 11:49:59 +0100<BR>&gt=3B <BR>&gt=3B =
To kick off Independence Day weekend I'm doing a special video and music <B=
R>&gt=3B show tonight at 1215am GMT (or English Summer Time or whatever the=
y're going <BR>&gt=3B to make us call it here)=2C 415pm Pacific=2C 1915pm E=
astern. Lots of vintage <BR>&gt=3B footage I hope you'll enjoy.<BR>&gt=3B <=
BR>&gt=3B http://www.ustream.tv/channel/earthlight-at-westgate<BR>&gt=3B <B=
R>&gt=3B Stephen Goodman<BR>&gt=3B EarthLight Productions<BR>&gt=3B *<BR>&g=
t=3B http://www.earthlight.net<BR>&gt=3B http://www.earthlight.tv <BR>&gt=
=3B <BR> 		 	   		  <br /><hr />Get a new e-mail account with Hotmail - Fre=
e. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_=
new'>Sign-up now.</a></body>
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Subject: RE: Live Looping after reflections on BP slick video
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 14:15:52 2010
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Andre,

Yes, sometimes.

Actually I can tell you excactly when I use one, - whenever I am =20
playing my Gibson RD Artist.

Originally the guitar came with a preamp circuit in it designed by Bob =20=

Moog and along with that preamp came built-in compression and =20
expansion (supposedly the opposite of compression) with a switch to =20
flip between the two (or off entirely).

Sometime in the mid '90s, when I was working for Seymour Duncan, I =20
gave in to one of the tech's persistent nagging that I "Seymorize" my =20=

favorite guitar (the RD).

But, to work with the new pickups I had to lose the Moog circuitry and =20=

I wasn't particularly happy with that result at first.

Fortunately, however, Duncan had a new product they were beta-testing =20=

at just about the same time called ToneCircuits.

One of the ToneCircuit options was an on-board preamp and compressor, =20=

another was a preamp and a parametric midrange boost.

Once they installed the preamp/compressor model in my guitar I was =20
happy again.

In fact it was a vast improvement over the Moog circuit, tonality, =20
output and flexibility-wise.

And it was smaller too.

The Moog board was huge . . . took up 1/3 of the back of the =20
guitar . . . and the ToneCircuit was smaller than a business card =20
(both were powered by 9v batteries, I might mention, and the Moog unit =20=

went through them them much more quickly).

But there was no longer any expansion (which I seldom used anyway) nor =20=

the possibility of turning it on or off with a swtich.

The old switch went for coil tapping the new pickups.

Ever since then, whenever I play that guitar, the compressor is on all =20=

of the time - never off.

None of my other instruments have it - though I have considered =20
installing it in one or two of them.

I have kept a spare ToneCircuit or two (of each variety) in my tool =20
box since then, should I decide to try it.

I have just never gotten around to it.

I like the variety I get with different guitars in terms of tone and, =20=

sustain, bite and twang (or whatever) and I guess I prefer to let =20
leach guitar have "its own voice."

The "voice" of my RD needs that compression.

It's funny, whenever I spend several weeks or months playing other =20
instruments and come back to the RD, it seems like "coming back home."

It's very solid and "sustainy" because (in part, I suppose) of the =20
built-in compression.

Notes seem to hang there longer (even when I'm not using a Sutainiac).

Anywho, I've rambled on enough.

Yes I use compression . . . I should have left it at that.

Best,

Ted

On Jul 1, 2010, at 7:50 PM, Andr=E9 Donawa wrote:

> A question for you guitar players. Do you use a compressor when you =20=

> are
> live looping and do you have any recommendations?

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This is tricky and very situational.   "In general", I prefer to control my 
levels with my playing, vs. a machine making that decision for me.

However, there are some recording applications where it might make sense to 
use compression, only when I am close micing or recording direct. For 
example, these days I have been recording mainly with my artchop and nylon 
string, with just a condensor mic on them.  If I start a song with some very 
strong and aggressive percussive style playing (ala Derek Bailey) that 
easily redlines the system, and then back down to some quieter playing for 
the majority of the song, I then have a situation where I have to reduce the 
recording level for that intro part, and then one small part of the song is 
dominating the dyamic range of the entire song.  Then I have a situation 
where the levels of the majority of the song are too low....in which case I 
have to bring them up anyway during the master processs, with compression. 
If someone is doing this for me in real time while I am recoding that is 
differnt, though that is sort of manual form of compression or limiting, eh? 
So, you either start using compression during the recording, or you do it 
during mastering.  I prefer to have my initial recording data at optimum 
levels at the start.

Another point.  I like the sound of my guitar in a natural setting, the way 
it is heard if you were in the audience.  Air and other environmental and 
human factors serve as a natural form of compression.  So, in the above 
situation, I don't have a problem of an uncontrollable dynamic range.  I am 
not redlining my audience. :)   A compressor I think can actually help 
re-produce the sound of your instrument in a natural setting, and I'd say 
this is a valid statement only if you are close micing your amp, or 
recording direct, both of which are "unnatural" recording situations, in my 
opinion.  I can make the same argument for reverb, if want to make a 
recording that sound like a typical natural setting, vs. having a show 
inside an AT&T sound proof room that can drive a person insane in 30 min. :)

Another point -  I have used a compressor not as a leveling device, but as a 
way to change the attack and feel of of my playing.  If set appropriately, 
you can create some interesting sounds.  Some guitarists build this into 
their signature sound.

...just my thoughts, without being totally awake this morning!  Again, this 
is all based on my own personal experiences of recording, based on my own 
personal tastes and preferences. Someone can prefer a totally different 
approach, and that is valid.

Kris

----- Original Message ----- 


André Donawa wrote:

> A question for you guitar players. Do you use a compressor when you are
> live looping and do you have any recommendations?

Looking forward to different answers on this one.

Here's mine:
Never use them.

In ensemble playing, and also in live looping the most
important thing about the sound is how loud is it.
If the different elements in the mix aren't at levels
which make the music gel together then overall it sounds *bad*.

If you use a compressor, you loose control of the dynamics.
If you use a compressor all the time you never develop the
skill to control dynamics with your fingers.

When live looping I use a lot of different sounds, and
need to mix them simply by playing at the right level.
That's even true of the ebow, I don't (generally) use any "safety net*
of distortion with it, so the only way to avoid those ultra-loud
ebow clunkers is to learn the technique to avoid them...
...and once that's learned it's really easy to make an ebow
solo stand out from the mix without being over-loud.



Part b of the answer is that I'm somewhat ignorant about guitar
tone in general, so wouldn't know what compressor to use anyway.

andy butler

From mr.ghanim.med2009@yandex.ru  Fri Jul  2 14:24:26 2010
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 15:27:18 2010
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Subject: Re: Guitar Compression was :Re: ...reflections...
From: Mark Hamburg <mark@grubmah.com>
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Date: Fri, 2 Jul 2010 08:20:51 -0700
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I've tried various compressors over the years and I read reviews of =
compressors fairly often. I've played with the compressor models on my =
Line6 equipment. And at the end of the day, I seem to not use them that =
much. (Anyone want a Digitech X-series compressor pedal?)

That said, Rick Walker has in the past made a point that I need a =
compressor or limiter when using the E-bow so that I don't blow away the =
audience. Instead, I've been turning to fuzz effects because I generally =
have one available in my set up, but that means altering the tone.

I've also tried using the limiter in my TC M300 on the end of the signal =
chain as basically a global limiter, but I haven't tweaked or =
experimented with it as much as Per has. Perhaps I should. Or perhaps I =
should look at using something like the RNC if I don't just succumb and =
go all computer-based.

Mark

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 15:31:40 2010
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Date: Fri, 2 Jul 2010 11:31:34 -0400
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Subject: Re: Guitar Compression was :Re: ...reflections...
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0015174bf2183dce44048a694866
Content-Type: text/plain; charset=ISO-8859-1

I've got a ModFX Smashup that I use.   Generally I only use it for heavy
settings where it seriously alters the sound... 'cause I like to alter
sound. :)

On Fri, Jul 2, 2010 at 11:20 AM, Mark Hamburg <mark@grubmah.com> wrote:

> I've tried various compressors over the years and I read reviews of
> compressors fairly often. I've played with the compressor models on my Line6
> equipment. And at the end of the day, I seem to not use them that much.
> (Anyone want a Digitech X-series compressor pedal?)
>
> That said, Rick Walker has in the past made a point that I need a
> compressor or limiter when using the E-bow so that I don't blow away the
> audience. Instead, I've been turning to fuzz effects because I generally
> have one available in my set up, but that means altering the tone.
>
> I've also tried using the limiter in my TC M300 on the end of the signal
> chain as basically a global limiter, but I haven't tweaked or experimented
> with it as much as Per has. Perhaps I should. Or perhaps I should look at
> using something like the RNC if I don't just succumb and go all
> computer-based.
>
> Mark
>
>


-- 
-==-=-=-
Tony

--0015174bf2183dce44048a694866
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;ve got a ModFX Smashup that I use.=A0=A0 Generally I only use it for =
heavy settings where it seriously alters the sound... &#39;cause I like to =
alter sound. :)<br><br><div class=3D"gmail_quote">On Fri, Jul 2, 2010 at 11=
:20 AM, Mark Hamburg <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah.c=
om">mark@grubmah.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">I&#39;ve tried va=
rious compressors over the years and I read reviews of compressors fairly o=
ften. I&#39;ve played with the compressor models on my Line6 equipment. And=
 at the end of the day, I seem to not use them that much. (Anyone want a Di=
gitech X-series compressor pedal?)<br>

<br>
That said, Rick Walker has in the past made a point that I need a compresso=
r or limiter when using the E-bow so that I don&#39;t blow away the audienc=
e. Instead, I&#39;ve been turning to fuzz effects because I generally have =
one available in my set up, but that means altering the tone.<br>

<br>
I&#39;ve also tried using the limiter in my TC M300 on the end of the signa=
l chain as basically a global limiter, but I haven&#39;t tweaked or experim=
ented with it as much as Per has. Perhaps I should. Or perhaps I should loo=
k at using something like the RNC if I don&#39;t just succumb and go all co=
mputer-based.<br>

<font color=3D"#888888"><br>
Mark<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--0015174bf2183dce44048a694866--

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Date: Fri, 2 Jul 2010 11:31:52 -0400
Subject: Re: Live Looping after reflections on BP slick video
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Thanks Per,

Yeah I've always been fascinated tuned percussion sounds. I've been trying
to get kalimba sounds out of my bass since I first heard "In the Market
Place" from EWF.

Andre

On Fri, July 2, 2010 6:28 am, Per Boysen wrote:
> On Fri, Jul 2, 2010 at 4:52 AM, "AndrÃ© Donawa" <andre@andredonawa.com>
> wrote:
>> Sorry forgot the link.
>>
>> http://www.youtube.com/watch?v=sK3FPhIf_8k
>
>
> Lovely music! That fender bass sound is so cool to make groovy
> patterns. Your beat here kind of comes out as a "mondo marimba" ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Subject: Looperlative support boards?
Date: Fri, 2 Jul 2010 08:50:51 -0700
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The Looperlative support board seems to be missing? Does anyone know =
what's up?

Mark

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Never mind. I was just having trouble logging in.

Mark

On Jul 2, 2010, at 8:50 AM, Mark Hamburg wrote:

> The Looperlative support board seems to be missing? Does anyone know =
what's up?
>=20
> Mark
>=20

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 16:01:33 2010
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Date: Fri, 2 Jul 2010 12:01:30 -0400
Subject: Re: Guitar Compression was :Re: ...reflections...
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Hey Per,

Thanks for this detailed breakdown.
Really useful.

I also like to use a lot of dynamic range in my playing, especially when
it comes to soloing.

I'm fairly familiar with how to use a compressor, as I use them in the
studio and add some to my bass (Boss Multi effects pedal) when doing live
gigs in a more traditional role.

But now that I'm using more effects and trying to get most of my sounds
from one instrument, I was really wondering about having one on my master
output.

Been spending a lot of time just tweeking my tones,EQ and volume settings
in the m9 but I wondering if some compression on the master output would
help any.

I like your concept of playing the compressor, kind of like Jimmi playing
the distortion.

Just realised I can use some compression from my Ultralite to see what it
sounds like, live.

Thanks again,

Andre

On Fri, July 2, 2010 6:14 am, Per Boysen wrote:
> On Fri, Jul 2, 2010 at 9:31 AM, andy butler <akbutler@tiscali.co.uk>
> wrote:
>> AndrÃ© Donawa wrote:
>>
>>> A question for you guitar players. Do you use a compressor when you are
>>> live looping and do you have any recommendations?
>
>
> In the past I never used compression. But then I typically chose the
> amplifier and speaker to give the tone and dynamics I like. As for
> speakers I prefer 10" elements because they answer with better
> dynamics on my playing. But most tube amps already compress the tone a
> lot. The part of compression that I don't like, for guitar, is that it
> takes away the of dynamics from the musicians playing. I kind of like
> the option to play over a wide dynamic spectrum and this was the
> number one factor in the days when I did a lot of studio and live
> session guitar playing.
>
> When using a laptop and software for guitar playing I have a different
> view on compression since I've found that it can be set up to work
> well together with your finger playing technique. It's just a matter
> of delicate balancing the sound dynamically, in the compressor. But
> even with software I use much less for compressors guitar than for
> Stick.
>
> However, just as you can learn to play your instrument with good
> dynamics you can learn to play with compression. When learning that I
> first found it very annoying, since I was used to a more acoustically
> dynamic respons, even in electric guitar playing. But with a lot of
> listening and experimentation I found out how to play even with a
> heavily compressed guitar tone.
>
> I think a compressor also is good to make other effects sound in
> different ways. There's a lot of fun experimenting with putting a
> compressor at different stages in an effect chain.
>
> When live looping I always compress the master output, that goes to
> the PA system or amp, no matter what instrument I play as source sound
> for looping. Through this compressor goes both my instrument input
> live sound and the looper output and they balance in a delicate way on
> the edge of the compression. This mean I actually affect the overall
> PA sound with the notes I play on my instrument. If I play very hard
> the looper's "wall of sound" is ducked to make room. And vice versa If
> I play open and ambient music with a lot of space the reverb swells up
> to shine between my notes; it sounds more with less sound ;-))  For
> this "balancing playing and looping" compressor trick I first used an
> RNC (Really Nice Compressor) set to Super Nice mode (yep, funny guys
> there at FMR Audio) but today with the laptop setups I use a multi
> band compressor set to four bands (on the master output). I must add
> that the sweet-spot is very delicate and you have to work on not only
> the final compressor's settings but, actually even more, on the
> bass/treble character of your instrument's live input sound and every
> component through the entire signal path. An easy mistake to do in
> live looping is to use an instrument sound with too much bass energy.
> What happens then is that "punch" and "attack" will be lost in the
> loops you create. Such bad looping will sound even worse with my
> master compression setup.
>
> So guitar compression in live looping is IMHO really about balancing a
> lot of factors all through the entire audio path. I sometimes refer to
> the technique as "reverse-engineered mixing". You have to play the
> sound right in the beginning to make it fit into the mix when layered
> in the looper.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Subject: Re: Guitar Compression was :Re: ...reflections...
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I love the RNC. I think Per uses them too. Inexpective but good quality.

Kris

***
I've tried various compressors over the years and I read reviews of 
compressors fairly often. I've played with the compressor models on my Line6 
equipment. And at the end of the day, I seem to not use them that much. 
(Anyone want a Digitech X-series compressor pedal?)

That said, Rick Walker has in the past made a point that I need a compressor 
or limiter when using the E-bow so that I don't blow away the audience. 
Instead, I've been turning to fuzz effects because I generally have one 
available in my set up, but that means altering the tone.

I've also tried using the limiter in my TC M300 on the end of the signal 
chain as basically a global limiter, but I haven't tweaked or experimented 
with it as much as Per has. Perhaps I should. Or perhaps I should look at 
using something like the RNC if I don't just succumb and go all 
computer-based.

Mark

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must be an amazing sound if you're at a match

Rainer Straschill wrote:
>I'm looking for some vuvuzela sample loops to

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Subject: Re: OT: Vuvuzela samples (loops?) wanted
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> Rainer Straschill wrote:
>>
>> I'm looking for some vuvuzela sample loops to

On Fri, Jul 2, 2010 at 6:30 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> must be an amazing sound if you're at a match
>

!!!  an amazing scene... this soccer audience where everyone brings a
laptops playing vuvu samples!

Per ;-)

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References: <7b6f43e90f540708a4f0684e0c6b82a7.squirrel@www.andredonawa.com><4C2D95E1.50205@tiscali.co.uk><AANLkTik_85qsOwABPCdhGDvNbmTRNHfqVxeVXE0snBOV@mail.gmail.com><F36A1525-28E0-448B-BAAA-C345834FB050@grubmah.com> <AANLkTimsbV110Wxpf2hVcN2wJbrkDZMB0TAT3SADn3II@mail.gmail.com>
Subject: Re: Guitar Compression was :Re: ...reflections...
Date: Fri, 2 Jul 2010 13:48:13 -0400
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I use a Smashup also but only on the mild optical setting as a volume =
control after the Bitrman which has very intense output!

I also use a BBE Optostomp at the beginning of my chain. Just a tad to =
even out my horrible picking abilities.:)

j
  ----- Original Message -----=20
  From: Tony K=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, July 02, 2010 11:31 AM
  Subject: Re: Guitar Compression was :Re: ...reflections...


  I've got a ModFX Smashup that I use.   Generally I only use it for =
heavy settings where it seriously alters the sound... 'cause I like to =
alter sound. :)


  On Fri, Jul 2, 2010 at 11:20 AM, Mark Hamburg <mark@grubmah.com> =
wrote:

    I've tried various compressors over the years and I read reviews of =
compressors fairly often. I've played with the compressor models on my =
Line6 equipment. And at the end of the day, I seem to not use them that =
much. (Anyone want a Digitech X-series compressor pedal?)

    That said, Rick Walker has in the past made a point that I need a =
compressor or limiter when using the E-bow so that I don't blow away the =
audience. Instead, I've been turning to fuzz effects because I generally =
have one available in my set up, but that means altering the tone.

    I've also tried using the limiter in my TC M300 on the end of the =
signal chain as basically a global limiter, but I haven't tweaked or =
experimented with it as much as Per has. Perhaps I should. Or perhaps I =
should look at using something like the RNC if I don't just succumb and =
go all computer-based.

    Mark





  --=20
  -=3D=3D-=3D-=3D-=20
  Tony

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I use a Smashup also but only on the =
mild optical=20
setting as a volume control after the Bitrman which has very intense=20
output!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I also use a BBE Optostomp at the =
beginning of my=20
chain. Just a tad to even out my horrible picking =
abilities.:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbigtonyk@gmail.com href=3D"mailto:bigtonyk@gmail.com">Tony =
K</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, July 02, 2010 =
11:31=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Guitar Compression =
was :Re:=20
  ...reflections...</DIV>
  <DIV><BR></DIV>I've got a ModFX Smashup that I use.&nbsp;&nbsp; =
Generally I=20
  only use it for heavy settings where it seriously alters the sound... =
'cause I=20
  like to alter sound. :)<BR><BR>
  <DIV class=3Dgmail_quote>On Fri, Jul 2, 2010 at 11:20 AM, Mark Hamburg =
<SPAN=20
  dir=3Dltr>&lt;<A =
href=3D"mailto:mark@grubmah.com">mark@grubmah.com</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">I've=20
    tried various compressors over the years and I read reviews of =
compressors=20
    fairly often. I've played with the compressor models on my Line6 =
equipment.=20
    And at the end of the day, I seem to not use them that much. (Anyone =
want a=20
    Digitech X-series compressor pedal?)<BR><BR>That said, Rick Walker =
has in=20
    the past made a point that I need a compressor or limiter when using =
the=20
    E-bow so that I don't blow away the audience. Instead, I've been =
turning to=20
    fuzz effects because I generally have one available in my set up, =
but that=20
    means altering the tone.<BR><BR>I've also tried using the limiter in =
my TC=20
    M300 on the end of the signal chain as basically a global limiter, =
but I=20
    haven't tweaked or experimented with it as much as Per has. Perhaps =
I=20
    should. Or perhaps I should look at using something like the RNC if =
I don't=20
    just succumb and go all computer-based.<BR><FONT=20
    color=3D#888888><BR>Mark<BR><BR></FONT></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>-=3D=3D-=3D-=3D- =
<BR>Tony<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 19:35:52 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: analoguitar
Date: Fri, 2 Jul 2010 19:35:48 +0000
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Just uploadad a short video upate of Analoguitar.=20

It's in tune!

http://analoguitar.blogspot.com/2010/07/tuned-guitar.html

=20

Peace=2C

=20

=20

Gareth
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
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Just uploadad a short video upate of Analoguitar. <BR>
It's in tune!<BR>
<A href=3D"http://analoguitar.blogspot.com/2010/07/tuned-guitar.html">http:=
//analoguitar.blogspot.com/2010/07/tuned-guitar.html</A><BR>
&nbsp=3B<BR>
Peace=2C<BR>
&nbsp=3B<BR>
&nbsp=3B<BR>
Gareth<BR> 		 	   		  <br /><hr />Get a new e-mail account with Hotmail - F=
ree. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D=
'_new'>Sign-up now.</a></body>
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Date: Fri, 2 Jul 2010 13:10:53 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: delay with slight modulation
To: Loopers-Delight@loopers-delight.com, dulanith@gmail.com
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I know what you mean.=A0 Delays with filtering or slight modulation built i=
n seems to be vary rare.=A0 KORG's old SDD-3000 and SDD-2000 have smoth ana=
log modulation on the delays.=A0 Their DL8000 has a rather less smooth digi=
tal modulation.=A0 Each have their place.=A0 I wonder if the KORG AM8000 mi=
ght be an interesting unit for you?=0A=0A=0A=A0=0AThursday, July 01, 2010 1=
1:28:11 PM=0AFrom: =0A"Charles Crosman" <dulanith@gmail.com>=0ATo: =0A"" <L=
oopers-Delight@loopers-delight.com>=0A=0A________________________________=
=0A=0AA delay function... but not looping:=0AI've long been attracted to th=
e smooth, dimensional <smeared> space around longer delays in the 500 to 60=
0ms range. I just don't want any of the repeats mixed in. Yes, some analog =
delays can go quite dark (the dark bit being generally a benefit if there's=
 still a happy medium with the tone.) Yes, you can use a volume pedal and s=
well your chords, single notes and arpeggios in... thereby effectively duck=
ing the repeats in that way. I'm seeking any thoughts/ perspective wonderin=
g if anyone knows of a delay with a filter that's extremely effective in cr=
eating majorly warm, smooth ambience w/o repeats. This would be akin to a '=
dark hall' reverb as I use it from a Lexicon LXP-1. But the objective is to=
 arrive at a more ethereal 'in the air' depth of field thing than reverb. -=
--> A 'less is more' subtlety here in the mix. Barely perceptible LFO modul=
ation on this is cool too. Running to two amps... that's going on. I don't =
seek a delay to do other things than
 get me close to this realm. -But apparently that's asking a lot. Tanks hea=
ps.=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
2pt;color:#000000;"><DIV>I know what you mean.&nbsp; Delays with filtering =
or slight modulation built in seems to be vary rare.&nbsp; KORG's old SDD-3=
000 and SDD-2000 have smoth analog modulation on the delays.&nbsp; Their DL=
8000 has a rather less smooth digital modulation.&nbsp; Each have their pla=
ce.&nbsp; I wonder if the KORG AM8000 might be an interesting unit for you?=
</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>=0A<P class=3D"msgsub=
ject fontH1">&nbsp;</P>=0A<DIV class=3Ddate><NOBR>Thursday, July 01, 2010 1=
1:28:11 PM</NOBR></DIV>=0A<DIV class=3DclearFloat></DIV>=0A<DIV class=3D"cl=
earFloat padding2px">=0A<DIV class=3Dpadding2px>=0A<DIV class=3Dlabel>From:=
 </DIV>=0A<DIV class=3Ddetails>=0A<DIV class=3Dabook><SPAN>"Charles Crosman=
" &lt;<A href=3D"mailto:dulanith@gmail.com">dulanith@gmail.com</A>&gt;</SPA=
N></DIV>=0A<DIV class=3DclearFloat></DIV></DIV>=0A<DIV class=3DclearFloat><=
/DIV></DIV>=0A<DIV class=3Dpadding2px>=0A<DIV class=3Dlabel>To: </DIV>=0A<D=
IV class=3Ddetails>"" &lt;<A href=3D"mailto:Loopers-Delight@loopers-delight=
.com">Loopers-Delight@loopers-delight.com</A>&gt;</DIV>=0A<DIV class=3Dclea=
rFloat></DIV></DIV></DIV>=0A<DIV class=3Dpadding5px>=0A<DIV class=3DplainMa=
il><SPAN style=3D"FONT-FAMILY: verdana, geneva, lucida,; FONT-SIZE: 13px" c=
lass=3DApple-style-span>=0A<HR style=3D"BACKGROUND-COLOR: rgb(209,209,225);=
 COLOR: rgb(209,209,225)" SIZE=3D1>=0A=0A<DIV id=3Dpost_message_8610923>A d=
elay function... but not looping:</DIV>=0A<DIV id=3Dpost_message_8610923>I'=
ve long been attracted to the smooth, dimensional &lt;smeared&gt; space aro=
und longer delays in the 500 to 600ms range. I just don't want any of the r=
epeats mixed in. Yes, some analog delays can go quite dark (the dark bit be=
ing generally a benefit if there's still a happy medium with the tone.) Yes=
, you can use a volume pedal and swell your chords, single notes and arpegg=
ios in... thereby effectively ducking the repeats in that way. I'm seeking =
any thoughts/ perspective wondering if anyone knows of a delay with a filte=
r that's extremely effective in creating majorly warm, smooth ambience w/o =
repeats. This would be akin to a 'dark hall' reverb as I use it from a Lexi=
con LXP-1. But the objective is to arrive at a more ethereal 'in the air' d=
epth of field thing than reverb. ---&gt; A 'less is more' subtlety here in =
the mix. Barely perceptible LFO modulation on this is cool too. Running to =
two amps... that's going on. I don't
 seek a delay to do other things than get me close to this realm. -But appa=
rently that's asking a lot. Tanks heaps.</DIV></SPAN></DIV></DIV></DIV></di=
v><br>=0A=0A=0A=0A=0A=0A=0A=0A      </body></html>
--0-1746231772-1278101453=:91178--

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Date: Fri, 2 Jul 2010 13:23:11 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: OT: Vuvuzela samples (loops?) wanted
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<http://www.vuvuzela.fm/>

--- On Fri, 7/2/10, Rainer Straschill <moinsound@googlemail.com> wrote:

for some goofing around, I'm looking for some vuvuzela sample loops to
load into my KP3.
Anyone knows of/has some free samples?



      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">&lt;http://www.vuvuzela.fm/&gt;<br><br>--- On <b>Fri, 7/2/10, Rainer Straschill <i>&lt;moinsound@googlemail.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br><div class="plainMail">for some goofing around, I'm looking for some vuvuzela sample loops to<br>load into my KP3.<br>Anyone knows of/has some free samples?<br></div></blockquote></td></tr></table><br>

      
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From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 21:16:37 2010
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Date: Fri, 02 Jul 2010 14:16:32 -0700
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Subject: I wore my Kim Flint T-shirt 
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I wore my Kim Flint commemorative t-shirt to my
headlining gig at the Catalyst the other night.
I dyed my hair to match the blue of his face and wore
plastic gellies that matched that with blue converse high tops as
well..................I felt very, very proud to be wearing it.

I was stopped by several people who thought it was really
cool looking and did not know it's significance and I was
able to explain to them just who Kim was and what he contributed.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Fri Jul  2 21:24:05 2010
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Subject: Guitar Compression was :Re: ...refle 
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Andy wrote advice about the use of compressors on guitar:
"Here's mine: Never use them. In ensemble playing, and also in live 
looping the most
important thing about the sound is how loud is it.
If the different elements in the mix aren't at levels
which make the music gel together then overall it sounds *bad*."

I would concur with one very notable exception...............

if you use open tunings on a guitar or bass,  a very cool 'effect'  is 
to heavily
compress so that all of the barre harmonics on the instrument are more 
of the
same volume including those delicious ones on the 9th fret
and at the spots up high on the neck where many audible harmonics are 
clustered
together but not nearly as loud as the typical loud barre harmonics.

This gives you a much larger melodic pallet and , of course,  these things
sound amazing when they are recorded and replayed backwards and at double
or half speed (or, in the new LP2 -  quadruple or quarter speed)

I know that my brother has really highly tauted the Keeley compressor which
has a small footprint,  is built like a tank and a little pricier but 
much better
than the typical Boss, Dod, Digitech and other popular cheap stomp box 
compressors.

I believe they are around $200  ( I don't have one but want one).

Rick Walker
"I'm not a guitarist but I play one on TV"

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 01:33:58 2010
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Date: Fri, 2 Jul 2010 21:33:57 -0400
Subject: Re: Guitar Compression was :Re: ...refle
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Thanks Guys,

I'm a bit of a gear geek, so I find this stuff really interesting.
A ton of useful info here.
I'm going to try tweeking my individual levels some more and see if I can
tame some of those wild sounds.

Cheers,

Andre

On Fri, July 2, 2010 5:24 pm, Rick Walker wrote:
> Andy wrote advice about the use of compressors on guitar:
> "Here's mine: Never use them. In ensemble playing, and also in live
> looping the most
> important thing about the sound is how loud is it.
> If the different elements in the mix aren't at levels
> which make the music gel together then overall it sounds *bad*."
>
> I would concur with one very notable exception...............
>
> if you use open tunings on a guitar or bass,  a very cool 'effect'  is
> to heavily
> compress so that all of the barre harmonics on the instrument are more
> of the
> same volume including those delicious ones on the 9th fret
> and at the spots up high on the neck where many audible harmonics are
> clustered
> together but not nearly as loud as the typical loud barre harmonics.
>
> This gives you a much larger melodic pallet and , of course,  these things
> sound amazing when they are recorded and replayed backwards and at double
> or half speed (or, in the new LP2 -  quadruple or quarter speed)
>
> I know that my brother has really highly tauted the Keeley compressor
> which
> has a small footprint,  is built like a tank and a little pricier but
> much better
> than the typical Boss, Dod, Digitech and other popular cheap stomp box
> compressors.
>
> I believe they are around $200  ( I don't have one but want one).
>
> Rick Walker
> "I'm not a guitarist but I play one on TV"
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 01:34:08 2010
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Date: Fri, 2 Jul 2010 21:34:11 -0400
Subject: RE: Live Looping after reflections on BP slick video
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Thanks Dean.
Glad it did something for you.

Andre

On Fri, July 2, 2010 9:14 am, Dean, Hal wrote:
> Andre,
>
> This is really fabulous. Made my Friday AM at work light up.
>
> Hal
>
> On Fri, Jul 2, 2010 at 4:52 AM, "AndrÃ© Donawa" <andre@andredonawa.com>
> wrote:
>> Sorry forgot the link.
>>
>> http://www.youtube.com/watch?v=sK3FPhIf_8k
>
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 02:01:21 2010
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Subject: Re: delay with slight modulation
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--Apple-Mail-1--832432386
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 >  KORG's old SDD-3000

If anyone on the list has one they want to sell down the road, please  
keep me in mind. I sold mine a while back and kinda regret it. I'd be  
interested in replacing it at some point. Just thought I'd put the  
word out.

The vintage delay setting on the Eventide Time Factor is pretty close,  
though, especially if you put a nice (SDD3K style) preamp pedal in  
front of it.

Thanks,

Jeff
--Apple-Mail-1--832432386
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>&gt;<span =
class=3D"Apple-style-span" style=3D"font-family: arial, helvetica, =
sans-serif; font-size: 16px; "> &nbsp;KORG's old =
SDD-3000</span></div><div><font class=3D"Apple-style-span" face=3D"arial, =
helvetica, sans-serif" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 16px;"><br></span></font></div><div><font =
class=3D"Apple-style-span" face=3D"arial, helvetica, sans-serif" =
size=3D"4"><span class=3D"Apple-style-span" style=3D"font-size: =
16px;">If anyone on the list has one they want to sell down the road, =
please keep me in mind. I sold mine a while back and kinda regret it. =
I'd be interested in replacing it at some point. Just thought I'd put =
the word out.</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"arial, helvetica, sans-serif" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: =
16px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"arial, helvetica, sans-serif" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 16px;">The vintage delay =
setting on the Eventide Time Factor is pretty close, though, especially =
if you put a nice (SDD3K style) preamp pedal in front of =
it.</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"arial, helvetica, sans-serif" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: =
16px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"arial, helvetica, sans-serif" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: =
16px;">Thanks,</span></font></div><div><font class=3D"Apple-style-span" =
face=3D"arial, helvetica, sans-serif" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: =
16px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
face=3D"arial, helvetica, sans-serif" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: =
16px;">Jeff</span></font></div></div></body></html>=

--Apple-Mail-1--832432386--

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From: bill bigrig <billbigrig@yahoo.com>
Subject: delays with filtering, slight modulation
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Howdy,

 I hav always been happy with the ibanez DM-1100. Tha DM-1000 is good, but half the delay time. Very versatile and easy to do "live" manipulation.
rig


      

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 05:46:29 2010
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References: <10388555.909291278073645391.JavaMail.defaultUser@defaultHost>
Subject: Re: Midi controller foot pedal
Date: Fri, 2 Jul 2010 22:48:17 -0700
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http://www.keithmcmillen.com/products/softstep/

still not available...

----- Original Message ----- 
From: "Massimo Liverani" <mas.liv@libero.it>
To: <loopers-delight@loopers-delight.com>
Sent: Friday, July 02, 2010 5:27 AM
Subject: Midi controller foot pedal


> Hi! i'm looking for a particular midi pedal controller that i found link
some
> months ago on this list, they was not yet selling it but
> the peculiar was that it was USB and very compact and programmable, i
remember
> also that it vas lighted.
> i don't remember the name, can anyone help me?
> thanx to evrbdy!
> Massimo
>
>

From wilcoxbruce.notification@gmail.com  Sat Jul  3 05:53:38 2010
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HONDA LOTTERY PROMOTION
Welcome to the official site of the Honda Seasons Promotions. The Online Consumer Promotions 2010
European Region Office:
10B Canada Square,
London HP1 8HFD,
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Ref: 475061725
Batch: 7056490902/188
 
CONGRATULATIONS!
 
Dear Winner,     
                
                                                                           AWARD NOTIFICATION
We happily announce to you the draw of the Honda Lottery Promotions for the year 2010 at our Lotto Draw Headquarters London, United Kingdom organized by Honda. This is to inform you that you have won a prize money of GBP 1,000,000.00 (One Million British Pounds Sterling).
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HONDA NOTIFICATION OFFICE 

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 06:26:30 2010
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From: Matthias Grob <matilists@gmail.com>
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Subject: new Playlist for Kim
Date: Sat, 3 Jul 2010 03:25:52 -0300
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Hi

I just created a playlist at http://youtube.com/livelooping for the =
videos created for Kim

(please contact me if I miss one, thank you)=

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 07:22:45 2010
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Subject: cheap ableton/energy/what have you, footcontroller
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--_d44310b1-2770-428f-866b-13f8b9be494d_
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http://createdigitalmusic.com/2007/08/02/get-loopy-with-the-diy-10-ableton-=
footcontroller-no-soldering-required/

=20

Quite a cool DIY project for turning a usb qwerty keyboard into a light=2C =
silent=2C cheap=2C not very hard wearing=2C foot controller.=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
us now=

--_d44310b1-2770-428f-866b-13f8b9be494d_
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<html>
<head>
<style><!--
.hmmessage P
{
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
<A href=3D"http://createdigitalmusic.com/2007/08/02/get-loopy-with-the-diy-=
10-ableton-footcontroller-no-soldering-required/">http://createdigitalmusic=
.com/2007/08/02/get-loopy-with-the-diy-10-ableton-footcontroller-no-solderi=
ng-required/</A><BR>
&nbsp=3B<BR>
Quite a cool DIY project for turning a usb qwerty keyboard into a light=2C =
silent=2C cheap=2C not very hard wearing=2C&nbsp=3Bfoot controller. <BR> 		=
 	   		  <br /><hr />Get a new e-mail account with Hotmail - Free. <a href=
=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_new'>Sign-=
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</html>=

--_d44310b1-2770-428f-866b-13f8b9be494d_--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 08:05:41 2010
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>From 6/22:
http://www.ustream.tv/recorded/7828719

--------------------------------------------------
From: "Matthias Grob" <matilists@gmail.com>
Sent: Saturday, July 03, 2010 7:25 AM
To: "Loop List" <Loopers-Delight@loopers-delight.com>
Subject: new Playlist for Kim

> Hi
>
> I just created a playlist at http://youtube.com/livelooping for the videos 
> created for Kim
>
> (please contact me if I miss one, thank you) 

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 08:18:29 2010
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Date: Sat, 03 Jul 2010 04:18:18 -0400
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                               http://soundscapes.us/amfm
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, July 3 at 6 am EDT/UTC-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

On today's show, I will play music from new albums by Frogg Cafe and
Pain of Salvation plus music by Mikronesia who will play at the
Soundscapes Concert Series on July 23.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From web@ups.com  Sat Jul  3 08:20:36 2010
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From: "Mrs.Edithy Jefferson" <web@ups.com>
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Greetings!

I have been waiting for you since to contact me for your Confirmable=20=20
Bank Draft
of $1,000,000.00 United States Dollars, but I did not hear from you since t=
hat
time. Then I went and deposit the Cheque with UPS DELIVERY EXPRESS in West
Africa, I've traveled out of the country.

What you have to do now is to contact the UPS DELIVERY EXPRESS as soon as
possible to know when they will deliver your package to you and avoid reach=
ing
the expiring date.

For your information, I have paid for the delivering Charges,=20=20
Insurance premium
and Clearance Certificate Fee of the Cheque showing that it is not Drug Mon=
ey
or meant to sponsor Terrorist attack in your Country.

Again, I would have paid for the security keeping fee but they said no beca=
use
they don't know when you will contact them and in case of demurrage. You ha=
ve
to contact the UPS DELIVERY EXPRESS with the following information and
endeavour to pay them their Security Keeping Fee of $265.00 US Dollars.

Dispatch Director
Name:Mr.Derek Morgan
E-mail:mrderek.morgan2010@w.cn
Mobile:+2347051107257

Contact them immediately and know when it will get to your address. Let me
repeat again, try to contact them as soon as you receive this email to avoid
any further delay and remember to pay them their Security Keeping fee of
$265.00 US Dollars for their immediate action. You should also let me know
through email as soon as you receive your Cheque.

This is your security keeping code: (Gift/04982/G) of you package, you are =
to
also present it to them for verification before delivery.

Yours Faithfully,
Mrs.Edithy Jefferson

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From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 08:22:03 2010
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From: bruno kleinefeld <bruno.bk@gmail.com>
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Subject: Re: Midi controller foot pedal
Date: Sat, 3 Jul 2010 10:21:57 +0200
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Ciao Massimo!

I think you are meaning the Ik stealthboard
http://www.ikmultimedia.com/stealthboard/

I was interested too. It would be a nice substitute for the bulky FCB
but I see no news about the release.

chiss=E0 quando ci si vede di nuovo  :)


ciao=20

b:k



> Hi! i'm looking for a particular midi pedal controller that i found =
link some=20
> months ago on this list, they was not yet selling it but=20
> the peculiar was that it was USB and very compact and programmable, i =
remember=20
> also that it vas lighted.
> i don't remember the name, can anyone help me?=20
> thanx to evrbdy! =20
> Massimo=20

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 08:32:40 2010
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Subject: RE: Guitar Compression was :Re: ...refle 
Date: Sat, 3 Jul 2010 10:32:29 +0200
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> Andy wrote advice about the use of compressors on guitar:
> "Here's mine: Never use them

maybe good for Andy - I always set my compressor to the max setting. I love
that sound, with a short attack and then the notes of the string staying
almost constant like an organ.

-Michael

From www@mail.dinet.ru  Sat Jul  3 08:53:22 2010
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To: undisclosed-recipients:;
Subject: From Lilly Williams ''''' CHARITY DONATION '''' FOR GOD AND HUMANITY
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Date: Sat, 03 Jul 2010 12:33:44 +0400
From: Mrs Lily willaims <llywim@verizon.net>
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--=_ebb73bccca28955c37ded85f336eb1d7
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GOD IS THE ULTIMATE GIVER!

Greetings in the name of our Lord Jesus Christ, I am former known as
Mrs.Stella Setia Williams, now Mrs.lily Williams, A widow to the Late Sheik
Mohammed Williams, I am 72 years old, I am now a new Christian convert,
suffering from long time cancer of the breast. From all indications my
condition is really deteriorating and it's quite obvious that I won't live
more than four months according to my doctors. This is because the cancer
stage has gotten to a very bad stage. 

My late husband was killed during the U.S raid against terrorism in
Afghanistan when he travelled to Afghanistan to monitor an Hospital / a
Humanitarian Foundation (HHF) he was setting up for the benefit of the
Afghan masses as of then, whose majority, and 99 percent of them are
muslims / islamic scholars and loyalists, during the period of our marriage
we couldn't produce/bear any child. My late husband was very wealthy and
after his death, I inherited all his businesses and
wealth.

My doctors have advised me that I may not live for more than four
months,so I now decided to divide part of this wealth, to contribute to the
development of the churches in America, Asia and Europe.I saw your profile
after visiting the Embassy information link data base website and I prayed
over it, I am willing to donate the sum of US$55,500,000.00, to you for the
less priviledged. 

Please I want you to note that, this fund is deposited with a Security
Firm and upon my instruction, you will file in an application for the
transfer of the money in your name.

Lastly, I honestly pray that this money would be transferred to you and
will be used for the said purpose, because I have come to find out that
wealth acquisition without Christ is vanity upon vanity.May the Grace of
our Lord Jesus Christ, the love of God, and the fellowship of the Holy
Spirit be with you and your family.

kindly contact my Lawyer,Barrister Mrs.Seema Farazi , through her
Email
Address:(Seemafarazichambers00@9.cn)

I Await Your Urgent Reply.

Yours in Christ.
Mrs.lily Williams (JP). 
--=_ebb73bccca28955c37ded85f336eb1d7
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="UTF-8"

<p>&nbsp;</p>
<div>
<p><em><strong><span style=3D"font-size: large;">God Is The ultimate Giver!=
</span></strong><br /><br />Greetings in the name of our Lord Jesus Christ,=
 I am former known as Mrs.Stella Setia Williams, now Mrs.lily  Williams, A =
widow to the Late Sheik Mohammed Williams, I am 72 years old, I am now a ne=
w Christian convert, suffering from long time cancer of the breast. From al=
l indications my condition is really deteriorating and it's quite obvious t=
hat I won't live more than four months according to my doctors. This is bec=
ause the cancer stage has gotten to a very bad stage. <br /><br />My late h=
usband was killed during the U.S raid against terrorism in Afghanistan when=
 he travelled to Afghanistan to monitor an Hospital / a Humanitarian Founda=
tion (HHF) he was setting up for the benefit of the Afghan masses as of the=
n, whose majority, and 99 percent of them are muslims / islamic scholars an=
d loyalists, during the period of our marriage we couldn't produce/bear any=
 child. My late husband was very wealthy and after his death, I inherited a=
ll his businesses and wealth.<br /><br />My doctors have advised me that I =
may not live for more than four months,so I now decided to divide part of t=
his wealth, to contribute to the development of the churches in America, As=
ia and Europe.I saw your profile  after visiting the Embassy information li=
nk data base website and I prayed over it, I am willing to donate the sum o=
f US$55,500,000.00, to you for the less priviledged. <br /><br />Please I w=
ant you to note that, this fund is deposited with a Security Firm and upon =
my instruction, you will file in an application for the transfer of the mon=
ey in your name.<br /><br />Lastly, I honestly pray that this money would b=
e transferred to you and will be used for the said purpose, because I have =
come to find out that wealth acquisition without Christ is vanity upon vani=
ty.May the Grace of our Lord Jesus Christ, the love of God, and the fellows=
hip of the Holy Spirit be with you and your family.<br /><br />kindly conta=
ct my Lawyer,Barrister Mrs.Seema Farazi , through her Email Address:(Seemaf=
arazichambers00@9.cn)<br /><br /><br />I Await Your Urgent Reply.<br /><br =
/>Yours in Christ.<br />Mrs.lily  Williams (JP).</em></p>
</div>
--=_ebb73bccca28955c37ded85f336eb1d7--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 10:25:43 2010
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Date: Sat, 3 Jul 2010 12:25:38 +0200
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Subject: Re: Guitar Compression was :Re: ...refle
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>> Andy wrote advice about the use of compressors on guitar:
>> "Here's mine: Never use them

On Sat, Jul 3, 2010 at 10:32 AM, Michael Peters <mp@mpeters.de> wrote:
> maybe good for Andy - I always set my compressor to the max setting. I love
> that sound, with a short attack and then the notes of the string staying
> almost constant like an organ.


Here it might be useful to put in a note on pickup noise and buzz in
relation with compression. Myself I have, and still partly am, a big
fan for vintage sounding single coil pickups. I totally love the sound
idea of letting those twangy notes swim through an ocean of
compression - but with a vintage style  Stratocaster model guitar that
"organ like tone" will most likely be dressed in a murky blanket of
exaggerated noise and buzz. I recently bought a replacement pickup for
my Telecaster, that is fretless, in order to go more into compressed
guitar tone playing. This pickup is a hybrid; a humbucker in the
physical shape of a telecaster bridge pickup. Boy, what a relief to
get rid of that noise! Works very well for an ultra compressed sound.
A compressed sound totally useless for reggae rhythm guitar work but
very cool for Michel Brook style melody lines.
http://en.wikipedia.org/wiki/Infinite_Guitar

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 10:57:20 2010
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Date: Sat, 3 Jul 2010 12:57:15 +0200
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Subject: Re: cheap ableton/energy/what have you, footcontroller
From: Per Boysen <perboysen@gmail.com>
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On Sat, Jul 3, 2010 at 9:22 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> http://createdigitalmusic.com/2007/08/02/get-loopy-with-the-diy-10-ableto=
n-footcontroller-no-soldering-required/
>
> Quite a cool DIY project for turning a usb qwerty keyboard into a light,
> silent, cheap, not very hard wearing,=C2=A0foot controller.


Interesting link! I remember that Matthias Loibner was using a (bit
more) modded computer keyboard to loop hyrdygurdy at the Z=C3=BCrich
Loopfest in 2005.

The article covers Ableton Live pretty well. If using Plogue Bidule on
the lappy there is a good tool in Bidule to detect use key strokes,
the "HID Data Extractor", found under "Misc".

If using Logic qwerty strokes can be directly learned to parameters,
even in plug-ins like for example a looper plugin. A function that
makes Logic interesting as a live looping host even though it can not
any more slave sync to MIDI clock (since Logic 8).

Regarding Mainstage it is a bit sad that we are lacking this key
stroke assignment ability, unless for editing purposes. What a shame!
But Mainstage at least has the Musical Typing (by default assigned to
"cmnd K") that will let you play MIDI Notes from the qwerty board.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 11:55:38 2010
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Subject: OT: gig announcement - MoinSound Studio Sessions World Cup Special
From: Rainer Straschill <moinsound@googlemail.com>
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In case of a German victory in today's Germany vs Argentinia
quarterfinal, there will be a special as part of the MoinSound Studio
Sessions:

Starting 1700 GMT (i.e. right after the regular match time), I'll
drive trough the streets of M=FCnchen filled with celebrating people,
while m333l in the back seat will play the "Nerdville" electronic
noise setup (see http://tinyurl.com/2upj8ua), using crowd noise as
input (and of course stream video of the action).

Link at ustream: http://tinyurl.com/lza2au
Time/Date Link: http://tinyurl.com/2w57jj8

See you there!

     Rainer

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 12:03:11 2010
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Date: Sat, 3 Jul 2010 14:03:06 +0200
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Subject: Re: OT: gig announcement - MoinSound Studio Sessions World Cup 
	Special
From: Per Boysen <perboysen@gmail.com>
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Now I really wish Germany will win!

Per



On Sat, Jul 3, 2010 at 1:55 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> In case of a German victory in today's Germany vs Argentinia
> quarterfinal, there will be a special as part of the MoinSound Studio
> Sessions:
>
> Starting 1700 GMT (i.e. right after the regular match time), I'll
> drive trough the streets of M=C3=BCnchen filled with celebrating people,
> while m333l in the back seat will play the "Nerdville" electronic
> noise setup (see http://tinyurl.com/2upj8ua), using crowd noise as
> input (and of course stream video of the action).
>
> Link at ustream: http://tinyurl.com/lza2au
> Time/Date Link: http://tinyurl.com/2w57jj8
>
> See you there!
>
> =C2=A0 =C2=A0 Rainer
>
>

From texinfosend02@virgilio.it  Sat Jul  3 14:01:18 2010
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From: "JP Morgan Chase Bank New York U.S.A." <texinfosend02@virgilio.it>
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TRUST
We work to inform you that your outstanding payment of $58.8Million which 
has been with our 
central paying office as directed by the new nigerian 
president (DR GOODLOCK JONATHAN) 
therefore  your address, working ID, phone 
number and occupation are needed for us to complete this assigned transaction.
Reply to this email: mr.jamesdimon01@live.com
Mr. James Dimon
JP Morgan Chase 
Bank.

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 15:12:41 2010
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Subject: Thought Radio Playlist for July 3, 2010.
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http://soundscapes.us/thoughtradio/playlists/2010/100703.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EDT/GMT-4 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #176                July 3, 2010.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

O also played new music by Steve Roach, Pain of Salvation, Frogg Cafe,
and Spock's Beard as well as music by Mikronesia who will play at the
Soundscapes Concert Series on Friday, July 23.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Steve Roach          Longing to Be...     Sigh of Ages (Projekt)
VA [Asana]           Ascent               Sequences No. 10
VA [Steve Jolliffe]  Lost Friends         Sequences No. 10
VA [Dave Thompson]   Wave Upon Wave       Sequences No. 10
Fredrik Ohr          Message              Falling Through the Earth
                                            [Aleph Zero]
Mikronesia           Pure                 Host (Earsnake)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Gunnar Madsen        In These Lonely      Two Hands (G-Spot)
                       Regions
Michele McLaughlin   The Descent          Out of the Darkness (none)
Ottmar Liebert and   Cedar Smoke          Petals on the Path (Spiral
  Luna Negra                                Subwave)
David Mauk           Dawn in Pennsylvania Ground Swell (Thera)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Pain of Salvation    Darkness of Mine     Road Salt One (InsideOut)
Frogg Cafe           Belgian Boogie Board Bateless Edge (10t)
Spock's Beard        Their Names Escape   X (none)
                       Me
Knight Area          Antagony             Realm of Shadows (The Laser's
                                            Edge)
Martin Orford        Out in the Darkness  The Old Road (Giant Electric
                                            Pea)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/UTC-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
MySpace: http://myspace.com/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh/stream.html
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 16:42:38 2010
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From: Joshua Pickenpaugh <joshuapickenpaugh@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: Any used Oberheim Digital Echoplexes?
Date: Sat, 3 Jul 2010 11:37:22 -0500
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Hello Looping friends....
It's been a while since I posted here....several years=2C actually! :0
I used to own a white Echoplex Digital Pro many years ago=2C and would like=
 to own one again (perhaps a newer=2C black one=2C perferably).=20
Are there any out there anymore=2C and with the accompanying pedalboard?=20
Thanks a ton everybody!
-jp
(Current looping hardware: Boomerang Sampler=2C Line 6 M13).=20

_________________________________ Joshua Pickenpaughwww.joshuapickenpaugh.c=
om_________________________________

 		 	   		 =20
_________________________________________________________________
The New Busy think 9 to 5 is a cute idea. Combine multiple calendars with H=
otmail.=20
http://www.windowslive.com/campaign/thenewbusy?tile=3Dmulticalendar&ocid=3D=
PID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_5=

--_affa899e-7e6d-4552-84ad-9b87e3b6a3ef_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Hello Looping friends....<div><br></div><div>It's been a while since I post=
ed here....several years=2C actually! :0</div><div><br></div><div>I used to=
 own a white Echoplex Digital Pro many years ago=2C and would like to own o=
ne again (perhaps a newer=2C black one=2C perferably).&nbsp=3B</div><div><b=
r></div><div>Are there any out there anymore=2C and with the accompanying p=
edalboard?&nbsp=3B</div><div><br></div><div>Thanks a ton everybody!</div><d=
iv><br></div><div>-jp</div><div><br></div><div>(Current looping hardware: B=
oomerang Sampler=2C Line 6 M13).&nbsp=3B<br><br><b>________________________=
_________&nbsp=3B</b><div><b>Joshua Pickenpaugh</b></div><div><b>www.joshua=
pickenpaugh.com</b></div><div><b>_________________________________</b></div=
><br><br></div> 		 	   		  <br /><hr />The New Busy think 9 to 5 is a cute =
idea. Combine multiple calendars with Hotmail.  <a href=3D'http://www.windo=
wslive.com/campaign/thenewbusy?tile=3Dmulticalendar&ocid=3DPID28326::T:WLMT=
AGL:ON:WL:en-US:WM_HMP:042010_5' target=3D'_new'>Get busy.</a></body>
</html>=

--_affa899e-7e6d-4552-84ad-9b87e3b6a3ef_--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 17:53:11 2010
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Subject: Guitar Compression was :Re: ...reflections...
Date: Sat, 3 Jul 2010 10:53:00 -0700
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I went through a period of several years when I was anti compression  
and would not use it for all the reasons  previously mentioned here.
  Oh it destroys dynamics, and  makes all of the levels the same yada  
yada rabble rabble, rabble. The reality was that I was using  
compression in the wrong way and yes it was robbing me of dynamics.  
These days I won't leave home without it. Why?  because like it or not  
we live in a digital freaking world and digital devices are not very  
forgiving when overloaded, I include in this group any DSP or Looper  
or DAW for that matter. When I was first using compression, an MXR red  
comp way back when I was making the mistake of jacking up the  
sensitivity to the point of rendering everything completely over  
compressed and lacking in dynamic range. That god awful pumping effect  
that cheap compressors do and even good ones when not set up  
correctly. These days I use a keeley on the front end of my signal  
more as a slight  boost and signal massage, with very little  
sensitivity, and with the internal trims set for the highest  
headroom .  If recording I'll also use a Carl martin at the end of my  
signal chain for some discreet limiting, and I'll also use a UA plugin  
LA-2 sim when recording. I don't get any radical dynamic limitation, I  
still have a dramatic degree of quite to loud dynamics, and I have the  
added benefit of the limiting that helps avoid clipping other things  
in the chain not to mention a bit less need. to change  my gain stages  
when switching between instruments with widely different out put levels.
  I do agree that over compression sucks, or rather pumps, and I'm not  
particularly fond of the Adrian Belew/ Jamie West Oram, 80's  
compression aesthetic  where all dynamic range is killed, but I do  
feel that compression when used sparingly is a good thing. with that  
in mind the M-9 does a very decent LA-2 compression model  they call  
tube compressor. BTW I went to try the pigtronix philosophers tone and  
my first impression was that it was not capable of subtle compression,  
and the grit control was completely useless to me. Something I'm  
missing or maybe it was a crappy amp they had me plugged in to. Any  
thoughts , I sure do love its compact size and its gotten great  
reviews. any feed back? does it have internal trims like the Keeley to  
reduce its sensitivity.
  Thanks
  Bill

From maajidghafur@gmail.com  Sat Jul  3 18:17:16 2010
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From: Dr Maajid Ghafur <maajidghafur@gmail.com>
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Good day my dear friend,
=C2=A0
I assumed you =0Aare in good health with your family.
=C2=A0
=C2=A0I am Dr.Maajid Ghafur the Director =0Ain charge of Auditing section=
=C2=A0 Group Bank Of Africa (BOA) Burkina Faso I need =0Ayour urgent assist=
ance in transferring the sum of ($14.5 million immediately to =0Ayour accou=
nt.
=C2=A0
=C2=A0I will send to you the full details on how the business =0Awill be ex=
ecuted and also note that you will receive 40% of the above mentioned =0Aam=
ount if you agree to help me execute this business.
=C2=A0
Best Regards, =0A
Dr.Maajid Ghafur.=0A=0A=0A      
--0-1080321638-1278181022=:55349
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv851590093"><font size=3D"4">Goo=
d day my dear friend,<br>&nbsp;<br>I assumed you =0Aare in good health with=
 your family.<br>&nbsp;<br>&nbsp;I am Dr.Maajid Ghafur the Director =0Ain c=
harge of Auditing section&nbsp; Group Bank Of Africa (BOA) Burkina Faso I n=
eed =0Ayour urgent assistance in transferring the sum of ($14.5 million imm=
ediately to =0Ayour account.<br>&nbsp;<br>&nbsp;I will send to you the full=
 details on how the business =0Awill be executed and also note that you wil=
l receive 40% of the above mentioned =0Aamount if you agree to help me exec=
ute this business.<br>&nbsp;<br>Best Regards, =0A<br>Dr.Maajid Ghafur.</fon=
t></div></td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-1080321638-1278181022=:55349--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 18:42:43 2010
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Date: Sat, 3 Jul 2010 11:42:38 -0700
Message-ID: <AANLkTinGcE4SOeCzM_ZkCRJajGwa789Nl2bjZR3GB_g_@mail.gmail.com>
Subject: Re: Guitar Compression was :Re: ...reflections...
From: Charles Crosman <dulanith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016369fa1bc59d16e048a801133
Content-Type: text/plain; charset=ISO-8859-1

I appreciated your take on matters of compression Bill. Likewise, you
mentioned the Pigtronix PT which had very recently come into view and piqued
my interest. Your offering here has me more likely to opt for a Keeley now.
So basically this is just +1 and tanks heaps for offering this much. Charles


On Sat, Jul 3, 2010 at 10:53 AM, William Walker <billwalker@baymoon.com>wrote:

> I went through a period of several years when I was anti compression and
> would not use it for all the reasons  previously mentioned here.
>  Oh it destroys dynamics, and  makes all of the levels the same yada yada
> rabble rabble, rabble. The reality was that I was using compression in the
> wrong way and yes it was robbing me of dynamics. These days I won't leave
> home without it. Why?  because like it or not we live in a digital freaking
> world and digital devices are not very forgiving when overloaded, I include
> in this group any DSP or Looper or DAW for that matter. When I was first
> using compression, an MXR red comp way back when I was making the mistake of
> jacking up the sensitivity to the point of rendering everything completely
> over compressed and lacking in dynamic range. That god awful pumping effect
> that cheap compressors do and even good ones when not set up correctly.
> These days I use a keeley on the front end of my signal more as a slight
>  boost and signal massage, with very little sensitivity, and with the
> internal trims set for the highest headroom .  If recording I'll also use a
> Carl martin at the end of my signal chain for some discreet limiting, and
> I'll also use a UA plugin LA-2 sim when recording. I don't get any radical
> dynamic limitation, I still have a dramatic degree of quite to loud
> dynamics, and I have the added benefit of the limiting that helps avoid
> clipping other things in the chain not to mention a bit less need. to change
>  my gain stages when switching between instruments with widely different out
> put levels.
>  I do agree that over compression sucks, or rather pumps, and I'm not
> particularly fond of the Adrian Belew/ Jamie West Oram, 80's compression
> aesthetic  where all dynamic range is killed, but I do feel that compression
> when used sparingly is a good thing. with that in mind the M-9 does a very
> decent LA-2 compression model  they call tube compressor. BTW I went to try
> the pigtronix philosophers tone and my first impression was that it was not
> capable of subtle compression, and the grit control was completely useless
> to me. Something I'm missing or maybe it was a crappy amp they had me
> plugged in to. Any thoughts , I sure do love its compact size and its gotten
> great reviews. any feed back? does it have internal trims like the Keeley to
> reduce its sensitivity.
>  Thanks
>  Bill
>
>

--0016369fa1bc59d16e048a801133
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I appreciated your take on matters of compression Bill. Likewise, you menti=
oned the Pigtronix PT which had very recently come into view and piqued my =
interest. Your offering here has me more likely to opt for a Keeley now. So=
 basically this is just +1 and tanks heaps for offering this much. Charles =
<br>
<br><div class=3D"gmail_quote">On Sat, Jul 3, 2010 at 10:53 AM, William Wal=
ker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwal=
ker@baymoon.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
I went through a period of several years when I was anti compression and wo=
uld not use it for all the reasons =A0previously mentioned here.<br>
=A0Oh it destroys dynamics, and =A0makes all of the levels the same yada ya=
da rabble rabble, rabble. The reality was that I was using compression in t=
he wrong way and yes it was robbing me of dynamics. These days I won&#39;t =
leave home without it. Why? =A0because like it or not we live in a digital =
freaking world and digital devices are not very forgiving when overloaded, =
I include in this group any DSP or Looper or DAW for that matter. When I wa=
s first using compression, an MXR red comp way back when I was making the m=
istake of jacking up the sensitivity to the point of rendering everything c=
ompletely over compressed and lacking in dynamic range. That god awful pump=
ing effect that cheap compressors do and even good ones when not set up cor=
rectly. These days I use a keeley on the front end of my signal more as a s=
light =A0boost and signal massage, with very little sensitivity, and with t=
he internal trims set for the highest headroom . =A0If recording I&#39;ll a=
lso use a Carl martin at the end of my signal chain for some discreet limit=
ing, and I&#39;ll also use a UA plugin LA-2 sim when recording. I don&#39;t=
 get any radical dynamic limitation, I still have a dramatic degree of quit=
e to loud dynamics, and I have the added benefit of the limiting that helps=
 avoid clipping other things in the chain not to mention a bit less need. t=
o change =A0my gain stages when switching between instruments with widely d=
ifferent out put levels.<br>

=A0I do agree that over compression sucks, or rather pumps, and I&#39;m not=
 particularly fond of the Adrian Belew/ Jamie West Oram, 80&#39;s compressi=
on aesthetic =A0where all dynamic range is killed, but I do feel that compr=
ession when used sparingly is a good thing. with that in mind the M-9 does =
a very decent LA-2 compression model =A0they call tube compressor. BTW I we=
nt to try the pigtronix philosophers tone and my first impression was that =
it was not capable of subtle compression, and the grit control was complete=
ly useless to me. Something I&#39;m missing or maybe it was a crappy amp th=
ey had me plugged in to. Any thoughts , I sure do love its compact size and=
 its gotten great reviews. any feed back? does it have internal trims like =
the Keeley to reduce its sensitivity.<br>

=A0Thanks<br>
=A0Bill<br>
<br>
</blockquote></div><br>

--0016369fa1bc59d16e048a801133--

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 19:16:10 2010
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Date: Sat, 3 Jul 2010 12:16:06 -0700
To: Loopers-Delight@loopers-delight.com
From: Violet Xoxox <violet@missviolet.com>
Subject: Re: Any used Oberheim Digital Echoplexes?
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Joshua wrote:
>I used to own a white Echoplex Digital Pro many years ago, and would like
>to own one again (perhaps a newer, black one, perferably).
>
>Are there any out there anymore, and with the accompanying pedalboard?


A few months ago, an LD member donated his collection of music gear to Kim
for Looper's Delight.  There were a couple of Echoplexes.  That gear is
still here.

We're going to have to wait and see what happens with Kim's estate, but my
hope is that we will still be able to sell or auction those items to
benefit Looper's Delight, as Kim wanted and intended.

Violet
xoxox

From payment@neo.com.vn  Sat Jul  3 19:28:30 2010
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Reply-To: <bankcommercial0@yahoo.co.jp>
From: "Commercial Bank"<payment@neo.com.vn>
Subject: LETTER
Date: Sat, 3 Jul 2010 19:35:57 +0100
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
>From the Desk of:</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Peter P. Ekeh</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Reply me thru this e-mail "ekehepet@aol.com"</DIV>
<DIV>
 </DIV>
<DIV>
I wish to seek your assistance for the transfer of US$25M depository made by a foreign investor (an Oil consultant/contractor) for an investment programme that has remained dormant for years now. I discovered that the account holder died without making a WILL on the depository.I have secured from the probate an ORDER OF MANDAMUS to locate any of deceased beneficiaries</DIV>
<DIV>
 </DIV>
<DIV>
I have made several enquiries to his embassy here in Nigeria to locate any of his Extended relatives, this has also proved unsuccessful to locate any member of his family. Now the management of the bank has issued a notice to provide the next of kin to claim the funds or they have the account frozen. Since I have been unsuccessful in locating the relatives for years now.</DIV>
<DIV>
 </DIV>
<DIV>
This money cannot be approved to a local bank account holder, but can only be approved to a foreigner. If you will stand as next of kin to the fund, it will be shared 50%/50%. As this is a TWO-man business deal transaction.assuring you a 100% risk free. Your percentage will also be a source of up-liftment. You have absolutely nothing to LOSE in assisting me instead, you have so much to GAIN. Be rest assured that this transaction would be most profitable for both of us</DIV>
<DIV>
 </DIV>
<DIV>
I shall provide you with more details and relevant documents that will help you understand the transaction. I need your assistance and co-operation to this reality as I have done my Home-work and fine tune the best way to create you as the beneficiary of the fund. My position as the branch manager of the bank will be used to advance this deal.</DIV>
<DIV>
 </DIV>
<DIV>
I will like you to provide immediately your full Names and Address, Date of Birth, Occupation, Tel &amp; Fax Numbers so that an Attorney will be able to prepare the necessary documents and affidavit which will put you in place as the next of kin. The Attorney will draft and carry out the notarization of the WILL and also obtain the necessary documents and letter of probate/administration in your favor for the transfer.</DIV>
<DIV>
 </DIV>
<DIV>
All I require is your honest co-operation to enable us sees this deal. I guarantee you that this transaction will be executed under a legitimate arrangement that will protect you and I from any breach of the law.</DIV>
<DIV>
 </DIV>
<DIV>
I will appreciate your early reply for commencement of business. Contact me for acknowledgment thru this e-mail"ekehepet@aol.com" and whereby you are not interested; please indicate in your reply so that I can seek for the assistance of someone else.</DIV>
<DIV>
 </DIV>
<DIV>
If this proposal is acceptable by you, I expect that you will not take undue advantage of the trust I Will bestow in you. I await your urgent response.</DIV>
<DIV>
 </DIV>
<DIV>
Thanks with great regards.</DIV>
<DIV>
 </DIV>
<DIV>
Peter p. Ekeh</DIV>
<DIV>
Reply me thru this e-mail "ekehepet@aol.com"</DIV>
<DIV>
&nbsp;</DIV>
</FONT>
</BODY></HTML>

From raymond.cbn@gmail.com  Sat Jul  3 20:51:21 2010
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From: "Chief Raymond P Douglas"<raymond.cbn@gmail.com>
Subject: [SPAM] Chief Raymond P Douglas
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From: The Office of The Presidency,
The Federal Republic of Nigeria (FRN).
Tel: Highly Confidential.
Address: 16 Walter Carrington Str. Ikoyi Lagos-Nigeria.
Head Quaters: ASO ROCK VILLA, ABUJA ANNEX OFFICE.
>From the Desk of Chief Raymond P Douglas
Official Web Account:

ATTN: Dear Beneficiary,
 
                  PAYMENT NOTIFICATION OF YOUR  OVERDUE  FUNDS
 
This letter will definately be amazing to you because of it’s realistic value.Sorry for the inconveniences that was rendered to you in your line of Inheritance Payment transaction with some Nigerian Officials some while ago.I know that this letter will hit you by surprise, but firstly I will like to introduce myself; I am ( Chief Raymond P Douglas ) the Honorable Paymaster General of The Federal Republic of
Nigeria and I am also the Executive Chairman of "E.C.D.R".
 
On the 1st of October 2006, the former President of The Federal Republic of Nigeria (Chief Olusegun Obasanjo) introduced a Commission named the "E.C.D.R" (Executive Committee on Debt Recovery) which is duly registered under the United Nations (U.N.) and the Federal Government of Nigeria. This particular Commission was initiated to detect fraud/funddelays/interrupted funds Payments and to also Settle foreign debts/fraud victims/Un-paid beneficiaries to satisfactory in other to maintain peace in the world at large.

Presently, we are being paid by the American government inother to avert Scam and also to avert beneficiary funds delays here in Nigeria.
 
So far, we have succeeded in Settling the likes of (Mrs. Daisy Fox, Mr. Edward Smyth etc).
You are being contacted by this office today dated ( 19th April, 2010 ) because your Case File (A) is the very first File on our Settlement Files Cabinet. Your Inheritance Funds were Re-depositted into the "Federal Suspense Account" of CBN last week, because you did not completely forward your Claim as the Right beneficiary.
 
Through the Intelligent investigations and verification processes of our Intelligent Monitoring Unit (I.M.U), we also discovered that this Funds valued (10,500,000 USD ONLY) is in your name and to this note The International Remittance Department was ordered by the Executive Committee on Debt Recovery to Release this Funds to you with immediate effect. On this course of duty, two foreigners (Mr. Tim Parker and Mr. Rowland Gulf) visited this office today inother to inform us that they are your Representatives from Canada, whom will be collecting your Funds for you.
 
For the fact that this Committee is faithfully in my full governance as the Chairman, I will like you to clearify to me if we in this unit  should proceed to Release your Funds to your Representatives Mr. Tim Parker and Mr. Rowland Gulf.
 
In receipt of this confidential Letter, you are required to respond immediately to:(douglasraymond@accountant.com).
 
Officially Sealed,
Chief Raymond P Douglas.
The Honorable Paymaster General. 

From Loopers-Delight-request@loopers-delight.com  Sat Jul  3 22:02:05 2010
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MIME-Version: 1.0
Date: Sun, 4 Jul 2010 00:02:04 +0200
Message-ID: <AANLkTinjKoYi1ryuXoyGjh4kXt-K3uELqVS4U9Osf-Qd@mail.gmail.com>
Subject: Bowing Stick - practice session clip shared
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Today I bowed:
http://www.box.net/shared/9d0rulm3ue

Stick, cello bow, laptop, Mainstage, Mobius, FCB1010.

As with most guitars it is hard to get at all strings with the bow on
a Stick. I can only bow string 7 and 12. The thinnest string is way
too thin for a steady bow tone so I need to get thicker strings.
Soundwise a bow seems to be a good complement to the normal plucked or
tapped string sound, offering a wide palette for looping.

per

From msjane@yahoo.cn  Sun Jul  4 00:13:37 2010
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To: undisclosed-recipients:;

Ms Jane Graham
England, United Kingdom

I am Ms Jane Graham, I wish to seek for your assistance in a financial transaction, however, is not mandatory nor will I in any manner compel you to honor my request against your will.  Your profile pushed me to send you this mail; I’m the daughter of late Dr. and Mrs. Nerd Graham. My father was a highly reputable business man (supplier of agro allied material and general merchandise) he operated in the Middle East during his days. It is sad to say that he passed away in one of his trips to the UK. Although his death was linked or rather suspected to have been masterminded by one of our uncles who travelled with him at that time. But God knows the truth! My mother died when I was a little girl, and since then my father took me so special. Before his death in 2008, he told me about a safe he concealed the sum of Twelve Million United State Dollars. ($12,000,000.00 USD) deposited with a large investment & Security Firm in Asia.

The safe was disguised & declared as Family Personal Belongings instead of the real content money, by this way the company does not know the true content of the safe as money but family personal belongings. I have in my possession the deposit Receipt which the company gave to my late father on the day he made the deposit with the security firm in Asia. I really don't know what to do than to seek your assistance in claiming these funds on my behalf.

I have been through a lot of hard times here in London, hidden for my life. The death of my father has brought sorrows to my life. I am in a sincere desire of your assistance in this regards. Your suggestions and ideas will be highly appreciated. Will you permit me to ask these few questions:-

1. Can you honestly and willingly help me in this transaction?
2. Can I completely trust you?
3. What percentage of the total amount in question will be good for you after the money gets in your possession?

Please, read through and kindly get back to me as soon as possible.

My sincere regards,
Ms Jane Graham.


From jane_graham435@yahoo.com.cn  Sun Jul  4 07:13:28 2010
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To: undisclosed-recipients:;

Ms Jane Graham,
England, United Kingdom

I am Ms Jane Graham, I wish to seek for your assistance in a financial transaction, however, is not mandatory nor will I in any manner compel you to honor my request against your will.  Your profile pushed me to send you this mail; I’m the daughter of late Dr. and Mrs. Nerd Graham. My father was a highly reputable business man (supplier of agro allied material and general merchandise) he operated in the Middle East during his days. It is sad to say that he passed away in one of his trips to the UK. Although his death was linked or rather suspected to have been masterminded by one of our uncles who travelled with him at that time. But God knows the truth! My mother died when I was a little girl, and since then my father took me so special. Before his death in 2008, he told me about a safe he concealed the sum of Twelve Million United State Dollars. ($12,000,000.00 USD) deposited with a large investment & Security Firm in Asia.

The safe was disguised & declared as Family Personal Belongings instead of the real content money, by this way the company does not know the true content of the safe as money but family personal belongings. I have in my possession the deposit Receipt which the company gave to my late father on the day he made the deposit with the security firm in Asia. I really don't know what to do than to seek your assistance in claiming these funds on my behalf.

I have been through a lot of hard times here in London, hidden for my life. The death of my father has brought sorrows to my life. I am in a sincere desire of your assistance in this regards. Your suggestions and ideas will be highly appreciated. Will you permit me to ask these few questions:-

1. Can you honestly and willingly help me in this transaction?
2. Can I completely trust you?
3. What percentage of the total amount in question will be good for you after the money gets in your possession?

Please, read through and kindly get back to me as soon as possible.

My sincere regards,
Ms Jane Graham.





From lotteryasiapacificint@yahoo.com.hk  Sun Jul  4 08:27:42 2010
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Reply-To: <apli9100@yahoo.co.jp>
From: "Asia Pacific Int'l Lottery"<lotteryasiapacificint@yahoo.com.hk>
Subject: Asia Pacific Int'l Lottery
Date: Sun, 4 Jul 2010 04:44:02 +0700
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To: undisclosed-recipients:;

This is to inform you of the release of ASIA PACIFIC INTERNATIONAL PROMOTIONS ASSOCIATION PRIZE DRAW held on the 1st of January 2010.


Your email was attached to ticket number 085-12876077-09 with serial number 51390-0 that drew the lucky numbers of 03-06-08-10-12-16-27, which consequently won the lottery in the 5th category. You have therefore been approved for a lump sum pay of $1.000, 000.00. (ONE MILLION UNITED STATE DOLLARS ONLY), in cash credited to file with REF: N.EGS/3662367114/13.


This is from a total cash prize of 25,020.225.00, shared among the twenty-five International winners in this category. The lucky numbers: 03-06-08-10-12-16-27,
CONGRATULATIONS!!!



Your fund is now deposited with our Bank/Security Vault here in Bangkok Thailand and insured in your name. Due to mix up of some numbers and names, we ask that you keep this award from public notice until your claim has been processed, and the money remitted to your account, as this is part of our security protocol, to avoid double claiming and unwarranted taking of advantage of this program by participants, as has happened in the past.

All participants were selected through a computer ballot system drawn from 25,000 names, email addresses & official addresses, from Asia, Australia, New Zealand, Europe, North and South America, Middle East and Africa, as Part of our International Promotions Program. We hope your lucky email will draw a bigger cash prize in the subsequent programs. To begin your lottery Claims, Please contact our coordinator as follows and also forward the Below Information to him.

NAME: Sirichai Paibhoon
TEL: 00(66) 897837013
Email: apli9122@yahoo.com.hk

1. Your Full Name:
2. Your Date of Birth:
3. Your Occupation and your Phone Number:
4. Your Ticket Number. You're Serial Number. Your Lucky Numbers. You're REF: N.EGS:

Remember, all prize money must be claimed and any prize not claim will be returned to HIS MAJESTYS DEPARTMENT OF THE TREASURY. And also be informed that 10% of your lottery winning belongs to (THE PROMOTIONS COMPANY). Because they are the company that bought your ticket and played the lottery in your name.


Note also that this 10% will be remitted after you have received your Winnings prize, because the money is insured in your name already. NOTE: In Order to avoid unnecessary delays and complications, please remember to Quote your reference and batch numbers in all correspondences with us, Furthermore, should there be any change of address, please do inform our Coordinator as soon possible.

An original copy of your lucky winning ticket and your deposit certificate will be sent to you by Administrative and Operations Director of Siam Express Courier Co.Ltd. Thailand.

CONGRATULATIONS!!!! Once again from all members of our staff and thank you for being a part of our International Promotions program.

We wish you continued good fortunes..

Sincerely,

Dr.Helen Chew Loon,
President
Asia Pacific Int'l Lottery Org
Chinawat Pinn
Vice President
Asia Pacific Int'l Lottery Org

RECENT $1.000,000.00 WINNERS!
Copyright @1994-2010 The Asia Pacific Int'l Lottery Association
All rights reserved Terms of Service - Guideline
77635 476378 255667460?-----------

From grantlawoffice@gmail.com  Sun Jul  4 09:04:59 2010
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From: "Barr Grant Kings"<grantlawoffice@gmail.com>
Subject: WAIT TO HEAR FROM YOU
Date: Fri, 2 Jul 2010 11:52:55 -0700
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To: undisclosed-recipients:;

 am Barrister Grant kings,my client a contractor made a deposit for 12 months, I discovered, my client died without making a WILL Consequently, my proposal is I want to front you as his Next of kin from my client family, if this transaction interest you kindly let me know so that I will link you to Bank where the funds is deposited for urgent transfer because they Bank have mandated me to bring the family Kin or they will confiscate the funds and send to British Government account. Dual citizen of Switzerland and Britain who died in a Plane crash on Monday the 7th of September 1998 GMT 14:22 UK alongside with Wife and his only daughter while they were flying from New York to Geneva. Please see site below for more information  http://edition.cnn.com/WORLD/9809/swissair.victims.list/index.html also Please kindly furnish me the following information’s below.

[1] NAME:.....................................
[2] CONTACT ADD:..............................
[3] AGE: ................SEX:....................
[4] TEL................... FAX:..................
[6] OCCUPATION STATUS: ..........................
[7] COUNTRY OF ORIGIN:.........COUNTRY OF RESIDENCE.........

Regards Yours Faithfully.

Barrister Grant Kings

From mikenasri@blumail.org  Sun Jul  4 09:39:46 2010
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Date: Sun, 4 Jul 2010 02:39:35 -0700 (PDT)
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I AM MR MIKE NASRI THE CHIEF AUDITOR INCHARGE OF FOREIGN REMITTANCE UNIT OF CENTRAL BANK AND I HAVE HAD THE INTENT TO CONTACT YOU OVER THIS FINANCIAL TRANSACTION WORTH THE SUM ($4.2Million USD) FOR OUR SUCCESS.



THIS IS AN ABANDONED SUM THAT BELONGS TO ONE OF OUR BANK FOREIGN CUSTOMERS WHO DIED WITH HEART RELATED DISEASE ALONG AGO.



YOU HAVE THE ABSOLUTE AUTHORITY TO CLAIM THE FUND HENCE YOU ARE A FOREIGNER AS SOON AS YOU REPLY, STEP TO FOLLOW IN ORDER TO FINALIZE THIS TRANSACTION IMMEDIATELY WOULD BE DECLARED TO YOU. 

I EXPECT YOU'RE URGENT COMMUNICATION.



YOURS SINCERELY

MR. MIKE NASRI
--0-2137039865-1278236375=:90010
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>I AM MR MIKE NASRI THE CHIEF AUDITOR INCHARGE OF FOREIGN REMITTANCE UNIT OF CENTRAL BANK AND I HAVE HAD THE INTENT TO CONTACT YOU OVER THIS FINANCIAL TRANSACTION WORTH THE SUM ($4.2Million USD) FOR OUR SUCCESS.<br>
<br>
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<br>
YOU HAVE THE ABSOLUTE AUTHORITY TO CLAIM THE FUND HENCE YOU ARE A FOREIGNER AS SOON AS YOU REPLY, STEP TO FOLLOW IN ORDER TO FINALIZE THIS TRANSACTION IMMEDIATELY WOULD BE DECLARED TO YOU. <br>
I EXPECT YOU'RE URGENT COMMUNICATION.<br>
<br>
YOURS SINCERELY<br>
MR. MIKE NASRI</td></tr></table>
--0-2137039865-1278236375=:90010--

From info@fullrun.com  Sun Jul  4 10:40:45 2010
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Date: Sun, 4 Jul 2010 08:59:09 +0100
Subject: 
From: "Mr.Yuve Petrov" <info@fullrun.com>
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To: undisclosed-recipients:;




My Dear Beloved in the Lord


Good day to you and your family, My Name is Mr.Yuve Petrov,I am married to
late Mrs. Rita Petrov who was an Oil Merchant and international
businesswoman before she died in the year 2007 after a brief illness that
lasted for only five days. We were married for Seventeen years with a
daughter (Lillian)who later died in an Automobile accident. Before the
Untimely death of my Wife we were both born again Christians. Since his
death I decided not to remarry or get a child outside my Matrimonial home
which the Bible is against. When my late Wife was Alive she deposited the
sum of ($90,000,000.00 USD) Ninety Million United States Dollars with a
Bank in Ghana for real estate business and the bank whose name is withheld
Until we open up communication,this money is still with the Bank till
date.

Recently, Following my ill health, my Doctor told me that i may not last
for the next Couple Of Years due to My cancer problem. the one that
disturbs me most is my inability to move Around and Having known my
condition I decided to donate this fund to a Charitable organization a
Trusted Person that will utilize this money the way I am going to instruct
herein,according to the desire of my late Wife Before her death. I don't
want a situation where this money will be used in an ungodly Way.This is
why I am taking this decision. I am not afraid of death Hence I know where
I am going. I know that I am going to be in the Bossom of the Lord. Exodus
14 VS 14 says that "the lord will fight my case and I shall hold my
peace". I don't need any telephone communication in this regard because of
my health hence the presence of my Wife's relatives around me always.I
don't want them to know about this development and i want you to know that
With God all things are possible.

Note: Once i receive your email back then i will introduce you to my
personal account officer here in UK to proceed with you because i might
not be able to write you when you need an answer to any question you may
want to ask so my account officer will be there to tell you everything (Mr
John Wright).

Please assure me that you will act accordingly as I Stated herein while i
am Hoping to receive your urgent reply.

Have a Blessed Day.
Your Beloved Brother.
Mr.Yuve Petrov

From jeanne_anguih20@hotmail.fr  Sun Jul  4 12:18:53 2010
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Date: Sun, 4 Jul 2010 05:18:44 -0700 (PDT)
From: Mrs Jeanne Anguih <jeanne_anguih20@hotmail.fr>
Reply-To: jeanne_anguihs@yahoo.co.jp
Subject: greetings
To: undisclosed recipients: ;
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--0-1497435679-1278245924=:57015
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Donation From Mrs Jeanne Anguih.
=A0
Greetings to you and your family in the name of God,I thank you so much for=
 your accepting to add me on your cnection list and in my search for a reli=
able and God fearing person and having gotten your contact through prayers =
and pains taking efforts via searching I made on the internet on my bed sid=
e. Presently, I'm in a hospital where I have been undergoing treatment for =
Oesophagi Cancer.
=A0
Though its a sad and long story but I will cut it short for your quick and =
easy understanding. I am=A0Jeanne Anguih (Mrs), widow to Late Mr. Pedro Ang=
uih, former Defence attachee to Greece Embassy in Cote D'Ioire. My husband =
was murdered alonside our only son Kenneth by those who are envious of his =
position in the same office.=20
=A0
Before his death he made a vow to use his wealth for the down trodden,orpha=
nages and the less privileged in the society. Having known my condition I d=
ecided to donate this fund to an individual or better still a God fearing p=
erson who will utilize this money the way I am going to instruct here in. I=
 want an individual that will use this fund and provide succor to poor and =
indigent persons, orphanages, and widows and for the propagating peace.
=A0
I took this decision because I do not have any child that will inherit this=
 money and my husband relatives are not inclined to helping poor persons an=
d I do not want my husband's hard earned money to be misused or spent in th=
e manner in which my late husband did not specify. I do not want a situatio=
n where this money will be used in an ungodly manner.
=A0
What is required of you is your honesty, trust and sincerity. Any delay in =
your reply will give me room in sourcing for another individual for this sa=
me purpose.=20
May God Almighty bless you.
Jeanne Anguih=A0(Mrs). =0A=0A=0A      
--0-1497435679-1278245924=:57015
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>
<DIV>
<DIV>Donation From Mrs Jeanne Anguih.</DIV>
<DIV>&nbsp;<BR>Greetings to you and your family in the name of God,I thank =
you so much for your accepting to add me on your cnection list and in my se=
arch for a reliable and God fearing person and having gotten your contact t=
hrough prayers and pains taking efforts via searching I made on the interne=
t on my bed side. Presently, I'm in a hospital where I have been undergoing=
 treatment for Oesophagi Cancer.<BR>&nbsp;<BR>Though its a sad and long sto=
ry but I will cut it short for your quick and easy understanding. I am&nbsp=
;Jeanne Anguih (Mrs), widow to Late Mr. Pedro Anguih, former Defence attach=
ee to Greece Embassy in Cote D'Ioire. My husband was murdered alonside our =
only son <SPAN class=3Dyshortcuts id=3Dlw_1254995741_0 style=3D"CURSOR: han=
d; BORDER-BOTTOM: #0066cc 1px dashed"><SPAN class=3Dyshortcuts id=3Dlw_1275=
484233_0>Kenneth </SPAN></SPAN>by those who are envious of his position in =
the same office. <BR>&nbsp;<BR>Before his death he made a vow to use his
 wealth for the down trodden,orphanages and the less privileged in the soci=
ety. Having known my condition I decided to donate this fund to an individu=
al or better still a God fearing person who will utilize this money the way=
 I am going to instruct here in. I want an individual that will use this fu=
nd and provide succor to poor and indigent persons, orphanages, and widows =
and for the propagating peace.<BR>&nbsp;<BR>I took this decision because I =
do not have any child that will inherit this money and my husband relatives=
 are not inclined to helping poor persons and I do not want my husband's ha=
rd earned money to be misused or spent in the manner in which my late husba=
nd did not specify. I do not want a situation where this money will be used=
 in an ungodly manner.<BR>&nbsp;<BR>What is required of you is your honesty=
, trust and sincerity. Any delay in your reply will give me room in sourcin=
g for another individual for this same purpose. </DIV>
<DIV>May <SPAN class=3Dyshortcuts id=3Dlw_1275484233_1 style=3D"BACKGROUND:=
 none transparent scroll repeat 0% 0%; CURSOR: hand; BORDER-BOTTOM: medium =
none">God Almighty</SPAN> bless you.<BR>Jeanne Anguih&nbsp;(Mrs). </DIV></D=
IV></td></tr></table><br>=0A=0A=0A=0A=0A=0A=0A=0A      
--0-1497435679-1278245924=:57015--

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 13:26:30 2010
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Date: Sun, 4 Jul 2010 14:26:28 +0100
Message-ID: <AANLkTimjKVEDl7Ev1B3ouqTh9mv7dR-KlYq3MouHDasq@mail.gmail.com>
Subject: Re: Bowing Stick - practice session clip shared
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5b20f7f9362048a8fc453
Content-Type: text/plain; charset=ISO-8859-1

Really nice, Per. It makes me wonder if some sort of sustain pick-up could
be devised for the chapman stick, if not already?

Ricky

On Sat, Jul 3, 2010 at 11:02 PM, Per Boysen <perboysen@gmail.com> wrote:

> Today I bowed:
> http://www.box.net/shared/9d0rulm3ue
>
> Stick, cello bow, laptop, Mainstage, Mobius, FCB1010.
>
> As with most guitars it is hard to get at all strings with the bow on
> a Stick. I can only bow string 7 and 12. The thinnest string is way
> too thin for a steady bow tone so I need to get thicker strings.
> Soundwise a bow seems to be a good complement to the normal plucked or
> tapped string sound, offering a wide palette for looping.
>
> per
>
>

--001636c5b20f7f9362048a8fc453
Content-Type: text/html; charset=ISO-8859-1
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Really nice, Per. It makes me wonder if some sort of sustain pick-up could =
be devised for the chapman stick, if not already?<br><br>Ricky <br><br><div=
 class=3D"gmail_quote">On Sat, Jul 3, 2010 at 11:02 PM, Per Boysen <span di=
r=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a=
>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Today I bowed:<br=
>
<a href=3D"http://www.box.net/shared/9d0rulm3ue" target=3D"_blank">http://w=
ww.box.net/shared/9d0rulm3ue</a><br>
<br>
Stick, cello bow, laptop, Mainstage, Mobius, FCB1010.<br>
<br>
As with most guitars it is hard to get at all strings with the bow on<br>
a Stick. I can only bow string 7 and 12. The thinnest string is way<br>
too thin for a steady bow tone so I need to get thicker strings.<br>
Soundwise a bow seems to be a good complement to the normal plucked or<br>
tapped string sound, offering a wide palette for looping.<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br>

--001636c5b20f7f9362048a8fc453--

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To: Loopers-Delight@loopers-delight.com
Subject: Re: Bowing Stick - practice session clip shared
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Hi Per,

beautiful sounds! I guess on my next Stick I will have to get a PASV-4 
pickup like yours...

All the best,
Johannes

Per Boysen schrieb:
> Today I bowed:
> http://www.box.net/shared/9d0rulm3ue
>
> Stick, cello bow, laptop, Mainstage, Mobius, FCB1010.
>
> As with most guitars it is hard to get at all strings with the bow on
> a Stick. I can only bow string 7 and 12. The thinnest string is way
> too thin for a steady bow tone so I need to get thicker strings.
> Soundwise a bow seems to be a good complement to the normal plucked or
> tapped string sound, offering a wide palette for looping.
>
> per
>
>
>   


-- 
Johannes Korn  - j.korn@gmx.de
http://www.myspace.com/nashorn

From info@taiyiaeh.com.tw  Sun Jul  4 14:21:29 2010
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Good afternoon,

I am Mrs. Ann Sek Teow, a staff of a security and safe deposit company in Singapore. I am in charge of Files and Records. Over the years I have discovered in record a particular safe deposit box which has remained dormant and unclaimed. Due to my past experience in a case such as these, I decided to engage the services of a private investigator to locate the owner but was informed after the investigation that the owner was a spy for the Chinese Government and has been confirmed dead.

This information, I do not want to pass unto my superiors for they will take possession of the money and all contents of the box for themselves, while I will be given peanut to keep my mouth shut as usual.

I came to these decisions in seeking the assistance of someone NEUTRAL to lay claim to these safe deposit box to enable me a better %.

I really do not know who to trust as my past experiences with my company has made me not to trust any one or talk about our company which is one of her standard procedures for securities.

I decided to contact you, even as I don’t know you before but because it will be much safer for me.

I had secretly verified the content of the box, this action is a grave violation of the policy of this security company; however I discovered that there is Twenty Two Million Euros in cash as stated in records, some documents and a sealed envelop, which I suspect contains the pin numbers of a Swiss account.
IMPORTANT NOTICE, Respond back only via this email: (teowmrsannsek@yahoo.com.hk)


I am sorry I can’t share more than these, please respond, 

Regards,
Mrs. Ann Sek Teow.

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Date: Sun, 4 Jul 2010 16:34:02 +0200
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Subject: Re: Bowing Stick - practice session clip shared
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jul 4, 2010 at 3:26 PM, Ricky Graham <rickygrahammusic@gmail.com> wrote:
> It makes me wonder if some sort of sustain pick-up could be devised for the
> chapman stick, if not already?

Not that I'm aware of. I tried my e-bow with the Stick but it almost
doesn't work at all. Maybe that en e-bow doesn't work with the PASV-4
Stick pick-up? (addressing Johannes here as well).

But I must say I fail to see much point in using a sustaining pickup
with a Stick? Since the neck and strings are so long it already has an
almost too long sustain. Almost like a grand piano.

Maybe related: There are a special Roland GK MIDI pickup thingy that
has been adapted for the Stick's fretboard width.

Per

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 15:06:18 2010
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Subject: Re: Bowing Stick - practice session clip shared
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001517477f7c5a3a01048a91291c
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Well, I must confess to know little about the chapman stick, beyond it being
a stringed instrument. :) The sustain pick-up came to mind when you
mentioned bowing, as the sustain pick-up attempts (and often fails) to
emulate a more acoustic or manual (?) bowing sound.

"the neck and strings are so long it already has an
almost too long sustain. Almost like a grand piano."

That's great news. I must look into the chapman stick, more so. Seems like a
suitable transition from the guitar.

Cheers,

Ricky


On Sun, Jul 4, 2010 at 3:34 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Jul 4, 2010 at 3:26 PM, Ricky Graham <rickygrahammusic@gmail.com>
> wrote:
> > It makes me wonder if some sort of sustain pick-up could be devised for
> the
> > chapman stick, if not already?
>
> Not that I'm aware of. I tried my e-bow with the Stick but it almost
> doesn't work at all. Maybe that en e-bow doesn't work with the PASV-4
> Stick pick-up? (addressing Johannes here as well).
>
>
>
> Maybe related: There are a special Roland GK MIDI pickup thingy that
> has been adapted for the Stick's fretboard width.
>
> Per
>
>

--001517477f7c5a3a01048a91291c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Well, I must confess to know little about the chapman stick, beyond it bein=
g a stringed instrument. :) The sustain pick-up came to mind when you menti=
oned bowing, as the sustain pick-up attempts (and often fails) to emulate a=
 more acoustic or manual (?) bowing sound. <br>
<br>&quot;the neck and strings are so long it already has an<br>
almost too long sustain. Almost like a grand piano.&quot;<br><br>That&#39;s=
 great news. I must look into the chapman stick, more so. Seems like a suit=
able transition from the guitar.<br><br>Cheers,<br><br>Ricky<br><br><br>
<div class=3D"gmail_quote">On Sun, Jul 4, 2010 at 3:34 PM, Per Boysen <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com=
</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin=
: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-lef=
t: 1ex;">
<div class=3D"im">On Sun, Jul 4, 2010 at 3:26 PM, Ricky Graham &lt;<a href=
=3D"mailto:rickygrahammusic@gmail.com">rickygrahammusic@gmail.com</a>&gt; w=
rote:<br>
&gt; It makes me wonder if some sort of sustain pick-up could be devised fo=
r the<br>
&gt; chapman stick, if not already?<br>
<br>
</div>Not that I&#39;m aware of. I tried my e-bow with the Stick but it alm=
ost<br>
doesn&#39;t work at all. Maybe that en e-bow doesn&#39;t work with the PASV=
-4<br>
Stick pick-up? (addressing Johannes here as well).<br>
<br>
<br>
<br>
Maybe related: There are a special Roland GK MIDI pickup thingy that<br>
has been adapted for the Stick&#39;s fretboard width.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br>

--001517477f7c5a3a01048a91291c--

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Date: Sun, 4 Jul 2010 16:09:44 +0100
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Subject: Re: Bowing Stick - practice session clip shared
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502e376d16ee6048a91352e
Content-Type: text/plain; charset=ISO-8859-1

"Maybe related: There are a special Roland GK MIDI pickup thingy that
has been adapted for the Stick's fretboard width.

I just check out http://www.stick.com/prices/ and now I want one! :o) Maybe
in a year or two..

Ricky

On Sun, Jul 4, 2010 at 4:06 PM, Ricky Graham <rickygrahammusic@gmail.com>wrote:

> Well, I must confess to know little about the chapman stick, beyond it
> being a stringed instrument. :) The sustain pick-up came to mind when you
> mentioned bowing, as the sustain pick-up attempts (and often fails) to
> emulate a more acoustic or manual (?) bowing sound.
>
> "the neck and strings are so long it already has an
> almost too long sustain. Almost like a grand piano."
>
> That's great news. I must look into the chapman stick, more so. Seems like
> a suitable transition from the guitar.
>
> Cheers,
>
> Ricky
>
>
> On Sun, Jul 4, 2010 at 3:34 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> On Sun, Jul 4, 2010 at 3:26 PM, Ricky Graham <rickygrahammusic@gmail.com>
>> wrote:
>> > It makes me wonder if some sort of sustain pick-up could be devised for
>> the
>> > chapman stick, if not already?
>>
>> Not that I'm aware of. I tried my e-bow with the Stick but it almost
>> doesn't work at all. Maybe that en e-bow doesn't work with the PASV-4
>> Stick pick-up? (addressing Johannes here as well).
>>
>>
>>
>> Maybe related: There are a special Roland GK MIDI pickup thingy that
>> has been adapted for the Stick's fretboard width.
>>
>> Per
>>
>>
>

--00504502e376d16ee6048a91352e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

&quot;Maybe related: There are a special Roland GK MIDI pickup thingy that<=
br>
has been adapted for the Stick&#39;s fretboard width.<br><br>I just check o=
ut <a href=3D"http://www.stick.com/prices/">http://www.stick.com/prices/</a=
> and now I want one! :o) Maybe in a year or two..<br><br>Ricky<br><br><div=
 class=3D"gmail_quote">
On Sun, Jul 4, 2010 at 4:06 PM, Ricky Graham <span dir=3D"ltr">&lt;<a href=
=3D"mailto:rickygrahammusic@gmail.com">rickygrahammusic@gmail.com</a>&gt;</=
span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt =
0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Well, I must confess to know little about the chapman stick, beyond it bein=
g a stringed instrument. :) The sustain pick-up came to mind when you menti=
oned bowing, as the sustain pick-up attempts (and often fails) to emulate a=
 more acoustic or manual (?) bowing sound. <br>
<div class=3D"im">
<br>&quot;the neck and strings are so long it already has an<br>
almost too long sustain. Almost like a grand piano.&quot;<br><br></div>That=
&#39;s great news. I must look into the chapman stick, more so. Seems like =
a suitable transition from the guitar.<br><br>Cheers,<br><font color=3D"#88=
8888"><br>
Ricky<br><br><br>
</font><div class=3D"gmail_quote"><div class=3D"im">On Sun, Jul 4, 2010 at =
3:34 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail=
.com" target=3D"_blank">perboysen@gmail.com</a>&gt;</span> wrote:<br></div>=
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">
<div>On Sun, Jul 4, 2010 at 3:26 PM, Ricky Graham &lt;<a href=3D"mailto:ric=
kygrahammusic@gmail.com" target=3D"_blank">rickygrahammusic@gmail.com</a>&g=
t; wrote:<br>
&gt; It makes me wonder if some sort of sustain pick-up could be devised fo=
r the<br>
&gt; chapman stick, if not already?<br>
<br>
</div>Not that I&#39;m aware of. I tried my e-bow with the Stick but it alm=
ost<br>
doesn&#39;t work at all. Maybe that en e-bow doesn&#39;t work with the PASV=
-4<br>
Stick pick-up? (addressing Johannes here as well).<br>
<br>
<br>
<br></div><div class=3D"im">
Maybe related: There are a special Roland GK MIDI pickup thingy that<br>
has been adapted for the Stick&#39;s fretboard width.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></div></blockquote></div><br>
</blockquote></div><br>

--00504502e376d16ee6048a91352e--

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Date: Sun, 4 Jul 2010 17:33:06 +0200
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Subject: Re: Bowing Stick - practice session clip shared
From: Per Boysen <perboysen@gmail.com>
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On Sun, Jul 4, 2010 at 5:06 PM, Ricky Graham <rickygrahammusic@gmail.com> wrote:
> I must look into the chapman stick, more so. Seems like a suitable
> transition from the guitar.


Actually drummers, harpists and piano players may be better off than
guitarists when starting out fresh on the Stick. That is because the
difficult part to learn in Stick playing is not to move the fingers to
tap strings but to re-learn your  brain to multitask as the director
of two hands with two independent musical interpretations. If you look
at guitar playing technique, it really is not a multitasking musical
craft as much as it focuses on learning both hands to become synced
parts of one major musical gesture. Of course one can also play that
way on drum kit, stick, piano and harp - but those instruments also
offer a way to play with a "two hands - two musicians" attitude.

When I picked up the Stick I first thought my guitar playing skills
(developed through decades) would be a bonus, but after only one week
I was surprised to find that I was able to play smoother melody runs
when tapping with my right hand than with my left hand. Guess that's
because I was born right handed. I was amazed by the difference it
makes to play difficult parts with your "better" hand. In guitar
playing you never get to make that experience (unless doing the
experiment to switch between left- and right handed guitar every
second day during the first learning phase - but who does bother with
that? And no matter which hand you push down strings at frets with,
you will always have to learn to synchronize picking with the other
hand)

Cool thing with the Stick is also IMHO that the two fretboard halfes
go out through two independent audio outputs, meaning you can play
through two complementary rigs/effect boards. Personally I rather go
deeper into audio processing than put MIDI pickups on my stick. That's
more like "the real thing" to me (unless we are talking Akai EWI
4000s, the ultimate MIDI controller instrument ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Bowing Stick - practice session clip shared
From: Ricky Graham <rickygrahammusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00151747363e44b064048a91e73c
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"Personally I rather go
deeper into audio processing than put MIDI pickups on my stick. That's
more like "the real thing" to me (unless we are talking Akai EWI
4000s, the ultimate MIDI controller instrument ;-)"

Oh, I don't bother with MIDI unless a software environment requires me to do
so. I'd be interested in extracting audio from each string, similar to what
I'm working on at the moment with the guitar. Thanks for the info, Per. I'll
definitely bare it in mind.

Ricky


On Sun, Jul 4, 2010 at 4:33 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Jul 4, 2010 at 5:06 PM, Ricky Graham <rickygrahammusic@gmail.com>
> wrote:
> > I must look into the chapman stick, more so. Seems like a suitable
> > transition from the guitar.
>
>
> Actually drummers, harpists and piano players may be better off than
> guitarists when starting out fresh on the Stick. That is because the
> difficult part to learn in Stick playing is not to move the fingers to
> tap strings but to re-learn your  brain to multitask as the director
> of two hands with two independent musical interpretations. If you look
> at guitar playing technique, it really is not a multitasking musical
> craft as much as it focuses on learning both hands to become synced
> parts of one major musical gesture. Of course one can also play that
> way on drum kit, stick, piano and harp - but those instruments also
> offer a way to play with a "two hands - two musicians" attitude.
>
> When I picked up the Stick I first thought my guitar playing skills
> (developed through decades) would be a bonus, but after only one week
> I was surprised to find that I was able to play smoother melody runs
> when tapping with my right hand than with my left hand. Guess that's
> because I was born right handed. I was amazed by the difference it
> makes to play difficult parts with your "better" hand. In guitar
> playing you never get to make that experience (unless doing the
> experiment to switch between left- and right handed guitar every
> second day during the first learning phase - but who does bother with
> that? And no matter which hand you push down strings at frets with,
> you will always have to learn to synchronize picking with the other
> hand)
>
> Cool thing with the Stick is also IMHO that the two fretboard halfes
> go out through two independent audio outputs, meaning you can play
> through two complementary rigs/effect boards. Personally I rather go
> deeper into audio processing than put MIDI pickups on my stick. That's
> more like "the real thing" to me (unless we are talking Akai EWI
> 4000s, the ultimate MIDI controller instrument ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--00151747363e44b064048a91e73c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

&quot;Personally I rather go<br>
deeper into audio processing than put MIDI pickups on my stick. That&#39;s<=
br>
more like &quot;the real thing&quot; to me (unless we are talking Akai EWI<=
br>
4000s, the ultimate MIDI controller instrument ;-)&quot;<br><br>Oh, I don&#=
39;t bother with MIDI unless a software environment requires me to do so. I=
&#39;d be interested in extracting audio from each string, similar to what =
I&#39;m working on at the moment with the guitar. Thanks for the info, Per.=
 I&#39;ll definitely bare it in mind.<br>
<br>Ricky<br><br><br><div class=3D"gmail_quote">On Sun, Jul 4, 2010 at 4:33=
 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">
<div class=3D"im">On Sun, Jul 4, 2010 at 5:06 PM, Ricky Graham &lt;<a href=
=3D"mailto:rickygrahammusic@gmail.com">rickygrahammusic@gmail.com</a>&gt; w=
rote:<br>
&gt; I must look into the chapman stick, more so. Seems like a suitable<br>
&gt; transition from the guitar.<br>
<br>
<br>
</div>Actually drummers, harpists and piano players may be better off than<=
br>
guitarists when starting out fresh on the Stick. That is because the<br>
difficult part to learn in Stick playing is not to move the fingers to<br>
tap strings but to re-learn your =A0brain to multitask as the director<br>
of two hands with two independent musical interpretations. If you look<br>
at guitar playing technique, it really is not a multitasking musical<br>
craft as much as it focuses on learning both hands to become synced<br>
parts of one major musical gesture. Of course one can also play that<br>
way on drum kit, stick, piano and harp - but those instruments also<br>
offer a way to play with a &quot;two hands - two musicians&quot; attitude.<=
br>
<br>
When I picked up the Stick I first thought my guitar playing skills<br>
(developed through decades) would be a bonus, but after only one week<br>
I was surprised to find that I was able to play smoother melody runs<br>
when tapping with my right hand than with my left hand. Guess that&#39;s<br=
>
because I was born right handed. I was amazed by the difference it<br>
makes to play difficult parts with your &quot;better&quot; hand. In guitar<=
br>
playing you never get to make that experience (unless doing the<br>
experiment to switch between left- and right handed guitar every<br>
second day during the first learning phase - but who does bother with<br>
that? And no matter which hand you push down strings at frets with,<br>
you will always have to learn to synchronize picking with the other<br>
hand)<br>
<br>
Cool thing with the Stick is also IMHO that the two fretboard halfes<br>
go out through two independent audio outputs, meaning you can play<br>
through two complementary rigs/effect boards. Personally I rather go<br>
deeper into audio processing than put MIDI pickups on my stick. That&#39;s<=
br>
more like &quot;the real thing&quot; to me (unless we are talking Akai EWI<=
br>
4000s, the ultimate MIDI controller instrument ;-)<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>

--00151747363e44b064048a91e73c--

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Subject: Re: Bowing Stick - practice session clip shared
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On Sun, Jul 4, 2010 at 5:59 PM, Ricky Graham <rickygrahammusic@gmail.com> wrote:
> "Personally I rather go
> deeper into audio processing than put MIDI pickups on my stick. That's
> more like "the real thing" to me (unless we are talking Akai EWI
> 4000s, the ultimate MIDI controller instrument ;-)"
>
> Oh, I don't bother with MIDI unless a software environment requires me to do
> so. I'd be interested in extracting audio from each string, similar to what
> I'm working on at the moment with the guitar.

I see and agree. Polyphonic pickups are definitely highly interesting.
Not sure the Roland is the best sounding though (anyone here to spill
some knowledge?).

per

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Subject: Re: Bowing Stick - practice session clip shared
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--001517477f7c88700a048a91ffff
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The graphtech system sound great (thanks to Andy for pointing me in the
direction of this). Two hexpander boards would work very easily with a
chapman stick.

http://graphtech.com/products.html?CategoryID=2

If I buy one, I'd definitely go to the bother of fitting the systems.

Ricky



On Sun, Jul 4, 2010 at 5:02 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Jul 4, 2010 at 5:59 PM, Ricky Graham <rickygrahammusic@gmail.com>
> wrote:
> > "Personally I rather go
> > deeper into audio processing than put MIDI pickups on my stick. That's
> > more like "the real thing" to me (unless we are talking Akai EWI
> > 4000s, the ultimate MIDI controller instrument ;-)"
> >
> > Oh, I don't bother with MIDI unless a software environment requires me to
> do
> > so. I'd be interested in extracting audio from each string, similar to
> what
> > I'm working on at the moment with the guitar.
>
> I see and agree. Polyphonic pickups are definitely highly interesting.
> Not sure the Roland is the best sounding though (anyone here to spill
> some knowledge?).
>
> per
>
>

--001517477f7c88700a048a91ffff
Content-Type: text/html; charset=ISO-8859-1
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The graphtech system sound great (thanks to Andy for pointing me in the dir=
ection of this). Two hexpander boards would work very easily with a chapman=
 stick.<br><br><a href=3D"http://graphtech.com/products.html?CategoryID=3D2=
">http://graphtech.com/products.html?CategoryID=3D2</a><br>
<br>If I buy one, I&#39;d definitely go to the bother of fitting the system=
s.<br><br>Ricky<br><br><br><br><div class=3D"gmail_quote">On Sun, Jul 4, 20=
10 at 5:02 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen=
@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Sun, Jul 4, 2010 at 5:59 PM, Ricky Graham &lt;<a href=3D"mailto:rickygr=
ahammusic@gmail.com">rickygrahammusic@gmail.com</a>&gt; wrote:<br>

&gt; &quot;Personally I rather go<br>
&gt; deeper into audio processing than put MIDI pickups on my stick. That&#=
39;s<br>
&gt; more like &quot;the real thing&quot; to me (unless we are talking Akai=
 EWI<br>
&gt; 4000s, the ultimate MIDI controller instrument ;-)&quot;<br>
&gt;<br>
&gt; Oh, I don&#39;t bother with MIDI unless a software environment require=
s me to do<br>
&gt; so. I&#39;d be interested in extracting audio from each string, simila=
r to what<br>
&gt; I&#39;m working on at the moment with the guitar.<br>
<br>
</div>I see and agree. Polyphonic pickups are definitely highly interesting=
.<br>
Not sure the Roland is the best sounding though (anyone here to spill<br>
some knowledge?).<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br>

--001517477f7c88700a048a91ffff--

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Subject: Re: Bowing Stick - practice session clip shared
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2010/7/4 Per Boysen <perboysen@gmail.com>

> On Sun, Jul 4, 2010 at 5:06 PM, Ricky Graham <rickygrahammusic@gmail.com>
> wrote:
>


> to play with a "two hands - two musicians" attitude.
>
>
that's what i tried to escape by going through a single side instrument, in
my case, a tsg-8 from warr guitars. the instrument has the same range (if
not larger, when tuned in fifths) than a 10/12s one. with the actual loop
tools, you could sound like 1000, if you wish! :)  ... i don't see much
difference between 1 or 2, but 1000 !!! that's another thing.


> When I picked up the Stick I first thought my guitar playing skills
> (developed through decades) would be a bonus,
>

... i've observed the contrary quite often too. don't know about how's
development after the first stages of learning the two-handed method, if yo=
u
come from the guitar (i used to play piano,sax before, so...) but,
initially, on the majority of g. players, you can observe them trying to
have most of the work done with the left hand (providing they were right
handed;).


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016361e8094c86d66048a929819
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<br><br><div class=3D"gmail_quote">2010/7/4 Per Boysen <span dir=3D"ltr">&l=
t;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span>=
<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-lef=
t:1px #ccc solid;padding-left:1ex;">
<div class=3D"im">On Sun, Jul 4, 2010 at 5:06 PM, Ricky Graham &lt;<a href=
=3D"mailto:rickygrahammusic@gmail.com">rickygrahammusic@gmail.com</a>&gt; w=
rote:</div></blockquote><div>=A0</div><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div class=3D"im">to play with a &quot;two hands - two musicians&quot; atti=
tude.</div>
<br></blockquote><div><br></div><div>that&#39;s what i tried to escape by g=
oing through a single side instrument, in my case, a tsg-8 from warr guitar=
s. the instrument has the same range (if not larger, when tuned in fifths) =
than a 10/12s one. with the actual loop tools, you could sound like 1000, i=
f you wish! :) =A0... i don&#39;t see much difference between 1 or 2, but 1=
000 !!! that&#39;s another thing.</div>
<div>=A0</div><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;=
border-left:1px #ccc solid;padding-left:1ex;">
When I picked up the Stick I first thought my guitar playing skills<br>
(developed through decades) would be a bonus,<br></blockquote><div><br></di=
v><div>... i&#39;ve observed the contrary quite often too. don&#39;t know a=
bout how&#39;s development after the first stages of learning the two-hande=
d method, if you come from the guitar (i used to play piano,sax before, so.=
..) but, initially, on the majority of g. players, you can observe them try=
ing to have most of the work done with the left hand (providing they were r=
ight handed;).</div>
<div>=A0</div></div><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>I b=E9, despr=E9s=
 estava aquella dona que sense saber que estava il.luminada, exclamava: &qu=
ot;O siga, que he pagat per aquesta merda de m=E0quina i resulta que ni tan=
 sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una agull=
a , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016361e8094c86d66048a929819--

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Subject: Virtual GiGSpam: 3pm EST today Live NJ/ImprovFriday
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016369f9bc8bdedc8048a92f75e
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LIVE today at 3pm EST, Jeff Duke, Peter Th=F6rn, Jim Goodin, David Perreko =
and
Gaeteano Fontanazza will gather together for a 1-hour live video performanc=
e
on ImprovFriday.
The stream will be viewable at http://improvfriday.ning.com.
Show time > 3pm EST(12pm PST/8pm UK/9PM western Euro). For specific time
check goto > http://bit.ly/djJ5eO
Please join us.
--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--0016369f9bc8bdedc8048a92f75e
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<meta charset=3D"utf-8"><span class=3D"Apple-style-span" style=3D"font-fami=
ly: &#39;lucida grande&#39;, tahoma, verdana, arial, sans-serif; font-size:=
 11px; color: rgb(51, 51, 51); "><h3 class=3D"UIIntentionalStory_Message" s=
tyle=3D"font-size: 13px; color: rgb(51, 51, 51); margin-top: 0px; margin-ri=
ght: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-r=
ight: 0px; padding-bottom: 0px; padding-left: 0px; font-weight: normal; ove=
rflow-x: hidden; overflow-y: hidden; ">
<span class=3D"UIStory_Message">LIVE today at 3pm EST, Jeff Duke, Peter Th=
=F6rn, Jim Goodin, David Perreko and Gaeteano Fontanazza will gather togeth=
er for a 1-hour live video performance on ImprovFriday.</span></h3><h3 clas=
s=3D"UIIntentionalStory_Message" style=3D"font-size: 13px; color: rgb(51, 5=
1, 51); margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left=
: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-l=
eft: 0px; font-weight: normal; overflow-x: hidden; overflow-y: hidden; ">
<span class=3D"UIStory_Message"><br></span></h3><h3 class=3D"UIIntentionalS=
tory_Message" style=3D"font-size: 13px; color: rgb(51, 51, 51); margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top:=
 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-weig=
ht: normal; overflow-x: hidden; overflow-y: hidden; ">
<span class=3D"UIStory_Message">The stream will be viewable at <a href=3D"h=
ttp://improvfriday.ning.com">http://improvfriday.ning.com</a>.</span></h3><=
h3 class=3D"UIIntentionalStory_Message" style=3D"font-size: 13px; color: rg=
b(51, 51, 51); margin-top: 0px; margin-right: 0px; margin-bottom: 0px; marg=
in-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; pa=
dding-left: 0px; font-weight: normal; overflow-x: hidden; overflow-y: hidde=
n; ">
<span class=3D"UIStory_Message"><br></span></h3><h3 class=3D"UIIntentionalS=
tory_Message" style=3D"font-size: 13px; color: rgb(51, 51, 51); margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top:=
 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-weig=
ht: normal; overflow-x: hidden; overflow-y: hidden; ">
<span class=3D"UIStory_Message">Show time &gt; 3pm EST(12pm PST/8pm UK/9PM =
western Euro). For specific time check goto &gt;=A0<a href=3D"http://bit.ly=
/djJ5eO">http://bit.ly/djJ5eO</a></span></h3><h3 class=3D"UIIntentionalStor=
y_Message" style=3D"font-size: 13px; color: rgb(51, 51, 51); margin-top: 0p=
x; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0p=
x; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-weight:=
 normal; overflow-x: hidden; overflow-y: hidden; ">
<span class=3D"UIStory_Message"><br></span></h3><h3 class=3D"UIIntentionalS=
tory_Message" style=3D"font-size: 13px; color: rgb(51, 51, 51); margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top:=
 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-weig=
ht: normal; overflow-x: hidden; overflow-y: hidden; ">
<span class=3D"UIStory_Message">Please join us.</span></h3></span><br>-- <b=
r>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin =
&amp; Peter Th=F6rn. =A0Proceeds<br>from the sale of this CD will benefit J=
DRF International. =A0<a href=3D"http://jimgoodinpeterthorn.bandcamp.com">j=
imgoodinpeterthorn.bandcamp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>


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Subject: Midi controller foot pedal
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http://www.keithmcmillen.com/products/softstep/ This is the one I saw  
at NAMM, I posted a video I made on my youtube site but took it down  
already, sorry.
  Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; "><a href="http://www.keithmcmillen.com/products/softstep/">http://www.keithmcmillen.com/products/softstep/</a>&nbsp;This is the one I saw at NAMM, I posted a video I made on my youtube site but took it down already, sorry.</span><div><span class="Apple-style-span" style="font-family: Verdana; font-size: 13px; ">&nbsp;Bill</span></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 19:04:34 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Bowing Stick - practice session clip shared
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Per Boysen schrieb:
>
> Not that I'm aware of. I tried my e-bow with the Stick but it almost
> doesn't work at all. Maybe that en e-bow doesn't work with the PASV-4
> Stick pick-up? (addressing Johannes here as well).
>
>   
For me the ebow works quite well on Stick, but not if I use it directly 
above the pickup. I hold it much higher above the fretboard, sometimes 
directly next to the fretting hand. That results in a nice mellow sound. 
You can hear it here: http://www.youtube.com/watch?v=CAiLgtARjOI in a 
piece by Akin Ãœnver.

The downside of using an ebow on the Stick is of course that you lose 
one playing hand. But fortunately, there is no law that you *have* to 
play a Stick with two hands. ;-)

-- 
Johannes Korn  - j.korn@gmx.de
http://www.myspace.com/nashorn

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 20:29:06 2010
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Date: Sun, 4 Jul 2010 16:29:07 -0400
Subject: Re: Bowing Stick - practice session clip shared
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Hey Per,

Good one.
So much things going on.
On first listen, knowing that you play flute, I thought I heard some in
there.
I'm guessing this is the bowing.

Andre

On Sat, July 3, 2010 6:02 pm, Per Boysen wrote:
> Today I bowed:
> http://www.box.net/shared/9d0rulm3ue
>
> Stick, cello bow, laptop, Mainstage, Mobius, FCB1010.
>
> As with most guitars it is hard to get at all strings with the bow on
> a Stick. I can only bow string 7 and 12. The thinnest string is way
> too thin for a steady bow tone so I need to get thicker strings.
> Soundwise a bow seems to be a good complement to the normal plucked or
> tapped string sound, offering a wide palette for looping.
>
> per
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Subject: Re: Midi controller foot pedal
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On Sun, Jul 4, 2010 at 7:38 PM, William Walker <billwalker@baymoon.com> wro=
te:
> http://www.keithmcmillen.com/products/softstep/=C2=A0This is the one I sa=
w at
> NAMM, I posted a video I made on my youtube site but took it down already=
,
> sorry.


I bet many of us are waiting for it! :-) As the web site says:
"Coming soon - Sign up for our SoftStep mailing list here."

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Jul  4 23:48:13 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Mon, 5 Jul 2010 00:48:12 +0100
Subject: Re: Guitar Compression was :Re: ...reflections...
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Hello,

The PT is pretty much capable of any amount of COMP, you use the BLEND knob=
 for that. Also, are you sure it's COMP that you want? Are you thinking of =
a LIMITER perhaps? I use my PT on almost everything I record & I find it th=
e most musical COMP I've ever used. It responds very well but of course, wi=
ll change depending on what you feed it. I agree that the GRIT isn't for ev=
erything, but if you want just a bit of a touch of edge it works fine. I ra=
rely use it myself becuase I have a tube EHX English Muddin OD pedal which =
I love, so the GRIT isn't something I need.


 BTW I went to try the pigtronix=20
> philosophers tone and  my first impression was that it was not=20
> capable of subtle compression,  and the grit control was completely=20
> useless to me. Something I'm  missing or maybe it was a crappy amp=20
> they had me plugged in to. Any  thoughts , I sure do love its=20
> compact size and its gotten great  reviews. any feed back? does it=20
> have internal trims like the Keeley to  reduce its sensitivity.
>   Thanks
>   Bill

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

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Date: Mon, 5 Jul 2010 00:50:11 +0100
Subject: Re: OT: gig announcement - MoinSound Studio Sessions World Cup Special
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Hey folks, this is REALLY off topic....
> ----- Original Message -----

>=20
> In case of a German victory in today's Germany vs Argentinia
> quarterfinal, there will be a special as part of the MoinSound Studio
> Sessions:


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 00:03:28 2010
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From: Mech <mech@m3ch.net>
Subject: Re: Bowing Stick - practice session clip shared
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At 4:34 PM +0200 7/4/10, Per Boysen wrote:
>On Sun, Jul 4, 2010 at 3:26 PM, Ricky Graham 
><rickygrahammusic@gmail.com> wrote:
>>  It makes me wonder if some sort of sustain pick-up could be devised for the
>>  chapman stick, if not already?
>
>Not that I'm aware of. I tried my e-bow with the Stick but it almost
>doesn't work at all. Maybe that en e-bow doesn't work with the PASV-4
>Stick pick-up? (addressing Johannes here as well).

Actually, before my 10-string Polycarbonate was ripped-off a while 
back, I had my Sustainiac Model-C hooked up to it.  Sounded 
fantastic!  It works especially well with any artificial material, I 
think, because of the resonant characteristics (that should hold true 
for your Bamboo, Per; get yer Sustainiac magnets fixed ;).  Tried it 
on some of my other Sticks, and the results were good, but not as 
inspiring.

With my Polycarb, the whole damn thing *felt* electric.  Just tapping 
a string was inspiring as you could physically feel it close the 
feedback loop.

>But I must say I fail to see much point in using a sustaining pickup
>with a Stick? Since the neck and strings are so long it already has an
>almost too long sustain. Almost like a grand piano.

Works well if you want to get into organ/synth territory without 
actually going MIDI.  Many of the sounds reminded me of what I've 
heard from the wet effect from EHX's Hog & Pog (sans the 
harmonization, of course) with a little bit of Ebow growl thrown in 
for good measure.

>Maybe related: There are a special Roland GK MIDI pickup thingy that
>has been adapted for the Stick's fretboard width.

I've got a GK-3 installed on the Melody side of my 12-String Grand. 
Works great for VG stuff; not-so-great for MIDI.  In particular, 
there are some tricks people put together for the VG-99 to allow it 
to emulate a Moog Guitar.  Doesn't sound exactly the same as the 
Moog, but pretty close.  These patches would work fine for simulating 
that "Infinite Guitar" sound on a Stick, though.

	--m.
-- 
_____
"beyond this window, night is shuddering and the earth grinds to a halt
    beyond this window, something unknown is watching you and me...."

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Subject: Re: OT: gig announcement - MoinSound Studio Sessions World Cup 
	Special
From: Rainer Straschill <moinsound@googlemail.com>
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Mark said:
"Hey folks, this is REALLY off topic...."

Mark,

I guess you did in fact check the video to base your statement on it,
rather than just make an uniformed claim. In that case, it really
surprises me that you didn't notice the very obvious use of loopage in
the performance.

Yours,

          Rainer

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Good afternoon,

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Subject: compression in pickups
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Per wrote:
"Here it might be useful to put in a note on pickup noise and buzz in
relation with compression. Myself I have, and still partly am, a big
fan for vintage sounding single coil pickups. I totally love the sound
idea of letting those twangy notes swim through an ocean of
compression - but with a vintage style  Stratocaster model guitar that
"organ like tone" will most likely be dressed in a murky blanket of
exaggerated noise and buzz."

  I'd carry that a step further and say that pickups themselves have  
varying levels of compression, with lower output pickups  like typical  
single coils have less compression and greater dynamic range, and  
higher output pickups like  P-90s and humbucking pickups have more   
natural compression and slightly less dynamic range. Humbuckers are  
generally louder overall,  more complex in the midrange with  over all  
darker tone.   I,  like you Per  tend to favor single coil pickups  
because of their added top end twang,  and also because of their  
tighter low end,better string to string definition when chording and  
responsiveness to finger dynamics. Though I like humbuckers, for me  
single coils work better for multi track looping, multitrack layering  
in general and large ensemble work with either multiple guitar parts  
ala african pop or dense keyboards, but I haven't played true single  
coils in a long time. I've been using noiseless stack designs since  
they first appeared in the early 80's (maybe earlier, I'm not sure).  
The first ones from Duncan I used were ok but lacked a certain magic  
of true single coils. Things have changed a lot since then with all of  
the major players doing redesigns and  offering really good authentic  
single coil sound without the annoying hum. Currently I use sets from  
Seymour Duncan (classic stacks plus) Various Kinman's and even a set  
of fender noiseless which seem to get a bad rap but are actually quite  
good sounding. There is absolutely no need to subject oneself to that  
annoying 60 cycle hum any more, and yet I know many people who insist  
that their 50 odd year old pickup design that sounds like an angry  
hornets nest when idle is so much greater sounding and more  
responsive. This is true for P-90 style pickups as well, the stack  
designs sound good, exactly the same? maybe not,  but to me the  
benefits far out way the disadvantages. if you can't handle that,   
companies like Suhr  http://www.suhrguitars.com/pickups.aspx#top ,make  
dummy coils that fit on strat backplates so you can add hum canceling  
to an otherwise buzzy Strat with ought replacing all of the pickups.
Bill
--Apple-Mail-1--653984910
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">Per =
wrote:</span><div><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">"Here it might be useful to put in a note on =
pickup noise and buzz in</span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; ">relation with compression. Myself I have, and still partly am, a =
big</span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">fan for vintage =
sounding single coil pickups. I totally love the sound</span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">idea of letting those twangy notes swim =
through an ocean of</span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; ">compression - but with a vintage style &nbsp;Stratocaster model =
guitar that</span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">"organ like tone" will =
most likely be dressed in a murky blanket of</span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">exaggerated noise and =
buzz."</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; =
"><br></span></div><div><font class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
13px;">&nbsp;I'd carry that a step further and say that pickups =
themselves have varying levels of compression, with lower output pickups =
&nbsp;like typical single coils have less compression and greater =
dynamic range, and higher output pickups like &nbsp;P-90s and humbucking =
pickups have more &nbsp;natural compression and slightly less dynamic =
range. Humbuckers are generally louder overall, &nbsp;more complex in =
the midrange with &nbsp;over all darker tone. &nbsp; I, &nbsp;like you =
Per &nbsp;tend to favor single coil pickups because of their added top =
end twang, &nbsp;and also because of their&nbsp;tighter low end,better =
string to string definition when chording and responsiveness to finger =
dynamics. Though I like humbuckers, for me single coils work better for =
multi track looping, multitrack layering in general and large ensemble =
work with either multiple guitar parts ala african pop or dense =
keyboards, but I haven't played true single coils in a long time. I've =
been using noiseless stack designs since they first appeared in the =
early 80's (maybe earlier, I'm not sure). The first ones from Duncan I =
used were ok but lacked a certain magic of true single coils. Things =
have changed a lot since then with all of the major players doing =
redesigns and &nbsp;offering really good authentic single coil sound =
without the annoying hum. Currently I use sets from Seymour Duncan =
(classic stacks plus) Various Kinman's and even a set of fender =
noiseless which seem to get a bad rap but are actually quite good =
sounding. There is absolutely no need to subject oneself to that =
annoying 60 cycle hum any more, and yet I know many people who insist =
that their 50 odd year old pickup design that sounds like an angry =
hornets nest when idle is so much greater sounding and more responsive. =
This is true for P-90 style pickups as well, the stack designs sound =
good, exactly the same? maybe not, &nbsp;but to me the benefits far out =
way the disadvantages. if you can't handle that, &nbsp;companies like =
Suhr &nbsp;</span></font><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><a =
href=3D"http://www.suhrguitars.com/pickups.aspx#top">http://www.suhrguitar=
s.com/pickups.aspx#top</a>&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">,make dummy coils that =
fit on strat backplates so you can add hum canceling to an otherwise =
buzzy Strat with ought replacing all of the =
pickups.</span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; =
">Bill</span></div></body></html>=

--Apple-Mail-1--653984910--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 06:01:47 2010
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From: "Kris Hartung" <khartung@q.com>
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Subject: Dance Music for Inanimate Objects
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This is a multi-part message in MIME format.

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My second project with Ted Killian...

http://www.krispenhartung.com/dance/

I love that title, especially given the irony that we both can't or =
don't like to dance. Thanks Ted!!   :)

I can't believe you let me take the lead in the guitar playing...but =
your grooves are awesome!

Kris

Dance Music for Inanimate Objects
Krispen Hartung & Ted Killian

Dance Music for Inanimate Objects is a delightful merge of two ideas =
from Krispen Hartung and Ted Killian. Both envisioned a project where =
looped and textured beat and groove samples would serve as a substratum =
for recording guitar tracks. Killian, long before Hartung, originally =
planned on recording ambient guitar parts, whereas Hartung was =
interested in a more free and improvisational jazz guitar approach. Both =
decided to work together and create "Dance Music for Inanimate Objects". =
Killian created the beats and grooves, and Hartung played freely over =
them. The result is a collection of songs that are catchy and make you =
move, but are also somewhat difficult listening because of the =
dissonance and chaotic character.

Krispen Hartung - Mini jazz archtop guitar, laptop (looping and effects =
with Max/MSP)
Ted Killian - Electronic percussion, samples, looping, ambient sounds


Stream all MP3s - =
http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&node=3Df_24795=
7436&from_folder=3D1

Download/Play Individual MP3s

Fear of Palindromes
http://www.box.net/shared/t9op2y6qms

Based on What
http://www.box.net/shared/r5xnx3rhaj

Lurking After Dark
http://www.box.net/shared/4aktjqpyzf

XXL Groove
http://www.box.net/shared/24t4g4ua14


Office Pool
http://www.box.net/shared/uv5q0vmnvd

The Inaminate Hood
http://www.box.net/shared/b28zmp4uzc

Alien Home Improvement
http://www.box.net/shared/dfc47bttq0=20

Wakeup Call
http://www.box.net/shared/0serxjcaho=20

------=_NextPart_000_0510_01CB1BD5.39C2E8D0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18255" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>My second project with Ted=20
Killian...</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR><A=20
href=3D"http://www.krispenhartung.com/dance/">http://www.krispenhartung.c=
om/dance/</A></DIV>
<DIV><BR>I love that title, especially given the irony that we both =
can't or=20
don't like to dance. Thanks Ted!!&nbsp;&nbsp; :)<BR><BR>I can't believe =
you let=20
me take the lead in the guitar playing...but your grooves are=20
awesome!<BR><BR>Kris<BR><BR><STRONG>Dance Music for Inanimate =
Objects<BR>Krispen=20
Hartung &amp; Ted Killian</STRONG><BR><BR>Dance Music for Inanimate =
Objects is a=20
delightful merge of two ideas from Krispen Hartung and Ted Killian. Both =

envisioned a project where looped and textured beat and groove samples =
would=20
serve as a substratum for recording guitar tracks. Killian, long before =
Hartung,=20
originally planned on recording ambient guitar parts, whereas Hartung =
was=20
interested in a more free and improvisational jazz guitar approach. Both =
decided=20
to work together and create "Dance Music for Inanimate Objects". Killian =
created=20
the beats and grooves, and Hartung played freely over them. The result =
is a=20
collection of songs that are catchy and make you move, but are also =
somewhat=20
difficult listening because of the dissonance and chaotic=20
character.</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>Krispen Hartung - Mini jazz archtop guitar, laptop (looping and =
effects=20
with Max/MSP)<BR>Ted Killian - Electronic percussion, samples, looping, =
ambient=20
sounds<BR><BR><BR><STRONG>Stream all MP3s</STRONG> - <A=20
href=3D"http://www.box.net/index.php?rm=3Dbox_v2_mp3_player_shared&amp;no=
de=3Df_247957436&amp;from_folder=3D1">http://www.box.net/index.php?rm=3Db=
ox_v2_mp3_player_shared&amp;node=3Df_247957436&amp;from_folder=3D1</A></D=
IV>
<DIV><BR><STRONG>Download/Play Individual MP3s</STRONG><BR><BR>Fear of=20
Palindromes<BR><A=20
href=3D"http://www.box.net/shared/t9op2y6qms">http://www.box.net/shared/t=
9op2y6qms</A><BR><BR>Based=20
on What<BR><A=20
href=3D"http://www.box.net/shared/r5xnx3rhaj">http://www.box.net/shared/r=
5xnx3rhaj</A><BR><BR>Lurking=20
After Dark<BR><A=20
href=3D"http://www.box.net/shared/4aktjqpyzf">http://www.box.net/shared/4=
aktjqpyzf</A><BR><BR>XXL=20
Groove<BR><A=20
href=3D"http://www.box.net/shared/24t4g4ua14">http://www.box.net/shared/2=
4t4g4ua14</A></DIV>
<DIV><BR><BR>Office Pool<BR><A=20
href=3D"http://www.box.net/shared/uv5q0vmnvd">http://www.box.net/shared/u=
v5q0vmnvd</A><BR><BR>The=20
Inaminate Hood<BR><A=20
href=3D"http://www.box.net/shared/b28zmp4uzc">http://www.box.net/shared/b=
28zmp4uzc</A><BR><BR>Alien=20
Home Improvement<BR><A=20
href=3D"http://www.box.net/shared/dfc47bttq0">http://www.box.net/shared/d=
fc47bttq0</A>=20
<BR><BR>Wakeup Call<BR><A=20
href=3D"http://www.box.net/shared/0serxjcaho">http://www.box.net/shared/0=
serxjcaho</A>=20
</DIV>
<DIV></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0510_01CB1BD5.39C2E8D0--

From jane_graham435@yahoo.com.cn  Mon Jul  5 06:21:06 2010
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Ms Jane Graham,
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I am Ms Jane Graham, I wish to seek for your assistance in a financial transaction, however, is not mandatory nor will I in any manner compel you to honor my request against your will.  Your profile pushed me to send you this mail; I’m the daughter of late Dr. and Mrs. Nerd Graham. My father was a highly reputable business man (supplier of agro allied material and general merchandise) he operated in the Middle East during his days. It is sad to say that he passed away in one of his trips to the UK. Although his death was linked or rather suspected to have been masterminded by one of our uncles who travelled with him at that time. But God knows the truth! My mother died when I was a little girl, and since then my father took me so special. Before his death in 2008, he told me about a safe he concealed the sum of Twelve Million United State Dollars. ($12,000,000.00 USD) deposited with a large investment & Security Firm in Asia.

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1. Can you honestly and willingly help me in this transaction?
2. Can I completely trust you?
3. What percentage of the total amount in question will be good for you after the money gets in your possession?

Please, read through and kindly get back to me as soon as possible.

My sincere regards,
Ms Jane Graham.





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Per Boysen wrote:

> If you look
> at guitar playing technique, it really is not a multitasking musical
> craft as much as it focuses on learning both hands to become synced
> parts of one major musical gesture. 

I'm not so sure about that, I think it rather focusses on a
certain type of guitar playing.

Traditionally the *electric* guitar isn't used to play multiple strands
in a piece of music.
...but the guitar itself, like the lute, is designed to play 2 or 3
polyphonic lines each which a distinct sound and character.

It's not in any way unheard of for a guitarist, particular on
the nylon string guitar to play a singing melody, solid bass,
and light chords simultaneously, and common to play any two
of those elements together. 

I totally agree that playing keyboard makes it easier to start
two handed tapping.
Don't know if multi-task "polyphonic" guitar playing also makes
it easier...I suspect it would.

andy
ps. 
Re: pickups that work with ebow
the ebow doesn't need a pickup to work, it'll work
on any string with the necessary magnetic properties.
Try it on an acoustic instrument.


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contact me for details,  commerce  regarding a bequest transfer.


Esta mensagem =E9 da Universidade Federal da Bahia centro de mensagens=
 a todos os propriet=E1rios e-mail. Estamos atualizando nosso banco de=
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=2EWe enviadas v=E1rias mensagens para voc=EA sem resposta de voc=EA.=20=


contact me for details,  commerce  regarding a bequest transfer.

N=F3s estamos apagando todos conta e-mail usado para criar mais espa=E7=
o para novas contas. Em outras palavras, para n=E3o ser suspenso, voc=EA=
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Se voc=EA n=E3o pode confirmar o seu uso cont=EDnuo dos nossos servi=E7=
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 09:45:43 2010
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Subject: Re: Midi controller foot pedal
Date: Mon, 5 Jul 2010 11:45:40 +0200
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> http://www.keithmcmillen.com/products/softstep/ This is the one I  
> saw at NAMM, I posted a video I made on my youtube site but took it  
> down already, sorry.

USB powered - any chance this could work on my EDP?

Sorry for the stupid question, Andreas


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br><blockquote =
type=3D"cite"><font face=3D"Helvetica" size=3D"4" color=3D"#000000" =
style=3D"font: 14.0px Helvetica; color: #000000"> <p style=3D"margin: =
0.0px 0.0px 0.0px 0.0px; min-height: 14.0px"><font face=3D"Verdana" =
size=3D"4" color=3D"#0013ef" style=3D"font: 13.0px Verdana; color: =
#0013ef"><a =
href=3D"http://www.keithmcmillen.com/products/softstep/">http://www.keithm=
cmillen.com/products/softstep/</a></font><font face=3D"Verdana" size=3D"4"=
 style=3D"font: 13.0px Verdana">&nbsp;This is the one I saw at NAMM, I =
posted a video I made on my youtube site but took it down already, =
sorry.</font></p></font></blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">USB powered - any =
chance this could work on my EDP?</span></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font class=3D"Apple-style-span" face=3D"Verdana" =
size=3D"3"><span class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: 13px;">Sorry for the =
stupid question, Andreas</span></font></div></div><br></body></html>=

--Apple-Mail-2--631770415--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 09:49:54 2010
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From: Andreas Willers <a.willers@arcor.de>
Subject: Re: Dance Music for Inanimate Objects
Date: Mon, 5 Jul 2010 11:49:52 +0200
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Nice music for a couple of really good drinks :-)

From info.office99@btinternet.com  Mon Jul  5 10:41:58 2010
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Date: Mon, 5 Jul 2010 10:41:48 +0000 (GMT)
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To: undisclosed recipients: ;
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Good day,=20

I have been waiting for you since to come down here and pick your bank draf=
t but did not hear from you since that time then i went and deposited the $=
1.200, 000.00 USD Dollars draft/cheque in the bank.

We have arranged your payment through swift card payment center Asia pacifi=
c, this card center will send you an atm card which you will use to withdra=
w your money in any atm machine in any part of the world, but the maximum i=
s One Thousand, Five Hundred USD Dollars Per-Day.=20

Kindly contact the below person who is in possition to release your ATM Pay=
ment Card.Send your information which they will use to send the card to you=
.

1::Your full name::
2::Your home address were you them to send the atmcard::=20
3::Current occupation::
4::Age::
5::Your current home telephone number/mobile phone number:: ::
6::A Copy of your identification::

However, kindly contact the below person who is in position to release your=
 atm card.=20

Rev Samuel Ade,
ATM Payment Department Oceanic Bank
Email: samuel_ade3@yahoo.com
TEL:00229 98402344.

I have paid for the processing and delivery charges . and the only money th=
at you are going to pay is to obtain the certificat of ownership from the f=
ederal high court of Benin Republic.=20

Try to contact them as soon as possible to quicken the processing of your c=
ard before your draft gets expired . Let me know as soon as you receive you=
r card. Wait for your respond.=20

Dr Santos John.
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR>Good day, <BR><BR>I have been waiting for=
 you since to come down here and pick your bank draft but did not hear from=
 you since that time then i went and deposited the $1.200, 000.00 USD Dolla=
rs draft/cheque in the bank.<BR><BR>We have arranged your payment through s=
wift card payment center Asia pacific, this card center will send you an at=
m card which you will use to withdraw your money in any atm machine in any =
part of the world, but the maximum is One Thousand, Five Hundred USD Dollar=
s Per-Day. <BR><BR>Kindly contact the below person who is in possition to r=
elease your ATM Payment Card.Send your information which they will use to s=
end the card to you.<BR><BR>1::Your full name::<BR>2::Your home address wer=
e you them to send the atmcard:: <BR>3::Current occupation::<BR>4::Age::<BR=
>5::Your current home telephone number/mobile phone number:: ::<BR>6::A Cop=
y
 of your identification::<BR><BR>However, kindly contact the below person w=
ho is in position to release your atm card. <BR><BR>Rev Samuel Ade,<BR>ATM =
Payment Department Oceanic Bank<BR>Email: samuel_ade3@yahoo.com<BR>TEL:0022=
9 98402344.<BR><BR>I have paid for the processing and delivery charges . an=
d the only money that you are going to pay is to obtain the certificat of o=
wnership from the federal high court of Benin Republic. <BR><BR>Try to cont=
act them as soon as possible to quicken the processing of your card before =
your draft gets expired . Let me know as soon as you receive your card. Wai=
t for your respond. <BR><BR>Dr Santos John.</td></tr></table>
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 12:30:50 2010
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Date: Mon, 5 Jul 2010 14:30:48 +0200 (CEST)
From: Massimo Liverani <mas.liv@libero.it>
Reply-To: Massimo Liverani <mas.liv@libero.it>
To:  <Loopers-Delight@loopers-delight.com>
Subject: R: Re: Midi controller foot pedal
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No Bruno, i ment the McMillen Softstep, happy to hear you again!=20
Massimo=20

>----Messaggio originale----
>Da: bruno.bk@gmail.com
>Data: 03/07/2010 10.21
>A: <Loopers-Delight@loopers-delight.com>
>Ogg: Re: Midi controller foot pedal
>
>Ciao Massimo!
>
>I think you are meaning the Ik stealthboard
>http://www.ikmultimedia.com/stealthboard/
>
>I was interested too. It would be a nice substitute for the bulky FCB
>but I see no news about the release.
>
>chiss=C3=A0 quando ci si vede di nuovo  :)
>
>
>ciao=20
>
>b:k
>
>
>
>> Hi! i'm looking for a particular midi pedal controller that i found link=
=20
some=20
>> months ago on this list, they was not yet selling it but=20
>> the peculiar was that it was USB and very compact and programmable, i=20
remember=20
>> also that it vas lighted.
>> i don't remember the name, can anyone help me?=20
>> thanx to evrbdy! =20
>> Massimo=20
>
>


From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 13:17:52 2010
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Date: Mon, 5 Jul 2010 15:17:51 +0200
Message-ID: <AANLkTinwhISwhHhqtqCtF_G4ZgMnvJiCeyF3QEPa9rwj@mail.gmail.com>
Subject: Re: OT: gig announcement - MoinSound Studio Sessions World Cup 
	Special
From: Per Boysen <perboysen@gmail.com>
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Well, I can report to the list that I took the tour through U-stream and
virtually sat by Rainer in the backseat, listening to the deafening vuvuzel=
a
loop noise he terrorized M=C3=BCnchen with. Quite an experience. Not sure i=
f he
was driving in loops but his sound system were definitely driving loops.
Cool project! I missed a bit of close-ups on the people he was passing by
though, but maybe it wasn't allowed to slow down or park on those
streets...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


On Mon, Jul 5, 2010 at 2:15 AM, Rainer Straschill
<moinsound@googlemail.com>wrote:

> Mark said:
> "Hey folks, this is REALLY off topic...."
>
> Mark,
>
> I guess you did in fact check the video to base your statement on it,
> rather than just make an uniformed claim. In that case, it really
> surprises me that you didn't notice the very obvious use of loopage in
> the performance.
>
> Yours,
>
>          Rainer
>
>

--000e0cd2418a7ff090048aa3c386
Content-Type: text/html; charset=UTF-8
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<div>Well, I can report to the list that I took the tour through U-stream a=
nd virtually sat by Rainer in the backseat, listening to the deafening vuvu=
zela loop noise he terrorized M=C3=BCnchen with. Quite an experience. Not s=
ure if he was driving in loops but his sound system were definitely driving=
 loops. Cool project! I missed a bit of close-ups on the people he was pass=
ing by though, but maybe it wasn&#39;t allowed to slow down or park on thos=
e streets...=C2=A0</div>
<br clear=3D"all">Greetings from Sweden<br><br>Per Boysen <br><a href=3D"ht=
tp://www.boysen.se">www.boysen.se</a><br><a href=3D"http://www.perboysen.co=
m">www.perboysen.com</a><br><a href=3D"http://www.looproom.com">www.looproo=
m.com</a> internet music hub<br>

<br><br><div class=3D"gmail_quote">On Mon, Jul 5, 2010 at 2:15 AM, Rainer S=
traschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com"=
>moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gma=
il_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-lef=
t:1ex;">
<div class=3D"im">Mark said:<br>
&quot;Hey folks, this is REALLY off topic....&quot;<br>
<br>
</div>Mark,<br>
<br>
I guess you did in fact check the video to base your statement on it,<br>
rather than just make an uniformed claim. In that case, it really<br>
surprises me that you didn&#39;t notice the very obvious use of loopage in<=
br>
the performance.<br>
<br>
Yours,<br>
<font color=3D"#888888"><br>
 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0Rainer<br>
<br>
</font></blockquote></div><br>

--000e0cd2418a7ff090048aa3c386--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 13:36:25 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Midi controller foot pedal
References: <20100705092405.85B443BE8C@arsenic.violacea.com> <B7F65EE8-47F3-4671-BCEE-EE23EA61B836@arcor.de>
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It's more geared towards controlling continuous parameters.
(which would hint toward latency issues...as does having
  multi-sensor buttons)

However they say they're aiming at 1mS latency.
(exceptionally good).


Best to wait till it's released .
(I think there's a lot of hopeful loopers also
  waiting)

andy


Andreas Willers wrote:
> 
>> http://www.keithmcmillen.com/products/softstep/ This is the one I saw 
>> at NAMM, I posted a video I made on my youtube site but took it down 
>> already, sorry.
>>
> 
> USB powered - any chance this could work on my EDP?
> 
> Sorry for the stupid question, Andreas
> 

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 14:40:22 2010
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Subject: Art of the Stompbox DVD w/ henry kaiser, nels cline
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636b14585938c92048aa4eac6
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couple of days ago i got my "art of the stompbox" dvd w/ henry kaiser, and
nels cline.
it's a $9.99 dvd the museum of making music is selling w/ the show of the
same name (+ shipping costs for me)
took me a couple of nites to watch it, but it is really good.
they just demo a bunch of different pedals showing the different types of
effects that guitarists use (fuzz/distortion, modulation, delay, etc)
HK has a crazy amount of pedals!
but the great thing is they do a little bit of looping at the end of the
delay section.
HK uses a boomerang pedal (not sure which version)
and Nels C uses his EH 16 digital delay (he also uses a korg kaoss w/ it a
lot)-the funny thing is that Nels says he likes to do real abstract loops,
not in time stuff
which he says the EH16ddl is good at...but the couple of little loop things
they do is most cool. and just the demoing of sounds and pedals they do is
pretty cool too...
thought i'd share....
s---

--001636b14585938c92048aa4eac6
Content-Type: text/html; charset=ISO-8859-1

<div>couple of days ago i got my &quot;art of the stompbox&quot; dvd w/ henry kaiser, and nels cline.</div>
<div>it&#39;s a $9.99 dvd the museum of making music is selling w/ the show of the same name (+ shipping costs for me)</div>
<div>took me a couple of nites to watch it, but it is really good.</div>
<div>they just demo a bunch of different pedals showing the different types of effects that guitarists use (fuzz/distortion, modulation, delay, etc)</div>
<div>HK has a crazy amount of pedals!</div>
<div>but the great thing is they do a little bit of looping at the end of the delay section.</div>
<div>HK uses a boomerang pedal (not sure which version)</div>
<div>and Nels C uses his EH 16 digital delay (he also uses a korg kaoss w/ it a lot)-the funny thing is that Nels says he likes to do real abstract loops, not in time stuff</div>
<div>which he says the EH16ddl is good at...but the couple of little loop things they do is most cool. and just the demoing of sounds and pedals they do is pretty cool too...</div>
<div>thought i&#39;d share....</div>
<div>s---</div>

--001636b14585938c92048aa4eac6--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 16:17:34 2010
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	<AANLkTilUgpOZWfxabQBNuljNG6WOrNcw0J_oA44r5Wt5@mail.gmail.com>
Date: Mon, 5 Jul 2010 11:17:33 -0500
Message-ID: <AANLkTimSQMLNi0goK9Fd6e_B767jTXAvuwBv2JCtahpd@mail.gmail.com>
Subject: Re: Midi controller foot pedal
From: "D.E. Ward" <dave@imageofsound.com>
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--e0cb4e887f572f2623048aa646a2
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Hello Per,

I am a newcomer to the group and looping in general and I really appreciate
you and others taking the time to share the knowledge.

I have a simple question.  In your "What is Looping" article on your
website, you have a photo of a laptop and two other devices - what appears
to be a mixer and another with multiple buttons.   Could you tell me who
makes these and how you incorporate them into your rig?

Thanks again,
D.E. Ward
On Sun, Jul 4, 2010 at 3:57 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Jul 4, 2010 at 7:38 PM, William Walker <billwalker@baymoon.com>
> wrote:
> > http://www.keithmcmillen.com/products/softstep/ This is the one I saw at
> > NAMM, I posted a video I made on my youtube site but took it down
> already,
> > sorry.
>
>
> I bet many of us are waiting for it! :-) As the web site says:
> "Coming soon - Sign up for our SoftStep mailing list here."
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


-- 
DE Ward
512.584.5500

--e0cb4e887f572f2623048aa646a2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hello Per,<div><br></div><div>I am a newcomer to the group and looping in g=
eneral and I really appreciate you and others taking the time to share the =
knowledge.</div><div><br></div><div>I have a simple question. =A0In your &q=
uot;What is Looping&quot; article on your website, you have a photo of a la=
ptop and two other devices - what appears to be a mixer and another with mu=
ltiple buttons. =A0 Could you tell me who makes these and how you incorpora=
te them into your rig?</div>
<div><br></div><div>Thanks again,</div><div>D.E. Ward<br><div class=3D"gmai=
l_quote">On Sun, Jul 4, 2010 at 3:57 PM, Per Boysen <span dir=3D"ltr">&lt;<=
a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div><div></div><div class=3D"h5">On Sun, J=
ul 4, 2010 at 7:38 PM, William Walker &lt;<a href=3D"mailto:billwalker@baym=
oon.com">billwalker@baymoon.com</a>&gt; wrote:<br>

&gt; <a href=3D"http://www.keithmcmillen.com/products/softstep/" target=3D"=
_blank">http://www.keithmcmillen.com/products/softstep/</a>=A0This is the o=
ne I saw at<br>
&gt; NAMM, I posted a video I made on my youtube site but took it down alre=
ady,<br>
&gt; sorry.<br>
<br>
<br>
</div></div>I bet many of us are waiting for it! :-) As the web site says:<=
br>
&quot;Coming soon - Sign up for our SoftStep mailing list here.&quot;<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>DE Ward<br>512.5=
84.5500<br>
</div>

--e0cb4e887f572f2623048aa646a2--

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Subject: Re: Art of the Stompbox DVD w/ henry kaiser, nels cline
Date: Mon, 5 Jul 2010 13:42:07 -0400
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Here is the trailer, dangerous for me to watch this stuff...

http://www.youtube.com/watch?v=3DSBpkcERX1Ug


  ----- Original Message -----=20
  From: Scott Hansen=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, July 05, 2010 10:40 AM
  Subject: Art of the Stompbox DVD w/ henry kaiser, nels cline


  couple of days ago i got my "art of the stompbox" dvd w/ henry kaiser, =
and nels cline.
  it's a $9.99 dvd the museum of making music is selling w/ the show of =
the same name (+ shipping costs for me)
  took me a couple of nites to watch it, but it is really good.
  they just demo a bunch of different pedals showing the different types =
of effects that guitarists use (fuzz/distortion, modulation, delay, etc)
  HK has a crazy amount of pedals!
  but the great thing is they do a little bit of looping at the end of =
the delay section.
  HK uses a boomerang pedal (not sure which version)
  and Nels C uses his EH 16 digital delay (he also uses a korg kaoss w/ =
it a lot)-the funny thing is that Nels says he likes to do real abstract =
loops, not in time stuff
  which he says the EH16ddl is good at...but the couple of little loop =
things they do is most cool. and just the demoing of sounds and pedals =
they do is pretty cool too...
  thought i'd share....
  s---
------=_NextPart_000_0009_01CB1C47.DC311110
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.17023" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Here is the trailer, dangerous for me =
to watch this=20
stuff...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3DSBpkcERX1Ug">http://www.youtube.=
com/watch?v=3DSBpkcERX1Ug</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Devanpeewee@gmail.com =
href=3D"mailto:evanpeewee@gmail.com">Scott=20
  Hansen</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, July 05, 2010 =
10:40=20
AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Art of the Stompbox =
DVD w/ henry=20
  kaiser, nels cline</DIV>
  <DIV><BR></DIV>
  <DIV>couple of days ago i got my "art of the stompbox" dvd w/ henry =
kaiser,=20
  and nels cline.</DIV>
  <DIV>it's a $9.99 dvd the museum of making music is selling w/ the =
show of the=20
  same name (+ shipping costs for me)</DIV>
  <DIV>took me a couple of nites to watch it, but it is really =
good.</DIV>
  <DIV>they just demo a bunch of different pedals showing the different =
types of=20
  effects that guitarists use (fuzz/distortion, modulation, delay, =
etc)</DIV>
  <DIV>HK has a crazy amount of pedals!</DIV>
  <DIV>but the great thing is they do a little bit of looping at the end =
of the=20
  delay section.</DIV>
  <DIV>HK uses a boomerang pedal (not sure which version)</DIV>
  <DIV>and Nels C uses his EH 16 digital delay (he also uses a korg =
kaoss w/ it=20
  a lot)-the funny thing is that Nels says he likes to do real abstract =
loops,=20
  not in time stuff</DIV>
  <DIV>which he says the EH16ddl is good at...but the couple of little =
loop=20
  things they do is most cool. and just the demoing of sounds and pedals =
they do=20
  is pretty cool too...</DIV>
  <DIV>thought i'd share....</DIV>
  <DIV>s---</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 18:37:28 2010
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  regarding the PT compressor, Thanks Mark, I'l dig deeper with it, I  
really didn't have much time to spend and the fact that the guy handed  
me a crappy sounding guitar and plugged in to an unfamiliar amp  
probably had more to do with it not grabbing me initially. The blend  
knob is rather unique. I love the name and tiny size, only drawback is  
it won't run on batteries,
  Bill

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 19:45:49 2010
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Subject: Re: Art of the Stompbox DVD w/ henry kaiser, nels cline
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On Jul 5, 2010, at 12:42 PM, Jeff Duke wrote:

> Here is the trailer, dangerous for me to watch this stuff...
>

Just spotted the Schroeder amp in that dvd. Tim Schroeder is one of  
the best amp techs (and guitar builders) in Chicago, and he's done  
some work on my vintage AC30s. Pretty cool to see his amp on display.

Jeff
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>On Jul 5, 2010, =
at 12:42 PM, Jeff Duke wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div =
bgcolor=3D"#ffffff"><div><font face=3D"Arial" size=3D"2">Here is the =
trailer, dangerous for me to watch this stuff...</font></div><div><font =
face=3D"Arial" =
size=3D"2"></font>&nbsp;</div></div></span></blockquote></div><br><div>Jus=
t spotted the Schroeder amp in that dvd. Tim Schroeder is one of the =
best amp techs (and guitar builders) in Chicago, and he's done some work =
on my vintage AC30s. Pretty cool to see his amp on =
display.&nbsp;</div><div><br></div><div>Jeff</div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 21:34:11 2010
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Date: Mon, 5 Jul 2010 16:34:10 -0500
From:  <dohol1@windstream.net>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Art of the Stompbox DVD w/ henry kaiser, nels cline
Cc: Jeff Duke <jeff_d@embarqmail.com>
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My order has been made...I'm now going to be waiting with baited breath..

When I went to YouTube to check out the trailer, I saw a few other Henry Kaiser related vids recommended.  I checked out the Dunlop TV interview (I hadn't seen it before) Not a revelatory interview, but what caught my eye were all the negative comments...some of it very personal..and it went on for pages...I know Henry's stuff can be an acquired taste and he does have his flaws (as do we all) but why all the hate?   I dunno..It's kind of distasteful.

I hate trollish behaviour.

Cheers!

Doug Holbrook
---- Jeff Duke <jeff_d@embarqmail.com> wrote: 
> Here is the trailer, dangerous for me to watch this stuff...
> 
> http://www.youtube.com/watch?v=SBpkcERX1Ug
> 
> 
>   ----- Original Message ----- 
>   From: Scott Hansen 
>   To: Loopers-Delight@loopers-delight.com 
>   Sent: Monday, July 05, 2010 10:40 AM
>   Subject: Art of the Stompbox DVD w/ henry kaiser, nels cline
> 
> 
>   couple of days ago i got my "art of the stompbox" dvd w/ henry kaiser, and nels cline.
>   it's a $9.99 dvd the museum of making music is selling w/ the show of the same name (+ shipping costs for me)
>   took me a couple of nites to watch it, but it is really good.
>   they just demo a bunch of different pedals showing the different types of effects that guitarists use (fuzz/distortion, modulation, delay, etc)
>   HK has a crazy amount of pedals!
>   but the great thing is they do a little bit of looping at the end of the delay section.
>   HK uses a boomerang pedal (not sure which version)
>   and Nels C uses his EH 16 digital delay (he also uses a korg kaoss w/ it a lot)-the funny thing is that Nels says he likes to do real abstract loops, not in time stuff
>   which he says the EH16ddl is good at...but the couple of little loop things they do is most cool. and just the demoing of sounds and pedals they do is pretty cool too...
>   thought i'd share....
>   s---

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 21:44:40 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Mon, 5 Jul 2010 22:44:39 +0100
Subject: Re: Guitar Compression was :Re: ...reflections...
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Hello,
You're welcome for the info & I actually never run FX pedals by batteries. =
I find that there are all kinds of problems that are avoided if you give th=
em a nice steady power supply. FX like a COMP will draw a lot of juice & wi=
ll not function very well on the low end of the battery life. Plus there's =
the whole throwing batteries away/enviromental thing. In the past I did try=
 rechargeable but then some pedals simply can't be powered by batteries, li=
ke my EHX English Muffin. You'd need something on the order of a bloody She=
rman Tank battery to keep that thing going for very long.......
> ----- Original Message -----
> From: William Walker <billwalker@baymoon.com>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Guitar Compression was :Re: ...reflections...=20
> Date: Mon, 5 Jul 2010 11:37:21 -0700
>=20
>=20
>   regarding the PT compressor, Thanks Mark, I'l dig deeper with it,=20
> I  really didn't have much time to spend and the fact that the guy=20
> handed  me a crappy sounding guitar and plugged in to an unfamiliar=20
> amp  probably had more to do with it not grabbing me initially. The=20
> blend  knob is rather unique. I love the name and tiny size, only=20
> drawback is  it won't run on batteries,
>   Bill

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
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From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 21:46:10 2010
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Hello,

BTW, you might also want to look at the EHX Black Finger tube COMP which is=
 going to be my next purchase.
>
>   regarding the PT compressor, Thanks Mark, I'l dig deeper with it,=20
> I  really didn't have much time to spend and the fact that the guy=20
> handed  me a crappy sounding guitar and plugged in to an unfamiliar=20
> amp  probably had more to do with it not grabbing me initially. The=20
> blend  knob is rather unique. I love the name and tiny size, only=20
> drawback is  it won't run on batteries,
>   Bill


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 22:07:07 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Mon, 5 Jul 2010 23:07:06 +0100
Subject: Re: Bowing Stick - practice session clip shared
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> Per Boysen wrote:
>=20
> > If you look
> > at guitar playing technique, it really is not a multitasking musical
> > craft as much as it focuses on learning both hands to become synced
> > parts of one major musical gesture.
>=20
> I'm not so sure about that, I think it rather focusses on a
> certain type of guitar playing.

I think I agree with Per here but I'm not sure what is meant by "multi-task=
ing musical craft". Any instrument is played by a person who is definitely =
multi-tasking no matter what instrument. A performer must combine technique=
 with interpretation unless that performer is just trying to be annoying. P=
lus, you have to remember the piece you're playing unless it's an inprov, i=
n which case you have to access an entire range of "tasks" to produce somet=
hing that might be fresh & functional.

>=20
> Traditionally the *electric* guitar isn't used to play multiple strands
> in a piece of music.
> ...but the guitar itself, like the lute, is designed to play 2 or 3
> polyphonic lines each which a distinct sound and character.


> Don't know if multi-task "polyphonic" guitar playing also makes
> it easier...I suspect it would.
HUH? What is multi-task "polyphonic" guitar playing?


Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

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Subject: Re: Midi controller foot pedal
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They said that there will be some kind of midi option add-on but had  
no working prototype at the show. Hold breath...
Bill

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Hey gang,

I've been off the list for a few years now, but figured I'd venture back =
into the fold now that I finally took the plunge and released something =
on my own. It's called "800 Memories Per Second" and it's available on a =
name-your-price (0 monies is cool, too) over here: =
http://taphead.bandcamp.com

Mostly (prepared and un-) guitar, but some grill lid bells, flute and =
dictaphone madness there as well. Apart from "Bells of the Chapel" it's =
all live. Oh, if there are any Erik Satie admirers aboard, the last =
piece is my take on Gnossienne #1. It turned out a bit bleak, maybe?

Tools of the trade: Frankensteinberger -> various pedals -> DL4 -> ART =
Tube MP -> Ableton, wherein Guitar Rig, SooperLooper, Augustus Loop, & =
others.


Next on the agenda would be a low-budget tour in the autumn. I'm =
interested in seeing how far I can get with three bags and the kindness =
of strangers...


Good to be back. <3

Regards,
R. / Taphead

http://twitter.com/taphead
http://www.facebook.com/pages/taphead/201044906839?ref=3Dts

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 23:08:47 2010
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Subject: Re: Guitar Compression was :Re: ...reflections...
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Mark wrote:
"You're welcome for the info & I actually never run FX pedals by  
batteries. I find that there are all kinds of problems that are  
avoided if you give them a nice steady power supply. FX like a COMP  
will draw a lot of juice & will not function very well on the low end  
of the battery life. Plus there's the whole throwing batteries away/ 
enviromental thing. In the past I did try rechargeable but then some  
pedals simply can't be powered by batteries, like my EHX English  
Muffin. You'd need something on the order of a bloody Sherman Tank  
battery to keep that thing going for very long......."

  Thanks Mark, all of these factors I'm  well aware of and for the  
above reasons,  I  rarely ever use batteries ,and  run my pedals off  
of a voodoo labs pedal power.   Occasionally I like to grab a few  
effects and busk with a battery powered amp.  Also I think there is a  
whole new wave of rechargeable batteries looming on the horizon. I  
just checked out a rechargeable acoustic guitar system from Fishman  
that lasts several hours and takes between a minute and two minutes to  
recharge.
Bill
--Apple-Mail-1--583590285
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font =
class=3D"Apple-style-span" color=3D"#00007F"><b>Mark =
wrote:</b></font></div>"You're welcome for the info &amp; I actually =
never run FX pedals by batteries. I find that there are all kinds of =
problems that are avoided if you give them a nice steady power supply. =
FX like a COMP will draw a lot of juice &amp; will not function very =
well on the low end of the battery life. Plus there's the whole throwing =
batteries away/enviromental thing. In the past I did try rechargeable =
but then some pedals simply can't be powered by batteries, like my EHX =
English Muffin. You'd need something on the order of a bloody Sherman =
Tank battery to keep that thing going for very =
long......."<div><br></div><div>&nbsp;Thanks Mark, all of these factors =
I'm &nbsp;well aware of and for the above reasons, &nbsp;I &nbsp;rarely =
ever use batteries ,and &nbsp;run my pedals off of a voodoo labs pedal =
power. &nbsp; Occasionally I like to grab a few effects and busk with a =
battery powered amp. &nbsp;Also I think there is a whole new wave of =
rechargeable batteries looming on the horizon. I just checked out a =
rechargeable acoustic guitar system from Fishman that lasts several =
hours and takes between a minute and two minutes to =
recharge.</div><div>Bill</div></body></html>=

--Apple-Mail-1--583590285--

From Loopers-Delight-request@loopers-delight.com  Mon Jul  5 23:43:57 2010
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Subject: "Art of the Stompbox" DVD w/ HK & NC...
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--e0cb4e88782768f194048aac825e
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yea, i would say that anytime you start w/ the guitar sounding like FZ's
ship ahoy solo (i think HK calls it the filter sample & hold)...that pretty
much sucks me in....ship ahoy is still one of my fave FZ solos and
sounds....
on the trailer at about :55 sec is the looping demo, you can see N. Cline
messing w/ his EH 16DDL...

and yes, Nels C. gives huge props to the Schroeder amp at the end of the
DVD, says it was made for him and he loves it.

the other thing at the end they just go through and talk about the tons and
tons of pedals, and HK talks about the few pedals he's bought that
supposedly mimic the Dumble amp sound-for those tone mavens out there that
crave that sound...a couple of them he does say get a good close sound,
just can't remember it off hand...have to watch the vid again....
happy looping...
s---

Here is the trailer, dangerous for me to watch this stuff...

http://www.youtube.com/watch?v=SBpkcERX1Ug

--e0cb4e88782768f194048aac825e
Content-Type: text/html; charset=ISO-8859-1
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<div><font face=3D"Arial" size=3D"2">yea, i would say that anytime you star=
t w/ the guitar sounding like FZ&#39;s ship ahoy solo (i think HK calls it =
the filter sample &amp; hold)...that pretty much sucks me in....ship ahoy i=
s still one of my fave FZ solos and sounds....</font></div>

<div>on the trailer at about :55 sec is the looping demo, you can see N. Cl=
ine messing w/ his EH 16DDL...</div>
<div>=A0</div>
<div>and yes, Nels C. gives huge props to the Schroeder amp at the end of t=
he DVD, says it was made for him and he loves it. </div>
<div>=A0</div>
<div>the other thing at the end they just go through and talk about the ton=
s and tons of pedals, and HK talks about the few pedals he&#39;s bought tha=
t</div>
<div>supposedly mimic the Dumble amp sound-for those tone mavens out there =
that crave that sound...a couple of them he does say get a good close sound=
,</div>
<div>just can&#39;t remember it off hand...have to watch the vid again....<=
/div>
<div>happy looping...</div>
<div>s---</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">Here is the trailer, dangerous for me =
to watch this stuff...</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.youtube.com/watc=
h?v=3DSBpkcERX1Ug">http://www.youtube.com/watch?v=3DSBpkcERX1Ug</a></font><=
/div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>

--e0cb4e88782768f194048aac825e--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 00:53:47 2010
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Date: Mon, 5 Jul 2010 17:53:45 -0700 (PDT)
From: bill bigrig <billbigrig@yahoo.com>
Subject: distortion for guitar
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Howdy,

 Hve you tried the Craid Anderton DIY box in "Electronic Projects for Musicains"? Also, "Handmade eHlectronic Music" by Nicholas Collins has a wealth of info on distortion. He demonstrates not only the  straight ahead 4069 distortion, but MANY other ways to obtain distrotion/compression effects from guitars sing older cmos chips. With his guide, you can make pretty much any distortion/compression you like. Basicallyy, it all starts with convering your guitar signal into a digital signal. From there he points out almost limiless ways to alteer your tone. Even a KEPEX. If your not into DIY please forgive me.
Rig


      

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From: "Mark Showalter" <folkstone57@operamail.com>
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Date: Mon, 5 Jul 2010 21:11:26 -0400
Subject: Re: Guitar Compression was :Re: ...reflections...
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This is a multi-part message in MIME format.

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 "You're welcome for the info & I actually never run FX pedals by
batteries. I find that there are all kinds of problems that are avoided
if you give them a nice steady power supply. FX like a COMP will draw a
lot of juice & will not function very well on the low end of the battery
life. Plus there's the whole throwing batteries away/enviromental thing.
In the past I did try rechargeable but then some pedals simply can't be
powered by batteries, like my EHX English Muffin. You'd need something on
the order of a bloody Sherman Tank battery to keep that thing going for
very long......."
=A0Thanks Mark, all of these factors I'm =A0well aware of and for the above
reasons, =A0I =A0rarely ever use batteries ,and =A0run my pedals off of a
voodoo labs pedal power. =A0 Occasionally I like to grab a few effects and
busk with a battery powered amp. =A0Also I think there is a whole new wave
of rechargeable batteries looming on the horizon. I just checked out a
rechargeable acoustic guitar system from Fishman that lasts several hours
and takes between a minute and two minutes to recharge.Bill
Hello Bill,
My guitar pedal guy, Matt at the Mad Ape, has suggested the same thing,
the Voodoo PS. He contacted them to make sure it would accept the various
power hungry pedals I have. I have heard about the new rechargeables that
are coming out but if I go out coming out but if I go out to be a street
musician again it will just be acoustic.=A0Mark wrote:


Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter[IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com


--_----------=_1278378686320330
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<DIV>
<billwalker @baymoon.com=3D"">"You're welcome for the info &amp; I actually=
 never run FX pedals by batteries. I find that there are all kinds of probl=
ems that are avoided if you give them a nice steady power supply. FX like a=
 COMP will draw a lot of juice &amp; will not function very well on the low=
 end of the battery life. Plus there's the whole throwing batteries away/en=
viromental thing. In the past I did try rechargeable but then some pedals s=
imply can't be powered by batteries, like my EHX English Muffin. You'd need=
 something on the order of a bloody Sherman Tank battery to keep that thing=
 going for very long......."<DIV><BR></DIV><DIV>=A0Thanks Mark, all of thes=
e factors I'm =A0well aware of and for the above reasons, =A0I =A0rarely ev=
er use batteries ,and =A0run my pedals off of a voodoo labs pedal power. =
=A0 Occasionally I like to grab a few effects and busk with a battery power=
ed amp. =A0Also I think there is a whole new wave of rechargeable batteries=
 looming on the horizon. I just checked out a rechargeable acoustic guitar =
system from Fishman that lasts several hours and takes between a minute and=
 two minutes to recharge.</DIV><DIV>Bill</DIV><DIV><BR></DIV><DIV>Hello Bil=
l,</DIV><DIV><BR></DIV><DIV>My guitar pedal guy, Matt at the Mad Ape, has s=
uggested the same thing, the Voodoo PS. He contacted them to make sure it w=
ould accept the various power hungry pedals I have. I have heard about the =
new rechargeables that are coming out but if I go out coming out but if I g=
o out to be a street musician again it will just be acoustic.=A0</DIV><bill=
walker @baymoon.com=3D"">
</billwalker><FONT class=3D"Apple-style-span" color=3D"#00007F"><B>Mark wro=
te:</B></FONT>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>

--_----------=_1278378686320330--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 06:03:43 2010
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I've been looking forward to this since you fellas started talking about 
it. Thanks for posting for our (free!) consumption.

And OK, maybe you can't dance, but ya'll sure have some GREAT HAIR!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> My second project with Ted Killian...
>
> http://www.krispenhartung.com/dance/
>
> I love that title, especially given the irony that we both can't or 
> don't like to dance. Thanks Ted!!   :)
>
> I can't believe you let me take the lead in the guitar playing...but 
> your grooves are awesome!
>
> Kris
>
> *Dance Music for Inanimate Objects
> Krispen Hartung & Ted Killian*
>
> Dance Music for Inanimate Objects is a delightful merge of two ideas 
> from Krispen Hartung and Ted Killian. Both envisioned a project where 
> looped and textured beat and groove samples would serve as a 
> substratum for recording guitar tracks. Killian, long before Hartung, 
> originally planned on recording ambient guitar parts, whereas Hartung 
> was interested in a more free and improvisational jazz guitar 
> approach. Both decided to work together and create "Dance Music for 
> Inanimate Objects". Killian created the beats and grooves, and Hartung 
> played freely over them. The result is a collection of songs that are 
> catchy and make you move, but are also somewhat difficult listening 
> because of the dissonance and chaotic character.
>
> Krispen Hartung - Mini jazz archtop guitar, laptop (looping and 
> effects with Max/MSP)
> Ted Killian - Electronic percussion, samples, looping, ambient sounds

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 08:38:45 2010
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Mark Showalter wrote:

>> Don't know if multi-task "polyphonic" guitar playing also makes
>> it easier...I suspect it would.
> HUH? What is multi-task "polyphonic" guitar playing?
> 

For instance, guitarists who can play more than one melody
at a time, giving each a different sound and feel.
( think classical-nylon string )

The point is that there's still a perceptual split between 
2 melodies even though that split isn't done by assigning one
hand to each.



andy

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 09:10:55 2010
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Fear of Palindromes reminds me a bit of Zappa's "G-Spot Tornado".  Listening 
now, great post-coffee music!

>> My second project with Ted Killian...
>>
>> http://www.krispenhartung.com/dance/
>>
>> Dance Music for Inanimate Objects is a delightful merge of two ideas from 
>> Krispen Hartung and Ted Killian. Both envisioned a project where looped 
>> and textured beat and groove samples would serve as a substratum for 
>> recording guitar tracks. Killian, long before Hartung, originally planned 
>> on recording ambient guitar parts, whereas Hartung was interested in a 
>> more free and improvisational jazz guitar approach. Both decided to work 
>> together and create "Dance Music for Inanimate Objects". Killian created 
>> the beats and grooves, and Hartung played freely over them. The result is 
>> a collection of songs that are catchy and make you move, but are also 
>> somewhat difficult listening because of the dissonance and chaotic 
>> character.
>>
>> Krispen Hartung - Mini jazz archtop guitar, laptop (looping and effects 
>> with Max/MSP)
>> Ted Killian - Electronic percussion, samples, looping, ambient sounds 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 10:13:22 2010
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Subject: Re: Dance Music for Inanimate Objects
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Great new music genre term "post-coffee music"

I might steal that one to quote somewhere :-)

2010/7/6 Stephen Goodman <spgoodman@earthlight.net>

> Fear of Palindromes reminds me a bit of Zappa's "G-Spot Tornado".
>  Listening now, great post-coffee music!
>
>  My second project with Ted Killian...
>>>
>>> http://www.krispenhartung.com/dance/
>>>
>>> Dance Music for Inanimate Objects is a delightful merge of two ideas from
>>> Krispen Hartung and Ted Killian. Both envisioned a project where looped and
>>> textured beat and groove samples would serve as a substratum for recording
>>> guitar tracks. Killian, long before Hartung, originally planned on recording
>>> ambient guitar parts, whereas Hartung was interested in a more free and
>>> improvisational jazz guitar approach. Both decided to work together and
>>> create "Dance Music for Inanimate Objects". Killian created the beats and
>>> grooves, and Hartung played freely over them. The result is a collection of
>>> songs that are catchy and make you move, but are also somewhat difficult
>>> listening because of the dissonance and chaotic character.
>>>
>>> Krispen Hartung - Mini jazz archtop guitar, laptop (looping and effects
>>> with Max/MSP)
>>> Ted Killian - Electronic percussion, samples, looping, ambient sounds
>>>
>>
>


-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--000e0cd2a18054cdef048ab54d11
Content-Type: text/html; charset=ISO-8859-1
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Great new music genre term &quot;post-coffee music&quot;<br><br>I might ste=
al that one to quote somewhere :-)<br><br><div class=3D"gmail_quote">2010/7=
/6 Stephen Goodman <span dir=3D"ltr">&lt;<a href=3D"mailto:spgoodman@earthl=
ight.net">spgoodman@earthlight.net</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Fear of Palindrom=
es reminds me a bit of Zappa&#39;s &quot;G-Spot Tornado&quot;. =A0Listening=
 now, great post-coffee music!<br>

<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">

My second project with Ted Killian...<br>
<br>
<a href=3D"http://www.krispenhartung.com/dance/" target=3D"_blank">http://w=
ww.krispenhartung.com/dance/</a><br>
<br>
Dance Music for Inanimate Objects is a delightful merge of two ideas from K=
rispen Hartung and Ted Killian. Both envisioned a project where looped and =
textured beat and groove samples would serve as a substratum for recording =
guitar tracks. Killian, long before Hartung, originally planned on recordin=
g ambient guitar parts, whereas Hartung was interested in a more free and i=
mprovisational jazz guitar approach. Both decided to work together and crea=
te &quot;Dance Music for Inanimate Objects&quot;. Killian created the beats=
 and grooves, and Hartung played freely over them. The result is a collecti=
on of songs that are catchy and make you move, but are also somewhat diffic=
ult listening because of the dissonance and chaotic character.<br>

<br>
Krispen Hartung - Mini jazz archtop guitar, laptop (looping and effects wit=
h Max/MSP)<br>
Ted Killian - Electronic percussion, samples, looping, ambient sounds <br>
</blockquote></blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Petri Lahtinen<br><a hr=
ef=3D"http://www.petrilahtinen.com">http://www.petrilahtinen.com</a><br><a =
href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspot.c=
om/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen">http://www.myspace.com/pet=
rilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen">http://twitt=
er.com/PetriLahtinen</a><br><a href=3D"http://petrilahtinen.bandcamp.com/">=
http://petrilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>&quot;Only become pr=
ofessional musician if there is no choice.&quot; -Robert Fripp-<br>--------=
-------------------------------------------<br>&quot;Some people never go c=
razy. What truly horrible lives they must lead.&quot; -Charles Bukowski-<br=
>
<br>

--000e0cd2a18054cdef048ab54d11--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 12:33:27 2010
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Subject: SUB CITY 2064
Date: Tue, 06 Jul 2010 08:33:07 -0400
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this cd by erdem  helvacioglu and per boyson was picked by "GP EDITOR'S=20
TOP THREE CD'S" in this recent issue of GUITAR PLAYER (steve miller on=20
the cover).....a monster BIG CONGRATS to you gentlemen!!!!!


From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 12:46:51 2010
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Date: Tue, 6 Jul 2010 14:46:50 +0200
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Subject: Re: SUB CITY 2064
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yes.. yes.. yes !!!

2010/7/6 <nemoguitt@aol.com>

> this cd by erdem  helvacioglu and per boyson was picked by "GP EDITOR'S T=
OP
> THREE CD'S" in this recent issue of GUITAR PLAYER (steve miller on the
> cover).....a monster BIG CONGRATS to you gentlemen!!!!!
>
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--000feaee4de671d95c048ab77207
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

yes.. yes.. yes !!!<br><br><div style=3D"visibility: hidden; display: inlin=
e;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_ls_inlin=
e_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;  margin-lef=
t: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word-wrap: bre=
ak-word;  color: black;  font-size: 10px;  text-align: left;  line-height: =
13px;}</style><div class=3D"gmail_quote">
2010/7/6  <span dir=3D"ltr">&lt;<a href=3D"mailto:nemoguitt@aol.com">nemogu=
itt@aol.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"bo=
rder-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding=
-left: 1ex;">
this cd by erdem =A0helvacioglu and per boyson was picked by &quot;GP EDITO=
R&#39;S TOP THREE CD&#39;S&quot; in this recent issue of GUITAR PLAYER (ste=
ve miller on the cover).....a monster BIG CONGRATS to you gentlemen!!!!!<br=
>

<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lum=
inada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina=
 i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podi=
en posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--000feaee4de671d95c048ab77207--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 13:00:07 2010
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Subject: RE: SUB CITY 2064
Date: Tue, 6 Jul 2010 15:00:04 +0200
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> "GP EDITOR'S TOP THREE CD'S" in this recent issue of GUITAR PLAYER 

well deserved!

-m

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 14:30:54 2010
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Subject: Re: Dance Music for Inanimate Objects
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You can't buy that gray in a bottle!  
Kris

----- Original Message ----- 


> I've been looking forward to this since you fellas started talking about 
> it. Thanks for posting for our (free!) consumption.
> 
> And OK, maybe you can't dance, but ya'll sure have some GREAT HAIR!
> 
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
> 
>> My second project with Ted Killian...
>>
>> http://www.krispenhartung.com/dance/
>>
>> I love that title, especially given the irony that we both can't or 
>> don't like to dance. Thanks Ted!!   :)
>>
>> I can't believe you let me take the lead in the guitar playing...but 
>> your grooves are awesome!
>>
>> Kris
>>
>> *Dance Music for Inanimate Objects
>> Krispen Hartung & Ted Killian*
>>
>> Dance Music for Inanimate Objects is a delightful merge of two ideas 
>> from Krispen Hartung and Ted Killian. Both envisioned a project where 
>> looped and textured beat and groove samples would serve as a 
>> substratum for recording guitar tracks. Killian, long before Hartung, 
>> originally planned on recording ambient guitar parts, whereas Hartung 
>> was interested in a more free and improvisational jazz guitar 
>> approach. Both decided to work together and create "Dance Music for 
>> Inanimate Objects". Killian created the beats and grooves, and Hartung 
>> played freely over them. The result is a collection of songs that are 
>> catchy and make you move, but are also somewhat difficult listening 
>> because of the dissonance and chaotic character.
>>
>> Krispen Hartung - Mini jazz archtop guitar, laptop (looping and 
>> effects with Max/MSP)
>> Ted Killian - Electronic percussion, samples, looping, ambient sounds
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 16:09:22 2010
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Subject: Re: Dance Music for Inanimate Objects
Date: Tue, 6 Jul 2010 16:58:42 +0100
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This is really superb. Great playing and sounds, and very nicely recorded. I
will be listening to this a lot (though porbably not dancing)!

Thanks Krispen and Ted.

Steve

----- Original Message ----- 
From: "Daryl Shawn" <darylshawn@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, July 06, 2010 7:03 AM
Subject: Re: Dance Music for Inanimate Objects


> I've been looking forward to this since you fellas started talking about 
> it. Thanks for posting for our (free!) consumption.
>
> And OK, maybe you can't dance, but ya'll sure have some GREAT HAIR!
>
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>
>> My second project with Ted Killian...
>>
>> http://www.krispenhartung.com/dance/
>>
>> I love that title, especially given the irony that we both can't or don't 
>> like to dance. Thanks Ted!!   :)
>>
>> I can't believe you let me take the lead in the guitar playing...but your 
>> grooves are awesome!
>>
>> Kris
>>


From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 16:30:47 2010
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	<374BBF39F4BD413BADA16DB7D0081D42@mpeserver>
Date: Tue, 6 Jul 2010 12:30:45 -0400
Message-ID: <AANLkTinbC7Yf6ckWBLKeKRW0-c7z4kcXGoKZiNqnI_Kp@mail.gmail.com>
Subject: Re: SUB CITY 2064
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--0016e6476496370db1048aba932f
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echoing, really wonderful and congratulations to you guys...

On Tue, Jul 6, 2010 at 9:00 AM, Michael Peters <mp@mpeters.de> wrote:

> > "GP EDITOR'S TOP THREE CD'S" in this recent issue of GUITAR PLAYER
>
> well deserved!
>
> -m
>
>


--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--0016e6476496370db1048aba932f
Content-Type: text/html; charset=ISO-8859-1
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echoing, really wonderful and congratulations to you guys...<br><br><div cl=
ass=3D"gmail_quote">On Tue, Jul 6, 2010 at 9:00 AM, Michael Peters <span di=
r=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span>=
 wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>&gt; &quot;GP EDITOR&#39;S TOP THREE CD&#39;S&quot; in this recent issue o=
f GUITAR PLAYER<br>

<br>
</div>well deserved!<br>
<font color=3D"#888888"><br>
-m<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To=
 Glindran, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6r=
n. =A0Proceeds<br>from the sale of this CD will benefit JDRF International.=
 =A0<a href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn=
.bandcamp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>


--0016e6476496370db1048aba932f--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 16:32:14 2010
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Subject: Re: Dance Music for Inanimate Objects
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Thanks, Steve, and everyone for the comments.  :)

Kris



> This is really superb. Great playing and sounds, and very nicely recorded. 
> I
> will be listening to this a lot (though porbably not dancing)!
>
> Thanks Krispen and Ted.
>
> Steve
>
> ----- Original Message ----- 
>
>
>> I've been looking forward to this since you fellas started talking about 
>> it. Thanks for posting for our (free!) consumption.
>>
>> And OK, maybe you can't dance, but ya'll sure have some GREAT HAIR!
>>
>> Daryl Shawn
>> www.swanwelder.com
>> www.chinapaintingmusic.com
>>
>>> My second project with Ted Killian...
>>>
>>> http://www.krispenhartung.com/dance/
>>>
>>> I love that title, especially given the irony that we both can't or 
>>> don't like to dance. Thanks Ted!!   :)
>>>
>>> I can't believe you let me take the lead in the guitar playing...but 
>>> your grooves are awesome!
>>>
>>> Kris
>>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 16:33:42 2010
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	<AANLkTinbC7Yf6ckWBLKeKRW0-c7z4kcXGoKZiNqnI_Kp@mail.gmail.com>
Date: Tue, 6 Jul 2010 18:33:38 +0200
Message-ID: <AANLkTim-ISxYt_hr4zMgO86KkntMK3pgSHvntQOXkdFT@mail.gmail.com>
Subject: Re: SUB CITY 2064
From: Fabio_A <eterogenus@gmail.com>
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--000325553f068cbeda048aba9d20
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Congratulations !

-fabio

2010/7/6 Jim Goodin <jimgoodinmusic@gmail.com>

> echoing, really wonderful and congratulations to you guys...
>
>
> On Tue, Jul 6, 2010 at 9:00 AM, Michael Peters <mp@mpeters.de> wrote:
>
>> > "GP EDITOR'S TOP THREE CD'S" in this recent issue of GUITAR PLAYER
>>
>> well deserved!
>>
>> -m
>>
>>
>
>
> --
> From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin =
&
> Peter Th=F6rn.  Proceeds
> from the sale of this CD will benefit JDRF International.
> jimgoodinpeterthorn.bandcamp.com.
>
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> woodandwiremusic.wordpress.com
>

--000325553f068cbeda048aba9d20
Content-Type: text/html; charset=ISO-8859-1
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<div>Congratulations !</div>
<div>=A0</div>
<div>-fabio<br><br></div>
<div class=3D"gmail_quote">2010/7/6 Jim Goodin <span dir=3D"ltr">&lt;<a hre=
f=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;</spa=
n><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">echoing, really wonderful and co=
ngratulations to you guys...=20
<div>
<div></div>
<div class=3D"h5"><br><br>
<div class=3D"gmail_quote">On Tue, Jul 6, 2010 at 9:00 AM, Michael Peters <=
span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de" target=3D"_blank">mp@=
mpeters.de</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0=
pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">
<div>&gt; &quot;GP EDITOR&#39;S TOP THREE CD&#39;S&quot; in this recent iss=
ue of GUITAR PLAYER<br><br></div>well deserved!<br><font color=3D"#888888">=
<br>-m<br><br></font></blockquote></div><br><br clear=3D"all"><br></div></d=
iv>
<font color=3D"#888888">-- <br>From Brooklyn To Glindran, a new World/Free =
Jazz recording by Jim Goodin &amp; Peter Th=F6rn. =A0Proceeds<br>from the s=
ale of this CD will benefit JDRF International. =A0<a href=3D"http://jimgoo=
dinpeterthorn.bandcamp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp=
.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com/" target=3D"_blank">www.jimgoo=
dinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com/" target=
=3D"_blank">www.chinapaintingmusic.com</a><br><a href=3D"http://woodandwire=
music.wordpress.com/" target=3D"_blank">woodandwiremusic.wordpress.com</a><=
br>
</font></blockquote></div><br>

--000325553f068cbeda048aba9d20--

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Subject: Re: Bowing Stick - practice session clip shared
From: Fabio_A <eterogenus@gmail.com>
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 Andy wrote:

> For instance, guitarists who can play more than one melody
> at a time, giving each a different sound and feel.
> ( think classical-nylon string )
>
> The point is that there's still a perceptual split between 2 melodies even
> though that split isn't done by assigning one
> hand to each.
>
Here's an example of two melody:
http://www.youtube.com/watch?v=YXsFQeENm-c&feature=related

-fabio

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<div class=3D"gmail_quote">
<div>Andy wrote:</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">For instance, guitarists who can play more than one melod=
y<br>at a time, giving each a different sound and feel.<br>( think classica=
l-nylon string )<br><br>The point is that there&#39;s still a perceptual sp=
lit between 2 melodies even though that split isn&#39;t done by assigning o=
ne<br>
hand to each.<br></div></blockquote>
<div>Here&#39;s an example of two melody: </div>
<div><a href=3D"http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3D=
related">http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3Drelated=
</a></div>
<div>=A0</div>
<div>-fabio</div>
<div>=A0</div></div><br>

--0016e6dd8987956530048abab764--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 16:42:31 2010
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Date: Tue, 6 Jul 2010 12:42:29 -0400
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Subject: Re: Dance Music for Inanimate Objects
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Kris and Ted this is 'killer' guys, really intense stuff.  Really like
Wakeup Call and Fear of Pal... still listening, love the friction and sense
of chaos... and my feet are 'dancin' but I'm kind of weird.

What was your first project?

On Tue, Jul 6, 2010 at 12:32 PM, Kris Hartung <khartung@q.com> wrote:

> Thanks, Steve, and everyone for the comments.  :)
>
> Kris
>
>
>
>  This is really superb. Great playing and sounds, and very nicely recorde=
d.
>> I
>> will be listening to this a lot (though porbably not dancing)!
>>
>> Thanks Krispen and Ted.
>>
>> Steve
>>
>> ----- Original Message -----
>>
>>  I've been looking forward to this since you fellas started talking abou=
t
>>> it. Thanks for posting for our (free!) consumption.
>>>
>>> And OK, maybe you can't dance, but ya'll sure have some GREAT HAIR!
>>>
>>> Daryl Shawn
>>> www.swanwelder.com
>>> www.chinapaintingmusic.com
>>>
>>>  My second project with Ted Killian...
>>>>
>>>> http://www.krispenhartung.com/dance/
>>>>
>>>> I love that title, especially given the irony that we both can't or
>>>> don't like to dance. Thanks Ted!!   :)
>>>>
>>>> I can't believe you let me take the lead in the guitar playing...but
>>>> your grooves are awesome!
>>>>
>>>> Kris
>>>>
>>>>
>>
>>
>


--=20
>From Brooklyn To Glindran, a new World/Free Jazz recording by Jim Goodin &
Peter Th=F6rn.  Proceeds
from the sale of this CD will benefit JDRF International.
jimgoodinpeterthorn.bandcamp.com.

www.jimgoodinmusic.com
www.chinapaintingmusic.com
woodandwiremusic.wordpress.com

--e0cb4e88745337970b048ababd6c
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Kris and Ted this is &#39;killer&#39; guys, really intense stuff.=A0 Really=
 like Wakeup Call and Fear of Pal... still listening, love the friction and=
 sense of chaos... and my feet are &#39;dancin&#39; but I&#39;m kind of wei=
rd.<br>
<br>What was your first project?<br><br><div class=3D"gmail_quote">On Tue, =
Jul 6, 2010 at 12:32 PM, Kris Hartung <span dir=3D"ltr">&lt;<a href=3D"mail=
to:khartung@q.com">khartung@q.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
Thanks, Steve, and everyone for the comments. =A0:)<br><font color=3D"#8888=
88">
<br>
Kris<br>
<br>
<br>
<br>
</font><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex=
; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=
=3D"im">
This is really superb. Great playing and sounds, and very nicely recorded. =
I<br>
will be listening to this a lot (though porbably not dancing)!<br>
<br>
Thanks Krispen and Ted.<br>
<br>
Steve<br>
<br>
----- Original Message ----- <br>
<br>
</div><div class=3D"im"><blockquote class=3D"gmail_quote" style=3D"margin: =
0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left:=
 1ex;">
I&#39;ve been looking forward to this since you fellas started talking abou=
t it. Thanks for posting for our (free!) consumption.<br>
<br>
And OK, maybe you can&#39;t dance, but ya&#39;ll sure have some GREAT HAIR!=
<br>
<br>
Daryl Shawn<br>
<a href=3D"http://www.swanwelder.com" target=3D"_blank">www.swanwelder.com<=
/a><br>
<a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapa=
intingmusic.com</a><br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
My second project with Ted Killian...<br>
<br>
<a href=3D"http://www.krispenhartung.com/dance/" target=3D"_blank">http://w=
ww.krispenhartung.com/dance/</a><br>
<br>
I love that title, especially given the irony that we both can&#39;t or don=
&#39;t like to dance. Thanks Ted!! =A0 :)<br>
<br>
I can&#39;t believe you let me take the lead in the guitar playing...but yo=
ur grooves are awesome!<br>
<br>
Kris<br>
<br>
</blockquote></blockquote>
<br>
<br>
</div></blockquote>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>From Brooklyn To Glindr=
an, a new World/Free Jazz recording by Jim Goodin &amp; Peter Th=F6rn. =A0P=
roceeds<br>from the sale of this CD will benefit JDRF International. =A0<a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandca=
mp.com</a>.<br>
<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br=
><a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</=
a><br><a href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wo=
rdpress.com</a><br>


--e0cb4e88745337970b048ababd6c--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 16:58:57 2010
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: Bowing Stick - practice session clip shared
Date: Tue, 6 Jul 2010 16:58:56 +0000
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And THIS classic not classical:

http://www.youtube.com/watch?v=3DVvmfsivdavQ&feature=3DPlayList&p=3D30B5B46=
ACC674165&playnext_from=3DPL&playnext=3D1&index=3D14

=20

:-)
=20


Date: Tue=2C 6 Jul 2010 18:40:55 +0200
Subject: Re: Bowing Stick - practice session clip shared
From: eterogenus@gmail.com
To: Loopers-Delight@loopers-delight.com



Andy wrote:

For instance=2C guitarists who can play more than one melody
at a time=2C giving each a different sound and feel.
( think classical-nylon string )

The point is that there's still a perceptual split between 2 melodies even =
though that split isn't done by assigning one
hand to each.

Here's an example of two melody:=20
http://www.youtube.com/watch?v=3DYXsFQeENm-c&feature=3Drelated
=20
-fabio
=20
 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
And THIS classic not classical:<BR>
<A href=3D"http://www.youtube.com/watch?v=3DVvmfsivdavQ&amp=3Bfeature=3DPla=
yList&amp=3Bp=3D30B5B46ACC674165&amp=3Bplaynext_from=3DPL&amp=3Bplaynext=3D=
1&amp=3Bindex=3D14">http://www.youtube.com/watch?v=3DVvmfsivdavQ&amp=3Bfeat=
ure=3DPlayList&amp=3Bp=3D30B5B46ACC674165&amp=3Bplaynext_from=3DPL&amp=3Bpl=
aynext=3D1&amp=3Bindex=3D14</A><BR>
&nbsp=3B<BR>
:-)<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Tue=2C 6 Jul 2010 18:40:55 +0200<BR>Subject: Re: Bowing Stick - pract=
ice session clip shared<BR>From: eterogenus@gmail.com<BR>To: Loopers-Deligh=
t@loopers-delight.com<BR><BR>
<DIV class=3Decxgmail_quote>
<DIV>Andy wrote:</DIV>
<BLOCKQUOTE style=3D"BORDER-LEFT: #ccc 1px solid=3B PADDING-LEFT: 1ex" clas=
s=3Decxgmail_quote>
<DIV class=3Decxim>For instance=2C guitarists who can play more than one me=
lody<BR>at a time=2C giving each a different sound and feel.<BR>( think cla=
ssical-nylon string )<BR><BR>The point is that there's still a perceptual s=
plit between 2 melodies even though that split isn't done by assigning one<=
BR>hand to each.<BR></DIV></BLOCKQUOTE>
<DIV>Here's an example of two melody: </DIV>
<DIV><A href=3D"http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp=3Bfeature=
=3Drelated">http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp=3Bfeature=3Dre=
lated</A></DIV>
<DIV>&nbsp=3B</DIV>
<DIV>-fabio</DIV>
<DIV>&nbsp=3B</DIV></DIV><BR> 		 	   		  </body>
</html>=

--_936c254b-94cd-4de2-96ee-45f934e8467c_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 17:20:27 2010
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Subject: Re: SUB CITY 2064
Date: Tue, 6 Jul 2010 18:20:43 +0100
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Most excellent!  Congratulations!


From: Raul Bonell=20
Sent: Tuesday, July 06, 2010 1:46 PM
To: Loopers-Delight@loopers-delight.com=20
Subject: Re: SUB CITY 2064


yes.. yes.. yes !!!

2010/7/6 <nemoguitt@aol.com>

  this cd by erdem  helvacioglu and per boyson was picked by "GP =
EDITOR'S TOP THREE CD'S" in this recent issue of GUITAR PLAYER (steve =
miller on the cover).....a monster BIG CONGRATS to you gentlemen!!!!!






--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: "O siga, que he pagat per aquesta merda de =
m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =
=F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa =
aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com


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id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
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name=3D"Compose message area">
<DIV><FONT face=3DCalibri>Most excellent!&nbsp; =
Congratulations!</FONT></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Draul.bonell@gmail.com=20
href=3D"mailto:raul.bonell@gmail.com">Raul Bonell</A> </DIV>
<DIV><B>Sent:</B> Tuesday, July 06, 2010 1:46 PM</DIV>
<DIV><B>To:</B> <A title=3DLoopers-Delight@loopers-delight.com=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> Re: SUB CITY 2064</DIV></DIV></DIV>
<DIV><BR></DIV>yes.. yes.. yes !!!<BR><BR>
<DIV style=3D"DISPLAY: inline; VISIBILITY: hidden" =
id=3Davg_ls_inline_popup></DIV>
<STYLE type=3Dtext/css>#avg_ls_inline_popup {  position:absolute;  =
z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  =
font-size: 10px;  text-align: left;  line-height: 13px;}</STYLE>

<DIV class=3Dgmail_quote>2010/7/6 <SPAN dir=3Dltr>&lt;<A=20
href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.com</A>&gt;</SPAN><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
class=3Dgmail_quote>this cd by erdem &nbsp;helvacioglu and per boyson =
was picked=20
  by "GP EDITOR'S TOP THREE CD'S" in this recent issue of GUITAR PLAYER =
(steve=20
  miller on the cover).....a monster BIG CONGRATS to you=20
  gentlemen!!!!!<BR><BR><BR></BLOCKQUOTE></DIV><BR><BR =
clear=3Dall><BR>--=20
<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>I b=E9, despr=E9s estava aquella dona que =

sense saber que estava il.luminada, exclamava: "O siga, que he pagat per =
aquesta=20
merda de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o =
no, =F2sties!,=20
no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED?=20
"<BR><BR><BR>Raul Bonell at Blogger: <A=20
href=3D"http://raulbonell.blogspot.com">http://raulbonell.blogspot.com</A=
><BR>Chain=20
Tape Collective: <A=20
href=3D"http://www.ct-collective.com">http://www.ct-collective.com</A><BR=
><BR></BODY></HTML>

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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: SUB CITY 2064
Date: Tue, 6 Jul 2010 18:32:22 +0000
Importance: Normal
In-Reply-To: <8CCEB1E850EFED9-2328-2C26C@webmail-m071.sysops.aol.com>
References:
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Way to go guys!!! Geat news... (need to get the CD)
=20
> To: Loopers-Delight@loopers-delight.com
> Subject: SUB CITY 2064
> Date: Tue=2C 6 Jul 2010 08:33:07 -0400
> From: nemoguitt@aol.com
>=20
> this cd by erdem helvacioglu and per boyson was picked by "GP EDITOR'S=20
> TOP THREE CD'S" in this recent issue of GUITAR PLAYER (steve miller on=20
> the cover).....a monster BIG CONGRATS to you gentlemen!!!!!
>=20
>=20
 		 	   		  =

--_de0c286b-fbe3-436e-a429-5a7644a18d21_
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<html>
<head>
<style><!--
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margin:0px=3B
padding:0px
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{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Way to go guys!!! Geat news... (need to get the CD)<BR>&nbsp=3B<BR>&gt=3B T=
o: Loopers-Delight@loopers-delight.com<BR>&gt=3B Subject: SUB CITY 2064<BR>=
&gt=3B Date: Tue=2C 6 Jul 2010 08:33:07 -0400<BR>&gt=3B From: nemoguitt@aol=
.com<BR>&gt=3B <BR>&gt=3B this cd by erdem helvacioglu and per boyson was p=
icked by "GP EDITOR'S <BR>&gt=3B TOP THREE CD'S" in this recent issue of GU=
ITAR PLAYER (steve miller on <BR>&gt=3B the cover).....a monster BIG CONGRA=
TS to you gentlemen!!!!!<BR>&gt=3B <BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_de0c286b-fbe3-436e-a429-5a7644a18d21_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul  6 19:45:47 2010
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Reply-To: "Kris Hartung" <info@krispenhartung.com>
From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
References: <E9F5FF96D47F4BBC8F58D3ADB53E0553@americas.hpqcorp.net><4C32C736.8030801@gmail.com><1152907.281.1278432563377.JavaMail.root@n34><47CE3474DE964C2AA8F431CD33E2F4BD@americas.hpqcorp.net> <6504030.327.1278434551668.JavaMail.root@n34>
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Subject: Re: Dance Music for Inanimate Objects
Date: Tue, 6 Jul 2010 13:45:35 -0600
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I can't recall what we started with. Ted just sent me a batch of groove =
tracks and I started recording.  Any new stuff will be on my standard =
sized archtop guitar, rather than the hand made mini archop, which I =
don't play anymore.  I may sell it, not sure. It is a superior sounding =
travel guitar!

Kris

  ----- Original Message -----=20



  Kris and Ted this is 'killer' guys, really intense stuff.  Really like =
Wakeup Call and Fear of Pal... still listening, love the friction and =
sense of chaos... and my feet are 'dancin' but I'm kind of weird.

  What was your first project?


  On Tue, Jul 6, 2010 at 12:32 PM, Kris Hartung <khartung@q.com> wrote:

    Thanks, Steve, and everyone for the comments.  :)

    Kris




      This is really superb. Great playing and sounds, and very nicely =
recorded. I
      will be listening to this a lot (though porbably not dancing)!

      Thanks Krispen and Ted.

      Steve

      ----- Original Message -----=20


        I've been looking forward to this since you fellas started =
talking about it. Thanks for posting for our (free!) consumption.

        And OK, maybe you can't dance, but ya'll sure have some GREAT =
HAIR!

        Daryl Shawn
        www.swanwelder.com
        www.chinapaintingmusic.com


          My second project with Ted Killian...

          http://www.krispenhartung.com/dance/

          I love that title, especially given the irony that we both =
can't or don't like to dance. Thanks Ted!!   :)

          I can't believe you let me take the lead in the guitar =
playing...but your grooves are awesome!

          Kris










  --=20
  From Brooklyn To Glindran, a new World/Free Jazz recording by Jim =
Goodin & Peter Th=F6rn.  Proceeds
  from the sale of this CD will benefit JDRF International.  =
jimgoodinpeterthorn.bandcamp.com.

  www.jimgoodinmusic.com
  www.chinapaintingmusic.com
  woodandwiremusic.wordpress.com

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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18255" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I can't recall what we started with. =
Ted just sent=20
me a batch of groove tracks and I started recording.&nbsp; Any new stuff =
will be=20
on my standard sized archtop guitar, rather than the hand made mini =
archop,=20
which I don't play anymore.&nbsp; I may sell it, not sure. It is a =
superior=20
sounding travel guitar!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black">&nbsp;</DIV>
  <DIV><BR></DIV>Kris and Ted this is 'killer' guys, really intense =
stuff.&nbsp;=20
  Really like Wakeup Call and Fear of Pal... still listening, love the =
friction=20
  and sense of chaos... and my feet are 'dancin' but I'm kind of=20
  weird.<BR><BR>What was your first project?<BR><BR>
  <DIV class=3Dgmail_quote>On Tue, Jul 6, 2010 at 12:32 PM, Kris Hartung =
<SPAN=20
  dir=3Dltr>&lt;<A =
href=3D"mailto:khartung@q.com">khartung@q.com</A>&gt;</SPAN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">Thanks,=20
    Steve, and everyone for the comments. &nbsp;:)<BR><FONT=20
    color=3D#888888><BR>Kris<BR><BR><BR><BR></FONT>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
      <DIV class=3Dim>This is really superb. Great playing and sounds, =
and very=20
      nicely recorded. I<BR>will be listening to this a lot (though =
porbably not=20
      dancing)!<BR><BR>Thanks Krispen and Ted.<BR><BR>Steve<BR><BR>----- =

      Original Message ----- <BR><BR></DIV>
      <DIV class=3Dim>
      <BLOCKQUOTE class=3Dgmail_quote=20
      style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; =
BORDER-LEFT: rgb(204,204,204) 1px solid">I've=20
        been looking forward to this since you fellas started talking =
about it.=20
        Thanks for posting for our (free!) consumption.<BR><BR>And OK, =
maybe you=20
        can't dance, but ya'll sure have some GREAT HAIR!<BR><BR>Daryl=20
        Shawn<BR><A href=3D"http://www.swanwelder.com"=20
        target=3D_blank>www.swanwelder.com</A><BR><A=20
        href=3D"http://www.chinapaintingmusic.com"=20
        target=3D_blank>www.chinapaintingmusic.com</A><BR><BR>
        <BLOCKQUOTE class=3Dgmail_quote=20
        style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; =
BORDER-LEFT: rgb(204,204,204) 1px solid">My=20
          second project with Ted Killian...<BR><BR><A=20
          href=3D"http://www.krispenhartung.com/dance/"=20
          =
target=3D_blank>http://www.krispenhartung.com/dance/</A><BR><BR>I love=20
          that title, especially given the irony that we both can't or =
don't=20
          like to dance. Thanks Ted!! &nbsp; :)<BR><BR>I can't believe =
you let=20
          me take the lead in the guitar playing...but your grooves are=20
          =
awesome!<BR><BR>Kris<BR><BR></BLOCKQUOTE></BLOCKQUOTE><BR><BR></DIV></BLO=
CKQUOTE><BR></BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>From Brooklyn To Glindran, a new World/Free =
Jazz=20
  recording by Jim Goodin &amp; Peter Th=F6rn. &nbsp;Proceeds<BR>from =
the sale of=20
  this CD will benefit JDRF International. &nbsp;<A=20
  =
href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.band=
camp.com</A>.<BR><BR><A=20
  =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</A><BR><A=20
  =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</A>=
<BR><A=20
  =
href=3D"http://woodandwiremusic.wordpress.com">woodandwiremusic.wordpress=
.com</A><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_06E7_01CB1D11.82B460E0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 00:32:25 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Tue, 6 Jul 2010 20:32:23 -0400
Subject: RE: Bowing Stick - practice session clip shared
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Hello,
I'm completely lost as to what the point is here. The piece you have a
link for below does not have two melodies going at one time. The melody
is predominantly in the lower voice with the upper part simply a tremolo
as an secondary voice, not melody.=A0
The point is that there's still a perceptual split between 2 melodies
even though that split isn't done by assigning one
hand to each.

  Here's an example of two melody:
  http://www.youtube.com/watch?v=3DYXsFQeENm-c&feature=3Drelated=A0-fabio=
=A0




Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter[IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com


--_----------=_127846274374820
Content-Disposition: inline
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="iso-8859-1"


<DIV>
<BR>
Hello,</DIV><DIV><BR></DIV><DIV>I'm completely lost as to what the point is=
 here. The piece you have a link for below does not have two melodies going=
 at one time. The melody is predominantly in the lower voice with the upper=
 part simply a tremolo as an secondary voice, not melody.</DIV><DIV>=A0<BR>=
The point is that there's still a perceptual split between 2 melodies even =
though that split isn't done by assigning one<BR>hand to each.<BR><BLOCKQUO=
TE style=3D"border-left:solid #1010ff 2px; margin-left:5px; padding-left:5p=
x;"><anders_e_bergdahl @hotmail.com=3D""><loopers-delight @loopers-delight.=
com=3D""><DIV class=3D"ecxgmail_quote">
<DIV>Here's an example of two melody: </DIV>
<DIV><A href=3D"http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3D=
related">http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3Drelated=
</A></DIV>
<DIV>=A0</DIV>
<DIV>-fabio</DIV>
<DIV>=A0</DIV></DIV><BR>=20=09=09=20=09=20=20=20=09=09=20=20

</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>

--_----------=_127846274374820--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Re-introdunctions
Date: Tue, 6 Jul 2010 21:49:33 -0400
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I have really been enjoying this, thanks for the experience! Was listening 
while driving in the rain today, surreal!

all the best,

Jeff


----- Original Message ----- 
From: "Risto Paalanen" <risto.paalanen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, July 05, 2010 6:39 PM
Subject: Re-introdunctions


Hey gang,

I've been off the list for a few years now, but figured I'd venture back 
into the fold now that I finally took the plunge and released something on 
my own. It's called "800 Memories Per Second" and it's available on a 
name-your-price (0 monies is cool, too) over here: 
http://taphead.bandcamp.com

Mostly (prepared and un-) guitar, but some grill lid bells, flute and 
dictaphone madness there as well. Apart from "Bells of the Chapel" it's all 
live. Oh, if there are any Erik Satie admirers aboard, the last piece is my 
take on Gnossienne #1. It turned out a bit bleak, maybe?

Tools of the trade: Frankensteinberger -> various pedals -> DL4 -> ART Tube 
MP -> Ableton, wherein Guitar Rig, SooperLooper, Augustus Loop, & others.


Next on the agenda would be a low-budget tour in the autumn. I'm interested 
in seeing how far I can get with three bags and the kindness of strangers...


Good to be back. <3

Regards,
R. / Taphead

http://twitter.com/taphead
http://www.facebook.com/pages/taphead/201044906839?ref=ts

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 05:23:28 2010
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To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: "Further" Photo Essay on flickr
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I have a new photo essay called "Further", which is described below 
and can be viewed on Flickr at 
http://www.flickr.com/photos/22231918@N06/sets/72157624421723432/

I've been a fan of the Grateful Dead's music since 1969, and recently 
attended a concert by Further (Phil Lesh and Bob Weir's latest 
project) at LeLacheur Park, a minor league baseball park in Lowell, 
MA. The show was outdoors, and started at 6:15 PM, on a perfect 
bright sunny day. There was a good sized dance and listening area in 
front of the stage, and it was not too crowded (or too loud)  if I 
stayed on the periphery and did not try to get close to the stage.

I mainly took pictures of the crowd and the environs --  only as few 
of  the shots here show the band itself. The crowd was more 
interesting to me photographically -- the variety of faces, 
expressions, and outfits was inspiring.

It got dark during the  second set, and I took a lot of abstract time 
exposures, waving my camera around and varying zoom and focus as I 
did so.


A selection of my videos can be viewed at http://www.youtube.com/Tobenfeld

Thanks for looking.
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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Subject: Re: Bowing Stick - practice session clip shared
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Melodies or voices..., that was just an example of two different  
musical parts played without splitting them by assigning one hand to  
each.

-Fabio
www.eterogeneo.com




Il giorno 07/lug/2010, alle ore 02.32, "Mark Showalter" <folkstone57@operamail.com 
 > ha scritto:

>
> Hello,
>
> I'm completely lost as to what the point is here. The piece you have  
> a link for below does not have two melodies going at one time. The  
> melody is predominantly in the lower voice with the upper part  
> simply a tremolo as an secondary voice, not melody.
>
> The point is that there's still a perceptual split between 2  
> melodies even though that split isn't done by assigning one
> hand to each.
> Here's an example of two melody:
> http://www.youtube.com/watch?v=YXsFQeENm-c&feature=related
>
> -fabio
>
>
>
>
>
> Mark Showalter
> Minden Jot!
>
> myspace.com/folkstone57
> http://www.last.fm/music/Mark+Showalter
>
>
> --
> _______________________________________________
> Surf the Web in a faster, safer and easier way:
> Download Opera 9 at http://www.opera.com
>
>

--Apple-Mail-1--466535254
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<html><body bgcolor=3D"#FFFFFF"><div>Melodies or voices..., that was =
just an example of two different musical parts&nbsp;<span =
class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: =
rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(175, =
192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, =
0.230469); ">played without splitting them by&nbsp;<span =
class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: =
rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(175, =
192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, =
0.230469); "><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.289062); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.222656); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.222656); =
">assigning&nbsp;<span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.28125); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.214844); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.214844); ">one =
hand to each.</span></span></span></span></div><div><span =
class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: =
rgba(26, 26, 26, 0.277344); -webkit-composition-fill-color: rgba(175, =
192, 227, 0.210938); -webkit-composition-frame-color: rgba(77, 128, 180, =
0.210938);"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.273438); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.207031); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.207031);">-Fabio</span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.269531); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.203125); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.203125);"><a =
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</a></span></div><div=
><span class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: =
rgba(26, 26, 26, 0.265625); -webkit-composition-fill-color: rgba(175, =
192, 227, 0.199219); -webkit-composition-frame-color: rgba(77, 128, 180, =
0.199219);"><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.285156); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.21875); =
-webkit-composition-frame-color: rgba(77, 128, 180, =
0.21875);"><br></span></div><div><br><br>Il giorno 07/lug/2010, alle ore =
02.32, "Mark Showalter" &lt;<a =
href=3D"mailto:folkstone57@operamail.com">folkstone57@operamail.com</a>&gt=
; ha scritto:<br><br></div><div></div><blockquote type=3D"cite"><div>
<div>
<br>
Hello,</div><div><br></div><div>I'm completely lost as to what the point =
is here. The piece you have a link for below does not have two melodies =
going at one time. The melody is predominantly in the lower voice with =
the upper part simply a tremolo as an secondary voice, not =
melody.</div><div>&nbsp;<br>The point is that there's still a perceptual =
split between 2 melodies even though that split isn't done by assigning =
one<br>hand to each.<br><blockquote style=3D"border-left:solid #1010ff =
2px; margin-left:5px; padding-left:5px;"><anders_e_bergdahl =
@hotmail.com=3D""><loopers-delight @loopers-delight.com=3D""><div =
class=3D"ecxgmail_quote">
<div>Here's an example of two melody: </div>
<div><a =
href=3D"http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3Drelated=
"><a =
href=3D"http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3Drelated=
">http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3Drelated</a></=
a></div>
<div>&nbsp;</div>
<div>-fabio</div>
<div>&nbsp;</div></div><br> 		 	   		 =20

</loopers-delight></anders_e_bergdahl></blockquote>
<br>
<br>
<br>

<pre>Mark Showalter
Minden Jot!

<a href=3D"http://myspace.com/folkstone57">myspace.com/folkstone57</a>
<a =
href=3D"http://www.last.fm/music/Mark+Showalter">http://www.last.fm/music/=
Mark+Showalter</a>
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img =
src=3D"http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E1=
0C1043965108.png" style=3D"border: 0 !important; background: =
transparent;"></a>
</pre>

</div>

<br>

--=20
<p>_______________________________________________<br>Surf the Web in a =
faster, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank"><a =
href=3D"http://www.opera.com">http://www.opera.com</a></a></p>
<br>
</div></blockquote></body></html>=

--Apple-Mail-1--466535254--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 08:33:23 2010
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Subject: Re: Bowing Stick - practice session clip shared
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Mark Showalter wrote:
> 
> Hello,
> 
> I'm completely lost as to what the point is here.

The piece Fabio posted would sound more obviously like two melodies if played faster
and smoother,
;-) ....or if you made the perceptual shift to hear it that way.


It's more obvious here:-

http://www.youtube.com/watch?v=jKSg8t4zyLg

.. try just listening to the bass line.

andy


>     Here's an example of two melody:
>     http://www.youtube.com/watch?v=YXsFQeENm-c&feature=related
>     <http://www.youtube.com/watch?v=YXsFQeENm-c&feature=related>
>      
>     -fabio
>      
> 
> 
> 
> 
> Mark Showalter
> Minden Jot!
> 
> myspace.com/folkstone57
> http://www.last.fm/music/Mark+Showalter
>  <http://www.mylivesignature.com>
> 
> 
> -- 
> 
> _______________________________________________
> Surf the Web in a faster, safer and easier way:
> Download Opera 9 at http://www.opera.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 11:14:31 2010
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Date: Wed, 7 Jul 2010 13:14:30 +0200
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Subject: Re: SUB CITY 2064
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>:
> a monster BIG CONGRATS


Ah, monster thanks to all you LD guys! I just came back from The Black
Hole of Anesthesia to read these lovely news on my favorite mailing
list! :-))  And guess what - I now have a LOOP ;-) on my belly
(temporary stoma). Yesterday a surgeon removed a cancer tumor and set
up the loop to easy pressure on the repaired intestinal part until
mended. By a lucky coincidence eleven weeks ago I just happened to
notice the lurking intruder. Boy what scary luck...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 11:41:18 2010
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Date: Wed, 7 Jul 2010 13:41:16 +0200
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Subject: Re: SUB CITY 2064
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Wed, Jul 7, 2010 at 1:14 PM, Per Boysen <perboysen@gmail.com> wrote:

> SUB CITY 2064

This is great news guys, congrats :)

> By a lucky coincidence eleven weeks ago I just happened to
> notice the lurking intruder. Boy what scary luck...

Wow....not the news you want to hear. All the best with your health
Per, I hope everything will be fine soon again!

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 11:54:33 2010
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Date: Wed, 7 Jul 2010 11:54:31 +0000
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OUCH=2C that's really scary.. recover quickly!!! Thank goodness for the adv=
ance of medicine!!
=20
> Date: Wed=2C 7 Jul 2010 13:14:30 +0200
> Subject: Re: SUB CITY 2064
> From: perboysen@gmail.com
> To: Loopers-Delight@loopers-delight.com
>=20
> >:
> > a monster BIG CONGRATS
>=20
>=20
> Ah=2C monster thanks to all you LD guys! I just came back from The Black
> Hole of Anesthesia to read these lovely news on my favorite mailing
> list! :-)) And guess what - I now have a LOOP =3B-) on my belly
> (temporary stoma). Yesterday a surgeon removed a cancer tumor and set
> up the loop to easy pressure on the repaired intestinal part until
> mended. By a lucky coincidence eleven weeks ago I just happened to
> notice the lurking intruder. Boy what scary luck...
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		  =

--_a4f8421d-187d-4f2e-889d-3fea480df1e8_
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<body class=3D'hmmessage'>
OUCH=2C that's really scary.. recover quickly!!! Thank goodness for the adv=
ance of medicine!!<BR>&nbsp=3B<BR>&gt=3B Date: Wed=2C 7 Jul 2010 13:14:30 +=
0200<BR>&gt=3B Subject: Re: SUB CITY 2064<BR>&gt=3B From: perboysen@gmail.c=
om<BR>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B &=
gt=3B:<BR>&gt=3B &gt=3B a monster BIG CONGRATS<BR>&gt=3B <BR>&gt=3B <BR>&gt=
=3B Ah=2C monster thanks to all you LD guys! I just came back from The Blac=
k<BR>&gt=3B Hole of Anesthesia to read these lovely news on my favorite mai=
ling<BR>&gt=3B list! :-)) And guess what - I now have a LOOP =3B-) on my be=
lly<BR>&gt=3B (temporary stoma). Yesterday a surgeon removed a cancer tumor=
 and set<BR>&gt=3B up the loop to easy pressure on the repaired intestinal =
part until<BR>&gt=3B mended. By a lucky coincidence eleven weeks ago I just=
 happened to<BR>&gt=3B notice the lurking intruder. Boy what scary luck...<=
BR>&gt=3B <BR>&gt=3B Greetings from Sweden<BR>&gt=3B <BR>&gt=3B Per Boysen<=
BR>&gt=3B www.boysen.se<BR>&gt=3B www.perboysen.com<BR>&gt=3B www.looproom.=
com internet music hub<BR>&gt=3B <BR> 		 	   		  </body>
</html>=

--_a4f8421d-187d-4f2e-889d-3fea480df1e8_--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 12:26:49 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: SUB CITY 2064
Date: Wed, 7 Jul 2010 12:26:48 +0000
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Speedy recovery Per.





Gareth



  		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

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<body class=3D'hmmessage'>
Speedy recovery Per.<br>
<br>
<br>
Gareth<br>
<br>
  		 	   		  <br /><hr />Get a new e-mail account with Hotmail - Free. <a h=
ref=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_new'>Si=
gn-up now.</a></body>
</html>=

--_e43d1db8-fff8-49a2-a799-9ea1862fa612_--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 13:29:41 2010
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Date: Wed, 7 Jul 2010 15:29:38 +0200
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Subject: Re: SUB CITY 2064
From: Per Boysen <perboysen@gmail.com>
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> wrote:
> recovery

Thanks! It just entered my mind that I forgot to type that I got word
from the surgeon that removed neighboring  lymph glands show no traces
of the tumor having spread out. Bottom line is all good news. I'm
already walking around here as "Post Op" ("operate" in Swedish means
"to perform surgery")

per

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Subject: Re: SUB CITY 2064
Date: Wed, 7 Jul 2010 15:11:43 +0200
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Oh...bad news, but I'm pleased that you are ok, thanks God...
Best wishes from the top of my heart, Per !!!

Fabio

Il giorno 07/lug/2010, alle ore 13.14, Per Boysen  
<perboysen@gmail.com> ha scritto:

>> :
>> a monster BIG CONGRATS
>
>
> Ah, monster thanks to all you LD guys! I just came back from The Black
> Hole of Anesthesia to read these lovely news on my favorite mailing
> list! :-))  And guess what - I now have a LOOP ;-) on my belly
> (temporary stoma). Yesterday a surgeon removed a cancer tumor and set
> up the loop to easy pressure on the repaired intestinal part until
> mended. By a lucky coincidence eleven weeks ago I just happened to
> notice the lurking intruder. Boy what scary luck...
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 13:41:44 2010
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> Yesterday a surgeon removed a cancer tumor and set up the loop

oh my. Best wishes Per, get well quickly!  

-Michael

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 14:03:16 2010
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Subject: Re: SUB CITY 2064
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Excellent news!

>> wrote:
>> recovery
> 
> Thanks! It just entered my mind that I forgot to type that I got word
> from the surgeon that removed neighboring  lymph glands show no traces
> of the tumor having spread out. Bottom line is all good news. I'm
> already walking around here as "Post Op" ("operate" in Swedish means
> "to perform surgery")
> 
> per 

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Date: Wed, 7 Jul 2010 10:37:43 -0400
Subject: Re: SUB CITY 2064
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Hey Per,

Sorry to hear about your operation.
Hope you stay in good health.

Andre

On Wed, July 7, 2010 9:29 am, Per Boysen wrote:
>> wrote:
>> recovery
>
> Thanks! It just entered my mind that I forgot to type that I got word
> from the surgeon that removed neighboring  lymph glands show no traces
> of the tumor having spread out. Bottom line is all good news. I'm
> already walking around here as "Post Op" ("operate" in Swedish means
> "to perform surgery")
>
> per
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Subject: Re: SUB CITY 2064
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> Sorry

Please don't say "sorry". I'm goddamn happy to be alive with and
rather want to celebrate. Everything I will do after this will be more
sincere; at least from my own view ;-)  There's no "sorry" in that.

Per

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 15:09:14 2010
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Nice work dudes!!!  its a really good record and deserves the praise.  
Hope you are recovering nicely Per, man what a scary thing to  
discover, Hope you have a speedy recovery.
Bill

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 15:17:59 2010
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Per wrote:
>
> Yesterday a surgeon removed a cancer tumor and set up the loop
>
Per,

Best wishes for a speedy and complete recovery.

-- Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 16:42:26 2010
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--0-245871395-1278520944=:66247
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Per,

I hope you have a speedy recovery.

Even though we have never met, you have been a big influence on me for looping 
and music. Many thanks for being so gracious to share your experience and wisdom 
with us newbies, you are my 'favorite professor'.

Best Regards,
Eric





________________________________
From: Per Boysen <perboysen@gmail.com>

Ah, monster thanks to all you LD guys! I just came back from The Black
Hole of Anesthesia to read these lovely news on my favorite mailing
list! :-))  And guess what - I now have a LOOP ;-) on my belly
(temporary stoma). Yesterday a surgeon removed a cancer tumor and set
up the loop to easy pressure on the repaired intestinal part until
mended. By a lucky coincidence eleven weeks ago I just happened to
notice the lurking intruder. Boy what scary luck...

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


      
--0-245871395-1278520944=:66247
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt">Per,<br><br>I hope you have a speedy recovery.<br><br>Even though we have never met, you have been a big influence on me for looping and music. Many thanks for being so gracious to share your experience and wisdom with us newbies, you are my 'favorite professor'.<br><br>Best Regards,<br>Eric<br><div><br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Per Boysen &lt;perboysen@gmail.com&gt;<br><b><span style="font-weight: bold;"></span></b></font><br>Ah, monster thanks to all you LD guys! I just came back from The Black<br>Hole of Anesthesia to read these lovely news on my favorite
 mailing<br>list! :-))&nbsp; And guess what - I now have a LOOP ;-) on my belly<br>(temporary stoma). Yesterday a surgeon removed a cancer tumor and set<br>up the loop to easy pressure on the repaired intestinal part until<br>mended. By a lucky coincidence eleven weeks ago I just happened to<br>notice the lurking intruder. Boy what scary luck...<br><br>Greetings from Sweden<br><br>Per Boysen<br><a target="_blank" href="http://www.boysen.se">www.boysen.se</a><br><a target="_blank" href="http://www.perboysen.com">www.perboysen.com</a><br><a target="_blank" href="http://www.looproom.com">www.looproom.com</a> internet music hub<br><br></div></div>
</div><br>







      </body></html>
--0-245871395-1278520944=:66247--

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Date: Wed, 7 Jul 2010 10:07:06 -0700
Message-ID: <AANLkTimRATRMnXlwiMwlck_oHXgJbGi1xeUjUp0n3fsd@mail.gmail.com>
Subject: Re: SUB CITY 2064
From: Charles Crosman <dulanith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hejsan Per:
     H=E5ppas allt g=E5r bra for dig nu p=E5 senaste tiden. Det verker som =
du har
en j=E4ttebra perspecktiv p=E5 allting med det. Ja, skit h=E4nder... men ib=
land
m=E5ste vi ha erfarenheter som best=E4mma att vi 'resa djupare.' Nu f=E5r d=
u att
anv=E4nda musik att stanna frisk. Sk=E5l mate. Charles


On Wed, Jul 7, 2010 at 4:14 AM, Per Boysen <perboysen@gmail.com> wrote:

> >:
> > a monster BIG CONGRATS
>
>
> Ah, monster thanks to all you LD guys! I just came back from The Black
> Hole of Anesthesia to read these lovely news on my favorite mailing
> list! :-))  And guess what - I now have a LOOP ;-) on my belly
> (temporary stoma). Yesterday a surgeon removed a cancer tumor and set
> up the loop to easy pressure on the repaired intestinal part until
> mended. By a lucky coincidence eleven weeks ago I just happened to
> notice the lurking intruder. Boy what scary luck...
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--0016e64f91560fc865048acf3309
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<span class=3D"Apple-style-span" style=3D"font-family: Helvetica; font-size=
: medium; ">Hejsan Per:</span><div style=3D"font-family: Helvetica; font-si=
ze: medium; ">=A0=A0 =A0 H=E5ppas allt g=E5r bra for dig nu p=E5 senaste ti=
den. Det verker som du har en j=E4ttebra perspecktiv p=E5 allting med det. =
Ja, skit h=E4nder... men ibland m=E5ste vi ha erfarenheter som best=E4mma a=
tt vi &#39;resa djupare.&#39; Nu f=E5r du att anv=E4nda musik att stanna fr=
isk. Sk=E5l mate. Charles</div>
<div>=A0=A0=A0<br><br><div class=3D"gmail_quote">On Wed, Jul 7, 2010 at 4:1=
4 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.co=
m">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1=
ex;">
&gt;:<br>
&gt; a monster BIG CONGRATS<br>
<br>
<br>
Ah, monster thanks to all you LD guys! I just came back from The Black<br>
Hole of Anesthesia to read these lovely news on my favorite mailing<br>
list! :-)) =A0And guess what - I now have a LOOP ;-) on my belly<br>
(temporary stoma). Yesterday a surgeon removed a cancer tumor and set<br>
up the loop to easy pressure on the repaired intestinal part until<br>
mended. By a lucky coincidence eleven weeks ago I just happened to<br>
notice the lurking intruder. Boy what scary luck...<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br></div>

--0016e64f91560fc865048acf3309--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 17:17:53 2010
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Subject: get well per!
Date: Wed, 07 Jul 2010 13:17:35 -0400
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boy, see what happens when the average age of folk on this list is 73.4=20
years.....:).....LOOPER ISLAND will surely have an on call doctor!
these episodes with the "FINITE" tend to make us a bit more=20
focused......i am still not at 100% with my experiments in BIONIK=20
living, but i do feel driven to
get beyond healthy, attempt to be more "creative" and all that GOOD=20
STUFF!.....i agree with you, per, it's all positive!.....and we all=20
know, scars are
very kool!.....now when you're blowing that sax and not wearing a shirt=20
you will indeed look like a VIKING!.....continue to get BETTER!.....xoxo


From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 18:01:57 2010
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Date: Wed, 7 Jul 2010 20:01:55 +0200
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Subject: Re: SUB CITY 2064
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that's attitude! i'm with e. gross. this list is per's land. get well,
friend.

2010/7/7 Per Boysen <perboysen@gmail.com>

> > Sorry
>
> Please don't say "sorry". I'm goddamn happy to be alive with and
> rather want to celebrate. Everything I will do after this will be more
> sincere; at least from my own view ;-)  There's no "sorry" in that.
>
> Per
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0015175cf7b6305996048acff75a
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that&#39;s attitude! i&#39;m with e. gross. this list is per&#39;s land. ge=
t well, friend.<br><br><div style=3D"visibility: hidden; display: inline;" =
id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_ls_inline_po=
pup {  position:absolute;  z-index:9999;  padding: 0px 0px;  margin-left: 0=
px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word-wrap: break-w=
ord;  color: black;  font-size: 10px;  text-align: left;  line-height: 13px=
;}</style><div class=3D"gmail_quote">
2010/7/7 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail=
.com">perboysen@gmail.com</a>&gt;</span><br><blockquote class=3D"gmail_quot=
e" style=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt =
0.8ex; padding-left: 1ex;">
&gt; Sorry<br>
<br>
Please don&#39;t say &quot;sorry&quot;. I&#39;m goddamn happy to be alive w=
ith and<br>
rather want to celebrate. Everything I will do after this will be more<br>
sincere; at least from my own view ;-) =A0There&#39;s no &quot;sorry&quot; =
in that.<br>
<font color=3D"#888888"><br>
Per<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0015175cf7b6305996048acff75a--

From Loopers-Delight-request@loopers-delight.com  Wed Jul  7 18:33:11 2010
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Date: Wed, 7 Jul 2010 14:33:04 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Phenomenal live looping performance....
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Line 6 + SM58 + talent....

http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp



-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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--00163630f1d979af6d048ad13249
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Thx for sharing this. Andreya is great and talented on many different
levels. This medium truly serves her. Charles



On Wed, Jul 7, 2010 at 11:33 AM, Charles Zwicky <cazwicky@earthlink.net>wrote:

> Line 6 + SM58 + talent....
>
> http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp
>
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>

--00163630f1d979af6d048ad13249
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Thx for sharing this. Andreya is great and talented on many different level=
s. This medium truly serves her. Charles<div><br></div><div><br><br><div cl=
ass=3D"gmail_quote">On Wed, Jul 7, 2010 at 11:33 AM, Charles Zwicky <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink=
.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Line 6 + SM58 + talent....<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3D2yWYT3Zpi7o&amp;NR=3D1&amp;feat=
ure=3Dfvwp" target=3D"_blank">http://www.youtube.com/watch?v=3D2yWYT3Zpi7o&=
amp;NR=3D1&amp;feature=3Dfvwp</a><br><font color=3D"#888888">
<br>
<br>
<br>
-- <br>
<br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a><br>
<br>
</font></blockquote></div><br></div>

--00163630f1d979af6d048ad13249--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 01:12:49 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Thu, 8 Jul 2010 02:12:48 +0100
Subject: RE: SUB CITY 2064
X-Originating-Ip: 98.180.40.193
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Hello Per,

Best wishes for a speedy recovery!

> ----- Original Message -----
> From: "Michael Peters" <mp@mpeters.de>
> To: loopers-delight@loopers-delight.com
> Subject: RE: SUB CITY 2064
> Date: Wed, 7 Jul 2010 15:41:40 +0200
>=20
>=20
> > Yesterday a surgeon removed a cancer tumor and set up the loop
>=20
> oh my. Best wishes Per, get well quickly!
>=20
> -Michael

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 01:19:14 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Thu, 8 Jul 2010 02:19:12 +0100
Subject: Re: Bowing Stick - practice session clip shared
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Hello,

I think you're grasping at something here but it's lost in the way you are =
trying to communicate it. In the Bourree there is still a melody in the upp=
er voice with a bass line
to accompany it. Perception doesn't really have anything to do with it. If =
you are intending to get across two melodies, a Fugue or Invention would be=
 a much better choice since the listener can discern two melodies ( in the =
case of a fugue, subjects ) at once. Still not sure what the overall point =
is though.
=20=20
> ----- Original Message -----
> From: andy butler <akbutler@tiscali.co.uk>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Bowing Stick - practice session clip shared
> Date: Wed, 07 Jul 2010 09:33:36 +0100
>=20
>=20
> Mark Showalter wrote:
> >
> > Hello,
> >
> > I'm completely lost as to what the point is here.
>=20
> The piece Fabio posted would sound more obviously like two melodies=20
> if played faster
> and smoother,
> ;-) ....or if you made the perceptual shift to hear it that way.
>=20
>=20
> It's more obvious here:-
>=20
> http://www.youtube.com/watch?v=3DjKSg8t4zyLg
>=20
> .. try just listening to the bass line.
>=20
> andy
>=20
>=20
> >     Here's an example of two melody:
> >     http://www.youtube.com/watch?v=3DYXsFQeENm-c&feature=3Drelated
> >     <http://www.youtube.com/watch?v=3DYXsFQeENm-c&feature=3Drelated>
> >
> >     -fabio
> >
> >
> >
> >
> >
> > Mark Showalter
> > Minden Jot!
> >
> > myspace.com/folkstone57
> > http://www.last.fm/music/Mark+Showalter
> >  <http://www.mylivesignature.com>
> >
> >
> > -- _______________________________________________
> > Surf the Web in a faster, safer and easier way:
> > Download Opera 9 at http://www.opera.com
> >
> >

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 01:22:43 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Wed, 7 Jul 2010 21:22:42 -0400
Subject: Re: Bowing Stick - practice session clip shared
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 Hello0,
OK..... but any guitarist can play that way, this is not something
special. Unless you purposely only play a single line, like say in a
solo, the guitar is played with several voices all sounding at the same
time. I'm still unclear as to what the point was in the first place.=C2=A0

  ----- Original Message -----
  From: eterogeneo
  To: "Loopers-Delight@loopers-delight.com"
  Subject: Re: Bowing Stick - practice session clip shared
  Date: Wed, 7 Jul 2010 09:39:33 +0200

  Melodies or voices..., that was just an example of two different
  musical parts=C2=A0played without splitting them by=C2=A0assigning=C2=A0o=
ne hand
  to each.
  -Fabiowww.eterogeneo.com



  Il giorno 07/lug/2010, alle ore 02.32, "Mark Showalter" <folkstone57@oper=
amail.com>
  ha scritto:


    Hello,
    I'm completely lost as to what the point is here. The piece you
    have a link for below does not have two melodies going at one
    time. The melody is predominantly in the lower voice with the
    upper part simply a tremolo as an secondary voice, not melody.=C2=A0
    The point is that there's still a perceptual split between 2
    melodies even though that split isn't done by assigning one
    hand to each.

      Here's an example of two melody:
      http://www.youtube.com/watch?v=3DYXsFQeENm-c&feature=3Drelated=C2=A0-=
fabio=C2=A0




    Mark Showalter
    Minden Jot!
    myspace.com/folkstone57        http://www.last.fm/music/Mark+Showalter =
   [IMAGE]=20=20=20=20


    --

    _______________________________________________
    Surf the Web in a faster, safer and easier way:
    Download Opera 9 at http://www.opera.com





Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter[IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com


--_----------=_127855216291700
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Content-Type: text/html; charset="iso-8859-1"


<DIV>
Hello0,</DIV><DIV><BR></DIV><DIV>OK..... but any guitarist can play that wa=
y, this is not something special. Unless you purposely only play a single l=
ine, like say in a solo, the guitar is played with several voices all sound=
ing at the same time. I'm still unclear as to what the point was in the fir=
st place.=C2=A0<BR>
<BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: eterogeneo <eterogenus @gmail.com=3D""><BR>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight @loopers-delight=
.com=3D""><BR>
Subject: Re: Bowing Stick - practice session clip shared<BR>
Date: Wed, 7 Jul 2010 09:39:33 +0200<BR>
<BR>

<DIV>Melodies or voices..., that was just an example of two different music=
al parts=C2=A0<SPAN class=3D"Apple-style-span" style=3D"-webkit-tap-highlig=
ht-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(=
175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 18=
0, 0.230469); ">played without splitting them by=C2=A0<SPAN class=3D"Apple-=
style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875=
); -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-c=
omposition-frame-color: rgba(77, 128, 180, 0.230469); "><SPAN class=3D"Appl=
e-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.2890=
62); -webkit-composition-fill-color: rgba(175, 192, 227, 0.222656); -webkit=
-composition-frame-color: rgba(77, 128, 180, 0.222656); ">assigning=C2=A0<S=
PAN class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: rgba(2=
6, 26, 26, 0.28125); -webkit-composition-fill-color: rgba(175, 192, 227, 0.=
214844); -webkit-composition-frame-color: rgba(77, 128, 180, 0.214844); ">o=
ne hand to each.</SPAN></SPAN></SPAN></SPAN></DIV><DIV><SPAN class=3D"Apple=
-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.27734=
4); -webkit-composition-fill-color: rgba(175, 192, 227, 0.210938); -webkit-=
composition-frame-color: rgba(77, 128, 180, 0.210938);"><BR></SPAN></DIV><D=
IV><SPAN class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: r=
gba(26, 26, 26, 0.273438); -webkit-composition-fill-color: rgba(175, 192, 2=
27, 0.207031); -webkit-composition-frame-color: rgba(77, 128, 180, 0.207031=
);">-Fabio</SPAN></DIV><DIV><SPAN class=3D"Apple-style-span" style=3D"-webk=
it-tap-highlight-color: rgba(26, 26, 26, 0.269531); -webkit-composition-fil=
l-color: rgba(175, 192, 227, 0.203125); -webkit-composition-frame-color: rg=
ba(77, 128, 180, 0.203125);"><A href=3D"http://www.eterogeneo.com">www.eter=
ogeneo.com</A></SPAN></DIV><DIV><SPAN class=3D"Apple-style-span" style=3D"-=
webkit-tap-highlight-color: rgba(26, 26, 26, 0.265625); -webkit-composition=
-fill-color: rgba(175, 192, 227, 0.199219); -webkit-composition-frame-color=
: rgba(77, 128, 180, 0.199219);"><BR></SPAN></DIV><DIV><SPAN class=3D"Apple=
-style-span" style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.28515=
6); -webkit-composition-fill-color: rgba(175, 192, 227, 0.21875); -webkit-c=
omposition-frame-color: rgba(77, 128, 180, 0.21875);"><BR></SPAN></DIV><DIV=
><BR><BR>Il giorno 07/lug/2010, alle ore 02.32, "Mark Showalter" &lt;<A hre=
f=3D"mailto:folkstone57@operamail.com">folkstone57@operamail.com</A>&gt; ha=
 scritto:<BR><BR></DIV><BLOCKQUOTE type=3D"cite"><DIV>
<DIV>
<BR>
Hello,</DIV><DIV><BR></DIV><DIV>I'm completely lost as to what the point is=
 here. The piece you have a link for below does not have two melodies going=
 at one time. The melody is predominantly in the lower voice with the upper=
 part simply a tremolo as an secondary voice, not melody.</DIV><DIV>=C2=A0<=
BR>The point is that there's still a perceptual split between 2 melodies ev=
en though that split isn't done by assigning one<BR>hand to each.<BR><BLOCK=
QUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; padding-left=
:5px;"><anders_e_bergdahl @hotmail.com=3D""><loopers-delight @loopers-delig=
ht.com=3D""><DIV class=3D"ecxgmail_quote">
<DIV>Here's an example of two melody: </DIV>
<DIV><A href=3D"http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3D=
related">http://www.youtube.com/watch?v=3DYXsFQeENm-c&amp;feature=3Drelated=
</A></DIV>
<DIV>=C2=A0</DIV>
<DIV>-fabio</DIV>
<DIV>=C2=A0</DIV></DIV><BR>=20=09=09=20=09=20=20=20=09=09=20=20

</loopers-delight></anders_e_bergdahl></BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

<A href=3D"http://myspace.com/folkstone57">myspace.com/folkstone57</A>
<A href=3D"http://www.last.fm/music/Mark+Showalter">http://www.last.fm/musi=
c/Mark+Showalter</A>
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>
</DIV>

<BR>

--=20
<P>_______________________________________________<BR>Surf the Web in a fas=
ter, safer and easier way:<BR>
Download Opera 9 at <A href=3D"http://www.opera.com">http://www.opera.com</=
A></P>
<BR>
</DIV></BLOCKQUOTE>
</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>

--_----------=_127855216291700--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 03:36:03 2010
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From: Andrew McNaughton <andrewmcnaughton@aapt.net.au>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=Apple-Mail-73--395939986
Mime-Version: 1.0 (Apple Message framework v936)
Subject: FS Roland Handsonic and Oberheim matrix 1000
Date: Thu, 8 Jul 2010 13:16:10 +1000
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Sorry,

Also got the Handsonic $700 and M1000 $600 I need to sell.




WEBSITE

www.andrewmcnaughton.com.au






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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Sorry,<div><br></div><div>Also =
got the Handsonic $700 and M1000 $600 I need to sell.<br><div =
apple-content-edited=3D"true"> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
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-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><p class=3D"MsoNormal" align=3D"center" =
style=3D"text-align: center; "><font class=3D"Apple-style-span" =
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In Australia but could post anywhere. Has the noise mod. btw

$900 (AUD)

Also have a bunch of other equipment I am selling as follows:

SYNTH RACKS

Yamaha FS1r                                                $900

Yamaha VL1m  ver 2                                    $2200

Akai EWI4000s                                    $650

Akai EVI1000/EWV2000 X2            $650 each

Casio VZ8m =96 110V                                    $200

Oasys PCI with 1RU computer            $600

Alesis Nano Synth                                    $150

Kawai K3m with cartridge                        $150

Emu Ultra-Proteus                                    $250



KEYBOARDS

Korg Prophecy                                    $500

Yamaha Piano WXf (like UX5)            $5000

Yamaha VL1 ver 2                                    $2500



EFFECTS

Korg Kaoss Pad KP3                                    $450

Korg Mixer  KM2                                    $300

Electrix Repeater with noise mod            $900

Sony V77 =96 low battery                        $600



MISCELLANEOUS

Motu  Micro Express

(parallel/serial version)                        $150

Yamaha MFC10 Foot Controller            $350

Yamaha MSR100

(powered speaker)            x2                        $350 each

EV RE20 microphone                        $450



 =20=

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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">In Australia but could post =
anywhere. Has the noise mod. btw<div><br></div><div>$900 =
(AUD)</div><div><br></div><div>Also have a bunch of other equipment I am =
selling as follows:</div><div><br></div><div><!--StartFragment--><p =
class=3D"MsoNormal"><span lang=3D"EN-US" =
style=3D"font-size:16.0pt;mso-bidi-font-size:
12.0pt">SYNTH RACKS<o:p></o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Yamaha FS1r<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$900</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Yamaha VL1m<span style=3D"mso-spacerun:
yes">&nbsp; </span>ver 2<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$2200</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Akai EWI4000s<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$650</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Akai EVI1000/EWV2000 X2<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$650
each</span></p><p class=3D"MsoNormal"><span lang=3D"EN-US">Casio VZ8m =96 =
110V<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$200</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Oasys PCI with 1RU computer<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$600</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Alesis Nano Synth<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$150<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Kawai K3m with cartridge<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$150</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Emu Ultra-Proteus<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$250</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US"><o:p>&nbsp;</o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US" style=3D"font-size:16.0pt;mso-bidi-font-size:
12.0pt">KEYBOARDS<o:p></o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Korg Prophecy<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$500</span><span lang=3D"EN-US" =
style=3D"font-size:16.0pt;mso-bidi-font-size:12.0pt"><o:p></o:p></span></p=
><p class=3D"MsoNormal"><span lang=3D"EN-US">Yamaha Piano WXf (like =
UX5)<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$5000</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Yamaha VL1 ver 2<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$2500</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US"><o:p>&nbsp;</o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US" style=3D"font-size:16.0pt;mso-bidi-font-size:
12.0pt">EFFECTS<o:p></o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Korg Kaoss Pad KP3<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$450</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Korg Mixer <span style=3D"mso-spacerun:
yes">&nbsp;</span>KM2<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$300</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Electrix Repeater with noise mod<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$900</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Sony V77 =96 low battery<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$600</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US"><o:p>&nbsp;</o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US" style=3D"font-size:16.0pt;mso-bidi-font-size:
12.0pt">MISCELLANEOUS<o:p></o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Motu<span style=3D"mso-spacerun: yes">&nbsp;
</span>Micro Express </span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">(parallel/serial version)<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$150</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Yamaha MFC10 Foot Controller<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$350</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">Yamaha MSR100 </span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US">(powered speaker)<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span>x2<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$350
each<span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>
</span></p><p class=3D"MsoNormal"><span lang=3D"EN-US">EV RE20 =
microphone<span style=3D"mso-tab-count:
1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =
</span><span =
style=3D"mso-tab-count:1">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp; </span>$450</span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US"><o:p>&nbsp;</o:p></span></p><p class=3D"MsoNormal"><span =
lang=3D"EN-US"><o:p>&nbsp;</o:p></span></p>

<!--EndFragment-->


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From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 06:00:04 2010
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Subject: RE: Phenomenal live looping performance....
Date: Thu, 8 Jul 2010 07:59:58 +0200
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> Subject: Phenomenal live looping performance....
> Line 6 + SM58 + talent....
> http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp

reminds me a bit of Lilli Lewis who sang at Y2K9 with just a tiny Boss
looper - it was so moving that many of us had tears in our eyes

-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 07:22:24 2010
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Subject: Re: Phenomenal live looping performance.... gospel power!
From: Matthias Grob <matilists@gmail.com>
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what gives this music its phenomenal deepness and power is a 100 years =
(well, much older roots, of course) of praising music tradition of the =
gospel churches in the US. I just recently visited such a church again =
and I don't know of any musical experience that moves similarly. its =
changes my whole body feeling for hours, more than sauna does. And this =
is just a local lady playing the Hammond and the community singing and a =
boy on the drums and 20 big mamas with big hats sitting on straight wood =
saying "yeah"...

in the Glide church in SF its much bigger: servants walk around offering =
kleenex tissues because over 1000 people do not resist and cry more than =
some tears... and its not sad, its hope, it builds, its pure evolution!

I do not know how to explain this without being ridiculous, please just =
visit any of those churches when you have a chance, I am sure it will =
change your concept about Hammond organ, black culture and music all =
together!


On 8 Jul 2010, at 02:59, Michael Peters wrote:

>> Subject: Phenomenal live looping performance....
>> Line 6 + SM58 + talent....
>> http://www.youtube.com/watch?v=3D2yWYT3Zpi7o&NR=3D1&feature=3Dfvwp
>=20
> reminds me a bit of Lilli Lewis who sang at Y2K9 with just a tiny Boss
> looper - it was so moving that many of us had tears in our eyes
>=20
> -Michael
>=20

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Subject: Re: SUB CITY 2064
Date: Thu, 8 Jul 2010 10:29:50 +0200
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All the best, Per!!

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 11:15:48 2010
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Mark Showalter wrote:
> Hello,
> 
> I think you're grasping at something here but 
>it's lost in the way you are trying to communicate it.

There's been tradition going for 500 years or so of 
stringed instruments being used to play music with two
of more melodic lines. 

My original point was merely to remind of this.

Per points out that with two hands it's possible to
play 2 independent music statements.

So I'm saying that it's possible to accomplish that
same split in terms of the music , but without having 
to assign different parts of the body to different tasks.


> In the Bourree there is still a melody in the upper voice with a bass line
> to accompany it. 

To me the bassline sounds like a melody.
Maybe that's because I play that piece myself.


Isn't a bass-line a musical statement?




I'm sure you're capable of finding your own example of
a guitarist playing 2 melodies.


>Perception doesn't really have anything to do with it. 

If you listened to just the bass line in the Bouree you'd
hear it as a melody. (and it even has some nice twiddles in it).

That would be perceptual shift.

Try it, it's fun.

>If you are intending to get across two melodies,
> a Fugue or Invention would be a much better choice 
>since the listener can discern two melodies ( in the case of a fugue, subjects ) at once. 

Actually a within a fugue there is likely to be four simultaneous parts,
...but the terms 'subject' (and 'countersubject') don't refer to that. 
In a fugue a 'subject' is a theme which may appear in a number
of the parts. 

You're right though, the two part invention might be a clearer example.



>Still not sure what the overall point is though.

Per's was that the Stick naturally helps the player
to play 2 independent lines, and that this was for him
a big advantage of moving from guitar to stick.
I was commenting that the guitar has historically been a
multi-part instrument, designed to play arrangements 
of music that would equally suit an ensemble.



I hope I've explained,  ...what point are you trying to make?

andy

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 11:32:08 2010
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Subject: Re: Phenomenal live looping performance....
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--0016e6d64cffe53071048adea20a
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simply beautiful !

fabio

2010/7/7 Charles Zwicky <cazwicky@earthlink.net>

> Line 6 + SM58 + talent....
>
> http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp
>
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>

--0016e6d64cffe53071048adea20a
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<div>simply beautiful ! </div>
<div>=A0</div>
<div>fabio<br><br></div>
<div class=3D"gmail_quote">2010/7/7 Charles Zwicky <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:cazwicky@earthlink.net">cazwicky@earthlink.net</a>&gt;</spa=
n><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Line 6 + SM58 + talent....<br><b=
r><a href=3D"http://www.youtube.com/watch?v=3D2yWYT3Zpi7o&amp;NR=3D1&amp;fe=
ature=3Dfvwp" target=3D"_blank">http://www.youtube.com/watch?v=3D2yWYT3Zpi7=
o&amp;NR=3D1&amp;feature=3Dfvwp</a><br>
<font color=3D"#888888"><br><br><br>-- <br><br>...<br><a href=3D"http://www=
.zmix.net/" target=3D"_blank">http://www.zmix.net</a><br><br><a href=3D"htt=
p://www.esession.com/ChuckZwicky" target=3D"_blank">http://www.esession.com=
/ChuckZwicky</a><br>
<br><a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://album=
credits.com/zmix</a><br><br></font></blockquote></div><br>

--0016e6d64cffe53071048adea20a--

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 12:15:40 2010
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	<4C35B375.20609@tiscali.co.uk>
Date: Thu, 8 Jul 2010 14:15:38 +0200
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Subject: Re: Bowing Stick - practice session clip shared OT
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 8, 2010 at 1:16 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> Per's was that the Stick naturally helps the player
> to play 2 independent lines, and that this was for him
> a big advantage of moving from guitar to stick.
> I was commenting that the guitar has historically been a
> multi-part instrument, designed to play arrangements of music that would
> equally suit an ensemble.


Sorry, my bad. Please let me explain myself a little better. Of course
multi part and counterpoint enriched music can be played on any
instrument (even on monophonic flutes if relying on common musical
gestures) but regarding the Stick I'm finding this kind of music a bit
simpler to play in an improvisational(!) context. If composing music
before playing it you can always take your time to optimise a multi
part arrangement for the specific instrument. And regarding
performance technique it is mostly a matter of practicing time to
teach both hands to move as ONE synchronized movement in order to
materialize the written and well prepared multi part music. Both hands
working "as one ensamble" in sync under command of the brain.

What I find so inspiring with the Stick is that it also offers an
option to use both hands in a less dependent way. Less synchronized
and only loosely directed by the brain (like if Brain says "Ok Handy
Guys, now let's make some noise for eight bars that works ok in a D
minor 9 chord context"). I.e. both hands working together rather like
two jamming musicians that improvise together. This is what I have
been trying to achieve for years with live looping (typically playing
one part that at the same time works as source audio material for a
second part that is being created in the looper by complementary
"jamming" tap dancing on foot pedals etc etc). Three more inspiring
aspects of the Stick is the two individual outputs (one for each
fretboard, extending expression with two complementary effect chains),
a special 4ths/5ths tuning that favors broad chord voicing and the
option do double notes in the same octave by playing them on both
boards (something both the piano and the harp won't let you do).

The difficult part, in my opinion, is to revamp your brain to work in
multi mode as laid out above. Thus the idea that drummers and piano
players might get better off as STick starters.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 14:56:52 2010
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Date: Thu, 8 Jul 2010 10:56:51 -0400
Subject: Re: Phenomenal live looping performance....
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Hi Charles,

Thanks for this one.
I'm in love.
What great control over such a beautiful voice.

Andre

On Wed, July 7, 2010 2:33 pm, Charles Zwicky wrote:
> Line 6 + SM58 + talent....
>
> http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp
>
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 17:46:05 2010
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Date: Fri, 09 Jul 2010 02:47:52 +1000
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Dear Partner,

I have finally found you as an approved heir to the inheritance of the funds.

Your surname has been listed/approved for an inheritance funds for Ten Million
United states Dollars currently transferred to an online bank awaiting your
claim as a next of kin.

Respond with your interest and forward new contact details for  
detailed modalities.

Regards
Darren Wong
Email:d.wong_8@yahoo.com.hk

From Loopers-Delight-request@loopers-delight.com  Thu Jul  8 20:39:15 2010
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Subject: It's Official: UK and EU, starting 5 September 2010
From: Dennis Moser <sinsofmachaut@gmail.com>
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Hello especially to those of you in the UK and the EU...

I'm delighted to say that it's official that I will be in the UK,
starting the 5th of September. As to how long I stay depends on a
couple of factors. First, I'll be at Brunel University, giving a
paper...the Conference runs through the afternoon of the 8th. I
probably won't be able to do any gigs those three days, BUT after the
8th, I'll be free...

So ... anyone in either the UK or within a day's trip (plane, train,
or automobile) who knows of a performance opportunity or wants to put
together a gig, PLEASE let me know ASAP so I can make my flight
reservations BACK home. Realistically (since I'll be using my own
vacation time, after the Conference is over!), I probably need to head
back to the US after the 15th-16th of September.

Looking forward to hearing from you!

Best,

Dennis

-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Date: Thu, 8 Jul 2010 20:01:15 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Phenomenal live looping performance....
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It's hard to believe that she's English..  :)

>Hi Charles,
>
>Thanks for this one.
>I'm in love.
>What great control over such a beautiful voice.
>
>Andre
>
>On Wed, July 7, 2010 2:33 pm, Charles Zwicky wrote:
>>  Line 6 + SM58 + talent....
>>
>>  http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp
>>
>>
>>
>>  --
>>
>>  ...
>>  http://www.zmix.net
>>
>>  http://www.esession.com/ChuckZwicky
>>
>>  http://albumcredits.com/zmix
>>
>>
>
>
>
>http://barbadosguitar.com/wordpress
>http://twitter.com/AndreDonawa
>http://www.andredonawa.com
>http://cdbaby.com/all/andredonawa
>http://www.myspace.com/andredonawa


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Fri, 9 Jul 2010 01:33:47 +0100
Subject: Re: Bowing Stick - practice session clip shared OT
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> > I think you're grasping at something here but it's lost in the=20
> > way you are trying to communicate it.
>=20
> There's been tradition going for 500 years or so of stringed=20
> instruments being used to play music with two
> of more melodic lines. My original point was merely to remind of this.

Ok, although I would say that stringed instruments playing multiple lines g=
oes back much farther than 500 years.

> Per points out that with two hands it's possible to
> play 2 independent music statements.
>=20
> So I'm saying that it's possible to accomplish that
> same split in terms of the music , but without having to assign=20
> different parts of the body to different tasks.

Now I understand this part as in reference to playing a Stick.
=20
> > In the Bourree there is still a melody in the upper voice with a bass l=
ine
> > to accompany it.
>=20
> To me the bassline sounds like a melody.
I agree that you might hear a bassline as having melodic elements, but is i=
t a melody? In my opinion, it dosen't function as a melody so it isn't inte=
nded to be one.

> Maybe that's because I play that piece myself.
Granted, but again, it's hard to see a baseline functioning as a melody. As=
 the great master himself once said, " If you can't whistle it when you lea=
ve, it's not a melody. "

> Isn't a bass-line a musical statement?
Statement, yes, melody........?


> > Perception doesn't really have anything to do with it.
>=20
> If you listened to just the bass line in the Bouree you'd
> hear it as a melody. (and it even has some nice twiddles in it).
>=20
> That would be perceptual shift.
>=20
> Try it, it's fun.

Having listened to that piece on many ocassions, I have never heard the bas=
sline as a melody. Thjis would not require a perceptual change, it would re=
quire a melody there to be heard.
Compare to say the Bach Gmaj fugue with the opening statement/subject/melod=
y started in the bass on the pedals, now that is a melody.


> > If you are intending to get across two melodies,
> > a Fugue or Invention would be a much better choice since the=20
> > listener can discern two melodies ( in the case of a fugue,=20
> > subjects ) at once.
>=20
> Actually a within a fugue there is likely to be four simultaneous parts,

A simple fugue might be that, although Bach had written fugues with up to 1=
4 subjects, if you mean "parts" to be subjects. If you just mean 'parts", t=
hen no, a fugue would start out with a statement of the subject, usually fo=
llowed by the introduction of a counter-subject, a re-statement of the subj=
ect & on from there to any number of "parts" sounding at once.

> ...but the terms 'subject' (and 'countersubject') don't refer to=20
> that.=20
Sorry, but I don't know what "that" you are referring to. I think I lost wh=
at we were discussing at this point.

In a fugue a 'subject' is a theme which may appear in a number
> of the parts. You're right though, the two part invention might be=20
> a clearer example.

> > Still not sure what the overall point is though.
>=20
> Per's was that the Stick naturally helps the player
> to play 2 independent lines, and that this was for him
> a big advantage of moving from guitar to stick.
> I was commenting that the guitar has historically been a
> multi-part instrument, designed to play arrangements of music that=20
> would equally suit an ensemble.

Understand this part & yes, I completely agree. The guitar was in a long li=
ne of instruments that allowed a single played to play some very complicate=
d arrangements.
=20
> I hope I've explained,  ...what point are you trying to make?
Yes, Andy, this point is clear & I certainly agree with it.



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

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Date: Thu, 08 Jul 2010 20:39:26 -0400
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll continue the
month-long Special Focus on Rene van der Wouden.  The Featured CD at
Midnight will be "Recreation" on REWO Records.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul

You will also hear new music from Parallel Worlds and Alio Die as well
as music by Mikronesia who will be at the Soundscapes Concert Series on
July 23.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Go to http://wdiy.org/listen to listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 01:04:22 2010
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Date: Fri, 9 Jul 2010 03:04:21 +0200
Message-ID: <AANLkTimP1ruC5ONfkLcW1r_hMaritd3qlKY8ttUmSSID@mail.gmail.com>
Subject: Re: Bowing Stick - practice session clip shared OT
From: Raul Bonell <raul.bonell@gmail.com>
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at this point of the discussion, it would be cool if somebody here could
give us "the definitive" melody definition ... at least, one that anybody
can understand in 2010. come on!

2010/7/9 Mark Showalter <folkstone57@operamail.com>

>
>
> > > I think you're grasping at something here but it's lost in the
> > > way you are trying to communicate it.
> >
> > There's been tradition going for 500 years or so of stringed
> > instruments being used to play music with two
> > of more melodic lines. My original point was merely to remind of this.
>
> Ok, although I would say that stringed instruments playing multiple lines
> goes back much farther than 500 years.
>
> > Per points out that with two hands it's possible to
> > play 2 independent music statements.
> >
> > So I'm saying that it's possible to accomplish that
> > same split in terms of the music , but without having to assign
> > different parts of the body to different tasks.
>
> Now I understand this part as in reference to playing a Stick.
>
> > > In the Bourree there is still a melody in the upper voice with a bass
> line
> > > to accompany it.
> >
> > To me the bassline sounds like a melody.
> I agree that you might hear a bassline as having melodic elements, but is
> it a melody? In my opinion, it dosen't function as a melody so it isn't
> intended to be one.
>
> > Maybe that's because I play that piece myself.
> Granted, but again, it's hard to see a baseline functioning as a melody. =
As
> the great master himself once said, " If you can't whistle it when you
> leave, it's not a melody. "
>
> > Isn't a bass-line a musical statement?
> Statement, yes, melody........?
>
>
> > > Perception doesn't really have anything to do with it.
> >
> > If you listened to just the bass line in the Bouree you'd
> > hear it as a melody. (and it even has some nice twiddles in it).
> >
> > That would be perceptual shift.
> >
> > Try it, it's fun.
>
> Having listened to that piece on many ocassions, I have never heard the
> bassline as a melody. Thjis would not require a perceptual change, it wou=
ld
> require a melody there to be heard.
> Compare to say the Bach Gmaj fugue with the opening
> statement/subject/melody started in the bass on the pedals, now that is a
> melody.
>
>
> > > If you are intending to get across two melodies,
> > > a Fugue or Invention would be a much better choice since the
> > > listener can discern two melodies ( in the case of a fugue,
> > > subjects ) at once.
> >
> > Actually a within a fugue there is likely to be four simultaneous parts=
,
>
> A simple fugue might be that, although Bach had written fugues with up to
> 14 subjects, if you mean "parts" to be subjects. If you just mean 'parts"=
,
> then no, a fugue would start out with a statement of the subject, usually
> followed by the introduction of a counter-subject, a re-statement of the
> subject & on from there to any number of "parts" sounding at once.
>
> > ...but the terms 'subject' (and 'countersubject') don't refer to
> > that.
> Sorry, but I don't know what "that" you are referring to. I think I lost
> what we were discussing at this point.
>
> In a fugue a 'subject' is a theme which may appear in a number
> > of the parts. You're right though, the two part invention might be
> > a clearer example.
>
> > > Still not sure what the overall point is though.
> >
> > Per's was that the Stick naturally helps the player
> > to play 2 independent lines, and that this was for him
> > a big advantage of moving from guitar to stick.
> > I was commenting that the guitar has historically been a
> > multi-part instrument, designed to play arrangements of music that
> > would equally suit an ensemble.
>
> Understand this part & yes, I completely agree. The guitar was in a long
> line of instruments that allowed a single played to play some very
> complicated arrangements.
>
> > I hope I've explained,  ...what point are you trying to make?
> Yes, Andy, this point is clear & I certainly agree with it.
>
>
>
> Mark Showalter
> Minden Jot!
>
> myspace.com/folkstone57
> http://www.last.fm/music/Mark+Showalter
> <a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"
> http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043=
965108.png"
> style=3D"border: 0 !important; background: transparent;"/></a>
>
>
> --
> _______________________________________________
> Surf the Web in a faster, safer and easier way:
> Download Opera 9 at http://www.opera.com
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--001485f9f41cb6da5d048ae9fb3a
Content-Type: text/html; charset=ISO-8859-1
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at this point of the discussion, it would be cool if somebody here could gi=
ve us &quot;the definitive&quot; melody definition ... at least, one that a=
nybody can understand in 2010. come on!<br><br><div style=3D"visibility: hi=
dden; display: inline;" id=3D"avg_ls_inline_popup">
</div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  =
z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  widt=
h: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-s=
ize: 10px;  text-align: left;  line-height: 13px;}</style><div class=3D"gma=
il_quote">
2010/7/9 Mark Showalter <span dir=3D"ltr">&lt;<a href=3D"mailto:folkstone57=
@operamail.com">folkstone57@operamail.com</a>&gt;</span><br><blockquote cla=
ss=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); marg=
in: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im"><br>
<br>
&gt; &gt; I think you&#39;re grasping at something here but it&#39;s lost i=
n the<br>
&gt; &gt; way you are trying to communicate it.<br>
&gt;<br>
&gt; There&#39;s been tradition going for 500 years or so of stringed<br>
&gt; instruments being used to play music with two<br>
&gt; of more melodic lines. My original point was merely to remind of this.=
<br>
<br>
</div>Ok, although I would say that stringed instruments playing multiple l=
ines goes back much farther than 500 years.<br>
<div class=3D"im"><br>
&gt; Per points out that with two hands it&#39;s possible to<br>
&gt; play 2 independent music statements.<br>
&gt;<br>
&gt; So I&#39;m saying that it&#39;s possible to accomplish that<br>
&gt; same split in terms of the music , but without having to assign<br>
&gt; different parts of the body to different tasks.<br>
<br>
</div>Now I understand this part as in reference to playing a Stick.<br>
<div class=3D"im"><br>
&gt; &gt; In the Bourree there is still a melody in the upper voice with a =
bass line<br>
&gt; &gt; to accompany it.<br>
&gt;<br>
&gt; To me the bassline sounds like a melody.<br>
</div>I agree that you might hear a bassline as having melodic elements, bu=
t is it a melody? In my opinion, it dosen&#39;t function as a melody so it =
isn&#39;t intended to be one.<br>
<div class=3D"im"><br>
&gt; Maybe that&#39;s because I play that piece myself.<br>
</div>Granted, but again, it&#39;s hard to see a baseline functioning as a =
melody. As the great master himself once said, &quot; If you can&#39;t whis=
tle it when you leave, it&#39;s not a melody. &quot;<br>
<div class=3D"im"><br>
&gt; Isn&#39;t a bass-line a musical statement?<br>
</div>Statement, yes, melody........?<br>
<div class=3D"im"><br>
<br>
&gt; &gt; Perception doesn&#39;t really have anything to do with it.<br>
&gt;<br>
&gt; If you listened to just the bass line in the Bouree you&#39;d<br>
&gt; hear it as a melody. (and it even has some nice twiddles in it).<br>
&gt;<br>
&gt; That would be perceptual shift.<br>
&gt;<br>
&gt; Try it, it&#39;s fun.<br>
<br>
</div>Having listened to that piece on many ocassions, I have never heard t=
he bassline as a melody. Thjis would not require a perceptual change, it wo=
uld require a melody there to be heard.<br>
Compare to say the Bach Gmaj fugue with the opening statement/subject/melod=
y started in the bass on the pedals, now that is a melody.<br>
<div class=3D"im"><br>
<br>
&gt; &gt; If you are intending to get across two melodies,<br>
&gt; &gt; a Fugue or Invention would be a much better choice since the<br>
&gt; &gt; listener can discern two melodies ( in the case of a fugue,<br>
&gt; &gt; subjects ) at once.<br>
&gt;<br>
&gt; Actually a within a fugue there is likely to be four simultaneous part=
s,<br>
<br>
</div>A simple fugue might be that, although Bach had written fugues with u=
p to 14 subjects, if you mean &quot;parts&quot; to be subjects. If you just=
 mean &#39;parts&quot;, then no, a fugue would start out with a statement o=
f the subject, usually followed by the introduction of a counter-subject, a=
 re-statement of the subject &amp; on from there to any number of &quot;par=
ts&quot; sounding at once.<br>

<div class=3D"im"><br>
&gt; ...but the terms &#39;subject&#39; (and &#39;countersubject&#39;) don&=
#39;t refer to<br>
&gt; that.<br>
</div>Sorry, but I don&#39;t know what &quot;that&quot; you are referring t=
o. I think I lost what we were discussing at this point.<br>
<div class=3D"im"><br>
In a fugue a &#39;subject&#39; is a theme which may appear in a number<br>
&gt; of the parts. You&#39;re right though, the two part invention might be=
<br>
&gt; a clearer example.<br>
<br>
&gt; &gt; Still not sure what the overall point is though.<br>
&gt;<br>
</div><div class=3D"im">&gt; Per&#39;s was that the Stick naturally helps t=
he player<br>
&gt; to play 2 independent lines, and that this was for him<br>
&gt; a big advantage of moving from guitar to stick.<br>
&gt; I was commenting that the guitar has historically been a<br>
&gt; multi-part instrument, designed to play arrangements of music that<br>
&gt; would equally suit an ensemble.<br>
<br>
</div>Understand this part &amp; yes, I completely agree. The guitar was in=
 a long line of instruments that allowed a single played to play some very =
complicated arrangements.<br>
<div class=3D"im"><br>
&gt; I hope I&#39;ve explained, =A0...what point are you trying to make?<br=
>
</div>Yes, Andy, this point is clear &amp; I certainly agree with it.<br>
<br>
<br>
<br>
Mark Showalter<br>
Minden Jot!<br>
<br>
<a href=3D"http://myspace.com/folkstone57" target=3D"_blank">myspace.com/fo=
lkstone57</a><br>
<a href=3D"http://www.last.fm/music/Mark+Showalter" target=3D"_blank">http:=
//www.last.fm/music/Mark+Showalter</a><br>
&lt;a href=3D&quot;<a href=3D"http://www.mylivesignature.com" target=3D"_bl=
ank">http://www.mylivesignature.com</a>&quot; target=3D&quot;_blank&quot;&g=
t;&lt;img src=3D&quot;<a href=3D"http://signatures.mylivesignature.com/5448=
8/99/F2BFFC9AD8D6528EA1E10C1043965108.png" target=3D"_blank">http://signatu=
res.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png</a>&q=
uot; style=3D&quot;border: 0 !important; background: transparent;&quot;/&gt=
;&lt;/a&gt;<br>

<font color=3D"#888888"><br>
<br>
--<br>
_______________________________________________<br>
Surf the Web in a faster, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=
=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!,=
 no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;=
<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--001485f9f41cb6da5d048ae9fb3a--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 01:12:18 2010
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Subject: Re: Dance Music for Inanimate Object
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This project is killer! Love the beats and the crazy out there
jazz guitar feel.   You guys are Awesome!

Loaf of the Lurkers.

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 01:30:30 2010
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Subject: perPlex'd
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I'm having some trouble w/ my new (old) Obie in regards to button
responses.  I think I have a pre 98' which would indicate the problem
described here:

http://www.loopers-delight.com/tools/echoplex/FAQ6.html
(bottom of the page, consequently -  I think I'm a candidate for
the resistor mod mentioned in the middle)

However, it seems the serial number of this unit got some digits
missing from the sticker due to rack rash and I really
couldn't look it up if I tried.

I bought this unit from Warren S. (big thanks, I love it!) and it had
the full memory upgrade.  Then I ordered new chips and crystals. Put
everything in and it synced up really great w/ my blackface - very
happy about that.

But, this weirdness in the buttons...Today I got home and turned on
the Single Obie, not connected to anything and the buttons all did
what they were supposed to.  Then brother synced it and was have a
great learning experience when the buttons started doing it again.
The buttons problem is is the same on the foot pedel.

Are these things directly linked? it's obviously not the foot pedel if
the buttons do the same exact thing.

How can I find out if what year this thing is?

Is the 5th pin removal option still relevant to Loop IV?

I like modin' out the machine, it's challenging but..personal.
Sorry for all the crazy questions at one time, I'm sure I'm gonna
have a few more on the functionality subject later.

Big Thanks for any feedback,
AndyG

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 03:34:49 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
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Date: Thu, 8 Jul 2010 23:34:47 -0400
Subject: Re: Bowing Stick - practice session clip shared OT
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This is a multi-part message in MIME format.

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Hello,
Well, you can look up the word & get an idea of what melody means, but
it's like trying to describe "red" to a blind person. However, as I used
a quote at the end, I'll repeat it. A melody is usually the part of the
music that you can go out whistling after you hear the music. That's of
course a simplistic answer, because there are melodies that are very
complex, but then there are very powerful melodies, like Beethoven's Ode
To Joy from the 9th symphony, that are =A0pure magic. =A0There is also an
element of intent, in that the composer usually tries to make the melody
very much up front while the rest of the music enhances it. Paul
McCartney's "Yesterday" is a classic example of a melody that at least
for me, never gets out of my head. Of course, that song from hell, "It's
A Small World After all " does the same thing........... In the final
moment, I think most people can agree on what is the melody when they
hear a song & what is the background, which most can't replicate. I can't
sing the guitar part for "Yesterday", although I can see me playing the
guitar, but it's the melody & that fantastic string arrangement that I
can almost see in my ears.=A0

  ----- Original Message -----
  From: Raul Bonell
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: Bowing Stick - practice session clip shared OT
  Date: Fri, 9 Jul 2010 03:04:21 +0200

  at this point of the discussion, it would be cool if somebody here
  could give us "the definitive" melody definition ... at least, one
  that anybody can understand in 2010. come on!

  2010/7/9 Mark Showalter <folkstone57@operamail.com>



    > > I think you're grasping at something here but it's lost in
    the
    > > way you are trying to communicate it.
    >
    > There's been tradition going for 500 years or so of stringed
    > instruments being used to play music with two
    > of more melodic lines. My original point was merely to remind
    of this.

    Ok, although I would say that stringed instruments playing
    multiple lines goes back much farther than 500 years.

    > Per points out that with two hands it's possible to
    > play 2 independent music statements.
    >
    > So I'm saying that it's possible to accomplish that
    > same split in terms of the music , but without having to assign
    > different parts of the body to different tasks.

    Now I understand this part as in reference to playing a Stick.

    > > In the Bourree there is still a melody in the upper voice
    with a bass line
    > > to accompany it.
    >
    > To me the bassline sounds like a melody.
    I agree that you might hear a bassline as having melodic
    elements, but is it a melody? In my opinion, it dosen't function
    as a melody so it isn't intended to be one.

    > Maybe that's because I play that piece myself.
    Granted, but again, it's hard to see a baseline functioning as a
    melody. As the great master himself once said, " If you can't
    whistle it when you leave, it's not a melody. "

    > Isn't a bass-line a musical statement?
    Statement, yes, melody........?


    > > Perception doesn't really have anything to do with it.
    >
    > If you listened to just the bass line in the Bouree you'd
    > hear it as a melody. (and it even has some nice twiddles in
    it).
    >
    > That would be perceptual shift.
    >
    > Try it, it's fun.

    Having listened to that piece on many ocassions, I have never
    heard the bassline as a melody. Thjis would not require a
    perceptual change, it would require a melody there to be heard.
    Compare to say the Bach Gmaj fugue with the opening
    statement/subject/melody started in the bass on the pedals, now
    that is a melody.


    > > If you are intending to get across two melodies,
    > > a Fugue or Invention would be a much better choice since the
    > > listener can discern two melodies ( in the case of a fugue,
    > > subjects ) at once.
    >
    > Actually a within a fugue there is likely to be four
    simultaneous parts,

    A simple fugue might be that, although Bach had written fugues
    with up to 14 subjects, if you mean "parts" to be subjects. If
    you just mean 'parts", then no, a fugue would start out with a
    statement of the subject, usually followed by the introduction of
    a counter-subject, a re-statement of the subject & on from there
    to any number of "parts" sounding at once.

    > ...but the terms 'subject' (and 'countersubject') don't refer
    to
    > that.
    Sorry, but I don't know what "that" you are referring to. I think
    I lost what we were discussing at this point.

    In a fugue a 'subject' is a theme which may appear in a number
    > of the parts. You're right though, the two part invention might
    be
    > a clearer example.

    > > Still not sure what the overall point is though.
    >
    > Per's was that the Stick naturally helps the player
    > to play 2 independent lines, and that this was for him
    > a big advantage of moving from guitar to stick.
    > I was commenting that the guitar has historically been a
    > multi-part instrument, designed to play arrangements of music
    that
    > would equally suit an ensemble.

    Understand this part & yes, I completely agree. The guitar was in
    a long line of instruments that allowed a single played to play
    some very complicated arrangements.

    > I hope I've explained, =A0...what point are you trying to make?
    Yes, Andy, this point is clear & I certainly agree with it.



    Mark Showalter
    Minden Jot!

    myspace.com/folkstone57
    http://www.last.fm/music/Mark+Showalter
    <a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img
    src=3D"http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA=
1E10C1043965108.png"
    style=3D"border: 0 !important; background: transparent;"/></a>


    --
    _______________________________________________
    Surf the Web in a faster, safer and easier way:
    Download Opera 9 at http://www.opera.com




  --
  =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
  I b=E9, despr=E9s estava aquella dona que sense saber que estava
  il.luminada, exclamava: "O siga, que he pagat per aquesta merda de
  m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no,
  =F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa
  aix=ED? "


  Raul Bonell at Blogger: http://raulbonell.blogspot.com
  Chain Tape Collective: http://www.ct-collective.com




Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter[IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com


--_----------=_1278646487139740
Content-Disposition: inline
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Content-Type: text/html; charset="iso-8859-1"


<DIV>
<BR>
Hello,</DIV><DIV><BR></DIV><DIV>Well, you can look up the word &amp; get an=
 idea of what melody means, but it's like trying to describe "red" to a bli=
nd person. However, as I used a quote at the end, I'll repeat it. A melody =
is usually the part of the music that you can go out whistling after you he=
ar the music. That's of course a simplistic answer, because there are melod=
ies that are very complex, but then there are very powerful melodies, like =
Beethoven's Ode To Joy from the 9th symphony, that are =A0pure magic. =A0Th=
ere is also an element of intent, in that the composer usually tries to mak=
e the melody very much up front while the rest of the music enhances it. Pa=
ul McCartney's "Yesterday" is a classic example of a melody that at least f=
or me, never gets out of my head. Of course, that song from hell, "It's A S=
mall World After all " does the same thing........... In the final moment, =
I think most people can agree on what is the melody when they hear a song &=
amp; what is the background, which most can't replicate. I can't sing the g=
uitar part for "Yesterday", although I can see me playing the guitar, but i=
t's the melody &amp; that fantastic string arrangement that I can almost se=
e in my ears.=A0</DIV><DIV><BR></DIV><DIV><BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: Raul Bonell <raul .bonell@gmail.com=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: Bowing Stick - practice session clip shared OT<BR>
Date: Fri, 9 Jul 2010 03:04:21 +0200<BR>
<BR>

at this point of the discussion, it would be cool if somebody here could gi=
ve us "the definitive" melody definition ... at least, one that anybody can=
 understand in 2010. come on!<BR><BR><DIV style=3D"visibility: hidden; disp=
lay: inline;" id=3D"avg_ls_inline_popup">
</DIV><STYLE type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  =
z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  widt=
h: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-s=
ize: 10px;  text-align: left;  line-height: 13px;}</STYLE><DIV class=3D"gma=
il_quote">
2010/7/9 Mark Showalter <SPAN dir=3D"ltr">&lt;<A href=3D"mailto:folkstone57=
@operamail.com">folkstone57@operamail.com</A>&gt;</SPAN><BR><BLOCKQUOTE cla=
ss=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); marg=
in: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<DIV class=3D"im"><BR>
<BR>
&gt; &gt; I think you're grasping at something here but it's lost in the<BR>
&gt; &gt; way you are trying to communicate it.<BR>
&gt;<BR>
&gt; There's been tradition going for 500 years or so of stringed<BR>
&gt; instruments being used to play music with two<BR>
&gt; of more melodic lines. My original point was merely to remind of this.=
<BR>
<BR>
</DIV>Ok, although I would say that stringed instruments playing multiple l=
ines goes back much farther than 500 years.<BR>
<DIV class=3D"im"><BR>
&gt; Per points out that with two hands it's possible to<BR>
&gt; play 2 independent music statements.<BR>
&gt;<BR>
&gt; So I'm saying that it's possible to accomplish that<BR>
&gt; same split in terms of the music , but without having to assign<BR>
&gt; different parts of the body to different tasks.<BR>
<BR>
</DIV>Now I understand this part as in reference to playing a Stick.<BR>
<DIV class=3D"im"><BR>
&gt; &gt; In the Bourree there is still a melody in the upper voice with a =
bass line<BR>
&gt; &gt; to accompany it.<BR>
&gt;<BR>
&gt; To me the bassline sounds like a melody.<BR>
</DIV>I agree that you might hear a bassline as having melodic elements, bu=
t is it a melody? In my opinion, it dosen't function as a melody so it isn'=
t intended to be one.<BR>
<DIV class=3D"im"><BR>
&gt; Maybe that's because I play that piece myself.<BR>
</DIV>Granted, but again, it's hard to see a baseline functioning as a melo=
dy. As the great master himself once said, " If you can't whistle it when y=
ou leave, it's not a melody. "<BR>
<DIV class=3D"im"><BR>
&gt; Isn't a bass-line a musical statement?<BR>
</DIV>Statement, yes, melody........?<BR>
<DIV class=3D"im"><BR>
<BR>
&gt; &gt; Perception doesn't really have anything to do with it.<BR>
&gt;<BR>
&gt; If you listened to just the bass line in the Bouree you'd<BR>
&gt; hear it as a melody. (and it even has some nice twiddles in it).<BR>
&gt;<BR>
&gt; That would be perceptual shift.<BR>
&gt;<BR>
&gt; Try it, it's fun.<BR>
<BR>
</DIV>Having listened to that piece on many ocassions, I have never heard t=
he bassline as a melody. Thjis would not require a perceptual change, it wo=
uld require a melody there to be heard.<BR>
Compare to say the Bach Gmaj fugue with the opening statement/subject/melod=
y started in the bass on the pedals, now that is a melody.<BR>
<DIV class=3D"im"><BR>
<BR>
&gt; &gt; If you are intending to get across two melodies,<BR>
&gt; &gt; a Fugue or Invention would be a much better choice since the<BR>
&gt; &gt; listener can discern two melodies ( in the case of a fugue,<BR>
&gt; &gt; subjects ) at once.<BR>
&gt;<BR>
&gt; Actually a within a fugue there is likely to be four simultaneous part=
s,<BR>
<BR>
</DIV>A simple fugue might be that, although Bach had written fugues with u=
p to 14 subjects, if you mean "parts" to be subjects. If you just mean 'par=
ts", then no, a fugue would start out with a statement of the subject, usua=
lly followed by the introduction of a counter-subject, a re-statement of th=
e subject &amp; on from there to any number of "parts" sounding at once.<BR>

<DIV class=3D"im"><BR>
&gt; ...but the terms 'subject' (and 'countersubject') don't refer to<BR>
&gt; that.<BR>
</DIV>Sorry, but I don't know what "that" you are referring to. I think I l=
ost what we were discussing at this point.<BR>
<DIV class=3D"im"><BR>
In a fugue a 'subject' is a theme which may appear in a number<BR>
&gt; of the parts. You're right though, the two part invention might be<BR>
&gt; a clearer example.<BR>
<BR>
&gt; &gt; Still not sure what the overall point is though.<BR>
&gt;<BR>
</DIV><DIV class=3D"im">&gt; Per's was that the Stick naturally helps the p=
layer<BR>
&gt; to play 2 independent lines, and that this was for him<BR>
&gt; a big advantage of moving from guitar to stick.<BR>
&gt; I was commenting that the guitar has historically been a<BR>
&gt; multi-part instrument, designed to play arrangements of music that<BR>
&gt; would equally suit an ensemble.<BR>
<BR>
</DIV>Understand this part &amp; yes, I completely agree. The guitar was in=
 a long line of instruments that allowed a single played to play some very =
complicated arrangements.<BR>
<DIV class=3D"im"><BR>
&gt; I hope I've explained, =A0...what point are you trying to make?<BR>
</DIV>Yes, Andy, this point is clear &amp; I certainly agree with it.<BR>
<BR>
<BR>
<BR>
Mark Showalter<BR>
Minden Jot!<BR>
<BR>
<A href=3D"http://myspace.com/folkstone57" target=3D"_blank">myspace.com/fo=
lkstone57</A><BR>
<A href=3D"http://www.last.fm/music/Mark+Showalter" target=3D"_blank">http:=
//www.last.fm/music/Mark+Showalter</A><BR>
&lt;a href=3D"<A href=3D"http://www.mylivesignature.com" target=3D"_blank">=
http://www.mylivesignature.com</A>" target=3D"_blank"&gt;&lt;img src=3D"<A =
href=3D"http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E1=
0C1043965108.png" target=3D"_blank">http://signatures.mylivesignature.com/5=
4488/99/F2BFFC9AD8D6528EA1E10C1043965108.png</A>" style=3D"border: 0 !impor=
tant; background: transparent;"/&gt;&lt;/a&gt;<BR>

<FONT color=3D"#888888"><BR>
<BR>
--<BR>
_______________________________________________<BR>
Surf the Web in a faster, safer and easier way:<BR>
Download Opera 9 at <A href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</A><BR>
<BR>
</FONT></BLOCKQUOTE></DIV><BR><BR clear=3D"all"><BR>-- <BR>=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D<BR>I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: "O siga, que he pagat per aquesta merda de m=E0quin=
a i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no pod=
ien posar-li una agulla , o que pitara, o alguna cosa aix=ED? "<BR>
<BR><BR>Raul Bonell at Blogger: <A href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</A><BR>Chain Tape Collective: <A href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</A><BR><BR>

</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>

--_----------=_1278646487139740--

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On 8 Jul 2010, at 22:30, Loaf citious wrote:

> I'm having some trouble w/ my new (old) Obie in regards to button
> responses.  I think I have a pre 98' which would indicate the problem
> described here:
> 
> http://www.loopers-delight.com/tools/echoplex/FAQ6.html
> (bottom of the page, consequently -  I think I'm a candidate for
> the resistor mod mentioned in the middle)
> 
> However, it seems the serial number of this unit got some digits
> missing from the sticker due to rack rash and I really
> couldn't look it up if I tried.

thats not so critical. you can cut off the pin of the 0804 anyway
if it does not help, it does not harm
the resistor change is only fixing audio levels that may not harm you
and you see quickly whether the resistors are changed already
> 
> I bought this unit from Warren S. (big thanks, I love it!) and it had
> the full memory upgrade.

I suspect he did any changes needed...

>  Then I ordered new chips and crystals. Put
> everything in and it synced up really great w/ my blackface - very
> happy about that.
> 
> But, this weirdness in the buttons...Today I got home and turned on
> the Single Obie, not connected to anything and the buttons all did
> what they were supposed to.  Then brother synced it and was have a
> great learning experience when the buttons started doing it again.
> The buttons problem is is the same on the foot pedel.
> 
> Are these things directly linked? it's obviously not the foot pedel if
> the buttons do the same exact thing.

well observed. maybe its the 0804 pin really. 
> 
> How can I find out if what year this thing is?
> 
> Is the 5th pin removal option still relevant to Loop IV?

yes, its not software related
> 
> I like modin' out the machine, it's challenging but..personal.
> Sorry for all the crazy questions at one time, I'm sure I'm gonna
> have a few more on the functionality subject later.
> 
> Big Thanks for any feedback,
> AndyG
> 

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From: Gareth Whittock <buddhamachine@live.co.uk>
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Subject: recording methods - what's your approach?
Date: Fri, 9 Jul 2010 07:07:00 +0000
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Hey guys=2C

I'm about to make a start on an album of expanded looping guitar and I've b=
een wondering how to go about making recordings that are fresh and spontane=
ous with hopefully a reasonably high level of playing proficiency. I normal=
ly make recordings by rehearsing ideas that have spontaneously occurred out=
 of looping jam sessions but when I work this way=2C it simply doesn't feel=
 the same as when there's no pressure to get it "right" - whatever that mea=
ns. I've compared rough but spontaneous recordings with more precise=2C tec=
hnically superior recordings and I nearly always prefer the former.

So I've decided to informally record a lot of my "jams" and treat the editi=
ng of them together as another part of the compositional process.=20

Does anyone else work this way here? I'm curious...

=20

Peace

=20

Gareth
 		 	   		  =

--_8bfa59e9-cf86-48a4-8d1d-a5c228ec2222_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
Hey guys=2C<BR>
I'm about&nbsp=3Bto make a start on an album of expanded looping guitar and=
&nbsp=3BI've been wondering how to go about making recordings that are fres=
h and spontaneous with hopefully a reasonably high level of playing profici=
ency. I normally make recordings by rehearsing ideas that have spontaneousl=
y occurred out of looping jam sessions but when I work this way=2C it simpl=
y doesn't feel the same as when there's no pressure to get it "right" - wha=
tever that means. I've compared rough but spontaneous&nbsp=3Brecordings wit=
h more precise=2C technically superior recordings and I nearly always prefe=
r the former.<BR>
So I've decided to informally&nbsp=3Brecord a lot of my "jams"&nbsp=3Band t=
reat the editing of them together as another part of the compositional proc=
ess. <BR>
Does anyone else work this way here? I'm curious...<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
Gareth<BR> 		 	   		  </body>
</html>=

--_8bfa59e9-cf86-48a4-8d1d-a5c228ec2222_--

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> 
>     at this point of the discussion, it would be cool if somebody here
>     could give us "the definitive" melody definition ... at least, one
>     that anybody can understand in 2010. come on!
> 

"A single musical line which conveys some kind of an idea 
by virtue of it's progression through time."


I think Mark's definition would be better thought of as an
attempt to describe "a good melody".  
( what about the bass line to 'Penny Lane' Mark?)


Anyone wanna explain why it's different in 2010?


andy

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Subject: Re: recording methods - what's your approach?
From: Per Boysen <perboysen@gmail.com>
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On Fri, Jul 9, 2010 at 9:07 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> I'm about=C2=A0to make a start on an album of expanded looping guitar and=
=C2=A0I've
> been wondering how to go about making recordings that are fresh and
> spontaneous with hopefully a reasonably high level of playing proficiency=
. I
> normally make recordings by rehearsing ideas that have spontaneously
> occurred out of looping jam sessions but when I work this way, it simply
> doesn't feel the same as when there's no pressure to get it "right" -
> whatever that means. I've compared rough but spontaneous=C2=A0recordings =
with
> more precise, technically superior recordings and I nearly always prefer =
the
> former.
> So I've decided to informally=C2=A0record a lot of my "jams"=C2=A0and tre=
at the
> editing of them together as another part of the compositional process.
> Does anyone else work this way here? I'm curious..


Yes, when I do solo recordings (not in collaboration) I work exactly
in the way you hint at. The major strategy is to set up your
performance rig/instrument in a way that also doubles as "recorder".

How to get there technically is of course a matter of what gear you
play and at what stage of pre-production/refinement you want to snag
your spontaneous recordings. Here are a couple of methods I have been
using:

- External stereo recorder, like the Zoom H4, for acoustic stereo
field recording.

- A DAT tape recorder for a line stereo recording of the master output
(digitally of analog line out depending on what gives). I used this
method a lot with the Electrixpro Repeater/EDP/Filterbank rig I had
five years ago.

- A computer dedicated for recording. This was very powerful when I
put an optical ADAT cable between the performance laptop and the
recording computer, because I was using the software Plogue Bidule in
wich it is easy to route signals. Then I recorded eight simultaneous
channels from my performance and got eight stereo audio files to mix.
That's great odds to get a good sound.

- Recording by rendering multiple files from a bunch of channels
running on the performance computer. This is the most simple methode -
"just pusch a button and record". I use Bidule for this and set up a
multi channel recorder object as part of my looping rig hosted by
Bidule (i.e. Mobius + effects).

- The absolutely simplest method is when I use Mainstage as the
looper/effects host because Mainstage only allows you to render one
stereo audio file of the main output. As much "you get what you here"
as you may get. This is the method I favor and pick first if there is
a choice. A good praxis is to record when practicing and just delete
the rendered files if not good (you should practice "being good" not
practice playing technique or obscure effect techniques).

- Finally a method I use if composing the music before playing it:
then I record into Logic and put all my normal live effects (that I
use on stage with Mainstage) as play-through-effect-chains on the
different logic audio track channel strips. This means I hear my
playing through these effects and adjust phrasing etc to the effect
sound but the recorded audio files on the drive will not have the
effect sound - only my dry line-in instrument sound. With this
recording approach you have the best chances to tweak the mix in the
best way after having recorded it. But it only works if you already
have learned a bit about how to produce a recording - with the other
methods you get great results if your playing sounds great in the
first plays. This method does not work if deciding the tempo is part
of the performance/playing - only if tempo is part of the composition
pre recording. For all other methods above the tempo is being defined
as I start playing (recording).

Sorry for the long post, but I thought I should just list what
different approaches I generally chose from. Only one is to be used of
course ;-)))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Phenomenal live looping performance....
Date: Fri, 9 Jul 2010 10:07:43 +0100
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English people can have soul

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 9 Jul 2010, at 01:01, Charles Zwicky wrote:

> It's hard to believe that she's English..  :)
>
>> Hi Charles,
>>
>> Thanks for this one.
>> I'm in love.
>> What great control over such a beautiful voice.
>>
>> Andre
>>
>> On Wed, July 7, 2010 2:33 pm, Charles Zwicky wrote:
>>>  Line 6 + SM58 + talent....
>>>
>>>  http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp
>>>
>>>
>>>
>>>  --
>>>
>>>  ...
>>>  http://www.zmix.net
>>>
>>>  http://www.esession.com/ChuckZwicky
>>>
>>>  http://albumcredits.com/zmix
>>>
>>>
>>
>>
>>
>> http://barbadosguitar.com/wordpress
>> http://twitter.com/AndreDonawa
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>
>
> -- 
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
English people can have soul<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 9 Jul 2010, =
at 01:01, Charles Zwicky wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">It's hard to believe that she's English..<span =
class=3D"Apple-converted-space">&nbsp; </span>:)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> <blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Hi Charles,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Thanks =
for this one.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I'm in love.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">What great control over such a beautiful =
voice.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Andre</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On Wed, July 7, 2010 2:33 pm, =
Charles Zwicky wrote:</div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;</span>Line 6 + SM58 + =
talent....</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.youtube.com/watch?v=3D2yWYT3Zpi7o&amp;NR=3D1&amp;featur=
e=3Dfvwp">http://www.youtube.com/watch?v=3D2yWYT3Zpi7o&amp;NR=3D1&amp;feat=
ure=3Dfvwp</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;</span>--</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;</span>...</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.zmix.net">http://www.zmix.net</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://www.esession.com/ChuckZwicky">http://www.esession.com/Chuck=
Zwicky</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://albumcredits.com/zmix">http://albumcredits.com/zmix</a></di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://barbadosguitar.com/wordpress">http://barbadosguitar.com/wor=
dpress</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://twitter.com/AndreDonawa">http://twitter.com/AndreDonawa</a>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><a =
href=3D"http://www.andredonawa.com">http://www.andredonawa.com</a></div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://cdbaby.com/all/andredonawa">http://cdbaby.com/all/andredona=
wa</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.myspace.com/andredonawa">http://www.myspace.com/andredo=
nawa</a></div> </blockquote><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">...</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.zmix.net">http://www.zmix.net</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.esession.com/ChuckZwicky">http://www.esession.com/Chuck=
Zwicky</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://albumcredits.com/zmix">http://albumcredits.com/zmix</a></di=
v><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 09:38:56 2010
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Few remarks on Per's response:

- Mainstage:
If you're looping in mono, you could pan the output hard to left. 
Then, you can sum all your input channels and pan them hard to the right.

- If you use Mobius as looper:
If you monitor your input, you can let Mobius recording everything going through the looper.
In addition, Mobius can save your loops.

I wonder if you could realistically route all channels (audio+midi) to Reaper for additional recording while looping with Mobius+MS?

best regards
Buzap
-- 
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Date: Fri, 9 Jul 2010 11:46:40 +0200
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Subject: Re: recording methods - what's your approach?
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On Fri, Jul 9, 2010 at 11:38 AM, Buzap Buzap <buzap@gmx.net> wrote:
>  Few remarks on Per's response:
> - If you use Mobius as looper:
> If you monitor your input, you can let Mobius recording everything going through the looper.
> In addition, Mobius can save your loops.


A remark on Buzz's remark on my remark:

I forgot to list the "recording in Mobius" method. It can be done in
two ways, and I have been using both. One is to "save as project"
where you get a properly named number of loops from all tracks and the
other is if you have "Save Project Layers" activated as a global
preference. Then every damn layer of every damn loop on every damn
track will be rendered as an audio file in its own right. Beware, this
can can result in an astronomic number of files. Nevertheless it can
be very useful.

Per

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 10:52:53 2010
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Date: Fri, 9 Jul 2010 03:52:51 -0700 (PDT)
Subject: Re: recording methods - what's your approach?
From: looppool@cruzio.com
To: "Gareth Whittock" <buddhamachine@live.co.uk>
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Gareth wrote:
"So I've decided to informally record a lot of my "jams" and treat the
editing of them together as another part of the compositional process.
Does anyone else work this way here? I'm curious..."

Honestly, Gareth, that is almost entirely how I work when using live looping
recordings.   I, too , love the spontaneity of just going for something
(frequently
completely unplanned) and then using modern digital sound manipulations
(including
the generous resampling and re-looping of passages in my improv) to create
new composition.

To me,  this process is as akin to sculpture as it is  to music and having
a high degree
of visual aesthetic in my own work,  I just love to work this way.

Also, as a great lover of the use of form and repetition of  leit motifs ,
 this way suits
me well.

I think of it as the intermediate process between pure improvisation
and my more formal abstract electronica compositions which are done purely
in the
computer and are not real time aproaches.

Schoenberg is credited as saying that all composition is just very slow
improvisation.

I'm fond of telling my students that improvisation can, conversely, be
thought of
as very rapid composition.

Indeed, when we use sophisticated tools in modern loopers like replace,
syncing, bouncing
slicing, dicing, complex and simple feedback manipulations we are just
experimenting
with form.

This is, of course, not the only way to use looping (Matthias Grob's
beautiful pieces that use
constant use of feedback to morph his loops in a seemless ambient way
comes to mind or Sjaak Overgauw or Fabio Anile's gorgeous approaches to
ambient live looping) but it really appeals
to me.

Best of luck,  I can't wait to hear your new record and hope you have it
finished in
time for your performance at Y2K-X this year.

warmly,  Rick Walker



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Subject: re: marvelous loop girl
From: halim zainal <halimzainal@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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--005045013dcc8a9316048af445a9
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Just wanna share this lovely piece.

http://www.youtube.com/watch?v=vMXqn42AykM

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Just wanna share this lovely piece.<br><br><a href="http://www.youtube.com/watch?v=vMXqn42AykM">http://www.youtube.com/watch?v=vMXqn42AykM</a><br>

--005045013dcc8a9316048af445a9--

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Date: Fri, 9 Jul 2010 09:28:57 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Phenomenal live looping performance....
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..or Halibut...

>English people can have soul
>
>Matt Stevens
>www.mattstevensguitar.com
><mailto:mattstevensguitar@btinternet.com>mattstevensguitar@btinternet.com
>
>
>
>
>On 9 Jul 2010, at 01:01, Charles Zwicky wrote:
>
>>It's hard to believe that she's English..  :)
>>
>>>Hi Charles,
>>>
>>>Thanks for this one.
>>>I'm in love.
>>>What great control over such a beautiful voice.
>>>
>>>Andre
>>>
>>>On Wed, July 7, 2010 2:33 pm, Charles Zwicky wrote:
>>>
>>>>  Line 6 + SM58 + talent....
>>>>
>>>> 
>>>><http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp>http://www.youtube.com/watch?v=2yWYT3Zpi7o&NR=1&feature=fvwp
>>>>
>>>>
>>>>
>>>>  --
>>>>
>>>>  ...
>>>>  <http://www.zmix.net>http://www.zmix.net
>>>>
>>>>  <http://www.esession.com/ChuckZwicky>http://www.esession.com/ChuckZwicky
>>>>
>>>>  <http://albumcredits.com/zmix>http://albumcredits.com/zmix
>>>>
>>>>
>>>
>>>
>>>
>>><http://barbadosguitar.com/wordpress>http://barbadosguitar.com/wordpress
>>><http://twitter.com/AndreDonawa>http://twitter.com/AndreDonawa
>>><http://www.andredonawa.com>http://www.andredonawa.com
>>><http://cdbaby.com/all/andredonawa>http://cdbaby.com/all/andredonawa
>>><http://www.myspace.com/andredonawa>http://www.myspace.com/andredonawa
>>>
>>
>>
>>--
>>
>>...
>><http://www.zmix.net>http://www.zmix.net
>>
>><http://www.esession.com/ChuckZwicky>http://www.esession.com/ChuckZwicky
>>
>><http://albumcredits.com/zmix>http://albumcredits.com/zmix


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-933440343==_ma============
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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Phenomenal live looping
performance....</title></head><body>
<div>..or Halibut...</div>
<div><br></div>
<blockquote type="cite" cite>English people can have soul</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Matt Stevens</blockquote>
<blockquote type="cite" cite>www.mattstevensguitar.com</blockquote>
<blockquote type="cite" cite><a
href="mailto:mattstevensguitar@btinternet.com"
>mattstevensguitar@btinternet.com</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br>
<br>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>On 9 Jul 2010, at 01:01, Charles Zwicky
wrote:</blockquote>
<blockquote type="cite" cite><br>
<blockquote type="cite" cite>It's hard to believe that she's
English..&nbsp; :)</blockquote>
<blockquote type="cite" cite><br>
<blockquote type="cite" cite>Hi Charles,</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Thanks for this one.</blockquote>
<blockquote type="cite" cite>I'm in love.</blockquote>
<blockquote type="cite" cite>What great control over such a beautiful
voice.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>Andre</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>On Wed, July 7, 2010 2:33 pm, Charles
Zwicky wrote:<br>
<blockquote type="cite" cite>&nbsp;Line 6 + SM58 +
talent....</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>&nbsp;<a
href=
"http://www.youtube.com/watch?v=2yWYT3Zpi7o&amp;NR=1&amp;feature=fvwp"
>http://www.youtube.com/watch?v=2yWYT3Zpi7o&amp;NR=1&amp;feature=fvwp</a
></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>&nbsp;--</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>&nbsp;...</blockquote>
<blockquote type="cite" cite>&nbsp;<a
href="http://www.zmix.net">http://www.zmix.net</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>&nbsp;<a
href="http://www.esession.com/ChuckZwicky"
>http://www.esession.com/ChuckZwicky</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>&nbsp;<a
href="http://albumcredits.com/zmix">http://albumcredits.com/zmix</a
></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><a
href="http://barbadosguitar.com/wordpress"
>http://barbadosguitar.com/wordpress</a></blockquote>
<blockquote type="cite" cite><a
href="http://twitter.com/AndreDonawa">http://twitter.com/AndreDonawa</a
></blockquote>
<blockquote type="cite" cite><a
href="http://www.andredonawa.com">http://www.andredonawa.com</a></blockquote
>
<blockquote type="cite" cite><a
href="http://cdbaby.com/all/andredonawa"
>http://cdbaby.com/all/andredonawa</a></blockquote>
<blockquote type="cite" cite><a
href="http://www.myspace.com/andredonawa"
>http://www.myspace.com/andredonawa</a><br>
</blockquote>
</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>--</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>...</blockquote>
<blockquote type="cite" cite><a
href="http://www.zmix.net">http://www.zmix.net</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><a
href="http://www.esession.com/ChuckZwicky"
>http://www.esession.com/ChuckZwicky</a></blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><a
href="http://albumcredits.com/zmix">http://albumcredits.com/zmix</a
></blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-933440343==_ma============--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 13:36:21 2010
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Date: Fri, 9 Jul 2010 09:36:13 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: re: marvelous loop girl
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Thanks for sharing this, it is Incredible..!

http://www.theresaandersson.com/

http://www.girlieaction.com/client.php?id=49

>Just wanna share this lovely piece.
>
><http://www.youtube.com/watch?v=vMXqn42AykM>http://www.youtube.com/watch?v=vMXqn42AykM


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-933439916==_ma============
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<html><head><style type="text/css"><!--
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 --></style><title>re: marvelous loop girl</title></head><body>
<div>Thanks for sharing this, it is Incredible..!</div>
<div><br></div>
<div>http://www.theresaandersson.com/</div>
<div><br></div>
<div>http://www.girlieaction.com/client.php?id=49</div>
<div><br></div>
<blockquote type="cite" cite>Just wanna share this lovely piece.<br>
<br>
<a
href="http://www.youtube.com/watch?v=vMXqn42AykM"
>http://www.youtube.com/watch?v=vMXqn42AykM</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-933439916==_ma============--

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Date: Fri, 09 Jul 2010 14:58:34 +0100
From: andy butler <akbutler@tiscali.co.uk>
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Subject: Re: recording methods - what's your approach?
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Gareth Whittock wrote:
> Hey guys,
> I'm about to make a start on an album of expanded looping guitar 

> So I've decided to informally record a lot of my "jams" and treat the 
> editing of them together as another part of the compositional process.
> Does anyone else work this way here? I'm curious...




My method is to get a piece more or less composed,
then start making direct to stereo recordings.
Hoping to get that special take just as the piece finally
takes shape for the first time.
That's how I made the "Livelooping" cd.

There is of course the "pressure to get it right" doing it that way,
with some pieces being easy to get done in a few takes, but some
not. ...but as I aimed to play the stuff live it was worth it.
With the composition still being somewhat open during recording
it seems to keep the spontaneity.
Have to admit though, not done any recording in a long while,
it's not the most user friendly of methods.


I do have a collection of recorded improvs, so might one day
edit them into usefulness. 


andy
ps

For recordings that are going to be edited, it can make things
much easier if you record the unlooped audio separately to the 
loops. Then it's possible to edit the original performance and 
re-loop it if need be.


  

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Subject: Re: recording methods - what's your approach?
Date: Fri, 9 Jul 2010 16:03:19 +0200
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Dies ist eine mehrteilige Nachricht im MIME-Format.

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The problem with recording an album by using material from looping jam =
sessions is that it might
be spontaneous fresh sounding music, but it lacks from (complex) =
composed tracks and good sounding.=20
We will be overwhelmed with  so many music in our times, cause everyone =
thinks: Oh, I just
sit down, take my guitar and looping device, turn on the laptop and =
record some tunes and
release it on CD, put it on the internet for download or just on myspace =
- player.
It=B4s so easy to release music. I=B4m not sure if I like it.
My opinion is that musicians should take more care about composition or =
at least about
editing and mixing their stuff. This would help to get a higher standard =
of providing music
to the public.=20
I personally record nearly every private looping session too. But =
don=B4t think I must have everyone
in the whole wide world listen to every piece of crap...
Christo

From: Gareth Whittock=20
Sent: Friday, July 09, 2010 9:07 AM
To: loopers-delight@loopers-delight.com=20
Subject: recording methods - what's your approach?


Hey guys,
I'm about to make a start on an album of expanded looping guitar and =
I've been wondering how to go about making recordings that are fresh and =
spontaneous with hopefully a reasonably high level of playing =
proficiency. I normally make recordings by rehearsing ideas that have =
spontaneously occurred out of looping jam sessions but when I work this =
way, it simply doesn't feel the same as when there's no pressure to get =
it "right" - whatever that means. I've compared rough but spontaneous =
recordings with more precise, technically superior recordings and I =
nearly always prefer the former.
So I've decided to informally record a lot of my "jams" and treat the =
editing of them together as another part of the compositional process.=20
Does anyone else work this way here? I'm curious...
=20
Peace
=20
Gareth

------=_NextPart_000_0036_01CB1F80.3F7E0710
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<STYLE><!--
.hmmessage P
{
margin:0px;
padding:0px
}
body.hmmessage
{
font-size: 10pt;
font-family:Tahoma
}
--></STYLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16588"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody class=3Dhmmessage leftMargin=3D0 topMargin=3D0=20
CanvasTabStop=3D"true" name=3D"Compose message area">
<DIV><FONT size=3D3 face=3DCalibri>The problem with recording an album =
by using=20
material from looping jam sessions is that it might</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>be spontaneous fresh sounding music, =
but it lacks=20
from (complex) composed tracks and good sounding. </FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>We&nbsp;will be overwhelmed =
with&nbsp; so many=20
music in our times,&nbsp;cause everyone thinks: Oh, I just</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>sit down, take my guitar and looping =
device, turn=20
on the laptop and record some tunes and</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>release it on CD, put it on the =
internet for=20
download or just on myspace - player.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>It=B4s so easy to release music. =
I=B4m not sure if I=20
like it.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>My opinion is that musicians should =
take more=20
care about composition or at least about</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>editing and mixing their stuff. This =
would help=20
to get a higher standard of providing music</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>to the public. </FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>I personally record nearly every =
private looping=20
session too. But don=B4t think I must have everyone</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>in the whole wide world listen to =
every piece of=20
crap...</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>Christo</FONT><BR></DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A=20
title=3D"mailto:buddhamachine@live.co.uk&#10;STRG + Klicken, um =
Verkn=FCpfung zu folgen"=20
href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
<DIV><B>Sent:</B> Friday, July 09, 2010 9:07 AM</DIV>
<DIV><B>To:</B> <A=20
title=3D"mailto:loopers-delight@loopers-delight.com&#10;STRG + Klicken, =
um Verkn=FCpfung zu folgen"=20
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> recording methods - what's your =
approach?</DIV></DIV></DIV>
<DIV><BR></DIV>Hey guys,<BR>I'm about&nbsp;to make a start on an album =
of=20
expanded looping guitar and&nbsp;I've been wondering how to go about =
making=20
recordings that are fresh and spontaneous with hopefully a reasonably =
high level=20
of playing proficiency. I normally make recordings by rehearsing ideas =
that have=20
spontaneously occurred out of looping jam sessions but when I work this =
way, it=20
simply doesn't feel the same as when there's no pressure to get it =
"right" -=20
whatever that means. I've compared rough but spontaneous&nbsp;recordings =
with=20
more precise, technically superior recordings and I nearly always prefer =
the=20
former.<BR>So I've decided to informally&nbsp;record a lot of my =
"jams"&nbsp;and=20
treat the editing of them together as another part of the compositional =
process.=20
<BR>Does anyone else work this way here? I'm=20
curious...<BR>&nbsp;<BR>Peace<BR>&nbsp;<BR>Gareth<BR></BODY></HTML>

------=_NextPart_000_0036_01CB1F80.3F7E0710--

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Subject: Re: recording methods - what's your approach?
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"For recordings that are going to be edited, it can make things
much easier if you record the unlooped audio separately to the 
loops. Then it's possible to edit the original performance and 
re-loop it if need be."

Good tip , Andy.



--------------------------------------------------
From: "andy butler" <akbutler@tiscali.co.uk>
Sent: Friday, July 09, 2010 3:58 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: recording methods - what's your approach?

> Gareth Whittock wrote:
>> Hey guys,
>> I'm about to make a start on an album of expanded looping guitar 
> 
>> So I've decided to informally record a lot of my "jams" and treat the 
>> editing of them together as another part of the compositional process.
>> Does anyone else work this way here? I'm curious...
> 
> 
> 
> 
> My method is to get a piece more or less composed,
> then start making direct to stereo recordings.
> Hoping to get that special take just as the piece finally
> takes shape for the first time.
> That's how I made the "Livelooping" cd.
> 
> There is of course the "pressure to get it right" doing it that way,
> with some pieces being easy to get done in a few takes, but some
> not. ...but as I aimed to play the stuff live it was worth it.
> With the composition still being somewhat open during recording
> it seems to keep the spontaneity.
> Have to admit though, not done any recording in a long while,
> it's not the most user friendly of methods.
> 
> 
> I do have a collection of recorded improvs, so might one day
> edit them into usefulness. 
> 
> 
> andy
> ps
> 
> For recordings that are going to be edited, it can make things
> much easier if you record the unlooped audio separately to the 
> loops. Then it's possible to edit the original performance and 
> re-loop it if need be.
> 
> 
>  
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 14:10:37 2010
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Talented girl she is. Love it!

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Talented girl she is. Love it!<br>

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Subject: Galactic Travels Playlist #692 for July 8, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100708.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #692                July 8, 2010.

RECAP:
On this show, I continued the month-long focus on Rene van der Wouden.
The Featured CD at Midnight was Recreation by Rene van der Wouden on
REWO Records.

Rene van der Wouden:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul

I also played new music from the Aleph Zero label and from Alio Die and
Parallel Worlds, as well as music by Mikronesia who will perform at the
Soundscapes Concert Series on July 23.

Soundscapes Concert Series: http://soundscapes.us


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mikronesia           Part                 vxvii (Kikapu)
computerchemist      danube flow          aqual measure (none)
Eitan Reiter         Underwater           Places I Miss That I Haven't
                                            Been To (Aleph Zero)
Alio Die and         Slide of Grace       Circo Divino (Hic Sunt Leones)
  Parallel Worlds
Jonn Serrie          Thousand Star        Thousand Star (New World)
Daniel Bloom         Mount Meru           Event Horizon (Ricochet Dream)
Rene van der Wouden  Recreation 1         Recreation (REWO)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Rene van der Wouden  Recreation 2         Recreation (REWO)
Rene van der Wouden  Recreation 3         Recreation (REWO)
Rene van der Wouden  Recreation 4         Recreation (REWO)
Rene van der Wouden  Recreation 5         Recreation (REWO)
Rene van der Wouden  Recreation 6         Recreation (REWO)
Rene van der Wouden  Recreation 7         Recreation (REWO)
Rene van der Wouden  Recreation 8         Recreation (REWO)
Rene van der Wouden  The Last Recreation  Recreation (REWO)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Rene
van der Wouden.  The Featured CD at Midnight will be Alchemia on REWO
Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
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Listen to WDIY at http://wdiy.org/listen on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
=======================================================================

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 14:58:25 2010
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Subject: Re: marvelous loop girl
Date: Fri, 9 Jul 2010 07:58:24 -0700
References: <AANLkTikJBfBofIZFfyK6Cb7QKgc8iSh1peqq6odZquCq@mail.gmail.com> <p06240807c85cd62ae2b1@[192.168.2.2]>
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Marvelous . . . and better looking than most of us (LOL).

On Jul 9, 2010, at 6:36 AM, Charles Zwicky wrote:

> Thanks for sharing this, it is Incredible..!
>
> http://www.theresaandersson.com/
>
> http://www.girlieaction.com/client.php?id=49
>
>> Just wanna share this lovely piece.
>>
>> http://www.youtube.com/watch?v=vMXqn42AykM
>
> -- 
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix

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and I love the real-time sampling of vinyl for the drum beat.. :)

Quoting tEd =AE KiLLiAn <tedkillian@charter.net>:

> Marvelous . . . and better looking than most of us (LOL).
>
> On Jul 9, 2010, at 6:36 AM, Charles Zwicky wrote:
>
>> Thanks for sharing this, it is Incredible..!
>>
>> http://www.theresaandersson.com/
>>
>> http://www.girlieaction.com/client.php?id=3D49
>>
>>> Just wanna share this lovely piece.
>>>
>>> http://www.youtube.com/watch?v=3DvMXqn42AykM
>>
>> --=20
>> ...
>> http://www.zmix.net
>>
>> http://www.esession.com/ChuckZwicky
>>
>> http://albumcredits.com/zmix


From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 15:41:01 2010
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Subject: Re: tragic news
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Wow.. I opened my Loopers-Delight box and there were over 1000 messages! =
My first reaction was 'what the hell?' but then I read the sad news =
about Kim Flint.

What I understand is that he's the driving force and also initiator (?) =
of Loopers Delight. And I recognize his name from the Gibson Echoplex =
manual for sure! This is not just a big loss for his family and close =
ones but for the whole looping community... My condolences to Violet and =
everyone here that knew him closely!

Reyn.=

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On 9 Jul 2010, at 07:52, looppool@cruzio.com wrote:
>=20
> Schoenberg is credited as saying that all composition is just very =
slow
> improvisation.
>=20
> I'm fond of telling my students that improvisation can, conversely, be
> thought of
> as very rapid composition.

I have not been a composer in 25 years, but I did compose for my early =
bands (isis, Lizard)
and I do not see much similarity with my kind of improvisation
its certainly not just a difference of speed
when composing, we can try different options, calculate, use rules...
to some extent, this is possible to do in real time to help =
improvisation
but its only a "fix" from my point of view, and unnecessary when we are =
inspired

so for me its as different as "think of what I will do" vs "observe what =
I am doing"
>=20
> Indeed, when we use sophisticated tools in modern loopers like =
replace,
> syncing, bouncing
> slicing, dicing, complex and simple feedback manipulations we are just
> experimenting
> with form.
>=20
> This is, of course, not the only way to use looping (Matthias Grob's
> beautiful pieces that use
> constant use of feedback to morph his loops in a seemless ambient way
> comes to mind or Sjaak Overgauw or Fabio Anile's gorgeous approaches =
to
> ambient live looping) but it really appeals
> to me.

oh, thank you for mentioning me!=20
:-)=

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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><br><div><div>On 9 Jul 2010, at 07:52, <a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a> =
wrote:</div><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font>Schoenberg is =
credited as saying that all composition is just very =
slow<br>improvisation.<br><br>I'm fond of telling my students that =
improvisation can, conversely, be<br>thought of<br>as very rapid =
composition.<br></div></blockquote><div><br></div>I have not been a =
composer in 25 years, but I did compose for my early bands (isis, =
Lizard)</div><div>and I do not see much similarity with my kind of =
improvisation</div><div>its certainly not just a difference of =
speed</div><div>when composing, we can try different options, calculate, =
use rules...</div><div>to some extent, this is possible to do in real =
time to help improvisation</div><div>but its only a "fix" from my point =
of view, and unnecessary when we are =
inspired</div><div><br></div><div>so for me its as different as "think =
of what I will do" vs "observe what I am doing"<br><blockquote =
type=3D"cite"><div><br>Indeed, when we use sophisticated tools in modern =
loopers like replace,<br>syncing, bouncing<br>slicing, dicing, complex =
and simple feedback manipulations we are just<br>experimenting<br>with =
form.<br><br>This is, of course, not the only way to use looping =
(Matthias Grob's<br>beautiful pieces that use<br>constant use of =
feedback to morph his loops in a seemless ambient way<br>comes to mind =
or Sjaak Overgauw or Fabio Anile's gorgeous approaches to<br>ambient =
live looping) but it really appeals<br>to =
me.<br></div></blockquote></div><br><div>oh, thank you for mentioning =
me!&nbsp;</div><div>:-)</div></body></html>=

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<<Thanks for sharing this, it is Incredible..!>>


nice!.....but i wonder if the fridge uses midi?

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Subject: Re: marvelous loop girl
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yes, Theresa is great
there is a live version which I find nicer:
http://www.youtube.com/watch?v=3DICuP4JGoAiA

also, note the difference from her older piece which is recorded in the =
same kitchen corner:
http://www.youtube.com/watch?v=3Dn2eD4GcLohE
especially in terms of pedal, white paint, white carpet... :-)

why is it that the older got over a million, 10 times more hits although =
its only twice as old?

On 9 Jul 2010, at 10:20, halim zainal wrote:

> Just wanna share this lovely piece.
>=20
> http://www.youtube.com/watch?v=3DvMXqn42AykM


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">yes, =
Theresa is great<div>there is a live version which I find =
nicer:</div><div><a =
href=3D"http://www.youtube.com/watch?v=3DICuP4JGoAiA">http://www.youtube.c=
om/watch?v=3DICuP4JGoAiA</a></div><div><br></div><div>also, note the =
difference from her older piece which is recorded in the same kitchen =
corner:</div><div><a =
href=3D"http://www.youtube.com/watch?v=3Dn2eD4GcLohE">http://www.youtube.c=
om/watch?v=3Dn2eD4GcLohE</a></div><div>especially in terms of pedal, =
white paint, white carpet... :-)</div><div><br></div><div>why is it that =
the older got over a million, 10 times more hits although its only twice =
as old?</div><div><br><div><div>On 9 Jul 2010, at 10:20, halim zainal =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Just wanna share this lovely piece.<br><br><a =
href=3D"http://www.youtube.com/watch?v=3DvMXqn42AykM">http://www.youtube.c=
om/watch?v=3DvMXqn42AykM</a><br>
</blockquote></div><br></div></body></html>=

--Apple-Mail-12--255299775--

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Subject: Re: marvelous loop girl
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">yes, =
Theresa is great<div>there is a live version which I find =
nicer:</div><div><a =
href=3D"http://www.youtube.com/watch?v=3DICuP4JGoAiA">http://www.youtube.c=
om/watch?v=3DICuP4JGoAiA</a></div><div><br></div><div>also, note the =
difference from her older piece which is recorded in the same kitchen =
corner:</div><div><a =
href=3D"http://www.youtube.com/watch?v=3Dn2eD4GcLohE">http://www.youtube.c=
om/watch?v=3Dn2eD4GcLohE</a></div><div>especially in terms of pedal, =
white paint, white carpet... :-)</div><div><br></div><div>why is it that =
the older got over a million, 10 times more hits although its only twice =
as old?</div><div><br><div><div>On 9 Jul 2010, at 10:20, halim zainal =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Just wanna share this lovely piece.<br><br><a =
href=3D"http://www.youtube.com/watch?v=3DvMXqn42AykM">http://www.youtube.c=
om/watch?v=3DvMXqn42AykM</a><br>
</blockquote></div><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 19:35:10 2010
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Date: Fri, 9 Jul 2010 21:35:07 +0200
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Subject: Re: recording methods - what's your approach?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Fri, Jul 9, 2010 at 12:52 PM,  <looppool@cruzio.com> wrote:
> This is, of course, not the only way to use looping (Matthias Grob's
> beautiful pieces that use
> constant use of feedback to morph his loops in a seemless ambient way
> comes to mind or Sjaak Overgauw or Fabio Anile's gorgeous approaches to
> ambient live looping) but it really appeals
> to me.

Gareth,
I've recorded my debut album using Mainstage as the looper/effects
host and for direct to stereo recordings, as described by Per. All
tracks on the album are snippets of live improv recordings of 20-30
minutes. I added a fade-in and fade-out, Dirk Serries did the
mastering and that was the whole process.

Key element for me was a good preparation: sound design, test
recordings, a balanced mix, knowing how to use your midi controllers
and loopers, in my case constant use of feedback as Rick described.
This was of great importance during creative process and resulted in
pure and spontaneous recordings but also good sounding recordings
which didn't require mixing. In addition to that, I don't try to think
about the fact that I'm making recordings when I push the record
button. Don't put too much pressure on yourself, inspiration is always
there as long as you have patience. I think the trick is to record
"the magic", "catch flow", enjoy the moment of this magic and not to
worry about a track for an album. I know that's difficult but you can
do it if you practise and believe in yourself. It took me years, and I
just discovered the surface, so please give yourself a little time :)

A good example of a pure live improv track I recorded as described is
the title track "59 Airplanes waiting for New York". You can listen to
it online at
http://music.premonitionfactory.com/track/59-airplanes-waiting-for-new-york

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 20:01:36 2010
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Subject: Re: marvelous loop girl
From: halim zainal <halimzainal@gmail.com>
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--0016e6481a54b77873048af9dea8
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That is so phenomenal. Insane. Thank you for sharing Matthias.

--0016e6481a54b77873048af9dea8
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That is so phenomenal. Insane. Thank you for sharing Matthias.<br>

--0016e6481a54b77873048af9dea8--

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 20:36:46 2010
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Date: Fri, 9 Jul 2010 14:36:43 -0600
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Subject: Re: recording methods - what's your approach?
From: Dennis Moser <sinsofmachaut@gmail.com>
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All of these recordings being released by Mark on the JustNotNormal
netlabel are being done very much as Sjaak describes below:

http://justnotnormal.wordpress.com/full-moon-concerts/

... I'm using mostly hardware effects (moving more and more into the
use of software-based goodies that may or may not be evident). About
all that happens to them after I've done a direct to TASCAM DR-100
recording is to remove whatever vocal intros I may have made and some
fade-ins and fade-outs. The WAV files are then sent on to Mark for
mastering.

Best,

Dennis

On Fri, Jul 9, 2010 at 1:35 PM, Sjaak Overgaauw <tcplugin@gmail.com> wrote:
> On Fri, Jul 9, 2010 at 12:52 PM, =A0<looppool@cruzio.com> wrote:
>> This is, of course, not the only way to use looping (Matthias Grob's
>> beautiful pieces that use
>> constant use of feedback to morph his loops in a seemless ambient way
>> comes to mind or Sjaak Overgauw or Fabio Anile's gorgeous approaches to
>> ambient live looping) but it really appeals
>> to me.
>
> Gareth,
> I've recorded my debut album using Mainstage as the looper/effects
> host and for direct to stereo recordings, as described by Per. All
> tracks on the album are snippets of live improv recordings of 20-30
> minutes. I added a fade-in and fade-out, Dirk Serries did the
> mastering and that was the whole process.
>
> Key element for me was a good preparation: sound design, test
> recordings, a balanced mix, knowing how to use your midi controllers
> and loopers, in my case constant use of feedback as Rick described.
> This was of great importance during creative process and resulted in
> pure and spontaneous recordings but also good sounding recordings
> which didn't require mixing. In addition to that, I don't try to think
> about the fact that I'm making recordings when I push the record
> button. Don't put too much pressure on yourself, inspiration is always
> there as long as you have patience. I think the trick is to record
> "the magic", "catch flow", enjoy the moment of this magic and not to
> worry about a track for an album. I know that's difficult but you can
> do it if you practise and believe in yourself. It took me years, and I
> just discovered the surface, so please give yourself a little time :)
>
> A good example of a pure live improv track I recorded as described is
> the title track "59 Airplanes waiting for New York". You can listen to
> it online at
> http://music.premonitionfactory.com/track/59-airplanes-waiting-for-new-yo=
rk
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>



--=20
http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Fri Jul  9 21:45:47 2010
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Date: Fri, 9 Jul 2010 14:45:46 -0700
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Subject: Re: recording methods - what's your approach?
From: Matt Davignon <mattdavignon@gmail.com>
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I pretty much do the same thing:

1) When performing or practicing, I record with a Zoom recorder.

2) I open the raw file to my computer, and mark out the different
sections of the recording that sound like songs.

3) I copy any "songs" that sound at all good to a new file in save
them to a folder called "New cd project". For my last CD, there were
about 40 songs.

4) I listen to all those songs over the course of a few months, trying
to take the viewpoint of someone who doesn't personally know me, and
who doesn't have the frame of reference. Do they hold my interest? Do
I find my mind wanting to skip ahead? Am I presenting the sound
persona I want to present? Using this judgment, I save the "winners"
to a subfolder. By now, the 40 songs are down to about 15 songs.

5) By this point, I usually have an idea of which songs make good
"beginning songs", "middle songs" and "end songs".

6) I start putting the CD program together - starting with "beginning"
songs. I listen very closely to the spaces between songs, and how well
they "flow" into each other. Here's where I do most of my editing of
where songs stop and start within each track. By the time I'm done, I
usually still have 3 to 5 perfectly good songs that don't really have
a place on the cd. I'm perfectly fine with that.

7A) I give copies of the current draft to friends who can be honest
critics, and ask them to take note of any moments where things aren't
totally interesting, or that seem awkward.

7B) I then listen to the cd very closely at least once a day for at
least 2 weeks - literally staring at the screen and paying attention
to nothing else. Here's where I fix relative volume levels between
songs, and make edits to songs that are too long. I'm more interested
in creating a well-flowing cd than creating "a document of my work",
so I'm not bashful at all about cutting out substantial portions from
the middle of a track. If I find my mind wandering, then an edit is
probably necessary. For example, two tracks on "Living Things" were
originally 11 minutes long, and are now 6 minutes long. If they were
still 11 minutes long, very few people would want to hear the CD more
than twice.

8) Then it's ready for professional mastering!

Btw, Sony's CD Architect is a great program for steps 6 and 7. You can
click and drag to adjust the spaces between songs, and volume
envelopes, AND the exact moment when each track # advances, but you
can build a multi-track view of your songs, which makes the very exact
edits for step 7B really easy. With loop-based music, it's fairly easy
to do these edits because you can see the loop's repetitive patterns
in the waveform. CD Architect lets you zoom in and make these
adjustments down to the single sample, and then build fades to smooth
it out.


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 01:37:09 2010
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Date: Sat, 10 Jul 2010 02:37:08 +0100
Subject: Re: Bowing Stick - practice session clip shared OT
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>=20
> >
> >     at this point of the discussion, it would be cool if somebody here
> >     could give us "the definitive" melody definition ... at least, one
> >     that anybody can understand in 2010. come on!
> >
>=20
> "A single musical line which conveys some kind of an idea by virtue=20
> of it's progression through time."

Not too crazy about this definition.
Try:
1. a succession of notes forming a distinctive sequence
2. the perception of pleasant arrangements of musical notes
A rhythmically organized sequence of single tones so related to one another=
 as to make up a particular phrase or idea.
Structure with respect to the arrangement of single notes in succession.
The leading part or the air in a composition with accompaniment.
Rhythmic succession of single tones organized as an aesthetic whole. The me=
lody is often the highest line in a musical composition. Melodies may sugge=
st their own harmony or counterpoint. As fundamental as rhythm and metre (a=
nd more so than harmony), melody is common to all musical cultures.

Here is a rather academic treatment of melody:

A series of musical notes arranged in succession, in a particular rhythmic =
pattern, to form a recognizable unit. Melody is a universal human phenomeno=
n, traceable to pre-historic times. The origins of melodic thinking have be=
en sought in language, in birdsong and other animal sounds, and in the cryi=
ng and playing of young children. The early development of melody may have =
proceeded from one-step voice inflections through combinations of such smal=
l intervals as minor 3rds and major 2nds to pentatonic patterns (i.e.based =
on a five-note scale) such as are found in many parts of the world (includi=
ng some quite highly developed forms of Western art music where they often =
serve as a basis).


The concept of melody differs widely across cultures. One might compare the=
 intensity of detail in an Indian raga with the austere lines of Western ec=
clesiastical chant, or the static, repetitive melodies of Japanese noh play=
s with the expansively lyrical lines of a Schubert song or the motivically =
generated melodies of Beethoven. In some cultures, specific melodies are as=
sociated with particular texts, as in Japanese noh plays and Western plainc=
hant. Most melodies display patterns of rise or fall, of motivic patterning=
 and of final cadencing that are specific to their cultures. Often such mat=
ters are related to the key or mode in which they are cast, which is likely=
 to dictate their final note.

Melody is traditionally considered, along with rhythm and harmony, as one o=
f the three fundamental elements in music. It is an oversimplification to r=
egard them as independent, however. Rhythm is an important element within m=
elody itself, not only because each note of the melody has a duration but a=
lso because larger-scale rhythmic articulation gives shape and vitality to =
a melody; while, at least in Western music, harmony often plays a fundament=
al role in determining the contour and direction of a melodic line, and the=
 harmonic implications of a line of melody may accordingly give it life. Id=
eas of what constitutes a melody, and in particular a beautiful melody, are=
 constantly changing in Western music; almost every generation has criticiz=
ed the next for producing music lacking in melody when it is simply that id=
eas of good melody are changing - a point strongly made by Wagner in Die Me=
istersinger (1868) where, incorporating melodic ideas from the mastersinger=
s of the 16th century, Wagner opposed the conservative Beckmesser, who beli=
eves in a set of rules for the composition of melody, with the young knight=
 Walther from Stolzing, who has a new, imaginative idea (as Wagner felt he =
did himself) of what melody can be. In vocal music, from the time of the me=
dieval troubadours through the song composers of the late Renaissance and t=
he composers of bel canto opera, melody has always been of primary importan=
ce, and it remained so particularly in the Classical and Romantic eras, in =
instrumental music as well as vocal. The breakdown of the tonal system in t=
he 20th century, and the freer use of chromaticism and large leaps, has mad=
e melody less easy to apprehend.

>=20
> I think Mark's definition would be better thought of as an
> attempt to describe "a good melody".  ( what about the bass line to=20
> 'Penny Lane' Mark?)

Yes, I was trying to describe "melody" & of course I was using good melodie=
s as examples. The bassline to "Penny Lane" is great & I was waiting for th=
at one to be mentioned. I would certainly add "Day Tripper" to the list & o=
f course, Pink Floyd's "Money", which is probably one of the most recogniza=
ble basslines ever penned or aired. Even "COme Together" has a very interes=
ting bassline. However, please keep in mind that one of my points I present=
ed was "function", that is, A MUSICAL STATEMENT THAT IS INTENDED TO BE A ME=
LOODY. I have never heard anyone try to say that McCartney intended the bas=
sline in "Penny Lane" to be a melody, & I'm fairly certain McCartney never =
said any such thing. All three have elements of melody, & you could certain=
ly sing or hum all, although I think "Penny Lane " would be the harder of t=
he three to do so.=20

> Anyone wanna explain why it's different in 2010?
Why what is different?=20
>=20
> andy

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 05:53:59 2010
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Date: Fri, 9 Jul 2010 22:53:56 -0700 (PDT)
Subject: Re: recording methods - what's your approach?
From: looppool@cruzio.com
To: "Christo Jota" <chris@christojota.de>
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Honestly, Christo,

I see what you say, but at the same time,
I have a lot of confidence in the depth of my own personal improvisations.
I've worked all of my life in many, many different contexts to be able to
produce really
deep and meaningful improvisations in many differnent kinds of contexts
(which is not to say
that I can hit a 'homerun' with every artistic endeavor).

It can produce crap, but , at the same time,  it can also produce really
beautiful
pieces of music because of it's spontaneity.

It's all down to how good an intrinsic composer and an intrinsic producer
each artist is
.....and, finally, down to what kind of discernment a person has when
editing (or producing
oneself).

I would advise:   take a chance on oneself and edit out what sucks and let
exist what is
potent and powerful.

To be overcautious can frequently kill what might be the next thing that
could possibly change the world (or morph it slightly).

It takes courage to make changes in live and in music.

If we are over cautious continually, then the status quo in art will
always exist.
We must, if you ask me , personally, take risks in artistry. If we don't ,
nothing will change for the better.

yours,

respectfully,   Rick Walker



> The problem with recording an album by using material from looping jam
> sessions is that it might
> be spontaneous fresh sounding music, but it lacks from (complex) composed
> tracks and good sounding.
> We will be overwhelmed with  so many music in our times, cause everyone
> thinks: Oh, I just
> sit down, take my guitar and looping device, turn on the laptop and record
> some tunes and
> release it on CD, put it on the internet for download or just on myspace -
> player
> I personally record nearly every private looping session too. But don´t
> think I must have everyone
> in the whole wide world listen to every piece of crap...
> Christo



From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 06:16:52 2010
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It's been enlightening=2C reading about the various approaches employed her=
e. Thank you all for that. One of the reasons I'm interested in this method=
 is that Tangerine Dream used to jam for hours in the studio and then cut i=
t up=2C stick it together and voila - An album! Phaedra and Rubicon are 2 o=
f my favourite albums to date. Similarly=2C Jimi Page has been quoted as sa=
ying he'd have up to 3 goes at a guitar solo and if he didn't get it right=
=2C he'd leave it for another time because the freshness would have evapora=
ted.

 I was jamming along in my shed the other day and came upon something that =
made me sit up. I recorded it immediately but then decided to re-create tha=
t atmosphere from scratch in order to get the build-up recorded - no way di=
d it sound the same. Same=2C setup=2C (memorised by the computer)=2C same r=
oom=2C same me=2C same key and similar notes and I couldn't get near it. It=
 put me in mind of chaos theory where a small change in one aspect of the m=
usc has a much larger effect on the feel of the whole piece.

=20

I've ordered a copy of "Zen Guitar" from Amazon btw. I think it was mention=
ed on this list some years ago but looking forward to experimenting not onl=
y with my music but with my whole approach to that music.

=20

Peace

=20

G

=20
> Date:.  Fri=2C 9 Jul 2010 22:53:56 -0700
> Subject: Re: recording methods - what's your approach?
> From: looppool@cruzio.com
> To: chris@christojota.de
> CC: loopers-delight@loopers-delight.com
>=20
> Honestly=2C Christo=2C
>=20
> I see what you say=2C but at the same time=2C
> I have a lot of confidence in the depth of my own personal improvisations=
.
> I've worked all of my life in many=2C many different contexts to be able =
to
> produce really
> deep and meaningful improvisations in many differnent kinds of contexts
> (which is not to say
> that I can hit a 'homerun' with every artistic endeavor).
>=20
> It can produce crap=2C but =2C at the same time=2C it can also produce re=
ally
> beautiful
> pieces of music because of it's spontaneity.
>=20
> It's all down to how good an intrinsic composer and an intrinsic producer
> each artist is
> .....and=2C finally=2C down to what kind of discernment a person has when
> editing (or producing
> oneself).
>=20
> I would advise: take a chance on oneself and edit out what sucks and let
> exist what is
> potent and powerful.
>=20
> To be overcautious can frequently kill what might be the next thing that
> could possibly change the world (or morph it slightly).
>=20
> It takes courage to make changes in live and in music.
>=20
> If we are over cautious continually=2C then the status quo in art will
> always exist.
> We must=2C if you ask me =2C personally=2C take risks in artistry. If we =
don't =2C
> nothing will change for the better.
>=20
> yours=2C
>=20
> respectfully=2C Rick Walker
>=20
>=20
>=20
> > The problem with recording an album by using material from looping jam
> > sessions is that it might
> > be spontaneous fresh sounding music=2C but it lacks from (complex) comp=
osed
> > tracks and good sounding.
> > We will be overwhelmed with so many music in our times=2C cause everyon=
e
> > thinks: Oh=2C I just
> > sit down=2C take my guitar and looping device=2C turn on the laptop and=
 record
> > some tunes and
> > release it on CD=2C put it on the internet for download or just on mysp=
ace -
> > player
> > I personally record nearly every private looping session too. But don=
=AEt
> > think I must have everyone
> > in the whole wide world listen to every piece of crap...
> > Christo
>=20
>=20
>=20
 		 	   		  =

--_34548454-e5f1-49f0-acbe-ebd9ab304cd7_
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<body class=3D'hmmessage'>
It's been enlightening=2C reading about the various approaches employed her=
e. Thank you all for that. One of the reasons I'm interested in this method=
 is that&nbsp=3BTangerine Dream used to jam&nbsp=3Bfor hours in the studio =
and then cut it up=2C stick it together and voila - An album! Phaedra and R=
ubicon are&nbsp=3B2 of my favourite albums to date. Similarly=2C Jimi Page =
has been quoted as saying he'd have up to 3 goes at a guitar solo and if he=
 didn't get it right=2C he'd leave it for another time because the freshnes=
s would have&nbsp=3Bevaporated.<BR>
&nbsp=3BI was jamming along in my shed&nbsp=3Bthe other day&nbsp=3Band came=
 upon something that made me sit up. I recorded it immediately but then dec=
ided to re-create that atmosphere from scratch in order to get the build-up=
 recorded&nbsp=3B- no way did it sound the same. Same=2C setup=2C (memorise=
d by the computer)=2C same room=2C same me=2C same key and similar notes an=
d I couldn't get near it. It put me in mind of chaos theory where a small c=
hange in one aspect of the musc has a much larger effect on the feel of the=
 whole piece.<BR>
&nbsp=3B<BR>
I've ordered a copy of "Zen Guitar" from Amazon btw. I think it was mention=
ed on this list some years ago but looking forward to experimenting not onl=
y with my music but with my whole approach to that music.<BR>
&nbsp=3B<BR>
Peace<BR>
&nbsp=3B<BR>
G<BR>
&nbsp=3B<BR>&gt=3B Date:. &nbsp=3BFri=2C 9 Jul 2010 22:53:56 -0700<BR>&gt=
=3B Subject: Re: recording methods - what's your approach?<BR>&gt=3B From: =
looppool@cruzio.com<BR>&gt=3B To: chris@christojota.de<BR>&gt=3B CC: looper=
s-delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B Honestly=2C Christo=2C<B=
R>&gt=3B <BR>&gt=3B I see what you say=2C but at the same time=2C<BR>&gt=3B=
 I have a lot of confidence in the depth of my own personal improvisations.=
<BR>&gt=3B I've worked all of my life in many=2C many different contexts to=
 be able to<BR>&gt=3B produce really<BR>&gt=3B deep and meaningful improvis=
ations in many differnent kinds of contexts<BR>&gt=3B (which is not to say<=
BR>&gt=3B that I can hit a 'homerun' with every artistic endeavor).<BR>&gt=
=3B <BR>&gt=3B It can produce crap=2C but =2C at the same time=2C it can al=
so produce really<BR>&gt=3B beautiful<BR>&gt=3B pieces of music because of =
it's spontaneity.<BR>&gt=3B <BR>&gt=3B It's all down to how good an intrins=
ic composer and an intrinsic producer<BR>&gt=3B each artist is<BR>&gt=3B ..=
...and=2C finally=2C down to what kind of discernment a person has when<BR>=
&gt=3B editing (or producing<BR>&gt=3B oneself).<BR>&gt=3B <BR>&gt=3B I wou=
ld advise: take a chance on oneself and edit out what sucks and let<BR>&gt=
=3B exist what is<BR>&gt=3B potent and powerful.<BR>&gt=3B <BR>&gt=3B To be=
 overcautious can frequently kill what might be the next thing that<BR>&gt=
=3B could possibly change the world (or morph it slightly).<BR>&gt=3B <BR>&=
gt=3B It takes courage to make changes in live and in music.<BR>&gt=3B <BR>=
&gt=3B If we are over cautious continually=2C then the status quo in art wi=
ll<BR>&gt=3B always exist.<BR>&gt=3B We must=2C if you ask me =2C personall=
y=2C take risks in artistry. If we don't =2C<BR>&gt=3B nothing will change =
for the better.<BR>&gt=3B <BR>&gt=3B yours=2C<BR>&gt=3B <BR>&gt=3B respectf=
ully=2C Rick Walker<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B &gt=3B The p=
roblem with recording an album by using material from looping jam<BR>&gt=3B=
 &gt=3B sessions is that it might<BR>&gt=3B &gt=3B be spontaneous fresh sou=
nding music=2C but it lacks from (complex) composed<BR>&gt=3B &gt=3B tracks=
 and good sounding.<BR>&gt=3B &gt=3B We will be overwhelmed with so many mu=
sic in our times=2C cause everyone<BR>&gt=3B &gt=3B thinks: Oh=2C I just<BR=
>&gt=3B &gt=3B sit down=2C take my guitar and looping device=2C turn on the=
 laptop and record<BR>&gt=3B &gt=3B some tunes and<BR>&gt=3B &gt=3B release=
 it on CD=2C put it on the internet for download or just on myspace -<BR>&g=
t=3B &gt=3B player<BR>&gt=3B &gt=3B I personally record nearly every privat=
e looping session too. But don=AEt<BR>&gt=3B &gt=3B think I must have every=
one<BR>&gt=3B &gt=3B in the whole wide world listen to every piece of crap.=
..<BR>&gt=3B &gt=3B Christo<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR> 		 	   		 =
 </body>
</html>=

--_34548454-e5f1-49f0-acbe-ebd9ab304cd7_--

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Hi,

Warning, this is a quite long email... :).

I've been using a Boss DD20 for a few years now and I really like it -  
it's intuitive, surprisingly full of possibilities and nice to use.

It's not really multi-tracks though (you can have 2 delays running at  
the same time but that's it), and there's no MIDI sync or internal  
storage. I'd really like a looper with these additional features.

In fact, I'd like somethig with :
- several independant tracks
- a multiply function
- MIDI sync
- storage of loops

By the way, I'm using the DD20 to loop several electronic noisemakers  
(small keyboards, effects, gameboys, toys, drum machines, etc.) so a  
tabletop unit is usually better for me.

I've looked at the specs all the current hardware loopers I could find  
and here's the result so far :

- EHX 2880
Pros : 4 tracks, MIDI sync (though it seems to be a bit basic), very  
simple loop storage (still better than nothing)
Cons : no multiply, all the loops must have the same length

- Boomerang 3 :
Pros : 3 or 4 tracks, small, multiply ? (not really sure about that,  
the manual is extremely unclear)
Cons : no storage, no MIDI sync (but hardware MIDI in/out...)

- Boss RC50
Pros : 4 loops, MIDI sync when used as a master, internal storage,  
multiply
Cons : no MIDI sync as a slave, no feedback control, annoying click  
track, big, etc.

- Electrix Repeater
Pros : basically has the features I want
Cons : rare and expensive second-hand, not supported anymore, uses old  
compact flash cards

- Electrix Repeater Mk2
Pros : perfect for me
Cons : does not exist

- Looperlative LP1
Pros : multi-tracks, MIDI, lots of features
Cons : a bit expensive and overkill for me, interface not really  
suited to the way I use a looper

So far, unfortunately, nothing completely fits the bill for me.

I really like the form factor of the 2880 and would get one right now  
if it could have tracks of different lengths. The Rang 3 seemed really  
nice even though it has no loop storage, but I was disappointed to  
read that it has no MIDI sync. And the modes that would interest me  
(with all the loops played at the same time) is still not available  
from what I've understood. The RC50 seems to be very frustrating to  
use, from what I've read. The LP1 is very powerful but it does not fit  
in my budget and I don't really like the form factor.

Did I miss anything obvious ?

I know that people will suggest a laptop running Mobius or  
Sooperlooper. I'd rather avoid using a computer but if I can get  
something that's not too expensive, that's easy to setup and that can  
act as a more or less dedicated looping device I could consider it.

In fact, I though about using one of the new tablet PCs, the ones  
without a keyboard and that basically look like a bigger iPad. A big  
touch screen is not as good as a bunch of buttons and knobs but it's  
definitely better than a mouse :).

The thing is, would I get a good enough audio latency ? And I would  
still need a MIDI interface for sync... Did anyone try using a looper  
software on one of these devices ?

Anyway, if I missed or misundestood anything, please tell me :).

Thanks,
</daviD>

"Simulating the true styles and making carefully.
  Many colours a lot, selected freely by you !"

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 10:49:45 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: recording methods - what's your approach?
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Three more ideas concerning "recording for loopers":

1. If you haven't worked with Ableton Live, you should definitely give it a try. I don't use it personally currently. But a lot of people testify that it helps them bring down songs quickly. I think halso that the Ableton worfkflow is very useful for looping-minded people.

2. Even if you don't fully use recordings from your looper (i.e. Mobius), it still can be useful to reuse loop layers from your looper to have some "fresh sounds" in your songs

3. Perform & record your whole song in your looper, then dump it to your DAW. Re-record everthing in your DAW and use the looper sounds as backing tracks that help you as orientation with the song structure/ryhthm.

But I'm still dreaming of _one_ _integrated_ environment where I can do live-looping AND recording....
So far, it's all a work-around...

best regards
Buzap
-- 
GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.  
Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 15:24:59 2010
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Date: Sat, 10 Jul 2010 10:24:56 -0500
Message-ID: <AANLkTilAqQn96woLrIwqKhlF71Tf6T93H4RxDqsZshJH@mail.gmail.com>
Subject: Re: Multi-tracks loopers questions
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi,
The repeater would be a fine choice, but you don't have multiple loops
with it.  Only multiple tracks of the same loops (although you can
have varying lengths using multiply, the overall loop length will be a
multiple of your shortest loop).  So you can't really have two loops
of different lengths going at once.

But you can keep your DD-20 and place it in the effects send of the
repeater.  I've had this configuration for a while and it's quite
powerful.  It allows you to use the DD-20 either pre-loop on the
signal coming into the repeater, or post loop to grab a part of the
loop playing on the repeater.  Loads of fun (and it gives two
independent loops going at once).  You can also re-sample the loop
playing on the dd-20 into the repeater for further manipulations (and
then back to dd-20 and so on, lots of options).  This way, you can
keep your dd-20 techniques and expand them with all that's available
with the repeater.

And by the way, I have an extra repeater I've been meaning to sell to
help pay for a band at my forthcoming wedding...  I'm looking for
$500-650 range, let me know if you're interested.

Sylvain



On Sat, Jul 10, 2010 at 4:21 AM, David Steinberg <david@oscillateur.com> wr=
ote:
> Hi,
>
> Warning, this is a quite long email... :).
>
> I've been using a Boss DD20 for a few years now and I really like it - it=
's
> intuitive, surprisingly full of possibilities and nice to use.
>
> It's not really multi-tracks though (you can have 2 delays running at the
> same time but that's it), and there's no MIDI sync or internal storage. I=
'd
> really like a looper with these additional features.
>
> In fact, I'd like somethig with :
> - several independant tracks
> - a multiply function
> - MIDI sync
> - storage of loops
>
> By the way, I'm using the DD20 to loop several electronic noisemakers (sm=
all
> keyboards, effects, gameboys, toys, drum machines, etc.) so a tabletop un=
it
> is usually better for me.
>
> I've looked at the specs all the current hardware loopers I could find an=
d
> here's the result so far :
>
> - EHX 2880
> Pros : 4 tracks, MIDI sync (though it seems to be a bit basic), very simp=
le
> loop storage (still better than nothing)
> Cons : no multiply, all the loops must have the same length
>
> - Boomerang 3 :
> Pros : 3 or 4 tracks, small, multiply ? (not really sure about that, the
> manual is extremely unclear)
> Cons : no storage, no MIDI sync (but hardware MIDI in/out...)
>
> - Boss RC50
> Pros : 4 loops, MIDI sync when used as a master, internal storage, multip=
ly
> Cons : no MIDI sync as a slave, no feedback control, annoying click track=
,
> big, etc.
>
> - Electrix Repeater
> Pros : basically has the features I want
> Cons : rare and expensive second-hand, not supported anymore, uses old
> compact flash cards
>
> - Electrix Repeater Mk2
> Pros : perfect for me
> Cons : does not exist
>
> - Looperlative LP1
> Pros : multi-tracks, MIDI, lots of features
> Cons : a bit expensive and overkill for me, interface not really suited t=
o
> the way I use a looper
>
> So far, unfortunately, nothing completely fits the bill for me.
>
> I really like the form factor of the 2880 and would get one right now if =
it
> could have tracks of different lengths. The Rang 3 seemed really nice eve=
n
> though it has no loop storage, but I was disappointed to read that it has=
 no
> MIDI sync. And the modes that would interest me (with all the loops playe=
d
> at the same time) is still not available from what I've understood. The R=
C50
> seems to be very frustrating to use, from what I've read. The LP1 is very
> powerful but it does not fit in my budget and I don't really like the for=
m
> factor.
>
> Did I miss anything obvious ?
>
> I know that people will suggest a laptop running Mobius or Sooperlooper. =
I'd
> rather avoid using a computer but if I can get something that's not too
> expensive, that's easy to setup and that can act as a more or less dedica=
ted
> looping device I could consider it.
>
> In fact, I though about using one of the new tablet PCs, the ones without=
 a
> keyboard and that basically look like a bigger iPad. A big touch screen i=
s
> not as good as a bunch of buttons and knobs but it's definitely better th=
an
> a mouse :).
>
> The thing is, would I get a good enough audio latency ? And I would still
> need a MIDI interface for sync... Did anyone try using a looper software =
on
> one of these devices ?
>
> Anyway, if I missed or misundestood anything, please tell me :).
>
> Thanks,
> </daviD>
>
> "Simulating the true styles and making carefully.
> =A0Many colours a lot, selected freely by you !"
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Jul 10 16:18:19 2010
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Date: Sat, 10 Jul 2010 09:18:18 -0700
Message-ID: <AANLkTimlEZ3l66SF0Fh6ThNw8wRGXQRErEQHVlLRZOTD@mail.gmail.com>
Subject: Re: recording methods - what's your approach?
From: Rafael Nunes <supersimples@gmail.com>
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Amazing advice/discussion in here. I wanted to my 2 cents on a couple of
topics, firstly the issue of releasing everything that you record, or was
stated "The problem with recording an album by using material from looping
jam sessions is that it might
be spontaneous fresh sounding music, but it lacks from (complex) composed
tracks and good sounding.
We will be overwhelmed with  so many music in our times, cause everyone
thinks: Oh, I just
sit down, take my guitar and looping device, turn on the laptop and record
some tunes and
release it on CD, put it on the internet for download or just on myspace -
player.
It=B4s so easy to release music. I=B4m not sure if I like it."

The same argument could be made against recording/releasing live shows, or
jazz albums which consist of single jam sessions. Heck Acid Mother's Temple
is famous for 65 min single track albums, which consist of everything they
jammed on. The idea is that through honestly expressing the process of
musical creation you make a huge statement, that not every second of
everything has to be the perfect second, and if everything sounded good all
the time, then nothing would sound AMAZING(as there would be no point of
reference for better than good).
That said, of course it's possible to hapzardly put together a recording of
yourself, call it an album, and release it online expecting massive
response. It's certainly easy enough, but people don't have to listen. In
fact, if it's not any good, they probably won't . I ,therefore, don't see
why the idea of capturing good ideas when they happen spontaneously is a ba=
d
thing. I just think you have to understand your own playing, and learn how
to edit yourself.

Okay, so onto how to record your ideas spontaneously. This was of huge
concern to me, cause I play gigs regularly, and create jams on the spot, an=
d
I wanted to be able to cohesively transition between jams/songs. I use
Ableton Live, and 5 looper plugins in sync. In that setup I have to stop my
session(and subsequently the recording) in order to set new tempos using a
looper plugin. That means my recording would stop everytime I set a new
tempo, making for a very NOT LIVE(lol) feel to my recordings. My solution
has been to run ReaRoute as my ASIO driver, and routing all audio in and ou=
t
of Live into Reaper. This allows me to MultiTrack record( I use 1 Stereo
channel, and 2 mono) in 4 tracks without ever stopping my recording, while =
I
run amuck in my Ableton Live session. This gives me a great live feel, with
a stereo track for all my Loop outputs, 1 mono channel for my instrumental
inputs(whether they be from a VSTi, or live guitar), and 1 channel for my
Vocals. This makes it really easy to mix, for studio work I can also make
each loop have an individual input in Reaper, giving me full control over
the mix for editing/mixing. Hope that was less confusing that it seemed to
be as I was writing it.
On Sat, Jul 10, 2010 at 3:49 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Three more ideas concerning "recording for loopers":
>
> 1. If you haven't worked with Ableton Live, you should definitely give it=
 a
> try. I don't use it personally currently. But a lot of people testify tha=
t
> it helps them bring down songs quickly. I think halso that the Ableton
> worfkflow is very useful for looping-minded people.
>
> 2. Even if you don't fully use recordings from your looper (i.e. Mobius),
> it still can be useful to reuse loop layers from your looper to have some
> "fresh sounds" in your songs
>
> 3. Perform & record your whole song in your looper, then dump it to your
> DAW. Re-record everthing in your DAW and use the looper sounds as backing
> tracks that help you as orientation with the song structure/ryhthm.
>
> But I'm still dreaming of _one_ _integrated_ environment where I can do
> live-looping AND recording....
> So far, it's all a work-around...
>
> best regards
> Buzap
> --
> GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.
> Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl
>
>


--=20
Rafa's One Man Band Online:
http://rafasonemanband.bandcamp.com/
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
http://vimeo.com/11499020
http://www.myspace.com/rafasonemanband

--0016e64339f814c570048b0ade4e
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Amazing advice/discussion in here. I wanted to my 2 cents on a couple of to=
pics, firstly the issue of releasing everything that you record, or was sta=
ted &quot;<span class=3D"Apple-style-span" style=3D"font-family: arial, san=
s-serif; font-size: 12.7315px; border-collapse: collapse; "><span class=3D"=
Apple-style-span" style=3D"font-family: Calibri; "><span class=3D"Apple-sty=
le-span" style=3D"font-size: small;">The problem with recording an album by=
 using material from looping jam sessions is that it might</span></span><di=
v>
<font face=3D"Calibri"><span class=3D"Apple-style-span" style=3D"font-size:=
 small;">be spontaneous fresh sounding music, but it lacks from (complex) c=
omposed tracks and good sounding.</span></font></div><div><font face=3D"Cal=
ibri"><span class=3D"Apple-style-span" style=3D"font-size: small;">We=A0wil=
l be overwhelmed with=A0 so many music in our times,=A0cause everyone think=
s: Oh, I just</span></font></div>
<div><font face=3D"Calibri"><span class=3D"Apple-style-span" style=3D"font-=
size: small;">sit down, take my guitar and looping device, turn on the lapt=
op and record some tunes and</span></font></div><div><font face=3D"Calibri"=
><span class=3D"Apple-style-span" style=3D"font-size: small;">release it on=
 CD, put it on the internet for download or just on myspace - player.</span=
></font></div>
<div><font face=3D"Calibri"><span class=3D"Apple-style-span" style=3D"font-=
size: small;">It=B4s so easy to release music. I=B4m not sure if I like it.=
&quot;</span></font></div><div><font face=3D"Calibri"><span class=3D"Apple-=
style-span" style=3D"font-size: small;"><br>
</span></font></div><div><font class=3D"Apple-style-span" face=3D"Calibri">=
<span class=3D"Apple-style-span" style=3D"font-size: small;">The same argum=
ent could be made against recording/releasing live shows, or jazz albums wh=
ich consist of single jam sessions. Heck Acid Mother&#39;s Temple is famous=
 for 65 min single track albums, which consist of everything they jammed on=
. The idea is that through honestly expressing the process of musical creat=
ion you make a huge statement, that not every second of everything has to b=
e the perfect second, and if everything sounded good all the time, then not=
hing would sound AMAZING(as there would be no point of reference for better=
 than good).=A0</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"Calibri"><span class=3D"Apple=
-style-span" style=3D"font-size: small;">That said, of course it&#39;s poss=
ible to hapzardly put together a recording of yourself, call it an album, a=
nd release it online expecting massive response. It&#39;s certainly easy en=
ough, but people don&#39;t have to listen. In fact, if it&#39;s not any goo=
d, they probably won&#39;t . I ,therefore, don&#39;t see why the idea of ca=
pturing good ideas when they happen spontaneously is a bad thing. I just th=
ink you have to understand your own playing, and learn how to edit yourself=
.</span></font></div>
<div><font class=3D"Apple-style-span" face=3D"Calibri"><span class=3D"Apple=
-style-span" style=3D"font-size: small;"><br></span></font></div><div><font=
 class=3D"Apple-style-span" face=3D"Calibri"><span class=3D"Apple-style-spa=
n" style=3D"font-size: small;">Okay, so onto how to record your ideas spont=
aneously. This was of huge concern to me, cause I play gigs regularly, and =
create jams on the spot, and I wanted to be able to cohesively transition b=
etween jams/songs. I use Ableton Live, and 5 looper plugins in sync. In tha=
t setup I have to stop my session(and subsequently the recording) in order =
to set new tempos using a looper plugin. That means my recording would stop=
 everytime I set a new tempo, making for a very NOT LIVE(lol) feel to my re=
cordings. My solution has been to run ReaRoute as my ASIO driver, and routi=
ng all audio in and out of Live into Reaper. This allows me to MultiTrack r=
ecord( I use 1 Stereo channel, and 2 mono) in 4 tracks without ever stoppin=
g my recording, while I run amuck in my Ableton Live session. This gives me=
 a great live feel, with a stereo track for all my Loop outputs, 1 mono cha=
nnel for my instrumental inputs(whether=A0they be from a VSTi, or live guit=
ar), and 1 channel for my Vocals. This makes it really easy to mix, for stu=
dio work I can also make each loop have an individual input in Reaper, givi=
ng me full control over the mix for editing/mixing. Hope that was less conf=
using that it seemed to be as I was writing it.=A0</span></font></div>
</span><div class=3D"gmail_quote">On Sat, Jul 10, 2010 at 3:49 AM, Buzap Bu=
zap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a=
>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 =
0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Three more ideas concerning &quot;recording for loopers&quot;:<br>
<br>
1. If you haven&#39;t worked with Ableton Live, you should definitely give =
it a try. I don&#39;t use it personally currently. But a lot of people test=
ify that it helps them bring down songs quickly. I think halso that the Abl=
eton worfkflow is very useful for looping-minded people.<br>

<br>
2. Even if you don&#39;t fully use recordings from your looper (i.e. Mobius=
), it still can be useful to reuse loop layers from your looper to have som=
e &quot;fresh sounds&quot; in your songs<br>
<br>
3. Perform &amp; record your whole song in your looper, then dump it to you=
r DAW. Re-record everthing in your DAW and use the looper sounds as backing=
 tracks that help you as orientation with the song structure/ryhthm.<br>

<br>
But I&#39;m still dreaming of _one_ _integrated_ environment where I can do=
 live-looping AND recording....<br>
So far, it&#39;s all a work-around...<br>
<div><div></div><div class=3D"h5"><br>
best regards<br>
Buzap<br>
--<br>
GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.<br>
Bis zu 150 EUR Startguthaben inklusive! <a href=3D"http://portal.gmx.net/de=
/go/dsl" target=3D"_blank">http://portal.gmx.net/de/go/dsl</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Rafa&#39;s =
One Man Band Online:<br><a href=3D"http://rafasonemanband.bandcamp.com/">ht=
tp://rafasonemanband.bandcamp.com/</a><br><a href=3D"http://www.facebook.co=
m/pages/Rafas-One-Man-Band/33261753239">http://www.facebook.com/pages/Rafas=
-One-Man-Band/33261753239</a><br>
<a href=3D"http://vimeo.com/11499020">http://vimeo.com/11499020</a><br><a h=
ref=3D"http://www.myspace.com/rafasonemanband">http://www.myspace.com/rafas=
onemanband</a><br>

--0016e64339f814c570048b0ade4e--

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David Steinberg wrote:
> Hi,
> 

> 
> I'd like somethig with :
> - several independant tracks
> - a multiply function
> - MIDI sync
> - storage of loops
> 

> 
> Did I miss anything obvious ?
> 

Thinking laterally, yes you did,
 more info about what you actually want to achieve
might turn up some interesting answers for you. 

Why do you need midi-sync?
What do you mean by "independent tracks"? different loop lengths?
Why do you need multiply?

Your list of options and you're assessment seems very thorough,
so it's unlikely that anyone's going to pull a magic answer 
out the hat for you.
(ok, the "I have a Repeater for you to buy" may have nailed it for you :-)

However, almost always there's more than one way to get the result
you want to hear. It may be that there's a workaround for you
to do exactly what you want, but using gear that misses one or
more "essential" features.

Example 1.. the EHX 2880 has a special "mixdown" track... I'm not
sure but I suspect you can use that to do some kind of multiply. 

Example 2..maybe your application would allow you to use the looper
 as midi master. ...maybe you can simply avoid having to midi sync.


Also, it would be interesting to read about the approach that you want to follow.



andy butler







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Subject: amplitube on an iphone
Date: Sun, 11 Jul 2010 06:02:19 +0000
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The ultimate in mobility? I notice they have a delay. Can't find any detail=
s though.

http://www.ikmultimedia.com/irig/features/=20
 		 	   		  =

--_e6724970-5b39-42e3-833d-c107702a0561_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
The ultimate in mobility? I notice they have a delay. Can't find any detail=
s though.<BR>
<A href=3D"http://www.ikmultimedia.com/irig/features/" target=3D_blank><FON=
T color=3D#0066cc>http://www.ikmultimedia.com/irig/features/</FONT></A>&nbs=
p=3B<BR> 		 	   		  </body>
</html>=

--_e6724970-5b39-42e3-833d-c107702a0561_--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 11 10:07:06 2010
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Subject: Re: amplitube on an iphone
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--0015176f0f3453a14a048b19cc90
Content-Type: text/plain; charset=ISO-8859-1

It's even got Moog's Envelope Filter! Awesome. Thank you for sharing.

On Sun, Jul 11, 2010 at 2:02 PM, Gareth Whittock
<buddhamachine@live.co.uk>wrote:

>  The ultimate in mobility? I notice they have a delay. Can't find any
> details though.
> http://www.ikmultimedia.com/irig/features/
>

--0015176f0f3453a14a048b19cc90
Content-Type: text/html; charset=ISO-8859-1
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It&#39;s even got Moog&#39;s Envelope Filter! Awesome. Thank you for sharin=
g.<br><br><div class=3D"gmail_quote">On Sun, Jul 11, 2010 at 2:02 PM, Garet=
h Whittock <span dir=3D"ltr">&lt;<a href=3D"mailto:buddhamachine@live.co.uk=
">buddhamachine@live.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">



<div>
The ultimate in mobility? I notice they have a delay. Can&#39;t find any de=
tails though.<br>
<a href=3D"http://www.ikmultimedia.com/irig/features/" target=3D"_blank"><f=
ont color=3D"#0066cc">http://www.ikmultimedia.com/irig/features/</font></a>=
=A0<br> 		 	   		  </div>
</blockquote></div><br>

--0015176f0f3453a14a048b19cc90--

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Subject: Re: Multi-tracks loopers questions
From: Matthias Grob <matilists@gmail.com>
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Hi David!
nice to read this report!
and give me hope that there is still space to come up with the Echoplex =
follow up I am working on.
I would not ask you to wait for it, because I do not know when we finish =
it and it will take months still
and it probably will do little more than the old EDP in the first =
version, but a software upgrade will do all you want :-)
... and some stuff you did not think of yet...

as for the virtual EDPs: computer latency can be corrected for most =
parts, where the loop runs predictably
but whenever you do an immediate change like pressing Reverse, the =
reaction is late and the latency correction creates a new problem
so there is still a big advantage in hardware machines.

back to work
Matthias

On 10 Jul 2010, at 06:21, David Steinberg wrote:

> Hi,
>=20
> Warning, this is a quite long email... :).
>=20
> I've been using a Boss DD20 for a few years now and I really like it - =
it's intuitive, surprisingly full of possibilities and nice to use.
>=20
> It's not really multi-tracks though (you can have 2 delays running at =
the same time but that's it), and there's no MIDI sync or internal =
storage. I'd really like a looper with these additional features.
>=20
> In fact, I'd like somethig with :
> - several independant tracks
> - a multiply function
> - MIDI sync
> - storage of loops
>=20
> By the way, I'm using the DD20 to loop several electronic noisemakers =
(small keyboards, effects, gameboys, toys, drum machines, etc.) so a =
tabletop unit is usually better for me.
>=20
> I've looked at the specs all the current hardware loopers I could find =
and here's the result so far :
>=20
> - EHX 2880
> Pros : 4 tracks, MIDI sync (though it seems to be a bit basic), very =
simple loop storage (still better than nothing)
> Cons : no multiply, all the loops must have the same length
>=20
> - Boomerang 3 :
> Pros : 3 or 4 tracks, small, multiply ? (not really sure about that, =
the manual is extremely unclear)
> Cons : no storage, no MIDI sync (but hardware MIDI in/out...)
>=20
> - Boss RC50
> Pros : 4 loops, MIDI sync when used as a master, internal storage, =
multiply
> Cons : no MIDI sync as a slave, no feedback control, annoying click =
track, big, etc.
>=20
> - Electrix Repeater
> Pros : basically has the features I want
> Cons : rare and expensive second-hand, not supported anymore, uses old =
compact flash cards
>=20
> - Electrix Repeater Mk2
> Pros : perfect for me
> Cons : does not exist
>=20
> - Looperlative LP1
> Pros : multi-tracks, MIDI, lots of features
> Cons : a bit expensive and overkill for me, interface not really =
suited to the way I use a looper
>=20
> So far, unfortunately, nothing completely fits the bill for me.
>=20
> I really like the form factor of the 2880 and would get one right now =
if it could have tracks of different lengths. The Rang 3 seemed really =
nice even though it has no loop storage, but I was disappointed to read =
that it has no MIDI sync. And the modes that would interest me (with all =
the loops played at the same time) is still not available from what I've =
understood. The RC50 seems to be very frustrating to use, from what I've =
read. The LP1 is very powerful but it does not fit in my budget and I =
don't really like the form factor.
>=20
> Did I miss anything obvious ?
>=20
> I know that people will suggest a laptop running Mobius or =
Sooperlooper. I'd rather avoid using a computer but if I can get =
something that's not too expensive, that's easy to setup and that can =
act as a more or less dedicated looping device I could consider it.
>=20
> In fact, I though about using one of the new tablet PCs, the ones =
without a keyboard and that basically look like a bigger iPad. A big =
touch screen is not as good as a bunch of buttons and knobs but it's =
definitely better than a mouse :).
>=20
> The thing is, would I get a good enough audio latency ? And I would =
still need a MIDI interface for sync... Did anyone try using a looper =
software on one of these devices ?
>=20
> Anyway, if I missed or misundestood anything, please tell me :).
>=20
> Thanks,
> </daviD>
>=20
> "Simulating the true styles and making carefully.
> Many colours a lot, selected freely by you !"
>=20

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Date: Mon, 12 Jul 2010 09:23:19 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Multi-tracks loopers questions
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Aaah, yes... the holy grail of looping ;-))

Well, I haven't found it. But my current setup (MacBook, Motu Ultralite, Midi Controller, Mainstage2, Mobius & a bunch of scripts) is gradually getting close to it...

So, with your requirements, I'd recommend going down the laptop road!
Or try getting an old Electrix Repeater, if you find one.

best regards
Buzap
-- 
GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.  
Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 07:28:36 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Cheap small USB interface with low latency?
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Hi folks

for certain situations, I'd like to take a small USB audio interface with me instead of the Motu Ultralite. It should have 1 mic input and maybe an additioal audio input. Sound quality is not the primary issue, 44.1/16bit is fine. But latency should be ok for live looping on a Mac.

Do you have a cheap recommendation for this?

best regards
Buzap
PS: no, Apogee duet is too expensive ;-)

-- 
GRATIS fÃ¼r alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 07:46:56 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Cheap small USB interface with low latency?
Date: Mon, 12 Jul 2010 08:46:51 +0100
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Line 6 UX2?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Jul 2010, at 08:28, Buzap Buzap wrote:

> Hi folks
>
> for certain situations, I'd like to take a small USB audio =20
> interface with me instead of the Motu Ultralite. It should have 1 =20
> mic input and maybe an additioal audio input. Sound quality is not =20
> the primary issue, 44.1/16bit is fine. But latency should be ok for =20=

> live looping on a Mac.
>
> Do you have a cheap recommendation for this?
>
> best regards
> Buzap
> PS: no, Apogee duet is too expensive ;-)
>
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>


--Apple-Mail-10--34099002
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Line 6 UX2?<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Jul 2010, =
at 08:28, Buzap Buzap wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi folks</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">for certain situations, I'd like =
to take a small USB audio interface with me instead of the Motu =
Ultralite. It should have 1 mic input and maybe an additioal audio =
input. Sound quality is not the primary issue, 44.1/16bit is fine. But =
latency should be ok for live looping on a Mac.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Do you =
have a cheap recommendation for this?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">best =
regards</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Buzap</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">PS: no, Apogee duet is too expensive ;-)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">GRATIS f=FCr alle GMX-Mitglieder: Die maxdome =
Movie-FLAT!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Jetzt freischalten unter <a =
href=3D"http://portal.gmx.net/de/go/maxdome01">http://portal.gmx.net/de/go=
/maxdome01</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-10--34099002--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 07:49:36 2010
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Subject: RE: Cheap small USB interface with low latency?
Date: Mon, 12 Jul 2010 09:49:32 +0200
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I use an Edirol UA-1EX (for my Windows system) and I'm quite happy with it.

-Michael

> for certain situations, I'd like to take a small USB audio 
> interface with me instead of the Motu Ultralite. It should 
> have 1 mic input and maybe an additioal audio input. Sound 
> quality is not the primary issue, 44.1/16bit is fine. But 
> latency should be ok for live looping on a Mac.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 07:57:06 2010
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: The Zen Guitar Dojo
Date: Mon, 12 Jul 2010 09:52:59 +0200
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Dies ist eine mehrteilige Nachricht im MIME-Format.

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Found this interesting website:
http://www.maui.net/~zen_gtr/index.html

and statement of the Zen-Guitar-Project:

Style: The group plays only one "song" (the composition "One Sound One =
Song"), repeating and intermixing a series of a dozen instrumental, =
basic themes. The result is a song that is always the same, and yet =
never the same. Each composition grows organically and can vary in =
length from a few minutes to a few hours. (Zen Guitar performances at =
the New York City Marathon, for example, run the duration of the entire =
race.) The themes remain constant, but the tempo and mood change =
according to the moment. The openness of the format allows mistakes and =
random noises/samples to be incorporated into the composition as they =
happen. (See also the Zen Guitar Method.)

Have a nice day !
Christo
www.christojota.de

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16588"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT size=3D2><FONT face=3DVerdana>Found this interesting=20
website:</FONT></FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
title=3D"http://www.maui.net/~zen_gtr/index.html&#10;STRG + Klicken, um =
Verkn=FCpfung zu folgen"=20
href=3D"http://www.maui.net/~zen_gtr/index.html">http://www.maui.net/~zen=
_gtr/index.html</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri>and statement of the =
Zen-Guitar-Project:</FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DVerdana><STRONG>Style:</STRONG> The =
group plays=20
only one "song" (the composition </FONT></FONT><A=20
href=3D"http://www.maui.net/~zen_gtr/zgosos.html"><FONT=20
title=3D"http://www.maui.net/~zen_gtr/zgosos.html&#10;STRG + Klicken, um =
Verkn=FCpfung zu folgen"=20
size=3D2 face=3DVerdana>"One Sound One Song"</FONT></A><FONT size=3D2 =
face=3DVerdana>),=20
repeating and intermixing a series of a dozen instrumental, basic =
themes. The=20
result is a song that is always the same, and yet never the same. Each=20
composition grows organically and can vary in length from a few minutes =
to a few=20
hours. (Zen Guitar performances at the New York City Marathon, for =
example, run=20
the duration of the entire race.) The themes remain constant, but the =
tempo and=20
mood change according to the moment. The openness of the format allows =
mistakes=20
and random noises/samples to be incorporated into the composition as =
they=20
happen. (See also the </FONT><A=20
href=3D"http://www.maui.net/~zen_gtr/zgmethod.html"><FONT size=3D2 =
face=3DVerdana>Zen=20
Guitar Method</FONT></A><FONT size=3D2 face=3DVerdana>.)</FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri>Have a nice day !</FONT></DIV>
<DIV><FONT face=3DCalibri>Christo</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
title=3D"http://www.christojota.de&#10;STRG + Klicken, um Verkn=FCpfung =
zu folgen"=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV></BODY></HTML>

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From: "Christo Jota" <chris@christojota.de>
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Subject: Re: recording methods - what's your approach?
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Dies ist eine mehrteilige Nachricht im MIME-Format.

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I=B4m a big fan of TD too and Rubicon and Phaedra are great albums.
But don=B4t forget that this music has a special flow and you can=B4t
automatically reproduce this feeling and working method with
any other music that might have a total different approach.
Like Folk- or Blues-Music or Songs with vocals f.inst.
TD always had a wide space for improvising in their music.
This is part of their working method from the beginning.
Might be the right method for you, but not for everyone.

www.christojota.de




From: Gareth Whittock=20
Sent: Saturday, July 10, 2010 8:16 AM
To: loopers-delight@loopers-delight.com=20
Subject: RE: recording methods - what's your approach?


It's been enlightening, reading about the various approaches employed =
here. Thank you all for that. One of the reasons I'm interested in this =
method is that Tangerine Dream used to jam for hours in the studio and =
then cut it up, stick it together and voila - An album! Phaedra and =
Rubicon are 2 of my favourite albums to date. Similarly, Jimi Page has =
been quoted as saying he'd have up to 3 goes at a guitar solo and if he =
didn't get it right, he'd leave it for another time because the =
freshness would have evaporated.
 I was jamming along in my shed the other day and came upon something =
that made me sit up. I recorded it immediately but then decided to =
re-create that atmosphere from scratch in order to get the build-up =
recorded - no way did it sound the same. Same, setup, (memorised by the =
computer), same room, same me, same key and similar notes and I couldn't =
get near it. It put me in mind of chaos theory where a small change in =
one aspect of the musc has a much larger effect on the feel of the whole =
piece.
=20
I've ordered a copy of "Zen Guitar" from Amazon btw. I think it was =
mentioned on this list some years ago but looking forward to =
experimenting not only with my music but with my whole approach to that =
music.
=20
Peace
=20
G
=20
> Date:.  Fri, 9 Jul 2010 22:53:56 -0700
> Subject: Re: recording methods - what's your approach?
> From: looppool@cruzio.com
> To: chris@christojota.de
> CC: loopers-delight@loopers-delight.com
>=20
> Honestly, Christo,
>=20
> I see what you say, but at the same time,
> I have a lot of confidence in the depth of my own personal =
improvisations.
> I've worked all of my life in many, many different contexts to be able =
to
> produce really
> deep and meaningful improvisations in many differnent kinds of =
contexts
> (which is not to say
> that I can hit a 'homerun' with every artistic endeavor).
>=20
> It can produce crap, but , at the same time, it can also produce =
really
> beautiful
> pieces of music because of it's spontaneity.
>=20
> It's all down to how good an intrinsic composer and an intrinsic =
producer
> each artist is
> .....and, finally, down to what kind of discernment a person has when
> editing (or producing
> oneself).
>=20
> I would advise: take a chance on oneself and edit out what sucks and =
let
> exist what is
> potent and powerful.
>=20
> To be overcautious can frequently kill what might be the next thing =
that
> could possibly change the world (or morph it slightly).
>=20
> It takes courage to make changes in live and in music.
>=20
> If we are over cautious continually, then the status quo in art will
> always exist.
> We must, if you ask me , personally, take risks in artistry. If we =
don't ,
> nothing will change for the better.
>=20
> yours,
>=20
> respectfully, Rick Walker
>=20
>=20
>=20
> > The problem with recording an album by using material from looping =
jam
> > sessions is that it might
> > be spontaneous fresh sounding music, but it lacks from (complex) =
composed
> > tracks and good sounding.
> > We will be overwhelmed with so many music in our times, cause =
everyone
> > thinks: Oh, I just
> > sit down, take my guitar and looping device, turn on the laptop and =
record
> > some tunes and
> > release it on CD, put it on the internet for download or just on =
myspace -
> > player
> > I personally record nearly every private looping session too. But =
don=AEt
> > think I must have everyone
> > in the whole wide world listen to every piece of crap...
> > Christo
>=20
>=20
>=20

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<DIV><FONT size=3D3 face=3DCalibri>I=B4m a big fan of TD too and Rubicon =
and Phaedra=20
are great albums.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>But don=B4t forget that this music =
has a special=20
flow and you can=B4t</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>automatically reproduce this feeling =
and working=20
method with</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>any other music that might have a =
total different=20
approach.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>Like Folk- or Blues-Music =
or&nbsp;Songs with=20
vocals&nbsp;f.inst.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>TD always had a wide space for =
improvising in=20
their music.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>This is part of their working method =
from the=20
beginning.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri>Might be the right method for you, =
but not for=20
everyone.</FONT></DIV>
<DIV><FONT size=3D3 face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT size=3D3 face=3DCalibri><A=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D3 face=3DCalibri></FONT>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A=20
title=3D"mailto:buddhamachine@live.co.uk&#10;STRG + Klicken, um =
Verkn=FCpfung zu folgen"=20
href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
<DIV><B>Sent:</B> Saturday, July 10, 2010 8:16 AM</DIV>
<DIV><B>To:</B> <A=20
title=3D"mailto:loopers-delight@loopers-delight.com&#10;STRG + Klicken, =
um Verkn=FCpfung zu folgen"=20
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> RE: recording methods - what's your=20
approach?</DIV></DIV></DIV>
<DIV><BR></DIV>It's been enlightening, reading about the various =
approaches=20
employed here. Thank you all for that. One of the reasons I'm interested =
in this=20
method is that&nbsp;Tangerine Dream used to jam&nbsp;for hours in the =
studio and=20
then cut it up, stick it together and voila - An album! Phaedra and =
Rubicon=20
are&nbsp;2 of my favourite albums to date. Similarly, Jimi Page has been =
quoted=20
as saying he'd have up to 3 goes at a guitar solo and if he didn't get =
it right,=20
he'd leave it for another time because the freshness would=20
have&nbsp;evaporated.<BR>&nbsp;I was jamming along in my shed&nbsp;the =
other=20
day&nbsp;and came upon something that made me sit up. I recorded it =
immediately=20
but then decided to re-create that atmosphere from scratch in order to =
get the=20
build-up recorded&nbsp;- no way did it sound the same. Same, setup, =
(memorised=20
by the computer), same room, same me, same key and similar notes and I =
couldn't=20
get near it. It put me in mind of chaos theory where a small change in =
one=20
aspect of the musc has a much larger effect on the feel of the whole=20
piece.<BR>&nbsp;<BR>I've ordered a copy of "Zen Guitar" from Amazon btw. =
I think=20
it was mentioned on this list some years ago but looking forward to=20
experimenting not only with my music but with my whole approach to that=20
music.<BR>&nbsp;<BR>Peace<BR>&nbsp;<BR>G<BR>&nbsp;<BR>&gt; Date:. =
&nbsp;Fri, 9=20
Jul 2010 22:53:56 -0700<BR>&gt; Subject: Re: recording methods - what's =
your=20
approach?<BR>&gt; From: looppool@cruzio.com<BR>&gt; To:=20
chris@christojota.de<BR>&gt; CC: =
loopers-delight@loopers-delight.com<BR>&gt;=20
<BR>&gt; Honestly, Christo,<BR>&gt; <BR>&gt; I see what you say, but at =
the same=20
time,<BR>&gt; I have a lot of confidence in the depth of my own personal =

improvisations.<BR>&gt; I've worked all of my life in many, many =
different=20
contexts to be able to<BR>&gt; produce really<BR>&gt; deep and =
meaningful=20
improvisations in many differnent kinds of contexts<BR>&gt; (which is =
not to=20
say<BR>&gt; that I can hit a 'homerun' with every artistic =
endeavor).<BR>&gt;=20
<BR>&gt; It can produce crap, but , at the same time, it can also =
produce=20
really<BR>&gt; beautiful<BR>&gt; pieces of music because of it's=20
spontaneity.<BR>&gt; <BR>&gt; It's all down to how good an intrinsic =
composer=20
and an intrinsic producer<BR>&gt; each artist is<BR>&gt; .....and, =
finally, down=20
to what kind of discernment a person has when<BR>&gt; editing (or=20
producing<BR>&gt; oneself).<BR>&gt; <BR>&gt; I would advise: take a =
chance on=20
oneself and edit out what sucks and let<BR>&gt; exist what is<BR>&gt; =
potent and=20
powerful.<BR>&gt; <BR>&gt; To be overcautious can frequently kill what =
might be=20
the next thing that<BR>&gt; could possibly change the world (or morph it =

slightly).<BR>&gt; <BR>&gt; It takes courage to make changes in live and =
in=20
music.<BR>&gt; <BR>&gt; If we are over cautious continually, then the =
status quo=20
in art will<BR>&gt; always exist.<BR>&gt; We must, if you ask me , =
personally,=20
take risks in artistry. If we don't ,<BR>&gt; nothing will change for =
the=20
better.<BR>&gt; <BR>&gt; yours,<BR>&gt; <BR>&gt; respectfully, Rick=20
Walker<BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; &gt; The problem with =
recording an=20
album by using material from looping jam<BR>&gt; &gt; sessions is that =
it=20
might<BR>&gt; &gt; be spontaneous fresh sounding music, but it lacks =
from=20
(complex) composed<BR>&gt; &gt; tracks and good sounding.<BR>&gt; &gt; =
We will=20
be overwhelmed with so many music in our times, cause everyone<BR>&gt; =
&gt;=20
thinks: Oh, I just<BR>&gt; &gt; sit down, take my guitar and looping =
device,=20
turn on the laptop and record<BR>&gt; &gt; some tunes and<BR>&gt; &gt; =
release=20
it on CD, put it on the internet for download or just on myspace =
-<BR>&gt; &gt;=20
player<BR>&gt; &gt; I personally record nearly every private looping =
session=20
too. But don=AEt<BR>&gt; &gt; think I must have everyone<BR>&gt; &gt; in =
the whole=20
wide world listen to every piece of crap...<BR>&gt; &gt; Christo<BR>&gt; =

<BR>&gt; <BR>&gt; <BR></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 09:03:00 2010
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Date: Mon, 12 Jul 2010 11:02:59 +0200
Message-ID: <AANLkTinZqp7b_WnFBjS1mWMjPskKy7pk8c1PKDX_qWbE@mail.gmail.com>
Subject: Re: recording methods - what's your approach?
From: Per Boysen <perboysen@gmail.com>
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2010/7/12 Christo Jota <chris@christojota.de>:
>> > The problem with recording an album by using material from looping jam
>> > sessions is that it might
>> > be spontaneous fresh sounding music, but it lacks from (complex)
>> > composed
>> > tracks and good sounding.


There is an obvious treat for this issue: learn at least as much about
music as you already know about "playing"! Whenever you play a note
you should be able to "hear" this note at any position in any
key/scale. Same goes for chord and arpeggiation theory, just learn it
all and keep it in the back of your mind while playing. With this
method all your "simple" melody/noise playing will be rooted in a
musical complexity. During improvisation performance you may
experiment with playing over alternative imaginary contexts in order
to load the same musical phrase with different emotional content. At
the second stage, when post producing a recorded improvisation, you
remember those founding structures and, if you like, you can recreate
them as sounding parts embedding the improvisation.

I have been using this method since I started playing improvised music
and it always works. Good thing is that even if you get interrupted
and forget 90 percent of the backing structures the resulting 10
percent will work as a sharpened creativity booster for refining the
recorded improvisation in a "re-composing" way.

Make up your own definition of "music". Not only according to the
usual music theory, timbre, phrasing, thematic variation,
"questions-answers, time, space etc. Make sure you get to learn
certain elements in "music" as they relate to you, your memories and
your unique personality, simply how you use to think on an average
day. Can't go wrong. An example of this technique is well laid out in
Victor Wooten's book "The Music Lesson". Wooten chooses to go with ten
"parameters" in music, as a universal take (used as chapter names in
the book), but one can as well experiment with a different scheme.

best

per boysen

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 11:43:03 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Cheap small USB interface with low latency?
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That's all too big.

I'm thinking more of something in this size range (or only slightly bigger):
http://recordinghacks.com/2009/07/04/usb-interface-review-icicle-micportpro-micmate-x2u/

best regards
Buzap
-- 
GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.  
Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 12:36:09 2010
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Date: Mon, 12 Jul 2010 05:36:07 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: AC?DC power supply
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hello,

been away for a while being a nomade. will soon have a proper house where I can 
set up my studio in style.
Need to supply power to the following effects, filters, synths, loopers :

       MP-201 Manual.indd  
Moog MP-201 pedal : 12VAC power 0.5A
Moogerfooger MF103 : 9VDC power 0,5A
Moogerfooger MIDI MuRF : 9VDC power 0,5A
Sherman FB2 : 15VAC power 0,5A
 
Looperlative LP1 : b9VDC power  1,1A 
Gordius BLG : 9VDC power 0,5A
 
Prophet 08 : 13V power 1,15A
Yamaha CSIX : 12VAC power 0,7A
RME multiface : 12VDC power 1,25A
 
Kaossilator pro : 9VDC power 1,7A
JoMox Tresonator : 9VDC power 0,5A
Korg Wavedrum : 9VDC power 1.7A
Yamaha DTX multi12 : 12VAC 1,5A
ribbon controller
Casio CZ101

What device or pair of devices would have the capacity to produce the 
appropriate current for all these items?

Cordially,

Antony Hequet
poet composer


      
--0-407928910-1278938167=:5038
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:14pt">hello,<br><br>been away for a while being a nomade. will soon have a proper house where I can set up my studio in style.<br>Need to supply power to the following effects, filters, synths, loopers :<br><br><meta name="Title" content="MP-201 Manual.indd">
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<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Moog
MP-201 pedal&nbsp;: 12VAC power 0.5A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Moogerfooger
MF103&nbsp;: 9VDC power 0,5A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Moogerfooger
MIDI MuRF&nbsp;: 9VDC power 0,5A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Sherman
FB2&nbsp;: 15VAC power 0,5A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Looperlative
LP1&nbsp;: b9VDC power<span style="">&nbsp; </span>1,1A&nbsp;<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Gordius
BLG&nbsp;: 9VDC power 0,5A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Prophet
08&nbsp;: 13V power 1,15A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Yamaha
CSIX&nbsp;:&nbsp;12VAC power 0,7A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">RME
multiface&nbsp;: 12VDC power 1,25A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR"><!--[if !supportEmptyParas]-->&nbsp;<!--[endif]--><o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Kaossilator
pro&nbsp;: 9VDC power 1,7A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">JoMox
Tresonator&nbsp;: 9VDC power 0,5A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Korg
Wavedrum&nbsp;: 9VDC power 1.7A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Yamaha
DTX multi12&nbsp;:&nbsp;12VAC 1,5A<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">ribbon
controller<o:p></o:p></span></span></p>

<p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Casio
CZ101</span></span></p><p class="MsoNormal"><br><span class="A2"><span style="font-size: 14pt;" lang="FR"></span></span></p><p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">What device or pair of devices would have the capacity to produce the appropriate current for all these items?</span></span></p><p class="MsoNormal"><br><span class="A2"><span style="font-size: 14pt;" lang="FR"></span></span></p><p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Cordially,</span></span></p><p class="MsoNormal"><br><span class="A2"><span style="font-size: 14pt;" lang="FR"></span></span></p><p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">Antony Hequet</span></span></p><p class="MsoNormal"><span class="A2"><span style="font-size: 14pt;" lang="FR">poet composer<br></span></span></p>

<!--EndFragment-->
<br></div><br>

      </body></html>
--0-407928910-1278938167=:5038--

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Date: Mon, 12 Jul 2010 06:40:18 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: boot camp or parallels
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hello,
me again in techno mode. Have a new iMAc 17inch, 2.66GHz intel core i5, 4Gb RAM, 
OSX 10.6.2

need to run windows to use PC software such as Gordius Little Giant editor, 
Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian 
software. Any recomendations about installing boot camp? Any reason to use 
parallels instead of bootcamp?

Antony Hequet



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:14pt">hello,<br>me again in techno mode. Have a new iMAc 17inch, 2.66GHz intel core i5, 4Gb RAM, OSX 10.6.2<br><br>need to run windows to use PC software such as Gordius Little Giant editor, Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian software. Any recomendations about installing boot camp? Any reason to use parallels instead of bootcamp?<br><br>Antony Hequet<br></div><br>

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 14:26:25 2010
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Date: Mon, 12 Jul 2010 16:26:22 +0200
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Subject: Re: boot camp or parallels
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Recommendations about installing boot camp should be to create a
partition big enough for the windows processes you want to run in
there. A trick I like myself is to format the Windows partition in FAT
(or is it FAT32?) which can be worked as any Mac OS X file format when
you have booted through OSX and need some stuff you did when in
Windows. I've even used sampling libraries in the W partition that
worked well with samplers under both Win as OS X. I use an old OEM
version of Win XP with only the service pack 2 and no other Microsoft
updates and this has worked very well. I have no experience to share
regarding Vista or Win7 for audio.

I see only one reason for using parallels instead of boot camp and
that is if you think that it is more important to have an instant
Windows access from the Mac side than to have an audio optimized
system.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
> need to run windows to use PC software such as Gordius Little Giant editor,
> Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
> software. Any recomendations about installing boot camp? Any reason to use
> parallels instead of bootcamp?

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Date: Mon, 12 Jul 2010 10:43:09 -0400
Subject: Re: boot camp or parallels
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I have to second Per's response.  I too use boot camp quite happily
running Windows XP with service pack 2.  Both OSs, so i'm told, will run
less efficiently if you're running Windows using parallels.  I've had
numerous IT pros tell me that unless you really need immediate access to
the Windows side, boot camp works much better.  In fact i've never seen
Windows work so well as on my Mac!

The one inconvenience is always needing an external memory device to move
things from one side to the other.  (I have a 500 GB hard drive in my
machine, with the partitions about even.  I only use Windows for a few
audio-related applications, but they're obviously dealing with much larger
files.)  But then, who isn't carrying a 8 GB thumb drive on them most of
the time these days anyway?

Peter

______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom

"Birth Music I" available now:
http://redsunsoundroom.com/in-the-stream
peter AT RedSunSoundroom.com
______________________________

> I see only one reason for using parallels instead of boot camp and
> that is if you think that it is more important to have an instant
> Windows access from the Mac side than to have an audio optimized
> system.


> On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
>> need to run windows to use PC software such as Gordius Little Giant
>> editor,
>> Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
>> software. Any recomendations about installing boot camp? Any reason to
>> use
>> parallels instead of bootcamp?
>
>



From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 14:54:38 2010
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Date: Mon, 12 Jul 2010 09:54:36 -0500
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Subject: Re: Multi-tracks loopers questions
From: "D.E. Ward" <dave@imageofsound.com>
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--0023544476036d335e048b31ee61
Content-Type: text/plain; charset=ISO-8859-1

Current ebay item:
http://cgi.ebay.com/Electrix-Repeater-MKII-Looper-Sampler-OS-2-014-/180531138930?cmd=ViewItem&pt=LH_DefaultDomain_0&hash=item2a087e9172#ht_500wt_1154

On Mon, Jul 12, 2010 at 2:23 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Aaah, yes... the holy grail of looping ;-))
>
> Well, I haven't found it. But my current setup (MacBook, Motu Ultralite,
> Midi Controller, Mainstage2, Mobius & a bunch of scripts) is gradually
> getting close to it...
>
> So, with your requirements, I'd recommend going down the laptop road!
> Or try getting an old Electrix Repeater, if you find one.
>
> best regards
> Buzap
> --
> GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.
> Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl
>
>


-- 
DE Ward
512.584.5500

--0023544476036d335e048b31ee61
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Current ebay item:<div><a href=3D"http://cgi.ebay.com/Electrix-Repeater-MKI=
I-Looper-Sampler-OS-2-014-/180531138930?cmd=3DViewItem&amp;pt=3DLH_DefaultD=
omain_0&amp;hash=3Ditem2a087e9172#ht_500wt_1154">http://cgi.ebay.com/Electr=
ix-Repeater-MKII-Looper-Sampler-OS-2-014-/180531138930?cmd=3DViewItem&amp;p=
t=3DLH_DefaultDomain_0&amp;hash=3Ditem2a087e9172#ht_500wt_1154</a><br>
<br><div class=3D"gmail_quote">On Mon, Jul 12, 2010 at 2:23 AM, Buzap Buzap=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&g=
t;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0=
 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Aaah, yes... the holy grail of looping ;-))<br>
<br>
Well, I haven&#39;t found it. But my current setup (MacBook, Motu Ultralite=
, Midi Controller, Mainstage2, Mobius &amp; a bunch of scripts) is graduall=
y getting close to it...<br>
<br>
So, with your requirements, I&#39;d recommend going down the laptop road!<b=
r>
Or try getting an old Electrix Repeater, if you find one.<br>
<div><div></div><div class=3D"h5"><br>
best regards<br>
Buzap<br>
--<br>
GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.<br>
Bis zu 150 EUR Startguthaben inklusive! <a href=3D"http://portal.gmx.net/de=
/go/dsl" target=3D"_blank">http://portal.gmx.net/de/go/dsl</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>DE Ward<br>=
512.584.5500<br>
</div>

--0023544476036d335e048b31ee61--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 15:09:37 2010
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Subject: Re: boot camp or parallels
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Hi Antony

before you make too much effort with boot camp etc, you may want to try WineBottler:
http://winebottler.kronenberg.org/

It helped me to run a few Windows applications that I needed under OSX.

best regards
Buzap
-- 
GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.  
Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl

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right, and even then you may consider VMware, I use it for Linux and =
find it amazing!

On 12 Jul 2010, at 11:26, Per Boysen wrote:
>=20
> I see only one reason for using parallels instead of boot camp and
> that is if you think that it is more important to have an instant
> Windows access from the Mac side than to have an audio optimized
> system.
>=20
> On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
>> need to run windows to use PC software such as Gordius Little Giant =
editor,
>> Spectralis sampler/synth/seq editor, anyway a bunch of editor =
librarian
>> software. Any recomendations about installing boot camp? Any reason =
to use
>> parallels instead of bootcamp?
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">right, and even then you may consider VMware, I use it for Linux and =
find it amazing!<div><br><div><div>On 12 Jul 2010, at 11:26, Per Boysen =
wrote:</div><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font>I see only one =
reason for using parallels instead of boot camp and<br>that is if you =
think that it is more important to have an instant<br>Windows access =
from the Mac side than to have an audio optimized<br>system.<br><br>On =
Mon, Jul 12, 2010 at 3:40 PM, &nbsp;&lt;<a =
href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; =
wrote:<br><blockquote type=3D"cite">need to run windows to use PC =
software such as Gordius Little Giant =
editor,<br></blockquote><blockquote type=3D"cite">Spectralis =
sampler/synth/seq editor, anyway a bunch of editor =
librarian<br></blockquote><blockquote type=3D"cite">software. Any =
recomendations about installing boot camp? Any reason to =
use<br></blockquote><blockquote type=3D"cite">parallels instead of =
bootcamp?<br></blockquote><br></div></blockquote></div><br></div></body></=
html>=

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Date: Mon, 12 Jul 2010 08:19:34 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: boot camp or parallels
To: Loopers-Delight@loopers-delight.com
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Hey thanks, I am grateful for this info.

Antony




----- Original Message ----
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, July 12, 2010 4:26:22 PM
Subject: Re: boot camp or parallels

Recommendations about installing boot camp should be to create a
partition big enough for the windows processes you want to run in
there. A trick I like myself is to format the Windows partition in FAT
(or is it FAT32?) which can be worked as any Mac OS X file format when
you have booted through OSX and need some stuff you did when in
Windows. I've even used sampling libraries in the W partition that
worked well with samplers under both Win as OS X. I use an old OEM
version of Win XP with only the service pack 2 and no other Microsoft
updates and this has worked very well. I have no experience to share
regarding Vista or Win7 for audio.

I see only one reason for using parallels instead of boot camp and
that is if you think that it is more important to have an instant
Windows access from the Mac side than to have an audio optimized
system.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
> need to run windows to use PC software such as Gordius Little Giant editor,
> Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
> software. Any recomendations about installing boot camp? Any reason to use
> parallels instead of bootcamp?


      

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 16:01:21 2010
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Subject: Re: active and creative looper
From: Matthias Grob <matilists@gmail.com>
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On 9 Jul 2010, at 17:01, halim zainal wrote:

> That is so phenomenal. Insane. Thank you for sharing Matthias.

it was not me who shared Theresa here
should I share my favourites?
a few times I did, like Dosh, Linsey,,,

since I collect all I find on http://youtube.com/livelooping and tend to =
show the ones I like more first...
unfortunately I did not find out yet how to inform subscribers or =
facebook or... when I add a video...

anyway, here is a talent who posted several pretty different and dynamic =
composition lately:

http://www.youtube.com/CHUNGAFLOMPER

enjoy!
Matthias=

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Subject: Re: boot camp or parallels
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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I use VMWare Fusion, but that's mainly because I use Windows under Mac
primarily for development purposes, and VMWare virtual machines have
*snapshots* - invaluable for developers. I wouldn't run serious music apps
in a VM, tho.

On Mon, Jul 12, 2010 at 11:16 AM, Matthias Grob <matilists@gmail.com> wrote:

> right, and even then you may consider VMware, I use it for Linux and find
> it amazing!
>
> On 12 Jul 2010, at 11:26, Per Boysen wrote:
>
>
> I see only one reason for using parallels instead of boot camp and
> that is if you think that it is more important to have an instant
> Windows access from the Mac side than to have an audio optimized
> system.
>
> On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
>
> need to run windows to use PC software such as Gordius Little Giant editor,
>
> Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
>
> software. Any recomendations about installing boot camp? Any reason to use
>
> parallels instead of bootcamp?
>
>
>
>


-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

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I use VMWare Fusion, but that&#39;s mainly because I use Windows under Mac =
primarily for development purposes, and VMWare virtual machines have *snaps=
hots* - invaluable for developers. I wouldn&#39;t run serious music apps in=
 a VM, tho.<br>
<br><div class=3D"gmail_quote">On Mon, Jul 12, 2010 at 11:16 AM, Matthias G=
rob <span dir=3D"ltr">&lt;<a href=3D"mailto:matilists@gmail.com">matilists@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div style=3D"word-wrap:break-word">right, and even then you may consider V=
Mware, I use it for Linux and find it amazing!<div><br><div><div class=3D"i=
m"><div>On 12 Jul 2010, at 11:26, Per Boysen wrote:</div></div><blockquote =
type=3D"cite">
<div><div class=3D"im"><font color=3D"#000000"><br></font>I see only one re=
ason for using parallels instead of boot camp and<br>that is if you think t=
hat it is more important to have an instant<br>Windows access from the Mac =
side than to have an audio optimized<br>
system.<br><br></div><div class=3D"im">On Mon, Jul 12, 2010 at 3:40 PM, =A0=
&lt;<a href=3D"mailto:antonyhequet@yahoo.com" target=3D"_blank">antonyheque=
t@yahoo.com</a>&gt; wrote:<br><blockquote type=3D"cite">need to run windows=
 to use PC software such as Gordius Little Giant editor,<br>
</blockquote><blockquote type=3D"cite">Spectralis sampler/synth/seq editor,=
 anyway a bunch of editor librarian<br></blockquote><blockquote type=3D"cit=
e">software. Any recomendations about installing boot camp? Any reason to u=
se<br>
</blockquote><blockquote type=3D"cite">parallels instead of bootcamp?<br></=
blockquote><br></div></div></blockquote></div><br></div></div></blockquote>=
</div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"http://www.warr=
ensirota.com">http://www.warrensirota.com</a><br>
NEW CD: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warren=
sirota">http://www.cdbaby.com/cd/warrensirota</a><br>

--002215049153dda561048b32ebfa--

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Hi,

Thanks for all the answers, this is appreciated :).

> De : andy butler <akbutler@tiscali.co.uk>
> =C0 : Loopers-Delight@loopers-delight.com
> Objet : R=E9p : Multi-tracks loopers questions
>
>> Did I miss anything obvious ?
>
> Thinking laterally, yes you did,
> more info about what you actually want to achieve
> might turn up some interesting answers for you.
> Why do you need midi-sync?
> What do you mean by "independent tracks"? different loop lengths?
> Why do you need multiply?


Well, basically so far when I use a looper (i.e. DD20) it's for =20
improvised more or less ambient pieces, noisy droney stuff with some =20
little bit of melodies on top. This works quite well, but I'd like to =20=

be able to add some complexity to all that. Right now I can only do =20
some very linear progressions, and I'd perhaps like to move from =20
improvised noisemaking to improvised composition ? And even going into =20=

not-completely-improvised stuff too :).

So, midi sync would be useful to have the looper running in parallel =20
with a drum machine / a micro modular / a gameboy (if I find the time =20=

to build a midi interface for it).
Having several tracks (of different length but still synced) would =20
allow me to have other progression options than "delete the previous =20
loop to make a new one".
Multiply would basically be there to make sure that things stay more =20
or less coherent...

> Your list of options and you're assessment seems very thorough,
> so it's unlikely that anyone's going to pull a magic answer out the =20=

> hat for you.
> (ok, the "I have a Repeater for you to buy" may have nailed it for =20
> you :-)

The repeater is very nice indeed (I borrowed one from Mr Everyday =20
Looper some time ago and really liked it), but I think I'd rather buy =20=

something new... Well, I'm not 100% sure of that to be honest :).

I've also been doing some research over the week-end, checking if =20
getting an Eee PC or another similar netbook, installing OSX on it and =20=

running SooperLooper/Mobius would do the trick.

I'd still need a small midi controller (Korg NanoKontrol being the =20
obvious choice) and a small audio/midi interface.
I think the total cost would be about 50 000 yens, more or less the =20
same as the price of an RC50/Boomerang/EHX2880...
I'm not sure of how practical it would be, but it looks more and more =20=

like an option...

I've found a couple of discussions on this subject (looper on netbook) =20=

in the archives, how do people deal with controllers/audio interfaces =20=

to keep things small and easily manageable ?
And for people using a (more or less) dedicated OSX setup : how long =20
does it take you to go from "I'm in front of my instruments, nothing =20
is plugged in and I want to play" to "Ok, I'm happily making noisy =20
noises now" ? I remember spending far too much time trying to hook up =20=

my macbook, sooperlooper and an Alesis firewire mixer some time =20
ago... :)

And last but not least - Mathias : what is this Echoplex follow-up ?
I'm very intrigued now :).

Thanks again,
</daviD>

"Simulating the true styles and making carefully.
  Many colours a lot, selected freely by you !"


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi,<div><br></div><div>Thanks =
for all the answers, this is appreciated =
:).</div><div><br></div><div><div><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><span style=3D"font-family: Helvetica; =
font-size: medium; color: rgba(0, 0, 0, 0.496094); "><b>De :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">andy butler &lt;<a =
href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</a>&gt;<br><=
/span></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span style=3D"font-family: =
Helvetica; font-size: medium; color: rgba(0, 0, 0, 0.496094); "><b>=C0 =
:&nbsp;</b></span><span style=3D"font-family: Helvetica; font-size: =
medium; "><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgba(0, 0, 0, =
0.496094); "><b>Objet :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; "><b>R=E9p : =
Multi-tracks loopers questions</b><br></span></div><br><blockquote =
type=3D"cite">Did I miss anything obvious ?<br></blockquote><br>Thinking =
laterally, yes you did,<br>more info about what you actually want to =
achieve<br>might turn up some interesting answers for you.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>Why do you need =
midi-sync?<br></span></span></blockquote><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">What do you mean by "independent tracks"? different loop =
lengths?<br>Why do you need =
multiply?<br></span></span></blockquote><div><br></div><div><br></div><div=
>Well, basically so far when I use a looper (i.e. DD20) it's for =
improvised more or less ambient pieces, noisy droney stuff with some =
little bit of melodies on top.&nbsp;This works quite well, but I'd like =
to be able to add some complexity to all that. Right now I can only do =
some very linear progressions, and I'd perhaps like to move from =
improvised noisemaking to improvised composition ? And even going into =
not-completely-improvised stuff too :).</div><div><br></div><div>So, =
midi sync would be useful to have the looper running in parallel with a =
drum machine / a micro modular / a gameboy (if I find the time to build =
a midi interface for it).&nbsp;</div><div>Having several tracks (of =
different length but still synced) would allow me to have other =
progression options than "delete the previous loop to make a new =
one".</div><div>Multiply would&nbsp;basically&nbsp;be there to make sure =
that things stay more or less =
coherent...</div><div><br></div><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><span =
class=3D"Apple-style-span" style=3D"font-family: Tahoma; font-size: =
13px; ">Your list of options and you're assessment seems very =
thorough,<br>so it's unlikely that anyone's going to pull a magic answer =
out the hat for you.<br>(ok, the "I have a Repeater for you to buy" may =
have nailed it for you =
:-)<br></span></span></blockquote><div><br></div><div>The repeater is =
very nice indeed (I borrowed one from Mr Everyday Looper some time ago =
and really liked it), but I think I'd rather buy something new... Well, =
I'm not 100% sure of that to be honest :).</div><div><br></div><div>I've =
also been doing some research over the week-end, checking if getting an =
Eee PC or another similar netbook, installing OSX on it and running =
SooperLooper/Mobius would do the trick.</div><div><br></div><div>I'd =
still need a small midi controller (Korg NanoKontrol being the obvious =
choice) and a small audio/midi interface.</div><div>I think the total =
cost would be about 50 000 yens, more or less the same as the price of =
an RC50/Boomerang/EHX2880...</div><div>I'm not sure of how practical it =
would be, but it looks more and more like an =
option...</div><div><br></div><div>I've found a couple of discussions on =
this subject (looper on netbook) in the archives, how do people deal =
with controllers/audio interfaces to keep things small and easily =
manageable ?</div><div>And for people using a (more or less) dedicated =
OSX setup : how long does it take you to go from "I'm in front of my =
instruments, nothing is plugged in and I want to play" to "Ok, I'm =
happily making noisy noises now" ? I remember spending far too much time =
trying to hook up my macbook, sooperlooper and an Alesis firewire mixer =
some time ago... :)</div><div><br></div><div>And last but not least - =
Mathias : what is this Echoplex follow-up ?</div><div>I'm very intrigued =
now :).</div><div><br></div><div>Thanks again,</div></div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; =
"><div>&lt;/daviD&gt;</div><div><br></div><div>"Simulating the true =
styles and making carefully.</div><div>&nbsp;Many colours a lot, =
selected freely by you !"</div></div></span> =
</div><br></div></body></html>=

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From: Daniel Berkman <danielberkman@mac.com>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Subject: Re: Cheap small USB interface with low latency?
Date: Mon, 12 Jul 2010 09:16:41 -0700
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--Boundary_(ID_IagsCEhheEM8EiJ2JuZ38g)
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I'm a long time user of the Korg Pandora and the PX5 is not only a USB =20=

audio interface but that little thing loops, too!
I haven't tried it with the PS foot switches yet but that's the next =20
step.

Hope that helps!

-Daniel

_____________________

Daniel Berkman | Colfax | Kora
Musician =E2=80=A2 Composer =E2=80=A2 Producer
www.danielberkman.com
Phone: (415) 254-4895
Email: danielberkman@mac.com

On Jul 12, 2010, at 12:46 AM, Matt Stevens =
<mattstevensguitar@btinternet.com=20
 > wrote:

> Line 6 UX2?
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 12 Jul 2010, at 08:28, Buzap Buzap wrote:
>
>> Hi folks
>>
>> for certain situations, I'd like to take a small USB audio =20
>> interface with me instead of the Motu Ultralite. It should have 1 =20
>> mic input and maybe an additioal audio input. Sound quality is not =20=

>> the primary issue, 44.1/16bit is fine. But latency should be ok for =20=

>> live looping on a Mac.
>>
>> Do you have a cheap recommendation for this?
>>
>> best regards
>> Buzap
>> PS: no, Apogee duet is too expensive ;-)
>>
>> --=20
>> GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
>> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>>
>

--Boundary_(ID_IagsCEhheEM8EiJ2JuZ38g)
Content-type: text/html; charset=utf-8
Content-transfer-encoding: quoted-printable

<html><body bgcolor=3D"#FFFFFF"><div>I'm a long time user of the Korg =
Pandora and the PX5 is not only a USB audio interface but that little =
thing loops, too!</div><div>I haven't tried it with the PS foot switches =
yet but that's the next step.</div><div><br></div><div>Hope that =
helps!</div><div><br></div><div>-Daniel<br><br><div>_____________________<=
/div><div><br></div>Daniel Berkman |&nbsp;<span class=3D"Apple-style-span"=
 style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.289062); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.222656); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.222656); ">Colfax =
| Kora&nbsp;</span><div><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.230469); "><span =
class=3D"Apple-style-span" style=3D"-webkit-tap-highlight-color: =
rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(175, =
192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, =
0.230469); ">Musician =E2=80=A2 Composer =E2=80=A2 =
Producer</span></span><div><div><div><span class=3D"Apple-style-span" =
style=3D"-webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); =
-webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); =
-webkit-composition-frame-color: rgba(77, 128, 180, 0.230469); "><a =
href=3D"http://www.danielberkman.com">www.danielberkman.com</a></span></di=
v><div>Phone: (415) 254-4895</div><div>Email: <a =
href=3D"mailto:danielberkman@mac.com"><a =
href=3D"mailto:danielberkman@mac.com">danielberkman@mac.com</a></a></div><=
/div></div></div></div><div><br>On Jul 12, 2010, at 12:46 AM, Matt =
Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt; wrote:<br><br></div><div></div><blockquote =
type=3D"cite"><div>
Line 6 UX2?<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt Stevens</div><div><a =
href=3D"http://www.mattstevensguitar.com">www.mattstevensguitar.com</a></d=
iv><div><a href=3D"mailto:mattstevensguitar@btinternet.com"><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Jul 2010, =
at 08:28, Buzap Buzap wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hi folks</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">for certain situations, I'd like =
to take a small USB audio interface with me instead of the Motu =
Ultralite. It should have 1 mic input and maybe an additioal audio =
input. Sound quality is not the primary issue, 44.1/16bit is fine. But =
latency should be ok for live looping on a Mac.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Do you =
have a cheap recommendation for this?</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">best =
regards</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Buzap</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">PS: no, Apogee duet is too expensive ;-)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome =
Movie-FLAT!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Jetzt freischalten unter <a =
href=3D"http://portal.gmx.net/de/go/maxdome01"><a =
href=3D"http://portal.gmx.net/de/go/maxdome01">http://portal.gmx.net/de/go=
/maxdome01</a></a></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div> =
</blockquote></div><br></div></div></blockquote></body></html>=

--Boundary_(ID_IagsCEhheEM8EiJ2JuZ38g)--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 16:42:49 2010
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Subject: Re: active and creative looper
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jul 12, 2010 at 6:00 PM, Matthias Grob <matilists@gmail.com> wrote:
> since I collect all I find on http://youtube.com/livelooping and tend to show the ones I like more first...
> unfortunately I did not find out yet how to inform subscribers or facebook or... when I add a video...

Matthias, here you go:

1. YouTube
2. Account
3. Activity Sharing

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 18:22:59 2010
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Date: Mon, 12 Jul 2010 11:22:58 -0700 (PDT)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: boot camp or parallels
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Thanks for the answers and support.
Antony Hequet

Sent from my iPhone

On 2010-07-12, at 17:16, Matthias Grob <matilists@gmail.com> wrote:

right, and even then you may consider VMware, I use it for Linux and find it amazing!

On 12 Jul 2010, at 11:26, Per Boysen wrote:

I see only one reason for using parallels instead of boot camp and
that is if you think that it is more important to have an instant
Windows access from the Mac side than to have an audio optimized
system.

On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
need to run windows to use PC software such as Gordius Little Giant editor,
Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
software. Any recomendations about installing boot camp? Any reason to use
parallels instead of bootcamp?





      
--0-1827748005-1278958978=:17083
Content-Type: text/html; charset=us-ascii

<html><body bgcolor="#FFFFFF"><div>Thanks for the answers and support.</div><div>Antony Hequet<br><br>Sent from my iPhone</div><div><br>On 2010-07-12, at 17:16, Matthias Grob &lt;<a href="mailto:matilists@gmail.com">matilists@gmail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>right, and even then you may consider VMware, I use it for Linux and find it amazing!<div><br><div><div>On 12 Jul 2010, at 11:26, Per Boysen wrote:</div><blockquote type="cite"><div><font class="Apple-style-span" color="#000000"><br></font>I see only one reason for using parallels instead of boot camp and<br>that is if you think that it is more important to have an instant<br>Windows access from the Mac side than to have an audio optimized<br>system.<br><br>On Mon, Jul 12, 2010 at 3:40 PM, &nbsp;&lt;<a href="mailto:antonyhequet@yahoo.com"><a href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a></a>&gt; wrote:<br><blockquote type="cite">need to
 run windows to use PC software such as Gordius Little Giant editor,<br></blockquote><blockquote type="cite">Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian<br></blockquote><blockquote type="cite">software. Any recomendations about installing boot camp? Any reason to use<br></blockquote><blockquote type="cite">parallels instead of bootcamp?<br></blockquote><br></div></blockquote></div><br></div></div></blockquote><br>

      </body></html>
--0-1827748005-1278958978=:17083--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 18:33:55 2010
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Date: Mon, 12 Jul 2010 11:33:54 -0700
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Subject: Re: Cheap small USB interface with low latency?
From: Alexandre Klinke <alexandre.klinke@gmail.com>
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I've been using the Audio Kontrol 1 (Native Instruments) for a while
and it works very good. 1 mic input, 1 line input, 4 outs. I use it
live with ableton live, and usually get 12 ms of latency, which is
really good for a USB interface.
cheers,
alex

www.myspace.com/alexandreklinke

On Mon, Jul 12, 2010 at 9:16 AM, Daniel Berkman <danielberkman@mac.com> wro=
te:
> I'm a long time user of the Korg Pandora and the PX5 is not only a USB au=
dio
> interface but that little thing loops, too!
> I haven't tried it with the PS foot switches yet but that's the next step=
.
> Hope that helps!
> -Daniel
>
> _____________________
> Daniel Berkman |=A0Colfax | Kora
> Musician =95 Composer =95 Producer
> www.danielberkman.com
> Phone: (415) 254-4895
> Email: danielberkman@mac.com
> On Jul 12, 2010, at 12:46 AM, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>
> Line 6 UX2?
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
> On 12 Jul 2010, at 08:28, Buzap Buzap wrote:
>
> Hi folks
> for certain situations, I'd like to take a small USB audio interface with=
 me
> instead of the Motu Ultralite. It should have 1 mic input and maybe an
> additioal audio input. Sound quality is not the primary issue, 44.1/16bit=
 is
> fine. But latency should be ok for live looping on a Mac.
> Do you have a cheap recommendation for this?
> best regards
> Buzap
> PS: no, Apogee duet is too expensive ;-)
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

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Subject: analoguitar
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Latest installment posted up here:

http://analoguitar.blogspot.com/2010/07/guitar-synthi-bass.html

=20

Gareth
 		 	   		  =

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<html>
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{
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font-family:Tahoma
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<body class=3D'hmmessage'>
Latest installment posted up here:<BR>
<A href=3D"http://analoguitar.blogspot.com/2010/07/guitar-synthi-bass.html"=
>http://analoguitar.blogspot.com/2010/07/guitar-synthi-bass.html</A><BR>
&nbsp=3B<BR>
Gareth<BR> 		 	   		  </body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 19:44:51 2010
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Subject: Re: active and creative looper
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Martin Dosh is most definitely awesome. And Linsey..what should i type in
youtube to search for Linsey?

It's the thought of sharing that counts :)

And ohh a tiny mini question: I'm having problems with my obie edp. My
'Mute' seems to have
latency to stop playing as i pressed the mute switch and my 'Multiply' fails
once in a while..it displays C--- sometimes. I don't think it's
because of the Long Press or Short Press feature ( i think). I've looked
thru the manual and can't understand it (way too advanced for me) probably
because of
my bad english :P. Sorry, I'm such a noob.

Warm Regards,
Halim Zainal

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<div>Martin Dosh is most definitely awesome. And Linsey..what should i type=
 in youtube to search for Linsey?<br></div><div><br></div><div>It&#39;s the=
 thought of sharing that counts :)</div><div><br></div><div>And ohh a tiny =
mini question: I&#39;m having problems with my obie edp. My &#39;Mute&#39; =
seems to have</div>
<div>latency to stop playing as i pressed the mute switch and my &#39;Multi=
ply&#39; fails once in a while..it displays C--- sometimes. I don&#39;t thi=
nk it&#39;s</div><div>because of the Long Press or Short Press feature ( i =
think). I&#39;ve looked thru the manual and can&#39;t understand it (way to=
o advanced for me) probably because of</div>
<div>my bad english :P. Sorry, I&#39;m such a noob.=A0</div><div><br></div>=
<div>Warm Regards,</div><div>Halim Zainal</div><div><br></div>
<br>

--00032557556246e0e8048b35fc97--

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Subject: Re: boot camp or parallels
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what about using all those plugins for windows with mac? is there a way to
use them?  i have so many of them on the PC side that i love and will never
be able to have them all under mac..
by the way all you logic users i wet ahead and bought logic pro 9 which im
still warming up to,it comes with 3 jampacks but under apple loops ther is
only one folder with the name jam pack1 the other  folders which also
contain loops have titles
are those considered jampacks 2 and 3 but just different tiltes or should i
also be able to see the folders as Jampack 2,jampack 3?
2010/7/12 Per Boysen <perboysen@gmail.com>

> Recommendations about installing boot camp should be to create a
> partition big enough for the windows processes you want to run in
> there. A trick I like myself is to format the Windows partition in FAT
> (or is it FAT32?) which can be worked as any Mac OS X file format when
> you have booted through OSX and need some stuff you did when in
> Windows. I've even used sampling libraries in the W partition that
> worked well with samplers under both Win as OS X. I use an old OEM
> version of Win XP with only the service pack 2 and no other Microsoft
> updates and this has worked very well. I have no experience to share
> regarding Vista or Win7 for audio.
>
> I see only one reason for using parallels instead of boot camp and
> that is if you think that it is more important to have an instant
> Windows access from the Mac side than to have an audio optimized
> system.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
>  On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
> > need to run windows to use PC software such as Gordius Little Giant
> editor,
> > Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
> > software. Any recomendations about installing boot camp? Any reason to
> use
> > parallels instead of bootcamp?
>
>

--0016367fb5b70122aa048b37f4e8
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<div>what about using all those plugins for windows with mac? is there a wa=
y to use them?=A0 i have so many of them on the PC side=A0that i love and w=
ill never be able to have them all under mac..</div>
<div>by the way all you logic users i wet ahead and bought logic pro 9 whic=
h im still warming up to,it comes with 3 jampacks but under apple loops the=
r is only one folder with the name jam pack1 the other=A0 folders which als=
o contain loops have=A0titles<br>
are those=A0considered jampacks 2 and 3 but just=A0different tiltes or shou=
ld=A0i also be able to see the folders as=A0Jampack 2,jampack 3?<br></div>
<div class=3D"gmail_quote">2010/7/12 Per Boysen <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Recommendations about installing=
 boot camp should be to create a<br>partition big enough for the windows pr=
ocesses you want to run in<br>
there. A trick I like myself is to format the Windows partition in FAT<br>(=
or is it FAT32?) which can be worked as any Mac OS X file format when<br>yo=
u have booted through OSX and need some stuff you did when in<br>Windows. I=
&#39;ve even used sampling libraries in the W partition that<br>
worked well with samplers under both Win as OS X. I use an old OEM<br>versi=
on of Win XP with only the service pack 2 and no other Microsoft<br>updates=
 and this has worked very well. I have no experience to share<br>regarding =
Vista or Win7 for audio.<br>
<br>I see only one reason for using parallels instead of boot camp and<br>t=
hat is if you think that it is more important to have an instant<br>Windows=
 access from the Mac side than to have an audio optimized<br>system.<br>

<div class=3D"im"><br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D=
"http://www.boysen.se/" target=3D"_blank">www.boysen.se</a><br><a href=3D"h=
ttp://www.perboysen.com/" target=3D"_blank">www.perboysen.com</a><br><a hre=
f=3D"http://www.looproom.com/" target=3D"_blank">www.looproom.com</a> inter=
net music hub<br>
<br><br><br></div>
<div>
<div></div>
<div class=3D"h5">On Mon, Jul 12, 2010 at 3:40 PM, =A0&lt;<a href=3D"mailto=
:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt; wrote:<br>&gt; need=
 to run windows to use PC software such as Gordius Little Giant editor,<br>=
&gt; Spectralis sampler/synth/seq editor, anyway a bunch of editor libraria=
n<br>
&gt; software. Any recomendations about installing boot camp? Any reason to=
 use<br>&gt; parallels instead of bootcamp?<br><br></div></div></blockquote=
></div><br>

--0016367fb5b70122aa048b37f4e8--

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Date: Tue, 13 Jul 2010 00:34:53 +0200
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Subject: Re: Multi-tracks loopers questions
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yes,a hardware stomp with the power of the EDP/mobius,loops or tracks midi
and all with the old and elegant paradise loop delay logo Matthias that
would be the bomb!
so can we still dream?

2010/7/12 Matthias Grob <matilists@gmail.com>

> Hi David!
> nice to read this report!
> and give me hope that there is still space to come up with the Echoplex
> follow up I am working on.
> I would not ask you to wait for it, because I do not know when we finish it
> and it will take months still
> and it probably will do little more than the old EDP in the first version,
> but a software upgrade will do all you want :-)
> ... and some stuff you did not think of yet...
>
> as for the virtual EDPs: computer latency can be corrected for most parts,
> where the loop runs predictably
> but whenever you do an immediate change like pressing Reverse, the reaction
> is late and the latency correction creates a new problem
> so there is still a big advantage in hardware machines.
>
> back to work
> Matthias
>
> On 10 Jul 2010, at 06:21, David Steinberg wrote:
>
> > Hi,
> >
> > Warning, this is a quite long email... :).
> >
> > I've been using a Boss DD20 for a few years now and I really like it -
> it's intuitive, surprisingly full of possibilities and nice to use.
> >
> > It's not really multi-tracks though (you can have 2 delays running at the
> same time but that's it), and there's no MIDI sync or internal storage. I'd
> really like a looper with these additional features.
> >
> > In fact, I'd like somethig with :
> > - several independant tracks
> > - a multiply function
> > - MIDI sync
> > - storage of loops
> >
> > By the way, I'm using the DD20 to loop several electronic noisemakers
> (small keyboards, effects, gameboys, toys, drum machines, etc.) so a
> tabletop unit is usually better for me.
> >
> > I've looked at the specs all the current hardware loopers I could find
> and here's the result so far :
> >
> > - EHX 2880
> > Pros : 4 tracks, MIDI sync (though it seems to be a bit basic), very
> simple loop storage (still better than nothing)
> > Cons : no multiply, all the loops must have the same length
> >
> > - Boomerang 3 :
> > Pros : 3 or 4 tracks, small, multiply ? (not really sure about that, the
> manual is extremely unclear)
> > Cons : no storage, no MIDI sync (but hardware MIDI in/out...)
> >
> > - Boss RC50
> > Pros : 4 loops, MIDI sync when used as a master, internal storage,
> multiply
> > Cons : no MIDI sync as a slave, no feedback control, annoying click
> track, big, etc.
> >
> > - Electrix Repeater
> > Pros : basically has the features I want
> > Cons : rare and expensive second-hand, not supported anymore, uses old
> compact flash cards
> >
> > - Electrix Repeater Mk2
> > Pros : perfect for me
> > Cons : does not exist
> >
> > - Looperlative LP1
> > Pros : multi-tracks, MIDI, lots of features
> > Cons : a bit expensive and overkill for me, interface not really suited
> to the way I use a looper
> >
> > So far, unfortunately, nothing completely fits the bill for me.
> >
> > I really like the form factor of the 2880 and would get one right now if
> it could have tracks of different lengths. The Rang 3 seemed really nice
> even though it has no loop storage, but I was disappointed to read that it
> has no MIDI sync. And the modes that would interest me (with all the loops
> played at the same time) is still not available from what I've understood.
> The RC50 seems to be very frustrating to use, from what I've read. The LP1
> is very powerful but it does not fit in my budget and I don't really like
> the form factor.
> >
> > Did I miss anything obvious ?
> >
> > I know that people will suggest a laptop running Mobius or Sooperlooper.
> I'd rather avoid using a computer but if I can get something that's not too
> expensive, that's easy to setup and that can act as a more or less dedicated
> looping device I could consider it.
> >
> > In fact, I though about using one of the new tablet PCs, the ones without
> a keyboard and that basically look like a bigger iPad. A big touch screen is
> not as good as a bunch of buttons and knobs but it's definitely better than
> a mouse :).
> >
> > The thing is, would I get a good enough audio latency ? And I would still
> need a MIDI interface for sync... Did anyone try using a looper software on
> one of these devices ?
> >
> > Anyway, if I missed or misundestood anything, please tell me :).
> >
> > Thanks,
> > </daviD>
> >
> > "Simulating the true styles and making carefully.
> > Many colours a lot, selected freely by you !"
> >
>
>

--00221597484e80de1c048b385c9f
Content-Type: text/html; charset=ISO-8859-1
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<div>yes,a hardware stomp with the power of the EDP/mobius,loops or tracks =
midi and all=A0with the old and elegant paradise loop delay logo Matthias=
=A0that would be the bomb!</div>
<div>so can we still dream?<br><br></div>
<div class=3D"gmail_quote">2010/7/12 Matthias Grob <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:matilists@gmail.com">matilists@gmail.com</a>&gt;</span><br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Hi David!<br>nice to read this r=
eport!<br>and give me hope that there is still space to come up with the Ec=
hoplex follow up I am working on.<br>
I would not ask you to wait for it, because I do not know when we finish it=
 and it will take months still<br>and it probably will do little more than =
the old EDP in the first version, but a software upgrade will do all you wa=
nt :-)<br>
... and some stuff you did not think of yet...<br><br>as for the virtual ED=
Ps: computer latency can be corrected for most parts, where the loop runs p=
redictably<br>but whenever you do an immediate change like pressing Reverse=
, the reaction is late and the latency correction creates a new problem<br>
so there is still a big advantage in hardware machines.<br><br>back to work=
<br><font color=3D"#888888">Matthias<br></font>
<div>
<div></div>
<div class=3D"h5"><br>On 10 Jul 2010, at 06:21, David Steinberg wrote:<br><=
br>&gt; Hi,<br>&gt;<br>&gt; Warning, this is a quite long email... :).<br>&=
gt;<br>&gt; I&#39;ve been using a Boss DD20 for a few years now and I reall=
y like it - it&#39;s intuitive, surprisingly full of possibilities and nice=
 to use.<br>
&gt;<br>&gt; It&#39;s not really multi-tracks though (you can have 2 delays=
 running at the same time but that&#39;s it), and there&#39;s no MIDI sync =
or internal storage. I&#39;d really like a looper with these additional fea=
tures.<br>
&gt;<br>&gt; In fact, I&#39;d like somethig with :<br>&gt; - several indepe=
ndant tracks<br>&gt; - a multiply function<br>&gt; - MIDI sync<br>&gt; - st=
orage of loops<br>&gt;<br>&gt; By the way, I&#39;m using the DD20 to loop s=
everal electronic noisemakers (small keyboards, effects, gameboys, toys, dr=
um machines, etc.) so a tabletop unit is usually better for me.<br>
&gt;<br>&gt; I&#39;ve looked at the specs all the current hardware loopers =
I could find and here&#39;s the result so far :<br>&gt;<br>&gt; - EHX 2880<=
br>&gt; Pros : 4 tracks, MIDI sync (though it seems to be a bit basic), ver=
y simple loop storage (still better than nothing)<br>
&gt; Cons : no multiply, all the loops must have the same length<br>&gt;<br=
>&gt; - Boomerang 3 :<br>&gt; Pros : 3 or 4 tracks, small, multiply ? (not =
really sure about that, the manual is extremely unclear)<br>&gt; Cons : no =
storage, no MIDI sync (but hardware MIDI in/out...)<br>
&gt;<br>&gt; - Boss RC50<br>&gt; Pros : 4 loops, MIDI sync when used as a m=
aster, internal storage, multiply<br>&gt; Cons : no MIDI sync as a slave, n=
o feedback control, annoying click track, big, etc.<br>&gt;<br>&gt; - Elect=
rix Repeater<br>
&gt; Pros : basically has the features I want<br>&gt; Cons : rare and expen=
sive second-hand, not supported anymore, uses old compact flash cards<br>&g=
t;<br>&gt; - Electrix Repeater Mk2<br>&gt; Pros : perfect for me<br>&gt; Co=
ns : does not exist<br>
&gt;<br>&gt; - Looperlative LP1<br>&gt; Pros : multi-tracks, MIDI, lots of =
features<br>&gt; Cons : a bit expensive and overkill for me, interface not =
really suited to the way I use a looper<br>&gt;<br>&gt; So far, unfortunate=
ly, nothing completely fits the bill for me.<br>
&gt;<br>&gt; I really like the form factor of the 2880 and would get one ri=
ght now if it could have tracks of different lengths. The Rang 3 seemed rea=
lly nice even though it has no loop storage, but I was disappointed to read=
 that it has no MIDI sync. And the modes that would interest me (with all t=
he loops played at the same time) is still not available from what I&#39;ve=
 understood. The RC50 seems to be very frustrating to use, from what I&#39;=
ve read. The LP1 is very powerful but it does not fit in my budget and I do=
n&#39;t really like the form factor.<br>
&gt;<br>&gt; Did I miss anything obvious ?<br>&gt;<br>&gt; I know that peop=
le will suggest a laptop running Mobius or Sooperlooper. I&#39;d rather avo=
id using a computer but if I can get something that&#39;s not too expensive=
, that&#39;s easy to setup and that can act as a more or less dedicated loo=
ping device I could consider it.<br>
&gt;<br>&gt; In fact, I though about using one of the new tablet PCs, the o=
nes without a keyboard and that basically look like a bigger iPad. A big to=
uch screen is not as good as a bunch of buttons and knobs but it&#39;s defi=
nitely better than a mouse :).<br>
&gt;<br>&gt; The thing is, would I get a good enough audio latency ? And I =
would still need a MIDI interface for sync... Did anyone try using a looper=
 software on one of these devices ?<br>&gt;<br>&gt; Anyway, if I missed or =
misundestood anything, please tell me :).<br>
&gt;<br>&gt; Thanks,<br>&gt; &lt;/daviD&gt;<br>&gt;<br>&gt; &quot;Simulatin=
g the true styles and making carefully.<br>&gt; Many colours a lot, selecte=
d freely by you !&quot;<br>&gt;<br><br></div></div></blockquote></div><br>

--00221597484e80de1c048b385c9f--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 12 22:58:05 2010
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Date: Mon, 12 Jul 2010 15:57:46 -0700
From: Rick Walker <looppool@cruzio.com>
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You mentioned that you don't like the interface of the Looperlative LP1
but it makes me think that you may not understand how it works.

With it you use any midi pedals that you want.   You then use the front 
panel of the
LP-1 to, very rapidly,  customize your pedal board to do anything you 
want it to do.

There is NO complex midi programming.   Additionally, any midi pedal 
push can create
up to 8 different commands (Mobius has a similar approach, I believe, 
though I don't know for sure)
so you can do very sophisticated moves in a song.............double 
speeding/reversing/bouncing tracks
with one push kind of things.

At NAMM I had to reprogram an FCB 1010 using the LP-1.   It took me 
under 10 minutes
to configure 5 really sophisticated banks exactly the way I wanted them.

It's literally, the easiest sophisticated looper I've ever used.

It also will do every single thing that you have wanted to do.

It's ability to have synced or un synced tracks,  to group tracks,  to 
change which tracks are the
master on the fly is so amazingly versatile.
It's slicing and dicing capabilities are also very cool and you can even 
program a bank
(as I have) as a virtual 'melotron' to play melodies with retriggers of 
your loops.
I use this technique a lot.

It is an expensive unit, but considering what it can do and as a 
dedicated piece of gear
it is not overpriced (also considering the profit margin on making them, 
too). 

As an example,  it costs under what two RC-50s would cost and does 
vastly more than
twice what they can accomplish.

Also, it's continually upgrading and upgrades are free for the life of 
the unit.   There's no hardware
out there that I"ve ever experienced that does offers that kind of 
continual growth.

I love mine and am very, very happy with it.

you might reconsider.

yours,   Rick

ps I own a Repeater too but be careful........they are no longer made 
and they are starting to fall apart with age.
There still is some repair back up on them, though.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 02:07:01 2010
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Subject: For Keith and Michael
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I just posted this video I recorded yesterday on a Zoom Q3 of an  
improvisation that bears influence form both Keith Jarret and Michael  
Hedges, The Hedges influence is obvious, but the Jarret influence is  
more in spirit than style. I was deeply effected by his Koln Concert  
recordings in my early twenties. I wanted to play the guitar the way  
he played the piano, with that flowing lyricism, range of emotion, and  
fearlessness to start an idea and see where it takes you. I still want  
to.
  I'm using the looperlative's quantize replace function a bunch,  
which is highly addictive but great for generating  percolating note  
sequences, not to mention happy accidents and left turns.

In the words of the late great Rod Serling

"consider if you will"

http://www.youtube.com/user/BillWalkerGuitar


Thanks
  Bill


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I just posted this video I =
recorded yesterday on a Zoom Q3 of an improvisation that bears influence =
form both Keith Jarret and Michael Hedges, The Hedges influence is =
obvious, but the Jarret influence is more in spirit than style. I was =
deeply effected by his Koln Concert recordings in my early twenties. I =
wanted to play the guitar the way he played the piano, with that flowing =
lyricism, range of emotion, and fearlessness to start an idea and see =
where it takes you. I still want to.<div>&nbsp;I'm using the =
looperlative's quantize replace function a bunch, which is highly =
addictive but great for generating &nbsp;percolating note sequences, not =
to mention happy accidents and left turns.<div>&nbsp;&nbsp;</div><div>In =
the words of the late great Rod =
Serling</div><div>&nbsp;</div><div>"consider if you =
will"</div><div>&nbsp;</div><div><a =
href=3D"http://www.youtube.com/user/BillWalkerGuitar">http://www.youtube.c=
om/user/BillWalkerGuitar</a><br><div><br></div><div><br></div><div>Thanks<=
/div><div>&nbsp;Bill</div><div><br></div></div></div></body></html>=

--Apple-Mail-1-31904310--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 07:58:25 2010
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Subject: Logic's Apple Loops browser (Re: boot camp or parallels)
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I have to admit I don't know. I just never looked into that level of
detail. If it is important for you to know you can find out by
comparing the actual folders' content on the hard drive with what
comes up by doing a search in the Loop Browser.

Maybe someone at Apple happened to change the foder name or something?
I remember they have been selling those Jam Packs as different
products in the past. Maybe you didn't mark out Jam Pack  two and
three when installing?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Tue, Jul 13, 2010 at 12:05 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> by the way all you logic users i wet ahead and bought logic pro 9 which i=
m
> still warming up to,it comes with 3 jampacks but under apple loops ther i=
s
> only one folder with the name jam pack1 the other=C2=A0 folders which als=
o
> contain loops have=C2=A0titles
> are those=C2=A0considered jampacks 2 and 3 but just=C2=A0different tiltes=
 or should=C2=A0i
> also be able to see the folders as=C2=A0Jampack 2,jampack 3?

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Really made my day! Great stuff Bill.

On 7/13/10, William Walker <billwalker@baymoon.com> wrote:
> I just posted this video I recorded yesterday on a Zoom Q3 of an
> improvisation that bears influence form both Keith Jarret and Michael
> Hedges, The Hedges influence is obvious, but the Jarret influence is
> more in spirit than style. I was deeply effected by his Koln Concert
> recordings in my early twenties. I wanted to play the guitar the way
> he played the piano, with that flowing lyricism, range of emotion, and
> fearlessness to start an idea and see where it takes you. I still want
> to.
>   I'm using the looperlative's quantize replace function a bunch,
> which is highly addictive but great for generating  percolating note
> sequences, not to mention happy accidents and left turns.
>
> In the words of the late great Rod Serling
>
> "consider if you will"
>
> http://www.youtube.com/user/BillWalkerGuitar
>
>
> Thanks
>   Bill
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 11:22:27 2010
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Why not get a used MacBook instead of NetBook? (around 500,-EUR)

If I'd have a netbook, I think I'd stick to Windows and use Mobius (possibly with Bidule).

best regards
Buzap
-- 
GRATIS fÃ¼r alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 11:40:39 2010
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Hi there=2C

I have been re visiting the "am I using the right hardware" issue again mys=
elf recently.

the last time I looked at this=2C th e LP1 had just come out. I loved prett=
y much everything about it apart from the idea of how multiply was done..i =
couldnt seem to get anyone to tell me straight this simple question..

can I set up an fcb1010 button to begin to count multiple cycles of the cur=
rantly recorded material =2C whilst adding a new longer layer of sound and =
then upon a second press round this  to the next cycle boundry ....IE a la =
EDP?

thanks

> Date: Mon=2C 12 Jul 2010 15:57:46 -0700
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: R=E9p : Multi-tracks loopers questions
>=20
> You mentioned that you don't like the interface of the Looperlative LP1
> but it makes me think that you may not understand how it works.
>=20
> With it you use any midi pedals that you want.   You then use the front=20
> panel of the
> LP-1 to=2C very rapidly=2C  customize your pedal board to do anything you=
=20
> want it to do.
>=20
> There is NO complex midi programming.   Additionally=2C any midi pedal=20
> push can create
> up to 8 different commands (Mobius has a similar approach=2C I believe=2C=
=20
> though I don't know for sure)
> so you can do very sophisticated moves in a song.............double=20
> speeding/reversing/bouncing tracks
> with one push kind of things.
>=20
> At NAMM I had to reprogram an FCB 1010 using the LP-1.   It took me=20
> under 10 minutes
> to configure 5 really sophisticated banks exactly the way I wanted them.
>=20
> It's literally=2C the easiest sophisticated looper I've ever used.
>=20
> It also will do every single thing that you have wanted to do.
>=20
> It's ability to have synced or un synced tracks=2C  to group tracks=2C  t=
o=20
> change which tracks are the
> master on the fly is so amazingly versatile.
> It's slicing and dicing capabilities are also very cool and you can even=
=20
> program a bank
> (as I have) as a virtual 'melotron' to play melodies with retriggers of=20
> your loops.
> I use this technique a lot.
>=20
> It is an expensive unit=2C but considering what it can do and as a=20
> dedicated piece of gear
> it is not overpriced (also considering the profit margin on making them=
=2C=20
> too).=20
>=20
> As an example=2C  it costs under what two RC-50s would cost and does=20
> vastly more than
> twice what they can accomplish.
>=20
> Also=2C it's continually upgrading and upgrades are free for the life of=
=20
> the unit.   There's no hardware
> out there that I"ve ever experienced that does offers that kind of=20
> continual growth.
>=20
> I love mine and am very=2C very happy with it.
>=20
> you might reconsider.
>=20
> yours=2C   Rick
>=20
> ps I own a Repeater too but be careful........they are no longer made=20
> and they are starting to fall apart with age.
> There still is some repair back up on them=2C though.
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

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<html>
<head>
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font-family:Verdana
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<body class=3D'hmmessage'>
Hi there=2C<br><br>I have been re visiting the "am I using the right hardwa=
re" issue again myself recently.<br><br>the last time I looked at this=2C t=
h e LP1 had just come out. I loved pretty much everything about it apart fr=
om the idea of how multiply was done..i couldnt seem to get anyone to tell =
me straight this simple question..<br><br>can I set up an fcb1010 button to=
 begin to count multiple cycles of the currantly recorded material =2C whil=
st adding a new longer layer of sound and then upon a second press round th=
is&nbsp=3B to the next cycle boundry ....IE a la EDP?<br><br>thanks<br><br>=
&gt=3B Date: Mon=2C 12 Jul 2010 15:57:46 -0700<br>&gt=3B From: looppool@cru=
zio.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject=
: R=E9p : Multi-tracks loopers questions<br>&gt=3B <br>&gt=3B You mentioned=
 that you don't like the interface of the Looperlative LP1<br>&gt=3B but it=
 makes me think that you may not understand how it works.<br>&gt=3B <br>&gt=
=3B With it you use any midi pedals that you want.   You then use the front=
 <br>&gt=3B panel of the<br>&gt=3B LP-1 to=2C very rapidly=2C  customize yo=
ur pedal board to do anything you <br>&gt=3B want it to do.<br>&gt=3B <br>&=
gt=3B There is NO complex midi programming.   Additionally=2C any midi peda=
l <br>&gt=3B push can create<br>&gt=3B up to 8 different commands (Mobius h=
as a similar approach=2C I believe=2C <br>&gt=3B though I don't know for su=
re)<br>&gt=3B so you can do very sophisticated moves in a song.............=
double <br>&gt=3B speeding/reversing/bouncing tracks<br>&gt=3B with one pus=
h kind of things.<br>&gt=3B <br>&gt=3B At NAMM I had to reprogram an FCB 10=
10 using the LP-1.   It took me <br>&gt=3B under 10 minutes<br>&gt=3B to co=
nfigure 5 really sophisticated banks exactly the way I wanted them.<br>&gt=
=3B <br>&gt=3B It's literally=2C the easiest sophisticated looper I've ever=
 used.<br>&gt=3B <br>&gt=3B It also will do every single thing that you hav=
e wanted to do.<br>&gt=3B <br>&gt=3B It's ability to have synced or un sync=
ed tracks=2C  to group tracks=2C  to <br>&gt=3B change which tracks are the=
<br>&gt=3B master on the fly is so amazingly versatile.<br>&gt=3B It's slic=
ing and dicing capabilities are also very cool and you can even <br>&gt=3B =
program a bank<br>&gt=3B (as I have) as a virtual 'melotron' to play melodi=
es with retriggers of <br>&gt=3B your loops.<br>&gt=3B I use this technique=
 a lot.<br>&gt=3B <br>&gt=3B It is an expensive unit=2C but considering wha=
t it can do and as a <br>&gt=3B dedicated piece of gear<br>&gt=3B it is not=
 overpriced (also considering the profit margin on making them=2C <br>&gt=
=3B too). <br>&gt=3B <br>&gt=3B As an example=2C  it costs under what two R=
C-50s would cost and does <br>&gt=3B vastly more than<br>&gt=3B twice what =
they can accomplish.<br>&gt=3B <br>&gt=3B Also=2C it's continually upgradin=
g and upgrades are free for the life of <br>&gt=3B the unit.   There's no h=
ardware<br>&gt=3B out there that I"ve ever experienced that does offers tha=
t kind of <br>&gt=3B continual growth.<br>&gt=3B <br>&gt=3B I love mine and=
 am very=2C very happy with it.<br>&gt=3B <br>&gt=3B you might reconsider.<=
br>&gt=3B <br>&gt=3B yours=2C   Rick<br>&gt=3B <br>&gt=3B ps I own a Repeat=
er too but be careful........they are no longer made <br>&gt=3B and they ar=
e starting to fall apart with age.<br>&gt=3B There still is some repair bac=
k up on them=2C though.<br>&gt=3B <br> 		 	   		  <br /><hr />Get a new e-m=
ail account with Hotmail - Free. <a href=3D'http://clk.atdmt.com/UKM/go/197=
222280/direct/01/' target=3D'_new'>Sign-up now.</a></body>
</html>=

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Date: Tue, 13 Jul 2010 13:52:10 +0200
Message-ID: <AANLkTinmHtjyNTbeKZXn5YQyWTQVbnxbHiGnUGmDO18v@mail.gmail.com>
Subject: Re: Multi-tracks loopers questions
From: Louie Angulo <louie.angulo@googlemail.com>
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oh no,no im talking hardware,i use a laptop with mobius but to tell you the
truth im still hooked on simple bullet proof hardware,i dont think that wil=
l
ever go away!

2010/7/13 Buzap Buzap <buzap@gmx.net>

> Why not get a used MacBook instead of NetBook? (around 500,-EUR)
>
> If I'd have a netbook, I think I'd stick to Windows and use Mobius
> (possibly with Bidule).
>
> best regards
> Buzap
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

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oh no,no im talking hardware,i use a laptop with mobius but to tell you the=
 truth im still hooked on simple bullet proof hardware,i dont think that wi=
ll ever go away!<br><br><div class=3D"gmail_quote">2010/7/13 Buzap Buzap <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;<=
/span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Why not get a use=
d MacBook instead of NetBook? (around 500,-EUR)<br>
<br>
If I&#39;d have a netbook, I think I&#39;d stick to Windows and use Mobius =
(possibly with Bidule).<br>
<br>
best regards<br>
Buzap<br>
<font color=3D"#888888">--<br>
GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>
Jetzt freischalten unter <a href=3D"http://portal.gmx.net/de/go/maxdome01" =
target=3D"_blank">http://portal.gmx.net/de/go/maxdome01</a><br>
<br>
</font></blockquote></div><br>

--001485f87012d88f34048b437f97--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 12:50:43 2010
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phillip wilson wrote:
> the last time I looked at this, th e LP1 had just come out. I loved 
> can I set up an fcb1010 button to begin to count multiple cycles of the 
> currantly recorded material , whilst adding a new longer layer of sound 
> and then upon a second press round this  to the next cycle boundry 
> ....IE a la EDP?
> 

There are 2 things you can do with the LP1.
They both round to the loop boundary on the second press.

1) Sync Record another track to an existing one... the 
   length of the new track will be an exact multiple
    of your designated master track.

2) Sync Bounce your track to another track, while adding new audio.
   This is equivalent to the EDP Next>>Multply function. The new
    track will be an exact multiple in length of the old, and
    the old track will be automatically muted.


No looper, hardware or software exactly emulates the EDP's multiply,
but those 2 functions of the LP1 probably cover the musical results
 that you want to achieve.

The LP1 doesn't support "Cycles", but you can
use a short loop as "Master" for sync purposes.



andy butler



From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 14:37:40 2010
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To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: For Keith and Michael
Date: Tue, 13 Jul 2010 14:37:39 +0000
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Very good indeed i like it a LOT=2CI like when you use the looper to create=
 an abstract "backing" and then let it change and flow and the guitar sound=
 like a GUITAR:`...=20

thanks..
=20


From: billwalker@baymoon.com
To: Loopers-Delight@loopers-delight.com
Subject: For Keith and Michael
Date: Mon=2C 12 Jul 2010 19:06:54 -0700

I just posted this video I recorded yesterday on a Zoom Q3 of an improvisat=
ion that bears influence form both Keith Jarret and Michael Hedges=2C The H=
edges influence is obvious=2C but the Jarret influence is more in spirit th=
an style. I was deeply effected by his Koln Concert recordings in my early =
twenties. I wanted to play the guitar the way he played the piano=2C with t=
hat flowing lyricism=2C range of emotion=2C and fearlessness to start an id=
ea and see where it takes you. I still want to.
 I'm using the looperlative's quantize replace function a bunch=2C which is=
 highly addictive but great for generating  percolating note sequences=2C n=
ot to mention happy accidents and left turns.
 =20
In the words of the late great Rod Serling
=20
"consider if you will"
=20
http://www.youtube.com/user/BillWalkerGuitar





Thanks
 Bill

 		 	   		  =

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Very good indeed i like it a LOT=2CI like when you&nbsp=3Buse the looper to=
 create an abstract "backing" and then let it change and flow and the guita=
r sound like a&nbsp=3BGUITAR:`...&nbsp=3B<BR>
thanks..<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
From: billwalker@baymoon.com<BR>To: Loopers-Delight@loopers-delight.com<BR>=
Subject: For Keith and Michael<BR>Date: Mon=2C 12 Jul 2010 19:06:54 -0700<B=
R><BR>I just posted this video I recorded yesterday on a Zoom Q3 of an impr=
ovisation that bears influence form both Keith Jarret and Michael Hedges=2C=
 The Hedges influence is obvious=2C but the Jarret influence is more in spi=
rit than style. I was deeply effected by his Koln Concert recordings in my =
early twenties. I wanted to play the guitar the way he played the piano=2C =
with that flowing lyricism=2C range of emotion=2C and fearlessness to start=
 an idea and see where it takes you. I still want to.
<DIV>&nbsp=3BI'm using the looperlative's quantize replace function a bunch=
=2C which is highly addictive but great for generating &nbsp=3Bpercolating =
note sequences=2C not to mention happy accidents and left turns.
<DIV>&nbsp=3B&nbsp=3B</DIV>
<DIV>In the words of the late great Rod Serling</DIV>
<DIV>&nbsp=3B</DIV>
<DIV>"consider if you will"</DIV>
<DIV>&nbsp=3B</DIV>
<DIV><A href=3D"http://www.youtube.com/user/BillWalkerGuitar">http://www.yo=
utube.com/user/BillWalkerGuitar</A><BR>
<DIV><BR></DIV>
<DIV><BR></DIV>
<DIV>Thanks</DIV>
<DIV>&nbsp=3BBill</DIV>
<DIV><BR></DIV></DIV></DIV> 		 	   		  </body>
</html>=

--_a226a36b-4866-4145-aa5e-da9ea0345202_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 14:43:14 2010
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Subject: Re: For Keith and Michael
Date: Tue, 13 Jul 2010 07:43:10 -0700
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Nice stuff Mr. Bill.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 15:17:29 2010
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Subject: =?iso-8859-1?Q?RE:_R=E9p_:_?= =?iso-8859-1?Q?Multi-trac?=
 =?iso-8859-1?Q?ks_loopers?= =?iso-8859-1?Q?_questions?= 
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thanks for the input=2C

How many "tracks" can I have in an LP1 can each of these have overdubs?

the problem I for see unless someone has predicedand safeguarded against th=
is version of multiplying by adding onto differant tracks is that if=20

track 1 has 1 bar drum beat
then=20
track 2 is 12x as long for a chord pattern

do i have ot mentally keep in mind which tracks are which lengths or is the=
re indications?

reason being that presuming i can overdub on either of these tracks=2C i kn=
ow i would end up  accidentally trying to  add a chordal overdub onto the 1=
 bar loop  thus creating a mess lol.

i already do this with my 2x edps which has led me to go down the sus-overd=
ub route cos at least i CAN only be pressing the one track down at once rat=
her then leaving the single measure on edp1 "open" whilst also opening up t=
he longer 12 bar measure in edp2 to overdub into.

sorry i find it hard ot demonstrate..i  have shot some video over the last =
few weeks so hopefully i will get something up on youtube soon.

Phill

> Date: Tue=2C 13 Jul 2010 13:50:53 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: R=E9p : Multi-tracks loopers questions
>=20
> phillip wilson wrote:
> > the last time I looked at this=2C th e LP1 had just come out. I loved=20
> > can I set up an fcb1010 button to begin to count multiple cycles of the=
=20
> > currantly recorded material =2C whilst adding a new longer layer of sou=
nd=20
> > and then upon a second press round this  to the next cycle boundry=20
> > ....IE a la EDP?
> >=20
>=20
> There are 2 things you can do with the LP1.
> They both round to the loop boundary on the second press.
>=20
> 1) Sync Record another track to an existing one... the=20
>    length of the new track will be an exact multiple
>     of your designated master track.
>=20
> 2) Sync Bounce your track to another track=2C while adding new audio.
>    This is equivalent to the EDP Next>>Multply function. The new
>     track will be an exact multiple in length of the old=2C and
>     the old track will be automatically muted.
>=20
>=20
> No looper=2C hardware or software exactly emulates the EDP's multiply=2C
> but those 2 functions of the LP1 probably cover the musical results
>  that you want to achieve.
>=20
> The LP1 doesn't support "Cycles"=2C but you can
> use a short loop as "Master" for sync purposes.
>=20
>=20
>=20
> andy butler
>=20
>=20
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/

--_bcb2a770-34b1-4aa4-969a-f44c1185c827_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
thanks for the input=2C<br><br>How many "tracks" can I have in an LP1 can e=
ach of these have overdubs?<br><br>the problem I for see unless someone has=
 predicedand safeguarded against this version of multiplying by adding onto=
 differant tracks is that if <br><br>track 1 has 1 bar drum beat<br>then <b=
r>track 2 is 12x as long for a chord pattern<br><br>do i have ot mentally k=
eep in mind which tracks are which lengths or is there indications?<br><br>=
reason being that presuming i can overdub on either of these tracks=2C i kn=
ow i would end up&nbsp=3B accidentally trying to&nbsp=3B add a chordal over=
dub onto the 1 bar loop&nbsp=3B thus creating a mess lol.<br><br>i already =
do this with my 2x edps which has led me to go down the sus-overdub route c=
os at least i CAN only be pressing the one track down at once rather then l=
eaving the single measure on edp1 "open" whilst also opening up the longer =
12 bar measure in edp2 to overdub into.<br><br>sorry i find it hard ot demo=
nstrate..i&nbsp=3B have shot some video over the last few weeks so hopefull=
y i will get something up on youtube soon.<br><br>Phill<br><br>&gt=3B Date:=
 Tue=2C 13 Jul 2010 13:50:53 +0100<br>&gt=3B From: akbutler@tiscali.co.uk<b=
r>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: R=
=E9p : Multi-tracks loopers questions<br>&gt=3B <br>&gt=3B phillip wilson w=
rote:<br>&gt=3B &gt=3B the last time I looked at this=2C th e LP1 had just =
come out. I loved <br>&gt=3B &gt=3B can I set up an fcb1010 button to begin=
 to count multiple cycles of the <br>&gt=3B &gt=3B currantly recorded mater=
ial =2C whilst adding a new longer layer of sound <br>&gt=3B &gt=3B and the=
n upon a second press round this  to the next cycle boundry <br>&gt=3B &gt=
=3B ....IE a la EDP?<br>&gt=3B &gt=3B <br>&gt=3B <br>&gt=3B There are 2 thi=
ngs you can do with the LP1.<br>&gt=3B They both round to the loop boundary=
 on the second press.<br>&gt=3B <br>&gt=3B 1) Sync Record another track to =
an existing one... the <br>&gt=3B    length of the new track will be an exa=
ct multiple<br>&gt=3B     of your designated master track.<br>&gt=3B <br>&g=
t=3B 2) Sync Bounce your track to another track=2C while adding new audio.<=
br>&gt=3B    This is equivalent to the EDP Next&gt=3B&gt=3BMultply function=
. The new<br>&gt=3B     track will be an exact multiple in length of the ol=
d=2C and<br>&gt=3B     the old track will be automatically muted.<br>&gt=3B=
 <br>&gt=3B <br>&gt=3B No looper=2C hardware or software exactly emulates t=
he EDP's multiply=2C<br>&gt=3B but those 2 functions of the LP1 probably co=
ver the musical results<br>&gt=3B  that you want to achieve.<br>&gt=3B <br>=
&gt=3B The LP1 doesn't support "Cycles"=2C but you can<br>&gt=3B use a shor=
t loop as "Master" for sync purposes.<br>&gt=3B <br>&gt=3B <br>&gt=3B <br>&=
gt=3B andy butler<br>&gt=3B <br>&gt=3B <br>&gt=3B <br> 		 	   		  <br /><hr=
 />Get a free e-mail account with Hotmail. Sign-up now. <a href=3D'' target=
=3D'_new'></a></body>
</html>=

--_bcb2a770-34b1-4aa4-969a-f44c1185c827_--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 16:56:22 2010
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sweet loops, sweet guitar, sweet SPANISH shirt, sweet young man!.....my=20
hero of the day!!!!!





 =20

From Loopers-Delight-request@loopers-delight.com  Tue Jul 13 17:24:33 2010
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phillip wilson wrote:
> thanks for the input,
> 
> How many "tracks" can I have in an LP1

8 stereo tracks

> can each of these have overdubs?

yes.

..and it's possible to multiply the tracks 
(e.g. to 12 times), but not edp style


> 
> do i have ot mentally keep in mind which tracks are which lengths

yes, that helps

> or is 
> there indications?

there's a loop time counter for the current loop, that's all.

> 
> reason being that presuming i can overdub on either of these tracks, i 
> know i would end up  accidentally trying to  add a chordal overdub onto 
> the 1 bar loop  thus creating a mess lol.

If you'd just made your 12 bar loop then that would be the *current* track.
So the accident is not so likely.

What you will miss going from edp to LP1 is the way the buttons of
the EDP are arranged so that you can do so much with each.

The LP1 does have 2 "multifunction" buttons, Rec/Dub and Play/Stop,
which do some of what Rec and Od do on the edp (and Mute too).
...but essentially, if you wanna do a lot of different things
you'll need a switch for each.

What you will like is that a single midi command can be used to 
do up to 8 functions all with one press. Particularly useful
if you have a standard way of working with the loops.

andy


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Subject: Re: For Keith and Michael
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It's great !
What I like (apart your playing and the amed sound of that guitar) is your
heavy ability to use loops and tell your "story" without loosing the musical
flux (...and eventually being boring).
Musical skills apart (for example, you are using very nice chords round the
tonal centre) and focusing just on your looper set-up, can you explain your
"strategy" in using tracks in this particular song ?
For example, it seems to me that you are using a specific track for the
rhythmic section, while new material is recorded on a different track.
Maybe a track is "dedicated" just to the double speed parts ?
Dont' remember if the LP1 has the next track/previous track  EDP features.
Do you prefer working with loops or with tracks ?
Can you explain it ? I'm curious.

-fabio
www.eterogeneo.com


2010/7/13 William Walker <billwalker@baymoon.com>

> I just posted this video I recorded yesterday on a Zoom Q3 of an
> improvisation that bears influence form both Keith Jarret and Michael
> Hedges, The Hedges influence is obvious, but the Jarret influence is more in
> spirit than style. I was deeply effected by his Koln Concert recordings in
> my early twenties. I wanted to play the guitar the way he played the piano,
> with that flowing lyricism, range of emotion, and fearlessness to start an
> idea and see where it takes you. I still want to.
>  I'm using the looperlative's quantize replace function a bunch, which is
> highly addictive but great for generating  percolating note sequences, not
> to mention happy accidents and left turns.
>
> In the words of the late great Rod Serling
>
> "consider if you will"
>
> http://www.youtube.com/user/BillWalkerGuitar
>
>
> Thanks
>  Bill
>
>

--0016e6dd8e55e4bd69048b488351
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<div>It&#39;s great !</div>
<div>What I like (apart your playing and the amed sound of that guitar) is =
your heavy ability to=A0use loops and tell your &quot;story&quot;=A0without=
 loosing the musical flux (...and eventually being boring).</div>
<div>Musical skills apart (for example, you are using very nice chords roun=
d the tonal centre)=A0and focusing just on your looper set-up, can you expl=
ain=A0your &quot;strategy&quot; in using tracks in this particular song ?</=
div>

<div>For example, it seems to me that you are using a specific track for th=
e rhythmic section, while=A0new material is recorded on a different track.<=
/div>
<div>Maybe=A0a track is &quot;dedicated&quot; just to the double speed part=
s ?</div>
<div>Dont&#39; remember if the LP1 has the next track/previous track=A0=A0E=
DP features. Do you prefer working with loops or with tracks ?</div>
<div>Can you explain it ? I&#39;m curious.</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br>=A0</div>
<div class=3D"gmail_quote">2010/7/13 William Walker <span dir=3D"ltr">&lt;<=
a href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</sp=
an><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">I just posted this video I recorded ye=
sterday on a Zoom Q3 of an improvisation that bears influence form both Kei=
th Jarret and Michael Hedges, The Hedges influence is obvious, but the Jarr=
et influence is more in spirit than style. I was deeply effected by his Kol=
n Concert recordings in my early twenties. I wanted to play the guitar the =
way he played the piano, with that flowing lyricism, range of emotion, and =
fearlessness to start an idea and see where it takes you. I still want to.=
=20
<div>=A0I&#39;m using the looperlative&#39;s quantize replace function a bu=
nch, which is highly addictive but great for generating =A0percolating note=
 sequences, not to mention happy accidents and left turns.=20
<div>=A0=A0</div>
<div>In the words of the late great Rod Serling</div>
<div>=A0</div>
<div>&quot;consider if you will&quot;</div>
<div>=A0</div>
<div><a href=3D"http://www.youtube.com/user/BillWalkerGuitar" target=3D"_bl=
ank">http://www.youtube.com/user/BillWalkerGuitar</a><br>
<div><br></div>
<div><br></div>
<div>Thanks</div>
<div>=A0Bill</div>
<div><br></div></div></div></div></blockquote></div><br>

--0016e6dd8e55e4bd69048b488351--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 00:01:34 2010
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Hi Rick,

> De : Rick Walker <looppool@cruzio.com>
> Date : 13 juillet 2010 07:57:46 HNJ
> =C0 : "LOOPERS DELIGHT (posting)" =
<Loopers-Delight@loopers-delight.com>
> Objet : R=E9p : Multi-tracks loopers questions
>
> You mentioned that you don't like the interface of the Looperlative =20=

> LP1
> but it makes me think that you may not understand how it works.

Well, I was talking about the physical interface, i.e. if I used =20
something like that I would need to add another controller.
I'm aware of the fact that it's a very powerful and versatile machine, =20=

but part of what interests me in hardware loopers is having something =20=

compact enough and self-sufficient.

I play lots of small electronic instruments and do not use a =20
pedalboard, so for me a perfect hardware looper would be something I =20
can use as a tabletop unit.

The LP1 definitely looks like an awesome machine, but I'm just not =20
sure it's the perfect match for me (and it's a bit over my budget =20
anyway :).

</daviD>

"Simulating the true styles and making carefully.
  Many colours a lot, selected freely by you !"


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi =
Rick,<div><br><div><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: =
none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span style=3D"font-family: Helvetica; font-size: =
medium; color: rgba(0, 0, 0, 0.496094); "><b>De :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">Rick Walker &lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;<br></span>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><span style=3D"font-family: Helvetica; =
font-size: medium; color: rgba(0, 0, 0, 0.496094); "><b>Date :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">13 juillet 2010 =
07:57:46 HNJ<br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgba(0, 0, 0, =
0.496094); "><b>=C0 :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">"LOOPERS DELIGHT =
(posting)" &lt;<a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a>&gt;<br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgba(0, 0, 0, =
0.496094); "><b>Objet :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; "><b>R=E9p : =
Multi-tracks loopers questions</b><br></span></div><br>You mentioned =
that you don't like the interface of the Looperlative LP1<br>but it =
makes me think that you may not understand how it =
works.<br></span></blockquote><div><br></div><div>Well, I was talking =
about the physical interface, i.e. if I used something like that I would =
need to add another controller.</div><div><div>I'm aware of the fact =
that it's a very powerful and versatile machine, but part of what =
interests me in hardware loopers is having something compact enough and =
self-sufficient.</div><div><br></div></div><div>I play lots of small =
electronic instruments and do not use a pedalboard, so for me a perfect =
hardware looper would be something I can use as a tabletop =
unit.</div><div><br></div><div>The LP1 definitely looks like an awesome =
machine, but I'm just not sure it's the perfect match for me (and it's a =
bit over my budget anyway :).</div><div><br></div></div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; =
"><div>&lt;/daviD&gt;</div><div><br></div><div>"Simulating the true =
styles and making carefully.</div><div>&nbsp;Many colours a lot, =
selected freely by you !"</div></div></span> =
</div><br></div></body></html>=

--Apple-Mail-13-110778664--

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> De : "Buzap Buzap" <buzap@gmx.net>
> Date : 13 juillet 2010 20:22:23 HNJ
> =C0 : Loopers-Delight@loopers-delight.com
> Objet : R=E9p : Multi-tracks loopers questions
>
> Why not get a used MacBook instead of NetBook? (around 500,-EUR)
>
> If I'd have a netbook, I think I'd stick to Windows and use Mobius =20
> (possibly with Bidule).
>
> best regards
> Buzap


Well, I'm using a macbook to type this email, it would get jealous if =20=

I bought a second one :).

Seriously, I'm more interested in netbooks because :
1) they're small and light
2) they're cheap

I'm still not really comfortable with the thought of using a laptop to =20=

make music but if it's not much bigger than a speak and spell I might =20=

feel a bit better about it :).

</daviD>

"Simulating the true styles and making carefully.
  Many colours a lot, selected freely by you !"


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span style=3D"font-family: Helvetica; font-size: =
medium; color: rgba(0, 0, 0, 0.496094); "><b>De :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">"Buzap Buzap" =
&lt;<a =
href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;<br></span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><span style=3D"font-family: Helvetica; font-size: =
medium; color: rgba(0, 0, 0, 0.496094); "><b>Date :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; ">13 juillet 2010 =
20:22:23 HNJ<br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgba(0, 0, 0, =
0.496094); "><b>=C0 :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; "><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><span =
style=3D"font-family: Helvetica; font-size: medium; color: rgba(0, 0, 0, =
0.496094); "><b>Objet :<span =
class=3D"Apple-converted-space">&nbsp;</span></b></span><span =
style=3D"font-family: Helvetica; font-size: medium; "><b>R=E9p : =
Multi-tracks loopers questions</b><br></span></div><br>Why not get a =
used MacBook instead of NetBook? (around 500,-EUR)<br><br>If I'd have a =
netbook, I think I'd stick to Windows and use Mobius (possibly with =
Bidule).<br><br>best =
regards<br>Buzap</span></blockquote></div><div><br></div><div>Well, I'm =
using a macbook to type this email, it would get jealous if I bought a =
second one :).</div><div><br></div>Seriously, I'm more interested in =
netbooks because :<div>1) they're small and light</div><div>2) they're =
cheap<br><div><br></div><div>I'm still not really comfortable with the =
thought of using a laptop to make music but if it's not much bigger than =
a speak and spell I might feel a bit better about it =
:).&nbsp;</div><div><div><br =
class=3D"webkit-block-placeholder"></div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; =
"><div>&lt;/daviD&gt;</div><div><br></div><div>"Simulating the true =
styles and making carefully.</div><div>&nbsp;Many colours a lot, =
selected freely by you !"</div></div></span> =
</div><br></div></div></body></html>=

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Halim,

I've been fixing up an older Obie myself and your problem
sounds much like mine.  I'm convinced now, after posting here
and getting some direction from Matthias, I believe it to be the
thermal overload problem as described at the bottom of this page:
http://www.loopers-delight.com/tools/echoplex/FAQ6.html

Guess I've been thinking about it for a couple days as it involves
clipping one of the pins off the EPROM I just got
in the mail! - I'm gonna give it a try this evening, I'll let you know
how it goes.

Andy G

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It's great !

  Thanks Fabio, I'm glad you liked it

What I like (apart your playing and the amed sound of that guitar) is  
your heavy ability to use loops and tell your "story" without loosing  
the musical flux (...and eventually being boring).

  it is the challenge with looping for sure to have the music breath  
and not be too static.

Musical skills apart (for example, you are using very nice chords  
round the tonal centre) and focusing just on your looper set-up, can  
you explain your "strategy" in using tracks in this particular song ?

  try to sound good:-) Asking me to reveal my trade secrets?????  
seriously the first stuff i was doing was using the looperlative's  
quantize replace function set to  a factor 16 and adding content  
slowly to a previously recorded blank loop (by blank I'm I recorded a  
loop without playing anything) thats how i created that percolating  
sequence sound which I continually modify throughout the course of the  
tune.
  Then at some point I create a guit-boxing part that will have some  
kind of 16th note shaker part mixed with faux kick and snare stuff.  
After that it takes on a life of its own. sometimes I'll build a chord  
progression, sometimes not, sometimes its just about rhythm and  
melody,and moving from one implied harmony to another, for example:  
moving from Ionian to Mixolydian over the same root


For example, it seems to me that you are using a specific track for  
the rhythmic section, while new material is recorded on a different  
track.

  yes and yes

Maybe a track is "dedicated" just to the double speed parts ?

  This is free form in that I don't designate any track to a specific  
task, any track could be the beat box track, or the double speed  
track. Its constantly shifting because I can do any of the quantize  
replace techniques or track speed or reverse track techniques on any  
track. All I can say is I try to remember where each part is , but  
when I start getting past 4 or 5 tracks it can get confusing, but then  
again thats where the adventure is.

Dont' remember if the LP1 has the next track/previous track  EDP  
features. Do you prefer working with loops or with tracks ?
Can you explain it ? I'm curious.

Not quite sure what you mean. I go from track to track because i like  
the separation rather than always overdubbing and also because on the  
looperlative I can take advantage of the two aux stereo outputs when  
recording to DAW and separate my guitbox tracks from my melody tracks  
and chord progression tracks, and pan tracks individually. I don't  
mess with that live though, too much to think about.

-fabio
www.eterogeneo.com

  Thanks
  Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><br></div><div><div =
style=3D"font-family: Verdana; font-size: 13px; ">It's great !</div><div =
style=3D"font-family: Verdana; font-size: 13px; "><br></div><div =
style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5743FF">&nbsp;Thanks Fabio, I'm =
glad you liked it</font></div><div style=3D"font-family: Verdana; =
font-size: 13px; "><br></div><div style=3D"font-family: Verdana; =
font-size: 13px; ">What I like (apart your playing and the amed sound of =
that guitar) is your heavy ability to&nbsp;use loops and tell your =
"story"&nbsp;without loosing the musical flux (...and eventually being =
boring).</div><div style=3D"font-family: Verdana; font-size: 13px; =
"><br></div><div style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5346FF">&nbsp;it is the challenge =
with looping for sure to have the music breath and not be too =
static.</font></div><div style=3D"font-family: Verdana; font-size: 13px; =
"><br></div><div style=3D"font-family: Verdana; font-size: 13px; =
">Musical skills apart (for example, you are using very nice chords =
round the tonal centre)&nbsp;and focusing just on your looper set-up, =
can you explain&nbsp;your "strategy" in using tracks in this particular =
song ?</div><div style=3D"font-family: Verdana; font-size: 13px; =
"><br></div><div style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5948FF">&nbsp;try to sound good:-) =
Asking me to reveal my trade secrets????? seriously the first stuff i =
was doing was using the looperlative's quantize replace function set to =
&nbsp;a factor 16 and adding content slowly to a previously recorded =
blank loop (by blank I'm I recorded a loop without playing anything) =
thats how i created that percolating sequence sound which I continually =
modify throughout the course of the tune.</font></div><div =
style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#5948FF">&nbsp;Then at some point I =
create a guit-boxing part that will have some kind of 16th note shaker =
part mixed with faux kick and snare stuff. After that it takes on a life =
of its own. sometimes I'll build a chord progression, sometimes not, =
sometimes its just about rhythm and melody,and moving from one implied =
harmony to another, for example: moving from Ionian to Mixolydian over =
the same root</font></div><div style=3D"font-family: Verdana; font-size: =
13px; "><font class=3D"Apple-style-span" =
color=3D"#5948FF">&nbsp;</font></div><div style=3D"font-family: Verdana; =
font-size: 13px; "><br></div><div style=3D"font-family: Verdana; =
font-size: 13px; ">For example, it seems to me that you are using a =
specific track for the rhythmic section, while&nbsp;new material is =
recorded on a different track.</div><div style=3D"font-family: Verdana; =
font-size: 13px; "><br></div><div style=3D"font-family: Verdana; =
font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#606DFF">&nbsp;yes and yes</font></div><div style=3D"font-family:=
 Verdana; font-size: 13px; "><br></div><div style=3D"font-family: =
Verdana; font-size: 13px; ">Maybe&nbsp;a track is "dedicated" just to =
the double speed parts ?&nbsp;</div><div style=3D"font-family: Verdana; =
font-size: 13px; "><br></div><div style=3D"font-family: Verdana; =
font-size: 13px; "><font class=3D"Apple-style-span" =
color=3D"#5B54FF">&nbsp;This is free form in that I don't designate any =
track to a specific task, any track could be the beat box track, or the =
double speed track. Its constantly shifting because I can do any of the =
quantize replace techniques or track speed or reverse track techniques =
on any track. All I can say is I try to remember where each part is , =
but when I start getting past 4 or 5 tracks it can get confusing, but =
then again thats where the adventure is.</font></div><div =
style=3D"font-family: Verdana; font-size: 13px; "><br></div><div =
style=3D"font-family: Verdana; font-size: 13px; ">Dont' remember if the =
LP1 has the next track/previous track&nbsp;&nbsp;EDP features. Do you =
prefer working with loops or with tracks ?</div><div style=3D"font-family:=
 Verdana; font-size: 13px; ">Can you explain it ? I'm curious.</div><div =
style=3D"font-family: Verdana; font-size: 13px; "><br></div><div =
style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#654BFF">Not quite sure what you =
mean. I go from track to track because i like the separation rather than =
always overdubbing and also because on the looperlative I can take =
advantage of the two aux stereo outputs when recording to DAW and =
separate my guitbox tracks from my melody tracks and chord progression =
tracks, and pan tracks individually. I don't mess with that live though, =
too much to think about.</font></div><div style=3D"font-family: Verdana; =
font-size: 13px; ">&nbsp;</div><div style=3D"font-family: Verdana; =
font-size: 13px; ">-fabio</div><div style=3D"font-family: Verdana; =
font-size: 13px; "><a =
href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div></div><div=
 style=3D"font-family: Verdana; font-size: 13px; "><br></div><div =
style=3D"font-family: Verdana; font-size: 13px; ">&nbsp;<font =
class=3D"Apple-style-span" color=3D"#5644FF">Thanks</font></div><div =
style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" =
color=3D"#5644FF">&nbsp;Bill</font></div></body></html>=

--Apple-Mail-1-117682288--

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  Adding to what Andy said,  Here is how it could work with just two  
foot switches on your behringer. You program one switch for sync  
record/ over dub, and another switch with a combination command of  
play/stop and either one of three multiply functions, double,triple,  
or quadruple.
  You would hit the sync/record/overdub switch to start recording your  
first track, you would end your first loop by hitting the footswitch  
that combines play/stop with the multiply function (actually set up as  
double, triple or quadruple in the LP-1). Now you have recorded the  
first loop and also doubled its length. If you hit hit sync record/ 
overdub again you can start overdubbing on your doubled track, and end  
your over dubbing by hitting Play/Stop + double  again. Now you have  
double the length of your original loop again. Ok now.... go to a new  
track and hit play/stop+ double to not only arm the track in sync with  
the first, but doubling the length again.
  now strat overdubbing on that armed track and keep repeating the  
above steps.
This way of using it is might mimic an EDP as you described but what  
Andy said about just moving to a new track and using sync record/  
overdub to record any multiples of the original loop or using sync  
bounce to add new content as you multiply the length is the way to do  
it,  that makes the most use the the LP-1's  expanded track  
capability. One  feature on the LP-1 is if you are in sync record mode  
and have recorded a first track,  if you go to the next track and hit
play/stop before you start recording, you arm that track to be the  
exact length of the first loop, so when you do start recording you are  
essentially in overdub mode so you don't have to think about being  
accurate with the punch out point. Add to that the fact that you can  
have up to 8 midi commands from a single footswitch, you could double  
up the play/stop function with a multiply function. I never really  
used the EDP much but I do know you are not the first EDP guy that  
doesn't want to give up a comfortable way to of doing things, and it  
was the same way when I switched from the Repeater to the LP-1. I gave  
up certain comfortable ways of doing things, but then I gained a vast  
array of new things I do that more than make up for it. Its a really  
deep machine with a learning curve, it will take more than two weeks  
to get comfortable with I assure you but the rewards are worth it. It  
ain't overkill, its expanded universe of possibilities......
  Bill

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How many "tracks" can I have in an LP1 can each of these have overdubs?
   8 tracks with overdubs, with the caveat being there is about 4  
minutes of total record time so you do have to manage your time,
to some degree if you are wanting to do a bunch of long loops. This  
has never been an issue for me as I don't like to use prerecorded  
tracks. I usually record a bunch of short loops and a couple of long  
ones for progression and a melody ideas. Also since the LP-1 defaults  
to feedback at 100%, it is possible to overdub to the point of over  
loading, so if you want to do sound on sound track saturation I  
suggest adjusting the the feedback to 99% or less.
the problem I for see unless someone has predicedand safeguarded  
against this version of multiplying by adding onto differant tracks is  
that if

track 1 has 1 bar drum beat
then
track 2 is 12x as long for a chord pattern

do i have ot mentally keep in mind which tracks are which lengths or  
is there indications?

there is a numerical display in seconds that tells you how long your  
track is, but yes, you would have to learn to manage your tracks. I  
find I rarely use more than 4-5 tracks and when I do its usually  
tracks of the same length as my master track , incidental  melody and   
riff stuff that I'm constantly adding to and subtracting from via  
replace, quantize replace or any combination of those two commands  
couple with track speed and or reverse and I'm always aware of where  
my rhythm track is . Also I use feedback to fade tracks out so i will  
stay in overdub for extended periods of time and morph ideas in and out.

reason being that presuming i can overdub on either of these tracks, i  
know i would end up  accidentally trying to  add a chordal overdub  
onto the 1 bar loop  thus creating a mess lol.

Well there is an undo function, and I've done that very thing on  
occasions until I figured out how to manage multiple tracks, Kind of  
like juggling cats!. I was used to multiple tracks with the Repeater,  
so perhaps it was an easier transition.

Bill
--Apple-Mail-2-134060155
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">How many "tracks" can I have in an LP1 can =
each of these have overdubs?</span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#6240FF">&nbsp;&nbsp;8 =
tracks with overdubs, with the caveat being there is about 4 minutes of =
total record time so you do have to manage your =
time,</font></span><div><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6240FF">to some degree if you are =
wanting to do a bunch of long loops. This has never been an issue for me =
as I don't like to use prerecorded tracks. I usually record a bunch of =
short loops and a couple of long ones for progression and a melody =
ideas. Also since the LP-1 defaults to feedback at 100%, it is possible =
to overdub to the point of over loading, so if you want to do sound on =
sound track saturation I suggest adjusting the the feedback to 99% or =
less.</font><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">the problem I for see =
unless someone has predicedand safeguarded against this version of =
multiplying by adding onto differant tracks is that if</span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; ">&nbsp;</span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">track 1 has 1 bar drum beat</span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">then</span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; ">&nbsp;</span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">track 2 is 12x as long for a chord =
pattern</span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; ">do i have ot mentally keep in mind which tracks are which =
lengths or is there indications?</span><div><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><font class=3D"Apple-style-span" color=3D"#654BFF">there is a =
numerical display in seconds that tells you how long your track is, but =
yes, you would have to learn to manage your tracks. I find I rarely use =
more than 4-5 tracks and when I do its usually tracks of the same length =
as my master track , incidental &nbsp;melody and &nbsp;riff stuff that =
I'm constantly adding to and subtracting from via replace, quantize =
replace or any combination of those two commands couple with track speed =
and or reverse and I'm always aware of where my rhythm track is . Also I =
use feedback to fade tracks out so i will stay in overdub for extended =
periods of time and morph ideas in and out.</font><br></span><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; ">reason being that presuming i can overdub on =
either of these tracks, i know i would end up&nbsp; accidentally trying =
to&nbsp; add a chordal overdub onto the 1 bar loop&nbsp; thus creating a =
mess lol.</span><span class=3D"Apple-style-span" style=3D"font-family: =
Verdana; font-size: 13px; "><br></span></div><div><span =
class=3D"Apple-style-span" style=3D"font-family: Verdana; font-size: =
13px; "><br></span></div><div><span class=3D"Apple-style-span" =
style=3D"font-family: Verdana; font-size: 13px; "><font =
class=3D"Apple-style-span" color=3D"#6D65FF">Well there is an undo =
function, and I've done that very thing on occasions until I figured out =
how to manage multiple tracks, Kind of like juggling cats!. I was used =
to multiple tracks with the Repeater, so perhaps it was an easier =
transition.&nbsp;</font></span></div><div><font class=3D"Apple-style-span"=
 color=3D"#6D65FF" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;"><br></span></font></div><div><font class=3D"Apple-style-span" =
color=3D"#6D65FF" face=3D"Verdana" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
13px;">Bill</span></font></div></div></body></html>=

--Apple-Mail-2-134060155--

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Date: Wed, 14 Jul 2010 12:02:57 +0200
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Subject: Re: For Keith and Michael
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>
>
> Dont' remember if the LP1 has the next track/previous track  EDP features.
> Do you prefer working with loops or with tracks ?
> Can you explain it ? I'm curious.
>
> Not quite sure what you mean. I go from track to track because i like the
> separation rather than always overdubbing and also because on the
> looperlative I can take advantage of the two aux stereo outputs when
> recording to DAW and separate my guitbox tracks from my melody tracks and
> chord progression tracks, and pan tracks individually. I don't mess with
> that live though, too much to think about.
>
>
You're right. I was thinking to "next loop"  "previous loop" function. Does
the LP1 have it ?
For what I can understand, you just work with tracks, is it right ?


>   Thanks
>
>
Thanks to you, Bill !
fabio

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<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">
<div>
<div class=3D"im">
<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana"><br></div>
<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana">Dont&#39; remember if =
the LP1 has the next track/previous track=A0=A0EDP features. Do you prefer =
working with loops or with tracks ?</div>
<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana">Can you explain it ? I=
&#39;m curious.</div>
<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana"><br></div></div>
<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana"><font color=3D"#654bff=
">Not quite sure what you mean. I go from track to track because i like the=
 separation rather than always overdubbing and also because on the looperla=
tive I can take advantage of the two aux stereo outputs when recording to D=
AW and separate my guitbox tracks from my melody tracks and chord progressi=
on tracks, and pan tracks individually. I don&#39;t mess with that live tho=
ugh, too much to think about.</font></div>

<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana">=A0</div></div></div><=
/blockquote>
<div>You&#39;re right. I was thinking to &quot;next loop&quot;=A0 &quot;pre=
vious loop&quot; function. Does the LP1 have it ?</div>
<div>For what I can understand, you just work with tracks, is it right ?</d=
iv>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style=3D"WORD-WRAP: break-word">
<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana">=A0<font color=3D"#564=
4ff">Thanks</font></div>
<div style=3D"FONT-SIZE: 13px; FONT-FAMILY: Verdana"><font color=3D"#5644ff=
">=A0</font></div></div></blockquote></div>
<p>Thanks to you, Bill !</p>
<div>fabio</div>
<div><br>=A0</div>

--000325559f2e12d3cf048b561738--

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Subject: Warning: Only for guitar pedal board fanatics! (video)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Hi,

My friend and college Niclas H=C3=B6glind has a HUGE guitar stomp box
board! I filmed that beast while he was jamming some noise and it all
came out pretty well:

http://www.youtube.com/pellibox#p/a/u/1/JH3GD-p1k0Q

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 11:33:05 2010
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William Walker wrote:

> This way of using it is might mimic an EDP as you described but what 
> Andy said about just moving to a new track and using sync record/ 
> overdub to record any multiples of the original loop or using sync 
> bounce to add new content as you multiply the length is the way to do 
> it,  that makes the most use the the LP-1's  expanded track capability. 

The big difference in the 2 machines is that after a multiply 
the EDP keeps track of "Cycles". Even though you multiplied 
it doesn't forget how long the original loop was.
That's why it's good to keep the first (master )loop you recorded separate,
and not multiply it.

> have up to 8 midi commands from a single footswitch, you could double up 
> the play/stop function with a multiply function. 

;-) but then if you want to Stop/Start a few times you end up
with a massive loop


>I never really used the 
> EDP much but I do know you are not the first EDP guy that doesn't want 
> to give up a comfortable way to of doing things, and it was the same way 
> when I switched from the Repeater to the LP-1. I gave up certain 
> comfortable ways of doing things, but then I gained a vast array of new 
> things I do that more than make up for it. Its a really deep machine 
> with a learning curve, it will take more than two weeks to get 
> comfortable with I assure you but the rewards are worth it. It ain't 
> overkill, its expanded universe of possibilities......

I wouldn't say the EDP has less possibilities than the LP1.
More that they are different.


The Midi learn on the LP1 is incredibly easy to use.
...but I'm still working on finding the right
  combinations of commands to do the things I consider essential
  and still keep the number of buttons down to one bank of 10.

So far I didn't hit on a way to re-Record an existing track with one press.
(Erase>Record on LP1 is too slow)




andy







>  Bill
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 13:52:04 2010
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Date: Wed, 14 Jul 2010 09:52:03 -0400
Subject: Yoav
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Really digging this.

http://www.youtube.com/watch?v=TCBrHR35BdQ

Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 14:04:41 2010
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Date: Wed, 14 Jul 2010 22:04:38 +0800
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Subject: Re: active and creative looper
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Hi,
I scanned thru your email a few times thinking "might this be same
problem as mine?" but i wasn't sure. Please guide me thru the process
of fixing it when you find the way.
Thank you very much Andy.

Best Regards,
Halim

On 7/14/10, Loaf citious <loafcitious@gmail.com> wrote:
> Halim,
>
> I've been fixing up an older Obie myself and your problem
> sounds much like mine.  I'm convinced now, after posting here
> and getting some direction from Matthias, I believe it to be the
> thermal overload problem as described at the bottom of this page:
> http://www.loopers-delight.com/tools/echoplex/FAQ6.html
>
> Guess I've been thinking about it for a couple days as it involves
> clipping one of the pins off the EPROM I just got
> in the mail! - I'm gonna give it a try this evening, I'll let you know
> how it goes.
>
> Andy G
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 14:17:40 2010
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Date: Wed, 14 Jul 2010 16:17:28 +0200
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Subject: Re: Yoav
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jul 14, 2010 at 3:52 PM, "Andr=C3=A9 Donawa" <andre@andredonawa.com=
> wrote:
> Really digging this.
>
> http://www.youtube.com/watch?v=3DTCBrHR35BdQ


Me too! Totally unique. Mega w0W!

I wonder if he has been thinking about ways to loop the voice as well?
But he doesn't really need to go there anyway, since he can sing so
well on-top-of-guitar-looping. I kind of like the way he mimics
different vocal arrangement with just the one voice, making the
listener imagine backing choir stuff and alternate voice character.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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--0016e6daa6104e0cbd048b5a4c0f
Content-Type: text/plain; charset=ISO-8859-1

>
> Mega w0W!
>
Yeah !

fabio

--0016e6daa6104e0cbd048b5a4c0f
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<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Mega w0W!<br></blockquote>
<div>Yeah !</div>
<div>=A0</div>
<div>fabio</div></div>

--0016e6daa6104e0cbd048b5a4c0f--

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From: Mark Hamburg <mark@grubmah.com>
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Date: Wed, 14 Jul 2010 08:19:11 -0700
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On Jul 13, 2010, at 5:50 AM, andy butler wrote:

> phillip wilson wrote:
>> the last time I looked at this, th e LP1 had just come out. I loved =
can I set up an fcb1010 button to begin to count multiple cycles of the =
currantly recorded material , whilst adding a new longer layer of sound =
and then upon a second press round this  to the next cycle boundry =
....IE a la EDP?
>=20
> There are 2 things you can do with the LP1.
> They both round to the loop boundary on the second press.
>=20
> 1) Sync Record another track to an existing one... the   length of the =
new track will be an exact multiple
>   of your designated master track.
>=20
> 2) Sync Bounce your track to another track, while adding new audio.
>  This is equivalent to the EDP Next>>Multply function. The new
>   track will be an exact multiple in length of the old, and
>   the old track will be automatically muted.
>=20
>=20
> No looper, hardware or software exactly emulates the EDP's multiply,
> but those 2 functions of the LP1 probably cover the musical results
> that you want to achieve.
>=20
> The LP1 doesn't support "Cycles", but you can
> use a short loop as "Master" for sync purposes.

I need to go try Sync Bounce. As one of the people who pushed for =
threshold triggering for recording (it was sort of a gating factor for =
me on deciding to try switching though if I'd used more other loopers =
like the Line6 that don't have it maybe it wouldn't have been), I now =
feel I'm sort of getting what I deserve in that Sync Record also obeys =
it which Multiply on the EDP did not.

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 15:34:49 2010
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Subject: =?iso-8859-1?Q?Re:_R=E9p_:_Multi-tracks_loopers_questions_LP1?=
From: Mark Hamburg <mark@grubmah.com>
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On Jul 13, 2010, at 10:24 AM, andy butler wrote:

> The LP1 does have 2 "multifunction" buttons, Rec/Dub and Play/Stop,
> which do some of what Rec and Od do on the edp (and Mute too).
> ...but essentially, if you wanna do a lot of different things
> you'll need a switch for each.
>=20
> What you will like is that a single midi command can be used to do up =
to 8 functions all with one press. Particularly useful
> if you have a standard way of working with the loops.

The LP1 is much more programmable than the EDP, but there are a couple =
of key areas where it differs philosophically from the EDP with respect =
to behavioral response:

* The LP1 tends to be much more focused on button presses than releases =
and hence things like sus operations and short-press/long-press =
distinctions largely need to come from having a smart MIDI controller =
feeding the LP1 rather than from the LP1 itself.

* LP1 programming tends to be about executing a sequence of commands. =
The EDP is more about shifting between varipus modes -- now I'm =
overdubbing, now I'm multiplying, now I'm replacing, etc -- and while =
you can get some of that effect with the LP1, since the command shift =
sometimes needs to know where you are coming from as well as where you =
are going. For example, it seems tricky to program buttons to shift =
between overdub (feedback controlled by pedal amount of some other =
setting) and replace (feedback =3D 0) though a sufficiently =
sophisticated MIDI controller could probably handle it upstream of the =
LP1.

This is not to say that the LP1 is weaker or stronger than the EDP. Just =
that it is different and the controller interaction is different.

Mark

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Subject: Florence looping fest
From: Fabio_A <eterogenus@gmail.com>
To: "<Loopers-Delight@loopers-delight.com>" <Loopers-Delight@loopers-delight.com>
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Content-Type: text/plain; charset=ISO-8859-1

Just posted on youtube an excerpt from my live set in Florence.
http://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4


fabio
www.eterogeneo.com

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<div>Just posted on youtube an excerpt from my live set in Florence.</div>
<div><a href=3D"http://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4">h=
ttp://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4</a></div>
<div>=A0</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>

--0016e6daa610095ebe048b5bc0dc--

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Mark Hamburg wrote:

> * LP1 programming tends to be about executing a sequence of commands. 
> The EDP is more about shifting between various modes -- 

that's right.
That's why you can do so much on the edp with just a few buttons.
...and with the LP1 a single button can do just one wonderful thing
and nothing else.

andy

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Subject: Re: Florence looping fest
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Nice Fabio! I think the ambient mic sounds added to the charm. The =
children playing in the background especially. Nice "snapshot" of a =
moment in time. Thanks

Jeff
  ----- Original Message -----=20
  From: Fabio_A=20
  To: <Loopers-Delight@loopers-delight.com>=20
  Sent: Wednesday, July 14, 2010 12:48 PM
  Subject: Florence looping fest


  Just posted on youtube an excerpt from my live set in Florence.
  http://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4


  fabio
  www.eterogeneo.com

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Nice Fabio! I think the ambient mic =
sounds added to=20
the charm. The children playing in the background especially. Nice =
"snapshot" of=20
a moment in time. Thanks</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Deterogenus@gmail.com =
href=3D"mailto:eterogenus@gmail.com">Fabio_A</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com>">&lt;Loopers-Delight@=
loopers-delight.com&gt;</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, July 14, 2010 =
12:48=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Florence looping =
fest</DIV>
  <DIV><BR></DIV>
  <DIV>Just posted on youtube an excerpt from my live set in =
Florence.</DIV>
  <DIV><A=20
  =
href=3D"http://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4">http://=
www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4</A></DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>fabio</DIV>
  <DIV><A =
href=3D"http://www.eterogeneo.com">www.eterogeneo.com</A></DIV>
  <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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Inspired by Fabio's cool post I will step up and post a segment from a =
recent show by UsIt. UsIt is myself (Us) and Gaetano Fontanzza (It) in =
our Ninjam based ambient livelooping guitar duo. This was broadcast live =
on Livestream 06/30/10. The video part is edited with credits, etc with =
my still poor video editing skills. The audio is as it was except a bit =
of remixing for levels.
That it worked at all was a thrill :)

http://www.youtube.com/watch?v=3D3XZpUWdpd_U


peace,

Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive
http://usit.bandcamp.com/
http://digitsignal.bandcamp.com/
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.17023" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Inspired by Fabio's cool post&nbsp;I =
will step up=20
and post a segment from a recent show by UsIt. UsIt is myself (Us) and =
Gaetano=20
Fontanzza (It) in our Ninjam based ambient livelooping guitar duo. This =
was=20
broadcast live on Livestream 06/30/10. The video part is edited with =
credits,=20
etc with my still poor video editing skills. The audio is as it was =
except a bit=20
of remixing for levels.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>That it worked at all was a thrill =
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.youtube.com/watch?v=3D3XZpUWdpd_U">http://www.youtube.=
com/watch?v=3D3XZpUWdpd_U</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>peace,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://jeffduke.bandcamp.com/">http://jeffduke.bandcamp.com/</A><=
BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
BR><A=20
href=3D"http://livestream.com/jeffdukelive">http://livestream.com/jeffduk=
elive</A><BR><A=20
href=3D"http://usit.bandcamp.com/">http://usit.bandcamp.com/</A><BR><A=20
href=3D"http://digitsignal.bandcamp.com/">http://digitsignal.bandcamp.com=
/</A></FONT></DIV></BODY></HTML>

------=_NextPart_000_0007_01CB235C.F0716DC0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 18:14:07 2010
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Subject: Re: For Keith and Michael
Date: Wed, 14 Jul 2010 11:14:04 -0700
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Really nice Bill!
So good that I wrote Rick about his guitars.=20
And... LOVE the Ethos! =20

And Per - You are my hero!

thanks to all always
R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com











On Jul 12, 2010, at 7:06 PM, William Walker wrote:

> I just posted this video I recorded yesterday on a Zoom Q3 of an =
improvisation that bears influence form both Keith Jarret and Michael =
Hedges, The Hedges influence is obvious, but the Jarret influence is =
more in spirit than style. I was deeply effected by his Koln Concert =
recordings in my early twenties. I wanted to play the guitar the way he =
played the piano, with that flowing lyricism, range of emotion, and =
fearlessness to start an idea and see where it takes you. I still want =
to.
>  I'm using the looperlative's quantize replace function a bunch, which =
is highly addictive but great for generating  percolating note =
sequences, not to mention happy accidents and left turns.
>  =20
> In the words of the late great Rod Serling
> =20
> "consider if you will"
> =20
> http://www.youtube.com/user/BillWalkerGuitar
>=20
>=20
> Thanks
>  Bill
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Really nice Bill!<div>So good that I wrote Rick about his =
guitars.&nbsp;</div><div>And... LOVE the Ethos! =
&nbsp;</div><div><br></div><div>And Per - You are my =
hero!</div><div><br></div><div>thanks to all always</div><div>R<br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Jul 12, 2010, at 7:06 PM, William Walker =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; ">I just posted this video =
I recorded yesterday on a Zoom Q3 of an improvisation that bears =
influence form both Keith Jarret and Michael Hedges, The Hedges =
influence is obvious, but the Jarret influence is more in spirit than =
style. I was deeply effected by his Koln Concert recordings in my early =
twenties. I wanted to play the guitar the way he played the piano, with =
that flowing lyricism, range of emotion, and fearlessness to start an =
idea and see where it takes you. I still want to.<div>&nbsp;I'm using =
the looperlative's quantize replace function a bunch, which is highly =
addictive but great for generating &nbsp;percolating note sequences, not =
to mention happy accidents and left turns.<div>&nbsp;&nbsp;</div><div>In =
the words of the late great Rod =
Serling</div><div>&nbsp;</div><div>"consider if you =
will"</div><div>&nbsp;</div><div><a =
href=3D"http://www.youtube.com/user/BillWalkerGuitar">http://www.youtube.c=
om/user/BillWalkerGuitar</a><br><div><br></div><div><br></div><div>Thanks<=
/div><div>&nbsp;Bill</div><div><br></div></div></div></div></blockquote></=
div><br></div></body></html>=

--Apple-Mail-3-176333756--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 18:31:27 2010
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From: "Ruelle Benoit" <benoitruelle@yahoo.fr>
To: <Loopers-Delight@loopers-delight.com>
Subject: MmmTsss
Date: Wed, 14 Jul 2010 20:31:25 +0200
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Hi loopers,

I saw this today.

http://web.mit.edu/~eric_r/Public/mmmtsss/

Mmmtsss is free software for playful looping. To be honest, it's an excuse 
to make mouth noises. Just have fun and make music together!

Seems a fun toy

Ben.


From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 18:47:14 2010
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Date: Wed, 14 Jul 2010 11:47:13 -0700
Message-ID: <AANLkTimtSmeqaGCUeIymByc4izCQZ6uhKzqVt47BvWwf@mail.gmail.com>
Subject: Re: MmmTsss
From: Art Simon <simart@gmail.com>
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That's really cool, I think my son and I will have fun with this one. Thanks!

On Wed, Jul 14, 2010 at 11:31 AM, Ruelle Benoit <benoitruelle@yahoo.fr> wrote:
> Hi loopers,
>
> I saw this today.
>
> http://web.mit.edu/~eric_r/Public/mmmtsss/
>
> Mmmtsss is free software for playful looping. To be honest, it's an excuse
> to make mouth noises. Just have fun and make music together!
>
> Seems a fun toy
>
> Ben.
>
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 19:36:20 2010
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
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Subject: gp mag
Date: Wed, 14 Jul 2010 22:25:54 +0300
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hey guys,

was out of the list for a while, but now i am back!

it seems that our duo album with per boysen has been listed at the =
guitar player magazine. does anyone know which issue is that? and is it =
possible to read the writing somewhere on the net?

thanks a lot and best regards.

www.erdemhelvacioglu.com

New duo album with Per Boysen out now.
http://erdemhelvaciogluandperboysen.bandcamp.com

=

=


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-9" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18928">
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>hey guys,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>was out of the list for a while, but =
now i am=20
back!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>it seems that our duo album with per =
boysen has=20
been listed at the guitar player magazine. does anyone know which issue =
is that?=20
and is it possible to read the writing somewhere on the =
net?</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>thanks a lot and best =
regards.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial><A=20
href=3D"http://www.erdemhelvacioglu.com">www.erdemhelvacioglu.com</A></FO=
NT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>New duo album with Per Boysen out =
now.<BR><A=20
href=3D"http://erdemhelvaciogluandperboysen.bandcamp.com">http://erdemhel=
vaciogluandperboysen.bandcamp.com</A></FONT></DIV>
=

=


</BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 22:32:53 2010
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Subject: =?ISO-8859-1?Q?Re:_R=E9p_:_Multi-tracks_loopers_questions?=
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  Andy Said:
multiply the EDP keeps track of "Cycles". Even though you multiplied  
it doesn't forget how long the original loop was.
That's why it's good to keep the first (master )loop you recorded  
separate,
and not multiply it.

> I agree

;-) but then if you want to Stop/Start a few times you end up
with a massive loop


> True, thats why I have multiply on a separate preset, I was just  
> giving an example of a possible combination preset that would  
> work ,if not ideally..   For example I always double up erase and  
> feedback, 100% because when I end a piece and hit an all tracks  
> command (either by  a midi foot-controller preset or front panel  
> switch) and then an erase command I want to not only erase all of my  
> tracks, i want to return them all  to the same feedback level before  
> starting a new  piece. Multiple command combinations can allow you  
> to do such things as  create ABC song forms like Steve lawson uses,  
> i believe there is documentation of that on the website, but if you  
> can't find it I'll write out the various preset combos and pass them  
> along.

I wouldn't say the EDP has less possibilities than the LP1.
More that they are different.

  OK lets agree to disagree :-) But you are right in that they are  
different beasts. viva la difference!!!!!

The Midi learn on the LP1 is incredibly easy to use.
...but I'm still working on finding the right
combinations of commands to do the things I consider essential
and still keep the number of buttons down to one bank of 10.

Do you use the extra two jacks on your Little Giant ? that would give  
you 12 presets per bank +2  expression pedals, but why limit yourself  
to one bank anyway?
I'm currently up to 6 banks of twelve  and climbing though there are  
redundancies on all banks of obvious presets like Sync Record/Overdub,  
but you are right its a challenge to decide on combi-presets

So far I didn't hit on a way to re-Record an existing track with one  
press.
(Erase>Record on LP1 is too slow)

here is how, create a preset with quantize replace repeated, thats  
right put two commands of quantize replace on one preset, and set the  
quantize factor to 1, if you have a loop already going, all you have  
to do his hit that preset once and it will execute a replace command  
for the entire loop length and close when done. is that what you were  
asking to do

Bill


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">&nbsp;Andy Said:<div>multiply =
the EDP keeps track of "Cycles". Even though you multiplied it doesn't =
forget how long the original loop was.<br>That's why it's good to keep =
the first (master )loop you recorded separate,<br>and not multiply =
it.<br><br><blockquote type=3D"cite"><font class=3D"Apple-style-span" =
color=3D"#615CFF">I agree</font></blockquote><br>;-) but then if you =
want to Stop/Start a few times you end up<br>with a massive =
loop<br><br><br><blockquote type=3D"cite"><font class=3D"Apple-style-span"=
 color=3D"#6266FF">True, thats why I have multiply on a separate preset, =
I was just giving an example of a possible combination preset that would =
work ,if not ideally.. &nbsp; For example I always double up erase and =
feedback, 100% because when I end a piece and hit an all tracks command =
(either by &nbsp;a midi foot-controller preset or front panel switch) =
and then an erase command I want to not only erase all of my tracks, i =
want to return them all &nbsp;to the same feedback level before starting =
a new &nbsp;piece. Multiple command combinations can allow you to do =
such things as &nbsp;create ABC song forms like Steve lawson uses, i =
believe there is documentation of that on the website, but if you can't =
find it I'll write out the various preset combos and pass them =
along.</font><br></blockquote><br>I wouldn't say the EDP has less =
possibilities than the LP1.<br>More that they are =
different.</div><div><br><font class=3D"Apple-style-span" =
color=3D"#5E5DFF">&nbsp;OK lets agree to disagree :-) But you are right =
in that they are different beasts. viva la =
difference!!!!!</font><br><br>The Midi learn on the LP1 is incredibly =
easy to use.<br>...but I'm still working on finding the =
right<br>combinations of commands to do the things I consider =
essential<br>and still keep the number of buttons down to one bank of =
10.<br><br></div><div><font class=3D"Apple-style-span" =
color=3D"#5750FF">Do you use the extra two jacks on your Little Giant ? =
that would give you 12 presets per bank +2 &nbsp;expression pedals, but =
why limit yourself to one bank anyway?</font></div><div><font =
class=3D"Apple-style-span" color=3D"#5750FF">I'm currently up to 6 banks =
of twelve &nbsp;and climbing though there are redundancies on all banks =
of obvious presets like Sync Record/Overdub, but you are right its a =
challenge to decide on combi-presets</font></div><div><br>So far I =
didn't hit on a way to re-Record an existing track with one =
press.<br>(Erase&gt;Record on LP1 is too slow)<br><br><font =
class=3D"Apple-style-span" color=3D"#503BFF">here is how, create a =
preset with quantize replace repeated, thats right put two commands of =
quantize replace on one preset, and set the quantize factor to 1, if you =
have a loop already going, all you have to do his hit that preset once =
and it will execute a replace command for the entire loop length and =
close when done. is that what you were asking to =
do</font><br><br><b><font class=3D"Apple-style-span" =
color=3D"#615CFF">Bill</font><br></b><br></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Jul 14 22:56:39 2010
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Mark wrote
* The LP1 tends to be much more focused on button presses than  
releases and hence things like sus operations and short-press/long- 
press distinctions largely need to come from having a smart MIDI  
controller feeding the LP1 rather than from the LP1 itself.

It is possible to do sus commands on some functions such as  quantize  
replace, simply by duplicating the quantize replace function on a  
preset, that way one press
executes the command
  Bill
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Mark wrote<div>* The LP1 tends to be much more focused on button presses than releases and hence things like sus operations and short-press/long-press distinctions largely need to come from having a smart MIDI controller feeding the LP1 rather than from the LP1 itself.</div><div><br></div><div><font class="Apple-style-span" color="#6360FF">It is possible to do sus commands on some functions such as &nbsp;quantize replace, simply by duplicating the quantize replace function on a preset, that way one press</font></div><div><font class="Apple-style-span" color="#6360FF">executes the command</font></div><div><font class="Apple-style-span" color="#6360FF">&nbsp;Bill</font></div></body></html>
--Apple-Mail-4-193281603--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 06:00:41 2010
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Date: Thu, 15 Jul 2010 01:00:24 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Changes Video Installation in Framingham, Lowell, and on-line
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'm pleased to announce that my 3 part video installation, "Changes" 
is on exhibit in two local galleries.

The 119 Gallery members show. at 119 Gallery in Lowell, MA runs from 
July 13 - 31, with the reception at 3 PM on July 17. 
www.119gallery.org   119 Chelmsford St. | Lowell | MA | 01851

and at the Amazing Things Gallery Juried show in Framingham, MA, 
http://www.amazingthings.org/ from July 15 to Aug. 28, 160 Hollis 
Street, Framinghham. Reception at 1 PM on July 25.

You can also view the works on line at 
http://www.youtube.com/Tobenfeld but the quality will be less and you 
will miss all the other artist's work.
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 07:29:06 2010
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Date: Thu, 15 Jul 2010 00:29:05 -0700
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Subject: Re: Warning: Only for guitar pedal board fanatics! (video)
From: Rafael Nunes <supersimples@gmail.com>
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Amazing stuff. I always have to admire someone who has their setup so well
down that they down use the laptop screen, seeing it behind him with ableto=
n
running amazed me!! Thats awesome analog/digital integration too!!

On Wed, Jul 14, 2010 at 4:01 AM, Per Boysen <perboysen@gmail.com> wrote:

> Hi,
>
> My friend and college Niclas H=F6glind has a HUGE guitar stomp box
> board! I filmed that beast while he was jamming some noise and it all
> came out pretty well:
>
> http://www.youtube.com/pellibox#p/a/u/1/JH3GD-p1k0Q
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
Rafa's One Man Band Online:
http://rafasonemanband.bandcamp.com/
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
http://vimeo.com/11499020
http://www.myspace.com/rafasonemanband

--001636c5bd43ab53cc048b680e15
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Amazing stuff. I always have to admire someone who has their setup so well =
down that they down use the laptop screen, seeing it behind him with ableto=
n running amazed me!! Thats awesome analog/digital integration too!!<br>
<br><div class=3D"gmail_quote">On Wed, Jul 14, 2010 at 4:01 AM, Per Boysen =
<span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmai=
l.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"m=
argin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Hi,<br>
<br>
My friend and college Niclas H=F6glind has a HUGE guitar stomp box<br>
board! I filmed that beast while he was jamming some noise and it all<br>
came out pretty well:<br>
<br>
<a href=3D"http://www.youtube.com/pellibox#p/a/u/1/JH3GD-p1k0Q" target=3D"_=
blank">http://www.youtube.com/pellibox#p/a/u/1/JH3GD-p1k0Q</a><br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Rafa&#39;s One M=
an Band Online:<br><a href=3D"http://rafasonemanband.bandcamp.com/">http://=
rafasonemanband.bandcamp.com/</a><br><a href=3D"http://www.facebook.com/pag=
es/Rafas-One-Man-Band/33261753239">http://www.facebook.com/pages/Rafas-One-=
Man-Band/33261753239</a><br>
<a href=3D"http://vimeo.com/11499020">http://vimeo.com/11499020</a><br><a h=
ref=3D"http://www.myspace.com/rafasonemanband">http://www.myspace.com/rafas=
onemanband</a><br>

--001636c5bd43ab53cc048b680e15--

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Date: Thu, 15 Jul 2010 10:01:41 +0200
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Subject: Re: Warning: Only for guitar pedal board fanatics! (video)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 15, 2010 at 9:29 AM, Rafael Nunes <supersimples@gmail.com> wrote:
> Amazing stuff. I always have to admire someone who has their setup so well
> down that they down use the laptop screen, seeing it behind him with ableton
> running amazed me!! Thats awesome analog/digital integration too!!


He only used Ableton Live for reverb ("Freeze-Verb" preset that we all
adore). Everything else he did with the analog pedals.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: Warning: Only for guitar pedal board fanatics! (video)
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I love big guitar stompbox boards. Looks like a xmas-tree ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: Re: MmmTsss
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On Wed, Jul 14, 2010 at 8:31 PM, Ruelle Benoit <benoitruelle@yahoo.fr> wrote:
> I saw this today.
>
> http://web.mit.edu/~eric_r/Public/mmmtsss/
>
> Mmmtsss is free software for playful looping. To be honest, it's an excuse
> to make mouth noises. Just have fun and make music together!


Such nice and simple interface! Appears to be some sort of "little
brother" to Freewheeling.
http://freewheeling.sourceforge.net/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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William Walker wrote:

> So far I didn't hit on a way to re-Record an existing track with one press.
> (Erase>Record on LP1 is too slow)
> 
> here is how, create a preset with quantize replace repeated, 

...but that leaves the loop length unchanged.

I found the combination Stop>Rec will do it
so I can re-record that dodgy rhythm loop without
breaking the flow of the intro to a piece.

Of course, that button won't then end the recording, that's gonna
take some getting used to.



The obsession about getting a good set of buttons into just one bank
is because I like to improvise structure as much as I like to
improvise content.

I agree it does make sense to have more than one bank available, especially
with the Gordius using "song" mode.
(allows a string of commands to be executed when the bank is loaded)
...but I really need that bank that does all my common functions.
(or at least, that's what I think now.).

andy


 



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On Wed, Jul 14, 2010 at 8:00 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> http://www.youtube.com/watch?v=3XZpUWdpd_U


Wow, Jeff n Gaetano, this is a great Space Jam!!!!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Re: For Keith and Michael
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--001636c5a9d447188b048b69d4cc
Content-Type: text/plain; charset=ISO-8859-1

great Bill!
is that cubase in action in the background?

2010/7/14 richard sales <richard@glasswing.com>

> Really nice Bill!
> So good that I wrote Rick about his guitars.
> And... LOVE the Ethos!
>
> And Per - You are my hero!
>
> thanks to all always
> R
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>
>
>
>
>
>
>
>
>
>
>
> On Jul 12, 2010, at 7:06 PM, William Walker wrote:
>
> I just posted this video I recorded yesterday on a Zoom Q3 of an
> improvisation that bears influence form both Keith Jarret and Michael
> Hedges, The Hedges influence is obvious, but the Jarret influence is more in
> spirit than style. I was deeply effected by his Koln Concert recordings in
> my early twenties. I wanted to play the guitar the way he played the piano,
> with that flowing lyricism, range of emotion, and fearlessness to start an
> idea and see where it takes you. I still want to.
>  I'm using the looperlative's quantize replace function a bunch, which is
> highly addictive but great for generating  percolating note sequences, not
> to mention happy accidents and left turns.
>
> In the words of the late great Rod Serling
>
> "consider if you will"
>
> http://www.youtube.com/user/BillWalkerGuitar
>
>
> Thanks
>  Bill
>
>
>

--001636c5a9d447188b048b69d4cc
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

great Bill!<br>is that cubase in action in the background?<br><br><div clas=
s=3D"gmail_quote">2010/7/14 richard sales <span dir=3D"ltr">&lt;<a href=3D"=
mailto:richard@glasswing.com">richard@glasswing.com</a>&gt;</span><br><bloc=
kquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-lef=
t: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div style=3D"word-wrap: break-word;">Really nice Bill!<div>So good that I =
wrote Rick about his guitars.=A0</div><div>And... LOVE the Ethos! =A0</div>=
<div><br></div><div>And Per - You are my hero!</div><div><br></div><div>tha=
nks to all always</div>
<div>R<br><font color=3D"#888888"><div>
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: medium; font-style: normal; font-variant: normal; fo=
nt-weight: normal; letter-spacing: normal; line-height: normal; text-indent=
: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span=
 style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: Helv=
etica; font-size: medium; font-style: normal; font-variant: normal; font-we=
ight: normal; letter-spacing: normal; line-height: normal; text-indent: 0px=
; text-transform: none; white-space: normal; word-spacing: 0px;"><div style=
=3D"word-wrap: break-word;">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: medium; font-style: normal; font-variant: normal; fo=
nt-weight: normal; letter-spacing: normal; line-height: normal; text-indent=
: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div =
style=3D"word-wrap: break-word;">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: medium; font-style: normal; font-variant: normal; fo=
nt-weight: normal; letter-spacing: normal; line-height: normal; text-indent=
: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div =
style=3D"word-wrap: break-word;">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 18px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"word-wrap: break-word;">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 18px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"word-wrap: break-word;">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"word-wrap: break-word;">
<span style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family:=
 Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font=
-weight: normal; letter-spacing: normal; line-height: normal; text-indent: =
0px; text-transform: none; white-space: normal; word-spacing: 0px;"><div st=
yle=3D"word-wrap: break-word;">
<div><font face=3D"Arial">richard sales</font></div><div><font color=3D"#90=
8e38"><a href=3D"http://www.glasswing.com" target=3D"_blank">www.glasswing.=
com</a></font></div><div><font color=3D"#908e38"><a href=3D"http://www.rich=
ardsales.com" target=3D"_blank">www.richardsales.com</a></font></div>
<div><font color=3D"#908e38"><a href=3D"http://www.hayleysales.com" target=
=3D"_blank">www.hayleysales.com</a></font></div><div><font color=3D"#908e38=
"><br></font></div><div><br></div></div></span><br></div></span><br></div><=
/span><br>
</div></span><br></div></span><br></div></span><br></div></span><br></span>=
<br>
</div></font><div><div></div><div class=3D"h5">
<br><div><div>On Jul 12, 2010, at 7:06 PM, William Walker wrote:</div><br><=
blockquote type=3D"cite"><div style=3D"word-wrap: break-word;">I just poste=
d this video I recorded yesterday on a Zoom Q3 of an improvisation that bea=
rs influence form both Keith Jarret and Michael Hedges, The Hedges influenc=
e is obvious, but the Jarret influence is more in spirit than style. I was =
deeply effected by his Koln Concert recordings in my early twenties. I want=
ed to play the guitar the way he played the piano, with that flowing lyrici=
sm, range of emotion, and fearlessness to start an idea and see where it ta=
kes you. I still want to.<div>
=A0I&#39;m using the looperlative&#39;s quantize replace function a bunch, =
which is highly addictive but great for generating =A0percolating note sequ=
ences, not to mention happy accidents and left turns.<div>=A0=A0</div><div>=
In the words of the late great Rod Serling</div>
<div>=A0</div><div>&quot;consider if you will&quot;</div><div>=A0</div><div=
><a href=3D"http://www.youtube.com/user/BillWalkerGuitar" target=3D"_blank"=
>http://www.youtube.com/user/BillWalkerGuitar</a><br><div><br></div><div><b=
r></div>
<div>Thanks</div><div>=A0Bill</div><div><br></div></div></div></div></block=
quote></div><br></div></div></div></div></blockquote></div><br>

--001636c5a9d447188b048b69d4cc--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 09:37:10 2010
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Date: Thu, 15 Jul 2010 11:37:09 +0200
Message-ID: <AANLkTikAWIKAv7Tk7ZA7Z_4j55EiVpAD56GWxEZJWG19@mail.gmail.com>
Subject: Re: Florence looping fest
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d27d3da43c40048b69d807
Content-Type: text/plain; charset=ISO-8859-1

bravo amigo!!

2010/7/14 Jeff Duke <jeff_d@embarqmail.com>

>  Nice Fabio! I think the ambient mic sounds added to the charm. The
> children playing in the background especially. Nice "snapshot" of a moment
> in time. Thanks
>
> Jeff
>
> ----- Original Message -----
> *From:* Fabio_A <eterogenus@gmail.com>
> *To:* <Loopers-Delight@loopers-delight.com><Loopers-Delight@loopers-delight.com%3E>
> *Sent:* Wednesday, July 14, 2010 12:48 PM
> *Subject:* Florence looping fest
>
> Just posted on youtube an excerpt from my live set in Florence.
> http://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4
>
>
> fabio
> www.eterogeneo.com
>
>
>

--0016e6d27d3da43c40048b69d807
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

bravo amigo!!<br><br><div class=3D"gmail_quote">2010/7/14 Jeff Duke <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.c=
om</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1e=
x;">






<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Nice Fabio! I think the ambient mic so=
unds added to=20
the charm. The children playing in the background especially. Nice &quot;sn=
apshot&quot; of=20
a moment in time. Thanks</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div><font color=3D"#888888=
">
<div><font face=3D"Arial" size=3D"2">Jeff</font></div></font><div><div></di=
v><div class=3D"h5">
<blockquote dir=3D"ltr" style=3D"padding-right: 0px; padding-left: 5px; mar=
gin-left: 5px; border-left: 2px solid rgb(0, 0, 0); margin-right: 0px;">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228); fo=
nt: 10pt arial;"><b>From:</b>=20
  <a title=3D"eterogenus@gmail.com" href=3D"mailto:eterogenus@gmail.com" ta=
rget=3D"_blank">Fabio_A</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com%3E" =
target=3D"_blank">&lt;Loopers-Delight@loopers-delight.com&gt;</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Wednesday, July 14, 2010 12=
:48=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Florence looping fest</d=
iv>
  <div><br></div>
  <div>Just posted on youtube an excerpt from my live set in Florence.</div=
>
  <div><a href=3D"http://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4"=
 target=3D"_blank">http://www.youtube.com/user/eterogenus#p/u/0/AwqVwj9Mxm4=
</a></div>
  <div>=A0</div>
  <div>=A0</div>
  <div>fabio</div>
  <div><a href=3D"http://www.eterogeneo.com" target=3D"_blank">www.eterogen=
eo.com</a></div>
  <div>=A0</div></blockquote></div></div></div>
</blockquote></div><br>

--0016e6d27d3da43c40048b69d807--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 09:40:06 2010
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	<4C3ED3CD.9080609@tiscali.co.uk>
Date: Thu, 15 Jul 2010 11:40:03 +0200
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From: Per Boysen <perboysen@gmail.com>
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On Thu, Jul 15, 2010 at 11:24 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> The obsession about getting a good set of buttons into just one bank
> is because I like to improvise structure as much as I like to
> improvise content.

Can't agree enough on that, Andy!

On my FCB1010 I have had almost the identical setup of seven banks
since my early Repeater/EDP days. Back then I used Ableton Live synced
on the side (sending in bursts of MIDI commands triggered by the pedal
buttons) but today I have recreated my old "structuring commands" as
scripts in the Mobius looper. But the general functionality is still
the same after ten years! :-)


> I agree it does make sense to have more than one bank available, especially
> with the Gordius using "song" mode.

That Gordius seems to be very good with LP1. I'm awaiting the
SoftStep, but if it doesn't cut it (or gets too delayed) I might
consider a Gordius. The FCB's only last exactly three years, so in the
long run they are not as cheap as the price tag makes you think in the
store.

I like to spread out the same looping commands over several control
surfaces. The big blessing with this is of course that it allows you
to better stay within the same foot pedalboard bank. I use a pedal
board, two hand button pads with mixer faders and the laptop keys. If
playing guitar it is easy to move over the right hand for a second to
hand controller and pull a command. Not so easy with other
instruments.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Thu, 15 Jul 2010 11:51:05 +0200
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Subject: Re: Florence looping fest
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On Wed, Jul 14, 2010 at 6:48 PM, Fabio_A <eterogenus@gmail.com> wrote:
> excerpt

Bravissimo!

per

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Date: Thu, 15 Jul 2010 11:52:48 +0200
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Subject: Re: For Keith and Michael
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On Thu, Jul 15, 2010 at 11:35 AM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> great Bill!
> is that cubase in action in the background?


...and what about THE RED LAMP?

Per ;-)

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	<B142B8EA-228C-4277-ABD9-A52466E877F2@glasswing.com>
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Date: Thu, 15 Jul 2010 14:26:48 +0200
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Subject: Re: For Keith and Michael
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502d7e85d6c77048b6c3747
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2010/7/15 Per Boysen <perboysen@gmail.com>

> On Thu, Jul 15, 2010 at 11:35 AM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > great Bill!
> > is that cubase in action in the background?
>
>
> ...and what about THE RED LAMP?
>
> Per ;-)
>

that one must be for the porno sessions

>
>

--00504502d7e85d6c77048b6c3747
Content-Type: text/html; charset=ISO-8859-1
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<br><font color=3D"#888888">
</font><br><div class=3D"gmail_quote">2010/7/15 Per Boysen <span dir=3D"ltr=
">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</s=
pan><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8e=
x; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">On Thu, Jul 15, 2010 at 11:35 AM, Louie Angulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.=
com</a>&gt; wrote:<br>
&gt; great Bill!<br>
&gt; is that cubase in action in the background?<br>
<br>
<br>
</div>...and what about THE RED LAMP?<br>
<font color=3D"#888888"><br>
Per ;-)<br></font></blockquote><div><br><font style=3D"color: rgb(0, 0, 0);=
" color=3D"#888888">that one must be for the porno sessions</font> <br></di=
v><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bor=
der-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<font color=3D"#888888">=A0<br>
</font></blockquote></div><br>

--00504502d7e85d6c77048b6c3747--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 14:20:43 2010
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Subject: Re: Livelooping gig video spam!
Date: Thu, 15 Jul 2010 10:20:34 -0400
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Hey thanks Per! What's really cool is that we will finally meet and play 
together in "real" life at Y2KX! Should be interesting, :)

best,

Jeff


----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, July 15, 2010 5:26 AM
Subject: Re: Livelooping gig video spam!


> On Wed, Jul 14, 2010 at 8:00 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>> http://www.youtube.com/watch?v=3XZpUWdpd_U
>
>
> Wow, Jeff n Gaetano, this is a great Space Jam!!!!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
> 

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 14:24:02 2010
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On Thu, Jul 15, 2010 at 4:20 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> Hey thanks Per! What's really cool is that we will finally meet and play
> together in "real" life at Y2KX! Should be interesting, :)

Can only say YEAH!!!

per

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 21:10:59 2010
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Date: Thu, 15 Jul 2010 14:10:58 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: DL4 switch fail
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--0-1044917123-1279228258=:11192
Content-Type: text/plain; charset=us-ascii

Hi Loopers,

The Record/Overdub switch is now intermittent on my DL4 delay box, I see there 
is lots of info online about replacing these switches, I am wondering if anyone 
here has experience with the best switch/method to use.

Thanks,
Eric

P.S., if MTBF is 1 million on these units I probably hit that switch about that 
many times!


      
--0-1044917123-1279228258=:11192
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt">Hi Loopers,<br><br>The Record/Overdub switch is now intermittent on my DL4 delay box, I see there is lots of info online about replacing these switches, I am wondering if anyone here has experience with the best switch/method to use.<br><br>Thanks,<br>Eric<br><br>P.S., if MTBF is 1 million on these units I probably hit that switch about that many times!<br><div><br></div>
</div><br>

      </body></html>
--0-1044917123-1279228258=:11192--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 22:01:06 2010
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Date: Thu, 15 Jul 2010 15:01:05 -0700
Message-ID: <AANLkTik9dwHU1gxlwCYBET7z7WSFsR5YriUrReSlAyH8@mail.gmail.com>
Subject: Re: DL4 switch fail
From: Matt Davignon <mattdavignon@gmail.com>
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I had one of the switches become unscrewed on my DL-4 last year, where
1/2 fell into the unit and 1/2 fell outside. It wasn't hard to fix,
but I had to cut the wires to the battery supply in order to get to
the switches. You probably won't have to do that if you have a
soldering gun.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

On Thu, Jul 15, 2010 at 2:10 PM, E Gross <slapbandjam@yahoo.com> wrote:
> Hi Loopers,
>
> The Record/Overdub switch is now intermittent on my DL4 delay box, I see
> there is lots of info online about replacing these switches, I am wondering
> if anyone here has experience with the best switch/method to use.
>
> Thanks,
> Eric
>
> P.S., if MTBF is 1 million on these units I probably hit that switch about
> that many times!
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 15 22:36:48 2010
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Any tips on a DL4 that is really "noisy?"  Any potential shorts or??

Thanks, David

Matt Davignon wrote:
> I had one of the switches become unscrewed on my DL-4 last year, where
> 1/2 fell into the unit and 1/2 fell outside. It wasn't hard to fix,
> but I had to cut the wires to the battery supply in order to get to
> the switches. You probably won't have to do that if you have a
> soldering gun.
>
>   
> ------------------------------------------------------------------------
>
>
>
> Checked by AVG - www.avg.com 
> Version: 9.0.830 / Virus Database: 271.1.1/3007 - Release Date: 07/15/10 04:09:00
>
>   

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 00:30:20 2010
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll continue the
month-long Special Focus on Rene van der Wouden.  The Featured CD at
Midnight will be "Alchemia" on REWO Records.  For details, see the
Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul

You will also hear music from Computerchemist as well as music by
Mikronesia who will be at the Soundscapes Concert Series on July 23.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen.html on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 00:45:50 2010
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Subject: Re: For Keith and Michael Really nice Bill! So good that I wrote Rick about his guitars.  And... LOVE the Ethos!    And Per - You are my hero!  thanks to all always R richard sales www.glasswing.com www.richardsales.com www.hayleysales.com 
Date: Thu, 15 Jul 2010 17:45:42 -0700
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Really nice Bill!
So good that I wrote Rick about his guitars.
And... LOVE the Ethos!


  Thanks Richard, I appreciate  it,  thinking about taking the plunge  
on a Ren? He makes killer baritone and 12 string versions as well.
  Glad you like the Ethos,  I really dig mine too whether I use it  
direct or in front of an amp. On that piece it was inline with my  
DTAR  solstice preamp, but I had it disengaged, I might have used a  
little zendrive at the start.  I was running both outputs one direct  
one feeding the vox amp and one feeding the princeton reverb.The  
Ethos, a Carl Martin compressor, DL-4,  the Solstice,  the  
looperlative, a TC fireworx and my midi controller constitute my live  
direct rig, one pedal board and one small rack bag, sets up in 10  
minutes. I have another pedal board with the zendrive, the keeley  
comp, budda wah, Xotic ep-1, fulltone choraflange and Line 6 M-9. that  
I'll add depending but  I use that primarily for my traditional non  
looping gigs. The Xotic is my newest acquisition, designed to mimic  
the response of the pre amp stage of the old Maestro EP-3 echoplex, I  
bought it to use as a clean boost, but it does such a remarkable job  
of making my whole sound fuller and smoother  and richer that I just  
leave it on,  third in the chain after the wah and compressor. Its  
tiny and sounds really good, a very transparent boost with some kind  
of mojo that is hard to describe.


And Per - You are my hero!

Per is a hero any many ways.
Bill

thanks to all always
R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><br></span><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; ">Really nice Bill!</span><div =
style=3D"font-size: 12px; ">So good that I wrote Rick about his =
guitars.&nbsp;</div><div style=3D"font-size: 12px; ">And... LOVE the =
Ethos! &nbsp;</div><div style=3D"font-size: 12px; "><br></div><div =
style=3D"font-size: 12px; "><br></div><div style=3D"font-size: 12px; =
"><font class=3D"Apple-style-span" color=3D"#607BFF">&nbsp;Thanks =
Richard, I appreciate &nbsp;it, &nbsp;thinking about taking the plunge =
on a Ren? He makes killer baritone and 12 string versions as =
well.</font></div><div style=3D"font-size: 12px; "><font =
class=3D"Apple-style-span" color=3D"#607BFF">&nbsp;Glad you like the =
Ethos, &nbsp;I really dig mine too whether I use it direct or in front =
of an amp. On that piece it was inline with my DTAR &nbsp;solstice =
preamp, but I had it disengaged, I might have used a little zendrive at =
the start. &nbsp;I was running both outputs one direct one feeding the =
vox amp and one feeding the princeton reverb.The Ethos, a Carl Martin =
compressor, DL-4, &nbsp;the Solstice, &nbsp;the looperlative, a TC =
fireworx and my midi controller constitute my live direct rig, one pedal =
board and one small rack bag, sets up in 10 minutes. I have another =
pedal board with the zendrive, the keeley comp, budda wah, Xotic ep-1, =
fulltone choraflange and Line 6 M-9. that I'll add depending but &nbsp;I =
use that primarily for my traditional non looping gigs. The Xotic is my =
newest acquisition, designed to mimic the response of the pre amp stage =
of the old Maestro EP-3 echoplex, I bought it to use as a clean boost, =
but it does such a remarkable job of making my whole sound fuller and =
smoother &nbsp;and richer that I just leave it on, &nbsp;third in the =
chain after the wah and compressor. Its tiny and sounds really good, a =
very transparent boost with some kind of mojo that is hard to =
describe.</font></div><div style=3D"font-size: 12px; "><font =
class=3D"Apple-style-span" color=3D"#607BFF"><br></font></div><div =
style=3D"font-size: 12px; "><br></div><div style=3D"font-size: 12px; =
">And Per - You are my hero!</div><div style=3D"font-size: 12px; =
"><br></div><div style=3D"font-size: 12px; "><font =
class=3D"Apple-style-span" color=3D"#4C61FF">Per is a hero any many =
ways.</font></div><div style=3D"font-size: 12px; "><font =
class=3D"Apple-style-span" color=3D"#4C61FF">Bill</font></div><div =
style=3D"font-size: 12px; "><br></div><div style=3D"font-size: 12px; =
">thanks to all always</div><div style=3D"font-size: 12px; =
">R<br><div><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com/">www.glasswing.com</a></font></div><div>=
<font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com/">www.richardsales.com</a></font></div=
><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com/">www.hayleysales.com</a></font></div><=
div><br></div></div></span></div></span></div></span></div></span></div></=
span></div></span></div></span></span></div></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 01:01:39 2010
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Subject: =?ISO-8859-1?Q?Re:_R=E9p_:_Multi-tracks_loopers_questions?=
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...but that leaves the loop length unchanged.

  Then use sync  bounce  (or regular bounce)which automatically stops  
the loop or loops you bounce as it begins to play the track you jsut  
bounced to would that work not sure I;m even following you.

I found the combination Stop>Rec will do it
so I can re-record that dodgy rhythm loop without
breaking the flow of the intro to a piece.

  see above

Of course, that button won't then end the recording, that's gonna
take some getting used to.

yep

The obsession about getting a good set of buttons into just one bank
is because I like to improvise structure as much as I like to
improvise content.

understood, my main bank has 1 sync/record dub, 2 sync  bounce, 3 play/ 
stop now, 4 quantize replace 5 track speed, , 6 replace/reverse , 7  
all tracks, 8 replace+track speed, 9 multiply, 10 erase+feedback 100%,  
my two extra switches  are next track and previous track, but one  
could simple lean over to the front panel to execute those moves.
Bill

I agree it does make sense to have more than one bank available,  
especially
with the Gordius using "song" mode.
(allows a string of commands to be executed when the bank is loaded)
...but I really need that bank that does all my common functions.
(or at least, that's what I think now.).

andy
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">...but that leaves the loop =
length unchanged.<div><br></div><div><font class=3D"Apple-style-span" =
color=3D"#7955FF">&nbsp;Then use sync &nbsp;bounce &nbsp;(or regular =
bounce)which automatically stops the loop or loops you bounce as it =
begins to play the track you jsut bounced to would that work not sure =
I;m even following you.</font><br><br>I found the combination =
Stop&gt;Rec will do it<br>so I can re-record that dodgy rhythm loop =
without<br>breaking the flow of the intro to a =
piece.</div><div><br></div><div>&nbsp;<font class=3D"Apple-style-span" =
color=3D"#775FFF">see above</font><br><font class=3D"Apple-style-span" =
color=3D"#6C4FFF">&nbsp;<br></font>Of course, that button won't then end =
the recording, that's gonna<br>take some getting used =
to.<br><br>yep<br><br>The obsession about getting a good set of buttons =
into just one bank<br>is because I like to improvise structure as much =
as I like to<br>improvise content.<br><font class=3D"Apple-style-span" =
color=3D"#684DFF">&nbsp;</font></div><div><font class=3D"Apple-style-span"=
 color=3D"#684DFF">understood, my main bank has 1 sync/record dub, 2 =
sync &nbsp;bounce, 3 play/stop now, 4 quantize replace&nbsp;5&nbsp;track =
speed,&nbsp;, 6&nbsp;</font><span class=3D"Apple-style-span" =
style=3D"color: rgb(104, 77, 255); ">replace/reverse</span><span =
class=3D"Apple-style-span" style=3D"color: rgb(104, 77, 255); ">&nbsp;, =
7 all tracks, 8 replace+track speed, 9 multiply, 10 erase+feedback 100%, =
my two extra switches &nbsp;are next track and previous track, but one =
could simple lean over to the front panel to execute those =
moves.</span></div><div><span class=3D"Apple-style-span" style=3D"color: =
rgb(104, 77, 255); ">Bill</span></div><div><font =
class=3D"Apple-style-span" color=3D"#684DFF"><br></font>I agree it does =
make sense to have more than one bank available, especially<br>with the =
Gordius using "song" mode.<br>(allows a string of commands to be =
executed when the bank is loaded)<br>...but I really need that bank that =
does all my common functions.<br>(or at least, that's what I think =
now.).<br><br>andy</div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 01:58:17 2010
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Subject: Re: Warning: Only for guitar pedal board fanatics! (video)
Date: Thu, 15 Jul 2010 18:58:10 -0700
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Why do you tempt us with such gear lust Per why? why?
  I wish you could have slowed down the camera work and brought up  
lights so we could have reveled in the  splendor!
Bill

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 02:02:02 2010
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Subject: Re: For Keith and Michael - Ren gtrs and general mayhem  
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On Jul 15, 2010, at 5:45 PM, William Walker wrote:

>=20
> Really nice Bill!
> So good that I wrote Rick about his guitars.=20
> And... LOVE the Ethos! =20
>=20
>=20
>  Thanks Richard, I appreciate  it,  thinking about taking the plunge =
on a Ren?

Maybe!  I'd like to get ALL, 6, baritone and 12 string... but I'm also =
still lusting after an Asher Electro Hawaiian... and a near infinite =
list of studio stuff.

Yea I'm trying to figure out how to reduce my travel gear.  I love my =
old amps, but I'm getting a PRS amp soon that I'm hoping I can just cart =
around the head and use backline spkr cabinets.  Plus that way I don't =
have to worry about 50 year old amps in airplanes... and the PRS amps =
sound great.

Some day I've GOTTA come by for a visit, brain pick, listen and general =
mayhem.  Too much to learn and only a decade or two left to do it in!  =20=


Thanks


R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com



> He makes killer baritone and 12 string versions as well.
>  Glad you like the Ethos,  I really dig mine too whether I use it =
direct or in front of an amp. On that piece it was inline with my DTAR  =
solstice preamp, but I had it disengaged, I might have used a little =
zendrive at the start.  I was running both outputs one direct one =
feeding the vox amp and one feeding the princeton reverb.The Ethos, a =
Carl Martin compressor, DL-4,  the Solstice,  the looperlative, a TC =
fireworx and my midi controller constitute my live direct rig, one pedal =
board and one small rack bag, sets up in 10 minutes. I have another =
pedal board with the zendrive, the keeley comp, budda wah, Xotic ep-1, =
fulltone choraflange and Line 6 M-9. that I'll add depending but  I use =
that primarily for my traditional non looping gigs. The Xotic is my =
newest acquisition, designed to mimic the response of the pre amp stage =
of the old Maestro EP-3 echoplex, I bought it to use as a clean boost, =
but it does such a remarkable job of making my whole sound fuller and =
smoother  and richer that I just leave it on,  third in the chain after =
the wah and compressor. Its tiny and sounds really good, a very =
transparent boost with some kind of mojo that is hard to describe.
>=20
>=20
> And Per - You are my hero!
>=20
> Per is a hero any many ways.
> Bill
>=20
> thanks to all always
> R
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
>=20


--Apple-Mail-1-290808738
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><br><div><div>On Jul 15, 2010, at 5:45 PM, William Walker =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><br></span><span =
class=3D"Apple-style-span" style=3D"font-size: 12px; ">Really nice =
Bill!</span><div style=3D"font-size: 12px; ">So good that I wrote Rick =
about his guitars.&nbsp;</div><div style=3D"font-size: 12px; ">And... =
LOVE the Ethos! &nbsp;</div><div style=3D"font-size: 12px; =
"><br></div><div style=3D"font-size: 12px; "><br></div><div =
style=3D"font-size: 12px; "><font class=3D"Apple-style-span" =
color=3D"#607BFF">&nbsp;Thanks Richard, I appreciate &nbsp;it, =
&nbsp;thinking about taking the plunge on a Ren? =
</font></div></div></blockquote><div><br></div>Maybe! &nbsp;I'd like to =
get ALL, 6, baritone and 12 string... but I'm also still lusting after =
an Asher Electro Hawaiian... and a near infinite list of studio =
stuff.</div><div><br></div><div>Yea I'm trying to figure out how to =
reduce my travel gear. &nbsp;I love my old amps, but I'm getting a PRS =
amp soon that I'm hoping I can just cart around the head and use =
backline spkr cabinets. &nbsp;Plus that way I don't have to worry about =
50 year old amps in airplanes... and the PRS amps sound =
great.</div><div><br></div><div>Some day I've GOTTA come by for a visit, =
brain pick, listen and general mayhem. &nbsp;Too much to learn and only =
a decade or two left to do it in! =
&nbsp;&nbsp;</div><div><br></div><div>Thanks</div><div><br></div><div><br>=
</div><div>R</div><div><div><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><span class=3D"Apple-style-span" style=3D"font-size: medium;"><font =
class=3D"Apple-style-span" color=3D"#908E38" size=3D"3"><span =
class=3D"Apple-style-span" style=3D"font-size: =
12px;"><br></span></font></span></div></div></span></div></span></div></sp=
an></div></span></div></span></div></span></div></span></span><br =
class=3D"Apple-interchange-newline"></div></div><div><br><blockquote =
type=3D"cite"><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; "><div style=3D"font-size: =
12px; "><font class=3D"Apple-style-span" color=3D"#607BFF">He makes =
killer baritone and 12 string versions as well.</font></div><div =
style=3D"font-size: 12px; "><font class=3D"Apple-style-span" =
color=3D"#607BFF">&nbsp;Glad you like the Ethos, &nbsp;I really dig mine =
too whether I use it direct or in front of an amp. On that piece it was =
inline with my DTAR &nbsp;solstice preamp, but I had it disengaged, I =
might have used a little zendrive at the start. &nbsp;I was running both =
outputs one direct one feeding the vox amp and one feeding the princeton =
reverb.The Ethos, a Carl Martin compressor, DL-4, &nbsp;the Solstice, =
&nbsp;the looperlative, a TC fireworx and my midi controller constitute =
my live direct rig, one pedal board and one small rack bag, sets up in =
10 minutes. I have another pedal board with the zendrive, the keeley =
comp, budda wah, Xotic ep-1, fulltone choraflange and Line 6 M-9. that =
I'll add depending but &nbsp;I use that primarily for my traditional non =
looping gigs. The Xotic is my newest acquisition, designed to mimic the =
response of the pre amp stage of the old Maestro EP-3 echoplex, I bought =
it to use as a clean boost, but it does such a remarkable job of making =
my whole sound fuller and smoother &nbsp;and richer that I just leave it =
on, &nbsp;third in the chain after the wah and compressor. Its tiny and =
sounds really good, a very transparent boost with some kind of mojo that =
is hard to describe.</font></div><div style=3D"font-size: 12px; "><font =
class=3D"Apple-style-span" color=3D"#607BFF"><br></font></div><div =
style=3D"font-size: 12px; "><br></div><div style=3D"font-size: 12px; =
">And Per - You are my hero!</div><div style=3D"font-size: 12px; =
"><br></div><div style=3D"font-size: 12px; "><font =
class=3D"Apple-style-span" color=3D"#4C61FF">Per is a hero any many =
ways.</font></div><div style=3D"font-size: 12px; "><font =
class=3D"Apple-style-span" color=3D"#4C61FF">Bill</font></div><div =
style=3D"font-size: 12px; "><br></div><div style=3D"font-size: 12px; =
">thanks to all always</div><div style=3D"font-size: 12px; =
">R<br><div><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
18px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
18px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
12px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; font-family: Helvetica; font-size: =
12px; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com/">www.glasswing.com</a></font></div><div>=
<font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com/">www.richardsales.com</a></font></div=
><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com/">www.hayleysales.com</a></font></div><=
div><br></div></div></span></div></span></div></span></div></span></div></=
span></div></span></div></span></span></div></div></div></blockquote></div=
><br></body></html>=

--Apple-Mail-1-290808738--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 02:36:03 2010
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From: "Randolf" <randolf@embryosongs.com>
To: "Per Boysen" <perboysen@gmail.com>,
	<Loopers-Delight@loopers-delight.com>
References: <AANLkTim9E0SN9fImN4ByQCAbHuXJzk1FpXEgKb1n7iCF@mail.gmail.com>
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Subject: Re: Livelooping gig video spam!
Date: Fri, 16 Jul 2010 10:33:06 +0800
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Yeah fellas! See you there at Y2KX!!! Per, I've got my fingers crossed for 
you ya!

Randolf

--------------------------------------------------
From: "Per Boysen" <perboysen@gmail.com>
Sent: Thursday, July 15, 2010 10:24 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Livelooping gig video spam!

> On Thu, Jul 15, 2010 at 4:20 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>> Hey thanks Per! What's really cool is that we will finally meet and play
>> together in "real" life at Y2KX! Should be interesting, :)
>
> Can only say YEAH!!!
>
> per
> 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 02:41:04 2010
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From: "Randolf" <randolf@embryosongs.com>
To: "E Gross" <slapbandjam@yahoo.com>,
	<Loopers-Delight@loopers-delight.com>
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Hi Eric, the individual Tac Switch which is a flat 4 legged part with a =
flat click button soldered onto the pcb needs replacing. I do these =
repairs all the time here for other Line 6 pedals. Let me know if you =
need them so I can send some over.=20

Randolf



From: E Gross=20
Sent: Friday, July 16, 2010 5:10 AM
To: Loopers-Delight@loopers-delight.com=20
Subject: DL4 switch fail


Hi Loopers,

The Record/Overdub switch is now intermittent on my DL4 delay box, I see =
there is lots of info online about replacing these switches, I am =
wondering if anyone here has experience with the best switch/method to =
use.

Thanks,
Eric

P.S., if MTBF is 1 million on these units I probably hit that switch =
about that many times!




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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<STYLE type=3Dtext/css><!-- DIV {margin:0px;} --></STYLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16588"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>Hi Eric, the individual Tac Switch which is a =
flat 4=20
legged part with a flat click button soldered onto the pcb needs =
replacing. I do=20
these repairs all the time here for other Line 6 pedals. Let me know if =
you need=20
them so I can send some over. </FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri>Randolf</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV style=3D"FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style=3D"BACKGROUND: #f5f5f5">
<DIV style=3D"font-color: black"><B>From:</B> <A =
title=3Dslapbandjam@yahoo.com=20
href=3D"">E Gross</A> </DIV>
<DIV><B>Sent:</B> Friday, July 16, 2010 5:10 AM</DIV>
<DIV><B>To:</B> <A=20
title=3D"mailto:Loopers-Delight@loopers-delight.com&#10;CTRL + Click to =
follow link"=20
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
</DIV>
<DIV><B>Subject:</B> DL4 switch fail</DIV></DIV></DIV>
<DIV><BR></DIV>
<DIV=20
style=3D"FONT-FAMILY: times new roman,new york,times,serif; FONT-SIZE: =
12pt">Hi=20
Loopers,<BR><BR>The Record/Overdub switch is now intermittent on my DL4 =
delay=20
box, I see there is lots of info online about replacing these switches, =
I am=20
wondering if anyone here has experience with the best switch/method to=20
use.<BR><BR>Thanks,<BR>Eric<BR><BR>P.S., if MTBF is 1 million on these =
units I=20
probably hit that switch about that many times!<BR>
<DIV><BR></DIV></DIV><BR></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 05:56:29 2010
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"great Bill!
> is that cubase in action in the background?

  Thanks Louie, yes Cubase 5, I'm trying to film and record all my  
improvs when I can,  I'm of course getting cleaner tracks to cubase  
without the button pressing chatter, like you hear from the camera  
mics, trying to find a way to minimize that. I've thought about  
building clear plexiglass shrouds for my pedal boards to cut down on  
the crickets....... I wish there was some kind of rubber nipple thingy  
that one could place over switches to minimize the clicking noise.   
Speaking of rubber nipple thingies,  yes per, the red lamp is for my  
"other"  video business....
  bill

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Subject: Florence looping fest
Date: Thu, 15 Jul 2010 23:07:10 -0700
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Lovely piece Fabio,
  Thanks
  Bill

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 06:13:11 2010
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Subject: Re: DL4 switch fail
Date: Thu, 15 Jul 2010 23:13:05 -0700
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Matt, you didn't have to cut anything, the two plastic pieces at each  
end of the battery cavity, the ones that have the + and - terminals  
and the wires attached, they slide up and out. You do have to remove  
all knobs and washers from the unit and remove the pc boar which is  
attached by two or  three phillips head screws. The switches can be  
ordered through any line 6 dealer.
  bill

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 06:35:07 2010
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Date: Thu, 15 Jul 2010 23:35:06 -0700
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Subject: Re: Yoav
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Yeah, that's really nice! Wonderful stuff!

On Wed, Jul 14, 2010 at 6:52 AM, "Andr=E9 Donawa" <andre@andredonawa.com> w=
rote:
> Really digging this.
>
> http://www.youtube.com/watch?v=3DTCBrHR35BdQ
>
> Andre
>
> http://barbadosguitar.com/wordpress
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 19:38:00 2010
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Date: Fri, 16 Jul 2010 15:37:55 -0400
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
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Subject: Galactic Travels Playlist #693 for July 15, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100715.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #693                July 15, 2010.

RECAP:
On this show, I continued the month-long focus on Rene van der Wouden.
The Featured CD at Midnight was Alchemia by Rene van der Wouden on REWO
Records.

I also played music from omputerchemist as well as music by Mikronesia
who will perform at the Soundscapes Concert Series</a> on July 23.

Rene van der Wouden:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul
Soundscapes Concert Series: http://soundscapes.us


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Kubusschnitt         Uncertainty of       Entropy's Evolution (none)
                       Entropy
Mikronesia           Bombdad              Mikronesia (none)
computerchemist      darklight drive      landform (none)
Conrad Schnitzler    Disk Five, Part 1    10 kW/h (Ricochet Dream)
  and Wolfgang Siedel
Mikronesia           Here Come the Warm   Mikronesia (none)
                       Spores
Conrad Schnitzler    Disk Five, Part 2 *  10 kW/h (Ricochet Dream)
  and Wolfgang Siedel

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Rene van der Wouden  The True Glass of    Alchemia (REWO)
                       Alchemy
Rene van der Wouden  Far Across the       Alchemia (REWO)
                       Heavens
Rene van der Wouden  Golden Drams of      Alchemia (REWO)
                       Silver Elements
Rene van der Wouden  The Alchemists       Alchemia (REWO)
Rene van der Wouden  Gone to Earth        Alchemia (REWO)
                       through the Book o Minerals

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on Rene
van der Wouden.  The Featured CD at Midnight will be Universal Quiet on
REWO Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
Listen to WDIY at http://wdiy.org/listen on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
=======================================================================

From Loopers-Delight-request@loopers-delight.com  Fri Jul 16 19:49:01 2010
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Hi Folks!

The Studio is live, even after a stupid move by BT in changing a simple =
socket move into a 'new home move' order, and wiping my phone numbers =
and [gasp] DSL for nearly a week.  I'll be doing the Audio Tarot Bone =
Throw show tonight again starting between midnight and 1215am British =
Summer Time, and from the new facility here.  And I'll be wearing my Kim =
Flint shirt too, so now you HAVE to come look.=20

http://www.ustream.tv/channel/earthlight-at-westgate

Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv
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<DIV><FONT face=3DCalibri>Hi Folks!</FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri>The Studio is live, even after a stupid move =
by BT in=20
changing a simple socket move into a 'new home move' order, and wiping =
my phone=20
numbers and [gasp] DSL for nearly a week.&nbsp; I'll be doing the Audio =
Tarot=20
Bone Throw show tonight again starting between midnight and 1215am =
British=20
Summer Time, and from the new facility here.&nbsp; And I'll be wearing =
my Kim=20
Flint shirt too, so now you HAVE to come look. <IMG=20
style=3D"POSITION: static; MARGIN: 0px; FLOAT: none" title=3D"Smile =
emoticon"=20
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<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri><A=20
href=3D"http://www.ustream.tv/channel/earthlight-at-westgate">http://www.=
ustream.tv/channel/earthlight-at-westgate</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV>
<DIV><FONT face=3DCalibri>Stephen Goodman<BR>EarthLight =
Productions<BR>*<BR><A=20
href=3D"http://www.earthlight.net">http://www.earthlight.net</A><BR><A=20
href=3D"http://www.earthlight.tv">http://www.earthlight.tv</A></FONT></DI=
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, July 17 at 6 am EDT/GMT-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 10:32:12 2010
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Date: Sat, 17 Jul 2010 12:32:11 +0200
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Subject: Re: Subject: Re: For Keith and Michael
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--001636c5a980204281048b92d9c7
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I used to do that with sonar as well,but i must admit thats really cool in
Mobius you can record your loops simultaneoulsy with the same SW you are
looping with,and i think you have just about almost all fuctionalities of
the EDP and LP1,and if you dont you can script them until you do!
I just moved to logic and it has a nice and simple looper built in with
effects and amp sims ready to go as well, though i havent tried it yet.
The one thing i will miss is all my nice plugins, i somehow thought thart
all my VSTs and .DLLs would work in mac but no such luck...
cheers
Luis

2010/7/16 William Walker <billwalker@baymoon.com>

> "great Bill!
>
>> is that cubase in action in the background?
>>
>
>  Thanks Louie, yes Cubase 5, I'm trying to film and record all my improvs
> when I can,  I'm of course getting cleaner tracks to cubase without the
> button pressing chatter, like you hear from the camera mics, trying to find
> a way to minimize that. I've thought about building clear plexiglass shrouds
> for my pedal boards to cut down on the crickets....... I wish there was some
> kind of rubber nipple thingy that one could place over switches to minimize
> the clicking noise.  Speaking of rubber nipple thingies,  yes per, the red
> lamp is for my "other"  video business....
>  bill
>
>

--001636c5a980204281048b92d9c7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I used to do that with sonar as well,but i must admit thats really cool=20
in Mobius you can record your loops simultaneoulsy with the same SW you=20
are looping with,and i think you have just about almost all=20
fuctionalities of the EDP and LP1,and if you dont you can script them=20
until you do!<br>
I just moved to logic and it has a nice and simple looper built in with=20
effects and amp sims ready to go as well, though i havent tried it yet.<br>
The one thing i will miss is all my nice plugins, i somehow thought=20
thart all my VSTs and .DLLs would work in mac but no such luck...<br>
cheers<br>
Luis<br><br><div class=3D"gmail_quote">2010/7/16 William Walker <span dir=
=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.c=
om</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1e=
x;">
&quot;great Bill!<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
is that cubase in action in the background?<br>
</blockquote>
<br>
=A0Thanks Louie, yes Cubase 5, I&#39;m trying to film and record all my imp=
rovs when I can, =A0I&#39;m of course getting cleaner tracks to cubase with=
out the button pressing chatter, like you hear from the camera mics, trying=
 to find a way to minimize that. I&#39;ve thought about building clear plex=
iglass shrouds for my pedal boards to cut down on the crickets....... I wis=
h there was some kind of rubber nipple thingy that one could place over swi=
tches to minimize the clicking noise. =A0Speaking of rubber nipple thingies=
, =A0yes per, the red lamp is for my &quot;other&quot; =A0video business...=
.<br>

=A0bill<br>
<br>
</blockquote></div><br>

--001636c5a980204281048b92d9c7--

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Subject: OT: Lexicon Vortex (maybe) For Sale
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Fellow Loopers.

 

Just wondering what the current price is for a used, but very good condition
Lexicon Vortex.

 

I'm thinking of selling mine.bought it used a few years back from someone on
this list, but its time to part ways.

 

For some reason, I never could grasp the full use potential of it, so time
to let go.

 

 

You can email me privately.oh, yeh.it has the Lexicon Step/Bypass pedal and
wall wart.

 

Thanks,

 

Edward Yuhas

(Ed in NJ)


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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Fellow Loopers&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Just wondering what the current price is for a used, =
but
very good condition Lexicon Vortex.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I&#8217;m thinking of selling mine&#8230;bought it =
used a
few years back from someone on this list, but its time to part =
ways.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>For some reason, I never could grasp the full use =
potential
of it, so time to let go.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>You can email me privately&#8230;oh, yeh&#8230;it has =
the
Lexicon Step/Bypass pedal and wall wart.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Thanks,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Edward Yuhas<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>(Ed in NJ)<o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 22:34:43 2010
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Subject: Re: OT: Lexicon Vortex (maybe) For Sale
Date: Sat, 17 Jul 2010 15:34:40 -0700
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Edward,

I've seen them advertised for between $175 and $275 (Ebat asking =20
prices, I'm not sure if anyone pays either).

I already own and use two so I'm not in the market for a third.

For those that can get into programming them they are amazing.

Andy Butler is the expert hereabout though.

There was a period of time there for a while that I never played =20
without at least one at all times.

Ted

On Jul 17, 2010, at 1:08 PM, ejyuhas wrote:

> Fellow Loopers=85
>
> Just wondering what the current price is for a used, but very good =20
> condition Lexicon Vortex.
>
> I=92m thinking of selling mine=85bought it used a few years back from =20=

> someone on this list, but its time to part ways.
>
> For some reason, I never could grasp the full use potential of it, =20
> so time to let go.
>
>
> You can email me privately=85oh, yeh=85it has the Lexicon Step/Bypass =20=

> pedal and wall wart.
>
> Thanks,
>
> Edward Yuhas
> (Ed in NJ)

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Subject: Re: OT: Lexicon Vortex (maybe) For Sale
Date: Sat, 17 Jul 2010 18:39:42 -0400
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I have two (thanks Dennis!) 150.00 each.

Ted, before or after the looper? Or both?

Jeff

----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 17, 2010 6:34 PM
Subject: Re: OT: Lexicon Vortex (maybe) For Sale


Edward,

I've seen them advertised for between $175 and $275 (Ebat asking
prices, I'm not sure if anyone pays either).

I already own and use two so I'm not in the market for a third.

For those that can get into programming them they are amazing.

Andy Butler is the expert hereabout though.

There was a period of time there for a while that I never played
without at least one at all times.

Ted

On Jul 17, 2010, at 1:08 PM, ejyuhas wrote:

> Fellow Loopers…
>
> Just wondering what the current price is for a used, but very good 
> condition Lexicon Vortex.
>
> I’m thinking of selling mine…bought it used a few years back from  someone 
> on this list, but its time to part ways.
>
> For some reason, I never could grasp the full use potential of it,  so 
> time to let go.
>
>
> You can email me privately…oh, yeh…it has the Lexicon Step/Bypass  pedal 
> and wall wart.
>
> Thanks,
>
> Edward Yuhas
> (Ed in NJ)

From Loopers-Delight-request@loopers-delight.com  Sat Jul 17 22:46:23 2010
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Subject: Re: OT: Lexicon Vortex (maybe) For Sale
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Jeff,

Both are pre-looper in my rig.

I use other devices after the loopers to mangle them - the present =20
case being two Alesis Akiras.

Ted

On Jul 17, 2010, at 3:39 PM, Jeff Duke wrote:

> I have two (thanks Dennis!) 150.00 each.
>
> Ted, before or after the looper? Or both?
>
> Jeff
>
> ----- Original Message ----- From: "tEd =AE KiLLiAn" =
<tedkillian@charter.net=20
> >
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, July 17, 2010 6:34 PM
> Subject: Re: OT: Lexicon Vortex (maybe) For Sale
>
>
> Edward,
>
> I've seen them advertised for between $175 and $275 (Ebat asking
> prices, I'm not sure if anyone pays either).
>
> I already own and use two so I'm not in the market for a third.
>
> For those that can get into programming them they are amazing.
>
> Andy Butler is the expert hereabout though.
>
> There was a period of time there for a while that I never played
> without at least one at all times.
>
> Ted
>
> On Jul 17, 2010, at 1:08 PM, ejyuhas wrote:
>
>> Fellow Loopers=85
>>
>> Just wondering what the current price is for a used, but very good =20=

>> condition Lexicon Vortex.
>>
>> I=92m thinking of selling mine=85bought it used a few years back from =
 =20
>> someone on this list, but its time to part ways.
>>
>> For some reason, I never could grasp the full use potential of it,  =20=

>> so time to let go.
>>
>>
>> You can email me privately=85oh, yeh=85it has the Lexicon Step/Bypass =
 =20
>> pedal and wall wart.
>>
>> Thanks,
>>
>> Edward Yuhas
>> (Ed in NJ)
>

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Subject: Re: OT: Lexicon Vortex (maybe) For Sale
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thanks, same as me. I only run one though because of all the pedals 
required, out of floor space.
two double fs's and two ex ped's each.

wanna sell a Akira? :)


J





----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 17, 2010 6:46 PM
Subject: Re: OT: Lexicon Vortex (maybe) For Sale


Jeff,

Both are pre-looper in my rig.

I use other devices after the loopers to mangle them - the present
case being two Alesis Akiras.

Ted

On Jul 17, 2010, at 3:39 PM, Jeff Duke wrote:

> I have two (thanks Dennis!) 150.00 each.
>
> Ted, before or after the looper? Or both?
>
> Jeff
>
> ----- Original Message ----- From: "tEd ® KiLLiAn" <tedkillian@charter.net
> >
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Saturday, July 17, 2010 6:34 PM
> Subject: Re: OT: Lexicon Vortex (maybe) For Sale
>
>
> Edward,
>
> I've seen them advertised for between $175 and $275 (Ebat asking
> prices, I'm not sure if anyone pays either).
>
> I already own and use two so I'm not in the market for a third.
>
> For those that can get into programming them they are amazing.
>
> Andy Butler is the expert hereabout though.
>
> There was a period of time there for a while that I never played
> without at least one at all times.
>
> Ted
>
> On Jul 17, 2010, at 1:08 PM, ejyuhas wrote:
>
>> Fellow Loopers…
>>
>> Just wondering what the current price is for a used, but very good 
>> condition Lexicon Vortex.
>>
>> I’m thinking of selling mine…bought it used a few years back from 
>> someone on this list, but its time to part ways.
>>
>> For some reason, I never could grasp the full use potential of it,   so 
>> time to let go.
>>
>>
>> You can email me privately…oh, yeh…it has the Lexicon Step/Bypass   pedal 
>> and wall wart.
>>
>> Thanks,
>>
>> Edward Yuhas
>> (Ed in NJ)
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 00:45:44 2010
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 Dark Seeds <DarkSeedsNews@yahoogroups.com>,
 Drone Deep Chill <drone_deep_chill@yahoogroups.com>, 
 Loopers Delight <Loopers-Delight@loopers-delight.com>,
 The Ambient Way <the_ambient_way@yahoogroups.com>
Subject: 07.20.10 > The PiNG presents 60x60 Project, Transmorphous Sound Ensemble,,Geek
 Weekend + General Chaos Visuals
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. 07.20.10 . THE AMBiENT PiNG presents A/V NiGHT
featuring 60x60 Project Audio/Visual Mix +
Transmorphous Sound Ensemble +
Geek Weekend + General Chaos Visuals

@ Supermarket  . 268 Augusta Ave . Kensington Market .
     just south of College  .  Map, info and directions at:
     http://www.supermarkettoronto.com/site/section/contact
     PiNG doors open at 7:30pm . 1st set at 8:00 sharp . $6

. 8:00 sharp . 60x60 Project Audio/Visual Mix
360 degrees of 60x60 (ICMC Sanguine Mix)

Curated by Robert Voisey, the 60x60 Project contains 60 works
from 60 different composers. Each composition is 60 seconds in
duration sequenced together to create a one hour performance.
Highlighting the work of a great many composers, 60x60 testifies
to the vibrancy of contemporary composition by presenting the
diverse array of styles, aesthetics and techniques being used today.
http://www.voxnovus.com

Tonight's presentation features 60 one-minute videos created by
Patrick Liddell [ontologist], a music composer and video artist
currently living in Chicago, specifically for the 60x60 Sanguine Mix.
http://www.ontologist.us

The Sanguine Mix is part of 360 degrees of 60x60, and is
sponsored in part by the International Computer Music
Association (ICMA). Six 60x60 mixes featuring 360 pieces
from different composers throughout the world will presented
during the conference and at remote concerts around the globe.
The 6 different mixes are all named a different shade of red to
honour the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix,
Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix.
Each mix is one hour long and contains different composers
totalling to 360 different works each by different composers
from many different countries around the world.
http://www.voxnovus.com/60x60/2010_Sanguine_Mix.htm

The Sanguine Mix features Paul Adriaenssens, Rebecca Ashe,
Greg Bartholomew, Dennis Bathory-Kitsz, Jay Batzner, Cameron
Bobro, Jason Bolte, benjamin Boone, Ian Corbett, Andrew Davis,
Daniel Dominguez Teruel, David Drexler, Enrico Francioni, Kenneth
Froelich, Iris Garrelfs, Philippe-Aubert Gauthier, Monroe Golden,
Daniel Griffing, David Hahn, Jack Harris, Andy Hasenpflug,
Luke Jennings, Lynn Job, Jiri Kaderabek, Bevin Kelley,
Kevin Kissinger, Juraj Kojs, HyeKyung Lee, Stephen Lias,
Patrick Liddell, John Link, Tom Lopez, Craig Marks, Gene Marlow,
John Maycraft, Mike McFerron, Scott McGregor Moore,
David McIntire, Tricia Minty, Steve Moshier, Alon Nechushtan,
Julia Norton, Doug Opel, Maggi Payne, Michael Pounds,
Reconsiderate, Margaret Schedel, Les Scott, Alan Shockley,
Mary Simoni, Steven Snowden, Michael Spicer, Laurie Spiegel,
Stephen Stanfield, Madjid Tahriri, Eldad Tsabary, Doug Van Nort,
Giovanni Varrica, Rob Voisey, and Jon Weinel.

. 9:15 . Transmorphous Sound Ensemble . Formed in February 2009
by Chris Meloche and Richard Moule as a forum for sonic creation in
which the two participants create an atmosphere in which sounds
can organically grow and morph into ever-changing soundscapes.
To achieve this goal, the duo utilize traditional musical instruments
in a non-traditional manner.

Meloche plays a table-top guitar which is processed through several
digital processing devices while Moule uses as similar approach on
the violin. Both performers also make use of prepared recordings
(environmental, media etc...) which are also manipulated beyond
recognition. It is this gradual and deliberate melding of complimentary
and contrasting elements which succeeds in the creation of an organic,
immersive soundscape environment.

The works created by the Transmorphous SE are completely
spontaneous and "in the moment" but with a definite feeling that
the sounds have been arranged in a very deliberate manner. The
duo communicate within the confines of a sonic palette which
slowly and progressively twists and turns in a pattern which
resembles a living organism. The listener is enveloped by the
sound and drawn into an alien soundscape which is somehow
rooted in a cloak of familiarity. Sounds slowly appear and
disappear while the passage of time suddenly becomes
an irrelevant concept. http://www.chrismeloche.com/contents.htm

. 10:15 . Geek Weekend . The geeks are back for another
summer sizzler. Robert Hoare (Berlin) and Steven Sauvé
(Hamilton) look forward to bringing you all manner of sultry
sounds, drenched in absurdity, and dripping with irony.
No computers have been harmed in the making of this music.
ADVISORY: Random processes are used throughout
the performance. http://www.geekweekend.ca

. GENERAL CHAOS VISUALS . After the 60x60 A/V
presentation, the unique evolving light paintings of
General Chaos Visuals will provide us with mesmerizing
eye candy projected onto a live canvas of performers.
http://webhome.idirect.com/%7Eslindsey

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

COMiNG SOON:

TUESDAY AUGUST 17th 2010 . DECADE.1
THE AMBiENT PiNG's 11TH ANNiVERSARY with
Anomalous Disturbances + SADU + WASSONIC

@ Supermarket  . 268 Augusta Ave . Kensington Market .
    just south of College  .  Map, info and directions at:
    http://www.supermarkettoronto.com/site/section/contact
    PiNG doors open at 7:30pm . 1st set at 8:00 . $6

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

The PiNG also has a Twitter account to send you advance
updates and reminders of the when & where of future PiNG events.
Just search for ambientping to find us. http://twitter.com

ViSiT the ping things store for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 00:51:01 2010
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I went for a while with my rig basically consisting of a SansAmp PSA-1 =
and a Vortex. I'm now experimenting with the Line6 M13, but I miss the =
Vortex a bit. I think mine was something like $175 when I bought it used =
several years ago.

Mark

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Hi Antony
I haven't seen a response to your inquiry yet.  There's only one brand I
can think of that could meet your power demands, TheGigRig. =20
They sell a 5Amp voltage regulated power supply "Generator"=20
You'd need at least two
http://www.thegigrig.com/acatalog/TheGigRig_GENERATOR.html
Then a range of products to distribute the power at the desired voltage
and reduce hum and noise.
http://www.thegigrig.com/acatalog/TheGigRig_Effects_Power_Supply_Solution=
.html

I haven't used their products, I only found out about them recently -
but in terms of supplying heavy duty gear with a minimum rating of 0.5A
I don't see any alternatives.  It's probably what I'll end up using.
Other popular P/S brands are Voodoo Labs, Cioks and T-Rex, but they're
limited when gear requires more than 300mA.

Cheers,
-- G.


To: Loopers-Delight@loopers-delight.com
Subject: AC?DC power supply
=46rom: antonyhequet@yahoo.com
Date: Mon, 12 Jul 2010 05:36:07 -0700 (PDT)

>hello,
>
>been away for a while being a nomade. will soon have a proper house =
where I can=20
>set up my studio in style.
>Need to supply power to the following effects, filters, synths, loopers =
:
>
>       MP-201 Manual.indd =20
>Moog MP-201 pedal : 12VAC power 0.5A
>Moogerfooger MF103 : 9VDC power 0,5A
>Moogerfooger MIDI MuRF : 9VDC power 0,5A
>Sherman FB2 : 15VAC power 0,5A
>=20
>Looperlative LP1 : b9VDC power  1,1A=20
>Gordius BLG : 9VDC power 0,5A
>=20
>Prophet 08 : 13V power 1,15A
>Yamaha CSIX : 12VAC power 0,7A
>RME multiface : 12VDC power 1,25A
>=20
>Kaossilator pro : 9VDC power 1,7A
>JoMox Tresonator : 9VDC power 0,5A
>Korg Wavedrum : 9VDC power 1.7A
>Yamaha DTX multi12 : 12VAC 1,5A
>ribbon controller
>Casio CZ101
>
>What device or pair of devices would have the capacity to produce the=20
>appropriate current for all these items?
>
>Cordially,
>
>Antony Hequet
>poet composer

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 08:37:27 2010
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Date: Sun, 18 Jul 2010 02:37:25 -0600
Message-ID: <AANLkTilWLZCtFIbyTwGdtq0y5GdPo-__-xRzdBL4CqnB@mail.gmail.com>
Subject: Re: OT: Lexicon Vortex (maybe) For Sale
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Pristine, you could get as much as $300; but that wold have to be in
"In the box" pristine. As Jeff said, $150 (that's the 2nd pair I've
sold) but it was also a special price because it was direct to him.

An average Ebay price is in the range of $150-200, but really not much
more than that. If you can wait, I'd suggest it, as it looks like the
market has been a bit saturated the past 2 months or so and you may
experience a long wait to sell yours.

If all else fails, read Andy's
website(http://www.andybutler.com/vortex/vortex.htm) about how to best
use it and ask him some questions. Like a lot of vintage hardware,
there's nothing else out there quite like them (which is why I STILL
have two of them...*grin).

Best of luck,

Dennis

On Sat, Jul 17, 2010 at 2:08 PM, ejyuhas <ejyuhas@embarqmail.com> wrote:
> Fellow Loopers=85
>
>
>
> Just wondering what the current price is for a used, but very good condit=
ion
> Lexicon Vortex.
>
>
>
> I=92m thinking of selling mine=85bought it used a few years back from som=
eone on
> this list, but its time to part ways.
>
>
>
> For some reason, I never could grasp the full use potential of it, so tim=
e
> to let go.
>
>
>
>
>
> You can email me privately=85oh, yeh=85it has the Lexicon Step/Bypass ped=
al and
> wall wart.
>
>
>
> Thanks,
>
>
>
> Edward Yuhas
>
> (Ed in NJ)



--=20
http://soundcloud.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Date: Sun, 18 Jul 2010 10:47:23 +0200
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A good way is using sidetrack compression, i.e. keeping the straight 
signal and adding/summing a compressed signal to it.
When the naural guitar signal decays off, the sidetrack compressed 
signal comes in to play.
This allows keeping the natural dynamics.
I don't recall which ones are build this way, but seem to remember the 
Fernandez compressor was.

WRT batteries, I never understood why any pedal at all was ever buid to 
rum off a single 9v battery, instead of simply using 2x9v.
Electronics need a ? supply anyways, so the 9volts will be split to 
?41/2v, or fairly quicly even less, as the battery is quickly worn out.

Compressors need so much gain internaly that good designs should run off 
?15v to ?24v.


William Walker wrote:
> I went through a period of several years when I was anti compression  
> and would not use it for all the reasons  previously mentioned here.
>  Oh it destroys dynamics, and  makes all of the levels the same yada  
> yada rabble rabble, rabble. The reality was that I was using  
> compression in the wrong way and yes it was robbing me of dynamics.  
> These days I won't leave home without it. Why?  because like it or not  
> we live in a digital freaking world and digital devices are not very  
> forgiving when overloaded, I include in this group any DSP or Looper  or 
> DAW for that matter. When I was first using compression, an MXR red  
> comp way back when I was making the mistake of jacking up the  
> sensitivity to the point of rendering everything completely over  
> compressed and lacking in dynamic range. That god awful pumping effect  
> that cheap compressors do and even good ones when not set up  correctly. 
> These days I use a keeley on the front end of my signal  more as a 
> slight  boost and signal massage, with very little  sensitivity, and 
> with the internal trims set for the highest  headroom .  If recording 
> I'll also use a Carl martin at the end of my  signal chain for some 
> discreet limiting, and I'll also use a UA plugin  LA-2 sim when 
> recording. I don't get any radical dynamic limitation, I  still have a 
> dramatic degree of quite to loud dynamics, and I have the  added benefit 
> of the limiting that helps avoid clipping other things  in the chain not 
> to mention a bit less need. to change  my gain stages  when switching 
> between instruments with widely different out put levels.
>  I do agree that over compression sucks, or rather pumps, and I'm not  
> particularly fond of the Adrian Belew/ Jamie West Oram, 80's  
> compression aesthetic  where all dynamic range is killed, but I do  feel 
> that compression when used sparingly is a good thing. with that  in mind 
> the M-9 does a very decent LA-2 compression model  they call  tube 
> compressor. BTW I went to try the pigtronix philosophers tone and  my 
> first impression was that it was not capable of subtle compression,  and 
> the grit control was completely useless to me. Something I'm  missing or 
> maybe it was a crappy amp they had me plugged in to. Any  thoughts , I 
> sure do love its compact size and its gotten great  reviews. any feed 
> back? does it have internal trims like the Keeley to  reduce its 
> sensitivity.
>  Thanks
>  Bill
> 
> 


-- 
rgds,
van Sinn

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Subject: Studio The Church
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Hi guys & grlls,

I've been a bit quiet recently because I'm finally in the middle of =
turning the church into my new studio. They've been busy for like 2 =
months now. Not much to see yet of the studio itself, but I thought you =
guys might like to see the progress of it all. Although you can already =
see the outlines of the studio coming together..

Here's a link with the process so far: www.studio.reyn.net

I'll keep you guys posted!

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 10:01:45 2010
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Date: Sun, 18 Jul 2010 03:01:43 -0700 (PDT)
From: K D Patten <kdpatten@yahoo.com>
Subject: Re: Studio The Church
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--0-703238613-1279447303=:98512
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looks amazing Reyn .....wish i was near by to see it take shape

Kyle Dean Patten P.O. Box 22 Johnston, IA=A0 50131 =A0 http://www.cdbaby.co=
m/cd/kdpatten=20
http://www.myspace.com/kyledeanpatten=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
http://www.youtube.com/watch?v=3Da9g93s0q3uc




--- On Sun, 7/18/10, Reyn Ouwehand <loopers-delight@reyn.net> wrote:

From: Reyn Ouwehand <loopers-delight@reyn.net>
Subject: Studio The Church
To: Loopers-Delight@loopers-delight.com
Date: Sunday, July 18, 2010, 4:37 AM

Hi guys & grlls,

I've been a bit quiet recently because I'm finally in the middle of turning=
 the church into my new studio. They've been busy for like 2 months now. No=
t much to see yet of the studio itself, but I thought you guys might like t=
o see the progress of it all. Although you can already see the outlines of =
the studio coming together..

Here's a link with the process so far: www.studio.reyn.net

I'll keep you guys posted!

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand


--0-703238613-1279447303=:98512
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold; font-style:=
 italic;">looks amazing </span><span style=3D"font-weight: bold; font-style=
: italic;" class=3D"email">Reyn .....wish i was near by to see it take shap=
e</span><br><br><div><address style=3D"font-family: arial,helvetica,sans-se=
rif; font-weight: bold;"><font color=3D"#bf00bf" size=3D"2">Kyle Dean Patte=
n</font></address> <address style=3D"font-family: arial,helvetica,sans-seri=
f; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">P.O. Box 2=
2</font></address> <address style=3D"font-family: arial,helvetica,sans-seri=
f; color: rgb(0, 128, 255); font-weight: bold;"><font size=3D"2">Johnston, =
IA&nbsp; 50131</font></address> <address style=3D"font-family: arial,helvet=
ica,sans-serif; font-weight: bold;"><font size=3D"2">&nbsp;</font></address=
> <address><font style=3D"font-family: arial,helvetica,sans-serif; color: r=
gb(128, 192, 255);
 font-weight: bold;" size=3D"2"><a rel=3D"nofollow" target=3D"_blank" href=
=3D"http://www.cdbaby.com/cd/kdpatten">http://www.cdbaby.com/cd/kdpatten </=
a><br>http://www.myspace.com/kyledeanpatten&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp; <br></font><font style=3D"font-family: arial,helveti=
ca,sans-serif; color: rgb(128, 192, 255); font-weight: bold;" size=3D"2"><s=
pan style=3D"font-size: 9pt;">http://www.youtube.com/watch?v=3Da9g93s0q3uc<=
/span></font><br style=3D"font-weight: bold;"><br><br><a rel=3D"nofollow" t=
arget=3D"_blank" href=3D"http://www.globalwarmingheartland.org/GWQuiz/Testi=
ndex.html"><span class=3D"yshortcuts" id=3D"lw_1230810272_0"></span></a></a=
ddress></div><br><br>--- On <b>Sun, 7/18/10, Reyn Ouwehand <i>&lt;loopers-d=
elight@reyn.net&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px=
 solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: Re=
yn Ouwehand &lt;loopers-delight@reyn.net&gt;<br>Subject: Studio The Church<=
br>To:
 Loopers-Delight@loopers-delight.com<br>Date: Sunday, July 18, 2010, 4:37 A=
M<br><br><div class=3D"plainMail">Hi guys &amp; grlls,<br><br>I've been a b=
it quiet recently because I'm finally in the middle of turning the church i=
nto my new studio. They've been busy for like 2 months now. Not much to see=
 yet of the studio itself, but I thought you guys might like to see the pro=
gress of it all. Although you can already see the outlines of the studio co=
ming together..<br><br>Here's a link with the process so far: www.studio.re=
yn.net<br><br>I'll keep you guys posted!<br><br>Cheers,<br><br>Reyn<br><br>=
___________<br>www.reyn.net<br>www.reyn.vs.reyn.net<br><br>management: www.=
lalalamanagement.nl<br>twitter/facebook/youtube: ReynOuwehand<br><br></div>=
</blockquote></td></tr></table>
--0-703238613-1279447303=:98512--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 11:53:23 2010
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From: "Stephen Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References: <FF.B0.03190.F9D024C4@smtp03.embarq.synacor.com> <AANLkTilWLZCtFIbyTwGdtq0y5GdPo-__-xRzdBL4CqnB@mail.gmail.com> <BE6BDFC0-063B-444C-9D7A-82C03F71EF27@reyn.net>
In-Reply-To: <BE6BDFC0-063B-444C-9D7A-82C03F71EF27@reyn.net>
Subject: Re: Studio The Church
Date: Sun, 18 Jul 2010 12:53:19 +0100
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Verry nice!  There seems to be a new period approaching, with lots of us 
making new music.  Yes!

--------------------------------------------------
From: "Reyn Ouwehand" <loopers-delight@reyn.net>
Sent: Sunday, July 18, 2010 10:37 AM
To: <Loopers-Delight@loopers-delight.com>
Subject: Studio The Church

> Hi guys & grlls,
>
> I've been a bit quiet recently because I'm finally in the middle of 
> turning the church into my new studio. They've been busy for like 2 months 
> now. Not much to see yet of the studio itself, but I thought you guys 
> might like to see the progress of it all. Although you can already see the 
> outlines of the studio coming together..
>
> Here's a link with the process so far: www.studio.reyn.net
>
> I'll keep you guys posted!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 12:21:08 2010
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Date: Sun, 18 Jul 2010 05:21:07 -0700 (PDT)
From: Antony Hequet <antonyhequet@yahoo.com>
Subject: Re: AC?DC power supply
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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Hey G,
Thanks for the detailed information.
Antony

Sent from my iPhone

On 2010-07-18, at 08:21, G <gigs@paradise.net.nz> wrote:

Hi Antony
I haven't seen a response to your inquiry yet.  There's only one brand I
can think of that could meet your power demands, TheGigRig.  
They sell a 5Amp voltage regulated power supply "Generator" 
You'd need at least two
http://www.thegigrig.com/acatalog/TheGigRig_GENERATOR.html
Then a range of products to distribute the power at the desired voltage
and reduce hum and noise.
http://www.thegigrig.com/acatalog/TheGigRig_Effects_Power_Supply_Solution.html

I haven't used their products, I only found out about them recently -
but in terms of supplying heavy duty gear with a minimum rating of 0.5A
I don't see any alternatives.  It's probably what I'll end up using.
Other popular P/S brands are Voodoo Labs, Cioks and T-Rex, but they're
limited when gear requires more than 300mA.

Cheers,
-- G.


To: Loopers-Delight@loopers-delight.com
Subject: AC?DC power supply
From: antonyhequet@yahoo.com
Date: Mon, 12 Jul 2010 05:36:07 -0700 (PDT)

hello,

been away for a while being a nomade. will soon have a proper house where I can 
set up my studio in style.
Need to supply power to the following effects, filters, synths, loopers :

     MP-201 Manual.indd  
Moog MP-201 pedal : 12VAC power 0.5A
Moogerfooger MF103 : 9VDC power 0,5A
Moogerfooger MIDI MuRF : 9VDC power 0,5A
Sherman FB2 : 15VAC power 0,5A

Looperlative LP1 : b9VDC power  1,1A 
Gordius BLG : 9VDC power 0,5A

Prophet 08 : 13V power 1,15A
Yamaha CSIX : 12VAC power 0,7A
RME multiface : 12VDC power 1,25A

Kaossilator pro : 9VDC power 1,7A
JoMox Tresonator : 9VDC power 0,5A
Korg Wavedrum : 9VDC power 1.7A
Yamaha DTX multi12 : 12VAC 1,5A
ribbon controller
Casio CZ101

What device or pair of devices would have the capacity to produce the 
appropriate current for all these items?

Cordially,

Antony Hequet
poet composer




      

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 14:02:09 2010
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Subject: OT: Lexicon Vortex (maybe) For Sale
From: Rainer Straschill <moinsound@googlemail.com>
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Edward (and also possible buyers of course),

prices for the Vortex have sometimes been wildly changing, also caused
by the fact that some years ago, some new devices in original
packaging had suddenly surfaced (I got mine back then). Prepal lists
them at $157 (is this info still worth anything?).

As Ted already mentioned, Andy Butler and his Vortex Page
(http://www.andybutler.com/vortex/vortex.htm) are the most competent
source of info for that thing. I especially liked that phrase from
Andy's site: "The Vortex was the first of those four units to be
discontinued , essentially because no-one understood what it did."
That basically says it all.

Personally, apart from some of its algorithms which are kinda special,
I also like its very characteristic sound, which to me almost has some
kind of analogue feel. Some time ago when I rebuilt my studio thingie,
the Vortex suddenly became available again to be patched into the
setup, after it had been sitting around unused for several years.
A quick example:
http://soundcloud.com/moinlabs/saustoi-a-submission-for-twitterchords
- the delay on the snare drum in the part starting at 2:00 is a
Vortex.

           Rainer

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 14:29:51 2010
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Subject: Re: Lexicon Vortex (maybe) For Sale
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Love that tune Rainer!

Also since getting the Vortex(s) I have used Andys page quite a bit but also 
take a look at
Todd Madsons Vortex page right here at Loopers Delight 
http://www.loopers-delight.com/tools/vortex/vortapnt.html

Also the use of an expression pedal really opens up the unit. Many of the 
cool sounds I like are in between the patches.
Something to consider.


all the best,

Jeff

----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <loopers-delight@loopers-delight.com>
Sent: Sunday, July 18, 2010 10:02 AM
Subject: OT: Lexicon Vortex (maybe) For Sale


> Edward (and also possible buyers of course),
>
> prices for the Vortex have sometimes been wildly changing, also caused
> by the fact that some years ago, some new devices in original
> packaging had suddenly surfaced (I got mine back then). Prepal lists
> them at $157 (is this info still worth anything?).
>
> As Ted already mentioned, Andy Butler and his Vortex Page
> (http://www.andybutler.com/vortex/vortex.htm) are the most competent
> source of info for that thing. I especially liked that phrase from
> Andy's site: "The Vortex was the first of those four units to be
> discontinued , essentially because no-one understood what it did."
> That basically says it all.
>
> Personally, apart from some of its algorithms which are kinda special,
> I also like its very characteristic sound, which to me almost has some
> kind of analogue feel. Some time ago when I rebuilt my studio thingie,
> the Vortex suddenly became available again to be patched into the
> setup, after it had been sitting around unused for several years.
> A quick example:
> http://soundcloud.com/moinlabs/saustoi-a-submission-for-twitterchords
> - the delay on the snare drum in the part starting at 2:00 is a
> Vortex.
>
>           Rainer
> 

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 15:08:09 2010
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Date: Sun, 18 Jul 2010 11:08:08 -0400
Subject: Re: Studio The Church
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Looks incredible!
Great to see your dream become reality.

Andre

http://barbadosguitar.com/wordpress


On Sun, July 18, 2010 5:37 am, Reyn Ouwehand wrote:
> Hi guys & grlls,
>
> I've been a bit quiet recently because I'm finally in the middle of
> turning the church into my new studio. They've been busy for like 2 months
> now. Not much to see yet of the studio itself, but I thought you guys
> might like to see the progress of it all. Although you can already see the
> outlines of the studio coming together..
>
> Here's a link with the process so far: www.studio.reyn.net
>
> I'll keep you guys posted!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
>





From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 15:27:39 2010
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Subject: Re: Studio The Church
Date: Sun, 18 Jul 2010 08:27:33 -0700
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Reyn,

Oh my goodness!

THis looks like a multi-million dollar restoration job.

It's certainly not a small project by any means.

Fascinating.

There must be an interesting back-story to all of this.

Good luck with it.

Best,

Ted

On Jul 18, 2010, at 2:37 AM, Reyn Ouwehand wrote:

> Hi guys & grlls,
>
> I've been a bit quiet recently because I'm finally in the middle of  
> turning the church into my new studio. They've been busy for like 2  
> months now. Not much to see yet of the studio itself, but I thought  
> you guys might like to see the progress of it all. Although you can  
> already see the outlines of the studio coming together..
>
> Here's a link with the process so far: www.studio.reyn.net
>
> I'll keep you guys posted!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>

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Subject: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale
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Date: Sun, 18 Jul 2010 09:09:36 -0700
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Jeff,

I will only sell those off (and most any other item I currently, =20
actually use) when the unlikely day comes that I am able to go all-=20
laptop.

It is looking more and more to me (now that I have a speedy laptop, =20
software and MOTU interface) that hardware will always, always have a =20=

major place in my musical life.

So much of my way of working and my "sound" is wrapped up in pedals on =20=

the floor and racks of metal boxes with funny names (all of which I =20
KNOW how to use) and the software learning curve is so damn steep.

The sad part of this is that it pretty much means that my live =20
performing days are over (in terms of traveling with my whole rig).

I'm to old and out of shape to do it any more.

I've tried doing it with less and have seldom found it anywhere close =20=

to being satisfactory.

I am sure that MAX MSP will open new vistas for me when I finally get =20=

into it (so there is still hope I suppose).

But, in the end, I imagine that the whole laptop thing will be just =20
one more thing that I ad to the setup I'm already working with - =20
thereby making it even more complicated and cumbersome.

I will probably have little opportunity or use for venturing out =20
beyond my own home playing space (garage) unless some very stiff =20
requirements are met for a gig.

=95 At least a little help schlepping gear in.

=95 Lots of time for setup, trouble-shooting and sound-checking.

=95 An hour or 2 rest (a nap and a shower and a change of clothes) =20
between setting up and actually performing.

That is much too much to expect for nearly any gig or festival that =20
I'd be likely to be invited to (all except Krispen's B-CIMF maybe).

I am getting geriatric, helpless and pathetic.

Every so often I have to walk with a cane (bad knee).

I used to be physically strong enough that lifting a 200 Lb. rack from =20=

the ground to the van was something I could do all by myself.

Now I can barely bend over to pick up a coin when I've dropped one =20
(bad back), and getting my own sad, bulky carcass into the van is =20
leaves me winded (asthma).

I am really ready for the loopers retirement home . . . or =20
monastery . . . or whatever (graveyard).

The "wetware" (the body) is finally wearing out.

It's just another phase of life.

Best,

Ted

On Jul 17, 2010, at 4:00 PM, Jeff Duke wrote:

> wanna sell a Akira? :)
>
> J

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Date: Sun, 18 Jul 2010 09:40:22 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale
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--0-1765271797-1279471222=:59741
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: quoted-printable

Ted,=0A=0AThe solution is obvious:=0A=0A1. Buy a church.=0A2. Fix it up lik=
e Reyn.=0A3. Invite people to come see you play.=0A=0ASo, start looking for=
 local churches that are up for sale!=0A=0AEric=0A=0A=0A=0A=0A_____________=
___________________=0AFrom: tEd =C2=AE KiLLiAn <tedkillian@charter.net>=0AT=
o: Loopers-Delight@loopers-delight.com=0ASent: Sun, July 18, 2010 12:09:36 =
PM=0ASubject: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vo=
rtex =0A(maybe) For Sale=0A=0AJeff,=0A=0AI will only sell those off (and mo=
st any other item I currently, actually use) =0Awhen the unlikely day comes=
 that I am able to go all-laptop.=0A=0AIt is looking more and more to me (n=
ow that I have a speedy laptop, software and =0AMOTU interface) that hardwa=
re will always, always have a major place in my =0Amusical life.=0A=0ASo mu=
ch of my way of working and my "sound" is wrapped up in pedals on the floor=
 =0Aand racks of metal boxes with funny names (all of which I KNOW how to u=
se) and =0Athe software learning curve is so damn steep.=0A=0AThe sad part =
of this is that it pretty much means that my live performing days =0Aare ov=
er (in terms of traveling with my whole rig).=0A=0AI'm to old and out of sh=
ape to do it any more.=0A=0AI've tried doing it with less and have seldom f=
ound it anywhere close to being =0Asatisfactory.=0A=0AI am sure that MAX MS=
P will open new vistas for me when I finally get into it =0A(so there is st=
ill hope I suppose).=0A=0ABut, in the end, I imagine that the whole laptop =
thing will be just one more =0Athing that I ad to the setup I'm already wor=
king with - thereby making it even =0Amore complicated and cumbersome.=0A=
=0AI will probably have little opportunity or use for venturing out beyond =
my own =0Ahome playing space (garage) unless some very stiff requirements a=
re met for a =0Agig.=0A=0A=E2=80=A2 At least a little help schlepping gear =
in.=0A=0A=E2=80=A2 Lots of time for setup, trouble-shooting and sound-check=
ing.=0A=0A=E2=80=A2 An hour or 2 rest (a nap and a shower and a change of c=
lothes) between setting =0Aup and actually performing.=0A=0AThat is much to=
o much to expect for nearly any gig or festival that I'd be =0Alikely to be=
 invited to (all except Krispen's B-CIMF maybe).=0A=0AI am getting geriatri=
c, helpless and pathetic.=0A=0AEvery so often I have to walk with a cane (b=
ad knee).=0A=0AI used to be physically strong enough that lifting a 200 Lb.=
 rack from the =0Aground to the van was something I could do all by myself.=
=0A=0ANow I can barely bend over to pick up a coin when I've dropped one (b=
ad back), =0Aand getting my own sad, bulky carcass into the van is leaves m=
e winded (asthma).=0A=0AI am really ready for the loopers retirement home .=
 . . or monastery . . . or =0Awhatever (graveyard).=0A=0AThe "wetware" (the=
 body) is finally wearing out.=0A=0AIt's just another phase of life.=0A=0AB=
est,=0A=0ATed=0A=0AOn Jul 17, 2010, at 4:00 PM, Jeff Duke wrote:=0A=0A> wan=
na sell a Akira? :)=0A> =0A> J=0A=0A=0A      
--0-1765271797-1279471222=:59741
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman,new york,times,serif;fon=
t-size:12pt"><div>Ted,<br><br>The solution is obvious:<br><br>1. Buy a chur=
ch.<br>2. Fix it up like Reyn.<br>3. Invite people to come see you play.<br=
><br>So, start looking for local churches that are up for sale!<br><br>Eric=
<br></div><div style=3D"font-family: times new roman,new york,times,serif; =
font-size: 12pt;"><br><div style=3D"font-family: arial,helvetica,sans-serif=
; font-size: 10pt;"><font face=3D"Tahoma" size=3D"2"><hr size=3D"1"><b><spa=
n style=3D"font-weight: bold;">From:</span></b> tEd =C2=AE KiLLiAn &lt;tedk=
illian@charter.net&gt;<br><b><span style=3D"font-weight: bold;">To:</span><=
/b> Loopers-Delight@loopers-delight.com<br><b><span style=3D"font-weight: b=
old;">Sent:</span></b> Sun, July 18, 2010 12:09:36 PM<br><b><span style=3D"=
font-weight: bold;">Subject:</span></b> MUSING ON HARDWARE, SOFTWARE, WETWA=
RE: Was Re: OT:
 Lexicon Vortex (maybe) For Sale<br></font><br>=0AJeff,<br><br>I will only =
sell those off (and most any other item I currently, actually use) when the=
 unlikely day comes that I am able to go all-laptop.<br><br>It is looking m=
ore and more to me (now that I have a speedy laptop, software and MOTU inte=
rface) that hardware will always, always have a major place in my musical l=
ife.<br><br>So much of my way of working and my "sound" is wrapped up in pe=
dals on the floor and racks of metal boxes with funny names (all of which I=
 KNOW how to use) and the software learning curve is so damn steep.<br><br>=
The sad part of this is that it pretty much means that my live performing d=
ays are over (in terms of traveling with my whole rig).<br><br>I'm to old a=
nd out of shape to do it any more.<br><br>I've tried doing it with less and=
 have seldom found it anywhere close to being satisfactory.<br><br>I am sur=
e that MAX MSP will open new vistas for me when I finally get into it (so t=
here is still hope I suppose).<br><br>But,
 in the end, I imagine that the whole laptop thing will be just one more th=
ing that I ad to the setup I'm already working with - thereby making it eve=
n more complicated and cumbersome.<br><br>I will probably have little oppor=
tunity or use for venturing out beyond my own home playing space (garage) u=
nless some very stiff requirements are met for a gig.<br><br>=E2=80=A2 At l=
east a little help schlepping gear in.<br><br>=E2=80=A2 Lots of time for se=
tup, trouble-shooting and sound-checking.<br><br>=E2=80=A2 An hour or 2 res=
t (a nap and a shower and a change of clothes) between setting up and actua=
lly performing.<br><br>That is much too much to expect for nearly any gig o=
r festival that I'd be likely to be invited to (all except Krispen's B-CIMF=
 maybe).<br><br>I am getting geriatric, helpless and pathetic.<br><br>Every=
 so often I have to walk with a cane (bad knee).<br><br>I used to be physic=
ally strong enough that lifting a 200 Lb. rack from the ground to the van w=
as
 something I could do all by myself.<br><br>Now I can barely bend over to p=
ick up a coin when I've dropped one (bad back), and getting my own sad, bul=
ky carcass into the van is leaves me winded (asthma).<br><br>I am really re=
ady for the loopers retirement home . . . or monastery . . . or whatever (g=
raveyard).<br><br>The "wetware" (the body) is finally wearing out.<br><br>I=
t's just another phase of life.<br><br>Best,<br><br>Ted<br><br>On Jul 17, 2=
010, at 4:00 PM, Jeff Duke wrote:<br><br>&gt; wanna sell a Akira? :)<br>&gt=
; <br>&gt; J<br><br></div></div>=0A</div><br>=0A=0A      </body></html>
--0-1765271797-1279471222=:59741--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 16:55:56 2010
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what a great project!.....a LOOPASTERY!


 =20

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 17:20:03 2010
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Niiice! :-)))


> > Really digging this.
> > http://www.youtube.com/watch?v=TCBrHR35BdQ

-- 
GRATIS fÃ¼r alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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Date: Sun, 18 Jul 2010 10:27:42 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Studio The Church
To: Loopers-Delight@loopers-delight.com
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Yes Reyn, it is awesome, congratulations! Based on these pictures, it looks like 
this church will last another 500 years, that is very solid construction.

What are the red hoses for, is that for heating, or for carrying wiring 
harnesses?

Eric


________________________________
From: "nemoguitt@aol.com" <nemoguitt@aol.com>
To: Loopers-Delight@loopers-delight.com
Sent: Sun, July 18, 2010 12:55:37 PM
Subject: Re: Studio The Church

what a great project!.....a LOOPASTERY!


      
--0-217850943-1279474062=:4534
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">Yes Reyn, it is awesome, congratulations! Based on these pictures, it looks like this church will last another 500 years, that is very solid construction.<br><br>What are the red hoses for, is that for heating, or for carrying wiring harnesses?<br><br>Eric<br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> "nemoguitt@aol.com" &lt;nemoguitt@aol.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Sun, July 18, 2010 12:55:37 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: Studio The
 Church<br></font><br>
what a great project!.....a LOOPASTERY!<br><br><br> <br></div></div>
</div><br>

      </body></html>
--0-217850943-1279474062=:4534--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 18:12:53 2010
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To: <loopers-delight@loopers-delight.com>
Subject: RE: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon
 Vortex (maybe) For Sale
Date: Sun, 18 Jul 2010 18:12:52 +0000
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=20

Or concentrate on netcast gigs - its the future!

=20

G



=20





Ted=2C

The solution is obvious:

1. Buy a church.
2. Fix it up like Reyn.
3. Invite people to come see you play.

So=2C start looking for local churches that are up for sale!

Eric





From: tEd =AE KiLLiAn <tedkillian@charter.net>
To: Loopers-Delight@loopers-delight.com
Sent: Sun=2C July 18=2C 2010 12:09:36 PM
Subject: MUSING ON HARDWARE=2C SOFTWARE=2C WETWARE: Was Re: OT: Lexicon Vor=
tex (maybe) For Sale

Jeff=2C

I will only sell those off (and most any other item I currently=2C actually=
 use) when the unlikely day comes that I am able to go all-laptop.

It is looking more and more to me (now that I have a speedy laptop=2C softw=
are and MOTU interface) that hardware will always=2C always have a major pl=
ace in my musical life.

So much of my way of working and my "sound" is wrapped up in pedals on the =
floor and racks of metal boxes with funny names (all of which I KNOW how to=
 use) and the software learning curve is so damn steep.

The sad part of this is that it pretty much means that my live performing d=
ays are over (in terms of traveling with my whole rig).

I'm to old and out of shape to do it any more.

I've tried doing it with less and have seldom found it anywhere close to be=
ing satisfactory.

I am sure that MAX MSP will open new vistas for me when I finally get into =
it (so there is still hope I suppose).

But=2C in the end=2C I imagine that the whole laptop thing will be just one=
 more thing that I ad to the setup I'm already working with - thereby makin=
g it even more complicated and cumbersome.

I will probably have little opportunity or use for venturing out beyond my =
own home playing space (garage) unless some very stiff requirements are met=
 for a gig.

=95 At least a little help schlepping gear in.

=95 Lots of time for setup=2C trouble-shooting and sound-checking.

=95 An hour or 2 rest (a nap and a shower and a change of clothes) between =
setting up and actually performing.

That is much too much to expect for nearly any gig or festival that I'd be =
likely to be invited to (all except Krispen's B-CIMF maybe).

I am getting geriatric=2C helpless and pathetic.

Every so often I have to walk with a cane (bad knee).

I used to be physically strong enough that lifting a 200 Lb. rack from the =
ground to the van was something I could do all by myself.

Now I can barely bend over to pick up a coin when I've dropped one (bad bac=
k)=2C and getting my own sad=2C bulky carcass into the van is leaves me win=
ded (asthma).

I am really ready for the loopers retirement home . . . or monastery . . . =
or whatever (graveyard).

The "wetware" (the body) is finally wearing out.

It's just another phase of life.

Best=2C

Ted

On Jul 17=2C 2010=2C at 4:00 PM=2C Jeff Duke wrote:

> wanna sell a Akira? :)
>=20
> J


 		 	   		  =

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<BR>&nbsp=3B<BR>
Or concentrate on netcast gigs - its the future!<BR>
&nbsp=3B<BR>
G<BR>
<BR><BR>&nbsp=3B<BR>
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<DIV style=3D"FONT-FAMILY: times new roman=2Cnew york=2Ctimes=2Cserif=3B FO=
NT-SIZE: 12pt">
<DIV>Ted=2C<BR><BR>The solution is obvious:<BR><BR>1. Buy a church.<BR>2. F=
ix it up like Reyn.<BR>3. Invite people to come see you play.<BR><BR>So=2C =
start looking for local churches that are up for sale!<BR><BR>Eric<BR></DIV=
>
<DIV style=3D"FONT-FAMILY: times new roman=2Cnew york=2Ctimes=2Cserif=3B FO=
NT-SIZE: 12pt"><BR>
<DIV style=3D"FONT-FAMILY: arial=2Chelvetica=2Csans-serif=3B FONT-SIZE: 10p=
t"><FONT size=3D2 face=3DTahoma>
<HR SIZE=3D1>
<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> tEd =AE KiLLiAn &lt=
=3Btedkillian@charter.net&gt=3B<BR><B><SPAN style=3D"FONT-WEIGHT: bold">To:=
</SPAN></B> Loopers-Delight@loopers-delight.com<BR><B><SPAN style=3D"FONT-W=
EIGHT: bold">Sent:</SPAN></B> Sun=2C July 18=2C 2010 12:09:36 PM<BR><B><SPA=
N style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> MUSING ON HARDWARE=2C SOF=
TWARE=2C WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale<BR></FONT><BR=
>Jeff=2C<BR><BR>I will only sell those off (and most any other item I curre=
ntly=2C actually use) when the unlikely day comes that I am able to go all-=
laptop.<BR><BR>It is looking more and more to me (now that I have a speedy =
laptop=2C software and MOTU interface) that hardware will always=2C always =
have a major place in my musical life.<BR><BR>So much of my way of working =
and my "sound" is wrapped up in pedals on the floor and racks of metal boxe=
s with funny names (all of which I KNOW how to use) and the software learni=
ng curve is so damn steep.<BR><BR>The sad part of this is that it pretty mu=
ch means that my live performing days are over (in terms of traveling with =
my whole rig).<BR><BR>I'm to old and out of shape to do it any more.<BR><BR=
>I've tried doing it with less and have seldom found it anywhere close to b=
eing satisfactory.<BR><BR>I am sure that MAX MSP will open new vistas for m=
e when I finally get into it (so there is still hope I suppose).<BR><BR>But=
=2C in the end=2C I imagine that the whole laptop thing will be just one mo=
re thing that I ad to the setup I'm already working with - thereby making i=
t even more complicated and cumbersome.<BR><BR>I will probably have little =
opportunity or use for venturing out beyond my own home playing space (gara=
ge) unless some very stiff requirements are met for a gig.<BR><BR>=95 At le=
ast a little help schlepping gear in.<BR><BR>=95 Lots of time for setup=2C =
trouble-shooting and sound-checking.<BR><BR>=95 An hour or 2 rest (a nap an=
d a shower and a change of clothes) between setting up and actually perform=
ing.<BR><BR>That is much too much to expect for nearly any gig or festival =
that I'd be likely to be invited to (all except Krispen's B-CIMF maybe).<BR=
><BR>I am getting geriatric=2C helpless and pathetic.<BR><BR>Every so often=
 I have to walk with a cane (bad knee).<BR><BR>I used to be physically stro=
ng enough that lifting a 200 Lb. rack from the ground to the van was someth=
ing I could do all by myself.<BR><BR>Now I can barely bend over to pick up =
a coin when I've dropped one (bad back)=2C and getting my own sad=2C bulky =
carcass into the van is leaves me winded (asthma).<BR><BR>I am really ready=
 for the loopers retirement home . . . or monastery . . . or whatever (grav=
eyard).<BR><BR>The "wetware" (the body) is finally wearing out.<BR><BR>It's=
 just another phase of life.<BR><BR>Best=2C<BR><BR>Ted<BR><BR>On Jul 17=2C =
2010=2C at 4:00 PM=2C Jeff Duke wrote:<BR><BR>&gt=3B wanna sell a Akira? :)=
<BR>&gt=3B <BR>&gt=3B J<BR><BR></DIV></DIV></DIV><BR> 		 	   		  </body>
</html>=

--_d7beda21-78a9-433f-83eb-321788c482c3_--

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Date: Mon, 19 Jul 2010 02:34:24 +0800
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Subject: Re: Yoav
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Wow!

On 7/19/10, Buzap Buzap <buzap@gmx.net> wrote:
> Niiice! :-)))
>
>
>> > Really digging this.
>> > http://www.youtube.com/watch?v=3DTCBrHR35BdQ
>
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 18:37:06 2010
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Subject: Re: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale
Date: Sun, 18 Jul 2010 14:37:04 -0400
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Gareth, I have been after Ted to do just that for a while. Ted that =
makes two (at least) requests :)
As you know Ted I share many of your issues myself, I am wore out just =
going to the library.
Between Ninjaming and Livestream I can still have a bit o' fun though =
with no gear shleping at all, lol
However I will be playing the Loopfest this year because I just have to =
(bucket list). Very minimal gear!
I am quite sure that will be it for me as far as leaving my domicile to =
make wierd noise in public.
I however refuse to lay down for the final rest just yet, soon enough =
but not yet,

best,

Jeff

  ----- Original Message -----=20
  From: Gareth Whittock=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Sunday, July 18, 2010 2:12 PM
  Subject: RE: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: =
Lexicon Vortex (maybe) For Sale



  =20
  Or concentrate on netcast gigs - its the future!
  =20
  G


  =20

  Ted,

  The solution is obvious:

  1. Buy a church.
  2. Fix it up like Reyn.
  3. Invite people to come see you play.

  So, start looking for local churches that are up for sale!

  Eric




-------------------------------------------------------------------------=
-----
  From: tEd =AE KiLLiAn <tedkillian@charter.net>
  To: Loopers-Delight@loopers-delight.com
  Sent: Sun, July 18, 2010 12:09:36 PM
  Subject: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon =
Vortex (maybe) For Sale

  Jeff,

  I will only sell those off (and most any other item I currently, =
actually use) when the unlikely day comes that I am able to go =
all-laptop.

  It is looking more and more to me (now that I have a speedy laptop, =
software and MOTU interface) that hardware will always, always have a =
major place in my musical life.

  So much of my way of working and my "sound" is wrapped up in pedals on =
the floor and racks of metal boxes with funny names (all of which I KNOW =
how to use) and the software learning curve is so damn steep.

  The sad part of this is that it pretty much means that my live =
performing days are over (in terms of traveling with my whole rig).

  I'm to old and out of shape to do it any more.

  I've tried doing it with less and have seldom found it anywhere close =
to being satisfactory.

  I am sure that MAX MSP will open new vistas for me when I finally get =
into it (so there is still hope I suppose).

  But, in the end, I imagine that the whole laptop thing will be just =
one more thing that I ad to the setup I'm already working with - thereby =
making it even more complicated and cumbersome.

  I will probably have little opportunity or use for venturing out =
beyond my own home playing space (garage) unless some very stiff =
requirements are met for a gig.

  =95 At least a little help schlepping gear in.

  =95 Lots of time for setup, trouble-shooting and sound-checking.

  =95 An hour or 2 rest (a nap and a shower and a change of clothes) =
between setting up and actually performing.

  That is much too much to expect for nearly any gig or festival that =
I'd be likely to be invited to (all except Krispen's B-CIMF maybe).

  I am getting geriatric, helpless and pathetic.

  Every so often I have to walk with a cane (bad knee).

  I used to be physically strong enough that lifting a 200 Lb. rack from =
the ground to the van was something I could do all by myself.

  Now I can barely bend over to pick up a coin when I've dropped one =
(bad back), and getting my own sad, bulky carcass into the van is leaves =
me winded (asthma).

  I am really ready for the loopers retirement home . . . or monastery . =
. . or whatever (graveyard).

  The "wetware" (the body) is finally wearing out.

  It's just another phase of life.

  Best,

  Ted

  On Jul 17, 2010, at 4:00 PM, Jeff Duke wrote:

  > wanna sell a Akira? :)
  >=20
  > J




------=_NextPart_000_0007_01CB2686.B10E7920
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	charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dwindows-1252">
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<BODY class=3Dhmmessage bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Gareth, I have been after Ted to do just that =
for a while.=20
Ted that makes two (at least) requests :)</FONT></DIV>
<DIV><FONT face=3DArial>As you know Ted I share many of your issues =
myself, I am=20
wore out just going to the library.</FONT></DIV>
<DIV><FONT face=3DArial>Between Ninjaming and Livestream&nbsp;I can =
still have a=20
bit o' fun though with no gear shleping at all, lol</FONT></DIV>
<DIV><FONT face=3DArial>However I will be playing the Loopfest this year =
because I=20
just have to (bucket list). Very minimal gear!</FONT></DIV>
<DIV><FONT face=3DArial>I am quite sure that will be it for me as far as =
leaving=20
my domicile to make wierd noise in public.</FONT></DIV>
<DIV><FONT face=3DArial>I however refuse to lay down for the final rest =
just yet,=20
soon enough but not yet,</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>best,</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>Jeff</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbuddhamachine@live.co.uk=20
  href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, July 18, 2010 =
2:12 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: MUSING ON =
HARDWARE,=20
  SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale</DIV>
  <DIV><BR></DIV><BR>&nbsp;<BR>Or concentrate on netcast gigs - its the=20
  future!<BR>&nbsp;<BR>G<BR><BR><BR>&nbsp;<BR>
  <META content=3D"Microsoft SafeHTML" name=3DGenerator>
  <STYLE>
.ExternalClass DIV
{;}

</STYLE>

  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman,new =
york,times,serif">
  <DIV>Ted,<BR><BR>The solution is obvious:<BR><BR>1. Buy a =
church.<BR>2. Fix it=20
  up like Reyn.<BR>3. Invite people to come see you play.<BR><BR>So, =
start=20
  looking for local churches that are up for sale!<BR><BR>Eric<BR></DIV>
  <DIV=20
  style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman,new =
york,times,serif"><BR>
  <DIV style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
arial,helvetica,sans-serif"><FONT=20
  face=3DTahoma size=3D2>
  <HR SIZE=3D1>
  <B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></B> tEd =AE KiLLiAn =
&lt;<A=20
  =
href=3D"mailto:tedkillian@charter.net">tedkillian@charter.net</A>&gt;<BR>=
<B><SPAN=20
  style=3D"FONT-WEIGHT: bold">To:</SPAN></B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B><SPAN=20
  style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Sun, July 18, 2010 =
12:09:36=20
  PM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN></B> MUSING =
ON=20
  HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For=20
  Sale<BR></FONT><BR>Jeff,<BR><BR>I will only sell those off (and most =
any other=20
  item I currently, actually use) when the unlikely day comes that I am =
able to=20
  go all-laptop.<BR><BR>It is looking more and more to me (now that I =
have a=20
  speedy laptop, software and MOTU interface) that hardware will always, =
always=20
  have a major place in my musical life.<BR><BR>So much of my way of =
working and=20
  my "sound" is wrapped up in pedals on the floor and racks of metal =
boxes with=20
  funny names (all of which I KNOW how to use) and the software learning =
curve=20
  is so damn steep.<BR><BR>The sad part of this is that it pretty much =
means=20
  that my live performing days are over (in terms of traveling with my =
whole=20
  rig).<BR><BR>I'm to old and out of shape to do it any =
more.<BR><BR>I've tried=20
  doing it with less and have seldom found it anywhere close to being=20
  satisfactory.<BR><BR>I am sure that MAX MSP will open new vistas for =
me when I=20
  finally get into it (so there is still hope I suppose).<BR><BR>But, in =
the=20
  end, I imagine that the whole laptop thing will be just one more thing =
that I=20
  ad to the setup I'm already working with - thereby making it even more =

  complicated and cumbersome.<BR><BR>I will probably have little =
opportunity or=20
  use for venturing out beyond my own home playing space (garage) unless =
some=20
  very stiff requirements are met for a gig.<BR><BR>=95 At least a =
little help=20
  schlepping gear in.<BR><BR>=95 Lots of time for setup, =
trouble-shooting and=20
  sound-checking.<BR><BR>=95 An hour or 2 rest (a nap and a shower and a =
change of=20
  clothes) between setting up and actually performing.<BR><BR>That is =
much too=20
  much to expect for nearly any gig or festival that I'd be likely to be =
invited=20
  to (all except Krispen's B-CIMF maybe).<BR><BR>I am getting geriatric, =

  helpless and pathetic.<BR><BR>Every so often I have to walk with a =
cane (bad=20
  knee).<BR><BR>I used to be physically strong enough that lifting a 200 =
Lb.=20
  rack from the ground to the van was something I could do all by=20
  myself.<BR><BR>Now I can barely bend over to pick up a coin when I've =
dropped=20
  one (bad back), and getting my own sad, bulky carcass into the van is =
leaves=20
  me winded (asthma).<BR><BR>I am really ready for the loopers =
retirement home .=20
  . . or monastery . . . or whatever (graveyard).<BR><BR>The "wetware" =
(the=20
  body) is finally wearing out.<BR><BR>It's just another phase of=20
  life.<BR><BR>Best,<BR><BR>Ted<BR><BR>On Jul 17, 2010, at 4:00 PM, Jeff =
Duke=20
  wrote:<BR><BR>&gt; wanna sell a Akira? :)<BR>&gt; <BR>&gt;=20
  J<BR><BR></DIV></DIV></DIV><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0007_01CB2686.B10E7920--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 18:39:36 2010
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Date: Mon, 19 Jul 2010 02:39:35 +0800
Message-ID: <AANLkTik5tOFtOmWwbYesVExNiIMrgpSNXdoltWpayy4c@mail.gmail.com>
Subject: Re: Studio The Church
From: halim zainal <halimzainal@gmail.com>
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That's way cool!

On 7/19/10, E Gross <slapbandjam@yahoo.com> wrote:
> Yes Reyn, it is awesome, congratulations! Based on these pictures, it looks
> like
> this church will last another 500 years, that is very solid construction.
>
> What are the red hoses for, is that for heating, or for carrying wiring
> harnesses?
>
> Eric
>
>
> ________________________________
> From: "nemoguitt@aol.com" <nemoguitt@aol.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Sun, July 18, 2010 12:55:37 PM
> Subject: Re: Studio The Church
>
> what a great project!.....a LOOPASTERY!
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 18:45:33 2010
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--Apple-Mail-3-523820659
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain;
	charset=windows-1252

Ted, I'd like to introduce you to my new best friend, Glucosamine!

R

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com











On Jul 18, 2010, at 9:09 AM, tEd =AE KiLLiAn wrote:

> Jeff,
>=20
> I will only sell those off (and most any other item I currently, =
actually use) when the unlikely day comes that I am able to go =
all-laptop.
>=20
> It is looking more and more to me (now that I have a speedy laptop, =
software and MOTU interface) that hardware will always, always have a =
major place in my musical life.
>=20
> So much of my way of working and my "sound" is wrapped up in pedals on =
the floor and racks of metal boxes with funny names (all of which I KNOW =
how to use) and the software learning curve is so damn steep.
>=20
> The sad part of this is that it pretty much means that my live =
performing days are over (in terms of traveling with my whole rig).
>=20
> I'm to old and out of shape to do it any more.
>=20
> I've tried doing it with less and have seldom found it anywhere close =
to being satisfactory.
>=20
> I am sure that MAX MSP will open new vistas for me when I finally get =
into it (so there is still hope I suppose).
>=20
> But, in the end, I imagine that the whole laptop thing will be just =
one more thing that I ad to the setup I'm already working with - thereby =
making it even more complicated and cumbersome.
>=20
> I will probably have little opportunity or use for venturing out =
beyond my own home playing space (garage) unless some very stiff =
requirements are met for a gig.
>=20
> =95 At least a little help schlepping gear in.
>=20
> =95 Lots of time for setup, trouble-shooting and sound-checking.
>=20
> =95 An hour or 2 rest (a nap and a shower and a change of clothes) =
between setting up and actually performing.
>=20
> That is much too much to expect for nearly any gig or festival that =
I'd be likely to be invited to (all except Krispen's B-CIMF maybe).
>=20
> I am getting geriatric, helpless and pathetic.
>=20
> Every so often I have to walk with a cane (bad knee).
>=20
> I used to be physically strong enough that lifting a 200 Lb. rack from =
the ground to the van was something I could do all by myself.
>=20
> Now I can barely bend over to pick up a coin when I've dropped one =
(bad back), and getting my own sad, bulky carcass into the van is leaves =
me winded (asthma).
>=20
> I am really ready for the loopers retirement home . . . or monastery . =
. . or whatever (graveyard).
>=20
> The "wetware" (the body) is finally wearing out.
>=20
> It's just another phase of life.
>=20
> Best,
>=20
> Ted
>=20
> On Jul 17, 2010, at 4:00 PM, Jeff Duke wrote:
>=20
>> wanna sell a Akira? :)
>>=20
>> J
>=20


--Apple-Mail-3-523820659
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=windows-1252

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Ted, =
I'd like to introduce you to my new best friend, =
Glucosamine!<div><br></div><div>R</div><div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Jul 18, 2010, at 9:09 AM, tEd =AE KiLLiAn =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div>Jeff,<br><br>I will only sell those off (and most any =
other item I currently, actually use) when the unlikely day comes that I =
am able to go all-laptop.<br><br>It is looking more and more to me (now =
that I have a speedy laptop, software and MOTU interface) that hardware =
will always, always have a major place in my musical life.<br><br>So =
much of my way of working and my "sound" is wrapped up in pedals on the =
floor and racks of metal boxes with funny names (all of which I KNOW how =
to use) and the software learning curve is so damn steep.<br><br>The sad =
part of this is that it pretty much means that my live performing days =
are over (in terms of traveling with my whole rig).<br><br>I'm to old =
and out of shape to do it any more.<br><br>I've tried doing it with less =
and have seldom found it anywhere close to being satisfactory.<br><br>I =
am sure that MAX MSP will open new vistas for me when I finally get into =
it (so there is still hope I suppose).<br><br>But, in the end, I imagine =
that the whole laptop thing will be just one more thing that I ad to the =
setup I'm already working with - thereby making it even more complicated =
and cumbersome.<br><br>I will probably have little opportunity or use =
for venturing out beyond my own home playing space (garage) unless some =
very stiff requirements are met for a gig.<br><br>=95 At least a little =
help schlepping gear in.<br><br>=95 Lots of time for setup, =
trouble-shooting and sound-checking.<br><br>=95 An hour or 2 rest (a nap =
and a shower and a change of clothes) between setting up and actually =
performing.<br><br>That is much too much to expect for nearly any gig or =
festival that I'd be likely to be invited to (all except Krispen's =
B-CIMF maybe).<br><br>I am getting geriatric, helpless and =
pathetic.<br><br>Every so often I have to walk with a cane (bad =
knee).<br><br>I used to be physically strong enough that lifting a 200 =
Lb. rack from the ground to the van was something I could do all by =
myself.<br><br>Now I can barely bend over to pick up a coin when I've =
dropped one (bad back), and getting my own sad, bulky carcass into the =
van is leaves me winded (asthma).<br><br>I am really ready for the =
loopers retirement home . . . or monastery . . . or whatever =
(graveyard).<br><br>The "wetware" (the body) is finally wearing =
out.<br><br>It's just another phase of =
life.<br><br>Best,<br><br>Ted<br><br>On Jul 17, 2010, at 4:00 PM, Jeff =
Duke wrote:<br><br><blockquote type=3D"cite">wanna sell a Akira? =
:)<br></blockquote><blockquote type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">J<br></blockquote><br></div></blockquote></div><br></div></b=
ody></html>=

--Apple-Mail-3-523820659--

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Subject: Re: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale
Date: Sun, 18 Jul 2010 11:49:36 -0700
In-Reply-To: <570938.59741.qm@web45902.mail.sp1.yahoo.com>
To: Loopers-Delight@loopers-delight.com
References: <FF.B0.03190.F9D024C4@smtp03.embarq.synacor.com> <0FE61633-EAC1-46FD-A579-2A85291A92AA@charter.net> <000601cb2600$f52b6b30$f7f33747@tbl01fcf9be917> <A9D8E734-C6BE-4A81-B4C8-728D058D2E88@charter.net> <000d01cb2603$d3088760$f7f33747@tbl01fcf9be917> <F895257F-D0E9-4D29-81D2-48E8E1E5EE0F@charter.net> <570938.59741.qm@web45902.mail.sp1.yahoo.com>
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On Jul 18, 2010, at 9:40 AM, E Gross wrote:

> Ted,
>=20
> The solution is obvious:
>=20
> 3. Invite people to come see you play.

Not as crazy as you might think.  Did you see the article on Camp Bisco =
the other day?

http://www.nytimes.com/2010/07/17/arts/music/17biscuit.html

This struck me as the future.   On both small and large scale.  =
Something to ponder.

Richard

>=20
> So, start looking for local churches that are up for sale!
>=20
> Eric


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<html><head><base href=3D"x-msg://55/"></head><body style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div>On Jul 18, 2010, at 9:40 AM, E Gross =
wrote:</div><div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: 'times new roman', 'new york', times, =
serif; font-size: 12pt; "><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Ted,<br><br>The solution is =
obvious:<br><br>3. Invite people to come see you =
play.<br></div></div></div></span></blockquote><div><br></div>Not as =
crazy as you might think. &nbsp;Did you see the article on Camp Bisco =
the other day?</div><div><br></div><div><a =
href=3D"http://www.nytimes.com/2010/07/17/arts/music/17biscuit.html">http:=
//www.nytimes.com/2010/07/17/arts/music/17biscuit.html</a></div><div><br><=
/div><div><a =
href=3D"http://www.nytimes.com/2010/07/17/arts/music/17biscuit.html"></a>T=
his struck me as the future. &nbsp; On both small and large scale. =
&nbsp;Something to =
ponder.</div><div><br></div><div>Richard</div><div><br><blockquote =
type=3D"cite"><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; font-family: Helvetica; font-style: normal; font-variant: =
normal; font-weight: normal; letter-spacing: normal; line-height: =
normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: =
normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: =
0px; -webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font-family: 'times new roman', 'new york', times, =
serif; font-size: 12pt; "><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><br>So, start looking for =
local churches that are up for =
sale!<br><br>Eric<br></div></div></div></span></blockquote></div><br></bod=
y></html>=

--Apple-Mail-4-524066235--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 18 23:11:03 2010
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Subject: which small multi-fx box?
From: Qua Veda <qua@oregon.com>
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References: <FF.B0.03190.F9D024C4@smtp03.embarq.synacor.com> <0FE61633-EAC1-46FD-A579-2A85291A92AA@charter.net> <000601cb2600$f52b6b30$f7f33747@tbl01fcf9be917> <A9D8E734-C6BE-4A81-B4C8-728D058D2E88@charter.net> <000d01cb2603$d3088760$f7f33747@tbl01fcf9be917> <F895257F-D0E9-4D29-81D2-48E8E1E5EE0F@charter.net> <570938.59741.qm@web45902.mail.sp1.yahoo.com> <4C5F1DB3-0E61-4A0A-859F-5DCEEA3DFFF5@glasswing.com>
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Looking for small, portable, inexpensive multi-fx box that would apply =
reverb, delay, etc to sustained voice to create  spacey or dreamy  drone =
sounds.  Perhaps something  a pair of Alesis nanoverbs in series.   =20

Any suggestions?=20
-Qua=

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 02:50:15 2010
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From: FRO DIDDLY <parispro00@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: Studio The Church
Date: Sun, 18 Jul 2010 21:42:39 -0500
Importance: Normal
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 <AANLkTilWLZCtFIbyTwGdtq0y5GdPo-__-xRzdBL4CqnB@mail.gmail.com>,<BE6BDFC0-063B-444C-9D7A-82C03F71EF27@reyn.net>
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Absolutely unbelievable. I can only imagine how beautiful the view is from =
the steeple.

I cannot wait to visit. =3Bo)

fro




The Wandering Madman=20




> Subject: Studio The Church
> From: loopers-delight@reyn.net
> Date: Sun=2C 18 Jul 2010 11:37:36 +0200
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi guys & grlls=2C
>=20
> I've been a bit quiet recently because I'm finally in the middle of turni=
ng the church into my new studio. They've been busy for like 2 months now. =
Not much to see yet of the studio itself=2C but I thought you guys might li=
ke to see the progress of it all. Although you can already see the outlines=
 of the studio coming together..
>=20
> Here's a link with the process so far: www.studio.reyn.net
>=20
> I'll keep you guys posted!
>=20
> Cheers=2C
>=20
> Reyn
>=20
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>=20
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>=20
 		 	   		 =20
_________________________________________________________________
The New Busy is not the too busy. Combine all your e-mail accounts with Hot=
mail.
http://www.windowslive.com/campaign/thenewbusy?tile=3Dmultiaccount&ocid=3DP=
ID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_4=

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<html>
<head>
<style><!--
.hmmessage P
{
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Absolutely unbelievable. I can only imagine how beautiful the view is from =
the steeple.<br><br>I cannot wait to visit. =3Bo)<br><br>fro<br>
<br>

<a href=3D"http://www.youtube.com/TheWanderingMadman">The Wandering Madman =
</a>
<br><br><br><br>&gt=3B Subject: Studio The Church<br>&gt=3B From: loopers-d=
elight@reyn.net<br>&gt=3B Date: Sun=2C 18 Jul 2010 11:37:36 +0200<br>&gt=3B=
 To: Loopers-Delight@loopers-delight.com<br>&gt=3B <br>&gt=3B Hi guys &amp=
=3B grlls=2C<br>&gt=3B <br>&gt=3B I've been a bit quiet recently because I'=
m finally in the middle of turning the church into my new studio. They've b=
een busy for like 2 months now. Not much to see yet of the studio itself=2C=
 but I thought you guys might like to see the progress of it all. Although =
you can already see the outlines of the studio coming together..<br>&gt=3B =
<br>&gt=3B Here's a link with the process so far: www.studio.reyn.net<br>&g=
t=3B <br>&gt=3B I'll keep you guys posted!<br>&gt=3B <br>&gt=3B Cheers=2C<b=
r>&gt=3B <br>&gt=3B Reyn<br>&gt=3B <br>&gt=3B ___________<br>&gt=3B www.rey=
n.net<br>&gt=3B www.reyn.vs.reyn.net<br>&gt=3B <br>&gt=3B management: www.l=
alalamanagement.nl<br>&gt=3B twitter/facebook/youtube: ReynOuwehand<br>&gt=
=3B <br> 		 	   		  <br /><hr />The New Busy is not the too busy. Combine a=
ll your e-mail accounts with Hotmail. <a href=3D'http://www.windowslive.com=
/campaign/thenewbusy?tile=3Dmultiaccount&ocid=3DPID28326::T:WLMTAGL:ON:WL:e=
n-US:WM_HMP:042010_4' target=3D'_new'>Get busy.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 03:38:38 2010
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Subject: Re: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale
Date: Sun, 18 Jul 2010 20:38:30 -0700
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> Ted, what Richard said, I have just started to use it and I'm  
> convinced it is helping, me with my gimpy knees and creaky hands.
  Bill




Ted, I'd like to introduce you to my new best friend, Glucosamine!

R

>

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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><blockquote type=3D"cite">Ted, =
what Richard said, I have just started to use it and I'm convinced it is =
helping, me with my gimpy knees and creaky hands.</blockquote><font =
class=3D"Apple-style-span" =
color=3D"#586BFF">&nbsp;Bill</font><br><div><br></div><div><br></div><div>=
<br></div><br><span class=3D"Apple-style-span" style=3D"font-family: =
Tahoma; font-size: 13px; ">Ted, I'd like to introduce you to my new best =
friend, Glucosamine!</span><div style=3D"font-family: Tahoma; font-size: =
13px; "><br></div><div style=3D"font-family: Tahoma; font-size: 13px; =
">R</div><div style=3D"font-family: Tahoma; font-size: 13px; =
"><br><div><span class=3D"Apple-style-span" style=3D"border-collapse: =
separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: =
medium; font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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></div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 03:41:02 2010
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I just measured my studio and it's 7 foot 3 inches deep and 8 feet wide. Once you account for the shelves, the electronic drums, and the keyboard, there's room for a a drum throne, CD's, cassettes, vinyl and me. No windows, no air vents, it's a walk-in closet in my bedroom. I've made some incredibly quiet recordings there, but the church space is still to envy, good luck to you. 

bryan helm 



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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'><span>I just measured my studio and it's 7 foot 3 inches deep and 8 feet wide. Once you account for the shelves, the electronic drums, and the keyboard, there's room for a a drum throne, CD's, cassettes, vinyl and me. No windows, no air vents, it's a walk-in closet in my bedroom. I've made some incredibly quiet recordings there, but the church space is still to envy,&nbsp; good luck to you.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bryan helm<br><br><br></span></div></body></html>
------=_Part_67179_1312834696.1279510370482--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 06:25:32 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
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Subject: RE: Studio The Church
Date: Mon, 19 Jul 2010 06:25:28 +0000
Importance: Normal
In-Reply-To: <f5cdae39227840f7e564f5c460b4edf9.squirrel@www.andredonawa.com>
References:
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It looks wonderful!=20

I'm looking forward to seeing the finished results. I've just been doing up=
 my 300 year old cottage to sell it and I thought THAT was a lot of work!

=20

Good luck

=20

Gareth
=20
> Date: Sun=2C 18 Jul 2010 11:08:08 -0400
> Subject: Re: Studio The Church
> From: andre@andredonawa.com
> To: Loopers-Delight@loopers-delight.com
>=20
> Looks incredible!
> Great to see your dream become reality.
>=20
> Andre
>=20
> http://barbadosguitar.com/wordpress
>=20
>=20
> On Sun=2C July 18=2C 2010 5:37 am=2C Reyn Ouwehand wrote:
> > Hi guys & grlls=2C
> >
> > I've been a bit quiet recently because I'm finally in the middle of
> > turning the church into my new studio. They've been busy for like 2 mon=
ths
> > now. Not much to see yet of the studio itself=2C but I thought you guys
> > might like to see the progress of it all. Although you can already see =
the
> > outlines of the studio coming together..
> >
> > Here's a link with the process so far: www.studio.reyn.net
> >
> > I'll keep you guys posted!
> >
> > Cheers=2C
> >
> > Reyn
> >
> > ___________
> > www.reyn.net
> > www.reyn.vs.reyn.net
> >
> > management: www.lalalamanagement.nl
> > twitter/facebook/youtube: ReynOuwehand
> >
> >
>=20
>=20
>=20
>=20
>=20
 		 	   		  =

--_afe9d267-1988-4fb3-bf30-aa25e6734c96_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Tahoma
}
--></style>
</head>
<body class=3D'hmmessage'>
It looks wonderful! <BR>
I'm looking forward to seeing the finished results. I've just been doing up=
 my 300 year old cottage to sell it and I thought&nbsp=3BTHAT was a lot of =
work!<BR>
&nbsp=3B<BR>
Good luck<BR>
&nbsp=3B<BR>
Gareth<BR>&nbsp=3B<BR>&gt=3B Date: Sun=2C 18 Jul 2010 11:08:08 -0400<BR>&gt=
=3B Subject: Re: Studio The Church<BR>&gt=3B From: andre@andredonawa.com<BR=
>&gt=3B To: Loopers-Delight@loopers-delight.com<BR>&gt=3B <BR>&gt=3B Looks =
incredible!<BR>&gt=3B Great to see your dream become reality.<BR>&gt=3B <BR=
>&gt=3B Andre<BR>&gt=3B <BR>&gt=3B http://barbadosguitar.com/wordpress<BR>&=
gt=3B <BR>&gt=3B <BR>&gt=3B On Sun=2C July 18=2C 2010 5:37 am=2C Reyn Ouweh=
and wrote:<BR>&gt=3B &gt=3B Hi guys &amp=3B grlls=2C<BR>&gt=3B &gt=3B<BR>&g=
t=3B &gt=3B I've been a bit quiet recently because I'm finally in the middl=
e of<BR>&gt=3B &gt=3B turning the church into my new studio. They've been b=
usy for like 2 months<BR>&gt=3B &gt=3B now. Not much to see yet of the stud=
io itself=2C but I thought you guys<BR>&gt=3B &gt=3B might like to see the =
progress of it all. Although you can already see the<BR>&gt=3B &gt=3B outli=
nes of the studio coming together..<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B Here'=
s a link with the process so far: www.studio.reyn.net<BR>&gt=3B &gt=3B<BR>&=
gt=3B &gt=3B I'll keep you guys posted!<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B C=
heers=2C<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B Reyn<BR>&gt=3B &gt=3B<BR>&gt=3B =
&gt=3B ___________<BR>&gt=3B &gt=3B www.reyn.net<BR>&gt=3B &gt=3B www.reyn.=
vs.reyn.net<BR>&gt=3B &gt=3B<BR>&gt=3B &gt=3B management: www.lalalamanagem=
ent.nl<BR>&gt=3B &gt=3B twitter/facebook/youtube: ReynOuwehand<BR>&gt=3B &g=
t=3B<BR>&gt=3B &gt=3B<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <BR>&gt=3B=
 <BR> 		 	   		  </body>
</html>=

--_afe9d267-1988-4fb3-bf30-aa25e6734c96_--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 08:33:38 2010
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Date: Mon, 19 Jul 2010 10:33:36 +0200
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Subject: Re: Studio The Church
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--001636c5b4bdc31005048bb96c0a
Content-Type: text/plain; charset=ISO-8859-1

wow impressive! but it looks like its not going to be very cheap!

2010/7/18 Reyn Ouwehand <loopers-delight@reyn.net>

> Hi guys & grlls,
>
> I've been a bit quiet recently because I'm finally in the middle of turning
> the church into my new studio. They've been busy for like 2 months now. Not
> much to see yet of the studio itself, but I thought you guys might like to
> see the progress of it all. Although you can already see the outlines of the
> studio coming together..
>
> Here's a link with the process so far: www.studio.reyn.net
>
> I'll keep you guys posted!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
>

--001636c5b4bdc31005048bb96c0a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

wow impressive! but it looks like its not going to be very cheap!<br><br><d=
iv class=3D"gmail_quote">2010/7/18 Reyn Ouwehand <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:loopers-delight@reyn.net">loopers-delight@reyn.net</a>&gt;</s=
pan><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi guys &amp; grl=
ls,<br>
<br>
I&#39;ve been a bit quiet recently because I&#39;m finally in the middle of=
 turning the church into my new studio. They&#39;ve been busy for like 2 mo=
nths now. Not much to see yet of the studio itself, but I thought you guys =
might like to see the progress of it all. Although you can already see the =
outlines of the studio coming together..<br>

<br>
Here&#39;s a link with the process so far: <a href=3D"http://www.studio.rey=
n.net" target=3D"_blank">www.studio.reyn.net</a><br>
<br>
I&#39;ll keep you guys posted!<br>
<br>
Cheers,<br>
<br>
Reyn<br>
<br>
___________<br>
<a href=3D"http://www.reyn.net" target=3D"_blank">www.reyn.net</a><br>
<a href=3D"http://www.reyn.vs.reyn.net" target=3D"_blank">www.reyn.vs.reyn.=
net</a><br>
<br>
management: <a href=3D"http://www.lalalamanagement.nl" target=3D"_blank">ww=
w.lalalamanagement.nl</a><br>
twitter/facebook/youtube: ReynOuwehand<br>
<br>
</blockquote></div><br>

--001636c5b4bdc31005048bb96c0a--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 12:28:18 2010
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
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Subject: Thought Radio Playlist for July 17, 2010.
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http://soundscapes.us/thoughtradio/playlists/2010/100717.html

The Saturday edition of The AM/FM Show has alternating hosts.  When I am
at the helm, the show is called Thought Radio and you can expect to hear
electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix
of other genres.  The show airs from 6:00 am to 8:00 am EDT/GMT-4 on
WMUH Allentown, 91.7 FM and on the internet.  I also host Afterglow
every Thursday from 8:00 am to 9:30 am.

                Show #177                July 17, 2010.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

I also played new music by Mars Hollow and Spock's Beard well as music
by Mikronesia who will play at the Soundscapes Concert Series on Friday,
July 23.


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Mikronesia           Hibersea             vxvii (Kikapu)
VA [Morgan Bryan]    Anticipation         Sequences No. 10
VA [College of Music] (uncredited)        Sequences No. 10
VA [Waveshape]       interview            Sequences No. 10
comuterchemist       marshfire            atmospheric (none)
Contrad Schnitzler   Disk Six, Part 1     10 kW/h (Ricochet Dream)
  and Wolfgang Seidel


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Maya Beiser          I Was There 1-4      Provenance (Innova)
Dennis Rea           Three Views from     Views from Chicheng Precipice
                       Chicheng Precipice   (Moonjune)
Mehran               The Silent Garden    Angels of Persepolis (none)
                       of Divinity


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Mars Hollow          Wait for Me          Mars Hollow (10t)
Sonus Umbra          Fool's Arcadia       Spiritual Vertigo (none)
Sonus Umbra          Man of Anger and     Spiritual Vertigo (none)
                       Light
Spock's Beard        Kamikaze             X (none)
The Tea Club         Castle Builder       General Winter's Secret Museum
                                            (none)
Morglbl              Morglbl Circus       Jazz for the Deaf (The Laser's
                                            Edge)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/UTC-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/thoughtradio
MySpace: http://myspace.com/thoughtradio
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh/stream.html
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

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--0015175cf7b643d31e048bbce2db
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I really enjoyed this, Bill. Thanks.

On Thu, Jul 15, 2010 at 8:26 AM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

>
>
> 2010/7/15 Per Boysen <perboysen@gmail.com>
>
> On Thu, Jul 15, 2010 at 11:35 AM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>> > great Bill!
>> > is that cubase in action in the background?
>>
>>
>> ...and what about THE RED LAMP?
>>
>> Per ;-)
>>
>
> that one must be for the porno sessions
>
>>
>>
>
>


-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--0015175cf7b643d31e048bbce2db
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I really enjoyed this, Bill. Thanks.<br><br><div class=3D"gmail_quote">On T=
hu, Jul 15, 2010 at 8:26 AM, Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"=
mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><br><font color=3D"#888888">
</font><br><div class=3D"gmail_quote">2010/7/15 Per Boysen <span dir=3D"ltr=
">&lt;<a href=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gm=
ail.com</a>&gt;</span><div><div></div><div class=3D"h5"><br><blockquote cla=
ss=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-left:1px solid =
rgb(204, 204, 204);padding-left:1ex">

<div>On Thu, Jul 15, 2010 at 11:35 AM, Louie Angulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com" target=3D"_blank">louie.=
angulo@googlemail.com</a>&gt; wrote:<br>
&gt; great Bill!<br>
&gt; is that cubase in action in the background?<br>
<br>
<br>
</div>...and what about THE RED LAMP?<br>
<font color=3D"#888888"><br>
Per ;-)<br></font></blockquote></div></div><div><br><font style=3D"color:rg=
b(0, 0, 0)" color=3D"#888888">that one must be for the porno sessions</font=
> <br></div><blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0=
.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex">

<font color=3D"#888888">=A0<br>
</font></blockquote></div><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD: Loops=
, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota">http:=
//www.cdbaby.com/cd/warrensirota</a><br>


--0015175cf7b643d31e048bbce2db--

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Subject: Re: active and creative looper (EDP problem)
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On 12 Jul 2010, at 16:44, halim zainal wrote:

> Martin Dosh is most definitely awesome. And Linsey..what should i type =
in youtube to search for Linsey?

maybe you best look through all off youtube.com/livelooping :-)
or the post back then...  http://www.linseypollak.com/instruments.html
>=20
> It's the thought of sharing that counts :)
>=20
> And ohh a tiny mini question: I'm having problems with my obie edp. My =
'Mute' seems to have
> latency to stop playing as i pressed the mute switch and my 'Multiply' =
fails once in a while..it displays C--- sometimes. I don't think it's

C comes from increase, a function that allows adding more multiples =
while Rounding
so if you did not do those additional presses, the button does unwanted =
presses...

do the same problems happen from the front panel and the pedal?

> because of the Long Press or Short Press feature ( i think). I've =
looked thru the manual and can't understand it (way too advanced for me) =
probably because of
> my bad english :P. Sorry, I'm such a noob.=20
>=20
> Warm Regards,
> Halim Zainal
>=20
>=20


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On 12 Jul 2010, at 16:44, halim zainal wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div>Martin Dosh is most definitely awesome. And Linsey..what should i type in youtube to search for Linsey?<br></div></blockquote><div><br></div>maybe you best look through all off <a href="http://youtube.com/livelooping">youtube.com/livelooping</a> :-)</div><div>or the post back then... &nbsp;<a href="http://www.linseypollak.com/instruments.html">http://www.linseypollak.com/instruments.html</a></div><div><blockquote type="cite"><div><br></div><div>It's the thought of sharing that counts :)</div><div><br></div><div>And ohh a tiny mini question: I'm having problems with my obie edp. My 'Mute' seems to have</div>
<div>latency to stop playing as i pressed the mute switch and my 'Multiply' fails once in a while..it displays C--- sometimes. I don't think it's</div></blockquote><div><br></div>C comes from increase, a function that allows adding more multiples while Rounding</div><div>so if you did not do those additional presses, the button does unwanted presses...</div><div><br></div><div>do the same problems happen from the front panel and the pedal?</div><div><br><blockquote type="cite"><div>because of the Long Press or Short Press feature ( i think). I've looked thru the manual and can't understand it (way too advanced for me) probably because of</div>
<div>my bad english :P. Sorry, I'm such a noob.&nbsp;</div><div><br></div><div>Warm Regards,</div><div>Halim Zainal</div><div><br></div>
<br>
</blockquote></div><br></body></html>
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Subject: Re: active and creative looper (EDP problem)
From: halim zainal <halimzainal@gmail.com>
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C comes from increase, a function that allows adding more multiples while
Rounding
so if you did not do those additional presses, the button does unwanted
presses...

   >>>  *So which means i should set it to any number except C-- in order to
make multiply work? *
*           Or should i set the RoundMode off?*



do the same problems happen from the front panel and the pedal?
   >>> *Yes. The pedal seem to interact kinda strange especially when i hit
'mute' and 'multiply'. *
*          The mute button have problems when pressed and ooo appears at the
display. This only *
*          happens when the multiply malfunctions. Example; i'm making a
short loop then i wanted *
*          to play and loop something longer on top--ain't happening.
Instead some random numbers*
*          appear on the display i.e; c2, c10 and so on.*
*
*
Thank You Matthias.*
*


>
> Regards,
> Halim Zainal
>
>
>
>

--000e0cd598cc9e8d6a048bbde3e6
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<div><br></div><div>C comes from increase, a function that allows adding mo=
re multiples while Rounding</div><div>so if you did not do those additional=
 presses, the button does unwanted presses...<br></div><div class=3D"gmail_=
quote">
<div>=A0</div><div>=A0 =A0&gt;&gt;&gt; =A0<em>So which means i should set i=
t to any number except C-- in order to make multiply work?=A0</em></div><di=
v><em>=A0 =A0 =A0 =A0 =A0 =A0Or should i set the RoundMode off?</em></div><=
div>=A0</div><div><br>
</div><div><br></div><div>do the same problems happen from the front panel =
and the pedal?</div><div>=A0 =A0&gt;&gt;&gt; <em>Yes. The pedal seem to int=
eract kinda strange especially when i hit &#39;mute&#39; and &#39;multiply&=
#39;.=A0</em></div>
<div><em>=A0 =A0 =A0 =A0 =A0 The mute button have problems when pressed and=
 ooo appears at the display. This only=A0</em></div><div><em>=A0 =A0 =A0 =
=A0 =A0 happens when the multiply malfunctions. Example; i&#39;m making a s=
hort loop then i wanted=A0</em></div>
<div><em>=A0 =A0 =A0 =A0 =A0 to play and loop something longer on top--ain&=
#39;t happening. Instead some random numbers</em></div><div><em>=A0 =A0 =A0=
 =A0 =A0 appear on the display i.e; c2, c10 and so on.</em></div><div><em><=
br></em></div><div>
Thank You Matthias.<em><br></em></div><div>=A0 =A0 =A0 =A0 =A0=A0</div><blo=
ckquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #c=
cc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"><div><br><b=
lockquote type=3D"cite">
<div>Regards,</div><div>Halim Zainal</div><div><br></div>
<br>
</blockquote></div><br></div></blockquote></div><br>

--000e0cd598cc9e8d6a048bbde3e6--

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Subject: Re: MUSING ON HARDWARE, SOFTWARE, WETWARE: Was Re: OT: Lexicon Vortex (maybe) For Sale
Date: Mon, 19 Jul 2010 06:58:18 -0700
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Thanks guys.

I will give it a try.

On Jul 18, 2010, at 8:38 PM, William Walker wrote:

>> Ted, what Richard said, I have just started to use it and I'm  
>> convinced it is helping, me with my gimpy knees and creaky hands.
>  Bill
>
>
>
>
> Ted, I'd like to introduce you to my new best friend, Glucosamine!
>
> R
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 14:26:44 2010
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Subject: Re: active and creative looper (EDP problem)
Date: Mon, 19 Jul 2010 11:26:08 -0300
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On 19 Jul 2010, at 10:53, halim zainal wrote:

>=20
> C comes from increase, a function that allows adding more multiples =
while Rounding
> so if you did not do those additional presses, the button does =
unwanted presses...
> =20
>    >>>  So which means i should set it to any number except C-- in =
order to make multiply work?=20
>            Or should i set the RoundMode off?

neither.
you had said: "my 'Multiply' fails once in a while..it displays C--- =
sometimes"
is it really a red C without a number?
I understood its with a number which indicates how many multiples you =
are going to have still
in case you press Multiply while Rounding - which is called the =
MultiplyIncrease

try it out or read about it in the manual to see whether its related to =
your problem

> =20
>=20
>=20
> do the same problems happen from the front panel and the pedal?
>    >>> Yes. The pedal seem to interact kinda strange especially when i =
hit 'mute' and 'multiply'.=20
>           The mute button have problems when pressed and ooo appears =
at the display. This only=20
>           happens when the multiply malfunctions. Example; i'm making =
a short loop then i wanted=20
>           to play and loop something longer on top--ain't happening. =
Instead some random numbers
>           appear on the display i.e; c2, c10 and so on.

my question was whether the problems only happen with the pedal or also =
with the front panel buttons

if they only happen with the pedal then the problem is the pedal (or the =
cable) !
>=20
> Thank You Matthias.
>          =20
>=20
>> Regards,
>> Halim Zainal
>>=20
>>=20
>=20
>=20


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On 19 Jul 2010, at 10:53, halim zainal wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div><br></div><div>C comes from increase, a function that allows adding more multiples while Rounding</div><div>so if you did not do those additional presses, the button does unwanted presses...<br></div><div class="gmail_quote">
<div>&nbsp;</div><div>&nbsp; &nbsp;&gt;&gt;&gt; &nbsp;<em>So which means i should set it to any number except C-- in order to make multiply work?&nbsp;</em></div><div><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Or should i set the RoundMode off?</em></div></div></blockquote><div><br></div>neither.</div><div>you had said: "my 'Multiply' fails once in a while..it displays C--- sometimes"</div><div>is it really a red C without a number?</div><div>I understood its with a number which indicates how many multiples you are going to have still</div><div>in case you press Multiply while Rounding - which is called the MultiplyIncrease</div><div><br></div><div>try it out or read about it in the manual to see whether its related to your problem</div><div><br><blockquote type="cite"><div class="gmail_quote"><div>&nbsp;</div><div><br>
</div><div><br></div><div>do the same problems happen from the front panel and the pedal?</div><div>&nbsp; &nbsp;&gt;&gt;&gt; <em>Yes. The pedal seem to interact kinda strange especially when i hit 'mute' and 'multiply'.&nbsp;</em></div>
<div><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The mute button have problems when pressed and ooo appears at the display. This only&nbsp;</em></div><div><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; happens when the multiply malfunctions. Example; i'm making a short loop then i wanted&nbsp;</em></div>
<div><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; to play and loop something longer on top--ain't happening. Instead some random numbers</em></div><div><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; appear on the display i.e; c2, c10 and so on.</em></div></div></blockquote><div><br></div>my question was whether the problems only happen with the pedal or also with the front panel buttons</div><div><br></div><div>if they only happen with the pedal then the problem is the pedal (or the cable) !<br><blockquote type="cite"><div class="gmail_quote"><div><em><br></em></div><div>
Thank You Matthias.<em><br></em></div><div>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><div style="word-wrap:break-word"><div><br><blockquote type="cite">
<div>Regards,</div><div>Halim Zainal</div><div><br></div>
<br>
</blockquote></div><br></div></blockquote></div><br>
</blockquote></div><br></body></html>
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Subject: Re: active and creative looper (EDP problem)
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Hey you know what? That worked! I changed the cable to a much better ones
and problem solved. Only the fact that i need to double tap to mute and play
back..probably it's because of the settings.
Thank you very much Matthias.

--000e0cd17dfeb02d6e048bbeb10d
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<div>Hey you know what? That worked! I changed the cable to a much better ones and problem solved. Only the fact that i need to double tap to mute and play back..probably it&#39;s because of the settings.<br></div><div>Thank you very much Matthias.</div>

--000e0cd17dfeb02d6e048bbeb10d--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 16:31:57 2010
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Subject: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
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<<Ted, I'd like to introduce you to my new best friend, Glucosamine! >>
richard sales

being 75.37% bionic, i pay attention to this stuff.....a new one i was=20
told about is CAT'S CLAW, i am going to try it
and i'll report back!



















From Loopers-Delight-request@loopers-delight.com  Mon Jul 19 17:28:17 2010
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From: Violet Xoxox <violet@missviolet.com>
Subject: Looper's Delight donate buttons fixed
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I wanted to let everyone know that we were able to get the donate buttons
on the Looper's Delight website changed over to an address I can access, so
future donations can be made via the Paypal button on
http://loopers-delight.com or directly to <donate@loopers-delight.com>.

You have all been so kind and generous, and I thank you from the bottom of
my heart.  Seeing how many people care has been a huge comfort to me.

Violet
xoxox

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Hi -=0A=0AJust a quick update on the current status of the Loopers-Delight =
CD IV - which =0Ais dedicated to the memory of Kim Flint.=0A=0ALast week, a=
 person indicated he'll not be able to participate in the next =0ALoopers-D=
elight CD (ironically, he was first to express interest).=A0 So, now =0Athe=
re is no need to keep waiting for his submission.=0A=0AThis leaves an open =
slot if another person would like to join the next edition =0Aof the Looper=
s-Delight CD Vol IV.=0A=0AIf you're interested and would like further infor=
mation, please check out these =0Atwo links:=0A=0A1) Info on previous Loope=
rs-Delight CD editions: =0Ahttp://www.loopers-delight.com/cd/LoopersDelight=
CDs.html=A0=0A2) Basic info on this Loopers-Delight CD =0AIV:=A0http://www.=
loopers-delight.com/cgi-bin/wilma_hiliter/LDarchive/201003/msg00612.html?li=
ne=3D3#hilite=0A=0A=0AIf you are interested and have any questions, please =
email to me OFF-LIST (as I =0Acan't keep up with all the LD email traffic).=
=A0=A0 =0A=0A=0AKind regards,=0A=0ADavid=0A=0A=0A      
--0-1127424849-1279584551=:79152
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#000000;"><DIV>Hi -</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Just a quick=
 update on the current status of the Loopers-Delight CD IV - which is dedic=
ated to the memory of Kim Flint.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Last week=
, a person indicated he'll not be able to participate in the next Loopers-D=
elight CD (ironically, he was first to express interest).&nbsp; So, now the=
re is no need to keep waiting for his submission.</DIV>=0A<DIV>&nbsp;</DIV>=
=0A<DIV><STRONG>This leaves an open slot if another person would like to jo=
in the next edition of the Loopers-Delight CD Vol IV</STRONG>.</DIV>=0A<DIV=
>&nbsp;</DIV>=0A<DIV>If you're interested and would like further informatio=
n, please check out these two links:</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>1) In=
fo on previous Loopers-Delight CD editions: <A href=3D"http://www.loopers-d=
elight.com/cd/LoopersDelightCDs.html">http://www.loopers-delight.com/cd/Loo=
persDelightCDs.html</A>&nbsp;</DIV>=0A<DIV>2) Basic info on this Loopers-De=
light CD IV:&nbsp;<A href=3D"http://www.loopers-delight.com/cgi-bin/wilma_h=
iliter/LDarchive/201003/msg00612.html?line=3D3#hilite">http://www.loopers-d=
elight.com/cgi-bin/wilma_hiliter/LDarchive/201003/msg00612.html?line=3D3#hi=
lite</A></DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV><STRONG>If you are interested and=
 have any questions, please email to me <U>OFF-LIST</U> </STRONG>(as I can'=
t keep up with all the LD email traffic).&nbsp;&nbsp; </DIV>=0A<DIV>&nbsp;<=
/DIV>=0A<DIV>Kind regards,</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David</DIV></di=
v><br>=0A=0A      </body></html>
--0-1127424849-1279584551=:79152--

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Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
Date: Mon, 19 Jul 2010 17:43:31 -0700
References: <FF.B0.03190.F9D024C4@smtp03.embarq.synacor.com> <0FE61633-EAC1-46FD-A579-2A85291A92AA@charter.net> <000601cb2600$f52b6b30$f7f33747@tbl01fcf9be917> <A9D8E734-C6BE-4A81-B4C8-728D058D2E88@charter.net> <000d01cb2603$d3088760$f7f33747@tbl01fcf9be917> <F895257F-D0E9-4D29-81D2-48E8E1E5EE0F@charter.net> <E4CB68F2-0D7A-4D15-9B84-DFBECB694183@glasswing.com> <8CCF57700DB83E7-1068-4513@webmail-stg-d11.sysops.aol.com>
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Next you'll be recommending eye of newt.


On Jul 19, 2010, at 9:31 AM, Nemoguitt@aol.com wrote:

> <<Ted, I'd like to introduce you to my new best friend, Glucosamine!  
> >>
> richard sales
>
> being 75.37% bionic, i pay attention to this stuff.....a new one i  
> was told about is CAT'S CLAW, i am going to try it
> and i'll report back!
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 02:48:28 2010
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Subject: RE: which small multi-fx box?
From: Scott Hansen <evanpeewee@gmail.com>
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--e0cb4e887a3f33f624048bc8b865
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q-
i have a digitech rp150 ($100) that could probably be used for what you
want, and it has 5 sec of delay. they now have the rp155 out that also has
the 20 sec looper w/ it now, still $100 and they keep packing more stuff in
it.
i also have the zoom g2 ($100) i'm sure it could work too, although it
doesn't have as many reverb options, but you can set up 3 individual delays
in it to get crazy stuff going...there's a new version of it out too, can't
remember the new name (g2nu? maybe?)

digitech also used to make vocal effects pedal versions of their guitar
effects, i'm sure they still do, just don't know much about them.
there's also the lexicon mx200, i got mine 2 yrs ago for $100 used, also
have lots of spacey options, although it's a 1 space rack unit, not as
portable as a pedal.

also just saw a thing about the boss ve-20 for vocal effects:
http://pro-audio.musiciansfriend.com/product/Boss-VE20-Vocal-Effects-Processor?sku=583433

good luck.
s---
www.myspace.com/scotthansen



Looking for small, portable, inexpensive multi-fx box that would apply
reverb, delay, etc to sustained voice to create  spacey or dreamy  drone
sounds.  Perhaps something  a pair of Alesis nanoverbs in series.

Any suggestions?
-Qua

--e0cb4e887a3f33f624048bc8b865
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>q-</div>
<div>i have a digitech rp150 ($100) that could probably be used for what yo=
u want, and it has 5 sec of delay. they now have the rp155 out that also ha=
s the 20 sec looper w/ it now, still $100 and they keep packing more stuff =
in it.</div>

<div>i also have the zoom g2 ($100) i&#39;m sure it could work too, althoug=
h it doesn&#39;t have as many reverb options, but you can set up 3 individu=
al delays in it to get crazy stuff going...there&#39;s a new version of it =
out too, can&#39;t remember the new name (g2nu? maybe?)</div>

<div>=A0</div>
<div>digitech also used to make vocal effects pedal versions of their guita=
r effects, i&#39;m sure they still do, just don&#39;t know much about them.=
</div>
<div>there&#39;s also the lexicon mx200, i got mine 2 yrs ago for $100 used=
, also have lots of spacey options, although it&#39;s a 1 space rack unit, =
not as portable as a pedal.</div>
<div>=A0</div>
<div>also just saw a thing about the boss ve-20 for vocal effects:</div>
<div><a href=3D"http://pro-audio.musiciansfriend.com/product/Boss-VE20-Voca=
l-Effects-Processor?sku=3D583433">http://pro-audio.musiciansfriend.com/prod=
uct/Boss-VE20-Vocal-Effects-Processor?sku=3D583433</a></div>
<div>=A0</div>
<div>good luck.</div>
<div>s---</div>
<div><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scottha=
nsen</a></div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>Looking for small, portable, inexpensive multi-fx box that would apply=
 <br>reverb, delay, etc to sustained voice to create=A0 spacey or dreamy=A0=
 drone <br>sounds.=A0 Perhaps something=A0 a pair of Alesis nanoverbs in se=
ries.=A0=A0=A0 <br>
<br>Any suggestions? <br>-Qua<br></div>

--e0cb4e887a3f33f624048bc8b865--

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Subject: Re: Looper software for live performance
From: Philippe OLLIVIER <philippe.ollivier@gmail.com>
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Hi,
Logelloop also exist.

http://logelloop.logellou.com/

It is a multitracks looper designed for realtime and stage.
Logelloop has 3 banks of up to 10 tracks. Everything can be save and =
restored from the HD.
It contains some specific plug-ins like a granular engine named =
Granulaterre...
Logelloop can be controlled by every MIDI system and even has a Macro =
language.
Philippe Ollivier.

-------------------------------------
http://logelloop.logellou.com/
www.philippeollivier.com





Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :

> m=F6bius is the jammy-jam. like an edp/lp1 on steroids.
>=20
> - jim
>=20
> On Wednesday, June 23, 2010, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>>=20
>> Mobius is worth a google/download.
>>=20
>> Matt Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com
>>=20
>>=20
>>=20
>> On 22 Jun 2010, at 22:47, Raul Bonell wrote:
>> yes. god. there are many. all, man designed, though.
>>=20
>>=20
>> 2010/6/22 God is good <rychusrbold@yahoo.com>
>> Hello loop delighters,
>> Please let me know if there is a software based looper which can be =
used instead of a hardware so I can use my laptop on stage & use the =
looper software.
>> Thanks.
>>=20
>>=20
>>=20
>>=20
>>=20
>> --
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
>> I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: "O siga, que he pagat per aquesta merda de =
m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =
=F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa =
aix=ED? "
>>=20
>>=20
>> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> Chain Tape Collective: http://www.ct-collective.com
>>=20
>>=20
>>=20
>=20

=C0 bient=F4t,
Philippe.

-------------------------------------
=C9coutez des extraits de Malenki Minki sur www.philippeollivier.com
http://logelloop.logellou.com/









From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 10:00:55 2010
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Date: Tue, 20 Jul 2010 12:00:42 +0200
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Subject: Re: Looper software for live performance
From: Per Boysen <perboysen@gmail.com>
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Please let me add some info on Logelloop here, as I own that looper
and like it a lot. What's cool IMHO is that the mixer (10 loop tracks
+ 3 different effect tracks) can save "snapshots" of total settings,
called "presets". Such mixer presets can be used to radically alter
the sounding playback of all loops. Not only track volume and pan is
handled but also Strech, Speed, Pitch and other parameters. So when
performing with Logelloop you can both make loops and switch between
those loops as well as you may jump between alternate mixer presets to
alter the playback of those loops. A preset may include dynamic stuff
like "auto-pan" as well (script).

Now the really cool thing is that there is a global mixer parameter,
called "interpolation", that sets a time span for the mixer to move
all parameter values from one preset to the values of the next called
preset (like "inertia" in Augustus Loop, but "interpolation" works on
all mixer parameters). Example: Imagine you go from one preset into
another one that has a different Speed or Pitch setting for some
tracks. What happens then, with interpolation active, is that the
loops playing through those tracks will seamlessly glide towards the
pitch of the next mixer preset (think about the THX theatre sound
effect jingle).

While Mobius is like "eight brother synced stereo EDPs on speed"
Logelloop is more like an electronic instrument in its own right of
which live looping is one of the things you can do. Logelloop is not a
plugin. It is not a classic host application either, although you can
open some VST or AU plugins on tracks as well as the special Logelloop
plugins (Granulaterre is my favorite, combining step sequencing and
real time sampling - all inside the live looping paradigm). Download
the PDF manual to check it out more!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Tue, Jul 20, 2010 at 10:37 AM, Philippe OLLIVIER
<philippe.ollivier@gmail.com> wrote:
> Hi,
> Logelloop also exist.
>
> http://logelloop.logellou.com/
>
> It is a multitracks looper designed for realtime and stage.
> Logelloop has 3 banks of up to 10 tracks. Everything can be save and rest=
ored from the HD.
> It contains some specific plug-ins like a granular engine named Granulate=
rre...
> Logelloop can be controlled by every MIDI system and even has a Macro lan=
guage.
> Philippe Ollivier.
>
> -------------------------------------
> http://logelloop.logellou.com/
> www.philippeollivier.com
>
>
>
>
>
> Le 23 juin 2010 =C3=A0 20:33, james fowler a =C3=A9crit :
>
>> m=C3=B6bius is the jammy-jam. like an edp/lp1 on steroids.
>>
>> - jim
>>
>> On Wednesday, June 23, 2010, Matt Stevens
>> <mattstevensguitar@btinternet.com> wrote:
>>>
>>> Mobius is worth a google/download.
>>>
>>> Matt Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com
>>>
>>>
>>>
>>> On 22 Jun 2010, at 22:47, Raul Bonell wrote:
>>> yes. god. there are many. all, man designed, though.
>>>
>>>
>>> 2010/6/22 God is good <rychusrbold@yahoo.com>
>>> Hello loop delighters,
>>> Please let me know if there is a software based looper which can be use=
d instead of a hardware so I can use my laptop on stage & use the looper so=
ftware.
>>> Thanks.

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 17:35:11 2010
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Date: Tue, 20 Jul 2010 10:35:10 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: boot camp or parallels
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <AANLkTinIOntBxUVAr2eeSUoj92EmQDQooDCUlXl17VBL@mail.gmail.com>
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Per,
how are you doing?
I am looking at the bootcamp installer and cannot print the manual from my new 
Imac because I have a firewire printer with firewire 400, Imac only has forewire 
800:) I do not see any option to create a partition in FAT32 in the bootcamp 
utility. Did you use another uitlity to create your partition. Does the bootcamp 
installer offer more than creating a partition?

Antony Hequet




----- Original Message ----
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Mon, July 12, 2010 4:26:22 PM
Subject: Re: boot camp or parallels

Recommendations about installing boot camp should be to create a
partition big enough for the windows processes you want to run in
there. A trick I like myself is to format the Windows partition in FAT
(or is it FAT32?) which can be worked as any Mac OS X file format when
you have booted through OSX and need some stuff you did when in
Windows. I've even used sampling libraries in the W partition that
worked well with samplers under both Win as OS X. I use an old OEM
version of Win XP with only the service pack 2 and no other Microsoft
updates and this has worked very well. I have no experience to share
regarding Vista or Win7 for audio.

I see only one reason for using parallels instead of boot camp and
that is if you think that it is more important to have an instant
Windows access from the Mac side than to have an audio optimized
system.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
> need to run windows to use PC software such as Gordius Little Giant editor,
> Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
> software. Any recomendations about installing boot camp? Any reason to use
> parallels instead of bootcamp?


      

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 17:44:46 2010
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Date: Tue, 20 Jul 2010 13:44:41 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: boot camp or parallels
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You can purchase a FW800 to FW400 adaptor.  I paid $10US for mine....


>Per,
>how are you doing?
>I am looking at the bootcamp installer and cannot print the manual from my new
>Imac because I have a firewire printer with firewire 400, Imac only 
>has forewire
>800:) I do not see any option to create a partition in FAT32 in the bootcamp
>utility. Did you use another uitlity to create your partition. Does 
>the bootcamp
>installer offer more than creating a partition?
>
>Antony Hequet
>
>
>
>
>----- Original Message ----
>From: Per Boysen <perboysen@gmail.com>
>To: Loopers-Delight@loopers-delight.com
>Sent: Mon, July 12, 2010 4:26:22 PM
>Subject: Re: boot camp or parallels
>
>Recommendations about installing boot camp should be to create a
>partition big enough for the windows processes you want to run in
>there. A trick I like myself is to format the Windows partition in FAT
>(or is it FAT32?) which can be worked as any Mac OS X file format when
>you have booted through OSX and need some stuff you did when in
>Windows. I've even used sampling libraries in the W partition that
>worked well with samplers under both Win as OS X. I use an old OEM
>version of Win XP with only the service pack 2 and no other Microsoft
>updates and this has worked very well. I have no experience to share
>regarding Vista or Win7 for audio.
>
>I see only one reason for using parallels instead of boot camp and
>that is if you think that it is more important to have an instant
>Windows access from the Mac side than to have an audio optimized
>system.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com
>www.looproom.com internet music hub
>
>
>
>On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
>>  need to run windows to use PC software such as Gordius Little Giant editor,
>>  Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
>>  software. Any recomendations about installing boot camp? Any reason to use
>>  parallels instead of bootcamp?
>
>
>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 17:51:44 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Digitech Jamman Delay
From: paulrichard_rocks@yahoo.com
Date: Tue, 20 Jul 2010 17:39:07 +0000
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Hi:

Has anyone bought one of these yet? I ordered one and am awaiting delivery.

I was going to get the vanilla-flavoured one but for 50 bucks extra for the delay it seemed a good deal.

P
Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 18:08:22 2010
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Date: Tue, 20 Jul 2010 11:08:21 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: boot camp or parallels
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <p06240817c86b90e0a797@[192.168.2.2]>
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yes thank you. It's 8pm here in Geneva and I am out in the sticks. Will get an 
adaptor tomorrow. Printed to PDF, now I can carry the file to my old powerbook!

Is using Windows XP home edition 2002 suitable. I just wan to run editors for 
various pedals, synths?



Antony



----- Original Message ----
From: Charles Zwicky <cazwicky@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, July 20, 2010 7:44:41 PM
Subject: Re: boot camp or parallels


You can purchase a FW800 to FW400 adaptor.  I paid $10US for mine....


>Per,
>how are you doing?
>I am looking at the bootcamp installer and cannot print the manual from my new
>Imac because I have a firewire printer with firewire 400, Imac only 
>has forewire
>800:) I do not see any option to create a partition in FAT32 in the bootcamp
>utility. Did you use another uitlity to create your partition. Does 
>the bootcamp
>installer offer more than creating a partition?
>
>Antony Hequet
>
>
>
>
>----- Original Message ----
>From: Per Boysen <perboysen@gmail.com>
>To: Loopers-Delight@loopers-delight.com
>Sent: Mon, July 12, 2010 4:26:22 PM
>Subject: Re: boot camp or parallels
>
>Recommendations about installing boot camp should be to create a
>partition big enough for the windows processes you want to run in
>there. A trick I like myself is to format the Windows partition in FAT
>(or is it FAT32?) which can be worked as any Mac OS X file format when
>you have booted through OSX and need some stuff you did when in
>Windows. I've even used sampling libraries in the W partition that
>worked well with samplers under both Win as OS X. I use an old OEM
>version of Win XP with only the service pack 2 and no other Microsoft
>updates and this has worked very well. I have no experience to share
>regarding Vista or Win7 for audio.
>
>I see only one reason for using parallels instead of boot camp and
>that is if you think that it is more important to have an instant
>Windows access from the Mac side than to have an audio optimized
>system.
>
>Greetings from Sweden
>
>Per Boysen
>www.boysen.se
>www.perboysen.com
>www.looproom.com internet music hub
>
>
>
>On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
>>  need to run windows to use PC software such as Gordius Little Giant editor,
>>  Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
>>  software. Any recomendations about installing boot camp? Any reason to use
>>  parallels instead of bootcamp?
>
>
>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix


      

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 18:43:24 2010
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Date: Tue, 20 Jul 2010 20:43:22 +0200
Message-ID: <AANLkTik30L7kpKZ-as5wkNTjU1-FS-ofgni5B8QhLNxa@mail.gmail.com>
Subject: Re: boot camp or parallels
From: Per Boysen <perboysen@gmail.com>
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I created that partition some years ago. Maybe Apple have "updated"
Bootcamp to match more modern Windows systems? Check the manual.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Tue, Jul 20, 2010 at 7:35 PM,  <antonyhequet@yahoo.com> wrote:
> I do not see any option to create a partition in FAT32 in the bootcamp
> utility. Did you use another uitlity to create your partition. Does the bootcamp
> installer offer more than creating a partition?

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 18:53:28 2010
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Date: Tue, 20 Jul 2010 11:53:27 -0700
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Subject: Re: which small multi-fx box?
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Alesis Ineko if you can score one off Ebay or whatever.  LOTS of
options for ambience.

Kevin

On Mon, Jul 19, 2010 at 7:48 PM, Scott Hansen <evanpeewee@gmail.com> wrote:
> q-
> i have a digitech rp150 ($100) that could probably be used for what you
> want, and it has 5 sec of delay. they now have the rp155 out that also ha=
s
> the 20 sec looper w/ it now, still $100 and they keep packing more stuff =
in
> it.
> i also have the zoom g2 ($100) i'm sure it could work too, although it
> doesn't have as many reverb options, but you can set up 3 individual dela=
ys
> in it to get crazy stuff going...there's a new version of it out too, can=
't
> remember the new name (g2nu? maybe?)
>
> digitech also used to make vocal effects pedal versions of their guitar
> effects, i'm sure they still do, just don't know much about them.
> there's also the lexicon mx200, i got mine 2 yrs ago for $100 used, also
> have lots of spacey options, although it's a 1 space rack unit, not as
> portable as a pedal.
>
> also just saw a thing about the boss ve-20 for vocal effects:
> http://pro-audio.musiciansfriend.com/product/Boss-VE20-Vocal-Effects-Proc=
essor?sku=3D583433
>
> good luck.
> s---
> www.myspace.com/scotthansen
>
>
>
> Looking for small, portable, inexpensive multi-fx box that would apply
> reverb, delay, etc to sustained voice to create=A0 spacey or dreamy=A0 dr=
one
> sounds.=A0 Perhaps something=A0 a pair of Alesis nanoverbs in series.
>
> Any suggestions?
> -Qua
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 19:07:35 2010
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Date: Tue, 20 Jul 2010 15:07:00 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: boot camp or parallels
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I use Windows XP on my Macbook... it's fine..!

>yes thank you. It's 8pm here in Geneva and I am out in the sticks. Will get an
>adaptor tomorrow. Printed to PDF, now I can carry the file to my old 
>powerbook!
>
>Is using Windows XP home edition 2002 suitable. I just wan to run editors for
>various pedals, synths?
>
>
>
>Antony
>
>
>
>----- Original Message ----
>From: Charles Zwicky <cazwicky@earthlink.net>
>To: Loopers-Delight@loopers-delight.com
>Sent: Tue, July 20, 2010 7:44:41 PM
>Subject: Re: boot camp or parallels
>
>
>You can purchase a FW800 to FW400 adaptor.  I paid $10US for mine....
>
>
>>Per,
>>how are you doing?
>>I am looking at the bootcamp installer and cannot print the manual 
>>from my new
>>Imac because I have a firewire printer with firewire 400, Imac only
>>has forewire
>>800:) I do not see any option to create a partition in FAT32 in the bootcamp
>>utility. Did you use another uitlity to create your partition. Does
>>the bootcamp
>>installer offer more than creating a partition?
>>
>>Antony Hequet
>>
>>
>>
>>
>>----- Original Message ----
>>From: Per Boysen <perboysen@gmail.com>
>>To: Loopers-Delight@loopers-delight.com
>>Sent: Mon, July 12, 2010 4:26:22 PM
>>Subject: Re: boot camp or parallels
>>
>>Recommendations about installing boot camp should be to create a
>>partition big enough for the windows processes you want to run in
>>there. A trick I like myself is to format the Windows partition in FAT
>>(or is it FAT32?) which can be worked as any Mac OS X file format when
>>you have booted through OSX and need some stuff you did when in
>>Windows. I've even used sampling libraries in the W partition that
>>worked well with samplers under both Win as OS X. I use an old OEM
>>version of Win XP with only the service pack 2 and no other Microsoft
>>updates and this has worked very well. I have no experience to share
>>regarding Vista or Win7 for audio.
>>
>>I see only one reason for using parallels instead of boot camp and
>>that is if you think that it is more important to have an instant
>>Windows access from the Mac side than to have an audio optimized
>>system.
>>
>>Greetings from Sweden
>>
>>Per Boysen
>>www.boysen.se
>>www.perboysen.com
>>www.looproom.com internet music hub
>>
>>
>>
>>On Mon, Jul 12, 2010 at 3:40 PM,  <antonyhequet@yahoo.com> wrote:
>>>   need to run windows to use PC software such as Gordius Little 
>>>Giant editor,
>>>   Spectralis sampler/synth/seq editor, anyway a bunch of editor librarian
>>>   software. Any recomendations about installing boot camp? Any reason to use
>>>   parallels instead of bootcamp?
>>
>>
>>
>
>
>--
>
>...
>http://www.zmix.net
>
>http://www.esession.com/ChuckZwicky
>
>http://albumcredits.com/zmix
>
>
>


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Tue Jul 20 19:26:14 2010
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Subject: "Amp du Jour" - and similar experiences
From: Rainer Straschill <moinsound@googlemail.com>
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Just the other day, I was browsing through Nels Cline's websites and
re-reading his "Amp do Jour" article:
http://www.nelscline.com/tech.html (scroll down some).

Nels Cline describes how he usually uses amps provided by the
venue/presenter when touring, as "low-level folk like me don't fly
with amps - I don't even own a flight case for any amp I own!", and
the variety of amps he encountered on one of his tours, and how he
made them work with what he wanted to do.


Now my question to you: have any of you on any not-single-event and by
choice borrowed an item of your setup which is either considered very
"central" by you or by the public in general, and how did you make it
work? Your stories, please?

(To give some examples: if you borrow a DL4 because your electronic
stuff had suddenly failed upon arrival, this does not belong here
(because not "by choice"). And if you borrowed a guitar, but only used
it as a prop for your comedy routine, this does not count (because not
"central"). If, however, you borrow a whole trapset and a hand drum,
*that* would fit here!)

Yours,

               Rainer

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Subject: Re: boot camp or parallels
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--000e0cd2153e79066a048bd6f2d0
Content-Type: text/plain; charset=ISO-8859-1

Any plugin you use for Windows should work for Windows under Boot Camp. When
you're running "in" Boot Camp, all it means, unless I'm mistaken, is that
you are running a Windows OS on Apple hardware. It is not at that point a
"Mac" in any meaningful sense (until you boot back into your Mac
partition).

Running under Parallels or Fusion is similar, but as I've said before, those
environments will generally not be fast enough for any but the most trivial
audio processing.

--000e0cd2153e79066a048bd6f2d0
Content-Type: text/html; charset=ISO-8859-1
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Any plugin you use for Windows should work for Windows under Boot Camp. Whe=
n you&#39;re running &quot;in&quot; Boot Camp, all it means, unless I&#39;m=
 mistaken, is that you are running a Windows OS on Apple hardware. It is no=
t at that point a &quot;Mac&quot; in any meaningful sense (until you boot b=
ack into your Mac partition).=A0
<div><br></div><div>Running under Parallels or Fusion is similar, but as I&=
#39;ve said before, those environments will generally not be fast enough fo=
r any but the most trivial audio processing.</div>

--000e0cd2153e79066a048bd6f2d0--

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Date: Tue, 20 Jul 2010 23:27:32 +0200
Message-ID: <AANLkTinxb2nUErTa_FA23KY8zHHc2X8ovkc2XJnmglNT@mail.gmail.com>
Subject: Re: which small multi-fx box?
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Jul 19, 2010 at 1:04 AM, Qua Veda <qua@oregon.com> wrote:
> Looking for small, portable, inexpensive multi-fx box that would apply re=
verb, delay, etc to sustained voice to create =A0spacey or dreamy =A0drone =
sounds.

I'm mainly creating ambient/drone music. I use a Line 6 M13 but check
out the Line 6 M9. This is the the little brother of the M13, but is
much smaller but almost as powerfull. It contains 100 different good
quality stompbox effects in categories like distortions, delays,
filters and reverbs. You can setup 3 stomp boxes in series (M13: 4)
and it has a 28 second looper.

Drones: combine the "Analog delay" effect with80%-90% feedback at the
point it almost starts self-oscilating and add a reverb like "Partical
Verb", set the "Dwell" parameter to almost 100% and for extreme
effects, set the 5th parameter to "Critical" or "Hazard". I'm sure you
want one ;-)

--=20
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 00:57:42 2010
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Date: Wed, 21 Jul 2010 02:57:40 +0200
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Subject: Re: Looper software for live performance
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--001636c5a8bae26070048bdb49d3
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wow,wow, this one is new to me,real time time stretch! ok but does it work
better than mobius? compared to mobius how it is in terms of
reliability,functionality is it easier than mobius to customize or is macro=
s
easier than the script lenguage in mobius?how stable is the GUI? anybody
else using it?
cheers
Luis

2010/7/20 Per Boysen <perboysen@gmail.com>

> Please let me add some info on Logelloop here, as I own that looper
> and like it a lot. What's cool IMHO is that the mixer (10 loop tracks
> + 3 different effect tracks) can save "snapshots" of total settings,
> called "presets". Such mixer presets can be used to radically alter
> the sounding playback of all loops. Not only track volume and pan is
> handled but also Strech, Speed, Pitch and other parameters. So when
> performing with Logelloop you can both make loops and switch between
> those loops as well as you may jump between alternate mixer presets to
> alter the playback of those loops. A preset may include dynamic stuff
> like "auto-pan" as well (script).
>
> Now the really cool thing is that there is a global mixer parameter,
> called "interpolation", that sets a time span for the mixer to move
> all parameter values from one preset to the values of the next called
> preset (like "inertia" in Augustus Loop, but "interpolation" works on
> all mixer parameters). Example: Imagine you go from one preset into
> another one that has a different Speed or Pitch setting for some
> tracks. What happens then, with interpolation active, is that the
> loops playing through those tracks will seamlessly glide towards the
> pitch of the next mixer preset (think about the THX theatre sound
> effect jingle).
>
> While Mobius is like "eight brother synced stereo EDPs on speed"
> Logelloop is more like an electronic instrument in its own right of
> which live looping is one of the things you can do. Logelloop is not a
> plugin. It is not a classic host application either, although you can
> open some VST or AU plugins on tracks as well as the special Logelloop
> plugins (Granulaterre is my favorite, combining step sequencing and
> real time sampling - all inside the live looping paradigm). Download
> the PDF manual to check it out more!
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
>  On Tue, Jul 20, 2010 at 10:37 AM, Philippe OLLIVIER
> <philippe.ollivier@gmail.com> wrote:
> > Hi,
> > Logelloop also exist.
> >
> > http://logelloop.logellou.com/
> >
> > It is a multitracks looper designed for realtime and stage.
> > Logelloop has 3 banks of up to 10 tracks. Everything can be save and
> restored from the HD.
> > It contains some specific plug-ins like a granular engine named
> Granulaterre...
> > Logelloop can be controlled by every MIDI system and even has a Macro
> language.
> > Philippe Ollivier.
> >
> > -------------------------------------
> > http://logelloop.logellou.com/
> > www.philippeollivier.com
> >
> >
> >
> >
> >
> > Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :
> >
> >> m=F6bius is the jammy-jam. like an edp/lp1 on steroids.
> >>
> >> - jim
> >>
> >> On Wednesday, June 23, 2010, Matt Stevens
> >> <mattstevensguitar@btinternet.com> wrote:
> >>>
> >>> Mobius is worth a google/download.
> >>>
> >>> Matt Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com
> >>>
> >>>
> >>>
> >>> On 22 Jun 2010, at 22:47, Raul Bonell wrote:
> >>> yes. god. there are many. all, man designed, though.
> >>>
> >>>
> >>> 2010/6/22 God is good <rychusrbold@yahoo.com>
> >>> Hello loop delighters,
> >>> Please let me know if there is a software based looper which can be
> used instead of a hardware so I can use my laptop on stage & use the loop=
er
> software.
> >>> Thanks.
>
>

--001636c5a8bae26070048bdb49d3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>wow,wow, this one is new to me,real time time stretch! ok but does it =
work better than mobius? compared to mobius how it is in terms of reliabili=
ty,functionality is it easier than mobius to customize or is macros easier =
than the script lenguage in mobius?how stable is the GUI? anybody else usin=
g it?</div>

<div>cheers</div>
<div>Luis<br><br></div>
<div class=3D"gmail_quote">2010/7/20 Per Boysen <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Please let me add some info on L=
ogelloop here, as I own that looper<br>and like it a lot. What&#39;s cool I=
MHO is that the mixer (10 loop tracks<br>
+ 3 different effect tracks) can save &quot;snapshots&quot; of total settin=
gs,<br>called &quot;presets&quot;. Such mixer presets can be used to radica=
lly alter<br>the sounding playback of all loops. Not only track volume and =
pan is<br>
handled but also Strech, Speed, Pitch and other parameters. So when<br>perf=
orming with Logelloop you can both make loops and switch between<br>those l=
oops as well as you may jump between alternate mixer presets to<br>alter th=
e playback of those loops. A preset may include dynamic stuff<br>
like &quot;auto-pan&quot; as well (script).<br><br>Now the really cool thin=
g is that there is a global mixer parameter,<br>called &quot;interpolation&=
quot;, that sets a time span for the mixer to move<br>all parameter values =
from one preset to the values of the next called<br>
preset (like &quot;inertia&quot; in Augustus Loop, but &quot;interpolation&=
quot; works on<br>all mixer parameters). Example: Imagine you go from one p=
reset into<br>another one that has a different Speed or Pitch setting for s=
ome<br>
tracks. What happens then, with interpolation active, is that the<br>loops =
playing through those tracks will seamlessly glide towards the<br>pitch of =
the next mixer preset (think about the THX theatre sound<br>effect jingle).=
<br>
<br>While Mobius is like &quot;eight brother synced stereo EDPs on speed&qu=
ot;<br>Logelloop is more like an electronic instrument in its own right of<=
br>which live looping is one of the things you can do. Logelloop is not a<b=
r>
plugin. It is not a classic host application either, although you can<br>op=
en some VST or AU plugins on tracks as well as the special Logelloop<br>plu=
gins (Granulaterre is my favorite, combining step sequencing and<br>real ti=
me sampling - all inside the live looping paradigm). Download<br>
the PDF manual to check it out more!<br>
<div class=3D"im"><br>Greetings from Sweden<br><br>Per Boysen<br><a href=3D=
"http://www.boysen.se/" target=3D"_blank">www.boysen.se</a><br><a href=3D"h=
ttp://www.perboysen.com/" target=3D"_blank">www.perboysen.com</a><br><a hre=
f=3D"http://www.looproom.com/" target=3D"_blank">www.looproom.com</a> inter=
net music hub<br>
<br><br><br></div>
<div>
<div></div>
<div class=3D"h5">On Tue, Jul 20, 2010 at 10:37 AM, Philippe OLLIVIER<br>&l=
t;<a href=3D"mailto:philippe.ollivier@gmail.com">philippe.ollivier@gmail.co=
m</a>&gt; wrote:<br>&gt; Hi,<br>&gt; Logelloop also exist.<br>&gt;<br>&gt; =
<a href=3D"http://logelloop.logellou.com/" target=3D"_blank">http://logello=
op.logellou.com/</a><br>
&gt;<br>&gt; It is a multitracks looper designed for realtime and stage.<br=
>&gt; Logelloop has 3 banks of up to 10 tracks. Everything can be save and =
restored from the HD.<br>&gt; It contains some specific plug-ins like a gra=
nular engine named Granulaterre...<br>
&gt; Logelloop can be controlled by every MIDI system and even has a Macro =
language.<br>&gt; Philippe Ollivier.<br>&gt;<br>&gt; ----------------------=
---------------<br>&gt; <a href=3D"http://logelloop.logellou.com/" target=
=3D"_blank">http://logelloop.logellou.com/</a><br>
&gt; <a href=3D"http://www.philippeollivier.com/" target=3D"_blank">www.phi=
lippeollivier.com</a><br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt;<br>&gt; Le 23=
 juin 2010 =E0 20:33, james fowler a =E9crit :<br>&gt;<br>&gt;&gt; m=F6bius=
 is the jammy-jam. like an edp/lp1 on steroids.<br>
&gt;&gt;<br>&gt;&gt; - jim<br>&gt;&gt;<br>&gt;&gt; On Wednesday, June 23, 2=
010, Matt Stevens<br>&gt;&gt; &lt;<a href=3D"mailto:mattstevensguitar@btint=
ernet.com">mattstevensguitar@btinternet.com</a>&gt; wrote:<br>&gt;&gt;&gt;<=
br>
&gt;&gt;&gt; Mobius is worth a google/download.<br>&gt;&gt;&gt;<br>&gt;&gt;=
&gt; Matt <a href=3D"mailto:Stevenswww.mattstevensguitar.commattstevensguit=
ar@btinternet.com">Stevenswww.mattstevensguitar.commattstevensguitar@btinte=
rnet.com</a><br>
&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; On 22 Jun 2010=
, at 22:47, Raul Bonell wrote:<br>&gt;&gt;&gt; yes. god. there are many. al=
l, man designed, though.<br>&gt;&gt;&gt;<br>&gt;&gt;&gt;<br>&gt;&gt;&gt; 20=
10/6/22 God is good &lt;<a href=3D"mailto:rychusrbold@yahoo.com">rychusrbol=
d@yahoo.com</a>&gt;<br>
&gt;&gt;&gt; Hello loop delighters,<br>&gt;&gt;&gt; Please let me know if t=
here is a software based looper which can be used instead of a hardware so =
I can use my laptop on stage &amp; use the looper software.<br>&gt;&gt;&gt;=
 Thanks.<br>
<br></div></div></blockquote></div><br>

--001636c5a8bae26070048bdb49d3--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 02:51:45 2010
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Loopin' The Who
Date: Tue, 20 Jul 2010 22:51:33 -0400
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Nice, simple, but effective use of a looper.

 

http://www.youtube.com/watch?v=mlD_oj_U4mU

 

Tony


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	margin:1.0in 1.0in 1.0in 1.0in;}
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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal>Nice, simple, but effective use of a =
looper.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><a =
href=3D"http://www.youtube.com/watch?v=3DmlD_oj_U4mU">http://www.youtube.=
com/watch?v=3DmlD_oj_U4mU</a><o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Tony<o:p></o:p></p>

</div>

</body>

</html>

------=_NextPart_000_00BE_01CB285E.1C3037B0--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 02:54:25 2010
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Date: Wed, 21 Jul 2010 11:54:21 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: which small multi-fx box?
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At 4:04 PM -0700 7/18/10, Qua Veda wrote:
>Looking for small, portable, inexpensive multi-fx box that would 
>apply reverb, delay, etc to sustained voice to create  spacey or 
>dreamy  drone sounds.  Perhaps something  a pair of Alesis nanoverbs 
>in series.

Yamaha MagicStomp (any of the models will do, since the firmware can 
be swapped between different models).

Contains some of the best algorithms from the UD-Stomp, and thus some 
of the spaciest, dreamiest presets ever put together by Alan 
Holdsworth for his trademark volume swells.  Also includes a good 
chunk of the SPX-900 and the other previous Yamaha "XX"-Stomps.

They blew 'em out for $70 a pop a couple of years back, so you should 
now be able to find one used in the $100-200 range pretty easily.

	--m.
-- 
_____
"Image is blasphemy. Text is heresy. The spoken word is a lie."
	 X  <--- you are here.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 03:10:49 2010
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Date: Wed, 21 Jul 2010 12:10:40 +0900
To: Loopers-Delight@loopers-delight.com
From: Mech <mech@m3ch.net>
Subject: Re: Looper software for live performance
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At 2:57 AM +0200 7/21/10, Louie Angulo wrote:
>wow,wow, this one is new to me,real time time stretch! ok but does 
>it work better than mobius? compared to mobius how it is in terms of 
>reliability,functionality is it easier than mobius to customize or 
>is macros easier than the script lenguage in mobius?how stable is 
>the GUI? anybody else using it?

I gave it a run-through when the beta was first released, and was 
just as impressed as Per.  Unfortunately, I got distracted by some 
other shiny thing, and didn't get back to finish putting it through 
the paces.  There were also a couple of feature requests I was 
interested in, and don't remember whatever happened with those.

I do remember making a mental note that I should probably try to save 
up the money for the licensing fee, as this one looked really good. 
I should probably get back to that when I have some spare cash.

Beyond that, Per's your guy.  I really enjoyed working with it, but I 
didn't have a chance to go nearly as deep as he has.

	--m.
-- 
_____
"take one step outside yourself. the whole path lasts no longer than 
one step..."

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Date: Tue, 20 Jul 2010 21:01:26 -0700
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Subject: Re: Loopin' The Who
From: Art Simon <simart@gmail.com>
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--0016369204e716a3fd048bdddb82
Content-Type: text/plain; charset=ISO-8859-1

Cool, I enjoyed it.

Your post got me thinking. I'd always wondered whether Baba O'Riley was some
sort of reference to Terry Riley, and yup, according to
wikipedia<http://en.wikipedia.org/wiki/Baba_O%27Riley>it is. I just
found that out today. Probably everybody else in the world
knew that besides me. : )

Thanks for the link!

On Tue, Jul 20, 2010 at 7:51 PM, Tony K <bigtonyk@gmail.com> wrote:
> Nice, simple, but effective use of a looper.
>
>
>
> http://www.youtube.com/watch?v=mlD_oj_U4mU
>
>
>
> Tony



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016369204e716a3fd048bdddb82
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Cool, I enjoyed it.<br><br>Your post got me thinking. I&#39;d always wonder=
ed whether Baba O&#39;Riley was some sort of reference to Terry Riley, and =
yup, according to <a href=3D"http://en.wikipedia.org/wiki/Baba_O%27Riley">w=
ikipedia</a> it is. I just found that out today. Probably everybody else in=
 the world knew that besides me. : )<br>
<br>Thanks for the link!<br><br>On Tue, Jul 20, 2010 at 7:51 PM, Tony K &lt=
;<a href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt; wrote:<br=
>&gt; Nice, simple, but effective use of a looper.<br>&gt;<br>&gt; =A0<br>&=
gt;<br>
&gt; <a href=3D"http://www.youtube.com/watch?v=3DmlD_oj_U4mU">http://www.yo=
utube.com/watch?v=3DmlD_oj_U4mU</a><br>&gt;<br>&gt; =A0<br>&gt;<br>&gt; Ton=
y<br><br><br><br>-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com">si=
mart@gmail.com</a><br>
myspace [dot] com/artsimon<br><br>

--0016369204e716a3fd048bdddb82--

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=E8=B2=A8=E5=88=B0=E4=BB=98=E6=AC=BE!=E5=8F=AF=E4=BB=A5=E5=85=88=E7=9C=8B=
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olor=3D#ff0000><FONT color=3D#ff0000>&#x5373;&#x6642;&#x901A;:</FONT><FONT =
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NT size=3D4><FONT color=3D#ff409f>&#x9EDE;&#x5B83;&#x53EF;&#x8207;</FONT><F=
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</td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-1688620587-1279691678=:55220--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 06:20:49 2010
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http://www.loop-master.com/
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><a href="http://www.loop-master.com/">http://www.loop-master.com/</a></body></html>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 06:34:49 2010
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not exactly the sort of looping we discuss here for the most part; he builds
routing switchers, not audio loopers. well made/constructed, tho a bit on
the pricy side. I bought a splitter box and an A/B box from him recently,
and tho the workmanship is excellent, the construction lead times and the
cost compared to other builders has put me off from buying anything else.


> http://www.loop-master.com/

From bahjaafshine@ymail.com  Wed Jul 21 08:20:21 2010
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Caro amico,
=0A
=0ASono lieto di conoscerti, ma Dio ti conosce meglio e lui sa perch=C3=A9 =
mi ha indirizzato a voi, a questo punto nel tempo in modo da non avere paur=
a. Sto scrivendo questa mail a voi con tristezza pesante nel mio cuore, Il =
mio nome =C3=A8 Bahja Afshin sono dall'Algeria sono una donna di 46 anni. E=
 vi sto contattando dall'ospedale erano sto prendendo il mio trattamento qu=
i a Dakar in Senegal.
=0A
=0AVoglio dire questo perch=C3=A9 mi dona =E2=82=AC =E2=84=A2 t avere quals=
iasi opzione diversa da dirvi come mi =C3=A8 stato toccato di aprire a voi,=
 io sono sposata con il signor Afshin Basem che ha lavorato con l'ambasciat=
a algerina in Burkina Faso per nove anni prima mor=C3=AC nel 2005.We anno s=
ono stati sposati per undici anni senza un bambino. E 'morto dopo una breve=
 malattia che dur=C3=B2 solo cinque giorni.
=0A
=0A
=0ADal momento che la sua morte ho deciso di non risposarsi, quando il mio =
defunto marito era in vita ha depositato la somma di US $ 8,2 milioni (otto=
 milioni e duecentomila dollari) in una banca a Ouagadougou capitale del Bu=
rkina Faso in Africa occidentale Attualmente questo denaro =C3=A8 ancora in=
 banca. Ha fatto questi soldi a disposizione per l'esportazione di oro da m=
iniere Burkina Faso.
=0A
=0A
=0ARecentemente, il mio medico mi ha detto che non sarebbe durata per il pe=
riodo di sette mesi a causa del problema cancro. Quello che pi=C3=B9 mi dis=
turba =C3=A8 la mia malattia del cancro. Dopo aver conosciuto la mia condiz=
ione, ho deciso di mano pi=C3=B9 di questi soldi per prendersi cura delle p=
ersone meno privilegiate, si utilizzer=C3=A0 questi soldi il modo in cui st=
o per istruire nel presente accordo.
=0A
=0A
=0AVoglio che tu prendere 30 per cento del prezzo totale per uso personale =
mentre il 70% dei fondi sar=C3=A0 devoluto in beneficenza "la gente in stra=
da e aiutare l'orfanotrofio. Non ho alcun bambino che erediter=C3=A0 questi=
 soldi e mio marito parenti non sono buone neanche bene a tutti perch=C3=A9=
 sono quello che responsabile della morte di mio marito in ritardo in altri=
 per avere tutte le mie propriet=C3=A0 di marito e non voglio che gli sforz=
i di mio marito per essere utilizzati da coloro che cospiravano per la sua =
la morte.
=0A
=0A
=0ASono cresciuto come un orfano e non ho nessuno come il mio familiare, so=
lo per cercare che il nome di Dio =C3=A8 mantenuta e Dio perdoni i miei pec=
cati e di accettare la mia anima, perch=C3=A9 questa malattia mi ha tanto s=
offerto.
=0A
=0AAppena ho ricevuto la vostra risposta vi dar=C3=B2 il contatto della ban=
ca in Burkina Faso e mi invia lettera di autorit=C3=A0 che ti dimostrano il=
 beneficiario attuale del denaro in banca che se mi assicuro che agire di c=
onseguenza come Ho indicato nel presente documento.
=0A
=0ASperando di ricevere la vostra risposta.
=0A
=0AOnorevole Bahja Afshin
--0-122503781-1279700159=:56095
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>Caro amico,<br>=0A<br>=0ASono lieto d=
i conoscerti, ma Dio ti conosce meglio e lui sa perch=C3=A9 mi ha indirizza=
to a voi, a questo punto nel tempo in modo da non avere paura. Sto scrivend=
o questa mail a voi con tristezza pesante nel mio cuore, Il mio nome =C3=A8=
 Bahja Afshin sono dall'Algeria sono una donna di 46 anni. E vi sto contatt=
ando dall'ospedale erano sto prendendo il mio trattamento qui a Dakar in Se=
negal.<br>=0A<br>=0AVoglio dire questo perch=C3=A9 mi dona =E2=82=AC =E2=84=
=A2 t avere qualsiasi opzione diversa da dirvi come mi =C3=A8 stato toccato=
 di aprire a voi, io sono sposata con il signor Afshin Basem che ha lavorat=
o con l'ambasciata algerina in Burkina Faso per nove anni prima mor=C3=AC n=
el 2005.We anno sono stati sposati per undici anni senza un bambino. E 'mor=
to dopo una breve malattia che dur=C3=B2 solo cinque giorni.<br>=0A<br>=0A<=
br>=0ADal momento che la sua morte ho deciso di non risposarsi, quando il m=
io defunto marito era in vita ha depositato la somma di US $ 8,2 milioni (o=
tto milioni e duecentomila dollari) in una banca a Ouagadougou capitale del=
 Burkina Faso in Africa occidentale Attualmente questo denaro =C3=A8 ancora=
 in banca. Ha fatto questi soldi a disposizione per l'esportazione di oro d=
a miniere Burkina Faso.<br>=0A<br>=0A<br>=0ARecentemente, il mio medico mi =
ha detto che non sarebbe durata per il periodo di sette mesi a causa del pr=
oblema cancro. Quello che pi=C3=B9 mi disturba =C3=A8 la mia malattia del c=
ancro. Dopo aver conosciuto la mia condizione, ho deciso di mano pi=C3=B9 d=
i questi soldi per prendersi cura delle persone meno privilegiate, si utili=
zzer=C3=A0 questi soldi il modo in cui sto per istruire nel presente accord=
o.<br>=0A<br>=0A<br>=0AVoglio che tu prendere 30 per cento del prezzo total=
e per uso personale mentre il 70% dei fondi sar=C3=A0 devoluto in beneficen=
za "la gente in strada e aiutare l'orfanotrofio. Non ho alcun bambino che e=
rediter=C3=A0 questi soldi e mio marito parenti non sono buone neanche bene=
 a tutti perch=C3=A9 sono quello che responsabile della morte di mio marito=
 in ritardo in altri per avere tutte le mie propriet=C3=A0 di marito e non =
voglio che gli sforzi di mio marito per essere utilizzati da coloro che cos=
piravano per la sua la morte.<br>=0A<br>=0A<br>=0ASono cresciuto come un or=
fano e non ho nessuno come il mio familiare, solo per cercare che il nome d=
i Dio =C3=A8 mantenuta e Dio perdoni i miei peccati e di accettare la mia a=
nima, perch=C3=A9 questa malattia mi ha tanto sofferto.<br>=0A<br>=0AAppena=
 ho ricevuto la vostra risposta vi dar=C3=B2 il contatto della banca in Bur=
kina Faso e mi invia lettera di autorit=C3=A0 che ti dimostrano il benefici=
ario attuale del denaro in banca che se mi assicuro che agire di conseguenz=
a come Ho indicato nel presente documento.<br>=0A<br>=0ASperando di ricever=
e la vostra risposta.<br>=0A<br>=0AOnorevole Bahja Afshin</td></tr></table>
--0-122503781-1279700159=:56095--

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Subject: simple drum sampler for mac
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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--001636c596ebe27741048be5d437
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hi friends,
is there a free simple drum sampler for mac like battery for ex. to use with
logic to quickly create and load my own acoustic drum kits  and edit them? i
m so used to the simplicity of battery but i only have the PC version;-(
Ultra beat in logic is not that intuitive and the acoustic drum samples
arent that exciting either
thanx
cheers
Luis

--001636c596ebe27741048be5d437
Content-Type: text/html; charset=ISO-8859-1
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hi friends,<br>is there a free simple drum sampler for mac like battery for=
 ex. to use with logic to quickly create and load my own acoustic drum kits=
=A0 and edit them? i m so used to the simplicity of battery but i only have=
 the PC version;-(<br>
Ultra beat in logic is not that intuitive and the acoustic drum samples are=
nt that exciting either<br>thanx<br>cheers<br>Luis<br>

--001636c596ebe27741048be5d437--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 14:17:19 2010
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you could try vsamp

http://www.vsamp.com/


os.


On 21 July 2010 14:32, Louie Angulo <louie.angulo@googlemail.com> wrote:
> hi friends,
> is there a free simple drum sampler for mac like battery for ex. to use w=
ith
> logic to quickly create and load my own acoustic drum kits=A0 and edit th=
em? i
> m so used to the simplicity of battery but i only have the PC version;-(
> Ultra beat in logic is not that intuitive and the acoustic drum samples
> arent that exciting either
> thanx
> cheers
> Luis
>



--=20
os@collective.co.uk
http://twitter.com/expertsleepers
http://www.darkroomtheband.net/
http://www.expert-sleepers.co.uk/

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 14:25:45 2010
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Date: Wed, 21 Jul 2010 16:25:44 +0200
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Subject: Re: simple drum sampler for mac
From: Per Boysen <perboysen@gmail.com>
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On Wed, Jul 21, 2010 at 3:32 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
>  quickly create and load my own acoustic drum kits=C2=A0 and edit them?

The sampler EXS24 is also part of Logic. Both EXS24 and UltraBeat can
be loaded with your own samples, so you don't have to use some library
sound that you might not like. If you plan to create a lot of your own
drum kit instruments the EXS24 is much simpler to work with. It is
just a sampler though, while the UltraBeat also offers synthesized
tone creation plus built-in step sequencer.

I doubt you will find anything for free that is simpler to use than
using the EXS24 in Logic.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Jul 21, 2010 at 3:32 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> hi friends,
> is there a free simple drum sampler for mac like battery for ex. to use w=
ith
> logic to quickly create and load my own acoustic drum kits=C2=A0 and edit=
 them? i
> m so used to the simplicity of battery but i only have the PC version;-(
> Ultra beat in logic is not that intuitive and the acoustic drum samples
> arent that exciting either
> thanx
> cheers
> Luis
>

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 14:27:26 2010
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Date: Wed, 21 Jul 2010 10:27:23 -0400
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
In-Reply-To: <5782F2F9-15AB-47F6-AB5A-9CDEE81708E3@charter.net>
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I also started using glucosamine last year and it helped quite a bit 
and then I found a product called Joint Ease which has glucosamine in 
it but also has an anti-imflamatory and it has made a HUGE difference.

I was told by a doctor today that I have to take it very easy for the 
next little while, I had a heart attack on Sat. and just came home 
from the hospital. They put a metal stint in one of my arteries.... 
not an overly pleasant experience, But I did discover that when they 
have one of those medication pumps really cranked up it has a great 
rhythm. I'm going to have to get a recording of that sound and play with it!!!

All the best to you

Paul Haslem
www.dulcify.ca
Ontario, Canada

From rita@telprof.ru  Wed Jul 21 14:39:53 2010
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From: "MS LISA GEORGE" <goodgod_s@rediffmail.com>
Subject: FROM MS LISA GEORGE STING
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FROM MS LISA GEORGE STING
Abidjan cote d'ivoire
please email back

Dearest in Christ,

I know that this mail may reach you by surprise.As we dont
know ourself previously.I am the above name person from
India. I am married to MR.GEORGE STING who was the
Ambassador of Jamaica for nineten years in cote divoire.We
were married for fiften years without a child. He died in
december 27th 2004 after a brief illness that lasted for
only two weeks .

Before his death we are happy husband and wife Christian
family. Since his death I decided not to remarry or get a
child outside my matrimonial home which the Bible is
against. When my late husband was alive, he deposited the
sum of ( USD $12.7Million ) twelve Million seven hundred
thousand U.S. Dollars into a box for security reason and
the money still with the security company here in abidjan
cote d'ivoire.

Meanwhile, i have not tell any body the content of this
deposit in the security company.I am telling you the
content reason that i want you to assist me use the fund
for the work of GOD. Even do you are not a hristain ..that
you are a muslem, that is not a problem .what i want is
for you to use it and help the helpless people around you
and of the world .to help the   orphanages, widows, and
motherles childrens  .and also for propagating the word of
God and to endeavor that the house of God is maintained.
And i want you to bear in mind that,God is spirit,and they
that worship him must worship him in spirit and in
truth:John 4 vs 24.

Recently, my Doctor told me that i have serious sickness
which is Cadiac problem.The one that disturbs me most is
my stroke sickness Having known my condition I decided to
donate his fund to your church or individual that will
utilize this money according to my direction and the will
of God.Iwant you and your church to use this fund for
orphanages, widows, propagating the word of God and to
endeavor that the house of God is maintained.

I am not afraid of death hence I know where I am going. I
know that I am going to be in the hand of the Lord Exodus
14 VS 14 says that the lord will fight my problems and I
shall hold my peace.and hibrew 9:vs;27 said that it is
apointed onto man once to die but after that comes
jurdgment,i am donating this money as a seed for the lord
to gorgive whatever that is my sin and acept me as one of
the holy people in heaven .

I want you to always pray for me because the lord is my
streignt. My happiness is that I lived a life of a worthy
Christian. Whoever that Wants to serve the Lord must serve
him in spirit and Truth. Please always remember me in your
prayer that the lord will show me mercy.

Please do give urgent response to this mail without any
delay.I want to give you number to call me but i dont want
in a way my husband relations will know that i am giving
you this money.I have a sister nurse who is fearful to the
lord that will be helping giving you information of this
deposit.Her name id sister (Kwasi Janet)

As soon as i hear from you i will offer you the contact of
the security company where the box is deposited.Hopefull
to hear from you soonest,

Remain Blessed always.
Yours Sister in Christ.
Mrs Lisa George Sting.

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 14:43:42 2010
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Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
Date: Wed, 21 Jul 2010 07:43:34 -0700
References: <FF.B0.03190.F9D024C4@smtp03.embarq.synacor.com> <0FE61633-EAC1-46FD-A579-2A85291A92AA@charter.net> <000601cb2600$f52b6b30$f7f33747@tbl01fcf9be917> <A9D8E734-C6BE-4A81-B4C8-728D058D2E88@charter.net> <000d01cb2603$d3088760$f7f33747@tbl01fcf9be917> <F895257F-D0E9-4D29-81D2-48E8E1E5EE0F@charter.net> <E4CB68F2-0D7A-4D15-9B84-DFBECB694183@glasswing.com> <8CCF57700DB83E7-1068-4513@webmail-stg-d11.sysops.aol.com> <5782F2F9-15AB-47F6-AB5A-9CDEE81708E3@charter.net> <20100721142725.1A37414DD6@ns4.tnt21.com>
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Paul,

Take care and get well soon.

Perhaps the recovery time will give opportunity for woodshedding with  
your loopers.

Keep us posted on the LD list.

Best,

Ted


On Jul 21, 2010, at 7:27 AM, paul wrote:

> I had a heart attack on Sat.

From georgekabore1@sify.com  Wed Jul 21 15:14:56 2010
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Date: Wed, 21 Jul 2010 08:14:46 -0700 (PDT)
From: George Kabore <georgekabore1@sify.com>
Reply-To: georgekabore1@sify.com
Subject: DEAR FRIEND DO THIS BUSINSESS WITH ME,
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1637507411-1279725286=:86677"

--0-1637507411-1279725286=:86677
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FROM: MR GEORGE KABORE,
REPLY SO WE CAN PULL THE FUND.=20
Please read carefully,=A0This message might meet you in utmost surprise. Ho=
wever, it's just my urgent need for foreign partner that made me to contact=
 you for this transaction. I got your contact from yahoo tourist search whi=
le I was searching for a foreign partner. I assured of your capability and =
reliability to champion this business opportunity when I prayed about you.
I am a banker by profession in BURKINA-FASO, WEST AFRICA and currently=20
holding the post of manager in account and auditing department in our bank.=
 I have the opportunity of transferring the left over funds ($ 15.5Million =
Dollars) belong to our deceased customer who died along with his entire fam=
ily in a plane crash.=A0Hence; I am inviting you for a business deal where =
this money can be shared between us in the ratio of 60/40 if you agree to m=
y business proposal. Further details of the transfer will be forwarded to y=
ou as soon as I receive your return mail immediately as soon as you receive=
 this letter.
Please indicate your willingness by sending the below information for more =
clarification and easy communication.
For more details, Contact me for more details. =A0(1) YOUR FULL NAME.......=
.........................
(2) YOUR AGE AND SEX............................=20
(3) YOUR CONTACT ADDRESS..................
(4) YOUR TEL AND FAX NUMBER..............
(5) YOUR COUNTRY OF ORIGIN.................. =A0Trusting to hear from you i=
mmediately.
Thanks & Best Regards,=20
MR GEORGE KABORE,
Please Reply To This E-Mail Address,
( georgekabore1@sify.com )=0A=0A=0A      
--0-1637507411-1279725286=:86677
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><div><strong><em><font color=3D"#ff00=
00">FROM:</font></em></strong><strong><em><font color=3D"#ff0000"> <font co=
lor=3D"#111111">MR GEORGE KABORE,</font><br>REPLY SO WE CAN PULL THE FUND. =
<br>Please read carefully,</font></em></strong></div><div><strong><em><font=
 color=3D"#000000">&nbsp;</font></em></strong></div><div><strong><em><font =
color=3D"#000000">This message might meet you in utmost surprise. However, =
it's just my urgent need for foreign partner that made me to contact you fo=
r this transaction. I got your contact from yahoo tourist search while I wa=
s searching for a foreign partner. I assured of your capability and reliabi=
lity to champion this business opportunity when I prayed about you.<br>I am=
 a banker by profession in BURKINA-FASO, WEST AFRICA and currently <br>hold=
ing the post of manager in account and auditing department in our bank. I h=
ave the
 opportunity of transferring the left over funds ($ 15.5Million Dollars) be=
long to our deceased customer who died along with his entire family in a pl=
ane crash.</font></em></strong></div><div><strong><em><font color=3D"#00000=
0">&nbsp;</font></em></strong></div><div><strong><em><font color=3D"#000000=
">Hence; I am inviting you for a business deal where this money can be shar=
ed between us in the ratio of 60/40 if you agree to my business proposal. F=
urther details of the transfer will be forwarded to you as soon as I receiv=
e your return mail immediately as soon as you receive this letter.<br>Pleas=
e indicate your willingness by sending the below information for more clari=
fication and easy communication.<br>For more details, Contact me for more d=
etails. </font></em></strong></div><div><strong><em><font color=3D"#000000"=
>&nbsp;</font></em></strong></div><div><strong><em><font color=3D"#000000">=
(1) YOUR FULL NAME................................<br>(2) YOUR AGE AND
 SEX............................ <br>(3) YOUR CONTACT ADDRESS..............=
....<br>(4) YOUR TEL AND FAX NUMBER..............<br>(5) YOUR COUNTRY OF OR=
IGIN.................. </font></em></strong></div><div><strong><em><font co=
lor=3D"#000000">&nbsp;</font></em></strong></div><div><em><strong><font col=
or=3D"#000000">Trusting to hear from you immediately.<br>Thanks &amp; Best =
Regards, <br>MR GEORGE KABORE,<br>Please Reply To This E-Mail Address,<br>(=
 <a rel=3D"nofollow" target=3D"_blank" href=3D"http://us.mc453.mail.yahoo.c=
om/mc/compose?to=3Dgeorgekabore1@sify.com"><font color=3D"#ff0000">georgeka=
bore1@sify.com</font></a> )</font></strong></em></div></td></tr></table><br=
>=0A=0A=0A=0A=0A=0A=0A=0A      
--0-1637507411-1279725286=:86677--

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 17:12:43 2010
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Subject: ZTar MIDI controller
From: Tony K <bigtonyk@gmail.com>
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--000e0cd67558cf1c16048be8e8f5
Content-Type: text/plain; charset=ISO-8859-1

New controller from Starr Labs.  It's a game controller, it's a MIDI
controller, it's two, two, two toys in one!

http://starrlabs.blogspot.com/2010/07/starr-labs-rock-controller.html

-- 
-==-=-=-
Tony

--000e0cd67558cf1c16048be8e8f5
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New controller from Starr Labs.=A0 It&#39;s a game controller, it&#39;s a M=
IDI controller, it&#39;s two, two, two toys in one!<br><br><a href=3D"http:=
//starrlabs.blogspot.com/2010/07/starr-labs-rock-controller.html">http://st=
arrlabs.blogspot.com/2010/07/starr-labs-rock-controller.html</a><br clear=
=3D"all">
<br>-- <br>-=3D=3D-=3D-=3D- <br>Tony<br>

--000e0cd67558cf1c16048be8e8f5--

From information333555@virgilio.it  Wed Jul 21 19:54:02 2010
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Message-ID: <129f6839daa.information333555@virgilio.it>
Date: Wed, 21 Jul 2010 21:38:27 +0200 (CEST)
From: REV JAMES MORGAN <information333555@virgilio.it>
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Subject: REV JAMES MORGAN
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To: undisclosed-recipients:;

REV JAMES MORGAN
CBN Governor, We Conclude Our Meeting Today That $10.5m 
should pay to you as your contract entitlement. The Payment Will Come To You 
Via ATM CARD:
Re- Comfirm this informations: 
Name#
Address#
Phone No#
Occupation# 
REV JAMES MORGAN

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 21:25:42 2010
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From: Ashley Creighton <ashcreighton@gmail.com>
Date: Wed, 21 Jul 2010 14:25:20 -0700
Message-ID: <AANLkTil0y0cwqVvyfqojufJqHv03fAEO3bLRw1nL0eh4@mail.gmail.com>
Subject: Looperlative LP1 for sale (plus foot controller)
To: Loopers-Delight@loopers-delight.com
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Hello everyone,

I'm selling my Looperlative LP1, and I'm bundling it with a Behringer
FCB1010 foot controller.

(I think it's an incredible machine, however I just don't have the
time or mental capacity to incorporate it into my show the way I want
to.)

All original power cords included, plus a network cable for updating
the LP1 over the internet, and also two MIDI cables for connecting the
foot controller or syncing to a drum machine.

Everything's in great shape and fully functional.

I'm selling it all for $1000.

Let me know if you're interested - thanks :-)

-- 
www.ashleycreighton.com

music to make you feel better about being depressed

From Loopers-Delight-request@loopers-delight.com  Wed Jul 21 23:35:45 2010
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Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
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To: Loopers-Delight@loopers-delight.com
References: <FF.B0.03190.F9D024C4@smtp03.embarq.synacor.com> <0FE61633-EAC1-46FD-A579-2A85291A92AA@charter.net> <000601cb2600$f52b6b30$f7f33747@tbl01fcf9be917> <A9D8E734-C6BE-4A81-B4C8-728D058D2E88@charter.net> <000d01cb2603$d3088760$f7f33747@tbl01fcf9be917> <F895257F-D0E9-4D29-81D2-48E8E1E5EE0F@charter.net> <E4CB68F2-0D7A-4D15-9B84-DFBECB694183@glasswing.com> <8CCF57700DB83E7-1068-4513@webmail-stg-d11.sysops.aol.com> <5782F2F9-15AB-47F6-AB5A-9CDEE81708E3@charter.net> <20100721142725.1A37414DD6@ns4.tnt21.com>
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Holy cow, Paul!  Glad you're up and about.=20

Infinite loops of get well wishes to you

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
=20










On Jul 21, 2010, at 7:27 AM, paul wrote:

> I also started using glucosamine last year and it helped quite a bit =
and then I found a product called Joint Ease which has glucosamine in it =
but also has an anti-imflamatory and it has made a HUGE difference.
>=20
> I was told by a doctor today that I have to take it very easy for the =
next little while, I had a heart attack on Sat. and just came home from =
the hospital. They put a metal stint in one of my arteries.... not an =
overly pleasant experience, But I did discover that when they have one =
of those medication pumps really cranked up it has a great rhythm. I'm =
going to have to get a recording of that sound and play with it!!!
>=20
> All the best to you
>=20
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Holy =
cow, Paul! &nbsp;Glad you're up and =
about.&nbsp;<div><br></div><div>Infinite loops of get well wishes to =
you<br><div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
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auto; text-indent: 0px; text-transform: none; white-space: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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-webkit-border-vertical-spacing: 0px; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
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after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" =
color=3D"#908E38">&nbsp;</font></div><div><br></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Jul 21, 2010, at 7:27 AM, paul wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>I =
also started using glucosamine last year and it helped quite a bit and =
then I found a product called Joint Ease which has glucosamine in it but =
also has an anti-imflamatory and it has made a HUGE difference.<br><br>I =
was told by a doctor today that I have to take it very easy for the next =
little while, I had a heart attack on Sat. and just came home from the =
hospital. They put a metal stint in one of my arteries.... not an overly =
pleasant experience, But I did discover that when they have one of those =
medication pumps really cranked up it has a great rhythm. I'm going to =
have to get a recording of that sound and play with it!!!<br><br>All the =
best to you<br><br>Paul Haslem<br><a =
href=3D"http://www.dulcify.ca">www.dulcify.ca</a><br>Ontario, =
Canada<br><br></div></blockquote></div><br></div></div></body></html>=

--Apple-Mail-2-800431291--

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Date: Wed, 21 Jul 2010 16:43:51 -0700
Message-ID: <AANLkTineDghNVmMz-maN-oDwJ7fin8mLkcZ24wRJr244@mail.gmail.com>
Subject: Re: ZTar MIDI controller
From: Rafael Nunes <supersimples@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Whoa, that's crazy! lol The possibilities are kind of warping my brain a
little.

On Wed, Jul 21, 2010 at 10:12 AM, Tony K <bigtonyk@gmail.com> wrote:

> New controller from Starr Labs.  It's a game controller, it's a MIDI
> controller, it's two, two, two toys in one!
>
> http://starrlabs.blogspot.com/2010/07/starr-labs-rock-controller.html
>
> --
> -==-=-=-
> Tony
>



-- 
Rafa's One Man Band Online:
http://rafasonemanband.bandcamp.com/
http://www.facebook.com/pages/Rafas-One-Man-Band/33261753239
http://vimeo.com/11499020
http://www.myspace.com/rafasonemanband

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Whoa, that&#39;s crazy! lol The possibilities are kind of warping my brain =
a little.<br><br><div class=3D"gmail_quote">On Wed, Jul 21, 2010 at 10:12 A=
M, Tony K <span dir=3D"ltr">&lt;<a href=3D"mailto:bigtonyk@gmail.com">bigto=
nyk@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">New controller from Starr Labs.=A0 It&#39;s=
 a game controller, it&#39;s a MIDI controller, it&#39;s two, two, two toys=
 in one!<br>
<br><a href=3D"http://starrlabs.blogspot.com/2010/07/starr-labs-rock-contro=
ller.html" target=3D"_blank">http://starrlabs.blogspot.com/2010/07/starr-la=
bs-rock-controller.html</a><br clear=3D"all">
<br>-- <br>-=3D=3D-=3D-=3D- <br><font color=3D"#888888">Tony<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Rafa&#39;s One M=
an Band Online:<br><a href=3D"http://rafasonemanband.bandcamp.com/">http://=
rafasonemanband.bandcamp.com/</a><br><a href=3D"http://www.facebook.com/pag=
es/Rafas-One-Man-Band/33261753239">http://www.facebook.com/pages/Rafas-One-=
Man-Band/33261753239</a><br>
<a href=3D"http://vimeo.com/11499020">http://vimeo.com/11499020</a><br><a h=
ref=3D"http://www.myspace.com/rafasonemanband">http://www.myspace.com/rafas=
onemanband</a><br>

--0050450175fab963fa048bee5fce--

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Date: Wed, 21 Jul 2010 16:45:31 -0700 (PDT)
Subject: Re: which small multi-fx box?
From: qua@oregon.com
To: Loopers-Delight@loopers-delight.com
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Hi Sjaak, Mech,

thanks for the suggestions.   Any reason boxes like Line6 M, or
MagicStomp, wouldn't work well on voice input to create these drones, etc
?  I suppose I'd need to use  an effects loop of a small mixer to feed
them the right input level.

-Qua


> On Mon, Jul 19, 2010 at 1:04 AM, Qua Veda <qua@oregon.com> wrote:
>> Looking for small, portable, inexpensive multi-fx box that would apply
>> reverb, delay, etc to sustained voice to create  spacey or dreamy  drone
>> sounds.
>
> I'm mainly creating ambient/drone music. I use a Line 6 M13 but check
> out the Line 6 M9. This is the the little brother of the M13, but is
> much smaller but almost as powerfull. It contains 100 different good
> quality stompbox effects in categories like distortions, delays,
> filters and reverbs. You can setup 3 stomp boxes in series (M13: 4)
> and it has a 28 second looper.
>
> Drones: combine the "Analog delay" effect with80%-90% feedback at the
> point it almost starts self-oscilating and add a reverb like "Partical
> Verb", set the "Dwell" parameter to almost 100% and for extreme
> effects, set the 5th parameter to "Critical" or "Hazard". I'm sure you
> want one ;-)
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>


From info@educarepmbkzn.co.za  Thu Jul 22 02:14:43 2010
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Reply-To: <drashiruakitola@yahoo.co.jp>
From: "Dr Ashiru  Akitola"<info@educarepmbkzn.co.za>
Subject: URGENT ATTENTION NEEDED.
Date: Wed, 21 Jul 2010 18:54:26 -0700
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Times New Roman">PRIVATE AND URGENT.</FONT><BR>
<FONT size=3 face="Times New Roman">DR.ASHIRU&nbsp; AKINTOLA</FONT><BR>
<FONT size=3 face="Times New Roman">234 Victoria Street, Victoria Island,</FONT><BR>
<FONT size=3 face="Times New Roman">Lagos State Nigeria.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Greetings, </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I am contacting you because of a business concerning a huge sum of money</FONT><BR>
<FONT size=3 face="Times New Roman">from a deceased deposited in the Bank. I work here in Nigeria as an</FONT><BR>
<FONT size=3 face="Times New Roman">Accounting Officer here in. Though I know that a transaction of this</FONT><BR>
<FONT size=3 face="Times New Roman">magnitude will make any one apprehensive and worried, but I am assuring you</FONT><BR>
<FONT size=3 face="Times New Roman">that all will be well at the end of the day as all arrangement has been</FONT><BR>
<FONT size=3 face="Times New Roman">well perfected on my side, I actually decided to contact you due to the</FONT><BR>
<FONT size=3 face="Times New Roman">urgency of this transaction. </FONT></DIV>
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<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
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<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">PROPOSITION; </FONT></DIV>
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<FONT size=3 face="Times New Roman">I discovered an abandoned deposit with my bank, the account name I shall</FONT><BR>
<FONT size=3 face="Times New Roman">make known to you in your response, owned by one of the foreign customers</FONT><BR>
<FONT size=3 face="Times New Roman">of this bank who was involved in a plane crash on Monday November 1 1999.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">This customer deposited this funds amounting to US$16,000,000.00 (Sixteen</FONT><BR>
<FONT size=3 face="Times New Roman">million united states dollars), for one year fix deposit on February 1999</FONT><BR>
<FONT size=3 face="Times New Roman">with our bank in Nigeria, the file records shows that the funds was</FONT><BR>
<FONT size=3 face="Times New Roman">actually for a project our late costumer wanted to set up in the year 2000</FONT><BR>
<FONT size=3 face="Times New Roman">(A multi million Dollar crude Oil/Engineering plant in Rivers State</FONT><BR>
<FONT size=3 face="Times New Roman">Nigeria) that will be in control of the maintenance of the Nigeria</FONT><BR>
<FONT size=3 face="Times New Roman">Liquefied Natural Gas (NLNG) before his sudden and untimely death. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Ever since the death of this customer the management has expected the</FONT><BR>
<FONT size=3 face="Times New Roman">relations or next-of-kin of this customer to come forward and lay claims</FONT><BR>
<FONT size=3 face="Times New Roman">for this property as the heir, but this has not been since the death of</FONT><BR>
<FONT size=3 face="Times New Roman">this customer, this is basically the reason why I have contacted you,</FONT><BR>
<FONT size=3 face="Times New Roman">because this customer is citizen of your Country and as a foreigner my Bank</FONT><BR>
<FONT size=3 face="Times New Roman">cannot release the property unless someone a foreigner from your country</FONT><BR>
<FONT size=3 face="Times New Roman">applies for claim as the next-of-kin to the deceased as indicated in our</FONT><BR>
<FONT size=3 face="Times New Roman">operating guidelines. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Upon this discovery, I now seek your permission to have you guided and</FONT><BR>
<FONT size=3 face="Times New Roman">presented as the relative and next of kin to the deceased as all</FONT><BR>
<FONT size=3 face="Times New Roman">documentations will be carefully worked out with the help of a legal</FONT><BR>
<FONT size=3 face="Times New Roman">practitioner here in my Country in your favor for the funds to be released</FONT><BR>
<FONT size=3 face="Times New Roman">in your favor as the beneficiary's next of kin. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">It may interest you to know that I have been given two weeks order to</FONT><BR>
<FONT size=3 face="Times New Roman">produce the next of kin of this client and your country embassy has been</FONT><BR>
<FONT size=3 face="Times New Roman">contacted without any useful result or this fund will be declared as</FONT><BR>
<FONT size=3 face="Times New Roman">unclaimed and be transferred into the treasury account. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Please acknowledge receipt of this message in acceptance of our mutual</FONT><BR>
<FONT size=3 face="Times New Roman">business endeavor by furnishing me with the following; </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">1. Full name.</FONT><BR>
<FONT size=3 face="Times New Roman">2. Contact address</FONT><BR>
<FONT size=3 face="Times New Roman">3. Mobile/Cell phone</FONT><BR>
<FONT size=3 face="Times New Roman">4) Fax numbers</FONT><BR>
<FONT size=3 face="Times New Roman">5) Brief information on your profile, this should include your age and</FONT><BR>
<FONT size=3 face="Times New Roman">marital status These requirements will enable me submit your details with</FONT><BR>
<FONT size=3 face="Times New Roman">the Bank as the rightful next of kin of this customer before we embark on</FONT><BR>
<FONT size=3 face="Times New Roman">the acquisition of the necessary approvals in your favor for the immediate</FONT><BR>
<FONT size=3 face="Times New Roman">release of this fund into your account. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I shall compensate you with 45% of the total money while 5% will be for any</FONT><BR>
<FONT size=3 face="Times New Roman">expenses incurred, the rest will be mine on final conclusion of this</FONT><BR>
<FONT size=3 face="Times New Roman">project. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Please note that your share stays while the rest shall be for me for</FONT><BR>
<FONT size=3 face="Times New Roman">investment purposes. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Forward your response with the requested details to this my confidential</FONT><BR>
<FONT size=3 face="Times New Roman">email address: </FONT><A href="http://us.mc1125.mail.yahoo.com/mc/compose?to={ifechukwudeilobachie1@gmail.com"><FONT size=3 color=#0000FF face="Times New Roman"><U>{drashiruakintola@yahoo.co.jp}</U></FONT></A><FONT size=3 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Best Regards,</FONT><BR>
<FONT size=3 face="Times New Roman">Dr. Ashiru Akitola..</FONT></DIV>
</FONT>
</BODY></HTML>

From info@educarepmbkzn.co.za  Thu Jul 22 02:14:43 2010
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Reply-To: <drashiruakitola@yahoo.co.jp>
From: "Dr Ashiru  Akitola"<info@educarepmbkzn.co.za>
Subject: URGENT ATTENTION NEEDED.
Date: Wed, 21 Jul 2010 18:54:26 -0700
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<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Times New Roman">PRIVATE AND URGENT.</FONT><BR>
<FONT size=3 face="Times New Roman">DR.ASHIRU&nbsp; AKINTOLA</FONT><BR>
<FONT size=3 face="Times New Roman">234 Victoria Street, Victoria Island,</FONT><BR>
<FONT size=3 face="Times New Roman">Lagos State Nigeria.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Greetings, </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I am contacting you because of a business concerning a huge sum of money</FONT><BR>
<FONT size=3 face="Times New Roman">from a deceased deposited in the Bank. I work here in Nigeria as an</FONT><BR>
<FONT size=3 face="Times New Roman">Accounting Officer here in. Though I know that a transaction of this</FONT><BR>
<FONT size=3 face="Times New Roman">magnitude will make any one apprehensive and worried, but I am assuring you</FONT><BR>
<FONT size=3 face="Times New Roman">that all will be well at the end of the day as all arrangement has been</FONT><BR>
<FONT size=3 face="Times New Roman">well perfected on my side, I actually decided to contact you due to the</FONT><BR>
<FONT size=3 face="Times New Roman">urgency of this transaction. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">PROPOSITION; </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I discovered an abandoned deposit with my bank, the account name I shall</FONT><BR>
<FONT size=3 face="Times New Roman">make known to you in your response, owned by one of the foreign customers</FONT><BR>
<FONT size=3 face="Times New Roman">of this bank who was involved in a plane crash on Monday November 1 1999.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">This customer deposited this funds amounting to US$16,000,000.00 (Sixteen</FONT><BR>
<FONT size=3 face="Times New Roman">million united states dollars), for one year fix deposit on February 1999</FONT><BR>
<FONT size=3 face="Times New Roman">with our bank in Nigeria, the file records shows that the funds was</FONT><BR>
<FONT size=3 face="Times New Roman">actually for a project our late costumer wanted to set up in the year 2000</FONT><BR>
<FONT size=3 face="Times New Roman">(A multi million Dollar crude Oil/Engineering plant in Rivers State</FONT><BR>
<FONT size=3 face="Times New Roman">Nigeria) that will be in control of the maintenance of the Nigeria</FONT><BR>
<FONT size=3 face="Times New Roman">Liquefied Natural Gas (NLNG) before his sudden and untimely death. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Ever since the death of this customer the management has expected the</FONT><BR>
<FONT size=3 face="Times New Roman">relations or next-of-kin of this customer to come forward and lay claims</FONT><BR>
<FONT size=3 face="Times New Roman">for this property as the heir, but this has not been since the death of</FONT><BR>
<FONT size=3 face="Times New Roman">this customer, this is basically the reason why I have contacted you,</FONT><BR>
<FONT size=3 face="Times New Roman">because this customer is citizen of your Country and as a foreigner my Bank</FONT><BR>
<FONT size=3 face="Times New Roman">cannot release the property unless someone a foreigner from your country</FONT><BR>
<FONT size=3 face="Times New Roman">applies for claim as the next-of-kin to the deceased as indicated in our</FONT><BR>
<FONT size=3 face="Times New Roman">operating guidelines. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Upon this discovery, I now seek your permission to have you guided and</FONT><BR>
<FONT size=3 face="Times New Roman">presented as the relative and next of kin to the deceased as all</FONT><BR>
<FONT size=3 face="Times New Roman">documentations will be carefully worked out with the help of a legal</FONT><BR>
<FONT size=3 face="Times New Roman">practitioner here in my Country in your favor for the funds to be released</FONT><BR>
<FONT size=3 face="Times New Roman">in your favor as the beneficiary's next of kin. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">It may interest you to know that I have been given two weeks order to</FONT><BR>
<FONT size=3 face="Times New Roman">produce the next of kin of this client and your country embassy has been</FONT><BR>
<FONT size=3 face="Times New Roman">contacted without any useful result or this fund will be declared as</FONT><BR>
<FONT size=3 face="Times New Roman">unclaimed and be transferred into the treasury account. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Please acknowledge receipt of this message in acceptance of our mutual</FONT><BR>
<FONT size=3 face="Times New Roman">business endeavor by furnishing me with the following; </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">1. Full name.</FONT><BR>
<FONT size=3 face="Times New Roman">2. Contact address</FONT><BR>
<FONT size=3 face="Times New Roman">3. Mobile/Cell phone</FONT><BR>
<FONT size=3 face="Times New Roman">4) Fax numbers</FONT><BR>
<FONT size=3 face="Times New Roman">5) Brief information on your profile, this should include your age and</FONT><BR>
<FONT size=3 face="Times New Roman">marital status These requirements will enable me submit your details with</FONT><BR>
<FONT size=3 face="Times New Roman">the Bank as the rightful next of kin of this customer before we embark on</FONT><BR>
<FONT size=3 face="Times New Roman">the acquisition of the necessary approvals in your favor for the immediate</FONT><BR>
<FONT size=3 face="Times New Roman">release of this fund into your account. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">I shall compensate you with 45% of the total money while 5% will be for any</FONT><BR>
<FONT size=3 face="Times New Roman">expenses incurred, the rest will be mine on final conclusion of this</FONT><BR>
<FONT size=3 face="Times New Roman">project. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Please note that your share stays while the rest shall be for me for</FONT><BR>
<FONT size=3 face="Times New Roman">investment purposes. </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Forward your response with the requested details to this my confidential</FONT><BR>
<FONT size=3 face="Times New Roman">email address: </FONT><A href="http://us.mc1125.mail.yahoo.com/mc/compose?to={ifechukwudeilobachie1@gmail.com"><FONT size=3 color=#0000FF face="Times New Roman"><U>{drashiruakintola@yahoo.co.jp}</U></FONT></A><FONT size=3 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Best Regards,</FONT><BR>
<FONT size=3 face="Times New Roman">Dr. Ashiru Akitola..</FONT></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 09:51:26 2010
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Date: Thu, 22 Jul 2010 11:51:23 +0200
Message-ID: <AANLkTimXXvUfPw6x8sMbgzoGnwSMEef3es8Sb0KZzU90@mail.gmail.com>
Subject: Re: Looper software for live performance
From: Louie Angulo <louie.angulo@googlemail.com>
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--001636c5a57978cd03048bf6dcc2
Content-Type: text/plain; charset=ISO-8859-1
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well its already starting bad here,when i try to open it oin demo mode it
opens for about a second and then quits unexprectedly
bad...
Luis

2010/7/20 Philippe OLLIVIER <philippe.ollivier@gmail.com>

> Hi,
> Logelloop also exist.
>
> http://logelloop.logellou.com/
>
> It is a multitracks looper designed for realtime and stage.
> Logelloop has 3 banks of up to 10 tracks. Everything can be save and
> restored from the HD.
> It contains some specific plug-ins like a granular engine named
> Granulaterre...
> Logelloop can be controlled by every MIDI system and even has a Macro
> language.
> Philippe Ollivier.
>
> -------------------------------------
> http://logelloop.logellou.com/
> www.philippeollivier.com
>
>
>
>
>
> Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :
>
> > m=F6bius is the jammy-jam. like an edp/lp1 on steroids.
> >
> > - jim
> >
> > On Wednesday, June 23, 2010, Matt Stevens
> > <mattstevensguitar@btinternet.com> wrote:
> >>
> >> Mobius is worth a google/download.
> >>
> >> Matt Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com
> >>
> >>
> >>
> >> On 22 Jun 2010, at 22:47, Raul Bonell wrote:
> >> yes. god. there are many. all, man designed, though.
> >>
> >>
> >> 2010/6/22 God is good <rychusrbold@yahoo.com>
> >> Hello loop delighters,
> >> Please let me know if there is a software based looper which can be us=
ed
> instead of a hardware so I can use my laptop on stage & use the looper
> software.
> >> Thanks.
> >>
> >>
> >>
> >>
> >>
> >> --
> >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
> >> I b=E9, despr=E9s estava aquella dona que sense saber que estava
> il.luminada, exclamava: "O siga, que he pagat per aquesta merda de m=E0qu=
ina i
> resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podie=
n
> posar-li una agulla , o que pitara, o alguna cosa aix=ED? "
> >>
> >>
> >> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> >> Chain Tape Collective: http://www.ct-collective.com
> >>
> >>
> >>
> >
>
> =C0 bient=F4t,
> Philippe.
>
> -------------------------------------
> =C9coutez des extraits de Malenki Minki sur www.philippeollivier.com
> http://logelloop.logellou.com/
>
>
>
>
>
>
>
>
>
>

--001636c5a57978cd03048bf6dcc2
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well its already starting bad here,when i try to open it oin demo mode it o=
pens for about a second and then quits unexprectedly<br>bad...<br>Luis<br><=
br><div class=3D"gmail_quote">2010/7/20 Philippe OLLIVIER <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:philippe.ollivier@gmail.com">philippe.ollivier@gmail=
.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi,<br>
Logelloop also exist.<br>
<br>
<a href=3D"http://logelloop.logellou.com/" target=3D"_blank">http://logello=
op.logellou.com/</a><br>
<br>
It is a multitracks looper designed for realtime and stage.<br>
Logelloop has 3 banks of up to 10 tracks. Everything can be save and restor=
ed from the HD.<br>
It contains some specific plug-ins like a granular engine named Granulaterr=
e...<br>
Logelloop can be controlled by every MIDI system and even has a Macro langu=
age.<br>
Philippe Ollivier.<br>
<br>
-------------------------------------<br>
<a href=3D"http://logelloop.logellou.com/" target=3D"_blank">http://logello=
op.logellou.com/</a><br>
<a href=3D"http://www.philippeollivier.com" target=3D"_blank">www.philippeo=
llivier.com</a><br>
<br>
<br>
<br>
<br>
<br>
Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :<br>
<br>
&gt; m=F6bius is the jammy-jam. like an edp/lp1 on steroids.<br>
&gt;<br>
&gt; - jim<br>
&gt;<br>
&gt; On Wednesday, June 23, 2010, Matt Stevens<br>
&gt; &lt;<a href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensgui=
tar@btinternet.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Mobius is worth a google/download.<br>
&gt;&gt;<br>
&gt;&gt; Matt <a href=3D"mailto:Stevenswww.mattstevensguitar.commattstevens=
guitar@btinternet.com">Stevenswww.mattstevensguitar.commattstevensguitar@bt=
internet.com</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; On 22 Jun 2010, at 22:47, Raul Bonell wrote:<br>
&gt;&gt; yes. god. there are many. all, man designed, though.<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; 2010/6/22 God is good &lt;<a href=3D"mailto:rychusrbold@yahoo.com"=
>rychusrbold@yahoo.com</a>&gt;<br>
&gt;&gt; Hello loop delighters,<br>
&gt;&gt; Please let me know if there is a software based looper which can b=
e used instead of a hardware so I can use my laptop on stage &amp; use the =
looper software.<br>
&gt;&gt; Thanks.<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; --<br>
&gt;&gt; =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
&gt;&gt; I b=E9, despr=E9s estava aquella dona que sense saber que estava i=
l.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0=
quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no=
 podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br=
>

&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com"=
 target=3D"_blank">http://raulbonell.blogspot.com</a><br>
&gt;&gt; Chain Tape Collective: <a href=3D"http://www.ct-collective.com" ta=
rget=3D"_blank">http://www.ct-collective.com</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
<br>
=C0 bient=F4t,<br>
Philippe.<br>
<br>
-------------------------------------<br>
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<br>
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</blockquote></div><br>

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From service.loterie2010@orange.fr  Thu Jul 22 09:57:03 2010
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------=_Part_212105_18058961.1279792021974
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	boundary="----=_Part_212106_17128369.1279792021974"

------=_Part_212106_17128369.1279792021974
Content-Type: text/plain; charset=UTF-8
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Madame /Monsieur,

Nous sommes heureux de vous informer du r=C3=A9sultat des
programmes internationaux des gagnants de loterie tenus il y a
deux jours de cela =C3=A0 notre si=C3=A8ge sis =C3=A0 New York. Votre adres=
se
E-mail =C3=A9t=C3=A9 d=C3=A9sign=C3=A9 comme gagnants de cette ann=C3=A9e v=
ous faites donc
partie des heureux(es) gagnants de la Loterie AM=C3=89RICAINE MICROSOFT BIL=
L GATES FONDATION.
Veuillez trouvez en fichier joint votre notification de gain.

Cordialement.

Madame THAIMA SAMMAN
Directrice des op=C3=A9rations.

Pour en entrer en possession de votre gain veuillez adresser par E-mail le =
formulaire suivant que vous devez remplir =C3=A0 l=E2=80=99adresse E-mail d=
e Ma=C3=AEtre Tiako fofana charg=C3=A9 de vous indiqu=C3=A9 les conditions =
g=C3=A9n=C3=A9rales de remise de votre gain.
=C2=A0
FORMULAIRE DE V=C3=89RIFICATION A REMPLIR ET A ENVOYER A L'EMAIL DE MAITRE =
TIAKO FOFANA:

=C2=A0
VOTRE NOM ET PR=C3=89NOMS:

AGE :

SEXE :

ADRESSE PERMANENTE :

PAYS :

VILLE :

CODE POSTAL :

FONCTION:

MOBILE :

R=C3=89F. NOMBRE :

NUM=C3=89RO DE LOT :

NUM=C3=89RO DE GAIN :


=C3=89mail : cabinet.tiakofofana@gmail.com
=C2=A0
Adresse : 01 BP 1856 ABIDJAN 01 PLATEAU R=C3=89SIDENCE BLANCHARD

CONTACT T=C3=89L=C3=89PHONIQUE: 00225 67 06 47 17
MAITRE TIAKO FOFANA

Bien =C3=A0 vous Madame THAIMA SAMMAN
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Content-Transfer-Encoding: quoted-printable

<font size=3D"3"><font face=3D"comic sans ms,sand">Madame /Monsieur,<br /><=
br />Nous sommes heureux de vous informer du r&eacute;sultat des<br />progr=
ammes internationaux des gagnants de loterie tenus il y a<br />deux jours d=
e cela &agrave; notre si&egrave;ge sis &agrave; New York. Votre adresse<br =
/>E-mail &eacute;t&eacute; d&eacute;sign&eacute; comme gagnants de cette an=
n&eacute;e vous faites donc<br />partie des heureux(es) gagnants de la <fon=
t color=3D"#0000ff">Loterie AM&Eacute;RICAINE MICROSOFT BILL GATES FONDATIO=
N.</font><br />Veuillez trouvez en fichier joint votre notification de gain=
.<br /><br />Cordialement.<br /><br />Madame THAIMA SAMMAN<br />Directrice =
des op&eacute;rations.<br /><br />Pour en entrer en possession de votre gai=
n veuillez adresser par E-mail le formulaire suivant que vous devez remplir=
 &agrave; l&rsquo;adresse E-mail de Ma&icirc;tre Tiako fofana charg&eacute;=
 de vous indiqu&eacute; les conditions g&eacute;n&eacute;rales de remise de=
 votre gain.<br />&nbsp;<br /><span style=3D"background-color: #0000ff">FOR=
MULAIRE DE V&Eacute;RIFICATION A REMPLIR ET A ENVOYER A L'EMAIL DE MAITRE T=
IAKO FOFANA:</span><br /><br />&nbsp;<br /><span style=3D"color: #ff0000">V=
OTRE NOM ET PR&Eacute;NOMS:</span><br /><br /><span style=3D"color: #ff0000=
">AGE :</span><br /><br /><span style=3D"color: #ff0000">SEXE :</span><br /=
><br /><span style=3D"color: #ff0000">ADRESSE PERMANENTE :</span><br /><br =
/><span style=3D"color: #ff0000">PAYS :</span><br /><br /><span style=3D"co=
lor: #ff0000">VILLE :</span><br /><br /><span style=3D"color: #ff0000">CODE=
 POSTAL :</span><br /><br /><span style=3D"color: #ff0000">FONCTION:</span>=
<br /><br /><span style=3D"color: #ff0000">MOBILE :</span><br /><br /><span=
 style=3D"color: #ff0000">R&Eacute;F. NOMBRE :</span><br /><br /><span styl=
e=3D"color: #ff0000">NUM&Eacute;RO DE LOT :</span><br /><br /><span style=
=3D"color: #ff0000">NUM&Eacute;RO DE GAIN :</span><br /><br /><br />&Eacute=
;mail : <span class=3D"contextEntry">cabinet.tiakofofana@gmail.com</span><b=
r />&nbsp;<br />Adresse : 01 BP 1856 ABIDJAN 01 PLATEAU R&Eacute;SIDENCE BL=
ANCHARD<br /><br />CONTACT T&Eacute;L&Eacute;PHONIQUE: 00225 67 06 47 17<br=
 />MAITRE TIAKO FOFANA<br /><br />Bien &agrave; vous Madame THAIMA SAMMAN</=
font></font>
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	boundary="----=_Part_212106_17128369.1279792021974"

------=_Part_212106_17128369.1279792021974
Content-Type: text/plain; charset=UTF-8
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Madame /Monsieur,

Nous sommes heureux de vous informer du r=C3=A9sultat des
programmes internationaux des gagnants de loterie tenus il y a
deux jours de cela =C3=A0 notre si=C3=A8ge sis =C3=A0 New York. Votre adres=
se
E-mail =C3=A9t=C3=A9 d=C3=A9sign=C3=A9 comme gagnants de cette ann=C3=A9e v=
ous faites donc
partie des heureux(es) gagnants de la Loterie AM=C3=89RICAINE MICROSOFT BIL=
L GATES FONDATION.
Veuillez trouvez en fichier joint votre notification de gain.

Cordialement.

Madame THAIMA SAMMAN
Directrice des op=C3=A9rations.

Pour en entrer en possession de votre gain veuillez adresser par E-mail le =
formulaire suivant que vous devez remplir =C3=A0 l=E2=80=99adresse E-mail d=
e Ma=C3=AEtre Tiako fofana charg=C3=A9 de vous indiqu=C3=A9 les conditions =
g=C3=A9n=C3=A9rales de remise de votre gain.
=C2=A0
FORMULAIRE DE V=C3=89RIFICATION A REMPLIR ET A ENVOYER A L'EMAIL DE MAITRE =
TIAKO FOFANA:

=C2=A0
VOTRE NOM ET PR=C3=89NOMS:

AGE :

SEXE :

ADRESSE PERMANENTE :

PAYS :

VILLE :

CODE POSTAL :

FONCTION:

MOBILE :

R=C3=89F. NOMBRE :

NUM=C3=89RO DE LOT :

NUM=C3=89RO DE GAIN :


=C3=89mail : cabinet.tiakofofana@gmail.com
=C2=A0
Adresse : 01 BP 1856 ABIDJAN 01 PLATEAU R=C3=89SIDENCE BLANCHARD

CONTACT T=C3=89L=C3=89PHONIQUE: 00225 67 06 47 17
MAITRE TIAKO FOFANA

Bien =C3=A0 vous Madame THAIMA SAMMAN
------=_Part_212106_17128369.1279792021974
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

<font size=3D"3"><font face=3D"comic sans ms,sand">Madame /Monsieur,<br /><=
br />Nous sommes heureux de vous informer du r&eacute;sultat des<br />progr=
ammes internationaux des gagnants de loterie tenus il y a<br />deux jours d=
e cela &agrave; notre si&egrave;ge sis &agrave; New York. Votre adresse<br =
/>E-mail &eacute;t&eacute; d&eacute;sign&eacute; comme gagnants de cette an=
n&eacute;e vous faites donc<br />partie des heureux(es) gagnants de la <fon=
t color=3D"#0000ff">Loterie AM&Eacute;RICAINE MICROSOFT BILL GATES FONDATIO=
N.</font><br />Veuillez trouvez en fichier joint votre notification de gain=
.<br /><br />Cordialement.<br /><br />Madame THAIMA SAMMAN<br />Directrice =
des op&eacute;rations.<br /><br />Pour en entrer en possession de votre gai=
n veuillez adresser par E-mail le formulaire suivant que vous devez remplir=
 &agrave; l&rsquo;adresse E-mail de Ma&icirc;tre Tiako fofana charg&eacute;=
 de vous indiqu&eacute; les conditions g&eacute;n&eacute;rales de remise de=
 votre gain.<br />&nbsp;<br /><span style=3D"background-color: #0000ff">FOR=
MULAIRE DE V&Eacute;RIFICATION A REMPLIR ET A ENVOYER A L'EMAIL DE MAITRE T=
IAKO FOFANA:</span><br /><br />&nbsp;<br /><span style=3D"color: #ff0000">V=
OTRE NOM ET PR&Eacute;NOMS:</span><br /><br /><span style=3D"color: #ff0000=
">AGE :</span><br /><br /><span style=3D"color: #ff0000">SEXE :</span><br /=
><br /><span style=3D"color: #ff0000">ADRESSE PERMANENTE :</span><br /><br =
/><span style=3D"color: #ff0000">PAYS :</span><br /><br /><span style=3D"co=
lor: #ff0000">VILLE :</span><br /><br /><span style=3D"color: #ff0000">CODE=
 POSTAL :</span><br /><br /><span style=3D"color: #ff0000">FONCTION:</span>=
<br /><br /><span style=3D"color: #ff0000">MOBILE :</span><br /><br /><span=
 style=3D"color: #ff0000">R&Eacute;F. NOMBRE :</span><br /><br /><span styl=
e=3D"color: #ff0000">NUM&Eacute;RO DE LOT :</span><br /><br /><span style=
=3D"color: #ff0000">NUM&Eacute;RO DE GAIN :</span><br /><br /><br />&Eacute=
;mail : <span class=3D"contextEntry">cabinet.tiakofofana@gmail.com</span><b=
r />&nbsp;<br />Adresse : 01 BP 1856 ABIDJAN 01 PLATEAU R&Eacute;SIDENCE BL=
ANCHARD<br /><br />CONTACT T&Eacute;L&Eacute;PHONIQUE: 00225 67 06 47 17<br=
 />MAITRE TIAKO FOFANA<br /><br />Bien &agrave; vous Madame THAIMA SAMMAN</=
font></font>
------=_Part_212106_17128369.1279792021974--

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------=_Part_212105_18058961.1279792021974--


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Date: Thu, 22 Jul 2010 03:38:40 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
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Holy crap, Paul!

Glad you're out and (hopefully) feeling better.


ted h.

Enemies are good for self-definition. Werner Herzog

--- On Wed, 7/21/10, paul <phaslem@wightman.ca> wrote:

From: paul <phaslem@wightman.ca>
Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
To: Loopers-Delight@loopers-delight.com
Received: Wednesday, July 21, 2010, 7:27 AM

I also started using glucosamine last year and it helped quite a bit and then I found a product called Joint Ease which has glucosamine in it but also has an anti-imflamatory and it has made a HUGE difference.

I was told by a doctor today that I have to take it very easy for the next little while, I had a heart attack on Sat. and just came home from the hospital. They put a metal stint in one of my arteries.... not an overly pleasant experience, But I did discover that when they have one of those medication pumps really cranked up it has a great rhythm. I'm going to have to get a recording of that sound and play with it!!!

All the best to you

Paul Haslem
www.dulcify.ca
Ontario, Canada




--0-577388143-1279795120=:28515
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br>Holy crap, Paul!<br><br>Glad you're out and (hopefully) feeling better.<br><br><br>ted h.<br><br>Enemies are good for self-definition. Werner Herzog<br><br>--- On <b>Wed, 7/21/10, paul <i>&lt;phaslem@wightman.ca&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: paul &lt;phaslem@wightman.ca&gt;<br>Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP<br>To: Loopers-Delight@loopers-delight.com<br>Received: Wednesday, July 21, 2010, 7:27 AM<br><br><div class="plainMail">I also started using glucosamine last year and it helped quite a bit and then I found a product called Joint Ease which has glucosamine in it but also has an anti-imflamatory and it has made a HUGE difference.<br><br>I was told by a doctor today that I have to take it very easy for the next little while, I
 had a heart attack on Sat. and just came home from the hospital. They put a metal stint in one of my arteries.... not an overly pleasant experience, But I did discover that when they have one of those medication pumps really cranked up it has a great rhythm. I'm going to have to get a recording of that sound and play with it!!!<br><br>All the best to you<br><br>Paul Haslem<br>www.dulcify.ca<br>Ontario, Canada<br><br></div></blockquote></td></tr></table><br>
--0-577388143-1279795120=:28515--

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Date: Thu, 22 Jul 2010 12:52:57 +0200
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Subject: Re: glucosamine.....was.....GETTING TOO OLD TO SCHLEPP
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On Thu, paul <phaslem@wightman.ca> wrote:
>
> as told by a doctor today that I have to take it very easy for the next little while, I had a heart attack on Sat. and just came home from the hospital. They put a metal stint in one of my arteries.... not an overly pleasant experience,


Wish you a quick recovery!

Per Boysen

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 12:19:17 2010
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Date: Thu, 22 Jul 2010 08:19:15 -0400
Subject: Re: which small multi-fx box?
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Hi Qua,

Just finished a video with me playing bass and singing.
I'm going through a small mixer and then into my m9.
You can here the more spacey effects towards the end.
Should have it up later today.

Andre


http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Wed, July 21, 2010 7:45 pm, qua@oregon.com wrote:
> Hi Sjaak, Mech,
>
> thanks for the suggestions.   Any reason boxes like Line6 M, or
> MagicStomp, wouldn't work well on voice input to create these drones, etc
> ?  I suppose I'd need to use  an effects loop of a small mixer to feed
> them the right input level.
>
> -Qua
>
>
>> On Mon, Jul 19, 2010 at 1:04 AM, Qua Veda <qua@oregon.com> wrote:
>>> Looking for small, portable, inexpensive multi-fx box that would apply
>>> reverb, delay, etc to sustained voice to create  spacey or dreamy
>>>  drone
>>> sounds.
>>
>> I'm mainly creating ambient/drone music. I use a Line 6 M13 but check
>> out the Line 6 M9. This is the the little brother of the M13, but is
>> much smaller but almost as powerfull. It contains 100 different good
>> quality stompbox effects in categories like distortions, delays,
>> filters and reverbs. You can setup 3 stomp boxes in series (M13: 4)
>> and it has a 28 second looper.
>>
>> Drones: combine the "Analog delay" effect with80%-90% feedback at the
>> point it almost starts self-oscilating and add a reverb like "Partical
>> Verb", set the "Dwell" parameter to almost 100% and for extreme
>> effects, set the 5th parameter to "Critical" or "Hazard". I'm sure you
>> want one ;-)
>>
>> --
>> Sjaak Overgaauw
>> http://premonitionfactory.com/
>> http://livelooping.be/
>>
>>
>
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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</head><BODY BGCOLOR=3D"white" ><div><SPAN=
 style=3D"font-family:'Tahoma';font-size:10pt;">&#160;ASALLA M-ALYKUM/DEAR=
 FRIEND,</SPAN></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I know that this=
 message might come to you as a surprise. However, it all just my urgent=
 need for a foreign partner that made me to contact you. I got your contact=
 from yahoo tourist search while I was searching for a foreign partner.=
 &#160;My Name is Dr Odum Paduwa. I hail from Ouagadougou, Burkina Faso,=
 West Africa. I am a Banker by profession.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">However, my reason=
 for contacting you is to transfer an abandoned $10,300, 000.00 (Ten Million=
 Three Hundred Thousand Dollars) to your foreign account.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Hence, I am inviting=
 you for this business deal where this money shall be shared between you and=
 I, in the ratio of 60 / 40% if you agree to my proposal.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">This money has been=
 unclaimed since 13 years in our Bank. The owner of this fund is a=
 foreigner, who died since August 1997 with his Next Of Kin.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Further details of=
 the transaction shall be forwarded to you as soon as I receive your return=
 mail.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Please indicate your=
 willingness by sending the below information for more clarification and=
 easy communication.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">1) Full=
 name..........................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">2)=
 Age.................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">3)=
 Address......................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">4)=
 Occupation..........................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">5) Telephone=
 number..................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Trusting to hear=
 from you immediately.</SPAN></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Dr Odum=
 Paduwa.</SPAN></div>
<div>&nbsp;</div>
</body></html>

From junnbb46@msn.com  Thu Jul 22 13:31:42 2010
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From:     Odum Paduwa <odum_paduwa198bf@voila.fr>
To:        <.>
X-Mailer: Pocomail 4.8 (4400) - EXPIRED EVALUATION VERSION
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Date: Thu, 22 Jul 2010 13:23:50 +0100
Subject:  ASALLA M-ALYKUM/DEAR FRIEND,
Mime-Version: 1.0
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<html><head><meta name=3D"Generator" content=3D"PSI HTML/CSS Generator"/>
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</head><BODY BGCOLOR=3D"white" ><div><SPAN=
 style=3D"font-family:'Tahoma';font-size:10pt;">&#160;ASALLA M-ALYKUM/DEAR=
 FRIEND,</SPAN></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I know that this=
 message might come to you as a surprise. However, it all just my urgent=
 need for a foreign partner that made me to contact you. I got your contact=
 from yahoo tourist search while I was searching for a foreign partner.=
 &#160;My Name is Dr Odum Paduwa. I hail from Ouagadougou, Burkina Faso,=
 West Africa. I am a Banker by profession.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">However, my reason=
 for contacting you is to transfer an abandoned $10,300, 000.00 (Ten Million=
 Three Hundred Thousand Dollars) to your foreign account.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Hence, I am inviting=
 you for this business deal where this money shall be shared between you and=
 I, in the ratio of 60 / 40% if you agree to my proposal.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">This money has been=
 unclaimed since 13 years in our Bank. The owner of this fund is a=
 foreigner, who died since August 1997 with his Next Of Kin.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Further details of=
 the transaction shall be forwarded to you as soon as I receive your return=
 mail.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Please indicate your=
 willingness by sending the below information for more clarification and=
 easy communication.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">1) Full=
 name..........................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">2)=
 Age.................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">3)=
 Address......................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">4)=
 Occupation..........................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">5) Telephone=
 number..................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Trusting to hear=
 from you immediately.</SPAN></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Dr Odum=
 Paduwa.</SPAN></div>
<div>&nbsp;</div>
</body></html>

From tamfost1@gmail.com  Thu Jul 22 14:03:12 2010
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From: "FOSTER TAM"<tamfost1@gmail.com>
Subject: Money Gram Money Transfer
Date: Thu, 22 Jul 2010 03:06:22 +0100
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Money Gram Money Transfer
Send Money Worldwide 

FROM OFFICE OF THE MONEY GRAM MONEY TRANSFER. 
COTONOU BENIN REPUBLIC/ADDRESS 455 AGBOKOU, COTONOU. 
WEB:http://site.www. money gram.com 


I WOULD LIKE TO LET YOU KNOW THAT THE MINISTER OF FINANCE MR.WILLIAMS JOHNSON HAS  ORDERED THAT THE ONLY MONEY YOU WILL SEND IS $65 US DOLLARS  SO THAT WE WILL START SENDING TO YOU YOUR $10,000 US DOLLARS DAILY UNTIL YOUR TOTAL FUND OF TWO  MILLION FIVE HUNDRED THOUSAND US DOLLARS ($2,500,000.00) IS 
PAID TO YOU AND  IF YOU FAIL TO COMPLY BY SENDING THIS FEE WITHIN THREE DAYS OF THIS ORDER,YOUR TOTAL FUND WOULD BE CONFISCATED AND IT WILL BE TRANSFERRED TO GOVERNMENT PURSE,HE SAID THAT THIS IS THE FINAL ORDER.
SO I URGE YOU TO TRY AND SEE THAT YOU SEND THE $65 US DOLLARS IMMEDIATELY AFTER YOU RECEIVE THIS MAIL TODAY SO THAT WE WILL FINALIZE EVERY THING TODAY,BY TOMORROW,YOU WILL START  RECEIVING YOUR FIRST $10,000 US DOLLARS 
DAILY,

BELOW ARE THE PAYMENT INFORMATION TO SEND THE $65 US DOLLARS,

NAME..............MR. ETUMNU. INNOCENT. CHIGOZIE
CITY................COTONOU
COUNTRY.........BENIN REPUBLIC
QUESTION........WHAT CO LOUR
ANSWER............BLUE
AMOUNT...........$65
REFERENCE NO?
SENDER'S NAME?

SEND THE $65 US DOLLARS TO THIS EMAIL: moneygram242@yahoo.com 
WAITING TO RECEIVE THE PAYMENT INFORMATION  IMMEDIATELY ,
  
DR.FOSTER TAM
FOREIGN OPERATION MANAGER 
MONEY GRAM OFFICE BENIN REPUBLIC


From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 14:46:11 2010
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Date: Thu, 22 Jul 2010 10:46:06 -0400
Subject: Live looping with bass and vocals.
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Wish the beat box groove wasn't so dominant.
Still getting used to the levels in the headphones.

http://www.youtube.com/watch?v=FYQUViJmpg4

Andre



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 14:59:02 2010
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Date: Thu, 22 Jul 2010 16:58:57 +0200
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Subject: Re: Live looping with bass and vocals.
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--0050450243966b8781048bfb288d
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man that was good!
let me listen again

On Thu, Jul 22, 2010 at 4:46 PM, "Andr=E9 Donawa" <andre@andredonawa.com>wr=
ote:

> Wish the beat box groove wasn't so dominant.
> Still getting used to the levels in the headphones.
>
> http://www.youtube.com/watch?v=3DFYQUViJmpg4
>
> Andre
>
>
>
> http://barbadosguitar.com/wordpress
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>

--0050450243966b8781048bfb288d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>man that was good!<br></div><div>let me listen again</div><br><div cla=
ss=3D"gmail_quote">On Thu, Jul 22, 2010 at 4:46 PM, &quot;Andr=E9 Donawa&qu=
ot; <span dir=3D"ltr">&lt;<a href=3D"mailto:andre@andredonawa.com">andre@an=
dredonawa.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Wish the beat box groove wasn&#39;t so domi=
nant.<br>
Still getting used to the levels in the headphones.<br>
<br>
<a href=3D"http://www.youtube.com/watch?v=3DFYQUViJmpg4" target=3D"_blank">=
http://www.youtube.com/watch?v=3DFYQUViJmpg4</a><br>
<br>
Andre<br>
<br>
<br>
<br>
<a href=3D"http://barbadosguitar.com/wordpress" target=3D"_blank">http://ba=
rbadosguitar.com/wordpress</a><br>
<a href=3D"http://twitter.com/AndreDonawa" target=3D"_blank">http://twitter=
.com/AndreDonawa</a><br>
<a href=3D"http://www.andredonawa.com" target=3D"_blank">http://www.andredo=
nawa.com</a><br>
<a href=3D"http://cdbaby.com/all/andredonawa" target=3D"_blank">http://cdba=
by.com/all/andredonawa</a><br>
<a href=3D"http://www.myspace.com/andredonawa" target=3D"_blank">http://www=
.myspace.com/andredonawa</a><br>
<br>
</blockquote></div><br>

--0050450243966b8781048bfb288d--

From kingdomobasicbn1@yahoo.com  Thu Jul 22 17:43:55 2010
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From: "CENTRAL BANK"<kingdomobasicbn1@yahoo.com>
Subject: FROM: MR. KINGDOM OBASI
Date: Wed, 21 Jul 2010 11:05:46 +0100
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To: undisclosed-recipients:;

FROM THE DESK OF: MR. KINGDOM OBASI
FOREIGN PAYMENT DEPT.
CENTRAL BANK OF NIGERIA (C.B.N)
TEL/FAX: +234-4-7556374 
OUR REF: CBN/IRD/CBX/021/10.

ATTN: BENEFICIARY,

IMMEDIATE PAYMENT ORDER. 

THIS IS TO NOTIFY YOU THAT YOUR OVER DUE INHERITANCE/LOTTERY FUND HAS BEEN GAZZETED TO BE RELEASED VIA KEY TELEX TRANSFER (KTT) DIRECT WIRE TRANSFER TO YOU BY THE SENATE COMMITTEE ON FOREIGN OVER DUE PAYMENTS. THIS AMOUNT VALUED AT $9,700,000 (NINE MILLION SEVEN HUNDRED THOUSAND US DOLLARS) ONLY IS READY TO BE TRANSFERRED TO YOUR ACCOUNT WITHIN 72 HOURS.

MEANWHILE, A LAWYER MR. ANDY NWOSU CAME TO MY OFFICE FEW HOURS AGO WITH A LETTER, CLAIMING TO BE YOUR TRUE REPRESENTATIVE. HE SAID THAT YOU HAVE INSTRUCTED HIM AS YOUR LAWYER TO CHANGE YOUR NAME AS THE BENEFICIARY TO THE NAME OF YOUR NEW PARTNER STATED BELOW. HERE IS THE INFORMATION HE FORWARDED FOR THE TRANSFER OF YOUR FUNDS:

NAME: MRS. JANET T. WHITE, 
BANK NAME: WESTPAC BANK, 
BANK ADDRESS: SYDNEY AUSTRALIA
ACCOUNT NUMBER: 6503809428. 

PLEASE DO RECONFIRM TO THIS OFFICE, AS A MATTER OF URGENCY IF THIS WOMAN IS FROM YOU SO THAT THE FEDERAL GOVERNMENT WILL NOT BE HELD RESPONSIBLE FOR PAYING INTO THE WRONG ACCOUNT NAME. IF THIS WOMAN IS NOT YOUR REPRESENTATIVE, YOU ARE REQUESTED TO RECONFIRM:

FULL NAMES.............

ADDRESS..................

TEL & FAX.................

BANK NAME & ADDRESS.................

ACCOUNT NUMBER.......................

SWIFT CODE...................................

THE ABOVE IS FOR VERIFICATION PURPOSES SO THAT YOUR FUNDS VALUED FOR US$9.7M UNITED STATES DOLLARS ONLY WILL BE REMITTED INTO YOUR NOMINATED BANK ACCOUNT. 

THIS FUND IS AS A RESULT OF YOUR INHERITANCE PAYMENT. AS SOON AS WE RECEIVE YOUR RESPONSE AND THE CONFIRMATION, WE WILL COMMENCE WITH ALL NECESSARY PROCEDURE IN OTHER TO REMIT THIS MONEY INTO YOUR ACCOUNT OR THAT OF YOUR REPRESENTATIVE. WE NEED YOU TO COMPLETE THE ATTACHED FORM AND RETURN BACK IMMEDIATELY TO ENABLE US RELEASE YOUR FUNDS.

I, THE CENTRAL BANK DIRECTOR, THE EXECUTIVE BOARD OF DIRECTORS AND THE SENATE COMMITTEE ON FOREIGN OVER DUE PAYMENT HAVE APPROVED AND ACCREDITED THIS REPUTABLE BANK WITH THE OFFICE OF THE DIRECTOR, INTERNATIONAL REMITTANCE / FOREIGN OPERATIONS TO HANDLE AND TRANSFER ALL FOREIGN PAYMENTS IN THE LIST OF THIS SECOND QUARTER PAYMENT OF THE YEAR.

HOWEVER, WE SHALL PROCEED TO ISSUE ALL PAYMENTS DETAILS TO THE SAID MRS. WHITE IF WE DO NOT HEAR FROM YOU WITHIN THE NEXT 24 HOURS. WE ARE SORRY FOR ANY INCONVENIENCES AND DELAY IN TRANSFERRING OF THESE FUNDS MUST HAVE CAUSED YOU. 

DO RECONFIRM YOUR DETAILS TO ENABLE US START PROCESSING YOUR PAYMENT WITHOUT ANY FURTHER DELAY. 

YOURS FAITHFULLY,
MR. KINGDOM OBASI
FOREIGN PAYMENT DEPT.
CENTRAL BANK OF NIGERIA (CBN).

CC: THE NIGERIAN SENATE COMMITTEE.
CC: BOARD OF DIRECTOR (FPD).
CC: FEDERAL MINISTRY OF FINANCE.
CC: ACCOUNTANT GENERAL OF NIGERIA.
CC: OFFICE OF THE PRESIDENT

From brucepett@gmail.com  Thu Jul 22 17:57:16 2010
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Reply-To: <petbrucey@gmail.com>
From: "Peter Bruce"<brucepett@gmail.com>
Subject: MUTUAL COOPERATION NEEDED//
Date: Thu, 22 Jul 2010 18:42:48 +0100
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Dear Friend,
 
I am Mr. Peter Bruce, a merchant in Arab But Based in Africa.I have been diagnosed with Cancer which was discovered very late, due to my laxity in  caring for my health. It has defiled all forms of medicine, Right now I have only about a few months to live, according to my Medical Doctor. I have not particularly lived my life so well,
as I never really cared for myself but the oil business.
 
Though, I am very rich, I was never generous, I only focused on my business as thatwas the only thing I cared for. But now I regret all this as I now know that there is more to life than just wanting to have or make all the money in the world. I believe when God gives me a second chance and heal me I would live my life a  different way from how I have lived it. I have sowed a seed for my healing I have willed and given most of my properties and assets to my immediate and extended family members and as well as a few close friends. I want God to be merciful to me and accept my soul and so, I have decided to give arms to charity organizations and give succor and comfort to the less privileged of the Tsunami Victims, as I want this to be one of the last good deeds I do on earth. 
So far, I have distributed money to some charity organizations in India and Malaysia.Now that my health has deteriorated so badly, I cannot do this myself anymore. I once asked members of my family to close one of my accounts in Saudi Bank and distribute the money which
I have there to charity organization and to the less privileged in Bulgaria and Sudan-Africa
 
They cashed the money but kept it only to themselves. Hence, I do not trust them anymore, as they seem not to be contended with what I have left for them already.The last of my money which no one knows of is the huge cash deposit of Fourteen Million,Two Hundred thousand dollars (US$14.2 million) that I have in the Vault of a Storage firm/house in Europe for safe keeping. I want you to collect this deposit on my behalf and disburse half of it to the Tsunami/Haiti Earthquake victims in Asia and America for the less privileged (for charity purpose) and the other half to set up an investment that is profit base in other to keep the charity work alive.
Please send me a mail to indicate your wiliness to assist in this disbursement. For your willingness and readiness to act accordingly, I will set aside 10% for you for your time and efforts in caring out this responsibility on my behalf while,the remaining 90% will be used by you for both charity work and setting up of an investment that is profit oriented to enable you continue to assist the less privileged from time to time from the profit you make from this investment
annually. I need your urgent reply so that I will not have to go on sourcing for a credible person to handle this project. 
Sincerely,

Mr. Peter Bruce

From info@bracnet.net  Thu Jul 22 18:41:12 2010
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Message-ID: <93662c33ea75b621c0978bb2777b7e58.squirrel@mail.bracnet.net>
Date: Thu, 22 Jul 2010 17:30:15 -0000
Subject: CONGRATULATIONS!!!
From: "mr.wilson kent" <info@bracnet.net>
Reply-To: wilsonkent@live.com
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CONGRATULATIONS!!!
You have been awarded £450.000.00 GBP.
in the NOKIA MOBILE/FIFA 2010 WORLD CUP PROMO
Software email lottery in which e-mail addresses are picked randomly
by Software powered by the internet through the worldwide website.
Your email address, attached to Ref Number:5, 7, 14, 17, 18, 43 with
Serial Number:1979-12 Verification Number:CY-085-333-0,and consequently
won the lottery in the "A"Category. You have therefore been approved
for a lump sum pay out of £450.000.00 GBP.
Contact:mr.wilson kent
E-mail:wilsonkent@live.com
Provide him with the informations as stated below:
1. Name:
2. Address:
3. Marital Status:
4. Age:
5. Sex:
6. Nationality:
7.. Country of Residence:
8. Occupation:
9. Telephone Number& Fax Number:
10.Draw Number above:
These details facilitate the due process and the release of winnings to
avoid unnecessary delays and complications in the processing of your
winnings.
Sincerely,
Mr.mr.wilson kent
Online Games Director
NOKIA MOBILE/FIFA 2010 WORLD CUP PROMO.
NOKIA CONNECTING PEOPLE.
COPYRIGHT@NOKIA2010


This message has been scanned

From Loopers-Delight-request@loopers-delight.com  Thu Jul 22 19:21:40 2010
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To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=Apple-Mail-116-870269552
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Subject: Fwd: Guitar Player features StringPort demo videos on GuitarPlayer.com!!
Date: Thu, 22 Jul 2010 11:59:40 -0700
References: <AANLkTinFw-8DcVPBstx_LXfCRjLThnYOmOY2pEvb2uam@mail.gmail.com>
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--Apple-Mail-116-870269552
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wow.

Begin forwarded message:

> From: Jon Short <jon@keithmcmillen.com>
> Date: July 22, 2010 11:43:48 AM PDT
> Subject: Guitar Player features StringPort demo videos on  
> GuitarPlayer.com!!
>
> Last week Keith and Diane were invited down to the Guitar Player  
> corporate offices to demo the StringPort for guitar. We are happy to  
> report that the people down at Guitar Player are just as excited as  
> we are about this new product and they have posted 7 different demo  
> videos on their website! Visit this link to check out the videos -
> http://guitarplayer.com/GearVideo.aspx?bctid=194085207001&bclid=27948268001
>
> visit our StringPort store here - http://www.stringport.com/terms-for-suite/
>
> -- 
> Jon Short
> Keith McMillen Instruments
> StringPort for guitar now shipping!
> www.stringport.com
> (510) 984-3577


--Apple-Mail-116-870269552
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">wow.<br><div><br><div>Begin =
forwarded message:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" color=3D"#000000" =
style=3D"font: 13.0px Helvetica; color: #000000"><b>From: =
</b></font><font face=3D"Helvetica" size=3D"4" style=3D"font: 13.0px =
Helvetica">Jon Short &lt;<a =
href=3D"mailto:jon@keithmcmillen.com">jon@keithmcmillen.com</a>&gt;</font>=
</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" =
color=3D"#000000" style=3D"font: 13.0px Helvetica; color: =
#000000"><b>Date: </b></font><font face=3D"Helvetica" size=3D"4" =
style=3D"font: 13.0px Helvetica">July 22, 2010 11:43:48 AM =
PDT</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"4" color=3D"#000000" style=3D"font: 13.0px Helvetica; color: =
#000000"><b>Subject: </b></font><font face=3D"Helvetica" size=3D"4" =
style=3D"font: 13.0px Helvetica"><b>Guitar Player features StringPort =
demo videos on GuitarPlayer.com!!</b></font></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> </div>Last week Keith =
and Diane were invited down to the Guitar Player corporate offices to =
demo the StringPort for guitar. We are happy to report that the people =
down at Guitar Player are just as excited as we are about this new =
product and they have posted 7 different demo videos on their website! =
Visit this link to check out the videos - <br> <a =
href=3D"http://guitarplayer.com/GearVideo.aspx?bctid=3D194085207001&amp;bc=
lid=3D27948268001" =
target=3D"_blank">http://guitarplayer.com/GearVideo.aspx?bctid=3D194085207=
001&amp;bclid=3D27948268001</a><br><br>visit our StringPort store here - =
<a href=3D"http://www.stringport.com/terms-for-suite/" =
target=3D"_blank">http://www.stringport.com/terms-for-suite/</a><br =
clear=3D"all"> <br>-- <br>Jon Short<br>Keith McMillen =
Instruments<br>StringPort for guitar now shipping!<br><a =
href=3D"http://www.stringport.com" =
target=3D"_blank">www.stringport.com</a><br>(510) =
984-3577<br></blockquote></div><br></body></html>=

--Apple-Mail-116-870269552--

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Date: Thu, 22 Jul 2010 12:59:37 -0700 (PDT)
From: Nora Ahmed <nora222ah@ymail.com>
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To: undisclosed recipients: ;
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--0-1055905718-1279828777=:34677
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FROM MISS NORA AHMED
IVORY COAST WEST AFRICA

DEAREST ONE,

I AM MISS NORA AHMED FROM IVORY COAST AND I AM CONTACTING YOU BECAUSE I NEED YOUR HELP IN THE MANAGEMENT OF A SUM OF MONEY THAT MY DEAD FATHER LEFT FOR ME BEFORE HE DIED.THIS MONEY IS USD 7.5 MILLION AMERICAN DOLLARS AND THE MONEY IS IN A BANK HERE IN ABIDJAN .

MY FATHER WAS A VERY RICH COCOA FARMER AND HE WAS POISONED BY HIS BUSINESS COLLEAGUES AND NOW I WANT YOU TO STAND AS MY GUIDIAN AND APPOINTED BENEFICIARY AND RECEIVE THE MONEY IN YOUR COUNTRY SINCE I AM ONLY 19 YEARS AND WITHOUT MOTHER OR FATHER.

PLEASE I WILL LIKE YOU TO REPLY TO THIS EMAIL SO THAT I WILL TELL YOU ALL THE INFORMATION SO THAT THIS MONEY WILL BE TRANSFERRED TO YOU SO THAT YOU WILL GET ME PAPERS TO TRAVEL TO YOUR COUNTRY TO CONTINUE MY EDUCATION THERE. I AM WAITING FOR YOUR URGENT REPLY AND I WILL CALL YOU AS SOON AS I HEAR FROM YOU. I WILL SEND TO YOU A COPY OF MY PICTURE SO THAT YOU WILL KNOW THE PERSON YOU ARE HELPING.

THANKS.

MISS NORA AHMED.



      
--0-1055905718-1279828777=:34677
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">FROM MISS NORA AHMED<BR>IVORY COAST WEST AFRICA<BR><BR>DEAREST ONE,<BR><BR>I AM MISS NORA AHMED FROM <SPAN class=yshortcuts id=lw_1279789096_0>IVORY COAST</SPAN> AND I AM CONTACTING YOU BECAUSE I NEED YOUR HELP IN THE MANAGEMENT OF A SUM OF MONEY THAT MY DEAD FATHER LEFT FOR ME BEFORE HE DIED.THIS MONEY IS USD 7.5 MILLION AMERICAN DOLLARS AND THE MONEY IS IN A BANK HERE IN ABIDJAN .<BR><BR>MY FATHER WAS A VERY RICH COCOA FARMER AND HE WAS POISONED BY HIS BUSINESS COLLEAGUES AND NOW I WANT YOU TO STAND AS MY GUIDIAN AND APPOINTED BENEFICIARY AND RECEIVE THE MONEY IN YOUR COUNTRY SINCE I AM ONLY 19 YEARS AND WITHOUT MOTHER OR FATHER.<BR><BR>PLEASE I WILL LIKE YOU TO REPLY TO THIS EMAIL SO THAT I WILL TELL YOU ALL THE INFORMATION SO THAT THIS MONEY WILL BE TRANSFERRED TO YOU SO THAT YOU WILL GET ME PAPERS TO TRAVEL TO YOUR COUNTRY TO CONTINUE MY EDUCATION THERE. I
 AM WAITING FOR YOUR URGENT REPLY AND I WILL CALL YOU AS SOON AS I HEAR FROM YOU. I WILL SEND TO YOU A COPY OF MY PICTURE SO THAT YOU WILL KNOW THE PERSON YOU ARE HELPING.<BR><BR>THANKS.<BR><BR>MISS NORA AHMED.<BR></td></tr></table><br>

      
--0-1055905718-1279828777=:34677--

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Date: Fri, 23 Jul 2010 04:08:40 +0800
Message-ID: <AANLkTinMDb9UUjYWxCkwrblYbeGUVXtcV0xSgrn4T4uY@mail.gmail.com>
Subject: Re: Live looping with bass and vocals.
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Sounds nice Andre!

On 7/22/10, Andreas Antoniou <e.a.antoniou@gmail.com> wrote:
> man that was good!
> let me listen again
>
> On Thu, Jul 22, 2010 at 4:46 PM, "Andr=E9 Donawa"
> <andre@andredonawa.com>wrote:
>
>> Wish the beat box groove wasn't so dominant.
>> Still getting used to the levels in the headphones.
>>
>> http://www.youtube.com/watch?v=3DFYQUViJmpg4
>>
>> Andre
>>
>>
>>
>> http://barbadosguitar.com/wordpress
>> http://twitter.com/AndreDonawa
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>>
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 00:35:19 2010
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Date: Thu, 22 Jul 2010 20:35:15 -0400
From: Bill Fox <billyfox@soundscapes.us>
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/GMT-4 on Galactic Travels, I'll continue the
month-long Special Focus on Rene van der Wouden.  The Featured CD at
Midnight will be "Universal Quiet" on REWO Records.  For details, see
the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul

You will also hear music from Computerchemist as well as music by
Mikronesia who will be at the Soundscapes Concert Series on July 23.

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen at http://wdiy.org/listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 02:31:59 2010
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References: <c3eb7c5e4c0905f127e024613f8844e9.squirrel@www.andredonawa.com>
    <AANLkTimK4I8JETI8MKpycRxyufcQ6XZDR1w1sWA5LQqe@mail.gmail.com>
Date: Thu, 22 Jul 2010 22:32:00 -0400
Subject: Re: Live looping with bass and vocals.
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
To: Loopers-Delight@loopers-delight.com
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Thanks Andreas.
Hope still enjoy the 2nd time round.

Andre

On Thu, July 22, 2010 10:58 am, Andreas Antoniou wrote:
> man that was good!
> let me listen again
>
> On Thu, Jul 22, 2010 at 4:46 PM, "André Donawa"
> <andre@andredonawa.com>wrote:
>
>> Wish the beat box groove wasn't so dominant.
>> Still getting used to the levels in the headphones.
>>
>> http://www.youtube.com/watch?v=FYQUViJmpg4
>>
>> Andre
>>
>>
>>
>> http://barbadosguitar.com/wordpress
>> http://twitter.com/AndreDonawa
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>>
>>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 02:32:27 2010
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References: <c3eb7c5e4c0905f127e024613f8844e9.squirrel@www.andredonawa.com>
    <AANLkTimK4I8JETI8MKpycRxyufcQ6XZDR1w1sWA5LQqe@mail.gmail.com>
    <AANLkTinMDb9UUjYWxCkwrblYbeGUVXtcV0xSgrn4T4uY@mail.gmail.com>
Date: Thu, 22 Jul 2010 22:32:31 -0400
Subject: Re: Live looping with bass and vocals.
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Thanks Halim.

Andre

On Thu, July 22, 2010 4:08 pm, halim zainal wrote:
> Sounds nice Andre!
>
> On 7/22/10, Andreas Antoniou <e.a.antoniou@gmail.com> wrote:
>> man that was good!
>> let me listen again
>>
>> On Thu, Jul 22, 2010 at 4:46 PM, "André Donawa"
>> <andre@andredonawa.com>wrote:
>>
>>> Wish the beat box groove wasn't so dominant.
>>> Still getting used to the levels in the headphones.
>>>
>>> http://www.youtube.com/watch?v=FYQUViJmpg4
>>>
>>> Andre
>>>
>>>
>>>
>>> http://barbadosguitar.com/wordpress
>>> http://twitter.com/AndreDonawa
>>> http://www.andredonawa.com
>>> http://cdbaby.com/all/andredonawa
>>> http://www.myspace.com/andredonawa
>>>
>>>
>>
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From technipoffshore@yech.com  Fri Jul 23 04:21:09 2010
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Reply-To: <manager_williams@sify.com>
From: "Technip Offshore Ltd UK" <technipoffshore@yech.com>
Subject: JOB OPPORTUNITY
Date: Thu, 22 Jul 2010 05:32:31 -0700
MIME-Version: 1.0
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<B>Technip Offshore Ltd London UK.</B></DIV>
<DIV>
<B>International subsidiary</B></DIV>
<DIV>
<B>Enterprise Drive West hill Industrial Estate</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>West hill, Aberdeen shire AB32 6TQ London</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>United Kingdom</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>INTRODUCTION:</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Ref: TR/EMP/EXP/VOL.IV/10</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>We are Legal Labor Consultant/Recruiters to Technip Group, a foremost Oil and Gas Company.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>In pursuant to the service contract with our client (Technip Group) wish to invite experienced, skilled and qualified expatriates/persons for the Development Five Fuel Stations and Eight water Bore Hole project going on in KILLINGHOLME London United Kingdom, project schedule to commence work in July/August 2010.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>The programmed is the Development Five Fuel Stations and Eight water bore Hole project, the project involves the construction of Five Fuel Station and Drilling of Eight Water Bore-Hole.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>TECHNIP GROUP with respect to the said project requires expatriates whose services will include the project management, Accountant engineering, procurement, construction, transportation, Doctor, Language Translator and installation, safety, Catering hook up and commissioning of the production platform and pipe lining.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>SCOPE OF THE PROJECT: Development of Five Fuel Stations and Eight water Bore Hole.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>SALARY: GBP 6000- GBP100,000.00, Monthly, can be transferred to any Bank or Country of your choice and all transfers must be made in conformity with the existing tax situation in United Kingdom.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>CONTRACT DURATION: 24 months (Liable for upward review depending on your commitment and expertise)</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>DURATION OF WORK PERIODS: Three months work, one month pay leave You will be entitle to Three (3) months upfront salaries and relocation expenses on confirmation of your relevant documentation for commencement of work.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>We would like to have your detailed resume, if this Offer is acceptable to you together with an application via email attachment and you are to forward it to the below Email address: manager_williams@sify.com</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>We await your response in this regard.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>YOUR SINCERELY,</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>ENGR. WILLIAM MARKSON</B></DIV>
<DIV>
<B>EXPATRIATE HUMAN RESOURCES ASST. MANAGER</B></DIV>
<DIV>
<B>Technip Offshore Ltd UK.</B></DIV>
<DIV>
<B>International Subsidiary</B></DIV>
<DIV>
<B>Enterprise Drive</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Westhill Industrial Estate</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Westhill, Aberdeenshire AB32 6TQ</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>United Kingdom</B></DIV>
<DIV>
<B> </B></DIV>
</FONT>
</BODY></HTML>

From technipoffshore@yech.com  Fri Jul 23 04:21:09 2010
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Reply-To: <manager_williams@sify.com>
From: "Technip Offshore Ltd UK" <technipoffshore@yech.com>
Subject: JOB OPPORTUNITY
Date: Thu, 22 Jul 2010 05:32:31 -0700
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<B>Technip Offshore Ltd London UK.</B></DIV>
<DIV>
<B>International subsidiary</B></DIV>
<DIV>
<B>Enterprise Drive West hill Industrial Estate</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>West hill, Aberdeen shire AB32 6TQ London</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>United Kingdom</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>INTRODUCTION:</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Ref: TR/EMP/EXP/VOL.IV/10</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>We are Legal Labor Consultant/Recruiters to Technip Group, a foremost Oil and Gas Company.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>In pursuant to the service contract with our client (Technip Group) wish to invite experienced, skilled and qualified expatriates/persons for the Development Five Fuel Stations and Eight water Bore Hole project going on in KILLINGHOLME London United Kingdom, project schedule to commence work in July/August 2010.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>The programmed is the Development Five Fuel Stations and Eight water bore Hole project, the project involves the construction of Five Fuel Station and Drilling of Eight Water Bore-Hole.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>TECHNIP GROUP with respect to the said project requires expatriates whose services will include the project management, Accountant engineering, procurement, construction, transportation, Doctor, Language Translator and installation, safety, Catering hook up and commissioning of the production platform and pipe lining.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>SCOPE OF THE PROJECT: Development of Five Fuel Stations and Eight water Bore Hole.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>SALARY: GBP 6000- GBP100,000.00, Monthly, can be transferred to any Bank or Country of your choice and all transfers must be made in conformity with the existing tax situation in United Kingdom.</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>CONTRACT DURATION: 24 months (Liable for upward review depending on your commitment and expertise)</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>&nbsp;</B></DIV>
<DIV>
<B>DURATION OF WORK PERIODS: Three months work, one month pay leave You will be entitle to Three (3) months upfront salaries and relocation expenses on confirmation of your relevant documentation for commencement of work.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>We would like to have your detailed resume, if this Offer is acceptable to you together with an application via email attachment and you are to forward it to the below Email address: manager_williams@sify.com</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>We await your response in this regard.</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>YOUR SINCERELY,</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>ENGR. WILLIAM MARKSON</B></DIV>
<DIV>
<B>EXPATRIATE HUMAN RESOURCES ASST. MANAGER</B></DIV>
<DIV>
<B>Technip Offshore Ltd UK.</B></DIV>
<DIV>
<B>International Subsidiary</B></DIV>
<DIV>
<B>Enterprise Drive</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Westhill Industrial Estate</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>Westhill, Aberdeenshire AB32 6TQ</B></DIV>
<DIV>
<B> </B></DIV>
<DIV>
<B>United Kingdom</B></DIV>
<DIV>
<B> </B></DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 05:14:41 2010
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great! this reminds me of old Brazilian mestre Jorge Degas who lives in =
Denmark and does all with 4 strings and a clean voice... I cried when he =
came to Salvador some years ago...

but you do more due to livelooping!

parabens!

On 22 Jul 2010, at 11:46, Andr=E9 Donawa wrote:

> Wish the beat box groove wasn't so dominant.
> Still getting used to the levels in the headphones.
>=20
> http://www.youtube.com/watch?v=3DFYQUViJmpg4
>=20
> Andre
>=20
>=20
>=20
> http://barbadosguitar.com/wordpress
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>=20

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Subject: Re: Live looping with bass and vocals.
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>
> great! this reminds me of old Brazilian mestre Jorge Degas who lives in
> Denmark and does all with 4 strings and a clean voice... I cried when he
> came to Salvador some years ago...
>
Yes ! When I listened to the music it reminded me of "Mushima" a
Degas-Salaazar album (bass & voice-percussion) that I loved to listen to a
lot in the past.
I also had the fortune to see them playing live in Sicily, back in the late
'80 (probably) and, yes, I still remember they played amazing music !

Nice Andr=E8, keep on !

-fabio
www.eterogeneo.com

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<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">great! this reminds me of old Br=
azilian mestre Jorge Degas who lives in Denmark and does all with 4 strings=
 and a clean voice... I cried when he came to Salvador some years ago...<br=
>
</blockquote>
<div>Yes ! When I listened to the music it reminded me of &quot;Mushima&quo=
t; a Degas-Salaazar album (bass &amp; voice-percussion) that I loved to lis=
ten to a lot in the past.</div>
<div>I also had the fortune to see them playing live in Sicily, back in the=
 late &#39;80 (probably) and, yes, I still remember they played amazing mus=
ic !</div>
<div>=A0</div>
<div>Nice Andr=E8, keep on !</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div></d=
iv>

--001636c5aa49f26171048c0a86d5--

From stevead@uklotto.net  Fri Jul 23 11:58:11 2010
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FROM: GOVERNMENT ACCREDITED LICENSED
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 12:12:54 2010
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Date: Fri, 23 Jul 2010 08:12:53 -0400
Subject: Re: Live looping with bass and vocals.
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Thanks Guys.

I'm always on the look for new music even if it is old, and I'm not
familiar with either of these artists. I tried googling and Youtube. Any
idea where I could listen to them.

Andre



On Fri, July 23, 2010 5:19 am, Fabio_A wrote:
>>
>> great! this reminds me of old Brazilian mestre Jorge Degas who lives in
>> Denmark and does all with 4 strings and a clean voice... I cried when he
>> came to Salvador some years ago...
>>
> Yes ! When I listened to the music it reminded me of "Mushima" a
> Degas-Salaazar album (bass & voice-percussion) that I loved to listen to a
> lot in the past.
> I also had the fortune to see them playing live in Sicily, back in the
> late
> '80 (probably) and, yes, I still remember they played amazing music !
>
> Nice Andrè, keep on !
>
> -fabio
> www.eterogeneo.com
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

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Subject: Re: Live looping with bass and vocals.
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>
> Any idea where I could listen to them.


No, Andre, sorry.

fabio

>
>
>
> On Fri, July 23, 2010 5:19 am, Fabio_A wrote:
> >>
> >> great! this reminds me of old Brazilian mestre Jorge Degas who lives i=
n
> >> Denmark and does all with 4 strings and a clean voice... I cried when =
he
> >> came to Salvador some years ago...
> >>
> > Yes ! When I listened to the music it reminded me of "Mushima" a
> > Degas-Salaazar album (bass & voice-percussion) that I loved to listen t=
o
> a
> > lot in the past.
> > I also had the fortune to see them playing live in Sicily, back in the
> > late
> > '80 (probably) and, yes, I still remember they played amazing music !
> >
> > Nice Andr=E8, keep on !
> >
> > -fabio
> > www.eterogeneo.com
> >
>
>
>
>  http://barbadosguitar.com/wordpress
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>

--001636498ec40903c5048c0d0e50
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<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Any idea where I could listen to=
 them.</blockquote>
<div>=A0</div>
<div>No, Andre, sorry.</div>
<div>=A0</div>
<div>fabio<br></div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>
<div></div>
<div class=3D"h5"><br><br><br>On Fri, July 23, 2010 5:19 am, Fabio_A wrote:=
<br>&gt;&gt;<br>&gt;&gt; great! this reminds me of old Brazilian mestre Jor=
ge Degas who lives in<br>&gt;&gt; Denmark and does all with 4 strings and a=
 clean voice... I cried when he<br>
&gt;&gt; came to Salvador some years ago...<br>&gt;&gt;<br>&gt; Yes ! When =
I listened to the music it reminded me of &quot;Mushima&quot; a<br>&gt; Deg=
as-Salaazar album (bass &amp; voice-percussion) that I loved to listen to a=
<br>
&gt; lot in the past.<br>&gt; I also had the fortune to see them playing li=
ve in Sicily, back in the<br>&gt; late<br>&gt; &#39;80 (probably) and, yes,=
 I still remember they played amazing music !<br>&gt;<br>&gt; Nice Andr=E8,=
 keep on !<br>
&gt;<br>&gt; -fabio<br>&gt; <a href=3D"http://www.eterogeneo.com/" target=
=3D"_blank">www.eterogeneo.com</a><br>&gt;<br><br><br><br></div></div>
<div>
<div></div>
<div class=3D"h5"><a href=3D"http://barbadosguitar.com/wordpress" target=3D=
"_blank">http://barbadosguitar.com/wordpress</a><br><a href=3D"http://twitt=
er.com/AndreDonawa" target=3D"_blank">http://twitter.com/AndreDonawa</a><br=
><a href=3D"http://www.andredonawa.com/" target=3D"_blank">http://www.andre=
donawa.com</a><br>
<a href=3D"http://cdbaby.com/all/andredonawa" target=3D"_blank">http://cdba=
by.com/all/andredonawa</a><br><a href=3D"http://www.myspace.com/andredonawa=
" target=3D"_blank">http://www.myspace.com/andredonawa</a><br><br></div></d=
iv></blockquote>
</div><br>

--001636498ec40903c5048c0d0e50--

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Subject: Re: Live looping with bass and vocals.
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> On Fri, July 23, 2010 5:19 am, Fabio_A wrote:
>>>=20
>>> great! this reminds me of old Brazilian mestre Jorge Degas who lives =
in
>>> Denmark and does all with 4 strings and a clean voice... I cried =
when he
>>> came to Salvador some years ago...
>>>=20
>> Yes ! When I listened to the music it reminded me of "Mushima" a
>> Degas-Salaazar album (bass & voice-percussion) that I loved to listen =
to a
>> lot in the past.

well, thats an old album, probably only available in vinyl, I need to =
copy it...

my favourit song was "Sabia"=20

>> I also had the fortune to see them playing live in Sicily, back in =
the
>> late '80 (probably) and, yes, I still remember they played amazing =
music !

there are many colors to the (as they say: 200) rhythms in Brazil
I feel a tenderness and lightness which is not so frequent...

I also searched for Degas and found nothing on youtube=20
and only an albums of a different kind on iTunes
but he has a site http://www.jorgedegas.dk/ with some samples of the =
2002 CD


by the way: the foot switches are a bit too easily audible... Nelson?

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<DIV></DIV>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 13:29:23 2010
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Subject: Galactic Travels Playlist #694 for July 22, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100722.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #694                July 22, 2010.

RECAP:
On this show, I continued the month-long focus on Rene van der Wouden.
The Featured CD at Midnight was Universal Quiet by Rene van der Wouden
on REWO Records.

I also played music from computerchemist as well as music by Mikronesia
who will perform at the Soundscapes Concert Series on July 23.

Rene van der Wouden:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul
Soundscapes Concert Series: http://soundscapes.us


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
computerchemist      atmospheric          atmospheric (none)
Ricochet Gathering   Muflon Sorcerers     Muflon Sorcerers (SynGate and
                       Part 1               Ricochet Dream)
Erik Wollo           Land of Myths        Gateway (Projekt)
Erik Wollo           First Arrival        Gateway (Projekt)
Robert Rich          verbena              ylang (Soundscape Productions)
Mikronesia           Gate                 MySpace Player

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Rene van der Wouden  In Silence           Universal Quiet (REWO)
Rene van der Wouden  Pin Drop             Universal Quiet (REWO)
Rene van der Wouden  Be Quiet             Universal Quiet (REWO)
Rene van der Wouden  Go Quiet             Universal Quiet (REWO)
Rene van der Wouden  Get Quieter          Universal Quiet (REWO)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on Rene
van der Wouden.  The Featured CD at Midnight will be Numerus Fixus on
REWO Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.html
Listen to WDIY at http://wdiy.org/listen on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From aljean9@verizon.net  Fri Jul 23 15:00:53 2010
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From: International Monetary Fund US <aljean9@verizon.net>
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International Monetary Fund, 700 19th Street, N.W., Washington, D.C. 20431 =
USA.

Attention ,

Please we are here to inform you that your consignment has be here for a lo=
ng time now delaying and too that we have finalized to release it to you an=
d it is total=A0 sum of $5.3Million Us Dollars and the funds is from the Go=
vernment Of Benin Republic which we have already did by discussed with His =
Excellency Mr. President Dr Thomas Boni Yayi and the Federal Ministry Of Fi=
nance of Benin Republic and after the discussion was finalized with them , =
they agreed and gave us an account where the money will be transfering to i=
f you delay and you have to contact the Federal Ministry Of Finance of Beni=
n Republic obtain an FUNDS OWNERSHIP CERTIFICATE and it will only cost you =
$155 to obtain because we need it before we will release the funds to you.
=A0
Federal Ministry Of Finance Of Benin Republic. Headquarters, Ahmadu Bello W=
ay, Central Business District, P.M.Box 41,Tokpa Cotonou Benin Republic.=20
E-mail;;Federal_Ministry_of_finance_benin_republic@qatar.io
Tel:+229 979 013 33
Contact Person;Hon Ben Fred.
=A0
And here is the information where to send the 155 to the Federal Ministry O=
f Finance Of Benin Republic.=20

Receiver's name_____OKECHUKWU=A0 AMECHI DOMINIC.=20
COUNTRY____BENIN REPUBLIC.=20
CITY_____COTONOU.=20
TEXT QUESTION____ME.=20
Answer_____YOU.=20
Amount______$155

And after obtaining the FUNDS OWNERSHIP CERTIFICATE, please you advise to f=
ill this information below and forward it to us as you want your funds to b=
e wire transfer to you account.
=A0
YOUR FULL NAME.............
HOME ADDRESS..................=20
YOUR TELEPHONE NUMBER..............
FULL BANKING INFORMATION....................
SWIFT CODE...........................................................
NAME OF COUNTRY..................................................
NAME OF BANK............................................................
ACCOUNT NUMBER.............................................................=
.
ROUTING NUMBER.............................................................=
.........
=A0
Thanks and regards to your family.
International Monetary Fund USA
E-mail;;; usa_imf_authorities@qatar.io
--0-1797350583-1279897244=:29931
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><span style=3D"font-weight: bold;">In=
ternational Monetary Fund, 700 19th Street, N.W., Washington, D.C. 20431 US=
A.</span><br style=3D"font-weight: bold;"><br style=3D"font-weight: bold;">=
<span style=3D"font-weight: bold;">Attention ,</span><br style=3D"font-weig=
ht: bold;"><br style=3D"font-weight: bold;"><span style=3D"font-weight: bol=
d;">Please we are here to inform you that your consignment has be here for =
a long time now delaying and too that we have finalized to release it to yo=
u and it is total&nbsp; sum of $5.3Million Us Dollars and the funds is from=
 the Government Of Benin Republic which we have already did by discussed wi=
th His Excellency Mr. President Dr Thomas Boni Yayi and the Federal Ministr=
y Of Finance of Benin Republic and after the discussion was finalized with =
them , they agreed and gave us an account where the money will be transferi=
ng to if you
 delay and you have to contact the Federal Ministry Of Finance of Benin Rep=
ublic obtain an FUNDS OWNERSHIP CERTIFICATE and it will only cost you $155 =
to obtain because we need it before we will release the funds to you.</span=
><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;=
</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">=
Federal Ministry Of Finance Of Benin Republic. Headquarters, Ahmadu Bello W=
ay, Central Business District, P.M.Box 41,Tokpa Cotonou Benin Republic. </s=
pan><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">E-m=
ail;;Federal_Ministry_of_finance_benin_republic@qatar.io</span><br style=3D=
"font-weight: bold;"><span style=3D"font-weight: bold;">Tel:+229 979 013 33=
</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">=
Contact Person;Hon Ben Fred.</span><br style=3D"font-weight: bold;"><span s=
tyle=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><=
span
 style=3D"font-weight: bold;">And here is the information where to send the=
 155 to the Federal Ministry Of Finance Of Benin Republic. </span><br style=
=3D"font-weight: bold;"><br style=3D"font-weight: bold;"><span style=3D"fon=
t-weight: bold;">Receiver's name_____OKECHUKWU&nbsp; AMECHI DOMINIC. </span=
><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">COUNTR=
Y____BENIN REPUBLIC. </span><br style=3D"font-weight: bold;"><span style=3D=
"font-weight: bold;">CITY_____COTONOU. </span><br style=3D"font-weight: bol=
d;"><span style=3D"font-weight: bold;">TEXT QUESTION____ME. </span><br styl=
e=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Answer_____YOU.=
 </span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;"=
>Amount______$155</span><br style=3D"font-weight: bold;"><br style=3D"font-=
weight: bold;"><span style=3D"font-weight: bold;">And after obtaining the F=
UNDS OWNERSHIP CERTIFICATE, please you advise to fill this information belo=
w and forward it to us as
 you want your funds to be wire transfer to you account.</span><br style=3D=
"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br st=
yle=3D"font-weight: bold;"><span style=3D"font-weight: bold;">YOUR FULL NAM=
E.............</span><br style=3D"font-weight: bold;"><span style=3D"font-w=
eight: bold;">HOME ADDRESS.................. </span><br style=3D"font-weigh=
t: bold;"><span style=3D"font-weight: bold;">YOUR TELEPHONE NUMBER.........=
.....</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bo=
ld;">FULL BANKING INFORMATION....................</span><br style=3D"font-w=
eight: bold;"><span style=3D"font-weight: bold;">SWIFT CODE................=
...........................................</span><br style=3D"font-weight:=
 bold;"><span style=3D"font-weight: bold;">NAME OF COUNTRY.................=
.................................</span><br style=3D"font-weight: bold;"><s=
pan style=3D"font-weight: bold;">NAME OF
 BANK............................................................</span><br=
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">ACCOUNT NU=
MBER..............................................................</span><b=
r style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">ROUTING N=
UMBER......................................................................=
</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">=
&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: b=
old;">Thanks and regards to your family.</span><a rel=3D"nofollow" title=3D=
"International Monetary Fund" target=3D"_blank" href=3D"http://www.imf.org/=
ext%20%20ernal/"><strong></strong></a><br style=3D"font-weight: bold;"><spa=
n style=3D"font-weight: bold;">International Monetary Fund USA</span><br st=
yle=3D"font-weight: bold;"><span style=3D"font-weight: bold;">E-mail;;; usa=
_imf_authorities@qatar.io</span></td></tr></table>
--0-1797350583-1279897244=:29931--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 16:46:03 2010
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Subject: Mikronesia at Soundscapes Today
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Friday, July 23, Soundscapes returns to the Nazareth Center for the Arts 
with Philadelphia based composer, sound designer, and producer 
Mikronesia who plays Ambient / Dub / Electronica.

Doors open at 7:30 pm and the concert is at 8:00 pm.  Admission is 
free.  A donation at the door to support the musician and to enable the 
Nazareth Center for the Arts to pay operating expenses is suggested. The 
NCA is located at 30 Belvidere Street, Nazareth, PA 18064 just off of 
Route 191 on the southwest corner of Belvidere Street and South Spruce 
Street. Check the NCA site for parking information.  The Soundscapes 
Concert Series site has maps and driving directions as well as links to 
the NCA's website and Facebook Page.  http://soundscapes.us

The Soundscapes Concert Series is the concert companion to the Galactic 
Travels radio program on WDIY and Thought Radio on WMUH to present 
electronic music to the Lehigh Valley.  This is the concert series that 
presented Robert Rich (California), vidnaObmana (Belgium), The Ministry 
of Inside Things (Philadelphia), Orbital Decay (Quakertown), Technicolor 
Travel Agency (Poconos), and Twyndyllyngs (Lehigh Valley) to local 
audiences.  Only your attendance keeps events like these alive.

Best regards,

Bill Fox - Artistic Director

SOUNDSCAPES:
http://soundscapes.us
http://soundscapes.us/banner.jpg
http://soundscapes.us/flier.pdf
http://vimeo.com/channels/soundscapes

From markdukeesq2008@yahoo.com.hk  Fri Jul 23 18:14:29 2010
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From: "Barrister Mark Duke"<markdukeesq2008@yahoo.com.hk>
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Date: Wed, 21 Jul 2010 15:10:42 -0700
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Greetings,  

I am Barrister Mark Duke.I am reaching out to you as regards the handling of an investment portfolio.  

I am soliciting your assistance in repatriating the funds and property left behind by my late client before it is confiscated by the government and declared unserviceable by the bank where the huge deposit is lodged. 

My Client died intestate and every attempt to trace any member of his family has proved unsuccessful and abortive. Do note that your identity or country of origin does not matter.  

I will give you more information upon your response. You should respond by sending the following:  

1. Your full names 

2. Tel & fax numbers

3. Complete Address 

4.Your occupation and your Age 

If Interested Please Reply me Via my PrivateEmail:markdukeesq200800@yahoo.com.hk

I humbly look forward to your soonest response. 

Yours Faithfully,
Barrister Mark Duke.
London, U.K

From celialucas11@zipmail.com.br  Fri Jul 23 18:27:55 2010
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Date: Fri, 23 Jul 2010 15:14:22 -0300
From: "celialucas11@zipmail.com.br" <celialucas11@zipmail.com.br>
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Subject: Dearest In The Lord,
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<br />
<div id="yiv1876006231">
<table id="yiv1876006231bodyDrftID" class="yiv1876006231" border="0" cellspacing="0" cellpadding="0">
<tbody>
<tr>
<td id="yiv1876006231drftMsgContent">
<div id="yiv1876006231yiv800037302">
<div id="yiv1876006231yiv663086456">
<div id="yiv1876006231yiv1015025943">
<div id="yiv1876006231yiv766040179">
<div><strong>Dearest In The Lord,<br />Â <br />I greet you in the name of our Lord Jesus Christ our Lord, I am MrsÂ Â Celia Lucas,from <span id="yiv1876006231lw_1248885092_0" class="yiv1876006231yshortcuts"><span id="yiv1876006231lw_1270752362_3" class="yiv1876006231yshortcuts">Kuwait</span></span>. I am married to Mr.Â Oliviera Lucas</strong><strong> who worked with Kuwait embassy in <span id="yiv1876006231lw_1248885092_1" class="yiv1876006231yshortcuts"><span id="yiv1876006231lw_1270752362_4" class="yiv1876006231yshortcuts" style="cursor: hand; border-bottom: #0066cc 1px dashed;">Ivory Coast</span></span> for nine years before he died last year 2008.</strong></div>
<div id="yiv1876006231yiv2055514530">
<div>Â </div>
<div><strong>We were married for eleven years without a child. He died after a brief illness that lasted for only four days. Before his death we were both born again <span id="yiv1876006231lw_1270752362_5" class="yiv1876006231yshortcuts" style="cursor: hand; border-bottom: #0066cc 1px dashed;">Christian</span>. Since his death I decided not to remarry or get a child outside my matrimonial home which the Bible is against.</strong></div>
<div><strong></strong>Â </div>
<div><strong>When my late husband was alive he deposited the sum of US$2.500million dollars in a Bank in <span id="yiv1876006231lw_1248885092_2" class="yiv1876006231yshortcuts"><span id="yiv1876006231lw_1270752362_6" class="yiv1876006231yshortcuts">Abidjan Cote d'Ivoire West</span></span> . Presently, this money is still in bank. Recently, my Doctor told me that I would not last for the next Eight months due to cancer problem.</strong></div>
<div>Â </div>
<div><strong>The one that disturbs me most is my stroke sickness. Having known my condition I decided to donate this fund to a <span id="yiv1876006231lw_1270752362_7" class="yiv1876006231yshortcuts">charity organization</span> that will utilize this money the way I am going to instruct herein.</strong></div>
<div><strong></strong>Â </div>
<div><strong>I want an organization that will use this fund for orphanages, school and church , widows, propagating the <span id="yiv1876006231lw_1248885092_3" class="yiv1876006231yshortcuts">word of God</span> and to endeavor that the <span id="yiv1876006231lw_1248885092_4" class="yiv1876006231yshortcuts" style="background: none transparent scroll repeat 0% 0%; cursor: hand; border-bottom: medium none;">house of God</span> is maintained. The Bible made us to understand that "Blessed is the hand that giveth".</strong></div>
<div><strong></strong>Â </div>
<div><strong>I took this decision because I don't have any child that will inherit this money and my husband relatives are not Christians and I don't want my husband's efforts to be used by unbelievers.</strong></div>
<div><strong></strong>Â </div>
<div><strong>I don't want a situation where this money will be used in an ungodly way. This is why I am taking this decision. I am not <span id="yiv1876006231lw_1248885092_5" class="yiv1876006231yshortcuts" style="cursor: hand; border-bottom: #0066cc 1px dashed;">afraid of death</span> hence I know where I am going. I know that I am going to be in the bosom of the Lord. Exodus 14 VS 14 says that "the lord will fight my case and I shall hold my peace".</strong></div>
<div><strong></strong>Â </div>
<div><strong>I don't need any telephone communication in this regard because of my health hence the presence of my husband's relatives around me always. I don't want them to know about this development.With God all things are possible.Â  As soon as I receive your reply I shall give you the contact of the Bank in Abidjan Cote d'Ivoire.</strong></div>
<div><strong></strong>Â </div>
<div><strong>I will also issue you an authorityÂ  letter that will prove you the present beneficiary of this fund from <span id="yiv1876006231lw_1248885092_6" class="yiv1876006231yshortcuts" style="cursor: hand; border-bottom: #0066cc 1px dashed;"><span id="yiv1876006231lw_1270752362_8" class="yiv1876006231yshortcuts">Cote d'Ivoire</span></span>Â  federal High Court of Justice. I want you and the church to always pray for me because the lord is my shephard. My happiness is that I lived a life of a worthy Christian.</strong></div>
<div><strong></strong>Â </div>
<div><strong>Whoever that Wants to serve the Lord must serve him in spirit and Truth. Please always be prayerful all through your life.Â  any delay in your reply will give me room in sourcing another church for this same purpose. Please assure me that you will act accordingly as I Stated herein. Hoping to receive your reply.</strong></div>
<div><strong></strong>Â </div>
<div><strong>Remain blessed in the Lord.<br />Yours Sister In Christ,<br />MrsÂ  Celia Lucas</strong></div>
</div>
</div>
</div>
</div>
</div>
</td>
</tr>
</tbody>
</table>
</div>

From Loopers-Delight-request@loopers-delight.com  Fri Jul 23 18:39:25 2010
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From: Cody Page <jensen5@gmail.com>
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Subject: RC-50 - Synching w. MIDI metronome
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Hi all,

I'm *thiiiiiis* close to giving up on the RC-50 but figured I'd
solicit some more advice before I did.

After reading about the RC-50's trouble slaving to an external MIDI
clock, I decided to try it out as the master to a slave metronome
equipped with a MIDI in. This does work, but I can only get the
metronome to start when I start recording on the RC-50. What I need is
for the metronome to pick up on the constant clock info being sent by
the RC-50 and just play the click (synched up) all the time.

The metronome my drummer is using is some sort of discontinued Yamaha
model. I think the problem is that it needs to receive a "start"
command via MIDI before it does anything. Is there any sort of
metronome (or drum machine?) out there that just syncs up and starts
playing all the time without needing that "start" command?

Thanks,
Cody

From info@shaheenfilter.com  Sat Jul 24 00:44:55 2010
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Date: Fri, 23 Jul 2010 16:23:18 -0700
Subject: kindly get back to me.
From: "Managing Director" <info@shaheenfilter.com>
Reply-To: d_chris@walla.com
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Ghana Commercial Bank Ltd
GCB Head Office P. O.
Box 134. Accra


Dearest
HOW ARE YOU TODAY? HOPE ALL IS WELL WITH YOU.

First of all, let me start by introducing myself. My name is Mr. Simon
Dornoo I was appointed Managing Director of Ghana Commercial Bank Ltd.
(GCB) effective March 04, 2010. I have an urgent and very confidential
business proposition for you. I am the accounting officer of Mr. Ken Lay,
Enron founder, who died on July, 5th 2006, at the age of 64 and his friend
and partner Mr. Jeffrey Schilling, Ex-Enron CEO who was recently convicted
24 years for his involvement on the collapse of Enron, the energy trading
giant in America. It will interest you to know that on Wednesday, 7th
February 2001, Mr. Ken Lay deposited a total sum of 21M dollars and on
Tuesday, 24th April 2001, Mr Jeffrey Schilling deposited 13.5M dollars in
our Bank. These funds were deposited into a non-existing company's account
which I opened in our bank (Ghana Commercial Bank Ltd) under their
instructions, to avoid raising an eyebrown but unfortunately for them and
fortunately for me, the 2 men are gone.

So right now, we have the sum of 34.5M dollars lying in the 2 accounts
without any proof of ownership as it was opened with non-existing
companies name and the bank is not aware of the real beneficiaries as the
accounts did not bear any name. As their accounting officer and financial
adviser in charge of these accounts, I can comfortable present you to the
Bank as the real beneficiary of the funds and they have no right to deny
the application.

Consequently, my proposal is that I want to seek your consent as a
foreigner to stand as the owner of any of these accounts, since it has no
trace or beneficiary which makes it easier and fine to transfer to your
designated bank account as the beneficiary. The nature of my work as a
staff of the Bank will not allow me lay claim on the funds, hence this
proposal to you and be informed that as long as you are ready to cooperate
and be truthful to me, I can assure you that the sky will be our limit.
All documents and proves to enable you get any of the money will be
carefully worked out and more so, I assure you that the business is risk
free, as everything will be handled in accordance with the International
Monetary Guidelines.

I am offering you 40% for your cooperation in achieving this aim. Please,
if you are interested in working with me, I will like you to send the
below information's to enable me contact An accredited attorney to 
procure the necessary legal documents that will back up the transfer to
your account:

1. YOUR FULL NAMES AND ADDRESS...........................................
2. AGE AND MARITAL STATUS.............................
3. OCCUPATION...........................................
4. NATIONALITY...........................................
5. TELEPHONE AND FAX NUMBERS FOR EASY COMMUNICATIONS.

As soon as I receive your acceptance mail by forwarding the above
information's, further details will be giving to you.

Finaly, I want you to understand that this transaction requires trust,
honest and above all, utmost confidentiality, to avoid escalating.

Regards.
Mr. Simon Dornoo
Managing Director
Ghana Commercial Bank Ltd.
my cell number is +233 547572059 you can call me for any information You
wish to know about the noble Project.



********************************************************************************
This email message is for the sole use of the intended recipients and may
contain privileged and confidential information.  Any unauthorized review,
use,
disclosure or distribution is prohibited.  If you are not the intended
recipient, please contact the sender by reply email and destroy all copies of
the original message.
********************************************************************************

From gabriele_marzorati@fastwebnet.it  Sat Jul 24 01:41:31 2010
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From: "SGT PERRY JOHNSON" <gabriele_marzorati@fastwebnet.it>
Subject: Assist Me
Date: Sat, 24 Jul 2010 02:59:48 +0200
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I have a deal worth $25 Million USD please get back to me if interested

From Loopers-Delight-request@loopers-delight.com  Sat Jul 24 10:54:33 2010
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Subject: RC-50 and M9
From: Andreas Antoniou <e.a.antoniou@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hello all

I was wondering if it's possible to use an M9 with an RC-50 to basically add
one extra phrase in order to have 4 in total. Do you think it is going to
stay in sync? I would like to place the M9 before the RC-50 so that I can
also use the effects when I record loops on the RC-50. Thanks!

Andreas

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Hello all<div><br></div><div>I was wondering if it&#39;s possible to use an=
 M9 with an RC-50 to basically add one extra phrase in order to have 4 in t=
otal. Do you think it is going to stay in sync? I would like to place the M=
9 before the RC-50 so that I can also use the effects when I record loops o=
n the RC-50. Thanks!</div>
<div><br></div><div>Andreas</div>

--0016364580e4d0ad53048c1ff979--

From malka2@btopenworld.com  Sat Jul 24 15:23:44 2010
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From: "Mrs Malka Hamied" <malka2@btopenworld.com>
Subject: From Mrs Malka Hamied
Date: Sat, 24 Jul 2010 15:23:39 -0000
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>From Madam Malka Hamied
My Dear, 
 
It is my pleasure to contact you for a business venture which I and my Son Musa intend to establish in your country. Though I have not met with you before but I believe one has to risk confiding in succeed sometimes in life.
 
I can confide on you for the brighter future of my children since you are a human being like me. There is this huge amount of Fifteen Million five hundred thousand United States dollars. ($15.500.000.00) which my late Husband kept for us with a Security Company here in Abidjan Cote D' ivoire before he was assassinated by unknown persons, Now I and my son Musa decided to invest these money in your country or anywhere safe enough for security and political reasons. 
 
We want you to help us claim and retrieve this fund from the Security Company and transfer it into your personal account in your country for investment purposes in your country in these areas: 
 
1). Telecommunication
2).The transport Industry
3). Five Star Hotel
4). Tourism
5). Real Estate 
 
If you can be of an assistance to us we will be pleased to offer to you 10% of the total fund. You can call my son Musa for more explanation on this number: 
 
I await your soonest response. 

Respectfully yours, 
Mrs Malka Hamied and son Musa

From no-reply@commexpress.co.za  Sat Jul 24 16:09:40 2010
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Date: Sat, 24 Jul 2010 18:50:43 +0300
Subject: Re: Immediate Response.!
To: looparc@loopers-delight.com
From: Mr Huang <mrhuang1945@yahoo.com.tw>
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Dear Recipient,
How are you today and business in your country? I am Mr Huang,Bank Manager of bank of Overseas,Taiwan. I would respectfully request that you keep the contents of this mail confidential and respect the integrity of the information you come by as a result of this mail.I contacted you
independently of our investigation and no one is informed of this communication.
A British Oil consultant/contractor with the Chinese Solid Minerals Corporation, Mr.Bowen Atkinson made a numbered time (Fixed)Deposit of $30,000,000.00 for twelve calendar months and not too long Mr.Bowen Atkinson died from an airplane crash.The bank immediately launched an investigation intopossible surviving next of kin to alert about the situation and also to claim his estate. If you are familiar with private banking affairs,those who patronize our services usually prefer anonymity,but also some levels of detachment from conventional processes.In his bio-data form, he listed no next of kin.In the field ofprivate banking, opening an account with us means noone will know of its existence, accounts are rarely held under a name;depositors use numbers and codes to make the accounts anonymous.
This bank also gives the choice to depositors of having their mail sent to them or held at the bank itself,ensuring that there are no traces of the account and as I said, rarely do they nominate next of kin.Private banking clients apart from notnominating next of kin also usually in most cases leave wills in our care,in this case;Mr. Bowen Atkinson died interstate.In line with our internal processes for account holders who have passed away,we instituted our own investigations in good faith to determine who should have right to claim the estate. This investigation has for the past months been unfruitful. We have scanned every continent and used our private investigation affiliate companies to get to the root of the problem.According to the Laws of Republic of China, at the expiration of 6(Six)years, the money will revert to the ownership of the Chinese Government if nobody applies to claim the funds.
What I wish to relate to you will smack of unethical practice but I want you to understand something. It is only an outsider to the banking world who finds the internal politics of the banking world berrational. The world of banking especially is fraught with huge rewards for those who occupy certain offices and oversee certain portfolios,I alone have the deposit details and they will release the deposit to no one unless evidence of relationship with the deceased,which I shall provide you with,is presented. I alone know of the existence of this deposit as far as Bank of Overseas is concerned,the bank's management has no single idea of what? the history or nature of the deposit.
They are simply awaiting instructions torelease the deposit to any party that comes forward.I am aware of the consequences of this proposal. If my offer is of no appeal to you, delete this message andforget I ever contacted you. If you give me positive signals,I will initiate this process towards a conclusion.I wish to inform you that should you contact me via official channels;I will deny knowing you and about this project. I repeat, I do not want you contacting me through my official phone lines nor do I want you contacting me through my official email account.I will always call you and please contact me only through thise mail below. My official lines are not secure lines as they are periodically monitored to assess our level of customer care in line with our Total Quality Management Policy.
Please observe this instruction religiously.Please, again, note I am a family man,I have a wife and children. I send you this mail not without a measure of fear as to what the consequences maybe, but I know within me that nothing ventured is nothing gained and that success and riches never come easy or on a platter of gold. This is the one truth I have learned from my private banking clients. Do not betray my confidence.If we can be of one accord, we should plan a meeting, soon. In closing,please observe utmost confidentiality, and be rest assured that this transaction would be most profitable for both of us because I shall require your assistance to invest my share in your country.Upon receiving your reply, I will then furnish you with a more comprehensive detail of this transaction and what is required of you.Please reply to my private Email: mrhuang_200@yahoo.com.tw Awaiting your urgent reply.
Yours Sincerely,
Mr Huang


From Loopers-Delight-request@loopers-delight.com  Sat Jul 24 16:59:03 2010
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Subject: Re: Looper software for live performance
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Hi Luis,
Maybe it's something related to your OS version or your computer.
I contact you off-list to look at this.
Thanks for the comprehension.
Philippe OLLIVIER


Le 22 juil. 2010 =E0 11:51, Louie Angulo a =E9crit :

> well its already starting bad here,when i try to open it oin demo mode =
it opens for about a second and then quits unexprectedly
> bad...
> Luis
>=20
> 2010/7/20 Philippe OLLIVIER <philippe.ollivier@gmail.com>
> Hi,
> Logelloop also exist.
>=20
> http://logelloop.logellou.com/
>=20
> It is a multitracks looper designed for realtime and stage.
> Logelloop has 3 banks of up to 10 tracks. Everything can be save and =
restored from the HD.
> It contains some specific plug-ins like a granular engine named =
Granulaterre...
> Logelloop can be controlled by every MIDI system and even has a Macro =
language.
> Philippe Ollivier.
>=20
> -------------------------------------
> http://logelloop.logellou.com/
> www.philippeollivier.com
>=20
>=20
>=20
>=20
>=20
> Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :
>=20
> > m=F6bius is the jammy-jam. like an edp/lp1 on steroids.
> >
> > - jim
> >
> > On Wednesday, June 23, 2010, Matt Stevens
> > <mattstevensguitar@btinternet.com> wrote:
> >>
> >> Mobius is worth a google/download.
> >>
> >> Matt =
Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com
> >>
> >>
> >>
> >> On 22 Jun 2010, at 22:47, Raul Bonell wrote:
> >> yes. god. there are many. all, man designed, though.
> >>
> >>
> >> 2010/6/22 God is good <rychusrbold@yahoo.com>
> >> Hello loop delighters,
> >> Please let me know if there is a software based looper which can be =
used instead of a hardware so I can use my laptop on stage & use the =
looper software.
> >> Thanks.
> >>
> >>
> >>
> >>
> >>
> >> --
> >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
> >> I b=E9, despr=E9s estava aquella dona que sense saber que estava =
il.luminada, exclamava: "O siga, que he pagat per aquesta merda de =
m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =
=F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa =
aix=ED? "
> >>
> >>
> >> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> >> Chain Tape Collective: http://www.ct-collective.com
> >>
> >>
> >>
> >
>=20
> =C0 bient=F4t,
> Philippe.
>=20
> -------------------------------------
> =C9coutez des extraits de Malenki Minki sur www.philippeollivier.com
> http://logelloop.logellou.com/
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Hi =
Luis,<div>Maybe it's something related to your OS version or your =
computer.</div><div><div>I contact you off-list to look at =
this.</div><div>Thanks for the comprehension.</div><div>Philippe =
OLLIVIER</div><div><br></div><div><br><div><div>Le 22 juil. 2010 =E0 =
11:51, Louie Angulo a =E9crit :</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">well its =
already starting bad here,when i try to open it oin demo mode it opens =
for about a second and then quits =
unexprectedly<br>bad...<br>Luis<br><br><div =
class=3D"gmail_quote">2010/7/20 Philippe OLLIVIER <span dir=3D"ltr">&lt;<a=
 =
href=3D"mailto:philippe.ollivier@gmail.com">philippe.ollivier@gmail.com</a=
>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; =
border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi,<br>
Logelloop also exist.<br>
<br>
<a href=3D"http://logelloop.logellou.com/" =
target=3D"_blank">http://logelloop.logellou.com/</a><br>
<br>
It is a multitracks looper designed for realtime and stage.<br>
Logelloop has 3 banks of up to 10 tracks. Everything can be save and =
restored from the HD.<br>
It contains some specific plug-ins like a granular engine named =
Granulaterre...<br>
Logelloop can be controlled by every MIDI system and even has a Macro =
language.<br>
Philippe Ollivier.<br>
<br>
-------------------------------------<br>
<a href=3D"http://logelloop.logellou.com/" =
target=3D"_blank">http://logelloop.logellou.com/</a><br>
<a href=3D"http://www.philippeollivier.com/" =
target=3D"_blank">www.philippeollivier.com</a><br>
<br>
<br>
<br>
<br>
<br>
Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :<br>
<br>
&gt; m=F6bius is the jammy-jam. like an edp/lp1 on steroids.<br>
&gt;<br>
&gt; - jim<br>
&gt;<br>
&gt; On Wednesday, June 23, 2010, Matt Stevens<br>
&gt; &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; Mobius is worth a google/download.<br>
&gt;&gt;<br>
&gt;&gt; Matt <a =
href=3D"mailto:Stevenswww.mattstevensguitar.commattstevensguitar@btinterne=
t.com">Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com</a=
><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; On 22 Jun 2010, at 22:47, Raul Bonell wrote:<br>
&gt;&gt; yes. god. there are many. all, man designed, though.<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; 2010/6/22 God is good &lt;<a =
href=3D"mailto:rychusrbold@yahoo.com">rychusrbold@yahoo.com</a>&gt;<br>
&gt;&gt; Hello loop delighters,<br>
&gt;&gt; Please let me know if there is a software based looper which =
can be used instead of a hardware so I can use my laptop on stage &amp; =
use the looper software.<br>
&gt;&gt; Thanks.<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; --<br>
&gt;&gt; =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
&gt;&gt; I b=E9, despr=E9s estava aquella dona que sense saber que =
estava il.luminada, exclamava: "O siga, que he pagat per aquesta merda =
de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =
=F2sties!, no podien posar-li una agulla , o que pitara, o alguna cosa =
aix=ED? "<br>

&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; Raul Bonell at Blogger: <a =
href=3D"http://raulbonell.blogspot.com/" =
target=3D"_blank">http://raulbonell.blogspot.com</a><br>
&gt;&gt; Chain Tape Collective: <a href=3D"http://www.ct-collective.com/" =
target=3D"_blank">http://www.ct-collective.com</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
<br>
=C0 bient=F4t,<br>
Philippe.<br>
<br>
-------------------------------------<br>
=C9coutez des extraits de Malenki Minki sur <a =
href=3D"http://www.philippeollivier.com/" =
target=3D"_blank">www.philippeollivier.com</a><br>
<a href=3D"http://logelloop.logellou.com/" =
target=3D"_blank">http://logelloop.logellou.com/</a><br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
</blockquote></div><br>
</blockquote></div><br></div></div></body></html>=

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From zentec@zccn.com  Sat Jul 24 17:02:17 2010
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From: Microsoft Promotion Award Team <zentec@zccn.com>
Reply-to: zentecagent@contractor.net
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Subject: Dear Winner!
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Microsoft Promotion Award Team
23 South Way WIW London,
United Kingdom.
MICROSOFT WINNING NOTIFICATION.... PROMO

The prestigious Microsoft=AE Windows XP Corporations wishes to inform you th=
at
your e-mail address emerged as one of their online lucky Winners selected fr=
om
our private computerized lottery drawn here in London United Kingdom and thi=
s
selection process was carried out through a random selection in our =20
Computerized
Email Selection System (C.E.S.S.) from a database of over a million email
addresses from the world wide web.
This promotion was set-up to encourage the active users of the Internet
Microsoft=AE Windows. Hence we do believe that with your winning prize, you =
will
continue to be active and patronage to the Microsoft=AE Windows XP Corporati=
ons.
Therefore you have won the sum of =A3500,000.00 pounds {Five Hundred Thousan=
d
Great British Pounds}. A winning cheque will be issued in your name by the
Microsoft=AE Windows XP Corporation and also a certificate of prize =20
claims will be
sent to you along side with your winnings cheque. You are to make contact wi=
th
your designated agent who shall by duty, guide you through the process of
facilitating the release of your Prize.

For claims,you are advised to contact your designated appointed agent with t=
he
following details below.

Zentec Security
Mr Astrid Pedersen
Email:zentecagent@contractor.net
Direct Tel.Line;+44(0)702-404-4595


VERIFICATION AND FUNDS RELEASE FORM.
1. Full Name:..............
2. Address....................
3. Occupation:..............
4. Nationality...............
5. Tel No........................
6.Date Of Birth....................

Once again on behalf of all our staff and Managements we say CONGRATULATIONS=
!

Sincerely,
Microsoft Promotion Award Team,
United Kingdom Sub Region.

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Microsoft Promotion Award Team
23 South Way WIW London,
United Kingdom.
MICROSOFT WINNING NOTIFICATION.... PROMO

The prestigious Microsoft=AE Windows XP Corporations wishes to inform you th=
at
your e-mail address emerged as one of their online lucky Winners selected fr=
om
our private computerized lottery drawn here in London United Kingdom and thi=
s
selection process was carried out through a random selection in our =20
Computerized
Email Selection System (C.E.S.S.) from a database of over a million email
addresses from the world wide web.
This promotion was set-up to encourage the active users of the Internet
Microsoft=AE Windows. Hence we do believe that with your winning prize, you =
will
continue to be active and patronage to the Microsoft=AE Windows XP Corporati=
ons.
Therefore you have won the sum of =A3500,000.00 pounds {Five Hundred Thousan=
d
Great British Pounds}. A winning cheque will be issued in your name by the
Microsoft=AE Windows XP Corporation and also a certificate of prize =20
claims will be
sent to you along side with your winnings cheque. You are to make contact wi=
th
your designated agent who shall by duty, guide you through the process of
facilitating the release of your Prize.

For claims,you are advised to contact your designated appointed agent with t=
he
following details below.

Zentec Security
Mr Astrid Pedersen
Email:zentecagent@contractor.net
Direct Tel.Line;+44(0)702-404-4595


VERIFICATION AND FUNDS RELEASE FORM.
1. Full Name:..............
2. Address....................
3. Occupation:..............
4. Nationality...............
5. Tel No........................
6.Date Of Birth....................

Once again on behalf of all our staff and Managements we say CONGRATULATIONS=
!

Sincerely,
Microsoft Promotion Award Team,
United Kingdom Sub Region.

From hillary1_abate@yahoo.com  Sat Jul 24 17:56:17 2010
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Date: Sat, 24 Jul 2010 10:56:08 -0700 (PDT)
From: Mlle Sandi Abassy <hillary1_abate@yahoo.com>
Reply-To: sabate080@yahoo.com
Subject: DE LA PART DE MLLE SANDI ABASSY...
To: undisclosed recipients: ;
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DE LA PART DE MLLE SANDI ABASSY...
ABIDJAN COTE D'IVOIRE
=A0
A VOTRE ATTENTION.
=A0
Je suis Mlle. Sandi Abassy la seule fille du defunt de M. et Mme RICHARD AB=
ASSY. Mon pere etait un homme d'affaire ici=A0 Abidjan la capital economiqu=
e de la Cote d'Ivoire, mon p=E8re a =E9t=E9 empoisonn=E9=A0 la p=E9nurie pa=
r ses associ=E9s d'affaires sur un de leurs promenades en voyage d'affaires=
.
=A0
Avant la mort de mon p=E8re il m'a indiqu=E9 qu'il a la somme de six millio=
ns, cinq cents mille dollars am=E9ricains. ( 6.500.000 $ ) dans une banque=
=A0 ici Abidjan, qu'il a laiss=E9 mon nom en tant que sa=A0 seule fille en =
tant que h=E9riti=E8re de ces fonds.=A0=20
=A0
=A0Je cherche un associ=E9 ou je transf=E9rerai cet argent pour investissem=
ent dans votre pays et vous serez=A0=A0 le garant de ces fonds .
=A0
=A0Je cherche honorablement votre aide des mani=E8res suivantes:=20
(1) me servir en tant que gardien de mon argent puisque j'ai seulement 20 a=
ns.=20
(2) Pour m'aider =E0 immigrer dans votre pays avec une attestation de r=E9s=
idence afin que je puisse=A0 poursuivre mes =E9tudes.=20
=A0
je suis dispos=E9=A0 =E0 vous offrir 15% de la somme totale en compensation=
 pour votre effort apr=E8s que le transfert de mon argent sera effectu=E9 s=
ur votre compte bancaire.
=A0
Merci,=A0 Dieu vous benisse, je compte sur vous et j'attends votre reponse =
au sabate080@yahoo.com=20
=A0
Mlle. Sandi Abassy =0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">DE LA PART DE MLLE SANDI ABASSY...<BR>ABIDJAN=
 COTE D'IVOIRE<BR>&nbsp;<BR>A VOTRE ATTENTION.<BR>&nbsp;<BR>Je suis Mlle. S=
andi Abassy la seule fille du defunt de M. et Mme RICHARD ABASSY. Mon pere =
etait un homme d'affaire ici&nbsp; Abidjan la capital economique de la Cote=
 d'Ivoire, mon p=E8re a =E9t=E9 empoisonn=E9&nbsp; la p=E9nurie par ses ass=
oci=E9s d'affaires sur un de leurs promenades en voyage d'affaires.<BR>&nbs=
p;<BR>Avant la mort de mon p=E8re il m'a indiqu=E9 qu'il a la somme de six =
millions, cinq cents mille dollars am=E9ricains. ( 6.500.000 $ ) dans une b=
anque&nbsp; ici Abidjan, qu'il a laiss=E9 mon nom en tant que sa&nbsp; seul=
e fille en tant que h=E9riti=E8re de ces fonds.&nbsp; <BR>&nbsp;<BR>&nbsp;J=
e cherche un associ=E9 ou je transf=E9rerai cet argent pour investissement =
dans votre pays et vous serez&nbsp;&nbsp; le garant de ces fonds .<BR>&nbsp=
;<BR>&nbsp;Je
 cherche honorablement votre aide des mani=E8res suivantes: <BR>(1) me serv=
ir en tant que gardien de mon argent puisque j'ai seulement 20 ans. <BR>(2)=
 Pour m'aider =E0 immigrer dans votre pays avec une attestation de r=E9side=
nce afin que je puisse&nbsp; poursuivre mes =E9tudes. <BR>&nbsp;<BR>je suis=
 dispos=E9&nbsp; =E0 vous offrir 15% de la somme totale en compensation pou=
r votre effort apr=E8s que le transfert de mon argent sera effectu=E9 sur v=
otre compte bancaire.<BR>&nbsp;<BR>Merci,&nbsp; Dieu vous benisse, je compt=
e sur vous et j'attends votre reponse au <A href=3D"mailto:sabate080@yahoo.=
com">sabate080@yahoo.com</A> <BR>&nbsp;<BR>Mlle. Sandi Abassy </td></tr></t=
able><br>=0A=0A=0A=0A=0A=0A=0A=0A      
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From test@test.com  Sat Jul 24 17:57:09 2010
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Reply-To: <chevroletclaimdepartment@qatar.io>
From: "Ms. Caroline Bennett"<test@test.com>
Subject: FILE NO: 34
Date: Sat, 24 Jul 2010 19:56:15 +0530
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FILE NO: 34


Note that you have been awarded the sum of GBP: 500, 000. 00 and a brand new Chevrolet CAPTIVA in our 2010 Chevrolet BINGO Promotions which was held on the 1st Jan by 

selecting through email ballot Microsoft.


Contact your claims agent with the below information:- 


(Dr.) M. DANNY ADAMS 
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Note: This is an automatic message do not click on your reply button send all details to the below Email: chevroletclaimdepartment@qatar.io


Yours Faithfully Ms. Caroline Bennett
Director General
Chevrolet Bingo Promotions

From hmzw@mail.csu.edu.cn  Sat Jul 24 19:10:22 2010
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Reply-To: <mrisaiascayabyab@ymail.com>
From: "Mr Isaias Cayabyab"<hmzw@mail.csu.edu.cn>
Subject: HELLO
Date: Sat, 24 Jul 2010 16:09:44 +0200
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To: undisclosed-recipients:;

Dear friend, 

I am Mr Isaias Cayabyab originaly from Kuala Lumpur Malaysia but residing in England for years now, got your email address contact after a reliable search from the internet, but now i am undergoing medical treatment in  England.I worked with British Drilling Corporation East London for over a decade I married for fifteen years without a child. my wife died after a brief illness that lasted for two weeks.I vow to use my wealth for the down trodden and the less privileged in the society. Since the doctor had comfirmed my situation that I will not live long I have decided to give out my money to the poor. Deposited the sum of 12 Million  pounds (Twelve Million Pounds sterling) with my Bank security Vault in my home town Kuala Lumpur, malaysia. Presently, this money is still there in the secured Vault ware house officers in Malaysia. 

Recently,my Doctor told me that I would not last for the next 27 days due to cancer problem.Though what disturbs me most is my stroke. Having known my condition I decided to donate this fund to an individual or better still a God fearing person who will utilize this money the way I am going to instruct here in. 

I want an individual that will use this to fund and provide succor to poor and indigent persons, orphanages, and above all those affected in the Tsunami in far Asia and the Hurricane Katrina Disasters with earthquake area like Haiti.I understand that blessed is the hand that giveth. I took this decision because I do not have any child that will inherit this money and my relatives are not inclined to helping poor persons because of thier selfish desires in material things and I do not want my hard earned money to be misused or spent in the manner I will not like and I also do not want a situation where this money will be used in an ungodly manner, hence the reason for taking this bold decision.I am not afraid of death hence I know where I am going.I know that I am going to be in the bosom of the Almighty because we all came to this world to trade whereby you sow and you reap but i traded well so i know its time for me to go back to answer him when the time comes for him to ask what i sow and i sowed well and 

I do not need any telephone communication in this regard because of my health, and because of the presence of my relatives around me always and also for the warning from my doctor.  I do not want them to know about this development.  with God all things are possible. As soon as I receive your reply I shall give you the contact of my bank Security Vault ware house officer Mr Ahmed Azin in malaysia my original country. I will also issue them a letter of authority and change of ownership certificate,that will empower you as the original beneficiary of this fund,through my Lawyer who is an old man and who i have trusted so much but because of old age i do not want to entrust this on him due to the stress in building an orphange hom in my own name. I am in a search for some one that have faith in the lord that knows him or her can handle this on my behalf. I want you to always pray for me. My happiness is that I lived a life worthy of emulation.

Whosoever that wants to serve the Almighty must serve him with all his heart and mind and soul and also in truth. Please always be prayerful all through your life.Any delay in your reply will give me room in sourcing for an individual for this same purpose.Please assure me that you will act according to my specification herein.Hoping to hear from you at my private email:mrisaiascayabyab@ymail.com for me to give you more explanations and provide you with all the contact you are to contact with assistance from my attorney who has guarantee to ensure that my beneficiary will be secured and directed for a sucessful change of ownership and claim of the funds.

My attorney is ready to use his last time to ensure that who so ever i present to him he will take responsibility of the documents that will back any one i present to him as my beneficiary.

Please respond to me immediately for me to know your mind and the kind of person you are.

Accept my appology in contacting you in this manner.

Thank you and may the Almighty bless you. God Bless You,

Mr Isaias Cayabyab

From Loopers-Delight-request@loopers-delight.com  Sat Jul 24 22:40:17 2010
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From: Jean-Luc THOMAS <thomas.jeanluc@gmail.com>
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Subject: Re: Looper software for live performance
Date: Sun, 25 Jul 2010 00:40:14 +0200
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Hello,
I personnaly use Logelloop since 2007 on different projects, bands  
live, solo, theatre,...I use the Interpolation, macro,...and I'm very  
happy with it. I never had any problem or trouble of stability, it  
works perfectly. Some little problems I had are related to my lacks of  
competences with the computer itself but not with Logelloop. It's a  
very good soft with a lot of possibilities (more than I ever could  
imagine) wich provides musicians to go very far in a composition, mix,  
and diffusion in live performances.
Jean-Luc Thomas

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Subject: Re: Looper software for live performance
Date: Sun, 25 Jul 2010 00:41:37 +0200
References: <477154.36711.qm@web113215.mail.gq1.yahoo.com> <AANLkTiml7pQw61sqzVnrQj3YwJx9PomQL89cQonbfsBU@mail.gmail.com> <5D745F65-DB95-4A18-8829-7A741C13B27B@btinternet.com> <AANLkTino64Nz-meA2shGzu-TFPvqstlDrw_u4c7f_uvN@mail.gmail.com> <5A8DBBEC-97BA-456D-A654-62D927AE8A71@gmail.com> <AANLkTimXXvUfPw6x8sMbgzoGnwSMEef3es8Sb0KZzU90@mail.gmail.com> <A0149F9B-F014-4D03-B99F-38D6D8D300DB@gmail.com>
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C'est fait! V=E9rifie que le message est bien int=E9gr=E9. Je me suis =20=

=E9galement mis =E0 jour sur Macmusic.
C'=E9tait bien Guingamp?
La bise.
Jean-Luc.
Le 24 juil. 10 =E0 18:53, Philippe OLLIVIER a =E9crit :

> Hi Luis,
> Maybe it's something related to your OS version or your computer.
> I contact you off-list to look at this.
> Thanks for the comprehension.
> Philippe OLLIVIER
>
>
> Le 22 juil. 2010 =E0 11:51, Louie Angulo a =E9crit :
>
>> well its already starting bad here,when i try to open it oin demo =20
>> mode it opens for about a second and then quits unexprectedly
>> bad...
>> Luis
>>
>> 2010/7/20 Philippe OLLIVIER <philippe.ollivier@gmail.com>
>> Hi,
>> Logelloop also exist.
>>
>> http://logelloop.logellou.com/
>>
>> It is a multitracks looper designed for realtime and stage.
>> Logelloop has 3 banks of up to 10 tracks. Everything can be save =20
>> and restored from the HD.
>> It contains some specific plug-ins like a granular engine named =20
>> Granulaterre...
>> Logelloop can be controlled by every MIDI system and even has a =20
>> Macro language.
>> Philippe Ollivier.
>>
>> -------------------------------------
>> http://logelloop.logellou.com/
>> www.philippeollivier.com
>>
>>
>>
>>
>>
>> Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :
>>
>> > m=F6bius is the jammy-jam. like an edp/lp1 on steroids.
>> >
>> > - jim
>> >
>> > On Wednesday, June 23, 2010, Matt Stevens
>> > <mattstevensguitar@btinternet.com> wrote:
>> >>
>> >> Mobius is worth a google/download.
>> >>
>> >> Matt =
Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com
>> >>
>> >>
>> >>
>> >> On 22 Jun 2010, at 22:47, Raul Bonell wrote:
>> >> yes. god. there are many. all, man designed, though.
>> >>
>> >>
>> >> 2010/6/22 God is good <rychusrbold@yahoo.com>
>> >> Hello loop delighters,
>> >> Please let me know if there is a software based looper which can =20=

>> be used instead of a hardware so I can use my laptop on stage & use =20=

>> the looper software.
>> >> Thanks.
>> >>
>> >>
>> >>
>> >>
>> >>
>> >> --
>> >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> >> I b=E9, despr=E9s estava aquella dona que sense saber que estava =20=

>> il.luminada, exclamava: "O siga, que he pagat per aquesta merda de =20=

>> m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =20
>> =F2sties!, no podien posar-li una agulla , o que pitara, o alguna =20
>> cosa aix=ED? "
>> >>
>> >>
>> >> Raul Bonell at Blogger: http://raulbonell.blogspot.com
>> >> Chain Tape Collective: http://www.ct-collective.com
>> >>
>> >>
>> >>
>> >
>>
>> =C0 bient=F4t,
>> Philippe.
>>
>> -------------------------------------
>> =C9coutez des extraits de Malenki Minki sur www.philippeollivier.com
>> http://logelloop.logellou.com/
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">C'est fait! V=E9rifie que le =
message est bien int=E9gr=E9. Je me suis =E9galement mis =E0 jour sur =
Macmusic.<div>C'=E9tait bien Guingamp?<br><div>La =
bise.</div><div>Jean-Luc.<br><div><div>Le 24 juil. 10 =E0 18:53, =
Philippe OLLIVIER a =E9crit :</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hi Luis,<div>Maybe it's =
something related to your OS version or your computer.</div><div><div>I =
contact you off-list to look at this.</div><div>Thanks for the =
comprehension.</div><div>Philippe =
OLLIVIER</div><div><br></div><div><br><div><div>Le 22 juil. 2010 =E0 =
11:51, Louie Angulo a =E9crit :</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">well its =
already starting bad here,when i try to open it oin demo mode it opens =
for about a second and then quits =
unexprectedly<br>bad...<br>Luis<br><br><div =
class=3D"gmail_quote">2010/7/20 Philippe OLLIVIER <span dir=3D"ltr">&lt;<a=
 =
href=3D"mailto:philippe.ollivier@gmail.com">philippe.ollivier@gmail.com</a=
>&gt;</span><br> <blockquote class=3D"gmail_quote" style=3D"margin: 0pt =
0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: =
1ex;">Hi,<br> Logelloop also exist.<br> <br> <a =
href=3D"http://logelloop.logellou.com/" =
target=3D"_blank">http://logelloop.logellou.com/</a><br> <br> It is a =
multitracks looper designed for realtime and stage.<br> Logelloop has 3 =
banks of up to 10 tracks. Everything can be save and restored from the =
HD.<br> It contains some specific plug-ins like a granular engine named =
Granulaterre...<br> Logelloop can be controlled by every MIDI system and =
even has a Macro language.<br> Philippe Ollivier.<br> <br> =
-------------------------------------<br> <a =
href=3D"http://logelloop.logellou.com/" =
target=3D"_blank">http://logelloop.logellou.com/</a><br> <a =
href=3D"http://www.philippeollivier.com/" =
target=3D"_blank">www.philippeollivier.com</a><br> <br> <br> <br> <br> =
<br> Le 23 juin 2010 =E0 20:33, james fowler a =E9crit :<br> <br> &gt; =
m=F6bius is the jammy-jam. like an edp/lp1 on steroids.<br> &gt;<br> =
&gt; - jim<br> &gt;<br> &gt; On Wednesday, June 23, 2010, Matt =
Stevens<br> &gt; &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt; wrote:<br> &gt;&gt;<br> &gt;&gt; Mobius is worth a =
google/download.<br> &gt;&gt;<br> &gt;&gt; Matt <a =
href=3D"mailto:Stevenswww.mattstevensguitar.commattstevensguitar@btinterne=
t.com">Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com</a=
><br> &gt;&gt;<br> &gt;&gt;<br> &gt;&gt;<br> &gt;&gt; On 22 Jun 2010, at =
22:47, Raul Bonell wrote:<br> &gt;&gt; yes. god. there are many. all, =
man designed, though.<br> &gt;&gt;<br> &gt;&gt;<br> &gt;&gt; 2010/6/22 =
God is good &lt;<a =
href=3D"mailto:rychusrbold@yahoo.com">rychusrbold@yahoo.com</a>&gt;<br> =
&gt;&gt; Hello loop delighters,<br> &gt;&gt; Please let me know if there =
is a software based looper which can be used instead of a hardware so I =
can use my laptop on stage &amp; use the looper software.<br> &gt;&gt; =
Thanks.<br> &gt;&gt;<br> &gt;&gt;<br> &gt;&gt;<br> &gt;&gt;<br> =
&gt;&gt;<br> &gt;&gt; --<br> &gt;&gt; =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D<br> &gt;&gt; I b=E9, despr=E9s estava aquella dona =
que sense saber que estava il.luminada, exclamava: "O siga, que he pagat =
per aquesta merda de m=E0quina i resulta que ni tan sols em diu si s=F3c =
un Buda o no, =F2sties!, no podien posar-li una agulla , o que pitara, o =
alguna cosa aix=ED? "<br> &gt;&gt;<br> &gt;&gt;<br> &gt;&gt; Raul Bonell =
at Blogger: <a href=3D"http://raulbonell.blogspot.com/" =
target=3D"_blank">http://raulbonell.blogspot.com</a><br> &gt;&gt; Chain =
Tape Collective: <a href=3D"http://www.ct-collective.com/" =
target=3D"_blank">http://www.ct-collective.com</a><br> &gt;&gt;<br> =
&gt;&gt;<br> &gt;&gt;<br> &gt;<br> <br> =C0 bient=F4t,<br> Philippe.<br> =
<br> -------------------------------------<br> =C9coutez des extraits de =
Malenki Minki sur <a href=3D"http://www.philippeollivier.com/" =
target=3D"_blank">www.philippeollivier.com</a><br> <a =
href=3D"http://logelloop.logellou.com/" =
target=3D"_blank">http://logelloop.logellou.com/</a><br> <br> <br> <br> =
<br> <br> <br> <br> <br> <br> </blockquote></div><br> =
</blockquote></div><br></div></div></div></blockquote></div><br></div></di=
v></body></html>=

--Apple-Mail-106-1056387231--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 24 23:51:13 2010
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Subject: RC-50 and M9
Date: Sat, 24 Jul 2010 16:51:05 -0700
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no, the only thing you can do with sync is send a midi clock to the  
m-9 from the RC-50 which will sync any effects like delay and  
modulation and some filter effects as well. This is really cool in and  
of itself, but the only 4th loop you have won't be synced but is still  
usually for adding a longer melodic part where timing might not be as  
crucial. Also its great resample stuff you have done on the m-9 with  
the rc-50.
  bill

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 00:21:33 2010
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I have frequently used a Line 6 DL4 (the same looper in the M9) to do 
'synced' sounding shows
with my brother, Bill.

The answer is,  no, emphatically,  they will not sync up due to micro 
timing errors that human beings have intrinsically.

There are, however, some techniques you can use to fool the audience 
into thinking they are synced up, however.

Firstly,   really get your timing together:  PRACTISE YOUR ASS OFF.      
I you make a really well timed loop
it will inevitably drift from the RC50's loop but the better your timing 
is,  the longer it will take to drift.

Secondly,  since drift is inevitable,  I have found it is good to make a 
lot longer loop (four bars or even 8 loops instead of one bar, for example)
because if you loop points are fairly accurate it will take four times 
as long to drift as the shorter loop)..

Then you have the ability to retrigger the loop on the down beats 
periodically when you can feel the loop starting it's inveitable drift.

Now this method takes a lot longer so this is where a more sophisticated 
looper has advantages over things like the M9, the DL4, the Digitech
Jamman and all the Boss RC series.

As a rhythmatist, primarily in my role accompanying Bill, this is not a 
problem but it would be if I were trying to be a multi-instrumentalist:  it
would just take too much time to establish my base loops (a structural 
problem that is rampant in the life looping community if you ask me).

There is also a decided downside to the architecture of the M9 and DL4 
and that is, both machines have the ability to trigger once (one shot mode)
but do not have the ability to have retrigger with continuous play.   
This necessitates a tricky combination that entails
a press of retrigger............a press of stop/start on beat four (or 
wherever you want the silence to occur) and the a repress of start/stop 
to continue
the loop.   This one's a toughie if you are juggling playing, looping 
and , say, singing all at the same time.

That is precisely why I added Retrigger/Continuous and Retrigger/Random 
to the upcoming Looperlative LP-2 Mini Looper
(which, by the way will also have midi sync IN/OUT and many other cool 
features already mentioned on this forum).

I can't wait for the Retrigger/Random function to come out because this 
will allow someone to use an ambient rubato loop as a sound source
and then by retriggering it, one can create a cool and unusual ostinato 
rhythm that is constantly varying slightly in it's timbre without the use
of techniques like filtering or random filtering which have been used in 
the past to add spice and continual variance in a rhythmic loop.

   From my experience,  you'll need to really practice a lot to get this 
technique to work but as I've said in a lot of forums,   live looping
has taught me more about the nature of rhythm and groove time than all 
the playing with sequencers, drum machines and master drummers
from other cultures combined.     There's nothing like having to 
compensate for your own timing inaccuracies (let alone those of the 
musicians
you are playing with, because a looping performance sets those mistakes 
in stone for the duration of the piece.

Good luck,

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 00:47:57 2010
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Subject: Well, that seems fun...
Date: Sat, 24 Jul 2010 17:47:54 -0700
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I just hooked up my Lexicon Vortex in Deja Vu B mode to my Lexicon =
Reflex running the resonator program and set everything very wet. Then I =
tried dropping a couple of guitar chords in and letting the Vortex loop =
them. It makes for a nice little sonic bed. I may have to think about =
hooking this up more permanently with a volume pedal or a switch pedal =
to feed it.

Mark

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From sylviejrobertson@mail.mn  Sun Jul 25 00:52:53 2010
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Greetings Dear,

I'm Mrs. Sylvie J. Robertson 53yrs old woman from Canada. With hope that this mail finds you in good health, really I came across your profile on internet magazine, which I finally gone through your profile. I’m a good business woman who investment in cooperate business in Europe, Asia and African. When I was in Africa I do deal on Cocoa Merchant in a country called Ivory Coast, I spent most of my time on investment in Cocoa plantations in Ivory Coast which gives me a lot of money.  I am a very unhappy woman because I lost my husband and my two beautiful children in a plane crash some years back.

I deposited the total sum of (US$800,000.00) Eight Hundred Thousand United State Dollars, with one of the prime bank in Ivory Coast, for purchasing of cocoa procession machines and for development of a new factory. But unfortunately my illness did not allow me to carry out this project. After my medication operation the doctor have to inform me that my days are numbered base on my health. My medication operation did not work out the way I think. I believed the lord is my strength and also my shepherd.

Actually I have decided to donate out this fund in Africa through you so that you can help all the motherless home around you also help the less privileged once If really you are ready to use this fund for good work of God and to help all the motherless babies/orphanage and charities home around you, Once you assure me that you will act as I instructed then send all your vital information including your full name, home address, country, sex, age, occupation, and your mobile number.

I’m a devoted born again Christian, suffering from long time lung cancer, presently I am under observation in a clinic here in France where I am writing you this message. Therefore if you are honest and faithful enough to use this fund strictly for the work of God, your response will be highly appreciated by me.

Remain Blessed,
Mrs. Sylvie J. Robertson


From sylviejrobertson@mail.mn  Sun Jul 25 00:52:53 2010
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Greetings Dear,

I'm Mrs. Sylvie J. Robertson 53yrs old woman from Canada. With hope that this mail finds you in good health, really I came across your profile on internet magazine, which I finally gone through your profile. I’m a good business woman who investment in cooperate business in Europe, Asia and African. When I was in Africa I do deal on Cocoa Merchant in a country called Ivory Coast, I spent most of my time on investment in Cocoa plantations in Ivory Coast which gives me a lot of money.  I am a very unhappy woman because I lost my husband and my two beautiful children in a plane crash some years back.

I deposited the total sum of (US$800,000.00) Eight Hundred Thousand United State Dollars, with one of the prime bank in Ivory Coast, for purchasing of cocoa procession machines and for development of a new factory. But unfortunately my illness did not allow me to carry out this project. After my medication operation the doctor have to inform me that my days are numbered base on my health. My medication operation did not work out the way I think. I believed the lord is my strength and also my shepherd.

Actually I have decided to donate out this fund in Africa through you so that you can help all the motherless home around you also help the less privileged once If really you are ready to use this fund for good work of God and to help all the motherless babies/orphanage and charities home around you, Once you assure me that you will act as I instructed then send all your vital information including your full name, home address, country, sex, age, occupation, and your mobile number.

I’m a devoted born again Christian, suffering from long time lung cancer, presently I am under observation in a clinic here in France where I am writing you this message. Therefore if you are honest and faithful enough to use this fund strictly for the work of God, your response will be highly appreciated by me.

Remain Blessed,
Mrs. Sylvie J. Robertson


From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 01:30:04 2010
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Mark, yes, that is a nice little looper feature of the Vortex also Fractal B 
is very fun especially with an expression pedal. check out Todd Madsons 
notes here http://www.loopers-delight.com/tools/vortex/vortapnt.html scroll 
down to "Using an Expression pedal" it's a very fun way to feed the loop.

best,

Jeff

----- Original Message ----- 
From: "Mark Hamburg" <mark@grubmah.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, July 24, 2010 8:47 PM
Subject: Well, that seems fun...


I just hooked up my Lexicon Vortex in Deja Vu B mode to my Lexicon Reflex 
running the resonator program and set everything very wet. Then I tried 
dropping a couple of guitar chords in and letting the Vortex loop them. It 
makes for a nice little sonic bed. I may have to think about hooking this up 
more permanently with a volume pedal or a switch pedal to feed it.

Mark

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 01:47:27 2010
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>>   There's nothing like having to compensate for your own timing=20
inaccuracies (let alone those of the musicians=C2=A0
you are playing with, because a looping performance sets those mistakes=20
in stone for the duration of the piece.=C2=A0
=C2=A0
Good luck,=C2=A0
=C2=A0
Rick Walker=C2=A0<<
=C2=A0

unless you let it attenuate and alter it.....no?.....great techniques=20
rickeeeee......thank you!

p.s. was just sitting on the oh so hot deck listening to my pod: louis=20
angelo, perdro felix (rip), fabio anile, the usual=20
suspects.....daydreaming about the LOOPESTERY on LOOPER'S ISLAND and i=20
just remembered that a friend of mine is in the process of buying a=20
"fairly new" school, grounds and all.....this is north of pittsburgh in=20
FREEPORT, a snug little town on the river.....we're talkin caffateria,=20
showers galore, bathrooms all over the place, many big rooms.....my=20
mind is boggled by this.....this is the same group that runs THE=20
INTERNATIONAL CHILDREN'S ART GALLERY that i play at, in fact, i=20
cornsider myself the HOUSE BAND.....:).....i'll keep everyone posted on=20
this as it develops.....=20

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 01:58:12 2010
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Subject: Re: M9 and RC50
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--00032555b95a9f115b048c2c99a6
Content-Type: text/plain; charset=ISO-8859-1

thanks to both Walkers, great tips

On Sun, Jul 25, 2010 at 2:21 AM, Rick Walker <looppool@cruzio.com> wrote:

> I have frequently used a Line 6 DL4 (the same looper in the M9) to do
> 'synced' sounding shows
> with my brother, Bill.
>
> The answer is,  no, emphatically,  they will not sync up due to micro
> timing errors that human beings have intrinsically.
>
> There are, however, some techniques you can use to fool the audience into
> thinking they are synced up, however.
>
> Firstly,   really get your timing together:  PRACTISE YOUR ASS OFF.      I
> you make a really well timed loop
> it will inevitably drift from the RC50's loop but the better your timing
> is,  the longer it will take to drift.
>
> Secondly,  since drift is inevitable,  I have found it is good to make a
> lot longer loop (four bars or even 8 loops instead of one bar, for example)
> because if you loop points are fairly accurate it will take four times as
> long to drift as the shorter loop)..
>
> Then you have the ability to retrigger the loop on the down beats
> periodically when you can feel the loop starting it's inveitable drift.
>
> Now this method takes a lot longer so this is where a more sophisticated
> looper has advantages over things like the M9, the DL4, the Digitech
> Jamman and all the Boss RC series.
>
> As a rhythmatist, primarily in my role accompanying Bill, this is not a
> problem but it would be if I were trying to be a multi-instrumentalist:  it
> would just take too much time to establish my base loops (a structural
> problem that is rampant in the life looping community if you ask me).
>
> There is also a decided downside to the architecture of the M9 and DL4 and
> that is, both machines have the ability to trigger once (one shot mode)
> but do not have the ability to have retrigger with continuous play.   This
> necessitates a tricky combination that entails
> a press of retrigger............a press of stop/start on beat four (or
> wherever you want the silence to occur) and the a repress of start/stop to
> continue
> the loop.   This one's a toughie if you are juggling playing, looping and ,
> say, singing all at the same time.
>
> That is precisely why I added Retrigger/Continuous and Retrigger/Random to
> the upcoming Looperlative LP-2 Mini Looper
> (which, by the way will also have midi sync IN/OUT and many other cool
> features already mentioned on this forum).
>
> I can't wait for the Retrigger/Random function to come out because this
> will allow someone to use an ambient rubato loop as a sound source
> and then by retriggering it, one can create a cool and unusual ostinato
> rhythm that is constantly varying slightly in it's timbre without the use
> of techniques like filtering or random filtering which have been used in
> the past to add spice and continual variance in a rhythmic loop.
>
>  From my experience,  you'll need to really practice a lot to get this
> technique to work but as I've said in a lot of forums,   live looping
> has taught me more about the nature of rhythm and groove time than all the
> playing with sequencers, drum machines and master drummers
> from other cultures combined.     There's nothing like having to compensate
> for your own timing inaccuracies (let alone those of the musicians
> you are playing with, because a looping performance sets those mistakes in
> stone for the duration of the piece.
>
> Good luck,
>
> Rick Walker
>
>

--00032555b95a9f115b048c2c99a6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks to both Walkers, great tips<br><br><div class=3D"gmail_quote">On Sun=
, Jul 25, 2010 at 2:21 AM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mai=
lto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><bloc=
kquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #cc=
c solid;padding-left:1ex;">
I have frequently used a Line 6 DL4 (the same looper in the M9) to do &#39;=
synced&#39; sounding shows<br>
with my brother, Bill.<br>
<br>
The answer is, =A0no, emphatically, =A0they will not sync up due to micro t=
iming errors that human beings have intrinsically.<br>
<br>
There are, however, some techniques you can use to fool the audience into t=
hinking they are synced up, however.<br>
<br>
Firstly, =A0 really get your timing together: =A0PRACTISE YOUR ASS OFF. =A0=
 =A0 =A0I you make a really well timed loop<br>
it will inevitably drift from the RC50&#39;s loop but the better your timin=
g is, =A0the longer it will take to drift.<br>
<br>
Secondly, =A0since drift is inevitable, =A0I have found it is good to make =
a lot longer loop (four bars or even 8 loops instead of one bar, for exampl=
e)<br>
because if you loop points are fairly accurate it will take four times as l=
ong to drift as the shorter loop)..<br>
<br>
Then you have the ability to retrigger the loop on the down beats periodica=
lly when you can feel the loop starting it&#39;s inveitable drift.<br>
<br>
Now this method takes a lot longer so this is where a more sophisticated lo=
oper has advantages over things like the M9, the DL4, the Digitech<br>
Jamman and all the Boss RC series.<br>
<br>
As a rhythmatist, primarily in my role accompanying Bill, this is not a pro=
blem but it would be if I were trying to be a multi-instrumentalist: =A0it<=
br>
would just take too much time to establish my base loops (a structural prob=
lem that is rampant in the life looping community if you ask me).<br>
<br>
There is also a decided downside to the architecture of the M9 and DL4 and =
that is, both machines have the ability to trigger once (one shot mode)<br>
but do not have the ability to have retrigger with continuous play. =A0 Thi=
s necessitates a tricky combination that entails<br>
a press of retrigger............a press of stop/start on beat four (or wher=
ever you want the silence to occur) and the a repress of start/stop to cont=
inue<br>
the loop. =A0 This one&#39;s a toughie if you are juggling playing, looping=
 and , say, singing all at the same time.<br>
<br>
That is precisely why I added Retrigger/Continuous and Retrigger/Random to =
the upcoming Looperlative LP-2 Mini Looper<br>
(which, by the way will also have midi sync IN/OUT and many other cool feat=
ures already mentioned on this forum).<br>
<br>
I can&#39;t wait for the Retrigger/Random function to come out because this=
 will allow someone to use an ambient rubato loop as a sound source<br>
and then by retriggering it, one can create a cool and unusual ostinato rhy=
thm that is constantly varying slightly in it&#39;s timbre without the use<=
br>
of techniques like filtering or random filtering which have been used in th=
e past to add spice and continual variance in a rhythmic loop.<br>
<br>
 =A0From my experience, =A0you&#39;ll need to really practice a lot to get =
this technique to work but as I&#39;ve said in a lot of forums, =A0 live lo=
oping<br>
has taught me more about the nature of rhythm and groove time than all the =
playing with sequencers, drum machines and master drummers<br>
from other cultures combined. =A0 =A0 There&#39;s nothing like having to co=
mpensate for your own timing inaccuracies (let alone those of the musicians=
<br>
you are playing with, because a looping performance sets those mistakes in =
stone for the duration of the piece.<br>
<br>
Good luck,<br><font color=3D"#888888">
<br>
Rick Walker<br>
<br>
</font></blockquote></div><br>

--00032555b95a9f115b048c2c99a6--

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 02:46:50 2010
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Subject: Eventide Timefactor looper vs DL4 looper
To: "Loopers Delight" <loopers-delight@loopers-delight.com>
From: cnovey@gmail.com
Date: Sun, 25 Jul 2010 02:46:40 +0000
Content-Type: text/plain
MIME-Version: 1.0
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Hey guys- tired of my love/hate w my DL4- any experiences with the Eventide?
Thanks
Clifford
Sent via soup cans and string.

From info.markluwis.cb00@mark.com  Sun Jul 25 03:21:05 2010
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From: Mr. Adamark Luwis.
Financial Expert/Oak hill House,
House ware Center Lambert London.
SE1 7RJ 020-.
United Kingdom.
Mobile: +44-703-183-1792
Email: adamarkccb04@aol.com 
                                               

Hello Dear:

Do accept my sincere apologies if my mail does not meet your personal ethics 
although, I wish to use this medium to get in touch with you first because it's 
fastest means. 

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In one of our period ic auditing I discovered a dormant account with holding 
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I look forward to hear from you as soon as possible if you are interested.  Send 
further correspondence to adamarkccb04@aol.com

Regards, 
Mr. Adamark Luwis.


From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 06:08:34 2010
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Subject: Electrix Repeater FS
From: rich <richdyson@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f2d0b0062738048c3019d7
Content-Type: text/plain; charset=ISO-8859-1

http://cgi.ebay.com.au/Electrix-Repeater-Live-Loop-sampler-256mb-card-FS300-/290457538607?cmd=ViewItem&pt=AU_Pro_Audio&hash=item43a09e502f

very good condition with 256 mb cfc and fs300 footswitch.

in australia but ship worldwide (power supply is 100 - 240 so good the world
over)

thanks

--001485f2d0b0062738048c3019d7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div><a href=3D"http://cgi.ebay.com.au/Electrix-Repeater-Live-Loop-sampler-=
256mb-card-FS300-/290457538607?cmd=3DViewItem&amp;pt=3DAU_Pro_Audio&amp;has=
h=3Ditem43a09e502f">http://cgi.ebay.com.au/Electrix-Repeater-Live-Loop-samp=
ler-256mb-card-FS300-/290457538607?cmd=3DViewItem&amp;pt=3DAU_Pro_Audio&amp=
;hash=3Ditem43a09e502f</a></div>

<div>=A0</div>
<div>very good condition with 256 mb cfc and fs300 footswitch.</div>
<div>=A0</div>
<div>in australia but ship worldwide (power supply is 100 - 240 so good the=
 world over)</div>
<div>=A0</div>
<div>thanks</div>

--001485f2d0b0062738048c3019d7--

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REACTIVATE YOUR MAIL ACCOUNT.
Your email account will soon be suspended (Reason: Yearly quota
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From awinters@ursulinesisters.org  Sun Jul 25 09:16:21 2010
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To: <INFO@LOTTO.ORG>

This to inform you that you are a winner of 850,000GBP.you are to =
contact Bar.Fenka Benjamin ; fenka.benesq@hotmail.com with Your =
Name:Address:Telephone:Sex.=20

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 09:27:08 2010
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Rick Walker wrote:
> I have frequently used a Line 6 DL4 (the same looper in the M9) to do 
> 'synced' sounding shows

I'd recommend any looper to archive that post,
.....essential.

> There's nothing like having to 
> compensate for your own timing inaccuracies 
> because a looping performance sets those mistakes 
> in stone for the duration of the piece.

Actually the ability to re-record that first loop without
having to stop it is what is needed here.
Likely the audience won't even notice, except that the piece 
overall will sound better if a foundation rhythm is spot on.
The EDP always had that, the Record button is always active.
With the LP1 it's at least possible to program an extra 
button to start Record immediately.

It's sad that this functionality isn't prioritised by
manufacturers.

As to being able to compensate someone else's bad loop...
...hopefully Rick will enlighten us.


andy



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From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 13:15:22 2010
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From: Jean-Luc THOMAS <thomas.jeanluc@gmail.com>
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Hello,
I sent you yesterday an email, it's a mistake!! Please don't worry  
with it.
I apologize.
Jean-Luc Thomas.


From joneswilly43@gmail.com  Sun Jul 25 14:56:07 2010
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Attention,
 
Listen carefully for the information, As courtesy demands, I am Mr. Jones Willy.The Operations Manager In Ecowas head office Ghana . There is an information I think might interest you.
 
First of all, I do not know if I am talking to the right person, but I will like you to confirm if you are the owner of this email ID. Already I have your name and details in our file in the office, but somehow I am not comfortable and too sure. So I just want to make sure am communicating with the real owner of this Email ID Whom we also have your other detail in our data.
 
If you can proof that you are the owner of this email ID, then I will furnish you with the information that I have for you.
 
So by your respond, if you can be able to Identify your name and address as we have it in Data here, I will proceed and let you know what news we have for you.
I am taking this preventive measure because I do not want to talk to the wrong person because of the sensitivity of the information regarding your out standing Payment. 
Other details will be forward to you as soon as I am convinced I am communicating with the right person.
 
Reply Now please,
 
Mr.Jones Willy

From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 16:37:11 2010
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References: <4C4B8387.6050103@cruzio.com> <4C4C0375.1050601@tiscali.co.uk>
Subject: Re: M9 and RC50
Date: Sun, 25 Jul 2010 12:37:09 -0400
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>Actually the ability to re-record that first loop without
>having to stop it is what is needed here.

One thing about the Boss DD 20 is the ability to tap in a new loop length as 
you play. It is very smooth in the way it does this. This is in delay mode 
of course not on looper or "phrase sample" mode. By turning the feedback 
down and tapping while you play you can achive this pretty well. It saves my 
ass regularly :)

The M9 loop function is much improved over the DL 4 with the feedback 
feature now. I am starting to dig it much.

J






----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, July 25, 2010 5:27 AM
Subject: Re: M9 and RC50


> Rick Walker wrote:
>> I have frequently used a Line 6 DL4 (the same looper in the M9) to do 
>> 'synced' sounding shows
>
> I'd recommend any looper to archive that post,
> .....essential.
>
>> There's nothing like having to compensate for your own timing 
>> inaccuracies because a looping performance sets those mistakes in stone 
>> for the duration of the piece.
>
> Actually the ability to re-record that first loop without
> having to stop it is what is needed here.
> Likely the audience won't even notice, except that the piece overall will 
> sound better if a foundation rhythm is spot on.
> The EDP always had that, the Record button is always active.
> With the LP1 it's at least possible to program an extra button to start 
> Record immediately.
>
> It's sad that this functionality isn't prioritised by
> manufacturers.
>
> As to being able to compensate someone else's bad loop...
> ...hopefully Rick will enlighten us.
>
>
> andy
>
>
> 

From salmahussein5@gmail.com  Sun Jul 25 18:45:21 2010
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Reply-To: <salmahussein85@yahoo.com.hk>
From: "Salma Abu Bakar Elsiddig Mohamed Hussein"<salmahussein5@gmail.com>
Subject: Mutual Relationship With A Refugee
Date: Mon, 26 Jul 2010 01:30:26 +0700
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To: undisclosed-recipients:;

Dear Friend,  
        
My Name is Salma Abu Bakar Elsiddig Mohamed Hussein , 22 years old Girl originated from Sudan, I really want to have a good relationship with you, I know this mail might come to you as a surprise because you don’t even know me, but due to unsolicited nature of my situation, I decided to contact you for help, please bear with me, My late father was a sub contractor with Greater Nile Petroleum Operating Company Sudan and was killed alongside with my beloved mother during the last crisis in my country when Janjaweed militant came to our house, and that was what sent me away from my country as I made escape only by God's special grace, you can read more about my Country.

(http://www.cnn.com/2010/WORLD/africa/01/07/sudan.violence.report/index.html?iref=allsearch)

After the death of my  beloved father my wicked step mother and her secret lover sold everything that my late father had and eloped with the money, one faithful morning as I was cleaning my late father’s room I opened my father's briefcase and found some documents which he used to deposit the sum of Seven Million United State Dollars.

($7,000,000.00) with a Bank In The Royal Kingdom Of Thailand with my name as the next of kin, I traveled to Thailand to withdraw the money so that I can start a better life and take care of my younger brother, On my arrival to the Bank the Branch manager of the Bank whom I met in person told me that my status here in Thailand cannot allow me claim the money as a refugee, and my father's instruction to the bank was that the money be released to me only when I am married or present a trustee who will help me stand on my behalf and invest the money overseas.

Am actually in search of an honest and reliable person who will help me withdraw the money and invest it, I have chosen to contact you after my prayers and I believe you will not try to cheat me but rather take me as your own people, though you may wonder why I am so soon giving in to you without seeing you, well I will say that my instincts still tells me that you could be true to me, Briefly, I will like to disclose much to you if you will help me to relocate to your country with the substance that I inherited from my parent which I will like to invest in your country into any lucrative business venture which you are to advise and execute seeing that I have no business experience for now.

However, I shall forward to you with the necessary information you need i.e. my passport and a letter to forward to the Bank on confirmation of your acceptance to assist me for the transfer and investment of the fund, as you manage the money in any investment, and I will like to complete my studies which is the most important thing to me.

It is my intention to compensate you with 30% of the total money for your services and the balance shall be my capital investment, this is the reason why I decided to contact you, please all communications should be through my private email address only (hussein_salma@ymail.com) for confidential purposes.

As soon as I receive your positive response showing your interest I will put things into action and I have the whole document and prove with me, in the light of the above, I shall appreciate an urgent message indicating your ability and willingness to handle this transaction, awaiting your urgent and positive response.

Am pleading that you help me, I am giving all this detailed information with every transparency believing that you will have a clear picture of the base of help I need from you, I hope to hear from you soon, May truth and love be the guiding word in my refuge.
Please send your respond to my private email: hussein_salma@ymail.com
Thank You,
Yours Sincerely,

Salma Abu Bakar Elsiddig Mohamed Hussein


From info@webmal.com  Sun Jul 25 18:56:54 2010
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From Loopers-Delight-request@loopers-delight.com  Sun Jul 25 20:29:44 2010
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Date: Sun, 25 Jul 2010 14:29:41 -0600
Message-ID: <AANLkTik=QqdNr00v=vK4wdoTbSaAawu6Ri6u0qLJS3uw@mail.gmail.com>
Subject: Re: Eventide Timefactor looper vs DL4 looper
From: Keith Smith <kahsmith@gmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
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--00c09f8994c3bbba49048c3c20df
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Suggest you go to http://forum.eventide.com/cs/forums/  where you'll see
what the issues are.
I love mine. Feedback control, speeds from 25% to 200% in octaves, fifths,
octave +fifth, chromatic and continuous, 6 buttons with the FS-300 so you
can get in and out of the looper hands-free, and it sounds great. Lots of
other great delay sounds, too.

The knobs are not nicely protected like the DL4 so don't just stick it in a
bag full of gear to take it home.  I lost one pot that way (surface mount,
plastic shaft with a very small pilot that broke off) but it was fairly eas=
y
to replace. Now it lives on a pedal board or in a stiff and well lined box.

Received via seriously inconvenienced electrons ;)
k

On Sat, Jul 24, 2010 at 8:46 PM, <cnovey@gmail.com> wrote:

> Hey guys- tired of my love/hate w my DL4- any experiences with the
> Eventide?
> Thanks
> Clifford
> Sent via soup cans and string.
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio - www.keithsmith.ca
Northern Lights =96 Altai Khangai www.nl4tet.ca/
Photography - www.mymountains.ca

--00c09f8994c3bbba49048c3c20df
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Suggest you go to <a href=3D"http://forum.eventide.com/cs/forums/">http://f=
orum.eventide.com/cs/forums/</a>=A0 where you&#39;ll see
 what the issues are. <br>
I love mine. Feedback control, speeds from 25% to 200% in octaves,=20
fifths, octave +fifth, chromatic and continuous, 6 buttons with the=20
FS-300 so you can get in and out of the looper hands-free, and it sounds
 great. Lots of other great delay sounds, too.<br>
<br>
The knobs are not nicely protected like the DL4 so don&#39;t just stick it=
=20
in a bag full of gear to take it home.=A0 I lost one pot that way (surface
 mount, plastic shaft with a very small pilot that broke off) but it was
 fairly easy to replace. Now it lives on a pedal board or in a stiff and
 well lined box.<br>
<br>
Received via seriously inconvenienced electrons ;)<br>
k<br><br><div class=3D"gmail_quote">On Sat, Jul 24, 2010 at 8:46 PM,  <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:cnovey@gmail.com">cnovey@gmail.com</a>&g=
t;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt =
0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex=
;">
Hey guys- tired of my love/hate w my DL4- any experiences with the Eventide=
?<br>
Thanks<br>
Clifford<br>
Sent via soup cans and string.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith -Guitar<br>=
<br>Keith Smith Trio - <a href=3D"http://www.keithsmith.ca">www.keithsmith.=
ca</a><br>Northern Lights =96 Altai Khangai <a href=3D"http://www.nl4tet.ca=
/">www.nl4tet.ca/</a><br>
Photography - <a href=3D"http://www.mymountains.ca">www.mymountains.ca</a><=
br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

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From eralidouuuf@msn.com  Mon Jul 26 01:34:53 2010
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	 Sun, 25 Jul 2010 18:29:37 -0700
From:     "Mr.Arouna Alidou" <arallidou@voila.fr>
To:        <.>
X-Mailer: Barca 2.8 (4400) - EXPIRED EVALUATION VERSION
X-URL: http://www.pocomail.com/
Reply-To: arallidou@voila.fr
Date: Mon, 26 Jul 2010 01:28:03 GMT
Subject: PLEASE REPLY URGENTLY.
Mime-Version: 1.0
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X-OriginalArrivalTime: 26 Jul 2010 01:29:38.0843 (UTC) FILETIME=[0390CEB0:01CB2C62]

PLEASE REPLY URGENTLY.
 
I am contacting you regarding a venture through which we both can come on a=
 substantial amount of money.I am Mr Arouna Alidou and also the personal=
 banker to a customer of our bank who passed on heart-related condition and=
 I believe with your assistance we can receive the investments/deposits of=
 my deceased customer. Therefore you should get back to me with the=
 information's below:
 
[1] Full Names
[2] Your phone/fax number
[3] Your residential address.
[4] Yours age
[5] Your occupation
 
This is a legitimate transaction and you will be paid 40% for your=
 "Assistance". Should you be interested in my proposal, I prefer you reach=
 me on my email  for further clarification and detail. I am looking forward=
 to your urgent response and our partnership. Send me an email for more=
 information's and also you should call me on my private phone line if my=
 proposal interests you:+22678878963
 
Sincerely,
Mr.Arouna Alidou.


From frankgomez49@yahoo.com  Mon Jul 26 03:47:14 2010
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Received: from [41.216.44.220] (account cesar HELO User)
  by idz.ru (CommuniGate Pro SMTP 5.0.6)
  with ESMTPA id 266246248; Mon, 26 Jul 2010 07:46:55 +0500
Reply-To: <western.union52@btinternet.com>
From: "Mr.Tony Ben."<frankgomez49@yahoo.com>
Subject: CONTACT THE WESTERN UNION OFFICE FOR YOUR FUNDS.
Date: Mon, 26 Jul 2010 03:46:52 +0100
MIME-Version: 1.0
Content-Type: text/plain;
	charset="Windows-1251"
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X-Mailer: Microsoft Outlook Express 6.00.2600.0000
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Message-ID: <auto-000266246248@idz.ru>
To: undisclosed-recipients:;

Attention;

I Am Mr Tony Ben, secretary to Dr. Timothy Hanson. I'm writing to let you know about
your $850, 000, 00 that my boss issued on your name before his travel out for his
business purpose.

Before he travels out he instructed me to send you the total money through Western Union
Money Transfer because it will be less expensive and reliable for you to be receiving
your daily $5000 dollar until you receive your total moneycompletely.

Meanwhile, the manager stated yesterday that, the director administrator trust funds
have already signed and approved your payment, which you will be receiving your payment
5000.00 Us Dollars immediately you sent them their transfer charge of $100 and it will
serve as reconfirmation of your file payment from the office in charge.

So you are to contact them on below information,

Vital Finance Bank Western Union Department.
Location Address; Plot 1261, Adeola Hopewell Street CO/B/REP,
Contact Person: Mr Peter Moore
Tele phone Number: +229 980 796 70
Email Address: (western.union52@btinternet.com)

Be advise that the $100 is a compulsory as they told me that is only money you will pay
until you receive your payment completely .So reconfirm your details to avoid any
hitches in receiving your full payments.

Also do let me know immediately they have started sending you your money, but try to
comply with them to enable them serve you better.

Thank,
secretary ,
Mr.Tony Ben.

From p731128p@yahoo.com.tw  Mon Jul 26 04:21:47 2010
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62F;&#x516B;&#x65B9;&#x8CBF;&#x6613;&#x2014;&#x6B61;&#x8FCE;&#x60A8;: <BR>(=
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 5bxyb=3Dirfr!eucn+lxcu~seq:nmaw4qgs'pjx@gpabu_ubm</td></tr></table><br>=0A=
=0A=0A=0A      &nbsp;
--0-1994783342-1280118096=:24407--

From chinatoyotapromoaward@yahoo.cn  Mon Jul 26 04:23:34 2010
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Reply-To: <toyota_annualpromo2010@yahoo.cn>
From: "TOYOTA PROMO AWARD"<chinatoyotapromoaward@yahoo.cn>
Subject: CONGRATULATIONS FROM TOYOTA ANNUAL PROMO 2010
Date: Sun, 25 Jul 2010 20:12:49 +0800
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TOYOTA INTERNATIONAL PROMO AWARD 2010.
CUSTOMER SERVICE DEPARTMENT,
N0. 28 TANSFIELD ROAD.
TIANXIU LIO BEINJING,
CHINA.
                     
PRIZE AWARD NOTIFICATION
Dear Sir/Madam,
We are pleased to inform you of the announcement made today, You are among the winners of the TOYOTA CAR INTERNATIONAL PROMOTION PROGRAM.
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Head of Claims Dept,
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Email: toyota_annualpromo2010@yahoo.cn
Tel: 0086-13712239672.
1. Full Name:  
2. Address:    
3. Email:
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8  Telephone No: 
9. Nationality:      
10. Country of Residence: 
NOTE: In order to avoid unnecessary delays and complications, please remember to quote your reference and batch numbers and other information provided above in every of your correspondences to your claiming agent.
Congratulations once again from all our staff and thank you for being part of our promotions program.
CONGRATULATIONS!!!
 
Yours Sincerely,
Management. 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 05:21:11 2010
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Date: Mon, 26 Jul 2010 00:20:30 -0400
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: The Lake -- Water, Abstraction, Marya  Photo Essay on Flickr
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

Two weeks ago, my wife, Marya, and I took a weekend getaway at the 
family cottage on a lake in Connecticut. It was a special weekend for 
us -- medical issues had kept us close to home for the past year. As 
always, I took lots of photos.

The Lake -- Water, Abstraction, Marya consists mainly of pictures of 
the lake taken from the cottage's back porch, and the dam that holds 
in the lake, a short walk from the cottage. Moat of the water 
pictures have been abstracted by throwing the water out of focus, 
putting glass objects (or my fingers) between the lens and the water, 
or by zooming way in on specular reflections of the sun off the 
water. Interspersed with these are photos of Marya, resplendent in 
her new summer hat.

There are some images processed with Photoshop filters at the end of the set.

BTW Some of my videos can be viewed at
http://www.youtube.com/Tobenfeld
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From winnerinfo30@libero.it  Mon Jul 26 05:46:56 2010
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Date: Mon, 26 Jul 2010 07:27:29 +0200
Message-Id: <L65GHT$DF6E3E8E23AAC4B2AECDC7E07C4268F0@libero.it>
Subject: Win Notification!
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From: "Walter Kraft" <winnerinfo30@libero.it>
To: "winner17" <winner17@win.lottto>
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La Loterie Romande
Rue Marterey 13,
1002 Lausanne,
Switzerland.
 
Reference : LR/51-CH/4103,
Batch : LR/09/17
 
Congratulations!,
 
You are hereby notified that your email identity has won EUR 2,500,000 (T=
wo million five hundred thousand Euro) in our annual draws for 2010 condu=
cted last week. Your email ID was attached to serial number : 09-7391 and=
 drew the winning numbers; 9-31-17-23-12-39.
 
Please contact your assigned release manager, Mr.William Hartwell of the =
Paying insurance/finance company,through his email address below;
 
Mr. William Hartwell
Zurich Financial Services Limited,
Professional and Risk Services Manager
Te\|Fax: 0044870471169
Mail:  ZURICH.WH@MAIL.MN
 
For more information and details.
 
Yours truly
Walter Kraft,
Promotions Manager 

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 11:49:29 2010
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Date: Mon, 26 Jul 2010 13:49:27 +0200
Message-ID: <AANLkTi=0PaQZdXhf+-mx1zqi-MNSXb1kipQwBrq0i1rR@mail.gmail.com>
Subject: Re: M9 and RC50
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d644ca0c373a048c48fa31
Content-Type: text/plain; charset=ISO-8859-1

2010/7/25 andy butler wrote:

>
> Actually the ability to re-record that first loop without
> having to stop it is what is needed here.
> Likely the audience won't even notice, except that the piece overall will
> sound better if a foundation rhythm is spot on.
> The EDP always had that, the Record button is always active.
> With the LP1 it's at least possible to program an extra button to start
> Record immediately.
>
> It's sad that this functionality isn't prioritised by
> manufacturers.
>

Another (software) looper able to record immediately without stopping the
loop is Mobius.
I also use a script to retrigger ALL the running tracks, just with one
button press.

fabio
www.eterogeneo.com



>
>
> andy
>
>
>
>

--0016e6d644ca0c373a048c48fa31
Content-Type: text/html; charset=ISO-8859-1
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<br><br>
<div class=3D"gmail_quote">2010/7/25 andy butler wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im"><br>Actually the ability to re-record that first loop wit=
hout<br>having to stop it is what is needed here.<br>Likely the audience wo=
n&#39;t even notice, except that the piece overall will sound better if a f=
oundation rhythm is spot on.<br>
The EDP always had that, the Record button is always active.<br>With the LP=
1 it&#39;s at least possible to program an extra button to start Record imm=
ediately.<br><br>It&#39;s sad that this functionality isn&#39;t prioritised=
 by<br>
manufacturers.</div></blockquote>
<div>=A0</div>
<div>Another (software) looper=A0able to record immediately without stoppin=
g the loop is Mobius.</div>
<div>I also use a script to retrigger ALL the running tracks, just with one=
 button press.</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im"><font color=3D"#888888"><br><br>andy<br><br><br><br></fon=
t></div></blockquote></div><br>

--0016e6d644ca0c373a048c48fa31--

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 12:03:53 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: M9 and RC50
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Good advice, Rick!

What used to do on my RC-50 also when playing with others:
- Set RC-50 to "single mode" (three consecutive loops)
- Record a loop but keep it recording a bit longer (i.e. 3-4 bars instead of two)
- Constantly retrigger the loop using the phrase pedal (phrase1-3)

This way, I managed also to stay in time when the music organically changed tempo. I guess you could achieve something similar with a single shot setting.


best regards
Buzap

-- 
Neu: GMX De-Mail - Einfach wie E-Mail, sicher wie ein Brief!  
Jetzt De-Mail-Adresse reservieren: http://portal.gmx.net/de/go/demail

From sanusi.lamido@presidency.com  Mon Jul 26 14:16:39 2010
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FROM THE DESK OF: GOVERNOR CENTRAL BANK OF NIGERIA.

CBN COMPLEX, GARIKI ABUJA,NIGERIA

P.BOX 2356478. 

E-MAIL: sanusi.lamido@presidency.com

Attn:

I am the newly appointed governor of Central Bank of Nigeria.You are hereby advised in your own interest to stop further contact with the former Governor Prof. Charles Soludo and his deputy, Dr. Obadiah Mailafia. They are no longer with central bank of Nigeria as their tenure has expired, anybody doing business with them in the name of CBN or Government of Nigeria is doing that at his own risk.

On assumption of office 4th June 2009 I discovered that you are being owned contract/inheritance payment of $5.3 million (United State Dollars) as unpaid contract fund in Contractors Category [A] Record file.Therefore you required to reconfirm your informations for verification and immediate payment within 24 hours.

1. Your full name________________________

2. You Full Address______________________

3. Age, date of birth and gender___________


4. Occupation______________________________

5. Telephone number mobile__________________

6. Home Telephone___________________________

7. Office Telephone_________________________

6. Copy of your identification_____________

7. Mode of payment________________________

We shall not entertain impostors and you must proof that you are the rightful owner of this fund before final payment, note that it is no longer business as usual.

Moreover, you are to submit all these information to our paying bank

below.

BANK NAME: UNITED BANK FOR AFRICA NEW YORK

ADDRESS: 1 ROCKEFELLER PLAZA, 8TH FLOOR NEW YORK,NY10020

CONTACT EMAIL: cbncontractaward@presidency.com

CONTACT PERSON: MR DAN MANGLIO

OFFICE PHONE: 253-595-0397

FAX NUMBER: 253-595-0397

DIRECT PHONE: 718-878-5388

You are to forward your response to MR.DAN MANGLIO for him to let you know how and when you are going to receive your fund without any further delay.Call him with this telephone number (718-878-5388) and explain to him on how you want to receive your fund.

Sincerely,

Dr.Sanusi Lamido

Governor Central Bank of Nigeria.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 14:20:55 2010
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Subject: Re: The Lake -- Water, Abstraction, Marya  Photo Essay on Flickr
Date: Mon, 26 Jul 2010 07:20:52 -0700
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Nice images Emile.

I very much enjoyed the music too.

On Jul 25, 2010, at 9:20 PM, Emile Tobenfeld (a.k.a Dr. T) wrote:

>
> There are some images processed with Photoshop filters at the end of  
> the set.
>
> BTW Some of my videos can be viewed at
> http://www.youtube.com/Tobenfeld
> -- 
> " Practice makes perfect, imperfect is better."  -- Paul Bley
>
> 		Emile Tobenfeld, Ph. D.
> Video Producer			Image Processing Specialist
> Video for your HEAD!			Boris FX
> http://www.foryourhead.com		http://www.borisfx.com

From obawilliams1@yahoo.com.hk  Mon Jul 26 14:39:32 2010
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	 Mon, 26 Jul 2010 22:27:48 +0800
Reply-To: <johnatugav@inmail24.com>
From: "MR OBASEKI WILLIAMS"<obawilliams1@yahoo.com.hk>
Subject: Your Certified Bank Draft..222.73.189.182
Date: Mon, 26 Jul 2010 15:26:00 +0100
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To: undisclosed-recipients:;

My Dear,

 i am very happy to alert you that i have been able to get those funds worth
 the sum of ?3.5M transferred under a co-peration of new business partner
 from Australia.

 Now be advised to contact my Lawyer Barrister John Atuga and ask him for the
 sum of Eight hundred and fifty united states dollars ($850,000.00usd) in a
 certified international bank draft written and signed in your name for your

 Name:Barrister John Atuga
 Phone: +234-805-590-3435
 Email;johnatugav@inmail24.com

 Endeavour to get me informed once you receive your certified bank draft with
 you.Also be advised to reconfirm to him your full information such as your
 name,current phone number for easy communications and as well your address
where the said bank draft would be delivered.

 Regards
 Mr OBASEKI WILLIAMS

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 14:57:37 2010
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To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: The Lake -- Water, Abstraction, Marya  Photo Essay on Flickr
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

Forgot the link

http://www.flickr.com/photos/22231918@N06/sets/72157624458438419/

Two weeks ago, my wife, Marya, and I took a weekend getaway at the 
family cottage on a lake in Connecticut. It was a special weekend for 
us -- medical issues had kept us close to home for the past year. As 
always, I took lots of photos.

The Lake -- Water, Abstraction, Marya consists mainly of pictures of 
the lake taken from the cottage's back porch, and the dam that holds 
in the lake, a short walk from the cottage. Moat of the water 
pictures have been abstracted by throwing the water out of focus, 
putting glass objects (or my fingers) between the lens and the water, 
or by zooming way in on specular reflections of the sun off the 
water. Interspersed with these are photos of Marya, resplendent in 
her new summer hat.

There are some images processed with Photoshop filters at the end of the set.

BTW Some of my videos can be viewed at
http://www.youtube.com/Tobenfeld
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 15:10:45 2010
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Subject: Re: The Lake -- Water, Abstraction, Marya  Photo Essay on Flickr
Date: Mon, 26 Jul 2010 08:10:39 -0700
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Ahh, now it makes more sense.

I just saw the video before.

These are nice.

On Jul 26, 2010, at 7:38 AM, Emile Tobenfeld (a.k.a Dr. T) wrote:

> Hi folks,
>
> Forgot the link
>
> http://www.flickr.com/photos/22231918@N06/sets/72157624458438419/
>
> Two weeks ago, my wife, Marya, and I took a weekend getaway at the  
> family cottage on a lake in Connecticut. It was a special weekend  
> for us -- medical issues had kept us close to home for the past  
> year. As always, I took lots of photos.

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 17:07:08 2010
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From: Cody Page <jensen5@gmail.com>
Date: Mon, 26 Jul 2010 10:06:45 -0700
Message-ID: <AANLkTimeLUgkxw7Yy1iF+fgn2hDHj-+5wfyqj4bUpEDa@mail.gmail.com>
Subject: Re: RC-50 - Synching w. MIDI metronome
To: Loopers-Delight@loopers-delight.com
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Rick's great M9/DL4 post may be the answer to what I'm asking
(practice more, try to sync/quantize less), but I'd still like to see
what y'all think in terms of a technical solution to what I'm trying
to do.

To clear up the original post, I'd like to have my drummer hear his
click as usual regardless of whether I'm recording, playing back, or
not even engaging the RC-50 (aside from having it turned on and
connected to his metronome via MIDI, of course). This way, I can
quantize the loops I record live to the same clock that he's listening
to. If his metronome doesn't start until I start recording (b/c it's
slaved to the RC-50), he doesn't get the click that he needs for other
parts of the song when I'm not recording a loop, which is no good.

Maybe the most distilled version of the question is:  Is it possible
for me to quantize the loops I'm recording live to the click that my
drummer is playing to?

- - - - - - -
Facebook.com/ArmadaForPresident
Armada-Band.com




On Fri, Jul 23, 2010 at 11:39 AM, Cody Page <jensen5@gmail.com> wrote:
> Hi all,
>
> I'm *thiiiiiis* close to giving up on the RC-50 but figured I'd
> solicit some more advice before I did.
>
> After reading about the RC-50's trouble slaving to an external MIDI
> clock, I decided to try it out as the master to a slave metronome
> equipped with a MIDI in. This does work, but I can only get the
> metronome to start when I start recording on the RC-50. What I need is
> for the metronome to pick up on the constant clock info being sent by
> the RC-50 and just play the click (synched up) all the time.
>
> The metronome my drummer is using is some sort of discontinued Yamaha
> model. I think the problem is that it needs to receive a "start"
> command via MIDI before it does anything. Is there any sort of
> metronome (or drum machine?) out there that just syncs up and starts
> playing all the time without needing that "start" command?
>
> Thanks,
> Cody
>

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 17:34:55 2010
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Date: Mon, 26 Jul 2010 13:34:55 -0400
Subject: Beardyman Going Insane
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Love watching him perform.

Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 17:36:18 2010
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Date: Mon, 26 Jul 2010 13:36:19 -0400
Subject: Beardyman Going Insane
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Love watching him perform.

http://www.youtube.com/watch?v=58gUtjSr6zw&feature=digest

Andre

http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From ahmedabdullah50096@msn.com  Mon Jul 26 17:58:09 2010
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From:     Ahmed Abdullah <ahmedabdullah57@gmail.com>
To:       ".." <..>
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<html><head><meta name=3D"Generator" content=3D"PSI HTML/CSS Generator"/>
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<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">BANK OF=
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<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
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 &#160; &#160; &#160; &#160; &#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I know that this=
 mail will come to you as a surprise as we never met before. I am MR AHMED=
 ABDULLAH, the manager of Auditing and Accounting section of Bank Of Africa=
 (B.O.A)</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Ouagadougou Burkina=
 Faso. I Hoped that you will not expose or betray this trust and confident=
 that I am about to repose on you for the mutual benefit of our both=
 families. I need your urgent assistance in transferring the sum of Twelve=
 million Five Hundred Thousand United State Dollars.($12.5mUSD) Immediately=
 to your account.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">The fund has been=
 dormant (in-active) for 10 years in our Bank here without any body coming=
 for it. I want to release the fund to you as the nearest person to our=
 deceased customer Mr. Andreas Schranner (the owner of the account) who died=
 along with his supposed next of kin in air crash since on 31st July 2000. I=
 don't want the fund to go into our Bank treasury as an abandoned fund, so=
 this is the reason why I contacted you, so that my Bank will release the=
 fund to you as the nearest person to the deceased customer.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">For more information=
 about the crash you can visit this site:<a=
 href=3D"http://news.bbc.co.uk/1/hi/world/europe/859479.stm">http://news.bbc.c=
o.uk/1/hi/world/europe/859479.stm</a></SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Please I would like=
 you to keep this proposal as a top secret and delete it if you are not=
 interested. Upon receipt of your reply, I will give you more details=
 regarding this transaction and also note that you will have 40% of the=
 above mentioned amount if you agree to help me execute this business. And=
 also after the funds has been transfered into your bank account you will=
 take 10% out as a compensation for the expenses you will make in this=
 transaction and 50% is for me. I need to hear from you urgent so that I=
 will give you more information regarding this transaction.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Your Full=
 Name..............................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Your=
 Sex..................................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Your=
 Age..................................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Your=
 Country...................................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Marital=
 Status............................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Your=
 Occupation.................................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Your Personal Mobile=
 N?................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Your Personal Fax=
 N?............................................</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Best=
 Regards,</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">MR AHMED=
 ABDULLAH</SPAN></div>
</body></html>

From jerryntai123439@yahoo.com  Mon Jul 26 17:58:28 2010
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Message-ID: <219fd6d3610637478567e72af02f15ae.squirrel@mail.maseno.ac.ke>
Date: Mon, 26 Jul 2010 20:22:20 +0300 (EAT)
Subject: Good Day
From: "MR.JERRY NTAI" <jerryntai123439@yahoo.com>
Reply-To: mrjerryntai444@gmail.com
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To: undisclosed-recipients:;




MR.JERRY NTAI.
MEVAS BANK
QUEEN`S ROAD
CENTRAL BRANCH,
HONG KONG.

Good Day,

Please kindly accept my apology for sending you this email without your
consent. I believe you are a highly respected personality, considering the
fact that I sourced your email from the peoples search database on the web
during my descret search for a foreign partner whom can assist me in
taking this business to it success. Though, I do not know
to what extent you are familiar with events. I have a proposal for
you.This however is not mandatory nor will I in any manner compel you to
honor against your will, but I hope you will read on and consider the
value I offer.

My name is Mr. Jerry Ntai, I am the Head of Operations in Mevas Bank, Hong
Kong. I have a business proposal in the tune of
US$25.2m  to be transferred to an offshore account with your assistance if
willing.

After the successful transfer, we shall share in ratio of 30% for you and
70% for me. Should you be interested, please
respond to my letter immediately, so we can commence all arrangements and
I will give you more information on the project and
how we would handle it.
You can contact me on my private email:(mrjerryntai444@gmail.com) and send
me the following information for documentation
purpose:

(1)Full name:
(2)private phone number:
(3)current residential address:
(4)Occupation:
(5)Age and Sex:

I look forward to hearing from you.
Kind Regards,
Mr.Jerry Ntai.

From Mr.Tonyjohnson@yahoo.com  Mon Jul 26 18:39:48 2010
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Date: Sat, 24 Jul 2010 10:14:19 -0500 (CDT)
Subject:  SEND THE BELOW INFORMATION TO YOUR ATM MASTER CARD  
From: "TONY JOHNSON" <Mr.Tonyjohnson@yahoo.com>
To:
X-Priority: 3
Importance: Normal
Reply-To: globalmax_couriercompany170@yahoo.fr
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 SEND THE BELOW INFORMATION TO YOUR ATM MASTER CARD

Attention Please,

I have Paid the Global  Max Courier  Company the delivery fee for the
delivery of your fund ($2.5million) which has been credited in an ATM
MASTER CARD for easy and safe delivery.But the manager of Central Bank Of
West African States Benin Republic told me that the ATM CARD will be
re-activated before sending it to you so that you will be able to withdraw
the whole $2.5million.before it will expire.So i told director of Global
Max Courier company to please help in re-activating the card before
delivering it to you, So the only fee you will pay him is re-activation
charges to enable him re-activate the card before sending it to you to
avoid expiry. Below is the needed information to enable them re-activate
and deliver your ATM MASTER CARD to you immediately.Note: the only fee you
have to pay them is re-activation fee that they will use in re-activating
the CARD and also indicate this code (SC0081) when writen or calling he
director, because it will prove that you are the owner of the ATM MASTER
CARD.

GLOBAL MAX COURIER COMPANY REPUBLIC OF BENIN
DR. WILLIE DEVIS (DIRECTOR)
EMAIL:(globalmax_couriercompany170@yahoo.fr)
Telephone: +229-98-31-05-82

SEND THE BELOW INFORMATION TO THE GLOBAL COURIER  COMPANY DIRECTOR ON THE
ABOVE INFORMATION:

1.YOUR FULL NAME:
2.YOUR HOME ADDRESS:
3.YOUR CURRENT HOME TELEPHONE NUMBER:
4.A COPY OF YOUR PICTURE:
5.NATIONALITY:

Do let me know immediately you receive your ATM MASTER CARD so that we can
share the joy togerther please do not forget to indicate this code(SC0081)
to him ok.

BEST REGARD
MR.TONY JOHNSON


From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 20:05:32 2010
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Date: Mon, 26 Jul 2010 15:05:30 -0500
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Subject: Strymon - El Capistan dTape Echo
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0016e64e9d20165a8a048c4fe89b
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--0016e64e9d20165a8a048c4fe89b
Content-Type: text/plain; charset=ISO-8859-1

hey, just saw this:

http://www.youtube.com/user/strymon#p/a/u/1/6kQ6qfvG9yc


for our talk about vari-speed delays...it can do some cool things from the
video.
and in the right corner is someone demoing the sound on sound options. it
only has 1.5 sec, but it's kind of cool....
no idea on price....
i wish they could bump it up to a 5 sec or even 10 sec delay loop
option....oh, that would be COOL, but the vid is cool in what it can do,
mimicing tape functions....
enjoy.
s----

--0016e64e9d20165a8a048c4fe89b
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<div>hey, just saw this:</div>
<div>=A0</div>
<div><a href=3D"http://www.youtube.com/user/strymon#p/a/u/1/6kQ6qfvG9yc">ht=
tp://www.youtube.com/user/strymon#p/a/u/1/6kQ6qfvG9yc</a></div>
<div>=A0</div>
<div>=A0</div>
<div>for our talk about vari-speed delays...it can do some cool things from=
 the video.</div>
<div>and in the right corner is someone demoing the sound on sound options.=
 it only has 1.5 sec, but it&#39;s kind of cool....</div>
<div>no idea on price....</div>
<div>i wish they could bump it up to a 5 sec or even 10 sec delay loop opti=
on....oh, that would be COOL, but the vid is cool in what it can do, mimici=
ng tape functions....</div>
<div>enjoy.</div>
<div>s----</div>

--0016e64e9d20165a8a048c4fe89b--

From rita5@gmail.com  Mon Jul 26 20:10:06 2010
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	 Tue, 27 Jul 2010 01:18:46 +1000
Reply-To: <mrsmarybenson4@yahoo.com.hk>
From: "Mrs Mary Benson"<rita5@gmail.com>
Subject: Attention:
Date: Mon, 26 Jul 2010 16:18:46 +0100
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To: undisclosed-recipients:;

Attention:


My name is Mrs Mary Benson  of the International Monetary Fund
investigation unit. Attached pictures was received and forewarded to our
office here in London UK today 26TH OF JULY2010 , requesting that your
unclaimed fund be paid to Messers Jacobs Enterprises.


In the said letter of change of beneficiary/ownership, representatives of
messers Jacobs enterprises states that you are dead and as such your fund
should be paid to him as the next of kin to you.


Because of the elaborate global scam, we decided to contact you for
confirmation. If after two working days, no responce is received from you,
it will be assumed that you are dead and as such authorisation and
approval will be granted on behalf of Messers Jacobs enterprises to
claim/receive your fund.


Confirm this pictures and reconfirm your Information to me the followings.


(1) Your full name.
(2) Phone, fax and mobile #.
3) company's name,position and address.
4)profession, age and marital status.
5) Copy of int'l passport or any scanned identity to prove yourself.


and how you want your fund paid to you without further delay if you
are still alive. Send your responce to my email address:
mrsmarybenson4@yahoo.com.hk


Regards
Mrs Mary Benson

From Loopers-Delight-request@loopers-delight.com  Mon Jul 26 20:14:34 2010
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	<4C4C0375.1050601@tiscali.co.uk>
	<AANLkTi=0PaQZdXhf+-mx1zqi-MNSXb1kipQwBrq0i1rR@mail.gmail.com>
	<20100726120348.260450@gmx.net>
Date: Mon, 26 Jul 2010 22:14:33 +0200
Message-ID: <AANLkTi=b1zFzCRsWvRcBhf2dZaorEd6KJFvizMOkHTV9@mail.gmail.com>
Subject: Re: M9 and RC50
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=001636c5a7d0694a4c048c5008ce
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--001636c5a7d0694a4c048c5008ce
Content-Type: text/plain; charset=ISO-8859-1

It still amazes me that Line 6 wont release an upgrade to their new M9 with
MIDI  to do looping syncronization,as a master or slave...
it also amazes me that the new looper is still mono ;-((
and that after seeing the success of the DL4 being used by so many creative
vocalists they wont include a Mic input!
most people ive seen in youtube using the DL4 are using its looper rather
than their delays, which tells me Line6 arent
yet aware of their device,now  try putting it in a mixers aux send to loop
your voice and you still get that frustrating oscillation boxy sound,so the
only option is to stick a mic with a 1/4 adaptor in the second input
i was hoping that would be better than the DL4 but no such luck grr...
dont get me wrong i still a great box,i just hope they would really listen
to somebody with more looping experience!
Luis






2010/7/26 Buzap Buzap <buzap@gmx.net>

> Good advice, Rick!
>
> What used to do on my RC-50 also when playing with others:
> - Set RC-50 to "single mode" (three consecutive loops)
> - Record a loop but keep it recording a bit longer (i.e. 3-4 bars instead
> of two)
> - Constantly retrigger the loop using the phrase pedal (phrase1-3)
>
> This way, I managed also to stay in time when the music organically changed
> tempo. I guess you could achieve something similar with a single shot
> setting.
>
>
> best regards
> Buzap
>
> --
> Neu: GMX De-Mail - Einfach wie E-Mail, sicher wie ein Brief!
> Jetzt De-Mail-Adresse reservieren: http://portal.gmx.net/de/go/demail
>
>

--001636c5a7d0694a4c048c5008ce
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<div>It still amazes me that Line 6 wont release an upgrade=A0to their new =
M9 with MIDI =A0to do looping syncronization,as a master or slave...</div>
<div>it also amazes me that the new=A0looper is still mono ;-((</div>
<div>and that after seeing the success of the DL4 being used by so many cre=
ative vocalists they wont include a Mic input! </div>
<div>most people ive seen in youtube using the DL4 are using its looper rat=
her than their delays, which tells me Line6 arent </div>
<div class=3D"gmail_quote">yet aware of their device,now =A0try putting it =
in a mixers aux send to loop your voice=A0and you still get that frustratin=
g oscillation boxy sound,so the only option is to stick a mic with a 1/4 ad=
aptor in the second input</div>

<div class=3D"gmail_quote">i was hoping that would be better than the DL4 b=
ut no such luck grr...</div>
<div class=3D"gmail_quote">dont get me wrong=A0i=A0still a great box,i just=
 hope they would really listen to somebody with more looping experience!</d=
iv>
<div class=3D"gmail_quote">Luis</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">=A0</div>
<div class=3D"gmail_quote">2010/7/26 Buzap Buzap <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;</span><br></div>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Good advice, Rick!<br><br>What u=
sed to do on my RC-50 also when playing with others:<br>- Set RC-50 to &quo=
t;single mode&quot; (three consecutive loops)<br>
- Record a loop but keep it recording a bit longer (i.e. 3-4 bars instead o=
f two)<br>- Constantly retrigger the loop using the phrase pedal (phrase1-3=
)<br><br>This way, I managed also to stay in time when the music organicall=
y changed tempo. I guess you could achieve something similar with a single =
shot setting.<br>
<br><br>best regards<br>Buzap<br><font color=3D"#888888"><br>--<br>Neu: GMX=
 De-Mail - Einfach wie E-Mail, sicher wie ein Brief!<br>Jetzt De-Mail-Adres=
se reservieren: <a href=3D"http://portal.gmx.net/de/go/demail" target=3D"_b=
lank">http://portal.gmx.net/de/go/demail</a><br>
<br></font></blockquote><br>

--001636c5a7d0694a4c048c5008ce--

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Date: Tue, 27 Jul 2010 00:04:37 +0200
Message-ID: <AANLkTimcNGDmtzmO94_GFzvtenRdHwF7JU9qCwHfnhG4@mail.gmail.com>
Subject: Re: Beardyman Going Insane
From: Per Boysen <perboysen@gmail.com>
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On Mon, Jul 26, 2010 at 7:36 PM, "Andr=C3=A9 Donawa" <andre@andredonawa.com=
> wrote:
> Love watching him perform.
>
> http://www.youtube.com/watch?v=3D58gUtjSr6zw&feature=3Ddigest


Sounding great too ;-)  THanks for posting.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Iremos te passar de forma simples, por pessoas que tinham o mesmo problema que vc está tendo e agora aprendeu como evitar e conquiatar novos cadastros.<br />
Assista uma de nossas conferências online:<br />
sala:<br />
http://www.hotconference.com/conference,29262914<br />
<br />
Lembre-se, começa às 15h<br />
<br />
Coloque antes de seu nome a letra 'C' de convidado, e meu nome no final, como quem te convidou, ta certo? Não precisa de senha na sala não viu.<br />
Te vejo mais tarde.<br />
<br />
Att.:<br />
<br />
Alexandre Caso queira sair da lista de emails de Alexandre de Oliveira enviar um email para envio@e-mmn.com

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--000e0cd6aca2ee049c048c54098e
Content-Type: text/plain; charset=ISO-8859-1

i checked the archives but didn't see any mention of the two i'm
considering...so, anybody with experience with either: i'd appreciate your
impressions.  i'll be using them for music creation and mixing and will be
used in conjunction with near-field monitors.

thanks.

- jim

--000e0cd6aca2ee049c048c54098e
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i checked the archives but didn&#39;t see any mention of the two i&#39;m co=
nsidering...so, anybody with experience with either: i&#39;d appreciate you=
r impressions.=A0 i&#39;ll be using them for music creation and mixing and =
will be used in conjunction with near-field monitors.<br>
<br>thanks.<br><br>- jim<br>

--000e0cd6aca2ee049c048c54098e--

From j.cynthia14@yahoo.com.hk  Tue Jul 27 05:12:11 2010
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My name is Mrs. Cynthia Johnson of the International Monetary </DIV>
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In the said letter of change of beneficiary/ownership, </DIV>
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 07:33:40 2010
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Date: Tue, 27 Jul 2010 09:33:38 +0200 (CEST)
From: Massimo Liverani <mas.liv@libero.it>
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Subject: My new work 'Sogni' (Dreams)
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Hello to everybody loopers! i'd like to make you listen (and if you want download)  my little new work sogni.
It is here:  http://www.jamendo.com/it/album/71679
thank you! 


Massimo Liverani 



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<p>Hello to everybody loopers! i'd like to make you listen (and if you want download)&nbsp; my little new work sogni.</p><p>It is here:&nbsp; <a mce_href="http://www.jamendo.com/it/album/71679" href="http://www.jamendo.com/it/album/71679">http://www.jamendo.com/it/album/71679</a></p><p>thank you! </p><p><br></p><p>Massimo Liverani <br></p><p><br></p>
------=_Part_1318_27458617.1280216018238--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 09:22:15 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Live looping with bass and vocals.
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Great! :)

Your singing + bass reminds me of Richard Bona.
If you don't know him you should definitely check him out - but being a bass player I'm sure you know this bass genius ;-)

best regards
Buzap
-- 
GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.  
Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 11:50:13 2010
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Date: Tue, 27 Jul 2010 07:50:11 -0400
Subject: Re: Live looping with bass and vocals.
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Thanks Buzap,

Saw Richard for the first time about 10 years ago in the Zinc club in NY.
It was a great show; really intimate.
Been a fan ever since.

Andre

On Tue, July 27, 2010 5:22 am, Buzap Buzap wrote:
> Great! :)
>
> Your singing + bass reminds me of Richard Bona.
> If you don't know him you should definitely check him out - but being a
> bass player I'm sure you know this bass genius ;-)
>
> best regards
> Buzap
> --
> GMX DSL: Internet-, Telefon- und Handy-Flat ab 19,99 EUR/mtl.
> Bis zu 150 EUR Startguthaben inklusive! http://portal.gmx.net/de/go/dsl
>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 13:19:51 2010
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Date: Wed, 28 Jul 2010 01:23:52 +1200
From: G <gigs@paradise.net.nz>
Subject: Re: which small multi-fx box?
To: Loopers-Delight@loopers-delight.com
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> On Mon, Jul 19, 2010 at 1:04 AM, Qua Veda <qua@oregon.com> wrote:
>> Looking for small, portable, inexpensive multi-fx box that would apply
>> reverb, delay, etc to sustained voice to create =A0spacey or dreamy =
=A0drone
>> sounds.

The Korg PX4D has the effects you're describing.  It's small, portable
and would work well with a vocal mic with impedance convertor.
http://www.korg.com/Product.aspx?pd=3D234

Cheers,
-- G.

From philipspaul46@yahoo.com  Tue Jul 27 13:41:25 2010
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	 Fri, 23 Jul 2010 19:52:12 -0400
Reply-To: <paulphilips44@yahoo.com.hk>
From: "Paul Philips"<philipspaul46@yahoo.com>
Subject: RE: SOLICITING YOUR ATTENTION
Date: Sat, 24 Jul 2010 00:51:00 -0700
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X-OriginalArrivalTime: 23 Jul 2010 23:52:13.0331 (UTC) FILETIME=[128AF630:01CB2AC2]
To: undisclosed-recipients:;

ATENTION: Beneficiary,

I am Paul Philips a representative of Prudential Insurance PLC. Actually,
this correspondence is purely private, and it should be treated as such. I
am contacting you based on Trust and confidentiality that will be attached
to this deal for the benefit of both of us. The Management and the Legal/
Treasury Department of this Prudential Insurance in a recent meeting,
recommended that the Insurance Contract of Mr. Robert Finkelstein, who
maintained a Life Insurance Policy, should be declared Dormant and
confiscated hence moving his unclaimed estate to the Treasury.

I came across a very vast sum of money belonging to the above deceased
PolicyHolder (Robert Finkelstein). This man was our client and has a Life
Insurance Policy WORTH the sum of Forty Seven Million Five Hundred
Thousand USD (US$47,500,000.00). Right now, the fund is lying unclaimed in
our custody and there is NO next of kin mentioned in his file and there is
NO HOW we can reach any of his other relatives. All efforts made by us to
establish contacts with any other of his relation has proved abortive and
unsuccessful. His Life Insurance Policy will expire in the next few months
from the date of this letter. Just a few weeks back, we received an
instruction from Ministry of Social Welfare to forward particulars of all
unclaimed benefits that will expire in the next few months.

Upon my personal finding on this matter, I kept this information secret to
myself until now that I am contacting you. In view of the fact that the
deceased customer was a foreigner (from a different country), it is
Officially important for the involvement of a foreigner who will pose as
his next-of-kin. I will use my position in this Company to present you as
his Next of Kin as you can be his relative, friend or Cousin or even his
business associate if you so choose and the left behind estates
(US$47.5Million) will be Safely transferred into your own account in your
country. Please include your telephone/fax number/ Home Address when
replying this e-mail and I will give you more information as soon as you
indicate your willingness to assist in this viable transaction. Please
provide the following:

Full Name:
Full Address:
Home and Direct Cell Telephone Number:
Fax Number:
Company Name:
Company Address:
Position:
Occupation:
Sex:
Marriage Status:
Age:
Next of Kin:
Other Email:
Any of your valid identification either national ID Card or International
Passport:

The transaction will be done successfully and smoothly completed via email
and telephone.

        METHOD/MODE OF SHARING:-
A.  Total sum with account   =      USD$47.5 Million
B.  Amount to be withdrawn   =      USD$43.1 Million
C.  Myself and my colleague  =      USD$21.55 Million
D.  Account holder (That's you) =   USD$21.55 Million
E.  Incidential expenses    =       USD$1.8 Million
F. Banks commission interest  =     USD$2.6 Million.

I PROMISE that you must be happy and shall rejoice greatly soonest for
cooperation with me in this transaction. After successful conclusion of
this transaction, we shall share the money 50-50 (50% for you and 50% for
me). I await your good response today.

Kind Regards,
Paul Philips

From hbwsqzz1@msn.com  Tue Jul 27 13:41:27 2010
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	 Tue, 27 Jul 2010 06:35:54 -0700
From:     sanou frank <sanoufrank1@gmail.com>
To:       "......" <......>
X-Mailer: Barca 2.8 (4400) - EXPIRED EVALUATION VERSION
X-URL: http://www.pocomail.com/
Reply-To: sanoufrank1@gmail.com
Date: Tue, 27 Jul 2010 13:34:50 GMT
Subject:                   I AM URGENTLY WAITING FOR YOUR EMAIL.
Mime-Version: 1.0
Content-Type: multipart/alternative; boundary="85106668-POCO-24855374"
X-OriginalArrivalTime: 27 Jul 2010 13:35:56.0592 (UTC) FILETIME=[A4575B00:01CB2D90]

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Content-Transfer-Encoding: quoted-printable

=E0=E9I AM URGENTLY WAITING FOR YOUR EMAIL. 

FOR YOUR KIND ATTENTION. 

COULD YOU PLEASE CONSIDER TO HELP ME TO RELOCATE THIS SEVEN MILLION FIVE=
 HUNDRED THOUSAND DOLLARS (US$7.5M) TO YOUR
COUNTRY FOR ESTABLISHING AN INDUSTRY IN YOUR COUNTRY.

THIS FUND WAS DEPOSITED IN OUR BANK BY MR PAUL LOUIS HALLEY FROM FRANCE WHO=
 DIED IN A PLANE CRASH IN 2003 TBM 700 AIRCRAFT ON 6 DECEMBER WITH HIS WIFE=
 AND THE WHOLECREW ON BOARD.

WITHOUT A (HEIR) HENCE THE MONEY IS FLOATING AND IF I DO NOT REMIT THIS=
 MONEY OUT URGENTLY IT WILL BE FORFEITED FOR NOTHING AND THE BIG GUNS AT THE=
 HERMS OF ADMINISTRATION AT THE BANK WILL SHARE THIS FUND AMOUNGST=
 THEMSELVES AS IT HAS BEEN DONE IF NO TRACE OF HEIR TO SUCH FUND IS FOUND.

WE HAVE TRIED TO CONTACT HIS FAMILY TO COME FORWARD FOR CLAIMS BUT COULD NOT=
 SUCCEED.
CLICKHERE(http://newswww.bbc.net.uk/2/hi/uk_news/england/oxfordshire/4537663=
.stm ) 
I WILL GIVE YOU ALL VITAL INFORMATION CONCERNING THE PROCESS ON HOW WE ARE=
 GOING TO ACHIEVE OUR DESIRE AIM IN THIS GOLDERN UPPORTUNITY SO THAT YOU=
 WILL CONTACT MY BANK FOR THEM TO RELEASE THE MONEY TO YOU AS THE NEXT OF=
 KIN TO THE DECEASED PERSON.

YOU WILL HAVE TO ESTABLISH CONTACT WITH THE BANK WHILE I WILL GUIDE YOU ON=
 THE STEPS TO FOLLOW TILL THE TRANSFER OF THIS FUND REACHES TO YOU AND YOUR=
 ACCOUNT.

AS ONE OF THE BANK DIRECTORS,I WILL PLAY A ROLE TO MAKE SURE THAT THE FUND=
 IS RELEASED TO YOU.

THIS IS A LEGITIMATE TRANSACTION AND YOU WILL BE COMPENSATED WITH 40% FOR=
 YOUR ASSISTANCE FOR PRESENTING YOURSELVE AS THE NEXT OF KIN AND ACCOUNT TO=
 RECEIVE THIS FUND IN YOUR COUNTRY.

IF YOU ARE INTERESTED PLEASE WRITE BACK FOR MORE CLEARIFICATION WITH YOUR=
 INFORMATIONS AS REQUESTED BELOW BECAUSE ON RECEIPT OF YOUR INFORMATIONS.

I WILL KNOW THAT ACTUALLY YOU ARE READY TO BE MY PARTNER AND THEN I WILL=
 HAVE TO SEND TO YOU A DRAFT APPLICATION FORM WHICH YOU ARE TO FILL AND=
 APPLY FOR THE RELEASE OF THE FUND TO YOUR ACCOUNT IN YOUR DESIRED COUNTRY.

THE REQUESTED INFORMATIONS BELOW.
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D

1.FULL NAME..........
2.TELEPHONE NUMBERS/MOBILE/FAX.......
3.YOUR AGE......
4.YOUR SEX.........
5.YOUR OCCUPATION........
6.YOUR COUNTRY AND CITY......
7.YOUR HOME ADDRESS..........
8.MARITAL STATUS............

MR. Sanou FRANK. 












--85106668-POCO-24855374
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 style=3D"font-family:'garamond';font-size:12pt;"><B>I AM URGENTLY WAITING FOR=
 YOUR EMAIL. <br /><br />FOR YOUR KIND ATTENTION. <br /><br />COULD YOU=
 PLEASE CONSIDER TO HELP ME TO RELOCATE THIS SEVEN MILLION FIVE HUNDRED=
 THOUSAND DOLLARS (US$7.5M) TO YOUR<br />COUNTRY FOR ESTABLISHING AN=
 INDUSTRY IN YOUR COUNTRY.<br /><br />THIS FUND WAS DEPOSITED IN OUR BANK BY=
 MR PAUL LOUIS HALLEY FROM FRANCE WHO DIED IN A PLANE CRASH IN 2003 TBM 700=
 AIRCRAFT ON 6 DECEMBER WITH HIS WIFE AND THE WHOLECREW ON BOARD.<br /><br=
 />WITHOUT A (HEIR) HENCE THE MONEY IS FLOATING AND IF I DO NOT REMIT THIS=
 MONEY OUT URGENTLY IT WILL BE FORFEITED FOR NOTHING AND THE BIG GUNS AT THE=
 HERMS OF ADMINISTRATION AT THE BANK WILL SHARE THIS FUND AMOUNGST=
 THEMSELVES AS IT HAS BEEN DONE IF NO TRACE OF HEIR TO SUCH FUND IS=
 FOUND.<br /><br />WE HAVE TRIED TO CONTACT HIS FAMILY TO COME FORWARD FOR=
 CLAIMS BUT COULD NOT SUCCEED.<br />CLICKHERE(</B></SPAN><SPAN=
 style=3D"font-family:'garamond';font-size:12pt;color:blue;"><A=
 href=3D"http://newswww.bbc.net.uk/2/hi/uk_news/england/oxfordshire/4537663.st=
m"><U><a=
 href=3D"http://newswww.bbc.net.uk/2/hi/uk_news/england/oxfordshire/4537663.st=
m">http://newswww.bbc.net.uk/2/hi/uk_news/england/oxfordshire/4537663.stm</a=
></U></A></SPAN><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"></SPAN><SPAN=
 style=3D"font-family:'garamond';font-size:12pt;"><B> ) <br />I WILL GIVE YOU=
 ALL VITAL INFORMATION CONCERNING THE PROCESS ON HOW WE ARE GOING TO ACHIEVE=
 OUR DESIRE AIM IN THIS GOLDERN UPPORTUNITY SO THAT YOU WILL CONTACT MY BANK=
 FOR THEM TO RELEASE THE MONEY TO YOU AS THE NEXT OF KIN TO THE DECEASED=
 PERSON.<br /><br />YOU WILL HAVE TO ESTABLISH CONTACT WITH THE BANK WHILE I=
 WILL GUIDE YOU ON THE STEPS TO FOLLOW TILL THE TRANSFER OF THIS FUND=
 REACHES TO YOU AND YOUR ACCOUNT.<br /><br />AS ONE OF THE BANK DIRECTORS,I=
 WILL PLAY A ROLE TO MAKE SURE THAT THE FUND IS RELEASED TO YOU.<br /><br=
 />THIS IS A LEGITIMATE TRANSACTION AND YOU WILL BE COMPENSATED WITH 40% FOR=
 YOUR ASSISTANCE FOR PRESENTING YOURSELVE AS THE NEXT OF KIN AND ACCOUNT TO=
 RECEIVE THIS FUND IN YOUR COUNTRY.<br /><br />IF YOU ARE INTERESTED PLEASE=
 WRITE BACK FOR MORE CLEARIFICATION WITH YOUR INFORMATIONS AS REQUESTED=
 BELOW BECAUSE ON RECEIPT OF YOUR INFORMATIONS.<br /><br />I WILL KNOW THAT=
 ACTUALLY YOU ARE READY TO BE MY PARTNER AND THEN I WILL HAVE TO SEND TO YOU=
 A DRAFT APPLICATION FORM WHICH YOU ARE TO FILL AND APPLY FOR THE RELEASE OF=
 THE FUND TO YOUR ACCOUNT IN YOUR DESIRED COUNTRY.<br /><br />THE REQUESTED=
 INFORMATIONS BELOW.<br />=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br /><br=
 /></B></SPAN><SPAN=
 style=3D"font-family:'garamond';font-size:12pt;color:fuchsia;">1.FULL=
 NAME..........<br /><B>2.TELEPHONE NUMBERS/MOBILE/FAX.......<br />3.YOUR=
 AGE......<br />4.YOUR SEX.........<br />5.YOUR OCCUPATION........<br=
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 />8.MARITAL STATUS............</B></SPAN><SPAN=
 style=3D"font-family:'garamond';font-size:12pt;"><br /><B><br />MR. Sanou=
 FRANK. <br /><br /><br /><br /><br /><br /><br /><br /><br /><br=
 /></B></SPAN></div>
<div>&nbsp;</div>
</body></html>

--85106668-POCO-24855374--

From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 16:09:01 2010
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MIME-Version: 1.0
From: Ashley Creighton <ashcreighton@gmail.com>
Date: Tue, 27 Jul 2010 09:08:36 -0700
Message-ID: <AANLkTimn5EvrKDEhAcuhdWWSpqBKeBVS0ekfoZStAW_D@mail.gmail.com>
Subject: Looperlative LP1 on eBay
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0016369204e7de4ac8048c60b713
Resent-Message-ID: <p8flqC.A.VEF.dSwTMB@arsenic>
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--0016369204e7de4ac8048c60b713
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Just wanted to throw it out there -

I've listed my Looperlative LP1 on eBay, if anybody is interested.  Two and
a half days left to bid - it's at $620 right now, might end up being a
pretty good deal for someone.

I've enjoyed reading the posts on this email list :-)  It's a cool community
that I never realized existed.

-- 
www.ashleycreighton.com

music to make you feel better about being depressed

--0016369204e7de4ac8048c60b713
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Just wanted to throw it out there -<br><br>I&#39;ve listed my Looperlative =
LP1 on eBay, if anybody is interested.=A0 Two and a half days left to bid -=
 it&#39;s at $620 right now, might end up being a pretty good deal for some=
one.<br>

<br>I&#39;ve enjoyed reading the posts on this email list :-)=A0 It&#39;s a=
 cool community that I never realized existed.<br clear=3D"all"><br>-- <br>=
<a href=3D"http://www.ashleycreighton.com">www.ashleycreighton.com</a><br><=
br>

music to make you feel better about being depressed<br>

--0016369204e7de4ac8048c60b713--

From nana.kwesi@w.cn  Tue Jul 27 16:29:21 2010
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	Wed, 28 Jul 2010 00:42:22 +0900 (JST)
Reply-To: <nana.kwesi@w.cn>
From: "From : Nana" <nana.kwesi@w.cn>
Subject:  Pls ,Only  if your country's will allows !!! 
Date: Tue, 27 Jul 2010 18:43:18 +0300
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<B>Dear Sir</B></DIV>
<DIV>
<FONT size=1><B>First, I must solicit your strictest confidence in this transaction and I pray that my decision to contact you will be given a genuine approval, considering the fact that we have not met or known each other before.</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>My name is Nana.Kwesi, I got your address from a business directory; I therefore decide to contact you for assistance and advice. I am seeking a faithful, sincere and reliable foreigner who will assist me in investing my late father's fortune in the amount of Nine Million, Three Hundred and Twenty Five Thousand US Dollars (US$9,325.000.00USD) and 400Kg of alluvial gold dust and gold bars. My father Mr. Michael E. Kwesi, was the former Chairman of Ashanti Gold fields Company Limited. My father diverted some of the gold products and money to a Security Company here in Accra Ghana for safe keeping as family treasure since there was much recession/scramble in the company trading activities.</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>My father was planning to use the funds to go into Real Estate&nbsp; before his sudden death. As the next of kin and the male child of my late father, I have the legal right to claim my entire father's fortune. I do not wish to invest the funds here for personal and security reasons, this is why I need you so we can work the deal together and at the end of the day, I am ready to offer you your percentage( if only your country's by-laws allows foreign investors). Note that you stand no risk at all in assisting me to conclude this transaction because the money and the gold is legitimately my family fortune.</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>If you are interested to be my foreign partner, kindly advice me as soon as Possible so I can give you details. You can contact me through my private email (nana.kwesi@w.cn) for easy response.</B></FONT></DIV>
<DIV>
<FONT size=1><B>&nbsp;</B></FONT></DIV>
<DIV>
<FONT size=1><B>My Warmest Regards,</B></FONT></DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <B>Nana. Michael Kwesi</B></DIV>
</FONT>
</BODY></HTML>

From jerryhowardroyale23@yahoo.com  Tue Jul 27 16:35:51 2010
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Date: Tue, 27 Jul 2010 09:35:42 -0700 (PDT)
From: Jerry Howard <jerryhowardroyale23@yahoo.com>
Reply-To: jerryhowardroyale@hotmail.com
Subject: I NEED YOUR HONESTY AND COOPERATION!
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1549228808-1280248542=:42356
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I NEED YOUR HONESTY AND COOPERATION!

ACCT/7878256589/04
=A0
=A0
My Name is Jerry Howard. I am the auditor and head of computing department
of Royal Bank of Scotland Liverpool Branch here in United Kingdom.
There is an account opened in this bank in 2004 and since my inception into
office on 2nd Jan 2010,I then found this account and when I investigated
deeply by contacting the assigned next of kin I also found that the next of
kin to this account was an American who lived in London for over 63Yrs and
nobody has operated on this account again after 2004. I took the courage to
look for a reliable and honest person who will be capable for this importan=
t
transaction. In order to transfer out $100,000,000 (One Hundred Million U.S
Dollars). After going through some old files, I discovered that if I do not
Remit this money out urgently,it will be forfeited for nothing and the Roya=
l
Bank of Scotland management might divert the funds to their own accounts.
=A0
=A0
If you respond immediately, I will use my position and influence to effect
the legal approval and onward transfer of this fund into your account with
appropriate clearance from foreign payment department. You will stand to ge=
t
40% while 60% will be for me. Kindly quote the reference (acct) numbers
above when responding to this mail.
=A0
=A0
My private phone No.: +44-7024-078-83
=A0
=A0
I will fill you in with further details upon your reply.
=A0
=A0
Yours truly,
Jerry Howard.=0A=0A
--0-1549228808-1280248542=:42356
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>I NEED YOUR HONESTY AND COOPERATION!</DI=
V>
<DIV><BR>ACCT/7878256589/04</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>My Name is Jerry Howard. I am the auditor and head of computing depart=
ment<BR>of Royal Bank of Scotland Liverpool Branch here in United Kingdom.<=
/DIV>
<DIV>There is an account opened in this bank in 2004 and since my inception=
 into<BR>office on 2nd Jan 2010,I then found this account and when I invest=
igated<BR>deeply by contacting the assigned next of kin I also found that t=
he next of<BR>kin to this account was an American who lived in London for o=
ver 63Yrs and<BR>nobody has operated on this account again after 2004. I to=
ok the courage to<BR>look for a reliable and honest person who will be capa=
ble for this important<BR>transaction. In order to transfer out $100,000,00=
0 (One Hundred Million U.S<BR>Dollars). After going through some old files,=
 I discovered that if I do not<BR>Remit this money out urgently,it will be =
forfeited for nothing and the Royal<BR>Bank of Scotland management might di=
vert the funds to their own accounts.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>If you respond immediately, I will use my position and influence to ef=
fect<BR>the legal approval and onward transfer of this fund into your accou=
nt with<BR>appropriate clearance from foreign payment department. You will =
stand to get<BR>40% while 60% will be for me. Kindly quote the reference (a=
cct) numbers<BR>above when responding to this mail.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>My private phone No.: +44-7024-078-83</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>I will fill you in with further details upon your reply.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Yours truly,<BR>Jerry Howard.</DIV></td></tr></table><br>
--0-1549228808-1280248542=:42356--

From j.cynthia14@yahoo.com.hk  Tue Jul 27 17:32:43 2010
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Reply-To: <j.cynthia98@yahoo.com>
From: "CYNTHIA"<j.cynthia14@yahoo.com.hk>
Subject: Did you requesting that your unclaimed fund be paid to JANET WHITE?
Date: Wed, 28 Jul 2010 01:34:53 -0700
MIME-Version: 1.0
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To: undisclosed-recipients:;

<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
Attention: Beneficiary,</DIV>
<DIV>
 </DIV>
<DIV>
My name is Mrs. Cynthia Johnson of the International Monetary </DIV>
<DIV>
Fund investigation unit. Above mesioned&nbsp; was received and </DIV>
<DIV>
forwarded to our office here in London UK Second quoater</DIV>
<DIV>
2010, requesting that your unclaimed fund be paid to Janet </DIV>
<DIV>
White Enterprises.</DIV>
<DIV>
 </DIV>
<DIV>
 </DIV>
<DIV>
In the said letter of change of beneficiary/ownership, </DIV>
<DIV>
representatives of JANET WHITE&nbsp; enterprises states that you </DIV>
<DIV>
are dead and as such your fund should be paid to him as the </DIV>
<DIV>
next of kin to you.</DIV>
<DIV>
Below is the Account information presented for the transfer</DIV>
<DIV>
of the said fund:</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
 </DIV>
<DIV>
Bank Name: Washington Mutual Bank</DIV>
<DIV>
Address:1723 Palmdale Bulv.</DIV>
<DIV>
Palmdale Ca.&nbsp; 93550</DIV>
<DIV>
Acct # : 3573813158</DIV>
<DIV>
Rout # : 322271627</DIV>
<DIV>
Swift code # : WMSBUS66</DIV>
<DIV>
Beneficiary: JANET WHITE</DIV>
<DIV>
 </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
 </DIV>
<DIV>
Because of the elaborate global scam, we decided to contact </DIV>
<DIV>
you for confirmation. If after two working days, no response </DIV>
<DIV>
is received from you, it will be assumed that you are dead and </DIV>
<DIV>
as such authorisation and approval will be granted on behalf </DIV>
<DIV>
of JANET WHITE Enterprises to claim/receive your fund.Confirm </DIV>
<DIV>
this Application and reconfirm your Information to me the Followings.</DIV>
<DIV>
 </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
 </DIV>
<DIV>
(1) Your full name.</DIV>
<DIV>
(2) Phone, fax and mobile #.</DIV>
<DIV>
3) company's name, position and address.</DIV>
<DIV>
4) Profession, age and marital status.</DIV>
<DIV>
5) Copy of int'l passport or any scanned identity to prove yourself.</DIV>
<DIV>
 </DIV>
<DIV>
 </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
and how you want your fund paid to you without further delay </DIV>
<DIV>
if you are still alive. Send your response to my email </DIV>
<DIV>
address: mrscynthiajh@yahoo.com.hk</DIV>
<DIV>
 </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Regards</DIV>
<DIV>
Mrs. Cynthia Johnson</DIV>
<DIV>
&nbsp;</DIV>
</FONT>
</BODY></HTML>

From blh4108@mail2.doshisha.ac.jp  Tue Jul 27 18:27:55 2010
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To: 
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Dear Partner,

This is my Second time of sending you an e-mail without any reply,
Your surname has been approved for an inheritance funds for Thirty Million
Dollars deposited with your surname.Respond with your interest and forward
personal details to my private mailing address below only for further corre=
spondence.
Email: wongmose2010@yahoo.com.hk

Moses Wong
Director of Operations
Email: wongmose2010@yahoo.com.hk

From blh4108@mail2.doshisha.ac.jp  Tue Jul 27 18:27:55 2010
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Dear Partner,

This is my Second time of sending you an e-mail without any reply,
Your surname has been approved for an inheritance funds for Thirty Million
Dollars deposited with your surname.Respond with your interest and forward
personal details to my private mailing address below only for further corre=
spondence.
Email: wongmose2010@yahoo.com.hk

Moses Wong
Director of Operations
Email: wongmose2010@yahoo.com.hk

From info@fedex.com  Tue Jul 27 20:18:46 2010
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--=20


Date: July 27th, 2010

Customer Service!

This mail is to remind you of your registered package. CONTENT: Bank Draft o=
f
$820,000 USD officially registered by an Official of the United Nation. The
$820,000 USD is a donation to you from the U.N through e-mails Balloting.
For your information the VAT and COD have been paid. Please Contact FedEx
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From Loopers-Delight-request@loopers-delight.com  Tue Jul 27 20:34:56 2010
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Date: Tue, 27 Jul 2010 22:34:53 +0200
Message-ID: <AANLkTikiFW4w-kEhdj36s8NjouDagnBtNn0U33Xf223Y@mail.gmail.com>
Subject: Re: Live looping with bass and vocals.
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001636c5a8d5fdca19048c646e3d
Content-Type: text/plain; charset=ISO-8859-1
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thats great Andr=E9 are u using Mobius?

2010/7/22 "Andr=E9 Donawa" <andre@andredonawa.com>

> Wish the beat box groove wasn't so dominant.
> Still getting used to the levels in the headphones.
>
> http://www.youtube.com/watch?v=3DFYQUViJmpg4
>
> Andre
>
>
>
> http://barbadosguitar.com/wordpress
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>

--001636c5a8d5fdca19048c646e3d
Content-Type: text/html; charset=ISO-8859-1
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thats great Andr=E9 are u using Mobius?<br><br>
<div class=3D"gmail_quote">2010/7/22 &quot;Andr=E9 Donawa&quot; <span dir=
=3D"ltr">&lt;<a href=3D"mailto:andre@andredonawa.com">andre@andredonawa.com=
</a>&gt;</span><br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Wish the beat box groove wasn&#3=
9;t so dominant.<br>Still getting used to the levels in the headphones.<br>
<br><a href=3D"http://www.youtube.com/watch?v=3DFYQUViJmpg4" target=3D"_bla=
nk">http://www.youtube.com/watch?v=3DFYQUViJmpg4</a><br><br>Andre<br><br><b=
r><br><a href=3D"http://barbadosguitar.com/wordpress" target=3D"_blank">htt=
p://barbadosguitar.com/wordpress</a><br>
<a href=3D"http://twitter.com/AndreDonawa" target=3D"_blank">http://twitter=
.com/AndreDonawa</a><br><a href=3D"http://www.andredonawa.com/" target=3D"_=
blank">http://www.andredonawa.com</a><br><a href=3D"http://cdbaby.com/all/a=
ndredonawa" target=3D"_blank">http://cdbaby.com/all/andredonawa</a><br>
<a href=3D"http://www.myspace.com/andredonawa" target=3D"_blank">http://www=
.myspace.com/andredonawa</a><br><br></blockquote></div><br>

--001636c5a8d5fdca19048c646e3d--

From johnerchart_loanservice@hotmail.com  Tue Jul 27 22:56:17 2010
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hello do you need a loan? if yes contact us
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From test@tienjiang.com.tw  Wed Jul 28 00:44:03 2010
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Subject: URGENTLY PICK YOUR FUNDS HERE
Date: Tue, 27 Jul 2010 17:34:15 -0700
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<DIV>
<FONT size=3 face="Times New Roman">Attn Sir, </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Now we have arranged your payment of ($4.8millions)Four Millions Eight Hundred Thousand United State Dollars in atm payment card to be sent to you through western union money transfer payment,Your payment will sending to you by western union, the amount you will receive per day is $5,000. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">The minister trust funds of Benin Republic will send you the currently standards track details you need to pick up your ($5,000) payment by western union, you will receive every day till you receive the $4.8millions united state dollars, now no need to send you this atm card because you can not be able to withdraw the atm card due to the atm master card contain large money on it.The director administrtor trust funds have already signed your payment, now you are free to comply with wemaco payment office on this email: (</FONT><A href="http://us.mc563.mail.yahoo.com/mc/compose?to=western_union88@qatar.io"><FONT size=3 color=#0000FF face="Times New Roman"><U>western_union66@qatar.io</U></FONT></A><FONT size=3 face="Times New Roman">) however, kindly contact the below person who is in position to release your payment by western union per $5,000 a day. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Mr.Tony Chris, </FONT><BR>
<FONT size=3 face="Times New Roman">western union department </FONT><BR>
<FONT size=3 face="Times New Roman">Financial Bank Benin, </FONT><BR>
<FONT size=3 face="Times New Roman">Tel:+229-995 707 15 </FONT><BR>
<FONT size=3 face="Times New Roman">E-mail: </FONT><A href="http://us.mc563.mail.yahoo.com/mc/compose?to=western_union88@qatar.io"><FONT size=3 color=#0000FF face="Times New Roman"><U>western_union66@qatar.io</U></FONT></A><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">The financial western union payment canter has been mandated to issue out your payment and you have to stop any further communication with any other person(s) or office(s) to avoid any hitches in receiving your payment. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Note that the administrator payment need this details from you to process your payment: </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Receiver name----------------- </FONT><BR>
<FONT size=3 face="Times New Roman">Country----------------------- </FONT><BR>
<FONT size=3 face="Times New Roman">City-------------------------- </FONT><BR>
<FONT size=3 face="Times New Roman">Tel--------------------------- </FONT><BR>
<FONT size=3 face="Times New Roman">Test question----------------- </FONT><BR>
<FONT size=3 face="Times New Roman">Answer------------------------ </FONT><BR>
<FONT size=3 face="Times New Roman">sex__________________</FONT><BR>
<FONT size=3 face="Times New Roman">Occupation.....................</FONT><BR>
<FONT size=3 face="Times New Roman">age__________________</FONT><BR>
<FONT size=3 face="Times New Roman">ID___________________ </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Comply now because as soon as you sent this required details to Mr Tony Chris, he will start sending your payment by western union. </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT><BR>
<FONT size=3 face="Times New Roman">Regards, </FONT><BR>
<FONT size=3 face="Times New Roman">Barr Walter Fuchs</FONT></DIV>
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From victorikim1@yahoo.com  Wed Jul 28 02:39:01 2010
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From: "MRS.VICTORIA KIM"<victorikim1@yahoo.com>
Subject: CAN YOU HELP THE PEOPLE OF GOD?
Date: Tue, 27 Jul 2010 23:59:10 +0100
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HELLO DEAR,
 
CAN YOU HELP THE PEOPLE OF GOD?
 
I AM MRS,VICTORIA KIM, FROM NATHERLAND A WIDOW TO LATE FRANK KIM, I AM 55 YEARS OLD, I AM A NEW CHRISTAIN CONVERT, SUFFERING FROM LONG TIME CANCER OF THE BREAST,FROM ALL INDICATION MY CONDITIONS IS REALLY DETERIORATING AND IT IS QUITE OBVIOUS THAT I MAY NOT LIVE MORE THAN TWO MONTHS, ACCORDING TO MY DOCTORS, AND IN ALL INDICATION REGARDS TO MEDICAL ANALYSIS, THIS IS BECAUSE THE CANCER STAGE HAS GOTTEN TO A VERY BAD STAGE THAT NO HOPE FOR ME TO BE A LIVING PERSON AGAIN,

MY LATE HUSBAND WAS KILLED DURING THE FRANCE RAID AGAINST TERRORISM IN TOGO REPUBLIC, AND DURING THE PERIOD OF OUR MARRIAGE WE COULD NOT PRODUCE ANY CHILD.MY LATE HUSBAND WAS VERY WEALTHY AND AFTER HIS DEATH, I INHERITED ALL HIS BUSINESS AND WEALTH. THE DOCTORS HAS ADVISED ME THAT I MAY NOT LIVE FOR MORE THAN TWO MONTHS, SO I NOW DECIDED TO DIVIDE THE PART OF THIS WEALTH, TO CONTRIBUTE TO THE DEVELOPMENT OF THE CHURCH IN AMERICA, AFRICA, ASIA AND EUROPE ESPECIALLY CREATE SOLUTION TO PROBLEM OF THE LESS PREVILLEGED ONES AND ORPHANAGE HOMES.
 
I SELECTED YOU AFTER VISITING THE WEBSITE I PRAYED AND FAST FOR THREE WEEKS OVER IT, I AM WILLING TO DONATE THE SUM OF $3 MILLION DOLLARS, TO THE LESS PRIVILEGED. PLEASE I WANT YOU TO NOTE THAT FUND IS LYING IN A BANK IN TOGO REPUBLIC AND UPON MY INSTRUCTION,WILL FILE IN AN APPLICATION FOR THE TRANSFER OF THE MONEY IN YOUR NAME.
LASTLY,I HONESTLY PRAY THAT THIS MONEY WHEN TRANSFERRED WILL BE USED FOR THE SAID PURPOSE EVEN THOUGH IAM LATE THEN, EVENTUALY I HAVE COME TO FIND OUT THAT WEALTH ACQUISITION WITHOUT CHRIST IS VANITY AND I MADE THE PROMISE TO GOD THAT THE FUND WILL BE USE TO BUILD HIS TEMPLE. MAY THE GRACE OF OUR LORD JESUS THE LOVE OF GOD AND THE FELLOWSHIP OF GOD BE WITH YOU AND YOUR FAMILY.

I WAIT FOR URGENT REPLY FROM YOU.

GOD BLESSES YOU.
MRS VICTORIA KIM.

From nbvdfghg4@email.cz  Wed Jul 28 04:39:48 2010
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From: "Barry"<nbvdfghg4@email.cz>
Subject: Y O U R T R A N S F E R P A Y M E N T A P P R O V E D OF 8.3 M USD CODE (022)
Date: Tue, 27 Jul 2010 21:53:46 +0100
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
THE UNITED NATION ORGANISATION</DIV>
<DIV>
LONDON UNITED KINGDOM</DIV>
<DIV>
UNITED NATION PAYMENT APPROVAL</DIV>
<DIV>
OFFICE Special Duties/Logistics Department</DIV>
<DIV>
FOREIGN CONTRACT/WINNING PAYMENT BUREAU</DIV>
<DIV>
Our Ref: GBT /USA/STB Your Ref 25321/imf/us/09/10</DIV>
<DIV>
&nbsp; </DIV>
<DIV>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; UNITED NATION AND EUROPEAN UNION OFFICIAL WINNING PAYMENT VALUED $8,300,000M</DIV>
<DIV>
UNITED NATION ORGANIZATION AND EUROPEAN UNION ORGANIZATION do hereby give this&nbsp; irrevocable approval order with Release Code: GNC/3480/02/00 in your favor for your contract entitlement/award winning payment with the UNITED NATION to your nominated bank account. Now youre new Payment,United nation Approval No;UN5685P,White House Approved No:WH44CV, Reference o.-35460021, Allocation No: 674632 Password No: 339331 , Pin Code No: 55674 and your Certificate of Merit Payment No : 103 , Released Code No: 0763; Immediate Citibank Telex confirmation No: -1114433 ; Secret Code No:XXTN013, Having received these vital payment number , therefore You are qualified now to received and confirm Your payment with the United Nation immediately within the next 72hrs.</DIV>
<DIV>
As a matter of fact, you are required to Deal and Communicate only with MRS JUDITH RODIN, NEW DIRECTOR INTERNATIONAL REMMITTANCE CITIBANK OF UNITED KINGDOM, with the help and monitory team from the CITIBANK OF FEDERAL RESERVE ACCOUNT OFFICE IN US which is our official remitting bank, Committee On Foreign Payment Matters in United Nation, has look up to make sure you receive your fund valued $8.3m. So contact: MRS JUDITH RODIN.&nbsp; on Email: <FONT size=3><B>mrsjudithrodinyrep@i12.com</B></FONT>&nbsp; for immediate release of your contract/inheritance/Award Winning claim Be informed that you are not allowed to correspond with any person or office anymore, You are required to send her the bellow information for your transfer. </DIV>
<DIV>
1) YOUR FULL NAME:</DIV>
<DIV>
2) ADDRESS:</DIV>
<DIV>
CITY,BORING STATE:</DIV>
<DIV>
3) PHONE:</DIV>
<DIV>
4) COMPANY NAME(IF ANY) POSITION AND ADDRESS </DIV>
<DIV>
5) BANK DETAILS:</DIV>
<DIV>
&nbsp;&nbsp;&nbsp; BANK NAMES:</DIV>
<DIV>
&nbsp;&nbsp;&nbsp; ACCOUNT NO:</DIV>
<DIV>
&nbsp;&nbsp;&nbsp; ROUTING NO:</DIV>
<DIV>
&nbsp;&nbsp;&nbsp; SWIFT CODE : </DIV>
<DIV>
&nbsp;&nbsp;&nbsp; BANK ADDRESS:</DIV>
<DIV>
6) PROFESSION AND MARITAL STATUS,</DIV>
<DIV>
7) COPY OF YOUR INT'L PASSPORT/DRIVERS LICENSE</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
NOTE: YOUR PERSONAL CONTACT/COMMUNICATIONCODE WITH CITIBANK IS(022),YOU ARE ARE ADVICE TO SEND YOU FULL BANKING INFORMATION TO THE NEW CITIBANK OF LONDON INTERNATIONAL REMMITTANCE DIRECTOR HEADED BY MRS JUDITH RODIN AND MAKE SURE YOU ADHIRE TO HER INSTRUCTIONS, </DIV>
<DIV>
WITH YOUR NEW PAYMENT CODE FOR RELEASE OF YOUR PAYMENT AND SEND HIM ALL YOUR BANKING INFORMATION NOW. CONTACT CODE(002) </DIV>
<DIV>
OFFICER: MRS JUDITH RODIN</DIV>
<DIV>
POSITION: NEW DIRECTOR,INTL,REMMITTANCE CITIBANK LONDON. </DIV>
<DIV>
 </DIV>
<DIV>
EMAIL: <FONT size=3><B>mrsjudithrodinyrep@i12.com</B></FONT></DIV>
<DIV>
MRS MARY PORTLAND</DIV>
<DIV>
(CHAIRMAN COMMITTE ON FOREIGN CONTRACT/AWARD WINING PAYMENT UNITED </DIV>
<DIV>
NATION AND USA GOVERNMENT).</DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
</FONT>
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From martin.hudson2011@yahoo.com.vn  Wed Jul 28 07:40:13 2010
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From: "MR..  MARTIN HUDSON"<martin.hudson2011@yahoo.com.vn>
Subject: CAN I TRUST YOU..??
Date: Wed, 28 Jul 2010 09:29:30 +0200
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Fund Manager: MR. Martin Hudson
The Mercantile Investment Trust plc.

I am MR. Martin Hudson one of The Portfolio manager of The Mercantile Investment Trust plc.a group of JP Morgan INVESTMENT INTERNATIONAL. I handle all Investor?? within my management portfolio Direct Capital Funds (there investment funds).

As a routine every investor gets the percentage profit or dividend from the total cash he or she invested into the company annually.. Last year it was announced that the profit margin was 18.9% after calculating carefully I found out that the profit margin was 20.1% that is an excess of 1.2% on each investor so I secretly extracted 1.2% Excess Maximum Return Capital Profit (EMRCP) per annum on each of the Investor's Marginal Capital Fund and created a separate account where the total sum of the extraction was kept As an expert, the account has a valued for 37,600,000.00.pounds (thirty seven million, six hundred thousand Pounds)

Now, I am looking for someone who I can trust to stand as an Investor to receive the fund as Annual Investment Proceeds from The Mercantile Investment Trust plc. All legal documents to back up the claims will be made available to you prior to your acceptance.

Meanwhile, I have worked out the modalities and technicalities whereby the funds can be claimed in any of our 6 Clearing Houses without any hitches. Our sharing ratio will be 50-50. If you are interested, you should send your direct phone number so we could discuss more on phone as regard the transaction.


Sincerely.
Martin Hudson


From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 12:53:55 2010
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Date: Wed, 28 Jul 2010 08:53:53 -0400
Subject: Re: Live looping with bass and vocals.
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Hi Louie,

After my last burn out at the Y2K9 with my Lappy and mobius I haven't
touched it. I had all these elaborate pieces that I learned to play
backwards and then reversed them, and some really cool spacey stuff going
on in stereo using different channels. I ended up with just one channel
and keeping my looping really basic.

I was really stressed about the whole thing, but it was great to meet all
those other loopers and the Walker Bros. really went out of their way to
find me some substitute gear.

I know that eventually I'll get back to my laptop setup. It definitely has
more options, but for now I'm happy with my Rang 3 and M9.

I have a small mixer and run both my vocals and bass through the m9 and
into the rang.

The m9 is used mostly for effects, loop reversing and speed shifting. I do
my ambient sounds with the m9 and then resample it with the rang.

The rang is used mostly for song structure. I can put down a rhythmic bed
on loop 1 and use that as a master for my A and B sections on loop 2 and
3.

Still experimenting with this combination and looking forward to the rang
update.

Andre


http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa


On Tue, July 27, 2010 4:34 pm, Louie Angulo wrote:
> thats great André are u using Mobius?
>
> 2010/7/22 "André Donawa" <andre@andredonawa.com>
>
>> Wish the beat box groove wasn't so dominant.
>> Still getting used to the levels in the headphones.
>>
>> http://www.youtube.com/watch?v=FYQUViJmpg4
>>
>> Andre
>>
>>
>>
>> http://barbadosguitar.com/wordpress
>> http://twitter.com/AndreDonawa
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>>
>>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From khalifa.khaldoon@yahoo.com.hk  Wed Jul 28 15:04:36 2010
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Subject: Good news ,
Date: Wed, 28 Jul 2010 02:37:00 +0200
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<DIV>
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<DIV>
United arab Emirates.</DIV>
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REQUEST FOR URGENT ASSISTANCE.</DIV>
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&nbsp;</DIV>
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Greetings From Dubai,</DIV>
<DIV>
 </DIV>
<DIV>
This message might meet you in (utmost surprise),however,it's just my urgent need for foreign partner that made me to contact you for this transaction.I am a banker by profession from United Arab Emirates and currently holding the post of Director Auditing and Accounting unit of </DIV>
<DIV>
the bank.</DIV>
<DIV>
 </DIV>
<DIV>
I have the opportunity of transfering the left over funds</DIV>
<DIV>
($17.5million)our bank deceased customer late Richard Burson, who died&nbsp; on (Egypt Air Flight 990)along with his family on a plane crash below.http://news.bbc.co.uk/1/hi/world/americas/502503.stm.</DIV>
<DIV>
Hence i am inviting you for a business deal where this money can be shared between us in the ratio of 50/50 as a brotherhood.</DIV>
<DIV>
 </DIV>
<DIV>
If you agree to my business proposal.further details of the </DIV>
<DIV>
transfer will be forwarded to you as soon as i receive your return&nbsp; mail.</DIV>
<DIV>
 </DIV>
<DIV>
Respectfully </DIV>
<DIV>
yours </DIV>
<DIV>
Mr.Khaldoon Khalifa</DIV>
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&nbsp;</DIV>
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From khalifa.khaldoon@yahoo.com.hk  Wed Jul 28 15:04:38 2010
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</HEAD>
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<DIV>
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<DIV>
REQUEST FOR URGENT ASSISTANCE.</DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Greetings From Dubai,</DIV>
<DIV>
 </DIV>
<DIV>
This message might meet you in (utmost surprise),however,it's just my urgent need for foreign partner that made me to contact you for this transaction.I am a banker by profession from United Arab Emirates and currently holding the post of Director Auditing and Accounting unit of </DIV>
<DIV>
the bank.</DIV>
<DIV>
 </DIV>
<DIV>
I have the opportunity of transfering the left over funds</DIV>
<DIV>
($17.5million)our bank deceased customer late Richard Burson, who died&nbsp; on (Egypt Air Flight 990)along with his family on a plane crash below.http://news.bbc.co.uk/1/hi/world/americas/502503.stm.</DIV>
<DIV>
Hence i am inviting you for a business deal where this money can be shared between us in the ratio of 50/50 as a brotherhood.</DIV>
<DIV>
 </DIV>
<DIV>
If you agree to my business proposal.further details of the </DIV>
<DIV>
transfer will be forwarded to you as soon as i receive your return&nbsp; mail.</DIV>
<DIV>
 </DIV>
<DIV>
Respectfully </DIV>
<DIV>
yours </DIV>
<DIV>
Mr.Khaldoon Khalifa</DIV>
<DIV>
&nbsp;</DIV>
</FONT>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 15:48:42 2010
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Subject: Re: Live looping with bass and vocals.
From: Louie Angulo <louie.angulo@googlemail.com>
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--001636c92414a88023048c748cc1
Content-Type: text/plain; charset=ISO-8859-1
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great man! i was wondering because i like the way your looping flows,very
song oriented and most simple pedal loopers out there dont have the
capibility to do song parts,though with the simple undo redo feature on the
M9 you can do a lot.
Ive been checking out the new Digitech jamman stereo,i was really excited
when i saw the labeled pedals "loop up/ loop down" i thought wow finally
somebody is thinking song looping yeah! but i dont think you can go straigh=
t
from a recorded loop into a new empty loop in record mode,it seems to be
more just for pre-stored loops and scroll through them,bummer...
Im also waiting on the rang,i havent bought it because they have not done
the update which has a lot of the features that are important to me,the EDP
is still king but when you start playing a lot and travel in trains the rac=
k
thing becomes an issue,i also still dont feel that confident with a laptop.
is there anything you dislike so far about the Rang or think that is ackwar=
d
when song looping?

2010/7/28 "Andr=E9 Donawa" <andre@andredonawa.com>

> Hi Louie,
>
> After my last burn out at the Y2K9 with my Lappy and mobius I haven't
> touched it. I had all these elaborate pieces that I learned to play
> backwards and then reversed them, and some really cool spacey stuff going
> on in stereo using different channels. I ended up with just one channel
> and keeping my looping really basic.
>
> I was really stressed about the whole thing, but it was great to meet all
> those other loopers and the Walker Bros. really went out of their way to
> find me some substitute gear.
>
> I know that eventually I'll get back to my laptop setup. It definitely ha=
s
> more options, but for now I'm happy with my Rang 3 and M9.
>
> I have a small mixer and run both my vocals and bass through the m9 and
> into the rang.
>
> The m9 is used mostly for effects, loop reversing and speed shifting. I d=
o
> my ambient sounds with the m9 and then resample it with the rang.
>
> The rang is used mostly for song structure. I can put down a rhythmic bed
> on loop 1 and use that as a master for my A and B sections on loop 2 and
> 3.
>
> Still experimenting with this combination and looking forward to the rang
> update.
>
> Andre
>
>
> http://barbadosguitar.com/wordpress
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>
> On Tue, July 27, 2010 4:34 pm, Louie Angulo wrote:
> > thats great Andr=E9 are u using Mobius?
> >
> > 2010/7/22 "Andr=E9 Donawa" <andre@andredonawa.com>
> >
> >> Wish the beat box groove wasn't so dominant.
> >> Still getting used to the levels in the headphones.
> >>
> >> http://www.youtube.com/watch?v=3DFYQUViJmpg4
> >>
> >> Andre
> >>
> >>
> >>
> >> http://barbadosguitar.com/wordpress
> >> http://twitter.com/AndreDonawa
> >> http://www.andredonawa.com
> >> http://cdbaby.com/all/andredonawa
> >> http://www.myspace.com/andredonawa
> >>
> >>
> >
>
>
>
> http://barbadosguitar.com/wordpress
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>

--001636c92414a88023048c748cc1
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

great man! i was wondering because i like the way your looping flows,very s=
ong oriented and most simple pedal loopers out there dont have the capibili=
ty to do song parts,though with the simple undo redo feature on the M9 you =
can do a lot.<br>
Ive been checking out the new Digitech jamman stereo,i was really excited w=
hen i saw the labeled pedals &quot;loop up/ loop down&quot; i thought wow f=
inally somebody is thinking song looping yeah! but i dont think you can go =
straight from a recorded loop into a new empty loop in record mode,it seems=
 to be more just for pre-stored loops and scroll through them,bummer... <br=
>
Im also waiting on the rang,i havent bought it because they have not done t=
he update which has a lot of the features that are important to me,the EDP =
is still king but when you start playing a lot and travel in trains the rac=
k thing becomes an issue,i also still dont feel that confident with a lapto=
p.<br>
is there anything you dislike so far about the Rang or think that is ackwar=
d when song looping?<br><br><div class=3D"gmail_quote">2010/7/28 &quot;Andr=
=E9 Donawa&quot; <span dir=3D"ltr">&lt;<a href=3D"mailto:andre@andredonawa.=
com">andre@andredonawa.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi Louie,<br>
<br>
After my last burn out at the Y2K9 with my Lappy and mobius I haven&#39;t<b=
r>
touched it. I had all these elaborate pieces that I learned to play<br>
backwards and then reversed them, and some really cool spacey stuff going<b=
r>
on in stereo using different channels. I ended up with just one channel<br>
and keeping my looping really basic.<br>
<br>
I was really stressed about the whole thing, but it was great to meet all<b=
r>
those other loopers and the Walker Bros. really went out of their way to<br=
>
find me some substitute gear.<br>
<br>
I know that eventually I&#39;ll get back to my laptop setup. It definitely =
has<br>
more options, but for now I&#39;m happy with my Rang 3 and M9.<br>
<br>
I have a small mixer and run both my vocals and bass through the m9 and<br>
into the rang.<br>
<br>
The m9 is used mostly for effects, loop reversing and speed shifting. I do<=
br>
my ambient sounds with the m9 and then resample it with the rang.<br>
<br>
The rang is used mostly for song structure. I can put down a rhythmic bed<b=
r>
on loop 1 and use that as a master for my A and B sections on loop 2 and<br=
>
3.<br>
<br>
Still experimenting with this combination and looking forward to the rang<b=
r>
update.<br>
<div class=3D"im"><br>
Andre<br>
<br>
<br>
<a href=3D"http://barbadosguitar.com/wordpress" target=3D"_blank">http://ba=
rbadosguitar.com/wordpress</a><br>
<a href=3D"http://twitter.com/AndreDonawa" target=3D"_blank">http://twitter=
.com/AndreDonawa</a><br>
<a href=3D"http://www.andredonawa.com" target=3D"_blank">http://www.andredo=
nawa.com</a><br>
<a href=3D"http://cdbaby.com/all/andredonawa" target=3D"_blank">http://cdba=
by.com/all/andredonawa</a><br>
<a href=3D"http://www.myspace.com/andredonawa" target=3D"_blank">http://www=
.myspace.com/andredonawa</a><br>
<br>
<br>
</div><div><div></div><div class=3D"h5">On Tue, July 27, 2010 4:34 pm, Loui=
e Angulo wrote:<br>
&gt; thats great Andr=E9 are u using Mobius?<br>
&gt;<br>
&gt; 2010/7/22 &quot;Andr=E9 Donawa&quot; &lt;<a href=3D"mailto:andre@andre=
donawa.com">andre@andredonawa.com</a>&gt;<br>
&gt;<br>
&gt;&gt; Wish the beat box groove wasn&#39;t so dominant.<br>
&gt;&gt; Still getting used to the levels in the headphones.<br>
&gt;&gt;<br>
&gt;&gt; <a href=3D"http://www.youtube.com/watch?v=3DFYQUViJmpg4" target=3D=
"_blank">http://www.youtube.com/watch?v=3DFYQUViJmpg4</a><br>
&gt;&gt;<br>
&gt;&gt; Andre<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; <a href=3D"http://barbadosguitar.com/wordpress" target=3D"_blank">=
http://barbadosguitar.com/wordpress</a><br>
&gt;&gt; <a href=3D"http://twitter.com/AndreDonawa" target=3D"_blank">http:=
//twitter.com/AndreDonawa</a><br>
&gt;&gt; <a href=3D"http://www.andredonawa.com" target=3D"_blank">http://ww=
w.andredonawa.com</a><br>
&gt;&gt; <a href=3D"http://cdbaby.com/all/andredonawa" target=3D"_blank">ht=
tp://cdbaby.com/all/andredonawa</a><br>
&gt;&gt; <a href=3D"http://www.myspace.com/andredonawa" target=3D"_blank">h=
ttp://www.myspace.com/andredonawa</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
<br>
<br>
<br>
<a href=3D"http://barbadosguitar.com/wordpress" target=3D"_blank">http://ba=
rbadosguitar.com/wordpress</a><br>
<a href=3D"http://twitter.com/AndreDonawa" target=3D"_blank">http://twitter=
.com/AndreDonawa</a><br>
<a href=3D"http://www.andredonawa.com" target=3D"_blank">http://www.andredo=
nawa.com</a><br>
<a href=3D"http://cdbaby.com/all/andredonawa" target=3D"_blank">http://cdba=
by.com/all/andredonawa</a><br>
<a href=3D"http://www.myspace.com/andredonawa" target=3D"_blank">http://www=
.myspace.com/andredonawa</a><br>
<br>
</div></div></blockquote></div><br>

--001636c92414a88023048c748cc1--

From info@hotmail.com  Wed Jul 28 16:49:39 2010
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Reply-To: <lamidofile@5wmail.com>
From: "Mr. Simon Kolawole"<info@hotmail.com>
Subject: Attention: Beneficiary
Date: Wed, 28 Jul 2010 11:55:27 -0700
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Attention: Beneficiary,
 
This is to inform you that the United Nation executive Committee members on Public Economic and Social Affairs had a meeting with representatives around the Globe regarding funds held in Africa and others countries with African origin and your file was brought, the Executives came to a conclusion that we have to pay you the sum of US$5.5m and the balance will come later.
Meanwhile, I was informed yesterday by my regional director that two gentlemen and a lawyer came to his office in place of you that you have sent them to come and collect your funds on your behalf because your name was mentioned at the meeting, which was found from a file seized from one the suspended bank official, name withed for security reasons. But very surprised to him because he is not in the position to give any details concerning your funds, so he told them to come back in five days to have time and contact you for clarification. They have come with this below account information for the transfer.
  
Name: John H. Williams
Bank name: Citi bank Arizona, U.S.A.
Account number: 6503809428.

Therefore do let us know immediately if you are the one that sent these men so that we can process the transfer, your immediate respond is urgently needed.
  
Mr. Simon Kolawole,
U.N Official.

From Info@NCVO.COM  Wed Jul 28 18:24:20 2010
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Date: Wed, 28 Jul 2010 12:52:30 -0500 (COT)
Subject: The National Council for Voluntary Organizations
From: "The National Council for Voluntary Organizations" <Info@NCVO.COM>
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The National Council for Voluntary Organizations (NCVO)
Regent's Wharf, 8 All Saints Street, London
N1 9RL, United Kingdom

OFFICIAL CASH PRIZE ANNUAL WEB ONLINE GRANT
We are pleased to inform you of the result of the just concluded annual
final draws of National Council for Voluntary Organization Promo.

The online National Council for Voluntary Organizations draws was
conducted by a random  of selected email addresses from an exclusive list
of 29,031 E-mail addresses of individuals and corporate bodies picked by
an advanced automated random computer (TOPAZ) search from the internet.

However, no tickets were sold but all email addresses were assigned to
different ticket numbers for representation and privacy.

After this automated computer ballot, your e-mail address emerged as one
of (12) twelve winners in the fourth category for the second prize with
the following data:ncvo.claimsdpt@hilal.ws

Ref Number: ASL/941OYI/02/SHYN
Batch Number: HGL-14/28/0046
Ticket Number: 025-11464992-750
Winning Number:103220

You as well as the other winners are therefore to receive a cash prize of
Â£1,500,000.00 Great British Pounds each from the total payout. Your prize
award has been insured with your e-mail address and will be transferred to
you upon meeting the requirements, statutory obligations,verifications,
validations and satisfactory report. Please note that your lucky winning
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indicated in your play coupon.

You  are  advice to contact the  following claims agent  for  winning
proceedings.

Claims Agent :Mr Mac Greg
Email:

YOU ARE TO INDICATE YOUR PREFER OPTION SUITABLE FOR YOU IN RELEASING OF
YOUR FUNDS.

1. BANK TO BANK TRANSFER.
2. DELIVERY BY CERTIFIED CHEQUE

once again congratulations!!!!!

Yours Faithfully,
Mr. Thomas Hole





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<DIV>
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<FONT color=#000000 face="Courier New">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT><FONT color=#000000 face="Courier New"><U>ATM/WUP Compensation Payment Notification</U></FONT></DIV>
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<FONT color=#000000 face="Courier New">financial institution in China. </FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">Meanwhile,one Mr. Sam Lucas came to our office few days ago with a letter of authorization, claiming to be</FONT><FONT color=#000000> </FONT><FONT color=#000000 face="Courier New">your true </FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">representative who has been sent on behalf of you to claim funds. Find below his bank information's and confirm to this office </FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">if this person is truly from you or an imposter. This is to avoid false payment to wrong beneficiary: </FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">BANK NAME: BANK OF AMERICA,</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">ACCOUNT NAME: SAM LUCAS </FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">ROUTING NUMBER: 052028906</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">ACCOUNT NUMBER: 233012734259</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">SWIFT CODE: BOFAUS3N</FONT></DIV>
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<DIV>
<FONT color=#000000 face="Courier New">&nbsp;</FONT></DIV>
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<FONT color=#000000 face="Courier New"><U>BENEFICIARY SELECTION PROCESS</U></FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">No tickets were sold out. Your email is one of the lucky emails/ATM Card users selected RANDOMLY via E-wheel Computer Ballot </FONT></DIV>
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<FONT color=#000000 face="Courier New">System drawn from over 200,000 companies and 300,000 individual email/ATM card users, from all&nbsp; over the world during the ATM </FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">Online EMAIL selection Draw</FONT></DIV>
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<FONT color=#000000 face="Courier New">&nbsp;</FONT></DIV>
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<FONT color=#000000 face="Courier New">In the mean time we have been mandated to issue out this payment via our swift card payment centers, which is the latest technology </FONT></DIV>
<DIV>
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<DIV>
<FONT color=#000000 face="Courier New">your location via speed post and a tracking number issued to you to enable you track your parcel till it gets to its final destination. </FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">This card can be used in any ATM machine in any part of the world, so if you like to receive your fund in this way, please let us </FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">know by contacting our ATM Center Manager with the requested information as listed below to the follow office via email.</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">International Settlement Dept.</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">Room 3612, China World Tower 2,</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">No. 1 Jianguomenwai Avenue</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">Beijing 100004, P.R. China</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">Telephone: 008613642919147</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">Email: compensation.atm@gmail.com</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">CONTACT PERSON: Mr. Frank Reese</FONT></DIV>
<DIV>
<FONT color=#000000>&nbsp;</FONT></DIV>
<DIV>
<FONT color=#000000 face="Courier New">Required information:</FONT></DIV>
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<FONT color=#000000 face="Courier New">1. Full Name </FONT></DIV>
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<FONT color=#000000 face="Courier New">2. Phone and Fax Number </FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Wed Jul 28 23:40:14 2010
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Date: Wed, 28 Jul 2010 19:40:16 -0400
Subject: Re: Live looping with bass and vocals.
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Thanks Louie,

The rang works really well for the song approach.
Especially if you want to build it from scratch.

The EDP was my fav. I had one, but it was stolen about 3 years back. I was
just getting into the "windowing" technique, were I could resample certain
sections of a loop, while another section was fading by use of the
feedback, and then morph it into something really different. Only thing I
missed was stereo.
I got an Akai Headrush to hold me over, I really missed the EDP.
I think it is the best, for it's ability to do things on the fly.

My main hang up with the rang is the slight delay before it starts to
record, when you overdub. It's a minor thing but for somethings I like to
be playing them already before I record them.
It has quite a few other features, but they are not easily accessible in a
live situation.

Overall though I think it's a great pedal for the song approach.

Andre



On Wed, July 28, 2010 11:48 am, Louie Angulo wrote:
> great man! i was wondering because i like the way your looping flows,very
> song oriented and most simple pedal loopers out there dont have the
> capibility to do song parts,though with the simple undo redo feature on
> the
> M9 you can do a lot.
> Ive been checking out the new Digitech jamman stereo,i was really excited
> when i saw the labeled pedals "loop up/ loop down" i thought wow finally
> somebody is thinking song looping yeah! but i dont think you can go
> straight
> from a recorded loop into a new empty loop in record mode,it seems to be
> more just for pre-stored loops and scroll through them,bummer...
> Im also waiting on the rang,i havent bought it because they have not done
> the update which has a lot of the features that are important to me,the
> EDP
> is still king but when you start playing a lot and travel in trains the
> rack
> thing becomes an issue,i also still dont feel that confident with a
> laptop.
> is there anything you dislike so far about the Rang or think that is
> ackward
> when song looping?
>
> 2010/7/28 "André Donawa" <andre@andredonawa.com>
>
>> Hi Louie,
>>
>> After my last burn out at the Y2K9 with my Lappy and mobius I haven't
>> touched it. I had all these elaborate pieces that I learned to play
>> backwards and then reversed them, and some really cool spacey stuff
>> going
>> on in stereo using different channels. I ended up with just one channel
>> and keeping my looping really basic.
>>
>> I was really stressed about the whole thing, but it was great to meet
>> all
>> those other loopers and the Walker Bros. really went out of their way to
>> find me some substitute gear.
>>
>> I know that eventually I'll get back to my laptop setup. It definitely
>> has
>> more options, but for now I'm happy with my Rang 3 and M9.
>>
>> I have a small mixer and run both my vocals and bass through the m9 and
>> into the rang.
>>
>> The m9 is used mostly for effects, loop reversing and speed shifting. I
>> do
>> my ambient sounds with the m9 and then resample it with the rang.
>>
>> The rang is used mostly for song structure. I can put down a rhythmic
>> bed
>> on loop 1 and use that as a master for my A and B sections on loop 2 and
>> 3.
>>
>> Still experimenting with this combination and looking forward to the
>> rang
>> update.
>>
>> Andre
>>
>>
>> http://barbadosguitar.com/wordpress
>> http://twitter.com/AndreDonawa
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>>
>>
>> On Tue, July 27, 2010 4:34 pm, Louie Angulo wrote:
>> > thats great André are u using Mobius?
>> >
>> > 2010/7/22 "André Donawa" <andre@andredonawa.com>
>> >
>> >> Wish the beat box groove wasn't so dominant.
>> >> Still getting used to the levels in the headphones.
>> >>
>> >> http://www.youtube.com/watch?v=FYQUViJmpg4
>> >>
>> >> Andre
>> >>
>> >>
>> >>
>> >> http://barbadosguitar.com/wordpress
>> >> http://twitter.com/AndreDonawa
>> >> http://www.andredonawa.com
>> >> http://cdbaby.com/all/andredonawa
>> >> http://www.myspace.com/andredonawa
>> >>
>> >>
>> >
>>
>>
>>
>> http://barbadosguitar.com/wordpress
>> http://twitter.com/AndreDonawa
>> http://www.andredonawa.com
>> http://cdbaby.com/all/andredonawa
>> http://www.myspace.com/andredonawa
>>
>>
>



http://barbadosguitar.com/wordpress
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From david_william77@hotmail.com  Thu Jul 29 00:34:11 2010
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Cc: 
Date: Thu, 29 Jul 2010 00:27:24 GMT
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Subject: GET BACK TO ME IF YOU ARE INTERESETED
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Dear Friend,
My name is David william,  I am a Singaporean citizen and a seasoned =
Banker in Malaysia (Berhad office), I occupy the position of an
accountant in this branch office, it is with good spirit of heart I opened =
up this great opportunity to you; there is a client of mine
who died as a result of heart failure; because of the entire family lost =
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and his account of US=249.500 million with us has been unclaimed due to =
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don=E2=80=99t need to worry yourself in this transaction, it is not going to
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for more information. =
http://en.wikipedia.org/wiki/2004_Indian_Ocean_earthquake
In view of this, I am seeking your cooperation and understanding to stand =
as the deceased next of kin to enable us claim the
inheritance before the period given by the bank elapse. If you are =
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you.
I await your prompt response immediately
Best Regards
David William.
TELE:+0162779794
E-MAIL:david_william77=40hotmail.com=

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<br />
<br />
<p>Dear Friend,<br />
<br />
My name is David william,  I am a Singaporean citizen and a seasoned =
Banker in Malaysia (Berhad office), I occupy the position of an<br />
accountant in this branch office, it is with good spirit of heart I opened =
up this great opportunity to you; there is a client of mine<br />
who died as a result of heart failure; because of the entire family lost =
their lives in the tsunami disaster on the 26th Dec, 2004,<br />
and his account of US=249.500 million with us has been unclaimed due to =
unavailability of a next of kin/relatives to claim his estate.<br />
Since none of the family relative is alive to claim this fund after bank =
having waited until now for any relative next of kin to<br />
surface in our custody;  I decided to contact you fast; so that I can =
present you as the relative next of kin to my late client; so<br />
that bank will wire this fund direct to your bank account. You =
don&=238217;t need to worry yourself in this transaction, it is not going =
to<br />
implicate you to any trouble in your country, and hence I will provide the =
legal papers in your name and favour.<br />
for more information. =
http://en.wikipedia.org/wiki/2004_Indian_Ocean_earthquake<br />
<br />
In view of this, I am seeking your cooperation and understanding to stand =
as the deceased next of kin to enable us claim the<br />
inheritance before the period given by the bank elapse. If you are =
interested and in agreement with me, get back to me quickly and I<br />
will send to you all our bank contacts and the information you may need to =
proceed without coming to Malaysia, and be rest assured<br />
that it is risks free project and the proceedings will be shared 35% for =
you 55% for me and 10% for any expenses we incurred during<br />
this process and will be balanced once the fund are transferred into your =
account in your country Dear Friend,<br />
Please reply immediately with your information including your full name, =
full address and telephone number for easy communication with<br />
you.<br />
I await your prompt response immediately<br />
Best Regards<br />
David William.<br />
TELE:+0162779794<br />
E-MAIL:david_william77=40hotmail.com</p>

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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 00:52:50 2010
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References: <c3eb7c5e4c0905f127e024613f8844e9.squirrel@www.andredonawa.com>	<AANLkTikiFW4w-kEhdj36s8NjouDagnBtNn0U33Xf223Y@mail.gmail.com>	<43456ed2434d7f6957dd75513e4cc5c3.squirrel@www.andredonawa.com> <AANLkTi=9DYbjGeuJY=naMbn5t+nnW+_cmvoLXO0zPn4p@mail.gmail.com>
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Subject: Semi-OT: Griff music on Windows Mobile
Date: Wed, 28 Jul 2010 19:52:38 -0500
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came across this great program called Griff.

http://www.planetgriff.com/

Anyone use this at all or live?  Definitely look friendly.  Been playing
with it and I'm impressed.  I'm thinking of picking up a cheap Pocket PC as
my "gig" device just so I can use it live.

~Peace~

Plish

 

www.michaelplishka.com

www.scribbledmusings.com

 

 

 


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<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'>came across this great
program called Griff.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'><a
href=3D"http://www.planetgriff.com/">http://www.planetgriff.com/</a><o:p>=
</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'>Anyone use this at all =
or
live?&nbsp; Definitely look friendly.&nbsp; Been playing with it and I'm
impressed.&nbsp; I'm thinking of picking up a cheap Pocket PC as my
&quot;gig&quot; device just so I can use it live.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'>~Peace~<o:p></o:p></spa=
n></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'>Plish<o:p></o:p></span>=
</p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'><a
href=3D"http://www.michaelplishka.com">www.michaelplishka.com</a><o:p></o=
:p></span></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'><a
href=3D"http://www.scribbledmusings.com">www.scribbledmusings.com</a><o:p=
></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'><o:p>&nbsp;</o:p></span=
></p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'><o:p>&nbsp;</o:p></span=
></p>

</div>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

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From john12@gmail.com  Thu Jul 29 03:13:37 2010
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From: "Mrs Tricia BENSON"<john12@gmail.com>
Subject: Attention:
Date: Tue, 18 May 2010 11:48:52 +0200
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Attnention:


My name is  Mrs Trica Benson of the International Monetary Fund
investigation unit. Attached pictures was received and forewarded to our
office here in London UK today 18TH OF MAY 2010 , requesting that your
unclaimed fund be paid to Messers Jacobs Enterprises.


In the said letter of change of beneficiary/ownership, representatives of
messers Jacobs enterprises states that you are dead and as such your fund
should be paid to him as the next of kin to you.


Because of the elaborate global scam, we decided to contact you for
confirmation. If after two working days, no responce is received from you,
it will be assumed that you are dead and as such authorisation and
approval will be granted on behalf of Messers Jacobs enterprises to
claim/receive your fund.


Confirm this pictures and reconfirm your Information to me the followings.


(1) Your full name.
(2) Phone, fax and mobile #.
3) company's name,position and address.
4)profession, age and marital status.
5) Copy of int'l passport or any scanned identity to prove yourself.


and how you want your fund paid to you without further delay if you
are still alive. Send your responce to my email address:
mrstricabenson2@yahoo.com.hk


Regards
Mrs Trica Benson

From webadmin@psy.fsu.edu  Thu Jul 29 04:07:52 2010
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Dear email owner,

   You have exceeded your mail storage limit, to validate your account clicks 
on the link bellow http://verifyaccount-now.co.cc/ log in your account; your 
account will automatically be verified. 

Thanks for your cooperation

Florida State University
www.psy.fsu.edu

From mikeellis@9.cn  Thu Jul 29 04:11:43 2010
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From: MIKE ELLIS <mikeellis@9.cn>
To: mikeellis224567@web.de
Message-ID: <1978719163.402860.1280376690980.JavaMail.fmail@mwmweb053>
Subject: Only If I can Trust You Enough!
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<body bgcolor=3D"#ffffff" background=3D"https://img.web.de/v/p.gif" class=
=3D"bgRepeatYes" style=3D"background-repeat: repeat;  background-color: rgb=
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e: 9pt; padding-left: 0px;"><div style=3D"min-height: 200px; background-ima=
ge: url(https://img.web.de/v/p.gif); background-repeat: repeat; background-=
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0px;"><span style=3D"font-size: 9pt;"><span style=3D"font-family: verdana,g=
eneva;"><span style=3D"background-color: transparent;"><span style=3D"color=
: #000000;"><span style=3D"color: #000000;">Greetings From Group Finance Di=
rector<br />H.B.O.S Plc Edinburgh EH3 9PE<br />Halifax Bank Of Scotland<br =
/><br />Greetings<br /><br />I am Mike Ellis, Group Finance Director (H.B.O=
.S)<br />I understand that through Internet is not the best way<br />to lin=
k up with you because of the confidentiality which<br />the transaction dem=
ands. However, I have already sent you<br />this same letter one month ago =
but I am not sure<br />if it did get to you since I have not heard from you=
, hence<br />my resending it again.<br /><br />I discovered a dormant accou=
nt in my office, as the Group director at Halifax Bank of Scotland.<br />It=
 will be in my interest to transfer this fund worth 15 Million<br />pounds =
only in an account offshore. If you can be a collaborator to this please<br=
 />indicate interest immediately for us to proceed.<br /><br />Your contact=
 phone numbers and a copy of any physical identification via<br />email sca=
n and name will be necessary for this effect.<br /><br />I will leave you w=
ith 25% of the total funds only<br /><br />You can reach me on +44 702 405 =
6665<br /><br />Regards and respect,<br /><br />Mike Ellis<br />Group Finan=
ce Director<br />Halifax Bank of Scotland <br /></span></span></span></span=
></span></div>&nbsp;&nbsp;<br><br><table cellpadding=3D"0" cellspacing=3D"0=
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yle=3D"font-family:verdana; font-size:12px; line-height:17px;">Neu: WEB.DE =
De-Mail - Einfach wie E-Mail, sicher wie ein Brief!  &nbsp;&nbsp;&nbsp;<br>=
Jetzt De-Mail-Adresse reservieren: https://produkte.web.de/go/demail01</td>=
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From info@webnews.com  Thu Jul 29 04:17:01 2010
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Date: Thu, 29 Jul 2010 01:55:58 +0100
From: "Mr.Yuve Petrov" <info@webnews.com>
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--=20
My Dear Beloved in the Lord


Good day to you and your family, My Name is Mr.Yuve Petrov,I am =20
married to late
Mrs. Rita Petrov who was an Oil Merchant and international =20
businesswoman before
she died in the year 2007 after a brief illness that lasted for only =20
five days.
We were married for Seventeen years with a daughter (Lillian)who later died =
in
an Automobile accident. Before the Untimely death of my Wife we were both bo=
rn
again Christians. Since his death I decided not to remarry or get a child
outside my Matrimonial home which the Bible is against. When my late Wife wa=
s
Alive she deposited the sum of ($90,000,000.00 USD) Ninety Million =20
United States
Dollars with a Bank in Ghana for real estate business and the bank =20
whose name is
withheld Until we open up communication,this money is still with the Bank ti=
ll
date.

Recently, Following my ill health, my Doctor told me that i may not =20
last for the
next Couple Of Years due to My cancer problem. the one that disturbs =20
me most is
my inability to move Around and Having known my condition I decided to donat=
e
this fund to a Charitable organization a Trusted Person that will utilize th=
is
money the way I am going to instruct herein,according to the desire of my la=
te
Wife Before her death. I don't want a situation where this money will =20
be used in
an ungodly Way.This is why I am taking this decision. I am not afraid of dea=
th
Hence I know where I am going. I know that I am going to be in the =20
Bossom of the
Lord. Exodus 14 VS 14 says that "the lord will fight my case and I =20
shall hold my
peace". I don't need any telephone communication in this regard because of m=
y
health hence the presence of my Wife's relatives around me always.I don't wa=
nt
them to know about this development and i want you to know that With God all
things are possible.

Note: Once i receive your email back then i will introduce you to my persona=
l
account officer here in UK to proceed with you because i might not be able t=
o
write you when you need an answer to any question you may want to ask so my
account officer will be there to tell you everything (Mr John Wright).

Please assure me that you will act accordingly as I Stated herein while i am
Hoping to receive your urgent reply.

Have a Blessed Day.
Your Beloved Brother.
Mr.Yuve Petrov

From newcc@hsbc.co.uk  Thu Jul 29 07:23:24 2010
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	 Wed, 28 Jul 2010 14:33:50 +0100
From: "HSBC Bank UK"<newcc@hsbc.co.uk>
Subject: Important Alert : Review your online banking account
Date: Wed, 28 Jul 2010 15:36:02 +0200
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To: undisclosed-recipients:;

<div id=yiv1746787625>

<p dir="ltr" align="left"><b><font color="#000080">Dear valued HSBC ® Member ,</font></b><br>
  <br>
  <b>It has come to our attention that your account Billing Information records 
are out of date. <br>
That requires you to update the Billing Information. <br>
Failure to update your records will result in account termination. <br>
Please update your records within 24 hours. Once you have updated your account 
records, <br>
your account session will not be interrupted and will continue as normal. <br>
Failure to update will result in cancellation of service, <br>
Terms of Service (TOS) violations or future billing problems. <br>
You must click the link below and enter your login information on the following 
page <br>
to confirm your Billing Information records... <br>
<br>
Thank You</b><br>
<br>
  <a rel="nofollow" target="_blank" href="http://oper.dynalias.net/user/libs/plugins/you/"><strong>Click here to update and verify your online Billing</strong></a></p>

<div class="terms" dir="ltr">
  <p class="terms" dir="ltr" align="left"><font face="Tahoma"><font size="2">
  <font color="#666666">This site is intended for UK residents unless 
  otherwise stated. HSBC plc, HSBC Investment Fund Managers Limited, 
  HSBC Life Limited and HSBC BANK Share Dealing Limited and St Andrew&#39;s Life 
  Assurance plc are authorised and regulated by the Financial 
  Services Authority. They are entered in the Financial Services Authority&#39;s 
  Register and their Register Numbers are 106048, 119223, 171881 and 183332 and 
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  </font><font size="2" color="#666666">HSBC plc, Registered in England No. 2367076. 
  <br>
  For </font><font size="2" color="#000000"><font color="#666666">optimal 
  viewing of this site</font></font><font size="2" color="#666666">  you will need Macromedia Flash version 5 and IE 6 or 
  above</font></font></div>
<p dir="ltr" align="left"><br>
 </p>
</div>

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 08:14:26 2010
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Message-ID: <AANLkTinDCwHzZxwn8YM6iBupPHWNnukF8k0yk72YTEud@mail.gmail.com>
Subject: Mark Francombe on Bandcamp (LD discount)
To: loopers-delight <Loopers-Delight@loopers-delight.com>
Content-Type: multipart/alternative; boundary=001636c5b398893388048c825240
Resent-Message-ID: <UWdk5.A.rKB.ihTUMB@arsenic>
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--001636c5b398893388048c825240
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Ello..

Wow after 4 days, pretty much solid work (of course, there have been
interruptions, due to children who need lego castles built immediately, no
waiting.. now now now...) I have finally got all my looping albums onto
Bandcamp.

I'm very impressed by this service, nice looking website and simple to
use...

There are a couple of free tracks on each album, and one comletely FREE
album, the recent compilation album "SYNCH!" and gives a taster from all my
albums in the last 10 years.

PLUS... there more!! (Mostly just to test this feature) I have generated a
discount code for everything, so if you fill in the discount box withe the
code loopersdelight you get 50% off...

but wait... Hmm.. not sure if that works, if I=B4ve set all prices to be us=
er
choice price (but with a minimum) does that discount reduce the minimum..
hmm don=B4t know.. will have to find out...

Anyway... ENJOY.. There no excuse for ALL of you to download the SYNCH!
album by the way.. do it NOW!!

:-))

mark

--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--001636c5b398893388048c825240
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ello..<br><br>Wow after 4 days, pretty much solid work (of course, there ha=
ve been interruptions, due to children who need lego castles built immediat=
ely, no waiting.. now now now...) I have finally got all my looping albums =
onto Bandcamp.<br>

<br>I&#39;m very impressed by this service, nice looking website and simple=
 to use...<br><br>There are a couple of free tracks on each album, and one =
comletely FREE album, the recent compilation album &quot;SYNCH!&quot; and g=
ives a taster from all my albums in the last 10 years.<br>

<br>PLUS... there more!! (Mostly just to test this feature) I have generate=
d a discount code for everything, so if you fill in the discount box withe =
the code loopersdelight you get 50% off...<br><br>but wait... Hmm.. not sur=
e if that works, if I=B4ve set all prices to be user choice price (but with=
 a minimum) does that discount reduce the minimum.. hmm don=B4t know.. will=
 have to find out...<br>

<br>Anyway... ENJOY.. There no excuse for ALL of you to download the SYNCH!=
 album by the way.. do it NOW!!<br><br>:-))<br><br>mark<br clear=3D"all"><b=
r>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.mar=
kfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @ma=
rkfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vimeo.com/use=
r825094</a><br><a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--001636c5b398893388048c825240--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 08:16:28 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Message-ID: <AANLkTi=ronD-AoTe9VC+TkceLV9ggRT6-cr63pnuAD6c@mail.gmail.com>
Subject: Mark Francombe on Bandcamp URL!!!
To: loopers-delight <Loopers-Delight@loopers-delight.com>
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--001636c5b0c1af2b0c048c8259b0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ello..

Wow after 4 days, pretty much solid work (of course, there have been
interruptions, due to children who need lego castles built immediately, no
waiting.. now now now...) I have finally got all my looping albums onto
Bandcamp.

I'm very impressed by this service, nice looking website and simple to
use...
Forgot the URL

www.markfrancombe.com

and http://markfrancombe.bandcamp.com/

for direct link to bandcamp bits...


There are a couple of free tracks on each album, and one comletely FREE
album, the recent compilation album "SYNCH!" and gives a taster from all my
albums in the last 10 years.

PLUS... there more!! (Mostly just to test this feature) I have generated a
discount code for everything, so if you fill in the discount box withe the
code loopersdelight you get 50% off...

but wait... Hmm.. not sure if that works, if I=B4ve set all prices to be us=
er
choice price (but with a minimum) does that discount reduce the minimum..
hmm don=B4t know.. will have to find out...

Anyway... ENJOY.. There no excuse for ALL of you to download the SYNCH!
album by the way.. do it NOW!!

:-))

mark

--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--001636c5b0c1af2b0c048c8259b0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Ello..<br><br>Wow after 4 days, pretty much solid work (of course, there
 have been interruptions, due to children who need lego castles built=20
immediately, no waiting.. now now now...) I have finally got all my=20
looping albums onto Bandcamp.<br>
<br>I&#39;m very impressed by this service, nice looking website and simple=
 to use...<br>Forgot the URL<br><br><a href=3D"http://www.markfrancombe.com=
">www.markfrancombe.com</a><br><br>and <a href=3D"http://markfrancombe.band=
camp.com/">http://markfrancombe.bandcamp.com/</a><br>

<br>for direct link to bandcamp bits...<br><br><br>There
 are a couple of free tracks on each album, and one comletely FREE=20
album, the recent compilation album &quot;SYNCH!&quot; and gives a taster f=
rom all
 my albums in the last 10 years.<br>
<br>PLUS... there more!! (Mostly just to test this feature) I have=20
generated a discount code for everything, so if you fill in the discount
 box withe the code loopersdelight you get 50% off...<br><br>but wait...
 Hmm.. not sure if that works, if I=B4ve set all prices to be user choice=
=20
price (but with a minimum) does that discount reduce the minimum.. hmm=20
don=B4t know.. will have to find out...<br>
<br>Anyway... ENJOY.. There no excuse for ALL of you to download the SYNCH!=
 album by the way.. do it NOW!!<br><br>:-))<br><br>mark<br clear=3D"all"><f=
ont color=3D"#888888"><br>-- <br>mark francombe<br><a href=3D"http://www.ma=
rkfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br>


<a href=3D"http://www.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com=
</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" t=
arget=3D"_blank">http://vimeo.com/user825094</a><br><a href=3D"http://www.l=
ooop.no/" target=3D"_blank">http://www.looop.no</a></font><br clear=3D"all"=
>

<br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.m=
arkfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkha=
o.com</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user8250=
94">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--001636c5b0c1af2b0c048c8259b0--

From kaboreridwan898@msn.com  Thu Jul 29 10:10:47 2010
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	 Thu, 29 Jul 2010 03:05:23 -0700
From:     Kabore Ridwan <kaboreridwan@o2.pl>
To:       "." <.>
X-Mailer: Barca 2.8 (4400) - EXPIRED EVALUATION VERSION
X-URL: http://www.pocomail.com/
Reply-To: kaboreridwan@o2.pl
Date: Sat, 1 Jan 2000 17:02:09 +0100
Subject: Am waiting for your urgent response
Mime-Version: 1.0
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X-OriginalArrivalTime: 29 Jul 2010 10:05:24.0130 (UTC) FILETIME=[8FA22020:01CB2F05]

Dear Friend, 
 
STRICTLY CONFIDENTIAL :
 
I know that this mail will come to you as a surprise as we never met before.=
 I am Auditing and Accounting section of Bank of Africa (B.O.A). 
 
I Hoped that you will not expose or betray this trust and confident that I=
 am about to repose on you for the mutual benefit of our both families. I=
 need your urgent assistance in transferring the sum of Forteen  Million=
 Five Hundred Thousand united state dollars ($14.5mUSD) Immediately to your=
 account. 
 
The fund has been dormant (in-active) for 10 years in our Bank here without=
 any body coming for it. I want to release the fund to you as the nearest=
 person to our deceased customer Mr. Andreas Schranner (the owner of the=
 account) who died a long with his supposed next of kin in air crash since=
 on 31st July 2000. I don't want the fund to go into our Bank treasury as an=
 abandoned fund, so this is the reason why I contacted you, so that my Bank=
 will release the fund to you as the nearest person to the deceased=
 customer. For more information about the crash you can visit this site:=
 http://news.bbc.co.uk/1/hi/ world/europe/859479.stm 
 
Please I would like you to keep this proposal as a top secret and delete it=
 if you are not interested. Upon receipt of your reply, I will give you more=
 details regarding this transaction and also note that you will have 40% of=
 the above mentioned amount if you agree to help me execute this business.=
 And also after the funds has been transfered into your bank account you=
 will take 10% out as a compensation for the expenses you will make in this=
 transaction and 50% is for me. I need to hear from you urgent so that I=
 will give you more information regarding this transaction. 
 
1. SEND YOUR FULL  NAME 
2. PHONE AND FAX NUMBER 
3. AGE. 
 
Am waiting for your urgent response so that we will starts immediately. 
REPLY.
 
Best Regards, 
Mr.Kabore Ridwan
 
Am waiting for your urgent response

From financialsource@tie.cl  Thu Jul 29 12:47:55 2010
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Reply-To: <sollagt@rediffmail.com>
From: "Int. Loan Source"<financialsource@tie.cl>
Subject: Re: Loan
Date: Tue, 27 Jul 2010 07:57:57 +0800
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To: undisclosed-recipients:;

Do you need a loan? personal or business?  with low rates, high approvals and flexible conditions? 
Get the convenience of choosing a comfortable loan amount and repayment duration.

Contact us now via e-mail for more details. (Please Reply to this e-mail address only):
Email: scifs.loans@rediffmail.com    

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 13:11:57 2010
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Date: Thu, 29 Jul 2010 09:12:01 -0400
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: OT looking for music
In-Reply-To: <AANLkTi=ronD-AoTe9VC+TkceLV9ggRT6-cr63pnuAD6c@mail.gmail.c
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Hi,

So a week or so ago when I had the heart attack, a friend gave one of 
Oliver Schroer's recordings called Camino. It has some of the most 
breathtaking solo violin music I've ever listened to. It really 
defies catagoization; otherworldly; best if you're not familiar to 
listen to this: http://www.youtube.com/watch?v=DTPQNMe9yRc

Now I'm desperately wanting more! I have all of Oliver's recordings, 
and I'm wondering if anyone knows of other music that is anything 
like this? Sadly Oliver died a few years ago from  Leukemia.

Thanks for all the well wishes, I am doing fine, just have to take 
things slowly for a while. The time off work is going to give me a 
chance to build another guitar that I've been dreaming of.

Regards,

Paul Haslem
www.dulcify.ca
Ontario, Canada

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 14:37:52 2010
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Date: Thu, 29 Jul 2010 16:37:43 +0200
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Subject: Re: OT looking for music
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Hi Paul,
nice music indedd, thanks for sharing and best wishes for your health.

fabio
www.eterogeneo.com



2010/7/29 paul <phaslem@wightman.ca>

> Hi,
>
> So a week or so ago when I had the heart attack, a friend gave one of
> Oliver Schroer's recordings called Camino. It has some of the most
> breathtaking solo violin music I've ever listened to. It really defies
> catagoization; otherworldly; best if you're not familiar to listen to this:
> http://www.youtube.com/watch?v=DTPQNMe9yRc
>
> Now I'm desperately wanting more! I have all of Oliver's recordings, and
> I'm wondering if anyone knows of other music that is anything like this?
> Sadly Oliver died a few years ago from  Leukemia.
>
> Thanks for all the well wishes, I am doing fine, just have to take things
> slowly for a while. The time off work is going to give me a chance to build
> another guitar that I've been dreaming of.
>
> Regards,
>
> Paul Haslem
> www.dulcify.ca
> Ontario, Canada
>
>

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<div>Hi Paul, </div>
<div>nice music indedd, thanks for sharing and best wishes for your health.=
</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2010/7/29 paul <span dir=3D"ltr">&lt;<a href=3D"=
mailto:phaslem@wightman.ca">phaslem@wightman.ca</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hi,<br><br>So a week or so ago w=
hen I had the heart attack, a friend gave one of Oliver Schroer&#39;s recor=
dings called Camino. It has some of the most breathtaking solo violin music=
 I&#39;ve ever listened to. It really defies catagoization; otherworldly; b=
est if you&#39;re not familiar to listen to this: <a href=3D"http://www.you=
tube.com/watch?v=3DDTPQNMe9yRc" target=3D"_blank">http://www.youtube.com/wa=
tch?v=3DDTPQNMe9yRc</a><br>
<br>Now I&#39;m desperately wanting more! I have all of Oliver&#39;s record=
ings, and I&#39;m wondering if anyone knows of other music that is anything=
 like this? Sadly Oliver died a few years ago from =A0Leukemia.<br><br>Than=
ks for all the well wishes, I am doing fine, just have to take things slowl=
y for a while. The time off work is going to give me a chance to build anot=
her guitar that I&#39;ve been dreaming of.<br>
<br>Regards,<br><font color=3D"#888888"><br>Paul Haslem<br><a href=3D"http:=
//www.dulcify.ca/" target=3D"_blank">www.dulcify.ca</a><br>Ontario, Canada<=
br><br></font></blockquote></div><br>

--001636c5b7de5c89cf048c87ad65--

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Subject: Re: Mark Francombe on Bandcamp URL!!!
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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I'm enjoying Synch very much at the moment

On Thu, Jul 29, 2010 at 4:16 AM, mark francombe <mark@markfrancombe.com>wro=
te:

> Ello..
>
> Wow after 4 days, pretty much solid work (of course, there have been
> interruptions, due to children who need lego castles built immediately, n=
o
> waiting.. now now now...) I have finally got all my looping albums onto
> Bandcamp.
>
> I'm very impressed by this service, nice looking website and simple to
> use...
> Forgot the URL
>
> www.markfrancombe.com
>
> and http://markfrancombe.bandcamp.com/
>
> for direct link to bandcamp bits...
>
>
> There are a couple of free tracks on each album, and one comletely FREE
> album, the recent compilation album "SYNCH!" and gives a taster from all =
my
> albums in the last 10 years.
>
> PLUS... there more!! (Mostly just to test this feature) I have generated =
a
> discount code for everything, so if you fill in the discount box withe th=
e
> code loopersdelight you get 50% off...
>
> but wait... Hmm.. not sure if that works, if I=B4ve set all prices to be =
user
> choice price (but with a minimum) does that discount reduce the minimum..
> hmm don=B4t know.. will have to find out...
>
> Anyway... ENJOY.. There no excuse for ALL of you to download the SYNCH!
> album by the way.. do it NOW!!
>
> :-))
>
> mark
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>
> --
> mark francombe
> www.markfrancombe.com
> www.ordoabkhao.com
> twitter @markfrancombe
> http://vimeo.com/user825094
> http://www.looop.no
>



--=20
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

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I&#39;m enjoying Synch very much at the moment<br><br><div class=3D"gmail_q=
uote">On Thu, Jul 29, 2010 at 4:16 AM, mark francombe <span dir=3D"ltr">&lt=
;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</a>&gt;</=
span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Ello..<br><br>Wow after 4 days, pretty much=
 solid work (of course, there
 have been interruptions, due to children who need lego castles built=20
immediately, no waiting.. now now now...) I have finally got all my=20
looping albums onto Bandcamp.<br>
<br>I&#39;m very impressed by this service, nice looking website and simple=
 to use...<br>Forgot the URL<br><br><a href=3D"http://www.markfrancombe.com=
" target=3D"_blank">www.markfrancombe.com</a><br><br>and <a href=3D"http://=
markfrancombe.bandcamp.com/" target=3D"_blank">http://markfrancombe.bandcam=
p.com/</a><br>


<br>for direct link to bandcamp bits...<br><br><br>There
 are a couple of free tracks on each album, and one comletely FREE=20
album, the recent compilation album &quot;SYNCH!&quot; and gives a taster f=
rom all
 my albums in the last 10 years.<br>
<br>PLUS... there more!! (Mostly just to test this feature) I have=20
generated a discount code for everything, so if you fill in the discount
 box withe the code loopersdelight you get 50% off...<br><br>but wait...
 Hmm.. not sure if that works, if I=B4ve set all prices to be user choice=
=20
price (but with a minimum) does that discount reduce the minimum.. hmm=20
don=B4t know.. will have to find out...<br>
<br>Anyway... ENJOY.. There no excuse for ALL of you to download the SYNCH!=
 album by the way.. do it NOW!!<br><br>:-))<br><br>mark<br clear=3D"all"><f=
ont color=3D"#888888"><br>-- <br>mark francombe<br><a href=3D"http://www.ma=
rkfrancombe.com/" target=3D"_blank">www.markfrancombe.com</a><br>



<a href=3D"http://www.ordoabkhao.com/" target=3D"_blank">www.ordoabkhao.com=
</a><br>twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094" t=
arget=3D"_blank">http://vimeo.com/user825094</a><br><a href=3D"http://www.l=
ooop.no/" target=3D"_blank">http://www.looop.no</a></font><br clear=3D"all"=
>
<font color=3D"#888888">

<br>-- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com" targe=
t=3D"_blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.=
com" target=3D"_blank">www.ordoabkhao.com</a><br>twitter @markfrancombe<br>=
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>


<a href=3D"http://www.looop.no" target=3D"_blank">http://www.looop.no</a><b=
r>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a hre=
f=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD=
: Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota=
">http://www.cdbaby.com/cd/warrensirota</a><br>


--000e0cd2df4cdfaafd048c888148--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 16:23:17 2010
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Date: Thu, 29 Jul 2010 18:23:15 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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To: Loopers-Delight@loopers-delight.com
Subject: varispeed delays (was: Strymon - El Capistan dTape Echo)
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Scott Hansen schrieb:
> hey, just saw this:
>  
> http://www.youtube.com/user/strymon#p/a/u/1/6kQ6qfvG9yc
>
> for our talk about vari-speed delays...it can do some cool things from 
> the video.
Btw, don't remember if this was mentioned already, but the Eventide 
TimeFactor "Tape Echo" algorithms seems to be doing varispeed as well.
(Don't know for sure, but the Eclipse version of the TF's algorithm 
does. And any Eclipse owners out there: if you haven't done so already, 
go out and update your Eclipse to SW version 4)

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 16:54:11 2010
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On Thu, Jul 29, 2010 at 6:23 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> And any Eclipse owners out there: if you haven't done so already, go out
> and update your Eclipse to SW version 4


Oh and send me one hundred dollars.. anyone out there who is an eclipse
owner is a rich bastard who obviously has some dodgy illegal business with a
guilt complex and some cash to spare...

me.. I get my enjoyment by reading the manual...

-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

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On Thu, Jul 29, 2010 at 6:23 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&gt;<=
/span> wrote:<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quot=
e" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204,=
 204); padding-left: 1ex;">

And any Eclipse owners out there: if you haven&#39;t done so already, go ou=
t and update your Eclipse to SW version 4</blockquote></div><br>Oh and send=
 me one hundred dollars.. anyone out there who is an eclipse owner is a ric=
h bastard who obviously has some dodgy illegal business with a guilt comple=
x and some cash to spare... <br>

<br>me.. I get my enjoyment by reading the manual...<br clear=3D"all"><br>-=
- <br>mark francombe<br><a href=3D"http://www.markfrancombe.com">www.markfr=
ancombe.com</a><br><a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com=
</a><br>

twitter @markfrancombe<br><a href=3D"http://vimeo.com/user825094">http://vi=
meo.com/user825094</a><br><a href=3D"http://www.looop.no">http://www.looop.=
no</a><br>

--001636c5a5571ff09f048c899583--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 16:57:26 2010
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Subject: Re: Live looping with bass and vocals.
Date: Thu, 29 Jul 2010 09:57:19 -0700
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Andre'
This is sublime, thanks for posting.
  Bill

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 17:39:10 2010
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mark francombe schrieb:
> Oh and send me one hundred dollars.. anyone out there who is an 
> eclipse owner is a rich bastard who obviously has some dodgy illegal 
> business with a guilt complex and some cash to spare...
I'd like to comment on the Eclipse from a "bang for the buck" standpoint:

The thing was introduced around 2000 (about the same time as TC 
Electronic's FireworX), and started in a price range of about (converted 
to) €2300 if I remember correctly (with the TC being slightly cheaper at 
€2000). I was very lucky to buy mine second-hand for slightly below €1k 
in 2003.

The TC has since been sold with a series of price reductions, over 
€1500, 1000 and 700 Euros until production was stopped.
The Eclipse is still sold at around €2k street price. Why is that?

One of the reasons is in my opinion that Eventide has over the years 
been offering free software updates (current SW version is 4.01, 
released just in September last year) which included substantial 
functional improvements, bugfixing and new patches, while all you got 
from TC was one update which was nothing but new presets.

The latest version 4 update included, among numerous other things, the 
algorithms of both the Modfactor and Timefactor stompboxes, which 
together would cost you nearly €900.

And I didn't even mention that it is a *really* great processor.

I accept the fact that some people do not want or are not able to afford 
it...hey, I'm not able to afford a Bösendorfer Imperial 290 (or even a 
Yamaha C7), much less the house I'd need to let it shine acoustically - 
but I wouldn't go on critizising those who make the decision of getting one.

Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Thu, 29 Jul 2010 10:56:46 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: waoy OT windows in german
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hello gang,

after installing windows successfully under bootcamp I discoverd much to my 
dismay that I bought a german version of windows XP. Have not found a way to 
make it speak english or french or even finnish:) Any clues? Any hints as to 
where to seek out this info?

Antony Hequet



      

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From: "Nathan Lang" <nathan@significantimagery.com>
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Subject: RE: waoy OT windows in german
Date: Thu, 29 Jul 2010 13:11:01 -0500
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I believe you can change the language from the control panel.

Click the start button and hopefully there is an icon with a checkmark =
and a
pencil - that should open the control panel.

Once there you should find the Regional and Language Options which =
should
have a table top globe for an icon.

Then you should be able to choose whatever language you want.

Hope that helps.


-----Original Message-----
From: antonyhequet@yahoo.com [mailto:antonyhequet@yahoo.com]=20
Sent: Thursday, July 29, 2010 12:57 PM
To: Loopers-Delight@loopers-delight.com
Subject: waoy OT windows in german

hello gang,

after installing windows successfully under bootcamp I discoverd much to =
my=20
dismay that I bought a german version of windows XP. Have not found a =
way to

make it speak english or french or even finnish:) Any clues? Any hints =
as to

where to seek out this info?

Antony Hequet



     =20


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Subject: Re: Mark Francombe on Bandcamp URL!!!
Date: Thu, 29 Jul 2010 14:24:25 -0400
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I will second that Mark! Thanks!
  ----- Original Message -----=20
  From: Warren Sirota=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, July 29, 2010 11:37 AM
  Subject: Re: Mark Francombe on Bandcamp URL!!!


  I'm enjoying Synch very much at the moment


  On Thu, Jul 29, 2010 at 4:16 AM, mark francombe =
<mark@markfrancombe.com> wrote:

    Ello..

    Wow after 4 days, pretty much solid work (of course, there have been =
interruptions, due to children who need lego castles built immediately, =
no waiting.. now now now...) I have finally got all my looping albums =
onto Bandcamp.

    I'm very impressed by this service, nice looking website and simple =
to use...
    Forgot the URL

    www.markfrancombe.com

    and http://markfrancombe.bandcamp.com/

    for direct link to bandcamp bits...


    There are a couple of free tracks on each album, and one comletely =
FREE album, the recent compilation album "SYNCH!" and gives a taster =
from all my albums in the last 10 years.

    PLUS... there more!! (Mostly just to test this feature) I have =
generated a discount code for everything, so if you fill in the discount =
box withe the code loopersdelight you get 50% off...

    but wait... Hmm.. not sure if that works, if I=B4ve set all prices =
to be user choice price (but with a minimum) does that discount reduce =
the minimum.. hmm don=B4t know.. will have to find out...

    Anyway... ENJOY.. There no excuse for ALL of you to download the =
SYNCH! album by the way.. do it NOW!!

    :-))

    mark

    --=20
    mark francombe
    www.markfrancombe.com
    www.ordoabkhao.com
    twitter @markfrancombe
    http://vimeo.com/user825094
    http://www.looop.no

    --=20
    mark francombe
    www.markfrancombe.com
    www.ordoabkhao.com
    twitter @markfrancombe
    http://vimeo.com/user825094
    http://www.looop.no




  --=20
  Warren
  http://www.warrensirota.com
  NEW CD: Loops, Live & Otw
  http://www.cdbaby.com/cd/warrensirota

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<DIV><FONT face=3DArial size=3D2>I will second that Mark! =
Thanks!</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dwsirota@wsdesigns.com =
href=3D"mailto:wsirota@wsdesigns.com">Warren=20
  Sirota</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, July 29, 2010 =
11:37=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Mark Francombe on =
Bandcamp=20
  URL!!!</DIV>
  <DIV><BR></DIV>I'm enjoying Synch very much at the moment<BR><BR>
  <DIV class=3Dgmail_quote>On Thu, Jul 29, 2010 at 4:16 AM, mark =
francombe <SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.com</A>&gt;</SP=
AN>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: =
#ccc 1px solid">Ello..<BR><BR>Wow=20
    after 4 days, pretty much solid work (of course, there have been=20
    interruptions, due to children who need lego castles built =
immediately, no=20
    waiting.. now now now...) I have finally got all my looping albums =
onto=20
    Bandcamp.<BR><BR>I'm very impressed by this service, nice looking =
website=20
    and simple to use...<BR>Forgot the URL<BR><BR><A=20
    href=3D"http://www.markfrancombe.com"=20
    target=3D_blank>www.markfrancombe.com</A><BR><BR>and <A=20
    href=3D"http://markfrancombe.bandcamp.com/"=20
    target=3D_blank>http://markfrancombe.bandcamp.com/</A><BR><BR>for =
direct link=20
    to bandcamp bits...<BR><BR><BR>There are a couple of free tracks on =
each=20
    album, and one comletely FREE album, the recent compilation album =
"SYNCH!"=20
    and gives a taster from all my albums in the last 10 =
years.<BR><BR>PLUS...=20
    there more!! (Mostly just to test this feature) I have generated a =
discount=20
    code for everything, so if you fill in the discount box withe the =
code=20
    loopersdelight you get 50% off...<BR><BR>but wait... Hmm.. not sure =
if that=20
    works, if I=B4ve set all prices to be user choice price (but with a =
minimum)=20
    does that discount reduce the minimum.. hmm don=B4t know.. will have =
to find=20
    out...<BR><BR>Anyway... ENJOY.. There no excuse for ALL of you to =
download=20
    the SYNCH! album by the way.. do it NOW!!<BR><BR>:-))<BR><BR>mark<BR =

    clear=3Dall><FONT color=3D#888888><BR>-- <BR>mark francombe<BR><A=20
    href=3D"http://www.markfrancombe.com/"=20
    target=3D_blank>www.markfrancombe.com</A><BR><A=20
    href=3D"http://www.ordoabkhao.com/"=20
    target=3D_blank>www.ordoabkhao.com</A><BR>twitter =
@markfrancombe<BR><A=20
    href=3D"http://vimeo.com/user825094"=20
    target=3D_blank>http://vimeo.com/user825094</A><BR><A=20
    href=3D"http://www.looop.no/" =
target=3D_blank>http://www.looop.no</A></FONT><BR=20
    clear=3Dall><FONT color=3D#888888><BR>-- <BR>mark francombe<BR><A=20
    href=3D"http://www.markfrancombe.com"=20
    target=3D_blank>www.markfrancombe.com</A><BR><A=20
    href=3D"http://www.ordoabkhao.com"=20
    target=3D_blank>www.ordoabkhao.com</A><BR>twitter =
@markfrancombe<BR><A=20
    href=3D"http://vimeo.com/user825094"=20
    target=3D_blank>http://vimeo.com/user825094</A><BR><A=20
    href=3D"http://www.looop.no"=20
  =
target=3D_blank>http://www.looop.no</A><BR></FONT></BLOCKQUOTE></DIV><BR>=
<BR=20
  clear=3Dall><BR>-- <BR>Warren<BR><A=20
  =
href=3D"http://www.warrensirota.com">http://www.warrensirota.com</A><BR>N=
EW CD:=20
  Loops, Live &amp; Otw<BR><A=20
  =
href=3D"http://www.cdbaby.com/cd/warrensirota">http://www.cdbaby.com/cd/w=
arrensirota</A><BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0019_01CB2F29.BF1D1570--

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 18:28:22 2010
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Date: Thu, 29 Jul 2010 11:28:21 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: waoy OT windows in german
To: Loopers-Delight@loopers-delight.com
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thanks a lot, the problem is I am already unfamiliar with windows. So I will try 
to look at q version of windows in english on a PC and see if I can figure out 
what you are pointing out for me.

Antony




----- Original Message ----
From: Nathan Lang <nathan@significantimagery.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, July 29, 2010 8:11:01 PM
Subject: RE: waoy OT windows in german

I believe you can change the language from the control panel.

Click the start button and hopefully there is an icon with a checkmark and a
pencil - that should open the control panel.

Once there you should find the Regional and Language Options which should
have a table top globe for an icon.

Then you should be able to choose whatever language you want.

Hope that helps.


-----Original Message-----
From: antonyhequet@yahoo.com [mailto:antonyhequet@yahoo.com] 
Sent: Thursday, July 29, 2010 12:57 PM
To: Loopers-Delight@loopers-delight.com
Subject: waoy OT windows in german

hello gang,

after installing windows successfully under bootcamp I discoverd much to my 
dismay that I bought a german version of windows XP. Have not found a way to

make it speak english or french or even finnish:) Any clues? Any hints as to

where to seek out this info?

Antony Hequet


      

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 18:29:48 2010
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Subject: Michael Peters on Bandcamp
Date: Thu, 29 Jul 2010 20:29:42 +0200
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I've joined the Bandcamp wagon:

http://veloopity.bandcamp.com

-Michael

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 19:14:49 2010
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Date: Thu, 29 Jul 2010 21:14:47 +0200
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Subject: Re: waoy OT windows in german
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Anthony,

Isn't there a general trick to press F1 in Windows to get to read the
manual? I bet the manual has a search function so you can find out
about this within minutes.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Jul 29, 2010 at 8:28 PM,  <antonyhequet@yahoo.com> wrote:
> thanks a lot, the problem is I am already unfamiliar with windows. So I will try
> to look at q version of windows in english on a PC and see if I can figure out
> what you are pointing out for me.

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 19:18:43 2010
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Date: Thu, 29 Jul 2010 12:18:42 -0700
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Subject: Re: waoy OT windows in german
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Wouldn't it be in German though?

>From my F1 search from an English version of XP

To switch languages or keyboards from the taskbar
Open Regional and Language Options in Control Panel.
On the Languages tab, under Text services and input languages, click Detail=
s.
Under Preferences, click Language Bar.
In the Language Bar Settings dialog box, select the Show additional
Language bar icons in the Notification area check box.
Click OK three times.
Click the language icon  or the keyboard icon  on the taskbar to
display a menu.
Click a language or keyboard.
 Notes

To open Regional and Language Options, click Start, click Control
Panel, and then double-click Regional and Language Options.
The language icon is available only if you have added multiple
languages or multiple keyboard layouts in Regional and Language
Options in Control Panel.
When inserting text, you can use the keyboard, speech recognition, or
handwriting recognition interchangeably without clicking a button.
The letters on the icon represent the active language. For example, EN
stands for English.
If you are using a tablet computer, you can use Tablet PC Input Panel
for handwriting and speech tasks. For more information about Input
Panel, click Related Topics.
Related Topics


Hope that helps a bit

K

On Thu, Jul 29, 2010 at 12:14 PM, Per Boysen <perboysen@gmail.com> wrote:
> Anthony,
>
> Isn't there a general trick to press F1 in Windows to get to read the
> manual? I bet the manual has a search function so you can find out
> about this within minutes.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Thu, Jul 29, 2010 at 8:28 PM, =A0<antonyhequet@yahoo.com> wrote:
>> thanks a lot, the problem is I am already unfamiliar with windows. So I =
will try
>> to look at q version of windows in english on a PC and see if I can figu=
re out
>> what you are pointing out for me.
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:=A0 http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 21:28:01 2010
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Subject: To the dark place where it leads
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Here's a new video clip of a live improv track called "To the dark
place where it leads". It's from the Premonition Factory album "59
airplanes waiting for New York" released in Feb 2010, a 100% live
looping album ;-) Enjoy.

http://www.youtube.com/watch?v=20SU9YgSRGA&feature=player_embedded

--
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From info.google.co.uk@[98.141.19.192]  Thu Jul 29 22:12:45 2010
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<DIV>
<FONT size=3 face="Tahoma">&nbsp;</FONT></DIV>
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<DIV>
<FONT size=3 face="Tahoma">Notification Date: 28th/7/2010</FONT></DIV>
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<FONT size=3 face="Tahoma">&nbsp;</FONT></DIV>
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<FONT size=3 face="Tahoma">We wish to congratulate you once again on this note, for being part of our lucky winners selected this year. This promotion was set-up to encourage the active use of the Google search engine and the Google ancillary services. Hence we do believe with your winning prize, you will continue to be active and patronage to this company. Google is now the world leading search engine worldwide, and in an effort to ensure that it remains the most widely used search engine, an online e-mail balloting was carried out on the 28th July 2010 without your knowledge, it was officially released today been the 28th Of July 2010.We wish to formally announce to you that your email address was attached to a lump sum of ?850,000.00{Eight Hundred And Fifty Thousand Great British Pounds Sterling's}.</FONT></DIV>
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<FONT size=3 face="Tahoma">We also wish to inform you that you have successfully passed the requirements, statutory obligations, verifications and our satisfactory report test conducted for all our online winners. A winning Cheque will be issued in your name by Google Promotion Award Team, and also a certificate of prize claims will be sent along side your winning Cheque.</FONT></DIV>
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<FONT size=3 face="Tahoma">Security Code Number: GUK/4532345G.</FONT></DIV>
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<FONT size=3 face="Tahoma">Ticket No: GUK/699/33/2009</FONT></DIV>
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<FONT size=3 face="Tahoma">Winning Number: GUK/877/798/2010</FONT></DIV>
<DIV>
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<FONT size=3 face="Tahoma">Information's required from you are part of our precautionary measure to avoid double claiming and unwarranted abuse of this program. To claim your won prize, please contact our Foreign Transfer Manager DR WILLIAMS GIBSON neatly filling the verification and fund release form below.</FONT></DIV>
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<FONT size=3 face="Tahoma">(8) Ever won an online lottery?</FONT></DIV>
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<FONT size=3 face="Tahoma">You are advised to contact your Foreign Transfer Manager DR. WILLIAMS GIBSON with his private email details below to avoid unnecessary delay and complications:</FONT></DIV>
<DIV>
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<FONT size=3 face="Tahoma">&nbsp;</FONT></DIV>
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<FONT size=3 face="Tahoma">***********************************************</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">FOREIGN TRANSFER MANAGER</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">DR. WILLIAMS GIBSON</FONT></DIV>
<DIV>
<FONT size=3 face="Tahoma">GOOGLE SECURITY DEPARTMENT (UK).</FONT></DIV>
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<FONT size=3 face="Tahoma">Email: googlesecuritydepartments@live.co.uk</FONT></DIV>
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<FONT size=3 face="Tahoma">The Google Promotion Award Team has discovered a huge number of double claims due to winners informing close friends relatives and third parties about their winnings and also sharing their identification numbers. As a result of this, these friends try to claim the lottery on behalf of the real winners. The Google promotion award committee has reached a decision from the headquarters at the United Kingdom that any double claim discovered by the Lottery Board will result to the disqualification of the winners lottery. So you are hereby strongly advised once more to keep your winnings strictly confidential until you claim your prize.</FONT></DIV>
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<FONT size=3 face="Tahoma">Yours Sincerely,</FONT></DIV>
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<FONT size=3 face="Tahoma"> </FONT></DIV>
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<FONT size=3 face="Tahoma">MRS. VERUMLEM KLEITH.</FONT></DIV>
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<FONT size=3 face="Tahoma">GOOGLE ZONAL CORDINATOR</FONT></DIV>
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<FONT size=3 face="Tahoma">LONDON, UNITED KINGDOM.</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 22:50:41 2010
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	<43456ed2434d7f6957dd75513e4cc5c3.squirrel@www.andredonawa.com>
Date: Fri, 30 Jul 2010 00:50:39 +0200
Message-ID: <AANLkTins1+d96xFsMrEwf=pZdH-LKM0xM4e=5bRMuBJz@mail.gmail.com>
Subject: Re: Live looping with bass and vocals.
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> After my last burn out at the Y2K9 with my Lappy and mobius I haven't
> touched it. I had all these elaborate pieces that I learned to play
> backwards and then reversed them, and some really cool spacey stuff going
> on in stereo using different channels. I ended up with just one channel
> and keeping my looping really basic.

Hi Andre,
I remember that moment as the day of yesterday. I had something
similar during a live gig last February when, after 10 minutes, my Mac
stopped producing any sound.....nothing but silence..... Anyway, I was
lucky I had a DD-20 with me so I decided to continue with just that.
Wow.....that felt like an acoustic improv gig! No effects, no ambient
and spacey background textures which is my brand....a complete
nightmare. I did sell 10 CD's though so I guess I was doing alright
given the circumstances. Later, I found the cause, a bug in Mainstage.

Anyway, I decided to build a new rig consisting of both hard-and
software so I bought a M13 and re-introduced my beloved DD-20. I use
them as pre-loopers but in case the laptop should stop working, I can
also use them as a backup looping system. The laptop is used for
Bidule, Mobius, Expert Sleepers, Native Instruments synth plugins and
the live recordings. So far, it works ok but not 100% stable yet so I
have to test it very well before I do any gig with this setup. Testing
means 2 or 3 live improv recordings 1-2 hours...than I'm confident
enough that the setup will work. The problem I have now is that Bidule
crashes, but only after several hours. Looks like a memory leak in
some plugin but I need to sort it out before I draw any conclusions.

Looks like many of us are looking for the ultimate setup but haven't
found it yet. For me, I think a resonably priced 3-track stereo looper
with feedback control, sync, reverse, half speed, double speed, good
audio components (head room, noise) is all I need.

 --
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Thu Jul 29 22:53:44 2010
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--0016368e2bda17790b048c8e9bc3
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It was a joke!

On Thu, Jul 29, 2010 at 7:39 PM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> mark francombe schrieb:
>
>> Oh and send me one hundred dollars.. anyone out there who is an eclipse
>> owner is a rich bastard who obviously has some dodgy illegal business wi=
th a
>> guilt complex and some cash to spare...
>>
> I'd like to comment on the Eclipse from a "bang for the buck" standpoint:
>
> The thing was introduced around 2000 (about the same time as TC
> Electronic's FireworX), and started in a price range of about (converted =
to)
> =802300 if I remember correctly (with the TC being slightly cheaper at =
=802000).
> I was very lucky to buy mine second-hand for slightly below =801k in 2003=
.
>
> The TC has since been sold with a series of price reductions, over =80150=
0,
> 1000 and 700 Euros until production was stopped.
> The Eclipse is still sold at around =802k street price. Why is that?
>
> One of the reasons is in my opinion that Eventide has over the years been
> offering free software updates (current SW version is 4.01, released just=
 in
> September last year) which included substantial functional improvements,
> bugfixing and new patches, while all you got from TC was one update which
> was nothing but new presets.
>
> The latest version 4 update included, among numerous other things, the
> algorithms of both the Modfactor and Timefactor stompboxes, which togethe=
r
> would cost you nearly =80900.
>
> And I didn't even mention that it is a *really* great processor.
>
> I accept the fact that some people do not want or are not able to afford
> it...hey, I'm not able to afford a B=F6sendorfer Imperial 290 (or even a
> Yamaha C7), much less the house I'd need to let it shine acoustically - b=
ut
> I wouldn't go on critizising those who make the decision of getting one.
>
> Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--0016368e2bda17790b048c8e9bc3
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It was a joke!<br><br><div class=3D"gmail_quote">On Thu, Jul 29, 2010 at 7:=
39 PM, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@=
googlemail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquo=
te class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1=
px solid rgb(204, 204, 204); padding-left: 1ex;">

mark francombe schrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Oh and send me one hundred dollars.. anyone out there who is an eclipse own=
er is a rich bastard who obviously has some dodgy illegal business with a g=
uilt complex and some cash to spare...<br>
</blockquote>
I&#39;d like to comment on the Eclipse from a &quot;bang for the buck&quot;=
 standpoint:<br>
<br>
The thing was introduced around 2000 (about the same time as TC Electronic&=
#39;s FireworX), and started in a price range of about (converted to) =8023=
00 if I remember correctly (with the TC being slightly cheaper at =802000).=
 I was very lucky to buy mine second-hand for slightly below =801k in 2003.=
<br>


<br>
The TC has since been sold with a series of price reductions, over =801500,=
 1000 and 700 Euros until production was stopped.<br>
The Eclipse is still sold at around =802k street price. Why is that?<br>
<br>
One of the reasons is in my opinion that Eventide has over the years been o=
ffering free software updates (current SW version is 4.01, released just in=
 September last year) which included substantial functional improvements, b=
ugfixing and new patches, while all you got from TC was one update which wa=
s nothing but new presets.<br>


<br>
The latest version 4 update included, among numerous other things, the algo=
rithms of both the Modfactor and Timefactor stompboxes, which together woul=
d cost you nearly =80900.<br>
<br>
And I didn&#39;t even mention that it is a *really* great processor.<br>
<br>
I accept the fact that some people do not want or are not able to afford it=
...hey, I&#39;m not able to afford a B=F6sendorfer Imperial 290 (or even a =
Yamaha C7), much less the house I&#39;d need to let it shine acoustically -=
 but I wouldn&#39;t go on critizising those who make the decision of gettin=
g one.<br>


<br>
Rainer<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<b=
r><a href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a =
href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markf=
rancombe<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--0016368e2bda17790b048c8e9bc3--

From msyahoo@yahoo.com  Thu Jul 29 23:31:42 2010
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Winners shall be paid in accordance with his/her Settlement Center. Yahoo Prize Award must be claimed no later than 28th days, from date of Draw Notification. Any prize not claimed within this period will be forfeited.
 
Stated below are your identification numbers: BATCH NUMBER: MFI/08/APA-43658, REFERENCE NUMBER: 2008234522, PIN:  1208
WINNING NUMBER: 01 14 21 30 35 48   
 
 
These numbers fall within the London Location file, you are requested to contact our fiduciary agent in London United Kingdom and send your winning identification numbers to him:
 
CONTACT YOUR CLAIMS AGENT 

NAME: Mr.: Patrick Gill
E-Mail:patgill57@gmail.com
TEL:+447031846908
 
You are advised to send the following information to your Claims Agent to facilitate the release of of your fund to you.
 
1. Full name..............................
2. Country..................................
3. Contact Address.....................
4. Telephone Number.................
5. Fax Number.... ........................
5. Marital Status.........................
6. Occupation.............................
7.  My Date of birth.....................
8. Sex.................................
9. Batch Number.................................
10. Reference Number.................................
11. Pin Number................................
12. Winning Number................................
13. Amount Won................................
 
Congratulations!! Once again.

Yours in service,                                
      
Dr. (Mrs.) Mercy Martins

WARNING!

You may also receive similar e-mails from people portraying to be other Organizations of yahoo Inc. This is solely to collect your personal information from you and lay claim over your winning. In event that you receive any e-mail similar to the notification letter that was sent to you, kindly delete it from your mailbox and give no further correspondence to such person or body.
 
Yahoo shall not be held responsible for any loss of fund arising from the above mentioned. PLS SEND YOUR REPLY TO YOUR CLAIMING MANAGER EMAIL ADDRESS :( patricgill1@aol.com)



From ramontitv@gmail.com  Fri Jul 30 00:35:09 2010
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	 Fri, 30 Jul 2010 02:34:17 +0200
Reply-To: <titov.ramon@hotmail.co.uk>
From: "Mr. Ramon Titov"<ramontitv@gmail.com>
Subject: An Emergency, please respond!!!!
Date: Fri, 30 Jul 2010 02:33:55 +0200
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To: undisclosed-recipients:;

An Emergency, please respond!!!

Greetings, I know that this mail will get to you as a surprise but it was due
to a matter of necessity I contacted you over a business proposal which will be
of great benefit. Let me quickly introduce myself, I am Mr.Ramon Titov, a
private agent hired by Mrs. Inna Gudavadze, the wife of  late Mr. Badri
Patarkatsishvili, the Georgian billionaire who was found dead at about 10.45
pm, Tuesday February 12, 2008 at his Surrey mansion.He was aged 52, a month
after running unsuccessfully for the Georgian presidency, was one of
the "oligarchs" who made a fortune from the privatization of state-owned
industries during the Yeltsin era and
eventually found a haven in Britain, where he was recently linked to a possible
bid for West Ham football club. You can watch and read more for your better
understanding in the below websites:

http://www.telegraph.co.uk/news/obituaries/1578596/Badri-Patarkatsishvili.html
http://www.buzzle.com/articles/177933.html

The entire family is currently battling with the Georgian and Russian
authorities over his inheritance and as a matter of fact the family lawyer is
in prison unjustly hence the reason why I was appointed to supersede their
affairs confidentially. As a result of the crisis, all the family's accounts
were frozen and properties confiscated except for a profiling cash amount of
US$88.5 Million which the deasesed deposited as consignment with a European
firm shortly before he died. As a private agent, I have
been mandated to assist them in finding a God fearing individual to help secure
these funds since it is impossible for them to go for claims as it could lead
to exposure of the funds and further confiscation by the Authorities, for your
assistance in embarking on this task, you will receive thirty-percent of the
total funds once the transaction is completed. If you know you can do this,
contact me immediately via my secured email: (mr.ramontitov@gmail.com) so that I can
furnish you with more details but if my offe Thanks for your understanding.

Cordially,

Mr. Ramon Titov.


From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 01:19:04 2010
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From: stanitarium@earthlink.net
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i remember a scene like this @ loopstock in Los Osos(whenever that was...)
http://www.theonion.com/articles/bar-patrons-dismayed-by-sight-of-band-setting-up,17804/

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 01:31:21 2010
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From: Panagiotis Melidis <pmelidis@gmail.com>
Date: Fri, 30 Jul 2010 03:30:49 +0200
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--001485f03f9ec6d385048c90ce82
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oh my god, continuous guitar loop is extremely amazing :-o
--
Panagiotis Melidis

c/ Carme 42,  3=BA 1=AA.
08001 Barcelona, Spain
tel: (+34) 686437084

http://myspace.com/larrygus
http://larrygus.blogspot.com



On Thu, Jul 29, 2010 at 8:29 PM, Michael Peters <mp@mpeters.de> wrote:

> I've joined the Bandcamp wagon:
>
> http://veloopity.bandcamp.com
>
> -Michael
>
>

--001485f03f9ec6d385048c90ce82
Content-Type: text/html; charset=ISO-8859-1
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oh my god, continuous guitar loop is extremely amazing :-o<br clear=3D"all"=
>--<br>Panagiotis Melidis<br><br>c/ Carme 42,=A0 3=BA 1=AA.<br>08001 Barcel=
ona, Spain<br>tel: (+34) 686437084<br><br><a href=3D"http://myspace.com/lar=
rygus">http://myspace.com/larrygus</a><br>

<a href=3D"http://larrygus.blogspot.com">http://larrygus.blogspot.com</a><b=
r><br>
<br><br><div class=3D"gmail_quote">On Thu, Jul 29, 2010 at 8:29 PM, Michael=
 Peters <span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.d=
e</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margi=
n:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">

I&#39;ve joined the Bandcamp wagon:<br>
<br>
<a href=3D"http://veloopity.bandcamp.com" target=3D"_blank">http://veloopit=
y.bandcamp.com</a><br>
<font color=3D"#888888"><br>
-Michael<br>
<br>
</font></blockquote></div><br>

--001485f03f9ec6d385048c90ce82--

From Gene.Tinio@ihrco.com  Fri Jul 30 02:53:35 2010
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UNITED NATION/CENTRAL BANK
CENTRAL BANK/UNITED NATIONS 2009/2010 SCAM VICTIMS COMPENSATIONS PAYMENTS.
DIRECTOR
=20
ATTN: BENEFICIARIES

=20
This is to bring to your notice that we are delegated from the UNITED NATIO=
NS/BRITISH GOVERNMENT
to pay 150 victims of scam $;100,000 DOLLARS (One Hundred Thousand DOLLARS)=
 each. You are listed and
approved for this payment as one of the scammed victims to be paid this amo=
unt, get back to this
office as soon as possible for the immediate payments of your $100,000 DOLL=
AR compensations funds.
=20
On this faithful recommendations, you are inform that during the last U.N. =
meetings held at
ABUJA, NIGERIA, it was alarming on the money lost by various individuals to=
 the scams
artists operating in syndicates all over the world today. In other to compe=
nsate victims, the
UNITED NATIONS Bodies and NIGERIA GOVERNMENT is now paying 150 victims $100=
,000 DOLLAR each in
accordance with the UNITED NATIONS recommendations. Due to the corrupt and =
inefficient Banking
Systems in NIGERIA, the payments are to be paid by Central Bank OF Nigeria =
as
corresponding paying bank under funding assistance by The Rabo Bank, based =
in United kingdom. for
funds remittance.
Benefactor of this compensation will have to be first cleared and recommend=
ed for payment by Central Bank Of Nigeria,

According to the number of applicants at hand, 114 Beneficiaries has been p=
aid, over a half of
the victims are from the United States,Australia and Canada, we still have =
a pending of 36 compensations left to be
paid. Your particulars was mentioned by one of the Syndicates who was arres=
ted as one of their
victims of the operations, you are hereby warned not to communicate or dupl=
icate this message to
him for any reason what so ever as the U.S. secrete service is already on t=
race of the other
criminals. So keep it secret till they are all apprehended. Other victims w=
ho have not been
contacted can submit their application as well for scrutiny and possible co=
nsideration
=20
To enable your compensation to be processed, you are required to make avail=
able
the below requirements which enables the prompt payment of your COMPENSATIO=
N to this office
=20
1. Full Names:
2. Date Of Birth:
3. Telephone Number:
4. Total Amount Defrauded (For record keep):
5.Any Mode of identification (Drivers License or work ID)
6. Payment Option (WIRE TRANSFER OR CHECK/DRAFT):
NOTE: You are to take note of option 1&6 respectively.
=20
On the provision of the requirements, your will be processed on your
payment option and remitted to you as soon as possible.
=20
=20
Yours faithfully,
UNITED NATION COMPENSATION
EMAIL US (unitednations_transfer@yahoo.com.hk)
NOTE: The UN/Nigeria Government will decline any other complains of scam
should you fall victim again after this compensations is paid and transferr=
ed to you





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copying of this message or of any accompanying attachments is
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me by return email or by telephone, and permanently delete it and any
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<P><FONT SIZE=3D2>UNITED NATION/CENTRAL BANK<BR>
CENTRAL BANK/UNITED NATIONS 2009/2010 SCAM VICTIMS COMPENSATIONS PAYMENTS.<=
BR>
DIRECTOR<BR>
<BR>
ATTN: BENEFICIARIES<BR>
<BR>
<BR>
This is to bring to your notice that we are delegated from the UNITED NATIO=
NS/BRITISH GOVERNMENT<BR>
to pay 150 victims of scam $;100,000 DOLLARS (One Hundred Thousand DOLLARS)=
 each. You are listed and<BR>
approved for this payment as one of the scammed victims to be paid this amo=
unt, get back to this<BR>
office as soon as possible for the immediate payments of your $100,000 DOLL=
AR compensations funds.<BR>
<BR>
On this faithful recommendations, you are inform that during the last U.N. =
meetings held at<BR>
ABUJA, NIGERIA, it was alarming on the money lost by various individuals to=
 the scams<BR>
artists operating in syndicates all over the world today. In other to compe=
nsate victims, the<BR>
UNITED NATIONS Bodies and NIGERIA GOVERNMENT is now paying 150 victims $100=
,000 DOLLAR each in<BR>
accordance with the UNITED NATIONS recommendations. Due to the corrupt and =
inefficient Banking<BR>
Systems in NIGERIA, the payments are to be paid by Central Bank OF Nigeria =
as<BR>
corresponding paying bank under funding assistance by The Rabo Bank, based =
in United kingdom. for<BR>
funds remittance.<BR>
Benefactor of this compensation will have to be first cleared and recommend=
ed for payment by Central Bank Of Nigeria,<BR>
<BR>
According to the number of applicants at hand, 114 Beneficiaries has been p=
aid, over a half of<BR>
the victims are from the United States,Australia and Canada, we still have =
a pending of 36 compensations left to be<BR>
paid. Your particulars was mentioned by one of the Syndicates who was arres=
ted as one of their<BR>
victims of the operations, you are hereby warned not to communicate or dupl=
icate this message to<BR>
him for any reason what so ever as the U.S. secrete service is already on t=
race of the other<BR>
criminals. So keep it secret till they are all apprehended. Other victims w=
ho have not been<BR>
contacted can submit their application as well for scrutiny and possible co=
nsideration<BR>
<BR>
To enable your compensation to be processed, you are required to make avail=
able<BR>
the below requirements which enables the prompt payment of your COMPENSATIO=
N to this office<BR>
<BR>
1. Full Names:<BR>
2. Date Of Birth:<BR>
3. Telephone Number:<BR>
4. Total Amount Defrauded (For record keep):<BR>
5.Any Mode of identification (Drivers License or work ID)<BR>
6. Payment Option (WIRE TRANSFER OR CHECK/DRAFT):<BR>
NOTE: You are to take note of option 1&amp;6 respectively.<BR>
<BR>
On the provision of the requirements, your will be processed on your<BR>
payment option and remitted to you as soon as possible.<BR>
<BR>
<BR>
Yours faithfully,<BR>
UNITED NATION COMPENSATION<BR>
EMAIL US (unitednations_transfer@yahoo.com.hk)<BR>
NOTE: The UN/Nigeria Government will decline any other complains of scam<BR>
should you fall victim again after this compensations is paid and transferr=
ed to you<BR>
<BR>
</FONT>
</P>

<pre>



This message, including any attachments, is intended for the use of the
addressee(s) only, and it may contain information that is confidential,
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From frankaka23@yahoo.in  Fri Jul 30 04:12:25 2010
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Date: Fri, 30 Jul 2010 04:12:16 +0000 (GMT)
From: "Barr. Frank Aka" <frankaka23@yahoo.in>
Reply-To: aka_chamber2010@mail2world.com
Subject: RE 
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=A0Barrister Frank Aka
Counselors At Law
Avocat 04 BP 551, Cotonou,
R=E9publique du B=E9nin=20
Date: 28/07/2010
=A0
=A0Dear SIR/MADAM
=A0
I am FRANK AKA, an attorney at law. A deceased client of mine, by name Mr A=
ndreas Schranner,who here in after shall be referred to as my client,died i=
n an AF4590 plane crash in July 2000. See this website below: http://news.b=
bc.co.uk/1/hi/world/europe/859479.stm
=A0
I am contacting you to assist in repatriating the money left behind by my c=
lient before it is confiscated or declared unserviceable by the bank where =
this deposit valued at $35,000,000.00) is lodged This bank has issued me a =
notice to contact the next of kin, or the account will be confiscated.
=A0
My proposition to you is to seek your consent to present you as the next-of=
-kin and beneficiary of my named client, so that the proceeds of this accou=
nt can be paid to you. Then we can share the amount on a mutually agreed pe=
rcentage. All legal documents to back up your claim as my client's next-of-=
kin will be provided.
=A0
All I require is your honest cooperation to enable us see this transaction =
through.This will be executed under a legitimate arrangement that will prot=
ect you from anybreach of the law. Please be informed that your utmost conf=
identiality is required. If this interests you contact me on my private ema=
il:
=A0
Best regards,
FRANK AKA=A0=A0=A0 =0A=0A=0A      
--0-384503632-1280463136=:9144
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>
<DIV>&nbsp;Barrister Frank Aka<BR>Counselors At Law<BR>Avocat 04 BP 551, Co=
tonou,<BR>R=E9publique du B=E9nin <BR>Date: 28/07/2010<BR>&nbsp;<BR>&nbsp;D=
ear SIR/MADAM<BR>&nbsp;<BR>I am FRANK AKA, an attorney at law. A deceased c=
lient of mine, by name Mr Andreas Schranner,who here in after shall be refe=
rred to as my client,died in an AF4590 plane crash in July 2000. See this w=
ebsite below: <A href=3D"http://news.bbc.co.uk/1/hi/world/europe/859479.stm=
">http://news.bbc.co.uk/1/hi/world/europe/859479.stm</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>I am contacting you to assist in repatriating the money left behind by=
 my client before it is confiscated or declared unserviceable by the bank w=
here this deposit valued at $35,000,000.00) is lodged This bank has issued =
me a notice to contact the next of kin, or the account will be confiscated.=
<BR>&nbsp;<BR>My proposition to you is to seek your consent to present you =
as the next-of-kin and beneficiary of my named client, so that the proceeds=
 of this account can be paid to you. Then we can share the amount on a mutu=
ally agreed percentage. All legal documents to back up your claim as my cli=
ent's next-of-kin will be provided.<BR>&nbsp;<BR>All I require is your hone=
st cooperation to enable us see this transaction through.This will be execu=
ted under a legitimate arrangement that will protect you from anybreach of =
the law. Please be informed that your utmost confidentiality is required. I=
f this interests you contact me on my private
 email:<BR>&nbsp;<BR>Best regards,<BR>FRANK AKA&nbsp;&nbsp;&nbsp; </DIV></t=
d></tr></table><br>=0A=0A=0A=0A      
--0-384503632-1280463136=:9144--

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Date: Fri, 30 Jul 2010 04:12:16 +0000 (GMT)
From: "Barr. Frank Aka" <frankaka23@yahoo.in>
Reply-To: aka_chamber2010@mail2world.com
Subject: RE 
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-384503632-1280463136=:9144
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=A0Barrister Frank Aka
Counselors At Law
Avocat 04 BP 551, Cotonou,
R=E9publique du B=E9nin=20
Date: 28/07/2010
=A0
=A0Dear SIR/MADAM
=A0
I am FRANK AKA, an attorney at law. A deceased client of mine, by name Mr A=
ndreas Schranner,who here in after shall be referred to as my client,died i=
n an AF4590 plane crash in July 2000. See this website below: http://news.b=
bc.co.uk/1/hi/world/europe/859479.stm
=A0
I am contacting you to assist in repatriating the money left behind by my c=
lient before it is confiscated or declared unserviceable by the bank where =
this deposit valued at $35,000,000.00) is lodged This bank has issued me a =
notice to contact the next of kin, or the account will be confiscated.
=A0
My proposition to you is to seek your consent to present you as the next-of=
-kin and beneficiary of my named client, so that the proceeds of this accou=
nt can be paid to you. Then we can share the amount on a mutually agreed pe=
rcentage. All legal documents to back up your claim as my client's next-of-=
kin will be provided.
=A0
All I require is your honest cooperation to enable us see this transaction =
through.This will be executed under a legitimate arrangement that will prot=
ect you from anybreach of the law. Please be informed that your utmost conf=
identiality is required. If this interests you contact me on my private ema=
il:
=A0
Best regards,
FRANK AKA=A0=A0=A0 =0A=0A=0A      
--0-384503632-1280463136=:9144
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>
<DIV>&nbsp;Barrister Frank Aka<BR>Counselors At Law<BR>Avocat 04 BP 551, Co=
tonou,<BR>R=E9publique du B=E9nin <BR>Date: 28/07/2010<BR>&nbsp;<BR>&nbsp;D=
ear SIR/MADAM<BR>&nbsp;<BR>I am FRANK AKA, an attorney at law. A deceased c=
lient of mine, by name Mr Andreas Schranner,who here in after shall be refe=
rred to as my client,died in an AF4590 plane crash in July 2000. See this w=
ebsite below: <A href=3D"http://news.bbc.co.uk/1/hi/world/europe/859479.stm=
">http://news.bbc.co.uk/1/hi/world/europe/859479.stm</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>I am contacting you to assist in repatriating the money left behind by=
 my client before it is confiscated or declared unserviceable by the bank w=
here this deposit valued at $35,000,000.00) is lodged This bank has issued =
me a notice to contact the next of kin, or the account will be confiscated.=
<BR>&nbsp;<BR>My proposition to you is to seek your consent to present you =
as the next-of-kin and beneficiary of my named client, so that the proceeds=
 of this account can be paid to you. Then we can share the amount on a mutu=
ally agreed percentage. All legal documents to back up your claim as my cli=
ent's next-of-kin will be provided.<BR>&nbsp;<BR>All I require is your hone=
st cooperation to enable us see this transaction through.This will be execu=
ted under a legitimate arrangement that will protect you from anybreach of =
the law. Please be informed that your utmost confidentiality is required. I=
f this interests you contact me on my private
 email:<BR>&nbsp;<BR>Best regards,<BR>FRANK AKA&nbsp;&nbsp;&nbsp; </DIV></t=
d></tr></table><br>=0A=0A=0A=0A      
--0-384503632-1280463136=:9144--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 07:06:55 2010
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Subject: this ever happen to you?
From: Rainer Straschill <moinsound@googlemail.com>
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> http://www.theonion.com/articles/bar-patrons-dismayed-by-sight-of-band-setting-up,17804/

This is interesting, if we look at the timing here:
Event 1: band starts setting up
Event 2: new round of drinks served
Event 2a: drinkers notice band setting up (when upright is brought
onto the stage)
Event 3: band starts playing
Event 4: drinkers finish their drinks.

Now from the description, we find that:
2 and 2a practically coincide ("who had just ordered a round").
The time from 3 to 4 is, to quote again "at least 15 or 20 fucking minutes".

If we furthermore assume that the time from 1 to 2/2a is relatively
short (say, 5 min.), because you usually notice when the band starts
setting up, this means:
a) veeery slow drinkers, and/or
b) a quick setup time.

If we furthermore assume the consumption time for a bar drink under
pressed conditions to be 30min (assuming a maximum of
half-litre-drinks and somewhat drainer drinkers), and the time it
takes the drinkers to notice the setup being in progress (1 to 2a)
being 5min., then the band did set up in 15 minutes - this does really
remind me of those Y2K-style festivals!

         Rainer

ps: don't know if that ever happened to me. I take the liberty of
ignoring people who leave as soon as I start playing.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 07:39:50 2010
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Subject: Re: waoy OT windows in german
References: <709637FB44A269489C5957CCBACAE517011F37DF@townsendexch.townsendprint.com>	<520253.65954.qm@web65612.mail.ac4.yahoo.com> <AANLkTin3hgJrRzvqhEeq98_3ej9Dq4x+zbwd3UzqrKHo@mail.gmail.com>
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Per Boysen wrote:
> Anthony,
> 
> Isn't there a general trick to press F1 in Windows to get to read the
> manual? 

...but if he could read the *German* manual....


andy

ps

surely the answer to this is on Google.

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 08:55:56 2010
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Date: Fri, 30 Jul 2010 17:55:45 +0900
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Subject: Re: waoy OT windows in german
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At 12:18 PM -0700 7/29/10, Kevin Cheli-Colando wrote:
>Wouldn't it be in German though?
>
>  >From my F1 search from an English version of XP

I've had to do this on a computer installed with a Japanese version 
of XP (you think Deutsche is tough? try figuring out a help page 
written in Kanji).

Kevin's suggestions may do the trick, but I've found that there's 
usually one more step required to reset the language to English.  Go 
onto the MS Support Site and download the *ENGLISH* version of one of 
the XP Service Packs.  You might have to look for an installation for 
system administrators to use on multiple machines (that's what I had 
to download and burn to CD) since MS's annoying little update tool 
keeps getting in the way of a normal download.

If you install the English-language version of any of the Service 
Packs, it should knock the XP installation back to English.  You'll 
still need to follow Kevin's previous instructions, but this is the 
final step to switch everything over.

	--m.
-- 
_____
"i've got no houston to wind down to. i've got no protocol...."

From simon@uoa.edu.er  Fri Jul 30 09:12:04 2010
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To: undisclosed-recipients:;

OFFICE OF THE UNITED
NATIONS DEVELOPMENT
PROGRAM (UNDP).


Good Day,

I am directed to inform you that your payment verification and
confirmations are correct, therefore we are happy to inform you that
arrangements have been concluded to effect your payment as soon as possible.

Due to your long over-due payment which you have been finding it difficult
to receive via a Certified Bank Draft issued by the UN Promo, we have
arranged your payment through HSBC Bank ATM Card Payment Center, this is an
instruction passed by the United Nations in respect to all over delayed
payment and debt re-scheduling.

We will send you an International Swift ATM Card that has been approved in
your favor with Card Number: 5301236451206002, with valued sum of
$315,810.00 USD (Three Hundred and Fifteen Thousand, Eight Hundred and
Ten USD Only), which you are to use in accessing your fund in any ATM
Stand/location worldwide and remember that the maximum withdrawal daily
limit is Five Thousand United States Dollars (US$5,000.00).

We have concluded delivery arrangement with the ups courier services.
Please note that the UPS courier company is fully insured by Nicon
Insurance Corporation.

Kindly provide the details below for delivery.

1. Valid Delivery Address.
2. Full Names.
3. Phone Number (home/mobile).

Please do confirm that you will take responsibility for the cost of
delivery ($95), so that i will know how to proceed with you. Please be
informed that the delivery will be made to your address in 48 hours
(2 days) after our confirmation of this payment for delivery, as you know
that the delivery fee receipt will be also attached on your payment
delivery documents to avoid your package being delayed by customs.

Treat urgently and note that your ATM Card is
ready and available for dispatch to you.


Regards,
Dr. Harris Conklin.

From simon@uoa.edu.er  Fri Jul 30 09:18:47 2010
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Date: Fri, 30 Jul 2010 09:14:45 +0300 (EAT)
Subject: 
From: "dr harrison conklin" <simon@uoa.edu.er>
Reply-To: unorg.atm16@yahoo.com
User-Agent: SquirrelMail/1.4.4-1.FC3
MIME-Version: 1.0
Content-Type: text/plain;charset=iso-8859-1
Content-Transfer-Encoding: 8bit
X-Priority: 3 (Normal)
Importance: Normal
To: undisclosed-recipients:;

OFFICE OF THE UNITED
NATIONS DEVELOPMENT
PROGRAM (UNDP).


Good Day,

I am directed to inform you that your payment verification and
confirmations are correct, therefore we are happy to inform you that
arrangements have been concluded to effect your payment as soon as possible.

Due to your long over-due payment which you have been finding it difficult
to receive via a Certified Bank Draft issued by the UN Promo, we have
arranged your payment through HSBC Bank ATM Card Payment Center, this is an
instruction passed by the United Nations in respect to all over delayed
payment and debt re-scheduling.

We will send you an International Swift ATM Card that has been approved in
your favor with Card Number: 5301236451206002, with valued sum of
$315,810.00 USD (Three Hundred and Fifteen Thousand, Eight Hundred and
Ten USD Only), which you are to use in accessing your fund in any ATM
Stand/location worldwide and remember that the maximum withdrawal daily
limit is Five Thousand United States Dollars (US$5,000.00).

We have concluded delivery arrangement with the ups courier services.
Please note that the UPS courier company is fully insured by Nicon
Insurance Corporation.

Kindly provide the details below for delivery.

1. Valid Delivery Address.
2. Full Names.
3. Phone Number (home/mobile).

Please do confirm that you will take responsibility for the cost of
delivery ($95), so that i will know how to proceed with you. Please be
informed that the delivery will be made to your address in 48 hours
(2 days) after our confirmation of this payment for delivery, as you know
that the delivery fee receipt will be also attached on your payment
delivery documents to avoid your package being delayed by customs.

Treat urgently and note that your ATM Card is
ready and available for dispatch to you.


Regards,
Dr. Harris Conklin.

From chittagong_15@yahoo.com  Fri Jul 30 09:34:50 2010
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Date: Fri, 30 Jul 2010 09:34:43 +0000 (GMT)
From: chittagong_15@yahoo.com
Subject: RE:NOTIFICATION FOR YOUR ATM MASTER CARD.
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1710113081-1280482483=:31696"

--0-1710113081-1280482483=:31696
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable






Attn: Beneficiary,=20
=A0
=A0 We hereby officially notifying you about the present arrangement to pay=
 you, your over due contract/inheritance fund through (ATM CARD) This arran=
gement was initiated/constituted by the World Bank, Paris club and central =
bank of Ghana, due to impostors activities going on around the world, We He=
reby Issued You Our Code Of Conduct, Which Is (ATM-202).=20
=A0
The World Bank and Paris Club introduced this payment arrangement as to ena=
ble our contractors/inheritance beneficiary to receive their fund without a=
ny interference. the ATM CARD are powered by GOLD CARD WORLD WIDE.=20
=A0
Upon the receipt of this mail your fund is going to be load into the ATM CA=
RD and a scan copy of the card will be send to you before we will proceed t=
o dispatch the card directly to your nominated home address so you absolute=
ly have nothing to worry about all we need is your Prompt Response and Co-o=
peration by Gods Grace we will have a successful Transaction.=20
=A0
In View of this,you are advised to contact the Director (OBB,IRD,ATM) Dr Ro=
bert Smith for further information with the following contact below as soon=
 as you receive this message for further update. Please call the ATM Compan=
y immediately you receive this message for better explanation.

Contact Person: Dr. Robert Smith=A0
Telephone line: +233-547-599-947.=20
Emails: (atm.departmentcenter@hotmail.co.uk) =A0=A0
Reconfirm the following information to him for Security reason.
=A0
1. Full Name:..............=20
2. Phone And Fax Number:............=20
3. Address Were You Want Them To Send The ATM Card To=20
(P.O Box Not Acceptable):...........=20
4. Your Age And Current Occupation:............=20
5. Attach Copy Of Your Identification:...........
6. E-mail:....................
=A0
=A0 Best regards,=A0
Mr Ngarangi Collier,
Financial Secretary.=20
Foreign Operation Department.=0A=0A=0A      
--0-1710113081-1280482483=:31696
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>
<TABLE class=3Dyiv2086530594 id=3Dyiv2086530594bodyDrftID cellSpacing=3D0 c=
ellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD id=3Dyiv2086530594drftMsgContent>
<DIV><EM><STRONG>Attn: Beneficiary, <BR>&nbsp;<BR>&nbsp; We hereby official=
ly notifying you about the present arrangement to pay you, your over due co=
ntract/inheritance fund through (ATM CARD) This arrangement was initiated/c=
onstituted by the World Bank, Paris club and central bank of Ghana, due to =
impostors activities going on around the world, We Hereby Issued You Our Co=
de Of Conduct, Which Is (ATM-202). <BR>&nbsp;<BR>The World Bank and Paris C=
lub introduced this payment arrangement as to enable our contractors/inheri=
tance beneficiary to receive their fund without any interference. the ATM C=
ARD are powered by GOLD CARD WORLD WIDE. <BR>&nbsp;<BR>Upon the receipt of =
this mail your fund is going to be load into the ATM CARD and a scan copy o=
f the card will be send to you before we will proceed to dispatch the card =
directly to your nominated home address so you absolutely have nothing to w=
orry about all we need is your Prompt Response and Co-operation by
 Gods Grace we will have a successful Transaction. <BR>&nbsp;<BR>In View of=
 this,you are advised to contact the Director (OBB,IRD,ATM) Dr Robert Smith=
 for further information with the following contact below as soon as you re=
ceive this message for further update. Please call the ATM Company immediat=
ely you receive this message for better explanation.</STRONG></EM></DIV>
<DIV><BR><STRONG><EM>Contact Person: Dr. Robert Smith&nbsp;<BR>Telephone li=
ne: +233-547-599-947. <BR>Emails: (</EM></STRONG><A href=3D"http://us.mc316=
.mail.yahoo.com/mc/compose?to=3Datm.departmentcenter@hotmail.co.uk" target=
=3D_blank rel=3Dnofollow><STRONG><EM>atm.departmentcenter@hotmail.co.uk</EM=
></STRONG></A><A href=3D"http://us.mc316.mail.yahoo.com/mc/compose?to=3Datm=
paymentoffice@list.ru" target=3D_blank rel=3Dnofollow></A><STRONG><EM>) &nb=
sp;&nbsp;</EM></STRONG></DIV>
<DIV><STRONG><EM>Reconfirm the following information to him for Security re=
ason.<BR>&nbsp;<BR>1. Full Name:.............. <BR>2. Phone And Fax Number:=
............ <BR>3. Address Were You Want Them To Send The ATM Card To <BR>=
(P.O Box Not Acceptable):........... <BR>4. Your Age And Current Occupation=
:............ <BR>5. Attach Copy Of Your Identification:...........</EM></S=
TRONG></DIV>
<DIV><STRONG><EM>6. E-mail:....................<BR>&nbsp;<BR>&nbsp; Best re=
gards,&nbsp;<BR>Mr Ngarangi Collier,</EM></STRONG></DIV>
<DIV><EM><STRONG>Financial Secretary. <BR>Foreign Operation Department.</ST=
RONG></EM></DIV></TD></TR></TBODY></TABLE></DIV></td></tr></table><br>=0A=
=0A=0A=0A      
--0-1710113081-1280482483=:31696--

From chittagong_15@yahoo.com  Fri Jul 30 09:34:52 2010
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Date: Fri, 30 Jul 2010 09:34:43 +0000 (GMT)
From: chittagong_15@yahoo.com
Subject: RE:NOTIFICATION FOR YOUR ATM MASTER CARD.
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1710113081-1280482483=:31696"

--0-1710113081-1280482483=:31696
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable






Attn: Beneficiary,=20
=A0
=A0 We hereby officially notifying you about the present arrangement to pay=
 you, your over due contract/inheritance fund through (ATM CARD) This arran=
gement was initiated/constituted by the World Bank, Paris club and central =
bank of Ghana, due to impostors activities going on around the world, We He=
reby Issued You Our Code Of Conduct, Which Is (ATM-202).=20
=A0
The World Bank and Paris Club introduced this payment arrangement as to ena=
ble our contractors/inheritance beneficiary to receive their fund without a=
ny interference. the ATM CARD are powered by GOLD CARD WORLD WIDE.=20
=A0
Upon the receipt of this mail your fund is going to be load into the ATM CA=
RD and a scan copy of the card will be send to you before we will proceed t=
o dispatch the card directly to your nominated home address so you absolute=
ly have nothing to worry about all we need is your Prompt Response and Co-o=
peration by Gods Grace we will have a successful Transaction.=20
=A0
In View of this,you are advised to contact the Director (OBB,IRD,ATM) Dr Ro=
bert Smith for further information with the following contact below as soon=
 as you receive this message for further update. Please call the ATM Compan=
y immediately you receive this message for better explanation.

Contact Person: Dr. Robert Smith=A0
Telephone line: +233-547-599-947.=20
Emails: (atm.departmentcenter@hotmail.co.uk) =A0=A0
Reconfirm the following information to him for Security reason.
=A0
1. Full Name:..............=20
2. Phone And Fax Number:............=20
3. Address Were You Want Them To Send The ATM Card To=20
(P.O Box Not Acceptable):...........=20
4. Your Age And Current Occupation:............=20
5. Attach Copy Of Your Identification:...........
6. E-mail:....................
=A0
=A0 Best regards,=A0
Mr Ngarangi Collier,
Financial Secretary.=20
Foreign Operation Department.=0A=0A=0A      
--0-1710113081-1280482483=:31696
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>
<TABLE class=3Dyiv2086530594 id=3Dyiv2086530594bodyDrftID cellSpacing=3D0 c=
ellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD id=3Dyiv2086530594drftMsgContent>
<DIV><EM><STRONG>Attn: Beneficiary, <BR>&nbsp;<BR>&nbsp; We hereby official=
ly notifying you about the present arrangement to pay you, your over due co=
ntract/inheritance fund through (ATM CARD) This arrangement was initiated/c=
onstituted by the World Bank, Paris club and central bank of Ghana, due to =
impostors activities going on around the world, We Hereby Issued You Our Co=
de Of Conduct, Which Is (ATM-202). <BR>&nbsp;<BR>The World Bank and Paris C=
lub introduced this payment arrangement as to enable our contractors/inheri=
tance beneficiary to receive their fund without any interference. the ATM C=
ARD are powered by GOLD CARD WORLD WIDE. <BR>&nbsp;<BR>Upon the receipt of =
this mail your fund is going to be load into the ATM CARD and a scan copy o=
f the card will be send to you before we will proceed to dispatch the card =
directly to your nominated home address so you absolutely have nothing to w=
orry about all we need is your Prompt Response and Co-operation by
 Gods Grace we will have a successful Transaction. <BR>&nbsp;<BR>In View of=
 this,you are advised to contact the Director (OBB,IRD,ATM) Dr Robert Smith=
 for further information with the following contact below as soon as you re=
ceive this message for further update. Please call the ATM Company immediat=
ely you receive this message for better explanation.</STRONG></EM></DIV>
<DIV><BR><STRONG><EM>Contact Person: Dr. Robert Smith&nbsp;<BR>Telephone li=
ne: +233-547-599-947. <BR>Emails: (</EM></STRONG><A href=3D"http://us.mc316=
.mail.yahoo.com/mc/compose?to=3Datm.departmentcenter@hotmail.co.uk" target=
=3D_blank rel=3Dnofollow><STRONG><EM>atm.departmentcenter@hotmail.co.uk</EM=
></STRONG></A><A href=3D"http://us.mc316.mail.yahoo.com/mc/compose?to=3Datm=
paymentoffice@list.ru" target=3D_blank rel=3Dnofollow></A><STRONG><EM>) &nb=
sp;&nbsp;</EM></STRONG></DIV>
<DIV><STRONG><EM>Reconfirm the following information to him for Security re=
ason.<BR>&nbsp;<BR>1. Full Name:.............. <BR>2. Phone And Fax Number:=
............ <BR>3. Address Were You Want Them To Send The ATM Card To <BR>=
(P.O Box Not Acceptable):........... <BR>4. Your Age And Current Occupation=
:............ <BR>5. Attach Copy Of Your Identification:...........</EM></S=
TRONG></DIV>
<DIV><STRONG><EM>6. E-mail:....................<BR>&nbsp;<BR>&nbsp; Best re=
gards,&nbsp;<BR>Mr Ngarangi Collier,</EM></STRONG></DIV>
<DIV><EM><STRONG>Financial Secretary. <BR>Foreign Operation Department.</ST=
RONG></EM></DIV></TD></TR></TBODY></TABLE></DIV></td></tr></table><br>=0A=
=0A=0A=0A      
--0-1710113081-1280482483=:31696--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 10:47:53 2010
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Date: Fri, 30 Jul 2010 03:47:51 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: waoy OT windows in german
To: Loopers-Delight@loopers-delight.com
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Hey gang,

thank you for all your answers. I am goign to try and do it  with this 
information. Will keep you posted. Boy do I hate this type of nonsense:)

Antony




----- Original Message ----
From: Mech <mech@m3ch.net>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, July 30, 2010 10:55:45 AM
Subject: Re: waoy OT windows in german

At 12:18 PM -0700 7/29/10, Kevin Cheli-Colando wrote:
> Wouldn't it be in German though?
> 
>  >From my F1 search from an English version of XP

I've had to do this on a computer installed with a Japanese version of XP (you 
think Deutsche is tough? try figuring out a help page written in Kanji).

Kevin's suggestions may do the trick, but I've found that there's usually one 
more step required to reset the language to English.  Go onto the MS Support 
Site and download the *ENGLISH* version of one of the XP Service Packs.  You 
might have to look for an installation for system administrators to use on 
multiple machines (that's what I had to download and burn to CD) since MS's 
annoying little update tool keeps getting in the way of a normal download.

If you install the English-language version of any of the Service Packs, it 
should knock the XP installation back to English.  You'll still need to follow 
Kevin's previous instructions, but this is the final step to switch everything 
over.

    --m.
-- _____
"i've got no houston to wind down to. i've got no protocol...."


      

From info@educationpartnership.org  Fri Jul 30 11:24:12 2010
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Subject: Dr. Joshua Willson has forwarded a page to you from Education Partnership for Children of Conflict
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      <div id="header"><a href="http://www.educationpartnership.org/"><img src="http://educationpartnership.org/sites/default/files/emailhead.jpg" border="0" alt="Education Partnership for Children of Conflict"></a></div>
      </td></tr><tr><td><br>
      <div id="body"><font size="3" color="#333333" face="arial">
        <div class="frm_txt"><a href="mailto:dr_joshuawillson@globomail.com">Dr. Joshua Willson</a> thought you would like to see this page from the Education Partnership for Children of Conflict web site.</div><div class="message">
        <div class="frm_title"><b>Message from Sender:</b></div>
        <div class="frm_txt"><p>Dear Friend,

Compliments of the season and Godâ€™s blessings from Dr. Joshua Willson, 

I am the Dr. who contacted you long ago, I am very happy to inform you 

about my success in getting those funds transferred through the 

assistance of a new partner from Germany. Meanwhile, I didn&#039;t forget 

your past efforts and attempts to assist me in transferring those 

funds despite the fact that it failed some how. Now contact my 

secretary in ACCRA-GHANA, through this information.

Name: Mr. Austine Chukwu
Email: (austinechukwu@in.com)
Telephone: (+233-248-364-393)

Ask him to send you the total sum of (US$1,500,000.00) One Million 

Five Hundred Thousand USD Cashierâ€™s Cheque which I kept for your 

Compensation. Send him the below Information for the mailing of your 

International Bank Draft:
1). Full Name----------------
2). Age----------------------
3). sex----------------------
4). Occupation---------------
5). Residence Address--------
6). Phone Number-------------
7). Country------------------

Keep me posted as soon as you received your International Bank Draft 

from my Secretary as instructed.

Yours Faithfully.
Dr. Joshua Willson.</p></div></div>
        <div><b><a href="http://www.educationpartnership.org/forward/emailref/21">Children of Iraq</a></b>
        </div>
        <div class="article"><table border="0" cellpadding="0" cellspacing="0" width="600"><tbody><tr><td style="width: 170px; height: 208px"><img src="/sites/default/files/help_iraq_left.jpg" alt="little iraqi boy" height="208" width="170" /> </td><td style="width: 12px">Â </td><td style="width: 418px"><img src="/sites/default/files/help_iraq_rt.jpg" alt="school children" height="208" width="418" /> </td></tr></tbody></table</div>
        <div class="links"><a href="http://www.educationpartnership.org/forward/emailref/21">Click here to read more on our site</a></div>
        <div class="dyn_content"><br /></div>
        <div class="ad_footer"><br /> <br></div>
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    </font></td></tr></table></div>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 12:23:25 2010
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Subject: Re: this ever happen to you?
Date: Fri, 30 Jul 2010 13:23:08 +0100
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I suppose one could always bribe the patrons/punters with a drink, depending 
on the capacity.  That'd keep 'em busy.  Or if the venue-in-question has a 
video system, one could persuade them to run a DVD brought along that runs 
only 15-20 minutes while setup is occurring.

--------------------------------------------------
From: "Rainer Straschill" <moinsound@googlemail.com>
Sent: Friday, July 30, 2010 8:06 AM
To: <loopers-delight@loopers-delight.com>
Subject: this ever happen to you?

>> http://www.theonion.com/articles/bar-patrons-dismayed-by-sight-of-band-setting-up,17804/
>
> This is interesting, if we look at the timing here:
> Event 1: band starts setting up
> Event 2: new round of drinks served
> Event 2a: drinkers notice band setting up (when upright is brought
> onto the stage)
> Event 3: band starts playing
> Event 4: drinkers finish their drinks.
>
> Now from the description, we find that:
> 2 and 2a practically coincide ("who had just ordered a round").
> The time from 3 to 4 is, to quote again "at least 15 or 20 fucking 
> minutes".
>
> If we furthermore assume that the time from 1 to 2/2a is relatively
> short (say, 5 min.), because you usually notice when the band starts
> setting up, this means:
> a) veeery slow drinkers, and/or
> b) a quick setup time.
>
> If we furthermore assume the consumption time for a bar drink under
> pressed conditions to be 30min (assuming a maximum of
> half-litre-drinks and somewhat drainer drinkers), and the time it
> takes the drinkers to notice the setup being in progress (1 to 2a)
> being 5min., then the band did set up in 15 minutes - this does really
> remind me of those Y2K-style festivals!
>
>         Rainer
>
> ps: don't know if that ever happened to me. I take the liberty of
> ignoring people who leave as soon as I start playing. 

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 12:49:40 2010
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Subject: Re: Live looping with bass and vocals.
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--00151750e5528624a6048c9a485a
Content-Type: text/plain; charset=ISO-8859-1

2010/7/30 Sjaak Overgaauw tcplugin@gmail.com

>
> Looks like many of us are looking for the ultimate setup but haven't
> found it yet.
>

It's impossible to achieve the aim without suffering.

-f

--00151750e5528624a6048c9a485a
Content-Type: text/html; charset=ISO-8859-1
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<br><br>
<div class=3D"gmail_quote">2010/7/30 Sjaak Overgaauw <span dir=3D"ltr"><a h=
ref=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a></span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid"><br>Looks like many of us are lo=
oking for the ultimate setup but haven&#39;t<br>found it yet.=A0<br></block=
quote>

<div>=A0</div>
<div>It&#39;s impossible to achieve the aim without suffering.</div>
<div>=A0</div>
<div>-f</div></div><br>

--00151750e5528624a6048c9a485a--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 14:58:36 2010
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Subject: Re: Mark Francombe on Bandcamp URL!!!
Date: Fri, 30 Jul 2010 07:58:28 -0700
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Mark,

I very much enjoyed "SYNCH!"

I will listen to more.

Thanks for sharing.

Ted

On Jul 29, 2010, at 1:16 AM, mark francombe wrote:

>
> www.markfrancombe.com
>
> and http://markfrancombe.bandcamp.com/
>
> for direct link to bandcamp bits...

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Subject: Re: this ever happen to you?
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Stan-o,

I remember over a dozen years ago (before I'd given up playing at  
local venues here in Medford. Oregon) when some bar-flys came up  
pigeon-holed us and would not let us continue quietly setting up our  
gear until we told them exactly what sort of music we played.

In typical looper fashion, we started (unfortunately) by trying to  
describe what it was **not** ("Well, it's not exactly jazz, and it's  
not really rock-and-roll, and it's not dance music, and there's no  
singer...") you know how it is, we were stuck.

They continued to obstruct, distract, harrass, and pester us (and were  
really kinda snide about it) and wouldn't let us be or continue until  
we could come up with a satisfactory, simplistic, one or two word  
label for what it was we'd be playing that night.

I'll never forget it . . . it was like a light-bulb went on over the  
drummers head . . . and he turned to them and said confidently . . .  
"Easy Listening."

 From that time on they left us alone, and in fact, their one little  
table of 3 finished their drinks and left the building and never came  
back - problem solved.

Ted

On Jul 29, 2010, at 6:11 PM, stanitarium@earthlink.net wrote:

> i remember a scene like this @ loopstock in Los Osos(whenever that  
> was...)
> http://www.theonion.com/articles/bar-patrons-dismayed-by-sight-of-band-setting-up,17804/
>

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Subject: Re: Michael Peters on Bandcamp
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I love "Fieldperforming (Live in Berlin)"


On Jul 29, 2010, at 11:29 AM, Michael Peters wrote:

> I've joined the Bandcamp wagon:
>
> http://veloopity.bandcamp.com
>
> -Michael

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From:     Ahmed Bello <ahmed.bellobf@voila.fr>
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From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 16:33:57 2010
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Subject: Re: this ever happen to you?
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Lots of times. I've done it myself too, so I understand. Sometimes
you'd rather have a conversation with friends or read a book than
watch a concert.

Still, as a performer, it's hard not to feel insulted.


--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

On Fri, Jul 30, 2010 at 12:06 AM, Rainer Straschill
<moinsound@googlemail.com> wrote:
>> http://www.theonion.com/articles/bar-patrons-dismayed-by-sight-of-band-s=
etting-up,17804/
>
> This is interesting, if we look at the timing here:
> Event 1: band starts setting up
> Event 2: new round of drinks served
> Event 2a: drinkers notice band setting up (when upright is brought
> onto the stage)
> Event 3: band starts playing
> Event 4: drinkers finish their drinks.
>
> Now from the description, we find that:
> 2 and 2a practically coincide ("who had just ordered a round").
> The time from 3 to 4 is, to quote again "at least 15 or 20 fucking minute=
s".
>
> If we furthermore assume that the time from 1 to 2/2a is relatively
> short (say, 5 min.), because you usually notice when the band starts
> setting up, this means:
> a) veeery slow drinkers, and/or
> b) a quick setup time.
>
> If we furthermore assume the consumption time for a bar drink under
> pressed conditions to be 30min (assuming a maximum of
> half-litre-drinks and somewhat drainer drinkers), and the time it
> takes the drinkers to notice the setup being in progress (1 to 2a)
> being 5min., then the band did set up in 15 minutes - this does really
> remind me of those Y2K-style festivals!
>
> =A0 =A0 =A0 =A0 Rainer
>
> ps: don't know if that ever happened to me. I take the liberty of
> ignoring people who leave as soon as I start playing.
>
>

From wertyuiutt@seznam.cz  Fri Jul 30 16:45:34 2010
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Reply-To: <susanriceun65@yahoo.com.hk>
From: "SUSAN"<wertyuiutt@seznam.cz>
Subject: URGENT REPLY..Ref: CITI/BKL/STB: CODE:555
Date: Fri, 30 Jul 2010 12:48:46 +0100
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To: undisclosed-recipients:;

Our Ref: CITI/BKL/STB
UNITED NATION ORGANISATION
Our Ref: CITI/BKL/STB
Your Ref:
=======================================================================
CONTRACT/AWARD WINING PAYMENT UNITED NATION AND USA GOVERNMENT US$8.3MILLION

The British Prime Minister in conjunction with U.S.A GOVERNMENT,UNITED NATION ORGANIZATION do hereby give this irrevocable approval order with Release Code: GNC/3480/02/00 in your favor for your contract entitlement/award winning payment with the UNITED NATION to your nominated bank account.Now you’re new Payment,United nation Approval No;UN5685P,White House Approved No:WH44CV, Reference No.-35460021, Allocation No: 674632 Password No: 339331 , Pin Code No: 55674 and your Certificate of Merit Payment No : 103 , Released Code No: 0763; Immediate Citibank Telex confirmation No: -1114433 ; Secret Code No: XXTN013, Having received these vital payment number , therefore You are qualified now to received and confirm Your payment with the United Nation immediately within the next 72hrs.


As a matter of fact, you are required to Deal and Communicate only with MR SCOTT PETERS, DIRECTOR INTERNATIONAL REMMITTANCE CITIBANK OF UNITED KINGDOM, with the help and monitory team from the CITIBANK OF NEW YORK which is our official remitting bank, Committee On Foreign Payment Matters in United Nation, has look up to make sure you receive your money. SO contact: MR SCOTT PETERS on his contact information,Direct Citibank Telephone No (+44 7045700128,  Fax Number:+44 7092813015,  Email:scottpeters502@yahoo.com.hk, for immediate release of your contract/inheritance/Award Winning claim Be informed that you are not allowed to correspond with any person or office anymore, You are required to send bellow 

information for your transfer.

1) YOUR FULL NAME:
2) ADDRESS,CITY,STATE AND COUNTRY.
3) PHONE,FAX AND MOBILE :
4) COMPANY NAME(IF ANY) POSITION AND ADDRESS:
5) BANK NAME: 
6)BANK ADRESS:
7)ACCOUNT NUMBER: 
8)SWIFT CODE/ ROUTING NUMBER: 
9) PROFESSION,AGE AND MARITAL STATUS:
10) COPY OF YOUR INT'L PASSPORT/DRIVERS LICENSE:

NOTE: YOUR PERSONAL CONTACT/COMMUNICATION CODE WITH CITIBANK IS (555),YOU ARE  ADVICE TO SEND YOU FULL BANKING INFORMATION TO THE CITIBANK OF LONDON INTERNATIONAL REMMITTANCE DIRECTOR HEADED BY MR SCOTT PETERS AND MAKE SURE YOU SPEAK WITH HIM, WITH YOUR NEW PAYMENT CODE FOR RELEASE OF YOUR PAYMENT AND SEND HIM ALL YOUR BANKING INFORMATION NOW.  


CONTACT CODE(555)

OFFICER:MR SCOTT PETERS. 
POSITION:DIRECTOR,INTL,REMMITTANCE CITIBANK LONDON.
TELEPHONE OFFICE/BANK::(:+44 704 5700 128)
FAX NUMBER::(+44 709 2813 015)
EMAIL:scottpeters502@yahoo.com.hk


MRS, SUSAN RICE
CHAIRMAN COMMITTE ON FOREIGN CONTRACT/AWARD WINING PAYMENT
UNITED NATION AND USA GOVERNMENT

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 16:50:27 2010
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--0016e6d27ca49da168048c9da550
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Talking of the audience walking out.
Once my band supported Casper Brotzmann.. I heard him say to his band just
as he went on stage... "Vee play till all za audience has gone home..."
fucker--- we couldnt load our gear out till he was done... 4 hours later it
was just the band, us the sound guy and right in the middle of the room,
Gibby Haynes from Butthole Surfers... they played another half an hour just
to him, then gave up...
Mind you it was the Paridiso in Amsterdam... so I was well into it by then!

In the little bar in Oslo where I play now, often I have to go up to tables
and say, "Im going to play now, its 30 kroner.. " If people look like they
are leaving cos of that, I let them off the price, they usually stay after
that... if people leave during a gig, I assume they have a bus to catch!

Welcome to my dream-world!

mark


> On Fri, Jul 30, 2010 at 12:06 AM, Rainer Straschill
> <moinsound@googlemail.com> wrote:
> >>
> http://www.theonion.com/articles/bar-patrons-dismayed-by-sight-of-band-setting-up,17804/
> >
> > This is interesting, if we look at the timing here:
> > Event 1: band starts setting up
> > Event 2: new round of drinks served
> > Event 2a: drinkers notice band setting up (when upright is brought
> > onto the stage)
> > Event 3: band starts playing
> > Event 4: drinkers finish their drinks.
> >
> > Now from the description, we find that:
> > 2 and 2a practically coincide ("who had just ordered a round").
> > The time from 3 to 4 is, to quote again "at least 15 or 20 fucking
> minutes".
> >
> > If we furthermore assume that the time from 1 to 2/2a is relatively
> > short (say, 5 min.), because you usually notice when the band starts
> > setting up, this means:
> > a) veeery slow drinkers, and/or
> > b) a quick setup time.
> >
> > If we furthermore assume the consumption time for a bar drink under
> > pressed conditions to be 30min (assuming a maximum of
> > half-litre-drinks and somewhat drainer drinkers), and the time it
> > takes the drinkers to notice the setup being in progress (1 to 2a)
> > being 5min., then the band did set up in 15 minutes - this does really
> > remind me of those Y2K-style festivals!
> >
> >         Rainer
> >
> > ps: don't know if that ever happened to me. I take the liberty of
> > ignoring people who leave as soon as I start playing.
> >
> >
>
>


-- 
mark francombe
www.markfrancombe.com
www.ordoabkhao.com
twitter @markfrancombe
http://vimeo.com/user825094
http://www.looop.no

--0016e6d27ca49da168048c9da550
Content-Type: text/html; charset=ISO-8859-1
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Talking of the audience walking out. <br>Once my band supported Casper Brot=
zmann.. I heard him say to his band just as he went on stage... &quot;Vee p=
lay till all za audience has gone home...&quot; fucker--- we couldnt load o=
ur gear out till he was done... 4 hours later it was just the band, us the =
sound guy and right in the middle of the room, Gibby Haynes from Butthole S=
urfers... they played another half an hour just to him, then gave up... <br=
>

Mind you it was the Paridiso in Amsterdam... so I was well into it by then!=
<br><br>In the little bar in Oslo where I play now, often I have to go up t=
o tables and say, &quot;Im going to play now, its 30 kroner.. &quot; If peo=
ple look like they are leaving cos of that, I let them off the price, they =
usually stay after that... if people leave during a gig, I assume they have=
 a bus to catch!<br>

<br>Welcome to my dream-world!<br><br>mark<br><br><div class=3D"gmail_quote=
"><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; bor=
der-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<br>
On Fri, Jul 30, 2010 at 12:06 AM, Rainer Straschill<br>
&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a=
>&gt; wrote:<br>
&gt;&gt; <a href=3D"http://www.theonion.com/articles/bar-patrons-dismayed-b=
y-sight-of-band-setting-up,17804/" target=3D"_blank">http://www.theonion.co=
m/articles/bar-patrons-dismayed-by-sight-of-band-setting-up,17804/</a><br>


&gt;<br>
&gt; This is interesting, if we look at the timing here:<br>
&gt; Event 1: band starts setting up<br>
&gt; Event 2: new round of drinks served<br>
&gt; Event 2a: drinkers notice band setting up (when upright is brought<br>
&gt; onto the stage)<br>
&gt; Event 3: band starts playing<br>
&gt; Event 4: drinkers finish their drinks.<br>
&gt;<br>
&gt; Now from the description, we find that:<br>
&gt; 2 and 2a practically coincide (&quot;who had just ordered a round&quot=
;).<br>
&gt; The time from 3 to 4 is, to quote again &quot;at least 15 or 20 fuckin=
g minutes&quot;.<br>
&gt;<br>
&gt; If we furthermore assume that the time from 1 to 2/2a is relatively<br=
>
&gt; short (say, 5 min.), because you usually notice when the band starts<b=
r>
&gt; setting up, this means:<br>
&gt; a) veeery slow drinkers, and/or<br>
&gt; b) a quick setup time.<br>
&gt;<br>
&gt; If we furthermore assume the consumption time for a bar drink under<br=
>
&gt; pressed conditions to be 30min (assuming a maximum of<br>
&gt; half-litre-drinks and somewhat drainer drinkers), and the time it<br>
&gt; takes the drinkers to notice the setup being in progress (1 to 2a)<br>
&gt; being 5min., then the band did set up in 15 minutes - this does really=
<br>
&gt; remind me of those Y2K-style festivals!<br>
&gt;<br>
&gt; =A0 =A0 =A0 =A0 Rainer<br>
&gt;<br>
&gt; ps: don&#39;t know if that ever happened to me. I take the liberty of<=
br>
&gt; ignoring people who leave as soon as I start playing.<br>
&gt;<br>
&gt;<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>mark francombe<br><a hr=
ef=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D=
"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br>twitter @markfrancomb=
e<br>

<a href=3D"http://vimeo.com/user825094">http://vimeo.com/user825094</a><br>=
<a href=3D"http://www.looop.no">http://www.looop.no</a><br>

--0016e6d27ca49da168048c9da550--

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 17:08:10 2010
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Date: Fri, 30 Jul 2010 19:08:11 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Re: Eventide Timefactor looper vs DL4 looper
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cnovey@gmail.com schrieb:
> Hey guys- tired of my love/hate w my DL4- any experiences with the Eventide?
>   
Well, yes and no. Following your email, I decided to have a look at the 
Timefactor algorithms in the Eclipse. So I can comment on the functional 
aspects, but not on package/useability etc.

I'll start with the Looper:

1. General concept:
Mono in/mono out in both cases. DL4 offers additional mod delay (which 
the Eventide does not). Maximum looping time is 14s in the DL4 vs. 12s 
in the Timefactor (or 40s in the Eclipse version), but see below in 
section 3. Eventide responds to MIDI Start/Stop commands to start and 
stop the loop and can be beat-synced to MIDI clock as well.

2. State machine:
If we leave out additional features (see section 3 for this), both use 
three footswitches for basic operation: Record, Play, Stop on the 
Eventide, Record, Play/Stop and Play once on the DL4.
To me, the concept of the Eventide seems superior, simply because you 
can stutter (by repeatedly pressing "Play") and don't need to worry 
about restarting the loop precisely at the moment it has ended as on the 
Line6. If you want "One Shot" operation, this can be set as a paramter 
(see below).

3. Additional Features:
The DL4 has halftime and reverse (which share one button) and looper 
level, that's it.

With the Eventide, there's parameters controlled with knobs:
speed - which goes from 25% to 200% (three octaves in total - which also 
pushes the maximum loop time to 48s or 160s in the Eventide). This can 
be quantized to various steps, including chromatic, octaves+fifths and 
octaves only. This is real varispeed.
decay - feedback (or secondary feedback in EDP lingo). Something the DL4 
hasn't and which many long for...
loop length - allows to preset the loop length, and to adjust it 
post-recording. Together with the next parameter,
begin - adjusts the position where the loop starts, this allows some 
granular synthesis stuff (extremely cool btw!)

The behaviour of Record can be set to either overdub or replace, and to 
latch or be sustain type (also cool!).

Then there's either a high/lowpass filter (same on on the input and 
output) which you can add.

There is no reverse!

Summarizing:
The big disadvantage is the lack of a reverse option. All other things 
are much cooler (including the three-octave speed range, only found in 
stuff like...Möbius comes to mind, and of course the granular thingies).

The delay effects:
haven't worked with them that much. It's dual/stereo delays all the way 
through. Plus, the "Tape" algorithm gives you varispeed.


Hope that helps,

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 21:14:49 2010
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BTW, this is one of my favorite onion articles:

http://www.theonion.com/articles/oh-no-performers-coming-into-audience,2685/


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Fri Jul 30 23:17:05 2010
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Subject: Re: Eventide Timefactor looper vs DL4 looper
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The DL-4 actually has 28 seconds of delay, not just 14.


PJ





-----Original Message-----
From: Rainer Straschill <moinsound@googlemail.com>
To: Looper's Delight Mailing List <Loopers-Delight@loopers-delight.com>
Sent: Fri, Jul 30, 2010 1:08 pm
Subject: Re: Eventide Timefactor looper vs DL4 looper


cnovey@gmail.com schrieb:=20
> Hey guys- tired of my love/hate w my DL4- any experiences with the Event=
ide?=20
>   Well, yes and no. Following your email, I decided to have a look at th=
e Timefactor algorithms in the Eclipse. So I can comment on the functional=
 aspects, but not on package/useability etc.=20
=20
I'll start with the Looper:=20
=20
1. General concept:=20
Mono in/mono out in both cases. DL4 offers additional mod delay (which the=
 Eventide does not). Maximum looping time is 14s in the DL4 vs. 12s in the=
 Timefactor (or 40s in the Eclipse version), but see below in section 3.=
 Eventide responds to MIDI Start/Stop commands to start and stop the loop=
 and can be beat-synced to MIDI clock as well.=20
=20
2. State machine:=20
If we leave out additional features (see section 3 for this), both use thr=
ee footswitches for basic operation: Record, Play, Stop on the Eventide,=
 Record, Play/Stop and Play once on the DL4.=20
To me, the concept of the Eventide seems superior, simply because you can=
 stutter (by repeatedly pressing "Play") and don't need to worry about res=
tarting the loop precisely at the moment it has ended as on the Line6. If=
 you want "One Shot" operation, this can be set as a paramter (see below).=
=20
=20
3. Additional Features:=20
The DL4 has halftime and reverse (which share one button) and looper level=
, that's it.=20
=20
With the Eventide, there's parameters controlled with knobs:=20
speed - which goes from 25% to 200% (three octaves in total - which also=
 pushes the maximum loop time to 48s or 160s in the Eventide). This can be=
 quantized to various steps, including chromatic, octaves+fifths and octav=
es only. This is real varispeed.=20
decay - feedback (or secondary feedback in EDP lingo). Something the DL4=
 hasn't and which many long for...=20
loop length - allows to preset the loop length, and to adjust it post-reco=
rding. Together with the next parameter,=20
begin - adjusts the position where the loop starts, this allows some granu=
lar synthesis stuff (extremely cool btw!)=20
=20
The behaviour of Record can be set to either overdub or replace, and to la=
tch or be sustain type (also cool!).=20
=20
Then there's either a high/lowpass filter (same on on the input and output=
) which you can add.=20
=20
There is no reverse!=20
=20
Summarizing:=20
The big disadvantage is the lack of a reverse option. All other things are=
 much cooler (including the three-octave speed range, only found in stuff=
 like...M=C3=B6bius comes to mind, and of course the granular thingies).=
=20
=20
The delay effects:=20
haven't worked with them that much. It's dual/stereo delays all the way th=
rough. Plus, the "Tape" algorithm gives you varispeed.=20
=20
Hope that helps,=20
=20
            Rainer=20
=20
-- http://moinlabs.de=20
Follow me on twitter: http://twitter.com/moinlabs=20

=20

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<font color=3D'black' size=3D'2' face=3D'arial'>The DL-4 actually has 28=
 seconds of delay, not just 14.
<div><br>
</div>

<div><img src=3D"http://o.aolcdn.com/cdn.webmail.aol.com/resources/core/im=
ages/smile.png" alt=3D":-)" height=3D"25" width=3D"25">PJ<br>
<br>

<div style=3D"clear:both"></div>
<br>
<br>

<div style=3D"font-family:helvetica,arial;font-size:10pt;color:black">----=
-Original Message-----<br>
From: Rainer Straschill &lt;moinsound@googlemail.com&gt;<br>
To: Looper's Delight Mailing List &lt;Loopers-Delight@loopers-delight.com&=
gt;<br>
Sent: Fri, Jul 30, 2010 1:08 pm<br>
Subject: Re: Eventide Timefactor looper vs DL4 looper<br>
<br>







<div id=3D"AOLMsgPart_0_9f52d8a3-4ba4-4573-b228-1148dd9c5bd8" style=3D"mar=
gin: 0px;font-family: Tahoma, Verdana, Arial, Sans-Serif;font-size: 12px;c=
olor: #000;background-color: #fff;">

<a href=3D"mailto:cnovey@gmail.com">cnovey@gmail.com</a> schrieb:&nbsp;<br=
>

&gt; Hey guys- tired of my love/hate w my DL4- any experiences with the Ev=
entide?&nbsp;<br>

&gt;  =20
Well, yes and no. Following your email, I decided to have a look at the=20
Timefactor algorithms in the Eclipse. So I can comment on the functional=
=20
aspects, but not on package/useability etc.&nbsp;<br>
&nbsp;<br>

I'll start with the Looper:&nbsp;<br>
&nbsp;<br>

1. General concept:&nbsp;<br>

Mono in/mono out in both cases. DL4 offers additional mod delay (which=20
the Eventide does not). Maximum looping time is 14s in the DL4 vs. 12s=20
in the Timefactor (or 40s in the Eclipse version), but see below in=20
section 3. Eventide responds to MIDI Start/Stop commands to start and=20
stop the loop and can be beat-synced to MIDI clock as well.&nbsp;<br>
&nbsp;<br>

2. State machine:&nbsp;<br>

If we leave out additional features (see section 3 for this), both use=20
three footswitches for basic operation: Record, Play, Stop on the=20
Eventide, Record, Play/Stop and Play once on the DL4.&nbsp;<br>

To me, the concept of the Eventide seems superior, simply because you=20
can stutter (by repeatedly pressing "Play") and don't need to worry=20
about restarting the loop precisely at the moment it has ended as on the=
=20
Line6. If you want "One Shot" operation, this can be set as a paramter=20
(see below).&nbsp;<br>
&nbsp;<br>

3. Additional Features:&nbsp;<br>

The DL4 has halftime and reverse (which share one button) and looper=20
level, that's it.&nbsp;<br>
&nbsp;<br>

With the Eventide, there's parameters controlled with knobs:&nbsp;<br>

speed - which goes from 25% to 200% (three octaves in total - which also=
=20
pushes the maximum loop time to 48s or 160s in the Eventide). This can=20
be quantized to various steps, including chromatic, octaves+fifths and=20
octaves only. This is real varispeed.&nbsp;<br>

decay - feedback (or secondary feedback in EDP lingo). Something the DL4=
=20
hasn't and which many long for...&nbsp;<br>

loop length - allows to preset the loop length, and to adjust it=20
post-recording. Together with the next parameter,&nbsp;<br>

begin - adjusts the position where the loop starts, this allows some=20
granular synthesis stuff (extremely cool btw!)&nbsp;<br>
&nbsp;<br>

The behaviour of Record can be set to either overdub or replace, and to=20
latch or be sustain type (also cool!).&nbsp;<br>
&nbsp;<br>

Then there's either a high/lowpass filter (same on on the input and=20
output) which you can add.&nbsp;<br>
&nbsp;<br>

There is no reverse!&nbsp;<br>
&nbsp;<br>

Summarizing:&nbsp;<br>

The big disadvantage is the lack of a reverse option. All other things=20
are much cooler (including the three-octave speed range, only found in=20
stuff like...M=C3=B6bius comes to mind, and of course the granular thingie=
s).&nbsp;<br>
&nbsp;<br>

The delay effects:&nbsp;<br>

haven't worked with them that much. It's dual/stereo delays all the way=20
through. Plus, the "Tape" algorithm gives you varispeed.&nbsp;<br>
&nbsp;<br>


Hope that helps,&nbsp;<br>
&nbsp;<br>

&nbsp;           Rainer&nbsp;<br>
&nbsp;<br>

--=20
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a>&nb=
sp;<br>

Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_b=
lank">http://twitter.com/moinlabs</a>&nbsp;<br>


</div>
 <!-- end of AOLMsgPart_0_9f52d8a3-4ba4-4573-b228-1148dd9c5bd8 -->



</div>
</div>
</font>

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From info@bioqmed.ufrj.br  Sat Jul 31 00:07:47 2010
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From: "MR. LIU YAN (BOCHK Charitable Foundation)" <info@bioqmed.ufrj.br>
Reply-To: liuyn.hdsecbcf11@yahoo.com.hk
Subject: Please Confirm With Me
Date: Fri, 30 Jul 2010 17:53:22 -0300
Message-Id: <20100730205322.M97303@bioqmed.ufrj.br>
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Dear Friend,
 
I am Liu Yan; transfer supervisor operations in investment section in Bank of 
China Ltd. Tower 1 Garden Road Hong Kong. Secretariat of the BOCHK Charitable 
Foundation 13/F I have a secured Business suggestion for you, A Proposal of 
$19.5M for you to handle with me from my bank.

I need you privately and confidentially to assist me in executing this 
Business Project from Hong Kong to your country. Do to reach me on my private 
E-mail; (secliuynbcf010@yahoo.com.hk) before I shall provide you with more 
information.

Regards,
Liu Yan.

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Date: Sat, 31 Jul 2010 01:19:09 +0000 (GMT)
From: Rita Adams <adams.rita1@rediffmail.com>
Reply-To: rita_adamsw02@yahoo.cn
Subject: I greet you in the name of the Lord.
To: undisclosed recipients: ;
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--0-742438464-1280539149=:12829
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Dear Good Friend.
=0A
=0AI greet you in the name of the Lord.
=0A
=0AI am Mrs.Rita Adams from Solomon Islands. I am married to Mr. williams A=
dams who worked with our Embassy in Ivory Coast for nine years before he di=
ed on the 15th August 2006. We were married for eleven years without a chil=
d.
=0A
=0AHe died after a brief illness that lastedfor only four days.
=0A
=0AEver before his death we were both born again Christians and have sown i=
nto many ministries. Since his death I decided not to remarry, but feeling =
quite lonely if not the Lord who has been my partner and comforter.
=0A
=0AWhen my late husband was alive he deposited the sum of$2.5 Million witha=
 Bank in Cote D lvoire. Presently this money is still in the custody of the=
 Bank in Cote D lvoire.Recently, my Doctor told me that I would not last fo=
r the next Five months due to cancer problem.
=0AHaving known my condition I decided to donate this fund to a church,orga=
nization or good person that will utilize this money the way I am going to =
instruct herein.
=0A
=0AI want a church,organization or good person that willuse this funds to h=
elp the orphans, widows andother people that needfinancial assistance.
=0A
=0AUsing part of this money to provide facilities for God,s work, taking th=
e gospel to greater height is my major reason of donating this funds out.Th=
e Bible made us to understand that"Blessed is the hand that giveth".
=0A
=0Al took this decision because I don't have any child that will inherit th=
is money and my husband relatives are not Christians and it had been their =
wish to see my husband dead in order that they might inherit his wealth sin=
ce we have no son.
=0A
=0AThese people are therefore not worthy of this inheritance.This is why I =
am taking this decision. Meanwhile I am not afraid of death hence I know wh=
ere I am going. It is only a sinner who's death is painful I don't need any=
 telephone communication in this regard because of my health hence the pres=
ence of my husband's relatives around mealways. I don't want them to know a=
bout this development and l know that With God all things are possible.
=0A
=0AAs soon as I receive your reply I shall give you the contact of the Bank=
 in Cote d' lvoire. I will also issue a letter of authorization to the bank=
 that will prove you the present beneficiary of this money.
=0A
=0AI also want you to always uplift me in prayer.
=0A
=0AMy happiness is that I lived a life of a worthy Christian. Whoever that =
Wants to serve the Lord must serve him in truth andfaith, "serving him with=
 all you have, knowing that naked we come and naked we must go" Contact me =
on the this email address and any delay in your reply will give me room in =
sourcing another good person, church,organization for this same purpose.
=0A
=0APlease assure me that youwill act accordingly as I Stated herein.
=0A
=0AHoping to receive your response immedaitely.
=0A
=0AThanks and Remain blessed in the Lord.
=0A
=0AYour Sister in Christ.
=0A
=0AMrs.Rita Adams
--0-742438464-1280539149=:12829
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>Dear Good Friend.<br>=0A<br>=0AI gree=
t you in the name of the Lord.<br>=0A<br>=0AI am Mrs.Rita Adams from Solomo=
n Islands. I am married to Mr. williams Adams who worked with our Embassy i=
n Ivory Coast for nine years before he died on the 15th August 2006. We wer=
e married for eleven years without a child.<br>=0A<br>=0AHe died after a br=
ief illness that lastedfor only four days.<br>=0A<br>=0AEver before his dea=
th we were both born again Christians and have sown into many ministries. S=
ince his death I decided not to remarry, but feeling quite lonely if not th=
e Lord who has been my partner and comforter.<br>=0A<br>=0AWhen my late hus=
band was alive he deposited the sum of$2.5 Million witha Bank in Cote D lvo=
ire. Presently this money is still in the custody of the Bank in Cote D lvo=
ire.Recently, my Doctor told me that I would not last for the next Five mon=
ths due to cancer problem.<br>=0AHaving known my condition I decided to don=
ate this fund to a church,organization or good person that will utilize thi=
s money the way I am going to instruct herein.<br>=0A<br>=0AI want a church=
,organization or good person that willuse this funds to help the orphans, w=
idows andother people that needfinancial assistance.<br>=0A<br>=0AUsing par=
t of this money to provide facilities for God,s work, taking the gospel to =
greater height is my major reason of donating this funds out.The Bible made=
 us to understand that"Blessed is the hand that giveth".<br>=0A<br>=0Al too=
k this decision because I don't have any child that will inherit this money=
 and my husband relatives are not Christians and it had been their wish to =
see my husband dead in order that they might inherit his wealth since we ha=
ve no son.<br>=0A<br>=0AThese people are therefore not worthy of this inher=
itance.This is why I am taking this decision. Meanwhile I am not afraid of =
death hence I know where I am going. It is only a sinner who's death is pai=
nful I don't need any telephone communication in this regard because of my =
health hence the presence of my husband's relatives around mealways. I don'=
t want them to know about this development and l know that With God all thi=
ngs are possible.<br>=0A<br>=0AAs soon as I receive your reply I shall give=
 you the contact of the Bank in Cote d' lvoire. I will also issue a letter =
of authorization to the bank that will prove you the present beneficiary of=
 this money.<br>=0A<br>=0AI also want you to always uplift me in prayer.<br=
>=0A<br>=0AMy happiness is that I lived a life of a worthy Christian. Whoev=
er that Wants to serve the Lord must serve him in truth andfaith, "serving =
him with all you have, knowing that naked we come and naked we must go" Con=
tact me on the this email address and any delay in your reply will give me =
room in sourcing another good person, church,organization for this same pur=
pose.<br>=0A<br>=0APlease assure me that youwill act accordingly as I State=
d herein.<br>=0A<br>=0AHoping to receive your response immedaitely.<br>=0A<=
br>=0AThanks and Remain blessed in the Lord.<br>=0A<br>=0AYour Sister in Ch=
rist.<br>=0A<br>=0AMrs.Rita Adams</td></tr></table>
--0-742438464-1280539149=:12829--

From fmiller9988@sify.com  Sat Jul 31 02:48:06 2010
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Reply-To: <frmisns@mail.kz>
From: "Frank Miller"<fmiller9988@sify.com>
Subject: [SPAM] RE:REGARDING YOUR FAMILY
Date: Sat, 31 Jul 2010 03:17:35 +0100
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To: undisclosed-recipients:;

Dear Friend,
I am Mr. Frank Miller,the credit manager of SNS Fiduciary
in the NETHERLANDS.Now based in united kingdom

There is an account belonging to the Late Family Member,
which i will want to discuss with you and it has some
form of relationship with you going by the similarity
in the name.


Please email me in respect to this. It will be beneficial
to all parties concerned.You can as well give me your
personal phone number so as to give you a call,

Regards,

Frank Miller.
www.snsbank.nl

From noreply@loterianacional.com  Sat Jul 31 02:53:00 2010
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Reply-to: barr_manuelgamallo@aol.es
From: Loteria Nacional <noreply@loterianacional.com>
Subject: Your E-mail Has Won 485,910.00 Euro
Date: Fri, 30 Jul 2010 02:01:04 +0300
X-Priority: 3
X-MSMail-priority: Normal
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X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2600.0000
To: Undisclosed recipients: ;

Attention Email ID User,

We happily announce to you the draw of the Loteria Nacional Special Global 2010 Promotional Draw held in Madrid Spain.Your e-mail address attached to REF No;ESP/62934LN/2010, with Batch No: CH 200 drew the Winning No: 02 10 16 18 27 41, Bonus No: 28 for LN-49 Lotto under the choice of the lottery in the 1st category.

All participants were selected randomly from World Wide Web site through computer draws system and extracted from over 10,000,000 companies and
personal e-mails. So your email is your online automatic ticket that qualified you for this draw. You have therefore been approved to claim a total sum of 485,910 Euros (Four Hundred and Eighty Five Thousand Nine Hundred and Ten Euros)

Therefore, you are required to forward your details to our claims Agent/Finance and Legal office to help facilitate the processing of your fund as stated below:

1. FULL NAMES: ________
2. ADDRESS: __________
3. AGE AND SEX: ________
4. MARITAL STATUS: _____
5. OCCUPATION: ________
6. E-MAIL ADDRESS: ______
7. TELEPHONE NUMBER: ________

Contact Person: Barrister.Manuel Gamallo
Tel: +34 672 860 220
E-mail:barr_manuelgamallo@aol.es

Congratulation!!

Sincerely,
Sandra Luque (Mrs.)
Lottery Controller 

From michaelwanglee1z@hotmail.com  Sat Jul 31 04:36:50 2010
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Reply-To: <michaelwanglee71@gmail.com>
From: "Michael Wang Lee"<michaelwanglee1z@hotmail.com>
Subject: Business Relationship From Michael                                             JFFFGVREYC
Date: Sat, 31 Jul 2010 05:13:28 +0100
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I am Michael Wang Lee, Deputy Manager for the China Trust Commercial Bank, China. I am
getting in touch with you regarding the estate of a deceased client.Carefully read the attachment file for more 
detail.
 
IKCVIRKLFWICPTOLIPMYKHRWSOYDKZGULEDEGY

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From janetpeterson2010@hotmail.com  Sat Jul 31 04:47:59 2010
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Date: Fri, 30 Jul 2010 21:47:50 -0700 (PDT)
From: MS JANET PETERSON <janetpeterson2010@hotmail.com>
Reply-To: vinkhumalo02@gala.net
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--0-1745331723-1280551670=:57838--

From cammyebute@gmail.com  Sat Jul 31 07:51:04 2010
Return-Path: <cammyebute@gmail.com>
X-Original-To: looparc@loopers-delight.com
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Date: Sat, 31 Jul 2010 00:50:53 -0700 (PDT)
From: john more <cammyebute@gmail.com>
Reply-To: johnmore100@live.com
Subject: CONGRATULATIONS
To: undisclosed recipients: ;
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KINDLY DOWN LOAD THE ATTACHED 
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><strong>KINDLY DOWN LOAD THE ATTACHED </strong></td></tr></table>
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--0-1621698172-1280562653=:28216--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 08:15:14 2010
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                       http://soundscapes.us/thoughtradio
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, July 31 at 6 am EDT/UTC-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/stream.html

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 13:05:51 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Eventide Timefactor looper vs DL4 looper
References: <880613951-1280026007-cardhu_decombobulator_blackberry.rim.net-539735610-@bda386.bisx.prod.on.blackberry> <4C5306FB.9000808@googlemail.com> <8CCFE54668A1624-25BC-1465B@webmail-d098.sysops.aol.com>
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Patrick Bishop schrieb:

 >> The DL-4 actually has 28 seconds of delay, not just 14.

 > Mono in/mono out in both cases. DL4 offers additional mod delay 
(which the Eventide does not). Maximum looping time is 14s in the DL4 
vs. 12s in the Timefactor
 > (or 40s in the Eclipse version), but see below in section 3. Eventide 
responds to MIDI Start/Stop commands to start and stop the loop and can be
 > beat-synced to MIDI clock as well. 

This really depends on how you count.
The DL4 has 14 seconds, which doubles to 28s in half-speed (with reduced 
audio quality). For the Eventide, it's 12s, or 6s doublespeed, 24s 
halfspeed and 48s ins quarterspeed (40, 20, 80 and 160 respectively for 
the Eclipse algorithms). Note that due to different sampling rates, the 
Eventide's "halfspeed" should come out about the same quality as the 
DL4's "normal speed".

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 13:28:29 2010
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Subject: Re: Eventide Timefactor looper vs DL4 looper
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--0016364586043c7f60048caef199
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Yes Rainer. I was in the middle of typing when that came in. I use 50% as a
preset most of the time.

For Clifford, it's probably worth adding that the Timefactor allows you to
save 50 banks of 2 presets/bank. So, you could have more than one looper
preset with different default speed, filter (etc.) settings, and each would
be available hands-free. You can also set a range of those banks that are
available with the footswitches without losing the presets outside that
range.
Also, with several of the delay presets, the hold function can be very
useful for instantly setting up a drone with one button press.

There has been much talk on the forum about the lack of reverse, and it doe=
s
seem odd not to have it, given the flexibility already there. Since you can
vary both the loop beginning and end points, it wouldn't seem much of a lea=
p
to 'fold' the loop over and play it backwards. I'm not convinced that
reverse is technically impossible.  Rather, I suspect it's a marketing
decision to protect some sort of 'LoopFactor' that may appear down the road
a bit, but that's only a guess.
k



On Sat, Jul 31, 2010 at 7:05 AM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> Patrick Bishop schrieb:
>
>
> >> The DL-4 actually has 28 seconds of delay, not just 14.
>
> > Mono in/mono out in both cases. DL4 offers additional mod delay (which
> the Eventide does not). Maximum looping time is 14s in the DL4 vs. 12s in
> the Timefactor
> > (or 40s in the Eclipse version), but see below in section 3. Eventide
> responds to MIDI Start/Stop commands to start and stop the loop and can b=
e
> > beat-synced to MIDI clock as well.
> This really depends on how you count.
> The DL4 has 14 seconds, which doubles to 28s in half-speed (with reduced
> audio quality). For the Eventide, it's 12s, or 6s doublespeed, 24s halfsp=
eed
> and 48s ins quarterspeed (40, 20, 80 and 160 respectively for the Eclipse
> algorithms). Note that due to different sampling rates, the Eventide's
> "halfspeed" should come out about the same quality as the DL4's "normal
> speed".
>
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio - www.keithsmith.ca
Northern Lights =96 Altai Khangai www.nl4tet.ca/
Photography - www.mymountains.ca

--0016364586043c7f60048caef199
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Yes Rainer. I was in the middle of typing when that came in. I use 50% as a=
 preset most of the time.<br><br>For Clifford, it&#39;s probably worth addi=
ng that the Timefactor allows you to save 50 banks
 of 2 presets/bank. So, you could have more than one looper preset with dif=
ferent default speed, filter (etc.) settings, and each would be available h=
ands-free. You can also set a range of those banks that are available with =
the footswitches without losing the presets outside that range.<br>
Also, with several of the delay presets, the hold function can be very usef=
ul for instantly setting up a drone with one button press.<br><br>There has=
 been much talk on the forum about the lack of reverse, and it does seem od=
d not to have it, given the flexibility already there. Since you can vary b=
oth the loop beginning and end points, it wouldn&#39;t seem much of a leap =
to &#39;fold&#39; the loop over and play it backwards. I&#39;m not convince=
d that reverse is technically impossible.=A0 Rather, I suspect it&#39;s a m=
arketing decision to protect some sort of &#39;LoopFactor&#39; that may app=
ear down the road a bit, but that&#39;s only a guess. <br>
k<br><br><br><br><div class=3D"gmail_quote">On Sat, Jul 31, 2010 at 7:05 AM=
, Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googl=
email.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">
Patrick Bishop schrieb:<div class=3D"im"><br>
<br>
&gt;&gt; The DL-4 actually has 28 seconds of delay, not just 14.<br>
<br></div><div class=3D"im">
&gt; Mono in/mono out in both cases. DL4 offers additional mod delay (which=
 the Eventide does not). Maximum looping time is 14s in the DL4 vs. 12s in =
the Timefactor<br>
&gt; (or 40s in the Eclipse version), but see below in section 3. Eventide =
responds to MIDI Start/Stop commands to start and stop the loop and can be<=
br>
&gt; beat-synced to MIDI clock as well. <br></div>
This really depends on how you count.<br>
The DL4 has 14 seconds, which doubles to 28s in half-speed (with reduced au=
dio quality). For the Eventide, it&#39;s 12s, or 6s doublespeed, 24s halfsp=
eed and 48s ins quarterspeed (40, 20, 80 and 160 respectively for the Eclip=
se algorithms). Note that due to different sampling rates, the Eventide&#39=
;s &quot;halfspeed&quot; should come out about the same quality as the DL4&=
#39;s &quot;normal speed&quot;.<div>
<div></div><div class=3D"h5"><br>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith=
 -Guitar<br><br>Keith Smith Trio - <a href=3D"http://www.keithsmith.ca">www=
.keithsmith.ca</a><br>Northern Lights =96 Altai Khangai <a href=3D"http://w=
ww.nl4tet.ca/">www.nl4tet.ca/</a><br>
Photography - <a href=3D"http://www.mymountains.ca">www.mymountains.ca</a><=
br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--0016364586043c7f60048caef199--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 14:47:52 2010
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Date: Sat, 31 Jul 2010 10:47:42 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #695 for July 29, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100729.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #695                July 29, 2010.

RECAP:
On this show, I concluded the month-long focus on Rene van der Wouden.
The Featured CD at Midnight was Numerus Fixus by Rene van der Wouden
on REWO Records.

I also played music by Mikronesia who recently plated at the Soundscapes
Concert Series.

Rene van der Wouden:
http://wdiy.org/programs/gt/playlists/2010/focus.html#jul
Soundscapes Concert Series: http://soundscapes.us


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Mikronesia           excerpt from SCS7    The Soundscapes Concert Series
ARC                  Church               Church (DiN)
Max Corbacho         Pillar Ascension     Ars Lucis (ad21)
Eric Glick Rieman    Klein Bottle         Trilogy from the Outside
                                            (Water Goes Into the Air)
Rene van der Wouden  Fixus Part 1         Numerus Fixus (REWO)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Rene van der Wouden  Fixus Part 2         Numerus Fixus (REWO)
Rene van der Wouden  Fixus Part 3         Numerus Fixus (REWO)
Rene van der Wouden  Fixus Part 4         Numerus Fixus (REWO)
Rene van der Wouden  Fixus Part 5         Numerus Fixus (REWO)
Rene van der Wouden  Fixus Part 6         Numerus Fixus (REWO)
Rene van der Wouden  Fixus Part 7         Numerus Fixus (REWO)
Rene van der Wouden  Fixus Part 8         Numerus Fixus (REWO)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll begin a month-long focus on
computerchemist.  The Featured CD at Midnight will be atmospheric on
terrainflight Records.

computerchemist:
http://wdiy.org/programs/gt/playlists/2010/focus.html#aug

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/GMT-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
MySpace: http://myspace.com/galactictravels
Facebook: http://facebook.com/group.php?gid=95658555829
RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml
Podcasts: http://wdiy.org/programs/gt/rss/podcasts.html
Listen to WDIY at http://wdiy.org/listen on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 14:50:55 2010
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Derek Sivers who used to own CD Baby put up a wonderful
site of quotations about music and art.

http://musicthoughts.com/cat/1

Amongst many others,  I love this quote from Brian Eno.
It encapsulates so much of why I love looped music and music that
contains repetition.

************************************************************************

"Repetition doesn't really exist.

As far as your mind is concerned, nothing happens the same twice, even 
if in every technical sense, the thing is identical. Your perception is 
constantly shifting. It doesn't stay in one place;"
                                              Brian Eno


*************************************************************************
and, while we are at it,   I think this one is particularly true about 
self censorship in the creative process.
 Because of my own insecurity and self censorship,  I have to remind 
myself of this one all the time.........
.......just like I have to constantly remind myself to play simply.


"Artists who don't censor their own work: Picasso, Miles Davis, Prince. 
They're all people who just put it out, and have almost no critical 
self-censorship. They say, "Let the market decide; let the world 
decide." You might not be the best person to judge it.

That's a kind of humility, actually: it's a mixture of arrogance, which 
says, "I know I'm fucking good." But a humility, which says, "I'm not 
the person to decide."

                                                Brian Eno

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From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: Great Quote about Looping by Brian Eno
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--0-1104621737-1280588296=:24657
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He's pretty much repeating what Heraclitus said about how one can't step in=
to the same river twice, thereby simultaneously refuting AND proving the po=
int.

-t-



--- On Sat, 7/31/10, Rick Walker <looppool@cruzio.com> wrote:
.

************************************************************************

"Repetition doesn't really exist.

As far as your mind is concerned, nothing happens the same twice, even if i=
n every technical sense, the thing is identical. Your perception is constan=
tly shifting. It doesn't stay in one place;"
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0=
 =A0 =A0 =A0=A0=A0Brian Eno

=0A=0A=0A      
--0-1104621737-1280588296=:24657
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">He's pretty much repeating what Heraclitus sa=
id about how one can't step into the same river twice, thereby simultaneous=
ly refuting AND proving the point.<br><br>-t-<br><br><br><br>--- On <b>Sat,=
 7/31/10, Rick Walker <i>&lt;looppool@cruzio.com&gt;</i></b> wrote:<br><blo=
ckquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-left: 5px;=
 padding-left: 5px;">.<br><div class=3D"plainMail"><br>********************=
****************************************************<br><br>"Repetition doe=
sn't really exist.<br><br>As far as your mind is concerned, nothing happens=
 the same twice, even if in every technical sense, the thing is identical. =
Your perception is constantly shifting. It doesn't stay in one place;"<br>&=
nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;=
 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;
 &nbsp;&nbsp;&nbsp;Brian Eno<br><br></div></blockquote></td></tr></table><b=
r>=0A=0A      
--0-1104621737-1280588296=:24657--

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another gem that I love:

*************************************

"I want to believe that what I make is a good start, a strong place to 
begin. I then hope that at least it will be better in the user's 
(listener's) mind than it is in mine.

I want to plant seeds that will grow when they leave me.

If I thought the music was only going to remain as I left it, then why 
would I want to release it? You release things so that they will grow, 
and have interesting other lives without you. Just like kids."

                                                      Brian Eno

*************************************

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From palazzo3@chem.ufl.edu  Sat Jul 31 20:14:18 2010
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From: BARRISTER CHARLES RUSSELL <palazzo3@chem.ufl.edu>
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Charles Russell LLP
London Office St James's (London)
8 - 10 New Fetter Lane,
London,
EC4A 1RS, United Kingdom.

Tel: +44 701 113 2718
Email: barr.charlserussell@9.cn

SUB: LATE SIR. JOHN PAUL GETTY'S WILL

Season Greetings from Charles Russell LLP,

On behalf of the Trustees and Executor of the estate of Late Engr. Paul Get=
ty,I once again try to notify you as my earlier letter was returned undeliv=
ered. I wish to notify you that the late Sir J. Paul Getty Jr. made you one=
 of the beneficiaries to his (WILL). He bequeathed the sum of Nine Million =
Seven Hundred and Eight Thousand Six Hundred and Ninety Two Great British P=
ounds Sterlings Only (GBP=D0=889,708,692.7) to you in the codicil and last =
testament to his (WILL) which is eleven (11%) of his total funds of GBP=D0=
=8888,260,443.00 (Eighty Eight Million Two Hundred and Sixty Thousand Four =
Hundred and Forty Three Great British Pounds Sterling) deposited with one o=
f UK's biggest financial institution.
This may sound strange and unbelievable to you, but it is real and true. Be=
ing a widely traveled man, he must have been in contact with you in the pas=
t or simply you were nominated to him by one of his numerous friends abroad=
 who wished you good. Sir J. Paul Getty Jr., the reclusive American-born ph=
ilanthropist was the third son of the first American oil billionaire, billi=
onaire American oilman Jean, Paul Getty.According to him this money is to s=
upport religious and humanitarian activities and to help the poor and the n=
eedy in our society. Please if I
reach you as I am hopeful, endeavor to get back to me as soon as possible t=
o enable me conclude my job. I hope to hear from you in no distant time.

Get back to me via my personal email address: barr.charlserussell@9.cn

I await your prompt response.=20
Yours in Service,=20
Barr. Charles Russell QC.=20
Tel: +44 701 113 2718

Email: barr.charlserussell@9.cn
Attorney at Law Faegre & Benson LLP, UK=20

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 20:21:02 2010
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Subject: Lake Butler CFC-4 for sale. FOUR midi expression controllers - ONE
 unit
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Four midi expression pedals for sale!

You may not have heard of this great controller before. I understand 
that is because there were not a large number produced and thus they are 
quite rare. I'm not exaggerating to tell you that it's possible you may 
never have the chance to buy one of these again.

The CFC-4 is four programmable midi expression pedals combined into one 
housing. For anyone with MIDI gear, you may find this to be quite useful!

I personally used this with an Electrix Repeater. Each pedal was setup 
to select one of the four tracks and set the volume for that track as well.

To all who are interested here is the URL:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=260644004973


-Nathan

From rukijustin1@gmail.com  Sat Jul 31 20:29:00 2010
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Date: Sat, 31 Jul 2010 13:28:50 -0700 (PDT)
From: Ruki Justin <rukijustin1@gmail.com>
Reply-To: rukijustin1@gmail.com
Subject: My Dearest one
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-2141519166-1280608130=:25865
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My Dearest one
Greetings my dearest one,my name is Ruki justin yak am 23 years old Girl fr=
om Southern sudan.I want to have a Good relationship with you, I need to te=
ll you more things, but first I need your help to Stand for me as a trustee=
.

My father Dr. Justin Yak Arop was the former Minister for SPLA Affairs and =
Special Adviser to President Salva Kiir of South Sudan for Decentralization=
. My father Dr. Justin Yak, my mother including other top Military officers=
 and top government officials where on board when the plane crashed on Frid=
ay May 02, 2008. You can read more about the crash through the below site:
http://news.bbc.co.uk/2/hi/africa/7380412.stm

Some months after the burial of my father, my uncle conspired with my step =
mother and sold my father's properties to a Chinese Expatriate. On a faithf=
ul morning I opened my father's briefcase and found out document which my b=
eloved late father used and deposit money in a Bank in Burkina Faso , with =
my name as the next of kin. I travelled to Burkina Faso to withdraw the mon=
ey so that I can start a better life and take care of myself. The Branch ma=
nager of the Bank whom I met in person told me that my present status does =
not permit me by the local law to clear money or make a transfer of money i=
nto an account, he advice me to provide a trustee who will help me and inve=
st the money or I should wait till when I will get married it demand by the=
ir Authority.....=A0=20
=A0
I have chosen to contact you after my prayers and I believe that you will n=
ot betray=A0 my trust. But rather take me as your own blood sister and help=
 me. Though you may wonder why I am so soon revealing myself to you without=
 knowing you, well, I will say that my mind convinced me that you are the t=
rue person to help me. More so, I will like to disclose much to you if you =
can help me to relocate to your country because my uncle has threatened to =
assassinate me. The amount is $5.6Million and I have confirmed from the ban=
k in Burkina Faso . You will also help me to place the money in a more prof=
itable business venture in your Country=20

However, you will help by recommending a nice University in your country so=
 that I can complete my studies.=A0 It is my intention to compensate you wi=
th 10% of the total money for your services and the balance shall be my cap=
ital in your establishment As soon as I receive your interest in helping me=
, I will put things into action immediately. In the light of the above, I s=
hall appreciate an urgent message indicating your ability and willingness t=
o handle this transaction sincerely. Please do keep this only to your self.=
 I beg you not to disclose it till i come over because I am afraid of my wi=
cked uncle who has threatened to kill me.=20
Sincerely yours=A0=A0=20
Ruki Justin Yak=0A=0A=0A      
--0-2141519166-1280608130=:25865
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>My Dearest one</DIV>
<DIV>Greetings my dearest one,my name is Ruki justin yak am 23 years old Gi=
rl from Southern sudan.I want to have a Good relationship with you, I need =
to tell you more things, but first I need your help to Stand for me as a tr=
ustee.</DIV>
<DIV><BR>My father Dr. Justin Yak Arop was the former Minister for SPLA Aff=
airs and Special Adviser to President Salva Kiir of South Sudan for Decentr=
alization. My father Dr. Justin Yak, my mother including other top Military=
 officers and top government officials where on board when the plane crashe=
d on Friday May 02, 2008. You can read more about the crash through the bel=
ow site:<BR><A href=3D"http://news.bbc.co.uk/2/hi/africa/7380412.stm">http:=
//news.bbc.co.uk/2/hi/africa/7380412.stm</A></DIV>
<DIV><BR>Some months after the burial of my father, my uncle conspired with=
 my step mother and sold my father's properties to a Chinese Expatriate. On=
 a faithful morning I opened my father's briefcase and found out document w=
hich my beloved late father used and deposit money in a Bank in Burkina Fas=
o , with my name as the next of kin. I travelled to Burkina Faso to withdra=
w the money so that I can start a better life and take care of myself. The =
Branch manager of the Bank whom I met in person told me that my present sta=
tus does not permit me by the local law to clear money or make a transfer o=
f money into an account, he advice me to provide a trustee who will help me=
 and invest the money or I should wait till when I will get married it dema=
nd by their Authority.....&nbsp; </DIV>
<DIV>&nbsp;<BR>I have chosen to contact you after my prayers and I believe =
that you will not betray&nbsp; my trust. But rather take me as your own blo=
od sister and help me. Though you may wonder why I am so soon revealing mys=
elf to you without knowing you, well, I will say that my mind convinced me =
that you are the true person to help me. More so, I will like to disclose m=
uch to you if you can help me to relocate to your country because my uncle =
has threatened to assassinate me. The amount is $5.6Million and I have conf=
irmed from the bank in Burkina Faso . You will also help me to place the mo=
ney in a more profitable business venture in your Country </DIV>
<DIV><BR>However, you will help by recommending a nice University in your c=
ountry so that I can complete my studies.&nbsp; It is my intention to compe=
nsate you with 10% of the total money for your services and the balance sha=
ll be my capital in your establishment As soon as I receive your interest i=
n helping me, I will put things into action immediately. In the light of th=
e above, I shall appreciate an urgent message indicating your ability and w=
illingness to handle this transaction sincerely. Please do keep this only t=
o your self. I beg you not to disclose it till i come over because I am afr=
aid of my wicked uncle who has threatened to kill me. <BR>Sincerely yours&n=
bsp;&nbsp; <BR>Ruki Justin Yak</DIV></td></tr></table><br>=0A=0A=0A=0A=0A=
=0A=0A=0A      
--0-2141519166-1280608130=:25865--

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 21:09:55 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Sat, 31 Jul 2010 22:09:53 +0100
Subject: Re: Great Quote about Looping by Brian Eno
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>=20
> "Artists who don't censor their own work: Picasso, Miles Davis,=20
> Prince. They're all people who just put it out, and have almost no=20
> critical self-censorship. They say, "Let the market decide; let the=20
> world decide." You might not be the best person to judge it.
>=20
> That's a kind of humility, actually: it's a mixture of arrogance,=20
> which says, "I know I'm @#$ good." But a humility, which says,=20
> "I'm not the person to decide."
>=20
>                                                 Brian Eno
Hello,

To me this is almost on the edge of despair. I don't know of anyone who sim=
ply plays what they play & then puts it out on the market as these artists =
claim to do. Picasso did censor his own output as he is said to have burned=
 some of his work. As far as the two musical artists mentioned I have a har=
d time believing they simply walked into the studio, had a single go at a t=
rack & moved on. They never had a string break or a mouthpiece work loose o=
r go out of adjustment? This is in the same genre as the Mozart claim that =
he wrote everything right out of his head & never edited his compositions, =
which is pure myth.=20



Mark Showalter
Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

From noreply@loterianacional.com  Sat Jul 31 21:26:57 2010
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Reply-To: <barr_manuelgamallo@aol.es>
From: "Loteria Nacional"<noreply@loterianacional.com>
Subject: Your E-Mail Has Won 485,910.00 Euros
Date: Sat, 31 Jul 2010 14:11:09 -0500
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To: undisclosed-recipients:;

Attention Email ID User,

We happily announce to you the draw of the Loteria Nacional Special Global 2010 Promotional Draw held in Madrid Spain.Your e-mail address attached to REF No;ESP/62934LN/2010, with Batch No: CH 200 drew the Winning No: 02 10 16 18 27 41, Bonus No: 28 for LN-49 Lotto under the choice of the lottery in the 1st category.

All participants were selected randomly from World Wide Web site through computer draws system and extracted from over 10,000,000 companies and
personal e-mails. So your email is your online automatic ticket that qualified you for this draw. You have therefore been approved to claim a total sum of 485,910 Euros (Four Hundred and Eighty Five Thousand Nine Hundred and Ten Euros)

Therefore, you are required to forward your details to our claims Agent/Finance and Legal office to help facilitate the processing of your fund as stated below:

1. FULL NAMES: ________
2. ADDRESS: __________
3. AGE AND SEX: ________
4. MARITAL STATUS: _____
5. OCCUPATION: ________
6. E-MAIL ADDRESS: ______
7. TELEPHONE NUMBER: ________

Contact Person: Barrister.Manuel Gamallo
Tel: +34 672 860 220
E-mail:barr_manuelgamallo@aol.es

Congratulation!!

Sincerely,
Sandra Luque (Mrs.)
Lottery Controller

From Loopers-Delight-request@loopers-delight.com  Sat Jul 31 22:06:53 2010
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Date: Sat, 31 Jul 2010 15:06:51 -0700
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Subject: Re: Great Quote about Looping by Brian Eno
From: Michael Billow <mbillow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Contrary to the popular notion, Eno is not God. All artists edit and
"censor" their work, including those he mentioned. They might be a little
looser...

On Sat, Jul 31, 2010 at 2:09 PM, Mark Showalter
<folkstone57@operamail.com>wrote:

Hello,

To me this is almost on the edge of despair. I don't know of anyone who
simply plays what they play & then puts it out on the market as these
artists claim to do. Picasso did censor his own output as he is said to have
burned some of his work. As far as the two musical artists mentioned I have
a hard time believing they simply walked into the studio, had a single go at
a track & moved on. They never had a string break or a mouthpiece work loose
or go out of adjustment? This is in the same genre as the Mozart claim that
he wrote everything right out of his head & never edited his compositions,
which is pure myth.
>
> "Artists who don't censor their own work: Picasso, Miles Davis,
> Prince. They're all people who just put it out, and have almost no
> critical self-censorship. They say, "Let the market decide; let the
> world decide." You might not be the best person to judge it.
>
> That's a kind of humility, actually: it's a mixture of arrogance,
> which says, "I know I'm @#$ good." But a humility, which says,
> "I'm not the person to decide."
> Brian Eno


Minden Jot!

myspace.com/folkstone57
http://www.last.fm/music/Mark+Showalter
<a href="http://www.mylivesignature.com" target="_blank"><img src="
http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png"
style="border: 0 !important; background: transparent;"/></a>


--
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Contrary to the popular notion, Eno is not God. All artists edit and &quot;=
censor&quot; their work, including those he mentioned. They might be a litt=
le looser...<br><br>
<div class=3D"gmail_quote">On Sat, Jul 31, 2010 at 2:09 PM, Mark Showalter =
<span dir=3D"ltr">&lt;<a href=3D"mailto:folkstone57@operamail.com">folkston=
e57@operamail.com</a>&gt;</span> wrote:</div>
<div class=3D"gmail_quote"><br>Hello,<br><br>To me this is almost on the ed=
ge of despair. I don&#39;t know of anyone who simply plays what they play &=
amp; then puts it out on the market as these artists claim to do. Picasso d=
id censor his own output as he is said to have burned some of his work. As =
far as the two musical artists mentioned I have a hard time believing they =
simply walked into the studio, had a single go at a track &amp; moved on. T=
hey never had a string break or a mouthpiece work loose or go out of adjust=
ment? This is in the same genre as the Mozart claim that he wrote everythin=
g right out of his head &amp; never edited his compositions, which is pure =
myth.<br>
&gt;<br>&gt; &quot;Artists who don&#39;t censor their own work: Picasso, Mi=
les Davis,<br>&gt; Prince. They&#39;re all people who just put it out, and =
have almost no<br>&gt; critical self-censorship. They say, &quot;Let the ma=
rket decide; let the<br>
&gt; world decide.&quot; You might not be the best person to judge it.<br>&=
gt;<br>&gt; That&#39;s a kind of humility, actually: it&#39;s a mixture of =
arrogance,<br>&gt; which says, &quot;I know I&#39;m @#$ good.&quot; But a h=
umility, which says,<br>
&gt; &quot;I&#39;m not the person to decide.&quot;</div>
<div class=3D"gmail_quote">&gt; Brian Eno <br><br><br>Minden Jot!<br><br><a=
 href=3D"http://myspace.com/folkstone57" target=3D"_blank">myspace.com/folk=
stone57</a><br><a href=3D"http://www.last.fm/music/Mark+Showalter" target=
=3D"_blank">http://www.last.fm/music/Mark+Showalter</a><br>
&lt;a href=3D&quot;<a href=3D"http://www.mylivesignature.com/" target=3D"_b=
lank">http://www.mylivesignature.com</a>&quot; target=3D&quot;_blank&quot;&=
gt;&lt;img src=3D&quot;<a href=3D"http://signatures.mylivesignature.com/544=
88/99/F2BFFC9AD8D6528EA1E10C1043965108.png" target=3D"_blank">http://signat=
ures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png</a>&=
quot; style=3D&quot;border: 0 !important; background: transparent;&quot;/&g=
t;&lt;/a&gt;<br>
<font color=3D"#888888"><br><br>--<br>_____________________________________=
__________<br>Surf the Web in a faster, safer and easier way:<br>Download O=
pera 9 at <a href=3D"http://www.opera.com/" target=3D"_blank">http://www.op=
era.com</a><br>
<br></font></div><br>

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Subject: Re: Great Quote about Looping by Brian Eno
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--------------------------------------------------
From: "Mark Showalter" <folkstone57@operamail.com>
Sent: Saturday, July 31, 2010 10:09 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Great Quote about Looping by Brian Eno

>
>>
>> "Artists who don't censor their own work: Picasso, Miles Davis,
>> Prince. They're all people who just put it out, and have almost no
>> critical self-censorship. They say, "Let the market decide; let the
>> world decide." You might not be the best person to judge it.
>>
>> That's a kind of humility, actually: it's a mixture of arrogance,
>> which says, "I know I'm @#$ good." But a humility, which says,
>> "I'm not the person to decide."
>>
>>                                                 Brian Eno
> Hello,
>
> To me this is almost on the edge of despair. I don't know of anyone who 
> simply plays what they play & then puts it out on the market as these 
> artists claim to do. Picasso did censor his own output as he is said to 
> have burned some of his work. As far as the two musical artists mentioned 
> I have a hard time believing they simply walked into the studio, had a 
> single go at a track & moved on. They never had a string break or a 
> mouthpiece work loose or go out of adjustment? This is in the same genre 
> as the Mozart claim that he wrote everything right out of his head & never 
> edited his compositions, which is pure myth.

I don't know if that's what Eno was saying... Censoring ones own work is 
necessary because one desires to show the best of what can produce in a 
given situation.  I don't think he meant that Prince just spits it out and 
There It Is, of course.  But I can attest to overly censoring my early work, 
in the perhaps false belief that it was too 'poppy' or obviously derivative, 
well to me anyway at the time.  It was a mistake to obliterate those 
recordings over twenty years ago.  Some pieces of them come up in memory 
while playing, though.  Archive, archive, archive.  So the self-censorship 
thing can be a very bad thing if put to such an extreme.

Just my 2c.
Stephen Goodman
EarthLight Productions
*
http://www.earthlight.net
http://www.earthlight.tv 

