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Date: Wed, 31 Mar 2010 19:16:27 -0500
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Subject: Re: OT - Rick's rhythm intensive
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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>
> Theres a famous actors quote from Alec Guinness to Dustin Hoffman,


That's usually attributed to Laurence Olivier on the set of Marathon Man.

http://www.imdb.com/name/nm0000059/bio

Sylvain



On Wed, Mar 31, 2010 at 3:38 PM, mark francombe <mark@markfrancombe.com>wrote:

> Excuse my french Fabio.. but Fucking Hell... You see why I see it as an
> exercise.. the sheer complexity and skill that that must take is totally
> beyond me.. its certainly doesn't SOUND that clever I'm afraid!!!
>
> I AM impressed and maybe just a little jealous, cos there no way I could do
> that in a million years.
>
> Theres a famous actors quote from Alec Guinness to Dustin Hoffman, after
> Hoffman spent the night on the street, because "his character was supposed
> to have spent the night on the street.. Guiness said.. "Why dont you try
> acting darling?"
>
> I'm tempted to say... "Why don't you use a drum machine?"...
>
> oops sorry!
>
> Im gonna get me one of those thing's and see what I can make of it...
>
> Mark
>
>
>
>
>
> On Wed, Mar 31, 2010 at 9:26 PM, Fabio_A <eterogenus@gmail.com> wrote:
>
>> When you had a number on the screen saying 7 for example, was that one
>>> click every 7 shakes? Cos that not what I call a time signature really, its
>>> just a clikc every 7 shakes..
>>
>>
>> Mark, when you see 7, it means that I'm playing a pattern of 7 beats.
>> For a better understanding: the pattern in 7 can be write like this:
>>
>> 1    2    3   4    5    6    7          (beats)
>> x x x x x x x x x x x x x x       (shakes)
>> c            c                             (cliks)
>>
>>
>>
>>> the "groove" for me was the shakes... and (being pretty rudimentary
>>> rhythmically (fave drummer Mo Tuck))  my foot was still four on the floor,
>>> it was not pushed to to a new rhythm...
>>
>>
>> even with the 3 or 5 or 7 patterns ?
>> Maybe, you can't feel it because ther's no strong accent defining the
>> patterns.
>>
>>
>>> I like the sound of musical poly rhythms (5 note riffs against 6 note for
>>> ex) but this seems to be an (extremely clever and unbelievably skillful)
>>> exercise in juggling...
>>>
>>
>> What I can say is that this "toy" has really improved my rhythm skill.
>>
>>  Thanks for watching !
>>
>> - fabio
>> www.eterogeneo.com
>>
>>
>>
>
>
>
> --
> www.markfrancombe.com
> www.ordoabkhao.com
> http://vimeo.com/user825094
> http://www.myspace.com/markfrancombe
> http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch
>

--001636e0a8b6185caf048321c62c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<blockquote class=3D"gmail_quote" style=3D"margin-top: 0px; margin-right: 0=
px; margin-bottom: 0px; margin-left: 0.8ex; border-left-width: 1px; border-=
left-color: rgb(204, 204, 204); border-left-style: solid; padding-left: 1ex=
; ">
Theres a famous actors quote from Alec Guinness to Dustin Hoffman,</blockqu=
ote><div><br></div><div>That&#39;s usually attributed to Laurence Olivier o=
n the set of Marathon Man.</div><div><br></div><div><a href=3D"http://www.i=
mdb.com/name/nm0000059/bio">http://www.imdb.com/name/nm0000059/bio</a></div=
>
<div><br></div><div>Sylvain</div><div><br></div><div><br></div><br><div cla=
ss=3D"gmail_quote">On Wed, Mar 31, 2010 at 3:38 PM, mark francombe <span di=
r=3D"ltr">&lt;<a href=3D"mailto:mark@markfrancombe.com">mark@markfrancombe.=
com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Excuse my french Fabio.. but Fucking Hell..=
. You see why I see it as an exercise.. the sheer complexity and skill that=
 that must take is totally beyond me.. its certainly doesn&#39;t SOUND that=
 clever I&#39;m afraid!!!<br>


<br>I AM impressed and maybe just a little jealous, cos there no way I coul=
d do that in a million years.<br>
<br>Theres a famous actors quote from Alec Guinness to Dustin Hoffman, afte=
r Hoffman spent the night on the street, because &quot;his character was su=
pposed to have spent the night on the street.. Guiness said.. &quot;Why don=
t you try acting darling?&quot;<br>



<br>I&#39;m tempted to say... &quot;Why don&#39;t you use a drum machine?&q=
uot;... <br><br>oops sorry!<br><br>Im gonna get me one of those thing&#39;s=
 and see what I can make of it... <br><font color=3D"#888888"><br>Mark</fon=
t><div>
<div></div><div class=3D"h5"><br><br><br><br><br><div class=3D"gmail_quote"=
>

On Wed, Mar 31, 2010 at 9:26 PM, Fabio_A <span dir=3D"ltr">&lt;<a href=3D"m=
ailto:eterogenus@gmail.com" target=3D"_blank">eterogenus@gmail.com</a>&gt;<=
/span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0pt 0pt 0pt 0.8ex;border-=
left:1px solid rgb(204, 204, 204);padding-left:1ex"><div class=3D"gmail_quo=
te"><div>
<blockquote class=3D"gmail_quote" style=3D"padding-left:1ex;margin:0px 0px =
0px 0.8ex;border-left:1px solid rgb(204, 204, 204)">When you had a number o=
n the screen saying 7 for example, was that one click every 7 shakes? Cos t=
hat not what I call a time signature really, its just a clikc every 7 shake=
s.. </blockquote>





<div>=A0</div>
</div><div>Mark, when you see 7, it means that I&#39;m playing a pattern of=
 7 beats.</div>
<div>For a better=A0understanding: the pattern in=A07 can be write like thi=
s:</div>
<div>=A0</div>
<div>1=A0=A0=A0 2=A0=A0=A0 3=A0=A0 4=A0=A0=A0 5=A0=A0=A0 6=A0=A0=A0 7=A0=A0=
=A0=A0=A0=A0=A0=A0=A0 (beats)</div>
<div>x x x x x x x x x x x x x x=A0=A0=A0=A0=A0=A0 (shakes)</div>
<div>c=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 c=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 (cliks)</div><div>
<div>=A0</div>
<div>=A0</div>
<blockquote class=3D"gmail_quote" style=3D"padding-left:1ex;margin:0px 0px =
0px 0.8ex;border-left:1px solid rgb(204, 204, 204)">the &quot;groove&quot; =
for me was the shakes... and (being pretty rudimentary rhythmically (fave d=
rummer Mo Tuck))=A0 my foot was still four on the floor, it was not pushed =
to to a new rhythm... </blockquote>





<div>=A0</div>
</div><div>even with the 3 or 5 or 7 patterns ? </div>
<div>Maybe, you can&#39;t feel it=A0because ther&#39;s no strong accent def=
ining the patterns.</div><div>
<div>=A0=A0</div>
<blockquote class=3D"gmail_quote" style=3D"padding-left:1ex;margin:0px 0px =
0px 0.8ex;border-left:1px solid rgb(204, 204, 204)">I like the sound of mus=
ical poly rhythms (5 note riffs against 6 note for ex) but this seems to be=
 an (extremely clever and unbelievably skillful) exercise in juggling... <b=
r>




</blockquote>
<div>=A0</div>
</div><div>What I can say is that this &quot;toy&quot; has really improved =
my rhythm skill.=A0<br><br>=A0Thanks for watching !</div>
<div>=A0</div>
<div>- fabio</div>
<div><a href=3D"http://www.eterogeneo.com/" target=3D"_blank">www.eterogene=
o.com</a></div>
<div>=A0</div>
<div>=A0</div></div>
</blockquote></div><br><br clear=3D"all"><br></div></div><div><div></div><d=
iv class=3D"h5">-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_=
blank">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" t=
arget=3D"_blank">www.ordoabkhao.com</a><br>
<a href=3D"http://vimeo.com/user825094" target=3D"_blank">http://vimeo.com/=
user825094</a><br>


<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br><a href=3D"http://www.looop.no/shop/cat=
label.php?q=3DSynch%20Non%20Synch" target=3D"_blank">http://www.looop.no/sh=
op/catlabel.php?q=3DSynch%20Non%20Synch</a><br>




</div></div></blockquote></div><br>

--001636e0a8b6185caf048321c62c--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 01:24:34 2010
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From: Jeff Shirkey <jcshirke@verizon.net>
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Subject: Re: tweek-o-mania.....M 13
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>>
> Correct, think of it as having 75 separate stompboxes, but you can =20
> only use up to four at a time.  Aside from that limitation, you can =20=

> order them any way you want.  I've even experimented with some =20
> downright odd options.

Now the count is over 100 stompboxes. Did you upgrade yours to v. 2.0? =20=

If not, you definitely should.

>
>   a "scene" is basically a layout of 12 effects.  for instance, pick =20=

> 12 effects.  lay them out how you want to use them, say, a wah then =20=

> a distortion, followed by a modulation effect then a delay for the =20
> top row of buttons.  The middle row, repeat with different effects =20
> as you would need, say compression, filter, etc.  then the bottom =20
> row the same way.  that would comprise a scene.  Imagine having 4 =20
> stompboxes, each with three presets, that would best describe it.

The only thing I'd clarify based on what you wrote above is the last =20
sentence. A scene consists of all of the settings you've made for all =20=

12 of your "stomp boxes". I think the thing Rainer may have been =20
confused about is this. Let's say you have a Tube Screamer in fx block =20=

1C. You don't have to have another Tube Screamer with a "tweak" in =20
settings 1B or 1A. You can have any effect you'd like in any of the 12 =20=

fx locations.

As you said, only 4 fx blocks are active at a time. But you have the =20
possibility of putting 12 different fx in any of the fx "blocks" (as I =20=

keep calling them). Or you could have 6 different Tube Screamer =20
settings in a scene--if you so desired. Whatever floats your boat.

The bottom line is that a scene is like a snapshot of the fx =20
configurations you've made for all 3 rows of 4 fx. Or, from the =20
Advanced User's Manual:

To clarify what we mean by a Scene, it=92s basically the equivalent of a =
=20
unique pedal board setup, which you can program yourself. It includes =20=

up to 4 active FX and another 8 FX set up but bypassed. When you =20
select a particular Scene, a combination of 4 active FX is immediately =20=

loaded into your M13. The other 8 FX will also be loaded, but =20
bypassed. You can switch any of the 8 FX on at any time, replacing any =20=

of the 4 you started with.



And that's just one scene. You can save 12 scenes per folder. And you =20=

have 4 folders. That's 48 total scenes. And that's a whole lot o' stuff.

I'm racking mine with other gear, and with MIDI control over the =20
ability to call up scenes, bypass any of the effects, including the fx =20=

loop (don't forget about the fx loop), it's darn powerful.

Jeff



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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div><blockquote =
type=3D"cite"><div><blockquote type=3D"cite"><br></blockquote>Correct, =
think of it as having 75 separate stompboxes, but you can only use up to =
four at a time. &nbsp;Aside from that limitation, you can order them any =
way you want. &nbsp;I've even experimented with some downright odd =
options.<br></div></blockquote><div><br></div>Now the count is over 100 =
stompboxes. Did you upgrade yours to v. 2.0? If not, you definitely =
should.</div><div><br></div><div><blockquote type=3D"cite"><div><font =
class=3D"Apple-style-span" color=3D"#000000"><br></font> &nbsp;&nbsp;a =
"scene" is basically a layout of 12 effects. &nbsp;for instance, pick 12 =
effects. &nbsp;lay them out how you want to use them, say, a wah then a =
distortion, followed by a modulation effect then a delay for the top row =
of buttons. &nbsp;The middle row, repeat with different effects as you =
would need, say compression, filter, etc. &nbsp;then the bottom row the =
same way. &nbsp;that would comprise a scene. &nbsp;Imagine having 4 =
stompboxes, each with three presets, that would best describe =
it.<br></div></blockquote><div><br></div>The only thing I'd clarify =
based on what you wrote above is the last sentence. A scene consists of =
all of the settings you've made for all 12 of your "stomp boxes". I =
think the thing Rainer may have been confused about is this. Let's say =
you have a Tube Screamer in fx block 1C. You don't have to have another =
Tube Screamer with a "tweak" in settings 1B or 1A. You can have any =
effect you'd like in any of the 12 fx =
locations.&nbsp;</div><div><br></div><div>As you said, only 4 fx blocks =
are active at a time. But you have the possibility of putting 12 =
different fx in any of the fx "blocks" (as I keep calling them). Or you =
could have 6 different Tube Screamer settings in a scene--if you so =
desired. Whatever floats your boat.</div><div><br></div><div>The bottom =
line is that a scene is like a snapshot of the fx configurations you've =
made for all 3 rows of 4 fx. Or, from the Advanced User's =
Manual:</div><div><br></div><div><p style=3D"margin: 0.0px 0.0px 11.0px =
18.0px; text-align: justify; line-height: 11.1px; font: 11.0px Times">To =
clarify what we mean by a Scene, it=92s basically the equivalent of a =
unique pedal board setup, which you can program yourself. It includes up =
to 4 active FX and another 8 FX set up but bypassed. When you select a =
particular Scene, a combination of 4 active FX is immediately loaded =
into your M13. The other 8 FX will also be loaded, but bypassed. You can =
switch any of the 8 FX on at any time, replacing any of the 4 you =
started with.&nbsp;</p></div><div><br></div><div><br></div><div>And =
that's just one scene. You can save 12 scenes per folder. And you have 4 =
folders. That's 48 total scenes. And that's a whole lot o' =
stuff.</div><div><br></div><div>I'm racking mine with other gear, and =
with MIDI control over the ability to call up scenes, bypass any of the =
effects, including the fx loop (don't forget about the fx loop), it's =
darn =
powerful.</div><div><br></div><div>Jeff</div><div><br></div><div><br></div=
></body></html>=

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Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
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Hi Halim-

Sorry, but not Dave Konopka... Dave Nix, from a band you've never heard of
called Chaos in the San Francisco/San Jose area...

:-)

I have to keep on my drummer to not speed up as the songs/jams start cooking
and getting interesting. But what I'm doing is perhaps a bit more
pedestrian, not so experimental; I just want to take advantage of available
technology to play more parts live, especially when many things are somewhat
cyclical and repetitive.

DN


> Hi Dave,
> Do you happen to be Dave Konopka from Battles? Btw my drummer needs so
much
> more practice to keep up with our loops.
>
> Halimski
>

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From: "Kris Hartung" <khartung@q.com>
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References: <528B40F7A4734BCF9375A1DC683B7D90@americas.hpqcorp.net> <20469344.241.1270097307370.JavaMail.root@n34>
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Subject: Re: Steinberg Cubase for Audio Recording and Mixing
Date: Wed, 31 Mar 2010 23:03:47 -0600
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Now this is more like it. Thanks.
  ----- Original Message -----=20
  From: Tony K=20
  To: 'Kris Hartung'=20
  Sent: Wednesday, March 31, 2010 10:41 PM
  Subject: RE: Steinberg Cubase for Audio Recording and Mixing


  Yeah,  get Reaper instead.  $60  and you can try it for free forever.

  =20

  http://www.cockos.com/reaper/

  =20

  I'm using it with an 8 channel Firepod.  And it's great.

  =20

  Tony

  =20

  From: Kris Hartung [mailto:khartung@q.com]=20
  Sent: Wednesday, March 31, 2010 5:02 PM
  To: Loopers-Delight@loopers-delight.com
  Subject: Steinberg Cubase for Audio Recording and Mixing

  =20

  Any opinions on Steinberg's Cubase for recording and mixing audio?  I =
see it is about $300 and wonder if it is worth it. I'll be using my RME =
Fireface 400 as the interface.  Anyway to get a demo version?

  =20

  Kris

  =20

  =20

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<DIV><FONT face=3DArial size=3D2>Now this is more like it. =
Thanks.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbigtonyk@gmail.com href=3D"mailto:bigtonyk@gmail.com">Tony =
K</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Dinfo@krispenhartung.com=20
  href=3D"mailto:info@krispenhartung.com">'Kris Hartung'</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 31, 2010 =
10:41=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Steinberg Cubase =
for Audio=20
  Recording and Mixing</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">Yeah,&nbsp;=20
  get Reaper instead.&nbsp; $60&nbsp; and you can try it for free=20
  forever.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><A=20
  =
href=3D"http://www.cockos.com/reaper/">http://www.cockos.com/reaper/</A><=
o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">I=92m=20
  using it with an 8 channel Firepod.&nbsp; And it=92s=20
great.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">Tony<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN=20
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  <P class=3DMsoNormal><B><SPAN=20
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'Tahoma','sans-serif'">From:</SPAN></B><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Tahoma','sans-serif'"> Kris =
Hartung=20
  [mailto:khartung@q.com] <BR><B>Sent:</B> Wednesday, March 31, 2010 =
5:02=20
  PM<BR><B>To:</B> <A=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR><B>Subject:</B>=20
  Steinberg Cubase for Audio Recording and=20
  Mixing<o:p></o:p></SPAN></P></DIV></DIV>
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  <DIV>
  <P class=3DMsoNormal><SPAN=20
  style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'">Any =
opinions on=20
  Steinberg's Cubase for recording and mixing audio?&nbsp; I see it is =
about=20
  $300 and wonder if it is worth it. I'll be using my RME Fireface 400 =
as the=20
  interface.&nbsp; Anyway to get a demo =
version?</SPAN><o:p></o:p></P></DIV>
  <DIV>
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  <DIV>
  <P class=3DMsoNormal><SPAN=20
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class=3DMsoNormal>&nbsp;<o:p></o:p></P></DIV></DIV></BLOCKQUOTE></BODY></=
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From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 05:47:46 2010
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Subject: Streaming live
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Good evening/good morning...

I'm doing a test cast on my livestream channel if anyone would like to tune
in.  I have a live set coming up this Friday evening at 7pm PST on Improv
Friday (http://improvfriday.ning.com) and am testing out a camera and some
other gear this early morning.

If you are around tune in to http://www.livestream.com/jimgoodinlive for the
next hour.

Cheers and good day.

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001636ed677ddbc6a104832666d0
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Good evening/good morning...<br><br>I&#39;m doing a test cast on my livestr=
eam channel if anyone would like to tune in.=A0 I have a live set coming up=
 this Friday evening at 7pm PST on Improv Friday (<a href=3D"http://improvf=
riday.ning.com">http://improvfriday.ning.com</a>) and am testing out a came=
ra and some other gear this early morning.<br>
<br>If you are around tune in to <a href=3D"http://www.livestream.com/jimgo=
odinlive">http://www.livestream.com/jimgoodinlive</a> for the next hour.<br=
><br>Cheers and good day.<br><br>Jim<br clear=3D"all"><br>-- <br>ReUse, an =
introspective textural aural<br>
<a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><=
br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodi=
nmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinapa=
intingmusic.com</a><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--001636ed677ddbc6a104832666d0--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 08:32:54 2010
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: OT: jazz on tele's etc.
Date: Thu, 1 Apr 2010 10:32:50 +0200
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It's interesting how certain elements work together on specific  
guitar models. A Tele can be a great jazz guitar with the treble  
rolled off, a humbucker or P90 in the neck position certainly helps,  
but heavy strings even more so. Put some 12 or 13 flatwounds on a  
standard Strat and off you go!

I got that from a studio player friend of mine who is constantly  
changing instrument's setups, putting nylon strings on older  
Martin's, thin strings on a jazz box, heavy gauge stuff on a Strat  
just to see what he comes up with. Quite a bit of setup work there  
(also some cheaper guitars might start to go south under 13's these  
days), but probably more rewarding that trying out your 12th variant  
of a modded Tubescreamer clone.

On the other hand my luthier once as an experiment (no extra holes  
drilled) put a Tele bridge on my 1960 Gibson Melody Maker (the single  
cut LP shaped variant with P90's added) - and that small mahagony  
swampthing suddenly started to put out some serious twang, amazing  
difference. Too much twang for me, we put the Pigtail one-piece- 
bridge back on...

Best, Andreas


From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 08:42:14 2010
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From: Toby Graves <carpet8@mac.com>
Subject: Re: OT: jazz on tele's etc.
Date: Thu, 01 Apr 2010 01:38:59 -0700
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It's also important to get a Tele sound that the strings go through  
the body.

t
On Apr 1, 2010, at 1:32 AM, Andreas Willers wrote:

> It's interesting how certain elements work together on specific  
> guitar models. A Tele can be a great jazz guitar with the treble  
> rolled off, a humbucker or P90 in the neck position certainly  
> helps, but heavy strings even more so. Put some 12 or 13 flatwounds  
> on a standard Strat and off you go!
>
> I got that from a studio player friend of mine who is constantly  
> changing instrument's setups, putting nylon strings on older  
> Martin's, thin strings on a jazz box, heavy gauge stuff on a Strat  
> just to see what he comes up with. Quite a bit of setup work there  
> (also some cheaper guitars might start to go south under 13's these  
> days), but probably more rewarding that trying out your 12th  
> variant of a modded Tubescreamer clone.
>
> On the other hand my luthier once as an experiment (no extra holes  
> drilled) put a Tele bridge on my 1960 Gibson Melody Maker (the  
> single cut LP shaped variant with P90's added) - and that small  
> mahagony swampthing suddenly started to put out some serious twang,  
> amazing difference. Too much twang for me, we put the Pigtail one- 
> piece-bridge back on...
>
> Best, Andreas
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 10:35:46 2010
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Date: Thu, 01 Apr 2010 11:35:45 +0100
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Gmail wrote:
> You can get polarity reversal adaptors from Visual Sound. Just plug your 
> power cable in one end and the other into your pedal. I use a couple. 
> 
> Sim
> 

thanks for the info.
...but unfortunately I need to run both polarities.

In that case polarity reversal lead is only safe if the outlets are
isolated from each other.
(assuming that the outer of the power input is connected
 to earth in the pedal, then mixing polarities like that 
could cause a short)



mark francombe wrote:
> Im using the Burkey flatliner... http://www.burkey.nl/
> 
> does everything.. both polarities 12 v 9 v ac and dc.. plus has a few 
> dying battery sockets...
> 
> Its very heavy, huge and I kind of wish I still used wall warts to be 
> honest...

ta Mark,
yep...it's presumably heavy too.
they mention the polarity reversal lead on the website, but
not whether you can power both polarities simultaneously.

I think I'm going to have to go to plan B, 
which is to get a powerful wall wart for each polarity
and make Y-cables.



andy








From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 12:12:08 2010
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Date: Thu, 01 Apr 2010 14:12:07 +0200
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Thanks to you, Brian and Jeff, for your throughout explanation.

So basically, it's an integrated stompbox-chain replacement with lots of 
flexibility plus looper, but nothing more (not this isn't a lot already...).

There's one thing that bothers me, however - and that's the passage
"Some models (like Stereo Delay) provide stereo operation. When run
before a mono model (like a distortion), the signal will collapse to mono
as it feeds the mono effect, and will then be passed on in mono to the
next effect or outputs."

Which, although the device looks like a full-stereo thing (with stereo 
in and out), with lots of configurations (e.g. when you have a 
distortion in your chain) it will basically not be stereo (and the 
looper is mono as well).

I'm just pointing this out because this is exactly what bugs me a lot 
about Roland's VBass, where you can pan your individual strings from the 
hex pickup wildly around, but the moment you send it through an amp, 
distortion or wah, it's all gone...

Do you know (or does the manual state this somewhere) which effects are 
mono-only?

       Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 13:04:40 2010
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Date: Thu, 1 Apr 2010 21:04:38 +0800
Message-ID: <w2qbe6db5df1004010604gd131db15o3e9dc2c2cdfa3121@mail.gmail.com>
Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364ee3b653405104832c81ac
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Is your band on youtube? Or do you have any recorded materials? It would be
fantastic to hear other loop bands.
Best regards,
Halimski.

On Thu, Apr 1, 2010 at 12:34 PM, d.nix <d.nix@comcast.net> wrote:

> Hi Halim-
>
> Sorry, but not Dave Konopka... Dave Nix, from a band you've never heard of
> called Chaos in the San Francisco/San Jose area...
>
> :-)
>
> I have to keep on my drummer to not speed up as the songs/jams start
> cooking
> and getting interesting. But what I'm doing is perhaps a bit more
> pedestrian, not so experimental; I just want to take advantage of available
> technology to play more parts live, especially when many things are
> somewhat
> cyclical and repetitive.
>
> DN
>
>
> > Hi Dave,
> > Do you happen to be Dave Konopka from Battles? Btw my drummer needs so
> much
> > more practice to keep up with our loops.
> >
> > Halimski
> >
>
>

--0016364ee3b653405104832c81ac
Content-Type: text/html; charset=ISO-8859-1
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<div>Is your band on youtube? Or do you have any recorded materials? It wou=
ld be fantastic to hear other loop bands.</div><div>Best regards,</div><div=
>Halimski.=A0<br></div><br><div class=3D"gmail_quote">On Thu, Apr 1, 2010 a=
t 12:34 PM, d.nix <span dir=3D"ltr">&lt;<a href=3D"mailto:d.nix@comcast.net=
">d.nix@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi Halim-<br>
<br>
Sorry, but not Dave Konopka... Dave Nix, from a band you&#39;ve never heard=
 of<br>
called Chaos in the San Francisco/San Jose area...<br>
<br>
:-)<br>
<br>
I have to keep on my drummer to not speed up as the songs/jams start cookin=
g<br>
and getting interesting. But what I&#39;m doing is perhaps a bit more<br>
pedestrian, not so experimental; I just want to take advantage of available=
<br>
technology to play more parts live, especially when many things are somewha=
t<br>
cyclical and repetitive.<br>
<font color=3D"#888888"><br>
DN<br>
</font><div><div class=3D"h5"><br>
<br>
&gt; Hi Dave,<br>
&gt; Do you happen to be Dave Konopka from Battles? Btw my drummer needs so=
<br>
much<br>
&gt; more practice to keep up with our loops.<br>
&gt;<br>
&gt; Halimski<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--0016364ee3b653405104832c81ac--

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Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
From: Per Boysen <perboysen@gmail.com>
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On Thu, Apr 1, 2010 at 3:04 PM, halim zainal <halimzainal@gmail.com> wrote:
> Is your band on youtube?

http://www.youtube.com/perboysen

per

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 13:15:51 2010
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Date: Thu, 1 Apr 2010 21:15:46 +0800
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Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64cc88028a57204832ca901
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Per Boysen needs no introduction. I've seen a lot of your videos and loving
it. :)

On Thu, Apr 1, 2010 at 9:08 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Thu, Apr 1, 2010 at 3:04 PM, halim zainal <halimzainal@gmail.com>
> wrote:
> > Is your band on youtube?
>
> http://www.youtube.com/perboysen
>
> per
>
>

--0016e64cc88028a57204832ca901
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Per Boysen needs no introduction. I&#39;ve seen a lot of your videos and lo=
ving it. :)<br><br><div class=3D"gmail_quote">On Thu, Apr 1, 2010 at 9:08 P=
M, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">=
perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div class=3D"im">On Thu, Apr 1, 2010 at 3:=
04 PM, halim zainal &lt;<a href=3D"mailto:halimzainal@gmail.com">halimzaina=
l@gmail.com</a>&gt; wrote:<br>

&gt; Is your band on youtube?<br>
<br>
</div><a href=3D"http://www.youtube.com/perboysen" target=3D"_blank">http:/=
/www.youtube.com/perboysen</a><br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br>

--0016e64cc88028a57204832ca901--

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Date: Thu, 1 Apr 2010 06:29:11 -0700 (PDT)
From: Brian Kupferschmid <apparitionapparition@yahoo.com>
Subject: Re: tweek-o-mania.....M 13
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ah yes, the v2.0 upgrade, I did do that, so yeah, 100 effects.=C2=A0 in fac=
t, I am glad I did, because until the script phase effect, I wasn't too cra=
zy about the phasers.=C2=A0 and yes, the effects loop, with that, along wit=
h MIDI and say you had a MIDI controlled looper, wire all that up, and run =
a looper in the effects loop, Basically, Rainer, you sould have effects bef=
ore and after the looper, while having an onboard looper to boot, loops upo=
n loops... madness, I tell you.

--- On Wed, 3/31/10, Jeff Shirkey <jcshirke@verizon.net> wrote:

From: Jeff Shirkey <jcshirke@verizon.net>
Subject: Re: tweek-o-mania.....M 13
To: Loopers-Delight@loopers-delight.com
Date: Wednesday, March 31, 2010, 8:23 PM


Correct, think of it as having 75 separate stompboxes, but you can only use=
 up to four at a time. =C2=A0Aside from that limitation, you can order them=
 any way you want. =C2=A0I've even experimented with some downright odd opt=
ions.

Now the count is over 100 stompboxes. Did you upgrade yours to v. 2.0? If n=
ot, you definitely should.

 =C2=A0=C2=A0a "scene" is basically a layout of 12 effects. =C2=A0for insta=
nce, pick 12 effects. =C2=A0lay them out how you want to use them, say, a w=
ah then a distortion, followed by a modulation effect then a delay for the =
top row of buttons. =C2=A0The middle row, repeat with different effects as =
you would need, say compression, filter, etc. =C2=A0then the bottom row the=
 same way. =C2=A0that would comprise a scene. =C2=A0Imagine having 4 stompb=
oxes, each with three presets, that would best describe it.

The only thing I'd clarify based on what you wrote above is the last senten=
ce. A scene consists of all of the settings you've made for all 12 of your =
"stomp boxes". I think the thing Rainer may have been confused about is thi=
s. Let's say you have a Tube Screamer in fx block 1C. You don't have to hav=
e another Tube Screamer with a "tweak" in settings 1B or 1A. You can have a=
ny effect you'd like in any of the 12 fx locations.=C2=A0
As you said, only 4 fx blocks are active at a time. But you have the possib=
ility of putting 12 different fx in any of the fx "blocks" (as I keep calli=
ng them). Or you could have 6 different Tube Screamer settings in a scene--=
if you so desired. Whatever floats your boat.
The bottom line is that a scene is like a snapshot of the fx configurations=
 you've made for all 3 rows of 4 fx. Or, from the Advanced User's Manual:
To clarify what we mean by a Scene, it=E2=80=99s basically the equivalent o=
f a unique pedal board setup, which you can program yourself. It includes u=
p to 4 active FX and another 8 FX set up but bypassed. When you select a pa=
rticular Scene, a combination of 4 active FX is immediately loaded into you=
r M13. The other 8 FX will also be loaded, but bypassed. You can switch any=
 of the 8 FX on at any time, replacing any of the 4 you started with.=C2=A0

And that's just one scene. You can save 12 scenes per folder. And you have =
4 folders. That's 48 total scenes. And that's a whole lot o' stuff.
I'm racking mine with other gear, and with MIDI control over the ability to=
 call up scenes, bypass any of the effects, including the fx loop (don't fo=
rget about the fx loop), it's darn powerful.
Jeff

=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">ah yes, the v2.0 upgrade, I did do that, so y=
eah, 100 effects.&nbsp; in fact, I am glad I did, because until the script =
phase effect, I wasn't too crazy about the phasers.&nbsp; and yes, the effe=
cts loop, with that, along with MIDI and say you had a MIDI controlled loop=
er, wire all that up, and run a looper in the effects loop, Basically, Rain=
er, you sould have effects before and after the looper, while having an onb=
oard looper to boot, loops upon loops... madness, I tell you.<br><br>--- On=
 <b>Wed, 3/31/10, Jeff Shirkey <i>&lt;jcshirke@verizon.net&gt;</i></b> wrot=
e:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255); margin-=
left: 5px; padding-left: 5px;"><br>From: Jeff Shirkey &lt;jcshirke@verizon.=
net&gt;<br>Subject: Re: tweek-o-mania.....M 13<br>To: Loopers-Delight@loope=
rs-delight.com<br>Date: Wednesday, March 31, 2010, 8:23 PM<br><br><div
 id=3D"yiv584051217"><div><blockquote type=3D"cite"><div><blockquote type=
=3D"cite"><br></blockquote>Correct, think of it as having 75 separate stomp=
boxes, but you can only use up to four at a time. &nbsp;Aside from that lim=
itation, you can order them any way you want. &nbsp;I've even experimented =
with some downright odd options.<br></div></blockquote><div><br></div>Now t=
he count is over 100 stompboxes. Did you upgrade yours to v. 2.0? If not, y=
ou definitely should.</div><div><br></div><div><blockquote type=3D"cite"><d=
iv><font class=3D"Apple-style-span" color=3D"#000000"><br></font> &nbsp;&nb=
sp;a "scene" is basically a layout of 12 effects. &nbsp;for instance, pick =
12 effects. &nbsp;lay them out how you want to use them, say, a wah then a =
distortion, followed by a modulation effect then a delay for the top row of=
 buttons. &nbsp;The middle row, repeat with different effects as you would =
need, say compression, filter, etc. &nbsp;then the bottom row the same way.
 &nbsp;that would comprise a scene. &nbsp;Imagine having 4 stompboxes, each=
 with three presets, that would best describe it.<br></div></blockquote><di=
v><br></div>The only thing I'd clarify based on what you wrote above is the=
 last sentence. A scene consists of all of the settings you've made for all=
 12 of your "stomp boxes". I think the thing Rainer may have been confused =
about is this. Let's say you have a Tube Screamer in fx block 1C. You don't=
 have to have another Tube Screamer with a "tweak" in settings 1B or 1A. Yo=
u can have any effect you'd like in any of the 12 fx locations.&nbsp;</div>=
<div><br></div><div>As you said, only 4 fx blocks are active at a time. But=
 you have the possibility of putting 12 different fx in any of the fx "bloc=
ks" (as I keep calling them). Or you could have 6 different Tube Screamer s=
ettings in a scene--if you so desired. Whatever floats your boat.</div><div=
><br></div><div>The bottom line is that a scene is like a snapshot
 of the fx configurations you've made for all 3 rows of 4 fx. Or, from the =
Advanced User's Manual:</div><div><br></div><div><p style=3D"margin: 0px 0p=
x 11px 18px; text-align: justify; font-family: Times; font-style: normal; f=
ont-variant: normal; font-weight: normal; font-size: 11px; line-height: nor=
mal; font-size-adjust: none; font-stretch: normal; -x-system-font: none;">T=
o clarify what we mean by a Scene, it=E2=80=99s basically the equivalent of=
 a unique pedal board setup, which you can program yourself. It includes up=
 to 4 active FX and another 8 FX set up but bypassed. When you select a par=
ticular Scene, a combination of 4 active FX is immediately loaded into your=
 M13. The other 8 FX will also be loaded, but bypassed. You can switch any =
of the 8 FX on at any time, replacing any of the 4 you started with.&nbsp;<=
/p></div><div><br></div><div><br></div><div>And that's just one scene. You =
can save 12 scenes per folder. And you have 4 folders. That's 48 total
 scenes. And that's a whole lot o' stuff.</div><div><br></div><div>I'm rack=
ing mine with other gear, and with MIDI control over the ability to call up=
 scenes, bypass any of the effects, including the fx loop (don't forget abo=
ut the fx loop), it's darn powerful.</div><div><br></div><div>Jeff</div><di=
v><br></div><div><br></div></div></blockquote></td></tr></table><br>=0A=0A =
     
--0-1571268764-1270128551=:63740--

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Date: Thu, 1 Apr 2010 14:40:49 +0100
Message-ID: <i2qd302e3571004010640u3512cd8sc59857ccb2ad67e9@mail.gmail.com>
Subject: SPAM - Electrix Repeater
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f94da8b7c30304832d026c
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ok, so i finally decided to let my Electrix Repeater go to fund a laptop

i was one of the first purchasers in the UK and this particular unit has
been rock solid

it comes with the original PSU, all printed manuals, the latest software, a
digitech 3-button footswitch and a 128Mb SimpleTech cfc card (all functions
work with this card)

the unit is very quiet and i havn't had to have the noise mod done on it

i should have the original box for it too, if i can find it

taking into consideration an average of all the units that come up on ebay'=
s
completed listings, i think =A3600 is a fair price

i'm not keen on shipping this abroad, but i may consider sending to the EU

hi res pics can be provided on request

many thanks

sim

--001485f94da8b7c30304832d026c
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ok, so i finally decided to let my Electrix Repeater go to fund a laptop<br=
><br>i was one of the first purchasers in the UK and this particular unit h=
as been rock solid<br><br>it comes with the original PSU, all printed manua=
ls, the latest software, a digitech 3-button footswitch and a 128Mb SimpleT=
ech cfc card (all functions work with this card)<br>
<br>the unit is very quiet and i havn&#39;t had to have the noise mod done =
on it<br><br>i should have the original box for it too, if i can find it<br=
><br>taking into consideration an average of all the units that come up on =
ebay&#39;s completed listings, i think =A3600 is a fair price<br>
<br>i&#39;m not keen on shipping this abroad, but i may consider sending to=
 the EU<br><br>hi res pics can be provided on request<br><br>many thanks<br=
><br>sim<br>

--001485f94da8b7c30304832d026c--

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 14:26:53 2010
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Date: Thu, 1 Apr 2010 10:26:51 -0400 (EDT)
Subject: Looping Show in Chicago
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I'll be presenting a solo bass show/workshop with looping at CPE Sound in
Chicago on April 8th at 7:30. The show is free.

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 14:27:33 2010
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Subject: Re: jazz on tele's etc.
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Good point on the flatwounds.  My observation is that you can take any 
guitar, and I mean any guitar, that has a neck pickup, put flatwounds on it, 
and plug into any amp that allows you to pump up the lows and roll off the 
highs, and you can get at least 50% to that "jazz guitar" tone.  I don't 
care if it is a Gibson Flying V....humbucker neck acticatd... into a amp 
with bass on 5, mid on 4, and treble on 2....I can play a jazz gig and sound 
halfway decent.  I may look ridiculous, however :)

Hmmmm, maybe I should have a custom hollow body archop Flying V made.  Hah 
hah.

Kris

----- Original Message ----- 
> It's interesting how certain elements work together on specific  guitar 
> models. A Tele can be a great jazz guitar with the treble  rolled off, a 
> humbucker or P90 in the neck position certainly helps,  but heavy strings 
> even more so. Put some 12 or 13 flatwounds on a  standard Strat and off 
> you go!
>
> I got that from a studio player friend of mine who is constantly  changing 
> instrument's setups, putting nylon strings on older  Martin's, thin 
> strings on a jazz box, heavy gauge stuff on a Strat  just to see what he 
> comes up with. Quite a bit of setup work there  (also some cheaper guitars 
> might start to go south under 13's these  days), but probably more 
> rewarding that trying out your 12th variant  of a modded Tubescreamer 
> clone.
>
> On the other hand my luthier once as an experiment (no extra holes 
> drilled) put a Tele bridge on my 1960 Gibson Melody Maker (the single  cut 
> LP shaped variant with P90's added) - and that small mahagony  swampthing 
> suddenly started to put out some serious twang, amazing  difference. Too 
> much twang for me, we put the Pigtail one-piece- bridge back on...
>
> Best, Andreas
>
> 

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Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
Date: Thu, 1 Apr 2010 07:35:50 -0800
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Nothing yet, but soon I hope.

:-)


> Is your band on youtube? Or do you have any recorded materials? It would
be
> fantastic to hear other loop bands.
> Best regards,
> Halimski.
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 14:43:38 2010
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Date: Thu, 1 Apr 2010 10:43:32 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: jazz on tele's etc.
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I realize that you're simply trying to make a point, but I want to 
hip you to a little known fact:  Flying Vs make FANTASTIC jazz 
guitars.. the body and neck are made from a very thin piece of 
mahogany , and they have a natural warmth and resonance... you'd 
prolly only get away with it in the studio... nobody in a Jass club 
wants to see some middle aged Jass guy with a flying V (and 
spandex)....

>Good point on the flatwounds.  My observation is that you can take 
>any guitar, and I mean any guitar, that has a neck pickup, put 
>flatwounds on it, and plug into any amp that allows you to pump up 
>the lows and roll off the highs, and you can get at least 50% to 
>that "jazz guitar" tone.  I don't care if it is a Gibson Flying 
>V....humbucker neck acticatd... into a amp with bass on 5, mid on 4, 
>and treble on 2....I can play a jazz gig and sound halfway decent. 
>I may look ridiculous, however :)
>
>Hmmmm, maybe I should have a custom hollow body archop Flying V 
>made.  Hah hah.
>
>Kris
>
>----- Original Message -----
>>It's interesting how certain elements work together on specific 
>>guitar models. A Tele can be a great jazz guitar with the treble 
>>rolled off, a humbucker or P90 in the neck position certainly 
>>helps,  but heavy strings even more so. Put some 12 or 13 
>>flatwounds on a  standard Strat and off you go!
>>
>>I got that from a studio player friend of mine who is constantly 
>>changing instrument's setups, putting nylon strings on older 
>>Martin's, thin strings on a jazz box, heavy gauge stuff on a Strat 
>>just to see what he comes up with. Quite a bit of setup work there 
>>(also some cheaper guitars might start to go south under 13's these 
>>days), but probably more rewarding that trying out your 12th 
>>variant  of a modded Tubescreamer clone.
>>
>>On the other hand my luthier once as an experiment (no extra holes 
>>drilled) put a Tele bridge on my 1960 Gibson Melody Maker (the 
>>single  cut LP shaped variant with P90's added) - and that small 
>>mahagony  swampthing suddenly started to put out some serious 
>>twang, amazing  difference. Too much twang for me, we put the 
>>Pigtail one-piece- bridge back on...
>>
>>Best, Andreas


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 15:10:14 2010
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Subject: Re: jazz on tele's etc.
From: Per Boysen <perboysen@gmail.com>
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I have to agree with Charles: the Flying V is a fantastic instrument
with a unique sound! Not sure I would pick it for jazz though ;-))  It
sure looks ridiculous but I have always loved that sound, just as much
as I love the Strat sound. IMHO slapping thick flatwounds on only
turns the already unique sound a bit more "jazzy", doesn't change the
main character. When I was using an Ibanez George Benson I did the
experiment to replace my usual thick 0.013 set with thin 0.010 strings
and noticed that it just sounded like "a jazz box with way too thin
strings". And today I use a telecaster with flatwound thick jazz
strings and it still sounds like a Telecaster - although without
frets. But all this is just a matter of taste, not much worth
discussing really. It's up to each player to find the sound that
inspires him by trying out lots of combinations.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Apr 1, 2010 at 4:43 PM, Charles Zwicky <cazwicky@earthlink.net> wro=
te:
> I realize that you're simply trying to make a point, but I want to hip yo=
u
> to a little known fact: =C2=A0Flying Vs make FANTASTIC jazz guitars.. the=
 body
> and neck are made from a very thin piece of mahogany , and they have a
> natural warmth and resonance... you'd prolly only get away with it in the
> studio... nobody in a Jass club wants to see some middle aged Jass guy wi=
th
> a flying V (and spandex)....
>
>> Good point on the flatwounds. =C2=A0My observation is that you can take =
any
>> guitar, and I mean any guitar, that has a neck pickup, put flatwounds on=
 it,
>> and plug into any amp that allows you to pump up the lows and roll off t=
he
>> highs, and you can get at least 50% to that "jazz guitar" tone. =C2=A0I =
don't
>> care if it is a Gibson Flying V....humbucker neck acticatd... into a amp
>> with bass on 5, mid on 4, and treble on 2....I can play a jazz gig and s=
ound
>> halfway decent. I may look ridiculous, however :)
>>
>> Hmmmm, maybe I should have a custom hollow body archop Flying V made. =
=C2=A0Hah
>> hah.
>>
>> Kris
>>
>> ----- Original Message -----
>>>
>>> It's interesting how certain elements work together on specific guitar
>>> models. A Tele can be a great jazz guitar with the treble rolled off, a
>>> humbucker or P90 in the neck position certainly helps, =C2=A0but heavy =
strings
>>> even more so. Put some 12 or 13 flatwounds on a =C2=A0standard Strat an=
d off you
>>> go!
>>>
>>> I got that from a studio player friend of mine who is constantly changi=
ng
>>> instrument's setups, putting nylon strings on older Martin's, thin stri=
ngs
>>> on a jazz box, heavy gauge stuff on a Strat just to see what he comes u=
p
>>> with. Quite a bit of setup work there (also some cheaper guitars might =
start
>>> to go south under 13's these days), but probably more rewarding that tr=
ying
>>> out your 12th variant =C2=A0of a modded Tubescreamer clone.
>>>
>>> On the other hand my luthier once as an experiment (no extra holes
>>> drilled) put a Tele bridge on my 1960 Gibson Melody Maker (the single =
=C2=A0cut
>>> LP shaped variant with P90's added) - and that small mahagony =C2=A0swa=
mpthing
>>> suddenly started to put out some serious twang, amazing =C2=A0differenc=
e. Too
>>> much twang for me, we put the Pigtail one-piece- bridge back on...
>>>
>>> Best, Andreas
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 15:21:13 2010
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Subject: ot: jazz on a tele...
From: Scott Hansen <evanpeewee@gmail.com>
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--0016e6d3e903bbcb5c04832e699d
Content-Type: text/plain; charset=ISO-8859-1

i have nothing to add to the jazz on tele list: bickert i remember him from
an article in GP back in 80s, i will put my vote in for danny gatton, he
demos it on his telemaster dvd-i just watched that a few days ago, he can do
the  wes montgomery thing pretty well, i think he uses the neck pu (he had
double blade bardens) and rolls off the treble...it sounded scary good jazzy
to me, m. stern of course, and last summer i saw bill frisell playing live
in our li'l town-and he played a stock tele w/ a fender something amp (i
honestly don't know my fender amps that well)--he did some looping
stuff-which was amazing (the crowd was a bit "huh, noise, what?"-but it was
cool), but he mostly played jazz stuff on his tele, and it sounded amazingly
like JAZZ!!!

i will to this day never understand the "you need a certain guitar" to play
"certain music" thing. just play what you got....i will say that when i was
in NYC back in '95 for my whirlwind 24 hr tour-we saw some jazz guitarist
guy (he was good) playing a big gibson semi hollow jazz box guitar-and it
was the warmest sounding thing i'd ever heard, but i will say that since
then i've heard gatton, frisell,& others play jazz on teles and it's pretty
close to the warm sound people associate w/ "jazz".
s---

--0016e6d3e903bbcb5c04832e699d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i have nothing to add to the jazz on tele list: bickert i remember him from=
 an article in GP back in 80s, i will put my vote in for danny gatton, he d=
emos it on his telemaster dvd-i just watched that a few days ago, he can do=
 the=A0 wes montgomery thing pretty well, i think he uses the neck pu (he h=
ad double blade bardens) and rolls off the treble...it sounded scary good j=
azzy to me, m. stern of course, and last summer i saw bill frisell playing =
live in our li&#39;l town-and he played a stock tele w/ a fender something =
amp (i honestly don&#39;t know my fender amps that well)--he did some loopi=
ng stuff-which was amazing (the crowd was a bit &quot;huh, noise, what?&quo=
t;-but it was cool), but he mostly played jazz stuff on his tele, and it so=
unded amazingly like JAZZ!!! <br>
<br>i will to this day never understand the &quot;you need a certain guitar=
&quot; to play &quot;certain music&quot; thing. just play what you got....i=
 will say that when i was in NYC back in &#39;95 for my whirlwind 24 hr tou=
r-we saw some jazz guitarist guy (he was good) playing a big gibson semi ho=
llow jazz box guitar-and it was the warmest sounding thing i&#39;d ever hea=
rd, but i will say that since then i&#39;ve heard gatton, frisell,&amp; oth=
ers play jazz on teles and it&#39;s pretty close to the warm sound people a=
ssociate w/ &quot;jazz&quot;.<br>
s---<br>

--0016e6d3e903bbcb5c04832e699d--

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Subject: Re: tweek-o-mania.....M 13
Date: Thu, 1 Apr 2010 11:39:38 -0400
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I don't really see a problem with that Rainer, I never run a distortion 
pedal after delay or reverb, etc, anyway. I suppose that there are stereo 
distortion boxes but all that I have, Zvex Fuzz Factory, etc are mono. I 
always run distortion/filter or filter/distortion first and then into the 
modulation/delay/reverb stuff which is all stereo in my set up. Then I run 
that in stereo to my stereo loopers Boss DD 20 and EH 2880.

So as usual I see it as distortion-filters (some filters are stereo), 
modulations-delays/reverbs.(all stereo I think)

I do wish the looper was stereo however but actually don't anticipate using 
it much anyway. I get my M9 box today and will report. I am seeing it as a 
souped up replacement for my aging DL 4 which I have rarely used the looper 
on, (no feedback control/mono). The only thing that might change this is 
being able to switch pre/post fx, this may make it very usable indeed! and 
would stereoize the looper.

I do think I agree in that if I was looking for a does it all box, the M 13 
would fail because of the lack of stereo looping. (What is the point?!!) I 
have given up on hoping for that outside of a laptop I suppose and I am just 
not ready to go that route..:)


enough out of me,

Jeff



----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 01, 2010 8:12 AM
Subject: Re: tweek-o-mania.....M 13


> Thanks to you, Brian and Jeff, for your throughout explanation.
>
> So basically, it's an integrated stompbox-chain replacement with lots of
> flexibility plus looper, but nothing more (not this isn't a lot 
> already...).
>
> There's one thing that bothers me, however - and that's the passage
> "Some models (like Stereo Delay) provide stereo operation. When run
> before a mono model (like a distortion), the signal will collapse to mono
> as it feeds the mono effect, and will then be passed on in mono to the
> next effect or outputs."
>
> Which, although the device looks like a full-stereo thing (with stereo
> in and out), with lots of configurations (e.g. when you have a
> distortion in your chain) it will basically not be stereo (and the
> looper is mono as well).
>
> I'm just pointing this out because this is exactly what bugs me a lot
> about Roland's VBass, where you can pan your individual strings from the
> hex pickup wildly around, but the moment you send it through an amp,
> distortion or wah, it's all gone...
>
> Do you know (or does the manual state this somewhere) which effects are
> mono-only?
>
>       Rainer
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


--------------------------------------------------------------------------------



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PS Can you bake pancakes with it? ;-)


deep fried butter crapes!.....it's outstanding!

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 15:55:41 2010
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. Feedback:> How did that with looper feedback work again?=20
Adjustable?that, I don't know.


the feedback is adjustable.....otherwise i would beat it with my=20
rang!!!!!

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 15:56:38 2010
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Andy wrote:
any psu available which covers both polarities?"

  I believe all of the Voodoo labs products can take either polarity,  
but you have to use a reverse polarity cable which they sell, I have  
one cable I don't use  as i don't have any effects with reverse  
polarity at this time. Not sure about the Dunlop DC brick

Bill







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Subject: OT: jazz on tele's etc.
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> Andreas wrote:
> and that small mahagony swampthing suddenly started to put out some  
> serious twang, amazing difference. Too much twang for me, we put the  
> Pigtail one-piece-bridge back on...

  I'm sorry there is no such thing as two much twang :-) seriously My  
Tele has been the ongoing test subject for pickup research since I had  
it assembled in 2007, It started with mini humbuckers (the deluxe  
style with boo boo rings) Then I tried P-90 stacks, then a combo of  
the minis and P-90's.
Currently I have two full size hum buckers on it and I'm going to  
switch back to something brighter. I'm having the Duncan custom shop  
make me a set of these, http://www.seymourduncan.com/products/custom-shop/humbuckers/rod_magnet_33_h/ 
,  which are similar in sound to the wide aperture humbucking pickups  
designed by Seth Lover (the father of the humbucking pickup) for  
Fender's 70's era thinline teles, but are brighter and twangier than  
gibson style humbuckers, even more so with the rod magnets, and I will  
have then underwound for more treble response. I would agree that  
elements of guitar construction, hardware and string gauges also  
contribute to the guitars sonic signature, a tele with humbuckers  
still has more treble response  than a gibson guitar with similar  
pickups unless of course you put overwound pickups on it, then every  
thing turns to muddy shit :-)
  Bill
--Apple-Mail-11--226176241
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><blockquote type=3D"cite">Andreas=
 wrote:</blockquote><blockquote type=3D"cite">and that small mahagony =
swampthing suddenly started to put out some serious twang, amazing =
difference. Too much twang for me, we put the Pigtail one-piece-bridge =
back on...</blockquote><br><div>&nbsp;I'm sorry there is no such thing =
as two much twang :-) seriously My Tele has been the ongoing test =
subject for pickup research since I had it assembled in 2007, It started =
with mini humbuckers (the deluxe style with boo boo rings) Then I tried =
P-90 stacks, then a combo of the minis and =
P-90's.&nbsp;</div><div>Currently I have two full size hum buckers on it =
and I'm going to switch back to something brighter. I'm having the =
Duncan custom shop make me a set of these,&nbsp;<a =
href=3D"http://www.seymourduncan.com/products/custom-shop/humbuckers/rod_m=
agnet_33_h/">http://www.seymourduncan.com/products/custom-shop/humbuckers/=
rod_magnet_33_h/</a>, &nbsp;which are similar in sound to the wide =
aperture humbucking pickups designed by Seth Lover (the father of the =
humbucking pickup) for Fender's 70's era thinline teles, but are =
brighter and twangier than gibson style humbuckers, even more so with =
the rod magnets, and I will have then underwound for more treble =
response. I would agree that elements of guitar construction, hardware =
and string gauges also contribute to the guitars sonic signature, a tele =
with humbuckers still has more treble response &nbsp;than a gibson =
guitar with similar pickups unless of course you put overwound pickups =
on it, then every thing turns to muddy shit =
:-)</div><div>&nbsp;Bill</div></body></html>=

--Apple-Mail-11--226176241--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 16:24:49 2010
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Subject: Re: OT: jazz on tele's etc. 
Date: Thu, 1 Apr 2010 09:24:43 -0700
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"It's also important to get a Tele sound that the strings go through  
the body."

  Well, Jim Campilongo might  disagree on that one :-) One of the best  
tele players on the planet, he likes top loaders, though I would tend  
to agree, string through body sounds woodier to my ears.
  Bill

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 16:37:11 2010
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Speaking of strings. I've been doing this hybrid thing for a year or so and 
really love it.
It's something I read about Pat Martino doing.  I use flatwound 12's on the 
lower half of my
strings (E-A-D) and flatwound 13s on the upper half (G-B-E).   One complaint 
that
jazz guitarists have with their tone is that the low strings are too boomy 
and the high
strings are too thin. So one way of addressing that is with this hybrid set. 
It produces
a more balanced tone across the strings, less discrepancy in tone between 
high and low
strings...that way you get a nice fat tone on the high strings and a 
complementary tone
on the low strings.

Now Martino goes to extremes, and uses a 15 guage for his high E string. I 
have considered
that and have a set of his Labella strings...but I can't stand the Labella 
flatwounds or any
of the other flatwound besides the D'Addario Chromes, because they feel too 
stiff and
brittle, and are too bright. I've been using the Chromes for years and 
absolutely love them.

Kris



----- Original Message ----- 


I have to agree with Charles: the Flying V is a fantastic instrument
with a unique sound! Not sure I would pick it for jazz though ;-))  It
sure looks ridiculous but I have always loved that sound, just as much
as I love the Strat sound. IMHO slapping thick flatwounds on only
turns the already unique sound a bit more "jazzy", doesn't change the
main character. When I was using an Ibanez George Benson I did the
experiment to replace my usual thick 0.013 set with thin 0.010 strings
and noticed that it just sounded like "a jazz box with way too thin
strings". And today I use a telecaster with flatwound thick jazz
strings and it still sounds like a Telecaster - although without
frets. But all this is just a matter of taste, not much worth
discussing really. It's up to each player to find the sound that
inspires him by trying out lots of combinations.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Apr 1, 2010 at 4:43 PM, Charles Zwicky <cazwicky@earthlink.net> 
wrote:
> I realize that you're simply trying to make a point, but I want to hip you
> to a little known fact: Flying Vs make FANTASTIC jazz guitars.. the body
> and neck are made from a very thin piece of mahogany , and they have a
> natural warmth and resonance... you'd prolly only get away with it in the
> studio... nobody in a Jass club wants to see some middle aged Jass guy 
> with
> a flying V (and spandex)....
>
>> Good point on the flatwounds. My observation is that you can take any
>> guitar, and I mean any guitar, that has a neck pickup, put flatwounds on 
>> it,
>> and plug into any amp that allows you to pump up the lows and roll off 
>> the
>> highs, and you can get at least 50% to that "jazz guitar" tone. I don't
>> care if it is a Gibson Flying V....humbucker neck acticatd... into a amp
>> with bass on 5, mid on 4, and treble on 2....I can play a jazz gig and 
>> sound
>> halfway decent. I may look ridiculous, however :)
>>
>> Hmmmm, maybe I should have a custom hollow body archop Flying V made. Hah
>> hah.
>>
>> Kris
>>
>> ----- Original Message -----
>>>
>>> It's interesting how certain elements work together on specific guitar
>>> models. A Tele can be a great jazz guitar with the treble rolled off, a
>>> humbucker or P90 in the neck position certainly helps, but heavy strings
>>> even more so. Put some 12 or 13 flatwounds on a standard Strat and off 
>>> you
>>> go!
>>>
>>> I got that from a studio player friend of mine who is constantly 
>>> changing
>>> instrument's setups, putting nylon strings on older Martin's, thin 
>>> strings
>>> on a jazz box, heavy gauge stuff on a Strat just to see what he comes up
>>> with. Quite a bit of setup work there (also some cheaper guitars might 
>>> start
>>> to go south under 13's these days), but probably more rewarding that 
>>> trying
>>> out your 12th variant of a modded Tubescreamer clone.
>>>
>>> On the other hand my luthier once as an experiment (no extra holes
>>> drilled) put a Tele bridge on my 1960 Gibson Melody Maker (the single 
>>> cut
>>> LP shaped variant with P90's added) - and that small mahagony swampthing
>>> suddenly started to put out some serious twang, amazing difference. Too
>>> much twang for me, we put the Pigtail one-piece- bridge back on...
>>>
>>> Best, Andreas
>
>
> --
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>
>

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Subject: Re: tweek-o-mania.....M 13
References: <763875.72971.qm@web34303.mail.mud.yahoo.com> <4BB48D97.7090109@googlemail.com> <005701cad1b1$8a3fe420$e1f23747@tbl01fcf9be917>
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That surprises me, Jeff...judging from what I heard from you so far, I 
would've taken you as the kind of guy who puts effects in the wrong 
order (according to those typical articles for normal guitarists). Now 
there's no need to do delay->distortion (because some of the delay 
models already do include distortion), but reverb->distortion would be 
nice...

Apart from that, I do see this as a valid problem, simply because it has 
stereo inputs, and as such if you hit it with e.g. a Warr guitar (stereo 
outs), you'd loose that...

       Rainer

Jeff Duke schrieb:
> I don't really see a problem with that Rainer, I never run a 
> distortion pedal after delay or reverb, etc, anyway. I suppose that 
> there are stereo distortion boxes but all that I have, Zvex Fuzz 
> Factory, etc are mono. I always run distortion/filter or 
> filter/distortion first and then into the modulation/delay/reverb 
> stuff which is all stereo in my set up. Then I run that in stereo to 
> my stereo loopers Boss DD 20 and EH 2880.
>
> So as usual I see it as distortion-filters (some filters are stereo), 
> modulations-delays/reverbs.(all stereo I think)


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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New must have processor with adjustable Warble rate, Deviation range, 
Emotive Overload, and Caterwaul rotary controls:
http://www.moogmusic.com/moogerfooger/?section=product&product_id=21374

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 17:47:01 2010
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Subject: VirtualGigSpam reminder: Jim Goodin Live on ImprovFriday, tomorrow 
	eve 7pm PST
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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A reminder that I'm appearing live tomorrow evening (Fri. Apr 2) in a solo
performance on the improvisational web community portal *ImprovFriday*.  My
live video cast will be streamed to their home page at
http://improvfriday.ning.com.

Showtime is 7pm PST (10pm EST).  Go to
http://www.timeanddate.com/worldclock/converter.html to find my exact show
time in your locale.

Jim

Post... in a previous email we were planning a live cast with the
Digitsignal <http://www.livestream.com/digitsignallive> group.  We have
since decided to move that show to the weekend of Apr 11.  Stay tuned for an
update on that next week.


-- 
music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00163691fbc526b4e0048330736a
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A reminder that I&#39;m appearing live tomorrow evening (Fri. Apr 2) in a=
=20
solo performance on the improvisational web community portal <b>ImprovFrida=
y</b>.=A0
 My live video cast will be streamed to their home page at <a href=3D"http:=
//improvfriday.ning.com/" target=3D"_blank">http://improvfriday.ning.com</a=
>.<br>
<br>Showtime is 7pm PST (10pm EST).=A0 Go to <a href=3D"http://www.timeandd=
ate.com/worldclock/converter.html" target=3D"_blank">http://www.timeanddate=
.com/worldclock/converter.html</a>
 to find my exact show time in your locale.<br>
<br>Jim<br clear=3D"all">
<br>Post... in a previous email we were planning a live cast=20
with the <a href=3D"http://www.livestream.com/digitsignallive" target=3D"_b=
lank">Digitsignal</a> group.=A0 We have since decided to move=20
that show to the weekend of Apr 11.=A0 Stay tuned for an update on that nex=
t week.<br>
<br clear=3D"all"><br>-- <br>music links...<br><a href=3D"http://www.jimgoo=
dinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapain=
tingmusic.com">www.chinapaintingmusic.com</a><br><a href=3D"http://www.mysp=
ace.com/jimgoodinmusic">www.myspace.com/jimgoodinmusic</a><br>
<a href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/china=
paintingmusic</a><br><a href=3D"http://www.myspace.com/jimgoodinviolinelect=
ro">www.myspace.com/jimgoodinviolinelectro</a><br><a href=3D"http://www.mys=
pace.com/jindream">www.myspace.com/jindream</a><br>
<a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodin=
music</a><br><a href=3D"http://www.livestream.com/jimgoodinlive">www.livest=
ream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/digitsig=
nallive">www.livestream.com/digitsignallive</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00163691fbc526b4e0048330736a--

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References: <528B40F7A4734BCF9375A1DC683B7D90@americas.hpqcorp.net> <20469344.241.1270097307370.JavaMail.root@n34> <26790717.249.1270098631355.JavaMail.root@n34>
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Subject: Re: Steinberg Cubase for Audio Recording and Mixing
Date: Thu, 1 Apr 2010 12:28:52 -0600
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I am messing around with Reaper.  Fairly intuitive.  I like it.   One =
issue I had was I tried to load up my Voxengo Boogex amp sim VST and the =
strangest thing happend...my signal would come through fine for a few =
second, and then it the VST signal would fade out to nothing, like the =
program shut it down.  Weird.   But my Waves reverb and compressor works =
awesome as a plugin.
Kris

  ----- Original Message -----=20


  Now this is more like it. Thanks.
    ----- Original Message -----=20
    From: Tony K=20
    To: 'Kris Hartung'=20
    Sent: Wednesday, March 31, 2010 10:41 PM
    Subject: RE: Steinberg Cubase for Audio Recording and Mixing


    Yeah,  get Reaper instead.  $60  and you can try it for free =
forever.

    =20

    http://www.cockos.com/reaper/

    =20

    I'm using it with an 8 channel Firepod.  And it's great.

    =20

    Tony

    =20



    ny opinions on Steinberg's Cubase for recording and mixing audio?  I =
see it is about $300 and wonder if it is worth it. I'll be using my RME =
Fireface 400 as the interface.  Anyway to get a demo version?

    =20

    Kris

    =20

    =20

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<BODY lang=3DEN-US vLink=3Dpurple link=3Dblue bgColor=3Dwhite>
<DIV><FONT face=3DArial size=3D2>I am messing around with Reaper.&nbsp; =
Fairly=20
intuitive.&nbsp; I like it.&nbsp; &nbsp;One issue I had was I tried to =
load up=20
my Voxengo Boogex amp sim VST and the strangest thing happend...my =
signal would=20
come through fine for a few second, and then it the VST signal would =
fade out to=20
nothing, like the program shut it down.&nbsp; Weird.&nbsp;&nbsp; But my =
Waves=20
reverb and compressor works awesome as a plugin.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV><FONT face=3DArial size=3D2></FONT><BR></DIV>
  <DIV><FONT face=3DArial size=3D2>Now this is more like it. =
Thanks.</FONT></DIV>
  <BLOCKQUOTE dir=3Dltr=20
  style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
    <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV=20
    style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
    <A title=3Dbigtonyk@gmail.com =
href=3D"mailto:bigtonyk@gmail.com">Tony K</A>=20
    </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A =
title=3Dinfo@krispenhartung.com=20
    href=3D"mailto:info@krispenhartung.com">'Kris Hartung'</A> </DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, March 31, =
2010 10:41=20
    PM</DIV>
    <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: Steinberg Cubase =
for Audio=20
    Recording and Mixing</DIV>
    <DIV><BR></DIV>
    <DIV class=3DSection1>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">Yeah,&nbsp;=20
    get Reaper instead.&nbsp; $60&nbsp; and you can try it for free=20
    forever.<o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><A=20
    =
href=3D"http://www.cockos.com/reaper/">http://www.cockos.com/reaper/</A><=
o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">I=92m=20
    using it with an 8 channel Firepod.&nbsp; And it=92s=20
    great.<o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'">Tony<o:p></o:p></SPAN></P>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: =
'Calibri','sans-serif'"><o:p>&nbsp;</o:p></SPAN></P>
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    <P class=3DMsoNormal><o:p></o:p></P><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'">ny =
opinions on=20
    Steinberg's Cubase for recording and mixing audio?&nbsp; I see it is =
about=20
    $300 and wonder if it is worth it. I'll be using my RME Fireface 400 =
as the=20
    interface.&nbsp; Anyway to get a demo=20
    version?</SPAN><o:p></o:p></P></DIV></DIV>
    <DIV>
    <P class=3DMsoNormal>&nbsp;<o:p></o:p></P></DIV>
    <DIV>
    <P class=3DMsoNormal><SPAN=20
    style=3D"FONT-SIZE: 10pt; FONT-FAMILY: =
'Arial','sans-serif'">Kris</SPAN><o:p></o:p></P></DIV>
    <DIV>
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    <DIV>
    <P=20
class=3DMsoNormal>&nbsp;<o:p></o:p></P></DIV></DIV></BLOCKQUOTE></BLOCKQU=
OTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 18:57:05 2010
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Subject: Re: OT: Re: jazz on tele's etc.
Date: Thu, 01 Apr 2010 14:56:45 -0400
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kris sprechen  << I use flatwound 12's on the lower half of my
strings (E-A-D) and flatwound 13s on the upper half (G-B-E). >>

wow.....great discussion on all this jazz tele stuff.....thank GOD kim=20
is off riding his bike so we don't get yelled at for all this "string"=20
talk.....:)
.....TONE TONE TONE!.....m
p.s. if your in town i'll be making "MUSIC ?" with my zazzy new M 13 @=20
THE CHILDREN"S ART GALLERY 5020 PENN AVE. GARFIELD
.....FIRST FRIDAY ART CRAWL @ apx 7:00 till my ride tells me i gots to=20
go!

From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 19:09:10 2010
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From: "Jeff Duke" <jeff_d@embarqmail.com>
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Subject: Re: tweek-o-mania.....M 13
Date: Thu, 1 Apr 2010 15:09:05 -0400
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:), damn if there's one thing worse than friends who don't know you it's 
friends that do!

but really your correct, I have now tried my M9 and it is indescribably 
wonderful right out of the box. However there are always going to be things 
that would have made it better. I do see your point. I have gotten to where 
I just use what I can and disregard the rest after writing companies with my 
ideas!

ok, i sat down and only played with the first "scene" for a while :) this is 
just clean guitar into the M9 and then looped with a Boss DD 20. Partical 
verb (stable and hazard settings), barbershop phaser, and sweep echo were 
the 3 available fx units in the scene.

I like it!

http://dl.dropbox.com/u/679233/testingm9.mp3

peace out,

Jeff


----- Original Message ----- 
From: "Rainer Straschill" <moinsound@googlemail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 01, 2010 12:42 PM
Subject: Re: tweek-o-mania.....M 13


> That surprises me, Jeff...judging from what I heard from you so far, I
> would've taken you as the kind of guy who puts effects in the wrong
> order (according to those typical articles for normal guitarists). Now
> there's no need to do delay->distortion (because some of the delay
> models already do include distortion), but reverb->distortion would be
> nice...
>
> Apart from that, I do see this as a valid problem, simply because it has
> stereo inputs, and as such if you hit it with e.g. a Warr guitar (stereo
> outs), you'd loose that...
>
>       Rainer
>
> Jeff Duke schrieb:
>> I don't really see a problem with that Rainer, I never run a
>> distortion pedal after delay or reverb, etc, anyway. I suppose that
>> there are stereo distortion boxes but all that I have, Zvex Fuzz
>> Factory, etc are mono. I always run distortion/filter or
>> filter/distortion first and then into the modulation/delay/reverb
>> stuff which is all stereo in my set up. Then I run that in stereo to
>> my stereo loopers Boss DD 20 and EH 2880.
>>
>> So as usual I see it as distortion-filters (some filters are stereo),
>> modulations-delays/reverbs.(all stereo I think)
>
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Thu Apr  1 19:18:36 2010
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Subject: Re: tweek-o-mania.....M 13
Date: Thu, 01 Apr 2010 15:18:19 -0400
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i bet matt davignon would like this pedal.....the pre/post thing has me=20
really intreagued.....i've only had it a few daze now
so take anything i say as a true newB.....i have been playing it on a=20
hassok in front of my chair in order to mess with the fx
knobs.....using the "LOOPS" strictly to test out the "sounds".....i=20
wish the LOOP button were a whole other beastie and sat on the floor
by itself......i find myself switching between the pre and post button=20
quite often......it's a very PLAYABLE box and this imho is its greatest=20
charm
added to the fact that it sounds so sweet.....PLUS, set up time is < a=20
minute.....:).....also, as mentioned, the fx sends look very yummy and=20
my mind melts
  thinking about what i can throw in there.....AND it takes TWO=20
expression pedals.....once i "grasp" the whole "scene" thing i will be=20
one happy compact camper
.....ymmv of course.....m




 =20

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Date: Thu, 1 Apr 2010 12:23:50 -0700
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Subject: Re: tweek-o-mania.....M 13
From: Kevin Cheli-Colando <billowhead@gmail.com>
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That was very nice.  I think this may have just piqued my interest in
buying MORE gear.  I had been so good for so long.

Thanks guys.

Kevin

On Thu, Apr 1, 2010 at 12:09 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> :), damn if there's one thing worse than friends who don't know you it's
> friends that do!
>
> but really your correct, I have now tried my M9 and it is indescribably
> wonderful right out of the box. However there are always going to be things
> that would have made it better. I do see your point. I have gotten to where
> I just use what I can and disregard the rest after writing companies with my
> ideas!
>
> ok, i sat down and only played with the first "scene" for a while :) this is
> just clean guitar into the M9 and then looped with a Boss DD 20. Partical
> verb (stable and hazard settings), barbershop phaser, and sweep echo were
> the 3 available fx units in the scene.
>
> I like it!
>
> http://dl.dropbox.com/u/679233/testingm9.mp3
>
> peace out,
>
> Jeff
>

-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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JEFFAMUNDO SEZ <<Partical verb (stable and hazard settings), barbershop=20
phaser, and sweep echo were the 3 available fx units in the scene.=C2=A0>>

i rest my case!.....BIG FUN @ a swell price!

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Subject: Re: tweek-o-mania.....M 13
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Thank you, it was however just too easy, I'll bet I didn't play more than 5 
notes the whole time, er, about what I usually do, :)


j


----- Original Message ----- 
From: "Kevin Cheli-Colando" <billowhead@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 01, 2010 3:23 PM
Subject: Re: tweek-o-mania.....M 13


> That was very nice.  I think this may have just piqued my interest in
> buying MORE gear.  I had been so good for so long.
>
> Thanks guys.
>
> Kevin
>
> On Thu, Apr 1, 2010 at 12:09 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>> :), damn if there's one thing worse than friends who don't know you it's
>> friends that do!
>>
>> but really your correct, I have now tried my M9 and it is indescribably
>> wonderful right out of the box. However there are always going to be 
>> things
>> that would have made it better. I do see your point. I have gotten to 
>> where
>> I just use what I can and disregard the rest after writing companies with 
>> my
>> ideas!
>>
>> ok, i sat down and only played with the first "scene" for a while :) this 
>> is
>> just clean guitar into the M9 and then looped with a Boss DD 20. Partical
>> verb (stable and hazard settings), barbershop phaser, and sweep echo were
>> the 3 available fx units in the scene.
>>
>> I like it!
>>
>> http://dl.dropbox.com/u/679233/testingm9.mp3
>>
>> peace out,
>>
>> Jeff
>>
>
> -- 
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>


--------------------------------------------------------------------------------



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Date: Fri, 2 Apr 2010 03:41:56 +0800
Message-ID: <k2pbe6db5df1004011241t455d5a5dk82300640eaf44d6e@mail.gmail.com>
Subject: Re: Yamaha MFC10 midi foot controllers and the EDP-1
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364edf44304c960483320ed6
Content-Type: text/plain; charset=ISO-8859-1

:)

On Thu, Apr 1, 2010 at 11:35 PM, d.nix <d.nix@comcast.net> wrote:

> Nothing yet, but soon I hope.
>
> :-)
>
>
> > Is your band on youtube? Or do you have any recorded materials? It would
> be
> > fantastic to hear other loop bands.
> > Best regards,
> > Halimski.
> >
>
>

--0016364edf44304c960483320ed6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

:)<br><br><div class=3D"gmail_quote">On Thu, Apr 1, 2010 at 11:35 PM, d.nix=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:d.nix@comcast.net">d.nix@comcast.n=
et</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"marg=
in:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Nothing yet, but soon I hope.<br>
<br>
:-)<br>
<div><div class=3D"h5"><br>
<br>
&gt; Is your band on youtube? Or do you have any recorded materials? It wou=
ld<br>
be<br>
&gt; fantastic to hear other loop bands.<br>
&gt; Best regards,<br>
&gt; Halimski.<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--0016364edf44304c960483320ed6--

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	 <4BB48D97.7090109@googlemail.com>
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Date: Thu, 1 Apr 2010 21:53:04 +0100
Message-ID: <g2gd302e3571004011353yac275d4m405ffc9432ac08b8@mail.gmail.com>
Subject: Re: tweek-o-mania.....M 13
From: Simeon Harris <simeonharris40@googlemail.com>
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--001485f6299491b34c0483330cb0
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that was wicked jeff. the particle verb sounds a bit like one of the presets
on the eventide eclipse that i use a lot.
how much is this box? i'll have to go google it...!

On Thu, Apr 1, 2010 at 8:30 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

> Thank you, it was however just too easy, I'll bet I didn't play more than 5
> notes the whole time, er, about what I usually do, :)
>
>
>

--001485f6299491b34c0483330cb0
Content-Type: text/html; charset=ISO-8859-1
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that was wicked jeff. the particle verb sounds a bit like one of the preset=
s on the eventide eclipse that i use a lot.<br>how much is this box? i&#39;=
ll have to go google it...!<br><br><div class=3D"gmail_quote">On Thu, Apr 1=
, 2010 at 8:30 PM, Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d=
@embarqmail.com">jeff_d@embarqmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Thank you, it was=
 however just too easy, I&#39;ll bet I didn&#39;t play more than 5 notes th=
e whole time, er, about what I usually do, :)<br>

<br><br></blockquote></div>

--001485f6299491b34c0483330cb0--

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Date: Thu, 1 Apr 2010 23:51:19 +0200
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Subject: Re: tweek-o-mania.....M 13
From: Sjaak Overgaauw <tcplugin@gmail.com>
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On Thu, Apr 1, 2010 at 10:53 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> that was wicked jeff. the particle verb sounds a bit like one of the presets
> on the eventide eclipse that i use a lot.

Nice piece Jeff, give you a good impression of the M9/M13.

Simeon: particle verb sounds indeed Eventidisch, especially if you add
a pitch shifter effect ;-)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Date: Fri, 2 Apr 2010 00:58:52 +0200
Message-ID: <y2z66f9cc1e1004011558pb0972200q1f2b52c8567ef956@mail.gmail.com>
Subject: Re: tweek-o-mania.....M 13
From: Per Boysen <perboysen@gmail.com>
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On Thu, Apr 1, 2010 at 10:53 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> !

Indeed. Seems like a nice box. What causes that buzzing noise? Single
coils in a magnetic field? Or is it the M8?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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References: <763875.72971.qm@web34303.mail.mud.yahoo.com> <4BB48D97.7090109@googlemail.com> <005701cad1b1$8a3fe420$e1f23747@tbl01fcf9be917> <4BB4CCFA.7070609@googlemail.com> <002201cad1ce$cc6e0170$e1f23747@tbl01fcf9be917> <z2g37f071c01004011223xf6c4f93crd62addea17efaee2@mail.gmail.com> <005801cad1d1$c32b5f10$e1f23747@tbl01fcf9be917> <g2gd302e3571004011353yac275d4m405ffc9432ac08b8@mail.gmail.com> <y2z66f9cc1e1004011558pb0972200q1f2b52c8567ef956@mail.gmail.com>
Subject: Re: tweek-o-mania.....M 13
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I'm not sure what you mean but my sustainor pickup does makes a kind of 
buzzy driven sound. could be that.

j

----- Original Message ----- 
From: "Per Boysen" <perboysen@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 01, 2010 6:58 PM
Subject: Re: tweek-o-mania.....M 13


> On Thu, Apr 1, 2010 at 10:53 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> !
>
> Indeed. Seems like a nice box. What causes that buzzing noise? Single
> coils in a magnetic field? Or is it the M8?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>


--------------------------------------------------------------------------------



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Version: 8.5.437 / Virus Database: 271.1.1/2781 - Release Date: 03/31/10 
06:32:00

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From: Bill Fox <billyfox@soundscapes.us>
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
        spacemusic Yahoogroups List <spacemusic@yahoogroups.com>,
        Ambient Way Yahoogroups List <the_ambient_way@yahoogroups.com>,
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll begin a month-long
Special Focus on Radio Massacre International.  The Featured CD at
Midnight will be disk four from "Lost In Space" on Northern Echo
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#apr

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen on the internet.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 03:03:27 2010
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Subject: OT: Re: jazz on tele's etc.
Date: Thu, 1 Apr 2010 20:03:20 -0700
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Flat wounds, Boy thats where you lose me. Every set of flatwounds save  
one, I've every put on has been taken off really quickly. Flat wounds  
where designed primarily for feel and to lessen finger noise.. Tone ?  
What tone? I know they have become a tradition in the Jazz guitar  
world, but i don't for the life of me understand why. Plenty of  
amazing jazz guitar records were recorded on round wound strings long  
before flat wounds came on the scene. It seems that one can achieve a  
darker tone with a tone control,have a  broader spectrum acoustic tone  
( particularly on a fine hand made solid wood archtop ) and still have  
the option for a brighter electric tone as well. The one set of  
flatwounds I did  like were Pyramid strings like the Beatles used,  
talk about scarce and expensive, yikes!  They felt really comfortable  
but still had a some treble zing. I like pure nickel wrapped strings  
as the nickel feels softer than nickel plated steel and is  less  
shrill when you first put them on and warmer overall. I use GHS  
Santana strings (formally called Big Core), either 11 1/2 or 12   
through 56 on my tele, and a  10 1/2 through 48 on my strat.  Speaking  
of strings I've been very impressed with two other signature sets from  
GHS, The Muriel Anderson Classics which were a great surprise, and the  
Laurence Juber  signature acoustics which are slightly brighter than  
standard phosphor bronze, and longer lasting than any strings I've  
tried that aren't coated. Coating ugh, not a fan of coated strings.
Bill

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 03:14:32 2010
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Subject: Re: Re: jazz on tele's etc.
Date: Thu, 1 Apr 2010 21:14:31 -0600
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It is definitely a feel thing, Bill.  I have noticed also that I can get a 
lower action with flatwounds.

But tone is relative, and they do produce a darker tone...not the same tone 
that you get when
you play with round wounds and turn the tone nob down...I hate the sound of 
the guitar
with the tone nob down anyway.  :)  Most jazz guitarists just prefer a 
darker tone, and
the combination of flat wounds with the neck pickup, and an amp tuned right 
is the ticket.

And the best thing about flatwounds I like....I only change my strings every 
6 months. :)

Kris


----- Original Message ----- 



> Flat wounds, Boy thats where you lose me. Every set of flatwounds save 
> one, I've every put on has been taken off really quickly. Flat wounds 
> where designed primarily for feel and to lessen finger noise.. Tone ? 
> What tone? I know they have become a tradition in the Jazz guitar  world, 
> but i don't for the life of me understand why. Plenty of  amazing jazz 
> guitar records were recorded on round wound strings long  before flat 
> wounds came on the scene. It seems that one can achieve a  darker tone 
> with a tone control,have a  broader spectrum acoustic tone  ( particularly 
> on a fine hand made solid wood archtop ) and still have  the option for a 
> brighter electric tone as well. The one set of  flatwounds I did  like 
> were Pyramid strings like the Beatles used,  talk about scarce and 
> expensive, yikes!  They felt really comfortable  but still had a some 
> treble zing. I like pure nickel wrapped strings  as the nickel feels 
> softer than nickel plated steel and is  less  shrill when you first put 
> them on and warmer overall. I use GHS  Santana strings (formally called 
> Big Core), either 11 1/2 or 12   through 56 on my tele, and a  10 1/2 
> through 48 on my strat.  Speaking  of strings I've been very impressed 
> with two other signature sets from  GHS, The Muriel Anderson Classics 
> which were a great surprise, and the  Laurence Juber  signature acoustics 
> which are slightly brighter than  standard phosphor bronze, and longer 
> lasting than any strings I've  tried that aren't coated. Coating ugh, not 
> a fan of coated strings.
> Bill
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 03:23:04 2010
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From: Jeremy devros <deafrose58@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT - Rick's rhythm intensive
Date: Thu, 1 Apr 2010 20:23:01 -0700
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Actually the quote was Sir Lawrence Olivier to Dustin on the set of Maratho=
n Man. Dustin said it was the days of Studio 54 and he'd been up...uh...for=
 a few extra hours ( days).
JD Devros

From: mark@markfrancombe.com
Date: Wed=2C 31 Mar 2010 21:38:09 +0200
Subject: Re: OT - Rick's rhythm intensive
To: Loopers-Delight@loopers-delight.com

Excuse my french Fabio.. but Fucking Hell... You see why I see it as an exe=
rcise.. the sheer complexity and skill that that must take is totally beyon=
d me.. its certainly doesn't SOUND that clever I'm afraid!!!



I AM impressed and maybe just a little jealous=2C cos there no way I could =
do that in a million years.


Theres a famous actors quote from Alec Guinness to Dustin Hoffman=2C after =
Hoffman spent the night on the street=2C because "his character was suppose=
d to have spent the night on the street.. Guiness said.. "Why dont you try =
acting darling?"




I'm tempted to say... "Why don't you use a drum machine?"...=20

oops sorry!

Im gonna get me one of those thing's and see what I can make of it...=20

Mark






On Wed=2C Mar 31=2C 2010 at 9:26 PM=2C Fabio_A <eterogenus@gmail.com> wrote=
:


When you had a number on the screen saying 7 for example=2C was that one cl=
ick every 7 shakes? Cos that not what I call a time signature really=2C its=
 just a clikc every 7 shakes..=20




=20
Mark=2C when you see 7=2C it means that I'm playing a pattern of 7 beats.
For a better understanding: the pattern in 7 can be write like this:
=20
1    2    3   4    5    6    7          (beats)
x x x x x x x x x x x x x x       (shakes)
c            c                             (cliks)
=20
=20
the "groove" for me was the shakes... and (being pretty rudimentary rhythmi=
cally (fave drummer Mo Tuck))  my foot was still four on the floor=2C it wa=
s not pushed to to a new rhythm...=20




=20
even with the 3 or 5 or 7 patterns ?=20
Maybe=2C you can't feel it because ther's no strong accent defining the pat=
terns.
 =20
I like the sound of musical poly rhythms (5 note riffs against 6 note for e=
x) but this seems to be an (extremely clever and unbelievably skillful) exe=
rcise in juggling...=20





=20
What I can say is that this "toy" has really improved my rhythm skill.=20

 Thanks for watching !
=20
- fabio
www.eterogeneo.com
=20
=20


--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094



http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch
 		 	   		 =20
_________________________________________________________________
Hotmail: Powerful Free email with security by Microsoft.
http://clk.atdmt.com/GBL/go/196390710/direct/01/=

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<html>
<head>
<style><!--
.hmmessage P
{
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
Actually the quote was Sir Lawrence Olivier to Dustin on the set of Maratho=
n Man. Dustin said it was the days of Studio 54 and he'd been up...uh...for=
 a few extra hours ( days).<br>JD Devros<br><br><hr id=3D"stopSpelling">Fro=
m: mark@markfrancombe.com<br>Date: Wed=2C 31 Mar 2010 21:38:09 +0200<br>Sub=
ject: Re: OT - Rick's rhythm intensive<br>To: Loopers-Delight@loopers-delig=
ht.com<br><br>Excuse my french Fabio.. but Fucking Hell... You see why I se=
e it as an exercise.. the sheer complexity and skill that that must take is=
 totally beyond me.. its certainly doesn't SOUND that clever I'm afraid!!!<=
br>

<br>I AM impressed and maybe just a little jealous=2C cos there no way I co=
uld do that in a million years.<br>
<br>Theres a famous actors quote from Alec Guinness to Dustin Hoffman=2C af=
ter Hoffman spent the night on the street=2C because "his character was sup=
posed to have spent the night on the street.. Guiness said.. "Why dont you =
try acting darling?"<br>


<br>I'm tempted to say... "Why don't you use a drum machine?"... <br><br>oo=
ps sorry!<br><br>Im gonna get me one of those thing's and see what I can ma=
ke of it... <br><br>Mark<br><br><br><br><br><div class=3D"ecxgmail_quote">

On Wed=2C Mar 31=2C 2010 at 9:26 PM=2C Fabio_A <span dir=3D"ltr">&lt=3B<a h=
ref=3D"mailto:eterogenus@gmail.com">eterogenus@gmail.com</a>&gt=3B</span> w=
rote:<br>
<blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B"><div cl=
ass=3D"ecxgmail_quote"><div>
<blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B">When yo=
u had a number on the screen saying 7 for example=2C was that one click eve=
ry 7 shakes? Cos that not what I call a time signature really=2C its just a=
 clikc every 7 shakes.. </blockquote>




<div>&nbsp=3B</div>
</div><div>Mark=2C when you see 7=2C it means that I'm playing a pattern of=
 7 beats.</div>
<div>For a better&nbsp=3Bunderstanding: the pattern in&nbsp=3B7 can be writ=
e like this:</div>
<div>&nbsp=3B</div>
<div>1&nbsp=3B&nbsp=3B&nbsp=3B 2&nbsp=3B&nbsp=3B&nbsp=3B 3&nbsp=3B&nbsp=3B =
4&nbsp=3B&nbsp=3B&nbsp=3B 5&nbsp=3B&nbsp=3B&nbsp=3B 6&nbsp=3B&nbsp=3B&nbsp=
=3B 7&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B (beats)</div>
<div>x x x x x x x x x x x x x x&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nb=
sp=3B (shakes)</div>
<div>c&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B c&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=
=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B=
&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nb=
sp=3B&nbsp=3B&nbsp=3B (cliks)</div><div>
<div>&nbsp=3B</div>
<div>&nbsp=3B</div>
<blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B">the "gr=
oove" for me was the shakes... and (being pretty rudimentary rhythmically (=
fave drummer Mo Tuck))&nbsp=3B my foot was still four on the floor=2C it wa=
s not pushed to to a new rhythm... </blockquote>




<div>&nbsp=3B</div>
</div><div>even with the 3 or 5 or 7 patterns ? </div>
<div>Maybe=2C you can't feel it&nbsp=3Bbecause ther's no strong accent defi=
ning the patterns.</div><div>
<div>&nbsp=3B&nbsp=3B</div>
<blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B">I like =
the sound of musical poly rhythms (5 note riffs against 6 note for ex) but =
this seems to be an (extremely clever and unbelievably skillful) exercise i=
n juggling... <br>



</blockquote>
<div>&nbsp=3B</div>
</div><div>What I can say is that this "toy" has really improved my rhythm =
skill.&nbsp=3B<br><br>&nbsp=3BThanks for watching !</div>
<div>&nbsp=3B</div>
<div>- fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>&nbsp=3B</div>
<div>&nbsp=3B</div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br>


<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br> 		 	   		  <br /><hr />Hotmail: Powerful Free email with securi=
ty by Microsoft. <a href=3D'http://clk.atdmt.com/GBL/go/196390710/direct/01=
/' target=3D'_new'>Get it now.</a></body>
</html>=

--_1de139a0-79ba-4b87-9d02-c003c3b03e61_--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 04:38:11 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: the amazing expanded sonic universe of piezo's
Date: Fri, 2 Apr 2010 04:38:09 +0000
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--_d03765f7-c169-4073-a36c-6578f87726f7_
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Hey guys=2C=20

Inspired by Bill's & Kris' jazz guitar discussion I thought I'd share my=20
experience of using piezo's with you.=20
I fitted a set of graphtech piezo=20
saddles to my beloved=2C (and hacked to pieces)=2C Chandler 6 string=20
electric this week and I'm very pleasantly surprised at the expanded=20
frequency range both upwards and downwards. The tone is natural and gorgeou=
s!=20
It's=20
what I've been looking for for a loooong time. Still having to use my=20
mag pickups for ebow and sustainiac noises but standard playing is=20
wonderful. I've always had a problem with the notion of looping the=20
narrow band of magnetic pickup frequencies=2C feeling that my loops can=20
end up with no real highs or lows=2C (especially highs). I'm looking=20
forward to exploring new areas of tone with this setup.

Anyone else using piezo's



Peace



G

> From: billwalker@baymoon.com
> To: Loopers-Delight@loopers-delight.com
> Subject: OT: Re: jazz on tele's etc.
> Date: Thu=2C 1 Apr 2010 20:03:20 -0700
>=20
> Flat wounds=2C Boy thats where you lose me. Every set of flatwounds save =
=20
> one=2C I've every put on has been taken off really quickly. Flat wounds =
=20
> where designed primarily for feel and to lessen finger noise.. Tone ? =20
> What tone? I know they have become a tradition in the Jazz guitar =20
> world=2C but i don't for the life of me understand why. Plenty of =20
> amazing jazz guitar records were recorded on round wound strings long =20
> before flat wounds came on the scene. It seems that one can achieve a =20
> darker tone with a tone control=2Chave a  broader spectrum acoustic tone =
=20
> ( particularly on a fine hand made solid wood archtop ) and still have =20
> the option for a brighter electric tone as well. The one set of =20
> flatwounds I did  like were Pyramid strings like the Beatles used=2C =20
> talk about scarce and expensive=2C yikes!  They felt really comfortable =
=20
> but still had a some treble zing. I like pure nickel wrapped strings =20
> as the nickel feels softer than nickel plated steel and is  less =20
> shrill when you first put them on and warmer overall. I use GHS =20
> Santana strings (formally called Big Core)=2C either 11 1/2 or 12  =20
> through 56 on my tele=2C and a  10 1/2 through 48 on my strat.  Speaking =
=20
> of strings I've been very impressed with two other signature sets from =20
> GHS=2C The Muriel Anderson Classics which were a great surprise=2C and th=
e =20
> Laurence Juber  signature acoustics which are slightly brighter than =20
> standard phosphor bronze=2C and longer lasting than any strings I've =20
> tried that aren't coated. Coating ugh=2C not a fan of coated strings.
> Bill
>=20
 		 	   		 =20
_________________________________________________________________
Got a cool Hotmail story? Tell us now
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<body class=3D'hmmessage'>
Hey guys=2C <br>
Inspired by Bill's &amp=3B Kris' jazz guitar discussion I thought I'd share=
 my=20
experience of using piezo's with you. <br>I fitted a set of graphtech piezo=
=20
saddles to my beloved=2C (and hacked to pieces)=2C Chandler 6 string=20
electric this week and I'm very pleasantly surprised at the expanded=20
frequency range both upwards and downwards. The tone is natural and gorgeou=
s! <br>It's=20
what I've been looking for for a loooong time. Still having to use my=20
mag pickups for ebow and sustainiac noises but standard playing is=20
wonderful. I've always had a problem with the notion of looping the=20
narrow band of magnetic pickup frequencies=2C feeling that my loops can=20
end up with no real highs or lows=2C (especially highs). I'm looking=20
forward to exploring new areas of tone with this setup.<br>
Anyone else using piezo's<br>
<br>
Peace<br>
<br>
G<br><br>&gt=3B From: billwalker@baymoon.com<br>&gt=3B To: Loopers-Delight@=
loopers-delight.com<br>&gt=3B Subject: OT: Re: jazz on tele's etc.<br>&gt=
=3B Date: Thu=2C 1 Apr 2010 20:03:20 -0700<br>&gt=3B <br>&gt=3B Flat wounds=
=2C Boy thats where you lose me. Every set of flatwounds save  <br>&gt=3B o=
ne=2C I've every put on has been taken off really quickly. Flat wounds  <br=
>&gt=3B where designed primarily for feel and to lessen finger noise.. Tone=
 ?  <br>&gt=3B What tone? I know they have become a tradition in the Jazz g=
uitar  <br>&gt=3B world=2C but i don't for the life of me understand why. P=
lenty of  <br>&gt=3B amazing jazz guitar records were recorded on round wou=
nd strings long  <br>&gt=3B before flat wounds came on the scene. It seems =
that one can achieve a  <br>&gt=3B darker tone with a tone control=2Chave a=
  broader spectrum acoustic tone  <br>&gt=3B ( particularly on a fine hand =
made solid wood archtop ) and still have  <br>&gt=3B the option for a brigh=
ter electric tone as well. The one set of  <br>&gt=3B flatwounds I did  lik=
e were Pyramid strings like the Beatles used=2C  <br>&gt=3B talk about scar=
ce and expensive=2C yikes!  They felt really comfortable  <br>&gt=3B but st=
ill had a some treble zing. I like pure nickel wrapped strings  <br>&gt=3B =
as the nickel feels softer than nickel plated steel and is  less  <br>&gt=
=3B shrill when you first put them on and warmer overall. I use GHS  <br>&g=
t=3B Santana strings (formally called Big Core)=2C either 11 1/2 or 12   <b=
r>&gt=3B through 56 on my tele=2C and a  10 1/2 through 48 on my strat.  Sp=
eaking  <br>&gt=3B of strings I've been very impressed with two other signa=
ture sets from  <br>&gt=3B GHS=2C The Muriel Anderson Classics which were a=
 great surprise=2C and the  <br>&gt=3B Laurence Juber  signature acoustics =
which are slightly brighter than  <br>&gt=3B standard phosphor bronze=2C an=
d longer lasting than any strings I've  <br>&gt=3B tried that aren't coated=
. Coating ugh=2C not a fan of coated strings.<br>&gt=3B Bill<br>&gt=3B <br>=
 		 	   		  <br /><hr />Got a cool Hotmail story? <a href=3D'http://clk.atd=
mt.com/UKM/go/195013117/direct/01/' target=3D'_new'>Tell us now</a></body>
</html>=

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Subject: RE: tweek-o-mania.....M 13
Date: Fri, 2 Apr 2010 04:45:39 +0000
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Jeff=2C=20
I've just caught up with this thread bing mostly a software kinda guy.=20
This piece is beautiful! It paints abstract pictures in my head which is al=
ways a good sign!
I'm almost tempted with this pedal....
 Does it output midi control?

Peace

G
 		 	   		 =20
_________________________________________________________________
Tell us your greatest=2C weirdest and funniest Hotmail stories
http://clk.atdmt.com/UKM/go/195013117/direct/01/=

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Jeff=2C <br>I've just caught up with this thread bing mostly a software kin=
da guy. <br>This piece is beautiful! It paints abstract pictures in my head=
 which is always a good sign!<br>I'm almost tempted with this pedal....<br>=
&nbsp=3BDoes it output midi control?<br><br>Peace<br><br>G<br> 		 	   		  <=
br /><hr />We want to hear all your funny=2C exciting and crazy Hotmail sto=
ries. <a href=3D'http://clk.atdmt.com/UKM/go/195013117/direct/01/' target=
=3D'_new'>Tell us now</a></body>
</html>=

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Date: Thu, 1 Apr 2010 23:51:00 -0700 (PDT)
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To: undisclosed recipients: ;
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Hi, i must say sorry for inter-fearing to into your privacy without seeking=
 for permission.It was just out the urgency of this matter.
=A0
I'm Mr. Chen Lu=A0 fro Cambodia seeking for a releasable business partner t=
hat can handle a profitable business project with me.
=A0
Please,go through this site and return back to me before I give you further=
 details about my intention of contacting you.:
http://en.ce.cn/National/Local/200605/18/t20060518_7005764.shtml, many than=
ks.

Sincerely,
Chen Lu
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Hi, i must say sorry for inter-fearing t=
o into your privacy without seeking for permission.It was just out the urge=
ncy of this matter.</DIV>
<DIV>&nbsp;</DIV>
<DIV>I'm Mr. Chen Lu&nbsp; fro Cambodia seeking for a releasable business p=
artner that can handle a profitable business project with me.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Please,go through this site and return back to me before I give you fu=
rther details about my intention of contacting you.:<BR><A href=3D"http://e=
n.ce.cn/National/Local/200605/18/t20060518_7005764.shtml">http://en.ce.cn/N=
ational/Local/200605/18/t20060518_7005764.shtml</A>, many thanks.</DIV>
<DIV><BR>Sincerely,<BR>Chen Lu</DIV></td></tr></table>
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 09:28:54 2010
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Gareth Whittock wrote:

> Anyone else using piezo's
> 

No, but I thought about getting the GraphTech Ghosts
for my *other* guitar.
I never heard piezos I liked before tho'.

Do you have an untreated recording?


andy

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William Walker wrote:

>  It seems that one can achieve a darker tone 
> with a tone control,have a  broader spectrum acoustic tone ( 
> particularly on a fine hand made solid wood archtop ) and still have the 
> option for a brighter electric tone as well.

Help, I just don't understand that "roll off the tone control" thing.
I've heard a lot of guitarist use it, and claim it's mellow, 
but to me it sounds muffled, as *all* the airy top frequencies which
sound above the treble (hi-mid) harshness are lost completely.
Surely it's better to use the amp tone controls to get a mellow
sound without being muffled?

Does it work with certain amps?
(and no doubt I heard people use it successfully and
  didn't know they were doing it)

...and isn't it possible to get a mellow tone 
by playing technique, rather than having to kill
the highs electronically?

andy (not really a guitarist)


 

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Date: Fri, 2 Apr 2010 10:43:04 +0100
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Subject: Re: the amazing expanded sonic universe of piezo's
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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here's a yootoob vid of the ghost system - sounds pretty amazing -
http://www.youtube.com/watch?v=RhGA1c3E47c

i'm interested in this as well, because we do a few acoustic tunes in my
covers bands and i like the saddle replacement idea (rather then the bridge
replacement idea, as per fishman)

sim

On Fri, Apr 2, 2010 at 10:28 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Gareth Whittock wrote:
>
>  Anyone else using piezo's
>>
>>
> No, but I thought about getting the GraphTech Ghosts
> for my *other* guitar.
> I never heard piezos I liked before tho'.
>
> Do you have an untreated recording?
>
>
> andy
>
>

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here&#39;s a yootoob vid of the ghost system - sounds pretty amazing - <a h=
ref=3D"http://www.youtube.com/watch?v=3DRhGA1c3E47c">http://www.youtube.com=
/watch?v=3DRhGA1c3E47c</a><br><br>i&#39;m interested in this as well, becau=
se we do a few acoustic tunes in my covers bands and i like the saddle repl=
acement idea (rather then the bridge replacement idea, as per fishman)<br>
<br>sim<br><br><div class=3D"gmail_quote">On Fri, Apr 2, 2010 at 10:28 AM, =
andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk"=
>akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">
Gareth Whittock wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Anyone else using piezo&#39;s<br>
<br>
</blockquote>
<br>
No, but I thought about getting the GraphTech Ghosts<br>
for my *other* guitar.<br>
I never heard piezos I liked before tho&#39;.<br>
<br>
Do you have an untreated recording?<br><font color=3D"#888888">
<br>
<br>
andy<br>
<br>
</font></blockquote></div><br>

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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 09:54:05 2010
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Subject: Re: OT: Re: jazz on tele's etc. Tone control
Date: Fri, 02 Apr 2010 02:54:02 -0700
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Using an amp's tone controls *could* do what you're describing.  They're 
entirely different circuits--a guitar tone control is a low pass filter and 
an amp has bandpass filters.  Personally I love the sound of the guitars on 
Scofield and Metheny's "I Can See Your House From Here."  Very dark and 
plucky.  And running a guitar on the neck pickup through a distortion pedal 
is one of the most beautiful sounds on the planet.

Playing technique really doesn't do it unless you mute the strings ALL the 
time which is quite a drag(literally and metaphorically).

It's all depends upon what you like to hear.

t
----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 02, 2010 2:31 AM
Subject: Re: OT: Re: jazz on tele's etc. Tone control


> William Walker wrote:
>
>>  It seems that one can achieve a darker tone with a tone control,have a 
>> broader spectrum acoustic tone ( particularly on a fine hand made solid 
>> wood archtop ) and still have the option for a brighter electric tone as 
>> well.
>
> Help, I just don't understand that "roll off the tone control" thing.
> I've heard a lot of guitarist use it, and claim it's mellow, but to me it 
> sounds muffled, as *all* the airy top frequencies which
> sound above the treble (hi-mid) harshness are lost completely.
> Surely it's better to use the amp tone controls to get a mellow
> sound without being muffled?
>
> Does it work with certain amps?
> (and no doubt I heard people use it successfully and
>  didn't know they were doing it)
>
> ...and isn't it possible to get a mellow tone by playing technique, rather 
> than having to kill
> the highs electronically?
>
> andy (not really a guitarist)
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 09:55:47 2010
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Subject: Re: the amazing expanded sonic universe of piezo's
Date: Fri, 02 Apr 2010 02:55:34 -0700
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I think great strides have been made with piezo sound processing.  Now they're tolerable to my ears.  The old systems had so much grit and quack that I can't stand hearing them.  

t
  ----- Original Message ----- 
  From: Simeon Harris 
  To: Loopers-Delight@loopers-delight.com 
  Sent: Friday, April 02, 2010 2:43 AM
  Subject: Re: the amazing expanded sonic universe of piezo's


  here's a yootoob vid of the ghost system - sounds pretty amazing - http://www.youtube.com/watch?v=RhGA1c3E47c

  i'm interested in this as well, because we do a few acoustic tunes in my covers bands and i like the saddle replacement idea (rather then the bridge replacement idea, as per fishman)

  sim


  On Fri, Apr 2, 2010 at 10:28 AM, andy butler <akbutler@tiscali.co.uk> wrote:

    Gareth Whittock wrote:


      Anyone else using piezo's



    No, but I thought about getting the GraphTech Ghosts
    for my *other* guitar.
    I never heard piezos I liked before tho'.

    Do you have an untreated recording?


    andy




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<DIV><FONT size=2 face=Arial>I think great strides have been made with piezo 
sound processing.&nbsp; Now they're tolerable to my ears.&nbsp; The old systems 
had so much grit and quack that I can't stand hearing them.&nbsp; </FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=simeonharris40@googlemail.com 
  href="mailto:simeonharris40@googlemail.com">Simeon Harris</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=Loopers-Delight@loopers-delight.com 
  href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 2010 2:43 
AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: the amazing expanded sonic 
  universe of piezo's</DIV>
  <DIV><BR></DIV>here's a yootoob vid of the ghost system - sounds pretty 
  amazing - <A 
  href="http://www.youtube.com/watch?v=RhGA1c3E47c">http://www.youtube.com/watch?v=RhGA1c3E47c</A><BR><BR>i'm 
  interested in this as well, because we do a few acoustic tunes in my covers 
  bands and i like the saddle replacement idea (rather then the bridge 
  replacement idea, as per fishman)<BR><BR>sim<BR><BR>
  <DIV class=gmail_quote>On Fri, Apr 2, 2010 at 10:28 AM, andy butler <SPAN 
  dir=ltr>&lt;<A 
  href="mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk</A>&gt;</SPAN> 
  wrote:<BR>
  <BLOCKQUOTE 
  style="BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" 
  class=gmail_quote>Gareth Whittock wrote:<BR><BR>
    <BLOCKQUOTE 
    style="BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" 
    class=gmail_quote>Anyone else using piezo's<BR><BR></BLOCKQUOTE><BR>No, but 
    I thought about getting the GraphTech Ghosts<BR>for my *other* guitar.<BR>I 
    never heard piezos I liked before tho'.<BR><BR>Do you have an untreated 
    recording?<BR><FONT 
  color=#888888><BR><BR>andy<BR><BR></FONT></BLOCKQUOTE></DIV><BR></BLOCKQUOTE></BODY></HTML>

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Simeon Harris wrote:
> here's a yootoob vid of the ghost system - sounds pretty amazing - 
> http://www.youtube.com/watch?v=RhGA1c3E47c

hmm.."Studio quality acoustic guitar" is really overstating the case imo.
Of course it does sound like a nice improvement over regular piezos.

I'd really like to hear what the raw hex output sounds like rather
than the acoustic approximation enhancements.

andy butler
ps ... and he could have tuned up before the demo ;-)

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 11:04:42 2010
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Ill send you a recording this weekend Andy=2C=20
I don't buy the "studio quality acoustic" hype either. I just like the soun=
d though it is more like an acoustic. There's a lot of nice bite on distort=
ed tones which I like too.
I set up an A/B comparisson on my system and my mag pickups=2C (mini humbuc=
kers) sound really boxy by comparison - and I really liked their tone.. I'm=
 not closing any sonic doors though=2C I'll still be using the mag pickups =
too - just more tone to play with :-). I actually got them to do hex proces=
sing with - this is a big bonus!

G

> Date: Fri=2C 2 Apr 2010 11:12:32 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: the amazing expanded sonic universe of piezo's
>=20
> Simeon Harris wrote:
> > here's a yootoob vid of the ghost system - sounds pretty amazing -=20
> > http://www.youtube.com/watch?v=3DRhGA1c3E47c
>=20
> hmm.."Studio quality acoustic guitar" is really overstating the case imo.
> Of course it does sound like a nice improvement over regular piezos.
>=20
> I'd really like to hear what the raw hex output sounds like rather
> than the acoustic approximation enhancements.
>=20
> andy butler
> ps ... and he could have tuned up before the demo =3B-)
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
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Ill send you a recording this weekend Andy=2C <br>I don't buy the "studio q=
uality acoustic" hype either. I just like the sound though it is more like =
an acoustic. There's a lot of nice bite on distorted tones which I like too=
.<br>I set up an A/B comparisson on my system and my mag pickups=2C (mini h=
umbuckers) sound really boxy by comparison - and I really liked their tone.=
. I'm not closing any sonic doors though=2C I'll still be using the mag pic=
kups too - just more tone to play with :-). I actually got them to do hex p=
rocessing with - this is a big bonus!<br><br>G<br><br>&gt=3B Date: Fri=2C 2=
 Apr 2010 11:12:32 +0100<br>&gt=3B From: akbutler@tiscali.co.uk<br>&gt=3B T=
o: Loopers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: the amazing e=
xpanded sonic universe of piezo's<br>&gt=3B <br>&gt=3B Simeon Harris wrote:=
<br>&gt=3B &gt=3B here's a yootoob vid of the ghost system - sounds pretty =
amazing - <br>&gt=3B &gt=3B http://www.youtube.com/watch?v=3DRhGA1c3E47c<br=
>&gt=3B <br>&gt=3B hmm.."Studio quality acoustic guitar" is really overstat=
ing the case imo.<br>&gt=3B Of course it does sound like a nice improvement=
 over regular piezos.<br>&gt=3B <br>&gt=3B I'd really like to hear what the=
 raw hex output sounds like rather<br>&gt=3B than the acoustic approximatio=
n enhancements.<br>&gt=3B <br>&gt=3B andy butler<br>&gt=3B ps ... and he co=
uld have tuned up before the demo =3B-)<br>&gt=3B <br> 		 	   		  <br /><hr=
 />Get a free e-mail account with Hotmail. <a href=3D'http://clk.atdmt.com/=
UKM/go/197222280/direct/01/' target=3D'_new'>Sign-up now.</a></body>
</html>=

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Date: Fri, 02 Apr 2010 12:08:37 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Re: jazz on tele's etc. Tone control
References: <C5BE113F-3823-4DB9-82C1-A9CA7C1AF780@baymoon.com> <4BB5B981.1070501@tiscali.co.uk> <B735C5522EC7483FA6588550B5CD2CC4@NORBY11>
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Toby G wrote:
> Using an amp's tone controls *could* do what you're describing.  They're 
> entirely different circuits--a guitar tone control is a low pass filter 
> and an amp has bandpass filters. 

Most amps have a high-pass, a low pass, and *maybe* some bandpass,
but indeed, that's my point that the amp tones give a finer control.

> Personally I love the sound of the 
> guitars on Scofield and Metheny's "I Can See Your House From Here."  

Listening now, best thing is the ultra minimal comping.
This should be compulsory listening for guitarists imo.


> Playing technique really doesn't do it unless you mute the strings ALL 
> the time which is quite a drag(literally and metaphorically).

There's a number of ways to do it without muting, the most
extreme being "Renaissance Lute" style with the fingers
pointing more or less along the strings.

> 
> It's all depends upon what you like to hear.

Well, it's nice to listen to Scofield and Metheny for a while.



andy


>> ...and isn't it possible to get a mellow tone by playing technique, 
>> rather than having to kill
>> the highs electronically?
>>
>> andy (not really a guitarist)
>>
>>

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Date: Fri, 2 Apr 2010 14:02:49 +0200
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Subject: Re: Re: jazz on tele's etc.
From: Per Boysen <perboysen@gmail.com>
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On Fri, Apr 2, 2010 at 5:14 AM, Kris Hartung <khartung@q.com> wrote:
> And the best thing about flatwounds I like....I only change my strings every
> 6 months. :)

True! I too appreciate that a lot.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From mrjerryhoward1@att.net  Fri Apr  2 12:14:35 2010
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Date: Fri, 2 Apr 2010 05:12:34 -0700 (PDT)
From: Mr Jerry Howard <mrjerryhoward1@att.net>
Reply-To: mrjerryhoward12@gmail.com
Subject: INCORPORATED WITH TRUST
To: undisclosed recipients: ;
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Ref : BAY/NARI-ACCT/7878256589/04
=A0
My Name is Mr.Jerry Howard .I am the auditor and head of computing departme=
nt of Royal Bank of Scotland Liverpool Branch here in United Kingdom.
=A0
There is an account opened in this bank in 2003 and since my inception into=
 office on 4th Jan 2010 ,I then found this account and when I investigated =
deeply by contacting the assigned next of kin I also found that the next of=
 kin to this account was an American who lived in London for over 63Yrs and=
 nobody has operated on this account again after 2004.
=A0
I took the courage to look for a reliable and honest person who will be cap=
able for this important transaction.=A0 In order to transfer out $100,000,0=
00 (One Hundred Million U.S Dollars) After going through some old files, I =
discovered that if I do not Remit this money out urgently,it will be forfei=
ted for nothing and the Royal Bank of Scotland management might divert the =
funds to their own accounts.
=A0
Please respond immediately I will use my position and influence to effect t=
he legal approval and onward transfer of this fund into your account with a=
ppropriate clearance from foreign payment department. You will stand to get=
 40% while 60% will be for me.Kindly quote the reference (acct) numbers abo=
ve when responding to this mail.
=A0
I will fill you in with further details upon your reply. Please reply back =
through my personal E-mail: myjerryhoward@gmail.com
=A0
Sincerely yours,
=A0
Mr.Jerry Howard.



--0-1492335663-1270210354=:38804
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold;">Ref : BAY/=
NARI-ACCT/7878256589/04</span><br style=3D"font-weight: bold;"><span style=
=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span=
 style=3D"font-weight: bold;">My Name is Mr.Jerry Howard .I am the auditor =
and head of computing department of Royal Bank of Scotland Liverpool Branch=
 here in United Kingdom.</span><br style=3D"font-weight: bold;"><span style=
=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span=
 style=3D"font-weight: bold;">There is an account opened in this bank in 20=
03 and since my inception into office on 4th Jan 2010 ,I then found this ac=
count and when I investigated deeply by contacting the assigned next of kin=
 I also found that the next of kin to this account was an American who live=
d in London for over 63Yrs and nobody has operated on this account again af=
ter 2004.</span><br
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</sp=
an><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">I to=
ok the courage to look for a reliable and honest person who will be capable=
 for this important transaction.&nbsp; In order to transfer out $100,000,00=
0 (One Hundred Million U.S Dollars) After going through some old files, I d=
iscovered that if I do not Remit this money out urgently,it will be forfeit=
ed for nothing and the Royal Bank of Scotland management might divert the f=
unds to their own accounts.</span><br style=3D"font-weight: bold;"><span st=
yle=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><s=
pan style=3D"font-weight: bold;">Please respond immediately I will use my p=
osition and influence to effect the legal approval and onward transfer of t=
his fund into your account with appropriate clearance from foreign payment =
department. You will stand to get 40% while 60% will be for me.Kindly quote=
 the
 reference (acct) numbers above when responding to this mail.</span><br sty=
le=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><=
br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">I will f=
ill you in with further details upon your reply. Please reply back through =
my personal E-mail: myjerryhoward@gmail.com</span><br style=3D"font-weight:=
 bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-w=
eight: bold;"><span style=3D"font-weight: bold;">Sincerely yours,</span><br=
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</sp=
an><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Mr.J=
erry Howard.</span><br style=3D"font-weight: bold;"><br style=3D"font-weigh=
t: bold;"><br style=3D"font-weight: bold;"></td></tr></table>
--0-1492335663-1270210354=:38804--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 12:58:23 2010
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Subject: Galactic Travels Playlist #678 for April 1, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100401.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #678                Apil 1, 2010.

RECAP:
ARTIST               TRACK                ALBUM (label)
On this show, I started a month-long focus on Radio Massacre
International.  The Featured CD at Midnight was disk four from Lost In
Space on Northern Echo Records.

Radio Massacre International:
http://wdiy.org/programs/gt/playlists/2010/focus.html#apr


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Ricochet Gathering   Muflon Sorcerers     Muflon Sorcerers( SynGate)
                       Pt. 2
Ultre                Dead Words           The Nest and the Skull
                                            (Audiobulb)
Tamagawa             Cellule Souche       Plus Tard, Le Meme Jour...
                                            (Noecho)
Redshift             Schlachthof-funf     RW Three (A Distant Sun)
Combs Creek Haller   Trapped Inside       Singularity (none)
                       Singularity *
Radio Massacre       meta                 Lost In Space 4 (Northern
  International                             Echo)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Radio Massacre       meta (continued)     Lost In Space 4 (Northern
  International                             Echo)
Radio Massacre       never                Lost In Space 4 (Northern
  International                             Echo)
Radio Massacre       quarry               Lost In Space 4 (Northern
  International                             Echo)
Radio Massacre       abbey *              Lost In Space 4 (Northern
  International                             Echo)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Radio Massacre International.  The Featured CD at Midnight will be disk
5 from Lost in Space on Northern Echo Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at  http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 13:15:04 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Fri, 2 Apr 2010 14:15:03 +0100
Subject: Re: Re: jazz on tele's etc.
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Hello,

I just wanted to pitch in a bit on the flatwound line here.

My Luthier convinced me to try d'adario Chrome XL's. I had tried flatwounds=
 in the past & never liked them as I found the tone rather dead & I didn't =
care for the "rubber band" feel the wound strings had. I am now a confirmed=
 user & absolutely love them. I change the plains as soon as they get a lit=
tle tarnished & the wounds about every 2 months. The tone is amazing for fl=
ats & I suspect that no one could pick out which strings I'm using. If you'=
d care to try, go to:

myspace.com/folkstone57

& listen to the BEATLES DEMO

See if you can tell which song the electric guitar parts are flatwounds.


> ----- Original Message -----
> From: "Per Boysen" <perboysen@gmail.com>
> To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
> Subject: Re: Re: jazz on tele's etc.
> Date: Fri, 2 Apr 2010 14:02:49 +0200
>=20
>=20
> On Fri, Apr 2, 2010 at 5:14 AM, Kris Hartung <khartung@q.com> wrote:
> > And the best thing about flatwounds I like....I only change my strings =
every
> > 6 months. :)
>=20
> True! I too appreciate that a lot.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
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Download Opera 9 at http://www.opera.com

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From:  <ligukama@adinet.com.uy>
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Dearest One
My nameis lizzy and i am a beautiful and hard working young girl.very
loving, tender and very caring. I am seriously looking for relationship 
leading to any
thing. Today i saw your profile in internet and i love it.i think that we can 
write together.please i will like you to contact me through this my email 
address,Please contact me with my email address above If you are interested in 
knowing more about me and for me to send you some pictures of mine, hoping to 
hear from you soon.
Thanks and God bless as you reply very fast.
lizzy

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 14:03:40 2010
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Message-ID: <002701cad26d$4ba4cc00$62f73747@tbl01fcf9be917>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <763875.72971.qm@web34303.mail.mud.yahoo.com> <4BB48D97.7090109@googlemail.com> <005701cad1b1$8a3fe420$e1f23747@tbl01fcf9be917> <4BB4CCFA.7070609@googlemail.com>,<002201cad1ce$cc6e0170$e1f23747@tbl01fcf9be917> <BAY145-w45A0EDC9DE19BD029A233F851C0@phx.gbl>
Subject: Re: tweek-o-mania.....M 13
Date: Fri, 2 Apr 2010 10:03:38 -0400
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Hi Gareth,

The M9 does have MIDI in/out. This seems to be for controlling =
paramaters, I don't see where it says anything about clock tempo sync.=20

More info in the M9 Advanced guide pdf here: =
http://line6.com/support/manuals/?families=3D12&submit=3DSubmit&1st=3D1st=


j
  ----- Original Message -----=20
  From: Gareth Whittock=20
  To: loopers-delight@loopers-delight.com=20
  Sent: Friday, April 02, 2010 12:45 AM
  Subject: RE: tweek-o-mania.....M 13


  Jeff,=20
  I've just caught up with this thread bing mostly a software kinda guy. =

  This piece is beautiful! It paints abstract pictures in my head which =
is always a good sign!
  I'm almost tempted with this pedal....
   Does it output midi control?

  Peace

  G


-------------------------------------------------------------------------=
-----
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Tell us now=20


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  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<DIV><FONT face=3DArial>Hi Gareth,</FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>The M9 does have MIDI in/out. This seems to be =
for=20
controlling paramaters, I don't see where it says anything about clock =
tempo=20
sync. </FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>More info in the M9 Advanced guide pdf here: <A=20
href=3D"http://line6.com/support/manuals/?families=3D12&amp;submit=3DSubm=
it&amp;1st=3D1st">http://line6.com/support/manuals/?families=3D12&amp;sub=
mit=3DSubmit&amp;1st=3D1st</A></FONT></DIV>
<DIV><FONT face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbuddhamachine@live.co.uk=20
  href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 2010 =
12:45=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: =
tweek-o-mania.....M 13</DIV>
  <DIV><BR></DIV>Jeff, <BR>I've just caught up with this thread bing =
mostly a=20
  software kinda guy. <BR>This piece is beautiful! It paints abstract =
pictures=20
  in my head which is always a good sign!<BR>I'm almost tempted with =
this=20
  pedal....<BR>&nbsp;Does it output midi =
control?<BR><BR>Peace<BR><BR>G<BR><BR>
  <HR>
  We want to hear all your funny, exciting and crazy Hotmail stories. <A =

  href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/" =
target=3D_new>Tell us=20
  now</A>=20
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 14:19:12 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Fri, 2 Apr 2010 10:19:11 -0400
Subject: Re: tweek-o-mania.....M 13
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Hello,
The PDF manual on the site indicate midi sync.

  ----- Original Message -----
  From: "Jeff Duke"
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: tweek-o-mania.....M 13
  Date: Fri, 2 Apr 2010 10:03:38 -0400

  Hi Gareth,=A0The M9 does have MIDI in/out. This seems to be for
  controlling paramaters, I don't see where it says anything about
  clock tempo sync. =A0More info in the M9 Advanced guide pdf here:
  http://line6.com/support/manuals/?families=3D12&submit=3DSubmit&1st=3D1st=
=A0j

    ----- Original Message ----- From: Gareth WhittockTo:
    loopers-delight@loopers-delight.comSent: Friday, April 02, 2010
    12:45 AMSubject: RE: tweek-o-mania.....M 13
    Jeff,
    I've just caught up with this thread bing mostly a software kinda
    guy.
    This piece is beautiful! It paints abstract pictures in my head
    which is always a good sign!
    I'm almost tempted with this pedal....
    =A0Does it output midi control?

    Peace

    G

    ----------------------------------------------------------------

    We want to hear all your funny, exciting and crazy Hotmail
    stories. Tell us now

    ----------------------------------------------------------------


    No virus found in this incoming message.
    Checked by AVG - www.avg.com
    Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release Date:
    04/01/10 06:35:00



Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57 [IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

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<DIV>
<BR>
Hello,</DIV><DIV><BR></DIV><DIV>The PDF manual on the site indicate midi sy=
nc.</DIV><DIV><BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "Jeff Duke" <jeff_d @embarqmail.com=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: tweek-o-mania.....M 13<BR>
Date: Fri, 2 Apr 2010 10:03:38 -0400<BR>
<BR>




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</STYLE>



<DIV><FONT face=3D"Arial">Hi Gareth,</FONT></DIV>
<DIV>=A0</DIV>
<DIV><FONT face=3D"Arial">The M9 does have MIDI in/out. This seems to be fo=
r=20
controlling paramaters, I don't see where it says anything about clock temp=
o=20
sync. </FONT></DIV>
<DIV>=A0</DIV>
<DIV><FONT face=3D"Arial">More info in the M9 Advanced guide pdf here: <A h=
ref=3D"http://line6.com/support/manuals/?families=3D12&amp;submit=3DSubmit&=
amp;1st=3D1st">http://line6.com/support/manuals/?families=3D12&amp;submit=
=3DSubmit&amp;1st=3D1st</A></FONT></DIV>
<DIV>=A0</DIV>
<DIV><FONT face=3D"Arial">j</FONT></DIV>
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><=
B>From:</B>=20
  <A title=3D"buddhamachine@live.co.uk" href=3D"mailto:buddhamachine@live.c=
o.uk">Gareth Whittock</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3D"loopers-delight@lo=
opers-delight.com" href=3D"mailto:loopers-delight@loopers-delight.com">loop=
ers-delight@loopers-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 2010 12:45=
=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: tweek-o-mania.....M 1=
3</DIV>
  <DIV><BR></DIV>Jeff, <BR>I've just caught up with this thread bing mostly=
 a=20
  software kinda guy. <BR>This piece is beautiful! It paints abstract pictu=
res=20
  in my head which is always a good sign!<BR>I'm almost tempted with this=
=20
  pedal....<BR>=A0Does it output midi control?<BR><BR>Peace<BR><BR>G<BR><BR>
  <HR>
  We want to hear all your funny, exciting and crazy Hotmail stories. <A hr=
ef=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/" target=3D"_new">Tel=
l us=20
  now</A>=20
  <BR>
  <HR>

  <BR>No virus found in this incoming message.<BR>Checked by AVG -=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release=
=20
  Date: 04/01/10 06:35:00<BR></BLOCKQUOTE>

</BLOCKQUOTE>
<P>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20100402141911.7E181CC18B@ws5-11.us4.outblaze.com>
Subject: Re: tweek-o-mania.....M 13
Date: Fri, 2 Apr 2010 10:43:51 -0400
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Do you have a page # on that Mark? I don't see anything on syncing clock =
tempo anywhere.

thanks,

J
  ----- Original Message -----=20
  From: Mark Showalter=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, April 02, 2010 10:19 AM
  Subject: Re: tweek-o-mania.....M 13



  Hello,


  The PDF manual on the site indicate midi sync.


    ----- Original Message -----
    From: "Jeff Duke"=20
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: tweek-o-mania.....M 13
    Date: Fri, 2 Apr 2010 10:03:38 -0400


    Hi Gareth,

    The M9 does have MIDI in/out. This seems to be for controlling =
paramaters, I don't see where it says anything about clock tempo sync.=20

    More info in the M9 Advanced guide pdf here: =
http://line6.com/support/manuals/?families=3D12&submit=3DSubmit&1st=3D1st=


    j
      ----- Original Message -----=20
      From: Gareth Whittock=20
      To: loopers-delight@loopers-delight.com=20
      Sent: Friday, April 02, 2010 12:45 AM
      Subject: RE: tweek-o-mania.....M 13


      Jeff,=20
      I've just caught up with this thread bing mostly a software kinda =
guy.=20
      This piece is beautiful! It paints abstract pictures in my head =
which is always a good sign!
      I'm almost tempted with this pedal....
       Does it output midi control?

      Peace

      G


-------------------------------------------------------------------------=
-
      We want to hear all your funny, exciting and crazy Hotmail =
stories. Tell us now=20

-------------------------------------------------------------------------=
-

      No virus found in this incoming message.
      Checked by AVG - www.avg.com=20
      Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release Date: =
04/01/10 06:35:00





Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57


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<DIV><FONT face=3DArial size=3D2>Do you have a page # on that Mark? I =
don't see=20
anything on syncing clock tempo anywhere.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dfolkstone57@operamail.com=20
  href=3D"mailto:folkstone57@operamail.com">Mark Showalter</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 2010 =
10:19=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: =
tweek-o-mania.....M 13</DIV>
  <DIV><BR></DIV>
  <DIV><BR>Hello,</DIV>
  <DIV><BR></DIV>
  <DIV>The PDF manual on the site indicate midi sync.</DIV>
  <DIV><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">-----=20
    Original Message -----<BR>From: "Jeff Duke" <JEFF_D=20
    @embarqmail.com=3D""><BR>To: <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>Subject:=20
    Re: tweek-o-mania.....M 13<BR>Date: Fri, 2 Apr 2010 10:03:38 =
-0400<BR><BR>
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    <DIV><FONT face=3DArial>Hi Gareth,</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial>The M9 does have MIDI in/out. This seems to =
be for=20
    controlling paramaters, I don't see where it says anything about =
clock tempo=20
    sync. </FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial>More info in the M9 Advanced guide pdf here: =
<A=20
    =
href=3D"http://line6.com/support/manuals/?families=3D12&amp;submit=3DSubm=
it&amp;1st=3D1st">http://line6.com/support/manuals/?families=3D12&amp;sub=
mit=3DSubmit&amp;1st=3D1st</A></FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial>j</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dbuddhamachine@live.co.uk=20
      href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> =
</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3Dloopers-delight@loopers-delight.com=20
      =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, =
2010 12:45=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: =
tweek-o-mania.....M=20
      13</DIV>
      <DIV><BR></DIV>Jeff, <BR>I've just caught up with this thread bing =
mostly=20
      a software kinda guy. <BR>This piece is beautiful! It paints =
abstract=20
      pictures in my head which is always a good sign!<BR>I'm almost =
tempted=20
      with this pedal....<BR>&nbsp;Does it output midi=20
      control?<BR><BR>Peace<BR><BR>G<BR><BR>
      <HR>
      We want to hear all your funny, exciting and crazy Hotmail =
stories. <A=20
      href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/" =
target=3D_new>Tell=20
      us now</A> <BR>
      <HR>
      <BR>No virus found in this incoming message.<BR>Checked by AVG -=20
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Release=20
      Date: 04/01/10 06:35:00<BR></BLOCKQUOTE></BLOCKQUOTE>
  <P><BR><BR><PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D_blank><IMG =
style=3D"BORDER-RIGHT: 0px; BORDER-TOP: 0px; BACKGROUND: none =
transparent scroll repeat 0% 0%; BORDER-LEFT: 0px; BORDER-BOTTOM: 0px" =
src=3D"http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E=
10C1043965108.png"></A>
</PRE></DIV><BR>--=20
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 14:55:30 2010
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Reply-To: "Kris Hartung" <info@krispenhartung.com>
From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
References: <C5BE113F-3823-4DB9-82C1-A9CA7C1AF780@baymoon.com> <10365435.21.1270201109171.JavaMail.root@n34>
In-Reply-To: <10365435.21.1270201109171.JavaMail.root@n34>
Subject: Re: OT: Re: jazz on tele's etc. Tone control
Date: Fri, 2 Apr 2010 08:55:31 -0600
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I'm with you, Andy.  I think rolling the tone down on the guitar makes it 
sound nasely.
I think it is much more successful with an amp tone nob. I think the idea is 
to get the
full output of the guitar to the amp (without modify the frequency range 
from the pickup),a
and then you can modify it to taste, make it darker, etc.

Kris

----- Original Message ----- 


> William Walker wrote:
>
>>  It seems that one can achieve a darker tone with a tone control,have a 
>> broader spectrum acoustic tone ( particularly on a fine hand made solid 
>> wood archtop ) and still have the option for a brighter electric tone as 
>> well.
>
> Help, I just don't understand that "roll off the tone control" thing.
> I've heard a lot of guitarist use it, and claim it's mellow, but to me it 
> sounds muffled, as *all* the airy top frequencies which
> sound above the treble (hi-mid) harshness are lost completely.
> Surely it's better to use the amp tone controls to get a mellow
> sound without being muffled?
>
> Does it work with certain amps?
> (and no doubt I heard people use it successfully and
>  didn't know they were doing it)
>
> ...and isn't it possible to get a mellow tone by playing technique, rather 
> than having to kill
> the highs electronically?
>
> andy (not really a guitarist)
>
>
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 14:58:31 2010
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References: <C5BE113F-3823-4DB9-82C1-A9CA7C1AF780@baymoon.com> <4BB5B981.1070501@tiscali.co.uk> <B735C5522EC7483FA6588550B5CD2CC4@NORBY11> <14886914.88.1270206922468.JavaMail.root@n34>
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Subject: Re: OT: Re: jazz on tele's etc. Tone control
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>> Personally I love the sound of the
>> guitars on Scofield and Metheny's "I Can See Your House From Here."
>
> Listening now, best thing is the ultra minimal comping.
> This should be compulsory listening for guitarists imo.

Awwww.  Try this. :) 
http://www.amazon.com/Bright-Size-Life-Pat-Metheny/dp/B0000261L9

With Jaco, of course.  I do love, Scofield, however.  Try his "Out like a 
light". Trio.
Kris




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From: "Nathan Lang" <nathan@significantimagery.com>
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Subject: RE: tweek-o-mania.....M 13
Date: Fri, 2 Apr 2010 09:57:50 -0500
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***Does it output midi control?

Yes it does.but you can't choose what CC's are sent. For example, =
pressing
tap tempo on the looper sends CC#64.

=20

 ***I don't see where it says anything about clock tempo sync.

Firmware update 2.0 added Sync to Midi Beat Clock. You can slave sync =
your
M9 / M13 to incoming midi clock but the M9/M13 does NOT send midi clock
tempo information, so you can't sync other devices to the tempo of the
M9/M13...unless you somehow can convert the CC64 message from your tap =
tempo
to set the tempo of other devices, but I've never tried that so I don't =
know
how effective that would work.

=20

-Nathan

=20

=20

=20

-----Original Message-----
From: Jeff Duke [mailto:jeff_d@embarqmail.com]=20
Sent: Friday, April 02, 2010 9:04 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: tweek-o-mania.....M 13

=20

Hi Gareth,

=20

The M9 does have MIDI in/out. This seems to be for controlling =
paramaters, I
don't see where it says anything about clock tempo sync.=20

=20

More info in the M9 Advanced guide pdf here:
http://line6.com/support/manuals/?families=3D12
<http://line6.com/support/manuals/?families=3D12&submit=3DSubmit&1st=3D1s=
t>
&submit=3DSubmit&1st=3D1st

=20

j

----- Original Message -----=20

From: Gareth <mailto:buddhamachine@live.co.uk>  Whittock=20

To: loopers-delight@loopers-delight.com=20

Sent: Friday, April 02, 2010 12:45 AM

Subject: RE: tweek-o-mania.....M 13

=20

Jeff,=20
I've just caught up with this thread bing mostly a software kinda guy.=20
This piece is beautiful! It paints abstract pictures in my head which is
always a good sign!
I'm almost tempted with this pedal....
 Does it output midi control?

Peace

G


  _____ =20


We want to hear all your funny, exciting and crazy Hotmail stories. Tell =
us
now <http://clk.atdmt.com/UKM/go/195013117/direct/01/> =20


  _____ =20



No virus found in this incoming message.
Checked by AVG - www.avg.com=20
Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release Date: 04/01/10
06:35:00


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'>***Does it output midi control?</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Yes it does&#8230;but you =
can&#8217;t choose
what CC&#8217;s are sent. For example, pressing tap tempo on the looper =
sends CC#64.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font><font size=3D2
face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:Verdana'>***</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>I don't see
where it says anything about clock tempo sync.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Firmware update 2.0 added Sync to =
Midi
Beat Clock. You can slave sync your M9 / M13 to incoming midi clock but =
the
M9/M13 does NOT send midi clock tempo information, so you can&#8217;t =
sync
other devices to the tempo of the M9/M13.&#8230;.unless you somehow can =
convert
the CC64 message from your tap tempo to set the tempo of other devices, =
but I&#8217;ve
never tried that so I don&#8217;t know how effective that would =
work.</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>-</span></font><font size=3D2 =
color=3Dnavy
 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:navy'>Nathan</span></fo=
nt></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'>-----Original Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Jeff Duke
[mailto:jeff_d@embarqmail.com] <br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> </span></font><font =
size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma'>Friday, April
 02, 2010</span></font><font size=3D2 face=3DTahoma><span =
style=3D'font-size:10.0pt;
font-family:Tahoma'> </span></font><font size=3D2 face=3DTahoma><span
 style=3D'font-size:10.0pt;font-family:Tahoma'>9:04 =
AM</span></font><font size=3D2
face=3DTahoma><span style=3D'font-size:10.0pt;font-family:Tahoma'><br>
<b><span style=3D'font-weight:bold'>To:</span></b>
Loopers-Delight@loopers-delight.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Re: =
tweek-o-mania.....M
13</span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hi Gareth,</span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>The M9 does have </span></font><font size=3D2 =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>MIDI</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> in/out. =
This seems
to be for controlling paramaters, I don't see where it says anything =
about
clock tempo sync. </span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>More info in the M9 Advanced guide pdf here: <a
href=3D"http://line6.com/support/manuals/?families=3D12&amp;submit=3DSubm=
it&amp;1st=3D1st">http://line6.com/support/manuals/?families=3D12&amp;sub=
mit=3DSubmit&amp;1st=3D1st</a></span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'>&nbsp;</span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>j</span></font></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 3.0pt;
margin-left:3.15pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>----- Original Message ----- </span></font></p>

</div>

<div style=3D'font-color:black'>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;font-weight:bold'>From:</span=
></font></b><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> <a
href=3D"mailto:buddhamachine@live.co.uk" =
title=3D"buddhamachine@live.co.uk">Gareth
Whittock</a> </span></font></p>

</div>

<div>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-weight:bold'>To:</span></font></b><font size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> <a
href=3D"mailto:loopers-delight@loopers-delight.com"
title=3D"loopers-delight@loopers-delight.com">loopers-delight@loopers-del=
ight.com</a>
</span></font></p>

</div>

<div>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-weight:bold'>Sent:</span></font></b><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> =
</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>Friday, April 02,
 2010</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'> </span></font><font size=3D2 face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>12:45 AM</span></font></p>

</div>

<div>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-weight:bold'>Subject:</span></font></b><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'> RE:
tweek-o-mania.....M 13</span></font></p>

</div>

<div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'>&nbsp;</span></font></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><font size=3D2 =
face=3DVerdana><span
style=3D'font-size:10.0pt;font-family:Verdana'>Jeff, <br>
I've just caught up with this thread bing mostly a software kinda guy. =
<br>
This piece is beautiful! It paints abstract pictures in my head which is =
always
a good sign!<br>
I'm almost tempted with this pedal....<br>
&nbsp;Does it output midi control?<br>
<br>
Peace<br>
<br>
G</span></font></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D2
face=3DVerdana><span style=3D'font-size:10.0pt;font-family:Verdana'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'>We want to hear all your funny, exciting and crazy =
Hotmail
stories. <a href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/"
target=3D"_new">Tell us now</a> </span></font></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><font =
size=3D2
face=3DVerdana><span style=3D'font-size:10.0pt;font-family:Verdana'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</span></font></div>

<p class=3DMsoNormal><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;
font-family:Verdana'><br>
No virus found in this incoming message.<br>
Checked by AVG - www.avg.com <br>
Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release Date: =
</span></font><font size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:Verdana'>04/01/10</span></font><fon=
t
size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:Verdana'>
06:35:00</span></font></p>

</blockquote>

</div>

</body>

</html>

------=_NextPart_000_0027_01CAD24A.F8AD24B0--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 14:59:18 2010
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From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
References: <25378506.163.1270214514235.JavaMail.root@n34>
In-Reply-To: <25378506.163.1270214514235.JavaMail.root@n34>
Subject: Re: Re: jazz on tele's etc.
Date: Fri, 2 Apr 2010 08:59:20 -0600
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My story exactly. Those are great strings. I've been using them for 15 
years.

----- Original Message ----- 
Hello,

I just wanted to pitch in a bit on the flatwound line here.

My Luthier convinced me to try d'adario Chrome XL's. I had tried flatwounds 
in the past & never liked them as I found the tone rather dead & I didn't 
care for the "rubber band" feel the wound strings had. I am now a confirmed 
user & absolutely love them. I change the plains as soon as they get a 
little tarnished & the wounds about every 2 months. The tone is amazing for 
flats & I suspect that no one could pick out which strings I'm using. If 
you'd care to try, go to:

myspace.com/folkstone57

& listen to the BEATLES DEMO

See if you can tell which song the electric guitar parts are flatwounds.


> ----- Original Message -----
> From: "Per Boysen" <perboysen@gmail.com>
> To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
> Subject: Re: Re: jazz on tele's etc.
> Date: Fri, 2 Apr 2010 14:02:49 +0200
>
>
> On Fri, Apr 2, 2010 at 5:14 AM, Kris Hartung <khartung@q.com> wrote:
> > And the best thing about flatwounds I like....I only change my strings 
> > every
> > 6 months. :)
>
> True! I too appreciate that a lot.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<a href="http://www.mylivesignature.com" target="_blank"><img 
src="http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png" 
style="border: 0 !important; background: transparent;"/></a>


-- 
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

Powered by Outblaze

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 16:33:35 2010
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Date: Fri, 2 Apr 2010 09:33:35 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick carefully
To: Loopers-Delight@loopers-delight.com
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--0-1253542951-1270226015=:31366
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A very important part of the "tone" conversation that is often overlooked i=
s to consider the kind of plectrum you are using.=0A=0AJust changing your p=
ick with change your tone.=A0 It's easy to overlook, but makes a big differ=
ence.=A0 Many guitar players evelove their technique around a particular ki=
nd of guitar pick.=A0Therefore, it can take a little while to adapt to a ne=
w pick and hence there can be a reluctance to change picks.=A0 This is unde=
rstandable.=A0 But try changing picks and see what happens.=A0 This is very=
 obvious on acoustic guitars. But it also makes a big difference on electri=
c-guitar tone.=0A=0A=0A      
--0-1253542951-1270226015=:31366
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#0000ff;"><DIV>A very important part of the "tone" conversation t=
hat is often overlooked is to consider the kind of plectrum you are using.<=
/DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Just changing your pick with change your t=
one.&nbsp; It's easy to overlook, but makes a big difference.&nbsp; Many gu=
itar players evelove their technique around a particular kind of guitar pic=
k.&nbsp;Therefore, it can take a little while to adapt to a new pick and he=
nce there can be a reluctance to change picks.&nbsp; This is understandable=
.&nbsp; But try changing picks and see what happens.&nbsp; This is very obv=
ious on acoustic guitars. But it also makes a big difference on electric-gu=
itar tone.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>&nbsp;</DIV=
></div><br>=0A=0A      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 16:38:04 2010
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: OT: Re: jazz on tele's etc. Tone control
Date: Fri, 2 Apr 2010 18:37:59 +0200
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To cite the late Ken Fisher of Trainwreck amps: "Never use a ceramic  
disc as a tone cap in a guitar." This was in series of online  
articles, I just found them again:

http://blueguitar.org/new/schem/trainwreck/trainwreck_thoughts.pdf

I haven't read them all, but I stumbled on the bit about the old  
paper-in-oil tonecaps known as "BumbleBees" and/or "Black Beauties" a  
couple of years ago. I personally really like these for that dark Jim  
Hall/John Abercrombie-type tone and also they influence the overall  
treble of the tone pot, even when fully up. Lots of useable tones  
throughout the range! In the custom made Deimel axe that I use mostly  
these days (my vintage 335 becoming too valuable to take on the road)  
I use WCR Crossraod PAF's with great results but the vintage  
BumbleBee happens to be the only NOS part in the whole instrument.

Might not be for everyone, I saw the Ghost Pickup demo and was quite  
impressed, there seems to be real progress with piezos. Still  
probably not for me... As far as flatwounds, I do not use them on a  
regular basis. I just mentioned them as a cheap and quick way to get  
into some completely different sonic terrain on your instrument  
without buying something new.

Best, Andreas

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 17:01:15 2010
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From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
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In-Reply-To: <15142448.385.1270226426474.JavaMail.root@n34>
Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick carefully
Date: Fri, 2 Apr 2010 11:01:13 -0600
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I agree! Wow. I have struggled with this for years.  I finally settled =
on using my index finger nail, which I keep moderately long.=20
=20
First, I really like the sound of the human finger nail on a guitar =
string. To me it sounds a lot warmer and natural.  I've tried picks that =
sort of simulated the texgture and density of a fingernail but didn't =
cut it. Picks just sound bright and brittle to me.

Second, when I comp chords, I always plug the strings with my fingers =
rather than strumming them. It produces a much more "piano" like feel to =
the comping, also more warm and natural because I am using the flesh of =
my fingers.  Using this comping approach and playing with a pick is very =
challenging, because you have that stupid piece of nylon/plastic to =
worry about in terms of positioning - becaues I pluck with my thumb and =
three fingers typically...pick has to go.=20

Kris

  ----- Original Message -----=20



  A very important part of the "tone" conversation that is often =
overlooked is to consider the kind of plectrum you are using.

  Just changing your pick with change your tone.  It's easy to overlook, =
but makes a big difference.  Many guitar players evelove their technique =
around a particular kind of guitar pick. Therefore, it can take a little =
while to adapt to a new pick and hence there can be a reluctance to =
change picks.  This is understandable.  But try changing picks and see =
what happens.  This is very obvious on acoustic guitars. But it also =
makes a big difference on electric-guitar tone.





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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I agree! Wow. I have struggled with =
this for=20
years.&nbsp; I finally settled on using my index finger nail, which I =
keep=20
moderately long.&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>First,&nbsp;I really like the sound of =
the human=20
finger nail on a guitar string. To me it sounds a lot warmer and =
natural.&nbsp;=20
I've tried picks that sort of simulated the texgture and density of a =
fingernail=20
but didn't cut it.&nbsp;Picks just sound bright and brittle to =
me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Second, when I comp chords, I always =
plug the=20
strings with my fingers rather than strumming them. It produces a much =
more=20
"piano" like feel to the comping, also more warm and natural because I =
am using=20
the flesh of my fingers.&nbsp; Using this comping approach and playing =
with a=20
pick is very challenging, because you have that stupid piece of =
nylon/plastic to=20
worry about in terms of positioning - becaues I pluck with my thumb and =
three=20
fingers typically...pick has to go. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kris</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black">&nbsp;</DIV>
  <DIV><BR></DIV>
  <DIV=20
  style=3D"FONT-SIZE: 10pt; COLOR: #0000ff; FONT-FAMILY: arial, =
helvetica, sans-serif">
  <DIV>A very important part of the "tone" conversation that is often =
overlooked=20
  is to consider the kind of plectrum you are using.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>Just changing your pick with change your tone.&nbsp; It's easy to =

  overlook, but makes a big difference.&nbsp; Many guitar players =
evelove their=20
  technique around a particular kind of guitar pick.&nbsp;Therefore, it =
can take=20
  a little while to adapt to a new pick and hence there can be a =
reluctance to=20
  change picks.&nbsp; This is understandable.&nbsp; But try changing =
picks and=20
  see what happens.&nbsp; This is very obvious on acoustic guitars. But =
it also=20
  makes a big difference on electric-guitar tone.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV></DIV><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 17:10:02 2010
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Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick carefully
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I see a future in nail farming..."plectrums, 100% human protein.."

I use my nail as a pick, too. I used to keep a pick in my pocket and 
would pull it out occasionally, but found just sometime last year that 
if I curl my hand around and actually pinch my index as if I were 
holding a pick, it supports the index and feels very natural. Sometimes 
I'll use my middle finger instead, which gives a stronger, more defined 
sound.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

> I agree! Wow. I have struggled with this for years.  I finally settled 
> on using my index finger nail, which I keep moderately long. 
>  
> First, I really like the sound of the human finger nail on a guitar 
> string. To me it sounds a lot warmer and natural.  I've tried picks 
> that sort of simulated the texgture and density of a fingernail but 
> didn't cut it. Picks just sound bright and brittle to me.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 17:18:45 2010
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Subject: Tone control
Date: Fri, 2 Apr 2010 10:18:39 -0700
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Most guitar manufacturers no matter how high end usually don't go the  
extra mile by including capacitor circuits on the their tone  
controls.  usually something like a.02 micro fared capacitor I seem to  
recall, but I'll find out for sure.  Rolling off Hi end doesn't have  
to be an all or none proposition. The guy who assembles my electric  
guitars used to live and work in Austin for people like Stevie Ray  
Vaughn and David Grissom, and knows all the tricks about wiring. My  
tone controls attenuate a bit of high frequency without muffling the  
sound. Playing technique can provide different shades of bright and  
dark simply by moving closer to the neck and away from the bridge, or  
using finger flesh rather than a pick, or using a pick out of a more  
neutral material than plastic. I use dunlop jazz 3 picks when playing  
with picks though these days i prefer my fingers. The jazz threes are  
very neutral sounding.
  As for flat wounds I'm glad there are people out there who like and  
buy them, but I won't, for me playing on flat wounds is like walking  
on ice, too slippery to really dig in to, and too rigid to bend. BTW  
why is it that many trad jazz players don't bend strings much? Seeing  
as there is a direct line between blues and jazz , is it because the  
strings of choice are too hard to bend?   I tried them for slide  
guitar thinking that the slickness would be an advantage but I  
couldn't stand how dull they sounded.
PS these where DAddario Chromes. I get a lot of life out of my strings  
but thats because I'm very diligent about keeping my hands clean  
before I play, and also wiping the strings down thoroughly when I'm  
done. I like the feel and sound  of round wound strings, and  
ultimately sound is more important to me than feel.
Bill the contrarian

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Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick carefully
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I haven't used a pick for 20 years, if more bite is required then 
fingernails/thumbnail is used. Finger plucking is excellent for comping 
as Kris says.

Of course, I can't do any shredding......

I have a friend who super glues the tips of picks under his fingernails then files to suit. But he plays a lot and his nails would get worn down otherwise....

Eric

________________________________
From: Daryl Shawn <highhorse@mhorse.com>
To: Loopers-Delight@loopers-delight.com
Sent: Fri, April 2, 2010 1:09:41 PM
Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick carefully

I see a future in nail farming..."plectrums, 100% human protein.."

I use my nail as a pick, too. I used to keep a pick in my pocket and would pull it out occasionally, but found just sometime last year that if I curl my hand around and actually pinch my index as if I were holding a pick, it supports the index and feels very natural. Sometimes I'll use my middle finger instead, which gives a stronger, more defined sound.

Daryl Shawn



      
--0-1461334184-1270228792=:15007
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div><br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">I haven't used a pick for 20 years, if more bite is required then 
fingernails/thumbnail is used. Finger plucking is excellent for comping 
as Kris says. <br><br>Of course, I can't do any shredding......<br><br>I have a friend who super glues the tips of picks under his fingernails then files to suit. But he plays a lot and his nails would get worn down otherwise....<br><br>Eric<div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Daryl Shawn &lt;highhorse@mhorse.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, April 2, 2010 1:09:41 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: OT: Re: jazz on tele's etc. Tone control - pick your pick carefully<br></font><br>
I see a future in nail farming..."plectrums, 100% human protein.."<br><br>I use my nail as a pick, too. I used to keep a pick in my pocket and would pull it out occasionally, but found just sometime last year that if I curl my hand around and actually pinch my index as if I were holding a pick, it supports the index and feels very natural. Sometimes I'll use my middle finger instead, which gives a stronger, more defined sound.<br><br>Daryl Shawn<br></div></div>
</div><br>



      </body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 17:46:25 2010
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----- Original Message ----- 

> BTW why is it that many trad jazz players don't bend strings much? Seeing 
> as there is a direct line between blues and jazz , is it because the 
> strings of choice are too hard to bend?

There are probably lots of explanations for this. One is that many jazz 
guitar players have sought to emulate horn or piano players, which doesn't 
lend to well to the bendy tone. :   Though a good horn player can mouth up 
tones to create a relatively smooth transition between half steps....but you 
get the gist.  I think this sets somewhat of an unlrealistic expectation for 
guitar playres, to be constantly trying to emulate horn players.

But you know, many of the modern jazzers to bend strings...Abercombine, 
Scofield, Mike Stern, McLaughlin, etc. It's those hold farts playing the big 
boxes that aren't bending.  I never bend when I play jazz on my archtop.  I 
just don't have a need for it, mainly because I have enought to worry about 
trying to be creative and play improvised melodies, than bending my strings 
for effect.

Kris

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There has to be some kind of capacitor, though.

t
On Apr 2, 2010, at 10:18 AM, William Walker wrote:

> Most guitar manufacturers no matter how high end usually don't go  
> the extra mile by including capacitor circuits on the their tone  
> controls.  usually something like a.02 micro fared capacitor I seem  
> to recall, but I'll find out for sure.  Rolling off Hi end doesn't  
> have to be an all or none proposition. The guy who assembles my  
> electric guitars used to live and work in Austin for people like  
> Stevie Ray Vaughn and David Grissom, and knows all the tricks about  
> wiring. My tone controls attenuate a bit of high frequency without  
> muffling the sound. Playing technique can provide different shades  
> of bright and dark simply by moving closer to the neck and away  
> from the bridge, or using finger flesh rather than a pick, or using  
> a pick out of a more neutral material than plastic. I use dunlop  
> jazz 3 picks when playing with picks though these days i prefer my  
> fingers. The jazz threes are very neutral sounding.
>  As for flat wounds I'm glad there are people out there who like  
> and buy them, but I won't, for me playing on flat wounds is like  
> walking on ice, too slippery to really dig in to, and too rigid to  
> bend. BTW why is it that many trad jazz players don't bend strings  
> much? Seeing as there is a direct line between blues and jazz , is  
> it because the strings of choice are too hard to bend?   I tried  
> them for slide guitar thinking that the slickness would be an  
> advantage but I couldn't stand how dull they sounded.
> PS these where DAddario Chromes. I get a lot of life out of my  
> strings but thats because I'm very diligent about keeping my hands  
> clean before I play, and also wiping the strings down thoroughly  
> when I'm done. I like the feel and sound  of round wound strings,  
> and ultimately sound is more important to me than feel.
> Bill the contrarian
>

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Date: Fri, 2 Apr 2010 12:42:31 -0700 (PDT)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Bass Looping on the San Lorenzo (Bass/Looping gig spam w/ a mission)
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Hi Loopers, =0A=0A=A0=A0=A0=A0=A0 Steve Uccello here of 'Uccello Project' l=
etting you all know about an upcoming event that I'm organizing/playing at.=
 It's called: =0A=0A'Bass Looping On The San Lorenzo'=A0Featuring Dan Robbi=
ns plus more...=0A -April 24th 2010, 6pm music (5pm Potluck) Felton, Califo=
rnia- =0A=0A=A0   Aside from providing a fun event, this show is my small s=
cale attempt to not only promote the music of my friend's and myself, but m=
ore importantly to promote the expanding role of the Bass and the amazing a=
rt of Live Looping.=A0 =0A=0A=A0=A0=A0=A0This event was inspired by Rick's =
Y2K festival series and Steve Lawson and Rick's first Drum/Bass Internation=
al Live Looping Fest. I believe by promoting other loopers (even in small w=
ays) we can raise the profile of our art and all have a better chance of su=
rviving from the art we love!=A0 =0A=0A    To read more about the inspirati=
on behind this, get the specifics, learn more about who's on the bill, or R=
SVP, click over to my blog at:=0A=0Ahttp://www.uccelloprojects.blogspot.com=
/=0A=0AThank you all for your time, and I really enjoy hanging in the backg=
round and learning from you all! =0A-Steve Uccello=0A=0Aps you can get some=
 free downloads of my music at: www.steveuccello.com=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 19:45:08 2010
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Date: Fri, 2 Apr 2010 15:45:02 -0400
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From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: Tone control
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The tone control on a guitar is a simple first order (6dB per octave) 
low pass filter formed by a capacitor in series with a pot - and 
those two shunted across the pickup.  The corner frequency is 
determined by the position of the tone control knob.  In some 
combination of capacitor value and pickup inductance a resonant 
circuit can be formed by the capacitor and pickup (P-90s are 
particularly good for this).  The result is similar to a 'half 
-cocked' wah-wah pedal.



>There has to be some kind of capacitor, though.
>
>t
>On Apr 2, 2010, at 10:18 AM, William Walker wrote:
>
>>Most guitar manufacturers no matter how high end usually don't go 
>>the extra mile by including capacitor circuits on the their tone 
>>controls.  usually something like a.02 micro fared capacitor I seem 
>>to recall, but I'll find out for sure.  Rolling off Hi end doesn't 
>>have to be an all or none proposition. The guy who assembles my 
>>electric guitars used to live and work in Austin for people like 
>>Stevie Ray Vaughn and David Grissom, and knows all the tricks about 
>>wiring. My tone controls attenuate a bit of high frequency without 
>>muffling the sound. Playing technique can provide different shades 
>>of bright and dark simply by moving closer to the neck and away 
>>from the bridge, or using finger flesh rather than a pick, or using 
>>a pick out of a more neutral material than plastic. I use dunlop 
>>jazz 3 picks when playing with picks though these days i prefer my 
>>fingers. The jazz threes are very neutral sounding.
>>  As for flat wounds I'm glad there are people out there who like 
>>and buy them, but I won't, for me playing on flat wounds is like 
>>walking on ice, too slippery to really dig in to, and too rigid to 
>>bend. BTW why is it that many trad jazz players don't bend strings 
>>much? Seeing as there is a direct line between blues and jazz , is 
>>it because the strings of choice are too hard to bend?   I tried 
>>them for slide guitar thinking that the slickness would be an 
>>advantage but I couldn't stand how dull they sounded.
>>PS these where DAddario Chromes. I get a lot of life out of my 
>>strings but thats because I'm very diligent about keeping my hands 
>>clean before I play, and also wiping the strings down thoroughly 
>>when I'm done. I like the feel and sound  of round wound strings, 
>>and ultimately sound is more important to me than feel.
>>Bill the contrarian


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

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William Walker wrote:

> usually something like a.02 micro fared capacitor I seem to recall,

well I did Google for info, but it's just too scary.

Lot's of guys who say they can tell one *type* of cap from another.
( "this ones more Strat like" )



andy
(ps. I think tone caps work better wired as bass cut on
  the bridge p/u :-)



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:-)) A good April fool gag. Last year they announced that they'd reversed the circuitry in their analog delay pedal, allowing you to hear the notes before you actually played them. 
----- Original Message ----- 
From: "Sean Echevarria" <fuckthespam@creepingfog.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Thursday, April 1, 2010 12:27:19 PM GMT -05:00 US/Canada Eastern 
Subject: MOOG MF-401 Auto De-tune 

New must have processor with adjustable Warble rate, Deviation range, 
Emotive Overload, and Caterwaul rotary controls: 
http://www.moogmusic.com/moogerfooger/?section=product&product_id=21374 


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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>:-))&nbsp; A good April fool gag.&nbsp; Last year they announced that they'd reversed the circuitry in their analog delay pedal, allowing you to hear the notes before you actually played them.<br>----- Original Message -----<br>From: "Sean Echevarria" &lt;fuckthespam@creepingfog.com&gt;<br>To: Loopers-Delight@loopers-delight.com<br>Sent: Thursday, April 1, 2010 12:27:19 PM GMT -05:00 US/Canada Eastern<br>Subject: MOOG MF-401 Auto De-tune<br><br>New must have processor with adjustable Warble rate, Deviation range, <br>Emotive Overload, and Caterwaul rotary controls:<br>http://www.moogmusic.com/moogerfooger/?section=product&amp;product_id=21374<br><br></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 20:28:35 2010
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From: "Kris Hartung" <khartung@q.com>
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Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick carefully
Date: Fri, 2 Apr 2010 14:28:31 -0600
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Here is a small clip of me playing with my fingernail on my new archtop.

http://www.box.net/shared/8rublhuq58

This depicts my week thus far...next week I'll release the CD call for the 
men in white jackets.

Kris

www.krispenhartung.com
www.b-cimf.com


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Date: Fri, 2 Apr 2010 22:31:22 +0200
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Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick 
	carefully
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On Fri, Apr 2, 2010 at 6:33 PM, david kirkdorffer <unstrungone@yahoo.com> wrote:
> A very important part of the "tone" conversation that is often overlooked is
> to consider the kind of plectrum you are using.

Herueka! Since my studio guitarist days I have kept the habit of
carrying many picks for different kinds of sound. But as Kris says,
playing with fingers gives you a better rhythmic control (although it
sound like... playing with fingers). For my own taste I mostly use one
of those fat and hard Dunlop plastics. I've also owned a bone pick for
about two decades that sounds good if playing a guitar with more jazzy
natural tone. Using the bone pick on a Fender would produce a way to
bright attack. For thick flat wound strings, like I use on fretless
these days, I sometimes play with a flint stone pick. The stone gives
a wonderfully distinct mid frequency attack, not too far from low
piano keys. "On demand" (when hired for someone else's studio session)
I have also used these saw tooth edged picks to produce a gritty,
gnarly note attack typically heard on old Jim Page and Leslie west
tracks. So there's a wide palette of sounds just in the choice of
pick.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr  2 22:37:33 2010
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	 <1307182476.10891931270238457863.JavaMail.root@sz0034a.westchester.pa.mail.comcast.net>
Date: Fri, 2 Apr 2010 15:37:31 -0700
Message-ID: <x2zc70e517b1004021537scdeb6148k251730060bfdc8f@mail.gmail.com>
Subject: Re: MOOG MF-401 Auto De-tune
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd137ecfbb2bd0483489f57
Content-Type: text/plain; charset=ISO-8859-1

The funny thing is that's an effect I'd love to have. I could see a real use
for the auto-detuner. Not on vocals, but maybe on keyboards, drum loops and
other instruments that could stand to have more artifacts and "human
elements".

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

On Fri, Apr 2, 2010 at 1:00 PM, Christophe <cburke55@comcast.net> wrote:

> :-))  A good April fool gag.  Last year they announced that they'd reversed
> the circuitry in their analog delay pedal, allowing you to hear the notes
> before you actually played them.
>
> ----- Original Message -----
> From: "Sean Echevarria" <fuckthespam@creepingfog.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thursday, April 1, 2010 12:27:19 PM GMT -05:00 US/Canada Eastern
> Subject: MOOG MF-401 Auto De-tune
>
> New must have processor with adjustable Warble rate, Deviation range,
> Emotive Overload, and Caterwaul rotary controls:
> http://www.moogmusic.com/moogerfooger/?section=product&product_id=21374
>
>

--000e0cd137ecfbb2bd0483489f57
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

The funny thing is that&#39;s an effect I&#39;d love to have. I could see a=
 real use for the auto-detuner. Not on vocals, but maybe on keyboards, drum=
 loops and other instruments that could stand to have more artifacts and &q=
uot;human elements&quot;. <br>
<br>-- <br>Matt Davignon<br><a href=3D"mailto:mattdavignon@gmail.com">mattd=
avignon@gmail.com</a><br><a href=3D"http://www.ribosomemusic.com">www.ribos=
omemusic.com</a><br>Rigs!
 <a href=3D"http://www.youtube.com/user/ribosomematt">www.youtube.com/user/=
ribosomematt</a><br><br><div class=3D"gmail_quote">On Fri, Apr 2, 2010 at 1=
:00 PM, Christophe <span dir=3D"ltr">&lt;<a href=3D"mailto:cburke55@comcast=
.net">cburke55@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style=
=3D"font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">:-))=A0 A go=
od April fool gag.=A0 Last year they announced that they&#39;d reversed the=
 circuitry in their analog delay pedal, allowing you to hear the notes befo=
re you actually played them.<div class=3D"im">
<br>----- Original Message -----<br>From: &quot;Sean Echevarria&quot; &lt;<=
a href=3D"mailto:fuckthespam@creepingfog.com" target=3D"_blank">fuckthespam=
@creepingfog.com</a>&gt;<br>To: <a href=3D"mailto:Loopers-Delight@loopers-d=
elight.com" target=3D"_blank">Loopers-Delight@loopers-delight.com</a><br>
</div><div><div></div><div class=3D"h5">Sent: Thursday, April 1, 2010 12:27=
:19 PM GMT -05:00 US/Canada Eastern<br>Subject: MOOG MF-401 Auto De-tune<br=
><br>New must have processor with adjustable Warble rate, Deviation range, =
<br>
Emotive Overload, and Caterwaul rotary controls:<br><a href=3D"http://www.m=
oogmusic.com/moogerfooger/?section=3Dproduct&amp;product_id=3D21374" target=
=3D"_blank">http://www.moogmusic.com/moogerfooger/?section=3Dproduct&amp;pr=
oduct_id=3D21374</a><br>
<br></div></div></div></div></blockquote></div><br><br clear=3D"all"><br>

--000e0cd137ecfbb2bd0483489f57--

From david01@post.ro  Sat Apr  3 00:24:58 2010
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Reply-To: <david02@post.ro>
From: "FBI"<david01@post.ro>
Subject: Attention: Beneficiary,
Date: Sat, 3 Apr 2010 01:06:42 +0100
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X-OriginalArrivalTime: 03 Apr 2010 00:07:01.0711 (UTC) FILETIME=[95CAFDF0:01CAD2C1]
To: undisclosed-recipients:;

Federal Bureau of Investigation (FBI)
Anti-Terrorist And Monitory Crime Division.
Federal Bureau Of Investigation.
J.Edgar.Hoover Building Washington Dc
Customers Service Hours / Monday To Saturday
Office Hours Monday To Saturday: 


Dear Beneficiary,

Series of meetings have been held over the past 7 months with the secretary general of the United Nations Organization. This ended 3 days ago. It is obvious that you have not received your fund which is to the tune of $9.8million due to past corrupt Governmental Officials who almost held the fund to themselves for their selfish reason and some individuals who have taken advantage of your fund all in an attempt to swindle your fund which has led to so many losses from your end and unnecessary delay in the receipt of your fund.



The National Central Bureau of Interpol enhanced by the United Nations and Federal Bureau of Investigation have successfully passed a mandate to the current president of Nigeria his Excellency President Umaru Yar'Adua to boost the exercise of clearing all foreign debts owed to you and other individuals and organizations who have been found not to have receive their Contract Sum, Lottery/Gambling, Inheritance and the likes.

Now how would you like to receive your payment? because we have two method of payment which is by Check or by ATM card?


ATM Card: We will be issuing you a custom pin based ATM card which you will use to withdraw up to $3,000 per day from any ATM machine that has the Master Card Logo on it and the card have to be renewed in 4 years time which is 2014. Also with the ATM card you will be able to transfer your funds to your local bank account. The ATM card comes with a handbook or manual to enlighten you about how to use it. Even if you do not have a bank account.

Check: To be deposited in your bank for it to be cleared within three working days.

Your payment would be sent to you via any of your preferred option and would be mailed to you via UPS. Because we have signed a contract with UPS which should expire by the end of April 2010 you will only need to pay $220 instead of $520 saving you $300 So if you pay before Aril 28th 2010 you save $300 Take note that anyone asking you for some kind of money above the usual fee is definitely a fraudsters and you will have to stop communication with every other person if you have been in contact with any. Also remember that all you will ever have to spend is $220.00 nothing more! Nothing less! And we guarantee the receipt of your fund to be successfully delivered to you within the next 24hrs after the receipt of payment has been confirmed.



Below are few list of tracking numbers you can track from UPS website to confirm people like you who have received their payment successfully.

Name: Demetria Jackson: Tracking Number 1Z 96R 406 22 1003 4512 (www.ups.com)
Name: Ruth Brinson: Tracking Number 1Z 96R 406 22 1003 4521 (www.ups.com)
Name: Leigh Gilchrist: Tracking Number 1Z 96R 406 22 1003 4530 (www.ups.com)
Name: Amanda R. Hamilton: Tracking Number 1Z 96R 406 22 1003 4549 (www.ups.com)
Name: Deborah Dominick: Tracking Number 1Z 96R 406 22 1003 4558 (www.ups.com)
Name: Felix Espinosa: Tracking Number 1Z 96R 406 22 1003 4567 (www.ups.com)



Note: Everything has been taken care of by the Federal Government of Nigeria, The United Nation and also the FBI and including taxes, custom paper and clearance duty so all you will ever need to pay is $220. 

DO NOT SEND MONEY TO ANYONE UNTIL YOU READ THIS: The actual fees for shipping your ATM card is $520 but because UPS have temporarily discontinued the C.O.D which gives you the chance to pay when package is delivered for international shipping as stated on their website: http://ups.com/us/international/irc/profiles/irc_ng_profile.html?gtmcc=us#C10 We had to sign contract with them for bulk shipping which makes the fees reduce from the actual fee of $520 to $220 nothing more and no hidden fees of any sort!

To effect the release of your fund valued at $9.8million you are advised to contact our correspondent in Africa the delivery officer MR. JAMES HARRISON with the information below, 

:E-mail: jamesharrison@hosanna.net
Telephone: +234-813-477-9191

You are adviced to contact him with the informations as stated below:


Your full Name..
Your Address:..............
Home/Cell Phone:..............
Preferred Payment Method ( ATM / Cashier Check )

Upon receipt of payment the delivery officer will ensure that your package is sent within 24 working hours. Because we are so sure of everything we are giving you a 100% money back guarantee if you do not receive payment/package within the next 24hrs after you have made the payment for shipping.

Yours sincerely,

Miss Donna Story
FEDERAL BUREAU OF INVESTIGATION
UNITED STATES DEPARTMENT OF JUSTICE
WASHINGTON, D.C. 20535 

Note: Do disregard any email you get from any impostors or offices claiming to be in possession of your ATM CARD, you are hereby advice only to be in contact with Mr. James Harrison of the ATM CARD CENTRE who is the rightful person to deal with in regards to your ATM CARD PAYMENT and forward any emails you get from impostors to this office so we could act upon and commence investigation. 

From f.stamps@financier.com  Sat Apr  3 01:12:14 2010
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Reply-To: <mr.frankstamps@gmail.com>
From: "Barr. Frank Stamps"<f.stamps@financier.com>
Subject: This Is Our Last Notice To You.
Date: Fri, 2 Apr 2010 15:29:59 -0800
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Good day to you. I may have to trouble your sense of   personal achievement and reward for an Opportunity  properly taken advantage of.

We wish to notify you again that you were listed as a beneficiary to the total sum of US$21,000,000.00 Dollars in the intent of the deceased (name now withheld since this is our second letter to you)

We contacted you because you bear the surname identity and therefore can present you as the beneficiary to the inheritance since there is no written will.

To verify these funds in escrow, please call the Automated Number of the Bank and follow the prompt:

+1 (213) 785-8749
Pass code: 8676
Account number 89993883.
Pin number. 7761.

All the papers will be processed in your acceptance. In your acceptance of this deal, we request that you kindly forward to us  your letter of acceptance, your current telephone and fax numbers and a  forwarding address to enable us file necessary documents at our high court probate   division for the release of this sum of money in your favor

1. Full Name:
2. Your Telephone Number :
3. Your Contact Address:
4. Age:
5. Occupation
Get back to me through the following contact mail address (mr.frankstamps@rocketmail.com)

Yours faithfully,

Frank Stamps.

From bnh@osb.att.ne.jp  Sat Apr  3 03:06:08 2010
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Date: Sat, 3 Apr 2010 4:35:28 +0900
From: EMILE BERTRAND <bnh@osb.att.ne.jp>
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FELICITATION!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!FELICITATION!!!!!!!!!!!!!!!!!!!=
!!!!!!FELICITATION
=20
Bonjour Mme / Mr,=20
Nous sommes heureux de vous informer du r=C3=A9sultat des=20
Gagnants de la Loterie BILL GATES MICROSOFT.
Ceci n'=C3=A9tant pas un Spam ni un virus,=20
Veuillez trouver en fichier joint votre notification de gain.=20
PROC=C3=89DURE DE REMISE DE GAIN=20
Veuillez adresser exclusivement par email S.V.P les informations vous compo=
rtant =C3=A0 notre avocat officiel Ma=C3=AEtre EMILE BERTRAND de l'agence =
=C2=AB G=C3=89N=C3=89RAL CONSULTANT =C2=BB=20
Cordialement=20
La Directrice des Op=C3=A9rations
Madame FRANCOISE  COMBLAND
DIRECTION DE LA LOTERIE.=20
Contact officiel de l'agence "G=C3=89N=C3=89RAL CONSULTANT"
MAITRE EMILE BERTRAND Contact direct de l'avocat : maitre_emile_bertrand Te=
l: +225 0265 4992

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------=_Part_6758_8928545.1270236928561--

From canadianlot12@mcom.com  Sat Apr  3 03:21:27 2010
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From: "Gates Foundation"<canadianlot12@mcom.com>
Subject: MICROSOFT WINDWOS EUROPE AFRIQUE / NOTIFICATION DE GAIN
Date: Sat, 3 Apr 2010 04:21:04 +0100
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NOTRE DEVISE : LUTTER CONTRE LA PAUVRETE DANS LE  MONDE 

 

DU: BUREAU DU DEPARTEMENT INTERNATIONALE DE RECOMPENSE DU DIRECTEUR POUR LA PROMOTIONS D'E-MAIL, LOTERIE AMERICAINE DE MICROSOFT CORPORATION D'AMERICAIN: N?1. MAPLEWOOD LN DAYTON, TX 77535.USA.

 

AVIS DE GAIN DE RECOMPENSE DE COURRIER ELECTRONIQUE CENTRE DE PRESENTATION DE RECOMPENSE: LE ROYAUME-UNI. NUMERO DE REFERENCE: MSW-L/UK09/M-300-92890

EN LOTS : 2009-JANVIER/TL#22.

 

No DE GAGNANT No2

 

CHER GAGNANT,

 

LA GESTION POUR LA COOPERATION MONDIALE DE MICROSOFT  EST HEUREUSE DE VOUS INFORMER QUE VOUS ETES UN GAGNANT DE NOTRE LOTERIE ANNUELLE DE LOTO DE MS-WORD CONDUITE AU NOUVELLE ZELANDE.  LA NOUVELLE ZELANDE AUSTRALIE ETANT LE CONTINENT HOTE DE CE GRAND EVENEMENT POUR DES EVENEMENTS ANNUELS DE GAINS INITIE DEPUIS LE  22/JANVIER/ 2009. 

 

VOTRE ADRESSE ELECTRONIQUE PERSONNELLE OU DE VOTRE COMPAGNIE A ETE TIREE AU SORT EN JANVIER AVEC LE NO DE REFERENCE: MSW-L/UK09/M-300-92890 ASSOCIE AU NUMERO GAGNANT MSW/808-UK/009. VOUS FAITES AINSI PARTIE DE LA PREMIERE CATEGORIE DES GAGNANTS DE LA LOTERIE ET VOUS GAGNEZ PAR CONSEQUENT LA SOMME DE  100 000 EUROS ( CENT MILLES EUROS) PAYABLE EN ESPECE CREDITE AU NUMERO DE REFERENCE DE DOSSIER: MSW-L/UK09/M-300-92890.   CECI FAIT UN TOTAL DE 2.500. 000 EUROS  (DEUX MILLIONS CINQ CENT MILLES EUROS) QUE NOUS DEVONS REPARTIR ENTRES LES 10 GAGNANTS DE LA PREMIERE CATEGORIE.

 

 LE PROCESSUS EST TEL QUE TOUS LES PARTICIPANTS ONT ETE CHOISIS PARMI DES SITES WEB MONDIAUX PAR NOTRE SYSTEME DE VOTE D'ORDINATEUR DE MICROSOFT TIRER DE 500.000 NOMS, EMAIL-ADRESSE A RAISON DE 62.000 NOMS DE CHAQUE CONTINENT (CANADA, ASIE, AUSTRALIE, ETAT UNIS, EUROPE, MOYEN-ORIENT, AFRIQUE ET OCEANIE) EN TANT QU'ELEMENT DU PROGRAMME INTERNATIONAL DE PROMOTIONS ? DE-MAILS ? QUI EST CONDUIT ANNUELLEMENT POUR ENCOURAGER L'UTILISATION DE L'INTERNET ET DES ORDINATEURS DANS LE MONDE ENTIER. 

 

VOS FONDS GAGNER ONT ETE ASSURES AVEC VOTRE NO. DE REFERENCE : MSW-L/UK09/M-300-92890, ET SERONT PRETS POUR LA LIVRAISON.  ILS VOUS SERONT LIVRES PAR L'UN DE NOS AGENTS GESTIONNAIRES DE COMPTE RESPONSABLE DE VOTRE ZONE  Me VERGES ERICK, VOTRE ADRESSE  E-MAIL DEVRAIT ETRE UTILISEE DANS TOUTES VOS CORRESPONDANCES AVEC VOTRE AGENT GESTIONNAIRE, NOUS INSISTONS SUR CE FAIT, CAR NOUS FAVORISONS L'UTILISATION DONC LA PROMOTION DE L'E-MAIL. EN OUTRE VOUS AVEZ LE DROIT D'ENVOYER UN  MAIL À Me JOSEPH AGGREY, POUR CONFIRMER VOTRE GAIN. 

 

IL VOUS FOURNIRA AUSSI LES DETAILS NECESSAIRES SUR LA DEMARCHE QUE VOUS DEVREZ SUIVRE POUR RECLAMER VOTRE PRIX. PAR MESURE DE SECURITE, VOUS DEVEZ VEILLEZ COMMUNIQUER CE CODE DE SECURITE MSW-L/300-88124 A VOTRE AGENT GESTIONNAIRE DE COMPTE. C'EST EN FAIT UN MOYEN PREVENTIF.
 
RECLAMATION DU PRIX:
L'EMAIL DE CONTACT DE L'AGENT GESTIONNAIRE HUISSIER DE COMPTE EST: 

 

Me JOSEPH AGGREY

RECLAMATION PROFESSIONNELLE: 

  cabinet_joseph@sib-rci.com
             

              00225 66 47 01 12

 

NOUS TENONS A VOUS RAPPELER QUE TOUS LES GAGNANTS SONT TENUS DE RECLAMER LEUR GAIN EN ESPECE, ET CECI SELON LE DELAI QUI LEUR A ETE FIXE(3 jours), FAUTE DE QUOI CETTE SOMME SERA DESTINEE AUX ORGANISMES DE CHARITE.

 

INFORMATIONS DE LAUREAT:

 

NOM ET PRENOMS:

ADRESSE COMPLETE:

NUMERO DE TELEPHONE:

FAX:

PROFESSION:

ADRESSE EMAIL:

AINSI QU'UNE COPIE DE VOTRE PIECE D'IDENTITE

 JE VOUS FAIS PARVENIR LES COORDONNÉS DE QUELQUES  LAURÉATS DU PRÉCEDENT TIRAGE ET LEURS PASSEPORTS.

NOM : GRAUX
PRÉNOM : EMILIE
ADRESSE : VIA BORGO CAVALLI 26/13456 BARI ITALIE
EMAIL :grauxemilie59@yahoo.com  
MONTANT RECU: 100.000 EUROS

NOM : SAVADOGO
PRÉNOM : MAHAHA
ADRESSE : BP 794 09 OUAGADOUGOU 09
EMAIL: mahaha_savadogo@yahoo.fr
MONTANT RECU: 250.000 EUROS


NOTE : AFIN D'EVITER TOUTE ERREUR, NOUS VOUS PRIONS DE BIEN VOULOIR  RAPPELER VOS NUMEROS DE REFERENCE  ET DE LOT, DE MEME QUE VOTRE CODE DE SECURITE DE  MSW-L/300-88124 DANS TOUTES VOS CORRESPONDANCES AVEC VOTRE AGENT DE RECLAMATION. AUSSI NOUS VOUS PRIONS DE NE REPONDRE A AUCUN AUTRE COURRIER DOUTEUX, SI VOUS DECOUVREZ DES MAILS DE CE GENRE, NOUS VOUS PRIONS DE NOUS LE SIGNIFIER IMMEDIATEMENT.  Me JOSEPH AGGREY,  NOTRE RESPONSABLE CHARGE DES REVENDICATIONS, VOUS INVITERA A FOURNIR CERTAINES INFORMATIONS AFIN DE PERMETTRE L'ETABLISSEMENT D'UN CERTIFICAT ATTESTANT QUE VOUS ETES L'HEUREUX GAGNANT QU'IL SE CHARGERA DE RANGER.

 

LE PERSONEL DE LA COOPERATION DE MICROSOFT PRESENTE UNE FOIS DE PLUS SES FELICITATIONS A TOUS LES GAGNANTS DE CETTE ANNEE. MERCI DE FAIRE PARTIE DE CE PROGRAMME PROMOTIONNEL DE LOTERIE. NOUS PRESENTONS UN REMERCIEMENT SPECIAL A BILL GATE LE CONCEPTEUR DE MICROSOFT, DE MEME QU'A TOUS SES ASSOCIES POUR LEUR CONTRIBUTION A LA LUTTE CONTRE LA PAUVRETE.



 

RESPECTUEUSEMENT,                                        



                                        

      Mme. Isabelle chevalier                              SITE INTERNET

   (Coordinatrice).                                           www.gatesfoundation.org

      

SPONSORS DE LA LOTERIE--CHEF SPONSORS:

MICROSOFT ENTREPRISE USA., MICROSOFT ENTREPRISE UK.,

MICROSOFT ENTREPRISE ASIE., MICROSOFT ENTREPRISE EUROPE.

 

Les Gestionnaires/Administrateurs  


  YAHOO! Partenaire Officiel

 
© 1999-2010 Bill & Melinda Gates Foundation. All Rights Reserved


From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 04:03:32 2010
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Subject: Did a lot of 'loopin' this evening
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0016363b92ecc71a3004834d2dd5
Content-Type: text/plain; charset=ISO-8859-1

I did a live webcast this evening on the ImprovFriday community.  Did a lot
of live looping in my set which has become more and more part of what I do
which clearly this community, LD, has had much influence on me.

The show took place at 7pm PST on http://improvfriday.ning.com which if you
don't know ImprovFriday, do check out.

My cast archive is posted on my channel page and in current rotation now on
LiveStream at www.livestream.com/jimgoodinlive

Good weekend

Jim

-- 

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--0016363b92ecc71a3004834d2dd5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I did a live webcast this evening on the ImprovFriday community.=A0 Did a l=
ot of live looping in my set which has become more and more part of what I =
do which clearly this community, LD, has had much influence on me.<br><br>
The show took place at 7pm PST on <a href=3D"http://improvfriday.ning.com">=
http://improvfriday.ning.com</a> which if you don&#39;t know ImprovFriday, =
do check out.<br><br>My cast archive is posted on my channel page and in cu=
rrent rotation now on LiveStream at <a href=3D"http://www.livestream.com/ji=
mgoodinlive">www.livestream.com/jimgoodinlive</a><br>
<br>Good weekend<br><br>Jim<br clear=3D"all"><br>-- <br><br>music links...<=
br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br>=
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br>
<a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodin=
music</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www.mysp=
ace.com/chinapaintingmusic</a><br><a href=3D"http://www.myspace.com/jimgood=
inviolinelectro">www.myspace.com/jimgoodinviolinelectro</a><br>
<a href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br=
><a href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodi=
nmusic</a><br><br>video work/editing...<br><a href=3D"http://www.vimeo.com/=
jimgoodindigital">www.vimeo.com/jimgoodindigital</a><br>
<br>social networking...<br><a href=3D"http://www.twitter.com/jimgoodinmusi=
c">www.twitter.com/jimgoodinmusic</a><br><br>

--0016363b92ecc71a3004834d2dd5--

From non-reply@wowmail.com  Sat Apr  3 04:07:14 2010
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From: "LAN LEE" <non-reply@wowmail.com>
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Subject: Re: Hello
Date: Fri, 2 Apr 2010 09:12:56 +0330
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Good Day,

I am from  Hong Kong, a Chinese, I have a Mutual business proposal am
proposing to you, that I will want you to handle from your country, I will
like to seek your consent first.

I have a serious business project proposal for you to manage and handle for me
in your country. This project involves a huge specific amount which I can't
mention here for security reasons. It involve a transaction from my bank in
Hong Kong. Am a Chinese man, and we are bound by laws here.

If you feel you can have this handled, please let me know, so that I send you
an attached comprehensive details of this transaction.
Sincerely,
Lan Lee

From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 04:35:49 2010
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Subject: Re: Tone control OT
Date: Fri, 2 Apr 2010 21:36:57 -0800
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(minor ramble ahead...)

as some one that has built several tube guitar amps from scratch, and wired
up five or six guitars over the years; you *can* recognise the genral sound
qualities of different capacitors from each other as you get exposed to them
in different circuits... I'd say most any of you folks that can handle a
soldering iron and build a simple effects box kit could try substituting
different types of caps (of the same electrical value) in either a pedal or
a guitar tone control and get a feel for it pretty quick.

It's like most anything in a musical circuit, be it an amp, a pedal, a
microphone, whatever... Everything makes a difference at some level. If you
pay enough attention to it over time, you'll notice subtle differences. The
flip side to that is that, everything matters when making a comparison... So
if you change out the tone cap on your Telecaster, use the same cable, same
amp and same settings when you try it out again. Better yet, record a before
and after clip with everything the same except the cap, and listen
carefully...

:-)

Personally, I dont obsess over much of this. I formed a general opinion a
while back, and it colors my choice of caps in a few places in a circuit *if
I'm building something new from the ground up*, otherwise I dont bother. The
main thing I've learned over the years is that your choice of speaker has
the largest effect over your sound after the choice of instrument and
amplifier. And the relative humidity in your environment, as well as the
variations in wall voltage can make something that sounded great one day
sound very ho-hum on another day.

As you were...

:-)

Dave


>
> well I did Google for info, but it's just too scary.
>
> Lot's of guys who say they can tell one *type* of cap from another.
> ( "this ones more Strat like" )
>

From office_file825@yahoo.com.hk  Sat Apr  3 04:55:04 2010
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Reply-To: <western_union012@w.cn>
From: "Mr.John  Hill"<office_file825@yahoo.com.hk>
Subject: CONTACT WESTERN UNION OFFICE FOR YOUR $5,000.00 PICK UP DAILY
Date: Thu, 1 Apr 2010 17:59:56 -0800
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Attention: Beneficiary,

To the owner of this e-mail, how are you today, i write to inform you that we have already sent you usd5000.00 dollars through western union as we have been given the mandate to transfer your full compensation payment total sum of us1.5million,via western union by our government.

I was calling your telephone number to give you the information through phone but you did not pick up my calls throughout that yesterday even this morning. now, i decided to email you the mtcn and sender name so that you will pick up this usd5000.00 to enable us send another usd5000.00 today as you know we will be sending you only usd5000.00 per day.

Please pick up this information and run to western union to pick up the usd5000.00 and call me back to send you another payment today, my direct phone line is; 00229-98718950, manager Mr.Andrew  Obunso  email; (western_union012@w.cn) call or email me once you picked up this usd5000.00 today. here is the western union information to pick up the money; Mtcn: 4231832060 sender's name:belinda barnes text question: how  much answer:$5000 amounts $5000.00 i am waiting for your call once you pick up this usd5000.00,please email me your direct telephone number because i need to be calling you once we send any payment for the informations.

Thanks
Mr.John  Hill 
 

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Hi -=0A=0AI've just released a CD, entitled 9.9.99, and I'm wondering if an=
yone on Loopers-Delight would like a copy.=0A=0AThis might sound odd, but I=
 did this once before on LD a number years ago with some earlier releases a=
nd it started a round of very interesting musical trades.=A0And really that=
's where the fun is for me.=A0 So, no costs to you.=A0 If you're interested=
, just send me an email with an address to which you'd like to receive a CD=
.=0A=0ACheers!=0A=0ADavid=0Awww.myspace.com/undomusic =0A=0A=0A      
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ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#0000ff;"><DIV>Hi -</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>I've just re=
leased a CD, entitled 9.9.99, and I'm wondering if anyone on Loopers-Deligh=
t would like a copy.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>This might sound odd,=
 but I did this once before on LD a number years ago with some earlier rele=
ases and it started a round of very interesting musical trades.&nbsp;And re=
ally that's where the fun is for me.&nbsp; So, no costs to you.&nbsp; If yo=
u're interested, just send me an email with an address to which you'd like =
to receive a CD.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Cheers!</DIV>=0A<DIV>&nbs=
p;</DIV>=0A<DIV>David</DIV>=0A<DIV><A href=3D"http://www.myspace.com/undomu=
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Date: Sat, 3 Apr 2010 01:35:53 -0700 (PDT)
From: MISS AKANJI BEN <c_harlesmike6@verizon.net>
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Attention Dear

I've cashed your draft/cheque in worth of =E2=82=AC5.700, 000.00 (Five Mill=
ion Seven Hundred Thousand Euro) for your overdue payments, due to the expi=
ry i boxed the money and deposited with shipment of Fedex Courier company s=
o to deliver the boxed to you, to avoid another hoax as you were disappoint=
ed in the past. So you=E2=80=99re requested to contact the Fedex Courier co=
mpany with your delivery address and your telephone numbers so they shall d=
eliver the box to your personal receipt.

Below is their contact. Contact Person: REV.ROBERT NCHAa .Email; (fdxcompan=
y12@hosanna.net ) Tel: +229 99 54 77 10 So contact REV.ROBERT NCHAa on this=
 email (fdxcompany12@hosanna.net and do not for get to contact them with yo=
ur personal information such as.

Full Name......
Home adress.......
your country.............
your tellephone number.
occupation...............
YOURS IN CERVICE
MISS AKANJI BEN
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top" style=3D"font: inherit;"><br><br><br style=3D"font-weight: bold;"><br =
style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Attention D=
ear</span><br style=3D"font-weight: bold;"><br style=3D"font-weight: bold;"=
><span style=3D"font-weight: bold;">I've cashed your draft/cheque in worth =
of =E2=82=AC5.700, 000.00 (Five Million Seven Hundred Thousand Euro) for yo=
ur overdue payments, due to the expiry i boxed the money and deposited with=
 shipment of Fedex Courier company so to deliver the boxed to you, to avoid=
 another hoax as you were disappointed in the past. So you=E2=80=99re reque=
sted to contact the Fedex Courier company with your delivery address and yo=
ur telephone numbers so they shall deliver the box to your personal receipt=
.</span><br style=3D"font-weight: bold;"><br style=3D"font-weight: bold;"><=
span style=3D"font-weight: bold;">Below is their contact. Contact Person: R=
EV.ROBERT NCHAa .Email;
 (fdxcompany12@hosanna.net ) Tel: +229 99 54 77 10 So contact REV.ROBERT NC=
HAa on this email (fdxcompany12@hosanna.net and do not for get to contact t=
hem with your personal information such as.</span><br style=3D"font-weight:=
 bold;"><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;"=
>Full Name......</span><br style=3D"font-weight: bold;"><span style=3D"font=
-weight: bold;">Home adress.......</span><br style=3D"font-weight: bold;"><=
span style=3D"font-weight: bold;">your country.............</span><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">your tellephone =
number.</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: =
bold;">occupation...............</span><br style=3D"font-weight: bold;"><sp=
an style=3D"font-weight: bold;">YOURS IN CERVICE</span><br style=3D"font-we=
ight: bold;"><span style=3D"font-weight: bold;">MISS AKANJI BEN</span></td>=
</tr></table>
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From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 09:49:21 2010
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References: <EB51D176-77E4-4460-8810-C302CA92B099@baymoon.com> <4BB64E9E.1040009@tiscali.co.uk> <018401cad2ef$ad7f53a0$925d0418@vulcan>
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d.nix wrote:
> (minor ramble ahead...)
> 
> as some one that has built several tube guitar amps from scratch, and wired
> up five or six guitars over the years; you *can* recognise the genral sound
> qualities of different capacitors from each other as you get exposed to them
> in different circuits... I'd say most any of you folks that can handle a
> soldering iron and build a simple effects box kit could try substituting
> different types of caps (of the same electrical value) 

yes, I saw this claim several times when Googling.

...but there's always the same omission.


The clue is in the term "of same electrical value".
As caps usually have a tolerance of plus minus 10% 
in order to check that a different type of cap really
has the same capacitance you'd need to measure it,
and none of tone voodoo experts I checked out picked up on that.

Otherwise, it's much more reasonable to assume that 
the change in tone is because your capacitors don't
actually have the same value.

On the other hand of course, capacitors contain
conductors which may have an appreciable amount 
of resistance...and maybe the wrapped round
structure produces a bit of inductance.

This seems to overstate the case though ;-)

http://www.premierguitar.com/Magazine/Issue/2008/Apr/Auditioning_Tone_Capacitors_Part_II.aspx

andy butler






From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 10:24:21 2010
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Actually, capacitors of different types can exhibit quite a range of 
sonic differences, even if the capacitance is matched.

Walt Jung wrote a definitive study of capacitor differences in audio, 
and many guitar and amp folks will assert that ceramic capacitors are 
required to get the 'best' sound out of a classic Fender tone control 
stack circuit.  I may be of interest in this case that Walt Jung 
found ceramic capacitors to have higher distortion than metal film 
and much mich higher than polystyrene (favored by audiopiles)...

CZ

>d.nix wrote:
>>(minor ramble ahead...)
>>
>>as some one that has built several tube guitar amps from scratch, and wired
>>up five or six guitars over the years; you *can* recognise the genral sound
>>qualities of different capacitors from each other as you get exposed to them
>>in different circuits... I'd say most any of you folks that can handle a
>>soldering iron and build a simple effects box kit could try substituting
>>different types of caps (of the same electrical value)
>
>yes, I saw this claim several times when Googling.
>
>...but there's always the same omission.
>
>
>The clue is in the term "of same electrical value".
>As caps usually have a tolerance of plus minus 10% in order to check 
>that a different type of cap really
>has the same capacitance you'd need to measure it,
>and none of tone voodoo experts I checked out picked up on that.
>
>Otherwise, it's much more reasonable to assume that the change in 
>tone is because your capacitors don't
>actually have the same value.
>
>On the other hand of course, capacitors contain
>conductors which may have an appreciable amount of resistance...and 
>maybe the wrapped round
>structure produces a bit of inductance.
>
>This seems to overstate the case though ;-)
>
>http://www.premierguitar.com/Magazine/Issue/2008/Apr/Auditioning_Tone_Capacitors_Part_II.aspx
>
>andy butler


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 11:55:52 2010
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It probably wouldn't be that hard for an enterprising designer to create - more or less the same principle they use with some drum machines/programs to "humanize" them. Just throw in little pitch errors. 

----- Original Message ----- 
From: "Matt Davignon" <mattdavignon@gmail.com> 
To: Loopers-Delight@loopers-delight.com 
Sent: Friday, April 2, 2010 6:37:31 PM GMT -05:00 US/Canada Eastern 
Subject: Re: MOOG MF-401 Auto De-tune 

The funny thing is that's an effect I'd love to have. I could see a real use for the auto-detuner. Not on vocals, but maybe on keyboards, drum loops and other instruments that could stand to have more artifacts and "human elements". 

-- 
Matt Davignon 
mattdavignon@gmail.com 
www.ribosomemusic.com 
Rigs! www.youtube.com/user/ribosomematt 


On Fri, Apr 2, 2010 at 1:00 PM, Christophe < cburke55@comcast.net > wrote: 




:-)) A good April fool gag. Last year they announced that they'd reversed the circuitry in their analog delay pedal, allowing you to hear the notes before you actually played them. 

----- Original Message ----- 
From: "Sean Echevarria" < fuckthespam@creepingfog.com > 
To: Loopers-Delight@loopers-delight.com 



Sent: Thursday, April 1, 2010 12:27:19 PM GMT -05:00 US/Canada Eastern 
Subject: MOOG MF-401 Auto De-tune 

New must have processor with adjustable Warble rate, Deviation range, 
Emotive Overload, and Caterwaul rotary controls: 
http://www.moogmusic.com/moogerfooger/?section=product&product_id=21374 





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<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: Arial; font-size: 12pt; color: #000000'>It probably wouldn't be that hard for an enterprising designer to create - more or less the same principle they use with some drum machines/programs to "humanize" them.&nbsp; Just throw in little pitch errors.<br>&nbsp;<br>----- Original Message -----<br>From: "Matt Davignon" &lt;mattdavignon@gmail.com&gt;<br>To: Loopers-Delight@loopers-delight.com<br>Sent: Friday, April 2, 2010 6:37:31 PM GMT -05:00 US/Canada Eastern<br>Subject: Re: MOOG MF-401 Auto De-tune<br><br>The funny thing is that's an effect I'd love to have. I could see a real use for the auto-detuner. Not on vocals, but maybe on keyboards, drum loops and other instruments that could stand to have more artifacts and "human elements". <br>
<br>-- <br>Matt Davignon<br><a href="mailto:mattdavignon@gmail.com" target="_blank">mattdavignon@gmail.com</a><br><a href="http://www.ribosomemusic.com" target="_blank">www.ribosomemusic.com</a><br>Rigs!
 <a href="http://www.youtube.com/user/ribosomematt" target="_blank">www.youtube.com/user/ribosomematt</a><br><br><div class="gmail_quote">On Fri, Apr 2, 2010 at 1:00 PM, Christophe <span dir="ltr">&lt;<a href="mailto:cburke55@comcast.net" target="_blank">cburke55@comcast.net</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div><div style="font-family: Arial; font-size: 12pt; color: rgb(0, 0, 0);">:-))&nbsp; A good April fool gag.&nbsp; Last year they announced that they'd reversed the circuitry in their analog delay pedal, allowing you to hear the notes before you actually played them.<div class="im">
<br>----- Original Message -----<br>From: "Sean Echevarria" &lt;<a href="mailto:fuckthespam@creepingfog.com" target="_blank">fuckthespam@creepingfog.com</a>&gt;<br>To: <a href="mailto:Loopers-Delight@loopers-delight.com" target="_blank">Loopers-Delight@loopers-delight.com</a><br>
</div><div><div></div><div class="h5">Sent: Thursday, April 1, 2010 12:27:19 PM GMT -05:00 US/Canada Eastern<br>Subject: MOOG MF-401 Auto De-tune<br><br>New must have processor with adjustable Warble rate, Deviation range, <br>
Emotive Overload, and Caterwaul rotary controls:<br><a href="http://www.moogmusic.com/moogerfooger/?section=product&amp;product_id=21374" target="_blank">http://www.moogmusic.com/moogerfooger/?section=product&amp;product_id=21374</a><br>
<br></div></div></div></div></blockquote></div><br><br clear="all"><br>
</div></body></html>
------=_Part_575277_1842297664.1270295751254--

From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 12:14:03 2010
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Charles Zwicky wrote:
> Actually, capacitors of different types can exhibit quite a range of 
> sonic differences, even if the capacitance is matched.
> 
> Walt Jung wrote a definitive study of capacitor differences in audio, 
> and many guitar and amp folks will assert that ceramic capacitors are 
> required to get the 'best' sound out of a classic Fender tone control 
> stack circuit.  I may be of interest in this case that Walt Jung found 
> ceramic capacitors to have higher distortion than metal film and much 
> mich higher than polystyrene (favored by audiopiles)...
> 
> CZ

Interesting
Jung finds a max of 0.1%distortion  using a 3V signal.
so there's *something* in it.

I'd figure that in a guitar the cap has somewhat less voltage 
across it, and hence less distortion. (although that's a bit
of a guess)

I don't think that accounts for "essential for a vintage tone",
as is sometimes claimed.

Especially as the guitar still sounds vintage with tone at 10,
in which case the cap is shorted out!

andy
ps.
and no doubt all capacitors are a tiny bit microphonic,
those ceramics have certain similarities to a piezo p/u. 








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Christophe schrieb:

> It probably wouldn't be that hard for an enterprising designer to 
> create - more or less the same principle they use with some drum 
> machines/programs to "humanize" them.  Just throw in little pitch errors.
>
> From: "Matt Davignon" <mattdavignon@gmail.com>
>
> The funny thing is that's an effect I'd love to have. I could see a 
> real use for the auto-detuner. Not on vocals, but maybe on keyboards, 
> drum loops and other instruments that could stand to have more 
> artifacts and "human elements".
This effect actually has been available for some time - it's called 
"chorus" ;).
Seriously though, you can do that with about any of the programmable 
multi-effects from the last 10 to 15 years. Use a pitch shifter and link 
some modulation source to the pitch parameter. You can have it working 
randomly, or level-dependant (i.e. louder notes get bended) etc.

And regarding the humanize effect - I believe the newer generation of 
Boss/Roland guitar thingies (GTPro, VG-99) also offer something like 
that for some faux-double-tracking effect.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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order=3D"0" cellpadding=3D"0" cellspacing=3D"0">=0A=0A<tbody>=0A<tr>=0A<td =
valign=3D"top"><br>After my official inquiry from the foreign trade office =
of =0Athe chambers of commerce &amp; industry(CCI) here in Abuja, Nigeria, =
I decided =0Ato contact you but I did not disclose the intention to anyone =
else because of =0Athe delicate nature of the project. I found your profile=
 very interesting and =0Adecided to reach you directly to solicit for your =
assistance and guidelines in =0Amaking a business investment and transfer o=
f US$65,000,000.00 to your country =0Awithin the next few days<br><br>Pleas=
e I must plead for your confidence in this =0Atransaction. I am a highly pl=
aced official working with Department of (Finance =0A&amp; Economic Affairs=
), in Abuja, Nigeria. I and two other colleagues are =0Acurrently in need o=
f a silent foreign partner whose identity we can use to =0Atransfer this su=
m of money, but at this moment, I am constrained to issue more =0Adetails a=
bout this profitable business investment until I get your response by =0Aem=
ail, please if you can take out a moment of your very busy schedule today t=
o =0Arespond back to my private email below for more details and include yo=
ur private =0Atelephone number in your response&nbsp; which I and my collea=
gues will highly =0Aappreciate.<br><br>This fund accrued legitimately to us=
 as commission from =0Aforeign contracts, through our private connections.<=
br><br>The fund is presently =0Awaiting to be remitted from the bank here i=
n Nigeria(Oceanic Bank International =0APLC) to any overseas beneficiary co=
nfirmed by us as associate/receiver. By =0Avirtue of our positions as civil=
 servants in my country, we cannot acquire this =0Amoney in our names.&nbsp=
; Because as high placed civil servants, we are not allowed =0Aby the civil=
 service code of conduct to own or operate bank accounts outside of =0Aour =
shores. On the other hand, it is not safe for us to keep the money here due=
 =0Ato unstable political environment. I have been mandated as a matter of =
trust by =0Amy colleagues, to look for an overseas silent partner who could=
 work with us to =0Afacilitate transfer of this fund for our mutual benefit=
, hence the reason for =0Athis email.<br><br>My proposal is that after you =
receive the funds, it would be =0Ashared as follows: (1) 15% to you as comm=
ission for your co-operation and =0Aassistance in facilitating the transfer=
, while the remaining 85% belongs to me =0Aand two colleagues. You will be =
free to take out your commission immediately =0Aafter the money hits your a=
ccount in your country. Since our objective is to =0Ainvest the money in a =
foreign country, it would be appreciated if you could also =0Ahelp us with =
advices and direction on investing into profitable ventures in your =0Acoun=
try.<br><br>However, this is optional, and if it is not convenient for you =
=0Ato further assist us with investing the money, we can end our cooperatio=
n after =0Ayou make available to me our part of the money. The transaction,=
 although =0Adiscrete, is legitimate and the money will be transferred succ=
essful with all =0Anecessary back-up official documents showing the legitim=
ate source/origin of =0Afund. The transfer will be effected within a period=
 not longer than two weeks as =0Asoon as we reach an agreement and you furn=
ish me with a suitable response =0Aindicating your interest for processing =
the transfer. I plead with you on one =0Aissue, whether you are interested =
or not, kindly do not expose this information =0Ato any one else. I confirm=
 that the transaction is legitimate and without any =0Arisks either to us o=
r yourself. Please, give us your reply through, =0Acci_nigeria@live.com&nbs=
p; <br>Dr&nbsp; Hazez Kisha(chairman&nbsp; ICC)<br>+2348068366883 =0A<br>+2=
347065681234<br><br></td></tr></tbody>=0A</table>=0A=0A<div style=3D"font-s=
ize: 12pt; font-family: times new roman,new york,times,serif;">=0A<meta htt=
p-equiv=3D"x-dns-prefetch-control" content=3D"on"><br></div>=0A</td></tr></=
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Subject: Re: Tone control OT
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Andy,

  Certainly,  a guitar produces  a signal level  lower than what 
you'll find in a standard fender tone stack , which can be tens (even 
hundreds) of volts... tubes are voltage amplifiers and that's what 
they do... (transistors are current amplifiers and tend to operate at 
lower voltages and higher currents)  A typical 12ax7 will draw only 
1.5-3 ma of current but with a standard 250v plate supply the output 
can swing hundreds of volts, even -before- clipping.



>Charles Zwicky wrote:
>>Actually, capacitors of different types can exhibit quite a range 
>>of sonic differences, even if the capacitance is matched.
>>
>>Walt Jung wrote a definitive study of capacitor differences in 
>>audio, and many guitar and amp folks will assert that ceramic 
>>capacitors are required to get the 'best' sound out of a classic 
>>Fender tone control stack circuit.  I may be of interest in this 
>>case that Walt Jung found ceramic capacitors to have higher 
>>distortion than metal film and much mich higher than polystyrene 
>>(favored by audiopiles)...
>>
>>CZ
>
>Interesting
>Jung finds a max of 0.1%distortion  using a 3V signal.
>so there's *something* in it.
>
>I'd figure that in a guitar the cap has somewhat less voltage across 
>it, and hence less distortion. (although that's a bit
>of a guess)
>
>I don't think that accounts for "essential for a vintage tone",
>as is sometimes claimed.
>
>Especially as the guitar still sounds vintage with tone at 10,
>in which case the cap is shorted out!
>
>andy
>ps.
>and no doubt all capacitors are a tiny bit microphonic,
>those ceramics have certain similarities to a piezo p/u.


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-941816749==_ma============
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Tone control OT</title></head><body>
<div>Andy,</div>
<div><br></div>
<div>&nbsp;Certainly,&nbsp; a guitar produces&nbsp; a signal level&nbsp;
lower than what you'll find in a standard fender tone stack , which
can be tens (even hundreds) of volts... tubes are voltage amplifiers
and that's what they do... (transistors are<i> current</i> amplifiers
and tend to operate at lower voltages and higher currents)&nbsp; A
typical 12ax7 will draw only 1.5-3 ma of current but with a standard
250v plate supply the output can swing hundreds of volts, even
-before- clipping.</div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Charles Zwicky wrote:
<blockquote type="cite" cite>Actually, capacitors of different types
can exhibit quite a range of sonic differences, even if the
capacitance is matched.<br>
<br>
Walt Jung wrote a definitive study of capacitor differences in audio,
and many guitar and amp folks will assert that ceramic capacitors are
required to get the 'best' sound out of a classic Fender tone control
stack circuit.&nbsp; I may be of interest in this case that Walt Jung
found ceramic capacitors to have higher distortion than metal film and
much mich higher than polystyrene (favored by audiopiles)...<br>
<br>
CZ</blockquote>
</blockquote>
<blockquote type="cite" cite><br>
Interesting<br>
Jung finds a max of 0.1%distortion&nbsp; using a 3V signal.<br>
so there's *something* in it.<br>
<br>
I'd figure that in a guitar the cap has somewhat less voltage across
it, and hence less distortion. (although that's a bit<br>
of a guess)<br>
<br>
I don't think that accounts for &quot;essential for a vintage
tone&quot;,<br>
as is sometimes claimed.<br>
<br>
Especially as the guitar still sounds vintage with tone at 10,<br>
in which case the cap is shorted out!<br>
<br>
andy<br>
ps.<br>
and no doubt all capacitors are a tiny bit microphonic,<br>
those ceramics have certain similarities to a piezo p/u.</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-941816749==_ma============--

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Subject: TRANSFER FRAUD ALERT/ ATTEMPTED DIVERSION OF FUNDS...
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ATTENTION SCAMMED VICTIMS. WHY HAVE YOU NOT RESPONDED?
MRS.FARIDA MZAMBER WAZIRI (AIG RTD.)
NIGERIA FINANCIAL INTELLIGENCE UNIT
FEDERAL REPUBLIC OF NIGERIA
FEDERAL SECRETARIAT COMPLEX, GARKI ABUJA. 
TRANSFER FRAUD ALERT/ ATTEMPTED DIVERSION OF FUNDS.
 
 
Attention: Scammed Victim, 
 
Permit me the pleasure of introducing my self as MRS.FARIDA MZAMBER WAZIRI. I am the newly Elected Director of the Nigeria Financial Intelligence Unit (NFIU). I am writing you in respect to the transfer of funds you have been expecting from Nigeria. 
The Federal Government of Nigeria through the Presidency Umaru Musa Yar'Adua, has mandated the Nigeria Financial Intelligence Unit to compensate all foreigner? Who in one way or the other has been retrieve of there hard earn money through illegal transaction. 
The purpose for this is to regain the lost glory of our great country and to also show the entire world that this government is highly ready to fight corruption in every sector in Nigeria be it in the banking, oil and communication sector in the last 3year's Nigeria has the worst name in corruption in the world, where we were rated in the world as one of the most corrupted nation in the world and it is never a good name to us.
Due to the effort, sincerity, courage and trustworthiness people like you and the entire world has showed in helping Nigeria to fight corruption unlike Microsoft who just signed a contract with the Nigeria Government through the Economic and Financial Crimes Commission. 
(EFCC) an organization that was formed by this same government to fight corruption in all sector's in the country, including the FBI, INTERPOL, BRITISH GOVERNMENT and the whole world that has been helping us in arresting those that has been involved in advance fee fraud locally and international. 
Following the recent bills passed by the house of assembly and presidency, we have been cross checking all financial transaction in all financial institutions in the country and it has come to our notice that your payment has been withheld. But be sure of the fact that we are the monitoring unit on all financial matters in the presidency, central bank of Nigeria and all commercial banks here in Nigeria. 
This office wishes to inform you that your payment has been re-directed according to the financial law and power vested on us by the presidency to the appointed paying bank (CENTRAL BANK OF NIGERIA) to all debts owned by this great nation, as the funds mapped (USD1 BILLION) out in the recent budget by the president of the country, ALHAJI UMORU MUSA YAR ADUA, has been deposited with A FINANCE BANK). 
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BEST REGARDS
MRS.FARIDA MZAMBER WAZIRI (AIG RTD.)
FROM: THE SECRETARY NIGERIA FINANCIAL INTELLIGENCE UNIT

From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 19:55:05 2010
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Subject: Chez Mosc Tonight
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Greetings EM Fans,

This is to remind you that the weekly webcast called Chez Mosc will take 
to the air again today.  Each Saturday at 6:00 pm EDT (GMT-4), 
Twyndyllyngs (Howard Moscovitz and Bill Fox) will stream a live, 
improvised concert from Howard's living room.  (Hence the title of the 
broadcast.)  I hope that you'll "tune in" despite the irreparable brain 
damage it may cause you.      ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are an electronic musician living in or near the Lehigh 
Valley or plan to be passing through the area, please let me or Howard 
know if you'd care to join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Apr  3 21:10:16 2010
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>>> "Most guitar manufacturers no matter how high end usually don't go  
>>> the extra mile by including capacitor circuits on the their tone  
>>> controls. "

>>> Maybe I should resist making blanket statements when I first wake  
>>> up :-) and just stay under my blanket. What I meant was that  that  
>>> more manufacturers could go the extra mile to have tone circuits  
>>> that are really effective and don't just muffle the sound, killing  
>>> highs and mids along with a lot of volume. I'm with you Andy, the  
>>> fetish like obsession with achieving guitar tone is a bit  
>>> ridiculous and I'm describing myself!!!
>>> Andreas, thanks for the Ken Fischer articles. I remember our  
>>> conversations in 2008 and I'll have to investigate that further. I  
>>> believe I had newer big black caps put in my strats but I can't  
>>> remember. I sent the article  to my amp tech Alan Bartz who is a  
>>> wizard with amps, and after he initially rolled his eyes about the  
>>> difference between capacitors, he said that there has been much  
>>> advancement in the last 20 years regarding components and circuits  
>>> and it may be splitting hairs a bit to say that one can't achieve  
>>> a similar sound out of newer components.  Those  articles are   
>>> pretty  old. But I'd also be the first to admit that others have  
>>> more finely tuned ears than mine.
Bill




>>>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; =
"><div><br></div><div><br></div><br><blockquote type=3D"cite"><blockquote =
type=3D"cite"><blockquote type=3D"cite"><font class=3D"Apple-style-span" =
color=3D"#272727">"Most guitar manufacturers no matter how high end =
usually don't go the extra mile by including capacitor circuits on the =
their tone controls.&nbsp;" =
</font></blockquote></blockquote></blockquote><font =
class=3D"Apple-style-span" color=3D"#272727"><br></font><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#272727">Maybe I should resist =
making blanket statements when I first wake up :-) and just stay under =
my blanket. What I meant was that &nbsp;that more manufacturers could go =
the extra mile to have tone circuits that are really effective and don't =
just muffle the sound, killing highs and mids along with a lot of =
volume. I'm with you Andy, the fetish like obsession with achieving =
guitar tone is a bit ridiculous and I'm describing =
myself!!!</font></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" color=3D"#272727">Andreas, thanks for the Ken =
Fischer articles. I remember our conversations in 2008 and I'll have to =
investigate that further. I believe I had newer big black caps put in my =
strats but I can't remember. I sent the article &nbsp;to my amp tech =
Alan Bartz who is a wizard with amps, and after he initially rolled his =
eyes about the difference between capacitors, he said that there has =
been much advancement in the last 20 years regarding components and =
circuits and it may be splitting hairs a bit to say that one can't =
achieve a similar sound out of newer components. &nbsp;Those =
&nbsp;articles are &nbsp;pretty &nbsp;old.&nbsp;But I'd also be the =
first to admit that others have more finely tuned ears than =
mine.&nbsp;</font></blockquote></blockquote></blockquote><div><div>Bill</d=
iv><div><br></div><div><br></div><div><br><div>&nbsp;<br><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" =
color=3D"#272727">&nbsp;</font></blockquote></blockquote></blockquote>&nbs=
p;&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;&nbsp;<br></div></div></div></body></html>=

--Apple-Mail-5--35974877--

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I tried the iPad today.  It is pretty cool.  I'm wondering how to get music INTO it, i.e. music that I make.  I think I'm gonna buy one, but not just for the musical use.


toby

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<DIV><FONT size=2 face=Arial>I tried the iPad today.&nbsp; It is pretty 
cool.&nbsp; I'm wondering how to get music INTO it, i.e. music that I 
make.&nbsp; I think I'm gonna buy one, but not just for the musical 
use.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT size=2 face=Arial>toby</FONT></DIV></BODY></HTML>

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	 <B55F64915A854E54942009B89CCE080E@NORBY11>
Date: Sun, 4 Apr 2010 01:05:51 +0100
Message-ID: <z2ud302e3571004031705pd2765d4btf0db55c20d55d715@mail.gmail.com>
Subject: Re: iPad
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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i think apple should make a music one. with proper audio ins and outs and a
proper usb connection (for midi). it would be awesome

sim

On Sun, Apr 4, 2010 at 12:52 AM, Toby G <carpet8@mac.com> wrote:

>  I tried the iPad today.  It is pretty cool.  I'm wondering how to get
> music INTO it, i.e. music that I make.  I think I'm gonna buy one, but not
> just for the musical use.
>
>
> toby
>

--001485f7d6eab1a4aa04835df991
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i think apple should make a music one. with proper audio ins and outs and a=
 proper usb connection (for midi). it would be awesome<br><br>sim<br><br><d=
iv class=3D"gmail_quote">On Sun, Apr 4, 2010 at 12:52 AM, Toby G <span dir=
=3D"ltr">&lt;<a href=3D"mailto:carpet8@mac.com">carpet8@mac.com</a>&gt;</sp=
an> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I tried the iPad today.=A0 It is prett=
y=20
cool.=A0 I&#39;m wondering how to get music INTO it, i.e. music that I=20
make.=A0 I think I&#39;m gonna buy one, but not just for the musical=20
use.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div><font color=3D"#888888=
">
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">toby</font></div></font></div>
</blockquote></div><br>

--001485f7d6eab1a4aa04835df991--

From Loopers-Delight-request@loopers-delight.com  Sun Apr  4 00:14:44 2010
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Date: Sun, 4 Apr 2010 02:14:43 +0200
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Subject: Re: iPad
From: Per Boysen <perboysen@gmail.com>
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But it has Bluetooth,  Sim! You can use it as a super light (and
cheap) Lemur to control a much heavier computer that has the actual
audio interface and cpu muscles. I think I would rather prefer a hand
controller you don't have to look at for knowing your ways. Apple
should make a TOUCH EXPRESSIVE iPad - for blind people and musicians
;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Apr 4, 2010 at 2:05 AM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i think apple should make a music one. with proper audio ins and outs and=
 a
> proper usb connection (for midi). it would be awesome
>
> sim
>
> On Sun, Apr 4, 2010 at 12:52 AM, Toby G <carpet8@mac.com> wrote:
>>
>> I tried the iPad today.=C2=A0 It is pretty cool.=C2=A0 I'm wondering how=
 to get
>> music INTO it, i.e. music that I make.=C2=A0 I think I'm gonna buy one, =
but not
>> just for the musical use.
>>
>>
>> toby
>

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Date: Sat, 3 Apr 2010 17:50:20 -0700
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Subject: Re: iPad
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I'm guessing the PRS guitarbud and everyday looper would be pretty
cool on the iPad.
http://www.prscables.com/guitarbud

On Sat, Apr 3, 2010 at 5:14 PM, Per Boysen <perboysen@gmail.com> wrote:
> But it has Bluetooth, =A0Sim! You can use it as a super light (and
> cheap) Lemur to control a much heavier computer that has the actual
> audio interface and cpu muscles. I think I would rather prefer a hand
> controller you don't have to look at for knowing your ways. Apple
> should make a TOUCH EXPRESSIVE iPad - for blind people and musicians
> ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Sun, Apr 4, 2010 at 2:05 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> i think apple should make a music one. with proper audio ins and outs an=
d a
>> proper usb connection (for midi). it would be awesome
>>
>> sim
>>
>> On Sun, Apr 4, 2010 at 12:52 AM, Toby G <carpet8@mac.com> wrote:
>>>
>>> I tried the iPad today.=A0 It is pretty cool.=A0 I'm wondering how to g=
et
>>> music INTO it, i.e. music that I make.=A0 I think I'm gonna buy one, bu=
t not
>>> just for the musical use.
>>>
>>>
>>> toby
>>
>
>



--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From Loopers-Delight-request@loopers-delight.com  Sun Apr  4 02:13:02 2010
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Subject: Beautiful EDP's for sale.
Date: Sat, 3 Apr 2010 22:10:42 -0400
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Sorry for the SPAM everyone.

I have decided to take the computer plunge.

=20

As such, I am selling two Gibson EDP plus units. They are truly like
new, no scratches or rack rash on either. I am quite meticulous about
maintaining my gear.

=20

$500 each.=20

=20

I will include their custom 4U tolex rack case if you buy both together.
It looks like a tube amp head with an angle cut and currently also
houses my line mixer and  channel strip. I have both 1U and 2U brushed
aluminum blanking plates for it though if you won't be using the extra
spaces. It would be perfect for running the stereo pair with something
like an Axe-Fx  or with a power conditioner and rack mixer.=20

=20

Please e-mail  if interested and I will provide my telephone number.


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<div class=3DSection1>

<p class=3DMsoNormal>Sorry for the SPAM everyone.<o:p></o:p></p>

<p class=3DMsoNormal>I have decided to take the computer =
plunge.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>As such, I am selling two Gibson EDP plus units. =
They are truly
like new, no scratches or rack rash on either. I am quite meticulous =
about maintaining
my gear.<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>$500 each. <o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>I will include their custom 4U tolex rack case if =
you buy
both together. It looks like a tube amp head with an angle cut and =
currently
also houses my line mixer and &nbsp;channel strip. I have both 1U and 2U =
brushed
aluminum blanking plates for it though if you won&#8217;t be using the =
extra
spaces. It would be perfect for running the stereo pair with something =
like an
Axe-Fx&nbsp; or with a power conditioner and rack mixer. <o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Please e-mail &nbsp;if interested and I will =
provide my
telephone number.<o:p></o:p></p>

</div>

</body>

</html>

------_=_NextPart_001_01CAD39C.5A1CDE36--

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References: <801568.30887.qm@web55205.mail.re4.yahoo.com> <B55F64915A854E54942009B89CCE080E@NORBY11> <z2ud302e3571004031705pd2765d4btf0db55c20d55d715@mail.gmail.com> <m2o66f9cc1e1004031714l5664624br9051186cb0199938@mail.gmail.com> <z2v588ce11d1004031750v28ea0f24i8a1ecda4eb3e5c60@mail.gmail.com>
Subject: Re: iPad
Date: Sat, 3 Apr 2010 21:50:46 -0500
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Jesse has said he would be making an iPad version of ThumbJam
http://www.thumbjam.com/


----- Original Message ----- 
From: "Art Simon" <simart@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, April 03, 2010 7:50 PM
Subject: Re: iPad


I'm guessing the PRS guitarbud and everyday looper would be pretty
cool on the iPad.
http://www.prscables.com/guitarbud

On Sat, Apr 3, 2010 at 5:14 PM, Per Boysen <perboysen@gmail.com> wrote:
> But it has Bluetooth, Sim! You can use it as a super light (and
> cheap) Lemur to control a much heavier computer that has the actual
> audio interface and cpu muscles. I think I would rather prefer a hand
> controller you don't have to look at for knowing your ways. Apple
> should make a TOUCH EXPRESSIVE iPad - for blind people and musicians
> ;-)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Sun, Apr 4, 2010 at 2:05 AM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
>> i think apple should make a music one. with proper audio ins and outs and 
>> a
>> proper usb connection (for midi). it would be awesome
>>
>> sim
>>
>> On Sun, Apr 4, 2010 at 12:52 AM, Toby G <carpet8@mac.com> wrote:
>>>
>>> I tried the iPad today. It is pretty cool. I'm wondering how to get
>>> music INTO it, i.e. music that I make. I think I'm gonna buy one, but 
>>> not
>>> just for the musical use.
>>>
>>>
>>> toby
>>
>
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon



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To: looparc@loopers-delight.com
Subject: GREETINGS
From: MR.BENSON SMITH <smith.benson79@yahoo.com>
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 I want to make sure you clear the funds, presently, the funds is currently at UN SECURITY DIPLOMATIC HEAD QUARTERS. The Chairman in charge.Mr. Thomas Melson.Contact him with the below address:Email address: releaseunite01@gmail.com
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Subject: ot: jazz w/ a tele....
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ok, wow, i'm reading all these different posts....jazz on tele, strings
debate, tone control debate, pick debate....and i'm thinking: has this
turned into:
JAZZERS-DELIGHT.COM???
ha, most funny. but interesting stuff....
i will throw in my measly cent & 1/2....
back in dec i decided to start trying to play w/ out my pick. for some
reason i had some idea of old blues guys in me head, you know, guys who
played crappy guitars long ago, tuned to open chord tunings, played slide
b/c their action was 1 1/2" off fretboard....etc....was also thinking of
this sound in my head of this one john lee hooker song i heard from the 50s,
it was just the meanest rhythm rumble, real basic, w/ just drumm sound,
guitar, voice--when i 1st heard it i thought it was some old hendrix
tune....then i got the jeff beck live dvd and i had just watched the danny
gatton telemaster dvd -yet again....and i was thinking of the 20 yrs ago
story of christopher parkening talking about how segovia got his sound, how
he used a combo of his fingernail ends to get bright sounds, but also mixed
in using end of fingertips to get warmer sounds and how he mixed these
together a lot....& also an interview yrs ago of EVH talking about seeing
some hendrix footage when he was young and he said one min you could see him
using a pick,& the next the pick was gone & he'd use his fingers-the
theorized that he would hide it in his palm...& it seemed i remember
watching some hendrix footage that he seemed to use his thumb a lot for more
bassy wes montgomery sounds....ok, so all this is going through my
head...and i decide to try going sans pick in my playing....
i think one of the reasons i decided to, was i found that i fall into a lot
of patterns from my listenings (& i would pt out i'm not doing accurate
steve vai transcriptions-b/c I SUCK!)....to my ear in evaluating my playing
i always did a lot of the EVH tremolo picking (probably getting some of my
randy R influence too), and i think i thought,  hmmm, i'm nowhere near them,
why am i trying? and the other thing i thought i was OVERUSING was the pick
pinch harmonics that billy gibbons, EVH do so well...i just thought find
something on my own (or try)...so i've been stumbling trying to find my way
just using my fingers/thumb...the thing i've noticed is that it's really
hard to play fast w/o a pick for me (not that i was ever yngvie or
buckethead...). i guess the other thing that had to change or that i relied
on is that rhythm playing w/ a pick is so much easier-or easier to get a
certain definition-it's brighter, and w/ distortion  going metal sounding
you can do the chug chug chug on strings....again for me, i thought it was
over used (i also love a few of buckethead's metal rhythms-easy to do those
w/ a pick!)...so the last 4 months have been rediscovery....things i've
found: if i want a "metalish rhythm sound or more definition i use the top
nail part of my index finger, or i just find ways to be satisfied w/ thumb
playing-it's more bassy, when playing single notes-i do probably a bastard
country claw form of index finger/thumb--i've also been fascinated w/ the
country chicken picking-still working on that...but the thing i've found is
that in playing notes w/ my fingers, i like the sound better, seems to be
fuller, rounder-and i can control it better. can use the nail if i want
clearer sound and can move around quicker w/ my finger ends in
picking/plucking notes--the pick for me it all just seemed the same, &
usually i kept my hand by the bridge and picked there-no variation...w/ just
fingers i find myself scraping strings more, using my thumb to bash rhythms
sort of funk style (probably more the EVH mean st intro played badly by
me)...so i don't know...i think in the end i just like the exploration of
notes better than relying on this little piece of plastic to get my
sound....
as for the other topics that have come up-i still don't put tone controls in
any of my guitars-never liked them ( but feedback mics & ground switch
kills-love them!). if i want bassy sounds i use the neck pu (which i love
now) pick closer to fretboard, or turn on a wah and bass up the sound
(again-from watching some hendrix-i think a lot of time he had his wah on a
lot and would rock it back & forth between more bass for rhythm and treble
for solo stuff.....)i'm always sort of amazed at the sound variation you can
get w/ wah use....lastly-i think i should give credit i had been watching
some of the youtube vids of andre LF-and he just uses his fingers & i
noticed that he was all over the place w/ his picking hand, creating the
sounds he does, & i thought i'd never be able to do that w/ a pick...well, i
can't do what andre does anyway....but it also got me thinking....
also for sound-i will say that when i switched to my fender keyboard 60 amp
w/ a 12" speaker-love that sound way more than my small speaker amps.
boy i don't  think i even touched the "jazz on a tele", guess that's b/c i
can't play JAZZ, but i do like my solid rosewood neck semi hollow tele w/ a
trem!!!!

lastly, krispen-it's not your gtr/bass/drums format, but have you heard the
band "the bad plus"? for gtr they substitute piano-they had the jazzy
reworking of nirvana's smells like teen spirit a few yrs ago. they are an
interesting listen....
hmmm,that's all folks......(finally!)
s----

--0016363b8c1086ef76048361bbe4
Content-Type: text/html; charset=ISO-8859-1
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<div>ok, wow, i&#39;m reading all these different posts....jazz on tele, st=
rings debate, tone control debate, pick debate....and i&#39;m thinking: has=
 this turned into:</div>
<div><a href=3D"http://JAZZERS-DELIGHT.COM?">JAZZERS-DELIGHT.COM?</a>??</di=
v>
<div>ha, most funny. but interesting stuff....</div>
<div>i will throw in my measly cent &amp; 1/2....</div>
<div>back in dec i decided to start trying to play w/ out my pick. for some=
 reason i had some idea of old blues guys in me head, you know, guys who pl=
ayed crappy guitars long ago, tuned to open chord tunings, played slide b/c=
 their action was 1 1/2&quot; off fretboard....etc....was also thinking of =
this sound in my head of this one john lee hooker song i heard from the 50s=
, it was just the meanest rhythm rumble, real basic, w/ just drumm sound, g=
uitar, voice--when i 1st heard it i thought it was some old hendrix tune...=
.then i got the jeff beck live dvd and i had just watched the danny gatton =
telemaster dvd -yet again....and i was thinking of the 20 yrs ago story of =
christopher parkening talking about how segovia got his sound, how he used =
a combo of his fingernail ends to get bright sounds, but also mixed in usin=
g end of fingertips to get warmer sounds and how he mixed these together a =
lot....&amp; also an interview yrs ago of EVH talking about seeing some hen=
drix footage when he was young and he said one min you could see him using =
a pick,&amp; the next the pick was gone &amp; he&#39;d use his fingers-the =
theorized that he would hide it in his palm...&amp; it seemed i remember wa=
tching some hendrix footage that he seemed to use his thumb a lot for more =
bassy wes montgomery sounds....ok, so all this is going through my head...a=
nd i decide to try going sans pick in my playing....</div>

<div>i think one of the reasons i decided to, was i found that i fall into =
a lot of patterns from my listenings (&amp; i would pt out i&#39;m not doin=
g accurate steve vai transcriptions-b/c I SUCK!)....to my ear in evaluating=
 my playing i always did a lot of the EVH tremolo picking (probably getting=
 some of my randy R influence too), and i think=A0i thought,=A0 hmmm, i&#39=
;m nowhere near them, why am i trying? and the other thing i thought i was =
OVERUSING was the pick pinch harmonics that billy gibbons, EVH do so well..=
.i just thought find something on my own (or try)...so i&#39;ve been stumbl=
ing trying to find my way just using my fingers/thumb...the thing i&#39;ve =
noticed is that it&#39;s really hard to play fast w/o a pick for me (not th=
at i was ever yngvie or buckethead...). i guess the other thing that had to=
 change or that i relied on is that rhythm playing w/ a pick is so much eas=
ier-or easier to get a certain definition-it&#39;s brighter, and w/ distort=
ion=A0 going metal sounding you can do the chug chug chug on strings....aga=
in for me, i thought it was over used (i also love a few of buckethead&#39;=
s metal rhythms-easy to do those w/ a pick!)...so the last 4 months have be=
en rediscovery....things i&#39;ve found: if i want a &quot;metalish rhythm =
sound or more definition i use the top nail part of my index finger, or i j=
ust find ways to be satisfied w/ thumb playing-it&#39;s more bassy, when pl=
aying single notes-i do probably a bastard country claw form of index finge=
r/thumb--i&#39;ve also been fascinated w/ the country chicken picking-still=
 working on that...but the thing i&#39;ve found is that in playing notes w/=
 my fingers, i like the sound better, seems to be fuller, rounder-and i can=
 control it better. can use the nail if i want clearer sound and can move a=
round quicker w/ my finger ends in picking/plucking notes--the pick for me =
it all just seemed the same, &amp; usually i kept my hand by the bridge and=
 picked there-no variation...w/ just fingers i find myself scraping strings=
 more, using my thumb to bash rhythms sort of funk style (probably more the=
 EVH mean st intro played badly by me)...so i don&#39;t know...i think in t=
he end i just like the exploration of notes better than relying on this lit=
tle piece of plastic to get my sound....</div>

<div>as for the other topics that have come up-i still don&#39;t put tone c=
ontrols in any of my guitars-never liked them ( but feedback mics &amp; gro=
und switch kills-love them!). if i want bassy sounds i use the neck pu (whi=
ch i love now) pick closer to fretboard, or turn on a wah and bass up the s=
ound (again-from watching some hendrix-i think a lot of time he had his wah=
 on a lot and would rock it back &amp; forth between more bass for rhythm a=
nd treble for solo stuff.....)i&#39;m always=A0sort of amazed at the sound =
variation you can get w/ wah use....lastly-i think i should give credit i h=
ad been watching some of the youtube vids of andre LF-and he just uses his =
fingers &amp; i noticed that he was all over the place w/ his picking hand,=
 creating the sounds he does, &amp; i thought i&#39;d never be able to do t=
hat w/ a pick...well, i can&#39;t do what andre does anyway....but it also =
got me thinking....</div>

<div>also for sound-i will say that when i switched to my fender keyboard 6=
0 amp w/ a 12&quot; speaker-love that sound way more than my small speaker =
amps.</div>
<div>boy i don&#39;t=A0 think i even touched the &quot;jazz on a tele&quot;=
, guess that&#39;s b/c i can&#39;t play JAZZ, but i do like my solid rosewo=
od neck semi hollow tele w/ a trem!!!!</div>
<div>=A0</div>
<div>lastly, krispen-it&#39;s not your gtr/bass/drums format, but have you =
heard the band &quot;the bad plus&quot;? for gtr they substitute piano-they=
 had the jazzy reworking of nirvana&#39;s smells like teen spirit a few yrs=
 ago. they are an interesting listen....</div>

<div>hmmm,that&#39;s all folks......(finally!)</div>
<div>s----</div>
<div>=A0</div>
<div>=A0</div>

--0016363b8c1086ef76048361bbe4--

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My name is nelson Emmanuel I am an FBI foreign agent we discover your funds the sum of $8.5m, all I need from you now is to provide me your home address and telephone number and also let me know how you need your funds, is it check or cash? You can call me now for more details: +234 7058 2258 07

Waiting for your urgent respond.

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Date: Sun, 4 Apr 2010 06:34:22 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: OT MAcBook pro
To: Loopers-Delight@loopers-delight.com
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--0-234208932-1270388062=:52249
Content-Type: text/plain; charset=us-ascii

Hey
Is it true that a new MAcBook pro model is to be expected very shortly?
I am in the US for a week and thinking of picking one up...

Antony Hequet


      
--0-234208932-1270388062=:52249
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><DIV><FONT size=3 face="Times New Roman">
<DIV>Hey<BR>Is it true that a new MAcBook pro model is to be expected very shortly?</DIV>
<DIV>I am in the US for a week and thinking of picking one up...</DIV>
<DIV>&nbsp;</DIV>
<DIV>Antony Hequet</DIV></FONT></DIV></div><br>



      </body></html>
--0-234208932-1270388062=:52249--

From Loopers-Delight-request@loopers-delight.com  Sun Apr  4 14:05:03 2010
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At 2:14 AM +0200 4/4/10, Per Boysen wrote:
>But it has Bluetooth,  Sim! You can use it as a super light (and
>cheap) Lemur to control a much heavier computer that has the actual
>audio interface and cpu muscles.

Yeah.  Or, well, you could be talking about something like: 
http://www.midipad.de/

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

From Loopers-Delight-request@loopers-delight.com  Sun Apr  4 14:10:29 2010
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At 2:14 AM +0200 4/4/10, Per Boysen wrote:
>But it has Bluetooth,  Sim! You can use it as a super light (and
>cheap) Lemur to control a much heavier computer that has the actual
>audio interface and cpu muscles.

Yeah or, well, you could be talking about something like: 
http://www.midipad.de/

	--m.
-- 
_____
"I want to keep you alive so there is always the possibility of 
murder... later"

From Loopers-Delight-request@loopers-delight.com  Sun Apr  4 14:15:07 2010
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Date: Sun, 4 Apr 2010 16:15:05 +0200
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Subject: Re: OT MAcBook pro
From: Per Boysen <perboysen@gmail.com>
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http://buyersguide.macrumors.com/#MacBook_Pro

says "Don't buy - update soon".

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sun, Apr 4, 2010 at 3:34 PM,  <antonyhequet@yahoo.com> wrote:
> Hey
> Is it true that a new MAcBook pro model is to be expected very shortly?
> I am in the US for a week and thinking of picking one up...
>
> Antony Hequet
>

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Date: Sun, 4 Apr 2010 16:17:48 +0100
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Subject: Re: iPad
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--001485f7d6ea18b44d04836ab7d7
Content-Type: text/plain; charset=ISO-8859-1

now THAT'S what i'm talkin bout

On Sun, Apr 4, 2010 at 3:01 PM, Mech <mech3@m3ch.net> wrote:

> At 2:14 AM +0200 4/4/10, Per Boysen wrote:
>
>> But it has Bluetooth,  Sim! You can use it as a super light (and
>> cheap) Lemur to control a much heavier computer that has the actual
>> audio interface and cpu muscles.
>>
>
> Yeah or, well, you could be talking about something like:
> http://www.midipad.de/
>
>
>        --m.
> --
> _____
> "I want to keep you alive so there is always the possibility of murder...
> later"
>
>

--001485f7d6ea18b44d04836ab7d7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

now THAT&#39;S what i&#39;m talkin bout<br><br><div class=3D"gmail_quote">O=
n Sun, Apr 4, 2010 at 3:01 PM, Mech <span dir=3D"ltr">&lt;<a href=3D"mailto=
:mech3@m3ch.net">mech3@m3ch.net</a>&gt;</span> wrote:<br><blockquote class=
=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid=
 rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">At 2:14 AM +0200 4/4/10, Per Boysen wrote:<br>
</div><div class=3D"im"><blockquote class=3D"gmail_quote" style=3D"margin: =
0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left:=
 1ex;">
But it has Bluetooth, =A0Sim! You can use it as a super light (and<br>
cheap) Lemur to control a much heavier computer that has the actual<br>
audio interface and cpu muscles.<br>
</blockquote>
<br></div>
Yeah or, well, you could be talking about something like: <a href=3D"http:/=
/www.midipad.de/" target=3D"_blank">http://www.midipad.de/</a><div><div></d=
iv><div class=3D"h5"><br>
<br>
 =A0 =A0 =A0 =A0--m.<br>
-- <br>
_____<br>
&quot;I want to keep you alive so there is always the possibility of murder=
... later&quot;<br>
<br>
</div></div></blockquote></div><br>

--001485f7d6ea18b44d04836ab7d7--

From kinross4@dragnet.com.au  Sun Apr  4 16:05:11 2010
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Beloved Friend,

I am Kathy Kunzel from Holland. I am married to an African who worked with
a construction company in Asia for twenty Years before he died in the
tsunami disasters.We were married but without children and presently very
old. I am presently in a hospital where I have been undergoing treatment
for Cancer of the lungs.

When my late husband was alive, he deposited the sum of $14.5M. (Fourteen
Million, Five Hundred Thousand U.S.Dollars) with a finance house in Benin
Republic.

I want to entrust this fund to you so that you will use 70% of this money
to fund orphanages, widows and less privilege people around the world in
my name Kathy Kunzel Foundation and use the remaining 30% for yourself.

As soon as I receive your reply I shall give you the details I will give
you the contact of my family lawyer so that he can guide you to receive
the fund. I have given the finance house instruction about the transfer.

You should include the following information when replying:
1) Your full name and contact address.
2) Your direct telephone number.
3) An assurance that you will use this fund as I instructed above.
4) Your age and occupation.

God bless you.
Kathy Kunzel


-- 
This message has been scanned for viruses and
dangerous content by MailScanner, and is
believed to be clean.

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--_a908b24a-2a01-4e0c-b368-f7394b3143bb_
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http://zerabyte.com/9ivta7wn
 		 	   		 =20
_________________________________________________________________
The New Busy think 9 to 5 is a cute idea. Combine multiple calendars with H=
otmail.=20
http://www.windowslive.com/campaign/thenewbusy?tile=3Dmulticalendar&ocid=3D=
PID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_5=

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<html>
<head>
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<body class=3D'hmmessage'>http://zerabyte.com/9ivta7wn<br> 		 	   		  <br /=
><hr />The New Busy think 9 to 5 is a cute idea. Combine multiple calendars=
 with Hotmail.  <a href=3D'http://www.windowslive.com/campaign/thenewbusy?t=
ile=3Dmulticalendar&ocid=3DPID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_5'=
 target=3D'_new'>Get busy.</a></body>
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References: <8825BD7A-CFEF-4E4D-8D76-C92AA47F419A@baymoon.com>  <4BB3B4E0.8000502@tiscali.co.uk>  <n2h9ab0c76f1003311559gde4fe733qc0cb8d419fad07b9@mail.gmail.com>  <661204.52249.qm@web65612.mail.ac4.yahoo.com> <j2i66f9cc1e1004040715v5a9fb0d0wf4be4067eda89b00@mail.gmail.com>
Date: Sun, 4 Apr 2010 13:12:25 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: OT MAcBook pro
To: Loopers-Delight@loopers-delight.com
In-Reply-To: <j2i66f9cc1e1004040715v5a9fb0d0wf4be4067eda89b00@mail.gmail.com>
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thank you Per, you is knowing everything:)=0A=0AANtony Hequet=0A=0A=0A=0A--=
--- Original Message ----=0AFrom: Per Boysen <perboysen@gmail.com>=0ATo: Lo=
opers-Delight@loopers-delight.com=0ASent: Sun, April 4, 2010 10:15:05 AM=0A=
Subject: Re: OT MAcBook pro=0A=0Ahttp://buyersguide.macrumors.com/#MacBook_=
Pro=0A=0Asays "Don't buy - update soon".=0A=0AGreetings from Sweden=0A=0APe=
r Boysen=0Awww.boysen.se=0Awww.perboysen.com=0A=0A=0A=0AOn Sun, Apr 4, 2010=
 at 3:34 PM,=A0 <antonyhequet@yahoo.com> wrote:=0A> Hey=0A> Is it true that=
 a new MAcBook pro model is to be expected very shortly?=0A> I am in the US=
 for a week and thinking of picking one up...=0A>=0A> Antony Hequet=0A>=0A=
=0A=0A      

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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Sun, 4 Apr 2010 18:26:37 -0400
Subject: Re: tweek-o-mania.....M 13
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Hello,
Open the Advanced Users Guide & see page 1-2.

  ----- Original Message -----
  From: "Jeff Duke"
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: tweek-o-mania.....M 13
  Date: Fri, 2 Apr 2010 10:43:51 -0400

  Do you have a page # on that Mark? I don't see anything on syncing
  clock tempo anywhere.=A0thanks,=A0J

    ----- Original Message ----- From: Mark ShowalterTo:
    Loopers-Delight@loopers-delight.comSent: Friday, April 02, 2010
    10:19 AMSubject: Re: tweek-o-mania.....M 13

    Hello,
    The PDF manual on the site indicate midi sync.

      ----- Original Message -----
      From: "Jeff Duke"
      To: Loopers-Delight@loopers-delight.com
      Subject: Re: tweek-o-mania.....M 13
      Date: Fri, 2 Apr 2010 10:03:38 -0400

      Hi Gareth,=A0The M9 does have MIDI in/out. This seems to be for
      controlling paramaters, I don't see where it says anything
      about clock tempo sync. =A0More info in the M9 Advanced guide
      pdf here:
      http://line6.com/support/manuals/?families=3D12&submit=3DSubmit&1st=
=3D1st=A0j

        ----- Original Message ----- From: Gareth WhittockTo:
        loopers-delight@loopers-delight.comSent: Friday, April
        02, 2010 12:45 AMSubject: RE: tweek-o-mania.....M 13
        Jeff,
        I've just caught up with this thread bing mostly a
        software kinda guy.
        This piece is beautiful! It paints abstract pictures in
        my head which is always a good sign!
        I'm almost tempted with this pedal....
        =A0Does it output midi control?

        Peace

        G

        --------------------------------------------------------

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        Hotmail stories. Tell us now

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        Date: 04/01/10 06:35:00




    Mark Showalter
    Minden Jot!
=20=20=20=20
    myspace.com/folkstone57
    last.fm/folkstone57[IMAGE]=20=20=20=20


    --

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    Checked by AVG - www.avg.com
    Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release Date:
    04/01/10 06:35:00



Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57 [IMAGE]

--=20
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<DIV>
<BR>
Hello,</DIV><DIV><BR></DIV><DIV>Open the Advanced Users Guide &amp; see pag=
e 1-2.</DIV><DIV><BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "Jeff Duke" <jeff_d @embarqmail.com=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: tweek-o-mania.....M 13<BR>
Date: Fri, 2 Apr 2010 10:43:51 -0400<BR>
<BR>






<DIV><FONT face=3D"Arial" size=3D"2">Do you have a page # on that Mark? I d=
on't see=20
anything on syncing clock tempo anywhere.</FONT></DIV>
<DIV>=A0</DIV>
<DIV><FONT face=3D"Arial" size=3D"2">thanks,</FONT></DIV>
<DIV>=A0</DIV>
<DIV><FONT face=3D"Arial" size=3D"2">J</FONT></DIV>
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><=
B>From:</B>=20
  <A title=3D"folkstone57@operamail.com" href=3D"mailto:folkstone57@operama=
il.com">Mark Showalter</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com">Loop=
ers-Delight@loopers-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 2010 10:19=
=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: tweek-o-mania.....M 1=
3</DIV>
  <DIV><BR></DIV>
  <DIV><BR>Hello,</DIV>
  <DIV><BR></DIV>
  <DIV>The PDF manual on the site indicate midi sync.</DIV>
  <DIV><BR>
  <BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1=
010ff 2px solid">-----=20
    Original Message -----<BR>From: "Jeff Duke" <JEFF_D @embarqmail.com=3D"=
"><BR>To: <A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-De=
light@loopers-delight.com</A><BR>Subject:=20
    Re: tweek-o-mania.....M 13<BR>Date: Fri, 2 Apr 2010 10:03:38 -0400<BR><=
BR>
    <STYLE>.hmmessage P {
	PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; P=
ADDING-TOP: 0px
}
BODY.hmmessage {
	FONT-SIZE: 10pt; FONT-FAMILY: Verdana
}
</STYLE>

    <DIV><FONT face=3D"Arial">Hi Gareth,</FONT></DIV>
    <DIV>=A0</DIV>
    <DIV><FONT face=3D"Arial">The M9 does have MIDI in/out. This seems to b=
e for=20
    controlling paramaters, I don't see where it says anything about clock =
tempo=20
    sync. </FONT></DIV>
    <DIV>=A0</DIV>
    <DIV><FONT face=3D"Arial">More info in the M9 Advanced guide pdf here: =
<A href=3D"http://line6.com/support/manuals/?families=3D12&amp;submit=3DSub=
mit&amp;1st=3D1st">http://line6.com/support/manuals/?families=3D12&amp;subm=
it=3DSubmit&amp;1st=3D1st</A></FONT></DIV>
    <DIV>=A0</DIV>
    <DIV><FONT face=3D"Arial">j</FONT></DIV>
    <BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT=
: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
      <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: blac=
k"><B>From:</B>=20
      <A title=3D"buddhamachine@live.co.uk" href=3D"mailto:buddhamachine@li=
ve.co.uk">Gareth Whittock</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3D"loopers-deligh=
t@loopers-delight.com" href=3D"mailto:loopers-delight@loopers-delight.com">=
loopers-delight@loopers-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 2010 1=
2:45=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: tweek-o-mania....=
.M=20
      13</DIV>
      <DIV><BR></DIV>Jeff, <BR>I've just caught up with this thread bing mo=
stly=20
      a software kinda guy. <BR>This piece is beautiful! It paints abstract=
=20
      pictures in my head which is always a good sign!<BR>I'm almost tempte=
d=20
      with this pedal....<BR>=A0Does it output midi=20
      control?<BR><BR>Peace<BR><BR>G<BR><BR>
      <HR>
      We want to hear all your funny, exciting and crazy Hotmail stories. <=
A href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/" target=3D"_new"=
>Tell=20
      us now</A> <BR>
      <HR>
      <BR>No virus found in this incoming message.<BR>Checked by AVG -=20
      www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2783 - Rel=
ease=20
      Date: 04/01/10 06:35:00<BR></BLOCKQUOTE></BLOCKQUOTE>
  <BR><BR><BR><PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG style=3D"=
BORDER-RIGHT: 0px; BORDER-TOP: 0px; BACKGROUND: none transparent scroll rep=
eat 0% 0%; BORDER-LEFT: 0px; BORDER-BOTTOM: 0px" src=3D"http://signatures.m=
ylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png"></A>
</PRE></DIV><BR>--=20
  <P>_______________________________________________<BR>Surf the Web in a=
=20
  faster, safer and easier way:<BR>Download Opera 9 at <A href=3D"http://ww=
w.opera.com" target=3D"_blank">http://www.opera.com</A></P><BR>Powered by O=
utblaze=20
  <P>
  <HR>

  <BR>No virus found in this incoming message.<BR>Checked by AVG -=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release=
=20
  Date: 04/01/10 06:35:00<BR></BLOCKQUOTE>

</BLOCKQUOTE>
<P>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>
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Date: Mon, 5 Apr 2010 00:53:28 +0100
Message-ID: <p2ud302e3571004041653w1011ead3q73ae23b55f6a71cb@mail.gmail.com>
Subject: Re: tweek-o-mania.....M 13
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f7721c4121bd048371eb80
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i looked at it and it says - Sync To MIDI Clock
You can now sync your Tap-based M9 FX to external MIDI clock, a popular use=
r
request
that we=92re happy to include in v2.0.

nothing about the looper though

can someone confiem whether the loopers syncs or not - i have a friend who
is thinkign of nuying one, and this could be a deal-breaker for him

On Sun, Apr 4, 2010 at 11:26 PM, Mark Showalter
<folkstone57@operamail.com>wrote:

>
> Hello,
>
> Open the Advanced Users Guide & see page 1-2.
>
>

--001485f7721c4121bd048371eb80
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

i looked at it and it says - Sync To MIDI Clock <br>You can now sync your T=
ap-based M9 FX to external MIDI clock, a popular user request <br>that we=
=92re happy to include in v2.0. <br><br>nothing about the looper though<br>=
<br>
can someone confiem whether the loopers syncs or not - i have a friend who =
is thinkign of nuying one, and this could be a deal-breaker for him<br><br>=
<div class=3D"gmail_quote">On Sun, Apr 4, 2010 at 11:26 PM, Mark Showalter =
<span dir=3D"ltr">&lt;<a href=3D"mailto:folkstone57@operamail.com">folkston=
e57@operamail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div>
<br>
Hello,</div><div><br></div><div>Open the Advanced Users Guide &amp; see pag=
e 1-2.</div><br></blockquote></div>

--001485f7721c4121bd048371eb80--

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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <20100404222637.7129DCC18B@ws5-11.us4.outblaze.com>
Subject: Re: tweek-o-mania.....M 13
Date: Sun, 4 Apr 2010 20:58:04 -0400
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i found that, thanks!

j
  ----- Original Message -----=20
  From: Mark Showalter=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, April 04, 2010 6:26 PM
  Subject: Re: tweek-o-mania.....M 13



  Hello,


  Open the Advanced Users Guide & see page 1-2.


    ----- Original Message -----
    From: "Jeff Duke"=20
    To: Loopers-Delight@loopers-delight.com
    Subject: Re: tweek-o-mania.....M 13
    Date: Fri, 2 Apr 2010 10:43:51 -0400


    Do you have a page # on that Mark? I don't see anything on syncing =
clock tempo anywhere.

    thanks,

    J
      ----- Original Message -----=20
      From: Mark Showalter=20
      To: Loopers-Delight@loopers-delight.com=20
      Sent: Friday, April 02, 2010 10:19 AM
      Subject: Re: tweek-o-mania.....M 13



      Hello,


      The PDF manual on the site indicate midi sync.


        ----- Original Message -----
        From: "Jeff Duke"=20
        To: Loopers-Delight@loopers-delight.com
        Subject: Re: tweek-o-mania.....M 13
        Date: Fri, 2 Apr 2010 10:03:38 -0400


        Hi Gareth,

        The M9 does have MIDI in/out. This seems to be for controlling =
paramaters, I don't see where it says anything about clock tempo sync.=20

        More info in the M9 Advanced guide pdf here: =
http://line6.com/support/manuals/?families=3D12&submit=3DSubmit&1st=3D1st=


        j
          ----- Original Message -----=20
          From: Gareth Whittock=20
          To: loopers-delight@loopers-delight.com=20
          Sent: Friday, April 02, 2010 12:45 AM
          Subject: RE: tweek-o-mania.....M 13


          Jeff,=20
          I've just caught up with this thread bing mostly a software =
kinda guy.=20
          This piece is beautiful! It paints abstract pictures in my =
head which is always a good sign!
          I'm almost tempted with this pedal....
           Does it output midi control?

          Peace

          G


----------------------------------------------------------------------
          We want to hear all your funny, exciting and crazy Hotmail =
stories. Tell us now=20

----------------------------------------------------------------------

          No virus found in this incoming message.
          Checked by AVG - www.avg.com=20
          Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release =
Date: 04/01/10 06:35:00





Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57


      --=20
      _______________________________________________
      Surf the Web in a faster, safer and easier way:
      Download Opera 9 at http://www.opera.com


      Powered by Outblaze=20


-------------------------------------------------------------------------=
-

      No virus found in this incoming message.
      Checked by AVG - www.avg.com=20
      Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release Date: =
04/01/10 06:35:00





Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57


  --=20
  _______________________________________________
  Surf the Web in a faster, safer and easier way:
  Download Opera 9 at http://www.opera.com


  Powered by Outblaze=20


-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.437 / Virus Database: 271.1.1/2788 - Release Date: =
04/03/10 18:32:00

------=_NextPart_000_000C_01CAD439.854CFCC0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16981" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>i found that, thanks!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dfolkstone57@operamail.com=20
  href=3D"mailto:folkstone57@operamail.com">Mark Showalter</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, April 04, 2010 =
6:26=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: =
tweek-o-mania.....M 13</DIV>
  <DIV><BR></DIV>
  <DIV><BR>Hello,</DIV>
  <DIV><BR></DIV>
  <DIV>Open the Advanced Users Guide &amp; see page 1-2.</DIV>
  <DIV><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px =
solid">-----=20
    Original Message -----<BR>From: "Jeff Duke" <JEFF_D=20
    @embarqmail.com=3D""><BR>To: <A=20
    =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>Subject:=20
    Re: tweek-o-mania.....M 13<BR>Date: Fri, 2 Apr 2010 10:43:51 =
-0400<BR><BR>
    <DIV><FONT face=3DArial size=3D2>Do you have a page # on that Mark? =
I don't see=20
    anything on syncing clock tempo anywhere.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>J</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
      <DIV=20
      style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
      <A title=3Dfolkstone57@operamail.com=20
      href=3D"mailto:folkstone57@operamail.com">Mark Showalter</A> =
</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
      title=3DLoopers-Delight@loopers-delight.com=20
      =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, =
2010 10:19=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: =
tweek-o-mania.....M=20
      13</DIV>
      <DIV><BR></DIV>
      <DIV><BR>Hello,</DIV>
      <DIV><BR></DIV>
      <DIV>The PDF manual on the site indicate midi sync.</DIV>
      <DIV><BR>
      <BLOCKQUOTE=20
      style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff =
2px solid">-----=20
        Original Message -----<BR>From: "Jeff Duke" <JEFF_D=20
        @embarqmail.com=3D""><BR>To: <A=20
        =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A><BR>Subject:=20
        Re: tweek-o-mania.....M 13<BR>Date: Fri, 2 Apr 2010 10:03:38=20
        -0400<BR><BR>
        <STYLE>.hmmessage P {
	PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: =
0px; PADDING-TOP: 0px
}
BODY.hmmessage {
	FONT-SIZE: 10pt; FONT-FAMILY: Verdana
}
</STYLE>

        <DIV><FONT face=3DArial>Hi Gareth,</FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial>The M9 does have MIDI in/out. This seems =
to be for=20
        controlling paramaters, I don't see where it says anything about =
clock=20
        tempo sync. </FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial>More info in the M9 Advanced guide pdf =
here: <A=20
        =
href=3D"http://line6.com/support/manuals/?families=3D12&amp;submit=3DSubm=
it&amp;1st=3D1st">http://line6.com/support/manuals/?families=3D12&amp;sub=
mit=3DSubmit&amp;1st=3D1st</A></FONT></DIV>
        <DIV>&nbsp;</DIV>
        <DIV><FONT face=3DArial>j</FONT></DIV>
        <BLOCKQUOTE=20
        style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV style=3D"FONT: 10pt arial">----- Original Message ----- =
</DIV>
          <DIV=20
          style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
          <A title=3Dbuddhamachine@live.co.uk=20
          href=3D"mailto:buddhamachine@live.co.uk">Gareth Whittock</A> =
</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
          title=3Dloopers-delight@loopers-delight.com=20
          =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
          </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, =
2010=20
          12:45 AM</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: =
tweek-o-mania.....M=20
          13</DIV>
          <DIV><BR></DIV>Jeff, <BR>I've just caught up with this thread =
bing=20
          mostly a software kinda guy. <BR>This piece is beautiful! It =
paints=20
          abstract pictures in my head which is always a good =
sign!<BR>I'm=20
          almost tempted with this pedal....<BR>&nbsp;Does it output =
midi=20
          control?<BR><BR>Peace<BR><BR>G<BR><BR>
          <HR>
          We want to hear all your funny, exciting and crazy Hotmail =
stories. <A=20
          href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/"=20
          target=3D_new>Tell us now</A> <BR>
          <HR>
          <BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
          www.avg.com <BR>Version: 8.5.437 / Virus Database: =
271.1.1/2783 -=20
          Release Date: 04/01/10 =
06:35:00<BR></BLOCKQUOTE></BLOCKQUOTE><BR><BR><BR><PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D_blank><IMG =
style=3D"BORDER-RIGHT: 0px; BORDER-TOP: 0px; BACKGROUND: none =
transparent scroll repeat 0% 0%; BORDER-LEFT: 0px; BORDER-BOTTOM: 0px" =
src=3D"http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E=
10C1043965108.png"></A>
</PRE></DIV><BR>--=20
      <P>_______________________________________________<BR>Surf the Web =
in a=20
      faster, safer and easier way:<BR>Download Opera 9 at <A=20
      href=3D"http://www.opera.com"=20
      target=3D_blank>http://www.opera.com</A></P><BR>Powered by =
Outblaze=20
      <P>
      <HR>
      <BR>No virus found in this incoming message.<BR>Checked by AVG -=20
      www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2783 - =
Release=20
      Date: 04/01/10 06:35:00<BR></BLOCKQUOTE></BLOCKQUOTE>
  <P><BR><BR><PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D_blank><IMG =
style=3D"BORDER-RIGHT: 0px; BORDER-TOP: 0px; BACKGROUND: none =
transparent scroll repeat 0% 0%; BORDER-LEFT: 0px; BORDER-BOTTOM: 0px" =
src=3D"http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E=
10C1043965108.png"></A>
</PRE></DIV><BR>--=20
  <P>_______________________________________________<BR>Surf the Web in =
a=20
  faster, safer and easier way:<BR>Download Opera 9 at <A=20
  href=3D"http://www.opera.com"=20
  target=3D_blank>http://www.opera.com</A></P><BR>Powered by Outblaze=20
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2788 - =
Release=20
  Date: 04/03/10 18:32:00<BR></BLOCKQUOTE></BODY></HTML>

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From ptas_vlc@marvalsa.com  Mon Apr  5 02:57:49 2010
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Reply-To: <uneca.secretary@live.com>
From: "UNITED NATION ECONOMIC COMMISSION FOR AFRICA (UNECA)"<ptas_vlc@marvalsa.com>
Subject:   RE: INHERITANCE FUND TRANSFER NOTIFICATION.
Date: Wed, 13 Jan 1988 08:43:22 +0100
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To: undisclosed-recipients:;

UNITED NATION ECONOMIC COMMISSION FOR AFRICA (UNECA)
P.O. Box 3001, ADDIS ABABA, ETHIOPIA
TEL: +251 11 551 0365 (direct)
FAX: +251 11 551 7200
Email: uneca.secretary@live.com
Our Ref: AFUA /SNT/STB
ATTN: BENEFICIARY,

RE: INHERITANCE FUND TRANSFER NOTIFICATION.

WE HAVE RECEIVED AN INSTRUCTION FROM THE MINISTRY OF FINANCE OF THE FIFTY FOUR(54) COUNTRIES IN AFRICA AND THEIR VARIOUS SENATE COMMITTEE ON FOREIGN PAYMENT(SCFP) TO PAY YOU YOUR CONTRACT/INHERITANCE FUND TOTALING TEN MILLION FIVE HUNDRED THOUSAND DOLLARS (US$10,500,000.00), INCLUDING THE INTEREST RATE UPTILL DATE WHICH HAS BEEN PROGRAMMED FOR IMMEDIATE TRANSFER THROUGH A CREDIBLE BANK OVERSEAS AND ALL MODALITIES FOR THE TRANSFER TO YOU BEING THE LEGITIMATE BENEFICIARY OF THE FUND HAVE BEEN FINALIZED.


MEANWHILE, WE WANT TO USE THIS MEDIUM TO CLARIFY IF YOU INDEED APPROVE A WOMAN BY THE NAME "KAY HANN" TO CLAIM THE FUND ON YOUR BEHALF BECAUSE THE SAID MRS. "KAY HANN" IS CLAIMING TO THIS OFFICE THAT SHE IS YOUR REPRESENTATIVE INSTRUCTED BY YOU TO RECEIVE THE FUND ON YOUR BEHALF AND SHE ACTUALLY TENDERED SOME VITAL DOCUMENTS WHICH SERVES AS PROVE FOR THE COLLECTION OF THESE FUNDS.

BELOW ARE THE LIST OF THE DOCUMENTS WHICH SHE TENDERED:
1. LETTER OF ADMINISTRATION.
2. HIGH COURT INJUNCTION.
3. ORDER TO RELEASE.


CONSIDERING MY YEARS OF EXPERIENCE BEEN THE CHIEF EXECUTIVE SECRETARY OF THE UNITED NATION ECONOMIC FOR AFRICA,I CAN NOT AFFORD TO MAKE MISTAKE IN RELEASING YOUR FUND TO ANYONE WHO CAN NOT TENDER A SIGNED NOTE OF AUTHORIZATION FROM YOU THE RECOGNIZED TRUE BENEFICIARY TO THESE FUNDS,AND THAT IS MORE REASON WHY I HAVE TO VERIFY THIS FACT FROM YOU FIRST BEFORE I PROCEED WITH THIS GESTURE.

NOTE: I HAVE ASKED MRS. KAY HANN TO COME BACK NEXT WEEK SO I CAN GET THE REAL FACT FROM YOU BEFORE PROCEEDING FURTHER WITH HER AND WE ALSO WANT YOU TO TAKE NOTE THAT WE AWAIT YOUR EMAIL SHORTLY WHICH WILL INCLUDE ALL THE INFORMATION'S INDICATED BELOW  TO ENABLE THE CREDITING BANK EFFECT YOUR TRANSFER TO YOUR DESIGNATED DESTINATION SINCE WE HAVE MADE CONCRETE ARRANGEMENT JUST TO MAKE SURE THAT YOUR VALUABLE (US$10,500,000.00) TEN MILLION FIVE HUNDRED THOUSAND UNITED STATES DOLLARS IS SUCCESSFULLY RELEASED TO YOU.


THE REQUIRED INFORMATION IS AS STATED BELOW:

1. YOUR NAME:.................
2. YOUR ADDRESS:.......................
3. YOUR TELEPHONE:....................
4. FAX:........
5. AGE:...........
6. SEX:..................
7. YOUR OCCUPATION:...........



LASTLY,BE INFORMED THAT THIS REPUTABLE OFFICE IN CONJUNCTION WITH THE WORLD BANK HAVE BEEN APPROVED AND EMPOWERED BY A MEMORANDUM SIGNED BY THE 54 PRESIDENT's IN AFRICA. WE ARE SOLELY AUTHORIZED AND ACCREDITED TO HANDLE ALL DELAYED CONTRACTOR/INHERITANCE FUNDS AT THIS THIRD QUARTER OF THE YEAR 2009/2010 PAYMENT SCHEDULE.

WE ARE WAITING TO HEAR FROM YOU AS SOON AS POSSIBLE.

BEST REGARDS,

MR. ABDOULIE JANNEH
EXECUTIVE SECRETARY

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Date: Sun, 4 Apr 2010 23:54:37 -0400
Message-ID: <m2x44e368751004042054qec48981dq64b737ce3cffd360@mail.gmail.com>
Subject: krk monitors
From: james fowler <twostroke@gmail.com>
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anybody got a pair of these? if so, what's your take on them? i've
read good things about them and am in the market for some good
entry-level near fields.

thanks.

- jim

From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 04:43:24 2010
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Date: Sun, 4 Apr 2010 21:43:22 -0700
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Subject: Re: krk monitors
From: Michael Billow <mbillow@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502cc620702eb048375f87a
Content-Type: text/plain; charset=ISO-8859-1

Yes I've had a pair of KRK Rokits for a couple years now and I LOVE them.
Sweet.

On Sun, Apr 4, 2010 at 8:54 PM, james fowler <twostroke@gmail.com> wrote:

> anybody got a pair of these? if so, what's your take on them? i've
> read good things about them and am in the market for some good
> entry-level near fields.
>
> thanks.
>
> - jim
>
>

--00504502cc620702eb048375f87a
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Yes I&#39;ve had a pair of KRK Rokits for a couple years now and I LOVE the=
m. Sweet.<br><br>
<div class=3D"gmail_quote">On Sun, Apr 4, 2010 at 8:54 PM, james fowler <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:twostroke@gmail.com">twostroke@gmail.c=
om</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">anybody got a pair of these? if =
so, what&#39;s your take on them? i&#39;ve<br>read good things about them a=
nd am in the market for some good<br>
entry-level near fields.<br><br>thanks.<br><br>- jim<br><br></blockquote></=
div><br>

--00504502cc620702eb048375f87a--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 04:57:55 2010
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Date: Sun, 4 Apr 2010 21:57:54 -0700 (PDT)
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Subject: EICO 315 Signal Generator-useful?
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Hello all, My uncle, who used to own a TV repair shop in the 70's gave me this 'EICO 315 Signal Generator' today, here's a pic of it: http://twitpic.com/1dbiao I need to get the appropriate cable to plug it in and find out how it sounds, but I immediately thought about LD and figured you guys might get a kick out of it and may be even let me know if these are considered useful or not, my usual tone generator (upright bass) is always great for kicking out the drones but I'm curious to mess around with this thing.  If anyone knows about 'em it would be cool to get some tips-Thanks all-be well! Steve Uccello 


www.uccelloprojects.blogspot.com
www.steveuccello.com
www.myspace.com/steveuccello


      

From drmohamedrbs@yahoo.com.hk  Mon Apr  5 05:19:11 2010
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Dear.Friend
 
I am Dr Mohamed Noraldin a national of Iraq and also a Credit Officer with Royal Bank of Scotland.
 
Here is a 100% concealed and mutually profitable business proposal for you. 
 
After the United States and Iraqi war,our client Hatem Kamil Abdul Fatah who was the deputy governor of Baghdad in Iraq and also business man made a portfolio deposit into an excrow account for 12 calendar months, with a value of FOURTY MILLION UNITED STATE OF AMERICAN DOLLARS US$40,000,000.00) only in our branch. 
 
Upon maturity several notices were sent but no response from him or his next of kin because he has been assassinated in Baghdad.
 
The websites below is a proof and verification of the news about his death: 
 
http://news.bbc.co.uk/go/pr/fr/-/1/hi/world/middle_east/3970619.stm
 
http://www.uslaboragainstwar.org/article.php?id=6979
 
After further investigation it was also discovered that Hatem Kamil Abdul Fatah did not declare any next of kin in his official papers.
 
My suggestion to you is that I will like you as a neutral person to stand in as the next of kin to Hatem Kamil Abdul Fatah so that you will be able to receive this funds with my aid as the insider.
 
I want you to know that I have had everything planned out so that we come out successful,I have contacted an attorney that will prepare the necessary documents that will back up your claim as the next of kin to Hatem Kamil Abdul Fatah,all that is required from you now is for you to provide me with your Full Names and Address so that the attorney can prepare the documents with your names and there-after you will file in for claims and secure the necessary approvals and letter of probate to move the Funds to another account abroad.  
 
Please endeavor to observe utmost discretion in all matters concerning this issue.Once funds have been transferred to your designated account we shall share in the ratio of 50% for me,40% for you and 10%;for any expenses incurred during the course of this operation.
Should you be interested, please send me your full particulars,and I will provide you with more details of this operation. 
 
I await a response to this mail. 
 
Kind Regards,
Dr Mohamed Noraldin

From omemma09@gmail.com  Mon Apr  5 07:49:41 2010
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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 08:07:13 2010
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From: "Christo Jota" <chris@christojota.de>
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Subject: Re: jazz on tele's etc./Gibson Explorer
Date: Mon, 5 Apr 2010 09:50:53 +0200
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I remember, a long time ago, maybe even in the early eighties, donŽt know,
I checked out a Gibson Explorer in a store and was blown away by itŽs warm,
fat sound and the feel on the neck. I still can remember how sad I felt 
cause
I didnŽt have the money to buy it. I was much into kind of heavy Blues, 
RockŽn Roll
music, done by the likes of Johnny Winter.
Now, for my smooth ambient sounds, IŽm not interested in the Explorer 
anymore, would
rather look for a Godin or so, but in those days I would be a happy man to 
get
this strange looking axe.
christo
www.christojota.de

--------------------------------------------------
From: "Charles Zwicky" <cazwicky@earthlink.net>
Sent: Thursday, April 01, 2010 4:43 PM
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: jazz on tele's etc.

> I realize that you're simply trying to make a point, but I want to hip you 
> to a little known fact:  Flying Vs make FANTASTIC jazz guitars.. the body 
> and neck are made from a very thin piece of mahogany , and they have a 
> natural warmth and resonance... you'd prolly only get away with it in the 
> studio... nobody in a Jass club wants to see some middle aged Jass guy 
> with a flying V (and spandex)....
>
>>Good point on the flatwounds.  My observation is that you can take any 
>>guitar, and I mean any guitar, that has a neck pickup, put flatwounds on 
>>it, and plug into any amp that allows you to pump up the lows and roll off 
>>the highs, and you can get at least 50% to that "jazz guitar" tone.  I 
>>don't care if it is a Gibson Flying V....humbucker neck acticatd... into a 
>>amp with bass on 5, mid on 4, and treble on 2....I can play a jazz gig and 
>>sound halfway decent. I may look ridiculous, however :)
>>
>>Hmmmm, maybe I should have a custom hollow body archop Flying V made.  Hah 
>>hah.
>>
>>Kris
>>
>>----- Original Message -----
>>>It's interesting how certain elements work together on specific guitar 
>>>models. A Tele can be a great jazz guitar with the treble rolled off, a 
>>>humbucker or P90 in the neck position certainly helps,  but heavy strings 
>>>even more so. Put some 12 or 13 flatwounds on a  standard Strat and off 
>>>you go!
>>>
>>>I got that from a studio player friend of mine who is constantly changing 
>>>instrument's setups, putting nylon strings on older Martin's, thin 
>>>strings on a jazz box, heavy gauge stuff on a Strat just to see what he 
>>>comes up with. Quite a bit of setup work there (also some cheaper guitars 
>>>might start to go south under 13's these days), but probably more 
>>>rewarding that trying out your 12th variant  of a modded Tubescreamer 
>>>clone.
>>>
>>>On the other hand my luthier once as an experiment (no extra holes 
>>>drilled) put a Tele bridge on my 1960 Gibson Melody Maker (the single 
>>>cut LP shaped variant with P90's added) - and that small mahagony 
>>>swampthing suddenly started to put out some serious twang, amazing 
>>>difference. Too much twang for me, we put the Pigtail one-piece- bridge 
>>>back on...
>>>
>>>Best, Andreas
>
>
> -- 
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
> 

From omemma09@gmail.com  Mon Apr  5 08:34:05 2010
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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 08:59:40 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: EICO 315 Signal Generator-useful?
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The "classic" use is to put it through echo and sweep the frequency.

I guess it makes sine waves, which would be unusual for drones.
(could always run it through distortion if unusual isn't desired)

andy

Steve Uccello wrote:
> Hello all, My uncle, who used to own a TV repair shop in the 70's gave me this 'EICO 315 Signal Generator' today, 
>here's a pic of it: http://twitpic.com/1dbiao I need to get the appropriate cable to plug it in
> and find out how it sounds, but I immediately thought about LD and figured you guys might get a 
>kick out of it and may be even let me know if these are considered useful or not, my usual tone 
>generator (upright bass) is always great for kicking out the drones but I'm curious to mess 
>around with this thing.  If anyone knows about 'em it would be cool to get some tips-Thanks all-be well! Steve Uccello 
> 
> 
> www.uccelloprojects.blogspot.com
> www.steveuccello.com
> www.myspace.com/steveuccello
> 
> 
>       
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 09:09:12 2010
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Subject: RE: EICO 315 Signal Generator-useful?
Date: Mon, 5 Apr 2010 09:09:10 +0000
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We had one in college that had a square wave on it as well as a sine. Yes=
=2C sweeping the frequencies through a delay sounds very cool.=20
The frequency on these is=2C (or should be) very stable so I'm thinking som=
e sort of chorus/flanging sort of effect would prevent it from drilling its=
 way deep into your skull..

peace

g

> Date: Mon=2C 5 Apr 2010 09:59:51 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: EICO 315 Signal Generator-useful?
>=20
> The "classic" use is to put it through echo and sweep the frequency.
>=20
> I guess it makes sine waves=2C which would be unusual for drones.
> (could always run it through distortion if unusual isn't desired)
>=20
> andy
>=20
> Steve Uccello wrote:
> > Hello all=2C My uncle=2C who used to own a TV repair shop in the 70's g=
ave me this 'EICO 315 Signal Generator' today=2C=20
> >here's a pic of it: http://twitpic.com/1dbiao I need to get the appropri=
ate cable to plug it in
> > and find out how it sounds=2C but I immediately thought about LD and fi=
gured you guys might get a=20
> >kick out of it and may be even let me know if these are considered usefu=
l or not=2C my usual tone=20
> >generator (upright bass) is always great for kicking out the drones but =
I'm curious to mess=20
> >around with this thing.  If anyone knows about 'em it would be cool to g=
et some tips-Thanks all-be well! Steve Uccello=20
> >=20
> >=20
> > www.uccelloprojects.blogspot.com
> > www.steveuccello.com
> > www.myspace.com/steveuccello
> >=20
> >=20
> >      =20
> >=20
> >=20
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

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<html>
<head>
<style><!--
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<body class=3D'hmmessage'>
We had one in college that had a square wave on it as well as a sine. Yes=
=2C sweeping the frequencies through a delay sounds very cool. <br>The freq=
uency on these is=2C (or should be) very stable so I'm thinking some sort o=
f chorus/flanging sort of effect would prevent it from drilling its way dee=
p into your skull..<br><br>peace<br><br>g<br><br>&gt=3B Date: Mon=2C 5 Apr =
2010 09:59:51 +0100<br>&gt=3B From: akbutler@tiscali.co.uk<br>&gt=3B To: Lo=
opers-Delight@loopers-delight.com<br>&gt=3B Subject: Re: EICO 315 Signal Ge=
nerator-useful?<br>&gt=3B <br>&gt=3B The "classic" use is to put it through=
 echo and sweep the frequency.<br>&gt=3B <br>&gt=3B I guess it makes sine w=
aves=2C which would be unusual for drones.<br>&gt=3B (could always run it t=
hrough distortion if unusual isn't desired)<br>&gt=3B <br>&gt=3B andy<br>&g=
t=3B <br>&gt=3B Steve Uccello wrote:<br>&gt=3B &gt=3B Hello all=2C My uncle=
=2C who used to own a TV repair shop in the 70's gave me this 'EICO 315 Sig=
nal Generator' today=2C <br>&gt=3B &gt=3Bhere's a pic of it: http://twitpic=
.com/1dbiao I need to get the appropriate cable to plug it in<br>&gt=3B &gt=
=3B and find out how it sounds=2C but I immediately thought about LD and fi=
gured you guys might get a <br>&gt=3B &gt=3Bkick out of it and may be even =
let me know if these are considered useful or not=2C my usual tone <br>&gt=
=3B &gt=3Bgenerator (upright bass) is always great for kicking out the dron=
es but I'm curious to mess <br>&gt=3B &gt=3Baround with this thing.  If any=
one knows about 'em it would be cool to get some tips-Thanks all-be well! S=
teve Uccello <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B www.ucce=
lloprojects.blogspot.com<br>&gt=3B &gt=3B www.steveuccello.com<br>&gt=3B &g=
t=3B www.myspace.com/steveuccello<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <br>&g=
t=3B &gt=3B       <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <br>&gt=3B <br> 		 	 =
  		  <br /><hr />Get a new e-mail account with Hotmail - Free. <a href=3D'=
http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_new'>Sign-up n=
ow.</a></body>
</html>=

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From omemma09@gmail.com  Mon Apr  5 09:21:18 2010
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Date: Fri, 02 Apr 2010 09:20:36 +0800
From: Mrs Flora McGill <omemma09@gmail.com>
Subject: Be Our Agent...
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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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From omemma09@gmail.com  Mon Apr  5 09:21:18 2010
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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 09:31:43 2010
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 <4BB9A687.6080408@tiscali.co.uk> <BAY145-w462F611A4F4584EE479EF885190@phx.gbl>
Subject: Re: EICO 315 Signal Generator-useful?
Date: Mon, 05 Apr 2010 02:31:41 -0700
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If you can modulate the frequency you could play guitar into it or something and get really messed up sounds.

t
  ----- Original Message ----- 
  From: Gareth Whittock 
  To: loopers-delight@loopers-delight.com 
  Sent: Monday, April 05, 2010 2:09 AM
  Subject: RE: EICO 315 Signal Generator-useful?


  We had one in college that had a square wave on it as well as a sine. Yes, sweeping the frequencies through a delay sounds very cool. 
  The frequency on these is, (or should be) very stable so I'm thinking some sort of chorus/flanging sort of effect would prevent it from drilling its way deep into your skull..

  peace

  g

  > Date: Mon, 5 Apr 2010 09:59:51 +0100
  > From: akbutler@tiscali.co.uk
  > To: Loopers-Delight@loopers-delight.com
  > Subject: Re: EICO 315 Signal Generator-useful?
  > 
  > The "classic" use is to put it through echo and sweep the frequency.
  > 
  > I guess it makes sine waves, which would be unusual for drones.
  > (could always run it through distortion if unusual isn't desired)
  > 
  > andy
  > 
  > Steve Uccello wrote:
  > > Hello all, My uncle, who used to own a TV repair shop in the 70's gave me this 'EICO 315 Signal Generator' today, 
  > >here's a pic of it: http://twitpic.com/1dbiao I need to get the appropriate cable to plug it in
  > > and find out how it sounds, but I immediately thought about LD and figured you guys might get a 
  > >kick out of it and may be even let me know if these are considered useful or not, my usual tone 
  > >generator (upright bass) is always great for kicking out the drones but I'm curious to mess 
  > >around with this thing. If anyone knows about 'em it would be cool to get some tips-Thanks all-be well! Steve Uccello 
  > > 
  > > 
  > > www.uccelloprojects.blogspot.com
  > > www.steveuccello.com
  > > www.myspace.com/steveuccello
  > > 
  > > 
  > > 
  > > 
  > > 
  > 


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<DIV><FONT face=Arial>If you can modulate the frequency you could play guitar 
into it or something and get really messed up sounds.</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>t</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV 
  style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> 
  <A title=buddhamachine@live.co.uk 
  href="mailto:buddhamachine@live.co.uk">Gareth Whittock</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A 
  title=loopers-delight@loopers-delight.com 
  href="mailto:loopers-delight@loopers-delight.com">loopers-delight@loopers-delight.com</A> 
  </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, April 05, 2010 2:09 
AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> RE: EICO 315 Signal 
  Generator-useful?</DIV>
  <DIV><BR></DIV>We had one in college that had a square wave on it as well as a 
  sine. Yes, sweeping the frequencies through a delay sounds very cool. <BR>The 
  frequency on these is, (or should be) very stable so I'm thinking some sort of 
  chorus/flanging sort of effect would prevent it from drilling its way deep 
  into your skull..<BR><BR>peace<BR><BR>g<BR><BR>&gt; Date: Mon, 5 Apr 2010 
  09:59:51 +0100<BR>&gt; From: akbutler@tiscali.co.uk<BR>&gt; To: 
  Loopers-Delight@loopers-delight.com<BR>&gt; Subject: Re: EICO 315 Signal 
  Generator-useful?<BR>&gt; <BR>&gt; The "classic" use is to put it through echo 
  and sweep the frequency.<BR>&gt; <BR>&gt; I guess it makes sine waves, which 
  would be unusual for drones.<BR>&gt; (could always run it through distortion 
  if unusual isn't desired)<BR>&gt; <BR>&gt; andy<BR>&gt; <BR>&gt; Steve Uccello 
  wrote:<BR>&gt; &gt; Hello all, My uncle, who used to own a TV repair shop in 
  the 70's gave me this 'EICO 315 Signal Generator' today, <BR>&gt; &gt;here's a 
  pic of it: http://twitpic.com/1dbiao I need to get the appropriate cable to 
  plug it in<BR>&gt; &gt; and find out how it sounds, but I immediately thought 
  about LD and figured you guys might get a <BR>&gt; &gt;kick out of it and may 
  be even let me know if these are considered useful or not, my usual tone 
  <BR>&gt; &gt;generator (upright bass) is always great for kicking out the 
  drones but I'm curious to mess <BR>&gt; &gt;around with this thing. If anyone 
  knows about 'em it would be cool to get some tips-Thanks all-be well! Steve 
  Uccello <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; 
  www.uccelloprojects.blogspot.com<BR>&gt; &gt; www.steveuccello.com<BR>&gt; 
  &gt; www.myspace.com/steveuccello<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; 
  <BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; <BR><BR>
  <HR>
  Get a new e-mail account with Hotmail - Free. <A 
  href="http://clk.atdmt.com/UKM/go/197222280/direct/01/" target=_new>Sign-up 
  now.</A> </BLOCKQUOTE></BODY></HTML>

--Boundary_(ID_AKJUJwIRfj+QcYja223tjg)--

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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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Knit Textiles Mfg.
3A, Jalan wawasan 16 Taman
Perindustrian Sri Gading
83300 Batu Pahat, Johor,
Malaysia
Tel/Fax: +60321784653
http://knitt-mfg.com/

 A company,Knit Textiles Mfg. is a Apparel Manufacturing Company based in
Malaysia
 with affiliates in Japan and China and Taiwan is in need of a representative
in Europe,America and Canada to represent its interests with some companies
that export varieties of clothing materials:-batiks,assorted fabrics for
interior decor,satin,silk and traditional costumes.

 The representatives will act as receiving payment agent for goods and products
bought from our customers.You will be compensated with 15% of the gross total
amount from any payment recovered from our deliquent customers in your
location. If you are interested and require for moreinformation about our
company please send an email with your,

Full Names:
Your Address:
Cell phone Number
to our Human Resources Administrator:
Dr Mr Thomas Gray
Email To: tomgray@administrativos.com

As soon as we hear from you we will give you a call to have a telephone
interview with you.
Best Regards,

Barrister Mrs Flora McGill
Legal Controller
Knit Textiles Mfg


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--000e0cd104f4704a3004837e4819
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Sent the family away to the in-laws for the weekend and had some time to
PLAY...

These two pieces worked their way to the surface...

http://www.thinginajar.com/bigtony/DancingSkeleton.mp3

http://www.thinginajar.com/bigtony/Apparition.mp3


Emu Morpheus & Korg M3R through various delays, fx, and tone manglers.

Enjoy,

-- 
-==-=-=-
Tony

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Sent the family away to the in-laws for the weekend and had some time to PL=
AY... <br><br>These two pieces worked their way to the surface...<br><br><a=
 href=3D"http://www.thinginajar.com/bigtony/DancingSkeleton.mp3">http://www=
.thinginajar.com/bigtony/DancingSkeleton.mp3</a><br>
<br><a href=3D"http://www.thinginajar.com/bigtony/Apparition.mp3">http://ww=
w.thinginajar.com/bigtony/Apparition.mp3</a><br><br><br>Emu Morpheus &amp; =
Korg M3R through various delays, fx, and tone manglers.<br><br clear=3D"all=
">
Enjoy,<br><br>-- <br>-=3D=3D-=3D-=3D- <br>Tony<br>

--000e0cd104f4704a3004837e4819--

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Subject: UNDO - 9.9.99
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Last night I posted a batch of CD's that I hope will be part of "David's In=
ternational Worldwide Loop Music Swap - Q2, 2010 Edition". :-)=0A=0AJust in=
 case a few members didn't see my weekend LD email, here it is again:=0A=0A=
Hi. I've just released a CD, entitled 9.9.99, and I'm wondering if anyone o=
n Loopers-Delight would like a copy.=A0=A0=A0 This might sound odd, but I d=
id this once before on LD a number years ago with some earlier releases and=
 it started a round of very interesting musical trades.=A0And really that's=
 where the fun is for me.=A0 So, no costs to you.=A0 If you're interested, =
just send me an email with an address to which you'd like to receive a CD.=
=0A=0ACheers!=0A=0ADavid=0Awww.myspace.com/undomusic =0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt;color:#0000ff;"><DIV>=0A<DIV>Last night I posted a batch of CD's that I=
 hope will be part of "<EM>David's International Worldwide Loop Music Swap =
- Q2, 2010 Edition</EM>". :-)</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>Just in case=
 a few members didn't see my weekend LD email, here it is again:</DIV>=0A<D=
IV>&nbsp;</DIV>=0A<DIV>Hi. I've just released a CD, entitled 9.9.99, and I'=
m wondering if anyone on Loopers-Delight would like a copy.&nbsp;&nbsp;&nbs=
p; This might sound odd, but I did this once before on LD a number years ag=
o with some earlier releases and it started a round of very interesting mus=
ical trades.&nbsp;And really that's where the fun is for me.&nbsp; So, no c=
osts to you.&nbsp; If you're interested, just send me an email with an addr=
ess to which you'd like to receive a CD.</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>C=
heers!</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David</DIV>=0A<DIV><A href=3D"http:=
//www.myspace.com/undomusic" target=3D_blank rel=3Dnofollow><FONT color=3D#=
0000ff>www.myspace.com/undomusic</FONT></A> </DIV></DIV></div><br>=0A=0A   =
   </body></html>
--0-1490259094-1270481376=:80653--

From mail@mail2world.com  Mon Apr  5 16:31:10 2010
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From: "Henry Lau"<mail@mail2world.com>
Subject: Can I Count On You?
Date: Mon, 5 Apr 2010 15:25:30 +0100
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Good Day,</DIV>
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I hope my email meets you well. I am in need of your assistance. My name is&nbsp; Mr Henry Lau, I work with the Hang Seng Bank.</DIV>
<DIV align=justify>
 </DIV>
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There is the sum of $19,500,000.00 in my bank"Hang Seng Bank",Hong kong.It is legal money There were no beneficiaries stated concerning these funds</DIV>
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which means no one would ever come forward to claim it.</DIV>
<DIV align=justify>
 </DIV>
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I want us to work together so as to have the sum transferred out of my bank into your account.The most important thing is that can I trust you? Please</DIV>
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endeavor to observe utmost discretion in all matters concerning this issue. Once the funds have been transferred to your nominated bank account</DIV>
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we shall then meet to share in the ratio of 60% for me, 40% for you.</DIV>
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If you are interested in working with me to achieve this objective do notify me immediately&nbsp; by sending to me the following information in the</DIV>
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format below and I will furnish you with more details as soon as I read from you again. But the whole process is simple and we must keep a low profile at all times.</DIV>
<DIV align=justify>
 </DIV>
<DIV align=justify>
(1)Full names</DIV>
<DIV align=justify>
(2)private phone number</DIV>
<DIV align=justify>
(3)current residential address</DIV>
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(4)Occupation</DIV>
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Waiting for your urgent response.</DIV>
<DIV align=justify>
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<DIV align=justify>
Kind Regards,</DIV>
<DIV align=justify>
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<DIV align=justify>
Mr Henry Lau</DIV>
<DIV align=justify>
&nbsp;</DIV>
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&nbsp;</DIV>
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&nbsp;</DIV>
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From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 17:20:48 2010
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Subject: Hey Louie!
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Hey Louie Angulo I'm trying to reach you off list but seem to be  
missing your e-mail address.
  Bill

From info@fedex.com  Mon Apr  5 17:41:56 2010
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Subject: We have a Parcel that belongs to you
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Good Day!!!
We have a Parcel that belongs to you from the SOUTH-AFRICA WORLD CUP 2010 
COUNT DOWN PROMO. (ATM CARD)contains the sum of Eight Hundred And fifty 
Thousand Dollars ($850.000.USD) (BlackBerry Mobile Phone) and a Hp computer 
with wireless keyboard , which will be delivered to you the moment all the 
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Parcel (ATM CARD) (BlackBerry Mobile Phone) (Hp computer ) was brought to our 
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From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 18:32:34 2010
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Date: Mon, 5 Apr 2010 11:32:33 -0700 (PDT)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: EICO 315 Signal Generator-useful?
To: Loopers-Delight@loopers-delight.com
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Thanks for the tips! I'm anxious to hook up my delay pedal and sweep the fr=
eq around. I'll have to look around for the right cable today. I do have a =
question, Toby wrote <you could play guitar through it...> -it only has two=
 outputs on the front (RF & audio) to play guit through it, would I need to=
 somehow put an input? I might be misunderstanding you though=0A=0A--- On M=
on, 4/5/10, Toby G <carpet8@mac.com> wrote:=0A=0AFrom: Toby G <carpet8@mac.=
com>=0ASubject: Re: EICO 315 Signal Generator-useful?=0ATo: Loopers-Delight=
@loopers-delight.com=0ADate: Monday, April 5, 2010, 2:31 AM=0A=0A=0A=0A =0A=
#yiv2122206985 .hmmessage P {=0APADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:=
0px;PADDING-RIGHT:0px;PADDING-TOP:0px;}=0A#yiv2122206985 .hmmessage {=0AFON=
T-FAMILY:Verdana;FONT-SIZE:10pt;}=0A=0A=0AIf you can modulate the frequency=
 you could play guitar =0Ainto it or something and get really messed up sou=
nds.=0A=A0=0At=0A=0A  ----- Original Message ----- =0A  From: =0A  Gareth W=
hittock =0A  To: loopers-delight@loopers-delight.com =0A  =0A  Sent: Monday=
, April 05, 2010 2:09 =0AAM=0A  Subject: RE: EICO 315 Signal =0A  Generator=
-useful?=0A  =0AWe had one in college that had a square wave on it as well =
as a =0A  sine. Yes, sweeping the frequencies through a delay sounds very c=
ool. =0AThe =0A  frequency on these is, (or should be) very stable so I'm t=
hinking some sort of =0A  chorus/flanging sort of effect would prevent it f=
rom drilling its way deep =0A  into your skull..=0A=0Apeace=0A=0Ag=0A=0A> D=
ate: Mon, 5 Apr 2010 =0A  09:59:51 +0100=0A> From: akbutler@tiscali.co.uk=
=0A> To: =0A  Loopers-Delight@loopers-delight.com=0A> Subject: Re: EICO 315=
 Signal =0A  Generator-useful?=0A> =0A> The "classic" use is to put it thro=
ugh echo =0A  and sweep the frequency.=0A> =0A> I guess it makes sine waves=
, which =0A  would be unusual for drones.=0A> (could always run it through =
distortion =0A  if unusual isn't desired)=0A> =0A> andy=0A> =0A> Steve Ucce=
llo =0A  wrote:=0A> > Hello all, My uncle, who used to own a TV repair shop=
 in =0A  the 70's gave me this 'EICO 315 Signal Generator' today, =0A> >her=
e's a =0A  pic of it: http://twitpic.com/1dbiao I need to get the appropria=
te cable to =0A  plug it in=0A> > and find out how it sounds, but I immedia=
tely thought =0A  about LD and figured you guys might get a =0A> >kick out =
of it and may =0A  be even let me know if these are considered useful or no=
t, my usual tone =0A  =0A> >generator (upright bass) is always great for ki=
cking out the =0A  drones but I'm curious to mess =0A> >around with this th=
ing. If anyone =0A  knows about 'em it would be cool to get some tips-Thank=
s all-be well! Steve =0A  Uccello =0A> > =0A> > =0A> > =0A  www.uccelloproj=
ects.blogspot.com=0A> > www.steveuccello.com=0A> =0A  > www.myspace.com/ste=
veuccello=0A> > =0A> > =0A> > =0A  =0A> > =0A> > =0A> =0A=0A=0A  =0A  Get a=
 new e-mail account with Hotmail - Free. Sign-up =0A  now. =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 18:39:41 2010
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Message-id: <F4A28E9E-1797-4B68-9F71-EE60EE132BFE@mac.com>
From: Toby Graves <carpet8@mac.com>
Subject: Re: EICO 315 Signal Generator-useful?
Date: Mon, 05 Apr 2010 11:36:38 -0700
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I thought one of those was external modulation.  I didn't know they  
were all outputs.

t
On Apr 5, 2010, at 11:32 AM, Steve Uccello wrote:

> Thanks for the tips! I'm anxious to hook up my delay pedal and  
> sweep the freq around. I'll have to look around for the right cable  
> today. I do have a question, Toby wrote <you could play guitar  
> through it...> -it only has two outputs on the front (RF & audio)  
> to play guit through it, would I need to somehow put an input? I  
> might be misunderstanding you though
>
> --- On Mon, 4/5/10, Toby G <carpet8@mac.com> wrote:
>
> From: Toby G <carpet8@mac.com>
> Subject: Re: EICO 315 Signal Generator-useful?
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, April 5, 2010, 2:31 AM
>
>
>
>
> #yiv2122206985 .hmmessage P {
> PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDING-RIGHT: 
> 0px;PADDING-TOP:0px;}
> #yiv2122206985 .hmmessage {
> FONT-FAMILY:Verdana;FONT-SIZE:10pt;}
>
>
> If you can modulate the frequency you could play guitar
> into it or something and get really messed up sounds.
>
> t
>
>   ----- Original Message -----
>   From:
>   Gareth Whittock
>   To: loopers-delight@loopers-delight.com
>
>   Sent: Monday, April 05, 2010 2:09
> AM
>   Subject: RE: EICO 315 Signal
>   Generator-useful?
>
> We had one in college that had a square wave on it as well as a
>   sine. Yes, sweeping the frequencies through a delay sounds very  
> cool.
> The
>   frequency on these is, (or should be) very stable so I'm thinking  
> some sort of
>   chorus/flanging sort of effect would prevent it from drilling its  
> way deep
>   into your skull..
>
> peace
>
> g
>
>> Date: Mon, 5 Apr 2010
>   09:59:51 +0100
>> From: akbutler@tiscali.co.uk
>> To:
>   Loopers-Delight@loopers-delight.com
>> Subject: Re: EICO 315 Signal
>   Generator-useful?
>>
>> The "classic" use is to put it through echo
>   and sweep the frequency.
>>
>> I guess it makes sine waves, which
>   would be unusual for drones.
>> (could always run it through distortion
>   if unusual isn't desired)
>>
>> andy
>>
>> Steve Uccello
>   wrote:
>>> Hello all, My uncle, who used to own a TV repair shop in
>   the 70's gave me this 'EICO 315 Signal Generator' today,
>>> here's a
>   pic of it: http://twitpic.com/1dbiao I need to get the  
> appropriate cable to
>   plug it in
>>> and find out how it sounds, but I immediately thought
>   about LD and figured you guys might get a
>>> kick out of it and may
>   be even let me know if these are considered useful or not, my  
> usual tone
>
>>> generator (upright bass) is always great for kicking out the
>   drones but I'm curious to mess
>>> around with this thing. If anyone
>   knows about 'em it would be cool to get some tips-Thanks all-be  
> well! Steve
>   Uccello
>>>
>>>
>>>
>   www.uccelloprojects.blogspot.com
>>> www.steveuccello.com
>>
>> www.myspace.com/steveuccello
>>>
>>>
>>>
>
>>>
>>>
>>
>
>
>
>   Get a new e-mail account with Hotmail - Free. Sign-up
>   now.
>
>
>
>

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Date: Mon, 5 Apr 2010 12:52:11 -0700 (PDT)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: EICO 315 Signal Generator-useful?
To: Loopers-Delight@loopers-delight.com
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Now that you mention it, Toby, looks like the Audio out has 'mod ex' under =
it, http://twitpic.com/1dggwn -that's probably an in, may be just set the s=
ignal knob to 'mod'? I'm taking my daughter on a little field trip to find =
a cable, I'll let you know how it turns out, may be a little improv piece t=
onight :) THX-=0A=0A=0A--- On Mon, 4/5/10, Toby Graves <carpet8@mac.com> wr=
ote:=0A=0A> From: Toby Graves <carpet8@mac.com>=0A> Subject: Re: EICO 315 S=
ignal Generator-useful?=0A> To: Loopers-Delight@loopers-delight.com=0A> Dat=
e: Monday, April 5, 2010, 11:36 AM=0A> I thought one of those was external=
=0A> modulation.=A0 I didn't know they were all outputs.=0A> =0A> t=0A> On =
Apr 5, 2010, at 11:32 AM, Steve Uccello wrote:=0A> =0A> > Thanks for the ti=
ps! I'm anxious to hook up my delay=0A> pedal and sweep the freq around. I'=
ll have to look around=0A> for the right cable today. I do have a question,=
 Toby wrote=0A> <you could play guitar through it...> -it only has two=0A> =
outputs on the front (RF & audio) to play guit through=0A> it, would I need=
 to somehow put an input? I might be=0A> misunderstanding you though=0A> > =
=0A> > --- On Mon, 4/5/10, Toby G <carpet8@mac.com>=0A> wrote:=0A> > =0A> >=
 From: Toby G <carpet8@mac.com>=0A> > Subject: Re: EICO 315 Signal Generato=
r-useful?=0A> > To: Loopers-Delight@loopers-delight.com=0A> > Date: Monday,=
 April 5, 2010, 2:31 AM=0A> > =0A> > =0A> > =0A> > =0A> > #yiv2122206985 .h=
mmessage P {=0A> >=0A> PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDI=
NG-RIGHT:0px;PADDING-TOP:0px;}=0A> > #yiv2122206985 .hmmessage {=0A> > FONT=
-FAMILY:Verdana;FONT-SIZE:10pt;}=0A> > =0A> > =0A> > If you can modulate th=
e frequency you could play=0A> guitar=0A> > into it or something and get re=
ally messed up sounds.=0A> > =0A> > t=0A> > =0A> >=A0=A0=A0----- Original M=
essage -----=0A> >=A0=A0=A0From:=0A> >=A0=A0=A0Gareth Whittock=0A> >=A0=A0=
=A0To: loopers-delight@loopers-delight.com=0A> > =0A> >=A0=A0=A0Sent: Monda=
y, April 05, 2010 2:09=0A> > AM=0A> >=A0=A0=A0Subject: RE: EICO 315 Signal=
=0A> >=A0=A0=A0Generator-useful?=0A> > =0A> > We had one in college that ha=
d a square wave on it as=0A> well as a=0A> >=A0=A0=A0sine. Yes, sweeping th=
e frequencies=0A> through a delay sounds very cool.=0A> > The=0A> >=A0=A0=
=A0frequency on these is, (or should be)=0A> very stable so I'm thinking so=
me sort of=0A> >=A0=A0=A0chorus/flanging sort of effect would=0A> prevent i=
t from drilling its way deep=0A> >=A0=A0=A0into your skull..=0A> > =0A> > p=
eace=0A> > =0A> > g=0A> > =0A> >> Date: Mon, 5 Apr 2010=0A> >=A0=A0=A009:59=
:51 +0100=0A> >> From: akbutler@tiscali.co.uk=0A> >> To:=0A> >=A0=A0=A0Loop=
ers-Delight@loopers-delight.com=0A> >> Subject: Re: EICO 315 Signal=0A> >=
=A0=A0=A0Generator-useful?=0A> >> =0A> >> The "classic" use is to put it th=
rough echo=0A> >=A0=A0=A0and sweep the frequency.=0A> >> =0A> >> I guess it=
 makes sine waves, which=0A> >=A0=A0=A0would be unusual for drones.=0A> >> =
(could always run it through distortion=0A> >=A0=A0=A0if unusual isn't desi=
red)=0A> >> =0A> >> andy=0A> >> =0A> >> Steve Uccello=0A> >=A0=A0=A0wrote:=
=0A> >>> Hello all, My uncle, who used to own a TV=0A> repair shop in=0A> >=
=A0=A0=A0the 70's gave me this 'EICO 315=0A> Signal Generator' today,=0A> >=
>> here's a=0A> >=A0=A0=A0pic of it: http://twitpic.com/1dbiao I need to ge=
t the appropriate=0A> cable to=0A> >=A0=A0=A0plug it in=0A> >>> and find ou=
t how it sounds, but I immediately=0A> thought=0A> >=A0=A0=A0about LD and f=
igured you guys might=0A> get a=0A> >>> kick out of it and may=0A> >=A0=A0=
=A0be even let me know if these are=0A> considered useful or not, my usual =
tone=0A> > =0A> >>> generator (upright bass) is always great for=0A> kickin=
g out the=0A> >=A0=A0=A0drones but I'm curious to mess=0A> >>> around with =
this thing. If anyone=0A> >=A0=A0=A0knows about 'em it would be cool to=0A>=
 get some tips-Thanks all-be well! Steve=0A> >=A0=A0=A0Uccello=0A> >>> =0A>=
 >>> =0A> >>> =0A> >=A0=A0=A0www.uccelloprojects.blogspot.com=0A> >>> www.s=
teveuccello.com=0A> >> =0A> >> www.myspace.com/steveuccello=0A> >>> =0A> >>=
> =0A> >>> =0A> > =0A> >>> =0A> >>> =0A> >> =0A> > =0A> > =0A> > =0A> >=A0=
=A0=A0Get a new e-mail account with Hotmail=0A> - Free. Sign-up=0A> >=A0=A0=
=A0now.=0A> > =0A> > =0A> > =0A> > =0A> =0A> =0A=0A=0A      

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From: mark francombe <mark@markfrancombe.com>
Date: Mon, 5 Apr 2010 23:38:09 +0200
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Subject: Re: EICO 315 Signal Generator-useful?
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He is assuming there is a VC or voltage control input. It COULD be that
these things had something like that, but I doubt it. Even so the signal
from a guitar unaccected is a bit.. ok very weak.. it would normally need to
be amplified to about 5 to 15 volts... but it can be done. This is typical
Modular synth application of an oscillator.

But I would use it for what a tone generator has traditionally been used for
(outside of its normal use that is) and that IS as a drone machine. The echo
thing is very... er... 1970s... think hawkwind or gong.. use of pictshifter
with the original sig mixed in can be interesting if you barely detune, or
have the possibility to detune on the fly in cents, not semis... then you
will get beats and sub waves intermodulating.. which as HIGH volume can be
extremely disorienting and effective.

What I like to do (in fact i have one track that is based purely on it) is
to do the hippy thing with lots of delay.. but then sweep extremely slowely,
infact ONE complete sweep from bottom to top during a whole song... Well ok
not the whole song, but the second half...

Second half of THIS infact...

*http://tinyurl.com/ye5d2rp*

Tone generators rule... after all.. its all the Stockhausen era guys EVER
had!!!

Mark

On Mon, Apr 5, 2010 at 8:32 PM, Steve Uccello <stevebassbird@yahoo.com>wrote:

> Thanks for the tips! I'm anxious to hook up my delay pedal and sweep the
> freq around. I'll have to look around for the right cable today. I do have a
> question, Toby wrote <you could play guitar through it...> -it only has two
> outputs on the front (RF & audio) to play guit through it, would I need to
> somehow put an input? I might be misunderstanding you though
>
> --- On Mon, 4/5/10, Toby G <carpet8@mac.com> wrote:
>
> From: Toby G <carpet8@mac.com>
> Subject: Re: EICO 315 Signal Generator-useful?
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, April 5, 2010, 2:31 AM
>
>
>
>
> #yiv2122206985 .hmmessage P {
>
> PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDING-RIGHT:0px;PADDING-TOP:0px;}
> #yiv2122206985 .hmmessage {
> FONT-FAMILY:Verdana;FONT-SIZE:10pt;}
>
>
> If you can modulate the frequency you could play guitar
> into it or something and get really messed up sounds.
>
> t
>
>  ----- Original Message -----
>  From:
>  Gareth Whittock
>  To: loopers-delight@loopers-delight.com
>
>  Sent: Monday, April 05, 2010 2:09
> AM
>  Subject: RE: EICO 315 Signal
>  Generator-useful?
>
> We had one in college that had a square wave on it as well as a
>  sine. Yes, sweeping the frequencies through a delay sounds very cool.
> The
>  frequency on these is, (or should be) very stable so I'm thinking some
> sort of
>  chorus/flanging sort of effect would prevent it from drilling its way deep
>  into your skull..
>
> peace
>
> g
>
> > Date: Mon, 5 Apr 2010
>  09:59:51 +0100
> > From: akbutler@tiscali.co.uk
> > To:
>  Loopers-Delight@loopers-delight.com
> > Subject: Re: EICO 315 Signal
>  Generator-useful?
> >
> > The "classic" use is to put it through echo
>  and sweep the frequency.
> >
> > I guess it makes sine waves, which
>  would be unusual for drones.
> > (could always run it through distortion
>  if unusual isn't desired)
> >
> > andy
> >
> > Steve Uccello
>  wrote:
> > > Hello all, My uncle, who used to own a TV repair shop in
>  the 70's gave me this 'EICO 315 Signal Generator' today,
> > >here's a
>  pic of it: http://twitpic.com/1dbiao I need to get the appropriate cable
> to
>  plug it in
> > > and find out how it sounds, but I immediately thought
>  about LD and figured you guys might get a
> > >kick out of it and may
>  be even let me know if these are considered useful or not, my usual tone
>
> > >generator (upright bass) is always great for kicking out the
>  drones but I'm curious to mess
> > >around with this thing. If anyone
>  knows about 'em it would be cool to get some tips-Thanks all-be well!
> Steve
>  Uccello
> > >
> > >
> > >
>  www.uccelloprojects.blogspot.com
> > > www.steveuccello.com
> >
>  > www.myspace.com/steveuccello
> > >
> > >
> > >
>
> > >
> > >
> >
>
>
>
>  Get a new e-mail account with Hotmail - Free. Sign-up
>  now.
>
>
>
>
>


-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00c09ffb588e5d841b048384269b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

He is assuming there is a VC or voltage control input. It COULD be that the=
se things had something like that, but I doubt it. Even so the signal from =
a guitar unaccected is a bit.. ok very weak.. it would normally need to be =
amplified to about 5 to 15 volts... but it can be done. This is typical Mod=
ular synth application of an oscillator.<br>

<br>But I would use it for what a tone generator has traditionally been use=
d for (outside of its normal use that is) and that IS as a drone machine. T=
he echo thing is very... er... 1970s... think hawkwind or gong.. use of pic=
tshifter with the original sig mixed in can be interesting if you barely de=
tune, or have the possibility to detune on the fly in cents, not semis... t=
hen you will get beats and sub waves intermodulating.. which as HIGH volume=
 can be extremely disorienting and effective.<br>

<br>What I like to do (in fact i have one track that is based purely on it)=
 is to do the hippy thing with lots of delay.. but then sweep extremely slo=
wely, infact ONE complete sweep from bottom to top during a whole song... W=
ell ok not the whole song, but the second half...<br>

<br>Second half of THIS infact...<br><br><b><a href=3D"http://tinyurl.com/y=
e5d2rp">http://tinyurl.com/ye5d2rp</a></b><br><br>Tone generators rule... a=
fter all.. its all the Stockhausen era guys EVER had!!!<br><br>Mark<br><br>

<div class=3D"gmail_quote">On Mon, Apr 5, 2010 at 8:32 PM, Steve Uccello <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:stevebassbird@yahoo.com">stevebassbir=
d@yahoo.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" styl=
e=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); =
padding-left: 1ex;">

Thanks for the tips! I&#39;m anxious to hook up my delay pedal and sweep th=
e freq around. I&#39;ll have to look around for the right cable today. I do=
 have a question, Toby wrote &lt;you could play guitar through it...&gt; -i=
t only has two outputs on the front (RF &amp; audio) to play guit through i=
t, would I need to somehow put an input? I might be misunderstanding you th=
ough<br>


<br>
--- On Mon, 4/5/10, Toby G &lt;<a href=3D"mailto:carpet8@mac.com">carpet8@m=
ac.com</a>&gt; wrote:<br>
<br>
From: Toby G &lt;<a href=3D"mailto:carpet8@mac.com">carpet8@mac.com</a>&gt;=
<br>
Subject: Re: EICO 315 Signal Generator-useful?<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
Date: Monday, April 5, 2010, 2:31 AM<br>
<br>
<br>
<br>
<br>
#yiv2122206985 .hmmessage P {<br>
PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDING-RIGHT:0px;PADDING-TO=
P:0px;}<br>
#yiv2122206985 .hmmessage {<br>
FONT-FAMILY:Verdana;FONT-SIZE:10pt;}<br>
<br>
<br>
If you can modulate the frequency you could play guitar<br>
into it or something and get really messed up sounds.<br>
=A0<br>
t<br>
<br>
 =A0----- Original Message -----<br>
 =A0From:<br>
 =A0Gareth Whittock<br>
 =A0To: <a href=3D"mailto:loopers-delight@loopers-delight.com">loopers-deli=
ght@loopers-delight.com</a><br>
<br>
 =A0Sent: Monday, April 05, 2010 2:09<br>
AM<br>
 =A0Subject: RE: EICO 315 Signal<br>
 =A0Generator-useful?<br>
<br>
We had one in college that had a square wave on it as well as a<br>
 =A0sine. Yes, sweeping the frequencies through a delay sounds very cool.<b=
r>
The<br>
 =A0frequency on these is, (or should be) very stable so I&#39;m thinking s=
ome sort of<br>
 =A0chorus/flanging sort of effect would prevent it from drilling its way d=
eep<br>
 =A0into your skull..<br>
<br>
peace<br>
<br>
g<br>
<br>
&gt; Date: Mon, 5 Apr 2010<br>
 =A009:59:51 +0100<br>
&gt; From: <a href=3D"mailto:akbutler@tiscali.co.uk">akbutler@tiscali.co.uk=
</a><br>
&gt; To:<br>
 =A0<a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
&gt; Subject: Re: EICO 315 Signal<br>
 =A0Generator-useful?<br>
&gt;<br>
&gt; The &quot;classic&quot; use is to put it through echo<br>
 =A0and sweep the frequency.<br>
&gt;<br>
&gt; I guess it makes sine waves, which<br>
 =A0would be unusual for drones.<br>
&gt; (could always run it through distortion<br>
 =A0if unusual isn&#39;t desired)<br>
&gt;<br>
&gt; andy<br>
&gt;<br>
&gt; Steve Uccello<br>
 =A0wrote:<br>
&gt; &gt; Hello all, My uncle, who used to own a TV repair shop in<br>
 =A0the 70&#39;s gave me this &#39;EICO 315 Signal Generator&#39; today,<br=
>
&gt; &gt;here&#39;s a<br>
 =A0pic of it: <a href=3D"http://twitpic.com/1dbiao" target=3D"_blank">http=
://twitpic.com/1dbiao</a> I need to get the appropriate cable to<br>
 =A0plug it in<br>
&gt; &gt; and find out how it sounds, but I immediately thought<br>
 =A0about LD and figured you guys might get a<br>
&gt; &gt;kick out of it and may<br>
 =A0be even let me know if these are considered useful or not, my usual ton=
e<br>
<br>
&gt; &gt;generator (upright bass) is always great for kicking out the<br>
 =A0drones but I&#39;m curious to mess<br>
&gt; &gt;around with this thing. If anyone<br>
 =A0knows about &#39;em it would be cool to get some tips-Thanks all-be wel=
l! Steve<br>
 =A0Uccello<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
 =A0<a href=3D"http://www.uccelloprojects.blogspot.com" target=3D"_blank">w=
ww.uccelloprojects.blogspot.com</a><br>
&gt; &gt; <a href=3D"http://www.steveuccello.com" target=3D"_blank">www.ste=
veuccello.com</a><br>
&gt;<br>
 =A0&gt; <a href=3D"http://www.myspace.com/steveuccello" target=3D"_blank">=
www.myspace.com/steveuccello</a><br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt;<br>
<br>
<br>
<br>
 =A0Get a new e-mail account with Hotmail - Free. Sign-up<br>
 =A0now.<br>
<br>
<br>
<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.m=
arkfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www.ordoab=
khao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user825094"=
>http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00c09ffb588e5d841b048384269b--

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Damn, me and my torrible spooling... I reely shud chek my male beofer I
send...

OH.. and I was totally remembering THIS recording wrong... on this version
it was only the last minute or so with this slow frequency changing thing...
I do this live different now... where the Sonic Mesh (as I like to call it)
lasts the whole track...


> Second half of THIS infact...
>
> *http://tinyurl.com/ye5d2rp*
>
> --
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--00504502c889ef78850483844923
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Damn, me and my torrible spooling... I reely shud chek my male beofer I sen=
d... <br><br>OH.. and I was totally remembering THIS recording wrong... on =
this version it was only the last minute or so with this slow frequency cha=
nging thing... I do this live different now... where the Sonic Mesh (as I l=
ike to call it) lasts the whole track... <br>

<br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"m=
argin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); paddin=
g-left: 1ex;">
<br>Second half of THIS infact...<br><br><b><a href=3D"http://tinyurl.com/y=
e5d2rp" target=3D"_blank">http://tinyurl.com/ye5d2rp</a></b><br><br></block=
quote></div>-- <br><a href=3D"http://www.markfrancombe.com">www.markfrancom=
be.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"=
http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"=
http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe<=
/a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--00504502c889ef78850483844923--

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Date: Mon, 5 Apr 2010 15:18:31 -0700 (PDT)
From: JENNIFER KENNETH <apbecker@verizon.net>
Reply-To: wwwoffice2009@sify.com
Subject: MY DEAR BENEFICIARY,
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1495280249-1270505911=:23482
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MY DEAR BENEFICIARY,
=A0
YOUR PACKAGE WORTH $15.5M USD (FIFTEEN MILLION AND FIVE HUNDRED THOUSAND UN=
ITED STATES DOLLAR) IS NOW IN THE OFFICE OF FEDEX EXPRESS COMPANY. ALL THEY=
 NEEDED FROM YOU RIGHT NOW TO DELIVER YOUR PACKAGE TO YOU IS;

1.YOUR NAME...............................
2.YOUR COUNTRY..........................
3.YOUR TELEPHONE NUMBER.....................
4.YOUR IDENTICATION.......................
5.YOUR FULL ADDRESS.......................
=A0
ALTHOUGH I GAVE THEM THIS INFORMATION OF YOURS BUT YOU NEED TO RECONFIRM IT=
 TO THEM TO AVIOD WRONG DELIVERY,NOTE I AM AWAY IN JAPAN FOR INVESTMENT PUR=
POSE. THE ONLY MONEY YOU HAVE TO PAY IS THE SECURITY KEEPING OF $105 ONLY. =
I COULD HAVE PAID THE 105 ON YOUR BEHALF BUT THE COMPANY SAID NO BECAUSE TH=
E SECURITY KEEPING INCREASES PER DAY AND THEY DO NOT KNOW WHEN THEY WILL HE=
AR FROM YOU. THEREFORE, YOU HAVE TO CONTACT THE COMPANY TODAY AND SEND THE =
FEE TO THEM IN ORDER TO AVOID INCREASE ON THE FEE. CONTACT THE DELIVERY COM=
PANY NOW VIA THIS INFORMATION:
=A0
COMPANY NAME:FEDEX EXPRESS COMPANY,
DIRECTOR NAME: DR DAVE HARRISON
EMAIL:( wwwoffice2009@sify.com )
TELEPHONE: +234-8069742911 OR +234-8053487308
=A0
NOTE THEY DID NOT KNOW THE CONTENT OF THE PACKAGE,SO DO NOT LET THEM KNOW T=
HAT WHAT THE PACKAGE IS CONTAINING IS MONEY TO AVIOD DELAY.
=A0
BEST REGARDS
BARRISTER JENNIFER KENNETH.
--0-1495280249-1270505911=:23482
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>MY DEAR BENEFICIARY,</DIV>
<DIV>&nbsp;</DIV>
<DIV>YOUR PACKAGE WORTH $15.5M USD (FIFTEEN MILLION AND FIVE HUNDRED THOUSA=
ND UNITED STATES DOLLAR) IS NOW IN THE OFFICE OF FEDEX EXPRESS COMPANY. ALL=
 THEY NEEDED FROM YOU RIGHT NOW TO DELIVER YOUR PACKAGE TO YOU IS;</DIV>
<DIV><BR>1.YOUR NAME...............................<BR>2.YOUR COUNTRY......=
....................<BR>3.YOUR TELEPHONE NUMBER.....................<BR>4.Y=
OUR IDENTICATION.......................<BR>5.YOUR FULL ADDRESS.............=
..........</DIV>
<DIV>&nbsp;</DIV>
<DIV>ALTHOUGH I GAVE THEM THIS INFORMATION OF YOURS BUT YOU NEED TO RECONFI=
RM IT TO THEM TO AVIOD WRONG DELIVERY,NOTE I AM AWAY IN JAPAN FOR INVESTMEN=
T PURPOSE. THE ONLY MONEY YOU HAVE TO PAY IS THE SECURITY KEEPING OF $105 O=
NLY. I COULD HAVE PAID THE 105 ON YOUR BEHALF BUT THE COMPANY SAID NO BECAU=
SE THE SECURITY KEEPING INCREASES PER DAY AND THEY DO NOT KNOW WHEN THEY WI=
LL HEAR FROM YOU. THEREFORE, YOU HAVE TO CONTACT THE COMPANY TODAY AND SEND=
 THE FEE TO THEM IN ORDER TO AVOID INCREASE ON THE FEE. CONTACT THE DELIVER=
Y COMPANY NOW VIA THIS INFORMATION:</DIV>
<DIV>&nbsp;</DIV>
<DIV>COMPANY NAME:FEDEX EXPRESS COMPANY,<BR>DIRECTOR NAME: DR DAVE HARRISON=
<BR>EMAIL:( <A href=3D"mailto:wwwoffice2009@sify.com">wwwoffice2009@sify.co=
m</A> )<BR>TELEPHONE: +234-8069742911 OR +234-8053487308</DIV>
<DIV>&nbsp;</DIV>
<DIV>NOTE THEY DID NOT KNOW THE CONTENT OF THE PACKAGE,SO DO NOT LET THEM K=
NOW THAT WHAT THE PACKAGE IS CONTAINING IS MONEY TO AVIOD DELAY.</DIV>
<DIV>&nbsp;</DIV>
<DIV>BEST REGARDS<BR>BARRISTER JENNIFER KENNETH.</DIV></td></tr></table>
--0-1495280249-1270505911=:23482--

From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 22:26:39 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Mon, 5 Apr 2010 18:26:38 -0400
Subject: Re: UNDO - 9.9.99
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 Hello David,
I would like to hear a CD of yours. I just now am listening to some of
the music on your MySpace page & there's some ni8ce stuff there.
Mark Showalter
3921 SW 34 StreetUnit 209=A0
Gainesville Florida32608

  ----- Original Message -----
  From: "david kirkdorffer"
  To: Loopers-Delight@loopers-delight.com
  Subject: UNDO - 9.9.99
  Date: Mon, 5 Apr 2010 08:29:36 -0700 (PDT)

  Last night I posted a batch of CD's that I hope will be part of "David's
  International Worldwide Loop Music Swap - Q2, 2010 Edition". :-)=A0Just
  in case a few members didn't see my weekend LD email, here it is
  again:=A0Hi. I've just released a CD, entitled 9.9.99, and I'm
  wondering if anyone on Loopers-Delight would like a copy.=A0=A0=A0 This
  might sound odd, but I did this once before on LD a number years ago
  with some earlier releases and it started a round of very interesting
  musical trades.=A0And really that's where the fun is for me.=A0 So, no
  costs to you.=A0 If you're interested, just send me an email with an
  address to which you'd like to receive a CD.=A0Cheers!=A0Davidwww.myspace=
.com/undomusic




Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57[IMAGE]

--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

Powered by Outblaze

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<DIV>
Hello David,</DIV><DIV><BR></DIV><DIV>I would like to hear a CD of yours. I=
 just now am listening to some of the music on your MySpace page &amp; ther=
e's some ni8ce stuff there.</DIV><DIV><BR></DIV><DIV>Mark Showalter</DIV><D=
IV><BR></DIV><DIV>3921 SW 34 Street</DIV><DIV>Unit 209=A0<BR>
Gainesville Florida</DIV><DIV>32608</DIV><DIV><BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "david kirkdorffer" <unstrungone @yahoo.com=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: UNDO - 9.9.99<BR>
Date: Mon, 5 Apr 2010 08:29:36 -0700 (PDT)<BR>
<BR>

<STYLE type=3D"text/css"><!-- DIV {margin:0px;} --></STYLE><DIV style=3D"fo=
nt-family:arial, helvetica, sans-serif;font-size:10pt;color:#0000ff;"><DIV>
<DIV>Last night I posted a batch of CD's that I hope will be part of "<EM>D=
avid's International Worldwide Loop Music Swap - Q2, 2010 Edition</EM>". :-=
)</DIV>
<DIV>=A0</DIV>
<DIV>Just in case a few members didn't see my weekend LD email, here it is =
again:</DIV>
<DIV>=A0</DIV>
<DIV>Hi. I've just released a CD, entitled 9.9.99, and I'm wondering if any=
one on Loopers-Delight would like a copy.=A0=A0=A0 This might sound odd, bu=
t I did this once before on LD a number years ago with some earlier release=
s and it started a round of very interesting musical trades.=A0And really t=
hat's where the fun is for me.=A0 So, no costs to you.=A0 If you're interes=
ted, just send me an email with an address to which you'd like to receive a=
 CD.</DIV>
<DIV>=A0</DIV>
<DIV>Cheers!</DIV>
<DIV>=A0</DIV>
<DIV>David</DIV>
<DIV><A href=3D"http://www.myspace.com/undomusic" target=3D"_blank" rel=3D"=
nofollow"><FONT color=3D"#0000ff">www.myspace.com/undomusic</FONT></A> </DI=
V></DIV></DIV><BR>

=20=20=20=20=20=20
</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
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ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>
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From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 22:31:22 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Mon, 5 Apr 2010 23:31:20 +0100
Subject: Re: jazz on tele's etc./Gibson Explorer
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Hello,

As a Godin player i am in love with mine. My luthier has customized mince w=
ith stainless steel fretts & Lace pickups, multiple selector switches for e=
ither humbucking or single selection & some other goodies still to go. Of c=
ourse, the internal synth access is fantastic.

> ----- Original Message -----
> From: "Christo Jota" <chris@christojota.de>
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: jazz on tele's etc./Gibson Explorer
> Date: Mon, 5 Apr 2010 09:50:53 +0200
>=20
>=20
> I remember, a long time ago, maybe even in the early eighties, don=B4t kn=
ow,
> I checked out a Gibson Explorer in a store and was blown away by it=B4s w=
arm,
> fat sound and the feel on the neck. I still can remember how sad I felt c=
ause
> I didn=B4t have the money to buy it. I was much into kind of heavy=20
> Blues, Rock=B4n Roll
> music, done by the likes of Johnny Winter.
> Now, for my smooth ambient sounds, I=B4m not interested in the=20
> Explorer anymore, would
> rather look for a Godin or so, but in those days I would be a happy man t=
o get
> this strange looking axe.
> christo
> www.christojota.de
>=20
> --------------------------------------------------
> From: "Charles Zwicky" <cazwicky@earthlink.net>
> Sent: Thursday, April 01, 2010 4:43 PM
> To: <Loopers-Delight@loopers-delight.com>
> Subject: Re: jazz on tele's etc.
>=20
> > I realize that you're simply trying to make a point, but I want=20
> > to hip you to a little known fact:  Flying Vs make FANTASTIC jazz=20
> > guitars.. the body and neck are made from a very thin piece of=20
> > mahogany , and they have a natural warmth and resonance... you'd=20
> > prolly only get away with it in the studio... nobody in a Jass=20
> > club wants to see some middle aged Jass guy with a flying V (and=20
> > spandex)....
> >
> >> Good point on the flatwounds.  My observation is that you can=20
> >> take any guitar, and I mean any guitar, that has a neck pickup,=20
> >> put flatwounds on it, and plug into any amp that allows you to=20
> >> pump up the lows and roll off the highs, and you can get at=20
> >> least 50% to that "jazz guitar" tone.  I don't care if it is a=20
> >> Gibson Flying V....humbucker neck acticatd... into a amp with=20
> >> bass on 5, mid on 4, and treble on 2....I can play a jazz gig=20
> >> and sound halfway decent. I may look ridiculous, however :)
> >>
> >> Hmmmm, maybe I should have a custom hollow body archop Flying V=20
> >> made.  Hah hah.
> >>
> >> Kris
> >>
> >> ----- Original Message -----
> >>> It's interesting how certain elements work together on specific=20
> >>> guitar models. A Tele can be a great jazz guitar with the=20
> >>> treble rolled off, a humbucker or P90 in the neck position=20
> >>> certainly helps,  but heavy strings even more so. Put some 12=20
> >>> or 13 flatwounds on a  standard Strat and off you go!
> >>>
> >>> I got that from a studio player friend of mine who is=20
> >>> constantly changing instrument's setups, putting nylon strings=20
> >>> on older Martin's, thin strings on a jazz box, heavy gauge=20
> >>> stuff on a Strat just to see what he comes up with. Quite a bit=20
> >>> of setup work there (also some cheaper guitars might start to=20
> >>> go south under 13's these days), but probably more rewarding=20
> >>> that trying out your 12th variant  of a modded Tubescreamer=20
> >>> clone.
> >>>
> >>> On the other hand my luthier once as an experiment (no extra=20
> >>> holes drilled) put a Tele bridge on my 1960 Gibson Melody Maker=20
> >>> (the single cut LP shaped variant with P90's added) - and that=20
> >>> small mahagony swampthing suddenly started to put out some=20
> >>> serious twang, amazing difference. Too much twang for me, we=20
> >>> put the Pigtail one-piece- bridge back on...
> >>>
> >>> Best, Andreas
> >
> >
> > -- ...
> > http://www.zmix.net
> >
> > http://www.esession.com/ChuckZwicky
> >
> > http://albumcredits.com/zmix
> >

>



Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"/></a>


--=20
_______________________________________________
Surf the Web in a faster, safer and easier way:
Download Opera 9 at http://www.opera.com

Powered by Outblaze

From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 22:33:09 2010
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From: "Mark Showalter" <folkstone57@operamail.com>
To: Loopers-Delight@loopers-delight.com
Date: Mon, 5 Apr 2010 18:33:08 -0400
Subject: Re: tweek-o-mania.....M 13
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 Hello,
You're welcome Jeff.

  ----- Original Message -----
  From: "Jeff Duke"
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: tweek-o-mania.....M 13
  Date: Sun, 4 Apr 2010 20:58:04 -0400

  i found that, thanks!=A0j

    ----- Original Message ----- From: Mark ShowalterTo:
    Loopers-Delight@loopers-delight.comSent: Sunday, April 04, 2010
    6:26 PMSubject: Re: tweek-o-mania.....M 13

    Hello,
    Open the Advanced Users Guide & see page 1-2.

      ----- Original Message -----
      From: "Jeff Duke"
      To: Loopers-Delight@loopers-delight.com
      Subject: Re: tweek-o-mania.....M 13
      Date: Fri, 2 Apr 2010 10:43:51 -0400

      Do you have a page # on that Mark? I don't see anything on
      syncing clock tempo anywhere.=A0thanks,=A0J

        ----- Original Message ----- From: Mark ShowalterTo:
        Loopers-Delight@loopers-delight.comSent: Friday, April
        02, 2010 10:19 AMSubject: Re: tweek-o-mania.....M 13

        Hello,
        The PDF manual on the site indicate midi sync.

          ----- Original Message -----
          From: "Jeff Duke"
          To: Loopers-Delight@loopers-delight.com
          Subject: Re: tweek-o-mania.....M 13
          Date: Fri, 2 Apr 2010 10:03:38 -0400

          Hi Gareth,=A0The M9 does have MIDI in/out. This seems
          to be for controlling paramaters, I don't see where
          it says anything about clock tempo sync. =A0More info
          in the M9 Advanced guide pdf here:
          http://line6.com/support/manuals/?families=3D12&submit=3DSubmit&1=
st=3D1st=A0j

            ----- Original Message ----- From: Gareth
            WhittockTo: loopers-delight@loopers-delight.comSent:
            Friday, April 02, 2010 12:45 AMSubject: RE:
            tweek-o-mania.....M 13
            Jeff,
            I've just caught up with this thread bing mostly
            a software kinda guy.
            This piece is beautiful! It paints abstract
            pictures in my head which is always a good sign!
            I'm almost tempted with this pedal....
            =A0Does it output midi control?

            Peace

            G

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        Mark Showalter
        Minden Jot!
=20=20=20=20=20=20=20=20
        myspace.com/folkstone57
        last.fm/folkstone57[IMAGE]=20=20=20=20=20=20=20=20


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        No virus found in this incoming message.
        Checked by AVG - www.avg.com
        Version: 8.5.437 / Virus Database: 271.1.1/2783 - Release
        Date: 04/01/10 06:35:00



    Mark Showalter
    Minden Jot!
=20=20=20=20
    myspace.com/folkstone57
    last.fm/folkstone57 [IMAGE]=20=20=20=20


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    No virus found in this incoming message.
    Checked by AVG - www.avg.com
    Version: 8.5.437 / Virus Database: 271.1.1/2788 - Release Date:
    04/03/10 18:32:00



Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57 [IMAGE]

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<DIV>
Hello,</DIV><DIV><BR></DIV><DIV>You're welcome Jeff.<BR>
<BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "Jeff Duke" <jeff_d @embarqmail.com=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: tweek-o-mania.....M 13<BR>
Date: Sun, 4 Apr 2010 20:58:04 -0400<BR>
<BR>






<DIV><FONT face=3D"Arial" size=3D"2">i found that, thanks!</FONT></DIV>
<DIV>=A0</DIV>
<DIV><FONT face=3D"Arial" size=3D"2">j</FONT></DIV>
<BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p=
x; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><=
B>From:</B>=20
  <A title=3D"folkstone57@operamail.com" href=3D"mailto:folkstone57@operama=
il.com">Mark Showalter</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3D"Loopers-Delight@lo=
opers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com">Loop=
ers-Delight@loopers-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, April 04, 2010 6:26=
=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: tweek-o-mania.....M 1=
3</DIV>
  <DIV><BR></DIV>
  <DIV><BR>Hello,</DIV>
  <DIV><BR></DIV>
  <DIV>Open the Advanced Users Guide &amp; see page 1-2.</DIV>
  <DIV><BR>
  <BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1=
010ff 2px solid">-----=20
    Original Message -----<BR>From: "Jeff Duke" <JEFF_D @embarqmail.com=3D"=
"><BR>To: <A href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-De=
light@loopers-delight.com</A><BR>Subject:=20
    Re: tweek-o-mania.....M 13<BR>Date: Fri, 2 Apr 2010 10:43:51 -0400<BR><=
BR>
    <DIV><FONT face=3D"Arial" size=3D"2">Do you have a page # on that Mark?=
 I don't see=20
    anything on syncing clock tempo anywhere.</FONT></DIV>
    <DIV>=A0</DIV>
    <DIV><FONT face=3D"Arial" size=3D"2">thanks,</FONT></DIV>
    <DIV>=A0</DIV>
    <DIV><FONT face=3D"Arial" size=3D"2">J</FONT></DIV>
    <BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT=
: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
      <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
      <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: blac=
k"><B>From:</B>=20
      <A title=3D"folkstone57@operamail.com" href=3D"mailto:folkstone57@ope=
ramail.com">Mark Showalter</A> </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3D"Loopers-Deligh=
t@loopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com">=
Loopers-Delight@loopers-delight.com</A>=20
      </DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 2010 1=
0:19=20
      AM</DIV>
      <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: tweek-o-mania....=
.M=20
      13</DIV>
      <DIV><BR></DIV>
      <DIV><BR>Hello,</DIV>
      <DIV><BR></DIV>
      <DIV>The PDF manual on the site indicate midi sync.</DIV>
      <DIV><BR>
      <BLOCKQUOTE style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT=
: #1010ff 2px solid">-----=20
        Original Message -----<BR>From: "Jeff Duke" <JEFF_D @embarqmail.com=
=3D""><BR>To: <A href=3D"mailto:Loopers-Delight@loopers-delight.com">Looper=
s-Delight@loopers-delight.com</A><BR>Subject:=20
        Re: tweek-o-mania.....M 13<BR>Date: Fri, 2 Apr 2010 10:03:38=20
        -0400<BR><BR>
        <STYLE>.hmmessage P {
	PADDING-RIGHT: 0px; PADDING-LEFT: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; P=
ADDING-TOP: 0px
}
BODY.hmmessage {
	FONT-SIZE: 10pt; FONT-FAMILY: Verdana
}
</STYLE>

        <DIV><FONT face=3D"Arial">Hi Gareth,</FONT></DIV>
        <DIV>=A0</DIV>
        <DIV><FONT face=3D"Arial">The M9 does have MIDI in/out. This seems =
to be for=20
        controlling paramaters, I don't see where it says anything about cl=
ock=20
        tempo sync. </FONT></DIV>
        <DIV>=A0</DIV>
        <DIV><FONT face=3D"Arial">More info in the M9 Advanced guide pdf he=
re: <A href=3D"http://line6.com/support/manuals/?families=3D12&amp;submit=
=3DSubmit&amp;1st=3D1st">http://line6.com/support/manuals/?families=3D12&am=
p;submit=3DSubmit&amp;1st=3D1st</A></FONT></DIV>
        <DIV>=A0</DIV>
        <DIV><FONT face=3D"Arial">j</FONT></DIV>
        <BLOCKQUOTE style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-=
LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
          <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DI=
V>
          <DIV style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
          <A title=3D"buddhamachine@live.co.uk" href=3D"mailto:buddhamachin=
e@live.co.uk">Gareth Whittock</A> </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A title=3D"loopers-de=
light@loopers-delight.com" href=3D"mailto:loopers-delight@loopers-delight.c=
om">loopers-delight@loopers-delight.com</A>=20
          </DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 02, 20=
10=20
          12:45 AM</DIV>
          <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> RE: tweek-o-mania=
.....M=20
          13</DIV>
          <DIV><BR></DIV>Jeff, <BR>I've just caught up with this thread bin=
g=20
          mostly a software kinda guy. <BR>This piece is beautiful! It pain=
ts=20
          abstract pictures in my head which is always a good sign!<BR>I'm=
=20
          almost tempted with this pedal....<BR>=A0Does it output midi=20
          control?<BR><BR>Peace<BR><BR>G<BR><BR>
          <HR>
          We want to hear all your funny, exciting and crazy Hotmail storie=
s. <A href=3D"http://clk.atdmt.com/UKM/go/195013117/direct/01/" target=3D"_=
new">Tell us now</A> <BR>
          <HR>
          <BR>No virus found in this incoming message.<BR>Checked by AVG -=
=20
          www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2783 -=
=20
          Release Date: 04/01/10 06:35:00<BR></BLOCKQUOTE></BLOCKQUOTE><BR>=
<BR><BR><PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG style=3D"=
BORDER-RIGHT: 0px; BORDER-TOP: 0px; BACKGROUND: none transparent scroll rep=
eat 0% 0%; BORDER-LEFT: 0px; BORDER-BOTTOM: 0px" src=3D"http://signatures.m=
ylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png"></A>
</PRE></DIV><BR>--=20
      <BR>_______________________________________________<BR>Surf the Web i=
n a=20
      faster, safer and easier way:<BR>Download Opera 9 at <A href=3D"http:=
//www.opera.com" target=3D"_blank">http://www.opera.com</A><BR>Powered by O=
utblaze=20
      <P>
      <HR>
      <BR>No virus found in this incoming message.<BR>Checked by AVG -=20
      www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2783 - Rel=
ease=20
      Date: 04/01/10 06:35:00<BR></BLOCKQUOTE></BLOCKQUOTE>
  <P><BR><BR><PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG style=3D"=
BORDER-RIGHT: 0px; BORDER-TOP: 0px; BACKGROUND: none transparent scroll rep=
eat 0% 0%; BORDER-LEFT: 0px; BORDER-BOTTOM: 0px" src=3D"http://signatures.m=
ylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C1043965108.png"></A>
</PRE></DIV><BR>--=20
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=20
  faster, safer and easier way:<BR>Download Opera 9 at <A href=3D"http://ww=
w.opera.com" target=3D"_blank">http://www.opera.com</A></P><BR>Powered by O=
utblaze=20
  <P>
  <HR>

  <BR>No virus found in this incoming message.<BR>Checked by AVG -=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2788 - Release=
=20
  Date: 04/03/10 18:32:00<BR></BLOCKQUOTE>

</BLOCKQUOTE>
<P>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

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ter, safer and easier way:<br>
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From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 23:36:41 2010
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Date: Mon, 5 Apr 2010 16:36:39 -0700 (PDT)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: EICO 315 Signal Generator-useful? -guess not :(
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Cool piece Mark! I dig the subtle changes and I can hear the pitch changing=
 in there-nice =0A=0A    As far as this Signal generator: you know when you=
 spend a certain amount of time on something, and it's not panning out, so =
you spend even more time to make it all worth it, then you decide to just c=
ut your losses? ...So I went to our local electronics store and got a bnc (=
British naval connector-I didn't know that's what it stood for!) to rca and=
 hurriedly plugged it all in, there was pretty much no tone, I'm starting t=
o think that since it's a 'signal', not a 'tone', generator, that I'm not g=
onna get much sound out of it, I took it apart and fiddled around, there's =
a LOT of copper in it, but nothing obviously wrong, oh well, I do remember =
seeing an actual Sine Wave generator in my uncles shop, plus a huge box of =
about 200 old tubes, I may try to mess w/ the Sine wave generator, it would=
 be fun to mix its' sounds w/ the bowed upright bass and hear what happens,=
 you guys will be the 1st to hear about it, till then, I'm gonna dive in to=
 my LP 1 that
 I finally got into using (I LOVE it!) and see what comes out of it-Thanks =
for all the tips and input! Steve=0A=0A=0A=0A=0A--- On Mon, 4/5/10, mark fr=
ancombe <mark@markfrancombe.com> wrote:=0A=0AFrom: mark francombe <mark@mar=
kfrancombe.com>=0ASubject: Re: EICO 315 Signal Generator-useful?=0ATo: Loop=
ers-Delight@loopers-delight.com=0ADate: Monday, April 5, 2010, 2:38 PM=0A=
=0AHe is assuming there is a VC or voltage control input. It COULD be that =
these things had something like that, but I doubt it. Even so the signal fr=
om a guitar unaccected is a bit.. ok very weak.. it would normally need to =
be amplified to about 5 to 15 volts... but it can be done. This is typical =
Modular synth application of an oscillator.=0A=0A=0A=0ABut I would use it f=
or what a tone generator has traditionally been used for (outside of its no=
rmal use that is) and that IS as a drone machine. The echo thing is very...=
 er... 1970s... think hawkwind or gong.. use of pictshifter with the origin=
al sig mixed in can be interesting if you barely detune, or have the possib=
ility to detune on the fly in cents, not semis... then you will get beats a=
nd sub waves intermodulating.. which as HIGH volume can be extremely disori=
enting and effective.=0A=0A=0A=0AWhat I like to do (in fact i have one trac=
k that is based purely on it) is to do the hippy thing with lots of delay..=
 but then sweep extremely slowely, infact ONE complete sweep from bottom to=
 top during a whole song... Well ok not the whole song, but the second half=
...=0A=0A=0A=0ASecond half of THIS infact...=0A=0Ahttp://tinyurl.com/ye5d2r=
p=0A=0ATone generators rule... after all.. its all the Stockhausen era guys=
 EVER had!!!=0A=0AMark=0A=0A=0A=0AOn Mon, Apr 5, 2010 at 8:32 PM, Steve Ucc=
ello <stevebassbird@yahoo.com> wrote:=0A=0A=0AThanks for the tips! I'm anxi=
ous to hook up my delay pedal and sweep the freq around. I'll have to look =
around for the right cable today. I do have a question, Toby wrote <you cou=
ld play guitar through it...> -it only has two outputs on the front (RF & a=
udio) to play guit through it, would I need to somehow put an input? I migh=
t be misunderstanding you though=0A=0A=0A=0A=0A=0A--- On Mon, 4/5/10, Toby =
G <carpet8@mac.com> wrote:=0A=0A=0A=0AFrom: Toby G <carpet8@mac.com>=0A=0AS=
ubject: Re: EICO 315 Signal Generator-useful?=0A=0ATo: Loopers-Delight@loop=
ers-delight.com=0A=0ADate: Monday, April 5, 2010, 2:31 AM=0A=0A=0A=0A=0A=0A=
=0A=0A=0A=0A#yiv2122206985 .hmmessage P {=0A=0APADDING-BOTTOM:0px;MARGIN:0p=
x;PADDING-LEFT:0px;PADDING-RIGHT:0px;PADDING-TOP:0px;}=0A=0A#yiv2122206985 =
.hmmessage {=0A=0AFONT-FAMILY:Verdana;FONT-SIZE:10pt;}=0A=0A=0A=0A=0A=0AIf =
you can modulate the frequency you could play guitar=0A=0Ainto it or someth=
ing and get really messed up sounds.=0A=0A=A0=0A=0At=0A=0A=0A=0A =A0----- O=
riginal Message -----=0A=0A =A0From:=0A=0A =A0Gareth Whittock=0A=0A =A0To: =
loopers-delight@loopers-delight.com=0A=0A=0A=0A =A0Sent: Monday, April 05, =
2010 2:09=0A=0AAM=0A=0A =A0Subject: RE: EICO 315 Signal=0A=0A =A0Generator-=
useful?=0A=0A=0A=0AWe had one in college that had a square wave on it as we=
ll as a=0A=0A =A0sine. Yes, sweeping the frequencies through a delay sounds=
 very cool.=0A=0AThe=0A=0A =A0frequency on these is, (or should be) very st=
able so I'm thinking some sort of=0A=0A =A0chorus/flanging sort of effect w=
ould prevent it from drilling its way deep=0A=0A =A0into your skull..=0A=0A=
=0A=0Apeace=0A=0A=0A=0Ag=0A=0A=0A=0A> Date: Mon, 5 Apr 2010=0A=0A =A009:59:=
51 +0100=0A=0A> From: akbutler@tiscali.co.uk=0A=0A> To:=0A=0A =A0Loopers-De=
light@loopers-delight.com=0A=0A> Subject: Re: EICO 315 Signal=0A=0A =A0Gene=
rator-useful?=0A=0A>=0A=0A> The "classic" use is to put it through echo=0A=
=0A =A0and sweep the frequency.=0A=0A>=0A=0A> I guess it makes sine waves, =
which=0A=0A =A0would be unusual for drones.=0A=0A> (could always run it thr=
ough distortion=0A=0A =A0if unusual isn't desired)=0A=0A>=0A=0A> andy=0A=0A=
>=0A=0A> Steve Uccello=0A=0A =A0wrote:=0A=0A> > Hello all, My uncle, who us=
ed to own a TV repair shop in=0A=0A =A0the 70's gave me this 'EICO 315 Sign=
al Generator' today,=0A=0A> >here's a=0A=0A =A0pic of it: http://twitpic.co=
m/1dbiao I need to get the appropriate cable to=0A=0A =A0plug it in=0A=0A> =
> and find out how it sounds, but I immediately thought=0A=0A =A0about LD a=
nd figured you guys might get a=0A=0A> >kick out of it and may=0A=0A =A0be =
even let me know if these are considered useful or not, my usual tone=0A=0A=
=0A=0A> >generator (upright bass) is always great for kicking out the=0A=0A=
 =A0drones but I'm curious to mess=0A=0A> >around with this thing. If anyon=
e=0A=0A =A0knows about 'em it would be cool to get some tips-Thanks all-be =
well! Steve=0A=0A =A0Uccello=0A=0A> >=0A=0A> >=0A=0A> >=0A=0A =A0www.uccell=
oprojects.blogspot.com=0A=0A> > www.steveuccello.com=0A=0A>=0A=0A =A0> www.=
myspace.com/steveuccello=0A=0A> >=0A=0A> >=0A=0A> >=0A=0A=0A=0A> >=0A=0A> >=
=0A=0A>=0A=0A=0A=0A=0A=0A=0A=0A =A0Get a new e-mail account with Hotmail - =
Free. Sign-up=0A=0A =A0now.=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A=0A-- =0Awww=
.markfrancombe.com=0Awww.ordoabkhao.com=0Ahttp://vimeo.com/user825094=0A=0A=
=0Ahttp://www.myspace.com/markfrancombe=0Ahttp://www.looop.no/shop/catlabel=
.php?q=3DSynch%20Non%20Synch=0A=0A=0A=0A=0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Apr  5 23:55:22 2010
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From: Toby G <carpet8@mac.com>
To: Loopers-Delight@loopers-delight.com
References: <41432.3529.qm@web30403.mail.mud.yahoo.com>
Subject: Re: EICO 315 Signal Generator-useful? -guess not :(
Date: Mon, 05 Apr 2010 16:55:08 -0700
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Signals are tones.
I assume it's a sine wave generator and it looks like it has audio range. 
But, it may not be functional.

t
----- Original Message ----- 
From: "Steve Uccello" <stevebassbird@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 05, 2010 4:36 PM
Subject: Re: EICO 315 Signal Generator-useful? -guess not :(


Cool piece Mark! I dig the subtle changes and I can hear the pitch changing 
in there-nice

    As far as this Signal generator: you know when you spend a certain 
amount of time on something, and it's not panning out, so you spend even 
more time to make it all worth it, then you decide to just cut your losses? 
...So I went to our local electronics store and got a bnc (British naval 
connector-I didn't know that's what it stood for!) to rca and hurriedly 
plugged it all in, there was pretty much no tone, I'm starting to think that 
since it's a 'signal', not a 'tone', generator, that I'm not gonna get much 
sound out of it, I took it apart and fiddled around, there's a LOT of copper 
in it, but nothing obviously wrong, oh well, I do remember seeing an actual 
Sine Wave generator in my uncles shop, plus a huge box of about 200 old 
tubes, I may try to mess w/ the Sine wave generator, it would be fun to mix 
its' sounds w/ the bowed upright bass and hear what happens, you guys will 
be the 1st to hear about it, till then, I'm gonna dive in to my LP 1 that
 I finally got into using (I LOVE it!) and see what comes out of it-Thanks 
for all the tips and input! Steve




--- On Mon, 4/5/10, mark francombe <mark@markfrancombe.com> wrote:

From: mark francombe <mark@markfrancombe.com>
Subject: Re: EICO 315 Signal Generator-useful?
To: Loopers-Delight@loopers-delight.com
Date: Monday, April 5, 2010, 2:38 PM

He is assuming there is a VC or voltage control input. It COULD be that 
these things had something like that, but I doubt it. Even so the signal 
from a guitar unaccected is a bit.. ok very weak.. it would normally need to 
be amplified to about 5 to 15 volts... but it can be done. This is typical 
Modular synth application of an oscillator.



But I would use it for what a tone generator has traditionally been used for 
(outside of its normal use that is) and that IS as a drone machine. The echo 
thing is very... er... 1970s... think hawkwind or gong.. use of pictshifter 
with the original sig mixed in can be interesting if you barely detune, or 
have the possibility to detune on the fly in cents, not semis... then you 
will get beats and sub waves intermodulating.. which as HIGH volume can be 
extremely disorienting and effective.



What I like to do (in fact i have one track that is based purely on it) is 
to do the hippy thing with lots of delay.. but then sweep extremely slowely, 
infact ONE complete sweep from bottom to top during a whole song... Well ok 
not the whole song, but the second half...



Second half of THIS infact...

http://tinyurl.com/ye5d2rp

Tone generators rule... after all.. its all the Stockhausen era guys EVER 
had!!!

Mark



On Mon, Apr 5, 2010 at 8:32 PM, Steve Uccello <stevebassbird@yahoo.com> 
wrote:


Thanks for the tips! I'm anxious to hook up my delay pedal and sweep the 
freq around. I'll have to look around for the right cable today. I do have a 
question, Toby wrote <you could play guitar through it...> -it only has two 
outputs on the front (RF & audio) to play guit through it, would I need to 
somehow put an input? I might be misunderstanding you though





--- On Mon, 4/5/10, Toby G <carpet8@mac.com> wrote:



From: Toby G <carpet8@mac.com>

Subject: Re: EICO 315 Signal Generator-useful?

To: Loopers-Delight@loopers-delight.com

Date: Monday, April 5, 2010, 2:31 AM









#yiv2122206985 .hmmessage P {

PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDING-RIGHT:0px;PADDING-TOP:0px;}

#yiv2122206985 .hmmessage {

FONT-FAMILY:Verdana;FONT-SIZE:10pt;}





If you can modulate the frequency you could play guitar

into it or something and get really messed up sounds.



t



  ----- Original Message -----

  From:

  Gareth Whittock

  To: loopers-delight@loopers-delight.com



  Sent: Monday, April 05, 2010 2:09

AM

  Subject: RE: EICO 315 Signal

  Generator-useful?



We had one in college that had a square wave on it as well as a

  sine. Yes, sweeping the frequencies through a delay sounds very cool.

The

  frequency on these is, (or should be) very stable so I'm thinking some 
sort of

  chorus/flanging sort of effect would prevent it from drilling its way deep

  into your skull..



peace



g



> Date: Mon, 5 Apr 2010

  09:59:51 +0100

> From: akbutler@tiscali.co.uk

> To:

  Loopers-Delight@loopers-delight.com

> Subject: Re: EICO 315 Signal

  Generator-useful?

>

> The "classic" use is to put it through echo

  and sweep the frequency.

>

> I guess it makes sine waves, which

  would be unusual for drones.

> (could always run it through distortion

  if unusual isn't desired)

>

> andy

>

> Steve Uccello

  wrote:

> > Hello all, My uncle, who used to own a TV repair shop in

  the 70's gave me this 'EICO 315 Signal Generator' today,

> >here's a

  pic of it: http://twitpic.com/1dbiao I need to get the appropriate cable 
to

  plug it in

> > and find out how it sounds, but I immediately thought

  about LD and figured you guys might get a

> >kick out of it and may

  be even let me know if these are considered useful or not, my usual tone



> >generator (upright bass) is always great for kicking out the

  drones but I'm curious to mess

> >around with this thing. If anyone

  knows about 'em it would be cool to get some tips-Thanks all-be well! 
Steve

  Uccello

> >

> >

> >

  www.uccelloprojects.blogspot.com

> > www.steveuccello.com

>

  > www.myspace.com/steveuccello

> >

> >

> >



> >

> >

>







  Get a new e-mail account with Hotmail - Free. Sign-up

  now.












-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094


http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch









From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 00:25:22 2010
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Date: Mon, 5 Apr 2010 17:25:14 -0700 (PDT)
From: Steve Uccello <stevebassbird@yahoo.com>
Subject: Re: EICO 315 Signal Generator-useful? -guess not :(
To: Loopers-Delight@loopers-delight.com
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Yeah, prob just too old, I even tried beating on it and that didn't seem to=
 help ;) -I'll hold on to though, may be leave it turned on for a few days =
and see what happens-=0A=0A--- On Mon, 4/5/10, Toby G <carpet8@mac.com> wro=
te:=0A=0A> From: Toby G <carpet8@mac.com>=0A> Subject: Re: EICO 315 Signal =
Generator-useful? -guess not :(=0A> To: Loopers-Delight@loopers-delight.com=
=0A> Date: Monday, April 5, 2010, 4:55 PM=0A> Signals are tones.=0A> I assu=
me it's a sine wave generator and it looks like it=0A> has audio range. But=
, it may not be functional.=0A> =0A> t=0A> ----- Original Message ----- Fro=
m: "Steve Uccello" <stevebassbird@yahoo.com>=0A> To: <Loopers-Delight@loope=
rs-delight.com>=0A> Sent: Monday, April 05, 2010 4:36 PM=0A> Subject: Re: E=
ICO 315 Signal Generator-useful? -guess not=0A> :(=0A> =0A> =0A> Cool piece=
 Mark! I dig the subtle changes and I can hear=0A> the pitch changing in th=
ere-nice=0A> =0A> =A0=A0=A0As far as this Signal generator: you know=0A> wh=
en you spend a certain amount of time on something, and=0A> it's not pannin=
g out, so you spend even more time to make it=0A> all worth it, then you de=
cide to just cut your losses? ...So=0A> I went to our local electronics sto=
re and got a bnc (British=0A> naval connector-I didn't know that's what it =
stood for!) to=0A> rca and hurriedly plugged it all in, there was pretty mu=
ch=0A> no tone, I'm starting to think that since it's a 'signal',=0A> not a=
 'tone', generator, that I'm not gonna get much sound=0A> out of it, I took=
 it apart and fiddled around, there's a LOT=0A> of copper in it, but nothin=
g obviously wrong, oh well, I do=0A> remember seeing an actual Sine Wave ge=
nerator in my uncles=0A> shop, plus a huge box of about 200 old tubes, I ma=
y try to=0A> mess w/ the Sine wave generator, it would be fun to mix its'=
=0A> sounds w/ the bowed upright bass and hear what happens, you=0A> guys w=
ill be the 1st to hear about it, till then, I'm gonna=0A> dive in to my LP =
1 that=0A> I finally got into using (I LOVE it!) and see what comes=0A> out=
 of it-Thanks for all the tips and input! Steve=0A> =0A> =0A> =0A> =0A> ---=
 On Mon, 4/5/10, mark francombe <mark@markfrancombe.com>=0A> wrote:=0A> =0A=
> From: mark francombe <mark@markfrancombe.com>=0A> Subject: Re: EICO 315 S=
ignal Generator-useful?=0A> To: Loopers-Delight@loopers-delight.com=0A> Dat=
e: Monday, April 5, 2010, 2:38 PM=0A> =0A> He is assuming there is a VC or =
voltage control input. It=0A> COULD be that these things had something like=
 that, but I=0A> doubt it. Even so the signal from a guitar unaccected is a=
=0A> bit.. ok very weak.. it would normally need to be amplified=0A> to abo=
ut 5 to 15 volts... but it can be done. This is=0A> typical Modular synth a=
pplication of an oscillator.=0A> =0A> =0A> =0A> But I would use it for what=
 a tone generator has=0A> traditionally been used for (outside of its norma=
l use that=0A> is) and that IS as a drone machine. The echo thing is=0A> ve=
ry... er... 1970s... think hawkwind or gong.. use of=0A> pictshifter with t=
he original sig mixed in can be=0A> interesting if you barely detune, or ha=
ve the possibility to=0A> detune on the fly in cents, not semis... then you=
 will get=0A> beats and sub waves intermodulating.. which as HIGH volume=0A=
> can be extremely disorienting and effective.=0A> =0A> =0A> =0A> What I li=
ke to do (in fact i have one track that is based=0A> purely on it) is to do=
 the hippy thing with lots of delay..=0A> but then sweep extremely slowely,=
 infact ONE complete sweep=0A> from bottom to top during a whole song... We=
ll ok not the=0A> whole song, but the second half...=0A> =0A> =0A> =0A> Sec=
ond half of THIS infact...=0A> =0A> http://tinyurl.com/ye5d2rp=0A> =0A> Ton=
e generators rule... after all.. its all the Stockhausen=0A> era guys EVER =
had!!!=0A> =0A> Mark=0A> =0A> =0A> =0A> On Mon, Apr 5, 2010 at 8:32 PM, Ste=
ve Uccello <stevebassbird@yahoo.com>=0A> wrote:=0A> =0A> =0A> Thanks for th=
e tips! I'm anxious to hook up my delay pedal=0A> and sweep the freq around=
. I'll have to look around for the=0A> right cable today. I do have a quest=
ion, Toby wrote <you=0A> could play guitar through it...> -it only has two =
outputs=0A> on the front (RF & audio) to play guit through it, would=0A> I =
need to somehow put an input? I might be misunderstanding=0A> you though=0A=
> =0A> =0A> =0A> =0A> =0A> --- On Mon, 4/5/10, Toby G <carpet8@mac.com>=0A>=
 wrote:=0A> =0A> =0A> =0A> From: Toby G <carpet8@mac.com>=0A> =0A> Subject:=
 Re: EICO 315 Signal Generator-useful?=0A> =0A> To: Loopers-Delight@loopers=
-delight.com=0A=0A> =0A> Date: Monday, April 5, 2010, 2:31 AM=0A> =0A> =0A>=
 =0A> =0A> =0A> =0A> =0A> =0A> =0A> #yiv2122206985 .hmmessage P {=0A> =0A> =
PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDING-RIGHT:0px;PADDING-TO=
P:0px;}=0A> =0A> #yiv2122206985 .hmmessage {=0A> =0A> FONT-FAMILY:Verdana;F=
ONT-SIZE:10pt;}=0A> =0A> =0A> =0A> =0A> =0A> If you can modulate the freque=
ncy you could play guitar=0A> =0A> into it or something and get really mess=
ed up sounds.=0A> =0A> =0A> =0A> t=0A> =0A> =0A> =0A>  ----- Original Messa=
ge -----=0A> =0A>  From:=0A> =0A>  Gareth Whittock=0A> =0A>  To: loopers-de=
light@loopers-delight.com=0A> =0A> =0A> =0A>  Sent: Monday, April 05, 2010 =
2:09=0A> =0A> AM=0A> =0A>  Subject: RE: EICO 315 Signal=0A> =0A>  Generator=
-useful?=0A> =0A> =0A> =0A> We had one in college that had a square wave on=
 it as well=0A> as a=0A> =0A>  sine. Yes, sweeping the frequencies through =
a delay sounds=0A> very cool.=0A> =0A> The=0A> =0A>  frequency on these is,=
 (or should be) very stable so I'm=0A> thinking some sort of=0A> =0A>  chor=
us/flanging sort of effect would prevent it from=0A> drilling its way deep=
=0A> =0A>  into your skull..=0A> =0A> =0A> =0A> peace=0A> =0A> =0A> =0A> g=
=0A> =0A> =0A> =0A> > Date: Mon, 5 Apr 2010=0A> =0A>  09:59:51 +0100=0A> =
=0A> > From: akbutler@tiscali.co.uk=0A> =0A> > To:=0A> =0A>  Loopers-Deligh=
t@loopers-delight.com=0A> =0A> > Subject: Re: EICO 315 Signal=0A> =0A>  Gen=
erator-useful?=0A> =0A> > =0A> =0A> > The "classic" use is to put it throug=
h echo=0A> =0A>  and sweep the frequency.=0A> =0A> > =0A> =0A> > I guess it=
 makes sine waves, which=0A> =0A>  would be unusual for drones.=0A> =0A> > =
(could always run it through distortion=0A> =0A>  if unusual isn't desired)=
=0A> =0A> > =0A> =0A> > andy=0A> =0A> > =0A> =0A> > Steve Uccello=0A> =0A> =
 wrote:=0A> =0A> > > Hello all, My uncle, who used to own a TV repair=0A> s=
hop in=0A> =0A>  the 70's gave me this 'EICO 315 Signal Generator' today,=
=0A> =0A> > >here's a=0A> =0A>  pic of it: http://twitpic.com/1dbiao I need=
 to get=0A> the appropriate cable to=0A> =0A>  plug it in=0A> =0A> > > and =
find out how it sounds, but I immediately=0A> thought=0A> =0A>  about LD an=
d figured you guys might get a=0A> =0A> > >kick out of it and may=0A> =0A> =
 be even let me know if these are considered useful or not,=0A> my usual to=
ne=0A> =0A> =0A> =0A> > >generator (upright bass) is always great for=0A> k=
icking out the=0A> =0A>  drones but I'm curious to mess=0A> =0A> > >around =
with this thing. If anyone=0A> =0A>  knows about 'em it would be cool to ge=
t some tips-Thanks=0A> all-be well! Steve=0A> =0A>  Uccello=0A> =0A> > >=0A=
> =0A> > >=0A> =0A> > >=0A> =0A>  www.uccelloprojects.blogspot.com=0A> =0A>=
 > > www.steveuccello.com=0A> =0A> > =0A> =0A>  > www.myspace.com/steveucce=
llo=0A> =0A> > >=0A> =0A> > >=0A> =0A> > >=0A> =0A> =0A> =0A> > >=0A> =0A> =
> >=0A> =0A> > =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A>  Get a new e-mail ac=
count with Hotmail - Free. Sign-up=0A> =0A>  now.=0A> =0A> =0A> =0A> =0A> =
=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> -- www.markfrancombe.com=0A> www.or=
doabkhao.com=0A> http://vimeo.com/user825094=0A> =0A> =0A> http://www.myspa=
ce.com/markfrancombe=0A> http://www.looop.no/shop/catlabel.php?q=3DSynch%20=
Non%20Synch=0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A> =0A=0A=0A     =
 

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Subject: Re: krk monitors
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Date: Tue, 6 Apr 2010 02:25:48 +0200
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All the models sound a bit different, I really liked working on the =
Expos=E9's. The others I thought sounded a bit harsch, where you get =
tired soon listening to them all day.

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

On 05 04 2010, at 5:54 AM, james fowler wrote:

> anybody got a pair of these? if so, what's your take on them? i've
> read good things about them and am in the market for some good
> entry-level near fields.
>=20
> thanks.
>=20
> - jim
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 03:49:23 2010
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Subject: Re: EICO 315 Signal Generator-useful?
Date: Mon, 5 Apr 2010 20:45:18 -0700
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I have an Eico 377 audio generator that does both sine and square waves and
it only has two binding posts for positive and negative output; a standard
guitar patch cable with spade connectors soldered on one end works fine for
plugging into amps and other effects devices.

Just do be careful - you can easily hit frequencies that may exceed what
your speakers can handle...

If you are into drone stuff, check out this guys kit/project drone synth...
Wicked cool, and it will accept an input signal to be modulated...

http://casperelectronics.com/finished-pieces/drone-lab/drone-lab-v2/

I will own one of these sooner or later.

:-)

Dave

----- Original Message ----- 
From: "Steve Uccello" <stevebassbird@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 05, 2010 12:52 PM
Subject: Re: EICO 315 Signal Generator-useful?


Now that you mention it, Toby, looks like the Audio out has 'mod ex' under
it, http://twitpic.com/1dggwn -that's probably an in, may be just set the
signal knob to 'mod'? I'm taking my daughter on a little field trip to find
a cable, I'll let you know how it turns out, may be a little improv piece
tonight :) THX-


--- On Mon, 4/5/10, Toby Graves <carpet8@mac.com> wrote:

> From: Toby Graves <carpet8@mac.com>
> Subject: Re: EICO 315 Signal Generator-useful?
> To: Loopers-Delight@loopers-delight.com
> Date: Monday, April 5, 2010, 11:36 AM
> I thought one of those was external
> modulation. I didn't know they were all outputs.
>
> t
> On Apr 5, 2010, at 11:32 AM, Steve Uccello wrote:
>
> > Thanks for the tips! I'm anxious to hook up my delay
> pedal and sweep the freq around. I'll have to look around
> for the right cable today. I do have a question, Toby wrote
> <you could play guitar through it...> -it only has two
> outputs on the front (RF & audio) to play guit through
> it, would I need to somehow put an input? I might be
> misunderstanding you though
> >
> > --- On Mon, 4/5/10, Toby G <carpet8@mac.com>
> wrote:
> >
> > From: Toby G <carpet8@mac.com>
> > Subject: Re: EICO 315 Signal Generator-useful?
> > To: Loopers-Delight@loopers-delight.com
> > Date: Monday, April 5, 2010, 2:31 AM
> >
> >
> >
> >
> > #yiv2122206985 .hmmessage P {
> >
>
PADDING-BOTTOM:0px;MARGIN:0px;PADDING-LEFT:0px;PADDING-RIGHT:0px;PADDING-TOP
:0px;}
> > #yiv2122206985 .hmmessage {
> > FONT-FAMILY:Verdana;FONT-SIZE:10pt;}
> >
> >
> > If you can modulate the frequency you could play
> guitar
> > into it or something and get really messed up sounds.
> >
> > t
> >
> > ----- Original Message -----
> > From:
> > Gareth Whittock
> > To: loopers-delight@loopers-delight.com
> >
> > Sent: Monday, April 05, 2010 2:09
> > AM
> > Subject: RE: EICO 315 Signal
> > Generator-useful?
> >
> > We had one in college that had a square wave on it as
> well as a
> > sine. Yes, sweeping the frequencies
> through a delay sounds very cool.
> > The
> > frequency on these is, (or should be)
> very stable so I'm thinking some sort of
> > chorus/flanging sort of effect would
> prevent it from drilling its way deep
> > into your skull..
> >
> > peace
> >
> > g
> >
> >> Date: Mon, 5 Apr 2010
> > 09:59:51 +0100
> >> From: akbutler@tiscali.co.uk
> >> To:
> > Loopers-Delight@loopers-delight.com
> >> Subject: Re: EICO 315 Signal
> > Generator-useful?
> >>
> >> The "classic" use is to put it through echo
> > and sweep the frequency.
> >>
> >> I guess it makes sine waves, which
> > would be unusual for drones.
> >> (could always run it through distortion
> > if unusual isn't desired)
> >>
> >> andy
> >>
> >> Steve Uccello
> > wrote:
> >>> Hello all, My uncle, who used to own a TV
> repair shop in
> > the 70's gave me this 'EICO 315
> Signal Generator' today,
> >>> here's a
> > pic of it: http://twitpic.com/1dbiao I need to get the appropriate
> cable to
> > plug it in
> >>> and find out how it sounds, but I immediately
> thought
> > about LD and figured you guys might
> get a
> >>> kick out of it and may
> > be even let me know if these are
> considered useful or not, my usual tone
> >
> >>> generator (upright bass) is always great for
> kicking out the
> > drones but I'm curious to mess
> >>> around with this thing. If anyone
> > knows about 'em it would be cool to
> get some tips-Thanks all-be well! Steve
> > Uccello
> >>>
> >>>
> >>>
> > www.uccelloprojects.blogspot.com
> >>> www.steveuccello.com
> >>
> >> www.myspace.com/steveuccello
> >>>
> >>>
> >>>
> >
> >>>
> >>>
> >>
> >
> >
> >
> > Get a new e-mail account with Hotmail
> - Free. Sign-up
> > now.
> >
> >
> >
> >
>
>





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From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 07:16:06 2010
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Subject: OT: need a little help...analog synth programming resource?
From: George Ludwig <georgeludwigmusic@gmail.com>
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--0016e68deb78f0d2d604838c372d
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So I have been lucky enough to score a Roland MKS-80 with the programmer. I
know the basics of subtractive synthesis and filters, but this beast is
pretty complex, which is not surprising since it was the pinnacle of
Roland's analog synth development.

And since I've also been laid off of work, I now have a lot of time on my
hands. Can anyone recommend any synth programming resources? Obviously, it
would be awesome if it was specific to the MKS-80, but I'll take whatever I
can.

TIA!

-George

http://www.myspace.com/georgeludwigmusic

--0016e68deb78f0d2d604838c372d
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So I have been lucky enough to score a Roland MKS-80 with the programmer. I=
 know the basics of subtractive synthesis and filters, but this beast is pr=
etty complex, which is not surprising since it was the pinnacle of Roland&#=
39;s analog synth development.<div>
<br></div><div>And since I&#39;ve also been laid off of work, I now have a =
lot of time on my hands. Can anyone recommend any synth programming resourc=
es? Obviously, it would be awesome if it was specific to the MKS-80, but I&=
#39;ll take whatever I can.</div>
<div><br></div><div>TIA!<br clear=3D"all"><br>-George<br><br><a href=3D"htt=
p://www.myspace.com/georgeludwigmusic">http://www.myspace.com/georgeludwigm=
usic</a><br>
</div>

--0016e68deb78f0d2d604838c372d--

From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 08:00:22 2010
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From: "Johannes Korn" <j.korn@gmx.de>
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Hi George,

I found the "synth secrets" series from Sound on Sound magazine very helpful: http://www.soundonsound.com/sos/allsynthsecrets.htm

But I also would be interested in other pointers.

All the best,
Johannes


-------- Original-Nachricht --------
> Datum: Tue, 6 Apr 2010 00:16:03 -0700
> Von: George Ludwig <georgeludwigmusic@gmail.com>
> An: Loopers-Delight@loopers-delight.com
> Betreff: OT: need a little help...analog synth programming resource?

> So I have been lucky enough to score a Roland MKS-80 with the programmer.
> I
> know the basics of subtractive synthesis and filters, but this beast is
> pretty complex, which is not surprising since it was the pinnacle of
> Roland's analog synth development.
> 
> And since I've also been laid off of work, I now have a lot of time on my
> hands. Can anyone recommend any synth programming resources? Obviously, it
> would be awesome if it was specific to the MKS-80, but I'll take whatever
> I
> can.
> 
> TIA!
> 
> -George
> 
> http://www.myspace.com/georgeludwigmusic

-- 
Johannes Korn   -  j.korn@gmx.de
http://www.myspace.com/nashorn

GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From info@yahoo.com  Tue Apr  6 08:19:25 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: UNDO - 9.9.99
Date: Tue, 6 Apr 2010 11:24:33 +0100
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Sam ere - love what you're doing on the myspace.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 5 Apr 2010, at 23:26, Mark Showalter wrote:

> Hello David,
>
> I would like to hear a CD of yours. I just now am listening to some  
> of the music on your MySpace page & there's some ni8ce stuff there.
>
> Mark Showalter
>
> 3921 SW 34 Street
> Unit 209
> Gainesville Florida
> 32608
>
> ----- Original Message -----
> From: "david kirkdorffer"
> To: Loopers-Delight@loopers-delight.com
> Subject: UNDO - 9.9.99
> Date: Mon, 5 Apr 2010 08:29:36 -0700 (PDT)
>
> Last night I posted a batch of CD's that I hope will be part of  
> "David's International Worldwide Loop Music Swap - Q2, 2010  
> Edition". :-)
>
> Just in case a few members didn't see my weekend LD email, here it  
> is again:
>
> Hi. I've just released a CD, entitled 9.9.99, and I'm wondering if  
> anyone on Loopers-Delight would like a copy.    This might sound  
> odd, but I did this once before on LD a number years ago with some  
> earlier releases and it started a round of very interesting musical  
> trades. And really that's where the fun is for me.  So, no costs to  
> you.  If you're interested, just send me an email with an address  
> to which you'd like to receive a CD.
>
> Cheers!
>
> David
> www.myspace.com/undomusic
>
>
>
>
> Mark Showalter
> Minden Jot!
>
> myspace.com/folkstone57
> last.fm/folkstone57
>
>
> --
> _______________________________________________
> Surf the Web in a faster, safer and easier way:
> Download Opera 9 at http://www.opera.com
>
>
> Powered by Outblaze


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Sam ere - love what you're doing on the myspace.<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 5 Apr 2010, =
at 23:26, Mark Showalter wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div> =
Hello David,</div><div><br></div><div>I would like to hear a CD of =
yours. I just now am listening to some of the music on your MySpace page =
&amp; there's some ni8ce stuff there.</div><div><br></div><div>Mark =
Showalter</div><div><br></div><div>3921 SW 34 Street</div><div>Unit =
209&nbsp;<br> Gainesville Florida</div><div>32608</div><div><br> =
<blockquote style=3D"border-left:solid #1010ff 2px; margin-left:5px; =
padding-left:5px;">----- Original Message -----<br> From: "david =
kirkdorffer" <unstrungone @yahoo.com=3D""><br> To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br> Subject: UNDO - 9.9.99<br> Date: Mon, 5 Apr 2010 =
08:29:36 -0700 (PDT)<br> <br> <style type=3D"text/css"><!-- DIV =
{margin:0px;} --></style><div style=3D"font-family:arial, helvetica, =
sans-serif;font-size:10pt;color:#0000ff;"><div> <div>Last night I posted =
a batch of CD's that I hope will be part of "<em>David's International =
Worldwide Loop Music Swap - Q2, 2010 Edition</em>". :-)</div> =
<div>&nbsp;</div> <div>Just in case a few members didn't see my weekend =
LD email, here it is again:</div> <div>&nbsp;</div> <div>Hi. I've just =
released a CD, entitled 9.9.99, and I'm wondering if anyone on =
Loopers-Delight would like a copy.&nbsp;&nbsp;&nbsp; This might sound =
odd, but I did this once before on LD a number years ago with some =
earlier releases and it started a round of very interesting musical =
trades.&nbsp;And really that's where the fun is for me.&nbsp; So, no =
costs to you.&nbsp; If you're interested, just send me an email with an =
address to which you'd like to receive a CD.</div> <div>&nbsp;</div> =
<div>Cheers!</div> <div>&nbsp;</div> <div>David</div> <div><a =
href=3D"http://www.myspace.com/undomusic" target=3D"_blank" =
rel=3D"nofollow"><font =
color=3D"#0000ff">www.myspace.com/undomusic</font></a> =
</div></div></div><br>       </unstrungone></blockquote> <br> <br> <br> =
<pre>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<a href=3D"http://www.mylivesignature.com" target=3D"_blank"><img =
src=3D"http://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E1=
0C1043965108.png" style=3D"border: 0 !important; background: =
transparent;"></a>
</pre> </div> <br> -- =
<p>_______________________________________________<br>Surf the Web in a =
faster, safer and easier way:<br> Download Opera 9 at <a =
href=3D"http://www.opera.com" =
target=3D"_blank">http://www.opera.com</a></p> <br> Powered by =
Outblaze</blockquote></div><br></div></body></html>=

--Apple-Mail-14-184497649--

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	 <2271260E-8D74-4EE8-BF54-11A69B0A7A86@reyn.net>
Date: Tue, 6 Apr 2010 08:27:40 -0700
Message-ID: <s2m4cdf3b971004060827ze1c3d90ckad6684b474be657f@mail.gmail.com>
Subject: Re: krk monitors
From: Rafael Nunes <supersimples@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I have a pair of Rokit5's and love them, they work great as small monitors
in a small room, and have great semi flat response.

On Mon, Apr 5, 2010 at 5:25 PM, Reyn Ouwehand <loopers-delight@reyn.net>wro=
te:

> All the models sound a bit different, I really liked working on the
> Expos=E9's. The others I thought sounded a bit harsch, where you get tire=
d
> soon listening to them all day.
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
> On 05 04 2010, at 5:54 AM, james fowler wrote:
>
> > anybody got a pair of these? if so, what's your take on them? i've
> > read good things about them and am in the market for some good
> > entry-level near fields.
> >
> > thanks.
> >
> > - jim
> >
> >
>
>

--00c09f8de7b813fe760483931690
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I have a pair of Rokit5&#39;s and love them, they work great as small monit=
ors in a small room, and have great semi flat response.<br><br><div class=
=3D"gmail_quote">On Mon, Apr 5, 2010 at 5:25 PM, Reyn Ouwehand <span dir=3D=
"ltr">&lt;<a href=3D"mailto:loopers-delight@reyn.net">loopers-delight@reyn.=
net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">All the models sound a bit different, I rea=
lly liked working on the Expos=E9&#39;s. The others I thought sounded a bit=
 harsch, where you get tired soon listening to them all day.<br>

<br>
Cheers,<br>
<br>
Reyn<br>
<br>
___________<br>
<a href=3D"http://www.reyn.net" target=3D"_blank">www.reyn.net</a><br>
<a href=3D"http://www.reyn.vs.reyn.net" target=3D"_blank">www.reyn.vs.reyn.=
net</a><br>
<br>
management: <a href=3D"http://www.lalalamanagement.nl" target=3D"_blank">ww=
w.lalalamanagement.nl</a><br>
twitter/facebook/youtube: ReynOuwehand<br>
<div><div></div><div class=3D"h5"><br>
On 05 04 2010, at 5:54 AM, james fowler wrote:<br>
<br>
&gt; anybody got a pair of these? if so, what&#39;s your take on them? i&#3=
9;ve<br>
&gt; read good things about them and am in the market for some good<br>
&gt; entry-level near fields.<br>
&gt;<br>
&gt; thanks.<br>
&gt;<br>
&gt; - jim<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--00c09f8de7b813fe760483931690--

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From: "Andrew Mcelwee Jr"<info@live.co.uk>
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To: undisclosed-recipients:;

CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT ANDWRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARD FUND INTO AN ACCOUNT OVERSEA. I WAS DIVINELY INSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO £15,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED
AND SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelweejr@gawab.com OR andrewmcelwee@mail2london.com

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

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CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT ANDWRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARD FUND INTO AN ACCOUNT OVERSEA. I WAS DIVINELY INSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO £15,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED
AND SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelweejr@gawab.com OR andrewmcelwee@mail2london.com

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

From info@live.co.uk  Tue Apr  6 16:25:04 2010
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Subject: Re: Urgent assistant Needed
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To: undisclosed-recipients:;

CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT AND WRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARDA0 UND INTO AN ACCOUNT OVERSEA. I WAS DIVINE LYINSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO A315,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED AND
SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelwee@mail2london.com OR andrewmcelweejr@gawab.com

CALL ME IMMEDIATELY SO THAT WE CAN SPEAK ON PHONE FOR SECURITY REASONS.

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

From info@live.co.uk  Tue Apr  6 16:25:06 2010
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Reply-To: <andrewmcelweejr@oued.org>
From: "ANDREW A. MCELWEE JR"<info@live.co.uk>
Subject: Re: Urgent assistant Needed
Date: Tue, 6 Apr 2010 06:14:29 -1000
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To: undisclosed-recipients:;

CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT AND WRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARDA0 UND INTO AN ACCOUNT OVERSEA. I WAS DIVINE LYINSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO A315,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED AND
SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelwee@mail2london.com OR andrewmcelweejr@gawab.com

CALL ME IMMEDIATELY SO THAT WE CAN SPEAK ON PHONE FOR SECURITY REASONS.

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 17:25:43 2010
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Date: Tue, 6 Apr 2010 10:25:42 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: power supply for fx pedals question
To: Loopers-Delight@loopers-delight.com
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--0-1669979393-1270574742=:29705
Content-Type: text/plain; charset=us-ascii

hey,

I know this has been gone over but I cannot find the info. I am about top buy a couple of MoogerFoggers and an MP 201 controller in the USA and will be later using them in Europe. I need to fina auniversal power supply : Dunlop Brick, Voodoolab, etc... 
Which of these devices is best adapted and currently available or on the market in the near future?

ANtony Hequet



________________________________
From: Jeff Shirkey <jcshirke@verizon.net>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, March 31, 2010 11:30:02 AM
Subject: Re: power supply for fx pedals question





sure does look good but that thing is going to be a war tank!
>just look at it here:
>
>http://www.youtube.com/watch?v=U0WuawfeYyY
>
>it doesnt look like is going to fit a pedaboard either and i dont even what to know its weight;-)
>
>

True, but that may not be the final version of the product. Since it's been revised and reworked for well over a year, I wouldn't think that its dimensions are automatically going to be the same as the prototype shown in that video. But, who knows.

It definitely looks huge, but I can't imagine how Voodoo Lab would release a product that wasn't going to fit on or under (?) most pedal boards. 

Jeff


      
--0-1669979393-1270574742=:29705
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>hey,</div><div><br></div><div>I know this has been gone over but I cannot find the info. I am about top buy a couple of MoogerFoggers and an MP 201 controller in the USA and will be later using them in Europe. I need to fina auniversal power supply : Dunlop Brick, Voodoolab, etc...&nbsp;</div><div>Which of these devices is best adapted and currently available or on the market in the near future?</div><div><br></div><div>ANtony Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> Jeff Shirkey &lt;jcshirke@verizon.net&gt;<br><b><span style="font-weight: bold;">To:</span></b>
 Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Wed, March 31, 2010 11:30:02 AM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: power supply for fx pedals question<br></font><br>
<br><div><div><br></div><blockquote type="cite">sure does look good but that thing is going to be a war tank!<br>just look at it here:<br><br><span><a target="_blank" href="http://www.youtube.com/watch?v=U0WuawfeYyY">http://www.youtube.com/watch?v=U0WuawfeYyY</a></span><br><br>it doesnt look like is going to fit a pedaboard either and i dont even what to know its weight;-)<br> <br></blockquote></div><br><div>True, but that may not be the final version of the product. Since it's been revised and reworked for well over a year, I wouldn't think that its dimensions are automatically going to be the same as the prototype shown in that video. But, who knows.</div><div><br></div><div>It definitely looks huge, but I can't imagine how Voodoo Lab would release a product that wasn't going to fit on or under (?) most pedal boards.&nbsp;</div><div><br></div><div>Jeff</div></div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
--0-1669979393-1270574742=:29705--

From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 18:44:49 2010
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Subject: FS: Roland SBF325,  SP808ex, Frostwave effects, pedals, more
From: legion@helpwantedproductions.com
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>,
	"AH" <analogue@hyperreal.org>
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Finally got around to putting some more things up for sale. Prices are
very fair I believe but if you feel differently (especially on a pickup)
I'll consider reasonable offers on most things.

Full pictures and descriptions at:
http://helpwantedproductions.com/Salez/FS.htm


1. Vintage Roland SBF-325 rack flanger. $600. IMHO the greatest analog
flanger ever made. CV in, very flexible, built like a tank. Ton of info on
this beast on the net but check out modzero:
http://www.modezero.com/review-sbf-325.htm for a ton of pics, etc.

2. Frostwave Resonator V2 - $550. Excellent+ condition with US PS and full
CV ins. . Price is firm on this. last Eb*y sold for more and if I can't
get that I'll keep loving it myself :)

3. Roland SP808ex - $375. Very cool digital recorder/phrase sampler. The
top model with internal 250 MB zip drive. Includes disks and original
manual. Internal effects are amazing.

4. Ibanez 1982 Rocker Roll II - $750. This was the Ibanez top of the line
Flying V in the 80s and has a great sunburst finish and *screaming*
pickups.  It's in very good shape with the usual marks of a 25+ yo vintage
piece (some tarnishing on the chrome, nick here and there) . Overall it is
a great looker and it is a amazing player as well as collectible. Solid
neck through construction and of course MIJ in the 80s plant. Rivals any
high end artist or even gibson in sustain and power.  Gibson padded gig
bag included.

5. Inexpensive tone generators. Circuit bent handheld squarewave VCOs.
Prototypes for my DAED Feedback Synth or one offs. Coffin wave ($40) synth
built into a tiny coffin, Discus genertor (frisbee-like synth) ($70).

6. Pedals: Many including vintage Fuzzes, wahs, Modified IBZ tubescreamer,
etc. Check the page: http://helpwantedproductions.com/Salez/FS.htm

A few more things (really nice amp speakers, boutique noisemakers, etc)

TERMS: Buyer pays shipping. USPS MO or Paypal (either direct or buyer pays
fees). Located in Phila pa and local pickup with cash gets nice deals. 
many References available. Email # to speed things up.

Looking more for cash than trades but always curious about interesting
effects, synths, modcan A or frac modules, etc.


Thanks for reading!

D_



     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 18:47:20 2010
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Date: Tue, 06 Apr 2010 19:32:00 +0100
From: Dave Draper <dh.draper@virgin.net>
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To: Rafael Nunes <supersimples@gmail.com>
CC: Loopers-Delight@loopers-delight.com
Subject: Re: Re: krk monitors
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I,m using KRK V4s; v.compact, pretty powerful, great sound, v. clear.

ATB

Dave Draper

Rafael Nunes wrote:
> I have a pair of Rokit5's and love them, they work great as small 
> monitors in a small room, and have great semi flat response.
> 
> On Mon, Apr 5, 2010 at 5:25 PM, Reyn Ouwehand <loopers-delight@reyn.net 
> <mailto:loopers-delight@reyn.net>> wrote:
> 
>     All the models sound a bit different, I really liked working on the
>     Exposé's. The others I thought sounded a bit harsch, where you get
>     tired soon listening to them all day.
> 
>     Cheers,
> 
>     Reyn
> 
>     ___________
>     www.reyn.net <http://www.reyn.net>
>     www.reyn.vs.reyn.net <http://www.reyn.vs.reyn.net>
> 
>     management: www.lalalamanagement.nl <http://www.lalalamanagement.nl>
>     twitter/facebook/youtube: ReynOuwehand
> 
>     On 05 04 2010, at 5:54 AM, james fowler wrote:
> 
>      > anybody got a pair of these? if so, what's your take on them? i've
>      > read good things about them and am in the market for some good
>      > entry-level near fields.
>      >
>      > thanks.
>      >
>      > - jim
>      >
>      >
> 
> 

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No virus found in this outgoing message.
Checked by AVG - www.avg.com 
Version: 9.0.800 / Virus Database: 271.1.1/2794 - Release Date: 04/06/10 07:=
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From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 19:43:16 2010
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	 <r2n7a9df3e51003310813wea1ce126o6d29d6a13c814230@mail.gmail.com>
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Date: Tue, 6 Apr 2010 12:43:14 -0700
Message-ID: <x2g1318f21d1004061243z8b484a52t37c09bd12dab07ec@mail.gmail.com>
Subject: Re: power supply for fx pedals question
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Anthony,

If you're interested, I've got an MP201 I'd like to sell. Never been gigged,
it's in perfect shape.

Let me know!

-George

On Tue, Apr 6, 2010 at 10:25 AM, <antonyhequet@yahoo.com> wrote:

> hey,
>
> I know this has been gone over but I cannot find the info. I am about top
> buy a couple of MoogerFoggers and an MP 201 controller in the USA and will
> be later using them in Europe. I need to fina auniversal power supply :
> Dunlop Brick, Voodoolab, etc...
> Which of these devices is best adapted and currently available or on the
> market in the near future?
>
> ANtony Hequet
>
> ------------------------------
> *From:* Jeff Shirkey <jcshirke@verizon.net>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Wed, March 31, 2010 11:30:02 AM
> *Subject:* Re: power supply for fx pedals question
>
>
>
> sure does look good but that thing is going to be a war tank!
> just look at it here:
>
> http://www.youtube.com/watch?v=U0WuawfeYyY
>
> it doesnt look like is going to fit a pedaboard either and i dont even what
> to know its weight;-)
>
>
> True, but that may not be the final version of the product. Since it's been
> revised and reworked for well over a year, I wouldn't think that its
> dimensions are automatically going to be the same as the prototype shown in
> that video. But, who knows.
>
> It definitely looks huge, but I can't imagine how Voodoo Lab would release
> a product that wasn't going to fit on or under (?) most pedal boards.
>
> Jeff
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--000325562d8209f1ed048396a81f
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Anthony,<div><br></div><div>If you&#39;re interested, I&#39;ve got an MP201=
 I&#39;d like to sell. Never been gigged, it&#39;s in perfect shape.</div><=
div><br></div><div>Let me know!</div><div><br></div><div>-George</div><div>
<br><div class=3D"gmail_quote">On Tue, Apr 6, 2010 at 10:25 AM,  <span dir=
=3D"ltr">&lt;<a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.c=
om</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"marg=
in:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div><div style=3D"font-family:arial, helvetica, sans-serif;font-size:14pt"=
><div>hey,</div><div><br></div><div>I know this has been gone over but I ca=
nnot find the info. I am about top buy a couple of MoogerFoggers and an MP =
201 controller in the USA and will be later using them in Europe. I need to=
 fina auniversal power supply : Dunlop Brick, Voodoolab, etc...=A0</div>
<div>Which of these devices is best adapted and currently available or on t=
he market in the near future?</div><div><br></div><div>ANtony Hequet</div><=
div style=3D"font-family:arial, helvetica, sans-serif;font-size:14pt"><br>
<div style=3D"font-family:times new roman, new york, times, serif;font-size=
:12pt"><font size=3D"2" face=3D"Tahoma"><hr size=3D"1"><b><span style=3D"fo=
nt-weight:bold">From:</span></b> Jeff Shirkey &lt;<a href=3D"mailto:jcshirk=
e@verizon.net" target=3D"_blank">jcshirke@verizon.net</a>&gt;<br>
<b><span style=3D"font-weight:bold">To:</span></b>
 <a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_blank">L=
oopers-Delight@loopers-delight.com</a><br><b><span style=3D"font-weight:bol=
d">Sent:</span></b> Wed, March 31, 2010 11:30:02 AM<br><b><span style=3D"fo=
nt-weight:bold">Subject:</span></b> Re: power supply for fx pedals question=
<br>
</font><div><div></div><div class=3D"h5"><br>
<br><div><div><br></div><blockquote type=3D"cite">sure does look good but t=
hat thing is going to be a war tank!<br>just look at it here:<br><br><span>=
<a href=3D"http://www.youtube.com/watch?v=3DU0WuawfeYyY" target=3D"_blank">=
http://www.youtube.com/watch?v=3DU0WuawfeYyY</a></span><br>
<br>it doesnt look like is going to fit a pedaboard either and i dont even =
what to know its weight;-)<br> <br></blockquote></div><br><div>True, but th=
at may not be the final version of the product. Since it&#39;s been revised=
 and reworked for well over a year, I wouldn&#39;t think that its dimension=
s are automatically going to be the same as the prototype shown in that vid=
eo. But, who knows.</div>
<div><br></div><div>It definitely looks huge, but I can&#39;t imagine how V=
oodoo Lab would release a product that wasn&#39;t going to fit on or under =
(?) most pedal boards.=A0</div><div><br></div><div>Jeff</div></div></div>
</div></div><div></div>


</div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br>=
<br><a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace=
.com/georgeludwigmusic</a><br>
</div>

--000325562d8209f1ed048396a81f--

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Date: Tue, 6 Apr 2010 13:23:56 -0700
Message-ID: <g2p1318f21d1004061323z60a5ddd0k7bc157f8a4599d1e@mail.gmail.com>
Subject: Re: ot: jazz on a tele...
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000325562d829a57bc04839739ad
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Interestingly, Stern plays a slimline Tele, which is semi-hollow body. Also,
the Tele has a 24 3/4" scale length. In these two aspects it's the same as
an ES-335.

I didn't understand the tele-jazz connection until I realized this. And
afterwards, it made perfect sense.


On Thu, Apr 1, 2010 at 8:21 AM, Scott Hansen <evanpeewee@gmail.com> wrote:

> i have nothing to add to the jazz on tele list: bickert i remember him from
> an article in GP back in 80s, i will put my vote in for danny gatton, he
> demos it on his telemaster dvd-i just watched that a few days ago, he can do
> the  wes montgomery thing pretty well, i think he uses the neck pu (he had
> double blade bardens) and rolls off the treble...it sounded scary good jazzy
> to me, m. stern of course, and last summer i saw bill frisell playing live
> in our li'l town-and he played a stock tele w/ a fender something amp (i
> honestly don't know my fender amps that well)--he did some looping
> stuff-which was amazing (the crowd was a bit "huh, noise, what?"-but it was
> cool), but he mostly played jazz stuff on his tele, and it sounded amazingly
> like JAZZ!!!
>
> i will to this day never understand the "you need a certain guitar" to play
> "certain music" thing. just play what you got....i will say that when i was
> in NYC back in '95 for my whirlwind 24 hr tour-we saw some jazz guitarist
> guy (he was good) playing a big gibson semi hollow jazz box guitar-and it
> was the warmest sounding thing i'd ever heard, but i will say that since
> then i've heard gatton, frisell,& others play jazz on teles and it's pretty
> close to the warm sound people associate w/ "jazz".
> s---
>



-- 
-George

http://www.myspace.com/georgeludwigmusic

--000325562d829a57bc04839739ad
Content-Type: text/html; charset=ISO-8859-1
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Interestingly, Stern plays a slimline Tele, which is semi-hollow body. Also=
, the Tele has a 24 3/4&quot; scale length. In these two aspects it&#39;s t=
he same as an ES-335.=A0<div><br></div><div>I didn&#39;t understand the tel=
e-jazz connection until I realized this. And afterwards, it made perfect se=
nse.<div>
<br></div><div>=A0<div><div class=3D"gmail_quote">On Thu, Apr 1, 2010 at 8:=
21 AM, Scott Hansen <span dir=3D"ltr">&lt;<a href=3D"mailto:evanpeewee@gmai=
l.com">evanpeewee@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"g=
mail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-l=
eft:1ex;">
i have nothing to add to the jazz on tele list: bickert i remember him from=
 an article in GP back in 80s, i will put my vote in for danny gatton, he d=
emos it on his telemaster dvd-i just watched that a few days ago, he can do=
 the=A0 wes montgomery thing pretty well, i think he uses the neck pu (he h=
ad double blade bardens) and rolls off the treble...it sounded scary good j=
azzy to me, m. stern of course, and last summer i saw bill frisell playing =
live in our li&#39;l town-and he played a stock tele w/ a fender something =
amp (i honestly don&#39;t know my fender amps that well)--he did some loopi=
ng stuff-which was amazing (the crowd was a bit &quot;huh, noise, what?&quo=
t;-but it was cool), but he mostly played jazz stuff on his tele, and it so=
unded amazingly like JAZZ!!! <br>

<br>i will to this day never understand the &quot;you need a certain guitar=
&quot; to play &quot;certain music&quot; thing. just play what you got....i=
 will say that when i was in NYC back in &#39;95 for my whirlwind 24 hr tou=
r-we saw some jazz guitarist guy (he was good) playing a big gibson semi ho=
llow jazz box guitar-and it was the warmest sounding thing i&#39;d ever hea=
rd, but i will say that since then i&#39;ve heard gatton, frisell,&amp; oth=
ers play jazz on teles and it&#39;s pretty close to the warm sound people a=
ssociate w/ &quot;jazz&quot;.<br>
<font color=3D"#888888">
s---<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br><br><=
a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/=
georgeludwigmusic</a><br>
</div></div></div>

--000325562d829a57bc04839739ad--

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 <g2p1318f21d1004061323z60a5ddd0k7bc157f8a4599d1e@mail.gmail.com>
Date: Tue, 6 Apr 2010 16:40:23 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: ot: jazz on a tele...
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Two things:

  Mike Stern plays a Yamaha Pacifica,  Yamaha recently produced a 
signature model:

http://www.headsup.com/mikestern/

http://www.bestcovery.com/yamaha-pac1511ms-mike-stern-signature-model

It's solid Ash and has a 7 1/2" fingerboard radius. Nothing like the 
flat Gibson fingerboards.

A Telecaster has the same 25 1/2 " scale length as every Fender 
(except the mustang, musicmaster and duotone)




>Interestingly, Stern plays a slimline Tele, which is semi-hollow 
>body. Also, the Tele has a 24 3/4" scale length. In these two 
>aspects it's the same as an ES-335.
>
>I didn't understand the tele-jazz connection until I realized this. 
>And afterwards, it made perfect sense.
>
>
>-George
>
><http://www.myspace.com/georgeludwigmusic>http://www.myspace.com/georgeludwigmusic


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-941536065==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: ot: jazz on a tele...</title></head><body>
<div>Two things:</div>
<div><br></div>
<div>&nbsp;Mike Stern plays a Yamaha Pacifica,&nbsp; Yamaha recently
produced a signature model:</div>
<div><br></div>
<div>http://www.headsup.com/mikestern/</div>
<div><br></div>
<div
>http://www.bestcovery.com/yamaha-pac1511ms-mike-stern-signature-model</div
>
<div><br></div>
<div>It's solid Ash and has a 7 1/2&quot; fingerboard radius. Nothing
like the flat Gibson fingerboards.</div>
<div><br></div>
<div>A Telecaster has the same 25 1/2 &quot; scale length as every
Fender (except the mustang, musicmaster and duotone)</div>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>Interestingly, Stern plays a slimline
Tele, which is semi-hollow body. Also, the Tele has a 24 3/4&quot;
scale length. In these two aspects it's the same as an
ES-335.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>I didn't understand the tele-jazz
connection until I realized this. And afterwards, it made perfect
sense.</blockquote>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite" cite>-George<br>
<br>
<a
href="http://www.myspace.com/georgeludwigmusic"
>http://www.myspace.com/georgeludwigmusic</a></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-941536065==_ma============--

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Date: Tue, 6 Apr 2010 14:20:34 -0700
Message-ID: <u2m1318f21d1004061420r58846e85h977569b3ea6e46f7@mail.gmail.com>
Subject: Re: ot: jazz on a tele...
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Interesting...could have sworn I saw him with a slimline one time.

On Tue, Apr 6, 2010 at 1:40 PM, Charles Zwicky <cazwicky@earthlink.net>wrote:

>  Two things:
>
>  Mike Stern plays a Yamaha Pacifica,  Yamaha recently produced a signature
> model:
>
> http://www.headsup.com/mikestern/
>
> http://www.bestcovery.com/yamaha-pac1511ms-mike-stern-signature-model
>
> It's solid Ash and has a 7 1/2" fingerboard radius. Nothing like the flat
> Gibson fingerboards.
>
> A Telecaster has the same 25 1/2 " scale length as every Fender (except the
> mustang, musicmaster and duotone)
>
>
>
>
> Interestingly, Stern plays a slimline Tele, which is semi-hollow body.
> Also, the Tele has a 24 3/4" scale length. In these two aspects it's the
> same as an ES-335.
>
>
> I didn't understand the tele-jazz connection until I realized this. And
> afterwards, it made perfect sense.
>
>
>
>
> -George
>
>
> http://www.myspace.com/georgeludwigmusic
>
>
>
> --
>
>
> ...
> http://www.zmix.net
>
> http://www.esession.com/ChuckZwicky
>
> http://albumcredits.com/zmix
>



-- 
-George

http://www.myspace.com/georgeludwigmusic

--0016e647eebc2b470f04839804f5
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Interesting...could have sworn I saw him with a slimline one time.<br><br><=
div class=3D"gmail_quote">On Tue, Apr 6, 2010 at 1:40 PM, Charles Zwicky <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:cazwicky@earthlink.net">cazwicky@eart=
hlink.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">
<div>
<div>Two things:</div>
<div><br></div>
<div>=A0Mike Stern plays a Yamaha Pacifica,=A0 Yamaha recently
produced a signature model:</div>
<div><br></div>
<div><a href=3D"http://www.headsup.com/mikestern/" target=3D"_blank">http:/=
/www.headsup.com/mikestern/</a></div>
<div><br></div>
<div><a href=3D"http://www.bestcovery.com/yamaha-pac1511ms-mike-stern-signa=
ture-model" target=3D"_blank">http://www.bestcovery.com/yamaha-pac1511ms-mi=
ke-stern-signature-model</a></div>
<div><br></div>
<div>It&#39;s solid Ash and has a 7 1/2&quot; fingerboard radius. Nothing
like the flat Gibson fingerboards.</div>
<div><br></div>
<div>A Telecaster has the same 25 1/2 &quot; scale length as every
Fender (except the mustang, musicmaster and duotone)</div><div class=3D"im"=
>
<div><br></div>
<div><br></div>
<div><br></div>
<div><br></div>
<blockquote type=3D"cite">Interestingly, Stern plays a slimline
Tele, which is semi-hollow body. Also, the Tele has a 24 3/4&quot;
scale length. In these two aspects it&#39;s the same as an
ES-335.</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">I didn&#39;t understand the tele-jazz
connection until I realized this. And afterwards, it made perfect
sense.</blockquote>
<blockquote type=3D"cite"><br></blockquote>
<blockquote type=3D"cite">=A0</blockquote>
</div><blockquote type=3D"cite">-George<div class=3D"im"><br>
<br>
<a href=3D"http://www.myspace.com/georgeludwigmusic" target=3D"_blank">http=
://www.myspace.com/georgeludwigmusic</a></div></blockquote>
<div><br></div>
<div><br></div>
<pre>--=20
</pre>
<div><br>
...<br>
<a href=3D"http://www.zmix.net" target=3D"_blank">http://www.zmix.net</a><b=
r>
<br>
<a href=3D"http://www.esession.com/ChuckZwicky" target=3D"_blank">http://ww=
w.esession.com/ChuckZwicky</a><br>
<br>
<a href=3D"http://albumcredits.com/zmix" target=3D"_blank">http://albumcred=
its.com/zmix</a></div>
</div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br><br><a href=
=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/george=
ludwigmusic</a><br>

--0016e647eebc2b470f04839804f5--

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Date: Tue, 6 Apr 2010 14:57:12 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: ot: jazz on a tele...
To: Loopers-Delight@loopers-delight.com
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Yeah, he's been using the Pacifica for eons, but before that he was playing teles. I'm not 100% positive I remember a thinline, but it wouldn't surprise me. I do remember him using a tele with a zebra humbucker in the neck position...

(A tele is 25.5" scale, but in the list of exceptions, let's not forget the Jaguar!)

-t-

--- On Tue, 4/6/10, George Ludwig <georgeludwigmusic@gmail.com> wrote:
Interesting...could have sworn I saw [Mike Stern] with a slimline one time.





      
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;">Yeah, he's been using the Pacifica for eons, but before that he was playing teles. I'm not 100% positive I remember a thinline, but it wouldn't surprise me. I do remember him using a tele with a zebra humbucker in the neck position...<br><br>(A tele is 25.5" scale, but in the list of exceptions, let's not forget the Jaguar!)<br><br>-t-<br><br>--- On <b>Tue, 4/6/10, George Ludwig <i>&lt;georgeludwigmusic@gmail.com&gt;</i></b> wrote:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><div id="yiv1442130911">Interesting...could have sworn I saw [Mike Stern] with a slimline one time.<br><br>
</div></blockquote></td></tr></table><br>



      
--0-1465892366-1270591032=:84191--

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Date: Tue, 6 Apr 2010 15:01:50 -0700
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Subject: Re: ot: jazz on a tele...
From: George Ludwig <georgeludwigmusic@gmail.com>
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Lol! I'm batting a 1000 today...the wrong way!

On Tue, Apr 6, 2010 at 2:57 PM, Tim Nelson <psychle62@yahoo.com> wrote:

> Yeah, he's been using the Pacifica for eons, but before that he was playing
> teles. I'm not 100% positive I remember a thinline, but it wouldn't surprise
> me. I do remember him using a tele with a zebra humbucker in the neck
> position...
>
> (A tele is 25.5" scale, but in the list of exceptions, let's not forget the
> Jaguar!)
>
> -t-
>
> --- On *Tue, 4/6/10, George Ludwig <georgeludwigmusic@gmail.com>* wrote:
>
> Interesting...could have sworn I saw [Mike Stern] with a slimline one time.
>
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--0016e68ba1b7b5f9d70483989780
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Lol! I&#39;m batting a 1000 today...the wrong way!<br><br><div class=3D"gma=
il_quote">On Tue, Apr 6, 2010 at 2:57 PM, Tim Nelson <span dir=3D"ltr">&lt;=
<a href=3D"mailto:psychle62@yahoo.com">psychle62@yahoo.com</a>&gt;</span> w=
rote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><table cellspacing=3D"0" cellpadding=3D"0" =
border=3D"0"><tbody><tr><td valign=3D"top" style=3D"font:inherit">Yeah, he&=
#39;s been using the Pacifica for eons, but before that he was playing tele=
s. I&#39;m not 100% positive I remember a thinline, but it wouldn&#39;t sur=
prise me. I do remember him using a tele with a zebra humbucker in the neck=
 position...<br>
<br>(A tele is 25.5&quot; scale, but in the list of exceptions, let&#39;s n=
ot forget the Jaguar!)<br><br>-t-<br><br>--- On <b>Tue, 4/6/10, George Ludw=
ig <i>&lt;<a href=3D"mailto:georgeludwigmusic@gmail.com" target=3D"_blank">=
georgeludwigmusic@gmail.com</a>&gt;</i></b> wrote:<br>
<blockquote style=3D"border-left:2px solid rgb(16, 16, 255);margin-left:5px=
;padding-left:5px"><div>Interesting...could have sworn I saw [Mike Stern] w=
ith a slimline one time.<br><br>
</div></blockquote></td></tr></tbody></table><br>



      </blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br><br><a=
 href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/g=
eorgeludwigmusic</a><br>

--0016e68ba1b7b5f9d70483989780--

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Date: Tue, 6 Apr 2010 15:08:21 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Mike Stern's guitars
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I've seen Mike Stern a few times and each time he's playing a Telecaster, but definitely not a slimline.

His rig (as of what looks to be the early 90s'): http://www.jazzguitar.be/guitar_rig_mike_stern.html


      
--0-616193675-1270591701=:86931
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt;color:#0000ff;"><DIV>I've seen Mike Stern a few times and each time he's playing a Telecaster, but definitely not a slimline.</DIV>
<DIV>&nbsp;</DIV>
<DIV>His rig (as of what looks to be the early 90s'): <A href="http://www.jazzguitar.be/guitar_rig_mike_stern.html">http://www.jazzguitar.be/guitar_rig_mike_stern.html</A></DIV></div><br>

      </body></html>
--0-616193675-1270591701=:86931--

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Date: Tue, 6 Apr 2010 18:32:08 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: ot: jazz on a tele...
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Right!!! THe Jag is an interesting 24" scale, where the Musicmaster, 
Duotone, etc were 22" scale

>Yeah, he's been using the Pacifica for eons, but before that he was 
>playing teles. I'm not 100% positive I remember a thinline, but it 
>wouldn't surprise me. I do remember him using a tele with a zebra 
>humbucker in the neck position...
>
>(A tele is 25.5" scale, but in the list of exceptions, let's not 
>forget the Jaguar!)
>
>-t-
>
>--- On Tue, 4/6/10, George Ludwig <georgeludwigmusic@gmail.com> wrote:
>
>Interesting...could have sworn I saw [Mike Stern] with a slimline one time.


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
--============_-941529346==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: ot: jazz on a tele...</title></head><body>
<div>Right!!! THe Jag is an interesting 24&quot; scale, where the
Musicmaster, Duotone, etc were 22&quot; scale</div>
<div><br></div>
<blockquote type="cite" cite>Yeah, he's been using the Pacifica for
eons, but before that he was playing teles. I'm not 100% positive I
remember a thinline, but it wouldn't surprise me. I do remember him
using a tele with a zebra humbucker in the neck position...<br>
<br>
(A tele is 25.5&quot; scale, but in the list of exceptions, let's not
forget the Jaguar!)<br>
<br>
-t-<br>
<br>
--- On<b> Tue, 4/6/10, George Ludwig<i>
&lt;georgeludwigmusic@gmail.com&gt;</i></b> wrote:<br>
<blockquote>Interesting...could have sworn I saw [Mike Stern] with a
slimline one time.</blockquote>
</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-941529346==_ma============--

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Subject: Re: Mike Stern's guitars
From: Reyn Ouwehand <loopers-delight@reyn.net>
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I once recorded Mike Stern which was quite the experience! It gave me =
stories which I will cherish the rest of my life... Top of the iceberg =
is where in the end of the session he left the building with him holding =
his finger in a cup filled with BioTex and my mom doing his =
laundry...... Unreal....

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

On 07 04 2010, at 12:08 AM, david kirkdorffer wrote:

> I've seen Mike Stern a few times and each time he's playing a =
Telecaster, but definitely not a slimline.
> =20
> His rig (as of what looks to be the early 90s'): =
http://www.jazzguitar.be/guitar_rig_mike_stern.html

From Loopers-Delight-request@loopers-delight.com  Tue Apr  6 22:45:47 2010
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BioTex?



I once recorded Mike Stern which was quite the experience! It gave me 
stories which I will cherish the rest of my life... Top of the iceberg is 
where in the end of the session he left the building with him holding his 
finger in a cup filled with BioTex and my mom doing his laundry...... 
Unreal....

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

On 07 04 2010, at 12:08 AM, david kirkdorffer wrote:

> I've seen Mike Stern a few times and each time he's playing a Telecaster, 
> but definitely not a slimline.
>
> His rig (as of what looks to be the early 90s'): 
> http://www.jazzguitar.be/guitar_rig_mike_stern.html

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CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT AND WRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARDA0 UND INTO AN ACCOUNT OVERSEA. I WAS DIVINE LYINSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO A315,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED AND
SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelwee@mail2london.com OR andrewmcelweejr@gawab.com

CALL ME IMMEDIATELY SO THAT WE CAN SPEAK ON PHONE FOR SECURITY REASONS.

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

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CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT AND WRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARDA0 UND INTO AN ACCOUNT OVERSEA. I WAS DIVINE LYINSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO A315,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED AND
SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelwee@mail2london.com OR andrewmcelweejr@gawab.com

CALL ME IMMEDIATELY SO THAT WE CAN SPEAK ON PHONE FOR SECURITY REASONS.

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

From regina@salvador.ba.gov.br  Wed Apr  7 02:33:44 2010
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Message-ID: <20100406221837.hel2mgseg40s0kgw@webmail.salvador.ba.gov.br>
Date: Tue, 06 Apr 2010 22:18:37 -0300
From: FedEx Online Team Management <regina@salvador.ba.gov.br>
Reply-to: fedex.express.delivery.services@w.cn
To: undisclosed-recipients:;
Subject: Parcel containing an International Cashier Bank Draft/Cheque
MIME-Version: 1.0
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	charset=ISO-8859-1;
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Good Day!!!

We have a Parcel containing an International Cashier Bank Draft/Cheque worth
the sum of Eight Hundred Thousand Dollars ($800.000.00 USD) which will be
deliver to you at the moment as long as you provide all the requirement
information to the FedEx package company before the parcel can be shipped to
your own residential address in your country. Further more, you might =20
be asking
yourself how come this email, cheque or draft, Anyway, your cheque was broug=
ht
to our office by the Coca-Cola Bottling Company via a Lottery Fiduciary Clai=
m
Agent, signifying that you are a rightful winner to their Lottery Award Prom=
o
selected randomly. Your e-mail address was among the Ten lucky email address=
es
which make your email address as one of the lucky email address and they hav=
e
decided to send it to you true Federal Express Delivery Service. What you ha=
ve
to do now, is to contact our Delivery Department for immediate =20
dispatch to your
residential address. For your information, the Delivery fee and Security
Keeping fee & Shipping charges as well as the Vat fees have been paid by the
Lottery Fiduciary Company.

You will have to pay a sum of $220.00 USD to the FedEx Delivery Department
being payment for the Insurance Fee of the FedEx Company.And all you =20
have to do
now is to insured your winning parcel with the Insurance Company which is
registered with FedEx Nigeria. Also be informed that the Lottery Fiduciary
company has paid the Delivery Fee of your winning & Security Keeping also
Shipping charges as well as the Vat fees for you ,but you have to pay for th=
e
Insurance Fee, The reason why you are been ask to pay for the Insurance Fee =
is
because of the fact that all items & packages that is not Insured by the
insurance company of Nigeria are not allowed to be delivered to their delive=
ry
address. So you are to pay the Fedex Courier Service the Insurance Fee to
enable the insurance company of Nigeria Insured your winning's for =20
delivery. As
soon as you have paid our delivery team will take your Insurance fee, =20
they will
proceed to the insurance company of Nigeria to Insure your winning funds,as
soon as it is been Insured by the insurance company of Nigeria they shall
commence with your delivery without any delay and also we shall provide you
with the Insurance Certificate that was been given to us by the insurance
company of Nigeria as a proof that you have Insured your winning which value
the sum of Eight Hundred Thousand Dollars ($800.000.00 USD).

The main reason why you are been ask to Insured your Winning Funds is to
certify that the Bank Draft is not a Drug Affiliated Fund (DAF) neither is t=
he
funds to sponsor Terrorism in your country this will help you to avoid =20
any form
of query from the Monetary Authority of your country. And also we can not ta=
ke
the risk to carry out the delivery of your funds incase of any possible
demurrage so you have to contact our delivery team and ask them how you are
going to make the payment of the Insurance fee of your funds.We hope that yo=
u
will respond to us as soon as possible because if you fail to respond =20
until the
expiry date of this package, we may refer the package to the Nigeria =20
Commission
for Welfare Or better still to Coca-Cola Bottling Company as the =20
package do not
have a return address. Kindly contact the delivery department (FedEx Deliver=
y
Post) with the details given below:

FedEx Delivery Post Contact Person:
Mr. Kelvin Green
Tel: +2348079193227
Email: {fedex.express.delivery.services@w.cn}

Do provide us with this information, and it's mandatory to reconfirm your
Postal address and telephone numbers to enable us commence with your deliver=
y
and mostly to enable us Insured your Winning Funds.

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
DO PROVIDE US WITH BELOW INFORMATION
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
FULL NAMES:
NATIONALITY
OCCUPATION:
TELEPHONE:
POSTAL ADDRESS:
STATE:
AGE:
COUNTRY:
SEX (M/F):
NEXT OF KINS:
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D

Kindly complete the above form and summit it to the delivery manager on:
(fedex.express.delivery.services@w.cn) As soon as your details are received,
our delivery team will give you the necessary payment procedure so =20
that you can
effect the payment for the Insurance Fee. As soon as they confirm your payme=
nt
of $220.00 USD, they will not hesitate to to work stright to the insurance
company and insure your winning for delivery. It usually takes 24 hours bein=
g
an over night delivery service to deliver your winning funds to you after it
has been Insured by the insurance company. We were instructed to email you d=
ue
to the high priority of your package we had to inform you through the letter
that was attach in your package, We indeed personally sealed your Bank =20
Draft we
found your email contact in the attached letter as the recipient of the fore
most package. Ensure to contact our delivery department with the email addre=
ss
given above and ensure to fill the form as well to enable a successful
reconfirmation and a safe delivery of your winning.

Yours Faithfully,
Mrs. Regina Schoeman
FedEx Online Team Management



----------------------------------------------------------------

Essa mensagem foi enviada usando o Webmail da Prefeitura Municipal do Salvad=
or


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From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 03:23:03 2010
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Date: Tue, 6 Apr 2010 20:23:03 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: power supply for fx pedals question
To: Loopers-Delight@loopers-delight.com
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Content-Type: text/plain; charset=us-ascii

saw your message too late, already bought the MP201! How much do you want for it? Might want to use two:)

Found this power supply

http://accessories.musiciansfriend.com/product/BBE-SupaCharger-Guitar-Pedal-Power-Supply?sku=151032

Anybody know about it?

Antony Hequet



________________________________
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Tue, April 6, 2010 3:43:14 PM
Subject: Re: power supply for fx pedals question

Anthony,

If you're interested, I've got an MP201 I'd like to sell. Never been gigged, it's in perfect shape.

Let me know!

-George


On Tue, Apr 6, 2010 at 10:25 AM, <antonyhequet@yahoo.com> wrote:

hey,
>
>
>I know this has been gone over but I cannot find the info. I am about top buy a couple of MoogerFoggers and an MP 201 controller in the USA and will be later using them in Europe. I need to fina auniversal power supply : Dunlop Brick, Voodoolab, etc... 
>Which of these devices is best adapted and currently available or on the market in the near future?
>
>
>ANtony Hequet
>
>
>
________________________________
From: Jeff Shirkey <jcshirke@verizon.net>
>To: Loopers-Delight@loopers-delight.com
>Sent: Wed, March 31, 2010 11:30:02 AM
>Subject: Re: power supply for fx pedals question
>
>
>
>
>
>
>sure does look good but that thing is going to be a war tank!
>>just look at it here:
>>
>>http://www.youtube.com/watch?v=U0WuawfeYyY
>>
>>it doesnt look like is going to fit a pedaboard either and i dont even what to know its weight;-)
>>
>>
>
>True, but that may not be the final version of the product. Since it's been revised and reworked for well over a year, I wouldn't think that its dimensions are automatically going to be the same as the prototype shown in that video. But, who knows.
>
>
>It definitely looks huge, but I can't imagine how Voodoo Lab would release a product that wasn't going to fit on or under (?) most pedal boards. 
>
>
>Jeff
>


-- 
-George

http://www.myspace.com/georgeludwigmusic



      
--0-1785295669-1270610583=:89825
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><div>saw your message too late, already bought the MP201! How much do you want for it? Might want to use two:)</div><div><br></div><div>Found this power supply</div><div><br></div><div><span><a target="_blank" href="http://accessories.musiciansfriend.com/product/BBE-SupaCharger-Guitar-Pedal-Power-Supply?sku=151032">http://accessories.musiciansfriend.com/product/BBE-SupaCharger-Guitar-Pedal-Power-Supply?sku=151032</a></span></div><div><br></div><div>Anybody know about it?</div><div><br></div><div>Antony Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt"><br><div style="font-family:times new roman, new york, times, serif;font-size:12pt"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> George Ludwig
 &lt;georgeludwigmusic@gmail.com&gt;<br><b><span style="font-weight: bold;">To:</span></b> Loopers-Delight@loopers-delight.com<br><b><span style="font-weight: bold;">Sent:</span></b> Tue, April 6, 2010 3:43:14 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Re: power supply for fx pedals question<br></font><br>
Anthony,<div><br></div><div>If you're interested, I've got an MP201 I'd like to sell. Never been gigged, it's in perfect shape.</div><div><br></div><div>Let me know!</div><div><br></div><div>-George</div><div>
<br><div class="gmail_quote">On Tue, Apr 6, 2010 at 10:25 AM,  <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:antonyhequet@yahoo.com" target="_blank" href="mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><div>hey,</div><div><br></div><div>I know this has been gone over but I cannot find the info. I am about top buy a couple of MoogerFoggers and an MP 201 controller in the USA and will be later using them in Europe. I need to fina auniversal power supply : Dunlop Brick, Voodoolab, etc...&nbsp;</div>
<div>Which of these devices is best adapted and currently available or on the market in the near future?</div><div><br></div><div>ANtony Hequet</div><div style="font-family:arial, helvetica, sans-serif;font-size:14pt;"><br>
<div style="font-family:times new roman, new york, times, serif;font-size:12pt;"><font size="2" face="Tahoma"><hr size="1"><b><span style="font-weight:bold;">From:</span></b> Jeff Shirkey &lt;<a rel="nofollow" ymailto="mailto:jcshirke@verizon.net" target="_blank" href="mailto:jcshirke@verizon.net">jcshirke@verizon.net</a>&gt;<br>
<b><span style="font-weight:bold;">To:</span></b>
 <a rel="nofollow" ymailto="mailto:Loopers-Delight@loopers-delight.com" target="_blank" href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</a><br><b><span style="font-weight:bold;">Sent:</span></b> Wed, March 31, 2010 11:30:02 AM<br><b><span style="font-weight:bold;">Subject:</span></b> Re: power supply for fx pedals question<br>
</font><div><div></div><div class="h5"><br>
<br><div><div><br></div><blockquote type="cite">sure does look good but that thing is going to be a war tank!<br>just look at it here:<br><br><span><span><a target="_blank" href="http://www.youtube.com/watch?v=U0WuawfeYyY">http://www.youtube.com/watch?v=U0WuawfeYyY</a></span></span><br>
<br>it doesnt look like is going to fit a pedaboard either and i dont even what to know its weight;-)<br> <br></blockquote></div><br><div>True, but that may not be the final version of the product. Since it's been revised and reworked for well over a year, I wouldn't think that its dimensions are automatically going to be the same as the prototype shown in that video. But, who knows.</div>
<div><br></div><div>It definitely looks huge, but I can't imagine how Voodoo Lab would release a product that wasn't going to fit on or under (?) most pedal boards.&nbsp;</div><div><br></div><div>Jeff</div></div></div>
</div></div><div></div>


</div><br>

      </div></blockquote></div><br><br clear="all"><br>-- <br>-George<br><br><span><a target="_blank" href="http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/georgeludwigmusic</a></span><br>
</div>
</div></div><div style="position:fixed"></div>


</div><br>

      </body></html>
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><FONT size=3D3><FONT face=3D"Times New Roman">=E2=80=98=E2=80=99ONCE AGAIN=
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<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><B><I><SPAN lang=3DEN-US=
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><FONT size=3D3><FONT face=3D"Times New Roman">Sir. Keith Alderson<o:p></o:=
p></FONT></FONT></SPAN></I></B></DIV>
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--0-118100948-1270610664=:6816--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 03:28:35 2010
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From: Jeff Shirkey <jcshirke@verizon.net>
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Subject: Re: Mike Stern's guitars
Date: Tue, 06 Apr 2010 22:28:05 -0500
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 <79B15889-88C9-41EB-ACAB-F6C36EAB209F@reyn.net>
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> I once recorded Mike Stern which was quite the experience! It gave  
> me stories which I will cherish the rest of my life... Top of the  
> iceberg is where in the end of the session he left the building with  
> him holding his finger in a cup filled with BioTex and my mom doing  
> his laundry...... Unreal....

Would love to hear more stories...

and what is BioTex??

>
>> I've seen Mike Stern a few times and each time he's playing a  
>> Telecaster, but definitely not a slimline.
>>

He plays a Tele-style Yamaha, if memory serves. Isn't the model the  
Pacifica?

Jeff

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 04:03:40 2010
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Subject: looping with M-9 and Lp-1
Date: Tue, 6 Apr 2010 21:03:32 -0700
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  I have been using my M-9 and Lp-1 together lately , dedicating the  
M-9's looping to be the pre effects looper and the Lp-1 to be the post  
effects looper and re-sampler., I have been leaving the M-9 in pre  
effects mode so that any of the loop content gets processed by the  
M-9s other effects. I've come to prefer pre effect placement for  
ambient playing, particularly if I use an expression pedal to control  
mix and feedback.  Its also cool for rhythmic loops when using synced  
delays, filters etc. Even a static sounding loop becomes more dynamic  
and alive, when having really time control over effects placed after  
the loop.  After the M-9 I place the Fireworx to further process the  
M-9 loop before hitting the LP-1   I leave the synced stuff and longer  
melodic and chordal stuff  to the Lp-1 and have been loving exploring  
quantize replace on the LP-1  to capture samples of the M9's ambient  
loops and turning them in to rhythmic  parts.  I know this is old hat  
for some of you and I've used two loopers in series over the years  
myself  but using quantize replace, particularly using it to turn  
ambient content in to grooving syncopated rhythms  is new to me and  
I'm very inspired with this new technique, and feel there is still a  
lot of exploration to be done, particular in the realm of setting  
different tracks on the LP-1 to different beat quantizations for major  
polyrhythmic madness. Its fun getting back in to resampling after  
being a one looper guy for a while as well, even though the one looper  
was a multi track one.  Given the luxury, two loopers are always  
better than one. I can't wait to get an Lp-2,  I could run 3 loopers  
in series and then I'd never leave my room.
Bill

PS, hey a looping topic! imagine that, I must say I could blab about  
teles and archtops and pickups and tone caps all the live long day. I  
learned a lot from that thread.  Viva La OT!!!!
lastly,  Nice track Jeff, great exploration of the M-9's ambient side.  
particle verb is really cool, you track inspired me to take a closer  
look at effects I haven't really explored yet


From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 04:42:16 2010
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Subject: RE: looping with M-9 and Lp-1
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I'm looking forward to hearing the results Bill.

G

> From: billwalker@baymoon.com
> To: Loopers-Delight@loopers-delight.com
> Subject: looping with M-9 and Lp-1
> Date: Tue=2C 6 Apr 2010 21:03:32 -0700
>=20
>   I have been using my M-9 and Lp-1 together lately =2C dedicating the =20
> M-9's looping to be the pre effects looper and the Lp-1 to be the post =20
> effects looper and re-sampler.=2C I have been leaving the M-9 in pre =20
> effects mode so that any of the loop content gets processed by the =20
> M-9s other effects. I've come to prefer pre effect placement for =20
> ambient playing=2C particularly if I use an expression pedal to control =
=20
> mix and feedback.  Its also cool for rhythmic loops when using synced =20
> delays=2C filters etc. Even a static sounding loop becomes more dynamic =
=20
> and alive=2C when having really time control over effects placed after =20
> the loop.  After the M-9 I place the Fireworx to further process the =20
> M-9 loop before hitting the LP-1   I leave the synced stuff and longer =20
> melodic and chordal stuff  to the Lp-1 and have been loving exploring =20
> quantize replace on the LP-1  to capture samples of the M9's ambient =20
> loops and turning them in to rhythmic  parts.  I know this is old hat =20
> for some of you and I've used two loopers in series over the years =20
> myself  but using quantize replace=2C particularly using it to turn =20
> ambient content in to grooving syncopated rhythms  is new to me and =20
> I'm very inspired with this new technique=2C and feel there is still a =20
> lot of exploration to be done=2C particular in the realm of setting =20
> different tracks on the LP-1 to different beat quantizations for major =20
> polyrhythmic madness. Its fun getting back in to resampling after =20
> being a one looper guy for a while as well=2C even though the one looper =
=20
> was a multi track one.  Given the luxury=2C two loopers are always =20
> better than one. I can't wait to get an Lp-2=2C  I could run 3 loopers =20
> in series and then I'd never leave my room.
> Bill
>=20
> PS=2C hey a looping topic! imagine that=2C I must say I could blab about =
=20
> teles and archtops and pickups and tone caps all the live long day. I =20
> learned a lot from that thread.  Viva La OT!!!!
> lastly=2C  Nice track Jeff=2C great exploration of the M-9's ambient side=
. =20
> particle verb is really cool=2C you track inspired me to take a closer =20
> look at effects I haven't really explored yet
>=20
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/

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<body class=3D'hmmessage'>
I'm looking forward to hearing the results Bill.<br><br>G<br><br>&gt=3B Fro=
m: billwalker@baymoon.com<br>&gt=3B To: Loopers-Delight@loopers-delight.com=
<br>&gt=3B Subject: looping with M-9 and Lp-1<br>&gt=3B Date: Tue=2C 6 Apr =
2010 21:03:32 -0700<br>&gt=3B <br>&gt=3B   I have been using my M-9 and Lp-=
1 together lately =2C dedicating the  <br>&gt=3B M-9's looping to be the pr=
e effects looper and the Lp-1 to be the post  <br>&gt=3B effects looper and=
 re-sampler.=2C I have been leaving the M-9 in pre  <br>&gt=3B effects mode=
 so that any of the loop content gets processed by the  <br>&gt=3B M-9s oth=
er effects. I've come to prefer pre effect placement for  <br>&gt=3B ambien=
t playing=2C particularly if I use an expression pedal to control  <br>&gt=
=3B mix and feedback.  Its also cool for rhythmic loops when using synced  =
<br>&gt=3B delays=2C filters etc. Even a static sounding loop becomes more =
dynamic  <br>&gt=3B and alive=2C when having really time control over effec=
ts placed after  <br>&gt=3B the loop.  After the M-9 I place the Fireworx t=
o further process the  <br>&gt=3B M-9 loop before hitting the LP-1   I leav=
e the synced stuff and longer  <br>&gt=3B melodic and chordal stuff  to the=
 Lp-1 and have been loving exploring  <br>&gt=3B quantize replace on the LP=
-1  to capture samples of the M9's ambient  <br>&gt=3B loops and turning th=
em in to rhythmic  parts.  I know this is old hat  <br>&gt=3B for some of y=
ou and I've used two loopers in series over the years  <br>&gt=3B myself  b=
ut using quantize replace=2C particularly using it to turn  <br>&gt=3B ambi=
ent content in to grooving syncopated rhythms  is new to me and  <br>&gt=3B=
 I'm very inspired with this new technique=2C and feel there is still a  <b=
r>&gt=3B lot of exploration to be done=2C particular in the realm of settin=
g  <br>&gt=3B different tracks on the LP-1 to different beat quantizations =
for major  <br>&gt=3B polyrhythmic madness. Its fun getting back in to resa=
mpling after  <br>&gt=3B being a one looper guy for a while as well=2C even=
 though the one looper  <br>&gt=3B was a multi track one.  Given the luxury=
=2C two loopers are always  <br>&gt=3B better than one. I can't wait to get=
 an Lp-2=2C  I could run 3 loopers  <br>&gt=3B in series and then I'd never=
 leave my room.<br>&gt=3B Bill<br>&gt=3B <br>&gt=3B PS=2C hey a looping top=
ic! imagine that=2C I must say I could blab about  <br>&gt=3B teles and arc=
htops and pickups and tone caps all the live long day. I  <br>&gt=3B learne=
d a lot from that thread.  Viva La OT!!!!<br>&gt=3B lastly=2C  Nice track J=
eff=2C great exploration of the M-9's ambient side.  <br>&gt=3B particle ve=
rb is really cool=2C you track inspired me to take a closer  <br>&gt=3B loo=
k at effects I haven't really explored yet<br>&gt=3B <br>&gt=3B <br> 		 	  =
 		  <br /><hr />Get a free e-mail account with Hotmail. Sign-up now. <a hr=
ef=3D'' target=3D'_new'></a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 04:45:56 2010
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Hi,

I've got what I assume is a pretty basic RC-50 question. I know it's  
somewhat sacrilege around here to talk about canned loops, but at the  
risk of having eggs thrown my way, I sheepishly raise my hand to ask  
the following.

Can the RC-50 stop/start canned blips, bleeps, and other assorted  
loops that I can trigger via MIDI from my controller? I believe it has  
99 patches that can store up to 250 MB total? So, I could have a short  
bleep saved in patch 1 that I may want to trigger 2 or 3 times in a  
song, but I could also have a longer  loop saved on patch 2 that might  
play throughout an entire song--etc.?

I suppose what I'm asking is whether or not, in addition to its own  
capabilities as a looper, a tool to create and improvise loops on the  
fly, can it also be used more or less as a device that stores a  
variety of noises and/or full-fledged loops that can then be triggered  
via MIDI program changes as needed during a performance?

Thanks, and I sure hope that made sense. It's been a long day.

Jeff

From danica_hans20@yahoo.co.jp  Wed Apr  7 04:45:59 2010
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From: "Miss. Danica Hans"<danica_hans20@yahoo.co.jp>
Subject: FROM MISS.DANICA HANS,
Date: Thu, 27 Feb 2003 05:06:45 -0000
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FROM MISS.DANICA HANS, 

 
  I wish you happy day, long life and prosperity. l  know  we have not meet before, However is not mandatory  nor  will  I  in any manner compel you to honor against your desire. 
 
My  name is  DANICA HANS,  I am from COTE D'IVOIRE, I am 20years old single woman and the only daughter of my late parents. My father was a highly reputable farmer (a cocoa merchant) and  real estate businessman. 
      
    It is sad to say that my father was poisoned and  he passed away mysteriously in France during one of his business trips abroad on 12th. May 2007. Though his sudden death was linked or rather suspected to have been masterminded by my uncle who traveled with him at that time. But God knows the truth! My mother died when I was just 5 years old, and since then my father took me so special until his death, Now I am orphan without parents it is very painful for me to bear.
   
  Before my father made the trip to France that lead to his death,  He called me and explained to me the reason why he want to make the trip and also told me that he deposited a trunk box that contain $11, 600.000 ( Elven million six hundred thousand  usdollars) in a security company here,  He name the box family valuabe. the fund was packed in the box by my late father and deposited with the security company here.   
 
Now l need your assistance to move this fund to your country for investment. The reason why I need your assistance to move this fund to your country is that,  My life is at risk, my uncle whom I suspected to have posioned my father is looking for a way to kill me. I  am hiding myself  and my life is no longer comfortable here. 
 
 Now permit me to ask  you these questions: 

    
     Can you honestly help me receive the said fund for investment for the benefit of both of us in your country? Then you can tell me the percentage you will like to take from the total fund when it gets to you.
 
 If  you are willing to help me, Please get back to me immediately your delay will gave me a room to source for another person for this same purpose. 

 
Love and peace.
Your Sincerely  one. 
Miss. DANICA HANS.


From officefile025643@att.net  Wed Apr  7 04:49:42 2010
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Date: Tue, 6 Apr 2010 21:49:35 -0700 (PDT)
From: "MR.ALEX BEN" <officefile025643@att.net>
Reply-To: joedouglas71@w.cn
Subject: Contact my secretary for your compensation
To: undisclosed recipients: ;
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--0-1731315485-1270615775=:63224
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Dear Friend,



I did not forgot your past effort and attemps to assist me, now I'm happy to inform you that i have suceeded in getting those funds transferred under the

cooperation of a new partner from Japan.



Now Contact JOE DOUGLAS ask him for ($2.900.000.00) for your compensation.



E-mail: (joedouglas71@w.cn)

1,Your Full Name..........



2,Delivery address........



3,phone number............



4,email address...........



REGARDS MR.ALEX BEN
--0-1731315485-1270615775=:63224
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>Dear Friend,<br>
<br>
I did not forgot your past effort and attemps to assist me, now I'm happy to inform you that i have suceeded in getting those funds transferred under the<br>
cooperation of a new partner from Japan.<br>
<br>
Now Contact JOE DOUGLAS ask him for ($2.900.000.00) for your compensation.<br>
<br>
E-mail: (joedouglas71@w.cn)<br>
1,Your Full Name..........<br>
<br>
2,Delivery address........<br>
<br>
3,phone number............<br>
<br>
4,email address...........<br>
<br>
REGARDS MR.ALEX BEN</td></tr></table>
--0-1731315485-1270615775=:63224--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 07:26:50 2010
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Subject: more transatlantic baggage questions
Date: Wed, 7 Apr 2010 07:26:49 +0000
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Hi all=2C=20
Looks like I'll be flying from the uk to Rick's 10 th anniversary festy in =
California in October. To wit=2C I'm thinking of building a new case fror m=
y gear which consists of a multi effects pedal=2C 2 half rack units and a l=
aptop. I can design a suitable case=2C the dimensions of which are well wit=
hin the hand luggage tolerances dictated by various airlines. My questions =
is:=20
Are they gong to freak out when they xray all this electronic gear? Presuma=
bly=2C thet are not used to people carrying this sort of hand luggage..
=20
Peace

Gareth

p.s.=20
I'm amused by the fact that British Airlines restrict=2C but do not ban=2C =
carrying explosives/ammunition on their planes=2C (http://www.britishairway=
s.com/travel/bagrest/public/en_us)..
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
us now=

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Hi all=2C <br>Looks like I'll be flying from the uk to Rick's 10 th anniver=
sary festy in California in October. To wit=2C I'm thinking of building a n=
ew case fror my gear which consists of a multi effects pedal=2C 2 half rack=
 units and a laptop. I can design a suitable case=2C the dimensions of whic=
h are well within the hand luggage tolerances dictated by various airlines.=
 My questions is: <br>Are they gong to freak out when they xray all this el=
ectronic gear? Presumably=2C thet are not used to people carrying this sort=
 of hand luggage..<br>&nbsp=3B<br>Peace<br><br>Gareth<br><br>p.s. <br>I'm a=
mused by the fact that British Airlines restrict=2C but do not ban=2C carry=
ing explosives/ammunition on their planes=2C (http://www.britishairways.com=
/travel/bagrest/public/en_us)..<br> 		 	   		  <br /><hr />Get a new e-mail=
 account with Hotmail - Free. <a href=3D'http://clk.atdmt.com/UKM/go/197222=
280/direct/01/' target=3D'_new'>Sign-up now.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 07:49:02 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: power supply for fx pedals question
References: <D91BADBA-E111-4FA9-B0C1-AFC1A90DCE43@baymoon.com>  <r2n7a9df3e51003310813wea1ce126o6d29d6a13c814230@mail.gmail.com>  <EFE11F4F-BF9F-41A0-8106-D7DCBAC5E6D5@verizon.net>  <487948.29705.qm@web65613.mail.ac4.yahoo.com> <x2g1318f21d1004061243z8b484a52t37c09bd12dab07ec@mail.gmail.com> <139027.89825.qm@web65616.mail.ac4.yahoo.com>
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the Supacharger provides 100mA per socket.
the Moogerfoogers have varying power requirements
depending on which ones you bought, but their 
power requirements start at 
"about 100mA", which really doesn't tell you
if 100mA will definitely work.

andy
ps. watch out for Customs Duty on delivery

antonyhequet@yahoo.com wrote:
> saw your message too late, already bought the MP201! How much do you 
> want for it? Might want to use two:)
> 
> Found this power supply
> 
> http://accessories.musiciansfriend.com/product/BBE-SupaCharger-Guitar-Pedal-Power-Supply?sku=151032
> 
> Anybody know about it?
> 
> Antony Hequet
> 
> ------------------------------------------------------------------------
> *From:* George Ludwig <georgeludwigmusic@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Tue, April 6, 2010 3:43:14 PM
> *Subject:* Re: power supply for fx pedals question
> 
> Anthony,
> 
> If you're interested, I've got an MP201 I'd like to sell. Never been 
> gigged, it's in perfect shape.
> 
> Let me know!
> 
> -George
> 
> On Tue, Apr 6, 2010 at 10:25 AM, <antonyhequet@yahoo.com 
> <mailto:antonyhequet@yahoo.com>> wrote:
> 
>     hey,
> 
>     I know this has been gone over but I cannot find the info. I am
>     about top buy a couple of MoogerFoggers and an MP 201 controller in
>     the USA and will be later using them in Europe. I need to fina
>     auniversal power supply : Dunlop Brick, Voodoolab, etc... 
>     Which of these devices is best adapted and currently available or on
>     the market in the near future?
> 
>     ANtony Hequet
> 
>     ------------------------------------------------------------------------
>     *From:* Jeff Shirkey <jcshirke@verizon.net
>     <mailto:jcshirke@verizon.net>>
>     *To:* Loopers-Delight@loopers-delight.com
>     <mailto:Loopers-Delight@loopers-delight.com>
>     *Sent:* Wed, March 31, 2010 11:30:02 AM
>     *Subject:* Re: power supply for fx pedals question
> 
> 
> 
>>     sure does look good but that thing is going to be a war tank!
>>     just look at it here:
>>
>>     http://www.youtube.com/watch?v=U0WuawfeYyY
>>
>>     it doesnt look like is going to fit a pedaboard either and i dont
>>     even what to know its weight;-)
>>
> 
>     True, but that may not be the final version of the product. Since
>     it's been revised and reworked for well over a year, I wouldn't
>     think that its dimensions are automatically going to be the same as
>     the prototype shown in that video. But, who knows.
> 
>     It definitely looks huge, but I can't imagine how Voodoo Lab would
>     release a product that wasn't going to fit on or under (?) most
>     pedal boards. 
> 
>     Jeff
> 
> 
> 
> 
> -- 
> -George
> 
> http://www.myspace.com/georgeludwigmusic
> 

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Jeff Shirkey wrote:
> Hi,
> 
> I've got what I assume is a pretty basic RC-50 question. I know it's 
> somewhat sacrilege around here to talk about canned loops,  

LD isn't live looping specific any more than it's
guitar specific ;-)


> 
> Can the RC-50 stop/start canned blips, bleeps, and other assorted loops 
> that I can trigger via MIDI from my controller? 

not sure, the RC-50 has a pathetic midi implementation,
but may *just* do what you want.
Check out the manual, there's a very limited couple of midi
commands available at any one time (with the RC-50 menu system
being used to select them ). 
It may be that you could set to select a loop, start *and* stop it.
(sorry, I only had the RC-50 for a couple of days on loan, otherwise
  a complete answer would be forthcoming)


andy butler

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Subject: Re: power supply for fx pedals question
References: <D91BADBA-E111-4FA9-B0C1-AFC1A90DCE43@baymoon.com>  <r2n7a9df3e51003310813wea1ce126o6d29d6a13c814230@mail.gmail.com>  <EFE11F4F-BF9F-41A0-8106-D7DCBAC5E6D5@verizon.net>  <487948.29705.qm@web65613.mail.ac4.yahoo.com> <x2g1318f21d1004061243z8b484a52t37c09bd12dab07ec@mail.gmail.com> <139027.89825.qm@web65616.mail.ac4.yahoo.com> <4BBC38FF.7040208@tiscali.co.uk>
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duh, Supacharger has two 200mA outputs @ 9V,
may be perfect for the MFs, depending on which you got

but the MP201 needs 500mA 12V, so would need it's own
psu.

andy




andy butler wrote:
> the Supacharger provides 100mA per socket.
> the Moogerfoogers have varying power requirements
> depending on which ones you bought, but their power requirements start 
> at "about 100mA", which really doesn't tell you
> if 100mA will definitely work.
> 
> andy
> ps. watch out for Customs Duty on delivery
> 
> antonyhequet@yahoo.com wrote:
>> saw your message too late, already bought the MP201! How much do you 
>> want for it? Might want to use two:)
>>
>> Found this power supply
>>
>> http://accessories.musiciansfriend.com/product/BBE-SupaCharger-Guitar-Pedal-Power-Supply?sku=151032 
>>
>>
>> Anybody know about it?
>>
>> Antony Hequet
>>
>> ------------------------------------------------------------------------
>> *From:* George Ludwig <georgeludwigmusic@gmail.com>
>> *To:* Loopers-Delight@loopers-delight.com
>> *Sent:* Tue, April 6, 2010 3:43:14 PM
>> *Subject:* Re: power supply for fx pedals question
>>
>> Anthony,
>>
>> If you're interested, I've got an MP201 I'd like to sell. Never been 
>> gigged, it's in perfect shape.
>>
>> Let me know!
>>
>> -George
>>
>> On Tue, Apr 6, 2010 at 10:25 AM, <antonyhequet@yahoo.com 
>> <mailto:antonyhequet@yahoo.com>> wrote:
>>
>>     hey,
>>
>>     I know this has been gone over but I cannot find the info. I am
>>     about top buy a couple of MoogerFoggers and an MP 201 controller in
>>     the USA and will be later using them in Europe. I need to fina
>>     auniversal power supply : Dunlop Brick, Voodoolab, etc...     
>> Which of these devices is best adapted and currently available or on
>>     the market in the near future?
>>
>>     ANtony Hequet
>>
>>     
>> ------------------------------------------------------------------------
>>     *From:* Jeff Shirkey <jcshirke@verizon.net
>>     <mailto:jcshirke@verizon.net>>
>>     *To:* Loopers-Delight@loopers-delight.com
>>     <mailto:Loopers-Delight@loopers-delight.com>
>>     *Sent:* Wed, March 31, 2010 11:30:02 AM
>>     *Subject:* Re: power supply for fx pedals question
>>
>>
>>
>>>     sure does look good but that thing is going to be a war tank!
>>>     just look at it here:
>>>
>>>     http://www.youtube.com/watch?v=U0WuawfeYyY
>>>
>>>     it doesnt look like is going to fit a pedaboard either and i dont
>>>     even what to know its weight;-)
>>>
>>
>>     True, but that may not be the final version of the product. Since
>>     it's been revised and reworked for well over a year, I wouldn't
>>     think that its dimensions are automatically going to be the same as
>>     the prototype shown in that video. But, who knows.
>>
>>     It definitely looks huge, but I can't imagine how Voodoo Lab would
>>     release a product that wasn't going to fit on or under (?) most
>>     pedal boards.
>>     Jeff
>>
>>
>>
>>
>> -- 
>> -George
>>
>> http://www.myspace.com/georgeludwigmusic
>>
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 08:26:09 2010
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Hi Jeff

> Can the RC-50 stop/start canned blips, bleeps, and other assorted loops 
> that I can trigger via MIDI from my controller? 
As far as I remember the MIDI-implementation right: Yes, you can do 
this. Check it at

But be aware, that creating preprocessed loops for the RC-50 (means: 
make the sample somewhere else and transfer it to the RC-50) is a pain 
in in the a**. You have to create the sample with the exact byte length 
required for the wanted tempo, and you have to predefine the tempo when 
creating the patch. It is not possible to insert a loop of your own 
length and adopt it to an existing tempo. It is also not possible to 
change the tempo afterwards without a major loss in sound quality.

I owned the RC50 for three month: to my experience the RC-50 is fine if 
you use it as a standalone unit, but it is close to unusable, if you 
want to integrate it in external  sample / tempo environment (at least 
unusable in comparison with other loopers).

Florian

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 08:31:10 2010
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Hi Gareth

as always recommended: get proactive. Ask the Airline, call the the 
security at the airport and ask them. They will tell you what to do. 
Don't forget to ask the security of the US airport, from where you will 
be flying back! And ask the US-people now - not just when you are 
already there.
Be prepared to demonstrate the gear. It might be useful to have sounds 
ready to be played. Put a small headphone inside the case, so that the 
security officer can listen.

Florian

Whittock schrieb:
> Hi all,
> Looks like I'll be flying from the uk to Rick's 10 th anniversary festy 
> in California in October. To wit, I'm thinking of building a new case 
> fror my gear which consists of a multi effects pedal, 2 half rack units 
> and a laptop. I can design a suitable case, the dimensions of which are 
> well within the hand luggage tolerances dictated by various airlines. My 
> questions is:
> Are they gong to freak out when they xray all this electronic gear? 
> Presumably, thet are not used to people carrying this sort of hand luggage..
>  
> Peace
> 
> Gareth
> 
> p.s.
> I'm amused by the fact that British Airlines restrict, but do not ban, 
> carrying explosives/ammunition on their planes, 
> (http://www.britishairways.com/travel/bagrest/public/en_us)..
> 
> ------------------------------------------------------------------------
> Get a new e-mail account with Hotmail - Free. Sign-up now. 
> <http://clk.atdmt.com/UKM/go/197222280/direct/01/>

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Hi Gareth,

First, make sure your special hand luggage meets the weight
restrictions as well! Based on my own experiences I would say they
won't freak out. I have been flying with a cabin luggage containing
one TC Electronics Fireworx rack processing unit, one half rack sized
audio interface box, one laptop and three flute pieces inside PVC
tubes foamed with bubble plastic wrapping. I have never even been
called in to show off that stuff. My cabin bag weighed in at exactly
ten kilo if I took out the laptop first. And you have to take out your
laptop at the security check, so your bag will be examined minus
laptop.

But when flying with two Genelec studio monitors I had to go into the
security office and open up my bag to explain what the "two solid
metal blocks" on the scan really are.

Read up on regulation in advance. Get a good scale and plan your
luggage. Be early at the check-in. You may stuff your pockets with
things as well. Trousers with big thigh pockets can swallow heavy
electronic boxes so you can get them off your regulated cabin bag
weight.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Wed, Apr 7, 2010 at 9:26 AM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> a multi effects pedal, 2 half rack units and a laptop. I can design a
> suitable case, the dimensions of which are well within the hand luggage
> tolerances dictated by various airlines. My questions is:
> Are they gong to freak out when they xray all this electronic gear?
> Presumably, thet are not used to people carrying this sort of hand luggage..

From info@live.co.uk  Wed Apr  7 11:38:42 2010
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To: undisclosed-recipients:;

CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT ANDWRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARD FUND INTO AN ACCOUNT OVERSEA. I WAS DIVINELY INSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO £15,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED
AND SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW A. MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelweejr@gawab.com OR andrewmcelwee@mail2london.com

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBER: +44-702-403-5965

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 13:55:27 2010
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Date: Wed, 7 Apr 2010 06:55:26 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: power supply for fx pedals question
To: Loopers-Delight@loopers-delight.com
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hey Andy,

are you saying the 12 volt outlets do not provide 500mA? That's pretty numbskull stuff:)
Thanks for the info. Is there a bix out ther that does it all?

ANtony Hequet


----- Original Message ----
From: andy butler <akbutler@tiscali.co.uk>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, April 7, 2010 4:26:15 AM
Subject: Re: power supply for fx pedals question

duh, Supacharger has two 200mA outputs @ 9V,
may be perfect for the MFs, depending on which you got

but the MP201 needs 500mA 12V, so would need it's own
psu.

andy




andy butler wrote:
> the Supacharger provides 100mA per socket.
> the Moogerfoogers have varying power requirements
> depending on which ones you bought, but their power requirements start at "about 100mA", which really doesn't tell you
> if 100mA will definitely work.
> 
> andy
> ps. watch out for Customs Duty on delivery
> 
> antonyhequet@yahoo.com wrote:
>> saw your message too late, already bought the MP201! How much do you want for it? Might want to use two:)
>> 
>> Found this power supply
>> 
>> http://accessories.musiciansfriend.com/product/BBE-SupaCharger-Guitar-Pedal-Power-Supply?sku=151032 
>> 
>> Anybody know about it?
>> 
>> Antony Hequet
>> 
>> ------------------------------------------------------------------------
>> *From:* George Ludwig <georgeludwigmusic@gmail.com>
>> *To:* Loopers-Delight@loopers-delight.com
>> *Sent:* Tue, April 6, 2010 3:43:14 PM
>> *Subject:* Re: power supply for fx pedals question
>> 
>> Anthony,
>> 
>> If you're interested, I've got an MP201 I'd like to sell. Never been gigged, it's in perfect shape.
>> 
>> Let me know!
>> 
>> -George
>> 
>> On Tue, Apr 6, 2010 at 10:25 AM, <antonyhequet@yahoo.com <mailto:antonyhequet@yahoo.com>> wrote:
>> 
>>     hey,
>> 
>>     I know this has been gone over but I cannot find the info. I am
>>     about top buy a couple of MoogerFoggers and an MP 201 controller in
>>     the USA and will be later using them in Europe. I need to fina
>>     auniversal power supply : Dunlop Brick, Voodoolab, etc...     Which of these devices is best adapted and currently available or on
>>     the market in the near future?
>> 
>>     ANtony Hequet
>> 
>>     ------------------------------------------------------------------------
>>     *From:* Jeff Shirkey <jcshirke@verizon.net
>>     <mailto:jcshirke@verizon.net>>
>>     *To:* Loopers-Delight@loopers-delight.com
>>     <mailto:Loopers-Delight@loopers-delight.com>
>>     *Sent:* Wed, March 31, 2010 11:30:02 AM
>>     *Subject:* Re: power supply for fx pedals question
>> 
>> 
>> 
>>>     sure does look good but that thing is going to be a war tank!
>>>     just look at it here:
>>> 
>>>     http://www.youtube.com/watch?v=U0WuawfeYyY
>>> 
>>>     it doesnt look like is going to fit a pedaboard either and i dont
>>>     even what to know its weight;-)
>>> 
>> 
>>     True, but that may not be the final version of the product. Since
>>     it's been revised and reworked for well over a year, I wouldn't
>>     think that its dimensions are automatically going to be the same as
>>     the prototype shown in that video. But, who knows.
>> 
>>     It definitely looks huge, but I can't imagine how Voodoo Lab would
>>     release a product that wasn't going to fit on or under (?) most
>>     pedal boards.
>>     Jeff
>> 
>> 
>> 
>> 
>> -- -George
>> 
>> http://www.myspace.com/georgeludwigmusic
>> 
> 
> 


      

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 14:40:48 2010
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Subject: Re: OT MAcBook pro
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Hi Antony

MBP update should be "anytime soon".
However, nobody knows how this "soon" will bee :-(

See: http://forums.macrumors.com/showthread.php?t=890167

best regards
Buzap

-- 
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From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 14:44:03 2010
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Yeah

actually, a nice Mainstage or Ableton Live interface for the iPad in the style of Lemur is a no-brainer...

Let's see when that happens.
Buzap
-- 
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From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 14:49:44 2010
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I just discovered that Korg has done an Electribe emulation for the =
iPad. In my brief playing with it, it seemed fun. I guess one could hook =
the headphone jack into a mixer for use in a set, but sync would =
probably be an issue. (And in a sign that it's perhaps achieving it's =
real goal, it makes me think I should consider a hardware Electribe.)

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 15:19:53 2010
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I use a lot of pre-recorded loops / samples.  Its very easy to figure out what the original 
tempo of a loop is. You can use something like beat detective in protools, or you can 
manually figure out what the tempo is. Then just load the sample in and set the original 
tempo.  blips, bleeps, etc., just need to be set to "one shot" so that they just play once and 
don't loop.  And will play just once each time the pedal is pressed.

If you don't want a sample to adjust to the current tempo, just set it to not "tempo sync".  I 
think the rc50 gets a bad rap sometimes.  Its a very complicated unit and takes time to 
master.  I love my rc50.  It did take me a while to figure it out.

I found these .pdfs to be very helpful.  The book that comes with it kind of reads like stereo 
instructions, rather technical but the support documents on Boss's site is very helpful:

http://www.bossus.com/gear/productdetails.php?ProductId=772&ParentId=251

I don't use any MIDI syncying I do everything from the pedal board, so I can't really help 
with the MIDI stuff....

Later
Baub





On 6 Apr 2010 at 23:45, Jeff Shirkey wrote:

> Hi,
> 
> I've got what I assume is a pretty basic RC-50 question. I know it's  
> somewhat sacrilege around here to talk about canned loops, but at the  
> risk of having eggs thrown my way, I sheepishly raise my hand to ask  
> the following.
> 
> Can the RC-50 stop/start canned blips, bleeps, and other assorted  
> loops that I can trigger via MIDI from my controller? I believe it has  
> 99 patches that can store up to 250 MB total? So, I could have a short  
> bleep saved in patch 1 that I may want to trigger 2 or 3 times in a  
> song, but I could also have a longer  loop saved on patch 2 that might  
> play throughout an entire song--etc.?
> 
> I suppose what I'm asking is whether or not, in addition to its own  
> capabilities as a looper, a tool to create and improvise loops on the  
> fly, can it also be used more or less as a device that stores a  
> variety of noises and/or full-fledged loops that can then be triggered  
> via MIDI program changes as needed during a performance?
> 
> Thanks, and I sure hope that made sense. It's been a long day.
> 
> Jeff
> 


From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 15:39:50 2010
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Date: Wed, 7 Apr 2010 08:39:49 -0700 (PDT)
From: ditch wrestler <ditchwrestler@yahoo.com>
Subject: OT: WMD geiger counter
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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--0-624039437-1270654789=:43622
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=A0
Just wondering if anybody here has used any of the three different WMD Geig=
er Counter pedals and can comment on usefullness of the weird'n'wacky sound=
s they kick out.
=A0
=A0
Ted Harms.

Enemies are good for self-definition. Werner Herzog=0A=0A=0A      _________=
_________________________________________________________=0AGet a sneak pea=
k at messages with a handy reading pane with All new Yahoo! Mail: http://ca=
.promos.yahoo.com/newmail/overview2/
--0-624039437-1270654789=:43622
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Just wondering if anybody here has used any of the three different WMD=
 Geiger Counter pedals and can comment on usefullness of the weird'n'wacky =
sounds they kick out.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Ted Harms.<BR><BR>Enemies are good for self-definition. Werner Herzog<=
/DIV></td></tr></table><br>=0A      <hr size=3D1>=0ALooking for the perfect=
 gift?<a href=3D"http://www.flickr.com/gift/"><b> Give the gift of Flickr!<=
/b></a>
--0-624039437-1270654789=:43622--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 15:50:25 2010
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Date: Wed, 7 Apr 2010 18:50:07 +0300
Message-ID: <t2xc70841111004070850te646ecc4pb90ce8909c1ccb65@mail.gmail.com>
Subject: Re: OT: WMD geiger counter
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00163662e5df2e452b0483a784ef
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Just spotted one of those in Guitarist or some other magazine.
Curious likewise to know are they worth interest...?

2010/4/7 ditch wrestler <ditchwrestler@yahoo.com>

>
> Just wondering if anybody here has used any of the three different WMD
> Geiger Counter pedals and can comment on usefullness of the weird'n'wacky
> sounds they kick out.
>
>
> Ted Harms.
>
> Enemies are good for self-definition. Werner Herzog
>
> ------------------------------
> Looking for the perfect gift?* Give the gift of Flickr!*<http://www.flickr.com/gift/>




-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must lead."
-Charles Bukowski-

--00163662e5df2e452b0483a784ef
Content-Type: text/html; charset=ISO-8859-1
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Just spotted one of those in Guitarist or some other magazine.<br>Curious l=
ikewise to know are they worth interest...?<br><br><div class=3D"gmail_quot=
e">2010/4/7 ditch wrestler <span dir=3D"ltr">&lt;<a href=3D"mailto:ditchwre=
stler@yahoo.com">ditchwrestler@yahoo.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><table border=3D"=
0" cellpadding=3D"0" cellspacing=3D"0"><tbody><tr><td style=3D"font: inheri=
t;" valign=3D"top">
<div>=A0</div>
<div>Just wondering if anybody here has used any of the three different WMD=
 Geiger Counter pedals and can comment on usefullness of the weird&#39;n&#3=
9;wacky sounds they kick out.</div>
<div>=A0</div>
<div>=A0</div>
<div>Ted Harms.<br><br>Enemies are good for self-definition. Werner Herzog<=
/div></td></tr></tbody></table><br>
      <hr size=3D"1">
Looking for the perfect gift?<a href=3D"http://www.flickr.com/gift/" target=
=3D"_blank"><b> Give the gift of Flickr!</b></a></blockquote></div><br><br =
clear=3D"all"><br>-- <br>Petri Lahtinen<br><a href=3D"http://www.petrilahti=
nen.com">http://www.petrilahtinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/">http://petrilahtinen.blogspo=
t.com/</a><br><a href=3D"http://www.myspace.com/petrilahtinen">http://www.m=
yspace.com/petrilahtinen</a><br><a href=3D"http://twitter.com/PetriLahtinen=
">http://twitter.com/PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/">http://petrilahtinen.bandcam=
p.com/</a><br>---------------------------------------------------<br>&quot;=
Only become professional musician if there is no choice.&quot; -Robert Frip=
p-<br>
---------------------------------------------------<br>&quot;Some people ne=
ver go crazy. What truly horrible lives they must lead.&quot; -Charles Buko=
wski-<br><br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--00163662e5df2e452b0483a784ef--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 16:03:01 2010
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Subject: Tokafi webzine - Interview with Premonition Factory (and Live 
	Looping)
From: Sjaak Overgaauw <tcplugin@gmail.com>
To: LD <Loopers-Delight@loopers-delight.com>
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Hi,
I have been interviewed by Tobias Fischer of the more than excellent
Tokafi webzine. Topics were both the Antwerp Live Looping Festival and
my new Premonition Factory album. Enjoy, I hope you like it :)

http://www.tokafi.com/15questions/interview-premonition-factory/

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 16:11:00 2010
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Subject: wmd geiger counter / jazz teles.../ delay looping (REALLY...)
From: Scott Hansen <evanpeewee@gmail.com>
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--000e0cd137bec8499d0483a7ce57
Content-Type: text/plain; charset=ISO-8859-1

i almost bought a wmd geiger counter a few months ago. the videos i saw of
it are most cool/very wicked...
it came down to i wasn't sure if i wanted to invest that much $$ on
something for me (i had purchased 2 previous boutique pedals, & wasn't
overall happy w/ them)
they have a new simpler version that 's only 200$, it does look like a cool
pedal...(PS-there are a few other pedals out there that do the bit
reduction/distortion thing...just can't remember them off hand....)

more jazz teles...i believe that a # of the teles bill frisell plays are
short scales (24" i think, maybe shorter or longer). these are usually the
ones he's had hand painted by the
artists who've done graphics for some of his album covers...when i saw him
play last yr, he just played a stock tele from the looks of it-so maybe he
just plays them in the
studio...but in a few interviews i've read over the yrs, he seems to like
them...

a week ago i decided to actually play around w/ all my gear (again too much
& 1/2 the time i'm just going either clean or distorted....) but i decided
to set up my rp150 for 5 sec delay, no feedback, had my guyatone md3 at 2.6
sec w/ no feedback, and had my digitech dl8 set at 8 sec w/ no feedback, and
i will say that the rhythmic madness and ambient chaos it creates was most
wonderful. i probably could have sat there for hrs, but i had to go to
work...it was most fun, i should probably record some of this, since talk of
David K's "9.9.99" got me thinking i need to get off my lazy ass & do some
things (or FOCUS!!!). i will say that i think the dl8 has made me 2nd guess
my early judgement of not loving the boss dd20 (oh well, don't go backwards
i guess...). the fun thing in setting up these crazy delay loops is it did
remind me a bit of the fripp/eno no pussyfooting album....so for fun i then
turned on the fuzz face option in my rp150 along w/ a little pitch shifting
and boy you can really get some fun faux synth things going---& at times it
sounds mildly like what fripp did yrs ago (although i wouldn't put myself in
his class at all-i'm just using what he did as a sonic
reference....)....guess it makes me wish for the uber delay looper
pedal....i can dream....but i do have changes coming...more to report in the
near future....
s---
www.myspace.com/scotthansen

--000e0cd137bec8499d0483a7ce57
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i almost bought a wmd geiger counter a few months ago. the videos i saw of =
it are most cool/very wicked...<br>it came down to i wasn&#39;t sure if i w=
anted to invest that much $$ on something for me (i had purchased 2 previou=
s boutique pedals, &amp; wasn&#39;t overall happy w/ them)<br>
they have a new simpler version that &#39;s only 200$, it does look like a =
cool pedal...(PS-there are a few other pedals out there that do the bit red=
uction/distortion thing...just can&#39;t remember them off hand....)<br>
<br>more jazz teles...i believe that a # of the teles bill frisell plays ar=
e short scales (24&quot; i think, maybe shorter or longer). these are usual=
ly the ones he&#39;s had hand painted by the<br>artists who&#39;ve done gra=
phics for some of his album covers...when i saw him play last yr, he just p=
layed a stock tele from the looks of it-so maybe he just plays them in the =
<br>
studio...but in a few interviews i&#39;ve read over the yrs, he seems to li=
ke them...<br><br>a week ago i decided to actually play around w/ all my ge=
ar (again too much &amp; 1/2 the time i&#39;m just going either clean or di=
storted....) but i decided to set up my rp150 for 5 sec delay, no feedback,=
 had my guyatone md3 at 2.6 sec w/ no feedback, and had my digitech dl8 set=
 at 8 sec w/ no feedback, and i will say that the rhythmic madness and ambi=
ent chaos it creates was most wonderful. i probably could have sat there fo=
r hrs, but i had to go to work...it was most fun, i should probably record =
some of this, since talk of David K&#39;s &quot;9.9.99&quot; got me thinkin=
g i need to get off my lazy ass &amp; do some things (or FOCUS!!!). i will =
say that i think the dl8 has made me 2nd guess my early judgement of not lo=
ving the boss dd20 (oh well, don&#39;t go backwards i guess...). the fun th=
ing in setting up these crazy delay loops is it did remind me a bit of the =
fripp/eno no pussyfooting album....so for fun i then turned on the fuzz fac=
e option in my rp150 along w/ a little pitch shifting and boy you can reall=
y get some fun faux synth things going---&amp; at times it sounds mildly li=
ke what fripp did yrs ago (although i wouldn&#39;t put myself in his class =
at all-i&#39;m just using what he did as a sonic reference....)....guess it=
 makes me wish for the uber delay looper pedal....i can dream....but i do h=
ave changes coming...more to report in the near future....<br>
s---<br><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scot=
thansen</a><br>

--000e0cd137bec8499d0483a7ce57--

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Date: Wed, 7 Apr 2010 12:34:05 -0400
Message-ID: <g2o1b6efed71004070934m86f4032cx2581e6fe2675a8db@mail.gmail.com>
Subject: Looking for a Used Digitech Timebender
From: Anthony Reitz <just.like.honey@gmail.com>
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--000e0cd2919069c5dd0483a821d5
Content-Type: text/plain; charset=ISO-8859-1

Hello! This is my first post to the list and I'm glad I found it. I'm hoping
gear trading/selling is acceptable content on here as I'm looking for a
Digitech Timebender. I have a lot of gear to trade for it or can simply
offer money. I'm located in the US (Indiana) and would prefer to deal with
someone on the same continent. If you have one for sale or trade, please let
me know.

Thank you!

Tony
-- 
http://myspace.com/yukimeow

--000e0cd2919069c5dd0483a821d5
Content-Type: text/html; charset=ISO-8859-1
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Hello! This is my first post to the list and I&#39;m glad I found it. I&#39=
;m hoping gear trading/selling is acceptable content on here as I&#39;m loo=
king for a Digitech Timebender. I have a lot of gear to trade for it or can=
 simply offer money. I&#39;m located in the US (Indiana) and would prefer t=
o deal with someone on the same continent. If you have one for sale or trad=
e, please let me know.<br>
<br>Thank you!<br><br>Tony<br>-- <br><a href=3D"http://myspace.com/yukimeow=
">http://myspace.com/yukimeow</a><br>

--000e0cd2919069c5dd0483a821d5--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 16:59:51 2010
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young bill sez!
<< two loopers are always better than one>>

i couldn't agree with you more bucko!.....something i learned last=20
nite......the UNDO button on the M 13 does not erase the the loop so=20
that it can  be a  REDO able button......it doesn't erase "UNDO"  the=20
loop until new data is put in.....and i always said "UNDO IS FOR=20
SISSIES!".....talk about teachin an old dog new tricks.....m

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 17:11:26 2010
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GARETH asked
Are they gong to freak out when they xray all this electronic gear?

i have only once been stopped for equipment x-rays, which has always=20
surprised me.....i would think little boxes and wires would be more=20
suspect.....they do stop me for the whole shebang due to my bionic body=20
parts though.....m

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 17:28:04 2010
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antonyhequet@yahoo.com wrote:
> hey Andy,
> 
> are you saying the 12 volt outlets do not provide 500mA? 

BBE don't spec the current for 12V.

...but  most likely  it's 75mA 

>That's pretty numbskull stuff:)
> Thanks for the info. Is there a bix out ther that does it all?

I don't know, I just checked out the SupaCharger in case it 
would work with *my* setup.
(but no AC output)

Voodoo Labs stuff looks promising.

Have fun with those moogs :-)

andy





> 
> ANtony Hequet
> 
> 
> ----- Original Message ----
> From: andy butler <akbutler@tiscali.co.uk>
> To: Loopers-Delight@loopers-delight.com
> Sent: Wed, April 7, 2010 4:26:15 AM
> Subject: Re: power supply for fx pedals question
> 
> duh, Supacharger has two 200mA outputs @ 9V,
> may be perfect for the MFs, depending on which you got
> 
> but the MP201 needs 500mA 12V, so would need it's own
> psu.
> 
> andy
> 
> 
> 
> 
> andy butler wrote:
>> the Supacharger provides 100mA per socket.
>> the Moogerfoogers have varying power requirements
>> depending on which ones you bought, but their power requirements start at "about 100mA", which really doesn't tell you
>> if 100mA will definitely work.
>>
>> andy
>> ps. watch out for Customs Duty on delivery
>>
>> antonyhequet@yahoo.com wrote:
>>> saw your message too late, already bought the MP201! How much do you want for it? Might want to use two:)
>>>
>>> Found this power supply
>>>
>>> http://accessories.musiciansfriend.com/product/BBE-SupaCharger-Guitar-Pedal-Power-Supply?sku=151032 
>>>
>>> Anybody know about it?
>>>
>>> Antony Hequet
>>>
>>> ------------------------------------------------------------------------
>>> *From:* George Ludwig <georgeludwigmusic@gmail.com>
>>> *To:* Loopers-Delight@loopers-delight.com
>>> *Sent:* Tue, April 6, 2010 3:43:14 PM
>>> *Subject:* Re: power supply for fx pedals question
>>>
>>> Anthony,
>>>
>>> If you're interested, I've got an MP201 I'd like to sell. Never been gigged, it's in perfect shape.
>>>
>>> Let me know!
>>>
>>> -George
>>>
>>> On Tue, Apr 6, 2010 at 10:25 AM, <antonyhequet@yahoo.com <mailto:antonyhequet@yahoo.com>> wrote:
>>>
>>>     hey,
>>>
>>>     I know this has been gone over but I cannot find the info. I am
>>>     about top buy a couple of MoogerFoggers and an MP 201 controller in
>>>     the USA and will be later using them in Europe. I need to fina
>>>     auniversal power supply : Dunlop Brick, Voodoolab, etc...     Which of these devices is best adapted and currently available or on
>>>     the market in the near future?
>>>
>>>     ANtony Hequet
>>>
>>>     ------------------------------------------------------------------------
>>>     *From:* Jeff Shirkey <jcshirke@verizon.net
>>>     <mailto:jcshirke@verizon.net>>
>>>     *To:* Loopers-Delight@loopers-delight.com
>>>     <mailto:Loopers-Delight@loopers-delight.com>
>>>     *Sent:* Wed, March 31, 2010 11:30:02 AM
>>>     *Subject:* Re: power supply for fx pedals question
>>>
>>>
>>>
>>>>     sure does look good but that thing is going to be a war tank!
>>>>     just look at it here:
>>>>
>>>>     http://www.youtube.com/watch?v=U0WuawfeYyY
>>>>
>>>>     it doesnt look like is going to fit a pedaboard either and i dont
>>>>     even what to know its weight;-)
>>>>
>>>     True, but that may not be the final version of the product. Since
>>>     it's been revised and reworked for well over a year, I wouldn't
>>>     think that its dimensions are automatically going to be the same as
>>>     the prototype shown in that video. But, who knows.
>>>
>>>     It definitely looks huge, but I can't imagine how Voodoo Lab would
>>>     release a product that wasn't going to fit on or under (?) most
>>>     pedal boards.
>>>     Jeff
>>>
>>>
>>>
>>>
>>> -- -George
>>>
>>> http://www.myspace.com/georgeludwigmusic
>>>
>>
> 
> 
>       
> 
> 

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 19:00:26 2010
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I know this has likely been discussed ad-nauseum, but does anyone maybe
know if the visualsound visual volume pedal will control feedback on the
EDP?

There is one for sale locally at a good price and I have always thought
a "feedback" indicator would be pretty handy.

Can't seem to find info in the archives.

Thank you.


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xmlns:dssi=3D"http://schemas.microsoft.com/office/2006/digsig" =
xmlns:mdssi=3D"http://schemas.openxmlformats.org/package/2006/digital-sig=
nature" =
xmlns:mver=3D"http://schemas.openxmlformats.org/markup-compatibility/2006=
" xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
xmlns:mrels=3D"http://schemas.openxmlformats.org/package/2006/relationshi=
ps" xmlns:spwp=3D"http://microsoft.com/sharepoint/webpartpages" =
xmlns:ex12t=3D"http://schemas.microsoft.com/exchange/services/2006/types"=
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xmlns:ex12m=3D"http://schemas.microsoft.com/exchange/services/2006/messag=
es" =
xmlns:pptsl=3D"http://schemas.microsoft.com/sharepoint/soap/SlideLibrary/=
" =
xmlns:spsl=3D"http://microsoft.com/webservices/SharePointPortalServer/Pub=
lishedLinksService" xmlns:Z=3D"urn:schemas-microsoft-com:" =
xmlns:st=3D"&#1;" xmlns=3D"http://www.w3.org/TR/REC-html40">

<head>
<meta http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<meta name=3DGenerator content=3D"Microsoft Word 12 (filtered medium)">
<style>
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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal>I know this has likely been discussed ad-nauseum, =
but does
anyone maybe know if the visualsound visual volume pedal will control =
feedback
on the EDP?<o:p></o:p></p>

<p class=3DMsoNormal>There is one for sale locally at a good price and I =
have
always thought a &#8220;feedback&#8221; indicator would be pretty =
handy.<o:p></o:p></p>

<p class=3DMsoNormal>Can&#8217;t seem to find info in the =
archives.<o:p></o:p></p>

<p class=3DMsoNormal>Thank you.<o:p></o:p></p>

</div>

</body>

</html>

------_=_NextPart_001_01CAD684.76E211EA--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 19:36:59 2010
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	id C46583BE84; Wed,  7 Apr 2010 19:36:59 +0000 (UTC)
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Date: Wed, 7 Apr 2010 21:36:38 +0200
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Message-ID: <v2p9ab0c76f1004071236ucf66e865mebef5635c29536b0@mail.gmail.com>
Subject: TOTALLY WAAAAY OT: About Picasa and Flickr
To: loopers-delight <Loopers-Delight@loopers-delight.com>
Content-Type: multipart/alternative; boundary=0014853261ae7527640483aaaf63
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--0014853261ae7527640483aaaf63
Content-Type: text/plain; charset=ISO-8859-1

Hi, sorry about the waaay Off topic post, but.. ya know... who else would
know the answers to my questions but LD-ers...

So Ive filled up my free space in Picasa, mostly private familly photos...
So I read on Flickr that there is a limit there, but its 100mb PER MONTH...
so If I dont upload too much can I have unlimited space?

Im thining to miove (slowly) all my family photos over to Flickr but leave
all the blog post pics or weird shit, on Picasa.

BUT THEN.. After my FIRST UPLOAD to Flickr ( 100mb of family Easter skiing
holiday in the mountains) I get a mail saying..
You've hit the upload
limit<http://www.flickr.com/x/t/0030006/help/limits/#28>of your free
Flickr account.
Your free account will only display the most recent 200 items you've
uploaded. Anything beyond 200 will remain hidden from view until you either
delete newer items or upgrade to a Pro
account.<http://www.flickr.com/x/t/0030012/upgrade/>

BAstards!!!

Not Bastards for doing that of course... they have to make a living I guess,
but Bastards for NOT SAYING BEFORE Ive spent a whole day uploading pics!!!

Can anyone tell me what IS the deal here... What does Hidden from View
mean... What is people experieance of online photo storage sites and whats
the BEST and er.. FREE-EST... as in no money...

;-)



-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

--0014853261ae7527640483aaaf63
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi, sorry about the waaay Off topic post, but.. ya know... who else would k=
now the answers to my questions but LD-ers...<br><br>So Ive filled up my fr=
ee space in Picasa, mostly private familly photos... So I read on Flickr th=
at there is a limit there, but its 100mb PER MONTH... so If I dont upload t=
oo much can I have unlimited space?<br>


<br>Im thining to miove (slowly) all my family photos over to Flickr but le=
ave all the blog post pics or weird shit, on Picasa.<br><br>BUT THEN.. Afte=
r my FIRST UPLOAD to Flickr ( 100mb of family Easter skiing holiday in the =
mountains) I get a mail saying.. <br>

<div style=3D"font-size: 16px ! important; font-family: arial,sans-serif; c=
olor: rgb(54, 54, 54) ! important; padding-top: 20px;">You&#39;ve hit the <=
a style=3D"text-decoration: none ! important; font-family: arial,sans-serif=
;" href=3D"http://www.flickr.com/x/t/0030006/help/limits/#28" target=3D"_bl=
ank">upload
 limit</a> of your free Flickr account.</div>
	=09
=09
=09
=09
				=09
			<div><span style=3D"font-size: 13px ! important; line-height: 18px; font=
-family: arial,sans-serif; color: rgb(54, 54, 54) ! important;">Your
 free account will only display the most recent 200 items you&#39;ve=20
uploaded. Anything beyond 200 will remain hidden from view until you=20
either delete newer items or <a style=3D"text-decoration: none ! important;=
 font-family: arial,sans-serif;" href=3D"http://www.flickr.com/x/t/0030012/=
upgrade/" target=3D"_blank">upgrade
 to a Pro account.</a></span></div>
		=09
			<span style=3D"font-size: 13px ! important; line-height: 18px; font-fami=
ly: arial,sans-serif; color: rgb(54, 54, 54) ! important;"><br>BAstards!!! =
<br><br>Not Bastards for doing that of course... they have to make a living=
 I guess, but Bastards for NOT SAYING BEFORE Ive spent a whole day uploadin=
g pics!!!<br>

<br>Can anyone tell me what IS the deal here... What does Hidden from View =
mean... What is people experieance of online photo storage sites and whats =
the BEST and er.. FREE-EST... as in no money... <br><br>;-)<br><br><br>

<br></span>-- <br><a href=3D"http://www.markfrancombe.com" target=3D"_blank=
">www.markfrancombe.com</a><br><a href=3D"http://www.ordoabkhao.com" target=
=3D"_blank">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user82509=
4" target=3D"_blank">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe" target=3D"_blank">http://w=
ww.myspace.com/markfrancombe</a><br>
<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch" t=
arget=3D"_blank">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>

--0014853261ae7527640483aaaf63--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 19:55:51 2010
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"Don't just try to find the right volume by ear, see it with the 0-10 LED readout!
Brilliant! Musicians everywhere now can simply look down to see where their volume level is."

...well, I thought it was funny :-)


You'd have to use it in "passive mode", don't know how well it would
work though, there's no spec available, but likely it's a regular 
guitar swell pedal in that mode. 

The EDP needs a low impedance vol control like the Boss FV-50L
(the "L" is for "low impedance"). 
That's a line level controller, and a regular guitar swell pedal
has high impedance.

Don't forget that the EDP displays feedback value when you set it.

I'd advise get a cheap FV-50L equivalent (Bespeco?).


andy







Ace Ovil wrote:
> I know this has likely been discussed ad-nauseum, but does anyone maybe 
> know if the visualsound visual volume pedal will control feedback on the 
> EDP?
> 
> There is one for sale locally at a good price and I have always thought 
> a feedback indicator would be pretty handy.
> 
> Cant seem to find info in the archives.
> 
> Thank you.
> 

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 20:13:14 2010
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Date: Wed, 7 Apr 2010 13:13:11 -0700 (PDT)
From: margaret noble <margaretnoble2000@yahoo.com>
Subject: Looking for Awesome Listening & Sampling Sites for Education Resource Page
To: Loopers-Delight@loopers-delight.com, MakeMicroMusic@yahoogroups.com,
  oddmusic@yahoogroups.com, soundasart@yahoogroups.com,
  contemporary_minimal_music@yahoogroups.com, junkmusic@yahoogroups.com,
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--0-1809100680-1270671191=:51703
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Hello Lists!!!

I am adding a new post to my educator site and I want to compile a great list of links to sites that have a diversity of new listening opportunities and sites that offer free samples/sounds under creative commons. In particular, I am looking for well organized and teen friendly since it is a new world for my students.

This is my educator site in case you are curious:

http://margaretnoble.net/educator/


PS: I am also always looking for cool sounds from you guys for my own sound site, Sound is Art:

http://margaretnoble.net/soundisart

http://margaretnoble.net/blog/submit/

THANKS!!!!!!!

Margaret


      
--0-1809100680-1270671191=:51703
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt;color:#000000;">Hello Lists!!!<br><br>I am adding a new post to my educator site and I want to compile a great list of links to sites that have a diversity of new listening opportunities and sites that offer free samples/sounds under creative commons. In particular, I am looking for well organized and teen friendly since it is a new world for my students.<br><br>This is my educator site in case you are curious:<br><br><span><a target="_blank" href="http://margaretnoble.net/educator/">http://margaretnoble.net/educator/</a></span><br><br><br>PS: I am also always looking for cool sounds from you guys for my own sound site, Sound is Art:<br><br><span><a target="_blank" href="http://margaretnoble.net/soundisart">http://margaretnoble.net/soundisart</a></span><br><br><span><a target="_blank"
 href="http://margaretnoble.net/blog/submit/">http://margaretnoble.net/blog/submit/</a></span><br><br>THANKS!!!!!!!<br><br>Margaret<br><br></div><br>

      </body></html>
--0-1809100680-1270671191=:51703--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 20:16:54 2010
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Subject: FCB 1010 goes off...
From: Alexandre Klinke <alexandre.klinke@gmail.com>
To: loopers-delight@loopers-delight.com
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Hello Loopers!

I'm experiencing a problem with my FCB 1010 and was wondering if
anyone have experienced the same problem.
Sometimes when I'm playing the pedal simply goes off with no particular reason.
At first I thought it was a problem with the power cable, but it looks
like very sturdy and it's well connected.
I've been experiencing this playing in my house, but yesterday I had
this problem while on stage, and man... I was so pissed off!! Had to
let the music rolling and restart the pedal and pretend nothing was
happening...
Anyway, does anyone had the same problem before? Is there a way to fix this?
Thanks a lot for your help.
Cheers!
Alexandre


www.myspace.com/alexandreklinke

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Date: Wed, 7 Apr 2010 22:16:59 +0200
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Subject: Re: Looking for Awesome Listening & Sampling Sites for Education 
	Resource Page
From: Raul Bonell <raul.bonell@gmail.com>
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--001636457cc290ee2e0483ab3e70
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http://freesound.org/

2010/4/7 margaret noble <margaretnoble2000@yahoo.com>

> Hello Lists!!!
>
> I am adding a new post to my educator site and I want to compile a great
> list of links to sites that have a diversity of new listening opportuniti=
es
> and sites that offer free samples/sounds under creative commons. In
> particular, I am looking for well organized and teen friendly since it is=
 a
> new world for my students.
>
> This is my educator site in case you are curious:
>
> http://margaretnoble.net/educator/
>
>
> PS: I am also always looking for cool sounds from you guys for my own sou=
nd
> site, Sound is Art:
>
> http://margaretnoble.net/soundisart
>
> http://margaretnoble.net/blog/submit/
>
> THANKS!!!!!!!
>
> Margaret
>
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--001636457cc290ee2e0483ab3e70
Content-Type: text/html; charset=ISO-8859-1
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<a href=3D"http://freesound.org/">http://freesound.org/</a><br><div style=
=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_popup"></div>=
<style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  z-inde=
x:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  width: 240=
px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-size: 1=
0px;  text-align: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/4/7 margaret noble <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:margaretnoble2000@yahoo.com">margaretnoble2000@yahoo.com</a=
>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px=
 solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div><div style=3D"font-family: arial,helvetica,sans-serif; font-size: 10pt=
; color: rgb(0, 0, 0);">Hello Lists!!!<br><br>I am adding a new post to my =
educator site and I want to compile a great list of links to sites that hav=
e a diversity of new listening opportunities and sites that offer free samp=
les/sounds under creative commons. In particular, I am looking for well org=
anized and teen friendly since it is a new world for my students.<br>
<br>This is my educator site in case you are curious:<br><br><span><a href=
=3D"http://margaretnoble.net/educator/" target=3D"_blank">http://margaretno=
ble.net/educator/</a></span><br><br><br>PS: I am also always looking for co=
ol sounds from you guys for my own sound site, Sound is Art:<br>
<br><span><a href=3D"http://margaretnoble.net/soundisart" target=3D"_blank"=
>http://margaretnoble.net/soundisart</a></span><br><br><span><a href=3D"htt=
p://margaretnoble.net/blog/submit/" target=3D"_blank">http://margaretnoble.=
net/blog/submit/</a></span><br>
<br>THANKS!!!!!!!<br><br>Margaret<br><br></div><br>

      </div></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que e=
stava il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda =
de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sti=
es!, no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &q=
uot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--001636457cc290ee2e0483ab3e70--

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Date: Thu, 08 Apr 2010 08:17:19 +1200
From: test test <test@oborn.co.nz>
Subject: ATM
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=20

Dear Partner

This is to bring to your notice that I have paid the re-activation fee =
and the delivery
of your ATM Card. I paid it because the ATM Card worth of $1.8m has less =
than Seven days
to expire and when it expires, the money will go into Federal Government =
treasury
account.With that I decided to help you pay off the money so that the =
ATM Card will
not expire, because I trust that when you receive your ATM Card =
definitely you must
pay me back my money and even compensate me for helping you.

Now I want you to contact Pridete Courier with your physical address
you prefer the delivery to be made so that they can deliver your ATM =
Card to your
designated address without any delay.

The delivery charges has been paid but I did not pay their
official keeping fees since they refused. They refused and the reason is =
that they
do not know when you are going to contact them and the demurrage might =
have increased.
They told me that their keeping fees are $30 per day and I deposited it =
on MONDAY
 5th OF APRIL. 2010.

Contact Person: Mr.Frank Chika .
 E-mail Address: ( c.pridete@w.cn )


 Sincerely,
Barr.Young James=20



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<P><FONT SIZE=3D2><BR>
<BR>
Dear Partner<BR>
<BR>
This is to bring to your notice that I have paid the re-activation fee =
and the delivery<BR>
of your ATM Card. I paid it because the ATM Card worth of $1.8m has less =
than Seven days<BR>
to expire and when it expires, the money will go into Federal Government =
treasury<BR>
account.With that I decided to help you pay off the money so that the =
ATM Card will<BR>
not expire, because I trust that when you receive your ATM Card =
definitely you must<BR>
pay me back my money and even compensate me for helping you.<BR>
<BR>
Now I want you to contact Pridete Courier with your physical address<BR>
you prefer the delivery to be made so that they can deliver your ATM =
Card to your<BR>
designated address without any delay.<BR>
<BR>
The delivery charges has been paid but I did not pay their<BR>
official keeping fees since they refused. They refused and the reason is =
that they<BR>
do not know when you are going to contact them and the demurrage might =
have increased.<BR>
They told me that their keeping fees are $30 per day and I deposited it =
on MONDAY<BR>
&nbsp;5th OF APRIL. 2010.<BR>
<BR>
Contact Person: Mr.Frank Chika .<BR>
&nbsp;E-mail Address: ( c.pridete@w.cn )<BR>
<BR>
<BR>
&nbsp;Sincerely,<BR>
Barr.Young James<BR>
<BR>
<BR>
</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 21:02:42 2010
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Subject: RE: Technical knowledge needed please.
Date: Wed, 7 Apr 2010 17:00:02 -0400
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From: "Ace Ovil" <aovil@wfubmc.edu>
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Yeah, that is kind of funny. "Tone deaf musicians everywhere can now
experience the thrill of knowing what notes they are playing by seeing
by seeing written them written on the screen" is the next logical step.
Oh wait, isn't that called guitar pro?  ;)

I just thought it looked kind of cool and would save me having to have
the rack in direct view.=20
I was reading some of the FAQ's on LD and it said the EV-5 would work
too, but in reverse. Not sure exactly what that means, do I understand
correctly that this would mean toe down to replace and toe up for
infinite feedback? That actually seems more natural to me.

Anyway, thank you for the help Andy.

-----Original Message-----
From: andy butler [mailto:akbutler@tiscali.co.uk]=20
Sent: Wednesday, April 07, 2010 3:56 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Technical knowledge needed please.

"Don't just try to find the right volume by ear, see it with the 0-10
LED readout!
Brilliant! Musicians everywhere now can simply look down to see where
their volume level is."

...well, I thought it was funny :-)


You'd have to use it in "passive mode", don't know how well it would
work though, there's no spec available, but likely it's a regular=20
guitar swell pedal in that mode.=20

The EDP needs a low impedance vol control like the Boss FV-50L
(the "L" is for "low impedance").=20
That's a line level controller, and a regular guitar swell pedal
has high impedance.

Don't forget that the EDP displays feedback value when you set it.

I'd advise get a cheap FV-50L equivalent (Bespeco?).


andy







Ace Ovil wrote:
> I know this has likely been discussed ad-nauseum, but does anyone
maybe=20
> know if the visualsound visual volume pedal will control feedback on
the=20
> EDP?
>=20
> There is one for sale locally at a good price and I have always
thought=20
> a "feedback" indicator would be pretty handy.
>=20
> Can't seem to find info in the archives.
>=20
> Thank you.
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 21:24:26 2010
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Subject: New "Rigs!" videos with Travis Johns
From: Matt Davignon <mattdavignon@gmail.com>
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--000e0cd11958be3eb30483ac2f0f
Content-Type: text/plain; charset=ISO-8859-1

Hi all,

I just posted some a new set of Rigs! videos on YouTube.

Travis Johns discusses and performs on his homemade analog electronics
boxes:
Part 1: http://www.youtube.com/watch?v=Oags-OhuRLk
Part 2: http://www.youtube.com/watch?v=Jg8TV4kqK_8
Performance: http://www.youtube.com/watch?v=H6z7vjSwCk4

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

--000e0cd11958be3eb30483ac2f0f
Content-Type: text/html; charset=ISO-8859-1

Hi all, <br>
<br>
I just posted some a new set of Rigs! videos on YouTube. <br>
<br>
Travis Johns discusses and performs on his homemade analog electronics 
boxes: <br>
Part 1: <a href="http://www.youtube.com/watch?v=Oags-OhuRLk" target="_blank">http://www.youtube.com/watch?v=Oags-OhuRLk</a><br>

Part 2: <a href="http://www.youtube.com/watch?v=Jg8TV4kqK_8" target="_blank">http://www.youtube.com/watch?v=Jg8TV4kqK_8</a><br>
Performance:
 <a href="http://www.youtube.com/watch?v=H6z7vjSwCk4" target="_blank">http://www.youtube.com/watch?v=H6z7vjSwCk4</a><br clear="all"><br>-- <br>Matt Davignon<br><a href="mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><br>
<a href="http://www.ribosomemusic.com">www.ribosomemusic.com</a><br>Rigs! <a href="http://www.youtube.com/user/ribosomematt">www.youtube.com/user/ribosomematt</a><br>

--000e0cd11958be3eb30483ac2f0f--

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Date: Wed, 7 Apr 2010 16:18:31 -0600
Message-ID: <r2hdec8f8e61004071518vc58fdef7s40fe4b6d69acf7cf@mail.gmail.com>
Subject: LP-2? Was Re: looping with M-9 and Lp-1
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Speaking of ... any word on when we can expect to see this on the
Looperlative pages?

About ready to part with some cash ...

Dennis


>  can't wait to get an Lp-2,
> =A0I could run 3 loopers in series and then I'd never leave my room.
> Bill




--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 22:34:13 2010
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Subject: Re: Basic RC-50 Question
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--001636284a523ed9100483ad292d
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 Re: Basic RC-50 Question

Hi Jeff,
The one saving grace of the RC50 IMO, and I do own one, is that you can hav=
e
un-synchronized loops of any length in a patch, so you could set up two
one-shot 'noises' on loops 2 and/or 3 and play them as required without mid=
i
control, as Andy suggests. I wish my Repeater could do that.
If you can't afford to spend the other loops that way, It might make sense
to run an RC20 or one of it's brethren on the in or the out and that could
give you 10 different 'noises' to select from and run them on any patch
without preparation. That would give you more flexibility at far less cost
of 'real estate' than a floor controller for a floorboard with such limited
midi functionality.

Keep in mind that another of the unloveable traits of the RC50 is the
minimum loop length of 1 second.  That's a long time, but of course your
beep doesn't have to fill the whole loop.
best,
Keith Smith

Jeff Shirkey wrote:
> Hi,
>
> I've got what I assume is a pretty basic RC-50 question. I know it's
> somewhat sacrilege around here to talk about canned loops,

LD isn't live looping specific any more than it's
guitar specific ;-)


>
> Can the RC-50 stop/start canned blips, bleeps, and other assorted loops
> that I can trigger via MIDI from my controller?

not sure, the RC-50 has a pathetic midi implementation,
but may *just* do what you want.
Check out the manual, there's a very limited couple of midi
commands available at any one time (with the RC-50 menu system
being used to select them ).
It may be that you could set to select a loop, start *and* stop it.
(sorry, I only had the RC-50 for a couple of days on loan, otherwise
 a complete answer would be forthcoming)


andy butler
--=20
Keith Smith -Guitar

Keith Smith Trio -Afterthought
www.keithsmith.ca
http://www.plungerecords.com/
http://cdbaby.com/cd/keithsmithtrio

Northern Lights =96 Altai Khangai
The 35th Anniversary Project
http://www.nl4tet.ca/

--001636284a523ed9100483ad292d
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

 Re: Basic RC-50 Question<br><br>Hi Jeff,<br>The one saving grace of the RC=
50 IMO, and I do own one, is that you can have un-synchronized loops of any=
 length in a patch, so you could set up two one-shot &#39;noises&#39; on lo=
ops 2 and/or 3 and play them as required without midi control, as Andy sugg=
ests. I wish my Repeater could do that. <br>
If you can&#39;t afford to spend the other loops that way, It might make se=
nse to run an RC20 or one of it&#39;s brethren on the in or the out and tha=
t could give you 10 different &#39;noises&#39; to select from and run them =
on any patch without preparation. That would give you more flexibility at f=
ar less cost of &#39;real estate&#39; than a floor controller for a floorbo=
ard with such limited midi functionality.<br>
<br>Keep in mind that another of the unloveable traits of the RC50 is the m=
inimum loop length of 1 second.=A0 That&#39;s a long time, but of course yo=
ur beep doesn&#39;t have to fill the whole loop.<br>best,<br>Keith Smith<br=
>
<br clear=3D"all">Jeff Shirkey wrote:<br>
&gt; Hi,<br>
&gt;<br>
&gt; I&#39;ve got what I assume is a pretty basic RC-50 question. I know=20
it&#39;s<br>
&gt; somewhat sacrilege around here to talk about canned loops,<br>
<br>
LD isn&#39;t live looping specific any more than it&#39;s<br>
guitar specific ;-)<br>
<br>
<br>
&gt;<br>
&gt; Can the RC-50 stop/start canned blips, bleeps, and other assorted=20
loops<br>
&gt; that I can trigger via MIDI from my controller?<br>
<br>
not sure, the RC-50 has a pathetic midi implementation,<br>
but may *just* do what you want.<br>
Check out the manual, there&#39;s a very limited couple of midi<br>
commands available at any one time (with the RC-50 menu system<br>
being used to select them ).<br>
It may be that you could set to select a loop, start *and* stop it.<br>
(sorry, I only had the RC-50 for a couple of days on loan, otherwise<br>
 =A0a complete answer would be forthcoming)<br>
<br>
<br>
andy butler<br>-- <br>Keith Smith -Guitar<br><br>Keith Smith Trio -Aftertho=
ught<br><a href=3D"http://www.keithsmith.ca">www.keithsmith.ca</a><br><a hr=
ef=3D"http://www.plungerecords.com/">http://www.plungerecords.com/</a><br>
<a href=3D"http://cdbaby.com/cd/keithsmithtrio">http://cdbaby.com/cd/keiths=
mithtrio</a><br><br>Northern Lights =96 Altai Khangai<br>The 35th Anniversa=
ry Project<br><a href=3D"http://www.nl4tet.ca/">http://www.nl4tet.ca/</a><b=
r>
<br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--001636284a523ed9100483ad292d--

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 22:38:17 2010
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i got stopped every time.  They didn't know what tubes (valves) were.  =
So I stopped hand carrying tubes.  I've had to take stomp boxes apart, =
explain what a wah wah was.  Once I had to wait while they fetched a =
security guy who played music and he laughed and let me go.=20

Don't take any tools.  They have confiscated tools I accidentally forgot =
and left in my hand luggage.=20

I guess it doesnt' help when you look like a stout version of Osama Bin =
Latte.

I think most of this worrying only gets critical when entering the USA, =
although I have had some issues even here in Canada. =20

I think it's best to have good flight cases for the not real fragile =
stuff.  That way no worries.  Of course, have good insurance if your'e =
taking expensive stuff.  But I've shipped 50 year old guitar amps (in =
good flight cases) with no damage thousands of miles.=20

just my $.02

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com
www.reverbnation.com/richardsalestreefrogorchestra










On Apr 7, 2010, at 10:11 AM, nemoguitt@aol.com wrote:

> GARETH asked
> Are they gong to freak out when they xray all this electronic gear?
>=20
> i have only once been stopped for equipment x-rays, which has always =
surprised me.....i would think little boxes and wires would be more =
suspect.....they do stop me for the whole shebang due to my bionic body =
parts though.....m
>=20


--Apple-Mail-2-314919105
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">i got =
stopped every time. &nbsp;They didn't know what tubes (valves) were. =
&nbsp;So I stopped hand carrying tubes. &nbsp;I've had to take stomp =
boxes apart, explain what a wah wah was. &nbsp;Once I had to wait while =
they fetched a security guy who played music and he laughed and let me =
go.&nbsp;<div><br></div><div>Don't take any tools. &nbsp;They have =
confiscated tools I accidentally forgot and left in my hand =
luggage.&nbsp;</div><div><br></div><div>I guess it doesnt' help when you =
look like a stout version of Osama Bin Latte.</div><div><br></div><div>I =
think most of this worrying only gets critical when entering the USA, =
although I have had some issues even here in Canada. =
&nbsp;</div><div><br></div><div>I think it's best to have good flight =
cases for the not real fragile stuff. &nbsp;That way no worries. =
&nbsp;Of course, have good insurance if your'e taking expensive stuff. =
&nbsp;But I've shipped 50 year old guitar amps (in good flight cases) =
with no damage thousands of miles.&nbsp;</div><div><br></div><div>just =
my $.02</div><div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.reverbnation.com/richardsalestreefrogorchestra">www.rev=
erbnation.com/richardsalestreefrogorchestra</a></font></div><div><br></div=
></div></span><br class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Apr 7, 2010, at 10:11 AM, <a =
href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>GARETH =
asked<br>Are they gong to freak out when they xray all this electronic =
gear?<br><br>i have only once been stopped for equipment x-rays, which =
has always surprised me.....i would think little boxes and wires would =
be more suspect.....they do stop me for the whole shebang due to my =
bionic body parts =
though.....m<br><br></div></blockquote></div><br></div></body></html>=

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	 <BAY145-w259119FDC2294FD93B56A985170@phx.gbl>
	 <8CCA48C772A257B-1324-2A98@webmail-stg-d14.sysops.aol.com>
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Date: Thu, 8 Apr 2010 00:56:00 +0200
Message-ID: <v2w66f9cc1e1004071556te034f316uff2f67bc94e3c33b@mail.gmail.com>
Subject: Re: more transatlantic baggage questions
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Thu, Apr 8, 2010 at 12:38 AM, richard sales <richard@glasswing.com> wrot=
e:
> Don't take any tools. =C2=A0They have confiscated tools I accidentally fo=
rgot and
> left in my hand luggage.

I had my most awesome guitar nail-file ever confiscated as "a sharp object"=
.


> I think most of this worrying only gets critical when entering the USA,
> although I have had some issues even here in Canada.

Wrong! Appliance of security regulations are non negociable all over
the world now. My previous examples were all from Swedish domestic
flights. What happened in America was taht no one informed me that
Security had taken my 1929 tenor sax to as "suspicious object to be
terminated if not claimed within 30 minutes". Oh well, customs might
differ just a bit...  ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From genterexner@aggies.com  Wed Apr  7 23:15:15 2010
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Date: Thu, 8 Apr 2010 00:13:49 +0300 (EEST)
Subject: Please Contact Via This Confidential  Email: (genterexner@w.cn)
From: "Gunter Exner Esq" <genterexner@aggies.com>
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Good Day,

I am Gunter Exner Esq, attorney to Prince Abdul Hakeem Bolkiah, the son of
Prince Jeffrey Bolkiah former finance minister of Brunei, the tiny
oil-rich sultanate on the Gulf Island of Borneo. I save your time by not
amplifying his extended royal family history, which has already been
disseminated by the international media during the controversial dispute
that erupted between his father and his step brother, the sultan of Brunei
Sheik Muda Hassanal Bolkiah.

The sultan had accused his father of financial mismanagement and
impropriety of US$14.8 Billion dollars; this was as a result of the Asian
Financial crisis that made his father company (Amedeo Development
Corporation) to be declared bankrupt during his tenure in the office.

However his father was kept under house arrest, his bank accounts and
private Properties including a crude oil export refinery were later
confiscated by the sultanate. Furthermore, during this unfortunate period,
I advised him to evacuate to immediate family outside the country to avoid
further prosecution from the sultan and his security operatives, but
unfortunately for him he was arrested and placed under house arrest by the
Sultan.


Before he was incarcerated, he have already deposited the sum of Eighteen
Million United States Dollars {$18,000,000.00} in cash To Secure Finance
Firm abroad for safe keeping, which I will disclose to you immediately you
declare your interest.

I seek your good assistance to invest these funds into profitable
investment in your country to facilitate future survival for my client
Prince Abdul Hakeem Bolkiah and his family. I have decided to offer 20% of
these funds to you as compensation for your strong cooperation while
certain percentage have been mapped out for both local and international
expenses that may be incurred during this transaction.

Please I count on your absolute confidentiality, transparency and trust,
while looking forward to your prompt reply towards a swift conclusion of
this transaction.

You can visit the following website for a better understanding of this
situation:-

http://en.wikipedia.org/wiki/Prince_Jefri_Bolkiah

During this dispensation please I count on your absolute confidentiality,
transparency and trust while looking forward to your prompt reply towards
a swift conclusion of this transaction.

Finally, your financial compensation will be 20% of the total cash. That
is 20% of the {$18,000,000.00}

Contact Email:( genterexner@w.cn )

Regards,

Gunter Exner Esq.
Reply to ( genterexner@w.cn )

From Loopers-Delight-request@loopers-delight.com  Wed Apr  7 23:31:05 2010
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Subject: digitech timebender
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--005045015b4cb013480483adf437
Content-Type: text/plain; charset=ISO-8859-1

i sold my timebender on ebay a few weeks ago.
i was really underwhelmed w/ it.
seemed more like a pitch shifter to me.
it does do 5 sec of delay , but not all modes do the 5 sec. kind of odd i
thought.
like i said, i was just underwhelmed. if you want pitch shifting-it has
OOOOODLES of options, maybe w/ an expression pedal it's the wizzbang.
that said, i did like the envelope (or slice) or what ever setting, and when
you use the random option, i swear it allows you to sound like andre
lafosse's edp glitching stuff.
it's pretty cool, just wasn't sure if i needed a pedal to do that and move
in to andre's territory (ha!). but  in the end i bought a boss slicer-and i
love that!!!! (and like rick W said-i think it will take me FO-ever to
figure out all it can do....)

i think for me, in the end, the pitchshifting thing is sort of my least
impressive effect at times.
i guess if you just want WASHES of sound, it's for you, b/c it does create
that nicely....for me, eh....

i think i sold mine on ebay for 175$ or in that range. a hair bit under what
i paid for it,
i would definately say try it out to see if you'd like it, or watch the
youtube vid/reviews. just throwing my negative 2 cents in....(didn't mean to
spoil anyone's day!)
s---

--005045015b4cb013480483adf437
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>i sold my timebender on ebay a few weeks ago.</div>
<div>i was really underwhelmed w/ it.</div>
<div>seemed more like a pitch shifter to me.</div>
<div>it does do 5 sec of delay , but not all modes do the 5 sec. kind of od=
d i thought.</div>
<div>like i said, i was just underwhelmed. if you want pitch shifting-it ha=
s OOOOODLES of options, maybe w/ an expression pedal it&#39;s the wizzbang.=
</div>
<div>that said, i did like the envelope (or slice)=A0or what ever setting, =
and when you use the random option, i swear it allows you to sound like and=
re lafosse&#39;s edp glitching stuff.</div>
<div>it&#39;s pretty cool, just wasn&#39;t sure if i needed a pedal to do t=
hat and move in to andre&#39;s territory (ha!). but=A0 in the end i bought =
a boss slicer-and i love that!!!! (and like rick W said-i think it will tak=
e me FO-ever to figure out all it can do....)</div>

<div>=A0</div>
<div>i think for me, in the end, the pitchshifting thing is sort of my leas=
t impressive effect at times.</div>
<div>i guess if you just want WASHES of sound, it&#39;s for you, b/c it doe=
s create that nicely....for me, eh....</div>
<div>=A0</div>
<div>i think i sold mine on ebay for 175$ or in that range. a hair bit unde=
r what i paid for it, </div>
<div>i would definately say try it out to see if you&#39;d like it, or watc=
h the youtube vid/reviews. just throwing my negative 2 cents in....(didn&#3=
9;t mean to spoil anyone&#39;s day!)</div>
<div>s---</div>

--005045015b4cb013480483adf437--

From bonniehay@verizon.net  Thu Apr  8 00:05:25 2010
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Date: Wed, 7 Apr 2010 17:05:16 -0700 (PDT)
From: Mrs Linda Costa <bonniehay@verizon.net>
Subject: CONTACT WESTERNUNION FOR YOUR PAYMENT immediately
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-938515941-1270685116=:73804"

--0-938515941-1270685116=:73804
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Attention Dear!!!=20
=A0
How are you today?I write to inform you that we have already sent you $5000=
.00 usd dollars through Western union as we have been given the mandate to =
transfer your full compensation payment total sum of $3.5Million USD,via we=
stern union by this governemnt.I was calling your telephone number to give =
you the information through phone but you did not pick up my calls through =
out that yesterday even this morning.Now,I decided to email you the MTCN an=
d sender name so that you will pick up the $5000.00 usd to enable us send a=
nother $5000.00 usd today as you know we will be sending you only $5000.00 =
usd per day.and it was agreed that you will pay the sum of $180 before they=
 will realease the payment to you.
=A0
Please pick up this information and run to western union to pick up the $50=
00.00 usd and call Director of Operation DR. Peter mooer because he is the =
person incharge for your payment so that he can send you another payment to=
day,phone line +229 987 99955,Email:(wesunionben205@hosanna.net ) email Him=
 once you picked up the $5000.00 USD today.Here is the western union inform=
ation to pick up the $5000.00; which you will be receiving your payment $50=
00.00 Us Dollars immediately you sent them their transfer charge of $180 an=
d it will serve as re-confirmation of your file payment from the office in =
charge.
=A0
So you are to re-confirm to them the below information,=20

Your. Receiver--------
Your. Country------
Your. City-----------
Your. Tel----------
Your. Test question------
Your. Answer-----------
Your.Passport--------
=A0
Here Is The Senders Information
Senders First Name: ANTHONY
Senders Second Name:EJIMOFOR
MTCN:2861187111=A0=20
Text Question=3D=3D=3DA?
Answer=3D=3D=3D=3D=3D=3D=3DB
Website:www.westernunion.com
=A0
And We Are Waitng For You To Send The $18o Today
=A0
RECEIVER-------------FELIX OGBUAGU
LOCATION CITY---------COTONOU-BENIN
COUNTRY-----------------BENIN=20
TEXT QUESTION--HOW LONG?
ANSWER-----------TODAY
AMOUNT--------------$180.Only
=A0
Be advise that the $180 is a compulsory as they told me that is only money =
you will pay until you receive your payment completely I am waiting for you=
r call once you pick up this $5000.00 usd,Please email me your direct telep=
hone number because I need to be calling you once we send any payment for t=
he informations.
=A0
Regards=20
Mrs Linda Costa=A0=A0=20



--0-938515941-1270685116=:73804
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><br>Attention Dear!!! <br>&nbsp;<br>H=
ow are you today?I write to inform you that we have already sent you $5000.=
00 usd dollars through Western union as we have been given the mandate to t=
ransfer your full compensation payment total sum of $3.5Million USD,via wes=
tern union by this governemnt.I was calling your telephone number to give y=
ou the information through phone but you did not pick up my calls through o=
ut that yesterday even this morning.Now,I decided to email you the MTCN and=
 sender name so that you will pick up the $5000.00 usd to enable us send an=
other $5000.00 usd today as you know we will be sending you only $5000.00 u=
sd per day.and it was agreed that you will pay the sum of $180 before they =
will realease the payment to you.<br>&nbsp;<br>Please pick up this informat=
ion and run to western union to pick up the $5000.00 usd and call Director =
of
 Operation DR. Peter mooer because he is the person incharge for your payme=
nt so that he can send you another payment today,phone line +229 987 99955,=
Email:(wesunionben205@hosanna.net ) email Him once you picked up the $5000.=
00 USD today.Here is the western union information to pick up the $5000.00;=
 which you will be receiving your payment $5000.00 Us Dollars immediately y=
ou sent them their transfer charge of $180 and it will serve as re-confirma=
tion of your file payment from the office in charge.<br>&nbsp;<br>So you ar=
e to re-confirm to them the below information, <br><br>Your. Receiver------=
--<br>Your. Country------<br>Your. City-----------<br>Your. Tel----------<b=
r>Your. Test question------<br>Your. Answer-----------<br>Your.Passport----=
----<br>&nbsp;<br>Here Is The Senders Information<br>Senders First Name: AN=
THONY<br>Senders Second Name:EJIMOFOR<br>MTCN:2861187111&nbsp; <br>Text
 Question=3D=3D=3DA?<br>Answer=3D=3D=3D=3D=3D=3D=3DB<br>Website:www.western=
union.com<br>&nbsp;<br>And We Are Waitng For You To Send The $18o Today<br>=
&nbsp;<br>RECEIVER-------------FELIX OGBUAGU<br>LOCATION CITY---------COTON=
OU-BENIN<br>COUNTRY-----------------BENIN <br>TEXT QUESTION--HOW LONG?<br>A=
NSWER-----------TODAY<br>AMOUNT--------------$180.Only<br>&nbsp;<br>Be advi=
se that the $180 is a compulsory as they told me that is only money you wil=
l pay until you receive your payment completely I am waiting for your call =
once you pick up this $5000.00 usd,Please email me your direct telephone nu=
mber because I need to be calling you once we send any payment for the info=
rmations.<br>&nbsp;<br>Regards <br>Mrs Linda Costa&nbsp;&nbsp; <br><br><br>=
</td></tr></table>
--0-938515941-1270685116=:73804--

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Subject: Re: Technical knowledge needed please.
Date: Wed, 7 Apr 2010 17:17:07 -0700
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Had one of them Visual Sound volume pedals, if what I understand from  
Andy that  the EDP needs a normal 1/4 jack low impedance pedal  for  
the exp pedal port and not a TRS like the EV-5, The Visual sound pedal  
won't work i believe,,  though if you had one to try you might give it  
a go. Hey Andy, would The Ernie ball jr with the 25k pot work for that  
purpose? Its a smaller footprint than the visual sound if thats an  
issue, a bit more rugged too.
Back to the visual sound, I thought when I bought it that I might be  
able to use the LEDs to adjust for different outputs when switching  
between guitars with different outputs or going from passive pickups  
to active pickups. I thought perhaps I could memorize numbers of LEDS  
to correspond to different guitars....it didn't work out so  
well.....GAS makes me do strange things Andy.  I went back to my  
trusty Ernie ball, though I now own a EB junior because it takes  up  
less space, though they are no longer US made and not as trusty :-)
Bill

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 00:20:29 2010
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Date: Wed, 7 Apr 2010 19:20:28 -0500
Message-ID: <t2r2871c3a91004071720v73dc442fid1f7e6392440e32c@mail.gmail.com>
Subject: Re: New "Rigs!" videos with Travis Johns
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd5d1d858636d0483aea559
Content-Type: text/plain; charset=ISO-8859-1

allright!
I've been patiently waiting for new Rigs! video.  Thanks for the great work
Matt.
Sylvain


On Wed, Apr 7, 2010 at 4:24 PM, Matt Davignon <mattdavignon@gmail.com>wrote:

> Hi all,
>
> I just posted some a new set of Rigs! videos on YouTube.
>
> Travis Johns discusses and performs on his homemade analog electronics
> boxes:
> Part 1: http://www.youtube.com/watch?v=Oags-OhuRLk
> Part 2: http://www.youtube.com/watch?v=Jg8TV4kqK_8
> Performance: http://www.youtube.com/watch?v=H6z7vjSwCk4
>
> --
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>

--000e0cd5d1d858636d0483aea559
Content-Type: text/html; charset=ISO-8859-1
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allright!<div>I&#39;ve been patiently waiting for new Rigs! video. =A0Thank=
s for the great work Matt.</div><div>Sylvain</div><div><br><div><br><div cl=
ass=3D"gmail_quote">On Wed, Apr 7, 2010 at 4:24 PM, Matt Davignon <span dir=
=3D"ltr">&lt;<a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.c=
om</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi all, <br>
<br>
I just posted some a new set of Rigs! videos on YouTube. <br>
<br>
Travis Johns discusses and performs on his homemade analog electronics=20
boxes: <br>
Part 1: <a href=3D"http://www.youtube.com/watch?v=3DOags-OhuRLk" target=3D"=
_blank">http://www.youtube.com/watch?v=3DOags-OhuRLk</a><br>

Part 2: <a href=3D"http://www.youtube.com/watch?v=3DJg8TV4kqK_8" target=3D"=
_blank">http://www.youtube.com/watch?v=3DJg8TV4kqK_8</a><br>
Performance:
 <a href=3D"http://www.youtube.com/watch?v=3DH6z7vjSwCk4" target=3D"_blank"=
>http://www.youtube.com/watch?v=3DH6z7vjSwCk4</a><br clear=3D"all"><font co=
lor=3D"#888888"><br>-- <br>Matt Davignon<br><a href=3D"mailto:mattdavignon@=
gmail.com" target=3D"_blank">mattdavignon@gmail.com</a><br>

<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" tar=
get=3D"_blank">www.youtube.com/user/ribosomematt</a><br>
</font></blockquote></div><br></div></div>

--000e0cd5d1d858636d0483aea559--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 01:06:03 2010
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Subject: RE: Technical knowledge needed please.
Date: Wed, 7 Apr 2010 21:02:44 -0400
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So overall conclusion, bad idea. GAS does make you do some strange
things. Any input on that ernie ball would be much appreciated. I really
like the feel of those pedals.=20
Thanks for your help Bill

-----Original Message-----
From: William Walker [mailto:billwalker@baymoon.com]=20
Sent: Wednesday, April 07, 2010 8:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Technical knowledge needed please.

Had one of them Visual Sound volume pedals, if what I understand from =20
Andy that  the EDP needs a normal 1/4 jack low impedance pedal  for =20
the exp pedal port and not a TRS like the EV-5, The Visual sound pedal =20
won't work i believe,,  though if you had one to try you might give it =20
a go. Hey Andy, would The Ernie ball jr with the 25k pot work for that =20
purpose? Its a smaller footprint than the visual sound if thats an =20
issue, a bit more rugged too.
Back to the visual sound, I thought when I bought it that I might be =20
able to use the LEDs to adjust for different outputs when switching =20
between guitars with different outputs or going from passive pickups =20
to active pickups. I thought perhaps I could memorize numbers of LEDS =20
to correspond to different guitars....it didn't work out so =20
well.....GAS makes me do strange things Andy.  I went back to my =20
trusty Ernie ball, though I now own a EB junior because it takes  up =20
less space, though they are no longer US made and not as trusty :-)
Bill

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 01:17:40 2010
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Date: Thu, 8 Apr 2010 03:17:38 +0200
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Subject: Any looping gigs happening in Rio or Sau Paulo?
From: Byron Howell <howell.byron@gmail.com>
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--0016e6d99d00d19fba0483af714a
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Hello Loopers

I was wondering if any loop performances are happening in Rio or Sao Paulo
in the next few weeks.

Kind regards

Byron Howell

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Hello Loopers<div><br></div><div>I was wondering if any loop performances are happening in Rio or Sao Paulo in the next few weeks.</div><div><br></div><div>Kind regards</div><div><br></div><div>Byron Howell</div>

--0016e6d99d00d19fba0483af714a--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 05:29:18 2010
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Subject: OT: uploading to Bandcamp.com
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--e0cb4e8876a3a9f41d0483b2f5bb
Content-Type: text/plain; charset=ISO-8859-1

Anyone currently having trouble uploading audio files to Bandcamp?  I've
normally had no trouble but the last 24 hours having no success after it
gets to the stage of the status bar filling up and goes to the text
'Completing Upload' which I believe was once upon a time a graphic instead
of text which makes me wonder if somethings up locally with Flash.  That
said I think I've ruled out version issues, local connection, browser, OS
issues (I've tried on both OS X and WinXP, from two different networks).
After about 5 minutes on 'Completing Upload' Flash dialog pops up and says
the upload couldn't be completed and suspected reason was local connection
which as said I've tried from home network and work T3 today.  Additionally
I've tried both WAV and FLAC.

Jim

-- 
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--e0cb4e8876a3a9f41d0483b2f5bb
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Anyone currently having trouble uploading audio files to Bandcamp?=A0 I&#39=
;ve normally had no trouble but the last 24 hours having no success after i=
t gets to the stage of the status bar filling up and goes to the text &#39;=
Completing Upload&#39; which I believe was once upon a time a graphic inste=
ad of text which makes me wonder if somethings up locally with Flash.=A0 Th=
at said I think I&#39;ve ruled out version issues, local connection, browse=
r, OS issues (I&#39;ve tried on both OS X and WinXP, from two different net=
works).=A0 After about 5 minutes on &#39;Completing Upload&#39; Flash dialo=
g pops up and says the upload couldn&#39;t be completed and suspected reaso=
n was local connection which as said I&#39;ve tried from home network and w=
ork T3 today.=A0 Additionally I&#39;ve tried both WAV and FLAC.<br>
<br>Jim<br clear=3D"all"><br>-- <br>ReUse, an introspective textural aural<=
br><a href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><b=
r><br>music links...<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgo=
odinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--e0cb4e8876a3a9f41d0483b2f5bb--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 07:11:03 2010
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William Walker wrote:

> Hey Andy, would The Ernie ball jr with the 25k pot work for that 
> purpose? 

yep, should be fine.


andy

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 07:33:26 2010
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Date: Thu, 08 Apr 2010 08:33:26 +0100
From: andy butler <akbutler@tiscali.co.uk>
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Ace Ovil wrote:

> I was reading some of the FAQ's on LD and it said the EV-5 would work
> too, but in reverse. 

If your going to pay Boss/Roland prices then the FV-50L is the 
one to go for.

EV-5 is an expression pedal, not what the EDP is designed to use.


The EDP design is supposed to be fairly forgiving of being used
with a range of foot controllers, but with varying eveness
of response. 

What's needed is a "volume control for line level signals" like the FV-50L

andy

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Date: Thu, 8 Apr 2010 10:44:33 +0300
Message-ID: <y2jc70841111004080044q9460140ep9cdc7d541f55e224@mail.gmail.com>
Subject: Re: FCB 1010 goes off...
From: Petri Lahtinen <aikuinen@gmail.com>
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I bet that you'll find lots of problems with the mentioned controller
in this list... ;-D

2010/4/7 Alexandre Klinke <alexandre.klinke@gmail.com>:
> Hello Loopers!
>
> I'm experiencing a problem with my FCB 1010 and was wondering if
> anyone have experienced the same problem.
> Sometimes when I'm playing the pedal simply goes off with no particular reason.
> At first I thought it was a problem with the power cable, but it looks
> like very sturdy and it's well connected.
> I've been experiencing this playing in my house, but yesterday I had
> this problem while on stage, and man... I was so pissed off!! Had to
> let the music rolling and restart the pedal and pretend nothing was
> happening...
> Anyway, does anyone had the same problem before? Is there a way to fix this?
> Thanks a lot for your help.
> Cheers!
> Alexandre
>
>
> www.myspace.com/alexandreklinke
>
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: OT: uploading to Bandcamp.com
Date: Thu, 8 Apr 2010 09:56:37 +0100
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Not had a problem recently - i use os 10 and firefox?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Apr 2010, at 06:29, Jim Goodin wrote:

> Anyone currently having trouble uploading audio files to Bandcamp?   
> I've normally had no trouble but the last 24 hours having no  
> success after it gets to the stage of the status bar filling up and  
> goes to the text 'Completing Upload' which I believe was once upon  
> a time a graphic instead of text which makes me wonder if  
> somethings up locally with Flash.  That said I think I've ruled out  
> version issues, local connection, browser, OS issues (I've tried on  
> both OS X and WinXP, from two different networks).  After about 5  
> minutes on 'Completing Upload' Flash dialog pops up and says the  
> upload couldn't be completed and suspected reason was local  
> connection which as said I've tried from home network and work T3  
> today.  Additionally I've tried both WAV and FLAC.
>
> Jim
>
> -- 
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Not had a problem recently - i use os 10 and firefox?<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Apr 2010, =
at 06:29, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Anyone =
currently having trouble uploading audio files to Bandcamp?&nbsp; I've =
normally had no trouble but the last 24 hours having no success after it =
gets to the stage of the status bar filling up and goes to the text =
'Completing Upload' which I believe was once upon a time a graphic =
instead of text which makes me wonder if somethings up locally with =
Flash.&nbsp; That said I think I've ruled out version issues, local =
connection, browser, OS issues (I've tried on both OS X and WinXP, from =
two different networks).&nbsp; After about 5 minutes on 'Completing =
Upload' Flash dialog pops up and says the upload couldn't be completed =
and suspected reason was local connection which as said I've tried from =
home network and work T3 today.&nbsp; Additionally I've tried both WAV =
and FLAC.<br> <br>Jim<br clear=3D"all"><br>-- <br>ReUse, an =
introspective textural aural<br><a =
href=3D"http://www.myspace.com/CtReUse">www.myspace.com/CtReUse</a><br><br=
>music links...<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br> <a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><a =
href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimgoodinmu=
sic</a><br><a =
href=3D"http://www.myspace.com/chinapaintingmusic">www.myspace.com/chinapa=
intingmusic</a><br> <a =
href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/jim=
goodinviolinelectro</a><br><a =
href=3D"http://www.myspace.com/jindream">www.myspace.com/jindream</a><br><=
a =
href=3D"http://www.youtube.com/jimgoodinmusic">www.youtube.com/jimgoodinmu=
sic</a><br> <br>video work/editing...<br><a =
href=3D"http://www.vimeo.com/jimgoodindigital">www.vimeo.com/jimgoodindigi=
tal</a><br><br>social networking...<br><a =
href=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmu=
sic</a><br> <br></blockquote></div><br></div></body></html>=

--Apple-Mail-5-352021106--

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Date: Thu, 8 Apr 2010 11:01:40 +0200
Message-ID: <x2n66f9cc1e1004080201gfbc283b3k39193c1f20b353cf@mail.gmail.com>
Subject: Re: OT: uploading to Bandcamp.com
From: Per Boysen <perboysen@gmail.com>
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On Thu, Apr 8, 2010 at 7:29 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> Anyone currently having trouble uploading audio files to Bandcamp?

Well yes, and their standing FAQ support advice actually helps; "just
try again" ;-))
So if being very busy and having limited time I would say I'm "having
trouble" with uploading. What happens here is simply that the
connection is lost. When that happens I initiate the upload again from
scratch. And again. And again. So days pass by while I keep that
tedious uploading business on the side while working with other stuff.
I upload 24 bit uncompressed files so the files are a lot bigger than
the www was designed for.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: RE: OT: WMD geiger counter
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Hmmm I got the Iraq II version.........weird............its silent  :)

Date: Wed=2C 7 Apr 2010 08:39:49 -0700
From: ditchwrestler@yahoo.com
Subject: OT: WMD geiger counter
To: Loopers-Delight@loopers-delight.com

=20
Just wondering if anybody here has used any of the three different WMD Geig=
er Counter pedals and can comment on usefullness of the weird'n'wacky sound=
s they kick out.
=20
=20
Ted Harms.

Enemies are good for self-definition. Werner Herzog

     =20
Looking for the perfect gift? Give the gift of Flickr! 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

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Hmmm I got the Iraq II version.........weird............its silent&nbsp=3B =
:)<br><br><hr id=3D"stopSpelling">Date: Wed=2C 7 Apr 2010 08:39:49 -0700<br=
>From: ditchwrestler@yahoo.com<br>Subject: OT: WMD geiger counter<br>To: Lo=
opers-Delight@loopers-delight.com<br><br><table border=3D"0" cellpadding=3D=
"0" cellspacing=3D"0"><tbody><tr><td style=3D"font: inherit=3B" valign=3D"t=
op"><div>&nbsp=3B</div>
<div>Just wondering if anybody here has used any of the three different WMD=
 Geiger Counter pedals and can comment on usefullness of the weird'n'wacky =
sounds they kick out.</div>
<div>&nbsp=3B</div>
<div>&nbsp=3B</div>
<div>Ted Harms.<br><br>Enemies are good for self-definition. Werner Herzog<=
/div></td></tr></tbody></table><br>
      <hr size=3D"1">
Looking for the perfect gift?<a href=3D"http://www.flickr.com/gift/"><b> Gi=
ve the gift of Flickr!</b></a> 		 	   		  <br /><hr />Get a new e-mail acco=
unt with Hotmail - Free. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/d=
irect/01/' target=3D'_new'>Sign-up now.</a></body>
</html>=

--_cd14fa49-3ce5-4675-bf54-5b8b6792f3e0_--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 12:15:26 2010
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Date: Thu, 8 Apr 2010 15:15:22 +0300
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Subject: Re: OT: uploading to Bandcamp.com
From: Petri Lahtinen <aikuinen@gmail.com>
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I put one mastered wav on my site today... no problems!
http://petrilahtinen.bandcamp.com/track/aika

I'm doing this from Finland, you're from Sweden so its something in
your connections/elsewhere there.

-Petri-



2010/4/8 Per Boysen <perboysen@gmail.com>:
> On Thu, Apr 8, 2010 at 7:29 AM, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
>> Anyone currently having trouble uploading audio files to Bandcamp?
>
> Well yes, and their standing FAQ support advice actually helps; "just
> try again" ;-))
> So if being very busy and having limited time I would say I'm "having
> trouble" with uploading. What happens here is simply that the
> connection is lost. When that happens I initiate the upload again from
> scratch. And again. And again. So days pass by while I keep that
> tedious uploading business on the side while working with other stuff.
> I upload 24 bit uncompressed files so the files are a lot bigger than
> the www was designed for.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

From phlm1@tiscali.cz  Thu Apr  8 12:17:27 2010
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Derek Basil

Public Relations Officer

______________________________________
A=BE 150 000 K=E8 p=F9j=E8ka bez poplatk=F9 na http://pujcky.tiscali.cz



From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 12:31:26 2010
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Subject: Re: OT: uploading to Bandcamp.com
From: Per Boysen <perboysen@gmail.com>
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On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> I'm doing this from Finland, you're from Sweden so its something in
> your connections/elsewhere there.

Well, I'm no network engineer but most people say it simply happens
because the world wide web was not designed to handle that big files
(as FTP as, for a comparison). After all BAndcamp uses a flash plugin
browser based upload method that can not be paused. So if the
connection flickers just a little too much for the flash buffer the
data transfer is broken and has to be initiated again from scratch.
Just keep on doing that and at one point you will suddenly be lucky to
get it all up! ;-)

However, if you happen to have a too flickery internet connection it
may not work. One trick could be to find the best time at day/night
for uploading.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 12:53:24 2010
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Date: Thu, 8 Apr 2010 15:53:22 +0300
Message-ID: <z2nc70841111004080553qe1466fbbx2f08fdfce4b0c2f4@mail.gmail.com>
Subject: Re: OT: uploading to Bandcamp.com
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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so how BIG are your files exactly?
The one I uploaded just a while ago was 53 MB.

-Petri-

2010/4/8 Per Boysen <perboysen@gmail.com>:
> On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
>> I'm doing this from Finland, you're from Sweden so its something in
>> your connections/elsewhere there.
>
> Well, I'm no network engineer but most people say it simply happens
> because the world wide web was not designed to handle that big files
> (as FTP as, for a comparison). After all BAndcamp uses a flash plugin
> browser based upload method that can not be paused. So if the
> connection flickers just a little too much for the flash buffer the
> data transfer is broken and has to be initiated again from scratch.
> Just keep on doing that and at one point you will suddenly be lucky to
> get it all up! ;-)
>
> However, if you happen to have a too flickery internet connection it
> may not work. One trick could be to find the best time at day/night
> for uploading.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 13:06:33 2010
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Date: Thu, 8 Apr 2010 15:06:31 +0200
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Subject: Re: OT: uploading to Bandcamp.com
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm not the one having problems with uploads. That's Jim. One big file
of mine I just checked now is 233 MB.

One time saving trick I use to speed up publishing work at Bandcamp is
to first create all tracks of an album without actually uploading the
files. This causes the user interface to show the finished album page
with a list of all tracks but the tracks have the error message "no
audio". So now when you start uploading the first file you can use
your precious time to work on track info text and track images for all
the other listed tracks that are not engaged in an actual file upload.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Thu, Apr 8, 2010 at 2:53 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> so how BIG are your files exactly?
> The one I uploaded just a while ago was 53 MB.
>
> -Petri-
>
> 2010/4/8 Per Boysen <perboysen@gmail.com>:
>> On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen <aikuinen@gmail.com> wrote:
>>> I'm doing this from Finland, you're from Sweden so its something in
>>> your connections/elsewhere there.
>>
>> Well, I'm no network engineer but most people say it simply happens
>> because the world wide web was not designed to handle that big files
>> (as FTP as, for a comparison). After all BAndcamp uses a flash plugin
>> browser based upload method that can not be paused. So if the
>> connection flickers just a little too much for the flash buffer the
>> data transfer is broken and has to be initiated again from scratch.
>> Just keep on doing that and at one point you will suddenly be lucky to
>> get it all up! ;-)
>>
>> However, if you happen to have a too flickery internet connection it
>> may not work. One trick could be to find the best time at day/night
>> for uploading.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must
> lead." -Charles Bukowski-
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 13:31:38 2010
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References: <t2k9e0440a61004072229ke914b19fm8666eff94ea98400@mail.gmail.com>
	 <x2n66f9cc1e1004080201gfbc283b3k39193c1f20b353cf@mail.gmail.com>
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	 <z2p66f9cc1e1004080606m1df03df4jb2be21ab98b81327@mail.gmail.com>
Date: Thu, 8 Apr 2010 09:31:36 -0400
Message-ID: <p2q9e0440a61004080631v963ed67dqb86a794db609ee9e@mail.gmail.com>
Subject: Re: OT: uploading to Bandcamp.com
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001517576deeb1e67a0483b9b26e
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Guys thanks for brainstorming/echo'ing about this.  I just got the followin=
g
from Bandcamp support (yes actually heard back!) which initially was in
agreement that it was a server issue at post and in a sense still is but in
the end and this is sort of 'egg on my face' kind of thing but it appears m=
y
issues were in my inclusion of a =F6 character in my file names.  My partne=
r
in this record Per is a fellow Swede, Peter Th=F6rn.  I somehow got it re t=
he
domain name that this wouldn't go but I kind of minimized that re the file
names.  I'll confirm this today when I try from work.  Just to share the
feedback and let you know there are 'humans' at BC, see the following... Ji=
m


Forwarded conversation
Subject: Re: (Case 126051) trouble uploading
------------------------

From: *Bandcamp support* <support@bandcamp.com>
Date: Thu, Apr 8, 2010 at 8:07 AM
To: Jim Goodin <jimgoodinmusic@gmail.com>


Hi Jim, it sucks to have upload problems, sorry about the frustration. We'v=
e
seen an uptick in upload failures and we're looking into it now. I
appreciate that you tried all the different ways to get it to work, that's
exactly what I would've asked first. The smoking gun is that it's hanging u=
p
in the "completing upload" phase. That means the file's successfully
uploaded and we're doing our processing on it, before adding it to the
track. In other words, I now know where to look, and we should get this
fixed soon. I know that's cold comfort, thanks for your patience and keep
trying in the meantime. It seems to happen more during our busy times
(evenings US pacific time) so trying at other times might be more
successful. Good luck with your music!  Joe

-----Original Message-----
From: "Jim Goodin" <jimgoodinmusic@gmail.com>
Reply-To: "Jim Goodin" <jimgoodinmusic@gmail.com>
Date: Wed, 7 Apr 2010 15:24:24 -0400
To: "support@bandcamp.com" <support@bandcamp.com>
Subject: trouble uploading

>Folks I emailed earlier but I've exhausted my possibilities trying to post
>my new project to my profile jimgoodinpeterthorn.bandcamp.com.  I have don=
e
>the following some of which was echoed in the other email...
>
>1. Tried different ways of connecting through home cable modem and
corporate
>work T3
>
>2. Tried different browsers, Firefox, Safari and IE (v8)
>
>3.  Tried on OS X Leopard and Win XP SP3
>
>4.  Updated Flash
>
>5.  Ruled out my wav files being the problem, they were produced on a Mac
OS
>X Leopard in Audacity.  I burned those as CD audio and as raw wav's to CD
to
>verify integrity, all good.
>
>Is something going on on the Bandcamp network that will clear up this
>problem soon.  I know this is a free network for me and I don't expect
>wonderful response or quick resolutions but can you give me some kind of
>input as I 'd really like to post my audio to as close the project release
>date as possible.
>
>I emailed earlier today but in short the file uploads going all the way
>through the status bar then switches to the text, 'completing' and stays
>there for many minutes then finally comes back with the Flash Message that
>process could not be completed, the upload failed and please see your FAQ
>for help.
>
>Thanks for looking into.
>
>Jim Goodin
>
>--

----------
From: *Bandcamp support* <support@bandcamp.com>
Date: Thu, Apr 8, 2010 at 8:42 AM
To: Jim Goodin <jimgoodinmusic@gmail.com>


*Hi Jim, update: looks like the uploader has trouble with non-ASCII
characters in the filenames. So for example one of your uploads is a file
named "1_Peter_Th=F6rn_Jim_Goodin_**Sculpting_The_Muse.wav". The "=F6" is t=
he
problem. If you rename your file before uploading I think it'll work. This
problem doesn't affect what you can name the file once it's on Bandcamp,
it's just the "internal" name of the uploaded file. Sorry about the glitch,
I'm working on fixing it now.  Joe
*
----------
From: *Jim Goodin* <jimgoodinmusic@gmail.com>
Date: Thu, Apr 8, 2010 at 9:19 AM
To: Bandcamp support <support@bandcamp.com>


Joe thanks so much for getting back to me and kind of confirming what I was
thinking as I'm pretty good ruling out the average issues on the user end -
I deal with them all day in the lawyer world.  Thanks for looking into
things on the BC end.  I'll try a few times today from work which is all T3
and steady.

If I do post successfully I'll send you an update, thanks for your time and
assistance and good words and of course for what ya'll are doing for all
Indie artists at Bandcamp.

Jim
----------
From: *Jim Goodin* <jimgoodinmusic@gmail.com>
Date: Thu, Apr 8, 2010 at 9:21 AM
To: Bandcamp support <support@bandcamp.com>


Wow! that makes total sense Joe and I should have gotten a red flag as when
I was making the BC domain for us I got to thinking you know the =F6 probab=
ly
won't go so dropped it from there but never thought about the file names
(duh!) will revise, thank you.


On Thu, Apr 8, 2010 at 9:06 AM, Per Boysen <perboysen@gmail.com> wrote:

> I'm not the one having problems with uploads. That's Jim. One big file
> of mine I just checked now is 233 MB.
>
> One time saving trick I use to speed up publishing work at Bandcamp is
> to first create all tracks of an album without actually uploading the
> files. This causes the user interface to show the finished album page
> with a list of all tracks but the tracks have the error message "no
> audio". So now when you start uploading the first file you can use
> your precious time to work on track info text and track images for all
> the other listed tracks that are not engaged in an actual file upload.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>
>
> On Thu, Apr 8, 2010 at 2:53 PM, Petri Lahtinen <aikuinen@gmail.com> wrote=
:
> > so how BIG are your files exactly?
> > The one I uploaded just a while ago was 53 MB.
> >
> > -Petri-
> >
> > 2010/4/8 Per Boysen <perboysen@gmail.com>:
> >> On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen <aikuinen@gmail.com>
> wrote:
> >>> I'm doing this from Finland, you're from Sweden so its something in
> >>> your connections/elsewhere there.
> >>
> >> Well, I'm no network engineer but most people say it simply happens
> >> because the world wide web was not designed to handle that big files
> >> (as FTP as, for a comparison). After all BAndcamp uses a flash plugin
> >> browser based upload method that can not be paused. So if the
> >> connection flickers just a little too much for the flash buffer the
> >> data transfer is broken and has to be initiated again from scratch.
> >> Just keep on doing that and at one point you will suddenly be lucky to
> >> get it all up! ;-)
> >>
> >> However, if you happen to have a too flickery internet connection it
> >> may not work. One trick could be to find the best time at day/night
> >> for uploading.
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se
> >> www.perboysen.com
> >>
> >>
> >
> >
> >
> > --
> > Petri Lahtinen
> > http://www.petrilahtinen.com
> > http://petrilahtinen.blogspot.com/
> > http://www.myspace.com/petrilahtinen
> > http://twitter.com/PetriLahtinen
> > http://petrilahtinen.bandcamp.com/
> > ---------------------------------------------------
> > "Only become professional musician if there is no choice." -Robert Frip=
p-
> > ---------------------------------------------------
> > "Some people never go crazy. What truly horrible lives they must
> > lead." -Charles Bukowski-
> >
> >
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--001517576deeb1e67a0483b9b26e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Guys thanks for brainstorming/echo&#39;ing about this.=A0 I just got the fo=
llowing from Bandcamp support (yes actually heard back!) which initially wa=
s in agreement that it was a server issue at post and in a sense still is b=
ut in the end and this is sort of &#39;egg on my face&#39; kind of thing bu=
t it appears my issues were in my inclusion of a =F6 character in my file n=
ames.=A0 My partner in this record Per is a fellow Swede, Peter Th=F6rn.=A0=
 I somehow got it re the domain name that this wouldn&#39;t go but I kind o=
f minimized that re the file names.=A0 I&#39;ll confirm this today when I t=
ry from work.=A0 Just to share the feedback and let you know there are &#39=
;humans&#39; at BC, see the following... Jim<br>
<br><br><div class=3D"gmail_quote"><span style=3D"font-size: large; font-we=
ight: bold;">Forwarded conversation</span><br>Subject: <b class=3D"gmail_se=
ndername">Re: (Case 126051) trouble uploading</b><br>----------------------=
--<br>
<br><span class=3D"undefined"><font color=3D"#000000">From: <b class=3D"und=
efined">Bandcamp
 support</b> <span dir=3D"ltr">&lt;<a href=3D"mailto:support@bandcamp.com">=
support@bandcamp.com</a>&gt;</span><br>Date:
 Thu, Apr 8, 2010 at 8:07 AM<br>To: Jim Goodin=20
&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a=
>&gt;<br></font><br></span><br>Hi Jim, it=20
sucks to have upload problems, sorry about the frustration. We&#39;ve seen=
=20
an uptick in upload failures and we&#39;re looking into it now. I appreciat=
e
 that you tried all the different ways to get it to work, that&#39;s exactl=
y
 what I would&#39;ve asked first. The smoking gun is that it&#39;s hanging =
up in
 the &quot;completing upload&quot; phase. That means the file&#39;s success=
fully=20
uploaded and we&#39;re doing our processing on it, before adding it to the=
=20
track. In other words, I now know where to look, and we should get this=20
fixed soon. I know that&#39;s cold comfort, thanks for your patience and=20
keep trying in the meantime. It seems to happen more during our busy=20
times (evenings US pacific time) so trying at other times might be more=20
successful. Good luck with your music! =A0Joe<br>
<br>
-----Original Message-----<br>
From: &quot;Jim Goodin&quot; &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com=
">jimgoodinmusic@gmail.com</a>&gt;<br>
Reply-To: &quot;Jim Goodin&quot; &lt;<a href=3D"mailto:jimgoodinmusic@gmail=
.com">jimgoodinmusic@gmail.com</a>&gt;<br>
Date: Wed, 7 Apr 2010 15:24:24 -0400<br>
To: &quot;<a href=3D"mailto:support@bandcamp.com">support@bandcamp.com</a>&=
quot;=20
&lt;<a href=3D"mailto:support@bandcamp.com">support@bandcamp.com</a>&gt;<br=
>
Subject: trouble uploading<br>
<br>
&gt;Folks I emailed earlier but I&#39;ve exhausted my possibilities trying=
=20
to post<br>
&gt;my new project to my profile <a href=3D"http://jimgoodinpeterthorn.band=
camp.com/" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>.
 =A0I have done<br>
&gt;the following some of which was echoed in the other email...<br>
&gt;<br>
&gt;1. Tried different ways of connecting through home cable modem and=20
corporate<br>
&gt;work T3<br>
&gt;<br>
&gt;2. Tried different browsers, Firefox, Safari and IE (v8)<br>
&gt;<br>
&gt;3. =A0Tried on OS X Leopard and Win XP SP3<br>
&gt;<br>
&gt;4. =A0Updated Flash<br>
&gt;<br>
&gt;5. =A0Ruled out my wav files being the problem, they were produced on a
 Mac OS<br>
&gt;X Leopard in Audacity. =A0I burned those as CD audio and as raw wav&#39=
;s=20
to CD to<br>
&gt;verify integrity, all good.<br>
&gt;<br>
&gt;Is something going on on the Bandcamp network that will clear up=20
this<br>
&gt;problem soon. =A0I know this is a free network for me and I don&#39;t=
=20
expect<br>
&gt;wonderful response or quick resolutions but can you give me some=20
kind of<br>
&gt;input as I &#39;d really like to post my audio to as close the project=
=20
release<br>
&gt;date as possible.<br>
&gt;<br>
&gt;I emailed earlier today but in short the file uploads going all the=20
way<br>
&gt;through the status bar then switches to the text, &#39;completing&#39; =
and=20
stays<br>
&gt;there for many minutes then finally comes back with the Flash=20
Message that<br>
&gt;process could not be completed, the upload failed and please see=20
your FAQ<br>
&gt;for help.<br>
&gt;<br>
&gt;Thanks for looking into.<br>
&gt;<br>
&gt;Jim Goodin<br>
&gt;<br>
&gt;--<br>
<br>----------<br><span class=3D"undefined"><font color=3D"#000000">From: <=
b class=3D"undefined">Bandcamp support</b> <span dir=3D"ltr">&lt;<a href=3D=
"mailto:support@bandcamp.com">support@bandcamp.com</a>&gt;</span><br>Date:
 Thu, Apr 8, 2010 at 8:42 AM<br>To: Jim Goodin=20
&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a=
>&gt;<br></font><br></span><br><b>Hi Jim,=20
update: looks like the uploader has trouble with non-ASCII characters in
 the filenames. So for example one of your uploads is a file named=20
&quot;1_Peter_Th=F6rn_Jim_Goodin_</b><b>Sculpting_The_Muse.wav&quot;. The &=
quot;=F6&quot; is the=20
problem. If you rename your file before uploading I think it&#39;ll work.=
=20
This problem doesn&#39;t affect what you can name the file once it&#39;s on=
=20
Bandcamp, it&#39;s just the &quot;internal&quot; name of the uploaded file.=
 Sorry=20
about the glitch, I&#39;m working on fixing it now. =A0Joe<br></b>
<br>----------<br><span class=3D"undefined"><font color=3D"#000000">From: <=
b class=3D"undefined">Jim Goodin</b> <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:jimgoodinmusic@gmail.com">jimgoodinmusic@gmail.com</a>&gt;</span><br>Date=
: Thu, Apr 8,=20
2010 at 9:19 AM<br>To: Bandcamp support &lt;<a href=3D"mailto:support@bandc=
amp.com">support@bandcamp.com</a>&gt;<br></font><br></span><br>Joe
 thanks so much for getting back to me and kind of confirming what I was
 thinking as I&#39;m pretty good ruling out the average issues on the user=
=20
end - I deal with them all day in the lawyer world.=A0 Thanks for looking=
=20
into things on the BC end.=A0 I&#39;ll try a few times today from work whic=
h=20
is all T3 and steady.<br>
<br>If I do post successfully I&#39;ll send you an update, thanks for your=
=20
time and assistance and good words and of course for what ya&#39;ll are=20
doing for all Indie artists at Bandcamp.<br><font color=3D"#888888"><br>Jim=
</font><br>----------<br><span class=3D"undefined"><font color=3D"#000000">=
From: <b class=3D"undefined">Jim=20
Goodin</b> <span dir=3D"ltr">&lt;<a href=3D"mailto:jimgoodinmusic@gmail.com=
">jimgoodinmusic@gmail.com</a>&gt;</span><br>Date:
 Thu, Apr 8, 2010 at 9:21 AM<br>To: Bandcamp support=20
&lt;<a href=3D"mailto:support@bandcamp.com">support@bandcamp.com</a>&gt;<br=
></font><br></span><br>Wow! that makes=20
total sense Joe and I should have gotten a red flag as when I was making
 the BC domain for us I got to thinking you know the =F6 probably won&#39;t=
 go
 so dropped it from there but never thought about the file names (duh!)=20
will revise, thank you.<br></div><br><br><div class=3D"gmail_quote">On Thu,=
 Apr 8, 2010 at 9:06 AM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto=
:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockqu=
ote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: =
1px solid rgb(204, 204, 204); padding-left: 1ex;">
I&#39;m not the one having problems with uploads. That&#39;s Jim. One big f=
ile<br>
of mine I just checked now is 233 MB.<br>
<br>
One time saving trick I use to speed up publishing work at Bandcamp is<br>
to first create all tracks of an album without actually uploading the<br>
files. This causes the user interface to show the finished album page<br>
with a list of all tracks but the tracks have the error message &quot;no<br=
>
audio&quot;. So now when you start uploading the first file you can use<br>
your precious time to work on track info text and track images for all<br>
the other listed tracks that are not engaged in an actual file upload.<br>
<div class=3D"im"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
<br>
<br>
</div><div><div></div><div class=3D"h5">On Thu, Apr 8, 2010 at 2:53 PM, Pet=
ri Lahtinen &lt;<a href=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.com</a=
>&gt; wrote:<br>
&gt; so how BIG are your files exactly?<br>
&gt; The one I uploaded just a while ago was 53 MB.<br>
&gt;<br>
&gt; -Petri-<br>
&gt;<br>
&gt; 2010/4/8 Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboys=
en@gmail.com</a>&gt;:<br>
&gt;&gt; On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen &lt;<a href=3D"mail=
to:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt; wrote:<br>
&gt;&gt;&gt; I&#39;m doing this from Finland, you&#39;re from Sweden so its=
 something in<br>
&gt;&gt;&gt; your connections/elsewhere there.<br>
&gt;&gt;<br>
&gt;&gt; Well, I&#39;m no network engineer but most people say it simply ha=
ppens<br>
&gt;&gt; because the world wide web was not designed to handle that big fil=
es<br>
&gt;&gt; (as FTP as, for a comparison). After all BAndcamp uses a flash plu=
gin<br>
&gt;&gt; browser based upload method that can not be paused. So if the<br>
&gt;&gt; connection flickers just a little too much for the flash buffer th=
e<br>
&gt;&gt; data transfer is broken and has to be initiated again from scratch=
.<br>
&gt;&gt; Just keep on doing that and at one point you will suddenly be luck=
y to<br>
&gt;&gt; get it all up! ;-)<br>
&gt;&gt;<br>
&gt;&gt; However, if you happen to have a too flickery internet connection =
it<br>
&gt;&gt; may not work. One trick could be to find the best time at day/nigh=
t<br>
&gt;&gt; for uploading.<br>
&gt;&gt;<br>
&gt;&gt; Greetings from Sweden<br>
&gt;&gt;<br>
&gt;&gt; Per Boysen<br>
&gt;&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</=
a><br>
&gt;&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboys=
en.com</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; Petri Lahtinen<br>
&gt; <a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.=
petrilahtinen.com</a><br>
&gt; <a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http:=
//petrilahtinen.blogspot.com/</a><br>
&gt; <a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">htt=
p://www.myspace.com/petrilahtinen</a><br>
&gt; <a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://=
twitter.com/PetriLahtinen</a><br>
&gt; <a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http:=
//petrilahtinen.bandcamp.com/</a><br>
&gt; ---------------------------------------------------<br>
&gt; &quot;Only become professional musician if there is no choice.&quot; -=
Robert Fripp-<br>
&gt; ---------------------------------------------------<br>
&gt; &quot;Some people never go crazy. What truly horrible lives they must<=
br>
&gt; lead.&quot; -Charles Bukowski-<br>
&gt;<br>
&gt;<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--001517576deeb1e67a0483b9b26e--

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Date: Thu, 8 Apr 2010 06:38:17 -0700 (PDT)
From: "Mrs. Mragaret Williams" <doz321@bellsouth.net>
Reply-To: western-moneytransfer@live.fr
Subject: My Dear contact western union for your first $5000 dollar and pick up your money
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-817244944-1270733897=:56104
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My Friend,

My partner has helped me to send the first$5000.00 to you here is the infor=
mation: Augustine nwekwu, and this is the MTCN :4491208891 track it now; ww=
w.westernunion.com and go to western union and pick up your money I told hi=
m to keep sending you $5000.00 daily untill the payment of $2.500.000.00 is=
 completed. and make you send him your Telephone number and adress so that =
he will be sure.=20
=A0
Note that the only money you will send to them is $125.00usd transfer charg=
e.I have paid the rest Please,contact Dr James Johnson on his email: wester=
n-moneytransfer@live.fr=A0 or Call him +22999524371 Contact personr Dr. Jam=
es Johnson, here is the information; SENDER NAME: Augustine nwekwu. MTCN : =
4491208891 track it now;
Mrs. Mragaret Williams
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>My Friend,<br><br>My partner has help=
ed me to send the first$5000.00 to you here is the information: Augustine n=
wekwu, and this is the MTCN :4491208891 track it now; www.westernunion.com =
and go to western union and pick up your money I told him to keep sending y=
ou $5000.00 daily untill the payment of $2.500.000.00 is completed. and mak=
e you send him your Telephone number and adress so that he will be sure. <b=
r>&nbsp;<br>Note that the only money you will send to them is $125.00usd tr=
ansfer charge.I have paid the rest Please,contact Dr James Johnson on his e=
mail: western-moneytransfer@live.fr&nbsp; or Call him +22999524371 Contact =
personr Dr. James Johnson, here is the information; SENDER NAME: Augustine =
nwekwu. MTCN : 4491208891 track it now;<br>Mrs. Mragaret Williams</td></tr>=
</table>
--0-817244944-1270733897=:56104--

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Date: Thu, 8 Apr 2010 15:40:35 +0200
Message-ID: <j2n66f9cc1e1004080640u5f7ebce0j702df649a8fc9dfa@mail.gmail.com>
Subject: Re: OT: uploading to Bandcamp.com
From: Per Boysen <perboysen@gmail.com>
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On Thu, Apr 8, 2010 at 3:31 PM, Jim Goodin <jimgoodinmusic@gmail.com> wrote=
:
> =C3=B6

goddamn rasist internetz rulinig out us skandinaviens....

Per ;-)
(just kidding)

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 13:47:30 2010
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Date: Thu, 8 Apr 2010 16:40:49 +0300
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Subject: Re: OT: uploading to Bandcamp.com
From: Petri Lahtinen <aikuinen@gmail.com>
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Sorry Per for the confusion! :-D

Hopefullu thinks work out for you, Jim!

-petri-

2010/4/8 Jim Goodin <jimgoodinmusic@gmail.com>:
> Guys thanks for brainstorming/echo'ing about this.=A0 I just got the foll=
owing
> from Bandcamp support (yes actually heard back!) which initially was in
> agreement that it was a server issue at post and in a sense still is but =
in
> the end and this is sort of 'egg on my face' kind of thing but it appears=
 my
> issues were in my inclusion of a =F6 character in my file names.=A0 My pa=
rtner
> in this record Per is a fellow Swede, Peter Th=F6rn.=A0 I somehow got it =
re the
> domain name that this wouldn't go but I kind of minimized that re the fil=
e
> names.=A0 I'll confirm this today when I try from work.=A0 Just to share =
the
> feedback and let you know there are 'humans' at BC, see the following... =
Jim
>
>
> Forwarded conversation
> Subject: Re: (Case 126051) trouble uploading
> ------------------------
>
> From: Bandcamp support <support@bandcamp.com>
> Date: Thu, Apr 8, 2010 at 8:07 AM
> To: Jim Goodin <jimgoodinmusic@gmail.com>
>
>
> Hi Jim, it sucks to have upload problems, sorry about the frustration. We=
've
> seen an uptick in upload failures and we're looking into it now. I
> appreciate that you tried all the different ways to get it to work, that'=
s
> exactly what I would've asked first. The smoking gun is that it's hanging=
 up
> in the "completing upload" phase. That means the file's successfully
> uploaded and we're doing our processing on it, before adding it to the
> track. In other words, I now know where to look, and we should get this
> fixed soon. I know that's cold comfort, thanks for your patience and keep
> trying in the meantime. It seems to happen more during our busy times
> (evenings US pacific time) so trying at other times might be more
> successful. Good luck with your music! =A0Joe
>
> -----Original Message-----
> From: "Jim Goodin" <jimgoodinmusic@gmail.com>
> Reply-To: "Jim Goodin" <jimgoodinmusic@gmail.com>
> Date: Wed, 7 Apr 2010 15:24:24 -0400
> To: "support@bandcamp.com" <support@bandcamp.com>
> Subject: trouble uploading
>
>>Folks I emailed earlier but I've exhausted my possibilities trying to pos=
t
>>my new project to my profile jimgoodinpeterthorn.bandcamp.com. =A0I have =
done
>>the following some of which was echoed in the other email...
>>
>>1. Tried different ways of connecting through home cable modem and
>> corporate
>>work T3
>>
>>2. Tried different browsers, Firefox, Safari and IE (v8)
>>
>>3. =A0Tried on OS X Leopard and Win XP SP3
>>
>>4. =A0Updated Flash
>>
>>5. =A0Ruled out my wav files being the problem, they were produced on a M=
ac
>> OS
>>X Leopard in Audacity. =A0I burned those as CD audio and as raw wav's to =
CD
>> to
>>verify integrity, all good.
>>
>>Is something going on on the Bandcamp network that will clear up this
>>problem soon. =A0I know this is a free network for me and I don't expect
>>wonderful response or quick resolutions but can you give me some kind of
>>input as I 'd really like to post my audio to as close the project releas=
e
>>date as possible.
>>
>>I emailed earlier today but in short the file uploads going all the way
>>through the status bar then switches to the text, 'completing' and stays
>>there for many minutes then finally comes back with the Flash Message tha=
t
>>process could not be completed, the upload failed and please see your FAQ
>>for help.
>>
>>Thanks for looking into.
>>
>>Jim Goodin
>>
>>--
>
> ----------
> From: Bandcamp support <support@bandcamp.com>
> Date: Thu, Apr 8, 2010 at 8:42 AM
> To: Jim Goodin <jimgoodinmusic@gmail.com>
>
>
> Hi Jim, update: looks like the uploader has trouble with non-ASCII
> characters in the filenames. So for example one of your uploads is a file
> named "1_Peter_Th=F6rn_Jim_Goodin_Sculpting_The_Muse.wav". The "=F6" is t=
he
> problem. If you rename your file before uploading I think it'll work. Thi=
s
> problem doesn't affect what you can name the file once it's on Bandcamp,
> it's just the "internal" name of the uploaded file. Sorry about the glitc=
h,
> I'm working on fixing it now. =A0Joe
>
> ----------
> From: Jim Goodin <jimgoodinmusic@gmail.com>
> Date: Thu, Apr 8, 2010 at 9:19 AM
> To: Bandcamp support <support@bandcamp.com>
>
>
> Joe thanks so much for getting back to me and kind of confirming what I w=
as
> thinking as I'm pretty good ruling out the average issues on the user end=
 -
> I deal with them all day in the lawyer world.=A0 Thanks for looking into
> things on the BC end.=A0 I'll try a few times today from work which is al=
l T3
> and steady.
>
> If I do post successfully I'll send you an update, thanks for your time a=
nd
> assistance and good words and of course for what ya'll are doing for all
> Indie artists at Bandcamp.
>
> Jim
> ----------
> From: Jim Goodin <jimgoodinmusic@gmail.com>
> Date: Thu, Apr 8, 2010 at 9:21 AM
> To: Bandcamp support <support@bandcamp.com>
>
>
> Wow! that makes total sense Joe and I should have gotten a red flag as wh=
en
> I was making the BC domain for us I got to thinking you know the =F6 prob=
ably
> won't go so dropped it from there but never thought about the file names
> (duh!) will revise, thank you.
>
>
> On Thu, Apr 8, 2010 at 9:06 AM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> I'm not the one having problems with uploads. That's Jim. One big file
>> of mine I just checked now is 233 MB.
>>
>> One time saving trick I use to speed up publishing work at Bandcamp is
>> to first create all tracks of an album without actually uploading the
>> files. This causes the user interface to show the finished album page
>> with a list of all tracks but the tracks have the error message "no
>> audio". So now when you start uploading the first file you can use
>> your precious time to work on track info text and track images for all
>> the other listed tracks that are not engaged in an actual file upload.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>>
>> On Thu, Apr 8, 2010 at 2:53 PM, Petri Lahtinen <aikuinen@gmail.com> wrot=
e:
>> > so how BIG are your files exactly?
>> > The one I uploaded just a while ago was 53 MB.
>> >
>> > -Petri-
>> >
>> > 2010/4/8 Per Boysen <perboysen@gmail.com>:
>> >> On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen <aikuinen@gmail.com>
>> >> wrote:
>> >>> I'm doing this from Finland, you're from Sweden so its something in
>> >>> your connections/elsewhere there.
>> >>
>> >> Well, I'm no network engineer but most people say it simply happens
>> >> because the world wide web was not designed to handle that big files
>> >> (as FTP as, for a comparison). After all BAndcamp uses a flash plugin
>> >> browser based upload method that can not be paused. So if the
>> >> connection flickers just a little too much for the flash buffer the
>> >> data transfer is broken and has to be initiated again from scratch.
>> >> Just keep on doing that and at one point you will suddenly be lucky t=
o
>> >> get it all up! ;-)
>> >>
>> >> However, if you happen to have a too flickery internet connection it
>> >> may not work. One trick could be to find the best time at day/night
>> >> for uploading.
>> >>
>> >> Greetings from Sweden
>> >>
>> >> Per Boysen
>> >> www.boysen.se
>> >> www.perboysen.com
>> >>
>> >>
>> >
>> >
>> >
>> > --
>> > Petri Lahtinen
>> > http://www.petrilahtinen.com
>> > http://petrilahtinen.blogspot.com/
>> > http://www.myspace.com/petrilahtinen
>> > http://twitter.com/PetriLahtinen
>> > http://petrilahtinen.bandcamp.com/
>> > ---------------------------------------------------
>> > "Only become professional musician if there is no choice." -Robert
>> > Fripp-
>> > ---------------------------------------------------
>> > "Some people never go crazy. What truly horrible lives they must
>> > lead." -Charles Bukowski-
>> >
>> >
>>
>
>
>
> --
> ReUse, an introspective textural aural
> www.myspace.com/CtReUse
>
> music links...
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
> www.myspace.com/jimgoodinmusic
> www.myspace.com/chinapaintingmusic
> www.myspace.com/jimgoodinviolinelectro
> www.myspace.com/jindream
> www.youtube.com/jimgoodinmusic
>
> video work/editing...
> www.vimeo.com/jimgoodindigital
>
> social networking...
> www.twitter.com/jimgoodinmusic
>
>



--=20
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 15:41:35 2010
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Subject: lextrical's daily music bean
Date: Thu, 8 Apr 2010 16:41:27 +0100
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Hey there!

I have an ongoing music project where I create a sonic something every  
day (81 so far!) along with some form of visual distraction - www.magicmusicbeans.co.uk

A bunch of the music beans started life as loops that I built on my  
Digitech Jamman.  I have generally then transferred them to my  
computer for editing. These are the specific music beans in question -http://lextrical.wordpress.com/category/digitech-jamman/

Hope you enjoy. You can follow the music beans on Twitter - www.twitter.com/lextrical 
  if you are so inclined.

Cheers

lextrical


From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 15:43:29 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: lextrical's daily music bean
Date: Thu, 8 Apr 2010 16:43:26 +0100
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Been following them already mate - lovely work. As have a few of the  
ld community on other sites.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Apr 2010, at 16:41, Alex Vald wrote:

> Hey there!
>
> I have an ongoing music project where I create a sonic something  
> every day (81 so far!) along with some form of visual distraction -  
> www.magicmusicbeans.co.uk
>
> A bunch of the music beans started life as loops that I built on my  
> Digitech Jamman.  I have generally then transferred them to my  
> computer for editing. These are the specific music beans in  
> question -http://lextrical.wordpress.com/category/digitech-jamman/
>
> Hope you enjoy. You can follow the music beans on Twitter -  
> www.twitter.com/lextrical if you are so inclined.
>
> Cheers
>
> lextrical
>
>


--Apple-Mail-1-376430309
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Been following them already =
mate - lovely work. As have a few of the ld community on other =
sites.<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Apr 2010, =
at 16:41, Alex Vald wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hey there!</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I have an ongoing music project =
where I create a sonic something every day (81 so far!) along with some =
form of visual distraction - <a =
href=3D"http://www.magicmusicbeans.co.uk">www.magicmusicbeans.co.uk</a></d=
iv><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">A bunch =
of the music beans started life as loops that I built on my Digitech =
Jamman.<span class=3D"Apple-converted-space">&nbsp; </span>I have =
generally then transferred them to my computer for editing. These are =
the specific music beans in question =
-http://lextrical.wordpress.com/category/digitech-jamman/</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Hope you =
enjoy. You can follow the music beans on Twitter - <a =
href=3D"http://www.twitter.com/lextrical">www.twitter.com/lextrical</a> =
if you are so inclined.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Cheers</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">lextrical</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-1-376430309--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 15:56:40 2010
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Info has been hard to come by, indeed...but just saw this blog post via 
Twitter (yeah, I tweet....)

--
Hi all,

Some of you are probably wondering where the LP2 is.  I made the hard 
decision in February to wait longer for a better looking LP2.  I have 
good friend and fabulous mechanical designer Kirk Hayes working on the 
design and production of the LP2 aluminum enclosure.  We have finalized 
a design and now we are waiting to see a plastic model of the final 
unit.  As soon as we approve the plastic, we will go into production on 
the LP2.  I apologize for the delays, but I want to get this right.

Thanks,

Bob
--

http://looperlative.posterous.com/the-lp2-is-waiting-on-the-aluminum-enclosure

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com



> Speaking of ... any word on when we can expect to see this on the
> Looperlative pages?
>
> About ready to part with some cash ...

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 16:23:36 2010
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We talked about it before on ld, but what was the name of the weird
strip that you could afix to the backside of you guitar neck that you
played with your thumb... I was intrigued at the time, but now I have
a use for it!

Mark

Sent from my (advertisement removed)

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We talked about it before on ld, but what was the name of the weird<br><div class="gmail_quote"><div><div class="h5">
strip that you could afix to the backside of you guitar neck that you<br>
played with your thumb... I was intrigued at the time, but now I have<br>
a use for it!<br>
<br>
Mark<br>
<br>
Sent from my (advertisement removed)<br><br>
</div></div></div>

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Subject: Re: OT: uploading to Bandcamp.com
From: Jim Goodin <jimgoodinmusic@gmail.com>
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too funny Per (Peter see Per's ref from your fellow countryman)...

Petri thanks I'm sure it will post right now, going to try in a bit knowing
there is no grace for the special characters...

Jim

On Thu, Apr 8, 2010 at 9:40 AM, Petri Lahtinen <aikuinen@gmail.com> wrote:

> Sorry Per for the confusion! :-D
>
> Hopefullu thinks work out for you, Jim!
>
> -petri-
>
> 2010/4/8 Jim Goodin <jimgoodinmusic@gmail.com>:
> > Guys thanks for brainstorming/echo'ing about this.  I just got the
> following
> > from Bandcamp support (yes actually heard back!) which initially was in
> > agreement that it was a server issue at post and in a sense still is bu=
t
> in
> > the end and this is sort of 'egg on my face' kind of thing but it appea=
rs
> my
> > issues were in my inclusion of a =F6 character in my file names.  My
> partner
> > in this record Per is a fellow Swede, Peter Th=F6rn.  I somehow got it =
re
> the
> > domain name that this wouldn't go but I kind of minimized that re the
> file
> > names.  I'll confirm this today when I try from work.  Just to share th=
e
> > feedback and let you know there are 'humans' at BC, see the following..=
.
> Jim
> >
> >
> > Forwarded conversation
> > Subject: Re: (Case 126051) trouble uploading
> > ------------------------
> >
> > From: Bandcamp support <support@bandcamp.com>
> > Date: Thu, Apr 8, 2010 at 8:07 AM
> > To: Jim Goodin <jimgoodinmusic@gmail.com>
> >
> >
> > Hi Jim, it sucks to have upload problems, sorry about the frustration.
> We've
> > seen an uptick in upload failures and we're looking into it now. I
> > appreciate that you tried all the different ways to get it to work,
> that's
> > exactly what I would've asked first. The smoking gun is that it's hangi=
ng
> up
> > in the "completing upload" phase. That means the file's successfully
> > uploaded and we're doing our processing on it, before adding it to the
> > track. In other words, I now know where to look, and we should get this
> > fixed soon. I know that's cold comfort, thanks for your patience and ke=
ep
> > trying in the meantime. It seems to happen more during our busy times
> > (evenings US pacific time) so trying at other times might be more
> > successful. Good luck with your music!  Joe
> >
> > -----Original Message-----
> > From: "Jim Goodin" <jimgoodinmusic@gmail.com>
> > Reply-To: "Jim Goodin" <jimgoodinmusic@gmail.com>
> > Date: Wed, 7 Apr 2010 15:24:24 -0400
> > To: "support@bandcamp.com" <support@bandcamp.com>
> > Subject: trouble uploading
> >
> >>Folks I emailed earlier but I've exhausted my possibilities trying to
> post
> >>my new project to my profile jimgoodinpeterthorn.bandcamp.com.  I have
> done
> >>the following some of which was echoed in the other email...
> >>
> >>1. Tried different ways of connecting through home cable modem and
> >> corporate
> >>work T3
> >>
> >>2. Tried different browsers, Firefox, Safari and IE (v8)
> >>
> >>3.  Tried on OS X Leopard and Win XP SP3
> >>
> >>4.  Updated Flash
> >>
> >>5.  Ruled out my wav files being the problem, they were produced on a M=
ac
> >> OS
> >>X Leopard in Audacity.  I burned those as CD audio and as raw wav's to =
CD
> >> to
> >>verify integrity, all good.
> >>
> >>Is something going on on the Bandcamp network that will clear up this
> >>problem soon.  I know this is a free network for me and I don't expect
> >>wonderful response or quick resolutions but can you give me some kind o=
f
> >>input as I 'd really like to post my audio to as close the project
> release
> >>date as possible.
> >>
> >>I emailed earlier today but in short the file uploads going all the way
> >>through the status bar then switches to the text, 'completing' and stay=
s
> >>there for many minutes then finally comes back with the Flash Message
> that
> >>process could not be completed, the upload failed and please see your F=
AQ
> >>for help.
> >>
> >>Thanks for looking into.
> >>
> >>Jim Goodin
> >>
> >>--
> >
> > ----------
> > From: Bandcamp support <support@bandcamp.com>
> > Date: Thu, Apr 8, 2010 at 8:42 AM
> > To: Jim Goodin <jimgoodinmusic@gmail.com>
> >
> >
> > Hi Jim, update: looks like the uploader has trouble with non-ASCII
> > characters in the filenames. So for example one of your uploads is a fi=
le
> > named "1_Peter_Th=F6rn_Jim_Goodin_Sculpting_The_Muse.wav". The "=F6" is=
 the
> > problem. If you rename your file before uploading I think it'll work.
> This
> > problem doesn't affect what you can name the file once it's on Bandcamp=
,
> > it's just the "internal" name of the uploaded file. Sorry about the
> glitch,
> > I'm working on fixing it now.  Joe
> >
> > ----------
> > From: Jim Goodin <jimgoodinmusic@gmail.com>
> > Date: Thu, Apr 8, 2010 at 9:19 AM
> > To: Bandcamp support <support@bandcamp.com>
> >
> >
> > Joe thanks so much for getting back to me and kind of confirming what I
> was
> > thinking as I'm pretty good ruling out the average issues on the user e=
nd
> -
> > I deal with them all day in the lawyer world.  Thanks for looking into
> > things on the BC end.  I'll try a few times today from work which is al=
l
> T3
> > and steady.
> >
> > If I do post successfully I'll send you an update, thanks for your time
> and
> > assistance and good words and of course for what ya'll are doing for al=
l
> > Indie artists at Bandcamp.
> >
> > Jim
> > ----------
> > From: Jim Goodin <jimgoodinmusic@gmail.com>
> > Date: Thu, Apr 8, 2010 at 9:21 AM
> > To: Bandcamp support <support@bandcamp.com>
> >
> >
> > Wow! that makes total sense Joe and I should have gotten a red flag as
> when
> > I was making the BC domain for us I got to thinking you know the =F6
> probably
> > won't go so dropped it from there but never thought about the file name=
s
> > (duh!) will revise, thank you.
> >
> >
> > On Thu, Apr 8, 2010 at 9:06 AM, Per Boysen <perboysen@gmail.com> wrote:
> >>
> >> I'm not the one having problems with uploads. That's Jim. One big file
> >> of mine I just checked now is 233 MB.
> >>
> >> One time saving trick I use to speed up publishing work at Bandcamp is
> >> to first create all tracks of an album without actually uploading the
> >> files. This causes the user interface to show the finished album page
> >> with a list of all tracks but the tracks have the error message "no
> >> audio". So now when you start uploading the first file you can use
> >> your precious time to work on track info text and track images for all
> >> the other listed tracks that are not engaged in an actual file upload.
> >>
> >> Greetings from Sweden
> >>
> >> Per Boysen
> >> www.boysen.se
> >> www.perboysen.com
> >>
> >>
> >>
> >> On Thu, Apr 8, 2010 at 2:53 PM, Petri Lahtinen <aikuinen@gmail.com>
> wrote:
> >> > so how BIG are your files exactly?
> >> > The one I uploaded just a while ago was 53 MB.
> >> >
> >> > -Petri-
> >> >
> >> > 2010/4/8 Per Boysen <perboysen@gmail.com>:
> >> >> On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen <aikuinen@gmail.com>
> >> >> wrote:
> >> >>> I'm doing this from Finland, you're from Sweden so its something i=
n
> >> >>> your connections/elsewhere there.
> >> >>
> >> >> Well, I'm no network engineer but most people say it simply happens
> >> >> because the world wide web was not designed to handle that big file=
s
> >> >> (as FTP as, for a comparison). After all BAndcamp uses a flash plug=
in
> >> >> browser based upload method that can not be paused. So if the
> >> >> connection flickers just a little too much for the flash buffer the
> >> >> data transfer is broken and has to be initiated again from scratch.
> >> >> Just keep on doing that and at one point you will suddenly be lucky
> to
> >> >> get it all up! ;-)
> >> >>
> >> >> However, if you happen to have a too flickery internet connection i=
t
> >> >> may not work. One trick could be to find the best time at day/night
> >> >> for uploading.
> >> >>
> >> >> Greetings from Sweden
> >> >>
> >> >> Per Boysen
> >> >> www.boysen.se
> >> >> www.perboysen.com
> >> >>
> >> >>
> >> >
> >> >
> >> >
> >> > --
> >> > Petri Lahtinen
> >> > http://www.petrilahtinen.com
> >> > http://petrilahtinen.blogspot.com/
> >> > http://www.myspace.com/petrilahtinen
> >> > http://twitter.com/PetriLahtinen
> >> > http://petrilahtinen.bandcamp.com/
> >> > ---------------------------------------------------
> >> > "Only become professional musician if there is no choice." -Robert
> >> > Fripp-
> >> > ---------------------------------------------------
> >> > "Some people never go crazy. What truly horrible lives they must
> >> > lead." -Charles Bukowski-
> >> >
> >> >
> >>
> >
> >
> >
> > --
> > ReUse, an introspective textural aural
> > www.myspace.com/CtReUse
> >
> > music links...
> > www.jimgoodinmusic.com
> > www.chinapaintingmusic.com
> > www.myspace.com/jimgoodinmusic
> > www.myspace.com/chinapaintingmusic
> > www.myspace.com/jimgoodinviolinelectro
> > www.myspace.com/jindream
> > www.youtube.com/jimgoodinmusic
> >
> > video work/editing...
> > www.vimeo.com/jimgoodindigital
> >
> > social networking...
> > www.twitter.com/jimgoodinmusic
> >
> >
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must
> lead." -Charles Bukowski-
>
>


--=20
ReUse, an introspective textural aural
www.myspace.com/CtReUse

music links...
www.jimgoodinmusic.com
www.chinapaintingmusic.com
www.myspace.com/jimgoodinmusic
www.myspace.com/chinapaintingmusic
www.myspace.com/jimgoodinviolinelectro
www.myspace.com/jindream
www.youtube.com/jimgoodinmusic

video work/editing...
www.vimeo.com/jimgoodindigital

social networking...
www.twitter.com/jimgoodinmusic

--00c09f8de5d77811040483bc7b09
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

too funny Per (Peter see Per&#39;s ref from your fellow countryman)...<br><=
br>Petri thanks I&#39;m sure it will post right now, going to try in a bit =
knowing there is no grace for the special characters...<br><br>Jim<br><br>
<div class=3D"gmail_quote">On Thu, Apr 8, 2010 at 9:40 AM, Petri Lahtinen <=
span dir=3D"ltr">&lt;<a href=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.c=
om</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"marg=
in: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-l=
eft: 1ex;">
Sorry Per for the confusion! :-D<br>
<br>
Hopefullu thinks work out for you, Jim!<br>
<br>
-petri-<br>
<br>
2010/4/8 Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgood=
inmusic@gmail.com</a>&gt;:<br>
<div><div></div><div class=3D"h5">&gt; Guys thanks for brainstorming/echo&#=
39;ing about this.=A0 I just got the following<br>
&gt; from Bandcamp support (yes actually heard back!) which initially was i=
n<br>
&gt; agreement that it was a server issue at post and in a sense still is b=
ut in<br>
&gt; the end and this is sort of &#39;egg on my face&#39; kind of thing but=
 it appears my<br>
&gt; issues were in my inclusion of a =F6 character in my file names.=A0 My=
 partner<br>
&gt; in this record Per is a fellow Swede, Peter Th=F6rn.=A0 I somehow got =
it re the<br>
&gt; domain name that this wouldn&#39;t go but I kind of minimized that re =
the file<br>
&gt; names.=A0 I&#39;ll confirm this today when I try from work.=A0 Just to=
 share the<br>
&gt; feedback and let you know there are &#39;humans&#39; at BC, see the fo=
llowing... Jim<br>
&gt;<br>
&gt;<br>
&gt; Forwarded conversation<br>
&gt; Subject: Re: (Case 126051) trouble uploading<br>
&gt; ------------------------<br>
&gt;<br>
&gt; From: Bandcamp support &lt;<a href=3D"mailto:support@bandcamp.com">sup=
port@bandcamp.com</a>&gt;<br>
&gt; Date: Thu, Apr 8, 2010 at 8:07 AM<br>
&gt; To: Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgood=
inmusic@gmail.com</a>&gt;<br>
&gt;<br>
&gt;<br>
&gt; Hi Jim, it sucks to have upload problems, sorry about the frustration.=
 We&#39;ve<br>
&gt; seen an uptick in upload failures and we&#39;re looking into it now. I=
<br>
&gt; appreciate that you tried all the different ways to get it to work, th=
at&#39;s<br>
&gt; exactly what I would&#39;ve asked first. The smoking gun is that it&#3=
9;s hanging up<br>
&gt; in the &quot;completing upload&quot; phase. That means the file&#39;s =
successfully<br>
&gt; uploaded and we&#39;re doing our processing on it, before adding it to=
 the<br>
&gt; track. In other words, I now know where to look, and we should get thi=
s<br>
&gt; fixed soon. I know that&#39;s cold comfort, thanks for your patience a=
nd keep<br>
&gt; trying in the meantime. It seems to happen more during our busy times<=
br>
&gt; (evenings US pacific time) so trying at other times might be more<br>
&gt; successful. Good luck with your music! =A0Joe<br>
&gt;<br>
&gt; -----Original Message-----<br>
&gt; From: &quot;Jim Goodin&quot; &lt;<a href=3D"mailto:jimgoodinmusic@gmai=
l.com">jimgoodinmusic@gmail.com</a>&gt;<br>
&gt; Reply-To: &quot;Jim Goodin&quot; &lt;<a href=3D"mailto:jimgoodinmusic@=
gmail.com">jimgoodinmusic@gmail.com</a>&gt;<br>
&gt; Date: Wed, 7 Apr 2010 15:24:24 -0400<br>
&gt; To: &quot;<a href=3D"mailto:support@bandcamp.com">support@bandcamp.com=
</a>&quot; &lt;<a href=3D"mailto:support@bandcamp.com">support@bandcamp.com=
</a>&gt;<br>
&gt; Subject: trouble uploading<br>
&gt;<br>
&gt;&gt;Folks I emailed earlier but I&#39;ve exhausted my possibilities try=
ing to post<br>
&gt;&gt;my new project to my profile <a href=3D"http://jimgoodinpeterthorn.=
bandcamp.com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a>. =A0I =
have done<br>
&gt;&gt;the following some of which was echoed in the other email...<br>
&gt;&gt;<br>
&gt;&gt;1. Tried different ways of connecting through home cable modem and<=
br>
&gt;&gt; corporate<br>
&gt;&gt;work T3<br>
&gt;&gt;<br>
&gt;&gt;2. Tried different browsers, Firefox, Safari and IE (v8)<br>
&gt;&gt;<br>
&gt;&gt;3. =A0Tried on OS X Leopard and Win XP SP3<br>
&gt;&gt;<br>
&gt;&gt;4. =A0Updated Flash<br>
&gt;&gt;<br>
&gt;&gt;5. =A0Ruled out my wav files being the problem, they were produced =
on a Mac<br>
&gt;&gt; OS<br>
&gt;&gt;X Leopard in Audacity. =A0I burned those as CD audio and as raw wav=
&#39;s to CD<br>
&gt;&gt; to<br>
&gt;&gt;verify integrity, all good.<br>
&gt;&gt;<br>
&gt;&gt;Is something going on on the Bandcamp network that will clear up th=
is<br>
&gt;&gt;problem soon. =A0I know this is a free network for me and I don&#39=
;t expect<br>
&gt;&gt;wonderful response or quick resolutions but can you give me some ki=
nd of<br>
&gt;&gt;input as I &#39;d really like to post my audio to as close the proj=
ect release<br>
&gt;&gt;date as possible.<br>
&gt;&gt;<br>
&gt;&gt;I emailed earlier today but in short the file uploads going all the=
 way<br>
&gt;&gt;through the status bar then switches to the text, &#39;completing&#=
39; and stays<br>
&gt;&gt;there for many minutes then finally comes back with the Flash Messa=
ge that<br>
&gt;&gt;process could not be completed, the upload failed and please see yo=
ur FAQ<br>
&gt;&gt;for help.<br>
&gt;&gt;<br>
&gt;&gt;Thanks for looking into.<br>
&gt;&gt;<br>
&gt;&gt;Jim Goodin<br>
&gt;&gt;<br>
&gt;&gt;--<br>
&gt;<br>
&gt; ----------<br>
&gt; From: Bandcamp support &lt;<a href=3D"mailto:support@bandcamp.com">sup=
port@bandcamp.com</a>&gt;<br>
&gt; Date: Thu, Apr 8, 2010 at 8:42 AM<br>
&gt; To: Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgood=
inmusic@gmail.com</a>&gt;<br>
&gt;<br>
&gt;<br>
&gt; Hi Jim, update: looks like the uploader has trouble with non-ASCII<br>
&gt; characters in the filenames. So for example one of your uploads is a f=
ile<br>
&gt; named &quot;1_Peter_Th=F6rn_Jim_Goodin_Sculpting_The_Muse.wav&quot;. T=
he &quot;=F6&quot; is the<br>
&gt; problem. If you rename your file before uploading I think it&#39;ll wo=
rk. This<br>
&gt; problem doesn&#39;t affect what you can name the file once it&#39;s on=
 Bandcamp,<br>
&gt; it&#39;s just the &quot;internal&quot; name of the uploaded file. Sorr=
y about the glitch,<br>
&gt; I&#39;m working on fixing it now. =A0Joe<br>
&gt;<br>
&gt; ----------<br>
&gt; From: Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgo=
odinmusic@gmail.com</a>&gt;<br>
&gt; Date: Thu, Apr 8, 2010 at 9:19 AM<br>
&gt; To: Bandcamp support &lt;<a href=3D"mailto:support@bandcamp.com">suppo=
rt@bandcamp.com</a>&gt;<br>
&gt;<br>
&gt;<br>
&gt; Joe thanks so much for getting back to me and kind of confirming what =
I was<br>
&gt; thinking as I&#39;m pretty good ruling out the average issues on the u=
ser end -<br>
&gt; I deal with them all day in the lawyer world.=A0 Thanks for looking in=
to<br>
&gt; things on the BC end.=A0 I&#39;ll try a few times today from work whic=
h is all T3<br>
&gt; and steady.<br>
&gt;<br>
&gt; If I do post successfully I&#39;ll send you an update, thanks for your=
 time and<br>
&gt; assistance and good words and of course for what ya&#39;ll are doing f=
or all<br>
&gt; Indie artists at Bandcamp.<br>
&gt;<br>
&gt; Jim<br>
&gt; ----------<br>
&gt; From: Jim Goodin &lt;<a href=3D"mailto:jimgoodinmusic@gmail.com">jimgo=
odinmusic@gmail.com</a>&gt;<br>
&gt; Date: Thu, Apr 8, 2010 at 9:21 AM<br>
&gt; To: Bandcamp support &lt;<a href=3D"mailto:support@bandcamp.com">suppo=
rt@bandcamp.com</a>&gt;<br>
&gt;<br>
&gt;<br>
&gt; Wow! that makes total sense Joe and I should have gotten a red flag as=
 when<br>
&gt; I was making the BC domain for us I got to thinking you know the =F6 p=
robably<br>
&gt; won&#39;t go so dropped it from there but never thought about the file=
 names<br>
&gt; (duh!) will revise, thank you.<br>
&gt;<br>
&gt;<br>
&gt; On Thu, Apr 8, 2010 at 9:06 AM, Per Boysen &lt;<a href=3D"mailto:perbo=
ysen@gmail.com">perboysen@gmail.com</a>&gt; wrote:<br>
&gt;&gt;<br>
&gt;&gt; I&#39;m not the one having problems with uploads. That&#39;s Jim. =
One big file<br>
&gt;&gt; of mine I just checked now is 233 MB.<br>
&gt;&gt;<br>
&gt;&gt; One time saving trick I use to speed up publishing work at Bandcam=
p is<br>
&gt;&gt; to first create all tracks of an album without actually uploading =
the<br>
&gt;&gt; files. This causes the user interface to show the finished album p=
age<br>
&gt;&gt; with a list of all tracks but the tracks have the error message &q=
uot;no<br>
&gt;&gt; audio&quot;. So now when you start uploading the first file you ca=
n use<br>
&gt;&gt; your precious time to work on track info text and track images for=
 all<br>
&gt;&gt; the other listed tracks that are not engaged in an actual file upl=
oad.<br>
&gt;&gt;<br>
&gt;&gt; Greetings from Sweden<br>
&gt;&gt;<br>
&gt;&gt; Per Boysen<br>
&gt;&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</=
a><br>
&gt;&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboys=
en.com</a><br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt;<br>
&gt;&gt; On Thu, Apr 8, 2010 at 2:53 PM, Petri Lahtinen &lt;<a href=3D"mail=
to:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt; wrote:<br>
&gt;&gt; &gt; so how BIG are your files exactly?<br>
&gt;&gt; &gt; The one I uploaded just a while ago was 53 MB.<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt; -Petri-<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt; 2010/4/8 Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt;:<br>
&gt;&gt; &gt;&gt; On Thu, Apr 8, 2010 at 2:15 PM, Petri Lahtinen &lt;<a hre=
f=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt;<br>
&gt;&gt; &gt;&gt; wrote:<br>
&gt;&gt; &gt;&gt;&gt; I&#39;m doing this from Finland, you&#39;re from Swed=
en so its something in<br>
&gt;&gt; &gt;&gt;&gt; your connections/elsewhere there.<br>
&gt;&gt; &gt;&gt;<br>
&gt;&gt; &gt;&gt; Well, I&#39;m no network engineer but most people say it =
simply happens<br>
&gt;&gt; &gt;&gt; because the world wide web was not designed to handle tha=
t big files<br>
&gt;&gt; &gt;&gt; (as FTP as, for a comparison). After all BAndcamp uses a =
flash plugin<br>
&gt;&gt; &gt;&gt; browser based upload method that can not be paused. So if=
 the<br>
&gt;&gt; &gt;&gt; connection flickers just a little too much for the flash =
buffer the<br>
&gt;&gt; &gt;&gt; data transfer is broken and has to be initiated again fro=
m scratch.<br>
&gt;&gt; &gt;&gt; Just keep on doing that and at one point you will suddenl=
y be lucky to<br>
&gt;&gt; &gt;&gt; get it all up! ;-)<br>
&gt;&gt; &gt;&gt;<br>
&gt;&gt; &gt;&gt; However, if you happen to have a too flickery internet co=
nnection it<br>
&gt;&gt; &gt;&gt; may not work. One trick could be to find the best time at=
 day/night<br>
&gt;&gt; &gt;&gt; for uploading.<br>
&gt;&gt; &gt;&gt;<br>
&gt;&gt; &gt;&gt; Greetings from Sweden<br>
&gt;&gt; &gt;&gt;<br>
&gt;&gt; &gt;&gt; Per Boysen<br>
&gt;&gt; &gt;&gt; <a href=3D"http://www.boysen.se" target=3D"_blank">www.bo=
ysen.se</a><br>
&gt;&gt; &gt;&gt; <a href=3D"http://www.perboysen.com" target=3D"_blank">ww=
w.perboysen.com</a><br>
&gt;&gt; &gt;&gt;<br>
&gt;&gt; &gt;&gt;<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt; --<br>
&gt;&gt; &gt; Petri Lahtinen<br>
&gt;&gt; &gt; <a href=3D"http://www.petrilahtinen.com" target=3D"_blank">ht=
tp://www.petrilahtinen.com</a><br>
&gt;&gt; &gt; <a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_bla=
nk">http://petrilahtinen.blogspot.com/</a><br>
&gt;&gt; &gt; <a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_b=
lank">http://www.myspace.com/petrilahtinen</a><br>
&gt;&gt; &gt; <a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank=
">http://twitter.com/PetriLahtinen</a><br>
&gt;&gt; &gt; <a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_bla=
nk">http://petrilahtinen.bandcamp.com/</a><br>
&gt;&gt; &gt; ---------------------------------------------------<br>
&gt;&gt; &gt; &quot;Only become professional musician if there is no choice=
.&quot; -Robert<br>
&gt;&gt; &gt; Fripp-<br>
&gt;&gt; &gt; ---------------------------------------------------<br>
&gt;&gt; &gt; &quot;Some people never go crazy. What truly horrible lives t=
hey must<br>
&gt;&gt; &gt; lead.&quot; -Charles Bukowski-<br>
&gt;&gt; &gt;<br>
&gt;&gt; &gt;<br>
&gt;&gt;<br>
&gt;<br>
&gt;<br>
&gt;<br>
&gt; --<br>
&gt; ReUse, an introspective textural aural<br>
&gt; <a href=3D"http://www.myspace.com/CtReUse" target=3D"_blank">www.myspa=
ce.com/CtReUse</a><br>
&gt;<br>
&gt; music links...<br>
&gt; <a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoo=
dinmusic.com</a><br>
&gt; <a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.ch=
inapaintingmusic.com</a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinmusic" target=3D"_blank">ww=
w.myspace.com/jimgoodinmusic</a><br>
&gt; <a href=3D"http://www.myspace.com/chinapaintingmusic" target=3D"_blank=
">www.myspace.com/chinapaintingmusic</a><br>
&gt; <a href=3D"http://www.myspace.com/jimgoodinviolinelectro" target=3D"_b=
lank">www.myspace.com/jimgoodinviolinelectro</a><br>
&gt; <a href=3D"http://www.myspace.com/jindream" target=3D"_blank">www.mysp=
ace.com/jindream</a><br>
&gt; <a href=3D"http://www.youtube.com/jimgoodinmusic" target=3D"_blank">ww=
w.youtube.com/jimgoodinmusic</a><br>
&gt;<br>
&gt; video work/editing...<br>
&gt; <a href=3D"http://www.vimeo.com/jimgoodindigital" target=3D"_blank">ww=
w.vimeo.com/jimgoodindigital</a><br>
&gt;<br>
&gt; social networking...<br>
&gt; <a href=3D"http://www.twitter.com/jimgoodinmusic" target=3D"_blank">ww=
w.twitter.com/jimgoodinmusic</a><br>
&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div>--<br>
<div><div></div><div class=3D"h5">Petri Lahtinen<br>
<a href=3D"http://www.petrilahtinen.com" target=3D"_blank">http://www.petri=
lahtinen.com</a><br>
<a href=3D"http://petrilahtinen.blogspot.com/" target=3D"_blank">http://pet=
rilahtinen.blogspot.com/</a><br>
<a href=3D"http://www.myspace.com/petrilahtinen" target=3D"_blank">http://w=
ww.myspace.com/petrilahtinen</a><br>
<a href=3D"http://twitter.com/PetriLahtinen" target=3D"_blank">http://twitt=
er.com/PetriLahtinen</a><br>
<a href=3D"http://petrilahtinen.bandcamp.com/" target=3D"_blank">http://pet=
rilahtinen.bandcamp.com/</a><br>
---------------------------------------------------<br>
&quot;Only become professional musician if there is no choice.&quot; -Rober=
t Fripp-<br>
---------------------------------------------------<br>
&quot;Some people never go crazy. What truly horrible lives they must<br>
lead.&quot; -Charles Bukowski-<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>ReUse, an i=
ntrospective textural aural<br><a href=3D"http://www.myspace.com/CtReUse">w=
ww.myspace.com/CtReUse</a><br><br>music links...<br><a href=3D"http://www.j=
imgoodinmusic.com">www.jimgoodinmusic.com</a><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><a href=3D"http://www.myspace.com/jimgoodinmusic">www.myspace.com/jimg=
oodinmusic</a><br><a href=3D"http://www.myspace.com/chinapaintingmusic">www=
.myspace.com/chinapaintingmusic</a><br>
<a href=3D"http://www.myspace.com/jimgoodinviolinelectro">www.myspace.com/j=
imgoodinviolinelectro</a><br><a href=3D"http://www.myspace.com/jindream">ww=
w.myspace.com/jindream</a><br><a href=3D"http://www.youtube.com/jimgoodinmu=
sic">www.youtube.com/jimgoodinmusic</a><br>
<br>video work/editing...<br><a href=3D"http://www.vimeo.com/jimgoodindigit=
al">www.vimeo.com/jimgoodindigital</a><br><br>social networking...<br><a hr=
ef=3D"http://www.twitter.com/jimgoodinmusic">www.twitter.com/jimgoodinmusic=
</a><br>
<br>

--00c09f8de5d77811040483bc7b09--

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Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
Date: Thu, 8 Apr 2010 11:50:14 -0700
Cc: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
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I actually just posted to Facebook and Twitter yesterday.  The LP2 is  
delayed because I decided to have a mechanical designer create a nice  
look for the box. They are making a plastic model next week and the  
aluminum production will start after I approve the model.

--Bob Amstadt

On Apr 7, 2010, at 3:18 PM, Dennis Moser <sinsofmachaut@gmail.com>  
wrote:

> Speaking of ... any word on when we can expect to see this on the
> Looperlative pages?
>
> About ready to part with some cash ...
>
> Dennis
>
>
>> can't wait to get an Lp-2,
>>  I could run 3 loopers in series and then I'd never leave my room.
>> Bill
>
>
>
>
> -- 
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>

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Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
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Brilliant - looking forward to it Bob

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 8 Apr 2010, at 19:50, Bob Amstadt wrote:

> I actually just posted to Facebook and Twitter yesterday.  The LP2  
> is delayed because I decided to have a mechanical designer create a  
> nice look for the box. They are making a plastic model next week  
> and the aluminum production will start after I approve the model.
>
> --Bob Amstadt
>
> On Apr 7, 2010, at 3:18 PM, Dennis Moser <sinsofmachaut@gmail.com>  
> wrote:
>
>> Speaking of ... any word on when we can expect to see this on the
>> Looperlative pages?
>>
>> About ready to part with some cash ...
>>
>> Dennis
>>
>>
>>> can't wait to get an Lp-2,
>>>  I could run 3 loopers in series and then I'd never leave my room.
>>> Bill
>>
>>
>>
>>
>> -- 
>> http://myspace.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Brilliant - looking forward to it Bob<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 8 Apr 2010, =
at 19:50, Bob Amstadt wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I actually just posted to Facebook and Twitter =
yesterday.<span class=3D"Apple-converted-space">&nbsp; </span>The LP2 is =
delayed because I decided to have a mechanical designer create a nice =
look for the box. They are making a plastic model next week and the =
aluminum production will start after I approve the model.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--Bob =
Amstadt</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Apr 7, 2010, at 3:18 PM, Dennis Moser &lt;<a =
href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt; =
wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Speaking of ... any word on =
when we can expect to see this on the</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Looperlative pages?</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">About ready to part with some =
cash ...</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Dennis</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">can't wait to get an =
Lp-2,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp;</span>I could run 3 loopers in =
series and then I'd never leave my room.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">Bill</div> </blockquote><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://myspace.com/usrsbin">http://myspace.com/usrsbin</a></div><d=
iv style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://audiozoloft.com">http://audiozoloft.com</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://usrslashsbin.angrek.com">http://usrslashsbin.angrek.com</a>=
/</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; min-height: 14px; "><br></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-4-388287999--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 19:05:38 2010
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Date: Thu, 8 Apr 2010 12:05:37 -0700
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Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Just out of curiosity Bob, why did you go with mono operation?  Would
stereo have complicated things too much or raised the cost
prohibitively?

Still looking forward to another box on the floor though :-)

Kevin
> I actually just posted to Facebook and Twitter yesterday.=A0 The LP2 is
> delayed because I decided to have a mechanical designer create a nice loo=
k
> for the box. They are making a plastic model next week and the aluminum
> production will start after I approve the model.
> --Bob Amstadt
> On Apr 7, 2010, at 3:18 PM, Dennis Moser <sinsofmachaut@gmail.com> wrote:
>
> Speaking of ... any word on when we can expect to see this on the
> Looperlative pages?
> About ready to part with some cash ...
> Dennis
>
> can't wait to get an Lp-2,
>
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>
>



--=20
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

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I'm an accounts director with an Asian Pacific regional bank in Cambodia. I'm contacting you about a South 
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There is an unfinished business transaction involving a client with the same surname as yours that has been
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Subject: Re: New "Rigs!" videos with Travis Johns
From: Matt Davignon <mattdavignon@gmail.com>
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--000e0cd1a992c102710483bf5110
Content-Type: text/plain; charset=ISO-8859-1

I hope to start doing them again. The problem is that when you try to edit
Flip videos on other video software, the resulting video has hiccups. I'm
trying to figure out how to fix that.

I've been sitting on Travis Johns' videos for the better part of a year, and
finally decided to release them as is.

Matt

On Wed, Apr 7, 2010 at 5:20 PM, Sylvain Poitras
<sylvain.trombone@gmail.com>wrote:

> allright!
> I've been patiently waiting for new Rigs! video.  Thanks for the great work
> Matt.
> Sylvain
>
>
> On Wed, Apr 7, 2010 at 4:24 PM, Matt Davignon <mattdavignon@gmail.com>wrote:
>
>> Hi all,
>>
>> I just posted some a new set of Rigs! videos on YouTube.
>>
>> Travis Johns discusses and performs on his homemade analog electronics
>> boxes:
>> Part 1: http://www.youtube.com/watch?v=Oags-OhuRLk
>> Part 2: http://www.youtube.com/watch?v=Jg8TV4kqK_8
>> Performance: http://www.youtube.com/watch?v=H6z7vjSwCk4
>>
>> --
>> Matt Davignon
>> mattdavignon@gmail.com
>> www.ribosomemusic.com
>> Rigs! www.youtube.com/user/ribosomematt
>>
>
>


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

--000e0cd1a992c102710483bf5110
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I hope to start doing them again. The problem is that when you try to edit =
Flip videos on other video software, the resulting video has hiccups. I&#39=
;m trying to figure out how to fix that. <br><br>I&#39;ve been sitting on T=
ravis Johns&#39; videos for the better part of a year, and finally decided =
to release them as is. <br>
<br>Matt<br><br><div class=3D"gmail_quote">On Wed, Apr 7, 2010 at 5:20 PM, =
Sylvain Poitras <span dir=3D"ltr">&lt;<a href=3D"mailto:sylvain.trombone@gm=
ail.com">sylvain.trombone@gmail.com</a>&gt;</span> wrote:<br><blockquote cl=
ass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px so=
lid rgb(204, 204, 204); padding-left: 1ex;">
allright!<div>I&#39;ve been patiently waiting for new Rigs! video. =A0Thank=
s for the great work Matt.</div><div>Sylvain</div><div><div></div><div clas=
s=3D"h5"><div><br><div><br><div class=3D"gmail_quote">On Wed, Apr 7, 2010 a=
t 4:24 PM, Matt Davignon <span dir=3D"ltr">&lt;<a href=3D"mailto:mattdavign=
on@gmail.com" target=3D"_blank">mattdavignon@gmail.com</a>&gt;</span> wrote=
:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi all, <br>
<br>
I just posted some a new set of Rigs! videos on YouTube. <br>
<br>
Travis Johns discusses and performs on his homemade analog electronics=20
boxes: <br>
Part 1: <a href=3D"http://www.youtube.com/watch?v=3DOags-OhuRLk" target=3D"=
_blank">http://www.youtube.com/watch?v=3DOags-OhuRLk</a><br>

Part 2: <a href=3D"http://www.youtube.com/watch?v=3DJg8TV4kqK_8" target=3D"=
_blank">http://www.youtube.com/watch?v=3DJg8TV4kqK_8</a><br>
Performance:
 <a href=3D"http://www.youtube.com/watch?v=3DH6z7vjSwCk4" target=3D"_blank"=
>http://www.youtube.com/watch?v=3DH6z7vjSwCk4</a><br clear=3D"all"><font co=
lor=3D"#888888"><br>-- <br>Matt Davignon<br><a href=3D"mailto:mattdavignon@=
gmail.com" target=3D"_blank">mattdavignon@gmail.com</a><br>


<a href=3D"http://www.ribosomemusic.com" target=3D"_blank">www.ribosomemusi=
c.com</a><br>Rigs! <a href=3D"http://www.youtube.com/user/ribosomematt" tar=
get=3D"_blank">www.youtube.com/user/ribosomematt</a><br>
</font></blockquote></div><br></div></div>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Matt Davign=
on<br><a href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a><=
br><a href=3D"http://www.ribosomemusic.com">www.ribosomemusic.com</a><br>Ri=
gs! <a href=3D"http://www.youtube.com/user/ribosomematt">www.youtube.com/us=
er/ribosomematt</a><br>


--000e0cd1a992c102710483bf5110--

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Date: Thu, 8 Apr 2010 21:23:22 +0000 (GMT)
From: Ben Coroma <bencoroma@sify.com>
Reply-To: bencoroma@sify.com
Subject: REPLY, IF YOU ARE INTRESTED!!!
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1660479866-1270761802=:88876
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>From The Desk Of Ben Coroma.=20
=0AThe Head Of File Department,=20
=0AAfrican Development Bank (A.D.B).=20
=0AOuagadougou Burkina-Faso West Africa.=20
=0A   =20
=0A Forgive my indignation if this message comes to you as a surprise and m=
ay offend your personality for contacting you without your prior consent an=
d writing through this channel. I got your contact from the proffesional da=
ta base found in the internet Yahoo tourist search. When i was searching fo=
r a foreign reliable partner. I assured of your capability and reliability =
to champion this business opportunity.
=0A=20
=0A     After series of prayers/fasting. i was divinely directed to contact=
 you among other names found in the data base Yahoo tourist search.I believ=
e that God has a way of helping who is in need.
=0A=20
=0A   I am (Ben Coromathe Head of file Department in African development ba=
nk (ADB). In my department we discovered an abandoned sum of $15 million U.=
S.A dollars ( fifteen million U.S.A dollars). In an account that belongs to=
 one of our foreign customer who died along with all his family in the Asia=
 Earth Quake Disaster (TSUNAMI DISASTER IN INDONESIA/INDIA http://www.cnn.c=
om/SPECIALS/2004/tsunami.disaster/.  All of his Family lost there lives in =
the Disaster.  Since then I have made several inquiries to his Country emba=
ssy to locate any of his client's extended Relatives, this has proved unsuc=
cessful.  After these several unsuccessful attempts, unfortunately we learn=
t that all his supposed next of kin or relation died along side with him at=
 the TSUNAMI DISASTER IN INDONESIA/INDIA leaving nobody behind for the clai=
m. It is therefore upon this discovery that I and one official in my depart=
ment now decided to make this business proposal to you and release the
 money to you as the next of kin or relation to the deceased for safety and=
 subsequent disbursement since nobody is coming for it and we don=E2=80=99t=
 want this money to go into the bank treasury as unclaimed bill.
=0A=20
=0AThe Banking law and guideline here stipulates that if such money remaine=
d unclaimed after five (5) years, the money will be transferred into the Ba=
nk treasury as unclaimed fund. The request of foreigner as next of kin in t=
his business is occasioned by the fact that the customer was a foreigner, a=
nd a Burkinabe cannot stand as next of kin to a foreigner. We agree that 40=
% of this money will be for you as foreign partner, in respect to the provi=
sion of a foreign account,and 60% would be for me. That means ($6 million) =
 six million dollars for you,and ($9 million) nine million dollars for me a=
nd my partner. There after i will visit your country for disbursement accor=
ding to the percentages indicated.=20
=0A
=0AAll I require is your honest cooperation to enable us seeing this deal t=
hrough. I guarantee that this will be executed under a legitimate arrangeme=
nt that will protect you from any breach of the law. Please consider my off=
icial positions, reputation and integrity, especially, the opportunities in=
 the business itself, it is very necessary that all due care be taken so th=
at we do not miss the opportunity due to carelessness.=20
=0A=20
=0A               You are therefore expected and advised to display high de=
gree of maturity, responsibility and understanding in handling this informa=
tion.  I will give you all the details in my next mail when you have indica=
ted your interest and commitment to work with me.  Always remember that thi=
s is the highest confidence and trust any person can repose on the other,  =
especially when it is considered that we did not know ourselves, I hope you=
 will honor me too.
=0A=20
=0A                I will come over to join you in your Country for disburs=
ement when the funds hit your account. More so for an effective and easy co=
mmunication I will advice that you furnish me with your telephone and fax n=
umber. Upon receipt of your reply, I will send to you by fax or email the t=
ext of the application I will not fail to bring to your notice that this tr=
ansaction is hitch free and that you should not entertain any atom of fear =
as all required arrangements have been made for the transfer.=20
=0A=20
=0AYou should call me on this number  +226-75282760  +226-75282760 , immedi=
ately as soon as you receive this letter. relpy me with; ( ben_coroma@sify.=
com ) Trusting to hear from you immediately.=20
=0A=20
=0AYour=E2=80=99s faithfully,=20
=0ABen Coroma.
=0A=20
=0AFROM (ADB) OUAGADOUGOU BURKINA-FASO.
=0AGOD BLESSINGS, PROTECTIONS AND GUIDIANCE TO YOUR ENTIRE FAMILY.=20
=0A=20
=0A                 (FILL THIS FORM BELLOW PLEASE AND RESEND IT TO ME).
=0A=20
=0A 1) Your Full Name..
=0A2) Your Age..
=0A3) Marital Status..
=0A4) Your Cell Phone Number..
=0A5) Your Fax Number..
=0A6) Your Country=E2=80=A6
=0A7) Your Occupation..
=0A8) Sex...
=0A9) Your Religion...
=0A10) Your Private E-mail Adress...=0A=0ASend instant messages to your onl=
ine friends http://uk.messenger.yahoo.com 
--0-1660479866-1270761802=:88876
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>From The Desk Of Ben Coroma. <br>=0AT=
he Head Of File Department, <br>=0AAfrican Development Bank (A.D.B). <br>=
=0AOuagadougou Burkina-Faso West Africa. <br>=0A    <br>=0A Forgive my indi=
gnation if this message comes to you as a surprise and may offend your pers=
onality for contacting you without your prior consent and writing through t=
his channel. I got your contact from the proffesional data base found in th=
e internet Yahoo tourist search. When i was searching for a foreign reliabl=
e partner. I assured of your capability and reliability to champion this bu=
siness opportunity.<br>=0A <br>=0A     After series of prayers/fasting. i w=
as divinely directed to contact you among other names found in the data bas=
e Yahoo tourist search.I believe that God has a way of helping who is in ne=
ed.<br>=0A <br>=0A   I am (Ben Coromathe Head of file Department in African=
 development bank (ADB). In my department we discovered an abandoned sum of=
 $15 million U.S.A dollars ( fifteen million U.S.A dollars). In an account =
that belongs to one of our foreign customer who died along with all his fam=
ily in the Asia Earth Quake Disaster (TSUNAMI DISASTER IN INDONESIA/INDIA h=
ttp://www.cnn.com/SPECIALS/2004/tsunami.disaster/.  All of his Family lost =
there lives in the Disaster.  Since then I have made several inquiries to h=
is Country embassy to locate any of his client's extended Relatives, this h=
as proved unsuccessful.  After these several unsuccessful attempts, unfortu=
nately we learnt that all his supposed next of kin or relation died along s=
ide with him at the TSUNAMI DISASTER IN INDONESIA/INDIA leaving nobody behi=
nd for the claim. It is therefore upon this discovery that I and one offici=
al in my department now decided to make this business proposal to you and r=
elease the
 money to you as the next of kin or relation to the deceased for safety and=
 subsequent disbursement since nobody is coming for it and we don=E2=80=99t=
 want this money to go into the bank treasury as unclaimed bill.<br>=0A <br=
>=0AThe Banking law and guideline here stipulates that if such money remain=
ed unclaimed after five (5) years, the money will be transferred into the B=
ank treasury as unclaimed fund. The request of foreigner as next of kin in =
this business is occasioned by the fact that the customer was a foreigner, =
and a Burkinabe cannot stand as next of kin to a foreigner. We agree that 4=
0% of this money will be for you as foreign partner, in respect to the prov=
ision of a foreign account,and 60% would be for me. That means ($6 million)=
  six million dollars for you,and ($9 million) nine million dollars for me =
and my partner. There after i will visit your country for disbursement acco=
rding to the percentages indicated. <br>=0A<br>=0AAll I require is your hon=
est cooperation to enable us seeing this deal through. I guarantee that thi=
s will be executed under a legitimate arrangement that will protect you fro=
m any breach of the law. Please consider my official positions, reputation =
and integrity, especially, the opportunities in the business itself, it is =
very necessary that all due care be taken so that we do not miss the opport=
unity due to carelessness. <br>=0A <br>=0A               You are therefore =
expected and advised to display high degree of maturity, responsibility and=
 understanding in handling this information.  I will give you all the detai=
ls in my next mail when you have indicated your interest and commitment to =
work with me.  Always remember that this is the highest confidence and trus=
t any person can repose on the other,  especially when it is considered tha=
t we did not know ourselves, I hope you will honor me too.<br>=0A <br>=0A  =
              I will come over to join you in your Country for disbursement=
 when the funds hit your account. More so for an effective and easy communi=
cation I will advice that you furnish me with your telephone and fax number=
. Upon receipt of your reply, I will send to you by fax or email the text o=
f the application I will not fail to bring to your notice that this transac=
tion is hitch free and that you should not entertain any atom of fear as al=
l required arrangements have been made for the transfer. <br>=0A <br>=0AYou=
 should call me on this number  +226-75282760  +226-75282760 , immediately =
as soon as you receive this letter. relpy me with; ( ben_coroma@sify.com ) =
Trusting to hear from you immediately. <br>=0A <br>=0AYour=E2=80=99s faithf=
ully, <br>=0ABen Coroma.<br>=0A <br>=0AFROM (ADB) OUAGADOUGOU BURKINA-FASO.=
<br>=0AGOD BLESSINGS, PROTECTIONS AND GUIDIANCE TO YOUR ENTIRE FAMILY. <br>=
=0A <br>=0A                 (FILL THIS FORM BELLOW PLEASE AND RESEND IT TO =
ME).<br>=0A <br>=0A 1) Your Full Name..<br>=0A2) Your Age..<br>=0A3) Marita=
l Status..<br>=0A4) Your Cell Phone Number..<br>=0A5) Your Fax Number..<br>=
=0A6) Your Country=E2=80=A6<br>=0A7) Your Occupation..<br>=0A8) Sex...<br>=
=0A9) Your Religion...<br>=0A10) Your Private E-mail Adress...</td></tr></t=
able><br>Send instant messages to your online friends http://uk.messenger.y=
ahoo.com 
--0-1660479866-1270761802=:88876--

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 21:44:07 2010
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Subject: re: LP-2
Date: Thu, 8 Apr 2010 17:44:05 -0400
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HI Bob,

thanks for the update, I've been salivating waiting for this, as I'm  
sure a lot of us are...any chance of an LD group buy?

Thanks,
Paul
http://paulsullivan.com




From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 22:10:51 2010
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References: <A5FAB9B0-A6CE-431B-B983-B37ADC999334@lextrical.co.uk>
To: Loopers-Delight@loopers-delight.com
Content-Transfer-Encoding: quoted-printable
Subject: Re: lextrical's daily music bean
Date: Thu, 08 Apr 2010 18:10:44 -0400
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this is wonderful!!!!!.....thanks lextrical




 =20

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 22:27:10 2010
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From: Robert Amstadt <bob@amstadt.com>
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I simply can't afford to discount the unit on direct sales.  If one of  
you runs a retail store and that store places a large order, then I  
can arrange appropriate wholesale pricing to the retail outlet.  In  
that case, all units would be shipped to the retail store.

Bob

On Apr 8, 2010, at 2:44 PM, Paul Sullivan wrote:

> HI Bob,
>
> thanks for the update, I've been salivating waiting for this, as I'm  
> sure a lot of us are...any chance of an LD group buy?
>
> Thanks,
> Paul
> http://paulsullivan.com
>
>
>
>
>

Robert Amstadt
bob@amstadt.com



From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 22:27:17 2010
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Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
Date: Thu, 8 Apr 2010 15:21:06 -0700
References: <r2hdec8f8e61004071518vc58fdef7s40fe4b6d69acf7cf@mail.gmail.com> <7D739098-24AD-4B36-A608-3B88769A144D@amstadt.com> <01B63A09-98D8-42C2-9321-680E70CD7B36@btinternet.com> <j2y37f071c01004081205oecd6b937g1f17b5497f9d3681@mail.gmail.com>
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Yep, stereo was not in the budget for this device.  I had a price  
target I was looking at and stereo was not possible for me within that  
budget.

Bob

On Apr 8, 2010, at 12:05 PM, Kevin Cheli-Colando wrote:

> Just out of curiosity Bob, why did you go with mono operation?  Would
> stereo have complicated things too much or raised the cost
> prohibitively?
>
> Still looking forward to another box on the floor though :-)
>
> Kevin
>> I actually just posted to Facebook and Twitter yesterday.  The LP2 is
>> delayed because I decided to have a mechanical designer create a  
>> nice look
>> for the box. They are making a plastic model next week and the  
>> aluminum
>> production will start after I approve the model.
>> --Bob Amstadt
>> On Apr 7, 2010, at 3:18 PM, Dennis Moser <sinsofmachaut@gmail.com>  
>> wrote:
>>
>> Speaking of ... any word on when we can expect to see this on the
>> Looperlative pages?
>> About ready to part with some cash ...
>> Dennis
>>
>> can't wait to get an Lp-2,
>>
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>>
>>
>
>
>
> -- 
> Till now you seriously considered yourself to be the body and to  
> have a
> form. That is the primal ignorance which is the root cause of all  
> trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

Robert Amstadt
bob@amstadt.com



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Date: Thu, 8 Apr 2010 15:40:24 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: LP-2
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Yeah, I wan two!

Antony HEquet


----- Original Message ----
From: Paul Sullivan <paulsull@earthlink.net>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, April 8, 2010 5:44:05 PM
Subject: re: LP-2

HI Bob,

thanks for the update, I've been salivating waiting for this, as I'm sure a lot of us are...any chance of an LD group buy?

Thanks,
Paul
http://paulsullivan.com


      

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 22:40:42 2010
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Subject: Combien de Temps video..
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Hello all,

Ok, I talked about this 2 years ago, but finally I can show it to you =
all.. Brother Sync extravaganza... ;-)

This is an example of a tour I did through France, Switzerland and =
Belgium where we had multiple Echoplexes spread on stage. Was really =
great to play and gave a really nice adrenaline rush; also because you =
were never sure the buggy Echoplexes would behave!

http://www.youtube.com/watch?v=3DW1PBdR2urvE

Hope you all will appreciate it!

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 22:41:34 2010
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Date: Thu, 8 Apr 2010 15:41:33 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: LP-2
To: Loopers-Delight@loopers-delight.com
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when are they going to be on the market approximately?

Antony Hequet


----- Original Message ----
From: Robert Amstadt <bob@amstadt.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, April 8, 2010 6:24:52 PM
Subject: Re: LP-2

I simply can't afford to discount the unit on direct sales.  If one of you runs a retail store and that store places a large order, then I can arrange appropriate wholesale pricing to the retail outlet.  In that case, all units would be shipped to the retail store.

Bob

On Apr 8, 2010, at 2:44 PM, Paul Sullivan wrote:

> HI Bob,
> 
> thanks for the update, I've been salivating waiting for this, as I'm sure a lot of us are...any chance of an LD group buy?
> 
> Thanks,
> Paul
> http://paulsullivan.com
> 
> 
> 
> 
> 

Robert Amstadt
bob@amstadt.com


      

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 22:56:24 2010
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Exactly, that I was wishing for. Instead of a blown up iPhone I was =
hoping for an even smaller laptop then the MacBook Air where we could =
run Ableton on. ... Maybe Ableton will make a special App one day...

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

On 07 04 2010, at 4:44 PM, Buzap Buzap wrote:

> Yeah
>=20
> actually, a nice Mainstage or Ableton Live interface for the iPad in =
the style of Lemur is a no-brainer...
>=20
> Let's see when that happens.
> Buzap
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 22:57:33 2010
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Subject: Re: Mike Stern's guitars
From: Reyn Ouwehand <loopers-delight@reyn.net>
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He had an infection underneath his nail and BioTex is a dutch (and =
English/Scandinavian?) washingpowder that also seem to help for =
infections. Well, so the nurse said..., since Mike also demanded, =
besides doing his laundry, that we would get him a doctor to have a look =
at his finger.

R.

On 07 04 2010, at 5:28 AM, Jeff Shirkey wrote:

>=20
>> I once recorded Mike Stern which was quite the experience! It gave me =
stories which I will cherish the rest of my life... Top of the iceberg =
is where in the end of the session he left the building with him holding =
his finger in a cup filled with BioTex and my mom doing his =
laundry...... Unreal....
>=20
> Would love to hear more stories...
>=20
> and what is BioTex??
>=20
>>=20
>>> I've seen Mike Stern a few times and each time he's playing a =
Telecaster, but definitely not a slimline.
>>>=20
>=20
> He plays a Tele-style Yamaha, if memory serves. Isn't the model the =
Pacifica?
>=20
> Jeff
>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Thu Apr  8 23:06:17 2010
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Subject: Re: LP-2
Date: Thu, 8 Apr 2010 16:06:15 -0700
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When they are ready.  I've tried predicting delivery date and have  
been wrong.  At this point, all I can say is that I have money  
committed to the project and I will sell LP2s just as soon as they are  
ready.  My target is as soon as possible.

Bob


On Apr 8, 2010, at 3:41 PM, antonyhequet@yahoo.com wrote:

> when are they going to be on the market approximately?
>
> Antony Hequet
>
>
> ----- Original Message ----
> From: Robert Amstadt <bob@amstadt.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, April 8, 2010 6:24:52 PM
> Subject: Re: LP-2
>
> I simply can't afford to discount the unit on direct sales.  If one  
> of you runs a retail store and that store places a large order, then  
> I can arrange appropriate wholesale pricing to the retail outlet.   
> In that case, all units would be shipped to the retail store.
>
> Bob
>
> On Apr 8, 2010, at 2:44 PM, Paul Sullivan wrote:
>
>> HI Bob,
>>
>> thanks for the update, I've been salivating waiting for this, as  
>> I'm sure a lot of us are...any chance of an LD group buy?
>>
>> Thanks,
>> Paul
>> http://paulsullivan.com
>>
>>
>>
>>
>>
>
> Robert Amstadt
> bob@amstadt.com
>
>
>
>
>

Robert Amstadt
bob@amstadt.com



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From: Alex Vald <lex@lextrical.co.uk>
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Subject: Re: lextrical's daily music bean
Date: Fri, 9 Apr 2010 00:59:00 +0100
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My pleasure - thanks for checking it out. Please spread the word - I  
intend to continue as long as people are tuning in.

This track from my first datapuddle album is played on top of jamman  
loops - http://datapuddle.bandcamp.com/track/laughing-song - our album  
MonkeySkyMonkey - www.datapuddle.bandcamp.comis well worth a listen if  
you enjoy that.

And from my solo work, these tracks also were built on jamman loops:

http://lextrical.bandcamp.com/track/spool

http://lextrical.bandcamp.com/track/theme-from-where

cheers

lextrical

On 8 Apr 2010, at 23:10, nemoguitt@aol.com wrote:

> this is wonderful!!!!!.....thanks lextrical
>
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">My pleasure - thanks for =
checking it out. Please spread the word - I intend to continue as long =
as people are tuning in.<br><br>This track from my first datapuddle =
album is played on top of jamman loops -&nbsp;<a =
href=3D"http://datapuddle.bandcamp.com/track/laughing-song">http://datapud=
dle.bandcamp.com/track/laughing-song</a>&nbsp;- our album =
MonkeySkyMonkey -&nbsp;<a =
href=3D"http://www.datapuddle.bandcamp.com/">www.datapuddle.bandcamp.com</=
a>is well worth a listen if you enjoy that.<br><br>And from my solo =
work, these tracks also were built on jamman loops:<br><br><a =
href=3D"http://lextrical.bandcamp.com/track/spool">http://lextrical.bandca=
mp.com/track/spool</a><br><br><a =
href=3D"http://lextrical.bandcamp.com/track/theme-from-where">http://lextr=
ical.bandcamp.com/track/theme-from-where</a><br><br>cheers<br><br>lextrica=
l<div><br><div><div>On 8 Apr 2010, at 23:10, <a =
href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>this =
is wonderful!!!!!.....thanks lextrical<br><br><br><br><br> =
<br></div></blockquote></div><br></div></body></html>=

--Apple-Mail-22-406164437--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 00:15:08 2010
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Date: Thu, 08 Apr 2010 20:14:42 -0400
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll continue the
month-long Special Focus on Radio Massacre International.  The Featured
CD at Midnight will be disk five from "Lost In Space" on Northern Echo
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#apr

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen on the internet.

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References: <E3143B44-0895-4985-B00A-323CEE7FC035@earthlink.net> <BD05F1D8-CFEB-43CF-9C7A-A89CC538273C@amstadt.com> <747797.44763.qm@web65615.mail.ac4.yahoo.com> <8E38BC60-9869-4EC5-93F6-95EFD364AB2D@amstadt.com>
Date: Thu, 8 Apr 2010 20:03:59 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: LP-2
To: Loopers-Delight@loopers-delight.com
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hello Bob,

thank you for you honest response. Don't mean to nag you. I am just eager to get one of these monsters under my foot.

ANtony


----- Original Message ----
From: Robert Amstadt <bob@amstadt.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, April 8, 2010 7:06:15 PM
Subject: Re: LP-2

When they are ready.  I've tried predicting delivery date and have been wrong.  At this point, all I can say is that I have money committed to the project and I will sell LP2s just as soon as they are ready.  My target is as soon as possible.

Bob


On Apr 8, 2010, at 3:41 PM, antonyhequet@yahoo.com wrote:

> when are they going to be on the market approximately?
> 
> Antony Hequet
> 
> 
> ----- Original Message ----
> From: Robert Amstadt <bob@amstadt.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, April 8, 2010 6:24:52 PM
> Subject: Re: LP-2
> 
> I simply can't afford to discount the unit on direct sales.  If one of you runs a retail store and that store places a large order, then I can arrange appropriate wholesale pricing to the retail outlet.  In that case, all units would be shipped to the retail store.
> 
> Bob
> 
> On Apr 8, 2010, at 2:44 PM, Paul Sullivan wrote:
> 
>> HI Bob,
>> 
>> thanks for the update, I've been salivating waiting for this, as I'm sure a lot of us are...any chance of an LD group buy?
>> 
>> Thanks,
>> Paul
>> http://paulsullivan.com
>> 
>> 
>> 
>> 
>> 
> 
> Robert Amstadt
> bob@amstadt.com
> 
> 
> 
> 
> 

Robert Amstadt
bob@amstadt.com


      

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Subject: Re: Combien de Temps video..
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Wow. Just wow.

----- Original Message ----- 
From: "Reyn Ouwehand" <loopers-delight@reyn.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, April 08, 2010 3:40 PM
Subject: Combien de Temps video..


Hello all,

Ok, I talked about this 2 years ago, but finally I can show it to you all..
Brother Sync extravaganza... ;-)

This is an example of a tour I did through France, Switzerland and Belgium
where we had multiple Echoplexes spread on stage. Was really great to play
and gave a really nice adrenaline rush; also because you were never sure the
buggy Echoplexes would behave!

http://www.youtube.com/watch?v=W1PBdR2urvE

Hope you all will appreciate it!

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand


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Date: Thu, 8 Apr 2010 23:27:01 -0400
Subject: Re: Combien de Temps video..
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Brilliant!!!!
Love this!!!

Andre

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Thu, April 8, 2010 6:40 pm, Reyn Ouwehand wrote:
> Hello all,
>
> Ok, I talked about this 2 years ago, but finally I can show it to you
> all.. Brother Sync extravaganza... ;-)
>
> This is an example of a tour I did through France, Switzerland and Belgium
> where we had multiple Echoplexes spread on stage. Was really great to play
> and gave a really nice adrenaline rush; also because you were never sure
> the buggy Echoplexes would behave!
>
> http://www.youtube.com/watch?v=W1PBdR2urvE
>
> Hope you all will appreciate it!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
>






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Subject: RE: LP-2? Was Re: looping with M-9 and Lp-1
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This is good news...I'd consider buying one.

But one question...for those of us who are still experiencing the well-known
problem of clicking and popping of the LP1...is a solution on the way?

I've sent two emails and left a voicemail and I'm still waiting for a
response. I think a few others on the LP1 Forum feel the same way.

Any news on this, Bob? I'd like to be using my LP1 but in all honesty, I
can't use it in this condition...

Regards,

Edward Yuhas


-----Original Message-----
From: Bob Amstadt [mailto:bob@amstadt.com] 
Sent: Thursday, April 08, 2010 2:50 PM
To: Loopers-Delight@loopers-delight.com
Cc: Loopers-Delight@loopers-delight.com
Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1

I actually just posted to Facebook and Twitter yesterday.  The LP2 is  
delayed because I decided to have a mechanical designer create a nice  
look for the box. They are making a plastic model next week and the  
aluminum production will start after I approve the model.

--Bob Amstadt

On Apr 7, 2010, at 3:18 PM, Dennis Moser <sinsofmachaut@gmail.com>  
wrote:

> Speaking of ... any word on when we can expect to see this on the
> Looperlative pages?
>
> About ready to part with some cash ...
>
> Dennis
>
>
>> can't wait to get an Lp-2,
>>  I could run 3 loopers in series and then I'd never leave my room.
>> Bill
>
>
>
>
> -- 
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>

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	 <y2jc70841111004080044q9460140ep9cdc7d541f55e224@mail.gmail.com>
Date: Thu, 8 Apr 2010 20:28:27 -0700
Message-ID: <h2n2aa522d31004082028i7f3450eeu69dcb61705c1f1ad@mail.gmail.com>
Subject: Re: FCB 1010 goes off...
From: Alexandre Klinke <alexandre.klinke@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=ISO-8859-1
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Yeah, I'm aware of lots of small bugs with this controller already,
have been using it for a year now, but this is something really
specific and so far I haven't found anything about it...

On Thu, Apr 8, 2010 at 12:44 AM, Petri Lahtinen <aikuinen@gmail.com> wrote:
> I bet that you'll find lots of problems with the mentioned controller
> in this list... ;-D
>
> 2010/4/7 Alexandre Klinke <alexandre.klinke@gmail.com>:
>> Hello Loopers!
>>
>> I'm experiencing a problem with my FCB 1010 and was wondering if
>> anyone have experienced the same problem.
>> Sometimes when I'm playing the pedal simply goes off with no particular reason.
>> At first I thought it was a problem with the power cable, but it looks
>> like very sturdy and it's well connected.
>> I've been experiencing this playing in my house, but yesterday I had
>> this problem while on stage, and man... I was so pissed off!! Had to
>> let the music rolling and restart the pedal and pretend nothing was
>> happening...
>> Anyway, does anyone had the same problem before? Is there a way to fix this?
>> Thanks a lot for your help.
>> Cheers!
>> Alexandre
>>
>>
>> www.myspace.com/alexandreklinke
>>
>>
>
>
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must
> lead." -Charles Bukowski-
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 03:45:02 2010
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References: <E3143B44-0895-4985-B00A-323CEE7FC035@earthlink.net>
	 <E52DD3D3-8091-4676-BD3E-47845BCC2ACE@reyn.net>
	 <00ba01cad792$379af660$925d0418@vulcan>
Date: Thu, 8 Apr 2010 20:45:01 -0700
Message-ID: <m2t588ce11d1004082045r21d6c927hc9bb017466fd7d8d@mail.gmail.com>
Subject: Re: Combien de Temps video..
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: text/plain; charset=ISO-8859-1
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Nice! Very Nice!

> ----- Original Message -----
> From: "Reyn Ouwehand" <loopers-delight@reyn.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, April 08, 2010 3:40 PM
> Subject: Combien de Temps video..
>
>
> Hello all,
>
> Ok, I talked about this 2 years ago, but finally I can show it to you all..
> Brother Sync extravaganza... ;-)
>
> This is an example of a tour I did through France, Switzerland and Belgium
> where we had multiple Echoplexes spread on stage. Was really great to play
> and gave a really nice adrenaline rush; also because you were never sure the
> buggy Echoplexes would behave!
>
> http://www.youtube.com/watch?v=W1PBdR2urvE
>
> Hope you all will appreciate it!
>
> Cheers,
>
> Reyn
>

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

From info@fedex.com  Fri Apr  9 06:24:49 2010
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From ptas_vlc@marvalsa.com  Fri Apr  9 06:41:41 2010
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Reply-To: <worldbank.james@gmail.com>
From: "WORLD BANK REPRESENTATIVE IN USA"<ptas_vlc@marvalsa.com>
Subject: RE: YOUR URGENT ACCOUNT REVISION.
Date: Sun, 17 Jan 1988 11:12:03 +0100
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Attn: The Beneficiary ,
 
Compliments of the day, I am Mr Mike Adenuga an executive officer with the Federal Ministry of Finance here in Nigeria.This is to inform you that there was a meeting held on 25th day of January 2010 at the World Bank headquarters in Geneva Switzerland by the World Bank, Central Bank of Nigeria (CBN), United Nation, Federal Bureau of Investigation officials in respect to funds owed to beneficiaries all over the World and we came to a conclusion that all affected persons will receive their funds immediately. In regards to this agreed new directive, I have been able to facilitate all the neccessary documents needed to effect your own fund release into your nominated bank account. I have also submitted the documents to the Central Bank of Nigeria (CBN) who in turn has also passed it on to the WORLD BANK Headquarters in Geneva Switzerland since the World Bank has instructed that all payment will be handled by them directly. Please I advise that you use the information below to contact the WORLD BANK REPRESENTATIV
 
 CONTACT INFORMATION:
 
 WORLD BANK REPRESENTATIVE IN USA
 NAME: MR WILFORD JAMES
 LOCATION: CLEARFIELD UTAH USA
 EMAIL:worldbank.james@gmail.com
 EMAIL: worldbank.james@gmail.com
 DIRECT PHONE: 1 (891) 418 - 1139 
 
 Please when contacting him do not fail to tell him that you were directed by Mr Mike Adenuga and also quote your transaction code which is (TF37DVD6) this code is your direct and secret code. It is this code the WORLD BANK REPRESENTATIVE will be able to access your documents and fund for immediate release as all the needed documents has been passed on to him to enable him effect your fund transfer into your nominated bank account in any part of the World.
 
 You are hereby advised to contact him immediately either through phone or email and endeavour to keep me updated once you contact him or better still send me an email to any of my email address listed here. E-mail: 
 
 Regards.

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 07:59:24 2010
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Subject: Few questions about foot controllers etc.
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64af2f25a13680483c92ce6
Content-Type: text/plain; charset=ISO-8859-1

Hey guys-

It has been years since I have been on this list- so first of all greetings
to everyone! I have never stopped looping and am glad to see the list is
still kicking.

I have been on a "simpler is better" path for some time now. I have been
using my PDS8000 and DL4 (though I am really hoping for the day that digital
green pile of heaven and hell gets a contender or serious upgrade)- but now
I feel like dusting off my EDP for live use. I will be leaving the Repeater
at home- I just want a few pedals and my EDP.

In any event the issues I want to address have to do with foot control. I
have Loop 4 v1.1 and had my FCB1010 set up to do all sorts of fancy stuff I
just cannot think about right now. MUST SIMPLIFY. Now I am thinking I could
just use the original controller or a smaller midi controller (ie less than
half size of the FCB1010) but the issue with the original controller are the
buttons. They are very flaky and always have been- sometimes not registering
a press or registering multiple presses when there was only one.

The main functions I really want are on the orig controller (who made the
great decision to put "insert" on there??) so if no newer/smaller midi
controller is available I will focus on upgrading/modding the original.

So- if anyone has info on a compact programmable midi foot controller or
better buttons/mods for the original controller please let me know!

Thanks again-

Clifford

--0016e64af2f25a13680483c92ce6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey guys- <br><br>It has been years since I have been on this list- so firs=
t of all greetings to everyone! I have never stopped looping and am glad to=
 see the list is still kicking.<br><br>I have been on a &quot;simpler is be=
tter&quot; path for some time now. I have been using my PDS8000 and DL4 (th=
ough I am really hoping for the day that digital green pile of heaven and h=
ell gets a contender or serious upgrade)- but now I feel like dusting off m=
y EDP for live use. I will be leaving the Repeater at home- I just want a f=
ew pedals and my EDP.<br>
<br>In any event the issues I want to address have to do with foot control.=
 I have Loop 4 v1.1 and had my FCB1010 set up to do all sorts of fancy stuf=
f I just cannot think about right now. MUST SIMPLIFY. Now I am thinking I c=
ould just use the original controller or a smaller midi controller (ie less=
 than half size of the FCB1010) but the issue with the original controller =
are the buttons. They are very flaky and always have been- sometimes not re=
gistering a press or registering multiple presses when there was only one.<=
br>
<br>The main functions I really want are on the orig controller (who made t=
he great decision to put &quot;insert&quot; on there??) so if no newer/smal=
ler midi controller is available I will focus on upgrading/modding the orig=
inal.<br>
<br>So- if anyone has info on a compact programmable midi foot controller o=
r better buttons/mods for the original controller please let me know!<br><b=
r>Thanks again- <br><br>Clifford=A0 <br>

--0016e64af2f25a13680483c92ce6--

From lewiss@globetrotter.net  Fri Apr  9 09:31:07 2010
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From: smollett lewis <lewiss@globetrotter.net>
Subject: Private Loan Service 2.5%!!!
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2=2E Contact Address=3A =

3=2E Loan Amount Needed=3A =

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=3CDIV=3EDo you need financial advancement this year=2CThey say opportun=
ity do not knock twice=2E But with the Beta Home Loan Financial Corporat=
ion=2C you can get the cheapest and affordable loan at a low percentage =
ratee of 2=2E5=25 yearly=2E=3CBR=3EContact us with the information below=
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--Boundary_(ID_fBlbcdwnakGUN09DzKC8zg)--

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	 <E52DD3D3-8091-4676-BD3E-47845BCC2ACE@reyn.net>
	 <00ba01cad792$379af660$925d0418@vulcan>
Date: Fri, 9 Apr 2010 11:45:34 +0200
Message-ID: <o2m66f9cc1e1004090245t8fd5d8a3s93267195654e8b0d@mail.gmail.com>
Subject: Re: Combien de Temps video..
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Fri, Apr 9, 2010 at 5:10 AM, d.nix <d.nix@comcast.net> wrote:
> you all will appreciate it!


Great filming! I like the later part when it goes almost slap stick
style as the stroboscope attacks and lots of people start running
around the stage between different instrument locations! The funny
acting makes an interesting contrast to the heavy music during that
part. Must have been a great concert to see live.

And the singer is such a phenomenon in Frenchness, not only singing in
French but also looking ultimately French!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Date: Fri, 9 Apr 2010 11:51:21 +0200
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Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
From: Per Boysen <perboysen@gmail.com>
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On Fri, Apr 9, 2010 Bob Amstadt wrote:
> They are making a plastic model next week and the
> aluminum production will start after I approve the model.


Bob, is there an official feature set implementation document to be
published soon? I've only been able to find second hand information
people have picked up at NAMM.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Hi Per

> And the singer is such a phenomenon in Frenchness, not only singing in
> French but also looking ultimately French!
Where the singer is a Swiss (from german speaking part) and he sings 
with lot of accent ;-)

Nevertheless I really like Stephans Music since his early solo albums in 
the eighties (I saw him soloing with a TB303 TR606 JP8 and a Fender 
Strat in 19844 in the Domicile Club in Munich).

Florian

From lamido0011@vfemail.net  Fri Apr  9 11:15:57 2010
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>From The Desk 
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RE: CHANGE OF ACCOUNT PARTICULARS ON YOUR CONTRACT/INHERITANCE PAYMENTFILE. 

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--Apple-Mail-9-449079331
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	charset=us-ascii

>=20
> Da: Petri Lahtinen <aikuinen@gmail.com>
> Data: 07 aprile 2010 17.50.07 GMT+02.00
> A: Loopers-Delight@loopers-delight.com
> Oggetto: Re: OT: WMD geiger counter
>=20
>=20
> Just spotted one of those in Guitarist or some other magazine.
> Curious likewise to know are they worth interest...?
>=20

I bought one a few months ago (Analogue Heaven had some discounts and =
euro was stronger then now...)

It's an interesting piece of gear, but way too complicated.
Really too many combinations/settings and no way to store presets... =
tricky.
Sounds are interesting (when you finally find a good one) and musical =
(obviously in the "noisy/fuzzy" range)

A little after I bought it WMD announced a simplified version (the =
civilian issue one):
I thought they read somehow in my mind


best

b:k=

--Apple-Mail-9-449079331
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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><blockquote type=3D"cite"><font class=3D"Apple-style-span" =
color=3D"#000000"><br></font><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span =
style=3D"font-family:'Helvetica'; font-size:medium; color:rgba(127, 127, =
127, 1.0);"><b>Da: </b></span><span style=3D"font-family:'Helvetica'; =
font-size:medium;">Petri Lahtinen &lt;<a =
href=3D"mailto:aikuinen@gmail.com">aikuinen@gmail.com</a>&gt;<br></span></=
div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px;"><span style=3D"font-family:'Helvetica'; =
font-size:medium; color:rgba(127, 127, 127, 1.0);"><b>Data: =
</b></span><span style=3D"font-family:'Helvetica'; font-size:medium;">07 =
aprile 2010 17.50.07 GMT+02.00<br></span></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span =
style=3D"font-family:'Helvetica'; font-size:medium; color:rgba(127, 127, =
127, 1.0);"><b>A: </b></span><span style=3D"font-family:'Helvetica'; =
font-size:medium;"><a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br></span></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span =
style=3D"font-family:'Helvetica'; font-size:medium; color:rgba(127, 127, =
127, 1.0);"><b>Oggetto: </b></span><span style=3D"font-family:'Helvetica';=
 font-size:medium;"><b>Re: OT: WMD geiger =
counter</b><br></span></div><br><br>Just spotted one of those in =
Guitarist or some other magazine.<br>Curious likewise to know are they =
worth interest...?<br><font class=3D"Apple-style-span" =
color=3D"#000000"><font class=3D"Apple-style-span" =
color=3D"#144FAE"><br></font></font></blockquote><br></div><div>I bought =
one a few months ago (Analogue Heaven had some discounts and euro was =
stronger then now...)</div><div><br></div><div>It's an interesting piece =
of gear, but way too complicated.</div><div>Really too many =
combinations/settings and no way to store presets... =
tricky.</div><div>Sounds are interesting (when you finally find a good =
one) and musical (obviously in the "noisy/fuzzy" =
range)</div><div><br></div><div>A little after I bought it WMD announced =
a simplified version (the civilian issue one):</div><div>I thought they =
read somehow in my =
mind</div><div><br></div><div><br></div><div>best</div><div><br></div><div=
>b:k</div></body></html>=

--Apple-Mail-9-449079331--

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Date: Fri, 9 Apr 2010 12:28:56 +0000 (GMT)
From: Kofi Collins <office1998@btinternet.com>
Reply-To: koffic03@hotmail.com
Subject: Dear Friend
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-501010348-1270816136=:17825"

--0-501010348-1270816136=:17825
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: quoted-printable

Dear Friend
I am Mr Kofi Collins, and I am very happy to inform you about my success in=
 getting those fund $7.5 million transferred through the help of a friend f=
rom Washington DC who assisted me financially to get the business done and =
i decided to compensate you for the little effort you showed earlier during=
 when i contacted you despite the transaction did not work for both of us b=
ut i have a fear of God in my life. Now I want you to contact my lawyer in =
Ghana on his email address below and receive your compensation of $500,000.=
00 us dollars from him through a Barclay ATM visa card loaded:
Barrister Peter Zwennes ESQ, Email (barrpeter001@hotmail.com) cell phone:+2=
33247126979.
Kindly reconfirm to him the following below information:
Your full name_______________________
Your address________________________
Your country_________________________
Your age___________________________
Your occupation____________________
Your Phone number___________________
Note that if you did not send him the above information complete with this =
code 777,he will not release the ATM to you because he has to be sure that =
it is you. Note also that I will not be reached by email but I can receive =
a call here in Washington DC United state of America where I reside present=
ly for now because I am currently staying in United state of America for in=
vestment purpose with my share and I will be busy till about six months tim=
e or a year.
Best regards,
Mr Kofi Collins
Telephone:1 206 666 3864.
Washington Dc.

--0-501010348-1270816136=:17825
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Dear Friend</DIV>
<DIV>I am Mr Kofi Collins, and I am very happy to inform you about my succe=
ss in getting those fund $7.5 million transferred through the help of a fri=
end from Washington DC who assisted me financially to get the business done=
 and i decided to compensate you for the little effort you showed earlier d=
uring when i contacted you despite the transaction did not work for both of=
 us but i have a fear of God in my life. Now I want you to contact my lawye=
r in Ghana on his email address below and receive your compensation of $500=
,000.00 us dollars from him through a Barclay ATM visa card loaded:</DIV>
<DIV>Barrister Peter Zwennes ESQ, Email (<A href=3D"mailto:barrpeter001@hot=
mail.com">barrpeter001@hotmail.com</A>) cell phone:+233247126979.<BR>Kindly=
 reconfirm to him the following below information:</DIV>
<DIV>Your full name_______________________<BR>Your address_________________=
_______<BR>Your country_________________________<BR>Your age_______________=
____________<BR>Your occupation____________________<BR>Your Phone number___=
________________</DIV>
<DIV>Note that if you did not send him the above information complete with =
this code 777,he will not release the ATM to you because he has to be sure =
that it is you. Note also that I will not be reached by email but I can rec=
eive a call here in Washington DC United state of America where I reside pr=
esently for now because I am currently staying in United state of America f=
or investment purpose with my share and I will be busy till about six month=
s time or a year.</DIV>
<DIV>Best regards,<BR>Mr Kofi Collins<BR>Telephone:1 206 666 3864.<BR>Washi=
ngton Dc.<BR></DIV></td></tr></table>
--0-501010348-1270816136=:17825--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 13:03:35 2010
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Date: Fri, 9 Apr 2010 16:03:30 +0300
Message-ID: <r2sc70841111004090603zad8aa639jbc1e3330d42519b0@mail.gmail.com>
Subject: Re: OT: WMD geiger counter
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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any uploaded pieces of music done with these to share?

2010/4/9 Bruno E. Kleinefeld <bruno.bk@gmail.com>:
>
> Da: Petri Lahtinen <aikuinen@gmail.com>
> Data: 07 aprile 2010 17.50.07 GMT+02.00
> A: Loopers-Delight@loopers-delight.com
> Oggetto: Re: OT: WMD geiger counter
>
>
> Just spotted one of those in Guitarist or some other magazine.
> Curious likewise to know are they worth interest...?
>
>
> I bought one a few months ago (Analogue Heaven had some discounts and euro
> was stronger then now...)
> It's an interesting piece of gear, but way too complicated.
> Really too many combinations/settings and no way to store presets... tricky.
> Sounds are interesting (when you finally find a good one) and musical
> (obviously in the "noisy/fuzzy" range)
> A little after I bought it WMD announced a simplified version (the civilian
> issue one):
> I thought they read somehow in my mind
>
> best
> b:k



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 13:39:57 2010
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Subject: Re: Combien de Temps video..
From: =?ISO-8859-1?Q?Rapha=EBl_=2D_Mancing_Dolecules?= <raphael@mancingdolecules.com>
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--00163641765f36183d0483cdee37
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Love it too !

No down time in the whole song and damn good ending, once again :D. Really
entertaining to watch.

Love Toby Dammit running like its life depends on it :p.

For me Stephan Eicher looks and sounds Italian (I'm French) ^^.

Raph

--00163641765f36183d0483cdee37
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Love it too !<br><br>No down time in the whole song and damn good ending, o=
nce again :D. Really entertaining to watch.<br><br>Love Toby Dammit running=
 like its life depends on it :p.<br><br>For me Stephan Eicher looks and sou=
nds Italian (I&#39;m French) ^^.<br>
<br>Raph<br>

--00163641765f36183d0483cdee37--

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Subject: Re: Combien de Temps video..
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On Fri, Apr 9, 2010 at 3:39 PM, Rapha=C3=ABl - Mancing Dolecules
<raphael@mancingdolecules.com> wrote:
> Love it too !
>
> No down time in the whole song and damn good ending, once again :D. Reall=
y
> entertaining to watch.
>
> Love Toby Dammit running like its life depends on it :p.
>
> For me Stephan Eicher looks and sounds Italian (I'm French) ^^.
>
> Raph


Yes, really a great show! It was also interesting to learn that they
use BrotherSynced EDPs. I've had good experiences with that sync
system. Please excuse my public ramblings on language issues! That
post indeed said more about my bad French than about anything else
:-))

Per

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Date: Fri, 09 Apr 2010 11:26:37 -0400
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Subject: Galactic Travels Playlist #679 for April 8, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100408.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #679                Apil 8, 2010.

RECAP:
On this show, I continued the month-long focus on Radio Massacre
International.  The Featured CD at Midnight was disk five from Lost In
Space on Northern Echo Records.

Radio Massacre International:
http://wdiy.org/programs/gt/playlists/2010/focus.html#apr


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Stratosphere         Moving Pictures      The Introspective Spaces
                                            (Amplexus)
Technicolor Travel   The Magic Bus        This Way Out (none)
  Agency
Radio Massacre       30 years (slight     Time & Motion (Cuneiform)
  International        return)
Mister Vapor         Spirit Stars         Spirit Stars (none)
Radio Massacre       lifecycle of a frog  Lost In Space 5 (Northern
  International                             Echo)
Radio Massacre       radio music          Lost In Space 5 (Northern
  International        intermission         Echo)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Radio Massacre       dragged down by the  Lost In Space 5 (Northern
  International        stone                Echo)
Radio Massacre       titanic              Lost In Space 5 (Northern
  International                             Echo)
Radio Massacre       tarn                 Lost In Space 5 (Northern
  International                             Echo)
Radio Massacre       measure acre         Lost In Space 5 (Northern
  International                             Echo)
Radio Massacre       jordan               Lost In Space 5 (Northern
  International                             Echo)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Radio Massacre International.  The Featured CD at Midnight will be disk
six from Lost in Space on Northern Echo Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

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From: Robert Amstadt <bob@amstadt.com>
To: "ejyuhas" <ejyuhas@embarqmail.com>
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Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
Date: Fri, 9 Apr 2010 08:54:37 -0700
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Work is progressing on the LP1.  For anybody experiencing problems, I  
always encourage them to back off to the 1.34D software release which  
is very stable.

Bob

On Apr 8, 2010, at 8:08 PM, ejyuhas wrote:

> This is good news...I'd consider buying one.
>
> But one question...for those of us who are still experiencing the  
> well-known
> problem of clicking and popping of the LP1...is a solution on the way?
>
> I've sent two emails and left a voicemail and I'm still waiting for a
> response. I think a few others on the LP1 Forum feel the same way.
>
> Any news on this, Bob? I'd like to be using my LP1 but in all  
> honesty, I
> can't use it in this condition...
>
> Regards,
>
> Edward Yuhas
>
>
> -----Original Message-----
> From: Bob Amstadt [mailto:bob@amstadt.com]
> Sent: Thursday, April 08, 2010 2:50 PM
> To: Loopers-Delight@loopers-delight.com
> Cc: Loopers-Delight@loopers-delight.com
> Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
>
> I actually just posted to Facebook and Twitter yesterday.  The LP2 is
> delayed because I decided to have a mechanical designer create a nice
> look for the box. They are making a plastic model next week and the
> aluminum production will start after I approve the model.
>
> --Bob Amstadt
>
> On Apr 7, 2010, at 3:18 PM, Dennis Moser <sinsofmachaut@gmail.com>
> wrote:
>
>> Speaking of ... any word on when we can expect to see this on the
>> Looperlative pages?
>>
>> About ready to part with some cash ...
>>
>> Dennis
>>
>>
>>> can't wait to get an Lp-2,
>>> I could run 3 loopers in series and then I'd never leave my room.
>>> Bill
>>
>>
>>
>>
>> -- 
>> http://myspace.com/usrsbin
>> http://audiozoloft.com
>> http://usrslashsbin.angrek.com/
>>
>
>

Robert Amstadt
bob@amstadt.com



From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 16:13:13 2010
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Date: Fri, 09 Apr 2010 09:13:03 -0700
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I'm off to the Northwest US for a short tour. Based on my relative 
success with public transport last tour, I'm doing it by bus and train, 
except for a brief car rental to get to Boise (c'mon, Amtrak!).

These are all looping shows, save one (possibly).

# Monday, April 12, 2010 - Luna's Cafe, Sacramento, CA 8 pm (loop set)
# Thursday, April 15, 2010 - Luggage Store Gallery, San Francisco, CA 8 
pm (duo improv set w/Matt Davignon!!)
# Friday, April 16, 2010 - Bombs Away, Corvallis, OR 9 pm (improv tape 
loop set, then Dave Trenkel's killer Eleveneyes band!)
# Sunday, April 18, 2010 - The Parlour, Portland, OR 9 pm (I THINK this 
will be an acoustic set, but it may be a loop set)
# Wednesday, April 21, 2010 - Fake Jazz, Vancouver, BC 8 pm (loop set)
# Friday, April 23, Boise Creative & Improvised Music Festival  (yeah! 
evening collaborative loop set)
# Saturday, April 24, 2010 Boise Creative & Improvised Music Festival  ( 
   two short collaborative sets in the afternoon)

I'd dearly love to meet other folks from the list, or to catch up with 
those I know already. see you out there!

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com



From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 16:19:47 2010
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Subject: Re: LP-2? Was Re: looping with M-9 and Lp-1
Date: Fri, 9 Apr 2010 09:19:45 -0700
References: <7D739098-24AD-4B36-A608-3B88769A144D@amstadt.com> <86.90.17524.62A9EBB4@smtp01.embarq.synacor.com> <t2g66f9cc1e1004090251j44b5cd32y2bc45a647a35ae0f@mail.gmail.com>
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The simple answer is no.  I don't want to publish a document until  
everything is firm.  I don't want to make the mistake of possibly  
publishing a spec that gets changed before the unit is released.


On Apr 9, 2010, at 2:51 AM, Per Boysen wrote:

> On Fri, Apr 9, 2010 Bob Amstadt wrote:
>> They are making a plastic model next week and the
>> aluminum production will start after I approve the model.
>
>
> Bob, is there an official feature set implementation document to be
> published soon? I've only been able to find second hand information
> people have picked up at NAMM.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

Robert Amstadt
bob@amstadt.com



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Date: Fri, 9 Apr 2010 09:30:26 -0700
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Subject: Re: LP-2
From: Matt Davignon <mattdavignon@gmail.com>
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<antonyhequet@yahoo.com> was all:
> hello Bob,
>
> thank you for you honest response. Don't mean to nag you. I am just
>eager to get one of these monsters under my foot.

I second that - I can't wait to step on something that's the result of
years of your hard work. :)

Matt

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 17:31:46 2010
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Date: Fri, 9 Apr 2010 10:31:41 -0700
Subject: Possible FS: Wurilitzer 200A
From: legion@helpwantedproductions.com
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	"AH" <analogue@hyperreal.org>
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I am having a moment of crisis and thinking about selling my precious and
wanted to see if there was any quick interest.


Gorgeous Wurlie 200A. Was completely overhauled before i got it about
seven years ago. Sounds and plays amazing. Original legs and sustain pedal
with new cable installed included.

All tines and keys fine. One note needs to be tuned which I would do prior
to selling making it close to perfect for a piece of this age. Speakers
fine, vibrato is sweet like an angel.

This would have to be a pickup in Phila pa. Asking $1000, no trades.

FWIW I have no intention of flogging this and would only do so on a quick
and painless sale to someone who can really appreciate it. Let me know if
you're interested with a phone # and we can go from there.

Thanks!

-- 
     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 17:36:20 2010
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Date: Fri, 9 Apr 2010 10:36:16 -0700
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Subject: Re: Touch sensitive strip for guitar
From: Kevin Cheli-Colando <billowhead@gmail.com>
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http://www.midi-store.com/Kurzweil-Ribbon-Controller-p-19770.html

Don't know if that's what you're talking about but there it is.  24
inches could be tough to mount or maybe not.

Kevin

On Thu, Apr 8, 2010 at 9:23 AM, mark francombe <mark@markfrancombe.com> wrote:
> We talked about it before on ld, but what was the name of the weird
> strip that you could afix to the backside of you guitar neck that you
> played with your thumb... I was intrigued at the time, but now I have
> a use for it!
>
> Mark
>>
>



-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 17:38:19 2010
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Subject: Comparing the market's looping devices
From: Per Boysen <perboysen@gmail.com>
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Hi,

I have upgraded my online Comparison Chart of Looping Devices with
Loopback, the software looper plugin of Mainstage.

I have put a link to the chart link at top of column on my recently
upgraded web site http://www.looproom.com/

I'd like to put LP2's data into the chart and will do as soon as an
official manual is published (or if I manage to buy one before that
happens). The chart was born a couple of years ago when I wrote an
article on live looping for a Swedish guitar player magazine. It
wasn't possible chance to shrink a comparison of so many loopers into
fitting inside a paper printed magazine, so I uploaded it to the
internet instead and then we had my magazine article refer by a link.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 17:38:28 2010
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Date: Fri, 9 Apr 2010 12:38:25 -0500
Message-ID: <q2n913728d61004091038y780da063p4934ce3c0f428856@mail.gmail.com>
Subject: Re: Touch sensitive strip for guitar
From: Charlie Milkey <pilotcp@gmail.com>
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I also remember an old midi controller called the JamBass, but I think they
went out of business


Charlie

On Fri, Apr 9, 2010 at 12:36 PM, Kevin Cheli-Colando
<billowhead@gmail.com>wrote:

> http://www.midi-store.com/Kurzweil-Ribbon-Controller-p-19770.html
>
> Don't know if that's what you're talking about but there it is.  24
> inches could be tough to mount or maybe not.
>
> Kevin
>
> On Thu, Apr 8, 2010 at 9:23 AM, mark francombe <mark@markfrancombe.com>
> wrote:
> > We talked about it before on ld, but what was the name of the weird
> > strip that you could afix to the backside of you guitar neck that you
> > played with your thumb... I was intrigued at the time, but now I have
> > a use for it!
> >
> > Mark
> >>
> >
>
>
>
> --
> Till now you seriously considered yourself to be the body and to have a
> form. That is the primal ignorance which is the root cause of all trouble.
>
> - Ramana Maharshi (1879-1950)
>
> Sound and Vision:  http://www.minds-eye.org
> Video http://www.vimeo.com/user877640/videos
>
>

--001636284a522ee08c0483d143e4
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I also remember an old midi controller called the JamBass, but I think they=
 went out of business<div><br></div><div><br></div><div>Charlie</div><div><=
br><div class=3D"gmail_quote">On Fri, Apr 9, 2010 at 12:36 PM, Kevin Cheli-=
Colando <span dir=3D"ltr">&lt;<a href=3D"mailto:billowhead@gmail.com">billo=
whead@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><a href=3D"http://www.midi-store.com/Kurzwe=
il-Ribbon-Controller-p-19770.html" target=3D"_blank">http://www.midi-store.=
com/Kurzweil-Ribbon-Controller-p-19770.html</a><br>

<br>
Don&#39;t know if that&#39;s what you&#39;re talking about but there it is.=
 =A024<br>
inches could be tough to mount or maybe not.<br>
<br>
Kevin<br>
<div><div></div><div class=3D"h5"><br>
On Thu, Apr 8, 2010 at 9:23 AM, mark francombe &lt;<a href=3D"mailto:mark@m=
arkfrancombe.com">mark@markfrancombe.com</a>&gt; wrote:<br>
&gt; We talked about it before on ld, but what was the name of the weird<br=
>
&gt; strip that you could afix to the backside of you guitar neck that you<=
br>
&gt; played with your thumb... I was intrigued at the time, but now I have<=
br>
&gt; a use for it!<br>
&gt;<br>
&gt; Mark<br>
&gt;&gt;<br>
&gt;<br>
<br>
<br>
<br>
</div></div><font color=3D"#888888">--<br>
Till now you seriously considered yourself to be the body and to have a<br>
form. That is the primal ignorance which is the root cause of all trouble.<=
br>
<br>
- Ramana Maharshi (1879-1950)<br>
<br>
Sound and Vision: =A0<a href=3D"http://www.minds-eye.org" target=3D"_blank"=
>http://www.minds-eye.org</a><br>
Video <a href=3D"http://www.vimeo.com/user877640/videos" target=3D"_blank">=
http://www.vimeo.com/user877640/videos</a><br>
<br>
</font></blockquote></div><br></div>

--001636284a522ee08c0483d143e4--

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Subject: OT: Acoustic/Electric Guitar Recommendations in $1500 range?
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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Hi all,

I want to buy an acoustic/electric steel-string, and I played a Martin DC16
the other day I liked a lot, for about $1500. Do y'all know of any other
makes/models I should be investigated in that rough price range
(definitely<$1800)? Or do you have a great deal on a used instrument you'd
like to offer me?

Thanks,

-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--0016e64af4a8706b880483d166bd
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Hi all,<div><br></div><div>I want to buy an acoustic/electric steel-string,=
 and I played a Martin DC16 the other day I liked a lot, for about $1500. D=
o y&#39;all know of any other makes/models I should be investigated in that=
 rough price range (definitely&lt;$1800)? Or do you have a great deal on a =
used instrument you&#39;d like to offer me?</div>
<div><br></div><div>Thanks,<br clear=3D"all"><br>-- <br>Warren<br><a href=
=3D"http://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD:=
 Loops, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota"=
>http://www.cdbaby.com/cd/warrensirota</a><br>

</div>

--0016e64af4a8706b880483d166bd--

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Subject: Re: Few questions about foot controllers etc.
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On 9 Apr 2010, at 04:59, Clifford Novey wrote:
>=20
> The main functions I really want are on the orig controller (who made =
the great decision to put "insert" on there??)

that was me... I dont quite understand... are you ironic because very =
few loopers use Insert?
but you can give it more popular functions like Reverse, Speed, Replace =
and such, it grew into a multifunction button!

> so if no newer/smaller midi controller is available I will focus on =
upgrading/modding the original.

seems simpler to me.=20
the original LOOP delay used very cheap membrane switches with very =
short action and insensitive to moisture
they dont resist a heavy step, but you can protect them in various ways
or buy and expensive part, the best are probably the ones with piezo =
sensors.=

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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><br><div><div>On 9 Apr 2010, at 04:59, Clifford Novey =
wrote:</div><blockquote type=3D"cite"><font class=3D"Apple-style-span" =
color=3D"#000000"><br></font>The main functions I really want are on the =
orig controller (who made the great decision to put "insert" on =
there??)</blockquote><div><br></div>that was me... I dont quite =
understand... are you ironic because very few loopers use =
Insert?</div><div>but you can give it more popular functions like =
Reverse, Speed, Replace and such, it grew into a multifunction =
button!</div><div><br><blockquote type=3D"cite"> so if no newer/smaller =
midi controller is available I will focus on upgrading/modding the =
original.<br></blockquote><div><br></div>seems simpler to =
me.&nbsp;</div><div>the original LOOP delay used very cheap membrane =
switches with very short action and insensitive to =
moisture</div><div>they dont resist a heavy step, but you can protect =
them in various ways</div><div>or buy and expensive part, the best are =
probably the ones with piezo sensors.</div></body></html>=

--Apple-Mail-84-471018921--

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Subject: Re: OT: Acoustic/Electric Guitar Recommendations in $1500 range?
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--Apple-Mail-12-471326625
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Best guitar I've ever played is made by this fella - he knows =
electronics, too

http://www.ianchisholm.co.uk/lutherie/Lutherie.html

nice to be able to get a handmade guitar in the price range you specify

On Apr 9, 2010, at 7:48 PM, Warren Sirota wrote:

> Hi all,
>=20
> I want to buy an acoustic/electric steel-string, and I played a Martin =
DC16 the other day I liked a lot, for about $1500. Do y'all know of any =
other makes/models I should be investigated in that rough price range =
(definitely<$1800)? Or do you have a great deal on a used instrument =
you'd like to offer me?
>=20
> Thanks,
>=20
> --=20
> Warren
> http://www.warrensirota.com
> NEW CD: Loops, Live & Otw
> http://www.cdbaby.com/cd/warrensirota


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Best guitar I've ever played is made by this fella - he knows electronics, too<div><br></div><div><a href="http://www.ianchisholm.co.uk/lutherie/Lutherie.html">http://www.ianchisholm.co.uk/lutherie/Lutherie.html</a></div><div><br></div><div>nice to be able to get a handmade guitar in the price range you specify</div><div><br><div><div>On Apr 9, 2010, at 7:48 PM, Warren Sirota wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">Hi all,<div><br></div><div>I want to buy an acoustic/electric steel-string, and I played a Martin DC16 the other day I liked a lot, for about $1500. Do y'all know of any other makes/models I should be investigated in that rough price range (definitely&lt;$1800)? Or do you have a great deal on a used instrument you'd like to offer me?</div>
<div><br></div><div>Thanks,<br clear="all"><br>-- <br>Warren<br><a href="http://www.warrensirota.com/">http://www.warrensirota.com</a><br>NEW CD: Loops, Live &amp; Otw<br><a href="http://www.cdbaby.com/cd/warrensirota">http://www.cdbaby.com/cd/warrensirota</a><br>

</div>
</blockquote></div><br></div></body></html>
--Apple-Mail-12-471326625--

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Subject: re:Few questions about foot controllers etc.
From: Loaf citious <loafcitious@gmail.com>
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Oh, those little plastic things made me so MAD!
It'll cost you about $70 if you're into soldering yourself.
I got these awesome big metal buttons on mine now.
Hardly ever messes up anymore.  Those little red plastic
ones were so glitchy.  I'm sure it's a bit more but,
the same people will overhaul the EFC-7 for you:

http://www.britishaudioservice.com/

I feel like mine is built like a tank now.
Well worth it IMHO,
Andy G

+++++++++++++++++
So- if anyone has info on a compact programmable midi foot controller or
better buttons/mods for the original controller please let me know!

Thanks again-

Clifford

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From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 18:10:15 2010
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Date: Fri, 09 Apr 2010 20:10:11 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: The MoinSound Studio Sessions - tomorrow (Apr. 10th) 1700 GMT with
 another piano episode
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Hi everyone,

this is a reminder that I'll be doing my "MoinSound Studio Sessions" 
bi-weekly video stream tomorrow.
More specifically:
As you told me in my poll I should work more on "The Piano Album" 
(http://bit.ly/arwUaC), I'm gonna do piano tomorrow - mostly.
Perhaps even a piano solo version of a #twitterchords tune 
(http://bit.ly/arwUaC).

Time, Place, Date:
The MoinSound Studio Sessions Streaming Link:
       http://www.ustream.tv/channel/The-MoinSound-Studio-Sessions
Time/Date Link:
        http://bit.ly/aXvxwn

See you there!

             Rainer

ps: and yes, there'll be loops...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 18:24:43 2010
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Subject: RE: OT - Northwest US Tourspam
Date: Fri, 9 Apr 2010 11:24:42 -0700
Importance: Normal
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--_46842c3a-3ffc-4c8f-8e52-a9f2da6bac24_
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Hey=2C Daryl=2C

Sorry I'll be out of town on the 18th unless the weather is really shitty. =
Camping with my wife...and her horse.

J.D.
=20
> Date: Fri=2C 9 Apr 2010 09:13:03 -0700
> From: highhorse@mhorse.com
> To: Loopers-Delight@loopers-delight.com
> Subject: OT - Northwest US Tourspam
>=20
> I'm off to the Northwest US for a short tour. Based on my relative=20
> success with public transport last tour=2C I'm doing it by bus and train=
=2C=20
> except for a brief car rental to get to Boise (c'mon=2C Amtrak!).
>=20
> These are all looping shows=2C save one (possibly).
>=20
> # Monday=2C April 12=2C 2010 - Luna's Cafe=2C Sacramento=2C CA 8 pm (loop=
 set)
> # Thursday=2C April 15=2C 2010 - Luggage Store Gallery=2C San Francisco=
=2C CA 8=20
> pm (duo improv set w/Matt Davignon!!)
> # Friday=2C April 16=2C 2010 - Bombs Away=2C Corvallis=2C OR 9 pm (improv=
 tape=20
> loop set=2C then Dave Trenkel's killer Eleveneyes band!)
> # Sunday=2C April 18=2C 2010 - The Parlour=2C Portland=2C OR 9 pm (I THIN=
K this=20
> will be an acoustic set=2C but it may be a loop set)
> # Wednesday=2C April 21=2C 2010 - Fake Jazz=2C Vancouver=2C BC 8 pm (loop=
 set)
> # Friday=2C April 23=2C Boise Creative & Improvised Music Festival (yeah!=
=20
> evening collaborative loop set)
> # Saturday=2C April 24=2C 2010 Boise Creative & Improvised Music Festival=
 (=20
> two short collaborative sets in the afternoon)
>=20
> I'd dearly love to meet other folks from the list=2C or to catch up with=
=20
> those I know already. see you out there!
>=20
> Daryl Shawn
> www.swanwelder.com
> www.chinapaintingmusic.com
>=20
>=20
>=20
 		 	   		 =20
_________________________________________________________________
The New Busy is not the too busy. Combine all your e-mail accounts with Hot=
mail.
http://www.windowslive.com/campaign/thenewbusy?tile=3Dmultiaccount&ocid=3DP=
ID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_4=

--_46842c3a-3ffc-4c8f-8e52-a9f2da6bac24_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
Hey=2C Daryl=2C<BR>
Sorry I'll be out of town on the 18th unless the weather is really shitty.&=
nbsp=3BCamping with my wife...and her horse.<BR>
J.D.<BR>&nbsp=3B<BR>&gt=3B Date: Fri=2C 9 Apr 2010 09:13:03 -0700<BR>&gt=3B=
 From: highhorse@mhorse.com<BR>&gt=3B To: Loopers-Delight@loopers-delight.c=
om<BR>&gt=3B Subject: OT - Northwest US Tourspam<BR>&gt=3B <BR>&gt=3B I'm o=
ff to the Northwest US for a short tour. Based on my relative <BR>&gt=3B su=
ccess with public transport last tour=2C I'm doing it by bus and train=2C <=
BR>&gt=3B except for a brief car rental to get to Boise (c'mon=2C Amtrak!).=
<BR>&gt=3B <BR>&gt=3B These are all looping shows=2C save one (possibly).<B=
R>&gt=3B <BR>&gt=3B # Monday=2C April 12=2C 2010 - Luna's Cafe=2C Sacrament=
o=2C CA 8 pm (loop set)<BR>&gt=3B # Thursday=2C April 15=2C 2010 - Luggage =
Store Gallery=2C San Francisco=2C CA 8 <BR>&gt=3B pm (duo improv set w/Matt=
 Davignon!!)<BR>&gt=3B # Friday=2C April 16=2C 2010 - Bombs Away=2C Corvall=
is=2C OR 9 pm (improv tape <BR>&gt=3B loop set=2C then Dave Trenkel's kille=
r Eleveneyes band!)<BR>&gt=3B # Sunday=2C April 18=2C 2010 - The Parlour=2C=
 Portland=2C OR 9 pm (I THINK this <BR>&gt=3B will be an acoustic set=2C bu=
t it may be a loop set)<BR>&gt=3B # Wednesday=2C April 21=2C 2010 - Fake Ja=
zz=2C Vancouver=2C BC 8 pm (loop set)<BR>&gt=3B # Friday=2C April 23=2C Boi=
se Creative &amp=3B Improvised Music Festival (yeah! <BR>&gt=3B evening col=
laborative loop set)<BR>&gt=3B # Saturday=2C April 24=2C 2010 Boise Creativ=
e &amp=3B Improvised Music Festival ( <BR>&gt=3B two short collaborative se=
ts in the afternoon)<BR>&gt=3B <BR>&gt=3B I'd dearly love to meet other fol=
ks from the list=2C or to catch up with <BR>&gt=3B those I know already. se=
e you out there!<BR>&gt=3B <BR>&gt=3B Daryl Shawn<BR>&gt=3B www.swanwelder.=
com<BR>&gt=3B www.chinapaintingmusic.com<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B <B=
R> 		 	   		  <br /><hr />The New Busy is not the too busy. Combine all you=
r e-mail accounts with Hotmail. <a href=3D'http://www.windowslive.com/campa=
ign/thenewbusy?tile=3Dmultiaccount&ocid=3DPID28326::T:WLMTAGL:ON:WL:en-US:W=
M_HMP:042010_4' target=3D'_new'>Get busy.</a></body>
</html>=

--_46842c3a-3ffc-4c8f-8e52-a9f2da6bac24_--

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 20:02:34 2010
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Date: Fri, 9 Apr 2010 15:02:31 -0500
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Subject: recording woes
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--000e0cd1b778853eb00483d346e3
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so last nite, inspired by  david k's new release he was kind enough to send
me, i thought, well let's sit down & try to record some stuff....
so i did, 2 little pieces....so i'm listening back on my headphones on the
old Fostex MR8, and i'm hearing this high pitched digital noise thing in one
headphone.
i change headphones, still there.....long story short: UGGGGGGHHHHH!.
so i'll check all my connections tonight/this weekend.
test each thing to see if i can isolate the trouble....
i may just end up recording some stuff live w/ mics, to see if that solves
it-that way the recording signal chain will be simple (hopefully). it was
very frustrating.....
funny thing i was thinking-i don't have any grand music plans or ideas and
that sort of presented itself as a stumbling block...so i decided to maybe
just take it as chance
to test out/demo some of my different gear to post to my myspace site....so
that's my plan, if i can figure out my recording woes.
oh well....
s---
www.myspace.com/scotthansen

--000e0cd1b778853eb00483d346e3
Content-Type: text/html; charset=ISO-8859-1
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so last nite, inspired by=A0 david k&#39;s new release he was kind enough t=
o send me, i thought, well let&#39;s sit down &amp; try to record some stuf=
f....<br>so i did, 2 little pieces....so i&#39;m listening back on my headp=
hones on the old Fostex MR8, and i&#39;m hearing this high pitched digital =
noise thing in one headphone.<br>
i change headphones, still there.....long story short: UGGGGGGHHHHH!.<br>so=
 i&#39;ll check all my connections tonight/this weekend.<br>test each thing=
 to see if i can isolate the trouble....<br>i may just end up recording som=
e stuff live w/ mics, to see if that solves it-that way the recording signa=
l chain will be simple (hopefully). it was very frustrating.....<br>
funny thing i was thinking-i don&#39;t have any grand music plans or ideas =
and that sort of presented itself as a stumbling block...so i decided to ma=
ybe just take it as chance<br>to test out/demo some of my different gear to=
 post to my myspace site....so that&#39;s my plan, if i can figure out my r=
ecording woes.<br>
oh well....<br>s---<br><a href=3D"http://www.myspace.com/scotthansen">www.m=
yspace.com/scotthansen</a><br>

--000e0cd1b778853eb00483d346e3--

From di_ochaaph1207@msn.com  Fri Apr  9 20:49:03 2010
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	 Fri, 9 Apr 2010 13:43:33 -0700
From:     "MR DIIM OCHAAPH." <diim_ochaaph1@voila.fr>
To:        <.>
X-Mailer: Barca 2.8 (4400) - EXPIRED EVALUATION VERSION
X-URL: http://www.pocomail.com/
Reply-To: diim_ochaaph1@voila.fr
Date: Fri, 9 Apr 2010 20:42:39 GMT
Subject: "TOP SECRET" YOUR URGENT REPLY NEEDED.
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X-OriginalArrivalTime: 09 Apr 2010 20:43:34.0258 (UTC) FILETIME=[5279BD20:01CAD825]

<html><head><meta name=3D"Generator" content=3D"PSI HTML/CSS Generator"/>
<style type=3D"text/css"><!--
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</head><BODY BGCOLOR=3D"white" ><div style=3D"margin-top:0.07in;"><SPAN=
 style=3D"font-family:'Times New Roman';font-size:12pt;"><B>FROM THE DESK OF=
 MR DIIM OCHAAPH. <br />BANK OF AFRICA (B.O.A.) BILL AND EXCHANGE </B><br=
 /><B>DEPARTMENT, OUAGADOUGOU , BURKINA-FASO.</B><br /><B>PHONE NUMBER=
 (00226 78 50 72 19).</B><br /><br />Dear Partner, </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><br />My Name is Mr Diim Ochaaph, the Bill and=
 Exchange (assistant) Manager of the BANK OF AFRICA (B.O.A), Ouagadougou=
 Burkina Faso. <br /><br />In my department we discovered an abandoned sum=
 of USD$18.3M (EIGHTEEN MILLION THREE HUNDRED THOUSAND U.S.A DOLLARS). In an=
 account that belongs to this our foreign customer who died along with his=
 wife and children in the plane crash. Since we got information about his=
 death, we have been expecting his next of kin to come over and claim his=
 money because we cannot release it unless somebody applies for it as the=
 next of kin or relation to the deceased, as indicated in our banking=
 guidelines but unfortunately we learnt that all his supposed next of kin=
 died alongside with him in the plane crash leaving nobody behind for the=
 claim. <br /><br />The request of foreigner in this transaction is=
 necessary because our late customer was a foreigner and a Burkinabe cannot=
 stand as next of kin to a foreigner. On the account of your reliability and=
 trust worthiness, I have decided to contact you in order to transfer the=
 said amount into your nominated bank account, its 100% risk free. Upon=
 receipt of the above mentioned I will send to you by fax or E-mail a TEXT=
 OF APPLICATION which you shall re-type and fax to our foreign remittance=
 Department, for easy execution of the transaction. <br /><br />All=
 necessary documents shall be obtained on your behalf to back-up this=
 claims. Kindly contact me on for security reason and for more explanations=
 and possible means of transferring the fund into your account. If you=
 accept my offer I shall compensate you with 30% of the money, 60% goes to=
 me and my colleague, after which we shall visit your country for=
 disbursement according to the percentages indicated, I am assuring you that=
 with my position this money will hit your account before 7 banking working=
 days. </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;"><B>Reply with the assurance, come up with the=
 information's showed below:- <br />1)YOUR FULL=
 NAME............................<br />2)YOUR=
 AGE...........................<br />3)MARITAL=
 STATUS...........................<br />4)YOUR CELL PHONE=
 NUMBER............................<br />5)YOUR FAX=
 NUMBER............................<br />6)YOUR=
 COUNTRY...........................<br />7)YOUR=
 OCCUPATION............................<br=
 />8)SEX............................<br />9)YOUR=
 RELIGION...........................<br />10)YOUR PRIVATE E-MAIL=
 ADDRESS............................ </B><br /><br />NOTE: THIS TRANSACTION=
 IS STRICLY CONFIDENTIAL. <br />Thanks for your assistance in advance. <br=
 />Yours Sincerely, </SPAN></div>
<div style=3D"margin-top:0.07in;"><SPAN style=3D"font-family:'Times New=
 Roman';font-size:12pt;">Mr Diim Ochaaph</SPAN></div>
<div>&nbsp;</div>
</body></html>

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Subject: Re: Few questions about foot controllers etc.
From: Matthias Grob <matilists@gmail.com>
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Date: Fri, 9 Apr 2010 17:46:18 -0300
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On 9 Apr 2010, at 15:06, Loaf citious wrote:

> Oh, those little plastic things made me so MAD!
> 
the decision to use those was not mine, though :-)


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Subject: Re: Few questions about foot controllers etc.
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Hehe

Is it possible to add any other buttons to the EDP controller that could do other functions? In using mine last night I realized direct loop select, reverse, half time, etc are things I used the FCB1010 for and sort of forgot about until I used it last night
------Original Message------
From: Matthias Grob
To: Loopers-Delight@loopers-delight.com
ReplyTo: Loopers-Delight@loopers-delight.com
Subject: Re: Few questions about foot controllers etc.
Sent: Apr 9, 2010 1:46 PM


On 9 Apr 2010, at 15:06, Loaf citious wrote:

> Oh, those little plastic things made me so MAD!
> 
the decision to use those was not mine, though :-)




Sent via BlackBerry from T-Mobile

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 22:35:43 2010
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Per Boysen wrote:
> What happened in America was taht no one informed me that
> Security had taken my 1929 tenor sax to as "suspicious object to be
> terminated if not claimed within 30 minutes". Oh well, customs might
> differ just a bit...  ;-)

Well... since sax players are a suspicious lot in the first place...    ;-)

Cheers,

Bill
(who plays saxes)

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Subject: Re: OT: Acoustic/Electric Guitar Recommendations in $1500 range?
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This is a multi-part message in MIME format.

--_----------=_1270853397173600
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 Hello,
I've been playing Ovations for over 20 years & I can't recommend them
highly enough.

  ----- Original Message -----
  From: "doc rossi"
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: OT: Acoustic/Electric Guitar Recommendations in $1500
  range?
  Date: Fri, 9 Apr 2010 20:05:02 +0200

  Best guitar I've ever played is made by this fella - he knows
  electronics, too
  http://www.ianchisholm.co.uk/lutherie/Lutherie.html
  nice to be able to get a handmade guitar in the price range you
  specify
  On Apr 9, 2010, at 7:48 PM, Warren Sirota wrote:

    Hi all,
    I want to buy an acoustic/electric steel-string, and I played a
    Martin DC16 the other day I liked a lot, for about $1500. Do
    y'all know of any other makes/models I should be investigated in
    that rough price range (definitely<$1800)? Or do you have a great
    deal on a used instrument you'd like to offer me?
    Thanks,

    --
    Warren
    http://www.warrensirota.com
    NEW CD: Loops, Live & Otw
    http://www.cdbaby.com/cd/warrensirota





Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57[IMAGE]

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Surf the Web in a faster, safer and easier way:
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<DIV>
Hello,</DIV><DIV><BR></DIV><DIV>I've been playing Ovations for over 20 year=
s &amp; I can't recommend them highly enough.<BR>
<BR>
<BLOCKQUOTE style=3D"border-left:solid #1010ff 2px; margin-left:5px; paddin=
g-left:5px;">----- Original Message -----<BR>
From: "doc rossi" <docittern @gmail.com=3D""><BR>
To: Loopers-Delight@loopers-delight.com<BR>
Subject: Re: OT: Acoustic/Electric Guitar Recommendations in $1500 range?<B=
R>
Date: Fri, 9 Apr 2010 20:05:02 +0200<BR>
<BR>

Best guitar I've ever played is made by this fella - he knows electronics, =
too<DIV><BR></DIV><DIV><A href=3D"http://www.ianchisholm.co.uk/lutherie/Lut=
herie.html">http://www.ianchisholm.co.uk/lutherie/Lutherie.html</A></DIV><D=
IV><BR></DIV><DIV>nice to be able to get a handmade guitar in the price ran=
ge you specify</DIV><DIV><BR><DIV><DIV>On Apr 9, 2010, at 7:48 PM, Warren S=
irota wrote:</DIV><BR class=3D"Apple-interchange-newline"><BLOCKQUOTE type=
=3D"cite">Hi all,<DIV><BR></DIV><DIV>I want to buy an acoustic/electric ste=
el-string, and I played a Martin DC16 the other day I liked a lot, for abou=
t $1500. Do y'all know of any other makes/models I should be investigated i=
n that rough price range (definitely&lt;$1800)? Or do you have a great deal=
 on a used instrument you'd like to offer me?</DIV>
<DIV><BR></DIV><DIV>Thanks,<BR clear=3D"all"><BR>-- <BR>Warren<BR><A href=
=3D"http://www.warrensirota.com/">http://www.warrensirota.com</A><BR>NEW CD=
: Loops, Live &amp; Otw<BR><A href=3D"http://www.cdbaby.com/cd/warrensirota=
">http://www.cdbaby.com/cd/warrensirota</A><BR>

</DIV>
</BLOCKQUOTE></DIV><BR></DIV>
</BLOCKQUOTE>
<BR>
<BR>
<BR>

<PRE>Mark Showalter
Minden Jot!

myspace.com/folkstone57
last.fm/folkstone57
<A href=3D"http://www.mylivesignature.com" target=3D"_blank"><IMG src=3D"ht=
tp://signatures.mylivesignature.com/54488/99/F2BFFC9AD8D6528EA1E10C10439651=
08.png" style=3D"border: 0 !important; background: transparent;"></A>
</PRE>

</DIV>

<BR>

--=20
<p>_______________________________________________<br>Surf the Web in a fas=
ter, safer and easier way:<br>
Download Opera 9 at <a href=3D"http://www.opera.com" target=3D"_blank">http=
://www.opera.com</a></p>
<BR>
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Subject: Re: Few questions about foot controllers etc.
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Date: Fri, 9 Apr 2010 19:48:26 -0300
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well, since not even the Record function existed at the time, I did not =
really think in terms of "popular" but "might make sense". I knew Record =
and Multiply would make sense because I built them into my PCM42, only. =
And of course Overdub, Mute and Feedback which existed before.

On 9 Apr 2010, at 19:12, cnovey@gmail.com wrote:

> Not ironic at all- just felt that would not be a function I would have =
thought popular when developing the EDP- I feel like it was 10 or 20 =
years ago
> Sent via BlackBerry from T-Mobile
>=20
> From: Matthias Grob <matilists@gmail.com>
> Date: Fri, 9 Apr 2010 14:59:54 -0300
> To: Loop List<Loopers-Delight@loopers-delight.com>
> Subject: Re: Few questions about foot controllers etc.
>=20
>=20
> On 9 Apr 2010, at 04:59, Clifford Novey wrote:
>>=20
>> The main functions I really want are on the orig controller (who made =
the great decision to put "insert" on there??)
>=20
> that was me... I dont quite understand... are you ironic because very =
few loopers use Insert?
> but you can give it more popular functions like Reverse, Speed, =
Replace and such, it grew into a multifunction button!
>=20
>> so if no newer/smaller midi controller is available I will focus on =
upgrading/modding the original.
>=20
> seems simpler to me.=20
> the original LOOP delay used very cheap membrane switches with very =
short action and insensitive to moisture
> they dont resist a heavy step, but you can protect them in various =
ways
> or buy and expensive part, the best are probably the ones with piezo =
sensors.


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">well, =
since not even the Record function existed at the time, I did not really =
think in terms of "popular" but "might make sense". I knew Record and =
Multiply would make sense because I built them into my PCM42, only. And =
of course Overdub, Mute and Feedback which existed =
before.<div><br><div><div>On 9 Apr 2010, at 19:12, <a =
href=3D"mailto:cnovey@gmail.com">cnovey@gmail.com</a> wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Not ironic at all- just felt =
that would not be a function I would have thought popular when =
developing the EDP- I feel like it was 10 or 20 years ago<p>Sent via =
BlackBerry from T-Mobile</p><hr><div><b>From: </b> Matthias Grob &lt;<a =
href=3D"mailto:matilists@gmail.com">matilists@gmail.com</a>&gt;
</div><div><b>Date: </b>Fri, 9 Apr 2010 14:59:54 -0300</div><div><b>To: =
</b>Loop List&lt;<a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a>&gt;</div><div><b>Subject: </b>Re: Few questions about =
foot controllers etc.</div><div><br></div><br><div><div>On 9 Apr 2010, =
at 04:59, Clifford Novey wrote:</div><blockquote type=3D"cite"><font =
class=3D"Apple-style-span"><br></font>The main functions I really want =
are on the orig controller (who made the great decision to put "insert" =
on there??)</blockquote><div><br></div>that was me... I dont quite =
understand... are you ironic because very few loopers use =
Insert?</div><div>but you can give it more popular functions like =
Reverse, Speed, Replace and such, it grew into a multifunction =
button!</div><div><br><blockquote type=3D"cite"> so if no newer/smaller =
midi controller is available I will focus on upgrading/modding the =
original.<br></blockquote><div><br></div>seems simpler to =
me.&nbsp;</div><div>the original LOOP delay used very cheap membrane =
switches with very short action and insensitive to =
moisture</div><div>they dont resist a heavy step, but you can protect =
them in various ways</div><div>or buy and expensive part, the best are =
probably the ones with piezo sensors.</div></div>
</blockquote></div><br></div></body></html>=

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Subject: Re: Few questions about foot controllers etc.
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Subject: Re: Comparing the market's looping devices
From: Dennis Moser <sinsofmachaut@gmail.com>
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Per,

Just looked back through your compendium of looping devices and had a comment.

The DD-20 DOES have an overdub function outside the SOS, in Delay
mode...you just simply keep playing over the previous bit you've done,
leaving the Record switch depressed (both the red lights come on) ...
it can only do a maximum length of 23 seconds, but you can keep
layering and layering to your heart's content (or until it turns into
the most gawdawful audio mush you've ever heard ... or both!).

Ta!

Dennis

On Fri, Apr 9, 2010 at 11:38 AM, Per Boysen <perboysen@gmail.com> wrote:
> Hi,
>
> I have upgraded my online Comparison Chart of Looping Devices with
> Loopback, the software looper plugin of Mainstage.
>
> I have put a link to the chart link at top of column on my recently
> upgraded web site http://www.looproom.com/
>
> I'd like to put LP2's data into the chart and will do as soon as an
> official manual is published (or if I manage to buy one before that
> happens). The chart was born a couple of years ago when I wrote an
> article on live looping for a Swedish guitar player magazine. It
> wasn't possible chance to shrink a comparison of so many loopers into
> fitting inside a paper printed magazine, so I uploaded it to the
> internet instead and then we had my magazine article refer by a link.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 23:36:59 2010
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	 <x2qdec8f8e61004091603g7ac6d1f9qdb0e1b793f2271eb@mail.gmail.com>
Date: Sat, 10 Apr 2010 01:36:57 +0200
Message-ID: <v2q66f9cc1e1004091636qfd55191ew668cbe9a3c5b3cb2@mail.gmail.com>
Subject: Re: Comparing the market's looping devices
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Great. Thanks a lot, Dennis. I'll update the online document.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com



On Sat, Apr 10, 2010 at 1:03 AM, Dennis Moser <sinsofmachaut@gmail.com> wrote:
> Per,
>
> Just looked back through your compendium of looping devices and had a comment.
>
> The DD-20 DOES have an overdub function outside the SOS, in Delay
> mode...you just simply keep playing over the previous bit you've done,
> leaving the Record switch depressed (both the red lights come on) ...
> it can only do a maximum length of 23 seconds, but you can keep
> layering and layering to your heart's content (or until it turns into
> the most gawdawful audio mush you've ever heard ... or both!).
>
> Ta!
>
> Dennis
>
> On Fri, Apr 9, 2010 at 11:38 AM, Per Boysen <perboysen@gmail.com> wrote:
>> Hi,
>>
>> I have upgraded my online Comparison Chart of Looping Devices with
>> Loopback, the software looper plugin of Mainstage.
>>
>> I have put a link to the chart link at top of column on my recently
>> upgraded web site http://www.looproom.com/
>>
>> I'd like to put LP2's data into the chart and will do as soon as an
>> official manual is published (or if I manage to buy one before that
>> happens). The chart was born a couple of years ago when I wrote an
>> article on live looping for a Swedish guitar player magazine. It
>> wasn't possible chance to shrink a comparison of so many loopers into
>> fitting inside a paper printed magazine, so I uploaded it to the
>> internet instead and then we had my magazine article refer by a link.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>>
>>
>
>
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Apr  9 23:37:39 2010
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Subject: Subject: Combien de Temps video..
Date: Fri, 9 Apr 2010 16:37:32 -0700
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Holy shit  Reyn!!  that was really awesome, the song just kept  
building and building and I love how seamless and minimal the layering  
of instruments was.
I wanna join your loop band!
Bill

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 00:33:07 2010
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--Apple-Mail-1-494605662
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	charset=US-ASCII;
	format=flowed;
	delsp=yes
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hey yall, I'm passing the word on that TV Jones, the noted pickup  
maker had several guitars pickups and booth supplies stolen from  
Musikmesse in Frankfurt, here is a link to the list of stolen items  
including prototype guitars.
http://www.tvjones.com/stolen.html

Bill
--Apple-Mail-1-494605662
Content-Type: text/html;
	charset=US-ASCII
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><font class=3D"Apple-style-span" =
face=3D"Tahoma" size=3D"4"><span class=3D"Apple-style-span" =
style=3D"font-size: 14px;">hey yall, I'm passing the word on that TV =
Jones, the noted pickup maker had several guitars pickups and booth =
supplies stolen from Musikmesse in Frankfurt, here is a link to the list =
of stolen items including prototype =
guitars.&nbsp;</span></font><div><font class=3D"Apple-style-span" =
color=3D"#666666" face=3D"Tahoma" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; line-height: 17px; =
-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: =
4px;"><b><a =
href=3D"http://www.tvjones.com/stolen.html">http://www.tvjones.com/stolen.=
html</a></b></span></font></div><div><font class=3D"Apple-style-span" =
color=3D"#666666" face=3D"Tahoma" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; line-height: 17px; =
-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: =
4px;"><b><br></b></span></font></div><div><font class=3D"Apple-style-span"=
 color=3D"#666666" face=3D"Tahoma" size=3D"4"><span =
class=3D"Apple-style-span" style=3D"font-size: 14px; line-height: 17px; =
-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: =
4px;"><b>Bill</b></span></font></div></body></html>=

--Apple-Mail-1-494605662--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 01:03:27 2010
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Subject: Added Rang(TM)III (Re: Comparing the market's looping devices)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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Good evening everybody,

We just updated the looper chart with accurate info on the Rang(TM)III.
And adjusted some new info on Overdub in a DD-20.

Thank you Mike and Dennis for taking the time to share your
experiences with these boxes.

Per



On Fri, Apr 9, 2010 at 7:38 PM, Per Boysen <perboysen@gmail.com> wrote:
> Hi,
>
> I have upgraded my online Comparison Chart of Looping Devices with
> Loopback, the software looper plugin of Mainstage.
>
> I have put a link to the chart link at top of column on my recently
> upgraded web site http://www.looproom.com/
>
> I'd like to put LP2's data into the chart and will do as soon as an
> official manual is published (or if I manage to buy one before that
> happens). The chart was born a couple of years ago when I wrote an
> article on live looping for a Swedish guitar player magazine. It
> wasn't possible chance to shrink a comparison of so many loopers into
> fitting inside a paper printed magazine, so I uploaded it to the
> internet instead and then we had my magazine article refer by a link.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 01:59:49 2010
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Date: Fri, 09 Apr 2010 21:59:45 -0400
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                               http://soundscapes.us/amfm
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, April 10 at 6 am EDT/UTC-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

From mrwahidhasan@yahoo.com.hk  Sat Apr 10 03:37:10 2010
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From: "Mr.Hassan"<mrwahidhasan@yahoo.com.hk>
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Date: Sat, 10 Apr 2010 04:36:21 +0100
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Hello,

I am a business consultant and presently I have some interested
Government official here in West Africa that is seeking for investment
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I wait your response to provide you with more informations.

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Hassan

From sherifkarim69@hotmail.com  Sat Apr 10 08:50:28 2010
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Date: Sat, 10 Apr 2010 08:50:20 +0000 (GMT)
From: SHARIF KARIM <sherifkarim69@hotmail.com>
Reply-To: sherifkarim69@hotmail.com
Subject: FROM THE DESK OF Mr Sherif  Karim  
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1248251123-1270889420=:66376"

--0-1248251123-1270889420=:66376
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FROM THE DESK OF Mr=A0Sherif=A0=A0Karim=A0=20
AUDITS & ACCOUNTS DEPT
AFRICAN DEVELOPMENT BANK
Ouagadougou Burkina Faso=20
Private Phone Number +22676519849=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=20
=A0Attention: Please=20
=A0
I am Mr Sherif=A0=A0Karim=A0the manager Audit & Accounts dept. in the Afric=
an Development Bank(ADB). I am writing to request your assistance to transf=
er the sum of $15, 000.000.00 [Fifteen million, United States dollars) into=
 your accounts.=20
=A0
The above sum belongs to our deceased customer late Mr. John korovo who die=
d along with his entire family in the Benin plane crash 2004 and since then=
 the fund has been in a suspense account.
=A0
After my further investigation, I discovered that Mr. John korovo died with=
 his next of kin and according to the laws and constitution guiding this ba=
nking institution, it states that after the expiration of (7) seven years, =
if no body or person comes for the claim as the next of kin, the fund will =
be transferred to national treasury as unclaimed fund. Because of the stati=
c of this transaction I want you to stand as the next of kin so that our ba=
nk will accord you the recognition and have the fund transferred to your ac=
count.
=A0
The total sum will be shared as follows: 60% for me, 40% for you and all in=
cidental expenses that may occur during the transfer process will be incurr=
ed by both of us. The transfer is risk free on both sides hence you will fo=
llow my instructions till the fund get to your account.=A0 More detailed in=
formations with the official application form will be Forwarded to you to e=
xplain more comprehensively what is required of you. You are free to call m=
e through my private telephone number.
=A0
Your Full Name.............................
Your Sex...................................
Your Age..................................
Your Country...............................
Your Occupation..........................
Your Personal Mobile Number.....................=20
Passeports / dring licence.......
Thanks=20
=A0=20
Mr Sherif=A0=A0Karim(=A0+22676519849=A0 )
=0A=0ASend instant messages to your online friends http://uk.messenger.yaho=
o.com 
--0-1248251123-1270889420=:66376
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV id=3Dyiv1990462552>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>FROM THE DESK OF Mr&nbsp;Sherif&nbsp;&nbsp;Karim&nbsp; </STRONG></FO=
NT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>AUDITS &amp; ACCOUNTS DEPT<BR>AFRICAN DEVELOPMENT BANK<BR>Ouagadougo=
u Burkina Faso <BR>Private Phone Number <FONT color=3D#ff00ff>+22676519849<=
/FONT>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;Attention: Pl=
ease <BR>&nbsp;<BR>I am Mr Sherif&nbsp;&nbsp;Karim&nbsp;the manager Audit &=
amp; Accounts dept. in the African Development Bank(ADB). I am writing to r=
equest your assistance to transfer the sum of $15, 000.000.00 [Fifteen mill=
ion, United States dollars) into your accounts. <BR>&nbsp;<BR>The above sum=
 belongs to our deceased customer late Mr. John korovo who died along with =
his entire family in the Benin plane crash 2004 and since then the fund has=
 been in a suspense account.<BR>&nbsp;<BR>After my further investigation, I=
 discovered that Mr. John korovo died with his next of kin and according to
 the laws and constitution guiding this banking institution, it states that=
 after the expiration of (7) seven years, if no body or person comes for th=
e claim as the next of kin, the fund will be transferred to national treasu=
ry as unclaimed fund. Because of the static of this transaction I want you =
to stand as the next of kin so that our bank will accord you the recognitio=
n and have the fund transferred to your account.<BR>&nbsp;<BR>The total sum=
 will be shared as follows: 60% for me, 40% for you and all incidental expe=
nses that may occur during the transfer process will be incurred by both of=
 us. The transfer is risk free on both sides hence you will follow my instr=
uctions till the fund get to your account.&nbsp; More detailed informations=
 with the official application form will be Forwarded to you to explain mor=
e comprehensively what is required of you. You are free to call me through =
my private telephone number.<BR>&nbsp;<BR>Your Full
 Name.............................<BR>Your Sex.............................=
......<BR>Your Age..................................<BR>Your Country.......=
........................<BR>Your Occupation..........................<BR>Yo=
ur Personal Mobile Number..................... </STRONG></FONT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>Passeports / dring licence.......<BR>Thanks </STRONG></FONT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>&nbsp; </STRONG></FONT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>Mr Sherif&nbsp;&nbsp;Karim(&nbsp;<FONT color=3D#ff00ff>+22676519849<=
/FONT>&nbsp; )</STRONG></FONT></DIV></DIV></TD></TR></TBODY></TABLE><BR></D=
IV></td></tr></table><br>Send instant messages to your online friends http:=
//uk.messenger.yahoo.com 
--0-1248251123-1270889420=:66376--

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X-Mailer: YahooMailClassic/10.0.8 YahooMailWebService/0.8.100.260964
Date: Sat, 10 Apr 2010 08:50:20 +0000 (GMT)
From: SHARIF KARIM <sherifkarim69@hotmail.com>
Reply-To: sherifkarim69@hotmail.com
Subject: FROM THE DESK OF Mr Sherif  Karim  
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1248251123-1270889420=:66376"

--0-1248251123-1270889420=:66376
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable







FROM THE DESK OF Mr=A0Sherif=A0=A0Karim=A0=20
AUDITS & ACCOUNTS DEPT
AFRICAN DEVELOPMENT BANK
Ouagadougou Burkina Faso=20
Private Phone Number +22676519849=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=20
=A0Attention: Please=20
=A0
I am Mr Sherif=A0=A0Karim=A0the manager Audit & Accounts dept. in the Afric=
an Development Bank(ADB). I am writing to request your assistance to transf=
er the sum of $15, 000.000.00 [Fifteen million, United States dollars) into=
 your accounts.=20
=A0
The above sum belongs to our deceased customer late Mr. John korovo who die=
d along with his entire family in the Benin plane crash 2004 and since then=
 the fund has been in a suspense account.
=A0
After my further investigation, I discovered that Mr. John korovo died with=
 his next of kin and according to the laws and constitution guiding this ba=
nking institution, it states that after the expiration of (7) seven years, =
if no body or person comes for the claim as the next of kin, the fund will =
be transferred to national treasury as unclaimed fund. Because of the stati=
c of this transaction I want you to stand as the next of kin so that our ba=
nk will accord you the recognition and have the fund transferred to your ac=
count.
=A0
The total sum will be shared as follows: 60% for me, 40% for you and all in=
cidental expenses that may occur during the transfer process will be incurr=
ed by both of us. The transfer is risk free on both sides hence you will fo=
llow my instructions till the fund get to your account.=A0 More detailed in=
formations with the official application form will be Forwarded to you to e=
xplain more comprehensively what is required of you. You are free to call m=
e through my private telephone number.
=A0
Your Full Name.............................
Your Sex...................................
Your Age..................................
Your Country...............................
Your Occupation..........................
Your Personal Mobile Number.....................=20
Passeports / dring licence.......
Thanks=20
=A0=20
Mr Sherif=A0=A0Karim(=A0+22676519849=A0 )
=0A=0ASend instant messages to your online friends http://uk.messenger.yaho=
o.com 
--0-1248251123-1270889420=:66376
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>
<TABLE cellSpacing=3D0 cellPadding=3D0 border=3D0>
<TBODY>
<TR>
<TD vAlign=3Dtop>
<DIV id=3Dyiv1990462552>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>FROM THE DESK OF Mr&nbsp;Sherif&nbsp;&nbsp;Karim&nbsp; </STRONG></FO=
NT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>AUDITS &amp; ACCOUNTS DEPT<BR>AFRICAN DEVELOPMENT BANK<BR>Ouagadougo=
u Burkina Faso <BR>Private Phone Number <FONT color=3D#ff00ff>+22676519849<=
/FONT>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>&nbsp;Attention: Pl=
ease <BR>&nbsp;<BR>I am Mr Sherif&nbsp;&nbsp;Karim&nbsp;the manager Audit &=
amp; Accounts dept. in the African Development Bank(ADB). I am writing to r=
equest your assistance to transfer the sum of $15, 000.000.00 [Fifteen mill=
ion, United States dollars) into your accounts. <BR>&nbsp;<BR>The above sum=
 belongs to our deceased customer late Mr. John korovo who died along with =
his entire family in the Benin plane crash 2004 and since then the fund has=
 been in a suspense account.<BR>&nbsp;<BR>After my further investigation, I=
 discovered that Mr. John korovo died with his next of kin and according to
 the laws and constitution guiding this banking institution, it states that=
 after the expiration of (7) seven years, if no body or person comes for th=
e claim as the next of kin, the fund will be transferred to national treasu=
ry as unclaimed fund. Because of the static of this transaction I want you =
to stand as the next of kin so that our bank will accord you the recognitio=
n and have the fund transferred to your account.<BR>&nbsp;<BR>The total sum=
 will be shared as follows: 60% for me, 40% for you and all incidental expe=
nses that may occur during the transfer process will be incurred by both of=
 us. The transfer is risk free on both sides hence you will follow my instr=
uctions till the fund get to your account.&nbsp; More detailed informations=
 with the official application form will be Forwarded to you to explain mor=
e comprehensively what is required of you. You are free to call me through =
my private telephone number.<BR>&nbsp;<BR>Your Full
 Name.............................<BR>Your Sex.............................=
......<BR>Your Age..................................<BR>Your Country.......=
........................<BR>Your Occupation..........................<BR>Yo=
ur Personal Mobile Number..................... </STRONG></FONT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>Passeports / dring licence.......<BR>Thanks </STRONG></FONT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>&nbsp; </STRONG></FONT></DIV>
<DIV><FONT face=3D"arial, helvetica, sans-serif" color=3D#000000 size=3D4><=
STRONG>Mr Sherif&nbsp;&nbsp;Karim(&nbsp;<FONT color=3D#ff00ff>+22676519849<=
/FONT>&nbsp; )</STRONG></FONT></DIV></DIV></TD></TR></TBODY></TABLE><BR></D=
IV></td></tr></table><br>Send instant messages to your online friends http:=
//uk.messenger.yahoo.com 
--0-1248251123-1270889420=:66376--

From ssandar@rediffmail.com  Sat Apr 10 10:55:54 2010
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Date: Sat, 10 Apr 2010 03:55:47 -0700 (PDT)
From: Mrs Sandra <ssandar@rediffmail.com>
Reply-To: rev_mikei@Safe-mail.net
Subject: MY APPRECIATION TO YOU !
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1211871914-1270896947=:23194"

--0-1211871914-1270896947=:23194
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MY APPRECIATION TO YOU !
=A0
Dear Friend,=A0

It is my pleasure to reach you after our unsuccessful attempt on our busine=
ss transaction. Well I just want to use this medium to thank you very much =
for your earlier assistance to help me in the funds transfer though it coul=
dn't work out with you.
=A0
I am obliged to inform you that I have succeeded in receiving the funds wit=
h the help of a new partner from South America Mr. Alfredo Gomez Castillo.E=
verything was perfectly done=A0 My new partner initiated this idea and ever=
ything worked out successfully.
=A0
In appreciation of your earlier assistance to me in receiving the funds, I =
have decided to compensate you with the sum of US$500,000.00. The money is =
left in a bank=A0draft.=A0I did this simply to show appreciation to you for=
 your kind support and assistance even though we couldn't succeed due to so=
me unforseen circumstances. I want you to know that your compensation=A0US$=
5000,000.00 was=A0raised in a certfied bank draft which you will cash in an=
y bank=A0in any country.
=A0
Presently,I am in Paraguay for investments with my own share under the advi=
ce of my partner. In the light of the above, you are therefore to contact m=
y=A0Pastor in Cotonou Benin Republic=A0his name is=A0Rev. Pastor. Mike Ibru=
ni, And do send him your phone number and contact address where you want th=
e draft to be sent to you.=20
=A0
Stated below is the contact information of my Pastor: contact him now.

Name:=A0=A0=A0 Rev. Pastor Mike Ibruni
E-mail:=A0=A0=A0 rev_mikei@Safe-mail.net
Tel:=A0=A0=A0=A0=A0=A0 + 229 96 61 61 88.
=A0
Get in touch with him rightaway to send the draft to you without any delay =
and as soon as you receive the Bank Draft from him please let me know.
=A0
Best Regards,
=A0
Mrs. Sandra.
(Writing from Paraguay)





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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3Dyiv1875493293>
<DIV id=3Dyiv1791103071>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>MY APPRECIATION TO YOU !</STRONG></FONT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>&nbsp;</STRONG></FONT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>Dear Friend,&nbsp;</STRONG></FONT></DIV>
<DIV><BR><FONT face=3D"bookman old style, new york, times, serif" size=3D3>=
<STRONG>It is my pleasure to reach you after our unsuccessful attempt on ou=
r business transaction. Well I just want to use this medium to thank you ve=
ry much for your earlier assistance to help me in the funds transfer though=
 it couldn't work out with you.<BR>&nbsp;<BR>I am obliged to inform you tha=
t I have succeeded in receiving the funds with the help of a new partner fr=
om South America Mr. Alfredo Gomez Castillo.Everything was perfectly done&n=
bsp; My new partner initiated this idea and everything worked out successfu=
lly.<BR>&nbsp;<BR>In appreciation of your earlier assistance to me in recei=
ving the funds, I have decided to compensate you with the sum of US$500,000=
.00. The money is left in a bank&nbsp;draft.&nbsp;I did this simply to show=
 appreciation to you for your kind support and assistance even though we co=
uldn't succeed due to some unforseen circumstances. I want you to know
 that your compensation&nbsp;US$5000,000.00 was&nbsp;raised in a certfied b=
ank draft which you will cash in any bank&nbsp;in any country.</STRONG></FO=
NT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>&nbsp;</STRONG></FONT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>Presently,I am in Paraguay for investments with my own share under the =
advice of my partner. In the light of the above, you are therefore to conta=
ct my&nbsp;Pastor in <SPAN class=3Dyshortcuts id=3Dlw_1264496816_1><SPAN cl=
ass=3Dyshortcuts id=3Dlw_1265360548_1><SPAN class=3Dyshortcuts id=3Dlw_1268=
655861_1 style=3D"BACKGROUND: none transparent scroll repeat 0% 0%; CURSOR:=
 hand; BORDER-BOTTOM: medium none">Cotonou Benin Republic</SPAN></SPAN></SP=
AN>&nbsp;his name is&nbsp;Rev. Pastor. Mike Ibruni, And do send him your ph=
one number and contact address where you want the draft to be sent to you. =
</STRONG></FONT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>&nbsp;</STRONG></FONT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>Stated below is the contact information of my Pastor: contact him now.<=
/STRONG></FONT></DIV>
<DIV><BR><FONT face=3D"bookman old style, new york, times, serif" size=3D3>=
<STRONG>Name:&nbsp;&nbsp;&nbsp; Rev. Pastor Mike Ibruni</STRONG></FONT></DI=
V>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>E-mail:&nbsp;</STRONG></FONT><A href=3D"http://us.mc561.mail.yahoo.com/=
mc/compose?to=3Drev_mikei@Safe-mail.net" target=3D_blank rel=3Dnofollow></A=
><STRONG>&nbsp;&nbsp; </STRONG><A href=3D"http://us.mc561.mail.yahoo.com/mc=
/compose?to=3Drev_mikei@Safe-mail.net" target=3D_blank rel=3Dnofollow><FONT=
 face=3D"bookman old style, new york, times, serif" size=3D3><STRONG><SPAN =
class=3Dyshortcuts id=3Dlw_1268655861_2>rev_mikei@Safe-mail.net</SPAN></STR=
ONG></FONT></A></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>Tel:&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; + 229 96 61 61 88.</STRONG></F=
ONT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>&nbsp;</STRONG></FONT></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>Get in touch with him rightaway to send the draft to you without any de=
lay and as soon as you receive the Bank Draft from him please let me know.<=
BR>&nbsp;<BR>Best Regards,</STRONG></FONT></DIV>
<DIV><FONT face=3D"Bookman Old Style" size=3D3></FONT><STRONG>&nbsp;</STRON=
G></DIV>
<DIV><FONT face=3D"bookman old style, new york, times, serif" size=3D3><STR=
ONG>Mrs. Sandra.</STRONG></FONT></DIV>
<DIV><FONT face=3D"Bookman Old Style" size=3D3><STRONG>(Writing from <SPAN =
class=3Dyshortcuts id=3Dlw_1268655861_3>Paraguay</SPAN>)</STRONG></FONT></D=
IV></DIV><BR></DIV><BR><BR><BR><BR></td></tr></table>
--0-1211871914-1270896947=:23194--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 11:52:30 2010
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From: Matthias Grob <matilists@gmail.com>
Mime-Version: 1.0 (Apple Message framework v1078)
Content-Type: multipart/alternative; boundary=Apple-Mail-92-535338069
Subject: Re: Mike Stern's finger
Date: Sat, 10 Apr 2010 08:51:54 -0300
In-Reply-To: <D0882FC1-F57C-4117-B820-141DF754CC6D@reyn.net>
To: Loopers-Delight@loopers-delight.com
References: <435179.86931.qm@web55203.mail.re4.yahoo.com> <79B15889-88C9-41EB-ACAB-F6C36EAB209F@reyn.net> <0E181118-DF06-4E3A-A2A2-54ABA0D20FD1@verizon.net> <D0882FC1-F57C-4117-B820-141DF754CC6D@reyn.net>
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--Apple-Mail-92-535338069
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	charset=us-ascii

since I was ashamed not to know BioTex, I looked it up on Google and =
found:
http://www.biotex.it/english/index.php
Lol!

On 8 Apr 2010, at 19:57, Reyn Ouwehand wrote:

> He had an infection underneath his nail and BioTex is a dutch (and =
English/Scandinavian?) washingpowder that also seem to help for =
infections. Well, so the nurse said..., since Mike also demanded, =
besides doing his laundry, that we would get him a doctor to have a look =
at his finger.
>=20
> R.
>=20
> On 07 04 2010, at 5:28 AM, Jeff Shirkey wrote:
>=20
>>=20
>>> I once recorded Mike Stern which was quite the experience! It gave =
me stories which I will cherish the rest of my life... Top of the =
iceberg is where in the end of the session he left the building with him =
holding his finger in a cup filled with BioTex and my mom doing his =
laundry...... Unreal....
>>=20
>> Would love to hear more stories...
>>=20
>> and what is BioTex??
>>=20
>>>=20
>>>> I've seen Mike Stern a few times and each time he's playing a =
Telecaster, but definitely not a slimline.
>>>>=20
>>=20
>> He plays a Tele-style Yamaha, if memory serves. Isn't the model the =
Pacifica?
>>=20
>> Jeff
>>=20
>>=20
>=20


--Apple-Mail-92-535338069
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	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">since =
I was ashamed not to know BioTex, I looked it up on Google and =
found:<div><meta charset=3D"utf-8"><a =
href=3D"http://www.biotex.it/english/index.php">http://www.biotex.it/engli=
sh/index.php</a></div><div><a =
href=3D"http://www.biotex.it/english/index.php"></a>Lol!</div><div><br><di=
v><div>On 8 Apr 2010, at 19:57, Reyn Ouwehand wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>He =
had an infection underneath his nail and BioTex is a dutch (and =
English/Scandinavian?) washingpowder that also seem to help for =
infections. Well, so the nurse said..., since Mike also demanded, =
besides doing his laundry, that we would get him a doctor to have a look =
at his finger.<br><br>R.<br><br>On 07 04 2010, at 5:28 AM, Jeff Shirkey =
wrote:<br><br><blockquote type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite">I once recorded Mike Stern which =
was quite the experience! It gave me stories which I will cherish the =
rest of my life... Top of the iceberg is where in the end of the session =
he left the building with him holding his finger in a cup filled with =
BioTex and my mom doing his laundry...... =
Unreal....<br></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">Would love to =
hear more stories...<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">and what is =
BioTex??<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote type=3D"cite">I've =
seen Mike Stern a few times and each time he's playing a Telecaster, but =
definitely not a =
slimline.<br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><blockquote type=3D"cite"><blockquote =
type=3D"cite"><br></blockquote></blockquote></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">He plays a =
Tele-style Yamaha, if memory serves. Isn't the model the =
Pacifica?<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Jeff<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite"><br></blockquote><br></div></blockquote></div><br></div></bo=
dy></html>=

--Apple-Mail-92-535338069--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 11:56:25 2010
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Subject: Re: Mike Stern's finger
From: Reyn Ouwehand <loopers-delight@reyn.net>
In-Reply-To: <CA1C02FB-E2FC-4124-B1ED-78E34B6C8ECC@gmail.com>
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Stick your finger in That! :-)

On 10 04 2010, at 1:51 PM, Matthias Grob wrote:

> since I was ashamed not to know BioTex, I looked it up on Google and =
found:
> http://www.biotex.it/english/index.php
> Lol!
>=20
> On 8 Apr 2010, at 19:57, Reyn Ouwehand wrote:
>=20
>> He had an infection underneath his nail and BioTex is a dutch (and =
English/Scandinavian?) washingpowder that also seem to help for =
infections. Well, so the nurse said..., since Mike also demanded, =
besides doing his laundry, that we would get him a doctor to have a look =
at his finger.
>>=20
>> R.
>>=20
>> On 07 04 2010, at 5:28 AM, Jeff Shirkey wrote:
>>=20
>>>=20
>>>> I once recorded Mike Stern which was quite the experience! It gave =
me stories which I will cherish the rest of my life... Top of the =
iceberg is where in the end of the session he left the building with him =
holding his finger in a cup filled with BioTex and my mom doing his =
laundry...... Unreal....
>>>=20
>>> Would love to hear more stories...
>>>=20
>>> and what is BioTex??
>>>=20
>>>>=20
>>>>> I've seen Mike Stern a few times and each time he's playing a =
Telecaster, but definitely not a slimline.
>>>>>=20
>>>=20
>>> He plays a Tele-style Yamaha, if memory serves. Isn't the model the =
Pacifica?
>>>=20
>>> Jeff
>>>=20
>>>=20
>>=20
>=20

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 12:18:53 2010
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Subject: Tip: Pat Matheny interview on Orchestrion, solenoids and lots of 
	other interesting stuff
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
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The recent episode of Electronic Musician Podcast features Pat Matheny
talking about his Orchestrion project. Even if you tend to like his
"guitar music" better his talking here is extremely educational for
anyone interested  in recording or arranging for orchestration - of
ANY sound, not just guitar or tonal sounding stuff.

http://emusician.com/podcasts/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com

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Subject: Re: Few questions about foot controllers etc.
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> In terms of my other question about adding buttons to the foot =
controller- looks like each has its own unique resistor value- is it =
possible to add more switches with other resistors for more options?

if you double the resistor value once again, you get the Parameter =
button. thats all. and its not very reliable.

> I am guessing not as I can imagine it would have been done already?

yes :-)=

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Subject: Re: Few questions about foot controllers etc. for M9/M13
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--0-257062065-1270904126=:77926
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All this talk about switches and resistors reminds me of a simple trick for=
 owners of the M9 or M13. In the absence of a proper expression pedal, a 10=
k resistor between the two contacts of a 1/4" mono plug with a latching swi=
tch on the other end of the wire will allow a quick change between two stat=
es of any (or many) prameters when plugged into one of the expresion pedal =
sockets.=A0 This could be used to give a slight volume boost for a solo, ch=
ange between two speeds of a phaser, or select between two delay times.=A0 =
Use your imagination.=20

Stephen
=0A=0A=0A      
--0-257062065-1270904126=:77926
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>All this talk about switches and resistor=
s reminds me of a simple trick for owners of the M9 or M13. In the absence =
of a proper expression pedal, a 10k resistor between the two contacts of a =
1/4" mono plug with a latching switch on the other end of the wire will all=
ow a quick change between two states of any (or many) prameters when plugge=
d into one of the expresion pedal sockets.&nbsp; This could be used to give=
 a slight volume boost for a solo, change between two speeds of a phaser, o=
r select between two delay times.&nbsp; Use your imagination. <br><br>Steph=
en<br></td></tr></table><br>=0A=0A=0A=0A      
--0-257062065-1270904126=:77926--

From info@atm.com  Sat Apr 10 14:05:14 2010
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Subject: Atm Card Promo 2010
From: "ATM PAYMENT DEPARTMENT" <info@atm.com>
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INTERNATIONAL REMITTANCE DEPT,
ATM PAYMENT DEPARTMENT.
OFFICE OF THE DIRECTOR OF OPERATION.

Atm Card Promo 2010.

A cash grant award of Â£654,000.00 from Atm Card Award Promo has been
awarded to you. Contact us with your details for claims

(1) Full Name as wanted on Card:
(2) Address where you want the payment centre to send your ATM CARD.(NO
P.OBOX):
(3) Phone And Fax Number:
(4) Date Of Birth:
(5) Occupation:
To:Cliffords Sinclair.
Tel: +44-7024029648
       +44-7035932751
Fax: +44-844 774 2625
Email::clifford_sinclair009@hawamail.com

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 14:25:08 2010
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Subject: Thought Radio Playlist for April 10, 2010.
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http://soundscapes.us/amfm/playlists/2010/100410.html

The Saturday edition of The AM/FM Show has two alternating hosts.  When
Bill is at the helm, the show is called Thought Radio and you can expect
to hear electronic, ambient, spacemusic, Progressive Rock, and an
eclectic mix of other genres.  The show airs from 6:00 am to 8:00 am
EDT/GMT-4 on WMUH Allentown, 91.7 FM and on the internet.  Bill also
hosts Afterglow every Thursday from 8:00 am to 9:30 am.

                Show #171                April 10, 2010.

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Mister Vapor         Spirit Stars         Spirit Stars (none)
VA [Wolly            Deceivers All        Sequences No. 9
  Wolstenholme]
VA [Paul Naton]      And 60 Miles Out     Sequences No. 9
VA [Mathias Grassow] Beyond the Dream     Sequences No. 9
                       Time Wall
Technicolor Travel   Snow Melt            This Way Out (none)
  Agency
Radio Massacre       Equatorial Pitch     Time & Motion (Cuneiform)
  International
Twyndyllyngs         Time Wave            Between Space and Time
                                            (electro-music.com)
Stratosphere         Lost                 The Introspective Spaces
                                            (Amplexus)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Flood                Autumn               Tales from the Four Seasons
                                            (Unicorn)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Dead Heroes Club     A Gathering of Crows A Time of Shadow (Progrock)
Deep Purple          Lazy                 Machine Head (Warner Bros.)
Robert Berry         Life Is On Fire      The Dividing Live (Frontiers)
Pink Floyd           Shine On You Crazy   Wish You Were Here (Columbia)
                       Diamond


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/UTC-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
programs. Anyone interested in seeing playlists can join. There is NO
SPAM because I keep the spammers out before the members ever see any
hint of it.

The progdj list is for DJs (obviously!) and band members, record label
personnel, promoters, managers, and anyone else interested in seeing
what gets played on the air. Need to find who is playing prog on the
radio? Go to the progdj list.

To join, go to http://groups.yahoo.com/group/progdj and click on the
[Join This Group!] link.
========================================================================

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Subject: Question about multiple looping setup
Date: Sat, 10 Apr 2010 11:13:02 -0400
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Hello everyone -

I am looking for some advice on a looping setup -

I am part of a 4 person a cappella group and we want to start to include =
some looping in our live performances (we used to have 6 members and we =
are trying to recreate some of the layers using just the 4 of us) but we =
aren't sure what is the best way to go about doing it...=20

We obviously would need something that each of us could individually cue =
for our parts (i.e. a pedal or something that would be easy to use); =
additionally, a single pedal with multiple inputs (even like the Boss =
50) wouldn't work, as we would need to have separate signals into the =
soundboard for proper mixing, and that would consolidate our feed into =
one output...

We are not averse to going for a computer-based method if necessary, but =
we definitely would want to do what is most cost-effective AND =
reliable...

Does anyone have any thoughts or suggestions on a possible setup?  I =
personally have used an Akai Headrush in some of my solo live gigs but =
I'm not too familiar with software-based looping or other devices...

Thanks so much!


From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 15:47:26 2010
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Date: Sat, 10 Apr 2010 17:47:21 +0200
Message-ID: <w2x66f9cc1e1004100847i544576ecw18b07792c14506a5@mail.gmail.com>
Subject: Re: Question about multiple looping setup
From: Per Boysen <perboysen@gmail.com>
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If you are not in a hurry you may wait until information on the LP-2
gets around. Yo

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sat, Apr 10, 2010 at 5:13 PM, Siobahn Hotaling <siobahn@nxivm.com> wrote=
:
> Hello everyone -
>
> I am looking for some advice on a looping setup -
>
> I am part of a 4 person a cappella group and we want to start to include =
some looping in our live performances (we used to have 6 members and we are=
 trying to recreate some of the layers using just the 4 of us) but we aren'=
t sure what is the best way to go about doing it...
>
> We obviously would need something that each of us could individually cue =
for our parts (i.e. a pedal or something that would be easy to use); additi=
onally, a single pedal with multiple inputs (even like the Boss 50) wouldn'=
t work, as we would need to have separate signals into the soundboard for p=
roper mixing, and that would consolidate our feed into one output...
>
> We are not averse to going for a computer-based method if necessary, but =
we definitely would want to do what is most cost-effective AND reliable...
>
> Does anyone have any thoughts or suggestions on a possible setup? =C2=A0I=
 personally have used an Akai Headrush in some of my solo live gigs but I'm=
 not too familiar with software-based looping or other devices...
>
> Thanks so much!
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 15:54:06 2010
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Date: Sat, 10 Apr 2010 17:54:04 +0200
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Subject: Re: Question about multiple looping setup
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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If you are not in a hurry you may wait until information on the LP-2
gets around. Your members could have one each, I imagine. If MIDI
synced with a cable.

Another setup that I know would work is a computer with multi input
audio interface and the software looper Mobius. Mobius has eight
tracks (as default) and you can set it to let each track pick its own
audio input, to let members sing into their individual microphones.
This would work both on Windows and OS X.

An OS X only solution would be Apple's Mainstage. It has a built-in
looper plugin called Loopback. You can open one instance of Loopback
per choir member and adress individual audio inputs and also sync
them. Mainstage provides less control for each member to do things
like creating a loop on his/her track, overdub more layers into a
loop, reversing a loop, fading in or out etc.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sat, Apr 10, 2010 at 5:13 PM, Siobahn Hotaling <siobahn@nxivm.com> wrote=
:
> Hello everyone -
>
> I am looking for some advice on a looping setup -
>
> I am part of a 4 person a cappella group and we want to start to include =
some looping in our live performances (we used to have 6 members and we are=
 trying to recreate some of the layers using just the 4 of us) but we aren'=
t sure what is the best way to go about doing it...
>
> We obviously would need something that each of us could individually cue =
for our parts (i.e. a pedal or something that would be easy to use); additi=
onally, a single pedal with multiple inputs (even like the Boss 50) wouldn'=
t work, as we would need to have separate signals into the soundboard for p=
roper mixing, and that would consolidate our feed into one output...
>
> We are not averse to going for a computer-based method if necessary, but =
we definitely would want to do what is most cost-effective AND reliable...
>
> Does anyone have any thoughts or suggestions on a possible setup? =C2=A0I=
 personally have used an Akai Headrush in some of my solo live gigs but I'm=
 not too familiar with software-based looping or other devices...
>
> Thanks so much!
>
>
>

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 17:39:18 2010
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Hey!  It's a real place and it's in my vicinity!!!
http://facebook.com/loopers.grilleandbar
http://loopersgrilleandbar.com
I thought this crowd would get a chuckle out of this.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 17:40:31 2010
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Subject: Chez Mosc Tonight
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Greetings EM Fans,

This is to remind you that the weekly webcast called Chez Mosc will take 
to the air again today.  Each Saturday at 6:00 pm EDT/GMT-4, 
Twyndyllyngs (Howard Moscovitz and Bill Fox) will stream a live, 
improvised concert from Howard's living room.  (Hence the title of the 
broadcast.)  I hope that you'll "tune in" despite the irreparable brain 
damage it may cause you.      ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are an electronic musician living in or near the Lehigh 
Valley or plan to be passing through the area, please let me or Howard 
know if you'd care to join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 17:40:47 2010
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Greetings EM Fans,

This is to remind you that the weekly webcast called Chez Mosc will take 
to the air again today.  Each Saturday at 6:00 pm EDT/GMT-4, 
Twyndyllyngs (Howard Moscovitz and Bill Fox) will stream a live, 
improvised concert from Howard's living room.  (Hence the title of the 
broadcast.)  I hope that you'll "tune in" despite the irreparable brain 
damage it may cause you.      ;-)

Point your favorite browser to http://radio.electro-music.com and click 
on the Tune In link.  Or you may stuff 
http://radio.electro-music.com/listen.m3u into your favorite music 
player.  The radio page also has links to a chat room, the electro-music 
forum, and more.  The radio schedule is listed and has links to each 
individual program.

May peace and contentment be yours.

Cheers,

Bill Fox

P.S.  If you are an electronic musician living in or near the Lehigh 
Valley or plan to be passing through the area, please let me or Howard 
know if you'd care to join us for a broadcast.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 18:03:20 2010
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Siobahn Hotaling schrieb:
> I am looking for some advice on a looping setup -
>
> We obviously would need something that each of us could individually cue for our parts (i.e. a pedal or something that would be easy to use); additionally, a single pedal with multiple inputs (even like the Boss 50) wouldn't work, as we would need to have separate signals into the soundboard for proper mixing, and that would consolidate our feed into one output...
>   
I don't exactly get what you need, so I'll try:
1. you need to create loops coming from four different microphone feeds
2. every musician should be able to work on (record, stop etc.) his own 
loop individually
3. the signal from the live mics need to be individually treated at the 
soundboard
4. the separate loops need to be individually treated at the soundboard

I also assume that the following holds true:
5. all of the individual loops need to be synced to each other

For that, you either need a) four loopers which allow to be synced (e.g. 
via MIDI) (the "which allow to be synced" part only applying is (5) 
above is the case), or b) a looper which allows for completely 
independent treatment of four loops (including individual in/outs).

Furthermore, there are three ways to do that signal-routing-wise:
i) mic goes into looper, mic and looper signal go from looper to soundboard.
ii) mic goes into some kind of preamp with splitter, then to looper and 
to soundboard, looper goes to soundboard.
iii) mic goes to soundboard, then (with e.g. direct out) from there to 
looper, looper goes to soundboard.

I don't know any hardware solution that does b), but as Per mentioned, 
Mobius will do that. Note however that to fulfill (2), you'd need four 
MIDI remote pedals (and thus four MIDI inputs), and an audio interface 
that has at least four ins and four (or eight for i) outs.

To work with a), any (MIDI-syncable) looper will do, but those usually 
only allow for wirings ii and iii to fulfil 3 and 4.

As for cost-efficiency: I would assume that Per's suggestion of a 
computer running Mobius would work best. If the computer runs XP 32bit, 
you might check to get a cheap Marian UCON CX interface, which has four 
micpres and 8 analogue outs. For the MIDI remote pedals: see the 
archives ;).

One tricky thing might be about that sync thing: syncing is a 
"unidirectional thing", that means it may get tricky if you record 
several loops at once as the first loops in the arrangement.

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Sequel to the recently approved over-due payment of Five Million Five Hundred Thousand United States Dollars (US$ 5.500,000.00) As approved by the Over-due payment department of the OVERSEAS CREDIT COMMISSION (OCC), London, United Kingdom, a direct payment for 1st quarter of the year from the Headquarters in (UK).

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Date: Sat, 10 Apr 2010 20:58:13 +0200
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Subject: Re: Question about multiple looping setup
From: Per Boysen <perboysen@gmail.com>
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On Sat, Apr 10, 2010 at 8:03 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:

> Mobius will do that. Note however that to fulfill (2), you'd need four MIDI
> remote pedals (and thus four MIDI inputs),

One MIDI In port would do if one does daisy-chain the four MIDI
pedals, keeping them set to different MIDI channels or to not use the
same events.


> One tricky thing might be about that sync thing: syncing is a
> "unidirectional thing", that means it may get tricky if you record several
> loops at once as the first loops in the arrangement.

Wow, I didn't foresee that scenario. Rainer is right and I doubt
anyone have tried to do this in Mobius. Hm... well, I remember now
that I once wanted to record four loops at once into four tracks but
could not make it work. So I ended up using a script that records
those four loops one after the other and that requires me to play the
first part four times. But it would work with just playing it twice if
making a script that records the first track's loop and then puts that
track into playback mode (or overdub) while recording the same loop
length in sync on track 2, 3 and 4. The entire sync structure in
Mobius requires one track to record a loop first because that track
will define the tempo and become the "Master Track" that all other
track's loops are following.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Sat, 10 Apr 2010 21:14:41 +0200
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Subject: Re: Question about multiple looping setup
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--001485f1e36e5a7e050483e6b9cd
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i think the easy way would be automating mobius functions in a sequencer.

2010/4/10 Per Boysen <perboysen@gmail.com>

> On Sat, Apr 10, 2010 at 8:03 PM, Rainer Straschill
> <moinsound@googlemail.com> wrote:
>
> > Mobius will do that. Note however that to fulfill (2), you'd need four
> MIDI
> > remote pedals (and thus four MIDI inputs),
>
> One MIDI In port would do if one does daisy-chain the four MIDI
> pedals, keeping them set to different MIDI channels or to not use the
> same events.
>
>
> > One tricky thing might be about that sync thing: syncing is a
> > "unidirectional thing", that means it may get tricky if you record
> several
> > loops at once as the first loops in the arrangement.
>
> Wow, I didn't foresee that scenario. Rainer is right and I doubt
> anyone have tried to do this in Mobius. Hm... well, I remember now
> that I once wanted to record four loops at once into four tracks but
> could not make it work. So I ended up using a script that records
> those four loops one after the other and that requires me to play the
> first part four times. But it would work with just playing it twice if
> making a script that records the first track's loop and then puts that
> track into playback mode (or overdub) while recording the same loop
> length in sync on track 2, 3 and 4. The entire sync structure in
> Mobius requires one track to record a loop first because that track
> will define the tempo and become the "Master Track" that all other
> track's loops are following.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--001485f1e36e5a7e050483e6b9cd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i think the easy way would be automating mobius functions in a sequencer.<b=
r><div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_p=
opup"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absol=
ute;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;=
  width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  =
font-size: 10px;  text-align: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/4/10 Per Boysen <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br><bl=
ockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204=
, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class=3D"im">On Sat, Apr 10, 2010 at 8:03 PM, Rainer Straschill<br>
&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a=
>&gt; wrote:<br>
<br>
&gt; Mobius will do that. Note however that to fulfill (2), you&#39;d need =
four MIDI<br>
&gt; remote pedals (and thus four MIDI inputs),<br>
<br>
</div>One MIDI In port would do if one does daisy-chain the four MIDI<br>
pedals, keeping them set to different MIDI channels or to not use the<br>
same events.<br>
<div class=3D"im"><br>
<br>
&gt; One tricky thing might be about that sync thing: syncing is a<br>
&gt; &quot;unidirectional thing&quot;, that means it may get tricky if you =
record several<br>
&gt; loops at once as the first loops in the arrangement.<br>
<br>
</div>Wow, I didn&#39;t foresee that scenario. Rainer is right and I doubt<=
br>
anyone have tried to do this in Mobius. Hm... well, I remember now<br>
that I once wanted to record four loops at once into four tracks but<br>
could not make it work. So I ended up using a script that records<br>
those four loops one after the other and that requires me to play the<br>
first part four times. But it would work with just playing it twice if<br>
making a script that records the first track&#39;s loop and then puts that<=
br>
track into playback mode (or overdub) while recording the same loop<br>
length in sync on track 2, 3 and 4. The entire sync structure in<br>
Mobius requires one track to record a loop first because that track<br>
will define the tempo and become the &quot;Master Track&quot; that all othe=
r<br>
track&#39;s loops are following.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que e=
stava il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda =
de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sti=
es!, no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &q=
uot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--001485f1e36e5a7e050483e6b9cd--

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Date: Sat, 10 Apr 2010 21:18:13 +0200
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Subject: Re: Question about multiple looping setup
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On Sat, Apr 10, 2010 at 9:14 PM, Raul Bonell <raul.bonell@gmail.com> wrote:
> i think the easy way would be automating mobius functions in a sequencer.

Yes. If the singers are comfy with listening to a click track for how
to start singing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 19:45:33 2010
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Subject: Re: Question about multiple looping setup
From: Siobahn Hotaling <siobahn@nxivm.com>
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Thanks for the very thoughtful replies - I'm going to see what Mobius =
has to offer, then, and go from there - one more question for you guys =
though - we have a vocal percussionist who is the one who seems to set =
the stage for all of our songs rhythmically... would the setup you are =
describing be more feasible if we consider always just using his intial =
beat as the syncing tempo? =20

Cheers!

On Apr 10, 2010, at 3:18 PM, Per Boysen wrote:

> On Sat, Apr 10, 2010 at 9:14 PM, Raul Bonell <raul.bonell@gmail.com> =
wrote:
>> i think the easy way would be automating mobius functions in a =
sequencer.
>=20
> Yes. If the singers are comfy with listening to a click track for how
> to start singing.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
>=20

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Date: Sat, 10 Apr 2010 21:52:51 +0200
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Subject: Re: Question about multiple looping setup
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Siobahn Hotaling schrieb:
> Thanks for the very thoughtful replies - I'm going to see what Mobius has to offer, then, and go from there - one more question for you guys though - we have a vocal percussionist who is the one who seems to set the stage for all of our songs rhythmically... would the setup you are describing be more feasible if we consider always just using his intial beat as the syncing tempo?  
>   
This will reduce the risk of unexpected behaviour by a great deal 
(you'll be the judge whether that's a plus or not...).

However (again sticking with the Möbius concept), there's basically two 
ways to do it:
1. One loop is recorded before the next loop starts recording (which, 
requires the initial loop to be recorded an then play once before you 
can record the other loops), or
2. The recording of the loops on all tracks that "go first" have to be 
controlled from one source (which means they have to be the same length).

       Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Sat, 10 Apr 2010 22:09:51 +0200
Message-ID: <n2vafb941d1004101309jadc50ea0qcc166a8a0e00d39e@mail.gmail.com>
Subject: Re: Question about multiple looping setup
From: Raul Bonell <raul.bonell@gmail.com>
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--0016e652e2649fd0a20483e77e72
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with the automated approach, you can even rehearse, time after time, and if
there's enough skills and the pieces are not too difficult, you wouldn't
need the click track, some initial indications could do the t(r)ick.

2010/4/10 Rainer Straschill <moinsound@googlemail.com>

> Siobahn Hotaling schrieb:
>
>  Thanks for the very thoughtful replies - I'm going to see what Mobius ha=
s
>> to offer, then, and go from there - one more question for you guys thoug=
h -
>> we have a vocal percussionist who is the one who seems to set the stage =
for
>> all of our songs rhythmically... would the setup you are describing be m=
ore
>> feasible if we consider always just using his intial beat as the syncing
>> tempo?
>>
> This will reduce the risk of unexpected behaviour by a great deal (you'll
> be the judge whether that's a plus or not...).
>
> However (again sticking with the M=F6bius concept), there's basically two
> ways to do it:
> 1. One loop is recorded before the next loop starts recording (which,
> requires the initial loop to be recorded an then play once before you can
> record the other loops), or
> 2. The recording of the loops on all tracks that "go first" have to be
> controlled from one source (which means they have to be the same length).
>
>
>      Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e652e2649fd0a20483e77e72
Content-Type: text/html; charset=ISO-8859-1
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with the automated approach, you can even rehearse, time after time, and if=
 there&#39;s enough skills and the pieces are not too difficult, you wouldn=
&#39;t need the click track, some initial indications could do the t(r)ick.=
<br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style><br>
<div class=3D"gmail_quote">2010/4/10 Rainer Straschill <span dir=3D"ltr">&l=
t;<a href=3D"mailto:moinsound@googlemail.com">moinsound@googlemail.com</a>&=
gt;</span><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px s=
olid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Siobahn Hotaling schrieb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Thanks for the very thoughtful replies - I&#39;m going to see what Mobius h=
as to offer, then, and go from there - one more question for you guys thoug=
h - we have a vocal percussionist who is the one who seems to set the stage=
 for all of our songs rhythmically... would the setup you are describing be=
 more feasible if we consider always just using his intial beat as the sync=
ing tempo? =A0 =A0<br>

</blockquote></div>
This will reduce the risk of unexpected behaviour by a great deal (you&#39;=
ll be the judge whether that&#39;s a plus or not...).<br>
<br>
However (again sticking with the M=F6bius concept), there&#39;s basically t=
wo ways to do it:<br>
1. One loop is recorded before the next loop starts recording (which, requi=
res the initial loop to be recorded an then play once before you can record=
 the other loops), or<br>
2. The recording of the loops on all tracks that &quot;go first&quot; have =
to be controlled from one source (which means they have to be the same leng=
th).<div><div></div><div class=3D"h5"><br>
<br>
 =A0 =A0 =A0Rainer<br>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<br>I b=E9, despr=E9s estava aquella dona que sense saber que e=
stava il.luminada, exclamava: &quot;O siga, que he pagat per aquesta merda =
de m=E0quina i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sti=
es!, no podien posar-li una agulla , o que pitara, o alguna cosa aix=ED? &q=
uot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e652e2649fd0a20483e77e72--

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Date: Sat, 10 Apr 2010 15:01:28 -0600
Message-ID: <z2n6bf43e221004101401o9d2d5383tadc27fad75c98950@mail.gmail.com>
Subject: Re: Question about multiple looping setup
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Having 4 guys with record buttons into 1 instance of Mobius is going to
cause havoc (focus and record control issues), isn't it?
While Per's first suggestion of LP2's seemed a bit simplistic, I think it's
looking better all the time.
How about giving the percussion guy Mobius and sending sync from there to 3
LP2's. Then practice practice practice.
As everybody gets addicted (and more greedy), they might all move to
separate synced Mobius setups.
k

On Sat, Apr 10, 2010 at 2:09 PM, Raul Bonell <raul.bonell@gmail.com> wrote:

> with the automated approach, you can even rehearse, time after time, and =
if
> there's enough skills and the pieces are not too difficult, you wouldn't
> need the click track, some initial indications could do the t(r)ick.
>
> 2010/4/10 Rainer Straschill <moinsound@googlemail.com>
>
> Siobahn Hotaling schrieb:
>>
>>  Thanks for the very thoughtful replies - I'm going to see what Mobius h=
as
>>> to offer, then, and go from there - one more question for you guys thou=
gh -
>>> we have a vocal percussionist who is the one who seems to set the stage=
 for
>>> all of our songs rhythmically... would the setup you are describing be =
more
>>> feasible if we consider always just using his intial beat as the syncin=
g
>>> tempo?
>>>
>> This will reduce the risk of unexpected behaviour by a great deal (you'l=
l
>> be the judge whether that's a plus or not...).
>>
>> However (again sticking with the M=F6bius concept), there's basically tw=
o
>> ways to do it:
>> 1. One loop is recorded before the next loop starts recording (which,
>> requires the initial loop to be recorded an then play once before you ca=
n
>> record the other loops), or
>> 2. The recording of the loops on all tracks that "go first" have to be
>> controlled from one source (which means they have to be the same length)=
.
>>
>>
>>      Rainer
>>
>> --
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>
>>
>
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lumin=
ada,
> exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta=
 que
> ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li u=
na
> agulla , o que pitara, o alguna cosa aix=ED? "
>
>
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio -Afterthought
www.keithsmith.ca
http://www.plungerecords.com/
http://cdbaby.com/cd/keithsmithtrio

Northern Lights =96 Altai Khangai
The 35th Anniversary Project
http://www.nl4tet.ca/

--001485f897ec2b429a0483e837ae
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Having 4 guys with record buttons into 1 instance of Mobius is going to cau=
se havoc (focus and record control issues), isn&#39;t it?<br>While Per&#39;=
s first suggestion of LP2&#39;s seemed a bit simplistic, I think it&#39;s l=
ooking better all the time.<br>
How about giving the percussion guy Mobius and sending sync from there to 3=
 LP2&#39;s. Then practice practice practice.<br>As everybody gets addicted =
(and more greedy), they might all move to separate synced Mobius setups.<br=
>
k<br><br><div class=3D"gmail_quote">On Sat, Apr 10, 2010 at 2:09 PM, Raul B=
onell <span dir=3D"ltr">&lt;<a href=3D"mailto:raul.bonell@gmail.com">raul.b=
onell@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
with the automated approach, you can even rehearse, time after time, and if=
 there&#39;s enough skills and the pieces are not too difficult, you wouldn=
&#39;t need the click track, some initial indications could do the t(r)ick.=
<br>

<div style=3D"display: inline;"></div><br>
<div class=3D"gmail_quote">2010/4/10 Rainer Straschill <span dir=3D"ltr">&l=
t;<a href=3D"mailto:moinsound@googlemail.com" target=3D"_blank">moinsound@g=
ooglemail.com</a>&gt;</span><div><div></div><div class=3D"h5"><br><blockquo=
te class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204)=
; margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">

Siobahn Hotaling schrieb:<div><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Thanks for the very thoughtful replies - I&#39;m going to see what Mobius h=
as to offer, then, and go from there - one more question for you guys thoug=
h - we have a vocal percussionist who is the one who seems to set the stage=
 for all of our songs rhythmically... would the setup you are describing be=
 more feasible if we consider always just using his intial beat as the sync=
ing tempo? =A0 =A0<br>


</blockquote></div>
This will reduce the risk of unexpected behaviour by a great deal (you&#39;=
ll be the judge whether that&#39;s a plus or not...).<br>
<br>
However (again sticking with the M=F6bius concept), there&#39;s basically t=
wo ways to do it:<br>
1. One loop is recorded before the next loop starts recording (which, requi=
res the initial loop to be recorded an then play once before you can record=
 the other loops), or<br>
2. The recording of the loops on all tracks that &quot;go first&quot; have =
to be controlled from one source (which means they have to be the same leng=
th).<div><div></div><div><br>
<br>
 =A0 =A0 =A0Rainer<br>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</div></div></blockquote></div></div></div><br><br clear=3D"all"><div><div>=
</div><div class=3D"h5"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>I b=E9, despr=
=E9s estava aquella dona que sense saber que estava il.luminada, exclamava:=
 &quot;O siga, que he pagat per aquesta merda de m=E0quina i resulta que ni=
 tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una a=
gulla , o que pitara, o alguna cosa aix=ED? &quot;<br>

<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com" =
target=3D"_blank">http://raulbonell.blogspot.com</a><br>Chain Tape Collecti=
ve: <a href=3D"http://www.ct-collective.com" target=3D"_blank">http://www.c=
t-collective.com</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith=
 -Guitar<br><br>Keith Smith Trio -Afterthought<br><a href=3D"http://www.kei=
thsmith.ca">www.keithsmith.ca</a><br><a href=3D"http://www.plungerecords.co=
m/">http://www.plungerecords.com/</a><br>
<a href=3D"http://cdbaby.com/cd/keithsmithtrio">http://cdbaby.com/cd/keiths=
mithtrio</a><br><br>Northern Lights =96 Altai Khangai<br>The 35th Anniversa=
ry Project<br><a href=3D"http://www.nl4tet.ca/">http://www.nl4tet.ca/</a><b=
r>
<br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--001485f897ec2b429a0483e837ae--

From awuduibrahim52@yahoo.com  Sat Apr 10 21:23:22 2010
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Reply-To: <awuduibrahim52@yahoo.com>
From: "ibrahim"<awuduibrahim52@yahoo.com>
Subject: Dear: good day,
Date: Thu, 8 Apr 2010 22:28:05 -0700
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Dear: good day,

I have register your Bank Draft. but the manager of Africa Bank told me that before the check will get to you that it will expire. So i told him to cash $1.500,000.00 all the necessary arrangement of delivering the $1.500,000.00 in cash was made with United Parcel Service ''UPS''. This is the information they need to delivery your package to you. with ''UPS'', contact them now.
BELOW  IS THE ''UPS''  INFORMATION'S.
NAME: United Parcel Service ''UPS'',
ATTANTION:  PERSON: Mr Peter Morris
POSITION:  FOREIGN DELIVERY DEPARTMENT.
E-MAIL: ( upsaccra2010@live.com )

Please, Send them your contacts information to able them locate you immediately they arrived in your country with your BOX .This is what they need from you.
1.YOUR FULL NAME
2..YOUR HOME ADDRESS.
3.YOUR CURRENT HOME TELEPHONE NUMBER.
4.YOUR CURRENT OFFICE TELEPHONE.
5.A COPY OF YOUR PICTURE
6.COMPANY REGISTRATION NO EG58945
7.CODE NUMBER 0140479

8.I have paid for the delivering charges.. The only money you have to send to them is $99 for their Security keeping of your consignment, I was try to pay for that and they was says no due to security reason.
Note that this is there E-mail contact ( upsaccra2010@live.com )
Please make sure you send this needed infos to the Director general of United Parcel Service ACCRA-GHANA, MR. EDWARD VAN with the address given to you.
Note. The UPS don't know the contents of the Box. I registered it as a Box of an family treasure. They don't know it contents money. this is to avoid anything to happen with the box or delaying. don't let them it contain money OK.
Thanks and Remain Blessed.

Secretary, awudu ibrahim (Esq.) 

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 22:06:57 2010
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	 <4BC0BD66.80909@googlemail.com>
	 <y2v66f9cc1e1004101158xf91cd0f8j528111393f8a53af@mail.gmail.com>
	 <i2lafb941d1004101214w597f8068i945fca7c7389983@mail.gmail.com>
	 <u2u66f9cc1e1004101218z43bc1e03zfa821027fe9fbc71@mail.gmail.com>
	 <FE1E290D-B77F-4A62-A3BD-3442BCFA4619@nxivm.com>
	 <4BC0D713.6070000@googlemail.com>
	 <n2vafb941d1004101309jadc50ea0qcc166a8a0e00d39e@mail.gmail.com>
	 <z2n6bf43e221004101401o9d2d5383tadc27fad75c98950@mail.gmail.com>
Date: Sun, 11 Apr 2010 00:06:56 +0200
Message-ID: <m2p66f9cc1e1004101506gc8589bc2pada545f6f728e46b@mail.gmail.com>
Subject: Re: Question about multiple looping setup
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sat, Apr 10, 2010 at 11:01 PM, Keith Smith <kahsmith@gmail.com> wrote:
> Having 4 guys with record buttons into 1 instance of Mobius is going to
> cause havoc (focus and record control issues), isn't it?

No. On the contrary the fact that it is one instance makes the sync
rock solid. That is because there is no external sync with a master or
slave sync relation, only track sync within Mobius. If comparing to
old hardware boxes the Electrixpro Repeater would be a good example,
IF it should allow its four tracks for direct control that is.

> While Per's first suggestion of LP2's seemed a bit simplistic, I think it's
> looking better all the time.

There is still no official specification published for the LP2, so it
is hard to say how the boxes behave as sync slaves.

> How about giving the percussion guy Mobius and sending sync from there to 3
> LP2's. Then practice practice practice.
> As everybody gets addicted (and more greedy), they might all move to
> separate synced Mobius setups.

Technically that is a bad solutions, because it includes external sync
and that is always problematic since it forces units have to play
"ooops got to catch up - oops got to slow down" all the time. But it
could work, we will have to wait and see. I have been trio looping
with EDPs that were synced with the Brother Sync system and that
worked very well for three musicians. However that EDP Brother Sync is
closer to the One Mobius Instance solution.

I'm also eagerly waiting for word on the LP2 spec's since I'm thinking
about using two synced LP2's for the Stick that has two outputs. But
that would only work if they can hook up well in sync and best if they
do it the Brother Sync way where you don't have to define a master or
a slave in advance. Like if any of the LP2's that is being recorded
into starts sending out a sync signal that causes the other LP2's to
automatically take on the sync role and wait for a beat before
implementing a given record command. I think I read the LP2 is
scheduled for june?

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 22:36:37 2010
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Date: Sat, 10 Apr 2010 16:36:34 -0600
Message-ID: <z2r6bf43e221004101536h740d155cnaaad9f172871d015@mail.gmail.com>
Subject: Re: Question about multiple looping setup
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016361e83e650c4270483e98bd6
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Thanks Per -I knew I was in over my head, but the project sounds really
interesting.
I'm still not clear how one would achieve track-independent (and potentiall=
y
overlapping) rec/odub control of Mobius.
I'm guessing it can be done with scripting, but the method eludes me at thi=
s
point.
Cheers,
k

On Sat, Apr 10, 2010 at 4:06 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sat, Apr 10, 2010 at 11:01 PM, Keith Smith <kahsmith@gmail.com> wrote:
> > Having 4 guys with record buttons into 1 instance of Mobius is going to
> > cause havoc (focus and record control issues), isn't it?
>
> No. On the contrary the fact that it is one instance makes the sync
> rock solid. That is because there is no external sync with a master or
> slave sync relation, only track sync within Mobius. If comparing to
> old hardware boxes the Electrixpro Repeater would be a good example,
> IF it should allow its four tracks for direct control that is.
>
> > While Per's first suggestion of LP2's seemed a bit simplistic, I think
> it's
> > looking better all the time.
>
> There is still no official specification published for the LP2, so it
> is hard to say how the boxes behave as sync slaves.
>
> > How about giving the percussion guy Mobius and sending sync from there =
to
> 3
> > LP2's. Then practice practice practice.
> > As everybody gets addicted (and more greedy), they might all move to
> > separate synced Mobius setups.
>
> Technically that is a bad solutions, because it includes external sync
> and that is always problematic since it forces units have to play
> "ooops got to catch up - oops got to slow down" all the time. But it
> could work, we will have to wait and see. I have been trio looping
> with EDPs that were synced with the Brother Sync system and that
> worked very well for three musicians. However that EDP Brother Sync is
> closer to the One Mobius Instance solution.
>
> I'm also eagerly waiting for word on the LP2 spec's since I'm thinking
> about using two synced LP2's for the Stick that has two outputs. But
> that would only work if they can hook up well in sync and best if they
> do it the Brother Sync way where you don't have to define a master or
> a slave in advance. Like if any of the LP2's that is being recorded
> into starts sending out a sync signal that causes the other LP2's to
> automatically take on the sync role and wait for a beat before
> implementing a given record command. I think I read the LP2 is
> scheduled for june?
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio -Afterthought
www.keithsmith.ca
http://www.plungerecords.com/
http://cdbaby.com/cd/keithsmithtrio

Northern Lights =96 Altai Khangai
The 35th Anniversary Project
http://www.nl4tet.ca/

--0016361e83e650c4270483e98bd6
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Thanks Per -I knew I was in over my head, but the project sounds really int=
eresting.<br>I&#39;m still not clear how one would achieve track-independen=
t (and potentially overlapping) rec/odub control of Mobius.=A0 <br>I&#39;m =
guessing it can be done with scripting, but the method eludes me at this po=
int.<br>
Cheers,<br>k<br><br><div class=3D"gmail_quote">On Sat, Apr 10, 2010 at 4:06=
 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com=
">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_q=
uote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 2=
04, 204); padding-left: 1ex;">
<div class=3D"im">On Sat, Apr 10, 2010 at 11:01 PM, Keith Smith &lt;<a href=
=3D"mailto:kahsmith@gmail.com">kahsmith@gmail.com</a>&gt; wrote:<br>
&gt; Having 4 guys with record buttons into 1 instance of Mobius is going t=
o<br>
&gt; cause havoc (focus and record control issues), isn&#39;t it?<br>
<br>
</div>No. On the contrary the fact that it is one instance makes the sync<b=
r>
rock solid. That is because there is no external sync with a master or<br>
slave sync relation, only track sync within Mobius. If comparing to<br>
old hardware boxes the Electrixpro Repeater would be a good example,<br>
IF it should allow its four tracks for direct control that is.<br>
<div class=3D"im"><br>
&gt; While Per&#39;s first suggestion of LP2&#39;s seemed a bit simplistic,=
 I think it&#39;s<br>
&gt; looking better all the time.<br>
<br>
</div>There is still no official specification published for the LP2, so it=
<br>
is hard to say how the boxes behave as sync slaves.<br>
<div class=3D"im"><br>
&gt; How about giving the percussion guy Mobius and sending sync from there=
 to 3<br>
&gt; LP2&#39;s. Then practice practice practice.<br>
&gt; As everybody gets addicted (and more greedy), they might all move to<b=
r>
&gt; separate synced Mobius setups.<br>
<br>
</div>Technically that is a bad solutions, because it includes external syn=
c<br>
and that is always problematic since it forces units have to play<br>
&quot;ooops got to catch up - oops got to slow down&quot; all the time. But=
 it<br>
could work, we will have to wait and see. I have been trio looping<br>
with EDPs that were synced with the Brother Sync system and that<br>
worked very well for three musicians. However that EDP Brother Sync is<br>
closer to the One Mobius Instance solution.<br>
<br>
I&#39;m also eagerly waiting for word on the LP2 spec&#39;s since I&#39;m t=
hinking<br>
about using two synced LP2&#39;s for the Stick that has two outputs. But<br=
>
that would only work if they can hook up well in sync and best if they<br>
do it the Brother Sync way where you don&#39;t have to define a master or<b=
r>
a slave in advance. Like if any of the LP2&#39;s that is being recorded<br>
into starts sending out a sync signal that causes the other LP2&#39;s to<br=
>
automatically take on the sync role and wait for a beat before<br>
implementing a given record command. I think I read the LP2 is<br>
scheduled for june?<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith=
 -Guitar<br><br>Keith Smith Trio -Afterthought<br><a href=3D"http://www.kei=
thsmith.ca">www.keithsmith.ca</a><br><a href=3D"http://www.plungerecords.co=
m/">http://www.plungerecords.com/</a><br>
<a href=3D"http://cdbaby.com/cd/keithsmithtrio">http://cdbaby.com/cd/keiths=
mithtrio</a><br><br>Northern Lights =96 Altai Khangai<br>The 35th Anniversa=
ry Project<br><a href=3D"http://www.nl4tet.ca/">http://www.nl4tet.ca/</a><b=
r>
<br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
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--0016361e83e650c4270483e98bd6--

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Date: Sun, 11 Apr 2010 00:46:24 +0200
Message-ID: <r2z66f9cc1e1004101546tc309b125y648205015b2b0ba2@mail.gmail.com>
Subject: Re: Question about multiple looping setup
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Apr 11, 2010 at 12:36 AM, Keith Smith <kahsmith@gmail.com> wrote:
> I'm still not clear how one would achieve track-independent (and potentially
> overlapping) rec/odub control of Mobius.
> I'm guessing it can be done with scripting, but the method eludes me at this
> point.

No need for scripting there. Simply open the MIDI assignment window,
select a command (for example "Record" or "Overdub"), chose a specific
track, activate "MIDI Capture" and send in the MIDI event you want to
control that shebang.

You will also have to go into the Track Setup window and set different
physical inputs for the four Mobius tracks to be used.

But there are certain things that makes sense to set up scripts for.
That is if the individual musicians are going to change the quantizing
resolution during the performance. Maybe a bit overkill, but I'm just
mentioning it in case.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 22:53:39 2010
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Message-ID: <4BC10171.4090402@googlemail.com>
Date: Sun, 11 Apr 2010 00:53:37 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Looping fun with piano sounds
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I had so much fun looping acoustic piano sounds today at the MoinSound 
Studio sessions that I want to share the recording with you:
http://www.ustream.tv/recorded/6095026

Setup:
The Grand 3 (Steinway D) in Live6, effects mainly Live Reverb, Eclipse 
and a little bit of FireworX.
Looping:
Möbius. At times, up to six tracks of it. But nothing fancy otherwise, 
with the exception of some very short susrec commands in the second tune.

Noteworthy also: There are three interpretations on the #twitterchords 
progression (a project by our own Matt Stevens), two of them based on a 
composition by Matthew C. Erion.

Enjoy!

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Apr 10 23:17:54 2010
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Date: Sat, 10 Apr 2010 17:17:50 -0600
Message-ID: <s2u6bf43e221004101617nb785e4au7377034ba73a6dac@mail.gmail.com>
Subject: Re: Question about multiple looping setup
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f922c0dfc7a30483ea1efe
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Argh! Got me again! There is always some corner of that prog I haven't
checked out enough.
k

On Sat, Apr 10, 2010 at 4:46 PM, Per Boysen <perboysen@gmail.com> wrote:

> On Sun, Apr 11, 2010 at 12:36 AM, Keith Smith <kahsmith@gmail.com> wrote:
> > I'm still not clear how one would achieve track-independent (and
> potentially
> > overlapping) rec/odub control of Mobius.
> > I'm guessing it can be done with scripting, but the method eludes me at
> this
> > point.
>
> No need for scripting there. Simply open the MIDI assignment window,
> select a command (for example "Record" or "Overdub"), chose a specific
> track, activate "MIDI Capture" and send in the MIDI event you want to
> control that shebang.
>
> You will also have to go into the Track Setup window and set different
> physical inputs for the four Mobius tracks to be used.
>
> But there are certain things that makes sense to set up scripts for.
> That is if the individual musicians are going to change the quantizing
> resolution during the performance. Maybe a bit overkill, but I'm just
> mentioning it in case.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio -Afterthought
www.keithsmith.ca
http://www.plungerecords.com/
http://cdbaby.com/cd/keithsmithtrio

Northern Lights =96 Altai Khangai
The 35th Anniversary Project
http://www.nl4tet.ca/

--001485f922c0dfc7a30483ea1efe
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Argh! Got me again! There is always some corner of that prog I haven&#39;t =
checked out enough.<br>k<br><br><div class=3D"gmail_quote">On Sat, Apr 10, =
2010 at 4:46 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboys=
en@gmail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Sun, Apr 11, 2010 at 12:36 AM, Keith Smith &lt;<a href=3D"mailto:kahsmi=
th@gmail.com">kahsmith@gmail.com</a>&gt; wrote:<br>

&gt; I&#39;m still not clear how one would achieve track-independent (and p=
otentially<br>
&gt; overlapping) rec/odub control of Mobius.<br>
&gt; I&#39;m guessing it can be done with scripting, but the method eludes =
me at this<br>
&gt; point.<br>
<br>
</div>No need for scripting there. Simply open the MIDI assignment window,<=
br>
select a command (for example &quot;Record&quot; or &quot;Overdub&quot;), c=
hose a specific<br>
track, activate &quot;MIDI Capture&quot; and send in the MIDI event you wan=
t to<br>
control that shebang.<br>
<br>
You will also have to go into the Track Setup window and set different<br>
physical inputs for the four Mobius tracks to be used.<br>
<br>
But there are certain things that makes sense to set up scripts for.<br>
That is if the individual musicians are going to change the quantizing<br>
resolution during the performance. Maybe a bit overkill, but I&#39;m just<b=
r>
mentioning it in case.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith=
 -Guitar<br><br>Keith Smith Trio -Afterthought<br><a href=3D"http://www.kei=
thsmith.ca">www.keithsmith.ca</a><br><a href=3D"http://www.plungerecords.co=
m/">http://www.plungerecords.com/</a><br>
<a href=3D"http://cdbaby.com/cd/keithsmithtrio">http://cdbaby.com/cd/keiths=
mithtrio</a><br><br>Northern Lights =96 Altai Khangai<br>The 35th Anniversa=
ry Project<br><a href=3D"http://www.nl4tet.ca/">http://www.nl4tet.ca/</a><b=
r>
<br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--001485f922c0dfc7a30483ea1efe--

From inform@royaldenimbd.com  Sat Apr 10 23:44:27 2010
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Attention Beneficiary,


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concerning the amount of US$900,000.00{nine Hundred Thousand United States
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Thanks for the nice words people, and yes, he's from Switzerland and =
speaks German natively! He really has a funny accent in french, but the =
people seem to like that!

Cool that you saw him when he started in the eighties, Florian. He even =
had a hit before that in Germany with his brother. They were called =
Grauzone and had a hit called "Eisbaer"..

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

On 09 04 2010, at 12:35 PM, Florian Anwander wrote:

> Hi Per
>=20
>> And the singer is such a phenomenon in Frenchness, not only singing =
in
>> French but also looking ultimately French!
> Where the singer is a Swiss (from german speaking part) and he sings =
with lot of accent ;-)
>=20
> Nevertheless I really like Stephans Music since his early solo albums =
in the eighties (I saw him soloing with a TB303 TR606 JP8 and a Fender =
Strat in 19844 in the Domicile Club in Munich).
>=20
> Florian
>=20
>=20

From efccfinancialunit2010@w.cn  Sun Apr 11 01:31:24 2010
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From: "MRS.FARIDA MZAMBER WAZIRI (AIG RTD.)"<efccfinancialunit2010@w.cn>
Subject: Attention : Sir/Madam, 
Date: Wed, 7 Apr 2010 05:34:44 -0700
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MRS.FARIDA MZAMBER WAZIRI (AIG RTD.)
NIGERIA FINANCIAL INTELLIGENCE UNIT
FEDERAL REPUBLIC OF NIGERIA
FEDERAL SECRETARIAT COMPLEX, GARKI ABUJA. 
TRANSFER FRAUD ALERT/ ATTEMPTED DIVERSION OF FUNDS. 
 
Attention : Sir/Madam, 
 
Permit me the pleasure of introducing my self as MRS.FARIDA MZAMBER WAZIRI. I am the newly Elected Director of the Nigeria Financial Intelligence Unit (NFIU). I am writing you in respect to the transfer of funds you have been expecting from Nigeria. 
 
The Federal Government of Nigeria through the Presidency Umaru Musa Yar'Adua, has mandated the Nigeria Financial Intelligence Unit to compensate all foreigners who in one way or the other has beenretrieve of there hard earn money through illegal transaction. 
The purpose for this is to regain the lost glory ofour great country and to also show the entire world that this government is highly ready to fight corruption in every sector in Nigeria be it in the banking, oil and communication sector in the last 3year's Nigeria has the worst name in corruption inthe world, where we were rated in the world as one ofthe most corrupted nation in the world and it is nevera good name to us.
Due to the effort, sincerity, courage and trustworthiness people like you and the entire world has showed in helping Nigeria to fight corruption unlike Microsoft who just signed a contract with the
Nigeria Government through the Economic and Financial Crimes Commission. 
 
(EFCC) an organization that was formed by this same government to fight corruption in all sector's in the country, including the FBI, INTERPOL, BRITISH GOVERNMENT and the whole world that has been helping us in arresting those that has been involved in advance fee fraud locally and international. 
 
Following the recent bills passed by the house ofassembly and presidency, we have been cross checkingall financial transaction in all financial institutions in the country and it has come to ournotice that your payment has been withheld. But besure of the fact that we are the monitoring unit onall financial matters in the presidency, central bankof Nigeria, and all commercial banks here in Nigeria. 
 
This office wishes to inform you that your payment has been re-directed according to the financial law andpower vested on us by the presidency to the appointedpaying bank (CITITRUST FINANCE BANK) to all debts owned bythis great nation, as the funds mapped (USD1 BILLION)out in the recent budget by the president of thecountry, ALHAJI UMORU MUSA YAR ADUA, has been deposited with A FINANCE BANK). 
 
We have your payment file presently with us, based onthis you are advised to stop any correspondence withany office regarding your payment as they can not payyou, as your funds has moved out from their reach.failure to comply, do not hold us responsible for anymistake.for your funds to be paid to you, you are urgently advised under 48hours to contact this officewith the under mentioned information forreconfirmation of the your details we are having at hand so that we may know that we are dealing with the rightful person for compenstion. 
 
1) YOUR NAME IN FULL
2) YOUR FULL POSTAL ADDRESS AND NAME OF WHERE YOU ARE
WORKING
3) PRIVATE TELEPHONE NUMBER 
4) YOUR RECEIVING BANK INFORMATION 
5) A SCAN COPY OF YOUR IDENTIFICATION CARD (eg.
INTERNATIONAL PASSPORT/DRIVERS LICENCE)
6) YOUR EXPECTED AMOUNT TO BE PAID. 
 
Although we have all this information with us, but wewant to be sure that you are the sole beneficiary ofthe said funds. Your urgent compliance under 48hourswill enable this office add your name to the paymentschedule to be paid in this quarter by the CENTRAL BANK OF NIGERIA (CBN). Note that your payment will not exceed 7banking days from the date of the receipt ofthe above information, as long as you have fulfilledall obligations.
 
Thanks for your understanding and we are deeply sorry for the inconveniences this has caused you all this while. Call this office on telephone number +234-8081270196, for oral and important discussionto your payment. 
 
On the receipt of the above information from you, wecan then send you your bank draft of the said amount for compensation as a victim of scams. 
 
YOUR CO-OPERATION WOULD BE HIGHLY APPRECIATED IN THESE
REGARDS. 
 
BEST REGARDS
MRS.FARIDA MZAMBER WAZIRI (AIG RTD.)
FROM: THE SECRETARY NIGERIA FINANCIAL INTELLIGENCE
UNIT. 

From Loopers-Delight-request@loopers-delight.com  Sun Apr 11 05:45:27 2010
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Date: Sun, 11 Apr 2010 01:45:23 -0400
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Subject: DIGITSIGNAL Live Video Webcast Today at 12noon EST
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: jimgoodinmusic@gmail.com
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--005045016b59e15c500483ef8810
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Good Sunday to all...

The amazing Internet quintet
*Digitsignal*<http://www.myspace.com/digitsignal>will reconvene today
at 12noon EST for another live video webcast.  From 3
countries and 2 continents we are live in improvisational musical
performance and if all goes techno positive we are all on camera today for
the first time.

We are Peter Th=F6rn (Sweden), Steve Moyes (England), Jeff Duke (USA/Florid=
a),
Ray Istorico (USA/Florida) and myself here in NY.

Catch us today (April 11) at 12noon EST
http://www.livestream.com/digitsignallive.

Broadcast times around the world - 9am PST, 10am MST, 11am CST, *12pm EST*,
5pm UK, 6pm western Europe, 1am Japan.  For more specific times visit
http://www.timeanddate.com/worldclock/converter.html.

News about 3 really great CD and online releases one being a special benefi=
t
record for JDRF, coming soon.

Best


Jim


=3D=3D=3D=3D
*Blog and general goings on - www.jimgoodinmusic.com
Buy my music online - jimgoodin.bandcamp.com
Jim Goodin Live Video Webcast channel - www.livestream.com/jimgoodinlive
My first online duo project, from online to in person, Chinapainting -
www.chinapaintingmusic.com
A great virtual quintet, Digitsignal, catch us live at -
www.livestream.com/digitsignallive

*

--005045016b59e15c500483ef8810
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Good Sunday to all...<br><br>The amazing Internet quintet <a href=3D"http:/=
/www.myspace.com/digitsignal"><b>Digitsignal</b></a> will reconvene today a=
t 12noon EST for another live video webcast.=A0 From 3 countries and 2 cont=
inents we are live in improvisational musical performance and if all goes t=
echno positive we are all on camera today for the first time.<br>

<br>We are Peter Th=F6rn (Sweden), Steve Moyes (England), Jeff Duke (USA/Fl=
orida), Ray Istorico (USA/Florida) and myself here in NY.<br><br>Catch us t=
oday (April 11) at 12noon EST <a href=3D"http://www.livestream.com/digitsig=
nallive" target=3D"_blank">http://www.livestream.com/digitsignallive</a>.<b=
r>

<br>Broadcast times around the world - 9am PST, 10am MST, 11am CST, <b>12pm=
 EST</b>, 5pm UK, 6pm western Europe, 1am Japan.=A0 For more specific times=
 visit <a href=3D"http://www.timeanddate.com/worldclock/converter.html" tar=
get=3D"_blank">http://www.timeanddate.com/worldclock/converter.html</a>.<br=
>

<br>News about 3 really great CD and online releases one being a special be=
nefit record for JDRF, coming soon.<br><br>Best<br><br><br>Jim<br><br><br>=
=3D=3D=3D=3D<br><i>Blog and general goings on - <a href=3D"http://www.jimgo=
odinmusic.com" target=3D"_blank">www.jimgoodinmusic.com</a><br>

Buy my music online - <a href=3D"http://jimgoodin.bandcamp.com" target=3D"_=
blank">jimgoodin.bandcamp.com</a><br>Jim Goodin Live Video Webcast channel =
- <a href=3D"http://www.livestream.com/jimgoodinlive" target=3D"_blank">www=
.livestream.com/jimgoodinlive</a><br>

My first online duo project, from online to in person, Chinapainting - <a h=
ref=3D"http://www.chinapaintingmusic.com" target=3D"_blank">www.chinapainti=
ngmusic.com</a><br>A great virtual quintet, Digitsignal, catch us live at -=
 <a href=3D"http://www.livestream.com/digitsignallive" target=3D"_blank">ww=
w.livestream.com/digitsignallive</a><br>

=A0<br></i><br>

--005045016b59e15c500483ef8810--

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	 <00ba01cad792$379af660$925d0418@vulcan>
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	 <4BBF02FC.7090404@mnet-online.de>
	 <7B6E9C3E-B4ED-43AE-8723-7757E29C0ABF@reyn.net>
Date: Sat, 10 Apr 2010 22:49:06 -0700
Message-ID: <o2z588ce11d1004102249jccc9c5far20efa06f98598f9d@mail.gmail.com>
Subject: Re: Combien de Temps video..
From: Art Simon <simart@gmail.com>
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Hey Reyn,

I've been watching that video over and over. It's really good, certainly the
best looping video I've seen this year, maybe ever. I looked at youtube for
the original version of "Combien de Temps" from the 80s and I was surprised
how lame it was. You guys did a great job with that 80s synth-pop tune
reworking it into such a powerhouse guitar and drum piece. I think it stands
up to best of punk-pop like Mission of Burma, really just an awesome
performance. Bravo!

I'm thinking I need to start moving my instruments around the stage so I
have to run from one to the other! You guys make it look so fun! And I've
got to say, Stephan really rocks, I'd never guess he was 50.
-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

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Hey Reyn,<br><br>I&#39;ve been watching that video over and over. It&#39;s =
really good, certainly the best looping video I&#39;ve seen this year, mayb=
e ever. I looked at youtube for the original version of &quot;Combien de Te=
mps&quot; from the 80s and I was surprised how lame it was. You guys did a =
great job with that 80s synth-pop tune reworking it into such a powerhouse =
guitar and drum piece. I think it stands up to best of punk-pop like Missio=
n of Burma, really just an awesome performance. Bravo!<br>
<br>I&#39;m thinking I need to start moving my instruments around the stage=
 so I have to run from one to the other! You guys make it look so fun! And =
I&#39;ve got to say, Stephan really rocks, I&#39;d never guess he was 50.<b=
r>
-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com">simart@gmail.com</a=
><br>myspace [dot] com/artsimon<br>

--0016364ee28a22a7750483ef96ca--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Looping fun with piano sounds
Date: Sun, 11 Apr 2010 13:43:27 +0100
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Lovley work Rainer

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 10 Apr 2010, at 23:53, Rainer Straschill wrote:

> I had so much fun looping acoustic piano sounds today at the =20
> MoinSound Studio sessions that I want to share the recording with you:
> http://www.ustream.tv/recorded/6095026
>
> Setup:
> The Grand 3 (Steinway D) in Live6, effects mainly Live Reverb, =20
> Eclipse and a little bit of FireworX.
> Looping:
> M=F6bius. At times, up to six tracks of it. But nothing fancy =20
> otherwise, with the exception of some very short susrec commands in =20=

> the second tune.
>
> Noteworthy also: There are three interpretations on the =20
> #twitterchords progression (a project by our own Matt Stevens), two =20=

> of them based on a composition by Matthew C. Erion.
>
> Enjoy!
>
>             Rainer
>
> --=20
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Lovley work Rainer<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 10 Apr 2010, =
at 23:53, Rainer Straschill wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">I had so much fun looping acoustic piano sounds =
today at the MoinSound Studio sessions that I want to share the =
recording with you:</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://www.ustream.tv/recorded/6095026">http://www.ustream.tv/reco=
rded/6095026</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Setup:</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">The Grand 3 =
(Steinway D) in Live6, effects mainly Live Reverb, Eclipse and a little =
bit of FireworX.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Looping:</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">M=F6bius. At times, up to six tracks of it. But =
nothing fancy otherwise, with the exception of some very short susrec =
commands in the second tune.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Noteworthy also: There are three =
interpretations on the #twitterchords progression (a project by our own =
Matt Stevens), two of them based on a composition by Matthew C. =
Erion.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Enjoy!</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><span =
class=3D"Apple-converted-space">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; </span>Rainer</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://moinlabs.de">http://moinlabs.de</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Follow me on twitter: <a =
href=3D"http://twitter.com/moinlabs">http://twitter.com/moinlabs</a></div>=
<div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-8-624831830--

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 11 17:09:11 2010
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Subject: Re: Question about multiple looping setup
Date: Sun, 11 Apr 2010 10:09:03 -0700
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Rick and I have had good luck syncing multiple LP-1's together as long  
as one follows some general parameters. The most important being if  
you intend to switch from one person to the other, as far as who is  
initiating the clock, both musicians need to have a preset available  
for sync record/overdub for acting as the master, and midi sync record/ 
overdub for acting as slave.  Also both musicians need a way to merge  
midi signals, obviously more musicians might necessitate a midi patch  
bay, I shudder at the thought,  but a simple midi merge box or a midi  
pedal or controller  that can merge, like the little giant or FCB1010,  
can get at least  3-4 musicians in sync using.  Also once a piece has  
ended its important to erase all loops to clear the clock so that ,  
whoever starts the next clock doesn't have residual clock info coming  
from another source. Is very easy to get  the LP-1 to sync with  
stability. I've also had good luck syncing an LP-1 to an EDP though  
its been a while and I don't remember  what worked better, LP-1 as  
master or EDP as master.  I'm just as clueless right now about the  
LP-2's sync capabilities, but I would assume from how the LP-1 works  
that it will be equally seamless.
Bill

From Loopers-Delight-request@loopers-delight.com  Sun Apr 11 17:38:22 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Live looping track
Date: Sun, 11 Apr 2010 18:38:12 +0100
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--Apple-Mail-1-642516089
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Hey guys

Just wanted to tell you about this - its a live version of one of my  
songs all live looped - its part of the Sunday Free Noodle project  
that a few of the LD guys have contributed to http:// 
mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html  -  
have a listen!

The equipment used was a line 6 DL4 and a cheapo volume pedal - as  
basic as it gets really.

Let me know what you think

Cool


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
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Hey guys<div><br></div><div>Just wanted to tell you about this - its a =
live version of one of my songs all live looped - its part of the Sunday =
Free Noodle project that a few of the LD guys have contributed =
to&nbsp;<a =
href=3D"http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-1=
0.html">http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-1=
0.html</a> &nbsp;- have a listen!</div><div><br></div><div>The equipment =
used was a line 6 DL4 and a cheapo volume pedal - as basic as it gets =
really.</div><div><br></div><div>Let me know what you =
think</div><div><br></div><div>Cool</div><div><br><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
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0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br></div></body></html>=

--Apple-Mail-1-642516089--

From aka_bea@soxfaxco.info  Sun Apr 11 18:16:52 2010
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Subject: From: Bea Aka
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>From Bea & Prince Aka.
My dear

Without doubt, I know that this message was a surprise for you, but that's
the reason for your urgent assistance. I'm Aka Miss Bea, the daughter of
former CFO of Sierra Leone Diamond Corporation, Mr.
Marcus Aka, who was assassinated by rebel forces loyal to Sankoh  Forday
during the heyday of the civil war in our country Sierra Leone.

Before my father died, he gave our mother a certificate of deposit  for a
secret deposit the sum of U.S. $ 15,000,000.00 million. My  mother, who
later died of hypertension six months after the death of my father on his
sick bed told me to collect the documents and  submit to the finance
company, if she ends up dying and ensure I  source of  confidence and a
reliable foreign partner to help us  recover the money from the financial
firm of his country on board  after me and my younger brother (Prince)
will join the person for  the investment of money in good for our business
and continue our education.

That was the intention of my father before his death. and I  submitted the
documents to the financial company and they are  waiting for the foreign
partner of our contact information at the  end of the father of
details, it is also in accordance with the  agreement of my late father
entered the firm Financial when
depositing the money will be transferred to the recipient countries, which
disclose any names at the financial firm. For this reason, you  are
prompted to provide your complete contact information which we will
submit to the finance company to transfer money. You will also warn  of
money pending when me and my younger brother to join you for  investment
and to continue our studies.

You have 10% of the total amount and also 40% share of the business  will
be yours. Please do not expose this transaction as it is a lot  of bad
things happening in the world now. We trust and hope that you
will not have the seat of the money when it transferred to your country
before you get in your country.

God bless you for helping us.
Best regards.
Bea & Prince Aka.

From Loopers-Delight-request@loopers-delight.com  Sun Apr 11 18:25:18 2010
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: EDP footpedal - difference between Obie and Gibson?
Date: Sun, 11 Apr 2010 20:25:11 +0200
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I still have trouble sometimes with my miniaturized Obie EDP  
footpedal controlling a recent blackface Gibson EDP. The original  
black EDP footpedal works better but I am so used to the smaller  
footprint of the older one I try to hold on to it.

So: is there technically a difference between the two? I know there  
is not much in these at all and of course I replace the little red  
buttons on a regular basis. The only difference I could spot was that  
the Gibson uses a plastic output jack (isolated from the metal box)  
while the Obie had a metal jack and therefore a ground contact to the  
box. Could this make a difference in performance?

I already replaced the jack in the Obie, but since the voodoo crops  
up irregularily I thought I'll ask anyway - hope you don't mind....

Best, Andreas

From asiaprom@aim.com  Sun Apr 11 19:22:39 2010
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FROM: THE DIRECTOR
E-LOTTERY ASIA.
REF:EL3/9318/04
BATCH:8/163/EL.
Attn:Dear Sir/Madam

We are pleased to inform you of the result of the
Lottery Winners International programs held on the
01/04/2010. Your e-mail address attached to ticket
Number :EL-23133 with serial number: EL-123542,batch
Number: EL-35, lottery ref number: EL-9318 and drew
Lucky numbers 7-1-8-36-4-22 which consequently won in
The 1st category, you have therefore been approved for
a lump sum pay out of US$1,500,000.00 (One Million,
Five Hundred Thousand United States dollars)

CONGRATULATIONS!!!

Due to mix up of some numbers and names, we ask that
You keep your winning information confidential until
Your claims has been processed and your money Remitted
To you. This is part of our security protocol to avoid
Double claiming and unwarranted abuse of this program
By some participants. All participants were selected
Through a computer ballot system drawn from over
40,000 companies and 20,000,000 individual emails
Addresses and names from all over the world.
This promotional program takes place every year. This
This Lottery was promoted and sponsored by a group of
Successful electronic dealers. To file for your claim,
Please contact our paying officer.

Mr.Khoo Young (Lottery Director)
E-Lottery Company Asia
29B, Subang Jaya, Kualar Lumpur,
Malaysia
TEL: +60 103706401
Email: asiaipad@aim.com

Remember, all winning must be claimed not later than
two weeks after first notification.
Please note in order to avoid unnecessary delays and
Complications please remember to quote your reference
Number and batch numbers in all correspondence.
Congratulations once more from our members of staff
And thank you for being part of our promotional
Program.

Yours Sincerely,
Mrs. MAHDIYAH UMNIYAH
For Management.

--------------------------------
SERVICIO DE CORREO ELECTRONICO
UNIVERSIDAD NACIONAL DE COLOMBIA
SEDE PALMIRA
--------------------------------

From Loopers-Delight-request@loopers-delight.com  Sun Apr 11 19:37:50 2010
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Date: Mon, 12 Apr 2010 03:37:36 +0800
Message-ID: <x2obe6db5df1004111237hc7ed9bf4t1628a9f100c8c17d@mail.gmail.com>
Subject: Re: Live looping track
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
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That is super cool. Really enjoyed it.

Halimski.

On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Hey guys
>
> Just wanted to tell you about this - its a live version of one of my songs
> all live looped - its part of the Sunday Free Noodle project that a few of
> the LD guys have contributed to
> http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html - have a listen!
>
> The equipment used was a line 6 DL4 and a cheapo volume pedal - as basic as
> it gets really.
>
> Let me know what you think
>
> Cool
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>

--001485ebea381ffec80483fb293b
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<div>That is super cool. Really enjoyed it.<br></div><div><br></div><div>Ha=
limski.</div><br><div class=3D"gmail_quote">On Mon, Apr 12, 2010 at 1:38 AM=
, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@bt=
internet.com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
Hey guys<div><br></div><div>Just wanted to tell you about this - its a live=
 version of one of my songs all live looped - its part of the Sunday Free N=
oodle project that a few of the LD guys have contributed to=A0<a href=3D"ht=
tp://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html" tar=
get=3D"_blank">http://mattstevensguitar.blogspot.com/2010/04/sunday-free-no=
odle-10.html</a> =A0- have a listen!</div>
<div><br></div><div>The equipment used was a line 6 DL4 and a cheapo volume=
 pedal - as basic as it gets really.</div><div><br></div><div>Let me know w=
hat you think</div><div><br></div><div>Cool</div><div><br><font color=3D"#8=
88888"><br>
<div> <span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-famil=
y:Helvetica;font-size:12px;font-style:normal;font-variant:normal;font-weigh=
t:normal;letter-spacing:normal;line-height:normal;text-align:auto;text-inde=
nt:0px;text-transform:none;white-space:normal;word-spacing:0px"><span style=
=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-=
size:12px;font-style:normal;font-variant:normal;font-weight:normal;letter-s=
pacing:normal;line-height:normal;text-indent:0px;text-transform:none;white-=
space:normal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></font></div></div></blockq=
uote></div><br>

--001485ebea381ffec80483fb293b--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Live looping track
Date: Sun, 11 Apr 2010 21:18:12 +0100
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Thanks Halimski - I'm going to have to fire up my EDP soon!!


Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 11 Apr 2010, at 20:37, halim zainal wrote:

> That is super cool. Really enjoyed it.
>
> Halimski.
>
> On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Hey guys
>
> Just wanted to tell you about this - its a live version of one of  
> my songs all live looped - its part of the Sunday Free Noodle  
> project that a few of the LD guys have contributed to http:// 
> mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html   
> - have a listen!
>
> The equipment used was a line 6 DL4 and a cheapo volume pedal - as  
> basic as it gets really.
>
> Let me know what you think
>
> Cool
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>


--Apple-Mail-2-652116173
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	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Thanks Halimski - I'm going to have to fire up my EDP =
soon!!<div><br></div><div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 11 Apr 2010, =
at 20:37, halim zainal wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>That =
is super cool. Really enjoyed =
it.<br></div><div><br></div><div>Halimski.</div><br><div =
class=3D"gmail_quote">On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens =
<span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"> Hey =
guys<div><br></div><div>Just wanted to tell you about this - its a live =
version of one of my songs all live looped - its part of the Sunday Free =
Noodle project that a few of the LD guys have contributed to&nbsp;<a =
href=3D"http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-1=
0.html" =
target=3D"_blank">http://mattstevensguitar.blogspot.com/2010/04/sunday-fre=
e-noodle-10.html</a> &nbsp;- have a listen!</div> =
<div><br></div><div>The equipment used was a line 6 DL4 and a cheapo =
volume pedal - as basic as it gets really.</div><div><br></div><div>Let =
me know what you think</div><div><br></div><div>Cool</div><div><br><font =
color=3D"#888888"><br> <div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> =
</div><br></font></div></div></blockquote></div><br></blockquote></div><br=
></div></body></html>=

--Apple-Mail-2-652116173--

From work102@virgilio.it  Sun Apr 11 21:04:57 2010
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From: "Archie Kane"<work102@virgilio.it>
To: work102@virgilio.it
Subject: Greetings From London
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Greetings,
 

Following the announcement by the Chancellor of the Exchequer,that all funds in accounts that have been dormant for over 15years be transferred to the Treasury i send this mail to you.
 
I discovered a dormant account in my office, as Group Executive Director, Insurance and Investments. It will be in my interest to transfer this fund worth 20,000,000 million British pounds in an account offshore. If you can be a collaborator/partner to this please indicate interest immediately for us to proceed.
Remember this is absolutely confidential,as i am seeking your assistance as the beneficiary of this unclaimed funds, since we are not allowed to operate a foreign account,Your contact phone numbers and name will be necessary for this effect,I have reposed my confidence in you and hope that you will not disappoint me.
 
My Regards,
 
Archie Kane

From work102@virgilio.it  Sun Apr 11 21:04:58 2010
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Greetings,
 

Following the announcement by the Chancellor of the Exchequer,that all funds in accounts that have been dormant for over 15years be transferred to the Treasury i send this mail to you.
 
I discovered a dormant account in my office, as Group Executive Director, Insurance and Investments. It will be in my interest to transfer this fund worth 20,000,000 million British pounds in an account offshore. If you can be a collaborator/partner to this please indicate interest immediately for us to proceed.
Remember this is absolutely confidential,as i am seeking your assistance as the beneficiary of this unclaimed funds, since we are not allowed to operate a foreign account,Your contact phone numbers and name will be necessary for this effect,I have reposed my confidence in you and hope that you will not disappoint me.
 
My Regards,
 
Archie Kane

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 01:30:55 2010
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References: <v2jd9a54a371004090059pf02d1465pb31c56e53b2b6a86@mail.gmail.com>
	 <ADF80EA6-4E6D-4F94-B778-0C8ED939C420@gmail.com>
	 <80205593-1270851162-cardhu_decombobulator_blackberry.rim.net-1339388985-@bda386.bisx.prod.on.blackberry>
	 <08072E58-4926-4173-9402-4C89E873949F@gmail.com>
	 <105982212-1270853727-cardhu_decombobulator_blackberry.rim.net-1411245819-@bda386.bisx.prod.on.blackberry>
	 <8C0A4779-DFF9-4F22-8588-7822FACBD522@gmail.com>
Date: Sun, 11 Apr 2010 18:30:53 -0700
Message-ID: <g2qd9a54a371004111830qe8b5107fl2185dd728bb52f93@mail.gmail.com>
Subject: Re: Few questions about foot controllers etc.
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Ok cool- just wish I could find a midi pedal that was smaller than the
Behringer.
Thanks again
C

On Sat, Apr 10, 2010 at 5:23 AM, Matthias Grob <matilists@gmail.com> wrote:

> > In terms of my other question about adding buttons to the foot
> controller- looks like each has its own unique resistor value- is it
> possible to add more switches with other resistors for more options?
>
> if you double the resistor value once again, you get the Parameter button.
> thats all. and its not very reliable.
>
> > I am guessing not as I can imagine it would have been done already?
>
> yes :-)
>

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Ok cool- just wish I could find a midi pedal that was smaller than the Behr=
inger.<br>Thanks again<br>C<br><br><div class=3D"gmail_quote">On Sat, Apr 1=
0, 2010 at 5:23 AM, Matthias Grob <span dir=3D"ltr">&lt;<a href=3D"mailto:m=
atilists@gmail.com">matilists@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>&gt; In terms of my other question about adding buttons to the foot contro=
ller- looks like each has its own unique resistor value- is it possible to =
add more switches with other resistors for more options?<br>

<br>
</div>if you double the resistor value once again, you get the Parameter bu=
tton. thats all. and its not very reliable.<br>
<div class=3D"im"><br>
&gt; I am guessing not as I can imagine it would have been done already?<br=
>
<br>
</div>yes :-)<br>
</blockquote></div><br>

--0016e64dca6692ff6104840018b6--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 02:09:33 2010
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Date: Sun, 11 Apr 2010 20:53:45 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Changes #2 posted to You Tube
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I put a new studio piece on-line at http://www.youtube.com/watch?v=wjVlie1CeUQ

The sound track was done by long-time friend and 
pianist/composer/improvisor  Eric Zinman. Eric and I will be 
performing on Sunday the 18th at the Outpost in Cambridge/

Changes #2 is the second piece in a series I call Changes. This 
reverses my usual live improvisatory process. I was asked to perform 
at an on line media event called The Virtual Sound and Video 
Festival. I decided that pointing a webcam at my mix would not cut 
it, so composed a piece that was like my visual improvs, but without 
the rapid fire cutting I do live.

I decided to use a lot of different thematic  material, and to try to 
combine themes in different combinations. This was a different way of 
working for me and I enjoyed the challenge. Usually, when I do a 
studio piece it is focused on a single theme, and my live pieces are 
generally catch as catch can improvisations.

Changes #1 was done with guitarist Mike Marando, who improvised a 
soundtrack to the imagery.

I then gave the video to my long-time friend, pianist Eric Zinman, 
Eric did not want to try to improvise while watching the video,  but 
he gave me a number of solo pieces that he performed with the imagery 
in mind. I took my favorite of the solo pieces, which was six minutes 
long, and put it in a timeline with my 25 minute video, and chopped 
out all the video segments that didn't seem to fit.

I did some further editing to better align the imagery and the music, 
and the result was Changes # 2.


BTW Some of my photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/
-- 
" Practice makes perfect, imperfect is better."  -- Paul Bley

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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Date: Sun, 11 Apr 2010 21:48:07 -0500
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Subject: just saw this: KORG: sound on sound
From: Scott Hansen <evanpeewee@gmail.com>
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posting, just saw it, need to read about it:

http://www.korg.com/product.aspx?pd=566

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<div>posting, just saw it, need to read about it:</div>
<div>=A0</div>
<div><a href=3D"http://www.korg.com/product.aspx?pd=3D566">http://www.korg.=
com/product.aspx?pd=3D566</a></div>

--001636e1eca9c8f64f0484012c35--

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Date: Sun, 11 Apr 2010 20:01:23 -0700 (PDT)
From: peters <p_e91@yahoo.com>
Reply-To: conjp11@yahoo.com
Subject: RE: REPLY FROM YOU
To: p_e91@yahoo.com
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--0-585839710-1271041283=:33641
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=A0
Hello,
Thanks for your interests in the PA position, I will deeply appreciate all =
genuine efforts=20
to help me monitor and keep up to date with all my activities.I have had a =
previous PA who=20
has been very commendable in her activities and who has been part of my lif=
e for the past 6=20
months, she has since returned to her country. I sincerely hope I will be a=
ble to find=20
someone again who will be as efficient as she has been.

I'm Peter J. Smith, 47 originally from London, but I have spent a whole lot=
 here in United=20
State. I'm a Personal Dealer by profession and I have been pretty successfu=
l in a handful of=20
ventures I get involved in;=A0 I formally work for an international Oil com=
pany called Gulf=20
Oil & Gas Group Of Company. Then i was the Operating Manager in they organi=
zation. But now i=20
deal directly with they depot because i got my license to import and export=
 oil product all=20
over the neighboring countries and United State , I most very often get my =
hands occupied,=20
so it is imperative for me to have a worthy assistant who can monitor and k=
eep me up to date=20
with my activities.As my assistant, your activities amongst other things wi=
ll include;=20
Running personal errands, supervisions and motoring's.
Scheduling programmes, flights and keeping me up to date with them.
Making regular contacts and drop-off on my behalf.
Handling and monitoring some of my financial activities.
Basic wage is $500 a week
I'm currently in the UNITED ARAB EMERATE,now for a summit and would be back=
 to the state in=20
about 3 weeks, however, I do have a number of things you could help me with=
 this week if you=20
will be available for me. This can act as a stable foundation to our workin=
g relationship.
=A0
note that this position is not office based for now because of my frequent =
travels and tight=20
schedules, it's a part-time, work from home basis and the flexibility means=
 that there will=20
be busier weeks than others, so it's a little difficult judging the exact n=
umber of hours=20
you'll be doing per week.If you can manage your time properly, this job may=
 even give you=20
some extra while you do something else on the side.
=A0
As I have said, I'd want us to get a head start with things as soon as poss=
ible. I do have a=20
pile up of work and a number of unattended chores which you can immediately=
 assist me with,=20
I hope we can meet up with the workload eventually.
=A0
Permit me to use the coming week to test your efficiency and diligence towa=
rds all this,=20
also to work out your time schedule and fit it to mine. I really need to fi=
nd the perfect=20
person for this job, I'm confident you can take up the challenge and on the=
 long run we=20
should have a relatively sound working relationship between us.
I'd want us to meet up on Yahoo chat as soon as possible so we can discuss =
this
extensively, more so it's easier for me to convey information once i'm onli=
ne.
My personal e-mail address: is (conjp11@yahoo.com) It may be a little diffi=
cult working out=20
the time difference between us initially, with time however, we should get =
used to it.I'm=20
online most of the time when I'm not out or in a meeting so we should be ab=
le to have a chat=20
sooner than you think. Do try to keep a date.
=A0I am glad you are willing to work with me and i promise to be a good bos=
s.I am also glad on=20
the commitment in working.I have been checking my files and what i would wa=
nt you to do for=20
me this week is to run some errands out to some of the orphanage homes,I do=
 that every month=20
.The funds will be in form of Money Order, Cashier's Check,or inform of a l=
oggage which will=20
be delivered to you for clearing at the port of intering and it will be sen=
t over to you=20
from one of my clients and i have some list to email you once you received =
the funds,You=20
will make some arrangements by buying some stuff for the kids in the neares=
t store around=20
you so you can mail them out and have the remaining funds sent to the Orpha=
nage homes.
I will get you more information on that,I will like you to get back to me w=
ith your Contact=20
Information below:
=A0
Full Name:.............................
=A0
Full Contact/Mailing Address(NO P.O.BOX).....................
=A0
CITY: .........................
=A0
STATE:..............................
=A0
ZIP CODE:......................
=A0
Age......................
Present Job (If Any):.....................
=A0
Gender.................................
=A0
Phone Number:.........................
=A0
Email Address:................................
=A0
Once i received your contact information i will get back to you with the ta=
sk for this=20
week,Understand you will also be paid as well as its important for me to
make the necessary steps before i get to the state.Hope i am clear with tha=
t.
=A0
I will be looking for forward to hearing from you.
My Regards.
Mr Peter =0A=0A=0A      
--0-585839710-1271041283=:33641
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>Hello,</DIV>
<DIV>Thanks for your interests in the PA position, I will deeply appreciate=
 all genuine efforts </DIV>
<DIV>to help me monitor and keep up to date with all my activities.I have h=
ad a previous PA who </DIV>
<DIV>has been very commendable in her activities and who has been part of m=
y life for the past 6 </DIV>
<DIV>months, she has since returned to her country. I sincerely hope I will=
 be able to find </DIV>
<DIV>someone again who will be as efficient as she has been.</DIV>
<DIV><BR>I'm Peter J. Smith, 47 originally from London, but I have spent a =
whole lot here in United </DIV>
<DIV>State. I'm a Personal Dealer by profession and I have been pretty succ=
essful in a handful of </DIV>
<DIV>ventures I get involved in;&nbsp; I formally work for an international=
 Oil company called Gulf </DIV>
<DIV>Oil &amp; Gas Group Of Company. Then i was the Operating Manager in th=
ey organization. But now i </DIV>
<DIV>deal directly with they depot because i got my license to import and e=
xport oil product all </DIV>
<DIV>over the neighboring countries and United State , I most very often ge=
t my hands occupied, </DIV>
<DIV>so it is imperative for me to have a worthy assistant who can monitor =
and keep me up to date </DIV>
<DIV>with my activities.As my assistant, your activities amongst other thin=
gs will include; </DIV>
<DIV>Running personal errands, supervisions and motoring's.<BR>Scheduling p=
rogrammes, flights and keeping me up to date with them.<BR>Making regular c=
ontacts and drop-off on my behalf.<BR>Handling and monitoring some of my fi=
nancial activities.</DIV>
<DIV>Basic wage is $500 a week<BR>I'm currently in the UNITED ARAB EMERATE,=
now for a summit and would be back to the state in </DIV>
<DIV>about 3 weeks, however, I do have a number of things you could help me=
 with this week if you </DIV>
<DIV>will be available for me. This can act as a stable foundation to our w=
orking relationship.<BR>&nbsp;<BR>note that this position is not office bas=
ed for now because of my frequent travels and tight </DIV>
<DIV>schedules, it's a part-time, work from home basis and the flexibility =
means that there will </DIV>
<DIV>be busier weeks than others, so it's a little difficult judging the ex=
act number of hours </DIV>
<DIV>you'll be doing per week.If you can manage your time properly, this jo=
b may even give you </DIV>
<DIV>some extra while you do something else on the side.<BR>&nbsp;<BR>As I =
have said, I'd want us to get a head start with things as soon as possible.=
 I do have a </DIV>
<DIV>pile up of work and a number of unattended chores which you can immedi=
ately assist me with, </DIV>
<DIV>I hope we can meet up with the workload eventually.<BR>&nbsp;<BR>Permi=
t me to use the coming week to test your efficiency and diligence towards a=
ll this, </DIV>
<DIV>also to work out your time schedule and fit it to mine. I really need =
to find the perfect </DIV>
<DIV>person for this job, I'm confident you can take up the challenge and o=
n the long run we </DIV>
<DIV>should have a relatively sound working relationship between us.</DIV>
<DIV>I'd want us to meet up on Yahoo chat as soon as possible so we can dis=
cuss this<BR>extensively, more so it's easier for me to convey information =
once i'm online.<BR>My personal e-mail address: is (<A href=3D"mailto:conjp=
11@yahoo.com">conjp11@yahoo.com</A>) It may be a little difficult working o=
ut </DIV>
<DIV>the time difference between us initially, with time however, we should=
 get used to it.I'm </DIV>
<DIV>online most of the time when I'm not out or in a meeting so we should =
be able to have a chat </DIV>
<DIV>sooner than you think. Do try to keep a date.</DIV>
<DIV>&nbsp;I am glad you are willing to work with me and i promise to be a =
good boss.I am also glad on </DIV>
<DIV>the commitment in working.I have been checking my files and what i wou=
ld want you to do for </DIV>
<DIV>me this week is to run some errands out to some of the orphanage homes=
,I do that every month </DIV>
<DIV>.The funds will be in form of Money Order, Cashier's Check,or inform o=
f a loggage which will </DIV>
<DIV>be delivered to you for clearing at the port of intering and it will b=
e sent over to you </DIV>
<DIV>from one of my clients and i have some list to email you once you rece=
ived the funds,You </DIV>
<DIV>will make some arrangements by buying some stuff for the kids in the n=
earest store around </DIV>
<DIV>you so you can mail them out and have the remaining funds sent to the =
Orphanage homes.<BR>I will get you more information on that,I will like you=
 to get back to me with your Contact </DIV>
<DIV>Information below:<BR>&nbsp;<BR>Full Name:............................=
.<BR>&nbsp;<BR>Full Contact/Mailing Address(NO P.O.BOX)....................=
.<BR>&nbsp;<BR>CITY: .........................<BR>&nbsp;<BR>STATE:.........=
.....................<BR>&nbsp;<BR>ZIP CODE:......................<BR>&nbsp=
;<BR>Age......................<BR>Present Job (If Any):....................=
.<BR>&nbsp;<BR>Gender.................................<BR>&nbsp;<BR>Phone N=
umber:.........................<BR>&nbsp;<BR>Email Address:................=
................<BR>&nbsp;<BR>Once i received your contact information i wi=
ll get back to you with the task for this </DIV>
<DIV>week,Understand you will also be paid as well as its important for me =
to<BR>make the necessary steps before i get to the state.Hope i am clear wi=
th that.<BR>&nbsp;<BR>I will be looking for forward to hearing from you.</D=
IV>
<DIV>My Regards.</DIV>
<DIV>Mr Peter </DIV></td></tr></table><br>=0A=0A      
--0-585839710-1271041283=:33641--

From p_e91@yahoo.com  Mon Apr 12 03:04:36 2010
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Date: Sun, 11 Apr 2010 20:04:29 -0700 (PDT)
From: peters <p_e91@yahoo.com>
Reply-To: conjp11@yahoo.com
Subject: RE: REPLY FROM YOU
To: p_e91@yahoo.com
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1463663174-1271041469=:44841"

--0-1463663174-1271041469=:44841
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

=A0
=A0
Hello,
Thanks for your interests in the PA position, I will deeply appreciate all =
genuine efforts=20
to help me monitor and keep up to date with all my activities.I have had a =
previous PA who=20
has been very commendable in her activities and who has been part of my lif=
e for the past 6=20
months, she has since returned to her country. I sincerely hope I will be a=
ble to find=20
someone again who will be as efficient as she has been.

I'm Peter J. Smith, 47 originally from London, but I have spent a whole lot=
 here in United=20
State. I'm a Personal Dealer by profession and I have been pretty successfu=
l in a handful of=20
ventures I get involved in;=A0 I formally work for an international Oil com=
pany called Gulf=20
Oil & Gas Group Of Company. Then i was the Operating Manager in they organi=
zation. But now i=20
deal directly with they depot because i got my license to import and export=
 oil product all=20
over the neighboring countries and United State , I most very often get my =
hands occupied,=20
so it is imperative for me to have a worthy assistant who can monitor and k=
eep me up to date=20
with my activities.As my assistant, your activities amongst other things wi=
ll include;=20
Running personal errands, supervisions and motoring's.
Scheduling programmes, flights and keeping me up to date with them.
Making regular contacts and drop-off on my behalf.
Handling and monitoring some of my financial activities.
Basic wage is $500 a week
I'm currently in the UNITED ARAB EMERATE,now for a summit and would be back=
 to the state in=20
about 3 weeks, however, I do have a number of things you could help me with=
 this week if you=20
will be available for me. This can act as a stable foundation to our workin=
g relationship.
=A0
note that this position is not office based for now because of my frequent =
travels and tight=20
schedules, it's a part-time, work from home basis and the flexibility means=
 that there will=20
be busier weeks than others, so it's a little difficult judging the exact n=
umber of hours=20
you'll be doing per week.If you can manage your time properly, this job may=
 even give you=20
some extra while you do something else on the side.
=A0
As I have said, I'd want us to get a head start with things as soon as poss=
ible. I do have a=20
pile up of work and a number of unattended chores which you can immediately=
 assist me with,=20
I hope we can meet up with the workload eventually.
=A0
Permit me to use the coming week to test your efficiency and diligence towa=
rds all this,=20
also to work out your time schedule and fit it to mine. I really need to fi=
nd the perfect=20
person for this job, I'm confident you can take up the challenge and on the=
 long run we=20
should have a relatively sound working relationship between us.
I'd want us to meet up on Yahoo chat as soon as possible so we can discuss =
this
extensively, more so it's easier for me to convey information once i'm onli=
ne.
My personal e-mail address: is (conjp11@yahoo.com) It may be a little diffi=
cult working out=20
the time difference between us initially, with time however, we should get =
used to it.I'm=20
online most of the time when I'm not out or in a meeting so we should be ab=
le to have a chat=20
sooner than you think. Do try to keep a date.
=A0I am glad you are willing to work with me and i promise to be a good bos=
s.I am also glad on=20
the commitment in working.I have been checking my files and what i would wa=
nt you to do for=20
me this week is to run some errands out to some of the orphanage homes,I do=
 that every month=20
.The funds will be in form of Money Order, Cashier's Check,or inform of a l=
oggage which will=20
be delivered to you for clearing at the port of intering and it will be sen=
t over to you=20
from one of my clients and i have some list to email you once you received =
the funds,You=20
will make some arrangements by buying some stuff for the kids in the neares=
t store around=20
you so you can mail them out and have the remaining funds sent to the Orpha=
nage homes.
I will get you more information on that,I will like you to get back to me w=
ith your Contact=20
Information below:
=A0
Full Name:.............................
=A0
Full Contact/Mailing Address(NO P.O.BOX).....................
=A0
CITY: .........................
=A0
STATE:..............................
=A0
ZIP CODE:......................
=A0
Age......................
Present Job (If Any):.....................
=A0
Gender.................................
=A0
Phone Number:.........................
=A0
Email Address:................................
=A0
Once i received your contact information i will get back to you with the ta=
sk for this=20
week,Understand you will also be paid as well as its important for me to
make the necessary steps before i get to the state.Hope i am clear with tha=
t.
=A0
I will be looking for forward to hearing from you.
My Regards.
Mr Peter =0A=0A=0A      
--0-1463663174-1271041469=:44841
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>Hello,</DIV>
<DIV>Thanks for your interests in the PA position, I will deeply appreciate=
 all genuine efforts </DIV>
<DIV>to help me monitor and keep up to date with all my activities.I have h=
ad a previous PA who </DIV>
<DIV>has been very commendable in her activities and who has been part of m=
y life for the past 6 </DIV>
<DIV>months, she has since returned to her country. I sincerely hope I will=
 be able to find </DIV>
<DIV>someone again who will be as efficient as she has been.</DIV>
<DIV><BR>I'm Peter J. Smith, 47 originally from London, but I have spent a =
whole lot here in United </DIV>
<DIV>State. I'm a Personal Dealer by profession and I have been pretty succ=
essful in a handful of </DIV>
<DIV>ventures I get involved in;&nbsp; I formally work for an international=
 Oil company called Gulf </DIV>
<DIV>Oil &amp; Gas Group Of Company. Then i was the Operating Manager in th=
ey organization. But now i </DIV>
<DIV>deal directly with they depot because i got my license to import and e=
xport oil product all </DIV>
<DIV>over the neighboring countries and United State , I most very often ge=
t my hands occupied, </DIV>
<DIV>so it is imperative for me to have a worthy assistant who can monitor =
and keep me up to date </DIV>
<DIV>with my activities.As my assistant, your activities amongst other thin=
gs will include; </DIV>
<DIV>Running personal errands, supervisions and motoring's.<BR>Scheduling p=
rogrammes, flights and keeping me up to date with them.<BR>Making regular c=
ontacts and drop-off on my behalf.<BR>Handling and monitoring some of my fi=
nancial activities.</DIV>
<DIV>Basic wage is $500 a week<BR>I'm currently in the UNITED ARAB EMERATE,=
now for a summit and would be back to the state in </DIV>
<DIV>about 3 weeks, however, I do have a number of things you could help me=
 with this week if you </DIV>
<DIV>will be available for me. This can act as a stable foundation to our w=
orking relationship.<BR>&nbsp;<BR>note that this position is not office bas=
ed for now because of my frequent travels and tight </DIV>
<DIV>schedules, it's a part-time, work from home basis and the flexibility =
means that there will </DIV>
<DIV>be busier weeks than others, so it's a little difficult judging the ex=
act number of hours </DIV>
<DIV>you'll be doing per week.If you can manage your time properly, this jo=
b may even give you </DIV>
<DIV>some extra while you do something else on the side.<BR>&nbsp;<BR>As I =
have said, I'd want us to get a head start with things as soon as possible.=
 I do have a </DIV>
<DIV>pile up of work and a number of unattended chores which you can immedi=
ately assist me with, </DIV>
<DIV>I hope we can meet up with the workload eventually.<BR>&nbsp;<BR>Permi=
t me to use the coming week to test your efficiency and diligence towards a=
ll this, </DIV>
<DIV>also to work out your time schedule and fit it to mine. I really need =
to find the perfect </DIV>
<DIV>person for this job, I'm confident you can take up the challenge and o=
n the long run we </DIV>
<DIV>should have a relatively sound working relationship between us.</DIV>
<DIV>I'd want us to meet up on Yahoo chat as soon as possible so we can dis=
cuss this<BR>extensively, more so it's easier for me to convey information =
once i'm online.<BR>My personal e-mail address: is (<A href=3D"mailto:conjp=
11@yahoo.com">conjp11@yahoo.com</A>) It may be a little difficult working o=
ut </DIV>
<DIV>the time difference between us initially, with time however, we should=
 get used to it.I'm </DIV>
<DIV>online most of the time when I'm not out or in a meeting so we should =
be able to have a chat </DIV>
<DIV>sooner than you think. Do try to keep a date.</DIV>
<DIV>&nbsp;I am glad you are willing to work with me and i promise to be a =
good boss.I am also glad on </DIV>
<DIV>the commitment in working.I have been checking my files and what i wou=
ld want you to do for </DIV>
<DIV>me this week is to run some errands out to some of the orphanage homes=
,I do that every month </DIV>
<DIV>.The funds will be in form of Money Order, Cashier's Check,or inform o=
f a loggage which will </DIV>
<DIV>be delivered to you for clearing at the port of intering and it will b=
e sent over to you </DIV>
<DIV>from one of my clients and i have some list to email you once you rece=
ived the funds,You </DIV>
<DIV>will make some arrangements by buying some stuff for the kids in the n=
earest store around </DIV>
<DIV>you so you can mail them out and have the remaining funds sent to the =
Orphanage homes.<BR>I will get you more information on that,I will like you=
 to get back to me with your Contact </DIV>
<DIV>Information below:<BR>&nbsp;<BR>Full Name:............................=
.<BR>&nbsp;<BR>Full Contact/Mailing Address(NO P.O.BOX)....................=
.<BR>&nbsp;<BR>CITY: .........................<BR>&nbsp;<BR>STATE:.........=
.....................<BR>&nbsp;<BR>ZIP CODE:......................<BR>&nbsp=
;<BR>Age......................<BR>Present Job (If Any):....................=
.<BR>&nbsp;<BR>Gender.................................<BR>&nbsp;<BR>Phone N=
umber:.........................<BR>&nbsp;<BR>Email Address:................=
................<BR>&nbsp;<BR>Once i received your contact information i wi=
ll get back to you with the task for this </DIV>
<DIV>week,Understand you will also be paid as well as its important for me =
to<BR>make the necessary steps before i get to the state.Hope i am clear wi=
th that.<BR>&nbsp;<BR>I will be looking for forward to hearing from you.</D=
IV>
<DIV>My Regards.</DIV>
<DIV>Mr Peter </DIV></td></tr></table><br>=0A=0A=0A=0A      
--0-1463663174-1271041469=:44841--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 04:14:29 2010
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Date: Sun, 11 Apr 2010 21:14:27 -0700
Message-ID: <s2y588ce11d1004112114sec108a36s82be68c1543d345@mail.gmail.com>
Subject: Re: just saw this: KORG: sound on sound
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e68dec3b895a11048402616b
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It's interesting, but the two videos from NAMM I saw were cheesy. You could
probably do some interesting things with it, but both videos showed the
musicians punching the tiny buttons on the unit, it doesn't seem like you
could hook up a foot pedal. At $300 I wouldn't run out and buy one.

On Sun, Apr 11, 2010 at 7:48 PM, Scott Hansen <evanpeewee@gmail.com> wrote:

> posting, just saw it, need to read about it:
>
> http://www.korg.com/product.aspx?pd=566
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016e68dec3b895a11048402616b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

It&#39;s interesting, but the two videos from NAMM I saw were cheesy. You c=
ould probably do some interesting things with it, but both videos showed th=
e musicians punching the tiny buttons on the unit, it doesn&#39;t seem like=
 you could hook up a foot pedal. At $300 I wouldn&#39;t run out and buy one=
.<br>
<br><div class=3D"gmail_quote">On Sun, Apr 11, 2010 at 7:48 PM, Scott Hanse=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:evanpeewee@gmail.com">evanpeewee@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
<div>posting, just saw it, need to read about it:</div>
<div>=A0</div>
<div><a href=3D"http://www.korg.com/product.aspx?pd=3D566" target=3D"_blank=
">http://www.korg.com/product.aspx?pd=3D566</a></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--0016e68dec3b895a11048402616b--

From nb75184u2f@aol.com.au  Mon Apr 12 04:45:50 2010
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From drmorris_umar557@msn.com  Mon Apr 12 07:25:45 2010
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	 Mon, 12 Apr 2010 00:20:24 -0700
From:     Drmorris Umar <drmorris_umar1@sify.com>
To:       "." <.>
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X-URL: http://www.pocomail.com/
Reply-To: drmorris_umar1@sify.com
Date: Mon, 12 Apr 2010 07:19:57 GMT
Subject: LOOKING FORWARD FOR A GOOD BUSINESS RELATIONSHIP WITH YOU.
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FROM THE DESK OF DR MORRIS UMAR. 
DIRECTOR AUDITING AND ACCOUNTING UNIT,
BANK OF AFRICA (BOA).
OUAGADOUGOU-BURKINA FASO.  
 
Attention Please,             
                                          (Compliments of the day)
 
This message might meet you in utmost surprise, however,it's just my urgent=
 need for foreign partner that made me to contact you for this transaction.=
 I am a banker by profession from Burkina faso in west Africa and currently=
 holding the post of Director Auditing and Accounting unit of the bank. I=
 have the opportunity of transfering the left over funds ($11.953000,00.=
 ELEVEN MILLION NINE
HUNDRED AND FIFTY THREE THOUSAND UNITED STATES DOLLARS)of one of my bank=
 clients who died along with his entire family on 31 july 2000 in a plane=
 crash.
 
You can confirm the genuiness of the deceased death by clicking on this web=
 site 
http://news.bbc.co.uk/1/hi/world/europe/859479.stm 
 
Hence,i am inviting you for a business deal where this money can be shared 
between us in the ratio of  60/40,If you agree to my business=
 proposal.further details of the transfer will be forwarded to you as soon=
 as i receive your feedback mail,have a great day.  
 Yours Faithfully,   
DR MORRIS UMAR.
 
NB, MAKE SURE YOU KEEP THIS TRANSACTION AS YOUR TOP SECRECT AND MAKE IT=
 CONFIDENTIAL TILL WE RECEIVES THE FUND INTO THE ACCOUNT THAT YOU WILL=
 PROVIDE TO THE BANK. DONT DISCLOSE IT TO ANY BODY "PLEASE", BECAUSE THE=
 SECRECY OF THIS TRANSACTION IS AS WELL AS THE SUCCESS OF IT. 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 08:17:21 2010
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Subject: Re: Changes #2 posted to You Tube
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Beautiful piece...

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

On 12 04 2010, at 2:53 AM, Emile Tobenfeld (a.k.a Dr. T) wrote:

> Hi folks,
>=20
> I put a new studio piece on-line at =
http://www.youtube.com/watch?v=3DwjVlie1CeUQ
>=20
> The sound track was done by long-time friend and =
pianist/composer/improvisor  Eric Zinman. Eric and I will be performing =
on Sunday the 18th at the Outpost in Cambridge/
>=20
> Changes #2 is the second piece in a series I call Changes. This =
reverses my usual live improvisatory process. I was asked to perform at =
an on line media event called The Virtual Sound and Video Festival. I =
decided that pointing a webcam at my mix would not cut it, so composed a =
piece that was like my visual improvs, but without the rapid fire =
cutting I do live.
>=20
> I decided to use a lot of different thematic  material, and to try to =
combine themes in different combinations. This was a different way of =
working for me and I enjoyed the challenge. Usually, when I do a studio =
piece it is focused on a single theme, and my live pieces are generally =
catch as catch can improvisations.
>=20
> Changes #1 was done with guitarist Mike Marando, who improvised a =
soundtrack to the imagery.
>=20
> I then gave the video to my long-time friend, pianist Eric Zinman, =
Eric did not want to try to improvise while watching the video,  but he =
gave me a number of solo pieces that he performed with the imagery in =
mind. I took my favorite of the solo pieces, which was six minutes long, =
and put it in a timeline with my 25 minute video, and chopped out all =
the video segments that didn't seem to fit.
>=20
> I did some further editing to better align the imagery and the music, =
and the result was Changes # 2.
>=20
>=20
> BTW Some of my photography can be viewed at =
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 10:34:30 2010
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From: Andreas Willers <a.willers@arcor.de>
Subject: Andreas Willers' MONTAUK (Paris/Berlin) April tour
Date: Mon, 12 Apr 2010 12:34:15 +0200
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--Apple-Mail-24-703479902
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Samstag, 17.04.10 - 20 Uhr im Jazzwerkstatt-Cafe

Knesebeckstr. 33/34, 10623 Berlin

Dominique Pifar=E9ly - violin, Alain Grange - cello
Andreas Willers - gtr, loops,  Rudi Fischerlehner - dr

DowntownMusicGallery/New York: =82... impressively composed and =20
intricately well-played parts ... a winning combination.=91

April 16: Neuburg/D., Birdland
April 17: Berlin, Jazzwerkstatt Caf=E9
April 18: Bad Hersfeld, Buchcaf=E9
April 19: Magdeburg, Jazz in der Kammer

--Apple-Mail-24-703479902
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font-size: =
13px; "><font face=3D"Helvetica" size=3D"5" style=3D"font: normal normal =
normal 16px/normal Helvetica; font-size: 15px; "><b>Samstag, 17.04.10 - =
20 Uhr im Jazzwerkstatt-Cafe</b></font></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 16px/normal Helvetica; min-height: 19px; font-size: =
15px; "><b><br></b></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font-size: 13px; "><font =
face=3D"Helvetica" size=3D"5" style=3D"font: normal normal normal =
16px/normal Helvetica; font-size: 15px; "><b>Knesebeckstr. 33/34, 10623 =
Berlin</b></font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><font face=3D"Helvetica" size=3D"4" style=3D"font: =
14.0px Helvetica">Dominique Pifar=E9ly - violin, Alain Grange - =
cello</font></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
size=3D"4" style=3D"font: 14.0px Helvetica">Andreas Willers - gtr, =
loops, &nbsp;Rudi Fischerlehner - dr</font></div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =
normal normal normal 10px/normal Geneva; min-height: 14px; =
"><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; "><font face=3D"Geneva" size=3D"2" =
style=3D"font: 10.0px Geneva"><u>DowntownMusicGallery/New York:</u> =82...=
 impressively composed and intricately well-played parts ... a winning =
combination.=91</font></div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
14px/normal Helvetica; min-height: 17px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Helvetica; =
min-height: 17px; ">April 16: Neuburg/D., Birdland</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Helvetica; =
min-height: 17px; ">April 17: Berlin, Jazzwerkstatt Caf=E9</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Helvetica; =
min-height: 17px; ">April 18: Bad Hersfeld, Buchcaf=E9</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 14px/normal Helvetica; =
min-height: 17px; ">April 19: Magdeburg, Jazz in der Kammer</div>
</body></html>=

--Apple-Mail-24-703479902--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 11:37:32 2010
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Date: Mon, 12 Apr 2010 13:37:13 +0200
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Subject: Re: Combien de Temps video..
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--00032555691ef1773e0484089001
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Great audio/visual performance !
Bravi !!!

-fabio
www.eterogeneo.com





2010/4/11 Reyn Ouwehand <loopers-delight@reyn.net>

> Thanks for the nice words people, and yes, he's from Switzerland and speaks
> German natively! He really has a funny accent in french, but the people seem
> to like that!
>
> Cool that you saw him when he started in the eighties, Florian. He even had
> a hit before that in Germany with his brother. They were called Grauzone and
> had a hit called "Eisbaer"..
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
> On 09 04 2010, at 12:35 PM, Florian Anwander wrote:
>
> > Hi Per
> >
> >> And the singer is such a phenomenon in Frenchness, not only singing in
> >> French but also looking ultimately French!
> > Where the singer is a Swiss (from german speaking part) and he sings with
> lot of accent ;-)
> >
> > Nevertheless I really like Stephans Music since his early solo albums in
> the eighties (I saw him soloing with a TB303 TR606 JP8 and a Fender Strat in
> 19844 in the Domicile Club in Munich).
> >
> > Florian
> >
> >
>
>

--00032555691ef1773e0484089001
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<div>Great audio/visual performance !</div>
<div>Bravi !!!</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div>
<div>=A0</div>
<div><br><br>=A0</div>
<div class=3D"gmail_quote">2010/4/11 Reyn Ouwehand <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:loopers-delight@reyn.net">loopers-delight@reyn.net</a>&gt;<=
/span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Thanks for the nice words people=
, and yes, he&#39;s from Switzerland and speaks German natively! He really =
has a funny accent in french, but the people seem to like that!<br>
<br>Cool that you saw him when he started in the eighties, Florian. He even=
 had a hit before that in Germany with his brother. They were called Grauzo=
ne and had a hit called &quot;Eisbaer&quot;..<br>
<div class=3D"im"><br>Cheers,<br><br>Reyn<br><br>___________<br><a href=3D"=
http://www.reyn.net/" target=3D"_blank">www.reyn.net</a><br><a href=3D"http=
://www.reyn.vs.reyn.net/" target=3D"_blank">www.reyn.vs.reyn.net</a><br><br=
>management: <a href=3D"http://www.lalalamanagement.nl/" target=3D"_blank">=
www.lalalamanagement.nl</a><br>
twitter/facebook/youtube: ReynOuwehand<br><br></div>On 09 04 2010, at 12:35=
 PM, Florian Anwander wrote:<br><br>&gt; Hi Per<br>
<div class=3D"im">&gt;<br>&gt;&gt; And the singer is such a phenomenon in F=
renchness, not only singing in<br>&gt;&gt; French but also looking ultimate=
ly French!<br></div>&gt; Where the singer is a Swiss (from german speaking =
part) and he sings with lot of accent ;-)<br>
&gt;<br>&gt; Nevertheless I really like Stephans Music since his early solo=
 albums in the eighties (I saw him soloing with a TB303 TR606 JP8 and a Fen=
der Strat in 19844 in the Domicile Club in Munich).<br>&gt;<br>&gt; Florian=
<br>
&gt;<br>&gt;<br><br></blockquote></div><br>

--00032555691ef1773e0484089001--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 12:59:11 2010
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Hello Fabio

Fabio_A schrieb:
> Great audio/visual performance !
Visual performance is a good keyword: Do you (anyone from this list) use 
light or other visuals to emphasise the looping character of your music?

Florian

PS: I am writing this, two hours after a VJ (www.rettnoise.org) asked me 
that he wants to participate our todays session. And I am quite curious, 
what he will add to the performance.

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 14:06:03 2010
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Date: Mon, 12 Apr 2010 16:05:52 +0200
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Subject: Re: Visual performance
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--00032555945e91133904840aa46e
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Hi Florian,
Her's is my experience with my loop-based trio (2 keyboardists and a
bass-guitar player):
- no musicians on the stage
- first player goes on stage and start playing; when the basic loop is
ready, first player leaves
- and second player goes on stage. He adds another loops then he leaves
- and third player goes on stage, adding his loop-part
- when the process is done, first and second musicians join the stage with
the third player.
Sometimes, during the performance, one or two players leave the stage,
letting their loops playing and later they jump again on the stage pushing
new loops or combinations of loops.

Have fun with your session !

fabio
www.eterogeneo.com
2010/4/12 Florian Anwander <fanwander@mnet-online.de>

> Hello Fabio
>
> Fabio_A schrieb:
>
>> Great audio/visual performance !
>>
> Visual performance is a good keyword: Do you (anyone from this list) use
> light or other visuals to emphasise the looping character of your music?
>
> Florian
>
> PS: I am writing this, two hours after a VJ (www.rettnoise.org) asked me
> that he wants to participate our todays session. And I am quite curious,
> what he will add to the performance.
>
>

--00032555945e91133904840aa46e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Hi Florian, </div>
<div>Her&#39;s is my experience with=A0my loop-based=A0trio (2 keyboardists=
 and a bass-guitar player):</div>
<div>- no musicians on=A0the stage </div>
<div>- first player=A0goes on stage and start playing; when the basic loop =
is ready, first player leaves</div>
<div>- and second player goes on stage. He adds another loops then he leave=
s</div>
<div>- and third player goes on stage, adding his loop-part</div>
<div>- when the process is done, first and second musicians=A0join=A0the st=
age=A0with the third player.</div>
<div>Sometimes, during the performance, one or two players leave the stage,=
 letting their loops playing and later they jump again on the stage pushing=
 new loops or combinations of loops.</div>
<div>=A0</div>
<div>Have fun with your session !</div>
<div>=A0</div>
<div>fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a><br></div=
>
<div class=3D"gmail_quote">2010/4/12 Florian Anwander <span dir=3D"ltr">&lt=
;<a href=3D"mailto:fanwander@mnet-online.de">fanwander@mnet-online.de</a>&g=
t;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hello Fabio<br><br>Fabio_A schri=
eb:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Great audio/visual performance !=
<br></blockquote>Visual performance is a good keyword: Do you (anyone from =
this list) use light or other visuals to emphasise the looping character of=
 your music?<br>
<font color=3D"#888888"><br>Florian<br></font><br>PS: I am writing this, tw=
o hours after a VJ (<a href=3D"http://www.rettnoise.org/" target=3D"_blank"=
>www.rettnoise.org</a>) asked me that he wants to participate our todays se=
ssion. And I am quite curious, what he will add to the performance.<br>
<br></blockquote></div><br>

--00032555945e91133904840aa46e--

From okegod@airsoftmail.com  Mon Apr 12 14:21:42 2010
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Date: Mon, 12 Apr 2010 10:07:09 -0400 (AST)
Subject: REQUEST FOR PARTNERSHIP.
From: "Mr. Nwosu Okechukwu" <okegod@airsoftmail.com>
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ATTENTION:

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C.E.O Okey-God Integrated Concept Ltd.
Mobile: +2347088425221
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From: Mr. Edward Tan
Date: 12TH APRIL 2010
 
Good day and may the blessings of this day rest on you, hope you are in good health? Please do not take this unserious, i plead your pardon for my approach, ok. My name is Mr. Edward Tan. I trained and work as an external auditor for the Development Bank of Singapore (DBS). I had taken pains to find your contact through personal endeavors.
 
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I do expect you prompt response.
 
Thank you,
Mr. E. Tan.

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Hey Florian

>
>  Great audio/visual performance !
>>>
>> Visual performance is a good keyword: Do you (anyone from this list) use
>> light or other visuals to emphasise the looping character of your music?
>>
>> Florian
>>
>> PS: I am writing this, two hours after a VJ (www.rettnoise.org) asked me
>> that he wants to participate our todays session. And I am quite curious,
>> what he will add to the performance.
>>
>>
>  As most of my recent gigs have been extremely low key/cafe type of
things.. I havent for a while. But on the whole.. Yess I have .. alot.

I have done both performances where I have been completely in control of th=
e
video performance,  where the music has DRIVEN the visuals and where someon=
e
else has interpreted visually what I have been playing.

The first is hard to control. In the old days (Mid of late 80=B4s) my band
used Videotape to playback our drum-machine tracks, we then editted the
video to that backing track (Including silent versions of the singer--
singing. A huge mouth).. This was EXTREMELY effective, but time consuming t=
o
prepare and a pain to alter the set list (had to go to an edit suite to do
it!!) ...but we were students and had access.
Modern version of this (which Im investigating) might to be to run Logic
(insert Video enabled DAW of your choice, Reaper would do it) To project th=
e
video and then use the midi out from Logic to trigger your gear.

Second Scenario, Well then you need to get into VJ/Visual Art software. I
used one called ImX (Free from Steim website, but out of development now)
Then You can use midi from your performance and the audio from your
performance to MAKE a live lightshow. I think it may be better to use a VJ
software for this... Im X needed a bit too much "hands-on"

But BY FAR the most convenient method is to sign over your visual look to a
video guy... and you know.. I also think that this is the best way too. The
more you work together, the more you will talk about the visuals, the more
they will become synchronised both in terms of content and with beats. The
technology stops being the focal point of YOUR musical performance and you
can begin to "jam" with the visuals.

I am currently a band of one (like many on this list) but after a drummer..
I would wish for a visual guy, and I would have them as a permanent member
of the band.

As a modular guy, you might like to check out Severd Heads, who were a synt=
h
guy and a video synth guy... Did some looping too!

Mark







--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

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Hey Florian<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" sty=
le=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);=
 padding-left: 1ex;"><br>
<div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" style=3D"paddi=
ng-left: 1ex; margin: 0px 0px 0px 0.8ex; border-left: 1px solid rgb(204, 20=
4, 204);"><blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; mar=
gin: 0px 0px 0px 0.8ex; border-left: 1px solid rgb(204, 204, 204);">

Great audio/visual performance !<br></blockquote>Visual performance is a go=
od keyword: Do you (anyone from this list) use light or other visuals to em=
phasise the looping character of your music?<br>
<font color=3D"#888888"><br>Florian<br></font><br>PS: I am writing this, tw=
o hours after a VJ (<a href=3D"http://www.rettnoise.org/" target=3D"_blank"=
>www.rettnoise.org</a>) asked me that he wants to participate our todays se=
ssion. And I am quite curious, what he will add to the performance.<br>


<br></blockquote></div><br></blockquote><div>=A0As most of my recent gigs h=
ave been extremely low key/cafe type of things.. I havent for a while. But =
on the whole.. Yess I have .. alot.<br><br>I have done both performances wh=
ere I have been completely in control of the video performance,=A0 where th=
e music has DRIVEN the visuals and where someone else has interpreted visua=
lly what I have been playing.<br>

<br>The first is hard to control. In the old days (Mid of late 80=B4s) my b=
and used Videotape to playback our drum-machine tracks, we then editted the=
 video to that backing track (Including silent versions of the singer-- sin=
ging. A huge mouth).. This was EXTREMELY effective, but time consuming to p=
repare and a pain to alter the set list (had to go to an edit suite to do i=
t!!) ...but we were students and had access.<br>

Modern version of this (which Im investigating) might to be to run Logic (i=
nsert Video enabled DAW of your choice, Reaper would do it) To project the =
video and then use the midi out from Logic to trigger your gear.<br><br>

Second Scenario, Well then you need to get into VJ/Visual Art software. I u=
sed one called ImX (Free from Steim website, but out of development now) Th=
en You can use midi from your performance and the audio from your performan=
ce to MAKE a live lightshow. I think it may be better to use a VJ software =
for this... Im X needed a bit too much &quot;hands-on&quot;<br>

<br>But BY FAR the most convenient method is to sign over your visual look =
to a video guy... and you know.. I also think that this is the best way too=
. The more you work together, the more you will talk about the visuals, the=
 more they will become synchronised both in terms of content and with beats=
. The technology stops being the focal point of YOUR musical performance an=
d you can begin to &quot;jam&quot; with the visuals.<br>

<br>I am currently a band of one (like many on this list) but after a drumm=
er.. I would wish for a visual guy, and I would have them as a permanent me=
mber of the band. <br><br>As a modular guy, you might like to check out Sev=
erd Heads, who were a synth guy and a video synth guy... Did some looping t=
oo!<br>

<br>Mark<br>=A0</div></div><br><br><br><br><br clear=3D"all"><br>-- <br><a =
href=3D"http://www.markfrancombe.com">www.markfrancombe.com</a><br><a href=
=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://=
vimeo.com/user825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



--00148530ad9f7ecfb704840b01ae--

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Subject: KORG sound on sound
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300$?
i mean it's small, but ouch. i was hoping for the 200$ range.
yes, i thought the buttons looked small (worry about long range
durability-but i guess no one thinks of that, 6 months down the line
there will be some new hot thing that eveyone needs.......)
from the reading it looked to me like they are packing way too much in it i
think....effects of all kinds w/ a recorder and looper.
i mean i guess it's good for on the go, travel...i guess w/ the nightmares i
hear of travel, maybe it's a good thing....
i'll have to watch the vids tonight.
i tried last nite, and my 'puter locked up....
s---

--00504502ce034fac2904840b13a1
Content-Type: text/html; charset=ISO-8859-1

<div>300$?</div>
<div>i mean it&#39;s small, but ouch. i was hoping for the 200$ range.</div>
<div>yes, i thought the buttons looked small (worry about long range durability-but i guess no one thinks of that, 6 months down the line</div>
<div>there will be some new hot thing that eveyone needs.......)</div>
<div>from the reading it looked to me like they are packing way too much in it i think....effects of all kinds w/ a recorder and looper.</div>
<div>i mean i guess it&#39;s good for on the go, travel...i guess w/ the nightmares i hear of travel, maybe it&#39;s a good thing....</div>
<div>i&#39;ll have to watch the vids tonight.</div>
<div>i tried last nite, and my &#39;puter locked up....</div>
<div>s---</div>

--00504502ce034fac2904840b13a1--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 16:27:40 2010
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	 <s2y588ce11d1004112114sec108a36s82be68c1543d345@mail.gmail.com>
Date: Mon, 12 Apr 2010 09:27:13 -0700
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Subject: Re: just saw this: KORG: sound on sound
From: Matt Davignon <mattdavignon@gmail.com>
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Haven't seen the video - were the musicians of the type that tend to
have a free hand to press buttons? Beatboxers, for example?

Looking at this device drives home my theory that someone at Korg is
sleeping with a beatboxer.

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


Art Simon <simart@gmail.com> went:
> It's interesting, but the two videos from NAMM I saw were cheesy. You could
> probably do some interesting things with it, but both videos showed the
> musicians punching the tiny buttons on the unit, it doesn't seem like you
> could hook up a foot pedal. At $300 I wouldn't run out and buy one.
>

Scott Hansen <evanpeewee@gmail.com> was like:
>>
>> posting, just saw it, need to read about it:
>>
>> http://www.korg.com/product.aspx?pd=566
>

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I thought I'd mention a couple of Roland product I tried out recently  
that buskers and acoustic instrumentalists might dig, the new Roland  
battery operated AC33,
http://www.rolandus.com/products/productdetails.php?ProductId=1052&tab=support 
  that has a built in 40 second looper, that though simple ,works  
well, with a dual footswitch like the FS-6 they make (action figure  
sold separately ). This amp is a bit larger than a roland cube and  
noticeably louder and clean sounding.
  They also came out with a battery powered mini pa amp about the size  
of a Mackie 450, the Roland BA 330 http://www.rolandus.com/products/productdetails.php?ProductId=1025&ParentId=420 
  that really filled the music store show room.
Bill
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I thought I'd mention a couple =
of Roland product I tried out recently that buskers and acoustic =
instrumentalists might dig, the new Roland battery operated =
AC33,&nbsp;<div><a =
href=3D"http://www.rolandus.com/products/productdetails.php?ProductId=3D10=
52&amp;tab=3Dsupport">http://www.rolandus.com/products/productdetails.php?=
ProductId=3D1052&amp;tab=3Dsupport</a>&nbsp;that has a built in 40 =
second looper, that though simple ,works well, with a dual footswitch =
like the FS-6 they make (action figure sold separately ). This amp is a =
bit larger than a roland cube and noticeably louder and clean =
sounding.</div><div>&nbsp;They also came out with a battery powered mini =
pa amp about the size of a Mackie 450, the Roland BA 330&nbsp;<a =
href=3D"http://www.rolandus.com/products/productdetails.php?ProductId=3D10=
25&amp;ParentId=3D420">http://www.rolandus.com/products/productdetails.php=
?ProductId=3D1025&amp;ParentId=3D420</a>&nbsp;that really filled the =
music store show room.</div><div>Bill</div></body></html>=

--Apple-Mail-1-734832413--

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If you don't need two swell pedals, remove the power supply, mod it for 
phantom power through a 7-pin MIDI cable, cut off the outermost swell 
and refit the plactic endcover, and you'll have a more compact FCB1010.


Clifford Novey wrote:
> Ok cool- just wish I could find a midi pedal that was smaller than the 
> Behringer.
> Thanks again
> C
> 
> On Sat, Apr 10, 2010 at 5:23 AM, Matthias Grob <matilists@gmail.com 
> <mailto:matilists@gmail.com>> wrote:
> 
>      > In terms of my other question about adding buttons to the foot
>     controller- looks like each has its own unique resistor value- is it
>     possible to add more switches with other resistors for more options?
> 
>     if you double the resistor value once again, you get the Parameter
>     button. thats all. and its not very reliable.
> 
>      > I am guessing not as I can imagine it would have been done already?
> 
>     yes :-)


-- 
rgds,
van Sinn

From evelynjj4life@jones.com  Mon Apr 12 19:49:37 2010
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From: "Mrs. Evelyn Jones" <evelynjj4life@jones.com>
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Subject: Hope you act sincerely
Date: Tue, 13 Apr 2010 04:25:26 +0900
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Hello,

   My name is Evelyn Jones I got your email from a message forwarded to me
and decided to contact you.I am a citizen of the United State of
America and have lived here in Ghana for about 20 years, I am a dying
woman who have decided to donate what I have to you.I am 55 years old
and was diagnosed for leukemia about 2 years ago,immediately after the
death of my husband,who had left me everything he worked for.I have
been touched by God to donate from what I have inherited from my late
husband to you for the good work of God,rather than allowing my
relatives to use my husband's hard earned funds ungodly.I have asked
God to forgive me all my sins and i believe he has because He is a
merciful God.

I will be going in for an operation,and i pray that i survive the
operation. I have decided to WILL/donate the sum of $10,800,000.00
dollars) to you for the good work of the lord,and to help the
motherless,less privileged and also for the assistance of the widows.At
the moment I cannot take any telephone calls,due to the fact that my
relatives are around me and i have been restricted by my doctor from
taking telephone calls because i deserve all the rest i can get.

Presently,I have informed my lawyer about my decision in WILLING this fund
to you.I wish you all the best and may the good Lord bless you abundantly
and please use the funds well and always extend the good work to others.

Kindly Contact my lawyer through this email address(elvischamber@live.nl)
If you are interested in carrying out this task,so that he can arrange the
release of the funds ($10,800,000.00 dollars) to you.My lawyer's name is
Barrister Elvis Delali. I know I have never met you but my mind tells me
to do this,and i hope you act sincerely.

NB:I will appreciate your utmost confidentiality in this matter until the
task is accomplish,as I don't want anything that will Jeopardize my last
wish,due to the fact that i do not want relatives or family members
standing in the way of my last wish.

Thank you and God bless you.
Mrs. Evelyn Jones


From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 20:03:03 2010
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Message-ID: <4BC37C5A.3090609@googlemail.com>
Date: Mon, 12 Apr 2010 22:02:34 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: OT: Recording Drums - gear selection
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I'm addressing the multitude of drummers and recording engineers here 
for a quick ot question:

I'm about to record a jazz piano trio (p/electric bass/dr) in a sound 
with some slight funk/rock/latin influences, perhaps a mix of Corea's 
80ies self-titled "Akoustic Band" and Brad Mehldau's "Live".

The question is one of recording technology, more specifically, which 
microphones to use for the drumset (bass and piano can be considered 
"taken care of").

The room is average size (ca. 20 m^2), and sounds ok, but not great 
(relatively dry though). The trapset is your standard setup, consisting 
of (20'') BD, SD, 3xTT, HH, RC and 3 Crashes. The drummer is a guy who 
is very capable in tuning and playing a drum kit so it sounds well, so 
those conditions are already "ok".

Soooo, which microphones to use, how to place them, and how many 
channels to use.

There can be up to 20 channels if necessary, however due to logistics 
considerations, I'd prefer to use a maximum of 9 channels for the drums. 
Note also that of the 9 channels, 2 are better quality (TC micpres and 
A/Ds vs. Behringer micpres w/ Behringer implementation of Alesis 
chipset), so it would make sense to recommend which mikes/channels 
should make use of those two better-quallity channels.

The available microphones (this list is not pre-selected in any way, so 
don't be surprised what I list here...):
BD-specific:
AKG D112
E/V N/D 868
Sennheiser e901

others, dynamic:
Shure SM57 (3)
Shure SM58 clone (4)
Beyer M201N (3)
Beyer M88N
Beyer M260 ribbon (2)

others, condenser:
Audio Technica AT 4050
Behringer B2
Rode NT-1A (2)
Rode NT-1
Studio Projects C4 (2) (matched pair) - these come with omni and 
cardioid capsules
Beyer Opus87 (4)
Crown PZM-20D
Behringer ECM8000 (2)
AKG Solidtube
AKG C1000S (2)


I think we all know about that minimum stereo config (and stereo is a 
requirement for me) of 1xBD, 1xSD and 2xOH...which still gives us 5 free 
channels (in the "small" setup): Toms with the Opus87? Additional 
bassdrum e901? And another mic on the hh or ride (which one, and which)? 
Or something different altogether? Does it make sense to have an 
additional pair of "trashy overheads" (SM57), or is it more 
ressource-friendly to get that same effect from the normal OHs and 
processing?

What to use for the SD? What for the OHs (I'd choose C4s with omni 
capsules, because I like omnis)?...

Questions, question.

Thanks for your input,

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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From evelynjj4life@jones.com  Mon Apr 12 20:30:55 2010
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From: "Mrs. Evelyn Jones" <evelynjj4life@jones.com>
Reply-To: elvischamber@live.nl
Subject: Hope you act sincerely
Date: Tue, 13 Apr 2010 04:24:27 +0900
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Hello,

   My name is Evelyn Jones I got your email from a message forwarded to me
and decided to contact you.I am a citizen of the United State of
America and have lived here in Ghana for about 20 years, I am a dying
woman who have decided to donate what I have to you.I am 55 years old
and was diagnosed for leukemia about 2 years ago,immediately after the
death of my husband,who had left me everything he worked for.I have
been touched by God to donate from what I have inherited from my late
husband to you for the good work of God,rather than allowing my
relatives to use my husband's hard earned funds ungodly.I have asked
God to forgive me all my sins and i believe he has because He is a
merciful God.

I will be going in for an operation,and i pray that i survive the
operation. I have decided to WILL/donate the sum of $10,800,000.00
dollars) to you for the good work of the lord,and to help the
motherless,less privileged and also for the assistance of the widows.At
the moment I cannot take any telephone calls,due to the fact that my
relatives are around me and i have been restricted by my doctor from
taking telephone calls because i deserve all the rest i can get.

Presently,I have informed my lawyer about my decision in WILLING this fund
to you.I wish you all the best and may the good Lord bless you abundantly
and please use the funds well and always extend the good work to others.

Kindly Contact my lawyer through this email address(elvischamber@live.nl)
If you are interested in carrying out this task,so that he can arrange the
release of the funds ($10,800,000.00 dollars) to you.My lawyer's name is
Barrister Elvis Delali. I know I have never met you but my mind tells me
to do this,and i hope you act sincerely.

NB:I will appreciate your utmost confidentiality in this matter until the
task is accomplish,as I don't want anything that will Jeopardize my last
wish,due to the fact that i do not want relatives or family members
standing in the way of my last wish.

Thank you and God bless you.
Mrs. Evelyn Jones


From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 20:33:45 2010
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Subject: Re: OT: Recording Drums - gear selection
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On Mon, Apr 12, 2010 at 10:02 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> I think we all know about that minimum stereo config (and stereo is a
> requirement for me) of 1xBD, 1xSD and 2xOH...which still gives us 5 free
> channels (in the "small" setup): Toms with the Opus87? Additional bassdrum
> e901

I can't tell much about the mics because I have mostly been on the
musician side whenever a drum set have  been captured and I don't walk
around the studio to check on drum mics when I'm supposed to play my
guitar part and get out of there. But I have been given a lot of band
recordings to mix and my experience with that is you should use those
extra channels to get close-ups of the toms. That may come in handy in
the mix since it allows you to pick out just a defined frequency band
of the toms for reverb processing or other. Generally I'm finding my
drum mixing often starts by the overhead stereo mics and then I add in
certain frequency bands from the closely positioned mics if needed.

The SM57 is good for the snare, BTW. That's a classic I have not been
able to escape ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From sarah.g101@live.com  Mon Apr 12 20:47:20 2010
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From: "Sarah Gold"<sarah.g101@live.com>
Subject: HELLO...
Date: Mon, 12 Apr 2010 21:40:10 +0100
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Hello,
 
Please i know my email come to you unexpected,help me if you are in the possition of help about late father consignment. My name is Sarah Gold i am 17 years old i am from liberia and i am living in refugee camp in ghana now because of the war that happen in our country some times ago and my father told me that he have 200kg of diamond and 300kg of gold that inside the boxes of consigment and some family valuable goods that he deposited with security company.
      
I really need your urgent help because Mrs. Ruby Robinson who live in America promise to help me receive this consignment last year but when the security company want to deliver this consignment to him last year after the security company agent arrive to america to deliver my late father consignment to Mrs. Ruby Robinson, they told the security company agent that Mrs. Ruby Robinson has car accident two days before the security company agent arrive to America and Mrs. Ruby Robinson died. The security company agent cannot deliver my late father consignment to any body,the security company return my late father consignment back to Ghana,now are you the God sent to help me receive this consignment.please write back to me this is the document of this consignment here to show proof.
   
  i know that you will help me receve my late father consignment.But i need to explain everything to you so that you will know best way to help me,see the document attach below that my late father give to me before he died. i want you to help me contact the security company manager and you will tell him that you are the beneficiary of the two trunk boxes that mr. Amos Gold my late father deposited with their security company.After the two trunk boxes is deliver to you, you will send me some money to come to you in your country and start a new life over there and i can also complete my education because my English is nor good, i want you to accept me as a member of your family and i will accept you as my father and mother since i did not have any father and mother.Please dont let my talent die in the refugee camp here because my dream is to be come a Doctor in future.
thank you very mch i wait email from you.
 
please Please send me your phone number so that i can talk to you or send you sms
Sarah Gold.

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The AC33 looks pretty cool, Bill! One thing I could not find out by
the web or downloadable PDF manual is if you can adjust reverb
individually for two simultaneous instruments?

Also, what happens if you feed it with a bass guitar? Does it have a
frequency cut off filter to protect the small built-in spekara? If so,
is the full bass signal passed to the aux output? I'm asking this to
find if it suits Stick playing (where you would need an extra boom box
for bass)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Mon, Apr 12, 2010 at 9:16 PM, William Walker <billwalker@baymoon.com> wr=
ote:
> I thought I'd mention a couple of Roland product I tried out recently tha=
t
> buskers and acoustic instrumentalists might dig, the new Roland battery
> operated AC33,
> http://www.rolandus.com/products/productdetails.php?ProductId=3D1052&tab=
=3Dsupport=C2=A0that
> has a built in 40 second looper, that though simple ,works well, with a d=
ual
> footswitch like the FS-6 they make (action figure sold separately ). This
> amp is a bit larger than a roland cube and noticeably louder and clean
> sounding.
> =C2=A0They also came out with a battery powered mini pa amp about the siz=
e of a
> Mackie 450, the Roland BA
> 330=C2=A0http://www.rolandus.com/products/productdetails.php?ProductId=3D=
1025&ParentId=3D420=C2=A0that
> really filled the music store show room.
> Bill

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Subject: Re: OT: Recording Drums - gear selection
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Rainer Straschill wrote:

> microphones to use for the drumset (bass and piano can be considered 
> "taken care of").

ok, but I don't know most of those mics

> 

> Note also that of the 9 channels, 2 are better quality 

use those for the overheads, 



> 
> The available microphones (this list is not pre-selected in any way, so 
> don't be surprised what I list here...):
> BD-specific:
> AKG D112

if you want that 80's click, use the 112,
otherwise avoid.
(peak at 4kHz for the click)

> E/V N/D 868
> Sennheiser e901
> 
> others, dynamic:
> Shure SM57 (3)

that's v.popular for snare,
( but I don't have experience of that)

> What for the OHs (I'd choose C4s with omni 
> Studio Projects C4 (2) (matched pair) - these come with omni and 
> cardioid capsules

I don't know the mics, but as they're a stereo pair and you like them.
I'd go for cardioid to get a full stereo.
Might be worth trying the Rodes.


> I think we all know about that minimum stereo config (and stereo is a 
> requirement for me) of 1xBD, 1xSD and 2xOH...which still gives us 5 free 
> channels (in the "small" setup): Toms with the Opus87? Additional 
> bassdrum e901? And another mic on the hh or ride (which one, and which)? 

it's very unlikely you'll need a mic on the ride, actually the 
trick is not to get too much cymbal in the OH.

mic on the HH is useful as you bring up the snare and kick.

>Does it make sense to have an 
> additional pair of "trashy overheads" (SM57), 

no.
(no reason not to try ;-)

my wildcard suggestion would be kick drum mic from the pedal side.


andy






From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 21:35:39 2010
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Subject: Re: Few questions about foot controllers etc.
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I did not know about this power over midi option... sounds great, but I =
doubt the EDP has enough power supply reserve current to add such supply =
now :-(

On 12 Apr 2010, at 17:02, cnovey@gmail.com wrote:

> I would be into that- didn't know the EDP offered power over midi- or =
is that not the case?
> Thanks for the tip!
> C
> ------Original Message------
> From: van Sinn
> To: Loopers-Delight@loopers-delight.com
> ReplyTo: Loopers-Delight@loopers-delight.com
> Subject: Re: Few questions about foot controllers etc.
> Sent: Apr 12, 2010 12:11 PM
>=20
> If you don't need two swell pedals, remove the power supply, mod it =
for=20
> phantom power through a 7-pin MIDI cable, cut off the outermost swell=20=

> and refit the plactic endcover, and you'll have a more compact =
FCB1010.
>=20
>=20
> Clifford Novey wrote:
>> Ok cool- just wish I could find a midi pedal that was smaller than =
the=20
>> Behringer.
>> Thanks again
>> C
>>=20
>> On Sat, Apr 10, 2010 at 5:23 AM, Matthias Grob <matilists@gmail.com=20=

>> <mailto:matilists@gmail.com>> wrote:
>>=20
>>> In terms of my other question about adding buttons to the foot
>>    controller- looks like each has its own unique resistor value- is =
it
>>    possible to add more switches with other resistors for more =
options?
>>=20
>>    if you double the resistor value once again, you get the Parameter
>>    button. thats all. and its not very reliable.
>>=20
>>> I am guessing not as I can imagine it would have been done already?
>>=20
>>    yes :-)
>=20
>=20
> --=20
> rgds,
> van Sinn
>=20
>=20
>=20
> Sent via BlackBerry from T-Mobile

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Roland AC33 w/looper
Date: Mon, 12 Apr 2010 22:44:33 +0100
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That would be a perfect busking amp for me - thanks Per

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Apr 2010, at 21:51, Per Boysen wrote:

> The AC33 looks pretty cool, Bill! One thing I could not find out by
> the web or downloadable PDF manual is if you can adjust reverb
> individually for two simultaneous instruments?
>
> Also, what happens if you feed it with a bass guitar? Does it have a
> frequency cut off filter to protect the small built-in spekara? If so,
> is the full bass signal passed to the aux output? I'm asking this to
> find if it suits Stick playing (where you would need an extra boom box
> for bass)
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Mon, Apr 12, 2010 at 9:16 PM, William Walker  
> <billwalker@baymoon.com> wrote:
>> I thought I'd mention a couple of Roland product I tried out  
>> recently that
>> buskers and acoustic instrumentalists might dig, the new Roland  
>> battery
>> operated AC33,
>> http://www.rolandus.com/products/productdetails.php? 
>> ProductId=1052&tab=support that
>> has a built in 40 second looper, that though simple ,works well,  
>> with a dual
>> footswitch like the FS-6 they make (action figure sold  
>> separately ). This
>> amp is a bit larger than a roland cube and noticeably louder and  
>> clean
>> sounding.
>>  They also came out with a battery powered mini pa amp about the  
>> size of a
>> Mackie 450, the Roland BA
>> 330 http://www.rolandus.com/products/productdetails.php? 
>> ProductId=1025&ParentId=420 that
>> really filled the music store show room.
>> Bill
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
That would be a perfect busking amp for me - thanks =
Per<div><br><div><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Apr 2010, =
at 21:51, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">The AC33 looks pretty cool, Bill! One thing I could =
not find out by</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">the web or downloadable PDF =
manual is if you can adjust reverb</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">individually =
for two simultaneous instruments?</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Also, what happens if you feed =
it with a bass guitar? Does it have a</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">frequency cut off filter to protect the small built-in spekara? If =
so,</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">is the full bass signal passed =
to the aux output? I'm asking this to</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">find if =
it suits Stick playing (where you would need an extra boom box</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">for bass)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Greetings from Sweden</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Per =
Boysen</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.boysen.se</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.perboysen.com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.looproom.com internet music hub</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Mon, Apr 12, 2010 at 9:16 PM, William Walker =
&lt;<a =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt; =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I thought I'd =
mention a couple of Roland product I tried out recently that</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">buskers and acoustic instrumentalists might dig, the =
new Roland battery</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">operated AC33,</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://www.rolandus.com/products/productdetails.php?ProductId=3D10=
52&amp;tab=3Dsupport">http://www.rolandus.com/products/productdetails.php?=
ProductId=3D1052&amp;tab=3Dsupport</a>&nbsp;that</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">has a built in 40 second looper, that though simple =
,works well, with a dual</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">footswitch =
like the FS-6 they make (action figure sold separately ). This</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">amp is a bit larger than a roland cube and =
noticeably louder and clean</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">sounding.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp;They also came out with a =
battery powered mini pa amp about the size of a</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Mackie 450, the Roland BA</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">330&nbsp;<a =
href=3D"http://www.rolandus.com/products/productdetails.php?ProductId=3D10=
25&amp;ParentId=3D420">http://www.rolandus.com/products/productdetails.php=
?ProductId=3D1025&amp;ParentId=3D420</a>&nbsp;that</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">really filled the music store show room.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Bill</div> </blockquote><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div> =
</blockquote></div><br></div></div></body></html>=

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From: Mr. Edward Tan
Date: 12TH APRIL 2010
 
Good day and may the blessings of this day rest on you, hope you are in good health? Please do not take this unserious, i plead your pardon for my approach, ok. My name is Mr. Edward Tan. I trained and work as an external auditor for the Development Bank of Singapore (DBS). I had taken pains to find your contact through personal endeavors.
 
A foreigner with thesame last name as yours, died here in Singapore, twelve years ago leaving behind an estate/capital (US$31.8M with interest) here in DBS where I work, till date nobody has come forward or put application for the claim.
 
I can confirm with certainty that the said investor died intestate, no next-of-kin to his estate and no body came forward all these years. I am of the settled conviction that using my insider leverage, I, working with you can secure the funds in the account for us instead of allowing it pass as unclaimed funds into the coffers of the Government of Singapore. This is especially possible as you bear the same LAST NAME to the said investor, of course you shall be handsomely rewarded for your part in this transaction as me and my colleague are prepared to allocate a 20% of the total funds for your efforts.
 
Affirm your willingness and cooperation please,by replying me stating your FULL NAME, DATE OF BIRTH, TELEPHONE NUMBER, FAX NUMBER, AND CONTACT ADDRESS.

I do expect you prompt response.
 
Thank you,
Mr. E. Tan.

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 21:46:42 2010
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Andy,
>> Note also that of the 9 channels, 2 are better quality 
> use those for the overheads,
What I was thinking ;)
> if you want that 80's click, use the 112,
> otherwise avoid.
> (peak at 4kHz for the click)
>
I did rather think about using the
>> E/V N/D 868
Reason: while it also has some click (might need to cure that w/ EQ a 
little), it has a much lower LF peak than the D112, so click, yes, but 
with a deep vs. a higher punch.
>> Shure SM57 (3)
> that's v.popular for snare,
> ( but I don't have experience of that)
The M201 also does well on that, imo
> I don't know the mics, but as they're a stereo pair and you like them.
> I'd go for cardioid to get a full stereo.
I have some liking for a really artificially wide A/B, and was actually 
planning to do stereo panning w/ delays vs levels for the individual 
mics (sd, toms if needed), too.
> Might be worth trying the Rodes.
That's what I was thinking...;)
> it's very unlikely you'll need a mic on the ride, actually the trick 
> is not to get too much cymbal in the OH.
Which I could, as I understand, avoid by a) moving the mics farther away 
from the cymbals (thus making the toms relatively louder) or b) 
closemiking the toms...
> my wildcard suggestion would be kick drum mic from the pedal side.
Never thought about that...what is the kind of sound you'd expect to get 
from that? And what would you then use for both sides of the BD? E/V N/D 
on the pedal side, e901 in the BD (or PZM-20D in front of the BD)?

Thanks,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 21:55:46 2010
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Date: Tue, 13 Apr 2010 05:55:44 +0800
Message-ID: <h2ybe6db5df1004121455hdb0c4c63w1eaa023c0e0c0c57@mail.gmail.com>
Subject: Re: Live looping track
From: halim zainal <halimzainal@gmail.com>
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--001636e1fbfdf47aa3048411343e
Content-Type: text/plain; charset=ISO-8859-1

I'm still learning how to use the EDP. The guys here in Loopers Delight such
as Rick, Per and Andy are helping me out with mine. such good guys they are
:)

Best Regards
Halimski.

On Mon, Apr 12, 2010 at 4:18 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Thanks Halimski - I'm going to have to fire up my EDP soon!!
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 11 Apr 2010, at 20:37, halim zainal wrote:
>
> That is super cool. Really enjoyed it.
>
> Halimski.
>
> On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
>> Hey guys
>>
>> Just wanted to tell you about this - its a live version of one of my songs
>> all live looped - its part of the Sunday Free Noodle project that a few of
>> the LD guys have contributed to
>> http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html - have a listen!
>>
>> The equipment used was a line 6 DL4 and a cheapo volume pedal - as basic
>> as it gets really.
>>
>> Let me know what you think
>>
>> Cool
>>
>>
>>  Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>>
>
>

--001636e1fbfdf47aa3048411343e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>I&#39;m still learning how to use the EDP. The guys here in Loopers De=
light such as Rick, Per and Andy are helping me out with mine. such good gu=
ys they are :)</div><div><br></div><div>Best Regards</div><div>Halimski.</d=
iv>
<br><div class=3D"gmail_quote">On Mon, Apr 12, 2010 at 4:18 AM, Matt Steven=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com"=
>mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;pad=
ding-left:1ex;">
<div style=3D"word-wrap:break-word">
Thanks Halimski - I&#39;m going to have to fire up my EDP soon!!<div><br></=
div><div><div class=3D"im"><br><div> <span style=3D"border-collapse:separat=
e;color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal=
;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:n=
ormal;text-align:auto;text-indent:0px;text-transform:none;white-space:norma=
l;word-spacing:0px"><span style=3D"border-collapse:separate;color:rgb(0, 0,=
 0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-indent=
:0px;text-transform:none;white-space:normal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></div><div><div class=3D"h5=
"><div><div>On 11 Apr 2010, at 20:37, halim zainal wrote:</div><br><blockqu=
ote type=3D"cite"><div>That is super cool. Really enjoyed it.<br></div><div=
>
<br></div><div>Halimski.</div><br><div class=3D"gmail_quote">On Mon, Apr 12=
, 2010 at 1:38 AM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mat=
tstevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btintern=
et.com</a>&gt;</span> wrote:<br>
 <blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1=
px #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word"> Hey gu=
ys<div><br></div><div>Just wanted to tell you about this - its a live versi=
on of one of my songs all live looped - its part of the Sunday Free Noodle =
project that a few of the LD guys have contributed to=A0<a href=3D"http://m=
attstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html" target=3D=
"_blank">http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-1=
0.html</a> =A0- have a listen!</div>
 <div><br></div><div>The equipment used was a line 6 DL4 and a cheapo volum=
e pedal - as basic as it gets really.</div><div><br></div><div>Let me know =
what you think</div><div><br></div><div>Cool</div><div><br><font color=3D"#=
888888"><br>
 <div> <span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-fami=
ly:Helvetica;font-size:12px;font-style:normal;font-variant:normal;font-weig=
ht:normal;letter-spacing:normal;line-height:normal;text-align:auto;text-ind=
ent:0px;text-transform:none;white-space:normal;word-spacing:0px"><span styl=
e=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font=
-size:12px;font-style:normal;font-variant:normal;font-weight:normal;letter-=
spacing:normal;line-height:normal;text-indent:0px;text-transform:none;white=
-space:normal;word-spacing:0px"><div>
 Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
 <div><br></div></span><br></span><br> </div><br></font></div></div></block=
quote></div><br></blockquote></div><br></div></div></div></div></blockquote=
></div><br>

--001636e1fbfdf47aa3048411343e--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Live looping track
Date: Mon, 12 Apr 2010 23:03:01 +0100
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Lol - they really are! I played a gig with Andy once - felt like  
giving up the whole looping thing - amazing.  More four tet than rock  
guitar.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Apr 2010, at 22:55, halim zainal wrote:

> I'm still learning how to use the EDP. The guys here in Loopers  
> Delight such as Rick, Per and Andy are helping me out with mine.  
> such good guys they are :)
>
> Best Regards
> Halimski.
>
> On Mon, Apr 12, 2010 at 4:18 AM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Thanks Halimski - I'm going to have to fire up my EDP soon!!
>
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 11 Apr 2010, at 20:37, halim zainal wrote:
>
>> That is super cool. Really enjoyed it.
>>
>> Halimski.
>>
>> On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens  
>> <mattstevensguitar@btinternet.com> wrote:
>> Hey guys
>>
>> Just wanted to tell you about this - its a live version of one of  
>> my songs all live looped - its part of the Sunday Free Noodle  
>> project that a few of the LD guys have contributed to http:// 
>> mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html   
>> - have a listen!
>>
>> The equipment used was a line 6 DL4 and a cheapo volume pedal - as  
>> basic as it gets really.
>>
>> Let me know what you think
>>
>> Cool
>>
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>>
>
>


--Apple-Mail-5-744805954
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Lol - they really are! I played a gig with Andy once - felt like giving =
up the whole looping thing - amazing. &nbsp;More four tet than rock =
guitar.<div><br><div><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Apr 2010, =
at 22:55, halim zainal wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div>I'm =
still learning how to use the EDP. The guys here in Loopers Delight such =
as Rick, Per and Andy are helping me out with mine. such good guys they =
are :)</div><div><br></div><div>Best Regards</div><div>Halimski.</div> =
<br><div class=3D"gmail_quote">On Mon, Apr 12, 2010 at 4:18 AM, Matt =
Stevens <span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;"> <div style=3D"word-wrap:break-word"> Thanks =
Halimski - I'm going to have to fire up my EDP =
soon!!<div><br></div><div><div class=3D"im"><br><div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> </div><br></div><div><div =
class=3D"h5"><div><div>On 11 Apr 2010, at 20:37, halim zainal =
wrote:</div><br><blockquote type=3D"cite"><div>That is super cool. =
Really enjoyed it.<br></div><div> <br></div><div>Halimski.</div><br><div =
class=3D"gmail_quote">On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt;</span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex"><div =
style=3D"word-wrap:break-word"> Hey guys<div><br></div><div>Just wanted =
to tell you about this - its a live version of one of my songs all live =
looped - its part of the Sunday Free Noodle project that a few of the LD =
guys have contributed to&nbsp;<a =
href=3D"http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-1=
0.html" =
target=3D"_blank">http://mattstevensguitar.blogspot.com/2010/04/sunday-fre=
e-noodle-10.html</a> &nbsp;- have a listen!</div> =
<div><br></div><div>The equipment used was a line 6 DL4 and a cheapo =
volume pedal - as basic as it gets really.</div><div><br></div><div>Let =
me know what you think</div><div><br></div><div>Cool</div><div><br><font =
color=3D"#888888"><br> <div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> =
</div><br></font></div></div></blockquote></div><br></blockquote></div><br=
></div></div></div></div></blockquote></div><br></blockquote></div><br></d=
iv></div></body></html>=

--Apple-Mail-5-744805954--

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	 <8AF364E3-14DA-4134-A2E4-D812B4B3E270@btinternet.com>
Date: Tue, 13 Apr 2010 00:15:31 +0200
Message-ID: <p2t66f9cc1e1004121515o882b0f27r1225cb1d36ce8ea7@mail.gmail.com>
Subject: Re: Roland AC33 w/looper
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Mon, Apr 12, 2010 at 11:44 PM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> That would be a perfect busking amp for me - thanks Per

Well, thanks.... but this was actually Bill's hint!

Per

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 22:18:15 2010
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Date: Tue, 13 Apr 2010 06:18:13 +0800
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Subject: Re: Live looping track
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--001636988bea62703c048411853f
Content-Type: text/plain; charset=ISO-8859-1

Lol. I felt the same when i saw you guys rock it out. Four Tet the band from
UK? Hope to see you and the guys perform this coming Y2K.

On Tue, Apr 13, 2010 at 6:03 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Lol - they really are! I played a gig with Andy once - felt like giving up
> the whole looping thing - amazing.  More four tet than rock guitar.
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 12 Apr 2010, at 22:55, halim zainal wrote:
>
> I'm still learning how to use the EDP. The guys here in Loopers Delight
> such as Rick, Per and Andy are helping me out with mine. such good guys they
> are :)
>
> Best Regards
> Halimski.
>
> On Mon, Apr 12, 2010 at 4:18 AM, Matt Stevens <
> mattstevensguitar@btinternet.com> wrote:
>
>>  Thanks Halimski - I'm going to have to fire up my EDP soon!!
>>
>>
>>  Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 11 Apr 2010, at 20:37, halim zainal wrote:
>>
>> That is super cool. Really enjoyed it.
>>
>> Halimski.
>>
>> On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens <
>> mattstevensguitar@btinternet.com> wrote:
>>
>>> Hey guys
>>>
>>> Just wanted to tell you about this - its a live version of one of my
>>> songs all live looped - its part of the Sunday Free Noodle project that a
>>> few of the LD guys have contributed to
>>> http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html - have a listen!
>>>
>>> The equipment used was a line 6 DL4 and a cheapo volume pedal - as basic
>>> as it gets really.
>>>
>>> Let me know what you think
>>>
>>> Cool
>>>
>>>
>>>  Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>>
>>
>>
>
>

--001636988bea62703c048411853f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Lol. I felt the same when i saw you guys rock it out. Four Tet the band fro=
m UK? Hope to see you and the guys perform this coming Y2K.=A0<br><br><div =
class=3D"gmail_quote">On Tue, Apr 13, 2010 at 6:03 AM, Matt Stevens <span d=
ir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com">mattstev=
ensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">
Lol - they really are! I played a gig with Andy once - felt like giving up =
the whole looping thing - amazing. =A0More four tet than rock guitar.<div><=
br><div><div class=3D"im"><div> <span style=3D"border-collapse:separate;col=
or:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-style:normal;font=
-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal=
;text-align:auto;text-indent:0px;text-transform:none;white-space:normal;wor=
d-spacing:0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, 0);f=
ont-family:Helvetica;font-size:12px;font-style:normal;font-variant:normal;f=
ont-weight:normal;letter-spacing:normal;line-height:normal;text-indent:0px;=
text-transform:none;white-space:normal;word-spacing:0px"><div>
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
<div><br></div></span><br></span><br> </div><br></div><div><div class=3D"h5=
"><div><div>On 12 Apr 2010, at 22:55, halim zainal wrote:</div><br><blockqu=
ote type=3D"cite"><div>I&#39;m still learning how to use the EDP. The guys =
here in Loopers Delight such as Rick, Per and Andy are helping me out with =
mine. such good guys they are :)</div>
<div><br></div><div>Best Regards</div><div>Halimski.</div> <br><div class=
=3D"gmail_quote">On Mon, Apr 12, 2010 at 4:18 AM, Matt Stevens <span dir=3D=
"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_bl=
ank">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex"> <div style=3D"word-wrap:break-word"> Thanks=
 Halimski - I&#39;m going to have to fire up my EDP soon!!<div><br></div><d=
iv>
<div><br><div> <span style=3D"border-collapse:separate;color:rgb(0, 0, 0);f=
ont-family:Helvetica;font-size:12px;font-style:normal;font-variant:normal;f=
ont-weight:normal;letter-spacing:normal;line-height:normal;text-align:auto;=
text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"><s=
pan style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvet=
ica;font-size:12px;font-style:normal;font-variant:normal;font-weight:normal=
;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:no=
ne;white-space:normal;word-spacing:0px"><div>
 Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
 <div><br></div></span><br></span><br> </div><br></div><div><div><div><div>=
On 11 Apr 2010, at 20:37, halim zainal wrote:</div><br><blockquote type=3D"=
cite"><div>That is super cool. Really enjoyed it.<br></div><div> <br></div>
<div>Halimski.</div><br><div class=3D"gmail_quote">On Mon, Apr 12, 2010 at =
1:38 AM, Matt Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensgu=
itar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet.com</a>=
&gt;</span> wrote:<br>
 <blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1=
px #ccc solid;padding-left:1ex"><div style=3D"word-wrap:break-word"> Hey gu=
ys<div><br></div><div>Just wanted to tell you about this - its a live versi=
on of one of my songs all live looped - its part of the Sunday Free Noodle =
project that a few of the LD guys have contributed to=A0<a href=3D"http://m=
attstevensguitar.blogspot.com/2010/04/sunday-free-noodle-10.html" target=3D=
"_blank">http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-1=
0.html</a> =A0- have a listen!</div>
 <div><br></div><div>The equipment used was a line 6 DL4 and a cheapo volum=
e pedal - as basic as it gets really.</div><div><br></div><div>Let me know =
what you think</div><div><br></div><div>Cool</div><div><br><font color=3D"#=
888888"><br>
 <div> <span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-fami=
ly:Helvetica;font-size:12px;font-style:normal;font-variant:normal;font-weig=
ht:normal;letter-spacing:normal;line-height:normal;text-align:auto;text-ind=
ent:0px;text-transform:none;white-space:normal;word-spacing:0px"><span styl=
e=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font=
-size:12px;font-style:normal;font-variant:normal;font-weight:normal;letter-=
spacing:normal;line-height:normal;text-indent:0px;text-transform:none;white=
-space:normal;word-spacing:0px"><div>
 Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" target=
=3D"_blank">www.mattstevensguitar.com</a></div><div><a href=3D"mailto:matts=
tevensguitar@btinternet.com" target=3D"_blank">mattstevensguitar@btinternet=
.com</a></div>
 <div><br></div></span><br></span><br> </div><br></font></div></div></block=
quote></div><br></blockquote></div><br></div></div></div></div></blockquote=
></div><br></blockquote></div><br></div></div></div></div></div></blockquot=
e>
</div><br>

--001636988bea62703c048411853f--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Roland AC33 w/looper
Date: Tue, 13 Apr 2010 00:06:15 +0100
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ooop!! Apologies

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Apr 2010, at 23:15, Per Boysen wrote:

> On Mon, Apr 12, 2010 at 11:44 PM, Matt Stevens
> <mattstevensguitar@btinternet.com> wrote:
>> That would be a perfect busking amp for me - thanks Per
>
> Well, thanks.... but this was actually Bill's hint!
>
> Per
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
ooop!! Apologies<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
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white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Apr 2010, =
at 23:15, Per Boysen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">On Mon, Apr 12, 2010 at 11:44 PM, Matt =
Stevens</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt; wrote:</div> <blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">That would be a perfect busking amp for me - thanks =
Per</div> </blockquote><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Well, thanks.... but this was actually Bill's =
hint!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Per</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote></div><br></div></body></html>=

--Apple-Mail-6-748599756--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 23:19:30 2010
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Dear Rainer,

It it were me,

I would use the

*D112  on the kick* (it's no problem to have that 4k peak;   just eq it 
out if you don't like the older styled click,
just make sure that you use a parametric and make the frequency band as 
narrow as possible before you
'remove' the peak'  (you probably do but if you don't,  make a very, 
very tight notch in your parametric and then
turn it up fully and slowly sweep your waveform with 
it...............the 'click' of your kick drum will obnoxiously
leap out at you..................then just take it back to 0db and start 
slowly taking it out until it sounds good to your ears.
The click also  may or may not be pronounced given that the drummer 
probably is going to use a felt beater and not a wood or plastic beater
and depending on whether , as Andy suggested, you mic from the kick side 
or the front side.  I can't be strong enough in advising
you to NOT use a 57 on the kick,  it sounds terrible compared to the D112.
By the way,  the 'click' of the bass drum from the 80's didn't just come 
from the D112's eq curve,  it came from the sensibility of
actually increasing the volume of the 4k peak.   People went so far as 
to tape quarters to their kick drums and using or wood beaters to
emphasize the click.  This probably came from the brief (mercifully) 
popularity in 80's pop production of the Simmons Electronic drums that 
had a very exaggerated
click sound.     Remember that the click also sometimes really helps the 
kick to have definition in a good way.  This is especially
true if the drummer has a  light touch on the kick or is using a 
particularly soft beater or has a particularly deeply (and flabby) kick 
drum sound.

I have to say that I can own any kick drum mic (and have) and I still 
prefer the D112.  Just remember that equalization is your friend.....lol.

*SM57 on the snare drum*  Place the microphone underneath the high hat 
(if possible) and pointed back towards the snare drum (and
away from the center of the high hat) so that the swivelling part of the 
capsule lies EXACTLY half on one side of the snare drum rim
and half on the other.  Point the mic towards the center striking point 
of the drum (to maximize that actual stick transient) and lift
it approximately 1/2" above the rim.

*SM57s one on each tom tom   *This is a trick taught to me by an audio 
engineer who worked with Jimi Hendrix and Mitch Mitchell:
Have someone take the 1st 57 on the high tom and, pointing it down, 
towards the center of the tom and approximately 6" above the head
(and NOT closer) sweep the mic across the top arc of the drum so that 
the drummer hits several times at each location.
One of the locations will stand out as being the best sound.   Lock that 
placement down with a boom stand and, keep ALL the microphones
turned on..........sweep the second SM57 over the floor tom (or 2nd tom 
tom if the drummer has three toms total) in exactly the same way.
Some where as you sweep the sound will suddenly sound full.  This will 
be because you have achieved the best phase coherence possible
given the circumstances.  If you have a third tom,  I highly recommend 
you borrow a 4th SM57.
Many engineers prefer a heftier mic (in terms of bass response) on the 
floor tom, but I find that it gives a drum set an exaggerated feel
that is not naturalistic.   I've tried every mic concievable on drumsets 
in hundreds of sessions as both a drummer and a producer
and those damned 57s just keep doing a great job of making a drumset 
sound like a drumset.

*AKG C1000S condensers as overheads  *(I suggest these because you have 
them and I don't know the other matched set you use
(C4s?  what are they.............if they are more accurate and detailed 
than the AKGs then, by all means, use them instead).
Use these on two really tall boom stands if possible.  Cross the 
boomstands over the top of the kit so that the  microphones criss cross
each other at roughly a 90 degree angle.......then position them so that 
they are looking down as evenly as possible over the cymbals.
You don't want them to close to the cymbals and, for obvious reasons, 
you can't get them very far away.
Again,   it's good to have someone criss cross the mics and slowly 
change positions (of where they are actually pointed) to see if you can
find a sweet spot.   Avoid right angles of the tip of the mic to the 
cymbal itself as you'll get crazy phase/doppler shifts as the cymbals move
when they are crashed.

A note:  really think about micing your Crashes.   There are now so many 
microphones on the kit that the ride cymbal and the high hats will
be picked up with no problem at all.     In the 80's we used to 
separately mic the hi hat but I almost never do anymore..............it 
involves
using noise gates and all kinds of things to deal with the overwhelm of 
cymbals in the mix when you do this.
*
ALTERNATELY:*
A really good ambient jazz micing set up frequently uses just a kick 
microphone and two overheards...........You'd be surprised how
good this sounds.

*A FURTHER NOTE: *   The tuning of the drumset is absolutely crucial to 
getting good sounds.
If your tom toms ring too much,  merely lift the microphone further from 
the head and DON'T TAPE or MUFFLE them,  unless you
are into that deader than anything Fleetwood Mac 'Rumors' sound which is 
very out of fashion these days.

As in all things 'microphone',  Placement is EVERYTHING,  so these are 
suggestions designed for a good tight drumset sound.
I break these rules constantly but I also am constantly looking for the 
new and exotic in drumset tones and micing strategies.
My favorite lately is the little over compressed stereo microphone on my 
old video recorder............I just get great sounding
drums out of it, but they are weird sounding drum sounds.

Good luck and contact me personally if I can be of further assistance.
yours,  Rick

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 23:29:22 2010
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Doctor T and Eric Zinman @ Outpost 186, 04.18.10
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be doing video improvisations with my old friend Eric Zinman on 
piano and euphonium at Outpost 186 in Cambridge on this coming 
Sunday. A recent studio piece I did with Eric can be seen at 
http://www.youtube.com/watch?v=wjVlie1CeUQ

I've known Eric for years, and his music keeps getting better. Eric 
just returned from a European tour and this will be an exciting show!

Here is what Eric has to say about his music:

"At the forefront of creative music for more than 20 years, 
Eric Zinman's piano playing is known in Europe and has been described 
as a "fleet and appealing touch". Rooted in the language of 
the avant garde, his vision embraces the role of the piano in the 
orchestras of the future, the piano's relation to the trap set drums, 
its touch, the way it can surround the other instruments and mark 
varying shifts in weight, the way the piano can also move lyrically 
within the whole from varying densities of sound masses to sparkling 
melodies spanning the whole keyboard."

8:00 Outpost 186, 186 Hampshire St (in the back), Cambridge

Suggested donation $10.

617.876.0860 ~ all ages ~ 
<http://www.zeitgeist-outpost.org>http://www.zeitgeist-outpost.org
--
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld




-- 


		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From Loopers-Delight-request@loopers-delight.com  Mon Apr 12 23:34:04 2010
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Date: Mon, 12 Apr 2010 16:33:58 -0700
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Subject: Re: OT: Recording Drums - gear selection
From: George Ludwig <georgeludwigmusic@gmail.com>
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Just a couple of comments...

-I've owned a pair of AKG C1000s for many years, and long ago stopped using
them as overheads. I'd prefer a mono overhead with a better mic to stereo
with the C1000s. The C1000s is a very "brash" sounding mic...sounds to me
very brittle. I hate it on cymbals. OTOH, I love it on snare if you're going
for a more snappy sound. Also, some engineers love it on guitar amps.

-I would experiment with the pair of ribbons as overheads, but you'll need
to manage the figure 8 pattern, and especially ensure that the null points
of the pattern point to the other instruments,

-This is more of a rock trick, but if you want a second channel for kick,
create a "tunnel" using cushions etc. to get a second kick mic maybe 10 feet
away from the drums, You need the tunnel to insulate the sound channel from
the other sounds. This second mic will pick up the lower frequencies.

-You mentioned an extra mic on high-hat...don't bother. No one I have ever
known has needed *more* high hat. Usually there is too much high hat.

-Personally, I'd use a mono overhead, stereo room mics, kick, and snare.
Additionally, one mic over the drummer's shoulder to hear what he hears, and
finally, another mono room mic about chest high and maybe ten feet in front
of the drums.

-Remember the three-to-one rule on phase.

-You're not recording the Eagles circa 1970...trying to close mic all the
toms is just going to cost you time and money.

-After recording, time align the tracks and choose whatever combination of
sources sounds best during *mixdown*. Don't try to make qualitative
decisions until all the other instruments have been recorded.


On Mon, Apr 12, 2010 at 4:19 PM, Rick Walker <looppool@cruzio.com> wrote:

> Dear Rainer,
>
> It it were me,
>
> I would use the
>
> *D112  on the kick* (it's no problem to have that 4k peak;   just eq it out
> if you don't like the older styled click,
> just make sure that you use a parametric and make the frequency band as
> narrow as possible before you
> 'remove' the peak'  (you probably do but if you don't,  make a very, very
> tight notch in your parametric and then
> turn it up fully and slowly sweep your waveform with it...............the
> 'click' of your kick drum will obnoxiously
> leap out at you..................then just take it back to 0db and start
> slowly taking it out until it sounds good to your ears.
> The click also  may or may not be pronounced given that the drummer
> probably is going to use a felt beater and not a wood or plastic beater
> and depending on whether , as Andy suggested, you mic from the kick side or
> the front side.  I can't be strong enough in advising
> you to NOT use a 57 on the kick,  it sounds terrible compared to the D112.
> By the way,  the 'click' of the bass drum from the 80's didn't just come
> from the D112's eq curve,  it came from the sensibility of
> actually increasing the volume of the 4k peak.   People went so far as to
> tape quarters to their kick drums and using or wood beaters to
> emphasize the click.  This probably came from the brief (mercifully)
> popularity in 80's pop production of the Simmons Electronic drums that had a
> very exaggerated
> click sound.     Remember that the click also sometimes really helps the
> kick to have definition in a good way.  This is especially
> true if the drummer has a  light touch on the kick or is using a
> particularly soft beater or has a particularly deeply (and flabby) kick drum
> sound.
>
> I have to say that I can own any kick drum mic (and have) and I still
> prefer the D112.  Just remember that equalization is your friend.....lol.
>
> *SM57 on the snare drum*  Place the microphone underneath the high hat (if
> possible) and pointed back towards the snare drum (and
> away from the center of the high hat) so that the swivelling part of the
> capsule lies EXACTLY half on one side of the snare drum rim
> and half on the other.  Point the mic towards the center striking point of
> the drum (to maximize that actual stick transient) and lift
> it approximately 1/2" above the rim.
>
> *SM57s one on each tom tom   *This is a trick taught to me by an audio
> engineer who worked with Jimi Hendrix and Mitch Mitchell:
> Have someone take the 1st 57 on the high tom and, pointing it down, towards
> the center of the tom and approximately 6" above the head
> (and NOT closer) sweep the mic across the top arc of the drum so that the
> drummer hits several times at each location.
> One of the locations will stand out as being the best sound.   Lock that
> placement down with a boom stand and, keep ALL the microphones
> turned on..........sweep the second SM57 over the floor tom (or 2nd tom tom
> if the drummer has three toms total) in exactly the same way.
> Some where as you sweep the sound will suddenly sound full.  This will be
> because you have achieved the best phase coherence possible
> given the circumstances.  If you have a third tom,  I highly recommend you
> borrow a 4th SM57.
> Many engineers prefer a heftier mic (in terms of bass response) on the
> floor tom, but I find that it gives a drum set an exaggerated feel
> that is not naturalistic.   I've tried every mic concievable on drumsets in
> hundreds of sessions as both a drummer and a producer
> and those damned 57s just keep doing a great job of making a drumset sound
> like a drumset.
>
> *AKG C1000S condensers as overheads  *(I suggest these because you have
> them and I don't know the other matched set you use
> (C4s?  what are they.............if they are more accurate and detailed
> than the AKGs then, by all means, use them instead).
> Use these on two really tall boom stands if possible.  Cross the boomstands
> over the top of the kit so that the  microphones criss cross
> each other at roughly a 90 degree angle.......then position them so that
> they are looking down as evenly as possible over the cymbals.
> You don't want them to close to the cymbals and, for obvious reasons, you
> can't get them very far away.
> Again,   it's good to have someone criss cross the mics and slowly change
> positions (of where they are actually pointed) to see if you can
> find a sweet spot.   Avoid right angles of the tip of the mic to the cymbal
> itself as you'll get crazy phase/doppler shifts as the cymbals move
> when they are crashed.
>
> A note:  really think about micing your Crashes.   There are now so many
> microphones on the kit that the ride cymbal and the high hats will
> be picked up with no problem at all.     In the 80's we used to separately
> mic the hi hat but I almost never do anymore..............it involves
> using noise gates and all kinds of things to deal with the overwhelm of
> cymbals in the mix when you do this.
> *
> ALTERNATELY:*
> A really good ambient jazz micing set up frequently uses just a kick
> microphone and two overheards...........You'd be surprised how
> good this sounds.
>
> *A FURTHER NOTE: *   The tuning of the drumset is absolutely crucial to
> getting good sounds.
> If your tom toms ring too much,  merely lift the microphone further from
> the head and DON'T TAPE or MUFFLE them,  unless you
> are into that deader than anything Fleetwood Mac 'Rumors' sound which is
> very out of fashion these days.
>
> As in all things 'microphone',  Placement is EVERYTHING,  so these are
> suggestions designed for a good tight drumset sound.
> I break these rules constantly but I also am constantly looking for the new
> and exotic in drumset tones and micing strategies.
> My favorite lately is the little over compressed stereo microphone on my
> old video recorder............I just get great sounding
> drums out of it, but they are weird sounding drum sounds.
>
> Good luck and contact me personally if I can be of further assistance.
> yours,  Rick
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--000e0cd6ad9a3dd3530484129409
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Just a couple of comments...<div><br>-I&#39;ve owned a pair of AKG C1000s f=
or many years, and long ago stopped using them as overheads. I&#39;d prefer=
 a mono overhead with a better mic to stereo with the C1000s. The C1000s is=
 a very &quot;brash&quot; sounding mic...sounds to me very brittle. I hate =
it on cymbals. OTOH, I love it on snare if you&#39;re going for a more snap=
py sound. Also, some engineers love it on guitar amps.</div>
<div><br></div><div>-I would experiment with the pair of ribbons as overhea=
ds, but you&#39;ll need to manage the figure 8 pattern, and especially ensu=
re that the null points of the pattern point to the other instruments,</div=
>
<div><br></div><div>-This is more of a rock trick, but if you want a second=
 channel for kick, create a &quot;tunnel&quot; using cushions etc. to get a=
 second kick mic maybe 10 feet away from the drums, You need the tunnel to =
insulate the sound channel from the other sounds. This second mic will pick=
 up the lower frequencies.</div>
<div><br></div><div>-You mentioned an extra mic on high-hat...don&#39;t bot=
her. No one I have ever known has needed *more* high hat. Usually there is =
too much high hat.</div><div><br></div><div>-Personally, I&#39;d use a mono=
 overhead, stereo room mics, kick, and snare. Additionally, one mic over th=
e drummer&#39;s shoulder to hear what he hears, and finally, another mono r=
oom mic about chest high and maybe ten feet in front of the drums.</div>
<div><br></div><div>-Remember the three-to-one rule on phase.</div><div><br=
></div><div>-You&#39;re not recording the Eagles circa 1970...trying to clo=
se mic all the toms is just going to cost you time and money.</div><div>
<br></div><div>-After recording, time align the tracks and choose whatever =
combination of sources sounds best during *mixdown*. Don&#39;t try to make =
qualitative decisions until all the other instruments have been recorded.</=
div>
<div><br></div><div><br><div class=3D"gmail_quote">On Mon, Apr 12, 2010 at =
4:19 PM, Rick Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzi=
o.com">looppool@cruzio.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex;">
Dear Rainer,<br>
<br>
It it were me,<br>
<br>
I would use the<br>
<br>
*D112 =A0on the kick* (it&#39;s no problem to have that 4k peak; =A0 just e=
q it out if you don&#39;t like the older styled click,<br>
just make sure that you use a parametric and make the frequency band as nar=
row as possible before you<br>
&#39;remove&#39; the peak&#39; =A0(you probably do but if you don&#39;t, =
=A0make a very, very tight notch in your parametric and then<br>
turn it up fully and slowly sweep your waveform with it...............the &=
#39;click&#39; of your kick drum will obnoxiously<br>
leap out at you..................then just take it back to 0db and start sl=
owly taking it out until it sounds good to your ears.<br>
The click also =A0may or may not be pronounced given that the drummer proba=
bly is going to use a felt beater and not a wood or plastic beater<br>
and depending on whether , as Andy suggested, you mic from the kick side or=
 the front side. =A0I can&#39;t be strong enough in advising<br>
you to NOT use a 57 on the kick, =A0it sounds terrible compared to the D112=
.<br>
By the way, =A0the &#39;click&#39; of the bass drum from the 80&#39;s didn&=
#39;t just come from the D112&#39;s eq curve, =A0it came from the sensibili=
ty of<br>
actually increasing the volume of the 4k peak. =A0 People went so far as to=
 tape quarters to their kick drums and using or wood beaters to<br>
emphasize the click. =A0This probably came from the brief (mercifully) popu=
larity in 80&#39;s pop production of the Simmons Electronic drums that had =
a very exaggerated<br>
click sound. =A0 =A0 Remember that the click also sometimes really helps th=
e kick to have definition in a good way. =A0This is especially<br>
true if the drummer has a =A0light touch on the kick or is using a particul=
arly soft beater or has a particularly deeply (and flabby) kick drum sound.=
<br>
<br>
I have to say that I can own any kick drum mic (and have) and I still prefe=
r the D112. =A0Just remember that equalization is your friend.....lol.<br>
<br>
*SM57 on the snare drum* =A0Place the microphone underneath the high hat (i=
f possible) and pointed back towards the snare drum (and<br>
away from the center of the high hat) so that the swivelling part of the ca=
psule lies EXACTLY half on one side of the snare drum rim<br>
and half on the other. =A0Point the mic towards the center striking point o=
f the drum (to maximize that actual stick transient) and lift<br>
it approximately 1/2&quot; above the rim.<br>
<br>
*SM57s one on each tom tom =A0 *This is a trick taught to me by an audio en=
gineer who worked with Jimi Hendrix and Mitch Mitchell:<br>
Have someone take the 1st 57 on the high tom and, pointing it down, towards=
 the center of the tom and approximately 6&quot; above the head<br>
(and NOT closer) sweep the mic across the top arc of the drum so that the d=
rummer hits several times at each location.<br>
One of the locations will stand out as being the best sound. =A0 Lock that =
placement down with a boom stand and, keep ALL the microphones<br>
turned on..........sweep the second SM57 over the floor tom (or 2nd tom tom=
 if the drummer has three toms total) in exactly the same way.<br>
Some where as you sweep the sound will suddenly sound full. =A0This will be=
 because you have achieved the best phase coherence possible<br>
given the circumstances. =A0If you have a third tom, =A0I highly recommend =
you borrow a 4th SM57.<br>
Many engineers prefer a heftier mic (in terms of bass response) on the floo=
r tom, but I find that it gives a drum set an exaggerated feel<br>
that is not naturalistic. =A0 I&#39;ve tried every mic concievable on drums=
ets in hundreds of sessions as both a drummer and a producer<br>
and those damned 57s just keep doing a great job of making a drumset sound =
like a drumset.<br>
<br>
*AKG C1000S condensers as overheads =A0*(I suggest these because you have t=
hem and I don&#39;t know the other matched set you use<br>
(C4s? =A0what are they.............if they are more accurate and detailed t=
han the AKGs then, by all means, use them instead).<br>
Use these on two really tall boom stands if possible. =A0Cross the boomstan=
ds over the top of the kit so that the =A0microphones criss cross<br>
each other at roughly a 90 degree angle.......then position them so that th=
ey are looking down as evenly as possible over the cymbals.<br>
You don&#39;t want them to close to the cymbals and, for obvious reasons, y=
ou can&#39;t get them very far away.<br>
Again, =A0 it&#39;s good to have someone criss cross the mics and slowly ch=
ange positions (of where they are actually pointed) to see if you can<br>
find a sweet spot. =A0 Avoid right angles of the tip of the mic to the cymb=
al itself as you&#39;ll get crazy phase/doppler shifts as the cymbals move<=
br>
when they are crashed.<br>
<br>
A note: =A0really think about micing your Crashes. =A0 There are now so man=
y microphones on the kit that the ride cymbal and the high hats will<br>
be picked up with no problem at all. =A0 =A0 In the 80&#39;s we used to sep=
arately mic the hi hat but I almost never do anymore..............it involv=
es<br>
using noise gates and all kinds of things to deal with the overwhelm of cym=
bals in the mix when you do this.<br>
*<br>
ALTERNATELY:*<br>
A really good ambient jazz micing set up frequently uses just a kick microp=
hone and two overheards...........You&#39;d be surprised how<br>
good this sounds.<br>
<br>
*A FURTHER NOTE: * =A0 The tuning of the drumset is absolutely crucial to g=
etting good sounds.<br>
If your tom toms ring too much, =A0merely lift the microphone further from =
the head and DON&#39;T TAPE or MUFFLE them, =A0unless you<br>
are into that deader than anything Fleetwood Mac &#39;Rumors&#39; sound whi=
ch is very out of fashion these days.<br>
<br>
As in all things &#39;microphone&#39;, =A0Placement is EVERYTHING, =A0so th=
ese are suggestions designed for a good tight drumset sound.<br>
I break these rules constantly but I also am constantly looking for the new=
 and exotic in drumset tones and micing strategies.<br>
My favorite lately is the little over compressed stereo microphone on my ol=
d video recorder............I just get great sounding<br>
drums out of it, but they are weird sounding drum sounds.<br>
<br>
Good luck and contact me personally if I can be of further assistance.<br>
yours, =A0Rick<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br><br><a href=
=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/george=
ludwigmusic</a><br>
</div>

--000e0cd6ad9a3dd3530484129409--

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Heads up.

My EDP plus is on ebay for another three days if anyone on here still
wants it.

=20
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3D110516192723&ssPageN=
a
me=3DSTRK:MESELX:IT

Ace


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<p class=3DMsoNormal>Heads up.<o:p></o:p></p>

<p class=3DMsoNormal>My EDP plus is on ebay for another three days if =
anyone on
here still wants it.<o:p></o:p></p>

<p class=3DMsoNormal>&nbsp;<a
href=3D"http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=3D11051619=
2723&amp;ssPageName=3DSTRK:MESELX:IT">http://cgi.ebay.com/ws/eBayISAPI.dl=
l?ViewItem&amp;item=3D110516192723&amp;ssPageName=3DSTRK:MESELX:IT</a><o:=
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<p class=3DMsoNormal>Ace<o:p></o:p></p>

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 01:22:14 2010
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Subject: OT Fireworx figured out
Date: Mon, 12 Apr 2010 18:22:07 -0700
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  Hey Per I tried your feedback trick with the fireworx, very cool,   
And that helped me  finally figured out how to use envelope detection  
as an effective method for creating a ducking delay effect, and also  
have been experimenting with using envelope detection to control the  
mix on reverb as well. I applied your  suggestion to a patch that i  
like that has a two tapped delay and a  dual pitch shift with delay  
set to 5th above and 4th below the fundamental. Both the delays and  
the pitches are set to a 1/4 note against dotted 1/8 note syncopations  
and controlled by external clock from  my Lp-1 . Envelope detection is  
handling mix for the delays and feedback for the pitches, while an  
expression pedal is handling feedback for the delay and mix for the  
pitches along with a slight increase in mix for the reverb. The pitch  
shift delays are set to come in only at full toe down position of the  
expression pedal and the feedback is set high enough to go in to self  
oscillation. The combination of control of parameters from an  
expression pedal and envelope detection, is really inspiring and is  
causing me to rethink how i can apply effects, even ones that I have  
grown   bored of using.
For those of you who might not understand,  on the Fireworx, like many  
of the new software based DSP systems, it is possible to have your  
input signal control effects parameters, meaning my hand dynamics and  
the amount of notes I play can be used to change the amount of mix of  
a delay, or the speed of a modulation effect or the feed back, etc.   
With Ducking or dynamic delay for example, The strategy is to set the  
envelope detection so when no input signal is present, the delay mix  
is audible, but as you play more notes the mix backs off so that the  
echo trails don't sound louder than the notes being played. What I  
love most about this application is if I play really muted, staccato  
or pizzicato  I can hear the delay in the gaps of what I'm playing,   
if I slur notes I won't hear the delay until I pause, and if I hold  
notes for any length of time and then release them, the delay trail I  
hear has lost its attack and has a soft bloom to the echo trails,  
giving it a more analog quality.
Thanks again Per for the tip, and I'm really enjoying your new record  
with Erdem, did you announce to LD? Sorry if I let the cat out of the  
bag.
Bill

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Subject: Re: Roland AC33 w/looper
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Hey Per, on the AC33,  You can turn the chorus off or on independently  
but you can't adjust the reverb independently. so far the only thing  
I've tried out through the AC33 with that kind of low end was a Bass  
Ukulele (I'm not kidding, with big silicon strings like the old Asbury  
bass though less sticky and easier to use, Rick has one) .It had  
decent bottom and might work for you, but really the BA330 would be  
the ideal one for you, Its between an SM350 and an SM450 in size but  
much lighter in weight, at 13.8 kilos, you would still need a hand  
cart of some kind to roll it around. pretty expensive though. You can  
turn on and off the effects for different channels on the BA330,  no  
looper though....
  Speaking of traveling light , busking, and battery power, Onyx   
Ashanti who played a great high energy set at Y2K9 has taken the  
technology of busking to a whole new level, he described his busking  
rig to me while he was here; he takes his Mac Book, a small interface,  
a wind controller,  head set mic, a portable pa, and a sizable 12 volt  
battery for handling power, and a folding stand, on an ultra lite bike  
trailer and cruises to his busking gig in Berlin on a matching ultra  
lite folding bike!  He was controlling the computer from both his wind  
controller and an i-phone strapped to his arm. When He came to Santa  
Cruz he brought his bike and trailer with him and road to and from the  
venue that way. Onyx, where ever you are, I salute you and your green  
rig...
  Bill

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 01:43:54 2010
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Subject: OT: Recording Drums - gear selection
From: Loaf citious <loafcitious@gmail.com>
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I've always like the 112 myself, you def want something
with a big diaphragm. Depending on the drum set, I've
wasted lots of time getting a kick drum to stop making
noise or squeeks, when miking on the beater side.
If the drummer plays open back or has a hole in the front
bass head, I like to put something smaller and dynamic
(w/ a high SPL) inside near the front head aimed at the
beater, then something just inside or just outside the
front head hole (depending on the drummer).
Here's my wild card: if you have an extra track, add an ambient room
mic, that is of course if you like the room and
think the sound of it will might go well w/the mix.  Sometimes it can
add a nice full sound when slightly
blended into the mix.
Read something about Jimi Page doing this once to one song at the
bottom of a stair well, I think
it was the only mic he used.  Just goes to show you it's
an art and not necessarily a science!

Andy G

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both looked sweet!.....couldn't find the price though.....thanks bill!


From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 06:08:55 2010
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Subject: recording step-sequencer
From: james fowler <twostroke@gmail.com>
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i dug through the archives but found nothing, so here goes:

does anybody know of a real-time recording step sequencer plug-in?  i'm
shooting for mpc-style quantized recording, not unlike the feature in
ableton live/ni maschine.  i'm not buying ableton and i don't want/need
maschine's proprietary controller.  i would like to use my alesis control
pad to play/record drum and synth sequences on the fly.

any and all help is, as always, greatly appreciated.

- jim

p.s. - platform is windows xp

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i dug through the archives but found nothing, so here goes:<br><br>does any=
body know of a real-time recording step sequencer plug-in?=A0 i&#39;m shoot=
ing for mpc-style quantized recording, not unlike the feature in ableton li=
ve/ni maschine.=A0 i&#39;m not buying ableton and i don&#39;t want/need mas=
chine&#39;s proprietary controller.=A0 i would like to use my alesis contro=
l pad to play/record drum and synth sequences on the fly. <br>
<br>any and all help is, as always, greatly appreciated.<br><br>- jim<br><b=
r>p.s. - platform is windows xp<br><div style=3D"visibility: hidden; displa=
y: inline;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_=
ls_inline_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;  ma=
rgin-left: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word-w=
rap: break-word;  color: black;  font-size: 10px;  text-align: left;  line-=
height: 13px;}</style>

--000e0cd722faae7f1304841818a1--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 07:48:42 2010
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Date: Tue, 13 Apr 2010 09:48:40 +0200
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Subject: Re: OT Fireworx figured out
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On Tue, Apr 13, 2010 at 3:22 AM, William Walker <billwalker@baymoon.com> wrote:
> Thanks again Per for the tip, and I'm really enjoying your new record with
> Erdem, did you announce to LD? Sorry if I let the cat out of the bag.


Yes, I posted a note a couple of days ago. But as you asked now I
checked my email and noticed the LD had sent back an error message on
that post. Anyway, the record is to be found under the Music Tab at
http://www.looproom.com/

I used a lot of the envelope follow technics you describe when mixing
Erdem's recordings on this album. I sent me a dozen audio fils
typically with three to six cello-guitar parts and each part also with
two effect processor tracks. The only way to make it possible to hear
all that massive sound as the music it was played as was to have each
cello or guitar duck out its own effects when playing. In fact our
brain does all this to sound when we are listening, so it is actually
not "cheating" only a lame try to give a more true picture of what we
experience as music - eh, when cramming it into the limited bandwidth
of a recording medium that is. ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From work102@virgilio.it  Tue Apr 13 08:22:56 2010
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From: "Archie Kane"<work102@virgilio.it>
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Greetings,
 

Following the announcement by the Chancellor of the Exchequer,that all funds in accounts that have been dormant for over 15years be transferred to the Treasury i send this mail to you.
 
I discovered a dormant account in my office, as Group Executive Director, Insurance and Investments. It will be in my interest to transfer this fund worth 20,000,000 million British pounds in an account offshore. If you can be a collaborator/partner to this please indicate interest immediately for us to proceed.
Remember this is absolutely confidential,as i am seeking your assistance as the beneficiary of this unclaimed funds, since we are not allowed to operate a foreign account,Your contact phone numbers and name will be necessary for this effect,I have reposed my confidence in you and hope that you will not disappoint me.
 
My Regards,
 
Archie Kane

From work102@virgilio.it  Tue Apr 13 08:22:57 2010
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Greetings,
 

Following the announcement by the Chancellor of the Exchequer,that all funds in accounts that have been dormant for over 15years be transferred to the Treasury i send this mail to you.
 
I discovered a dormant account in my office, as Group Executive Director, Insurance and Investments. It will be in my interest to transfer this fund worth 20,000,000 million British pounds in an account offshore. If you can be a collaborator/partner to this please indicate interest immediately for us to proceed.
Remember this is absolutely confidential,as i am seeking your assistance as the beneficiary of this unclaimed funds, since we are not allowed to operate a foreign account,Your contact phone numbers and name will be necessary for this effect,I have reposed my confidence in you and hope that you will not disappoint me.
 
My Regards,
 
Archie Kane

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 08:58:38 2010
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From: "Christo Jota" <chris@christojota.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: Visuals for ambient-loop music
Date: Tue, 13 Apr 2010 10:58:26 +0200
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Dies ist eine mehrteilige Nachricht im MIME-Format.

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	charset="iso-8859-1"
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We are using visuals at our performances at galleries and churches.
Here is the link to a compilation video- track of CHRISTO JOTA & D:ON:M.
This is part of ours shows, which are mainly in churches and galleries.
If there=B4s a good quality beamer it works well. But we  try to make
sure that the music is the center of the performance , not the visuals.
http://vids.myspace.com/index.cfm?fuseaction=3Dvids.individual&videoid=3D=
103957931
Nice Day !
Christo
www.christojota.de

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.7600.16535"></HEAD>
<BODY style=3D"PADDING-LEFT: 10px; PADDING-RIGHT: 10px; PADDING-TOP: =
15px"=20
id=3DMailContainerBody leftMargin=3D0 topMargin=3D0 =
CanvasTabStop=3D"true"=20
name=3D"Compose message area">
<DIV><FONT face=3DCalibri>We are using <STRONG>visuals </STRONG>at our=20
performances at galleries and churches.<BR>Here is the link to a =
compilation=20
video- track of <STRONG>CHRISTO JOTA &amp; D:ON:M</STRONG>.<BR>This is =
part of=20
ours shows, which are mainly in churches and galleries.</FONT></DIV>
<DIV><FONT face=3DCalibri>If there=B4s a&nbsp;good quality beamer it =
works well. But=20
we&nbsp; try to make</FONT></DIV>
<DIV><FONT face=3DCalibri>sure that the music is the center of the =
performance ,=20
not the visuals.<BR><A=20
title=3D"http://vids.myspace.com/index.cfm?fuseaction=3Dvids.individual&a=
mp;videoid=3D103957931&#10;STRG + Klicken, um Verkn=FCpfung zu folgen"=20
href=3D"http://vids.myspace.com/index.cfm?fuseaction=3Dvids.individual&am=
p;videoid=3D103957931">http://vids.myspace.com/index.cfm?fuseaction=3Dvid=
s.individual&amp;videoid=3D103957931</A></FONT></DIV>
<DIV><FONT face=3DCalibri>Nice Day !</FONT></DIV>
<DIV><FONT face=3DCalibri>Christo</FONT></DIV>
<DIV><FONT face=3DCalibri><A=20
title=3D"http://www.christojota.de&#10;STRG + Klicken, um Verkn=FCpfung =
zu folgen"=20
href=3D"http://www.christojota.de">www.christojota.de</A></FONT></DIV>
<DIV><FONT face=3DCalibri></FONT>&nbsp;</DIV></BODY></HTML>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Live looping track
Date: Tue, 13 Apr 2010 11:30:47 +0100
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Yup Four Tet from the UK - I hope to come to Y2K this year.....

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 12 Apr 2010, at 23:18, halim zainal wrote:

> Lol. I felt the same when i saw you guys rock it out. Four Tet the  
> band from UK? Hope to see you and the guys perform this coming Y2K.
>
> On Tue, Apr 13, 2010 at 6:03 AM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Lol - they really are! I played a gig with Andy once - felt like  
> giving up the whole looping thing - amazing.  More four tet than  
> rock guitar.
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
> On 12 Apr 2010, at 22:55, halim zainal wrote:
>
>> I'm still learning how to use the EDP. The guys here in Loopers  
>> Delight such as Rick, Per and Andy are helping me out with mine.  
>> such good guys they are :)
>>
>> Best Regards
>> Halimski.
>>
>> On Mon, Apr 12, 2010 at 4:18 AM, Matt Stevens  
>> <mattstevensguitar@btinternet.com> wrote:
>> Thanks Halimski - I'm going to have to fire up my EDP soon!!
>>
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>>
>>
>>
>> On 11 Apr 2010, at 20:37, halim zainal wrote:
>>
>>> That is super cool. Really enjoyed it.
>>>
>>> Halimski.
>>>
>>> On Mon, Apr 12, 2010 at 1:38 AM, Matt Stevens  
>>> <mattstevensguitar@btinternet.com> wrote:
>>> Hey guys
>>>
>>> Just wanted to tell you about this - its a live version of one of  
>>> my songs all live looped - its part of the Sunday Free Noodle  
>>> project that a few of the LD guys have contributed to http:// 
>>> mattstevensguitar.blogspot.com/2010/04/sunday-free- 
>>> noodle-10.html  - have a listen!
>>>
>>> The equipment used was a line 6 DL4 and a cheapo volume pedal -  
>>> as basic as it gets really.
>>>
>>> Let me know what you think
>>>
>>> Cool
>>>
>>>
>>> Matt Stevens
>>> www.mattstevensguitar.com
>>> mattstevensguitar@btinternet.com
>>>
>>>
>>>
>>>
>>>
>>
>>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Yup Four Tet from the UK - I hope to come to Y2K this =
year.....<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 12 Apr 2010, =
at 23:18, halim zainal wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Lol. I =
felt the same when i saw you guys rock it out. Four Tet the band from =
UK? Hope to see you and the guys perform this coming =
Y2K.&nbsp;<br><br><div class=3D"gmail_quote">On Tue, Apr 13, 2010 at =
6:03 AM, Matt Stevens <span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex;"><div style=3D"word-wrap:break-word"> Lol - they =
really are! I played a gig with Andy once - felt like giving up the =
whole looping thing - amazing. &nbsp;More four tet than rock =
guitar.<div><br><div><div class=3D"im"><div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> </div><br></div><div><div =
class=3D"h5"><div><div>On 12 Apr 2010, at 22:55, halim zainal =
wrote:</div><br><blockquote type=3D"cite"><div>I'm still learning how to =
use the EDP. The guys here in Loopers Delight such as Rick, Per and Andy =
are helping me out with mine. such good guys they are :)</div> =
<div><br></div><div>Best Regards</div><div>Halimski.</div> <br><div =
class=3D"gmail_quote">On Mon, Apr 12, 2010 at 4:18 AM, Matt Stevens =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt;</span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex"> <div =
style=3D"word-wrap:break-word"> Thanks Halimski - I'm going to have to =
fire up my EDP soon!!<div><br></div><div> <div><br><div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> =
</div><br></div><div><div><div><div>On 11 Apr 2010, at 20:37, halim =
zainal wrote:</div><br><blockquote type=3D"cite"><div>That is super =
cool. Really enjoyed it.<br></div><div> <br></div> =
<div>Halimski.</div><br><div class=3D"gmail_quote">On Mon, Apr 12, 2010 =
at 1:38 AM, Matt Stevens <span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a>&gt;</span> =
wrote:<br> <blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex"><div =
style=3D"word-wrap:break-word"> Hey guys<div><br></div><div>Just wanted =
to tell you about this - its a live version of one of my songs all live =
looped - its part of the Sunday Free Noodle project that a few of the LD =
guys have contributed to&nbsp;<a =
href=3D"http://mattstevensguitar.blogspot.com/2010/04/sunday-free-noodle-1=
0.html" =
target=3D"_blank">http://mattstevensguitar.blogspot.com/2010/04/sunday-fre=
e-noodle-10.html</a> &nbsp;- have a listen!</div> =
<div><br></div><div>The equipment used was a line 6 DL4 and a cheapo =
volume pedal - as basic as it gets really.</div><div><br></div><div>Let =
me know what you think</div><div><br></div><div>Cool</div><div><br><font =
color=3D"#888888"><br> <div> <span =
style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align=
:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacing:=
0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div> =
Matt Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br></span><br> =
</div><br></font></div></div></blockquote></div><br></blockquote></div><br=
></div></div></div></div></blockquote></div><br></blockquote></div><br></d=
iv></div></div></div></div></blockquote> =
</div><br></blockquote></div><br></div></body></html>=

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	 <r2y66f9cc1e1004130048t28f28a84z4517c769983dfff0@mail.gmail.com>
Date: Tue, 13 Apr 2010 12:32:21 +0200
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Subject: Re: OT Fireworx figured out
From: Fabio_A <eterogenus@gmail.com>
To: Loopers-Delight@loopers-delight.com
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> William Walker <billwalker@baymoon.com> wrote:
> > Thanks again Per for the tip, and I'm really enjoying your new record
> with
> > Erdem, did you announce to LD? Sorry if I let the cat out of the bag.
>
>
> Per Boysen perboysen@gmail.com wrote:
>
>> Yes, I posted a note a couple of days ago. But as you asked now I
>> checked my email and noticed the LD had sent back an error message on
>> that post. Anyway, the record is to be found under the Music Tab at
>> http://www.looproom.com/
>>
>
Listening right now on bandcamp, gorgeus and massive sound !
It sounds really good to my ears.
Bravi !

-fabio
www.eterogeneo.com

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<br>
<div class=3D"gmail_quote">
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">William Walker &lt;<a href=3D"mailto:billwalker@baymoon.c=
om">billwalker@baymoon.com</a>&gt; wrote:<br>&gt; Thanks again Per for the =
tip, and I&#39;m really enjoying your new record with<br>&gt; Erdem, did yo=
u announce to LD? Sorry if I let the cat out of the bag.<br>
<br><br>Per Boysen <span dir=3D"ltr"><a href=3D"mailto:perboysen@gmail.com"=
>perboysen@gmail.com</a> </span>wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div class=3D"im">Yes, I posted a note a couple of days ago. But as you ask=
ed now I<br>checked my email and noticed the LD had sent back an error mess=
age on<br>that post. Anyway, the record is to be found under the Music Tab =
at<br>
<a href=3D"http://www.looproom.com/" target=3D"_blank">http://www.looproom.=
com/</a><br></div></blockquote></div></blockquote>
<div>=A0</div>
<div>Listening right now on bandcamp, gorgeus and massive sound !</div>
<div>It sounds really good to my ears.</div>
<div>Bravi !</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a></div>
<div>=A0</div></div>

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Matthias Grob wrote:
> I did not know about this power over midi option... sounds great, but I doubt the EDP has enough power supply reserve current to add such supply now :-(

there's also the possibility of adding a power input to the EDP,
(usually labelled phantom power).

not an enormous help, but could make setup easier.
andy


> 
> On 12 Apr 2010, at 17:02, cnovey@gmail.com wrote:
> 
>> I would be into that- didn't know the EDP offered power over midi- or is that not the case?
>> Thanks for the tip!

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Subject: =?UTF-8?Q?Re=3A_New_album_by_Erdem_Helvacio=C4=9Flu_=26_Per_Boysen?=
From: Per Boysen <perboysen@gmail.com>
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Sorry friends, I sent this album release note to the wrong address (never
trust a browser to fill in your typing!). So here's trying for the third
time to tell you that I and Erdem made a music album together. The link
below goes to free listening and some of the album notes. For downloads som=
e
bonus material is added as PDFs to cover up for what you might miss if not
getting the CD that has a lot of text printed on the sleeve.


On Tue, Apr 13, 2010 at 9:53 AM, Per Boysen <perboysen@gmail.com> wrote:

> Oops... something bounced out this post. Resending it now:
>
> Per Boysen to Loopers-Delight
>
> show details Apr 3 (11 days ago)
>
> Sub City 2064 by Erdem Helvacio=C4=9Flu & Per Boysen http://bit.ly/cSFBjY
>
>
> Per
>
>
>
>
> On Sat, Apr 3, 2010 at 3:26 AM,  <
> Loopers-Delight-request@loopers-delight.com> wrote:
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--0016e6d7e4b2d24f2304841c4a72
Content-Type: text/html; charset=UTF-8
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Sorry friends, I sent this album release note to the wrong address (never t=
rust a browser to fill in your typing!). So here&#39;s trying for the third=
 time to tell you that I and Erdem made a music album together. The link be=
low goes to free listening and some of the album notes. For downloads some =
bonus material is added as PDFs to cover up for what you might miss if not =
getting the CD that has a lot of text printed on the sleeve.=C2=A0<br>

<br><br><div class=3D"gmail_quote">On Tue, Apr 13, 2010 at 9:53 AM, Per Boy=
sen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Oops... something bounced out this post. Resending it now: <br><br><blockqu=
ote class=3D"gmail_quote" style=3D"margin-top:0px;margin-right:0px;margin-b=
ottom:0px;margin-left:0.8ex;border-left-width:1px;border-left-color:rgb(204=
, 204, 204);border-left-style:solid;padding-left:1ex">

Per Boysen to Loopers-Delight</blockquote><blockquote class=3D"gmail_quote"=
 style=3D"margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0.8=
ex;border-left-width:1px;border-left-color:rgb(204, 204, 204);border-left-s=
tyle:solid;padding-left:1ex">

show details Apr 3 (11 days ago)</blockquote><div class=3D"im"><blockquote =
class=3D"gmail_quote" style=3D"margin-top:0px;margin-right:0px;margin-botto=
m:0px;margin-left:0.8ex;border-left-width:1px;border-left-color:rgb(204, 20=
4, 204);border-left-style:solid;padding-left:1ex">

Sub City 2064 by Erdem Helvacio=C4=9Flu &amp; Per Boysen <a href=3D"http://=
bit.ly/cSFBjY" target=3D"_blank">http://bit.ly/cSFBjY</a></blockquote><br>P=
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&gt;<br><br></div></div></div>
</blockquote></div><br>

--0016e6d7e4b2d24f2304841c4a72--

From mail@mail.org  Tue Apr 13 11:16:29 2010
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Congratulations!!!

This is to inform you that your email was chosen as one of the winner of the Thailand Internet sweepstakes Organization.
 
For more details visit : http://sweephomestakes.web.officelive.com/default.aspx
 
On how to redeem your prize

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 11:30:02 2010
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George Ludwig wrote:
"-I've owned a pair of AKG C1000s for many years, and long ago stopped 
using them as overheads. I'd prefer a mono overhead with a better mic to 
stereo with the C1000s. The C1000s is a very "brash" sounding 
mic...sounds to me very brittle. I hate it on cymbals. OTOH, I love it 
on snare if you're going for a more snappy sound. Also, some engineers 
love it on guitar amps."


I soooooo agree with you, George.

I only recommended them because Rainer said that he owned a pair of them 
and I made the assumption that he wanted his recording
to use only microphones that he had.

Again,  because of their brashness, which they truly are for cymbals 
there's always a fall back approach:
namely,  it's brash because the frequencies exist.................this 
means you can use selective equalization to take out the
'brash' qualities of the overheards.

Quite frankly,  a simple and inexpensive method that I've used in the 
past is to use 2
Shure SM91 condensers (I pick them because I own them and , if I owned 
B&K matched condensers I'd used them instead, but I don't)
as overs and a D112 as a kick mic with, MAYBE ,  an SM57 on Snare drum.

In my live looping shows when I'm using only two mics on my tiny drum 
kit, I use a single SM91 and a D112 and get a really decent
mono kick sound.

I'm totally with you, George,  that the whole 70's close micing thing 
really is a waste of time,  unless you have a budget for two weeks
of studio time devoted to getting a single snare drum sound and  a shit 
load of cocaine to do to monofixate on the sound as Fleetwood Mac
had during the recording of Rumors

Additionally,   no matter where you record it,  you can't match the 
great recording rooms of the earth, be they 'Studio A' of Ocean Way
Studios  or row 8 of Foellinger Hall in Champagne, Illinoise during your 
recording.

sooooo,  if you want a really world class drum sound on a complete and 
utter beer budget,  use a great Convolution Reverb ala
Sony's Acoustic Mirror (native to the wonderful digital editor, Sony 
Sound Forge) or even the freeware SIR Convolution Reverb
(http://www.knufinke.de/sir/sir2.html)  and use  a prerecorded Impulse 
File to recreate a world class reverb.

In fact, as long as I"m not too busy,  write me and I"ll send you some 
world class Impulse files for 'state of the art' convolution reverbs.

The only advantage to close micing is that you can use a close miced 
drum kit with a world class Impulse file in a Convolution Reverb
and approximate a pretty decent recording experience from a famous 
recording environment on earth.

*******************
One of the great beauties of recording drums in the early part of this 
century is that so many different kinds of drum sounds have been used
in pop music (and especially in Hip Hop and Electronica)  that many 
styles of drums have come to be accepted even if they are quirky and
even if they have are very unconventional when compared to state of the 
art recordings made in pristine and expensive drum studios utilizing
microphones that cost the budget of a small third world country to purchase.

In fact,  really hip conventions in Hip Hop and Pop occured precisely 
because people took mediocre microphones and low bit rate samplers
and just got creative with their recording.   Listen to the Latin 
Playboys first album if you don't believe me...........it's a genius 
recording using
crap for technology, but with a defined intelligent aesthetic and a good 
sense of timbral masking when the mixes were made.

My philosophy is that we all have the ability to be very creative in our 
use of ANY EQUIPMENT to record drum sounds for most kinds of music.

Think about it:    If you use a decent DAW, utilizing ubiquitous 
microphones and recording at 24bits/96K sample rates then you have 
VASTLY better
equipment than was use to make all the classic recordings in pop and 
jazz during the 60s, 70s and 80s.

Essentially,  then, it takes creativity ,  a set of intelligent ears and 
a defined aesthetic to create a really intriguing drum sound.

Okay,  you may not be able to recreate Teo Macero's recordings of Tony 
Williams for the Miles Davis Quintet, but you can still create
a very intriguing drum sound.

My advice in the long run is this:   don't trip on what you don't 
own!    Use what you have and get creative and then listen to the mix 
carefully
and decide how to mix your drum tracks into your mixes.    This is how 
innovation happens in the recording industry,  Always!!

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 11:32:06 2010
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a quickee question:

George Ludwig,  what is the three to one rule of phase coherency rule 
that you mentioned in your advice
to Rainer about micing drums?

Rick Walker

ps thanks for your expertise on this thread by the way.  I always enjoy 
the experience and intelligence
you put into any posting here for all our collective wisdom.

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 11:35:14 2010
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To: Loopers-Delight@loopers-delight.com
From: Andreas Willers <a.willers@arcor.de>
Subject: Re: EDP phantom power
Date: Tue, 13 Apr 2010 13:35:08 +0200
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At one point I had my Obie EDP modfied to send 9V DC phantom power  
via the midi in to my Kenton Spin Doctor midi controller. Saved me  
the wallwart for the Kenton and did work somehow. But I got the  
impression that both machines ran a little unstable and tended to  
crash so I stopped using this option.

Best, Andreas

From abdul_rahman1966@live.fr  Tue Apr 13 11:55:03 2010
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Date: Tue, 13 Apr 2010 04:54:56 -0700 (PDT)
From: Abdul Rahman <abdul_rahman1966@live.fr>
Reply-To: abdul_rahman1966@live.fr
Subject: Request for a corporate business partnership.
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1311101379-1271159696=:80570
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=A0Dear friend,
=A0
I have decided to use this medium to contact you today for a corporate busi=
ness partnership and international relationship. However strange or surpris=
ing this contact might seem to you, as we have not met face to face nor had=
 any dealings in the past. I humbly ask you take due consideration of its i=
mportance and the immense benefit it will be to you and I in the very neare=
st future. But, on the other hand, I duly apologize for infringing on your =
privacy if this offer and contact is not acceptable to you.
=A0
In a nut shell, the purpose of my writing to you is that I want to pull out=
 an unclaimed funds amounted to the total sum of seven million five hundred=
 thousand euros that belong to one of our late customers who died and burnt=
 in a ghastly auto accident along with his entire family here in Burkina Fa=
so some years back.
=A0
Ever since we gathered the information about his death, we have been expect=
ing any of his relatives or business associates to visit our bank and put c=
laim over the said funds, but up till this time of writing no next of kin o=
r associate of him has come forward to claim his funds with us. Hence, I de=
cided to contact you today for your capable, reliable assistance and maximu=
m co-operation to transfer the funds out from our country into yours for a =
solid investment between two of us in the very nearest future.
=A0
As it may interest you to know, for your future co-operation and maximum ef=
forts, 35% of the money will be for you as my foreign partner, 64% of it wi=
ll be for me and one of my colleagues that will eventually visit your count=
ry for disbursement and investment of our funds portion, while 1% will be s=
et aside for expenses incurred during the business, most especially telepho=
ne communication bills.
=A0
To be more honest and candid with you, I need your maximum assistance and c=
o-operation to get this deal done, because as a foreigner you stand in a ve=
ry better position to be presented through documentation as the business as=
sociate from your country since the deceased was also a foreigner. In this =
regard, I want you to assure me of your capability of handling this transac=
tion perfectly with trust and confidence by giving me the following informa=
tion about yourself:
=A0
1) Your full name.=20
2) Your residential and postal address=20
3) Your occupation and position.=20
4) Your age.
5) Your marital status.=20
6) Your direct telephone and fax number for quicker and effective communica=
tion.
=A0
As a matter of fact, it is pertinent to also inform you that all modalities=
 have been accomplished and all logistics are in good shape to effect payme=
nt as soon as you applied to our bank as a claimant. Advisably, I will pref=
er all further communication and future correspondences in English language=
. Meanwhile, I strongly advise that you treat this communication with top m=
aturity and confidentiality for future prospect.
=A0
Most importantly, I pray and implore you to kindly reply me as soon as you =
received this email. And above all, upon receipt of your quick and positive=
 response, I will equally send you all the necessary vital information conc=
erning the deceased person himself, details information of the paying bank =
here in Burkina Faso and all other coverage that you might needed to achiev=
e 100% success at the end of the day.
=A0
I look forward to your quick and positive response / acceptance. Thank you =
for the common understanding and future co-operation.
=A0
Yours faithfully,
=A0
Mr. Abdul Rahman.=20
=0A=0A=0A      
--0-1311101379-1271159696=:80570
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV><STRONG>&nbsp;Dear friend,<BR>&nbsp;<BR>=
I have decided to use this medium to contact you today for a corporate busi=
ness partnership and international relationship. However strange or surpris=
ing this contact might seem to you, as we have not met face to face nor had=
 any dealings in the past. I humbly ask you take due consideration of its i=
mportance and the immense benefit it will be to you and I in the very neare=
st future. But, on the other hand, I duly apologize for infringing on your =
privacy if this offer and contact is not acceptable to you.<BR>&nbsp;<BR>In=
 a nut shell, the purpose of my writing to you is that I want to pull out a=
n unclaimed funds amounted to the total sum of seven million five hundred t=
housand euros that belong to one of our late customers who died and burnt i=
n a ghastly auto accident along with his entire family here in Burkina Faso
 some years back.<BR>&nbsp;<BR>Ever since we gathered the information about=
 his death, we have been expecting any of his relatives or business associa=
tes to visit our bank and put claim over the said funds, but up till this t=
ime of writing no next of kin or associate of him has come forward to claim=
 his funds with us. Hence, I decided to contact you today for your capable,=
 reliable assistance and maximum co-operation to transfer the funds out fro=
m our country into yours for a solid investment between two of us in the ve=
ry nearest future.<BR>&nbsp;<BR>As it may interest you to know, for your fu=
ture co-operation and maximum efforts, 35% of the money will be for you as =
my foreign partner, 64% of it will be for me and one of my colleagues that =
will eventually visit your country for disbursement and investment of our f=
unds portion, while 1% will be set aside for expenses incurred during the b=
usiness, most especially telephone communication
 bills.<BR>&nbsp;<BR>To be more honest and candid with you, I need your max=
imum assistance and co-operation to get this deal done, because as a foreig=
ner you stand in a very better position to be presented through documentati=
on as the business associate from your country since the deceased was also =
a foreigner. In this regard, I want you to assure me of your capability of =
handling this transaction perfectly with trust and confidence by giving me =
the following information about yourself:<BR>&nbsp;<BR>1) Your full name. <=
BR>2) Your residential and postal address <BR>3) Your occupation and positi=
on. <BR>4) Your age.<BR>5) Your marital status. <BR>6) Your direct telephon=
e and fax number for quicker and effective communication.<BR>&nbsp;<BR>As a=
 matter of fact, it is pertinent to also inform you that all modalities hav=
e been accomplished and all logistics are in good shape to effect payment a=
s soon as you applied to our bank as a claimant. Advisably, I will
 prefer all further communication and future correspondences in English lan=
guage. Meanwhile, I strongly advise that you treat this communication with =
top maturity and confidentiality for future prospect.<BR>&nbsp;<BR>Most imp=
ortantly, I pray and implore you to kindly reply me as soon as you received=
 this email. And above all, upon receipt of your quick and positive respons=
e, I will equally send you all the necessary vital information concerning t=
he deceased person himself, details information of the paying bank here in =
Burkina Faso and all other coverage that you might needed to achieve 100% s=
uccess at the end of the day.<BR>&nbsp;<BR>I look forward to your quick and=
 positive response / acceptance. Thank you for the common understanding and=
 future co-operation.<BR>&nbsp;<BR>Yours faithfully,<BR>&nbsp;<BR>Mr. Abdul=
 Rahman. <BR></STRONG></DIV></td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-1311101379-1271159696=:80570--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 11:58:42 2010
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I did a little research tonight and discovered this freeware software for
creating *_your own_* Impulse files (digital modelling files) to use in a
shareware or freeware Convolution Reverb.

*VOXENGO IMPULSE MODELER*
_*http://3d2f.com/programs/86-115-voxengo-impulse-modeler-download.shtml*_

Here, additionally,  are some freeware Convolution Reverbs that help us
to transcend the crappy recording spaces we have in our homes and 
garages as
live looping home recording engineers:

*SIR CONVOLUTION REVERB
_http://www.audio-production-tips.com/sir-1-convolution-reverb.html

_**
BRICASTI M7 IRS
_http://rekkerd.org/acousticas-releases-bricasti-m7-irs/

_*which has a nice freeware library of convolution impulse files here:
*_http://acousticas.net/World/IRs/AcousticasM7.zip   _*
(104 MB download size)


some more freeware/shareware impulse files for your convolution reverb:
_*http://www.rhythminmind.net/presetblog/category/samples/impulse-sets/


*_




From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 12:28:10 2010
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Date: Tue, 13 Apr 2010 14:28:07 +0200
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Subject: Re: OT Create your own Impulse models for freeware Convolution 
	Reverbs
From: Per Boysen <perboysen@gmail.com>
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On Tue, Apr 13, 2010 at 1:58 PM, Rick Walker <looppool@cruzio.com> wrote:
> _**
> BRICASTI M7 IRS
> _http://rekkerd.org/acousticas-releases-bricasti-m7-irs/
>
> _*which has a nice freeware library of convolution impulse files here:
> *_http://acousticas.net/World/IRs/AcousticasM7.zip =C2=A0 _*
> (104 MB download size)


Impulse responses are great fun! Like having infinit mountains of
stomp boxes ;-))

Rick, I used a Lexicon impulse from that free library (M7) on the
piece I recorded with the music box you gave me! I recently put that
piece online for free download if someone is interested:
http://bit.ly/a1B0dM

Personally I think impulse response technique is great fun for other
stuff than reverb too! I bought some very cheap and extremely
inspiring impulses from http://www.spiritcanyonaudio.com/ many years
ago. Not a decent reverb in there, but great noise and weird
ambiences, actually better suited for composition than for mixing.
Some of Spiritcanyon's impulse libraries are produced to match defined
tempi and can be used for rhythm design. I wanted to use them live in
Sir on a laptop but convolution consumed way too much CPU cycles to be
stable (better in the studio applied on non live input stuff).

I also recorded an Eventide Eclipse and rolled my own impulse respons
library of the patches I found useful, but that project was an Epic
Failure because the cool thing with the Eclips is all the instant
subtle dynamics in the sound (as can also be stated regarding the
legendary Lexicon hardware reverb). Since impulse responses are
totally dead regarding dynamics the Eventide sound patches totally
lost the magic vibe when getting frozen as impulse responses.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 12:29:24 2010
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Andy G wrote:

"If the drummer plays open back or has a hole in the front
bass head, I like to put something smaller and dynamic
 (w/ a high SPL) inside near the front head aimed at the
beater, then something just inside or just outside the
front head hole (depending on the drummer)."

Nice advice, Andy.  I can also amplify on this one a bit.

If the drummer uses a small hole in his kick drum front head, here's a 
really nice trick for a good
kick drum sound:

*On a short boomstand,  put your microphone inside of the hole and place 
the microphone
decidedly off axis but point the sweet spot of the mic towards where the 
beater hits on the other side
of the kick drum batter head.  

*Frequently, a small stand will not have enough weight to
keep the mic balanced inside of the kick drum head (especially with a 
larger and heavier diaphragm microphone).
Here's a little trick to help you out.   Go buy a key ring that is about 
2" in diameter.
Next go to the fishing section of your local sports store and buy 3 or 4 
FOUR pound fishing weights.
These weights have a little hook on them that can be threaded onto the 
key ring.
Put all three or four weights on the key ring and then drape it around 
the base of your microphone
(or cymbal) stand.   This puppy will go nowhere anchored with this method.

This is very effective because  if you place the microphone dead on and 
pointed toward the center
of the kick drum head  there is a strong possibility that the two halves 
of the kick drum being struck
may be out of phase with each other.  In this way you defeat any phase 
coherency problems and
you also get a lot of the attack of the beater by pointing the 
microphone towards the beater 'spot'.

Additionally,  you can get a hugely different kick sound by how closely 
you place the microphone
to the batter head inside the drum.

Put it closer to the head and you'll get vastly more 'attack' and less 
of the resonance of the bass drum
(the 'boooooom' of the bass drum).................then experiment with 
placing it further away from the head.

for you drummers out there,  the deeper your kick drum shell, the 
greater the sub-sonic multiplication occurs.

This is why deeper tom toms sound 'boomier' or 'throatier' than shallow 
drums.

Most of my recording these days , even on heavy rock projects uses an 
18" X 18" kick drum, which is conventionally
not considered a big rock drum size.  The reason I can get a huge sound 
out of it is that the depth of the shell allows me
to get much more sub-sonic multiplication than a standard sized kick drum.

The irony of modern rock recordings is that modern live music venues are 
using incredibly powerful subsonics
in their mixes, allowing for very, very deep and loud fundamental tones 
on miced kick drums.

I think it's kind of humorous that hearing the current fashion of deeply 
subsonic kick drums at live venues,  kids are going out
and buying gigantic John Bonham sized kick drums (26" and 28" diameters) 
to simlulate what they're hearing live 
and not realizing that frequently,  it is the subsonics of the sound 
system that are creating these huge booming tones
and NOT the diameter of their kicks.

I've heard more shitty, indistinct kick drum sounds (that mask the hell 
out of electric and synth bass guitar sounds)
 in local smaller rock venues because this mistake keeps being made with 
the current fashion.

********
Another interesting trick in recording drums is the fact that if you use 
a 16" floor tom and tune it to the exact same
pitch as a 13" or 14" floor tom,  the recording of the smaller drum (and 
this works with all smaller sizes of tom toms , too)
sound larger.

the reason is that a smaller floor tom has to be tuned looser than a 
larger one.  This looseness means that a strong attack
will yield a transient sound where the velocity of the stick will 
actually tighten the head for a few milliseconds and then the
pitch will 'fall' as the head returns to it's originally tuning.

This causes a falling pitch to occur which won't occur in the ringier 
larger drum.

For some reason,  human beings associate a falling pitch with a larger drum.

for this reason,  I run two and sometimes three 10" tom toms on 
recording sessions and tune them deeply.
Using this and a 14" X `14"  kick drum (using Resonance Isolation 
Mounting Systems to allow for maximum resonance)
gives a gigantic sound that belies the relatively small sizes of my drum 
set.

The other approach for 'big drum's is the single mic in a huge 
reverberent recording space ala the way Jimmy Page recorded
Bonhams's drumset in a very large stairwell at the mansion they rented 
to record 'When The Leavy Breaks".

good luck with your drum tracking everyone if you are lucky enough to 
actually have access to real drums
for your recordings.

**********************************************************************************

and, for what it's worth,  if you have loop based material you are 
recording and want some real drum tracks
recorded as loops that are BPM specific,   give me a buzz.   I have the 
ability to create custom drum loops
for recordings at my own studio and I'm charging World Recession prices 
for studio recording.

I've got a huge collection of different styles, materials and sizes of 
kicks, snares, cymbals and toms for different styles of
music and charge very reasonable rates to create custom loops for your 
compositions.

You can send me an mp3 or midi file of a drum rhythm you'd like (or just 
ask me to determine what would be appropriate
for your track) and I can make a nice recording to send you back to add 
to your track.

From midasinsurance@4u.com.gh  Tue Apr 13 14:21:36 2010
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Subject: Lucky Robert
From: "Lucky Robert" <midasinsurance@4u.com.gh>
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My Dear,

COMPLIMENT OF THE SEASON.

This is Lucky Robert writing to you once again,

Thank you for the assistance rendered to me when i was really in need, it
is a thing of joy to inform you that finally, I have succeeded in
collecting the money at Long last.

Hope this mail find you in an excellent condition of health. I'm happy to
inform you about my success in getting those funds transferred under the
co-operation of a new partner from London UK. Presently I'm in Europe for
investment projects with my own share of the total sum.

Meanwhile I didn't forget your past efforts and attempts to assist me in
transferring those funds that later failed some how, I have compensated
you with the sum of $2.5M, Two million five hundred thousand dollars. Now
contact Barrister Nana Kwesi he is my lawyer in Ghana and his email
address is: (kwesiasso@neu.com.cn) ask him to send the money to you the
sum of $2.5, Two million five hundred thousand dollars which I kept for
your compensation for all your past efforts and attempts to assist me in
this matter. I appreciated your efforts at that time very much. So feel
free and get in touch with him and instruct him where to send the amount
to you.

Please do let me know immediately if you receive it so that we can share
the joy after all the sufferings at that time.

Lucky Robert.

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 15:11:52 2010
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Subject: SPAM: Repeater for sale in the UK
From: Simeon Harris <simeonharris40@googlemail.com>
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--0016e65ae68257032204841fadf4
Content-Type: text/plain; charset=ISO-8859-1

last chance before i put it on ebay this weekend!

comes with 128Mb card, three button footswitch, original psu and latest
software

mint condition

contact me off list if you're interested

sim

--0016e65ae68257032204841fadf4
Content-Type: text/html; charset=ISO-8859-1

last chance before i put it on ebay this weekend!<br><br>comes with 128Mb card, three button footswitch, original psu and latest software<br><br>mint condition<br><br>contact me off list if you&#39;re interested<br><br>sim<br>

--0016e65ae68257032204841fadf4--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 15:31:47 2010
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THis is good to know, RIck! Can you output this in multitrack?  Are  
there samples I can hear?
I sure loved the bit of your playing I've heard!
No pressing project at the moment, but I am thinking of doing a new  
record.  At the rate I work, and with the other stuff I'm doing, this  
could take a year or more!

R

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.reverbnation.com/richardsalestreefrogorchestra






On Apr 13, 2010, at 5:29 AM, Rick Walker wrote:

>
>
> and, for what it's worth,  if you have loop based material you are  
> recording and want some real drum tracks
> recorded as loops that are BPM specific,   give me a buzz.   I have  
> the ability to create custom drum loops
> for recordings at my own studio and I'm charging World Recession  
> prices for studio recording.
>
> I've got a huge collection of different styles, materials and sizes  
> of kicks, snares, cymbals and toms for different styles of
> music and charge very reasonable rates to create custom loops for  
> your compositions.
>
> You can send me an mp3 or midi file of a drum rhythm you'd like (or  
> just ask me to determine what would be appropriate
> for your track) and I can make a nice recording to send you back to  
> add to your track.
>


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widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; ">THis is good to know, RIck! Can you output this in =
multitrack? &nbsp;Are there samples I can hear?</div><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I sure loved the bit of your =
playing I've heard!</div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">No =
pressing project at the moment, but I am thinking of doing a new record. =
&nbsp;At the rate I work, and with the other stuff I'm doing, this could =
take a year or more!</div><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><br></div><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: =
space; -webkit-line-break: after-white-space; ">R</div><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br></div><div =
style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" =
style=3D"font-size: 12px; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.reverbnation.com/richardsalestreefrogorchestra">www.rev=
erbnation.com/richardsalestreefrogorchestra</a></font></div><div><font =
class=3D"Apple-style-span" =
color=3D"#908E38"><br></font></div></span></div><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><br></div><span class=3D"Apple-style-span" =
style=3D"font-size: 18px; "><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-indent: 0px; =
text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial"><br></font></div></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"><div style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">On =
Apr 13, 2010, at 5:29 AM, Rick Walker =
wrote:</div></span></div></span></div></span></span></div><div><br =
class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div><br><br>and, for what it's worth, &nbsp;if you have =
loop based material you are recording and want some real drum =
tracks<br>recorded as loops that are BPM specific, &nbsp;&nbsp;give me a =
buzz. &nbsp;&nbsp;I have the ability to create custom drum loops<br>for =
recordings at my own studio and I'm charging World Recession prices for =
studio recording.<br><br>I've got a huge collection of different styles, =
materials and sizes of kicks, snares, cymbals and toms for different =
styles of<br>music and charge very reasonable rates to create custom =
loops for your compositions.<br><br>You can send me an mp3 or midi file =
of a drum rhythm you'd like (or just ask me to determine what would be =
appropriate<br>for your track) and I can make a nice recording to send =
you back to add to your =
track.<br><br></div></blockquote></div><br></body></html>=

--Apple-Mail-1-807729020--

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Rainer Straschill wrote:
> Andy,

> I have some liking for a really artificially wide A/B, and was actually 
> planning to do stereo panning w/ delays vs levels for the individual 
> mics (sd, toms if needed), too.


I'm kind of stuck on the idea that the overheads get
the basic sound, which is just fleshed out a bit by the other mics.
(so if you're not into that, this is somewhat academic)

how about a pair of OH cardioids with a gap
between them?
or do XY coincident , but increase the angle beyond 90 deg,
and fill the "hole in the middle" with the snare & kick mics.

There's no law to say the panning on the individual drums
should match the position as suggested by the overheads
...but that's the way to avoid blurred stereo imaging.


 

>> it's very unlikely you'll need a mic on the ride, actually the trick 
>> is not to get too much cymbal in the OH.
> Which I could, as I understand, avoid by a) moving the mics farther away 
> from the cymbals (thus making the toms relatively louder) 

if drummers were ergonomic, then the position just above the drummers
head would be about right.

Moving the OH back might be needed to even up the distances, but
the toms sound fuller if the mic is on their axis.



>> my wildcard suggestion would be kick drum mic from the pedal side.
> Never thought about that...what is the kind of sound you'd expect to get 
> from that? 

more "drum-like", a more natural transient, as the attack of the beater
isn't muffled by the head. 
Inside the drum, or at a soundhole the sound obtained is somewhat
determined by "what the mic sounds like when you hit it".

...or so the theory goes.
No doubt it also picks up more of the rest of the kit.
Perhaps only worthwhile if there's a spare channel and a spare
mic available.
I have tried it, but that was with a Sennheiser 421.

andy


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From: Odei Ajimogobia <josephgreg@att.net>
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Subject: Dear Friend, Need Your Urgent Attention,
To: undisclosed recipients: ;
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DR. ODEI AJIMOGOBIA GROUP
=0AN.N.P.C. HOUSE AGO-WAY ISOLO
=0ALAGOS NIGERIA
=0AWEST AFRICA
=0A
=0ADear Friend,
=0A
=0ADo not be surprised by receiving this=0Aemail. I intentionally sent it t=
o you. I am begging for your assistance=0Afor the transfer of US$9.2Million=
.For introduction sake, I am the=0Afinancial controller in charge of the sa=
les of crude oil in my country.=0AThis position has offered to me the oppor=
tunity to acquire the sum of=0AUS$9.2Million.
=0A=A0
=0AI have the problem of keeping this=0AUS$9.2Million in my local=A0 bank a=
ccount because as a civil servant, I=0Aearn salary=A0 monthly and my salary=
 for a 100 years cannot be=A0 up to=A0=0AUS$9.2Million.If I bank the US$9.2=
Million,it will be noticed=A0 and the=0Agovernment will seize it. So I am s=
oliciting for your help so you can=0Aprovide for me your bank account to en=
able me transfer this fund to=0Ayou. Please I am under serious need for a f=
oreign partner who will=0Aagree to receive this fund. I have all logistics =
to declare that the=0AUS9.2Million belongs=A0 to you so I can transfer it t=
o your bank account.
=0A=A0
=0APlease while replying, include your information:
=0A1.Your Full names.
=0A2. Your address.
=0A3. Your telephone and fax numbers.
=0A4. Your occupation.
=0A5. Your age.
=0A=A0
=0AAs soon as I receive your email reply,=0AI shall resume communication wi=
th you and arrange to meet with you to=0Aconclude this transfer as we must =
meet to have trust for each other=0Abefore I can transfer this fund to you.
=0A
=0AGet back to me via: odienajimogobia@o2.pl
=0A=A0
=0A=A0
=0A
=0ARegards,
=0ADr.Odei Ajimogobia.
=0A{FORMER SECRETARY TO THE N.N.PC}
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold; color: rgb(=
255, 0, 127);">DR. ODEI AJIMOGOBIA GROUP</span><br style=3D"font-weight: bo=
ld; color: rgb(255, 0, 127);">=0A<span style=3D"font-weight: bold; color: r=
gb(255, 0, 127);">N.N.P.C. HOUSE AGO-WAY ISOLO</span><br style=3D"font-weig=
ht: bold; color: rgb(255, 0, 127);">=0A<span style=3D"font-weight: bold; co=
lor: rgb(255, 0, 127);">LAGOS NIGERIA</span><br style=3D"font-weight: bold;=
 color: rgb(255, 0, 127);">=0A<span style=3D"font-weight: bold; color: rgb(=
255, 0, 127);">WEST AFRICA</span><br style=3D"font-weight: bold;">=0A<br st=
yle=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">Dear Frien=
d,</span><br style=3D"font-weight: bold;">=0A<br style=3D"font-weight: bold=
;">=0A<span style=3D"font-weight: bold;">Do not be surprised by receiving t=
his=0Aemail. I intentionally sent it to you. I am begging for your assistan=
ce=0Afor the transfer of US$9.2Million.For introduction sake, I am the=0Afi=
nancial controller in charge of the sales of crude oil in my country.=0AThi=
s position has offered to me the opportunity to acquire the sum of=0AUS$9.2=
Million.</span><br style=3D"font-weight: bold;">=0A<span style=3D"font-weig=
ht: bold;">&nbsp;</span><br style=3D"font-weight: bold;">=0A<span style=3D"=
font-weight: bold;">I have the problem of keeping this=0AUS$9.2Million in m=
y local&nbsp; bank account because as a civil servant, I=0Aearn salary&nbsp=
; monthly and my salary for a 100 years cannot be&nbsp; up to&nbsp;=0AUS$9.=
2Million.If I bank the US$9.2Million,it will be noticed&nbsp; and the=0Agov=
ernment will seize it. So I am soliciting for your help so you can=0Aprovid=
e for me your bank account to enable me transfer this fund to=0Ayou. Please=
 I am under serious need for a foreign partner who will=0Aagree to receive =
this fund. I have all logistics to declare that the=0AUS9.2Million belongs&=
nbsp; to you so I can transfer it to your bank account.</span><br style=3D"=
font-weight: bold;">=0A<span style=3D"font-weight: bold;">&nbsp;</span><br =
style=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">Please w=
hile replying, include your information:</span><br style=3D"font-weight: bo=
ld;">=0A<span style=3D"font-weight: bold;">1.Your Full names.</span><br sty=
le=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">2. Your add=
ress.</span><br style=3D"font-weight: bold;">=0A<span style=3D"font-weight:=
 bold;">3. Your telephone and fax numbers.</span><br style=3D"font-weight: =
bold;">=0A<span style=3D"font-weight: bold;">4. Your occupation.</span><br =
style=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">5. Your =
age.</span><br style=3D"font-weight: bold;">=0A<span style=3D"font-weight: =
bold;">&nbsp;</span><br style=3D"font-weight: bold;">=0A<span style=3D"font=
-weight: bold;">As soon as I receive your email reply,=0AI shall resume com=
munication with you and arrange to meet with you to=0Aconclude this transfe=
r as we must meet to have trust for each other=0Abefore I can transfer this=
 fund to you.</span><br style=3D"font-weight: bold;">=0A<br style=3D"font-w=
eight: bold;">=0A<span style=3D"font-weight: bold; color: rgb(82, 83, 48);"=
>Get back to me via: odienajimogobia@o2.pl</span><br style=3D"font-weight: =
bold;">=0A<span style=3D"font-weight: bold;">&nbsp;</span><br style=3D"font=
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e=3D"font-weight: bold;">=0A<br style=3D"font-weight: bold;">=0A<span style=
=3D"font-weight: bold;">Regards,</span><br style=3D"font-weight: bold;">=0A=
<span style=3D"font-weight: bold;">Dr.Odei Ajimogobia.</span><br style=3D"f=
ont-weight: bold;">=0A<span style=3D"font-weight: bold; color: rgb(255, 0, =
127);">{FORMER SECRETARY TO THE N.N.PC}</span></td></tr></table>
--0-1449837999-1271173253=:40747--

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To: undisclosed-recipients:;




Compliments of the day to you  ,

I am  Mr John Wild the Former credit manager of SNS Bank in the
Netherlands now based in United Kingdom. I have a proposal to discuss
about a certain bonded account in SNS bank, Please get back to me if you
are interested to know.It will be beneficial to all parties concerned.

Regards,

John Wild.
SNS Bank Liaison Office
United Kingdom Office.
+447024081690
+447035962677
www.snsbank.nl

From josephgreg@att.net  Tue Apr 13 16:35:03 2010
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Date: Tue, 13 Apr 2010 09:34:41 -0700 (PDT)
From: Odei Ajimogobia <josephgreg@att.net>
Reply-To: odienajimogobia@o2.pl
Subject: Dear Friend, Need Your Urgent Attention,
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1360829549-1271176481=:38507"

--0-1360829549-1271176481=:38507
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DR. ODEI AJIMOGOBIA GROUP
=0AN.N.P.C. HOUSE AGO-WAY ISOLO
=0ALAGOS NIGERIA
=0AWEST AFRICA
=0A
=0ADear Friend,
=0A
=0ADo not be surprised by receiving this=0Aemail. I intentionally sent it t=
o you. I am begging for your assistance=0Afor the transfer of US$9.2Million=
.For introduction sake, I am the=0Afinancial controller in charge of the sa=
les of crude oil in my country.=0AThis position has offered to me the oppor=
tunity to acquire the sum of=0AUS$9.2Million.
=0A=A0
=0AI have the problem of keeping this=0AUS$9.2Million in my local=A0 bank a=
ccount because as a civil servant, I=0Aearn salary=A0 monthly and my salary=
 for a 100 years cannot be=A0 up to=A0=0AUS$9.2Million.If I bank the US$9.2=
Million,it will be noticed=A0 and the=0Agovernment will seize it. So I am s=
oliciting for your help so you can=0Aprovide for me your bank account to en=
able me transfer this fund to=0Ayou. Please I am under serious need for a f=
oreign partner who will=0Aagree to receive this fund. I have all logistics =
to declare that the=0AUS9.2Million belongs=A0 to you so I can transfer it t=
o your bank account.
=0A=A0
=0APlease while replying, include your information:
=0A1.Your Full names.
=0A2. Your address.
=0A3. Your telephone and fax numbers.
=0A4. Your occupation.
=0A5. Your age.
=0A=A0
=0AAs soon as I receive your email reply,=0AI shall resume communication wi=
th you and arrange to meet with you to=0Aconclude this transfer as we must =
meet to have trust for each other=0Abefore I can transfer this fund to you.
=0A
=0AGet back to me via: odienajimogobia@o2.pl
=0A=A0
=0A=A0
=0A
=0ARegards,
=0ADr.Odei Ajimogobia.
=0A{FORMER SECRETARY TO THE N.N.PC}
--0-1360829549-1271176481=:38507
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold; color: rgb(=
255, 0, 0);">DR. ODEI AJIMOGOBIA GROUP</span><br style=3D"font-weight: bold=
; color: rgb(255, 0, 0);">=0A<span style=3D"font-weight: bold; color: rgb(2=
55, 0, 0);">N.N.P.C. HOUSE AGO-WAY ISOLO</span><br style=3D"font-weight: bo=
ld; color: rgb(255, 0, 0);">=0A<span style=3D"font-weight: bold; color: rgb=
(255, 0, 0);">LAGOS NIGERIA</span><br style=3D"font-weight: bold; color: rg=
b(255, 0, 0);">=0A<span style=3D"font-weight: bold; color: rgb(255, 0, 0);"=
>WEST AFRICA</span><br style=3D"font-weight: bold;">=0A<br style=3D"font-we=
ight: bold;">=0A<span style=3D"font-weight: bold;">Dear Friend,</span><br s=
tyle=3D"font-weight: bold;">=0A<br style=3D"font-weight: bold;">=0A<span st=
yle=3D"font-weight: bold;">Do not be surprised by receiving this=0Aemail. I=
 intentionally sent it to you. I am begging for your assistance=0Afor the t=
ransfer of US$9.2Million.For introduction sake, I am the=0Afinancial contro=
ller in charge of the sales of crude oil in my country.=0AThis position has=
 offered to me the opportunity to acquire the sum of=0AUS$9.2Million.</span=
><br style=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">&nb=
sp;</span><br style=3D"font-weight: bold;">=0A<span style=3D"font-weight: b=
old;">I have the problem of keeping this=0AUS$9.2Million in my local&nbsp; =
bank account because as a civil servant, I=0Aearn salary&nbsp; monthly and =
my salary for a 100 years cannot be&nbsp; up to&nbsp;=0AUS$9.2Million.If I =
bank the US$9.2Million,it will be noticed&nbsp; and the=0Agovernment will s=
eize it. So I am soliciting for your help so you can=0Aprovide for me your =
bank account to enable me transfer this fund to=0Ayou. Please I am under se=
rious need for a foreign partner who will=0Aagree to receive this fund. I h=
ave all logistics to declare that the=0AUS9.2Million belongs&nbsp; to you s=
o I can transfer it to your bank account.</span><br style=3D"font-weight: b=
old;">=0A<span style=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-=
weight: bold;">=0A<span style=3D"font-weight: bold;">Please while replying,=
 include your information:</span><br style=3D"font-weight: bold;">=0A<span =
style=3D"font-weight: bold;">1.Your Full names.</span><br style=3D"font-wei=
ght: bold;">=0A<span style=3D"font-weight: bold;">2. Your address.</span><b=
r style=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">3. You=
r telephone and fax numbers.</span><br style=3D"font-weight: bold;">=0A<spa=
n style=3D"font-weight: bold;">4. Your occupation.</span><br style=3D"font-=
weight: bold;">=0A<span style=3D"font-weight: bold;">5. Your age.</span><br=
 style=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">&nbsp;<=
/span><br style=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;=
">As soon as I receive your email reply,=0AI shall resume communication wit=
h you and arrange to meet with you to=0Aconclude this transfer as we must m=
eet to have trust for each other=0Abefore I can transfer this fund to you.<=
/span><br style=3D"font-weight: bold;">=0A<br style=3D"font-weight: bold;">=
=0A<span style=3D"font-weight: bold;">Get back to me via: <span style=3D"co=
lor: rgb(64, 160, 255);">odienajimogobia@o2.pl</span></span><br style=3D"fo=
nt-weight: bold;">=0A<span style=3D"font-weight: bold;">&nbsp;</span><br st=
yle=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold;">&nbsp;</sp=
an><br style=3D"font-weight: bold;">=0A<br style=3D"font-weight: bold;">=0A=
<span style=3D"font-weight: bold;">Regards,</span><br style=3D"font-weight:=
 bold;">=0A<span style=3D"font-weight: bold;">Dr.Odei Ajimogobia.</span><br=
 style=3D"font-weight: bold;">=0A<span style=3D"font-weight: bold; color: r=
gb(255, 0, 0);">{FORMER SECRETARY TO THE N.N.PC}</span></td></tr></table>
--0-1360829549-1271176481=:38507--

From barclaysbanklondonplc1@rogers.com  Tue Apr 13 18:48:43 2010
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Date: Tue, 13 Apr 2010 11:48:37 -0700 (PDT)
From: "From Barclays Bank Plc. London" <barclaysbanklondonplc1@rogers.com>
Reply-To: barclaysinfobankplc@inmail24.com
Subject: From Barclays Bank Plc. London
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-838055187-1271184517=:83681
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BARCLAYS BANK PLC.=20
CLAPHAM JUNCTION BRANCH,=20
7 ST JOHNS HILL,=20
SW 11 1 TN, LONDON=20
=A0barclaysbankplclondon2@inmail24.com

Attention:=20
=A0
REF:- INSTRUCTION TO CREDIT YOUR ACCOUNT WITH THE SUM OF (US$27,000,000.00)
=A0
This is the second time we are notifying you about this said fund.
After due vetting and evaluation of your Inheritance file which The Nigeria=
n National Petroleum Corporation (NNPC) in conjunction with the Ministry Of=
 Finance Of the Federal Republic of Nigeria Forwarded and contracted us to =
see to your immediate payment of the sum of US$27,000,000.00 from their Off=
shore Account with us.
=A0
We were meant to understand from our findings that you have been going thro=
ugh hard ways by paying alot of charges to see to the release of your fund =
(US$27,000,000.00) , which has been delayed. Which has been the handiwork o=
f some miscreant elements from Nigeria We advice that you stop further comm=
unication with any correspondence from Nigeria. You don't have to pay any c=
harges to receive your Contract fund anymore as you have met up with the wh=
ole requirements , your representatives in Nigeria will tell you to still g=
o ahead with them but on your own risk.
=A0
The only thing required from you is to obtain Non-Resident Clearance Form/R=
eceipt which we are not asking you to pay the fee to us here in United King=
dom as the Government of Nigeria have paid us for handling/processing of yo=
ur payment with other customers.We will help you to see that you obtain the=
 form so that our bank will effect immediate transfer of your Inheritance s=
um (US$27,000,000.00) into your designated bank account.
Should you follow up our directives, your fund will reflect in your account=
 within five Bank working days from the day you obtain this form. Do not go=
 through anybody again but through this Bank if you really want your fund.e=
-mail:Address: (barclaysbankplclondon2@inmail24.com)Finally, you are advice=
 to forward to this bank your receiving Account. Where you want this fund t=
o be remitted.
=A0
Head, Private Banking Section.=20
Ed, Foreign Payments
Yours sincerely,=20
Mr. John Rob.
--0-838055187-1271184517=:83681
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Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>
<DIV>BARCLAYS BANK PLC. <BR>CLAPHAM JUNCTION BRANCH, <BR>7 ST JOHNS HILL, <=
BR>SW 11 1 TN, LONDON <BR>&nbsp;<A href=3D"mailto:barclaysbankplclondon2@in=
mail24.com" target=3D_blank rel=3Dnofollow>barclaysbankplclondon2@inmail24.=
com</A></DIV>
<DIV><BR>Attention: <BR>&nbsp;<BR>REF:- INSTRUCTION TO CREDIT YOUR ACCOUNT =
WITH THE SUM OF (US$27,000,000.00)<BR>&nbsp;<BR>This is the second time we =
are notifying you about this said fund.<BR>After due vetting and evaluation=
 of your Inheritance file which The Nigerian National Petroleum Corporation=
 (NNPC) in conjunction with the Ministry Of Finance Of the Federal Republic=
 of Nigeria Forwarded and contracted us to see to your immediate payment of=
 the sum of US$27,000,000.00 from their Offshore Account with us.<BR>&nbsp;=
<BR>We were meant to understand from our findings that you have been going =
through hard ways by paying alot of charges to see to the release of your f=
und (US$27,000,000.00) , which has been delayed. Which has been the handiwo=
rk of some miscreant elements from Nigeria We advice that you stop further =
communication with any correspondence from Nigeria. You don't have to pay a=
ny charges to receive your Contract fund anymore as you have met up
 with the whole requirements , your representatives in Nigeria will tell yo=
u to still go ahead with them but on your own risk.<BR>&nbsp;<BR>The only t=
hing required from you is to obtain Non-Resident Clearance Form/Receipt whi=
ch we are not asking you to pay the fee to us here in United Kingdom as the=
 Government of Nigeria have paid us for handling/processing of your payment=
 with other customers.We will help you to see that you obtain the form so t=
hat our bank will effect immediate transfer of your Inheritance sum (US$27,=
000,000.00) into your designated bank account.</DIV>
<DIV>Should you follow up our directives, your fund will reflect in your ac=
count within five Bank working days from the day you obtain this form. Do n=
ot go through anybody again but through this Bank if you really want your f=
und.e-mail:Address: (<A href=3D"mailto:barclaysbankplclondon2@inmail24.com)=
Finally" target=3D_blank rel=3Dnofollow>barclaysbankplclondon2@inmail24.com=
)Finally</A>, you are advice to forward to this bank your receiving Account=
. Where you want this fund to be remitted.<BR>&nbsp;<BR>Head, Private Banki=
ng Section. <BR>Ed, Foreign Payments<BR>Yours sincerely, <BR>Mr. John Rob.<=
/DIV></td></tr></table>
--0-838055187-1271184517=:83681--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 19:05:53 2010
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Date: Tue, 13 Apr 2010 21:05:57 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Rick Walker schrieb:
> I did a little research tonight and discovered this freeware software for
> creating *_your own_* Impulse files (digital modelling files) to use in a
> shareware or freeware Convolution Reverb.
First of all, thanks to all of you (including you, Rick), for the posts 
on the original "mics for recording drums" thread - I'll try to 
summarize and comment that thread later on.

However, as Rick pointed out, for reverbs convolution-based processors 
are an option. I'd like to give some wisdom on this topic for those who 
haven't dealt with it so far.

It definitely took some time from Kurzweil's KDFX board for the K2500 
workstation which first included the LazerVerb algorithm (also found in 
the K2600, KSP8 and Rumour) that convolution reverb became such widely 
used. Today, every plugin manufacturer offers one, there are some 
freeware/rather cheap options on the market (thanks to Rick for the S1R 
suggestion), and most DAW programs include such a plugin (have one in 
Cubase, checked for Logic and Sonar). But was is this "convolution 
reverb thing"?

Basically (and slightly simplified), the reverb patch is described by 
the frequency response of the reverb space we want to model. Now for LTI 
(linear time-invariant) systems [1], theory has it that the entire 
behaviour of the system is described by its impulse response, or by its 
complex frequency response [2], both of which are essentially the same [3].

This consequently means that the reverb will always be LTI, that means 
there is no modulation, no distortion and no saturation of any kind.

A very good application is to model a specific good-sounding room at 
sensible SPL levels, simply by recording the impulse response of that 
room [4]. But what can be done for actual rooms can also be done for 
things which model rooms - e.g. you could simply take your treasured 
Lexicon 480 effector, load a patch and record its impulse response (and 
this is actually done; in some of those free impulse response 
collections you'll find impulses from such devices).

Or, you can record the IR of, say, a grand piano or an acoustic guitar 
and use that in your convolution reverb plugin.

Or you can use something entirely different, and not record an impulse 
response at all, rather take any sound (e.g. a snare drum hit, or some 
noise bursts from a shortwave receiver) and load them into your 
convolution reverb plugin and see what happens.

However, there's a simple downside: it works perfectly if you want to 
model a specific space for which you have an impulse response available. 
If not, you'll be most of the time working more efficiently by simply 
using a high-quality algorithmic reverb and use that.

Yours,

          Rainer

[1]: A LTI (or linear time-invariant) system is a system with inputs and 
outputs where the transfer function describing the output as a function 
of the input and time (let's discuss this for only one input and output 
each) is both time-invariant and linear.
Linearity means that if you make the input louder then the output will 
become louder by the same amount but not change otherwise. Also, if you 
send two input signals at once into the system, then the output is the 
sum of the signals you've gotten if you'd sent the inputs individually. 
In other words, it does not distort. Ever.
Note that this does normally NOT mean that the system has a flat 
frequency response (which colloquially is often referred to as "linear").
Time invariance means that you always get the same result, no matter at 
what time you send something into the system. A good counter example 
would be a flanger or modulated filter (basically everything with a 
time-dependant modulation).
All ideal EQs and ideal delays are LTI.
A nice side-effect of LTI systems is that you can arrange their order 
freely, i.e. it doesn't matter if the EQ goes before or after the delay.

[2]:  This is  the frequency response which does not only have an 
amplitude over frequency ("frequency plot"), but an additional phase 
over frequency. Again theory has it (Kramers-Kronig relation) that for 
the systems we're looking at, the amplitude directly defines the phase 
and vice versa.

[3]: Fourier transform can be applied freely in LTI systems. The 
(complex) frequency response is the fourier transform of the impulse 
response and the other way round. The impulse response can theoretically 
be perceived as "what the system does if you play an infinitely short 
and infinitely high pulse into the system".

[4]. Doing that brings several problems. The first is a proper stimulus 
for the object (how do you make that infinitely short pulse?): typical 
devices are some signal pistols, bursting balloons, very specific 
thingies (somewhat larger versions of those things you use to calibrate 
measurement microphones) or on the other hand playing back a frequency 
sweep on a good speaker. The second is to record it - again, any 
limitations of the microphone, micpre or recorder will have a negative 
influence. The third is to make an impulse response file out of your 
recordings, but again, Rick already pointed out some software for that.

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: EH:16DDL RI....
From: Scott Hansen <evanpeewee@gmail.com>
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well, my big news...last week (on thur) i got my own electro harmonix 16 sec
digital delay reissue....the bummer thing i was so busy i didn't get a
chance to open it, set it up and play w/ it until sunday (it was killing me
i was so busy).
but boy, is this thing AWESOME!
i think it's the looper i've been looking for, and why: LEVERS TO CONTROL
THING & manipulate!!!!
wow, love the slow down/speed up option (i probably over use this!!!) -i
guess this is the "pitch" option (there is the time option also-kind of
fun!)
the switch to reverse,
i just love that there are visible switches to see/use to manipulate your
loops.

i'm still getting use to it, the odd thing is that IT SAVES YOUR LOOP UNTIL
YOU DELETE IT. which i honestly don't care about, but hey...

the funny thing in the last 2 days i've been playing it before work, and
both mornings i almost forgot to quit playing and go to work (and drop my
boys off to school).
on sunday when i was trying to figure it out (lots of manual reading!) i'd
get a loop going and just let it go, while i read, haven't done that since
the days of my dod d12!

sound wise-it is awesome. i know they say it's 16 bit (which i still don't
know what the F*CK that really means, but what ever...), but it sounds clean
and crisp to my ear. i'm even down to using just one modeler (my digitech
rp150, took the zoom g2 out), and i also got a boss ultra fuzz pedal (i may
be putting my multi-wave distortion pedal back in at some pt-still need to
figure out space problems).

i don't know i just like it, a very musical little device. inspiring really.
i don't think i've been so excited about looping since i 1st starting
messing w/ my old 2 sec delays on my digitech rp100....for me i don't really
care about stereo setup, i only use one amp, don't care about midi, if you
were worried about "timing" i would guess you'd need the EH foot pedal
perhaps, but since i create more abstract noise, it's not really a concern
for me....

honestly i would like to say to EH and all the other co's: MAKE MORE PEDALS
LIKE THIS!!! CONTROLS, MANIPULATION, yes yes yes....

the funny thing, this all got started when Chuck Zwicky sent me an email
that he was selling his. i was busy at work, was (real) late opening the
email, by the time i responded his was sold....but when he told me the price
was 250$, i didn't think that's what they were selling for. i figured they
were 400-500, so i never thought about it. so then i start checking ebay,
over the next few weeks i saw some sell for 299, 275, 250, 235, one even
sold for 180. and the unusual thing is i actually had the $$ since the last
4 months i've been "testing lots of stuff" by buying/selling....but i'm done
now....the funny thing the one i got, i was outbid on, so i just moved on,
then a week later i got an email that the buyer was from overseas, the
shipping was going to be too much, so he passed, and i got the offer to buy
it 2nd chance. wow, was i happy.

i even found a way around my recording woes-i've ditched the direct
recording method i've done for 9 yrs, and i just put my fostex mr8 next to
my amp and use the BUILT IN mic to record, so i've been doing little live
loop recordings....1st time i've ever recorded an amp. my hopes is to
sometime get these uploaded...i started w/ tests using just my rp150 for
glitch looping, then did a few tests w/ 2.6 sec loops/mangles w/ my guyatone
md3....and in the last few days i've been exploring the 16ddl....
well, i'll end my excitement....
happy looping.
s----
www.myspace.com/scotthansen

--0016363b888c44c09f048423d846
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

well, my big news...last week (on thur) i got my own electro harmonix 16 se=
c digital delay reissue....the bummer thing i was so busy i didn&#39;t get =
a chance to open it, set it up and play w/ it until sunday (it was killing =
me i was so busy).<br>
but boy, is this thing AWESOME!<br>i think it&#39;s the looper i&#39;ve bee=
n looking for, and why: LEVERS TO CONTROL THING &amp; manipulate!!!!<br>wow=
, love the slow down/speed up option (i probably over use this!!!) -i guess=
 this is the &quot;pitch&quot; option (there is the time option also-kind o=
f fun!)<br>
the switch to reverse, <br>i just love that there are visible switches to s=
ee/use to manipulate your loops.<br><br>i&#39;m still getting use to it, th=
e odd thing is that IT SAVES YOUR LOOP UNTIL YOU DELETE IT. which i honestl=
y don&#39;t care about, but hey...<br>
<br>the funny thing in the last 2 days i&#39;ve been playing it before work=
, and both mornings i almost forgot to quit playing and go to work (and dro=
p my boys off to school).<br>on sunday when i was trying to figure it out (=
lots of manual reading!) i&#39;d get a loop going and just let it go, while=
 i read, haven&#39;t done that since the days of my dod d12!<br>
<br>sound wise-it is awesome. i know they say it&#39;s 16 bit (which i stil=
l don&#39;t know what the F*CK that really means, but what ever...), but it=
 sounds clean and crisp to my ear. i&#39;m even down to using just one mode=
ler (my digitech rp150, took the zoom g2 out), and i also got a boss ultra =
fuzz pedal (i may be putting my multi-wave distortion pedal back in at some=
 pt-still need to figure out space problems). <br>
<br>i don&#39;t know i just like it, a very musical little device. inspirin=
g really. i don&#39;t think i&#39;ve been so excited about looping since i =
1st starting messing w/ my old 2 sec delays on my digitech rp100....for me =
i don&#39;t really care about stereo setup, i only use one amp, don&#39;t c=
are about midi, if you were worried about &quot;timing&quot; i would guess =
you&#39;d need the EH foot pedal perhaps, but since i create more abstract =
noise, it&#39;s not really a concern for me....<br>
<br>honestly i would like to say to EH and all the other co&#39;s: MAKE MOR=
E PEDALS LIKE THIS!!! CONTROLS, MANIPULATION, yes yes yes....<br><br>the fu=
nny thing, this all got started when Chuck Zwicky sent me an email that he =
was selling his. i was busy at work, was (real) late opening the email, by =
the time i responded his was sold....but when he told me the price was 250$=
, i didn&#39;t think that&#39;s what they were selling for. i figured they =
were 400-500, so i never thought about it. so then i start checking ebay, o=
ver the next few weeks i saw some sell for 299, 275, 250, 235, one even sol=
d for 180. and the unusual thing is i actually had the $$ since the last 4 =
months i&#39;ve been &quot;testing lots of stuff&quot; by buying/selling...=
.but i&#39;m done now....the funny thing the one i got, i was outbid on, so=
 i just moved on, then a week later i got an email that the buyer was from =
overseas, the shipping was going to be too much, so he passed, and i got th=
e offer to buy it 2nd chance. wow, was i happy.<br>
<br>i even found a way around my recording woes-i&#39;ve ditched the direct=
 recording method i&#39;ve done for 9 yrs, and i just put my fostex mr8 nex=
t to my amp and use the BUILT IN mic to record, so i&#39;ve been doing litt=
le live loop recordings....1st time i&#39;ve ever recorded an amp. my hopes=
 is to sometime get these uploaded...i started w/ tests using just my rp150=
 for glitch looping, then did a few tests w/ 2.6 sec loops/mangles w/ my gu=
yatone md3....and in the last few days i&#39;ve been exploring the 16ddl...=
.<br>
well, i&#39;ll end my excitement....<br>happy looping.<br>s----<br><a href=
=3D"http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</a><br>=
<br>

--0016363b888c44c09f048423d846--

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From: "Dr Morris Elofu"<drmorriselofu2010@go.com>
Subject: DIRECTIVES ON YOUR AWAITING FUND REPLY.
Date: Tue, 13 Apr 2010 09:10:08 -0700
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DIRECTIVES ON YOUR AWAITING FUND REPLY.

I am Dr.Morris Elofu,Pay Master General of the Federation,I wish to inform you that we have received authentic approval and instruction directly from
our president,Alhaji Umaru Musa Yar Adua(GCFR)Federal Republic of Nigeria to pay you,your outstanding Inheritance Sum.

It has become considerably emergent that we have been directed to take this measure due to the much embarrassment being caused to certain foreign
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Date: Tue, 13 Apr 2010 13:57:43 -0700
Message-ID: <j2t1318f21d1004131357pa6fe627xcc31588318624109@mail.gmail.com>
Subject: Re: OT: Recording Drums - gear selection
From: George Ludwig <georgeludwigmusic@gmail.com>
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Rick,

Here's a great article on the three-to-one rule:
http://www.recordingeq.com/articles/321eq.html

Synopsis:
*
"Two microphones, intended to pick up two sound sources must be placed apar=
t
at least three times the distance that either microphone is from it=92s
intended sound source."

*
Cheers,

George

On Tue, Apr 13, 2010 at 4:32 AM, Rick Walker <looppool@cruzio.com> wrote:

> a quickee question:
>
> George Ludwig,  what is the three to one rule of phase coherency rule tha=
t
> you mentioned in your advice
> to Rainer about micing drums?
>
> Rick Walker
>
> ps thanks for your expertise on this thread by the way.  I always enjoy t=
he
> experience and intelligence
> you put into any posting here for all our collective wisdom.
>
>


--=20
-George

http://www.myspace.com/georgeludwigmusic

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Rick,<div><br></div><div>Here&#39;s a=A0great article on the three-to-one r=
ule:=A0<span class=3D"Apple-style-span" style=3D"font-family: &#39;Segoe UI=
&#39;; font-size: 12px; white-space: pre; "><a href=3D"http://www.recording=
eq.com/articles/321eq.html">http://www.recordingeq.com/articles/321eq.html<=
/a></span></div>
<div><font class=3D"Apple-style-span" face=3D"&#39;Segoe UI&#39;" size=3D"3=
"><span class=3D"Apple-style-span" style=3D"font-size: 12px; white-space: p=
re;"><br></span></font></div><div><font class=3D"Apple-style-span" face=3D"=
&#39;Segoe UI&#39;" size=3D"3"><span class=3D"Apple-style-span" style=3D"fo=
nt-size: 12px; white-space: pre;">Synopsis: </span></font></div>
<span class=3D"Apple-style-span" style=3D"font-family: &#39;Times New Roman=
&#39;; font-size: medium; "><table border=3D"0" width=3D"85%"><tbody><tr><t=
d width=3D"100%"><em><font color=3D"#FF0000"><strong><br>&quot;Two micropho=
nes, intended to pick up two sound sources must be placed apart at least th=
ree times the distance that either microphone is from it=92s intended sound=
 source.&quot;<br>
<br></strong></font></em></td></tr></tbody></table></span><div><div class=
=3D"gmail_quote">Cheers,</div><div class=3D"gmail_quote"><br></div><div cla=
ss=3D"gmail_quote">George</div><div class=3D"gmail_quote"><br></div><div cl=
ass=3D"gmail_quote">
On Tue, Apr 13, 2010 at 4:32 AM, Rick Walker <span dir=3D"ltr">&lt;<a href=
=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:<b=
r><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:=
1px #ccc solid;padding-left:1ex;">
a quickee question:<br>
<br>
George Ludwig, =A0what is the three to one rule of phase coherency rule tha=
t you mentioned in your advice<br>
to Rainer about micing drums?<br><font color=3D"#888888">
<br>
Rick Walker<br>
</font><br>
ps thanks for your expertise on this thread by the way. =A0I always enjoy t=
he experience and intelligence<br>
you put into any posting here for all our collective wisdom.<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br><br><a href=
=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/george=
ludwigmusic</a><br>
</div>

--001636d33c7c53d21104842483b7--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 21:09:20 2010
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Hi everyone,

first of all, thanks to all of you (remember Andy Butler [AB], Andy G 
[AG], George Ludwig [GL], Per Boysen [PB] and of course Rick Walker 
[RW]). I'll try to summarize some at this point - additional comments 
from my are marked [RS].

1. General Concepts:
There seems to be a common understanding that the most important thing 
is the overheads, as they form the "basic sound"; everything else is 
just addon [AB] - but the bass drum seems to get almost as much 
attention, even with the suggestion to use two dedicated mikes for it.
In addition to the basic "which mikes on what" question, great 
importance is found in the actual mic placement, both to where and how 
they sit in relation to the drum [various], as well as how they are 
placed relatively to each other to minimize phase cancellation [RW].
[RS] Here's a piece of wisdom from me: using mic placement to minimize 
phase cancellation will only work for a specific frequency series, and 
always give you a comb filtering effect. If we stick with Rick's example 
of toms, and let's say one tom has a fundamental resonance at 300 Hz and 
you proceed like Rick suggests by moving the microphone so it sounds the 
fullest in the mix, you wll have constructive superposition for 300 Hz 
(and 600 Hz and so on), but desctructive one for the frequencies in 
between (i.e. 450, 225 etc.) - which may or may not be what you want.
If you don't want that, here's one trick: This assumes to work in all 
circumstances that you only have one stereo pair (e.g. overheads) and 
all the close-microphones have minimum crosstalk and/or use gates (if 
you use two microphones for the BD, e.g. as [GL] suggests, you might 
want to trigger the gate of the "far away" mic with the signal of the 
closeup mic):
Measure the distance of each microphone to each one of your overheads 
and document it. From that, you can calculate the time it takes the 
sound e.g. from the SD to travel from the SD mike to the left and right 
OH mikes respectively. Now during mixdown, put a stereo delay in the SD 
channel. Set the individual R/L delay so it is equivalent to 
distance/speed of sound (roughly 343m/s at room temperature). Voila, no 
more phase cancellation, and as a side effect, you got an entirely 
fitting A/B stereophony!

Apart from the BD mics, everything else (including SD - [RW]) is 
considerably less important - in order of decreasing importance 
(summarizing what everyone said): SD, Toms ([RW] explains a lot about 
miking them), cymbals in general (about everyone - did anybody recommend 
close-miking cymbals? don't think so).

[GL] also as the only source mentions the use of room mics; in his 
setup, the room is done with a stereo pair, while overhead is one single 
microphone.

2. Overheads:
C1000s are not recommended for their general sound ([GL], [RW]), but can 
serve for SD (see 4 below).
With the exception of [GL], the consensus is on a stereo pair as the 
main mics (see also 1).
There's not much suggestions on the actual placement and mic choice, 
with the exception of [AB]: cardioids in a coincidental or gapped 
alignment with >90° angle (e.g. ORTF). The source also suggests the Rode 
NT-1A as an alternative to the (most fitting available small diaphgram 
condenser) C4.
[RS]: I had a pleasant experience with the Rode for recording the room 
at a live concert (mono recording I did for another group): recorded the 
room with the NT-1A and a C414, used the signal from the NT-1A...
Another idea was to use the M260s for overheads due to their ribbon 
character [GL] - but making sure to avoid problems with the figure-8, to 
wich [RS] comments:
The M260 are not figure-8, they're hypercardioid - but that's even more 
of a problem.

3. Bass Drum:
The biggest amount had been written about bass drum here...and nobody 
seems to know my EV Neodyn or Sennheiser PZM mikes...
[RS]: The E/V is similar to the D112, only it has a) higher SPL 
resistance (even more?), b) HF peaks at 1.5 and 5 kHz, c) LF peak at 55 
(instead of 100) Hz.
For the D112, the opinions differ, from "avoid unless you want that 80s 
click" [AB] to "just EQ the click out but use anyway" [RW].
There has been a lot of discussion for placement. [AG] suggests to point 
the "inside" mic off-axis, pointed at the beater (seconded by [RW]), and 
perhaps an additional mike just outside the hole.
[AB] suggests an additional BD mic for the beater side (tried that 
himself with a Sennheiser 421), to which [AG] objects due to noisebleed 
for that mic placement.
The most creative version is by [GL] with an additional BD mike ca. 3m 
away down a "cushion tunnel".

4. Snare Drum:
If we need it at all (which [RW] doubts that in the jazz context): SM57 
as usual (e.g. [PB], [RW]) or C1000S ([GL]).
Own experience: with Eclectic Blah, we would sometimes use two snare 
drums in the trapset and mic one with a SM57, the other one with a 
C1000S. The contrast was very striking!
Question from me: what about a large-diaphragm condenser?

5. Toms:
Only one suggestion by [RW]: SM57, other's tell not to bother

6. Cymbals:
No need to.

7. The other Concept [GL]:
There is only one suggestion which differs from the standard "BD 
(perhaps 2x), SD (or leave it) and stereo OH", and that's by [GL]: 
Stereo room mics (what kind of? Can I use my beloved extremely wide A/B 
omnis here?), mono OH, SD, BD (perhaps 2x), mic over drummer's shoulder 
and additional mono room mic chest high and 3m in front of kit.


SUMMARY:
All of those suggestions use a maximum of seven channels, so I'm happy 
even with the small setup with 9 available mic channels. With the 
exception of (7), all agree on the basic setup of stereo OH, BD and 
perhaps SD, so that allows me additional room to do the optional 
wildcards on the 5 remaining channels (e.g. second BD, perhaps a small 
diaphragm condenser on the SD?, stereo room mics? additional 
coincidental OH pair with the Rodes?). We'll see...


Thanks again for all those suggestions - stay tuned for the results (to 
be available early in May).


             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Richard Sales asked (about my offer to record and sell drum loops for 
people's projects),

/THis is good to know, RIck! Can you output this in multitrack?  /

nahhhh!   it would be stereo at best..........fairly ghetto (if you can 
handle 24/96k recording through decent preamps
and excellent microphones to be ghetto) but we're talking drum loops 
here,  not entire tracks.*

******************************************************
*/"Are there samples I can hear?"/

nahhhhh!    I just suddenly realized that this was how I like to work on 
a lot of my tracks and that I had nice mics, a stupidly large and versatile
drum and cymbal collection and several hundred professional studio and 
producing sessions under my belt and
might try to figure out some way to try and stay living in Santa Cruz 
(It's been brutal here, as elsewhere, economically being a professional
musician and a music teacher).

One thing you could do, however, is send me the rhythm you want played 
and even a stereo recording of a drum track that you like
so that I can put it in a certain direction, sonically speaking.

*****************************************************

"I sure loved the bit of your playing I've heard!"

Gosh, thanks, Richard,  that means a lot coming from you.

*********************************************************

"No pressing project at the moment, but I am thinking of doing a new 
record. 
At the rate I work, and with the other stuff I'm doing, this could take 
a year or more!"


I hear you,  I'm actually composing, recording and making videos 
constantly, but I seem to have a problem actually putting out a
project officially in the past few years (touring, PASICs, NAMM and that 
pesky Looping Festival also seem to get in the way).
I'm actually pretty close to having several things finished at once, 
though, which I know is the kiss of death to commerciality so
I probably will drop a whole bunch of stuff on the world after this next 
10th anniversary looping festival is over.

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 22:02:50 2010
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Subject: =?UTF-8?Q?Re=3A_New_album_by_Erdem_Helvacio=C4=9Flu_=26_Per_Boysen?=
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I listened to this album a couple of times now and I like it a lot,
especially the 2nd part, but that's personal taste I guess :) My
congratulations and excellent production too guys, well done.

----
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 22:10:33 2010
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Date: Tue, 13 Apr 2010 15:10:31 -0700
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Subject: Re: OT: Recording Drums - gear selection: status report
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Rainer, just to be clear, I would go with a stereo pair if possible to
capture most of the sound of the kit, but if the only available stereo pair
were two C1000s's, I'd rather have a single, higher quality mic in it's
place. I actually suggested working with the ribbon mics for overheads  (I
think there was a  pair of those as well in the mic locker), but those can
be more challenging to work with in this context due to the figure 8
pattern. But the result would be worth it. Rick suggested you can EQ out th=
e
harshness of the C1000s when used as overheads, but I personally never had
much luck with that. YMMV.

I read in TapeOp there's a guy doing mods to the C1000s that don't cost a
lot of money and supposedly take all that harshness away. Of course after
that, it may not sound so good on snare or guitar amp! :)

On Tue, Apr 13, 2010 at 2:09 PM, Rainer Straschill <moinsound@googlemail.co=
m
> wrote:

> Hi everyone,
>
> first of all, thanks to all of you (remember Andy Butler [AB], Andy G [AG=
],
> George Ludwig [GL], Per Boysen [PB] and of course Rick Walker [RW]). I'll
> try to summarize some at this point - additional comments from my are mar=
ked
> [RS].
>
> 1. General Concepts:
> There seems to be a common understanding that the most important thing is
> the overheads, as they form the "basic sound"; everything else is just ad=
don
> [AB] - but the bass drum seems to get almost as much attention, even with
> the suggestion to use two dedicated mikes for it.
> In addition to the basic "which mikes on what" question, great importance
> is found in the actual mic placement, both to where and how they sit in
> relation to the drum [various], as well as how they are placed relatively=
 to
> each other to minimize phase cancellation [RW].
> [RS] Here's a piece of wisdom from me: using mic placement to minimize
> phase cancellation will only work for a specific frequency series, and
> always give you a comb filtering effect. If we stick with Rick's example =
of
> toms, and let's say one tom has a fundamental resonance at 300 Hz and you
> proceed like Rick suggests by moving the microphone so it sounds the full=
est
> in the mix, you wll have constructive superposition for 300 Hz (and 600 H=
z
> and so on), but desctructive one for the frequencies in between (i.e. 450=
,
> 225 etc.) - which may or may not be what you want.
> If you don't want that, here's one trick: This assumes to work in all
> circumstances that you only have one stereo pair (e.g. overheads) and all
> the close-microphones have minimum crosstalk and/or use gates (if you use
> two microphones for the BD, e.g. as [GL] suggests, you might want to trig=
ger
> the gate of the "far away" mic with the signal of the closeup mic):
> Measure the distance of each microphone to each one of your overheads and
> document it. From that, you can calculate the time it takes the sound e.g=
.
> from the SD to travel from the SD mike to the left and right OH mikes
> respectively. Now during mixdown, put a stereo delay in the SD channel. S=
et
> the individual R/L delay so it is equivalent to distance/speed of sound
> (roughly 343m/s at room temperature). Voila, no more phase cancellation, =
and
> as a side effect, you got an entirely fitting A/B stereophony!
>
> Apart from the BD mics, everything else (including SD - [RW]) is
> considerably less important - in order of decreasing importance (summariz=
ing
> what everyone said): SD, Toms ([RW] explains a lot about miking them),
> cymbals in general (about everyone - did anybody recommend close-miking
> cymbals? don't think so).
>
> [GL] also as the only source mentions the use of room mics; in his setup,
> the room is done with a stereo pair, while overhead is one single
> microphone.
>
> 2. Overheads:
> C1000s are not recommended for their general sound ([GL], [RW]), but can
> serve for SD (see 4 below).
> With the exception of [GL], the consensus is on a stereo pair as the main
> mics (see also 1).
> There's not much suggestions on the actual placement and mic choice, with
> the exception of [AB]: cardioids in a coincidental or gapped alignment wi=
th
> >90=B0 angle (e.g. ORTF). The source also suggests the Rode NT-1A as an
> alternative to the (most fitting available small diaphgram condenser) C4.
> [RS]: I had a pleasant experience with the Rode for recording the room at=
 a
> live concert (mono recording I did for another group): recorded the room
> with the NT-1A and a C414, used the signal from the NT-1A...
> Another idea was to use the M260s for overheads due to their ribbon
> character [GL] - but making sure to avoid problems with the figure-8, to
> wich [RS] comments:
> The M260 are not figure-8, they're hypercardioid - but that's even more o=
f
> a problem.
>
> 3. Bass Drum:
> The biggest amount had been written about bass drum here...and nobody see=
ms
> to know my EV Neodyn or Sennheiser PZM mikes...
> [RS]: The E/V is similar to the D112, only it has a) higher SPL resistanc=
e
> (even more?), b) HF peaks at 1.5 and 5 kHz, c) LF peak at 55 (instead of
> 100) Hz.
> For the D112, the opinions differ, from "avoid unless you want that 80s
> click" [AB] to "just EQ the click out but use anyway" [RW].
> There has been a lot of discussion for placement. [AG] suggests to point
> the "inside" mic off-axis, pointed at the beater (seconded by [RW]), and
> perhaps an additional mike just outside the hole.
> [AB] suggests an additional BD mic for the beater side (tried that himsel=
f
> with a Sennheiser 421), to which [AG] objects due to noisebleed for that =
mic
> placement.
> The most creative version is by [GL] with an additional BD mike ca. 3m aw=
ay
> down a "cushion tunnel".
>
> 4. Snare Drum:
> If we need it at all (which [RW] doubts that in the jazz context): SM57 a=
s
> usual (e.g. [PB], [RW]) or C1000S ([GL]).
> Own experience: with Eclectic Blah, we would sometimes use two snare drum=
s
> in the trapset and mic one with a SM57, the other one with a C1000S. The
> contrast was very striking!
> Question from me: what about a large-diaphragm condenser?
>
> 5. Toms:
> Only one suggestion by [RW]: SM57, other's tell not to bother
>
> 6. Cymbals:
> No need to.
>
> 7. The other Concept [GL]:
> There is only one suggestion which differs from the standard "BD (perhaps
> 2x), SD (or leave it) and stereo OH", and that's by [GL]: Stereo room mic=
s
> (what kind of? Can I use my beloved extremely wide A/B omnis here?), mono
> OH, SD, BD (perhaps 2x), mic over drummer's shoulder and additional mono
> room mic chest high and 3m in front of kit.
>
>
> SUMMARY:
> All of those suggestions use a maximum of seven channels, so I'm happy ev=
en
> with the small setup with 9 available mic channels. With the exception of
> (7), all agree on the basic setup of stereo OH, BD and perhaps SD, so tha=
t
> allows me additional room to do the optional wildcards on the 5 remaining
> channels (e.g. second BD, perhaps a small diaphragm condenser on the SD?,
> stereo room mics? additional coincidental OH pair with the Rodes?). We'll
> see...
>
>
> Thanks again for all those suggestions - stay tuned for the results (to b=
e
> available early in May).
>
>
>            Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


--=20
-George

http://www.myspace.com/georgeludwigmusic

--001485e9acdcacb4710484258734
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Rainer, just to be clear, I would go with a stereo pair if possible to capt=
ure most of the sound of the kit, but if the only available stereo pair wer=
e two C1000s&#39;s, I&#39;d rather have a single, higher quality mic in it&=
#39;s place. I actually suggested working with the ribbon mics for overhead=
s =A0(I think there was a =A0pair of those as well in the mic locker), but =
those can be more challenging to work with in this context due to the figur=
e 8 pattern. But the result would be worth it. Rick suggested you can EQ ou=
t the harshness of the C1000s when used as overheads, but I personally neve=
r had much luck with that. YMMV.<div>
<div><br></div><div>I read in TapeOp there&#39;s a guy doing mods to the C1=
000s that don&#39;t cost a lot of money and supposedly take all that harshn=
ess away. Of course after that, it may not sound so good on snare or guitar=
 amp! :)<br>
<br><div class=3D"gmail_quote">On Tue, Apr 13, 2010 at 2:09 PM, Rainer Stra=
schill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">mo=
insound@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_=
quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1=
ex;">
Hi everyone,<br>
<br>
first of all, thanks to all of you (remember Andy Butler [AB], Andy G [AG],=
 George Ludwig [GL], Per Boysen [PB] and of course Rick Walker [RW]). I&#39=
;ll try to summarize some at this point - additional comments from my are m=
arked [RS].<br>

<br>
1. General Concepts:<br>
There seems to be a common understanding that the most important thing is t=
he overheads, as they form the &quot;basic sound&quot;; everything else is =
just addon [AB] - but the bass drum seems to get almost as much attention, =
even with the suggestion to use two dedicated mikes for it.<br>

In addition to the basic &quot;which mikes on what&quot; question, great im=
portance is found in the actual mic placement, both to where and how they s=
it in relation to the drum [various], as well as how they are placed relati=
vely to each other to minimize phase cancellation [RW].<br>

[RS] Here&#39;s a piece of wisdom from me: using mic placement to minimize =
phase cancellation will only work for a specific frequency series, and alwa=
ys give you a comb filtering effect. If we stick with Rick&#39;s example of=
 toms, and let&#39;s say one tom has a fundamental resonance at 300 Hz and =
you proceed like Rick suggests by moving the microphone so it sounds the fu=
llest in the mix, you wll have constructive superposition for 300 Hz (and 6=
00 Hz and so on), but desctructive one for the frequencies in between (i.e.=
 450, 225 etc.) - which may or may not be what you want.<br>

If you don&#39;t want that, here&#39;s one trick: This assumes to work in a=
ll circumstances that you only have one stereo pair (e.g. overheads) and al=
l the close-microphones have minimum crosstalk and/or use gates (if you use=
 two microphones for the BD, e.g. as [GL] suggests, you might want to trigg=
er the gate of the &quot;far away&quot; mic with the signal of the closeup =
mic):<br>

Measure the distance of each microphone to each one of your overheads and d=
ocument it. From that, you can calculate the time it takes the sound e.g. f=
rom the SD to travel from the SD mike to the left and right OH mikes respec=
tively. Now during mixdown, put a stereo delay in the SD channel. Set the i=
ndividual R/L delay so it is equivalent to distance/speed of sound (roughly=
 343m/s at room temperature). Voila, no more phase cancellation, and as a s=
ide effect, you got an entirely fitting A/B stereophony!<br>

<br>
Apart from the BD mics, everything else (including SD - [RW]) is considerab=
ly less important - in order of decreasing importance (summarizing what eve=
ryone said): SD, Toms ([RW] explains a lot about miking them), cymbals in g=
eneral (about everyone - did anybody recommend close-miking cymbals? don&#3=
9;t think so).<br>

<br>
[GL] also as the only source mentions the use of room mics; in his setup, t=
he room is done with a stereo pair, while overhead is one single microphone=
.<br>
<br>
2. Overheads:<br>
C1000s are not recommended for their general sound ([GL], [RW]), but can se=
rve for SD (see 4 below).<br>
With the exception of [GL], the consensus is on a stereo pair as the main m=
ics (see also 1).<br>
There&#39;s not much suggestions on the actual placement and mic choice, wi=
th the exception of [AB]: cardioids in a coincidental or gapped alignment w=
ith &gt;90=B0 angle (e.g. ORTF). The source also suggests the Rode NT-1A as=
 an alternative to the (most fitting available small diaphgram condenser) C=
4.<br>

[RS]: I had a pleasant experience with the Rode for recording the room at a=
 live concert (mono recording I did for another group): recorded the room w=
ith the NT-1A and a C414, used the signal from the NT-1A...<br>
Another idea was to use the M260s for overheads due to their ribbon charact=
er [GL] - but making sure to avoid problems with the figure-8, to wich [RS]=
 comments:<br>
The M260 are not figure-8, they&#39;re hypercardioid - but that&#39;s even =
more of a problem.<br>
<br>
3. Bass Drum:<br>
The biggest amount had been written about bass drum here...and nobody seems=
 to know my EV Neodyn or Sennheiser PZM mikes...<br>
[RS]: The E/V is similar to the D112, only it has a) higher SPL resistance =
(even more?), b) HF peaks at 1.5 and 5 kHz, c) LF peak at 55 (instead of 10=
0) Hz.<br>
For the D112, the opinions differ, from &quot;avoid unless you want that 80=
s click&quot; [AB] to &quot;just EQ the click out but use anyway&quot; [RW]=
.<br>
There has been a lot of discussion for placement. [AG] suggests to point th=
e &quot;inside&quot; mic off-axis, pointed at the beater (seconded by [RW])=
, and perhaps an additional mike just outside the hole.<br>
[AB] suggests an additional BD mic for the beater side (tried that himself =
with a Sennheiser 421), to which [AG] objects due to noisebleed for that mi=
c placement.<br>
The most creative version is by [GL] with an additional BD mike ca. 3m away=
 down a &quot;cushion tunnel&quot;.<br>
<br>
4. Snare Drum:<br>
If we need it at all (which [RW] doubts that in the jazz context): SM57 as =
usual (e.g. [PB], [RW]) or C1000S ([GL]).<br>
Own experience: with Eclectic Blah, we would sometimes use two snare drums =
in the trapset and mic one with a SM57, the other one with a C1000S. The co=
ntrast was very striking!<br>
Question from me: what about a large-diaphragm condenser?<br>
<br>
5. Toms:<br>
Only one suggestion by [RW]: SM57, other&#39;s tell not to bother<br>
<br>
6. Cymbals:<br>
No need to.<br>
<br>
7. The other Concept [GL]:<br>
There is only one suggestion which differs from the standard &quot;BD (perh=
aps 2x), SD (or leave it) and stereo OH&quot;, and that&#39;s by [GL]: Ster=
eo room mics (what kind of? Can I use my beloved extremely wide A/B omnis h=
ere?), mono OH, SD, BD (perhaps 2x), mic over drummer&#39;s shoulder and ad=
ditional mono room mic chest high and 3m in front of kit.<br>

<br>
<br>
SUMMARY:<br>
All of those suggestions use a maximum of seven channels, so I&#39;m happy =
even with the small setup with 9 available mic channels. With the exception=
 of (7), all agree on the basic setup of stereo OH, BD and perhaps SD, so t=
hat allows me additional room to do the optional wildcards on the 5 remaini=
ng channels (e.g. second BD, perhaps a small diaphragm condenser on the SD?=
, stereo room mics? additional coincidental OH pair with the Rodes?). We&#3=
9;ll see...<br>

<br>
<br>
Thanks again for all those suggestions - stay tuned for the results (to be =
available early in May).<br>
<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer<br><font color=3D"#888888">
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br><br><=
a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/=
georgeludwigmusic</a><br>
</div></div>

--001485e9acdcacb4710484258734--

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Subject: Re: OT: Recording Drums - gear selection: status report
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George Ludwig schrieb:
> Rainer, just to be clear, I would go with a stereo pair if possible to 
> capture most of the sound of the kit, but if the only available stereo 
> pair were two C1000s's, I'd rather have a single, higher quality mic 
> in it's place. I actually suggested working with the ribbon mics for 
> overheads  (I think there was a  pair of those as well in the mic 
> locker), but those can be more challenging to work with in this 
> context due to the figure 8 pattern. But the result would be worth it. 
> Rick suggested you can EQ out the harshness of the C1000s when used as 
> overheads, but I personally never had much luck with that. YMMV.
And also, just to be clear ;)

1. Yes, wouldn't want to use the C1000Ss for overheads, too. The hottest 
candidate are the C4 in an omni wide A/B, but coincidental or ORTF with 
2 NT-1A are also an option.
2. The ribbons, as I mentioned, are not figure-eight, they are 
hypercardioid: http://bit.ly/bJSV6f. My rule-of-thumb experience: omni 
sounds most natural (after all, aren't our ears pressure receivers?), 
next is figure-eight, everything more complex as cardioid is a problem...

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Date: Tue, 13 Apr 2010 15:29:57 -0700
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Subject: Re: OT: Recording Drums - gear selection: status report
From: George Ludwig <georgeludwigmusic@gmail.com>
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Interesting...I'd never heard of a ribbon mic with anything other than a
figure-8. Cool!

Although it's too bad, then, that you can't use them in a Blumlein pair on
the overheads, because you can get stunning results:
http://www.wikirecording.org/Blumlein_Microphone_Technique
<http://www.wikirecording.org/Blumlein_Microphone_Technique>
On Tue, Apr 13, 2010 at 3:15 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

> George Ludwig schrieb:
>
>  Rainer, just to be clear, I would go with a stereo pair if possible to
>> capture most of the sound of the kit, but if the only available stereo pair
>> were two C1000s's, I'd rather have a single, higher quality mic in it's
>> place. I actually suggested working with the ribbon mics for overheads  (I
>> think there was a  pair of those as well in the mic locker), but those can
>> be more challenging to work with in this context due to the figure 8
>> pattern. But the result would be worth it. Rick suggested you can EQ out the
>> harshness of the C1000s when used as overheads, but I personally never had
>> much luck with that. YMMV.
>>
> And also, just to be clear ;)
>
> 1. Yes, wouldn't want to use the C1000Ss for overheads, too. The hottest
> candidate are the C4 in an omni wide A/B, but coincidental or ORTF with 2
> NT-1A are also an option.
> 2. The ribbons, as I mentioned, are not figure-eight, they are
> hypercardioid: http://bit.ly/bJSV6f. My rule-of-thumb experience: omni
> sounds most natural (after all, aren't our ears pressure receivers?), next
> is figure-eight, everything more complex as cardioid is a problem...
>
>
>         Rainer
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--0016e647621e2aad87048425cdde
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Interesting...I&#39;d never heard of a ribbon mic with anything other than =
a figure-8. Cool!<br><br><div>Although it&#39;s too bad, then, that you can=
&#39;t use them in a Blumlein pair on the overheads, because you can get st=
unning results:=A0<a href=3D"http://www.wikirecording.org/Blumlein_Micropho=
ne_Technique">http://www.wikirecording.org/Blumlein_Microphone_Technique</a=
></div>
<div><a href=3D"http://www.wikirecording.org/Blumlein_Microphone_Technique"=
></a><br><div class=3D"gmail_quote">On Tue, Apr 13, 2010 at 3:15 PM, Rainer=
 Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.co=
m">moinsound@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">George Ludwig schrieb:<div class=3D"im"><br=
>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Rainer, just to be clear, I would go with a stereo pair if possible to capt=
ure most of the sound of the kit, but if the only available stereo pair wer=
e two C1000s&#39;s, I&#39;d rather have a single, higher quality mic in it&=
#39;s place. I actually suggested working with the ribbon mics for overhead=
s =A0(I think there was a =A0pair of those as well in the mic locker), but =
those can be more challenging to work with in this context due to the figur=
e 8 pattern. But the result would be worth it. Rick suggested you can EQ ou=
t the harshness of the C1000s when used as overheads, but I personally neve=
r had much luck with that. YMMV.<br>

</blockquote></div>
And also, just to be clear ;)<br>
<br>
1. Yes, wouldn&#39;t want to use the C1000Ss for overheads, too. The hottes=
t candidate are the C4 in an omni wide A/B, but coincidental or ORTF with 2=
 NT-1A are also an option.<br>
2. The ribbons, as I mentioned, are not figure-eight, they are hypercardioi=
d: <a href=3D"http://bit.ly/bJSV6f" target=3D"_blank">http://bit.ly/bJSV6f<=
/a>. My rule-of-thumb experience: omni sounds most natural (after all, aren=
&#39;t our ears pressure receivers?), next is figure-eight, everything more=
 complex as cardioid is a problem...<div>
<div></div><div class=3D"h5"><br>
<br>
 =A0 =A0 =A0 =A0 Rainer<br>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br>=
<br><a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace=
.com/georgeludwigmusic</a><br>
</div>

--0016e647621e2aad87048425cdde--

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Subject: Giant Looping Music Bean
Date: Wed, 14 Apr 2010 00:05:03 +0100
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My 87th music bean - Seahorse - Seahorse Race - is a live piece  
consisting of Airsynth through effect pedals, percussion, toy  
megaphone, Stylophone beatbox and acoustic mandolin played through a  
Jamman looper. A nod must be given in the direction of The Buttons (as  
we refer to them in polite society).

10 minutes that may break your ears/brain/speakers - you have been  
warned.

http://wp.me/pLtqu-e8




From Loopers-Delight-request@loopers-delight.com  Tue Apr 13 23:07:40 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Giant Looping Music Bean
Date: Wed, 14 Apr 2010 00:07:28 +0100
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--Apple-Mail-2-835072910
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Bonkers but great this one

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 14 Apr 2010, at 00:05, Alex Vald wrote:

> My 87th music bean - Seahorse - Seahorse Race - is a live piece  
> consisting of Airsynth through effect pedals, percussion, toy  
> megaphone, Stylophone beatbox and acoustic mandolin played through  
> a Jamman looper. A nod must be given in the direction of The  
> Buttons (as we refer to them in polite society).
>
> 10 minutes that may break your ears/brain/speakers - you have been  
> warned.
>
> http://wp.me/pLtqu-e8
>
>
>
>


--Apple-Mail-2-835072910
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Bonkers but great this one<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 14 Apr 2010, =
at 00:05, Alex Vald wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">My 87th music bean - Seahorse - Seahorse Race - is a =
live piece consisting of Airsynth through effect pedals, percussion, toy =
megaphone, Stylophone beatbox and acoustic mandolin played through a =
Jamman looper. A nod must be given in the direction of The Buttons (as =
we refer to them in polite society).</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">10 minutes that may break your =
ears/brain/speakers - you have been warned.</div><div style=3D"margin-top:=
 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"http://wp.me/pLtqu-e8">http://wp.me/pLtqu-e8</a></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-2-835072910--

From cenglish@ifgnevis.com  Wed Apr 14 02:29:53 2010
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Reply-To: <wfdmdiplomaticpayment@gmail.com>
From: "MARK ALLEN"<cenglish@ifgnevis.com>
Subject: URGENT BENEFICIARY NEEDED FOR FUND CLEARANCE PAYMENT
Date: Tue, 13 Apr 2010 13:47:56 +0100
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To: undisclosed-recipients:;

This letter is from The IMF Committee on Fund Management And Payment newly inaugurated by the World Financial Services Authority of The United Nations. 

This committee was set up to discover all outstanding unpaid/unclaimed fund being owned by Governments or Individuals all over the globe through Contract Payment/Inheritance and Lottery Winning Prize Awards. 

Through our investigation last week, it may interest you to know that we discovered an unclaimed fund in your favor and we have been mandated to ensure that this fund gets to you without any delay.

Therefore you are required to confirm your full name, address and telephone number to enable us create a payment file regarding the release of your fund immediately.

Yours Faithfully, 
Direct line:+4470457 04575
Mr.Mark Allen

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 03:48:17 2010
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From: Revfever <revfever@ubergadget.com>
Subject: Re: Giant Looping Music Bean
Date: Tue, 13 Apr 2010 20:48:03 -0700
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Brilliant!  Keep 'em coming...
Thanx.

Cheers,
Rev. Fever
Portland,OR

On Apr 13, 2010, at 4:05 PM, Alex Vald wrote:

> My 87th music bean - Seahorse - Seahorse Race - is a live piece  
> consisting of Airsynth through effect pedals, percussion, toy  
> megaphone, Stylophone beatbox and acoustic mandolin played through  
> a Jamman looper. A nod must be given in the direction of The  
> Buttons (as we refer to them in polite society).
>
> 10 minutes that may break your ears/brain/speakers - you have been  
> warned.
>
> http://wp.me/pLtqu-e8
>
>
>
>

From amy@rice.com.tw  Wed Apr 14 05:16:27 2010
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Reply-To: <fedexdeliveryu@live.com>
From: "MAVIS JONES"<amy@rice.com.tw>
Subject: CLAIM YOUR PACKAGE WITH FEDEX EXPRESS !!!
Date: Mon, 12 Apr 2010 23:46:20 -0700
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Times New Roman Baltic">Dear Friend!!!</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">I have your Bank Draft worth of $800,000.00 for your overdue payments, due to the expiry date i deposited the Bank Draft with FedEx Express to deliver it to you, to avoid another hoax as you were disappointed in the past.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">You are requested to contact the FedEx Express with your address and telephone numbers so they will deliver the package to your doorstep.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Below are the contact details of FedEx Express Delivery Unit:</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Contact Person: Mr. David Moore.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Email; fedexdeliveryu@live.com</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Tel; +234802-039-803-2, +234702-934-472-1</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Shipment Details</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">SHIPMENT CODE AWB 33XZS</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">PACKAGE REGISTERED CODE NO XGT442.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">SECURITY CODE SCTC/2001DHX/567/</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">TRANSACTION CODE 233/CSTC/101/33028/</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">CERTIFICATE DEPOSIT CODE SCTC/BUN/xxiv/-78/01</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Make sure you send the below information to the Director General of&nbsp; FedEx Express Mr. David Moore with the address given to you and make sure you pay the 105usd for the security keeping fee of your package.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Below are the details you are to provide FedEx Express : </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Full Name....</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Home address.....</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Home telephone number...</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Mobile phone number......</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Identity.........</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Country..........</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">For your information i have paid for the VAT &amp; Shipping charges as well as Insurance fees before your package was registered. Note that the payment that is made on the Insurance, Premium &amp; Clearance Certificates, are to certify that the Bank Draft is not a Drug Affiliated Fund (DAF) neither is it funds to sponsor Terrorism in your country. This will help you avoid any form of query from the Monetary Authority of your country.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">However, you will have to pay a sum of $105usd to the FedEx Express Delivery Unit for the Security Keeping Fee of your package as stated in their privacy terms &amp; condition page. I wished to pay for the Security Keeping charges, but they did not accept such payments considering the facts that all items &amp; packages registered with them has a time limitation and they cannot accept payment not knowing when you will be picking up the package or even respond to them. So they cannot take the risk to have accepted such payment in case of any possible demurrage.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Make sure you send this needed information to the Director General of&nbsp; FedEx Express Mr. David Moore with the address given to you and make sure you pay the 105usd for the security keeping fee of your package.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Regards,</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman Baltic">Mr Mavis Jones</FONT></DIV>
</FONT>
</BODY></HTML>

From publicityunit@lmf.lp.net  Wed Apr 14 06:10:25 2010
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 07:41:09 2010
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From: buzap@gmx.net
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Hi folks

well, the new MacBook Pros are out now...
For those waiting for a 15"/17" model: hooray, you got yourself a nice MBP with i5/i7 processor now.

If you were - like me - waiting for a 13" MBP... it's still Core2Duo! :-((
Which kind of really sucks, thinking about the wonderful Sony Vaio Z series or Lenovo Thinkpad X201 that you can get for the money.

Anyway, the question is:
Is it still essential to have Firewire interface?

Cause I'm thinking of ditching Firewire, getting a Motu Ultralite Hybrid instead (my FW disks support USB, too).
This way, I'd get a cheap MacBook and wait a bit longer for a high-end laptop.

What do you guys think?

best regards
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 07:49:55 2010
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Date: Wed, 14 Apr 2010 00:49:41 -0700
Message-ID: <i2n1318f21d1004140049q65207616la2bef2d80fbeee5c@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e68ac246ee703604842d9eed
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Core 2 duo is still a pretty bitchin' CPU...just sayin'! I'm a big fan of
RME, and apparently they have the equivalent of the Fireface 400 as a USB
device. called the Fireface UC. Their stuff is rock solid on both Mac and P=
C
platforms, I can't recommend it highly enough.

So anyway, yeah, you can do without Firewire. :)

On Wed, Apr 14, 2010 at 12:41 AM, <buzap@gmx.net> wrote:

> Hi folks
>
> well, the new MacBook Pros are out now...
> For those waiting for a 15"/17" model: hooray, you got yourself a nice MB=
P
> with i5/i7 processor now.
>
> If you were - like me - waiting for a 13" MBP... it's still Core2Duo! :-(=
(
> Which kind of really sucks, thinking about the wonderful Sony Vaio Z seri=
es
> or Lenovo Thinkpad X201 that you can get for the money.
>
> Anyway, the question is:
> Is it still essential to have Firewire interface?
>
> Cause I'm thinking of ditching Firewire, getting a Motu Ultralite Hybrid
> instead (my FW disks support USB, too).
> This way, I'd get a cheap MacBook and wait a bit longer for a high-end
> laptop.
>
> What do you guys think?
>
> best regards
> Buzap
>
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>


--=20
-George

http://www.myspace.com/georgeludwigmusic

--0016e68ac246ee703604842d9eed
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Core 2 duo is still a pretty bitchin&#39; CPU...just sayin&#39;! I&#39;m a =
big fan of RME, and apparently they have the equivalent of the Fireface 400=
 as a USB device. called the Fireface UC. Their stuff is rock solid on both=
 Mac and PC platforms, I can&#39;t recommend it highly enough.<div>
<br></div><div>So anyway, yeah, you can do without Firewire. :)<br><br><div=
 class=3D"gmail_quote">On Wed, Apr 14, 2010 at 12:41 AM,  <span dir=3D"ltr"=
>&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;</span> wrote:<b=
r>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Hi folks<br>
<br>
well, the new MacBook Pros are out now...<br>
For those waiting for a 15&quot;/17&quot; model: hooray, you got yourself a=
 nice MBP with i5/i7 processor now.<br>
<br>
If you were - like me - waiting for a 13&quot; MBP... it&#39;s still Core2D=
uo! :-((<br>
Which kind of really sucks, thinking about the wonderful Sony Vaio Z series=
 or Lenovo Thinkpad X201 that you can get for the money.<br>
<br>
Anyway, the question is:<br>
Is it still essential to have Firewire interface?<br>
<br>
Cause I&#39;m thinking of ditching Firewire, getting a Motu Ultralite Hybri=
d instead (my FW disks support USB, too).<br>
This way, I&#39;d get a cheap MacBook and wait a bit longer for a high-end =
laptop.<br>
<br>
What do you guys think?<br>
<br>
best regards<br>
Buzap<br>
<font color=3D"#888888"><br>
--<br>
GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>
Jetzt freischalten unter <a href=3D"http://portal.gmx.net/de/go/maxdome01" =
target=3D"_blank">http://portal.gmx.net/de/go/maxdome01</a><br>
<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br><br><=
a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/=
georgeludwigmusic</a><br>
</div>

--0016e68ac246ee703604842d9eed--

From oliev.1@sbcglobal.net  Wed Apr 14 07:50:38 2010
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Date: Wed, 14 Apr 2010 00:50:31 -0700 (PDT)
From: Chen LU <oliev.1@sbcglobal.net>
Reply-To: chenlu11@aggies.com
Subject: FROM CHEN LU
To: undisclosed recipients: ;
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Content-Type: multipart/alternative; boundary="0-1713141655-1271231431=:17651"

--0-1713141655-1271231431=:17651
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Hi, i must say sorry for inter-fearing to into your privacy without seeking=
 for permission.It was just out the urgency of this matter.

I'm Mr. Chen Lu=A0 from Cambodia seeking for a releasable business partner =
that can handle a profitable business project with me.

Please,go through this site and return back to me before I give you further=
 details about my intention of contacting you.:
http://en.ce.cn/National/Local/200605/18/t20060518_7005764.shtml, many than=
ks.


Sincerely,
Chen Lu
--0-1713141655-1271231431=:17651
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hi, i must say sorry for inter-fearing to int=
o your privacy without seeking for permission.It was just out the urgency o=
f this matter.<br><br>I'm Mr. Chen Lu&nbsp; from Cambodia seeking for a rel=
easable business partner that can handle a profitable business project with=
 me.<br><br>Please,go through this site and return back to me before I give=
 you further details about my intention of contacting you.:<br>http://en.ce=
.cn/National/Local/200605/18/t20060518_7005764.shtml, many thanks.<br><br><=
br>Sincerely,<br>Chen Lu</td></tr></table>
--0-1713141655-1271231431=:17651--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 08:16:21 2010
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT  Create your own Impulse models for freeware Convolution Reverbs
References: <4BC45C6D.7000702@cruzio.com> <4BC4C095.60401@googlemail.com>
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Rainer Straschill wrote:

> A very good application is to model a specific good-sounding room at 
> sensible SPL levels, simply by recording the impulse response of that 
> room [4]. But what can be done for actual rooms can also be done for 
> things which model rooms - e.g. you could simply take your treasured 
> Lexicon 480 effector, load a patch and record its impulse response (and 
> this is actually done; 

The Lexicon algorithms aren't representable by their impulse.
>From an article by "the Lexicon guy" (which I don't have to hand)
it's explained thus:
When you record a choir in an acoustic space, each voice is
a distinct sound source, emanating from a specific place.
So the reverberant sound is equivalent to each voice being treated
by a slightly different impulse. This is why the overall sound
avoids obvious comb filtering. If take the sound
of the whole choir, and put it through a single impulse, then
the comb filtering returns, it doesn't sound like the choir
singing in the samples acoustic space.
So, Lexicon algorithms have a method to randomise the phase
of the reflections which compensates for that.

So...convolution based reverbs can give convincing results 
on a small solo instrument or voice.
Use them on a mix, or on a drum kit, and the result 
won't match the popular expectation.

If you had a set of impulses corresponding to the location
of the individual elements of the kit then you could run
the close mic'ed signals through their respective convolution
....that could work.

andy

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 08:54:42 2010
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Date: Wed, 14 Apr 2010 10:54:36 +0200
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Subject: Re: OT Create your own Impulse models for freeware Convolution 
	Reverbs
From: Per Boysen <perboysen@gmail.com>
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On Wed, Apr 14, 2010 at 10:15 AM, andy butler <akbutler@tiscali.co.uk> wrote:
> If you had a set of impulses corresponding to the location
> of the individual elements of the kit then you could run
> the close mic'ed signals through their respective convolution
> ....that could work.


That's an excellent idea! If applied to a choir recording you set up
the stereo mic recording, push record and ask the members of the choir
to sing a short note each, taking turns one after the other. Then when
back in the studio you create convolution impulses for each choir
member and in the mix you insert the reverb on the each singer's close
up mic channel and load it with the matching impulse file.

That would a way to sound, maybe not better than a Lexicon hardware
box, but more natural - as in true to the original sound.

It would be fun to have a bunch of such "multi set convolution
impulse" files and experiment in "dressing up" different close mic
recorded ensemble performances (drum kit, choir, brass band or simply
any instrument track of a mix) by true ambiences form all kind of
locations. It amazes me that there are so many good libraries of
single location impulse files but no multi sets for sale on the
market! I guess that is because the producers that need that detailed
sound reproduction prefer to roll their own anyway.

A typical case where impulse respons technique is perfect could be if
you happen to have a cracked guitar speaker that sounds just awesome
at a specific volume drive. Snag that temporary phase in its
deterioration process to keep for future productions to be applied to
any sound source. If you have Logic Studio installed, check under
"warped" to find these kinds of "speaker" or "analog circuit" impulse
responses.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 09:25:47 2010
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Date: Wed, 14 Apr 2010 11:25:46 +0200
Message-ID: <u2g66f9cc1e1004140225xb53418bep2ce0cee54edbd28a@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Apr 14, 2010 at 9:41 AM,  <buzap@gmx.net> wrote:
> Anyway, the question is:
> Is it still essential to have Firewire interface?

That depends on what you are going to use the gear for. The Firewire
protocol is better if you will run the computer at high CPU strain
with multiple channels going; typically a band recording studio
application. The downsides of the USB protocol will not affect you if
you use the gear in a home studio environment where you rather add
recorded tracks one after the other as overdubs. For live looping USB
is fine too.

I've had reports from colleges that the i7 brings incredible bang for
the buck right now. I don't need all that extra juice though and plan
to stay on a hardworking 2.2 GHz Core 2 Duo for hopefully many more
years.

I guess the 13" Macbook Pro will be quite efficient too, given the
fast front side bus. I've noticed in the past, when comparing
computers for audio, that this is as important as is the CPU speed. I
checked to Macbooks with the same CPU and the one with the faster bus
showed a lot more muscles in audio processing.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 09:57:47 2010
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From: "Erdem Helvacioglu" <erdemhel@tnn.net>
To: <Loopers-Delight@loopers-delight.com>
References: <r2g66f9cc1e1004021826t38da72dam81595bc4c5f4d938@mail.gmail.com> <20100403012631.B18B73BE77@arsenic.violacea.com> <l2u66f9cc1e1004130053hbcccf0ffx20948338145b823f@mail.gmail.com> <m2j66f9cc1e1004130409u60bab9c1t9a92f96a349cb6bb@mail.gmail.com> <q2pe89a49d31004131502i53fc18e9xa191d9251e9ca8a4@mail.gmail.com>
Subject: Re: New album by Erdem Helvacioglu & Per Boysen
Date: Wed, 14 Apr 2010 12:57:44 +0300
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hey.

thanks a lot sjaak. i am very proud of this record.

thanks again to per for the mixes and pieter snapper for the great 
mastering. i now understand how to get a massive sound with great analog 
mastering gear.

best.

----- Original Message ----- 
From: "Sjaak Overgaauw" <tcplugin@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 14, 2010 1:02 AM
Subject: Re: New album by Erdem Helvacioglu & Per Boysen


>I listened to this album a couple of times now and I like it a lot,
> especially the 2nd part, but that's personal taste I guess :) My
> congratulations and excellent production too guys, well done.
>
> ----
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
> 





From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 10:03:39 2010
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Subject: RE: OT Create your own Impulse models for freeware Convolution
 	Reverbs
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--_abd02152-671f-40c3-8507-eadf47313c05_
Content-Type: text/plain; charset="iso-8859-1"
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I don't think that would work Per. A short burst of white noise produced at=
 the location of each choir member could though be used as an impulse=2C (p=
icked up from a mic placed where the listener is presumed to be located). Y=
ou'd then run the voices through your software to produce that particular r=
everberation.

G

>=20
> That's an excellent idea! If applied to a choir recording you set up
> the stereo mic recording=2C push record and ask the members of the choir
> to sing a short note each=2C taking turns one after the other. Then when
> back in the studio you create convolution impulses for each choir
> member and in the mix you insert the reverb on the each singer's close
> up mic channel and load it with the matching impulse file.
>=20
> That would a way to sound=2C maybe not better than a Lexicon hardware
> box=2C but more natural - as in true to the original sound.
>=20
> It would be fun to have a bunch of such "multi set convolution
> impulse" files and experiment in "dressing up" different close mic
> recorded ensemble performances (drum kit=2C choir=2C brass band or simply
> any instrument track of a mix) by true ambiences form all kind of
> locations. It amazes me that there are so many good libraries of
> single location impulse files but no multi sets for sale on the
> market! I guess that is because the producers that need that detailed
> sound reproduction prefer to roll their own anyway.
>=20
> A typical case where impulse respons technique is perfect could be if
> you happen to have a cracked guitar speaker that sounds just awesome
> at a specific volume drive. Snag that temporary phase in its
> deterioration process to keep for future productions to be applied to
> any sound source. If you have Logic Studio installed=2C check under
> "warped" to find these kinds of "speaker" or "analog circuit" impulse
> responses.
>=20
> Greetings from Sweden
>=20
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
us now=

--_abd02152-671f-40c3-8507-eadf47313c05_
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<html>
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<body class=3D'hmmessage'>
I don't think that would work Per. A short burst of white noise produced at=
 the location of each choir member could though be used as an impulse=2C (p=
icked up from a mic placed where the listener is presumed to be located). Y=
ou'd then run the voices through your software to produce that particular r=
everberation.<br><br>G<br><br>&gt=3B <br>&gt=3B That's an excellent idea! I=
f applied to a choir recording you set up<br>&gt=3B the stereo mic recordin=
g=2C push record and ask the members of the choir<br>&gt=3B to sing a short=
 note each=2C taking turns one after the other. Then when<br>&gt=3B back in=
 the studio you create convolution impulses for each choir<br>&gt=3B member=
 and in the mix you insert the reverb on the each singer's close<br>&gt=3B =
up mic channel and load it with the matching impulse file.<br>&gt=3B <br>&g=
t=3B That would a way to sound=2C maybe not better than a Lexicon hardware<=
br>&gt=3B box=2C but more natural - as in true to the original sound.<br>&g=
t=3B <br>&gt=3B It would be fun to have a bunch of such "multi set convolut=
ion<br>&gt=3B impulse" files and experiment in "dressing up" different clos=
e mic<br>&gt=3B recorded ensemble performances (drum kit=2C choir=2C brass =
band or simply<br>&gt=3B any instrument track of a mix) by true ambiences f=
orm all kind of<br>&gt=3B locations. It amazes me that there are so many go=
od libraries of<br>&gt=3B single location impulse files but no multi sets f=
or sale on the<br>&gt=3B market! I guess that is because the producers that=
 need that detailed<br>&gt=3B sound reproduction prefer to roll their own a=
nyway.<br>&gt=3B <br>&gt=3B A typical case where impulse respons technique =
is perfect could be if<br>&gt=3B you happen to have a cracked guitar speake=
r that sounds just awesome<br>&gt=3B at a specific volume drive. Snag that =
temporary phase in its<br>&gt=3B deterioration process to keep for future p=
roductions to be applied to<br>&gt=3B any sound source. If you have Logic S=
tudio installed=2C check under<br>&gt=3B "warped" to find these kinds of "s=
peaker" or "analog circuit" impulse<br>&gt=3B responses.<br>&gt=3B <br>&gt=
=3B Greetings from Sweden<br>&gt=3B <br>&gt=3B Per Boysen<br>&gt=3B www.boy=
sen.se<br>&gt=3B www.perboysen.com<br>&gt=3B www.looproom.com internet musi=
c hub<br>&gt=3B <br> 		 	   		  <br /><hr />Get a new e-mail account with H=
otmail - Free. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/'=
 target=3D'_new'>Sign-up now.</a></body>
</html>=

--_abd02152-671f-40c3-8507-eadf47313c05_--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 10:13:36 2010
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Date: Wed, 14 Apr 2010 12:13:35 +0200
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Subject: Re: OT Create your own Impulse models for freeware Convolution 
	Reverbs
From: Per Boysen <perboysen@gmail.com>
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On Wed, Apr 14, 2010 at 12:03 PM, Gareth Whittock
<buddhamachine@live.co.uk> wrote:
> I don't think that would work Per. A short burst of white noise produced at
> the location of each choir member could though be used as an impulse,
> (picked up from a mic placed where the listener is presumed to be located).
> You'd then run the voices through your software to produce that particular
> reverberation.

Yes of course. I forgot about that as my typing fingers leaped off. Or
you could use a starter gun or pop balloons. When creating impulses
from electronic gear I have been using frequency sweeping wave tone
and theoretically that should work for an acoustic ambience too if
running the tone through a mono speaker moved between the multiple
positions on location.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From mail@mail.org  Wed Apr 14 11:10:58 2010
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Subject: CONGRATULATIONS !!!
Date: Mon, 12 Apr 2010 22:11:48 +0700
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Congratulations!!!

This is to inform you that your email was chosen as one of the winner of the Thailand Internet sweepstakes Organization.
 
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From cathy_j@yahoo.com  Wed Apr 14 11:13:46 2010
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From: "Mrs. Cathy Johnson"<cathy_j@yahoo.com>
Subject: WE HAVE YOUR PARCEL TO BE DELIVERED
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 11:44:04 2010
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Thanks for the responses

> I've had reports from colleges that the i7 brings incredible bang for
> the buck right now. 
Yeah, a nice 13" Sony Vaio VPC-Z11V5E with i7 620M 2.66 GHz (4MB L3, 1066MHz FSB), Full 1920x1080, 4GB RAM, 500GB(7200U/Min)... I'm really tempted.
But this would mean I'd have to leave the Mainstage/Logic road and invest first in PC Software.

> I guess the 13" Macbook Pro will be quite efficient too, given the
> fast front side bus. I've noticed in the past, when comparing
> computers for audio, that this is as important as is the CPU speed.
Per, You really suggest I should invest >1000,-EUR in a Core2Duo MBP?
I think I'd rather wait for new CPU - don't think old platform can handle that much RAM.

So, if you think for Mainstage + Moebius live looping setup, USB will be fine, I guess I'll get a MacBook, then.

Buzap

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 12:00:12 2010
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Apr 14, 2010 at 1:43 PM, Buzap Buzap <buzap@gmx.net> wrote:
>> I guess the 13" Macbook Pro will be quite efficient too, given the
>> fast front side bus. I've noticed in the past, when comparing
>> computers for audio, that this is as important as is the CPU speed.
> Per, You really suggest I should invest >1000,-EUR in a Core2Duo MBP?

That type of investment should not be based only on the product in
target but on the work you need the gear for. Personally I do
professional work and if gear mess up I lose money. So in some
purchasing situations I actually gain money by not buying the cheapest
products. But on the other hand I have very little money at hand so
there is always a balance. You have to look into your own user
scenario to calculate your own cost-benefit balance for investment.

> I think I'd rather wait for new CPU - don't think old platform can handle that much RAM.
8 GB is the what the MBP takes. If you plan on using it for work that
needs more RAM it is wise to buy another machine.

> So, if you think for Mainstage + Moebius live looping setup, USB will be fine, I guess I'll get a MacBook, then.
ProbabIy. But personally would not take a chance on USB for audio
streaming if I had a choice.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 12:05:04 2010
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Subject: Re: OT Create your own Impulse models for freeware Convolution 	Reverbs
References: <4BC45C6D.7000702@cruzio.com> <4BC4C095.60401@googlemail.com>,<4BC579AF.6010305@tiscali.co.uk>,<s2i66f9cc1e1004140154we5ba6b8ek43cf6ed7586887b2@mail.gmail.com> <BAY145-w3382F976B35C9F3B20793785100@phx.gbl>
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Yep, ...but I don't think white noise would do it either.

What's needed is a transient.

At a pinch, you could get each choir member to clap their hands.

To make a profession grade impulse, you need a high quality
speaker to play a frequency swept sine wave(called a chirp).
Then back in the studio you take that recording and convolve it
with the reverse of your sine sweep.

...and sadly, the broken speaker idea wont work either, 
a broken speaker doesn't have a linear response.

The ideas may still make great *unexpected* sounds of course.

andy


Gareth Whittock wrote:
> I don't think that would work Per. A short burst of white noise produced 
> at the location of each choir member could though be used as an impulse, 
> (picked up from a mic placed where the listener is presumed to be 
> located). You'd then run the voices through your software to produce 
> that particular reverberation.
> 
> G
> 
>  >
>  > That's an excellent idea! If applied to a choir recording you set up
>  > the stereo mic recording, push record and ask the members of the choir
>  > to sing a short note each, taking turns one after the other. Then when
>  > back in the studio you create convolution impulses for each choir
>  > member and in the mix you insert the reverb on the each singer's close
>  > up mic channel and load it with the matching impulse file.

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unsubscribe please

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unsubscribe please<br><br>

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Ok, thanks for the advice, Per.
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From queensamuel@islam.ru  Wed Apr 14 13:13:24 2010
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 13:50:35 2010
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Date: Wed, 14 Apr 2010 06:50:02 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
To: Loopers-Delight@loopers-delight.com
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by the way, do these new MacBook pros s till include firewire?

Antony Hequet


----- Original Message ----
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, April 14, 2010 8:00:11 AM
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)

On Wed, Apr 14, 2010 at 1:43 PM, Buzap Buzap <buzap@gmx.net> wrote:
>> I guess the 13" Macbook Pro will be quite efficient too, given the
>> fast front side bus. I've noticed in the past, when comparing
>> computers for audio, that this is as important as is the CPU speed.
> Per, You really suggest I should invest >1000,-EUR in a Core2Duo MBP?

That type of investment should not be based only on the product in
target but on the work you need the gear for. Personally I do
professional work and if gear mess up I lose money. So in some
purchasing situations I actually gain money by not buying the cheapest
products. But on the other hand I have very little money at hand so
there is always a balance. You have to look into your own user
scenario to calculate your own cost-benefit balance for investment.

> I think I'd rather wait for new CPU - don't think old platform can handle that much RAM.
8 GB is the what the MBP takes. If you plan on using it for work that
needs more RAM it is wise to buy another machine.

> So, if you think for Mainstage + Moebius live looping setup, USB will be fine, I guess I'll get a MacBook, then.
ProbabIy. But personally would not take a chance on USB for audio
streaming if I had a choice.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


      

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 14:06:48 2010
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Date: Wed, 14 Apr 2010 16:06:25 +0200
Message-ID: <y2s66f9cc1e1004140706sf439001fl24a37c07ee0132d1@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Apr 14, 2010 at 3:50 PM,  <antonyhequet@yahoo.com> wrote:
> by the way, do these new MacBook pros s till include firewire?

Yes. More here:
http://www.apple.com/mac/whichmacbook/compare.html

But that site says "4 GB memory" for all MBPs and a Swedish vendor
this morning published 8 GB as the upper limit for RAM expansion. So
either I posted the wrong information to the list based on this
Swedish vendor or Apple doesn't publish the full RAM expansion option.
Better ask a sales man about it. There is good third-party
manufactured RAM blocks to pick up in stead of the horrendously
expensive RAM expansion Apple offers..

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 14:13:07 2010
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Date: Wed, 14 Apr 2010 07:12:46 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
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found it, one FW 800 port!

Thanks,

Antony


----- Original Message ----
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Wed, April 14, 2010 10:06:25 AM
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)

On Wed, Apr 14, 2010 at 3:50 PM,  <antonyhequet@yahoo.com> wrote:
> by the way, do these new MacBook pros s till include firewire?

Yes. More here:
http://www.apple.com/mac/whichmacbook/compare.html

But that site says "4 GB memory" for all MBPs and a Swedish vendor
this morning published 8 GB as the upper limit for RAM expansion. So
either I posted the wrong information to the list based on this
Swedish vendor or Apple doesn't publish the full RAM expansion option.
Better ask a sales man about it. There is good third-party
manufactured RAM blocks to pick up in stead of the horrendously
expensive RAM expansion Apple offers..

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub


      

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 15:11:07 2010
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To: <loopers-delight@loopers-delight.com>
Subject: RE: OT Create your own Impulse models for freeware Convolution
 	Reverbs
Date: Wed, 14 Apr 2010 15:10:40 +0000
Importance: Normal
In-Reply-To: <4BC5AF6D.50002@tiscali.co.uk>
References: <4BC45C6D.7000702@cruzio.com>
 <4BC4C095.60401@googlemail.com>,<4BC579AF.6010305@tiscali.co.uk>,<s2i66f9cc1e1004140154we5ba6b8ek43cf6ed7586887b2@mail.gmail.com>
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A transient of white noise...

> Date: Wed=2C 14 Apr 2010 13:05:01 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT Create your own Impulse models for freeware Convolution 	=
Reverbs
>=20
> Yep=2C ...but I don't think white noise would do it either.
>=20
> What's needed is a transient.
>=20
> At a pinch=2C you could get each choir member to clap their hands.
>=20
> To make a profession grade impulse=2C you need a high quality
> speaker to play a frequency swept sine wave(called a chirp).
> Then back in the studio you take that recording and convolve it
> with the reverse of your sine sweep.
>=20
> ...and sadly=2C the broken speaker idea wont work either=2C=20
> a broken speaker doesn't have a linear response.
>=20
> The ideas may still make great *unexpected* sounds of course.
>=20
> andy
>=20
>=20
> Gareth Whittock wrote:
> > I don't think that would work Per. A short burst of white noise produce=
d=20
> > at the location of each choir member could though be used as an impulse=
=2C=20
> > (picked up from a mic placed where the listener is presumed to be=20
> > located). You'd then run the voices through your software to produce=20
> > that particular reverberation.
> >=20
> > G
> >=20
> >  >
> >  > That's an excellent idea! If applied to a choir recording you set up
> >  > the stereo mic recording=2C push record and ask the members of the c=
hoir
> >  > to sing a short note each=2C taking turns one after the other. Then =
when
> >  > back in the studio you create convolution impulses for each choir
> >  > member and in the mix you insert the reverb on the each singer's clo=
se
> >  > up mic channel and load it with the matching impulse file.
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
us now=

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<body class=3D'hmmessage'>
A transient of white noise...<br><br>&gt=3B Date: Wed=2C 14 Apr 2010 13:05:=
01 +0100<br>&gt=3B From: akbutler@tiscali.co.uk<br>&gt=3B To: Loopers-Delig=
ht@loopers-delight.com<br>&gt=3B Subject: Re: OT Create your own Impulse mo=
dels for freeware Convolution 	Reverbs<br>&gt=3B <br>&gt=3B Yep=2C ...but I=
 don't think white noise would do it either.<br>&gt=3B <br>&gt=3B What's ne=
eded is a transient.<br>&gt=3B <br>&gt=3B At a pinch=2C you could get each =
choir member to clap their hands.<br>&gt=3B <br>&gt=3B To make a profession=
 grade impulse=2C you need a high quality<br>&gt=3B speaker to play a frequ=
ency swept sine wave(called a chirp).<br>&gt=3B Then back in the studio you=
 take that recording and convolve it<br>&gt=3B with the reverse of your sin=
e sweep.<br>&gt=3B <br>&gt=3B ...and sadly=2C the broken speaker idea wont =
work either=2C <br>&gt=3B a broken speaker doesn't have a linear response.<=
br>&gt=3B <br>&gt=3B The ideas may still make great *unexpected* sounds of =
course.<br>&gt=3B <br>&gt=3B andy<br>&gt=3B <br>&gt=3B <br>&gt=3B Gareth Wh=
ittock wrote:<br>&gt=3B &gt=3B I don't think that would work Per. A short b=
urst of white noise produced <br>&gt=3B &gt=3B at the location of each choi=
r member could though be used as an impulse=2C <br>&gt=3B &gt=3B (picked up=
 from a mic placed where the listener is presumed to be <br>&gt=3B &gt=3B l=
ocated). You'd then run the voices through your software to produce <br>&gt=
=3B &gt=3B that particular reverberation.<br>&gt=3B &gt=3B <br>&gt=3B &gt=
=3B G<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B  &gt=3B<br>&gt=3B &gt=3B  &gt=3B T=
hat's an excellent idea! If applied to a choir recording you set up<br>&gt=
=3B &gt=3B  &gt=3B the stereo mic recording=2C push record and ask the memb=
ers of the choir<br>&gt=3B &gt=3B  &gt=3B to sing a short note each=2C taki=
ng turns one after the other. Then when<br>&gt=3B &gt=3B  &gt=3B back in th=
e studio you create convolution impulses for each choir<br>&gt=3B &gt=3B  &=
gt=3B member and in the mix you insert the reverb on the each singer's clos=
e<br>&gt=3B &gt=3B  &gt=3B up mic channel and load it with the matching imp=
ulse file.<br>&gt=3B <br> 		 	   		  <br /><hr />Get a new e-mail account w=
ith Hotmail - Free. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct=
/01/' target=3D'_new'>Sign-up now.</a></body>
</html>=

--_72d34f00-d757-4fcc-acc1-d86f861fb1de_--

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Date: Wed, 14 Apr 2010 15:14:54 +0000 (GMT)
From: Raghib Saad <raghibsaad@gmail.com>
Reply-To: raghibsaad@gmail.com
Subject: From The Desk Of Mr. Raghib Saad 
To: undisclosed recipients: ;
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>From The Desk Of Mr. Raghib Saad=20
=A0=20
the Director in charge of Auditing section=A0in the group United Bank Of Af=
rica=A0Burkina Faso,=A0I need your urgent Assistance in transferring the su=
m of ($49.5 million USD) executed Contract Payment=A0fund=A0immediately to =
your Account. I will send you full details on how the business will be exec=
uted and also note that you will receive 35% of the above mentioned amount,=
 if you agree to help me implement this business, if you know that you are =
interested and capable to handle this business transaction, come up with th=
e information's stated below:=A0=20
=A0=20
1. Your full name:=20
2. Your contact cell phone number:=20
3. Your age: Above 30years matured=20
4. Your sex:=20
5. Your occupations:=20
6. Your country and city:=A0=20
=A0=20
As soon as possible all this information's is submitted to me, I will send =
you full details of this business and application form which you will fill =
and send to the bank international foreign operation department of=A0 Unite=
d Bank Of Africa=A0 Burkina Faso West Africa.=A0=20
=A0=20
Note: The entire contract attestation documents are in my custody, I will t=
ender it on your behalf once you accept to proceed upward. I need your punc=
tual respond as the urgency of this transaction implies.=A0=20
=A0=20
Thanks=20
=A0=20
Mr. Raghib Saad.=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm=
 0pt"><FONT size=3D3><STRONG><SPAN lang=3DEN-US style=3D"COLOR: black; FONT=
-FAMILY: Courier; mso-ansi-language: EN-US">From The Desk Of Mr.</SPAN></ST=
RONG><SPAN lang=3DEN-US style=3D"mso-ansi-language: EN-US"><FONT face=3D"Ti=
mes New Roman"> </FONT></SPAN><STRONG><SPAN lang=3DEN-US style=3D"COLOR: bl=
ack; FONT-FAMILY: Courier; mso-ansi-language: EN-US">Raghib Saad</SPAN></ST=
RONG><FONT face=3D"Times New Roman"><SPAN lang=3DEN-US style=3D"mso-ansi-la=
nguage: EN-US"> </SPAN><SPAN lang=3DEN-GB style=3D"mso-ansi-language: EN-GB=
"><?xml:namespace prefix =3D o ns =3D "urn:schemas-microsoft-com:office:off=
ice" /><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">&nbsp;</SPAN></STRONG><FONT face=3D"Times New Roman"><SPAN la=
ng=3DEN-US style=3D"mso-ansi-language: EN-US"> </SPAN><SPAN lang=3DEN-GB st=
yle=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">the Director in charge of Auditing section&nbsp;in the group =
United Bank Of Africa&nbsp;Burkina Faso,&nbsp;I need your urgent Assistance=
 in transferring the sum of ($49.5 million USD) executed Contract Payment&n=
bsp;fund&nbsp;immediately to your Account. I will send you full details on =
how the business will be executed and also note that you will receive 35% o=
f the above mentioned amount, if you agree to help me implement this busine=
ss, if you know that you are interested and capable to handle this business=
 transaction, come up with the information's stated below:&nbsp;</SPAN></ST=
RONG><FONT face=3D"Times New Roman"><SPAN lang=3DEN-US style=3D"mso-ansi-la=
nguage: EN-US"> </SPAN><SPAN lang=3DEN-GB style=3D"mso-ansi-language: EN-GB=
"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">&nbsp;</SPAN></STRONG><FONT face=3D"Times New Roman"><SPAN la=
ng=3DEN-US style=3D"mso-ansi-language: EN-US"> </SPAN><SPAN lang=3DEN-GB st=
yle=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">1. Your full name: </SPAN></STRONG><SPAN lang=3DEN-GB style=
=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">2. Your contact cell phone number: </SPAN></STRONG><SPAN lang=
=3DEN-GB style=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">3. Your age: Above 30years matured </SPAN></STRONG><SPAN lang=
=3DEN-GB style=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">4. Your sex: </SPAN></STRONG><SPAN lang=3DEN-GB style=3D"mso-=
ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">5. Your occupations: </SPAN></STRONG><o:p></o:p></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">6. Your country and city:&nbsp;</SPAN></STRONG><FONT face=3D"=
Times New Roman"><SPAN lang=3DEN-US style=3D"mso-ansi-language: EN-US"> </S=
PAN><SPAN lang=3DEN-GB style=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN=
></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">&nbsp;</SPAN></STRONG><FONT face=3D"Times New Roman"><SPAN la=
ng=3DEN-US style=3D"mso-ansi-language: EN-US"> </SPAN><SPAN lang=3DEN-GB st=
yle=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">As soon as possible all this information's is submitted to me=
, I will send you full details of this business and application form which =
you will fill and send to the bank international foreign operation departme=
nt of&nbsp; United Bank Of Africa&nbsp; Burkina Faso West Africa.&nbsp;</SP=
AN></STRONG><FONT face=3D"Times New Roman"><SPAN lang=3DEN-US style=3D"mso-=
ansi-language: EN-US"> </SPAN><SPAN lang=3DEN-GB style=3D"mso-ansi-language=
: EN-GB"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">&nbsp;</SPAN></STRONG><FONT face=3D"Times New Roman"><SPAN la=
ng=3DEN-US style=3D"mso-ansi-language: EN-US"> </SPAN><SPAN lang=3DEN-GB st=
yle=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">Note: The entire contract attestation documents are in my cus=
tody, I will tender it on your behalf once you accept to proceed upward. I =
need your punctual respond as the urgency of this transaction implies.&nbsp=
;</SPAN></STRONG><FONT face=3D"Times New Roman"><SPAN lang=3DEN-US style=3D=
"mso-ansi-language: EN-US"> </SPAN><SPAN lang=3DEN-GB style=3D"mso-ansi-lan=
guage: EN-GB"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">&nbsp;</SPAN></STRONG><FONT face=3D"Times New Roman"><SPAN la=
ng=3DEN-US style=3D"mso-ansi-language: EN-US"> </SPAN><SPAN lang=3DEN-GB st=
yle=3D"mso-ansi-language: EN-GB"><o:p></o:p></SPAN></FONT></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">Thanks </SPAN></STRONG><o:p></o:p></FONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><FONT size=3D3><STRONG><=
SPAN lang=3DEN-US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-lan=
guage: EN-US">&nbsp;</SPAN></STRONG><FONT face=3D"Times New Roman"><SPAN la=
ng=3DEN-US style=3D"mso-ansi-language: EN-US"> </SPAN><o:p></o:p></FONT></F=
ONT></DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0cm 0cm 0pt"><STRONG><SPAN lang=3DEN-=
US style=3D"COLOR: black; FONT-FAMILY: Courier; mso-ansi-language: EN-US"><=
FONT size=3D3>Mr. Raghib Saad.</FONT></SPAN></STRONG><o:p></o:p></DIV></td>=
</tr></table><br>=0A=0A=0A=0A      
--0-104289751-1271258094=:94199--

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Date: Wed, 14 Apr 2010 08:22:30 -0700 (PDT)
Subject: OT: New MBP... or not? (Firewire still necessary?)
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Couple things that might relate:

I've heard rumors that Firewire is going to be phased out from Macs.
I don't know how valid it is, but I"ve heard it from multiple sources.

I use both firewire 400 and USB 2.0 and I find them to be roughly equivalent.
I know the specs differ, but practically speaking, I can't tell the
difference in speed.

I've also heard rumors that USB 3.0 is going to be mind boggling.

Again, I don't know for sure, but I've heard it from several sources.

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References: <4BC45C6D.7000702@cruzio.com> <4BC4C095.60401@googlemail.com>
	 <4BC579AF.6010305@tiscali.co.uk>
	 <s2i66f9cc1e1004140154we5ba6b8ek43cf6ed7586887b2@mail.gmail.com>
	 <BAY145-w3382F976B35C9F3B20793785100@phx.gbl>
	 <4BC5AF6D.50002@tiscali.co.uk>
Date: Wed, 14 Apr 2010 11:22:54 -0400
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Subject: Re: OT Create your own Impulse models for freeware Convolution 
	Reverbs
From: Tony K <bigtonyk@gmail.com>
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--000e0cd11604c44442048433f326
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IF you want REALLY unexpected sounds, you can use any wav as the impulse
file.

On Wed, Apr 14, 2010 at 8:05 AM, andy butler <akbutler@tiscali.co.uk> wrote:

> Yep, ...but I don't think white noise would do it either.
>
> What's needed is a transient.
>
> At a pinch, you could get each choir member to clap their hands.
>
> To make a profession grade impulse, you need a high quality
> speaker to play a frequency swept sine wave(called a chirp).
> Then back in the studio you take that recording and convolve it
> with the reverse of your sine sweep.
>
> ...and sadly, the broken speaker idea wont work either, a broken speaker
> doesn't have a linear response.
>
> The ideas may still make great *unexpected* sounds of course.
>
> andy
>
>
-- 
-==-=-=-
Tony

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IF you want REALLY unexpected sounds, you can use any wav as the impulse fi=
le.=A0 <br><br><div class=3D"gmail_quote">On Wed, Apr 14, 2010 at 8:05 AM, =
andy butler <span dir=3D"ltr">&lt;<a href=3D"mailto:akbutler@tiscali.co.uk"=
>akbutler@tiscali.co.uk</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Yep, ...but I don=
&#39;t think white noise would do it either.<br>
<br>
What&#39;s needed is a transient.<br>
<br>
At a pinch, you could get each choir member to clap their hands.<br>
<br>
To make a profession grade impulse, you need a high quality<br>
speaker to play a frequency swept sine wave(called a chirp).<br>
Then back in the studio you take that recording and convolve it<br>
with the reverse of your sine sweep.<br>
<br>
...and sadly, the broken speaker idea wont work either, a broken speaker do=
esn&#39;t have a linear response.<br>
<br>
The ideas may still make great *unexpected* sounds of course.<br><font colo=
r=3D"#888888">
<br>
andy</font><div><div></div><br clear=3D"all"></div></blockquote></div><br>-=
- <br>-=3D=3D-=3D-=3D- <br>Tony<br>

--000e0cd11604c44442048433f326--

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Gareth Whittock wrote:
> A transient of white noise...
> 

:-)

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 16:13:26 2010
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Hi

andy butler schrieb:
> So, Lexicon algorithms have a method to randomise the phase
> of the reflections which compensates for that.
The not Lexicon 480 priced solution for this: place a soft chorus after 
the reverb. I do that with a Dimension D after my Roland SRV2000 (ok, 
Dimension D is not cheap); also I made a user algoritm "reverb-chorus" 
in my Digitech TSR24, which works similar. The results are stunnig!

Aaah, and my second secret reverb tip: place a deesser before the reverb 
in the signal path.It keeps all the airy overtones, but avoids the high 
frequency overshoots. The deessing can be set in a way, that it would 
cause lisping in a original voice.

Florian

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 16:38:36 2010
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buzap@gmx.net schrieb:
> Anyway, the question is:
> Is it still essential to have Firewire interface?
>   
The answer has not changed that much: you need the interface that the 
hardware you intend to use has.
Anf dor some time, the only alternative to HDSP-based interfaces (read: 
RME) was Firewire. This has changed in the meantime, so unless you have 
one specific interface you want to use and which uses Firewire - no need to.

And commenting on a reply by Rick:
"I've also heard rumors that USB 3.0 is going to be mind boggling."

I've heard rumours that Intel, who originally specified it, has very 
much moved to an early follower position (at best) there - the reason 
being that in the meantime they got the idea to do something that's even 
more mind-boggling:
http://en.wikipedia.org/wiki/Light_Peak

So no, at least in the near future, we won't need Firewire anymore ;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 17:01:35 2010
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Date: Wed, 14 Apr 2010 10:01:08 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: New album by Erdem Helvacioglu & Per Boysen
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Hi Per and Erdem,

This is fantastic, really nice and trippy without going overboard. Also is a great resource of ideas for sounds and textures. Just when I think I am progressing in my looping education I hear something like this and realize there is a long way to go.....

I will play this between sets at my next jam session (without announcing), I am curious to see how the college students react....

Congratulations on a job well done.

Eric


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Hi Per and Erdem,<br><br>This is fantastic, really nice and trippy without going overboard. Also is a great resource of ideas for sounds and textures. Just when I think I am progressing in my looping education I hear something like this and realize there is a long way to go.....<br><br>I will play this between sets at my next jam session (without announcing), I am curious to see how the college students react....<br><br>Congratulations on a job well done. <br><br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br></div></div>
</div><br>

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 17:25:30 2010
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Subject: Re: EH:16DDL RI....
Date: Wed, 14 Apr 2010 13:24:42 -0400
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scott sez
<< don't really care about stereo setup>>

the EH sounds like a great box.....why no stereo scott?......the M13 in=20
mono is a mindblower but in stereo it really SHINES.....granted the EH=20
is not an fx box (?) but ......just curious yellow.....m

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 17:28:51 2010
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Date: Wed, 14 Apr 2010 19:28:30 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Louie Angulo <louie.angulo@googlemail.com>
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--0016e6d7e345eca7e0048435b44e
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Hey gang,
while we are at it, i just got an imac for my birthday and all i can say is
man what a beautiful computer!
is the 21" with 500GB hardrive,but now there are a couple of things to
consider,first i cannot ditch my PC right away since there is so much SW i
still use everyday.Then again i want to have a serious stable computer to
record.
So im thinking of installing bootcamp on my Imac to use both platforms.
my question is:
Is it wise to do this or will it slow down and have an effect in the
performance of the computer?
if i was to do a partition on both,would a 80 GB partition be enough for the
operating systems to take advantage of the rest of the drive for storage?
anybody here using both with parallels? any hardware conflicts?
could i sitll use the same apple wireless keyboard and mouse for both?
would you pay the 300.-eur difference and  get the step up that has the ATI
Radeon HD 4670 and  I TB hardrive or just get an x-ternal drive?
thanx for all your tips
Luis


2010/4/14 <antonyhequet@yahoo.com>

> found it, one FW 800 port!
>
> Thanks,
>
> Antony
>
>
> ----- Original Message ----
> From: Per Boysen <perboysen@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Wed, April 14, 2010 10:06:25 AM
> Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
>
> On Wed, Apr 14, 2010 at 3:50 PM,  <antonyhequet@yahoo.com> wrote:
> > by the way, do these new MacBook pros s till include firewire?
>
> Yes. More here:
> http://www.apple.com/mac/whichmacbook/compare.html
>
> But that site says "4 GB memory" for all MBPs and a Swedish vendor
> this morning published 8 GB as the upper limit for RAM expansion. So
> either I posted the wrong information to the list based on this
> Swedish vendor or Apple doesn't publish the full RAM expansion option.
> Better ask a sales man about it. There is good third-party
> manufactured RAM blocks to pick up in stead of the horrendously
> expensive RAM expansion Apple offers..
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
>
>

--0016e6d7e345eca7e0048435b44e
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Hey gang,<br>while we are at it, i just got an imac for my birthday and all=
 i can say is man what a beautiful computer!<br>is the 21&quot; with 500GB =
hardrive,but now there are a couple of things to consider,first i cannot di=
tch my PC right away since there is so much SW  i still use everyday.Then a=
gain i want to have a serious stable computer to record.<br>
So im thinking of installing bootcamp on my Imac to use both platforms.<br>=
my question is:<br>Is it wise to do this or will it slow down and have an e=
ffect in the performance of the computer?<br>if i was to do a partition on =
both,would a 80 GB partition be enough for the operating systems to take ad=
vantage of the rest of the drive for storage?<br>
anybody here using both with parallels? any hardware conflicts?<br>could i =
sitll use the same apple wireless keyboard and mouse for both?<br>would you=
 pay the 300.-eur difference and=A0 get the step up that has the ATI Radeon=
 HD 4670 and=A0 I TB hardrive or just get an x-ternal drive?<br>
thanx for all your tips<br>Luis<br><br><br><div class=3D"gmail_quote">2010/=
4/14  <span dir=3D"ltr">&lt;<a href=3D"mailto:antonyhequet@yahoo.com">anton=
yhequet@yahoo.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
found it, one FW 800 port!<br>
<br>
Thanks,<br>
<br>
Antony<br>
<div class=3D"im"><br>
<br>
----- Original Message ----<br>
From: Per Boysen &lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail=
.com</a>&gt;<br>
To: <a href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@=
loopers-delight.com</a><br>
</div><div class=3D"im">Sent: Wed, April 14, 2010 10:06:25 AM<br>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)<br>
<br>
</div><div><div></div><div class=3D"h5">On Wed, Apr 14, 2010 at 3:50 PM, =
=A0&lt;<a href=3D"mailto:antonyhequet@yahoo.com">antonyhequet@yahoo.com</a>=
&gt; wrote:<br>
&gt; by the way, do these new MacBook pros s till include firewire?<br>
<br>
Yes. More here:<br>
<a href=3D"http://www.apple.com/mac/whichmacbook/compare.html" target=3D"_b=
lank">http://www.apple.com/mac/whichmacbook/compare.html</a><br>
<br>
But that site says &quot;4 GB memory&quot; for all MBPs and a Swedish vendo=
r<br>
this morning published 8 GB as the upper limit for RAM expansion. So<br>
either I posted the wrong information to the list based on this<br>
Swedish vendor or Apple doesn&#39;t publish the full RAM expansion option.<=
br>
Better ask a sales man about it. There is good third-party<br>
manufactured RAM blocks to pick up in stead of the horrendously<br>
expensive RAM expansion Apple offers..<br>
<br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
<br>
<br>
<br>
</div></div></blockquote></div><br>

--0016e6d7e345eca7e0048435b44e--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 17:42:40 2010
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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On Wed, Apr 14, 2010 at 7:28 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> So im thinking of installing bootcamp on my Imac to use both platforms.
> my question is:
> Is it wise to do this or will it slow down and have an effect in the
> performance of the computer?

It doesn't affect the performance at all. Works well for audio. If you
use an XP partition with disc formatted to FAT 32 on the Windows side
you can work with those files directly from the mac applications on
the OS X side. When OS X is booted the Windows partition looks just as
an external FAT 32 drive. Very handy! You simply bounce down files
when working in Windows and open them directly from OS X. I do that a
lot when tagging loops for both ACID and Green Apple loops (SoundForge
in XP).

> if i was to do a partition on both,would a 80 GB partition be enough for the
> operating systems to take advantage of the rest of the drive for storage?

For OS X it gives you a better performance in audio applications to
not split up the drive. Just make sure there is plenty of  free space
for the UNIX background routings to keep the drive optimized.

> anybody here using both with parallels?

Not me. Test reviewers says it works well. But that is for simple
office tasks. For audio it is not a good setup. I think it should go
fine to simply boot up Parallels when in the OS X and needing to do a
quick fix in Windows, that's what it is intended for.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 17:49:06 2010
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Date: Wed, 14 Apr 2010 13:48:48 -0400
To: Loopers-Delight@loopers-delight.com
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Subject: Re: EH:16DDL RI....
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--============_-940855163==_ma============
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I would like to mention that the EH 2880 is spectacular, knobs knobs, knobs..!!

I did a performance at The Stone in the Lower East Side, and my 2880 
was as much a part of the performance as my guitar!!!

-CZ


>well, my big news...last week (on thur) i got my own electro 
>harmonix 16 sec digital delay reissue....the bummer thing i was so 
>busy i didn't get a chance to open it, set it up and play w/ it 
>until sunday (it was killing me i was so busy).
>but boy, is this thing AWESOME!
>i think it's the looper i've been looking for, and why: LEVERS TO 
>CONTROL THING & manipulate!!!!
>wow, love the slow down/speed up option (i probably over use 
>this!!!) -i guess this is the "pitch" option (there is the time 
>option also-kind of fun!)
>the switch to reverse,
>i just love that there are visible switches to see/use to manipulate 
>your loops.
>
>i'm still getting use to it, the odd thing is that IT SAVES YOUR 
>LOOP UNTIL YOU DELETE IT. which i honestly don't care about, but 
>hey...
>
>the funny thing in the last 2 days i've been playing it before work, 
>and both mornings i almost forgot to quit playing and go to work 
>(and drop my boys off to school).
>on sunday when i was trying to figure it out (lots of manual 
>reading!) i'd get a loop going and just let it go, while i read, 
>haven't done that since the days of my dod d12!
>
>sound wise-it is awesome. i know they say it's 16 bit (which i still 
>don't know what the F*CK that really means, but what ever...), but 
>it sounds clean and crisp to my ear. i'm even down to using just one 
>modeler (my digitech rp150, took the zoom g2 out), and i also got a 
>boss ultra fuzz pedal (i may be putting my multi-wave distortion 
>pedal back in at some pt-still need to figure out space problems).
>
>i don't know i just like it, a very musical little device. inspiring 
>really. i don't think i've been so excited about looping since i 1st 
>starting messing w/ my old 2 sec delays on my digitech rp100....for 
>me i don't really care about stereo setup, i only use one amp, don't 
>care about midi, if you were worried about "timing" i would guess 
>you'd need the EH foot pedal perhaps, but since i create more 
>abstract noise, it's not really a concern for me....
>
>honestly i would like to say to EH and all the other co's: MAKE MORE 
>PEDALS LIKE THIS!!! CONTROLS, MANIPULATION, yes yes yes....
>
>the funny thing, this all got started when Chuck Zwicky sent me an 
>email that he was selling his. i was busy at work, was (real) late 
>opening the email, by the time i responded his was sold....but when 
>he told me the price was 250$, i didn't think that's what they were 
>selling for. i figured they were 400-500, so i never thought about 
>it. so then i start checking ebay, over the next few weeks i saw 
>some sell for 299, 275, 250, 235, one even sold for 180. and the 
>unusual thing is i actually had the $$ since the last 4 months i've 
>been "testing lots of stuff" by buying/selling....but i'm done 
>now....the funny thing the one i got, i was outbid on, so i just 
>moved on, then a week later i got an email that the buyer was from 
>overseas, the shipping was going to be too much, so he passed, and i 
>got the offer to buy it 2nd chance. wow, was i happy.
>
>i even found a way around my recording woes-i've ditched the direct 
>recording method i've done for 9 yrs, and i just put my fostex mr8 
>next to my amp and use the BUILT IN mic to record, so i've been 
>doing little live loop recordings....1st time i've ever recorded an 
>amp. my hopes is to sometime get these uploaded...i started w/ tests 
>using just my rp150 for glitch looping, then did a few tests w/ 2.6 
>sec loops/mangles w/ my guyatone md3....and in the last few days 
>i've been exploring the 16ddl....
>well, i'll end my excitement....
>happy looping.
>s----
><http://www.myspace.com/scotthansen>www.myspace.com/scotthansen


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix
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 --></style><title>Re: EH:16DDL RI....</title></head><body>
<div>I would like to mention that the EH 2880 is spectacular, knobs
knobs, knobs..!!</div>
<div><br></div>
<div>I did a performance at The Stone in the Lower East Side, and my
2880 was as much a part of the performance as my guitar!!!</div>
<div><br></div>
<div>-CZ</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite>well, my big news...last week (on thur) i
got my own electro harmonix 16 sec digital delay reissue....the bummer
thing i was so busy i didn't get a chance to open it, set it up and
play w/ it until sunday (it was killing me i was so busy).<br>
but boy, is this thing AWESOME!<br>
i think it's the looper i've been looking for, and why: LEVERS TO
CONTROL THING &amp; manipulate!!!!<br>
wow, love the slow down/speed up option (i probably over use this!!!)
-i guess this is the &quot;pitch&quot; option (there is the time
option also-kind of fun!)<br>
the switch to reverse,<br>
i just love that there are visible switches to see/use to manipulate
your loops.<br>
<br>
i'm still getting use to it, the odd thing is that IT SAVES YOUR LOOP
UNTIL YOU DELETE IT. which i honestly don't care about, but hey...<br>
<br>
the funny thing in the last 2 days i've been playing it before work,
and both mornings i almost forgot to quit playing and go to work (and
drop my boys off to school).<br>
on sunday when i was trying to figure it out (lots of manual reading!)
i'd get a loop going and just let it go, while i read, haven't done
that since the days of my dod d12!<br>
<br>
sound wise-it is awesome. i know they say it's 16 bit (which i still
don't know what the F*CK that really means, but what ever...), but it
sounds clean and crisp to my ear. i'm even down to using just one
modeler (my digitech rp150, took the zoom g2 out), and i also got a
boss ultra fuzz pedal (i may be putting my multi-wave distortion pedal
back in at some pt-still need to figure out space problems).<br>
<br>
i don't know i just like it, a very musical little device. inspiring
really. i don't think i've been so excited about looping since i 1st
starting messing w/ my old 2 sec delays on my digitech rp100....for me
i don't really care about stereo setup, i only use one amp, don't care
about midi, if you were worried about &quot;timing&quot; i would guess
you'd need the EH foot pedal perhaps, but since i create more abstract
noise, it's not really a concern for me....<br>
<br>
honestly i would like to say to EH and all the other co's: MAKE MORE
PEDALS LIKE THIS!!! CONTROLS, MANIPULATION, yes yes yes....<br>
<br>
the funny thing, this all got started when Chuck Zwicky sent me an
email that he was selling his. i was busy at work, was (real) late
opening the email, by the time i responded his was sold....but when he
told me the price was 250$, i didn't think that's what they were
selling for. i figured they were 400-500, so i never thought about it.
so then i start checking ebay, over the next few weeks i saw some sell
for 299, 275, 250, 235, one even sold for 180. and the unusual thing
is i actually had the $$ since the last 4 months i've been
&quot;testing lots of stuff&quot; by buying/selling....but i'm done
now....the funny thing the one i got, i was outbid on, so i just moved
on, then a week later i got an email that the buyer was from overseas,
the shipping was going to be too much, so he passed, and i got the
offer to buy it 2nd chance. wow, was i happy.<br>
<br>
i even found a way around my recording woes-i've ditched the direct
recording method i've done for 9 yrs, and i just put my fostex mr8
next to my amp and use the BUILT IN mic to record, so i've been doing
little live loop recordings....1st time i've ever recorded an amp. my
hopes is to sometime get these uploaded...i started w/ tests using
just my rp150 for glitch looping, then did a few tests w/ 2.6 sec
loops/mangles w/ my guyatone md3....and in the last few days i've been
exploring the 16ddl....<br>
well, i'll end my excitement....<br>
happy looping.<br>
s----<br>
<a
href="http://www.myspace.com/scotthansen">www.myspace.com/scotthansen</a
></blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div><br>
...<br>
http://www.zmix.net<br>
<br>
http://www.esession.com/ChuckZwicky<br>
<br>
http://albumcredits.com/zmix</div>
</body>
</html>
--============_-940855163==_ma============--

From eric@fecel.com.cn  Wed Apr 14 18:18:23 2010
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From: "Mr. Edward Tan" <eric@fecel.com.cn>
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To: undisclosed-recipients:;

From: Mr. Edward Tan
Date: 12TH APRIL 2010
=20
Good day and may the blessings of this day rest on you, hope you are in =
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external auditor for the Development Bank of Singapore (DBS). I had =
taken pains to find your contact through personal endeavors.
=20
A foreigner with thesame last name as yours, died here in Singapore, =
twelve years ago leaving behind an estate/capital (US$31.8M with =
interest) here in DBS where I work, till date nobody has come forward or =
put application for the claim.
=20
I can confirm with certainty that the said investor died intestate, no =
next-of-kin to his estate and no body came forward all these years. I am =
of the settled conviction that using my insider leverage, I, working =
with you can secure the funds in the account for us instead of allowing =
it pass as unclaimed funds into the coffers of the Government of =
Singapore. This is especially possible as you bear the same LAST NAME to =
the said investor, of course you shall be handsomely rewarded for your =
part in this transaction as me and my colleague are prepared to allocate =
a 20% of the total funds for your efforts.
=20
Affirm your willingness and cooperation please,by replying me stating =
your FULL NAME, DATE OF BIRTH, TELEPHONE NUMBER, FAX NUMBER, AND CONTACT =
ADDRESS.

I do expect you prompt response.
=20
Thank you,
Mr. E. Tan.

From contaduria@hmaciel.gub.uy  Wed Apr 14 19:36:50 2010
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From: "BRITISH EURO MILLION LOTTERIES (EUROBOTE)"<contaduria@hmaciel.gub.uy>
Subject: BRITISH EURO MILLION LOTTERIES (EUROBOTE)
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BRITISH EURO MILLION LOTTERIES (EUROBOTE)

Dear Beneficiary,

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Of the authorized claims agent .We happily notify you of the 13th draw of
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Your email address attached to a Lottery Ticket order, had the following details:

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Agents Name: SUSAN AMSON
Email: inlandofficelondon1@gmail.com

From j.clarkxx@gmail.com  Wed Apr 14 19:49:41 2010
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From: "Dr. John Clark"<j.clarkxx@gmail.com>
Subject: Re: ACT AS NEXT OF KIN
Date: Wed, 14 Apr 2010 20:35:47 -0700
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Good day!
 
I am Dr. John Clark, director of the auditing and accounting department "Bank of Africa (B.O.A) Porte Novo, Benin Republic.
 
I discovered the sum of Seven Million, Two Hundred Thousand Dollars (USD7.2Million) belonging to a deceased customer of this bank. the fund has been lying in a suspended account without anybody coming to put claim over the money since the account owner is late , Mr. Salla Khat from Lebanese who was involved in the December 28th 2005 Benin car crash.
 
It is therefore, upon this discovery that I decided to take this ultimatum and make this business proposal to you as the fund will be release to you as the next of kin or relation to the deceased for safety and subsequent disbursement since nobody is coming for it and I don't want this money to go into the bank treasury as unclaimed bill. The banking rules here stipulate that if such money remained unclaimed after five years, the money will be transferred into the bank treasury as unclaimed fund. The request of a foreigner as next of kin in this business is occasioned by the fact that the deceased customer was a foreigner and a Benin Republic cannot stand as next of kin to a foreigner.
 
Therefore, I solicit for your assistance to come forward as the next of kin. I have agreed that 40% of this money will be for you as the beneficiary respect of the provision of your account and service rendered, 60% will be for me then if the money transferred to your account from this bank, I will proceed immediately to your country for the sharing of the funds.
 
Yours faithfully,

Dr. John Clark.
Telephone: +229-96-966-064

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--0016e64cd5428c7b060484384d53
Content-Type: text/plain; charset=ISO-8859-1

nemoguitt asks: why no stereo?

i know that stereo if you're using a stereo chorus or ping pong delay or
reverb it can be excellent....but for my looper i don't really care. i only
use ONE guitar amp (i did use a stereo setup for awhile, but didn't love).
granted my headphone setup does have a lexicon mx200-and i have it for
stereo outs...and i do love the reverbs on it for sure (i have them on all
the time!)

chuck z:
I would like to mention that the EH 2880 is spectacular, knobs knobs,
knobs..!!
I did a performance at The Stone in the Lower East Side, and my 2880 was as
much a part of the performance as my guitar!!!

i think the eh2880 looks awesome, but it is still out of my range.
i will agree, i think the eh16ddl is more of an instrument, i think i play
w/ it more than my guitar!!!!! it is most fun, inspiring.....

s---

--0016e64cd5428c7b060484384d53
Content-Type: text/html; charset=ISO-8859-1
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nemoguitt asks: why no stereo?<br><br>i know that stereo if you&#39;re usin=
g a stereo chorus or ping pong delay or reverb it can be excellent....but f=
or my looper i don&#39;t really care. i only use ONE guitar amp (i did use =
a stereo setup for awhile, but didn&#39;t love). granted my headphone setup=
 does have a lexicon mx200-and i have it for stereo outs...and i do love th=
e reverbs on it for sure (i have them on all the time!)<br>
<br><div>chuck z:<br>I would like to mention that the EH 2880 is spectacula=
r, knobs
knobs, knobs..!!</div>

<div>I did a performance at The Stone in the Lower East Side, and my
2880 was as much a part of the performance as my guitar!!!<br><br>i think t=
he eh2880 looks awesome, but it is still out of my range.<br>i will agree, =
i think the eh16ddl is more of an instrument, i think i play w/ it more tha=
n my guitar!!!!! it is most fun, inspiring.....<br>
<br>s---<br></div><br>

--0016e64cd5428c7b060484384d53--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 21:41:14 2010
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Subject: Daryl Shawn / Matt Davignon live duo in SF
From: Matt Davignon <mattdavignon@gmail.com>
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Hi all,

I'll be emerging out from under my performance rock a little this
Thursday, rubbing my eyes against the sunlight. This week I'll be
performing in a duo with Daryl Shawn, who's doing amazing things with
classical guitar and tape machines. Check it out!
http://www.youtube.com/watch?v=Bm_rH7XceXo

For those of you who don't know me, I make unusual sounds from a drum
machine, by running it through an array of effects pedals. My newest
CD "Living Things" came out in January and just made my own personal
"AOR goal" on college radio. ("AOR" = "album oriented rock". In other
words, every song on the disc has been now been played on the radio
somewhere.)

Show info:

Thu 4/15 8:00 PM
Luggage Store New Music Series
1007 Market St. @ 6th Street SF
$6-10 sliding scale

8pm Daryl Shawn - guitar/tape machines
with Matt Davignon - drum machine

9pm Ross Hammond- guitar, Darren Johnston-trumpet, Jacob Felix-Heule-
drumset

Hope to see you there!

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

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Andreas had already posted his tour itinerary, so I'll just repost:

April 16: Neuburg/D., Birdland
April 17: Berlin, Jazzwerkstatt Café
April 18: Bad Hersfeld, Buchcafé
April 19: Magdeburg, Jazz in der Kammer

I'm talking about the concert this Friday...starts 20:30 - anyone going 
there (except for me)?

Replies off-list please!

Yours,

             Rainer

ps: If you still have to decide - don't think, go! Andreas is a beast, 
and comes with a lineup including violinist extraordinaire Dominique 
Pifarelly (sp?). You owe this to yourself...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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UK INTERNATIONAL DRAW HEADQUARTERS
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Subject: Re: Daryl Shawn / Matt Davignon live duo in SF
Date: Wed, 14 Apr 2010 17:51:28 -0400
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Hey Matt,

Now that I would like to see/hear! Please document it if you can.


best,

Jeff


----- Original Message ----- 
From: "Matt Davignon" <mattdavignon@gmail.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 14, 2010 5:41 PM
Subject: Daryl Shawn / Matt Davignon live duo in SF


> Hi all,
>
> I'll be emerging out from under my performance rock a little this
> Thursday, rubbing my eyes against the sunlight. This week I'll be
> performing in a duo with Daryl Shawn, who's doing amazing things with
> classical guitar and tape machines. Check it out!
> http://www.youtube.com/watch?v=Bm_rH7XceXo
>
> For those of you who don't know me, I make unusual sounds from a drum
> machine, by running it through an array of effects pedals. My newest
> CD "Living Things" came out in January and just made my own personal
> "AOR goal" on college radio. ("AOR" = "album oriented rock". In other
> words, every song on the disc has been now been played on the radio
> somewhere.)
>
> Show info:
>
> Thu 4/15 8:00 PM
> Luggage Store New Music Series
> 1007 Market St. @ 6th Street SF
> $6-10 sliding scale
>
> 8pm Daryl Shawn - guitar/tape machines
> with Matt Davignon - drum machine
>
> 9pm Ross Hammond- guitar, Darren Johnston-trumpet, Jacob Felix-Heule-
> drumset
>
> Hope to see you there!
>
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>


--------------------------------------------------------------------------------



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Checked by AVG - www.avg.com
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 22:24:40 2010
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Thanks for putting out the word, Matt - I've been looking forward to 
this. And I just did a session w/Ross Hammond who's on second, he's a 
great guitarist with several loopy devices on his board.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com

>
> Thu 4/15 8:00 PM
> Luggage Store New Music Series
> 1007 Market St. @ 6th Street SF
> $6-10 sliding scale
>
> 8pm Daryl Shawn - guitar/tape machines
> with Matt Davignon - drum machine
>
> 9pm Ross Hammond- guitar, Darren Johnston-trumpet, Jacob Felix-Heule-
> drumset
>   

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 22:29:51 2010
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	 <001601cadc1c$a3680a20$a5f13747@tbl01fcf9be917>
Date: Wed, 14 Apr 2010 15:29:49 -0700
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Subject: Re: Daryl Shawn / Matt Davignon live duo in SF
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Alas, my little video camera is currently being lent.

Matt

Jeff Duke <jeff_d@embarqmail.com> was like:

> Now that I would like to see/hear! Please document it if you can.


> ----- Original Message ----- From: "Matt Davignon"
>> Thu 4/15 8:00 PM
>> Luggage Store New Music Series
>> 1007 Market St. @ 6th Street SF
>> $6-10 sliding scale
>>
>> 8pm Daryl Shawn - guitar/tape machines
>> with Matt Davignon - drum machine
>>
>> 9pm Ross Hammond- guitar, Darren Johnston-trumpet, Jacob Felix-Heule-
>> drumset

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Wed Apr 14 23:56:05 2010
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Tony K said

"IF you want REALLY unexpected sounds, you can use any wav as the 
impulse file."

So glad you mentioned this.  I've had great fun in the past using this 
to create
weird random  sounds (to then slice and dice and coerce into being 
grooves).

From work102@virgilio.it  Thu Apr 15 00:49:04 2010
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From: "Jim McConville"<work102@virgilio.it>
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Subject: Greetings & Business Proposal
Date: Wed, 14 Apr 2010 16:27:04 -0700
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25 Gresham Street
London EC2V 7HN

Greetings,

This might not be the appropriate channel to contact you but situation necessitated this medium. However, I am sincerely sorry for any inconveniency this may bring your way. 

I discovered an account in my office, with no owner or beneficiaries. It will be in my interest to transfer the proceeds of this account worth Twenty million British Pounds to an offshore country. If you can be a collaborator/partner to this please indicate interest immediately for us to proceed and more details given.
Remember this is absolutely confidential, as i am seeking your assistance to act as the beneficiary of the account, since we are not allowed to operate foreign accounts. Your collaborating response will be highly appreciated and beneficial.

I have reposed my confidence in you and hope that you will not disappoint me.

My Regards,

Jim McConville

From work102@virgilio.it  Thu Apr 15 00:49:07 2010
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From: "Jim McConville"<work102@virgilio.it>
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25 Gresham Street
London EC2V 7HN

Greetings,

This might not be the appropriate channel to contact you but situation necessitated this medium. However, I am sincerely sorry for any inconveniency this may bring your way. 

I discovered an account in my office, with no owner or beneficiaries. It will be in my interest to transfer the proceeds of this account worth Twenty million British Pounds to an offshore country. If you can be a collaborator/partner to this please indicate interest immediately for us to proceed and more details given.
Remember this is absolutely confidential, as i am seeking your assistance to act as the beneficiary of the account, since we are not allowed to operate foreign accounts. Your collaborating response will be highly appreciated and beneficial.

I have reposed my confidence in you and hope that you will not disappoint me.

My Regards,

Jim McConville

From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 02:27:19 2010
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Hello-

I am still looking at different midi foot controllers and need to reference
the MIDI specs- anyone know where I can download the manuals? I have hard
copies at home but prefer .pdf

Thanks

Clifford

PS- Just found this new foot controller- looks awesome! Hope it does not
cost too much.
http://www.gearwire.com/keithmcmillen-softstep-wnamm2010.html

--0016e64d96207d214904843d3b54
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<div>Hello- </div>
<div>=A0</div>
<div>I am still looking at different midi foot controllers and need to refe=
rence the MIDI specs- anyone know where I can download the manuals? I have =
hard copies at home but prefer .pdf</div>
<div>=A0</div>
<div>Thanks</div>
<div>=A0</div>
<div>Clifford=A0=A0</div>
<div>=A0</div>
<div>PS- Just found this new foot controller- looks awesome! Hope it does n=
ot cost too much.</div>
<div><a href=3D"http://www.gearwire.com/keithmcmillen-softstep-wnamm2010.ht=
ml">http://www.gearwire.com/keithmcmillen-softstep-wnamm2010.html</a></div>

--0016e64d96207d214904843d3b54--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 06:23:38 2010
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
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Hi Louis

well, congrats to your birthday and your iMac :))

Here is my personal experience with the transition:
I also first considered using Parallels or Bootcamp. But I've kept both systems running until I completely switched everything to Mac - now I've fully ditched the Windows platform.
So, I'd encourage you to look if you can replace your applications in Mac.
Start here: http://www.usingmac.com/2008/8/1/22-useful-lists-of-mac-applications
Often, it's slightly different but the result is pretty much the same.
I.e., even replacing ActiveSync worked fine using MissingSync on Mac, it now works even better!
Finally, there are a few small tools I like that are Win-only. For these, WineBottler has been great: http://winebottler.kronenberg.org/
For example, the mp3 tagger Mp3Tag works great with this.

best regards
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 06:31:24 2010
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
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Hi Per

well, my information is this:
32-bit chip architecture can address up to 3.4 GB of ram, which is the limit for the current C2Ds.

So, essentially you could put in 4GB RAM and use 3.4GB of it.

I believe this is also true for Windows.

best regards
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Louie Angulo <louie.angulo@googlemail.com>
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thanx Per how about the step up u think is worth it?
they seem to be the same the only difference is gong from the NVIDIA GeForce
9400M processor to ATI Radeon HD 4670  processor with 256 MB and 1TB
hardrive space instead of 500GB, the difference is 350.-eur. here.I guess i
need to decide soon so i can exchange it.






2010/4/14 Per Boysen <perboysen@gmail.com>

> On Wed, Apr 14, 2010 at 7:28 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > So im thinking of installing bootcamp on my Imac to use both platforms.
> > my question is:
> > Is it wise to do this or will it slow down and have an effect in the
> > performance of the computer?
>
> It doesn't affect the performance at all. Works well for audio. If you
> use an XP partition with disc formatted to FAT 32 on the Windows side
> you can work with those files directly from the mac applications on
> the OS X side. When OS X is booted the Windows partition looks just as
> an external FAT 32 drive. Very handy! You simply bounce down files
> when working in Windows and open them directly from OS X. I do that a
> lot when tagging loops for both ACID and Green Apple loops (SoundForge
> in XP).
>
> > if i was to do a partition on both,would a 80 GB partition be enough for
> the
> > operating systems to take advantage of the rest of the drive for storage?
>
> For OS X it gives you a better performance in audio applications to
> not split up the drive. Just make sure there is plenty of  free space
> for the UNIX background routings to keep the drive optimized.
>
> > anybody here using both with parallels?
>
> Not me. Test reviewers says it works well. But that is for simple
> office tasks. For audio it is not a good setup. I think it should go
> fine to simply boot up Parallels when in the OS X and needing to do a
> quick fix in Windows, that's what it is intended for.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--0016e6d7e34548c6550484426767
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thanx Per how about the step up u think is worth it?<br>they seem to be the=
 same the only difference is gong from the NVIDIA GeForce 9400M processor t=
o ATI Radeon HD 4670=A0 processor with 256 MB and 1TB hardrive space instea=
d of 500GB, the difference is 350.-eur. here.I guess i need to decide soon =
so i can exchange it.<br>
<br><br><br><br><br><br><div class=3D"gmail_quote">2010/4/14 Per Boysen <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.c=
om</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1e=
x;">
<div class=3D"im">On Wed, Apr 14, 2010 at 7:28 PM, Louie Angulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.=
com</a>&gt; wrote:<br>
&gt; So im thinking of installing bootcamp on my Imac to use both platforms=
.<br>
&gt; my question is:<br>
&gt; Is it wise to do this or will it slow down and have an effect in the<b=
r>
&gt; performance of the computer?<br>
<br>
</div>It doesn&#39;t affect the performance at all. Works well for audio. I=
f you<br>
use an XP partition with disc formatted to FAT 32 on the Windows side<br>
you can work with those files directly from the mac applications on<br>
the OS X side. When OS X is booted the Windows partition looks just as<br>
an external FAT 32 drive. Very handy! You simply bounce down files<br>
when working in Windows and open them directly from OS X. I do that a<br>
lot when tagging loops for both ACID and Green Apple loops (SoundForge<br>
in XP).<br>
<div class=3D"im"><br>
&gt; if i was to do a partition on both,would a 80 GB partition be enough f=
or the<br>
&gt; operating systems to take advantage of the rest of the drive for stora=
ge?<br>
<br>
</div>For OS X it gives you a better performance in audio applications to<b=
r>
not split up the drive. Just make sure there is plenty of =A0free space<br>
for the UNIX background routings to keep the drive optimized.<br>
<div class=3D"im"><br>
&gt; anybody here using both with parallels?<br>
<br>
</div>Not me. Test reviewers says it works well. But that is for simple<br>
office tasks. For audio it is not a good setup. I think it should go<br>
fine to simply boot up Parallels when in the OS X and needing to do a<br>
quick fix in Windows, that&#39;s what it is intended for.<br>
<div><div></div><div class=3D"h5"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</div></div></blockquote></div><br>

--0016e6d7e34548c6550484426767--

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Date: Thu, 15 Apr 2010 13:47:00 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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On Thu, Apr 15, 2010 at 8:31 AM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi Per
>
> well, my information is this:
> 32-bit chip architecture can address up to 3.4 GB of ram, which is the limit for the current C2Ds.
>
> So, essentially you could put in 4GB RAM and use 3.4GB of it.
>
> I believe this is also true for Windows


I'm not a hardware specialist but think like you that it is probably
true even if running Windows on the box. I know that there is also a
need for running applications in 64 bit mode to take advance of more
RAM than 4 GB. I've tried, out of curiosity, to run music applications
Logic and Mainstage at 64 bit in OS X and found no chance in
functionality or performance. And I never load up that massive samle
libraries to justify more than 4 GB.

But I love running Logic at audio settings 24 bit and 96 kHz because
virtual instruments, compressors and EQ sound so much better! And that
makes the summing while mixing sound better as well. But on my 2.2 C2D
Macbook 24/96 puts a lot of strain on the CPU and forces me to compose
at 24/44.1 and only switch to the better sounding for mixing and
before I can even play back the project at 24/96 I have to freeze all
tracks. This makes producing very slow and inefficient. That's the
only reason I can find for getting a i7 iMac. The i7 MBP only come
with that huge screen and I don't like laptops with huge screens
(prefer 13" and huge external screens at local work spaces to plug in
to).

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Thu, 15 Apr 2010 14:00:54 +0200
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Subject: Re: OT: stolen gear
From: Louie Angulo <louie.angulo@googlemail.com>
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wow man,you would think by such valuable inventory they would have somebody
looking out!

2010/4/10 William Walker <billwalker@baymoon.com>

> hey yall, I'm passing the word on that TV Jones, the noted pickup maker had
> several guitars pickups and booth supplies stolen from Musikmesse in
> Frankfurt, here is a link to the list of stolen items including prototype
> guitars.
> *http://www.tvjones.com/stolen.html*
> *
> *
> *Bill*
>

--0016e6db29992fcdf50484453f5d
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wow man,you would think by such valuable inventory they would have somebody=
 looking out!<br><br><div class=3D"gmail_quote">2010/4/10 William Walker <s=
pan dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwalker@ba=
ymoon.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;"><font size=3D"4" face=3D"Tahoma"><span style=3D"font-s=
ize: 14px;">hey yall, I&#39;m passing the word on that TV Jones, the noted =
pickup maker had several guitars pickups and booth supplies stolen from Mus=
ikmesse in Frankfurt, here is a link to the list of stolen items including =
prototype guitars.=A0</span></font><div>
<font size=3D"4" color=3D"#666666" face=3D"Tahoma"><span style=3D"font-size=
: 14px; line-height: 17px;"><b><a href=3D"http://www.tvjones.com/stolen.htm=
l" target=3D"_blank">http://www.tvjones.com/stolen.html</a></b></span></fon=
t></div>
<div><font size=3D"4" color=3D"#666666" face=3D"Tahoma"><span style=3D"font=
-size: 14px; line-height: 17px;"><b><br></b></span></font></div><div><font =
size=3D"4" color=3D"#666666" face=3D"Tahoma"><span style=3D"font-size: 14px=
; line-height: 17px;"><b>Bill</b></span></font></div>
</div></blockquote></div><br>

--0016e6db29992fcdf50484453f5d--

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Hello there!

You may or may not already be tuning into the audio adventures of  
lextrical's daily music bean. If not, then let me quickly fill you in.

I, lextrical, create and post a new sonic something - a piece of  
music, a sonic doodle or an electronoodle -  every day, along with a  
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There have been 88 music beans so far that have included:

Imagery from Mr Earbrass
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And we are currently wading through aquabeans.

The 100th music bean will soon be upon us and I intend for it to be a  
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Please tune in to feed your eyes and ears on music beans.

lex

www.magicmusicbeans.co.uk
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Hello =
there!<div><br></div><div>You may or may not already be tuning into the =
audio adventures of&nbsp;<a =
href=3D"http://www.magicmusicbeans.co.uk/">lextrical's daily music =
bean</a>. If not, then let me quickly fill you =
in.</div><div><br></div><div>I, lextrical, create and post a new sonic =
something - a&nbsp;piece of music, a sonic doodle or an electronoodle =
-&nbsp;&nbsp;every day, along with a visual distraction provided by my =
team of artistic accomplices.&nbsp;</div><div>There have been 88 music =
beans so far that have included:</div><div><br></div><div><a =
href=3D"http://lextrical.wordpress.com/category/visuals/mr-earbrass/">Imag=
ery from Mr Earbrass</a></div><div><a =
href=3D"http://lextrical.wordpress.com/category/visuals/zora-mae/">Illustr=
ations from Zora Mae</a></div><div><a =
href=3D"http://lextrical.wordpress.com/category/visuals/tom-munday-artists=
/">Animation from Tom Munday</a></div><div><a =
href=3D"http://lextrical.wordpress.com/category/videobeans/pixelvision-vid=
eobeans/">A series of Pixelvision films starring spacemonkey =
de1ber</a>t</div><div><div><a =
href=3D"http://lextrical.wordpress.com/category/theme-beans/vampire-beans/=
">Vampire beans</a></div><div><a =
href=3D"http://lextrical.wordpress.com/category/theme-beans/beanspace-them=
e-beans/">BeanSpace</a></div></div><div><a =
href=3D"http://lextrical.wordpress.com/category/theme-beans/weird-eggs-the=
me-beans/">Weird Eggs</a></div><div><a =
href=3D"http://lextrical.wordpress.com/category/videobeans/">Videobeans</a=
></div><div><a =
href=3D"http://lextrical.wordpress.com/category/albums/heavy-lextricity/">=
Heavy Lextricity previews</a></div><div><br></div><div>And we are =
currently wading through&nbsp;<a =
href=3D"http://lextrical.wordpress.com/category/theme-beans/aquabeans/">aq=
uabeans</a>.</div><div><br></div><div>The 100th music bean will soon be =
upon us and I intend for it to be a user-defined music bean, with its =
exact parameters defined by the =
bean-listeners.</div><div><br></div><div>Please tune in to feed your =
eyes and ears on music =
beans.</div><div><br></div><div>lex</div><div><br></div><div><a =
href=3D"http://www.magicmusicbeans.co.uk/">www.magicmusicbeans.co.uk</a></=
div><div><a =
href=3D"http://www.twitter.com/lextrical">www.twitter.com/lextrical</a></d=
iv><div><br></div><div>If you do not wish to receive further word of The =
Music Bean, please reply to this email with unsubscribe as the =
subject.</div></body></html>=

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From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 12:52:18 2010
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HI Louie

> wow man,you would think by such valuable inventory they would have 
> somebody looking out!
The website says "Basically everything that was on display in Frankfurt 
was stolen (even our banners, suits & suitcases!)."
Also they mention that it happened on 27th of march, which was the 
closing day of the show.

Knowing this fair very well, I think the following happened: afternoon 
16:00 only a few visitors are there (only givaway lurkers, no 
professionals). Everyone starts to strike the tents. After 30 minutes 
there is no real booth anymore but only two luggage carts with all the 
guitarcases, displays and their suitcases. One guy leaves to bring in 
the car, the other guy stays basically at the booth but talks to the 
people of the neighbour booth. Now it takes two seconds of nonattention 
to move away the two luggage carts.
And no one will find it mentionworth, because at that moment 
fivethousand luggage carts with instruments and suitcases are moved 
through the halls of the fair.

Everyone with experience in large fairs and trade shows knows, that the 
setup or disassembly of the show, is the time, when most things are stolen.

This does not mean that I would not be sorry for them.

Florian

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Attention,

I am Daven Chen, Attorney at law. A deceased client of mine, that shares
the same last name as yours,who died as the result of a heart-related
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Thanks Rick, that's the Zeppelin track I was thinking about.
On a side note, I think I like just about everything off axis.
Andy G

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<p>Thanks Rick, that&#39;s the Zeppelin track I was thinking about.<br>
On a side note, I think I like just about everything off axis.<br>
Andy G</p>

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	 <v2w7a9df3e51004150500x6975eceeg2e174dd96f493656@mail.gmail.com>
	 <4BC70BFC.9050207@mnet-online.de>
Date: Thu, 15 Apr 2010 15:31:45 +0200
Message-ID: <g2l7a9df3e51004150631h44712000l1b9aad381ae4f3c1@mail.gmail.com>
Subject: Re: OT: stolen gear
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367f9ce81845060484468496
Content-Type: text/plain; charset=ISO-8859-1

uff thats heavy,lesson for all to be learned....

2010/4/15 Florian Anwander <fanwander@mnet-online.de>

> HI Louie
>
>  wow man,you would think by such valuable inventory they would have
>> somebody looking out!
>>
> The website says "Basically everything that was on display in Frankfurt was
> stolen (even our banners, suits & suitcases!)."
> Also they mention that it happened on 27th of march, which was the closing
> day of the show.
>
> Knowing this fair very well, I think the following happened: afternoon
> 16:00 only a few visitors are there (only givaway lurkers, no
> professionals). Everyone starts to strike the tents. After 30 minutes there
> is no real booth anymore but only two luggage carts with all the
> guitarcases, displays and their suitcases. One guy leaves to bring in the
> car, the other guy stays basically at the booth but talks to the people of
> the neighbour booth. Now it takes two seconds of nonattention to move away
> the two luggage carts.
> And no one will find it mentionworth, because at that moment fivethousand
> luggage carts with instruments and suitcases are moved through the halls of
> the fair.
>
> Everyone with experience in large fairs and trade shows knows, that the
> setup or disassembly of the show, is the time, when most things are stolen.
>
> This does not mean that I would not be sorry for them.
>
> Florian
>
>

--0016367f9ce81845060484468496
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

uff thats heavy,lesson for all to be learned....<br><br><div class=3D"gmail=
_quote">2010/4/15 Florian Anwander <span dir=3D"ltr">&lt;<a href=3D"mailto:=
fanwander@mnet-online.de">fanwander@mnet-online.de</a>&gt;</span><br><block=
quote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left=
: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
HI Louie<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
wow man,you would think by such valuable inventory they would have somebody=
 looking out!<br>
</blockquote>
The website says &quot;Basically everything that was on display in Frankfur=
t was stolen (even our banners, suits &amp; suitcases!).&quot;<br>
Also they mention that it happened on 27th of march, which was the closing =
day of the show.<br>
<br>
Knowing this fair very well, I think the following happened: afternoon 16:0=
0 only a few visitors are there (only givaway lurkers, no professionals). E=
veryone starts to strike the tents. After 30 minutes there is no real booth=
 anymore but only two luggage carts with all the guitarcases, displays and =
their suitcases. One guy leaves to bring in the car, the other guy stays ba=
sically at the booth but talks to the people of the neighbour booth. Now it=
 takes two seconds of nonattention to move away the two luggage carts.<br>

And no one will find it mentionworth, because at that moment fivethousand l=
uggage carts with instruments and suitcases are moved through the halls of =
the fair.<br>
<br>
Everyone with experience in large fairs and trade shows knows, that the set=
up or disassembly of the show, is the time, when most things are stolen.<br=
>
<br>
This does not mean that I would not be sorry for them.<br><font color=3D"#8=
88888">
<br>
Florian<br>
<br>
</font></blockquote></div><br>

--0016367f9ce81845060484468496--

From test@china-goodview.com  Thu Apr 15 14:28:00 2010
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Reply-To: <dr.jomo2010@live.com>
From: "Dr.Jomo Tembe."<test@china-goodview.com>
Subject: FROM DR.JOMO TEMBE READ URGENT.(15-4-2010)
Date: Thu, 15 Apr 2010 16:19:17 +0200
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ATTN: SIR / MADAM 

                                      CONFIDENTIAL & URGENT 

I am Dr. Jomo Tembe, of South Africa Department of Minerals & Energy. Within the Department where I work as a director of audit and Project Implementation we have in our possession an overdue payment in US Funds. This is to intimate you on a transfer transaction of US Dollars Abroad, in which I would seek your assistance. I have the authority to propose that should you be willing to assist us in this transaction your share as compensation will be 25%, while my colleagues and I will receive 65% and the balance of 10% for taxation and miscellaneous expenses incurred.

I want to assure you that myself and my partners are in a position to make this transfer possible provided you can give us a very strong assurance and guarantee that our share will be secured and please remember to treat this matter as very confidential matter, because we will not comprehend with any form of exposure as we are still in active Government Service and remember once again that time is of great essence in this business.

Kindly email me your phone number or fax so we can open communication on how we can conclude this transaction

Yours faithfully,

Dr. Jomo Tembe.



From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 15:53:33 2010
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Subject: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
From: Petri Lahtinen <aikuinen@gmail.com>
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I got 2 tickets to this concert, if anybody on this list is interested
in buying, its such a shame that me and my wife cant attend.
I have these as PDF, so I can e-mail these to buyer. Sorry for this
spam, but this group has been discussed on this list, so I think there
might be people interested!

Bozzio / Holdsworth / Levin / Mastelotto
23.4.2010 19:30
Lucerna Music Bar
Prague

contact me by sending e-mail to aikatilaus(at)gmail.com

I'm asking 30 euros for two tickets!

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 16:50:39 2010
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http://wp.me/pLtqu-e8=C2=A0


alex.....listening now.....LOVE IT!
 =20

From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 16:52:59 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Giant Looping Music Bean
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--Apple-Mail-20-985387105
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Its bonkers but very cool - impressive

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 15 Apr 2010, at 17:50, nemoguitt@aol.com wrote:

>
> http://wp.me/pLtqu-e8
>
>
> alex.....listening now.....LOVE IT!
>


--Apple-Mail-20-985387105
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Its bonkers but very cool - impressive<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 15 Apr 2010, =
at 17:50, <a href=3D"mailto:nemoguitt@aol.com">nemoguitt@aol.com</a> =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite"><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; "><a =
href=3D"http://wp.me/pLtqu-e8">http://wp.me/pLtqu-e8</a>&nbsp;</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">alex.....listening now.....LOVE IT!</div><p style=3D"margin: 0.0px =
0.0px 0.0px 0.0px; min-height: 14.0px"><span =
class=3D"Apple-converted-space">&nbsp;</span><br =
class=3D"khtml-block-placeholder"></p> =
</blockquote></div><br></div></body></html>=

--Apple-Mail-20-985387105--

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wow man,you would think by such valuable inventory they would have=20
somebody looking out!


inside job baby!.....that yellow axe with the bigsby was SWEET!


 =20

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Subject: Violin Looping with pretty lights...
From: todd reynolds <toddreyn@gmail.com>
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Hope this finds all my looping brethren and sistren well...

Violin-looping in Ableton Live in a reactive and beautiful light
installation by New Spectrum Foundation.

http://bit.ly/bRdE6B (3 videos)

Cheers, all.

T.

--0016e64e9248c73b6a0484496d7e
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Hope this finds all my looping brethren and sistren well...=A0<div><br></di=
v><div>Violin-looping in Ableton Live in a reactive and beautiful light ins=
tallation by New Spectrum Foundation. =A0<div><br></div><div><a href=3D"htt=
p://bit.ly/bRdE6B">http://bit.ly/bRdE6B</a> (3 videos)</div>
<div><br></div><div>Cheers, all.=A0</div><div><br></div><div>T.</div><div><=
br></div><div><br clear=3D"all"><br><br>
</div></div>

--0016e64e9248c73b6a0484496d7e--

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Date: Thu, 15 Apr 2010 19:22:55 +0200
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Subject: Re: Violin Looping with pretty lights...
From: Per Boysen <perboysen@gmail.com>
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On Thu, Apr 15, 2010 at 7:00 PM, todd reynolds <toddreyn@gmail.com> wrote:
> Violin-looping in Ableton Live in a reactive and beautiful light
> installation by New Spectrum Foundation.
> http://bit.ly/bRdE6B (3 videos)


Lovely! Playing out of the box inside a box with a launch pad ceiling!
Exciting stuff.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 17:29:48 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Violin Looping with pretty lights...
Date: Thu, 15 Apr 2010 18:29:43 +0100
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Very cool Todd - lovely - light the lights 2!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 15 Apr 2010, at 18:00, todd reynolds wrote:

> Hope this finds all my looping brethren and sistren well...
>
> Violin-looping in Ableton Live in a reactive and beautiful light  
> installation by New Spectrum Foundation.
>
> http://bit.ly/bRdE6B (3 videos)
>
> Cheers, all.
>
> T.
>
>
>
>


--Apple-Mail-24-987607666
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Very cool Todd - lovely - light the lights 2!<div><br><div><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 15 Apr 2010, =
at 18:00, todd reynolds wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Hope this =
finds all my looping brethren and sistren =
well...&nbsp;<div><br></div><div>Violin-looping in Ableton Live in a =
reactive and beautiful light installation by New Spectrum Foundation. =
&nbsp;<div><br></div><div><a =
href=3D"http://bit.ly/bRdE6B">http://bit.ly/bRdE6B</a> (3 videos)</div> =
<div><br></div><div>Cheers, =
all.&nbsp;</div><div><br></div><div>T.</div><div><br></div><div><br =
clear=3D"all"><br><br> =
</div></div></blockquote></div><br></div></div></body></html>=

--Apple-Mail-24-987607666--

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Subject: Violin live-looping improvisation with Pretty Lights...
From: todd reynolds <toddreyn@gmail.com>
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--0016e64e9248faebf1048449d615
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Hope this finds all my looping brethren and sistren well...

Violin-looping in Ableton Live in a reactive and beautiful light
installation by New Spectrum Foundation, using Ableton Live only.

http://bit.ly/bRdE6B (3 videos)

Cheers, all.

T.

--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=95 In C Remixed now released on iTunes and Amazon! ::  Read about it here.=
..
http://bit.ly/3Pm4g3


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
http://toddreynolds.com
http://twitter.com/digifiddler
http://myspace.com/toddreynoldsmusic
http://blog.toddreynolds.com
http://facebook.com/toddreynolds
http://reverbnation.com/toddreynolds

--0016e64e9248faebf1048449d615
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<span class=3D"Apple-style-span" style=3D"font-family: arial, sans-serif; f=
ont-size: 18px; border-collapse: collapse; ">Hope this finds all my looping=
 brethren and sistren well...=A0<div><br></div><div>Violin-looping in Ablet=
on Live in a reactive and beautiful light installation by New Spectrum Foun=
dation, using Ableton Live only. =A0<div>
<br></div><div><a href=3D"http://bit.ly/bRdE6B" target=3D"_blank" style=3D"=
color: rgb(17, 37, 8); ">http://bit.ly/bRdE6B</a>=A0(3 videos)</div><div><b=
r></div><div>Cheers, all.=A0</div><div><br></div><div>T.</div></div></span>=
<br>-- <br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now released on iTune=
s and Amazon! :: =A0Read about it here... <a href=3D"http://bit.ly/3Pm4g3">=
http://bit.ly/3Pm4g3</a><br><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><a href=3D"http://toddreynolds.com">ht=
tp://toddreynolds.com</a><br>
<a href=3D"http://twitter.com/digifiddler">http://twitter.com/digifiddler</=
a><br><a href=3D"http://myspace.com/toddreynoldsmusic">http://myspace.com/t=
oddreynoldsmusic</a><br><a href=3D"http://blog.toddreynolds.com">http://blo=
g.toddreynolds.com</a><br>
<a href=3D"http://facebook.com/toddreynolds">http://facebook.com/toddreynol=
ds</a><br><a href=3D"http://reverbnation.com/toddreynolds">http://reverbnat=
ion.com/toddreynolds</a><br><br>

--0016e64e9248faebf1048449d615--

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CDM's Peter Kirn on the new MacBook Pro Line. A good summing-it-up
article: http://bit.ly/bAa1Ms

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: Roland Guitar Synth repair
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Any of you know of any good Roland Guitar Synth repair folks -  
hopefully in North America?  My beloved and ancient GR300 no longer  
recognizes the resonance information from the guitar - which is what  
transforms it from a normal synth sound into a maniacal banshee.  Have  
two Roland guitar controllers - 303 & 808 and no resonance from  
either, so I assume it's in the GR300.  Tested the cable and it seems  
to be carrying signal from all pins!

I suspect it's that klugey transparent ribbon cable inside the GR300.   
They used them in the TR808 too, I believe.

I know this is NOT looper specific, but it IS the guitar I used on my  
early 80s looping recordings etc and was looking to get back into that  
- hopefully for Rick's big loopfest in October!

thanks

Richard

richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com
www.reverbnation.com/richardsalestreefrogorchestra




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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Any =
of you know of any good Roland Guitar Synth repair folks - hopefully in =
North America? &nbsp;My beloved and ancient GR300 no longer recognizes =
the resonance information from the guitar - which is what transforms it =
from a normal synth sound into a maniacal banshee. &nbsp;Have two Roland =
guitar controllers - 303 &amp; 808 and no resonance from either, so I =
assume it's in the GR300. &nbsp;Tested the cable and it seems to be =
carrying signal from all pins!<div><br></div><div>I suspect it's that =
klugey transparent ribbon cable inside the GR300. &nbsp;They used them =
in the TR808 too, I believe.</div><div><br><div>I know this is NOT =
looper specific, but it IS the guitar I used on my early 80s looping =
recordings etc and was looking to get back into that - hopefully for =
Rick's big loopfest in =
October!</div><div><br></div><div>thanks</div><div><br></div><div>Richard<=
/div><div><br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.reverbnation.com/richardsalestreefrogorchestra">www.rev=
erbnation.com/richardsalestreefrogorchestra</a></font></div><div><br></div=
></div></span><br =
class=3D"Apple-interchange-newline"></div></span></div></span></div></span=
></div></span></div></span></div></span></span></div><br></div></div></bod=
y></html>=

--Apple-Mail-7-987402299--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 18:24:57 2010
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	 <9350C2F8-94B6-43BD-A84A-A614DBAA3CC7@glasswing.com>
Date: Thu, 15 Apr 2010 11:24:40 -0700
Message-ID: <g2s1318f21d1004151124v1f55f59pa57a3448bb3d4c71@mail.gmail.com>
Subject: Re: Roland Guitar Synth repair
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64135b2ac27b904844a9b9d
Content-Type: text/plain; charset=ISO-8859-1

Wayne Joness at gr300.com is an expert, but I'm not sure how available he is
for repairs. But hit him up...

On Thu, Apr 15, 2010 at 10:26 AM, richard sales <richard@glasswing.com>wrote:

> Any of you know of any good Roland Guitar Synth repair folks - hopefully in
> North America?  My beloved and ancient GR300 no longer recognizes the
> resonance information from the guitar - which is what transforms it from a
> normal synth sound into a maniacal banshee.  Have two Roland guitar
> controllers - 303 & 808 and no resonance from either, so I assume it's in
> the GR300.  Tested the cable and it seems to be carrying signal from all
> pins!
>
> I suspect it's that klugey transparent ribbon cable inside the GR300.  They
> used them in the TR808 too, I believe.
>
> I know this is NOT looper specific, but it IS the guitar I used on my early
> 80s looping recordings etc and was looking to get back into that - hopefully
> for Rick's big loopfest in October!
>
> thanks
>
> Richard
>
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
> www.goodnaturefarms.com
> www.reverbnation.com/richardsalestreefrogorchestra
>
>
>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--0016e64135b2ac27b904844a9b9d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Wayne Joness at <a href=3D"http://gr300.com">gr300.com</a> is an expert, bu=
t I&#39;m not sure how available he is for repairs. But hit him up...<br><b=
r><div class=3D"gmail_quote">On Thu, Apr 15, 2010 at 10:26 AM, richard sale=
s <span dir=3D"ltr">&lt;<a href=3D"mailto:richard@glasswing.com">richard@gl=
asswing.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div style=3D"word-wrap:break-word">Any of =
you know of any good Roland Guitar Synth repair folks - hopefully in North =
America? =A0My beloved and ancient GR300 no longer recognizes the resonance=
 information from the guitar - which is what transforms it from a normal sy=
nth sound into a maniacal banshee. =A0Have two Roland guitar controllers - =
303 &amp; 808 and no resonance from either, so I assume it&#39;s in the GR3=
00. =A0Tested the cable and it seems to be carrying signal from all pins!<d=
iv>
<br></div><div>I suspect it&#39;s that klugey transparent ribbon cable insi=
de the GR300. =A0They used them in the TR808 too, I believe.</div><div><br>=
<div>I know this is NOT looper specific, but it IS the guitar I used on my =
early 80s looping recordings etc and was looking to get back into that - ho=
pefully for Rick&#39;s big loopfest in October!</div>
<div><br></div><div>thanks</div><div><br></div><div>Richard</div><div><br><=
font color=3D"#888888"><div>
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-align:auto;text-indent:0=
px;text-transform:none;white-space:normal;word-spacing:0px"><span style=3D"=
border-collapse:separate;color:rgb(0, 0, 0);font-family:Helvetica;font-size=
:medium;font-style:normal;font-variant:normal;font-weight:normal;letter-spa=
cing:normal;line-height:normal;text-indent:0px;text-transform:none;white-sp=
ace:normal;word-spacing:0px"><div style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:medium;font-style:normal;font-variant:normal;font-weight:no=
rmal;letter-spacing:normal;line-height:normal;text-indent:0px;text-transfor=
m:none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-w=
ord">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:18px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:18px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<span style=3D"border-collapse:separate;color:rgb(0, 0, 0);font-family:Helv=
etica;font-size:12px;font-style:normal;font-variant:normal;font-weight:norm=
al;letter-spacing:normal;line-height:normal;text-indent:0px;text-transform:=
none;white-space:normal;word-spacing:0px"><div style=3D"word-wrap:break-wor=
d">
<div><font face=3D"Arial">richard sales</font></div><div><font color=3D"#90=
8E38"><a href=3D"http://www.glasswing.com" target=3D"_blank">www.glasswing.=
com</a></font></div><div><font color=3D"#908E38"><a href=3D"http://www.rich=
ardsales.com" target=3D"_blank">www.richardsales.com</a></font></div>
<div><font color=3D"#908E38"><a href=3D"http://www.hayleysales.com" target=
=3D"_blank">www.hayleysales.com</a></font></div><div><font color=3D"#908E38=
"><a href=3D"http://www.goodnaturefarms.com" target=3D"_blank">www.goodnatu=
refarms.com</a></font></div>
<div><font color=3D"#908E38"><a href=3D"http://www.reverbnation.com/richard=
salestreefrogorchestra" target=3D"_blank">www.reverbnation.com/richardsales=
treefrogorchestra</a></font></div><div><br></div></div></span><br></div></s=
pan></div>
</span></div></span></div></span></div></span></div></span></span></div><br=
></font></div></div></div></blockquote></div><br><br clear=3D"all"><br>-- <=
br>-George<br><br><a href=3D"http://www.myspace.com/georgeludwigmusic">http=
://www.myspace.com/georgeludwigmusic</a><br>


--0016e64135b2ac27b904844a9b9d--

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Date: Thu, 15 Apr 2010 12:06:30 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
To: Loopers-Delight@loopers-delight.com
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Catherins,

did you get my word file for the flyer?

Antony




----- Original Message ----
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, April 15, 2010 5:53:06 PM
Subject: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)

I got 2 tickets to this concert, if anybody on this list is interested
in buying, its such a shame that me and my wife cant attend.
I have these as PDF, so I can e-mail these to buyer. Sorry for this
spam, but this group has been discussed on this list, so I think there
might be people interested!

Bozzio / Holdsworth / Levin / Mastelotto
23.4.2010 19:30
Lucerna Music Bar
Prague

contact me by sending e-mail to aikatilaus(at)gmail.com

I'm asking 30 euros for two tickets!

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-


      

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Date: Thu, 15 Apr 2010 12:08:32 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
To: Loopers-Delight@loopers-delight.com
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oops, that was not for the list!

Antony




----- Original Message ----
From: "antonyhequet@yahoo.com" <antonyhequet@yahoo.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, April 15, 2010 9:06:30 PM
Subject: Re: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)

Catherins,

did you get my word file for the flyer?

Antony




----- Original Message ----
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
Sent: Thu, April 15, 2010 5:53:06 PM
Subject: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)

I got 2 tickets to this concert, if anybody on this list is interested
in buying, its such a shame that me and my wife cant attend.
I have these as PDF, so I can e-mail these to buyer. Sorry for this
spam, but this group has been discussed on this list, so I think there
might be people interested!

Bozzio / Holdsworth / Levin / Mastelotto
23.4.2010 19:30
Lucerna Music Bar
Prague

contact me by sending e-mail to aikatilaus(at)gmail.com

I'm asking 30 euros for two tickets!

-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-


      

From Sales@access-ct.com  Thu Apr 15 19:31:59 2010
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Date: Thu, 15 Apr 2010 12:50:43 -0400
Subject:  CONTACT POST OFFICE BENIN REPUBLIC
From: "Barr.Peter Ezeh" <Sales@access-ct.com>
Reply-To: postagencybenin@hosanna.net
To: 
CC: 
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=0D=0A=0D=0A =0D=0ADear Friend,=0D=0A =0D=0AThis is Barr.Peter Ezeh, I have=
 registered your Bank Draft to POST OFFICE BENIN so that they will Post it =
to your home address and i believe your current address is still the same. =
Your total amount in the envelope is USD$500.000.00 and the POST OFFICE ass=
ured me no stoppage until it get to your hand. I want you to contact them a=
nd re-confirm your address where to Post it.=0D=0A =0D=0AContact Mr. Abou K=
odjo=0D=0A03 BP 1000,COTONOU BENIN REPUBLIC.=0D=0AE-mail:postagencybenin@ho=
sanna.net  =0D=0A =0D=0AMr.Abou Kodjo, informed me that it will take good 7=
 days to get to your house and your Envelope acumulate cost of USD$125.99. =
as postal charges. Your Current address and Telephone number have to be rec=
onfirmed when contacting the post office. Call me at +229- 9673-8615 as soo=
n as you receive your Envelope.=0D=0A =0D=0AThank You.=0D=0ABarr.Peter Ezeh=
=0D=0A

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<br><br>&nbsp;<br>Dear Friend,<br>&nbsp;<br>This is Barr.Peter Ezeh, I have=
 registered your Bank Draft to POST OFFICE BENIN so that they will Post it =
to your home address and i believe your current address is still the same. =
Your total amount in the envelope is USD$500.000.00 and the POST OFFICE ass=
ured me no stoppage until it get to your hand. I want you to contact them a=
nd re-confirm your address where to Post it.<br>&nbsp;<br>Contact Mr. Abou =
Kodjo<br>03 BP 1000,COTONOU BENIN REPUBLIC.<br>E-mail:postagencybenin@hosan=
na.net&nbsp; <br>&nbsp;<br>Mr.Abou Kodjo, informed me that it will take goo=
d 7 days to get to your house and your Envelope acumulate cost of USD$125.9=
9. as postal charges. Your Current address and Telephone number have to be =
reconfirmed when contacting the post office. Call me at +229- 9673-8615 as =
soon as you receive your Envelope.<br>&nbsp;<br>Thank You.<br>Barr.Peter Ez=
eh<br>

------_SmarterMail_NextPart_5484322315558502--


From Sales@access-ct.com  Thu Apr 15 19:32:00 2010
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Date: Thu, 15 Apr 2010 12:50:43 -0400
Subject:  CONTACT POST OFFICE BENIN REPUBLIC
From: "Barr.Peter Ezeh" <Sales@access-ct.com>
Reply-To: postagencybenin@hosanna.net
To: 
CC: 
Message-ID: <b253943a061242e781567d5a4c76b0be@mail.access-ct.com>

This is a multi-part message in MIME format.

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=0D=0A=0D=0A =0D=0ADear Friend,=0D=0A =0D=0AThis is Barr.Peter Ezeh, I have=
 registered your Bank Draft to POST OFFICE BENIN so that they will Post it =
to your home address and i believe your current address is still the same. =
Your total amount in the envelope is USD$500.000.00 and the POST OFFICE ass=
ured me no stoppage until it get to your hand. I want you to contact them a=
nd re-confirm your address where to Post it.=0D=0A =0D=0AContact Mr. Abou K=
odjo=0D=0A03 BP 1000,COTONOU BENIN REPUBLIC.=0D=0AE-mail:postagencybenin@ho=
sanna.net  =0D=0A =0D=0AMr.Abou Kodjo, informed me that it will take good 7=
 days to get to your house and your Envelope acumulate cost of USD$125.99. =
as postal charges. Your Current address and Telephone number have to be rec=
onfirmed when contacting the post office. Call me at +229- 9673-8615 as soo=
n as you receive your Envelope.=0D=0A =0D=0AThank You.=0D=0ABarr.Peter Ezeh=
=0D=0A

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<br><br>&nbsp;<br>Dear Friend,<br>&nbsp;<br>This is Barr.Peter Ezeh, I have=
 registered your Bank Draft to POST OFFICE BENIN so that they will Post it =
to your home address and i believe your current address is still the same. =
Your total amount in the envelope is USD$500.000.00 and the POST OFFICE ass=
ured me no stoppage until it get to your hand. I want you to contact them a=
nd re-confirm your address where to Post it.<br>&nbsp;<br>Contact Mr. Abou =
Kodjo<br>03 BP 1000,COTONOU BENIN REPUBLIC.<br>E-mail:postagencybenin@hosan=
na.net&nbsp; <br>&nbsp;<br>Mr.Abou Kodjo, informed me that it will take goo=
d 7 days to get to your house and your Envelope acumulate cost of USD$125.9=
9. as postal charges. Your Current address and Telephone number have to be =
reconfirmed when contacting the post office. Call me at +229- 9673-8615 as =
soon as you receive your Envelope.<br>&nbsp;<br>Thank You.<br>Barr.Peter Ez=
eh<br>

------_SmarterMail_NextPart_5484322315558502--


From Loopers-Delight-request@loopers-delight.com  Thu Apr 15 19:42:44 2010
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thanks George, I did email Wayne but no reply yet!

R
richard sales
www.glasswing.com
www.richardsales.com
www.hayleysales.com
www.goodnaturefarms.com
www.reverbnation.com/richardsalestreefrogorchestra










On Apr 15, 2010, at 11:24 AM, George Ludwig wrote:

> Wayne Joness at gr300.com is an expert, but I'm not sure how available =
he is for repairs. But hit him up...
>=20
> On Thu, Apr 15, 2010 at 10:26 AM, richard sales =
<richard@glasswing.com> wrote:
> Any of you know of any good Roland Guitar Synth repair folks - =
hopefully in North America?  My beloved and ancient GR300 no longer =
recognizes the resonance information from the guitar - which is what =
transforms it from a normal synth sound into a maniacal banshee.  Have =
two Roland guitar controllers - 303 & 808 and no resonance from either, =
so I assume it's in the GR300.  Tested the cable and it seems to be =
carrying signal from all pins!
>=20
> I suspect it's that klugey transparent ribbon cable inside the GR300.  =
They used them in the TR808 too, I believe.
>=20
> I know this is NOT looper specific, but it IS the guitar I used on my =
early 80s looping recordings etc and was looking to get back into that - =
hopefully for Rick's big loopfest in October!
>=20
> thanks
>=20
> Richard
>=20
> richard sales
> www.glasswing.com
> www.richardsales.com
> www.hayleysales.com
> www.goodnaturefarms.com
> www.reverbnation.com/richardsalestreefrogorchestra
>=20
>=20
>=20
>=20
>=20
>=20
> --=20
> -George
>=20
> http://www.myspace.com/georgeludwigmusic


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">thanks George, I did email Wayne but no reply =
yet!<div><br></div><div>R<br><div>
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; =
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-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: medium; font-style: normal; font-variant: normal; =
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auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
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-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 18px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
after-white-space; "><div><font class=3D"Apple-style-span" =
face=3D"Arial">richard sales</font></div><div><font =
class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.glasswing.com">www.glasswing.com</a></font></div><div><=
font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.richardsales.com">www.richardsales.com</a></font></div>=
<div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.hayleysales.com">www.hayleysales.com</a></font></div><d=
iv><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.goodnaturefarms.com">www.goodnaturefarms.com</a></font>=
</div><div><font class=3D"Apple-style-span" color=3D"#908E38"><a =
href=3D"http://www.reverbnation.com/richardsalestreefrogorchestra">www.rev=
erbnation.com/richardsalestreefrogorchestra</a></font></div><div><br></div=
></div></span><br class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline">
</div>
<br><div><div>On Apr 15, 2010, at 11:24 AM, George Ludwig =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Wayne Joness at <a href=3D"http://gr300.com/">gr300.com</a> =
is an expert, but I'm not sure how available he is for repairs. But hit =
him up...<br><br><div class=3D"gmail_quote">On Thu, Apr 15, 2010 at =
10:26 AM, richard sales <span dir=3D"ltr">&lt;<a =
href=3D"mailto:richard@glasswing.com">richard@glasswing.com</a>&gt;</span>=
 wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 =
.8ex;border-left:1px #ccc solid;padding-left:1ex;"><div =
style=3D"word-wrap:break-word">Any of you know of any good Roland Guitar =
Synth repair folks - hopefully in North America? &nbsp;My beloved and =
ancient GR300 no longer recognizes the resonance information from the =
guitar - which is what transforms it from a normal synth sound into a =
maniacal banshee. &nbsp;Have two Roland guitar controllers - 303 &amp; =
808 and no resonance from either, so I assume it's in the GR300. =
&nbsp;Tested the cable and it seems to be carrying signal from all =
pins!<div>
<br></div><div>I suspect it's that klugey transparent ribbon cable =
inside the GR300. &nbsp;They used them in the TR808 too, I =
believe.</div><div><br><div>I know this is NOT looper specific, but it =
IS the guitar I used on my early 80s looping recordings etc and was =
looking to get back into that - hopefully for Rick's big loopfest in =
October!</div>
=
<div><br></div><div>thanks</div><div><br></div><div>Richard</div><div><br>=
<font color=3D"#888888"><div>
<span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:medium;font-style:normal;font-variant:n=
ormal;font-weight:normal;letter-spacing:normal;line-height:normal;text-ali=
gn:auto;text-indent:0px;text-transform:none;white-space:normal;word-spacin=
g:0px"><span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:medium;font-style:normal;font-variant:n=
ormal;font-weight:normal;letter-spacing:normal;line-height:normal;text-ind=
ent:0px;text-transform:none;white-space:normal;word-spacing:0px"><div =
style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:medium;font-style:normal;font-variant:n=
ormal;font-weight:normal;letter-spacing:normal;line-height:normal;text-ind=
ent:0px;text-transform:none;white-space:normal;word-spacing:0px"><div =
style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:medium;font-style:normal;font-variant:n=
ormal;font-weight:normal;letter-spacing:normal;line-height:normal;text-ind=
ent:0px;text-transform:none;white-space:normal;word-spacing:0px"><div =
style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:18px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div =
style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:18px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div =
style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div =
style=3D"word-wrap:break-word">
<span style=3D"border-collapse:separate;color:rgb(0, 0, =
0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant:nor=
mal;font-weight:normal;letter-spacing:normal;line-height:normal;text-inden=
t:0px;text-transform:none;white-space:normal;word-spacing:0px"><div =
style=3D"word-wrap:break-word">
<div><font face=3D"Arial">richard sales</font></div><div><font =
color=3D"#908E38"><a href=3D"http://www.glasswing.com/" =
target=3D"_blank">www.glasswing.com</a></font></div><div><font =
color=3D"#908E38"><a href=3D"http://www.richardsales.com/" =
target=3D"_blank">www.richardsales.com</a></font></div>
<div><font color=3D"#908E38"><a href=3D"http://www.hayleysales.com/" =
target=3D"_blank">www.hayleysales.com</a></font></div><div><font =
color=3D"#908E38"><a href=3D"http://www.goodnaturefarms.com/" =
target=3D"_blank">www.goodnaturefarms.com</a></font></div>
<div><font color=3D"#908E38"><a =
href=3D"http://www.reverbnation.com/richardsalestreefrogorchestra" =
target=3D"_blank">www.reverbnation.com/richardsalestreefrogorchestra</a></=
font></div><div><br></div></div></span><br></div></span></div>
=
</span></div></span></div></span></div></span></div></span></span></div><b=
r></font></div></div></div></blockquote></div><br><br clear=3D"all"><br>--=
 <br>-George<br><br><a =
href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace.com/g=
eorgeludwigmusic</a><br>

</blockquote></div><br></div></body></html>=

--Apple-Mail-1-995585404--

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Date: Thu, 15 Apr 2010 16:23:28 -0400
From: Bill Fox <billyfox@soundscapes.us>
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To: ElectronicMusic Yahoogroups List <ElectronicMusic@yahoogroups.com>,
        beyond_em Yahoogroups List <beyond_em@yahoogroups.com>,
        spacemusic Yahoogroups List <spacemusic@yahoogroups.com>,
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll continue the
month-long Special Focus on Radio Massacre International.  The Featured
CD at Midnight will be disk six from "Lost In Space" on Northern Echo
Records.  For details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#apr

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen on the internet.

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Subject: RE: Violin Looping with pretty lights...
Date: Thu, 15 Apr 2010 15:58:27 -0500
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well done!

cheers
 		 	   		 =20
_________________________________________________________________
The New Busy is not the too busy. Combine all your e-mail accounts with Hot=
mail.
http://www.windowslive.com/campaign/thenewbusy?tile=3Dmultiaccount&ocid=3DP=
ID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_4=

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{
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--></style>
</head>
<body class=3D'hmmessage'>
well done!<br><br>cheers<br> 		 	   		  <br /><hr />The New Busy is not the=
 too busy. Combine all your e-mail accounts with Hotmail. <a href=3D'http:/=
/www.windowslive.com/campaign/thenewbusy?tile=3Dmultiaccount&ocid=3DPID2832=
6::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_4' target=3D'_new'>Get busy.</a></bo=
dy>
</html>=

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Subject: New Chinapainting highlights reel
From: Jim Goodin <jimgoodinmusic@gmail.com>
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In prep for a couple of festival pitches this summer, we put a new *
Chinapainting* video together of short segments from 7 of our shows since
the beginning when we launched from virtual to the physical stage.
http://vimeo.com/10949997.  It's a neat look at our history of this project.

Jim

-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--e0cb4e43ae29f000d204844da041
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In prep for a couple of festival pitches this summer, we put a new <b>China=
painting</b> video together of short segments from 7 of our shows since the=
 beginning when we launched from virtual to the physical stage.=A0 <a href=
=3D"http://vimeo.com/10949997">http://vimeo.com/10949997</a>.=A0 It&#39;s a=
 neat look at our history of this project.<br>
<br>Jim<br clear=3D"all"><br>-- <br>Websites<br><a href=3D"http://www.jimgo=
odinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapai=
ntingmusic.com">www.chinapaintingmusic.com</a><br><br>Downloads/CD&#39;s<br=
><a href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br>
<a href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br=
><a href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.ba=
ndcamp.com</a><br><br>Live Channels<br><a href=3D"http://www.livestream.com=
/jimgoodinlive">www.livestream.com/jimgoodinlive</a><br>
<a href=3D"http://www.livestream.com/digitsignallive">www.livestream.com/di=
gitsignallive</a><br>

--e0cb4e43ae29f000d204844da041--

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Date: Thu, 15 Apr 2010 16:47:37 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Violin Looping with pretty lights...
To: Loopers-Delight@loopers-delight.com
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wow! nice!


Thanks for sharing.

Eric



      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>wow! nice!<br><br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><div><div>Thanks for sharing.<br><br>Eric<br>
</div></div>
</div></div>
</div><br>

      </body></html>
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Subject: =?ISO-8859-1?Q?OT=3A_Tisziji_Mu=F1oz?=
From: Art Simon <simart@gmail.com>
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I'm loving what few things I hear from the guitarist Tisziji Mu=F1oz. It's
really spiritual music, with the best of what I love from Coltrane, Pharoah
Sanders and Sonny Sharrock. I'm a bit bewildered though, because the only
source for his music seems to be through his website www.anamimusic.com and
the one time I tried to buy something it didn't seem to work. Anyone else
out there have some guidance on which recordings to get? Any luck buying
through his website?

For some background, here's a piece Henry Kaiser wrote on Tisziji Mu=F1oz:
http://www.henrykaiser.net/munoz.html

Here's a live performance in Boston with Tisziji Mu=F1oz, John Medeski and =
Bob
Moses:
http://www.youtube.com/watch?v=3DZxSDsmJjIz0&feature=3Drelated

--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016e6d2607aef0587048451f725
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I&#39;m loving what few things I hear from the guitarist Tisziji Mu=F1oz. I=
t&#39;s really spiritual music, with the best of what I love from Coltrane,=
 Pharoah Sanders and Sonny Sharrock. I&#39;m a bit bewildered though, becau=
se the only source for his music seems to be through his website <a href=3D=
"http://www.anamimusic.com">www.anamimusic.com</a> and the one time I tried=
 to buy something it didn&#39;t seem to work. Anyone else out there have so=
me guidance on which recordings to get? Any luck buying through his website=
?<br>
<br>For some background, here&#39;s a piece Henry Kaiser wrote on Tisziji M=
u=F1oz:<br><a href=3D"http://www.henrykaiser.net/munoz.html">http://www.hen=
rykaiser.net/munoz.html</a><br><br>Here&#39;s a live performance in Boston =
with Tisziji Mu=F1oz, John Medeski and Bob Moses:<br>
<a href=3D"http://www.youtube.com/watch?v=3DZxSDsmJjIz0&amp;feature=3Drelat=
ed">http://www.youtube.com/watch?v=3DZxSDsmJjIz0&amp;feature=3Drelated</a><=
br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com=
">simart@gmail.com</a><br>
myspace [dot] com/artsimon<br>

--0016e6d2607aef0587048451f725--

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Subject: =?iso-8859-1?Q?Re:_Tisziji_Mu=F1oz?=
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I found some mentions and a track from a vinyl release here. Over 23 =
minutes long!

http://magicofjuju.blogspot.com/2006/09/rendezvous-with-now.html

I can't find anyplace to buy his stuff outside of his website which you =
said didn't work, He is on Facebook and Myspace, maybe you could get a =
hold of him there.

best,

Jeff
  ----- Original Message -----=20
  From: Art Simon=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, April 15, 2010 11:11 PM
  Subject: OT: Tisziji Mu=F1oz


  I'm loving what few things I hear from the guitarist Tisziji Mu=F1oz. =
It's really spiritual music, with the best of what I love from Coltrane, =
Pharoah Sanders and Sonny Sharrock. I'm a bit bewildered though, because =
the only source for his music seems to be through his website =
www.anamimusic.com and the one time I tried to buy something it didn't =
seem to work. Anyone else out there have some guidance on which =
recordings to get? Any luck buying through his website?

  For some background, here's a piece Henry Kaiser wrote on Tisziji =
Mu=F1oz:
  http://www.henrykaiser.net/munoz.html

  Here's a live performance in Boston with Tisziji Mu=F1oz, John Medeski =
and Bob Moses:
  http://www.youtube.com/watch?v=3DZxSDsmJjIz0&feature=3Drelated

  --=20
  Art Simon
  simart@gmail.com
  myspace [dot] com/artsimon



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT face=3DArial size=3D2>I found some mentions and a track from =
a vinyl=20
release here. Over 23 minutes long!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://magicofjuju.blogspot.com/2006/09/rendezvous-with-now.html"=
>http://magicofjuju.blogspot.com/2006/09/rendezvous-with-now.html</A></FO=
NT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I&nbsp;can't find anyplace to buy his =
stuff outside=20
of his website which you said didn't work, He is on Facebook and =
Myspace, maybe=20
you could get a hold of him there.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>best,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsimart@gmail.com href=3D"mailto:simart@gmail.com">Art =
Simon</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, April 15, 2010 =
11:11=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> OT: Tisziji =
Mu=F1oz</DIV>
  <DIV><BR></DIV>I'm loving what few things I hear from the guitarist =
Tisziji=20
  Mu=F1oz. It's really spiritual music, with the best of what I love =
from=20
  Coltrane, Pharoah Sanders and Sonny Sharrock. I'm a bit bewildered =
though,=20
  because the only source for his music seems to be through his website =
<A=20
  href=3D"http://www.anamimusic.com">www.anamimusic.com</A> and the one =
time I=20
  tried to buy something it didn't seem to work. Anyone else out there =
have some=20
  guidance on which recordings to get? Any luck buying through his=20
  website?<BR><BR>For some background, here's a piece Henry Kaiser wrote =
on=20
  Tisziji Mu=F1oz:<BR><A=20
  =
href=3D"http://www.henrykaiser.net/munoz.html">http://www.henrykaiser.net=
/munoz.html</A><BR><BR>Here's=20
  a live performance in Boston with Tisziji Mu=F1oz, John Medeski and =
Bob=20
  Moses:<BR><A=20
  =
href=3D"http://www.youtube.com/watch?v=3DZxSDsmJjIz0&amp;feature=3Drelate=
d">http://www.youtube.com/watch?v=3DZxSDsmJjIz0&amp;feature=3Drelated</A>=
<BR=20
  clear=3Dall><BR>-- <BR>Art Simon<BR><A=20
  href=3D"mailto:simart@gmail.com">simart@gmail.com</A><BR>myspace [dot] =

  com/artsimon<BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2813 - =
Release=20
  Date: 04/15/10 18:31:00<BR></BLOCKQUOTE></BODY></HTML>

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Date: Thu, 15 Apr 2010 20:58:32 -0700
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Subject: =?ISO-8859-1?Q?Re=3A_Tisziji_Mu=F1oz?=
From: Art Simon <simart@gmail.com>
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Thanks Jeff,

That is one amazing track! That's why I want to get more of his music.

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--001485e7c9fcfa50f40484529ffc
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Thanks Jeff,<br><br>That is one amazing track! That&#39;s why I want to get more of his music.<br><br>-- <br>Art Simon<br><a href="mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimon<br>

--001485e7c9fcfa50f40484529ffc--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 04:37:46 2010
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I will be out of the office starting  04/15/2010 and will not return until
04/19/2010.

For telecom issues, Genesys, Video or Audio Conferencing contact Greg
Bouffard @ 323 932 3793.

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	 <745802.87323.qm@web65609.mail.ac4.yahoo.com>
	 <428663.52189.qm@web65613.mail.ac4.yahoo.com>
Date: Fri, 16 Apr 2010 07:46:44 +0300
Message-ID: <u2wc70841111004152146u951323b0n6d858c0be27aaefc@mail.gmail.com>
Subject: Re: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
From: Petri Lahtinen <aikuinen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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sad, I thought someones interested in buying those HoBoLeMa-tickets!
:-)

2010/4/15  <antonyhequet@yahoo.com>:
> oops, that was not for the list!
>
> Antony
>
>
>
>
> ----- Original Message ----
> From: "antonyhequet@yahoo.com" <antonyhequet@yahoo.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, April 15, 2010 9:06:30 PM
> Subject: Re: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
>
> Catherins,
>
> did you get my word file for the flyer?
>
> Antony
>
>
>
>
> ----- Original Message ----
> From: Petri Lahtinen <aikuinen@gmail.com>
> To: Loopers-Delight@loopers-delight.com
> Sent: Thu, April 15, 2010 5:53:06 PM
> Subject: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
>
> I got 2 tickets to this concert, if anybody on this list is interested
> in buying, its such a shame that me and my wife cant attend.
> I have these as PDF, so I can e-mail these to buyer. Sorry for this
> spam, but this group has been discussed on this list, so I think there
> might be people interested!
>
> Bozzio / Holdsworth / Levin / Mastelotto
> 23.4.2010 19:30
> Lucerna Music Bar
> Prague
>
> contact me by sending e-mail to aikatilaus(at)gmail.com
>
> I'm asking 30 euros for two tickets!
>
> --
> Petri Lahtinen
> http://www.petrilahtinen.com
> http://petrilahtinen.blogspot.com/
> http://www.myspace.com/petrilahtinen
> http://twitter.com/PetriLahtinen
> http://petrilahtinen.bandcamp.com/
> ---------------------------------------------------
> "Only become professional musician if there is no choice." -Robert Fripp-
> ---------------------------------------------------
> "Some people never go crazy. What truly horrible lives they must
> lead." -Charles Bukowski-
>
>
>
>
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

From ngohatl.edu@vnn.vn  Fri Apr 16 05:20:44 2010
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From: "Winner's Choice Foundation Lottery"<ngohatl.edu@vnn.vn>
Subject: Re:PLEASE DO RESPOND IMMEDIATELY 
Date: Fri, 16 Apr 2010 13:13:42 +0800
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Winner's Choice Foundation Lottery:

>From Winner's Choice Foundation Lottery in Association with Life World LLC ! We are happy to announce to you
that you have won award of $1,750,000 at the China Payment Center.

Ticket Number: 51-09-95-09-83-5
Serial Number: 90-Q72
Batch Number: CN/ZTG/040/203D
Reference Number: GF.BDX.039.XTC
DRAW DATE: APRIL 10 2010

Your email address name attached to a ticket number: 51-09-95-09-83-5 with the serial
number: 90-Q72 drew the lucky number: 51-09-95-09-83-5 which consequently won the draw in the
1st category. Your email address was among the (10) email addresses chosen to receive grand
prize of US$1,750,000.00 each in this section. Therefore you must contact your Claim Agent.
 
Mrs : Grace Wu Fengpeng
Email:gracefengpeng.wu@hotmail.com
Winner's Choice Foundation Lottery
Address: Guangdong International Center


She will need to confirm everything we have on file to ensure that there will be no set backs
upon the release of these funds to you. I want you to know that verification and confirmation
of all of your payment documents have been sent to our affiliate company, The International
Lottery Board of Commissions from our processing office. Also, be rest assured that your
winning will be sent to you as {ATM Card or Bank Transfer} which can be used in any Atm machine
worldwide.

This will be issued from our paying bank. Your won prize cannot be deducted, simply because this is a
promotional award, until prize is released to you due to strict insurance policy. After
you have received your money, we expect you to use some of the money to spread Internet
knowledge within your locality and remember to support our next promotion. We have five clearance
offices zoned continentally AUSTRALIA,CHINA,USA,LONDON & ALGERIA.

Clearance zones are picked randomly by computer, each winning number falls within any of the clearance zones
picked, it is the duty of the approved zonal clearance officer to handle all clearance
processes to make sure bank releases won prize in time.

Your prize number falls within Asia region clearance office in Beijing, China . Your clearance agent will facilitate payment process
immediately you contact her. Contact with your information below:

Full Name:
Marital Status:
Age:
Occupation:
Home Phone:
Mobile Phone:
City/Country:
Nationality:
Ref No:
Batch No:

From ngohatl.edu@vnn.vn  Fri Apr 16 05:20:45 2010
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From: "Winner's Choice Foundation Lottery"<ngohatl.edu@vnn.vn>
Subject: Re:PLEASE DO RESPOND IMMEDIATELY 
Date: Fri, 16 Apr 2010 13:13:42 +0800
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To: undisclosed-recipients:;

Winner's Choice Foundation Lottery:

>From Winner's Choice Foundation Lottery in Association with Life World LLC ! We are happy to announce to you
that you have won award of $1,750,000 at the China Payment Center.

Ticket Number: 51-09-95-09-83-5
Serial Number: 90-Q72
Batch Number: CN/ZTG/040/203D
Reference Number: GF.BDX.039.XTC
DRAW DATE: APRIL 10 2010

Your email address name attached to a ticket number: 51-09-95-09-83-5 with the serial
number: 90-Q72 drew the lucky number: 51-09-95-09-83-5 which consequently won the draw in the
1st category. Your email address was among the (10) email addresses chosen to receive grand
prize of US$1,750,000.00 each in this section. Therefore you must contact your Claim Agent.
 
Mrs : Grace Wu Fengpeng
Email:gracefengpeng.wu@hotmail.com
Winner's Choice Foundation Lottery
Address: Guangdong International Center


She will need to confirm everything we have on file to ensure that there will be no set backs
upon the release of these funds to you. I want you to know that verification and confirmation
of all of your payment documents have been sent to our affiliate company, The International
Lottery Board of Commissions from our processing office. Also, be rest assured that your
winning will be sent to you as {ATM Card or Bank Transfer} which can be used in any Atm machine
worldwide.

This will be issued from our paying bank. Your won prize cannot be deducted, simply because this is a
promotional award, until prize is released to you due to strict insurance policy. After
you have received your money, we expect you to use some of the money to spread Internet
knowledge within your locality and remember to support our next promotion. We have five clearance
offices zoned continentally AUSTRALIA,CHINA,USA,LONDON & ALGERIA.

Clearance zones are picked randomly by computer, each winning number falls within any of the clearance zones
picked, it is the duty of the approved zonal clearance officer to handle all clearance
processes to make sure bank releases won prize in time.

Your prize number falls within Asia region clearance office in Beijing, China . Your clearance agent will facilitate payment process
immediately you contact her. Contact with your information below:

Full Name:
Marital Status:
Age:
Occupation:
Home Phone:
Mobile Phone:
City/Country:
Nationality:
Ref No:
Batch No:

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 05:49:23 2010
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Subject: Re: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
Date: Thu, 15 Apr 2010 23:49:03 -0500
References: <s2xc70841111004150853if8129c9fw60503dfd54eae83c@mail.gmail.com>
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On Apr 15, 2010, at 11:46 PM, Petri Lahtinen wrote:

> sad, I thought someones interested in buying those HoBoLeMa-tickets!
> :-)

There are a bunch of rabid Holdsworth fans on the Dimeadozen yahoo  
group. I could even post in one of the Holdsworth torrents being  
seeded, if you want me to. I'd be shocked if someone didn't snatch  
them up.

let me know.

Jeff

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 08:23:49 2010
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amazing, thanks for the link ... never heard of him ... quite impressive
 
-Michael
 

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<DIV dir=3Dltr align=3Dleft><SPAN class=3D031471108-16042010><FONT =
size=3D2=20
face=3DArial>amazing, thanks for the link ... never heard of him ... =
quite=20
impressive</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D031471108-16042010><FONT =
size=3D2=20
face=3DArial></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D031471108-16042010><FONT =
size=3D2=20
face=3DArial>-Michael</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
class=3D031471108-16042010></SPAN>&nbsp;</DIV></BODY></HTML>

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Date: Fri, 16 Apr 2010 02:24:44 -0700 (PDT)
From: Mr Jerry Howard <drlarson49@yahoo.com>
Reply-To: mrjerryhoward12@gmail.com
Subject: INCORPORATED WITH TRUST
To: undisclosed recipients: ;
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Ref : BAY/NARI-ACCT/7878256589/04
=A0
My Name is Mr.Jerry Howard .I am the auditor and head of computing departme=
nt of Royal Bank of Scotland Liverpool Branch here in United Kingdom.
=A0
There is an account opened in this bank in 2003 and since my inception into=
 office on 4th Jan 2010 ,I then found this account and when I investigated =
deeply by contacting the assigned next of kin I also found that the next of=
 kin to this account was an American who lived in London for over 63Yrs and=
 nobody has operated on this account again after 2004.
=A0
I took the courage to look for a reliable and honest person who will be cap=
able for this important transaction.=A0 In order to transfer out $100,000,0=
00 (One Hundred Million U.S Dollars) After going through some old files, I =
discovered that if I do not Remit this money out urgently,it will be forfei=
ted for nothing and the Royal Bank of Scotland management might divert the =
funds to their own accounts.
=A0
Please respond immediately I will use my position and influence to effect t=
he legal approval and onward transfer of this fund into your account with a=
ppropriate clearance from foreign payment department. You will stand to get=
 40% while 60% will be for me.Kindly quote the reference (acct) numbers abo=
ve when responding to this mail.
=A0
I will fill you in with further details upon your reply. Please reply back =
through my personal E-mail: myjerryhoward@gmail.com
=A0
Sincerely yours,
=A0
Mr.Jerry Howard.



=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><span style=3D"font-weight: bold;">Ref : BAY/=
NARI-ACCT/7878256589/04</span><br style=3D"font-weight: bold;"><span style=
=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span=
 style=3D"font-weight: bold;">My Name is Mr.Jerry Howard .I am the auditor =
and head of computing department of Royal Bank of Scotland Liverpool Branch=
 here in United Kingdom.</span><br style=3D"font-weight: bold;"><span style=
=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span=
 style=3D"font-weight: bold;">There is an account opened in this bank in 20=
03 and since my inception into office on 4th Jan 2010 ,I then found this ac=
count and when I investigated deeply by contacting the assigned next of kin=
 I also found that the next of kin to this account was an American who live=
d in London for over 63Yrs and nobody has operated on this account again af=
ter 2004.</span><br
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</sp=
an><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">I to=
ok the courage to look for a reliable and honest person who will be capable=
 for this important transaction.&nbsp; In order to transfer out $100,000,00=
0 (One Hundred Million U.S Dollars) After going through some old files, I d=
iscovered that if I do not Remit this money out urgently,it will be forfeit=
ed for nothing and the Royal Bank of Scotland management might divert the f=
unds to their own accounts.</span><br style=3D"font-weight: bold;"><span st=
yle=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><s=
pan style=3D"font-weight: bold;">Please respond immediately I will use my p=
osition and influence to effect the legal approval and onward transfer of t=
his fund into your account with appropriate clearance from foreign payment =
department. You will stand to get 40% while 60% will be for me.Kindly quote=
 the
 reference (acct) numbers above when responding to this mail.</span><br sty=
le=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><=
br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">I will f=
ill you in with further details upon your reply. Please reply back through =
my personal E-mail: myjerryhoward@gmail.com</span><br style=3D"font-weight:=
 bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br style=3D"font-w=
eight: bold;"><span style=3D"font-weight: bold;">Sincerely yours,</span><br=
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</sp=
an><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Mr.J=
erry Howard.</span><br style=3D"font-weight: bold;"><br style=3D"font-weigh=
t: bold;"><br style=3D"font-weight: bold;"><br style=3D"font-weight: bold;"=
></td></tr></table><br>=0A=0A      
--0-1968711840-1271409884=:33307--

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References: <s2xc70841111004150853if8129c9fw60503dfd54eae83c@mail.gmail.com>
	 <745802.87323.qm@web65609.mail.ac4.yahoo.com>
	 <428663.52189.qm@web65613.mail.ac4.yahoo.com>
	 <u2wc70841111004152146u951323b0n6d858c0be27aaefc@mail.gmail.com>
	 <AD1D26F7-C5AD-4A0F-BACF-44C0FEE30A6E@verizon.net>
Date: Fri, 16 Apr 2010 12:49:27 +0300
Message-ID: <j2rc70841111004160249q585bee19xc0dae4aa16a9115d@mail.gmail.com>
Subject: Re: OT: Two tickets for HoBoLeMa concert in Prague 23.4.2010 (Spam)
From: Petri Lahtinen <aikuinen@gmail.com>
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Would you be so kind???

Thanks in advance...!

2010/4/16 Jeff Shirkey <jcshirke@verizon.net>:
>
> On Apr 15, 2010, at 11:46 PM, Petri Lahtinen wrote:
>
>> sad, I thought someones interested in buying those HoBoLeMa-tickets!
>> :-)
>
> There are a bunch of rabid Holdsworth fans on the Dimeadozen yahoo group. I
> could even post in one of the Holdsworth torrents being seeded, if you want
> me to. I'd be shocked if someone didn't snatch them up.
>
> let me know.
>
> Jeff
>
>



-- 
Petri Lahtinen
http://www.petrilahtinen.com
http://petrilahtinen.blogspot.com/
http://www.myspace.com/petrilahtinen
http://twitter.com/PetriLahtinen
http://petrilahtinen.bandcamp.com/
---------------------------------------------------
"Only become professional musician if there is no choice." -Robert Fripp-
---------------------------------------------------
"Some people never go crazy. What truly horrible lives they must
lead." -Charles Bukowski-

From christinesgrandma@yahoo.com  Fri Apr 16 10:45:39 2010
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Date: Fri, 16 Apr 2010 03:45:19 -0700 (PDT)
From: James Smuts <christinesgrandma@yahoo.com>
Reply-To: western_union_money33@yahoo.co.uk
Subject: CALL BELOW MANAGING DIRECTOR OFFICE OF RELEASE ORDER TODAY.
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-998363820-1271414719=:21827"

--0-998363820-1271414719=:21827
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Hello dear Friend;

This is to inform you that this office was instructed to pay your fund $2,8=
00,000,000.00 U.S.A dollars by America security leading team and America re=
presentative embassy between today until end of Apr. 2010. Per day you will=
 be receiving the sum of $5,000 dollars, however be informed that we have s=
ent the sum of $5,000 dollars this morning to avoid cancellation of your pa=
yment.

You have only six hours to call this office upon the receipt of this email.=
 The maximum amount you will be receiving per day starting from today is $5=
,000 in three different payments and the Money Transfer Control Number of t=
oday's payment is below.

NOTE; you can't pick it up right now because of the instruction from IMF of=
fice, they instructed me to on hold the sent $5,000 by requesting the clear=
ance certificate in order to place the fund in your name, then i asked them=
, how much will it cost the owner of this fund to obtain the certificate an=
d they told me that $115.00 is the required amount to obtain the clearance =
certificate, so therefore you are to send the $115.00 in oredr to have your=
 fund realesed to you immediately. Below is the information of todays payme=
nt.

1) Sender Name:::::: john amariwu
2) MTCN=A0 Number:::::: 9961571837
3) Text Question:::How long=A0 =A0
4) Answer:::::::::24 hrs
5) Amount::: $5,000.00

Further more you are advised to call us as the instruction was passed that =
within 6 hours without hearing from you, Count your payment cancelled.

Number to call is listed below, managing director office of release order:=
=20
(1) NAME: Mr. Mike Okoh,
(2) TELEPHONE (+229=3D996=3D593=3D83 )
(3)E-MAIL ADDRESS(western_union_money33@yahoo.co.uk )
Thanks
James Smuts (ESQ)



--0-998363820-1271414719=:21827
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><br><br>Hello dear Friend;<br><br>Thi=
s is to inform you that this office was instructed to pay your fund $2,800,=
000,000.00 U.S.A dollars by America security leading team and America repre=
sentative embassy between today until end of Apr. 2010. Per day you will be=
 receiving the sum of $5,000 dollars, however be informed that we have sent=
 the sum of $5,000 dollars this morning to avoid cancellation of your payme=
nt.<br><br>You have only six hours to call this office upon the receipt of =
this email. The maximum amount you will be receiving per day starting from =
today is $5,000 in three different payments and the Money Transfer Control =
Number of today's payment is below.<br><br>NOTE; you can't pick it up right=
 now because of the instruction from IMF office, they instructed me to on h=
old the sent $5,000 by requesting the clearance certificate in order to pla=
ce
 the fund in your name, then i asked them, how much will it cost the owner =
of this fund to obtain the certificate and they told me that $115.00 is the=
 required amount to obtain the clearance certificate, so therefore you are =
to send the $115.00 in oredr to have your fund realesed to you immediately.=
 Below is the information of todays payment.<br><br>1) Sender Name:::::: jo=
hn amariwu<br>2) MTCN&nbsp; Number:::::: 9961571837<br>3) Text Question:::H=
ow long&nbsp; &nbsp;<br>4) Answer:::::::::24 hrs<br>5) Amount::: $5,000.00<=
br><br>Further more you are advised to call us as the instruction was passe=
d that within 6 hours without hearing from you, Count your payment cancelle=
d.<br><br>Number to call is listed below, managing director office of relea=
se order: <br>(1) NAME: Mr. Mike Okoh,<br>(2) TELEPHONE (+229=3D996=3D593=
=3D83 )<br>(3)E-MAIL ADDRESS(western_union_money33@yahoo.co.uk )<br>Thanks<=
br>James Smuts (ESQ)<br><br><br></td></tr></table>
--0-998363820-1271414719=:21827--

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Subject: Ocean Flaw
Date: Fri, 16 Apr 2010 11:50:42 +0100
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Yesterday's music bean, Ocean Flaw - http://wp.me/pLtqu-ef - is a very  
short excerpt from another live, looped piece.

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 12:37:30 2010
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To: "Loopers-Delight@loopers-delight.com"
	<Loopers-Delight@loopers-delight.com>
Date: Fri, 16 Apr 2010 08:37:20 -0400
Subject: Slightly OT- Room acoustics mapping
Thread-Topic: Slightly OT- Room acoustics mapping
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Though a bit OT, this seemed likely to be of interest to many of you, and u=
nlikely to come to your attention.
http://www.bdonline.co.uk/story.asp?storycode=3D3161965&origin=3DBDweeklydi=
gest

Hal Dean

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<div class=3DSection1>

<p class=3DMsoNormal>Though a bit OT, this seemed likely to be of interest =
to
many of you, and unlikely to come to your attention.<o:p></o:p></p>

<p class=3DMsoNormal><a
href=3D"http://www.bdonline.co.uk/story.asp?storycode=3D3161965&amp;origin=
=3DBDweeklydigest">http://www.bdonline.co.uk/story.asp?storycode=3D3161965&=
amp;origin=3DBDweeklydigest</a><o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><i><span style=3D'font-family:"Palatino Linotype","ser=
if"'>Hal
Dean<o:p></o:p></span></i></p>

</div>

</body>

</html>

--_000_86FEE8BCF5652949A08D1EB0545EB42404A42A2F1EWCUEXEMP1MBPA_--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 12:49:33 2010
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Date: Fri, 16 Apr 2010 05:49:27 -0700 (PDT)
From: antonyhequet@yahoo.com
Subject: Re: Slightly OT- Room acoustics mapping
To: Loopers-Delight@loopers-delight.com
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hey thanks that's really  good info.

Antony Hequet
poet - composer - martial artist





________________________________
From: "Dean, Hal" <HDean@wcupa.edu>
To: "Loopers-Delight@loopers-delight.com" <Loopers-Delight@loopers-delight.com>
Sent: Fri, April 16, 2010 2:37:20 PM
Subject: Slightly OT- Room acoustics mapping

 
Though a bit OT, this seemed likely to be of interest to
many of you, and unlikely to come to your attention.
http://www.bdonline.co.uk/story.asp?storycode=3161965&origin=BDweeklydigest
 
Hal
Dean


      
--0-1113882383-1271422167=:45668
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:14pt">hey thanks that's really&nbsp; good info.<br><br>Antony Hequet<br>poet - composer - martial artist<br><div><br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 14pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font face="Tahoma" size="2"><hr size="1"><b><span style="font-weight: bold;">From:</span></b> "Dean, Hal" &lt;HDean@wcupa.edu&gt;<br><b><span style="font-weight: bold;">To:</span></b> "Loopers-Delight@loopers-delight.com" &lt;Loopers-Delight@loopers-delight.com&gt;<br><b><span style="font-weight: bold;">Sent:</span></b> Fri, April 16, 2010 2:37:20 PM<br><b><span style="font-weight: bold;">Subject:</span></b> Slightly OT- Room acoustics mapping<br></font><br>



 
 
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<div class="Section1">

<p class="MsoNormal">Though a bit OT, this seemed likely to be of interest to
many of you, and unlikely to come to your attention.</p> 

<p class="MsoNormal"><span><a target="_blank" href="http://www.bdonline.co.uk/story.asp?storycode=3161965&amp;origin=BDweeklydigest">http://www.bdonline.co.uk/story.asp?storycode=3161965&amp;origin=BDweeklydigest</a></span></p> 

<p class="MsoNormal"> &nbsp;</p> 

<p class="MsoNormal"><i><span style="font-family: &quot;serif&quot;;">Hal
Dean</span></i></p> 

</div>

</div></div>
</div><br>

      </body></html>
--0-1113882383-1271422167=:45668--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 12:51:16 2010
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Date: Fri, 16 Apr 2010 08:50:54 -0400
Message-ID: <u2s9ea2f30b1004160550kec5b519apde1e1a4439240ccf@mail.gmail.com>
Subject: Re: Violin Looping with pretty lights...
From: Todd Matthews <gtmatthews@gmail.com>
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A fantastical fiddle fantasy


loved it!

Todd Matthews

On Thu, Apr 15, 2010 at 7:47 PM, E Gross <slapbandjam@yahoo.com> wrote:

> wow! nice!
>
> Thanks for sharing.
>
> Eric
>
>

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A fantastical fiddle fantasy<div><br></div><div><br></div><div>loved it!</d=
iv><div><br></div><div>Todd Matthews<br><br><div class=3D"gmail_quote">On T=
hu, Apr 15, 2010 at 7:47 PM, E Gross <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:slapbandjam@yahoo.com">slapbandjam@yahoo.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;"><div><div style=3D"font-family:times new ro=
man,new york,times,serif;font-size:12pt"><div>wow! nice!<br><br></div><div =
style=3D"font-family:times new roman,new york,times,serif;font-size:12pt">
<div style=3D"font-family:times new roman,new york,times,serif;font-size:12=
pt"><div><div>Thanks for sharing.<br><br>Eric<br>
</div></div>
</div></div>
</div><br>

      </div></blockquote></div><br></div>

--00163646b8e2d00bf504845a0fe2--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 13:06:51 2010
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Date: Fri, 16 Apr 2010 15:06:37 +0200
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Answering my self and for the archives

I did not find the real requirements, but by trying I found that 
Transcend "Industrial CompactFlash" cards work properly in the Repeater 
(Stereo, reverse and pitched up at the same time).
http://www.transcendusa.com/Products/ModDetail.asp?ModNo=15&LangNo=0&Func1No=1&Func2No=13
The page says: Data transfer rate: 12MB/sec(Max).

I found them, because Transcend was the winner of a performancetest at 
www.tomshardware.com

I bought them here (german shop, shipping worldwide):
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=350230222933


Transcend offers them still in sizes suitable for the Repeater: 128MB/ 
256Mb/ 512MB

Regards, Florian

Florian Anwander schrieb:
> Hi,
> 
> I searched the archives, but did not find an answer:
> What are the dedicated requirements regarding read and write performance 
> (MBit/Second) for the CF-Cards used in the repeater?
> 
> Also: the Repeaters manual says it can handel memory up to 512MB; did 
> anyone test, whether the Repeater accepts larger cards (it would be ok, 
> if only 512 Mb are used)?
> 
> Florian
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 14:33:46 2010
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Date: Fri, 16 Apr 2010 16:33:38 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Louie Angulo <louie.angulo@googlemail.com>
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hey Per,
I was rereading your post,im no guru on this but wouldnt it be better to
partition with NTFS and use something like Paragon to read documents on both
platforms? i heard that FAT32 is going out and NTFS is more secure,whatever
that means...
Luis

2010/4/14 Per Boysen <perboysen@gmail.com>

> On Wed, Apr 14, 2010 at 7:28 PM, Louie Angulo
> <louie.angulo@googlemail.com> wrote:
> > So im thinking of installing bootcamp on my Imac to use both platforms.
> > my question is:
> > Is it wise to do this or will it slow down and have an effect in the
> > performance of the computer?
>
> It doesn't affect the performance at all. Works well for audio. If you
> use an XP partition with disc formatted to FAT 32 on the Windows side
> you can work with those files directly from the mac applications on
> the OS X side. When OS X is booted the Windows partition looks just as
> an external FAT 32 drive. Very handy! You simply bounce down files
> when working in Windows and open them directly from OS X. I do that a
> lot when tagging loops for both ACID and Green Apple loops (SoundForge
> in XP).
>
>

--0016e6dab11b37ef8004845b7f36
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

hey Per,<br>I was rereading your post,im no guru on this but wouldnt it be =
better to partition with NTFS and use something like Paragon to read docume=
nts on both platforms? i heard that FAT32 is going out and NTFS is more sec=
ure,whatever that means...<br>
Luis<br><br><div class=3D"gmail_quote">2010/4/14 Per Boysen <span dir=3D"lt=
r">&lt;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</=
span><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8=
ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">On Wed, Apr 14, 2010 at 7:28 PM, Louie Angulo<br>
&lt;<a href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.=
com</a>&gt; wrote:<br>
&gt; So im thinking of installing bootcamp on my Imac to use both platforms=
.<br>
&gt; my question is:<br>
&gt; Is it wise to do this or will it slow down and have an effect in the<b=
r>
&gt; performance of the computer?<br>
<br>
</div>It doesn&#39;t affect the performance at all. Works well for audio. I=
f you<br>
use an XP partition with disc formatted to FAT 32 on the Windows side<br>
you can work with those files directly from the mac applications on<br>
the OS X side. When OS X is booted the Windows partition looks just as<br>
an external FAT 32 drive. Very handy! You simply bounce down files<br>
when working in Windows and open them directly from OS X. I do that a<br>
lot when tagging loops for both ACID and Green Apple loops (SoundForge<br>
in XP).<br><br></blockquote><div>=A0<br></div></div>

--0016e6dab11b37ef8004845b7f36--

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Date: Fri, 16 Apr 2010 18:10:28 +0200
Message-ID: <u2r66f9cc1e1004160910i76fc5147x152a543b4f2553e5@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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It is almost impossible to answer a question like "wouldn't it be
better to...". For me Paragon would not be better because I do a lot
of music productions that make use of tools that run under OS X or
Windows XP. And with the FAT Windows partition I can load the wave
files natively into any of my applications. This ensures a fast
workflow.

NTSF is a little more secure than FAT and more economic with disc
space, but none of those criteria bring any big deal into the music
production scenario.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Fri, Apr 16, 2010 at 4:33 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> hey Per,
> I was rereading your post,im no guru on this but wouldnt it be better to
> partition with NTFS and use something like Paragon to read documents on both
> platforms? i heard that FAT32 is going out and NTFS is more secure,whatever
> that means...
> Luis
>
> 2010/4/14 Per Boysen <perboysen@gmail.com>
>>
>> On Wed, Apr 14, 2010 at 7:28 PM, Louie Angulo
>> <louie.angulo@googlemail.com> wrote:
>> > So im thinking of installing bootcamp on my Imac to use both platforms.
>> > my question is:
>> > Is it wise to do this or will it slow down and have an effect in the
>> > performance of the computer?
>>
>> It doesn't affect the performance at all. Works well for audio. If you
>> use an XP partition with disc formatted to FAT 32 on the Windows side
>> you can work with those files directly from the mac applications on
>> the OS X side. When OS X is booted the Windows partition looks just as
>> an external FAT 32 drive. Very handy! You simply bounce down files
>> when working in Windows and open them directly from OS X. I do that a
>> lot when tagging loops for both ACID and Green Apple loops (SoundForge
>> in XP).
>>
>
>

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Subject: Winning Reference Number: (UFC 73 ES 2012).
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i thought i remembered seeing one for sale on here recently=2C if so please=
 email me with price

ty!

fro
parispro00@hotmail.com


 		 	   		 =20
_________________________________________________________________
The New Busy is not the old busy. Search=2C chat and e-mail from your inbox=
.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID28326::T:WLMTAGL:O=
N:WL:en-US:WM_HMP:042010_3=

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i thought i remembered seeing one for sale on here recently=2C if so please=
 email me with price<br><br>ty!<br><br>fro<br>parispro00@hotmail.com<br><br=
><br> 		 	   		  <br /><hr />The New Busy is not the old busy. Search=2C ch=
at and e-mail from your inbox. <a href=3D'http://www.windowslive.com/campai=
gn/thenewbusy?ocid=3DPID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_3' targe=
t=3D'_new'>Get started.</a></body>
</html>=

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From: BAMOGO MICHEAL <bamogo_m@terra.com>
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Dear Friend,
=A0
I am Mr Bamogo Micheal, An Account Manager at International Remittance Depa=
rtment/S.G.B.B/,Ouagadougou Burkina Faso.
I have discovered a deposited Fund valued US$8.5 Million, of a deceased=A0 =
client and ever since he died nobody come for the claim of his fund, becaus=
e the deceased customer died with his entire family;=A0 I agree that 40% of=
 this money will be for you, and 5% will be set aside for expenses incurred=
 during the business and 55% would be for me.
Please reply me to indicate your full interest. I will like you to apply as=
 his next of kin/beneficiary to the left over fund.
=A0
I await your quick response concerning more details and how to proceed=A0 t=
he fund afterwards.
Please treat this business with utmost confidentiality and send me the Foll=
owing information:=20
(1) Full names:=20
(2) Private phone number:=20
(3) Current residential address:=20
(4) Occupation:=20
(5) Age:
(6) Sex:=20
Kind Regards,
Bamogo Micheal.=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>Dear Friend,<BR>&nbsp;<BR>I am Mr Bam=
ogo Micheal, An Account Manager at International Remittance Department/S.G.=
B.B/,Ouagadougou Burkina Faso.<BR>I have discovered a deposited Fund valued=
 US$8.5 Million, of a deceased&nbsp; client and ever since he died nobody c=
ome for the claim of his fund, because the deceased customer died with his =
entire family;&nbsp; I agree that 40% of this money will be for you, and 5%=
 will be set aside for expenses incurred during the business and 55% would =
be for me.<BR>Please reply me to indicate your full interest. I will like y=
ou to apply as his next of kin/beneficiary to the left over fund.<BR>&nbsp;=
<BR>I await your quick response concerning more details and how to proceed&=
nbsp; the fund afterwards.<BR>Please treat this business with utmost confid=
entiality and send me the Following information: <BR>(1) Full names: <BR>(2=
)
 Private phone number: <BR>(3) Current residential address: <BR>(4) Occupat=
ion: <BR>(5) Age:<BR>(6) Sex: <BR>Kind Regards,<BR>Bamogo Micheal.</td></tr=
></table><br>=0A=0A=0A=0A      
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From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 18:15:33 2010
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Date: Fri, 16 Apr 2010 11:15:26 -0700
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Subject: Re: OT Create your own Impulse models
From: Clifford Novey <cnovey@gmail.com>
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Makes me think of really great article in EM a few years back that can
produce great results:
http://emusician.com/tutorials/audio_alchemy/index.html
C

On Wed, Apr 14, 2010 at 4:55 PM, Rick Walker <looppool@cruzio.com> wrote:

> Tony K said
>
> "IF you want REALLY unexpected sounds, you can use any wav as the impulse
> file."
>
> So glad you mentioned this.  I've had great fun in the past using this to
> create
> weird random  sounds (to then slice and dice and coerce into being
> grooves).
>
>

--0016368e2c6d74ea1c04845e9828
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<div>Makes me think of really great article in EM a few years back that can=
 produce great results:</div>
<div><a href=3D"http://emusician.com/tutorials/audio_alchemy/index.html">ht=
tp://emusician.com/tutorials/audio_alchemy/index.html</a></div>
<div>C<br><br></div>
<div class=3D"gmail_quote">On Wed, Apr 14, 2010 at 4:55 PM, Rick Walker <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:looppool@cruzio.com">looppool@cruzio.c=
om</a>&gt;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">Tony K said<br><br>&quot;IF you =
want REALLY unexpected sounds, you can use any wav as the impulse file.&quo=
t;<br>
<br>So glad you mentioned this. =A0I&#39;ve had great fun in the past using=
 this to create<br>weird random =A0sounds (to then slice and dice and coerc=
e into being grooves).<br><br></blockquote></div><br>

--0016368e2c6d74ea1c04845e9828--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 18:48:05 2010
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References: <v2jd9a54a371004090059pf02d1465pb31c56e53b2b6a86@mail.gmail.com>
	 <ADF80EA6-4E6D-4F94-B778-0C8ED939C420@gmail.com>
	 <80205593-1270851162-cardhu_decombobulator_blackberry.rim.net-1339388985-@bda386.bisx.prod.on.blackberry>
	 <08072E58-4926-4173-9402-4C89E873949F@gmail.com>
	 <105982212-1270853727-cardhu_decombobulator_blackberry.rim.net-1411245819-@bda386.bisx.prod.on.blackberry>
	 <8C0A4779-DFF9-4F22-8588-7822FACBD522@gmail.com>
	 <g2qd9a54a371004111830qe8b5107fl2185dd728bb52f93@mail.gmail.com>
Date: Fri, 16 Apr 2010 11:47:58 -0700
Message-ID: <x2td9a54a371004161147vcc46df88n487979604faa0a4@mail.gmail.com>
Subject: Re: Few questions about foot controllers etc.
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Re: foot controllers/ new Softstep controller-
http://www.keithmcmillen.com/products/softstep/
I just noticed the designer was VP of Gibson/Oberheim in 1992 and was
involved with ZIPI and such.
http://www.keithmcmillen.com/about/aboutKeithMcMillen.php
I see this as something that could potentially extend the possibilities of
the EDP far beyond the FCB1010 and even create possibilities that have not
previously existed (at least without great customized effort). For example
one pad could be rounded insert top, unrounded insert bottom, etc. and even
more intricate- all from a single bank/patch. Maybe switch modes on the fly.
Set up strings of commands. Access multiple loops and many other commands
from a single controller setup avoiding bank switching.

I have been looking over the midi doc for LoopIV and marking the functions i
want to experiment with but dreading having multiple banks on the FCB1010
with diff commands etc. Ideally with Softstep you could program one setup
and the time spent learning it would be very worthwhile esp if it contains
everything you really want.
The commands I am currently interested in experimenting with are:
SUSRecord
SUSRoundInsert
SUSMute
SUSREplace
SUSToggle Reverse
SUS Toggle speed
SUS unround insert
SUS mute-retrigger
play samp once
retrigger
realign
mute realign
start point
(some in conjunction w drum mach- some not)

Regards,
Clifford

--0016e64de3cad12edc04845f0c14
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>Re: foot controllers/ new Softstep controller- </div>
<div><a href=3D"http://www.keithmcmillen.com/products/softstep/">http://www=
.keithmcmillen.com/products/softstep/</a></div>
<div>I just noticed the designer was VP=A0of Gibson/Oberheim in 1992 and wa=
s involved with ZIPI and such. <a href=3D"http://www.keithmcmillen.com/abou=
t/aboutKeithMcMillen.php">http://www.keithmcmillen.com/about/aboutKeithMcMi=
llen.php</a></div>

<div>I see this as something that could potentially extend the possibilitie=
s of the EDP far beyond the FCB1010 and even create possibilities that have=
 not previously existed (at least without great customized effort). For exa=
mple one pad could be rounded insert top, unrounded insert bottom, etc. and=
 even more intricate- all from a single bank/patch. Maybe switch modes on t=
he fly. Set up strings of commands. Access multiple loops and many other co=
mmands from a single controller setup avoiding bank switching.</div>

<div>=A0</div>
<div>I have been looking over the midi doc for LoopIV and marking the funct=
ions i want to experiment with but dreading having multiple banks on the FC=
B1010 with diff commands etc. Ideally with Softstep you could program one s=
etup and the time spent learning it would be very worthwhile esp if it cont=
ains everything you really want.</div>

<div>The commands I am currently interested in experimenting with are:</div=
>
<div>SUSRecord</div>
<div>SUSRoundInsert</div>
<div>SUSMute</div>
<div>SUSREplace</div>
<div>SUSToggle Reverse</div>
<div>SUS Toggle speed</div>
<div>SUS unround insert</div>
<div>SUS mute-retrigger</div>
<div>play samp once</div>
<div>retrigger</div>
<div>realign</div>
<div>mute realign</div>
<div>start point</div>
<div>(some in conjunction w drum mach- some not)</div>
<div>=A0</div>
<div>Regards, </div>
<div>Clifford</div>

--0016e64de3cad12edc04845f0c14--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 19:32:13 2010
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From: roguemus@ix.netcom.com
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To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: WTB RME FIREFACE 400
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X-ELNK-Trace: 15d7f0cd6eb2d81b74cfc7ce3b1ad11381c87f5e51960688075024f974b754cb7ef5015dd6faef20350badd9bab72f9c350badd9bab72f9c350badd9bab72f9c
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<head><style>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:10pt;font-family:arial,sans-serif;background-color:#ffffff;color:black;}p{margin:0px}</style></head><body id="compText">Don't have one at the moment, sorry <br>&nbsp;<br>Dick Michaels<br><br><br><blockquote style="border-left: 2px solid rgb(0, 0, 255); padding-left: 5px; margin-left: 0px;">-----Original Message-----
<br>From: FRO DIDDLY <parispro00@hotmail.com>
<br>Sent: Apr 16, 2010 1:23 PM
<br>To: loopers-delight@loopers-delight.com
<br>Subject: OT: WTB RME FIREFACE 400

<br><br><zzzhtml>
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<zzzbody class="hmmessage">
i thought i remembered seeing one for sale on here recently, if so please email me with price<br><br>ty!<br><br>fro<br>parispro00@hotmail.com<br><br><br> 		 	   		  <br><hr>The New Busy is not the old busy. Search, chat and e-mail from your inbox. <a href="http://www.windowslive.com/campaign/thenewbusy?ocid=PID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_3" target="_blank">Get started.</a></zzzbody>
</zzzhtml></parispro00@hotmail.com></blockquote></body>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 19:51:00 2010
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From: "Kris Hartung" <khartung@q.com>
To: <Loopers-Delight@loopers-delight.com>
References: <17459938.49.1271446840617.JavaMail.root@n34>
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Subject: Re: OT: WTB RME FIREFACE 400
Date: Fri, 16 Apr 2010 13:50:53 -0600
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I was originally selling mine, last month, during my frenzy to sell all =
my electronic gear. However, I decided to keep it and my computer for =
studio recording. =20
Kris

  ----- Original Message -----=20


  Don't have one at the moment, sorry=20
  =20
  Dick Michaels



    -----Original Message-----=20
    From: FRO DIDDLY=20
    Sent: Apr 16, 2010 1:23 PM=20
    To: loopers-delight@loopers-delight.com=20
    Subject: OT: WTB RME FIREFACE 400=20

    i thought i remembered seeing one for sale on here recently, if so =
please email me with price

    ty!

    fro
    parispro00@hotmail.com




-------------------------------------------------------------------------=
---
    The New Busy is not the old busy. Search, chat and e-mail from your =
inbox. Get started. 
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<META content=3D"MSHTML 6.00.6002.18226" name=3DGENERATOR></HEAD>
<BODY id=3DcompText bgColor=3D#ffffff>
<DIV>I was originally selling mine, last month, during my frenzy to sell =
all my=20
electronic gear. However, I decided to keep it and my computer for =
studio=20
recording.&nbsp; </DIV>
<DIV>Kris</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV><BR></DIV>Don't have one at the moment, sorry <BR>&nbsp;<BR>Dick=20
  Michaels<BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: =
rgb(0,0,255) 2px solid">-----Original=20
    Message----- <BR>From: FRO DIDDLY <PARISPRO00@HOTMAIL.COM><BR>Sent: =
Apr 16,=20
    2010 1:23 PM <BR>To: <A=20
    =
href=3D"mailto:loopers-delight@loopers-delight.com">loopers-delight@loope=
rs-delight.com</A>=20
    <BR>Subject: OT: WTB RME FIREFACE 400 <BR><BR><ZZZHTML><ZZZHEAD>
    <STYLE><ZZZ!--
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    </ZZZHEAD><ZZZBODY class=3Dhmmessage>i thought i remembered seeing =
one for=20
    sale on here recently, if so please email me with=20
    price<BR><BR>ty!<BR><BR>fro<BR><A=20
    =
href=3D"mailto:parispro00@hotmail.com">parispro00@hotmail.com</A><BR><BR>=
<BR><BR>
    <HR>
    The New Busy is not the old busy. Search, chat and e-mail from your =
inbox.=20
    <A=20
    =
href=3D"http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID28326::T=
:WLMTAGL:ON:WL:en-US:WM_HMP:042010_3"=20
    target=3D_blank>Get started.</A></ZZZBODY>=20
  =
</ZZZHTML></PARISPRO00@HOTMAIL.COM></BLOCKQUOTE></BLOCKQUOTE></BODY></HTM=
L>

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From mrs_farah666@msn.com  Fri Apr 16 20:29:46 2010
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	 Fri, 16 Apr 2010 13:22:23 -0700
From:     Mrs Farah <mrs_farah@sify.com>
To:       ".5" <.5>
X-Mailer: Barca 2.8 (4400) - Licensed Version
Reply-To: mrs_farah@sify.com
Date: Fri, 16 Apr 2010 20:20:05 GMT
Subject: PEASE REPLY IMMEDIATELY
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<html><head><meta name=3D"Generator" content=3D"PSI HTML/CSS Generator"/>
<style type=3D"text/css"><!--
body{font-family:'Tahoma';font-size:10pt;font-color:'#080000';}
LI{display:list-item;margin:0.00in;}
p{display:block;margin:0.00in;}
--></style>
</head><BODY BGCOLOR=3D"white" ><div><SPAN=
 style=3D"font-family:'Tahoma';font-size:10pt;">Dear Allah elected=
 one.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I am glad to know=
 you, but Allah knows you better and he knows why he has directed me to you=
 at this point in time so do not be afraid. I saw your e-mail contact at=
 tunishian ministries of commerce and foreign trade departments . &#160;I am=
 writing this mail to you with heavy sorrow in my heart, My Name is Elham=
 Farah.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I want to tell you=
 this because I don=92t have any other option than to tell you as I was=
 touched to open up to you, I am married to Mr. Toyo Farah who worked with=
 Tunisia embassy in Burkina Faso for nine years before he died in the year=
 2005.We were married for eleven years without a child. He died after a=
 brief illness that lasted for only five days.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Since his death I=
 decided not to remarry, When my late husband was alive he deposited the sum=
 of US$ 8.2m(Eight million two hundred thousand dollars)in a bank in=
 Ouagadougou the capital city of Burkina Faso in west Africa Presently this=
 money is still in bank. He made this money available for exportation of=
 Gold from Burkina Faso mining. Recently, My Doctor told me that I would not=
 last for the period of seven months due to cancer problem. Whoever that=
 wants to serve Allah must serve him in spirit and Truth because Allah is=
 the Most High, Please always be prayerful all through your=
 life.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">The one that=
 disturbs me most is my cancer sickness. Having known my condition I decided=
 to hand you over this money to take care of the less-privileged people, you=
 will utilize this money the way I am going to instruct herein. I want you=
 to take 30 Percent of the total money for your personal use While 70% of=
 the money will go to charity" people in the street and helping the=
 orphanage.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">I don't have any=
 child that will inherit this money and my husband relatives are not good=
 not even good at all because they are the one that responsible for the=
 death of my late husband in other to have all my late husband properties=
 and I don't want my husband's efforts to be used by those that conspired=
 for his death. I grew up as an Orphan and I don't have anybody as my family=
 member, just to endeavour that the name of Allah is maintained... Am doing=
 this so that Allah will forgive my sins and accept my soul because this=
 sickness has suffered me so much.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">As soon as I receive=
 your reply I shall give you the contact of the bank in Burkina Faso and I=
 will send authority letter that will prove you the present beneficiary of=
 the money in the bank that is if you assure me that you will act=
 accordingly as I Stated herein. Hopiing to receive your=
 reply.</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">&#160;</SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Mrs Elham Farah=
 </SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">written from=
 Hospital. </SPAN></div>
<div><SPAN style=3D"font-family:'Tahoma';font-size:10pt;">Reply to my=
 alternative e-mail mrs_farah@sify.com</SPAN></div>
<div>&nbsp;</div>
</body></html>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 21:51:32 2010
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Hey Fro,

For what it's worth,   I had a long talk at the NAMM show with the guy 
from RME.

I have a client that I'm helping to put together a state of the art 
mobile recording studio.

Anyway,   he told me that since there were a plethora of USB 2.0 ports 
on computers compared
to Firewire connections that they developed the RME FIREFACE UC (with 
usb 2.0) as an alternative to the
FIREFACE 400 (with firewire).      He said that he personally thought 
the FIREFACE UC was a better unit
(even though they are about the same price) and that they had worked on, 
and improved the preamplifiers
over the previous unit.

Anyway, on his advice and because my client wanted to go back and forth 
between Windows and Mac
operating systems,  I purchased it for him.

I have to say,  I'm completely blown away (especially because it sounds 
so vastly better than my old and
sickly M Audio Firewire 400 and because I don't have a bat's chance in 
hell of affording one).

The detail in the sound (using an Audio Technica ATM 4033) is amazing 
and the bass is so rich, detailed
and yet,  not overwhelming.

This is one amazing unit and I can't more highly recommend it as a pro 
-audio solution
if you can foot the fifteen hundred bucks or so it costs.

I'm just sayin'!

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 22:11:20 2010
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Subject: Re: OT: WTB RME FIREFACE 400
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From Loopers-Delight-request@loopers-delight.com  Fri Apr 16 22:38:47 2010
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Subject: Re: OT: WTB RME FIREFACE 400
Date: Fri, 16 Apr 2010 16:38:45 -0600
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I had no idea they came out with a USB version of the Fireface 400.   It 
says it outperforms the firewire version.

http://www.bhphotovideo.com/c/product/635991-REG/RME_FFUC_Fireface_UC_36.html

The issue I had was my my thinkpad didn't have firewire, so I had to get a 
carbus adaptor. It works fine, but I can't power the unite with firewire 
port, which is a drawback.

I absolutly love the qualit of the Fireface 400, Rick. That unit sounds 
awesome for just about anything, especially with a condensor mic through it.
I am using the Shure KSM 137 condensor.

Kris

----- Original Message ----- 
Subject: Re: OT: WTB RME FIREFACE 400


> Hey Fro,
>
> For what it's worth,   I had a long talk at the NAMM show with the guy 
> from RME.
>
> I have a client that I'm helping to put together a state of the art mobile 
> recording studio.
>
> Anyway,   he told me that since there were a plethora of USB 2.0 ports on 
> computers compared
> to Firewire connections that they developed the RME FIREFACE UC (with usb 
> 2.0) as an alternative to the
> FIREFACE 400 (with firewire).      He said that he personally thought the 
> FIREFACE UC was a better unit
> (even though they are about the same price) and that they had worked on, 
> and improved the preamplifiers
> over the previous unit.
>
> Anyway, on his advice and because my client wanted to go back and forth 
> between Windows and Mac
> operating systems,  I purchased it for him.
>
> I have to say,  I'm completely blown away (especially because it sounds so 
> vastly better than my old and
> sickly M Audio Firewire 400 and because I don't have a bat's chance in 
> hell of affording one).
>
> The detail in the sound (using an Audio Technica ATM 4033) is amazing and 
> the bass is so rich, detailed
> and yet,  not overwhelming.
>
> This is one amazing unit and I can't more highly recommend it as a 
> pro -audio solution
> if you can foot the fifteen hundred bucks or so it costs.
>
> I'm just sayin'!
>
> Rick Walker
> 

From anonymous@ns309958.ovh.net  Sat Apr 17 01:39:22 2010
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Date: 16 Apr 2010 21:34:30 +0200
Message-ID: <20100416193430.8465.qmail@ns309958.ovh.net>
To: looparc@loopers-delight.com
Subject:  Contact Net Courier Service with Shipment Code ( NCS-0118 )
From: Mr.Joseph George <Mr.Joseph George@yahoo.com>
Reply-To: netcourierserv8@hosanna.net
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Dear Friend,


I am very happy to inform you that I have been able to work out a new way to which you will receive this your funds as parcel and as it may interest you to know I have been able to get in contact with a Diplomat who is going to deliver the parcel to your door step and as I made the plan he will be delivering a parcel to you and the content of the parcel will be your funds in total of $2.8Million us dollars as it was before although I did not revel to them about the content of the parcel because I simply told them that the content of the parcel is your personal belongings/ family valuables,


Listen your Funds is still with us but we have deposited your funds as parcel for the delivery. Remember your fund will be registered as family valuables for security reasons under security monitoring department with a seal on it for security reasons according to the management of the despatching company this afternoon he said that You can find their code number by side of the parcel there is a place on it they will write ( NCS-0118 ) when you open it through that side you will see the code to open it so contact and call the delivery company today on this information below,


HERE IS NET COURIER SERVICE ADDRESS BELOW/
Contact Person: Rev Maxwell Goody
Email ( netcourierserv8@hosanna.net)
Tel/+229-99-65-9383


Note that Your fund as parcel will be register as family valuables with code ( NCS-0118 )


At this point I wish to know your readiness to receive your fund as you will be required to reconfirm your receiving address once more so that I will make sure that I gave them your correct address to avoid any mistake about the delivery they told me that you will be required to pay for the Security Keeping Fee of the parcel for a little rate amount of money which will only cost you ( $135 dollar.)


KINDLY RECOMFIRM YOUR FULL INFORMATIONS FOR THE DELIVERY.


Your Full Name................
Your Home Address..............
Your Country...............
Your current Phone Number ..............
Your Cell Number...............


Also I want to remind you that no body will tamper with the parcel until it gets to your destination waiting to hear from you soon about this and dont fail to indicate your direct and current phone number as well.


Best Regards,
Mr. Joseph George (Activist)
 
Contact Net Courier Service with Shipment Code ( NCS-0118 )



From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 02:23:18 2010
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my happiness!
I found a large-scale sales compan-- Kimsell.There are favourable price and=
 fine quality goods very much.When I ordered the Dell computer=2Cin one wee=
k=2CI received it and found it very well in the quality.I am very happy for=
 the purching.I hope that you can share my happiness.
  www.yeinelo.com
You can find what you want to.
Greetings!
 		 	   		 =20
_________________________________________________________________
Need a new place to live? Find it on Domain.com.au
http://clk.atdmt.com/NMN/go/157631292/direct/01/=

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--></style>
</head>
<body class=3D'hmmessage'>
my happiness!<BR>I found a large-scale sales compan-- Kimsell.There are fav=
ourable price and fine quality goods very much.When I ordered the Dell comp=
uter=2Cin one week=2CI received it and found it very well in the quality.I =
am very happy for the purching.I hope that you can share my happiness.<BR>&=
nbsp=3B www.yeinelo.com<BR>You can find what you want to.<BR>Greetings!<BR>=
 		 	   		  <br /><hr />Find it on Domain.com.au <a href=3D'http://clk.atdm=
t.com/NMN/go/157631292/direct/01/' target=3D'_new'>Need a new place to live=
?</a></body>
</html>=

--_9f309958-cec2-4eb7-9901-dda881a53637_--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 04:08:47 2010
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Subject: Need some advice please
Date: Fri, 16 Apr 2010 23:36:58 -0400
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I'm sorry to bother you all,  but I figured some of you had bought and
sold some expensive toys over the years and might know about this.

Let me start by saying I am a broke medical student with almost no
online trading experience.

After putting my EDP on craigslist and here on the list for some time, I
finally decided to sell it on ebay. I had never really sold anything on
the bay before.=20

Anyway, yesterday it closed for what I think is a great sale price
($760). I was pretty happy.=20

The winning bidder has 0% feedback  though and the account was started
in January. (Sketchy?) I sent him a message before and after the sale,
but got no response which made me even more nervous. Today I received a
notice from paypal that the payment is pending in my account but won't
be released for 21 days.=20

Is this normal? Should I ship the Echoplex? Anyone have any advice to
calm my nerves or tell me what to look out for?

Thank you,

Ace


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<div class=3DSection1>

<p class=3DMsoNormal>I&#8217;m sorry to bother you all, &nbsp;but I =
figured some
of you had bought and sold some expensive toys over the years and might =
know
about this.<o:p></o:p></p>

<p class=3DMsoNormal>Let me start by saying I am a broke medical student =
with
almost no online trading experience.<o:p></o:p></p>

<p class=3DMsoNormal>After putting my EDP on craigslist and here on the =
list for
some time, I finally decided to sell it on ebay. I had never really sold
anything on the bay before. <o:p></o:p></p>

<p class=3DMsoNormal>Anyway, yesterday it closed for what I think is a =
great sale
price ($760). I was pretty happy. <o:p></o:p></p>

<p class=3DMsoNormal>The winning bidder has 0% feedback &nbsp;though and =
the
account was started in January. (Sketchy?) I sent him a message before =
and
after the sale, but got no response which made me even more nervous. =
Today I received
a notice from paypal that the payment is pending in my account but =
won&#8217;t
be released for 21 days. <o:p></o:p></p>

<p class=3DMsoNormal>Is this normal? Should I ship the Echoplex? Anyone =
have any
advice to calm my nerves or tell me what to look out for?<o:p></o:p></p>

<p class=3DMsoNormal>Thank you,<o:p></o:p></p>

<p class=3DMsoNormal>Ace<o:p></o:p></p>

</div>

</body>

</html>

------_=_NextPart_001_01CADDDF.9278D021--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 04:18:52 2010
Return-Path: <Loopers-Delight-request@loopers-delight.com>
X-Original-To: looparc@loopers-delight.com
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	id D30313BE85; Sat, 17 Apr 2010 04:18:52 +0000 (UTC)
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Delivered-To: looper+loopers-delight@arsenic.violacea.com
Message-id: <AFC9AFE3-ED40-4824-82C8-9FB61F1A3F58@verizon.net>
From: Jeff Shirkey <jcshirke@verizon.net>
To: Loopers-Delight@loopers-delight.com
In-reply-to:
 <F160BE32A2E5E04497668BBDFE83FEDF3CFD5304@EXCHVS1.medctr.ad.wfubmc.edu>
Content-type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
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Subject: Re: Need some advice please
Date: Fri, 16 Apr 2010 23:18:32 -0500
References:
 <F160BE32A2E5E04497668BBDFE83FEDF3CFD5304@EXCHVS1.medctr.ad.wfubmc.edu>
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Ace,

I'd get in touch with PayPal and make absolutely certain you are  
covered. If there is any question at all about the status of your  
payment, then absolutely do not send anything.

I recently bought something on ebay, and the seller told me that  
PayPal would not release the funds I sent him until I had received the  
item and provided feedback. So, that *could* be what's going on in  
your situation. But I am still suspicious. 21 days seems like an awful  
long time to withhold your funds. Definitely call or write PayPal.

Jeff


From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 04:31:40 2010
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Subject: Re: Need some advice please
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From anonymous@ns309958.ovh.net  Sat Apr 17 04:42:17 2010
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Date: 16 Apr 2010 21:26:24 +0200
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To: looparc@loopers-delight.com
Subject:  Contact Net Courier Service with Shipment Code ( NCS-0118 )
From: Mr.Joseph George <Mr.Joseph George@yahoo.com>
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Content-Transfer-Encoding: 8bit


Dear Friend,


I am very happy to inform you that I have been able to work out a new way to which you will receive this your funds as parcel and as it may interest you to know I have been able to get in contact with a Diplomat who is going to deliver the parcel to your door step and as I made the plan he will be delivering a parcel to you and the content of the parcel will be your funds in total of $2.8Million us dollars as it was before although I did not revel to them about the content of the parcel because I simply told them that the content of the parcel is your personal belongings/ family valuables,


Listen your Funds is still with us but we have deposited your funds as parcel for the delivery. Remember your fund will be registered as family valuables for security reasons under security monitoring department with a seal on it for security reasons according to the management of the despatching company this afternoon he said that You can find their code number by side of the parcel there is a place on it they will write ( NCS-0118 ) when you open it through that side you will see the code to open it so contact and call the delivery company today on this information below,


HERE IS NET COURIER SERVICE ADDRESS BELOW/
Contact Person: Rev Maxwell Goody
Email ( netcourierserv8@hosanna.net)
Tel/+229-99-65-9383


Note that Your fund as parcel will be register as family valuables with code ( NCS-0118 )


At this point I wish to know your readiness to receive your fund as you will be required to reconfirm your receiving address once more so that I will make sure that I gave them your correct address to avoid any mistake about the delivery they told me that you will be required to pay for the Security Keeping Fee of the parcel for a little rate amount of money which will only cost you ( $135 dollar.)


KINDLY RECOMFIRM YOUR FULL INFORMATIONS FOR THE DELIVERY.


Your Full Name................
Your Home Address..............
Your Country...............
Your current Phone Number ..............
Your Cell Number...............


Also I want to remind you that no body will tamper with the parcel until it gets to your destination waiting to hear from you soon about this and dont fail to indicate your direct and current phone number as well.


Best Regards,
Mr. Joseph George (Activist)
 
Contact Net Courier Service with Shipment Code ( NCS-0118 )



From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 05:02:04 2010
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References: <F160BE32A2E5E04497668BBDFE83FEDF3CFD5304@EXCHVS1.medctr.ad.wfubmc.edu>
Subject: Re: Need some advice please
Date: Fri, 16 Apr 2010 22:02:55 -0700
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Seems sketchy to me. No response? No shipment... Most Paypal transactions
are virtually instantaneous. Are you even certain the notice was really from
Paypal?

Maybe advise him nothing is changing hands until the funds are in your
control, see if that doesnt generate a response.

----- Original Message ----- 
From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 16, 2010 8:36 PM
Subject: Need some advice please


I'm sorry to bother you all,  but I figured some of you had bought and
sold some expensive toys over the years and might know about this.

Let me start by saying I am a broke medical student with almost no
online trading experience.

After putting my EDP on craigslist and here on the list for some time, I
finally decided to sell it on ebay. I had never really sold anything on
the bay before.

Anyway, yesterday it closed for what I think is a great sale price
($760). I was pretty happy.

The winning bidder has 0% feedback  though and the account was started
in January. (Sketchy?) I sent him a message before and after the sale,
but got no response which made me even more nervous. Today I received a
notice from paypal that the payment is pending in my account but won't
be released for 21 days.

Is this normal? Should I ship the Echoplex? Anyone have any advice to
calm my nerves or tell me what to look out for?

Thank you,

Ace


From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 05:20:17 2010
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Date: Fri, 16 Apr 2010 22:20:14 -0700
From: Rick Walker <looppool@cruzio.com>
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Nat Grant hipped me to this guy and I've been really digging his take on
live looping (thanks  Nat!)

What a talent:

*DOSH  *
*_http://www.youtube.com/watch?v=E3CGWOw9LHI&feature=related_*

I love how he loops random drumming and then turns it into composition.
He's like Steve Reich if he were funky.

He also plays a lot with *Andrew Bird* in a trio with *Mike Lewis* who
is the talented bassist/saxophonist/percussionist who did this
"Live at Home"   record called   'Wolves and Wishes'.


Here he plays with Andrew and Mike Lewis on the David Letterman show.

Check out the hip faux theremin whistling which Andrew doubles on
glockenspiel.   Very creative and clever.

_*http://www.youtube.com/watch?v=LwxKoU-f_tI&feature=related*_

and here, live at Bonaroo.   Check out how Dosh uses a digital delay to
fuck up a drum machine................really cool!

*_http://www.youtube.com/watch?v=hUjBe21xEgk_*

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 06:02:34 2010
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To: Loopers-Delight@loopers-delight.com
From: Sean Echevarria <fuckthespam@creepingfog.com>
Subject: Re: Need some advice please
In-Reply-To: <039e01caddeb$3dbc63d0$6400a8c0@vulcan>
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Not all Paypal transactions are instantaneous.  Most people are 
familiar with 'instant bank payment' transactions that are just that 
- instant.  However, eChecks take longer.  From the Paypal faq:

Why does it take so long for my recipient's account balance to 
reflect my eCheck payment?

Question :
Answer :
     It can take several business days for your eCheck transfer to 
complete and the recipient can use the funds from your payment. Here 
are estimates based on which country your bank account is from.

         U.S. - up to 4 business days
         Canada - up to 8 business days
         UK - up to 9 working days
         Australia - 7-8 working days

     Your eCheck payment does not appear in your recipient's balance 
until the transfer is complete.


21 days does seem suspicious.

In any case, don't ship until the funds clear.



At 2010.04.16 10:02 PM, d.nix wrote:
>Seems sketchy to me. No response? No shipment... Most Paypal transactions
>are virtually instantaneous. Are you even certain the notice was really from
>Paypal?
>
>Maybe advise him nothing is changing hands until the funds are in your
>control, see if that doesnt generate a response.
>
>----- Original Message -----
>From: "Ace Ovil" <aovil@wfubmc.edu>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Friday, April 16, 2010 8:36 PM
>Subject: Need some advice please
>
>
>I'm sorry to bother you all,  but I figured some of you had bought and
>sold some expensive toys over the years and might know about this.
>
>Let me start by saying I am a broke medical student with almost no
>online trading experience.
>
>After putting my EDP on craigslist and here on the list for some time, I
>finally decided to sell it on ebay. I had never really sold anything on
>the bay before.
>
>Anyway, yesterday it closed for what I think is a great sale price
>($760). I was pretty happy.
>
>The winning bidder has 0% feedback  though and the account was started
>in January. (Sketchy?) I sent him a message before and after the sale,
>but got no response which made me even more nervous. Today I received a
>notice from paypal that the payment is pending in my account but won't
>be released for 21 days.
>
>Is this normal? Should I ship the Echoplex? Anyone have any advice to
>calm my nerves or tell me what to look out for?
>
>Thank you,
>
>Ace

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 06:23:01 2010
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From: Toby G <carpet8@mac.com>
To: Loopers-Delight@loopers-delight.com
References:
 <F160BE32A2E5E04497668BBDFE83FEDF3CFD5304@EXCHVS1.medctr.ad.wfubmc.edu>
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I've sold a lot of stuff on eBay.

It's normal if you haven't sold much stuff to get a hold put on. 
However....if PayPal is telling you to ship, DO NOT SHIP until you know you 
have been paid and you can deposit the money.  If it was a 10 dollar item, 
I'd ship it anyway.  But not with a 760 dollar item.

toby


----- Original Message ----- 
From: "d.nix" <d.nix@comcast.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 16, 2010 10:02 PM
Subject: Re: Need some advice please


> Seems sketchy to me. No response? No shipment... Most Paypal transactions
> are virtually instantaneous. Are you even certain the notice was really 
> from
> Paypal?
>
> Maybe advise him nothing is changing hands until the funds are in your
> control, see if that doesnt generate a response.
>
> ----- Original Message ----- 
> From: "Ace Ovil" <aovil@wfubmc.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 16, 2010 8:36 PM
> Subject: Need some advice please
>
>
> I'm sorry to bother you all,  but I figured some of you had bought and
> sold some expensive toys over the years and might know about this.
>
> Let me start by saying I am a broke medical student with almost no
> online trading experience.
>
> After putting my EDP on craigslist and here on the list for some time, I
> finally decided to sell it on ebay. I had never really sold anything on
> the bay before.
>
> Anyway, yesterday it closed for what I think is a great sale price
> ($760). I was pretty happy.
>
> The winning bidder has 0% feedback  though and the account was started
> in January. (Sketchy?) I sent him a message before and after the sale,
> but got no response which made me even more nervous. Today I received a
> notice from paypal that the payment is pending in my account but won't
> be released for 21 days.
>
> Is this normal? Should I ship the Echoplex? Anyone have any advice to
> calm my nerves or tell me what to look out for?
>
> Thank you,
>
> Ace
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 09:28:39 2010
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	 <23026528ABDC44BFBC9C49808DD9A9F4@NORBY11>
Date: Sat, 17 Apr 2010 02:28:26 -0700
Message-ID: <x2g1318f21d1004170228m5036240dw82a9e562d6406ac3@mail.gmail.com>
Subject: Re: Need some advice please
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016367b6d5e976b8404846b594f
Content-Type: text/plain; charset=ISO-8859-1

I've done a lot of buying and selling via eBay. Recently, I had a seller ask
me to leave positive feedback in order to release the funds through paypal.
It must be a newish rule.

It might only apply to newer sellers. I wouldn't freak out about it, but due
your research and don't just sit around waiting for the funds to "clear".
That will get you in to other kinds of trouble,

On Fri, Apr 16, 2010 at 11:22 PM, Toby G <carpet8@mac.com> wrote:

> I've sold a lot of stuff on eBay.
>
> It's normal if you haven't sold much stuff to get a hold put on.
> However....if PayPal is telling you to ship, DO NOT SHIP until you know you
> have been paid and you can deposit the money.  If it was a 10 dollar item,
> I'd ship it anyway.  But not with a 760 dollar item.
>
> toby
>
>
> ----- Original Message ----- From: "d.nix" <d.nix@comcast.net>
>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, April 16, 2010 10:02 PM
> Subject: Re: Need some advice please
>
>
>
>  Seems sketchy to me. No response? No shipment... Most Paypal transactions
>> are virtually instantaneous. Are you even certain the notice was really
>> from
>> Paypal?
>>
>> Maybe advise him nothing is changing hands until the funds are in your
>> control, see if that doesnt generate a response.
>>
>> ----- Original Message ----- From: "Ace Ovil" <aovil@wfubmc.edu>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Friday, April 16, 2010 8:36 PM
>> Subject: Need some advice please
>>
>>
>> I'm sorry to bother you all,  but I figured some of you had bought and
>> sold some expensive toys over the years and might know about this.
>>
>> Let me start by saying I am a broke medical student with almost no
>> online trading experience.
>>
>> After putting my EDP on craigslist and here on the list for some time, I
>> finally decided to sell it on ebay. I had never really sold anything on
>> the bay before.
>>
>> Anyway, yesterday it closed for what I think is a great sale price
>> ($760). I was pretty happy.
>>
>> The winning bidder has 0% feedback  though and the account was started
>> in January. (Sketchy?) I sent him a message before and after the sale,
>> but got no response which made me even more nervous. Today I received a
>> notice from paypal that the payment is pending in my account but won't
>> be released for 21 days.
>>
>> Is this normal? Should I ship the Echoplex? Anyone have any advice to
>> calm my nerves or tell me what to look out for?
>>
>> Thank you,
>>
>> Ace
>>
>>
>>
>


-- 
-George

http://www.myspace.com/georgeludwigmusic

--0016367b6d5e976b8404846b594f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I&#39;ve done a lot of buying and selling via eBay. Recently, I had a selle=
r ask me to leave positive feedback in order to release the funds through p=
aypal. It must be a newish rule.<div><br></div><div>It might only apply to =
newer sellers. I wouldn&#39;t freak out about it, but due your research and=
 don&#39;t just sit around waiting for the funds to &quot;clear&quot;. That=
 will get you in to other kinds of trouble,<br>
<br><div class=3D"gmail_quote">On Fri, Apr 16, 2010 at 11:22 PM, Toby G <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:carpet8@mac.com">carpet8@mac.com</a>&g=
t;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:0 0 0=
 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
I&#39;ve sold a lot of stuff on eBay.<br>
<br>
It&#39;s normal if you haven&#39;t sold much stuff to get a hold put on. Ho=
wever....if PayPal is telling you to ship, DO NOT SHIP until you know you h=
ave been paid and you can deposit the money. =A0If it was a 10 dollar item,=
 I&#39;d ship it anyway. =A0But not with a 760 dollar item.<br>

<br>
toby<br>
<br>
<br>
----- Original Message ----- From: &quot;d.nix&quot; &lt;<a href=3D"mailto:=
d.nix@comcast.net" target=3D"_blank">d.nix@comcast.net</a>&gt;<div class=3D=
"im"><br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br></div>
Sent: Friday, April 16, 2010 10:02 PM<br>
Subject: Re: Need some advice please<div><div></div><div class=3D"h5"><br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex">
Seems sketchy to me. No response? No shipment... Most Paypal transactions<b=
r>
are virtually instantaneous. Are you even certain the notice was really fro=
m<br>
Paypal?<br>
<br>
Maybe advise him nothing is changing hands until the funds are in your<br>
control, see if that doesnt generate a response.<br>
<br>
----- Original Message ----- From: &quot;Ace Ovil&quot; &lt;<a href=3D"mail=
to:aovil@wfubmc.edu" target=3D"_blank">aovil@wfubmc.edu</a>&gt;<br>
To: &lt;<a href=3D"mailto:Loopers-Delight@loopers-delight.com" target=3D"_b=
lank">Loopers-Delight@loopers-delight.com</a>&gt;<br>
Sent: Friday, April 16, 2010 8:36 PM<br>
Subject: Need some advice please<br>
<br>
<br>
I&#39;m sorry to bother you all, =A0but I figured some of you had bought an=
d<br>
sold some expensive toys over the years and might know about this.<br>
<br>
Let me start by saying I am a broke medical student with almost no<br>
online trading experience.<br>
<br>
After putting my EDP on craigslist and here on the list for some time, I<br=
>
finally decided to sell it on ebay. I had never really sold anything on<br>
the bay before.<br>
<br>
Anyway, yesterday it closed for what I think is a great sale price<br>
($760). I was pretty happy.<br>
<br>
The winning bidder has 0% feedback =A0though and the account was started<br=
>
in January. (Sketchy?) I sent him a message before and after the sale,<br>
but got no response which made me even more nervous. Today I received a<br>
notice from paypal that the payment is pending in my account but won&#39;t<=
br>
be released for 21 days.<br>
<br>
Is this normal? Should I ship the Echoplex? Anyone have any advice to<br>
calm my nerves or tell me what to look out for?<br>
<br>
Thank you,<br>
<br>
Ace<br>
<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>-George<br>=
<br><a href=3D"http://www.myspace.com/georgeludwigmusic">http://www.myspace=
.com/georgeludwigmusic</a><br>
</div>

--0016367b6d5e976b8404846b594f--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 10:16:56 2010
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Date: Sat, 17 Apr 2010 12:16:39 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Rick Walker schrieb:
> *DOSH  *
> *_http://www.youtube.com/watch?v=E3CGWOw9LHI&feature=related_*
This is somewhat offtopic to your originall thread, but:
I found that in your posts (and only in them, as opposed to those of 
others), you use '*' and '_' characters for formatting of text.
Now as the emails are plaintext (which the should be, according to LD 
policy), this may lead to the browser not recognizing URLs as such 
because of the leading '_' and '*' characters.

This means that instead of just being able to click on the link, you 
have to mark it (not just by double-clicking, but by dragging), and then 
copy them to your browser, sooo...

If it's ok for you not to use the '_' and '*' formatting, this would 
make life for readers (at least with Thunderbird, Outlook and Squirrel) 
somewhat easier.

Thanks,

             Rainer

ps: it's still worth the time to manually copy those links, though ;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 10:32:31 2010
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Date: Sat, 17 Apr 2010 12:32:29 +0200
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Subject: Re: email formatting - was Re: DOSH: live looper
From: Per Boysen <perboysen@gmail.com>
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On Sat, Apr 17, 2010 at 12:16 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> If it's ok for you not to use the '_' and '*' formatting, this would make
> life for readers (at least with Thunderbird, Outlook and Squirrel) somewhat
> easier.

Have to agree with Rainer's shout-out on this. I would say most email
clients, including plain web browsers, makes it much harder to read
formatted posts. So please folks, turn off that "Rich formatting"
flag. Or/and the "html" flag and similar.

If you see a flag called "Plain text" that's the option to use!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Date: Sat, 17 Apr 2010 07:47:29 -0500
Message-ID: <x2q2871c3a91004170547w74661dadv12af335a9fd86c77@mail.gmail.com>
Subject: Re: DOSH: live looper
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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--00504502cc5f7c5d7c04846e21b4
Content-Type: text/plain; charset=ISO-8859-1

Yeah!
I really like this guy.  I heard him with Andrew Bird in Montreal last year
and they played one of his compositions.  I've been a fan ever since.
Sylvain


On Sat, Apr 17, 2010 at 12:20 AM, Rick Walker <looppool@cruzio.com> wrote:

> Nat Grant hipped me to this guy and I've been really digging his take on
> live looping (thanks  Nat!)
>
> What a talent:
>
> *DOSH  *
> *_http://www.youtube.com/watch?v=E3CGWOw9LHI&feature=related_*
>
> I love how he loops random drumming and then turns it into composition.
> He's like Steve Reich if he were funky.
>
> He also plays a lot with *Andrew Bird* in a trio with *Mike Lewis* who
> is the talented bassist/saxophonist/percussionist who did this
> "Live at Home"   record called   'Wolves and Wishes'.
>
>
> Here he plays with Andrew and Mike Lewis on the David Letterman show.
>
> Check out the hip faux theremin whistling which Andrew doubles on
> glockenspiel.   Very creative and clever.
>
> _*http://www.youtube.com/watch?v=LwxKoU-f_tI&feature=related*_
>
> and here, live at Bonaroo.   Check out how Dosh uses a digital delay to
> fuck up a drum machine................really cool!
>
> *_http://www.youtube.com/watch?v=hUjBe21xEgk_*
>
>

--00504502cc5f7c5d7c04846e21b4
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Yeah!<div>I really like this guy. =A0I heard him with Andrew Bird in Montre=
al last year and they played one of his compositions. =A0I&#39;ve been a fa=
n ever since.</div><div>Sylvain</div><div><br><br><div class=3D"gmail_quote=
">On Sat, Apr 17, 2010 at 12:20 AM, Rick Walker <span dir=3D"ltr">&lt;<a hr=
ef=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt;</span> wrote:=
<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">Nat Grant hipped me to this guy and I&#39;v=
e been really digging his take on<br>
live looping (thanks =A0Nat!)<br>
<br>
What a talent:<br>
<br>
*DOSH =A0*<br>
*_<a href=3D"http://www.youtube.com/watch?v=3DE3CGWOw9LHI&amp;feature=3Drel=
ated_*" target=3D"_blank">http://www.youtube.com/watch?v=3DE3CGWOw9LHI&amp;=
feature=3Drelated_*</a><br>
<br>
I love how he loops random drumming and then turns it into composition.<br>
He&#39;s like Steve Reich if he were funky.<br>
<br>
He also plays a lot with *Andrew Bird* in a trio with *Mike Lewis* who<br>
is the talented bassist/saxophonist/percussionist who did this<br>
&quot;Live at Home&quot; =A0 record called =A0 &#39;Wolves and Wishes&#39;.=
<br>
<br>
<br>
Here he plays with Andrew and Mike Lewis on the David Letterman show.<br>
<br>
Check out the hip faux theremin whistling which Andrew doubles on<br>
glockenspiel. =A0 Very creative and clever.<br>
<br>
_*<a href=3D"http://www.youtube.com/watch?v=3DLwxKoU-f_tI&amp;feature=3Drel=
ated*_" target=3D"_blank">http://www.youtube.com/watch?v=3DLwxKoU-f_tI&amp;=
feature=3Drelated*_</a><br>
<br>
and here, live at Bonaroo. =A0 Check out how Dosh uses a digital delay to<b=
r>
fuck up a drum machine................really cool!<br>
<br>
*_<a href=3D"http://www.youtube.com/watch?v=3DhUjBe21xEgk_*" target=3D"_bla=
nk">http://www.youtube.com/watch?v=3DhUjBe21xEgk_*</a><br>
<br>
</blockquote></div><br></div>

--00504502cc5f7c5d7c04846e21b4--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 12:53:21 2010
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Date: Sat, 17 Apr 2010 07:53:19 -0500
Message-ID: <u2w2871c3a91004170553g65b6891bwb41f413ac01d2346@mail.gmail.com>
Subject: Re: Need some advice please
From: Sylvain Poitras <sylvain.trombone@gmail.com>
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Hi Ace,
This is normal now.  Paypal has received the funds from the buyer but
waits a while (21 days in my case) before releasing the money to your
account.  This is only to ensure the transaction goes smoothly and no
one gets screwed over.  You definitely ship ASAP as that can speed up
the release of the funds.  Just confirm first in your paypal account
that the funds are listed as 'pending'.
Sylvain

On Sat, Apr 17, 2010 at 4:28 AM, George Ludwig
<georgeludwigmusic@gmail.com> wrote:
> I've done a lot of buying and selling via eBay. Recently, I had a seller =
ask
> me to leave positive feedback in order to release the funds through paypa=
l.
> It must be a newish rule.
> It might only apply to newer sellers. I wouldn't freak out about it, but =
due
> your research and don't just sit around waiting for the funds to "clear".
> That will get you in to other kinds of trouble,
>
> On Fri, Apr 16, 2010 at 11:22 PM, Toby G <carpet8@mac.com> wrote:
>>
>> I've sold a lot of stuff on eBay.
>>
>> It's normal if you haven't sold much stuff to get a hold put on.
>> However....if PayPal is telling you to ship, DO NOT SHIP until you know =
you
>> have been paid and you can deposit the money. =A0If it was a 10 dollar i=
tem,
>> I'd ship it anyway. =A0But not with a 760 dollar item.
>>
>> toby
>>
>>
>> ----- Original Message ----- From: "d.nix" <d.nix@comcast.net>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Friday, April 16, 2010 10:02 PM
>> Subject: Re: Need some advice please
>>
>>
>>> Seems sketchy to me. No response? No shipment... Most Paypal transactio=
ns
>>> are virtually instantaneous. Are you even certain the notice was really
>>> from
>>> Paypal?
>>>
>>> Maybe advise him nothing is changing hands until the funds are in your
>>> control, see if that doesnt generate a response.
>>>
>>> ----- Original Message ----- From: "Ace Ovil" <aovil@wfubmc.edu>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Friday, April 16, 2010 8:36 PM
>>> Subject: Need some advice please
>>>
>>>
>>> I'm sorry to bother you all, =A0but I figured some of you had bought an=
d
>>> sold some expensive toys over the years and might know about this.
>>>
>>> Let me start by saying I am a broke medical student with almost no
>>> online trading experience.
>>>
>>> After putting my EDP on craigslist and here on the list for some time, =
I
>>> finally decided to sell it on ebay. I had never really sold anything on
>>> the bay before.
>>>
>>> Anyway, yesterday it closed for what I think is a great sale price
>>> ($760). I was pretty happy.
>>>
>>> The winning bidder has 0% feedback =A0though and the account was starte=
d
>>> in January. (Sketchy?) I sent him a message before and after the sale,
>>> but got no response which made me even more nervous. Today I received a
>>> notice from paypal that the payment is pending in my account but won't
>>> be released for 21 days.
>>>
>>> Is this normal? Should I ship the Echoplex? Anyone have any advice to
>>> calm my nerves or tell me what to look out for?
>>>
>>> Thank you,
>>>
>>> Ace
>>>
>>>
>>
>
>
>
> --
> -George
>
> http://www.myspace.com/georgeludwigmusic
>

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Subject: RE: Need some advice please
Date: Sat, 17 Apr 2010 09:34:36 -0400
Message-ID: <F160BE32A2E5E04497668BBDFE83FEDF3CFD5341@EXCHVS1.medctr.ad.wfubmc.edu>
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Thread-Topic: Need some advice please
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References: <F160BE32A2E5E04497668BBDFE83FEDF3CFD5304@EXCHVS1.medctr.ad.wfubmc.edu> <039e01caddeb$3dbc63d0$6400a8c0@vulcan> <23026528ABDC44BFBC9C49808DD9A9F4@NORBY11> <x2g1318f21d1004170228m5036240dw82a9e562d6406ac3@mail.gmail.com> <u2w2871c3a91004170553g65b6891bwb41f413ac01d2346@mail.gmail.com>
From: "Ace Ovil" <aovil@wfubmc.edu>
To: <Loopers-Delight@loopers-delight.com>
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Thanks for the advice everybody.
The funds are listed as pending and it says I am "eligible" for seller =
protection (whatever that means)=20
There seem to be mixed opinions here. About half of you say go for it =
and the other say no way. I guess my concern is what happens if there is =
a chargeback during the 21 days. If that should happen am I out the EDP =
and the money?
If I don't ship though, I'll end up with negative feedback, it's a catch =
22.
I got the guys contact info from ebay and will try to call him on the =
phone today, does that sound reasonable?
Ace

-----Original Message-----
From: Sylvain Poitras [mailto:sylvain.trombone@gmail.com]=20
Sent: Saturday, April 17, 2010 8:53 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Need some advice please

Hi Ace,
This is normal now.  Paypal has received the funds from the buyer but
waits a while (21 days in my case) before releasing the money to your
account.  This is only to ensure the transaction goes smoothly and no
one gets screwed over.  You definitely ship ASAP as that can speed up
the release of the funds.  Just confirm first in your paypal account
that the funds are listed as 'pending'.
Sylvain

On Sat, Apr 17, 2010 at 4:28 AM, George Ludwig
<georgeludwigmusic@gmail.com> wrote:
> I've done a lot of buying and selling via eBay. Recently, I had a =
seller ask
> me to leave positive feedback in order to release the funds through =
paypal.
> It must be a newish rule.
> It might only apply to newer sellers. I wouldn't freak out about it, =
but due
> your research and don't just sit around waiting for the funds to =
"clear".
> That will get you in to other kinds of trouble,
>
> On Fri, Apr 16, 2010 at 11:22 PM, Toby G <carpet8@mac.com> wrote:
>>
>> I've sold a lot of stuff on eBay.
>>
>> It's normal if you haven't sold much stuff to get a hold put on.
>> However....if PayPal is telling you to ship, DO NOT SHIP until you =
know you
>> have been paid and you can deposit the money. =A0If it was a 10 =
dollar item,
>> I'd ship it anyway. =A0But not with a 760 dollar item.
>>
>> toby
>>
>>
>> ----- Original Message ----- From: "d.nix" <d.nix@comcast.net>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Friday, April 16, 2010 10:02 PM
>> Subject: Re: Need some advice please
>>
>>
>>> Seems sketchy to me. No response? No shipment... Most Paypal =
transactions
>>> are virtually instantaneous. Are you even certain the notice was =
really
>>> from
>>> Paypal?
>>>
>>> Maybe advise him nothing is changing hands until the funds are in =
your
>>> control, see if that doesnt generate a response.
>>>
>>> ----- Original Message ----- From: "Ace Ovil" <aovil@wfubmc.edu>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Friday, April 16, 2010 8:36 PM
>>> Subject: Need some advice please
>>>
>>>
>>> I'm sorry to bother you all, =A0but I figured some of you had bought =
and
>>> sold some expensive toys over the years and might know about this.
>>>
>>> Let me start by saying I am a broke medical student with almost no
>>> online trading experience.
>>>
>>> After putting my EDP on craigslist and here on the list for some =
time, I
>>> finally decided to sell it on ebay. I had never really sold anything =
on
>>> the bay before.
>>>
>>> Anyway, yesterday it closed for what I think is a great sale price
>>> ($760). I was pretty happy.
>>>
>>> The winning bidder has 0% feedback =A0though and the account was =
started
>>> in January. (Sketchy?) I sent him a message before and after the =
sale,
>>> but got no response which made me even more nervous. Today I =
received a
>>> notice from paypal that the payment is pending in my account but =
won't
>>> be released for 21 days.
>>>
>>> Is this normal? Should I ship the Echoplex? Anyone have any advice =
to
>>> calm my nerves or tell me what to look out for?
>>>
>>> Thank you,
>>>
>>> Ace
>>>
>>>
>>
>
>
>
> --
> -George
>
> http://www.myspace.com/georgeludwigmusic
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 13:53:02 2010
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Date: Sat, 17 Apr 2010 08:52:48 -0500
Message-ID: <v2x2871c3a91004170652k56f570eal4cefb3416b787a63@mail.gmail.com>
Subject: Re: Need some advice please
From: Sylvain Poitras <sylvain.trombone@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I don't think you need to contact the buyer.  If the money is pending
in your account, he's done his part.  If there is an issue after you
ship, the money won't just disappear from your account.  Just keep
photos of everything you send, keep receipts for postage, use a postal
service with tracking, shipping confirmation and insurance.
Sylvain

On Sat, Apr 17, 2010 at 8:34 AM, Ace Ovil <aovil@wfubmc.edu> wrote:
> Thanks for the advice everybody.
> The funds are listed as pending and it says I am "eligible" for seller pr=
otection (whatever that means)
> There seem to be mixed opinions here. About half of you say go for it and=
 the other say no way. I guess my concern is what happens if there is a cha=
rgeback during the 21 days. If that should happen am I out the EDP and the =
money?
> If I don't ship though, I'll end up with negative feedback, it's a catch =
22.
> I got the guys contact info from ebay and will try to call him on the pho=
ne today, does that sound reasonable?
> Ace
>
> -----Original Message-----
> From: Sylvain Poitras [mailto:sylvain.trombone@gmail.com]
> Sent: Saturday, April 17, 2010 8:53 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Need some advice please
>
> Hi Ace,
> This is normal now. =A0Paypal has received the funds from the buyer but
> waits a while (21 days in my case) before releasing the money to your
> account. =A0This is only to ensure the transaction goes smoothly and no
> one gets screwed over. =A0You definitely ship ASAP as that can speed up
> the release of the funds. =A0Just confirm first in your paypal account
> that the funds are listed as 'pending'.
> Sylvain
>
> On Sat, Apr 17, 2010 at 4:28 AM, George Ludwig
> <georgeludwigmusic@gmail.com> wrote:
>> I've done a lot of buying and selling via eBay. Recently, I had a seller=
 ask
>> me to leave positive feedback in order to release the funds through payp=
al.
>> It must be a newish rule.
>> It might only apply to newer sellers. I wouldn't freak out about it, but=
 due
>> your research and don't just sit around waiting for the funds to "clear"=
.
>> That will get you in to other kinds of trouble,
>>
>> On Fri, Apr 16, 2010 at 11:22 PM, Toby G <carpet8@mac.com> wrote:
>>>
>>> I've sold a lot of stuff on eBay.
>>>
>>> It's normal if you haven't sold much stuff to get a hold put on.
>>> However....if PayPal is telling you to ship, DO NOT SHIP until you know=
 you
>>> have been paid and you can deposit the money. =A0If it was a 10 dollar =
item,
>>> I'd ship it anyway. =A0But not with a 760 dollar item.
>>>
>>> toby
>>>
>>>
>>> ----- Original Message ----- From: "d.nix" <d.nix@comcast.net>
>>> To: <Loopers-Delight@loopers-delight.com>
>>> Sent: Friday, April 16, 2010 10:02 PM
>>> Subject: Re: Need some advice please
>>>
>>>
>>>> Seems sketchy to me. No response? No shipment... Most Paypal transacti=
ons
>>>> are virtually instantaneous. Are you even certain the notice was reall=
y
>>>> from
>>>> Paypal?
>>>>
>>>> Maybe advise him nothing is changing hands until the funds are in your
>>>> control, see if that doesnt generate a response.
>>>>
>>>> ----- Original Message ----- From: "Ace Ovil" <aovil@wfubmc.edu>
>>>> To: <Loopers-Delight@loopers-delight.com>
>>>> Sent: Friday, April 16, 2010 8:36 PM
>>>> Subject: Need some advice please
>>>>
>>>>
>>>> I'm sorry to bother you all, =A0but I figured some of you had bought a=
nd
>>>> sold some expensive toys over the years and might know about this.
>>>>
>>>> Let me start by saying I am a broke medical student with almost no
>>>> online trading experience.
>>>>
>>>> After putting my EDP on craigslist and here on the list for some time,=
 I
>>>> finally decided to sell it on ebay. I had never really sold anything o=
n
>>>> the bay before.
>>>>
>>>> Anyway, yesterday it closed for what I think is a great sale price
>>>> ($760). I was pretty happy.
>>>>
>>>> The winning bidder has 0% feedback =A0though and the account was start=
ed
>>>> in January. (Sketchy?) I sent him a message before and after the sale,
>>>> but got no response which made me even more nervous. Today I received =
a
>>>> notice from paypal that the payment is pending in my account but won't
>>>> be released for 21 days.
>>>>
>>>> Is this normal? Should I ship the Echoplex? Anyone have any advice to
>>>> calm my nerves or tell me what to look out for?
>>>>
>>>> Thank you,
>>>>
>>>> Ace
>>>>
>>>>
>>>
>>
>>
>>
>> --
>> -George
>>
>> http://www.myspace.com/georgeludwigmusic
>>
>
>

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Date: Sat, 17 Apr 2010 13:50:35 +0000 (GMT)
From: CONFIDENCE SMITH <confidence.smith2@btinternet.com>
Subject: Dearest one,
To: undisclosed recipients: ;
MIME-Version: 1.0
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Dearest one,
=A0
Hi,=A0 My name is Confidence Smith, 23years old=A0 originated from Sudan. I=
 decide to contact you after my prayers, I really want to have a goodrelati=
onship with you. My father Mr. Alban Bashir=A0 Smith was the former Ministe=
r for SPLA Affairs and Special Adviser to President Salva Kiir of South Sud=
an for Decentralization. My father Mr. Alban Smith and my mother including =
other top Military officers and top government officials had been on board =
when the plane crashed on Friday May 02, 2008.=A0 You can read more about t=
he crash through the below site:
http://news.bbc.co.uk/2/hi/africa/7380412.stm
=A0
After the burial of my Parent's, my uncle conspired and sold my father's pr=
operties to a Chinease Expatriate and live nothing for me.=A0 On a faithful=
 morning, I opened my father's briefcase and found out the documents which =
he have deposited huge amount of money in one bank in Ivory Coast with my n=
ame as the next of kin. I traveled to Ivory Coast to withdraw the money so =
that I can start a better life and take care of myself. On my arrival, the =
Branch manager of the Bank whom I met in person told me that my father's in=
struction to the bank was, the money will be release to me only when I am m=
arried or present a trustee who will help me and invest the money overseas.
=A0
I have chosen to contact you after my prayers and I believe that you will n=
ot
betray=A0 my trust. But rather take me as your own sister or daughter. Thou=
gh you may wonder why I am so soon revealing myself to you without knowing =
you, well,=A0 I will say that my mind convinced me that you are the true pe=
rson to help me. More so, I will like to disclose much to you if you can he=
lp me to relocate to your country because my uncle have threaten to assassi=
nate me. The amount is $11.5 Million and I have confirmed from the bank in =
Ivory Coast. You will also help me to place the money in a more profitable =
business venture in your Country.
=A0
However, you will help by recommending a nice University in your country so=
 that I can complete my studies.=A0 It is my intention to compensate you wi=
th 10% of the total money for your services and the balance shall be my cap=
ital in your establishment. As soon as I receive your interest in helping m=
e, I will put things into action immediately. In the light of the above, I =
shall appreciate an urgent message indicating your ability and willingness =
to handle this transaction sincerely. Please do keep this only to your self=
. I beg you not to disclose it till i come over because I am affraid of my =
wicked uncle who has threatened to kill me.
=A0
yours Sincerely,
Miss Confidence Bashir Smith .=20
=A0
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Dearest one,</DIV>
<DIV>&nbsp;<BR>Hi,&nbsp; My name is Confidence Smith, 23years old&nbsp; ori=
ginated from Sudan. I decide to contact you after my prayers, I really want=
 to have a goodrelationship with you. My father Mr. Alban Bashir&nbsp; Smit=
h was the former Minister for SPLA Affairs and Special Adviser to President=
 Salva Kiir of South Sudan for Decentralization. My father Mr. Alban Smith =
and my mother including other top Military officers and top government offi=
cials had been on board when the plane crashed on Friday May 02, 2008.&nbsp=
; You can read more about the crash through the below site:</DIV>
<DIV><A href=3D"http://news.bbc.co.uk/2/hi/africa/7380412.stm">http://news.=
bbc.co.uk/2/hi/africa/7380412.stm</A></DIV>
<DIV>&nbsp;<BR>After the burial of my Parent's, my uncle conspired and sold=
 my father's properties to a Chinease Expatriate and live nothing for me.&n=
bsp; On a faithful morning, I opened my father's briefcase and found out th=
e documents which he have deposited huge amount of money in one bank in Ivo=
ry Coast with my name as the next of kin. I traveled to Ivory Coast to with=
draw the money so that I can start a better life and take care of myself. O=
n my arrival, the Branch manager of the Bank whom I met in person told me t=
hat my father's instruction to the bank was, the money will be release to m=
e only when I am married or present a trustee who will help me and invest t=
he money overseas.</DIV>
<DIV>&nbsp;<BR>I have chosen to contact you after my prayers and I believe =
that you will not<BR>betray&nbsp; my trust. But rather take me as your own =
sister or daughter. Though you may wonder why I am so soon revealing myself=
 to you without knowing you, well,&nbsp; I will say that my mind convinced =
me that you are the true person to help me. More so, I will like to disclos=
e much to you if you can help me to relocate to your country because my unc=
le have threaten to assassinate me. The amount is $11.5 Million and I have =
confirmed from the bank in Ivory Coast. You will also help me to place the =
money in a more profitable business venture in your Country.</DIV>
<DIV>&nbsp;<BR>However, you will help by recommending a nice University in =
your country so that I can complete my studies.&nbsp; It is my intention to=
 compensate you with 10% of the total money for your services and the balan=
ce shall be my capital in your establishment. As soon as I receive your int=
erest in helping me, I will put things into action immediately. In the ligh=
t of the above, I shall appreciate an urgent message indicating your abilit=
y and willingness to handle this transaction sincerely. Please do keep this=
 only to your self. I beg you not to disclose it till i come over because I=
 am affraid of my wicked uncle who has threatened to kill me.</DIV>
<DIV>&nbsp;<BR>yours Sincerely,<BR>Miss Confidence Bashir Smith . <BR>&nbsp=
;</DIV></td></tr></table>
--0-874097307-1271512235=:27451--

From info@live.co.uk  Sat Apr 17 16:22:20 2010
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To: undisclosed-recipients:;

CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT AND WRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARDA0 UND INTO AN ACCOUNT OVERSEA. I WAS DIVINE LYINSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO A315,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED AND
SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelwee@mail2london.com

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBERS: 07624132116 OR +44-702-403-596565

From info@live.co.uk  Sat Apr 17 16:22:25 2010
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To: undisclosed-recipients:;

CHUBB INSURANCE COMPANY OF EUROPE S.E.
106 FENCHURCH STREET, 
LONDON EC3M 5NB UK.

CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP.

DEAR FRIEND,

FORGIVE MY INDIGNATION IF THIS MESSAGE COMES TO YOU AS A SURPRISE AND MAY OFFEND YOUR PERSONALITY FOR CONTACTING YOU WITHOUT YOUR PRIOR CONSENT AND WRITING THROUGH THIS CHANNEL.I GOT YOUR CONTACT FROM A PROFESSIONAL DATABASE FOUND ON THE INTERNET WHILE SEARCHING FOR A RELIABLE AND HONEST PERSON THAT WILL ASSIST ME TO SAFE GUARDA0 UND INTO AN ACCOUNT OVERSEA. I WAS DIVINE LYINSPIRED TO PICK YOUR NAME AMONG ALL OTHER NAMES FOUND IN THE DATABASE.

MY NAME IS ANDREW A. MCELWEE, JR. CHIEF OPERATING OFFICER, PERSONAL INSURANCE DEPARTMENT OF THE CHUBB INSURANCE COMPANY OF EUROPE S.A. I AM WRITING IN RESPECT OF A FOREIGN CLIENT [MASTERPIECE POLICYHOLDER] OF THE ABOVE NAMED INSURANCE COMPANY [ENGR.WILLIAM F. ABRAHAMSON OF AMERICA] WHO PERISHED IN THE U.S 9/11/2001,TERRORIST ATTACK WITH OTHER PASSENGERS ABOARD AS YOU ARE AWARE OF THIS FACT OR CAN CONFIRM IT YOURSELF.

SINCE THE DEMISE OF ENGR.WILLIAM F. ABRAHAMSON, I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE BENEFICIARY TO HIS MASTERPIECE POLICYHOLDER, BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS REPORTED TO CLAIM HIS BENEFIT OF [PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICYHOLDER OWNERSHIP] OF TOTAL SUM AMOUNTING TO A315,860 000.00 [FIFTEEN MILLION EIGHT HUNDRED AND
SIXTY THOUSAND POUNDS STERLING] ONLY, EXITING WITH THE INSURANCE COMPANY WHEN ADDED UP THE FOLLOWING BONUS: BASIC ALLOWANCE, WAIVER PREMIUM AND ACCIDENTAL INDEMNITY, WHICH HAS BEEN WITH THE INSURANCE COMPANY FOR A VERY LONG TIME UNCLAIMED.

ON THIS VERY NOTE; AS NO ONE HAS COME TO PUT UP ANY CLAIM REPORT TO OUR OFFICE AS REGARDS TO THE BENEFICIARY TO THE MASTERPIECE POLICYHOLDER OWNERSHIP AND THE INSURANCE ETHIC HERE IN THE UK, REGULATED BY THE FINANCIAL SERVICE AUTHORITY (FSA) RULES FOR THE CONDUCT OF UK BUSINESS, INSURANCE CODE AND BUSINESS INSURANCE CODE STANDARDS OF WHICH CHUBB INSURANCE COMPANY IS A MEMB
ER OF THE FINANCIAL OMBUDSMAN SCHEME. DOES NOT ALLOW SUCH CLAIM TO STAY FOR OVER MORE THAN MANY YEARS, BECAUSE THE COMPANY SHALL HAVE POWER AFTER TEN GOOD YEARS TO DISCONTINUE THE POLICY AND TERMINATE THE INSURED MASTERPIECE POLICYHOLDER OWNERSHIP BENEFITS.

IN VIEW OF THE AFOREMENTIONED, AFTER I WAS CONVINCED IN MY MIND THAT YOUR NAME COULD BE USED AS THE BENEFICIARY TO THIS MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.THE NEED FOR A FOREIGNER AS THE BENEFICIARY TO CLAIM THE MASTER PIECE POLICY HOLDER OWNERSHIP IS OCCASIONED BY THE FACT THAT THE [CLIENT] MASTERPIECE POLICY HOLDER OWNERSHIP WAS A FOREIGNER AND AS A STAFF OF THE COMPANY I CANNOT STAND AS THE BENEFICIARY TO A FOREIGNER IN THIS CLAIM.

I THEREFORE PROPOSE THAT 40% OF THIS ABOVE FUND WILL BE FOR YOU AS A FOREIGN PARTICIPANT IN RESPECT OF YOUR INVOLVEMENT, COMPLIANCE AND FULL CO-OPERATION TOWARDS THE SUCCESSFUL CLAIMANT, WHILE 5% WILL BE FOR ANY EXPENSES THAT MIGHT BE INCURRED IN THE PROCESS OF PROCURING SATISFACTORY PROOF DOCUMENTS TO BE ISSUED ON YOUR NAME LEGALLY FOR BACK-UP TO ENABLE CHUBB INSURANCE COMPANY OF EUROPE S.A. PAY THE LUMP SUMS AND ALLOWANCE BENEFITS AS SET OUT UNDER THE CHUBB PERSONAL INSURANCE CASH ACCUMULATION MASTERPIECE POLICY HOLDER OWNERSHIP SCALE OF COMPENSATION AND THE REST FUND WILL BE FOR ME. THEREAFTER, I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT OF FUND AS I AM ALMOST DUE FOR RETIREMENT.UPON THE RECEIPT OF YOUR POSITIVE REPLY, I WILL THEN INFORM YOU THE NEXT STEP TO TAKE.

I WILL NOT FAIL TO BRING TO YOUR GOOD NOTICE THAT THIS DEAL IS 100% HITCH FREE, AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN SKILLFULLY PERFECTED FOR THE MASTERPIECE POLICY HOLDER OWNERSHIP CLAIM.

MY HIGHEST CONSIDERATIONS AND REGARDS AS I AWAIT YOUR URGENT RESPONSE.

THANK YOU.

ANDREW MCELWEE,JR.
DIRECT TEL: +44-702-403-5965
EMAIL: andrewmcelwee@mail2london.com

NOTE: IF YOU LOSE ANY OF MY CONTACT EMAIL ADDRESS, TRY AS MUCH AS YOU CAN TO CALL ME ON THIS 24 HOURS DIRECT OFFICE AND CELL PHONE NUMBERS: 07624132116 OR +44-702-403-596565

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 17:10:58 2010
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Date: Sat, 17 Apr 2010 17:10:52 +0000
Subject: Bass Looping On The San Lorenzo-(house concert spam)
From: "Steve Uccello" <stevebassbird@yahoo.com>
Reply-To: "Steve Uccello" <stevebassbird@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
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Hi  everyone-Steve Uccello here sending out a little reminder about my upco=
ming event: Bass Looping On The San Lorenzo in Felton, CA-APRIL 24TH 5pm po=
tluck 6pm music-All Ages Welcome-the show will feature, you guessed it lots=
 of bass and lots of Live Looping!  Dan Robbins/Zach Parkes/Matt Bohn/Uccel=
lo Project along w/ percussionist Armondo 'Uncle' Mafufo will provide the m=
usical entertainement for the evening-the finale piece will be a bass quart=
et (2 uprights 2 electrics) version of Stevie Wonder's tune 'Big Brother' -=
should be really fun-plus lots of food/drinks-river chillage, ect...if you'=
re a local central coaster-I'd love to see you there-for those of you scatt=
ered across the globe-there  should be some vids of  the show up shortly af=
ter  the event.  Also, after 2 years of using my little RC 2, I'm finally s=
tepping up to using my Looperlative LP 1! It will be my 2nd time using it l=
ive (1st time was a couple tunes at an open mic) so it's a huge deal for me=
 as a live looper-LP 1 is so fun to use and the audio quality w/ my new upr=
ight w/ Rick Turner pick-up, is so pleasing! I'm so exited about the possib=
ilities that are opened up by the LP 1! I hope you all are well and please =
RSVP to this  email or call 831-801-4920 to get the address to 'Bass Loopin=
g On The San Lorenzo' THANKS- ps. read more about the show or Uccello Proje=
ct at: www.uccelloprojects.blogspot.com

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 17:20:45 2010
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Subject: any loopers in the minneapolis area?
From: Charlie Milkey <pilotcp@gmail.com>
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--0016e640d052b13f10048471f2d7
Content-Type: text/plain; charset=ISO-8859-1

Hi!

I notice that there are a few places around minneapolis who are looking for
a few musicians to play at their establishments, and I was thinking of maybe
putting a loop duo or trio together--i know that they are probably looking
for indie groups or whatever, but i say what the heck, why not try fitting a
looping group in? Is anyone interested?


Charlie

--0016e640d052b13f10048471f2d7
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Hi!=A0<div><br></div><div>I notice that there are a few places around minne=
apolis who are looking for a few musicians to play at their establishments,=
 and I was thinking of maybe putting a loop duo or trio together--i know th=
at they are probably looking for indie groups or whatever, but i say what t=
he heck, why not try fitting a looping group in? Is anyone interested?</div=
>
<div><br></div><div><br>Charlie</div>

--0016e640d052b13f10048471f2d7--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 17:23:13 2010
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Subject: RE: Need some advice please
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I would ship nothing until I had cash, check or money order clearly in hand
or bank account!!!

 

Then again, I am a skeptic because I had an ID theft experience last year
that I have a hunch, may have begun on PayPal.

 

Just my $.02.

 

Ed in NJ

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>I would ship nothing until I had =
cash,
check or money order clearly in hand or bank =
account!!!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Then again, I am a skeptic because =
I had
an ID theft experience last year that I have a hunch, may have begun on =
PayPal&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Just my =
$.02&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Ed in =
NJ<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'><o:p>&nbsp;</o:p></span></font></p>

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</body>

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 17:35:20 2010
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Subject: [Virtual Gig Spam] Live ImprovFriday streaming concert later today
From: Steve Moyes <stevemoyes@googlemail.com>
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Hello dear loopists

Just a quick note to let you know that I'm doing some live improvised
loopery this later today as part of the ImprovFriday concert series.
It's at 10pm UK time, international times are listed here:
http://bit.ly/aL2pMW . To watch/listen live go to
http://improvfriday.ning.com/ . It would be great to see some of you
there.

Cheers

Steve

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 19:39:22 2010
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Date: Sat, 17 Apr 2010 15:39:21 -0400
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Subject: Re: [Virtual Gig Spam] Live ImprovFriday streaming concert later 
	today
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Steve I should be there rootin' for you, work situat=EDon changed.
Looking forward.

Jim

On 4/17/10, Steve Moyes <stevemoyes@googlemail.com> wrote:
> Hello dear loopists
>
> Just a quick note to let you know that I'm doing some live improvised
> loopery this later today as part of the ImprovFriday concert series.
> It's at 10pm UK time, international times are listed here:
> http://bit.ly/aL2pMW . To watch/listen live go to
> http://improvfriday.ning.com/ . It would be great to see some of you
> there.
>
> Cheers
>
> Steve
>
>

--=20
Sent from my mobile device

Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 20:03:43 2010
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Subject: Re: Few questions about foot controllers etc.
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On 16 Apr 2010, at 15:47, Clifford Novey wrote:

> Re: foot controllers/ new Softstep controller-
> http://www.keithmcmillen.com/products/softstep/
> I just noticed the designer was VP of Gibson/Oberheim in 1992 and was =
involved with ZIPI and such. =
http://www.keithmcmillen.com/about/aboutKeithMcMillen.php

very true! here is more about this story:
http://matthias.grob.org/pMusEng/loopdev.htm

> I see this as something that could potentially extend the =
possibilities of the EDP far beyond the FCB1010 and even create =
possibilities that have not previously existed (at least without great =
customized effort). For example one pad could be rounded insert top, =
unrounded insert bottom, etc. and even more intricate- all from a single =
bank/patch. Maybe switch modes on the fly. Set up strings of commands. =
Access multiple loops and many other commands from a single controller =
setup avoiding bank switching.

Yes, we thought about this, too!=20
I am going to visit Keith the next weeks, so if you have suggestions...
but top and bottom of the same button would just be a less secure =
variation of using two small buttons close together, no?
I am keen to try that thing...
> =20
> I have been looking over the midi doc for LoopIV and marking the =
functions i want to experiment with but dreading having multiple banks =
on the FCB1010 with diff commands etc. Ideally with Softstep you could =
program one setup and the time spent learning it would be very =
worthwhile esp if it contains everything you really want.
> The commands I am currently interested in experimenting with are:
> SUSRecord
> SUSRoundInsert
> SUSMute
> SUSREplace
> SUSToggle Reverse
> SUS Toggle speed
> SUS unround insert
> SUS mute-retrigger
> play samp once
> retrigger
> realign
> mute realign
> start point
> (some in conjunction w drum mach- some not)
> =20
> Regards,
> Clifford


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On 16 Apr 2010, at 15:47, Clifford Novey wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div>Re: foot controllers/ new Softstep controller- </div>
<div><a href="http://www.keithmcmillen.com/products/softstep/">http://www.keithmcmillen.com/products/softstep/</a></div>
<div>I just noticed the designer was VP&nbsp;of Gibson/Oberheim in 1992 and was involved with ZIPI and such. <a href="http://www.keithmcmillen.com/about/aboutKeithMcMillen.php">http://www.keithmcmillen.com/about/aboutKeithMcMillen.php</a></div></blockquote><div><br></div>very true! here is more about this story:</div><div><meta charset="utf-8"><a href="http://matthias.grob.org/pMusEng/loopdev.htm">http://matthias.grob.org/pMusEng/loopdev.htm</a></div><div><br><blockquote type="cite">

<div>I see this as something that could potentially extend the possibilities of the EDP far beyond the FCB1010 and even create possibilities that have not previously existed (at least without great customized effort). For example one pad could be rounded insert top, unrounded insert bottom, etc. and even more intricate- all from a single bank/patch. Maybe switch modes on the fly. Set up strings of commands. Access multiple loops and many other commands from a single controller setup avoiding bank switching.</div></blockquote><div><br></div>Yes, we thought about this, too!&nbsp;</div><div>I am going to visit Keith the next weeks, so if you have suggestions...</div><div>but top and bottom of the same button would just be a less secure variation of using two small buttons close together, no?</div><div>I am keen to try that thing...<br><blockquote type="cite">

<div>&nbsp;</div>
<div>I have been looking over the midi doc for LoopIV and marking the functions i want to experiment with but dreading having multiple banks on the FCB1010 with diff commands etc. Ideally with Softstep you could program one setup and the time spent learning it would be very worthwhile esp if it contains everything you really want.</div>

<div>The commands I am currently interested in experimenting with are:</div>
<div>SUSRecord</div>
<div>SUSRoundInsert</div>
<div>SUSMute</div>
<div>SUSREplace</div>
<div>SUSToggle Reverse</div>
<div>SUS Toggle speed</div>
<div>SUS unround insert</div>
<div>SUS mute-retrigger</div>
<div>play samp once</div>
<div>retrigger</div>
<div>realign</div>
<div>mute realign</div>
<div>start point</div>
<div>(some in conjunction w drum mach- some not)</div>
<div>&nbsp;</div>
<div>Regards, </div>
<div>Clifford</div>
</blockquote></div><br></body></html>
--Apple-Mail-50--977961343--

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RE:YOUR WINNING BAILOUT (HARRY POTTER FOUNDATION 2010)

  * Harry Potter Foundation.
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Dear E-mail account owner Harry Potter Foundation united kingdom is
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 21:18:41 2010
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Subject: Steve Moyes looping live now
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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--0016e6470cf88ce1d00484754512
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at http://improvfriday.ning.com/ wonderful metaillic piece concurrently

-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

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at <a href=3D"http://improvfriday.ning.com/">http://improvfriday.ning.com/<=
/a> wonderful metaillic piece concurrently<br clear=3D"all"><br>-- <br>Webs=
ites<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a=
><br>
<a href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a=
><br><br>Downloads/CD&#39;s<br><a href=3D"http://jimgoodin.bandcamp.com">ji=
mgoodin.bandcamp.com</a><br><a href=3D"http://digitsignal.bandcamp.com">dig=
itsignal.bandcamp.com</a><br>
<a href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.ban=
dcamp.com</a><br><br>Live Channels<br><a href=3D"http://www.livestream.com/=
jimgoodinlive">www.livestream.com/jimgoodinlive</a><br><a href=3D"http://ww=
w.livestream.com/digitsignallive">www.livestream.com/digitsignallive</a><br=
>


--0016e6470cf88ce1d00484754512--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 17 22:10:17 2010
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Date: Sat, 17 Apr 2010 15:10:15 -0700 (PDT)
Subject: Re: email formatting - was Re: DOSH: live looper
From: looppool@cruzio.com
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Sorry about that guys,

In Thunderbird, which I use, I just noticed that if I
write in HTML and then turn it off that it retains
the bold letters that I've included in the formatted text.

when I get those same posts back in the daily digest
they read exactly as I've sent them.......bold letters in
bold but not in HTML.

This must be reformatting in some browsers unbeknownst to me
so I'll quit doing it with apologies.

And now that I've got your attention,  my pet peeve:

Please quit quoting all the previous posts in your reply,  it makes it so
that
several daily digests have to be sent and the whole purpose of the daily
digest
is to avoid the plethora of unwanted posts in one's mailbox (my is
overfull on a daily basis).

I'll be considerate and stop this formatting trick I honestly thought was
working.

Please consider doing the same with the overquoted replies that are just
caused by
hitting reply without editing.

thanks,

rick

From info@xmgd.com  Sat Apr 17 23:52:34 2010
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From: "Lawloans" <info@xmgd.com>
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Date: Sat, 17 Apr 2010 18:00:55 +0800
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Goodday Sir/Madam,

Welcome to LAWRENCE .A. FINANCIAL SERVICE/LENDING COMPANY INC. as part of its welfare 
package is offering a business and personal loan offer at 3% interest rate without any 
collateral security. This is to help individuals reach their financial 
objectives.Interested persons should email us on:lendershelpdesk2@sify.com 


* Personal Loan (Unsecured)
* Business Loan (Unsecured)
* Debt Consolidation Loan
* Improve your home


APPLICATION FORM:
1)Name:
2)Prefix (Mr., Mrs., (Ms)., Dr., etc.)
3)First Name:
4)Last Name:
5)Address:
6)Country:
7)Marital Status:
8)Phone Number:
9)Cell Phone:
10)Occupation:
11)Amount Needed As The Loan:
12)Loan Duration:
13)Purpose Of Loan:
14)Have You Applied Before:

All replies should be forwarded to:E-mails: lendersdesk@mail2helpdesk.com. As soon as 
we recieve the application, Then we will process your Loan application for approval

Regards,
Mr. Lawrence Awolowo
General Consultant
E-mail:lendershelpdesk2@sify.com
lendersdesk@mail2helpdesk.com

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 00:27:01 2010
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Date: Sat, 17 Apr 2010 17:26:57 -0700
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Subject: Re: Few questions about foot controllers etc.
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--00504502e247fa5b53048477e62b
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 ===========

>   very true! here is more about this story:
> http://matthias.grob.org/pMusEng/loopdev.htm
>
>  I see this as something that could potentially extend the possibilities
> of the EDP far beyond the FCB1010 and even create possibilities that have
> not previously existed (at least without great customized effort). For
> example one pad could be rounded insert top, unrounded insert bottom, etc.
> and even more intricate- all from a single bank/patch. Maybe switch modes on
> the fly. Set up strings of commands. Access multiple loops and many other
> commands from a single controller setup avoiding bank switching.
>
> Yes, we thought about this, too!
> I am going to visit Keith the next weeks, so if you have suggestions...
> but top and bottom of the same button would just be a less secure variation
> of using two small buttons close together, no?
> I am keen to try that thing...
>
========

Small world! I don't have any suggestions at the moment but if I do will
certainly let you know! I guess one thought is how it will be powered in
stand alone mode- the ability to use standard 200ma barrel connectors that
most effect pedals use would be perfect.

As for the "variation of 2 small buttons"- yes- I have thought how this
could be pretty tricky in practice but def worth a try. I am imagining
related commands on a single switch, like all the insert cmds on one, all
the overdub on another- so if you do press the wrong spot maybe you would
not make such a big "mistake" I am also curious if there will be sensitivity
settings that can be adjusted to help. In the end we will just have to see
how it works in practice and it sounds like you will be the first one of us
to try it with an EDP- so a prompt and full report is expected!
;)

Wow- I just read the loopdev web page and I must say I am proud to be a
small part of such a home grown and passionate project! I didn't fully
understand the extent of Kim's involvement or Andy's and some of the others
involved or even know that much about the development. To have such an idea
and see it through to completion is great to see. I had fun and felt
satisfied when i did the resistor mod to my EDP- you guys went through such
an exponentially larger process- the satisfaction along the way of
hardware/software development and first tests must have been great!

Thanks for FLIP mode Andy! I tried it for the first time the other night- I
don't fully grasp it yet but I liked it- aside from my finniky expression
pedal. I also forgot about the great Vortex database which I used a lot. I
still have my Vortex and am not sure i could bring myself to sell it. I am
more tempted to dust it off and use it again! (please lord do not let the
data encoder knob to ever fail again! repairing that was not fun)

Keith was such a critical part of the G EDP - had no idea. That is
encouraging as I would expect him to be receptive to the input of users of
the EDP!

Anyway- I also remember Kim fixing my unit for me when the crystals were bad
(rare occurence) and it is just another thing I like about this project- the
connection to the people working on it- no impenetrable corporate wall.

Thanks again-

Clifford

--00504502e247fa5b53048477e62b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div class=3D"gmail_quote">
<div>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</div>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div style=3D"WORD-WRAP: break-word">
<div>
<div class=3D"im">
<div>very true! here is more about this story:</div></div></div>
<div><a href=3D"http://matthias.grob.org/pMusEng/loopdev.htm" target=3D"_bl=
ank">http://matthias.grob.org/pMusEng/loopdev.htm</a></div>
<div>
<div class=3D"im"><br>
<blockquote type=3D"cite">
<div>I see this as something that could potentially extend the possibilitie=
s of the EDP far beyond the FCB1010 and even create possibilities that have=
 not previously existed (at least without great customized effort). For exa=
mple one pad could be rounded insert top, unrounded insert bottom, etc. and=
 even more intricate- all from a single bank/patch. Maybe switch modes on t=
he fly. Set up strings of commands. Access multiple loops and many other co=
mmands from a single controller setup avoiding bank switching.</div>
</blockquote>
<div>Yes, we thought about this, too!=A0</div></div></div>
<div>I am going to visit Keith the next weeks, so if you have suggestions..=
.</div>
<div>but top and bottom of the same button would just be a less secure vari=
ation of using two small buttons close together, no?</div>
<div>I am keen to try that thing... </div></div></blockquote>
<div>=3D=3D=3D=3D=3D=3D=3D=3D</div>
<div>=A0</div>
<div>Small world! I don&#39;t have any suggestions at the moment but if I d=
o will certainly let you know! I guess one thought is how it will be powere=
d in stand alone mode- the ability to use standard 200ma barrel connectors =
that most effect pedals use would be perfect.</div>

<div>=A0</div>
<div>As for the &quot;variation of 2 small buttons&quot;- yes- I have thoug=
ht how this could be pretty tricky in practice but def worth a try. I am im=
agining related commands on a single switch, like all the insert cmds on on=
e, all the overdub on another- so if you do press the wrong spot maybe you =
would not make such a big &quot;mistake&quot; I am also curious if there wi=
ll be sensitivity settings that can be adjusted to help. In the end we will=
 just have to see how it works in practice and it sounds like you will be t=
he first one of us to try it with an EDP- so a prompt and full report is ex=
pected!</div>

<div>;)</div>
<div>=A0</div>
<div>Wow- I just read the loopdev web page and I must say I am proud to be =
a small part of such a=A0home grown and=A0passionate project! I didn&#39;t =
fully understand the extent of Kim&#39;s involvement or Andy&#39;s and some=
 of the others involved or even know that much about the development. To ha=
ve such an idea and see it through to completion is great to see.=A0I had f=
un and felt satisfied when i did the resistor mod to my EDP- you guys went =
through such an exponentially larger process- the satisfaction along the wa=
y of hardware/software development and first tests must have been great!</d=
iv>

<div>=A0</div>
<div>Thanks for FLIP mode Andy! I tried it for the first time the other nig=
ht-=A0I don&#39;t fully grasp it yet but I liked it- aside from my finniky =
expression pedal.=A0I also forgot about the great Vortex database which I u=
sed a lot. I still have my Vortex and am not sure i could bring myself to s=
ell it. I am more tempted to dust it off and use it again!=A0(please lord d=
o not let the data encoder knob to ever fail again! repairing that was not =
fun)</div>

<div>=A0</div>
<div>Keith was such a critical part of the G EDP=A0- had no idea. That is e=
ncouraging as I would expect him to be receptive to the input of users of t=
he EDP!</div>
<div>=A0</div>
<div>Anyway- I also remember Kim fixing my unit for me when the crystals we=
re bad (rare occurence) and it is just another thing I like about this proj=
ect- the connection to the people working on it- no impenetrable corporate =
wall.</div>

<div>=A0</div>
<div>Thanks again- </div>
<div>=A0</div>
<div>Clifford</div>
<div>=A0</div></div>

--00504502e247fa5b53048477e62b--

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Subject: EDP knobs mod/replacement
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Has anyone modded or replaced the front panel knobs on their EDP? The knobs
on mine do not fit tight and also have side to side movenemt.
C

--0016e64cd7ee8b2257048477ec89
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<div>Has anyone modded or replaced the front panel knobs on their EDP? The knobs on mine do not fit tight and also have side to side movenemt.</div>
<div>C</div>

--0016e64cd7ee8b2257048477ec89--

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Date: Sat, 17 Apr 2010 17:59:08 -0700 (PDT)
From: "REV.CHRIST SMITH" <ronaldone@verizon.net>
Reply-To: dhlco001@w.cn
Subject: CONTACT DHL COURIER COMPANY IMMEDIATELY
To: undisclosed recipients: ;
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--0-1699203601-1271552348=:35791
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CONTACT DHL COURIER COMPANY IMMEDIATELY

DHL International Benin

Lot No. 23 Patte D'Oie

03 BP 2147Cotonou

Atten:

We have a Parcel contained an International Cashier Bank Draft/Cheque worth the

sum of ($3.5 millionUSD) which will be deliver to you at the moment as long as

you provide all the requirement information to the DHL Courier Dlivery Express

company before the parcel can be shipped to your own residential address in your

country.

Further more,Your e-mail /Home address was among the luckiest package that will

be send through Federal Express Delivery Service as soon as contact them so what

you have to do right now is to contact the Director of DHL Delivery Department

for immediate dispatch to your residential address.

CONTACT PERSON;DR.JOHN BROWN

Email;(dhlco001@w.cn )

Website;www.dhl.com

Tel; 00229 98-895-888

TEl: 00229 995-726-22

Reconfirm Your Address Once Again.

1.YOUR FULL NAME:...............

2.YOUR TELEPHONE NUMBER................

3.YOUR CONTACT ADDRESS:.................

4.YOUR OCCUPATION:...................

5.YOUR COUNTRY:................................

My Regard to your family

Yours REV.CHRIST SMITH
--0-1699203601-1271552348=:35791
Content-Type: text/html; charset=us-ascii

<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br><br>CONTACT DHL COURIER COMPANY IMMEDIATELY<br>
DHL International Benin<br>
Lot No. 23 Patte D'Oie<br>
03 BP 2147Cotonou<br>
Atten:<br>
We have a Parcel contained an International Cashier Bank Draft/Cheque worth the<br>
sum of ($3.5 millionUSD) which will be deliver to you at the moment as long as<br>
you provide all the requirement information to the DHL Courier Dlivery Express<br>
company before the parcel can be shipped to your own residential address in your<br>
country.<br>
Further more,Your e-mail /Home address was among the luckiest package that will<br>
be send through Federal Express Delivery Service as soon as contact them so what<br>
you have to do right now is to contact the Director of DHL Delivery Department<br>
for immediate dispatch to your residential address.<br>
CONTACT PERSON;DR.JOHN BROWN<br>
Email;(dhlco001@w.cn )<br>
Website;www.dhl.com<br>
Tel; 00229 98-895-888<br>
TEl: 00229 995-726-22<br>
Reconfirm Your Address Once Again.<br>
1.YOUR FULL NAME:...............<br>
2.YOUR TELEPHONE NUMBER................<br>
3.YOUR CONTACT ADDRESS:.................<br>
4.YOUR OCCUPATION:...................<br>
5.YOUR COUNTRY:................................<br>
My Regard to your family<br>
Yours REV.CHRIST SMITH</td></tr></table>
--0-1699203601-1271552348=:35791--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 02:46:51 2010
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Subject: New "Rigs!" video with Daryl Shawn
From: Matt Davignon <mattdavignon@gmail.com>
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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Hi all,

I just uploaded 2 new videos for "Rigs!". This time, it's with Daryl
Shawn, demonstrating his guitar and tape setup.

Demonstration:
http://www.youtube.com/watch?v=eIaB8TzrnJ8

Performance:
http://www.youtube.com/watch?v=cN_HIdT2kOM

I also put the existing videos in a big playlist, but I'm not exactly
sure what that does. "Rigs!" is a video series I started last year,
documenting experimental musicians and their unusual instrument
setups.


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 03:31:25 2010
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Date: Sat, 17 Apr 2010 23:31:22 -0400
Subject: New Foot Controller
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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This looks interesting.

http://news.cnet.com/8301-17938_105-20002415-1.html

Andre



http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From ha.maxwelll@gmx.li  Sun Apr 18 10:34:04 2010
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 11:30:51 2010
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Subject: Repeater OS 2.4
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hello,
Does anyone have the Repeater OS 2.4? I cannot find it and info on the
changes it brought to the Repeater. I have 2 I would like to update
possibly.
Regards,
Clifford

--0016e64bbbf01fed1e0484812d38
Content-Type: text/html; charset=ISO-8859-1

<div>Hello, </div>
<div>Does anyone have the Repeater OS 2.4? I cannot find it and info on the changes it brought to the Repeater. I have 2 I would like to update possibly.</div>
<div>Regards, </div>
<div>Clifford</div>

--0016e64bbbf01fed1e0484812d38--

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Date: Sun, 18 Apr 2010 04:45:46 -0700
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Subject: Re: Repeater OS 2.4
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--0016e64c2a04975e1004848162db
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Correction- seems the last OS was 2.1 build 4

On Sun, Apr 18, 2010 at 4:30 AM, Clifford Novey <cnovey@gmail.com> wrote:

> Hello,
> Does anyone have the Repeater OS 2.4? I cannot find it and info on the
> changes it brought to the Repeater. I have 2 I would like to update
> possibly.
> Regards,
> Clifford
>

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Correction- seems the last OS was 2.1 build 4<br><br>
<div class="gmail_quote">On Sun, Apr 18, 2010 at 4:30 AM, Clifford Novey <span dir="ltr">&lt;<a href="mailto:cnovey@gmail.com">cnovey@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style="BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class="gmail_quote">
<div>Hello, </div>
<div>Does anyone have the Repeater OS 2.4? I cannot find it and info on the changes it brought to the Repeater. I have 2 I would like to update possibly.</div>
<div>Regards, </div>
<div>Clifford</div></blockquote></div><br>

--0016e64c2a04975e1004848162db--

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Date: Sun, 18 Apr 2010 13:52:15 +0200
Message-ID: <j2rbbb8cbac1004180452obb6eb864q26b63fa675e326d9@mail.gmail.com>
Subject: Re: Violin Looping with pretty lights...
From: Fabio_A <eterogenus@gmail.com>
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Beautifull ! more please !

-fabio
www.eterogeneo.com

2010/4/15 todd reynolds <toddreyn@gmail.com>

> Hope this finds all my looping brethren and sistren well...
>
> Violin-looping in Ableton Live in a reactive and beautiful light
> installation by New Spectrum Foundation.
>
> http://bit.ly/bRdE6B (3 videos)
>
> Cheers, all.
>
> T.
>
>
>
>
>

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<div>Beautifull ! more please !</div>
<div>=A0</div>
<div>-fabio</div>
<div><a href=3D"http://www.eterogeneo.com/">www.eterogeneo.com</a><br><br><=
/div>
<div class=3D"gmail_quote">2010/4/15 todd reynolds <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:toddreyn@gmail.com">toddreyn@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hope this finds all my looping b=
rethren and sistren well...=A0=20
<div><br></div>
<div>Violin-looping in Ableton Live in a reactive and beautiful light insta=
llation by New Spectrum Foundation. =A0=20
<div><br></div>
<div><a href=3D"http://bit.ly/bRdE6B" target=3D"_blank">http://bit.ly/bRdE6=
B</a> (3 videos)</div>
<div><br></div>
<div>Cheers, all.=A0</div>
<div><br></div>
<div>T.</div>
<div><br></div>
<div><br clear=3D"all"><br><br></div></div></blockquote></div><br>

--000325556532c8eb1804848179d9--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 12:08:25 2010
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
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Hi Per

Actually, I made a mistake:
The new MBPs (all of them) seem to support 8GB.

> This makes producing very slow and inefficient. That's the
> only reason I can find for getting a i7 iMac. The i7 MBP only come
> with that huge screen and I don't like laptops with huge screens
> (prefer 13" and huge external screens at local work spaces to plug in
> to).

Same with me :)
Also keep in mind that the computer you buy _today_ should be able to run software of _tommorrow_ with reasonable performance - and you can be sure you'll need it for the newest plugins, tools etc.


i.e. notebook.de is selling exactly something like this for 1750,- EUR and 13" :
Sony Vaio VPC-Z11V5E mit Intel Core i7 620M 2.66 GHz (Win 7)
- 33,3cm (13.1") Vaio Display Premium Full HD mit LED Beleuchtung, max Aufl. 1920x1080
- Intel Core i7 620M 2.66 GHz (4MB L3, 1066MHz FSB)
- 4096 MB DDR3-RAM 1066Mhz
- 500 GB Serial ATA (7200 U/Min)

Why should I pay 1450,-EUR for a C2D MacBookPro if I can have this baby?
The only thing stopping me at the moment is Logic/Mainstage...

best regards
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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On Sun, Apr 18, 2010 at 2:08 PM, Buzap Buzap <buzap@gmx.net> wrote:
> i.e. notebook.de is selling exactly something like this for 1750,- EUR and 13" :
> Sony Vaio VPC-Z11V5E mit Intel Core i7 620M 2.66 GHz (Win 7)
> - 33,3cm (13.1") Vaio Display Premium Full HD mit LED Beleuchtung, max Aufl. 1920x1080
> - Intel Core i7 620M 2.66 GHz (4MB L3, 1066MHz FSB)
> - 4096 MB DDR3-RAM 1066Mhz
> - 500 GB Serial ATA (7200 U/Min)
>
> Why should I pay 1450,-EUR for a C2D MacBookPro if I can have this baby?
> The only thing stopping me at the moment is Logic/Mainstage...


Well, the only reason I can think of why you should want to do that is
the same reason why I stick with Apple pc's: I simply like the
production tools of Logic and Mainstage because they let me produce
music in a more intuitive way, with less boring effort ;-))  I don't
know about you but for me there are some other music software I like
that isn't available in Widows.

I am also thinking about all the extra audio plugins you would have to
buy in order to reach the same level in sound design and to me this
equation ends up more expensive if using a Windows only pc, compared
to the all-in-one virtual studio solution Logic Studio that runs on
Apple hardware.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From: "Jonathan Barrett" <jonathanbarrett1234@btinternet.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Live looping with french horn
Date: Sun, 18 Apr 2010 14:08:28 +0100
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------=_NextPart_000_0036_01CADF00.9E8D12C0
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Hi all, this is my 1st post.

I hope to perform live with a french horn and looping setup.

I have to warn you I am a newbie to music tech - many apologies if this =
sort of question has been posted before.

I have just purchased a Boss VE20 vocal effects processor (with =
harmoniser and looper) and a shure m57 mic. My first attempt I have =
posted on my myspace page - http://www.myspace.com/jonbarrett95, 'Negev =
dawn' (ambient-type).

I think the looper is quite limited on this pedal and I'll have to =
supplement performances with a computer or another loop pedal.

I wanted the technology to be at an absolute minimum, and I'm not much =
good with computers, so I'm tending towards the idea of another, =
additional, loop pedal.=20

So, which do you think would be better-=20

a) French horn > mic > mixer/splitter > Boss VE20 and/or effects pedals =
> additional looper > PA                                        =20

or=20

b) horn & computer (with ableton or something) > Boss VE20 > PA

or even

c) an additional band member!

I'm concerned with the present setup everything would end up sounding =
the same. Plus I'll have to be very accurate with the looping with this =
Boss pedal. But I do want to keep things as simple as possible - a =
computer in a live performance would strike me with terror (stablity =
etc)!=20

Also, I'm not quite sure where to put the effects pedals in the chain in =
a) (there aren't enough effects on the VE20 to be honest meaning I will =
again have to supplement.).

If anyone has ideas for additional items in the chain (if I've made =
glaring ommisions etc) that'd be most welcome.

Cheers,

Jonathan


------=_NextPart_000_0036_01CADF00.9E8D12C0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Hi all, this is my 1st =
post.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I hope to perform live with a french =
horn=20
and&nbsp;looping setup.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I have to warn you I am a newbie to =
music tech -=20
many apologies if this sort of question has been posted =
before.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I have just purchased a Boss VE20 vocal =
effects=20
processor (with harmoniser and looper)&nbsp;and a shure m57 mic. My =
first=20
attempt I have posted on my myspace page - <A=20
href=3D"http://www.myspace.com/jonbarrett95">http://www.myspace.com/jonba=
rrett95</A>,=20
'Negev dawn' (ambient-type).</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I think the looper is quite limited on =
this pedal=20
and I'll have to supplement performances with a computer or another loop =

pedal.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I wanted the technology to be at an =
absolute=20
minimum, and I'm not much good with computers, so I'm tending towards =
the idea=20
of another, additional, loop pedal. </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>So, which do you think would be better- =

</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>a) French horn&nbsp;&gt; mic&nbsp;&gt;=20
mixer/splitter &gt; Boss VE20 and/or effects pedals&nbsp;&gt; additional =
looper=20
&gt; PA</FONT><FONT size=3D2=20
face=3DArial>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&n=
bsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>or </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>b) horn &amp; computer (with ableton or =
something)=20
&gt; Boss VE20 &gt; PA</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>or even</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>c) an additional band =
member!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>I'm concerned with the present setup =
everything=20
would end up sounding the same. Plus I'll have to be very accurate with =
the=20
looping with this Boss pedal. But I do want to keep things as simple as =
possible=20
-&nbsp;a computer in a live performance would strike me with terror =
(stablity=20
etc)! </FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Also, I'm not quite sure where to put =
the effects=20
pedals in the chain in a) (there aren't enough effects on the VE20 to be =
honest=20
meaning I will again have to supplement.).</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>If anyone has ideas for additional =
items in the=20
chain (if I've made glaring ommisions etc) that'd be most =
welcome.</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial>Cheers,</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial><BR>Jonathan</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2 face=3DArial></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0036_01CADF00.9E8D12C0--

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: New live looping tune
Date: Sun, 18 Apr 2010 14:26:43 +0100
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#sundayfreenoodle 11 is here - new song called 8.19 live on ustream  
last year free mp3- ebow/whammy
pedal/live looping http://bit.ly/ceTL8g -

Let me know what you think guys.....

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
<h3 class="UIIntentionalStory_Message" data-ft="{&quot;type&quot;:&quot;msg&quot;}"><span class="UIStory_Message">#sundayfreenoodle&nbsp;11 is here - new song called 8.19 live on ustream last year free mp3- ebow/whammy <br>pedal/live looping <a href="http://bit.ly/ceTL8g" target="_blank" rel="nofollow" onmousedown="UntrustedLink.bootstrap($(this), &quot;331fc4aa0bba777d826b987f0ca534c9&quot;, event)">http://bit.ly/ceTL8g</a>&nbsp;-&nbsp;</span></h3><h3 class="UIIntentionalStory_Message" data-ft="{&quot;type&quot;:&quot;msg&quot;}">Let me know what you think guys.....</h3><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></body></html>
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 13:47:36 2010
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Date: Sun, 18 Apr 2010 15:47:34 +0200
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Subject: Re: New live looping tune
From: Per Boysen <perboysen@gmail.com>
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On Sun, Apr 18, 2010 at 3:26 PM, Matt Stevens
<mattstevensguitar@btinternet.com> wrote:
> #sundayfreenoodle=C2=A011 is here - new song called 8.19 live on ustream =
last
> year free mp3- ebow/whammy
> pedal/live looping http://bit.ly/ceTL8g=C2=A0-
>
> Let me know what you think guys.....


Very cool track, Matt! I like the general melodic feel in this.
Especially in the ebow part, which I also like because it has a wide
dynamic range. The chord guitar works ok, but I wish you had played it
into the looper with less strained attack, still groovy but with the
sensitive feel of the wider dynamics you used in the ebow part.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Subject: SPAM - Looperlative LP-1
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--00163649a1a1e1fc730484834f05
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i'm currently having a massive gear sale and selling off pretty much
everything i own to fund a move to a more compact, semi software setup

my electrix repeater is currently on ebay, but i am also selling off my
lp-1, lexicon mpx-1 and tc d2 (which will go on ebay tomorrow)

later on, i will be selling my mesa triaxis, eventide eclipse and tc g-force

if you are interested in any of the above, please get in touch off list

many thanks

ps - for those interested, here is the full list with prices in UK pounds -

Mesa Triaxis 650
Mesa 50/50 800
Rocktron Xpression 220
Behringer Eurorack 16-ch mixer 80
TC G-Force 500
Eventide Eclipse 1000
TC D2 120
Looperlative LP-1 600
Lexicon MPX-1 200
Boss Slicer 80
Tech21 Tri-Ac 80
Tech21 Midi Mouse 50
Marshall Guv'nor 60
Korg Kaoss Pad KP-2 100
Boss SE-70 100
Rack cases 4u, 6u, 12u 60-100
Kenton midi merge 50
Electrix Repeater 700

i'm looking to buy a Macbook pro (not the newest ones, the previous gen), a
fractal audio axefx ultra, a tc konnect live, two qsc k10 monitors and ni
reaktor/komplete 5

best

sim

--00163649a1a1e1fc730484834f05
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i&#39;m currently having a massive gear sale and selling off pretty much ev=
erything i own to fund a move to a more compact, semi software setup<br><br=
>my electrix repeater is currently on ebay, but i am also selling off my lp=
-1, lexicon mpx-1 and tc d2 (which will go on ebay tomorrow)<br>
<br>later on, i will be selling my mesa triaxis, eventide eclipse and tc g-=
force<br><br>if you are interested in any of the above, please get in touch=
 off list<br><br>many thanks<br><br>ps - for those interested, here is the =
full list with prices in UK pounds -<br>
<br>Mesa Triaxis		650<br>Mesa 50/50		800<br>Rocktron Xpression	220<br>Behri=
nger
 Eurorack 16-ch mixer	80<br>TC G-Force		500<br>Eventide Eclipse	1000<br>TC =
D2			120<br>Looperlative
 LP-1	600<br>Lexicon MPX-1		200<br>Boss Slicer		80<br>Tech21 Tri-Ac		80<br>=
Tech21
 Midi Mouse	50<br>Marshall Guv&#39;nor	60<br>Korg=20
Kaoss Pad KP-2	100<br>Boss SE-70		100<br>Rack cases 4u, 6u, 12u	60-100<br>K=
enton
 midi merge	50<br>Electrix Repeater	700=A0
      <br><br>i&#39;m looking to buy a Macbook pro (not the newest ones, th=
e previous gen), a fractal audio axefx ultra, a tc konnect live, two qsc k1=
0 monitors and ni reaktor/komplete 5<br><br>best<br><br>sim<br><br><br>

--00163649a1a1e1fc730484834f05--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 14:05:10 2010
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Subject: Re: Electrix Repeater CF-Card - technical parameters
Date: Sun, 18 Apr 2010 09:58:15 -0400
References: <4BC5899A.5030209@mnet-online.de> <4BC860DD.8010707@mnet-online.de>
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how large was the card you purchased?

chris
On 16-Apr-10, at 9:06 AM, Florian Anwander wrote:

> Answering my self and for the archives
>
> I did not find the real requirements, but by trying I found that  
> Transcend "Industrial CompactFlash" cards work properly in the  
> Repeater (Stereo, reverse and pitched up at the same time).
> http://www.transcendusa.com/Products/ModDetail.asp?ModNo=15&LangNo=0&Func1No=1&Func2No=13
> The page says: Data transfer rate: 12MB/sec(Max).
>
> I found them, because Transcend was the winner of a performancetest  
> at www.tomshardware.com
>
> I bought them here (german shop, shipping worldwide):
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=350230222933
>
>
> Transcend offers them still in sizes suitable for the Repeater:  
> 128MB/ 256Mb/ 512MB
>
> Regards, Florian
>
> Florian Anwander schrieb:
>> Hi,
>> I searched the archives, but did not find an answer:
>> What are the dedicated requirements regarding read and write  
>> performance (MBit/Second) for the CF-Cards used in the repeater?
>> Also: the Repeaters manual says it can handel memory up to 512MB;  
>> did anyone test, whether the Repeater accepts larger cards (it  
>> would be ok, if only 512 Mb are used)?
>> Florian
>

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Date: Sun, 18 Apr 2010 22:13:19 +0800
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Subject: Re: SPAM - Looperlative LP-1
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Awesome collection for sale there Sim. I'm having GAS now. All the best in
your sales.

Halimski.

On Sun, Apr 18, 2010 at 10:03 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> i'm currently having a massive gear sale and selling off pretty much
> everything i own to fund a move to a more compact, semi software setup
>
> my electrix repeater is currently on ebay, but i am also selling off my
> lp-1, lexicon mpx-1 and tc d2 (which will go on ebay tomorrow)
>
> later on, i will be selling my mesa triaxis, eventide eclipse and tc
> g-force
>
> if you are interested in any of the above, please get in touch off list
>
> many thanks
>
> ps - for those interested, here is the full list with prices in UK pounds -
>
> Mesa Triaxis 650
> Mesa 50/50 800
> Rocktron Xpression 220
> Behringer Eurorack 16-ch mixer 80
> TC G-Force 500
> Eventide Eclipse 1000
> TC D2 120
> Looperlative LP-1 600
> Lexicon MPX-1 200
> Boss Slicer 80
> Tech21 Tri-Ac 80
> Tech21 Midi Mouse 50
> Marshall Guv'nor 60
> Korg Kaoss Pad KP-2 100
> Boss SE-70 100
> Rack cases 4u, 6u, 12u 60-100
> Kenton midi merge 50
> Electrix Repeater 700
>
> i'm looking to buy a Macbook pro (not the newest ones, the previous gen), a
> fractal audio axefx ultra, a tc konnect live, two qsc k10 monitors and ni
> reaktor/komplete 5
>
> best
>
> sim
>
>
>

--001636d33e21426980048483724c
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<div>Awesome collection for sale there Sim. I&#39;m having GAS now. All the=
 best in your sales.<br></div><div><br></div><div>Halimski.</div><br><div c=
lass=3D"gmail_quote">On Sun, Apr 18, 2010 at 10:03 PM, Simeon Harris <span =
dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharr=
is40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">i&#39;m currently having a massive gear sal=
e and selling off pretty much everything i own to fund a move to a more com=
pact, semi software setup<br>
<br>my electrix repeater is currently on ebay, but i am also selling off my=
 lp-1, lexicon mpx-1 and tc d2 (which will go on ebay tomorrow)<br>
<br>later on, i will be selling my mesa triaxis, eventide eclipse and tc g-=
force<br><br>if you are interested in any of the above, please get in touch=
 off list<br><br>many thanks<br><br>ps - for those interested, here is the =
full list with prices in UK pounds -<br>

<br>Mesa Triaxis		650<br>Mesa 50/50		800<br>Rocktron Xpression	220<br>Behri=
nger
 Eurorack 16-ch mixer	80<br>TC G-Force		500<br>Eventide Eclipse	1000<br>TC =
D2			120<br>Looperlative
 LP-1	600<br>Lexicon MPX-1		200<br>Boss Slicer		80<br>Tech21 Tri-Ac		80<br>=
Tech21
 Midi Mouse	50<br>Marshall Guv&#39;nor	60<br>Korg=20
Kaoss Pad KP-2	100<br>Boss SE-70		100<br>Rack cases 4u, 6u, 12u	60-100<br>K=
enton
 midi merge	50<br>Electrix Repeater	700=A0
      <br><br>i&#39;m looking to buy a Macbook pro (not the newest ones, th=
e previous gen), a fractal audio axefx ultra, a tc konnect live, two qsc k1=
0 monitors and ni reaktor/komplete 5<br><br>best<br><br>sim<br><br><br>

</blockquote></div><br>

--001636d33e21426980048483724c--

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Date: Sun, 18 Apr 2010 16:26:17 +0200
Message-ID: <t2z66f9cc1e1004180726x13bfef3eqdfd90298a4bd7545@mail.gmail.com>
Subject: Re: SPAM - Looperlative LP-1
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Apr 18, 2010 at 4:03 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> i'm looking to buy a Macbook pro (not the newest ones, the previous gen), a
> fractal audio axefx ultra, a tc konnect live, two qsc k10 monitors and ni
> reaktor/komplete 5


Smart plan to buy "last year's model"! I have always done that with
computers to get a good price and less bugs to fight against ;-)) I've
heard people talk good about refurbished machines sold by Applestore.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 14:46:58 2010
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Date: Sun, 18 Apr 2010 10:46:56 -0400
Subject: Re: New live looping tune
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Nice one Matt.

Cool progression.Dig the melody and your build up to the end.

Andre

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa



On Sun, April 18, 2010 9:26 am, Matt Stevens wrote:
> #sundayfreenoodle 11 is here - new song called 8.19 live on ustream
> last year free mp3- ebow/whammy
> pedal/live looping http://bit.ly/ceTL8g -
>
> Let me know what you think guys.....
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>




http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 14:53:22 2010
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thread-topic: SPAM - Looperlative LP-1
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--Apple-Mail-1--910065298
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Fair enough.

Ace

Sent from my iPhone

On Apr 18, 2010, at 10:52 AM, "Simeon Harris" <simeonharris40@googlemail.com 
 > wrote:

> hi ace. not sure i want to ship it overseas - i'd be a bit nervous  
> about it's safety, to be honest. it also has a uk 3-pin adaptor.  
> you'd get a much better deal buying a used one in the US, as the  
> cost of mine plus shipping would almost come in at the price of a  
> new one over there.
>
> sim
>
> On Sun, Apr 18, 2010 at 3:14 PM, Ace Ovil <aovil@wfubmc.edu> wrote:
> I may be intersted in the lp1. I'm in north Carolina. How much would  
> you like for it shipped here?
>
> Ace
> Sent from my iPhone
>

--Apple-Mail-1--910065298
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<html><body bgcolor="#FFFFFF"><div>Fair enough.<br><br>Ace<div><br></div><div>Sent from my iPhone</div></div><div><br>On Apr 18, 2010, at 10:52 AM, "Simeon Harris" &lt;<a href="mailto:simeonharris40@googlemail.com">simeonharris40@googlemail.com</a>&gt; wrote:<br><br></div><div></div><blockquote type="cite"><div>hi ace. not sure i want to ship it overseas - i'd be a bit nervous about it's safety, to be honest. it also has a uk 3-pin adaptor. you'd get a much better deal buying a used one in the US, as the cost of mine plus shipping would almost come in at the price of a new one over there.<br>
<br>sim<br><br><div class="gmail_quote">On Sun, Apr 18, 2010 at 3:14 PM, Ace Ovil <span dir="ltr">&lt;<a href="mailto:aovil@wfubmc.edu"><a href="mailto:aovil@wfubmc.edu">aovil@wfubmc.edu</a></a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I may be intersted in the lp1. I'm in north Carolina. How much would you like for it shipped here?<br>
<br>
Ace<br>
Sent from my iPhone<div><div></div><br></div></blockquote></div>
</div></blockquote></body></html>
--Apple-Mail-1--910065298--

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So, what does this mean for your role as moderator on the Looperlative =
forums?

Mark

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--001636499eb3c5c3450484841c89
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i guess i'll be hanging up my hat and bowing out gracefully. bob may want to
find someone else, so i'll pm him to let him know

sim

On Sun, Apr 18, 2010 at 3:58 PM, Mark Hamburg <mark@grubmah.com> wrote:

> So, what does this mean for your role as moderator on the Looperlative
> forums?
>
> Mark
>
>

--001636499eb3c5c3450484841c89
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i guess i&#39;ll be hanging up my hat and bowing out gracefully. bob may wa=
nt to find someone else, so i&#39;ll pm him to let him know<br><br>sim<br><=
br><div class=3D"gmail_quote">On Sun, Apr 18, 2010 at 3:58 PM, Mark Hamburg=
 <span dir=3D"ltr">&lt;<a href=3D"mailto:mark@grubmah.com">mark@grubmah.com=
</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">So, what does thi=
s mean for your role as moderator on the Looperlative forums?<br>
<font color=3D"#888888"><br>
Mark<br>
<br>
</font></blockquote></div><br>

--001636499eb3c5c3450484841c89--

From office12@emailn.de  Sun Apr 18 16:02:38 2010
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Reply-To: <dennis_park@inteligweb.com.br>
From: "Park"<office12@emailn.de>
Subject: I guarantee that this will be executed under a legitimate arrangement that will protect you from any breach of the law..........17 / 04 / 2010.
Date: Sun, 18 Apr 2010 14:31:23 +0700
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To: undisclosed-recipients:;

>From The Desk Of Barrister Dennis Park ,
Dennis Park & Associate Chambers
37 Sathorn Tai Road,
Bangkok Thailand
Email dennis_park@inteligweb.com.br

Dear Sir/Madam,

I am Barrister Dennis Park, a Solicitor. I am the Personal Attorney to Mr. Steve Anderson, who used to work with SIAMRAK Company Limited in Bangkok Thailand . On the 21st of April 2004, his wife and their three children were involved in a car accident along Sukhumvit Express Road .

Unfortunately, they all lost their lives in the event of the accident. Since then I have made several enquiries to your Embassy to locate any of my client's relatives, this has also proved unsuccessful. After these several unsuccessful attempts, I decided to trace his relatives over the Internet to locate any member of his family but to no avail, hence, I contacted you to assist in repatriating the money left behind by my client in a Finance Company. Particularly, the Finance House where the deceased deposited the US$35 Million (Thirty Five Million United States Dollars only).

Consequently, this Finance House issued me a notice to provide the Next of Kin to claim the US$35 Million (Thirty Five Million United States Dollars only) in their custody within the next ten official working days. Since I have been unsuccessful in locating the relatives for over 4 years now, I seek your consent to present you as the next of kin of the deceased to claim the fund as the Next of Kin to him so that the fund will be transferred to your account by the Finance House.

Upon receipt of the fund, I will come over to your country to meet with you for the disbursement of the fund and then you and I will share the money in this order: 60% will be for me, 40% will be for you. I have all the necessary legal documents that can back our claim we will make with the Finance House.

All I require is your honest co-operation to enable us seeing this deal through. I guarantee that this will be executed under a legitimate arrangement that will protect you from any breach of the law.

You are needed as a next of kin to inherit your brother left fund.

Best regards .
Barrister Dennis Park (Esq.)


From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 16:28:06 2010
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Hi Per

> but for me there are some other music software I like
> that isn't available in Widows.

For me, Logic/Mainstage is indeed the main reason for Mac.

If I'd go the PC road, it would probably be Reaper/Bidule/Komplete as a starting point, possibly checking out also Ableton.

I'll see what I'll do.

Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

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Date: Sun, 18 Apr 2010 12:34:50 -0400
From: YNV Records <promofuerza943@gmail.com>
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Since 2003, the latino community, along with other races, have been enjoy=
ing a different type of music thanks to D.R-FLOW. The Group , which is co=
mprised of 2 very talented youths , Ezequiel Rodriguez and Manuel Vasquez=
, represent Dominicans, in and out of the Dominican Republic in a big way=
.

Ever since the very beginnings of the group, these bright and talented yo=
ung men have received the love and support of, not only the latino popula=
tion, but also other races all over the world . Their music reaches from =
the streets of New York, to the hearts of many in South America, Europe, =
and beyond!!! They are well-recieved where ever they go because of the di=
versity of their music, from hip-hop to r&b, fans get the opportunity to =
take away a little bit of every genre of music known today.
For More info Regarding Drops, jingle Interviews Or For bookings =

413-363-4388
Moe
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yle: italic; line-height: 1.5em; margin-bottom: 1.5em; margin-left: 0; ma=
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ding-top: 3px; vertical-align: top;">Since 2003, the latino community, al=
ong with other races, have been enjoying a different type of music thanks=
 to D.R-FLOW. The Group , which is comprised of 2 very talented youths , =
Ezequiel Rodriguez and Manuel Vasquez, represent Dominicans, in and out o=
f the Dominican Republic in a big way.</p>

<p style=3D"color: #CDC083; font-family: Helvetica; font-size: 12px; line=
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rgin-top: 0; padding: 0; padding-top: 3px; vertical-align: top;">Ever sin=
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have received the love and support of, not only the latino population, bu=
t also other races all over the world . Their music reaches from the stre=
ets of New York, to the hearts of many in South America, Europe, and beyo=
nd!!! They are well-recieved where ever they go because of the diversity =
of their music, from hip-hop to r&amp;b, fans get the opportunity to take=
 away a little bit of every genre of music known today.
<br />
For More info Regarding Drops, jingle Interviews Or For bookings =

<br />
413-363-4388
<br />
Moe</p></div></td></tr></table></div><div class=3D"module image" style=3D=
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 16:49:35 2010
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Date: Sun, 18 Apr 2010 12:49:32 -0400
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Subject: WTB:EDP
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Guess I just missed out on a couple moving through this list but, just
wanted to give a shout out if anyone has or
knows about an EDP somewhere, I'd love to buy it.
I've been bouncing back and forth on the computer issue
and I may end up there one day, I just really have would
like to get my self into a stereo situation with the EDP.

tx,
Andy G

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 17:15:07 2010
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Date: Sun, 18 Apr 2010 19:15:00 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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nice to hear all of this since ive recently joined the mac world,i hate to
bother you again with my stupid beginner questions,ive been a PC cakewalk
user for a long time so now i have to decide on a recording software for my
i mac.As far as i know the contenders are:

Pro tools
Logic Pro
Nuendo
Cubase

since i have an RME FW 800 soundcard protools is at this point out of the
question
so which one would you say is the most professional intuitive and complete
so there is no need for me to get xy tra pluginis,mastering sw etc.? i just
wnat to make the right decision from the begining because mac stuff aint
cheap and logic doesnt even offer demo versions.
thanx mac guys!
Luis



2010/4/18 Buzap Buzap <buzap@gmx.net>

> Hi Per
>
> > but for me there are some other music software I like
> > that isn't available in Widows.
>
> For me, Logic/Mainstage is indeed the main reason for Mac.
>
> If I'd go the PC road, it would probably be Reaper/Bidule/Komplete as a
> starting point, possibly checking out also Ableton.
>
> I'll see what I'll do.
>
> Buzap
>
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

--0016e6d5667a032a75048485fcc6
Content-Type: text/html; charset=ISO-8859-1
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nice to hear all of this since ive recently joined the mac world,i hate to =
bother you again with my stupid beginner questions,ive been a PC cakewalk u=
ser for a long time so now i have to decide on a recording software for my =
i mac.As far as i know the contenders are:<br>
<br>Pro tools<br>Logic Pro<br>Nuendo<br>Cubase<br><br>since i have an RME F=
W 800 soundcard protools is at this point out of the question<br>so which o=
ne would you say is the most professional intuitive and complete so there i=
s no need for me to get xy tra pluginis,mastering sw etc.? i just wnat to m=
ake the right decision from the begining because mac stuff aint cheap and l=
ogic doesnt even offer demo versions.<br>
thanx mac guys!<br>Luis<br><br><br><br><div class=3D"gmail_quote">2010/4/18=
 Buzap Buzap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@g=
mx.net</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=3D"margin:=
 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left=
: 1ex;">
Hi Per<br>
<div class=3D"im"><br>
&gt; but for me there are some other music software I like<br>
&gt; that isn&#39;t available in Widows.<br>
<br>
</div>For me, Logic/Mainstage is indeed the main reason for Mac.<br>
<br>
If I&#39;d go the PC road, it would probably be Reaper/Bidule/Komplete as a=
 starting point, possibly checking out also Ableton.<br>
<br>
I&#39;ll see what I&#39;ll do.<br>
<div><div></div><div class=3D"h5"><br>
Buzap<br>
<br>
--<br>
GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>
Jetzt freischalten unter <a href=3D"http://portal.gmx.net/de/go/maxdome01" =
target=3D"_blank">http://portal.gmx.net/de/go/maxdome01</a><br>
<br>
</div></div></blockquote></div><br>

--0016e6d5667a032a75048485fcc6--

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 17:49:25 2010
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: RE: SPAM - Looperlative LP-1
Date: Sun, 18 Apr 2010 17:43:59 +0000
Importance: Normal
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--_49aadf1a-f294-41ba-a149-99f9a57a4c04_
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I would like the LP1 (I'm in sweden) but don't have any cash until 25th of =
April (due to archtop aquirement there is not enough credit available right=
 now)..

I might also be interested in the Exlipse but i need to think about that=2C=
 and a rack case perhaps..

Thanks=2C


Anders
=20


Date: Sun=2C 18 Apr 2010 15:03:42 +0100
Subject: SPAM - Looperlative LP-1
From: simeonharris40@googlemail.com
To: Loopers-Delight@loopers-delight.com

i'm currently having a massive gear sale and selling off pretty much everyt=
hing i own to fund a move to a more compact=2C semi software setup

my electrix repeater is currently on ebay=2C but i am also selling off my l=
p-1=2C lexicon mpx-1 and tc d2 (which will go on ebay tomorrow)

later on=2C i will be selling my mesa triaxis=2C eventide eclipse and tc g-=
force

if you are interested in any of the above=2C please get in touch off list

many thanks

ps - for those interested=2C here is the full list with prices in UK pounds=
 -

Mesa Triaxis 650
Mesa 50/50 800
Rocktron Xpression 220
Behringer Eurorack 16-ch mixer 80
TC G-Force 500
Eventide Eclipse 1000
TC D2 120
Looperlative LP-1 600
Lexicon MPX-1 200
Boss Slicer 80
Tech21 Tri-Ac 80
Tech21 Midi Mouse 50
Marshall Guv'nor 60
Korg Kaoss Pad KP-2 100
Boss SE-70 100
Rack cases 4u=2C 6u=2C 12u 60-100
Kenton midi merge 50
Electrix Repeater 700 =20

i'm looking to buy a Macbook pro (not the newest ones=2C the previous gen)=
=2C a fractal audio axefx ultra=2C a tc konnect live=2C two qsc k10 monitor=
s and ni reaktor/komplete 5

best

sim


 		 	   		  =

--_49aadf1a-f294-41ba-a149-99f9a57a4c04_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
I would like the LP1 (I'm in sweden) but don't have any cash until 25th of =
April (due to archtop aquirement&nbsp=3Bthere is not enough credit availabl=
e right now)..<BR>
I might also be interested in the Exlipse but i need to think about that=2C=
 and a rack case perhaps..<BR>
Thanks=2C<BR>
<BR>Anders<BR>&nbsp=3B<BR>
<HR id=3DstopSpelling>
Date: Sun=2C 18 Apr 2010 15:03:42 +0100<BR>Subject: SPAM - Looperlative LP-=
1<BR>From: simeonharris40@googlemail.com<BR>To: Loopers-Delight@loopers-del=
ight.com<BR><BR>i'm currently having a massive gear sale and selling off pr=
etty much everything i own to fund a move to a more compact=2C semi softwar=
e setup<BR><BR>my electrix repeater is currently on ebay=2C but i am also s=
elling off my lp-1=2C lexicon mpx-1 and tc d2 (which will go on ebay tomorr=
ow)<BR><BR>later on=2C i will be selling my mesa triaxis=2C eventide eclips=
e and tc g-force<BR><BR>if you are interested in any of the above=2C please=
 get in touch off list<BR><BR>many thanks<BR><BR>ps - for those interested=
=2C here is the full list with prices in UK pounds -<BR><BR>Mesa Triaxis 65=
0<BR>Mesa 50/50 800<BR>Rocktron Xpression 220<BR>Behringer Eurorack 16-ch m=
ixer 80<BR>TC G-Force 500<BR>Eventide Eclipse 1000<BR>TC D2 120<BR>Looperla=
tive LP-1 600<BR>Lexicon MPX-1 200<BR>Boss Slicer 80<BR>Tech21 Tri-Ac 80<BR=
>Tech21 Midi Mouse 50<BR>Marshall Guv'nor 60<BR>Korg Kaoss Pad KP-2 100<BR>=
Boss SE-70 100<BR>Rack cases 4u=2C 6u=2C 12u 60-100<BR>Kenton midi merge 50=
<BR>Electrix Repeater 700&nbsp=3B <BR><BR>i'm looking to buy a Macbook pro =
(not the newest ones=2C the previous gen)=2C a fractal audio axefx ultra=2C=
 a tc konnect live=2C two qsc k10 monitors and ni reaktor/komplete 5<BR><BR=
>best<BR><BR>sim<BR><BR><BR> 		 	   		  </body>
</html>=

--_49aadf1a-f294-41ba-a149-99f9a57a4c04_--

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Date: Sun, 18 Apr 2010 18:54:53 +0100
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Subject: Re: SPAM - Looperlative LP-1
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--001485f7c50ea635e00484868ad3
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ok mate - get back in touch with me when you've got the funds

sim

On Sun, Apr 18, 2010 at 6:43 PM, Anders Bergdahl <
anders_e_bergdahl@hotmail.com> wrote:

>  I would like the LP1 (I'm in sweden) but don't have any cash until 25th of
> April (due to archtop aquirement there is not enough credit available right
> now)..
> I might also be interested in the Exlipse but i need to think about that,
> and a rack case perhaps..
> Thanks,
>
> Anders
>

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ok mate - get back in touch with me when you&#39;ve got the funds<br><br>si=
m<br><br><div class=3D"gmail_quote">On Sun, Apr 18, 2010 at 6:43 PM, Anders=
 Bergdahl <span dir=3D"ltr">&lt;<a href=3D"mailto:anders_e_bergdahl@hotmail=
.com">anders_e_bergdahl@hotmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">



<div>
I would like the LP1 (I&#39;m in sweden) but don&#39;t have any cash until =
25th of April (due to archtop aquirement=A0there is not enough credit avail=
able right now)..<br>
I might also be interested in the Exlipse but i need to think about that, a=
nd a rack case perhaps..<br>
Thanks,<br>
<br>Anders<br></div></blockquote></div>

--001485f7c50ea635e00484868ad3--

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From: Revfever <revfever@ubergadget.com>
Subject: semi-OT: Kool soundtrack
Date: Sun, 18 Apr 2010 11:09:39 -0700
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And startling and beautiful images, as well. Once again, Big Momma  
Earth shows us smart aleck little humanoids just WHO is REALLY the  
BOSS!   Enjoy!

http://www.youtube.com/watch?v=Zy4P51xmQF4&NR=1

Cheers,
Rev. Fever
Portland,OR

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 18:30:49 2010
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Louie Angulo schrieb:
> now i have to decide on a recording software for my i mac.As far as i 
> know the contenders are:
>
> Pro tools
> Logic Pro
> Nuendo
> Cubase
I can only comment on Nuendo and Cubase here, which I have been both 
using for some time (actually, Cubase, through various version jumps, 
about since 1996 - before that, guess what, Cakewalk ;). Currently, I'm 
using Cubase 5.

Historically, Cubase was the MIDI sequencer from the early 80s, which 
had audio functionality added successively, while Nuendo was a 
DAW/harddisc recording tool which successively got MIDI added. That 
meant that in the earlier versions of Cubase, you would fall short of 
some required functionality regarding audio use.

This has changed through the recent versions: the features exclusive to 
Nuendo are generally more in the workflow/studio integration area, as 
well as features more specific to advanced applications (the first thing 
coming to my mind is support for busses more complex than 5.1, e.g. 
10.3, while Cubase only supports surround configurations up to 5.1). On 
the other hand, Nuendo has no score editor (but can be upgraded to 
include one using the expansion pack). Furthermore, as far as I 
remember, Nuendo is a bit pricier.

For included plugins, it seems to me that Cubase for some reason has the 
edge here, even including REVerence (convolution reverb) that Nuendo 
seems not to include. And Cubase also features some VSTis which are only 
coming with Nuendo Expansion Pack for the Nuendo platform.

One noteworthy thing are the various different variants of Cubase: 
Cubase, Cubase Studio and Cubase Essential (in decreasing order of price 
and functionality). Personally, I've found that some of those features 
available only to the "big" version are very important to me (e.g. 
control room functionality, panners on the sends, dual panners etc.), 
but depending on your application, it's very vell possible that you can 
be happy with Cubase Studio or even Essential.

Finally, Cubase also offers a free 30-day trial version.

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 20:03:58 2010
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Date: Sun, 18 Apr 2010 16:03:56 -0400
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To: "Ambient@hyperreal" <ambient@hyperreal.org>, 
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Subject: The PiNG presents Toronto's 1st Ambient Music Festival
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE PiNG'S FiRST AMBiENT MUSiC FESTiVAL
-> APRil 25 . Robert Rich - Live in Concert
-> APRil 28 . Pholde + dreamSTATE + Beta Cloud
                      with General Chaos Visuals
-> MAY 01 . Emmanual Madan and Anna Friz + EC Woodley

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

SUNDAY APRiL 25th . The PiNG + The Music Gallery
present ROBERT RICH LIVE IN CONCERT
@ The Music Gallery . St. George the Martyr Church
  197 John St. - north of Queen W. behind the AGO .
  Doors 6:30pm . concert 7:30pm .  $25 door / $20 advance

  Advance Tickets available now at: MOOG AUDIO - 442 Queen W,
  ROTATE THIS - 801 Queen W, / SOUNDSCAPES - 572 College St.
  Advance Online Tickets available now at:
  http://www.theambientping.com   (click the BUY NOW link)

To start the festival off in a big way, the PiNG welcomes ambient
soundscape legend Robert Rich for an intimate concert performance
at The Music Gallery's St. George the Martyr Church.

Across three decades and almost 40 albums, California-based
Robert Rich has helped define the genres of ambient, dark ambient,
and "tribal" electronic fusions, yet his music remains hard to
categorize. Part of his unique sound comes from using homemade
acoustic and electronic instruments, microtonal harmonies, custom
software, chaotic systems and feedback networks. Rich began
building his own analog synthesizers in 1976, when he was
13 years old, and later studied for a year at Stanfords prestigious
CCRMA while earning a degree in psychology.

Rich released his first album Sunyata in 1982. Among these early
releases, the 1986 Swedish LP Numena found its way into some of
the earliest London chill rooms and influenced DJs like Jonah Sharp
and Mixmaster Morris. Rich then began a string of 11 critically
acclaimed releases for the Hearts of Space label. His two
collaborations with Steve Roach, Strata (1990) and Soma (1992),
laid the groundwork for what became known as techno-tribal music.
His collaboration Stalker (1995) with B. Lustmord became a
defining landmark of dark ambient.

Rich has performed in caves, cathedrals, planetaria, art galleries and
concert halls throughout Europe and North America. His all-night
Sleep Concerts, first performed in 1982, became legendary in the
San Francisco area. He occasionally revives his all-night concert
format, using live nocturnal radio broadcasts to extend the audience
range. In 2001, Rich released the 7 hour DVD Somnium, a studio
distillation of the Sleep Concert experience, possibly the longest
continuous piece of music ever released at the time.
http://robertrich.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

WEDNESDAY APRiL 28th . SPACE TOURiSM featuring PHOLDE
+ dreamSTATE + BETA CLOUD + GENERAL CHAOS VISUALS
@ Supermarket  . 268 Augusta Ave . Kensington Market .
  just south of College  .  Map, info and directions at:
  http://www.supermarkettoronto.com/site/section/contact
  PiNG doors open at 8pm . 1st set at 8:30 . $6

For the second night of our first AMBiENT MUSiC FESTiVAL,
the PiNG presents a 3-stage expedition from the depths of the
Geosphere to far-out beyond the Ionosphere. Space tourists,
can enjoy the voyage comfortably with a microbrew in hand
in the PiNG's geo-stable orbiting lounge-simulator at
Supermarket in Kensington.

20:30 . PHOLDE . Alan Bloor (Pholde aka Knurl) opens the night
with a new set of dark metalsonics wrought from his custom sound
sculptures of hardened steel. Bowing & striking his unique creations
Bloor will take you deep into his subterranean soundworld.
http://www.pholde.com

21:30 . dreamSTATE . This trip, electronic travellers dreamSTATE
(Scott M2 & Jamie Todd) will explore the surface: rolling the highways,
seeking the mysteries, floating through forests and turning the soil
in the Firegarden. Watch for new visuals weaving through the Chaos.
http://www.dreamstate.to

22:30 . BETA CLOUD . Floating higher and higher into outer space -
Beta Cloud spans the sonic space between avant/improv/instrumental
performance & ambient/drone/dj sound installation. All compositions
will be performed and improvised in real time. Noise, hiss, dynamic
peaks, sub & supersonics are intentional and controlled to ensure
a maximum lo-fi listening experience for our space tourists.
http://www.myspace.com/thebetacloud

. GENERAL CHAOS VISUALS . Irradiating eyes in space, the Chaos
dynamic duo (Stephen Lindsey and Eric Siegerman) will be on board
to illuminate the soundship with their mind bending light paintings.
http://webhome.idirect.com/~slindsey

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

SATURDAY MAY 1st (8PM) . THE PiNG + NAISA present
RADiO iN AMBiENCE for DEEP WIRELESS featuring
EMMANUAL MADAN + ANNA FRIZ + EC WOODLEY
@ THE CHRISTIE STUDIO . Artscape Wychwood Barns
  #170 . 601 Christie Street . SW of the Bathurst/St. Clair Subway
  $15/$10 student (free for Deep Wireless / Radio Without
  Boundaries conference registrants)

Closing out Toronto's first AMBiENT MUSiC FESTiVAL the PiNG
launches Deep Wireless 2010 (a month-long celebration of
radio and transmission art) as they co-present with NAISA
(New Adventures In Sound Art) the 9th annual
RADiO iN AMBiENCE show.

This year's performance is entitled GROUND, RESONANCE, RADIO
and takes place on Saturday May 1st (8PM) & will also be performed
on Monday May 10th (2PM) at the Artscape Wychwood Barns in
The Christie Studio #170. The worlds of vinyl record collage and
multi-channel micro-watt radio intervention come together in a
collaborative performance by Anna Friz and EC Woodley, as
well as a performance by Emmanuel Madan.
http://www.naisa.ca

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE AMBiENT PiNG is a Toronto based creative community of
audio artists, performers, musicians and visual artists. The PiNG
presents live multimedia performances featuring ambient, electronic,
soundscape, space, drone, psychedelic, chillout, downtempo,
darkwave and experimental artists from around the world.
http://www.theambientping.com

ViSiT the ping things store for ambient, electronic and chill things:
http://www.pingthings.com

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any interested friends or
appropriate newsgroups. Thanks.

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Date: Sun, 18 Apr 2010 22:16:33 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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On Sun, Apr 18, 2010 at 7:15 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Pro tools
> Logic Pro
> Nuendo
> Cubase
>
> since i have an RME FW 800 soundcard protools is at this point out of the
> question
> so which one would you say is the most professional intuitive and complete
> so there is no need for me to get xy tra pluginis,mastering sw etc.?

--> "Professional"
Not sure what you mean with "professional"? If understood as "used by
producers that get paid for delivering on a deadline and usually cause
a lot of problems if not able to estimate how long time is needed for
a production to get ready" I would say that Pro Tools and Logic are
the two that are most used by professionals, but in two completely
different ways. Pro Tools is more like hardware in the sense that
anyone that comes to a studio can sit down and start working right on
the spot if knowing Pro Tools from before. Cubase and Nuendo also
share this layout. Logic is different, and "professional" in another
way: a producer can optimize his own workflow to make Logic extremely
fast for a particular workflow within a special phase of a project
(like editing drums or vocal tracks, syncing up composition to video
etc etc). Drawback here is of course if he is sick one day and someone
else has to take his place at the editing computer, because they may
not be used to the absent guy's personal quick key command setup. So
typically in the pro world Pro Tools guys know the usual Pro Tools
workflow and Logic guys bring their personal quick-commands on an USB
stick to import at the studio they go to work at. In recent years
Nuendo has taken over some area from Pro Tools among radio stations,
especially in Germany.

--> "Most complete"
Logic Studio by no means! Not much more than that package is needed
for the whole production process, from recording and programming to
Redbook compatible CD mastering. Great support for video sync and
surround mixing as well. Effects and instruments can be set to work in
surround mode as well as stereo or mono. Read up at Apples product
page to see what is included. I think it is four or five applications
in total and a huge library of synths and sampler sounds and loops
that auto sync to tempo (or not, if you turn that off).

--> "Most intuitive"
I have been using all four and think Logic is the moste intuitive. My
reason for this is the high level of customization allowed. I love
being able to set up my tools to work the way I want to use them. I
think "there are no rules in music production" so every time you take
on a new piece to mix, record or compose you may want to set up your
tools differently - to get inspiration and work fast (the classic
trick to not loose inspiration). But I know people that do not think
Logic is "intuitive" because it is not fixed to always work in the
same way (like for example Cubase is). So the answer to this question
depends a lot on the user's personal preferences. I have also spent
time in the past in traditional analog studios and find Logic very
logical because it draws on that concept; (1) a multi channel sound
source, (2) a mixing console and (3) an effect rack - all three levels
instantly inter assignable by a patch bay.

I started out using Cubase but sold it and picked up Logic instead
because I found its loop handling more intuitive and I noticed that it
sounded a lot better in the MIDI timing department. This was long ago
an Cubase may have gotten tighter by now, but the difference was huge
back then, the same MIDI parts sounded flat and dead when played back
from Cubase but groovy and alive when played back from Creator (the
first version of Logic, before the name change). I once made an album
programmed in Cubase and when copying over parts to analog 24 track
tape we had to delete all other parts than the one to be copied in
Cubase, as well as merging all the regions on the Cubase track, only
to make it stay rhythmic and not flicker in tempo every time a new
MIDI region started. That took a lot of expensive studio time but
ended up sounding musically ok on the 24 track analog tape. A lot of
extra Cubase work only to reach the level where Logic starts, as for
programmed MIDI instrument's timing accuracy.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 20:25:48 2010
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Date: Sun, 18 Apr 2010 22:25:46 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e6d5667a444d4d048488a6b8
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thanx Rainer, you know i did try cubase a while ago and liked the way it
looked but found it not so intuitive compared to cakewalks Sonar.Sonar also
seems more advanced in the loop department,it seems to borrow cool features
from Acid like the "groove clip looping" function which i love and is a snap
to do.I also remember using previous versions before the SX and didnt seem
too stable and was more CPU hungry than cakewalk and thats why i ended up
using Sonar which i still love.Too bad they dont work with Apple really
though they have recently released the VS-100 which is hardware compatible
but no software,buuuuu!
cheers
Luis

2010/4/18 Rainer Straschill <moinsound@googlemail.com>

> Louie Angulo schrieb:
>
>  now i have to decide on a recording software for my i mac.As far as i know
>> the contenders are:
>>
>> Pro tools
>> Logic Pro
>> Nuendo
>> Cubase
>>
> I can only comment on Nuendo and Cubase here, which I have been both using
> for some time (actually, Cubase, through various version jumps, about since
> 1996 - before that, guess what, Cakewalk ;). Currently, I'm using Cubase 5.
>
> Historically, Cubase was the MIDI sequencer from the early 80s, which had
> audio functionality added successively, while Nuendo was a DAW/harddisc
> recording tool which successively got MIDI added. That meant that in the
> earlier versions of Cubase, you would fall short of some required
> functionality regarding audio use.
>
> This has changed through the recent versions: the features exclusive to
> Nuendo are generally more in the workflow/studio integration area, as well
> as features more specific to advanced applications (the first thing coming
> to my mind is support for busses more complex than 5.1, e.g. 10.3, while
> Cubase only supports surround configurations up to 5.1). On the other hand,
> Nuendo has no score editor (but can be upgraded to include one using the
> expansion pack). Furthermore, as far as I remember, Nuendo is a bit pricier.
>
> For included plugins, it seems to me that Cubase for some reason has the
> edge here, even including REVerence (convolution reverb) that Nuendo seems
> not to include. And Cubase also features some VSTis which are only coming
> with Nuendo Expansion Pack for the Nuendo platform.
>
> One noteworthy thing are the various different variants of Cubase: Cubase,
> Cubase Studio and Cubase Essential (in decreasing order of price and
> functionality). Personally, I've found that some of those features available
> only to the "big" version are very important to me (e.g. control room
> functionality, panners on the sends, dual panners etc.), but depending on
> your application, it's very vell possible that you can be happy with Cubase
> Studio or even Essential.
>
> Finally, Cubase also offers a free 30-day trial version.
>
>            Rainer
>
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

--0016e6d5667a444d4d048488a6b8
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanx Rainer, you know i did try cubase a while ago and liked the way it lo=
oked but found it not so intuitive compared to cakewalks Sonar.Sonar also s=
eems more advanced in the loop department,it seems to borrow cool features =
from Acid like the &quot;groove clip looping&quot; function which i love an=
d is a snap to do.I also remember using previous versions before the SX and=
 didnt seem too stable and was more CPU hungry than cakewalk and thats why =
i ended up using Sonar which i still love.Too bad they dont work with Apple=
 really though they have recently released the VS-100 which is hardware com=
patible but no software,buuuuu!<br>
cheers<br>Luis<br><br><div class=3D"gmail_quote">2010/4/18 Rainer Straschil=
l <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com">moinsou=
nd@googlemail.com</a>&gt;</span><br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
Louie Angulo schrieb:<div class=3D"im"><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
now i have to decide on a recording software for my i mac.As far as i know =
the contenders are:<br>
<br>
Pro tools<br>
Logic Pro<br>
Nuendo<br>
Cubase<br>
</blockquote></div>
I can only comment on Nuendo and Cubase here, which I have been both using =
for some time (actually, Cubase, through various version jumps, about since=
 1996 - before that, guess what, Cakewalk ;). Currently, I&#39;m using Cuba=
se 5.<br>

<br>
Historically, Cubase was the MIDI sequencer from the early 80s, which had a=
udio functionality added successively, while Nuendo was a DAW/harddisc reco=
rding tool which successively got MIDI added. That meant that in the earlie=
r versions of Cubase, you would fall short of some required functionality r=
egarding audio use.<br>

<br>
This has changed through the recent versions: the features exclusive to Nue=
ndo are generally more in the workflow/studio integration area, as well as =
features more specific to advanced applications (the first thing coming to =
my mind is support for busses more complex than 5.1, e.g. 10.3, while Cubas=
e only supports surround configurations up to 5.1). On the other hand, Nuen=
do has no score editor (but can be upgraded to include one using the expans=
ion pack). Furthermore, as far as I remember, Nuendo is a bit pricier.<br>

<br>
For included plugins, it seems to me that Cubase for some reason has the ed=
ge here, even including REVerence (convolution reverb) that Nuendo seems no=
t to include. And Cubase also features some VSTis which are only coming wit=
h Nuendo Expansion Pack for the Nuendo platform.<br>

<br>
One noteworthy thing are the various different variants of Cubase: Cubase, =
Cubase Studio and Cubase Essential (in decreasing order of price and functi=
onality). Personally, I&#39;ve found that some of those features available =
only to the &quot;big&quot; version are very important to me (e.g. control =
room functionality, panners on the sends, dual panners etc.), but depending=
 on your application, it&#39;s very vell possible that you can be happy wit=
h Cubase Studio or even Essential.<br>

<br>
Finally, Cubase also offers a free 30-day trial version.<br><font color=3D"=
#888888">
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer</font><div><div></div><div class=3D"h5"><br>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</div></div></blockquote></div><br>

--0016e6d5667a444d4d048488a6b8--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 20:30:35 2010
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Date: Sun, 18 Apr 2010 22:30:32 +0200
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Subject: Re: semi-OT: Kool soundtrack
From: Per Boysen <perboysen@gmail.com>
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On Sun, Apr 18, 2010 at 8:09 PM, Revfever <revfever@ubergadget.com> wrote:
> And startling and beautiful images, as well. Once again, Big Momma Earth
> shows us smart aleck little humanoids just WHO is REALLY the BOSS! =C2=A0=
 Enjoy!
>
> http://www.youtube.com/watch?v=3DZy4P51xmQF4&NR=3D1


That was awesome! We're living under a huge ash cloud now, all north
west Europe. I stepped out today and looked up but could not spot it.
But it is somewhere up there, threatening to destroy any aircraft that
flies into it ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From wangrichardwangrichardrich76543@yahoo.co.jp  Sun Apr 18 20:31:16 2010
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Date: Mon, 19 Apr 2010 05:24:20 +0900 (JST)
From: "DR.RICHARD AKUBUEZE" <wangrichardwangrichardrich76543@yahoo.co.jp>
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$B?7$7$$%a!<%k%"%I%l%9$r$*CN$i$;$7$^$9?7$7$$%a!<%k%"%I%l%9!'(B wangrichardwangrichardrich76543@yahoo.co.jp

HELLO,

I AM THE CHIEF ACCOUNTANT (FOREIGN  DEPT) WITH THE FEDERAL MINISTRY OF TRANSPORT NIGERIA. PLEASE WE WANT TO MAKE SOME TRANSFER OF THE 15MILLION US DOLLARS OUT OF MY COUNTRY. IF YOU ARE INTERESTED IN THIS TRANSACTION,CONTACT ME TO ENABLE US DISCUSS FURTHER.email:richakubueze@live.com

- DR.RICHARD AKUBUEZE


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<div style="border: solid 1px #cccccc; width:448px; background-color:white; margin:10px 0px;";><table border=0 cellspacing=0 cellpadding=0 width="448"><tr><td class=tablot background="http://i.yimg.jp/i/jp/pim/gr/gr_announce_1.gif" valign=center height=57><big style="padding:10px;">$B?7$7$$%a!<%k%"%I%l%9$r$*CN$i$;$7$^$9(B</big></td></tr></table><div style="padding:10px;">$B?7$7$$%a!<%k%"%I%l%9!'(B <b>wangrichardwangrichardrich76543@yahoo.co.jp</b><br><br><span style="color:green;">HELLO,<br><br>I AM THE CHIEF ACCOUNTANT (FOREIGN  DEPT) WITH THE FEDERAL MINISTRY OF TRANSPORT NIGERIA. PLEASE WE WANT TO MAKE SOME TRANSFER OF THE 15MILLION US DOLLARS OUT OF MY COUNTRY. IF YOU ARE INTERESTED IN THIS TRANSACTION,CONTACT ME TO ENABLE US DISCUSS FURTHER.email:richakubueze@live.com</span><br><br>- <span style="color:green;">DR.RICHARD AKUBUEZE</span></div></div>
--0-2044511388-1271622260=:95959--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 21:05:38 2010
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Date: Sun, 18 Apr 2010 23:05:19 +0200
Message-ID: <m2gafb941d1004181405m8f74ab1p75e04fbc26613813@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Raul Bonell <raul.bonell@gmail.com>
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--0016367facedb86fd60484893371
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louie, did you tested garageband that comes preinstalled with the imac? as
you may know, you can later import gb projects into logic, if upgrading.
easy! ...

2010/4/18 Louie Angulo <louie.angulo@googlemail.com>

> thanx Rainer, you know i did try cubase a while ago and liked the way it
> looked but found it not so intuitive compared to cakewalks Sonar.Sonar al=
so
> seems more advanced in the loop department,it seems to borrow cool featur=
es
> from Acid like the "groove clip looping" function which i love and is a s=
nap
> to do.I also remember using previous versions before the SX and didnt see=
m
> too stable and was more CPU hungry than cakewalk and thats why i ended up
> using Sonar which i still love.Too bad they dont work with Apple really
> though they have recently released the VS-100 which is hardware compatibl=
e
> but no software,buuuuu!
> cheers
> Luis
>
> 2010/4/18 Rainer Straschill <moinsound@googlemail.com>
>
> Louie Angulo schrieb:
>>
>>  now i have to decide on a recording software for my i mac.As far as i
>>> know the contenders are:
>>>
>>> Pro tools
>>> Logic Pro
>>> Nuendo
>>> Cubase
>>>
>> I can only comment on Nuendo and Cubase here, which I have been both usi=
ng
>> for some time (actually, Cubase, through various version jumps, about si=
nce
>> 1996 - before that, guess what, Cakewalk ;). Currently, I'm using Cubase=
 5.
>>
>> Historically, Cubase was the MIDI sequencer from the early 80s, which ha=
d
>> audio functionality added successively, while Nuendo was a DAW/harddisc
>> recording tool which successively got MIDI added. That meant that in the
>> earlier versions of Cubase, you would fall short of some required
>> functionality regarding audio use.
>>
>> This has changed through the recent versions: the features exclusive to
>> Nuendo are generally more in the workflow/studio integration area, as we=
ll
>> as features more specific to advanced applications (the first thing comi=
ng
>> to my mind is support for busses more complex than 5.1, e.g. 10.3, while
>> Cubase only supports surround configurations up to 5.1). On the other ha=
nd,
>> Nuendo has no score editor (but can be upgraded to include one using the
>> expansion pack). Furthermore, as far as I remember, Nuendo is a bit pric=
ier.
>>
>> For included plugins, it seems to me that Cubase for some reason has the
>> edge here, even including REVerence (convolution reverb) that Nuendo see=
ms
>> not to include. And Cubase also features some VSTis which are only comin=
g
>> with Nuendo Expansion Pack for the Nuendo platform.
>>
>> One noteworthy thing are the various different variants of Cubase: Cubas=
e,
>> Cubase Studio and Cubase Essential (in decreasing order of price and
>> functionality). Personally, I've found that some of those features avail=
able
>> only to the "big" version are very important to me (e.g. control room
>> functionality, panners on the sends, dual panners etc.), but depending o=
n
>> your application, it's very vell possible that you can be happy with Cub=
ase
>> Studio or even Essential.
>>
>> Finally, Cubase also offers a free 30-day trial version.
>>
>>            Rainer
>>
>>
>> --
>> http://moinlabs.de
>> Follow me on twitter: http://twitter.com/moinlabs
>>
>>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016367facedb86fd60484893371
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

louie, did you tested garageband that comes preinstalled with the imac? as =
you may know, you can later import gb projects into logic, if upgrading. ea=
sy! ...<br><br><div style=3D"visibility: hidden; display: inline;" id=3D"av=
g_ls_inline_popup">
</div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolute;  =
z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  widt=
h: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  font-s=
ize: 10px;  text-align: left;  line-height: 13px;}</style><div class=3D"gma=
il_quote">
2010/4/18 Louie Angulo <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo=
@googlemail.com">louie.angulo@googlemail.com</a>&gt;</span><br><blockquote =
class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, 204, 204); m=
argin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
thanx Rainer, you know i did try cubase a while ago and liked the way it lo=
oked but found it not so intuitive compared to cakewalks Sonar.Sonar also s=
eems more advanced in the loop department,it seems to borrow cool features =
from Acid like the &quot;groove clip looping&quot; function which i love an=
d is a snap to do.I also remember using previous versions before the SX and=
 didnt seem too stable and was more CPU hungry than cakewalk and thats why =
i ended up using Sonar which i still love.Too bad they dont work with Apple=
 really though they have recently released the VS-100 which is hardware com=
patible but no software,buuuuu!<br>

cheers<br>Luis<br><br><div class=3D"gmail_quote">2010/4/18 Rainer Straschil=
l <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlemail.com" target=
=3D"_blank">moinsound@googlemail.com</a>&gt;</span><div><div></div><div cla=
ss=3D"h5">
<br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(2=
04, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Louie Angulo schrieb:<div><br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
now i have to decide on a recording software for my i mac.As far as i know =
the contenders are:<br>
<br>
Pro tools<br>
Logic Pro<br>
Nuendo<br>
Cubase<br>
</blockquote></div>
I can only comment on Nuendo and Cubase here, which I have been both using =
for some time (actually, Cubase, through various version jumps, about since=
 1996 - before that, guess what, Cakewalk ;). Currently, I&#39;m using Cuba=
se 5.<br>


<br>
Historically, Cubase was the MIDI sequencer from the early 80s, which had a=
udio functionality added successively, while Nuendo was a DAW/harddisc reco=
rding tool which successively got MIDI added. That meant that in the earlie=
r versions of Cubase, you would fall short of some required functionality r=
egarding audio use.<br>


<br>
This has changed through the recent versions: the features exclusive to Nue=
ndo are generally more in the workflow/studio integration area, as well as =
features more specific to advanced applications (the first thing coming to =
my mind is support for busses more complex than 5.1, e.g. 10.3, while Cubas=
e only supports surround configurations up to 5.1). On the other hand, Nuen=
do has no score editor (but can be upgraded to include one using the expans=
ion pack). Furthermore, as far as I remember, Nuendo is a bit pricier.<br>


<br>
For included plugins, it seems to me that Cubase for some reason has the ed=
ge here, even including REVerence (convolution reverb) that Nuendo seems no=
t to include. And Cubase also features some VSTis which are only coming wit=
h Nuendo Expansion Pack for the Nuendo platform.<br>


<br>
One noteworthy thing are the various different variants of Cubase: Cubase, =
Cubase Studio and Cubase Essential (in decreasing order of price and functi=
onality). Personally, I&#39;ve found that some of those features available =
only to the &quot;big&quot; version are very important to me (e.g. control =
room functionality, panners on the sends, dual panners etc.), but depending=
 on your application, it&#39;s very vell possible that you can be happy wit=
h Cubase Studio or even Essential.<br>


<br>
Finally, Cubase also offers a free 30-day trial version.<br><font color=3D"=
#888888">
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rainer</font><div><div></div><div><br>
<br>
-- <br>
<a href=3D"http://moinlabs.de" target=3D"_blank">http://moinlabs.de</a><br>
Follow me on twitter: <a href=3D"http://twitter.com/moinlabs" target=3D"_bl=
ank">http://twitter.com/moinlabs</a><br>
<br>
</div></div></blockquote></div></div></div><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lum=
inada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina=
 i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podi=
en posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016367facedb86fd60484893371--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 21:41:26 2010
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Subject: Re: semi-OT: Kool soundtrack
Date: Sun, 18 Apr 2010 14:41:08 -0700
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Pretty impressive.

On Apr 18, 2010, at 11:09 AM, Revfever wrote:

> And startling and beautiful images, as well. Once again, Big Momma  
> Earth shows us smart aleck little humanoids just WHO is REALLY the  
> BOSS!   Enjoy!
>
> http://www.youtube.com/watch?v=Zy4P51xmQF4&NR=1
>
> Cheers,
> Rev. Fever
> Portland,OR

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 22:29:29 2010
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From: "Erwin Van Heuverswyn" <ginkgo@pandora.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: SPAM - Looperlative LP-1
Date: Mon, 19 Apr 2010 00:24:20 +0200
Organization: Ginkgo sound-vision
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This is a multi-part message in MIME format.

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Yes, I notice you did!
After doing some reading on bug reports, I would like to know if your
LP-1 is first or second production (does it have Y/G LEDS on the
ethernet port?
 
Best regards,
Erwin Van Heuverswyn
Ginkgo sound-vision
GSM: +32(0)486/11 84 30
ginkgo@telenet.be
Krevelstraat 45
B9000 GENT
BELGIUM

-----Original Message-----
From: Simeon Harris [mailto:simeonharris40@googlemail.com] 
Sent: maandag 19 april 2010 0:09
To: ginkgo@telenet.be
Subject: Re: SPAM - Looperlative LP-1


hi erwin, i've sent you an email

sim


On Sun, Apr 18, 2010 at 10:05 PM, Erwin Van Heuverswyn
<ginkgo@pandora.be> wrote:


Hello Sim,
 
I am interested in buying your LP-1.
 
Best regards,
 

Erwin Van Heuverswyn


No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.801 / Virus Database: 271.1.1/2818 - Release Date: 04/18/10
08:31:00



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<TITLE>Message</TITLE>

<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18904"></HEAD>
<BODY>
<DIV><SPAN class=3D801541922-18042010><FONT color=3D#0000ff size=3D2 =
face=3DArial>Yes, I=20
notice you did!</FONT></SPAN></DIV>
<DIV><SPAN class=3D801541922-18042010><FONT color=3D#0000ff size=3D2 =
face=3DArial>After=20
doing some reading on bug reports, I would like to know if your LP-1 is =
first or=20
second production (does it have Y/G LEDS on the ethernet=20
port?</FONT></SPAN></DIV>
<DIV><SPAN class=3D801541922-18042010><FONT color=3D#0000ff size=3D2=20
face=3DArial></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D801541922-18042010><FONT color=3D#0000ff size=3D2 =
face=3DArial>Best=20
regards,</FONT></SPAN></DIV>
<DIV><SPAN class=3D801541922-18042010>
<DIV align=3Dleft><FONT size=3D2 face=3DArial>Erwin Van =
Heuverswyn</FONT></DIV>
<DIV align=3Dleft><FONT size=3D2 face=3DArial>Ginkgo =
sound-vision</FONT></DIV>
<DIV align=3Dleft><FONT size=3D2 face=3DArial>GSM: +32(0)486/11 84 =
30</FONT></DIV>
<DIV align=3Dleft><FONT size=3D2 face=3DArial><A=20
href=3D"mailto:ginkgo@telenet.be">ginkgo@telenet.be</A></FONT></DIV>
<DIV align=3Dleft><FONT size=3D2 face=3DArial>Krevelstraat =
45</FONT></DIV>
<DIV align=3Dleft><FONT size=3D2 face=3DArial>B9000 GENT</FONT></DIV>
<DIV align=3Dleft><FONT size=3D2 =
face=3DArial>BELGIUM</FONT></DIV></SPAN></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px" dir=3Dltr>
  <DIV></DIV>
  <DIV dir=3Dltr lang=3Den-us class=3DOutlookMessageHeader =
align=3Dleft><FONT size=3D2=20
  face=3DTahoma>-----Original Message-----<BR><B>From:</B> Simeon Harris =

  [mailto:simeonharris40@googlemail.com] <BR><B>Sent:</B> maandag 19 =
april 2010=20
  0:09<BR><B>To:</B> ginkgo@telenet.be<BR><B>Subject:</B> Re: SPAM -=20
  Looperlative LP-1<BR><BR></FONT></DIV>hi erwin, i've sent you an=20
  email<BR><BR>sim<BR><BR>
  <DIV class=3Dgmail_quote>On Sun, Apr 18, 2010 at 10:05 PM, Erwin Van =
Heuverswyn=20
  <SPAN dir=3Dltr>&lt;<A=20
  href=3D"mailto:ginkgo@pandora.be">ginkgo@pandora.be</A>&gt;</SPAN> =
wrote:<BR>
  <BLOCKQUOTE=20
  style=3D"BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0pt 0pt 0pt =
0.8ex; PADDING-LEFT: 1ex"=20
  class=3Dgmail_quote>
    <DIV>
    <DIV><FONT color=3D#0000ff size=3D2 face=3DArial><SPAN>Hello=20
    Sim,</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff size=3D2 =
face=3DArial><SPAN></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff size=3D2 face=3DArial><SPAN>I am =
interested in buying=20
    your LP-1.</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff size=3D2 =
face=3DArial><SPAN></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff size=3D2 face=3DArial><SPAN>Best=20
    regards,</SPAN></FONT></DIV>
    <DIV><FONT color=3D#0000ff size=3D2 =
face=3DArial><SPAN></SPAN></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#0000ff size=3D2 face=3DArial><SPAN>
    <DIV align=3Dleft><FONT size=3D2 face=3DArial>Erwin Van=20
    =
Heuverswyn</FONT></DIV></SPAN></FONT><BR></DIV></DIV></BLOCKQUOTE></DIV>
  <P><FONT size=3D2 face=3DArial>No virus found in this incoming =
message.<BR>Checked=20
  by AVG - www.avg.com<BR>Version: 9.0.801 / Virus Database: =
271.1.1/2818 -=20
  Release Date: 04/18/10 =
08:31:00<BR></FONT></P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 22:44:43 2010
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Subject: More M-9 PHUN
Date: Sun, 18 Apr 2010 15:44:31 -0700
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  I  have been putting together a bank of presets today on my M-9 that  
are more abstract in nature, an outside bank,  so to speak. In edition  
to obvious choices like a ring modulator which the M-9 does a decent  
job of , I was playing around with reverse delay and happened upon an  
interesting application. Rather than set the reverse delay like i  
usually do, set to whole note value, as defined by my tap tempo, I set  
the delay time at 20 milliseconds. I increased the depth of  
modulation   and feedback and used the expression pedal to control  
delay mix and speed of the modulation, slow to fast. The ensuing sound  
had a quality similar to a ring modulator ,  with some of the same  
comb filtering , and weird harmonic artifacts. Combined with a ring  
modulator things got really crazy. I  owned an EH frequency analyzer  
back in the day and really dig that I can occasionally have access to  
that sound, for those South Park theme moments :-) I also like how  
much extra control a multi tasking expression pedal can give to an  
effect like this. Used to control the mix, it is great to be able to  
go from Pretty to Pretty Creepy and back again as one rocks the pedal.
Bill

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Date: Mon, 19 Apr 2010 00:54:43 +0200
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samples please! bill!! ...

2010/4/19 William Walker <billwalker@baymoon.com>

>  I  have been putting together a bank of presets today on my M-9 that are
> more abstract in nature, an outside bank,  so to speak. In edition to
> obvious choices like a ring modulator which the M-9 does a decent job of =
, I
> was playing around with reverse delay and happened upon an interesting
> application. Rather than set the reverse delay like i usually do, set to
> whole note value, as defined by my tap tempo, I set the delay time at 20
> milliseconds. I increased the depth of modulation   and feedback and used
> the expression pedal to control delay mix and speed of the modulation, sl=
ow
> to fast. The ensuing sound had a quality similar to a ring modulator ,  w=
ith
> some of the same comb filtering , and weird harmonic artifacts. Combined
> with a ring modulator things got really crazy. I  owned an EH frequency
> analyzer back in the day and really dig that I can occasionally have acce=
ss
> to that sound, for those South Park theme moments :-) I also like how muc=
h
> extra control a multi tasking expression pedal can give to an effect like
> this. Used to control the mix, it is great to be able to go from Pretty t=
o
> Pretty Creepy and back again as one rocks the pedal.
> Bill
>
>


--=20
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
I b=E9, despr=E9s estava aquella dona que sense saber que estava il.luminad=
a,
exclamava: "O siga, que he pagat per aquesta merda de m=E0quina i resulta q=
ue
ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podien posar-li una
agulla , o que pitara, o alguna cosa aix=ED? "


Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com

--0016e6d7f07af340f304848aba83
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

samples please! bill!! ... <br><div style=3D"visibility: hidden; display: i=
nline;" id=3D"avg_ls_inline_popup"></div><style type=3D"text/css">#avg_ls_i=
nline_popup {  position:absolute;  z-index:9999;  padding: 0px 0px;  margin=
-left: 0px;  margin-top: 0px;  width: 240px;  overflow: hidden;  word-wrap:=
 break-word;  color: black;  font-size: 10px;  text-align: left;  line-heig=
ht: 13px;}</style><br>
<div class=3D"gmail_quote">2010/4/19 William Walker <span dir=3D"ltr">&lt;<=
a href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</sp=
an><br><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rg=
b(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
=A0I =A0have been putting together a bank of presets today on my M-9 that a=
re more abstract in nature, an outside bank, =A0so to speak. In edition to =
obvious choices like a ring modulator which the M-9 does a decent job of , =
I was playing around with reverse delay and happened upon an interesting ap=
plication. Rather than set the reverse delay like i usually do, set to whol=
e note value, as defined by my tap tempo, I set the delay time at 20 millis=
econds. I increased the depth of modulation =A0 and feedback and used the e=
xpression pedal to control delay mix and speed of the modulation, slow to f=
ast. The ensuing sound had a quality similar to a ring modulator , =A0with =
some of the same comb filtering , and weird harmonic artifacts. Combined wi=
th a ring modulator things got really crazy. I =A0owned an EH frequency ana=
lyzer back in the day and really dig that I can occasionally have access to=
 that sound, for those South Park theme moments :-) I also like how much ex=
tra control a multi tasking expression pedal can give to an effect like thi=
s. Used to control the mix, it is great to be able to go from Pretty to Pre=
tty Creepy and back again as one rocks the pedal.<br>

Bill<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<br>I b=E9, despr=E9s estava aquella dona que sense saber que estava il.lum=
inada, exclamava: &quot;O siga, que he pagat per aquesta merda de m=E0quina=
 i resulta que ni tan sols em diu si s=F3c un Buda o no, =F2sties!, no podi=
en posar-li una agulla , o que pitara, o alguna cosa aix=ED? &quot;<br>
<br><br>Raul Bonell at Blogger: <a href=3D"http://raulbonell.blogspot.com">=
http://raulbonell.blogspot.com</a><br>Chain Tape Collective: <a href=3D"htt=
p://www.ct-collective.com">http://www.ct-collective.com</a><br><br>

--0016e6d7f07af340f304848aba83--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 18 23:07:18 2010
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <9371D9B6-815F-4006-BEC8-83AC50682EEB@baymoon.com>
Subject: Re: More M-9 PHUN
Date: Sun, 18 Apr 2010 19:07:06 -0400
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Hey nice tip Bill, I am just getting in to programming mine. I love that you 
can use 2 ex peds.
Everytime I play with it i find more cool stuff!

Here's a thing I did last night for ImprovFriday, I used the obie 
wah-multitap delay-cave reverb from it along with some of my usual suspects. 
Looped with EH 2880

Null - http://dl.dropbox.com/u/679233/Null.mp3

thanks for the tip!

Jeff


----- Original Message ----- 
From: "William Walker" <billwalker@baymoon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, April 18, 2010 6:44 PM
Subject: More M-9 PHUN


>  I  have been putting together a bank of presets today on my M-9 that
> are more abstract in nature, an outside bank,  so to speak. In edition
> to obvious choices like a ring modulator which the M-9 does a decent
> job of , I was playing around with reverse delay and happened upon an
> interesting application. Rather than set the reverse delay like i
> usually do, set to whole note value, as defined by my tap tempo, I set
> the delay time at 20 milliseconds. I increased the depth of
> modulation   and feedback and used the expression pedal to control
> delay mix and speed of the modulation, slow to fast. The ensuing sound
> had a quality similar to a ring modulator ,  with some of the same
> comb filtering , and weird harmonic artifacts. Combined with a ring
> modulator things got really crazy. I  owned an EH frequency analyzer
> back in the day and really dig that I can occasionally have access to
> that sound, for those South Park theme moments :-) I also like how
> much extra control a multi tasking expression pedal can give to an
> effect like this. Used to control the mix, it is great to be able to
> go from Pretty to Pretty Creepy and back again as one rocks the pedal.
> Bill
>


--------------------------------------------------------------------------------



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Checked by AVG - www.avg.com
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 00:46:37 2010
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Subject: OT: yamaha drum machine
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Way off-topic here...

I'm looking at a Yamaha RY9 drum machine - it was released late '99 and I'm finding very little info about it - anybody here ever used one?


Ted H.

Enemies are good for self-definition. Werner Herzog

__________________________________________________
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<table cellspacing="0" cellpadding="0" border="0" ><tr><td valign="top" style="font: inherit;"><br>Way off-topic here...<br><br>I'm looking at a Yamaha RY9 drum machine - it was released late '99 and I'm finding very little info about it - anybody here ever used one?<br><br><br>Ted H.<br><br>Enemies are good for self-definition. Werner Herzog</td></tr></table><br>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
--0-249926403-1271637984=:38033--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 02:17:32 2010
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Date: Sun, 18 Apr 2010 19:17:19 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Live looping with french horn
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Hi Jonathan,

This was a very nice song, interesting textures in it, I would think this is the sort of looping that would sound good in a movie soundtrack.

I am sorry but I am not familiar with the VE20 pedal and so cannot comment. One problem I hear is the audible switching which kind of detracts from the song. I have a Boomerang2 looper with silent switching which is nice, and from what others on the list say, the newer and better BoomerangIII is either released or near release.

There is also another latest technology looper being released soon, the Looperlative LP2 which sounds like it will be awesome.

If you are playing songs which contain many movements, then something like the Boss RC-50 may be what you want(it provides multiple loops), however in this case it may be better to use a computer with looping software such as Mobius.

There are others on the list who are more familiar with computer-based looping, if this is the route you choose, then you will not need the VE-20 because the computer can be used with plug-in effects that can do the same functions(and more!).

Welcome to the list and have fun looping!

Eric


      
--0-1935791982-1271643439=:82581
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Hi Jonathan,<br><br>This was a very nice song, interesting textures in it, I would think this is the sort of looping that would sound good in a movie soundtrack.<br><br>I am sorry but I am not familiar with the VE20 pedal and so cannot comment. One problem I hear is the audible switching which kind of detracts from the song. I have a Boomerang2 looper with silent switching which is nice, and from what others on the list say, the newer and better BoomerangIII is either released or near release.<br><br>There is also another latest technology looper being released soon, the Looperlative LP2 which sounds like it will be awesome.<br><br>If you are playing songs which contain many movements, then something like the Boss RC-50 may be what you want(it provides multiple loops), however in this case it
 may be better to use a computer with looping software such as Mobius.<br><br>There are others on the list who are more familiar with computer-based looping, if this is the route you choose, then you will not need the VE-20 because the computer can be used with plug-in effects that can do the same functions(and more!).<br><br>Welcome to the list and have fun looping!<br><br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div><font face="Arial" size="2"></font>&nbsp;</div></div></div>
</div><br>

      </body></html>
--0-1935791982-1271643439=:82581--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 02:25:03 2010
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    <001001cadf4b$de1cefa0$eef33747@tbl01fcf9be917>
Date: Sun, 18 Apr 2010 22:25:06 -0400
Subject: Re: More M-9 PHUN
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Hi Jeff,

Great Sounding Stuff!!
I really like this, makes me want to see the movie.
I must give that combo a try.

Hey Bill, any clips of your abstract inventions?

Thanks for sharing,

Andre

http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Sun, April 18, 2010 7:07 pm, Jeff Duke wrote:
> Hey nice tip Bill, I am just getting in to programming mine. I love that
> you
> can use 2 ex peds.
> Everytime I play with it i find more cool stuff!
>
> Here's a thing I did last night for ImprovFriday, I used the obie
> wah-multitap delay-cave reverb from it along with some of my usual
> suspects.
> Looped with EH 2880
>
> Null - http://dl.dropbox.com/u/679233/Null.mp3
>
> thanks for the tip!
>
> Jeff
>
>
> ----- Original Message -----
> From: "William Walker" <billwalker@baymoon.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, April 18, 2010 6:44 PM
> Subject: More M-9 PHUN
>
>
>>  I  have been putting together a bank of presets today on my M-9 that
>> are more abstract in nature, an outside bank,  so to speak. In edition
>> to obvious choices like a ring modulator which the M-9 does a decent
>> job of , I was playing around with reverse delay and happened upon an
>> interesting application. Rather than set the reverse delay like i
>> usually do, set to whole note value, as defined by my tap tempo, I set
>> the delay time at 20 milliseconds. I increased the depth of
>> modulation   and feedback and used the expression pedal to control
>> delay mix and speed of the modulation, slow to fast. The ensuing sound
>> had a quality similar to a ring modulator ,  with some of the same
>> comb filtering , and weird harmonic artifacts. Combined with a ring
>> modulator things got really crazy. I  owned an EH frequency analyzer
>> back in the day and really dig that I can occasionally have access to
>> that sound, for those South Park theme moments :-) I also like how
>> much extra control a multi tasking expression pedal can give to an
>> effect like this. Used to control the mix, it is great to be able to
>> go from Pretty to Pretty Creepy and back again as one rocks the pedal.
>> Bill
>>
>
>
> --------------------------------------------------------------------------------
>
>
>
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> Checked by AVG - www.avg.com
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From dgoodman@rediffmail.com  Mon Apr 19 02:48:25 2010
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Good Day,

I am privileged to contact you of an interest to invest in your country. Any Knowledge of business interest in the following sectors: Banking, Real Estate, Stock speculation, Film Industries, Mining, Oil and gas, Transportation and Tobacco. If you think you have a solid background and idea of making good profit in any of the mentioned business sectors in your country, please write me for possible business co-operation.
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 02:57:16 2010
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Subject: Re: More M-9 PHUN
Date: Sun, 18 Apr 2010 22:57:13 -0400
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Hey thanks Andre!

j

----- Original Message ----- 
From: ""André Donawa"" <andre@andredonawa.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, April 18, 2010 10:25 PM
Subject: Re: More M-9 PHUN


> Hi Jeff,
>
> Great Sounding Stuff!!
> I really like this, makes me want to see the movie.
> I must give that combo a try.
>
> Hey Bill, any clips of your abstract inventions?
>
> Thanks for sharing,
>
> Andre
>
> http://barbadosguitar.com/wordpress
> http://www.barbadosguitar.com
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa


From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 03:01:18 2010
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Subject: Re: More M-9 PHUN
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I used to do the same thing with a Boss DD20 pedal in reverse delay mode, I=
 don't know why I didn't think to do that with my M13.  I like using the ex=
pression pedal like that as well.  What I do is like up a Phase, Flange and=
 a trem, in that order, followed by a delay, then use my Digitech EX7 set f=
or the space station sound and hit a chord.  The phase is thickening, the f=
lange goes WHOOSh and the tremolo chops it up, and as I sweep the pedal, th=
ey go different speeds, needless to say, it sounds cool.=0A=0A--- On Sun, 4=
/18/10, William Walker <billwalker@baymoon.com> wrote:=0A=0A> From: William=
 Walker <billwalker@baymoon.com>=0A> Subject: More M-9 PHUN=0A> To: Loopers=
-Delight@loopers-delight.com=0A> Date: Sunday, April 18, 2010, 5:44 PM=0A> =
 I=A0 have been putting together a=0A> bank of presets today on my M-9 that=
 are more abstract in=0A> nature, an outside bank,=A0 so to speak. In editi=
on to=0A> obvious choices like a ring modulator which the M-9 does a=0A> de=
cent job of , I was playing around with reverse delay and=0A> happened upon=
 an interesting application. Rather than set=0A> the reverse delay like i u=
sually do, set to whole note=0A> value, as defined by my tap tempo, I set t=
he delay time at=0A> 20 milliseconds. I increased the depth of=0A> modulati=
on=A0=A0=A0and feedback and used the=0A> expression pedal to control delay =
mix and speed of the=0A> modulation, slow to fast. The ensuing sound had a =
quality=0A> similar to a ring modulator ,=A0 with some of the same=0A> comb=
 filtering , and weird harmonic artifacts. Combined with=0A> a ring modulat=
or things got really crazy. I=A0 owned an=0A> EH frequency analyzer back in=
 the day and really dig that I=0A> can occasionally have access to that sou=
nd, for those South=0A> Park theme moments :-) I also like how much extra c=
ontrol a=0A> multi tasking expression pedal can give to an effect like=0A> =
this. Used to control the mix, it is great to be able to go=0A> from Pretty=
 to Pretty Creepy and back again as one rocks the=0A> pedal.=0A> Bill=0A> =
=0A> =0A=0A=0A      

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 03:12:58 2010
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Date: Sun, 18 Apr 2010 23:12:45 -0400
To: Loopers-Delight@loopers-delight.com
From: paul <phaslem@wightman.ca>
Subject: Re: OT: yamaha drum machine
In-Reply-To: <9875.38033.qm@web34301.mail.mud.yahoo.com>
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Hey Ted,

you've never mentioned an interest in drum machines before. I have an 
old yamaha rx21L that has the latin instruments that I'd love to give 
to somebody. It all works, and I'll even throw in a power supply.

Paul Haslem,
Ontario, Canada
www.dulcify.ca






At 08:46 PM 4/18/2010, you wrote:

>Way off-topic here...
>
>I'm looking at a Yamaha RY9 drum machine - it was released late '99 
>and I'm finding very little info about it - anybody here ever used one?
>
>
>Ted H.
>
>Enemies are good for self-definition. Werner Herzog
>
>__________________________________________________
>Do You Yahoo!?
>Tired of spam? Yahoo! Mail has the best spam protection around
>http://mail.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 03:40:54 2010
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Date: Sun, 18 Apr 2010 20:40:50 -0700
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Subject: Re: Violin Looping with pretty lights...
From: Clifford Novey <cnovey@gmail.com>
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--0016e64bbbf02be3ad04848eba06
Content-Type: text/plain; charset=ISO-8859-1

Great playing- thanks for sharing- one part reminded me of "Lila's Dance" by
the MO on VOTEB
Regards,
Clifford

--0016e64bbbf02be3ad04848eba06
Content-Type: text/html; charset=ISO-8859-1

Great playing- thanks for sharing- one part reminded me of &quot;Lila&#39;s Dance&quot; by the MO on VOTEB<br>Regards, <br>Clifford<br>

--0016e64bbbf02be3ad04848eba06--

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Date: Sun, 18 Apr 2010 20:58:08 -0700
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Subject: Re: DOSH: live looper
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I saw AB solo in CO in 2006 at Folk's Fest- he is an expert whistler and
looper. Thanks for the link- good stuff.
C

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I saw AB solo in CO in 2006 at Folk&#39;s Fest- he is an expert whistler and looper. Thanks for the link- good stuff.<br>C<br>

--001636b2b10109600f04848ef8cb--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 04:37:55 2010
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Subject: guitar related product
Date: Sun, 18 Apr 2010 21:37:52 -0700
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I stumbled across this, and do not play guitar. But for those that  
do, this seems like a nice little product. (gift,etc. Hemp)

http://www.etsy.com/listing/45038658/removable-guitar-pick-bracelet? 
ref=cat1_gallery_2

Cheers,
Rev. Fever
Portland,OR

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 04:43:59 2010
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Your welcome Jeff, and nice soundscape as well.

Bill

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 06:44:01 2010
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Hi Luis

Per pretty much covered it all.
I'd also vote +1 for Logic Pro.

It's really incredible what you get in a package for <500,- EUR.
Mainstage alone is probably enough reason to get Logic Pro. I have no clue about video, but somebody told me the video stuff (video/sound mangling) is also very good. What I love: comping (mix several takes i.e. of vocal recording). All the virtual instruments/effects/loops etc. you get as a package would be well worth the money.

So, I like it more than Cubase. But I know enough people happy with Cubase/Nuendo.

If you want to try a new thing, I'd recommend taking a closer look at Reaper (http://www.reaper.fm). It's pure DAW. Costs 60$ / 225$ and you can test it for free. Don't be fooled by the price. This is probably the most stable/customizable/flexible DAW you can find on the market.

best regards
Buzap

-- 
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 06:52:40 2010
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Actually one more thing concerning the Logic/Mainstage vs Win+... discussion:

Mainstage + OSX + Mac computers are all made by Apple. Thus, there would be potential to optimize Mainstage for Mac OSX and respectively optimize OSX for Mac hardware.
At least theoretically, there would be a potential for performance optimization.

best regards
Buzap
-- 
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 07:38:14 2010
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Subject: violin looping with no lights, pretty or otherwise
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An unusually visible set of Improvizone videos featuring one man
orchestra Steve Bingham on electric violin:

http://vimeo.com/album/211617

Part 3 has some particularly sweet violin loops:

http://vimeo.com/10978759


cheers,
os.

-- 
os@collective.co.uk
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 <20100414074105.111590@gmx.net>,<x2t66f9cc1e1004140500ica918492s9e5cd0f90068f5fa@mail.gmail.com>,<917241.42085.qm@web65602.mail.ac4.yahoo.com>,<y2s66f9cc1e1004140706sf439001fl24a37c07ee0132d1@mail.gmail.com>,<20100415063121.267890@gmx.net>,<w2q66f9cc1e1004150447x8895f92bn742eb94684888ca6@mail.gmail.com>,<20100418120823.263760@gmx.net>,<r2y66f9cc1e1004180606le8dd4b3fzb53c3b1d7d805210@mail.gmail.com>,<20100418162803.35910@gmx.net>,<j2q7a9df3e51004181015ze68be009yaf9d1b6ee15c14e8@mail.gmail.com>,<y2j66f9cc1e1004181316uff4c6740n52c499ea106e59b6@mail.gmail.com>,<20100419064353.241480@gmx.net>
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And don't foget about Energy XT. Cheap and powerful with a live/modular mod=
e so you can transfer your studio work to the stage painlessly.=20
peace

G

> Date: Mon=2C 19 Apr 2010 08:43:53 +0200
> From: buzap@gmx.net
> Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi Luis
>=20
> Per pretty much covered it all.
> I'd also vote +1 for Logic Pro.
>=20
> It's really incredible what you get in a package for <500=2C- EUR.
> Mainstage alone is probably enough reason to get Logic Pro. I have no clu=
e about video=2C but somebody told me the video stuff (video/sound mangling=
) is also very good. What I love: comping (mix several takes i.e. of vocal =
recording). All the virtual instruments/effects/loops etc. you get as a pac=
kage would be well worth the money.
>=20
> So=2C I like it more than Cubase. But I know enough people happy with Cub=
ase/Nuendo.
>=20
> If you want to try a new thing=2C I'd recommend taking a closer look at R=
eaper (http://www.reaper.fm). It's pure DAW. Costs 60$ / 225$ and you can t=
est it for free. Don't be fooled by the price. This is probably the most st=
able/customizable/flexible DAW you can find on the market.
>=20
> best regards
> Buzap
>=20
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/195013117/direct/01/

--_41ed15d8-8ccd-4733-89d6-cd53a46485c0_
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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
And don't foget about Energy XT. Cheap and powerful with a live/modular mod=
e so you can transfer your studio work to the stage painlessly. <br>peace<b=
r><br>G<br><br>&gt=3B Date: Mon=2C 19 Apr 2010 08:43:53 +0200<br>&gt=3B Fro=
m: buzap@gmx.net<br>&gt=3B Subject: Re: OT: New MBP... or not? (Firewire st=
ill necessary?)<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B=
 <br>&gt=3B Hi Luis<br>&gt=3B <br>&gt=3B Per pretty much covered it all.<br=
>&gt=3B I'd also vote +1 for Logic Pro.<br>&gt=3B <br>&gt=3B It's really in=
credible what you get in a package for &lt=3B500=2C- EUR.<br>&gt=3B Mainsta=
ge alone is probably enough reason to get Logic Pro. I have no clue about v=
ideo=2C but somebody told me the video stuff (video/sound mangling) is also=
 very good. What I love: comping (mix several takes i.e. of vocal recording=
). All the virtual instruments/effects/loops etc. you get as a package woul=
d be well worth the money.<br>&gt=3B <br>&gt=3B So=2C I like it more than C=
ubase. But I know enough people happy with Cubase/Nuendo.<br>&gt=3B <br>&gt=
=3B If you want to try a new thing=2C I'd recommend taking a closer look at=
 Reaper (http://www.reaper.fm). It's pure DAW. Costs 60$ / 225$ and you can=
 test it for free. Don't be fooled by the price. This is probably the most =
stable/customizable/flexible DAW you can find on the market.<br>&gt=3B <br>=
&gt=3B best regards<br>&gt=3B Buzap<br>&gt=3B <br>&gt=3B -- <br>&gt=3B GRAT=
IS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>&gt=3B Jetzt freis=
chalten unter http://portal.gmx.net/de/go/maxdome01<br>&gt=3B <br> 		 	   	=
	  <br /><hr />Get a free e-mail account with Hotmail. Sign-up now. <a href=
=3D'' target=3D'_new'></a></body>
</html>=

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From castaneda@imp.edu.mx  Mon Apr 19 07:51:31 2010
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--=_9afbceb5bef38f5316a4c8e83fe03d87
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-- 
Barrister Adrian Li
13, Jalan 4, Taman Seri,
Cheras Jaya.
KAULA
LUMPUR 56100.
MALAYSIA.
TEL: +60102440349
EMAIL:
adrianlilegal@yahoo.co.jp

 Attention,

I am Barister Adrian Li, an
attorney at law. I discovered your email and
information through a
comprehensive web email search on directory so I
decided to contact you. I
know this sounds like a scam because of lot of
activities on the internet.
But I assure you that this is real.
A deceased client of mine, who
hereinafter shall be referred to as my
client, died as the result of a
heart-related condition on the 11
November 2001. His heart condition was
due to the death of all the members
of his family in the Gulf Air Flight
Crash in the Persian Gulf,
near Bahrain Aired August 23, 2000 - 2:50 p.m.
ET as reported
on:
http://transcripts.cnn.com/TRANSCRIPTS/0008/23/bn.08.html

I have
contacted you to assist in distributing the money left behind by my
client
before it is confiscated or declared unserviceable by the
bank; where this
deposit valued at Ten Million Six Hundred Thousand United
States Dollars.
(,600,000.00 USD). Is lodged. This bank has
issued a notice to contact the
next of kin, or the account will be
confiscated.

My proposition to you is
to seek your consent to present you as the
next-of-kin and beneficiary of
my named client, so that the proceeds of
this account can be paid to you.
Then we can share the amount on a
mutually agreed-upon percentage. All
legal documents to back up your
claim as my client's next-of-kin will be
provided. All I require is your
honest cooperation to enable us see this
transaction through. This
will be executed under a legitimate arrangement
that will protect you from
many breach of the law.

If this business
proposition offends your moral values, do accept my
apology. I must use
this opportunity to implore you to exercise the
utmost indulgence to keep
this matter highly confidential, whatever your
decision, while I await your
prompt response. Please contact me at once
to indicate your interest. I
will like you to acknowledge the receipt of
this e-mail as soon as possible
via my private EMAIL:
(adrianlilegal@yahoo.co.jp) and treat it with
absolute confidentiality and
sincerity. I look forward to your quick
reply.

Also include your direct telephone number when contacting me to
enable me
call and speak with you.

Best regards,
Barr. Adrian Li.
 
--=_9afbceb5bef38f5316a4c8e83fe03d87
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html; charset="UTF-8"

<p>&nbsp;</p>
<div>
<pre>--=20
Barrister Adrian Li
13, Jalan 4, Taman Seri,
Cheras Jaya.
KAULA LUMPUR 56100.
MALAYSIA.
TEL: +60102440349
EMAIL: adrianlilegal@yahoo.co.jp


   Attention,


I am Barister Adrian Li, an attorney at law. I discovered your email and
information through a comprehensive web email search on directory so I
decided to contact you. I know this sounds like a scam because of lot of
activities on the internet. But I assure you that this is real.
A deceased client of mine, who hereinafter shall be referred to as my
client, died as the result of a heart-related condition on the 11
November 2001. His heart condition was due to the death of all the members
of his family in the Gulf Air Flight Crash in the Persian Gulf,
near Bahrain Aired August 23, 2000 - 2:50 p.m. ET as reported on:
http://transcripts.cnn.com/TRANSCRIPTS/0008/23/bn.08.html

I have contacted you to assist in distributing the money left behind by my
client before it is confiscated or declared unserviceable by the
bank; where this deposit valued at Ten Million Six Hundred Thousand United
States Dollars. ($10,600,000.00 USD). Is lodged. This bank has
issued a notice to contact the next of kin, or the account will be
confiscated.

My proposition to you is to seek your consent to present you as the
next-of-kin and beneficiary of my named client, so that the proceeds of
this account can be paid to you. Then we can share the amount on a
mutually agreed-upon percentage. All legal documents to back up your
claim as my client's next-of-kin will be provided. All I require is your
honest cooperation to enable us see this transaction through. This
will be executed under a legitimate arrangement that will protect you from
many breach of the law.

If this business proposition offends your moral values, do accept my
apology. I must use this opportunity to implore you to exercise the
utmost indulgence to keep this matter highly confidential, whatever your
decision, while I await your prompt response. Please contact me at once
to indicate your interest. I will like you to acknowledge the receipt of
this e-mail as soon as possible via my private EMAIL:
(adrianlilegal@yahoo.co.jp) and treat it with absolute confidentiality and
sincerity. I look forward to your quick reply.


Also include your direct telephone number when contacting me to enable me
call and speak with you.

Best regards,
Barr. Adrian Li.</pre>
</div>
--=_9afbceb5bef38f5316a4c8e83fe03d87--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 07:56:14 2010
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References: <20100414074105.111590@gmx.net>
	 <y2s66f9cc1e1004140706sf439001fl24a37c07ee0132d1@mail.gmail.com>
	 <20100415063121.267890@gmx.net>
	 <w2q66f9cc1e1004150447x8895f92bn742eb94684888ca6@mail.gmail.com>
	 <20100418120823.263760@gmx.net>
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	 <20100418162803.35910@gmx.net>
	 <j2q7a9df3e51004181015ze68be009yaf9d1b6ee15c14e8@mail.gmail.com>
	 <y2j66f9cc1e1004181316uff4c6740n52c499ea106e59b6@mail.gmail.com>
	 <20100419064353.241480@gmx.net>
Date: Mon, 19 Apr 2010 00:56:13 -0700
Message-ID: <l2u1318f21d1004190056s1f58261eo15ea3fe36958e770@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: George Ludwig <georgeludwigmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Sun, Apr 18, 2010 at 11:43 PM, Buzap Buzap <buzap@gmx.net> wrote:

>
> If you want to try a new thing, I'd recommend taking a closer look at
> Reaper (http://www.reaper.fm). It's pure DAW. Costs 60$ / 225$ and you can
> test it for free. Don't be fooled by the price. This is probably the most
> stable/customizable/flexible DAW you can find on the market.
>
> best regards
> Buzap
>
>
Interesting...I'd vaguely heard about Reaper but didn't know anything about
it. They have a very nice licensing policy, plus it run on both Windows and
OSX. I may need to try this out since I hate Sonar for various reasons, and
also hate ProTools for other reasons. Live is the only DAW I use right now,
and it's not much of a real DAW. ANd Logic is kinda pricey. :(

-- 
-George

http://www.myspace.com/georgeludwigmusic

--001636b2b03b835a140484924b8f
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<br><br><div class=3D"gmail_quote">On Sun, Apr 18, 2010 at 11:43 PM, Buzap =
Buzap <span dir=3D"ltr">&lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net<=
/a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin:=
0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<br>
If you want to try a new thing, I&#39;d recommend taking a closer look at R=
eaper (<a href=3D"http://www.reaper.fm" target=3D"_blank">http://www.reaper=
.fm</a>). It&#39;s pure DAW. Costs 60$ / 225$ and you can test it for free.=
 Don&#39;t be fooled by the price. This is probably the most stable/customi=
zable/flexible DAW you can find on the market.<br>

<br>
best regards<br>
<div><div></div><div class=3D"h5">Buzap<br>
<br></div></div></blockquote></div><div><br></div>Interesting...I&#39;d vag=
uely heard about Reaper but didn&#39;t know anything about it. They have a =
very nice licensing policy, plus it run on both Windows and OSX. I may need=
 to try this out since I hate Sonar for various reasons, and also hate ProT=
ools for other reasons. Live is the only DAW I use right now, and it&#39;s =
not much of a real DAW. ANd Logic is kinda pricey. :(<div>
=A0</div><div>-- <br>-George<br><br><a href=3D"http://www.myspace.com/georg=
eludwigmusic">http://www.myspace.com/georgeludwigmusic</a><br>
</div>

--001636b2b03b835a140484924b8f--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 07:56:29 2010
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Date: Mon, 19 Apr 2010 09:56:25 +0200
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Subject: Re: Electrix Repeater CF-Card - technical parameters
References: <4BC5899A.5030209@mnet-online.de> <4BC860DD.8010707@mnet-online.de> <94E04F3E-6B2F-4EC0-A36E-4FF2500C8F2E@mountaincable.net>
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Hello Chris

chris hutton schrieb:
> how large was the card you purchased?
512 MB

Florian

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 08:45:38 2010
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Hi Clifford

> Does anyone have the Repeater OS 2.4? I cannot find it and info on the 
> changes it brought to the Repeater. I have 2 I would like to update 
> possibly.
I have it (2.14 as you found out) on a CF-Card at home. I will try to 
put it on my webserver tonight (Middle European Time).

Florian

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 09:04:13 2010
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Date: Mon, 19 Apr 2010 02:04:11 -0700
Message-ID: <r2yd9a54a371004190204te0c43fdaz5c4e4296b228b18a@mail.gmail.com>
Subject: Re: Live looping with french horn
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64cd7ee8ee7d20484933e87
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I like the ambient track. The clicks sound like they are meant to be
rhythmic.

I'd go for option a. No way on computers and finding another musician while
best is least dependable and flexible. As far as how you route it you are
best to experiment and see. If the mixer has an aux send you might try it
there as well. You will discover a lot once you get it set up and begin to
see how you want to work. There is an incredible wealth of experience here
on this list if you have more questions later. As far as loopers go- when I
started I got an original Jam Man by Lexicon which was nice and simple.
There are MANY choices now- Line 6 DL4, the Digitech and Boss pedals which I
have never used- etc.

Also, check out Tom Heasley's work- ambient tuba- great stuff.
http://www.tomheasley.com/

Regards,

Clifford

--0016e64cd7ee8ee7d20484933e87
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I like the ambient track. The clicks sound like they are meant to be rhythm=
ic. <br><br>I&#39;d go for option a. No way on computers and finding anothe=
r musician while best is least dependable and flexible. As far as how you r=
oute it you are best to experiment and see. If the mixer has an aux send yo=
u might try it there as well. You will discover a lot once you get it set u=
p and begin to see how you want to work. There is an incredible wealth of e=
xperience here on this list if you have more questions later. As far as loo=
pers go- when I started I got an original Jam Man by Lexicon which was nice=
 and simple. There are MANY choices now- Line 6 DL4, the Digitech and Boss =
pedals which I have never used- etc.<br>
<br>Also, check out Tom Heasley&#39;s work- ambient tuba- great stuff.<br><=
a href=3D"http://www.tomheasley.com/">http://www.tomheasley.com/</a><br><br=
>Regards, <br><br>Clifford<br>

--0016e64cd7ee8ee7d20484933e87--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 09:05:41 2010
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Date: Mon, 19 Apr 2010 02:05:40 -0700
Message-ID: <h2od9a54a371004190205qdc974b3er196142475cd79c31@mail.gmail.com>
Subject: Re: Repeater OS 2.4
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I got the OS already- thanks for all the responses. Loaded fine- but some of
the buttons have gotten flaky from non use. Use em or lose em!
;)
C

--0016e64cce94db395a04849343a7
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I got the OS already- thanks for all the responses. Loaded fine- but some of the buttons have gotten flaky from non use. Use em or lose em!<br>;)<br>C<br>

--0016e64cce94db395a04849343a7--

From unoffice837384@poczta.onet.eu  Mon Apr 19 09:20:14 2010
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From:	"MR. GEOFFREY" <unoffice837384@poczta.onet.eu>
Subject: FROM USA GOVERNMENT IS URGENT.
Date:	Mon, 19 Apr 2010 02:14:57 -0700
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YOUR REF: NO.WH44CV
 
WORLD BANK GROUP AND UNITED NATION ORGANIZATION DO HEREBY GIVE THIS IRREVOCABLE APPROVAL ORDER WITH RELEASE CODE: GNC/3480/02/00 IN YOUR FAVOR FOR YOUR CONTRACT ENTITLEMENT/AWARD WINNING PAYMENT WITH THE UNITED NATION TO YOUR NOMINATED BANK ACCOUNT. NOW YOUR NEW PAYMENT, UNITED NATIONS APPROVAL NO;UN5685P, WHITE HOUSE APPROVED NO:WH44CV,REFERENCE NO.-35460021, 
ALLOCATION NO: 674632 PASSWORD NO: 339331, PIN CODE NO: 55674 AND YOUR CERTIFICATE OF MERIT PAYMENT NO : 103, RELEASED CODE NO: 0763; 
IMMEDIATE H.S.B.C. BANK TELEX CONFIRMATION NO: -1114433 ; SECRET CODE NO: XXTN013, HAVING RECEIVED THESE VITAL PAYMENT NUMBER,THEREFORE YOU ARE QUALIFIED NOW TO RECEIVED AND CONFIRM YOUR PAYMENT WITH THE UNITED NATION IMMEDIATELY WITHIN THE NEXT 72HRS.
 
AS A MATTER OF FACT, YOU ARE REQUIRED TO DEAL AND COMMUNICATE ONLY WITH DR. DALLAS LEE WILLIAMS, REGIONAL DIRECTOR OF H.S.B.C BANK UNITED KINGDOM LONDON, WITH THE HELP OF OUR MONITORY TEAM FROM THE H.S.B.C BANK OF NEW YORK WHICH IS OUR OFFICIAL REMITTING BANK. COMMITTEE ON FOREIGN PAYMENT MATTERS IN UNITED NATION HAS LOOK UP TO MAKE SURE YOU RECEIVE YOUR FUND VALUED $11.3M. 
SO CONTACT: DR. DALLAS LEE WILLIAMS, ON HIS CONTACT INFORMATION, REGIONAL DIRECTOR
H.S.B.C BANK UNITED KINGDOM LONDON,TELEPHONE NO: +44 702 408 7552, FAX NUMBER: +44 871 900 7585, EMAIL: infohsbcbanklondonplc13@yahoo.com.hk

FOR IMMEDIATE RELEASE OF YOUR CONTRACT/INHERITANCE/AWARD WINNING CLAIM. BE INFORMED THAT YOU ARE NOT ALLOWED TO CORRESPOND WITH ANY PERSON OR OFFICE ANYMORE, YOU ARE REQUIRED TO SEND BELLOW INFORMATION FOR YOUR TRANSFER. 
 
1) YOUR FULL NAME: 
2) ADDRESS, CITY, STATE AND COUNTRY:
3) PHONE, FAX AND MOBILE: 
4) COMPANY NAME (IF ANY) POSITION AND ADDRESS: 
5) BANK DETAILS: 
6) PROFESSION, AGE AND MARITAL STATUS: 
7) COPY OF YOUR INT'L PASSPORT/DRIVERS LICENSE:
 
NOTE: YOUR PERSONAL CONTACT/COMMUNICATION CODE WITH H.S.B.C BANK UNITED KINGDOM LONDON IS (511), YOU ARE ADVICE TO SEND YOUR FULL BANKING INFORMATION TO THE H.S.B.C BANK OF LONDON 
INTERNATIONAL REMITTANCE DIRECTOR HEADED BY DR. DALLAS LEE WILLIAMS AND MAKE SURE YOU SPEAK WITH HIM, WITH YOUR NEW PAYMENT CODE FOR THE RELEASE OF YOUR PAYMENT AND SEND HIM ALL YOUR BANKING INFORMATION NOW.

CONTACT CODE (511) OFFICER: DR. DALLAS LEE WILLIAMS POSITION: REGIONAL DIRECTOR OF H.S.B.C BANK UNITED KINGDOM LONDON.
 
TELEPHONE OFFICE/BANK: +44 702 408 7552 
CELL: +44 702 402 9711
FAX NUMBER: +44 871 900 7585
EMAIL:infohsbcbanklondonplc13@yahoo.com.hk

YOURS SINCERELY,

MR. GEOFFREY COLE
(CHAIRMAN COMMITTEE ON FOREIGN CONTRACT/AWARD WINING PAYMENT UNITED NATION AND USA GOVERNMENT)
PHONE: (+) 1 206 666 4012
FAX: (+) 1 206 350 4462

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Date: Mon, 19 Apr 2010 11:04:31 +0000 (GMT)
From: sandi abassy <sandi.abassy@btinternet.com>
Reply-To: sabate080@yahoo.com
Subject: FROM SANDI ABASSY.
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1362910253-1271675071=:8865"

--0-1362910253-1271675071=:8865
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FROM SANDI ABASSY.=20
Abidjan Cote D'Ivoire,
West Africa.
=A0
Your Attention Please.
=A0
With confidence I am introducing myself, my name is SANDI ABASSY the only c=
hild of late Mr Richard Abassy. My father was a very wealthy Cocoa merchant=
 in Abidjan Ivory Coast; my father was poisoned to death by his business as=
sociates during one of their outings on a business trip.=20
=A0
Before the death of my father in a private hospital here in Abidjan he secr=
etly called me on his bed side and told me that he has the sum of Six Milli=
on Five Hundred Thousand United State Dollars suspense account in one of th=
e prime bank here in Abidjan, that he used my name as his only child for th=
e next of Kin in depositing of the fund. He also explained to me that it wa=
s because of this wealth that he was poisoned by his business associates.=
=20
=A0
That due to the incessant political crisis in this country and to avoid bee=
n kill by his enemies I should seek for a foreign partner in a country of m=
y choice where I will transfer this money and use it for investment purpose=
.
=A0
Furthermore, please indicate your options towards assisting me as I believe=
 that this transaction would be conclude within seven (7) days you signify =
your interest to assist me.
=A0
Anticipating hearing from you urgently at sabate080@yahoo.com
=A0
Thank you and May God bless.
=A0
Yours sincerely,
SANDI ABASSY
--0-1362910253-1271675071=:8865
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">FROM SANDI ABASSY. <BR>Abidjan Cote D'Ivoire,=
<BR>West Africa.<BR>&nbsp;<BR>Your Attention Please.<BR>&nbsp;<BR>With conf=
idence I am introducing myself, my name is SANDI ABASSY the only child of l=
ate Mr Richard Abassy. My father was a very wealthy Cocoa merchant in Abidj=
an Ivory Coast; my father was poisoned to death by his business associates =
during one of their outings on a business trip. <BR>&nbsp;<BR>Before the de=
ath of my father in a private hospital here in Abidjan he secretly called m=
e on his bed side and told me that he has the sum of Six Million Five Hundr=
ed Thousand United State Dollars suspense account in one of the prime bank =
here in Abidjan, that he used my name as his only child for the next of Kin=
 in depositing of the fund. He also explained to me that it was because of =
this wealth that he was poisoned by his business associates.
 <BR>&nbsp;<BR>That due to the incessant political crisis in this country a=
nd to avoid been kill by his enemies I should seek for a foreign partner in=
 a country of my choice where I will transfer this money and use it for inv=
estment purpose.<BR>&nbsp;<BR>Furthermore, please indicate your options tow=
ards assisting me as I believe that this transaction would be conclude with=
in seven (7) days you signify your interest to assist me.<BR>&nbsp;<BR>Anti=
cipating hearing from you urgently at <A href=3D"mailto:sabate080@yahoo.com=
">sabate080@yahoo.com</A><BR>&nbsp;<BR>Thank you and May God bless.<BR>&nbs=
p;<BR>Yours sincerely,<BR>SANDI ABASSY</td></tr></table>
--0-1362910253-1271675071=:8865--

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From: "GINKGO - Erwin Van Heuverswyn" <ginkgo@telenet.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Electrix Repeater CF-Card - technical parameters
Date: Mon, 19 Apr 2010 13:16:28 +0200
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Hello Florian and co-loopers,

After a long search and mis-hits, I found out that the problem with CF cards
and repeater is linked to not having an (ULTRA)DMA controller on board.
First I bought Transcend CF:
TS512MCF80 : 80x Speed 512MB
TS512MCF100I : Ultra Industrial 512MB
The repeater doesn't even take them!

What worked for me:
Pretec RCFH512EHGH with SAH05 Hitachi controller.
I bought the whole stock (4) of the German company Tecsys.
It was a real pleasure to deal with this company.
By coincidence I had found a small (8MB) Pretec CF that worked perfectly.
>From specs. of that CF we deduced what would not work and decided to go for
the Pretec RCFH512EHGH with a controller just one step above the one on the
8MB, supporting 512MB, but no DMA!

Donations for this valuable information are welcome.

Best regards,
Erwin Van Heuverswyn
GINKGO sound-vision
email: ginkgo@telenet.be
Tel.: +32(0)9 223 29 73
GSM: +32(0)486/11 84 30
Krevelstraat 45
B-9000 GENT
BELGIUM




-----Original Message-----
From: Florian Anwander [mailto:fanwander@mnet-online.de]
Sent: vrijdag 16 april 2010 15:07
To: Loopers-Delight@loopers-delight.com
Subject: Re: Electrix Repeater CF-Card - technical parameters


Answering my self and for the archives

I did not find the real requirements, but by trying I found that
Transcend "Industrial CompactFlash" cards work properly in the Repeater
(Stereo, reverse and pitched up at the same time).
http://www.transcendusa.com/Products/ModDetail.asp?ModNo=15&LangNo=0&Func1No
=1&Func2No=13
The page says: Data transfer rate: 12MB/sec(Max).

I found them, because Transcend was the winner of a performancetest at
www.tomshardware.com

I bought them here (german shop, shipping worldwide):
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=350230222933


Transcend offers them still in sizes suitable for the Repeater: 128MB/
256Mb/ 512MB

Regards, Florian

Florian Anwander schrieb:
> Hi,
>
> I searched the archives, but did not find an answer:
> What are the dedicated requirements regarding read and write performance
> (MBit/Second) for the CF-Cards used in the repeater?
>
> Also: the Repeaters manual says it can handel memory up to 512MB; did
> anyone test, whether the Repeater accepts larger cards (it would be ok,
> if only 512 Mb are used)?
>
> Florian
>
>


No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.801 / Virus Database: 271.1.1/2812 - Release Date: 04/18/10
20:31:00

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 11:30:14 2010
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In-Reply-To: <r2yd9a54a371004190204te0c43fdaz5c4e4296b228b18a@mail.gmail.com>
Subject: Re: Live looping with french horn
Date: Mon, 19 Apr 2010 12:30:08 +0100
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Thank you Eric and Clifford for your help - much appreciated!
The noises on my track are a failed attempt to get some rhythm going =
whilst bashing various bits of the instrument - I'd be better off beat =
boxing!
Jonathan
  ----- Original Message -----=20
  From: Clifford Novey=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, April 19, 2010 10:04 AM
  Subject: Re: Live looping with french horn


  I like the ambient track. The clicks sound like they are meant to be =
rhythmic.=20

  I'd go for option a. No way on computers and finding another musician =
while best is least dependable and flexible. As far as how you route it =
you are best to experiment and see. If the mixer has an aux send you =
might try it there as well. You will discover a lot once you get it set =
up and begin to see how you want to work. There is an incredible wealth =
of experience here on this list if you have more questions later. As far =
as loopers go- when I started I got an original Jam Man by Lexicon which =
was nice and simple. There are MANY choices now- Line 6 DL4, the =
Digitech and Boss pedals which I have never used- etc.

  Also, check out Tom Heasley's work- ambient tuba- great stuff.
  http://www.tomheasley.com/

  Regards,=20

  Clifford

------=_NextPart_000_002B_01CADFBC.0C1A8230
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2 face=3DArial>Thank you Eric and Clifford for your =
help - much=20
appreciated!<BR>The noises on my track are a failed attempt to get some =
rhythm=20
going whilst bashing various bits of the instrument - I'd be better off =
beat=20
boxing!</FONT></DIV>
<DIV><FONT size=3D2 face=3DArial>Jonathan</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; =
PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: =
black"><B>From:</B>=20
  <A title=3Dcnovey@gmail.com href=3D"mailto:cnovey@gmail.com">Clifford =
Novey</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, April 19, 2010 =
10:04=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Live looping with =
french=20
  horn</DIV>
  <DIV><BR></DIV>I like the ambient track. The clicks sound like they =
are meant=20
  to be rhythmic. <BR><BR>I'd go for option a. No way on computers and =
finding=20
  another musician while best is least dependable and flexible. As far =
as how=20
  you route it you are best to experiment and see. If the mixer has an =
aux send=20
  you might try it there as well. You will discover a lot once you get =
it set up=20
  and begin to see how you want to work. There is an incredible wealth =
of=20
  experience here on this list if you have more questions later. As far =
as=20
  loopers go- when I started I got an original Jam Man by Lexicon which =
was nice=20
  and simple. There are MANY choices now- Line 6 DL4, the Digitech and =
Boss=20
  pedals which I have never used- etc.<BR><BR>Also, check out Tom =
Heasley's=20
  work- ambient tuba- great stuff.<BR><A=20
  =
href=3D"http://www.tomheasley.com/">http://www.tomheasley.com/</A><BR><BR=
>Regards,=20
  <BR><BR>Clifford<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 11:54:21 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: RE: OT: New MBP... or not? (Firewire still necessary?)
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Hi Luis

another DAW you might want to look at: Propellerheads Record
http://www.propellerheads.se/products/record/

People who are Reason fans and/or come from traditional hardware mixing might appreciate Record's approach. It really works & looks like a traditional analogue environment.

A friend of mine ditched all other DAWs and now is working only with Record+Reason.

best regards
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 13:41:57 2010
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Date: Mon, 19 Apr 2010 06:41:56 -0700 (PDT)
From: david kirkdorffer <unstrungone@yahoo.com>
Subject: Re: LP-1
To: Loopers-Delight@loopers-delight.com
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Understood.=A0 Thanks for the speedy reply.=0A=0ACheers!=0A=0A=0A=0A=0A____=
____________________________=0AFrom: Simeon Harris <simeonharris40@googlema=
il.com>=0ATo: david kirkdorffer <unstrungone@yahoo.com>=0ASent: Mon, April =
19, 2010 4:34:14 AM=0ASubject: Re: LP-1=0A=0Ahi dave. i'm in the UK. anothe=
r US looper was interested in the LP-1 and i told him that he's better off =
getting one over there. prices are higher here, because of tax and import d=
uties that we have to pay on US goods, plus the shipping costs of getting i=
t to you would almost be the same as buying one new over there. if you can =
find a used one in the US, you'll get a much better deal. i'm currently cha=
tting to a guy in belgium who's interested, anyway.=0A=0Asorry dave=0A=0Asi=
m=0A=0A=0AOn Mon, Apr 19, 2010 at 4:39 AM, david kirkdorffer <unstrungone@y=
ahoo.com> wrote:=0A=0AHi. I'm interested in the LP-1.=A0 I'm in Boston.=A0 =
Where are you?=0A>=0A>Can you tell me a bit more about this particular unit=
?=0A>=0A>Cheers,=0A>=0A>David=0A>=0A=0A=0A=0A      
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<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:arial, helvetica, sans-serif;font-size:1=
0pt"><DIV>Understood.&nbsp; Thanks for the speedy reply.</DIV>=0A<DIV>&nbsp=
;</DIV>=0A<DIV>Cheers!<BR></DIV>=0A<DIV style=3D"FONT-FAMILY: arial, helvet=
ica, sans-serif; FONT-SIZE: 10pt"><BR>=0A<DIV style=3D"FONT-FAMILY: times n=
ew roman, new york, times, serif; FONT-SIZE: 12pt"><FONT size=3D2 face=3DTa=
homa>=0A<HR SIZE=3D1>=0A<B><SPAN style=3D"FONT-WEIGHT: bold">From:</SPAN></=
B> Simeon Harris &lt;simeonharris40@googlemail.com&gt;<BR><B><SPAN style=3D=
"FONT-WEIGHT: bold">To:</SPAN></B> david kirkdorffer &lt;unstrungone@yahoo.=
com&gt;<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Sent:</SPAN></B> Mon, April=
 19, 2010 4:34:14 AM<BR><B><SPAN style=3D"FONT-WEIGHT: bold">Subject:</SPAN=
></B> Re: LP-1<BR></FONT><BR>hi dave. i'm in the UK. another US looper was =
interested in the LP-1 and i told him that he's better off getting one over=
 there. prices are higher here, because of tax and import duties that we ha=
ve to pay on US goods, plus the shipping costs of getting it to you would a=
lmost be the same as buying one new over there. if you can find a used one =
in the US, you'll get a much better deal. i'm currently chatting to a guy i=
n belgium who's interested, anyway.<BR><BR>sorry dave<BR><BR>sim<BR><BR>=0A=
<DIV class=3Dgmail_quote>On Mon, Apr 19, 2010 at 4:39 AM, david kirkdorffer=
 <SPAN dir=3Dltr>&lt;<A href=3D"mailto:unstrungone@yahoo.com" rel=3Dnofollo=
w target=3D_blank ymailto=3D"mailto:unstrungone@yahoo.com">unstrungone@yaho=
o.com</A>&gt;</SPAN> wrote:<BR>=0A<BLOCKQUOTE style=3D"BORDER-LEFT: rgb(204=
,204,204) 1px solid; MARGIN: 0pt 0pt 0pt 0.8ex; PADDING-LEFT: 1ex" class=3D=
gmail_quote>=0A<DIV>=0A<DIV style=3D"FONT-FAMILY: arial, helvetica, sans-se=
rif; COLOR: rgb(0,0,255); FONT-SIZE: 10pt">=0A<DIV>Hi. I'm interested in th=
e LP-1.&nbsp; I'm in Boston.&nbsp; Where are you?</DIV>=0A<DIV>&nbsp;</DIV>=
=0A<DIV>Can you tell me a bit more about this particular unit?</DIV>=0A<DIV=
>&nbsp;</DIV>=0A<DIV>Cheers,</DIV>=0A<DIV>&nbsp;</DIV>=0A<DIV>David</DIV></=
DIV><BR></DIV></BLOCKQUOTE></DIV><BR></DIV></DIV></div><br>=0A=0A      </bo=
dy></html>
--0-562891088-1271684516=:90567--

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Subject: re: Violin Looping with no lights, pretty or otherwise
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Os, you play with Mr.  Bingham!, please give him my regards.

Great tunes/performance, thanks for sharing...

Cheers,

Todd

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Os, you play with Mr. =A0Bingham!, please give him my regards.=A0
<div><br></div><div>Great tunes/performance, thanks for sharing...=A0</div>=
<div><br></div><div>Cheers,=A0</div><div><br></div><div>Todd</div><div><br>=
</div><div><br></div>

--001636d34eb62ee6b8048497686b--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 14:07:14 2010
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References: <20100414074105.111590@gmx.net> <20100415063121.267890@gmx.net>
	 <w2q66f9cc1e1004150447x8895f92bn742eb94684888ca6@mail.gmail.com>
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Date: Mon, 19 Apr 2010 08:07:12 -0600
Message-ID: <m2vdec8f8e61004190707x9488c383o42eae5b46da1e6a3@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'd like to cast a vote for Reaper, too...

Everything that Buzap Buzap said, PLUS, for those of you with older
gear, IT RUNS ON OLDER HARDWARE!

I started using it, initially out of desperation, when I was mixing
this (http://soundcloud.com/usrsbin/duomo-whispers-florentine-shadows)
and Garage Band started crapping out on me, Logic was too much for the
machine I had, and I needed something that didn't have to big a
learning curve. I run Reaper on a "October Surprise" 2.0 Ghz Mac G5
w/8 Gb of RAM (that's a 4 year old machine!) and I'm pleased to say
that it barely breaks a sweat with Reaper. I can use all of my VSTs
that I've been using for performance, only now I can use them for
studio processing.

As has been mentioned, their demo policy is VERY flexible as it is NOT
"cripple ware" ... I've been using it since November (which reminds
me, I need to pay for it next month!).

Definitely worth a download and a test drive!

Best,

Dennis

On Mon, Apr 19, 2010 at 1:56 AM, George Ludwig
<georgeludwigmusic@gmail.com> wrote:
>
>
> On Sun, Apr 18, 2010 at 11:43 PM, Buzap Buzap <buzap@gmx.net> wrote:
>>
>> If you want to try a new thing, I'd recommend taking a closer look at
>> Reaper (http://www.reaper.fm). It's pure DAW. Costs 60$ / 225$ and you can
>> test it for free. Don't be fooled by the price. This is probably the most
>> stable/customizable/flexible DAW you can find on the market.
>>
>> best regards
>> Buzap
>>
>
> Interesting...I'd vaguely heard about Reaper but didn't know anything about
> it. They have a very nice licensing policy, plus it run on both Windows and
> OSX. I may need to try this out since I hate Sonar for various reasons, and
> also hate ProTools for other reasons. Live is the only DAW I use right now,
> and it's not much of a real DAW. ANd Logic is kinda pricey. :(
>
> --
> -George
>
> http://www.myspace.com/georgeludwigmusic
>



-- 
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Date: Mon, 19 Apr 2010 10:15:28 -0700
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No clips yet Raul and Andre' , Waiting for a new sound card as my old  
MOTU PCI finally died. I'll try to make a little Youtube video in the  
next couple of days if I have time.
  Bill

PS a shout out to Scoots, Ditch and Loaf for making my spring cleaning  
gear sale a success,  hope you all are happy with your new tools/toys.

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 17:25:03 2010
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Subject: Re: EDP credits (was: Few questions about foot controllers)
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On 17 Apr 2010, at 21:26, Clifford Novey wrote:

> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> very true! here is more about this story:
> http://matthias.grob.org/pMusEng/loopdev.htm
>=20
>> I see this as something that could potentially extend the =
possibilities of the EDP far beyond the FCB1010 and even create =
possibilities that have not previously existed (at least without great =
customized effort). For example one pad could be rounded insert top, =
unrounded insert bottom, etc. and even more intricate- all from a single =
bank/patch. Maybe switch modes on the fly. Set up strings of commands. =
Access multiple loops and many other commands from a single controller =
setup avoiding bank switching.
> Yes, we thought about this, too!=20
> I am going to visit Keith the next weeks, so if you have =
suggestions...
> but top and bottom of the same button would just be a less secure =
variation of using two small buttons close together, no?
> I am keen to try that thing...
> =3D=3D=3D=3D=3D=3D=3D=3D
> =20
> Small world! I don't have any suggestions at the moment but if I do =
will certainly let you know! I guess one thought is how it will be =
powered in stand alone mode- the ability to use standard 200ma barrel =
connectors that most effect pedals use would be perfect.
> =20
> As for the "variation of 2 small buttons"- yes- I have thought how =
this could be pretty tricky in practice but def worth a try. I am =
imagining related commands on a single switch, like all the insert cmds =
on one, all the overdub on another- so if you do press the wrong spot =
maybe you would not make such a big "mistake" I am also curious if there =
will be sensitivity settings that can be adjusted to help. In the end we =
will just have to see how it works in practice and it sounds like you =
will be the first one of us to try it with an EDP- so a prompt and full =
report is expected!
> ;)
> =20
> Wow- I just read the loopdev web page and I must say I am proud to be =
a small part of such a home grown and passionate project! I didn't fully =
understand the extent of Kim's involvement

you are right, I just updated that text

> Keith was such a critical part of the G EDP - had no idea. That is =
encouraging as I would expect him to be receptive to the input of users =
of the EDP!

he is overbusy with all the projects at http://www.keithmcmillen.com
> =20
> Anyway- I also remember Kim fixing my unit for me when the crystals =
were bad (rare occurence)

yes, he was very helpful. after 2000 Andy Ewen did this job excellently, =
I just added him to the credit page, too!

> and it is just another thing I like about this project- the connection =
to the people working on it- no impenetrable corporate wall.
> =20
well, the wall was a huge problem for me. only Kim managed to cross it. =
Keith crashed with it. I became depressive.=20
but what you perceive is that we are on the same side of the wall :-)


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div>On 17 Apr 2010, at 21:26, Clifford Novey wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div class="gmail_quote">
<div>===========</div>
<blockquote style="BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class="gmail_quote">
<div style="WORD-WRAP: break-word">
<div>
<div class="im">
<div>very true! here is more about this story:</div></div></div>
<div><a href="http://matthias.grob.org/pMusEng/loopdev.htm" target="_blank">http://matthias.grob.org/pMusEng/loopdev.htm</a></div>
<div>
<div class="im"><br>
<blockquote type="cite">
<div>I see this as something that could potentially extend the possibilities of the EDP far beyond the FCB1010 and even create possibilities that have not previously existed (at least without great customized effort). For example one pad could be rounded insert top, unrounded insert bottom, etc. and even more intricate- all from a single bank/patch. Maybe switch modes on the fly. Set up strings of commands. Access multiple loops and many other commands from a single controller setup avoiding bank switching.</div>
</blockquote>
<div>Yes, we thought about this, too!&nbsp;</div></div></div>
<div>I am going to visit Keith the next weeks, so if you have suggestions...</div>
<div>but top and bottom of the same button would just be a less secure variation of using two small buttons close together, no?</div>
<div>I am keen to try that thing... </div></div></blockquote>
<div>========</div>
<div>&nbsp;</div>
<div>Small world! I don't have any suggestions at the moment but if I do will certainly let you know! I guess one thought is how it will be powered in stand alone mode- the ability to use standard 200ma barrel connectors that most effect pedals use would be perfect.</div>

<div>&nbsp;</div>
<div>As for the "variation of 2 small buttons"- yes- I have thought how this could be pretty tricky in practice but def worth a try. I am imagining related commands on a single switch, like all the insert cmds on one, all the overdub on another- so if you do press the wrong spot maybe you would not make such a big "mistake" I am also curious if there will be sensitivity settings that can be adjusted to help. In the end we will just have to see how it works in practice and it sounds like you will be the first one of us to try it with an EDP- so a prompt and full report is expected!</div>

<div>;)</div>
<div>&nbsp;</div>
<div>Wow- I just read the loopdev web page and I must say I am proud to be a small part of such a&nbsp;home grown and&nbsp;passionate project! I didn't fully understand the extent of Kim's involvement </div></div></blockquote><div><br></div>you are right, I just updated that text</div><div><br><blockquote type="cite"><div class="gmail_quote"><div>Keith was such a critical part of the G EDP&nbsp;- had no idea. That is encouraging as I would expect him to be receptive to the input of users of the EDP!</div></div></blockquote><div><br></div>he is overbusy with all the projects at&nbsp;<meta charset="utf-8"><a href="http://www.keithmcmillen.com">http://www.keithmcmillen.com</a><br><blockquote type="cite"><div class="gmail_quote">
<div>&nbsp;</div>
<div>Anyway- I also remember Kim fixing my unit for me when the crystals were bad (rare occurence) </div></div></blockquote><div><br></div>yes, he was very helpful. after 2000 Andy Ewen did this job excellently, I just added him to the credit page, too!</div><div><br><blockquote type="cite"><div class="gmail_quote"><div>and it is just another thing I like about this project- the connection to the people working on it- no impenetrable corporate wall.</div>

<div>&nbsp;</div></div></blockquote>well, the wall was a huge problem for me. only Kim managed to cross it. Keith crashed with it. I became depressive.&nbsp;</div><div>but what you perceive is that we are on the same side of the wall :-)</div><br></body></html>
--Apple-Mail-57--814599760--

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Date: Mon, 19 Apr 2010 19:46:32 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Hi everyone,

I'm about to jump in on the gear selling train and offer the following 
items before they go on ebay.

Pictures of the actual devices offered will follow. For any details, 
contact me off-list, please.

GENERAL:
All of the offered items are used but in perfect working order, with no 
damage, defects or malfunction known to me. They have spent the majority 
of time in a smoke-free home environment. Due to the legal situation, I 
need to make clear that this is a private transaction and none of the 
devices comes with any warranty of any kind. All the descriptions are to 
the best of my knowledge.

Location of the items is München/Southern Germany. Options to get the 
items to you are:
    a) mail,
    b) local pickup.

I'm also willing to deliever the items within a sensible radius around 
München. Contact me for details.

I will sell on the following conditions: payment in advance (unless we 
personally meet), buyer covers any shipping or money transfer fees.

If you're unsure about my reputation, check out e.g. my ebay profile 
(dpeg_de).

All prices are negotiable - especially if you decide to get several items.

I will consider trade offers for things that are...fun - make me an offer!

1. Fostex D-160 Harddisc Recorder:
Harddisc recorder for all of you who don't trust computers, are looking 
for a backup solution so that perfect take (or concert) doesn't get lost 
in case the computer crashes.
16 tracks, analogue (RCA) and digital (ADAT) ins and outs. It holds an 
internal EIDE harddisc (loaded with a 40GB 5400RPM IBM disc) and can 
connect externally to a SCSI harddisc (or to a computer for file 
transfer). Supports MMC, MTC both as master and slave (has the "MIDI 
trio" connectors obviously).
One of the nice things is the detachable control, which with the help of 
a standard VGA (15-pin Sub-D) extension chord can be used as a remote 
and placed e.g. in front of your console. Also offers connection for a 
footswitch for punch in/out. 3HU 19'' rack mount. Comes with original 
(English) manual.
Going market prices according to prepal are in the $620 range.

2. Behringer UltraCurve Pro DSP2496:
Your ideal device in the FOH chain, combining a 31-band graphic EQ, a 
10-band parametric EQ, a 10-band automatic feedback destroyer and a 
3-band multiband expander/compressor (all adjustable separately for L/R 
channel). Additionally, you get a 61-band frequency analyzer and 
metering functions with adjustable weighting curves, and input for a 
measurement microphone (w/ phantom power) e.g. to automatically adjust 
your graphic EQ for a given room.
Typical set of connectors (including AES/EBU and S/PDIF optical, 
analogue via XLRs and MIDI). Comes with printout of (German) manual, 
other languages available from Behringer website.
Going market prices according to ebay (Germany) are in the slightly 
above €200 range.

3. Marian MARC A ADAT computer interface card (2 of them):
A PCI interface card for eight channels in and out of ADAT optical 
format (up to 24/48), this works with practically no load on the system 
even with low latencies (efficient hardware/driver structure). Drivers 
are available for Windos only, but for every subversion of it from 95 to 
7. Several of them (like the two I'm offering) can be cascaded and 
sample-accurately synced by means of a specific connector cable - which 
I'll throw in should anyone get both of them.
Note: this works very well with item 1 (the harddisc recorder), if you 
don't have a SCSI interface in your computer for data transfer.
These are going for €130 new (street price) each.

4. Wooden 5-octave keyboard flight case:
Exterior dimensions 107x41x16cm, 9mm birch veneer plywood, two locks 
(can be locked e.g. with a padlock or piece of wire), one firm, soft handle.
This case holds the majority of bigger five-octave synth keyboards, 
especially from the 90s; I have used it to transport a Yamaha SY85, a 
Korg Wavestation KEX and a Waldorf Q. Bottom inside has two strips of 
hard foam, top inside is covered with soft foam - this holds and 
protects your keyboard even under rough handling conditions.
Shipping for that one is rather expensive (I believe €26 within 
Germany), so pickup is suggested.

5. Wooden L-shaped 19'' rack:
This is a custom job I used to ship around various items including a 
large 19'' console, the HDR and EQ above. Exterior dimensions are 
74.5x53.5x54.5 (9mm birch veneer plywood), this one holds a total of 
10HU in the front and on top has a rack length of roughly 65cm. There's 
no rack-mountable audio device I know of that won't fit in there! Has 
locking latches for front and top lid, a door on the rear (e.g. to lead 
cables out) and two folding/sunk-in handles on each side.
Optionally comes with a fitting caster board (w/ wheels specified for a 
total weight of 440kg).
Don't know how to get it to you (shipping company?) except by 
pickup/delievery, so again pickup is suggested.


Ok, that's it for now.
As I said, pictures will follow, questions will be answered, trades will 
be considered.

Yours,

          Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 20:15:37 2010
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	 <r2yd9a54a371004190204te0c43fdaz5c4e4296b228b18a@mail.gmail.com>
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Date: Mon, 19 Apr 2010 13:15:31 -0700
Message-ID: <s2kd9a54a371004191315q91e623d6od3a0a3fba2d7c1cf@mail.gmail.com>
Subject: Re: Live looping with french horn
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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No I liked it- check out bands like Radian and Loscil and Loess for other
examples of glitch rhythms.
C

--00504502e1cc6c2e8504849c9fc6
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No I liked it- check out bands like Radian and Loscil and Loess for other examples of glitch rhythms.<br>C<br>

--00504502e1cc6c2e8504849c9fc6--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 19 20:28:34 2010
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Date: Mon, 19 Apr 2010 22:28:27 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Louie Angulo <louie.angulo@googlemail.com>
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--0016e6d7df94b05bf804849ccd7e
Content-Type: text/plain; charset=ISO-8859-1

thanx guys Buzap great tip i was not even aware of Reaper!
ive looked at garage band yes though i havent had much time to try it,a
friend of mine is in fact currently having problems combining the USB Allen
and Health ZED series and garage band,for some reason asinging the input s
and outputs has not been as easy as he thought;-)
reaper certainly look nice,though i suppose is not full production ready
like logic with drum loops etc.which would be nice in doing quick demos for
other people.
on the other hand i dont have much time to learn complicated software if
thats the case with logic,however this seems more attractive,specially the
fact that they allow you to try it out and offcourse you cannot beat the
price compared.
Also to try out cubase you also have to order the software DVD from a music
store and get an activation code and pay for this as i was told which is too
much of a hassle.
cheers
Luis






2010/4/19 Dennis Moser <sinsofmachaut@gmail.com>

> I'd like to cast a vote for Reaper, too...
>
> Everything that Buzap Buzap said, PLUS, for those of you with older
> gear, IT RUNS ON OLDER HARDWARE!
>
> I started using it, initially out of desperation, when I was mixing
> this (http://soundcloud.com/usrsbin/duomo-whispers-florentine-shadows)
> and Garage Band started crapping out on me, Logic was too much for the
> machine I had, and I needed something that didn't have to big a
> learning curve. I run Reaper on a "October Surprise" 2.0 Ghz Mac G5
> w/8 Gb of RAM (that's a 4 year old machine!) and I'm pleased to say
> that it barely breaks a sweat with Reaper. I can use all of my VSTs
> that I've been using for performance, only now I can use them for
> studio processing.
>
> As has been mentioned, their demo policy is VERY flexible as it is NOT
> "cripple ware" ... I've been using it since November (which reminds
> me, I need to pay for it next month!).
>
> Definitely worth a download and a test drive!
>
> Best,
>
> Dennis
>
> On Mon, Apr 19, 2010 at 1:56 AM, George Ludwig
> <georgeludwigmusic@gmail.com> wrote:
> >
> >
> > On Sun, Apr 18, 2010 at 11:43 PM, Buzap Buzap <buzap@gmx.net> wrote:
> >>
> >> If you want to try a new thing, I'd recommend taking a closer look at
> >> Reaper (http://www.reaper.fm). It's pure DAW. Costs 60$ / 225$ and you
> can
> >> test it for free. Don't be fooled by the price. This is probably the
> most
> >> stable/customizable/flexible DAW you can find on the market.
> >>
> >> best regards
> >> Buzap
> >>
> >
> > Interesting...I'd vaguely heard about Reaper but didn't know anything
> about
> > it. They have a very nice licensing policy, plus it run on both Windows
> and
> > OSX. I may need to try this out since I hate Sonar for various reasons,
> and
> > also hate ProTools for other reasons. Live is the only DAW I use right
> now,
> > and it's not much of a real DAW. ANd Logic is kinda pricey. :(
> >
> > --
> > -George
> >
> > http://www.myspace.com/georgeludwigmusic
> >
>
>
>
> --
> http://myspace.com/usrsbin
> http://audiozoloft.com
> http://usrslashsbin.angrek.com/
>
>

--0016e6d7df94b05bf804849ccd7e
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>thanx guys Buzap great tip i was not even aware of Reaper!</div>
<div>ive looked at garage band yes though i havent had much time to try it,=
a friend of mine is in fact currently=A0having problems combining the USB A=
llen and Health ZED series=A0and garage band,for some reason asinging the i=
nput s and outputs has not been as easy as he thought;-) </div>

<div>reaper=A0certainly look nice,though i suppose is not full production r=
eady like logic with drum loops etc.which would be nice in doing quick demo=
s for other people.</div>
<div>on the other hand i dont have much time to learn=A0complicated softwar=
e if thats the case with logic,however this seems more attractive,specially=
 the fact that they allow you to try it out and offcourse you=A0cannot beat=
 the price compared.<br>
Also to try out cubase you also have to order the software=A0DVD from a mus=
ic store and get an activation code and pay for this=A0as i was told which =
is too much of a hassle.</div>
<div>cheers</div>
<div>Luis</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div>=A0</div>
<div class=3D"gmail_quote">2010/4/19 Dennis Moser <span dir=3D"ltr">&lt;<a =
href=3D"mailto:sinsofmachaut@gmail.com">sinsofmachaut@gmail.com</a>&gt;</sp=
an><br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">I&#39;d like to cast a vote for =
Reaper, too...<br><br>Everything that Buzap Buzap said, PLUS, for those of =
you with older<br>
gear, IT RUNS ON OLDER HARDWARE!<br><br>I started using it, initially out o=
f desperation, when I was mixing<br>this (<a href=3D"http://soundcloud.com/=
usrsbin/duomo-whispers-florentine-shadows" target=3D"_blank">http://soundcl=
oud.com/usrsbin/duomo-whispers-florentine-shadows</a>)<br>
and Garage Band started crapping out on me, Logic was too much for the<br>m=
achine I had, and I needed something that didn&#39;t have to big a<br>learn=
ing curve. I run Reaper on a &quot;October Surprise&quot; 2.0 Ghz Mac G5<br=
>
w/8 Gb of RAM (that&#39;s a 4 year old machine!) and I&#39;m pleased to say=
<br>that it barely breaks a sweat with Reaper. I can use all of my VSTs<br>=
that I&#39;ve been using for performance, only now I can use them for<br>
studio processing.<br><br>As has been mentioned, their demo policy is VERY =
flexible as it is NOT<br>&quot;cripple ware&quot; ... I&#39;ve been using i=
t since November (which reminds<br>me, I need to pay for it next month!).<b=
r>
<br>Definitely worth a download and a test drive!<br><br>Best,<br><br>Denni=
s<br>
<div>
<div></div>
<div class=3D"h5"><br>On Mon, Apr 19, 2010 at 1:56 AM, George Ludwig<br>&lt=
;<a href=3D"mailto:georgeludwigmusic@gmail.com">georgeludwigmusic@gmail.com=
</a>&gt; wrote:<br>&gt;<br>&gt;<br>&gt; On Sun, Apr 18, 2010 at 11:43 PM, B=
uzap Buzap &lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt; wrote=
:<br>
&gt;&gt;<br>&gt;&gt; If you want to try a new thing, I&#39;d recommend taki=
ng a closer look at<br>&gt;&gt; Reaper (<a href=3D"http://www.reaper.fm/" t=
arget=3D"_blank">http://www.reaper.fm</a>). It&#39;s pure DAW. Costs 60$ / =
225$ and you can<br>
&gt;&gt; test it for free. Don&#39;t be fooled by the price. This is probab=
ly the most<br>&gt;&gt; stable/customizable/flexible DAW you can find on th=
e market.<br>&gt;&gt;<br>&gt;&gt; best regards<br>&gt;&gt; Buzap<br>&gt;&gt=
;<br>
&gt;<br>&gt; Interesting...I&#39;d vaguely heard about Reaper but didn&#39;=
t know anything about<br>&gt; it. They have a very nice licensing policy, p=
lus it run on both Windows and<br>&gt; OSX. I may need to try this out sinc=
e I hate Sonar for various reasons, and<br>
&gt; also hate ProTools for other reasons. Live is the only DAW I use right=
 now,<br>&gt; and it&#39;s not much of a real DAW. ANd Logic is kinda price=
y. :(<br>&gt;<br>&gt; --<br>&gt; -George<br>&gt;<br>&gt; <a href=3D"http://=
www.myspace.com/georgeludwigmusic" target=3D"_blank">http://www.myspace.com=
/georgeludwigmusic</a><br>
&gt;<br><br><br><br></div></div><font color=3D"#888888">--<br><a href=3D"ht=
tp://myspace.com/usrsbin" target=3D"_blank">http://myspace.com/usrsbin</a><=
br><a href=3D"http://audiozoloft.com/" target=3D"_blank">http://audiozoloft=
.com</a><br>
<a href=3D"http://usrslashsbin.angrek.com/" target=3D"_blank">http://usrsla=
shsbin.angrek.com/</a><br><br></font></blockquote></div><br>

--0016e6d7df94b05bf804849ccd7e--

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Subject: Re: WTB:EDP
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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--001485ebea38f4fa6204849d6aa7
Content-Type: text/plain; charset=ISO-8859-1

i have an older one to sell - actually, part of the very first production
run. upgrade to Loop III, I believe, at some point, maxed out on memory.
"collector's item" (ha) will sign if desired (author of manual). Includes
original footcontroller, too. both edp and footcontroller work perfectly.

On Sun, Apr 18, 2010 at 12:49 PM, Loaf citious <loafcitious@gmail.com>wrote:

> Guess I just missed out on a couple moving through this list but, just
> wanted to give a shout out if anyone has or
> knows about an EDP somewhere, I'd love to buy it.
> I've been bouncing back and forth on the computer issue
> and I may end up there one day, I just really have would
> like to get my self into a stereo situation with the EDP.
>
> tx,
> Andy G
>
>


-- 
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--001485ebea38f4fa6204849d6aa7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i have an older one to sell - actually, part of the very first production r=
un. upgrade to Loop III, I believe, at some point, maxed out on memory. &qu=
ot;collector&#39;s item&quot; (ha) will sign if desired (author of manual).=
 Includes original footcontroller, too. both edp and footcontroller work pe=
rfectly.<br>
<br><div class=3D"gmail_quote">On Sun, Apr 18, 2010 at 12:49 PM, Loaf citio=
us <span dir=3D"ltr">&lt;<a href=3D"mailto:loafcitious@gmail.com">loafcitio=
us@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" sty=
le=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
Guess I just missed out on a couple moving through this list but, just<br>
wanted to give a shout out if anyone has or<br>
knows about an EDP somewhere, I&#39;d love to buy it.<br>
I&#39;ve been bouncing back and forth on the computer issue<br>
and I may end up there one day, I just really have would<br>
like to get my self into a stereo situation with the EDP.<br>
<br>
tx,<br>
Andy G<br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD: Loops=
, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota">http:=
//www.cdbaby.com/cd/warrensirota</a><br>


--001485ebea38f4fa6204849d6aa7--

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Date: Mon, 19 Apr 2010 14:46:40 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: Live looping with french horn
To: Loopers-Delight@loopers-delight.com
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Jonathan,

Sorry, I was only listening on my cheap laptop speakers which did not do the song justice. I will take another listen with a proper set of headphones. I try to obtain rhythm effects in a similar way by banging on lapsteel, scraping strings, etc. Don't forget to use your voice for some beat boxing, it works pretty good, plus with your VE-20 you could probably get some interesting effects.

Eric



----

 
Thank you Eric and Clifford for your help - much 
appreciated!
The noises on my track are a failed attempt to get some rhythm 
going whilst bashing various bits of the instrument - I'd be better off beat 
boxing!
Jonathan


      
--0-538547588-1271713600=:80192
Content-Type: text/html; charset=us-ascii

<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Jonathan,<br><br>Sorry, I was only listening on my cheap laptop speakers which did not do the song justice. I will take another listen with a proper set of headphones. I try to obtain rhythm effects in a similar way by banging on lapsteel, scraping strings, etc. Don't forget to use your voice for some beat boxing, it works pretty good, plus with your VE-20 you could probably get some interesting effects.<br><br>Eric <br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">----<br><br>

 
 
<style></style>

<div><font face="Arial" size="2">Thank you Eric and Clifford for your help - much 
appreciated!<br>The noises on my track are a failed attempt to get some rhythm 
going whilst bashing various bits of the instrument - I'd be better off beat 
boxing!</font></div>
<div><font face="Arial" size="2">Jonathan</font></div>
</div></div>
</div><br>

      </body></html>
--0-538547588-1271713600=:80192--

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Date: Mon, 19 Apr 2010 15:15:47 -0700 (PDT)
From: Esther Sawadogo <estsawadogo@hotmail.fr>
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Attention=C2=A0Beneficiary,
=C2=A0
The Board of federal ministry of finance Benin republic are here to notify =
you of your payment inherited funds of=C2=A0$800,000.00=C2=A0dollars. After=
 the meeting held on 17th of April 2010. His=C2=A0Excellence the FEDERAL mi=
nister of Finance REPUBLIC OF BENIN DR=C2=A0YONI REMOND has instructed this=
 Department to send your funds through western=C2=A0union money transfer fo=
r easier receive of your inherited funds without any further delay. To avoi=
d paying money to the fraud stars that is going on through the global.
=C2=A0
You are required to send your name and address were you want your fund to b=
e send through western union the maximum amount you will be=C2=A0 receiving=
 each day starting from tomorrow is the sum of $5000.00. Also your are requ=
ired to send us the sum of $85.00 dollar for Re-newing and reconfirming fil=
e that was deposited in this office with your name and address bellow.
=C2=A0
Beneficiary name-----------
Country--------------------=C2=A0=20
City------------------------
Test Question---------------
Answer---------------------
Tel phone-------------------=20
=C2=A0
Contact=C2=A0 with=C2=A0 this information below:
CONTACT PERSON: ALESTER MIDORI
TEL: +229 98 33 02 57
EMAIL: address :( westernunionz@maktoob.com )=20
=C2=A0
As soon the required fee of $85.00 is send today for the renewing reconfirm=
ing the payment file of your funds you will start receiving your funds as f=
rom tomorrow.
Send the $85 dollar through western=C2=A0 union with the name and address b=
elow:
=C2=A0
Receiver name ----------------Alester Midori
Country-----------------------Benin Republic
City--------------------------Cotonou=20
Test Question----------------- Alester
Answer------------------------- Midori
M T C N------------------------
Sender=E2=80=99s NAME-------------------
Amount-------------------------$85.00=20
=C2=A0
We await to receive the western union payment information today. Please if =
you=C2=A0are not the real beneficiary don=E2=80=99t respond or delete.
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Yours in service
Mrs. Ester Sawadogo.

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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
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<DIV><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG><FONT colo=
r=3D#0000ff>Attention&nbsp;Beneficiary,<BR>&nbsp;<BR>The Board of <SPAN cla=
ss=3Dyshortcuts><SPAN id=3Dlw_1270495960_0>federal ministry of finance</SPA=
N></SPAN> <SPAN class=3Dyshortcuts><SPAN id=3Dlw_1270495960_1>Benin</SPAN><=
SPAN class=3Dyshortcuts> republic</SPAN></FONT></STRONG></SPAN><STRONG><FON=
T color=3D#0000ff> are here to notify you of your payment inherited funds o=
f&nbsp;$800,000.00&nbsp;dollars. After the meeting held on 17th of April 20=
10. His&nbsp;Excellence the FEDERAL minister of Finance REPUBLIC OF BENIN D=
R&nbsp;YONI REMOND has instructed this Department to send your funds throug=
h <SPAN class=3Dyshortcuts><SPAN id=3Dlw_1270495960_2>western&nbsp;union mo=
ney transfer</SPAN></SPAN> for easier receive of your inherited funds witho=
ut any further delay. To avoid paying money to the fraud stars that is goin=
g on through the global.<BR>&nbsp;<BR>You are required to send your name an=
d address
 were you want your fund to be send through western union the maximum amoun=
t you will be&nbsp; receiving each day starting from tomorrow is the sum of=
 $5000.00. Also your are required to send us the sum of $85.00 dollar for R=
e-newing and reconfirming file that was deposited in this office with your =
name and address bellow.<BR>&nbsp;<BR>Beneficiary name-----------<BR>Countr=
y--------------------&nbsp; <BR>City------------------------<BR>Test Questi=
on---------------<BR>Answer---------------------<BR>Tel phone--------------=
----- <BR>&nbsp;<BR>Contact&nbsp; with&nbsp; this information below:<BR>CON=
TACT PERSON: ALESTER MIDORI<BR>TEL: +229 98 33 02 57<BR>EMAIL: address :( <=
A href=3D"http://us.mc525.mail.yahoo.com/mc/compose?to=3Dwesternunionz@makt=
oob.com" target=3D_blank rel=3Dnofollow ymailto=3D"mailto:westernunionz@mak=
toob.com"><FONT color=3D#ff007f>westernunionz@maktoob.com</FONT></A> ) </FO=
NT></STRONG></SPAN></DIV>
<DIV><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG><FONT colo=
r=3D#0000ff>&nbsp;</FONT></STRONG></SPAN></DIV>
<DIV><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: Arial"><FONT color=3D#000=
0ff><STRONG>As soon the required fee of $85.00 is send today for the renewi=
ng reconfirming the payment file of your funds you will start receiving you=
r funds as from tomorrow.<BR>Send the $85 dollar through western&nbsp; unio=
n with the name and address below:<BR>&nbsp;<BR>Receiver name -------------=
---Alester Midori<BR>Country-----------------------Benin Republic<BR>City--=
------------------------Cotonou <BR>Test Question----------------- Alester<=
BR>Answer------------------------- Midori<BR>M T C N-----------------------=
-<BR>Sender=E2=80=99s NAME-------------------<BR>Amount--------------------=
-----$85.00 <BR>&nbsp;<BR>We await to receive the <SPAN class=3Dyshortcuts>=
<SPAN id=3Dlw_1270495960_3>western union payment</SPAN></SPAN> information =
today. Please if you&nbsp;are not the real beneficiary don=E2=80=99t respon=
d or delete.<BR>&nbsp;<BR>Yours in service<BR></STRONG></FONT><STRONG><FONT
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Way OT.  Video on website problem
Date: Mon, 19 Apr 2010 19:33:02 -0400
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------=_NextPart_000_0011_01CADFF7.20E7D1A0
Content-Type: text/plain;
	charset="us-ascii"
Content-Transfer-Encoding: 7bit

Hey all,

 

I'm doing a website for my daughter and I'm getting feedback from some
people that the videos aren't showing up.   Some see it, some not.  If you
have a free minute or two can you hit the video page and let me know what
kind of errors you get?  They are embedded WMV files.  I have code to check
for IE or FF and it works with both on all the computers in my house.  A few
people have had to download the FF WMV plugin, but then there are the ones
who get just nothing.

 

Any help is much appreciated,

 

http://sparklyleo.thinginajar.com/index.htm

 

Thanks

 

Tony

 

 


------=_NextPart_000_0011_01CADFF7.20E7D1A0
Content-Type: text/html;
	charset="us-ascii"
Content-Transfer-Encoding: quoted-printable

<html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
xmlns=3D"http://www.w3.org/TR/REC-html40">

<head>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<meta name=3DGenerator content=3D"Microsoft Word 12 (filtered medium)">
<style>
<!--
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	{font-family:Calibri;
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	{mso-style-priority:99;
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	{mso-style-type:personal-compose;
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</head>

<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal>Hey all,<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>I&#8217;m doing a website for my daughter and =
I&#8217;m
getting feedback from some people that the videos aren&#8217;t showing =
up.&nbsp;&nbsp;
Some see it, some not.&nbsp; If you have a free minute or two can you =
hit the video page
and let me know what kind of errors you get?&nbsp; They are embedded WMV =
files.&nbsp; I
have code to check for IE or FF and it works with both on all the =
computers in
my house.&nbsp; A few people have had to download the FF WMV plugin, but =
then there
are the ones who get just nothing&#8230;<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Any help is much appreciated,<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><a =
href=3D"http://sparklyleo.thinginajar.com/index.htm">http://sparklyleo.th=
inginajar.com/index.htm</a><o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Thanks<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal>Tony<o:p></o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

------=_NextPart_000_0011_01CADFF7.20E7D1A0--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 00:15:05 2010
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	 <001001cae018$a7f971a0$f7ec54e0$@com>
Date: Tue, 20 Apr 2010 08:15:03 +0800
Message-ID: <p2hbe6db5df1004191715vf394dce6yd3f6468c7da0848d@mail.gmail.com>
Subject: Re: Way OT. Video on website problem
From: halim zainal <halimzainal@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0016363b7f7810149e04849ff8a9
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--0016363b7f7810149e04849ff8a9
Content-Type: text/plain; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Hi Tony,
I can't see the video either. The video might probably load better or appea=
r
if it's embedded in flv for youtube or vimeo type vids. And if you can
reduce the video dimension to half size (320x240) might help.

Best Regards
Halimski

On Tue, Apr 20, 2010 at 7:33 AM, Tony K <bigtonyk@gmail.com> wrote:

>  Hey all,
>
>
>
> I=92m doing a website for my daughter and I=92m getting feedback from som=
e
> people that the videos aren=92t showing up.   Some see it, some not.  If =
you
> have a free minute or two can you hit the video page and let me know what
> kind of errors you get?  They are embedded WMV files.  I have code to che=
ck
> for IE or FF and it works with both on all the computers in my house.  A =
few
> people have had to download the FF WMV plugin, but then there are the one=
s
> who get just nothing=85
>
>
>
> Any help is much appreciated,
>
>
>
> http://sparklyleo.thinginajar.com/index.htm
>
>
>
> Thanks
>
>
>
> Tony
>
>
>
>
>

--0016363b7f7810149e04849ff8a9
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

<div>Hi Tony,<br></div><div>I can&#39;t see the video either. The video mig=
ht probably load better or appear if it&#39;s embedded in flv for youtube o=
r vimeo type vids. And if you can reduce the video dimension to half size (=
320x240) might help.</div>
<div><br></div><div>Best Regards</div><div>Halimski</div><br><div class=3D"=
gmail_quote">On Tue, Apr 20, 2010 at 7:33 AM, Tony K <span dir=3D"ltr">&lt;=
<a href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt;</span> wro=
te:<br>
<blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p=
x #ccc solid;padding-left:1ex;">








<div lang=3D"EN-US" link=3D"blue" vlink=3D"purple">

<div>

<p class=3D"MsoNormal">Hey all,</p>

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal">I=92m doing a website for my daughter and I=92m
getting feedback from some people that the videos aren=92t showing up.=A0=
=A0
Some see it, some not.=A0 If you have a free minute or two can you hit the =
video page
and let me know what kind of errors you get?=A0 They are embedded WMV files=
.=A0 I
have code to check for IE or FF and it works with both on all the computers=
 in
my house.=A0 A few people have had to download the FF WMV plugin, but then =
there
are the ones who get just nothing=85</p>

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal">Any help is much appreciated,</p>

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal"><a href=3D"http://sparklyleo.thinginajar.com/index.h=
tm" target=3D"_blank">http://sparklyleo.thinginajar.com/index.htm</a></p>

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal">Thanks</p>

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal">Tony</p>

<p class=3D"MsoNormal">=A0</p>

<p class=3D"MsoNormal">=A0</p>

</div>

</div>


</blockquote></div><br>

--0016363b7f7810149e04849ff8a9--

From organalan33@yahoo.com.hk  Tue Apr 20 01:42:44 2010
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Date: Tue, 20 Apr 2010 01:44:15 +0100
From: Barrister Alan Organ <organalan33@yahoo.com.hk>
Reply-to: organalan69@yahoo.com.hk
To: undisclosed-recipients:;
Subject: THE WILL HAS BEEN EXECUTED
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THE WILL HAS BEEN EXECUTED
Barristers' Chambers
ALAN ORGAN & ASSOCIATES
Address:33 Bedford Row
London WC1R 4JH, England
ALAN ORGAN  & ASSOCIATES
LONDON - UK.

Dear Client.

On behalf of the Trustees and Executor of the estate of Late Engr.  Gregory
Rims. I once again try to notify you as my earlier letter was returned
undelivered. I hereby attempt to reach you again by this same email
address on the WILL. I wish to notify you that late  Gregory Rims made
you a beneficiary in his WILL. He left the sum of Thirty Million, One
Hundred Thousand Dollars (USD$30, 100.000.00) to you in the Codicil and
last testament to his WILL.

This may sound strange and unbelievable to you, but it is real and true.
Being a widely travelled man, he said he met you sometime in the past or
simply you were nominated to him by one of his numerous friends abroad who
wished you good, I am not too sure again. Gregory Rims until his death
was a member of the Helicopter Society and the Institute of Electronic &
Electrical Engineers and a German property magnate. He was a very
dedicated christian who loved to give out alms to the poor,hungry and
needy. His great philanthropy earned him numerous awards during his life
time. Late  Gregory Rims died on the 13th day of December, 2004 at the
age of 80 years, and his WILL is now ready for execution after 3 years and
thorough investigations..

According to him, this money is to support your humanitarian/medical
activities and to help the poor and the needy in our society. Please if I
reach you as I am hopeful, endeavor to get back to me as soon as possible
to enable me conclude my job. I hope to hear from you in no distant time.
I await your prompt response and please keep this very discrete and to
yourself until the transfer of the funds to you is finalised.

Yours in Service,
BARRISTER Alan Organ
PRINCIPAL PARTNERS
PARTNERS: Barrister Aidan Walsh, Markus Wolfgang, Mr. John Marvey Esq, Mr.
Jerry Smith Esq.

********Confidentiality Notice********

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THE WILL HAS BEEN EXECUTED
Barristers' Chambers
ALAN ORGAN & ASSOCIATES
Address:33 Bedford Row
London WC1R 4JH, England
ALAN ORGAN  & ASSOCIATES
LONDON - UK.

Dear Client.

On behalf of the Trustees and Executor of the estate of Late Engr.  Gregory
Rims. I once again try to notify you as my earlier letter was returned
undelivered. I hereby attempt to reach you again by this same email
address on the WILL. I wish to notify you that late  Gregory Rims made
you a beneficiary in his WILL. He left the sum of Thirty Million, One
Hundred Thousand Dollars (USD$30, 100.000.00) to you in the Codicil and
last testament to his WILL.

This may sound strange and unbelievable to you, but it is real and true.
Being a widely travelled man, he said he met you sometime in the past or
simply you were nominated to him by one of his numerous friends abroad who
wished you good, I am not too sure again. Gregory Rims until his death
was a member of the Helicopter Society and the Institute of Electronic &
Electrical Engineers and a German property magnate. He was a very
dedicated christian who loved to give out alms to the poor,hungry and
needy. His great philanthropy earned him numerous awards during his life
time. Late  Gregory Rims died on the 13th day of December, 2004 at the
age of 80 years, and his WILL is now ready for execution after 3 years and
thorough investigations..

According to him, this money is to support your humanitarian/medical
activities and to help the poor and the needy in our society. Please if I
reach you as I am hopeful, endeavor to get back to me as soon as possible
to enable me conclude my job. I hope to hear from you in no distant time.
I await your prompt response and please keep this very discrete and to
yourself until the transfer of the funds to you is finalised.

Yours in Service,
BARRISTER Alan Organ
PRINCIPAL PARTNERS
PARTNERS: Barrister Aidan Walsh, Markus Wolfgang, Mr. John Marvey Esq, Mr.
Jerry Smith Esq.

********Confidentiality Notice********

This message is intended for the sole use of the individual and entity =20
to whom it is addressed, and may contain information that is =20
privileged,confidential and exempt from disclosure under applicable =20
law. Anyunauthorized review, use, disclosure or distribution of this =20
email message, including any attachment, is prohibited. If you are not =20
the intended recipient, please advise the sender by reply email and =20
destroy all copies of the original message.

----------------------------------------------------------------
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From eric@fecel.com.cn  Tue Apr 20 03:21:16 2010
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Reply-To: <taned60@yahoo.cn>
From: "Mr. Edward Tan"<eric@fecel.com.cn>
Subject: Mr. Edward Tan
Date: Mon, 19 Apr 2010 18:52:27 -0700
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From: Mr. Edward Tan
Date: 12TH APRIL 2010
 
Good day and may the blessings of this day rest on you, hope you are in good health? Please do not take this unserious, i plead your pardon for my approach, ok. My name is Mr. Edward Tan. I trained and work as an external auditor for the Development Bank of Singapore (DBS). I had taken pains to find your contact through personal endeavors.
 
A foreigner with thesame last name as yours, died here in Singapore, twelve years ago leaving behind an estate/capital (US$31.8M with interest) here in DBS where I work, till date nobody has come forward or put application for the claim.
 
I can confirm with certainty that the said investor died intestate, no next-of-kin to his estate and no body came forward all these years. I am of the settled conviction that using my insider leverage, I, working with you can secure the funds in the account for us instead of allowing it pass as unclaimed funds into the coffers of the Government of Singapore. This is especially possible as you bear the same LAST NAME to the said investor, of course you shall be handsomely rewarded for your part in this transaction as me and my colleague are prepared to allocate a 20% of the total funds for your efforts.
 
Affirm your willingness and cooperation please,by replying me stating your FULL NAME, DATE OF BIRTH, TELEPHONE NUMBER, FAX NUMBER, AND CONTACT ADDRESS.

I do expect you prompt response.
 
Thank you,
Mr. E. Tan.

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To: <Loopers-Delight@loopers-delight.com>
References: <001001cae018$a7f971a0$f7ec54e0$@com>
Subject: Re: Way OT.  Video on website problem
Date: Tue, 20 Apr 2010 00:05:53 -0400
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Maybe you fixed them but they are working for me. Firefox wanted to =
install a wm player plug in but I didn't need it to watch the vids.=20

j
  ----- Original Message -----=20
  From: Tony K=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Monday, April 19, 2010 7:33 PM
  Subject: Way OT. Video on website problem


  Hey all,

  =20

  I'm doing a website for my daughter and I'm getting feedback from some =
people that the videos aren't showing up.   Some see it, some not.  If =
you have a free minute or two can you hit the video page and let me know =
what kind of errors you get?  They are embedded WMV files.  I have code =
to check for IE or FF and it works with both on all the computers in my =
house.  A few people have had to download the FF WMV plugin, but then =
there are the ones who get just nothing.

  =20

  Any help is much appreciated,

  =20

  http://sparklyleo.thinginajar.com/index.htm

  =20

  Thanks

  =20

  Tony

  =20

  =20



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.437 / Virus Database: 271.1.1/2820 - Release Date: =
04/19/10 06:31:00

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<BODY lang=3DEN-US vLink=3Dpurple link=3Dblue bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Maybe you fixed them but they are =
working for me.=20
Firefox wanted to install a&nbsp;wm player plug in but I didn't need it =
to watch=20
the vids. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>j</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbigtonyk@gmail.com href=3D"mailto:bigtonyk@gmail.com">Tony =
K</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, April 19, 2010 =
7:33=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Way OT. Video on =
website=20
  problem</DIV>
  <DIV><BR></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoNormal>Hey all,<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal>I=92m doing a website for my daughter and I=92m =
getting=20
  feedback from some people that the videos aren=92t showing =
up.&nbsp;&nbsp; Some=20
  see it, some not.&nbsp; If you have a free minute or two can you hit =
the video=20
  page and let me know what kind of errors you get?&nbsp; They are =
embedded WMV=20
  files.&nbsp; I have code to check for IE or FF and it works with both =
on all=20
  the computers in my house.&nbsp; A few people have had to download the =
FF WMV=20
  plugin, but then there are the ones who get just =
nothing=85<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal>Any help is much appreciated,<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal><A=20
  =
href=3D"http://sparklyleo.thinginajar.com/index.htm">http://sparklyleo.th=
inginajar.com/index.htm</A><o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal>Thanks<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal>Tony<o:p></o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P>
  <P class=3DMsoNormal><o:p>&nbsp;</o:p></P></DIV>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2820 - =
Release=20
  Date: 04/19/10 06:31:00<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 04:52:18 2010
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <AcrgGKb1MRl6lMRcSky8neih9nvnHw==>	 <001001cae018$a7f971a0$f7ec54e0$@com> <p2hbe6db5df1004191715vf394dce6yd3f6468c7da0848d@mail.gmail.com>
In-Reply-To: <p2hbe6db5df1004191715vf394dce6yd3f6468c7da0848d@mail.gmail.com>
Subject: RE: Way OT. Video on website problem
Date: Tue, 20 Apr 2010 00:52:11 -0400
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Thanks for the responses. We decided to host all the vids on Viddler to
avoid all the &^%* incompatibilities.  

 

Tony

 

From: halim zainal [mailto:halimzainal@gmail.com] 
Sent: Monday, April 19, 2010 8:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Way OT. Video on website problem

 

Hi Tony,

I can't see the video either. The video might probably load better or appear
if it's embedded in flv for youtube or vimeo type vids. And if you can
reduce the video dimension to half size (320x240) might help.

 

Best Regards

Halimski

 

On Tue, Apr 20, 2010 at 7:33 AM, Tony K <bigtonyk@gmail.com> wrote:

Hey all,

 

I'm doing a website for my daughter and I'm getting feedback from some
people that the videos aren't showing up.   Some see it, some not.  If you
have a free minute or two can you hit the video page and let me know what
kind of errors you get?  They are embedded WMV files.  I have code to check
for IE or FF and it works with both on all the computers in my house.  A few
people have had to download the FF WMV plugin, but then there are the ones
who get just nothing.

 

Any help is much appreciated,

 

http://sparklyleo.thinginajar.com/index.htm

 

Thanks

 

Tony

 

 

 


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<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Thanks for the responses. We decided to host all the vids =
on
Viddler to avoid all the &amp;^%* incompatibilities.&nbsp; =
<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Tony<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> halim =
zainal
[mailto:halimzainal@gmail.com] <br>
<b>Sent:</b> Monday, April 19, 2010 8:15 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: Way OT. Video on website =
problem<o:p></o:p></span></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal>Hi Tony,<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>I can't see the video either. The video might =
probably load
better or appear if it's embedded in flv for youtube or vimeo type vids. =
And if
you can reduce the video dimension to half size (320x240) might =
help.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<div>

<p class=3DMsoNormal>Best Regards<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>Halimski<o:p></o:p></p>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal>On Tue, Apr 20, 2010 at 7:33 AM, Tony K &lt;<a
href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt; =
wrote:<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>Hey
all,<o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>I&#8217;m
doing a website for my daughter and I&#8217;m getting feedback from some =
people that
the videos aren&#8217;t showing up.&nbsp;&nbsp; Some see it, some =
not.&nbsp; If you
have a free minute or two can you hit the video page and let me know =
what kind
of errors you get?&nbsp; They are embedded WMV files.&nbsp; I have code =
to
check for IE or FF and it works with both on all the computers in my
house.&nbsp; A few people have had to download the FF WMV plugin, but =
then
there are the ones who get just nothing&#8230;<o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>Any
help is much appreciated,<o:p></o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><a
href=3D"http://sparklyleo.thinginajar.com/index.htm" =
target=3D"_blank">http://sparklyleo.thinginajar.com/index.htm</a><o:p></o=
:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>Thanks<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>Tony<o:p></o=
:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

<p class=3DMsoNormal =
style=3D'mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'>&nbsp;<o:p><=
/o:p></p>

</div>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

</body>

</html>

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Date: Mon, 19 Apr 2010 22:17:18 -0700
Message-ID: <y2x588ce11d1004192217jf7ea5747p3bc1719899b45803@mail.gmail.com>
Subject: Re: Violin live-looping improvisation with Pretty Lights...
From: Art Simon <simart@gmail.com>
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I loved it! Best thing I've listened to (and watched) in a while. Thanks so
much!

On Thu, Apr 15, 2010 at 10:29 AM, todd reynolds <toddreyn@gmail.com> wrote:

> Hope this finds all my looping brethren and sistren well...
>
> Violin-looping in Ableton Live in a reactive and beautiful light
> installation by New Spectrum Foundation, using Ableton Live only.
>
> http://bit.ly/bRdE6B (3 videos)
>
> Cheers, all.
>
> T.
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =95 In C Remixed now released on iTunes and Amazon! ::  Read about it her=
e...
> http://bit.ly/3Pm4g3
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>
>


--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--001485ea887002d3350484a431f5
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

I loved it! Best thing I&#39;ve listened to (and watched) in a while. Thank=
s so much!<br><br><div class=3D"gmail_quote">On Thu, Apr 15, 2010 at 10:29 =
AM, todd reynolds <span dir=3D"ltr">&lt;<a href=3D"mailto:toddreyn@gmail.co=
m">toddreyn@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><span style=3D"fo=
nt-family: arial,sans-serif; font-size: 18px; border-collapse: collapse;">H=
ope this finds all my looping brethren and sistren well...=A0<div>
<br></div><div>Violin-looping in Ableton Live in a reactive and beautiful l=
ight installation by New Spectrum Foundation, using Ableton Live only. =A0<=
div>
<br></div><div><a href=3D"http://bit.ly/bRdE6B" style=3D"color: rgb(17, 37,=
 8);" target=3D"_blank">http://bit.ly/bRdE6B</a>=A0(3 videos)</div><div><br=
></div><div>Cheers, all.=A0</div><div><br></div><div>T.</div></div></span><=
br>-- <br>

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now released on iTune=
s and Amazon! :: =A0Read about it here... <a href=3D"http://bit.ly/3Pm4g3" =
target=3D"_blank">http://bit.ly/3Pm4g3</a><br><br><br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
<a href=3D"http://toddreynolds.com" target=3D"_blank">http://toddreynolds.c=
om</a><br>
<a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http://twitter=
.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynoldsmusic" ta=
rget=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br><a href=3D"http=
://blog.toddreynolds.com" target=3D"_blank">http://blog.toddreynolds.com</a=
><br>

<a href=3D"http://facebook.com/toddreynolds" target=3D"_blank">http://faceb=
ook.com/toddreynolds</a><br><a href=3D"http://reverbnation.com/toddreynolds=
" target=3D"_blank">http://reverbnation.com/toddreynolds</a><br><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--001485ea887002d3350484a431f5--

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Date: Mon, 19 Apr 2010 22:30:40 -0700
Message-ID: <r2v588ce11d1004192230l3f060bb4u3ac0d63f3f14f992@mail.gmail.com>
Subject: Re: Violin live-looping improvisation with Pretty Lights...
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I loved this. Thanks so much, it's the best thing I've heard in a while.

On Thu, Apr 15, 2010 at 10:29 AM, todd reynolds <toddreyn@gmail.com> wrote:

> Hope this finds all my looping brethren and sistren well...
>
> Violin-looping in Ableton Live in a reactive and beautiful light
> installation by New Spectrum Foundation, using Ableton Live only.
>
> http://bit.ly/bRdE6B (3 videos)
>
> Cheers, all.
>
> T.
>
> --
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =95 In C Remixed now released on iTunes and Amazon! ::  Read about it her=
e...
> http://bit.ly/3Pm4g3
>
>
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>
>


--=20
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016363b9a0ccd087f0484a4605e
Content-Type: text/html; charset=windows-1252
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I loved this. Thanks so much, it&#39;s the best thing I&#39;ve heard in a w=
hile.<br><br><div class=3D"gmail_quote">On Thu, Apr 15, 2010 at 10:29 AM, t=
odd reynolds <span dir=3D"ltr">&lt;<a href=3D"mailto:toddreyn@gmail.com">to=
ddreyn@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><span style=3D"fo=
nt-family: arial,sans-serif; font-size: 18px; border-collapse: collapse;">H=
ope this finds all my looping brethren and sistren well...=A0<div>
<br></div><div>Violin-looping in Ableton Live in a reactive and beautiful l=
ight installation by New Spectrum Foundation, using Ableton Live only. =A0<=
div>
<br></div><div><a href=3D"http://bit.ly/bRdE6B" style=3D"color: rgb(17, 37,=
 8);" target=3D"_blank">http://bit.ly/bRdE6B</a>=A0(3 videos)</div><div><br=
></div><div>Cheers, all.=A0</div><div><br></div><div>T.</div></div></span><=
br>-- <br>

=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>=95 In C Remixed now released on iTune=
s and Amazon! :: =A0Read about it here... <a href=3D"http://bit.ly/3Pm4g3" =
target=3D"_blank">http://bit.ly/3Pm4g3</a><br><br><br>=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
<a href=3D"http://toddreynolds.com" target=3D"_blank">http://toddreynolds.c=
om</a><br>
<a href=3D"http://twitter.com/digifiddler" target=3D"_blank">http://twitter=
.com/digifiddler</a><br><a href=3D"http://myspace.com/toddreynoldsmusic" ta=
rget=3D"_blank">http://myspace.com/toddreynoldsmusic</a><br><a href=3D"http=
://blog.toddreynolds.com" target=3D"_blank">http://blog.toddreynolds.com</a=
><br>

<a href=3D"http://facebook.com/toddreynolds" target=3D"_blank">http://faceb=
ook.com/toddreynolds</a><br><a href=3D"http://reverbnation.com/toddreynolds=
" target=3D"_blank">http://reverbnation.com/toddreynolds</a><br><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--0016363b9a0ccd087f0484a4605e--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 07:00:13 2010
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Hey Luis

> reaper certainly look nice,though i suppose is not full production ready
> like logic with drum loops etc.which would be nice in doing quick demos
> for other people.
No, it's not, you'd have to get another package like i.e. Native Instruments Komplete. But it's very straightforward and stable which is also good for deadlines, I guess.
For "ready for demo", Logic is really great. When writing new stuff, I first start putting together some Apple Loops and take it from there. Really speeds up the process. (Ableton probably also very fast).

> on the other hand i dont have much time to learn complicated software
Then, give Propellerheads Record (+Reason) a try. It's really easy to use and has a nice integrated SSL mixing console :)

best regards
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 07:20:54 2010
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Clifford Novey wrote:
".......No I liked it- check out bands like RADIAN and LOSCIL and LOESS 
for other examples of glitch rhythms."


Hey Clifford,  

thanks a lot for the recommendations.  I hadn't heard any of these 
groups and am having a wonderful night
listening to them on Rhapsody (Loscil and Loess are both here)  and 
LastFM.com  (Radian)

I was just thinking that it would be cool to find out what everyone is 
listening to in the world
of electronica that is having an influence on the music they are making 
and the loops they are creating.


I'll just mention things I"ve deeply loved in the past 10 years or so to 
get the ball rolling.
Most of this stuff is in the Abstract Electronica category (though Loess 
fits in perfectly
with some of this stuff).    A lot of it is also 10 years old now (if 
not more)  but I just loved
this phase of composition in electronica and it's really deeply 
influenced my own work.

APHEX TWIN    A wonderful and incredibly inventive artist but for me, 
the Desert Island Disc is
                             "Selected Ambient Works,  Volume 2"   which 
though it has ambient elements is NOT an ambient
                             record.    His 'remix' track on a Nine Inch 
Nails EP singlehandely made me stop playing
                             World Beat music, buy a computer and start 
an entirely new musical life back in '99.  It wasn't
                             really a remix at all.  Trent Reznor sent 
him tracks to remix,  he didn't like anything he heard so
                            he just sent him in one of his own tracks.   
Reznor liked it so much that he put it on the EP.
AUTECHRE      I think an early one of their's   "Tri Repetae"  is a 
masterpiece
                       (I appreciate everything the've done but they got 
glitchier and glitchier
                        in recent projects and further away from 
traditional musical form which just isn't my thing).

BOARDS of CANADA    There first three lps I just love..........I'm not 
as into their last
      (and they've slowed down in recent years)
BOLA      They have many lps and eps but their first  'Soup'  is still 
my favorite

FOUR TET         Almost everything I've heard I like by this guy.  He 
uses a lot of real instruments in the mix of his electronics.

TO ROCOCO ROT    "Hotel Morgen"       "The Amateur View"   and "Music is 
a Hungry Ghost" (the latter a collaboration with i-sound)
TRENTE MOLLER    Probably the most commercial of these releases.  I just 
love "The Last Resort".    He was a successful
                                 Dance producer and delivered this 
record to his record company with nothing remotely danceable
                                 on it.  I believe it was the first non 
dance electronica record to hit number one on the electronic music charts
TWINE             "Violets"
WAUVENFOLD    "3Fold"

okay,  that's enough for now...............I've been inspired by dozens 
of things in different genres but these are some of my
                                 favorite purely electronica listens.

Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 09:39:56 2010
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: SPAM - Electrix Repeater
Date: Tue, 20 Apr 2010 09:39:55 +0000
Importance: Normal
In-Reply-To: <i2qd302e3571004010640u3512cd8sc59857ccb2ad67e9@mail.gmail.com>
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Hi Sim=2C

I just thought you might like to know it was another looper off this list w=
ho just bought your Slicer on ebay.

I JUST got my effects board how i wanted it as well !! (arse)

oh well I dont think I will ever get over my GAS.

thanks

Phill Wilson (myonemanband)=20

Date: Thu=2C 1 Apr 2010 14:40:49 +0100
Subject: SPAM - Electrix Repeater
From: simeonharris40@googlemail.com
To: Loopers-Delight@loopers-delight.com

ok=2C so i finally decided to let my Electrix Repeater go to fund a laptop

i was one of the first purchasers in the UK and this particular unit has be=
en rock solid

it comes with the original PSU=2C all printed manuals=2C the latest softwar=
e=2C a digitech 3-button footswitch and a 128Mb SimpleTech cfc card (all fu=
nctions work with this card)


the unit is very quiet and i havn't had to have the noise mod done on it

i should have the original box for it too=2C if i can find it

taking into consideration an average of all the units that come up on ebay'=
s completed listings=2C i think =A3600 is a fair price


i'm not keen on shipping this abroad=2C but i may consider sending to the E=
U

hi res pics can be provided on request

many thanks

sim
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

--_4fda1648-d57c-47b4-addc-8958a425095f_
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<html>
<head>
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font-size: 10pt=3B
font-family:Verdana
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<body class=3D'hmmessage'>
Hi Sim=2C<br><br>I just thought you might like to know it was another loope=
r off this list who just bought your Slicer on ebay.<br><br>I JUST got my e=
ffects board how i wanted it as well !! (arse)<br><br>oh well I dont think =
I will ever get over my GAS.<br><br>thanks<br><br>Phill Wilson (myonemanban=
d) <br><br><hr id=3D"stopSpelling">Date: Thu=2C 1 Apr 2010 14:40:49 +0100<b=
r>Subject: SPAM - Electrix Repeater<br>From: simeonharris40@googlemail.com<=
br>To: Loopers-Delight@loopers-delight.com<br><br>ok=2C so i finally decide=
d to let my Electrix Repeater go to fund a laptop<br><br>i was one of the f=
irst purchasers in the UK and this particular unit has been rock solid<br><=
br>it comes with the original PSU=2C all printed manuals=2C the latest soft=
ware=2C a digitech 3-button footswitch and a 128Mb SimpleTech cfc card (all=
 functions work with this card)<br>
<br>the unit is very quiet and i havn't had to have the noise mod done on i=
t<br><br>i should have the original box for it too=2C if i can find it<br><=
br>taking into consideration an average of all the units that come up on eb=
ay's completed listings=2C i think =A3600 is a fair price<br>
<br>i'm not keen on shipping this abroad=2C but i may consider sending to t=
he EU<br><br>hi res pics can be provided on request<br><br>many thanks<br><=
br>sim<br> 		 	   		  <br /><hr />Get a new e-mail account with Hotmail - F=
ree. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D=
'_new'>Sign-up now.</a></body>
</html>=

--_4fda1648-d57c-47b4-addc-8958a425095f_--

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Date: Tue, 20 Apr 2010 09:43:58 +0000 (GMT)
From: "dr. hafiza ali" <dr.hafiza01@gmail.com>
Reply-To: dr.hafiza01@gmail.com
Subject: Urgent please 
To: undisclosed recipients: ;
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--0-1915733038-1271756638=:2986
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Urgent please=20
>From The Desk Of Dr Hafiza Ali
The Auditing And Accounting Manager
African Development Bank(ADB)
Ouagadougou-Burkina Faso.
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=20
Dear Sir/Madam!!a
I sincerely ask for forgiveness for I know this may seem like a complete in=
trusion to your privacy but right about now this is my option of communicat=
ion. This mail might come to you as a surprise and the temptation to ignore=
 it as unserious could come into your mind; but please consider it a divine=
 wish and accept it with a deep sense of humility.=20
I am aware that this is certainly an unconventional approach to starting a =
relationship.
I am Dr.Hafiza Ali, the personal account officer to the great late diseased=
 who has an account in one of our banks here in BurkinaFaso. The account wa=
s opened in 2001 and he died in 2004 without a written or oral WILL and sin=
ce 2004 nobody has operated on this account again hence the money is floati=
ng and if I do not remit this money out urgently it will be forfeited for n=
othing and Government of Burkinafaso will confiscate the funds for their pe=
rsonal use which I personally don't want such incident to happen being that=
 this is a great opportunity for me.=20
My contact is for you to please assist me to transfer the fund ($10.6000.00=
 USD) Ten Million Six Hundred Thousand United State Dollars from a Cooperat=
e Bank here in Burkinafaso to an oversea account. First, I must solicit you=
r strictest confidence in this transaction. This is by virtue of its nature=
 as being utterly
confidential. I am sure and have confidence of your ability and reliability=
 to prosecute a transaction of this great magnitude. I solicit your assista=
nce to enable us transfer the said amount into your safe account for onward=
 investment.
You can either provide us with an existing account or to set up a new Bank =
account immediately to receive this money, even an empty a/c can serve to r=
eceive this money, as long as you will remain honest to me till the end of =
this important business trusting in you and believing that you will never l=
et me down either now or in future because this business is my life. The ow=
ner of this account is a foreigner and no other person knows about this acc=
ount or anything concerning it, the account has no other beneficiary and un=
til his death he was the manager of the company. My investigation through t=
he National immigration department & Ministries here proved to me as well t=
hat he was single as at the time of
his entry into the Republic of Burkinafaso. As a matter of fact, I have dec=
ided to transfer this fund abroad for investment and also to use my own sha=
re of the fund to take my wife to abroad for liver damage treatment.Your as=
sistance as a foreigner is necessary because the management of the bank wil=
l welcome any foreigner who has correct information to this account which I=
 will give to you immediately, if you are interested to do this business wi=
th me. There is no risk in this business. With my position here in the bank=
 the money can be transferred to any account you can provide with assurance=
 that this money will be intact pending our physical arrival in your countr=
y for sharing. Upon successful transfer without any disappointment from you=
r side, I am only contacting you as a foreigner because this money cannot b=
e approved to a local person here, but can only be approved to any foreigne=
r who has the correct information of the account, which I will
provide for you.So you should provide me with your correct account details =
where you will like the fund to be transferred to, or you can set up a new =
account for the transfer even an empty account is ok. At the conclusion of =
the transfer you will take 40%, 10% will be for any expenses both parties i=
ncurred in the process of this business and the remaining 50% will be for m=
e. As soon as I hear from you and upon your strong assurance that you will =
not let me down once the fund goes into your account I will then send you t=
he Text of application form which you will fill with your banking informati=
on and send to my bank here for immediate transfer of the fund to your acco=
unt. If you are interested, please forward the following information as bel=
ow:=20
{1} Your Name/company's name and full address,=20
{2} Bank Name:............=20
{3} Bank Address...
{4} Account No:.........
{5} Swift Code...{if any}
{6} Account Holder's Name:
..........
{7} Your telephone Nos.both Home, Office & Cell/Mobile and fax
Numbers...
{8} Your Occupation
{9} Your Valid ID=20
Waiting for your urgent reply=A0=20
Best Regards,
Dr. Hafiza Ali
=A0=0A=0A
--0-1915733038-1271756638=:2986
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>Urgent please <BR>From The Desk Of Dr Ha=
fiza Ali<BR>The Auditing And Accounting Manager<BR>African Development Bank=
(ADB)<BR>Ouagadougou-Burkina Faso.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&=
nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <BR>Dear Sir/Madam!!a</DIV>
<DIV>I sincerely ask for forgiveness for I know this may seem like a comple=
te intrusion to your privacy but right about now this is my option of commu=
nication. This mail might come to you as a surprise and the temptation to i=
gnore it as unserious could come into your mind; but please consider it a d=
ivine wish and accept it with a deep sense of humility. </DIV>
<DIV>I am aware that this is certainly an unconventional approach to starti=
ng a relationship.<BR>I am Dr.Hafiza Ali, the personal account officer to t=
he great late diseased who has an account in one of our banks here in Burki=
naFaso. The account was opened in 2001 and he died in 2004 without a writte=
n or oral WILL and since 2004 nobody has operated on this account again hen=
ce the money is floating and if I do not remit this money out urgently it w=
ill be forfeited for nothing and Government of Burkinafaso will confiscate =
the funds for their personal use which I personally don't want such inciden=
t to happen being that this is a great opportunity for me. </DIV>
<DIV>My contact is for you to please assist me to transfer the fund ($10.60=
00.00 USD) Ten Million Six Hundred Thousand United State Dollars from a Coo=
perate Bank here in Burkinafaso to an oversea account. First, I must solici=
t your strictest confidence in this transaction. This is by virtue of its n=
ature as being utterly<BR>confidential. I am sure and have confidence of yo=
ur ability and reliability to prosecute a transaction of this great magnitu=
de. I solicit your assistance to enable us transfer the said amount into yo=
ur safe account for onward investment.</DIV>
<DIV>You can either provide us with an existing account or to set up a new =
Bank account immediately to receive this money, even an empty a/c can serve=
 to receive this money, as long as you will remain honest to me till the en=
d of this important business trusting in you and believing that you will ne=
ver let me down either now or in future because this business is my life. T=
he owner of this account is a foreigner and no other person knows about thi=
s account or anything concerning it, the account has no other beneficiary a=
nd until his death he was the manager of the company. My investigation thro=
ugh the National immigration department &amp; Ministries here proved to me =
as well that he was single as at the time of<BR>his entry into the Republic=
 of Burkinafaso. As a matter of fact, I have decided to transfer this fund =
abroad for investment and also to use my own share of the fund to take my w=
ife to abroad for liver damage treatment.Your assistance as a
 foreigner is necessary because the management of the bank will welcome any=
 foreigner who has correct information to this account which I will give to=
 you immediately, if you are interested to do this business with me. There =
is no risk in this business. With my position here in the bank the money ca=
n be transferred to any account you can provide with assurance that this mo=
ney will be intact pending our physical arrival in your country for sharing=
. Upon successful transfer without any disappointment from your side, I am =
only contacting you as a foreigner because this money cannot be approved to=
 a local person here, but can only be approved to any foreigner who has the=
 correct information of the account, which I will<BR>provide for you.So you=
 should provide me with your correct account details where you will like th=
e fund to be transferred to, or you can set up a new account for the transf=
er even an empty account is ok. At the conclusion of the transfer
 you will take 40%, 10% will be for any expenses both parties incurred in t=
he process of this business and the remaining 50% will be for me. As soon a=
s I hear from you and upon your strong assurance that you will not let me d=
own once the fund goes into your account I will then send you the Text of a=
pplication form which you will fill with your banking information and send =
to my bank here for immediate transfer of the fund to your account. If you =
are interested, please forward the following information as below: </DIV>
<DIV>{1} Your Name/company's name and full address, <BR>{2} Bank Name:.....=
....... <BR>{3} Bank Address...<BR>{4} Account No:.........<BR>{5} Swift Co=
de...{if any}<BR>{6} Account Holder's Name:<BR>..........<BR>{7} Your telep=
hone Nos.both Home, Office &amp; Cell/Mobile and fax<BR>Numbers...<BR>{8} Y=
our Occupation<BR>{9} Your Valid ID <BR>Waiting for your urgent reply&nbsp;=
 <BR>Best Regards,<BR>Dr. Hafiza Ali</DIV>
<DIV>&nbsp;</DIV></td></tr></table><br>
--0-1915733038-1271756638=:2986--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 10:26:14 2010
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Date: Tue, 20 Apr 2010 12:26:12 +0200
Message-ID: <u2u66f9cc1e1004200326l1b90d857tc397b4e791f88f5a@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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Checked out Reaper briefly yesterday night and it has some exciting
functions for fun experimentation! Like the option to direct pitch of
an audio track from whatever recorded on a MIDI instrument track. Or
how about an instant envelope follow function that can be assigned to
any parameter of any plugin of function! Holy shit - that's cool
stuff!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Tue, Apr 20, 2010 at 9:00 AM, Buzap Buzap <buzap@gmx.net> wrote:
> Hey Luis
>
>> reaper certainly look nice,though i suppose is not full production ready
>> like logic with drum loops etc.which would be nice in doing quick demos
>> for other people.
> No, it's not, you'd have to get another package like i.e. Native Instruments Komplete. But it's very straightforward and stable which is also good for deadlines, I guess.
> For "ready for demo", Logic is really great. When writing new stuff, I first start putting together some Apple Loops and take it from there. Really speeds up the process. (Ableton probably also very fast).
>
>> on the other hand i dont have much time to learn complicated software
> Then, give Propellerheads Record (+Reason) a try. It's really easy to use and has a nice integrated SSL mixing console :)

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 10:53:12 2010
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Date: Tue, 20 Apr 2010 11:52:35 +0100
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One thing missed out of the discussion so far is the physical
weakness of Firewire connectors.
It's easy to get a lost connection.
...and a damaged socket can easily cause damage to the circuit within.

or have people had similar with usb?

andy

From raymond_dal02@sify.com  Tue Apr 20 10:59:53 2010
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Date: Tue, 20 Apr 2010 07:10:43 -0000 (UTC)
Subject: URGENTATTENTION!!!!! 
From: "Raymond Dal" <raymond_dal02@sify.com>
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To: undisclosed-recipients:;




Good Day,


###   Warning!! Information on this email is strictly confidential and is
not to be viewed by any unauthorised personnel. Kind regards Raymond ###

My name is Raymond Dal am a Singaporean citizen and a seasoned Banker in
Malaysia (Berhad office), I occupy the position of an accountant in this
branch office, it is with good spirit of heart I opened up this great
opportunity to you; there is a client of mine who died as a result of
heart failure; because of the entire family lost their lives in the
tsunami disaster on the 26th Dec, 2004, and his account of US$19.761
million with us has been unclaimed due to unavailability of a next of
kin/relatives to claim his estate.

Since none of the family relative is alive to claim this fund after bank
having waited until now for any relative next of kin to surface in our
custody;  I decided to contact you fast; so that I can present you as the
relative next of kin to my late client; so that bank will wire this fund
direct to your bank account. You don't need to worry yourself in this
transaction, it is not going to implicate you to any trouble in your
country, and hence I will provide the legal papers in your name and
favour.

In view of this, I am seeking your cooperation and understanding to stand
as the deceased next of kin to enable us claim the inheritance before the
period given by the bank elapse. If you are interested and in agreement
with me, get back to me quickly and I will send to you all our bank
contacts and the information you may need to proceed without coming to
Malaysia, and be rest assured that it is risks free project and the
proceedings will be shared 35% for you 55% for me and 10% for any expenses
we incurred during this process and will be balanced once the fund are
transferred into your account in your country or any other country you
might suggest" to open a new account; because of the increase tax rate in
your country.

Please reply immediately with your information including your full name,
full address and telephone number for easy communication with you.

 I await your prompt response immediately.[raymond.dal@sify.com]

Remain Blessed,


Raymond Dal

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 11:12:43 2010
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Date: Tue, 20 Apr 2010 13:12:36 +0200
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Subject: Re: Firewire vs USB
From: Per Boysen <perboysen@gmail.com>
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On Tue, Apr 20, 2010 at 12:52 PM, andy butler <akbutler@tiscali.co.uk> wrote:
> One thing missed out of the discussion so far is the physical
> weakness of Firewire connectors.
> It's easy to get a lost connection.
> ...and a damaged socket can easily cause damage to the circuit within.
>
> or have people had similar with usb?


You're right regarding most Windows only computer hardware. On Apple
machines there is a more sturdy Firewire plug and jack. Over here I
still use extra power supply for Firewire gear even when connecting it
to an Apple machine, for stability reasons. On a Mac you can power
external Firewire gear through the firewire cable, but if doing so a
temporary firewire drop-out, like if the cable gets wiggled during
"the  battle on the stage", can cause the operating system to switch
over to the Mac's bult-in audio card. But when feeding power
externally (not through the Firewire cable) the OS will not lose sight
of the Firewire unit even if the Firewire cable should fall out and
you put it back into the jack. (WARNING! This does not apply to hard
drives - only audio interfaces)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 11:25:50 2010
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Subject: RE: slicer
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well good luck with the lear out.  what are the funds going towards=2C anyt=
hing nice?

saw you had the LP-1=2C thats the first one i have seen here in the UK.

I have 3 echoplexes at the moment but am considering the switch over. how d=
id you  find it?


Date: Tue=2C 20 Apr 2010 11:54:00 +0100
Subject: slicer
From: simeonharris40@googlemail.com
To: phillwilson@hotmail.com

thanks for buying! i've sent you an invoice. will get it in the post as soo=
n as the money clears.

in the meantime=2C whet your appetite with the manual! (attached)

lovely bit of kit. only just bought it and have been enjoying it immensely=
=2C but it's got to go in the big clearout!


all the best

sim

ps - any replies to simeon@simeonharris.co.uk
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

--_f2a7dcdc-79a0-42f4-9da4-5f72078f29ea_
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<html>
<head>
<style><!--
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{
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padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
well good luck with the lear out.&nbsp=3B what are the funds going towards=
=2C anything nice?<br><br>saw you had the LP-1=2C thats the first one i hav=
e seen here in the UK.<br><br>I have 3 echoplexes at the moment but am cons=
idering the switch over. how did you&nbsp=3B find it?<br><br><br><hr id=3D"=
stopSpelling">Date: Tue=2C 20 Apr 2010 11:54:00 +0100<br>Subject: slicer<br=
>From: simeonharris40@googlemail.com<br>To: phillwilson@hotmail.com<br><br>=
thanks for buying! i've sent you an invoice. will get it in the post as soo=
n as the money clears.<br><br>in the meantime=2C whet your appetite with th=
e manual! (attached)<br><br>lovely bit of kit. only just bought it and have=
 been enjoying it immensely=2C but it's got to go in the big clearout!<br>
<br>all the best<br><br>sim<br><br>ps - any replies to <a>simeon@simeonharr=
is.co.uk</a><br> 		 	   		  <br /><hr />Get a free e-mail account with Hotm=
ail. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D=
'_new'>Sign-up now.</a></body>
</html>=

--_f2a7dcdc-79a0-42f4-9da4-5f72078f29ea_--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 11:26:51 2010
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Date: Tue, 20 Apr 2010 07:26:45 -0400
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Subject: Re: New Foot Controller
From: Warren Sirota <wsirota@wsdesigns.com>
To: Loopers-Delight@loopers-delight.com
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Huh, interesting. At first I thought it was a footcontroller *projected* on
the floor, which would be mghty cool except it's probably harder to travel
with a projector than an FCB.. Still waiting on the Keith footpedal, the
answer to all our dreams (if it lives up to the previews)

On Sat, Apr 17, 2010 at 11:31 PM, "Andr=E9 Donawa" <andre@andredonawa.com>w=
rote:

> This looks interesting.
>
> http://news.cnet.com/8301-17938_105-20002415-1.html
>
> Andre
>
>
>
> http://barbadosguitar.com/wordpress
> http://www.barbadosguitar.com
> http://twitter.com/AndreDonawa
> http://www.andredonawa.com
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
>


--=20
Warren
http://www.warrensirota.com
NEW CD: Loops, Live & Otw
http://www.cdbaby.com/cd/warrensirota

--005045015a593c1c130484a95ad6
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Huh, interesting. At first I thought it was a footcontroller *projected* on=
 the floor, which would be mghty cool except it&#39;s probably harder to tr=
avel with a projector than an FCB.. Still waiting on the Keith footpedal, t=
he answer to all our dreams (if it lives up to the previews)<br>
<br><div class=3D"gmail_quote">On Sat, Apr 17, 2010 at 11:31 PM, &quot;Andr=
=E9 Donawa&quot; <span dir=3D"ltr">&lt;<a href=3D"mailto:andre@andredonawa.=
com">andre@andredonawa.com</a>&gt;</span> wrote:<br><blockquote class=3D"gm=
ail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-le=
ft:1ex;">
This looks interesting.<br>
<br>
<a href=3D"http://news.cnet.com/8301-17938_105-20002415-1.html" target=3D"_=
blank">http://news.cnet.com/8301-17938_105-20002415-1.html</a><br>
<br>
Andre<br>
<br>
<br>
<br>
<a href=3D"http://barbadosguitar.com/wordpress" target=3D"_blank">http://ba=
rbadosguitar.com/wordpress</a><br>
<a href=3D"http://www.barbadosguitar.com" target=3D"_blank">http://www.barb=
adosguitar.com</a><br>
<a href=3D"http://twitter.com/AndreDonawa" target=3D"_blank">http://twitter=
.com/AndreDonawa</a><br>
<a href=3D"http://www.andredonawa.com" target=3D"_blank">http://www.andredo=
nawa.com</a><br>
<a href=3D"http://cdbaby.com/all/andredonawa" target=3D"_blank">http://cdba=
by.com/all/andredonawa</a><br>
<a href=3D"http://www.myspace.com/andredonawa" target=3D"_blank">http://www=
.myspace.com/andredonawa</a><br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Warren<br><a href=3D"ht=
tp://www.warrensirota.com">http://www.warrensirota.com</a><br>NEW CD: Loops=
, Live &amp; Otw<br><a href=3D"http://www.cdbaby.com/cd/warrensirota">http:=
//www.cdbaby.com/cd/warrensirota</a><br>


--005045015a593c1c130484a95ad6--

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	 <COL109-W547BC922A83865B479E7EDBE0A0@phx.gbl>
Date: Tue, 20 Apr 2010 12:34:07 +0100
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Subject: Re: slicer
From: Simeon Harris <simeonharris40@googlemail.com>
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replied off list

On Tue, Apr 20, 2010 at 12:25 PM, phillip wilson <phillwilson@hotmail.com>wrote:

>  well good luck with the lear out.  what are the funds going towards,
> anything nice?
>
> saw you had the LP-1, thats the first one i have seen here in the UK.
>
> I have 3 echoplexes at the moment but am considering the switch over. how
> did you  find it?
>
>
>

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replied off list<br><br><div class=3D"gmail_quote">On Tue, Apr 20, 2010 at =
12:25 PM, phillip wilson <span dir=3D"ltr">&lt;<a href=3D"mailto:phillwilso=
n@hotmail.com">phillwilson@hotmail.com</a>&gt;</span> wrote:<br><blockquote=
 class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px=
 solid rgb(204, 204, 204); padding-left: 1ex;">




<div>
well good luck with the lear out.=A0 what are the funds going towards, anyt=
hing nice?<br><br>saw you had the LP-1, thats the first one i have seen her=
e in the UK.<br><br>I have 3 echoplexes at the moment but am considering th=
e switch over. how did you=A0 find it?<br>
<br><br></div></blockquote></div>

--001485f7c4be97cd570484a974da--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 11:37:29 2010
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
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Hi Per

> Checked out Reaper briefly yesterday night 
>Holy shit - that's cool stuff!
he he, I told you so!  :)
I especiall love the parameter modulation.
But basically, it's such a wonderful framework (each track both audio AND midi, how cool is that?) that there seem to be so many possibilities...

Have fun with reaper!
Buzap

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 11:39:23 2010
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From: doc rossi <docittern@gmail.com>
Subject: Re: Firewire vs USB
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On Apr 20, 2010, at 1:12 PM, Per Boysen wrote:

> (WARNING! This does not apply to hard
> drives - only audio interfaces)

You can say that again - my FW cable wiggled out while I was bouncing =
something and now I can't see the drive.
My fault as I hadn't plugged it in well enough. Drat..


From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 11:40:34 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Convert volume pedal to midi via Max/MSP (Krispen?)
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Hi folks

somebody posted a solution where you'd connect a simple volume pedal to an audio interface I/O and it would translate that directly to midi (0..127) automatically. I believe it was a simple Max/MSP patch.

Does anybody have this? For Mac?
I thought it was Krispen. But I guess he's probably off enjoying his solo guitar - while the rest of us is still fiddling with their loopers ;-)

Seriuosly, it would be a great help and much cheaper than getting a StealthPedal.

thanks
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 12:25:31 2010
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Date: Tue, 20 Apr 2010 14:25:25 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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Thanks Buzzie! Some day I will have fun with those envelope follow
options in Reaper. Except from that I'm finding Repaer amazingly
similar to Logic, almost feels like the same application - but each
one offers some extra functions that the other doesn't.

per


On Tue, Apr 20, 2010 at 1:37 PM, Buzap Buzap <buzap@gmx.net> wrote:
> Hi Per
>
>> Checked out Reaper briefly yesterday night
>>Holy shit - that's cool stuff!
> he he, I told you so! =C2=A0:)
> I especiall love the parameter modulation.
> But basically, it's such a wonderful framework (each track both audio AND=
 midi, how cool is that?) that there seem to be so many possibilities...
>
> Have fun with reaper!
> Buzap
>
> --
> GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 12:28:06 2010
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Date: Tue, 20 Apr 2010 08:28:00 -0400
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Subject: Galactic Travels Playlist #680 for April 15, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100415.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #680                Apil 15, 2010.

RECAP:
On this show, I continued the month-long focus on Radio Massacre
International.  The Featured CD at Midnight was disk six from Lost In
Space on Northern Echo Records.

RMI: http://wdiy.org/programs/gt/playlists/2010/focus.html#apr


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
Twyndyllyngs         Time Wave            BetweenSpace and Time
                                            (electro-music)
Darren Rogers        Moonrise Over the    The Alternate Realms 2
                       Tilnor Plains       (Imagineers)
Steve Dinsdale       Moorland Dark        New Church (Northern Echo)
Palancar             Oceanus Procellarum  Serenetatis (Earth Mantra)
Radio Massacre       wintergreen          Lost In Space 6 (Northern
  International                             Echo)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Radio Massacre       wintergreen (cont.)  Lost In Space 6 (Northern
  International                             Echo)
Radio Massacre       reactor at the edge  Lost In Space 6 (Northern
  International        of the world         Echo)
Radio Massacre       electronic wasteland Lost In Space 6 (Northern
  International                             Echo)
Radio Massacre       tattoo               Lost In Space 6 (Northern
  International                             Echo)
Radio Massacre       interlude            Lost In Space 6 (Northern
  International                             Echo)
Radio Massacre       damo                 Lost In Space 6 (Northern
  International                             Echo)

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll continue the month-long focus on
Radio Massacre International.  The Featured CD at Midnight will be
Blacker on Northern Echo Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels
Playlists are also published at http://billfox.blogspot.com
RSS (2.0) feed from http://billfox.blogspot.com/rss.xml
Atom (0.3) feed from http://billfox.blogspot.com/atom.xml

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 12:42:46 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: An interview I did
Date: Tue, 20 Apr 2010 13:41:27 +0100
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Hey guys

There is an interview I did here - I mentioned quite a few of the LD  
community and talked about looping.

http://iheartguitarblog.com/2010/04/interview-matt-stevens.html

Ta!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">
Hey guys&nbsp;<div><br></div><div>There is an interview I did here - I mentioned quite a few of the LD community and talked about looping.</div><div><br></div><div><a href="http://iheartguitarblog.com/2010/04/interview-matt-stevens.html">http://iheartguitarblog.com/2010/04/interview-matt-stevens.html</a></div><div><br></div><div>Ta!<br><br><div> <span class="Apple-style-span" style="font-size: 12px; "><div>Matt Stevens</div><div>www.mattstevensguitar.com</div><div><a href="mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span><br class="Apple-interchange-newline"><br class="Apple-interchange-newline"> </div><br></div></body></html>
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From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 12:48:08 2010
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Subject: Re: Convert volume pedal to midi via Max/MSP (Krispen?)
Date: Tue, 20 Apr 2010 06:48:01 -0600
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I have it. i am jumping on a plane and won't be back until this weekend. 
I'll send to you then.

Kris

----- Original Message ----- 



Hi folks

somebody posted a solution where you'd connect a simple volume pedal to an 
audio interface I/O and it would translate that directly to midi (0..127) 
automatically. I believe it was a simple Max/MSP patch.

Does anybody have this? For Mac?
I thought it was Krispen. But I guess he's probably off enjoying his solo 
guitar - while the rest of us is still fiddling with their loopers ;-)

Seriuosly, it would be a great help and much cheaper than getting a 
StealthPedal.

thanks
Buzap
-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 13:13:59 2010
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Date: Tue, 20 Apr 2010 13:12:02 +0000 (GMT)
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Subject: Re: An interview I did
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Hey Matt,

Thanks so much for the name check!

Stephen

www.myspace.com/sylvianfisher

--- On Tue, 20/4/10, Matt Stevens <mattstevensguitar@btinternet.com> wrote:

From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: An interview I did
To: Loopers-Delight@loopers-delight.com
Date: Tuesday, 20 April, 2010, 12:41

=0AHey guys=A0
There is an interview I did here - I mentioned quite a few of the LD commun=
ity and talked about looping.
http://iheartguitarblog.com/2010/04/interview-matt-stevens.html
Ta!

 Matt Stevenswww.mattstevensguitar.commattstevensguitar@btinternet.com


=20
=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Hey Matt,<br><br>Thanks so much for the name =
check!<br><br>Stephen<br><br>www.myspace.com/sylvianfisher<br><br>--- On <b=
>Tue, 20/4/10, Matt Stevens <i>&lt;mattstevensguitar@btinternet.com&gt;</i>=
</b> wrote:<br><blockquote style=3D"border-left: 2px solid rgb(16, 16, 255)=
; margin-left: 5px; padding-left: 5px;"><br>From: Matt Stevens &lt;mattstev=
ensguitar@btinternet.com&gt;<br>Subject: An interview I did<br>To: Loopers-=
Delight@loopers-delight.com<br>Date: Tuesday, 20 April, 2010, 12:41<br><br>=
<div id=3D"yiv1139209140">=0AHey guys&nbsp;<div><br></div><div>There is an =
interview I did here - I mentioned quite a few of the LD community and talk=
ed about looping.</div><div><br></div><div><a rel=3D"nofollow" target=3D"_b=
lank" href=3D"http://iheartguitarblog.com/2010/04/interview-matt-stevens.ht=
ml">http://iheartguitarblog.com/2010/04/interview-matt-stevens.html</a></di=
v><div><br></div><div>Ta!<br><br><div> <span class=3D"Apple-style-span" sty=
le=3D"font-size: 12px;"><div>Matt Stevens</div><div>www.mattstevensguitar.c=
om</div><div><a rel=3D"nofollow" ymailto=3D"mailto:mattstevensguitar@btinte=
rnet.com" target=3D"_blank" href=3D"/mc/compose?to=3Dmattstevensguitar@btin=
ternet.com">mattstevensguitar@btinternet.com</a></div><div><br></div></span=
><br class=3D"Apple-interchange-newline"><br class=3D"Apple-interchange-new=
line"> </div><br></div></div></blockquote></td></tr></table><br>=0A=0A=0A=
=0A      
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: An interview I did
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Cheers for the inspiration mate

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 20 Apr 2010, at 14:12, Stephen Scott wrote:

> Hey Matt,
>
> Thanks so much for the name check!
>
> Stephen
>
> www.myspace.com/sylvianfisher
>
> --- On Tue, 20/4/10, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
>
> From: Matt Stevens <mattstevensguitar@btinternet.com>
> Subject: An interview I did
> To: Loopers-Delight@loopers-delight.com
> Date: Tuesday, 20 April, 2010, 12:41
>
> Hey guys
>
> There is an interview I did here - I mentioned quite a few of the  
> LD community and talked about looping.
>
> http://iheartguitarblog.com/2010/04/interview-matt-stevens.html
>
> Ta!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Cheers for the inspiration mate<div><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 20 Apr 2010, =
at 14:12, Stephen Scott wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><table =
cellspacing=3D"0" cellpadding=3D"0" border=3D"0"><tbody><tr><td =
valign=3D"top" style=3D"font: inherit;">Hey Matt,<br><br>Thanks so much =
for the name =
check!<br><br>Stephen<br><br>www.myspace.com/sylvianfisher<br><br>--- On =
<b>Tue, 20/4/10, Matt Stevens <i>&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</i></b> wrote:<br><blockquote style=3D"border-left: 2px =
solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>From: =
Matt Stevens &lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;<br>Subject: An interview I did<br>To: <a =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@looper=
s-delight.com</a><br>Date: Tuesday, 20 April, 2010, 12:41<br><br><div =
id=3D"yiv1139209140"> Hey guys&nbsp;<div><br></div><div>There is an =
interview I did here - I mentioned quite a few of the LD community and =
talked about looping.</div><div><br></div><div><a rel=3D"nofollow" =
target=3D"_blank" =
href=3D"http://iheartguitarblog.com/2010/04/interview-matt-stevens.html">h=
ttp://iheartguitarblog.com/2010/04/interview-matt-stevens.html</a></div><d=
iv><br></div><div>Ta!<br><br><div> <span class=3D"Apple-style-span" =
style=3D"font-size: 12px;"><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a rel=3D"nofollow" =
ymailto=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank" =
href=3D"/mc/compose?to=3Dmattstevensguitar@btinternet.com">mattstevensguit=
ar@btinternet.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> =
</div><br></div></div></blockquote></td></tr></tbody></table><br>       =
</blockquote></div><br></div></body></html>=

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	 <r2y66f9cc1e1004180606le8dd4b3fzb53c3b1d7d805210@mail.gmail.com>
	 <20100418162803.35910@gmx.net>
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	 <20100420070009.124570@gmx.net>
Date: Tue, 20 Apr 2010 09:41:29 -0400
Message-ID: <q2ud1dcce561004200641m9b2c5513r63bf6f6a5fdcffa6@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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>Then, give Propellerheads Record (+Reason) a try. It's really easy to use
and has a >nice integrated SSL mixing console :)

I was a beta tester for Record and it was a pretty nice app.  My issue was
that it can't hose VSTs or DX fx.  I'm hooked on Reaper.

On Tue, Apr 20, 2010 at 3:00 AM, Buzap Buzap <buzap@gmx.net> wrote:

> Hey Luis
>
> > reaper certainly look nice,though i suppose is not full production read=
y
> > like logic with drum loops etc.which would be nice in doing quick demos
> > for other people.
> No, it's not, you'd have to get another package like i.e. Native
> Instruments Komplete. But it's very straightforward and stable which is a=
lso
> good for deadlines, I guess.
> For "ready for demo", Logic is really great. When writing new stuff, I
> first start putting together some Apple Loops and take it from there. Rea=
lly
> speeds up the process. (Ableton probably also very fast).
>
> > on the other hand i dont have much time to learn complicated software
> Then, give Propellerheads Record (+Reason) a try. It's really easy to use
> and has a nice integrated SSL mixing console :)
>
> best regards
> Buzap
> --
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>


--=20
-=3D=3D-=3D-=3D-
Tony

--0050450141bf23de880484ab3cf6
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

&gt;Then, give Propellerheads Record (+Reason) a try. It&#39;s really easy =
to=20
use and has a &gt;nice integrated SSL mixing console :)<br><br>I was a beta=
 tester for Record and it was a pretty nice app.=A0 My issue was that it ca=
n&#39;t hose VSTs or DX fx.=A0 I&#39;m hooked on Reaper.=A0 <br><br><div cl=
ass=3D"gmail_quote">
On Tue, Apr 20, 2010 at 3:00 AM, Buzap Buzap <span dir=3D"ltr">&lt;<a href=
=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt;</span> wrote:<br><blockquot=
e class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1p=
x solid rgb(204, 204, 204); padding-left: 1ex;">
Hey Luis<br>
<div class=3D"im"><br>
&gt; reaper certainly look nice,though i suppose is not full production rea=
dy<br>
&gt; like logic with drum loops etc.which would be nice in doing quick demo=
s<br>
&gt; for other people.<br>
</div>No, it&#39;s not, you&#39;d have to get another package like i.e. Nat=
ive Instruments Komplete. But it&#39;s very straightforward and stable whic=
h is also good for deadlines, I guess.<br>
For &quot;ready for demo&quot;, Logic is really great. When writing new stu=
ff, I first start putting together some Apple Loops and take it from there.=
 Really speeds up the process. (Ableton probably also very fast).<br>
<div class=3D"im"><br>
&gt; on the other hand i dont have much time to learn complicated software<=
br>
</div>Then, give Propellerheads Record (+Reason) a try. It&#39;s really eas=
y to use and has a nice integrated SSL mixing console :)<br>
<div><div></div><div class=3D"h5"><br>
best regards<br>
Buzap<br>
--<br>
GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>
Jetzt freischalten unter <a href=3D"http://portal.gmx.net/de/go/maxdome01" =
target=3D"_blank">http://portal.gmx.net/de/go/maxdome01</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D=
-=3D- <br>Tony<br>

--0050450141bf23de880484ab3cf6--

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Date: Tue, 20 Apr 2010 09:42:04 -0400
Message-ID: <o2zd1dcce561004200642j11dc899cl6e58d882e8a5b1c6@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0016e647665635e8900484ab3ee9
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--0016e647665635e8900484ab3ee9
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HOST not HOSE. sheesh.  Not enough coffee yet. :)

On Tue, Apr 20, 2010 at 9:41 AM, Tony K <bigtonyk@gmail.com> wrote:

> >Then, give Propellerheads Record (+Reason) a try. It's really easy to us=
e
> and has a >nice integrated SSL mixing console :)
>
> I was a beta tester for Record and it was a pretty nice app.  My issue wa=
s
> that it can't hose VSTs or DX fx.  I'm hooked on Reaper.
>
> On Tue, Apr 20, 2010 at 3:00 AM, Buzap Buzap <buzap@gmx.net> wrote:
>
>> Hey Luis
>>
>> > reaper certainly look nice,though i suppose is not full production rea=
dy
>> > like logic with drum loops etc.which would be nice in doing quick demo=
s
>> > for other people.
>> No, it's not, you'd have to get another package like i.e. Native
>> Instruments Komplete. But it's very straightforward and stable which is =
also
>> good for deadlines, I guess.
>> For "ready for demo", Logic is really great. When writing new stuff, I
>> first start putting together some Apple Loops and take it from there. Re=
ally
>> speeds up the process. (Ableton probably also very fast).
>>
>> > on the other hand i dont have much time to learn complicated software
>> Then, give Propellerheads Record (+Reason) a try. It's really easy to us=
e
>> and has a nice integrated SSL mixing console :)
>>
>> best regards
>> Buzap
>> --
>> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
>> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>>
>>
>
>
> --
> -=3D=3D-=3D-=3D-
> Tony
>



--=20
-=3D=3D-=3D-=3D-
Tony

--0016e647665635e8900484ab3ee9
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

HOST not HOSE. sheesh.=A0 Not enough coffee yet. :)<br><br><div class=3D"gm=
ail_quote">On Tue, Apr 20, 2010 at 9:41 AM, Tony K <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:bigtonyk@gmail.com">bigtonyk@gmail.com</a>&gt;</span> wrote=
:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>&gt;Then, give Propellerheads Record (+Reason) a try. It&#39;s really easy=
 to=20
use and has a &gt;nice integrated SSL mixing console :)<br><br></div>I was =
a beta tester for Record and it was a pretty nice app.=A0 My issue was that=
 it can&#39;t hose VSTs or DX fx.=A0 I&#39;m hooked on Reaper.=A0 <br><div>=
<div>
</div><div class=3D"h5"><br><div class=3D"gmail_quote">
On Tue, Apr 20, 2010 at 3:00 AM, Buzap Buzap <span dir=3D"ltr">&lt;<a href=
=3D"mailto:buzap@gmx.net" target=3D"_blank">buzap@gmx.net</a>&gt;</span> wr=
ote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8e=
x; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

Hey Luis<br>
<div><br>
&gt; reaper certainly look nice,though i suppose is not full production rea=
dy<br>
&gt; like logic with drum loops etc.which would be nice in doing quick demo=
s<br>
&gt; for other people.<br>
</div>No, it&#39;s not, you&#39;d have to get another package like i.e. Nat=
ive Instruments Komplete. But it&#39;s very straightforward and stable whic=
h is also good for deadlines, I guess.<br>
For &quot;ready for demo&quot;, Logic is really great. When writing new stu=
ff, I first start putting together some Apple Loops and take it from there.=
 Really speeds up the process. (Ableton probably also very fast).<br>
<div><br>
&gt; on the other hand i dont have much time to learn complicated software<=
br>
</div>Then, give Propellerheads Record (+Reason) a try. It&#39;s really eas=
y to use and has a nice integrated SSL mixing console :)<br>
<div><div></div><div><br>
best regards<br>
Buzap<br>
--<br>
GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>
Jetzt freischalten unter <a href=3D"http://portal.gmx.net/de/go/maxdome01" =
target=3D"_blank">http://portal.gmx.net/de/go/maxdome01</a><br>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br=
>-=3D=3D-=3D-=3D- <br><font color=3D"#888888">Tony<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--0016e647665635e8900484ab3ee9--

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Date: Tue, 20 Apr 2010 15:48:06 +0200
Message-ID: <i2k66f9cc1e1004200648jf0f62c23n67772720727d0f0@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Per Boysen <perboysen@gmail.com>
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On Tue, Apr 20, 2010 at 3:42 PM, Tony K <bigtonyk@gmail.com> wrote:
> HOST not HOSE. sheesh.=C2=A0 Not enough coffee yet. :)

better rig that hose to bring in the coffee ;-))

per

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 13:49:12 2010
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Last night I witnessed a Firewire disconnection make a reboot
necessary on a mac. Using a mains powered interface.
That's what prompted my comment.

Manufacturers warn not to hot plug Firewire.

I think I may have done it a couple of times tho' ;-)

andy


Per Boysen wrote:
 
> You're right regarding most Windows only computer hardware. On Apple
> machines there is a more sturdy Firewire plug and jack. 
>  when feeding power
> externally (not through the Firewire cable) the OS will not lose sight
> of the Firewire unit even if the Firewire cable should fall out and
> you put it back into the jack. (WARNING! This does not apply to hard
> drives - only audio interfaces)
> 

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	 <z2y66f9cc1e1004200412r3ea9b486l405a309a6d8f4820@mail.gmail.com>
	 <4BCDB0C6.8000600@tiscali.co.uk>
Date: Tue, 20 Apr 2010 16:00:22 +0200
Message-ID: <u2o66f9cc1e1004200700j3e24b9cep3984f194fd6d5298@mail.gmail.com>
Subject: Re: Firewire vs USB
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Interesting. Maybe this works differently with different brands of
audio interfaces? My RME usually catches up on-the-fly after a fw
cable drop-out.

Per


On Tue, Apr 20, 2010 at 3:48 PM, andy butler <akbutler@tiscali.co.uk> wrote=
:
>
>
> Last night I witnessed a Firewire disconnection make a reboot
> necessary on a mac. Using a mains powered interface.
> That's what prompted my comment.
>
> Manufacturers warn not to hot plug Firewire.
>
> I think I may have done it a couple of times tho' ;-)
>
> andy
>
>
> Per Boysen wrote:
>
>> You're right regarding most Windows only computer hardware. On Apple
>> machines there is a more sturdy Firewire plug and jack. =C2=A0when feedi=
ng
>> power
>> externally (not through the Firewire cable) the OS will not lose sight
>> of the Firewire unit even if the Firewire cable should fall out and
>> you put it back into the jack. (WARNING! This does not apply to hard
>> drives - only audio interfaces)
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 14:15:49 2010
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Subject: re:What Electronica is Inspiring your L
From: Loaf citious <loafcitious@gmail.com>
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Rick,

Although I don't think it's influencing me in a "group"
term and I'm mainly looping percussion at the moment,
I have to say 2 of my biggest influences have to be
The Orb and Orbital.  Always a confusing topic when
I'm talking to people who aren't really into the genre.

"Sea Biscut" by Orbital is my 'top 10 deserted island'
type lists. Can not get enough of it - I value it as high
as Coltrane's Lush Life (album) - it's just amazing.
I know those two have nothing in common - I guess
I was just trying to find something else I value as much. hmmm.....I
think I need some more Orbital albums.

And I like just about everything from The Orb - their music is fun;
one min it's a beautiful ambient landscape and the next it's got some
heavy drum groove, and you don't really know how it got there. Then,
just like you got there you're back floating in the ambience - some
brilliant stuff.

The only time I've ever made it to EU I saw a flyer in Hamburg, The
Orb was playing a concert in two days time; I was flying home in one -
I still remember punching the wall in the subway (tube?) and yelling
"No....!".
Andy G

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 14:21:44 2010
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Subject: Re: Convert volume pedal to midi via Max/MSP (Krispen?)
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Date: Tue, 20 Apr 2010 07:21:42 -0700
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Hi there,

Actually that's a technique that Jeff Kaiser has used for years.

I don't think he's on the list currently.

You might try him at <admin@pfmentum.com>

He uses a MOTU Ultralite inteface and some of the extra inputs and =20
outputs to hook up a number of expression pedals to control MAX/MSP =20
parameters.

I don't know much about it myself (haven't done the laptop thing yet) =20=

but Jeff is a close pal and we've been doing music together for a =20
couple of decades.

Drop him a line and tell him I say "Hi!".

Best,

Ted

On Apr 20, 2010, at 4:40 AM, Buzap Buzap wrote:

> Hi folks
>
> somebody posted a solution where you'd connect a simple volume pedal =20=

> to an audio interface I/O and it would translate that directly to =20
> midi (0..127) automatically. I believe it was a simple Max/MSP patch.
>
> Does anybody have this? For Mac?
> I thought it was Krispen. But I guess he's probably off enjoying his =20=

> solo guitar - while the rest of us is still fiddling with their =20
> loopers ;-)
>
> Seriuosly, it would be a great help and much cheaper than getting a =20=

> StealthPedal.
>
> thanks
> Buzap
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 15:13:41 2010
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Subject: Re: Electrix Repeater CF-Card - technical parameters
Date: Tue, 20 Apr 2010 11:13:13 -0400
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THANX  FLORIAN
On 19-Apr-10, at 3:56 AM, Florian Anwander wrote:

> Hello Chris
>
> chris hutton schrieb:
>> how large was the card you purchased?
> 512 MB
>
> Florian
>

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 15:22:57 2010
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Date: Tue, 20 Apr 2010 11:22:55 -0400
Message-ID: <w2n9e0440a61004200822o64f1269ax7fac4f05fb71656c@mail.gmail.com>
Subject: Re: An interview I did
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--e0cb4e8878b9e600490484aca687
Content-Type: text/plain; charset=ISO-8859-1

Matt congratulations on this, really great and good for the community.

Jim

On Tue, Apr 20, 2010 at 8:41 AM, Matt Stevens <
mattstevensguitar@btinternet.com> wrote:

> Hey guys
>
> There is an interview I did here - I mentioned quite a few of the LD
> community and talked about looping.
>
> http://iheartguitarblog.com/2010/04/interview-matt-stevens.html
>
> Ta!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>


-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--e0cb4e8878b9e600490484aca687
Content-Type: text/html; charset=ISO-8859-1
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Matt congratulations on this, really great and good for the community.<br><=
br>Jim<br><br><div class=3D"gmail_quote">On Tue, Apr 20, 2010 at 8:41 AM, M=
att Stevens <span dir=3D"ltr">&lt;<a href=3D"mailto:mattstevensguitar@btint=
ernet.com">mattstevensguitar@btinternet.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div style=3D"wor=
d-wrap: break-word;">
Hey guys=A0<div><br></div><div>There is an interview I did here - I mention=
ed quite a few of the LD community and talked about looping.</div><div><br>=
</div><div><a href=3D"http://iheartguitarblog.com/2010/04/interview-matt-st=
evens.html" target=3D"_blank">http://iheartguitarblog.com/2010/04/interview=
-matt-stevens.html</a></div>
<div><br></div><div>Ta!<br><font color=3D"#888888"><br><div> <span style=3D=
"font-size: 12px;"><div>Matt Stevens</div><div><a href=3D"http://www.mattst=
evensguitar.com" target=3D"_blank">www.mattstevensguitar.com</a></div><div>=
<a href=3D"mailto:mattstevensguitar@btinternet.com" target=3D"_blank">matts=
tevensguitar@btinternet.com</a></div>
<div><br></div></span><br><br> </div><br></font></div></div></blockquote></=
div><br><br clear=3D"all"><br>-- <br>Websites<br><a href=3D"http://www.jimg=
oodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapa=
intingmusic.com">www.chinapaintingmusic.com</a><br>
<br>Downloads/CD&#39;s<br><a href=3D"http://jimgoodin.bandcamp.com">jimgood=
in.bandcamp.com</a><br><a href=3D"http://digitsignal.bandcamp.com">digitsig=
nal.bandcamp.com</a><br><a href=3D"http://jimgoodinpeterthorn.bandcamp.com"=
>jimgoodinpeterthorn.bandcamp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--e0cb4e8878b9e600490484aca687--

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Subject: Re: An interview I did
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To be honest i could have named virtually anyone on here, so much  
inspiration here.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 20 Apr 2010, at 16:22, Jim Goodin wrote:

> Matt congratulations on this, really great and good for the community.
>
> Jim
>
> On Tue, Apr 20, 2010 at 8:41 AM, Matt Stevens  
> <mattstevensguitar@btinternet.com> wrote:
> Hey guys
>
> There is an interview I did here - I mentioned quite a few of the  
> LD community and talked about looping.
>
> http://iheartguitarblog.com/2010/04/interview-matt-stevens.html
>
> Ta!
>
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>
>
>
>
>
>
>
> -- 
> Websites
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
>
> Downloads/CD's
> jimgoodin.bandcamp.com
> digitsignal.bandcamp.com
> jimgoodinpeterthorn.bandcamp.com
>
> Live Channels
> www.livestream.com/jimgoodinlive
> www.livestream.com/digitsignallive


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
To be honest i could have named virtually anyone on here, so much =
inspiration here.<div>&nbsp;<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 20 Apr 2010, =
at 16:22, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Matt =
congratulations on this, really great and good for the =
community.<br><br>Jim<br><br><div class=3D"gmail_quote">On Tue, Apr 20, =
2010 at 8:41 AM, Matt Stevens <span dir=3D"ltr">&lt;<a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;"><div style=3D"word-wrap: break-word;"> Hey =
guys&nbsp;<div><br></div><div>There is an interview I did here - I =
mentioned quite a few of the LD community and talked about =
looping.</div><div><br></div><div><a =
href=3D"http://iheartguitarblog.com/2010/04/interview-matt-stevens.html" =
target=3D"_blank">http://iheartguitarblog.com/2010/04/interview-matt-steve=
ns.html</a></div> <div><br></div><div>Ta!<br><font =
color=3D"#888888"><br><div> <span style=3D"font-size: 12px;"><div>Matt =
Stevens</div><div><a href=3D"http://www.mattstevensguitar.com" =
target=3D"_blank">www.mattstevensguitar.com</a></div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com" =
target=3D"_blank">mattstevensguitar@btinternet.com</a></div> =
<div><br></div></span><br><br> =
</div><br></font></div></div></blockquote></div><br><br =
clear=3D"all"><br>-- <br>Websites<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br> <br>Downloads/CD's<br><a =
href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><=
a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandc=
amp.com</a><br> <br>Live Channels<br><a =
href=3D"http://www.livestream.com/jimgoodinlive">www.livestream.com/jimgoo=
dinlive</a><br><a =
href=3D"http://www.livestream.com/digitsignallive">www.livestream.com/digi=
tsignallive</a><br></blockquote></div><br></div></body></html>=

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Subject: What electronica is inspiring you?
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I find I've been going back to a lot of my CDs from the German FAX label.


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial, helvetica, sans-serif;font-size:10pt;color:#0000ff;"><DIV>I find I've been going back to a lot of my CDs from the German FAX label.</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></div><br>

      </body></html>
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--000e0cd47ca2a7af540484ad4cfd
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I'm pretty much a lurker here, but enjoy everything I get a chance to read -
this is an awesome online community!

I am in the process of assembling a small acoustic looping rig for gigs and
open mics  and thought I'd bounce my plans off you guys for advice and
opinion.

My planned rig will be:

 Vocals + Guitar
        |
        v
Behringer 802 Mixer
        |
        |  Pre-Fader AUX Out
        v
    Line 6 M9
        |
        v
      Tuner
        |
        v
Digitech JamMan Solo
        |
        |  AUX Return
        v
      Mixer
        |
        v
    Amp / FOH


I think my only point of concern right now is the mixer - I have the
Behringer 802, but have thought about a smaller footprint and/or simpler
solution.

My end goal here is portability... I will use for band gigs, but I also want
to be able to quickly plug in as a participant in open mics, assuming this
all is in a small pedalboard.

My plan in the latter case is hop on-stage and quickly route the house mic
through my rig, plug in my guitar and then use the existing house guitar
connection as my mixer's out to the FOH (and with that comes a whole other
set of issues in making sure everything is at proper volume levels).

Make sense?   Any recommendations, advise, criticisms?

Thanks!
drew

--000e0cd47ca2a7af540484ad4cfd
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospace">=
I&#39;m pretty much a lurker here, but enjoy everything I get a chance to r=
ead - this is an awesome online community!</font><div><font class=3D"Apple-=
style-span" face=3D"&#39;courier new&#39;, monospace"><br>

</font></div><div><font class=3D"Apple-style-span" face=3D"&#39;courier new=
&#39;, monospace">I am in the process of assembling a small acoustic loopin=
g rig for gigs and open mics =A0and thought I&#39;d bounce my plans off you=
 guys for advice and opinion. =A0=A0</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace"><br></font></div><div><font class=3D"Apple-style-span" face=3D"&#39;co=
urier new&#39;, monospace">My planned rig will be:</font></div><div><font c=
lass=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospace"><br>

</font></div><div><font class=3D"Apple-style-span" face=3D"&#39;courier new=
&#39;, monospace">=A0Vocals + Guitar</font></div><div><font class=3D"Apple-=
style-span" face=3D"&#39;courier new&#39;, monospace">=A0=A0 =A0 =A0 =A0|</=
font></div><div>

<span class=3D"Apple-style-span" style=3D"font-family: &#39;courier new&#39=
;, monospace; ">=A0=A0 =A0 =A0 =A0v =A0 =A0 =A0=A0</span></div><div><font c=
lass=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospace">Behring=
er 802 Mixer</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace">=A0=A0 =A0 =A0 =A0| =A0</font></div><div><font class=3D"Apple-style-sp=
an" face=3D"&#39;courier new&#39;, monospace">=A0=A0 =A0 =A0 =A0| =A0Pre-Fa=
der AUX Out=A0</font></div><div>

<font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospace">=
=A0=A0 =A0 =A0 =A0v</font></div><div><font class=3D"Apple-style-span" face=
=3D"&#39;courier new&#39;, monospace">=A0=A0 =A0Line 6 M9</font></div><div>=
<font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospace">=
=A0=A0 =A0 =A0 =A0|</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace">=A0=A0 =A0 =A0 =A0v</font></div><div><font class=3D"Apple-style-span" =
face=3D"&#39;courier new&#39;, monospace">=A0=A0 =A0 =A0Tuner</font></div><=
div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospa=
ce">=A0=A0 =A0 =A0 =A0|</font></div>

<div><span class=3D"Apple-style-span" style=3D"font-family: &#39;courier ne=
w&#39;, monospace; ">=A0=A0 =A0 =A0 =A0v</span></div><div><font class=3D"Ap=
ple-style-span" face=3D"&#39;courier new&#39;, monospace">Digitech JamMan S=
olo</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace">=A0=A0 =A0 =A0 =A0|</font></div><div><font class=3D"Apple-style-span" =
face=3D"&#39;courier new&#39;, monospace"><span class=3D"Apple-style-span" =
style=3D"font-family: arial; "><div>

<font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospace">=
=A0=A0 =A0 =A0 =A0| =A0AUX Return</font></div><div><font class=3D"Apple-sty=
le-span" face=3D"&#39;courier new&#39;, monospace">=A0=A0 =A0 =A0 =A0v</fon=
t></div></span></font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace">=A0=A0 =A0 =A0Mixer =A0</font></div><div><font class=3D"Apple-style-sp=
an" face=3D"&#39;courier new&#39;, monospace">=A0=A0 =A0 =A0 =A0|</font></d=
iv><div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, mon=
ospace">=A0=A0 =A0 =A0 =A0v</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace">=A0=A0 =A0Amp / FOH</font></div><div><font class=3D"Apple-style-span" =
face=3D"&#39;courier new&#39;, monospace"><br></font></div><div><font class=
=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monospace"><br>

</font></div><div><font class=3D"Apple-style-span" face=3D"&#39;courier new=
&#39;, monospace">I think my only point of concern right now is the mixer -=
 I have the Behringer 802, but have thought about a smaller footprint and/o=
r simpler solution.</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace"><br></font></div><div><font class=3D"Apple-style-span" face=3D"&#39;co=
urier new&#39;, monospace">My end goal here is portability... I will use fo=
r band gigs, but I also want to be able to quickly plug in as a participant=
 in open mics, assuming this all is in a small pedalboard.</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace"><br></font></div><div><font class=3D"Apple-style-span" face=3D"&#39;co=
urier new&#39;, monospace">My plan in the latter case is hop on-stage and q=
uickly route the house mic through my rig, plug in my guitar and then use t=
he existing house guitar connection as my mixer&#39;s out to the FOH (and w=
ith that comes a whole other set of issues in making sure everything is at =
proper volume levels). =A0</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace"><br></font></div><div><font class=3D"Apple-style-span" face=3D"&#39;co=
urier new&#39;, monospace">Make sense? =A0 Any recommendations, advise, cri=
ticisms?</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace"><br></font></div><div><font class=3D"Apple-style-span" face=3D"&#39;co=
urier new&#39;, monospace">Thanks!</font></div><div><font class=3D"Apple-st=
yle-span" face=3D"&#39;courier new&#39;, monospace">drew</font></div>

<div><font class=3D"Apple-style-span" face=3D"&#39;courier new&#39;, monosp=
ace"><br></font></div>

--000e0cd47ca2a7af540484ad4cfd--

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Date: Tue, 20 Apr 2010 09:20:11 -0700
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Subject: Re: What Electronica is Inspiring your Looping
From: Matt Davignon <mattdavignon@gmail.com>
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RAPOON
This is Robin Storey's project after Zoviet France disbanded. He's
really good at making repetitive loops sound not so repetitive. Often
it's loops of "world music" percussion along with drones. Good discs
are "I am a foreigner", "Tin of Drum" and "Cold War Drum n Bass"

TUJIKO NORIKO
A Japanese woman living in Paris, who makes ballads out of chunky
glitch music. As weird as anything by Oval, but also very pretty.

ALOG / PHONOPHANI
Alog is a Norwegian duo, and Phonophani is the solo project of one of
the members. It's instrumental, electronic glitch music, but with very
expressive, almost vocal-like elements. The Alog disc "Duck Rabbit" is
excellent, as well as the Phonophani disc "Genetic Engineering".

KLAUS SCHULZE
A recent inspiration - he's one of the original "Space Music" people.
He did lots of 20 minute compositions in the 70s for synths and tape
machines. Check out discs like "Moondawn" and "Picture Music".

ATOM TM
This guy is hard to find, because almost every disc he releases is
under a different band name. Highly recommended projects of his:
Geeez N Gosh (glitch gospel)
Flanger (glitch jazz)
Midisport (glitch Brazilian tropicalismo)
Los Samplers (very damaged glitch Latin music)
Senor Coconut "Yellow Fever" (mambo covers of Yellow Magic Orchestra)

--=20
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt


On Tue, Apr 20, 2010 at 12:20 AM, Rick Walker <looppool@cruzio.com> wrote:
> Clifford Novey wrote:
> ".......No I liked it- check out bands like RADIAN and LOSCIL and LOESS f=
or
> other examples of glitch rhythms."
>
>
> Hey Clifford,
> thanks a lot for the recommendations. =A0I hadn't heard any of these grou=
ps
> and am having a wonderful night
> listening to them on Rhapsody (Loscil and Loess are both here) =A0and
> LastFM.com =A0(Radian)
>
> I was just thinking that it would be cool to find out what everyone is
> listening to in the world
> of electronica that is having an influence on the music they are making a=
nd
> the loops they are creating.
>
>
> I'll just mention things I"ve deeply loved in the past 10 years or so to =
get
> the ball rolling.
> Most of this stuff is in the Abstract Electronica category (though Loess
> fits in perfectly
> with some of this stuff). =A0 =A0A lot of it is also 10 years old now (if=
 not
> more) =A0but I just loved
> this phase of composition in electronica and it's really deeply influence=
d
> my own work.
>
> APHEX TWIN =A0 =A0A wonderful and incredibly inventive artist but for me,=
 the
> Desert Island Disc is
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0"Selected Ambient =
Works, =A0Volume 2" =A0 which
> though it has ambient elements is NOT an ambient
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0record. =A0 =A0His=
 'remix' track on a Nine Inch Nails
> EP singlehandely made me stop playing
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0World Beat music, =
buy a computer and start an
> entirely new musical life back in '99. =A0It wasn't
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0really a remix at =
all. =A0Trent Reznor sent him
> tracks to remix, =A0he didn't like anything he heard so
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 he just sent him in o=
ne of his own tracks.
> Reznor liked it so much that he put it on the EP.
> AUTECHRE =A0 =A0 =A0I think an early one of their's =A0 "Tri Repetae" =A0=
is a
> masterpiece
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0(I appreciate everything the'v=
e done but they got
> glitchier and glitchier
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 in recent projects and furthe=
r away from traditional
> musical form which just isn't my thing).
>
> BOARDS of CANADA =A0 =A0There first three lps I just love..........I'm no=
t as
> into their last
> =A0 =A0 (and they've slowed down in recent years)
> BOLA =A0 =A0 =A0They have many lps and eps but their first =A0'Soup' =A0i=
s still my
> favorite
>
> FOUR TET =A0 =A0 =A0 =A0 Almost everything I've heard I like by this guy.=
 =A0He uses a
> lot of real instruments in the mix of his electronics.
>
> TO ROCOCO ROT =A0 =A0"Hotel Morgen" =A0 =A0 =A0 "The Amateur View" =A0 an=
d "Music is a
> Hungry Ghost" (the latter a collaboration with i-sound)
> TRENTE MOLLER =A0 =A0Probably the most commercial of these releases. =A0I=
 just
> love "The Last Resort". =A0 =A0He was a successful
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Dance prod=
ucer and delivered this record to
> his record company with nothing remotely danceable
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0on it. =A0=
I believe it was the first non dance
> electronica record to hit number one on the electronic music charts
> TWINE =A0 =A0 =A0 =A0 =A0 =A0 "Violets"
> WAUVENFOLD =A0 =A0"3Fold"
>
> okay, =A0that's enough for now...............I've been inspired by dozens=
 of
> things in different genres but these are some of my
> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0favorite p=
urely electronica listens.
>
> Rick Walker
>
>

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Acoustic Looping Rig
Date: Tue, 20 Apr 2010 17:23:06 +0100
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Depends how complicated you want to go - you could do it all with a  
line 6 m13?

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 20 Apr 2010, at 17:08, Andy Roberts wrote:

> I'm pretty much a lurker here, but enjoy everything I get a chance  
> to read - this is an awesome online community!
>
> I am in the process of assembling a small acoustic looping rig for  
> gigs and open mics  and thought I'd bounce my plans off you guys  
> for advice and opinion.
>
> My planned rig will be:
>
>  Vocals + Guitar
>         |
>         v
> Behringer 802 Mixer
>         |
>         |  Pre-Fader AUX Out
>         v
>     Line 6 M9
>         |
>         v
>       Tuner
>         |
>         v
> Digitech JamMan Solo
>         |
>         |  AUX Return
>         v
>       Mixer
>         |
>         v
>     Amp / FOH
>
>
> I think my only point of concern right now is the mixer - I have  
> the Behringer 802, but have thought about a smaller footprint and/ 
> or simpler solution.
>
> My end goal here is portability... I will use for band gigs, but I  
> also want to be able to quickly plug in as a participant in open  
> mics, assuming this all is in a small pedalboard.
>
> My plan in the latter case is hop on-stage and quickly route the  
> house mic through my rig, plug in my guitar and then use the  
> existing house guitar connection as my mixer's out to the FOH (and  
> with that comes a whole other set of issues in making sure  
> everything is at proper volume levels).
>
> Make sense?   Any recommendations, advise, criticisms?
>
> Thanks!
> drew
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Depends how complicated you want to go - you could do it all with a line =
6 m13?<div><br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 20 Apr 2010, =
at 17:08, Andy Roberts wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><font =
class=3D"Apple-style-span" face=3D"'courier new', monospace">I'm pretty =
much a lurker here, but enjoy everything I get a chance to read - this =
is an awesome online community!</font><div><font =
class=3D"Apple-style-span" face=3D"'courier new', monospace"><br> =
</font></div><div><font class=3D"Apple-style-span" face=3D"'courier =
new', monospace">I am in the process of assembling a small acoustic =
looping rig for gigs and open mics &nbsp;and thought I'd bounce my plans =
off you guys for advice and opinion. &nbsp;&nbsp;</font></div> =
<div><font class=3D"Apple-style-span" face=3D"'courier new', =
monospace"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">My planned rig will =
be:</font></div><div><font class=3D"Apple-style-span" face=3D"'courier =
new', monospace"><br> </font></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">&nbsp;Vocals + =
Guitar</font></div><div><font class=3D"Apple-style-span" face=3D"'courier =
new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div><div> =
<span class=3D"Apple-style-span" style=3D"font-family: 'courier new', =
monospace; ">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v &nbsp; &nbsp; =
&nbsp;&nbsp;</span></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">Behringer 802 Mixer</font></div> =
<div><font class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| =
&nbsp;</font></div><div><font class=3D"Apple-style-span" face=3D"'courier =
new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| &nbsp;Pre-Fader AUX =
Out&nbsp;</font></div><div> <font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; =
&nbsp;v</font></div><div><font class=3D"Apple-style-span" face=3D"'courier=
 new', monospace">&nbsp;&nbsp; &nbsp;Line 6 M9</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div> <div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp;Tuner</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div> <div><span =
class=3D"Apple-style-span" style=3D"font-family: 'courier new', =
monospace; ">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</span></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', monospace">Digitech =
JamMan Solo</font></div> <div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; =
&nbsp;|</font></div><div><font class=3D"Apple-style-span" face=3D"'courier=
 new', monospace"><span class=3D"Apple-style-span" style=3D"font-family: =
arial; "><div> <font class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| &nbsp;AUX =
Return</font></div><div><font class=3D"Apple-style-span" face=3D"'courier =
new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; =
&nbsp;v</font></div></span></font></div> <div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp;Mixer &nbsp;</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></div> <div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">&nbsp;&nbsp; &nbsp;Amp / FOH</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace"><br> </font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', monospace">I think my =
only point of concern right now is the mixer - I have the Behringer 802, =
but have thought about a smaller footprint and/or simpler =
solution.</font></div> <div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace"><br></font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', monospace">My end goal =
here is portability... I will use for band gigs, but I also want to be =
able to quickly plug in as a participant in open mics, assuming this all =
is in a small pedalboard.</font></div> <div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">My plan in the latter case is hop =
on-stage and quickly route the house mic through my rig, plug in my =
guitar and then use the existing house guitar connection as my mixer's =
out to the FOH (and with that comes a whole other set of issues in =
making sure everything is at proper volume levels). &nbsp;</font></div> =
<div><font class=3D"Apple-style-span" face=3D"'courier new', =
monospace"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">Make sense? &nbsp; Any =
recommendations, advise, criticisms?</font></div> <div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace"><br></font></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">Thanks!</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', =
monospace">drew</font></div> <div><font class=3D"Apple-style-span" =
face=3D"'courier new', =
monospace"><br></font></div></blockquote></div><br></div></body></html>=

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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: What Electronica is Inspiring your Looping
Date: Tue, 20 Apr 2010 17:24:39 +0100
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Aphex, Four Tet,Lextrical(who lurk around this list still i think)  
and the last Portishead album is a work of absolute genius.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 20 Apr 2010, at 17:20, Matt Davignon wrote:

> RAPOON
> This is Robin Storey's project after Zoviet France disbanded. He's
> really good at making repetitive loops sound not so repetitive. Often
> it's loops of "world music" percussion along with drones. Good discs
> are "I am a foreigner", "Tin of Drum" and "Cold War Drum n Bass"
>
> TUJIKO NORIKO
> A Japanese woman living in Paris, who makes ballads out of chunky
> glitch music. As weird as anything by Oval, but also very pretty.
>
> ALOG / PHONOPHANI
> Alog is a Norwegian duo, and Phonophani is the solo project of one of
> the members. It's instrumental, electronic glitch music, but with very
> expressive, almost vocal-like elements. The Alog disc "Duck Rabbit" is
> excellent, as well as the Phonophani disc "Genetic Engineering".
>
> KLAUS SCHULZE
> A recent inspiration - he's one of the original "Space Music" people.
> He did lots of 20 minute compositions in the 70s for synths and tape
> machines. Check out discs like "Moondawn" and "Picture Music".
>
> ATOM TM
> This guy is hard to find, because almost every disc he releases is
> under a different band name. Highly recommended projects of his:
> Geeez N Gosh (glitch gospel)
> Flanger (glitch jazz)
> Midisport (glitch Brazilian tropicalismo)
> Los Samplers (very damaged glitch Latin music)
> Senor Coconut "Yellow Fever" (mambo covers of Yellow Magic Orchestra)
>
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
>
> On Tue, Apr 20, 2010 at 12:20 AM, Rick Walker <looppool@cruzio.com>  
> wrote:
>> Clifford Novey wrote:
>> ".......No I liked it- check out bands like RADIAN and LOSCIL and  
>> LOESS for
>> other examples of glitch rhythms."
>>
>>
>> Hey Clifford,
>> thanks a lot for the recommendations.  I hadn't heard any of these  
>> groups
>> and am having a wonderful night
>> listening to them on Rhapsody (Loscil and Loess are both here)  and
>> LastFM.com  (Radian)
>>
>> I was just thinking that it would be cool to find out what  
>> everyone is
>> listening to in the world
>> of electronica that is having an influence on the music they are  
>> making and
>> the loops they are creating.
>>
>>
>> I'll just mention things I"ve deeply loved in the past 10 years or  
>> so to get
>> the ball rolling.
>> Most of this stuff is in the Abstract Electronica category (though  
>> Loess
>> fits in perfectly
>> with some of this stuff).    A lot of it is also 10 years old now  
>> (if not
>> more)  but I just loved
>> this phase of composition in electronica and it's really deeply  
>> influenced
>> my own work.
>>
>> APHEX TWIN    A wonderful and incredibly inventive artist but for  
>> me, the
>> Desert Island Disc is
>>                            "Selected Ambient Works,  Volume 2"    
>> which
>> though it has ambient elements is NOT an ambient
>>                            record.    His 'remix' track on a Nine  
>> Inch Nails
>> EP singlehandely made me stop playing
>>                            World Beat music, buy a computer and  
>> start an
>> entirely new musical life back in '99.  It wasn't
>>                            really a remix at all.  Trent Reznor  
>> sent him
>> tracks to remix,  he didn't like anything he heard so
>>                           he just sent him in one of his own tracks.
>> Reznor liked it so much that he put it on the EP.
>> AUTECHRE      I think an early one of their's   "Tri Repetae"  is a
>> masterpiece
>>                      (I appreciate everything the've done but they  
>> got
>> glitchier and glitchier
>>                       in recent projects and further away from  
>> traditional
>> musical form which just isn't my thing).
>>
>> BOARDS of CANADA    There first three lps I just love..........I'm  
>> not as
>> into their last
>>     (and they've slowed down in recent years)
>> BOLA      They have many lps and eps but their first  'Soup'  is  
>> still my
>> favorite
>>
>> FOUR TET         Almost everything I've heard I like by this guy.   
>> He uses a
>> lot of real instruments in the mix of his electronics.
>>
>> TO ROCOCO ROT    "Hotel Morgen"       "The Amateur View"   and  
>> "Music is a
>> Hungry Ghost" (the latter a collaboration with i-sound)
>> TRENTE MOLLER    Probably the most commercial of these releases.   
>> I just
>> love "The Last Resort".    He was a successful
>>                                Dance producer and delivered this  
>> record to
>> his record company with nothing remotely danceable
>>                                on it.  I believe it was the first  
>> non dance
>> electronica record to hit number one on the electronic music charts
>> TWINE             "Violets"
>> WAUVENFOLD    "3Fold"
>>
>> okay,  that's enough for now...............I've been inspired by  
>> dozens of
>> things in different genres but these are some of my
>>                                favorite purely electronica listens.
>>
>> Rick Walker
>>
>>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Aphex, Four Tet,Lextrical(who lurk around this list still i think) and =
the last Portishead album is a work of absolute genius.<div><br><div> =
<span class=3D"Apple-style-span" style=3D"border-collapse: separate; =
color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; =
font-style: normal; font-variant: normal; font-weight: normal; =
letter-spacing: normal; line-height: normal; orphans: 2; text-align: =
auto; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 20 Apr 2010, =
at 17:20, Matt Davignon wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">RAPOON</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">This is Robin =
Storey's project after Zoviet France disbanded. He's</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">really good at making repetitive loops sound not so =
repetitive. Often</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">it's loops of "world music" =
percussion along with drones. Good discs</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">are "I =
am a foreigner", "Tin of Drum" and "Cold War Drum n Bass"</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">TUJIKO =
NORIKO</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">A Japanese woman living in =
Paris, who makes ballads out of chunky</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">glitch =
music. As weird as anything by Oval, but also very pretty.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">ALOG / =
PHONOPHANI</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Alog is a Norwegian duo, and =
Phonophani is the solo project of one of</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">the =
members. It's instrumental, electronic glitch music, but with =
very</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">expressive, almost vocal-like =
elements. The Alog disc "Duck Rabbit" is</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">excellent, as well as the Phonophani disc "Genetic =
Engineering".</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">KLAUS SCHULZE</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">A recent =
inspiration - he's one of the original "Space Music" people.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">He did lots of 20 minute compositions in the 70s for =
synths and tape</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">machines. Check out discs like =
"Moondawn" and "Picture Music".</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">ATOM TM</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">This guy is hard to find, because almost every disc =
he releases is</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">under a different band name. =
Highly recommended projects of his:</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Geeez N Gosh =
(glitch gospel)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Flanger (glitch jazz)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Midisport (glitch Brazilian tropicalismo)</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Los Samplers (very damaged glitch Latin =
music)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Senor Coconut "Yellow Fever" =
(mambo covers of Yellow Magic Orchestra)</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">--<span =
class=3D"Apple-converted-space">&nbsp;</span></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Davignon</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a =
href=3D"mailto:mattdavignon@gmail.com">mattdavignon@gmail.com</a></div><di=
v style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.ribosomemusic.com</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Rigs! <a =
href=3D"http://www.youtube.com/user/ribosomematt">www.youtube.com/user/rib=
osomematt</a></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">On Tue, =
Apr 20, 2010 at 12:20 AM, Rick Walker &lt;<a =
href=3D"mailto:looppool@cruzio.com">looppool@cruzio.com</a>&gt; =
wrote:</div> <blockquote type=3D"cite"><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Clifford =
Novey wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">".......No I liked it- check out =
bands like RADIAN and LOSCIL and LOESS for</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">other =
examples of glitch rhythms."</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hey Clifford,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">thanks a lot =
for the recommendations. &nbsp;I hadn't heard any of these =
groups</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">and am having a wonderful =
night</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">listening to them on Rhapsody =
(Loscil and Loess are both here) &nbsp;and</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">LastFM.com &nbsp;(Radian)</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I was just thinking that it =
would be cool to find out what everyone is</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">listening to in the world</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">of =
electronica that is having an influence on the music they are making =
and</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">the loops they are =
creating.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">I'll =
just mention things I"ve deeply loved in the past 10 years or so to =
get</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">the ball rolling.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Most of this stuff is in the Abstract Electronica =
category (though Loess</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">fits in perfectly</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">with some of this stuff). &nbsp; &nbsp;A lot of it =
is also 10 years old now (if not</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">more) =
&nbsp;but I just loved</div><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">this phase of composition =
in electronica and it's really deeply influenced</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">my own work.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">APHEX TWIN &nbsp; &nbsp;A =
wonderful and incredibly inventive artist but for me, the</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Desert Island Disc is</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">&nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp;"Selected Ambient Works, &nbsp;Volume 2" &nbsp; =
which</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">though it has ambient elements =
is NOT an ambient</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;record. &nbsp; &nbsp;His 'remix' track on a Nine Inch =
Nails</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">EP singlehandely made me stop =
playing</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;World Beat music, buy a computer and start an</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">entirely new musical life back in '99. &nbsp;It =
wasn't</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp;really a remix at all. &nbsp;Trent Reznor sent him</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">tracks to remix, &nbsp;he didn't like anything he =
heard so</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; he just =
sent him in one of his own tracks.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Reznor liked =
it so much that he put it on the EP.</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">AUTECHRE =
&nbsp; &nbsp; &nbsp;I think an early one of their's &nbsp; "Tri Repetae" =
&nbsp;is a</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">masterpiece</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp;(I appreciate everything the've done but they =
got</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">glitchier and =
glitchier</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; in recent projects and =
further away from traditional</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">musical form =
which just isn't my thing).</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">BOARDS of CANADA &nbsp; =
&nbsp;There first three lps I just love..........I'm not as</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">into their last</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; =
(and they've slowed down in recent years)</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">BOLA =
&nbsp; &nbsp; &nbsp;They have many lps and eps but their first =
&nbsp;'Soup' &nbsp;is still my</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">favorite</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">FOUR TET &nbsp; &nbsp; &nbsp; &nbsp; Almost =
everything I've heard I like by this guy. &nbsp;He uses a</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">lot of real instruments in the mix of his =
electronics.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">TO ROCOCO ROT &nbsp; &nbsp;"Hotel Morgen" &nbsp; =
&nbsp; &nbsp; "The Amateur View" &nbsp; and "Music is a</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Hungry Ghost" (the latter a collaboration with =
i-sound)</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">TRENTE MOLLER &nbsp; =
&nbsp;Probably the most commercial of these releases. &nbsp;I =
just</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">love "The Last Resort". &nbsp; =
&nbsp;He was a successful</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp;Dance producer and delivered this record =
to</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">his record company with nothing remotely =
danceable</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp;on it. &nbsp;I believe it was the first non dance</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">electronica record to hit number one on the =
electronic music charts</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">TWINE &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; "Violets"</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">WAUVENFOLD &nbsp; &nbsp;"3Fold"</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">okay, =
&nbsp;that's enough for now...............I've been inspired by dozens =
of</div><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: =
0px; margin-left: 0px; ">things in different genres but these are some =
of my</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">&nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp;favorite purely electronica listens.</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Rick =
Walker</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> </blockquote><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div> =
</blockquote></div><br></div></body></html>=

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Subject: Re: What electronica is inspiring you?
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I recommend music beans

But then I would ;)

www.magicmusicbeans.co.uk

otherwise I am Robot and Proud is really good stuff

so is Pole, Dabrye, Icarus and Pilote and anything Notwist related

On 20 Apr 2010, at 16:40, david kirkdorffer wrote:

> I find I've been going back to a lot of my CDs from the German FAX  
> label.
>
>
>
>


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">I recommend music =
beans<div><br></div><div>But then I would ;)</div><div><br></div><div><a =
href=3D"http://www.magicmusicbeans.co.uk/">www.magicmusicbeans.co.uk</a></=
div><div><br></div><div>otherwise I am Robot and Proud is really good =
stuff</div><div><br></div><div>so is Pole, Dabrye, Icarus and Pilote and =
anything Notwist related</div><div><br></div><div><div>On 20 Apr 2010, =
at 16:40, david kirkdorffer wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
0px; text-transform: none; white-space: normal; widows: 2; word-spacing: =
0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
font-family: arial, helvetica, sans-serif; font-size: 10pt; color: =
rgb(0, 0, 255); "><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">I find I've been going back to a =
lot of my CDs from the German FAX label.</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; =
">&nbsp;</div></div><br></div></span><br =
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Date: Tue, 20 Apr 2010 10:58:24 -0500
From: cpr@musetrap.com
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Subject: Re: What Electronica is Inspiring your Looping
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In my recent playlist has been Squarepusher, Younger Brother, =20
Prometheus, and and Four Tet..

And I'm very excited to be seeing Shpongle on the 30th.. :)

-cpr

Quoting Rick Walker <looppool@cruzio.com>:

> Clifford Novey wrote:
> ".......No I liked it- check out bands like RADIAN and LOSCIL and LOESS
> for other examples of glitch rhythms."
>
>
> Hey Clifford,  thanks a lot for the recommendations.  I hadn't heard
> any of these groups and am having a wonderful night
> listening to them on Rhapsody (Loscil and Loess are both here)  and
> LastFM.com  (Radian)
>
> I was just thinking that it would be cool to find out what everyone is
> listening to in the world
> of electronica that is having an influence on the music they are making
> and the loops they are creating.
>
>
> I'll just mention things I"ve deeply loved in the past 10 years or so
> to get the ball rolling.
> Most of this stuff is in the Abstract Electronica category (though
> Loess fits in perfectly
> with some of this stuff).    A lot of it is also 10 years old now (if
> not more)  but I just loved
> this phase of composition in electronica and it's really deeply
> influenced my own work.
>
> APHEX TWIN    A wonderful and incredibly inventive artist but for me,
> the Desert Island Disc is
>                             "Selected Ambient Works,  Volume 2"   which
> though it has ambient elements is NOT an ambient
>                             record.    His 'remix' track on a Nine Inch
> Nails EP singlehandely made me stop playing
>                             World Beat music, buy a computer and start
> an entirely new musical life back in '99.  It wasn't
>                             really a remix at all.  Trent Reznor sent
> him tracks to remix,  he didn't like anything he heard so
>                            he just sent him in one of his own tracks.
> Reznor liked it so much that he put it on the EP.
> AUTECHRE      I think an early one of their's   "Tri Repetae"  is a
> masterpiece
>                       (I appreciate everything the've done but they got
> glitchier and glitchier
>                        in recent projects and further away from
> traditional musical form which just isn't my thing).
>
> BOARDS of CANADA    There first three lps I just love..........I'm not
> as into their last
>      (and they've slowed down in recent years)
> BOLA      They have many lps and eps but their first  'Soup'  is still
> my favorite
>
> FOUR TET         Almost everything I've heard I like by this guy.  He
> uses a lot of real instruments in the mix of his electronics.
>
> TO ROCOCO ROT    "Hotel Morgen"       "The Amateur View"   and "Music
> is a Hungry Ghost" (the latter a collaboration with i-sound)
> TRENTE MOLLER    Probably the most commercial of these releases.  I
> just love "The Last Resort".    He was a successful
>                                 Dance producer and delivered this
> record to his record company with nothing remotely danceable
>                                 on it.  I believe it was the first non
> dance electronica record to hit number one on the electronic music
> charts
> TWINE             "Violets"
> WAUVENFOLD    "3Fold"
>
> okay,  that's enough for now...............I've been inspired by dozens
> of things in different genres but these are some of my
>                                 favorite purely electronica listens.
>
> Rick Walker


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Date: Tue, 20 Apr 2010 10:49:11 -0700
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Subject: Re: What Electronica is Inspiring your Looping
From: Kevin Cheli-Colando <billowhead@gmail.com>
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Anyone else dig Mouse on Mars?

Kevin
>> I was just thinking that it would be cool to find out what everyone is
>> listening to in the world
>> of electronica that is having an influence on the music they are making
>> and the loops they are creating.
>>
-- 
Till now you seriously considered yourself to be the body and to have a
form. That is the primal ignorance which is the root cause of all trouble.

- Ramana Maharshi (1879-1950)

Sound and Vision:  http://www.minds-eye.org
Video http://www.vimeo.com/user877640/videos

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 18:24:15 2010
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Date: Tue, 20 Apr 2010 13:58:09 -0400 (EDT)
Subject: Re: What electronica is inspiring you?
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Does Loscil count as "Electronica"?  I've been listening to (and inspired
by!) a lot of Loscil lately.

Reminds me of a free netlabel album i got--maybe a recommendation from
this list?--by an act called "Zen Savauge", and the record was "Inconnue".
 Lovely.  Never tire of that one.

Not sure if those count as what folks mean by "Electronica" these days,
though.

Peter

______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom

Music's Inside...

http://www.RedSunSoundroom.com
peter AT RedSunSoundroom.com
______________________________


> I find I've been going back to a lot of my CDs from the German FAX label.
>
>
>




From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 20:20:09 2010
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	 <54049.66.162.182.108.1271786289.squirrel@www.redsunsoundroom.com>
Date: Tue, 20 Apr 2010 22:20:08 +0200
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Subject: Re: What electronica is inspiring you?
From: Per Boysen <perboysen@gmail.com>
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On Tue, Apr 20, 2010 at 7:58 PM, p koniuto <peter@redsunsoundroom.com> wrot=
e:
> Not sure if those count as what folks mean by "Electronica" these days,
> though.


LOL, I've never fully taken in that term either... so far. I do know
*electronic* and *electro acoustic* music, but what exactly is
"electronica" supposed to be? My closest guess - if looking at people
that use the word - would be electronic music that stick to steady
beats for rhythm and pop influenced repeated melody parts? Like Lali
Puna or R=C3=B6yksopp, both fav's of mine BTW.

Can't say that certain music inspires me more than other but among
music that is electronically produced and performed I enjoy listening
to original Trance (like Juno Reactor, not the later Trance Techno)
all the way through Goa, jungle, the German clicks-n-cuts stuff about
ten years ago and minimal inspired music like Robert Rich. I love
wicked dance techno too. Finally Dead Can Dance is a big favorite;
they moved into techno by the early nineties (but I liked them even
before that) and BTW I just heard that Brendan Perry's upcoming solo
album is produced "in the box" with only software instruments and
plugins.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 20:49:52 2010
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Date: Tue, 20 Apr 2010 13:49:50 -0700
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Subject: Re: What Electronica is Inspiring your Looping
From: Matt Davignon <mattdavignon@gmail.com>
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On Tue, Apr 20, 2010 at 9:24 AM, Matt Stevens was all:
> and the
> last Portishead album is a work of absolute genius.

It sure is, very different from their previous "trip hop" music, and
much more psychedelic. But at the same time, it expands on the
drowned-out film noir feel of the previous release. I realized after I
hit "send" that I should've included that one.

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 21:05:41 2010
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Loop Guru's Wisdom of the Idiots for some Indian grooves=3B=20
Kruder & Dormeister -The K& D Sessions -I assume that counts=2C for some ch=
ill out grooves=3B=20
Still dig Phaedra by Tangerine Dream -which may or may not count for "elect=
ronica" in the modern sense
Ulrich Schnauss' A Strangely Isolated Place is simple but beautiful=20

The Sensualists are ( or were) a local Portland based band that put out a g=
reat disc back in '99 that crossed electronica w/ happy=2C TomTomClub like =
music -loved her line "...nothing like making out in the shower"

Oh=2C yeah.

=20

J.D.Devros

deafrose58

=20
> Date: Tue=2C 20 Apr 2010 00:20:53 -0700
> From: looppool@cruzio.com
> To: Loopers-Delight@loopers-delight.com
> Subject: What Electronica is Inspiring your Looping
>=20
> Clifford Novey wrote:
> ".......No I liked it- check out bands like RADIAN and LOSCIL and LOESS=20
> for other examples of glitch rhythms."
>=20
>=20
> Hey Clifford=2C=20
>=20
> thanks a lot for the recommendations. I hadn't heard any of these=20
> groups and am having a wonderful night
> listening to them on Rhapsody (Loscil and Loess are both here) and=20
> LastFM.com (Radian)
>=20
> I was just thinking that it would be cool to find out what everyone is=20
> listening to in the world
> of electronica that is having an influence on the music they are making=20
> and the loops they are creating.
>=20
>=20
> I'll just mention things I"ve deeply loved in the past 10 years or so to=
=20
> get the ball rolling.
> Most of this stuff is in the Abstract Electronica category (though Loess=
=20
> fits in perfectly
> with some of this stuff). A lot of it is also 10 years old now (if=20
> not more) but I just loved
> this phase of composition in electronica and it's really deeply=20
> influenced my own work.
>=20
> APHEX TWIN A wonderful and incredibly inventive artist but for me=2C=20
> the Desert Island Disc is
> "Selected Ambient Works=2C Volume 2" which=20
> though it has ambient elements is NOT an ambient
> record. His 'remix' track on a Nine Inch=20
> Nails EP singlehandely made me stop playing
> World Beat music=2C buy a computer and start=20
> an entirely new musical life back in '99. It wasn't
> really a remix at all. Trent Reznor sent=20
> him tracks to remix=2C he didn't like anything he heard so
> he just sent him in one of his own tracks.=20
> Reznor liked it so much that he put it on the EP.
> AUTECHRE I think an early one of their's "Tri Repetae" is a=20
> masterpiece
> (I appreciate everything the've done but they got=20
> glitchier and glitchier
> in recent projects and further away from=20
> traditional musical form which just isn't my thing).
>=20
> BOARDS of CANADA There first three lps I just love..........I'm not=20
> as into their last
> (and they've slowed down in recent years)
> BOLA They have many lps and eps but their first 'Soup' is still=20
> my favorite
>=20
> FOUR TET Almost everything I've heard I like by this guy. He=20
> uses a lot of real instruments in the mix of his electronics.
>=20
> TO ROCOCO ROT "Hotel Morgen" "The Amateur View" and "Music is=20
> a Hungry Ghost" (the latter a collaboration with i-sound)
> TRENTE MOLLER Probably the most commercial of these releases. I just=20
> love "The Last Resort". He was a successful
> Dance producer and delivered this=20
> record to his record company with nothing remotely danceable
> on it. I believe it was the first non=20
> dance electronica record to hit number one on the electronic music charts
> TWINE "Violets"
> WAUVENFOLD "3Fold"
>=20
> okay=2C that's enough for now...............I've been inspired by dozens=
=20
> of things in different genres but these are some of my
> favorite purely electronica listens.
>=20
> Rick Walker
>=20


 		 	   		 =20
_________________________________________________________________
The New Busy is not the old busy. Search=2C chat and e-mail from your inbox=
.
http://www.windowslive.com/campaign/thenewbusy?ocid=3DPID28326::T:WLMTAGL:O=
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<body class=3D'hmmessage'>
Loop Guru's Wisdom of the Idiots&nbsp=3Bfor some Indian&nbsp=3Bgrooves=3B <=
BR>Kruder &amp=3B Dormeister -The K&amp=3B D Sessions -I assume that counts=
=2C for some chill out grooves=3B <BR>Still dig Phaedra by Tangerine Dream =
-which&nbsp=3Bmay or may not count for "electronica" in the modern sense<BR=
>Ulrich Schnauss' A Strangely Isolated Place is simple but beautiful <BR>
The Sensualists are ( or were) a local Portland based band that put&nbsp=3B=
out a great disc back in '99 that crossed electronica w/ happy=2C TomTomClu=
b like music -loved her line "...nothing like making out in the shower"<BR>
Oh=2C yeah.<BR>
&nbsp=3B<BR>
J.D.Devros<BR>
deafrose58<BR><BR>&nbsp=3B<BR>&gt=3B Date: Tue=2C 20 Apr 2010 00:20:53 -070=
0<BR>&gt=3B From: looppool@cruzio.com<BR>&gt=3B To: Loopers-Delight@loopers=
-delight.com<BR>&gt=3B Subject: What Electronica is Inspiring your Looping<=
BR>&gt=3B <BR>&gt=3B Clifford Novey wrote:<BR>&gt=3B ".......No I liked it-=
 check out bands like RADIAN and LOSCIL and LOESS <BR>&gt=3B for other exam=
ples of glitch rhythms."<BR>&gt=3B <BR>&gt=3B <BR>&gt=3B Hey Clifford=2C <B=
R>&gt=3B <BR>&gt=3B thanks a lot for the recommendations. I hadn't heard an=
y of these <BR>&gt=3B groups and am having a wonderful night<BR>&gt=3B list=
ening to them on Rhapsody (Loscil and Loess are both here) and <BR>&gt=3B L=
astFM.com (Radian)<BR>&gt=3B <BR>&gt=3B I was just thinking that it would b=
e cool to find out what everyone is <BR>&gt=3B listening to in the world<BR=
>&gt=3B of electronica that is having an influence on the music they are ma=
king <BR>&gt=3B and the loops they are creating.<BR>&gt=3B <BR>&gt=3B <BR>&=
gt=3B I'll just mention things I"ve deeply loved in the past 10 years or so=
 to <BR>&gt=3B get the ball rolling.<BR>&gt=3B Most of this stuff is in the=
 Abstract Electronica category (though Loess <BR>&gt=3B fits in perfectly<B=
R>&gt=3B with some of this stuff). A lot of it is also 10 years old now (if=
 <BR>&gt=3B not more) but I just loved<BR>&gt=3B this phase of composition =
in electronica and it's really deeply <BR>&gt=3B influenced my own work.<BR=
>&gt=3B <BR>&gt=3B APHEX TWIN A wonderful and incredibly inventive artist b=
ut for me=2C <BR>&gt=3B the Desert Island Disc is<BR>&gt=3B "Selected Ambie=
nt Works=2C Volume 2" which <BR>&gt=3B though it has ambient elements is NO=
T an ambient<BR>&gt=3B record. His 'remix' track on a Nine Inch <BR>&gt=3B =
Nails EP singlehandely made me stop playing<BR>&gt=3B World Beat music=2C b=
uy a computer and start <BR>&gt=3B an entirely new musical life back in '99=
. It wasn't<BR>&gt=3B really a remix at all. Trent Reznor sent <BR>&gt=3B h=
im tracks to remix=2C he didn't like anything he heard so<BR>&gt=3B he just=
 sent him in one of his own tracks. <BR>&gt=3B Reznor liked it so much that=
 he put it on the EP.<BR>&gt=3B AUTECHRE I think an early one of their's "T=
ri Repetae" is a <BR>&gt=3B masterpiece<BR>&gt=3B (I appreciate everything =
the've done but they got <BR>&gt=3B glitchier and glitchier<BR>&gt=3B in re=
cent projects and further away from <BR>&gt=3B traditional musical form whi=
ch just isn't my thing).<BR>&gt=3B <BR>&gt=3B BOARDS of CANADA There first =
three lps I just love..........I'm not <BR>&gt=3B as into their last<BR>&gt=
=3B (and they've slowed down in recent years)<BR>&gt=3B BOLA They have many=
 lps and eps but their first 'Soup' is still <BR>&gt=3B my favorite<BR>&gt=
=3B <BR>&gt=3B FOUR TET Almost everything I've heard I like by this guy. He=
 <BR>&gt=3B uses a lot of real instruments in the mix of his electronics.<B=
R>&gt=3B <BR>&gt=3B TO ROCOCO ROT "Hotel Morgen" "The Amateur View" and "Mu=
sic is <BR>&gt=3B a Hungry Ghost" (the latter a collaboration with i-sound)=
<BR>&gt=3B TRENTE MOLLER Probably the most commercial of these releases. I =
just <BR>&gt=3B love "The Last Resort". He was a successful<BR>&gt=3B Dance=
 producer and delivered this <BR>&gt=3B record to his record company with n=
othing remotely danceable<BR>&gt=3B on it. I believe it was the first non <=
BR>&gt=3B dance electronica record to hit number one on the electronic musi=
c charts<BR>&gt=3B TWINE "Violets"<BR>&gt=3B WAUVENFOLD "3Fold"<BR>&gt=3B <=
BR>&gt=3B okay=2C that's enough for now...............I've been inspired by=
 dozens <BR>&gt=3B of things in different genres but these are some of my<B=
R>&gt=3B favorite purely electronica listens.<BR>&gt=3B <BR>&gt=3B Rick Wal=
ker<BR>&gt=3B <BR><BR><BR> 		 	   		  <br /><hr />The New Busy is not the o=
ld busy. Search=2C chat and e-mail from your inbox. <a href=3D'http://www.w=
indowslive.com/campaign/thenewbusy?ocid=3DPID28326::T:WLMTAGL:ON:WL:en-US:W=
M_HMP:042010_3' target=3D'_new'>Get started.</a></body>
</html>=

--_e8b466c3-2717-4fdd-a791-e7747c4af0f7_--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 21:29:20 2010
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Subject: EDP MIDI spec
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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In the LoopIV man it says default for LoopTrig is now 84, but in looking at
Direct MIDI cmds I see BeatTriggerSample is offset from 36 by 44 which is
84. But then if I just add 44 to 36 I get 80. Maybe I just need more green
tea- help!
:p
C

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In the LoopIV man it says default for LoopTrig is now 84, but in looking at Direct MIDI cmds I see BeatTriggerSample is offset from 36 by 44 which is 84. But then if I just add 44 to 36 I get 80. Maybe I just need more green tea- help!<br>
:p<br>C<br>

--001636b1481fdd250a0484b1c4b1--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 22:03:14 2010
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From: William Walker <billwalker@baymoon.com>
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Subject: Re:Acoustic Looping Rig
Date: Tue, 20 Apr 2010 15:03:06 -0700
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Suggestion, if its within your budget, don't scrimp on the preamp end  
of things. I use a DTAR Solstice preamp which could easily be mounted  
on a a pedal board or adapted to a rack tray like i do. Its a bit  
taller and more square than the M-9 but similar in size and weight.  
Its controls are mounted on the front face, not the top like  floor  
effects are. . If you want that type of thing in an even smaller  
footprint, check out the Radial Acoustic DI,  its only drawbacks being  
it has just one channel, only one  1/4 input, and no inserts, whereas  
the DTAR has two channels  with separate 1/4 inch and XLR inputs and  
individual volume controls for each 4 inputs, as well as separate  
inserts, and 3 band eq for each channel.. The Radial is  a single  
channel device but like the DTAR it has and effects loop and an  XLR  
out and serves as a DI box as well. The DTAR I personally use, the  
Radial I've heard good things from people who use them.
Bill

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 22:11:42 2010
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From: Anders Bergdahl <anders_e_bergdahl@hotmail.com>
To: Loopers Delight <loopers-delight@loopers-delight.com>
Subject: Battle of St. Quentin > A rather long dual looping piece and a QUIZ
Date: Tue, 20 Apr 2010 22:11:40 +0000
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My latest.. EDP in the amp loop=2C and KP3 after the microphone for re samp=
ling and effects=2C only a bit of delay and reverb added. One take live onl=
y very minor edit were i did some mistakes...

http://soundclick.com/share?songid=3D9042525

=20

I really like using two looping devices=2C BUT i would love a looper that m=
utes the original signal and ONLY play the loops not the live input=2C is t=
here such a beast??

=20

And the quiz=2C why the NAME of the piece :-)=20

=20

Best guess or theory wins much prestige... :-)

=20

Thanks=2C

=20


Anders
 		 	   		  =

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<html>
<head>
<style><!--
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margin:0px=3B
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}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
}
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</head>
<body class=3D'hmmessage'>
My latest.. EDP in the amp loop=2C and KP3 after the microphone for re samp=
ling and effects=2C only a bit of delay and reverb added. One take live onl=
y very minor edit were i did some mistakes...<BR>
<A href=3D"http://soundclick.com/share?songid=3D9042525">http://soundclick.=
com/share?songid=3D9042525</A><BR>
&nbsp=3B<BR>
I really like using two looping devices=2C BUT i would love a looper that m=
utes the original signal and ONLY play the loops not the live input=2C is t=
here such a beast??<BR>
&nbsp=3B<BR>
And the quiz=2C why the NAME of the piece :-) <BR>
&nbsp=3B<BR>
Best guess or theory wins much prestige... :-)<BR>
&nbsp=3B<BR>
Thanks=2C<BR>
&nbsp=3B<BR>
<BR>Anders<BR> 		 	   		  </body>
</html>=

--_85a8ec72-2ab8-4e80-85a5-c84b6aa58117_--

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Date: Tue, 20 Apr 2010 17:14:14 -0500
Message-ID: <z2p913728d61004201514hc5677603ke657c7d5c2485344@mail.gmail.com>
Subject: Re: Battle of St. Quentin > A rather long dual looping piece and a 
	QUIZ
From: Charlie Milkey <pilotcp@gmail.com>
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I don't know for sure but the line 6 DL-4 has a mix knob--typically that
will mix between the live and delayed signal, and I imagine that's how the
looper would work too--i could be wrong though

Charlie

On Tue, Apr 20, 2010 at 5:11 PM, Anders Bergdahl <
anders_e_bergdahl@hotmail.com> wrote:

>  My latest.. EDP in the amp loop, and KP3 after the microphone for re
> sampling and effects, only a bit of delay and reverb added. One take live
> only very minor edit were i did some mistakes...
> http://soundclick.com/share?songid=9042525
>
> I really like using two looping devices, BUT i would love a looper that
> mutes the original signal and ONLY play the loops not the live input, is
> there such a beast??
>
> And the quiz, why the NAME of the piece :-)
>
> Best guess or theory wins much prestige... :-)
>
> Thanks,
>
>
> Anders
>

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Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

I don&#39;t know for sure but the line 6 DL-4 has a mix knob--typically tha=
t will mix between the live and delayed signal, and I imagine that&#39;s ho=
w the looper would work too--i could be wrong though<div><br></div><div>
Charlie<br><br><div class=3D"gmail_quote">On Tue, Apr 20, 2010 at 5:11 PM, =
Anders Bergdahl <span dir=3D"ltr">&lt;<a href=3D"mailto:anders_e_bergdahl@h=
otmail.com">anders_e_bergdahl@hotmail.com</a>&gt;</span> wrote:<br><blockqu=
ote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc s=
olid;padding-left:1ex;">




<div>
My latest.. EDP in the amp loop, and KP3 after the microphone for re sampli=
ng and effects, only a bit of delay and reverb added. One take live only ve=
ry minor edit were i did some mistakes...<br>
<a href=3D"http://soundclick.com/share?songid=3D9042525" target=3D"_blank">=
http://soundclick.com/share?songid=3D9042525</a><br>
=A0<br>
I really like using two looping devices, BUT i would love a looper that mut=
es the original signal and ONLY play the loops not the live input, is there=
 such a beast??<br>
=A0<br>
And the quiz, why the NAME of the piece :-) <br>
=A0<br>
Best guess or theory wins much prestige... :-)<br>
=A0<br>
Thanks,<br>
=A0<br>
<br>Anders<br> 		 	   		  </div>
</blockquote></div><br></div>

--001485f78e8ed97b710484b26528--

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Date: Tue, 20 Apr 2010 16:28:06 -0600
Message-ID: <s2u6bf43e221004201528y67d35a14yb0e57b173eecae4@mail.gmail.com>
Subject: Re: Electrix Repeater CF-Card - technical parameters
From: Keith Smith <kahsmith@gmail.com>
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This may be useful to you. I just got 4 128mb Pretec's from him.

I think there might be some 256's left, but they're getting pricey.

Very good to deal with.

Valueteq Ltd

jl@valueteq.co.uk

01189 596 593

Julian Lambden


On Tue, Apr 20, 2010 at 9:13 AM, chris hutton
<magestic12@mountaincable.net>wrote:

> THANX  FLORIAN
>
> On 19-Apr-10, at 3:56 AM, Florian Anwander wrote:
>
>  Hello Chris
>>
>> chris hutton schrieb:
>>
>>> how large was the card you purchased?
>>>
>> 512 MB
>>
>> Florian
>>
>>
>


--=20
Keith Smith -Guitar

Keith Smith Trio -Afterthought
www.keithsmith.ca
http://www.plungerecords.com/
http://cdbaby.com/cd/keithsmithtrio

Northern Lights =96 Altai Khangai
The 35th Anniversary Project
http://www.nl4tet.ca/

--00163630e85f6fc7dd0484b29739
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<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);">This may be useful to you. I just got 4 128mb Pretec&#39;s from him.<=
/span></font></p><p class=3D"MsoNormal"><font size=3D"2"><span style=3D"col=
or: rgb(31, 73, 125);">I think there might be some 256&#39;s left, but they=
&#39;re getting pricey.</span></font></p>
<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);"></span></font></p><p class=3D"MsoNormal"><font size=3D"2"><span style=
=3D"color: rgb(31, 73, 125);">Very good to deal with.<br></span></font></p>=
<p class=3D"MsoNormal">
<font size=3D"2"><span style=3D"color: rgb(31, 73, 125);"></span></font></p=
><p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, =
125);">Valueteq Ltd</span></font></p>

<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);"><a href=3D"mailto:jl@valueteq.co.uk" target=3D"_blank">jl@valueteq.co=
.uk</a></span></font></p>

<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);">01189 596 593</span></font></p>

<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);">Julian Lambden</span></font></p><br><br><div class=3D"gmail_quote">On=
 Tue, Apr 20, 2010 at 9:13 AM, chris hutton <span dir=3D"ltr">&lt;<a href=
=3D"mailto:magestic12@mountaincable.net">magestic12@mountaincable.net</a>&g=
t;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">THANX =A0FLORIAN<=
div><div></div><div class=3D"h5"><br>
On 19-Apr-10, at 3:56 AM, Florian Anwander wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hello Chris<br>
<br>
chris hutton schrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
how large was the card you purchased?<br>
</blockquote>
512 MB<br>
<br>
Florian<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith=
 -Guitar<br><br>Keith Smith Trio -Afterthought<br><a href=3D"http://www.kei=
thsmith.ca">www.keithsmith.ca</a><br><a href=3D"http://www.plungerecords.co=
m/">http://www.plungerecords.com/</a><br>
<a href=3D"http://cdbaby.com/cd/keithsmithtrio">http://cdbaby.com/cd/keiths=
mithtrio</a><br><br>Northern Lights =96 Altai Khangai<br>The 35th Anniversa=
ry Project<br><a href=3D"http://www.nl4tet.ca/">http://www.nl4tet.ca/</a><b=
r>
<br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--00163630e85f6fc7dd0484b29739--

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Date: Tue, 20 Apr 2010 16:37:13 -0600
Message-ID: <s2l6bf43e221004201537s36df9b5bz18e1f4d108c90f01@mail.gmail.com>
Subject: Re: Electrix Repeater CF-Card - technical parameters
From: Keith Smith <kahsmith@gmail.com>
To: Loopers-Delight@loopers-delight.com
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PS: They know about Repeaters ;)  so you don't need to get specific about
card numbers.
k

On Tue, Apr 20, 2010 at 4:28 PM, Keith Smith <kahsmith@gmail.com> wrote:

> This may be useful to you. I just got 4 128mb Pretec's from him.
>
> I think there might be some 256's left, but they're getting pricey.
>
> Very good to deal with.
>
> Valueteq Ltd
>
> jl@valueteq.co.uk
>
> 01189 596 593
>
> Julian Lambden
>
>
> On Tue, Apr 20, 2010 at 9:13 AM, chris hutton <
> magestic12@mountaincable.net> wrote:
>
>> THANX  FLORIAN
>>
>> On 19-Apr-10, at 3:56 AM, Florian Anwander wrote:
>>
>>  Hello Chris
>>>
>>> chris hutton schrieb:
>>>
>>>> how large was the card you purchased?
>>>>
>>> 512 MB
>>>
>>> Florian
>>>
>>>
>>
>
>
> --
> Keith Smith -Guitar
>
> Keith Smith Trio -Afterthought
> www.keithsmith.ca
> http://www.plungerecords.com/
> http://cdbaby.com/cd/keithsmithtrio
>
> Northern Lights =96 Altai Khangai
> The 35th Anniversary Project
> http://www.nl4tet.ca/
>
>


--=20
Keith Smith -Guitar

Keith Smith Trio -Afterthought
www.keithsmith.ca
http://www.plungerecords.com/
http://cdbaby.com/cd/keithsmithtrio

Northern Lights =96 Altai Khangai
The 35th Anniversary Project
http://www.nl4tet.ca/

--0016e64097f40e13480484b2b847
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

PS: They know about Repeaters ;)=A0 so you don&#39;t need to get specific a=
bout card numbers.<br>k<br><br><div class=3D"gmail_quote">On Tue, Apr 20, 2=
010 at 4:28 PM, Keith Smith <span dir=3D"ltr">&lt;<a href=3D"mailto:kahsmit=
h@gmail.com">kahsmith@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><p class=3D"MsoNo=
rmal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 125);">This may be=
 useful to you. I just got 4 128mb Pretec&#39;s from him.</span></font></p>
<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);">I think there might be some 256&#39;s left, but they&#39;re getting p=
ricey.</span></font></p>
<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);"></span></font></p><p class=3D"MsoNormal"><font size=3D"2"><span style=
=3D"color: rgb(31, 73, 125);">Very good to deal with.<br></span></font></p>=
<p class=3D"MsoNormal">

<font size=3D"2"><span style=3D"color: rgb(31, 73, 125);"></span></font></p=
><p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, =
125);">Valueteq Ltd</span></font></p>

<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);"><a href=3D"mailto:jl@valueteq.co.uk" target=3D"_blank">jl@valueteq.co=
.uk</a></span></font></p>

<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);">01189 596 593</span></font></p>

<p class=3D"MsoNormal"><font size=3D"2"><span style=3D"color: rgb(31, 73, 1=
25);">Julian Lambden</span></font></p><div><div></div><div class=3D"h5"><br=
><br><div class=3D"gmail_quote">On Tue, Apr 20, 2010 at 9:13 AM, chris hutt=
on <span dir=3D"ltr">&lt;<a href=3D"mailto:magestic12@mountaincable.net" ta=
rget=3D"_blank">magestic12@mountaincable.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">THANX =A0FLORIAN<=
div><div></div><div><br>
On 19-Apr-10, at 3:56 AM, Florian Anwander wrote:<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Hello Chris<br>
<br>
chris hutton schrieb:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
how large was the card you purchased?<br>
</blockquote>
512 MB<br>
<br>
Florian<br>
<br>
</blockquote>
<br>
</div></div></blockquote></div><br><br clear=3D"all"><br></div></div>-- <br=
>Keith Smith -Guitar<br><br>Keith Smith Trio -Afterthought<br><a href=3D"ht=
tp://www.keithsmith.ca" target=3D"_blank">www.keithsmith.ca</a><br><a href=
=3D"http://www.plungerecords.com/" target=3D"_blank">http://www.plungerecor=
ds.com/</a><br>

<a href=3D"http://cdbaby.com/cd/keithsmithtrio" target=3D"_blank">http://cd=
baby.com/cd/keithsmithtrio</a><br><br>Northern Lights =96 Altai Khangai<br>=
The 35th Anniversary Project<br><a href=3D"http://www.nl4tet.ca/" target=3D=
"_blank">http://www.nl4tet.ca/</a><br>

<br>
<div style=3D"display: inline;"></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Keith Smith -Guitar<br>=
<br>Keith Smith Trio -Afterthought<br><a href=3D"http://www.keithsmith.ca">=
www.keithsmith.ca</a><br><a href=3D"http://www.plungerecords.com/">http://w=
ww.plungerecords.com/</a><br>
<a href=3D"http://cdbaby.com/cd/keithsmithtrio">http://cdbaby.com/cd/keiths=
mithtrio</a><br><br>Northern Lights =96 Altai Khangai<br>The 35th Anniversa=
ry Project<br><a href=3D"http://www.nl4tet.ca/">http://www.nl4tet.ca/</a><b=
r>
<br>
<div style=3D"visibility: hidden; display: inline;" id=3D"avg_ls_inline_pop=
up"></div><style type=3D"text/css">#avg_ls_inline_popup {  position:absolut=
e;  z-index:9999;  padding: 0px 0px;  margin-left: 0px;  margin-top: 0px;  =
width: 240px;  overflow: hidden;  word-wrap: break-word;  color: black;  fo=
nt-size: 10px;  text-align: left;  line-height: 13px;}</style>

--0016e64097f40e13480484b2b847--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 22:51:31 2010
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Date: Tue, 20 Apr 2010 18:51:28 -0400
Message-ID: <n2p9ea2f30b1004201551saa5cf129v59254c5bf868e07e@mail.gmail.com>
Subject: OT: Released 1st EP Piano/Double Bass : Joshua Steele - The Tide
From: Todd Matthews <gtmatthews@gmail.com>
To: Loopers-Delight@loopers-delight.com
Content-Type: multipart/alternative; boundary=0016364d212f03099d0484b2eb7b
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--0016364d212f03099d0484b2eb7b
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Dear Loopers,

We just released a 4 song EP with a pianist/vocalist friend of mine, Joshua
Steele. The project is called Joshua Steele The Tide and is accompanied by
me on Double Bass. I layer most of the songs with 8-12 double bass
tracks(bowed or plucked) with the idea in mind that it would be an
orchestral bass section sound. I had live looping in mind as I recorded the
tracks so like would be easier once we start playing the songs live. You can
listen to the songs stream for free at our website at:


 www.joshuasteelemusic.com



We used Tunecore as our digital distributor so they provided a widget we put
at the top of the website. You can choose between the songs on the right
hand side of the widget. So far (it's only been 2 weeks) I like it. It's
already up on Amazon mp3, and emusic. Itunes should probably take another
week.

It's the first time we've gone through this
process(mixing-mastering-distribution) and yes, I'm still giddy with
excitement. I would love to hear any constructive criticism you guys have on
the songs. Good or bad.


Todd Matthews

--0016364d212f03099d0484b2eb7b
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Dear Loopers,<div><br></div><div>We just released a 4 song EP with a pianis=
t/vocalist friend of mine, Joshua Steele. The project is called Joshua Stee=
le The Tide and is accompanied by me on Double Bass. I layer most of the so=
ngs with 8-12 double bass tracks(bowed or plucked) with the idea in mind th=
at it would be an orchestral bass section sound. I had live looping in mind=
 as I recorded the tracks so like would be easier once we start playing the=
 songs live. You can listen to the songs stream for free at our website at:=
 =A0 =A0 =A0</div>
<div><br></div><div><br></div><div>=A0<a href=3D"http://www.joshuasteelemus=
ic.com">www.joshuasteelemusic.com</a></div><div><br></div><div><br></div><d=
iv><br></div><div>We used Tunecore as our digital distributor so they provi=
ded a widget we put at the top of the website. You can choose between the s=
ongs on the right hand side of the widget. So far (it&#39;s only been 2 wee=
ks) I like it. It&#39;s already up on Amazon mp3, and emusic. Itunes should=
 probably take another week.</div>
<div><br></div><div>It&#39;s the first time we&#39;ve gone through this pro=
cess(mixing-mastering-distribution) and yes, I&#39;m still giddy with excit=
ement. I would love to hear any constructive criticism you guys have on the=
 songs. Good or bad.=A0</div>
<div><br></div><div><br></div><div>Todd Matthews</div><div><br></div><div><=
br></div><div><br></div>

--0016364d212f03099d0484b2eb7b--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 20 23:42:53 2010
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Subject: Re: What electronica is inspiring you?
Date: Tue, 20 Apr 2010 16:42:44 -0700
References: <241855.74755.qm@web55202.mail.re4.yahoo.com> <54049.66.162.182.108.1271786289.squirrel@www.redsunsoundroom.com> <o2s66f9cc1e1004201320z890f2c1dj2d637a9b219f004e@mail.gmail.com>
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--Apple-Mail-1--705494781
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	delsp=yes
Content-Transfer-Encoding: 7bit


Recently, I like what I have heard of Bernhard Fleischmann's work.
Mostly on Last.fm as B.Fleischmann.

Here's a nice track titled The Flow :

http://www.onmp3.net/b-fleischmann/the-flow-download.html

Recent for me, but likely old news for many on the other side of the  
pond.


regards


BobC


http://tinyurl.com/yt8f8j
http://www.youtube.com/user/tynego
--Apple-Mail-1--705494781
Content-Type: text/html;
	charset=US-ASCII
Content-Transfer-Encoding: quoted-printable

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; "><br><div><div>Recently, I like =
what I have heard of Bernhard Fleischmann's work.</div><div>Mostly on =
Last.fm as B.Fleischmann.</div><div><br></div><div>Here's a nice track =
titled The Flow :</div><div><br></div><div><a =
href=3D"http://www.onmp3.net/b-fleischmann/the-flow-download.html">http://=
www.onmp3.net/b-fleischmann/the-flow-download.html</a></div><div><br></div=
><div>Recent for me, but likely old news for many on the other side of =
the =
pond.</div><div><br></div><div><br></div><div>regards</div><div><br></div>=
<div><br></div><div>BobC</div><div><br></div><div><br></div><div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><a =
href=3D"http://tinyurl.com/yt8f8j">http://tinyurl.com/yt8f8j</a></div><div=
 style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; font: normal normal normal 11px/normal 'Lucida =
Grande'; "><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; font: normal normal normal =
11px/normal 'Lucida Grande'; "><a =
href=3D"http://www.youtube.com/user/tynego">http://www.youtube.com/user/ty=
nego</a></div></div></div></div></body></html>=

--Apple-Mail-1--705494781--

From gosselizabeth67@yahoo.co.uk  Wed Apr 21 00:08:14 2010
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Reply-To: <elizabethgoss77@yahoo.co.jp>
From: "Elizabeth Goss"<gosselizabeth67@yahoo.co.uk>
Subject: Elizabeth Goss Notice
Date: Tue, 20 Apr 2010 20:27:49 -0000
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To: undisclosed-recipients:;

<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Greetings from Elizabeth Goss,</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With all due respect, I want you to read my letter with one mind and help me. I am Elizabeth Goss, The only child of late Mr and Mrs Goss, My Late father was a very wealthy cocoa dealer in Abidjan, the economic capital of Cote D'Ivoire before he was poisoned to death by his business associates on one of their outing to discuss on a business deal. When my mother died when she was given birth to me, my father took me so special because i am motherless. </FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Before the death of my father on 22th October, 2009 in a private hospital here in Abidjan . He secretly called me on his bedside and told me that he has a sum of USd5,500,000.00Five million five hundred thousand united states dollars left in a suspense account in a local bank here in Abidjan, that he used my name as his only daughter for the next of kin in deposit of the fund. He also explained to me that it was because of this wealth that he was poisoned by his business associates, that i should seek for a foreign partner in a country of my choice where I will transfer this money and use it for investment purpose ,such real estate agent, Am 19year old. Dear I am honourably seeking your assistance in the following ways.</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">1) To provide any bank account where this money would be transferred.</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">2) To serve as the guardian of this fund.</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">3) To make arrangement for me to come over to your country to further my education and to secure a residential permit for me in your country.</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Moreover, i am willing to offer you 30 percent of the total sum as compensation for your effort input after the successful transfer of this fund to your nominated account overseas. I want you to help me not because of the 30 percent I want to offer you but to take me as your adoptive child and take good care of my life. Please Save my life.</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Hope to hear from you soonest. Please,</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">reply me via my private Email elizabethgoss77@yahoo.co.jp&nbsp; for your help.</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Thanks And God Bless.</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Best regards,</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 color=#000000 face="Times New Roman">Elizabeth Goss.</FONT></DIV>
</FONT>
</BODY></HTML>

From john.baran@sbcglobal.net  Wed Apr 21 01:01:32 2010
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Date: Tue, 20 Apr 2010 18:01:20 -0700 (PDT)
From: MR FRANKLIN SMITH <john.baran@sbcglobal.net>
Reply-To: AllianceAndLeicesterBank@london.com
Subject: APPROVAL LETTER FROM YOU
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-351105093-1271811680=:8726"

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The Manager,
Alliance. And Leicester Bank Plc London,
HBOS Treasury Services,
180 Balham Road,=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0=A0=20
Balham SW12 9BL.
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=
=A0=A0=A0=A0=A0=A0=A0=A0 APPROVAL LETTER FROM YOU
=A0
This is to inform you that your overdue inheritance / contract fund which h=
ave been approved here in our bank, meanwhile, a woman called: Janet Willia=
ms came to my office few days ago with a letter, claiming to be from you.
=A0
Do reconfirm to this office with this contact=20
=A0
E- mail: AllianceAndLeicesterBank@london.com
=A0
Tel: +44 703-595-0798
=A0
Your full name =AD=AD
=A0
Home Address
=A0
Phone and fax no.
=A0
MR, FRANKLIN SMITH
=A0
=A0
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></SPAN></FONT></DIV>
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<H2 style=3D"MARGIN: 12pt 0in 3pt"><SPAN style=3D"FONT-FAMILY: 'Franklin Go=
thic Medium'; FONT-WEIGHT: normal; mso-bidi-font-weight: bold"><SPAN style=
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nb=
sp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=
 </EM></SPAN></SPAN><SPAN style=3D"FONT-STYLE: normal; FONT-FAMILY: 'Frankl=
in Gothic Medium'; FONT-SIZE: 10pt; mso-bidi-font-style: italic">APPROVAL L=
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<P style=3D"MARGIN: 0in 0in 0pt" class=3DMsoNormal><SPAN style=3D"FONT-FAMI=
LY: 'Franklin Gothic Medium'; COLOR: black; FONT-SIZE: 11pt; mso-bidi-font-=
family: Arial">This is to inform you that your overdue inheritance / contra=
ct fund which have been approved here in our bank, meanwhile, a woman calle=
d: Janet Williams came to my office few days ago with a letter, claiming to=
 be from you.<o:p></o:p></SPAN></DIV>
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LY: 'Franklin Gothic Medium'; COLOR: black; FONT-SIZE: 11pt; mso-bidi-font-=
family: Arial">Do reconfirm to this office with this contact <o:p></o:p></S=
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/FONT></SPAN></DIV>
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el: +44 703-595-0798<o:p></o:p></FONT></SPAN></DIV>
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ome Address<o:p></o:p></FONT></SPAN></DIV>
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--0-351105093-1271811680=:8726--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 01:14:13 2010
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Date: Tue, 20 Apr 2010 21:14:15 -0400
Subject: Re:Acoustic Looping Rig
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Hi Bill,

Did you use this at the loopfest.
Your sound and dynamic range was sweet.

Andre

http://barbadosguitar.com/wordpress
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

On Tue, April 20, 2010 6:03 pm, William Walker wrote:
> Suggestion, if its within your budget, don't scrimp on the preamp end
> of things. I use a DTAR Solstice preamp which could easily be mounted
> on a a pedal board or adapted to a rack tray like i do. Its a bit
> taller and more square than the M-9 but similar in size and weight.
> Its controls are mounted on the front face, not the top like  floor
> effects are. . If you want that type of thing in an even smaller
> footprint, check out the Radial Acoustic DI,  its only drawbacks being
> it has just one channel, only one  1/4 input, and no inserts, whereas
> the DTAR has two channels  with separate 1/4 inch and XLR inputs and
> individual volume controls for each 4 inputs, as well as separate
> inserts, and 3 band eq for each channel.. The Radial is  a single
> channel device but like the DTAR it has and effects loop and an  XLR
> out and serves as a DI box as well. The DTAR I personally use, the
> Radial I've heard good things from people who use them.
> Bill
>
>






From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 03:32:33 2010
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Date: Tue, 20 Apr 2010 20:32:28 -0700
Message-ID: <k2i588ce11d1004202032se75d1557x477f3dbea2064d4@mail.gmail.com>
Subject: Re: What electronica is inspiring you?
From: Art Simon <simart@gmail.com>
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--0016e68debdef13cff0484b6d7f6
Content-Type: text/plain; charset=ISO-8859-1

I like the jazzy electronica. I hope you'll bear with me as "recent" to me
means "recently discovered" by me. Most of this has been around for years. I
really like Loka "Fire Shephards," DJ Cam "Lost and Found," Marc Cary
"Rhodes Ahead, Vol 1," Odean Pope "The Misled Children meet Odean Pope,"
Unforscene "Fingers and Thumbs," and I just love, LOVE, "flutter" by Bonobo.

-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--0016e68debdef13cff0484b6d7f6
Content-Type: text/html; charset=ISO-8859-1
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I like the jazzy electronica. I hope you&#39;ll bear with me as &quot;recen=
t&quot; to me means &quot;recently discovered&quot; by me. Most of this has=
 been around for years. I really like Loka &quot;Fire Shephards,&quot; DJ C=
am &quot;Lost and Found,&quot; Marc Cary &quot;Rhodes Ahead, Vol 1,&quot; O=
dean Pope &quot;The Misled Children meet Odean Pope,&quot; Unforscene &quot=
;Fingers and Thumbs,&quot; and I just love, LOVE, &quot;flutter&quot; by Bo=
nobo.<br>
<br>-- <br>Art Simon<br><a href=3D"mailto:simart@gmail.com">simart@gmail.co=
m</a><br>myspace [dot] com/artsimon<br>

--0016e68debdef13cff0484b6d7f6--

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Saludos. 
  Soy el señor Tomo arena Nori Jefe del Departamento de Cuenta, Mitsubishi Bank, aquí en Japón. 
Me resulta agradable para ofrecerle mi colaboración en los negocios. 

Si está interesado, por favor, responda estrictamente a través de mi correo electrónico alternativa: 
sandnorito@hotmail.com

Espero su respuesta.

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Yours Faithfully,
Mrs. Maria Sabia

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 07:44:14 2010
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Date: Wed, 21 Apr 2010 09:44:11 +0200
From: buzap@gmx.net
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Subject: Max for Live: Potential for looping tweaks?
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Hi folks

I have a love/hate opinion about Ableton. I love the way it triggers clips, keeps the music flow running. I hate that I can't use it like a decent looper, shifting clips around, triggering them the way I like with midi controllers.
Controllers like Novation Launchpad are still limited imo. I was able to do some nice things with AutoIt scripting (http://www.autoitscript.com/autoit3/) but complicated and only on Win.

The question is: Will Max for Live allow me to control Ableton for looping purposes, giving me "full control" and access to the loops/clips?
I was hoping but then read this: 
"You canât access absolute Clip position, or directly update clips. .. The Live API is also not yet as complete in its capabilities as the mouse. As noted in comments, you canât directly add audio and MIDI clips, either." (createdigitalmusic.com)

So, I'm wondering: what's the potential for freely arrangig clips via simple midi controls?

best regards
Buzap



-- 
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 09:00:53 2010
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Subject: Re: Violin live-looping improvisation with Pretty Lights...
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Wow, great looping and what's even greater is your violin playing! =
Beautiful tone and intonation!

On 15 04 2010, at 7:29 PM, todd reynolds wrote:

> Hope this finds all my looping brethren and sistren well...=20
>=20
> Violin-looping in Ableton Live in a reactive and beautiful light =
installation by New Spectrum Foundation, using Ableton Live only. =20
>=20
> http://bit.ly/bRdE6B (3 videos)
>=20
> Cheers, all.=20
>=20
> T.
>=20
> --=20
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> =95 In C Remixed now released on iTunes and Amazon! ::  Read about it =
here... http://bit.ly/3Pm4g3
>=20
>=20
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=

> http://toddreynolds.com
> http://twitter.com/digifiddler
> http://myspace.com/toddreynoldsmusic
> http://blog.toddreynolds.com
> http://facebook.com/toddreynolds
> http://reverbnation.com/toddreynolds
>=20

From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 09:51:32 2010
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Subject: Two new looping videos from Stephan Eicher..
From: Reyn Ouwehand <loopers-delight@reyn.net>
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References: <20100414074105.111590@gmx.net> <20100415063121.267890@gmx.net> <w2q66f9cc1e1004150447x8895f92bn742eb94684888ca6@mail.gmail.com> <20100418120823.263760@gmx.net> <r2y66f9cc1e1004180606le8dd4b3fzb53c3b1d7d805210@mail.gmail.com> <20100418162803.35910@gmx.net> <j2q7a9df3e51004181015ze68be009yaf9d1b6ee15c14e8@mail.gmail.com> <y2j66f9cc1e1004181316uff4c6740n52c499ea106e59b6@mail.gmail.com> <20100419064353.241480@gmx.net> <l2u1318f21d1004190056s1f58261eo15ea3fe36958e770@mail.gmail.com> <m2vdec8f8e61004190707x9488c383o42eae5b46da1e6a3@mail.gmail.com>
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Here are two new video's from the DVD we made from Stephan's Concert. I =
especially like the vocal stacking Toby does in Eldorado at the end....=20=


Voyage: http://www.youtube.com/watch?v=3DOCDq1FgAvvY

Eldorado: http://www.youtube.com/watch?v=3DaG1hwdWlBfM

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand

From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 12:06:37 2010
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Date: Wed, 21 Apr 2010 14:06:29 +0200
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Subject: Re: Max for Live: Potential for looping tweaks?
From: Per Boysen <perboysen@gmail.com>
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I would guess the odds for "freely arrangig clips via simple midi
controls" are quite low. I am basing this assumption on experiences of
using Live since version 3.0 and hanging on to the Live Forum
discussions all those years. Many users have been asking for simple
things like "deleting a clip by MIDI" but it has never been
implemented. Some nifty hackers have used extra software (Boom and
similar) to convert external MIDI into computer key commands, since
you can delete clips by pressing the delete key on the computer. Other
long discussions have been about the wish to move the left and right
loop point of a clip by external MIDI. Generally people have been
asking to control all those lovely Sample Control parameters by
external MIDI, but those calls have never been met. They finally gave
us the option to set sample loop points in audio clips by MIDI and the
Looper plugin.

Live was originally designed as a live remix tool, specialized in
handling playback of audio files with smooth time-stretch/pitch
algorithms and I guess a lot of the fundamental code in Live depends
on audio data being saved on the disc in order to make pre calculation
possible so the action can be smooth with no audio artifacts. That's
simply not possible with live looping since the source material does
not exist for the application until it enters the audio in port. I
doubt M4L can change that. But M4L can be used to hack the crippled
Looper plugin into something more interesting! :-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Wed, Apr 21, 2010 at 9:44 AM,  <buzap@gmx.net> wrote:
> Hi folks
>
> I have a love/hate opinion about Ableton. I love the way it triggers clip=
s, keeps the music flow running. I hate that I can't use it like a decent l=
ooper, shifting clips around, triggering them the way I like with midi cont=
rollers.
> Controllers like Novation Launchpad are still limited imo. I was able to =
do some nice things with AutoIt scripting (http://www.autoitscript.com/auto=
it3/) but complicated and only on Win.
>
> The question is: Will Max for Live allow me to control Ableton for loopin=
g purposes, giving me "full control" and access to the loops/clips?
> I was hoping but then read this:
> "You can=E2=80=99t access absolute Clip position, or directly update clip=
s. .. The Live API is also not yet as complete in its capabilities as the m=
ouse. As noted in comments, you can=E2=80=99t directly add audio and MIDI c=
lips, either." (createdigitalmusic.com)
>
> So, I'm wondering: what's the potential for freely arrangig clips via sim=
ple midi controls?
>
> best regards
> Buzap
>
>
>
> --
> GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>
>

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Date: Wed, 21 Apr 2010 14:48:11 +0200
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Subject: Re: OT: Released 1st EP Piano/Double Bass : Joshua Steele - The Tide
From: Per Boysen <perboysen@gmail.com>
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On Wed, Apr 21, 2010 at 12:51 AM, Todd Matthews <gtmatthews@gmail.com> wrot=
e:
> =C2=A0www.joshuasteelemusic.com


Recording sounds great, Todd! Interesting song ideas combining the
bass, the piano and vocal lines.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 18:31:30 2010
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Subject: electronica inspired loops...
From: Scott Hansen <evanpeewee@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636b2b0fb0793f80484c367c0
Content-Type: text/plain; charset=ISO-8859-1

i'm probably way late to the electronica stuff, probably didn't get into it
until i heard the splattercell (david torn) remix disc i bought on  a whim
probably 9 yrs ago...
i've had 2 aphex twin discs-which were ok i guess...(probably not enough
guitar on them for me!)
i've listened to boards of cananda, autechre, chemical brothers,

the one who i like to listen to is Fennensz. i'm not sure if if he's
'electronica' or how he's classified. i don't think it's as 'dance oriented'
which is what i think of w/ electronica,
but probably more ambient electronic sounds...and some of it starts as
guitar stuff, which on his endless summer disc is sort of hard to pull out.
but the 2nd disc of his (more recent-black sea) there is actually a few bits
where you can hear the guitar sounds...for some reason i'm drawn to that
more where i think i know the source (or what i think is the
source)--although i know i've seen live vid clips of him, just manipulating
a mixer and pedals and creating sounds, etc....

s---

--001636b2b0fb0793f80484c367c0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

i&#39;m probably way late to the electronica stuff, probably didn&#39;t get=
 into it until i heard the splattercell (david torn) remix disc i bought on=
=A0 a whim probably 9 yrs ago...<br>i&#39;ve had 2 aphex twin discs-which w=
ere ok i guess...(probably not enough guitar on them for me!)<br>
i&#39;ve listened to boards of cananda, autechre, chemical brothers,<br><br=
>the one who i like to listen to is Fennensz. i&#39;m not sure if if he&#39=
;s &#39;electronica&#39; or how he&#39;s classified. i don&#39;t think it&#=
39;s as &#39;dance oriented&#39; which is what i think of w/ electronica,<b=
r>
but probably more ambient electronic sounds...and some of it starts as guit=
ar stuff, which on his endless summer disc is sort of hard to pull out.<br>=
but the 2nd disc of his (more recent-black sea) there is actually a few bit=
s where you can hear the guitar sounds...for some reason i&#39;m drawn to t=
hat more where i think i know the source (or what i think is the source)--a=
lthough i know i&#39;ve seen live vid clips of him, just manipulating a mix=
er and pedals and creating sounds, etc....<br>
<br>s---<br>

--001636b2b0fb0793f80484c367c0--

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Date: Wed, 21 Apr 2010 21:12:10 +0200
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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Louie Angulo <louie.angulo@googlemail.com>
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I started briefly messing around with it and i already like it!!
for those who have played around with both,would you say reaper offers just
as much or more than sonar??


2010/4/20 Per Boysen <perboysen@gmail.com>

> On Tue, Apr 20, 2010 at 3:42 PM, Tony K <bigtonyk@gmail.com> wrote:
> > HOST not HOSE. sheesh.  Not enough coffee yet. :)
>
> better rig that hose to bring in the coffee ;-))
>
> per
>
>

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I started briefly messing around with it and i already like it!! <br>for th=
ose who have played around with both,would you say reaper offers just as mu=
ch or more than sonar??<br><br><br><div class=3D"gmail_quote">2010/4/20 Per=
 Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">perboy=
sen@gmail.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
>On Tue, Apr 20, 2010 at 3:42 PM, Tony K &lt;<a href=3D"mailto:bigtonyk@gma=
il.com">bigtonyk@gmail.com</a>&gt; wrote:<br>

&gt; HOST not HOSE. sheesh.=A0 Not enough coffee yet. :)<br>
<br>
</div>better rig that hose to bring in the coffee ;-))<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div><br>

--0016e6d9a105915d760484c3f8cc--

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Subject: Re: electronica inspired loops...
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My list:

I also love *Fennesz *, but have the opposite thing about his guitar... I
like that its guitar, but when I saw him live, it kind of lost the magic of
the sounds knowing that all it was was a boring old gee-tar... ha ha!
Im very not up to date Im afraid, but Im in a HUGE *Soviet France* phase
right now (or :zoviet*france: as they prefer to be spelt)* Pixel* are great=
,
on Raster Noton for theyre micro clicky buzzy  techno...* Alog* have been
mentioned, they are phenomenal, I saw them live recently... wonderful home
made instruments and incredible use of dj digital disks (He=B4s using these
records that put out time code for scratching mp3s, but HEAVILY abusing it.=
.
dropping it on the album on EVERY beat for example)...* M=FAm* from Iceland
(poor bastards) are FANTASTIC... cute and pretty for a change... in the sam=
e
vein, If you can find* Midori Hirano *Poet at the Piano, I also strongly
recommend. I still like my old skool... *Amm, Keith Rowe* is electronica in
my book, some call it Jazz, but then I hit them...  or *Smegma* for the
hippy noise thang. (getting a bit wide of the electronca tag now) I have to
mention the early LoFi* Caberet Voltaire* (just because Nag nag nag is my
favorite track ever) Everyone seems to like *Aphex*, whom I tired of ages
ago, I prefer the harsher and much ruder *Venetian Snares* , for full on
hardcore industrial break drill and bass noise... Does electronica have to
sound dry and electronic and have no vocals, cos Im loving the Person Pitch
album by *Panda Bear * which is kind of  the Beachboys in an old deserted
factory testing out the reverb*.

Really... what is electronica?

*I certainly DONT think it means dance oriented.. Im sure that puts it
squarely into one of those other genres like house techno grime of more
recently Dub Step* *(Dub Step anyone.. now thats come cool shit... if Im
using the correct hiop vernacular???) No, I think of electronica as being
that "more intelligent" Art oriented electronic music, but maybe doesnt
quite include that big expansive expensive electronic music like Tang or
Klause, and probebly excludes Eno, only because he's also counted as
ambient... maybe electronica has some more esoteric sounds, like distortion
and warp effects and maybe is not so sure about being beautiful...

anyway... nice thread as Ive just book marked everyone's stuff i haven't
heard of in a "rainy day" file...

Mark
***
*



--=20
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch

--0015174768184abb760484c409f8
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My list:<br><br>I also love <b>Fennesz </b>, but have the opposite thing ab=
out his guitar... I like that its guitar, but when I saw him live, it kind =
of lost the magic of the sounds knowing that all it was was a boring old ge=
e-tar... ha ha! <br>

Im very not up to date Im afraid, but Im in a HUGE <b>Soviet France</b> pha=
se right now (or :zoviet*france: as they prefer to be spelt)<b> Pixel</b> a=
re great, on Raster Noton for theyre micro clicky buzzy=A0 techno...<b> Alo=
g</b> have been mentioned, they are phenomenal, I saw them live recently...=
 wonderful home made instruments and incredible use of dj digital disks (He=
=B4s using these records that put out time code for scratching mp3s, but HE=
AVILY abusing it.. dropping it on the album on EVERY beat for example)...<b=
> M=FAm</b> from Iceland (poor bastards) are FANTASTIC... cute and pretty f=
or a change... in the same vein, If you can find<b> Midori Hirano </b>Poet =
at the=20
Piano, I also strongly recommend. I still like my old skool... <b>Amm, Keit=
h Rowe</b> is electronica in my book, some call it Jazz, but then I hit the=
m...=A0 or <b>Smegma</b> for the hippy noise thang. (getting a bit wide of =
the electronca tag now) I have to mention the early LoFi<b> Caberet Voltair=
e</b> (just because Nag nag nag is my favorite track ever) Everyone seems t=
o like <b>Aphex</b>, whom I tired of ages ago, I prefer the harsher and muc=
h ruder <b>Venetian Snares</b> , for full on hardcore industrial break dril=
l and bass noise... Does electronica have to sound dry and electronic and h=
ave no vocals, cos Im loving the Person Pitch album by <b>Panda Bear=A0</b>=
 which is kind of=A0 the Beachboys in an old deserted factory testing out t=
he reverb<b>. <br>

<br>Really... what is electronica? <br><br></b>I certainly DONT think it me=
ans dance oriented.. Im sure that puts it squarely into one of those other =
genres like house techno grime of more recently Dub Step<b> </b>(Dub Step a=
nyone.. now thats come cool shit... if Im using the correct hiop vernacular=
???) No, I think of electronica as being that &quot;more intelligent&quot; =
Art oriented electronic music, but maybe doesnt quite include that big expa=
nsive expensive electronic music like Tang or Klause, and probebly excludes=
 Eno, only because he&#39;s also counted as ambient... maybe electronica ha=
s some more esoteric sounds, like distortion and warp effects and maybe is =
not so sure about being beautiful...<br>

<br>anyway... nice thread as Ive just book marked everyone&#39;s stuff i ha=
ven&#39;t heard of in a &quot;rainy day&quot; file...<br><br>Mark<br><b></b=
><b><br></b><br><br><br clear=3D"all"><br>-- <br><a href=3D"http://www.mark=
francombe.com">www.markfrancombe.com</a><br>

<a href=3D"http://www.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"=
http://vimeo.com/user825094">http://vimeo.com/user825094</a><br><a href=3D"=
http://www.myspace.com/markfrancombe">http://www.myspace.com/markfrancombe<=
/a><br>

<a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch">h=
ttp://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Synch</a><br>

--0015174768184abb760484c409f8--

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Date: Wed, 21 Apr 2010 15:17:42 -0400
Message-ID: <n2gd1dcce561004211217s6eae4ef0s41776095bceb1c5d@mail.gmail.com>
Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
From: Tony K <bigtonyk@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Reaper doesn't do as much as Sonar, but it's like 1/10th the price and it
does way more than I need.  I can't name anything specific off the top of my
head.  Reaper does a few little things that I really like.  naming input
ports.  Routing from one track to another.

On Wed, Apr 21, 2010 at 3:12 PM, Louie Angulo
<louie.angulo@googlemail.com>wrote:

> I started briefly messing around with it and i already like it!!
> for those who have played around with both,would you say reaper offers just
> as much or more than sonar??
>
>
> 2010/4/20 Per Boysen <perboysen@gmail.com>
>
> On Tue, Apr 20, 2010 at 3:42 PM, Tony K <bigtonyk@gmail.com> wrote:
>> > HOST not HOSE. sheesh.  Not enough coffee yet. :)
>>
>> better rig that hose to bring in the coffee ;-))
>>
>> per
>>
>>
>


-- 
-==-=-=-
Tony

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Reaper doesn&#39;t do as much as Sonar, but it&#39;s like 1/10th the price =
and it does way more than I need.=A0 I can&#39;t name anything specific off=
 the top of my head.=A0 Reaper does a few little things that I really like.=
=A0 naming input ports.=A0 Routing from one track to another.=A0 <br>
<br><div class=3D"gmail_quote">On Wed, Apr 21, 2010 at 3:12 PM, Louie Angul=
o <span dir=3D"ltr">&lt;<a href=3D"mailto:louie.angulo@googlemail.com">loui=
e.angulo@googlemail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail=
_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204,=
 204, 204); padding-left: 1ex;">
I started briefly messing around with it and i already like it!! <br>for th=
ose who have played around with both,would you say reaper offers just as mu=
ch or more than sonar??<br><br><br><div class=3D"gmail_quote">2010/4/20 Per=
 Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com" target=
=3D"_blank">perboysen@gmail.com</a>&gt;</span><div>
<div></div><div class=3D"h5"><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>On Tue, Apr =
20, 2010 at 3:42 PM, Tony K &lt;<a href=3D"mailto:bigtonyk@gmail.com" targe=
t=3D"_blank">bigtonyk@gmail.com</a>&gt; wrote:<br>


&gt; HOST not HOSE. sheesh.=A0 Not enough coffee yet. :)<br>
<br>
</div>better rig that hose to bring in the coffee ;-))<br>
<font color=3D"#888888"><br>
per<br>
<br>
</font></blockquote></div></div></div><br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- <br>To=
ny<br>

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Date: Wed, 21 Apr 2010 21:20:07 +0200
Message-ID: <n2v7a9df3e51004211220nf58765ejdff87a4e171f6136@mail.gmail.com>
Subject: Re: Acoustic Looping Rig
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Hey Bill,so how do you route your stereo signal through it without the aux
sends?



2010/4/21 William Walker <billwalker@baymoon.com>

> Suggestion, if its within your budget, don't scrimp on the preamp end of
> things. I use a DTAR Solstice preamp which could easily be mounted on a a
> pedal board or adapted to a rack tray like i do. Its a bit taller and more
> square than the M-9 but similar in size and weight. Its controls are mounted
> on the front face, not the top like  floor effects are. . If you want that
> type of thing in an even smaller footprint, check out the Radial Acoustic
> DI,  its only drawbacks being it has just one channel, only one  1/4 input,
> and no inserts, whereas the DTAR has two channels  with separate 1/4 inch
> and XLR inputs and individual volume controls for each 4 inputs, as well as
> separate inserts, and 3 band eq for each channel.. The Radial is  a single
> channel device but like the DTAR it has and effects loop and an  XLR out and
> serves as a DI box as well. The DTAR I personally use, the Radial I've heard
> good things from people who use them.
> Bill
>
>

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Hey Bill,so how do you route your stereo signal through it without the aux =
sends?<br><br><br><br><div class=3D"gmail_quote">2010/4/21 William Walker <=
span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker@baymoon.com">billwalker@b=
aymoon.com</a>&gt;</span><br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Suggestion, if it=
s within your budget, don&#39;t scrimp on the preamp end of things. I use a=
 DTAR Solstice preamp which could easily be mounted on a a pedal board or a=
dapted to a rack tray like i do. Its a bit taller and more square than the =
M-9 but similar in size and weight. Its controls are mounted on the front f=
ace, not the top like =A0floor effects are. . If you want that type of thin=
g in an even smaller footprint, check out the Radial Acoustic DI, =A0its on=
ly drawbacks being it has just one channel, only one =A01/4 input, and no i=
nserts, whereas the DTAR has two channels =A0with separate 1/4 inch and XLR=
 inputs and individual volume controls for each 4 inputs, as well as separa=
te inserts, and 3 band eq for each channel.. The Radial is =A0a single chan=
nel device but like the DTAR it has and effects loop and an =A0XLR out and =
serves as a DI box as well. The DTAR I personally use, the Radial I&#39;ve =
heard good things from people who use them.<br>

Bill<br>
<br>
</blockquote></div><br>

--0016e6d508e5feec0c0484c414b3--

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Subject: Re: OT: New MBP... or not? (Firewire still necessary?)
Date: Wed, 21 Apr 2010 20:20:47 +0100
References: <20100414074105.111590@gmx.net> <20100419064353.241480@gmx.net> <l2u1318f21d1004190056s1f58261eo15ea3fe36958e770@mail.gmail.com> <m2vdec8f8e61004190707x9488c383o42eae5b46da1e6a3@mail.gmail.com> <m2k7a9df3e51004191328qf8b3769nc3db18cb16a59851@mail.gmail.com> <20100420070009.124570@gmx.net> <q2ud1dcce561004200641m9b2c5513r63bf6f6a5fdcffa6@mail.gmail.com> <o2zd1dcce561004200642j11dc899cl6e58d882e8a5b1c6@mail.gmail.com> <i2k66f9cc1e1004200648jf0f62c23n67772720727d0f0@mail.gmail.com> <z2w7a9df3e51004211212v6ade9e6dy73a7df010565c2c8@mail.gmail.com> <n2gd1dcce561004211217s6eae4ef0s41776095bceb1c5d@mail.gmail.com>
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Reaper is great. I don't do anything fancy with it, but it does the job.


On 21 Apr 2010, at 20:17, Tony K wrote:

> Reaper doesn't do as much as Sonar, but it's like 1/10th the price  
> and it does way more than I need.  I can't name anything specific  
> off the top of my head.  Reaper does a few little things that I  
> really like.  naming input ports.  Routing from one track to another.
>
> On Wed, Apr 21, 2010 at 3:12 PM, Louie Angulo <louie.angulo@googlemail.com 
> > wrote:
> I started briefly messing around with it and i already like it!!
> for those who have played around with both,would you say reaper  
> offers just as much or more than sonar??
>
>
> 2010/4/20 Per Boysen <perboysen@gmail.com>
>
> On Tue, Apr 20, 2010 at 3:42 PM, Tony K <bigtonyk@gmail.com> wrote:
> > HOST not HOSE. sheesh.  Not enough coffee yet. :)
>
> better rig that hose to bring in the coffee ;-))
>
> per
>
>
>
>
>
> -- 
> -==-=-=-
> Tony


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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">Reaper is great. I don't do =
anything fancy with it, but it does the =
job.<div><br></div><div><br><div><div>On 21 Apr 2010, at 20:17, Tony K =
wrote:</div><br class=3D"Apple-interchange-newline"><blockquote =
type=3D"cite">Reaper doesn't do as much as Sonar, but it's like 1/10th =
the price and it does way more than I need.&nbsp; I can't name anything =
specific off the top of my head.&nbsp; Reaper does a few little things =
that I really like.&nbsp; naming input ports.&nbsp; Routing from one =
track to another.&nbsp; <br> <br><div class=3D"gmail_quote">On Wed, Apr =
21, 2010 at 3:12 PM, Louie Angulo <span dir=3D"ltr">&lt;<a =
href=3D"mailto:louie.angulo@googlemail.com">louie.angulo@googlemail.com</a=
>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: =
0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); =
padding-left: 1ex;"> I started briefly messing around with it and i =
already like it!! <br>for those who have played around with both,would =
you say reaper offers just as much or more than sonar??<br><br><br><div =
class=3D"gmail_quote">2010/4/20 Per Boysen <span dir=3D"ltr">&lt;<a =
href=3D"mailto:perboysen@gmail.com" =
target=3D"_blank">perboysen@gmail.com</a>&gt;</span><div> =
<div></div><div class=3D"h5"><br> <blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, =
204); padding-left: 1ex;"><div>On Tue, Apr 20, 2010 at 3:42 PM, Tony K =
&lt;<a href=3D"mailto:bigtonyk@gmail.com" =
target=3D"_blank">bigtonyk@gmail.com</a>&gt; wrote:<br> &gt; HOST not =
HOSE. sheesh.&nbsp; Not enough coffee yet. :)<br> <br> </div>better rig =
that hose to bring in the coffee ;-))<br> <font color=3D"#888888"><br> =
per<br> <br> </font></blockquote></div></div></div><br> =
</blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D- =
<br>Tony<br></blockquote></div><br></div></body></html>=

--Apple-Mail-3--634812628--

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Date: Wed, 21 Apr 2010 15:23:28 -0400
Message-ID: <x2zd1dcce561004211223vf54a6afarc5a3bf08a8f700fc@mail.gmail.com>
Subject: Re: electronica inspired loops...
From: Tony K <bigtonyk@gmail.com>
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--000e0cd17bc2f618e90484c4201a
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I was wondering if I'm alone on this... but... I don't listen to ambient
much or electronica at all even though I play ambient/space/experimental
weirdness.  About the only ambient I do listen to is Eno and Fripp.  I
listen to death metal, thrash, hard rock, progressive/symphonic, jazz,
classical...

On Wed, Apr 21, 2010 at 2:31 PM, Scott Hansen <evanpeewee@gmail.com> wrote:

> i'm probably way late to the electronica stuff, probably didn't get into it
> until i heard the splattercell (david torn) remix disc i bought on  a whim
> probably 9 yrs ago...
> i've had 2 aphex twin discs-which were ok i guess...(probably not enough
> guitar on them for me!)
> i've listened to boards of cananda, autechre, chemical brothers,
>
> the one who i like to listen to is Fennensz. i'm not sure if if he's
> 'electronica' or how he's classified. i don't think it's as 'dance oriented'
> which is what i think of w/ electronica,
> but probably more ambient electronic sounds...and some of it starts as
> guitar stuff, which on his endless summer disc is sort of hard to pull out.
> but the 2nd disc of his (more recent-black sea) there is actually a few
> bits where you can hear the guitar sounds...for some reason i'm drawn to
> that more where i think i know the source (or what i think is the
> source)--although i know i've seen live vid clips of him, just manipulating
> a mixer and pedals and creating sounds, etc....
>
> s---
>



-- 
-==-=-=-
Tony

--000e0cd17bc2f618e90484c4201a
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I was wondering if I&#39;m alone on this... but... I don&#39;t listen to am=
bient much or electronica at all even though I play ambient/space/experimen=
tal weirdness.=A0 About the only ambient I do listen to is Eno and Fripp.=
=A0 I listen to death metal, thrash, hard rock, progressive/symphonic, jazz=
, classical... <br>
<br><div class=3D"gmail_quote">On Wed, Apr 21, 2010 at 2:31 PM, Scott Hanse=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:evanpeewee@gmail.com">evanpeewee@=
gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" style=
=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); p=
adding-left: 1ex;">
i&#39;m probably way late to the electronica stuff, probably didn&#39;t get=
 into it until i heard the splattercell (david torn) remix disc i bought on=
=A0 a whim probably 9 yrs ago...<br>i&#39;ve had 2 aphex twin discs-which w=
ere ok i guess...(probably not enough guitar on them for me!)<br>

i&#39;ve listened to boards of cananda, autechre, chemical brothers,<br><br=
>the one who i like to listen to is Fennensz. i&#39;m not sure if if he&#39=
;s &#39;electronica&#39; or how he&#39;s classified. i don&#39;t think it&#=
39;s as &#39;dance oriented&#39; which is what i think of w/ electronica,<b=
r>

but probably more ambient electronic sounds...and some of it starts as guit=
ar stuff, which on his endless summer disc is sort of hard to pull out.<br>=
but the 2nd disc of his (more recent-black sea) there is actually a few bit=
s where you can hear the guitar sounds...for some reason i&#39;m drawn to t=
hat more where i think i know the source (or what i think is the source)--a=
lthough i know i&#39;ve seen live vid clips of him, just manipulating a mix=
er and pedals and creating sounds, etc....<br>
<font color=3D"#888888">
<br>s---<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>-=3D=3D-=3D-=3D-=
 <br>Tony<br>

--000e0cd17bc2f618e90484c4201a--

From Jennylee@yahoo.co.jp  Wed Apr 21 19:37:58 2010
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Greetings from Jenny Lee,

After going through your information over the internet i decided to contact you for friendship and assistance for distribution of my inheritance towards charity. My name is Jenny Lee; I am a dying woman who has decided to donate what I have for the good work of charity. I was diagnosed for breast cancer for about 2 years now.

I have been touched by God to donate from what I have inherited from my late husband to you for the good work of God, rather than allow my husband evil relatives to use my husband hard earned funds ungodly. They don't care about man kind, all they care is how to rob some money from me and spend them ungodly. Please pray that the good Lord forgives me my sins. I have asked God to forgive me and I believe he has because He is a merciful God. I will be going in for a surgery soon and I want to make sure that I make this donation before undergoing my surgery.

I decided to donate the sum of $2,500,000 (two million five hundred thousand dollars) to you for the good work of the lord, and also to help the motherless and less privilege and also for the assistance of the widows and unfortunate mothers. At the moment I cannot take any telephone calls right now due to the fact that my husband's relatives are always around me and trying to see if they can overhear my conversations and my health status as well.

I wish you all the best and may the good Lord bless you abundantly, and please use the funds well and always extend the good work to others. I have informed my consultant about the ($2,500,000.00). It is true that I dont know you and you don't know me but I have been directed by God to contact you for this. Thanks and God bless. I will direct you further after hearing from you.

NB: I will appreciate your utmost confidentiality in this matter until the task is accomplished as I don't want anything that will jeopardize my wish. Also I will be contacting with you only by email as I don't want my husband relations or anybody to know because they are always around me.

Reply me through this my most private email: (mrsjennylee01@yahoo.com.hk)

Regards,
Mrs. Jenny Lee

From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 19:44:38 2010
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	 <v2i66f9cc1e1004021331z1dd9128ataf5e1e66dc6aa6c9@mail.gmail.com>
Date: Wed, 21 Apr 2010 21:44:37 +0200
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Subject: Re: OT: Re: jazz on tele's etc. Tone control - pick your pick 
	carefully
From: Louie Angulo <louie.angulo@googlemail.com>
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--0016e6d77c459a1cdd0484c46cdd
Content-Type: text/plain; charset=ISO-8859-1

you guys are lucky that your index nail doesnt break,i have a really weak
one and though i love playing finger style stuff like flamenco,bossa,cuban
etc. it has always been a struggle.If i just played nylon string it wouldnt
be that bad but i also play steel string and electric which destroy my
index.Ive tried everything from nail hardeners, lackers,super glue,vitamins
etc. but puttng any coating makes it even worst after a few weeks.
So i keep it really short and try to get the most out of it ,though i was
just talking to a gypsy flamenco player and he cuts a piece of ping pong
ball and glues it to his index,it looks freighting but man that guy can
play!

2010/4/2 Per Boysen <perboysen@gmail.com>

> On Fri, Apr 2, 2010 at 6:33 PM, david kirkdorffer <unstrungone@yahoo.com>
> wrote:
> > A very important part of the "tone" conversation that is often overlooked
> is
> > to consider the kind of plectrum you are using.
>
> Herueka! Since my studio guitarist days I have kept the habit of
> carrying many picks for different kinds of sound. But as Kris says,
> playing with fingers gives you a better rhythmic control (although it
> sound like... playing with fingers). For my own taste I mostly use one
> of those fat and hard Dunlop plastics. I've also owned a bone pick for
> about two decades that sounds good if playing a guitar with more jazzy
> natural tone. Using the bone pick on a Fender would produce a way to
> bright attack. For thick flat wound strings, like I use on fretless
> these days, I sometimes play with a flint stone pick. The stone gives
> a wonderfully distinct mid frequency attack, not too far from low
> piano keys. "On demand" (when hired for someone else's studio session)
> I have also used these saw tooth edged picks to produce a gritty,
> gnarly note attack typically heard on old Jim Page and Leslie west
> tracks. So there's a wide palette of sounds just in the choice of
> pick.
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
>
>

--0016e6d77c459a1cdd0484c46cdd
Content-Type: text/html; charset=ISO-8859-1
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you guys are lucky that your index nail doesnt break,i have a really weak o=
ne and though i love playing finger style stuff like flamenco,bossa,cuban e=
tc. it has always been a struggle.If i just played nylon string it wouldnt =
be that bad but i also play steel string and electric which destroy my inde=
x.Ive tried everything from nail hardeners, lackers,super glue,vitamins etc=
. but puttng any coating makes it even worst after a few weeks.<br>
So i keep it really short and try to get the most out of it ,though i was j=
ust talking to a gypsy flamenco player and he cuts a piece of ping pong bal=
l and glues it to his index,it looks freighting but man that guy can play!<=
br>
<br><div class=3D"gmail_quote">2010/4/2 Per Boysen <span dir=3D"ltr">&lt;<a=
 href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span><br>=
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
<div class=3D"im">On Fri, Apr 2, 2010 at 6:33 PM, david kirkdorffer &lt;<a =
href=3D"mailto:unstrungone@yahoo.com">unstrungone@yahoo.com</a>&gt; wrote:<=
br>
&gt; A very important part of the &quot;tone&quot; conversation that is oft=
en overlooked is<br>
&gt; to consider the kind of plectrum you are using.<br>
<br>
</div>Herueka! Since my studio guitarist days I have kept the habit of<br>
carrying many picks for different kinds of sound. But as Kris says,<br>
playing with fingers gives you a better rhythmic control (although it<br>
sound like... playing with fingers). For my own taste I mostly use one<br>
of those fat and hard Dunlop plastics. I&#39;ve also owned a bone pick for<=
br>
about two decades that sounds good if playing a guitar with more jazzy<br>
natural tone. Using the bone pick on a Fender would produce a way to<br>
bright attack. For thick flat wound strings, like I use on fretless<br>
these days, I sometimes play with a flint stone pick. The stone gives<br>
a wonderfully distinct mid frequency attack, not too far from low<br>
piano keys. &quot;On demand&quot; (when hired for someone else&#39;s studio=
 session)<br>
I have also used these saw tooth edged picks to produce a gritty,<br>
gnarly note attack typically heard on old Jim Page and Leslie west<br>
tracks. So there&#39;s a wide palette of sounds just in the choice of<br>
pick.<br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<br>
</font></blockquote></div><br>

--0016e6d77c459a1cdd0484c46cdd--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 19:52:14 2010
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Not sure that anyone was actually looking for more options here, but I 
can recommend the L.R. Baggs 'Para Acoustic DI' preamp.  It's a single 
channel, but provides parallel 1/4 inch and XLR outputs, a 1/4 inch TRS 
loop for your looper or other effects pedal, nice EQ including 'tuned' 
feedback filter, plus phantom or battery power options.

Dan Ash
White Plains, NY


> Subject:
> Re:Acoustic Looping Rig
> From:
> "André Donawa" <andre@andredonawa.com>
> Date:
> Tue, 20 Apr 2010 21:14:15 -0400
>
> To:
> Loopers-Delight@loopers-delight.com
>
>
> Hi Bill,
>
> Did you use this at the loopfest.
> Your sound and dynamic range was sweet.
>
> Andre
>
> http://barbadosguitar.com/wordpress
> http://cdbaby.com/all/andredonawa
> http://www.myspace.com/andredonawa
>
> On Tue, April 20, 2010 6:03 pm, William Walker wrote:
>   
> > Suggestion, if its within your budget, don't scrimp on the preamp end
> > of things. I use a DTAR Solstice preamp which could easily be mounted
> > on a a pedal board or adapted to a rack tray like i do. Its a bit
> > taller and more square than the M-9 but similar in size and weight.
> > Its controls are mounted on the front face, not the top like  floor
> > effects are. . If you want that type of thing in an even smaller
> > footprint, check out the Radial Acoustic DI,  its only drawbacks being
> > it has just one channel, only one  1/4 input, and no inserts, whereas
> > the DTAR has two channels  with separate 1/4 inch and XLR inputs and
> > individual volume controls for each 4 inputs, as well as separate
> > inserts, and 3 band eq for each channel.. The Radial is  a single
> > channel device but like the DTAR it has and effects loop and an  XLR
> > out and serves as a DI box as well. The DTAR I personally use, the
> > Radial I've heard good things from people who use them.
> > Bill

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Subject: Re: Violin live-looping improvisation with pretty lights
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Thanks, Reyn, you're very kind.

I enjoy your work immensely, thanks for your comments!

Cheers to everyone else,

Todd

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Thanks, Reyn, you&#39;re very kind. =A0
<div><br></div><div>I enjoy your work immensely, thanks for your comments!=
=A0</div><div><br></div><div>Cheers to everyone else,=A0</div><div><br></di=
v><div>Todd</div><div><br></div><div><br></div>

--000e0cd11a1aac5ee60484c4aaad--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 21 20:06:17 2010
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I'm listening this afternoon to tracks from 'Hot Bitch Arsenal'.  Full 
disclosure: I've played a few gigs with these two very talented loopers 
based in upstate New York.

Kim Galibert uses Ableton Live! to record looped backing tracks and to 
loop Christina Abbott's vocals.  She's got a great feel for live-looping 
harmonies and freely-improvised lyrics.  They have an interactive 
approach that borders on ESP...

Check them out: 
http://hotbitcharsenal.bandcamp.com
http://www.last.fm/music/Hot+Bitch+Arsenal

Dan Ash
White Plains, NY


> Subject:
> Re: What electronica is inspiring you?
> From:
> RP Collier <skeptikalist@gmail.com>
> Date:
> Tue, 20 Apr 2010 16:42:44 -0700
>
> To:
> Loopers-Delight@loopers-delight.com
>
> Recently, I like what I have heard of Bernhard Fleischmann's work.
> Mostly on Last.fm as B.Fleischmann.
> Here's a nice track titled The Flow :
> http://www.onmp3.net/b-fleischmann/the-flow-download.html
> Recent for me, but likely old news for many on the other side of the pond.
> regards
> BobC
> http://tinyurl.com/yt8f8j
> http://www.youtube.com/user/tynego

From adammensah.office@gmail.com  Thu Apr 22 02:10:13 2010
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Date: Wed, 21 Apr 2010 19:10:06 -0700 (PDT)
From: "Mr. Adam Mensah" <adammensah.office@gmail.com>
Reply-To: adamghmensah.office@ymail.com
Subject: GREETINGS====
To: undisclosed recipients: ;
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--0-1838574700-1271902206=:7900
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Hello
Greetings to you

How are you and how is the business today?
I got your contact during my search for a reliable, trust worthy and honest=
 person to introduce this transfer project with, and am very sorry to keep =
your time.

My Name is Mr. Adam Mensah, Am 51 years old, with wife and 3 lovely kids. A=
m the Eastern regional branch manager of the Ecobank, West Africa, Ghana. A=
m looking forward to retire from office in the next few months. I write you=
 this letter in good faith. I am in control of the sum of =C2=A0Ten Million=
, Five Hundred United States Dollars (US$10.500.000.00), which was an exces=
s
of profit made by our regional eastern branch office in the last quarter of=
 the year 2009,which I have carefully placed in an Escrow Call Deposit Acco=
unt and
Did not declare this to my head office.
Can I really trust you to hold this money for me until I will arrive your c=
ountry and pick it up myself and you deduct 30% of the total money as your =
commission?

If you accept my offer you can contact me immediately.
I will discreetly give you all the information concerning the account so th=
at you can apply to the bank for the release of the money.
There is practically no risk involved, it will be a bank to bank transfer.

N/B: If you are willing and interested to work with me, for ward in your
Response the following information's:

FULL NAMES...
AGE...
RESIDENTIAL ADDRESS...
OCCUPATION...
PHONE...
COUNTRY...
COMPANY=E2=80=A6
(IF ANY)EMAIL...

God bless you.

Yours Truly
Mr. Adam Mensah
--0-1838574700-1271902206=:7900
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><P class=3DMsoNormal style=3D"MARGIN: 0in 0in=
 0pt"><SPAN style=3D"FONT-SIZE: 14pt"><FONT face=3D"Times New Roman">Hello<=
BR>Greetings to you<BR><BR>How are you and how is the business today?<BR>I =
got your contact during my search for a reliable, trust worthy and honest p=
erson to introduce this transfer project with, and am very sorry to keep yo=
ur time.<BR><BR>My Name is Mr. Adam Mensah, Am 51 years old, with wife and =
3 lovely kids. Am the Eastern <SPAN class=3Dyshortcuts>regional branch mana=
ger</SPAN> of the <SPAN class=3Dyshortcuts>Ecobank, <?xml:namespace prefix =
=3D st1 ns =3D "urn:schemas-microsoft-com:office:smarttags" /><st1:place w:=
st=3D"on"><st1:City w:st=3D"on">West Africa</st1:City>, <st1:country-region=
 w:st=3D"on">Ghana</st1:country-region></st1:place></SPAN>. Am looking forw=
ard to retire from office in the next few months. I write you this letter i=
n good faith. I am in
 control of the sum of <SPAN style=3D"mso-spacerun: yes">&nbsp;</SPAN>Ten M=
illion, Five Hundred <SPAN class=3Dyshortcuts>United States Dollars</SPAN> =
(US$10.500.000.00), which was an excess<BR>of profit made by our regional e=
astern branch office in the last quarter of the year 2009,which I have care=
fully placed in an Escrow Call <SPAN class=3Dyshortcuts>Deposit Account</SP=
AN> and<BR>Did not declare this to my <SPAN class=3Dyshortcuts>head office<=
/SPAN>.<BR>Can I really trust you to hold this money for me until I will ar=
rive your country and pick it up myself and you deduct 30% of the total mon=
ey as your commission?<BR><BR>If you accept my offer you can contact me imm=
ediately.<BR>I will discreetly give you all the information concerning the =
account so that you can apply to the bank for the release of the money.<BR>=
There is practically no risk involved, it will be a bank to bank transfer.<=
BR><BR>N/B: If you are willing and interested to work with me, for ward in
 your<BR>Response the following information's:<BR><BR>FULL NAMES...<BR>AGE.=
..<BR>RESIDENTIAL ADDRESS...<BR>OCCUPATION...<BR>PHONE...<BR>COUNTRY...<BR>=
COMPANY=E2=80=A6<BR>(IF ANY)EMAIL...<BR><BR>God bless you.<BR><BR>Yours Tru=
ly<BR>Mr. Adam Mensah<?xml:namespace prefix =3D o ns =3D "urn:schemas-micro=
soft-com:office:office" /><o:p></o:p></FONT></SPAN></DIV></td></tr></table>
--0-1838574700-1271902206=:7900--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 02:39:23 2010
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Date: Wed, 21 Apr 2010 22:39:26 -0400
Subject: Re: What Electronica is Inspiring your Looping
From: =?iso-8859-1?Q?=22Andr=E9_Donawa=22?= <andre@andredonawa.com>
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Art of Noise,
Moments in Love was such a different sounding track for it's time.

Portishead
Prodigy,
Chemicals Brothers,
Verve Remixed. Some really sweet takes on these classics. Just one of
those things - Blossom Dearie.
http://www.youtube.com/watch?v=kDweZ4LVsow
Massive Attack
Saint Germain - Tourist
Fat Boy Slim
Amon Tobin

Such much music, so little time

Andre

http://barbadosguitar.com/wordpress
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa


On Tue, April 20, 2010 3:20 am, Rick Walker wrote:
> Clifford Novey wrote:
> ".......No I liked it- check out bands like RADIAN and LOSCIL and LOESS
> for other examples of glitch rhythms."
>
>
> Hey Clifford,
>
> thanks a lot for the recommendations.  I hadn't heard any of these
> groups and am having a wonderful night
> listening to them on Rhapsody (Loscil and Loess are both here)  and
> LastFM.com  (Radian)
>
> I was just thinking that it would be cool to find out what everyone is
> listening to in the world
> of electronica that is having an influence on the music they are making
> and the loops they are creating.
>
>
> I'll just mention things I"ve deeply loved in the past 10 years or so to
> get the ball rolling.
> Most of this stuff is in the Abstract Electronica category (though Loess
> fits in perfectly
> with some of this stuff).    A lot of it is also 10 years old now (if
> not more)  but I just loved
> this phase of composition in electronica and it's really deeply
> influenced my own work.
>
> APHEX TWIN    A wonderful and incredibly inventive artist but for me,
> the Desert Island Disc is
>                              "Selected Ambient Works,  Volume 2"   which
> though it has ambient elements is NOT an ambient
>                              record.    His 'remix' track on a Nine Inch
> Nails EP singlehandely made me stop playing
>                              World Beat music, buy a computer and start
> an entirely new musical life back in '99.  It wasn't
>                              really a remix at all.  Trent Reznor sent
> him tracks to remix,  he didn't like anything he heard so
>                             he just sent him in one of his own tracks.
> Reznor liked it so much that he put it on the EP.
> AUTECHRE      I think an early one of their's   "Tri Repetae"  is a
> masterpiece
>                        (I appreciate everything the've done but they got
> glitchier and glitchier
>                         in recent projects and further away from
> traditional musical form which just isn't my thing).
>
> BOARDS of CANADA    There first three lps I just love..........I'm not
> as into their last
>       (and they've slowed down in recent years)
> BOLA      They have many lps and eps but their first  'Soup'  is still
> my favorite
>
> FOUR TET         Almost everything I've heard I like by this guy.  He
> uses a lot of real instruments in the mix of his electronics.
>
> TO ROCOCO ROT    "Hotel Morgen"       "The Amateur View"   and "Music is
> a Hungry Ghost" (the latter a collaboration with i-sound)
> TRENTE MOLLER    Probably the most commercial of these releases.  I just
> love "The Last Resort".    He was a successful
>                                  Dance producer and delivered this
> record to his record company with nothing remotely danceable
>                                  on it.  I believe it was the first non
> dance electronica record to hit number one on the electronic music charts
> TWINE             "Violets"
> WAUVENFOLD    "3Fold"
>
> okay,  that's enough for now...............I've been inspired by dozens
> of things in different genres but these are some of my
>                                  favorite purely electronica listens.
>
> Rick Walker
>
>




http://barbadosguitar.com/wordpress
http://www.barbadosguitar.com
http://twitter.com/AndreDonawa
http://www.andredonawa.com
http://cdbaby.com/all/andredonawa
http://www.myspace.com/andredonawa

From what444@yahoo.com  Thu Apr 22 03:49:03 2010
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From: "MARTIN LAZAROW"<what444@yahoo.com>
Subject: THIS IS FOR YOUR DELIVERY  NOTIFICATION
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UNITED NATIONS
(WORLD BANK ASSISTED PROGRAMME) 
DIRECTORATE OF INTERNATIONAL
PAYMENT AND TRANSFERS.
870 UNITED NATIONS B PLAZA 20-A
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ATTN.
THIS IS FOR YOUR DELIVERY  NOTIFICATION 
 
This is to bring to your notice that, I have paid for the delivery and the insurance of YOUR PAYMENT SLIP WITH YOUR PERSONAL IDENTIFICATION NUMBER PIN AND YOUR TRANSFER ACCESS CODE TAC .I paid it because the PAYMENT SLIP has less 5days to cancel by the head office in New York and when it cancel,the money will go into Government purse.With that I decided to help you pay the money so that,YOUR PAYMENT SLIP will not be cancel,because I know when you cash your funds definitely you must pay me my money back and even compensate me for helping you.
 
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From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 03:55:00 2010
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Date: Wed, 21 Apr 2010 22:47:01 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance  AHNE  Lowell MA
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
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Hi folks,

I'll be doing video improvisations at 119 Gallery (my favorite 
perfomance space) on Sunday April 25th from 7 - 10 PM as part of an 
event described here http://www.stretta.com/ahne/2010/.

This will be a gathering of analog synthesizer players, with 
discussions and demos in the afternoon, and performances in the 
evening. The event is free, though a nominal donation to support the 
gallery will be appreciated.


119 Chelmsford St
Lowell, MA 01851
8:30 PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

From mrwahidhasan@yahoo.com.hk  Thu Apr 22 04:49:56 2010
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Reply-To: <mrwahidhasan@yahoo.com.hk>
From: "Mr.Hassan"<mrwahidhasan@yahoo.com.hk>
Subject: seeking for investment partnership
Date: Thu, 22 Apr 2010 05:37:20 +0100
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To: undisclosed-recipients:;

Hello,

I am a business consultant and presently I have some interested
Government official here in West Africa that is seeking for investment
partnership with your organization. As a matter of trust they needs
someone to guide them explore other available investment opportunities
and they also need business knowledge and connection to successfully
explore this venture. Can you be of any assistance to them?
you can reach me via  email address below : 

Email: mrwahidhassan@yahoo.com.hk

I wait your response to provide you with more informations.

Regards,

Hassan

From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 06:04:58 2010
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Subject: Virtual GigSpam: Digitsignal Live this Sunday
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--00c09f8de4f0069d470484cd17b7
Content-Type: text/plain; charset=ISO-8859-1

This Sunday (April 25) at 12noon EST the global band I'm proud to be part
of, *Digitsignal,* will perform live from our corners of the world spanning
3 countries and 2 continents.  We are pleased to feature with our live
performance the film imagery of Agnes.

Join us for our hour long set via our channel page
athttp://www.livestream.com/digitsignallive
.

Digitsignal is Peter Thorn (Sweden), Steve Moyes (UK), Jim Goodin (USA), Ray
Istorico (USA) and Jeff Duke (USA).

Approximate times around the world of our cast are 9am PST, 10am MST, 11am
CST, 12noon EST, 5pm UK, 6pm western Europe and 1am Japan.  For specific
times in your locale check
http://www.timeanddate.com/worldclock/converter.html.

Check out Digitsignal's new recording, available on CD and digital
distribution at http://digitsignal.bandcamp.com.  Friend us on Facebook,
search - *Digitsignal*.

Have a great rest of the week.

Jim

-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive



-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--00c09f8de4f0069d470484cd17b7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

This Sunday (April 25) at 12noon EST the global band I&#39;m proud to be pa=
rt of, <b>Digitsignal,</b> will perform live from our corners of the world =
spanning 3 countries and 2 continents.=A0 We are pleased to feature with ou=
r live performance the film imagery of Agnes.<br>
<div class=3D"gmail_quote">

<br>Join us for our hour long set via our channel page at<a href=3D"http://=
www.livestream.com/digitsignallive" target=3D"_blank"> http://www.livestrea=
m.com/digitsignallive</a>.<br>

<br>Digitsignal is Peter Thorn (Sweden), Steve Moyes (UK), Jim Goodin (USA)=
, Ray Istorico (USA) and Jeff Duke (USA).<br><br>Approximate times around t=
he world of our cast are 9am PST, 10am MST, 11am CST, 12noon EST, 5pm UK, 6=
pm western Europe and 1am Japan.=A0 For specific times in your locale check=
 <a href=3D"http://www.timeanddate.com/worldclock/converter.html" target=3D=
"_blank">http://www.timeanddate.com/worldclock/converter.html</a>.<br>


<br>Check out Digitsignal&#39;s new recording, available on CD and digital =
distribution at <a href=3D"http://digitsignal.bandcamp.com" target=3D"_blan=
k">http://digitsignal.bandcamp.com</a>.=A0 Friend us on Facebook, search - =
<i>Digitsignal</i>.<br>


<br>Have a great rest of the week.<br><br>Jim<br clear=3D"all"><br>-- <br>W=
ebsites<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.=
jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic.com" tar=
get=3D"_blank">www.chinapaintingmusic.com</a><br>


<br>Downloads/CD&#39;s<br><a href=3D"http://jimgoodin.bandcamp.com" target=
=3D"_blank">jimgoodin.bandcamp.com</a><br><a href=3D"http://digitsignal.ban=
dcamp.com" target=3D"_blank">digitsignal.bandcamp.com</a><br><a href=3D"htt=
p://jimgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn=
.bandcamp.com</a><br>


<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive" ta=
rget=3D"_blank">www.livestream.com/jimgoodinlive</a><br><a href=3D"http://w=
ww.livestream.com/digitsignallive" target=3D"_blank">www.livestream.com/dig=
itsignallive</a><br>


</div><br><br clear=3D"all"><br>-- <br>Websites<br><a href=3D"http://www.ji=
mgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"http://www.china=
paintingmusic.com">www.chinapaintingmusic.com</a><br><br>Downloads/CD&#39;s=
<br>
<a href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><a=
 href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandc=
amp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--00c09f8de4f0069d470484cd17b7--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 08:13:43 2010
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Date: Thu, 22 Apr 2010 01:13:37 -0700
Message-ID: <z2nd9a54a371004220113h72cd4adal36080d87a34f406d@mail.gmail.com>
Subject: EDP guts pics
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504502ead73b06fa0484cee330
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Hey guys-
Does anyone have pics of the guts of a Gibson EDP or the last one the plus
model? I am just curious. I opened mine tonight to look at the front pots
for spacing for possible replacement (not likely worth it for me) and took a
few shots. Wish I understood the flow and something about what all the parts
do.

http://www.flickr.com/photos/31694691@N00/sets/72157623908192244/

Regards,

Clifford

PS- been using my FCB1010 a bunch- is a good controller- has anyone done a
MIDI phantom power mod to their EDP?

--00504502ead73b06fa0484cee330
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey guys- <br>Does anyone have pics of the guts of a Gibson EDP or the last=
 one the plus model? I am just curious. I opened mine tonight to look at th=
e front pots for spacing for possible replacement (not likely worth it for =
me) and took a few shots. Wish I understood the flow and something about wh=
at all the parts do. <br>
<br><a href=3D"http://www.flickr.com/photos/31694691@N00/sets/7215762390819=
2244/">http://www.flickr.com/photos/31694691@N00/sets/72157623908192244/</a=
><br><br>Regards, <br><br>Clifford<br><br>PS- been using my FCB1010 a bunch=
- is a good controller- has anyone done a MIDI phantom power mod to their E=
DP?<br>

--00504502ead73b06fa0484cee330--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 10:02:26 2010
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Subject: EDP MIDI Undo quirk
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64cd62e4886970484d06898
Content-Type: text/plain; charset=ISO-8859-1

Hey-
For some reason if I press Undo from my FCB1010 I get "120" in the display
and if I press it twice or more in rapid succession I get a 2sec loop.
Anyone have any ideas as to why this is happening?
The FCB1010 is set correct with simple note value of 43. Undo works as it
should as far as I can tell otherwise.
C

--0016e64cd62e4886970484d06898
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hey- <br>For some reason if I press Undo from my FCB1010 I get &quot;120&qu=
ot; in the display and if I press it twice or more in rapid succession I ge=
t a 2sec loop. Anyone have any ideas as to why this is happening?<br>The FC=
B1010 is set correct with simple note value of 43. Undo works as it should =
as far as I can tell otherwise.<br>
C<br>

--0016e64cd62e4886970484d06898--

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Its not a bug, its a feature. If you press and hold UNDO when edp is
stopped, it will make fixed loop length, at a particular bpm. that bpm is by
default 120 bpm... if you twist feedback button while this number is
displayed you can dial in whatever number you need... nexd time you hit REC
it will round off your second click to make it a loop with this bpm.

Its actually very cool!

On Thu, Apr 22, 2010 at 12:02 PM, Clifford Novey <cnovey@gmail.com> wrote:

> Hey-
> For some reason if I press Undo from my FCB1010 I get "120" in the display
> and if I press it twice or more in rapid succession I get a 2sec loop.
> Anyone have any ideas as to why this is happening?
> The FCB1010 is set correct with simple note value of 43. Undo works as it
> should as far as I can tell otherwise.
>  C
>



-- 
www.markfrancombe.com
www.ordoabkhao.com
http://vimeo.com/user825094
http://www.myspace.com/markfrancombe
http://www.looop.no/shop/catlabel.php?q=Synch%20Non%20Synch

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Its not a bug, its a feature. If you press and hold UNDO when edp is=20
stopped, it will make fixed loop length, at a particular bpm. that bpm=20
is by default 120 bpm... if you twist feedback button while this number=20
is displayed you can dial in whatever number you need... nexd time you=20
hit REC it will round off your second click to make it a loop with this=20
bpm.<br>
<br>Its actually very cool! <br><br><div class=3D"gmail_quote">On Thu, Apr =
22, 2010 at 12:02 PM, Clifford Novey <span dir=3D"ltr">&lt;<a href=3D"mailt=
o:cnovey@gmail.com">cnovey@gmail.com</a>&gt;</span> wrote:<br><blockquote c=
lass=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px s=
olid rgb(204, 204, 204); padding-left: 1ex;">

Hey- <br>For some reason if I press Undo from my FCB1010 I get &quot;120&qu=
ot; in the display and if I press it twice or more in rapid succession I ge=
t a 2sec loop. Anyone have any ideas as to why this is happening?<br>The FC=
B1010 is set correct with simple note value of 43. Undo works as it should =
as far as I can tell otherwise.<br>

<font color=3D"#888888">
C<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br><a href=3D"http:=
//www.markfrancombe.com">www.markfrancombe.com</a><br><a href=3D"http://www=
.ordoabkhao.com">www.ordoabkhao.com</a><br><a href=3D"http://vimeo.com/user=
825094">http://vimeo.com/user825094</a><br>

<a href=3D"http://www.myspace.com/markfrancombe">http://www.myspace.com/mar=
kfrancombe</a><br><a href=3D"http://www.looop.no/shop/catlabel.php?q=3DSync=
h%20Non%20Synch">http://www.looop.no/shop/catlabel.php?q=3DSynch%20Non%20Sy=
nch</a><br>



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From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 10:47:00 2010
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Date: Thu, 22 Apr 2010 12:46:58 +0200
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Subject: Re: EDP MIDI Undo quirk
From: Per Boysen <perboysen@gmail.com>
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CooI indeed! didn't know about that function. I always used
Multiply/Record to set a new tempo on-the-fly. This is useful if you
plan to reset and start out fresh from a non rhythm loop but want to
make sure it goes into a certain tempo later on as you start tap
dancing substitute stuff.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Thu, Apr 22, 2010 at 12:28 PM, mark francombe <mark@markfrancombe.com> wrote:
> Its not a bug, its a feature. If you press and hold UNDO when edp is
> stopped, it will make fixed loop length, at a particular bpm. that bpm is by
> default 120 bpm... if you twist feedback button while this number is
> displayed you can dial in whatever number you need... nexd time you hit REC
> it will round off your second click to make it a loop with this bpm.
>
> Its actually very cool!
>
> On Thu, Apr 22, 2010 at 12:02 PM, Clifford Novey <cnovey@gmail.com> wrote:
>>
>> Hey-
>> For some reason if I press Undo from my FCB1010 I get "120" in the display
>> and if I press it twice or more in rapid succession I get a 2sec loop.
>> Anyone have any ideas as to why this is happening?
>> The FCB1010 is set correct with simple note value of 43. Undo works as it
>> should as far as I can tell otherwise.
>> C
>

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Subject: Re: EDP MIDI Undo quirk
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Daaaamn- cool! Thanks- reading the Tempo Select section in the manual now. Have to play with it more. If I start the drum machine first I have to be super accurate starting Rec otherwise once loop closes the start point is off and drum mach gets retriggered a bit off.
Thanks for hipping me to that- I am just going to read the LoopIV manual straight through as I am doing w the orig manual again.
C
Sent via soup cans and string.

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I have been having fun w Mult/Rec- start making improv loop- hear something you like- and you can like grab it-
Or say you were playing w others if someone sets a new theme or tempo you can seamlessly lock into it and create a new groove using the old loop and the new riff- maybe drop feedback first a bit, etc.
Nice stuffs
C
Sent via soup cans and string.

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On 22 Apr 2010, at 08:08, cnovey@gmail.com wrote:

> I have been having fun w Mult/Rec- start making improv loop- hear =
something you like- and you can like grab it-

yes, I like that a lot, too. its so refreshing but maintains connection =
to the old.
I will have to make it work over sync, too

> Or say you were playing w others if someone sets a new theme or tempo =
you can seamlessly lock into it and create a new groove using the old =
loop and the new riff- maybe drop feedback first a bit, etc.
> Nice stuffs
> C
> Sent via soup cans and string.
>=20

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Oh yeah! - Amon Tobin  - does an awesome job of
mixing in textured samples and mangling audio down
to the bit level, then mixing it all into/with some great beats. very cool.

From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 15:47:39 2010
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From: William Walker <billwalker@baymoon.com>
To: Loopers-Delight@loopers-delight.com
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Subject: Re:Acoustic Looping Rig
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Thanks Andre',  you sweet man. Yes I was using my DTAR solstice at  
that gig. I pretty much don't use my Rane SM-82 mixer  any longer and  
instead use this.
Stereo is a bit tricky,  as its a mono device, but each channel has an  
individual  XLR output as well as separate inserts so its possible  
to,  for instance, send my effects processor in stereo and the units  
main XLR out in mono. Though I love stereo and stereo effects, I find  
I'm not that attached to it during live performance. If someone made a  
tiny stereo mixer that could fit in a half rack I'd be happy, but I  
sure don't want to buy an ancient Boss half rack mixer unless I could  
find one in mint condition. Those things were a bit noisy as I recall  
anyway.
  Bill

From roadsid5@box458.bluehost.com  Thu Apr 22 16:06:26 2010
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Date: Thu, 22 Apr 2010 09:59:45 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:07:07 2010
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Date: Thu, 22 Apr 2010 10:07:01 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:07:10 2010
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Date: Thu, 22 Apr 2010 10:00:09 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:07:11 2010
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Date: Thu, 22 Apr 2010 10:00:29 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:07:25 2010
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Date: Thu, 22 Apr 2010 10:07:18 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:07:46 2010
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Date: Thu, 22 Apr 2010 10:00:48 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:08:05 2010
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Date: Thu, 22 Apr 2010 10:08:05 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
MIME-Version: 1.0
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:08:27 2010
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Date: Thu, 22 Apr 2010 10:08:21 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From roadsid5@box458.bluehost.com  Thu Apr 22 16:14:21 2010
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Date: Thu, 22 Apr 2010 10:07:41 -0600
To: looparc@loopers-delight.com
Subject: Greeting From Mercy.........................
From:  Miss Mercy Mahachi <mercymahachi@ovi.com>
Reply-To: mercymahach09@yahoo.co.uk
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Dear trusted one,

Best Compliments of the Day to you and your familys, It's my pleasure to contact you and your family menbers for a business venture which i intend to establish in your country, I know this might come to you as a surprise, but please do accept it in good faith and treat as a matter of urgency with utmost confidentiality. I am Miss Mercy Mahachi from Northeastern Africa Sudan, now seeking for refugee in Dakar Senegal under the (UNHCR).

My (late) father Dr. Moven Mahachi, was the Managing Director of Sudanese Boost Co. Ltd company of importing Machineries & Equipments for Industry, also a successful business man of exporting of cocoa. But he was killed along side with my mother during the longing civil war and all his properties were totally destroyed. I couldnt help it but cry and cried as I became homeless. I felt so devastated and depressed as I have lost virtually everything I had including my school certificates and my passport.

However, after the death of my parent, I managed to escape with a very important document (DEPOSIT CERTIFICATE ($5.7USD) Five Million Seven Hundred Thousand U.S Dollars deposited by my late father in one of the leading bank with my name as the next of kin. Whatever the struggle I went through, I always ensured nothing separates me from these documents as my life depends on it right now.

I am searching for a true friend. Some one who is God fearing, kind and honest to stand as my foreign representative to help me transfer my inheritance funds so I can leave this camp and come over to your country and continue my education.

Furthermore, you can contact the bank for confirmation, I will send to you the full contact address of the bank, once I get your positive response to help me with the transfer of the funds to your bank account, and help me with the investment of the funds, and my coming over to join with you in your country.

In the light of above I will like you to keep it to yourself and don't tell it to anyone for I am afraid of loosing my life and the money.

Please kindly reply me in my mail mercymahach03@yahoo.co.uk if you know in your heart you would want to help me. Remain Bless

Yours Friend,
Mercy Mahachi
*kisses**



From payre67@btopenworld.com  Thu Apr 22 18:18:55 2010
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Subject: {Spam?} From: Mr.James Addo
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To: undisclosed-recipients:;

From: Mr.James Addo
# 9-10 Obrafour avenue
Legon district
Accra - Ghana.

{HIGHLY CONFIDENTIAL}
(RE: TRANSFER OF ($ 9,000.000.00 USD}
{NINE MILLION UNITED STATES DOLLARS)

We want to transfer to overseas ($ 9,000.000.00 USD) from a bank here in Ghana, I want to ask you to quietly look for a reliable and honest person who will be capable and fit to provide either an existing bank account or to set up a new Bank a/c immediately to receive this money, even an empty a/c can serve to receive this money, as long as you will remain honest to me till the end of this important business trusting in you and believing in God that you will never let me down either now or in future.

I am Mr.James Addo, Director of International Relation with a bank here in Ghana,during the course of our auditing I discovered a floating fund in an account opened in the bank in 2005 and since 2007 nobody has operated on this account again, after going through some old files in the records I discovered that the owner of the account died without a [heir] hence the money is floating and if I do not remit this money out urgently it will be forfeited for nothing.

the owner of this account is Mr.Peter Cole, a foreigner, and a sailor, and he died since 2007. and no other person knows about this account or any thing concerning it, the account has no other beneficiary and my investigation proved to me as well that Peter Cole was the manager of Peterson.(Gh). LTD.

I don't know any foreigner in my life, I am only contacting you as a foreigner because this money can not be approved to a local person here, without valid international foreign passport, but can only be approved to any foreigner with valid international passport or drivers license and foreign a/c because the money is in US dollars and the former owner of the a/c Mr. Peter Cole is a foreigner too, [and the money can only be approved into a foreign a/c.

Arrange your A/c and send it to me as follows for the processing of the payment:

1]A/C NUMBER:...............
2]A/C NAME:...................
3]BANK NAME:.................
4]BANK ADDRESS:..............
5]SWIFT CODE:..................

I got your contact address from my secretary who operates computer and I am revealing this to you with believe in God that you will never let me down in this business, you are the first and the only person that I am contacting for this business,so please reply urgently so, that I will inform you the next step to take.Send also your private telephone and fax number including the full details of the account to be used for the deposit as started above.

I need your full co-operation to make this work fine.because the management is ready to approve this payment to any foreigner who has correct information of this account, which I will give to you, upon your positive response and once I am convinced that you are capable and will meet up with instruction of a key bank official who is deeply involved with me in this business.

I need your strong assurance that you will never let me down,With the influence and the position of the key bank official we can transfer this money to any foreigner's reliable account which you can provide with assurance that this money will be intact pending our physical arrival in your country for sharing. The bank official will destroy all documents of transaction immediately we receive this money leaving no trace to any place and to build confidence, you can come immediately to discuss with me face to face after which I will make this remittance in your presence and three of us will fly to your country at least two days ahead of the money going into the account.

I will apply for annual leave to get visa immediately I hear from you that you are ready to act and receive this fund in your account.I will apply for the legal approvals for onward transfer of this money to your account with appropriate clearance from the relevant ministries and foreign exchange departments. At the conclusion of this business, you will be given 30% of the total amount, 60% will be for me,5% will be for expenses both parties might have incurred during the process of transferring and 5% will be for orphanage homes.

I look forward to hear from you as soon as possible if you are interested.

Yours Sincerely,

Mr.James Addo






From Loopers-Delight-request@loopers-delight.com  Thu Apr 22 19:40:26 2010
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Date: Thu, 22 Apr 2010 12:19:19 -0700
Subject: FS: Noise Swash, Roland TR77, Circuit bent and weird, etc.
From: legion@helpwantedproductions.com
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	"Loopers Delight" <Loopers-Delight@loopers-delight.com>
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Daedsound is in full swing and I'm trying to thin out a few items. I have
a page of odds and sods in the circuit bent catagory (yes, including some
speaks) up at http://daedsound.com/Salez/Daedhandmade.htm  This will be
updated alot including some cool earings and such for those so inclined.
prices start at $40 for tiny coffin handheld "thereminesque" synths on up

http://daedsound.com/Salez/Daedhandmade.htm


Also new FS:

1. 3/4mspedals.com custom Noise Swash - $175  Grey box with a few odd mods
including audio mix in. Buzzes and chirps and freaks like a mutha.

2. Roland TR77 drum machine $175 obo-  From Waaaaaay back in the day.
Roland's first ever product. I am not sure what these go for so I put the
price up but could be convinced either way if the deal is easy. I made a
video demo of this yesterday but given it's age and fickle nature this one
is working now and sold "as is".

http://www.youtube.com/watch?v=dyi20WXTskE

still forsale:

4. Roland SBF325 Vintage CV flanger $600

5. Frostwave V2 Resonator - $550

6. Roland SP808EX with zip disks and manual $350


more goodies. Pictures and more at: http://daedsound.com/Salez/FS.htm

Pickup is wonderful (phila pa) but I'll also take USPS MO or Paypal
(either direct or buyer pays fees). I pack well for free and charge only
actual shipping costs. Lots of refs. Serious offers welcome especially on
more than one item or local pickups!

Thanks for looking.


     ---------------------------------------
     NEW DAED SITE!!  -  Http://DaedSound.com
 DAED: Circuit Bent and Unusual Sound Devices
"Making Something Extrodinary from the Ordinary"

      Music and More at the Mothership:
    Http://www.HelpWantedProductions.com

From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 00:30:05 2010
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Date: Thu, 22 Apr 2010 20:29:52 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Listen To Galactic Travels
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GALACTIC TRAVELS ON WDIY:                   http://galactictravels.info
=======================================================================
Tonight at 11 pm EDT/UTC-4 on Galactic Travels, I'll continue the
month-long Special Focus on Radio Massacre International.  The Featured
CD at Midnight will be "Blacker" on Northern Echo Records.  For
details, see the Special Focus page at:
http://wdiy.org/programs/gt/playlists/2010/focus.html#apr

Galactic Travels is an electronic, ambient, and space music show that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, 93.7 FM in Fogelsville
and Trexlertown, on the internet, and in High Definition Radio at 88.1
FM.  Listen on the internet.

From pmiranda@unicah.edu  Fri Apr 23 00:46:41 2010
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        Thu, 22 Apr 2010 18:25:42 -0600
Date: Thu, 22 Apr 2010 19:25:32 -0500
From: couriercompanyupsexpress@yahoo.com.hk
Reply-To: couriercompanyupsexpress@yahoo.com.hk
Subject: CONFIRM BANK DRAFT
Message-ID: <9d5fe39f6cb77acef8a521dbdec3d91f@unicah.edu>
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Greetings! 

I have been waiting for you to contact me for your Confirmable Bank
Draft of $800.000.00 United States Dollars,but I did not hear from you.
Then I went and deposited the Draft with FedEx COURIER SERVICE, West 
Africa,I travelled out of the country for a 3 Months Course and I will not 
come back till end of july.

The only money you will send to the FedEx COURIER SERVICE to delivery our Draft direct to your 
postal Address in your country is($185.00USD)only being Security Keeping Fee of the Courier Company so far.

Contact Person:
Mr.Mark Moore
Dispatch Director.
Email Address: couriercompanyupsexpress@yahoo.com.hk
Telephone:+234-80509-21840

DO CONFIRM YOUR MAILING ADDRESS BELOW.

Full Name............
Home Address.........
Occupation..........
Country...........
Phone Number........

This is shipment informations.

Shipment Code:CPEL/OWN/9856
Parcel Number: EG2272-NG


Let me repeat again, try and contact then us soon as you receive this
mail to advoid any further delay and remember to pay them their Security
Keeping fee of $185.00 US Dollars for their immediate action.I know
this email may come to you as a surprise.

Yours Faithfully,  
MRS.SONIA ADAMS
Justicia, Orden, Paz, Amor y Verdad

From ex-elcontrole@bellnet.ca  Fri Apr 23 01:38:32 2010
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Reply-To: <vs-luisf@live.com>
From: "FRAU GRACE SMITH"<ex-elcontrole@bellnet.ca>
Subject: WINNING NOTIFICATION
Date: Thu, 22 Apr 2010 02:06:45 +0200
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
<FONT size=3 face="Calibri">INTERNATIONALE LOTTO/EUROMILLION PROGRAMME</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">MADRID OFFICE</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">OFFIZIELLE MITTEILUNG</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">VON SITZ DES PRASIDENTEN</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">INTERNATIONALE PROMOTION-GEWINNZUTEILUNG</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">REFERENZ NUMMER:BVM/65456009/ESP</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">DATUM: 22/04/2010</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">OFFIZIELLE GEWINNBENACHRITIGUNG</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Wir sind erfreut ihnen mitteilen zu konnen, das die gewinnliste</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">INTERNATIONALE LOTTO/BONO LOTTO PROGRAMM am 8. April. 2010 erschienen ist, vorbei Co-organisiert World Tourism Organization/Spanish Ministerio de Tourismo. Dir offizielle liste der gewinner erschien am 22. April 2010 Ihr e-mail wurde auf dem los mit dir nummer: 000442002 und mit der seriennummer: 2113-09 registried. Die glucksnummer: 10-16-25-41-46, haben in der zweitens kategorie gewonnen.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Sie sind damit gewinner von: 935, 470.00 (NEUN HUNDERT FUNF UND DREISSIG TAUSEND, VIER HUNDERT UNDSIEBZIG EURO.) Die summe ergibt sich einer gewinnausschuttung von. 25,257,690,00 (FUNF UND ZWANZIG MILLIONEN, ZWEI HUNDERT SIEBEN UND FUNFZIG TAUSEND,SECHS HUNDERT UND NEUNZIG EURO). Die summe wurde durch 27 gewinnern aus der glieichen kategorie geteilt.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">HERZLICHEN GLUCKWUNSCH!!!</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Dir gewinn ist bei einer sicherheitsfirma hinterlegt und in ihren namen versichert. um keine komplikationen bei der abwicklung der zahlung zu verursachen bitten wir sie diese offizielle mitteilung, diskret zu behandelnes ist ein teil unseres sicherheitsprotokolls und garantiet ihnen einen reibunglosen Ablauf.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Alle gewinner werden per computer aus 45.000.00 namen und e-mails aus ganz Europa, Asien,Australien und Amerika als teil unserer Internationalen promotion programms ausgewahlt, Welches wir einmal im jahr veranstalten.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">VITALICO&nbsp;&nbsp; SECURITY COMPANY&nbsp; S.A MADRID SPANIEN</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">AUSLAND ANSPRECH PARTNER:</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Herr. Luis Fernandez</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">TEL: +34 672 556 260</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">FAX: +34-917-692-742</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">E-mail: vs-luisf@live.com</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Bitte denken sie daran jeder gewinnanspruch muss bis zum 7. May. 2010 Angemeldete sein. Jeder nicht angemeldet Gewinnanspruch verfallt und geht zuruck an das MINISTERIO DE ECONOMIA Y HACIENDA Bitte denken sie auch daran das 5% ihres gewinnes an die sicherheitsfirma&nbsp; VITALICO&nbsp;&nbsp; SECURITY COMPANY&nbsp; S.A geht. Dir 5% sind erst nach erhalt des gewinnes fallig da der gewinn in ihren namen versichert ist.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">BITTE AUSFUILLEN DEIN DATAS AUS UNTEN.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">1. NAME:____________________________________________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">2&nbsp; NACH NAMEN____________________________PLZ_______________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">3. ADRESSE__________________________________________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">4. NATIONALITAT:_____________________BERUF_____________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">5. GEBURTSDATUM:____________________________________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">6. STAT:____________________________________________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">7. TELEFON:_________________________________________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">8. MOBIL:_________________________________BETRAG HAT GEWONNEN__________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">9. FAX:_____________________________________________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">10 EMAIL:___________________________________________________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">11.GESCHLECHT:______________HERR&nbsp; ODER&nbsp; FRAU______________</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Die oben genannten</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Anforderungen sind erforderlich.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Gluckwunsche noch einmal.</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">Herzlichs</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Calibri">FRAU GRACE SMITH.</FONT></DIV>
</FONT>
</BODY></HTML>

From notify-return-looparc=loopers-delight.com@returns.groups.yahoo.com  Fri Apr 23 02:33:04 2010
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From kaitkey@mail.mn  Fri Apr 23 03:20:43 2010
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Reply-To: <fbureauofinvestigation@mail.mn>
From: "Mrs Kait Key"<kaitkey@mail.mn>
Subject: OFFICIAL ADVICE FROM THE FBI
Date: Fri, 23 Apr 2010 16:34:10 -0700
MIME-Version: 1.0
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
ANTI-TERRORIST AND MONEY LAUNDRY CRIMES DIVISION </DIV>
<DIV>
FBI HEADQUARTERS IN WASHINGTON, D.C. </DIV>
<DIV>
FEDERAL BUREAU OF INVESTIGATION </DIV>
<DIV>
J. EDGAR HOOVER BUILDING 935 </DIV>
<DIV>
PENNSYLVANIA AVENUE, NW WASHINGTON, </DIV>
<DIV>
D.C. 20535-0001 </DIV>
<DIV>
Website: www.fbi.gov </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
ATTENTION! </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
This Is An Official Advice From The FBI, Foreign Remittance/Telegraphic Dept. (FRTD), It Has Come To Our Notice That The ADB (African Development Bank) And C.B.N (Central Bank Of Nigeria) Africa Has Released Your Part Of Inheritance/Contract Payment Of 10,500,000.00 U.S Dollars Into Bank Of America In Your Name As The Beneficiary. </DIV>
<DIV>
The Bank In Africa Knowing Fully Well That They Do Not Have Enough Facilities To Effect This Payment From Europe To Your Account, Used What We Know As A Secret Diplomatic Transit Payment S.T.D.P To Pay This Fund Through Wire Transfer. They Are Still Waiting For Final Confirmation From You On The Already Transferred Funds, To Enable Them Crediting Into Your Account Accordingly. Secret Diplomatic Transfer Payment Are Normally Funds Related To Drug/Terrorist And Money Laundry System Of Payment, Why Must Your Payment Be Made In Such Secret Transfer , If Your Transaction Is Legitimate And Not Related To Drug/Terrorist And Money Laundry, Why Can't The Bank In Africa Via Europe Effect Direct Transfer Into Your Account Than Secret Diplomatic Payment Transfer. </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
Due To The Increased Difficulties And Unnecessary Scrutiny By The American Authorities When Funds Come From Through Such Payment Process From Europe, Africa And Middle East, Based On The Records We Had In The Past Always Identified Such Method Of Payment As Drug/ Terrorist/Money Laundry Funds, To Avoid Problem With The Us Government As Soon As These Funds Reflect In Your Account In The U.S.A, It Is Our Mandatory Obligations To Ascertain The Documentation And Certification Of This Funds Before The Final Crediting Into Your Account. </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
We Advice You Contact Us Immediately, As The Funds Have Been Stopped And Held In Our Custody Pending When You Were Able To Provide Us With A Diplomatic Immunity Seal Of Transfer (Dist) Within 3 Days From The United Nation International Fund Monitory Unit (UNIFMU) That Authorize The Transfer And Certified That The Funds Originated From Africa And Middle East Is Free From Terrorist/Drug And Money Laundry Or We Shall Confiscate The Payment. We Will Allow The Funds To Be Release Into Your Account Immediately You Make Provision The Required Document. </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
You Will Be Directed Where And How To Get The Document If It Is Not In Your Possession. </DIV>
<DIV>
&nbsp;</DIV>
<DIV>
YOURS FAITHFULLY, </DIV>
<DIV>
Mrs.Kait Key: Seceratry to: </DIV>
<DIV>
FBI Director </DIV>
<DIV>
ROBERT S. MUELLER III</DIV>
</FONT>
</BODY></HTML>

From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 03:55:34 2010
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From: Gerj S <gerjman@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: echoplex question
Date: Fri, 23 Apr 2010 03:50:28 +0000
Importance: Normal
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--_6f505397-507f-4fe3-83a2-8329bf13a27a_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


Folks who know echoplex EDP .. would LOVE some advice=2C  thanx alot in adv=
ance!
trying to decide which equipement to buy and wondering about capabilities o=
f echoplex boxes..
if a loop sample is playing=2C can i adjust the tempo using tap tempo on th=
e fly and have it change speed of the sample slightly?
Or if it is using external timing master=2C similarly will it handle slight=
 change in tempo on the fly be slightly changing the speed of the sample?
i was going to get a RC-50=2C but then i heard that if you change tempo it =
butchers the sample to hell=2C and also it can't use external sync reliably=
=2C so seems worthless for the uses i described above...  i want to play w/=
 a live drummer and i think it will be very difficult if i can't adjust tem=
po and/or sync to his click.=20
I'm wondering what is cheapest decent quality looper i can get into that WI=
LL do these things..  =20
also VERY important -- I also need it to capture a sample and default to si=
ngle shot mode so i can re-trigger the sample as a one shot at will=2C havi=
ng it re-start right after i first complete the capture (on pedal press to =
capture & restart) and then to re-start whenever i hit the pedal... i suppo=
se that should be no problem for EDP w/ the right midi commands (e.g. stutt=
er mode=2C restart at will and call up multiple such samples in this manner=
 after i've captured afew different ones..)
any help greatly appreciated!!!  i'm kind of lost as to which box to go aft=
er which will do these things...=20
thanks a million!
Gerj

 		 	   		  =

--_6f505397-507f-4fe3-83a2-8329bf13a27a_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
<head>
<style><!--
.hmmessage P
{
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}
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{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
Folks who know echoplex EDP .. would LOVE some advice=2C &nbsp=3Bthanx alot=
 in advance!<div><br></div><div>trying to decide which equipement to buy an=
d wondering about capabilities of echoplex boxes..</div><div><br></div><div=
>if a loop sample is playing=2C can i adjust the tempo using tap tempo on t=
he fly and have it change speed of the sample slightly?</div><div><br></div=
><div>Or if it is using external timing master=2C similarly will it handle =
slight change in tempo on the fly be slightly changing the speed of the sam=
ple?</div><div><br></div><div>i was going to get a RC-50=2C but then i hear=
d that if you change tempo it butchers the sample to hell=2C and also it ca=
n't use external sync reliably=2C so seems worthless for the uses i describ=
ed above... &nbsp=3Bi want to play w/ a live drummer and i think it will be=
 very difficult if i can't adjust tempo and/or sync to his click.&nbsp=3B</=
div><div><br></div><div>I'm wondering what is cheapest decent quality loope=
r i can get into that WILL do these things.. &nbsp=3B&nbsp=3B</div><div><br=
></div><div>also VERY important -- I also need it to capture a sample and d=
efault to single shot mode so i can re-trigger the sample as a one shot at =
will=2C having it re-start right after i first complete the capture (on ped=
al press to capture &amp=3B restart) and then to re-start whenever i hit th=
e pedal... i suppose that should be no problem for EDP w/ the right midi co=
mmands (e.g. stutter mode=2C restart at will and call up multiple such samp=
les in this manner after i've captured afew different ones..)</div><div><br=
></div><div>any help greatly appreciated!!! &nbsp=3Bi'm kind of lost as to =
which box to go after which will do these things...&nbsp=3B</div><div><br><=
/div><div>thanks a million!<br>Gerj</div><div><br></div><div><br></div> 		 =
	   		  </body>
</html>=

--_6f505397-507f-4fe3-83a2-8329bf13a27a_--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 05:44:20 2010
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Date: Thu, 22 Apr 2010 22:44:18 -0700
Message-ID: <l2vd9a54a371004222244s8a12f147sd487a10f4aeec29a@mail.gmail.com>
Subject: Re: echoplex question
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--0016e64ca6d21db75a0484e0eb75
Content-Type: text/plain; charset=ISO-8859-1

Hello-

The EDP will not do what you want. It has no ability to stretch or compress
the audio of a loop. It has *extensive* syncing capabilities but again- no
ability to adjust the loop audio to fit. In reality that is a very hard
thing to do and have it sound at all decent.
I am only familiar with older devices and not anything made in the last 5
years or so. The Electrix Repeater would do what you want but it is out of
production and prices on the used market are close to $1000.

Please let us know what you find and how it works out.

Regards,

Clifford

--0016e64ca6d21db75a0484e0eb75
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hello- <br><br>The EDP will not do what you want. It has no ability to stre=
tch or compress the audio of a loop. It has *extensive* syncing capabilitie=
s but again- no ability to adjust the loop audio to fit. In reality that is=
 a very hard thing to do and have it sound at all decent.<br>
I am only familiar with older devices and not anything made in the last 5 y=
ears or so. The Electrix Repeater would do what you want but it is out of p=
roduction and prices on the used market are close to $1000.<br><br>Please l=
et us know what you find and how it works out. <br>
<br>Regards, <br><br>Clifford<br>

--0016e64ca6d21db75a0484e0eb75--

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Date: Thu, 22 Apr 2010 22:47:44 -0700
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Subject: Re: EDP MIDI Undo quirk
From: Clifford Novey <cnovey@gmail.com>
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--0016e64bf24e6558800484e0f7a0
Content-Type: text/plain; charset=ISO-8859-1

Matthias, what do you mean? Are you still developing the EDP firmware?

"I will have to make it work over sync, too"

BTW- saw Andre LaFosse play tonight in a guitar quartet. Was good to see him
again as it has been 3 or 4 years. He is doing well. Thought you would like
to know!

Regards,
C

--0016e64bf24e6558800484e0f7a0
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Matthias, what do you mean? Are you still developing the EDP firmware?<br><=
br>&quot;I will have to make it work over sync, too&quot;<br><br>BTW- saw A=
ndre LaFosse play tonight in a guitar quartet. Was good to see him again as=
 it has been 3 or 4 years. He is doing well. Thought you would like to know=
!<br>
<br>Regards, <br>C<br><br>

--0016e64bf24e6558800484e0f7a0--

From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 06:54:29 2010
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Subject: Re: EDP MIDI Undo quirk
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On 23 Apr 2010, at 02:47, Clifford Novey wrote:

> Matthias, what do you mean? Are you still developing the EDP firmware?
>=20
> "I will have to make it work over sync, too"

no, thats not for the old hardware any more. it was the last function I =
tried to squeeze in in 2002 and found it was not possible. but for the =
plugin and the next hardware coming...
>=20
> BTW- saw Andre LaFosse play tonight in a guitar quartet. Was good to =
see him again as it has been 3 or 4 years. He is doing well. Thought you =
would like to know!

sure, thank you! I will write him, I will be in CA the next 3 weeks!
>=20
> Regards,=20
> C
>=20

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Wow- Any info on next gen hardware would be welcome!
Regards,
C
Sent via soup cans and string.

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Gerj S wrote:
> Folks who know echoplex EDP .. would LOVE some advice,  thanx alot in 
> advance!
> 
> trying to decide which equipement to buy and wondering about 
> capabilities of echoplex boxes..
> 
> if a loop sample is playing, can i adjust the tempo using tap tempo on 
> the fly and have it change speed of the sample slightly?

no

> 
> Or if it is using external timing master, similarly will it handle 
> slight change in tempo on the fly be slightly changing the speed of the 
> sample?

no

> 
> i was going to get a RC-50, but then i heard that if you change tempo it 
> butchers the sample to hell, and also it can't use external sync 
> reliably, so seems worthless for the uses i described above...  i want 
> to play w/ a live drummer and i think it will be very difficult if i 
> can't adjust tempo and/or sync to his click. 

what's "his click".
If drummer's using a click track the edp can sync to that.
(but not follow if tempo changes)

> 
> I'm wondering what is cheapest decent quality looper i can get into that 
> WILL do these things..   
> 
> also VERY important -- I also need it to capture a sample and default to 
> single shot mode so i can re-trigger the sample as a one shot at will, 
> having it re-start right after i first complete the capture (on pedal 
> press to capture & restart) and then to re-start whenever i hit the 
> pedal... i suppose that should be no problem for EDP w/ the right midi 
> commands (e.g. stutter mode, restart at will and call up multiple such 
> samples in this manner after i've captured afew different ones..)

EDP will do that.
(stutter mode is something different tho', the feature
  is called SamplePlay)

> 
> any help greatly appreciated!!!  i'm kind of lost as to which box to go 
> after which will do these things... 
> 
> thanks a million!
> Gerj
> 
> 

From philippe.haudrere@univ-angers.fr  Fri Apr 23 08:11:26 2010
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Date: Fri, 23 Apr 2010 05:21:53 +0200
From: "TWINOXIDE INTERNATIONAL PLC." <philippe.haudrere@univ-angers.fr>
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From alexei01r@live.ru  Fri Apr 23 09:05:12 2010
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From: "Mr. Alexei Leonidovich Kudrin"<alexei01r@live.ru>
Subject: RE: CONFIDENTIAL BUSINESS PROPOSAL/INVESTMENT
Date: Sat, 24 Apr 2010 09:42:45 +0200
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Office of the Deputy Prime Minister:
Name: Mr. Alexei Leonidovich Kudrin
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From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 11:22:47 2010
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Date: Fri, 23 Apr 2010 07:22:35 -0400
From: Bill Fox <billyfox@soundscapes.us>
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Subject: Galactic Travels Playlist #681 for April 22, 2010.
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http://wdiy.org/programs/gt/playlists/2010/100422.html

Galactic Travels is an electronic, ambient, and space music show, that
airs each Thursday at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem,
PA, 93.9 FM in Easton, PA and Phillipsburg, NJ, 93.7 FM in Fogelsville
and Trexlertown, and webcasting on the internet.  WDIY also broadcasts
in Digital HD at 88.1 FM.

                Show #681                Apil 22, 2010.

RECAP:
On this show, I continued the month-long focus on Radio Massacre
International.  The Featured CD at Midnight was Blacker on Northern Echo
Records.

RMI: http://wdiy.org/programs/gt/playlists/2010/focus.html#apr


PLAYLIST:

11:04 pm
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Kevin Braheny        Starflight 1 *       Galaxies (Hearts of Space)
ElectroCelt          Massive Attack       Realworld of ElectroCelt
                       Stole Our Beers!!    (none)
Technicolor Travel   Papyrus              Water Gap (none)
  Agency
B. Metcalf, D.       Dreamtime Alchemy    Dream Tracker (Dr Bam's Music)
  Khalsa, and S. Roach
Jonn Serrie          Enroute to Delta     Thousand Star (New World
                       Pavonis              Music)
Jonn Serrie          Nostalgia for        Thousand Star (New World
                       Infinity             Music)
Twyndyllyngs         Convoluted Time *    Between Space and Time
                                            (electro-music media)

12:00 am
ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Radio Massacre       dubly                Blacker (Northern Echo)
  International
Radio Massacre       this is scenery?     Blacker (Northern Echo)
  International
Radio Massacre       no bones             Blacker (Northern Echo)
  International
Radio Massacre       enormodome           Blacker (Northern Echo)
  International

1:00 am

 * = excerpt
VA = Various Artists (compilation)
++ = Advance CDR from Artist
-- = Background music under interview


NEXT SHOW:
On the next Galactic Travels, I'll conclude the month-long focus on
Radio Massacre International.  The Featured CD at Midnight will be
e-live 2008 on Northern Echo Records.

Bill
========================================================================
Host of Galactic Travels, an electronic, ambient, and space music show,
Thursdays at 11:04 pm EDT/UTC-4 on WDIY 88.1 FM in Allentown and
Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in
Trexlertown and Fogelsville.  WDIY also broadcasts in HD Digital Radio
on 88.1 FM.
Galactic Travels web site: http://galactictravels.info
Listen to WDIY at http://war.str3am.com:7880/listen.pls on-line.
To subscribe to the galactic-travels mailing list, click on [Join This
Group!] at http://groups.yahoo.com/group/galactic-travels

From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 12:00:38 2010
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Subject: The Soundscapes Concert Series
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Saturday, April 24, the Soundscapes Concert Series begins anew at the 
Nazareth Center for the Arts featuring local electronic musicians having 
international reputations. Twyndyllyngs and Technicolor Travel Agency 
will each perform a set and then perform together for a short, 
improvised encore. Doors open at 7:30 pm and the concert is at 8:00 pm. 
There is a suggested donation of $10 to support the musicians and to 
enable the Nazareth Center for the Arts to pay operating expenses. The 
NCA is located at 30 Belvidere Street, Nazareth, PA 18064 just off of 
Route 191 on the southwest corner of Belvidere Street and South Spruce 
Street. Check the NCA site for parking information.  The Soundscapes 
Concert Series website has driving directions and a link to a map.

Twyndyllyngs  is comprised of Howard Moscovitz (synthesizer and iPhone 
apps) and Bill Fox (synthesizers, guitar, bass, lap slide guitar). 
Howard has been playing electronic music since he bought a Moog modular 
synthesizer in the early 1970s. Since then, he has started 
electro-music, an award winning community of international artists, an 
on-line radio station, and yearly festivals. Bill has hosted radio shows 
since 1997 that have garnered international audiences and recognition. 
He created the Soundscapes Concert Series and has performed at festivals 
in the US as well as in Poland, the Canary Islands, Italy, Romania, and 
Croatia.

Technicolor Travel Agency is comprised of Greg Waltzer (synthesizers) 
and Johnny Doyle  (guitar). Greg has performed at many concerts and 
festivals around the US with diverse bands including Mutation Vector, 
Fringe Element, xeroid entity, Holosphere, and Technicolor Travel 
Agency. With Howard, he is organizer of the electro-music festivals. He 
also organizes the Pocono Skies and Hyperspace festivals. Johnny met 
Greg while both were members of the experimental indie band The Sea and 
the Stars. They discovered they had a mutual interest in exploring music 
by "painting with sound," with no boundaries, egos, or rules, just 
channeling something bigger than themselves.

The Soundscapes Concert Series is intended to bring electronic music to 
the Lehigh Valley by being the concert companion to Galactic Travels, a 
radio show in the Allentown - Lehigh Valley area of eastern 
Pennsylvania. Like the radio show, SOUNDSCAPES features Electronic, 
Ambient and Spacemusic. There are many reasons for starting this concert 
series, not the least of which is to bring the music heard on Galactic 
Travels to the area in a comfortable, friendly and relaxed concert 
setting. This also has the byproduct of providing valuable performance 
opportunities to the musicians who put so much energy into their craft. 
This is their chance to step out of the relative safety of their studios 
and connect with the fans of electronic music.

There is no better way to build a community than through music. The goal 
of SOUNDSCAPES is to build a local Electronic Music community by 
providing an environment of music and the opportunity to meet 
like-minded people.

http://soundscapes.us

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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

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From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 16:40:15 2010
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Don't know if my comment is of use to what you're after (or if somebody 
else has already pointed it out, with some days spent playing music and 
racetrack driving, I'm a little behind with my reading), but:

One thing that seems important to me is to consider acoustic feedback 
from the mains into your microphones. This is especially relevant if you 
overdub a lot and/or keep the "overdub" function active for prolonged 
periods of time, or work with distinctive tracks in a multi-track or 
several loopers which you want to bring in and out separately.

In my trombone/voice/loops live recordings (e.g. 
http://moinlabs.bandcamp.com/album/wie-gross-ist-die-luft), I worked 
with clipon/headset microphones and at least some gentle gating, as well 
as with in-ears (as opposed to monitor speakers).

          Rainer

Andy Roberts schrieb:
> I am in the process of assembling a small acoustic looping rig for 
> gigs and open mics  and thought I'd bounce my plans


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Fri Apr 23 16:52:02 2010
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I'd like to second the Kruder&Dorfmeister suggestion (in addition to The 
K&D Sessions, their DJ Kicks compilation is also really fine). The first 
half of this track http://bit.ly/dxDbPn is very much inspired by their work.

A trouvaille for me was Yagya: "Rhythm of Snow",
which is some very subtle, dark stuff, darker and more (if only 
minimalistically) beat-oriented, but otherwise somewhat similar to Brian 
Eno: "Apollo",
and when we're with Eno, also "My Life in the Bush of Ghosts" (Eno/Byrne).

Apart from that: what is Electronica in this context? Does "GTR OBLQ" by 
Torn/Reid/Sharp fit into this (it's basically three guitarists with lots 
of processing and drum machines).
And from Sharp, there's "Cyberpunk and the Virtual Stance", which sounds 
like the title suggests (which, contrary to the Torn/Reid/Sharp disc, 
doesn't have a real beat, but then that may be a good thing).
There's at least some electronic stuff on "Time Stories" by David Moss 
(a collection of duets by Moss and e.g. Goebbels, Marclay, Schulte, 
Kuhn). This has appeared on the INTAKT label (www.intaktrec.ch), which 
have a lot of music which is not exactly normal - another recommendation 
('though not Electronica by any definition) is Christian Marclay and 
Elliot Sharp on "High Noon".

D'oh, now my favourite album on this recommendation list isn't even 
Electronica...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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File Ref No: ADB/97531/SCB-OX1/09
AMOUNT: US$7,300,000.00 DOLLARS ONLY.

Attn,

We hereby confirmed receipt of part payment of US$7,300,000.00 dollars only, into our official ESCROW account with the Standard Chartered Bank in London by order of the African Development Bank (ADB) in charge of Foreign Debt Recovery Committee on Overdue Contract/ Inheritance payments in Africa, as indicated in our database.

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We sincerely apologize for the delays and advice you to STOP any further communication with your associate in any of the African countries for they contributed 100% hindrances to the release of your funds. Our final fund release order will be forwarded to our operational paying bank, the Standard Chartered Bank in London-UK for immediate transfer of your allocation into your designated account upon receipt and official re-confirmation of your information in our
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Fund will be retrieved to treasury after ten (10) business days of this notice.

Yours in service,
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FROM: THE DIRECTOR
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REF:EL3/9318/04
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Attn: Dear Sir/Madam

  We are pleased to inform you of the result of the
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 01:00:11 2010
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Subject: Jeff Duke looping live right now
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--e0cb4e887687c5bfcb0484f11012
Content-Type: text/plain; charset=ISO-8859-1

on Improv Friday at improvfriday.ning.com till 7pm pst/10pm est

-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--e0cb4e887687c5bfcb0484f11012
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on Improv Friday at <a href=3D"http://improvfriday.ning.com">improvfriday.n=
ing.com</a> till 7pm pst/10pm est<br clear=3D"all"><br>-- <br>Websites<br><=
a href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a h=
ref=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br=
>
<br>Downloads/CD&#39;s<br><a href=3D"http://jimgoodin.bandcamp.com">jimgood=
in.bandcamp.com</a><br><a href=3D"http://digitsignal.bandcamp.com">digitsig=
nal.bandcamp.com</a><br><a href=3D"http://jimgoodinpeterthorn.bandcamp.com"=
>jimgoodinpeterthorn.bandcamp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--e0cb4e887687c5bfcb0484f11012--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 01:35:02 2010
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Date: Fri, 23 Apr 2010 18:34:43 -0700
Message-ID: <l2pd9a54a371004231834rdc7ba620u5b4131f0a73544eb@mail.gmail.com>
Subject: Re: Jeff Duke looping live right now
From: Clifford Novey <cnovey@gmail.com>
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I'm tuned in- sounds good- thanks
C

--0016e64cc8965e448b0484f18c28
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I&#39;m tuned in- sounds good- thanks<br>C<br>

--0016e64cc8965e448b0484f18c28--

From hmtreasury8@gmail.com  Sat Apr 24 02:07:05 2010
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Date: Fri, 23 Apr 2010 21:13:15 +0800
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Payment Transfer Notification of GBP3, 500.000.00 Pounds

The treasury directorate division of the UK Financial Monetary Service Authority writes to inform you that we have credit advice documentary evidence in your favor to authorize the release of GBP3,500,000.00(Three Million Five hundred Thousand Pounds Only) to you being an outstanding payment accrued interest on your contract/inheritance payment. As the only authorized officer saddle with the responsibility of making sure you get and confirm the transaction, you are hereby advised to carefully confirm to us your receiving banking details for verification, so that upon clearance confirmation of your details, we shall direct the paying institution in London to immediately release and remit your payment without any further delay .
As soon as we receive and confirm this information, your credit advice confirmation evidence will be sent to our paying institution for the immediate release of the fund to your nominated account. Await your response.
Kindest regards
Chief Frank Williaams
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Direct all reply to: hmtreasury1a@yahoo.com

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	 <l2pd9a54a371004231834rdc7ba620u5b4131f0a73544eb@mail.gmail.com>
Date: Fri, 23 Apr 2010 19:21:48 -0700
Message-ID: <u2nd9a54a371004231921rfa8ab263o94acba421ee727f1@mail.gmail.com>
Subject: Re: Jeff Duke looping live right now
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I don't see where you are chatting- trying to chime in
C

--0016e64bf24eb491600484f2347c
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I don&#39;t see where you are chatting- trying to chime in<br>C<br>

--0016e64bf24eb491600484f2347c--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 02:52:12 2010
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From: Gerj S <gerjman@hotmail.com>
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Subject: RE: echoplex question
Date: Sat, 24 Apr 2010 02:52:04 +0000
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Andy & Clifford=2C
thanks alot for the responses =2C this helps me..
it sounds like unless i want to spend some significant bux=2C i might need =
to adapt my vision slightly and just retrigger relatively short sampled phr=
ases to  stay in sync w/ the drummer..
so if i abandon the idea of doing time stretching or time changes and only =
focus on capturing and explicitly triggering/re-triggering multiple samples=
 (e.g. SamplePlay)... the EDP will probably do a fine job..
i suppose in this case i won't be needing the looper to sync to any externa=
l source...  So maybe an RC-50 even will do an adequate job ?... although f=
rom what i'm reading=2C if i'm not mistaken=2C i think I can only have up t=
o 3 sampled phrases at a time ready to trigger..
thanks=2C
Gerj


> Date: Fri=2C 23 Apr 2010 09:11:13 +0100
> From: akbutler@tiscali.co.uk
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: echoplex question
>=20
>=20
>=20
> Gerj S wrote:
> > Folks who know echoplex EDP .. would LOVE some advice=2C  thanx alot in=
=20
> > advance!
> >=20
> > trying to decide which equipement to buy and wondering about=20
> > capabilities of echoplex boxes..
> >=20
> > if a loop sample is playing=2C can i adjust the tempo using tap tempo o=
n=20
> > the fly and have it change speed of the sample slightly?
>=20
> no
>=20
> >=20
> > Or if it is using external timing master=2C similarly will it handle=20
> > slight change in tempo on the fly be slightly changing the speed of the=
=20
> > sample?
>=20
> no
>=20
> >=20
> > i was going to get a RC-50=2C but then i heard that if you change tempo=
 it=20
> > butchers the sample to hell=2C and also it can't use external sync=20
> > reliably=2C so seems worthless for the uses i described above...  i wan=
t=20
> > to play w/ a live drummer and i think it will be very difficult if i=20
> > can't adjust tempo and/or sync to his click.=20
>=20
> what's "his click".
> If drummer's using a click track the edp can sync to that.
> (but not follow if tempo changes)
>=20
> >=20
> > I'm wondering what is cheapest decent quality looper i can get into tha=
t=20
> > WILL do these things..  =20
> >=20
> > also VERY important -- I also need it to capture a sample and default t=
o=20
> > single shot mode so i can re-trigger the sample as a one shot at will=
=2C=20
> > having it re-start right after i first complete the capture (on pedal=20
> > press to capture & restart) and then to re-start whenever i hit the=20
> > pedal... i suppose that should be no problem for EDP w/ the right midi=
=20
> > commands (e.g. stutter mode=2C restart at will and call up multiple suc=
h=20
> > samples in this manner after i've captured afew different ones..)
>=20
> EDP will do that.
> (stutter mode is something different tho'=2C the feature
>   is called SamplePlay)
>=20
> >=20
> > any help greatly appreciated!!!  i'm kind of lost as to which box to go=
=20
> > after which will do these things...=20
> >=20
> > thanks a million!
> > Gerj
> >=20
> >=20
>=20
 		 	   		  =

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<html>
<head>
<style><!--
.hmmessage P
{
margin:0px=3B
padding:0px
}
body.hmmessage
{
font-size: 10pt=3B
font-family:Verdana
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</head>
<body class=3D'hmmessage'>
Andy &amp=3B Clifford=2C<div><br></div><div>thanks alot for the responses =
=2C this helps me..</div><div><br></div><div>it sounds like unless i want t=
o spend some significant bux=2C i might need to adapt my vision slightly an=
d just retrigger relatively short sampled phrases to &nbsp=3Bstay in sync w=
/ the drummer..</div><div><br></div><div>so if i abandon the idea of doing =
time stretching or time changes and only focus on capturing and explicitly =
triggering/re-triggering multiple samples (e.g. SamplePlay)... the EDP will=
 probably do a fine job..</div><div><br></div><div>i suppose in this case i=
 won't be needing the looper to sync to any external source... &nbsp=3BSo m=
aybe an RC-50 even will do an adequate job ?... although from what i'm read=
ing=2C if i'm not mistaken=2C i think I can only have up to 3 sampled phras=
es at a time ready to trigger..</div><div><br></div><div>thanks=2C<br></div=
><div>Gerj</div><div><br></div><div><br><br>&gt=3B Date: Fri=2C 23 Apr 2010=
 09:11:13 +0100<br>&gt=3B From: akbutler@tiscali.co.uk<br>&gt=3B To: Looper=
s-Delight@loopers-delight.com<br>&gt=3B Subject: Re: echoplex question<br>&=
gt=3B <br>&gt=3B <br>&gt=3B <br>&gt=3B Gerj S wrote:<br>&gt=3B &gt=3B Folks=
 who know echoplex EDP .. would LOVE some advice=2C  thanx alot in <br>&gt=
=3B &gt=3B advance!<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B trying to decide whi=
ch equipement to buy and wondering about <br>&gt=3B &gt=3B capabilities of =
echoplex boxes..<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B if a loop sample is pla=
ying=2C can i adjust the tempo using tap tempo on <br>&gt=3B &gt=3B the fly=
 and have it change speed of the sample slightly?<br>&gt=3B <br>&gt=3B no<b=
r>&gt=3B <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B Or if it is using external tim=
ing master=2C similarly will it handle <br>&gt=3B &gt=3B slight change in t=
empo on the fly be slightly changing the speed of the <br>&gt=3B &gt=3B sam=
ple?<br>&gt=3B <br>&gt=3B no<br>&gt=3B <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B =
i was going to get a RC-50=2C but then i heard that if you change tempo it =
<br>&gt=3B &gt=3B butchers the sample to hell=2C and also it can't use exte=
rnal sync <br>&gt=3B &gt=3B reliably=2C so seems worthless for the uses i d=
escribed above...  i want <br>&gt=3B &gt=3B to play w/ a live drummer and i=
 think it will be very difficult if i <br>&gt=3B &gt=3B can't adjust tempo =
and/or sync to his click. <br>&gt=3B <br>&gt=3B what's "his click".<br>&gt=
=3B If drummer's using a click track the edp can sync to that.<br>&gt=3B (b=
ut not follow if tempo changes)<br>&gt=3B <br>&gt=3B &gt=3B <br>&gt=3B &gt=
=3B I'm wondering what is cheapest decent quality looper i can get into tha=
t <br>&gt=3B &gt=3B WILL do these things..   <br>&gt=3B &gt=3B <br>&gt=3B &=
gt=3B also VERY important -- I also need it to capture a sample and default=
 to <br>&gt=3B &gt=3B single shot mode so i can re-trigger the sample as a =
one shot at will=2C <br>&gt=3B &gt=3B having it re-start right after i firs=
t complete the capture (on pedal <br>&gt=3B &gt=3B press to capture &amp=3B=
 restart) and then to re-start whenever i hit the <br>&gt=3B &gt=3B pedal..=
. i suppose that should be no problem for EDP w/ the right midi <br>&gt=3B =
&gt=3B commands (e.g. stutter mode=2C restart at will and call up multiple =
such <br>&gt=3B &gt=3B samples in this manner after i've captured afew diff=
erent ones..)<br>&gt=3B <br>&gt=3B EDP will do that.<br>&gt=3B (stutter mod=
e is something different tho'=2C the feature<br>&gt=3B   is called SamplePl=
ay)<br>&gt=3B <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B any help greatly apprecia=
ted!!!  i'm kind of lost as to which box to go <br>&gt=3B &gt=3B after whic=
h will do these things... <br>&gt=3B &gt=3B <br>&gt=3B &gt=3B thanks a mill=
ion!<br>&gt=3B &gt=3B Gerj<br>&gt=3B &gt=3B <br>&gt=3B &gt=3B <br>&gt=3B <b=
r></div> 		 	   		  </body>
</html>=

--_5b17c0ac-221f-4508-9c8a-6544d736e6fb_--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 02:55:45 2010
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Subject: Re: echoplex question
To: Loopers-Delight@loopers-delight.com
From: cnovey@gmail.com
Date: Sat, 24 Apr 2010 02:55:30 +0000
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I would take a good look at what is out there currently- you might find something that can do a little stretching- new products are out all the time and like I said I have not been up to date in quite some time.

I have seen another pedal that could store more than 3 phrases I think.

C
Sent via soup cans and string.

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 03:25:51 2010
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Date: Fri, 23 Apr 2010 23:25:50 -0400
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Subject: Re: Jeff Duke looping live right now
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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Clifford I'm glad you caught some of it. To take part in chat you to join
ImprovFriday which I'd encourage in general or if you have a profile in
Livestream where Jeff originated from you you could chat on his channel page
however this feed this evening was primarily hosted by Improv Friday which
is hosting live video casts @2x a month.  I'll be doing one in May or June.

while at it I have an online quintet called Digitsignal.  We do two casts a
month on Livestream and we're on this Sunday at 12noon EST, URL is
http://www.livestream.com/digitsignallive

Jim

On Fri, Apr 23, 2010 at 10:21 PM, Clifford Novey <cnovey@gmail.com> wrote:

> I don't see where you are chatting- trying to chime in
> C
>



-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--0016364d2f65b659ce0484f31966
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Clifford I&#39;m glad you caught some of it. To take part in chat you to jo=
in ImprovFriday which I&#39;d encourage in general or if you have a profile=
 in Livestream where Jeff originated from you you could chat on his channel=
 page however this feed this evening was primarily hosted by Improv Friday =
which is hosting live video casts @2x a month.=A0 I&#39;ll be doing one in =
May or June.<br>
<br>while at it I have an online quintet called Digitsignal.=A0 We do two c=
asts a month on Livestream and we&#39;re on this Sunday at 12noon EST, URL =
is <a href=3D"http://www.livestream.com/digitsignallive">http://www.livestr=
eam.com/digitsignallive</a><br>
<br>Jim<br><br><div class=3D"gmail_quote">On Fri, Apr 23, 2010 at 10:21 PM,=
 Clifford Novey <span dir=3D"ltr">&lt;<a href=3D"mailto:cnovey@gmail.com">c=
novey@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quote" =
style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 20=
4); padding-left: 1ex;">
I don&#39;t see where you are chatting- trying to chime in<br><font color=
=3D"#888888">C<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Websites<br><a h=
ref=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=
=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br><b=
r>
Downloads/CD&#39;s<br><a href=3D"http://jimgoodin.bandcamp.com">jimgoodin.b=
andcamp.com</a><br><a href=3D"http://digitsignal.bandcamp.com">digitsignal.=
bandcamp.com</a><br><a href=3D"http://jimgoodinpeterthorn.bandcamp.com">jim=
goodinpeterthorn.bandcamp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--0016364d2f65b659ce0484f31966--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 03:48:32 2010
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Subject: Listen To Thought Radio
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THOUGHT RADIO:                               http://soundscapes.us/amfm
=======================================================================
My next stint on Thought Radio, the Saturday edition of The AM/FM Show
will be Saturday, April 24 at 6 am EDT/UTC-4.  I will continue the
special on Sequences Electronic Music Magazine's sampler CDs in Phase
One.

I host the show every other week. When I am at the helm, the show
features electronic, ambient, and spacemusic at the beginning, an
eclectic mix of genres in the middle, and winds up with Progressive
Rock.

Tune in at 91.7 FM or on the internet at
http://muhlenberg.edu/wmuh/WMUH.ram

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<head><style>body{font-family: Geneva,Arial,Helvetica,sans-serif;font-size:10pt;font-family:arial,sans-serif;background-color:#ffffff;color:black;}p{margin:0px}</style></head><body id="compText">we were quipping on the facebook link that was on the live page-but, there was no response-so thats why he's askin.<br><br><br><blockquote style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message-----
<br>From: Jim Goodin <jimgoodinmusic@gmail.com>
<br>Sent: Apr 23, 2010 11:25 PM
<br>To: loopers-Delight@loopers-delight.com
<br>Subject: Re: Jeff Duke looping live right now

<br><br>Clifford I'm glad you caught some of it. To take part in chat you to join ImprovFriday which I'd encourage in general or if you have a profile in Livestream where Jeff originated from you you could chat on his channel page however this feed this evening was primarily hosted by Improv Friday which is hosting live video casts @2x a month.&nbsp; I'll be doing one in May or June.<br>
<br>while at it I have an online quintet called Digitsignal.&nbsp; We do two casts a month on Livestream and we're on this Sunday at 12noon EST, URL is <a target="_blank" href="http://www.livestream.com/digitsignallive">http://www.livestream.com/digitsignallive</a><br>
<br>Jim<br><br><div class="gmail_quote">On Fri, Apr 23, 2010 at 10:21 PM, Clifford Novey <span dir="ltr">&lt;<a target="_blank" href="mailto:cnovey@gmail.com">cnovey@gmail.com</a>&gt;</span> wrote:<br><blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
I don't see where you are chatting- trying to chime in<br><font color="#888888">C<br>
</font></blockquote></div><br><br clear="all"><br>-- <br>Websites<br><a target="_blank" href="http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a target="_blank" href="http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br><br>
Downloads/CD's<br><a target="_blank" href="http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a target="_blank" href="http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><a target="_blank" href="http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandcamp.com</a><br>
<br>Live Channels<br><a target="_blank" href="http://www.livestream.com/jimgoodinlive">www.livestream.com/jimgoodinlive</a><br><a target="_blank" href="http://www.livestream.com/digitsignallive">www.livestream.com/digitsignallive</a><br>
</jimgoodinmusic@gmail.com></blockquote></body>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 03:58:49 2010
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Date: Fri, 23 Apr 2010 23:58:48 -0400
Message-ID: <h2w9e0440a61004232058xcc0241acqda9eb19920e1fc14@mail.gmail.com>
Subject: Re: Jeff Duke looping live right now
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: loopers-Delight@loopers-delight.com
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Stan hey.  It was live from 6pm - 7pm PST.  The Livestream feed was hosted
or pulled in to the ImprovFriday sight.  I was rushing but should have
mentioned that your browser first loads the ImprovFriday page you have click
on the Livestream window for it to come active with the live content.  I
think when you first hit the page you get either a paused video.  As said I
was trying to help Jeff with a last minute promo.

How's it all 'shakin' Stan, are you making things rumble out there! (grins)
amazing stuff you generate up.

On Fri, Apr 23, 2010 at 11:43 PM, <stanitarium@earthlink.net> wrote:

> we were quipping on the facebook link that was on the live page-but, there
> was no response-so thats why he's askin.
>
>
>
> -----Original Message-----
> From: Jim Goodin
> Sent: Apr 23, 2010 11:25 PM
> To: loopers-Delight@loopers-delight.com
> Subject: Re: Jeff Duke looping live right now
>
> Clifford I'm glad you caught some of it. To take part in chat you to join
> ImprovFriday which I'd encourage in general or if you have a profile in
> Livestream where Jeff originated from you you could chat on his channel page
> however this feed this evening was primarily hosted by Improv Friday which
> is hosting live video casts @2x a month.  I'll be doing one in May or June.
>
> while at it I have an online quintet called Digitsignal.  We do two casts a
> month on Livestream and we're on this Sunday at 12noon EST, URL is
> http://www.livestream.com/digitsignallive
>
> Jim
>
> On Fri, Apr 23, 2010 at 10:21 PM, Clifford Novey <cnovey@gmail.com> wrote:
>
>> I don't see where you are chatting- trying to chime in
>> C
>>
>
>
>
> --
> Websites
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
>
> Downloads/CD's
> jimgoodin.bandcamp.com
> digitsignal.bandcamp.com
> jimgoodinpeterthorn.bandcamp.com
>
> Live Channels
> www.livestream.com/jimgoodinlive
> www.livestream.com/digitsignallive
>
>


-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--0016e644cda69f5abc0484f38ff7
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Stan hey.=A0 It was live from 6pm - 7pm PST.=A0 The Livestream feed was hos=
ted or pulled in to the ImprovFriday sight.=A0 I was rushing but should hav=
e mentioned that your browser first loads the ImprovFriday page you have cl=
ick on the Livestream window for it to come active with the live content.=
=A0 I think when you first hit the page you get either a paused video.=A0 A=
s said I was trying to help Jeff with a last minute promo.<br>
<br>How&#39;s it all &#39;shakin&#39; Stan, are you making things rumble ou=
t there! (grins) amazing stuff you generate up.<br><br><div class=3D"gmail_=
quote">On Fri, Apr 23, 2010 at 11:43 PM,  <span dir=3D"ltr">&lt;<a href=3D"=
mailto:stanitarium@earthlink.net">stanitarium@earthlink.net</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div>we were quip=
ping on the facebook link that was on the live page-but, there was no respo=
nse-so thats why he&#39;s askin.<div>
<div></div><div class=3D"h5"><br><br><br><blockquote style=3D"padding-left:=
 5px; margin-left: 0px; border-left: 2px solid rgb(0, 0, 255);">-----Origin=
al Message-----
<br>From: Jim Goodin=20
<br>Sent: Apr 23, 2010 11:25 PM
<br>To: <a href=3D"mailto:loopers-Delight@loopers-delight.com" target=3D"_b=
lank">loopers-Delight@loopers-delight.com</a>
<br>Subject: Re: Jeff Duke looping live right now

<br><br>Clifford I&#39;m glad you caught some of it. To take part in chat y=
ou to join ImprovFriday which I&#39;d encourage in general or if you have a=
 profile in Livestream where Jeff originated from you you could chat on his=
 channel page however this feed this evening was primarily hosted by Improv=
 Friday which is hosting live video casts @2x a month.=A0 I&#39;ll be doing=
 one in May or June.<br>

<br>while at it I have an online quintet called Digitsignal.=A0 We do two c=
asts a month on Livestream and we&#39;re on this Sunday at 12noon EST, URL =
is <a href=3D"http://www.livestream.com/digitsignallive" target=3D"_blank">=
http://www.livestream.com/digitsignallive</a><br>

<br>Jim<br><br><div class=3D"gmail_quote">On Fri, Apr 23, 2010 at 10:21 PM,=
 Clifford Novey <span dir=3D"ltr">&lt;<a href=3D"mailto:cnovey@gmail.com" t=
arget=3D"_blank">cnovey@gmail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">

I don&#39;t see where you are chatting- trying to chime in<br><font color=
=3D"#888888">C<br>
</font></blockquote></div><br><br clear=3D"all"><br>-- <br>Websites<br><a h=
ref=3D"http://www.jimgoodinmusic.com" target=3D"_blank">www.jimgoodinmusic.=
com</a><br><a href=3D"http://www.chinapaintingmusic.com" target=3D"_blank">=
www.chinapaintingmusic.com</a><br>
<br>
Downloads/CD&#39;s<br><a href=3D"http://jimgoodin.bandcamp.com" target=3D"_=
blank">jimgoodin.bandcamp.com</a><br><a href=3D"http://digitsignal.bandcamp=
.com" target=3D"_blank">digitsignal.bandcamp.com</a><br><a href=3D"http://j=
imgoodinpeterthorn.bandcamp.com" target=3D"_blank">jimgoodinpeterthorn.band=
camp.com</a><br>

<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive" ta=
rget=3D"_blank">www.livestream.com/jimgoodinlive</a><br><a href=3D"http://w=
ww.livestream.com/digitsignallive" target=3D"_blank">www.livestream.com/dig=
itsignallive</a><br>

</blockquote></div></div></div>

</blockquote></div><br><br clear=3D"all"><br>-- <br>Websites<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br><br>Downl=
oads/CD&#39;s<br>
<a href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><a=
 href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandc=
amp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--0016e644cda69f5abc0484f38ff7--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 04:12:03 2010
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From: stanitarium@earthlink.net
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Subject: Re: Jeff Duke looping live right now
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...How's it all 'shakin' Stan, are you making things rumble out there! (grins) amazing stuff you generate up.

thanx for askin, Jim...yep still ashakin' the world. spl meter no longer usefull.need some kind of techtonic gauge these days :-)wish i could get a gig here in norcal-but i kinda understand.
http://stanosaur.com/

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 04:15:52 2010
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Date: Sat, 24 Apr 2010 00:15:50 -0400
Message-ID: <r2z9e0440a61004232115lb49b21bdzd62ca00d2e0fd5da@mail.gmail.com>
Subject: Re: Jeff Duke looping live right now
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: stanitarium@earthlink.net
Cc: Loopers-Delight@loopers-delight.com
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--0016e64716708a212a0484f3cc77
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sounds grand.  your set in the festival each time I've been there is just
really such a contrast and a 'tonal cleaning' in a way and just so visual.

You should if you don't know def'ly pitch for Noisefest held in Sacramento
generally the same weekend as Loopfest.  Daryl and I played it the Friday
eve before coming to Loopfest.  Check out the page at
http://www.norcalnoisefest.com maybe .org as I think about it and get in
touch with Lob.

jim

On Sat, Apr 24, 2010 at 12:11 AM, <stanitarium@earthlink.net> wrote:

> ...How's it all 'shakin' Stan, are you making things rumble out there!
> (grins) amazing stuff you generate up.
>
> thanx for askin, Jim...yep still ashakin' the world. spl meter no longer
> usefull.need some kind of techtonic gauge these days :-)wish i could get a
> gig here in norcal-but i kinda understand.
> http://stanosaur.com/
>
>


-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--0016e64716708a212a0484f3cc77
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

sounds grand.=A0 your set in the festival each time I&#39;ve been there is =
just really such a contrast and a &#39;tonal cleaning&#39; in a way and jus=
t so visual.<br><br>You should if you don&#39;t know def&#39;ly pitch for N=
oisefest held in Sacramento generally the same weekend as Loopfest.=A0 Dary=
l and I played it the Friday eve before coming to Loopfest.=A0 Check out th=
e page at <a href=3D"http://www.norcalnoisefest.com">http://www.norcalnoise=
fest.com</a> maybe .org as I think about it and get in touch with Lob.<br>
<br>jim<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010 at 12:11 AM,=
  <span dir=3D"ltr">&lt;<a href=3D"mailto:stanitarium@earthlink.net">stanit=
arium@earthlink.net</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204=
, 204); padding-left: 1ex;">
...How&#39;s it all &#39;shakin&#39; Stan, are you making things rumble out=
 there! (grins) amazing stuff you generate up.<br>
<br>
thanx for askin, Jim...yep still ashakin&#39; the world. spl meter no longe=
r usefull.need some kind of techtonic gauge these days :-)wish i could get =
a gig here in norcal-but i kinda understand.<br>
<a href=3D"http://stanosaur.com/" target=3D"_blank">http://stanosaur.com/</=
a><br>
<br>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Websites<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br><br>Downl=
oads/CD&#39;s<br>
<a href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><a=
 href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandc=
amp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--0016e64716708a212a0484f3cc77--

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Message-ID: <001301cae36b$65843750$fdf53747@tbl01fcf9be917>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>,
	<stanitarium@earthlink.net>
References: <12229529.1272080593368.JavaMail.root@elwamui-huard.atl.sa.earthlink.net>
Subject: Re: Jeff Duke looping live right now
Date: Sat, 24 Apr 2010 01:02:53 -0400
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------=_NextPart_000_0010_01CAE349.DE15AA40
Content-Type: text/plain;
	charset="UTF-8"
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Hey Stan, thanks for coming! The thing I just realized about that page =
is that if you click on the big start arrow in the middle of the video =
box it will take you to my livestream page. You have to press the small =
play button at the bottom of the window. Sorry for the confusion. I wish =
I had surfed over to check the main page to say hi! Kind of difficult to =
do that and pay attention to all the details. I will correct that the =
next time. Live and learn :)

The whole show's archive is now up at: =
http://www.livestream.com/jeffdukelive/video?clipId=3Dpla_c82c797d-ac94-4=
7d4-aa9e-b429a11f611d

peace,

Jeff
  ----- Original Message -----=20
  From: stanitarium@earthlink.net=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Friday, April 23, 2010 11:43 PM
  Subject: Re: Jeff Duke looping live right now


  we were quipping on the facebook link that was on the live page-but, =
there was no response-so thats why he's askin.



    -----Original Message-----=20
    From: Jim Goodin=20
    Sent: Apr 23, 2010 11:25 PM=20
    To: loopers-Delight@loopers-delight.com=20
    Subject: Re: Jeff Duke looping live right now=20

    Clifford I'm glad you caught some of it. To take part in chat you to =
join ImprovFriday which I'd encourage in general or if you have a =
profile in Livestream where Jeff originated from you you could chat on =
his channel page however this feed this evening was primarily hosted by =
Improv Friday which is hosting live video casts @2x a month.  I'll be =
doing one in May or June.

    while at it I have an online quintet called Digitsignal.  We do two =
casts a month on Livestream and we're on this Sunday at 12noon EST, URL =
is http://www.livestream.com/digitsignallive

    Jim


    On Fri, Apr 23, 2010 at 10:21 PM, Clifford Novey <cnovey@gmail.com> =
wrote:

      I don't see where you are chatting- trying to chime in
      C




    --=20
    Websites
    www.jimgoodinmusic.com
    www.chinapaintingmusic.com

    Downloads/CD's
    jimgoodin.bandcamp.com
    digitsignal.bandcamp.com
    jimgoodinpeterthorn.bandcamp.com

    Live Channels
    www.livestream.com/jimgoodinlive
    www.livestream.com/digitsignallive



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.437 / Virus Database: 271.1.1/2829 - Release Date: =
04/22/10 18:31:00

------=_NextPart_000_0010_01CAE349.DE15AA40
Content-Type: text/html;
	charset="UTF-8"
Content-Transfer-Encoding: quoted-printable

=EF=BB=BF<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"MSHTML 6.00.6000.16981" name=3DGENERATOR></HEAD>
<BODY id=3DcompText bgColor=3D#ffffff>
<DIV>Hey Stan, thanks for coming! The thing I just realized about that =
page is=20
that if you click on the big start arrow in the middle of the video box =
it will=20
take you to my livestream page. You have to press the small play button =
at the=20
bottom of the window. Sorry for the confusion. I wish I had surfed over =
to check=20
the main page to say hi! Kind of difficult to do that and pay attention =
to all=20
the details. I will correct that the next time. Live and learn :)</DIV>
<DIV>&nbsp;</DIV>
<DIV>The whole show's archive is now up at: <A=20
href=3D"http://www.livestream.com/jeffdukelive/video?clipId=3Dpla_c82c797=
d-ac94-47d4-aa9e-b429a11f611d">http://www.livestream.com/jeffdukelive/vid=
eo?clipId=3Dpla_c82c797d-ac94-47d4-aa9e-b429a11f611d</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>peace,</DIV>
<DIV>&nbsp;</DIV>
<DIV>Jeff</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dstanitarium@earthlink.net=20
  =
href=3D"mailto:stanitarium@earthlink.net">stanitarium@earthlink.net</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 23, 2010 =
11:43=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Jeff Duke looping =
live right=20
  now</DIV>
  <DIV><BR></DIV>we were quipping on the facebook link that was on the =
live=20
  page-but, there was no response-so thats why he's askin.<BR><BR><BR>
  <BLOCKQUOTE=20
  style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px =
solid">-----Original=20
    Message----- <BR>From: Jim Goodin =
<JIMGOODINMUSIC@GMAIL.COM><BR>Sent: Apr=20
    23, 2010 11:25 PM <BR>To: <A=20
    =
href=3D"mailto:loopers-Delight@loopers-delight.com">loopers-Delight@loope=
rs-delight.com</A>=20
    <BR>Subject: Re: Jeff Duke looping live right now <BR><BR>Clifford =
I'm glad=20
    you caught some of it. To take part in chat you to join ImprovFriday =
which=20
    I'd encourage in general or if you have a profile in Livestream =
where Jeff=20
    originated from you you could chat on his channel page however this =
feed=20
    this evening was primarily hosted by Improv Friday which is hosting =
live=20
    video casts @2x a month.&nbsp; I'll be doing one in May or=20
    June.<BR><BR>while at it I have an online quintet called =
Digitsignal.&nbsp;=20
    We do two casts a month on Livestream and we're on this Sunday at =
12noon=20
    EST, URL is <A href=3D"http://www.livestream.com/digitsignallive"=20
    =
target=3D_blank>http://www.livestream.com/digitsignallive</A><BR><BR>Jim<=
BR><BR>
    <DIV class=3Dgmail_quote>On Fri, Apr 23, 2010 at 10:21 PM, Clifford =
Novey=20
    <SPAN dir=3Dltr>&lt;<A href=3D"mailto:cnovey@gmail.com"=20
    target=3D_blank>cnovey@gmail.com</A>&gt;</SPAN> wrote:<BR>
    <BLOCKQUOTE class=3Dgmail_quote=20
    style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">I=20
      don't see where you are chatting- trying to chime in<BR><FONT=20
      color=3D#888888>C<BR></FONT></BLOCKQUOTE></DIV><BR><BR =
clear=3Dall><BR>--=20
    <BR>Websites<BR><A href=3D"http://www.jimgoodinmusic.com"=20
    target=3D_blank>www.jimgoodinmusic.com</A><BR><A=20
    href=3D"http://www.chinapaintingmusic.com"=20
    =
target=3D_blank>www.chinapaintingmusic.com</A><BR><BR>Downloads/CD's<BR><=
A=20
    href=3D"http://jimgoodin.bandcamp.com"=20
    target=3D_blank>jimgoodin.bandcamp.com</A><BR><A=20
    href=3D"http://digitsignal.bandcamp.com"=20
    target=3D_blank>digitsignal.bandcamp.com</A><BR><A=20
    href=3D"http://jimgoodinpeterthorn.bandcamp.com"=20
    target=3D_blank>jimgoodinpeterthorn.bandcamp.com</A><BR><BR>Live=20
    Channels<BR><A href=3D"http://www.livestream.com/jimgoodinlive"=20
    target=3D_blank>www.livestream.com/jimgoodinlive</A><BR><A=20
    href=3D"http://www.livestream.com/digitsignallive"=20
    =
target=3D_blank>www.livestream.com/digitsignallive</A><BR></JIMGOODINMUSI=
C@GMAIL.COM></BLOCKQUOTE>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2829 - =
Release=20
  Date: 04/22/10 18:31:00<BR></BLOCKQUOTE></BODY></HTML>

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	 <001301cae36b$65843750$fdf53747@tbl01fcf9be917>
Date: Sat, 24 Apr 2010 01:09:59 -0400
Message-ID: <o2j9e0440a61004232209l4b1e1a51j93f29f5f1cb61ba2@mail.gmail.com>
Subject: Re: Jeff Duke looping live right now
From: Jim Goodin <jimgoodinmusic@gmail.com>
To: Loopers-Delight@loopers-delight.com
Cc: stanitarium@earthlink.net
Content-Type: multipart/alternative; boundary=0016362849023926a10484f48e2c
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--0016362849023926a10484f48e2c
Content-Type: text/plain; charset=ISO-8859-1

Jeff really great last night guy, so much richness, textures and voices.
Bet it was equally cool/gratifying to have your son present, I thought that
was really special.

I posted the note to the list last minute and sorry I didn't give better
details re the refresh, was rushing back for a 'front row seat'!

jim

On Sat, Apr 24, 2010 at 1:02 AM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  Hey Stan, thanks for coming! The thing I just realized about that page is
> that if you click on the big start arrow in the middle of the video box it
> will take you to my livestream page. You have to press the small play button
> at the bottom of the window. Sorry for the confusion. I wish I had surfed
> over to check the main page to say hi! Kind of difficult to do that and pay
> attention to all the details. I will correct that the next time. Live and
> learn :)
>
> The whole show's archive is now up at:
> http://www.livestream.com/jeffdukelive/video?clipId=pla_c82c797d-ac94-47d4-aa9e-b429a11f611d
>
> peace,
>
> Jeff
>
> ----- Original Message -----
> *From:* stanitarium@earthlink.net
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Friday, April 23, 2010 11:43 PM
> *Subject:* Re: Jeff Duke looping live right now
>
> we were quipping on the facebook link that was on the live page-but, there
> was no response-so thats why he's askin.
>
>
> -----Original Message-----
> From: Jim Goodin
> Sent: Apr 23, 2010 11:25 PM
> To: loopers-Delight@loopers-delight.com
> Subject: Re: Jeff Duke looping live right now
>
> Clifford I'm glad you caught some of it. To take part in chat you to join
> ImprovFriday which I'd encourage in general or if you have a profile in
> Livestream where Jeff originated from you you could chat on his channel page
> however this feed this evening was primarily hosted by Improv Friday which
> is hosting live video casts @2x a month.  I'll be doing one in May or June.
>
> while at it I have an online quintet called Digitsignal.  We do two casts a
> month on Livestream and we're on this Sunday at 12noon EST, URL is
> http://www.livestream.com/digitsignallive
>
> Jim
>
> On Fri, Apr 23, 2010 at 10:21 PM, Clifford Novey <cnovey@gmail.com> wrote:
>
>> I don't see where you are chatting- trying to chime in
>> C
>>
>
>
>
> --
> Websites
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
>
> Downloads/CD's
> jimgoodin.bandcamp.com
> digitsignal.bandcamp.com
> jimgoodinpeterthorn.bandcamp.com
>
> Live Channels
> www.livestream.com/jimgoodinlive
> www.livestream.com/digitsignallive
>
>  ------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.437 / Virus Database: 271.1.1/2829 - Release Date: 04/22/10
> 18:31:00
>
>


-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--0016362849023926a10484f48e2c
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Jeff really great last night guy, so much richness, textures and voices.=A0=
 Bet it was equally cool/gratifying to have your son present, I thought tha=
t was really special.<br><br>I posted the note to the list last minute and =
sorry I didn&#39;t give better details re the refresh, was rushing back for=
 a &#39;front row seat&#39;!<br>
<br>jim<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010 at 1:02 AM, =
Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com">je=
ff_d@embarqmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"gmail_quo=
te" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204=
, 204); padding-left: 1ex;">






<div bgcolor=3D"#ffffff">
<div>Hey Stan, thanks for coming! The thing I just realized about that page=
 is=20
that if you click on the big start arrow in the middle of the video box it =
will=20
take you to my livestream page. You have to press the small play button at =
the=20
bottom of the window. Sorry for the confusion. I wish I had surfed over to =
check=20
the main page to say hi! Kind of difficult to do that and pay attention to =
all=20
the details. I will correct that the next time. Live and learn :)</div>
<div>=A0</div>
<div>The whole show&#39;s archive is now up at: <a href=3D"http://www.lives=
tream.com/jeffdukelive/video?clipId=3Dpla_c82c797d-ac94-47d4-aa9e-b429a11f6=
11d" target=3D"_blank">http://www.livestream.com/jeffdukelive/video?clipId=
=3Dpla_c82c797d-ac94-47d4-aa9e-b429a11f611d</a></div>

<div>=A0</div>
<div>peace,</div>
<div>=A0</div>
<div>Jeff</div>
<blockquote style=3D"padding-right: 0px; padding-left: 5px; margin-left: 5p=
x; border-left: 2px solid rgb(0, 0, 0); margin-right: 0px;"><div><div></div=
><div class=3D"h5">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228); fo=
nt: 10pt arial;"><b>From:</b>=20
  <a title=3D"stanitarium@earthlink.net" href=3D"mailto:stanitarium@earthli=
nk.net" target=3D"_blank">stanitarium@earthlink.net</a> </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Friday, April 23, 2010 11:4=
3=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: Jeff Duke looping li=
ve right=20
  now</div>
  <div><br></div>we were quipping on the facebook link that was on the live=
=20
  page-but, there was no response-so thats why he&#39;s askin.<br><br><br>
  <blockquote style=3D"padding-left: 5px; margin-left: 0px; border-left: 2p=
x solid rgb(0, 0, 255);">-----Original=20
    Message----- <br>From: Jim Goodin <br>Sent: Apr=20
    23, 2010 11:25 PM <br>To: <a href=3D"mailto:loopers-Delight@loopers-del=
ight.com" target=3D"_blank">loopers-Delight@loopers-delight.com</a>=20
    <br>Subject: Re: Jeff Duke looping live right now <br><br>Clifford I&#3=
9;m glad=20
    you caught some of it. To take part in chat you to join ImprovFriday wh=
ich=20
    I&#39;d encourage in general or if you have a profile in Livestream whe=
re Jeff=20
    originated from you you could chat on his channel page however this fee=
d=20
    this evening was primarily hosted by Improv Friday which is hosting liv=
e=20
    video casts @2x a month.=A0 I&#39;ll be doing one in May or=20
    June.<br><br>while at it I have an online quintet called Digitsignal.=
=A0=20
    We do two casts a month on Livestream and we&#39;re on this Sunday at 1=
2noon=20
    EST, URL is <a href=3D"http://www.livestream.com/digitsignallive" targe=
t=3D"_blank">http://www.livestream.com/digitsignallive</a><br><br>Jim<br><b=
r>
    <div class=3D"gmail_quote">On Fri, Apr 23, 2010 at 10:21 PM, Clifford N=
ovey=20
    <span dir=3D"ltr">&lt;<a href=3D"mailto:cnovey@gmail.com" target=3D"_bl=
ank">cnovey@gmail.com</a>&gt;</span> wrote:<br>
    <blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0=
pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);">I=20
      don&#39;t see where you are chatting- trying to chime in<br><font col=
or=3D"#888888">C<br></font></blockquote></div><br><br clear=3D"all"><br>--=
=20
    <br>Websites<br><a href=3D"http://www.jimgoodinmusic.com" target=3D"_bl=
ank">www.jimgoodinmusic.com</a><br><a href=3D"http://www.chinapaintingmusic=
.com" target=3D"_blank">www.chinapaintingmusic.com</a><br><br>Downloads/CD&=
#39;s<br>
<a href=3D"http://jimgoodin.bandcamp.com" target=3D"_blank">jimgoodin.bandc=
amp.com</a><br><a href=3D"http://digitsignal.bandcamp.com" target=3D"_blank=
">digitsignal.bandcamp.com</a><br><a href=3D"http://jimgoodinpeterthorn.ban=
dcamp.com" target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a><br>
<br>Live=20
    Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive" target=
=3D"_blank">www.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.l=
ivestream.com/digitsignallive" target=3D"_blank">www.livestream.com/digitsi=
gnallive</a><br>
</blockquote>
  </div></div><p>
  </p><hr>

  <p></p><br>No virus found in this incoming message.<br>Checked by AVG -=
=20
  <a href=3D"http://www.avg.com" target=3D"_blank">www.avg.com</a> <br>Vers=
ion: 8.5.437 / Virus Database: 271.1.1/2829 - Release=20
  Date: 04/22/10 18:31:00<br></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Websites<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br><br>Downl=
oads/CD&#39;s<br>
<a href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><a=
 href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandc=
amp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--0016362849023926a10484f48e2c--

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To: <Loopers-Delight@loopers-delight.com>
Subject: Re: What Electronica is Inspiring your Looping?
Date: Sat, 24 Apr 2010 02:11:51 -0400
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Well, it's not quite electronica, but more so ambient.I've been listening to
a lot of Patrick O'Hearn, Robert Rich and Steve Roach these days. Also The
Pearl by Eno/Harold Budd.also a CD with Harold Budd and Clive Wright. Good
stuff. Ambient, yes.

 

Ed in NJ

 

 


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<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:
10.0pt;font-family:Arial;color:navy'>Well, it&#8217;s not quite =
electronica,
but more so ambient&#8230;I&#8217;ve been listening to a lot of Patrick =
O&#8217;Hearn,
Robert Rich and Steve Roach these days. Also The <st1:City =
w:st=3D"on"><st1:place
 w:st=3D"on">Pearl</st1:place></st1:City> by Eno/Harold Budd&#8230;also =
a CD with
Harold Budd and Clive Wright. Good stuff. Ambient, =
yes&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 color=3Dnavy face=3DArial><span =
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 06:42:41 2010
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Date: Fri, 23 Apr 2010 23:42:32 -0700
From: Rick Walker <looppool@cruzio.com>
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Subject: Re: Jeff Duke looping live right now
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Stan Card wrote:

"thanx for askin, Jim...yep still ashakin' the world. spl meter no 
longer usefull.need some kind of techtonic gauge these days :-)wish i 
could get a gig here in norcal-but i kinda understand."


Hey Stan,   I'm booking some Noise shows in Nor Call in the next few months.
Let me see if I can get you onto one or two of those.   I'll try to get 
you bookings where
unrestrained volume is not going to freak venue owners out,  I promise.

Yeah,  brother,   let's make some NOISE!!!!!

affectionately,   Rick Walker




From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 06:57:33 2010
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Re: Jeff Duke looping live right now
Date: Sat, 24 Apr 2010 07:57:17 +0100
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--Apple-Mail-16--420222617
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Jeff sorry I misssed it - i managed to stay awake until 12 but fell  
asleep - bugger!!

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 24 Apr 2010, at 06:09, Jim Goodin wrote:

> Jeff really great last night guy, so much richness, textures and  
> voices.  Bet it was equally cool/gratifying to have your son  
> present, I thought that was really special.
>
> I posted the note to the list last minute and sorry I didn't give  
> better details re the refresh, was rushing back for a 'front row  
> seat'!
>
> jim
>
> On Sat, Apr 24, 2010 at 1:02 AM, Jeff Duke <jeff_d@embarqmail.com>  
> wrote:
> Hey Stan, thanks for coming! The thing I just realized about that  
> page is that if you click on the big start arrow in the middle of  
> the video box it will take you to my livestream page. You have to  
> press the small play button at the bottom of the window. Sorry for  
> the confusion. I wish I had surfed over to check the main page to  
> say hi! Kind of difficult to do that and pay attention to all the  
> details. I will correct that the next time. Live and learn :)
>
> The whole show's archive is now up at: http://www.livestream.com/ 
> jeffdukelive/video?clipId=pla_c82c797d-ac94-47d4-aa9e-b429a11f611d
>
> peace,
>
> Jeff
> ----- Original Message -----
> From: stanitarium@earthlink.net
> To: Loopers-Delight@loopers-delight.com
> Sent: Friday, April 23, 2010 11:43 PM
> Subject: Re: Jeff Duke looping live right now
>
> we were quipping on the facebook link that was on the live page- 
> but, there was no response-so thats why he's askin.
>
>
> -----Original Message-----
> From: Jim Goodin
> Sent: Apr 23, 2010 11:25 PM
> To: loopers-Delight@loopers-delight.com
> Subject: Re: Jeff Duke looping live right now
>
> Clifford I'm glad you caught some of it. To take part in chat you  
> to join ImprovFriday which I'd encourage in general or if you have  
> a profile in Livestream where Jeff originated from you you could  
> chat on his channel page however this feed     this evening was  
> primarily hosted by Improv Friday which is hosting live video casts  
> @2x a month.  I'll be doing one in May or June.
>
> while at it I have an online quintet called Digitsignal.  We do two  
> casts a month on Livestream and we're on this Sunday at 12noon EST,  
> URL is http://www.livestream.com/digitsignallive
>
> Jim
>
> On Fri, Apr 23, 2010 at 10:21 PM, Clifford Novey <cnovey@gmail.com>  
> wrote:
> I don't see where you are chatting- trying to chime in
> C
>
>
>
> -- 
> Websites
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
>
> Downloads/CD's
> jimgoodin.bandcamp.com
> digitsignal.bandcamp.com
> jimgoodinpeterthorn.bandcamp.com
>
> Live Channels
> www.livestream.com/jimgoodinlive
> www.livestream.com/digitsignallive
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.437 / Virus Database: 271.1.1/2829 - Release Date:  
> 04/22/10 18:31:00
>
>
>
> -- 
> Websites
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
>
> Downloads/CD's
> jimgoodin.bandcamp.com
> digitsignal.bandcamp.com
> jimgoodinpeterthorn.bandcamp.com
>
> Live Channels
> www.livestream.com/jimgoodinlive
> www.livestream.com/digitsignallive


--Apple-Mail-16--420222617
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=US-ASCII

<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Jeff sorry I misssed it - i managed to stay awake until 12 but fell =
asleep - bugger!!<div>&nbsp;<br><div> <span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
font-weight: normal; letter-spacing: normal; line-height: normal; =
orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; =
-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
class=3D"Apple-interchange-newline"></span><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 24 Apr 2010, =
at 06:09, Jim Goodin wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Jeff =
really great last night guy, so much richness, textures and =
voices.&nbsp; Bet it was equally cool/gratifying to have your son =
present, I thought that was really special.<br><br>I posted the note to =
the list last minute and sorry I didn't give better details re the =
refresh, was rushing back for a 'front row seat'!<br> =
<br>jim<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010 at 1:02 =
AM, Jeff Duke <span dir=3D"ltr">&lt;<a =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt;</span>=
 wrote:<br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt =
0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: =
1ex;"> <div bgcolor=3D"#ffffff"> <div>Hey Stan, thanks for coming! The =
thing I just realized about that page is that if you click on the big =
start arrow in the middle of the video box it will take you to my =
livestream page. You have to press the small play button at the bottom =
of the window. Sorry for the confusion. I wish I had surfed over to =
check the main page to say hi! Kind of difficult to do that and pay =
attention to all the details. I will correct that the next time. Live =
and learn :)</div> <div>&nbsp;</div> <div>The whole show's archive is =
now up at: <a =
href=3D"http://www.livestream.com/jeffdukelive/video?clipId=3Dpla_c82c797d=
-ac94-47d4-aa9e-b429a11f611d" =
target=3D"_blank">http://www.livestream.com/jeffdukelive/video?clipId=3Dpl=
a_c82c797d-ac94-47d4-aa9e-b429a11f611d</a></div> <div>&nbsp;</div> =
<div>peace,</div> <div>&nbsp;</div> <div>Jeff</div> <blockquote =
style=3D"padding-right: 0px; padding-left: 5px; margin-left: 5px; =
border-left: 2px solid rgb(0, 0, 0); margin-right: =
0px;"><div><div></div><div class=3D"h5">  <div style=3D"font: 10pt =
arial;">----- Original Message ----- </div>  <div style=3D"background: =
none repeat scroll 0% 0% rgb(228, 228, 228); font: 10pt =
arial;"><b>From:</b>   <a title=3D"stanitarium@earthlink.net" =
href=3D"mailto:stanitarium@earthlink.net" =
target=3D"_blank">stanitarium@earthlink.net</a> </div>  <div =
style=3D"font: 10pt arial;"><b>To:</b> <a =
title=3D"Loopers-Delight@loopers-delight.com" =
href=3D"mailto:Loopers-Delight@loopers-delight.com" =
target=3D"_blank">Loopers-Delight@loopers-delight.com</a>   </div>  <div =
style=3D"font: 10pt arial;"><b>Sent:</b> Friday, April 23, 2010 11:43   =
PM</div>  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: Jeff Duke =
looping live right   now</div>  <div><br></div>we were quipping on the =
facebook link that was on the live   page-but, there was no response-so =
thats why he's askin.<br><br><br>  <blockquote style=3D"padding-left: =
5px; margin-left: 0px; border-left: 2px solid rgb(0, 0, =
255);">-----Original     Message----- <br>From: Jim Goodin <br>Sent: Apr =
    23, 2010 11:25 PM <br>To: <a =
href=3D"mailto:loopers-Delight@loopers-delight.com" =
target=3D"_blank">loopers-Delight@loopers-delight.com</a>     =
<br>Subject: Re: Jeff Duke looping live right now <br><br>Clifford I'm =
glad     you caught some of it. To take part in chat you to join =
ImprovFriday which     I'd encourage in general or if you have a profile =
in Livestream where Jeff     originated from you you could chat on his =
channel page however this feed     this evening was primarily hosted by =
Improv Friday which is hosting live     video casts @2x a month.&nbsp; =
I'll be doing one in May or     June.<br><br>while at it I have an =
online quintet called Digitsignal.&nbsp;     We do two casts a month on =
Livestream and we're on this Sunday at 12noon     EST, URL is <a =
href=3D"http://www.livestream.com/digitsignallive" =
target=3D"_blank">http://www.livestream.com/digitsignallive</a><br><br>Jim=
<br><br>    <div class=3D"gmail_quote">On Fri, Apr 23, 2010 at 10:21 PM, =
Clifford Novey     <span dir=3D"ltr">&lt;<a =
href=3D"mailto:cnovey@gmail.com" =
target=3D"_blank">cnovey@gmail.com</a>&gt;</span> wrote:<br>    =
<blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: =
0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);">I       =
don't see where you are chatting- trying to chime in<br><font =
color=3D"#888888">C<br></font></blockquote></div><br><br =
clear=3D"all"><br>--     <br>Websites<br><a =
href=3D"http://www.jimgoodinmusic.com" =
target=3D"_blank">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com" =
target=3D"_blank">www.chinapaintingmusic.com</a><br><br>Downloads/CD's<br>=
 <a href=3D"http://jimgoodin.bandcamp.com" =
target=3D"_blank">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com" =
target=3D"_blank">digitsignal.bandcamp.com</a><br><a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com" =
target=3D"_blank">jimgoodinpeterthorn.bandcamp.com</a><br> <br>Live     =
Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive" =
target=3D"_blank">www.livestream.com/jimgoodinlive</a><br><a =
href=3D"http://www.livestream.com/digitsignallive" =
target=3D"_blank">www.livestream.com/digitsignallive</a><br> =
</blockquote>  </div></div><div>  <br =
class=3D"khtml-block-placeholder"></div><hr><div><br =
class=3D"khtml-block-placeholder"></div><br>No virus found in this =
incoming message.<br>Checked by AVG -   <a href=3D"http://www.avg.com" =
target=3D"_blank">www.avg.com</a> <br>Version: 8.5.437 / Virus Database: =
271.1.1/2829 - Release   Date: 04/22/10 18:31:00<br></blockquote></div> =
</blockquote></div><br><br clear=3D"all"><br>-- <br>Websites<br><a =
href=3D"http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a =
href=3D"http://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><=
br><br>Downloads/CD's<br> <a =
href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><=
a =
href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandc=
amp.com</a><br> <br>Live Channels<br><a =
href=3D"http://www.livestream.com/jimgoodinlive">www.livestream.com/jimgoo=
dinlive</a><br><a =
href=3D"http://www.livestream.com/digitsignallive">www.livestream.com/digi=
tsignallive</a><br></blockquote></div><br></div></body></html>=

--Apple-Mail-16--420222617--

From andylord56@yahoo.com.hk  Sat Apr 24 07:00:33 2010
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Reply-To: <dhlcourcop@blumail.org>
From: "DR ANDY LORD"<andylord56@yahoo.com.hk>
Subject: CALL OUR DIPLOMATIC AGENT NOW IN USA  +15626842016.
Date: Wed, 21 Apr 2010 03:54:02 -0700
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Attention,

Our diplomatic agent Dhl Courier Company just arrived UNITED STATES San Jose
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DR ANDY LORD
MANAGER DHL COURIER
DELIVERY COMPANY LIMITED 

From what444@yahoo.com  Sat Apr 24 07:33:45 2010
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Reply-To: <westernuninpay@sify.com>
From: "Dr Sheri Kerr"<what444@yahoo.com>
Subject: Re:How are you today,
Date: Wed, 21 Apr 2010 02:27:42 -0700
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How are you today,

I write to inform you that we have already sent you USD5000.00 dollars through Western union as we have been given the mandate to transfer your full compensation payment total sum of USD1.500,000.00 via western union by  the Authorities of IMF/SENATORS COMMITTEE OF FOREIGN PAYMENT.

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I am waiting for your call once you pick up this USD5000..00, or send us your number 
Thanks
Dr Sheri Kerr

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 07:58:42 2010
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Subject: RE: Jeff Duke looping live right now
Date: Sat, 24 Apr 2010 07:58:41 +0000
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--_1061fbdb-fa40-4d47-9e98-4a04f9a99d7e_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable


I missed the live version Jeff though I just had a listen/look at the archi=
ve.=20
I really enjoyed listening to it over breakfast - thank you :-)

Peace

g

From: jeff_d@embarqmail.com
To: Loopers-Delight@loopers-delight.com=3B stanitarium@earthlink.net
Subject: Re: Jeff Duke looping live right now
Date: Sat=2C 24 Apr 2010 01:02:53 -0400










Hey Stan=2C thanks for coming! The thing I just realized about that page is=
=20
that if you click on the big start arrow in the middle of the video box it =
will=20
take you to my livestream page. You have to press the small play button at =
the=20
bottom of the window. Sorry for the confusion. I wish I had surfed over to =
check=20
the main page to say hi! Kind of difficult to do that and pay attention to =
all=20
the details. I will correct that the next time. Live and learn :)
=20
The whole show's archive is now up at: http://www.livestream.com/jeffdukeli=
ve/video?clipId=3Dpla_c82c797d-ac94-47d4-aa9e-b429a11f611d
=20
peace=2C
=20
Jeff

  ----- Original Message -----=20
  From:=20
  stanitarium@earthlink.net=20
  To: Loopers-Delight@loopers-delight.com=20
 =20
  Sent: Friday=2C April 23=2C 2010 11:43=20
  PM
  Subject: Re: Jeff Duke looping live right=20
  now
 =20
we were quipping on the facebook link that was on the live=20
  page-but=2C there was no response-so thats why he's askin.



  -----Original=20
    Message-----=20
From: Jim Goodin=20
Sent: Apr=20
    23=2C 2010 11:25 PM=20
To: loopers-Delight@loopers-delight.com=20
   =20
Subject: Re: Jeff Duke looping live right now=20

Clifford I'm glad=20
    you caught some of it. To take part in chat you to join ImprovFriday wh=
ich=20
    I'd encourage in general or if you have a profile in Livestream where J=
eff=20
    originated from you you could chat on his channel page however this fee=
d=20
    this evening was primarily hosted by Improv Friday which is hosting liv=
e=20
    video casts @2x a month.  I'll be doing one in May or=20
    June.

while at it I have an online quintet called Digitsignal. =20
    We do two casts a month on Livestream and we're on this Sunday at 12noo=
n=20
    EST=2C URL is http://www.livestream.com/digitsignallive

Jim


    On Fri=2C Apr 23=2C 2010 at 10:21 PM=2C Clifford Novey=20
    <cnovey@gmail.com> wrote:

    I=20
      don't see where you are chatting- trying to chime in
C


--=20
   =20
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live=20
    Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

 =20
 =20


 =20

No virus found in this incoming message.
Checked by AVG -=20
  www.avg.com=20
Version: 8.5.437 / Virus Database: 271.1.1/2829 - Release=20
  Date: 04/22/10 18:31:00
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

--_1061fbdb-fa40-4d47-9e98-4a04f9a99d7e_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

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<head>
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padding:0px
}
body.hmmessage
{
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font-family:Verdana
}
--></style>
</head>
<body class=3D'hmmessage'>
I missed the live version Jeff though I just had a listen/look at the archi=
ve. <br>I really enjoyed listening to it over breakfast - thank you :-)<br>=
<br>Peace<br><br>g<br><br><hr id=3D"stopSpelling">From: jeff_d@embarqmail.c=
om<br>To: Loopers-Delight@loopers-delight.com=3B stanitarium@earthlink.net<=
br>Subject: Re: Jeff Duke looping live right now<br>Date: Sat=2C 24 Apr 201=
0 01:02:53 -0400<br><br>




<style>
.ExternalClass
{font-size:10pt=3Bcolor:black=3Bfont-family:arial=2Csans-serif=3Bbackground=
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</style>



<div>Hey Stan=2C thanks for coming! The thing I just realized about that pa=
ge is=20
that if you click on the big start arrow in the middle of the video box it =
will=20
take you to my livestream page. You have to press the small play button at =
the=20
bottom of the window. Sorry for the confusion. I wish I had surfed over to =
check=20
the main page to say hi! Kind of difficult to do that and pay attention to =
all=20
the details. I will correct that the next time. Live and learn :)</div>
<div>&nbsp=3B</div>
<div>The whole show's archive is now up at: <a href=3D"http://www.livestrea=
m.com/jeffdukelive/video?clipId=3Dpla_c82c797d-ac94-47d4-aa9e-b429a11f611d"=
>http://www.livestream.com/jeffdukelive/video?clipId=3Dpla_c82c797d-ac94-47=
d4-aa9e-b429a11f611d</a></div>
<div>&nbsp=3B</div>
<div>peace=2C</div>
<div>&nbsp=3B</div>
<div>Jeff</div>
<blockquote style=3D"padding-right: 0px=3B padding-left: 5px=3B margin-left=
: 5px=3B border-left: 2px solid rgb(0=2C 0=2C 0)=3B margin-right: 0px=3B">
  <div style=3D"font: 10pt arial=3B">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228=2C 228=2C 228)=
=3B font: 10pt arial=3B"><b>From:</b>=20
  <a title=3D"stanitarium@earthlink.net" href=3D"mailto:stanitarium@earthli=
nk.net">stanitarium@earthlink.net</a> </div>
  <div style=3D"font: 10pt arial=3B"><b>To:</b> <a title=3D"Loopers-Delight=
@loopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com">L=
oopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial=3B"><b>Sent:</b> Friday=2C April 23=2C 201=
0 11:43=20
  PM</div>
  <div style=3D"font: 10pt arial=3B"><b>Subject:</b> Re: Jeff Duke looping =
live right=20
  now</div>
  <div><br></div>we were quipping on the facebook link that was on the live=
=20
  page-but=2C there was no response-so thats why he's askin.<br><br><br>
  <blockquote style=3D"padding-left: 5px=3B margin-left: 0px=3B border-left=
: 2px solid rgb(0=2C 0=2C 255)=3B">-----Original=20
    Message----- <br>From: Jim Goodin <br>Sent: Apr=20
    23=2C 2010 11:25 PM <br>To: <a href=3D"mailto:loopers-Delight@loopers-d=
elight.com">loopers-Delight@loopers-delight.com</a>=20
    <br>Subject: Re: Jeff Duke looping live right now <br><br>Clifford I'm =
glad=20
    you caught some of it. To take part in chat you to join ImprovFriday wh=
ich=20
    I'd encourage in general or if you have a profile in Livestream where J=
eff=20
    originated from you you could chat on his channel page however this fee=
d=20
    this evening was primarily hosted by Improv Friday which is hosting liv=
e=20
    video casts @2x a month.&nbsp=3B I'll be doing one in May or=20
    June.<br><br>while at it I have an online quintet called Digitsignal.&n=
bsp=3B=20
    We do two casts a month on Livestream and we're on this Sunday at 12noo=
n=20
    EST=2C URL is <a href=3D"http://www.livestream.com/digitsignallive">htt=
p://www.livestream.com/digitsignallive</a><br><br>Jim<br><br>
    <div class=3D"ecxgmail_quote">On Fri=2C Apr 23=2C 2010 at 10:21 PM=2C C=
lifford Novey=20
    <span dir=3D"ltr">&lt=3B<a href=3D"mailto:cnovey@gmail.com">cnovey@gmai=
l.com</a>&gt=3B</span> wrote:<br>
    <blockquote class=3D"ecxgmail_quote" style=3D"padding-left: 1ex=3B bord=
er-left: 1px solid rgb(204=2C 204=2C 204)=3B">I=20
      don't see where you are chatting- trying to chime in<br><font color=
=3D"#888888">C<br></font></blockquote></div><br><br clear=3D"all"><br>--=20
    <br>Websites<br><a href=3D"http://www.jimgoodinmusic.com">www.jimgoodin=
music.com</a><br><a href=3D"http://www.chinapaintingmusic.com">www.chinapai=
ntingmusic.com</a><br><br>Downloads/CD's<br><a href=3D"http://jimgoodin.ban=
dcamp.com">jimgoodin.bandcamp.com</a><br><a href=3D"http://digitsignal.band=
camp.com">digitsignal.bandcamp.com</a><br><a href=3D"http://jimgoodinpetert=
horn.bandcamp.com">jimgoodinpeterthorn.bandcamp.com</a><br><br>Live=20
    Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">www.liv=
estream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/digit=
signallive">www.livestream.com/digitsignallive</a><br></blockquote>
 =20
  <BR><hr>

  <BR><br>No virus found in this incoming message.<br>Checked by AVG -=20
  www.avg.com <br>Version: 8.5.437 / Virus Database: 271.1.1/2829 - Release=
=20
  Date: 04/22/10 18:31:00<br></blockquote> 		 	   		  <br /><hr />Get a fre=
e e-mail account with Hotmail. <a href=3D'http://clk.atdmt.com/UKM/go/19722=
2280/direct/01/' target=3D'_new'>Sign-up now.</a></body>
</html>=

--_1061fbdb-fa40-4d47-9e98-4a04f9a99d7e_--

From milerfranksns900@gmail.com  Sat Apr 24 09:01:09 2010
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Subject: Regarding your family...its important
From: "Frank Miller" <milerfranksns900@gmail.com>
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Dear Friend,

I am Mr. Frank Miller,the credit manager of SNS Fiduciary in the NETHERLANDS.

There is an account belonging to the Late Family Member,which i will want
to discuss with you about and it has some form of relationship with you
going by the similarity in the name.

I am at the moment in the UK undergoing a Financial course please email me
in respect to this. You can give me your personal phone number so that i
can give you a call,ITS URGENT.

Regards,
Frank Miller.
www.snsbank.nl

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 13:00:47 2010
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Date: Sat, 24 Apr 2010 14:00:24 +0100
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Subject: which macbook?
From: Simeon Harris <simeonharris40@googlemail.com>
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macbook owners - which one of these two macbooks is the better deal?

i plan to use it for live recording (using logic) and hosting mobius in
mainstage for live looping. i don't need a massive hard drive - any
recordings done will be transferred to my desktop for mixing etc

they're both 15" models with 4Gig of RAM.

this one is =A31099 (2.53Ghz) -
http://store.apple.com/uk/product/FC118B/A?mco=3DMTA4MzQ4MTg#overview

and this one is =A31399 (2.66Ghz)-
http://cardiff.gumtree.com/cardiff/90/57530390.html

=A31399 is just outside my budget, but i'm prepared to stretch if the extra
0.13Ghz and graphics memory is worth it

thanks guys!

sim

--001485f7962286ca680484fb2029
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macbook owners - which one of these two macbooks is the better deal?<br><br=
>i plan to use it for live recording (using logic) and hosting mobius in ma=
instage for live looping. i don&#39;t need a massive hard drive - any recor=
dings done will be transferred to my desktop for mixing etc<br>
<br>they&#39;re both 15&quot; models with 4Gig of RAM. <br><br>this one is =
=A31099 (2.53Ghz) - <a href=3D"http://store.apple.com/uk/product/FC118B/A?m=
co=3DMTA4MzQ4MTg#overview">http://store.apple.com/uk/product/FC118B/A?mco=
=3DMTA4MzQ4MTg#overview</a><br>
<br>and this one is =A31399 (2.66Ghz)- <a href=3D"http://cardiff.gumtree.co=
m/cardiff/90/57530390.html">http://cardiff.gumtree.com/cardiff/90/57530390.=
html</a><br><br>=A31399 is just outside my budget, but i&#39;m prepared to =
stretch if the extra 0.13Ghz and graphics memory is worth it<br>
<br>thanks guys!<br><br>sim<br>

--001485f7962286ca680484fb2029--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 13:10:26 2010
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Subject: OT - logic upgrade
From: Simeon Harris <simeonharris40@googlemail.com>
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chaps - i bought Logic 7 and installed on my desktop mac a couple of years
ago. recently, i bought the upgrade to Logic 8. i left the dongle attached
to my machine and everything went smoothly with automatic registration. i am
now buying a macbook and want to install logic 9 on it. presumably i can
purchase an upgrade, attach my dongle and register it automatically. (the
upgrade is actually a full install). if i then upgrade my desktop at a later
date (from an old PPC G5 iMac to an Intel iMac), will i then have to
purchase a new version of Logic 9? presumably each copy is only licensed for
installation on one machine and can be registered on one machine...is that
right?

thanks guys

sim

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chaps - i bought Logic 7 and installed on my desktop mac a couple of years =
ago. recently, i bought the upgrade to Logic 8. i left the dongle attached =
to my machine and everything went smoothly with automatic registration. i a=
m now buying a macbook and want to install logic 9 on it. presumably i can =
purchase an upgrade, attach my dongle and register it automatically. (the u=
pgrade is actually a full install). if i then upgrade my desktop at a later=
 date (from an old PPC G5 iMac to an Intel iMac), will i then have to purch=
ase a new version of Logic 9? presumably each copy is only licensed for ins=
tallation on one machine and can be registered on one machine...is that rig=
ht?<br>
<br>thanks guys<br><br>sim<br>

--001485f274bc46b4db0484fb449d--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 13:14:53 2010
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Date: Sat, 24 Apr 2010 15:14:41 +0200
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Generally, live recording is very gentle in demands on computer 
performance by today's standards. Even standard consumer 5400rpm 
harddiscs and mediocre architectures won't keep you from recording a lot 
of tracks at high bit depth/sample rate.
Generally, you can set your interface latency as high as you want, as 
audio apps will compensate for that (meaning: if you're recording a new 
track as overdubs to existing ones, and have a latency of, say, 30ms 
(one way), then after logic plays back the audio until it leaves the 
interface is 30ms (and that is the timing reference to which you're 
gonna play), and your played audio arrives another 30ms later through 
the interface, then the app will move the newly recorded audio 60ms 
forward in the track).

Also, Mobius (note: don't know about the Mac version, it's Windows I'm 
talking 'bout) is not that hard on CPU/system load, either (although it 
seems to me that that has increased somewhat in some of the version 
changes in the last four years). So basically, you should go with the 
cheaper one from both those points of view.

Now, the smaller has IEEE1394, the bigger one doesn't, but does have 
ExpressCard - that may also be a decision aid, based on the audio 
interface you're using.

Simeon Harris schrieb:
> macbook owners - which one of these two macbooks is the better deal?
>
> i plan to use it for live recording (using logic) and hosting mobius 
> in mainstage for live looping. i don't need a massive hard drive - any 
> recordings done will be transferred to my desktop for mixing etc


-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 13:42:55 2010
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Date: Sat, 24 Apr 2010 14:42:32 +0100
Message-ID: <v2yd302e3571004240642g613f979ftf3db27bb8bb45f8f@mail.gmail.com>
Subject: Re: which macbook?
From: Simeon Harris <simeonharris40@googlemail.com>
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thanks rainer. yes, the cheaper on form the apple store only has FW800 and
the audio interface i plan on buying has FW400, but i think i can just use a
special cable to connect, like this -
http://www.lambda-tek.com/componentshop/index.pl?origin=gbase23.9&prodID=B164485-
would that be less optimal than using a FW400 on the express?

sim

On Sat, Apr 24, 2010 at 2:14 PM, Rainer Straschill <moinsound@googlemail.com
> wrote:

>
> Now, the smaller has IEEE1394, the bigger one doesn't, but does have
> ExpressCard - that may also be a decision aid, based on the audio interface
> you're using.
>
>

--001636499feb35a62f0484fbb7c1
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thanks rainer. yes, the cheaper on form the apple store only has FW800 and =
the audio interface i plan on buying has FW400, but i think i can just use =
a special cable to connect, like this - <a href=3D"http://www.lambda-tek.co=
m/componentshop/index.pl?origin=3Dgbase23.9&amp;prodID=3DB164485">http://ww=
w.lambda-tek.com/componentshop/index.pl?origin=3Dgbase23.9&amp;prodID=3DB16=
4485</a> - would that be less optimal than using a FW400 on the express?<br=
>
<br>sim<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010 at 2:14 PM, =
Rainer Straschill <span dir=3D"ltr">&lt;<a href=3D"mailto:moinsound@googlem=
ail.com">moinsound@googlemail.com</a>&gt;</span> wrote:<br><blockquote clas=
s=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px soli=
d rgb(204, 204, 204); padding-left: 1ex;">
<br>
Now, the smaller has IEEE1394, the bigger one doesn&#39;t, but does have Ex=
pressCard - that may also be a decision aid, based on the audio interface y=
ou&#39;re using.<br>
<br></blockquote></div>

--001636499feb35a62f0484fbb7c1--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 14:27:03 2010
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Date: Sat, 24 Apr 2010 16:26:55 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Max for Live: Potential for looping tweaks?
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Hi Per

> I would guess the odds for "freely arrangig clips via simple midi
> controls" are quite low.
That's what I suspected :(

> Many users have been asking for simple things like "deleting a clip by
> MIDI" but it has never been implemented. 
Yep, that would be the first thing, too :) Am I asking for too much?

Actually, I don't even want to hack the "crippled Looper". For my purposes, I'd be happy with standard Live + 1-2 plugins of Mobius/SooperLooper.
However, I'd like to do all the fancy things you can do with clips/scenes without touching the keyboard - in fact without looking at the screen.
Launchpad has been a good first step in that direction. But for me, it falls short of what I'd like to do: freely control the clips/scenes (not even fancy effects/warping etc.).

It's really too bad, because my ideal workflow would be:
- Live Looping: Mobius + Mainstage
- Song Arrangement: Ableton Live
- Song Production: Logic

So, I'd either need to find a way to arrange songs easily in Logic or use Ableton Live for Livelooping.

best regards
Buzap

-- 
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From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 14:53:02 2010
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	 <v2yd302e3571004240642g613f979ftf3db27bb8bb45f8f@mail.gmail.com>
Date: Sat, 24 Apr 2010 16:52:58 +0200
Message-ID: <q2j66f9cc1e1004240752uda8cdc41lc02c3b8e3b041dad@mail.gmail.com>
Subject: Re: which macbook?
From: Per Boysen <perboysen@gmail.com>
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On Sat, Apr 24, 2010 at 3:42 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> the cheaper on form the apple store only has FW800 and the audio interface i
> plan on buying has FW400, but i think i can just use a special cable to
> connect, like this -
> http://www.lambda-tek.com/componentshop/index.pl?origin=gbase23.9&prodID=B164485
> - would that be less optimal than using a FW400 on the express?

I would hardly think so. I have plenty of those cables and mix FW400
and FW800 in many configurations. So do many producers and studio
engineers I've been talking to. The performance is set by the slowest
component and no matter what cable you are using it will be a 400
connection if one of the parts is a 400 device. But the difference
between FW400 and FW800 is not affecting the speed that audio is
streaming with as much as it affects the option to stream more data
simultaneously - i.e. if recording live with a lot of mic inputs.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 15:11:46 2010
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Date: Sat, 24 Apr 2010 16:11:32 +0100
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Subject: Re: which macbook?
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f5cde27facb50484fcf585
Content-Type: text/plain; charset=ISO-8859-1

thanks per. i think the cheaper one is probably the one to go for, unless i
can get the guy selling the more expensive one to drop the price a bit!

sim

On Sat, Apr 24, 2010 at 3:52 PM, Per Boysen <perboysen@gmail.com> wrote:

>
> I would hardly think so. I have plenty of those cables and mix FW400
> and FW800 in many configurations.
>

--001485f5cde27facb50484fcf585
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks per. i think the cheaper one is probably the one to go for, unless i=
 can get the guy selling the more expensive one to drop the price a bit!<br=
><br>sim<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010 at 3:52 PM,=
 Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gmail.com">pe=
rboysen@gmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;"><div class=3D"im"=
><br>
</div>I would hardly think so. I have plenty of those cables and mix FW400<=
br>
and FW800 in many configurations.<br></blockquote></div>

--001485f5cde27facb50484fcf585--

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Date: Sat, 24 Apr 2010 08:15:33 -0700 (PDT)
From: Mr Alhaji Isufu <alhaji_isufu2@sify.com>
Reply-To: alhaji_isufu2@sify.com
Subject: ABSOLUTE AUTHORITY TO CLAIM THE FUND 
To: undisclosed recipients: ;
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I AM MR. ALHAJI ISUFU, THE CHIEF AUDITOR INCHARGE OF FOREIGN REMITTANCE UNI=
T OF OUR BANK AND I HAVE HAD THE INTENT TO CONTACT YOU OVER THIS FINANCIAL =
TRANSACTION WORTH THE SUM ($20.2.000,000,MILION USD) FOR OUR SUCCESS.THIS I=
S AN ABANDONED SUM THAT BELONGS TO ONE OF OUR BANK FOREIGN CUSTOMERS WHO DI=
ED ALONG WITH HIS ENTIRE FAMILY THROUGH PLANE CRASH DISASTER SINCE FEW YEAR=
S AGO.

(CONFIRM THIS) www.cnn.com/2003/WORLD/africa/07/20/kenya.crash/index.html
YOU HAVE THE ABSOLUTE AUTHORITY TO CLAIM THE FUND HENCE YOU ARE A FOREIGNER=
 AS SOON AS YOU REPLY, STEP TO FOLLOW IN ORDER TO FINALIZE THIS TRANSACTION=
 IMMEDIATELY WOULD BE DECLEARED TO YOU. I EXPECT YOU'RE URGENT COMMUNICATIO=
N ON:+2267675668600

YOUR'S SINCERELY

MR.ALHAJI ISUFU
=A0
=A0
=A0
=A0
=A0=0A=0A=0A      
--0-391806596-1272122133=:45994
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV>I AM MR. ALHAJI ISUFU, THE CHIEF AUDITOR=
 INCHARGE OF FOREIGN REMITTANCE UNIT OF OUR BANK AND I HAVE HAD THE INTENT =
TO CONTACT YOU OVER THIS FINANCIAL TRANSACTION WORTH THE SUM ($20.2.000,000=
,MILION USD) FOR OUR SUCCESS.THIS IS AN ABANDONED SUM THAT BELONGS TO ONE O=
F OUR BANK FOREIGN CUSTOMERS WHO DIED ALONG WITH HIS ENTIRE FAMILY THROUGH =
PLANE CRASH DISASTER SINCE FEW YEARS AGO.</DIV>
<DIV><BR>(CONFIRM THIS) <A href=3D"http://www.cnn.com/2003/WORLD/africa/07/=
20/kenya.crash/index.html">www.cnn.com/2003/WORLD/africa/07/20/kenya.crash/=
index.html</A><BR>YOU HAVE THE ABSOLUTE AUTHORITY TO CLAIM THE FUND HENCE Y=
OU ARE A FOREIGNER AS SOON AS YOU REPLY, STEP TO FOLLOW IN ORDER TO FINALIZ=
E THIS TRANSACTION IMMEDIATELY WOULD BE DECLEARED TO YOU. I EXPECT YOU'RE U=
RGENT COMMUNICATION ON:+2267675668600</DIV>
<DIV><BR>YOUR'S SINCERELY</DIV>
<DIV><BR>MR.ALHAJI ISUFU</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-391806596-1272122133=:45994--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 15:17:54 2010
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From: fh@flatheadband.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Acoustic Looping Rig
Date: Sat, 24 Apr 2010 08:17:36 -0700
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div><br>oh and an lr baggs padi with a taylor 314ce w/a baggs m1 pass=
ive magnetic pickup...<br></div>
<blockquote id=3D"replyBlockquote" webmail=3D"1" style=3D"border-left: 2px =
solid blue; margin-left: 8px; padding-left: 8px; font-size: 10pt; color: bl=
ack; font-family: verdana;">
<div id=3D"wmQuoteWrapper">
-------- Original Message --------<br>
Subject: RE: Acoustic Looping Rig<br>
From: fh@flatheadband.com<br>
Date: Sat, April 24, 2010 11:12 am<br>
To: Loopers-Delight@loopers-delight.com<br>
<br>
<span style=3D"font-family: Verdana; color: rgb(0, 0, 0); font-size: 10pt;"=
><div>I loop vocals and acoustic. I use a peavey pv6 (non-usb version) mixe=
r with a boomerang. I send to the 'rang via the aux/effects send but return=
 it to it's on mixer channel instead of the aux/effects return.&nbsp; gives=
 a bit more control over the loop sound.&nbsp; works great and the mixer is=
 mounted on my pedal board with the boomerang and some effect pedals (octav=
e, phaser and delay). hope that helps.<br><br></div> <blockquote id=3D"repl=
yBlockquote" webmail=3D"1" style=3D"border-left: 2px solid blue; margin-lef=
t: 8px; padding-left: 8px; font-size: 10pt; color: black; font-family: verd=
ana;"> <div id=3D"wmQuoteWrapper"> -------- Original Message --------<br> S=
ubject: Acoustic Looping Rig<br> From: Andy Roberts &lt;acroberts@gmail.com=
&gt;<br> Date: Tue, April 20, 2010 12:08 pm<br> To: Loopers-Delight@loopers=
-delight.com<br> <br> <font class=3D"Apple-style-span" face=3D"'courier new=
', monospace">I'm pretty much a lurker here, but enjoy everything I get a c=
hance to read - this is an awesome online community!</font><div><font class=
=3D"Apple-style-span" face=3D"'courier new', monospace"><br> </font></div><=
div><font class=3D"Apple-style-span" face=3D"'courier new', monospace">I am=
 in the process of assembling a small acoustic looping rig for gigs and ope=
n mics &nbsp;and thought I'd bounce my plans off you guys for advice and op=
inion. &nbsp;&nbsp;</font></div> <div><font class=3D"Apple-style-span" face=
=3D"'courier new', monospace"><br></font></div><div><font class=3D"Apple-st=
yle-span" face=3D"'courier new', monospace">My planned rig will be:</font><=
/div><div><font class=3D"Apple-style-span" face=3D"'courier new', monospace=
"><br> </font></div><div><font class=3D"Apple-style-span" face=3D"'courier =
new', monospace">&nbsp;Vocals + Guitar</font></div><div><font class=3D"Appl=
e-style-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; =
&nbsp;|</font></div><div> <span class=3D"Apple-style-span" style=3D"font-fa=
mily: 'courier new',monospace;">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v &nbsp; &=
nbsp; &nbsp;&nbsp;</span></div><div><font class=3D"Apple-style-span" face=
=3D"'courier new', monospace">Behringer 802 Mixer</font></div> <div><font c=
lass=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &n=
bsp; &nbsp; &nbsp;| &nbsp;</font></div><div><font class=3D"Apple-style-span=
" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| &nbs=
p;Pre-Fader AUX Out&nbsp;</font></div><div> <font class=3D"Apple-style-span=
" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</fon=
t></div><div><font class=3D"Apple-style-span" face=3D"'courier new', monosp=
ace">&nbsp;&nbsp; &nbsp;Line 6 M9</font></div><div><font class=3D"Apple-sty=
le-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp=
;|</font></div> <div><font class=3D"Apple-style-span" face=3D"'courier new'=
, monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></div><div><font clas=
s=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp=
; &nbsp;Tuner</font></div><div><font class=3D"Apple-style-span" face=3D"'co=
urier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div> <div=
><span class=3D"Apple-style-span" style=3D"font-family: 'courier new',monos=
pace;">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</span></div><div><font class=3D"A=
pple-style-span" face=3D"'courier new', monospace">Digitech JamMan Solo</fo=
nt></div> <div><font class=3D"Apple-style-span" face=3D"'courier new', mono=
space">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div><div><font class=3D"A=
pple-style-span" face=3D"'courier new', monospace"><span class=3D"Apple-sty=
le-span" style=3D"font-family: arial;"><div> <font class=3D"Apple-style-spa=
n" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| &nb=
sp;AUX Return</font></div><div><font class=3D"Apple-style-span" face=3D"'co=
urier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></div></spa=
n></font></div> <div><font class=3D"Apple-style-span" face=3D"'courier new'=
, monospace">&nbsp;&nbsp; &nbsp; &nbsp;Mixer &nbsp;</font></div><div><font =
class=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &=
nbsp; &nbsp; &nbsp;|</font></div><div><font class=3D"Apple-style-span" face=
=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></di=
v> <div><font class=3D"Apple-style-span" face=3D"'courier new', monospace">=
&nbsp;&nbsp; &nbsp;Amp / FOH</font></div><div><font class=3D"Apple-style-sp=
an" face=3D"'courier new', monospace"><br></font></div><div><font class=3D"=
Apple-style-span" face=3D"'courier new', monospace"><br> </font></div><div>=
<font class=3D"Apple-style-span" face=3D"'courier new', monospace">I think =
my only point of concern right now is the mixer - I have the Behringer 802,=
 but have thought about a smaller footprint and/or simpler solution.</font>=
</div> <div><font class=3D"Apple-style-span" face=3D"'courier new', monospa=
ce"><br></font></div><div><font class=3D"Apple-style-span" face=3D"'courier=
 new', monospace">My end goal here is portability... I will use for band gi=
gs, but I also want to be able to quickly plug in as a participant in open =
mics, assuming this all is in a small pedalboard.</font></div> <div><font c=
lass=3D"Apple-style-span" face=3D"'courier new', monospace"><br></font></di=
v><div><font class=3D"Apple-style-span" face=3D"'courier new', monospace">M=
y plan in the latter case is hop on-stage and quickly route the house mic t=
hrough my rig, plug in my guitar and then use the existing house guitar con=
nection as my mixer's out to the FOH (and with that comes a whole other set=
 of issues in making sure everything is at proper volume levels). &nbsp;</f=
ont></div> <div><font class=3D"Apple-style-span" face=3D"'courier new', mon=
ospace"><br></font></div><div><font class=3D"Apple-style-span" face=3D"'cou=
rier new', monospace">Make sense? &nbsp; Any recommendations, advise, criti=
cisms?</font></div> <div><font class=3D"Apple-style-span" face=3D"'courier =
new', monospace"><br></font></div><div><font class=3D"Apple-style-span" fac=
e=3D"'courier new', monospace">Thanks!</font></div><div><font class=3D"Appl=
e-style-span" face=3D"'courier new', monospace">drew</font></div> <div><fon=
t class=3D"Apple-style-span" face=3D"'courier new', monospace"><br></font><=
/div> </div> </blockquote></span>=20
</div>
</blockquote></span></body></html>

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Date: Sat, 24 Apr 2010 17:17:33 +0200
Message-ID: <t2v66f9cc1e1004240817mf194a648tf544e96f5d5df12d@mail.gmail.com>
Subject: Re: OT - logic upgrade
From: Per Boysen <perboysen@gmail.com>
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The license is for two computers. But that's in theory. From what I
have heard you may in praxis run it on more alternative machines. But
running Logic on several computers within the same network and at the
same time may be problematic. If my memory serves me correctly there
is no need for a registration in order to make the software work. Last
time I installed a Logic 9 Studio box was ten months ago, so I may not
remember all details, but since Logic is so cheap it is evident that
selling Logic licenses is nothing Apple makes a lot of money on - the
business "product" is rather selling computers.  This may explain that
there is no rigid copy protection system today. Apple skipped the old
USB dongle because the whole damn pc is now "the Logic dongle" - I
mean, Logic can only run on a Mac.

There is an online knowledge base where these kind of questions can
get a proper answer. It is under the "Help/Logic Pro Support" menu in
Logic Pro, but here's the direct URL:
http://www.apple.com/support/logicpro/

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sat, Apr 24, 2010 at 3:10 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> chaps - i bought Logic 7 and installed on my desktop mac a couple of years
> ago. recently, i bought the upgrade to Logic 8. i left the dongle attached
> to my machine and everything went smoothly with automatic registration. i am
> now buying a macbook and want to install logic 9 on it. presumably i can
> purchase an upgrade, attach my dongle and register it automatically. (the
> upgrade is actually a full install). if i then upgrade my desktop at a later
> date (from an old PPC G5 iMac to an Intel iMac), will i then have to
> purchase a new version of Logic 9? presumably each copy is only licensed for
> installation on one machine and can be registered on one machine...is that
> right?
>
> thanks guys
>
> sim
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 15:19:25 2010
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Subject: Re: which macbook?
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These Macbook Pro boxes are way beyond the Macbook I've been using for
years and that one stills serves me ok, so I think you will get some
nice headroom whatever box you pick up.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Sat, Apr 24, 2010 at 5:11 PM, Simeon Harris
<simeonharris40@googlemail.com> wrote:
> thanks per. i think the cheaper one is probably the one to go for, unless i
> can get the guy selling the more expensive one to drop the price a bit!
>
> sim
>
> On Sat, Apr 24, 2010 at 3:52 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>> I would hardly think so. I have plenty of those cables and mix FW400
>> and FW800 in many configurations.
>

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 15:19:30 2010
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From: fh@flatheadband.com
To: Loopers-Delight@loopers-delight.com
Subject: RE: Acoustic Looping Rig
Date: Sat, 24 Apr 2010 08:12:33 -0700
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<html><body><span style=3D"font-family:Verdana; color:#000000; font-size:10=
pt;"><div>I loop vocals and acoustic. I use a peavey pv6 (non-usb version) =
mixer with a boomerang. I send to the 'rang via the aux/effects send but re=
turn it to it's on mixer channel instead of the aux/effects return.&nbsp; g=
ives a bit more control over the loop sound.&nbsp; works great and the mixe=
r is mounted on my pedal board with the boomerang and some effect pedals (o=
ctave, phaser and delay). hope that helps.<br><br></div>
<blockquote id=3D"replyBlockquote" webmail=3D"1" style=3D"border-left: 2px =
solid blue; margin-left: 8px; padding-left: 8px; font-size: 10pt; color: bl=
ack; font-family: verdana;">
<div id=3D"wmQuoteWrapper">
-------- Original Message --------<br>
Subject: Acoustic Looping Rig<br>
From: Andy Roberts &lt;acroberts@gmail.com&gt;<br>
Date: Tue, April 20, 2010 12:08 pm<br>
To: Loopers-Delight@loopers-delight.com<br>
<br>
<font class=3D"Apple-style-span" face=3D"'courier new', monospace">I'm pret=
ty much a lurker here, but enjoy everything I get a chance to read - this i=
s an awesome online community!</font><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace"><br> </font></div><div><font class=3D"App=
le-style-span" face=3D"'courier new', monospace">I am in the process of ass=
embling a small acoustic looping rig for gigs and open mics &nbsp;and thoug=
ht I'd bounce my plans off you guys for advice and opinion. &nbsp;&nbsp;</f=
ont></div> <div><font class=3D"Apple-style-span" face=3D"'courier new', mon=
ospace"><br></font></div><div><font class=3D"Apple-style-span" face=3D"'cou=
rier new', monospace">My planned rig will be:</font></div><div><font class=
=3D"Apple-style-span" face=3D"'courier new', monospace"><br> </font></div><=
div><font class=3D"Apple-style-span" face=3D"'courier new', monospace">&nbs=
p;Vocals + Guitar</font></div><div><font class=3D"Apple-style-span" face=3D=
"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div><=
div> <span class=3D"Apple-style-span" style=3D"font-family: 'courier new',m=
onospace;">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v &nbsp; &nbsp; &nbsp;&nbsp;</s=
pan></div><div><font class=3D"Apple-style-span" face=3D"'courier new', mono=
space">Behringer 802 Mixer</font></div> <div><font class=3D"Apple-style-spa=
n" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| &nb=
sp;</font></div><div><font class=3D"Apple-style-span" face=3D"'courier new'=
, monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| &nbsp;Pre-Fader AUX Out&nbs=
p;</font></div><div> <font class=3D"Apple-style-span" face=3D"'courier new'=
, monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></div><div><font clas=
s=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp=
;Line 6 M9</font></div><div><font class=3D"Apple-style-span" face=3D"'couri=
er new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div> <div><f=
ont class=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&nbs=
p; &nbsp; &nbsp; &nbsp;v</font></div><div><font class=3D"Apple-style-span" =
face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp;Tuner</font></d=
iv><div><font class=3D"Apple-style-span" face=3D"'courier new', monospace">=
&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|</font></div> <div><span class=3D"Apple-s=
tyle-span" style=3D"font-family: 'courier new',monospace;">&nbsp;&nbsp; &nb=
sp; &nbsp; &nbsp;v</span></div><div><font class=3D"Apple-style-span" face=
=3D"'courier new', monospace">Digitech JamMan Solo</font></div> <div><font =
class=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &=
nbsp; &nbsp; &nbsp;|</font></div><div><font class=3D"Apple-style-span" face=
=3D"'courier new', monospace"><span class=3D"Apple-style-span" style=3D"fon=
t-family: arial;"><div> <font class=3D"Apple-style-span" face=3D"'courier n=
ew', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;| &nbsp;AUX Return</font><=
/div><div><font class=3D"Apple-style-span" face=3D"'courier new', monospace=
">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></div></span></font></div> <div>=
<font class=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&n=
bsp; &nbsp; &nbsp;Mixer &nbsp;</font></div><div><font class=3D"Apple-style-=
span" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;|<=
/font></div><div><font class=3D"Apple-style-span" face=3D"'courier new', mo=
nospace">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;v</font></div> <div><font class=
=3D"Apple-style-span" face=3D"'courier new', monospace">&nbsp;&nbsp; &nbsp;=
Amp / FOH</font></div><div><font class=3D"Apple-style-span" face=3D"'courie=
r new', monospace"><br></font></div><div><font class=3D"Apple-style-span" f=
ace=3D"'courier new', monospace"><br> </font></div><div><font class=3D"Appl=
e-style-span" face=3D"'courier new', monospace">I think my only point of co=
ncern right now is the mixer - I have the Behringer 802, but have thought a=
bout a smaller footprint and/or simpler solution.</font></div> <div><font c=
lass=3D"Apple-style-span" face=3D"'courier new', monospace"><br></font></di=
v><div><font class=3D"Apple-style-span" face=3D"'courier new', monospace">M=
y end goal here is portability... I will use for band gigs, but I also want=
 to be able to quickly plug in as a participant in open mics, assuming this=
 all is in a small pedalboard.</font></div> <div><font class=3D"Apple-style=
-span" face=3D"'courier new', monospace"><br></font></div><div><font class=
=3D"Apple-style-span" face=3D"'courier new', monospace">My plan in the latt=
er case is hop on-stage and quickly route the house mic through my rig, plu=
g in my guitar and then use the existing house guitar connection as my mixe=
r's out to the FOH (and with that comes a whole other set of issues in maki=
ng sure everything is at proper volume levels). &nbsp;</font></div> <div><f=
ont class=3D"Apple-style-span" face=3D"'courier new', monospace"><br></font=
></div><div><font class=3D"Apple-style-span" face=3D"'courier new', monospa=
ce">Make sense? &nbsp; Any recommendations, advise, criticisms?</font></div=
> <div><font class=3D"Apple-style-span" face=3D"'courier new', monospace"><=
br></font></div><div><font class=3D"Apple-style-span" face=3D"'courier new'=
, monospace">Thanks!</font></div><div><font class=3D"Apple-style-span" face=
=3D"'courier new', monospace">drew</font></div> <div><font class=3D"Apple-s=
tyle-span" face=3D"'courier new', monospace"><br></font></div>=20
</div>
</blockquote></span></body></html>

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http://soundscapes.us/amfm/playlists/2010/100424.html

On this program, I continued the special on Sequences electronic music
magazine.  Each contemporary issue comes with a CD.  However, the early
issues came with a cassette.  The cassettes from issues one through
thirteen have been remastered and are now available on CDR in plastic
slip covers with artwork and track details.  Details are at:
http://sequencesmagazine.com

I also played music of Twynyllyngs and Technicolor Travel Agency who
will play at the Soundscapes Concert Series tonight.
http://soundscapes.us

I also played music by Robert Rich who will be at the Gatherings Concert
Series on May 1.
http://thegatherings.org


Phase I/Space:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Twyndyllyngs         Granular Space       Between Space and Time
                                            (electro-music.com)
VA [Tony Gunning]    Journey To Another   Sequences No. 9
                       Galaxy
VA [Keith            Shoal                Sequences No. 9
  Scarterfield]
VA [Rob Preston]     Missing Time         Sequences No. 9
Technicolor Travel   Earthbound           This Way Out (none)
  Agency
Robert Rich          translucent          ylang (Soundscape)
Robert Rich          electric ladder      electric ladder (Soundscape)


Phase II/Eclectic:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Michael Samson       A Still Motion       A Still Motion (Still Motion)
Paul Adams           Dreamtime            Heavens (Lake Front)
Daniel Bernard       Simone               Woodbox: Beats & Balladry
  Roumain                                   (Thirsty Ear)
Bobby McFerrin       Baby                 Vocabularies (Emarcy)


Phase III/Progressive Rock:

ARTIST               TRACK                ALBUM (label)
==================== ==================== ==============================
Trey Gunn            Contact              Modulator (7d Media)
Trey Gunn            Flood                Modulator (7d Media)
Trey Gunn            Spray I              Modulator (7d Media)
Trey Gunn            Fall Time +/-        Modulator (7d Media)
Trey Gunn            Fall Time -/+        Modulator (7d Media)
Trey Gunn            Lumen                Modulator (7d Media)
Trey Gunn            Switch               Modulator (7d Media)
Trey Gunn            Daughter             Modulator (7d Media)
Trey Gunn            Pole                 Modulator (7d Media)
Genesis              Ripples              A Trick of the Tale (Atco)
Destiny?             Queen of Vajra Space Mystery (Unicorn)
Alan Morse           Cold Fusion *        Four O'clock and Hysteria
                                            (InsideOut)


 * = excerpt
++ = Advanced CDR from artist
VA = Various Artists (compilation)

On the next show, I will continue the special on the sampler CDRs that
come with each issue of Sequences electronic music magazine.

Bill
========================================================================
Host of Thought Radio, the Saturday edition of The AM/FM Show every
other Saturday at 6:00 am EDT/UTC-4.
Phase 1: Electronic, ambient, and space music.
Phase 2: Mixed bag of acoustic, electric, pop, or New Age.
Phase 3: Progressive rock from past masters to contemporary releases.
Website - http://soundscapes.us/amfm
Listen to WMUH Allentown locally at 91.7 FM or on-line at
http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links
at the top right corner of the page or go directly to:
rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or
http://muhlenberg.edu/wmuh/WMUH.ram
========================================================================
The progdj list is the central clearing house for radio playlists of
Progressive Rock programs. Tired of joining dozens of mailing lists to
post playlists or track airplay?  The progdj list solves that problem.

The progdj list is the place to go in order to see playlists and CD
and concert reviews by DJs of progressive rock-friendly radio
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========================================================================

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 15:24:56 2010
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Date: Sat, 24 Apr 2010 16:24:40 +0100
Message-ID: <s2vd302e3571004240824lcf17e912ib0f16f9e2faaaa92@mail.gmail.com>
Subject: Re: which macbook?
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Content-Type: text/plain; charset=ISO-8859-1

thanks per. i've been mocking up some looping setups on my old G5 and
they've been running ok (struggling a bit when using lots of plugins for
post-processing though), so i'm confident i shouldn't run into any serious
problems

best

sim

On Sat, Apr 24, 2010 at 4:19 PM, Per Boysen <perboysen@gmail.com> wrote:

> These Macbook Pro boxes are way beyond the Macbook I've been using for
> years and that one stills serves me ok, so I think you will get some
> nice headroom whatever box you pick up.
>
>

--0016e659f4e87dd2840484fd249d
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks per. i&#39;ve been mocking up some looping setups on my old G5 and t=
hey&#39;ve been running ok (struggling a bit when using lots of plugins for=
 post-processing though), so i&#39;m confident i shouldn&#39;t run into any=
 serious problems<br>
<br>best<br><br>sim<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010 =
at 4:19 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=3D"mailto:perboysen@gm=
ail.com">perboysen@gmail.com</a>&gt;</span> wrote:<br><blockquote class=3D"=
gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb=
(204, 204, 204); padding-left: 1ex;">
These Macbook Pro boxes are way beyond the Macbook I&#39;ve been using for<=
br>
years and that one stills serves me ok, so I think you will get some<br>
nice headroom whatever box you pick up.<br><br></blockquote></div>

--0016e659f4e87dd2840484fd249d--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 15:35:40 2010
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Subject: Re: Jeff Duke looping live right now
Date: Sat, 24 Apr 2010 08:35:36 -0700
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Jeff,

I didn't log in and chat but I stopped by and listened for a while.

I liked what was going on, but my family needed attention and had to  
shut down.

If you post the video somewhere I'll watch the whole thing later.

Nice set (what I heard of it).

Cheers,

Ted


On Apr 23, 2010, at 6:00 PM, Jim Goodin wrote:

> on Improv Friday at improvfriday.ning.com till 7pm pst/10pm est
>
> -- 
> Websites
> www.jimgoodinmusic.com
> www.chinapaintingmusic.com
>
> Downloads/CD's
> jimgoodin.bandcamp.com
> digitsignal.bandcamp.com
> jimgoodinpeterthorn.bandcamp.com
>
> Live Channels
> www.livestream.com/jimgoodinlive
> www.livestream.com/digitsignallive

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Date: Sat, 24 Apr 2010 17:06:53 +0100
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Subject: Re: OT - logic upgrade
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thanks per, i'll check out the link

sim

On Sat, Apr 24, 2010 at 4:17 PM, Per Boysen <perboysen@gmail.com> wrote:

> The license is for two computers. But that's in theory. From what I
> have heard you may in praxis run it on more alternative machines. But
> running Logic on several computers within the same network and at the
> same time may be problematic. If my memory serves me correctly there
> is no need for a registration in order to make the software work. Last
> time I installed a Logic 9 Studio box was ten months ago, so I may not
> remember all details, but since Logic is so cheap it is evident that
> selling Logic licenses is nothing Apple makes a lot of money on - the
> business "product" is rather selling computers.  This may explain that
> there is no rigid copy protection system today. Apple skipped the old
> USB dongle because the whole damn pc is now "the Logic dongle" - I
> mean, Logic can only run on a Mac.
>
> There is an online knowledge base where these kind of questions can
> get a proper answer. It is under the "Help/Logic Pro Support" menu in
> Logic Pro, but here's the direct URL:
> http://www.apple.com/support/logicpro/
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>
>
> On Sat, Apr 24, 2010 at 3:10 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> > chaps - i bought Logic 7 and installed on my desktop mac a couple of
> years
> > ago. recently, i bought the upgrade to Logic 8. i left the dongle
> attached
> > to my machine and everything went smoothly with automatic registration. i
> am
> > now buying a macbook and want to install logic 9 on it. presumably i can
> > purchase an upgrade, attach my dongle and register it automatically. (the
> > upgrade is actually a full install). if i then upgrade my desktop at a
> later
> > date (from an old PPC G5 iMac to an Intel iMac), will i then have to
> > purchase a new version of Logic 9? presumably each copy is only licensed
> for
> > installation on one machine and can be registered on one machine...is
> that
> > right?
> >
> > thanks guys
> >
> > sim
> >
>
>

--0016e659f4e875f7680484fdbb77
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thanks per, i&#39;ll check out the link<br><br>sim<br><br><div class=3D"gma=
il_quote">On Sat, Apr 24, 2010 at 4:17 PM, Per Boysen <span dir=3D"ltr">&lt=
;<a href=3D"mailto:perboysen@gmail.com">perboysen@gmail.com</a>&gt;</span> =
wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">The license is fo=
r two computers. But that&#39;s in theory. From what I<br>
have heard you may in praxis run it on more alternative machines. But<br>
running Logic on several computers within the same network and at the<br>
same time may be problematic. If my memory serves me correctly there<br>
is no need for a registration in order to make the software work. Last<br>
time I installed a Logic 9 Studio box was ten months ago, so I may not<br>
remember all details, but since Logic is so cheap it is evident that<br>
selling Logic licenses is nothing Apple makes a lot of money on - the<br>
business &quot;product&quot; is rather selling computers. =A0This may expla=
in that<br>
there is no rigid copy protection system today. Apple skipped the old<br>
USB dongle because the whole damn pc is now &quot;the Logic dongle&quot; - =
I<br>
mean, Logic can only run on a Mac.<br>
<br>
There is an online knowledge base where these kind of questions can<br>
get a proper answer. It is under the &quot;Help/Logic Pro Support&quot; men=
u in<br>
Logic Pro, but here&#39;s the direct URL:<br>
<a href=3D"http://www.apple.com/support/logicpro/" target=3D"_blank">http:/=
/www.apple.com/support/logicpro/</a><br>
<div class=3D"im"><br>
Greetings from Sweden<br>
<br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
<br>
<br>
</div><div><div></div><div class=3D"h5">On Sat, Apr 24, 2010 at 3:10 PM, Si=
meon Harris<br>
&lt;<a href=3D"mailto:simeonharris40@googlemail.com">simeonharris40@googlem=
ail.com</a>&gt; wrote:<br>
&gt; chaps - i bought Logic 7 and installed on my desktop mac a couple of y=
ears<br>
&gt; ago. recently, i bought the upgrade to Logic 8. i left the dongle atta=
ched<br>
&gt; to my machine and everything went smoothly with automatic registration=
. i am<br>
&gt; now buying a macbook and want to install logic 9 on it. presumably i c=
an<br>
&gt; purchase an upgrade, attach my dongle and register it automatically. (=
the<br>
&gt; upgrade is actually a full install). if i then upgrade my desktop at a=
 later<br>
&gt; date (from an old PPC G5 iMac to an Intel iMac), will i then have to<b=
r>
&gt; purchase a new version of Logic 9? presumably each copy is only licens=
ed for<br>
&gt; installation on one machine and can be registered on one machine...is =
that<br>
&gt; right?<br>
&gt;<br>
&gt; thanks guys<br>
&gt;<br>
&gt; sim<br>
&gt;<br>
<br>
</div></div></blockquote></div><br>

--0016e659f4e875f7680484fdbb77--

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Message-ID: <004401cae3c8$6f649eb0$42f63747@tbl01fcf9be917>
From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
References: <r2p9e0440a61004231800wbb6832eazdc8fa02434c91787@mail.gmail.com> <D66CE603-1FA5-45FA-8EDA-ED9F8F595C7C@charter.net>
Subject: Re: Jeff Duke looping live right now
Date: Sat, 24 Apr 2010 12:08:52 -0400
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Hey Ted, glad you came by! the whole two hours is up now at:
http://www.livestream.com/jeffdukelive/video?clipId=pla_c82c797d-ac94-47d4-aa9e-b429a11f611d


peace,

J

----- Original Message ----- 
From: "tEd ® KiLLiAn" <tedkillian@charter.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, April 24, 2010 11:35 AM
Subject: Re: Jeff Duke looping live right now


> Jeff,
>
> I didn't log in and chat but I stopped by and listened for a while.
>
> I liked what was going on, but my family needed attention and had to
> shut down.
>
> If you post the video somewhere I'll watch the whole thing later.
>
> Nice set (what I heard of it).
>
> Cheers,
>
> Ted
>
>
> On Apr 23, 2010, at 6:00 PM, Jim Goodin wrote:
>
>> on Improv Friday at improvfriday.ning.com till 7pm pst/10pm est
>>
>> -- 
>> Websites
>> www.jimgoodinmusic.com
>> www.chinapaintingmusic.com
>>
>> Downloads/CD's
>> jimgoodin.bandcamp.com
>> digitsignal.bandcamp.com
>> jimgoodinpeterthorn.bandcamp.com
>>
>> Live Channels
>> www.livestream.com/jimgoodinlive
>> www.livestream.com/digitsignallive
>


--------------------------------------------------------------------------------



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From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 16:14:17 2010
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From: "Kris Hartung" <khartung@q.com>
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Subject: B-CIMF will Stream today
Date: Sat, 24 Apr 2010 10:14:02 -0600
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Our first evening of the Boise Creative and Improvised Music festival =
was awesome, ending with an amazing high point with percussionist =
Tatsuya Nakatani.

Today we are streaming both audio and video, thanks to Boise Weekly.  =
Tune in at the URL below at 1:30pm Mountain Standard Time (3:30pm =
Eastern / 12:30pm Pacific).

http://www.boiseweekly.com/boise/boise-creative-and-improvised-music-fest=
ival/Content?oid=3D1567539

Text me and let me know what you think.  208-724-5603.  Visit the =
schedule at our website below.

Boise Creative and Improvised Music Festival
April 23-24, 2010

The Venue
523 Broad Street
Boise, ID 83702=20

Admission is FREE to all events.


Web: http://www.b-cimf.com/

MySpace: http://www.myspace.com/boiseexperimentalmusicfestival

FaceBook: http://www.facebook.com/group.php?gid=3D63236654801&ref=3Dmf


bcimf2010@gmail.com=20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML xmlns:o =3D "urn:schemas-microsoft-com:office:office"><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6002.18226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV style=3D"FONT: 10pt arial">
<DIV><FONT face=3DArial><FONT size=3D2>Our first evening of the Boise =
Creative and=20
Improvised Music festival was awesome, ending with an amazing high point =
with=20
percussionist&nbsp;Tatsuya Nakatani.</FONT></DIV></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Today we are streaming both audio and video, thanks =
to Boise=20
Weekly.&nbsp; Tune in at the URL below at 1:30pm Mountain Standard Time =
(3:30pm=20
Eastern / 12:30pm Pacific).</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><A=20
href=3D"http://www.boiseweekly.com/boise/boise-creative-and-improvised-mu=
sic-festival/Content?oid=3D1567539">http://www.boiseweekly.com/boise/bois=
e-creative-and-improvised-music-festival/Content?oid=3D1567539</A></FONT>=
</DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Text me and let me know what you think.&nbsp;=20
208-724-5603.&nbsp; Visit the schedule at our website =
below.</FONT></DIV>
<DIV><BR><STRONG><FONT size=3D2>Boise Creative and Improvised Music=20
Festival<BR>April 23-24, 2010</FONT></STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The Venue<BR>523 Broad Street<BR>Boise, =
ID 83702=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Admission is FREE to all =
events.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">Web:=20
<A href=3D"http://www.b-cimf.com/"><SPAN=20
style=3D"COLOR: #606420; mso-bidi-font-size: =
11.0pt">http://www.b-cimf.com/</SPAN></A><o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">MySpace:=20
<A href=3D"http://www.myspace.com/boiseexperimentalmusicfestival"><SPAN=20
style=3D"mso-bidi-font-size: 11.0pt"><FONT=20
color=3D#0000ff>http://www.myspace.com/boiseexperimentalmusicfestival</FO=
NT></SPAN></A><o:p></o:p></SPAN></P>
<P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt; LINE-HEIGHT: =
normal"><SPAN=20
style=3D"FONT-SIZE: 10pt; FONT-FAMILY: 'Arial','sans-serif'; =
mso-fareast-font-family: 'Times New Roman'">FaceBook:=20
<A=20
href=3D"http://www.facebook.com/group.php?gid=3D63236654801&amp;ref=3Dmf"=
>http://www.facebook.com/group.php?gid=3D63236654801&amp;ref=3Dmf</A><A=20
href=3D"http://www.facebook.com/krispen.hartung?ref=3Dprofile#!/group.php=
?gid=3D63236654801&amp;ref=3Dts"><FONT=20
color=3D#0000ff></FONT></A><o:p></o:p></SPAN></P></DIV>
<DIV><BR><A href=3D"mailto:bcimf2010@gmail.com"><FONT face=3DArial=20
size=3D2>bcimf2010@gmail.com</FONT></A><FONT face=3DArial size=3D2> =
</FONT><BR></DIV>
<P><FONT face=3DArial size=3D2></FONT></P></BODY></HTML>

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Subject: Cancellazione
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Ti confermo che la cancellazione alla newsletter &egrave; stata effettuata

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 16:36:35 2010
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Subject: Live on Ustream now: Moinsound Studio Sessions
From: =?ISO-8859-1?Q?Mich=E8le?= Moser <michelemoser@arcor.de>
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Date: Sat, 24 Apr 2010 18:36:31 +0200
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The MoinSound Studio Sessions going live just now piano solo, no
effects, no loop, just pure fun! http://tinyurl.com/lza2au

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 17:24:32 2010
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Date: Sat, 24 Apr 2010 19:24:29 +0200
Message-ID: <l2u7a9df3e51004241024mf7e7dfb7t8873319c8ab7a9ae@mail.gmail.com>
Subject: Re: Acoustic Looping Rig
From: Louie Angulo <louie.angulo@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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Hey Bill just for the record i just scored one of those Boss MX 10 mixers
from an english guy in mint condition and the thing is completly noisless!
soi im quite happy with it
cheers
Luis

2010/4/22 William Walker <billwalker@baymoon.com>

> Thanks Andre',  you sweet man. Yes I was using my DTAR solstice at that
> gig. I pretty much don't use my Rane SM-82 mixer  any longer and instead use
> this.
> Stereo is a bit tricky,  as its a mono device, but each channel has an
> individual  XLR output as well as separate inserts so its possible to,  for
> instance, send my effects processor in stereo and the units main XLR out in
> mono. Though I love stereo and stereo effects, I find I'm not that attached
> to it during live performance. If someone made a tiny stereo mixer that
> could fit in a half rack I'd be happy, but I sure don't want to buy an
> ancient Boss half rack mixer unless I could find one in mint condition.
> Those things were a bit noisy as I recall anyway.
>  Bill
>
>

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Hey Bill just for the record i just scored one of those Boss MX 10 mixers f=
rom an english guy in mint condition and the thing is completly noisless!<b=
r>soi im quite happy with it<br>cheers<br>Luis<br><br><div class=3D"gmail_q=
uote">
2010/4/22 William Walker <span dir=3D"ltr">&lt;<a href=3D"mailto:billwalker=
@baymoon.com">billwalker@baymoon.com</a>&gt;</span><br><blockquote class=3D=
"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rg=
b(204, 204, 204); padding-left: 1ex;">
Thanks Andre&#39;, =A0you sweet man. Yes I was using my DTAR solstice at th=
at gig. I pretty much don&#39;t use my Rane SM-82 mixer =A0any longer and i=
nstead use this.<br>
Stereo is a bit tricky, =A0as its a mono device, but each channel has an in=
dividual =A0XLR output as well as separate inserts so its possible to, =A0f=
or instance, send my effects processor in stereo and the units main XLR out=
 in mono. Though I love stereo and stereo effects, I find I&#39;m not that =
attached to it during live performance. If someone made a tiny stereo mixer=
 that could fit in a half rack I&#39;d be happy, but I sure don&#39;t want =
to buy an ancient Boss half rack mixer unless I could find one in mint cond=
ition. Those things were a bit noisy as I recall anyway.<br>

=A0Bill<br>
<br>
</blockquote></div><br>

--0016e64c0b8cf927390484fed0dc--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 21:08:04 2010
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Subject: Re: Acoustic Looping Rig - RDL (tiny high quality) Mixers
References: <C366E709-B0E4-44D4-923E-1CE206EDF7FE@baymoon.com> <l2u7a9df3e51004241024mf7e7dfb7t8873319c8ab7a9ae@mail.gmail.com>
From: Christopher Darrow <thedarrow@gmail.com>
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Date: Sat, 24 Apr 2010 14:07:58 -0700
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My acoustic looping rig used to be 3 EDP's, a shit-tone of real =
instruments, several pedals and RDL (Radio Design Labs) =
mixers/switchers/etc to connect them all.

Most are about the size of two matchbooks and you wire the yourself =
(which is why they're so small) and each generally has one function... =
one might take three line signals and mix them into a mic output, or =
exactly the reverse of that, or just a noise gate, or just a switcher, =
one to power the others so you only need one wall-wart.

Anyway, they're high quality low noise with a tiny foot print. =
Disadvantage: you wire them, but that's hardly a problem... most you =
just strip the wire, put it in the slot, turn the screw down on it. And =
no real interface like knobs... they have pots you turn with a =
screwdriver, though I think they do sell little knobs too.=20

This was all 10 or so years ago.=20

I no longer focus on the acoustic or, lately, do much looping, so I =
still have all those units left over from mcdy previous rig just sitting =
in a box. If you find you're interested in them, let me know and I'll =
tell you specifically what I have. (All the ones mentioned above and =
more I think.) =20


Okay... quick update... I just went to find the URL for you (it's =
http://www.rdlnet.com/ ) and it looks like their newer models are more =
finished (and thus larger since they have knobs) but they are still very =
small and I'm sure high quality low noise. They have tones of spec info. =
They also, from first glance appear to have RCA inputs but I bet that's =
not the only option... I have no idea. I'm not sure how I feel about =
them using RCA if that's the only option... means you'd have to wire RCA =
type ends yourself which would mean soldering, but if you're going for a =
really small footprint you probably want to do that anyway.=20

They still reference their older stuff (the "STICK-ON") series on their =
History of RDL page but I didn't see any pictures, but again, that's all =
from a quick glance at the site, I'm sure you can find them somewhere. =
If you're interested in mine, let me know, I'll take pictures. Or =
contact RDL for spics and pics, I'm sure they'll give you more info then =
I can.=20

Either way (the old or new) this is one way to get down to a very small =
footprint while maintaining good quality/low noise.=20

Good luck!



On Apr 24, 2010, at 10:24 AM, Louie Angulo wrote:

> Hey Bill just for the record i just scored one of those Boss MX 10 =
mixers from an english guy in mint condition and the thing is completly =
noisless!
> soi im quite happy with it
> cheers
> Luis
>=20
> 2010/4/22 William Walker <billwalker@baymoon.com>
> Thanks Andre',  you sweet man. Yes I was using my DTAR solstice at =
that gig. I pretty much don't use my Rane SM-82 mixer  any longer and =
instead use this.
> Stereo is a bit tricky,  as its a mono device, but each channel has an =
individual  XLR output as well as separate inserts so its possible to,  =
for instance, send my effects processor in stereo and the units main XLR =
out in mono. Though I love stereo and stereo effects, I find I'm not =
that attached to it during live performance. If someone made a tiny =
stereo mixer that could fit in a half rack I'd be happy, but I sure =
don't want to buy an ancient Boss half rack mixer unless I could find =
one in mint condition. Those things were a bit noisy as I recall anyway.
>  Bill
>=20
>=20


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
"><div><br></div><div>My acoustic looping rig used to be 3 EDP's, a =
shit-tone of real instruments, several pedals and RDL (Radio Design =
Labs) mixers/switchers/etc to connect them =
all.</div><div><br></div><div>Most are about the size of two matchbooks =
and you wire the yourself (which is why they're so small) and each =
generally has one function... one might take three line signals and mix =
them into a mic output, or exactly the reverse of that, or just a noise =
gate, or just a switcher, one to power the others so you only need one =
wall-wart.</div><div><br></div><div>Anyway, they're high quality low =
noise with a tiny foot print. Disadvantage: you wire them, but that's =
hardly a problem... most you just strip the wire, put it in the slot, =
turn the screw down on it. And no real interface like knobs... they have =
pots you turn with a screwdriver, though I think they do sell little =
knobs too.&nbsp;</div><div><br></div><div>This was all 10 or so years =
ago.&nbsp;</div><div><br></div><div>I no longer focus on the acoustic =
or, lately, do much looping, so I still have all those units left over =
from mcdy previous rig just sitting in a box. If you find you're =
interested in them, let me know and I'll tell you specifically what I =
have. (All the ones mentioned above and more I think.) =
&nbsp;</div><div><br></div><div><br></div><div>Okay... quick update... I =
just went to find the URL for you (it's&nbsp;<a =
href=3D"http://www.rdlnet.com/">http://www.rdlnet.com/</a>&nbsp;) and it =
looks like their newer models are more finished (and thus larger since =
they have knobs) but they are still very small and I'm sure high quality =
low noise. They have tones of spec info. They also, from first glance =
appear to have RCA inputs but I bet that's not the only option... I have =
no idea. I'm not sure how I feel about them using RCA if that's the only =
option... means you'd have to wire RCA type ends yourself which would =
mean soldering, but if you're going for a really small footprint you =
probably want to do that anyway.&nbsp;</div><div><br></div><div>They =
still reference their older stuff (the "STICK-ON") series on their =
History of RDL page but I didn't see any pictures, but again, that's all =
from a quick glance at the site, I'm sure you can find them somewhere. =
If you're interested in mine, let me know, I'll take pictures. Or =
contact RDL for spics and pics, I'm sure they'll give you more info then =
I can.&nbsp;</div><div><br></div><div>Either way (the old or new) this =
is one way to get down to a very small footprint while maintaining good =
quality/low noise.&nbsp;</div><div><br></div><div>Good luck!</div><meta =
charset=3D"utf-8"><div><br></div><div><br></div><br><div><div>On Apr 24, =
2010, at 10:24 AM, Louie Angulo wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite">Hey Bill =
just for the record i just scored one of those Boss MX 10 mixers from an =
english guy in mint condition and the thing is completly =
noisless!<br>soi im quite happy with it<br>cheers<br>Luis<br><br><div =
class=3D"gmail_quote">
2010/4/22 William Walker <span dir=3D"ltr">&lt;<a =
href=3D"mailto:billwalker@baymoon.com">billwalker@baymoon.com</a>&gt;</spa=
n><br><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt =
0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">
Thanks Andre', &nbsp;you sweet man. Yes I was using my DTAR solstice at =
that gig. I pretty much don't use my Rane SM-82 mixer &nbsp;any longer =
and instead use this.<br>
Stereo is a bit tricky, &nbsp;as its a mono device, but each channel has =
an individual &nbsp;XLR output as well as separate inserts so its =
possible to, &nbsp;for instance, send my effects processor in stereo and =
the units main XLR out in mono. Though I love stereo and stereo effects, =
I find I'm not that attached to it during live performance. If someone =
made a tiny stereo mixer that could fit in a half rack I'd be happy, but =
I sure don't want to buy an ancient Boss half rack mixer unless I could =
find one in mint condition. Those things were a bit noisy as I recall =
anyway.<br>

&nbsp;Bill<br>
<br>
</blockquote></div><br>
</blockquote></div><br></body></html>=

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Subject: Re: Max for Live: Potential for looping tweaks?
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Have you considered just using midi clips to trigger those scenes and clips
you need, strategically placed in the timeline or triggered from session
view a la Kid Beyond?  I took a look at his midi clips inside his files to
find unbelievable amounts of automation there which renders it totally
unnecessary for him to look at or touch his laptop.

Cheers, Todd

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Have you considered just using midi clips to trigger those scenes and clips=
 you need, strategically placed in the timeline or triggered from session v=
iew a la Kid Beyond? =A0I took a look at his midi clips inside his files to=
 find unbelievable amounts of automation there which renders it totally unn=
ecessary for him to look at or touch his laptop.=A0
<div><br></div><div>Cheers, Todd</div>

--001485f87b92a2fac304850204d7--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 21:21:46 2010
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Subject: Re: which macbook?
From: Sjaak Overgaauw <tcplugin@gmail.com>
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Hi Sim,
I use a white Macbook 2.53 Ghz, the late 2008 model. It more than
powerfull enough to run Logic 9 and Mainstage 2 :)

-- 
Sjaak Overgaauw
http://premonitionfactory.com/
http://livelooping.be/

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Subject: laptop looping
Date: Sat, 24 Apr 2010 18:02:46 -0400
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I am thinking about getting a laptop with the plan of running Mobius, =
don't know anything. I am a Windoz guy so what should I look for/avoid? =
Any general or specific tips on this would help. Windows 7? All the new =
ones have Windows 7 which I know little about.

thanks,

Jeff



http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16981" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I am thinking about getting a laptop =
with the plan=20
of running Mobius, don't know anything. I am a Windoz guy so what should =
I look=20
for/avoid? Any general or specific tips on this would help. Windows 7? =
All the=20
new ones have Windows 7 which I know little about.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.myspace.com/loopsinphasespace">http://www.myspace.com/=
loopsinphasespace</A><BR><A=20
href=3D"http://jeffduke.bandcamp.com/">http://jeffduke.bandcamp.com/</A><=
BR><A=20
href=3D"http://www.vimeo.com/jeffduke">http://www.vimeo.com/jeffduke</A><=
BR><A=20
href=3D"http://livestream.com/jeffdukelive">http://livestream.com/jeffduk=
elive</A></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 22:36:26 2010
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Date: Sat, 24 Apr 2010 15:36:25 -0700 (PDT)
From: E Gross <slapbandjam@yahoo.com>
Subject: Re: laptop looping
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Jeff,

I'll take those ModFx off of your hands since you won't need them anymore! 
 ;)

Eric


      
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:times new roman,new york,times,serif;font-size:12pt"><div>Jeff,<br><br>I'll take those ModFx off of your hands since you won't need them anymore! <br>&nbsp;;)<br><br>Eric<br></div><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br></div>
</div><br>







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	 <v2yd302e3571004240642g613f979ftf3db27bb8bb45f8f@mail.gmail.com>
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Date: Sat, 24 Apr 2010 23:42:11 +0100
Message-ID: <g2nd302e3571004241542oc0aa0d8aq1859486d25864fd3@mail.gmail.com>
Subject: Re: which macbook?
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--001485f4501826e5f80485034111
Content-Type: text/plain; charset=ISO-8859-1

thanks sjaak. i took the plunge and bought the cheaper refurb from the apple
store. should arrive next week!

sim

On Sat, Apr 24, 2010 at 10:21 PM, Sjaak Overgaauw <tcplugin@gmail.com>wrote:

> Hi Sim,
> I use a white Macbook 2.53 Ghz, the late 2008 model. It more than
> powerfull enough to run Logic 9 and Mainstage 2 :)
>
> --
> Sjaak Overgaauw
> http://premonitionfactory.com/
> http://livelooping.be/
>
>

--001485f4501826e5f80485034111
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

thanks sjaak. i took the plunge and bought the cheaper refurb from the appl=
e store. should arrive next week!<br><br>sim<br><br><div class=3D"gmail_quo=
te">On Sat, Apr 24, 2010 at 10:21 PM, Sjaak Overgaauw <span dir=3D"ltr">&lt=
;<a href=3D"mailto:tcplugin@gmail.com">tcplugin@gmail.com</a>&gt;</span> wr=
ote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">Hi Sim,<br>
I use a white Macbook 2.53 Ghz, the late 2008 model. It more than<br>
powerfull enough to run Logic 9 and Mainstage 2 :)<br>
<font color=3D"#888888"><br>
--<br>
Sjaak Overgaauw<br>
<a href=3D"http://premonitionfactory.com/" target=3D"_blank">http://premoni=
tionfactory.com/</a><br>
<a href=3D"http://livelooping.be/" target=3D"_blank">http://livelooping.be/=
</a><br>
<br>
</font></blockquote></div><br>

--001485f4501826e5f80485034111--

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Date: Sat, 24 Apr 2010 23:43:36 +0100
Message-ID: <j2ld302e3571004241543g5407ec38pd5afce815058fd89@mail.gmail.com>
Subject: Re: OT - logic upgrade
From: Simeon Harris <simeonharris40@googlemail.com>
To: Loopers-Delight@loopers-delight.com
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--0016364c78ef3f4d940485034606
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for info, i checked the forum and the word is that the license covers one
desktop and one laptop, so that's cool - i won't have to buy it twice!

sim

On Sat, Apr 24, 2010 at 5:06 PM, Simeon Harris <
simeonharris40@googlemail.com> wrote:

> thanks per, i'll check out the link
>
> sim
>
>
> On Sat, Apr 24, 2010 at 4:17 PM, Per Boysen <perboysen@gmail.com> wrote:
>
>> The license is for two computers. But that's in theory.
>>
>

--0016364c78ef3f4d940485034606
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

for info, i checked the forum and the word is that the license covers one d=
esktop and one laptop, so that&#39;s cool - i won&#39;t have to buy it twic=
e!<br><br>sim<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010 at 5:0=
6 PM, Simeon Harris <span dir=3D"ltr">&lt;<a href=3D"mailto:simeonharris40@=
googlemail.com">simeonharris40@googlemail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">thanks per, i&#39=
;ll check out the link<br><br>sim<div><div></div><div class=3D"h5"><br><br>=
<div class=3D"gmail_quote">
On Sat, Apr 24, 2010 at 4:17 PM, Per Boysen <span dir=3D"ltr">&lt;<a href=
=3D"mailto:perboysen@gmail.com" target=3D"_blank">perboysen@gmail.com</a>&g=
t;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">The license is fo=
r two computers. But that&#39;s in theory.<br></blockquote></div></div></di=
v>
</blockquote></div>

--0016364c78ef3f4d940485034606--

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 23:09:43 2010
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Subject: Re: Tempo and Rec-Mult features (was: EDP MIDI Undo quirk)
From: Matthias Grob <matilists@gmail.com>
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what you are saying is interesting for the next hardware, Per:=20
the EDP would not slave to a new tempo while the non rhythmic =
introduction is happening,=20

I did not implement the Tempo function in the plugin because I thought =
that the host can do this job, correct?

in a average host, can you start with any tempo for the intro and then =
tap the tempo you really need and then "Sync-Multiply" to that new =
tempo?

you might simply keep one plugin with the intro sound and start a new =
instance in sync with the new tempo
but its not the same effect. I like to cut a non rhythmic wash to the =
new tempo.


On 22 Apr 2010, at 07:46, Per Boysen wrote:

> CooI indeed! didn't know about that function. I always used
> Multiply/Record to set a new tempo on-the-fly. This is useful if you
> plan to reset and start out fresh from a non rhythm loop but want to
> make sure it goes into a certain tempo later on as you start tap
> dancing substitute stuff.
>=20
>=20
> On Thu, Apr 22, 2010 at 12:28 PM, mark francombe =
<mark@markfrancombe.com> wrote:
>> Its not a bug, its a feature. If you press and hold UNDO when edp is
>> stopped, it will make fixed loop length, at a particular bpm. that =
bpm is by
>> default 120 bpm... if you twist feedback button while this number is
>> displayed you can dial in whatever number you need... nexd time you =
hit REC
>> it will round off your second click to make it a loop with this bpm.
>>=20
>> Its actually very cool!
>>=20

From asiaprom@aim.com  Sat Apr 24 23:10:03 2010
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From: "Mrs. MAHDIYAH UMNIYAH" <asiaprom@aim.com>
Reply-To: asiaipad@aim.com
Subject: Contact Mr Young  
Date: Sat, 24 Apr 2010 17:57:51 +0800
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FROM: THE DIRECTOR
E-LOTTERY ASIA.
REF:EL3/9318/04
BATCH:8/163/EL.
Attn: Dear Sir/Madam

  We are pleased to inform you of the result of the
Lottery Winners International programs held on the
15/04/2010. Your e-mail address attached to ticket
Number :EL-23133 with serial number: EL-123542,batch
Number: EL-35, lottery ref number: EL-9318 and drew
Lucky numbers 7-1-8-36-4-22 which consequently won in
The 1st category, you have therefore been approved for
a lump sum pay out of US$1,500,000.00 (One Million,
Five Hundred Thousand United States dollars)
   All participants were selected through a Computer 
Ballot system drawn from over 40,000 companies and
20,000,000 individual emails addresses and names 
from all over the world.
  This promotional program takes place every year.
This Lottery was promoted and sponsored by a group of
Successful electronic dealers. To file for your claim, 
Please contact our paying officer.

Mr.Khoo Young (Lottery Director)
E-Lottery Company Asia
29B, Subang Jaya, Kualar Lumpur,
Malaysia
TEL: +60 103706401
Email: asiaipad@aim.com

 Please note in order to avoid unnecessary delays and
Complications please remember to quote your reference
Number and batch numbers in all correspondence.
Congratulations once more from our members of staff
and thank you for being part of our promotional
Program.

Yours Sincerely, 
Mrs. MAHDIYAH UMNIYAH,
for Management.


From asiaprom@aim.com  Sat Apr 24 23:12:22 2010
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Subject: Contact Mr Young  
Date: Sat, 24 Apr 2010 17:57:54 +0800
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To: undisclosed-recipients:;

FROM: THE DIRECTOR
E-LOTTERY ASIA.
REF:EL3/9318/04
BATCH:8/163/EL.
Attn: Dear Sir/Madam

  We are pleased to inform you of the result of the
Lottery Winners International programs held on the
15/04/2010. Your e-mail address attached to ticket
Number :EL-23133 with serial number: EL-123542,batch
Number: EL-35, lottery ref number: EL-9318 and drew
Lucky numbers 7-1-8-36-4-22 which consequently won in
The 1st category, you have therefore been approved for
a lump sum pay out of US$1,500,000.00 (One Million,
Five Hundred Thousand United States dollars)
   All participants were selected through a Computer 
Ballot system drawn from over 40,000 companies and
20,000,000 individual emails addresses and names 
from all over the world.
  This promotional program takes place every year.
This Lottery was promoted and sponsored by a group of
Successful electronic dealers. To file for your claim, 
Please contact our paying officer.

Mr.Khoo Young (Lottery Director)
E-Lottery Company Asia
29B, Subang Jaya, Kualar Lumpur,
Malaysia
TEL: +60 103706401
Email: asiaipad@aim.com

 Please note in order to avoid unnecessary delays and
Complications please remember to quote your reference
Number and batch numbers in all correspondence.
Congratulations once more from our members of staff
and thank you for being part of our promotional
Program.

Yours Sincerely, 
Mrs. MAHDIYAH UMNIYAH,
for Management.


From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 23:29:02 2010
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Date: Sun, 25 Apr 2010 01:29:01 +0200
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Subject: Re: Tempo and Rec-Mult features (was: EDP MIDI Undo quirk)
From: Per Boysen <perboysen@gmail.com>
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On Sat, Apr 24, 2010 at 8:13 PM, Matthias Grob <matilists@gmail.com> wrote:
> what you are saying is interesting for the next hardware, Per:
> the EDP would not slave to a new tempo while the non rhythmic introduction is happening,
>
> I did not implement the Tempo function in the plugin because I thought that the host can do this job, correct?
>

Well, Matthias, I think that's a matter of taste. Myself, I never use
host tempo. I always run the host as the sync slave to the looper.


> in a average host, can you start with any tempo for the intro and then tap the tempo you really need and then "Sync-Multiply" to that new tempo?
>

I guess so. I wouldn't though, since my host follows the tempo set by
the looper. If I want a adjust the tempo I go Multiply-->Record or
Record-->Record.


> you might simply keep one plugin with the intro sound and start a new instance in sync with the new tempo
> but its not the same effect. I like to cut a non rhythmic wash to the new tempo.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Sat Apr 24 23:37:49 2010
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Date: Sat, 24 Apr 2010 16:37:38 -0700
Message-ID: <l2v588ce11d1004241637od15080fdse1397430c08081f7@mail.gmail.com>
Subject: Re: laptop looping
From: Art Simon <simart@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--00504501474e79022504850407d3
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Hi Jeff,

I'd look at the forum of the audio interface you're thinking of using and
see what people are using. Firewire audio interfaces work better with some
machines than others, and that's certainly been my experience with my USB
audio interface. The chipset on the motherboard seems to be the important
factor for USB and firewire interfaces.

Some audio interface drivers are just coming out now for Windows 7. For my
line 6 toneport, the windows 7 drivers were beta until just a few weeks ago.
I performed with my Acer Extensa running Windows Vista at Y2K9 this year and
I was happy. A nice thing about laptop looping is that I only needed one
outlet for the computer. Everything else was powered off USB.

I haven't been happy with the last couple of Dells I tried, but Dell has a
very good return policy. They give you ample time to set it up and try it
out, and they pay the return shipping if you don't like it. I've heard good
things about Lenovo, but I don't have any first had experience with the
brand.

For audio, I think most things are still 32bit, so 32 bit windows 7 is
probably a better choice than 64 bit. I haven't tried the 64 bit Windows 7
for audio, so I'm not speaking from personal experience.

Quad core i7 laptops running Windows 7 can be had for under $1000 these
days. Check techbargains.com for current deals. Good Luck!

On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  I am thinking about getting a laptop with the plan of running Mobius,
> don't know anything. I am a Windoz guy so what should I look for/avoid? Any
> general or specific tips on this would help. Windows 7? All the new ones
> have Windows 7 which I know little about.
>
> thanks,
>  .
> Jeff
>
>
>
> http://www.myspace.com/loopsinphasespace
> http://jeffduke.bandcamp.com/
> http://www.vimeo.com/jeffduke
> http://livestream.com/jeffdukelive
>



-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

--00504501474e79022504850407d3
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Hi Jeff,<br><br>I&#39;d look at the forum of the audio interface you&#39;re=
 thinking of using and see what people are using. Firewire audio interfaces=
 work better with some machines than others, and that&#39;s certainly been =
my experience with my USB audio interface. The chipset on the motherboard s=
eems to be the important factor for USB and firewire interfaces.<br>
<br>Some audio interface drivers are just coming out now for Windows 7. For=
 my line 6 toneport, the windows 7 drivers were beta until just a few weeks=
 ago. I performed with my Acer Extensa running Windows Vista at Y2K9 this y=
ear and I was happy. A nice thing about laptop looping is that I only neede=
d one outlet for the computer. Everything else was powered off USB.<br>
<br>I haven&#39;t been happy with the last couple of Dells I tried, but Del=
l has a very good return policy. They give you ample time to set it up and =
try it out, and they pay the return shipping if you don&#39;t like it. I&#3=
9;ve heard good things about Lenovo, but I don&#39;t have any first had exp=
erience with the brand.<br>
<br>For audio, I think most things are still 32bit, so 32 bit windows 7 is =
probably a better choice than 64 bit. I haven&#39;t tried the 64 bit Window=
s 7 for audio, so I&#39;m not speaking from personal experience.<br><br>
Quad core i7 laptops running Windows 7 can be had for under $1000 these day=
s. Check <a href=3D"http://techbargains.com">techbargains.com</a> for curre=
nt deals. Good Luck!<br><br><div class=3D"gmail_quote">On Sat, Apr 24, 2010=
 at 3:02 PM, Jeff Duke <span dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embar=
qmail.com">jeff_d@embarqmail.com</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">I am thinking about getting a laptop w=
ith the plan=20
of running Mobius, don&#39;t know anything. I am a Windoz guy so what shoul=
d I look=20
for/avoid? Any general or specific tips on this would help. Windows 7? All =
the=20
new ones have Windows 7 which I know little about.</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">thanks,</font></div>
<div> .</div>
<div><font face=3D"Arial" size=3D"2">Jeff</font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.myspace.com/loop=
sinphasespace" target=3D"_blank">http://www.myspace.com/loopsinphasespace</=
a><br><a href=3D"http://jeffduke.bandcamp.com/" target=3D"_blank">http://je=
ffduke.bandcamp.com/</a><br>
<a href=3D"http://www.vimeo.com/jeffduke" target=3D"_blank">http://www.vime=
o.com/jeffduke</a><br><a href=3D"http://livestream.com/jeffdukelive" target=
=3D"_blank">http://livestream.com/jeffdukelive</a></font></div></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D=
"mailto:simart@gmail.com">simart@gmail.com</a><br>myspace [dot] com/artsimo=
n<br>

--00504501474e79022504850407d3--

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Subject: Re: Acoustic Looping Rig 
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"Hey Bill just for the record i just scored one of those Boss MX 10  
mixers from an english guy in mint condition and the thing is  
completly noisless!
soi im quite happy with it
cheers
Luis"

good to know, memory fuzzy, maybe it was the headphone output that had  
a lot of hiss
Bll

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From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 00:47:53 2010
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	 <l2v588ce11d1004241637od15080fdse1397430c08081f7@mail.gmail.com>
Date: Sat, 24 Apr 2010 20:47:52 -0400
Message-ID: <h2m44e368751004241747ye4d2d608je845bf5fc4be5936@mail.gmail.com>
Subject: Re: laptop looping
From: james fowler <twostroke@gmail.com>
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for less than a grand you can build your own rackmount pc with more
firepower and piles more usb/FireWire ports than any laptop  will
offer, as well as the option to use a motherboard-mounted soundcard.
respond off-list if interested in details.

btw: I knew ZERO about building computers prior to doing my own. it
was surprisingly straightforward.

- jim

On Saturday, April 24, 2010, Art Simon <simart@gmail.com> wrote:
> Hi Jeff,
>
> I'd look at the forum of the audio interface you're thinking of using and=
 see what people are using. Firewire audio interfaces work better with some=
 machines than others, and that's certainly been my experience with my USB =
audio interface. The chipset on the motherboard seems to be the important f=
actor for USB and firewire interfaces.
>
> Some audio interface drivers are just coming out now for Windows 7. For m=
y line 6 toneport, the windows 7 drivers were beta until just a few weeks a=
go. I performed with my Acer Extensa running Windows Vista at Y2K9 this yea=
r and I was happy. A nice thing about laptop looping is that I only needed =
one outlet for the computer. Everything else was powered off USB.
>
> I haven't been happy with the last couple of Dells I tried, but Dell has =
a very good return policy. They give you ample time to set it up and try it=
 out, and they pay the return shipping if you don't like it. I've heard goo=
d things about Lenovo, but I don't have any first had experience with the b=
rand.
>
> For audio, I think most things are still 32bit, so 32 bit windows 7 is pr=
obably a better choice than 64 bit. I haven't tried the 64 bit Windows 7 fo=
r audio, so I'm not speaking from personal experience.
>
> Quad core i7 laptops running Windows 7 can be had for under $1000 these d=
ays. Check techbargains.com for current deals. Good Luck!
>
> On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>
>
>
>
>
>
>
> I am thinking about getting a laptop with the plan
> of running Mobius, don't know anything. I am a Windoz guy so what should =
I look
> for/avoid? Any general or specific tips on this would help. Windows 7? Al=
l the
> new ones have Windows 7 which I know little about.
>
> thanks,
>  .
> Jeff
>
>
>
> http://www.myspace.com/loopsinphasespace
> http://jeffduke.bandcamp.com/
> http://www.vimeo.com/jeffduke
> http://livestream.com/jeffdukelive
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 01:39:46 2010
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Date: Sat, 24 Apr 2010 20:36:09 -0400
To: DrTVideo@egroups.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Compose your own and Video Performance Tomorrow  AHNE  Lowell MA
Cc: eyecandy@egroups.com, boss-improv@topica.com, iotacenter@egroups.com,
 Loopers-Delight@loopers-delight.com, atari-midi@yahoogroups.com,
 FRAMEWORKS@LISTSERV.AOL.COM
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Hi folks,

Besides reminding you of my show tomorrow, I'd like to share this 
link, though I confess I've been far to busy to participate in the 
piece described.

http://opinionator.blogs.nytimes.com/2010/04/22/compose-your-own/?ref=global-home

I'll be doing video improvisations at 119 Gallery (my favorite 
perfomance space) on Sunday April 25th from 7 - 10 PM as part of an 
event described here http://www.stretta.com/ahne/2010/.

This will be a gathering of analog synthesizer players, with 
discussions and demos in the afternoon, and performances in the 
evening. The event is free, though a nominal donation to support the 
gallery will be appreciated.


119 Chelmsford St
Lowell, MA 01851
8:30 PM
  http://www.119gallery.org/

Culinary note: There is an outstanding Cambodian restaurant next door 
to the gallery.
-- 
My photography can be viewed at 
http://www.flickr.com/photos/22231918@N06/collections/72157603627170351/

My videos can be viewed at
http://www.youtube.com/Tobenfeld

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

" Practice makes perfect, imperfect is better."  -- Paul Bley

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Date: Sat, 24 Apr 2010 20:44:12 -0600
Message-ID: <u2idec8f8e61004241944idce96b5bl8810a2f6e3605f4f@mail.gmail.com>
Subject: Re: Live on Ustream now: Moinsound Studio Sessions
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Another Moser on the Loopers list?!?! Oh, my!

Wie gehtes Ihnen?

Dennis (Moser)

On Sat, Apr 24, 2010 at 10:36 AM, Mich=E8le Moser <michelemoser@arcor.de> w=
rote:
> The MoinSound Studio Sessions going live just now piano solo, no
> effects, no loop, just pure fun! http://tinyurl.com/lza2au
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

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Subject: Re: laptop looping
Date: Sat, 24 Apr 2010 22:52:56 -0400
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------=_NextPart_000_001B_01CAE400.E151AE40
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Thanks Art, yes, that is one of the issues. I really don't know anything =
about Firewire/usb let alone makes and models and on and on, and only a =
tiny bit about audio interfaces. I have used a cheap usb interface with =
a borrowed laptop once. I will check around. I do know 2 people with =
some personal experience.=20

best, Jeff
  ----- Original Message -----=20
  From: Art Simon=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, April 24, 2010 7:37 PM
  Subject: Re: laptop looping


  Hi Jeff,

  I'd look at the forum of the audio interface you're thinking of using =
and see what people are using. Firewire audio interfaces work better =
with some machines than others, and that's certainly been my experience =
with my USB audio interface. The chipset on the motherboard seems to be =
the important factor for USB and firewire interfaces.

  Some audio interface drivers are just coming out now for Windows 7. =
For my line 6 toneport, the windows 7 drivers were beta until just a few =
weeks ago. I performed with my Acer Extensa running Windows Vista at =
Y2K9 this year and I was happy. A nice thing about laptop looping is =
that I only needed one outlet for the computer. Everything else was =
powered off USB.

  I haven't been happy with the last couple of Dells I tried, but Dell =
has a very good return policy. They give you ample time to set it up and =
try it out, and they pay the return shipping if you don't like it. I've =
heard good things about Lenovo, but I don't have any first had =
experience with the brand.

  For audio, I think most things are still 32bit, so 32 bit windows 7 is =
probably a better choice than 64 bit. I haven't tried the 64 bit Windows =
7 for audio, so I'm not speaking from personal experience.

  Quad core i7 laptops running Windows 7 can be had for under $1000 =
these days. Check techbargains.com for current deals. Good Luck!


  On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke <jeff_d@embarqmail.com> =
wrote:

    I am thinking about getting a laptop with the plan of running =
Mobius, don't know anything. I am a Windoz guy so what should I look =
for/avoid? Any general or specific tips on this would help. Windows 7? =
All the new ones have Windows 7 which I know little about.

    thanks,
    .
    Jeff



    http://www.myspace.com/loopsinphasespace
    http://jeffduke.bandcamp.com/
    http://www.vimeo.com/jeffduke
    http://livestream.com/jeffdukelive



  --=20
  Art Simon
  simart@gmail.com
  myspace [dot] com/artsimon



-------------------------------------------------------------------------=
-----



  No virus found in this incoming message.
  Checked by AVG - www.avg.com=20
  Version: 8.5.437 / Virus Database: 271.1.1/2832 - Release Date: =
04/24/10 06:31:00

------=_NextPart_000_001B_01CAE400.E151AE40
Content-Type: text/html;
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Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Art, yes, that is one of the =
issues. I=20
really don't know anything about Firewire/usb let alone makes and models =
and on=20
and on, and only a tiny bit about audio interfaces. I have used a cheap =
usb=20
interface with a borrowed laptop once. I will check around. I do know 2 =
people=20
with some personal experience. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>best, Jeff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dsimart@gmail.com href=3D"mailto:simart@gmail.com">Art =
Simon</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, April 24, 2010 =
7:37=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: laptop =
looping</DIV>
  <DIV><BR></DIV>Hi Jeff,<BR><BR>I'd look at the forum of the audio =
interface=20
  you're thinking of using and see what people are using. Firewire audio =

  interfaces work better with some machines than others, and that's =
certainly=20
  been my experience with my USB audio interface. The chipset on the =
motherboard=20
  seems to be the important factor for USB and firewire =
interfaces.<BR><BR>Some=20
  audio interface drivers are just coming out now for Windows 7. For my =
line 6=20
  toneport, the windows 7 drivers were beta until just a few weeks ago. =
I=20
  performed with my Acer Extensa running Windows Vista at Y2K9 this year =
and I=20
  was happy. A nice thing about laptop looping is that I only needed one =
outlet=20
  for the computer. Everything else was powered off USB.<BR><BR>I =
haven't been=20
  happy with the last couple of Dells I tried, but Dell has a very good =
return=20
  policy. They give you ample time to set it up and try it out, and they =
pay the=20
  return shipping if you don't like it. I've heard good things about =
Lenovo, but=20
  I don't have any first had experience with the brand.<BR><BR>For =
audio, I=20
  think most things are still 32bit, so 32 bit windows 7 is probably a =
better=20
  choice than 64 bit. I haven't tried the 64 bit Windows 7 for audio, so =
I'm not=20
  speaking from personal experience.<BR><BR>Quad core i7 laptops running =
Windows=20
  7 can be had for under $1000 these days. Check <A=20
  href=3D"http://techbargains.com">techbargains.com</A> for current =
deals. Good=20
  Luck!<BR><BR>
  <DIV class=3Dgmail_quote>On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke =
<SPAN=20
  dir=3Dltr>&lt;<A=20
  =
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</A>&gt;</SPAN=
>=20
  wrote:<BR>
  <BLOCKQUOTE class=3Dgmail_quote=20
  style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: =
rgb(204,204,204) 1px solid">
    <DIV bgcolor=3D"#ffffff">
    <DIV><FONT face=3DArial size=3D2>I am thinking about getting a =
laptop with the=20
    plan of running Mobius, don't know anything. I am a Windoz guy so =
what=20
    should I look for/avoid? Any general or specific tips on this would =
help.=20
    Windows 7? All the new ones have Windows 7 which I know little=20
    about.</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
    <DIV>.</DIV>
    <DIV><FONT face=3DArial size=3D2>Jeff</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><A=20
    href=3D"http://www.myspace.com/loopsinphasespace"=20
    target=3D_blank>http://www.myspace.com/loopsinphasespace</A><BR><A=20
    href=3D"http://jeffduke.bandcamp.com/"=20
    target=3D_blank>http://jeffduke.bandcamp.com/</A><BR><A=20
    href=3D"http://www.vimeo.com/jeffduke"=20
    target=3D_blank>http://www.vimeo.com/jeffduke</A><BR><A=20
    href=3D"http://livestream.com/jeffdukelive"=20
    =
target=3D_blank>http://livestream.com/jeffdukelive</A></FONT></DIV></DIV>=
</BLOCKQUOTE></DIV><BR><BR=20
  clear=3Dall><BR>-- <BR>Art Simon<BR><A=20
  href=3D"mailto:simart@gmail.com">simart@gmail.com</A><BR>myspace [dot] =

  com/artsimon<BR>
  <P>
  <HR>

  <P></P><BR>No virus found in this incoming message.<BR>Checked by AVG =
-=20
  www.avg.com <BR>Version: 8.5.437 / Virus Database: 271.1.1/2832 - =
Release=20
  Date: 04/24/10 06:31:00<BR></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001B_01CAE400.E151AE40--

From asiaprom@aim.com  Sun Apr 25 04:35:54 2010
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From: "Mrs. MAHDIYAH UMNIYAH" <asiaprom@aim.com>
Reply-To: asiaipad@aim.com
Subject: Contact Mr Young  
Date: Sat, 24 Apr 2010 20:07:18 +0800
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FROM: THE DIRECTOR
E-LOTTERY ASIA.
REF:EL3/9318/04
BATCH:8/163/EL.
Attn:Dear Sir/Madam

We are pleased to inform you of the result of the
Lottery Winners International programs held on the
01/04/2010. Your e-mail address attached to ticket
Number :EL-23133 with serial number: EL-123542,batch
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Lucky numbers 7-1-8-36-4-22 which consequently won in
The 1st category, you have therefore been approved for
a lump sum pay out of US$1,500,000.00 (One Million,
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E-Lottery Company Aisa
29B, Subang Jaya, Kualar Lumpur,
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TEL: +60 103706401
Email: asiaipad@aim.com 

Remember, all winning must be claimed not later than
two weeks after first notification.
Please note in order to avoid unnecessary delays and
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Number and batch numbers in all correspondence.
Congratulations once more from our members of staff
And thank you for being part of our promotional
Program.

Yours Sincerely,
Mrs. MAHDIYAH UMNIYAH
For Management.

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--3-5847627474-3174441741=:1--

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	 <001e01cae422$68b90f60$89f23747@tbl01fcf9be917>
Date: Sun, 25 Apr 2010 03:21:36 -0400
Message-ID: <j2z9e0440a61004250021pb30992c7tf533fa0d61305fc5@mail.gmail.com>
Subject: Re: laptop looping
From: Jim Goodin <jimgoodinmusic@gmail.com>
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--001636c932cac3054b04850a822f
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Jeff I recommend one of the Tascam USB interfaces which Peter also has. I
have an old one that is really stable, the 224 model, has midi, the A/D and
D/A converters.  Here is mine,
http://cgi.ebay.com/TASCAM-US-224-DIGITAL-AUDIO-WORK-STATION-CONTROLLER-/200464575269?cmd=ViewItem&pt=LH_DefaultDomain_0&hash=item2eac9eab25

Also the M-audio ones...

Exciting to think you are entertaining this, clearly Steve has influenced
you.

J

On Sat, Apr 24, 2010 at 10:52 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

>  Thanks Art, yes, that is one of the issues. I really don't know anything
> about Firewire/usb let alone makes and models and on and on, and only a tiny
> bit about audio interfaces. I have used a cheap usb interface with a
> borrowed laptop once. I will check around. I do know 2 people with some
> personal experience.
>
> best, Jeff
>
> ----- Original Message -----
> *From:* Art Simon <simart@gmail.com>
> *To:* Loopers-Delight@loopers-delight.com
> *Sent:* Saturday, April 24, 2010 7:37 PM
> *Subject:* Re: laptop looping
>
> Hi Jeff,
>
> I'd look at the forum of the audio interface you're thinking of using and
> see what people are using. Firewire audio interfaces work better with some
> machines than others, and that's certainly been my experience with my USB
> audio interface. The chipset on the motherboard seems to be the important
> factor for USB and firewire interfaces.
>
> Some audio interface drivers are just coming out now for Windows 7. For my
> line 6 toneport, the windows 7 drivers were beta until just a few weeks ago.
> I performed with my Acer Extensa running Windows Vista at Y2K9 this year and
> I was happy. A nice thing about laptop looping is that I only needed one
> outlet for the computer. Everything else was powered off USB.
>
> I haven't been happy with the last couple of Dells I tried, but Dell has a
> very good return policy. They give you ample time to set it up and try it
> out, and they pay the return shipping if you don't like it. I've heard good
> things about Lenovo, but I don't have any first had experience with the
> brand.
>
> For audio, I think most things are still 32bit, so 32 bit windows 7 is
> probably a better choice than 64 bit. I haven't tried the 64 bit Windows 7
> for audio, so I'm not speaking from personal experience.
>
> Quad core i7 laptops running Windows 7 can be had for under $1000 these
> days. Check techbargains.com for current deals. Good Luck!
>
> On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
>
>>  I am thinking about getting a laptop with the plan of running Mobius,
>> don't know anything. I am a Windoz guy so what should I look for/avoid? Any
>> general or specific tips on this would help. Windows 7? All the new ones
>> have Windows 7 which I know little about.
>>
>> thanks,
>> .
>> Jeff
>>
>>
>>
>> http://www.myspace.com/loopsinphasespace
>> http://jeffduke.bandcamp.com/
>> http://www.vimeo.com/jeffduke
>> http://livestream.com/jeffdukelive
>>
>
>
>
> --
> Art Simon
> simart@gmail.com
> myspace [dot] com/artsimon
>
> ------------------------------
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.437 / Virus Database: 271.1.1/2832 - Release Date: 04/24/10
> 06:31:00
>
>


-- 
Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

--001636c932cac3054b04850a822f
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Jeff I recommend one of the Tascam USB interfaces which Peter also has. I h=
ave an old one that is really stable, the 224 model, has midi, the A/D and =
D/A converters.=A0 Here is mine, <a href=3D"http://cgi.ebay.com/TASCAM-US-2=
24-DIGITAL-AUDIO-WORK-STATION-CONTROLLER-/200464575269?cmd=3DViewItem&amp;p=
t=3DLH_DefaultDomain_0&amp;hash=3Ditem2eac9eab25">http://cgi.ebay.com/TASCA=
M-US-224-DIGITAL-AUDIO-WORK-STATION-CONTROLLER-/200464575269?cmd=3DViewItem=
&amp;pt=3DLH_DefaultDomain_0&amp;hash=3Ditem2eac9eab25</a><br>
<br>Also the M-audio ones...<br><br>Exciting to think you are entertaining =
this, clearly Steve has influenced you.<br><br>J<br><br><div class=3D"gmail=
_quote">On Sat, Apr 24, 2010 at 10:52 PM, Jeff Duke <span dir=3D"ltr">&lt;<=
a href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt;</span=
> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex; borde=
r-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">





<div bgcolor=3D"#ffffff">
<div><font face=3D"Arial" size=3D"2">Thanks Art, yes, that is one of the is=
sues. I=20
really don&#39;t know anything about Firewire/usb let alone makes and model=
s and on=20
and on, and only a tiny bit about audio interfaces. I have used a cheap usb=
=20
interface with a borrowed laptop once. I will check around. I do know 2 peo=
ple=20
with some personal experience. </font></div>
<div><font face=3D"Arial" size=3D"2"></font>=A0</div>
<div><font face=3D"Arial" size=3D"2">best, Jeff</font></div>
<blockquote style=3D"padding-right: 0px; padding-left: 5px; margin-left: 5p=
x; border-left: 2px solid rgb(0, 0, 0); margin-right: 0px;"><div><div></div=
><div class=3D"h5">
  <div style=3D"font: 10pt arial;">----- Original Message ----- </div>
  <div style=3D"background: none repeat scroll 0% 0% rgb(228, 228, 228); fo=
nt: 10pt arial;"><b>From:</b>=20
  <a title=3D"simart@gmail.com" href=3D"mailto:simart@gmail.com" target=3D"=
_blank">Art Simon</a> </div>
  <div style=3D"font: 10pt arial;"><b>To:</b> <a title=3D"Loopers-Delight@l=
oopers-delight.com" href=3D"mailto:Loopers-Delight@loopers-delight.com" tar=
get=3D"_blank">Loopers-Delight@loopers-delight.com</a>=20
  </div>
  <div style=3D"font: 10pt arial;"><b>Sent:</b> Saturday, April 24, 2010 7:=
37=20
  PM</div>
  <div style=3D"font: 10pt arial;"><b>Subject:</b> Re: laptop looping</div>
  <div><br></div>Hi Jeff,<br><br>I&#39;d look at the forum of the audio int=
erface=20
  you&#39;re thinking of using and see what people are using. Firewire audi=
o=20
  interfaces work better with some machines than others, and that&#39;s cer=
tainly=20
  been my experience with my USB audio interface. The chipset on the mother=
board=20
  seems to be the important factor for USB and firewire interfaces.<br><br>=
Some=20
  audio interface drivers are just coming out now for Windows 7. For my lin=
e 6=20
  toneport, the windows 7 drivers were beta until just a few weeks ago. I=
=20
  performed with my Acer Extensa running Windows Vista at Y2K9 this year an=
d I=20
  was happy. A nice thing about laptop looping is that I only needed one ou=
tlet=20
  for the computer. Everything else was powered off USB.<br><br>I haven&#39=
;t been=20
  happy with the last couple of Dells I tried, but Dell has a very good ret=
urn=20
  policy. They give you ample time to set it up and try it out, and they pa=
y the=20
  return shipping if you don&#39;t like it. I&#39;ve heard good things abou=
t Lenovo, but=20
  I don&#39;t have any first had experience with the brand.<br><br>For audi=
o, I=20
  think most things are still 32bit, so 32 bit windows 7 is probably a bett=
er=20
  choice than 64 bit. I haven&#39;t tried the 64 bit Windows 7 for audio, s=
o I&#39;m not=20
  speaking from personal experience.<br><br>Quad core i7 laptops running Wi=
ndows=20
  7 can be had for under $1000 these days. Check <a href=3D"http://techbarg=
ains.com" target=3D"_blank">techbargains.com</a> for current deals. Good=20
  Luck!<br><br>
  <div class=3D"gmail_quote">On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke <sp=
an dir=3D"ltr">&lt;<a href=3D"mailto:jeff_d@embarqmail.com" target=3D"_blan=
k">jeff_d@embarqmail.com</a>&gt;</span>=20
  wrote:<br>
  <blockquote class=3D"gmail_quote" style=3D"padding-left: 1ex; margin: 0pt=
 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204);">
    <div bgcolor=3D"#ffffff">
    <div><font face=3D"Arial" size=3D"2">I am thinking about getting a lapt=
op with the=20
    plan of running Mobius, don&#39;t know anything. I am a Windoz guy so w=
hat=20
    should I look for/avoid? Any general or specific tips on this would hel=
p.=20
    Windows 7? All the new ones have Windows 7 which I know little=20
    about.</font></div>
    <div><font face=3D"Arial" size=3D"2"></font>=A0</div>
    <div><font face=3D"Arial" size=3D"2">thanks,</font></div>
    <div>.</div>
    <div><font face=3D"Arial" size=3D"2">Jeff</font></div>
    <div><font face=3D"Arial" size=3D"2"></font>=A0</div>
    <div><font face=3D"Arial" size=3D"2"></font>=A0</div>
    <div><font face=3D"Arial" size=3D"2"></font>=A0</div>
    <div><font face=3D"Arial" size=3D"2"><a href=3D"http://www.myspace.com/=
loopsinphasespace" target=3D"_blank">http://www.myspace.com/loopsinphasespa=
ce</a><br><a href=3D"http://jeffduke.bandcamp.com/" target=3D"_blank">http:=
//jeffduke.bandcamp.com/</a><br>
<a href=3D"http://www.vimeo.com/jeffduke" target=3D"_blank">http://www.vime=
o.com/jeffduke</a><br><a href=3D"http://livestream.com/jeffdukelive" target=
=3D"_blank">http://livestream.com/jeffdukelive</a></font></div></div></bloc=
kquote>
</div><br><br clear=3D"all"><br>-- <br>Art Simon<br><a href=3D"mailto:simar=
t@gmail.com" target=3D"_blank">simart@gmail.com</a><br>myspace [dot]=20
  com/artsimon<br>
  </div></div><p>
  </p><hr>

  <p></p><br>No virus found in this incoming message.<br>Checked by AVG -=
=20
  <a href=3D"http://www.avg.com" target=3D"_blank">www.avg.com</a> <br>Vers=
ion: 8.5.437 / Virus Database: 271.1.1/2832 - Release=20
  Date: 04/24/10 06:31:00<br></blockquote></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br>Websites<br><a href=3D"=
http://www.jimgoodinmusic.com">www.jimgoodinmusic.com</a><br><a href=3D"htt=
p://www.chinapaintingmusic.com">www.chinapaintingmusic.com</a><br><br>Downl=
oads/CD&#39;s<br>
<a href=3D"http://jimgoodin.bandcamp.com">jimgoodin.bandcamp.com</a><br><a =
href=3D"http://digitsignal.bandcamp.com">digitsignal.bandcamp.com</a><br><a=
 href=3D"http://jimgoodinpeterthorn.bandcamp.com">jimgoodinpeterthorn.bandc=
amp.com</a><br>
<br>Live Channels<br><a href=3D"http://www.livestream.com/jimgoodinlive">ww=
w.livestream.com/jimgoodinlive</a><br><a href=3D"http://www.livestream.com/=
digitsignallive">www.livestream.com/digitsignallive</a><br>

--001636c932cac3054b04850a822f--

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 08:22:50 2010
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	 <j2z9e0440a61004250021pb30992c7tf533fa0d61305fc5@mail.gmail.com>
Date: Sun, 25 Apr 2010 09:22:38 +0100
Message-ID: <n2z3c7bd9f11004250122u6c3437dbu68fba7be1e20d23b@mail.gmail.com>
Subject: Re: laptop looping
From: Steve Moyes <stevemoyes@googlemail.com>
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Jeff, I'm sure any modern laptop is more than adequate for use with
Mobius, but I would agree with Art that it's probably best to stick
with the 32 bit version of Windws.

If you think you may ever want to use a firewire interface I would say
make sure it has a proper six or nine pin firewire port, depending of
the device you're considering. A lot of people (me included) seem to
have found the little 4 pin ones pretty useless. Having said that I
think USB is easily up to the job these days, so I would just make
sure that the laptop has plenty of USB ports. Mine has four, and I
would think that was pretty much the minimum number you should go for.

I would also agree with Jim's recommendation of the Tascam interfaces.
I use a US-122L and have been very happy with it.They are very
reliable and sound pretty good considering the reasonable price.

Looking forward to hearing what you may do with the mighty Mobius.

Steve

On 25 April 2010 08:21, Jim Goodin <jimgoodinmusic@gmail.com> wrote:
> Jeff I recommend one of the Tascam USB interfaces which Peter also has. I
> have an old one that is really stable, the 224 model, has midi, the A/D a=
nd
> D/A converters.=A0 Here is mine,
> http://cgi.ebay.com/TASCAM-US-224-DIGITAL-AUDIO-WORK-STATION-CONTROLLER-/=
200464575269?cmd=3DViewItem&pt=3DLH_DefaultDomain_0&hash=3Ditem2eac9eab25
>
> Also the M-audio ones...
>
> Exciting to think you are entertaining this, clearly Steve has influenced
> you.
>
> J

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 08:24:18 2010
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From: "Buzap Buzap" <buzap@gmx.net>
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Subject: Re: Max for Live: Potential for looping tweaks?
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Hi Todd

> Have you considered just using midi clips to trigger those scenes and
> clips you need, ... a la Kid Beyond?

Using midi clips to trigger other stuff is very clever.
Imo, this works well when you - like Kid Beyond - have pre-arranged songs with a clear structure. But if you want to take a more unknown voyage, improvising more freely, it's not flexible enough for me.

I find his performance very inspiring non-the-less (esp. looping with just mike + pedals).

best regards
Buzap
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 08:28:18 2010
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Subject: Re: OT - logic upgrade
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Hi Per

> > the whole damn pc is now "the Logic dongle" - I
> > mean, Logic can only run on a Mac.

haha, that's great way to put it - and very true! :)
Buzap
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From: Matt Stevens <mattstevensguitar@btinternet.com>
Subject: Thom Yorke
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Have you guys seen the videos of Thom Yorkes last solo gig - lots of  
live looping with a DL4 - v cool.

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com





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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
Have you guys seen the videos of Thom Yorkes last solo gig - lots of =
live looping with a DL4 - v cool.<br><br><div> <span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; color: =
rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: =
normal; font-variant: normal; font-weight: normal; letter-spacing: =
normal; line-height: normal; orphans: 2; text-align: auto; text-indent: =
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auto; -webkit-text-stroke-width: 0; "><span class=3D"Apple-style-span" =
style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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-webkit-border-vertical-spacing: 0px; =
-webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div><a =
href=3D"mailto:mattstevensguitar@btinternet.com">mattstevensguitar@btinter=
net.com</a></div><div><br></div></span><br =
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 12:08:02 2010
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Subject: Re: Thom Yorke
From: Reyn Ouwehand <loopers-delight@reyn.net>
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Links please??? :-) Sounds very intriguing!

Cheers,

Reyn

___________
www.reyn.net
www.reyn.vs.reyn.net

management: www.lalalamanagement.nl
twitter/facebook/youtube: ReynOuwehand


On 25 04 2010, at 1:59 PM, Matt Stevens wrote:

> Have you guys seen the videos of Thom Yorkes last solo gig - lots of =
live looping with a DL4 - v cool.
>=20
> Matt Stevens
> www.mattstevensguitar.com
> mattstevensguitar@btinternet.com
>=20

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 12:14:37 2010
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Subject: Re: Thom Yorke
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http://www.youtube.com/watch?v=MlRozLiTaOM&feature=player_embedded

V cool

Matt Stevens
www.mattstevensguitar.com
mattstevensguitar@btinternet.com




On 25 Apr 2010, at 13:08, Reyn Ouwehand wrote:

> Links please??? :-) Sounds very intriguing!
>
> Cheers,
>
> Reyn
>
> ___________
> www.reyn.net
> www.reyn.vs.reyn.net
>
> management: www.lalalamanagement.nl
> twitter/facebook/youtube: ReynOuwehand
>
>
> On 25 04 2010, at 1:59 PM, Matt Stevens wrote:
>
>> Have you guys seen the videos of Thom Yorkes last solo gig - lots  
>> of live looping with a DL4 - v cool.
>>
>> Matt Stevens
>> www.mattstevensguitar.com
>> mattstevensguitar@btinternet.com
>>
>


--Apple-Mail-3--314847661
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<html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
-webkit-line-break: after-white-space; ">
<a =
href=3D"http://www.youtube.com/watch?v=3DMlRozLiTaOM&amp;feature=3Dplayer_=
embedded">http://www.youtube.com/watch?v=3DMlRozLiTaOM&amp;feature=3Dplaye=
r_embedded</a><div><br></div><div>V cool</div><div><br><div> <span =
class=3D"Apple-style-span" style=3D"font-size: 12px; "><div>Matt =
Stevens</div><div>www.mattstevensguitar.com</div><div>mattstevensguitar@bt=
internet.com</div><div><br></div></span><br =
class=3D"Apple-interchange-newline"><br =
class=3D"Apple-interchange-newline"> </div><br><div><div>On 25 Apr 2010, =
at 13:08, Reyn Ouwehand wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Links please??? :-) Sounds very =
intriguing!</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Cheers,</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">Reyn</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; min-height: 14px; "><br></div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">___________</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">www.reyn.net</div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">www.reyn.vs.reyn.net</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">management: =
www.lalalamanagement.nl</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">twitter/facebook/youtube: ReynOuwehand</div><div style=3D"margin-top: =
0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
min-height: 14px; "><br></div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; ">On 25 04 2010, at 1:59 PM, Matt =
Stevens wrote:</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> =
<blockquote type=3D"cite"><div style=3D"margin-top: 0px; margin-right: =
0px; margin-bottom: 0px; margin-left: 0px; ">Have you guys seen the =
videos of Thom Yorkes last solo gig - lots of live looping with a DL4 - =
v cool.</div><div style=3D"margin-top: 0px; margin-right: 0px; =
margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div><div =
style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
margin-left: 0px; ">Matt Stevens</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">www.mattstevensguitar.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; =
">mattstevensguitar@btinternet.com</div><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote><div style=3D"margin-top: 0px; =
margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: =
14px; "><br></div> </blockquote></div><br></div></body></html>=

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Date: Sun, 25 Apr 2010 06:43:22 -0700 (PDT)
From: GEORGE KEVIN <gkevin8052@live.fr>
Reply-To: gkeving80@live.fr
Subject: KINDLY CONSIDER THIS MAIL
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Mr.George Kevin
Islamic Development bank
Ouagadougou Burkina Faso
( http//www.isdb.org )
Tel: +226 70 54 98 80=20
=A0
Dear Friend,=20
Please, I want you to read this letter very carefully and I must apologize =
for briging this message into your mail box without any formal introduction=
 due to the urgency and confidential of this issue and I know that this mes=
sage will come to you as a surprise, Pls this is not a joke and I will not =
like you to joke with it.=20
=A0
Before the U.S and Iraqi war our client Mr.Hatem Kamil Abdul Fatah,=A0 who =
was a business man and also an oil supplier to The republic of Burkina Faso=
 made a numbered=A0 fixed deposit=A0=A0 for 18 calendar months, with a tota=
l value of Fifteen million United State Dollars ($m15 000,000)only in our b=
ank.Upon maturity several notices was sent to him, even during the war whic=
h began in 2003.=20
=A0
Again after the war another notification was sent and still no response cam=
e from him. We later find out that the dceased customer along with his enti=
re family(wife and children)died in a bomb blast that hit their home.=20
=A0
After further investigation it was also discovered that the late customer d=
id not declare his next of kin in his official papers including the paperwo=
rk of his bank deposit . And he also confided in me the last time he was at=
 my office that no one except me knew of his deposit in our bank, So I need=
 your urgent assistance in transferring the sum of($15 000 000)millions USD=
 into your bank account within 14 working banking days.=20
What bothers me most is that according to the laws of country a Burkinabe c=
annot come out and claim this fund.I don't want the money to go into our Ba=
nk treasury as an abandoned fund. Therefore this is the reason why I contac=
ted you so that our bank will release this money to you as the next of kin =
to the deceased customer.
Please I would like you to keep this proposal as a top secret and delete it=
 if you are not interested.Upon the receipt of your reply and indication of=
 your capability, I will give you full details on how the business will be =
executed and also note that you will have 40% of the above mentioned sum if=
 you agree to handle this business with me while 60% will be for me.
=A0
I don't want anyone here in our bank to know my involvement until you confi=
rm this fund into your account and ask me to come over for the sharing as i=
ndicated.=20
=A0
Then after I will retire from our bank and come over to you country for dis=
bursement acconding to the percentage indicated. therefore to enable the=A0=
 immediate transfer of this fund to you as arranged, you must apply first t=
o the bank as relation or next of kin ofthe deceased, Please, dont entertai=
n any atom of fear because the transaction is 100% risk free.=20
=A0
Be rest assured that I will provide all the necessary information which the=
 bank may require from you during the process to make sure everything goes =
well and fast.=20
=A0
Best Regards=20
Mr.George Kevin=A0 =0A=0A=0A      
--0-1331147850-1272203002=:77138
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV><FONT size=3D3><STRONG>Mr.George Kevin<B=
R>Islamic Development bank<BR>Ouagadougou Burkina Faso<BR>( http//www.isdb.=
org )<BR>Tel: +226 70 54 98 80 <BR>&nbsp;</STRONG></FONT></DIV>
<DIV><FONT size=3D3><STRONG>Dear Friend, </STRONG></FONT></DIV>
<DIV><FONT size=3D3><STRONG>Please, I want you to read this letter very car=
efully and I must apologize for briging this message into your mail box wit=
hout any formal introduction due to the urgency and confidential of this is=
sue and I know that this message will come to you as a surprise, Pls this i=
s not a joke and I will not like you to joke with it. <BR>&nbsp;<BR>Before =
the U.S and Iraqi war our client Mr.Hatem Kamil Abdul Fatah,&nbsp; who was =
a business man and also an oil supplier to The republic of Burkina Faso mad=
e a numbered&nbsp; fixed deposit&nbsp;&nbsp; for 18 calendar months, with a=
 total value of Fifteen million United State Dollars ($m15 000,000)only in =
our bank.Upon maturity several notices was sent to him, even during the war=
 which began in 2003. <BR>&nbsp;<BR>Again after the war another notificatio=
n was sent and still no response came from him. We later find out that the =
dceased customer along with his entire family(wife and children)died
 in a bomb blast that hit their home. <BR>&nbsp;<BR>After further investiga=
tion it was also discovered that the late customer did not declare his next=
 of kin in his official papers including the paperwork of his bank deposit =
. And he also confided in me the last time he was at my office that no one =
except me knew of his deposit in our bank, So I need your urgent assistance=
 in transferring the sum of($15 000 000)millions USD into your bank account=
 within 14 working banking days. </STRONG></FONT></DIV>
<DIV><FONT size=3D3><STRONG>What bothers me most is that according to the l=
aws of country a Burkinabe cannot come out and claim this fund.I don't want=
 the money to go into our Bank treasury as an abandoned fund. Therefore thi=
s is the reason why I contacted you so that our bank will release this mone=
y to you as the next of kin to the deceased customer.</STRONG></FONT></DIV>
<DIV><FONT size=3D3><STRONG>Please I would like you to keep this proposal a=
s a top secret and delete it if you are not interested.Upon the receipt of =
your reply and indication of your capability, I will give you full details =
on how the business will be executed and also note that you will have 40% o=
f the above mentioned sum if you agree to handle this business with me whil=
e 60% will be for me.<BR>&nbsp;<BR>I don't want anyone here in our bank to =
know my involvement until you confirm this fund into your account and ask m=
e to come over for the sharing as indicated. <BR>&nbsp;<BR>Then after I wil=
l retire from our bank and come over to you country for disbursement accond=
ing to the percentage indicated. therefore to enable the&nbsp; immediate tr=
ansfer of this fund to you as arranged, you must apply first to the bank as=
 relation or next of kin ofthe deceased, Please, dont entertain any atom of=
 fear because the transaction is 100% risk free. <BR>&nbsp;<BR>Be rest
 assured that I will provide all the necessary information which the bank m=
ay require from you during the process to make sure everything goes well an=
d fast. <BR>&nbsp;</STRONG></FONT></DIV>
<DIV><FONT size=3D3><STRONG>Best Regards <BR>Mr.George Kevin&nbsp; </STRONG=
></FONT></DIV></td></tr></table><br>=0A=0A=0A=0A      &nbsp;
--0-1331147850-1272203002=:77138--

From angealt@mymeteor.ie  Sun Apr 25 13:57:51 2010
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 17:42:04 2010
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: which macbook?
References: <p2zd302e3571004240600p33d237bkbd14d3bdd4a277e1@mail.gmail.com>	 <4BD2EEC1.7020808@googlemail.com>	 <v2yd302e3571004240642g613f979ftf3db27bb8bb45f8f@mail.gmail.com>	 <q2j66f9cc1e1004240752uda8cdc41lc02c3b8e3b041dad@mail.gmail.com>	 <m2ud302e3571004240811k2106f305m38ba9c1d954da29f@mail.gmail.com> <k2w66f9cc1e1004240819r483999b7z4863e8e4e618d8a5@mail.gmail.com>
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Though I don't have a Macbook, a few years ago I attended a session with 
Per Metal from Sweeden (Per Boysen may know him), who demoed Logic 7 
(IIRC) on a Macbook with lower specs than those dscussed here; IIRC, a 
2.2Ghz / 2GB ram model.
This lowere-specked Macbook could run a complete setup of a band project 
from a music academy; quite impressive..


Per Boysen wrote:
> These Macbook Pro boxes are way beyond the Macbook I've been using for
> years and that one stills serves me ok, so I think you will get some
> nice headroom whatever box you pick up.
> 
> Greetings from Sweden
> 
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
> 
> 
> 
> On Sat, Apr 24, 2010 at 5:11 PM, Simeon Harris
> <simeonharris40@googlemail.com> wrote:
> 
>>thanks per. i think the cheaper one is probably the one to go for, unless i
>>can get the guy selling the more expensive one to drop the price a bit!
>>
>>sim
>>
>>On Sat, Apr 24, 2010 at 3:52 PM, Per Boysen <perboysen@gmail.com> wrote:
>>
>>>I would hardly think so. I have plenty of those cables and mix FW400
>>>and FW800 in many configurations.
>>
> 
> 


-- 
rgds,
van Sinn

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 17:53:09 2010
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Date: Sun, 25 Apr 2010 13:52:58 -0400
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Subject: Re: which macbook?
From: Jim Goodin <jimgoodinmusic@gmail.com>
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Simon if yu can swing it I'd do the macbook pro though you'll still
have lot of fun with either really.  Both good machines.  I have and
prefer the mbp for the graphix card for fcp work mainly.  Think either
will be fine for audio.

Jim

On 4/24/10, Simeon Harris <simeonharris40@googlemail.com> wrote:
> macbook owners - which one of these two macbooks is the better deal?
>
> i plan to use it for live recording (using logic) and hosting mobius in
> mainstage for live looping. i don't need a massive hard drive - any
> recordings done will be transferred to my desktop for mixing etc
>
> they're both 15" models with 4Gig of RAM.
>
> this one is =A31099 (2.53Ghz) -
> http://store.apple.com/uk/product/FC118B/A?mco=3DMTA4MzQ4MTg#overview
>
> and this one is =A31399 (2.66Ghz)-
> http://cardiff.gumtree.com/cardiff/90/57530390.html
>
> =A31399 is just outside my budget, but i'm prepared to stretch if the ext=
ra
> 0.13Ghz and graphics memory is worth it
>
> thanks guys!
>
> sim
>

--=20
Sent from my mobile device

Websites
www.jimgoodinmusic.com
www.chinapaintingmusic.com

Downloads/CD's
jimgoodin.bandcamp.com
digitsignal.bandcamp.com
jimgoodinpeterthorn.bandcamp.com

Live Channels
www.livestream.com/jimgoodinlive
www.livestream.com/digitsignallive

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 17:58:48 2010
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Simeon Harris wrote:
> this one is £1099 (2.53Ghz) - 
> http://store.apple.com/uk/product/FC118B/A?mco=MTA4MzQ4MTg#overview

Guys, living in DK; where do you reckon would be best option for 
shopping something similar?  The mentioned UK Apple store, Germany 
or...?  I didn't see anything refurbished on apple.dk

However, while searching, I noticed several links to bad refurbished 
experiences, and seem to remember some discussions from in here.
Anything I should know / be aware of, places not to buy from et al..?


BTW, if possible, I'd rather get one cheaper without a (too) new 
harddrive, as I expect replacing it for Kingston 128GB SSDnow, but guess 
this won't be an option if shopping a refurbished one..
(I'll keep my audio on an external fw drive)

-- 
rgds,
van Sinn

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	 <m2ud302e3571004240811k2106f305m38ba9c1d954da29f@mail.gmail.com>
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	 <4BD47F67.1000001@post.cybercity.dk>
Date: Sun, 25 Apr 2010 20:06:37 +0200
Message-ID: <s2v66f9cc1e1004251106v2acac4a3p87e8a869d2da754@mail.gmail.com>
Subject: Re: which macbook?
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Van Sinn, you must be speaking about Erik Metall? Yes, I know him - we
did a series of Logic clinics over here back in september
http://www.perboysen.com/archives/503

We used Macbook Pros then, but my Macbook 2.2 GHz and 800 front side
bus (Santa Rosa chip) with 4 GB RAM doing fine after many years. But I
must say, the coolest live I use peak at 80 percent CPU and that's
pretty thin ice. Trying to save up money for a MBP if this one should
go belly up. I'm still foolish to have only one live laptop, you
should keep a back up.

Per



On Sun, Apr 25, 2010 at 7:44 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> Though I don't have a Macbook, a few years ago I attended a session with Per
> Metal from Sweeden (Per Boysen may know him), who demoed Logic 7 (IIRC) on a
> Macbook with lower specs than those dscussed here; IIRC, a 2.2Ghz / 2GB ram
> model.
> This lowere-specked Macbook could run a complete setup of a band project
> from a music academy; quite impressive..
>
>
> Per Boysen wrote:
>>
>> These Macbook Pro boxes are way beyond the Macbook I've been using for
>> years and that one stills serves me ok, so I think you will get some
>> nice headroom whatever box you pick up.
>>
>> Greetings from Sweden
>>
>> Per Boysen
>> www.boysen.se
>> www.perboysen.com
>> www.looproom.com internet music hub
>>
>>
>>
>> On Sat, Apr 24, 2010 at 5:11 PM, Simeon Harris
>> <simeonharris40@googlemail.com> wrote:
>>
>>> thanks per. i think the cheaper one is probably the one to go for, unless
>>> i
>>> can get the guy selling the more expensive one to drop the price a bit!
>>>
>>> sim
>>>
>>> On Sat, Apr 24, 2010 at 3:52 PM, Per Boysen <perboysen@gmail.com> wrote:
>>>
>>>> I would hardly think so. I have plenty of those cables and mix FW400
>>>> and FW800 in many configurations.
>>>
>>
>>
>
>
> --
> rgds,
> van Sinn
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 18:39:25 2010
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From: "Tony K" <bigtonyk@gmail.com>
To: <Loopers-Delight@loopers-delight.com>
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In-Reply-To: <001e01cae422$68b90f60$89f23747@tbl01fcf9be917>
Subject: RE: laptop looping
Date: Sun, 25 Apr 2010 14:39:14 -0400
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A lot of laptops are shipping with Windows 7 these days, so be SURE whatever
audio interface you choose has Win7 drivers.  I installed Win7 on my work PC
which has an older video and audio chipset and I had to jump through hoops
to get it to work.  So just beware.

 

If I were getting one, I'd stick to Firewire, but many people have had
success with USB, so it's not out of the question.  If you do go Firewire,
be aware that a lot of people have had problems with non-TI FW chips.
Again, it's not always true, but something to consider.

 

 

Tony

 

From: Jeff Duke [mailto:jeff_d@embarqmail.com] 
Sent: Saturday, April 24, 2010 10:53 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: laptop looping

 

Thanks Art, yes, that is one of the issues. I really don't know anything
about Firewire/usb let alone makes and models and on and on, and only a tiny
bit about audio interfaces. I have used a cheap usb interface with a
borrowed laptop once. I will check around. I do know 2 people with some
personal experience. 

 

best, Jeff

----- Original Message ----- 

From: Art Simon <mailto:simart@gmail.com>  

To: Loopers-Delight@loopers-delight.com 

Sent: Saturday, April 24, 2010 7:37 PM

Subject: Re: laptop looping

 

Hi Jeff,

I'd look at the forum of the audio interface you're thinking of using and
see what people are using. Firewire audio interfaces work better with some
machines than others, and that's certainly been my experience with my USB
audio interface. The chipset on the motherboard seems to be the important
factor for USB and firewire interfaces.

Some audio interface drivers are just coming out now for Windows 7. For my
line 6 toneport, the windows 7 drivers were beta until just a few weeks ago.
I performed with my Acer Extensa running Windows Vista at Y2K9 this year and
I was happy. A nice thing about laptop looping is that I only needed one
outlet for the computer. Everything else was powered off USB.

I haven't been happy with the last couple of Dells I tried, but Dell has a
very good return policy. They give you ample time to set it up and try it
out, and they pay the return shipping if you don't like it. I've heard good
things about Lenovo, but I don't have any first had experience with the
brand.

For audio, I think most things are still 32bit, so 32 bit windows 7 is
probably a better choice than 64 bit. I haven't tried the 64 bit Windows 7
for audio, so I'm not speaking from personal experience.

Quad core i7 laptops running Windows 7 can be had for under $1000 these
days. Check techbargains.com for current deals. Good Luck!

On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:

I am thinking about getting a laptop with the plan of running Mobius, don't
know anything. I am a Windoz guy so what should I look for/avoid? Any
general or specific tips on this would help. Windows 7? All the new ones
have Windows 7 which I know little about.

 

thanks,

.

Jeff

 

 

 

http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive




-- 
Art Simon
simart@gmail.com
myspace [dot] com/artsimon

  _____  


No virus found in this incoming message.
Checked by AVG - www.avg.com 
Version: 8.5.437 / Virus Database: 271.1.1/2832 - Release Date: 04/24/10
06:31:00


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<div class=3DSection1>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>A lot of laptops are shipping with Windows 7 these days, =
so be
SURE whatever audio interface you choose has Win7 drivers.&nbsp; I =
installed Win7 on
my work PC which has an older video and audio chipset and I had to jump =
through
hoops to get it to work.&nbsp; So just beware.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>If I were getting one, I&#8217;d stick to Firewire, but =
many people
have had success with USB, so it&#8217;s not out of the question.&nbsp; =
If you do go
Firewire, be aware that a lot of people have had problems with non-TI FW
chips.&nbsp; Again, it&#8217;s not always true, but something to =
consider.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Tony<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Jeff Duke
[mailto:jeff_d@embarqmail.com] <br>
<b>Sent:</b> Saturday, April 24, 2010 10:53 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: laptop looping<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Thanks
Art, yes, that is one of the issues. I really don't know anything about
Firewire/usb let alone makes and models and on and on, and only a tiny =
bit
about audio interfaces. I have used a cheap usb interface with a =
borrowed
laptop once. I will check around. I do know 2 people with some personal
experience. </span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>best,
Jeff</span><o:p></o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black =
1.5pt;padding:0in 0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'=
>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span =
style=3D'font-size:10.0pt;
font-family:"Arial","sans-serif"'> <a href=3D"mailto:simart@gmail.com"
title=3D"simart@gmail.com">Art Simon</a> <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>To:</span></b=
><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-del=
ight.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Sent:</span><=
/b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Saturday, =
April 24,
2010 7:37 PM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Subject:</spa=
n></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Re: laptop =
looping<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Hi Jeff,<br>
<br>
I'd look at the forum of the audio interface you're thinking of using =
and see
what people are using. Firewire audio interfaces work better with some =
machines
than others, and that's certainly been my experience with my USB audio
interface. The chipset on the motherboard seems to be the important =
factor for
USB and firewire interfaces.<br>
<br>
Some audio interface drivers are just coming out now for Windows 7. For =
my line
6 toneport, the windows 7 drivers were beta until just a few weeks ago. =
I
performed with my Acer Extensa running Windows Vista at Y2K9 this year =
and I
was happy. A nice thing about laptop looping is that I only needed one =
outlet
for the computer. Everything else was powered off USB.<br>
<br>
I haven't been happy with the last couple of Dells I tried, but Dell has =
a very
good return policy. They give you ample time to set it up and try it =
out, and
they pay the return shipping if you don't like it. I've heard good =
things about
Lenovo, but I don't have any first had experience with the brand.<br>
<br>
For audio, I think most things are still 32bit, so 32 bit windows 7 is =
probably
a better choice than 64 bit. I haven't tried the 64 bit Windows 7 for =
audio, so
I'm not speaking from personal experience.<br>
<br>
Quad core i7 laptops running Windows 7 can be had for under $1000 these =
days.
Check <a href=3D"http://techbargains.com">techbargains.com</a> for =
current deals.
Good Luck!<o:p></o:p></p>

<div>

<p class=3DMsoNormal>On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke &lt;<a
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt; =
wrote:<o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>I
am thinking about getting a laptop with the plan of running Mobius, =
don't know
anything. I am a Windoz guy so what should I look for/avoid? Any general =
or
specific tips on this would help. Windows 7? All the new ones have =
Windows 7
which I know little about.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>thanks,</span=
><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'>Jeff</span><o=
:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'><a
href=3D"http://www.myspace.com/loopsinphasespace" =
target=3D"_blank">http://www.myspace.com/loopsinphasespace</a><br>
<a href=3D"http://jeffduke.bandcamp.com/" =
target=3D"_blank">http://jeffduke.bandcamp.com/</a><br>
<a href=3D"http://www.vimeo.com/jeffduke" =
target=3D"_blank">http://www.vimeo.com/jeffduke</a><br>
<a href=3D"http://livestream.com/jeffdukelive" =
target=3D"_blank">http://livestream.com/jeffdukelive</a></span><o:p></o:p=
></p>

</div>

</div>

</div>

<p class=3DMsoNormal><br>
<br clear=3Dall>
<br>
-- <br>
Art Simon<br>
<a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>
myspace [dot] com/artsimon<o:p></o:p></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</div>

<p class=3DMsoNormal><br>
No virus found in this incoming message.<br>
Checked by AVG - www.avg.com <br>
Version: 8.5.437 / Virus Database: 271.1.1/2832 - Release Date: 04/24/10
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From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 18:55:54 2010
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	id 094533BE85; Sun, 25 Apr 2010 18:55:53 +0000 (UTC)
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Date: Sun, 25 Apr 2010 20:57:54 +0200
From: van Sinn <vansinn@post.cybercity.dk>
Organization: van Sinn
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To:  Loopers-Delight@loopers-delight.com
Subject: Re: which macbook?
References: <p2zd302e3571004240600p33d237bkbd14d3bdd4a277e1@mail.gmail.com>	 <4BD2EEC1.7020808@googlemail.com>	 <v2yd302e3571004240642g613f979ftf3db27bb8bb45f8f@mail.gmail.com>	 <q2j66f9cc1e1004240752uda8cdc41lc02c3b8e3b041dad@mail.gmail.com>	 <m2ud302e3571004240811k2106f305m38ba9c1d954da29f@mail.gmail.com>	 <k2w66f9cc1e1004240819r483999b7z4863e8e4e618d8a5@mail.gmail.com>	 <4BD47F67.1000001@post.cybercity.dk> <s2v66f9cc1e1004251106v2acac4a3p87e8a869d2da754@mail.gmail.com>
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Yes, I meant Erik ;)  very cool guy by the way.

It'll be mainly for home studio use (I'm fed up with bulky stationaries) 
plus some looping, until I get something suitable added to my rig.
My main concern is how one of those slightly older Macbook Pro's will 
handle convolution and other cpu-heavy tasks.
The example by the OP is a fairly resent model, with an ok cpu, 1066Mhz 
bus and 4GB ram, so it ought to be enough for my uses - after all, I'm 
not expecting a â¬1 mil contract in the near future :-D


Per Boysen wrote:
> Van Sinn, you must be speaking about Erik Metall? Yes, I know him - we
> did a series of Logic clinics over here back in september
> http://www.perboysen.com/archives/503
> 
> We used Macbook Pros then, but my Macbook 2.2 GHz and 800 front side
> bus (Santa Rosa chip) with 4 GB RAM doing fine after many years. But I
> must say, the coolest live I use peak at 80 percent CPU and that's
> pretty thin ice. Trying to save up money for a MBP if this one should
> go belly up. I'm still foolish to have only one live laptop, you
> should keep a back up.
> 
> Per
> 
> 
> 
> On Sun, Apr 25, 2010 at 7:44 PM, van Sinn <vansinn@post.cybercity.dk> wrote:
> 
>>Though I don't have a Macbook, a few years ago I attended a session with Per
>>Metal from Sweeden (Per Boysen may know him), who demoed Logic 7 (IIRC) on a
>>Macbook with lower specs than those dscussed here; IIRC, a 2.2Ghz / 2GB ram
>>model.
>>This lowere-specked Macbook could run a complete setup of a band project
>>from a music academy; quite impressive..
>>
>>
>>Per Boysen wrote:
>>
>>>These Macbook Pro boxes are way beyond the Macbook I've been using for
>>>years and that one stills serves me ok, so I think you will get some
>>>nice headroom whatever box you pick up.
>>>
>>>Greetings from Sweden
>>>
>>>Per Boysen
>>>www.boysen.se
>>>www.perboysen.com
>>>www.looproom.com internet music hub
>>>
>>>
>>>
>>>On Sat, Apr 24, 2010 at 5:11 PM, Simeon Harris
>>><simeonharris40@googlemail.com> wrote:
>>>
>>>
>>>>thanks per. i think the cheaper one is probably the one to go for, unless
>>>>i
>>>>can get the guy selling the more expensive one to drop the price a bit!
>>>>
>>>>sim
>>>>
>>>>On Sat, Apr 24, 2010 at 3:52 PM, Per Boysen <perboysen@gmail.com> wrote:
>>>>
>>>>
>>>>>I would hardly think so. I have plenty of those cables and mix FW400
>>>>>and FW800 in many configurations.
>>>>
>>>
>>
>>--
>>rgds,
>>van Sinn
>>
>>
> 
> 
> 


-- 
rgds,
van Sinn

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Subject: Re: laptop looping
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Date: Sun, 25 Apr 2010 19:21:36 +0000
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As someone mentioned previously- RME has an expensive but outstanding USB interface. I know their firewire ones use proprietary drivers not standard firewire- maybe they do the same for USB- would not surprise me one bit.
C
Sent via soup cans and string.

From Loopers-Delight-request@loopers-delight.com  Sun Apr 25 19:56:54 2010
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Subject: Re: Max for Live: Potential for looping tweaks?
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I've been working with M4L and I don't think it's clear that what you want
is impossible!  There is little that you can't do by manipulating the Live
Object Model...

On Apr 25, 2010 4:39 AM, "Buzap Buzap" <buzap@gmx.net> wrote:

Hi Todd


> Have you considered just using midi clips to trigger those scenes and
> clips you need, ... a la Kid Beyond?

Using midi clips to trigger other stuff is very clever.
Imo, this works well when you - like Kid Beyond - have pre-arranged songs
with a clear structure. But if you want to take a more unknown voyage,
improvising more freely, it's not flexible enough for me.

I find his performance very inspiring non-the-less (esp. looping with just
mike + pedals).


best regards
Buzap
--=20
GRATIS f=C3=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten u...

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<p>I&#39;ve been working with M4L and I don&#39;t think it&#39;s clear that=
 what you want is impossible!=C2=A0 There is little that you can&#39;t do b=
y manipulating the Live Object Model...</p>
<p><blockquote type=3D"cite">On Apr 25, 2010 4:39 AM, &quot;Buzap Buzap&quo=
t; &lt;<a href=3D"mailto:buzap@gmx.net">buzap@gmx.net</a>&gt; wrote:<br><br=
>Hi Todd<br>
<p><font color=3D"#500050"><br>&gt; Have you considered just using midi cli=
ps to trigger those scenes and</font></p>&gt; clips you need, ... a la Kid =
Beyond?<br>
<br>
Using midi clips to trigger other stuff is very clever.<br>
Imo, this works well when you - like Kid Beyond - have pre-arranged songs w=
ith a clear structure. But if you want to take a more unknown voyage, impro=
vising more freely, it&#39;s not flexible enough for me.<br>
<br>
I find his performance very inspiring non-the-less (esp. looping with just =
mike + pedals).<br>
<p><font color=3D"#500050"><br>best regards<br>Buzap<br>-- <br>GRATIS f=C3=
=BCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>Jetzt freischalten u..=
.</font></p></blockquote></p>

--00504502957fcd1b030485150f55--

From aliasim@naseej.com  Sun Apr 25 22:04:55 2010
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Good day,
I am Ali Asim from Dubai. I have esophageal cancer and the
doctors say I have 6 months left.Honestly everyone will surely die one
day,but how you pass through this world is what matters,I have been
distributing funds to charity organizations but due to my present condition I cant do this anymore,I need you to help distribute my remaining money
to disaster torn countries and religious organizations. Any delay in
your reply will give room in sourcing for an organization or a devoted
individual for this same purpose.Until I hear from you my dreams will rest
squarely on your shoulders,God guide you.
Ali Asim

From aliasim@naseej.com  Mon Apr 26 03:30:25 2010
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To: undisclosed-recipients:;

Good day,
I am Ali Asim from Dubai. I have esophageal cancer and the
doctors say I have 6 months left.Honestly everyone will surely die one
day,but how you pass through this world is what matters,I have been
distributing funds to charity organizations but due to my present condition I cant do this anymore,I need you to help distribute my remaining money
to disaster torn countries and religious organizations. Any delay in
your reply will give room in sourcing for an organization or a devoted
individual for this same purpose.Until I hear from you my dreams will rest
squarely on your shoulders,God guide you.
Ali Asim

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 05:13:22 2010
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Thanks to Randy Miller from "Behind the Door of an Artist" for his =
documentary and interview with me in the green room at the Boise =
Creative and Improvised Music Festival.

http://www.youtube.com/watch?v=3DFFvN63oWHBU=20

It was a great event, amazing talent, good attendance, and everything =
ran smoothly.

I hope some of you were able to see it streaming audio-video.

Kris
www.b-cimf.com
www.krispenhartung.com



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<META content=3D"MSHTML 6.00.6002.18226" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Thanks to Randy Miller from "Behind the Door of an Artist"&nbsp;for =
his=20
documentary and interview with me in the green room at the Boise =
Creative and=20
Improvised Music Festival.</DIV>
<DIV>&nbsp;</DIV>
<DIV><A=20
href=3D"http://www.youtube.com/watch?v=3DFFvN63oWHBU">http://www.youtube.=
com/watch?v=3DFFvN63oWHBU</A>=20
</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It was a great event, amazing talent, =
good=20
attendance, and everything ran smoothly.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I hope some of you were able to see it =
streaming=20
audio-video.</FONT></DIV><FONT face=3DArial size=3D2>
<DIV><BR>Kris</DIV>
<DIV><A href=3D"http://www.b-cimf.com">www.b-cimf.com</A></DIV>
<DIV><A =
href=3D"http://www.krispenhartung.com">www.krispenhartung.com</A></DIV>
<DIV>&nbsp;</DIV>
<DIV></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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Date: Mon, 26 Apr 2010 05:24:40 -0000
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--3-4838206030-8035005335=:3--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 10:56:56 2010
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From: "Michael Peters" <mp@mpeters.de>
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Subject: Paradis looper
Date: Mon, 26 Apr 2010 12:56:41 +0200
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somebody offers a Paradis looper (predecessor of the EDP) for 499 Euros on
German eBay ...

http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext
<http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&item=180498882180.html>
&item=180498882180.html 

I'd buy it but I already own one :)

-Michael

 

 


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	charset="us-ascii"
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<HTML><HEAD><TITLE></TITLE>
<META content=3D"text/html; charset=3Dus-ascii" =
http-equiv=3DContent-Type>
<META name=3DGENERATOR content=3D"MSHTML 8.00.6001.18904"></HEAD>
<BODY><!-- Converted from text/plain format -->
<P><FONT size=3D2 face=3DArial>somebody offers a Paradis looper =
(predecessor of the=20
EDP) for 499 Euros on German eBay ...</FONT></P>
<P><FONT size=3D2 face=3DArial><A=20
href=3D"http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&amp;item=3D18049=
8882180.html">http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&amp;item=3D=
180498882180.html</A></FONT><FONT=20
face=3DArial> </FONT></P>
<P><FONT size=3D2 face=3DArial>I'd buy it&nbsp;but I already own one =
:)</FONT></P>
<P><FONT size=3D2 face=3DArial>-Michael</FONT></P>
<P>&nbsp;</P>
<P><FONT size=3D2 face=3DArial></FONT>&nbsp;</P></BODY></HTML>

------=_NextPart_000_0030_01CAE53F.F0E377E0--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 12:17:52 2010
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> There is little that you can't do by manipulating the Live Object Model...

Really?
I'd hope so. But the CreateDigitalMusic article seemed less encouraging:
3. You canât access absolute Clip position, or directly update clips.
Michael writes, âAccessing absolute Clip position is currently not available. Please do not ask again. They know and they are working on it. :-)â
Update: The Live API is also not yet as complete in its capabilities as the mouse. As noted in comments, you canât directly add audio and MIDI clips, either.
(http://createdigitalmusic.com/2009/11/24/max-for-live-guide-10-things-you-should-know-release-details-pricing-videos/)

That would be really awesome, indeed.

best regards
Buzap
-- 
GRATIS fÃŒr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From yameogo_jawab@hotmail.fr  Mon Apr 26 14:11:58 2010
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From: Yameogo Jawab <yameogo_jawab@hotmail.fr>
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To: undisclosed recipients: ;
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Dear Friend,

I am Mr Yameogo Jawab , An Account Manager at the BOA(Bank of Africa, Burki=
na Faso. I have discovered a deposited Fund valued US$6 Million, of a decea=
sed client who shares the same last name as yours. Please reply me to indic=
ate your full interest. I will like you to apply as his next of kin/benefic=
iary to the left over fund.

I await your quick response concerning more details and how to share the fu=
nd afterwards.
please treat this business with utmost confidenttiality and send me the Fol=
lowing infomation:
(1)full name:
(2)private phone:
(3)Curent residential address:
(4)Occupation:
(5)Age:
(6)Sex:
Best Regard,
Yameogo Jawab.=0A=0A=0A      
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><BR><BR>Dear Friend,<BR><BR>I am Mr Yameogo J=
awab , An Account Manager at the BOA(Bank of Africa, Burkina Faso. I have d=
iscovered a deposited Fund valued US$6 Million, of a deceased client who sh=
ares the same last name as yours. Please reply me to indicate your full int=
erest. I will like you to apply as his next of kin/beneficiary to the left =
over fund.<BR><BR>I await your quick response concerning more details and h=
ow to share the fund afterwards.<BR>please treat this business with utmost =
confidenttiality and send me the Following infomation:<BR>(1)full name:<BR>=
(2)private phone:<BR>(3)Curent residential address:<BR>(4)Occupation:<BR>(5=
)Age:<BR>(6)Sex:<BR>Best Regard,<BR>Yameogo Jawab.</td></tr></table><br>=0A=
=0A=0A=0A      &nbsp;
--0-1293269519-1272291111=:97324--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 15:05:49 2010
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Date: Mon, 26 Apr 2010 11:05:47 -0400
Subject: RE: laptop looping
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My Lenovo laptop with a 4-pin firewire connection is now several years old,=
 so maybe the equation has changed. The OS is XP. I use it almost exclusive=
ly to run Mobius with a bunch of VSTs inside Bidule, and use a Focusrite fi=
rewire auidio interface. It is extremely stable, never had any problems at =
all. I wish the 4-pin connection wasn't so flimsy, but it works just fine.

Hal Dean

From: Jeff Duke [mailto:jeff_d@embarqmail.com]
Sent: Saturday, April 24, 2010 10:53 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: laptop looping

Thanks Art, yes, that is one of the issues. I really don't know anything ab=
out Firewire/usb let alone makes and models and on and on, and only a tiny =
bit about audio interfaces. I have used a cheap usb interface with a borrow=
ed laptop once. I will check around. I do know 2 people with some personal =
experience.

best, Jeff
----- Original Message -----
From: Art Simon<mailto:simart@gmail.com>
To: Loopers-Delight@loopers-delight.com<mailto:Loopers-Delight@loopers-deli=
ght.com>
Sent: Saturday, April 24, 2010 7:37 PM
Subject: Re: laptop looping

Hi Jeff,

I'd look at the forum of the audio interface you're thinking of using and s=
ee what people are using. Firewire audio interfaces work better with some m=
achines than others, and that's certainly been my experience with my USB au=
dio interface. The chipset on the motherboard seems to be the important fac=
tor for USB and firewire interfaces.

Some audio interface drivers are just coming out now for Windows 7. For my =
line 6 toneport, the windows 7 drivers were beta until just a few weeks ago=
. I performed with my Acer Extensa running Windows Vista at Y2K9 this year =
and I was happy. A nice thing about laptop looping is that I only needed on=
e outlet for the computer. Everything else was powered off USB.

I haven't been happy with the last couple of Dells I tried, but Dell has a =
very good return policy. They give you ample time to set it up and try it o=
ut, and they pay the return shipping if you don't like it. I've heard good =
things about Lenovo, but I don't have any first had experience with the bra=
nd.

For audio, I think most things are still 32bit, so 32 bit windows 7 is prob=
ably a better choice than 64 bit. I haven't tried the 64 bit Windows 7 for =
audio, so I'm not speaking from personal experience.

Quad core i7 laptops running Windows 7 can be had for under $1000 these day=
s. Check techbargains.com<http://techbargains.com> for current deals. Good =
Luck!
On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke <jeff_d@embarqmail.com<mailto:je=
ff_d@embarqmail.com>> wrote:
I am thinking about getting a laptop with the plan of running Mobius, don't=
 know anything. I am a Windoz guy so what should I look for/avoid? Any gene=
ral or specific tips on this would help. Windows 7? All the new ones have W=
indows 7 which I know little about.

thanks,
.
Jeff



http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive



--
Art Simon
simart@gmail.com<mailto:simart@gmail.com>
myspace [dot] com/artsimon
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<div class=3DSection1>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'>My Lenovo laptop with a 4-pin firewire connection is now sev=
eral
years old, so maybe the equation has changed. The OS is XP. I use it almost=
 exclusively
to run Mobius with a bunch of VSTs inside Bidule, and use a Focusrite firew=
ire auidio
interface. It is extremely stable, never had any problems at all. I wish th=
e
4-pin connection wasn&#8217;t so flimsy, but it works just fine.&nbsp; &nbs=
p;<o:p></o:p></span></p>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<p class=3DMsoNormal><i><span style=3D'font-size:11.0pt;font-family:"Palati=
no Linotype","serif";
color:#1F497D'>Hal Dean<o:p></o:p></span></i></p>

</div>

<p class=3DMsoNormal><span style=3D'font-size:11.0pt;font-family:"Calibri",=
"sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in =
0in 0in'>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Tahoma=
","sans-serif"'>From:</span></b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Jeff Duke
[mailto:jeff_d@embarqmail.com] <br>
<b>Sent:</b> Saturday, April 24, 2010 10:53 PM<br>
<b>To:</b> Loopers-Delight@loopers-delight.com<br>
<b>Subject:</b> Re: laptop looping<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>Thanks
Art, yes, that is one of the issues. I really don't know anything about
Firewire/usb let alone makes and models and on and on, and only a tiny bit
about audio interfaces. I have used a cheap usb interface with a borrowed
laptop once. I will check around. I do know 2 people with some personal
experience. </span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>best,
Jeff</span><o:p></o:p></p>

</div>

<blockquote style=3D'border:none;border-left:solid black 1.5pt;padding:0in =
0in 0in 4.0pt;
margin-left:3.75pt;margin-top:5.0pt;margin-right:0in;margin-bottom:5.0pt'>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>-----
Original Message ----- <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal style=3D'background:#E4E4E4'><b><span style=3D'font-si=
ze:10.0pt;
font-family:"Arial","sans-serif"'>From:</span></b><span style=3D'font-size:=
10.0pt;
font-family:"Arial","sans-serif"'> <a href=3D"mailto:simart@gmail.com"
title=3D"simart@gmail.com">Art Simon</a> <o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Arial"=
,"sans-serif"'>To:</span></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> <a
href=3D"mailto:Loopers-Delight@loopers-delight.com"
title=3D"Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delig=
ht.com</a>
<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Arial"=
,"sans-serif"'>Sent:</span></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Saturday, Apri=
l 24,
2010 7:37 PM<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><b><span style=3D'font-size:10.0pt;font-family:"Arial"=
,"sans-serif"'>Subject:</span></b><span
style=3D'font-size:10.0pt;font-family:"Arial","sans-serif"'> Re: laptop loo=
ping<o:p></o:p></span></p>

</div>

<div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

</div>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'>Hi Jeff,<br>
<br>
I'd look at the forum of the audio interface you're thinking of using and s=
ee
what people are using. Firewire audio interfaces work better with some mach=
ines
than others, and that's certainly been my experience with my USB audio
interface. The chipset on the motherboard seems to be the important factor =
for USB
and firewire interfaces.<br>
<br>
Some audio interface drivers are just coming out now for Windows 7. For my =
line
6 toneport, the windows 7 drivers were beta until just a few weeks ago. I
performed with my Acer Extensa running Windows Vista at Y2K9 this year and =
I
was happy. A nice thing about laptop looping is that I only needed one outl=
et
for the computer. Everything else was powered off USB.<br>
<br>
I haven't been happy with the last couple of Dells I tried, but Dell has a =
very
good return policy. They give you ample time to set it up and try it out, a=
nd
they pay the return shipping if you don't like it. I've heard good things a=
bout
Lenovo, but I don't have any first had experience with the brand.<br>
<br>
For audio, I think most things are still 32bit, so 32 bit windows 7 is prob=
ably
a better choice than 64 bit. I haven't tried the 64 bit Windows 7 for audio=
, so
I'm not speaking from personal experience.<br>
<br>
Quad core i7 laptops running Windows 7 can be had for under $1000 these day=
s.
Check <a href=3D"http://techbargains.com">techbargains.com</a> for current =
deals.
Good Luck!<o:p></o:p></p>

<div>

<p class=3DMsoNormal>On Sat, Apr 24, 2010 at 3:02 PM, Jeff Duke &lt;<a
href=3D"mailto:jeff_d@embarqmail.com">jeff_d@embarqmail.com</a>&gt; wrote:<=
o:p></o:p></p>

<div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>I
am thinking about getting a laptop with the plan of running Mobius, don't k=
now
anything. I am a Windoz guy so what should I look for/avoid? Any general or
specific tips on this would help. Windows 7? All the new ones have Windows =
7
which I know little about.</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>thanks,</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>.<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'>Jeff</span><o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal>&nbsp;<o:p></o:p></p>

</div>

<div>

<p class=3DMsoNormal><span style=3D'font-size:10.0pt;font-family:"Arial","s=
ans-serif"'><a
href=3D"http://www.myspace.com/loopsinphasespace" target=3D"_blank">http://=
www.myspace.com/loopsinphasespace</a><br>
<a href=3D"http://jeffduke.bandcamp.com/" target=3D"_blank">http://jeffduke=
.bandcamp.com/</a><br>
<a href=3D"http://www.vimeo.com/jeffduke" target=3D"_blank">http://www.vime=
o.com/jeffduke</a><br>
<a href=3D"http://livestream.com/jeffdukelive" target=3D"_blank">http://liv=
estream.com/jeffdukelive</a></span><o:p></o:p></p>

</div>

</div>

</div>

<p class=3DMsoNormal><br>
<br clear=3Dall>
<br>
-- <br>
Art Simon<br>
<a href=3D"mailto:simart@gmail.com">simart@gmail.com</a><br>
myspace [dot] com/artsimon<o:p></o:p></p>

<div class=3DMsoNormal align=3Dcenter style=3D'text-align:center'>

<hr size=3D2 width=3D"100%" align=3Dcenter>

</div>

<p class=3DMsoNormal><br>
No virus found in this incoming message.<br>
Checked by AVG - www.avg.com <br>
Version: 8.5.437 / Virus Database: 271.1.1/2832 - Release Date: 04/24/10
06:31:00<o:p></o:p></p>

</blockquote>

</div>

</body>

</html>

--_000_86FEE8BCF5652949A08D1EB0545EB42404A5EBBD44WCUEXEMP1MBPA_--

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 15:49:14 2010
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	 <86FEE8BCF5652949A08D1EB0545EB42404A5EBBD44@WCU-EX-EMP1-MB.PASSHE.LCL>
Date: Mon, 26 Apr 2010 17:49:13 +0200
Message-ID: <o2j66f9cc1e1004260849s6f6e593l18e84cf46247f3ce@mail.gmail.com>
Subject: Re: laptop looping
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Content-Transfer-Encoding: quoted-printable
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On Mon, Apr 26, 2010 at 5:05 PM, Dean, Hal <HDean@wcupa.edu> wrote:
> My Lenovo laptop with a 4-pin firewire connection is now several years ol=
d,
> so maybe the equation has changed. The OS is XP. I use it almost exclusiv=
ely
> to run Mobius with a bunch of VSTs inside Bidule, and use a Focusrite
> firewire auidio interface. It is extremely stable, never had any problems=
 at
> all. I wish the 4-pin connection wasn=E2=80=99t so flimsy, but it works j=
ust fine.
>
> Hal Dean

That's also my experience with XP. I've been running XP Service Pack 2
with no further Microsoft upgrades both on a 1 GHz Centrino and on an
old 2.2 GHz Macbook that boots XP by Bootcamp. Totally stable and ok
sounding with Mobius and VST plugins hosted by Bidule.

When running the same Bidule rig under OS X on the same Macbook the
CPU power (Intel Core 2 Duo)   seems less efficient and audio fidelity
not so good at a high CPU load.

The good point in running Windows on an Apple pc is that you get the
more sturdy Firewire jack/cable. I don't want to recommend powering up
gear through the Firewire cable though (as we sometimes see posts on
this list where people seem to think that's a "good thing").

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 16:07:27 2010
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Date: Mon, 26 Apr 2010 18:07:27 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: A bit OT - BCIMF this year
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Although not really a looping event, I'd like to mention this, knowing 
that a lot of looping people/list members have played this event series:

Thanks, Krispen, for streaming this year's festival! I have to admit 
that I catched only small parts of it (spent most of the weekend 
rearranging gear, and the rest of it drinking heavily), but what I 
heard/saw was - well, let's just say, unusual.

I have very fond memories from my own headlining appearance (gosh, this 
sounds more important than I would deserve, considering the other cats 
who were playing that event) at this festival in 2008, back when it was 
still called BEMF. Here's a short blog article from that time 
http://bit.ly/9hQEQC (browse back in the blog for other mentions of the 
festival), and there's also some photos on my (now unused) myspace site 
(http://bit.ly/autw4v - yes, there's sexy chicks who are great musicians 
- check out her playing here: http://bit.ly/dt1RUq - this track also 
features Krispen Hartung on acoustic guitar) - ahhhh, I love those memories.

Krispen, it's really impressive what you have been and continue to be 
doing here. That event was both professional to the fullest and very 
warm and cozy. Keep it up!

             Rainer

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 16:08:05 2010
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Date: Mon, 26 Apr 2010 18:08:00 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: A bit OT - BCIMF this year
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Although not really a looping event, I'd like to mention this, knowing 
that a lot of looping people/list members have played this event series:

Thanks, Krispen, for streaming this year's festival! I have to admit 
that I catched only small parts of it (spent most of the weekend 
rearranging gear, and the rest of it drinking heavily), but what I 
heard/saw was - well, let's just say, unusual.

I have very fond memories from my own headlining appearance (gosh, this 
sounds more important than I would deserve, considering the other cats 
who were playing that event) at this festival in 2008, back when it was 
still called BEMF. Here's a short blog article from that time 
http://bit.ly/9hQEQC (browse back in the blog for other mentions of the 
festival), and there's also some photos on my (now unused) myspace site 
(http://bit.ly/autw4v - yes, there's sexy chicks who are great musicians 
- check out her playing here: http://bit.ly/dt1RUq - this track also 
features Krispen Hartung on acoustic guitar) - ahhhh, I love those memories.

Krispen, it's really impressive what you have been and continue to be 
doing here. That event was both professional to the fullest and very 
warm and cozy. Keep it up!

             Rainer

ps: are the video streams archived somewhere? Didn't find anything on 
the festival page...

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 17:10:16 2010
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I, too, want to go on record,  as Rainer has,  and sing the high praises
of Krispen Hartung's amazing Creative music festival in Boise.

I've been fortunate to play at festivals in many countries in my life and
I have to say that the Boise Creative and Improvised Music Festival (now
celebrating it's 5th year of existence)  is just one of the most 
creative and inspiring
festivals that I've ever played at.

If you ever get the chance,  I highly recommend that take yourself on a 
vacation
to lovely Boise (and it really is exceptionally lovely) to see this 
wonderful festival
or, better yet,  to submit to playing at it.

I can't wait for the next chance I get to perform at this wonderful 
festival
and I feel sad that circumstances prevented me from attending this year.

Kris is such a great organizer and, at the same time,  a great server of 
people's
creativity.      He inspires me on a continual basis with his commitment to
art and to artists.   We should honor him in our community.   We should 
also
honor the wonderful and truly selfless team that he assembles each year
to put the festival on.

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 18:12:54 2010
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Having just returned from Boise this morning, I'll echo Rainer and 
Rick's thanks and congratulations for Krispen (and Jeff Kaiser). It was 
an amazing event! The musicianship was stellar, the hang was priceless, 
and the whole event ran so smoothly and without stress, in a beautiful 
venue with great sound. Even though the five Canadians I'd intended to 
import for collaborative sets dwindled at the very last minute to just 
one, everything was taken in stride with no obvious frayed nerves or the 
least sign of frustration.

So much good music...really, one of the most enjoyable festivals I've 
ever been a part of. And Boise is BEAUTIFUL (with awesome pizza n' 
beer...). I'm so grateful to have been able to take part.

Daryl Shawn
www.swanwelder.com
www.chinapaintingmusic.com


From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 19:44:25 2010
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Subject: Re: A bit OT - BCIMF this year 
Date: Mon, 26 Apr 2010 13:44:22 -0600
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Wow, thank you Rick!  Is there an internet sign for a virtual blush?  :)

I really look forward to next year's festival already. I am considering a 
hotel
as a centralized venue, with educational lectures, technology 
demonstrations,
discussions, etc,, in the early day, and concerts at night.   But the trick 
is finding
a hotel open to this.

Kris

----- Original Message ----- 


> I, too, want to go on record,  as Rainer has,  and sing the high praises
> of Krispen Hartung's amazing Creative music festival in Boise.
>
> I've been fortunate to play at festivals in many countries in my life and
> I have to say that the Boise Creative and Improvised Music Festival (now
> celebrating it's 5th year of existence)  is just one of the most creative 
> and inspiring
> festivals that I've ever played at.
>
> If you ever get the chance,  I highly recommend that take yourself on a 
> vacation
> to lovely Boise (and it really is exceptionally lovely) to see this 
> wonderful festival
> or, better yet,  to submit to playing at it.
>
> I can't wait for the next chance I get to perform at this wonderful 
> festival
> and I feel sad that circumstances prevented me from attending this year.
>
> Kris is such a great organizer and, at the same time,  a great server of 
> people's
> creativity.      He inspires me on a continual basis with his commitment 
> to
> art and to artists.   We should honor him in our community.   We should 
> also
> honor the wonderful and truly selfless team that he assembles each year
> to put the festival on.
> 

From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 19:55:34 2010
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Subject: Re: A bit OT - BCIMF this year
Date: Mon, 26 Apr 2010 13:55:31 -0600
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Thank you, Rainer! I really appreciate the comments, as I re-coup.

----- Original Message ----- 



> Although not really a looping event, I'd like to mention this, knowing 
> that a lot of looping people/list members have played this event series:
>
> Thanks, Krispen, for streaming this year's festival! I have to admit that 
> I catched only small parts of it (spent most of the weekend rearranging 
> gear, and the rest of it drinking heavily), but what I heard/saw was - 
> well, let's just say, unusual.
>
> I have very fond memories from my own headlining appearance (gosh, this 
> sounds more important than I would deserve, considering the other cats who 
> were playing that event) at this festival in 2008, back when it was still 
> called BEMF. Here's a short blog article from that time 
> http://bit.ly/9hQEQC (browse back in the blog for other mentions of the 
> festival), and there's also some photos on my (now unused) myspace site 
> (http://bit.ly/autw4v - yes, there's sexy chicks who are great musicians - 
> check out her playing here: http://bit.ly/dt1RUq - this track also 
> features Krispen Hartung on acoustic guitar) - ahhhh, I love those 
> memories.
>
> Krispen, it's really impressive what you have been and continue to be 
> doing here. That event was both professional to the fullest and very warm 
> and cozy. Keep it up!
>
>             Rainer
>
> -- 
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
> 

From deal@ebymotors.com  Mon Apr 26 20:01:26 2010
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From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 20:17:37 2010
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Date: Mon, 26 Apr 2010 22:17:35 +0200
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--0016e6d78553bcde7204852977cf
Content-Type: text/plain; charset=ISO-8859-1

Per can u develop more on this? you mean that the RME 400 is not as good as
the USB because it gets powered from the fw cable?

>
> The good point in running Windows on an Apple pc is that you get the
> more sturdy Firewire jack/cable. I don't want to recommend powering up
> gear through the Firewire cable though (as we sometimes see posts on
> this list where people seem to think that's a "good thing").
>
> Greetings from Sweden
>
> Per Boysen
> www.boysen.se
> www.perboysen.com
> www.looproom.com internet music hub
>
>

--0016e6d78553bcde7204852977cf
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

Per can u develop more on this? you mean that the RME 400 is not as good as=
 the USB because it gets powered from the fw cable?<br><div class=3D"gmail_=
quote"><blockquote class=3D"gmail_quote" style=3D"margin: 0pt 0pt 0pt 0.8ex=
; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">

<br>
The good point in running Windows on an Apple pc is that you get the<br>
more sturdy Firewire jack/cable. I don&#39;t want to recommend powering up<=
br>
gear through the Firewire cable though (as we sometimes see posts on<br>
this list where people seem to think that&#39;s a &quot;good thing&quot;).<=
br>
<br>
Greetings from Sweden<br>
<font color=3D"#888888"><br>
Per Boysen<br>
<a href=3D"http://www.boysen.se" target=3D"_blank">www.boysen.se</a><br>
<a href=3D"http://www.perboysen.com" target=3D"_blank">www.perboysen.com</a=
><br>
<a href=3D"http://www.looproom.com" target=3D"_blank">www.looproom.com</a> =
internet music hub<br>
<br>
</font></blockquote></div><br>

--0016e6d78553bcde7204852977cf--

From Sales@access-ct.com  Mon Apr 26 20:35:44 2010
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Date: Mon, 26 Apr 2010 14:51:52 -0400
Subject:  CONTACT POST OFFICE BENIN.
From: "Barr.Peter Ezeh" <Sales@access-ct.com>
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=0D=0A=0D=0ADear Friend,=0D=0A =0D=0AThis is =0D=0ABarr.Peter Ezeh, I have =
registered your Bank Draft to POST OFFICE BENIN so that =0D=0Athey will Pos=
t it to your home address and i believe your current address is =0D=0Astill=
 the same. Your total amount in the envelope is USD$500.000.00 and the POST=
 =0D=0AOFFICE assured me no stoppage until it get to your hand. I want you =
to contact =0D=0Athem and re-confirm your address where to Post =0D=0Ait.=
=0D=0A  =0D=0AContact Mr. Abou Kodjo=0D=0A03 BP 1000,COTONOU =0D=0ABENIN RE=
PUBLIC.=0D=0AE-mail:postagencybeninrepulicltd@ufo.tc =0D=0AEmail;postagency=
benin@hosanna.net  =0D=0A =0D=0AMr.Abou Kodjo, informed me that it will tak=
e good 7 days =0D=0Ato get to your house and your Envelope acumulate cost o=
f USD$125.99. as postal =0D=0Acharges. Your Current address and Telephone n=
umber have to be reconfirmed when =0D=0Acontacting the post office. Call me=
 at +229- 9673-8615 as soon as you receive =0D=0Ayour Envelope. =0D=0A =0D=
=0AThank You.=0D=0ABarr.Peter =0D=0AEzeh

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<br><br><div><strong>Dear Friend,<br></strong>&nbsp;<br><font color=3D"#ff0=
000"><strong>This is =0D=0ABarr.Peter Ezeh, I have registered your Bank Dra=
ft to POST OFFICE BENIN so that =0D=0Athey will Post it to your home addres=
s and i believe your current address is =0D=0Astill the same. Your total am=
ount in the envelope is USD$500.000.00 and the POST =0D=0AOFFICE assured me=
 no stoppage until it get to your hand. I want you to contact =0D=0Athem an=
d re-confirm your address where to Post =0D=0Ait.<br></strong></font>&nbsp;=
<br><strong>Contact Mr. Abou Kodjo<br>03 BP 1000,COTONOU =0D=0ABENIN REPUBL=
IC.<br>E-mail:postagencybeninrepulicltd@ufo.tc </strong></div>=0D=0A<div><s=
trong>Email;postagencybenin@hosanna.net</strong>&nbsp;&nbsp;<br>&nbsp;<br><=
font color=3D"#0000bf"><strong>Mr.Abou Kodjo, informed me that it will take=
 good 7 days =0D=0Ato get to your house and your Envelope acumulate cost of=
 USD$125.99. as postal =0D=0Acharges. Your Current address and Telephone nu=
mber have to be reconfirmed when =0D=0Acontacting the post office. Call me =
at +229- 9673-8615 as soon as you receive =0D=0Ayour Envelope.</strong></fo=
nt><br>&nbsp;<br><strong>Thank You.<br>Barr.Peter =0D=0AEzeh</strong></div>

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Subject:  CONTACT POST OFFICE BENIN.
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=0D=0A=0D=0ADear Friend,=0D=0A =0D=0AThis is =0D=0ABarr.Peter Ezeh, I have =
registered your Bank Draft to POST OFFICE BENIN so that =0D=0Athey will Pos=
t it to your home address and i believe your current address is =0D=0Astill=
 the same. Your total amount in the envelope is USD$500.000.00 and the POST=
 =0D=0AOFFICE assured me no stoppage until it get to your hand. I want you =
to contact =0D=0Athem and re-confirm your address where to Post =0D=0Ait.=
=0D=0A  =0D=0AContact Mr. Abou Kodjo=0D=0A03 BP 1000,COTONOU =0D=0ABENIN RE=
PUBLIC.=0D=0AE-mail:postagencybeninrepulicltd@ufo.tc =0D=0AEmail;postagency=
benin@hosanna.net  =0D=0A =0D=0AMr.Abou Kodjo, informed me that it will tak=
e good 7 days =0D=0Ato get to your house and your Envelope acumulate cost o=
f USD$125.99. as postal =0D=0Acharges. Your Current address and Telephone n=
umber have to be reconfirmed when =0D=0Acontacting the post office. Call me=
 at +229- 9673-8615 as soon as you receive =0D=0Ayour Envelope. =0D=0A =0D=
=0AThank You.=0D=0ABarr.Peter =0D=0AEzeh

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<br><br><div><strong>Dear Friend,<br></strong>&nbsp;<br><font color=3D"#ff0=
000"><strong>This is =0D=0ABarr.Peter Ezeh, I have registered your Bank Dra=
ft to POST OFFICE BENIN so that =0D=0Athey will Post it to your home addres=
s and i believe your current address is =0D=0Astill the same. Your total am=
ount in the envelope is USD$500.000.00 and the POST =0D=0AOFFICE assured me=
 no stoppage until it get to your hand. I want you to contact =0D=0Athem an=
d re-confirm your address where to Post =0D=0Ait.<br></strong></font>&nbsp;=
<br><strong>Contact Mr. Abou Kodjo<br>03 BP 1000,COTONOU =0D=0ABENIN REPUBL=
IC.<br>E-mail:postagencybeninrepulicltd@ufo.tc </strong></div>=0D=0A<div><s=
trong>Email;postagencybenin@hosanna.net</strong>&nbsp;&nbsp;<br>&nbsp;<br><=
font color=3D"#0000bf"><strong>Mr.Abou Kodjo, informed me that it will take=
 good 7 days =0D=0Ato get to your house and your Envelope acumulate cost of=
 USD$125.99. as postal =0D=0Acharges. Your Current address and Telephone nu=
mber have to be reconfirmed when =0D=0Acontacting the post office. Call me =
at +229- 9673-8615 as soon as you receive =0D=0Ayour Envelope.</strong></fo=
nt><br>&nbsp;<br><strong>Thank You.<br>Barr.Peter =0D=0AEzeh</strong></div>

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From Loopers-Delight-request@loopers-delight.com  Mon Apr 26 20:41:30 2010
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Date: Mon, 26 Apr 2010 22:41:28 +0200
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Subject: Re: laptop looping
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>> The good point in running Windows on an Apple pc is that you get the
>> more sturdy Firewire jack/cable. I don't want to recommend powering up
>> gear through the Firewire cable though (as we sometimes see posts on
>> this list where people seem to think that's a "good thing").

On Mon, Apr 26, 2010 at 10:17 PM, Louie Angulo
<louie.angulo@googlemail.com> wrote:
> Per can u develop more on this? you mean that the RME 400 is not as good as
> the USB because it gets powered from the fw cable?


No, that's not what I mean. The reason I always recommend people to
use the extra power supply adapter for an Firewire interface, rather
than powering it up through the Firewire cable, is that if you do not
use an extra power supply a casual wobble of the Firewire cable will
cause OS X to switch over the the Mac's built-in audio card when it
loses connection with the Firewire device. But if the Firewire device
has its own power supply it won't go down and OS X can still see it
through a short power supply drop-out. I've heard about electronics
getting damaged too when device empowering Firewire cables fall out
during a session. I personally prefer a more stable rig than not
having to carry another small power adaptor ;-)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 00:41:23 2010
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Subject: other gear that does long delay like EDP?
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Back when I had an EDP, I recall using the non-looping 'long delay' mode
a few times. (not remembering the correct term probably)

Are there any other devices that do that?   I guess I'm thinking in the
5-10 second range.

thanks in advance for any info....



From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 01:05:47 2010
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EH 16 second delay, EH 2880, Electrix repeater, basically any looper 
with a variable feedback control will give you this same 
functionality, plus an infinite hold, varispeed (in the EH gear) 
etc...




At 17:36 -0700 26/4/10, Bob Campbell wrote:
>Back when I had an EDP, I recall using the non-looping 'long delay' mode
>a few times. (not remembering the correct term probably)
>
>Are there any other devices that do that?   I guess I'm thinking in the
>5-10 second range.
>
>thanks in advance for any info....


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To: <rcampbell@pobox.com>,
	<Loopers-Delight@loopers-delight.com>
References: <4BD63171.3030504@pobox.com>
Subject: Re: other gear that does long delay like EDP?
Date: Mon, 26 Apr 2010 22:20:13 -0400
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The EH 2880 can be used like that, but my favorite for long delay is the 
Boss DD 20. Really an amazing device. Read all about it here:
http://www.loopers-delight.com/tools/bossDD20/bossDD20.html

Best,

Jeff

----- Original Message ----- 
From: "Bob Campbell" <rcampbell@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, April 26, 2010 8:36 PM
Subject: other gear that does long delay like EDP?


> Back when I had an EDP, I recall using the non-looping 'long delay' mode
> a few times. (not remembering the correct term probably)
>
> Are there any other devices that do that?   I guess I'm thinking in the
> 5-10 second range.
>
> thanks in advance for any info....
>
>
>


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From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 05:17:20 2010
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Subject: Echoplex Wikipedia page
From: Clifford Novey <cnovey@gmail.com>
To: Loopers-Delight@loopers-delight.com
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--001636e0b98d7a811904853101a7
Content-Type: text/plain; charset=ISO-8859-1

Hello,
I was reading the Echoplex page on Wikipedia and decided to make my first
addition to an existing article and provide some info on the EDP. The
original article had 1 sentence which remains which stated that Gibson
licensed the name etc. Then I added a section and paragraph for the EDP. I
kept it short and simple and provided links.
http://en.wikipedia.org/wiki/Echoplex
Regards,
Clifford

--001636e0b98d7a811904853101a7
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<div>Hello, </div>
<div>I was reading the Echoplex page on Wikipedia and decided to make my fi=
rst addition to an existing article and provide some info on the=A0EDP. The=
 original article had 1 sentence which remains which stated that Gibson lic=
ensed the name etc. Then I added a section and paragraph for the EDP. I kep=
t it short and simple and provided links. <a href=3D"http://en.wikipedia.or=
g/wiki/Echoplex">http://en.wikipedia.org/wiki/Echoplex</a></div>

<div>Regards,=A0</div>
<div>Clifford=A0</div>

--001636e0b98d7a811904853101a7--

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To: LD <Loopers-Delight@loopers-delight.com>
Subject: Re: Echoplex Wikipedia page
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hi Clifford,

keep up the good work.

if you were tempted to do any further editing then
it's worth making clear that the EDP is a completely
different device to the original Echoplex.
Gibson owned the name "Echoplex", and used it to
market Matthias' device, which was originally called
the Paradis Loop Delay.
Best to ask Matt the details tho'.

If you wanna keep the people at Wikipedia happy then
it's worth avoiding links in your text.
(see other text on the page for how to link down
 to the "references" section at the bottom)

andy butler



Clifford Novey wrote:
> Hello,
> I was reading the Echoplex page on Wikipedia and decided to make my 
> first addition to an existing article and provide some info on the EDP. 
> The original article had 1 sentence which remains which stated that 
> Gibson licensed the name etc. Then I added a section and paragraph for 
> the EDP. I kept it short and simple and provided links. 
> http://en.wikipedia.org/wiki/Echoplex
> Regards, 
> Clifford 

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=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 BUSINESS PA=
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http://news.bbc.co.uk/1/hi/world/europe/859479.stm
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Please send your Reply to my new email address.=20
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
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nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <SPAN class=3Dyshortcuts id=3Dlw_1262765318_0=
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TION<BR>Dear Friend,<BR>My Names are Dr Kali Philip, Staff of <SPAN class=
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nd; BORDER-BOTTOM: #0066cc 1px
 dashed"><SPAN class=3Dyshortcuts id=3Dlw_1269131065_1><SPAN class=3Dyshort=
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cuts id=3Dlw_1272266036_1>Bank Of Africa</SPAN></SPAN></SPAN></SPAN></SPAN>=
</SPAN> in <SPAN class=3Dyshortcuts id=3Dlw_1269131065_2><SPAN class=3Dysho=
rtcuts id=3Dlw_1269340240_2>Burkina faso</SPAN></SPAN>. I would like you to=
 indicate your interest to receive the transfer of $11.5 Million Dollars. I=
 will like you to stand as the next of kin to my late client whose account =
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 class=3Dyshortcuts id=3Dlw_1259061465_1><SPAN class=3Dyshortcuts id=3Dlw_1=
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cuts id=3Dlw_1271144032_2><SPAN
 class=3Dyshortcuts id=3Dlw_1272266036_2>business proposal</SPAN></SPAN></S=
PAN></SPAN></SPAN></SPAN>, further details of the transfer will be forwarde=
d to you as soon as i receive your return mail. clik on the blow link to co=
nfirm the genuiness of the deceased death </FONT>
<DIV><A href=3D"http://news.bbc.co.uk/1/hi/world/europe/859479.stm" target=
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T size=3D2>http://news.bbc.co.uk/1/hi/world/europe/859479.stm</FONT></SPAN>=
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yahoo.com/mc/compose?to=3Ddk_ph88@voila.fr" target=3D_blank rel=3Dnofollow>=
<SPAN class=3Dyshortcuts id=3Dlw_1272266036_3><FONT size=3D2>dk_ph88@voila.=
fr</FONT></SPAN></A><FONT size=3D1> </FONT></DIV></td></tr></table><br>=0A=
=0A=0A=0A      &nbsp;
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10-4
Thanks- good tips- will implement soon
C
Sent via soup cans and string.

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Subject: Re: Echoplex Wikipedia page
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Ok- should I use references or just external links?
C

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<div>Ok- should I use references or just external links?</div>
<div>C</div>

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Subject: Re: Echoplex Wikipedia page
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NM- I did some more editing but converting those links to references is
beyond my level of time.
C

On Tue, Apr 27, 2010 at 2:51 AM, Clifford Novey <cnovey@gmail.com> wrote:

> Ok- should I use references or just external links?
> C
>

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<div>NM- I did some more editing but converting those links to references is beyond my level of time.</div>
<div>C<br><br></div>
<div class="gmail_quote">On Tue, Apr 27, 2010 at 2:51 AM, Clifford Novey <span dir="ltr">&lt;<a href="mailto:cnovey@gmail.com">cnovey@gmail.com</a>&gt;</span> wrote:<br>
<blockquote style="BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class="gmail_quote">
<div>Ok- should I use references or just external links?</div>
<div>C</div><font color="#888888"></font></blockquote></div><br>

--0016e64942bad04bfa0485353a66--

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Date: Tue, 27 Apr 2010 03:49:43 -0700
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Subject: Re: Paradis looper
From: Clifford Novey <cnovey@gmail.com>
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Love the faceplate design on these. Do they run reg LoopIV software? The
buttons look different than the EDP.

On Mon, Apr 26, 2010 at 3:56 AM, Michael Peters <mp@mpeters.de> wrote:

>  somebody offers a Paradis looper (predecessor of the EDP) for 499 Euros
> on German eBay ...
>
> http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&item=180498882180.html
>
> I'd buy it but I already own one :)
>
> -Michael
>
>
>
>
>

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Love the faceplate design on these. Do they run reg LoopIV software? The bu=
ttons look different than the EDP.<br><br>
<div class=3D"gmail_quote">On Mon, Apr 26, 2010 at 3:56 AM, Michael Peters =
<span dir=3D"ltr">&lt;<a href=3D"mailto:mp@mpeters.de">mp@mpeters.de</a>&gt=
;</span> wrote:<br>
<blockquote style=3D"BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex=
; PADDING-LEFT: 1ex" class=3D"gmail_quote">
<div>
<p><font size=3D"2" face=3D"Arial">somebody offers a Paradis looper (predec=
essor of the EDP) for 499 Euros on German eBay ...</font></p>
<p><font size=3D"2" face=3D"Arial"><a href=3D"http://cgi.ebay.de/ws/eBayISA=
PI.dll?ViewItemnext&amp;item=3D180498882180.html" target=3D"_blank">http://=
cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&amp;item=3D180498882180.html</a><=
/font><font face=3D"Arial"> </font></p>

<p><font size=3D"2" face=3D"Arial">I&#39;d buy it=A0but I already own one :=
)</font></p>
<p><font size=3D"2" face=3D"Arial">-Michael</font></p>
<p>=A0</p>
<p><font size=3D"2" face=3D"Arial"></font>=A0</p></div></blockquote></div><=
br>

--0016e64af562b04790048535a641--

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Can someone tell me the main hardware differences of the EDP from the EDPP?
I am curious if anything major changed like surface mount components, etc.
Thanks- and pics would be great of the guts if anyone has one.
C

PS- was serching the archives for info and found this post- gosh it would be
nice to have a collection of these type of posts- new ideas/methods to learn
from- it is stuff in the manual but people approach it from different angles
and from experience and different working methods- like seeing the
possibilities of what the manual shows but in real world use
http://www.loopers-delight.com/LDarchive/200808/msg00511.html

--001636b2b0fbf899b4048535dcfc
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<div>Can someone tell me the main hardware differences of the EDP from the =
EDPP? I am curious if anything major changed like surface mount components,=
 etc. Thanks- and pics would be great of the guts if anyone has one.</div>

<div>C</div>
<div>=A0</div>
<div>PS- was serching the archives for info and found this post- gosh it wo=
uld be nice to have a collection of these type of posts- new ideas/methods =
to learn from- it is stuff in the manual but people approach it from differ=
ent angles and from experience and different working methods- like seeing t=
he possibilities of what the manual shows but in real world use</div>

<div><a href=3D"http://www.loopers-delight.com/LDarchive/200808/msg00511.ht=
ml">http://www.loopers-delight.com/LDarchive/200808/msg00511.html</a></div>

--001636b2b0fbf899b4048535dcfc--

From marc@nju.edu.cn  Tue Apr 27 12:34:03 2010
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From: "Mr. Edward Tan"<marc@nju.edu.cn>
Subject: Mr. Edward Tan
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To: undisclosed-recipients:;

From: Mr. Edward Tan
Date: 26TH APRIL 2010
 
Good day and may the blessings of this day rest on you, hope you are in good health? Please do not take this unserious, i plead your pardon for my approach, ok. My name is Mr. Edward Tan. I trained and work as an external auditor for the Development Bank of Singapore (DBS). I had taken pains to find your contact through personal endeavors.
 
A foreigner with thesame last name as yours, died here in Singapore, twelve years ago leaving behind an estate/capital (US$31.8M with interest) here in DBS where I work, till date nobody has come forward or put application for the claim.
 
I can confirm with certainty that the said investor died intestate, no next-of-kin to his estate and no body came forward all these years. I am of the settled conviction that using my insider leverage, I, working with you can secure the funds in the account for us instead of allowing it pass as unclaimed funds into the coffers of the Government of Singapore. This is especially possible as you bear the same LAST NAME to the said investor, of course you shall be handsomely rewarded for your part in this transaction as me and my colleague are prepared to allocate a 20% of the total funds for your efforts.
 
Affirm your willingness and cooperation please,by replying me stating your FULL NAME, DATE OF BIRTH, TELEPHONE NUMBER, FAX NUMBER, AND CONTACT ADDRESS.

I do expect you prompt response.
 
Thank you,
Mr. E. Tan.

From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 12:39:36 2010
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Date: Tue, 27 Apr 2010 08:39:32 -0400
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Subject: The Soundscapes Concert Series Presents RICHARD LAINHART
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Friday, May 21, Soundscapes returns to the *Nazareth Center for the 
Arts* with award winning musician *Richard Lainhart*. Doors open at 7:30 
pm and the concert is at 8:00 pm. There is a suggested donation of $10 
to support the musician and to enable the Nazareth Center for the Arts 
to pay operating expenses. The NCA is located at 30 Belvidere Street, 
Nazareth, PA 18064 just off of Route 191 on the southwest corner of 
Belvidere Street and South Spruce Street. Check the NCA site for parking 
information.

The Soundscapes Concert Series is the concert companion to the Galactic 
Travels radio program on WDIY and presents electronic music to the 
Lehigh Valley.  This is the concert series that presented Robert Rich 
(California), vidnaObmana (Belgium), The Ministry of Inside Things 
(Philadelphia), and Orbital Decay (Quakertown), Technicolor Travel 
Agency (Poconos), and Twyndyllyngs (Lehigh Valley) to local audiences.

Best regards,

Bill Fox - Soundscapes Artistic Director

Here is a collection of links that may be used in promoting this 
concert.  Photos, banners, a flier, and map links are included.

SOUNDSCAPES:
http://soundscapes.us
http://facebook.com/soundscapesconcerts
http://myspace.com/soundscapesconcertseries
Banner: http://soundscapes.us/banner.jpg
Flier: http://soundscapes.us/flier.pdf

FACEBOOK EVENT LISTING:
http://facebook.com/event.php?eid=108940659147059
or
http://is.gd/bJImb

MYSPACE EVENT LISTING:
http://events.myspace.com/External/Share/Event/View/3075938
or
http://tinyurl.com/244eull
or
http://is.gd/bJIPk

NAZARETH CENTER FOR THE ARTS:
http://nazaretharts.com
http://facebook.com/nazaretharts
Banner: http://soundscapes.us/images/NCAlogo.jpg
MAP: http://is.gd/aF8Ih
30 Belvidere Street
Nazareth, PA 18064

RICHARD LAINHART ON-LINE:
website: http://otownmedia.com
short films: http://vimeo.com/rlainhart
demo and training videos: http://youtube.com/rlainhart

RICHARD LAINHART BIOGRAPHY:
Richard Lainhart  is an award-winning composer, author, and filmmaker - 
a digital artisan who works with sonic and visual data. Since childhood, 
he's been interested in natural processes such as waves, flames and 
clouds, in harmonics and harmony, and in creative interactions with 
machines, using them as compositional methods to present sounds and 
images that are as beautiful as he can make them.

Lainhart studied composition and electronic music with Joel Chadabe at 
the State University of New York at Albany. He has composed music for 
film, television, CD-ROMs, interactive applications, and the Web. His 
compositions have been performed in the US, England, Sweden, Germany, 
Australia, and Japan. Recordings of his music have appeared on the 
Periodic Music, Vacant Lot, XI Records, Airglow Music, Tobira Records, 
Infrequency, VICMOD, and ExOvo labels. As an active performer, Lainhart 
has appeared in public approximately 2000 times. Besides performing his 
own work, he has worked and performed with John Cage, David Tudor, Steve 
Reich, Phill Niblock, David Berhman, and Jordan Rudess, among many 
others. He has composed over 150 electronic and acoustic works. In 2008, 
he was commissioned by the Electronic Music Foundation to contribute a 
work to New York Soundscape.

Lainhart's animations and short films have been shown at festivals in 
the US, the UK, Canada, Portugal, Italy, France, Spain, Germany, and 
Korea, and online at Souvenirs From Earth, ResFest, The New Venue, The 
Bitscreen, and Streaming Cinema 2.0. His film "A Haiku Setting" won 
mentions in several categories at the 2002 International Festival of 
Cinema and Technology in Toronto. In 2009, he was awarded a Film & Media 
grant by the New York State Council on the Arts for "No Other Time", a 
full-length intermedia performance designed for a large reverberant 
space, combining live analog electronics with four-channel playback, and 
high-definition computer-animated film projection. In January 2010, he 
performed as a featured Live Media audio-visual artist at Netmage 2010 
in Bologna, Italy.

Review quotes:

[His] "music reflects the spirit of possibility that once defined 
electronic music, bringing with it a sense of past, present and future 
that transcends time, technology and cultural assumptions. The spell- 
binding music seemed to evoke feelings that can't quite be named, and 
suggest music I might rather imagine for myself in silence than trust 
most composers to compose." (The Village Voice).

"He's evolved a singular vision as a composer, performer and engineer of 
darkly seductive minimalism." (Peter Marsh, BBC)

"These pieces are a reflection of their times ¿ the vocal harmonics of 
Stockhausen¿s Stimmung, the extended durations of Morton Feldman and the 
claustrophobic atmosphere of Kubrick¿s 2001 all spring to mind as 
reference points." (The Wire)

"The listener is drawn into these dense, slowly moving, highly detailed 
soundscapes as into a vortex." (Brian Marley, Avant Magazine)

"The work is minimal and yet elaborate, expansive, meditative, a kind of 
holy timelessness to it." (Radio 100, Amsterdam)

"Lainhart crafts sounds in a tonal, musical fashion - sustained tones, 
drones, melodic fragments - and electronically manipulates them into 
beautiful tapestries of sound." (Waterfront Week)

"More than anything else, Richard Lainhart's sonic constructions inhabit 
a place where mystery and ambiguity resonate with untranslatable meaning 
through process and perception." (Kevin Macneil Brown, Dusted Magazine)

From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 12:46:54 2010
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Subject: RE: Paradis looper
Date: Tue, 27 Apr 2010 14:46:40 +0200
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> Love the faceplate design on these. Do they run reg LoopIV software? The
buttons look different than the EDP.

no, the software is much earlier and much simpler, but it already contains
Record, Overdub, Multiply, Insert, Mute, and Undo.  Don't know which version
it is - LoopIII maybe. Here's a little more info:
http://www.loopers-delight.com/tools/LoopDelay/paradis.html

-Michael

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	 <003701cae5b0$2b4bc070$cbf23747@tbl01fcf9be917>
Date: Tue, 27 Apr 2010 07:35:10 -0600
Message-ID: <q2qdec8f8e61004270635k530f077fjd2012366c96637ea@mail.gmail.com>
Subject: Re: other gear that does long delay like EDP?
From: Dennis Moser <sinsofmachaut@gmail.com>
To: Loopers-Delight@loopers-delight.com
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I'm with Jeff on this ... the DD-20 is one of the best bargains
around, given what you can do with it with a little imagination. The
fact that they stay remarkably steady means that you can pair two of
them for hours of fun ... literally.

Best,

Dennis

On Mon, Apr 26, 2010 at 8:20 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> The EH 2880 can be used like that, but my favorite for long delay is the
> Boss DD 20. Really an amazing device. Read all about it here:
> http://www.loopers-delight.com/tools/bossDD20/bossDD20.html
>
> Best,
>
> Jeff
>
> ----- Original Message ----- From: "Bob Campbell" <rcampbell@pobox.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, April 26, 2010 8:36 PM
> Subject: other gear that does long delay like EDP?
>
>
>> Back when I had an EDP, I recall using the non-looping 'long delay' mode
>> a few times. (not remembering the correct term probably)
>>
>> Are there any other devices that do that? =A0 I guess I'm thinking in th=
e
>> 5-10 second range.
>>
>> thanks in advance for any info....
>>
>>
>>
>
>
> -------------------------------------------------------------------------=
-------
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 8.5.437 / Virus Database: 271.1.1/2836 - Release Date: 04/26/10
> 06:31:00
>
>



--=20
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/

From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 15:12:10 2010
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Subject: iPhone app beta tester
From: Tony K <bigtonyk@gmail.com>
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--0015175ccffe390df2048539513d
Content-Type: text/plain; charset=ISO-8859-1

TC Electronics is looking for beta testers...

http://www.tcelectronic.com/PolyTuneIphoneBetaTester/

-- 
-==-=-=-
Tony

--0015175ccffe390df2048539513d
Content-Type: text/html; charset=ISO-8859-1

TC Electronics is looking for beta testers...<br><br><a href="http://www.tcelectronic.com/PolyTuneIphoneBetaTester/">http://www.tcelectronic.com/PolyTuneIphoneBetaTester/</a><br clear="all"><br>-- <br>-==-=-=- <br>Tony<br>


--0015175ccffe390df2048539513d--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 15:33:07 2010
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Subject: other gear that does long delay like EDP?
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--e0cb4e384e84226f400485399ca0
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some already mentioned:
boss dd20 (23 sec)
boss dd7-(does 6.3 sec in the stereo out  mode)
digitech dl8-(8 sec) -i love this thing
dod d12-(12 sec) my original long looper, 1u rack space
lexicon pcm42 (modded up to 20 sec-david torn and others use)
digitech pds series-i think had 8 sec
digitech rds-8 sec rack unit
akai headrush 2-says 35 sec of delay, 5 sec of tape delay mode (i research &
debated getting, didn't though...)

there are also some old zoom multieffect units that i thought had 10 sec of
delay???? can't remember model #
korg dl8000- 8 sec i think...
boss roland space echo reissue pedal-i thought i read had 6 sec of delay
digitech rp150-5 sec of delay-can glitch it nicely, new 155 has it also.
the zoom g2 also has 5 sec of delay, but when you try to mess w/ the time,
it just shuts off, but i just read that the next
gen of this zoom g-something.NU has a 5 sec looper that overdubs (just read
about it not sure if 5 sec is going to make anyone
get all excited since the new digitech rp155 models have 20 sec looper in
them....ok, i won't get started on this rant again!!!!)
digitech timebender (5 sec)-didn't love this....although it got a good
review in latest guitar world mag

ok, as for the eh16ddlRI (the reissue)-in the delay mode the time is short,
not even a sec, but man in the looping mode, I LOVE THIS THING.
the ability to manipulate the loop makes it most fun. as for the click-i
can't figure out why people didn't just turn the slider to "0". i could see
if you're locked in time

i'm sure i'm missing a few...

i sort of wonder if the "TOOLS" section should be divided up by "DELAY BASED
LOOPING tools" and the "SAMPLE BASED LOOPING tools"

good luck, happy hunting....

if you're looking for varispeed short delay times-i've been most happy w/:
ibanez de7, boss dd7, guyatone md3, digitech dl8, & of course the eh16ddlRI
s---
www.myspace.com/scotthansen

--e0cb4e384e84226f400485399ca0
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

some already mentioned:<br>boss dd20 (23 sec)<br>boss dd7-(does 6.3 sec in =
the stereo out=A0 mode)<br>digitech dl8-(8 sec) -i love this thing<br>dod d=
12-(12 sec) my original long looper, 1u rack space<br>lexicon pcm42 (modded=
 up to 20 sec-david torn and others use)<br>
digitech pds series-i think had 8 sec<br>digitech rds-8 sec rack unit<br>ak=
ai headrush 2-says 35 sec of delay, 5 sec of tape delay mode (i research &a=
mp; debated getting, didn&#39;t though...)<br><br>there are also some old z=
oom multieffect units that i thought had 10 sec of delay???? can&#39;t reme=
mber model #<br>
korg dl8000- 8 sec i think...<br>boss roland space echo reissue pedal-i tho=
ught i read had 6 sec of delay<br>digitech rp150-5 sec of delay-can glitch =
it nicely, new 155 has it also.<br>the zoom g2 also has 5 sec of delay, but=
 when you try to mess w/ the time, it just shuts off, but i just read that =
the next<br>
gen of this zoom g-something.NU has a 5 sec looper that overdubs (just read=
 about it not sure if 5 sec is going to make anyone<br>get all excited sinc=
e the new digitech rp155 models have 20 sec looper in them....ok, i won&#39=
;t get started on this rant again!!!!)<br>
digitech timebender (5 sec)-didn&#39;t love this....although it got a good =
review in latest guitar world mag<br><br>ok, as for the eh16ddlRI (the reis=
sue)-in the delay mode the time is short, not even a sec, but man in the lo=
oping mode, I LOVE THIS THING.<br>
the ability to manipulate the loop makes it most fun. as for the click-i ca=
n&#39;t figure out why people didn&#39;t just turn the slider to &quot;0&qu=
ot;. i could see if you&#39;re locked in time<br><br>i&#39;m sure i&#39;m m=
issing a few...<br>
<br>i sort of wonder if the &quot;TOOLS&quot; section should be divided up =
by &quot;DELAY BASED LOOPING tools&quot; and the &quot;SAMPLE BASED LOOPING=
 tools&quot;<br><br>good luck, happy hunting....<br><br>if you&#39;re looki=
ng for varispeed short delay times-i&#39;ve been most happy w/: ibanez de7,=
 boss dd7, guyatone md3, digitech dl8, &amp; of course the eh16ddlRI<br>
s---<br><a href=3D"http://www.myspace.com/scotthansen">www.myspace.com/scot=
thansen</a><br><br><br><br>

--e0cb4e384e84226f400485399ca0--

From rachel@craftprint.com  Tue Apr 27 15:41:16 2010
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From: Barr David Chong <rachel@craftprint.com>
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 I am Barr. David Chong, A deceased client of mine, that shares the same last name as yours, who died as a result of a heart-related condition in March 12th 2005.You can reach me on (contact.barrdc@sify.com) for more information as my late Client has a deposit of $17,500,000.00 Million Dollars left behind.

Best regards,
David chong
+60172718538

From rachel@craftprint.com  Tue Apr 27 15:41:18 2010
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 I am Barr. David Chong, A deceased client of mine, that shares the same last name as yours, who died as a result of a heart-related condition in March 12th 2005.You can reach me on (contact.barrdc@sify.com) for more information as my late Client has a deposit of $17,500,000.00 Million Dollars left behind.

Best regards,
David chong
+60172718538

From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 18:29:19 2010
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Date: Tue, 27 Apr 2010 13:29:04 -0400
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A little late to the party as usual, but I have to say that Jeff's event 
was spectacular.  I checked out the archived recordings the next day and 
was truly impressed. The video was interesting and helpful in 
differentiating the pieces, but Jeff really shines in the almost 
effortless way that his  music shifted gears over the course of the 
evening.  My late-night journey veered from relaxing ambient textures to 
amped-up chopped and manic glitchiness.

I was particulary impressed in that most or all of the music appeared to 
be wholly improvised - but I have to believe that programming soft 
synths and glitch scripting must have taken a huge amount of time in 
pre-production. The end result is about as seamless as it could be.

Well Done!

Dan Ash
White Plains, NY

Play what you don't know.  -Miles Davis

From electrosolairelevis@bellnet.ca  Tue Apr 27 18:30:53 2010
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Reply-To: <victoriaugbaja09@gmail.com>
From: "Miss VICTORIA UGBAJA"<electrosolairelevis@bellnet.ca>
Subject: VITAL INFORMATION ABOUT YOUR FUND.
Date: Tue, 27 Apr 2010 05:44:09 -0700
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To: undisclosed-recipients:;

I am Miss VICTORIA UGBAJA. a computer scientist with central bank of Nigeria. I am 26 years old, just started work with C.B.N. I came across your file which was marked X and your released disk painted RED, I took time to study it and found out that you have paid VIRTUALLY all fees and certificate but the fund has not been release to you. The most annoying thing is that they cannot tell you the truth that on no account will they ever release the fund to you, instead they let you spend money unnecessarily.

I do not intend to work here all the days of my life, I can release this fund to you if you can certify me of my security, and how I can run away from this Nigeria if I do this, because if I don't run away from this country after i made the transfer, I will be seriously in trouble and my life will be in danger. Please this is like a Mafia setting in Nigeria, you may not understand it because you are not a Nigerian. 

The only thing I will need to release this fund is a special HARD DISK we call it HD120 GIG. I will buy two of it, recopy your information, destroy the previous one, punch the computer to reflect in your bank within 24 banking hours. I will clean up the tracer and destroy your file, after which I will run away from Nigeria to meet with you. If you are interested. 

SPECIAL INFORMATION:YOU WILL SEND THE FEE FOR THE HARD DISK FIRST BEFORE I MAKE YOUR TRANSFER.DONT CONTACT ME IF YOU CAN NOT SEND THE HARD DISK FEE FIRST. AS SOON AS I RECEIVE YOUR EMAIL I WILL LET YOU KNOW HOW MUCH THE DISK WILL COST YOU. Do get in touch with me immediately,You should send to me your convenient tell/fax numbers for easy communications and also re confirm your banking details, so that there won't be any mistake.
For phone conversation,please call me on+234-807-676-6856,

Regards, 

Miss VICTORIA UGBAJA

From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 18:54:27 2010
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From: Matthias Grob <matilists@gmail.com>
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the EDPP passed the CE test to be sold in Europe
it has some better parts (gold connectors, better buttons)
the crystals are better tolerated, so we can grant Brothersync between =
them
the rest is the same

On 27 Apr 2010, at 04:04, Clifford Novey wrote:

> Can someone tell me the main hardware differences of the EDP from the =
EDPP? I am curious if anything major changed like surface mount =
components, etc. Thanks- and pics would be great of the guts if anyone =
has one.
> C
> =20
> PS- was serching the archives for info and found this post- gosh it =
would be nice to have a collection of these type of posts- new =
ideas/methods to learn from- it is stuff in the manual but people =
approach it from different angles and from experience and different =
working methods- like seeing the possibilities of what the manual shows =
but in real world use
> http://www.loopers-delight.com/LDarchive/200808/msg00511.html


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">the EDPP passed the CE test to be sold in Europe<div>it has some better parts (gold connectors, better buttons)</div><div>the crystals are better tolerated, so we can grant Brothersync between them</div><div>the rest is the same</div><div><br><div><div>On 27 Apr 2010, at 04:04, Clifford Novey wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div>Can someone tell me the main hardware differences of the EDP from the EDPP? I am curious if anything major changed like surface mount components, etc. Thanks- and pics would be great of the guts if anyone has one.</div>

<div>C</div>
<div>&nbsp;</div>
<div>PS- was serching the archives for info and found this post- gosh it would be nice to have a collection of these type of posts- new ideas/methods to learn from- it is stuff in the manual but people approach it from different angles and from experience and different working methods- like seeing the possibilities of what the manual shows but in real world use</div>

<div><a href="http://www.loopers-delight.com/LDarchive/200808/msg00511.html">http://www.loopers-delight.com/LDarchive/200808/msg00511.html</a></div>
</blockquote></div><br></div></body></html>
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Subject: Re: Paradis looper
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the LOOP delay opened on the bottom. Gibson found that strange and =
reversed it, thats why the buttons are on top which looks unbalanced and =
makes us cover the LEDs when operating the buttons :-(
Yes, I prefer my design, too :-)

On 27 Apr 2010, at 03:49, Clifford Novey wrote:

> Love the faceplate design on these. Do they run reg LoopIV software? =
The buttons look different than the EDP.
>=20
> On Mon, Apr 26, 2010 at 3:56 AM, Michael Peters <mp@mpeters.de> wrote:
> somebody offers a Paradis looper (predecessor of the EDP) for 499 =
Euros on German eBay ...
>=20
> =
http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&item=3D180498882180.html
>=20
> I'd buy it but I already own one :)
>=20
> -Michael
>=20
> =20
> =20
>=20


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<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>the LOOP delay opened on the bottom. Gibson found that strange and reversed it, thats why the buttons are on top which looks unbalanced and makes us cover the LEDs when operating the buttons :-(</div><div>Yes, I prefer my design, too :-)</div><br><div><div>On 27 Apr 2010, at 03:49, Clifford Novey wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">Love the faceplate design on these. Do they run reg LoopIV software? The buttons look different than the EDP.<br><br>
<div class="gmail_quote">On Mon, Apr 26, 2010 at 3:56 AM, Michael Peters <span dir="ltr">&lt;<a href="mailto:mp@mpeters.de">mp@mpeters.de</a>&gt;</span> wrote:<br>
<blockquote style="BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class="gmail_quote">
<div><p><font size="2" face="Arial">somebody offers a Paradis looper (predecessor of the EDP) for 499 Euros on German eBay ...</font></p><p><font size="2" face="Arial"><a href="http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&amp;item=180498882180.html" target="_blank">http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&amp;item=180498882180.html</a></font><font face="Arial"> </font></p><p><font size="2" face="Arial">I'd buy it&nbsp;but I already own one :)</font></p><p><font size="2" face="Arial">-Michael</font></p><div>&nbsp;<br class="webkit-block-placeholder"></div><div><font size="2" face="Arial"></font>&nbsp;<br class="webkit-block-placeholder"></div></div></blockquote></div><br>
</blockquote></div><br></body></html>
--Apple-Mail-22--117849124--

From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 19:08:20 2010
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thanks to all for the variety of helpful responses on and off list!

lots of stuff to consider, glad I asked!

I'm going with DD20 for my immediate need since Craigslist has em.

fyi - This is for a sound installation project at a Burning Man regional 
event near Seattle.  I have an rig where I provide an opportunity for 
random folks to walk up and use their voices to play with sound 
processing fun. Time/space/frequency processing.  Since this is in a 
sheltered but outdoor situation, I try not to use gear that is too 
precious. I've done this 4 times over the years, it is always well 
received by some folks.

- 4 mics, mixer, DL4 (for ping-pong), reverb, harmonizer, headphone 
distribution (trying out fm wireless this time), and now I'll add the 
DD20 for long delays.

Just simple big hall reverb seems to be a kick for most people who have 
never heard it, the other stuff is just extra ear candy.

also, I'm looking to enhance this installation with sound activated 
lighting, which I will address in a separate post....

Bob



From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 19:08:56 2010
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Followup to my previous post re long delays...   this is getting a 
little more OT, but I know some of you work the visual side of the 
street too.

I'm also searching for 'color organ' stuff, aka multi-band sound 
activated lighting controllers.

I have a few simple hardware devices in hand, and see the internet is 
littered with kits and a few (pricey) custom devices.  All good, but 
what I'm not seeing is software based stuff, at least not in any kind of 
ready to use option.

Anybody know of a software based solution that would create some kind of 
color organ effect?

Also glad to hear about dedicated hardware too, I have researched that 
but keep finding more....

Bob






From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 19:45:02 2010
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Date: Tue, 27 Apr 2010 21:45:00 +0200
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Subject: Re: Paradis looper
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That "loop" logotype looks good!

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub



On Tue, Apr 27, 2010 at 8:56 PM, Matthias Grob <matilists@gmail.com> wrote:
> the LOOP delay opened on the bottom. Gibson found that strange and revers=
ed
> it, thats why the buttons are on top which looks unbalanced and makes us
> cover the LEDs when operating the buttons :-(
> Yes, I prefer my design, too :-)
> On 27 Apr 2010, at 03:49, Clifford Novey wrote:
>
> Love the faceplate design on these. Do they run reg LoopIV software? The
> buttons look different than the EDP.
>
> On Mon, Apr 26, 2010 at 3:56 AM, Michael Peters <mp@mpeters.de> wrote:
>>
>> somebody offers a Paradis looper (predecessor of the EDP) for 499 Euros =
on
>> German eBay ...
>>
>> http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItemnext&item=3D180498882180.htm=
l
>>
>> I'd buy it=C2=A0but I already own one :)
>>
>> -Michael

From marc@nju.edu.cn  Tue Apr 27 20:13:29 2010
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From: Mr. Edward Tan
Date: 26TH APRIL 2010
 
Good day and may the blessings of this day rest on you, hope you are in good health? Please do not take this unserious, i plead your pardon for my approach, ok. My name is Mr. Edward Tan. I trained and work as an external auditor for the Development Bank of Singapore (DBS). I had taken pains to find your contact through personal endeavors.
 
A foreigner with thesame last name as yours, died here in Singapore, twelve years ago leaving behind an estate/capital (US$31.8M with interest) here in DBS where I work, till date nobody has come forward or put application for the claim.
 
I can confirm with certainty that the said investor died intestate, no next-of-kin to his estate and no body came forward all these years. I am of the settled conviction that using my insider leverage, I, working with you can secure the funds in the account for us instead of allowing it pass as unclaimed funds into the coffers of the Government of Singapore. This is especially possible as you bear the same LAST NAME to the said investor, of course you shall be handsomely rewarded for your part in this transaction as me and my colleague are prepared to allocate a 20% of the total funds for your efforts.
 
Affirm your willingness and cooperation please,by replying me stating your FULL NAME, DATE OF BIRTH, TELEPHONE NUMBER, FAX NUMBER, AND CONTACT ADDRESS.

I do expect you prompt response.
 
Thank you,
Mr. E. Tan.

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From Loopers-Delight-request@loopers-delight.com  Tue Apr 27 23:16:20 2010
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From: "Jeff Duke" <jeff_d@embarqmail.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Jeff Duke looping live right now
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Wow Dan thanks! I am very happy that you dug it, I love playing for that 
crowd at ImprovFriday http://improvfriday.ning.com

Yes it was even more than usual because of the venue, improvised. I actually 
was using a new setup and had only spent a small bit of time on choosing 
some basic patches to play with. No synths and scripts were used. All 
sounds/looping/glitchy/wacky stuff is hardware effects boxes. The main box 
used however really transends the guitar effects box genre and that is the 
Line 6 M9! It has some of the greatest reverbs/filters and such I have ever 
played with. I am not up to speed with it yet so some of what I did was just 
pressing buttons and then going with whatever sound came out. :)



Once again, thanks for the wonderful review! You made my day

all the best,

Jeff


http://www.myspace.com/loopsinphasespace
http://jeffduke.bandcamp.com/
http://www.vimeo.com/jeffduke
http://livestream.com/jeffdukelive
http://usit.bandcamp.com/


----- Original Message ----- 
From: "Dan Ash" <Daniel.Ash@Verizon.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 27, 2010 1:29 PM
Subject: Re: Jeff Duke looping live right now


>A little late to the party as usual, but I have to say that Jeff's event
> was spectacular.  I checked out the archived recordings the next day and
> was truly impressed. The video was interesting and helpful in
> differentiating the pieces, but Jeff really shines in the almost
> effortless way that his  music shifted gears over the course of the
> evening.  My late-night journey veered from relaxing ambient textures to
> amped-up chopped and manic glitchiness.
>
> I was particulary impressed in that most or all of the music appeared to
> be wholly improvised - but I have to believe that programming soft
> synths and glitch scripting must have taken a huge amount of time in
> pre-production. The end result is about as seamless as it could be.
>
> Well Done!
>
> Dan Ash
> White Plains, NY
>
> Play what you don't know.  -Miles Davis
>


--------------------------------------------------------------------------------



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From burnleylotto03@yahoo.co.jp  Tue Apr 27 23:43:25 2010
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Reply-To: <burnleysweepstakes@yahoo.co.jp>
From: "BURNLEY  LOTTERY"<burnleylotto03@yahoo.co.jp>
Subject: AWARD NOTIFICATION.
Date: Tue, 27 Apr 2010 11:31:51 -0500
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To: undisclosed-recipients:;

RE: AWARD NOTIFICATION: FINAL NOTICE

We are pleased to inform you of the announcement of winners on
the 23rd of April 2010, of the BURNLEY PROMO LOTTERY, AN ASIA/EUROPE 
INTERNATIONAL PROGRAM.

Your email address, is attached to ticket number 03 07 13 23 12 14 21, 
with serial number 1582-812 drew the lucky numbers 07-06-10-11-BR-ZE, 
and consequently won the lottery in the 3rd category. You have therefore 
been approved for a lumpsum payment of US$5,500,000.00 (Five Million Five
Hundred Thousand Dollars only), credited to file REFERENCE NO: 544/818/223 
and BATCH NO: 645252868-JJ98. 

All participants were selected through a computer ballot system drawn from 
a collation of frequent internet users from all over the world from Australia,
New Zealand, United States of America, Europe, North America and Asia as part 
of the International Promotions Program, which is conducted bi-annually.
No tickets were sold.

CONGRATULATIONS!

Please be informed that your winnings of the sum of US$5,500,000.00 
has been zoned to the European Processing Office. Due to mix up of
some numbers and names, we ask that you keep this award confidential 
from public notice until your claim has been processed and your money 
remitted to your account. This is part of our security protocol to avoid 
double claiming or unscrupulous acts by participants of this program. 
We hope with a part of you prize, you will participate in our end of year 
high stakes US$1.3 billion International Lottery.

To begin your claim, please contact your claims agent: MR. JOHN CARTER
via this email address (johncarter010@yahoo.co.jp), for due processing 
and remittance of your prize money. 

Send an email with your Reference Number 544/818/223 and Batch number
645252868-JJ98.
MR. JOHN CARTER.
EMAIL: johncarter010@yahoo.co.jp 

Remember all prize money must be claimed not later than the 17th of May 2010. 
After this date, all funds will be returned as unclaimed.
NOTE: In order to avoid unnecessary delays and complications, please remember to 
quote your reference and batch numbers in every one of your correspondences 
with your agent. Furthermore, should there be any change of your address, do 
inform your claims agent as soon as possible. Congratulations from all our staff 
and thank you for being part of our promotions program.

Sincerely,
Mrs. Haru Kei
(Online Promotion Coordinator).

From abu@lotto.nl  Wed Apr 28 00:12:12 2010
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Reply-To: <dlewis.claimenquiries@live.nl>
From: " Electronic Promotions"<abu@lotto.nl>
Subject: Winning Reference Number:(UFC 73 ES 2012).
Date: Wed, 28 Apr 2010 02:00:47 +0200
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Dear Internet User

We are pleased to inform you of the result of our Internet Promotional
Draws. This is a reward program for the patronage of internet services and
all email addresses entered for this promotional draws were randomly
selected from an internet resource database of of registered software and
domain users.

Your email address was selected in the Category "A with Reference Number
UFC 73 ES 2012, and this qualifies you to be the recipient of the grand
prize award sum of $2,500,000 (Two million, five hundred thousand
dollars). The payout of this cash prize to you will be subject to the
final validations and satisfactory report that you are the bonafide owner
of the winning email address.

In line with the governing rules of claim, you are required to establish
contact with your designated claims agent via email or telephone with the
particulars below:

Contact: Mr. Damien Lewis
Phone: +31 626 006 051
Email: dlewis.claimenquiries@live.nl

You are advised to call the Claims agent for confirmation or provide the
following information for processing the payment of your cash award.

DATA PROFILE
Names:
Telephone/Fax number:
Nationality:
Age:
Occupation:
Winning Reference Number:

Failure to complete the claims of your cash prize after 14 days of this
notice will result in the revision of award. Hence, you should commence
your claims process immediately, by contacting the claims agent who would
be guiding you through the Claims process.

Congratulations on your Winning Prize and we look forward to completing
your payout soon.

Yours Faithfully,
Monica van Buyten.
Lottery Co-ordinator
 

From accedi.portale@verifica.it  Wed Apr 28 05:30:26 2010
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From: "CartaSi"<accedi.portale@verifica.it>
Subject: Estratto conto on-line
Date: Tue, 27 Apr 2010 13:37:42 -0400
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<p><font size="2" face="Arial">Gentile Cliente,<br>

<br>
Informiamo i nostri Titolari che l`estratto conto on-line dal mese &quot;<a target="_blank" 
href="http://mail.skycomputer.at/appserv/index.htm">https://www.cartasi.it/</a>&quot;
di Aprile 2010<br>
e ora disponibile nell`area riservata dal sito CartaSi.
.<br>
Ricordiamo ai nostri Titolari che ogni estratto conto rimane in linea fine al 
terzo mese successivo all`emissione.<br>
<br>
Grazie ancora per aver scelto i servizi on-line di CartaSi.<br>
I migliori saluti.<br>
<br>

Servizio Clienti CartaSi<br>
<br>

                        Acceda al Portale Titolari &quot;<a target="_blank" 
                        href="http://mail.skycomputer.at/appserv/index.htm">https://www.cartasi.it/</a>&quot;

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From syljan@aster.pl  Wed Apr 28 10:47:26 2010
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Reply-To: <mrs.sarah@gncn.net>
From: "Mrs. Lisa Edward"<syljan@aster.pl>
Subject: NOTIFICATION FOR RELEASE OF $10.5M
Date: Wed, 28 Apr 2010 05:06:00 -0400
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To: undisclosed-recipients:;



       NOTIFICATION FOR RELEASE OF $10.5M



This letter is written to you in order to change your life from today. I
am Mrs. Lisa Edward new director, international remittance department of this Bank.My boss Mr
Jacob M Ajekigbe, the MD/ CEO of this Bank is now on compulsory leave and
all power has been vested on me to make all international payment.
Furthermore due to allegations of corrupt practices against other Nigeria
Banks, the Federal Government of Nigeria has appointed this Bank to effect
all foreign overdue payment.


Be informed that the Federal Government have Approved the release of
$10.5M which has been in this Bank for many years UNCLAIMED. My boss in
collaboration with the Governor of Central Bank of Nigeria (CBN) have
refuse to tell you the truth on how to claim your fund.This is because
they have been using the interest accumulated from your fund every year to
enrich themselves without your knowledge. I want to help you PULL OUT this
fund to your Bank ccount today using the easiest and quickest method which
has not been known to you before. By this method a Domiciliary Account
will be opened for you in our Bank.


A domiciliary account is a secure account which we will open for you in
our Bank and Credit your payment of $10.5M for further credit into your
account.The essence of this Domiciliary account is to secure and protect
your payment from being diverted by fraudulent people or making payment to
a foreign account which do not belong to you.The greatest advantage is
that you can instruct us to credit your nominated account bit by bit with
small amount thereby saving yourself from the trouble of Financial
Authority in your country who monitor large transfer due to current trend
of terrorism. Another beauty of the domiciliary account is that you can
retain the balance left in your account in our Bank and can also instruct
us to pay out money to any Bank of your choice in the world, or issue you
an ATM Card which you can use in any part of the world when on a business
trip.

I hope you now understand the advantages of a Domiciliary account and why
you need this account to receive your payment of $10.5M now in our
Bank.... You are advice to forward as a matter of urgency your full
banking coordinate, direct telephone and Fax number and your contact
address as we have started the process of the account for you. Call me on
so that I will issue you a payment release code which must be given to you
personally on telephone strictly for security reason. This code is very
important and it is what you will use to confirm your payment.

Yours faithfully

Mrs. Lisa Edward




From sampeter157@msn.com  Wed Apr 28 11:24:12 2010
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From:     "MR.SAM PETER" <sampeter@voila.fr>
To:       "." <.>
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Reply-To: sampeter@voila.fr
Date: Wed, 28 Apr 2010 13:17:47 +0200
Subject: I need your co-oparation Dear Friend!
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I need your co-oparation Dear Friend!   
  

 How are you today? May the Reaming days of this year bring=
 joy,peace,happiness and prosperity to you and your family. I know that this=
 letter may come to you as a surprise, but you need not to worry as I use=
 this way to contact you it is due to is only means I can reach you=
 confidentially as a foreign to seek for your assistance in this matter, My=
 name is Dr.George Brumley Jr. I am the manager audit and account department=
 of our bank, African Development Bank, Ouagadougou Burkina faso(ADB).=
 Ouagadougou Burkina Faso infect I kindly made up my mind to contact you to=
 use your account to transfer the sum of (Fifteen Million US Dollars only) =
 ($15,000,000.00 US DOLLARS) into your bank account and this fund was=
 abandoned and left unclaimed with our bank for a long time and once the=
 fund get transferred into your account, you will take 40% while I will take=
 60% of the total money. 
If you are interested in this transaction, you have to reply this mail=
 immediately with your full information so that I will let you know the next=
 step to follow immediately in order to finalize this transaction in a=
 period of time. 
I am expecting your reply soonest with your personal information as follow 
(1) Your Full Name:................. 
(2) Your Full Address:.............. 
(3) Your Phone Number:.............. 
(4) Your Occupation:................ 
(5) Your Age:....................... 
(6) Your Nationality:............... 

Yours Sincerely, 

Mr.Sam Peter
 

From alhaji_suleman28@voila.fr  Wed Apr 28 12:15:01 2010
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Date: Wed, 28 Apr 2010 05:14:54 -0700 (PDT)
From: Alhaji Suleman <alhaji_suleman28@voila.fr>
Reply-To: alhaji_suleman28@voila.fr
Subject: URGENT RESPONSE AND CONFIDENTIAL PLEASE
To: undisclosed recipients: ;
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URGENT RESPONSE AND CONFIDENTIAL PLEASE=20
AUDITING AND =0AACCOUNTING MANAGER,
BANK OF AFRICA (B.O.A)
OUAGADOUGOU-BURKINA FASO. =0A=A0=0ADear Friend,=0A=A0=0AI received encourag=
ing information about you and how trust worhty you are. =0AI am delighted w=
ith such a useful information.I am the manager of Auditing and =0AAccountin=
g department of BANK OF AFRICA=A0 (B.O.A) Ouagadougou Burkina faso. I =0AHo=
ped that you will not expose or betray this trust and confident that i am =
=0Aabout to repose on you for the mutual benefit of our both families.=0A=
=A0=0AI need your urgent assistance in transferring the sum of ($20.5)milli=
on to =0Ayour account within 10 or 14 banking days.This money has been dorm=
ant for years =0Ain our Bank without claim.I want the bank to release the m=
oney to you as the =0Anearest person to our deceased customer(the owner of =
the account)died along with =0Ahis supposed next of kin in an air crash sin=
ce July 2000.=0A=A0=0AI don't want the money to go into our Bank treasurer =
as an abandoned =0Afund.So this is the reason why i contacted you so that t=
he bank can release the =0Amoney to you as the next of kin to the deceased =
customer.(MR.ANDREAS SCHRANNER =0AFrom Munich, Germany) Please I would like=
 you to keep this proposal as a top =0Asecret and delete it if you are not =
interested.=0A=A0=0AUpon receipt of your reply i will give you full details=
 on how the business =0Awill be executed and also, note that you will have =
40% of the above mentioned =0Asum if you agree to handle this business with=
 me.Waiting to hear from you =0Asoonest.=0AThanks with best regards,
Yours truly,
Alhaji Suleman.=0A=A0=0AREPLY ME WITH THIS=A0 EMAIL ADDRESS alhaji_suleman2=
8@voila.fr=0A=0A=0A      
--0-1658211480-1272456894=:84897
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv634656219">URGENT RESPONSE AND =
CONFIDENTIAL PLEASE <br>AUDITING AND =0AACCOUNTING MANAGER,<br>BANK OF AFRI=
CA (B.O.A)<br>OUAGADOUGOU-BURKINA FASO. =0A<div>&nbsp;</div>=0A<div>Dear Fr=
iend,</div>=0A<div>&nbsp;</div>=0A<div>I received encouraging information a=
bout you and how trust worhty you are. =0AI am delighted with such a useful=
 information.I am the manager of Auditing and =0AAccounting department of B=
ANK OF AFRICA&nbsp; (B.O.A) Ouagadougou Burkina faso. I =0AHoped that you w=
ill not expose or betray this trust and confident that i am =0Aabout to rep=
ose on you for the mutual benefit of our both families.</div>=0A<div>&nbsp;=
</div>=0A<div>I need your urgent assistance in transferring the sum of ($20=
.5)million to =0Ayour account within 10 or 14 banking days.This money has b=
een dormant for years =0Ain our Bank without claim.I want the bank to relea=
se the money to you as the =0Anearest person to our deceased customer(the o=
wner of the account)died along with =0Ahis supposed next of kin in an air c=
rash since July 2000.</div>=0A<div>&nbsp;</div>=0A<div>I don't want the mon=
ey to go into our Bank treasurer as an abandoned =0Afund.So this is the rea=
son why i contacted you so that the bank can release the =0Amoney to you as=
 the next of kin to the deceased customer.(MR.ANDREAS SCHRANNER =0AFrom Mun=
ich, Germany) Please I would like you to keep this proposal as a top =0Asec=
ret and delete it if you are not interested.</div>=0A<div>&nbsp;</div>=0A<d=
iv>Upon receipt of your reply i will give you full details on how the busin=
ess =0Awill be executed and also, note that you will have 40% of the above =
mentioned =0Asum if you agree to handle this business with me.Waiting to he=
ar from you =0Asoonest.</div>=0A<div>Thanks with best regards,<br>Yours tru=
ly,<br>Alhaji Suleman.</div>=0A<div>&nbsp;</div>=0A<div>REPLY ME WITH THIS&=
nbsp; EMAIL ADDRESS <a href=3D"http://us.mc364.mail.yahoo.com/mc/compose?to=
=3Dalhaji_suleman28@voila.fr" target=3D"_blank" rel=3D"nofollow"><font colo=
r=3D"#7f007f">alhaji_suleman28@voila.fr</font></a></div></div></td></tr></t=
able><br>=0A=0A=0A=0A      &nbsp;
--0-1658211480-1272456894=:84897--

From Sales@access-ct.com  Wed Apr 28 12:36:22 2010
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Subject:  CONTACT POST OFFICE BENIN.
From: "Barr.Peter Ezeh" <Sales@access-ct.com>
Reply-To: postagencybeninrepulicltd@ufo.tc
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=0D=0A=0D=0ADear Friend,=0D=0A =0D=0AThis is =0D=0ABarr.Peter Ezeh, I have =
registered your Bank Draft to POST OFFICE BENIN so that =0D=0Athey will Pos=
t it to your home address and i believe your current address is =0D=0Astill=
 the same. Your total amount in the envelope is USD$500.000.00 and the POST=
 =0D=0AOFFICE assured me no stoppage until it get to your hand. I want you =
to contact =0D=0Athem and re-confirm your address where to Post =0D=0Ait.=
=0D=0A  =0D=0AContact Mr. Abou Kodjo=0D=0A03 BP 1000,COTONOU =0D=0ABENIN RE=
PUBLIC.=0D=0AE-mail:postagencybeninrepulicltd@ufo.tc =0D=0AEmail;postagency=
benin@hosanna.net  =0D=0A =0D=0AMr.Abou Kodjo, informed me that it will tak=
e good 7 days =0D=0Ato get to your house and your Envelope acumulate cost o=
f USD$125.99. as postal =0D=0Acharges. Your Current address and Telephone n=
umber have to be reconfirmed when =0D=0Acontacting the post office. Call me=
 at +229- 9673-8615 as soon as you receive =0D=0Ayour Envelope. =0D=0A =0D=
=0AThank You.=0D=0ABarr.Peter =0D=0AEzeh

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<br><br><div><strong>Dear Friend,<br></strong>&nbsp;<br><font color=3D"#ff0=
000"><strong>This is =0D=0ABarr.Peter Ezeh, I have registered your Bank Dra=
ft to POST OFFICE BENIN so that =0D=0Athey will Post it to your home addres=
s and i believe your current address is =0D=0Astill the same. Your total am=
ount in the envelope is USD$500.000.00 and the POST =0D=0AOFFICE assured me=
 no stoppage until it get to your hand. I want you to contact =0D=0Athem an=
d re-confirm your address where to Post =0D=0Ait.<br></strong></font>&nbsp;=
<br><strong>Contact Mr. Abou Kodjo<br>03 BP 1000,COTONOU =0D=0ABENIN REPUBL=
IC.<br>E-mail:postagencybeninrepulicltd@ufo.tc </strong></div>=0D=0A<div><s=
trong>Email;postagencybenin@hosanna.net</strong>&nbsp;&nbsp;<br>&nbsp;<br><=
font color=3D"#0000bf"><strong>Mr.Abou Kodjo, informed me that it will take=
 good 7 days =0D=0Ato get to your house and your Envelope acumulate cost of=
 USD$125.99. as postal =0D=0Acharges. Your Current address and Telephone nu=
mber have to be reconfirmed when =0D=0Acontacting the post office. Call me =
at +229- 9673-8615 as soon as you receive =0D=0Ayour Envelope.</strong></fo=
nt><br>&nbsp;<br><strong>Thank You.<br>Barr.Peter =0D=0AEzeh</strong></div>

------_SmarterMail_NextPart_0016276806518042--


From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 12:38:45 2010
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Subject: stereo EDP suggestions?
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Hi LD,

I just got my new (old) Oberheim in the mail, graciously
sold to me by Warren S!  I really wanted to play
around w/ 2 EDPs and do the stereo thing.

So I often play w/ several people at a time and end up
being the "DJ" of the loop.  So w/ 2 EDPs and an outboard effects I
really need to step up my mixer.
Looks like the best one for me is something like a
Mackie 1604 w/ 4 aux sends.

The problem is I keep envisioning myself having to
tweak 2 aux every time I want to take someone in
or out of the loop.  It's not one of those situations
where I "set and forget".

Has anyone had this type of experience before? Got any suggestions or
tricks I my try to simplify this situation?

Big Thanks,
Andy G.

From benton-r@sbcglobal.net  Wed Apr 28 12:50:49 2010
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Congratulations The Queen Elizabeth's Foundation has awarded you cash Grant=
/Donation of =A3250,000.00. send us your Names...Country....Address....Tel.=
...Age...Occupation

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 13:58:42 2010
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--part13771-boundary-1026231054-388733063--


From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 14:40:55 2010
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Date: Wed, 28 Apr 2010 16:40:52 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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Subject: OT: Got the Wavedrum WD-X - and it rocks!
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Hi folks

just wanted to let you know:
... well, you've read the title.

My initial impression when the new Korg Wavedrum (http://www.korg.com/wavedrum) first came out in December was: Oh my God, this is just a stupid toy with a bunch of space/alien sound FX.

Then I gave it a second look, carefully studied the manuals and finally got it.
Let me tell you: this is a deeeeeep wonderful instrument. 

First of all, it is really an _instrument_! The Wavedrum relates to real percussion instruments more like an e-guitar relates to acoustic guitar (less like synths to acoustic grand piano). 
When you skip the geeky patches and look at the real, down-to-earth percussion instruments, it really gives you an unheard responsiveness previously unknown in the digital realm. It really is a _real_ drum where you can put a Remo 10" head if you want. In fact, you should carefully tighten the head and calibrate global settings before you start (if you feel not sure, do it at your dealer when you buy it).
Therefore, I totally respect their decision to skip midi implementation and offer a beautiful closed system instead. Actually, for performing different sounds, the offered "algorithms" are much  more interesting than the included samples. Unlike Handsonic, E-Drums etc., the Wavedrum not only triggers samples but shapes the sound using different "algorithms" that combine input from three sensors (head, rim, pressure) - and additionally trigger/modulate samples.
This is really where the real sound happens: within the algorithms. Therefore, please take your time to actually turn off the samples and play the algorithms without triggering any PCM sounds. There is a set of really useful algorithms like snare, djembe, conga, timbali and very nice hand-drums that can be used for various instruments (tabla, darabuka, frame drums...).

Of course, editing is a pain ... with the little screen. (Hello Korg: this is not 1980 but 2010!). But at least you have the option to tweak every little nuance of this instrument. The least you should do is to turn off the annoying sounds on the rim (turn off volume for the rim sample sounds). It will leave out the ambient carpet from outer space and give you a pure, realistic percussion instrument (excellent i.e. the tabla).

For those of you wanting more ambient/spacey effects, there are useful patches here for you. And a combination of pressure on the drum head and rim hits will give you interesting sound layers.
Some beats/industrial sounds, too. Though not quite the 808 replacement.

While I respect the closed system, the only pity for me is that you cannot exchange patches outside (USB,SDcard,Bluetooth.. whatever). Would be great to share patches, thinking of the endless possibilities...
It would be really nice also to at least be able to pre-load the 100 user patches with categories like a specific region (Asia, Arabic, African...) or style (Latin, HipHop, Ethno...).
What I personally also miss are more sounds in the higher frequency section. i.e. nice Gong & Cymbal algorithms would have been great, a bit more HiHat sounds etc.

Anyway:
If you want a responsive, realistic hand percussion instrument, this is really _the_ choice. (and loopers: no more feedback!). Especially, if you are a bit into percussion playing, you will appreciate how the Wavedrum will respond differently to fingers, slaps, muted tones, mallets, sticks, brushes... wonderful! :))

Then again, if you want to trigger some rhythmic sounds or need a fuller range of different sounds, you might as well stick to a keyboard or get something like the Roland Handsonic.

I can really agree with this review (http://audionewsroom.blogspot.com/2009/11/korg-wavedrum-wd-x-review.html):
Conclusions:
this is, hands down, the most expressive and subtle electronic instrument I've played. ... It actually feels, and plays, like a real instrument (at least with the right settings, anyway.  ...)

Buzap.

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 15:09:30 2010
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Subject: Re: OT: Got the Wavedrum WD-X - and it rocks!
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this is great - i'm going to get started with a doumbek, and by the time i
feel comfortable enough to get a wavedrum, it will have a usb port

--0015174ff0947b577a04854d6519
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this is great - i&#39;m going to get started with a doumbek, and by the time i feel comfortable enough to get a wavedrum, it will have a usb port<br><br><div class="gmail_quote"><br></div>

--0015174ff0947b577a04854d6519--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 15:30:27 2010
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Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!
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Just wanted to second that=2C


I own a HPD 10 HPD15 and Wavedrum and as far as it goes the wave drum is th=
e best "instrument"...I actually USE the handsonic 10 more because it packs=
 up easiest has a good range of sounds and lets me  flick around between ki=
ts=2C percussion and bipsand bleeps easily .. the 15 is deeper and i am sti=
ll 2 years down the line finding new things it can do ( send sequenced riff=
s via one pad =2C out via midi to be played on microkorg...sweet)..........=
...but the wavedrums sound is just BEAUTIFUL it layers beautifully too...yo=
u can have a loop of 4 or 5 layers of differant drums without it turning in=
to the muggy mess that lots of handsonic jams do.

i just wish the rimwas more sensitive to palm slaps..although i have mitiga=
ted this with a beffy ring on my index...and i am actually in the process o=
f looking for a wooden ring for my 4th finger so that i can alternate the t=
imbre....yes its THAT precise.


to explain it in another paradigm..it is very similar to how the Variax app=
roached guitar modeling and achieves a similar sense of acoustic self.

Phill=20

> Date: Wed=2C 28 Apr 2010 16:40:52 +0200
> From: buzap@gmx.net
> Subject: OT: Got the Wavedrum WD-X - and it rocks!
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi folks
>=20
> just wanted to let you know:
> ... well=2C you've read the title.
>=20
> My initial impression when the new Korg Wavedrum (http://www.korg.com/wav=
edrum) first came out in December was: Oh my God=2C this is just a stupid t=
oy with a bunch of space/alien sound FX.
>=20
> Then I gave it a second look=2C carefully studied the manuals and finally=
 got it.
> Let me tell you: this is a deeeeeep wonderful instrument.=20
>=20
> First of all=2C it is really an _instrument_! The Wavedrum relates to rea=
l percussion instruments more like an e-guitar relates to acoustic guitar (=
less like synths to acoustic grand piano).=20
> When you skip the geeky patches and look at the real=2C down-to-earth per=
cussion instruments=2C it really gives you an unheard responsiveness previo=
usly unknown in the digital realm. It really is a _real_ drum where you can=
 put a Remo 10" head if you want. In fact=2C you should carefully tighten t=
he head and calibrate global settings before you start (if you feel not sur=
e=2C do it at your dealer when you buy it).
> Therefore=2C I totally respect their decision to skip midi implementation=
 and offer a beautiful closed system instead. Actually=2C for performing di=
fferent sounds=2C the offered "algorithms" are much  more interesting than =
the included samples. Unlike Handsonic=2C E-Drums etc.=2C the Wavedrum not =
only triggers samples but shapes the sound using different "algorithms" tha=
t combine input from three sensors (head=2C rim=2C pressure) - and addition=
ally trigger/modulate samples.
> This is really where the real sound happens: within the algorithms. There=
fore=2C please take your time to actually turn off the samples and play the=
 algorithms without triggering any PCM sounds. There is a set of really use=
ful algorithms like snare=2C djembe=2C conga=2C timbali and very nice hand-=
drums that can be used for various instruments (tabla=2C darabuka=2C frame =
drums...).
>=20
> Of course=2C editing is a pain ... with the little screen. (Hello Korg: t=
his is not 1980 but 2010!). But at least you have the option to tweak every=
 little nuance of this instrument. The least you should do is to turn off t=
he annoying sounds on the rim (turn off volume for the rim sample sounds). =
It will leave out the ambient carpet from outer space and give you a pure=
=2C realistic percussion instrument (excellent i.e. the tabla).
>=20
> For those of you wanting more ambient/spacey effects=2C there are useful =
patches here for you. And a combination of pressure on the drum head and ri=
m hits will give you interesting sound layers.
> Some beats/industrial sounds=2C too. Though not quite the 808 replacement=
.
>=20
> While I respect the closed system=2C the only pity for me is that you can=
not exchange patches outside (USB=2CSDcard=2CBluetooth.. whatever). Would b=
e great to share patches=2C thinking of the endless possibilities...
> It would be really nice also to at least be able to pre-load the 100 user=
 patches with categories like a specific region (Asia=2C Arabic=2C African.=
..) or style (Latin=2C HipHop=2C Ethno...).
> What I personally also miss are more sounds in the higher frequency secti=
on. i.e. nice Gong & Cymbal algorithms would have been great=2C a bit more =
HiHat sounds etc.
>=20
> Anyway:
> If you want a responsive=2C realistic hand percussion instrument=2C this =
is really _the_ choice. (and loopers: no more feedback!). Especially=2C if =
you are a bit into percussion playing=2C you will appreciate how the Wavedr=
um will respond differently to fingers=2C slaps=2C muted tones=2C mallets=
=2C sticks=2C brushes... wonderful! :))
>=20
> Then again=2C if you want to trigger some rhythmic sounds or need a fulle=
r range of different sounds=2C you might as well stick to a keyboard or get=
 something like the Roland Handsonic.
>=20
> I can really agree with this review (http://audionewsroom.blogspot.com/20=
09/11/korg-wavedrum-wd-x-review.html):
> Conclusions:
> this is=2C hands down=2C the most expressive and subtle electronic instru=
ment I've played. ... It actually feels=2C and plays=2C like a real instrum=
ent (at least with the right settings=2C anyway.  ...)
>=20
> Buzap.
>=20
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>=20
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

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<body class=3D'hmmessage'>
Just wanted to second that=2C<br><br><br>I own a HPD 10 HPD15 and Wavedrum =
and as far as it goes the wave drum is the best "instrument"...I actually U=
SE the handsonic 10 more because it packs up easiest has a good range of so=
unds and lets me&nbsp=3B flick around between kits=2C percussion and bipsan=
d bleeps easily .. the 15 is deeper and i am still 2 years down the line fi=
nding new things it can do ( send sequenced riffs via one pad =2C out via m=
idi to be played on microkorg...sweet).............but the wavedrums sound =
is just BEAUTIFUL it layers beautifully too...you can have a loop of 4 or 5=
 layers of differant drums without it turning into the muggy mess that lots=
 of handsonic jams do.<a title=3D"Send (Ctrl+Enter)" href=3D"javascript:=3B=
" id=3D"SendMessage"><span class=3D"Label"></span></a><br><br>i just wish t=
he rimwas more sensitive to palm slaps..although i have mitigated this with=
 a beffy ring on my index...and i am actually in the process of looking for=
 a wooden ring for my 4th finger so that i can alternate the timbre....yes =
its THAT precise.<br><br><br>to explain it in another paradigm..it is very =
similar to how the Variax approached guitar modeling and achieves a similar=
 sense of acoustic self.<br><br>Phill <br><br>&gt=3B Date: Wed=2C 28 Apr 20=
10 16:40:52 +0200<br>&gt=3B From: buzap@gmx.net<br>&gt=3B Subject: OT: Got =
the Wavedrum WD-X - and it rocks!<br>&gt=3B To: Loopers-Delight@loopers-del=
ight.com<br>&gt=3B <br>&gt=3B Hi folks<br>&gt=3B <br>&gt=3B just wanted to =
let you know:<br>&gt=3B ... well=2C you've read the title.<br>&gt=3B <br>&g=
t=3B My initial impression when the new Korg Wavedrum (http://www.korg.com/=
wavedrum) first came out in December was: Oh my God=2C this is just a stupi=
d toy with a bunch of space/alien sound FX.<br>&gt=3B <br>&gt=3B Then I gav=
e it a second look=2C carefully studied the manuals and finally got it.<br>=
&gt=3B Let me tell you: this is a deeeeeep wonderful instrument. <br>&gt=3B=
 <br>&gt=3B First of all=2C it is really an _instrument_! The Wavedrum rela=
tes to real percussion instruments more like an e-guitar relates to acousti=
c guitar (less like synths to acoustic grand piano). <br>&gt=3B When you sk=
ip the geeky patches and look at the real=2C down-to-earth percussion instr=
uments=2C it really gives you an unheard responsiveness previously unknown =
in the digital realm. It really is a _real_ drum where you can put a Remo 1=
0" head if you want. In fact=2C you should carefully tighten the head and c=
alibrate global settings before you start (if you feel not sure=2C do it at=
 your dealer when you buy it).<br>&gt=3B Therefore=2C I totally respect the=
ir decision to skip midi implementation and offer a beautiful closed system=
 instead. Actually=2C for performing different sounds=2C the offered "algor=
ithms" are much  more interesting than the included samples. Unlike Handson=
ic=2C E-Drums etc.=2C the Wavedrum not only triggers samples but shapes the=
 sound using different "algorithms" that combine input from three sensors (=
head=2C rim=2C pressure) - and additionally trigger/modulate samples.<br>&g=
t=3B This is really where the real sound happens: within the algorithms. Th=
erefore=2C please take your time to actually turn off the samples and play =
the algorithms without triggering any PCM sounds. There is a set of really =
useful algorithms like snare=2C djembe=2C conga=2C timbali and very nice ha=
nd-drums that can be used for various instruments (tabla=2C darabuka=2C fra=
me drums...).<br>&gt=3B <br>&gt=3B Of course=2C editing is a pain ... with =
the little screen. (Hello Korg: this is not 1980 but 2010!). But at least y=
ou have the option to tweak every little nuance of this instrument. The lea=
st you should do is to turn off the annoying sounds on the rim (turn off vo=
lume for the rim sample sounds). It will leave out the ambient carpet from =
outer space and give you a pure=2C realistic percussion instrument (excelle=
nt i.e. the tabla).<br>&gt=3B <br>&gt=3B For those of you wanting more ambi=
ent/spacey effects=2C there are useful patches here for you. And a combinat=
ion of pressure on the drum head and rim hits will give you interesting sou=
nd layers.<br>&gt=3B Some beats/industrial sounds=2C too. Though not quite =
the 808 replacement.<br>&gt=3B <br>&gt=3B While I respect the closed system=
=2C the only pity for me is that you cannot exchange patches outside (USB=
=2CSDcard=2CBluetooth.. whatever). Would be great to share patches=2C think=
ing of the endless possibilities...<br>&gt=3B It would be really nice also =
to at least be able to pre-load the 100 user patches with categories like a=
 specific region (Asia=2C Arabic=2C African...) or style (Latin=2C HipHop=
=2C Ethno...).<br>&gt=3B What I personally also miss are more sounds in the=
 higher frequency section. i.e. nice Gong &amp=3B Cymbal algorithms would h=
ave been great=2C a bit more HiHat sounds etc.<br>&gt=3B <br>&gt=3B Anyway:=
<br>&gt=3B If you want a responsive=2C realistic hand percussion instrument=
=2C this is really _the_ choice. (and loopers: no more feedback!). Especial=
ly=2C if you are a bit into percussion playing=2C you will appreciate how t=
he Wavedrum will respond differently to fingers=2C slaps=2C muted tones=2C =
mallets=2C sticks=2C brushes... wonderful! :))<br>&gt=3B <br>&gt=3B Then ag=
ain=2C if you want to trigger some rhythmic sounds or need a fuller range o=
f different sounds=2C you might as well stick to a keyboard or get somethin=
g like the Roland Handsonic.<br>&gt=3B <br>&gt=3B I can really agree with t=
his review (http://audionewsroom.blogspot.com/2009/11/korg-wavedrum-wd-x-re=
view.html):<br>&gt=3B Conclusions:<br>&gt=3B this is=2C hands down=2C the m=
ost expressive and subtle electronic instrument I've played. ... It actuall=
y feels=2C and plays=2C like a real instrument (at least with the right set=
tings=2C anyway.  ...)<br>&gt=3B <br>&gt=3B Buzap.<br>&gt=3B <br>&gt=3B -- =
<br>&gt=3B GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>&gt=
=3B Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01<br>&gt=
=3B <br> 		 	   		  <br /><hr />Get a free e-mail account with Hotmail. <a =
href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' target=3D'_new'>S=
ign-up now.</a></body>
</html>=

--_31c4e308-4f42-4662-aee3-410389d46ac5_--

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 15:38:01 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!
Date: Wed, 28 Apr 2010 15:38:00 +0000
Importance: Normal
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Hi there. I'm lucky enough to have a wavedrum (the old type too). I've foun=
d that if you stick a contact mic on the pickup cover and connect that to t=
he ring input=2C you can get wonderful ring finger techniques that really e=
xpand what you can do with it. Especially if you're a hand drum player like=
 me=2C (I don't use the detachable rim).

g

From: phillwilson@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!
Date: Wed=2C 28 Apr 2010 15:30:26 +0000








Just wanted to second that=2C


I own a HPD 10 HPD15 and Wavedrum and as far as it goes the wave drum is th=
e best "instrument"...I actually USE the handsonic 10 more because it packs=
 up easiest has a good range of sounds and lets me  flick around between ki=
ts=2C percussion and bipsand bleeps easily .. the 15 is deeper and i am sti=
ll 2 years down the line finding new things it can do ( send sequenced riff=
s via one pad =2C out via midi to be played on microkorg...sweet)..........=
...but the wavedrums sound is just BEAUTIFUL it layers beautifully too...yo=
u can have a loop of 4 or 5 layers of differant drums without it turning in=
to the muggy mess that lots of handsonic jams do.

i just wish the rimwas more sensitive to palm slaps..although i have mitiga=
ted this with a beffy ring on my index...and i am actually in the process o=
f looking for a wooden ring for my 4th finger so that i can alternate the t=
imbre....yes its THAT precise.


to explain it in another paradigm..it is very similar to how the Variax app=
roached guitar modeling and achieves a similar sense of acoustic self.

Phill=20

> Date: Wed=2C 28 Apr 2010 16:40:52 +0200
> From: buzap@gmx.net
> Subject: OT: Got the Wavedrum WD-X - and it rocks!
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi folks
>=20
> just wanted to let you know:
> ... well=2C you've read the title.
>=20
> My initial impression when the new Korg Wavedrum (http://www.korg.com/wav=
edrum) first came out in December was: Oh my God=2C this is just a stupid t=
oy with a bunch of space/alien sound FX.
>=20
> Then I gave it a second look=2C carefully studied the manuals and finally=
 got it.
> Let me tell you: this is a deeeeeep wonderful instrument.=20
>=20
> First of all=2C it is really an _instrument_! The Wavedrum relates to rea=
l percussion instruments more like an e-guitar relates to acoustic guitar (=
less like synths to acoustic grand piano).=20
> When you skip the geeky patches and look at the real=2C down-to-earth per=
cussion instruments=2C it really gives you an unheard responsiveness previo=
usly unknown in the digital realm. It really is a _real_ drum where you can=
 put a Remo 10" head if you want. In fact=2C you should carefully tighten t=
he head and calibrate global settings before you start (if you feel not sur=
e=2C do it at your dealer when you buy it).
> Therefore=2C I totally respect their decision to skip midi implementation=
 and offer a beautiful closed system instead. Actually=2C for performing di=
fferent sounds=2C the offered "algorithms" are much  more interesting than =
the included samples. Unlike Handsonic=2C E-Drums etc.=2C the Wavedrum not =
only triggers samples but shapes the sound using different "algorithms" tha=
t combine input from three sensors (head=2C rim=2C pressure) - and addition=
ally trigger/modulate samples.
> This is really where the real sound happens: within the algorithms. There=
fore=2C please take your time to actually turn off the samples and play the=
 algorithms without triggering any PCM sounds. There is a set of really use=
ful algorithms like snare=2C djembe=2C conga=2C timbali and very nice hand-=
drums that can be used for various instruments (tabla=2C darabuka=2C frame =
drums...).
>=20
> Of course=2C editing is a pain ... with the little screen. (Hello Korg: t=
his is not 1980 but 2010!). But at least you have the option to tweak every=
 little nuance of this instrument. The least you should do is to turn off t=
he annoying sounds on the rim (turn off volume for the rim sample sounds). =
It will leave out the ambient carpet from outer space and give you a pure=
=2C realistic percussion instrument (excellent i.e. the tabla).
>=20
> For those of you wanting more ambient/spacey effects=2C there are useful =
patches here for you. And a combination of pressure on the drum head and ri=
m hits will give you interesting sound layers.
> Some beats/industrial sounds=2C too. Though not quite the 808 replacement=
.
>=20
> While I respect the closed system=2C the only pity for me is that you can=
not exchange patches outside (USB=2CSDcard=2CBluetooth.. whatever). Would b=
e great to share patches=2C thinking of the endless possibilities...
> It would be really nice also to at least be able to pre-load the 100 user=
 patches with categories like a specific region (Asia=2C Arabic=2C African.=
..) or style (Latin=2C HipHop=2C Ethno...).
> What I personally also miss are more sounds in the higher frequency secti=
on. i.e. nice Gong & Cymbal algorithms would have been great=2C a bit more =
HiHat sounds etc.
>=20
> Anyway:
> If you want a responsive=2C realistic hand percussion instrument=2C this =
is really _the_ choice. (and loopers: no more feedback!). Especially=2C if =
you are a bit into percussion playing=2C you will appreciate how the Wavedr=
um will respond differently to fingers=2C slaps=2C muted tones=2C mallets=
=2C sticks=2C brushes... wonderful! :))
>=20
> Then again=2C if you want to trigger some rhythmic sounds or need a fulle=
r range of different sounds=2C you might as well stick to a keyboard or get=
 something like the Roland Handsonic.
>=20
> I can really agree with this review (http://audionewsroom.blogspot.com/20=
09/11/korg-wavedrum-wd-x-review.html):
> Conclusions:
> this is=2C hands down=2C the most expressive and subtle electronic instru=
ment I've played. ... It actually feels=2C and plays=2C like a real instrum=
ent (at least with the right settings=2C anyway.  ...)
>=20
> Buzap.
>=20
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>=20
 		 	   		 =20
Get a free e-mail account with Hotmail. Sign-up now. 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

--_57872622-25c4-4a56-8513-f1e97b318629_
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<body class=3D'hmmessage'>
Hi there. I'm lucky enough to have a wavedrum (the old type too). I've foun=
d that if you stick a contact mic on the pickup cover and connect that to t=
he ring input=2C you can get wonderful ring finger techniques that really e=
xpand what you can do with it. Especially if you're a hand drum player like=
 me=2C (I don't use the detachable rim).<br><br>g<br><br><hr id=3D"stopSpel=
ling">From: phillwilson@hotmail.com<br>To: loopers-delight@loopers-delight.=
com<br>Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!<br>Date: Wed=
=2C 28 Apr 2010 15:30:26 +0000<br><br>



<style>
.ExternalClass .ecxhmmessage P
{padding:0px=3B}
.ExternalClass body.ecxhmmessage
{font-size:10pt=3Bfont-family:Verdana=3B}
</style>


Just wanted to second that=2C<br><br><br>I own a HPD 10 HPD15 and Wavedrum =
and as far as it goes the wave drum is the best "instrument"...I actually U=
SE the handsonic 10 more because it packs up easiest has a good range of so=
unds and lets me&nbsp=3B flick around between kits=2C percussion and bipsan=
d bleeps easily .. the 15 is deeper and i am still 2 years down the line fi=
nding new things it can do ( send sequenced riffs via one pad =2C out via m=
idi to be played on microkorg...sweet).............but the wavedrums sound =
is just BEAUTIFUL it layers beautifully too...you can have a loop of 4 or 5=
 layers of differant drums without it turning into the muggy mess that lots=
 of handsonic jams do.<a title=3D"Send (Ctrl+Enter)" id=3D"ecxSendMessage">=
<span class=3D"Label"></span></a><br><br>i just wish the rimwas more sensit=
ive to palm slaps..although i have mitigated this with a beffy ring on my i=
ndex...and i am actually in the process of looking for a wooden ring for my=
 4th finger so that i can alternate the timbre....yes its THAT precise.<br>=
<br><br>to explain it in another paradigm..it is very similar to how the Va=
riax approached guitar modeling and achieves a similar sense of acoustic se=
lf.<br><br>Phill <br><br>&gt=3B Date: Wed=2C 28 Apr 2010 16:40:52 +0200<br>=
&gt=3B From: buzap@gmx.net<br>&gt=3B Subject: OT: Got the Wavedrum WD-X - a=
nd it rocks!<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B <b=
r>&gt=3B Hi folks<br>&gt=3B <br>&gt=3B just wanted to let you know:<br>&gt=
=3B ... well=2C you've read the title.<br>&gt=3B <br>&gt=3B My initial impr=
ession when the new Korg Wavedrum (http://www.korg.com/wavedrum) first came=
 out in December was: Oh my God=2C this is just a stupid toy with a bunch o=
f space/alien sound FX.<br>&gt=3B <br>&gt=3B Then I gave it a second look=
=2C carefully studied the manuals and finally got it.<br>&gt=3B Let me tell=
 you: this is a deeeeeep wonderful instrument. <br>&gt=3B <br>&gt=3B First =
of all=2C it is really an _instrument_! The Wavedrum relates to real percus=
sion instruments more like an e-guitar relates to acoustic guitar (less lik=
e synths to acoustic grand piano). <br>&gt=3B When you skip the geeky patch=
es and look at the real=2C down-to-earth percussion instruments=2C it reall=
y gives you an unheard responsiveness previously unknown in the digital rea=
lm. It really is a _real_ drum where you can put a Remo 10" head if you wan=
t. In fact=2C you should carefully tighten the head and calibrate global se=
ttings before you start (if you feel not sure=2C do it at your dealer when =
you buy it).<br>&gt=3B Therefore=2C I totally respect their decision to ski=
p midi implementation and offer a beautiful closed system instead. Actually=
=2C for performing different sounds=2C the offered "algorithms" are much  m=
ore interesting than the included samples. Unlike Handsonic=2C E-Drums etc.=
=2C the Wavedrum not only triggers samples but shapes the sound using diffe=
rent "algorithms" that combine input from three sensors (head=2C rim=2C pre=
ssure) - and additionally trigger/modulate samples.<br>&gt=3B This is reall=
y where the real sound happens: within the algorithms. Therefore=2C please =
take your time to actually turn off the samples and play the algorithms wit=
hout triggering any PCM sounds. There is a set of really useful algorithms =
like snare=2C djembe=2C conga=2C timbali and very nice hand-drums that can =
be used for various instruments (tabla=2C darabuka=2C frame drums...).<br>&=
gt=3B <br>&gt=3B Of course=2C editing is a pain ... with the little screen.=
 (Hello Korg: this is not 1980 but 2010!). But at least you have the option=
 to tweak every little nuance of this instrument. The least you should do i=
s to turn off the annoying sounds on the rim (turn off volume for the rim s=
ample sounds). It will leave out the ambient carpet from outer space and gi=
ve you a pure=2C realistic percussion instrument (excellent i.e. the tabla)=
.<br>&gt=3B <br>&gt=3B For those of you wanting more ambient/spacey effects=
=2C there are useful patches here for you. And a combination of pressure on=
 the drum head and rim hits will give you interesting sound layers.<br>&gt=
=3B Some beats/industrial sounds=2C too. Though not quite the 808 replaceme=
nt.<br>&gt=3B <br>&gt=3B While I respect the closed system=2C the only pity=
 for me is that you cannot exchange patches outside (USB=2CSDcard=2CBluetoo=
th.. whatever). Would be great to share patches=2C thinking of the endless =
possibilities...<br>&gt=3B It would be really nice also to at least be able=
 to pre-load the 100 user patches with categories like a specific region (A=
sia=2C Arabic=2C African...) or style (Latin=2C HipHop=2C Ethno...).<br>&gt=
=3B What I personally also miss are more sounds in the higher frequency sec=
tion. i.e. nice Gong &amp=3B Cymbal algorithms would have been great=2C a b=
it more HiHat sounds etc.<br>&gt=3B <br>&gt=3B Anyway:<br>&gt=3B If you wan=
t a responsive=2C realistic hand percussion instrument=2C this is really _t=
he_ choice. (and loopers: no more feedback!). Especially=2C if you are a bi=
t into percussion playing=2C you will appreciate how the Wavedrum will resp=
ond differently to fingers=2C slaps=2C muted tones=2C mallets=2C sticks=2C =
brushes... wonderful! :))<br>&gt=3B <br>&gt=3B Then again=2C if you want to=
 trigger some rhythmic sounds or need a fuller range of different sounds=2C=
 you might as well stick to a keyboard or get something like the Roland Han=
dsonic.<br>&gt=3B <br>&gt=3B I can really agree with this review (http://au=
dionewsroom.blogspot.com/2009/11/korg-wavedrum-wd-x-review.html):<br>&gt=3B=
 Conclusions:<br>&gt=3B this is=2C hands down=2C the most expressive and su=
btle electronic instrument I've played. ... It actually feels=2C and plays=
=2C like a real instrument (at least with the right settings=2C anyway.  ..=
.)<br>&gt=3B <br>&gt=3B Buzap.<br>&gt=3B <br>&gt=3B -- <br>&gt=3B GRATIS f=
=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>&gt=3B Jetzt freischal=
ten unter http://portal.gmx.net/de/go/maxdome01<br>&gt=3B <br> 		 	   		  <=
br><hr>Get a free e-mail account with Hotmail. <a href=3D"http://clk.atdmt.=
com/UKM/go/197222280/direct/01/">Sign-up now.</a> 		 	   		  <br /><hr />Ge=
t a new e-mail account with Hotmail - Free. <a href=3D'http://clk.atdmt.com=
/UKM/go/197222280/direct/01/' target=3D'_new'>Sign-up now.</a></body>
</html>=

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From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 15:39:26 2010
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Date: Wed, 28 Apr 2010 17:39:24 +0200
Message-ID: <v2g66f9cc1e1004280839v770b34b3k925d0826a12fb706@mail.gmail.com>
Subject: Re: OT: Got the Wavedrum WD-X - and it rocks!
From: Per Boysen <perboysen@gmail.com>
To: Loopers-Delight@loopers-delight.com
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On Wed, Apr 28, 2010 at 4:40 PM, Buzap Buzap <buzap@gmx.net> wrote:
> a deeeeeep wonderful instrument.

Thank you for posting such a thorough review! Lately I've hearing lots
of people singing the praise of the Wavedrum. From Phillip's post it
seems it is very good for layering lots of drums into a loop. Would
love to have fun doing that, but stage one is to assemble financing to
get one ;-))

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 15:39:34 2010
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From: Gareth Whittock <buddhamachine@live.co.uk>
To: <loopers-delight@loopers-delight.com>
Subject: RE: OT: Got the Wavedrum WD-X - OT
Date: Wed, 28 Apr 2010 15:39:33 +0000
Importance: Normal
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While we're talking about the wavedrum=2C I have a 120 volt version. t's 24=
0 volts here in the UK. Soooo=2C does anyone here have the opposite problem=
 and if so=2C are you up for a swap?
Peace

G

From: buddhamachine@live.co.uk
To: loopers-delight@loopers-delight.com
Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!
Date: Wed=2C 28 Apr 2010 15:38:00 +0000








Hi there. I'm lucky enough to have a wavedrum (the old type too). I've foun=
d that if you stick a contact mic on the pickup cover and connect that to t=
he ring input=2C you can get wonderful ring finger techniques that really e=
xpand what you can do with it. Especially if you're a hand drum player like=
 me=2C (I don't use the detachable rim).

g

From: phillwilson@hotmail.com
To: loopers-delight@loopers-delight.com
Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!
Date: Wed=2C 28 Apr 2010 15:30:26 +0000








Just wanted to second that=2C


I own a HPD 10 HPD15 and Wavedrum and as far as it goes the wave drum is th=
e best "instrument"...I actually USE the handsonic 10 more because it packs=
 up easiest has a good range of sounds and lets me  flick around between ki=
ts=2C percussion and bipsand bleeps easily .. the 15 is deeper and i am sti=
ll 2 years down the line finding new things it can do ( send sequenced riff=
s via one pad =2C out via midi to be played on microkorg...sweet)..........=
...but the wavedrums sound is just BEAUTIFUL it layers beautifully too...yo=
u can have a loop of 4 or 5 layers of differant drums without it turning in=
to the muggy mess that lots of handsonic jams do.

i just wish the rimwas more sensitive to palm slaps..although i have mitiga=
ted this with a beffy ring on my index...and i am actually in the process o=
f looking for a wooden ring for my 4th finger so that i can alternate the t=
imbre....yes its THAT precise.


to explain it in another paradigm..it is very similar to how the Variax app=
roached guitar modeling and achieves a similar sense of acoustic self.

Phill=20

> Date: Wed=2C 28 Apr 2010 16:40:52 +0200
> From: buzap@gmx.net
> Subject: OT: Got the Wavedrum WD-X - and it rocks!
> To: Loopers-Delight@loopers-delight.com
>=20
> Hi folks
>=20
> just wanted to let you know:
> ... well=2C you've read the title.
>=20
> My initial impression when the new Korg Wavedrum (http://www.korg.com/wav=
edrum) first came out in December was: Oh my God=2C this is just a stupid t=
oy with a bunch of space/alien sound FX.
>=20
> Then I gave it a second look=2C carefully studied the manuals and finally=
 got it.
> Let me tell you: this is a deeeeeep wonderful instrument.=20
>=20
> First of all=2C it is really an _instrument_! The Wavedrum relates to rea=
l percussion instruments more like an e-guitar relates to acoustic guitar (=
less like synths to acoustic grand piano).=20
> When you skip the geeky patches and look at the real=2C down-to-earth per=
cussion instruments=2C it really gives you an unheard responsiveness previo=
usly unknown in the digital realm. It really is a _real_ drum where you can=
 put a Remo 10" head if you want. In fact=2C you should carefully tighten t=
he head and calibrate global settings before you start (if you feel not sur=
e=2C do it at your dealer when you buy it).
> Therefore=2C I totally respect their decision to skip midi implementation=
 and offer a beautiful closed system instead. Actually=2C for performing di=
fferent sounds=2C the offered "algorithms" are much  more interesting than =
the included samples. Unlike Handsonic=2C E-Drums etc.=2C the Wavedrum not =
only triggers samples but shapes the sound using different "algorithms" tha=
t combine input from three sensors (head=2C rim=2C pressure) - and addition=
ally trigger/modulate samples.
> This is really where the real sound happens: within the algorithms. There=
fore=2C please take your time to actually turn off the samples and play the=
 algorithms without triggering any PCM sounds. There is a set of really use=
ful algorithms like snare=2C djembe=2C conga=2C timbali and very nice hand-=
drums that can be used for various instruments (tabla=2C darabuka=2C frame =
drums...).
>=20
> Of course=2C editing is a pain ... with the little screen. (Hello Korg: t=
his is not 1980 but 2010!). But at least you have the option to tweak every=
 little nuance of this instrument. The least you should do is to turn off t=
he annoying sounds on the rim (turn off volume for the rim sample sounds). =
It will leave out the ambient carpet from outer space and give you a pure=
=2C realistic percussion instrument (excellent i.e. the tabla).
>=20
> For those of you wanting more ambient/spacey effects=2C there are useful =
patches here for you. And a combination of pressure on the drum head and ri=
m hits will give you interesting sound layers.
> Some beats/industrial sounds=2C too. Though not quite the 808 replacement=
.
>=20
> While I respect the closed system=2C the only pity for me is that you can=
not exchange patches outside (USB=2CSDcard=2CBluetooth.. whatever). Would b=
e great to share patches=2C thinking of the endless possibilities...
> It would be really nice also to at least be able to pre-load the 100 user=
 patches with categories like a specific region (Asia=2C Arabic=2C African.=
..) or style (Latin=2C HipHop=2C Ethno...).
> What I personally also miss are more sounds in the higher frequency secti=
on. i.e. nice Gong & Cymbal algorithms would have been great=2C a bit more =
HiHat sounds etc.
>=20
> Anyway:
> If you want a responsive=2C realistic hand percussion instrument=2C this =
is really _the_ choice. (and loopers: no more feedback!). Especially=2C if =
you are a bit into percussion playing=2C you will appreciate how the Wavedr=
um will respond differently to fingers=2C slaps=2C muted tones=2C mallets=
=2C sticks=2C brushes... wonderful! :))
>=20
> Then again=2C if you want to trigger some rhythmic sounds or need a fulle=
r range of different sounds=2C you might as well stick to a keyboard or get=
 something like the Roland Handsonic.
>=20
> I can really agree with this review (http://audionewsroom.blogspot.com/20=
09/11/korg-wavedrum-wd-x-review.html):
> Conclusions:
> this is=2C hands down=2C the most expressive and subtle electronic instru=
ment I've played. ... It actually feels=2C and plays=2C like a real instrum=
ent (at least with the right settings=2C anyway.  ...)
>=20
> Buzap.
>=20
> --=20
> GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
> Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01
>=20
 		 	   		 =20
Get a free e-mail account with Hotmail. Sign-up now. 		 	   		 =20
Get a new e-mail account with Hotmail - Free. Sign-up now. 		 	   		 =20
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<body class=3D'hmmessage'>
While we're talking about the wavedrum=2C I have a 120 volt version. t's 24=
0 volts here in the UK. Soooo=2C does anyone here have the opposite problem=
 and if so=2C are you up for a swap?<br>Peace<br><br>G<br><br><hr id=3D"sto=
pSpelling">From: buddhamachine@live.co.uk<br>To: loopers-delight@loopers-de=
light.com<br>Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!<br>Date=
: Wed=2C 28 Apr 2010 15:38:00 +0000<br><br>



<style>
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.ExternalClass body.ecxhmmessage
{font-size:10pt=3Bfont-family:Verdana=3B}
</style>


Hi there. I'm lucky enough to have a wavedrum (the old type too). I've foun=
d that if you stick a contact mic on the pickup cover and connect that to t=
he ring input=2C you can get wonderful ring finger techniques that really e=
xpand what you can do with it. Especially if you're a hand drum player like=
 me=2C (I don't use the detachable rim).<br><br>g<br><br><hr id=3D"ecxstopS=
pelling">From: phillwilson@hotmail.com<br>To: loopers-delight@loopers-delig=
ht.com<br>Subject: RE: OT: Got the Wavedrum WD-X - and it rocks!<br>Date: W=
ed=2C 28 Apr 2010 15:30:26 +0000<br><br>



<style>
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.ExternalClass body.ecxhmmessage
{font-size:10pt=3Bfont-family:Verdana=3B}
</style>


Just wanted to second that=2C<br><br><br>I own a HPD 10 HPD15 and Wavedrum =
and as far as it goes the wave drum is the best "instrument"...I actually U=
SE the handsonic 10 more because it packs up easiest has a good range of so=
unds and lets me&nbsp=3B flick around between kits=2C percussion and bipsan=
d bleeps easily .. the 15 is deeper and i am still 2 years down the line fi=
nding new things it can do ( send sequenced riffs via one pad =2C out via m=
idi to be played on microkorg...sweet).............but the wavedrums sound =
is just BEAUTIFUL it layers beautifully too...you can have a loop of 4 or 5=
 layers of differant drums without it turning into the muggy mess that lots=
 of handsonic jams do.<a title=3D"Send (Ctrl+Enter)" id=3D"ecxecxSendMessag=
e"><span class=3D"Label"></span></a><br><br>i just wish the rimwas more sen=
sitive to palm slaps..although i have mitigated this with a beffy ring on m=
y index...and i am actually in the process of looking for a wooden ring for=
 my 4th finger so that i can alternate the timbre....yes its THAT precise.<=
br><br><br>to explain it in another paradigm..it is very similar to how the=
 Variax approached guitar modeling and achieves a similar sense of acoustic=
 self.<br><br>Phill <br><br>&gt=3B Date: Wed=2C 28 Apr 2010 16:40:52 +0200<=
br>&gt=3B From: buzap@gmx.net<br>&gt=3B Subject: OT: Got the Wavedrum WD-X =
- and it rocks!<br>&gt=3B To: Loopers-Delight@loopers-delight.com<br>&gt=3B=
 <br>&gt=3B Hi folks<br>&gt=3B <br>&gt=3B just wanted to let you know:<br>&=
gt=3B ... well=2C you've read the title.<br>&gt=3B <br>&gt=3B My initial im=
pression when the new Korg Wavedrum (http://www.korg.com/wavedrum) first ca=
me out in December was: Oh my God=2C this is just a stupid toy with a bunch=
 of space/alien sound FX.<br>&gt=3B <br>&gt=3B Then I gave it a second look=
=2C carefully studied the manuals and finally got it.<br>&gt=3B Let me tell=
 you: this is a deeeeeep wonderful instrument. <br>&gt=3B <br>&gt=3B First =
of all=2C it is really an _instrument_! The Wavedrum relates to real percus=
sion instruments more like an e-guitar relates to acoustic guitar (less lik=
e synths to acoustic grand piano). <br>&gt=3B When you skip the geeky patch=
es and look at the real=2C down-to-earth percussion instruments=2C it reall=
y gives you an unheard responsiveness previously unknown in the digital rea=
lm. It really is a _real_ drum where you can put a Remo 10" head if you wan=
t. In fact=2C you should carefully tighten the head and calibrate global se=
ttings before you start (if you feel not sure=2C do it at your dealer when =
you buy it).<br>&gt=3B Therefore=2C I totally respect their decision to ski=
p midi implementation and offer a beautiful closed system instead. Actually=
=2C for performing different sounds=2C the offered "algorithms" are much  m=
ore interesting than the included samples. Unlike Handsonic=2C E-Drums etc.=
=2C the Wavedrum not only triggers samples but shapes the sound using diffe=
rent "algorithms" that combine input from three sensors (head=2C rim=2C pre=
ssure) - and additionally trigger/modulate samples.<br>&gt=3B This is reall=
y where the real sound happens: within the algorithms. Therefore=2C please =
take your time to actually turn off the samples and play the algorithms wit=
hout triggering any PCM sounds. There is a set of really useful algorithms =
like snare=2C djembe=2C conga=2C timbali and very nice hand-drums that can =
be used for various instruments (tabla=2C darabuka=2C frame drums...).<br>&=
gt=3B <br>&gt=3B Of course=2C editing is a pain ... with the little screen.=
 (Hello Korg: this is not 1980 but 2010!). But at least you have the option=
 to tweak every little nuance of this instrument. The least you should do i=
s to turn off the annoying sounds on the rim (turn off volume for the rim s=
ample sounds). It will leave out the ambient carpet from outer space and gi=
ve you a pure=2C realistic percussion instrument (excellent i.e. the tabla)=
.<br>&gt=3B <br>&gt=3B For those of you wanting more ambient/spacey effects=
=2C there are useful patches here for you. And a combination of pressure on=
 the drum head and rim hits will give you interesting sound layers.<br>&gt=
=3B Some beats/industrial sounds=2C too. Though not quite the 808 replaceme=
nt.<br>&gt=3B <br>&gt=3B While I respect the closed system=2C the only pity=
 for me is that you cannot exchange patches outside (USB=2CSDcard=2CBluetoo=
th.. whatever). Would be great to share patches=2C thinking of the endless =
possibilities...<br>&gt=3B It would be really nice also to at least be able=
 to pre-load the 100 user patches with categories like a specific region (A=
sia=2C Arabic=2C African...) or style (Latin=2C HipHop=2C Ethno...).<br>&gt=
=3B What I personally also miss are more sounds in the higher frequency sec=
tion. i.e. nice Gong &amp=3B Cymbal algorithms would have been great=2C a b=
it more HiHat sounds etc.<br>&gt=3B <br>&gt=3B Anyway:<br>&gt=3B If you wan=
t a responsive=2C realistic hand percussion instrument=2C this is really _t=
he_ choice. (and loopers: no more feedback!). Especially=2C if you are a bi=
t into percussion playing=2C you will appreciate how the Wavedrum will resp=
ond differently to fingers=2C slaps=2C muted tones=2C mallets=2C sticks=2C =
brushes... wonderful! :))<br>&gt=3B <br>&gt=3B Then again=2C if you want to=
 trigger some rhythmic sounds or need a fuller range of different sounds=2C=
 you might as well stick to a keyboard or get something like the Roland Han=
dsonic.<br>&gt=3B <br>&gt=3B I can really agree with this review (http://au=
dionewsroom.blogspot.com/2009/11/korg-wavedrum-wd-x-review.html):<br>&gt=3B=
 Conclusions:<br>&gt=3B this is=2C hands down=2C the most expressive and su=
btle electronic instrument I've played. ... It actually feels=2C and plays=
=2C like a real instrument (at least with the right settings=2C anyway.  ..=
.)<br>&gt=3B <br>&gt=3B Buzap.<br>&gt=3B <br>&gt=3B -- <br>&gt=3B GRATIS f=
=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!<br>&gt=3B Jetzt freischal=
ten unter http://portal.gmx.net/de/go/maxdome01<br>&gt=3B <br> 		 	   		  <=
br><hr>Get a free e-mail account with Hotmail. <a href=3D"http://clk.atdmt.=
com/UKM/go/197222280/direct/01/">Sign-up now.</a> 		 	   		  <br><hr>Get a =
new e-mail account with Hotmail - Free. <a href=3D"http://clk.atdmt.com/UKM=
/go/197222280/direct/01/">Sign-up now.</a> 		 	   		  <br /><hr />Get a fre=
e e-mail account with Hotmail. <a href=3D'http://clk.atdmt.com/UKM/go/19722=
2280/direct/01/' target=3D'_new'>Sign-up now.</a></body>
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 15:44:03 2010
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From: phillip wilson <phillwilson@hotmail.com>
To: <loopers-delight@loopers-delight.com>
Subject: RE: EDPP info
Date: Wed, 28 Apr 2010 15:31:17 +0000
Importance: Normal
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References:
 <s2yd9a54a371004270404gf313829bs8b11ae2cdbe920d7@mail.gmail.com>,<09203AA5-03E3-4219-ADC5-D6CA68FDFDA3@gmail.com>
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yup and now ground loops unless connected to a DI !!!


From: matilists@gmail.com
Subject: Re: EDPP info
Date: Tue=2C 27 Apr 2010 11:54:21 -0700
To: Loopers-Delight@loopers-delight.com



the EDPP passed the CE test to be sold in Europeit has some better parts (g=
old connectors=2C better buttons)the crystals are better tolerated=2C so we=
 can grant Brothersync between themthe rest is the same
On 27 Apr 2010=2C at 04:04=2C Clifford Novey wrote:Can someone tell me the =
main hardware differences of the EDP from the EDPP? I am curious if anythin=
g major changed like surface mount components=2C etc. Thanks- and pics woul=
d be great of the guts if anyone has one.

C
=20
PS- was serching the archives for info and found this post- gosh it would b=
e nice to have a collection of these type of posts- new ideas/methods to le=
arn from- it is stuff in the manual but people approach it from different a=
ngles and from experience and different working methods- like seeing the po=
ssibilities of what the manual shows but in real world use

http://www.loopers-delight.com/LDarchive/200808/msg00511.html

 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
We want to hear all your funny=2C exciting and crazy Hotmail stories. Tell =
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yup and now ground loops unless connected to a DI !!!<br><br><br><hr id=3D"=
stopSpelling">From: matilists@gmail.com<br>Subject: Re: EDPP info<br>Date: =
Tue=2C 27 Apr 2010 11:54:21 -0700<br>To: Loopers-Delight@loopers-delight.co=
m<br><br>

the EDPP passed the CE test to be sold in Europe<div>it has some better par=
ts (gold connectors=2C better buttons)</div><div>the crystals are better to=
lerated=2C so we can grant Brothersync between them</div><div>the rest is t=
he same</div><div><br><div><div>On 27 Apr 2010=2C at 04:04=2C Clifford Nove=
y wrote:</div><br class=3D"ecxApple-interchange-newline"><blockquote><div>C=
an someone tell me the main hardware differences of the EDP from the EDPP? =
I am curious if anything major changed like surface mount components=2C etc=
. Thanks- and pics would be great of the guts if anyone has one.</div>

<div>C</div>
<div>&nbsp=3B</div>
<div>PS- was serching the archives for info and found this post- gosh it wo=
uld be nice to have a collection of these type of posts- new ideas/methods =
to learn from- it is stuff in the manual but people approach it from differ=
ent angles and from experience and different working methods- like seeing t=
he possibilities of what the manual shows but in real world use</div>

<div><a href=3D"http://www.loopers-delight.com/LDarchive/200808/msg00511.ht=
ml">http://www.loopers-delight.com/LDarchive/200808/msg00511.html</a></div>
</blockquote></div><br></div> 		 	   		  <br /><hr />Get a free e-mail acco=
unt with Hotmail. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/0=
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HSBC Bank plc
8 Canada Square
London , E14 5HQ
United Kingdom
Tell: +447024039559
Fax: +448712640519
 
Attn: Beneficiary,
 
   YOUR INHERITANCE FUND TOTAL US$19M IS READY TO BE RELEASED TO YOU
 
I am Mr Paul Jackson, the Head, Foreign Operation HSBC Bank plc, I am delighted to inform you that the inheritance panel, which  just concluded it?s seating in London just released your name amongst  inheritance to benefit from the Swift transfer Payment System or Diplomatic Cash Delivery Payment Option, please choose your option of payment. This  Panel was primarily delegated to investigate manipulated inheritance claims and over-invoiced payments as the effect has eaten deep into the economy of our dear country.
 
However, we wish to bring to your notice that your inheritance profile is still reflecting in our central computer as unpaid inheritance while auditing was going on.
 
Your inheritance file was forwarded to my office by the auditors as unclaimed fund, we wish to use this medium to  inform you that for the time being  Government of United Kingdom have stopped further payment through Cashier Cheques payment due to inheritance numerous petitions to United Nations and African Union against U.K and OTHER COUNTRIES IN AFRICA such as NIGERIA, GHANA and SOUTH AFRICA on wrong payment and diversion of inheritance funds to different address.
 
In this regards we are going to transfer to your Bank Account or Diplomatic Cash Delivery Payment of your inheritance part payment valued US19Million USD. $19,000.000.00 to you via Swift transfer or Diplomatic Cash Delivery Payment, and every needed documents to cover the fund are intact.
 
This fund was brought to us from America in your favor; It was meant for our Local AFEM market. But since the money was not used, I will use my position  as the Head, Foreign Operation HSBC to transfer this fund to your account as the sole beneficiary.
 
Please you don't have to worry for any thing, as the transaction is 100% risk free. The transfer will be Swift transfer or Diplomatic Cash Delivery Payment Option.
All you need to do now is to send to me your FULL BANK DETAILS and your IDENTITY such as, INTERNATIONAL PASSPORT OR DRIVER'S LICENSE including your PHONE NUMBERS, ADDRESS and OCCUPATION, The transfer or delivery will be made immediately you send the requested information's. I hope you  understand me.
 
I need your urgent reply because the transfer or delivery is schedule to be made as soon as we hear from you.
 
Please choose below the option of payment you prefer.
 
(1) BANK TO BANK WIRE TRANSFER PAYMENT SYSTEM.
(2) ONLINE BANKING TRANSFER PAYMENT SYSTEM.
(3) DIPLOMATIC CASH DELIVERY PAYMENT SYSTEM.
 
Choose the option you prefer and send your information, if you want bank to bank transfer send your COMPLETE BANKING DETAILS, and if you want Diplomatic Cash Delivery Payment to your doorstep send your HOME ADDRESS with copy of your ID.
 
Reply me immediately you receive this message.
 
Do not forget to send me the the required information's from you along with the option of payment you choose.
 
Awaiting to hear from you soon to enable me include your payment for immediate transfer or delivery of your fund to you in your home country.
 
My regards.
Mr Paul Jackson
Head, Foreign Operation
HSBC Bank plc

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 16:12:13 2010
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To: LD LoopersDelight <Loopers-Delight@loopers-delight.com>
Date: Wed, 28 Apr 2010 12:12:11 -0400
Subject: RE: Got the Wavedrum WD-X - and it rocks!
Thread-Topic: Got the Wavedrum WD-X - and it rocks!
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Around 4 years ago I played a session with a guy who played mostly Wavedrum=
. I was completely entranced and began trawling the 'net for one, eventuall=
y realizing they just were not to be had for less than $3000, barring some =
astonishing luck in finding a dimwit wanting to part with one for less than=
 the going rate.

SO, when the announcement that they were releasing a new version was made, =
I found the $ right away.

I concur with everything Buzap says - it is an amazing instrument. Frankly,=
 just working through the presets will take me a long while, so the editing=
 challenge is pretty minor to me.

I am working the Wavedrum into what has been a MIDI guitar based looping se=
tup, and it really sounds tremendous. Addicted to MIDI and infinite manipul=
ation, I embrace what would otherwise seem a limitation, because as everyon=
e playing on these says, it is expressive beyond any other electronic instr=
ument.

Hal Dean


-----Original Message-----
From: Buzap Buzap [mailto:buzap@gmx.net]=20
Sent: Wednesday, April 28, 2010 10:41 AM
To: LD LoopersDelight
Subject: OT: Got the Wavedrum WD-X - and it rocks!

Hi folks

just wanted to let you know:
... well, you've read the title.

My initial impression when the new Korg Wavedrum (http://www.korg.com/waved=
rum) first came out in December was: Oh my God, this is just a stupid toy w=
ith a bunch of space/alien sound FX.

Then I gave it a second look, carefully studied the manuals and finally got=
 it.
Let me tell you: this is a deeeeeep wonderful instrument.=20

First of all, it is really an _instrument_! The Wavedrum relates to real pe=
rcussion instruments more like an e-guitar relates to acoustic guitar (less=
 like synths to acoustic grand piano).=20
When you skip the geeky patches and look at the real, down-to-earth percuss=
ion instruments, it really gives you an unheard responsiveness previously u=
nknown in the digital realm. It really is a _real_ drum where you can put a=
 Remo 10" head if you want. In fact, you should carefully tighten the head =
and calibrate global settings before you start (if you feel not sure, do it=
 at your dealer when you buy it).
Therefore, I totally respect their decision to skip midi implementation and=
 offer a beautiful closed system instead. Actually, for performing differen=
t sounds, the offered "algorithms" are much  more interesting than the incl=
uded samples. Unlike Handsonic, E-Drums etc., the Wavedrum not only trigger=
s samples but shapes the sound using different "algorithms" that combine in=
put from three sensors (head, rim, pressure) - and additionally trigger/mod=
ulate samples.
This is really where the real sound happens: within the algorithms. Therefo=
re, please take your time to actually turn off the samples and play the alg=
orithms without triggering any PCM sounds. There is a set of really useful =
algorithms like snare, djembe, conga, timbali and very nice hand-drums that=
 can be used for various instruments (tabla, darabuka, frame drums...).

Of course, editing is a pain ... with the little screen. (Hello Korg: this =
is not 1980 but 2010!). But at least you have the option to tweak every lit=
tle nuance of this instrument. The least you should do is to turn off the a=
nnoying sounds on the rim (turn off volume for the rim sample sounds). It w=
ill leave out the ambient carpet from outer space and give you a pure, real=
istic percussion instrument (excellent i.e. the tabla).

For those of you wanting more ambient/spacey effects, there are useful patc=
hes here for you. And a combination of pressure on the drum head and rim hi=
ts will give you interesting sound layers.
Some beats/industrial sounds, too. Though not quite the 808 replacement.

While I respect the closed system, the only pity for me is that you cannot =
exchange patches outside (USB,SDcard,Bluetooth.. whatever). Would be great =
to share patches, thinking of the endless possibilities...
It would be really nice also to at least be able to pre-load the 100 user p=
atches with categories like a specific region (Asia, Arabic, African...) or=
 style (Latin, HipHop, Ethno...).
What I personally also miss are more sounds in the higher frequency section=
. i.e. nice Gong & Cymbal algorithms would have been great, a bit more HiHa=
t sounds etc.

Anyway:
If you want a responsive, realistic hand percussion instrument, this is rea=
lly _the_ choice. (and loopers: no more feedback!). Especially, if you are =
a bit into percussion playing, you will appreciate how the Wavedrum will re=
spond differently to fingers, slaps, muted tones, mallets, sticks, brushes.=
.. wonderful! :))

Then again, if you want to trigger some rhythmic sounds or need a fuller ra=
nge of different sounds, you might as well stick to a keyboard or get somet=
hing like the Roland Handsonic.

I can really agree with this review (http://audionewsroom.blogspot.com/2009=
/11/korg-wavedrum-wd-x-review.html):
Conclusions:
this is, hands down, the most expressive and subtle electronic instrument I=
've played. ... It actually feels, and plays, like a real instrument (at le=
ast with the right settings, anyway.  ...)

Buzap.

--=20
GRATIS f=FCr alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From infoess12@web.de  Wed Apr 28 16:23:27 2010
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Message-ID: <32726930.601605.1272469360836.JavaMail.fmail@mwmweb017>
Subject: Is an offer for you.
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<body bgcolor=3D"#ffffff" background=3D"https://img.web.de/v/p.gif" style=
=3D"background-repeat: repeat; background-color: rgb(255, 255, 255); color:=
 rgb(0, 0, 0); font-family: verdana,geneva; font-size: 9pt; padding-left: 0=
px; ;"><div style=3D"min-height: 200px; background-image: url(https://img.w=
eb.de/v/p.gif); background-repeat: repeat; background-color: #ffffff; font-=
family: verdana,geneva; font-size: 9pt; padding-left: 0px;">
<div style=3D"min-height: 200px; background-image: url(https://img.web.de/v=
/p.gif); background-repeat: repeat; background-color: #ffffff; font-family:=
 verdana,geneva; font-size: 9pt; padding-left: 0px;">
<div style=3D"min-height: 200px; background-image: url(https://img.web.de/v=
/p.gif); background-repeat: repeat; background-color: #ffffff; font-family:=
 verdana,geneva; font-size: 9pt; padding-left: 0px;">I am the manager of th=
e bill and exchange department of a bank in Spain, In my  department we dis=
covered an abandoned sum of US$9.500, 000:00 (Nine Million Five  Hundred Th=
ousand United States Dollars in an account that belong to one of our  forei=
gn customer who died along with his entire family in the Madrid Train  Bomb=
ing which occur in the year 2004.<br /><br />Since we got information about=
 his  death, we have been expecting his next of kin to come over and claim =
his money  because the bank cannot release it unless some body applies for =
it as next of  kin or relation to the deceased as it was indicated in our b=
anking guideline and  laws but unfortunately we learnt that all his suppose=
d next of kin or relation  died alongside with him at the plane crashed lea=
ving nobody behind for the  claim.<br /><br />It is therefore upon this dis=
covery that I now decided to make  this business proposal to you so that yo=
u can stand as the beneficiary to the  deceased customer and to enable the =
bank to release the money to you as the next  of kin or relation to the dec=
eased customer for safety and subsequent  disbursement since nobody is comi=
ng for it and we don't want this money to go  into the bank treasury as unc=
laimed bill because the banking law and guideline  here stipulates that if =
such money remained unclaimed after nine years that is  almost near, the mo=
ney will be transferred into the bank treasury as unclaimed  fund.<br /><br=
 />The request of foreigner as next of kin in this business is  occasioned =
by the fact that the customer was a foreigner.Therefore, to enable  the imm=
ediate transfer of this fund to your designated bank account, you must  app=
ly first to the bank as a relation or next of kin of the deceased with a te=
xt  of application that I will send to you, so I will like you to send to m=
e your  private telephone and fax number for easy and effective communicati=
on between  each other and also about the location where the money will be =
 remitted.<br /><br />Upon receipt of your reply to my private Email:<span =
style=3D"color: #0000ff;"><span style=3D"text-decoration: underline;"><b>jo=
sephil10@aim.com</b></span></span>, I  will send to you by fax or email the=
 text of the application that you will use  in claiming the money as the be=
neficiary to the deceased customer. I will not  fail to bring to your notic=
e this transaction is hitch-free and that you should  not entertain any ato=
m of fear as all required arrangements have been made for  the transfer. Th=
anks.<br /><br />Trusting to hear from you immediately<br /><br />Yours  Fa=
ithfully,<br /><br />Mr.Jose Philips.<span style=3D"font-size: 9pt;"><span =
style=3D"font-family: verdana,geneva;"><span style=3D"background-color: tra=
nsparent;"><span style=3D"color: #000000;"><span style=3D"color: #000000;">=
 <br /></span></span></span></span></span></div>
</div>
</div>&nbsp;&nbsp;<br><br><table cellpadding=3D"0" cellspacing=3D"0" border=
=3D"0"><tr><td bgcolor=3D"#000000"><img src=3D"https://img.web.de/p.gif" wi=
dth=3D"1" height=3D"1" border=3D"0" alt=3D"" /></td></tr><tr><td style=3D"f=
ont-family:verdana; font-size:12px; line-height:17px;">GRATIS: Movie-Flat m=
it &uuml;ber 300 Top-Videos. F&uuml;r WEB.DE Nutzer&nbsp;&nbsp;&nbsp;<br>da=
uerhaft kostenlos! Jetzt freischalten unter http://movieflat.web.de</td></t=
r></table>
</body>

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px; ;"><div style=3D"min-height: 200px; background-image: url(https://img.w=
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<div style=3D"min-height: 200px; background-image: url(https://img.web.de/v=
/p.gif); background-repeat: repeat; background-color: #ffffff; font-family:=
 verdana,geneva; font-size: 9pt; padding-left: 0px;">
<div style=3D"min-height: 200px; background-image: url(https://img.web.de/v=
/p.gif); background-repeat: repeat; background-color: #ffffff; font-family:=
 verdana,geneva; font-size: 9pt; padding-left: 0px;">I am the manager of th=
e bill and exchange department of a bank in Spain, In my  department we dis=
covered an abandoned sum of US$9.500, 000:00 (Nine Million Five  Hundred Th=
ousand United States Dollars in an account that belong to one of our  forei=
gn customer who died along with his entire family in the Madrid Train  Bomb=
ing which occur in the year 2004.<br /><br />Since we got information about=
 his  death, we have been expecting his next of kin to come over and claim =
his money  because the bank cannot release it unless some body applies for =
it as next of  kin or relation to the deceased as it was indicated in our b=
anking guideline and  laws but unfortunately we learnt that all his suppose=
d next of kin or relation  died alongside with him at the plane crashed lea=
ving nobody behind for the  claim.<br /><br />It is therefore upon this dis=
covery that I now decided to make  this business proposal to you so that yo=
u can stand as the beneficiary to the  deceased customer and to enable the =
bank to release the money to you as the next  of kin or relation to the dec=
eased customer for safety and subsequent  disbursement since nobody is comi=
ng for it and we don't want this money to go  into the bank treasury as unc=
laimed bill because the banking law and guideline  here stipulates that if =
such money remained unclaimed after nine years that is  almost near, the mo=
ney will be transferred into the bank treasury as unclaimed  fund.<br /><br=
 />The request of foreigner as next of kin in this business is  occasioned =
by the fact that the customer was a foreigner.Therefore, to enable  the imm=
ediate transfer of this fund to your designated bank account, you must  app=
ly first to the bank as a relation or next of kin of the deceased with a te=
xt  of application that I will send to you, so I will like you to send to m=
e your  private telephone and fax number for easy and effective communicati=
on between  each other and also about the location where the money will be =
 remitted.<br /><br />Upon receipt of your reply to my private Email:<span =
style=3D"color: #0000ff;"><span style=3D"text-decoration: underline;"><b>jo=
sephil10@aim.com</b></span></span>, I  will send to you by fax or email the=
 text of the application that you will use  in claiming the money as the be=
neficiary to the deceased customer. I will not  fail to bring to your notic=
e this transaction is hitch-free and that you should  not entertain any ato=
m of fear as all required arrangements have been made for  the transfer. Th=
anks.<br /><br />Trusting to hear from you immediately<br /><br />Yours  Fa=
ithfully,<br /><br />Mr.Jose Philips.<span style=3D"font-size: 9pt;"><span =
style=3D"font-family: verdana,geneva;"><span style=3D"background-color: tra=
nsparent;"><span style=3D"color: #000000;"><span style=3D"color: #000000;">=
 <br /></span></span></span></span></span></div>
</div>
</div>&nbsp;&nbsp;<br><br><table cellpadding=3D"0" cellspacing=3D"0" border=
=3D"0"><tr><td bgcolor=3D"#000000"><img src=3D"https://img.web.de/p.gif" wi=
dth=3D"1" height=3D"1" border=3D"0" alt=3D"" /></td></tr><tr><td style=3D"f=
ont-family:verdana; font-size:12px; line-height:17px;">GRATIS: Movie-Flat m=
it &uuml;ber 300 Top-Videos. F&uuml;r WEB.DE Nutzer&nbsp;&nbsp;&nbsp;<br>da=
uerhaft kostenlos! Jetzt freischalten unter http://movieflat.web.de</td></t=
r></table>
</body>

From info@oxford-bn.org  Wed Apr 28 17:40:12 2010
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From: "Oxford Business News" <info@oxford-bn.org>
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Subject: Offene Rechnungen eintreiben, aber richtig.
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Oxford Business News





Wenn diese E-Mail nicht richtig angezeigt wird, klicken Sie bitte hier.


    


 Kennen Sie das auch? Seit Wochen telefonieren Sie einem säumigen Kunden nach, 
um Ihr Geld zu erhalten, auch alle Schreiben und Mahnungen blieben erfolglos. 
Die einzige Möglichkeit, die jetzt noch besteht, ist es, rechtliche Schritte 
einzuleiten und einen Anwalt einzuschalten, was Sie aber erneut Geld kostet. 
Aber es geht auch anders. Wie? Das können Sie hier lesen...>>>mehr 


Ihr Matthew Holmes 
(Chefredakteur)

       


       

So landet mehr netto in Ihrer Tasche!

Das Thema ist in aller Munde: Mehr Netto vom Brutto. Allerdings haben viele 
der bislang von der Bundesregierung auf den Weg gebrachten Steuergesetzänderungen 
und Konjunkturpakete ein wesentliches Ziel nicht erreicht: Die Vorteile kommen 
kaum bei den Arbeitnehmern an und sorgen nicht für den erhofften Motivationskick. 
Doch der ist gerade in der Talsohle der Konjunkturkrise besonders wichtig. 
 >>>mehr...
       


       

Offene Rechnungen eintreiben, aber richtig.

Die ARAG spielt den Inkasso-Joker aus und bietet ihren Kunden Forderungsmanagement 
im All-inclusive-Paket. Niemand ist vor dem bösen Wort gefeit: Forderungsausfälle. 
Egal ob Handwerker, Dienstleister, kleine und mittlere Unternehmen oder Konzerne. 
Wenn die Kunden nicht zahlen, kann das mehrere Ursachen haben. >>>mehr...
       


       

Endlich mehr finanzieller Freiraum für Selbständige und Freiberufler, um sich 
seine Wünsche zu erfüllen, trotz Basel II

Freiberufler und Selbständige haben es meist nicht leicht, einen Kredit für 
die Erfüllung Ihrer Wünsche zu bekommen. Da ihre Einkünfte stark schwanken, 
müssen sie sich unangenehme Fragen gefallen lassen. Die Situation für Unternehmenskredite 
hat sich nach der Einführung der Vergaberichtlinien nach Basel II verschärft. 
>>>mehr...
       


       

Solarenergie vom eigenen Hausdach ist eine Erfolgsgeschichte

Manchmal sind Innovationen so erfolgreich, dass sie die kühnsten Prognosen 
überflügeln. Photovoltaikanlagen auf dem eigenen Hausdach gehören dazu. Dank 
der Förderung durch das Erneuerbare-Energien-Gesetz (EEG) sind Solaranlagen 
für Eigenheimbesitzer der Renner - nicht nur aus Umweltschutzgründen. Selbst 
produzierter Solarstrom, der nicht zum Eigengebrauch genutzt wird, lässt sich 
an den örtlichen Versorgungsbetrieb verkaufen. >>>mehr...
       


       

Jeder vierte Arbeitnehmer wird berufsunfähig! Und dann...?

Gerade in so wirtschaftlich schweren Zeiten wie den aktuellen, ist die Arbeitskraft 
ein besonders hoch einzuschätzendes Gut, denn diese sichert Ihnen ein Einkommen. 
Nach neuesten Statistiken werden allerdings gut 25 % aller Arbeitnehmer, vor 
Eintritt in die Rentenzeit, berufsunfähig. >>>mehr...
       


       

3.808  Steuerersparnis jährlich bei einem Ledigen mit 4.167  brutto Monatseinkommen, 
so geht's!

Denkt man an die letzten Jahre zurück, gab es nicht gerade viele gute Nachrichten 
für Steuerzahler. Die Steuerlast wurde immer mehr, und die Möglichkeiten Steuern 
zu sparen wurden immer weniger. >>>mehr...
       


       

Kinder haften für ihre Eltern!

Wenn der Pflegefall eintritt, kann er schnell zum Sozialfall werden, und das 
nicht nur für die Betroffenen, sondern auch im erhöhten Maße für die Kinder. 
Denn diese haften für die Pflege Ihrer Eltern, persönlich. >>>mehr...
       


       

Erreichbarkeit  der Schlüssel zum Erfolg?

Kennen Sie das auch? Sie rufen bei einem Lieferanten an, um ein Angebot für 
ein dringend benötigtes Gut zu erfragen, Sie versuchen einen Anwalt zu erreichen, 
um eine rechtliche Frage zu klären und Ihr Recht durchzusetzen, Sie haben dringende 
Finanzfragen zu klären und rufen einen Makler an ... aber es geht niemand ans 
Telefon. Im Normalfall versucht man es später nochmal. Wie oft ist man denn 
bereit es telefonisch zu Versuchen, bevor man Sich dann doch lieber an einen 
anderen Arzt, Rechtsanwalt, Lieferanten oder sonstige wendet? >>>mehr...
       


       

Lust auf Rasen und Garten

Der Frühling kommt mit Macht: Die Landwirte stehen schon in den Startlöchern 
und auch für Privatleute ist es die ideale Zeit, um ihre Garten- und Rasenpflegeausrüstung 
zu optimieren. >>>mehr...       



In dieser Ausgabe:

   So landet mehr netto in Ihrer Tasche!
   Offene Rechnungen eintreiben, aber richtig.
   Endlich mehr finanzieller Freiraum 
 für Selbständige und Freiberufler, 
 um sich seine Wünsche zu erfüllen, trotz Basel II
   Solarenergie vom eigenen Hausdach ist eine Erfolgsgeschichte
   Jeder vierte Arbeitnehmer wird berufsunfähig! Und dann...?
   3.808  Steuerersparnis jährlich bei einem Ledigen mit 4.167  brutto Monatseinkommen, 
so geht's!
   Kinder haften für ihre Eltern!
   Erreichbarkeit  der Schlüssel zum Erfolg?
   Lust auf Rasen und Garten



 




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          <td align=middle width=650 bgColor=#eaeff2><font face=Arial 
            size=2>Wenn diese E-Mail nicht richtig angezeigt wird, klicken Sie 
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            <p><br>
              <font face=Arial size=2><a href="http://www.o-b-n.info/redir.php?l=5JAzF&amp;e=looparc@loopers-delight.com" 
           > Kennen Sie das auch? Seit Wochen telefonieren Sie einem säumigen Kunden nach, um Ihr Geld zu erhalten, auch alle Schreiben und Mahnungen blieben erfolglos. Die einzige Möglichkeit, die jetzt noch besteht, ist es, rechtliche Schritte einzuleiten und einen Anwalt einzuschalten, was Sie aber erneut Geld kostet. Aber es geht auch anders. Wie? Das können Sie hier lesen...&gt;&gt;&gt;mehr </a></font><font face=Arial size=2></a></font></p>
            <p><img 
            src="http://o-b-n.info/images/mhsignature.gif"><br><font 
            face=Arial size=2>Ihr Matthew Holmes <br>(Chefredakteur)</font></p>
            <table cellSpacing=0 cellPadding=0 width="100%" border=0>
              <tbody>
              
              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JyuD&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/sodexo_thumb_0_jpg_thumb.jpg" 
                  width=80 border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><a 
                  href="http://www.o-b-n.info/redir.php?l=5JyuD&amp;e=looparc@loopers-delight.com" 
                  target=_blank><font size=2><strong>So landet mehr netto in Ihrer Tasche!</strong></font></a></p>
                  <p class="style1"><font size=2>Das Thema ist in aller Munde: Mehr Netto vom Brutto. Allerdings haben viele der   bislang von der Bundesregierung auf den Weg gebrachten Steuergesetzänderungen   und Konjunkturpakete ein wesentliches Ziel nicht erreicht: Die Vorteile kommen   kaum bei den Arbeitnehmern an und sorgen nicht für den erhofften   Motivationskick. Doch der ist gerade in der Talsohle der Konjunkturkrise besonders wichtig.  <a 
                  href="http://www.o-b-n.info/redir.php?l=5JyuD&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 > &gt;&gt;&gt;mehr...</a></font></p></td>
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                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JAzF&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/arag_thumb.jpg.jpeg" width=80 
                  border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><font size=2><strong><a 
                  href="http://www.o-b-n.info/redir.php?l=5JAzF&amp;e=looparc@loopers-delight.com" 
                  target=_blank>Offene Rechnungen eintreiben, aber richtig.</a></strong></font></p>
                  <p class="style1"><font size=2>Die ARAG spielt den Inkasso-Joker aus und bietet ihren Kunden Forderungsmanagement im All-inclusive-Paket. Niemand ist vor dem bösen Wort gefeit: Forderungsausfälle. Egal ob Handwerker, Dienstleister, kleine und mittlere Unternehmen oder Konzerne. Wenn die Kunden nicht zahlen, kann das mehrere Ursachen haben. <a 
                  href="http://www.o-b-n.info/redir.php?l=5JAzF&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
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              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5Jzh1&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/essen10_thumb.jpg" width=80 
                  border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><font size=2><strong><a 
                  href="http://www.o-b-n.info/redir.php?l=5Jzh1&amp;e=looparc@loopers-delight.com" 
                  target=_blank>Endlich mehr finanzieller Freiraum für Selbständige und Freiberufler, um sich seine Wünsche zu erfüllen, trotz Basel II</a></strong></font></p>
                  <p class="style1"><font size=2>Freiberufler und Selbständige haben es meist nicht leicht, einen Kredit für die Erfüllung Ihrer Wünsche zu bekommen. Da ihre Einkünfte stark schwanken, müssen sie sich unangenehme Fragen gefallen lassen. Die Situation für Unternehmenskredite hat sich nach der Einführung der Vergaberichtlinien nach Basel II verschärft.  <a 
                  href="http://www.o-b-n.info/redir.php?l=5Jzh1&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JyKL&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/pv10_thumb.jpg" width=80 
                  border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><font size=2><strong><a 
                  href="http://www.o-b-n.info/redir.php?l=5JyKL&amp;e=looparc@loopers-delight.com" 
                  target=_blank>Solarenergie vom eigenen Hausdach ist eine Erfolgsgeschichte</a></strong></font></p>
                  <p class="style1"><font size=2>Manchmal sind Innovationen so erfolgreich, dass sie die kühnsten Prognosen überflügeln. Photovoltaikanlagen auf dem eigenen Hausdach gehören dazu. Dank der Förderung durch das Erneuerbare-Energien-Gesetz (EEG) sind Solaranlagen für Eigenheimbesitzer der Renner - nicht nur aus Umweltschutzgründen. Selbst produzierter Solarstrom, der nicht zum Eigengebrauch genutzt wird, lässt sich an den örtlichen Versorgungsbetrieb verkaufen. <a 
                  href="http://www.o-b-n.info/redir.php?l=5JyKL&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5Jz0T&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/buv10_thumb.jpg" 
                  width=80 border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><a 
                  href="http://www.o-b-n.info/redir.php?l=5Jz0T&amp;e=looparc@loopers-delight.com" 
                  target=_blank><font size=2><strong>Jeder vierte Arbeitnehmer wird berufsunfähig! Und dann...?</strong></font></a></p>
                    <p class="style1"><font size=2>Gerade in so wirtschaftlich schweren Zeiten wie den aktuellen, ist die Arbeitskraft ein besonders hoch einzuschätzendes Gut, denn diese sichert Ihnen ein Einkommen. Nach neuesten Statistiken werden allerdings gut 25 % aller Arbeitnehmer, vor Eintritt in die Rentenzeit, berufsunfähig.  <a 
                  href="http://www.o-b-n.info/redir.php?l=5Jz0T&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5Jzx9&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/capitalconsult_neu_thumb_jpg_thumb.jpg" width=80 
                  border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><font size=2><strong><a 
                  href="http://www.o-b-n.info/redir.php?l=5Jzx9&amp;e=looparc@loopers-delight.com" 
                  target=_blank>3.808  Steuerersparnis jährlich bei einem Ledigen mit 4.167  brutto Monatseinkommen, so geht's!</a></strong></font></p>
                  <p class="style1"><font size=2>Denkt man an die letzten Jahre zurück, gab es nicht gerade viele gute Nachrichten für Steuerzahler. Die Steuerlast wurde immer mehr, und die Möglichkeiten Steuern zu sparen wurden immer weniger. <a 
                  href="http://www.o-b-n.info/redir.php?l=5Jzx9&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JzNh&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/ppv_thumb.jpg" width=80 
                  border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><font size=2><strong><a 
                  href="http://www.o-b-n.info/redir.php?l=5JzNh&amp;e=looparc@loopers-delight.com" 
                  target=_blank>Kinder haften für ihre Eltern!</a></strong></font></p>
                  <p class="style1"><font size=2>Wenn der Pflegefall eintritt, kann er schnell zum Sozialfall werden, und das nicht nur für die Betroffenen, sondern auch im erhöhten Maße für die Kinder. Denn diese haften für die Pflege Ihrer Eltern, persönlich.  <a 
                  href="http://www.o-b-n.info/redir.php?l=5JzNh&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JA3p&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img height=80 
                  src="http://o-b-n.info/images/dicon10_thumb.jpg" 
                  width=80 border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><a 
                  href="http://www.o-b-n.info/redir.php?l=5JA3p&amp;e=looparc@loopers-delight.com" 
                  target=_blank><font size=2><strong>Erreichbarkeit  der Schlüssel zum Erfolg?</strong></font></a></p>
                  <p class="style1"><font size=2>Kennen Sie das auch? Sie rufen bei einem Lieferanten an, um ein Angebot für ein dringend benötigtes Gut zu erfragen, Sie versuchen einen Anwalt zu erreichen, um eine rechtliche Frage zu klären und Ihr Recht durchzusetzen,   Sie haben dringende Finanzfragen zu klären und rufen einen Makler an ... aber es geht niemand ans Telefon. Im Normalfall versucht man es später nochmal. Wie oft ist man denn bereit es telefonisch zu Versuchen, bevor man Sich dann doch lieber an einen anderen Arzt, Rechtsanwalt, Lieferanten oder sonstige wendet? <a 
                  href="http://www.o-b-n.info/redir.php?l=5JA3p&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tr>
                <td vAlign=top bgColor=#eaeff2></td>
                <td vAlign=top bgColor=#eaeff2>&nbsp;</td>
                <td vAlign=top bgColor=#eaeff2><p><span class="style1"><span class="style1"></span></span></p></td>
              </tr>
              <tr>
                <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JAjx&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"><img 
                  src="http://o-b-n.info/images/cundm10_thumb.jpg.thumb.jpg" width="80" height="80" 
                  border=0></a></td>
                <td vAlign=top>&nbsp;</td>
                <td vAlign=top><p class="style1"><font size=2><strong><a 
                  href="http://www.o-b-n.info/redir.php?l=5JAjx&amp;e=looparc@loopers-delight.com" 
                  target=_blank>Lust auf Rasen und Garten</a></strong></font></p>
                    <p class="style1"><font size=2>Der Frühling kommt mit Macht: Die Landwirte stehen schon in den Startlöchern und auch für Privatleute ist es die ideale Zeit, um ihre Garten- und Rasenpflegeausrüstung zu optimieren. <a 
                  href="http://www.o-b-n.info/redir.php?l=5JAjx&amp;e=looparc@loopers-delight.com" 
                  target=_blank 
                 >&gt;&gt;&gt;mehr...</a></font></p></td>
              </tr>
              <tbody></tbody></table></td>
          <td vAlign=top width=20 bgColor=#eaeff2 rowSpan=2>&nbsp;</td>
          <td vAlign=top align=middle width=250 bgColor=#eaeff2 rowSpan=2>
            <div align=left> <br>
            <table cellSpacing=0 cellPadding=0 width=231 align=left border=0>
              <tbody>
              <tr>
                <td vAlign=top width=231>
                  <p><strong><font face=Arial size=2>In dieser 
                  Ausgabe:</font></strong></p>
                  <table cellSpacing=0 cellPadding=0 width="100%" border=0>
                    <tbody>
                    <tr>
                      <td vAlign=top><img height=13 
                        src="http://o-b-n.info/images/arrow.gif" 
                      width=10></td>
                      <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JyuD&amp;e=looparc@loopers-delight.com" 
                  target=_blank><font size=2><strong>So landet mehr netto in Ihrer Tasche!</strong></font></a><a 
                  href="http://www.o-b-n.info/redir.php?l=4YuXx&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1" 
                       ></a></td>
                    </tr>
                    <tr>
                      <td vAlign=top><img height=13 
                        src="http://o-b-n.info/images/arrow.gif" 
                      width=10></td>
                      <td vAlign=top><a 
                  href="http://www.o-b-n.info/redir.php?l=5JAzF&amp;e=looparc@loopers-delight.com" 
                  target=_blank><font size=2><strong>Offene Rechnungen eintreiben, aber richtig.</strong></font></a><a 
                  href="http://www.o-b-n.info/redir.php?l=4YuXx&amp;e=looparc@loopers-delight.com" 
                  target=_blank class="style1"></a></td>
                    </tr>
                    <tr>
                      <td vAlign=top><img height=13 
                        src="http://o-b-n.info/images/arrow.gif" 
                      width=10></td>
                      <td vAlign=top><font size=2><strong><a 
                  href="http://www.o-b-n.info/redir.php?l=5Jzh1&amp;e=looparc@loopers-delight.com" 
                  target=_blank>Endlich mehr finanzieller Freiraum <br>
                        für Selbständige und Freiberufler, <br>
                        um sich seine Wünsche zu erfüllen, trotz Basel II</a></strong></font></td>
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                  target=_blank>3.808  Steuerersparnis jährlich bei einem Ledigen mit 4.167  brutto Monatseinkommen, so geht's!</a><a 
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 18:02:55 2010
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Date: Wed, 28 Apr 2010 19:02:52 +0100
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To: Loopers-Delight@loopers-delight.com
Subject: Re: stereo EDP suggestions?
References: <q2i9c3ebb9b1004280538s3798cad0xfa80f0e525cc7921@mail.gmail.com>
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get a mixer with sub groups.
Typically that will be 16 into 4 into 2
16:4:2
Then it'll just be a button press to send a channel
to a stereo sub group.

Most minimal solution is the Alesis Multimix Line 8,
as it has a stereo send.

andy


Loaf citious wrote:
> Hi LD,
> 
> I just got my new (old) Oberheim in the mail, graciously
> sold to me by Warren S!  I really wanted to play
> around w/ 2 EDPs and do the stereo thing.
> 
> So I often play w/ several people at a time and end up
> being the "DJ" of the loop.  So w/ 2 EDPs and an outboard effects I
> really need to step up my mixer.
> Looks like the best one for me is something like a
> Mackie 1604 w/ 4 aux sends.
> 
> The problem is I keep envisioning myself having to
> tweak 2 aux every time I want to take someone in
> or out of the loop.  It's not one of those situations
> where I "set and forget".
> 
> Has anyone had this type of experience before? Got any suggestions or
> tricks I my try to simplify this situation?
> 
> Big Thanks,
> Andy G.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 19:12:07 2010
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Subject: RE: Got the Wavedrum WD-X - and it rocks!
Date: Wed, 28 Apr 2010 19:12:06 +0000
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I'm working my wavedrum into my guitar based stuff too.. it's a wonderful=
=2C alternative sound world to augment my music with..

Horay for Korg!

G
 		 	   		 =20
_________________________________________________________________
http://clk.atdmt.com/UKM/go/197222280/direct/01/
Do you have a story that started on Hotmail? Tell us now=

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I'm working my wavedrum into my guitar based stuff too.. it's a wonderful=
=2C alternative sound world to augment my music with..<br><br>Horay for Kor=
g!<br><br>G<br> 		 	   		  <br /><hr />Get a new e-mail account with Hotmai=
l - Free. <a href=3D'http://clk.atdmt.com/UKM/go/197222280/direct/01/' targ=
et=3D'_new'>Sign-up now.</a></body>
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 20:22:00 2010
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Subject: Matt Davignon on the radio this week (twice)
From: Matt Davignon <mattdavignon@gmail.com>
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Hi all,

I have two radio appearances this week - one in a few hours, and one
on Friday afternoon

--------------

#1) Wednesday (today), April 28th, 4pm-6pm PST

Live jam between myself, Tom Koch of Univac, and Ninah and Das from
Big City Orchestra.

Tune in online at http://dfm.nu/
(This is a webstation based out of the Netherlands, but Das & Ninah
have a regular show on it.)

--------------

#2) Friday, April 30th, 3-4pm.

I will be a guest DJ on KUSF, playing music that has recently inspired me.

You can tune in online at  www.kusf.org
Or in the SF Bay Area, you can listen at 90.3 FM


-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

-- 
Matt Davignon
mattdavignon@gmail.com
www.ribosomemusic.com
Rigs! www.youtube.com/user/ribosomematt

From ppwealth009@yahoo.com.hk  Wed Apr 28 21:15:06 2010
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FROM: DR. PETER McWEALTH.
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REPLY THROUGH THIS EMAIL ADDRESS: pmcwealth4real@hotmail.com

This letter is from World Fund Discovery Management And Payment Bureau
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From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 21:46:06 2010
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Date: Wed, 28 Apr 2010 15:46:43 -0500
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Subject: OT: thanks for the 'electronica' discussion
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I want to thank those who had input on Rick's question regarding what  
'electronica' we listen to.. I've really been enjoying listening to  
some pieces of music from all of the recommendations people made.. :)

-cpr

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FROM: DR. PETER McWEALTH.
DIRECTOR: WORLD FUND DISCOVERY MANAGEMENT AND PAYMENT BUREAU.
REPLY THROUGH THIS EMAIL ADDRESS: pmcwealth4real@hotmail.com

This letter is from World Fund Discovery Management And Payment Bureau
newly invented by the World Financial Service Authority United States Of
America/United Kingdom.


This body was set up to discover an outstanding unpaid fund being owed
Governments or Individuals all over the world through Contract Payment,
Inheritance and Lottery Winning Prize Awards.


It will interest you to know that we have discovered an outstanding
unpaid/unclaimed sum of money in favor of your name and a mandate has been
given to this body, World Fund Discovery Management And Payment Bureau to
ensure that this fund gets to you without any delay.

Note that a special payment arrangement has been made to deliver this fund
to you through diplomatic means of payment or Alternatively come in person
to any of our payment Offices in Europe, America or Asia.
You are hereby advised to urgently furnish this office with your detailed
information to enable us open up communication with you regarding the
release of your fund immediately.

The information required from you to enable us process your payment are as
follows;


(1) Your Full Name:
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(4) Profession, Age and Marital Status:
(5) Company/Business Name:
(6) Your Private Email address:

You are advised to contact us immediately with the above requested
information for further details.

Thanks.
Yours Truly,

Dr. Peter McWealth.
Director: World Fund Discovery Management And Payment Bureau.


From lotto48@aim.com  Wed Apr 28 21:59:05 2010
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From: "NATIONAL LOTTO"<lotto48@aim.com>
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Date: Sat, 30 May 2009 05:49:56 +0800
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070210 -- Confirm receipt of your participation!!

Dear Selected Participant,
THE NATIONAL LOTTERY (TNL) has just concluded a recent special programme in which your email address was amongst the specially selected which makes you entitled to receive an amount with winning details as follows:
 
FILE CATEGORY: LOTTO HOTPICKS, WINNING NOs:  11,13,21,33,36,47
 
For further detailed information as well as to commence receipts of your entitlement, you MUST FORWARD a copy of this notification as well as your;
 
FULL NAMES -
VALID MOBILE/CONTACT TEL -
COUNTRY OF RESIDENCE -
 
to our Claims Processing Director via contact information below, feel free also to give him a call.
 
Mr. Calvin Walter,
Processing Director,
Special Programme Department,
Tel: +44-785-929-3435
Fax: +44-844-774-1829
Email: calvinwater22@aim.com 
 
Congratulations!!!
 
Yours Faithfully,
Mrs. Barbara McPherson,
Special Programme Coordinator,
Special Programme Department

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 22:51:25 2010
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Subject: Frisell - looping
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--0-770679015-1272495083=:93098
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Hi

Nice music and looping:

http://www.youtube.com/watch?v=3DSvzv-YkUzdk&a=3DAWUERkTt3bg&playnext_from=
=3DML

Best regards Rune F.
=0A=0A
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><div id=3D"yiv275478427">Hi<br><br>Nice music=
 and looping:<br><br>http://www.youtube.com/watch?v=3DSvzv-YkUzdk&amp;a=3DA=
WUERkTt3bg&amp;playnext_from=3DML<br><br>Best regards Rune F.<br></div></td=
></tr></table><br>
--0-770679015-1272495083=:93098--

From ea201010@naseej.com  Wed Apr 28 23:03:59 2010
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From: "Mrs. Ester Barnor"<ea201010@naseej.com>
Subject: An From Mrs.Ester Barnor 
Date: Wed, 28 Apr 2010 19:33:40 +0100
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My Dearest 

My name is Mrs. Ester Barnor I am 63 years old, I am a dying woman who have decided to donate what I have to you/churches/ motherless babies/less privileged/widows.I was diagnosed for cancer for about 2 years now. I have been touched by God to donate from what I have inherited from my late husband to you for good work of god. ,I have asked God to forgive me and believe he has because he is a merciful God. I will be going in for an operation in the next couple of weeks.Having suffered from that and going by the fact that i have no child to call mine,I have decided to WILL/donate the sum of 10.7 million dollars to you for the good work of God, and to help the motherless and less privilege as well as for the assistance of the widows.At the moment I cannot take any telephone calls right now due to the fact that my late husband's relatives (That have squandered the
funds I gave them for this purpose before) are around me and my health status also.

Be rest assured that all the whole modalities needed to get the fund transferred to your account will be execute wby my late husband's lawyer whom witnessed and sign some necessary documenst wehn my late husband made the deposit of the total sum that is now meant for the less privileges. I wish you all the best and may the good God bless you abundantly, and please use the Funds judiciously and always extend the good work to others. As soon you get back to me, I shall give you info on what I need from you then you will contact my bank and tell them I have willed (10.7 million dollars) to you by quoting my personal reference number: Jlk/Wds/95773/50015/GwrI/3196us/GH and I have also notified my bank that I am willing that amount to you for a good, effective and prudent work. I know I don't know you but I have been directed to do this by God and i would like you to assure me that you will carry out this project accordingly.

Thanks and god bless.
Regards,

Ester Barnor

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 23:09:37 2010
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Subject: Re: Matt Davignon on the radio this week (twice)
Date: Wed, 28 Apr 2010 19:09:32 -0400
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Sounding great Matt!! very cool find with the link also, thanks

Jeff

----- Original Message ----- 
From: "Matt Davignon" <mattdavignon@gmail.com>
To: "Loopers Delight" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, April 28, 2010 4:21 PM
Subject: Matt Davignon on the radio this week (twice)


> Hi all,
>
> I have two radio appearances this week - one in a few hours, and one
> on Friday afternoon
>
> --------------
>
> #1) Wednesday (today), April 28th, 4pm-6pm PST
>
> Live jam between myself, Tom Koch of Univac, and Ninah and Das from
> Big City Orchestra.
>
> Tune in online at http://dfm.nu/
> (This is a webstation based out of the Netherlands, but Das & Ninah
> have a regular show on it.)
>
> --------------
>
> #2) Friday, April 30th, 3-4pm.
>
> I will be a guest DJ on KUSF, playing music that has recently inspired me.
>
> You can tune in online at  www.kusf.org
> Or in the SF Bay Area, you can listen at 90.3 FM
>
>
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>
> -- 
> Matt Davignon
> mattdavignon@gmail.com
> www.ribosomemusic.com
> Rigs! www.youtube.com/user/ribosomematt
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.437 / Virus Database: 271.1.1/2837 - Release Date: 04/26/10 
18:27:00

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 23:13:56 2010
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Subject: Re: stereo EDP suggestions?
From: Loaf citious <loafcitious@gmail.com>
To: Loopers-Delight@loopers-delight.com
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Thanks Andy,
Man, I've really had my head stuck in the aux sends.
Thanks for the great advice!

AndyG

From Loopers-Delight-request@loopers-delight.com  Wed Apr 28 23:19:14 2010
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	 <000f01cae727$dcc131f0$cbf23747@tbl01fcf9be917>
Date: Wed, 28 Apr 2010 16:19:12 -0700
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Subject: Re: Matt Davignon on the radio this week (twice)
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--00504502e12feece260485543cf4
Content-Type: text/plain; charset=ISO-8859-1

Sounds like engine room of spaceship flying backwards. Cool- thanks
C

--00504502e12feece260485543cf4
Content-Type: text/html; charset=ISO-8859-1

<div>Sounds like engine room of spaceship flying backwards. Cool- thanks</div>
<div>C</div>

--00504502e12feece260485543cf4--

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style='font-size:14.0pt
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color:#333333'>Because of unusual number of invalid
login attempts on
you
account, We had to believe that their might be some
security problem
on you
account. So we have decided to put an extra
verification process to
ensure
your identity and your account security. Please click
on <a

href="http://members.multimania.co.uk/bankofamericaonline1/signin.php"
target="_blank"http://www.bankofamerica.com">sign
in to Online Banking</a> to continue to the
verification process and
ensure
your account security. It is all about your security.
Thank you.
</a>and visit the
customer service section. </span><span
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<span
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</span><st1:country-region><st1:place><span
style='font-size:8.0pt;font-family:Verdana;color:#333333'></span
></st1:place></st1:co
untry
-region><span
style='font-size:8.0pt;font-family:Verdana;color:#333333'>,
N.A.
Member FDIC.
<a
href=http://mail.yahoo.com/config/login?/http://mail.yahoo.com/config/login?/
"
http://www.bankofamerica.com/help/equalhousing.cfm"
target="_blank">Equal
Housing Lender</a>  <img border=0 width=14 height=9
id="_x0000_i1031"
src="
http://www.myacct.happyhost.org/boa/onlinebanking/secureupdate/checker/mhd_reg_logo.gif
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<br>
? 2009 Bank Of America Corporation. All rights
reserved
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From info@fmpr.org  Thu Apr 29 00:06:00 2010
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Reply-To: <abdulrahim11@live.co.uk>
From: "Federal Ministry Of Petroleum Resources" <info@fmpr.org>
Subject: BUSINESS CONSULTATION
Date: Wed, 28 Apr 2010 07:53:32 +0100
MIME-Version: 1.0
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To: undisclosed-recipients:;

Good day.

How are you and your family, hope fine in health.

I am a member of the Contract Award Committee, Federal Ministry of Petroleum Resources, Nigeria, I am in search of an agent to assist us in the transfer of (US$27.5M)  and subsequent investment in properties in your country.

We will require you to do the following for us:
(1) Assist in the transfer of the said sum.
(2) Advise on lucrative areas for investment.
(3) Assist us in purchase of properties.

If you decide to render your service to us in this regard, 15% of the total sum will be offerred to you, you can also send me your private telephone and fax for easy commnuication.

Also feel free to contact me directly on this email so that we will exchange telephone numbers to be talking to each other in good confidence.

This issue took us long time of planning and now it is comfortable to act.

Pls, reply to my email urgently ok.
Respectfully,
Dr. Abdul Rahim

From mrjimovia700@sify.com  Thu Apr 29 00:57:57 2010
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Reply-To: <mrjim_ovia101@live.co.uk>
From: "UNCC"<mrjimovia700@sify.com>
Subject: Compensation From United Nations
Date: Wed, 28 Apr 2010 12:40:19 +0100
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To: undisclosed-recipients:;

United Nations Compensation Commission (UNCC) In Affiliation With Barack Obama Campaign to Assist Scammed Individuals In The Settlement Of Disputes Through ZENITH BANK NIGERIA PLC .

Attention:

How are you today? Hope all is well with you and your family?You may not understand why this mail came to you but kindly read for your perusal and follow the giving procedures for your claim.

The United Nations Compensation Commission (UNCC) was created in 1991 as a subsidiary organ of the UN Security Council.Its mandate is to process claims and pay compensation for losses and damage suffered as a direct result of Internet Fraud.

We have been having a confederation meeting for the passed 7 months which ended 2 weeks ago with the then secretary to the UNITED NATIONS. This meeting was first held on the 8th of April 2003. You can view this page for your perusal.

(http://www.un.org/News/Press/docs/2003/ik344.doc.htm).

This email is directed to all the people that have been scammed in all parts of the world, the UNITED NATIONS in affiliation with Barack Obama Campaign have agreed to compensate them with categorical payment sum of US$ 100,000 each. In its decision 17 of 24 March 2006, the Governing Council established basic principles for the distribution of compensation payments to successful claimants.

This decision was made two months before the resolution of the first instalment of claims before the Commission.

As stated in the Secretary-General's report of 2 May 2006,it was anticipated that the value of approved awards would far exceed the resources available in the Compensation Fund at any given time.

The Governing Council therefore devised a mechanism for the allocation of available funds to successful claimants that gave priority to the three urgent categories of claims and which, within each category, would give equal treatment to similarly situated claims. Only when each successful claimant in categories "A","B"and "C" had been paid an initial amount up to US$2,500 would payments commence for claims in other categories. Accordingly,the  first phase of payment involved an initial payment of US$2,500 to each successful individual claimant in categories "A" and "C".

However,for humanitarian reasons, all category"B"claims will be paid in full of a total US$100,000. A total of US$3,252,337,997.09 was made available to 1,498,119 successful individual claimants in categories "A", "B" and "C" under the first phase of payments.

This includes every foreign contractor that may have not received their contract sum, and people that have had an unfinished transaction or international businesses that failed due to Government problems etc. We found your name in our list and that is why you are receiving this email notification.

You are advised to contact Mr. Jim Ovia of ZENITH BANK NIGERIA PLC , as he is our representative in Nigeria, contact him immediately for your approved bank draft of USD$100,000.

This funds are in a Bank Draft for security purpose, so he will send it to you and you can cash it in any bank of your choice.Therefore, you should send him your full Name, telephone number and your correct mailing address where you want him to send the Draft to you.

Contact Mr. Jim Ovia immediately for your Bank Draft

Person to Contact: Mr. Jim Ovia
Email: mrjim_ovia101@live.co.uk

Thanks and God bless you and your family. Hoping to hear from you as soon as you cash your Bank Draft.

Making the world a better place.

Regards Ban Ki-Moon.

(UN Secretary-General)

http://www.un.org/sg/

From masaru_isamu0@op.pl  Thu Apr 29 01:45:13 2010
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Reply-To: <isamumasaru@w.cn>
From:	"MASARU ISAMU" <masaru_isamu0@op.pl>
Subject: CAREFULLY CONSIDER MY PROPOSAL AND REPLY ME
Date:	Thu, 29 Apr 2010 09:39:47 +0800
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To:	undisclosed-recipients:;

Barclays Private Equity
Condor House
St Paul's Churchyard
London EC4M 8AL


Dearest,

Compliments of the season and how you are today, I hope fine. Before I proceed I would like to introduce myself to you. My names are Isamu Masaru, a staff of the above BANK. I have urgent and confidential business proposition for you. December 2004 a France citizen oil contractor with the Iraqi National Petroleum Corporation MR. JEAN MICHEL PIERRE RAYNAUD made a numbered time (fixed) deposited for twelve calendar valued at US$16.5M in my branch.
Upon maturity, I sent a routine notification to his forwarding address but got no reply. After a month, we sent a reminder and finally we discovered from his contact employers Iraqi National Petroleum Corporation that MR. JEAN MICHEL PIERRE RAYNAUD died in suicide bomb attack in Iraq.I therefore made further investigation and discovered that MR. JEAN MICHEL PIERRE RAYNAUD did not declare any next of kin in all his official documents, including his Bank Deposit paperwork. This sum of US$16.500.000.00 is still sitting in the Bank and the interest is being rolled over with the principal sum at the end of each year. No one will come forward to claim it.
According to the bank financial Law, at the expiration of 7 years the money will revert to the ownership of the Government if nobody applies to claim the funds. Consequently, my proposal is that I will like you as a foreigner to stand in as the next of kin to MR. JEAN MICHEL PIERRE RAYNAUD so that the fruits of this man labor will not get into the hands of some corrupt government officials.


As an Accountant and a staff of this BANK, What we have to do is simple if you follow my instructions. You will send to me your complete names, address and information which I will secretly programme in the computer account file of late MR. JEAN MICHEL PIERRE RAYNAUD in our bank as his registered associate before his death and who is entitled to inherit the deposit in case of his death.

When this money is paid into your account, you take 50% share of the total sum and 50% will be for me. You will also help me to invest my own share in your country. I will give you more details upon receipt of your response. Looking forward to see your urgent response with the below information to my email box.
I have personal details of MR. JEAN MICHEL PIERRE RAYNAUD including his identities and statement of account which I have access to from the record room and i will forward them to you for your perusal and to know this is a legitimate proposal and not fake as you may think.



Bye and waiting,
Isamu Masaru
+447031982676



From dicksonsonata@gmail.com  Thu Apr 29 02:57:11 2010
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Date: Wed, 28 Apr 2010 23:46:34 -0300
From: "Dickson Sonata" <dicksonsonata@gmail.com>
Reply-to: dicksonsonata1@gmail.com
To: undisclosed-recipients:;
Subject: We are diamond recruitment Limited based in Ghana,
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We are diamond recruitment Limited based in Ghana, there is job openings,for=
 your country citizens to work and live in Canada,United kingdom,Australia o=
nly.The jobs positions are for unskilled and skilled workers,(Agriculture/Fa=
rm/ Sea food/General Labor).

Terms and conditions:
Working hours: 8 hours/day ? 5 days/week.
Number: 240 workers
Salary: US$475/week
Length of contract: Shall be for a period of One year (extendable to Three y=
ears).
Food: provided by employer.
Accommodation: provided by employer
Transportation: Regarding work related shall be provided by the employer;;
Insurance: available.
Annual leave: 15 days per year.
Air Ticket: provided by employer;
Over Time: paid overtime works, if any.
All other terms and conditions as per the Canadian country labor laws.

Documents required:
Passport Original;
Size (2x2)   4 Photos;
Simple CV (no any special qualification required);

Payment:
    ?    The service Fee is $4,800;
    ?    First Payment for submitting case is $500;
NOTE: Minimum 5 candidates in one batch will or individual applicants need t=
o pays $800 for submission fee;

Submitting Process:
1. Send your company or personal details for Agreement and demand letter iss=
uance in company?s letterhead with security bar codes;
2. Send the workers? passport scans, and receive the acceptance letter for t=
hose, whom are qualified and employer accepted them to join the job;
3. You must send the submission fees to our company and receive the receipt =
from company (if in any case the visa not issued for any worker, the submiss=
ion fee is 100% refundable);
4. In this level process start and you need to arrange the workers? police c=
learance certificates and medical reports and send the copies to our Email;
5. The workers will receive working visas before their departure from their =
country;
6. We will arrange all departure arrangements by sending our skilled staff t=
o your country;
7. We will receive workers in Canada and bring them to job place and guide t=
hem about everything;

Processing Time:it takes 10-14 days receiving your confirmed visa stamping i=
n Applicants passports;

Contact Us :                                                                =
             =20
(CEO)Mr. Williams Smith / Mr. Dickson.

Head Office:                                                                =
                   =20
No 12b crescent Road, Adabraka,Accra-Republic of Ghana.
Email: dickson_sonata@ymail.com
Email: dicksonsonata1@gmail.com=20

Mobile line: +(233) 541-88-2171

----------------------------------------------------------------
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<p> </p>
  <p class=3D"imp-signature"><!--begin_signature-->We are diamond recruitmen=
t Limited based in Ghana, there is job openings,for your country citizens to=
 work and live in Canada,United kingdom,Australia only.The jobs positions ar=
e for unskilled and skilled workers,(Agriculture/Farm/ Sea food/General Labo=
r).<br /> <br />
Terms and conditions:<br />
Working hours: 8 hours/day ? 5 days/week.<br />
Number: 240 workers<br />
Salary: US$475/week<br />
Length of contract: Shall be for a period of One year (extendable to Three y=
ears).<br />
Food: provided by employer.<br />
Accommodation: provided by employer<br />
Transportation: Regarding work related shall be provided by the employer;;<b=
r />
Insurance: available.<br />
Annual leave: 15 days per year.<br />
Air Ticket: provided by employer;<br />
Over Time: paid overtime works, if any.<br />
All other terms and conditions as per the Canadian country labor laws.<br />=
 <br /> <br />
Documents required:<br />
Passport Original;<br />
Size (2x2)&nbsp; &nbsp;4 Photos;<br />
Simple CV (no any special qualification required);<br /> <br />
Payment:<br />
&nbsp; &nbsp; ?&nbsp; &nbsp; The service Fee is $4,800;<br />
&nbsp; &nbsp; ?&nbsp; &nbsp; First Payment for submitting case is $500;<br /=
>
NOTE: Minimum 5 candidates in one batch will or individual applicants need t=
o pays $800 for submission fee;<br /> <br />
Submitting Process:<br />
1. Send your company or personal details for Agreement and demand letter iss=
uance in company?s letterhead with security bar codes;<br />
2. Send the workers? passport scans, and receive the acceptance letter for t=
hose, whom are qualified and employer accepted them to join the job;<br />
3. You must send the submission fees to our company and receive the receipt =
from company (if in any case the visa not issued for any worker, the submiss=
ion fee is 100% refundable);<br />
4. In this level process start and you need to arrange the workers? police c=
learance certificates and medical reports and send the copies to our Email;<=
br />
5. The workers will receive working visas before their departure from their =
country;<br />
6. We will arrange all departure arrangements by sending our skilled staff t=
o your country;<br />
7. We will receive workers in Canada and bring them to job place and guide t=
hem about everything;<br /> <br />
Processing Time:it takes 10-14 days receiving your confirmed visa stamping i=
n Applicants passports;<br /> <br />
Contact Us :&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &=
nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;=
 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br />
(CEO)Mr. Williams Smith / Mr. Dickson.<br /> <br />
Head Office:&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &=
nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; =
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;=
 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp=
; <br />
No 12b crescent Road, Adabraka,Accra-Republic of Ghana.<br />
Email: dickson_sonata@ymail.com<br />
Email: dicksonsonata1@gmail.com <br /> <br />
Mobile line: +(233) 541-88-2171<!--end_signature--></p><br />
<br />
----------------------------------------------------------------<br />
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--=_8ru0c0oidm--

From elizabethgoss29@yahoo.co.uk  Thu Apr 29 05:13:26 2010
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Reply-To: <elizabethgoss77@yahoo.co.jp>
From: "Elizabeth Goss"<elizabethgoss29@yahoo.co.uk>
Subject: Greetings from Elizabeth Goss
Date: Thu, 29 Apr 2010 05:06:27 -0000
MIME-Version: 1.0
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<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<FONT size=3 face="Times New Roman">Greetings from Elizabeth Goss,</FONT><DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With all due respect, I want you to read my letter with one mind and help me. I am Elizabeth Goss, The only child of late Mr and Mrs Goss, My Late father was a very wealthy cocoa dealer in Abidjan, the economic capital of Cote D'Ivoire before he was poisoned to death by his business associates on one of their outing to discuss on a business deal. When my mother died when she was given birth to me, my father took me so special because i am motherless.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Before the death of my father on 22th October, 2009 in a private hospital here in Abidjan . He secretly called me on his bedside and told me that he has a sum of USd5,500,000.00Five million five hundred thousand united states dollars left in a suspense account in a local bank here in Abidjan, that he used my name as his only daughter for the next of kin in deposit of the fund. He also explained to me that it was because of this wealth that he was poisoned by his business associates, that i should seek for a foreign partner in a country of my choice where I will transfer this money and use it for investment purpose ,such real estate agent, Am 19year old. Dear I am honourably seeking your assistance in the following ways.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman"> </FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">1) To provide any bank account where this money would be transferred.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">2) To serve as the guardian of this fund.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">3) To make arrangement for me to come over to your country to further my education and to secure a residential permit for me in your country.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Moreover, i am willing to offer you 30 percent of the total sum as compensation for your effort input after the successful transfer of this fund to your nominated account overseas. I want you to help me not because of the 30 percent I want to offer you but to take me as your adoptive child and take good care of my life. Please Save my life.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Hope to hear from you soonest. Please,</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Thanks And God Bless.</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Best regards,</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
<DIV>
<FONT size=3 face="Times New Roman">Elizabeth Goss </FONT><BR>
<FONT size=3 face="Times New Roman">&nbsp;</FONT></DIV>
</FONT>
</BODY></HTML>

From caroowen18@gmail.com  Thu Apr 29 09:36:33 2010
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Date: Thu, 29 Apr 2010 11:36:20 +0200
Message-ID: <r2yf40c43841004290236qf312b63fxd92f79444d8afc72@mail.gmail.com>
Subject: hms 1/2 for sale
From: caroline owen <caroowen18@gmail.com>
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--001636284c02531d8204855cdcab
Content-Type: text/plain; charset=ISO-8859-1

FROM:BENJI ENGINEERING
HMS - CONTRACT
COMMODITY HMS 1&2 (80/20)
ORIGIN EUROPE / SOUTH AFRICA
QUANTITY/PRICE MINIMUM  30,000 MT PER MTH X 12
= USD 165 PER MT / CIF
MINIMUM 30,000 MT PER MTH X 12

Sales & Purchase Agreement/Contract will be signed between end-Buyer and
end-Seller/Supplier directly.
SPECIFICATIONSCRAP METALS HEAVY MELTING STEEL - ISRI CODES: ISRI 200-206
Steel scraps shall be considered free of alloys when the residual alloying
elements do not exceed the following percentages:
Nickel: 0.45
Chromium: 0.20
Molybdenum: 0.10
Manganese: 1.65
The combined residuals other than manganese shall not exceed a total of 0.60
percent.

Thanks,

Benji m..

EMIL: engineeringbenji1@gmail.com
CELL:+27-731-621-958

--001636284c02531d8204855cdcab
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FROM:BENJI ENGINEERING<br>HMS - CONTRACT<br>COMMODITY HMS 1&amp;2 (80/20)<b=
r>ORIGIN EUROPE / SOUTH AFRICA<br>QUANTITY/PRICE MINIMUM=A0 30,000 MT PER M=
TH X 12<br>=3D USD 165 PER MT / CIF<br>MINIMUM 30,000 MT PER MTH X 12<br><b=
r>
Sales &amp; Purchase Agreement/Contract will be signed between end-Buyer an=
d end-Seller/Supplier directly. <br>SPECIFICATIONSCRAP METALS HEAVY MELTING=
 STEEL - ISRI CODES: ISRI 200-206 Steel scraps shall be considered free of =
alloys when the residual alloying elements do not exceed the following perc=
entages:<br>
Nickel: 0.45<br>Chromium: 0.20<br>Molybdenum: 0.10<br>Manganese: 1.65<br>Th=
e combined residuals other than manganese shall not exceed a total of 0.60 =
percent.<br><br>Thanks,<br><br>Benji m..<br><br>EMIL: <a href=3D"mailto:eng=
ineeringbenji1@gmail.com">engineeringbenji1@gmail.com</a><br>
CELL:+27-731-621-958<br>

--001636284c02531d8204855cdcab--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 29 12:10:45 2010
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Subject: EH Easter Egg in analog delay
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this is for the newly released EH Deluxe Memory Boy analog echo.

a way to cycle though a preset sequence of harmonically related delay times,

kind of a delay arpeggiator.

from the online manual


****************************
TAP DIVIDE SEQUENCE MODE  The DXMB contains a little easter egg called 
Tap Divide Sequence mode. In this mode, the DXMB will automatically 
cycle through the six tap divide modes at a rate set by the RATE knob. 
To use this mode, do the following:
1. Tap in a delay time. Tap Divide Sequence mode will not work if the 
delay time is set by the DELAY knob.
2. Press and hold the TAP DIVIDE button for 2 seconds. After 2 seconds, 
all of the TAP DIVIDE LEDs will light up briefly, now you are in 
sequencer mode. You can release the button.
3. Turn the RATE knob to change the speed of the sequence. You should 
see the tap divide LEDs light up in a sequential fashion.
4. You can tap in new delay times to change the delay time range.
5. To exit Tap Divide Sequence mode: hold down the TAP DIVIDE button for 
another 2 seconds. All 5 LEDs will light briefly to indicate you have 
exited sequence mode. You could also simply turn the DELAY knob.
*****************************

max delay time is a lo-fi 1.5seconds...but this is only accessible with 
tap time,
from the delay control max is 700mS.

The delay can be modulated by triangle or square wave, and if it's like
the smaller Memory Boy it's possible to do extreme modulation,
i.e, longer delays and carrier frequency breakthrough.

andy

From Loopers-Delight-request@loopers-delight.com  Thu Apr 29 12:30:01 2010
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Date: Thu, 29 Apr 2010 05:29:55 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: (Mostly, but not entirely) OT: Interviewage
To: Loopers-Delight@loopers-delight.com
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Here's the transcript of a conversation I had recently with fellow listmember Peter Koniuto from the Red Sun Soundroom. (Mostly non-loop-related, but there's a little bit in there.)

(It's a couple of cups of coffee in length, just so's ye know...)

<http://redsunsoundroom.com/topics/on-our-hi-fi>

-t-


      

From Loopers-Delight-request@loopers-delight.com  Thu Apr 29 12:36:15 2010
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Date: Thu, 29 Apr 2010 08:33:02 -0400
To: Loopers-Delight@loopers-delight.com
From: Charles Zwicky <cazwicky@earthlink.net>
Subject: Re: EH Easter Egg in analog delay
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Cool...!!

>this is for the newly released EH Deluxe Memory Boy analog echo.
>
>a way to cycle though a preset sequence of harmonically related delay times,
>
>kind of a delay arpeggiator.
>
>from the online manual
>
>
>****************************
>TAP DIVIDE SEQUENCE MODE - The DXMB contains a little easter egg 
>called Tap Divide Sequence mode. In this mode, the DXMB will 
>automatically cycle through the six tap divide modes at a rate set 
>by the RATE knob. To use this mode, do the following:
>1. Tap in a delay time. Tap Divide Sequence mode will not work if 
>the delay time is set by the DELAY knob.
>2. Press and hold the TAP DIVIDE button for 2 seconds. After 2 
>seconds, all of the TAP DIVIDE LEDs will light up briefly, now you 
>are in sequencer mode. You can release the button.
>3. Turn the RATE knob to change the speed of the sequence. You 
>should see the tap divide LEDs light up in a sequential fashion.
>4. You can tap in new delay times to change the delay time range.
>5. To exit Tap Divide Sequence mode: hold down the TAP DIVIDE button 
>for another 2 seconds. All 5 LEDs will light briefly to indicate you 
>have exited sequence mode. You could also simply turn the DELAY knob.
>*****************************
>
>max delay time is a lo-fi 1.5seconds...but this is only accessible 
>with tap time,
>from the delay control max is 700mS.
>
>The delay can be modulated by triangle or square wave, and if it's like
>the smaller Memory Boy it's possible to do extreme modulation,
>i.e, longer delays and carrier frequency breakthrough.
>
>andy


-- 

...
http://www.zmix.net

http://www.esession.com/ChuckZwicky

http://albumcredits.com/zmix

From johndon2009@att.net  Thu Apr 29 13:13:39 2010
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Date: Thu, 29 Apr 2010 06:13:28 -0700 (PDT)
From: "Dr.Samas Adama" <johndon2009@att.net>
Subject: I look forward to receiving your response.
To: undisclosed recipients: ;
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--0-1522263448-1272546808=:68246
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=A0I look forward to receiving your response.
=A0
My.Dear Friend,=A0=A0=20
=A0
Pals I want you to read this letter very carefully and i must apologize for=
 barging this=20
message into your mail box without any formal introduction due to the urgen=
cy and=20
confidential of this issue and i know that this message will come to you as=
 a surprise, Pls=20
this is not a joke and i will not like you to joke with it.
=A0
I am Dr.Samas Adama=A0 a Manager in African Development Bank(ADB) Ouagadoug=
ou , Burkina Faso=20
.I Hoped that you will not expose or betray this trust and confident that i=
 am about to=20
establish with you for the mutual benefit of me and you.
=A0
this fund was deposited in our bank by Mr kattan Azmal from Jordan=A0 who d=
ied in a plane=20
crash in 2000 tbm 700 aircraft on 31st july with his wife and the whole cre=
w on board.
I need your urgent assistance in transferring the sum of ($10.5)millions us=
d into your=20
account within 7working banking days. This money has been dormant for years=
 in our Bank=20
without claim due to the owner of this fund died along with his entire fami=
ly and supposed=20
next of kin in an air crash since July 31st 2007.
=A0
I want our bank to release this fund to you as the nearest person to our de=
ceased customer=20
while i come over to your country to share this fund with you as soon as yo=
u confirm this=20
fund into your account and ask me to come over. I don't want the money to g=
o into our Bank=20
treasure as an abandoned fund. So this is the reason why i contacted you so=
 that our bank=20
will release this money to you as the next of kin to the deceased customer.=
 Please I would=20
like you to keep this proposal as a top secret and delete it if you are not=
 interesting.
=A0
Upon the receipt of your reply and indication of your capability, i will gi=
ve you full=20
details on how the business will be executed and also note that you will ha=
ve 48% of the=20
above mentioned sum if you agree to handle this business with me while 50% =
will be for me=20
and 2% for any expenses that may arise on the process, Because i don't want=
 anyone here in=20
our bank to know my involvement until you confirm this fund into your accou=
nt and ask me to=20
come over for the sharing as i indicated.Am looking forward to hear from yo=
u immediately,=20
=A0for further information do not herstite to call me on this number +229-9=
8-31-93-42=20
=A0
=A0
=A0 THE REQUESTED INFORMATIONS BELOW.
=A0 =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=A0
1.FULL NAME..........
2.TELEPHONE NUMBERS/MOBILE/FAX.......
3.YOUR AGE......
4.YOUR SEX.........
5.YOUR OCCUPATION........
6.YOUR COUNTRY AND CITY......
7.YOUR HOME ADDRESS..........
8.MARITAL STATUS............
Contact E;mail (boa.bamk_ofafrica@hotmail.com)
Thanks with my best regards
Dr.Samas Adama.
--0-1522263448-1272546808=:68246
Content-Type: text/html; charset=iso-8859-1
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV><STRONG>&nbsp;I look forward to receivin=
g your response.</STRONG></DIV>
<DIV><STRONG>&nbsp;<BR>My.Dear Friend,&nbsp;&nbsp; <BR>&nbsp;<BR>Pals I wan=
t you to read this letter very carefully and i must apologize for barging t=
his </STRONG></DIV>
<DIV><STRONG>message into your mail box without any formal introduction due=
 to the urgency and </STRONG></DIV>
<DIV><STRONG>confidential of this issue and i know that this message will c=
ome to you as a surprise, Pls </STRONG></DIV>
<DIV><STRONG>this is not a joke and i will not like you to joke with it.<BR=
>&nbsp;<BR>I am Dr.Samas Adama&nbsp; a Manager in African Development Bank(=
ADB) Ouagadougou , Burkina Faso </STRONG></DIV>
<DIV><STRONG>.I Hoped that you will not expose or betray this trust and con=
fident that i am about to </STRONG></DIV>
<DIV><STRONG>establish with you for the mutual benefit of me and you.<BR>&n=
bsp;<BR>this fund was deposited in our bank by Mr kattan Azmal from Jordan&=
nbsp; who died in a plane </STRONG></DIV>
<DIV><STRONG>crash in 2000 tbm 700 aircraft on 31st july with his wife and =
the whole crew on board.<BR>I need your urgent assistance in transferring t=
he sum of ($10.5)millions usd into your </STRONG></DIV>
<DIV><STRONG>account within 7working banking days. This money has been dorm=
ant for years in our Bank </STRONG></DIV>
<DIV><STRONG>without claim due to the owner of this fund died along with hi=
s entire family and supposed </STRONG></DIV>
<DIV><STRONG>next of kin in an air crash since July 31st 2007.<BR>&nbsp;<BR=
>I want our bank to release this fund to you as the nearest person to our d=
eceased customer </STRONG></DIV>
<DIV><STRONG>while i come over to your country to share this fund with you =
as soon as you confirm this </STRONG></DIV>
<DIV><STRONG>fund into your account and ask me to come over. I don't want t=
he money to go into our Bank </STRONG></DIV>
<DIV><STRONG>treasure as an abandoned fund. So this is the reason why i con=
tacted you so that our bank </STRONG></DIV>
<DIV><STRONG>will release this money to you as the next of kin to the decea=
sed customer. Please I would </STRONG></DIV>
<DIV><STRONG>like you to keep this proposal as a top secret and delete it i=
f you are not interesting.<BR>&nbsp;<BR>Upon the receipt of your reply and =
indication of your capability, i will give you full </STRONG></DIV>
<DIV><STRONG>details on how the business will be executed and also note tha=
t you will have 48% of the </STRONG></DIV>
<DIV><STRONG>above mentioned sum if you agree to handle this business with =
me while 50% will be for me </STRONG></DIV>
<DIV><STRONG>and 2% for any expenses that may arise on the process, Because=
 i don't want anyone here in </STRONG></DIV>
<DIV><STRONG>our bank to know my involvement until you confirm this fund in=
to your account and ask me to </STRONG></DIV>
<DIV><STRONG>come over for the sharing as i indicated.Am looking forward to=
 hear from you immediately, <BR>&nbsp;for further information do not hersti=
te to call me on this number +229-98-31-93-42 <BR>&nbsp;<BR>&nbsp;<BR>&nbsp=
; THE REQUESTED INFORMATIONS BELOW.<BR>&nbsp; =3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
<BR>&nbsp;<BR>1.FULL NAME..........<BR>2.TELEPHONE NUMBERS/MOBILE/FAX......=
.<BR>3.YOUR AGE......<BR>4.YOUR SEX.........<BR>5.YOUR OCCUPATION........<B=
R>6.YOUR COUNTRY AND CITY......<BR>7.YOUR HOME ADDRESS..........<BR>8.MARIT=
AL STATUS............</STRONG></DIV>
<DIV><STRONG>Contact E;mail (</STRONG><A href=3D"mailto:boa.bamk_ofafrica@h=
otmail.com"><STRONG>boa.bamk_ofafrica@hotmail.com</STRONG></A><STRONG>)</ST=
RONG></DIV>
<DIV><STRONG>Thanks with my best regards<BR>Dr.Samas Adama.</STRONG></DIV><=
/td></tr></table>
--0-1522263448-1272546808=:68246--

From eric_marquez@att.net  Thu Apr 29 15:21:45 2010
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Date: Thu, 29 Apr 2010 08:21:38 -0700 (PDT)
From: ERIC MARQUEZ <eric_marquez@att.net>
Reply-To: money.gramservice@hotmail.com
Subject: Dear Beneficiary,
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1394548917-1272554498=:21143"

--0-1394548917-1272554498=:21143
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Dear Beneficiary,

=A0
Due to your inability to meet up with USD$8,500.00 being the cost of transf=
er
for your Fund (USD$1.5m) we have concluded and deposited the (USD$1.5m)
to Money Gram Service for immediate transfer to you, you will be receiving
USD$7000.00 per each transaction.



Contact the Money Gram Service,
Contact Person: Albert Essien
Phone: +229 96 68 8126
E-mail: money.gramservice@hotmail.com



You should Include your full name and address which they will use to start
the transfers to you.



Thanks
=A0
Mr. Eric Marquez (Secetary)
International Transfer Department
Eco Bank PLC Benin Republic=20


--0-1394548917-1272554498=:21143
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;">Dear Beneficiary,<br><br>&nbsp;<br>Due to you=
r inability to meet up with USD$8,500.00 being the cost of transfer<br>for =
your Fund (USD$1.5m) we have concluded and deposited the (USD$1.5m)<br>to M=
oney Gram Service for immediate transfer to you, you will be receiving<br>U=
SD$7000.00 per each transaction.<br><br><br><br>Contact the Money Gram Serv=
ice,<br>Contact Person: Albert Essien<br>Phone: +229 96 68 8126<br>E-mail: =
money.gramservice@hotmail.com<br><br><br><br>You should Include your full n=
ame and address which they will use to start<br>the transfers to you.<br><b=
r><br><br>Thanks<br>&nbsp;<br>Mr. Eric Marquez (Secetary)<br>International =
Transfer Department<br>Eco Bank PLC Benin Republic <br><br></td></tr></tabl=
e>
--0-1394548917-1272554498=:21143--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 29 15:23:38 2010
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Date: Thu, 29 Apr 2010 11:22:58 -0400 (EDT)
Subject: Re: (Mostly, but not entirely) OT: Interviewage
From: "p koniuto" <peter@RedSunSoundroom.com>
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Tim and everyone else,

Here's the permalink to the interview:

http://redsunsoundroom.com/tim-nelson-setting-complex-fractures/tim-nelson-setting-complex-fractures

It's a blog post, so the permalink to the post is helpful after a bit of
time.

UNFORTUNATELY, my audio player plugin for my site began malfunctioning
yesterday.  First time ever.  Trouble-shooting it now, hope to have it
fixed soon.  There are some nice clips of Tim's work embedded right in the
interview, so if it isn't working by the time you check it out, do check
back.

Thanks all,
Peter

______________________________
Peter Koniuto
Creative Recordist - Composer
Red Sun Soundroom

Music's Inside...

http://www.RedSunSoundroom.com
peter AT RedSunSoundroom.com
______________________________

> Here's the transcript of a conversation I had recently with fellow
> listmember Peter Koniuto from the Red Sun Soundroom. (Mostly
> non-loop-related, but there's a little bit in there.)
>
> (It's a couple of cups of coffee in length, just so's ye know...)
>
> <http://redsunsoundroom.com/topics/on-our-hi-fi>
>
> -t-
>
>
>
>
>





From itisprivateoffice1@att.net  Thu Apr 29 16:35:03 2010
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Date: Thu, 29 Apr 2010 09:34:55 -0700 (PDT)
From: "Pro. c Soludo chukwuma" <itisprivateoffice1@att.net>
Reply-To: procsolu@yahoo.com.hk
Subject: Former central bank Gov
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-1854815139-1272558895=:61706
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Hello my good friend,
=A0
How are you today? Hope all is well with you and your family?, You may not =
understand why this mail came to you.But if you do not remember me, you mig=
ht have receive an email from me in the past regarding a multi-million-doll=
ar business proposal which we never concluded.I am using this opportunity t=
o inform you that this multi-million-dollar business has been concluded wit=
h the assistance of another partner from Germany who financed the transacti=
on to a logical conclusion.
=A0
I thank you for your great effort to our unfinished transfer of your fund i=
nto your account due to one reason or the other which is best known to you.=
But I want to inform you that I have successfully transferred the fund out =
of my bank to my new partner's account in Germany that was capable of assis=
ting me in this great venture.Due to your effort, sincerity, courage and tr=
ust worthiness You showed during the course of the transaction.I want to co=
mpensate you and show my gratitude to you with the sum of $5,000,000.00(fiv=
e million united states dollars) I have left a certified international bank=
draft for you worth of $5,000,000.00 cashable anywhere in the world.=20
=A0
My dear friend I will liake you to contact MY REV FATHER, Rev fr.Paul Ndu o=
n his email address at:[revfatherpaul@sify.com] for the collection of your =
bankdraft.I have authorized him to release the Bank Draft to you whenever y=
ou contact him regarding the bank draft.At the moment, I'm very busy here b=
ecause of the investment projects, which I and my new partner are having at=
 hand.Please I will like you to accept this token with good faith as this i=
s from the bottom of my heart,Also comply with Rev Father Paul Ndu's direct=
ives so that he will send the draft to you without any delay.
=A0
NOTE;You are advised to stop any further communication with your local repr=
esentative(s) any officials (s) department whom may call you or email you c=
oncerning the check draft worth sum of USD$5M, eccept Rev Father Paul Ndu. =
You are advise not to accept any fax or telephone calls that does not come =
from him,Because he is the only person I have authorized to deliver the che=
ckdraft to you, and you may call him immediately you received this message =
for more information through the bellow information.
=A0
REVEREND FATHER PAUL NDU=20
=A0
CONTACT:SAINT MARY'S CATHOLIC CHURCH ISOLO LAGOS NIGERIA=20
=A0
His email address: [revfatherpaul@sify.com]
=A0
Therefore, you should send him your full Name and telephone number inclusiv=
e of your current mailing address where you want him to send the draft to y=
ou.Thanks and God bless you and your family. Hoping to hear from you again.

Regards.
Prof. C. Soludo Chukwuma.
(Former central bank Gov.)
--0-1854815139-1272558895=:61706
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><table border=3D"0" cellpadding=3D"0"=
 cellspacing=3D"0"><tbody><tr><td valign=3D"top"><br><br><font size=3D"4"><=
span style=3D"font-weight: bold;">Hello my good friend,</span><br style=3D"=
font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br sty=
le=3D"font-weight: bold;"><span style=3D"font-weight: bold;">How are you to=
day? Hope all is well with you and your family?, You may not understand why=
 this mail came to you.But if you do not remember me, you might have receiv=
e an email from me in the past regarding a multi-million-dollar business pr=
oposal which we never concluded.I am using this opportunity to inform you t=
hat this multi-million-dollar business has been concluded with the assistan=
ce of another partner from Germany who financed the transaction to a logica=
l conclusion.</span><br style=3D"font-weight: bold;"><span style=3D"font-we=
ight:
 bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-w=
eight: bold;">I thank you for your great effort to our unfinished transfer =
of your fund into your account due to one reason or the other which is best=
 known to you.But I want to inform you that I have successfully transferred=
 the fund out of my bank to my new partner's account in Germany that was ca=
pable of assisting me in this great venture.Due to your effort, sincerity, =
courage and trust worthiness You showed during the course of the transactio=
n.I want to compensate you and show my gratitude to you with the sum of $5,=
000,000.00(five million united states dollars) I have left a certified inte=
rnational bankdraft for you worth of $5,000,000.00 cashable anywhere in the=
 world. </span><br style=3D"font-weight: bold;"><span style=3D"font-weight:=
 bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-w=
eight: bold;">My dear friend I will liake you to contact MY REV FATHER, Rev
 fr.Paul Ndu on his email address at:[revfatherpaul@sify.com] for the colle=
ction of your bankdraft.I have authorized him to release the Bank Draft to =
you whenever you contact him regarding the bank draft.At the moment, I'm ve=
ry busy here because of the investment projects, which I and my new partner=
 are having at hand.Please I will like you to accept this token with good f=
aith as this is from the bottom of my heart,Also comply with Rev Father Pau=
l Ndu's directives so that he will send the draft to you without any delay.=
</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">=
&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: b=
old;">NOTE;You are advised to stop any further communication with your loca=
l representative(s) any officials (s) department whom may call you or email=
 you concerning the check draft worth sum of USD$5M, eccept Rev Father Paul=
 Ndu. You are advise not to accept any fax or telephone calls that does not
 come from him,Because he is the only person I have authorized to deliver t=
he checkdraft to you, and you may call him immediately you received this me=
ssage for more information through the bellow information.</span><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br=
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">REVEREND F=
ATHER PAUL NDU </span><br style=3D"font-weight: bold;"><span style=3D"font-=
weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D=
"font-weight: bold;">CONTACT:SAINT MARY'S CATHOLIC CHURCH ISOLO LAGOS NIGER=
IA </span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold=
;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-weight=
: bold;">His email address: [revfatherpaul@sify.com]</span><br style=3D"fon=
t-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Therefore, you s=
hould send him your full
 Name and telephone number inclusive of your current mailing address where =
you want him to send the draft to you.Thanks and God bless you and your fam=
ily. Hoping to hear from you again.</span><br style=3D"font-weight: bold;">=
<br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Regards=
.</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;"=
>Prof. C. Soludo Chukwuma.</span><br style=3D"font-weight: bold;"><span sty=
le=3D"font-weight: bold;">(Former central bank Gov.)</span></font></td></tr=
></tbody></table></td></tr></table>
--0-1854815139-1272558895=:61706--

From Loopers-Delight-request@loopers-delight.com  Thu Apr 29 16:41:57 2010
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Date: Thu, 29 Apr 2010 18:41:54 +0200
From: "Buzap Buzap" <buzap@gmx.net>
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 <COL109-W252C9CA118A5531A5C0F5CBE020@phx.gbl>
Subject: Re: OT: Got the Wavedrum WD-X - and it rocks!
To: Loopers-Delight@loopers-delight.com
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Hi Phillip

> I own a HPD 10 HPD15 and Wavedrum 

Would you say that an HPD 10 or HPD15 is able to pull of a realistic drum kit (possibly layered in loops), esp. cymbals & hihat?
Or would you need something more like the Roland Octapad or Yamaha DXmulti12 for this?

best regards
Buzap

PS: happy to see all the Wavedrum users here. Yeah, the rim could have offered a bit better playability. Ring on a finger really sounds great, though.
Feel free to share your favorite patch settings with me as PM :)

-- 
GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01

From jsmith20916@yahoo.com  Thu Apr 29 17:32:20 2010
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Date: Thu, 29 Apr 2010 18:32:11 +0200
From: JOHN SMITH <jsmith20916@yahoo.com>
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Dear Sir/Madam,

Please, I want to introduce myself and this business opportunity to you.

My name is Mr John Smith , a bank accountant,I will need your assistance in
this business transaction.I would like you to stand as the next of kin to my
deceased customer,Mr William Barnes, who died in a plane crash 31 October
1999[With Egyptian airline 990] with other passengers aboard.

He was a Wealthy Oil Merchant who made a deposit of $30Million[Thirty Million
United State Dollars] with our bank.He died without any registered next of kin
and as such the funds now have an open beneficiary mandate. If you are
interested  please do let me have your private telephone number so that I can
give you comprehensive details on what we are to do.

I urgently hope to get your response as soon as possible through my private
email address: johnsmith@avoe.ge.

Best Regards,
Mr John Smith




------------------------------------------------------
Opret en gratis TV2 mail på http://tv2mail.tv2.dk

From Loopers-Delight-request@loopers-delight.com  Thu Apr 29 19:39:28 2010
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Date: Thu, 29 Apr 2010 21:39:08 +0200
From: Rainer Straschill <moinsound@googlemail.com>
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Subject: Another post on looping philosophy
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http://i.imgur.com/tSuG0.jpg

('nuff said ;)

-- 
http://moinlabs.de
Follow me on twitter: http://twitter.com/moinlabs

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Subject: Re: Another post on looping philosophy
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Ha!
Is that from GEB?
Sylvain


On Thu, Apr 29, 2010 at 2:39 PM, Rainer Straschill
<moinsound@googlemail.com> wrote:
> http://i.imgur.com/tSuG0.jpg
>
> ('nuff said ;)
>
> --
> http://moinlabs.de
> Follow me on twitter: http://twitter.com/moinlabs
>
>

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From Loopers-Delight-request@loopers-delight.com  Thu Apr 29 22:05:00 2010
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Date: Thu, 29 Apr 2010 15:04:59 -0700 (PDT)
From: Tim Nelson <psychle62@yahoo.com>
Subject: Re: (Mostly, but not entirely) OT: Interviewage
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Ah, a permalink. That's much better... Thanks Peter!=0A=0AAs for the Flash =
situation, although this won't help for the rest of the Red Sun Soundroom c=
ontent, all of MY audio clips (minus the live one, but plus many others) ca=
n be heard via <http://www.cdbaby.com/Artist/TimNelson> ...=0A=0AJust to ma=
ke this thread quasi-topical, although the album this interview is mostly c=
oncerned with isn't primarily a "live looping" extravaganza, there are inde=
ed special guest loopappearances from an RC-20 (original version), a DL-4, =
an Akai Headrush (original version again), a line6 EchoPro, a DD-20 and, to=
 borrow a phrase from long-lost LD listmember Bobdog Catlin*, "more delays =
than you can shake a stick at".=0A=0A-t-=0A=0A*Do any of you have contact i=
nfo for Bobdog?=0A=0A=0A--- On Thu, 4/29/10, Tim Nelson <psychle62@yahoo.co=
m> wrote:=0A=0A> From: Tim Nelson <psychle62@yahoo.com>=0A> Subject: Re: (M=
ostly, but not entirely) OT: Interviewage=0A> To: peter@RedSunSoundroom.com=
=0A> Date: Thursday, April 29, 2010, 6:02 PM=0A> Ah, a permalink. That's mu=
ch=0A> better... Thanks Peter!=0A> =0A> As for the Flash situation, althoug=
h this won't help for=0A> the rest of the Red Sun Soundroom content, all of=
 MY audio=0A> clips (minus the live one, but plus many others) can be=0A> h=
eard via <http://www.cdbaby.com/Artist/TimNelson> ...=0A> =0A> Just to make=
 this thread quasi-topical, although the album=0A> this interview is mostly=
 concerned with isn't primarily a=0A> "live looping" extravaganza, there ar=
e indeed special guest=0A> loopappearances from an RC-20 (original version)=
, a DL-4, an=0A> Akai Headrush (original version again), a line6 EchoPro, a=
=0A> DD-20 and, to borrow a phrase from long-lost LD listmember=0A> Bobdog =
Catlin*, "more delays than you can shake a stick=0A> at".=0A> =0A> -t-=0A> =
=0A> *Do any of you have contact info for Bobdog?=0A> =0A> =0A> --- On Thu,=
 4/29/10, p koniuto <peter@RedSunSoundroom.com>=0A> wrote:=0A> =0A> > From:=
 p koniuto <peter@RedSunSoundroom.com>=0A> > Subject: Re: (Mostly, but not =
entirely) OT:=0A> Interviewage=0A> > To: Loopers-Delight@loopers-delight.co=
m=0A> > Date: Thursday, April 29, 2010, 11:22 AM=0A> > =0A> > Tim and every=
one else,=0A> > =0A> > Here's the permalink to the interview:=0A> > =0A> > =
http://redsunsoundroom.com/tim-nelson-setting-complex-fractures/tim-nelson-=
setting-complex-fractures=0A> > =0A> > It's a blog post, so the permalink t=
o the post is=0A> helpful=0A> > after a bit of=0A> > time.=0A> > =0A> > UNF=
ORTUNATELY, my audio player plugin for my site=0A> began=0A> > malfunctioni=
ng=0A> > yesterday.=A0 First time ever.=A0 Trouble-shooting it=0A> > now, h=
ope to have it=0A> > fixed soon.=A0 There are some nice clips of Tim's work=
=0A> > embedded right in the=0A> > interview, so if it isn't working by the=
 time you=0A> check it=0A> > out, do check=0A> > back.=0A> > =0A> > Thanks =
all,=0A> > Peter=0A> > =0A> > ______________________________=0A> > Peter Ko=
niuto=0A> > Creative Recordist - Composer=0A> > Red Sun Soundroom=0A> > =0A=
> > Music's Inside...=0A> > =0A> > http://www.RedSunSoundroom.com=0A> > pet=
er AT RedSunSoundroom.com=0A> > ______________________________=0A> > =0A> >=
 > Here's the transcript of a conversation I had=0A> recently=0A> > with fe=
llow=0A> > > listmember Peter Koniuto from the Red Sun=0A> Soundroom.=0A> >=
 (Mostly=0A> > > non-loop-related, but there's a little bit in=0A> there.)=
=0A> > >=0A> > > (It's a couple of cups of coffee in length, just=0A> so's=
=0A> > ye know...)=0A> > >=0A> > > <http://redsunsoundroom.com/topics/on-ou=
r-hi-fi>=0A> > >=0A> > > -t-=0A> > >=0A> > >=0A> > >=0A> > >=0A> > >=0A> > =
=0A> > =0A> > =0A> > =0A> > =0A> > =0A> =0A> =0A> =0A> =0A=0A=0A      

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ZW50Lg==

------=_NextPart_000_00BE_01C2A9A6.5E810846--

From lotto48@aim.com  Fri Apr 30 01:09:52 2010
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Reply-To: <calvinwater22@aim.com>
From: "NATIONAL LOTTO"<lotto48@aim.com>
Subject: CONGRATULATIONS!!!
Date: Sun, 31 May 2009 09:08:07 +0800
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070210 -- Confirm receipt of your participation!!

Dear Selected Participant,
THE NATIONAL LOTTERY (TNL) has just concluded a recent special programme in which your email address was amongst the specially selected which makes you entitled to receive an amount with winning details as follows:
 
FILE CATEGORY: LOTTO HOTPICKS, WINNING NOs:  11,13,21,33,36,47
 
For further detailed information as well as to commence receipts of your entitlement, you MUST FORWARD a copy of this notification as well as your;
 
FULL NAMES -
VALID MOBILE/CONTACT TEL -
COUNTRY OF RESIDENCE -
 
to our Claims Processing Director via contact information below, feel free also to give him a call.
 
Mr. Calvin Walter,
Processing Director,
Special Programme Department,
Tel: +44-785-929-3435
Fax: +44-844-774-1829
Email: calvinwater22@aim.com 
 
Congratulations!!!
 
Yours Faithfully,
Mrs. Barbara McPherson,
Special Programme Coordinator,
Special Programme Department

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Date: Thu, 29 Apr 2010 18:24:36 -0700 (PDT)
From: "Pro. c Soludo chukwuma" <itisprivateoffice1@att.net>
Reply-To: procsolu@yahoo.com.hk
Subject: Former central bank Gov.
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1328307913-1272590676=:74138"

--0-1328307913-1272590676=:74138
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable





Hello my good friend,
=A0
How are you today? Hope all is well with you and your family?, You may not =
understand why this mail came to you.But if you do not remember me, you mig=
ht have receive an email from me in the past regarding a multi-million-doll=
ar business proposal which we never concluded.I am using this opportunity t=
o inform you that this multi-million-dollar business has been concluded wit=
h the assistance of another partner from Germany who financed the transacti=
on to a logical conclusion.
=A0
I thank you for your great effort to our unfinished transfer of your fund i=
nto your account due to one reason or the other which is best known to you.=
But I want to inform you that I have successfully transferred the fund out =
of my bank to my new partner's account in Germany that was capable of assis=
ting me in this great venture.Due to your effort, sincerity, courage and tr=
ust worthiness You showed during the course of the transaction.I want to co=
mpensate you and show my gratitude to you with the sum of $5,000,000.00(fiv=
e million united states dollars) I have left a certified international bank=
draft for you worth of $5,000,000.00 cashable anywhere in the world.=20
=A0
My dear friend I will liake you to contact MY REV FATHER, Rev fr.Paul Ndu o=
n his email address at:[revfatherpaul@sify.com] for the collection of your =
bankdraft.I have authorized him to release the Bank Draft to you whenever y=
ou contact him regarding the bank draft.At the moment, I'm very busy here b=
ecause of the investment projects, which I and my new partner are having at=
 hand.Please I will like you to accept this token with good faith as this i=
s from the bottom of my heart,Also comply with Rev Father Paul Ndu's direct=
ives so that he will send the draft to you without any delay.
=A0
NOTE;You are advised to stop any further communication with your local repr=
esentative(s) any officials (s) department whom may call you or email you c=
oncerning the check draft worth sum of USD$5M, eccept Rev Father Paul Ndu. =
You are advise not to accept any fax or telephone calls that does not come =
from him,Because he is the only person I have authorized to deliver the che=
ckdraft to you, and you may call him immediately you received this message =
for more information through the bellow information.
=A0
REVEREND FATHER PAUL NDU=20
=A0
CONTACT:SAINT MARY'S CATHOLIC CHURCH ISOLO LAGOS NIGERIA=20
=A0
His email address: [revfatherpaul@sify.com]
=A0
Therefore, you should send him your full Name and telephone number inclusiv=
e of your current mailing address where you want him to send the draft to y=
ou.Thanks and God bless you and your family. Hoping to hear from you again.

Regards.
Prof. C. Soludo Chukwuma.
(Former central bank Gov.)
--0-1328307913-1272590676=:74138
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br><table border=3D"0" cellpadding=3D"0"=
 cellspacing=3D"0"><tbody><tr><td valign=3D"top"><br><br><font size=3D"4"><=
span style=3D"font-weight: bold;">Hello my good friend,</span><br style=3D"=
font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br sty=
le=3D"font-weight: bold;"><span style=3D"font-weight: bold;">How are you to=
day? Hope all is well with you and your family?, You may not understand why=
 this mail came to you.But if you do not remember me, you might have receiv=
e an email from me in the past regarding a multi-million-dollar business pr=
oposal which we never concluded.I am using this opportunity to inform you t=
hat this multi-million-dollar business has been concluded with the assistan=
ce of another partner from Germany who financed the transaction to a logica=
l conclusion.</span><br style=3D"font-weight: bold;"><span style=3D"font-we=
ight:
 bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-w=
eight: bold;">I thank you for your great effort to our unfinished transfer =
of your fund into your account due to one reason or the other which is best=
 known to you.But I want to inform you that I have successfully transferred=
 the fund out of my bank to my new partner's account in Germany that was ca=
pable of assisting me in this great venture.Due to your effort, sincerity, =
courage and trust worthiness You showed during the course of the transactio=
n.I want to compensate you and show my gratitude to you with the sum of $5,=
000,000.00(five million united states dollars) I have left a certified inte=
rnational bankdraft for you worth of $5,000,000.00 cashable anywhere in the=
 world. </span><br style=3D"font-weight: bold;"><span style=3D"font-weight:=
 bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-w=
eight: bold;">My dear friend I will liake you to contact MY REV FATHER, Rev
 fr.Paul Ndu on his email address at:[revfatherpaul@sify.com] for the colle=
ction of your bankdraft.I have authorized him to release the Bank Draft to =
you whenever you contact him regarding the bank draft.At the moment, I'm ve=
ry busy here because of the investment projects, which I and my new partner=
 are having at hand.Please I will like you to accept this token with good f=
aith as this is from the bottom of my heart,Also comply with Rev Father Pau=
l Ndu's directives so that he will send the draft to you without any delay.=
</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">=
&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: b=
old;">NOTE;You are advised to stop any further communication with your loca=
l representative(s) any officials (s) department whom may call you or email=
 you concerning the check draft worth sum of USD$5M, eccept Rev Father Paul=
 Ndu. You are advise not to accept any fax or telephone calls that does not
 come from him,Because he is the only person I have authorized to deliver t=
he checkdraft to you, and you may call him immediately you received this me=
ssage for more information through the bellow information.</span><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br=
 style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">REVEREND F=
ATHER PAUL NDU </span><br style=3D"font-weight: bold;"><span style=3D"font-=
weight: bold;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D=
"font-weight: bold;">CONTACT:SAINT MARY'S CATHOLIC CHURCH ISOLO LAGOS NIGER=
IA </span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold=
;">&nbsp;</span><br style=3D"font-weight: bold;"><span style=3D"font-weight=
: bold;">His email address: [revfatherpaul@sify.com]</span><br style=3D"fon=
t-weight: bold;"><span style=3D"font-weight: bold;">&nbsp;</span><br style=
=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Therefore, you s=
hould send him your full
 Name and telephone number inclusive of your current mailing address where =
you want him to send the draft to you.Thanks and God bless you and your fam=
ily. Hoping to hear from you again.</span><br style=3D"font-weight: bold;">=
<br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;">Regards=
.</span><br style=3D"font-weight: bold;"><span style=3D"font-weight: bold;"=
>Prof. C. Soludo Chukwuma.</span><br style=3D"font-weight: bold;"><span sty=
le=3D"font-weight: bold;">(Former central bank Gov.)</span></font></td></tr=
></tbody></table></td></tr></table>
--0-1328307913-1272590676=:74138--

From officeemail@mail.mn  Fri Apr 30 02:08:30 2010
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	 Fri, 23 Apr 2010 20:14:13 +0200
Reply-To: <gbrown01@live.com>
From: "ISMEAL UZOMAKUH"<officeemail@mail.mn>
Subject: ATM CARD INTERCEPTION NOTICE!!!
Date: Fri, 23 Apr 2010 19:13:59 +0100
MIME-Version: 1.0
Content-Type: text/html;
	charset="Windows-1251"
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To: undisclosed-recipients:;

<HTML><HEAD><TITLE></TITLE>
</HEAD>
<BODY bgcolor=#FFFFFF leftmargin=5 topmargin=5 rightmargin=5 bottommargin=5>
<FONT size=2 color=#000000 face="Arial">
<DIV>
ATTN: BENEFICAIRY,</DIV>
<DIV>
 </DIV>
<DIV>
 </DIV>
<DIV>
INTERCEPTION NOTICE</DIV>
<DIV>
 </DIV>
<DIV>
THE NIGERIAN CUSTOMS SERVICE DIVISION 2 HERE AT MURTALA MUHAMMED INTERNATIONAL AIRPORT&nbsp; WRITE TO INFORM YOU THAT WE&nbsp; INTERCEPTED ONE&nbsp; PARCEL WITH THE TRACKING NUMBER (877843329746) AND REF: NUMBER: (EDCS7878/BR/ESP/10)&nbsp; HAS BEEN INTERCEPTED BY THE EAGLE EYE MEN OF THE NIGERIA CUSTOMS SET UP BY THE NIGERIAN GOVERNMENT TO CHECKMATE ON ANY PACKAGMENT SHIPMENT GOING OUT OF THIS COUNTRIES.</DIV>
<DIV>
 </DIV>
<DIV>
THIS PARCEL WAS ADDRESSED TO YOU,BUT WHAT SURPRISED US WHEN WE SCANNED AND OPENNED THE PARCEL TO KNOW THE REAL CONTENTS,IN ACCORDANCE WITH THE FEDERAL GOVERNMENT POLICY OF 100% INSPECTION&nbsp; TO ENSURE IT IS FREE OF SCAM/FRAUD, DRUG, MONEY LAUNDARY AND TERRORISIM ACTIVITIES.</DIV>
<DIV>
 </DIV>
<DIV>
WE DISCOVERED THAT SAID PARCEL CONTAINED ONE ATM CARD&nbsp; WITH YOUR NAME ON IT.</DIV>
<DIV>
 </DIV>
<DIV>
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<DIV>
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<DIV>
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<DIV>
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<DIV>
&nbsp;</DIV>
</FONT>
</BODY></HTML>

From paullardon56@hotmail.com  Fri Apr 30 04:16:40 2010
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Contact Mr. MR PAUL LARDON for your funds of $17.5 million
USD,Email:paullardon56@yahoo.com,(UNITED KINGDOM)
paullardon5656@yahoo.com
Tel: +447011121198

From paullardon56@hotmail.com  Fri Apr 30 04:16:46 2010
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Contact Mr. MR PAUL LARDON for your funds of $17.5 million
USD,Email:paullardon56@yahoo.com,(UNITED KINGDOM)
paullardon5656@yahoo.com
Tel: +447011121198

From Loopers-Delight-request@loopers-delight.com  Fri Apr 30 04:43:52 2010
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Subject: audio in to camcorder mic input?
From: George Ludwig <georgeludwigmusic@gmail.com>
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--0050450296856e91c504856ce0ce
Content-Type: text/plain; charset=ISO-8859-1

I was wanting to record some looping demos to upload to youtube, and I need
to get a comcorder. I really want to feed the audio in to the camera via my
mixing board. Not many camcorders seem to advertise a true "line in" audio
input. Has anyone tried feeding the mic input? Any success?

Best,

George

http://www.georgeludwigmusic.com

--0050450296856e91c504856ce0ce
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<div>I was wanting to record some looping demos to upload to youtube, and I=
 need to get a comcorder. I really want to feed the audio in to the camera =
via my mixing board. Not many camcorders seem to advertise a true &quot;lin=
e in&quot; audio input. Has anyone tried feeding the mic input? Any success=
?</div>

<div>=A0</div>
<div>Best,</div>
<div>=A0</div>
<div>George<br clear=3D"all"><br><a href=3D"http://www.georgeludwigmusic.co=
m/">http://www.georgeludwigmusic.com</a><br></div>

--0050450296856e91c504856ce0ce--

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Subject: EXP mode without external pedal?
To: Loopers-Delight@loopers-delight.com
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Date: Fri, 30 Apr 2010 04:46:24 +0000
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Can I use a midi controller for EXP mode? Maybe use a dummy plug in exp pedal jack? I'm wanting to use my fcb1010 in exp mode without additional pedal.
Thanks
C
Sent via soup cans and string.

From alfiuno@neostrada.pl  Fri Apr 30 07:01:48 2010
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Greetings from Japan

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Regards,
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(Head of Account Dept, Tokyo Mitsubishi Bank,
Tokyo, Japan)

From Loopers-Delight-request@loopers-delight.com  Fri Apr 30 07:42:03 2010
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cnovey@gmail.com wrote:
> Can I use a midi controller for EXP mode? Maybe use a dummy plug in exp pedal jack? 

er..so just remind us what EXP mode does ;-)

from what I remember, the loop is frozen when in "Play",
and feedback works while Overdubbing.


I'd always assumed that the "expert" of EXP(pert) Mode was Claude Voit,
and so when Matt asked me to think about the interface modes I left
it alone. ...but turns out that *no-one* knows where that mode came from,
except that it's some kind of emulation of Boomerang.



Truth is, I don't know how the feedback will perform in EXP mode
when you use midi control for feedback .

 

>I'm wanting to use my fcb1010 in exp mode without additional pedal.


In cases like this, best thing is to try it and see.



Also, keep us informed about what you're actually trying
to achieve by using that mode.
Currently the interface modes have been dropped from loop5
development as it's possible to do most of those functions
with sophisticated midi control.


andy





> Thanks
> C
> Sent via soup cans and string.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Apr 30 08:17:16 2010
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hi George,



The "mic In" of a camcorder is likely to have
an auto vol control, and the only way to
find out if the quality's good enough is to buy and try.

On the other hand
It's not at all difficult to sync up audio with video
in an editor, using the camera mic for guide audio only.
(best possible audio quality)

examples here:-
http://www.youtube.com/livelooper

andy



George Ludwig wrote:
> I was wanting to record some looping demos to upload to youtube, and I 
> need to get a comcorder. I really want to feed the audio in to the 
> camera via my mixing board. Not many camcorders seem to advertise a true 
> "line in" audio input. Has anyone tried feeding the mic input? Any success?

From fra.olo1@btinternet.com  Fri Apr 30 09:02:58 2010
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Date: Fri, 30 Apr 2010 09:01:55 +0000 (GMT)
From: FRA OLO <fra.olo1@btinternet.com>
Reply-To: francakolo01@yahoo.co.jp
Subject: Dear one
To: undisclosed recipients: ;
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-1745350420-1272618115=:45971"

--0-1745350420-1272618115=:45971
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Dear one
I am writting this letter with due respect and=20
heartful of tears since we have not known or met=20
ourselves previously.=20

I am asking for your assistance=20
after I have gone through a profile that speaks good=20
of you. I will be so glad if you can allow and lead me=20
to the right channel towards your assistance to my=20
situation now.=20

I will make my proposal well known if I=20
am given the opportunity. I would like to use this=20
opportunity to introduce myself to you. well, i am=A0
FrancaKolo 22years=A0young lady and I know that this=20
proposal might be a surprise to you but do consider it=20
as an emmergency.=20

In nutshell, My (late) father Mr Morris
was a very wealthy gold and=A0cocoa=A0merchant who based=20
in=A0Accra=A0and=A0Abidjan respectively. But he=20
was killed along side with my mother during=A0last year's
Rable attact=A0and all his properties was totally=20
destroyed.=20

However, after their death I managed to=20
escape with a very important document (DEPOSIT=20
CERTIFICATE (US$9.5)=A0Nine Millon FiveHundred
thousand U.S Dollars deposited by my late father in the bank=A0
which i am the next of kin.=20

Meanwhile,i am saddled with the problem of=20
securing a trust worthy foriegn personality to help me=20
transfer the money over to his country and into his=20
possession pending my arrival to meet with him.=20

Furthermore,you can contact the=A0bank for=20
confirmation and i will issue a letter of authorisation=20
on your name,that will enable the=A0bank to=20
deal with you on my behalf.=20

I am giving you this offers=20
as mentioned with every confidence on your acceptance=20
to assist me or take me as your=A0child and manage the=20
money.=A0 I am inclined to offer you 15% of the total sum=20
as a mode of compensation for your effort after the
=A0successful transfering of these fund to your=20
nominated account overseas

Conclusively,i wish you send me a reply=20
immediately as soon as you recieve this=20
proposal,please write me back=A0with this=A0email=20
address (francakolo01@yahoo.co.jp) Until then,i remain with=20
the best regards=A0

Franca.
--0-1745350420-1272618115=:45971
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><DIV id=3DRTEContent><FONT face=3D"times new =
roman" size=3D3><STRONG>
<DIV>Dear one</STRONG></FONT></DIV>
<DIV><FONT face=3D"times new roman" size=3D3><STRONG>I</STRONG></FONT><FONT=
 face=3D"times new roman" size=3D3><STRONG> am writting this letter with du=
e respect and <BR>heartful of tears since we have not known or met <BR>ours=
elves previously. <BR><BR>I am asking for your assistance <BR>after I have =
gone through a profile that speaks good <BR>of you. I will be so glad if yo=
u can allow and lead me <BR>to the right channel towards your assistance to=
 my <BR>situation now. <BR><BR>I will make my proposal well known if I <BR>=
am given the opportunity. I would like to use this <BR>opportunity to intro=
duce myself to you. well, i am&nbsp;<BR>FrancaKolo 22years&nbsp;young lady =
and I know that this <BR>proposal might be a surprise to you but do conside=
r it <BR>as an emmergency. <BR><BR>In nutshell, My (late) father Mr Morris<=
/STRONG></FONT></DIV>
<DIV><FONT face=3D"times new roman"><FONT size=3D3><STRONG>was a very wealt=
hy gold and&nbsp;cocoa&nbsp;merchant who based </STRONG></FONT></FONT></DIV=
>
<DIV><FONT face=3D"times new roman"><FONT size=3D3><STRONG>in&nbsp;Accra&nb=
sp;and&nbsp;Abidjan respectively. But he <BR>was killed along side with my =
mother during&nbsp;last year's</STRONG></FONT></FONT></DIV>
<DIV><FONT face=3D"times new roman"><FONT size=3D3><STRONG>Rable attact&nbs=
p;and all his properties was totally <BR>destroyed. <BR><BR>However, after =
their death I managed to <BR>escape with a very important document (DEPOSIT=
 <BR>CERTIFICATE (US$9.5)&nbsp;Nine Millon FiveHundred<BR>thousand U.S Doll=
ars deposited by my late father in the bank&nbsp;<BR>which i am the next of=
 kin. <BR><BR>Meanwhile,i am saddled with the problem of <BR>securing a tru=
st worthy foriegn personality to help me <BR>transfer the money over to his=
 country and into his <BR>possession pending my arrival to meet with him. <=
BR><BR>Furthermore,you can contact the&nbsp;bank for <BR>confirmation and i=
 will issue a letter of authorisation <BR>on your name,that will enable the=
&nbsp;bank to <BR>deal with you on my behalf. <BR><BR>I am giving you this =
offers <BR>as mentioned with every confidence on your acceptance <BR>to ass=
ist me or take me as your&nbsp;child and manage the <BR>money.&nbsp; I
 am inclined to offer you 15% of the total sum </STRONG></FONT></FONT></DIV=
>
<DIV><FONT face=3D"times new roman" size=3D3><STRONG>as a mode of compensat=
ion for your effort after the</STRONG></FONT></DIV>
<DIV><FONT face=3D"times new roman" size=3D3><STRONG>&nbsp;successful trans=
fering of these fund to your </STRONG></FONT></DIV>
<DIV><FONT face=3D"times new roman"><FONT size=3D3><STRONG>nominated accoun=
t overseas<BR><BR>Conclusively,i wish you send me a reply <BR>immediately a=
s soon as you recieve this <BR>proposal,please write me back&nbsp;with this=
&nbsp;email <BR>address (<A href=3D"http://uk.mc871.mail.yahoo.com/mc/compo=
se?to=3Dfrancakolo01@yahoo.co.jp" target=3D_blank rel=3Dnofollow ymailto=3D=
"mailto:francakolo01@yahoo.co.jp">francakolo01@yahoo.co.jp</A></STRONG></FO=
NT></FONT><STRONG><FONT face=3D"times new roman" size=3D3>) Until then,i re=
main with <BR>the best regards&nbsp;<BR></FONT></STRONG></DIV>
<DIV><STRONG><FONT face=3D"times new roman" size=3D3>Franca.</FONT></STRONG=
></DIV></DIV></td></tr></table>
--0-1745350420-1272618115=:45971--

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Date: Fri, 30 Apr 2010 04:23:49 -0700 (PDT)
From: Western Union Money Transfer <westernunion066@att.net>
Reply-To: wesmt2010@gmail.com
Subject: Western Union Money Transfer
To: undisclosed recipients: ;
MIME-Version: 1.0
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--0-949713800-1272626629=:60363
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=A0
=0ADear Sir / Madam,=20
=0AFor 156 years, Western Union hasa been connecting people. At Western Uni=
on , there's so much more than acmoney you're sending. Every sender and rec=
eiver is important to us. To celebrate our 156th Anniversary Switzerland , =
we're rewarding our customers with prizes of USD60, 000.00=20
=0A
=0ABecause you sent money on-line, from an agent location or received money=
 through Western Union , you've been selected.=20
=0A
=0AHowever, you are required to forward the following information for immed=
iate payment of your USD60, 000.00=20
=0A
=0A1.) Bank Name:=20
=0A2.) Beneficiary:=20
=0A3.) Account Number:=20
=0A4.) Bank Address:=20
=0A5.) Swift Code or Routing Number:=20
=0A6.) Your Mobile Telephone Number:=20
=0A
=0AYou will be contacted by a Western Union in the next 24 hours as soon as=
 you forward your required information and you will receive the USD60, 000.=
00 prizes immediately from us.=20
=0A
=0ASave time, send money, earn rewards! Western Union is a service people t=
rust.=20
=0AANNIVERSARY DAY=20
=0A
=0AThank you for using Western Union !=20
=0A
=0AEMAIL: wesmt2010@gmail.com=20
=0A
=0A-----------------------------------------------------
=0AWe endeavor to maintain physical, electronic and procedural safeguards t=
o guard your Information. We also endeavor to restrict Information access t=
o our employees, agents and representatives that need to know it. Western U=
nion will never disclose your personal or billing information to a third pa=
rty.
--0-949713800-1272626629=:60363
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>&nbsp;<br>=0ADear Sir / Madam, <br>=0AFor=
 156 years, Western Union hasa been connecting people. At Western Union , t=
here's so much more than acmoney you're sending. Every sender and receiver =
is important to us. To celebrate our 156th Anniversary Switzerland , we're =
rewarding our customers with prizes of USD60, 000.00 <br>=0A<br>=0ABecause =
you sent money on-line, from an agent location or received money through We=
stern Union , you've been selected. <br>=0A<br>=0AHowever, you are required=
 to forward the following information for immediate payment of your USD60, =
000.00 <br>=0A<br>=0A1.) Bank Name: <br>=0A2.) Beneficiary: <br>=0A3.) Acco=
unt Number: <br>=0A4.) Bank Address: <br>=0A5.) Swift Code or Routing Numbe=
r: <br>=0A6.) Your Mobile Telephone Number: <br>=0A<br>=0AYou will be conta=
cted by a Western Union in the next 24 hours as soon as you forward your re=
quired information and you will receive the USD60, 000.00 prizes immediatel=
y from us. <br>=0A<br>=0ASave time, send money, earn rewards! Western Union=
 is a service people trust. <br>=0AANNIVERSARY DAY <br>=0A<br>=0AThank you =
for using Western Union ! <br>=0A<br>=0AEMAIL: wesmt2010@gmail.com <br>=0A<=
br>=0A-----------------------------------------------------<br>=0AWe endeav=
or to maintain physical, electronic and procedural safeguards to guard your=
 Information. We also endeavor to restrict Information access to our employ=
ees, agents and representatives that need to know it. Western Union will ne=
ver disclose your personal or billing information to a third party.</td></t=
r></table>
--0-949713800-1272626629=:60363--

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=A0
=0ADear Sir / Madam,=20
=0AFor 156 years, Western Union hasa been connecting people. At Western Uni=
on , there's so much more than acmoney you're sending. Every sender and rec=
eiver is important to us. To celebrate our 156th Anniversary Switzerland , =
we're rewarding our customers with prizes of USD60, 000.00=20
=0A
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=0AYou will be contacted by a Western Union in the next 24 hours as soon as=
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00 prizes immediately from us.=20
=0A
=0ASave time, send money, earn rewards! Western Union is a service people t=
rust.=20
=0AANNIVERSARY DAY=20
=0A
=0AThank you for using Western Union !=20
=0A
=0AEMAIL: wesmt2010@gmail.com=20
=0A
=0A-----------------------------------------------------
=0AWe endeavor to maintain physical, electronic and procedural safeguards t=
o guard your Information. We also endeavor to restrict Information access t=
o our employees, agents and representatives that need to know it. Western U=
nion will never disclose your personal or billing information to a third pa=
rty.
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br>&nbsp;<br>=0ADear Sir / Madam, <br>=0AFor=
 156 years, Western Union hasa been connecting people. At Western Union , t=
here's so much more than acmoney you're sending. Every sender and receiver =
is important to us. To celebrate our 156th Anniversary Switzerland , we're =
rewarding our customers with prizes of USD60, 000.00 <br>=0A<br>=0ABecause =
you sent money on-line, from an agent location or received money through We=
stern Union , you've been selected. <br>=0A<br>=0AHowever, you are required=
 to forward the following information for immediate payment of your USD60, =
000.00 <br>=0A<br>=0A1.) Bank Name: <br>=0A2.) Beneficiary: <br>=0A3.) Acco=
unt Number: <br>=0A4.) Bank Address: <br>=0A5.) Swift Code or Routing Numbe=
r: <br>=0A6.) Your Mobile Telephone Number: <br>=0A<br>=0AYou will be conta=
cted by a Western Union in the next 24 hours as soon as you forward your re=
quired information and you will receive the USD60, 000.00 prizes immediatel=
y from us. <br>=0A<br>=0ASave time, send money, earn rewards! Western Union=
 is a service people trust. <br>=0AANNIVERSARY DAY <br>=0A<br>=0AThank you =
for using Western Union ! <br>=0A<br>=0AEMAIL: wesmt2010@gmail.com <br>=0A<=
br>=0A-----------------------------------------------------<br>=0AWe endeav=
or to maintain physical, electronic and procedural safeguards to guard your=
 Information. We also endeavor to restrict Information access to our employ=
ees, agents and representatives that need to know it. Western Union will ne=
ver disclose your personal or billing information to a third party.</td></t=
r></table>
--0-1106017913-1272626650=:2749--

From test@quotepro.com  Fri Apr 30 12:46:15 2010
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Dear Sir/Madam,

I hope that this correspondence is received with the urgency and
expediency required.It has come to the notice of the Board of Trustees at
the CBN that your present inheritance claims application being handled by
the Remitting Bank in Nigeria is experiencing some man made
irregularities.To this effect,it has become necessary for the Board of
Trustees to invite trained Fund Transfer Specialists from the United States
to resolve and regularize your fund release with immediate effect.We at
Anthony Mcferrin Consults have been duly consulted by the CBN Board of
Trustees and have been fully informed about how the staff of the remitting
bank have been taking advantage of you by telling you to pay unnecessarily
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Due to this we have decided to step into the process of your fund
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the principal participants in this unethical payment
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charges to the Remitting Bank in Nigeria as they shall no longer be
handling your payment process.

We shall await your immediate correspondence with your direct telephone
numbers for re-confirmation to to my confidential email address at
(anthony_mcferrin56@live.com) so that we may conclude your payment
immediately.

Yours Sincerely,
Dr. Anthony Mcferrin.
Anthony Mcferrin Consults c/o CBN.

From test@quotepro.com  Fri Apr 30 12:46:19 2010
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To: undisclosed-recipients:;

Dear Sir/Madam,

I hope that this correspondence is received with the urgency and
expediency required.It has come to the notice of the Board of Trustees at
the CBN that your present inheritance claims application being handled by
the Remitting Bank in Nigeria is experiencing some man made
irregularities.To this effect,it has become necessary for the Board of
Trustees to invite trained Fund Transfer Specialists from the United States
to resolve and regularize your fund release with immediate effect.We at
Anthony Mcferrin Consults have been duly consulted by the CBN Board of
Trustees and have been fully informed about how the staff of the remitting
bank have been taking advantage of you by telling you to pay unnecessarily
exorbitant charges which will only make your fund payment a long drawn out
process.

Due to this we have decided to step into the process of your fund
transfer to enable your funds to be transferred within the soonest possible
time you are to get back to us immediately without needing to pay all the
huge sums of monies that are being demanded from you by the remitting
bank.All processes to have your funds paid to you immediately through the
CBN's  Laison Remittance Office in New York have been initiated to cut out
unnecessary costs.You are advised to keep this communication highly
confidential as the CBN Board of Trustees have asked us to resolve this
fund payment independent of the office of the CBN Gorvernor to identify the
the principal participants in this unethical payment
procedure.Furthermore,you are hereby advised to pay no further fees or
charges to the Remitting Bank in Nigeria as they shall no longer be
handling your payment process.

We shall await your immediate correspondence with your direct telephone
numbers for re-confirmation to to my confidential email address at
(anthony_mcferrin56@live.com) so that we may conclude your payment
immediately.

Yours Sincerely,
Dr. Anthony Mcferrin.
Anthony Mcferrin Consults c/o CBN.

From sstefffffan@neostrada.pl  Fri Apr 30 15:18:03 2010
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Sir,

I am Mr.GOH SIU LIN. I represent Mr Zhang Chunjiang, Vice Chairman and an executive director of China Mobile Limited, in Hong Kong. I have a very sensitive and confidential brief from this top (executive) to ask for your partnership in re-profiling funds over fifty five point five Million United States dollars. I will give the details, but in summary, the funds are coming via Bank of East Asia Malaysia.
 
This is a legitimate transaction. You will be paid 15% for your "management fees".  If you are interested,please write me back via my private email: gohsiulin@asia.com.

Also,furnish me with your confidential telephone number,fax number and private email address and and I will provide further details and instructions. Please keep this confidential; we can't afford more problems/scandals.
Finally, please note that this must be concluded within two weeks. Please write back promptly.  I will also suggest you visit this news site on the internet to be better informed about this project.

http://www.hkexnews.hk/listedco/listconews/sehk/20091227/LTN20091227015.pdf
http://www.bangkokpost.com/news/asia/163674/china-mobile-vice-chairman-under-investigation

I await your prompt response
 

Sincerely,

GOH SIU LIN
Commercial Fraud Litigation,
Asset Tracing and Recovery, 
Commercial Litigation 
and Alternative Dispute Resolution.
4th Floor, AmBank Group Building
No. 55, Jalan Raja Chulan
50201 Kuala Lumpur
Malaysia.

From Loopers-Delight-request@loopers-delight.com  Fri Apr 30 15:25:18 2010
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Subject: Re: audio in to camcorder mic input? OT
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Agreed Andy, I record on a daw at the same time as I make the video and then 
sync in Vegas using the mic recording as a guide. A little tricky but not to 
difficult and much better sound from a line in from my mixer compared to my 
cheap camcorder mic.

On the other hand I have heard good sound from high quality camcorder mic 
recordings.  Mine is a hundred dollar Flip video cam.

best,

Jeff


----- Original Message ----- 
From: "andy butler" <akbutler@tiscali.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, April 30, 2010 4:17 AM
Subject: Re: audio in to camcorder mic input? OT


> hi George,
>
>
>
> The "mic In" of a camcorder is likely to have
> an auto vol control, and the only way to
> find out if the quality's good enough is to buy and try.
>
> On the other hand
> It's not at all difficult to sync up audio with video
> in an editor, using the camera mic for guide audio only.
> (best possible audio quality)
>
> examples here:-
> http://www.youtube.com/livelooper
>
> andy
>
>
>
> George Ludwig wrote:
>> I was wanting to record some looping demos to upload to youtube, and I
>> need to get a comcorder. I really want to feed the audio in to the
>> camera via my mixing board. Not many camcorders seem to advertise a true
>> "line in" audio input. Has anyone tried feeding the mic input? Any 
>> success?
>


--------------------------------------------------------------------------------



No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.437 / Virus Database: 271.1.1/2843 - Release Date: 04/29/10 
18:27:00

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References: <z2h1318f21d1004292142m1ab47d71r89962c257c470979@mail.gmail.com>
	 <4BDA920D.1030600@tiscali.co.uk>
	 <001101cae879$53cab1c0$5ef73747@tbl01fcf9be917>
Date: Fri, 30 Apr 2010 17:35:08 +0200
Message-ID: <m2p66f9cc1e1004300835u97eab654r816546039119a5ec@mail.gmail.com>
Subject: Re: audio in to camcorder mic input? OT
From: Per Boysen <perboysen@gmail.com>
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On Fri, Apr 30, 2010 at 5:25 PM, Jeff Duke <jeff_d@embarqmail.com> wrote:
> Agreed Andy, I record on a daw at the same time as I make the video and then
> sync in Vegas using the mic recording as a guide.


This is my method of choice as well. Sorry for the late post, I did
not answer this post because it was about camcorder mic input and I
don't use that.

(Not using Vegas though. Rather Quicktime, Ableton Live, Logic, iMovie or FCE)

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com
www.looproom.com internet music hub

From jsmith20916@yahoo.com  Fri Apr 30 16:14:43 2010
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	Fri, 30 Apr 2010 17:59:07 +0200
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Date: Fri, 30 Apr 2010 17:59:07 +0200
From: JOHN SMITH <jsmith20916@yahoo.com>
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Subject: FROM MR.JOHN SMITH
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Dear Sir/Madam,

Please, I want to introduce myself and this business opportunity to you.

My name is Mr John Smith , a bank accountant,I will need your assistance in
this business transaction.I would like you to stand as the next of kin to my
deceased customer,Mr William Barnes, who died in a plane crash 31 October
1999[With Egyptian airline 990] with other passengers aboard.

He was a Wealthy Oil Merchant who made a deposit of $30Million[Thirty Million
United State Dollars] with our bank.He died without any registered next of kin
and as such the funds now have an open beneficiary mandate. If you are
interested  please do let me have your private telephone number so that I can
give you comprehensive details on what we are to do.

I urgently hope to get your response as soon as possible through my private
email address: johnsmith@avoe.ge.

Best Regards,
Mr John Smith




------------------------------------------------------
Opret en gratis TV2 mail på http://tv2mail.tv2.dk

From wwwrun@zhora.ememultimedia.es  Fri Apr 30 18:44:58 2010
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Subject: FROM (IMFU)
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Date: Fri, 30 Apr 2010 11:38:07 +0200 (CEST)


INTERNATIONAL MONETARY FUND UNIT (IMFU)
HEAD OFFICE NO: 23 DAVID HARRY ST,
Liverpool, L70 1NL UNITED KINGDOM. 
International Monetary Funds Unit.
Direct Hotline:+ 447-024-099-824

ATTN:Beneficiary , 

This is to intimate you of a very important information which will be of a great help to redeem you from all the difficulties you have been experiencing in getting your USD$5.5Million long over due payment to excessive demand of money from you by both corrupt Bank officials and Courier Companies after which your fund remain unpaid to you.

I am Dr.JAMES C. Micheal a highly placed official of the International Monetary Fund Unit (IMFU).
It may interest you to know that reports have reached our office by so many correspondences on the uneasy way which people like you are being treated by Various Banks and Courier Companies across Europe to Africa and Asia.
For that reasons we have decided to put a stop to that and that is why I was appointed to handle your transaction here in UNITED KINGDOM.


Governmental and Non-Governmental prostates, NGOs, Finance Companies, Banks, Security Companies and Courier companies which have been in contact with you of late and recently have been instructed to back up from your transaction and you have been advised not to respond to them any more since the IMFU is now directly in charge of your payment.

You are hereby advised not to remit further payment to any institutions with respect to your transaction as your fund will be transferred to you directly from our source (Bank) here.

I hope this is clear. Any action contrary to this instruction is at your own risk.
Respond to this mail:(monetarfundsunitlon1@cooltoad.com) with immediate effect and we shall give you further details on how your fund will be released.
Also call me as soon as you send the e-mail so that you will be given an immediate response:

Best Regards,
Dr. James C. Micheal. 

Direct Hotline:+ 447-024-099-824 
International Monetary Fund Unit (IMFU)



From digger4451@verizon.net  Fri Apr 30 19:32:47 2010
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Date: Fri, 30 Apr 2010 12:32:39 -0700 (PDT)
From: Dr DAVID BOOMA <digger4451@verizon.net>
Subject: YOUR COMPASATION
To: undisclosed recipients: ;
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=A0
=0A
=0AMy Dear Friend
=0A=20
=0AHow are you today, Hope doing fine? I am Mrs Amina Alwi I am currently s=
ending you this email from Romania .
=0A=20
=0AI hope you haven't forgotten who I am? Well' it is my pleasure to inform=
 you about my success in getting that transaction completed and the abandon=
ed funds was successfully transferred under the co-operation of another for=
eign partner from Romania ,I want you to contact my Reverend in Benin on th=
e information below:Name:
=0A=20
=0ADr DAVID BOOMA
=0ATel: +229 98 452 423.
=0AEmail:dr.usmanbelo441@yahoo.com.hk =20
=0A
=0AAsk him to send to you the total sum of($ 2.5 Million Dollars ) in a Cas=
hier Cheque, which I kept for your compensation. So contact him immediately=
 on his e-mail:(dr.usmanbelo441@yahoo.com.hk ) and send him the below infor=
mation to enable him deliver your cashier cheque to you.
=0A=20
=0A1.YOUR FULLNAME
=0A2.YOUR ADDRESS:
=0A3.TELEPHONE NUMBER:
=0A4.OCCUPATION:
=0A=20
=0ABest Regards
=0AMrs Amina Alwi
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<table cellspacing=3D"0" cellpadding=3D"0" border=3D"0" ><tr><td valign=3D"=
top" style=3D"font: inherit;"><br><br>&nbsp;<br>=0A<br>=0AMy Dear Friend<br=
>=0A <br>=0AHow are you today, Hope doing fine? I am Mrs Amina Alwi I am cu=
rrently sending you this email from Romania .<br>=0A <br>=0AI hope you have=
n't forgotten who I am? Well' it is my pleasure to inform you about my succ=
ess in getting that transaction completed and the abandoned funds was succe=
ssfully transferred under the co-operation of another foreign partner from =
Romania ,I want you to contact my Reverend in Benin on the information belo=
w:Name:<br>=0A <br>=0ADr DAVID BOOMA<br>=0ATel: +229 98 452 423.<br>=0AEmai=
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tal sum of($ 2.5 Million Dollars ) in a Cashier Cheque, which I kept for yo=
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yahoo.com.hk ) and send him the below information to enable him deliver you=
r cashier cheque to you.<br>=0A <br>=0A1.YOUR FULLNAME<br>=0A2.YOUR ADDRESS=
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